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Speaker 1: R and B money, Honey, we are.

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Speaker 2: Than think about the child. We are the authority on

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Speaker 2: all th R and B ladies and gentlemen. My name

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Speaker 2: is Tank, and this.

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Speaker 3: Tell them what it is. Ship.

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Speaker 4: Yeah, hold on, hold on, yeah, motherfuckers, Oh, motherfucking yeah.

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Speaker 1: I'm not gonna do long intro.

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Speaker 2: You know why why because the people have been asking,

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Speaker 2: not asking for two interview, demanding the interviews, threatening two interviews.

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Speaker 1: One was Jesus and the other was christ.

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Speaker 5: Yeah, yeah, yeah, ship ship.

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Speaker 3: I'm gonna be round right now, y'all can't funk with us?

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Speaker 1: Go ahead. I remember, I remember.

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Speaker 2: I remember walking into the studio on your second album

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Speaker 2: and you're saying, big bro out, I want you to

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Speaker 2: get on. I'm like, okay, cool, you know, come up there.

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Speaker 2: You know, probably gonna help you, right, help you, help

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Speaker 2: you really put the ship together. You know what I'm saying,

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Speaker 2: because that's what I do, and help you put your

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Speaker 2: ship together. You know what I'm saying. I'm on a

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Speaker 2: high level. You know, I'm a high level producer, writing

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Speaker 2: and singer. You know you probably need me. I'm on

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Speaker 2: the way. And I get in there and you play

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Speaker 2: this song called take My Time, and you said, yeah,

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Speaker 2: big brother, got I got. I kind of modeled it

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Speaker 2: off after Sexual Pain and it's already good. You just

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Speaker 2: you just sing your verse, right, this is your verse.

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Speaker 2: And I was like, so he doesn't need.

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Speaker 1: And bro.

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Speaker 2: It was like the craziest I'd never seen a learning

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Speaker 2: curve that small to where a first album, it was

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Speaker 2: like people were giving you things.

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Speaker 5: Yeah, had to learn that was like school.

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Speaker 2: And by your second album you had already figured it out.

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Speaker 2: And it was scary to see. I was like, where's

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Speaker 2: he gonna be on his third album? Where's he gonna be?

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Speaker 2: And now too many years later, now it's just records

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Speaker 2: being broken. Now you're just breaking your own records.

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Speaker 6: I'm trying to set againness world records and it's not

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Speaker 6: even it's not even close.

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Speaker 2: You know what I'm saying. We like to start to begin.

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Speaker 2: I just had to start there because I just I

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Speaker 2: just when I felt like I wasn't needed anymore musically,

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Speaker 2: I just kind of.

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Speaker 1: Myself.

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Speaker 6: But I called him I was like being broken on

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Speaker 6: the record. So it was like I didn't feel the

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Speaker 6: record at that time. It would be like me stealing

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Speaker 6: a record from you. What I'm saying that I didn't

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Speaker 6: involve you in the record because I'm like, I was

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Speaker 6: inspired by your song to do the song. So I

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Speaker 6: was like, let me now get on the record with me,

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Speaker 6: bro Like, and I can talk. I can talk a

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Speaker 6: little bit more adult now on the song because I'm older,

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Speaker 6: you know, before I had to learn him like, oh,

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Speaker 6: I can't say that, I can't say this. And then

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Speaker 6: by the time, like even working with you from Kerry Hillson,

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Speaker 6: I Donnis, you know, like working with all these different writers,

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Speaker 6: Dre and Dal all of them, like back in the day,

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Speaker 6: I was fifteen fourteen doing that album, my first album.

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Speaker 5: Man, that's that was like learning. So like I said,

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Speaker 5: I was in school, like Okay, this is how you

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Speaker 5: do it. This is how you make a song. There's

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Speaker 5: a verse a pre course, and I didn't know none

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Speaker 5: of that.

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Speaker 1: So you learned that over a summer, bro.

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Speaker 3: Man, That's what it felt like.

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Speaker 1: That's what it felt like.

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Speaker 2: I felt like that it took me to the place

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Speaker 2: of being where I was the teacher. It took me

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Speaker 2: to a place of being reverting back to a student.

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Speaker 1: Damn. Like watching him work like that, I was like, okay,

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Speaker 1: he different. No, we literally like and.

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Speaker 7: I don't know if we've ever told you this, but

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Speaker 7: we've literally worked with you, got in the car and

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Speaker 7: then implement it some of the ship you do.

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Speaker 3: Bro, you may look at us like the big brother.

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Speaker 7: No, Nigga, we've literally worked with you and been like, nigga,

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Speaker 7: did you watch out he and then he did.

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Speaker 3: His vocal this way.

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Speaker 6: Oh yeah, like you know we're paying attention. Yeah, that's sporadic.

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Speaker 6: How how we record? Like I learned, remember how everybody

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Speaker 6: used to have to record like we have to punch.

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Speaker 5: No, it was really no punching.

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Speaker 6: You had to sing that whole work, right, So once

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Speaker 6: technology got faster, I was like, we can still do

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Speaker 6: the same amount of effort as far as you remember.

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Speaker 6: How how how do my stack? So how it's it's

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Speaker 6: faster to me because it's like in section and I

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Speaker 6: can just put them all together and then it looks

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Speaker 6: like a painting.

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Speaker 5: So that's what I was kind of learning.

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Speaker 6: So if y'all, if y'all implemented certain ship, I'm like, damn,

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Speaker 6: y'all was looking at what I was doing.

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Speaker 1: I'm stealing.

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Speaker 3: I used to.

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Speaker 5: A great word.

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Speaker 2: You know what I'm saying, Thank you stealing. I'm at

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Speaker 2: the house like Jesus Christ.

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Speaker 1: How we get that?

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Speaker 2: How do we get that? I ain't gonna do the dance?

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Speaker 2: Moved to go over and slow it down a little bit,

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Speaker 2: like I ain't.

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Speaker 1: Make it do that.

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Speaker 3: He's here now, Chris is here, So Chris Brown. That's

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Speaker 3: Nigga Brown. Just so you know, that's Nigga Brown over there.

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Speaker 7: And he always mentions you when he mentions his dance

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Speaker 7: move for some odd reason.

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Speaker 2: Because you have to understand, I'm the older version of

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Speaker 2: Chris Brown. Since this genuine won't do the dances. You

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Speaker 2: know what I'm saying, I tell the nigga the nigga

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Speaker 2: first of all, come on, due to the fucking pony dance.

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Speaker 2: He won't do the fucking pony dance. So it upsets me.

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Speaker 1: I won't do it.

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Speaker 2: So now I got to pick up the mantle. I

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Speaker 2: gotta go back to my freaky days. You know what

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Speaker 2: I'm saying. Video I'm doing summersaults. You know what I'm saying.

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Speaker 2: I'm blowing up fucking buildings. You know what I'm saying, Like,

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Speaker 2: I got to go back to those days just to

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Speaker 2: show people I'm really that.

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Speaker 3: Yeah, So what are you telling you? Is he was

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Speaker 3: Yusie for you.

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Speaker 2: No, I'm not saying that. What I'm saying is, don't

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Speaker 2: don't think I ain't got feet.

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Speaker 1: Y'all got I got feet.

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Speaker 3: They don't all work the same.

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Speaker 1: No, Brown, that's going to be too left feet. But

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Speaker 1: it's the left them.

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Speaker 2: Let's go to the beginning, the beginning of when when

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Speaker 2: did somebody identify that you had something special?

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Speaker 6: Or when did you I mean, as you know, like

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Speaker 6: I think I was like probably about nine when I

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Speaker 6: was like, Okay, I actually can sing. I was in

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Speaker 6: the choir and I was like, oh, they gave me

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Speaker 6: the leads and I was like I'm seeing people like

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Speaker 6: yeah baby when I sing church Yeah, And I'm like, yeah, oh,

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Speaker 6: I really sound good to these people because you know,

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Speaker 6: your family members always hate man, shut up, you don't

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Speaker 6: sound like So I really took a series like nine

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Speaker 6: to ten, and then my mom was we were in

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Speaker 6: Tappa handing, and I was like, look I met these people.

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Speaker 5: We just got to drive like an hour and a

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Speaker 5: half away, Like you met the people.

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Speaker 6: Yeah, I met him. I met the people through through

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Speaker 6: through like one guy. I met him through like three

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Speaker 6: different people. So I maintained a close relationship with a

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Speaker 6: guy that was around my age, and we and we

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Speaker 6: always did music, but he would he would always dance.

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Speaker 6: So he'll take me to like the radio shows, like, look,

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Speaker 6: let's go up to the radio station while they doing

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Speaker 6: like they knew artist stuff. Let's let's see if we

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Speaker 6: can slide in there and we just play our stuff

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Speaker 6: and we just dance.

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Speaker 5: So I hung with him, and then he got noticed

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Speaker 5: by like.

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Speaker 6: Troy Taylor's people and a group of different different uh

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Speaker 6: like guys that that they knew around the Virginia area.

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Speaker 5: So from there we.

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Speaker 6: Started working and then I met the people I met

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Speaker 6: in New York and so now that was like all

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Speaker 6: in like a three to four year process. But it

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Speaker 6: was like as soon as I said, Mom, want to

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Speaker 6: do this, it was like basketball practice. Okay, drive I

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Speaker 6: don't know what You're in the studio till six in

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Speaker 6: the morning, Drive back nine to eight and what age

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Speaker 6: shit ten?

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Speaker 1: Eleven?

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Speaker 5: Oh man, yeah ten, shout out to yeah mama.

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Speaker 1: Mama.

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Speaker 6: Mama was son the vision she and she made sure

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Speaker 6: I still went took my ass to school. But at

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Speaker 6: the same time, she was like, all right, if you

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Speaker 6: want to do this, you're gonna have to have the

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Speaker 6: same discipline and you can't be slacking off on certain shit.

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Speaker 5: So I got too.

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Speaker 6: Much energy as it is, So I was like, shit,

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Speaker 6: I'm not feeling I'm finna do this.

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Speaker 2: So people writing songs for y'all like producing songs. Yeah,

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Speaker 2: a group, like what's going on?

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Speaker 5: Uh? Well, I was never.

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Speaker 6: I was never in a group. The only group I

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Speaker 6: was in was with my boy TJ. Shout out to TJ.

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Speaker 5: Free him. Uh but for him, yeah, yeah, yeah yeah.

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Speaker 6: He'd be out in the buy it some time. But

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Speaker 6: back in the day, he was the rapper, you know

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Speaker 6: what I'm saying. And I would get on the songs

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Speaker 6: with him and just be on the courses like you know,

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Speaker 6: do hooks and stuff. And we would write little stuff

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Speaker 6: and it really won't like good at the time when

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Speaker 6: we was young, but it was for our age.

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Speaker 5: It was like exceptional, Like okay, y'all got your potention.

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Speaker 3: Remember he was man.

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Speaker 5: Fans my my rap name. So he was TJ nice

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Speaker 5: and see sizzle he was. He was a sizzle man.

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Speaker 6: It was I was playing basketball, so sa sizzle was

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Speaker 6: a word you can say.

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Speaker 2: Back then, I wouldn't be hurricane and he he niggas

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Speaker 2: would have never.

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Speaker 5: Made the hell out we would have made it get

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Speaker 5: him out of here.

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Speaker 7: I would have been the punk ass executive y'all come

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Speaker 7: sing probably man, if you don't get sizzled and hurricane

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Speaker 7: the funk.

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Speaker 1: Out of here.

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Speaker 3: Man again, bro, look at R and B.

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Speaker 1: Look what R and B is done for y'all too, Man,

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Speaker 1: what was the next level up? When it was like?

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Speaker 2: When was it like, Okay, this ship is getting serious

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Speaker 2: or we found a record or we found a moment

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Speaker 2: where so when I started, pros are starting now.

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Speaker 6: So I had my first I think it got serious

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Speaker 6: to me when I booked my and this had nothing

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Speaker 6: to do with music at the time, but because we

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Speaker 6: showcased our musical talent, we booked the job. It was

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Speaker 6: for a g unit campaign, right, and so like I

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Speaker 6: was like, you know what, fifty c hes gonna.

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Speaker 5: Be able to see it. He gonna be at the

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Speaker 5: vote at the shoot. We can give him my demo.

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Speaker 6: We could sing, you know, the typical like y'all want

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Speaker 6: to get signs ship. So we actually did that audition.

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Speaker 6: They was like, man, you kids are phenomenal, and they

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Speaker 6: booked us. Boom, we got there. We went, we backstage

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Speaker 6: with all of them, like but I never really hung

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Speaker 6: with fifty at that time. He just was always respectful,

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Speaker 6: like what's up y'all boom, But we was around Lloyd

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Speaker 6: Banks a couple of different.

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Speaker 5: Guys, but we were bad little kids. Like you know

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Speaker 5: what I'm saying.

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Speaker 6: We already had weed and ship like, so we was like,

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Speaker 6: we're trying to smoke our weed on the side.

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Speaker 5: They're like, man, what y'all doing, and so like nah,

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Speaker 5: we wrapped and we see. So we started.

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Speaker 6: Performing with them and then they was like you know what, man,

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Speaker 6: y'all niggas is dope. And then I remember one niggas

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Speaker 6: like man, but we don't know how to fuck markt No,

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Speaker 6: damn kids, we some gangsters.

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Speaker 5: So I was like, so I was like, damn, Like

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Speaker 5: I understood it.

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Speaker 6: But it was just like, Okay, this ship is about

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Speaker 6: to be real for us because other artists actually looking

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Speaker 6: and that not saying the typical art that's cool, you

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Speaker 6: know what I'm saying.

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Speaker 1: So like real real artists who do.

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Speaker 5: And people were looking up. There was the hottest group

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Speaker 5: at the time, you know what I'm saying.

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Speaker 6: So like for us that was like seeing seeing gods,

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Speaker 6: like okay, cool, we get to see all our all

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Speaker 6: our idols in one and they like our stuff. And

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Speaker 6: then from there our demo tapes started going out, like

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Speaker 6: we had a but I was only how I discovered

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Speaker 6: I had a solo song that I did.

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Speaker 5: It's called Whose Girl Is that? You can go look

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Speaker 5: at her YouTube.

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Speaker 6: I was like, I think I was twelve or thirteen

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Speaker 6: when I shot it, So this was yeah, so so,

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Speaker 6: but it was like back then, you know that was that.

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Speaker 6: It was like the bootleg videos, you know how man,

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Speaker 6: it's gotta be two thousand and what three?

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Speaker 1: Might it might have been on DVD? I thought I

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Speaker 1: thought it might have been on VHS.

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Speaker 5: No, no, no, we had we had it on the debut.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 5: If it was VHS, I would be like, oh you

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Speaker 5: heard the the popping before the videos stuff.

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Speaker 1: Yeah.

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Speaker 6: But when we did we did the video like it

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Speaker 6: wasn't It wasn't really expensive, but you know, because it

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Speaker 6: was independent, we was like, okay, cool, we're gonna we're

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Speaker 6: gonna shoot it like this. And the demo tape actually

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Speaker 6: the video didn't even go out because we didn't have

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Speaker 6: no platform to put it on. We would just ship

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Speaker 6: ship it or shop it with our demos. So the

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Speaker 6: demo I was number seven out of a song of

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Speaker 6: maybe like twenty eight, but with seven different or seven

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Speaker 6: or eight different artists.

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Speaker 5: It was like a damn mixtape mixed up.

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Speaker 6: So but basically they were shopping it out to other

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Speaker 6: labels to see and I remember Tina Davis to this

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Speaker 6: day shout out to Teena Davis. She she listened to

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Speaker 6: the songs like who's this kid? And then I want

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Speaker 6: to meet this kid? And that's when I went to

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Speaker 6: death Jam and she had to meeting with us, and

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Speaker 6: then from there they wanted to sign us, and then

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Speaker 6: you know, a merger happened. She left and I was like,

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Speaker 6: hold on, but Tina, you listened to me first, so

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Speaker 6: could you you want to manage me? I don't got

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Speaker 6: no manage You're like, She's like cool, but you want

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Speaker 6: to stay here or I can get you some other deals?

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Speaker 1: I said you, So does the company get the deal

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Speaker 1: and you're part of that deal.

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Speaker 5: So what it was was the company did a deal

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Speaker 5: with me.

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Speaker 6: When I ended up signing with with job at the time,

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Speaker 6: the company, we we just paid them out for the

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Speaker 6: work that they already did and then we gave them

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Speaker 6: points on the album and they would Yeah. So they

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Speaker 6: always get credited so that that that classic album, they're

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Speaker 6: always going to eat from it, you know what I'm saying.

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Speaker 6: So the way I looked at it was it was

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Speaker 6: cool because they didn't hold me into a nah, you

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Speaker 6: gotta be like this we get we taking your publishing,

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Speaker 6: they need all this.

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Speaker 5: They didn't.

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Speaker 6: They didn't strong arm at all because and they believed

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Speaker 6: in the dream, you know what I'm saying.

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Speaker 5: To this day.

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Speaker 6: TJ's father was the guy who really put it together.

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Speaker 6: So me and TJ are brothers, even with his kids

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Speaker 6: with everything. So it's like, how how I looked at

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Speaker 6: it was like, damn, they gave me a shot and

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Speaker 6: they let me.

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Speaker 7: They let me do what I needed to do because

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Speaker 7: there have been labels that have held artists and you

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Speaker 7: never get a chance to see if an artist is

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Speaker 7: going to become a star because they're just trying to

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Speaker 7: do what they consider to be business instead of actually

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Speaker 7: caring about the artists.

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Speaker 1: Yeah.

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Speaker 5: Yeah.

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Speaker 6: And then Mark Pitt's how they did it with us.

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Speaker 6: With Mark pitts uh, the actual production company I was

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Speaker 6: working with.

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Speaker 5: They they brought me right to Mark Pits with Tina.

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Speaker 6: So when we went to a job, they was like

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Speaker 6: you know what, we don't want to let y'all leave

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Speaker 6: the building. Like and I built a bigger rapport with

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Speaker 6: Mark out of any other A and R that I

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Speaker 6: would meet, Like, you know, Kevin Loules was cool as hell,

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Speaker 6: but like Mark Pitts was like more young. He was energetic,

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Speaker 6: like he was like, hey man, let's and you know,

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Speaker 6: job had everybody too. They had Britney Spears, Aaron Carter

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Speaker 6: at the time, recipes, uh r, Kelly, they had everybody,

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Speaker 6: you know what I'm saying. So I'm looking like who

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Speaker 6: who's going to be the best for the genre that

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Speaker 6: I'm doing?

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Speaker 5: Who's going to be the best R and B genre?

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Speaker 3: You're already thinking about that fourteen?

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Speaker 2: Yeah?

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Speaker 5: Because I needed. I needed.

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Speaker 6: I always always wanted to execute a plan and know

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Speaker 6: that it comes with a lot of shit, Like you

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Speaker 6: know what I'm saying, Like I'm not okay, I'm not

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Speaker 6: gonna just do this right now to get some girls

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Speaker 6: and then go back home. Anything I could do to

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Speaker 6: not go back home, like you know what I'm saying,

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Speaker 6: To elevate my life, I think I planned. I'm very imaginative,

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Speaker 6: so so my my what is it called? My manifestations

348
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Speaker 6: were already like years in advance, like I want to

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Speaker 6: do this so you know.

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Speaker 2: So you said Tina Davis shout out to Tenna Davis

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Speaker 2: shout out to the area. Yeah, yeah, what's your when

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Speaker 2: you get with Tina Davis?

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Speaker 1: What is what is?

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Speaker 2: First of all, you spoke on it just like a

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Speaker 2: little bit in terms of you saying like something was

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Speaker 2: something about her made sense for you in terms of saying,

357
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Speaker 2: you know, I want to roll with you. Yeah, what

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Speaker 2: was that thing that you just connected with that just

359
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Speaker 2: made you like because that's a different type of because

360
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Speaker 2: you already in a building.

361
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Speaker 5: Yeah, I feel like, well she did.

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Speaker 6: She really kind of like showed me the first the

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Speaker 6: first ten minutes of me being in the office because

364
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Speaker 6: we came in there. Me and TJ came in there

365
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Speaker 6: red rags on beads like I hadn't read to get it.

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Speaker 6: We came, we came on some gangs, trying to look tough.

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Speaker 6: She's like, take that shit off, take all that off.

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Speaker 5: Boom boom.

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Speaker 6: And when we when I started performing, she would be like,

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Speaker 6: stop do this when you perform, act like that. This

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Speaker 6: person the only person.

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Speaker 5: So she gave me direction that i've that I've never experienced,

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Speaker 5: and I was like, this is the sharpening that I

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Speaker 5: need in order to be big. You gee what I'm saying.

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Speaker 6: So once once she did that, I was like, damn,

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Speaker 6: she believed in me and gave me a chance with

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Speaker 6: somebody could have they could have just let me go

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Speaker 6: out how I thought it.

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Speaker 1: Was gonna be.

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Speaker 5: And then it was they were like, we don't want this.

381
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Speaker 5: You know what I'm saying. We don't want this kid.

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Speaker 5: She shaped it.

383
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Speaker 6: So I was like, you know what, I don't want

384
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Speaker 6: to I don't want to traverse through this whole kind

385
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Speaker 6: of thing and not know where the fuck I'm going

386
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Speaker 6: that right there. I want to see if she wants

387
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Speaker 6: to manage me or be a part of it, because

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Speaker 6: she she kind of like opened the spark up in

389
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Speaker 6: my in my creative brain or seeing what I really

390
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Speaker 6: needed to be.

391
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Speaker 2: And I think the reason I was asking you that

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Speaker 2: is because as as like, just as new artists emerged,

393
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Speaker 2: I think, you know, we see we see new artists

394
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Speaker 2: with this with definitely a great level of confidence. But

395
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Speaker 2: I want artists to make sure they're putting themselves in

396
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Speaker 2: a position with people that challenge them, Yeah, challenge them

397
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Speaker 2: to be better.

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Speaker 6: What is it called what we conditioning, not conditioning like

399
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Speaker 6: when we were younger. You have to go through artists

400
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Speaker 6: development development, That's what it was.

401
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Speaker 5: So so as far as what we have to do

402
00:16:50,320 --> 00:16:52,160
Speaker 5: is like you got to go through media training. You

403
00:16:52,200 --> 00:16:52,560
Speaker 5: gotta go.

404
00:16:52,800 --> 00:16:54,920
Speaker 6: You got to know how to answer a question, like

405
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Speaker 6: you got to know how to think about lost art.

406
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Speaker 2: To lead the interview. Yeah, like there they have a goal.

407
00:17:02,320 --> 00:17:04,520
Speaker 2: But I have a fucking call, right, I got ship

408
00:17:04,560 --> 00:17:07,240
Speaker 2: that I'm selling exactly. Okay, what question you asked me.

409
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Speaker 2: We don't get back to this fucking if I promise you.

410
00:17:10,960 --> 00:17:14,160
Speaker 2: That takes preparation, though, that takes preparation. And I remember

411
00:17:14,440 --> 00:17:17,080
Speaker 2: my first time meeting you in New York. I think

412
00:17:17,080 --> 00:17:18,400
Speaker 2: you're like fourteen, maybe.

413
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Speaker 7: About to be fifteen, at Ethiopia's office when she was

414
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Speaker 7: in publishing at the time at the Universal Music Publishing Company,

415
00:17:26,400 --> 00:17:28,480
Speaker 7: and I was there on the writing trip, and I

416
00:17:28,520 --> 00:17:31,480
Speaker 7: never forget he walked in there. She said, it's a

417
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Speaker 7: kid you got to meet. She's like, you have to

418
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Speaker 7: meet him. She's like he only in here for minute,

419
00:17:35,880 --> 00:17:37,879
Speaker 7: but you got to meet him. And she brought you

420
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Speaker 7: to that room and I literally, like you said, within

421
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Speaker 7: five ten minutes, I was like, oh, he about to

422
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Speaker 7: be the biggest on the road.

423
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Speaker 5: He was in the writing room.

424
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Speaker 7: I was in the little writing room. I was in

425
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Speaker 7: a little writing room. I was like, Yo, whoever the.

426
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Speaker 3: Fuck that is that nigga? Everybody in trouble.

427
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Speaker 7: She's like, you know how that she is because she

428
00:17:57,840 --> 00:18:00,240
Speaker 7: was signing you from a publishing seat. She was working

429
00:18:00,280 --> 00:18:02,199
Speaker 7: with you on that, so you know, of course it's

430
00:18:02,280 --> 00:18:04,440
Speaker 7: it's kind of one of those and you know this

431
00:18:04,520 --> 00:18:07,920
Speaker 7: stage where everybody everywhere you're going before you crack off,

432
00:18:07,960 --> 00:18:11,240
Speaker 7: your auditioning everywhere pretty much just in your personality whatever

433
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Speaker 7: it is. So when I tell her, she's like, yeah,

434
00:18:14,160 --> 00:18:17,760
Speaker 7: I think you start. I'm like, yo, he got it.

435
00:18:17,760 --> 00:18:18,639
Speaker 1: It's like he has it.

436
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Speaker 7: And I hadn't seen anything like that because to me,

437
00:18:23,480 --> 00:18:27,160
Speaker 7: you were already even at fourteen fifteen, in my opinion,

438
00:18:28,640 --> 00:18:31,879
Speaker 7: you were already in the space of, oh, he's going

439
00:18:31,960 --> 00:18:35,320
Speaker 7: to be able to transition into an adult artist too,

440
00:18:35,840 --> 00:18:37,840
Speaker 7: even though you hadn't put out none of your kid record.

441
00:18:38,960 --> 00:18:41,240
Speaker 7: I saw it with you and just from your personality back,

442
00:18:41,400 --> 00:18:43,159
Speaker 7: you know, but what they used to call call it

443
00:18:43,240 --> 00:18:46,360
Speaker 7: managed nigga, he was managed.

444
00:18:46,560 --> 00:18:51,000
Speaker 5: Yeah. I was looking at everything with a skirt. Who

445
00:18:51,040 --> 00:19:00,600
Speaker 5: that what's the name? That's the country you want? It

446
00:19:00,640 --> 00:19:05,000
Speaker 5: starts early in the country. Yeah, you grow fast and fastest.

447
00:19:05,240 --> 00:19:07,040
Speaker 1: So you're making when you get with you.

448
00:19:07,240 --> 00:19:10,680
Speaker 2: Now you start making rounds right because you you made

449
00:19:10,840 --> 00:19:14,119
Speaker 2: you made heavy rounds very early that most most new

450
00:19:14,200 --> 00:19:15,080
Speaker 2: artists don't get to make.

451
00:19:15,200 --> 00:19:18,119
Speaker 1: You know what I'm saying. And you made a stop

452
00:19:18,119 --> 00:19:19,120
Speaker 1: at the underdogs.

453
00:19:19,440 --> 00:19:20,920
Speaker 5: Oh yeah, facts, oh yeah.

454
00:19:21,240 --> 00:19:26,560
Speaker 2: And I'm looking at this little nigga, I'm like, okay.

455
00:19:26,080 --> 00:19:27,560
Speaker 5: I was nervous too.

456
00:19:27,680 --> 00:19:29,240
Speaker 6: I ain't a lot going in there with y'all because

457
00:19:29,240 --> 00:19:33,440
Speaker 6: you gotta think I'm still learning singing, like it's still

458
00:19:33,480 --> 00:19:35,199
Speaker 6: I had a natural talent, but like to be in

459
00:19:35,240 --> 00:19:38,520
Speaker 6: there and and here y'all running scales all that.

460
00:19:38,640 --> 00:19:41,879
Speaker 5: I'm in there sweating. But I'm not going to let you.

461
00:19:41,880 --> 00:19:46,000
Speaker 1: You weren't scared. You was going back with us, though.

462
00:19:46,040 --> 00:19:53,159
Speaker 1: He was like dar devil. Look at him. I'm like,

463
00:19:53,480 --> 00:19:55,800
Speaker 1: can you dance? He said, yeah, nigga. I was like

464
00:19:59,600 --> 00:20:02,160
Speaker 1: you then, I think it was a DVD or type

465
00:20:02,200 --> 00:20:04,120
Speaker 1: of something, and I said.

466
00:20:03,880 --> 00:20:05,480
Speaker 6: That showed you the whole I say, that's when we

467
00:20:05,480 --> 00:20:07,560
Speaker 6: did the little school runs and I was showing you

468
00:20:07,760 --> 00:20:09,240
Speaker 6: like the performance.

469
00:20:08,720 --> 00:20:10,920
Speaker 1: Said oh you you can, damn.

470
00:20:11,720 --> 00:20:11,920
Speaker 5: Yeah.

471
00:20:13,160 --> 00:20:15,159
Speaker 2: I'm just I'm just trying to find a win. I'm like,

472
00:20:15,240 --> 00:20:17,600
Speaker 2: can you hoop niggas? Yeah, nigga, I can hoop? Yeah,

473
00:20:18,320 --> 00:20:24,320
Speaker 2: let's And it was like at every turn it was like.

474
00:20:26,080 --> 00:20:30,359
Speaker 1: This nigga is different. This nigga do everything. He sings,

475
00:20:31,119 --> 00:20:38,040
Speaker 1: he danced, he hoop, he manish. I love this nigga

476
00:20:38,840 --> 00:20:41,640
Speaker 1: and not to speed forward.

477
00:20:41,680 --> 00:20:47,399
Speaker 2: But there was a point where I was like, Okay,

478
00:20:47,760 --> 00:20:49,280
Speaker 2: first you get a hear record, let's start there.

479
00:20:50,359 --> 00:20:54,760
Speaker 3: Out the gate, out the gate. There was no sputter

480
00:20:54,800 --> 00:20:55,440
Speaker 3: for you at all.

481
00:20:55,680 --> 00:20:57,960
Speaker 5: I was. I was just surprised though I was.

482
00:20:58,040 --> 00:21:00,680
Speaker 6: I was like, I didn't even realize how big the

483
00:21:00,720 --> 00:21:01,560
Speaker 6: record was gonna be.

484
00:21:01,800 --> 00:21:03,320
Speaker 5: Like not to kill it now.

485
00:21:03,400 --> 00:21:06,159
Speaker 6: But I hated the record because I was doing R

486
00:21:06,160 --> 00:21:08,920
Speaker 6: and B R and B songs, so like Scott's stories,

487
00:21:08,920 --> 00:21:11,240
Speaker 6: I was like, man, I don't know what a hit is,

488
00:21:11,280 --> 00:21:12,880
Speaker 6: so I'm not gonna tell him that this is not.

489
00:21:12,840 --> 00:21:14,600
Speaker 3: A hit, right, And he got a gang of hits.

490
00:21:14,680 --> 00:21:14,880
Speaker 2: Yeah.

491
00:21:14,920 --> 00:21:16,600
Speaker 5: So I sat in there like, man.

492
00:21:16,440 --> 00:21:17,280
Speaker 1: I don't really like this.

493
00:21:17,359 --> 00:21:18,320
Speaker 5: Saw me in Miami.

494
00:21:18,880 --> 00:21:20,520
Speaker 6: I'm trying to tell teen and all them like I

495
00:21:20,520 --> 00:21:22,600
Speaker 6: don't think this is fun. Me this song, ain't. We

496
00:21:22,680 --> 00:21:25,000
Speaker 6: got so many other songs like the your song.

497
00:21:25,119 --> 00:21:26,639
Speaker 1: The your song. I'm like, so.

498
00:21:28,200 --> 00:21:30,080
Speaker 6: I'm thinking all of that type because I wanted to

499
00:21:30,119 --> 00:21:33,480
Speaker 6: be more, more vulnerable or not, but I also wanted

500
00:21:33,480 --> 00:21:34,960
Speaker 6: to kick ass on the dance and I wanted to

501
00:21:34,960 --> 00:21:35,479
Speaker 6: show off that.

502
00:21:35,600 --> 00:21:37,920
Speaker 5: So they was like, nah, trust me, this is it

503
00:21:38,600 --> 00:21:39,680
Speaker 5: put it out and I didn't.

504
00:21:39,720 --> 00:21:42,280
Speaker 6: When it blew up, I said, what the It's like,

505
00:21:42,520 --> 00:21:45,080
Speaker 6: I'm still in like, what is it called imposter syndrome?

506
00:21:45,400 --> 00:21:47,320
Speaker 6: To this day, I still know the feeling of how

507
00:21:47,359 --> 00:21:57,280
Speaker 6: I felt when that shitent crazy.

508
00:22:00,960 --> 00:22:02,399
Speaker 7: So when you do your difference, we went by that

509
00:22:02,400 --> 00:22:05,000
Speaker 7: because I always asked this question. And at this point

510
00:22:05,040 --> 00:22:08,440
Speaker 7: you're like fourteen fifty fifteen, you get to do did

511
00:22:08,440 --> 00:22:10,320
Speaker 7: they let you touch the money?

512
00:22:11,440 --> 00:22:11,520
Speaker 1: So?

513
00:22:11,640 --> 00:22:13,359
Speaker 6: How I did it? See a lot of people don't know.

514
00:22:13,400 --> 00:22:15,160
Speaker 6: I didn't get signed for like you know how people

515
00:22:15,160 --> 00:22:16,600
Speaker 6: get signed for. Oh, I got signed for me and

516
00:22:16,640 --> 00:22:20,280
Speaker 6: eight men. Back then it won't so I got signed

517
00:22:20,280 --> 00:22:23,080
Speaker 6: for like one hundred and fifty k, right and so

518
00:22:23,200 --> 00:22:25,840
Speaker 6: and then from there, because I was under age, my

519
00:22:26,280 --> 00:22:28,440
Speaker 6: mom was in control of it, but most of it.

520
00:22:28,359 --> 00:22:31,240
Speaker 5: Would be like a trust yeah yeah.

521
00:22:30,760 --> 00:22:32,680
Speaker 6: The Cooglan account, Yeah, Cooglan Acount, so I wouldn't be

522
00:22:32,680 --> 00:22:33,280
Speaker 6: able to touch it.

523
00:22:33,400 --> 00:22:34,400
Speaker 5: So obviously we could.

524
00:22:34,480 --> 00:22:36,280
Speaker 6: She could go and withdraw stuff if I wanted to

525
00:22:36,280 --> 00:22:37,879
Speaker 6: make purchases or I wanted to do stuff.

526
00:22:38,040 --> 00:22:40,680
Speaker 5: But nah, I still was every bit of a teenager

527
00:22:40,720 --> 00:22:42,199
Speaker 5: that they made me.

528
00:22:42,320 --> 00:22:44,280
Speaker 3: So as a teenager, what's the what's the first thing

529
00:22:44,320 --> 00:22:44,680
Speaker 3: you buy?

530
00:22:45,320 --> 00:22:47,840
Speaker 5: Oh? Do you escalate? Bro?

531
00:22:49,040 --> 00:22:49,640
Speaker 1: Off the deal?

532
00:22:49,920 --> 00:22:51,720
Speaker 5: That's what you got? No, you know what it was?

533
00:22:51,720 --> 00:22:54,159
Speaker 6: Was it an escalator? And it was like an I

534
00:22:54,200 --> 00:22:56,399
Speaker 6: don't know if it's not. It might have been escalator

535
00:22:56,520 --> 00:22:57,720
Speaker 6: or for Ford something.

536
00:22:57,760 --> 00:22:59,680
Speaker 5: I remember. It's a big truck. It's been a while.

537
00:23:00,480 --> 00:23:02,920
Speaker 6: I had the Lamborghini doors on it, and like I

538
00:23:03,000 --> 00:23:06,720
Speaker 6: put the doors that come up, like your first your

539
00:23:06,760 --> 00:23:07,359
Speaker 6: first car.

540
00:23:07,280 --> 00:23:11,520
Speaker 3: Had Lamborghiny doors. This is getting I was about to get.

541
00:23:12,080 --> 00:23:14,360
Speaker 5: I swear I was about to get a Honda Civic. Bro,

542
00:23:14,720 --> 00:23:18,800
Speaker 5: I was about to get a put put that was

543
00:23:19,040 --> 00:23:19,960
Speaker 5: gonna be my first car.

544
00:23:20,040 --> 00:23:23,520
Speaker 7: But it's like it's definitely your uncle.

545
00:23:24,000 --> 00:23:26,679
Speaker 3: God, you definitely got to be real related.

546
00:23:26,680 --> 00:23:29,800
Speaker 6: So sure, because I was gonna do with the suicide

547
00:23:30,280 --> 00:23:35,800
Speaker 6: man the butterfly doors. Yeah, bro, Like I'm from I'm

548
00:23:35,800 --> 00:23:37,840
Speaker 6: from partial South, like Virginia is the South.

549
00:23:38,119 --> 00:23:40,119
Speaker 2: But you know what I'm saying, So you don't just

550
00:23:40,200 --> 00:23:49,320
Speaker 2: listen to what DC Maryland? Like what d C and Maryland?

551
00:23:49,560 --> 00:23:55,120
Speaker 2: They mirror the South. Yeah, period like we mirror everything south.

552
00:23:55,160 --> 00:23:56,840
Speaker 2: There was like we went through East Coast phase with

553
00:23:56,880 --> 00:23:59,440
Speaker 2: Biggie and but we mirror.

554
00:23:59,240 --> 00:24:01,040
Speaker 5: The last money was it Tappahannock?

555
00:24:01,080 --> 00:24:02,840
Speaker 1: Definitely just cash money?

556
00:24:02,920 --> 00:24:03,000
Speaker 5: Was it?

557
00:24:03,359 --> 00:24:03,399
Speaker 3: You?

558
00:24:03,840 --> 00:24:04,119
Speaker 1: You?

559
00:24:05,200 --> 00:24:05,400
Speaker 3: Yeah?

560
00:24:06,640 --> 00:24:07,040
Speaker 5: Everybody?

561
00:24:07,119 --> 00:24:09,880
Speaker 3: You know your purchase is the best one that we've had.

562
00:24:09,440 --> 00:24:13,040
Speaker 3: What nigga, that's sixteen you bought?

563
00:24:13,080 --> 00:24:14,919
Speaker 6: But I had the amps in the back too. I

564
00:24:14,960 --> 00:24:16,520
Speaker 6: had like I ain't gonna lie. I took out the

565
00:24:16,520 --> 00:24:19,360
Speaker 6: whole back seat. It's like it was like six six

566
00:24:19,480 --> 00:24:23,200
Speaker 6: sixteen and.

567
00:24:22,240 --> 00:24:25,119
Speaker 1: Knocking, locking fuga.

568
00:24:26,240 --> 00:24:31,919
Speaker 6: I was in Virginia thinking, I was, you know, you.

569
00:24:30,240 --> 00:24:33,280
Speaker 1: Pull up on that skating ring with that Oh god,

570
00:24:32,560 --> 00:24:38,359
Speaker 1: it's first hit record. What changes for you in your mind?

571
00:24:38,560 --> 00:24:41,520
Speaker 2: Now? I mean now it's not now it's not guesswork.

572
00:24:41,560 --> 00:24:43,480
Speaker 2: Now things are like this is what I do. Now,

573
00:24:43,520 --> 00:24:46,200
Speaker 2: Things are automatic. Now, things are like it's more so

574
00:24:46,280 --> 00:24:48,160
Speaker 2: what I need I can get.

575
00:24:49,720 --> 00:24:51,080
Speaker 6: It kind of was like you know when the kid,

576
00:24:51,119 --> 00:24:52,800
Speaker 6: when I could just go to the movies with my

577
00:24:52,800 --> 00:24:56,160
Speaker 6: homeboys because I did everything as a as a regular kid,

578
00:24:56,280 --> 00:24:58,040
Speaker 6: you know what I'm saying, even being in Harlem to

579
00:24:58,119 --> 00:25:00,919
Speaker 6: be in Virginia like I did, like regular, so I

580
00:25:01,000 --> 00:25:03,520
Speaker 6: was used to being around people and being in an environment.

581
00:25:03,560 --> 00:25:06,200
Speaker 6: As soon as that song went crazy, I couldn't go nowhere.

582
00:25:06,320 --> 00:25:08,760
Speaker 6: I couldn't go to the mall. Like if I walked

583
00:25:08,760 --> 00:25:10,680
Speaker 6: outside of the neighborhood that I was in, it would

584
00:25:10,680 --> 00:25:13,840
Speaker 6: be people running down the street like so I was

585
00:25:13,840 --> 00:25:16,159
Speaker 6: still in Virginia. No, Well, and Jay took me out

586
00:25:16,160 --> 00:25:17,879
Speaker 6: of Virginia as soon as as soon as I shot

587
00:25:17,960 --> 00:25:20,199
Speaker 6: the deal, like I think my record came on. I

588
00:25:20,240 --> 00:25:21,879
Speaker 6: was in tenth grade when my song came out and

589
00:25:21,960 --> 00:25:23,880
Speaker 6: when I got my record deal. So and I didn't

590
00:25:23,960 --> 00:25:26,720
Speaker 6: leave school until after my song had already hit the radio.

591
00:25:27,200 --> 00:25:29,000
Speaker 6: So they's like, we got to pull them, we gotta,

592
00:25:29,160 --> 00:25:31,240
Speaker 6: we gotta get him out of there. So then from there,

593
00:25:31,400 --> 00:25:34,800
Speaker 6: I went from Virginia to Jersey, so so I could

594
00:25:34,800 --> 00:25:36,720
Speaker 6: be closer to uh New York. But I couldn't even

595
00:25:36,760 --> 00:25:38,720
Speaker 6: walk down the street there like I was. We would

596
00:25:38,720 --> 00:25:39,200
Speaker 6: literally have.

597
00:25:39,200 --> 00:25:41,640
Speaker 5: To drive in the garage every time we come home

598
00:25:41,920 --> 00:25:43,560
Speaker 5: and shut the door. So nobody knows.

599
00:25:43,640 --> 00:25:45,240
Speaker 3: What's the what's the mindset?

600
00:25:45,240 --> 00:25:48,679
Speaker 7: Of that for you as this sixteen year old, fifteen,

601
00:25:48,720 --> 00:25:51,160
Speaker 7: sixteen year old kid, Like, how does it? Because that's

602
00:25:51,200 --> 00:25:54,480
Speaker 7: the one thing it's bro, And I know, I know

603
00:25:54,520 --> 00:25:57,200
Speaker 7: he can attest to this because we are all so

604
00:25:57,400 --> 00:26:00,000
Speaker 7: close and we've we've all known each other for so long.

605
00:26:01,400 --> 00:26:06,520
Speaker 7: We have so many conversations that come to us about you, right,

606
00:26:07,080 --> 00:26:08,600
Speaker 7: and my things always been.

607
00:26:11,040 --> 00:26:12,080
Speaker 3: I can't tell him.

608
00:26:12,119 --> 00:26:14,280
Speaker 7: I can only tell him so much because I haven't

609
00:26:14,320 --> 00:26:18,000
Speaker 7: had that experience. And that's a very real thing that

610
00:26:18,080 --> 00:26:21,679
Speaker 7: I think people have never truly taken into account that, Bro,

611
00:26:21,800 --> 00:26:27,479
Speaker 7: this has been your life since fifteen years old. Like,

612
00:26:27,880 --> 00:26:30,040
Speaker 7: just tell me if you can remember that as being

613
00:26:30,080 --> 00:26:31,720
Speaker 7: like a fifteen year old, Like, yo, they're pulling me

614
00:26:31,760 --> 00:26:34,159
Speaker 7: out of school, I can't go outside, I can't go

615
00:26:34,200 --> 00:26:35,320
Speaker 7: to the movies.

616
00:26:35,680 --> 00:26:37,680
Speaker 5: You know, it's a lot of kid no more because

617
00:26:37,680 --> 00:26:41,080
Speaker 5: of my challenging spirit. I like challenges.

618
00:26:41,280 --> 00:26:45,440
Speaker 6: It was amazing thing because I be real because guess

619
00:26:45,520 --> 00:26:48,160
Speaker 6: what if Well, now I'm gonna look at the bright side.

620
00:26:48,200 --> 00:26:51,120
Speaker 5: I ain't got to be in school. I ain't got

621
00:26:51,119 --> 00:26:52,760
Speaker 5: to be I could do my I got a two do.

622
00:26:53,320 --> 00:26:54,639
Speaker 5: I don't got to be there. I could do. I

623
00:26:54,680 --> 00:26:56,840
Speaker 5: can go out. Did you finish. I'm going Yeah I did,

624
00:26:56,880 --> 00:26:58,600
Speaker 5: if you did, but I ain't gonna lie. I took

625
00:26:58,640 --> 00:26:59,960
Speaker 5: the first two years off.

626
00:27:00,520 --> 00:27:03,320
Speaker 3: Of high school though college.

627
00:27:04,000 --> 00:27:07,560
Speaker 5: Yeah so I was originally supposed to be the class seven.

628
00:27:07,680 --> 00:27:11,960
Speaker 2: I'm kind of yeah, so so technically you two years

629
00:27:12,000 --> 00:27:12,400
Speaker 2: younger to.

630
00:27:12,560 --> 00:27:13,919
Speaker 5: Yeah, I'll take it ship.

631
00:27:15,080 --> 00:27:18,480
Speaker 6: But yeah, man, it was so for you adjusted to it. Yeah,

632
00:27:18,480 --> 00:27:20,120
Speaker 6: it wasn't and it would be fun. I would still

633
00:27:20,119 --> 00:27:21,720
Speaker 6: do regular ship. I would just make sure I have

634
00:27:22,400 --> 00:27:24,720
Speaker 6: my niggas around, like my homeboys, some of them being school.

635
00:27:24,720 --> 00:27:25,560
Speaker 5: I go to their school.

636
00:27:25,720 --> 00:27:29,399
Speaker 6: So my cousin just on a Friday, hey, y'all, come

637
00:27:29,440 --> 00:27:35,000
Speaker 6: outside the girls, I saw them screaming. Then after that

638
00:27:35,040 --> 00:27:36,160
Speaker 6: they come back to school on Monday.

639
00:27:36,160 --> 00:27:37,439
Speaker 5: They the man in school, you know.

640
00:27:38,520 --> 00:27:40,160
Speaker 6: So I used to go to the mall ship bo

641
00:27:40,320 --> 00:27:42,280
Speaker 6: Bo did this ship too, like shout out to Bow.

642
00:27:42,600 --> 00:27:45,000
Speaker 6: But we used to go to the mall, and I

643
00:27:45,040 --> 00:27:47,040
Speaker 6: did it by myself, just to see what it was.

644
00:27:47,080 --> 00:27:48,719
Speaker 6: I used to go to the mall and just go

645
00:27:48,760 --> 00:27:51,280
Speaker 6: to one store it's popping in Virginia and like, hey

646
00:27:51,320 --> 00:27:54,520
Speaker 6: that's and then take off running and wait, you would

647
00:27:54,560 --> 00:27:55,879
Speaker 6: run before it even gets started.

648
00:27:56,000 --> 00:28:03,879
Speaker 5: Take We did this a man and it worked. I'm

649
00:28:03,880 --> 00:28:06,159
Speaker 5: talking about they would table chase you was running out

650
00:28:06,160 --> 00:28:06,720
Speaker 5: of man's land.

651
00:28:06,920 --> 00:28:08,560
Speaker 1: I was running out.

652
00:28:11,119 --> 00:28:13,840
Speaker 5: I was at I think Virginia Center comments. That's what

653
00:28:13,880 --> 00:28:15,800
Speaker 5: it was we used to go to, and then I

654
00:28:15,880 --> 00:28:17,520
Speaker 5: used to be at I used to go with what

655
00:28:17,720 --> 00:28:19,280
Speaker 5: was it up against the wall.

656
00:28:19,320 --> 00:28:23,000
Speaker 6: It was another dtail all detailer. Yeah, said yeah, I'll

657
00:28:23,040 --> 00:28:25,359
Speaker 6: be right there. They had to ship there, man, what

658
00:28:25,600 --> 00:28:27,480
Speaker 6: all the girls being there? So and then I go

659
00:28:27,520 --> 00:28:29,480
Speaker 6: in there and start with my homeboys to come with me,

660
00:28:29,520 --> 00:28:32,160
Speaker 6: and then I see just so they'll notice who I am,

661
00:28:32,400 --> 00:28:33,480
Speaker 6: like just on some young ship.

662
00:28:33,560 --> 00:28:35,840
Speaker 7: Then they'll be like, hold on, that is here's some

663
00:28:35,960 --> 00:28:40,040
Speaker 7: R and V ship, R n V ship. Nigga can't

664
00:28:40,080 --> 00:28:48,040
Speaker 7: just bust out rapping, look around and.

665
00:28:51,880 --> 00:28:52,240
Speaker 5: Facts.

666
00:28:52,240 --> 00:28:57,760
Speaker 2: It worked, absolutely worked. Okay, here here, here's what I

667
00:28:57,760 --> 00:29:00,160
Speaker 2: want from you. Right when did you meet him? It

668
00:29:00,240 --> 00:29:03,480
Speaker 2: was the Scream tour, that first album, that first album.

669
00:29:03,240 --> 00:29:05,520
Speaker 5: Right, I think it was. It had to be. It

670
00:29:05,600 --> 00:29:09,840
Speaker 5: had to be like first album and the first album fatigues, Yes.

671
00:29:09,960 --> 00:29:15,479
Speaker 2: First album, yep. Okay, So so I'm watching I used

672
00:29:15,520 --> 00:29:18,720
Speaker 2: to watch you in the Marin Battle. Yeah, and I

673
00:29:18,800 --> 00:29:21,320
Speaker 2: used to I used to watch get You. Yeah, you

674
00:29:21,400 --> 00:29:26,800
Speaker 2: would you would be like fuck, you would be angry nigga.

675
00:29:29,200 --> 00:29:30,080
Speaker 1: All right and I'll be back.

676
00:29:30,960 --> 00:29:32,480
Speaker 5: But I always say this to this day.

677
00:29:33,080 --> 00:29:36,080
Speaker 6: At that time, his discipline and what he learned and

678
00:29:36,080 --> 00:29:37,760
Speaker 6: how he gets that niggas was not.

679
00:29:37,840 --> 00:29:38,800
Speaker 5: Fucking with that boy.

680
00:29:39,440 --> 00:29:40,000
Speaker 1: He's a monster.

681
00:29:40,440 --> 00:29:42,320
Speaker 6: I don't know about now because I get off now,

682
00:29:43,960 --> 00:29:48,120
Speaker 6: but at that time, that boy was a monster.

683
00:29:48,240 --> 00:29:51,200
Speaker 1: He was a monster. But I want to go to

684
00:29:51,240 --> 00:29:52,000
Speaker 1: the Scream tour.

685
00:29:52,040 --> 00:29:53,760
Speaker 2: I was using that to set up set up the

686
00:29:53,760 --> 00:29:58,560
Speaker 2: Scream tour, and my cousin, my cousin and my people

687
00:29:58,600 --> 00:30:00,280
Speaker 2: wanted to go to the tour, so we can't. We

688
00:30:00,360 --> 00:30:02,200
Speaker 2: came to see you, and we came backstage and everything,

689
00:30:03,080 --> 00:30:05,400
Speaker 2: and I'm watching you on stage and I had I

690
00:30:05,440 --> 00:30:09,840
Speaker 2: hadn't seen you perform since the album was out, since

691
00:30:09,880 --> 00:30:12,240
Speaker 2: everything was going crazy, I hadn't seen you perform yet,

692
00:30:13,240 --> 00:30:15,680
Speaker 2: and you know, all had the records and he was,

693
00:30:15,720 --> 00:30:19,640
Speaker 2: you know, of course he was headlined. But I watched

694
00:30:19,640 --> 00:30:24,960
Speaker 2: you come out in those black fatigues and I watched

695
00:30:25,680 --> 00:30:31,800
Speaker 2: I can't do the move. I watched like you was

696
00:30:32,040 --> 00:30:36,840
Speaker 2: the crumping and you were like pause, you was your

697
00:30:36,960 --> 00:30:39,760
Speaker 2: arms were out this wide you was, you was. It

698
00:30:39,800 --> 00:30:42,640
Speaker 2: was the like the whole fucking stage was in between y'all,

699
00:30:42,840 --> 00:30:47,200
Speaker 2: and I'm looking. I'm like, he's getting ready to pass

700
00:30:47,800 --> 00:30:50,760
Speaker 2: the guy. He's getting ready to pass him because I

701
00:30:51,040 --> 00:30:52,400
Speaker 2: didn't see a kid on stage.

702
00:30:52,840 --> 00:30:55,920
Speaker 1: I saw a grown ass man on stage at the

703
00:30:55,960 --> 00:30:59,280
Speaker 1: screen tour. He's getting ready and I'm looking at my

704
00:30:59,320 --> 00:31:05,000
Speaker 1: little cousin. She's like, oh my god, you all right?

705
00:31:05,040 --> 00:31:06,440
Speaker 1: You know, we go to church on Sunday, you know,

706
00:31:06,480 --> 00:31:13,680
Speaker 1: we have today's fri listen, and we go backstage to

707
00:31:14,800 --> 00:31:17,560
Speaker 1: take her to meet him and she sees, she sees

708
00:31:17,600 --> 00:31:20,080
Speaker 1: this nigga Chris and the Flesh, and she goes, mm hm,

709
00:31:21,880 --> 00:31:26,760
Speaker 1: So you are little? Did you as you are little?

710
00:31:28,320 --> 00:31:32,040
Speaker 2: That night I saw you, there was for me the

711
00:31:32,040 --> 00:31:36,120
Speaker 2: beginning of the separation of you going to another place

712
00:31:36,440 --> 00:31:38,680
Speaker 2: because I felt like you were I felt like you

713
00:31:38,720 --> 00:31:41,880
Speaker 2: were angrier, you were more aggressive, and you had something

714
00:31:41,880 --> 00:31:44,360
Speaker 2: in your mind that you were aiming.

715
00:31:44,200 --> 00:31:46,160
Speaker 6: You know what it was though, even being on that tour,

716
00:31:46,240 --> 00:31:48,280
Speaker 6: like what I learned, and I learned from Bio a lot.

717
00:31:48,640 --> 00:31:50,720
Speaker 5: You know, he's like one of the greatest showmen as far.

718
00:31:50,640 --> 00:31:56,920
Speaker 6: As so the lack of discipline that I had. I

719
00:31:56,960 --> 00:32:00,720
Speaker 6: had a great amount of training, meaning like okay, Sam's

720
00:32:00,720 --> 00:32:02,719
Speaker 6: you know everybody, they're gonna they're gonna get us right

721
00:32:02,760 --> 00:32:04,840
Speaker 6: with the moves. Were gonna have fun. And I was

722
00:32:04,840 --> 00:32:07,640
Speaker 6: able to be also creative too. They didn't just say

723
00:32:07,640 --> 00:32:09,680
Speaker 6: we're gonna do this. They let me come over with

724
00:32:09,720 --> 00:32:11,560
Speaker 6: some things. But the thing that I felt that I

725
00:32:11,640 --> 00:32:16,400
Speaker 6: lacked was the experienced one and and just the discipline

726
00:32:16,440 --> 00:32:17,520
Speaker 6: that everybody else had.

727
00:32:18,040 --> 00:32:20,840
Speaker 5: You know, we it was B two K bow uh.

728
00:32:20,960 --> 00:32:23,520
Speaker 5: It was so many other artists all polished here.

729
00:32:23,680 --> 00:32:24,720
Speaker 1: Yeah, so when you.

730
00:32:24,720 --> 00:32:26,440
Speaker 5: Would see their shows, you would see the glitz and

731
00:32:26,440 --> 00:32:26,920
Speaker 5: the glamour.

732
00:32:27,000 --> 00:32:29,160
Speaker 6: Like me, I had a DJ booth, just a little

733
00:32:29,200 --> 00:32:31,360
Speaker 6: DJ booth that I was slide from under with the

734
00:32:31,440 --> 00:32:33,600
Speaker 6: dancers with the little smoke, and then I had a

735
00:32:33,640 --> 00:32:37,320
Speaker 6: graffiti background, you know what I'm saying. And they maybe

736
00:32:37,400 --> 00:32:39,840
Speaker 6: maybe gave me like twelve minutes. I probably had like

737
00:32:40,200 --> 00:32:42,160
Speaker 6: not even that, it might have been eight minutes. So

738
00:32:42,240 --> 00:32:45,280
Speaker 6: I had to, you know, figure it out. But seeing

739
00:32:45,280 --> 00:32:48,320
Speaker 6: these other performers, it kind of like grew my hunger

740
00:32:48,360 --> 00:32:50,840
Speaker 6: for what I needed to be doing in order to

741
00:32:50,880 --> 00:32:53,360
Speaker 6: in order to be the person headlining, in order to

742
00:32:53,360 --> 00:32:55,240
Speaker 6: be the person that I think I can be. You

743
00:32:55,280 --> 00:32:56,960
Speaker 6: know what I'm saying, so a lot of them, a

744
00:32:57,000 --> 00:32:59,080
Speaker 6: lot of those guys, and seeing their performance, seeing their

745
00:32:59,120 --> 00:33:01,719
Speaker 6: their quality and how out long they're dancing, and then

746
00:33:01,760 --> 00:33:03,880
Speaker 6: they're just getting off and all the screams, like it

747
00:33:03,920 --> 00:33:08,240
Speaker 6: was really the Scream Tour, like you, it's no other

748
00:33:08,840 --> 00:33:10,719
Speaker 6: there's no other experience that I can tell you. At

749
00:33:10,720 --> 00:33:14,160
Speaker 6: that time, was like forget all the festivals and stuff

750
00:33:14,200 --> 00:33:15,280
Speaker 6: that they got going on right now.

751
00:33:15,400 --> 00:33:18,360
Speaker 5: Back then your ears were literally you would really go.

752
00:33:18,480 --> 00:33:21,920
Speaker 5: Definitely shout out to Michael Martin. I saw him during

753
00:33:21,920 --> 00:33:22,480
Speaker 5: the Grammy week.

754
00:33:22,520 --> 00:33:24,880
Speaker 7: I never met him before, and I just told him,

755
00:33:24,920 --> 00:33:27,800
Speaker 7: I'm like, listen, man, what you did just what I

756
00:33:27,840 --> 00:33:29,120
Speaker 7: mean obviously what you've.

757
00:33:28,960 --> 00:33:31,200
Speaker 3: Done in the business, pier, but that Scream Tour.

758
00:33:31,480 --> 00:33:36,200
Speaker 7: Jesus with giving that type of spotlight to young artists

759
00:33:36,960 --> 00:33:40,600
Speaker 7: and putting him on that type of platform.

760
00:33:40,360 --> 00:33:42,240
Speaker 3: I don't know anyone that's done that.

761
00:33:42,520 --> 00:33:44,600
Speaker 6: I don't, I don't. I don't think it can be

762
00:33:44,680 --> 00:33:47,680
Speaker 6: done right now. It's not like with you. I think

763
00:33:47,680 --> 00:33:50,000
Speaker 6: that's sounds. I can't even recreate like I was just

764
00:33:50,000 --> 00:33:51,280
Speaker 6: happy to be a part of it.

765
00:33:51,160 --> 00:33:51,520
Speaker 1: Like I was.

766
00:33:51,840 --> 00:33:55,600
Speaker 7: That's a legendary to recreate with these phones. Man, that's

767
00:33:55,640 --> 00:33:56,160
Speaker 7: the other part.

768
00:33:56,240 --> 00:34:00,680
Speaker 2: Yeah, yeah, because because because like that stay was like

769
00:34:01,320 --> 00:34:04,840
Speaker 2: still in that moment, it still was a place where

770
00:34:04,880 --> 00:34:08,239
Speaker 2: you still felt like this is the only place I'm

771
00:34:08,239 --> 00:34:09,000
Speaker 2: gonna get to see that.

772
00:34:09,200 --> 00:34:11,319
Speaker 5: Yeah, I'm only gonna see this type of shit here.

773
00:34:11,880 --> 00:34:14,120
Speaker 2: Like it was still that we hadn't gotten to the

774
00:34:14,160 --> 00:34:16,760
Speaker 2: phone yet to where you could get used to seeing

775
00:34:17,239 --> 00:34:19,640
Speaker 2: that type of shit all the time. It just runs

776
00:34:19,719 --> 00:34:24,240
Speaker 2: all day. That's them scream to it. It was really screams, yeah,

777
00:34:24,600 --> 00:34:27,279
Speaker 2: facts like motherfuckers. When you came on stage, it was

778
00:34:27,920 --> 00:34:31,080
Speaker 2: they was glued from from from from top to bottom.

779
00:34:31,120 --> 00:34:32,680
Speaker 6: And I was nervous because that's like, you know, we

780
00:34:32,760 --> 00:34:35,680
Speaker 6: had performed before, Like I've performed at different places I

781
00:34:35,680 --> 00:34:38,000
Speaker 6: had to perform what is.

782
00:34:38,000 --> 00:34:39,800
Speaker 5: It playing in Hollywood? Different different places.

783
00:34:39,840 --> 00:34:41,960
Speaker 6: But there's a little venues when you I'm in an

784
00:34:42,000 --> 00:34:45,319
Speaker 6: arena now, and it's even though I go on first,

785
00:34:45,760 --> 00:34:47,520
Speaker 6: the parents back then they trying to get their kids

786
00:34:47,560 --> 00:34:50,680
Speaker 6: into the building early. So now if the show starts

787
00:34:50,680 --> 00:34:53,719
Speaker 6: at let's say nine, some people might not leave their

788
00:34:53,719 --> 00:34:57,360
Speaker 6: house to eight thirty.

789
00:34:56,000 --> 00:34:56,680
Speaker 5: You know what I'm saying.

790
00:34:56,719 --> 00:34:59,520
Speaker 6: So, but back then, everybody's in there, sitting there waiting.

791
00:35:00,280 --> 00:35:03,080
Speaker 6: So whoever the first artist is they either standing up

792
00:35:03,160 --> 00:35:03,759
Speaker 6: or booing the ship.

793
00:35:04,280 --> 00:35:08,360
Speaker 7: Did you like, speaking of booing, did you ever experience

794
00:35:08,960 --> 00:35:10,120
Speaker 7: a fucked up show.

795
00:35:10,640 --> 00:35:11,560
Speaker 5: Like early on?

796
00:35:11,640 --> 00:35:12,319
Speaker 3: Like early on?

797
00:35:12,480 --> 00:35:17,120
Speaker 6: No, No, I'm gonna be real, like I've never got

798
00:35:17,160 --> 00:35:20,080
Speaker 6: like a boot, like a bad boot. I don't want

799
00:35:20,080 --> 00:35:22,359
Speaker 6: to jinx myself, but but I've never got like he's

800
00:35:22,360 --> 00:35:25,239
Speaker 6: not your nigga, But I've never I never got boot

801
00:35:25,320 --> 00:35:26,440
Speaker 6: on a thousand hit records.

802
00:35:26,440 --> 00:35:27,799
Speaker 3: But you're not getting don't worry about that.

803
00:35:28,800 --> 00:35:31,839
Speaker 5: Almost I said, you almost got boo.

804
00:35:34,719 --> 00:35:36,600
Speaker 3: It started off with this moddy. That's my fault.

805
00:35:38,160 --> 00:35:42,120
Speaker 2: His playlist song wasn't working yeah radio so and he

806
00:35:42,239 --> 00:35:44,759
Speaker 2: still wanted to sing yeah, which we're working.

807
00:35:44,760 --> 00:35:45,600
Speaker 1: It was it was.

808
00:35:47,080 --> 00:35:53,280
Speaker 2: Spent seven hundred thousand. I started singing the songs.

809
00:35:53,320 --> 00:35:56,360
Speaker 1: The girls in the front row looking at her friends.

810
00:35:56,360 --> 00:36:02,239
Speaker 1: Oh oh god, I still.

811
00:36:01,960 --> 00:36:06,759
Speaker 2: Got two minutes and it's a tape, so that that

812
00:36:06,120 --> 00:36:10,920
Speaker 2: you just gotta live that motherfucking out you.

813
00:36:10,880 --> 00:36:12,359
Speaker 5: Start, that's when you start thinking the most.

814
00:36:12,719 --> 00:36:15,359
Speaker 2: That's when I started sweating. That's when you get caught

815
00:36:15,360 --> 00:36:16,080
Speaker 2: the mouth man.

816
00:36:16,360 --> 00:36:19,040
Speaker 6: Now I sucked up myself on stage, like did the

817
00:36:19,080 --> 00:36:21,960
Speaker 6: back flip slipped? But I play it off or like

818
00:36:22,040 --> 00:36:23,800
Speaker 6: you know what I'm saying, then stepped off the stage

819
00:36:23,840 --> 00:36:25,520
Speaker 6: before and fell in the crowd.

820
00:36:26,960 --> 00:36:32,600
Speaker 7: But yeah, they still feel bad for because you're just

821
00:36:32,640 --> 00:36:33,080
Speaker 7: being great.

822
00:36:33,280 --> 00:36:37,319
Speaker 2: Yeah they still screamed, oh my goddess.

823
00:36:37,120 --> 00:36:38,919
Speaker 3: Okay, oh my god.

824
00:36:39,280 --> 00:36:40,120
Speaker 1: Okay.

825
00:36:40,920 --> 00:36:44,560
Speaker 7: So off the first off, the first album, you start

826
00:36:44,600 --> 00:36:46,239
Speaker 7: to you start to see what this thing is like.

827
00:36:46,280 --> 00:36:48,239
Speaker 7: You start to see, you know, what fame is like,

828
00:36:48,400 --> 00:36:51,759
Speaker 7: and how how you're gonna adjust. Did you ever have

829
00:36:52,000 --> 00:36:56,080
Speaker 7: like the can I do it again? Because you know,

830
00:36:56,120 --> 00:36:59,040
Speaker 7: people talk about the sophomore sophomore.

831
00:36:58,719 --> 00:37:00,279
Speaker 6: J I had that in my in the back of

832
00:37:00,320 --> 00:37:02,800
Speaker 6: my head probably every day, you know what I'm saying.

833
00:37:02,840 --> 00:37:06,480
Speaker 5: So like, for me, it was because the first album

834
00:37:06,560 --> 00:37:08,920
Speaker 5: was like a learning experience. I wrote with writers. I

835
00:37:08,920 --> 00:37:10,200
Speaker 5: didn't really write, you know.

836
00:37:10,280 --> 00:37:13,120
Speaker 6: It was really how they kind of shaped what I

837
00:37:13,200 --> 00:37:16,399
Speaker 6: what my ideas would be. The second album was like, okay, cool,

838
00:37:16,400 --> 00:37:20,239
Speaker 6: well you've been you've been right the song selections, you're

839
00:37:20,239 --> 00:37:22,640
Speaker 6: picking the choices, you know what you're doing. So but

840
00:37:22,719 --> 00:37:25,480
Speaker 6: I feel like it's like the challenge thing again. I

841
00:37:25,520 --> 00:37:28,320
Speaker 6: was like, you know what, I'm gonna try.

842
00:37:28,200 --> 00:37:28,879
Speaker 5: To prove them wrong.

843
00:37:29,360 --> 00:37:29,880
Speaker 3: You fought for that.

844
00:37:30,120 --> 00:37:32,560
Speaker 6: Yeah, like I said, I proved myself wrong with the

845
00:37:32,680 --> 00:37:33,480
Speaker 6: with the first album.

846
00:37:33,560 --> 00:37:35,319
Speaker 5: So it's like, now now I'm gonna prove them wrong.

847
00:37:35,360 --> 00:37:37,640
Speaker 5: I could do this ship. So I was. I had

848
00:37:37,640 --> 00:37:39,239
Speaker 5: that sophomore Jinx in the back of my head.

849
00:37:39,480 --> 00:37:42,040
Speaker 1: What's the first first record from the second?

850
00:37:42,239 --> 00:37:44,239
Speaker 6: The second album? Damn Let Men Make Me Go? You know,

851
00:37:44,280 --> 00:37:45,640
Speaker 6: I got a lot of damn albums, man, I.

852
00:37:47,280 --> 00:37:48,640
Speaker 5: Know. I think that's the album.

853
00:37:49,200 --> 00:37:54,360
Speaker 7: Records from the first from the first album?

854
00:37:54,640 --> 00:37:58,680
Speaker 1: Was it kids, Kiss? I'm yeah it was Kiss, wasn't it.

855
00:37:58,960 --> 00:38:01,239
Speaker 5: It had to it had to? Oh no, wall to Wall?

856
00:38:01,960 --> 00:38:04,080
Speaker 1: Oh yeah, well I think.

857
00:38:03,920 --> 00:38:08,200
Speaker 2: It was water Wall. It was absolutely absolutely water Wall

858
00:38:08,600 --> 00:38:09,799
Speaker 2: then Kiss Kiss.

859
00:38:11,120 --> 00:38:13,440
Speaker 3: I imagine you're putting together your show set.

860
00:38:13,760 --> 00:38:18,520
Speaker 6: You know, look for tour now, bro, it's crazy because

861
00:38:18,560 --> 00:38:20,560
Speaker 6: I'm trying to because you know, people are still in

862
00:38:20,600 --> 00:38:21,680
Speaker 6: love with the older songs.

863
00:38:21,680 --> 00:38:24,080
Speaker 5: So it's like, I have no problem doing that.

864
00:38:24,120 --> 00:38:26,400
Speaker 6: But the only difference is when people come to my shows,

865
00:38:26,440 --> 00:38:30,000
Speaker 6: I want them to see something like evolution. Like you

866
00:38:30,040 --> 00:38:31,759
Speaker 6: know what I'm saying. They're not seeing the last tour

867
00:38:31,800 --> 00:38:33,799
Speaker 6: that they saw. They're not seen the one before that.

868
00:38:34,160 --> 00:38:37,040
Speaker 6: Every tour is completely different and it gives them, you know,

869
00:38:37,080 --> 00:38:39,840
Speaker 6: the same nostalgia. But also with this with the new music.

870
00:38:40,280 --> 00:38:42,680
Speaker 6: So it's so hard for us right now. I even

871
00:38:42,840 --> 00:38:45,080
Speaker 6: I even put on my Instagram and Twitter, like, look

872
00:38:45,320 --> 00:38:48,520
Speaker 6: what songs y'all want me to perform? They was like

873
00:38:48,560 --> 00:38:50,759
Speaker 6: all of them bitches. I said, we're gonna be there

874
00:38:50,760 --> 00:38:51,360
Speaker 6: for three days.

875
00:38:51,400 --> 00:38:54,080
Speaker 2: I'm not, but you gotta think of it like this though, right,

876
00:38:54,320 --> 00:38:58,400
Speaker 2: I always equated back to like Frankie Beverly and May. Yeah,

877
00:38:58,680 --> 00:39:08,759
Speaker 2: Frankie Beverly and the same show in Arenas for twenty years.

878
00:39:08,760 --> 00:39:13,640
Speaker 7: With all due respect, they don't have a hundred.

879
00:39:13,480 --> 00:39:15,960
Speaker 2: No, no, no, let me get into. What I'm getting

880
00:39:15,960 --> 00:39:20,799
Speaker 2: to is the variations of those songs that make it

881
00:39:20,840 --> 00:39:21,400
Speaker 2: old to you.

882
00:39:22,000 --> 00:39:23,920
Speaker 5: Don't get don't get old to them.

883
00:39:24,000 --> 00:39:25,000
Speaker 1: Don't get old to them.

884
00:39:25,480 --> 00:39:27,880
Speaker 5: But at least how you how how they will see it?

885
00:39:27,960 --> 00:39:30,920
Speaker 2: Yeah, they remember that. They're telling that friends. Watch when

886
00:39:30,960 --> 00:39:34,480
Speaker 2: he do this, he do this thing when he sings.

887
00:39:35,560 --> 00:39:37,800
Speaker 2: Watch when there you're waiting.

888
00:39:37,880 --> 00:39:39,960
Speaker 6: You got a point too, that's the point. But I

889
00:39:39,960 --> 00:39:41,759
Speaker 6: always want to how I look. I'll be like you

890
00:39:41,800 --> 00:39:44,399
Speaker 6: know what, I want to always give them more. It's

891
00:39:44,400 --> 00:39:47,280
Speaker 6: not like because you can see Chris Brown on YouTube,

892
00:39:47,280 --> 00:39:48,520
Speaker 6: but you can go see it and be like all right,

893
00:39:48,920 --> 00:39:50,560
Speaker 6: and then they're like man fell off.

894
00:39:50,800 --> 00:39:52,919
Speaker 5: I never want to hear that ship until I'm ready

895
00:39:52,920 --> 00:39:53,960
Speaker 5: to be like, look, I'm tired.

896
00:39:54,480 --> 00:39:57,480
Speaker 1: I don't think because new material.

897
00:39:57,200 --> 00:39:59,440
Speaker 5: I'm not, You're not gonna be tired. But that was hypothetic.

898
00:39:59,480 --> 00:40:01,880
Speaker 1: You have like eight thousand songs and the what's.

899
00:40:01,719 --> 00:40:02,920
Speaker 3: The longest show you've done?

900
00:40:03,640 --> 00:40:03,879
Speaker 5: Ship?

901
00:40:03,920 --> 00:40:06,040
Speaker 6: The last one we just did. We just came from

902
00:40:06,080 --> 00:40:08,400
Speaker 6: towards overseas. You came to it like two hours and

903
00:40:08,400 --> 00:40:09,040
Speaker 6: fifteen minutes.

904
00:40:09,080 --> 00:40:11,960
Speaker 1: Hold on, let's nigga, that's let's go, let's go there,

905
00:40:12,840 --> 00:40:14,280
Speaker 1: let's go there. Movie that's.

906
00:40:15,760 --> 00:40:15,920
Speaker 5: Over.

907
00:40:16,080 --> 00:40:16,840
Speaker 1: Ship.

908
00:40:17,760 --> 00:40:19,680
Speaker 2: I was like, Bag, we're going over seas to Chris Brown.

909
00:40:19,719 --> 00:40:22,600
Speaker 2: What the fuck are you talking about? We're going to Paris.

910
00:40:23,200 --> 00:40:25,880
Speaker 1: Pack your ship. We're going to see Chris Brown. I

911
00:40:26,160 --> 00:40:28,800
Speaker 1: told you. Now, make me tell you again.

912
00:40:28,960 --> 00:40:31,440
Speaker 7: Nigga, like you have enough room in his bag to

913
00:40:31,600 --> 00:40:34,359
Speaker 7: bring me back a hoodie or nothing. No, no, mer

914
00:40:34,760 --> 00:40:35,879
Speaker 7: don't like to travel like that.

915
00:40:36,080 --> 00:40:37,040
Speaker 1: That's why you should can't.

916
00:40:37,120 --> 00:40:44,200
Speaker 2: Okay, okay, march here now, merchant here, march here. We

917
00:40:44,200 --> 00:40:47,799
Speaker 2: were in Paris and we pull up to the venue

918
00:40:47,800 --> 00:40:50,319
Speaker 2: I'm hitting and we're here. He's like, all right, come

919
00:40:50,360 --> 00:40:55,919
Speaker 2: to the back. And as we're at the venue. It's

920
00:40:56,120 --> 00:40:59,840
Speaker 2: quiet outside of the venue the show. The show starts

921
00:40:59,840 --> 00:41:05,920
Speaker 2: and like maybe like an hour, it's quiet, there's no traffic,

922
00:41:06,800 --> 00:41:08,240
Speaker 2: there's there's there's nothing.

923
00:41:08,760 --> 00:41:12,359
Speaker 1: And I'm like, this is weird. This is Chris Brown show.

924
00:41:12,400 --> 00:41:15,279
Speaker 2: This is this is supposed to be It's supposed to

925
00:41:15,320 --> 00:41:17,000
Speaker 2: be off the chain, house side, motherfucker is supposed to

926
00:41:17,040 --> 00:41:20,799
Speaker 2: be bootlegging shit, all sorts of ship. Right, we walk

927
00:41:20,880 --> 00:41:29,760
Speaker 2: into that Building's twenty thousand people already in there, probably

928
00:41:29,760 --> 00:41:32,879
Speaker 2: two hours of They are in their seats like this

929
00:41:35,040 --> 00:41:39,400
Speaker 2: ready but vernying on Dick Saponi's coming out soon, just

930
00:41:39,600 --> 00:41:41,480
Speaker 2: sitting dispelly.

931
00:41:41,480 --> 00:41:42,840
Speaker 1: It's going to be so good.

932
00:41:43,520 --> 00:41:47,360
Speaker 2: And and you know, we're so used to seeing shows,

933
00:41:47,560 --> 00:41:50,120
Speaker 2: you know, in the States and how people react in

934
00:41:50,160 --> 00:41:53,520
Speaker 2: the States. But I wanted to go to Paris because

935
00:41:53,560 --> 00:41:57,080
Speaker 2: I wanted to see people with a different mindset. I

936
00:41:57,120 --> 00:42:02,080
Speaker 2: wanted to see people completely free of what this the

937
00:42:02,120 --> 00:42:03,480
Speaker 2: state stigma.

938
00:42:03,320 --> 00:42:05,319
Speaker 5: Is, how you gotta be cool?

939
00:42:05,320 --> 00:42:07,759
Speaker 2: I'm people supposed to act, how the dudes is? I mean,

940
00:42:07,800 --> 00:42:10,720
Speaker 2: I fuck with, I said I rock with. It wasn't

941
00:42:10,960 --> 00:42:17,160
Speaker 2: none of that. I'm watching grown men go ape shoes.

942
00:42:18,080 --> 00:42:21,040
Speaker 2: It was themselves in the music when these songs. Come on,

943
00:42:21,120 --> 00:42:24,719
Speaker 2: I got a videotape of the entire arena jumping up

944
00:42:24,760 --> 00:42:30,319
Speaker 2: and die. I'm like Jesus. Rice and we had talked

945
00:42:30,360 --> 00:42:33,279
Speaker 2: about it before, before you got the overseas tour, and

946
00:42:33,360 --> 00:42:35,320
Speaker 2: I said, Bro, I said, look, Bro, the world is

947
00:42:35,320 --> 00:42:37,080
Speaker 2: getting ready to open up to you in such a

948
00:42:37,120 --> 00:42:39,319
Speaker 2: way that I don't even think you could you even

949
00:42:39,440 --> 00:42:41,640
Speaker 2: understand it. And you was like, he was like, bro,

950
00:42:41,760 --> 00:42:44,280
Speaker 2: I hear you, but I'm I'm I'm not gonna believe

951
00:42:44,320 --> 00:42:45,120
Speaker 2: it until I see it.

952
00:42:45,239 --> 00:42:46,640
Speaker 5: Yeah, facts, I remember I told you that.

953
00:42:47,160 --> 00:42:50,440
Speaker 2: And we and we were sitting in your dress room backstage.

954
00:42:50,480 --> 00:42:53,520
Speaker 2: I said, do you see this? I said, And I

955
00:42:53,600 --> 00:42:55,399
Speaker 2: watched you for two nights in a row. I don't

956
00:42:55,440 --> 00:42:58,960
Speaker 2: know how the fuck you did it for two and

957
00:42:58,960 --> 00:43:02,480
Speaker 2: a half hours, dance and sing.

958
00:43:03,080 --> 00:43:05,600
Speaker 6: NonStop because I haven't been over there in a minute too,

959
00:43:05,680 --> 00:43:08,240
Speaker 6: So by me having a tour out there, I was like, damn,

960
00:43:08,600 --> 00:43:10,840
Speaker 6: this is I haven't toured over there in twelve years

961
00:43:10,880 --> 00:43:14,160
Speaker 6: in certain places twelve like like London, certain places it

962
00:43:14,160 --> 00:43:17,719
Speaker 6: has been twelve years. So I'm like, damn. So that

963
00:43:17,880 --> 00:43:20,799
Speaker 6: they got a whole chunk of history that they ain't

964
00:43:20,840 --> 00:43:23,840
Speaker 6: even sing. So I'm like, I can't be lazy and

965
00:43:24,160 --> 00:43:27,160
Speaker 6: go on stage and do sixty minutes ninety minutes and

966
00:43:27,320 --> 00:43:28,520
Speaker 6: be like all right, cool, we just give me out

967
00:43:28,520 --> 00:43:30,240
Speaker 6: of new shit and getting out of it.

968
00:43:30,040 --> 00:43:32,640
Speaker 3: Sixty ninety minutes is the that's the regular show. And

969
00:43:32,640 --> 00:43:33,600
Speaker 3: he's like, I can't.

970
00:43:35,520 --> 00:43:37,000
Speaker 5: I can't be nice because of the chuck.

971
00:43:38,840 --> 00:43:41,280
Speaker 6: Yeah, because because because think about it, it's it's people

972
00:43:41,280 --> 00:43:43,400
Speaker 6: that's my age bringing their kids to the show, you

973
00:43:43,480 --> 00:43:44,040
Speaker 6: know what I'm saying.

974
00:43:44,040 --> 00:43:45,759
Speaker 5: So they're like, now this is the person I like.

975
00:43:45,840 --> 00:43:50,520
Speaker 6: So it's almost like teaching a class again, like okay, cool,

976
00:43:51,080 --> 00:43:53,160
Speaker 6: the kid might not know this song, but they mama

977
00:43:53,160 --> 00:43:54,840
Speaker 6: know the song and they gonna pray, you know.

978
00:43:55,040 --> 00:43:55,200
Speaker 5: So.

979
00:43:55,680 --> 00:43:58,360
Speaker 6: But in that in that space, it's like it's like

980
00:43:58,400 --> 00:44:01,200
Speaker 6: a different appreciation. Remember I was like, it's like not

981
00:44:01,280 --> 00:44:03,480
Speaker 6: to discredit, you know, the US, but at the end

982
00:44:03,480 --> 00:44:04,840
Speaker 6: of the day when you go over there.

983
00:44:04,719 --> 00:44:05,560
Speaker 1: It's like different.

984
00:44:05,960 --> 00:44:07,640
Speaker 5: You're really appreciated for the music.

985
00:44:07,840 --> 00:44:09,640
Speaker 3: They don't see you all the time either. Yeah you

986
00:44:09,680 --> 00:44:11,560
Speaker 3: said they miss you, they miss you.

987
00:44:11,600 --> 00:44:13,440
Speaker 2: But R and B is still a thing. Listen, And

988
00:44:13,440 --> 00:44:16,880
Speaker 2: I gotta say it like, we're not we're not slighting

989
00:44:16,880 --> 00:44:20,480
Speaker 2: in the US, but the US is spoiled. They see

990
00:44:20,520 --> 00:44:23,319
Speaker 2: us walking down the street, they see it's very sass

991
00:44:23,360 --> 00:44:26,360
Speaker 2: to see. It's in Miami moving already, they see us

992
00:44:26,440 --> 00:44:30,480
Speaker 2: and so overseas like even just just even outside of

993
00:44:30,520 --> 00:44:34,920
Speaker 2: the presence their their thirst and desire for real music

994
00:44:35,920 --> 00:44:37,680
Speaker 2: is just it's just different.

995
00:44:37,840 --> 00:44:39,319
Speaker 1: It's still old school over there.

996
00:44:39,320 --> 00:44:44,080
Speaker 5: It's it's it's the words songs and speak English.

997
00:44:44,320 --> 00:44:45,080
Speaker 3: That's gotta be great.

998
00:44:45,200 --> 00:44:48,680
Speaker 6: That's that's that's phenom. I never I could never understand that.

999
00:44:48,760 --> 00:44:51,280
Speaker 6: It still makes me. I think I get more excited

1000
00:44:51,440 --> 00:44:52,840
Speaker 6: when I when I when I see that because I'm like,

1001
00:44:52,880 --> 00:44:54,640
Speaker 6: you know what, that that type of energy. They don't

1002
00:44:54,640 --> 00:44:56,960
Speaker 6: know what the fuck I'm saying, or they might now,

1003
00:44:57,040 --> 00:44:59,959
Speaker 6: but it's for them to like something that that bad

1004
00:45:00,680 --> 00:45:13,879
Speaker 6: and you know what I'm saying, that takes dedication. Yeah,

1005
00:45:13,920 --> 00:45:16,000
Speaker 6: but you know the States give me my love too,

1006
00:45:16,120 --> 00:45:16,719
Speaker 6: because I can't.

1007
00:45:16,760 --> 00:45:17,319
Speaker 5: I can't lie.

1008
00:45:17,520 --> 00:45:20,319
Speaker 6: Fuck the media aspect we talk about like we talk

1009
00:45:20,400 --> 00:45:22,600
Speaker 6: about when I when I when we geah them asses

1010
00:45:22,600 --> 00:45:24,759
Speaker 6: in them seats, you know what I'm saying, And so

1011
00:45:24,840 --> 00:45:27,080
Speaker 6: and they real fans like my fan base. I can say,

1012
00:45:27,680 --> 00:45:30,120
Speaker 6: you know, you got Nikki's fan base beyond these fan base.

1013
00:45:31,440 --> 00:45:32,759
Speaker 5: Yeah, but the.

1014
00:45:32,800 --> 00:45:35,080
Speaker 6: Fans, I feel like everybody them in their family, they

1015
00:45:35,080 --> 00:45:37,239
Speaker 6: got they always you know, I always a comment. I'll

1016
00:45:37,239 --> 00:45:39,440
Speaker 6: get on somebody asks if they go crazy in the comments,

1017
00:45:39,440 --> 00:45:43,520
Speaker 6: but I always listen and kind of like let them

1018
00:45:43,520 --> 00:45:45,640
Speaker 6: dictate certain aspects of Okay, y'all want to hear this.

1019
00:45:45,719 --> 00:45:48,080
Speaker 6: Y'all like this, like I like to be engaged with them,

1020
00:45:48,200 --> 00:45:50,319
Speaker 6: so they so they know that this shit ain't just

1021
00:45:50,360 --> 00:45:52,120
Speaker 6: like oh, all right, shut up and listen. And then

1022
00:45:52,120 --> 00:45:54,120
Speaker 6: I'm gonna make y'all follow me this way, you know

1023
00:45:54,160 --> 00:45:55,680
Speaker 6: what I'm saying. I feel like as a family and

1024
00:45:55,760 --> 00:45:57,720
Speaker 6: the people that support me there, I love this person.

1025
00:45:57,960 --> 00:46:00,560
Speaker 6: You know, it'd be people's mama's kids. They be like,

1026
00:46:00,680 --> 00:46:02,680
Speaker 6: you know what, I love that boy like so and

1027
00:46:02,719 --> 00:46:04,840
Speaker 6: I can I can feel that energy. So when I

1028
00:46:04,840 --> 00:46:08,000
Speaker 6: get into an arena, you know the fans is the

1029
00:46:08,080 --> 00:46:08,920
Speaker 6: really wanted to keep me in.

1030
00:46:09,239 --> 00:46:09,359
Speaker 2: Bro.

1031
00:46:09,440 --> 00:46:10,680
Speaker 3: You change the meet and greet.

1032
00:46:12,239 --> 00:46:14,800
Speaker 7: Oh yeah, you got some flat behind that too, like nigga,

1033
00:46:15,120 --> 00:46:16,520
Speaker 7: you literally change.

1034
00:46:16,239 --> 00:46:16,879
Speaker 3: The meet and greek.

1035
00:46:18,000 --> 00:46:21,040
Speaker 2: I'm gonna I want to say this, okay, all right,

1036
00:46:21,800 --> 00:46:28,240
Speaker 2: they got on his ass like I'm not doing okay,

1037
00:46:29,480 --> 00:46:32,640
Speaker 2: I might have to do something. Yeah, you got you

1038
00:46:32,640 --> 00:46:34,920
Speaker 2: gotta at least I might have to do something, you

1039
00:46:35,000 --> 00:46:37,279
Speaker 2: know what I'm saying. But the Chris Brown meet and Greek,

1040
00:46:37,920 --> 00:46:39,080
Speaker 2: it's out of control.

1041
00:46:39,280 --> 00:46:43,120
Speaker 7: You might need to press that ship fun like I

1042
00:46:43,239 --> 00:46:46,160
Speaker 7: bet it's because.

1043
00:46:46,000 --> 00:46:48,960
Speaker 6: Look where else in the time, Like everybody usually like

1044
00:46:49,040 --> 00:46:51,279
Speaker 6: you get your pictures back in the day, all the

1045
00:46:51,560 --> 00:46:56,239
Speaker 6: artists like yeah, you know, like like and I don't

1046
00:46:56,239 --> 00:46:58,279
Speaker 6: do I'm not doing like one hundred and fifty people

1047
00:46:58,280 --> 00:46:59,719
Speaker 6: a night, like you know what I'm saying. So might

1048
00:47:00,120 --> 00:47:02,480
Speaker 6: be a small intimate group of people that actually spent

1049
00:47:02,600 --> 00:47:05,040
Speaker 6: that money that they might not even have to come

1050
00:47:05,080 --> 00:47:07,000
Speaker 6: and meet me. So I'm not gonna make they moment,

1051
00:47:07,480 --> 00:47:09,120
Speaker 6: you know, I don't want to make their moment, just

1052
00:47:09,120 --> 00:47:09,799
Speaker 6: something Hey what's up?

1053
00:47:09,920 --> 00:47:11,080
Speaker 5: Let me sign this? Get the funk out?

1054
00:47:11,440 --> 00:47:13,520
Speaker 6: Like that's weak to me because I feel like these

1055
00:47:13,520 --> 00:47:15,360
Speaker 6: are the same people, no matter how big of that

1056
00:47:15,400 --> 00:47:17,400
Speaker 6: group or smaller that group, I feel like they're the

1057
00:47:17,400 --> 00:47:20,720
Speaker 6: same people. That's a part of the family aspect. So

1058
00:47:20,719 --> 00:47:22,600
Speaker 6: so and some of these girls is man, that's the

1059
00:47:22,719 --> 00:47:24,680
Speaker 6: bucket list. Some of them they like, Look.

1060
00:47:24,520 --> 00:47:26,239
Speaker 5: All I want to do is just be able to

1061
00:47:26,239 --> 00:47:28,600
Speaker 5: be on him cool as long as you ain't got

1062
00:47:28,680 --> 00:47:30,479
Speaker 5: COVID were good.

1063
00:47:31,200 --> 00:47:33,239
Speaker 2: I should tell my wife she should loosen up and

1064
00:47:33,320 --> 00:47:36,080
Speaker 2: let me. Yeah.

1065
00:47:36,160 --> 00:47:38,640
Speaker 6: Yeah, but you can't do no motherfucking pictures with your

1066
00:47:38,640 --> 00:47:41,359
Speaker 6: shirt off because then you can't You can't you can't

1067
00:47:41,400 --> 00:47:45,839
Speaker 6: gauge the person. You don't know what might lick your

1068
00:47:45,880 --> 00:47:47,320
Speaker 6: stomach and something you're gonna be like hold.

1069
00:47:47,080 --> 00:47:52,279
Speaker 1: Onto that you get off now.

1070
00:47:53,000 --> 00:47:54,480
Speaker 3: But got you also?

1071
00:47:54,520 --> 00:47:57,839
Speaker 7: In my opinion, bro, like, I've met a lot of people,

1072
00:47:57,960 --> 00:48:00,400
Speaker 7: I've friends with a lot of people. We've been in

1073
00:48:00,400 --> 00:48:03,279
Speaker 7: this industry a long time, and I really believe that

1074
00:48:03,360 --> 00:48:05,960
Speaker 7: you are the most.

1075
00:48:06,880 --> 00:48:08,759
Speaker 3: How can I say you're the.

1076
00:48:10,440 --> 00:48:15,919
Speaker 7: Your cares, bro cook, absolutely care, but the most accessible.

1077
00:48:16,880 --> 00:48:21,080
Speaker 3: Yeah, superstar I've ever seen, literally, bro.

1078
00:48:21,520 --> 00:48:23,160
Speaker 5: Yeah, Like I feel.

1079
00:48:22,960 --> 00:48:25,319
Speaker 6: Like I feel like Jill probably humbled me on that

1080
00:48:25,360 --> 00:48:29,600
Speaker 6: one that Yeah, there's that. But being able to like

1081
00:48:29,640 --> 00:48:32,480
Speaker 6: go through ship and not have to be, you know,

1082
00:48:32,719 --> 00:48:34,319
Speaker 6: walk a thin line because a lot of artists have

1083
00:48:34,320 --> 00:48:36,440
Speaker 6: to walk a thin line unless you're independent. If you're

1084
00:48:36,560 --> 00:48:38,360
Speaker 6: like the mainstream, you can't do this. You can't be

1085
00:48:38,400 --> 00:48:41,000
Speaker 6: associated with somebody, You can't do a song because of

1086
00:48:41,040 --> 00:48:44,600
Speaker 6: how it looks. Once that shit, like once I was

1087
00:48:44,640 --> 00:48:46,640
Speaker 6: able to still do music and they was and I

1088
00:48:46,680 --> 00:48:48,560
Speaker 6: got to be my regular nigga, Like, I got to

1089
00:48:48,600 --> 00:48:51,120
Speaker 6: be myself man, funk all this extra shit.

1090
00:48:51,160 --> 00:48:52,920
Speaker 5: I can look if somebody come up to me, what's

1091
00:48:53,000 --> 00:48:53,719
Speaker 5: up you like with music?

1092
00:48:53,719 --> 00:48:53,960
Speaker 1: All right?

1093
00:48:53,960 --> 00:48:54,759
Speaker 5: What's I appreciate it?

1094
00:48:54,840 --> 00:48:55,000
Speaker 1: Cool?

1095
00:48:55,040 --> 00:48:55,480
Speaker 5: Can I get a.

1096
00:48:55,440 --> 00:48:57,920
Speaker 6: Picture if I'm in a go Sorry not right now,

1097
00:48:57,960 --> 00:49:00,320
Speaker 6: but I appreciate you boom If I'm not, it's a

1098
00:49:00,719 --> 00:49:03,120
Speaker 6: million pictures, whether I'm drunk, whatever it is, I'm gonna

1099
00:49:03,120 --> 00:49:05,520
Speaker 6: take a picture with somebody, like, because I've been able,

1100
00:49:05,560 --> 00:49:08,640
Speaker 6: I've been humbled through whatever my experiences are.

1101
00:49:09,080 --> 00:49:10,880
Speaker 5: Like, so I done went through bullshit. I and went

1102
00:49:10,920 --> 00:49:12,160
Speaker 5: through you know, normal nigga shit.

1103
00:49:12,239 --> 00:49:15,359
Speaker 6: So it's like, you know what, let me uh, let

1104
00:49:15,440 --> 00:49:17,839
Speaker 6: me not take this ship for granted and be appreciative

1105
00:49:17,920 --> 00:49:21,200
Speaker 6: every single second, every single time I get to get

1106
00:49:21,200 --> 00:49:23,600
Speaker 6: a chance to like do anything or be around somebody.

1107
00:49:23,760 --> 00:49:25,840
Speaker 2: This is a flowers pod, right, and so this is

1108
00:49:26,080 --> 00:49:33,120
Speaker 2: for you, your flowers. Take a second to to to speak

1109
00:49:33,160 --> 00:49:38,000
Speaker 2: on Team Breezy and and staying down with you through

1110
00:49:38,000 --> 00:49:40,759
Speaker 2: thick and thin. What is that feeling like to you?

1111
00:49:41,600 --> 00:49:44,440
Speaker 6: It's the it's the imposter syndrome again, like you know,

1112
00:49:44,600 --> 00:49:47,200
Speaker 6: because it's it's it's unbelievable, like sometimes I wake up,

1113
00:49:47,200 --> 00:49:50,080
Speaker 6: I'm like, damn, people go by like whether I'm promoting,

1114
00:49:50,120 --> 00:49:52,040
Speaker 6: I don't care if there's some shoes I'm promoting or

1115
00:49:52,560 --> 00:49:56,160
Speaker 6: there's a there's a following of people, a big following.

1116
00:49:55,840 --> 00:49:58,399
Speaker 5: Of people who who support me, you know what I'm saying.

1117
00:49:58,480 --> 00:50:02,000
Speaker 6: So that also makes me the uh like cherish where

1118
00:50:02,000 --> 00:50:04,799
Speaker 6: I'm at, bros a Team Breezy, Like even to have

1119
00:50:05,320 --> 00:50:07,480
Speaker 6: a name for people to follow.

1120
00:50:07,239 --> 00:50:09,759
Speaker 5: You is kind of crazy, you know what I'm saying.

1121
00:50:09,760 --> 00:50:13,120
Speaker 6: So I feel like I'm appreciative, Like my fans know

1122
00:50:13,160 --> 00:50:14,759
Speaker 6: how much, and I try to let them in on

1123
00:50:14,800 --> 00:50:17,000
Speaker 6: stuff I talked to them, like I remember because somebody

1124
00:50:17,040 --> 00:50:18,040
Speaker 6: dates for the tours will come.

1125
00:50:18,120 --> 00:50:20,120
Speaker 5: I say, look, y'all, get on my damn nerves.

1126
00:50:20,120 --> 00:50:22,120
Speaker 6: If y'all ain't got the damn you sit on and

1127
00:50:22,200 --> 00:50:24,239
Speaker 6: got this, shut up the puck up and go.

1128
00:50:24,200 --> 00:50:25,160
Speaker 5: To the next city.

1129
00:50:25,360 --> 00:50:29,000
Speaker 6: So so so like but but I'm able to I

1130
00:50:29,040 --> 00:50:30,920
Speaker 6: wouldn't even be in this chair right now.

1131
00:50:31,120 --> 00:50:32,759
Speaker 5: Like, but y'all my brother, so I probably would be

1132
00:50:32,800 --> 00:50:33,120
Speaker 5: in the chair.

1133
00:50:33,520 --> 00:50:37,560
Speaker 6: But any success or anything that that's further that these

1134
00:50:37,600 --> 00:50:39,919
Speaker 6: songs that I'm putting out like that, ain't that ain't

1135
00:50:40,239 --> 00:50:42,120
Speaker 6: us paying somebody off and.

1136
00:50:42,000 --> 00:50:43,719
Speaker 5: Trying to like please, like you know what I'm saying.

1137
00:50:43,760 --> 00:50:46,160
Speaker 5: That's that's really the fans, you know what I'm saying.

1138
00:50:46,320 --> 00:50:49,160
Speaker 6: And they and they kept me here twenty almost twenty

1139
00:50:49,239 --> 00:50:52,120
Speaker 6: years now, so it's like for me to have that

1140
00:50:52,239 --> 00:50:54,000
Speaker 6: connection with them, it's probably.

1141
00:50:53,719 --> 00:50:56,160
Speaker 5: The biggest thing ever, you know. So so I may

1142
00:50:56,280 --> 00:50:58,560
Speaker 5: that's why I'm always thirsty and still doing me. Why

1143
00:50:58,600 --> 00:51:01,120
Speaker 5: he's still doing this? Why it because of y'all? Like

1144
00:51:01,320 --> 00:51:03,000
Speaker 5: that's the reason real.

1145
00:51:02,880 --> 00:51:08,359
Speaker 2: Talk shout out to Team Yeah, I talked to Team

1146
00:51:08,400 --> 00:51:11,920
Speaker 2: Breezy often talked they.

1147
00:51:11,640 --> 00:51:14,160
Speaker 1: You know, as as as as as a Team Breezer.

1148
00:51:14,360 --> 00:51:17,319
Speaker 1: You know what I'm saying. Never with you shout out

1149
00:51:19,200 --> 00:51:21,280
Speaker 1: what's your favorite album?

1150
00:51:21,600 --> 00:51:21,799
Speaker 2: Uh?

1151
00:51:22,400 --> 00:51:23,000
Speaker 1: Out of mind?

1152
00:51:25,600 --> 00:51:28,400
Speaker 5: Damn it's you know what it is? I can I

1153
00:51:28,440 --> 00:51:31,920
Speaker 5: have two? I got Eleven of the Motherfuckers.

1154
00:51:32,200 --> 00:51:35,400
Speaker 6: Uh, my two will be my first one because of

1155
00:51:35,440 --> 00:51:38,879
Speaker 6: the experience that what we talked about earlier, like how

1156
00:51:38,920 --> 00:51:42,080
Speaker 6: it felt everything was was was amazing. So I think

1157
00:51:42,120 --> 00:51:45,360
Speaker 6: the first one and then my fame album.

1158
00:51:46,120 --> 00:51:49,160
Speaker 7: Yeah, I got the Grammy Grammy album.

1159
00:51:49,160 --> 00:51:50,920
Speaker 6: And the reason why I say that is because of

1160
00:51:52,239 --> 00:51:54,719
Speaker 6: the ship I had to go through around that time

1161
00:51:55,480 --> 00:51:58,520
Speaker 6: and still make music and people still listening to me

1162
00:51:58,600 --> 00:52:00,440
Speaker 6: despite maybe not come with me.

1163
00:52:00,520 --> 00:52:02,200
Speaker 5: For real, I'm not liking New York, you know what

1164
00:52:02,200 --> 00:52:06,799
Speaker 5: I'm saying. The first canceled Nigga.

1165
00:52:05,880 --> 00:52:08,000
Speaker 6: So you know, so those two albums kind of like

1166
00:52:08,360 --> 00:52:10,960
Speaker 6: were milestones in my career, Like the first one has

1167
00:52:10,960 --> 00:52:12,680
Speaker 6: shown me that I'm I'm able to do it, and

1168
00:52:12,719 --> 00:52:15,719
Speaker 6: then that album Okay you can do it, Yeah, I

1169
00:52:15,719 --> 00:52:16,239
Speaker 6: can do it again.

1170
00:52:17,200 --> 00:52:22,200
Speaker 1: I'm gonna go the The first album, first album as

1171
00:52:22,200 --> 00:52:27,160
Speaker 1: a classic exclusive is special to me.

1172
00:52:28,640 --> 00:52:29,799
Speaker 3: What's your favorite Chris song?

1173
00:52:30,160 --> 00:52:31,680
Speaker 1: In the goal is.

1174
00:52:33,280 --> 00:52:37,040
Speaker 3: What's your favorite Chris song? Okay? I know mine off

1175
00:52:37,040 --> 00:52:37,680
Speaker 3: the top of my head.

1176
00:52:38,280 --> 00:52:40,200
Speaker 1: It changes, he just plays.

1177
00:52:43,239 --> 00:52:45,360
Speaker 3: I still got my favorite, though you don't have your favorite.

1178
00:52:46,480 --> 00:52:49,120
Speaker 1: It changes every time he plays me.

1179
00:52:49,120 --> 00:52:53,080
Speaker 7: Something he just to this day, yeah, to this day.

1180
00:52:53,280 --> 00:52:55,440
Speaker 7: The Nigga played it for me a record plan, and

1181
00:52:55,480 --> 00:52:59,160
Speaker 7: I said, Nigga, the record tomorrow, the record.

1182
00:52:59,120 --> 00:53:02,920
Speaker 2: The record that the record that haunts me, like a

1183
00:53:03,040 --> 00:53:06,360
Speaker 2: record that when I hear it, it takes me to

1184
00:53:06,440 --> 00:53:09,360
Speaker 2: where I was, like, it takes me back to Paris

1185
00:53:09,719 --> 00:53:10,760
Speaker 2: and watching on stage.

1186
00:53:10,840 --> 00:53:11,480
Speaker 1: It's Indigo.

1187
00:53:12,120 --> 00:53:12,359
Speaker 3: Yeah.

1188
00:53:13,160 --> 00:53:16,239
Speaker 2: If there's something about the feeling, it's something about the conversation,

1189
00:53:17,880 --> 00:53:23,759
Speaker 2: it's something about Indigo, Bro, that is so special to me.

1190
00:53:23,880 --> 00:53:25,239
Speaker 1: I don't know what it is.

1191
00:53:25,280 --> 00:53:29,800
Speaker 2: It's the melodies, it's the trust, the production, it's the words,

1192
00:53:29,920 --> 00:53:37,319
Speaker 2: it's like my life. I'm like, it's special to me,

1193
00:53:37,880 --> 00:53:40,560
Speaker 2: super special.

1194
00:53:42,960 --> 00:53:43,440
Speaker 1: And Heat.

1195
00:53:45,760 --> 00:53:48,400
Speaker 2: And the reason Heat just got so embedded was because

1196
00:53:48,440 --> 00:53:53,440
Speaker 2: everybody thinks I'm singing on it. Everybody thinks I'm singing

1197
00:53:53,520 --> 00:53:56,640
Speaker 2: on Heat, and I never said I wasn't singing on Heat.

1198
00:53:57,360 --> 00:53:57,919
Speaker 1: You know what I'm saying.

1199
00:53:58,200 --> 00:54:00,439
Speaker 7: I don't think he knows what songs he's one of yours,

1200
00:54:00,920 --> 00:54:04,920
Speaker 7: since I think I'm singing backgrounds.

1201
00:54:05,840 --> 00:54:08,000
Speaker 2: I was just I was just in a sensation on

1202
00:54:08,080 --> 00:54:10,000
Speaker 2: the other day and I was like, I was like,

1203
00:54:10,160 --> 00:54:12,759
Speaker 2: why does he sound like me on the end of

1204
00:54:12,800 --> 00:54:13,239
Speaker 2: this song?

1205
00:54:13,280 --> 00:54:15,239
Speaker 1: Why does his ad libs? I said, funk, I did

1206
00:54:15,280 --> 00:54:17,319
Speaker 1: the ad libs? Got it?

1207
00:54:17,600 --> 00:54:17,920
Speaker 5: Got it?

1208
00:54:17,960 --> 00:54:20,120
Speaker 1: Because Chris will be like, get in the poof and

1209
00:54:20,200 --> 00:54:21,040
Speaker 1: just sing something of this ship.

1210
00:54:21,120 --> 00:54:24,400
Speaker 6: I'm like, yeah, because I just need his voice and backgrounds,

1211
00:54:24,400 --> 00:54:26,880
Speaker 6: and he knows where to put the pockets at. So

1212
00:54:26,880 --> 00:54:30,480
Speaker 6: I'd be like, it'd been damn it, eight to nine

1213
00:54:30,520 --> 00:54:32,920
Speaker 6: songs already.

1214
00:54:35,480 --> 00:54:38,719
Speaker 2: He never remembers, though, we'd be doing so much of it,

1215
00:54:39,280 --> 00:54:41,719
Speaker 2: and for me, it's just like in your space, I

1216
00:54:41,800 --> 00:54:44,040
Speaker 2: just try to make myself available for whatever it is

1217
00:54:44,080 --> 00:54:45,560
Speaker 2: you need. You know what I'm saying, whether it be

1218
00:54:45,800 --> 00:54:50,040
Speaker 2: whether it be musical conversation. Another question I wanted to

1219
00:54:50,040 --> 00:54:55,959
Speaker 2: ask you is probably a deeper question in and now

1220
00:54:56,120 --> 00:55:00,279
Speaker 2: in your stages of being a father. We we have

1221
00:55:00,400 --> 00:55:04,520
Speaker 2: so many loves, right, and love changes in terms of

1222
00:55:04,560 --> 00:55:07,120
Speaker 2: what it means as we grow. What does love mean

1223
00:55:07,160 --> 00:55:07,360
Speaker 2: to you?

1224
00:55:07,440 --> 00:55:13,480
Speaker 5: Now, that's a deep question. What does love mean to me? Uh?

1225
00:55:14,520 --> 00:55:16,879
Speaker 6: Love is scary to me, but at the same time,

1226
00:55:17,040 --> 00:55:21,000
Speaker 6: like it's too I'm full of it, you know what

1227
00:55:21,000 --> 00:55:22,080
Speaker 6: I'm saying, I'm full of love.

1228
00:55:22,200 --> 00:55:24,319
Speaker 5: Like so I feel like my kids kind of like

1229
00:55:24,360 --> 00:55:26,359
Speaker 5: made me appreciate.

1230
00:55:25,800 --> 00:55:28,040
Speaker 6: What that word mean, what the word meant like to

1231
00:55:28,160 --> 00:55:30,640
Speaker 6: love something outside of yourself, outside of anything.

1232
00:55:30,719 --> 00:55:34,719
Speaker 2: That's like, that's that's great segue. Are they are? Are

1233
00:55:34,760 --> 00:55:38,439
Speaker 2: they making you more free to love, more open to love?

1234
00:55:39,560 --> 00:55:42,279
Speaker 5: Yes? And no, they're they're making me more open to

1235
00:55:42,360 --> 00:55:43,640
Speaker 5: loving them. Then like I'm just.

1236
00:55:45,680 --> 00:55:48,600
Speaker 6: I'm pouring all my love and them, but you're also

1237
00:55:48,680 --> 00:55:49,200
Speaker 6: very protective.

1238
00:55:49,280 --> 00:55:52,719
Speaker 3: Yeah, but makes you yeah, not let more people in.

1239
00:55:53,239 --> 00:55:56,000
Speaker 6: Yeah, But at the same time, like it's making me

1240
00:55:56,400 --> 00:55:59,720
Speaker 6: learn patience and making me learn just life skills that

1241
00:55:59,520 --> 00:56:01,480
Speaker 6: I that I I made. It might have been too

1242
00:56:01,600 --> 00:56:04,279
Speaker 6: too antsy for too busy for So I think love

1243
00:56:04,320 --> 00:56:07,480
Speaker 6: for me now is like it's expanding. It's like me,

1244
00:56:07,840 --> 00:56:10,040
Speaker 6: you're saying you have to have a favorite color, right, No,

1245
00:56:10,200 --> 00:56:13,279
Speaker 6: I really don't. I can actually find beauty in every

1246
00:56:13,320 --> 00:56:17,160
Speaker 6: all of the colors. So my uh, my thought process

1247
00:56:17,239 --> 00:56:20,320
Speaker 6: on love isn't as controlled as I thought it should be.

1248
00:56:20,360 --> 00:56:22,200
Speaker 6: It should be like this, it should be like no,

1249
00:56:22,480 --> 00:56:24,839
Speaker 6: like love is an abundance to me. So I feel

1250
00:56:24,880 --> 00:56:27,480
Speaker 6: like it's like, all right, cool, I don't got Yeah

1251
00:56:27,520 --> 00:56:27,960
Speaker 6: I could.

1252
00:56:28,080 --> 00:56:33,800
Speaker 5: I could do this out. Yeah, I can smile a

1253
00:56:33,840 --> 00:56:34,239
Speaker 5: lot more.

1254
00:56:34,440 --> 00:56:34,680
Speaker 2: Yeah.

1255
00:56:35,320 --> 00:56:39,520
Speaker 7: Now look look that's that's what you're for, what you've

1256
00:56:39,560 --> 00:56:41,120
Speaker 7: been through and what you've accomplished.

1257
00:56:41,280 --> 00:56:44,000
Speaker 3: Yeah, you should smile more. Yeah, you know what I mean.

1258
00:56:44,080 --> 00:56:47,560
Speaker 7: You should continue to have a good time because this

1259
00:56:47,560 --> 00:56:50,040
Speaker 7: this isn't given to everyone. Yeah, you know what I mean.

1260
00:56:50,200 --> 00:56:54,279
Speaker 7: It's especially your life and what you know. And but

1261
00:56:54,320 --> 00:56:57,959
Speaker 7: the thing that would make me angry when it came

1262
00:56:58,000 --> 00:57:01,160
Speaker 7: to you was that people didn't realize this.

1263
00:57:01,200 --> 00:57:03,399
Speaker 3: Was your life, you know what I mean.

1264
00:57:03,480 --> 00:57:06,399
Speaker 7: Everybody had an opinion or has an opinion of how

1265
00:57:06,440 --> 00:57:09,839
Speaker 7: you should live your life. And for me, as your brother,

1266
00:57:09,920 --> 00:57:11,799
Speaker 7: I've never had an opinion about how you should live

1267
00:57:11,800 --> 00:57:13,600
Speaker 7: your life. And you know we've had many a talk

1268
00:57:13,640 --> 00:57:16,600
Speaker 7: to in many a cities and many long nights, and

1269
00:57:16,680 --> 00:57:20,720
Speaker 7: I've never said you should do No, you should do

1270
00:57:20,760 --> 00:57:22,840
Speaker 7: what you want to do and live how you want

1271
00:57:22,880 --> 00:57:25,760
Speaker 7: to live and experience the things you want to because

1272
00:57:25,840 --> 00:57:28,360
Speaker 7: it's what makes you who you are, you know what

1273
00:57:28,400 --> 00:57:30,640
Speaker 7: I mean. And you've been able to, like you said,

1274
00:57:31,760 --> 00:57:34,160
Speaker 7: average motherfucker can't go sit down and go and be

1275
00:57:34,200 --> 00:57:35,840
Speaker 7: in the whole tank and go to jail.

1276
00:57:36,800 --> 00:57:40,360
Speaker 3: That's your experience. So whatever that put you there, you

1277
00:57:40,440 --> 00:57:42,080
Speaker 3: were able to man up.

1278
00:57:42,600 --> 00:57:45,680
Speaker 7: Except that even though you did lose me a championship

1279
00:57:45,720 --> 00:57:48,360
Speaker 7: in the NBA E League because we were undefeated and

1280
00:57:48,360 --> 00:57:50,000
Speaker 7: then you went you had to go do too much

1281
00:57:50,040 --> 00:57:51,320
Speaker 7: and you.

1282
00:57:51,240 --> 00:57:55,360
Speaker 6: Had to Yeah, I was like and then by the

1283
00:57:55,360 --> 00:57:57,280
Speaker 6: time I got out, I was not about to play.

1284
00:57:57,160 --> 00:58:01,080
Speaker 5: The basketball and the season was over there for bad

1285
00:58:02,160 --> 00:58:03,840
Speaker 5: you And you was like Niga going in.

1286
00:58:03,840 --> 00:58:07,600
Speaker 1: Two weeks, you have to have a fro. The stomach said,

1287
00:58:07,920 --> 00:58:09,880
Speaker 1: it's gonna be gone. It's gonna be going in two weeks.

1288
00:58:09,920 --> 00:58:12,479
Speaker 1: Two weeks and then two weeks I said, Okay, he's back.

1289
00:58:12,640 --> 00:58:14,560
Speaker 6: Yeah I was, because they called me in them pictures.

1290
00:58:14,560 --> 00:58:16,960
Speaker 6: I think we went to like now I went to

1291
00:58:17,120 --> 00:58:18,680
Speaker 6: I went to South to France or something.

1292
00:58:19,320 --> 00:58:19,480
Speaker 1: Bro.

1293
00:58:19,560 --> 00:58:21,200
Speaker 6: They took the pictures and I was just seeing that

1294
00:58:21,200 --> 00:58:25,760
Speaker 6: that jelly roll. I said, what hell no, And then

1295
00:58:25,760 --> 00:58:29,040
Speaker 6: from there just dancing, dancing, dancing. I was even big

1296
00:58:29,040 --> 00:58:31,560
Speaker 6: on when I got out of jail for the for

1297
00:58:31,640 --> 00:58:33,920
Speaker 6: the BT Awards, when I had to when I when

1298
00:58:33,960 --> 00:58:35,920
Speaker 6: we came, I did loyal and I had to h

1299
00:58:36,400 --> 00:58:39,280
Speaker 6: This was when everybody's wearing for real hats. Yeah, like

1300
00:58:39,400 --> 00:58:46,160
Speaker 6: you know, the smoky the beer hat. But I remember

1301
00:58:46,320 --> 00:58:48,000
Speaker 6: having this outfit. I had to put the outfit on

1302
00:58:48,040 --> 00:58:51,160
Speaker 6: and it was like too small. The pants wouldn't fit.

1303
00:58:51,400 --> 00:58:52,080
Speaker 5: Like I was.

1304
00:58:52,120 --> 00:58:54,320
Speaker 6: I'm like a thirty four or thirty six, and I

1305
00:58:54,360 --> 00:58:58,840
Speaker 6: was like a few thirty Yeah, for sure, I was

1306
00:58:58,920 --> 00:59:02,760
Speaker 6: like a forty or something. Fordy. I'm talking about big

1307
00:59:02,800 --> 00:59:06,840
Speaker 6: boy big. I said, hold on, you know what, I

1308
00:59:06,840 --> 00:59:08,040
Speaker 6: can't do this no more.

1309
00:59:08,280 --> 00:59:09,080
Speaker 5: But I was. I was.

1310
00:59:09,440 --> 00:59:11,280
Speaker 6: I had to go through a lot of boot camp,

1311
00:59:11,360 --> 00:59:12,960
Speaker 6: dancing and everything else to get back.

1312
00:59:12,960 --> 00:59:14,920
Speaker 5: But Nigga ship back though.

1313
00:59:17,800 --> 00:59:20,120
Speaker 1: Yeah, because you was all right.

1314
00:59:20,240 --> 00:59:23,240
Speaker 5: It was terrible. I'm telling you that my most depressing

1315
00:59:23,280 --> 00:59:26,840
Speaker 5: time of my life. Bro Chris Brown, it was a

1316
00:59:27,200 --> 00:59:28,760
Speaker 5: Brown Brown.

1317
00:59:33,320 --> 00:59:36,120
Speaker 2: When did you really get into the business, like start

1318
00:59:36,160 --> 00:59:38,200
Speaker 2: owning the business of all of that, because that's what

1319
00:59:38,240 --> 00:59:39,480
Speaker 2: people really don't know about you.

1320
00:59:40,080 --> 00:59:44,840
Speaker 1: I think, yeah.

1321
00:59:45,440 --> 00:59:47,520
Speaker 6: I did that first, and I would be like I

1322
00:59:47,560 --> 00:59:49,720
Speaker 6: was seventeen when I started trying to invest in certain

1323
00:59:49,720 --> 00:59:52,720
Speaker 6: things just because I knew, like, you know, unless you torn,

1324
00:59:52,760 --> 00:59:55,080
Speaker 6: unless you like, you don't know how how long you're

1325
00:59:55,080 --> 00:59:55,880
Speaker 6: gonna be successful.

1326
00:59:55,880 --> 00:59:58,640
Speaker 5: And it's not like every artist can make it look like.

1327
00:59:58,600 --> 01:00:00,400
Speaker 6: They getting money, getting money, getting my If you not

1328
01:00:00,640 --> 01:00:02,600
Speaker 6: a touring act, if you're not doing stuff, you're not

1329
01:00:02,640 --> 01:00:03,440
Speaker 6: gonna you need.

1330
01:00:03,280 --> 01:00:04,120
Speaker 5: An exit strategy.

1331
01:00:04,240 --> 01:00:06,360
Speaker 6: So I would have, like, you know, the business people

1332
01:00:06,360 --> 01:00:08,560
Speaker 6: around me at the time, I can't say they were

1333
01:00:08,600 --> 01:00:11,080
Speaker 6: good at the time, but you know, my investments were

1334
01:00:11,120 --> 01:00:12,880
Speaker 6: like into burger kings and stuff like that, just so

1335
01:00:12,920 --> 01:00:16,760
Speaker 6: I could have a portfolio of and you know, constant income.

1336
01:00:17,080 --> 01:00:17,320
Speaker 1: You know.

1337
01:00:17,400 --> 01:00:18,480
Speaker 5: So that was my first step.

1338
01:00:18,560 --> 01:00:21,360
Speaker 6: But when I really started getting into like the music side,

1339
01:00:21,360 --> 01:00:24,160
Speaker 6: like the executive side, it was like I was twenty five,

1340
01:00:24,760 --> 01:00:28,480
Speaker 6: and what happened was, uh, loyal and all these other

1341
01:00:28,520 --> 01:00:31,280
Speaker 6: records had already been been blowing up, so and I

1342
01:00:31,360 --> 01:00:33,600
Speaker 6: was out of my almost out of my contract, so

1343
01:00:33,680 --> 01:00:34,600
Speaker 6: I was able to negotiate.

1344
01:00:34,600 --> 01:00:35,760
Speaker 5: I was like, well, cool, well.

1345
01:00:35,720 --> 01:00:38,800
Speaker 6: Now that I have leverage as an actual not an artist,

1346
01:00:39,080 --> 01:00:40,520
Speaker 6: I don't want to be an artist. I want to

1347
01:00:40,560 --> 01:00:42,680
Speaker 6: be fifty to fifty profits shared with you guys. I

1348
01:00:42,720 --> 01:00:45,320
Speaker 6: want to have the same deal Birdman got Universal, like

1349
01:00:45,640 --> 01:00:47,120
Speaker 6: you know, you know, I acted around trying to figure

1350
01:00:47,160 --> 01:00:49,800
Speaker 6: out so I don't have to be getting you know,

1351
01:00:50,720 --> 01:00:51,320
Speaker 6: cents on the.

1352
01:00:51,280 --> 01:00:53,240
Speaker 3: Dollar, right, you know, just living off advances.

1353
01:00:53,360 --> 01:00:54,080
Speaker 5: You get what I'm saying.

1354
01:00:54,160 --> 01:00:57,120
Speaker 6: So from there that was my first step boom, and

1355
01:00:57,120 --> 01:00:59,240
Speaker 6: then I think they were like oh and then they

1356
01:00:59,360 --> 01:01:00,560
Speaker 6: kind of like, you know what, fuck it.

1357
01:01:00,560 --> 01:01:00,960
Speaker 5: We'll do it.

1358
01:01:01,080 --> 01:01:03,720
Speaker 6: I'm like, shit, damn, I'm like the youngest nigga with this,

1359
01:01:03,840 --> 01:01:05,720
Speaker 6: with this deal right here. I don't think nobody knows,

1360
01:01:05,800 --> 01:01:07,320
Speaker 6: you know. So that was my first step.

1361
01:01:07,360 --> 01:01:09,760
Speaker 5: Then after that was me trying to own my masters.

1362
01:01:10,120 --> 01:01:11,880
Speaker 6: So I think when I was like twenty seven or

1363
01:01:11,880 --> 01:01:15,440
Speaker 6: twenty eight, like by that time, it was a renegotiation time,

1364
01:01:15,440 --> 01:01:18,000
Speaker 6: and I was like, hey, cool, I still want this,

1365
01:01:18,040 --> 01:01:20,880
Speaker 6: but let me get my masters from here. From from

1366
01:01:21,160 --> 01:01:24,160
Speaker 6: I think from my fame albuming up, I said, let

1367
01:01:24,160 --> 01:01:25,919
Speaker 6: me get the Masters from there, and then I'm able

1368
01:01:25,960 --> 01:01:28,720
Speaker 6: to come back and negotiate, you know, in six years

1369
01:01:28,720 --> 01:01:29,360
Speaker 6: for the.

1370
01:01:29,360 --> 01:01:31,280
Speaker 5: First album and all of my shit.

1371
01:01:31,720 --> 01:01:34,080
Speaker 6: So being able to have that type of structure deal

1372
01:01:34,200 --> 01:01:36,240
Speaker 6: like shout out the Mark Pits again, you know what

1373
01:01:36,280 --> 01:01:39,400
Speaker 6: I'm saying, Peter Edge, everybody that was you know, everybody

1374
01:01:39,440 --> 01:01:40,960
Speaker 6: that really kind of like looked and said, you know,

1375
01:01:41,000 --> 01:01:44,200
Speaker 6: we'll give them this deal. And Barry Rice, Barry Rice

1376
01:01:44,280 --> 01:01:47,200
Speaker 6: is like he put the shit down, like he really

1377
01:01:47,240 --> 01:01:49,840
Speaker 6: he the one that kind of allowed me to be like,

1378
01:01:49,920 --> 01:01:52,440
Speaker 6: you know what, here a fucking kid, take it.

1379
01:01:52,960 --> 01:01:53,520
Speaker 5: You got it?

1380
01:01:53,680 --> 01:01:55,360
Speaker 1: I mean, you had made him so much.

1381
01:01:56,200 --> 01:01:59,160
Speaker 7: Yeah, but let's let's also speak on that. Let's not

1382
01:01:59,280 --> 01:02:04,320
Speaker 7: let's not just breeze over that the fact that you

1383
01:02:04,560 --> 01:02:09,040
Speaker 7: understood though, I got to prove myself first, because now

1384
01:02:09,080 --> 01:02:12,160
Speaker 7: we have these we have these new artists who come

1385
01:02:12,200 --> 01:02:14,920
Speaker 7: into the game thinking they can own the masters, Like

1386
01:02:15,240 --> 01:02:18,040
Speaker 7: why would I let you have the masters or why

1387
01:02:18,080 --> 01:02:20,960
Speaker 7: would you deserve your masters in the beginning, if someone

1388
01:02:21,080 --> 01:02:24,000
Speaker 7: is actually making the initial investment and.

1389
01:02:25,880 --> 01:02:26,439
Speaker 3: They're not working.

1390
01:02:27,000 --> 01:02:29,200
Speaker 7: So somebody walking into the door saying why I owe

1391
01:02:29,240 --> 01:02:30,760
Speaker 7: my masters? Okay, well what are you going to do

1392
01:02:30,800 --> 01:02:32,720
Speaker 7: with it? Do you know how to license it? Is

1393
01:02:32,760 --> 01:02:36,200
Speaker 7: there any distribution for it? And is it worth anything

1394
01:02:36,640 --> 01:02:39,880
Speaker 7: in the beginning? Right, so you were able to say, hey, listen,

1395
01:02:40,720 --> 01:02:45,720
Speaker 7: now I want from fame ongoing, and now I'll put

1396
01:02:45,720 --> 01:02:47,960
Speaker 7: myself in a position because I'll continue to be successful

1397
01:02:48,720 --> 01:02:52,840
Speaker 7: to come back again, renegotiate and get those initial albums

1398
01:02:52,920 --> 01:02:58,720
Speaker 7: as well. That's just smart business, and I think embedding

1399
01:02:58,720 --> 01:03:01,000
Speaker 7: on yourself. But I think people want to skip the

1400
01:03:01,080 --> 01:03:04,760
Speaker 7: steps and say, oh well this labeled like listen, labors

1401
01:03:04,760 --> 01:03:06,240
Speaker 7: are going to be what they are. Labors are going

1402
01:03:06,320 --> 01:03:08,440
Speaker 7: to their banks and.

1403
01:03:08,280 --> 01:03:09,000
Speaker 3: That's what they do.

1404
01:03:09,040 --> 01:03:12,040
Speaker 7: But they also have infrastructure to put you in a

1405
01:03:12,120 --> 01:03:14,720
Speaker 7: place that's unimaginable.

1406
01:03:14,840 --> 01:03:18,400
Speaker 5: Yeah, yeah, absolutely, I don't disagree with that at all, you.

1407
01:03:18,440 --> 01:03:18,919
Speaker 3: Know what I mean.

1408
01:03:19,320 --> 01:03:22,000
Speaker 7: And so I think you should be, for lack of

1409
01:03:22,040 --> 01:03:24,320
Speaker 7: a better term, a poster boy of like listen, just

1410
01:03:24,440 --> 01:03:28,320
Speaker 7: be successful, Just be great, You be great, You get

1411
01:03:28,440 --> 01:03:30,080
Speaker 7: everything you're supposed to out.

1412
01:03:30,000 --> 01:03:30,439
Speaker 1: Of this ship.

1413
01:03:30,560 --> 01:03:33,480
Speaker 6: Yeah, and get the right lawyers. Make sure your lawyers

1414
01:03:33,480 --> 01:03:36,120
Speaker 6: is looking a little bit of contract. Yeah, so you

1415
01:03:36,160 --> 01:03:38,840
Speaker 6: got to make sure everybody. You know, when I was young,

1416
01:03:38,880 --> 01:03:42,520
Speaker 6: I was I was fortunate enough to be saved on

1417
01:03:42,600 --> 01:03:45,200
Speaker 6: certain things, but I was my deals weren't always great.

1418
01:03:45,400 --> 01:03:47,640
Speaker 6: So once I was able to be able to be

1419
01:03:47,720 --> 01:03:49,320
Speaker 6: more independence, like, look, I got a little bit more

1420
01:03:49,400 --> 01:03:51,800
Speaker 6: leverage now, and they then, you know, they made all

1421
01:03:51,840 --> 01:03:52,800
Speaker 6: this money and all that.

1422
01:03:53,120 --> 01:03:54,680
Speaker 5: So I'm more like, you know, I'm.

1423
01:03:54,520 --> 01:03:58,600
Speaker 6: Able to now see real money or see something from

1424
01:03:58,600 --> 01:04:00,880
Speaker 6: what I've created because I know I created it. So

1425
01:04:00,920 --> 01:04:02,440
Speaker 6: now you know I can go and do this. Now

1426
01:04:02,560 --> 01:04:04,640
Speaker 6: I can create some more. Wait till you'll see what

1427
01:04:04,640 --> 01:04:06,720
Speaker 6: I'm about to create. So now I get to own

1428
01:04:06,760 --> 01:04:09,320
Speaker 6: all of that, you know. And and it's like like

1429
01:04:09,360 --> 01:04:11,200
Speaker 6: you said, I'm like a testament to that to hey,

1430
01:04:12,400 --> 01:04:14,200
Speaker 6: not saying put your head down, just be the best

1431
01:04:14,240 --> 01:04:15,240
Speaker 6: you right.

1432
01:04:15,680 --> 01:04:17,520
Speaker 2: I feel like the way I go to the gym

1433
01:04:17,640 --> 01:04:21,200
Speaker 2: is the way you go to the studio. Yeah, It's

1434
01:04:21,240 --> 01:04:22,840
Speaker 2: like that's what I said. Your me and Green you

1435
01:04:22,840 --> 01:04:26,280
Speaker 2: should bench pressed. It's like, is there no no way limit?

1436
01:04:26,360 --> 01:04:31,480
Speaker 1: Though I got something.

1437
01:04:31,320 --> 01:04:35,200
Speaker 2: Something get a good fifty off now, But even in

1438
01:04:35,280 --> 01:04:38,240
Speaker 2: my my meeting Green pictures like there's some some joints

1439
01:04:38,240 --> 01:04:40,040
Speaker 2: and like some nights like you know what come on?

1440
01:04:43,520 --> 01:04:48,400
Speaker 5: Yeah, because you know, like we can't do certain.

1441
01:04:48,080 --> 01:04:51,439
Speaker 2: Things try something else, I get the same back.

1442
01:04:55,360 --> 01:04:57,480
Speaker 5: I got your picture, I got next.

1443
01:04:59,200 --> 01:05:03,000
Speaker 7: Listen already waiting for what these pictures gonna look like. Man,

1444
01:05:03,040 --> 01:05:08,080
Speaker 7: you know shit is gonna be insane. Oh shit, here's

1445
01:05:08,120 --> 01:05:09,120
Speaker 7: the last question.

1446
01:05:09,320 --> 01:05:11,520
Speaker 1: Bro. How do you do like eight thousand songs in

1447
01:05:11,560 --> 01:05:12,960
Speaker 1: one night? Bro? Like you do?

1448
01:05:14,440 --> 01:05:17,200
Speaker 2: How is that even possible that you I come to

1449
01:05:17,280 --> 01:05:20,280
Speaker 2: your house and there are I just left your house

1450
01:05:20,800 --> 01:05:22,760
Speaker 2: two days ago and I come back and there are

1451
01:05:22,800 --> 01:05:24,160
Speaker 2: twenty new songs.

1452
01:05:24,560 --> 01:05:24,760
Speaker 5: How?

1453
01:05:26,040 --> 01:05:27,880
Speaker 6: I just feel like a lot of the times, you know,

1454
01:05:27,920 --> 01:05:29,200
Speaker 6: how I used to be in the studio back in

1455
01:05:29,200 --> 01:05:30,760
Speaker 6: the day. Even I'm like, yo, come to the studio,

1456
01:05:31,520 --> 01:05:33,840
Speaker 6: Like I just I think, what did you call you?

1457
01:05:33,880 --> 01:05:34,120
Speaker 5: Master?

1458
01:05:34,240 --> 01:05:36,520
Speaker 6: Something that you spend more than a one hundred hours

1459
01:05:36,600 --> 01:05:40,280
Speaker 6: on or something? So I think I'll just try to overly, overly,

1460
01:05:40,360 --> 01:05:42,840
Speaker 6: overly overly master it. So me being in the studio,

1461
01:05:42,960 --> 01:05:44,560
Speaker 6: like I might have an idea in my head, or

1462
01:05:44,560 --> 01:05:46,520
Speaker 6: I might just hear some songs like man, I need

1463
01:05:46,560 --> 01:05:47,240
Speaker 6: to get on my game.

1464
01:05:47,320 --> 01:05:47,919
Speaker 5: I need to steal.

1465
01:05:48,120 --> 01:05:50,360
Speaker 6: It's like shooting jump shots, like you know, you gotta

1466
01:05:50,400 --> 01:05:52,360
Speaker 6: make sure if you don't, if you don't shop at

1467
01:05:52,360 --> 01:05:53,920
Speaker 6: the tube, it ain't gonna work. So I feel like

1468
01:05:54,680 --> 01:05:56,920
Speaker 6: me being in the studio is where I kind of live.

1469
01:05:57,000 --> 01:05:58,360
Speaker 6: I got two studios, you see in the house. I

1470
01:05:58,400 --> 01:06:01,280
Speaker 6: got two studios in the house, so I can change scening,

1471
01:06:01,320 --> 01:06:03,640
Speaker 6: real change, like you know, mental states.

1472
01:06:03,640 --> 01:06:05,160
Speaker 5: When I'm in different studios.

1473
01:06:05,840 --> 01:06:11,560
Speaker 1: I've never seen you're making the amount of songs that underdogs,

1474
01:06:11,560 --> 01:06:14,120
Speaker 1: all of us in different rooms used to make. It

1475
01:06:14,160 --> 01:06:16,280
Speaker 1: was it was six of us, and he's still making more.

1476
01:06:16,360 --> 01:06:18,520
Speaker 1: It's just wanting. We weren't making money at night.

1477
01:06:18,760 --> 01:06:21,800
Speaker 7: We weren't writing twenty songs at night.

1478
01:06:31,280 --> 01:06:31,720
Speaker 3: You got it.

1479
01:06:32,080 --> 01:06:33,640
Speaker 5: You gotta how many things you have?

1480
01:06:35,240 --> 01:06:38,760
Speaker 6: I said before like fifteen thousands, but then but then

1481
01:06:39,200 --> 01:06:41,800
Speaker 6: I think I miscalculated, you know, So it's it's a

1482
01:06:42,000 --> 01:06:42,840
Speaker 6: world champlainship.

1483
01:06:42,880 --> 01:06:45,040
Speaker 5: Yeah that was that was I think I was thinking

1484
01:06:45,040 --> 01:06:45,200
Speaker 5: of it.

1485
01:06:45,280 --> 01:06:49,280
Speaker 6: I'm like, okay, I got this, yeah a lot, So

1486
01:06:49,440 --> 01:06:52,200
Speaker 6: I'm gonna be realistic. And it's it's in the eight

1487
01:06:52,280 --> 01:06:56,880
Speaker 6: thousands to nine thousands, though it's a lot, like.

1488
01:06:56,320 --> 01:07:00,520
Speaker 1: Like it's finished or just the pieces.

1489
01:07:00,520 --> 01:07:02,520
Speaker 6: I can say pieces, It won't it won't be. It

1490
01:07:02,600 --> 01:07:04,240
Speaker 6: might be first verse, cause you know how I used

1491
01:07:04,240 --> 01:07:06,680
Speaker 6: to send demos out be first verse or chorse and

1492
01:07:06,680 --> 01:07:09,160
Speaker 6: then no second verse. So it'll be stuff like that.

1493
01:07:09,240 --> 01:07:13,080
Speaker 6: So it's like, yeah, collectively, is that a lot.

1494
01:07:12,960 --> 01:07:13,920
Speaker 3: Of that'sag insane?

1495
01:07:14,000 --> 01:07:17,240
Speaker 5: Bro mm hmmm, what you got for.

1496
01:07:24,080 --> 01:07:27,280
Speaker 3: M h Come on, comfy Tea, you say what you got?

1497
01:07:27,320 --> 01:07:29,200
Speaker 3: You see you see his fitty comfy.

1498
01:07:29,040 --> 01:07:32,400
Speaker 2: Shot out exclusive game. Come on, comfy Tea, turn these

1499
01:07:32,400 --> 01:07:33,360
Speaker 2: towels into a outfit.

1500
01:07:35,840 --> 01:07:37,120
Speaker 1: It's the Superman music.

1501
01:07:39,360 --> 01:07:40,640
Speaker 3: No, it's not. We don't want to be to.

1502
01:07:42,320 --> 01:07:43,360
Speaker 5: The remix.

1503
01:07:48,320 --> 01:07:50,720
Speaker 2: Team Breezy want to know what they want to know

1504
01:07:52,160 --> 01:07:53,840
Speaker 2: what we want to know. You've listened to a lot

1505
01:07:53,880 --> 01:07:57,680
Speaker 2: of music in your days, young man. Yeah, some of

1506
01:07:57,680 --> 01:08:03,280
Speaker 2: this music you've made your favorite. The world wants to know.

1507
01:08:03,280 --> 01:08:10,120
Speaker 3: Your top five, saying.

1508
01:08:09,960 --> 01:08:20,599
Speaker 1: This ship, your top five, top five, your top five

1509
01:08:21,479 --> 01:08:30,240
Speaker 1: RB sing whatever you already song? We all a lo

1510
01:08:31,200 --> 01:08:35,800
Speaker 1: you gotta show. I'm dancing to go. I'm really all

1511
01:08:35,960 --> 01:08:36,280
Speaker 1: to know.

1512
01:08:40,240 --> 01:08:41,200
Speaker 2: If he has.

1513
01:08:45,760 --> 01:08:56,160
Speaker 1: Top you top five.

1514
01:08:58,479 --> 01:09:10,960
Speaker 8: Yeah, y'all gonna put me on the spot.

1515
01:09:11,920 --> 01:09:14,840
Speaker 6: It's so damn mark to pick five. But look, I'll

1516
01:09:14,880 --> 01:09:17,840
Speaker 6: give you now. My ship might change in a couple

1517
01:09:17,880 --> 01:09:18,200
Speaker 6: of days.

1518
01:09:18,200 --> 01:09:21,639
Speaker 5: Come on, Top five R and B singers right right now.

1519
01:09:21,680 --> 01:09:24,280
Speaker 2: Today you're saying today, No, No, I'm saying how you

1520
01:09:24,320 --> 01:09:26,080
Speaker 2: feel today?

1521
01:09:27,000 --> 01:09:27,479
Speaker 1: Your world.

1522
01:09:27,680 --> 01:09:30,760
Speaker 6: So this is not biased because my brother in the room,

1523
01:09:30,840 --> 01:09:36,599
Speaker 6: you know, I say it all the time. Tank Usher, yes,

1524
01:09:36,920 --> 01:09:43,599
Speaker 6: Brandy Yeah, Tevin Campbell yeah, and Sam Cook Ship.

1525
01:09:44,439 --> 01:09:46,920
Speaker 7: So that's my top five I can think of right now. Okay,

1526
01:09:47,000 --> 01:09:54,719
Speaker 7: all right, Kevin was really cold. Listen tomorrow whatever better?

1527
01:09:54,760 --> 01:10:00,400
Speaker 1: Are you better than me? He was? He was killing

1528
01:10:00,439 --> 01:10:03,920
Speaker 1: grown men. Prodigy, he's a prodigy.

1529
01:10:03,800 --> 01:10:05,920
Speaker 5: His rangers, he was gifted.

1530
01:10:06,640 --> 01:10:14,840
Speaker 3: Chess boy. Oh my god, nigga, how do you still

1531
01:10:14,880 --> 01:10:15,599
Speaker 3: sing that high?

1532
01:10:15,760 --> 01:10:18,000
Speaker 1: I'll get my nerves he'd be giving me. So I

1533
01:10:18,080 --> 01:10:19,080
Speaker 1: was like, bro, you can sing this one.

1534
01:10:20,120 --> 01:10:20,559
Speaker 5: I don't know.

1535
01:10:20,640 --> 01:10:22,920
Speaker 6: I think it's it's just like the adrenaline when you

1536
01:10:22,960 --> 01:10:23,559
Speaker 6: get on stage.

1537
01:10:23,560 --> 01:10:26,639
Speaker 1: It's like, but even talking voices not My talking.

1538
01:10:26,479 --> 01:10:28,679
Speaker 6: Voice is raspy, like I gotta, I gott but you're

1539
01:10:28,800 --> 01:10:29,839
Speaker 6: clear on records.

1540
01:10:29,920 --> 01:10:31,400
Speaker 5: Yeah, So I don't know.

1541
01:10:31,439 --> 01:10:34,120
Speaker 6: I'm just always I guess we sing from different parts

1542
01:10:34,160 --> 01:10:36,080
Speaker 6: when we when I talk, I don't think I'm talking

1543
01:10:36,120 --> 01:10:39,960
Speaker 6: from the same diaphragm is when I'm singing, So I'm

1544
01:10:40,000 --> 01:10:41,040
Speaker 6: pushing the air differently.

1545
01:10:41,560 --> 01:10:41,760
Speaker 5: Yeah.

1546
01:10:41,840 --> 01:10:43,840
Speaker 6: So I feel like that's why I'm able to still

1547
01:10:43,880 --> 01:10:46,680
Speaker 6: sound young and still sound like.

1548
01:10:46,640 --> 01:10:48,599
Speaker 5: The old met but not the super young Me, not.

1549
01:10:48,600 --> 01:10:51,120
Speaker 6: The fifteen, but at least I said, my voice hasn't

1550
01:10:51,160 --> 01:10:52,520
Speaker 6: like changed dramatically.

1551
01:10:52,800 --> 01:10:54,000
Speaker 3: Nigga you and Ralph Treastman.

1552
01:10:54,280 --> 01:10:58,080
Speaker 2: Yeah, I do not sound figure it out now. I

1553
01:10:58,080 --> 01:10:59,559
Speaker 2: listened to the Young Thank, I was like this, who

1554
01:10:59,640 --> 01:10:59,920
Speaker 2: is this?

1555
01:11:00,240 --> 01:11:04,759
Speaker 7: Was this singing three?

1556
01:11:05,160 --> 01:11:07,599
Speaker 1: So crazy? They like singing that whole song.

1557
01:11:07,640 --> 01:11:14,120
Speaker 2: I will not breezy your top five R and B songs.

1558
01:11:14,880 --> 01:11:18,799
Speaker 5: Oh, this is gonna be difficult, brother, braik my hair by.

1559
01:11:18,640 --> 01:11:25,000
Speaker 6: Mario Ship, Heirl, Lily Girl, Lily, Somebody Sleeping.

1560
01:11:25,479 --> 01:11:27,680
Speaker 3: Yeah, the remix.

1561
01:11:27,520 --> 01:11:29,000
Speaker 5: Them so so differently.

1562
01:11:29,080 --> 01:11:39,080
Speaker 6: Okay, Damn Oh, Sex Love and Pain that's you know, yes,

1563
01:11:39,200 --> 01:11:40,320
Speaker 6: the beginning, the.

1564
01:11:40,160 --> 01:11:42,880
Speaker 5: Intro, the intro from the yes.

1565
01:11:43,200 --> 01:11:48,080
Speaker 7: That he never does live, He's do it live. You

1566
01:11:48,160 --> 01:11:51,040
Speaker 7: don't given give him the ship though, Bro.

1567
01:11:51,240 --> 01:11:53,200
Speaker 6: I listened to that before when I was on tour,

1568
01:11:53,280 --> 01:11:54,800
Speaker 6: any any tour I was on, I would listen to

1569
01:11:54,800 --> 01:11:56,000
Speaker 6: that as my warm up songs.

1570
01:11:56,000 --> 01:11:58,519
Speaker 3: But I sing you, I need you right now. I

1571
01:11:58,560 --> 01:12:00,880
Speaker 3: need you right now, my brother. I need you on

1572
01:12:00,920 --> 01:12:03,400
Speaker 3: my team to tell him to do the damn sound

1573
01:12:03,560 --> 01:12:04,160
Speaker 3: even the song.

1574
01:12:04,680 --> 01:12:07,400
Speaker 7: I need him to do the Sex Love and Pain

1575
01:12:07,680 --> 01:12:09,599
Speaker 7: album one Night Only.

1576
01:12:10,040 --> 01:12:11,680
Speaker 6: Yeah, you gott at least you gotta give him that

1577
01:12:11,680 --> 01:12:12,759
Speaker 6: because that's my favorite album.

1578
01:12:12,800 --> 01:12:16,639
Speaker 5: One Night Only, don't be scared.

1579
01:12:17,240 --> 01:12:19,639
Speaker 7: Let's do that, alum, Let's do that one of those,

1580
01:12:19,680 --> 01:12:21,400
Speaker 7: one of them type of benu fact.

1581
01:12:21,840 --> 01:12:22,960
Speaker 1: All right, one night Only.

1582
01:12:24,120 --> 01:12:27,200
Speaker 5: I'm trying to think that's three, so I gotta think

1583
01:12:27,200 --> 01:12:27,639
Speaker 5: it two more.

1584
01:12:27,680 --> 01:12:27,840
Speaker 1: Now.

1585
01:12:28,040 --> 01:12:37,520
Speaker 5: This is all this subject to change now, is it? Superstar? Superstar?

1586
01:12:38,360 --> 01:12:38,559
Speaker 1: Right?

1587
01:12:39,000 --> 01:12:42,679
Speaker 6: And and Candy Rain so for really.

1588
01:12:45,800 --> 01:12:49,080
Speaker 3: Yeah, so yeah, shout out to soul for real.

1589
01:12:49,560 --> 01:12:52,920
Speaker 5: God, you know, I'm like what it need so for real.

1590
01:12:53,640 --> 01:12:55,800
Speaker 6: But it's so difficult for me to come up with

1591
01:12:55,800 --> 01:12:58,679
Speaker 6: those five songs. And I had like ten other songs like.

1592
01:12:58,560 --> 01:13:03,200
Speaker 2: A combo of so many are like four thousands, eight thousands.

1593
01:13:03,240 --> 01:13:04,800
Speaker 5: Yeah, And I didn't want to add my songs in it.

1594
01:13:04,840 --> 01:13:06,680
Speaker 5: I wanted to get everybody to do that.

1595
01:13:06,800 --> 01:13:08,840
Speaker 3: You know, how do you have a favorite Chris Brown song?

1596
01:13:10,320 --> 01:13:14,000
Speaker 5: Shit? No, I have rarors I have. I have. I

1597
01:13:14,040 --> 01:13:15,840
Speaker 5: have times of when I when I like songs.

1598
01:13:15,880 --> 01:13:20,120
Speaker 3: Man, this niggas is pouring champagne. You got some chage.

1599
01:13:20,560 --> 01:13:24,360
Speaker 1: I told you yea Eras niggas breaking his own rest.

1600
01:13:24,640 --> 01:13:27,000
Speaker 6: I think Eras is like certain songs that I what

1601
01:13:27,080 --> 01:13:28,440
Speaker 6: I was going through at certain.

1602
01:13:28,200 --> 01:13:31,120
Speaker 5: Times, like damn, Like like how you like no bullshit?

1603
01:13:31,479 --> 01:13:34,320
Speaker 6: For example, that era of no Bullshit and and Deuces

1604
01:13:35,439 --> 01:13:36,160
Speaker 6: those songs.

1605
01:13:36,200 --> 01:13:37,920
Speaker 5: When we did those songs, that was like when I

1606
01:13:37,960 --> 01:13:41,040
Speaker 5: was at my lowest, Like I was like with the.

1607
01:13:41,000 --> 01:13:44,240
Speaker 6: Back back against the wall, like no no support from

1608
01:13:44,240 --> 01:13:45,719
Speaker 6: the label, no support from radio.

1609
01:13:45,960 --> 01:13:47,519
Speaker 5: They was like, you know what, we ain't fucking with you,

1610
01:13:47,640 --> 01:13:48,960
Speaker 5: mixt You're canceled.

1611
01:13:49,040 --> 01:13:51,320
Speaker 6: Yeah, so these songs are mixtape songs that out ten

1612
01:13:51,360 --> 01:13:53,639
Speaker 6: months before we put them on on that album.

1613
01:13:54,000 --> 01:13:54,719
Speaker 5: You know what I'm saying.

1614
01:13:54,800 --> 01:13:57,120
Speaker 6: So and I'm I'm shot the video for like twenty

1615
01:13:57,120 --> 01:13:59,880
Speaker 6: five hundred each video Deduces video and no bullshit. But

1616
01:14:00,520 --> 01:14:03,280
Speaker 6: it was it was like being an independent artist and

1617
01:14:03,320 --> 01:14:05,519
Speaker 6: grinding your motherfucker yourself being like, you know what, I'm

1618
01:14:05,520 --> 01:14:06,400
Speaker 6: gonna prove them wrong.

1619
01:14:06,479 --> 01:14:08,639
Speaker 5: So I could say those songs would.

1620
01:14:08,400 --> 01:14:10,360
Speaker 6: Be an era, and then then it could be the

1621
01:14:10,360 --> 01:14:14,000
Speaker 6: next songs that I'm doing. So it switches all the time. Yeah,

1622
01:14:14,120 --> 01:14:16,720
Speaker 6: you know, I feel like I can always go back

1623
01:14:16,760 --> 01:14:19,720
Speaker 6: to different songs and then relive those moments in my

1624
01:14:19,720 --> 01:14:22,280
Speaker 6: head and be like damn that happened, and also remind

1625
01:14:22,320 --> 01:14:24,559
Speaker 6: myself like damn, I do remember that, you know.

1626
01:14:25,040 --> 01:14:30,240
Speaker 2: So it's billed your voltron you're super R and B artists.

1627
01:14:30,640 --> 01:14:32,000
Speaker 2: We want to know who you're going to get the

1628
01:14:32,080 --> 01:14:37,479
Speaker 2: vocal from, the performance style, the styling, from the heart

1629
01:14:37,520 --> 01:14:40,679
Speaker 2: of the artist, the passion of the artists. And since

1630
01:14:40,760 --> 01:14:43,320
Speaker 2: you know, since you're a songwriter, who's gonna write for

1631
01:14:43,360 --> 01:14:46,519
Speaker 2: that artist, Let's start with the vocal. Who you're getting

1632
01:14:46,520 --> 01:14:48,840
Speaker 2: the vocal from for your super R and B artists?

1633
01:14:49,880 --> 01:14:56,320
Speaker 5: The vocal. Damn, I'm gonna go with Tevin Campbell.

1634
01:14:57,160 --> 01:14:59,439
Speaker 6: I'm gonna just as far as the as far as

1635
01:14:59,439 --> 01:15:01,840
Speaker 6: the vocal, yeah, like the range or whatever.

1636
01:15:01,880 --> 01:15:06,800
Speaker 5: You Yeah, I'm going with Tevan. Your voice his voice

1637
01:15:06,840 --> 01:15:08,639
Speaker 5: is different. His voice was just cold.

1638
01:15:08,760 --> 01:15:10,320
Speaker 1: Wasn't supposed to be like that.

1639
01:15:10,479 --> 01:15:12,720
Speaker 6: No, So I'm gonna go I'm gonna go with the

1640
01:15:12,800 --> 01:15:17,519
Speaker 6: voice wise, Yeah, yeah, between him and Mike, because Mike.

1641
01:15:17,520 --> 01:15:20,120
Speaker 1: Just got pick one or you can mix it. What.

1642
01:15:20,520 --> 01:15:22,240
Speaker 6: Yes, it's gonna be like a hybrid. It's gonna be

1643
01:15:22,320 --> 01:15:23,599
Speaker 6: Mike and Tevin Jackson.

1644
01:15:25,280 --> 01:15:30,320
Speaker 2: Okay, uh performing style on stage Michael Jackson.

1645
01:15:31,920 --> 01:15:36,720
Speaker 5: I could have guessed down should Yeah, that was easy? Yeah, Okay, styling,

1646
01:15:37,000 --> 01:15:37,680
Speaker 5: who's gonna put this?

1647
01:15:42,120 --> 01:15:50,360
Speaker 6: Damn Uh, it's gonna be a hybrid. Another hybrid. It's

1648
01:15:50,360 --> 01:15:53,280
Speaker 6: gonna be like a trifecta hybrid Michael, me and and

1649
01:15:53,400 --> 01:15:57,280
Speaker 6: Usher mm hmm as far as styling, and I gotta

1650
01:15:57,280 --> 01:16:00,479
Speaker 6: say yes in this in this category because like and

1651
01:16:00,520 --> 01:16:03,320
Speaker 6: through his eerrors, from the my Ways to the you know,

1652
01:16:03,560 --> 01:16:08,559
Speaker 6: everything he'd done has has been visually like stamped in

1653
01:16:08,600 --> 01:16:12,400
Speaker 6: your head to wearic iconic, you know what I'm saying.

1654
01:16:13,560 --> 01:16:15,759
Speaker 5: He made niggas wear coofies and ship like you remember.

1655
01:16:18,080 --> 01:16:21,640
Speaker 6: So it's like certain things will always be embedded in

1656
01:16:21,760 --> 01:16:24,800
Speaker 6: style and fragments to me. So it's like Michael was

1657
01:16:24,800 --> 01:16:30,240
Speaker 6: the definition of that, Like he could wear wrestling looking yeah,

1658
01:16:30,320 --> 01:16:31,720
Speaker 6: like being his own icon.

1659
01:16:33,080 --> 01:16:35,640
Speaker 2: I think when we talk about styling, not even to

1660
01:16:35,680 --> 01:16:37,920
Speaker 2: stop you here, but I think you're the first person,

1661
01:16:38,479 --> 01:16:41,080
Speaker 2: the first artist that I've ever walked into the room

1662
01:16:41,640 --> 01:16:45,479
Speaker 2: to the dressing room and they were like the racks.

1663
01:16:45,600 --> 01:16:48,920
Speaker 2: There were racks on racks on racks of clothes and

1664
01:16:49,000 --> 01:16:50,800
Speaker 2: you had no idea what you were going to put

1665
01:16:50,840 --> 01:16:53,040
Speaker 2: on like that night. You don't you don't have a

1666
01:16:53,240 --> 01:16:56,719
Speaker 2: uniform where you're like, Okay, this is the tour fit

1667
01:16:57,120 --> 01:17:00,080
Speaker 2: and these are the combinations of the tour fit. This

1668
01:17:00,200 --> 01:17:02,640
Speaker 2: is where this I was like what are you gonna wear?

1669
01:17:02,680 --> 01:17:03,920
Speaker 2: He's like, oh no, I'm about to look through it

1670
01:17:04,000 --> 01:17:08,160
Speaker 2: right now. He getting dressed in school, like like he

1671
01:17:08,240 --> 01:17:09,559
Speaker 2: getting dressed in Marcus.

1672
01:17:09,640 --> 01:17:14,280
Speaker 1: Let me just grab somebody. I've never seen anything like

1673
01:17:14,320 --> 01:17:15,120
Speaker 1: that in my life.

1674
01:17:15,280 --> 01:17:17,200
Speaker 6: So what I've done the last couple of tours and

1675
01:17:17,360 --> 01:17:18,799
Speaker 6: this tour is gonna be a little different.

1676
01:17:18,960 --> 01:17:20,759
Speaker 5: So we have a set to where.

1677
01:17:20,680 --> 01:17:22,000
Speaker 6: Because I don't want to give too much, I want

1678
01:17:22,000 --> 01:17:24,680
Speaker 6: you to come and see it, but I'm going to

1679
01:17:24,760 --> 01:17:26,840
Speaker 6: have changes in the outfice. But the outfite is going

1680
01:17:26,880 --> 01:17:29,320
Speaker 6: to be more customized like a lot of like designers

1681
01:17:29,320 --> 01:17:32,400
Speaker 6: are making specific stuff for me, so it'll be more

1682
01:17:32,439 --> 01:17:34,599
Speaker 6: So it goes along with the with the actual show

1683
01:17:34,640 --> 01:17:36,840
Speaker 6: of what I'm trying to show, like the Broadway style

1684
01:17:36,880 --> 01:17:38,680
Speaker 6: of what I'm trying to show, but before like the

1685
01:17:39,000 --> 01:17:42,040
Speaker 6: last toy you were at and the different ones. The

1686
01:17:42,080 --> 01:17:45,439
Speaker 6: stage that I've built is is you can change your

1687
01:17:45,439 --> 01:17:47,880
Speaker 6: outfit every night. You could be something different because the

1688
01:17:47,920 --> 01:17:51,639
Speaker 6: stage doesn't it doesn't have a certain Yeah, it has

1689
01:17:51,640 --> 01:17:54,639
Speaker 6: a freedom about it. So we just have a rack

1690
01:17:54,680 --> 01:17:57,160
Speaker 6: of clothes and long as long as I can dance

1691
01:17:57,200 --> 01:17:59,160
Speaker 6: in them and it's not not too tight or the

1692
01:17:59,200 --> 01:18:01,800
Speaker 6: shirts is like, you know, I'm putting on something different

1693
01:18:01,800 --> 01:18:02,120
Speaker 6: every night.

1694
01:18:02,120 --> 01:18:03,320
Speaker 1: I always think of behind the things.

1695
01:18:03,320 --> 01:18:05,559
Speaker 2: I'll be thinking about the nigga that has to put

1696
01:18:06,080 --> 01:18:08,200
Speaker 2: take all that out and put off.

1697
01:18:08,479 --> 01:18:09,880
Speaker 3: And he be trying to figure out a way to

1698
01:18:09,920 --> 01:18:11,040
Speaker 3: steal some ship.

1699
01:18:11,280 --> 01:18:15,480
Speaker 1: Of course I'm ahead that fits.

1700
01:18:15,560 --> 01:18:18,519
Speaker 3: Yeah, always comes back with something.

1701
01:18:21,160 --> 01:18:24,360
Speaker 6: Because this nigga not afraid to ask, because look that's like, look,

1702
01:18:24,400 --> 01:18:26,320
Speaker 6: little bro, you already want to.

1703
01:18:27,960 --> 01:18:29,160
Speaker 2: You can take you can take it. I'm like a

1704
01:18:29,920 --> 01:18:35,559
Speaker 2: whole that jacket like ship, the passion of.

1705
01:18:35,560 --> 01:18:43,479
Speaker 6: The artist, passionate the artist, Prince I would say prince

1706
01:18:43,960 --> 01:18:47,880
Speaker 6: cold passion because you can play every instrument right and

1707
01:18:48,000 --> 01:18:48,320
Speaker 6: mean it.

1708
01:18:48,760 --> 01:18:49,720
Speaker 5: Man, what mean it?

1709
01:18:50,600 --> 01:18:50,720
Speaker 3: Come?

1710
01:18:50,800 --> 01:18:53,280
Speaker 5: Get this hit? Get this hit?

1711
01:18:53,640 --> 01:18:54,880
Speaker 1: Who who says that?

1712
01:18:54,960 --> 01:18:57,160
Speaker 5: Like I would have been like that, I'm keeping this record.

1713
01:18:57,439 --> 01:19:00,280
Speaker 5: You don't want this record? No? He he know he

1714
01:19:00,240 --> 01:19:02,439
Speaker 5: he is the ship passion.

1715
01:19:05,720 --> 01:19:08,200
Speaker 7: You start doing that, you got a gang here records

1716
01:19:08,400 --> 01:19:11,479
Speaker 7: telling niggas that get the song.

1717
01:19:12,320 --> 01:19:13,639
Speaker 1: Who's going to write for that artist?

1718
01:19:15,000 --> 01:19:19,360
Speaker 5: Damn, there's so many damn good writers. Who's gonna write?

1719
01:19:19,360 --> 01:19:21,920
Speaker 6: I was I couldn't say Phil Collins because it wouldn't

1720
01:19:21,920 --> 01:19:23,760
Speaker 6: be cool because Phil Collins is one of my like

1721
01:19:23,840 --> 01:19:25,440
Speaker 6: he's one of the dope writers.

1722
01:19:25,160 --> 01:19:29,519
Speaker 3: Out all time. Why can't Phil Collins write the records?

1723
01:19:29,880 --> 01:19:30,080
Speaker 1: Yeah?

1724
01:19:30,080 --> 01:19:31,760
Speaker 5: I think Phil could do it, but I would say

1725
01:19:31,800 --> 01:19:32,599
Speaker 5: Quincy Jones.

1726
01:19:33,240 --> 01:19:37,920
Speaker 3: I mean, there's no argument.

1727
01:19:38,439 --> 01:19:41,400
Speaker 7: Yeah, I was just like, I'm goa Thay curveball though. Yeah,

1728
01:19:42,040 --> 01:19:43,280
Speaker 7: who's gonna do the choreography?

1729
01:19:44,479 --> 01:19:44,799
Speaker 5: Damn?

1730
01:19:45,080 --> 01:19:47,519
Speaker 3: Come on, man, use a stepper, Use a real deal stepper.

1731
01:19:47,640 --> 01:19:50,439
Speaker 5: You know what it would have to be.

1732
01:19:50,479 --> 01:19:52,439
Speaker 6: It would have to be a collective because in that

1733
01:19:52,600 --> 01:19:56,479
Speaker 6: dancing ships, so many come on on, so many people

1734
01:19:56,479 --> 01:19:59,799
Speaker 6: who made you know, I'm talking about fly fly styles, SAMs,

1735
01:20:00,360 --> 01:20:01,240
Speaker 6: Josh Smith.

1736
01:20:01,880 --> 01:20:03,760
Speaker 5: We got Lavel? Uh?

1737
01:20:03,880 --> 01:20:06,839
Speaker 6: Is it label Franklin who he taught me a thriller?

1738
01:20:07,640 --> 01:20:11,599
Speaker 6: His name is Lavel, but he takes that. Yeah, world

1739
01:20:11,680 --> 01:20:13,920
Speaker 6: music wars when I was young. Sorry I'm forgetting his

1740
01:20:14,280 --> 01:20:18,120
Speaker 6: last name, but you got super Damn you got man.

1741
01:20:18,160 --> 01:20:19,320
Speaker 5: I'm trying to think I.

1742
01:20:19,600 --> 01:20:20,640
Speaker 3: Did this on purpose.

1743
01:20:22,160 --> 01:20:23,400
Speaker 1: To give, but.

1744
01:20:25,880 --> 01:20:28,640
Speaker 7: You're not even trying to get you. This is what

1745
01:20:28,680 --> 01:20:31,760
Speaker 7: our podcast is about. Podcast is about Jamaica. I'm thinking

1746
01:20:31,760 --> 01:20:34,800
Speaker 7: to him still, It's about celebrating. It's about celebrating people

1747
01:20:34,880 --> 01:20:36,639
Speaker 7: that aren't always celebrated publicly.

1748
01:20:36,680 --> 01:20:38,320
Speaker 5: Absolutely absolutely, who.

1749
01:20:38,160 --> 01:20:40,840
Speaker 7: Means so much to what we do and has have

1750
01:20:41,000 --> 01:20:44,840
Speaker 7: meant so much to what you do because they mold God,

1751
01:20:44,920 --> 01:20:46,400
Speaker 7: they shaped all that ship.

1752
01:20:46,960 --> 01:20:50,200
Speaker 6: Yeah, one hundred percent. So I mean there's so many

1753
01:20:50,240 --> 01:20:52,400
Speaker 6: different people that that I'm leaving out too. So I

1754
01:20:52,439 --> 01:20:54,120
Speaker 6: know they're like, man, he didn't say my name.

1755
01:20:54,760 --> 01:20:56,840
Speaker 1: My bad. You know.

1756
01:20:57,479 --> 01:21:00,360
Speaker 6: At the same time, it would be with that dance ship.

1757
01:21:00,600 --> 01:21:03,240
Speaker 6: It would have to be a collective group. It still

1758
01:21:03,280 --> 01:21:05,400
Speaker 6: makes it's a village that make it, you know, take

1759
01:21:05,400 --> 01:21:07,320
Speaker 6: a village to crazy.

1760
01:21:07,360 --> 01:21:07,599
Speaker 1: Yeah.

1761
01:21:08,600 --> 01:21:15,320
Speaker 7: So, yeah, we've come to the point.

1762
01:21:16,960 --> 01:21:20,400
Speaker 2: I ain't saying no names. Hey, I ain't saying no names.

1763
01:21:20,400 --> 01:21:22,759
Speaker 2: Saying no names. I ain't saying no niggs.

1764
01:21:24,760 --> 01:21:31,679
Speaker 1: Weird know what you did? Don't say she ain't saying

1765
01:21:31,680 --> 01:21:40,920
Speaker 1: no name, no name? All right?

1766
01:21:41,000 --> 01:21:41,200
Speaker 5: Cool?

1767
01:21:41,280 --> 01:21:41,960
Speaker 3: Hold hold on.

1768
01:21:43,120 --> 01:21:46,599
Speaker 6: I listened to like, Okay, this sounds like I got

1769
01:21:46,600 --> 01:21:50,400
Speaker 6: to say some funny she give you exactly right now.

1770
01:21:50,479 --> 01:21:53,280
Speaker 7: You are at a very important part of the show. Yeah,

1771
01:21:53,439 --> 01:21:55,639
Speaker 7: it's called I ain't saying no names. Will you tell

1772
01:21:55,680 --> 01:22:00,320
Speaker 7: us a story funny or funked up? Are funny and fuck?

1773
01:22:01,520 --> 01:22:04,240
Speaker 7: The only rule to the game. The rules is you

1774
01:22:04,320 --> 01:22:07,479
Speaker 7: can't say no names name all right?

1775
01:22:07,520 --> 01:22:08,880
Speaker 5: Cool? Well, I ain't saying no names.

1776
01:22:08,960 --> 01:22:10,200
Speaker 3: Yeah, come on, come on.

1777
01:22:10,640 --> 01:22:16,160
Speaker 6: But yeah, So there was this artist, and this artist

1778
01:22:16,240 --> 01:22:18,680
Speaker 6: wanted to go out to the club with us, so,

1779
01:22:18,840 --> 01:22:22,200
Speaker 6: you know, huge artists. So I'm like, all right, cool, me,

1780
01:22:22,320 --> 01:22:24,040
Speaker 6: me and my crib, We're gonna go to the club.

1781
01:22:24,880 --> 01:22:28,240
Speaker 6: It's it's nigga night, it's turn up night. You know

1782
01:22:28,240 --> 01:22:30,840
Speaker 6: it's gonna be another artist in their performing. And that

1783
01:22:30,960 --> 01:22:33,000
Speaker 6: artist song was the number one song in the country.

1784
01:22:33,040 --> 01:22:34,400
Speaker 6: I'm talking about going crazy.

1785
01:22:34,720 --> 01:22:37,559
Speaker 5: We get in the club, I make sure we got

1786
01:22:37,560 --> 01:22:38,840
Speaker 5: the whole section full of women.

1787
01:22:40,080 --> 01:22:44,599
Speaker 6: So the person in there he looking around the song.

1788
01:22:44,680 --> 01:22:48,880
Speaker 6: Come on, the other artist is on stage, start singing

1789
01:22:48,880 --> 01:22:53,560
Speaker 6: a song. The whole building erupts. I'm talking about it erupts,

1790
01:22:53,600 --> 01:22:57,080
Speaker 6: like everybody. Girls in our section, Girl, they going crazy.

1791
01:22:57,600 --> 01:22:58,880
Speaker 6: I look over to this person.

1792
01:23:00,560 --> 01:23:01,640
Speaker 1: He ain't feeling.

1793
01:23:03,560 --> 01:23:06,840
Speaker 6: I'm talking about, not a smirk, not a head, no nothing.

1794
01:23:07,479 --> 01:23:10,400
Speaker 6: I turned back to look at the artists. But the

1795
01:23:10,400 --> 01:23:12,559
Speaker 6: next time I turned back to look at the person

1796
01:23:12,600 --> 01:23:15,200
Speaker 6: in my section, they gone, I don't see him.

1797
01:23:15,240 --> 01:23:19,400
Speaker 5: I'm like, what that? What is nigga win? I look up.

1798
01:23:19,439 --> 01:23:23,120
Speaker 6: The nigga is on the DJ booth right next to

1799
01:23:23,160 --> 01:23:25,000
Speaker 6: the artist that's doing the song.

1800
01:23:25,520 --> 01:23:29,040
Speaker 5: And he just like this the nigga.

1801
01:23:29,120 --> 01:23:31,200
Speaker 6: When the song goes off, the nigga takes the mic,

1802
01:23:32,960 --> 01:23:35,960
Speaker 6: takes the mic. So I'm thinking this artist is about

1803
01:23:36,000 --> 01:23:38,640
Speaker 6: to do some songs. I'm like, okay, he got he

1804
01:23:38,720 --> 01:23:41,320
Speaker 6: got the itch like you know, you know some artists

1805
01:23:41,320 --> 01:23:44,400
Speaker 6: can't take it, you know, they self sender though they

1806
01:23:44,479 --> 01:23:45,240
Speaker 6: you know, it got to.

1807
01:23:46,840 --> 01:23:48,559
Speaker 5: Syndrome. Like I'm not one of those.

1808
01:23:48,560 --> 01:23:49,960
Speaker 6: I know how to be like, oh this is litter here,

1809
01:23:50,960 --> 01:23:53,160
Speaker 6: but I can read it all over this person's face.

1810
01:23:53,720 --> 01:23:56,040
Speaker 6: Get the mic. I'm thinking he about to do it

1811
01:23:56,160 --> 01:23:57,040
Speaker 6: songs or do something.

1812
01:23:57,040 --> 01:23:59,640
Speaker 3: I'm like, oh, this is crazy about to go crazy here.

1813
01:23:59,720 --> 01:24:03,720
Speaker 5: Yeah, the nigga goes on a forty five minute rent.

1814
01:24:05,120 --> 01:24:07,720
Speaker 6: I'm talking about talking. I'm talking about saying all of

1815
01:24:07,960 --> 01:24:11,600
Speaker 6: everything that about nothing. It's like it's it's so just

1816
01:24:12,000 --> 01:24:14,960
Speaker 6: like disappointing. Like when I was in there, I started

1817
01:24:14,960 --> 01:24:18,360
Speaker 6: looking around and then from the club being a yeah,

1818
01:24:18,640 --> 01:24:21,080
Speaker 6: everybody turning up, maybe holler as some girls, what's up,

1819
01:24:21,400 --> 01:24:24,000
Speaker 6: it went from that to looking like the waiting room

1820
01:24:24,040 --> 01:24:24,360
Speaker 6: in Hell.

1821
01:24:24,800 --> 01:24:25,560
Speaker 5: That's what I felt like.

1822
01:24:25,600 --> 01:24:29,759
Speaker 6: It was like, yeah, like everybody turned into psychopath people.

1823
01:24:30,240 --> 01:24:32,479
Speaker 6: And he was not saying you know what I'm saying

1824
01:24:32,520 --> 01:24:35,760
Speaker 6: the topic of what his rent was about was was like,

1825
01:24:35,840 --> 01:24:38,559
Speaker 6: what the fuck put the music back on?

1826
01:24:38,680 --> 01:24:40,160
Speaker 5: Like that's you know, that's how I feel.

1827
01:24:41,439 --> 01:24:44,599
Speaker 6: So in that club, there's a there's a secret area

1828
01:24:44,640 --> 01:24:46,720
Speaker 6: that's like a resting area. You can go down at

1829
01:24:46,720 --> 01:24:49,360
Speaker 6: the club, so I said, I told one of hummies,

1830
01:24:49,439 --> 01:24:49,840
Speaker 6: I can't.

1831
01:24:50,040 --> 01:24:51,720
Speaker 5: I don't want to sit up here and hear this

1832
01:24:51,760 --> 01:24:55,080
Speaker 5: shit all night. So I'm going downstairs. I'm a cheer.

1833
01:24:55,120 --> 01:24:57,960
Speaker 5: I'm gonna smoke this blunt downstairs. Whatever we doing, boom boom.

1834
01:24:57,880 --> 01:25:00,680
Speaker 6: And by this nigga gonna stop talking soun later, so

1835
01:25:00,920 --> 01:25:03,960
Speaker 6: you know, I'm gonna go back up there afterwards. I'm

1836
01:25:04,000 --> 01:25:07,360
Speaker 6: down that motherfucker for about twenty to thirty minutes and.

1837
01:25:07,400 --> 01:25:08,160
Speaker 5: Are you still here?

1838
01:25:08,479 --> 01:25:08,519
Speaker 2: No?

1839
01:25:08,720 --> 01:25:11,559
Speaker 5: Right right right right right over the over the this hit.

1840
01:25:11,640 --> 01:25:12,799
Speaker 3: It took over the club.

1841
01:25:14,160 --> 01:25:18,000
Speaker 6: This is how it ended for me, anyway. So I

1842
01:25:18,080 --> 01:25:21,320
Speaker 6: get up back into the section. Half of the girls

1843
01:25:21,360 --> 01:25:24,120
Speaker 6: is gone, most of most of the most of.

1844
01:25:23,600 --> 01:25:28,559
Speaker 5: The fine girl. They yeah, I'm like, man, what the

1845
01:25:28,600 --> 01:25:29,479
Speaker 5: fuck is going on?

1846
01:25:30,240 --> 01:25:33,240
Speaker 6: The last thing I hear such and such, ain't stick

1847
01:25:33,280 --> 01:25:34,439
Speaker 6: they finger in my booty.

1848
01:25:34,600 --> 01:25:35,639
Speaker 1: I don't even play.

1849
01:25:35,439 --> 01:25:41,960
Speaker 6: That way, I said, Yeah, I'm out this motherfucker. Look

1850
01:25:43,280 --> 01:25:46,360
Speaker 6: and I look to our mutual friend that was there,

1851
01:25:46,439 --> 01:25:48,760
Speaker 6: was there. I said, you gotta be a nigga and

1852
01:25:48,760 --> 01:25:50,320
Speaker 6: stop letting this niggas be like this.

1853
01:25:50,920 --> 01:25:52,679
Speaker 5: Your ays need to be able to tell your friends.

1854
01:25:52,800 --> 01:25:54,719
Speaker 5: Stop being a yes man. You need to be like, look, nigga,

1855
01:25:54,800 --> 01:25:56,599
Speaker 5: this ain't it. You don't say this type of shit.

1856
01:25:56,920 --> 01:25:58,880
Speaker 5: And I left the club. I ain't even answer no

1857
01:25:58,920 --> 01:25:59,559
Speaker 5: phone calls.

1858
01:25:59,560 --> 01:26:01,960
Speaker 3: I ain't go on home.

1859
01:26:03,760 --> 01:26:04,880
Speaker 5: I ain't gonna say no names.

1860
01:26:05,400 --> 01:26:08,559
Speaker 7: Yeah you can whoever was in that club though they

1861
01:26:08,720 --> 01:26:12,040
Speaker 7: like I was there, I was there be to come.

1862
01:26:12,880 --> 01:26:16,080
Speaker 1: I was there the finger.

1863
01:26:19,320 --> 01:26:24,000
Speaker 3: No no, not each love.

1864
01:26:25,800 --> 01:26:29,160
Speaker 1: Brother, Chris brown Man. When I say we you.

1865
01:26:29,120 --> 01:26:34,880
Speaker 7: Even it's another thank you. I got to give you one.

1866
01:26:34,920 --> 01:26:37,960
Speaker 7: Will always keep me your word. Something you've always done

1867
01:26:38,120 --> 01:26:40,760
Speaker 7: from the day I've met you. If you say you're

1868
01:26:40,800 --> 01:26:42,439
Speaker 7: gonna do something, you're gonna do it.

1869
01:26:42,520 --> 01:26:45,240
Speaker 5: Yeah you might be late, yeah a little late, but

1870
01:26:45,400 --> 01:26:49,120
Speaker 5: you know, oh.

1871
01:26:49,040 --> 01:26:52,120
Speaker 7: Shit happens, but you always do what you say you're

1872
01:26:52,120 --> 01:26:54,720
Speaker 7: gonna do. And I want to thank you for. At

1873
01:26:54,720 --> 01:26:57,320
Speaker 7: the time, I was managing the artist named Love Rants

1874
01:26:58,120 --> 01:27:00,840
Speaker 7: and there was this record that we had and I

1875
01:27:00,880 --> 01:27:03,559
Speaker 7: had this crazy idea to turn this rap record into

1876
01:27:03,560 --> 01:27:06,320
Speaker 7: an R and B song. You heard it and you

1877
01:27:06,439 --> 01:27:10,360
Speaker 7: was like, Nigga, I'm coming to do it tomorrow. Yeah,

1878
01:27:10,400 --> 01:27:14,360
Speaker 7: and you put up in your fast car, you knock

1879
01:27:14,400 --> 01:27:19,920
Speaker 7: the shit out, and this record has lived on to

1880
01:27:20,040 --> 01:27:20,519
Speaker 7: this day.

1881
01:27:21,560 --> 01:27:23,639
Speaker 3: I cannot go to a club.

1882
01:27:23,920 --> 01:27:26,640
Speaker 7: It's still I'm going to hear the R and B

1883
01:27:26,760 --> 01:27:30,919
Speaker 7: version of up to this day. Nigga, send me videos

1884
01:27:30,920 --> 01:27:31,879
Speaker 7: from friends, send.

1885
01:27:31,760 --> 01:27:34,679
Speaker 3: Me video on it anywhere in the world.

1886
01:27:34,920 --> 01:27:37,800
Speaker 7: And the fact that you obviously you did that for

1887
01:27:37,880 --> 01:27:40,280
Speaker 7: me because we're brothers, but the fact that you were

1888
01:27:40,320 --> 01:27:44,400
Speaker 7: able to help me make this record that came from

1889
01:27:44,439 --> 01:27:47,479
Speaker 7: the Bey area and my young boys had had this song.

1890
01:27:47,280 --> 01:27:50,000
Speaker 3: And it was blown up and you helped.

1891
01:27:49,720 --> 01:27:52,160
Speaker 7: Them take the record worldwide. I just want to say

1892
01:27:52,160 --> 01:27:54,320
Speaker 7: thank you, No, thank you, I appreciate you that for that.

1893
01:27:54,600 --> 01:27:57,799
Speaker 5: I appreciate you. You see, I'm bad with thank you.

1894
01:27:57,920 --> 01:28:01,000
Speaker 6: Like when people think me become like real ship, you

1895
01:28:01,120 --> 01:28:02,920
Speaker 6: help me all the same in the same token. I

1896
01:28:02,960 --> 01:28:05,000
Speaker 6: look at it like like if you would have called

1897
01:28:05,000 --> 01:28:06,920
Speaker 6: and if it was a Wax song, we would be

1898
01:28:06,920 --> 01:28:07,799
Speaker 6: like like, let's.

1899
01:28:07,560 --> 01:28:09,160
Speaker 3: Try a different record.

1900
01:28:09,880 --> 01:28:12,040
Speaker 5: But it's like, you know what what a song gonna do?

1901
01:28:12,120 --> 01:28:13,960
Speaker 6: And then at the same time, it's even easier when

1902
01:28:14,000 --> 01:28:16,000
Speaker 6: it's when it's like family. When you got people that's

1903
01:28:16,120 --> 01:28:18,000
Speaker 6: around you that are musically gifted and they do the

1904
01:28:18,000 --> 01:28:20,960
Speaker 6: same thing you do. It's not a conversation like nah,

1905
01:28:21,000 --> 01:28:23,280
Speaker 6: I can't really do it, or no, I'm here whatever

1906
01:28:23,320 --> 01:28:25,599
Speaker 6: you need, you know. So I appreciate y'all.

1907
01:28:25,640 --> 01:28:25,800
Speaker 1: Bro.

1908
01:28:26,960 --> 01:28:31,599
Speaker 2: I am upset that this song was was on fire,

1909
01:28:32,439 --> 01:28:36,439
Speaker 2: super flames, right, and this nigga wouldn't go nowhere and.

1910
01:28:36,400 --> 01:28:39,439
Speaker 3: Performance or I was becoming your manager.

1911
01:28:40,400 --> 01:28:41,439
Speaker 1: That ship he was, he.

1912
01:28:41,479 --> 01:28:44,760
Speaker 2: Was, he was behind the scenes, and it was promoters

1913
01:28:44,800 --> 01:28:45,840
Speaker 2: offering him the best.

1914
01:28:47,160 --> 01:28:48,639
Speaker 3: We had some other ship we had to do though.

1915
01:28:48,640 --> 01:28:49,679
Speaker 1: Man, I don't know.

1916
01:28:50,439 --> 01:28:53,000
Speaker 3: Look at us now, Look at us now?

1917
01:28:53,240 --> 01:28:54,280
Speaker 1: You got records now?

1918
01:28:57,080 --> 01:29:01,200
Speaker 5: Yeah, yeah, they be lonely. What the fuck is we doing?

1919
01:29:02,960 --> 01:29:04,640
Speaker 5: I'm just saying, y'all know me and this nigga got

1920
01:29:04,680 --> 01:29:09,200
Speaker 5: a record again. It's all right, it's so way. Let

1921
01:29:09,320 --> 01:29:12,000
Speaker 5: y'all know that we got a record.

1922
01:29:12,320 --> 01:29:12,920
Speaker 3: Thank you again.

1923
01:29:13,680 --> 01:29:16,040
Speaker 2: Listen, brother to say we love you would be an understatement.

1924
01:29:17,640 --> 01:29:18,679
Speaker 2: You already know what that means.

1925
01:29:18,920 --> 01:29:19,360
Speaker 5: My brothers.

1926
01:29:20,720 --> 01:29:22,640
Speaker 1: We don't play no games about Breezy. You know what

1927
01:29:22,680 --> 01:29:24,000
Speaker 1: I'm saying. And that's in real life.

1928
01:29:24,040 --> 01:29:27,760
Speaker 2: That's not that's not music, that's not entertainment, that's that's

1929
01:29:27,840 --> 01:29:30,479
Speaker 2: real life, in real life. And so I think people

1930
01:29:30,520 --> 01:29:34,000
Speaker 2: have known by you know, all the times I've jumped

1931
01:29:34,000 --> 01:29:37,479
Speaker 2: in the in the comments to make sure fuck you

1932
01:29:37,600 --> 01:29:42,479
Speaker 2: niggas up you fuck around with the fuck around yeah alone.

1933
01:29:42,560 --> 01:29:48,800
Speaker 2: But my congratulations to you man for continuing to work hard, bro.

1934
01:29:49,280 --> 01:29:52,880
Speaker 2: And I think that that's the separation between you and

1935
01:29:53,160 --> 01:29:56,880
Speaker 2: everybody that you've probably seen from the last twenty something

1936
01:29:56,960 --> 01:29:57,840
Speaker 2: years come and go.

1937
01:29:58,040 --> 01:29:59,360
Speaker 1: You just won't stop working.

1938
01:30:00,200 --> 01:30:04,080
Speaker 2: And and that is commendable with the success that you've had,

1939
01:30:04,479 --> 01:30:08,240
Speaker 2: that you are still aspiring and still pushing to do

1940
01:30:08,360 --> 01:30:12,160
Speaker 2: more and to be greater. Like if if if I'm

1941
01:30:12,200 --> 01:30:15,599
Speaker 2: telling my son to chase anything saying you watch Chris Brown,

1942
01:30:16,640 --> 01:30:19,040
Speaker 2: you watch that journey and you watch him work, and

1943
01:30:19,080 --> 01:30:21,680
Speaker 2: that's how you work, and that's how you find it.

1944
01:30:23,880 --> 01:30:28,000
Speaker 1: We appreciate you, man. Listen, man, my name is Tank Man.

1945
01:30:30,080 --> 01:30:36,679
Speaker 2: And this is the R and Money podcast them on all.

1946
01:30:36,680 --> 01:30:44,840
Speaker 1: Things R and B one of the greatest to ever

1947
01:30:44,920 --> 01:30:45,080
Speaker 1: do it.

1948
01:30:51,360 --> 01:30:55,400
Speaker 5: Yeah, R and B Money.

1949
01:30:56,520 --> 01:30:58,280
Speaker 7: R and B Money is a production of the Black

1950
01:30:58,320 --> 01:31:03,080
Speaker 7: Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1951
01:31:03,200 --> 01:31:07,040
Speaker 7: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1952
01:31:07,040 --> 01:31:10,920
Speaker 7: favorite shows. Don't forget to subscribe to and rate our show,

1953
01:31:11,280 --> 01:31:13,880
Speaker 7: and you can connect with us on social media at

1954
01:31:13,960 --> 01:31:18,160
Speaker 7: Jay Valentine and at the Real Tank. For the extended episode,

1955
01:31:18,320 --> 01:31:22,479
Speaker 7: subscribe to YouTube dot com, Forward, slash r, and b

1956
01:31:22,640 --> 01:31:22,920
Speaker 7: Money