1 00:00:00,080 --> 00:00:03,760 Speaker 1: Hello the Internet, and welcome to this episode of Dead 2 00:00:03,880 --> 00:00:08,840 Speaker 1: trend Job. My name's Jack o' brian. That's Miles Gray. 3 00:00:08,840 --> 00:00:11,200 Speaker 1: Oh man, I miss a good old dead end job. 4 00:00:11,720 --> 00:00:14,880 Speaker 1: I know, all right, we've probably done that one before, right, 5 00:00:15,640 --> 00:00:17,880 Speaker 1: I don't know. Hey, if you haven't seen for it's 6 00:00:17,920 --> 00:00:20,919 Speaker 1: new to you. What Let's tell that that was a 7 00:00:21,000 --> 00:00:25,640 Speaker 1: musty TV reference. Uh in honor of Jerry Stiller, who 8 00:00:25,640 --> 00:00:28,800 Speaker 1: passed away. I guess yeah, it was ninety two. I 9 00:00:28,800 --> 00:00:33,159 Speaker 1: think how he Yeah, yeah, some people know him purely 10 00:00:33,200 --> 00:00:35,640 Speaker 1: just as the father of Ben Stiller. Some people know 11 00:00:35,720 --> 00:00:39,720 Speaker 1: him as a fantastic comedian, uh, part of a fantastic duo, 12 00:00:40,760 --> 00:00:44,520 Speaker 1: or maybe you know him as Mr Costanza on Seinfeld. 13 00:00:45,040 --> 00:00:49,839 Speaker 1: But either way, off like a really fantastic comedian. Yeah, funny, 14 00:00:49,880 --> 00:00:54,520 Speaker 1: funny dude. I would definitely take two years if that 15 00:00:54,640 --> 00:00:56,880 Speaker 1: offer was on the table. I would take ninety two years, 16 00:00:56,960 --> 00:00:59,880 Speaker 1: for sure. So all right, shout out to him for 17 00:01:00,400 --> 00:01:03,840 Speaker 1: making it that long. That's very impressive and just a 18 00:01:03,840 --> 00:01:07,080 Speaker 1: funny dude. Yeah, And he just made like being a angry, 19 00:01:07,120 --> 00:01:09,920 Speaker 1: screaming old guy just like a great bit like there 20 00:01:10,000 --> 00:01:12,759 Speaker 1: was just in him being upset was brought so much 21 00:01:12,840 --> 00:01:16,800 Speaker 1: joy to me up. Next, we got Nellie versus Ludicrous. 22 00:01:16,800 --> 00:01:23,040 Speaker 1: What what is that? Are they another verse? Yes, the 23 00:01:23,200 --> 00:01:27,720 Speaker 1: verses series has given us another fantastic Yes, quite literally, 24 00:01:27,760 --> 00:01:30,360 Speaker 1: this is another one. Over the weekend it was er 25 00:01:30,440 --> 00:01:34,679 Speaker 1: Kabadu versus Jill Scott, which was fantastic. Uh. The energy 26 00:01:34,800 --> 00:01:38,000 Speaker 1: of these two like gods of goddesses of R and 27 00:01:38,040 --> 00:01:40,520 Speaker 1: B like just kind of trading tracks was kind of 28 00:01:40,560 --> 00:01:43,640 Speaker 1: a departure from the more like agro like battle battle 29 00:01:43,760 --> 00:01:46,720 Speaker 1: vibe that some of the past versus battles have had. 30 00:01:47,200 --> 00:01:49,640 Speaker 1: Um But yes, if you again not familiar with the 31 00:01:49,720 --> 00:01:52,520 Speaker 1: versus battles they go on, I g live. Each artist 32 00:01:52,640 --> 00:01:55,640 Speaker 1: or producer typically trades like twenty tracks with the other one, 33 00:01:55,680 --> 00:01:57,720 Speaker 1: and then you kind of flex your catalog on the 34 00:01:57,720 --> 00:01:59,360 Speaker 1: other person to kind of be like, oh, I guess 35 00:01:59,400 --> 00:02:01,320 Speaker 1: this person's than the other one. I think in a 36 00:02:01,440 --> 00:02:06,720 Speaker 1: battle between Nellie and Ludicrous, Ludicrous winds just from I mean, 37 00:02:06,760 --> 00:02:09,320 Speaker 1: like Nelly's got some hits, but I feel like Ludicrous 38 00:02:09,560 --> 00:02:12,720 Speaker 1: could probably play some smaller hits, smaller hits, smaller hits, 39 00:02:12,800 --> 00:02:15,639 Speaker 1: and then begin building for his last ten tracks that 40 00:02:15,680 --> 00:02:17,680 Speaker 1: are just gonna be like you know it, I don't 41 00:02:17,680 --> 00:02:20,200 Speaker 1: know when Nellie's gonna deploy Ei you know what I mean? 42 00:02:20,680 --> 00:02:23,799 Speaker 1: Or where the party yet? And can can and can 43 00:02:23,919 --> 00:02:25,959 Speaker 1: he claim? Where the party yet? Because that's a jagged 44 00:02:26,040 --> 00:02:28,040 Speaker 1: edge song, so you know, like, you know, is that 45 00:02:28,120 --> 00:02:30,880 Speaker 1: really Yeah, that's it? Yeah, just featuring Nellie. But I think, yeah, 46 00:02:31,000 --> 00:02:32,839 Speaker 1: a lot of people want to see some some more 47 00:02:32,960 --> 00:02:35,880 Speaker 1: producer battles, like you know, uh, I would love to 48 00:02:35,880 --> 00:02:38,720 Speaker 1: see Dre do some get up get in there who 49 00:02:38,760 --> 00:02:41,160 Speaker 1: knows against who, like Farrell or the Neptunes or something 50 00:02:41,160 --> 00:02:42,880 Speaker 1: it could be. There's a lot of like, you know, 51 00:02:42,919 --> 00:02:45,040 Speaker 1: this is why I think this series has been pretty 52 00:02:45,080 --> 00:02:48,360 Speaker 1: popular because it's just these are like hypothetical things music 53 00:02:48,400 --> 00:02:50,280 Speaker 1: people talk about all the time, and now we get 54 00:02:50,280 --> 00:02:52,959 Speaker 1: to see it played out. Yeah. One of the more 55 00:02:53,040 --> 00:02:56,240 Speaker 1: interesting parts for me of the Eric about Dude Jill 56 00:02:56,240 --> 00:02:59,200 Speaker 1: Scott thing was that they started with that hook, which 57 00:02:59,240 --> 00:03:01,400 Speaker 1: I think is the best hook of one of the 58 00:03:01,400 --> 00:03:06,040 Speaker 1: best hooks of any song ever of that that root song, 59 00:03:06,639 --> 00:03:10,480 Speaker 1: and it's performed by Erica Badoo, but it's a it 60 00:03:10,560 --> 00:03:13,440 Speaker 1: was written by Jill Scott, which I didn't realize, and like, 61 00:03:14,040 --> 00:03:16,600 Speaker 1: I feel like the same thing with producers, like some 62 00:03:16,680 --> 00:03:19,200 Speaker 1: people might not realize, like I feel like there will 63 00:03:19,240 --> 00:03:22,280 Speaker 1: be a lot of learning going on as people, you know, 64 00:03:22,440 --> 00:03:26,320 Speaker 1: as a producer, presents their catalog as opposed to ludicrous. 65 00:03:26,880 --> 00:03:29,839 Speaker 1: You know, we know when Ludacrous is on the track, right, Yeah, 66 00:03:29,840 --> 00:03:31,720 Speaker 1: I mean I think that's the thing. She's just been 67 00:03:31,760 --> 00:03:34,360 Speaker 1: like in the cut for so long and even prior 68 00:03:34,400 --> 00:03:36,440 Speaker 1: to that, like she just she people knew who she 69 00:03:36,600 --> 00:03:38,280 Speaker 1: was by the time, like if in the industry knew 70 00:03:38,280 --> 00:03:39,680 Speaker 1: who she was by the time she came out as 71 00:03:39,680 --> 00:03:42,200 Speaker 1: her own artists. So great till you love to see it, 72 00:03:42,360 --> 00:03:45,160 Speaker 1: Julie from Philly, like you said that it was just 73 00:03:45,240 --> 00:03:50,240 Speaker 1: like a good digital to occupy for a couple of hours. Yeah, 74 00:03:50,280 --> 00:03:53,240 Speaker 1: it was very loved and were like if you ask 75 00:03:53,280 --> 00:03:55,760 Speaker 1: the Scott starts many freshman like Scott Storts is smoking 76 00:03:56,120 --> 00:03:58,040 Speaker 1: joints so big he like doesn't even know what he's 77 00:03:58,040 --> 00:04:00,520 Speaker 1: looking at. And he's like, okay, man, all right, what 78 00:04:00,560 --> 00:04:02,880 Speaker 1: about this? And you're like in the in the meantime, 79 00:04:02,960 --> 00:04:05,080 Speaker 1: like all those people doing in your studio aren't all 80 00:04:05,160 --> 00:04:10,280 Speaker 1: sheltering whatever, Just play the hits, right Yeah? Yeah, Kobe 81 00:04:10,320 --> 00:04:14,360 Speaker 1: Pilot is trending. Well, what's going on with the the 82 00:04:14,880 --> 00:04:17,839 Speaker 1: I mean, obviously the pilot pest wins the helicopter crash. 83 00:04:17,960 --> 00:04:22,479 Speaker 1: Yeah so. Uh. A spokesperson from Island Express, which was 84 00:04:22,520 --> 00:04:25,719 Speaker 1: the company that the pilot worked for, just came out 85 00:04:25,839 --> 00:04:29,800 Speaker 1: with a statement essentially blaming the victims or the other 86 00:04:29,880 --> 00:04:33,520 Speaker 1: victims who are the passengers for the crash. Quote, Any 87 00:04:33,520 --> 00:04:37,120 Speaker 1: injuries or damages to plaintiffs and or their decedent were 88 00:04:37,240 --> 00:04:40,920 Speaker 1: directly caused in full or in part by the negligence 89 00:04:41,000 --> 00:04:44,760 Speaker 1: or fault of plaintiffs and or their decesion, including their 90 00:04:44,800 --> 00:04:48,359 Speaker 1: knowledge and voluntary encounter with the risks involved, and that 91 00:04:48,440 --> 00:04:52,159 Speaker 1: this negligence was a substantial factor in causing their purported damages, 92 00:04:52,200 --> 00:04:56,600 Speaker 1: for which this answering defendant bears no responsibility. Uh So, 93 00:04:56,640 --> 00:04:58,880 Speaker 1: I don't know. It's not clear. They haven't really followed 94 00:04:58,960 --> 00:05:00,520 Speaker 1: up to say what specifically they did. I don't know 95 00:05:00,560 --> 00:05:02,760 Speaker 1: if they're trying to say the fact that they wanted 96 00:05:02,800 --> 00:05:05,320 Speaker 1: to write a helicopter meant that they were at fault, 97 00:05:05,640 --> 00:05:08,400 Speaker 1: even though like the l A p D that day grounded, 98 00:05:08,440 --> 00:05:11,039 Speaker 1: all of their helicopters are like, no, this visibility is 99 00:05:11,080 --> 00:05:14,120 Speaker 1: absolutely no, We're not you just can't do this. So 100 00:05:14,960 --> 00:05:17,159 Speaker 1: I don't know that this I'm sure this will play 101 00:05:17,200 --> 00:05:20,120 Speaker 1: out for much longer than it actually has to. But yeah, 102 00:05:20,240 --> 00:05:23,880 Speaker 1: that's I think it's the latest sort of development in 103 00:05:23,960 --> 00:05:27,080 Speaker 1: that saga in terms of Kobe Bryant's passing and all 104 00:05:27,080 --> 00:05:30,560 Speaker 1: those other people in the helicopter and who's responsible. So 105 00:05:30,600 --> 00:05:34,200 Speaker 1: this is like in response to a lawsuit being filed 106 00:05:34,240 --> 00:05:39,000 Speaker 1: by Vanessa or yeah, it seems like that's that's yeah, 107 00:05:39,000 --> 00:05:41,279 Speaker 1: because she Vanessa has a lawsuit just based on the 108 00:05:41,320 --> 00:05:44,599 Speaker 1: fact that this isn't how people talk Yeah, yeah, yeah, no, no, 109 00:05:44,640 --> 00:05:47,719 Speaker 1: it's because yeah, she's doing the helicopter company. And I 110 00:05:47,720 --> 00:05:49,600 Speaker 1: think that's one of the things because you look at 111 00:05:49,800 --> 00:05:53,159 Speaker 1: information where all other professionals who are piloting helicopters that 112 00:05:53,240 --> 00:05:55,960 Speaker 1: day were like, not going to fly today. I think 113 00:05:55,960 --> 00:05:58,640 Speaker 1: maybe they the expectation was that a pilot themselves like hey, 114 00:05:58,680 --> 00:06:00,960 Speaker 1: I'm sorry, So they're basically saying that that was not 115 00:06:01,080 --> 00:06:05,599 Speaker 1: our decision. And then finally Dave Grohl is trending, Uh, well, 116 00:06:06,200 --> 00:06:10,560 Speaker 1: I'm unfamiliar with this story as well, dude, So he's 117 00:06:10,600 --> 00:06:14,320 Speaker 1: just been writing, uh he was. There's a little piece 118 00:06:14,320 --> 00:06:17,280 Speaker 1: in the Atlantic that is just a story by Dave 119 00:06:17,360 --> 00:06:20,360 Speaker 1: Grohl that said the day the live concert returns, I 120 00:06:20,400 --> 00:06:22,320 Speaker 1: don't know when it will be safe to sing arm 121 00:06:22,320 --> 00:06:23,719 Speaker 1: in arm at the top of our lungs, but we 122 00:06:23,760 --> 00:06:25,640 Speaker 1: will do it again because we have to. Sort of 123 00:06:25,680 --> 00:06:29,039 Speaker 1: like the subtitle and everyone reading this article, I think 124 00:06:29,320 --> 00:06:33,120 Speaker 1: we've been so stuck at home longing for like, you know, 125 00:06:33,120 --> 00:06:36,680 Speaker 1: like the concert is. Ultimately that's the final piece of 126 00:06:36,720 --> 00:06:39,679 Speaker 1: the puzzle, like to be able to be like shoulder 127 00:06:39,720 --> 00:06:43,160 Speaker 1: to shoulder with thousands of people indoors my I mean 128 00:06:43,160 --> 00:06:44,800 Speaker 1: to think about it now, I'm like having shivers, but 129 00:06:44,839 --> 00:06:48,400 Speaker 1: like that's really the last thing, and because we're all 130 00:06:48,480 --> 00:06:50,719 Speaker 1: longing for it. Just Dave Groll, Like whether you like 131 00:06:50,800 --> 00:06:52,880 Speaker 1: his music or not, I mean, like I think he's 132 00:06:52,920 --> 00:06:57,359 Speaker 1: just fantastically talented songwriter, drummer, guitar player, whatever, but his 133 00:06:57,520 --> 00:06:59,960 Speaker 1: the way he articulates just sort of the sensation of 134 00:07:00,000 --> 00:07:01,719 Speaker 1: being at a live show. I think is the reason 135 00:07:01,720 --> 00:07:04,440 Speaker 1: why people responding to this article right now, because it 136 00:07:04,520 --> 00:07:06,120 Speaker 1: will make you emotional. I'm just gonna read a couple 137 00:07:06,120 --> 00:07:08,920 Speaker 1: of excerpts. This is from Dave Girl. There's nothing like 138 00:07:08,960 --> 00:07:11,680 Speaker 1: the energy and atmosphere of live music. It's the most 139 00:07:11,720 --> 00:07:14,760 Speaker 1: life affirming experience to see your favorite performer on stage 140 00:07:14,800 --> 00:07:17,640 Speaker 1: in the flesh rather than as a one dimensional image 141 00:07:17,640 --> 00:07:19,840 Speaker 1: glowing in your lap as you spiral down a midnight 142 00:07:19,880 --> 00:07:24,040 Speaker 1: YouTube warmhole. Even our most beloved superheroes become human in person. 143 00:07:24,760 --> 00:07:26,520 Speaker 1: And then he goes on not to brag, but I 144 00:07:26,520 --> 00:07:27,960 Speaker 1: think I've had the best seat in the house for 145 00:07:28,000 --> 00:07:30,760 Speaker 1: twenty five years because I do see you. I see 146 00:07:30,800 --> 00:07:33,040 Speaker 1: you pressed against the cold front rails. I see you 147 00:07:33,080 --> 00:07:35,880 Speaker 1: air drumming along to your favorite songs and the distant rafters. 148 00:07:35,920 --> 00:07:37,840 Speaker 1: I see you lifted above the crowd and carried to 149 00:07:37,840 --> 00:07:40,040 Speaker 1: the stage for a glorious swan dive back into its 150 00:07:40,040 --> 00:07:42,840 Speaker 1: sweaty embrace. I see your homemade signs and your vintage 151 00:07:42,840 --> 00:07:45,120 Speaker 1: t shirts. I hear your laughter in your screams, and 152 00:07:45,120 --> 00:07:47,960 Speaker 1: I see your tears. I have seen you yawn yeah you. 153 00:07:48,280 --> 00:07:50,360 Speaker 1: And I've watched you pass out drunk in your seat. 154 00:07:50,440 --> 00:07:52,400 Speaker 1: I've seen you in the hurricane force winds, in one 155 00:07:52,440 --> 00:07:55,560 Speaker 1: hundred degree heat, in subzero temperatures. I have seen some 156 00:07:55,640 --> 00:07:58,840 Speaker 1: of you grow older and become parents, now with your 157 00:07:58,920 --> 00:08:02,160 Speaker 1: children's day globe for detective headphones bouncing on your shoulders. 158 00:08:02,400 --> 00:08:04,320 Speaker 1: And each night when I tell our lighting engineer to 159 00:08:04,400 --> 00:08:06,680 Speaker 1: light them up, I do so because I need that 160 00:08:06,760 --> 00:08:09,240 Speaker 1: room to shrink and to join with you as one 161 00:08:09,360 --> 00:08:13,360 Speaker 1: under the harsh fluorescent glow. It's like it's just filled 162 00:08:13,360 --> 00:08:15,360 Speaker 1: with just stuff like that and just being like just 163 00:08:16,120 --> 00:08:20,720 Speaker 1: it's anyone who's missing live music, read this Dave Roll article. 164 00:08:21,440 --> 00:08:23,960 Speaker 1: It definitely helps me. Yeah, I feel like music. There's 165 00:08:24,000 --> 00:08:27,600 Speaker 1: something very communal about being not just in a crowd 166 00:08:27,640 --> 00:08:30,440 Speaker 1: with people, but like singing with them or you know, 167 00:08:30,640 --> 00:08:33,760 Speaker 1: being by the same music with them. I feel you know, 168 00:08:33,840 --> 00:08:37,120 Speaker 1: that's why we have the national anthem at the beginning 169 00:08:37,160 --> 00:08:40,640 Speaker 1: of every sporting event is like you're not you're bringing 170 00:08:40,920 --> 00:08:44,600 Speaker 1: bringing the people together, alright, guys, So that is going 171 00:08:44,679 --> 00:08:47,520 Speaker 1: to do it for this Monday afternoon. We hope you 172 00:08:47,520 --> 00:08:50,880 Speaker 1: guys are out there being safe, treating each other well, 173 00:08:51,000 --> 00:08:55,160 Speaker 1: washing your hands and stand inside. We'll be back tomorrow 174 00:08:55,440 --> 00:08:57,559 Speaker 1: with a whole new episode and we will talk to 175 00:08:57,760 --> 00:09:02,000 Speaker 1: them by what cant for that to people