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Speaker 1: I hardly ever know where my phone is. I have

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Speaker 1: a million things to ask you.

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Speaker 2: You know, I'm not, by the way, It's okay. I

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Speaker 2: usually I'm crazed for I'm usually crazed for food. But

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Speaker 2: today I ordered some as I to be waiting for

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Speaker 2: me when I got home, and I and I I

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Speaker 2: scarfed it so much that most of the granola is

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Speaker 2: in my nose and so like, it's not like those

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Speaker 2: days where you're gonna you know where you're gonna eat

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Speaker 2: the stuffed animals. Now you know when it just gets

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Speaker 2: up inside your nose, And that's that's how hungry you are.

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Speaker 2: You know when I'm talking about it's like bet pollen

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Speaker 2: in your sinuses because you just ate the SI. So

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Speaker 2: I'm not the only one, thank God. No, No, I

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Speaker 2: do a lot of audiobooks, and that's always how I

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Speaker 2: have it.

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Speaker 3: Leave us alone, Jared, who's Jared?

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Speaker 2: Well, Jared, No, don't leave us so loone, you have

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Speaker 2: to you have to help us be good.

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Speaker 1: Don't like I was saying, brow beat him, Jared, don't

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Speaker 1: leave us alone, exactly what Bronson says.

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Speaker 2: Okay, and then I'm gonna do It's so funny that

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Speaker 2: you that anyone that knows that that, anyone that's ever

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Speaker 2: worked with audio, it would be shocked that I had

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Speaker 2: to be told because usually it's Tom Jones. You remember,

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Speaker 2: Tom Jones is not unusual. And he used to have

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Speaker 2: it in his.

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Speaker 3: Mouth.

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Speaker 2: It was in his mouth. You you remember Tom Jones

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Speaker 2: used to have it like he was making love to it.

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Speaker 3: I did a lot of karaoke doing doing doing Tom Jones.

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Speaker 2: Thom is still at it. Back in the day, Tom

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Speaker 2: is still at it, and God bless her. The most

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Speaker 2: beautiful voice, had the most beautiful But now I just

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Speaker 2: sit still Tom, like you know, it's time. And have

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Speaker 2: you have you seen Madonna's new ass. It's frightening. Get

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Speaker 2: a picture of it. It's she had an ass lift.

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Speaker 2: But canok on the screen she looks like your grandma

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Speaker 2: whose rich fourth husband just got her this ass. Just

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Speaker 2: put it up. It's it's twos. Now.

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Speaker 3: There's some back views put up the ass of the Madonna.

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Speaker 2: There's some back views that are to the jaw droppers,

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Speaker 2: like the view of her ass will get me on correct,

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Speaker 2: she's my age, she's sixty four, sixty five. I didn't okay,

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Speaker 2: she's sixty but but but she or she might be

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Speaker 2: sixty five, but her ass now looks like she's sixty five,

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Speaker 2: and God bless her. But oh and then she yells

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Speaker 2: at people from she yelled at this, she yielded a

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Speaker 2: handy kepp. She yelled a lady in a wheelchair for

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Speaker 2: not standing then and then the lady's like, you know.

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Speaker 2: Then then somebody pointed it out to her and she

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Speaker 2: was like ah, but she didn't say I'm sorry. I

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Speaker 2: kind of really she was always weird.

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Speaker 1: Well, then I asked, like that, who needs I?

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Speaker 3: I need you to see the ass so that we

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Speaker 3: can bond over it.

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Speaker 2: Oh my gosh, is that it?

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Speaker 4: Well? Hell yeah, and you see it's just it's just

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Speaker 4: it's bigger than the thigh, which I don't think is

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Speaker 4: anatomically unless you're like.

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Speaker 2: How careful, don't hurt yourself. The end of that movie

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Speaker 2: where you were in the threesome and then you said like,

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Speaker 2: don't look at my ass. I know it's a good ass.

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Speaker 2: The last shot is your ass.

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Speaker 3: See your ass.

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Speaker 2: There's the blood cheek and then there's the sign and

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Speaker 2: like they're one all of what's all that? How can

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Speaker 2: it be on either side?

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Speaker 3: Sciences?

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Speaker 2: Please find it even better?

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Speaker 3: One to inspire us.

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Speaker 2: It belongs to a human. But there's a couple and

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Speaker 2: there there's a couple where she's in concert and it

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Speaker 2: turns around and it's like somebody took it's like this

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Speaker 2: is this and just stuck it in. It's the second

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Speaker 2: and you got that she's in You've really taking a

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Speaker 2: look at this.

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Speaker 1: Well, somebody, I want you to run with it now

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Speaker 1: because it's and now I'm getting curious, Well, is.

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Speaker 3: It just her? No, no, it's it's it's her ass

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Speaker 3: and her booms and there.

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Speaker 2: I think we need to name it. It's just like

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Speaker 2: in the last month or like.

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Speaker 3: The less year.

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Speaker 2: This is less.

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Speaker 3: Yeah, first, I don't think my cons will allow it.

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Speaker 3: Really her Welcome to one bad movie, an adult treating

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Speaker 3: those bad lips. It's so bad. It's good, guilty lasness,

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Speaker 3: this sun this it's so bad.

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Speaker 5: It's good.

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Speaker 1: One bad.

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Speaker 2: On our screens. Really it it's not it's not.

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Speaker 3: Like a virgin video.

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Speaker 2: No, no, no, no, nor wishes.

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Speaker 3: I think that's safe to say.

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Speaker 2: It is. It's wider and taller than a building, and

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Speaker 2: it's remarkable. You're okay, so there this is.

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Speaker 6: The face that goes with it, right, okay, Right, yeah, yeah, yeah, yeah, sure,

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Speaker 6: thank god you're blocking my care.

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Speaker 2: And then where's the butt? John? There's a concert that's

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Speaker 2: really worth the price of admission. Can you can your thing?

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Speaker 3: Really? Not google like her butt?

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Speaker 2: Just google her butt?

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Speaker 3: But you know what I'm saying.

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Speaker 2: It's not just Madona' butt?

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Speaker 5: Is that? Okay?

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Speaker 2: Wait? This is?

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Speaker 4: This?

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Speaker 2: Is it? Which?

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Speaker 3: Which is this one? You can see it? What the heck?

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Speaker 3: Maybe she got stuck by a beat. It's really weird.

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Speaker 1: And that's almost like a conspiracy theory shot. I mean,

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Speaker 1: look at that. That looks like it's housing something.

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Speaker 2: I think it's like it's it looks like you might

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Speaker 2: have something stashed. It's really it's really let's see this one.

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Speaker 2: It's one, But then there's this. It's just so we're here. Whoa,

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Speaker 2: that's not her, my friend, you gotta see it from

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Speaker 2: the back.

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Speaker 3: It looks exactly like that's not hers.

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Speaker 2: This present and it's just odd.

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Speaker 3: Hey, leave Ristidis out of it. The thing is she

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Speaker 3: was she.

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Speaker 2: Was the epitome of getting it, and now she's the

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Speaker 2: epitome of like I forgot what it was, Well she was,

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Speaker 2: she defined it, and now it's like, but what did you.

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Speaker 3: Do on a serious note, why, like do you think

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Speaker 3: It's like she's just built a kingdom for herself and

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Speaker 3: that's it and her boyfriend's thirty.

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Speaker 2: Happens when nobody, when nobody will say blu to you,

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Speaker 2: right then you make ridiculous show. You know, people now

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Speaker 2: will say to me, ah, like I kept teasing my managers,

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Speaker 2: are you on your way to this? And I was

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Speaker 2: like to what and then she she's like hysterical and

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Speaker 2: she's like and it's like, you know, so she she

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Speaker 2: would she would give me a new butthole if I

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Speaker 2: was five minutes late, which is great, but when they

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Speaker 2: won't say anything, you get that ass.

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Speaker 3: You get that you get that ass when you're when

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Speaker 3: nobody will say boo. I guess it's a discipline. It's

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Speaker 3: what you're saying. No, if you if you be on time,

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Speaker 3: lose and don't have that ass.

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Speaker 2: Don't you know if you lose? The first thing, guys

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Speaker 2: hit the brunch and I walked out on the sidewalk.

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Speaker 2: He waves me from like fifty yards hes in the shorts.

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Speaker 3: He looked like a twenty five year old kid looking

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Speaker 3: for the beach.

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Speaker 2: So that's cool. And I saw the hair.

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Speaker 3: I saw the hair I saw the hair from twenty

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Speaker 3: five feet away.

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Speaker 2: I was like, it's him, it is just take your

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Speaker 2: hat off, come on that that's some beautiful hair. Wow.

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Speaker 2: You know who else has hair like that? Is that

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Speaker 2: cool kid? Uh?

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Speaker 3: Scott Cohn?

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Speaker 2: You remember, you too could have a hair off because

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Speaker 2: he'd win. He's no, he's so fantastic. I'm just Alec

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Speaker 2: Baldwin's little brother.

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Speaker 3: And he'll say all the time, James Conson, he'll say.

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Speaker 2: All the time, he'll say, I'm not the best actor

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Speaker 2: on the block, and I'm not the bestiness, but the hair.

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Speaker 2: And he's so good. He's a wonderful actor.

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Speaker 6: He is.

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Speaker 2: He's just he's so good. Anyway, I'm ready for you

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Speaker 2: to stop talking to me and stop getting me off.

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Speaker 3: Topic on other people's asses and hair. Well, you you

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Speaker 3: wound yourself.

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Speaker 2: If we could take her ass and Scotty's hair, we

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Speaker 2: would have a master race.

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Speaker 3: Call it the Madonna Khan.

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Speaker 2: I like that. The madonnakn sounds like, first of all,

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Speaker 2: it sounds like a thing, but it also sounds like

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Speaker 2: a place you can go in cosplay, you know, like, yeah,

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Speaker 2: you want to do you want to do madonakaon? Are

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Speaker 2: you free? To do Madonna khon.

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Speaker 3: It'd be nothing, but but it would be really funny.

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Speaker 3: Imagine what we could charge at the door, the ultimate

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Speaker 3: Madonna's ass fetish.

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Speaker 2: You know, we have to we have to do a

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Speaker 2: shout out to my younger brother Justin because he said

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Speaker 2: to me the other day, he said to me, at

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Speaker 2: two Thanksgivings ago, you got I don't know what happened,

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Speaker 2: but he he looked at me with that look that

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Speaker 2: you get on Thanksgiving, and he said, for thirty years,

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Speaker 2: I have not been Justin Pinchot. I have been Bronson

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Speaker 2: Pinchow's brother. Yeah, so we might have to give him

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Speaker 2: some love. Let's give him some live but from you know,

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Speaker 2: from the from the heart. He also doesn't speak to.

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Speaker 3: Me how much I'm affected by this already?

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Speaker 1: Right, what's the funny kid from s and that passed away?

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Speaker 2: The heavy set kid?

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Speaker 3: Oh, Chris Farley.

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Speaker 2: So brother.

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Speaker 3: Kevin Farley is a stand up comic.

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Speaker 2: Yeah.

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Speaker 1: I just reposted something on Instagram from him where he's like, yeah,

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Speaker 1: you know, I'm the brother. It was kind of weird.

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Speaker 2: It's it's Oliver Pincho's brother. That's my big brother, right,

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Speaker 2: So you're in the middle. Yeah, of three four not brothers,

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Speaker 2: one girl, one girl.

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Speaker 3: I'm the youngest of six. Are you really four boys,

201
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Speaker 3: two girls? I was the tiebreaker?

202
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Speaker 2: Wow.

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Speaker 3: So my dad was proud that little Stevie came along.

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Speaker 1: But then I was like joined the chorus and he

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Speaker 1: was like, wait a second, because everybody was like an

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Speaker 1: athlete in my family. But I have another question, Yeah,

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Speaker 1: because I want to start steerings steering, uh Madonna's ass here?

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Speaker 2: If we can do that? First of all, if we

209
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Speaker 2: could also do you remember when Elizabeth Taylor came out

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Speaker 2: with white diamonds. I want to come out with a

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Speaker 2: fragrance called Madonna's ass. That's because you just imagine what

212
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Speaker 2: that Just imagine what the essence of it.

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Speaker 3: I mean, it's it's like self pity and sweat.

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Speaker 2: What is it? What is it? Is? It? Is it

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Speaker 2: demons and skank? What? What could it be? What? What?

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Speaker 3: No?

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Speaker 1: It's uh bottled in the dungeon of the disco limelight,

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Speaker 1: Madonna's ass.

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Speaker 2: I knew this. Thanksaving you. What did you like?

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Speaker 3: The goop chick? What's your name? That has the goop company?

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Speaker 1: Yeah, she's got the cam that smells like her.

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Speaker 2: Oh no, no, does she She has a she has

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Speaker 2: a candle. What happens when it is?

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Speaker 1: Paltrow about a year and a half two years ago,

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Speaker 1: launched a candle within her Goop company. That was the

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Speaker 1: fragrance was essence of No, it's it's my vagina.

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Speaker 2: It's literally it's it's it's I just.

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Speaker 3: Want this candle. I just want you to know. It's it.

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Speaker 3: It looks like it just happened organically.

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Speaker 2: But in forty two years in show business, nobody has

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Speaker 2: made me speechless. I know. The only time I'm speechless.

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Speaker 3: It's a it's my vagina dot com.

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Speaker 2: It's not like my.

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Speaker 1: Pillow up here does look pull the candle up vagina vagina. Yeah,

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Speaker 1: here we go. Here's all the products.

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Speaker 2: She has so much cost if you buy it, because

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Speaker 2: you can also get it and you can get the

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Speaker 2: t candle. It's a little little one and so you

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Speaker 2: can get it and underneath it's hand signed if you

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Speaker 2: get the limited edition on Etsy to get this interview back.

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Speaker 3: Wasn't under control of somebody, It was not. It was not,

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Speaker 3: but which was you know the only way I like

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Speaker 3: to roll? Actually, Oh I know, yeah.

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Speaker 2: So if it's on if it's on track, here's the

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Speaker 2: most surreal day I ever had in show business. They

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Speaker 2: get me for the scene into a romance where I'm

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Speaker 2: driving with the cokehore. Nobody ever asked me if I

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Speaker 2: could drive stick. They never asked, and I can't drive stick.

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Speaker 2: So they said, well, Bronson, okay, so we're gonna toe

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Speaker 2: you for most of it, so you can do that part.

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Speaker 2: Now we have to show you pulling over. And in

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Speaker 2: order for you to pull over, we're gonna have to

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Speaker 2: We're gonna have to teach you stick. So even as

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Speaker 2: the words were coming out, they knew didn't make sa

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Speaker 2: so they say to like the grip, all right, you're

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Speaker 2: human and male. So we're gonna spray paint your hair black,

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Speaker 2: which was my hair color then, and you're gonna do it.

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Speaker 2: You're gonna pull it over. And because Bronson, no one

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Speaker 2: asked him. So the spray paint his hair literally didn't

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Speaker 2: even have that stuff, the really good stuff that streaks

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Speaker 2: and tips they did had black spray paint. The spraypitts hair.

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Speaker 2: And then they said, okay, he looks nothing like Bronson,

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Speaker 2: so let's put sunglasses on him. And I said, yeah,

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Speaker 2: but I wasn't wearing sunglasses in the thing. We just

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Speaker 2: shot and they said, well, like when the cop comes,

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Speaker 2: just take them off, like put him on check bout

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Speaker 2: a second. So the's spray painting this dude who looks

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Speaker 2: nothing like me. There's spray painting his head black. Right after,

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Speaker 2: there's this kind of thing about like why didn't someone

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Speaker 2: think to ask Bronson. Then while we're doing it, we're

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Speaker 2: shooting on Mulholland Drive. I'm not making this up. And

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Speaker 2: you know me, Madonna cycles by in a onesie made

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Speaker 2: of lycra.

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Speaker 3: And I said, to like the absolutely.

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Speaker 2: Beautiful woman playing the the the coke the coke girl,

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Speaker 2: I said, could this.

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Speaker 3: Get any more surreal? And she goes, nah, she was

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Speaker 3: wonderful actress, but she was really, really really good.

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Speaker 2: She's very funny in it. But I said, I said,

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Speaker 2: so there's spray painting a guy who's supposed to be me.

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Speaker 2: I don't know how to drive, he doesn't look like me.

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Speaker 2: And Madonna just cycled buying acra onesie and I said,

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Speaker 2: could you write this? She's like, this is correct. We're

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Speaker 2: making a movie, and uh yeah. She cycled by in

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Speaker 2: a like he onesie, but like one one entourage on

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Speaker 2: behind her and one in front of her just but

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Speaker 2: just doing somewhere, just cycling up a steep road on

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Speaker 2: Mulholland to get her. Then asked, pretty, what year you

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Speaker 2: think that was. Well, I'll tell you right now. The

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Speaker 2: movie came out, I think in ninety three, so we

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Speaker 2: were shooting it. We would have been shooting it in

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Speaker 2: ninety two. Wow.

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Speaker 3: And she you know, ninety two.

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Speaker 2: Madonna, that's the that's the that's the pine Cone tit

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Speaker 2: and the like I chained myself up and she was.

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Speaker 2: She was the one you wanted to watch when you.

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Speaker 1: Did when that's when you were three. She was very healthy.

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Speaker 1: She was super healthy. Three dude, I was in high school.

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Speaker 1: She believe what I was doing when thinking about Madonna.

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Speaker 2: Well, of course, no, she she was. She was. I mean,

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Speaker 2: God bless her. I'm not taking anything away from her.

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Speaker 2: She was. She she was. She was absolutely the last

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Speaker 2: word in beauty. She could probably hook you up. No,

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Speaker 2: but uh, but she cycled by. You know, she had

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Speaker 2: an absolutely beautiful buy. She was. She was. She was

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Speaker 2: beautiful and fearless because she cycled up at the angle

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Speaker 2: of the road. Was like this and we're shooting and

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Speaker 2: I'm like, they're spray painting someone while Madonna cycles by.

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Speaker 3: It's the perfect l a. How did that she finish?

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Speaker 3: How it finished?

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Speaker 2: Was? The last shot we did was where the cop

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Speaker 2: comes up and I'm covered with coke, and all I

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Speaker 2: have to say is Hi. And Tony Scott, who was

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Speaker 2: you know? Did you ever have the pleasure? No, sir,

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Speaker 2: he was a real, real actress director, no video village

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Speaker 2: for him. He was right next to the lens and

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Speaker 2: he was acting it with you, acting it with you

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Speaker 2: like a great silent film director. So he's right next

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Speaker 2: to the lens and he comes up to me and

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Speaker 2: he knew me, and he said, I can't do a

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Speaker 2: great Tony Scott. But he was like once.

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Speaker 5: I mean, it's like thirty forty minutes to redo. You said,

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Speaker 5: don't laugh. Don't I know you want to know, but

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Speaker 5: that laugh.

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Speaker 2: So all I thought about was don't laugh because I

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Speaker 2: I don't want to get him. I don't he wouldn't

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Speaker 2: have gotten mad, but I want to disappoint him. So

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Speaker 2: I just, with the utmost simplicity, just looked at the

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Speaker 2: cop and said hi. And it's one of the funniest

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Speaker 2: things I ever did. And all I was doing was trying,

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Speaker 2: not just trying to get my mind off laughing, because

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Speaker 2: because once somebody says, Steven, no matter what, don't fart, right,

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Speaker 2: you have to fart because the unconscious hears it. But

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Speaker 2: and so that's what's so great about it is it's

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Speaker 2: we just it's one take. Because he said, don't you

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Speaker 2: do it? I loved him so much.

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Speaker 3: He was such a great director, and it was it

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Speaker 3: was in a funny way.

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Speaker 2: He was also putting down the gauntlet, like because if

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Speaker 2: you say don't laugh to anybody, but especially an actor,

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Speaker 2: especially a largely comic actor, what do you think is

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Speaker 2: going to happen? But I didn't do it, and we were.

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Speaker 2: We were thrilled with it. And was that shot outside

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Speaker 2: literally at the end of the night. Well, we just

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Speaker 2: did went end of the day.

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Speaker 3: When did you shoot?

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Speaker 2: Do you remember? Don't forget? We shot in the afternoons,

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Speaker 2: beautiful afternoon light. And I had also said to Tony,

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Speaker 2: who was lovely this way, I said, we were driving,

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Speaker 2: I said where are you? Where are you cutting me?

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Speaker 2: And he said, what do you cat? And I said,

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Speaker 2: where are you cutting me? I have an idea? So

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Speaker 2: he said, come you here, do it. And so I

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Speaker 2: said to her, you couldn't do it this nowadays. I

355
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Speaker 2: was like, you want to do a gag? I have

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Speaker 2: a great idea. So she said sure. I said, just

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Speaker 2: put your head down like your b and then I'll

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Speaker 2: pull your head up into the shot. And she goes, okay.

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Speaker 3: So that's why it has that it has a great reveal.

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Speaker 2: I'm driving along laughing and you don't know why, and

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Speaker 2: then all of a sudden, I pull her head up

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Speaker 2: and then you realize I've been getting and you know

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Speaker 2: you can't. You can't really pitch that kind of stuff.

364
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Speaker 2: No today, No, But she was so game and to

365
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Speaker 2: her credit, what she was doing this is let's see

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Speaker 2: this is my and she went down, you know, to

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Speaker 2: like pantomime it, and then she was going like this.

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Speaker 3: Heepyepy.

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Speaker 2: And so that's why I'm laughing. I'm doing this huge

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Speaker 2: cackle of a laugh as I'm driving because this.

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Speaker 3: She's tickling, because.

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Speaker 2: No, she's pinching it. She's pinching my junk. And I

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Speaker 2: thought she I thought, I love her because she's doing

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Speaker 2: she's doing the visual gag. But she's also like, okay,

375
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Speaker 2: she's there for you off, but I'm gonna like do this.

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Speaker 2: And I was so delighted that she was playing you know,

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Speaker 2: I was. I was gonna say playing ball, but that didn't.

378
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Speaker 2: But she she was so much fun, wonderful, wonderful actress.

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Speaker 2: If you ever watch it, you know there's such a

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Speaker 2: big gaggling on with the cocaine that, but she's brilliant.

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Speaker 3: She's like, you're driving.

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Speaker 2: Along on Mulham and shot.

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Speaker 3: Yes, I said, she's making you laugh.

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Speaker 2: She's making me laugh by by pal painting and then

385
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Speaker 2: at the right time you.

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Speaker 3: Pull her head up and reveal her and then you

387
00:20:07,160 --> 00:20:09,520
Speaker 3: get pulled over. Yes, and then it's a guy with

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Speaker 3: spray painted hair.

389
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Speaker 2: And then Madonna goes by in between setups and it

390
00:20:14,320 --> 00:20:16,240
Speaker 2: was a surreal. But isn't it weird?

391
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Speaker 3: During like a bj improv, Madonna goes by.

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Speaker 2: That's what That's why I said, with that beautiful accurate

393
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Speaker 2: that is the name I've forgotten. I said, could this

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Speaker 2: be any more amazing and surreal? And she said no,

395
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Speaker 2: I mean it was just great. And we're in this

396
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Speaker 2: in this this Tony Scott movie, and it's going really

397
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Speaker 2: well and we're having fun, and Madonna just cycled by

398
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Speaker 2: and nobody noticed. That's the other thing, because they were

399
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Speaker 2: so busy. Spray painting my double and then you can't

400
00:20:42,240 --> 00:20:46,679
Speaker 2: take this stuff up. And then that film goes on

401
00:20:46,800 --> 00:20:50,560
Speaker 2: to become quite iconic, yes, but not right away talk

402
00:20:50,600 --> 00:20:55,280
Speaker 2: about that. Yeah, well right away everybody people loved it,

403
00:20:55,520 --> 00:20:59,800
Speaker 2: but but people didn't go see it, so it became

404
00:21:00,040 --> 00:21:01,919
Speaker 2: so it came out in ninety three. It kind of

405
00:21:01,920 --> 00:21:07,960
Speaker 2: came and went, and then six seven, eight years later

406
00:21:08,200 --> 00:21:10,560
Speaker 2: it started to build and you would just and they

407
00:21:10,560 --> 00:21:12,280
Speaker 2: have they have a convention every year. They have a

408
00:21:12,280 --> 00:21:15,679
Speaker 2: true true Romans convention. Right, all these people come in

409
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Speaker 2: spandex to look like amazing.

410
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Speaker 3: But even upon release of the film, it was critically receiving.

411
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Speaker 2: People. People thought it was good, and it was good.

412
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Speaker 2: I never watched myself, but I went to a screening

413
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Speaker 2: of it. It was it was, it was so good,

414
00:21:30,880 --> 00:21:34,159
Speaker 2: and but it didn't it didn't catch on. And so

415
00:21:35,359 --> 00:21:37,120
Speaker 2: you know, it goes to the graveyard of your mind

416
00:21:37,160 --> 00:21:39,840
Speaker 2: and then all of a sudden it's so so so

417
00:21:40,320 --> 00:21:42,760
Speaker 2: culty right for the right and you can see it.

418
00:21:42,880 --> 00:21:45,119
Speaker 2: Every once in a while, I'll go to one of

419
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Speaker 2: the conventions and I you know, I'll watch part of it.

420
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Speaker 2: And I told Patricia Arcuat it took me twenty years

421
00:21:50,800 --> 00:21:53,600
Speaker 2: to realize how brilliant you are because we were so

422
00:21:53,800 --> 00:21:57,960
Speaker 2: young that I didn't. Also, I was so in my

423
00:21:58,000 --> 00:22:00,439
Speaker 2: own capture because my character and it is he's so

424
00:22:00,560 --> 00:22:03,480
Speaker 2: terrified and he's so in over his head, and you know,

425
00:22:03,560 --> 00:22:05,800
Speaker 2: I didn't see what she was doing. I couldn't. I

426
00:22:05,800 --> 00:22:09,040
Speaker 2: couldn't take it in and admire it because I was

427
00:22:09,080 --> 00:22:14,000
Speaker 2: too far inside. And I said, it's it's it's surpassingly

428
00:22:14,040 --> 00:22:15,040
Speaker 2: brilliant that performance.

429
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Speaker 3: She had to be very subtle.

430
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Speaker 2: She's brilliant, so vulnerable and other world I mean, and

431
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Speaker 2: I said that it took me. It took me twenty

432
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Speaker 2: thirty years. Cool, but it's I knew she's still she's

433
00:22:30,240 --> 00:22:34,679
Speaker 2: still doing work like that. It's God, she's you just

434
00:22:35,040 --> 00:22:38,080
Speaker 2: you know, at the time, were well, thank you, But

435
00:22:38,119 --> 00:22:39,760
Speaker 2: you know, at the time she was so she was

436
00:22:39,800 --> 00:22:42,600
Speaker 2: also one of those people that's kind of quietly in character.

437
00:22:43,080 --> 00:22:47,239
Speaker 2: So she was on set when you would like just

438
00:22:47,400 --> 00:22:49,240
Speaker 2: you know, be near her, and she was like drawing

439
00:22:49,280 --> 00:22:52,119
Speaker 2: two messent penises because she was playing, you know, was

440
00:22:52,119 --> 00:22:55,199
Speaker 2: playing a little hooker. And so I didn't even know

441
00:22:55,280 --> 00:22:58,320
Speaker 2: because I if I go way into characterize something, I'm

442
00:22:58,760 --> 00:23:02,600
Speaker 2: I'm gone, Like I don't if I do do that,

443
00:23:03,440 --> 00:23:06,320
Speaker 2: I go away. She was kind of right there sitting

444
00:23:06,359 --> 00:23:08,760
Speaker 2: in her chair, and then you had passion. She'd go

445
00:23:08,960 --> 00:23:10,760
Speaker 2: is this good? And it would be this giant vany

446
00:23:10,800 --> 00:23:16,399
Speaker 2: penis and I just thought, yeah, maybe there should be

447
00:23:16,400 --> 00:23:17,760
Speaker 2: one little vein. I mean, I didn't know what to

448
00:23:17,800 --> 00:23:22,240
Speaker 2: say in the same vein. Wonderful Michael Rappaport is in it.

449
00:23:22,359 --> 00:23:24,240
Speaker 2: He was such a puppy on that. He's such a

450
00:23:24,280 --> 00:23:29,639
Speaker 2: little puppy. He was eighteen, so good and talk about

451
00:23:29,680 --> 00:23:32,960
Speaker 2: being in and out of character. He kept wanting to improvise, improvise, improvise,

452
00:23:33,040 --> 00:23:35,399
Speaker 2: and I kept saying, I don't want to improvise off camera,

453
00:23:35,480 --> 00:23:38,480
Speaker 2: I want to improvise on camera, right, And he was

454
00:23:38,560 --> 00:23:41,800
Speaker 2: so fresh out of acting school that he thought I

455
00:23:41,920 --> 00:23:44,720
Speaker 2: was turning him down and and and you know, turn

456
00:23:44,760 --> 00:23:48,240
Speaker 2: it like and I say save it, save it, save it.

457
00:23:48,280 --> 00:23:50,120
Speaker 2: Will do when the camera's rolling. And there are two

458
00:23:50,160 --> 00:23:52,560
Speaker 2: or three great moments in it that are completely improvised.

459
00:23:53,840 --> 00:23:57,199
Speaker 2: And yet for years afterwards, years it hurt me that

460
00:23:57,359 --> 00:23:59,720
Speaker 2: he thought I was you were trying to stag him down.

461
00:24:00,760 --> 00:24:05,440
Speaker 2: So literally eight months ago, I see grown up Michael Rappaport.

462
00:24:05,440 --> 00:24:06,879
Speaker 2: He was a bit, he was a baby and so

463
00:24:08,240 --> 00:24:11,600
Speaker 2: frighteningly talented and fresh. And I saw him outside of

464
00:24:11,640 --> 00:24:13,800
Speaker 2: Conye Tez, and I was like Michael, And you know,

465
00:24:13,840 --> 00:24:15,520
Speaker 2: I didn't even need to say it, because we both

466
00:24:16,320 --> 00:24:20,080
Speaker 2: a whole lifetime is gone by, right. Similarly, I did

467
00:24:20,080 --> 00:24:23,879
Speaker 2: a thing when I was maybe thirty where I was

468
00:24:23,920 --> 00:24:28,640
Speaker 2: playing Jane Curtin's awful brother on Third Rock from the Sun.

469
00:24:29,160 --> 00:24:30,720
Speaker 2: And I was supposed to be so awful that all

470
00:24:30,720 --> 00:24:33,560
Speaker 2: the aliens decided to take me to a cornfield and

471
00:24:33,600 --> 00:24:37,359
Speaker 2: smash my brains out with a rock, so that he

472
00:24:37,480 --> 00:24:39,680
Speaker 2: was like the big the big brother or the little

473
00:24:39,680 --> 00:24:43,639
Speaker 2: brother from hell. So I show up again, clash of technique.

474
00:24:43,760 --> 00:24:45,760
Speaker 2: I show up already in a character, and I'm like

475
00:24:45,760 --> 00:24:50,440
Speaker 2: giving her noogies and doing stuff. And I stupidly thought,

476
00:24:50,480 --> 00:24:53,040
Speaker 2: you should never make you know, right, we're all growing up.

477
00:24:53,080 --> 00:24:54,960
Speaker 2: You never ever ever should make an assumption. But I

478
00:24:55,359 --> 00:24:58,120
Speaker 2: was thirty. I made the assumption that since she'd worked

479
00:24:58,119 --> 00:25:00,399
Speaker 2: with Belushi and all those guys, she would what I

480
00:25:00,480 --> 00:25:03,000
Speaker 2: was all about. So I'm giving her nogies and doing stuff.

481
00:25:03,000 --> 00:25:04,919
Speaker 2: And when we shot the scene, there's some scene in

482
00:25:04,920 --> 00:25:07,600
Speaker 2: there where I'm like treating her like my little siss

483
00:25:07,600 --> 00:25:09,880
Speaker 2: and I'm rough I'm roughing. I was, and I roughed

484
00:25:09,920 --> 00:25:12,439
Speaker 2: roughhousing her. And so she had this diamond earring to

485
00:25:12,480 --> 00:25:16,400
Speaker 2: two indemonaeirs and I started to gnaw on her ear.

486
00:25:16,440 --> 00:25:19,199
Speaker 2: I was like, and she was going no, no, and

487
00:25:19,240 --> 00:25:20,919
Speaker 2: I thought, oh, this is so brilliant. Well, anyway, she

488
00:25:20,920 --> 00:25:23,760
Speaker 2: didn't think it was brilliant. She didn't like it, and

489
00:25:23,840 --> 00:25:28,120
Speaker 2: she felt violated and rightly, so I just didn't know

490
00:25:28,200 --> 00:25:32,680
Speaker 2: anything about I thought everybody would get it. So thirty four,

491
00:25:32,760 --> 00:25:36,919
Speaker 2: forty years goes by and I'm shooting this thing, this

492
00:25:37,000 --> 00:25:40,080
Speaker 2: Netflix show called The Residents Now, and she comes on

493
00:25:40,760 --> 00:25:44,879
Speaker 2: and I thought, so, I said, Jane, do you remember me?

494
00:25:44,960 --> 00:25:47,919
Speaker 2: She goes, yeah, you bit my ear? And I said

495
00:25:49,520 --> 00:25:52,040
Speaker 2: did I ever say I'm sorry? And she said no.

496
00:25:52,680 --> 00:25:54,679
Speaker 2: I said I'm really sorry and she said okay.

497
00:25:56,640 --> 00:25:58,920
Speaker 3: And it was like forty years of.

498
00:26:00,400 --> 00:26:03,360
Speaker 2: Because I just love her and I just met her

499
00:26:03,400 --> 00:26:06,440
Speaker 2: at the you know, like I, you just make one

500
00:26:06,480 --> 00:26:09,119
Speaker 2: wrong assumption and you think she's gonna get me and

501
00:26:09,160 --> 00:26:13,000
Speaker 2: she's gone and she didn't like it, and and decades later,

502
00:26:13,160 --> 00:26:19,840
Speaker 2: I was like, I'm so so sorry, and she was like, oh, okay, done.

503
00:26:24,280 --> 00:26:26,120
Speaker 2: Do you know what I'd like to propose we all

504
00:26:26,119 --> 00:26:30,600
Speaker 2: need to start saying stomach like Argentinians. Because this friend

505
00:26:30,600 --> 00:26:33,080
Speaker 2: of mine I was coaching in recently, had I coached

506
00:26:33,119 --> 00:26:36,639
Speaker 2: young actors. I really enjoy it, and he said I

507
00:26:36,680 --> 00:26:39,080
Speaker 2: have to stop. My stomach hurts, and I thought, we

508
00:26:39,160 --> 00:26:41,959
Speaker 2: need we need to all say stomach instead of stomach

509
00:26:42,200 --> 00:26:45,160
Speaker 2: because that's the way it looks. Yes, looks like stummach. Yeah,

510
00:26:45,240 --> 00:26:49,960
Speaker 2: why are we saying stomach and victuals is written victuals.

511
00:26:50,119 --> 00:26:53,160
Speaker 2: But so why don't we just start saying stomach? Why

512
00:26:53,160 --> 00:26:55,160
Speaker 2: don't we just start to Also sounds like a small

513
00:26:56,800 --> 00:27:02,000
Speaker 2: even stomach on tams. This fabulous scows.

514
00:27:01,560 --> 00:27:08,200
Speaker 1: That previously we had been discussing noxious gases potentially within

515
00:27:08,320 --> 00:27:09,240
Speaker 1: one stommach.

516
00:27:10,440 --> 00:27:11,240
Speaker 2: Yes, yeah, you.

517
00:27:11,280 --> 00:27:12,680
Speaker 3: Almost maybe do a real spin take.

518
00:27:12,760 --> 00:27:15,639
Speaker 2: Now here's the funny thing about I will not do

519
00:27:15,760 --> 00:27:20,320
Speaker 2: one on camera as written if somebody writes a spit take,

520
00:27:20,560 --> 00:27:23,000
Speaker 2: but I don't think there's anything I love more than

521
00:27:23,040 --> 00:27:25,320
Speaker 2: an organic real space. You almost maybe do a spin

522
00:27:25,359 --> 00:27:28,480
Speaker 2: take because I must expect you to say stummage almost

523
00:27:28,600 --> 00:27:30,520
Speaker 2: literally just ejaculated.

524
00:27:30,760 --> 00:27:33,640
Speaker 3: I waited, I waited, I almost ejaculated.

525
00:27:33,680 --> 00:27:38,000
Speaker 2: Mountain Valley, spring water all the way to Marina del

526
00:27:38,080 --> 00:27:41,760
Speaker 2: rey because it was so unexpected and it would have

527
00:27:41,800 --> 00:27:44,320
Speaker 2: been the only time I've ever done one on camera

528
00:27:44,359 --> 00:27:46,399
Speaker 2: because I I only want to do them in real life.

529
00:27:46,760 --> 00:27:49,159
Speaker 3: They're so good in real life there, so first of all,

530
00:27:49,200 --> 00:27:50,000
Speaker 3: it goes out your nose.

531
00:27:50,920 --> 00:27:52,800
Speaker 2: But that like when it's in the script, I don't

532
00:27:52,800 --> 00:27:55,679
Speaker 2: want to do it right, like no, no, no, no, you

533
00:27:55,680 --> 00:27:56,600
Speaker 2: have to make it around it.

534
00:27:57,800 --> 00:28:00,600
Speaker 3: It's like crying. If it says cry, I can't cry.

535
00:28:00,920 --> 00:28:03,640
Speaker 2: Do you want to talk about your audio books? Really

536
00:28:03,680 --> 00:28:06,200
Speaker 2: there's just audiobooks, But there is there one you hated.

537
00:28:06,840 --> 00:28:09,800
Speaker 2: Oh golly, yes there was one I did. And here's

538
00:28:10,280 --> 00:28:12,960
Speaker 2: don't see what it was? Huh, what's that? Don't say

539
00:28:12,960 --> 00:28:15,320
Speaker 2: what it was? Well, here's I'm going to tell you

540
00:28:15,400 --> 00:28:18,719
Speaker 2: why it was difficult. Okay, So try to follow this

541
00:28:18,760 --> 00:28:23,359
Speaker 2: because even I couldn't. It was a novelization. It was

542
00:28:23,400 --> 00:28:28,440
Speaker 2: an English novelization, which was the translation of a Japanese

543
00:28:28,680 --> 00:28:36,120
Speaker 2: novelization of a Japanese video game. So everything was lost

544
00:28:36,320 --> 00:28:39,680
Speaker 2: and it made no sense. And I read it and

545
00:28:39,720 --> 00:28:41,280
Speaker 2: read it, and every once in a while and opened

546
00:28:41,280 --> 00:28:44,360
Speaker 2: the studio door and I go, what does it? And

547
00:28:44,400 --> 00:28:48,160
Speaker 2: the whatever audio? So you're reading the translated English I'm

548
00:28:48,200 --> 00:28:54,400
Speaker 2: reading an English translation of a Japanese novelization of a

549
00:28:54,520 --> 00:28:55,440
Speaker 2: Japanese video game.

550
00:28:55,520 --> 00:28:58,160
Speaker 3: So the whole thing was and then the characters were.

551
00:28:58,000 --> 00:29:02,240
Speaker 2: Called like Man, and then there was Spirit, and then

552
00:29:02,280 --> 00:29:04,600
Speaker 2: there was I don't know what else, but it was.

553
00:29:05,280 --> 00:29:07,920
Speaker 2: And I kept opening the door to say to my

554
00:29:08,080 --> 00:29:10,960
Speaker 2: engineer what does it mean? Like what does this even mean?

555
00:29:11,680 --> 00:29:15,080
Speaker 2: And to my engineer's credit, because they're all really witty.

556
00:29:15,400 --> 00:29:18,320
Speaker 2: Instead of answering, it's like, this is the door. I go,

557
00:29:18,960 --> 00:29:21,479
Speaker 2: what does it even mean? And they go and they

558
00:29:21,600 --> 00:29:24,360
Speaker 2: just shut the door in my face, which was the answer.

559
00:29:24,440 --> 00:29:26,520
Speaker 2: The answer was, I don't know, let's just get it done.

560
00:29:26,560 --> 00:29:29,720
Speaker 2: So questions. So as somebody who I've done over four

561
00:29:29,800 --> 00:29:31,680
Speaker 2: hundred audiobooks.

562
00:29:31,280 --> 00:29:36,160
Speaker 3: As somebody who probably takes on a character with each gig, yeah, here,

563
00:29:36,280 --> 00:29:39,320
Speaker 3: you couldn't lock into that, so you just had to

564
00:29:39,320 --> 00:29:41,720
Speaker 3: say the words and get out. I kind of decided

565
00:29:41,760 --> 00:29:44,600
Speaker 3: to be kind of kind of misty and weird.

566
00:29:46,240 --> 00:29:49,600
Speaker 2: You made it your own anywhere, did you really? Of

567
00:29:49,600 --> 00:29:51,960
Speaker 2: course you gotta do something. Somebody's going to listen to

568
00:29:52,040 --> 00:29:52,840
Speaker 2: it on a train ride.

569
00:29:52,880 --> 00:29:55,800
Speaker 3: So so when you say man, when you say the character.

570
00:29:55,520 --> 00:29:57,200
Speaker 2: So I was like, it all takes place in the

571
00:29:57,320 --> 00:29:59,480
Speaker 2: dream world kind of in between lives.

572
00:30:00,360 --> 00:30:04,000
Speaker 3: So it's like it's like, you, guys, you have no idea.

573
00:30:03,280 --> 00:30:05,400
Speaker 2: So it's like, let's say that. And I did another

574
00:30:05,440 --> 00:30:07,920
Speaker 2: book like this. It's like Stephen and Bronson are talking

575
00:30:07,960 --> 00:30:10,320
Speaker 2: and they're in this world. And then Stephen and Bronson

576
00:30:10,480 --> 00:30:13,280
Speaker 2: die and their souls are having a talk in this

577
00:30:13,560 --> 00:30:16,400
Speaker 2: like limbo, and they have no they have no sex,

578
00:30:16,400 --> 00:30:17,880
Speaker 2: they have no gender, they have no They're just the

579
00:30:17,880 --> 00:30:21,640
Speaker 2: souls of Stephen. That's why it's man and other man.

580
00:30:22,680 --> 00:30:24,400
Speaker 2: And then this other book I did. Then those two

581
00:30:24,440 --> 00:30:28,240
Speaker 2: souls get reincarnated and one of them is the table

582
00:30:28,880 --> 00:30:33,000
Speaker 2: and the other one is Madonna's ass, and then they

583
00:30:33,120 --> 00:30:36,120
Speaker 2: die and they're reincarnated again. So at least the one

584
00:30:36,200 --> 00:30:37,800
Speaker 2: I'm talking about, it was a wonderful book called The

585
00:30:37,880 --> 00:30:40,320
Speaker 2: Years of Rice and Salt that was neat because every

586
00:30:40,360 --> 00:30:44,280
Speaker 2: time the souls were reincarnated they had a different relationship,

587
00:30:44,280 --> 00:30:46,760
Speaker 2: but they still felt for each other. But the one

588
00:30:46,800 --> 00:30:52,360
Speaker 2: I'm talking about it was like where this was like

589
00:30:52,400 --> 00:30:56,200
Speaker 2: the geography was like there's the space, and there's the waves,

590
00:30:56,440 --> 00:31:00,000
Speaker 2: and there's the mist. I'm in the mists. Where are you?

591
00:31:00,800 --> 00:31:03,240
Speaker 2: I mean, I mean I don't know, So I just

592
00:31:03,240 --> 00:31:05,280
Speaker 2: did it kind of like that. And every once in

593
00:31:05,320 --> 00:31:13,000
Speaker 2: a while I would take a rusty hunting knife and

594
00:31:13,080 --> 00:31:16,320
Speaker 2: I would start to got myself and then I would all, right,

595
00:31:16,320 --> 00:31:17,680
Speaker 2: here's the funniest one I ever did.

596
00:31:17,720 --> 00:31:19,960
Speaker 3: I swear to God, the funniest one I ever did.

597
00:31:20,160 --> 00:31:22,560
Speaker 2: Sometimes I have great ideas for voices, and sometimes I

598
00:31:22,680 --> 00:31:24,720
Speaker 2: just go, all right, I'm gonna do you. I say

599
00:31:24,760 --> 00:31:27,920
Speaker 2: to my engineer Kyle. Kyle's like, what up, brons, And

600
00:31:27,920 --> 00:31:32,959
Speaker 2: I have this with the thousand faunt of protols. So

601
00:31:33,200 --> 00:31:33,600
Speaker 2: I did a.

602
00:31:33,600 --> 00:31:37,160
Speaker 3: Book about pirates and there were seventy five pirates.

603
00:31:36,760 --> 00:31:38,120
Speaker 2: And I didn't know what else to do. And there's

604
00:31:38,120 --> 00:31:40,720
Speaker 2: one guy that every time there was a storm, he'd.

605
00:31:40,560 --> 00:31:44,920
Speaker 3: Go hand me or the guy rut here's something like that,

606
00:31:44,960 --> 00:31:46,600
Speaker 3: And so I just did that like Kyle. So everybody

607
00:31:46,600 --> 00:31:48,719
Speaker 3: else is like, oh my god, but we're coming, We're up.

608
00:31:48,720 --> 00:31:50,800
Speaker 2: And then the Kyle character would go him me the

609
00:31:50,880 --> 00:31:53,800
Speaker 2: rope and it really worked. But anyway, the best one

610
00:31:53,800 --> 00:31:56,600
Speaker 2: of those I ever did was my mother was from Brooklyn.

611
00:31:56,720 --> 00:31:58,520
Speaker 2: When she died, she was ninety four, and when she

612
00:31:58,600 --> 00:32:01,480
Speaker 2: was ninety three, still out all marbles. She's the cutest

613
00:32:01,480 --> 00:32:04,240
Speaker 2: little Brooklyn accent, and she would come in with walnut

614
00:32:04,320 --> 00:32:07,240
Speaker 2: squares and she would say if she was here now,

615
00:32:07,280 --> 00:32:10,200
Speaker 2: she would say, Steven, you're so adorable. Look at that

616
00:32:10,280 --> 00:32:13,000
Speaker 2: blue shirt, but the blue eyes. Oh God. So anyway,

617
00:32:13,280 --> 00:32:15,680
Speaker 2: she would come in with walnut squares. And we were

618
00:32:15,680 --> 00:32:19,160
Speaker 2: doing one book that was like all these universes that

619
00:32:19,200 --> 00:32:20,400
Speaker 2: all had different rulers.

620
00:32:21,040 --> 00:32:23,479
Speaker 3: So there was one lady who was in her nineties

621
00:32:23,480 --> 00:32:25,640
Speaker 3: and she was the ruler of this planet.

622
00:32:25,680 --> 00:32:28,240
Speaker 2: She was the Empress of the planet, and she only

623
00:32:28,280 --> 00:32:31,360
Speaker 2: had one line, which was a pretty funny line, and

624
00:32:31,400 --> 00:32:34,840
Speaker 2: it was she had to go into outer space quickly,

625
00:32:34,880 --> 00:32:36,840
Speaker 2: and there was no passenger plane, so they took a

626
00:32:36,880 --> 00:32:39,400
Speaker 2: cargo plane, and because it was a cargo plane, there

627
00:32:39,400 --> 00:32:42,800
Speaker 2: were no seats. So the pilot is piloting this spacecraft

628
00:32:43,200 --> 00:32:45,480
Speaker 2: and the ninety two year old Empress of the planet

629
00:32:45,720 --> 00:32:48,760
Speaker 2: Xenon is tied with a rope and she's just like

630
00:32:48,920 --> 00:32:55,720
Speaker 2: in weightlessness and the young, you know, perky pilot says,

631
00:32:55,760 --> 00:32:58,240
Speaker 2: to where you're doing really great, and then the Empress

632
00:32:58,280 --> 00:33:00,960
Speaker 2: looks down and says this line. That was her only line.

633
00:33:01,240 --> 00:33:02,640
Speaker 2: And I didn't know what else to do, and I thought, well,

634
00:33:02,640 --> 00:33:04,120
Speaker 2: she's my mom's age. So I'm just gonna do my

635
00:33:04,160 --> 00:33:07,000
Speaker 2: mom's voice. So I did my mom's voice, and I'll

636
00:33:07,000 --> 00:33:09,280
Speaker 2: tell you what the line was. And two seconds after

637
00:33:09,320 --> 00:33:11,680
Speaker 2: I did it, my mom came in with walnut squares

638
00:33:11,720 --> 00:33:14,760
Speaker 2: and my engineer and I to this day, I have

639
00:33:14,800 --> 00:33:17,480
Speaker 2: stitches because we laughed so hard. So, now you do

640
00:33:17,840 --> 00:33:20,080
Speaker 2: the pilot and I'll do the line that I did

641
00:33:20,080 --> 00:33:22,560
Speaker 2: in my mom's voice, say you're doing great. Go ahead,

642
00:33:23,400 --> 00:33:27,480
Speaker 2: you're doing great. Would you do me a favor? Would

643
00:33:27,520 --> 00:33:28,920
Speaker 2: you yourself to death?

644
00:33:29,240 --> 00:33:32,040
Speaker 3: And so then I did it as my mother, and.

645
00:33:33,800 --> 00:33:35,280
Speaker 2: Then so weir. It was kind of funny. But then

646
00:33:35,320 --> 00:33:37,040
Speaker 2: my mother comes in and she's like, put you like

647
00:33:37,080 --> 00:33:38,600
Speaker 2: some walnut squeeze.

648
00:33:39,080 --> 00:33:45,880
Speaker 3: After I had said me a favor? And I know

649
00:33:45,920 --> 00:33:47,400
Speaker 3: my mom's in heaven right now.

650
00:33:47,280 --> 00:33:50,080
Speaker 2: Going don't tell that story. People will think I said

651
00:33:50,080 --> 00:33:54,480
Speaker 2: that that nice Stephen Baldwin. It's just sweet. I would

652
00:33:54,520 --> 00:33:57,600
Speaker 2: never say that. Oh God, that's exactly my mother's voice.

653
00:33:57,600 --> 00:34:06,520
Speaker 2: That's my mother memorys. So she's in the book. Okay.

654
00:34:07,040 --> 00:34:09,520
Speaker 3: Sometimes there's there's a answer you a few questions.

655
00:34:09,600 --> 00:34:11,719
Speaker 2: What is it you want? Linearity?

656
00:34:11,800 --> 00:34:15,640
Speaker 3: Now, No, this is a show called One Bad Movie.

657
00:34:15,920 --> 00:34:19,120
Speaker 3: One Bad Movie is there anyone who's just bad one?

658
00:34:19,200 --> 00:34:22,680
Speaker 1: You were just talking about souls kind of coming back

659
00:34:22,760 --> 00:34:25,920
Speaker 1: and replicating, and you know, yeah.

660
00:34:25,400 --> 00:34:29,040
Speaker 2: As one does you know what I mean? What else

661
00:34:29,040 --> 00:34:29,799
Speaker 2: are they talking about her?

662
00:34:30,120 --> 00:34:30,600
Speaker 3: Myself?

663
00:34:31,000 --> 00:34:31,200
Speaker 2: Yes?

664
00:34:32,120 --> 00:34:36,520
Speaker 3: Called dead Weekend? Yeah, the director Amos Poe writer, director

665
00:34:36,600 --> 00:34:40,120
Speaker 3: Amos Poe, is.

666
00:34:40,120 --> 00:34:43,040
Speaker 2: That too loud? Who prior? You know? I sometimes think

667
00:34:43,080 --> 00:34:45,839
Speaker 2: of myself as a seal at sea world who just

668
00:34:45,880 --> 00:34:47,680
Speaker 2: got a fish head. That's what my laugh is.

669
00:34:48,920 --> 00:34:50,560
Speaker 1: She pull up a shot of Amos for me, would

670
00:34:50,600 --> 00:34:54,680
Speaker 1: you there? He is now Amos Before this picture he

671
00:34:54,760 --> 00:35:00,279
Speaker 1: funded several of his own independent movies through Carloans. First

672
00:35:00,280 --> 00:35:06,799
Speaker 1: of all, he told me that before I signed up to.

673
00:35:06,760 --> 00:35:08,840
Speaker 2: Do this picture, which is so you did it anyway,

674
00:35:08,880 --> 00:35:12,000
Speaker 2: which which is why.

675
00:35:11,640 --> 00:35:13,120
Speaker 3: And like that kind of replication thing.

676
00:35:13,160 --> 00:35:16,520
Speaker 1: So I play a space age soldier, as one does,

677
00:35:16,760 --> 00:35:20,399
Speaker 1: who is trying to track down an alien that's come

678
00:35:20,440 --> 00:35:26,080
Speaker 1: to earth, played by a woman who, in order to

679
00:35:26,120 --> 00:35:33,200
Speaker 1: survive in this atmosphere, must have sex. But each time

680
00:35:33,560 --> 00:35:39,640
Speaker 1: that character has sex the alien she morphs into another woman. Oh,

681
00:35:39,760 --> 00:35:43,760
Speaker 1: as they do so in the film. In the film,

682
00:35:43,800 --> 00:35:48,239
Speaker 1: I have like four or five sex scenes, okay as

683
00:35:48,320 --> 00:35:52,520
Speaker 1: part of the storyline because because she has to survive.

684
00:35:53,239 --> 00:35:57,600
Speaker 3: She must survive. Yeah, right, because so my.

685
00:35:57,760 --> 00:36:03,800
Speaker 1: Character motivated by wanting to capture the alien. Yeah, must

686
00:36:03,880 --> 00:36:06,480
Speaker 1: I'm following, must follow all leads.

687
00:36:06,800 --> 00:36:07,120
Speaker 2: Yeah.

688
00:36:07,160 --> 00:36:10,440
Speaker 1: So, as one would have it, like any good detective,

689
00:36:10,880 --> 00:36:14,000
Speaker 1: I would arrive somewhere and it's a different woman now.

690
00:36:14,200 --> 00:36:15,719
Speaker 3: Yeah, and then she.

691
00:36:15,800 --> 00:36:18,239
Speaker 1: Kind of plays hur alien games on me, and I

692
00:36:18,280 --> 00:36:19,400
Speaker 1: don't really know what's happening.

693
00:36:19,560 --> 00:36:21,560
Speaker 2: So you know, duh.

694
00:36:21,600 --> 00:36:24,320
Speaker 3: It's called a classic species.

695
00:36:24,320 --> 00:36:26,480
Speaker 2: All Right, I can top that. No you can't, Yes,

696
00:36:26,520 --> 00:36:29,320
Speaker 2: I can't. Okay, Okay. So I'm in this movie, the

697
00:36:29,400 --> 00:36:31,640
Speaker 2: name of which I can't even remember, that's how bad

698
00:36:31,680 --> 00:36:36,240
Speaker 2: it was. And in the movie, I play Wins Bronson

699
00:36:36,280 --> 00:36:38,840
Speaker 2: wins No, wait, wait till you want bad movie challenge

700
00:36:38,960 --> 00:36:39,359
Speaker 2: this one.

701
00:36:40,200 --> 00:36:43,239
Speaker 3: Wait wait till you hear it. It's wait this is this?

702
00:36:43,400 --> 00:36:45,800
Speaker 2: Is that good? I don't remember the name of the movie,

703
00:36:46,719 --> 00:36:51,799
Speaker 2: but I was playing the producer of snuff films. Oh

704
00:36:51,840 --> 00:36:54,680
Speaker 2: my gosh, and the souls of the women I have

705
00:36:54,920 --> 00:36:58,840
Speaker 2: snuffed come back. I told you it was a no brainer.

706
00:36:59,160 --> 00:37:02,160
Speaker 2: But the souls of the women I have snuffed come

707
00:37:02,239 --> 00:37:05,320
Speaker 2: back and convince me that they're still alive and invite

708
00:37:05,360 --> 00:37:09,600
Speaker 2: me to bonk them. And then kind of kill me.

709
00:37:10,200 --> 00:37:12,960
Speaker 2: But the director said, but it's just better.

710
00:37:13,000 --> 00:37:14,719
Speaker 3: I'm not even there yet. I'm setting it up.

711
00:37:14,760 --> 00:37:16,560
Speaker 2: So the director said to me, all right, so Bronson,

712
00:37:16,960 --> 00:37:18,720
Speaker 2: what what we're gonna do is, you know, I don't

713
00:37:18,719 --> 00:37:20,759
Speaker 2: move after the after we're gonna just move her. So

714
00:37:21,000 --> 00:37:25,440
Speaker 2: first you're bonking her up against this dirty sink and

715
00:37:25,520 --> 00:37:28,640
Speaker 2: you had to do that Waits in the movie. Yeah,

716
00:37:28,680 --> 00:37:32,120
Speaker 2: So you're bonking her up against the dirty sink, and

717
00:37:32,160 --> 00:37:35,320
Speaker 2: then just don't move. We're going to move her out

718
00:37:35,440 --> 00:37:37,719
Speaker 2: and then we're going to show the audience that she's

719
00:37:37,760 --> 00:37:39,840
Speaker 2: a figment of your imagination. So then you're going to

720
00:37:39,960 --> 00:37:45,160
Speaker 2: keep on just sing the sink, right. So I said cool,

721
00:37:45,200 --> 00:37:46,560
Speaker 2: and he said do you want me to clear the set?

722
00:37:46,600 --> 00:37:48,640
Speaker 2: I said absolutely not. You know what in for a

723
00:37:48,680 --> 00:37:51,319
Speaker 2: diamond for a dollar? So I do the scene and

724
00:37:51,480 --> 00:37:53,960
Speaker 2: I forgot about it. I don't remember the name from

725
00:37:54,200 --> 00:37:57,799
Speaker 2: End of Darkness, from Place to Darkness and then from

726
00:37:57,800 --> 00:37:59,600
Speaker 2: the place. And here's the funny thing about that, I'll

727
00:37:59,640 --> 00:38:01,680
Speaker 2: tell you to second remind me of the title. So

728
00:38:02,280 --> 00:38:04,880
Speaker 2: there's this bunch of guys working on my house in

729
00:38:04,880 --> 00:38:07,640
Speaker 2: Pennsylvania and they're all Stoners, and one of them, says

730
00:38:07,680 --> 00:38:09,399
Speaker 2: to me one day, I forgot I even did the movie.

731
00:38:09,400 --> 00:38:12,920
Speaker 2: He goes, I gotta stop. I gotta stop for a

732
00:38:12,920 --> 00:38:18,880
Speaker 2: week because I swear to god, I was surfering channels

733
00:38:18,960 --> 00:38:23,680
Speaker 2: that and I think, I say, a sink messed him up.

734
00:38:23,960 --> 00:38:27,799
Speaker 2: And I said, no, no, you saw it. Well it

735
00:38:27,800 --> 00:38:30,200
Speaker 2: gets better. So the movie's called what is it called?

736
00:38:30,320 --> 00:38:33,080
Speaker 2: A Place of Darkness? From a place of Darkness? So

737
00:38:33,120 --> 00:38:36,200
Speaker 2: I swear to you that my agent was talking to

738
00:38:36,239 --> 00:38:38,239
Speaker 2: me about three or four different things. And he goes,

739
00:38:39,000 --> 00:38:42,879
Speaker 2: and now Bronson, from a place of darkness. I said, no,

740
00:38:42,920 --> 00:38:44,440
Speaker 2: not today. I thought he just meant I'm going to

741
00:38:44,480 --> 00:38:47,000
Speaker 2: talk to you from the place of darkness. I thought

742
00:38:47,000 --> 00:38:48,640
Speaker 2: he was going to say, like, here's something you're not

743
00:38:48,680 --> 00:38:50,000
Speaker 2: going to want to hear. And I said no, and

744
00:38:50,040 --> 00:38:52,480
Speaker 2: he goes, no, we have to, meaning like I had

745
00:38:52,480 --> 00:38:54,520
Speaker 2: to go film a pick up or something. And he

746
00:38:54,560 --> 00:38:57,040
Speaker 2: go I said I can no, I can't not today.

747
00:38:57,600 --> 00:38:59,560
Speaker 2: He goes, well, it has to happen. And so we're

748
00:38:59,560 --> 00:39:02,000
Speaker 2: talking about for about nothing. I didn't know what was. Actually,

749
00:39:02,040 --> 00:39:04,320
Speaker 2: it's gonna tell me something from a place of darkness.

750
00:39:04,800 --> 00:39:06,880
Speaker 2: But he needed to talk about from a place of

751
00:39:06,960 --> 00:39:10,000
Speaker 2: darkness A pickup shot from a place of darkness to

752
00:39:10,120 --> 00:39:12,920
Speaker 2: Jedi mind trick if you know the joy of what

753
00:39:12,960 --> 00:39:13,279
Speaker 2: we do?

754
00:39:13,360 --> 00:39:20,880
Speaker 1: Hey, John, could you pull up Steve Baldwin sex scene

755
00:39:22,280 --> 00:39:23,160
Speaker 1: Zebra Lounge.

756
00:39:23,719 --> 00:39:26,760
Speaker 2: Zebra Lounge? Oh wait, because if you do Zebra Lounge,

757
00:39:26,960 --> 00:39:29,760
Speaker 2: then I have to do me in bad in Black Monday.

758
00:39:30,680 --> 00:39:35,080
Speaker 1: Please hold it, okay? Having sex with who? When did

759
00:39:35,120 --> 00:39:35,920
Speaker 1: you do these films?

760
00:39:36,000 --> 00:39:38,560
Speaker 2: Early? This is this is a series called Black Monday

761
00:39:38,560 --> 00:39:40,920
Speaker 2: that I did like two years ago, and you had

762
00:39:40,960 --> 00:39:44,239
Speaker 2: the oh this is episodes of the show. This one

763
00:39:44,360 --> 00:39:47,200
Speaker 2: is so anyway, So the director says to me, brass,

764
00:39:47,360 --> 00:39:49,879
Speaker 2: here's my idea. Would you be butt naked? I said yeah,

765
00:39:49,960 --> 00:39:53,120
Speaker 2: because like, what's the point of doing this unless you're fearless?

766
00:39:53,120 --> 00:39:55,360
Speaker 2: I said yeah. So he said cool, you don't need

767
00:39:55,400 --> 00:39:57,520
Speaker 2: a body double. I said no. So he said A right,

768
00:39:57,520 --> 00:40:00,680
Speaker 2: I'm gonna have you screwing two your knae kid, but

769
00:40:00,760 --> 00:40:03,759
Speaker 2: they're fully clothed. I said, as one does. But now

770
00:40:03,880 --> 00:40:08,520
Speaker 2: is the age of of not sensitivity coaches. What is

771
00:40:08,520 --> 00:40:12,400
Speaker 2: it called? You know, it's intimacy intimacy coaches. It's an

772
00:40:12,440 --> 00:40:17,160
Speaker 2: intimacy coach. I'm naked and I'm bonking these two prostitutes, who,

773
00:40:17,160 --> 00:40:21,080
Speaker 2: by the way, were porn actresses, just FYI. So they're in, like,

774
00:40:21,360 --> 00:40:24,360
Speaker 2: you know, some mini skirts and sparkle sparkle halter tops.

775
00:40:24,680 --> 00:40:29,680
Speaker 2: I'm nick naked, sure, and I'm humping them. So I

776
00:40:29,719 --> 00:40:32,640
Speaker 2: said to the makeup I said, I said, you know,

777
00:40:32,719 --> 00:40:35,839
Speaker 2: I'm the character was an ex sex addict who had

778
00:40:35,840 --> 00:40:41,240
Speaker 2: been rehabilitated. And then the characters on Black Monday tempt

779
00:40:41,320 --> 00:40:44,600
Speaker 2: me with drugs to like, you know, fall back in

780
00:40:44,680 --> 00:40:46,560
Speaker 2: the fall back up thing, and so I said, I

781
00:40:46,560 --> 00:40:49,440
Speaker 2: think I'd be really sweaty. So she goes okay, So

782
00:40:49,480 --> 00:40:52,680
Speaker 2: she sprays me all on top to bottom, stop to bottom,

783
00:40:53,160 --> 00:40:55,480
Speaker 2: and I'm all on top of these two prostitutes. So

784
00:40:55,600 --> 00:40:59,160
Speaker 2: the intimacy coach comes up into two things that were genius.

785
00:40:59,680 --> 00:41:03,719
Speaker 2: She comes up with a futon, a pilate's futon, and

786
00:41:03,760 --> 00:41:05,960
Speaker 2: she folds it in fours and she says to me,

787
00:41:05,960 --> 00:41:10,920
Speaker 2: would you arch up? And I said okay, And she

788
00:41:11,000 --> 00:41:14,359
Speaker 2: then she stuck it so that my mid section would

789
00:41:14,360 --> 00:41:18,960
Speaker 2: not even touch any part of the lady underneath me, hermit,

790
00:41:19,160 --> 00:41:24,520
Speaker 2: her crotch. And I said to myself, she's had a

791
00:41:24,640 --> 00:41:30,200
Speaker 2: lot more contact then that she's getting right now. And

792
00:41:30,239 --> 00:41:32,840
Speaker 2: she gets the futon, so they rolled up futon. But

793
00:41:32,880 --> 00:41:35,400
Speaker 2: it gets better, so I said, just spray me and

794
00:41:35,560 --> 00:41:36,719
Speaker 2: do you want us to clear the set?

795
00:41:36,880 --> 00:41:37,160
Speaker 1: No?

796
00:41:37,160 --> 00:41:40,520
Speaker 2: No, no no, I'm already naked. So they sprayed me down,

797
00:41:40,760 --> 00:41:44,240
Speaker 2: and then the intimacy coach comes as the intimacy coaches

798
00:41:44,320 --> 00:41:47,440
Speaker 2: want to do, and and delicately covers my ass with

799
00:41:47,480 --> 00:41:49,600
Speaker 2: a big fluffy towel, which of course ate up all

800
00:41:49,640 --> 00:41:51,480
Speaker 2: the moisture that they just sprayed on it.

801
00:41:52,080 --> 00:41:55,000
Speaker 3: And I said, I don't need that, So she covers

802
00:41:55,000 --> 00:41:55,319
Speaker 3: my ass.

803
00:41:55,320 --> 00:41:57,440
Speaker 2: It eats up all the moisture and then he's like,

804
00:41:57,440 --> 00:41:59,480
Speaker 2: we're rolling and I said, okay, could you could you

805
00:41:59,520 --> 00:42:02,480
Speaker 2: please we me down again? So this teeny weeny adorable

806
00:42:02,600 --> 00:42:06,399
Speaker 2: little lady whose job it was to wet my ass

807
00:42:06,440 --> 00:42:08,920
Speaker 2: comes up and is like, hat has to rewet my ass?

808
00:42:09,800 --> 00:42:13,240
Speaker 2: And then I hump the two porn actresses through futon.

809
00:42:13,520 --> 00:42:15,560
Speaker 2: You know, the key can't make this up. And then

810
00:42:15,600 --> 00:42:18,120
Speaker 2: the intimacy lady comes up and averts arise, uncovered my

811
00:42:18,160 --> 00:42:20,640
Speaker 2: ass again and soaks up all the water so that

812
00:42:20,719 --> 00:42:25,800
Speaker 2: two seconds later they have to wet rewet my butt.

813
00:42:26,480 --> 00:42:29,319
Speaker 3: It's not like the old days, Bronson. But here's the thing.

814
00:42:29,360 --> 00:42:31,440
Speaker 3: That I learned because I thought what I.

815
00:42:31,400 --> 00:42:33,239
Speaker 2: Wanted to do. I'm like, well, I want to do

816
00:42:33,280 --> 00:42:36,799
Speaker 2: it all. I've done opera, I've done everything. I've read

817
00:42:36,800 --> 00:42:40,360
Speaker 2: a porn book under an assumed name. So I was like,

818
00:42:40,360 --> 00:42:41,480
Speaker 2: I want to do everything. I want to see what

819
00:42:41,560 --> 00:42:43,560
Speaker 2: it's like to be naked. And to my shock, I

820
00:42:43,560 --> 00:42:45,279
Speaker 2: don't know if this was your experience, you have to

821
00:42:45,280 --> 00:42:48,600
Speaker 2: tell me. I thought, I want to see what it's like.

822
00:42:48,640 --> 00:42:50,960
Speaker 2: So what happens is everybody comes in and they're like, hi, Brosden,

823
00:42:51,600 --> 00:42:53,680
Speaker 2: you look great. This is gonna be a great scene.

824
00:42:53,680 --> 00:42:55,680
Speaker 2: Like nobody wants to look at your so they're the

825
00:42:55,719 --> 00:42:59,719
Speaker 2: ones that are humiliated and embarrassed in tense and I

826
00:42:59,840 --> 00:43:04,200
Speaker 2: was just naked. Also I wanted I figured, you know,

827
00:43:04,200 --> 00:43:05,560
Speaker 2: how one does you know, like if you're going to

828
00:43:05,640 --> 00:43:07,880
Speaker 2: kiss somebody, sometimes you're like, just get here and just

829
00:43:07,920 --> 00:43:11,160
Speaker 2: kiss me. Let's get So I showed up for the

830
00:43:11,160 --> 00:43:13,000
Speaker 2: scene right before it and I took up all my

831
00:43:13,040 --> 00:43:18,080
Speaker 2: clothes and the director said what are you doing? And

832
00:43:18,160 --> 00:43:21,439
Speaker 2: I said I'm ready and he goes for what that's

833
00:43:21,520 --> 00:43:24,520
Speaker 2: not the scene I did.

834
00:43:24,880 --> 00:43:27,520
Speaker 3: I took up a clothes and he said, what what

835
00:43:27,600 --> 00:43:28,360
Speaker 3: are you doing?

836
00:43:28,560 --> 00:43:31,440
Speaker 2: Why would you do that because I because both scenes

837
00:43:31,440 --> 00:43:32,680
Speaker 2: took place in this bedroom.

838
00:43:33,200 --> 00:43:36,200
Speaker 3: This was a different scene, but that was your prep. No,

839
00:43:36,400 --> 00:43:38,960
Speaker 3: I thought was that the second you know, I thought

840
00:43:39,000 --> 00:43:40,000
Speaker 3: it was the sex scene.

841
00:43:40,400 --> 00:43:42,440
Speaker 2: So I came in. There was a scene where we

842
00:43:42,520 --> 00:43:46,320
Speaker 2: were just talking about something else in that same bedroom.

843
00:43:46,600 --> 00:43:48,319
Speaker 3: Then they gave me the idea to go to bed

844
00:43:48,360 --> 00:43:48,840
Speaker 3: with the two.

845
00:43:48,760 --> 00:43:51,040
Speaker 2: Ladies, and then I came back to the same set

846
00:43:51,120 --> 00:43:53,360
Speaker 2: and humped the ladies. So I thought it was the

847
00:43:53,400 --> 00:43:55,320
Speaker 2: humping scene because I got the numbers wrong. So I

848
00:43:55,680 --> 00:43:59,160
Speaker 2: took up my clothes and he said, just one second,

849
00:44:00,000 --> 00:44:04,520
Speaker 2: what are you doing? What are you doing?

850
00:44:05,080 --> 00:44:08,520
Speaker 3: I said, I'm sorry, ready, I'm ready. We're not doing

851
00:44:08,560 --> 00:44:10,160
Speaker 3: that shot today, Dolly.

852
00:44:14,560 --> 00:44:17,360
Speaker 2: So I did this other show called Ray Donovan, and

853
00:44:17,400 --> 00:44:21,080
Speaker 2: I was playing a sex addict because people love to

854
00:44:21,200 --> 00:44:24,160
Speaker 2: make me do nasty stuff because I played adorable little

855
00:44:24,200 --> 00:44:25,479
Speaker 2: characters before you were born.

856
00:44:25,680 --> 00:44:30,600
Speaker 3: Sure, so the directors seven Bronson, well you don't look

857
00:44:30,600 --> 00:44:32,800
Speaker 3: at little I love you daddy, all right, So lookie,

858
00:44:32,880 --> 00:44:34,680
Speaker 3: I was supposed to be a sex addict.

859
00:44:34,680 --> 00:44:39,840
Speaker 2: That leev Ray Donovan has to come and he was

860
00:44:39,880 --> 00:44:41,200
Speaker 2: me a favorite, so he has to come and save

861
00:44:41,239 --> 00:44:43,920
Speaker 2: me because there's a glory hole, there's a there's a

862
00:44:44,000 --> 00:44:46,080
Speaker 2: there's a Korean glory hole where I haven't paid my

863
00:44:46,120 --> 00:44:49,320
Speaker 2: bill and I go in and I'm humping the glory

864
00:44:49,360 --> 00:44:51,520
Speaker 2: hole and then they grabbed my and won't let me

865
00:44:51,520 --> 00:44:53,239
Speaker 2: go because I haven't paid my bill and they're they're

866
00:44:53,280 --> 00:44:55,239
Speaker 2: hurting me. I'm not making this up.

867
00:44:55,280 --> 00:44:56,799
Speaker 3: You can look at the situation to be in.

868
00:44:57,040 --> 00:44:59,000
Speaker 2: So the director said to me ahead of the time,

869
00:44:59,040 --> 00:45:01,080
Speaker 2: he was British, which is you reminded me of. He said,

870
00:45:01,600 --> 00:45:05,319
Speaker 2: you gotta, you gotta, you gotta promise to drop your

871
00:45:05,320 --> 00:45:07,919
Speaker 2: pants and let me see let me shoot your ass.

872
00:45:07,960 --> 00:45:10,799
Speaker 2: I said, no problem, I don't care. So it's wearing

873
00:45:11,040 --> 00:45:12,960
Speaker 2: like a business shirt because I was playing a newscaster

874
00:45:13,520 --> 00:45:14,919
Speaker 2: and the business shirt. You know, they have those old

875
00:45:14,920 --> 00:45:15,640
Speaker 2: friends come along.

876
00:45:17,320 --> 00:45:22,400
Speaker 7: So he's British ready and I'm so, I said to

877
00:45:22,440 --> 00:45:24,200
Speaker 7: the prop I said to the prop guy, who was

878
00:45:24,239 --> 00:45:25,920
Speaker 7: really cool, I was like, could you go on the

879
00:45:25,960 --> 00:45:29,640
Speaker 7: other side and just put it like, just hurt me

880
00:45:30,520 --> 00:45:32,640
Speaker 7: or put a zip tire or something round, just do something.

881
00:45:32,719 --> 00:45:36,280
Speaker 2: And he goes, well, yeah, but you can see their feet,

882
00:45:36,440 --> 00:45:38,440
Speaker 2: so I'll have to put on high heels and I said,

883
00:45:38,719 --> 00:45:39,880
Speaker 2: put them on please.

884
00:45:40,480 --> 00:45:42,520
Speaker 3: So this is a true story. So he puts on

885
00:45:42,600 --> 00:45:45,560
Speaker 3: high heels. He's just like you know, super manly stunt guy.

886
00:45:45,719 --> 00:45:47,600
Speaker 2: He puts on high heels and he goes behind the

887
00:45:47,640 --> 00:45:50,480
Speaker 2: thing so that you see these heels, and he's hurting

888
00:45:50,480 --> 00:45:55,279
Speaker 2: me and I'm going ah. And while I was doing that,

889
00:45:55,520 --> 00:45:58,479
Speaker 2: the shirt, the business shirt with the long tail, fell

890
00:45:58,480 --> 00:46:01,960
Speaker 2: down and covered my butt. The director is British and

891
00:46:02,000 --> 00:46:06,880
Speaker 2: the and the director is saying, shirt up, Bronson's shirt

892
00:46:07,320 --> 00:46:12,080
Speaker 2: up right, but it comes out shut up, Bronson, shut up,

893
00:46:12,600 --> 00:46:14,280
Speaker 2: And I thought he was saying that I was yelling

894
00:46:14,320 --> 00:46:16,080
Speaker 2: to loud, so I left the shirt down and I

895
00:46:16,120 --> 00:46:21,200
Speaker 2: was going ah, and he's saying.

896
00:46:21,000 --> 00:46:25,800
Speaker 3: Shut up, shut up, because they couldn't use it unless

897
00:46:25,800 --> 00:46:26,840
Speaker 3: you could see my ass.

898
00:46:27,040 --> 00:46:29,680
Speaker 2: So finally, this zip tie is so tight that they

899
00:46:29,680 --> 00:46:34,200
Speaker 2: had to get the paramedic. I'm not at the I'm

900
00:46:34,239 --> 00:46:36,240
Speaker 2: not at the punchline yet, and it's really good because

901
00:46:36,480 --> 00:46:39,360
Speaker 2: I don't write these punchlines. This happened, are you ready?

902
00:46:39,640 --> 00:46:42,000
Speaker 2: So meanwhile the stuntman's back there. This is this super

903
00:46:42,080 --> 00:46:45,400
Speaker 2: like hairy guy. Put the zip tie on, yes, and

904
00:46:45,440 --> 00:46:48,719
Speaker 2: he's in high heels and they're getting the paramedic. And

905
00:46:48,760 --> 00:46:50,640
Speaker 2: it was the paramedics, first day ever, and he's trying

906
00:46:50,640 --> 00:46:52,840
Speaker 2: to cut the zip tie off me, and it's like,

907
00:46:53,040 --> 00:46:54,920
Speaker 2: you know, but to do that you have to grab everything,

908
00:46:54,920 --> 00:47:00,799
Speaker 2: and so I'm going, oh oh, and shit, I'm going out.

909
00:47:02,120 --> 00:47:05,480
Speaker 2: So the stunt guy comes out while I'm doing this

910
00:47:05,560 --> 00:47:08,440
Speaker 2: little operation with surgical scissors, and he says to me

911
00:47:09,040 --> 00:47:12,239
Speaker 2: right near my ear, compassionately, and I'm not making this up.

912
00:47:12,800 --> 00:47:18,520
Speaker 2: If it's any consolation, these heels are killing me. You can't,

913
00:47:19,280 --> 00:47:19,960
Speaker 2: you can't.

914
00:47:20,800 --> 00:47:24,960
Speaker 3: You cannot write better than God. God is the best

915
00:47:25,000 --> 00:47:25,680
Speaker 3: comedy writer.

916
00:47:26,360 --> 00:47:32,279
Speaker 2: Bizarre story, and it was. And he's actors motivation. He

917
00:47:32,560 --> 00:47:36,200
Speaker 2: said it from the heart. He said, if it's I

918
00:47:36,239 --> 00:47:40,040
Speaker 2: have to, I get a little graphic. How long have

919
00:47:40,080 --> 00:47:40,760
Speaker 2: I known you?

920
00:47:40,800 --> 00:47:42,880
Speaker 3: So now I mean how long have I known you?

921
00:47:43,000 --> 00:47:46,600
Speaker 2: Thirty plus years? Yeah, okay, go ahead. So a zip tie?

922
00:47:46,800 --> 00:47:51,879
Speaker 1: Yeah, and it was around your chaft, yes, and or

923
00:47:52,320 --> 00:47:54,120
Speaker 1: that's what I'm asking. Yeah, it used like like a

924
00:47:54,239 --> 00:47:56,440
Speaker 1: ring like mechanism they took It's just a zip and

925
00:47:56,440 --> 00:47:57,560
Speaker 1: it just kept touching it.

926
00:47:57,640 --> 00:47:58,640
Speaker 2: Yeah, and it hurt a lot.

927
00:47:58,760 --> 00:48:00,160
Speaker 3: And I was going, well, now you know it, what

928
00:48:00,160 --> 00:48:01,480
Speaker 3: are those bulls feels like?

929
00:48:02,400 --> 00:48:05,759
Speaker 2: So it was purple and very chilly and they could

930
00:48:05,840 --> 00:48:08,640
Speaker 2: and you know, and and then he got purple.

931
00:48:09,040 --> 00:48:11,680
Speaker 3: Oh yeah, like even after they cut it off.

932
00:48:11,760 --> 00:48:15,520
Speaker 2: No ok. And then during and then the poor the

933
00:48:15,560 --> 00:48:19,000
Speaker 2: poor young paramedic, and I said, he said, it's my

934
00:48:19,080 --> 00:48:21,719
Speaker 2: first day ever. I mean, you can't make a stuff up.

935
00:48:21,840 --> 00:48:23,799
Speaker 2: And I was like, okay, so it was removed by

936
00:48:23,880 --> 00:48:27,239
Speaker 2: a paramedic. Oh yeah, so he's the paramedic. He's just

937
00:48:28,200 --> 00:48:31,080
Speaker 2: I'm sorry. He had a little pair of like nails,

938
00:48:30,880 --> 00:48:33,360
Speaker 2: there's no they were they were scissors that there surgical scissors,

939
00:48:33,360 --> 00:48:37,080
Speaker 2: and they had like humpback whale knubbles on the hurt you.

940
00:48:37,280 --> 00:48:39,400
Speaker 2: And he's like, but in order to get it, you

941
00:48:39,440 --> 00:48:42,839
Speaker 2: got to get under it. So we're all on helping him,

942
00:48:42,840 --> 00:48:45,479
Speaker 2: like move stuff out of the way, and he sort

943
00:48:45,520 --> 00:48:47,600
Speaker 2: of started he must have been nineteen. He's sort of

944
00:48:47,640 --> 00:48:51,480
Speaker 2: started to like try to do it without looking, you

945
00:48:51,480 --> 00:48:53,719
Speaker 2: know what I mean. And so then it hit me

946
00:48:53,800 --> 00:48:56,279
Speaker 2: how wonderfully funny it was. There's like this nineteen year

947
00:48:56,320 --> 00:49:01,120
Speaker 2: old trying to free my junk without looking at it,

948
00:49:01,680 --> 00:49:05,759
Speaker 2: which I made purple and nice cold by wanting to

949
00:49:05,760 --> 00:49:08,200
Speaker 2: be method. And then there's this guy in high heels

950
00:49:08,200 --> 00:49:09,800
Speaker 2: going I'm in pain too.

951
00:49:10,520 --> 00:49:14,200
Speaker 3: You can't. You cannot write better comedy than the universe.

952
00:49:14,239 --> 00:49:20,399
Speaker 3: Do you know the famous story about Olivier on Marathon Man?

953
00:49:20,960 --> 00:49:22,360
Speaker 2: Yeah, why don't you just try acting?

954
00:49:22,960 --> 00:49:25,640
Speaker 3: Can I do you mind if I make that suggestion.

955
00:49:25,360 --> 00:49:28,560
Speaker 2: Okay to you in the future, because that's boring. The

956
00:49:28,600 --> 00:49:31,880
Speaker 2: other thing is the same director started.

957
00:49:32,040 --> 00:49:35,560
Speaker 1: I've I've done some pretty okay work and have never

958
00:49:35,680 --> 00:49:37,960
Speaker 1: had somebody wrap my privates in a frick.

959
00:49:38,880 --> 00:49:41,439
Speaker 2: I always say, and I say to my the young

960
00:49:41,520 --> 00:49:44,720
Speaker 2: people that I coach, I say, as a last resort,

961
00:49:44,960 --> 00:49:49,799
Speaker 2: act otherwise just be just do it, because acting just

962
00:49:50,360 --> 00:49:51,800
Speaker 2: you know, it's like vanilla extract.

963
00:49:52,360 --> 00:49:55,279
Speaker 3: You imagine Bronson directing something in the future, bring in

964
00:49:55,320 --> 00:49:56,200
Speaker 3: the zip tie.

965
00:49:56,520 --> 00:49:58,440
Speaker 2: But this is how, this is what.

966
00:49:58,320 --> 00:50:01,880
Speaker 3: This is what did realistic acting first came in in

967
00:50:01,880 --> 00:50:02,320
Speaker 3: the fifties.

968
00:50:02,360 --> 00:50:03,520
Speaker 2: Would you zip him tie.

969
00:50:03,440 --> 00:50:04,479
Speaker 3: An actor for a film?

970
00:50:04,480 --> 00:50:07,000
Speaker 2: Ear? Yeah? Or I would say to him, if you

971
00:50:07,080 --> 00:50:09,319
Speaker 2: really want to make the right sound, if you really

972
00:50:09,320 --> 00:50:11,720
Speaker 2: want to sound like a wounded animal called in barbed wire,

973
00:50:13,000 --> 00:50:15,800
Speaker 2: it's zip tie town, and I might okay. So anyway,

974
00:50:15,880 --> 00:50:18,480
Speaker 2: I'm not making this part up either, So we all

975
00:50:18,520 --> 00:50:20,759
Speaker 2: calm down from shut up, shut up, and the zip

976
00:50:20,800 --> 00:50:21,839
Speaker 2: tie in the whole thing, okay.

977
00:50:22,520 --> 00:50:26,120
Speaker 3: And the director is one of those English people who

978
00:50:26,160 --> 00:50:27,320
Speaker 3: always has a great story.

979
00:50:27,920 --> 00:50:31,759
Speaker 2: And all I remember is the first line and I

980
00:50:32,200 --> 00:50:35,200
Speaker 2: bent double laughing, and he said, what's so funny? And

981
00:50:35,200 --> 00:50:38,200
Speaker 2: I'll tell you a second, I said, because only only

982
00:50:38,239 --> 00:50:40,960
Speaker 2: a brit would start a story with that line and

983
00:50:41,120 --> 00:50:43,200
Speaker 2: expect me to get to the middle of the story.

984
00:50:43,800 --> 00:50:46,600
Speaker 2: So do you remember a movie called Ryan's Daughter? What

985
00:50:46,680 --> 00:50:48,920
Speaker 2: is it? Ryan's Daughter? It was a big, beautiful epic.

986
00:50:48,960 --> 00:50:52,080
Speaker 2: It took place in Ireland, beautiful, beautiful of you in

987
00:50:52,080 --> 00:50:56,359
Speaker 2: the sixties, in nineteen seventy. So this a beautiful young woman,

988
00:50:56,440 --> 00:50:59,040
Speaker 2: a beautiful actress named Sarah Miles. She's still at it.

989
00:50:59,560 --> 00:51:02,120
Speaker 2: She was stunning and it was a beautiful movie. So

990
00:51:02,200 --> 00:51:04,600
Speaker 2: he starts the story, which I never heard the middle of,

991
00:51:05,239 --> 00:51:07,280
Speaker 2: or the or any part of because I was laughing

992
00:51:07,320 --> 00:51:09,239
Speaker 2: so hard. So he comes up to just to be

993
00:51:09,360 --> 00:51:12,080
Speaker 2: chummy and just be my buddy, and he says, so,

994
00:51:12,239 --> 00:51:15,240
Speaker 2: you know, as Sarah Miles used to drink around urine,

995
00:51:15,640 --> 00:51:19,480
Speaker 2: and and that's all I heard. I I just was gone.

996
00:51:20,120 --> 00:51:22,600
Speaker 2: I said, who but a brit would start a story

997
00:51:22,719 --> 00:51:25,799
Speaker 2: with Sarah mont You know, Sarah Miles used to drink

998
00:51:25,800 --> 00:51:27,640
Speaker 2: her own urine. I didn't hear the rest of it.

999
00:51:27,719 --> 00:51:29,439
Speaker 2: I never could hear the rest of it because he said,

1000
00:51:29,480 --> 00:51:32,720
Speaker 2: but I haven't gotten to the good pot yet. I said,

1001
00:51:32,800 --> 00:51:36,000
Speaker 2: but that's the that's the part that's making me so happy.

1002
00:51:36,520 --> 00:51:38,880
Speaker 3: You don't think there, you don't you think you're.

1003
00:51:38,760 --> 00:51:41,080
Speaker 2: Gonna top that when if she used to drink cut

1004
00:51:41,120 --> 00:51:42,840
Speaker 2: around urine. So then there was a scene on the

1005
00:51:42,840 --> 00:51:47,280
Speaker 2: same thing in a porn shop, and we were shooting

1006
00:51:47,280 --> 00:51:50,040
Speaker 2: in a real porn shop, the real thing. So everybody breaks,

1007
00:51:50,200 --> 00:51:52,640
Speaker 2: and I don't really like to. I don't like to

1008
00:51:52,640 --> 00:51:55,080
Speaker 2: fool around on sets or take breaks. Well, I want

1009
00:51:55,080 --> 00:51:57,239
Speaker 2: to pace. I want to stay in the scene. So

1010
00:51:57,320 --> 00:52:00,200
Speaker 2: I went and got like one bite of right, and

1011
00:52:00,239 --> 00:52:04,280
Speaker 2: then I came back and I was wearing pretty realistic clothes,

1012
00:52:04,360 --> 00:52:06,800
Speaker 2: and the dude they put at the door said ah,

1013
00:52:08,040 --> 00:52:10,439
Speaker 2: and I said I'm in this, and he goes, yeah, right,

1014
00:52:10,719 --> 00:52:12,279
Speaker 2: And I couldn't get back on the sick because he

1015
00:52:12,280 --> 00:52:14,880
Speaker 2: thought I was just a frickin' pervert who wanted to

1016
00:52:14,920 --> 00:52:16,719
Speaker 2: go in, and I said, I'm in this.

1017
00:52:22,000 --> 00:52:25,120
Speaker 3: In your coaching class, yes, you said.

1018
00:52:26,800 --> 00:52:26,840
Speaker 2: That.

1019
00:52:27,840 --> 00:52:30,200
Speaker 3: More of the idea is to.

1020
00:52:30,280 --> 00:52:33,959
Speaker 2: Just be, Yeah, just be if you're acting, it's gonna Well,

1021
00:52:34,080 --> 00:52:37,719
Speaker 2: I always tell my young people that I'm like, They'll say,

1022
00:52:37,960 --> 00:52:40,480
Speaker 2: you could you look at this? And I say yes,

1023
00:52:40,520 --> 00:52:42,520
Speaker 2: but I'm shooting right now, and I will. Just let's

1024
00:52:42,560 --> 00:52:44,319
Speaker 2: cut to the chase. Why don't you watch it and

1025
00:52:44,360 --> 00:52:47,320
Speaker 2: if it looks like acting, toss it because if it

1026
00:52:47,360 --> 00:52:49,839
Speaker 2: looks like acting, it ain't gonna. I don't. I don't

1027
00:52:49,840 --> 00:52:53,160
Speaker 2: want to see it because well, because the thing is

1028
00:52:54,239 --> 00:52:56,920
Speaker 2: acting is you know, the best the stuff that you

1029
00:52:56,960 --> 00:52:59,239
Speaker 2: just can't ever forget as long as you live, is

1030
00:52:59,320 --> 00:53:03,239
Speaker 2: just they're just being They're not acting. The acting is

1031
00:53:03,280 --> 00:53:06,360
Speaker 2: the last resort. I mean, you know, the last resort.

1032
00:53:06,440 --> 00:53:08,799
Speaker 2: And you and I have both done scenes where you've

1033
00:53:08,800 --> 00:53:10,920
Speaker 2: got an amazing scene partner and then they put a

1034
00:53:10,920 --> 00:53:13,319
Speaker 2: piece of tape on the lens. That's when you have

1035
00:53:13,360 --> 00:53:16,520
Speaker 2: to act. Yeah, you have to act, and that is

1036
00:53:16,560 --> 00:53:18,880
Speaker 2: the last resort. And that's where you bring me. Sometimes

1037
00:53:18,880 --> 00:53:21,120
Speaker 2: it's just don't laugh, yeah, you know, and sometimes it's

1038
00:53:21,200 --> 00:53:22,799
Speaker 2: just don't laugh. But that's where your craft comes in.

1039
00:53:22,840 --> 00:53:25,880
Speaker 2: But other than that, you should just relax and be

1040
00:53:26,239 --> 00:53:28,319
Speaker 2: and then it with you.

1041
00:53:29,640 --> 00:53:32,719
Speaker 1: Is it a lot of that type of Uh, I

1042
00:53:32,760 --> 00:53:33,920
Speaker 1: don't want to see experimentation.

1043
00:53:34,000 --> 00:53:35,480
Speaker 2: But like improvisation.

1044
00:53:35,640 --> 00:53:37,880
Speaker 1: Do you know do you allow them to discover stuff

1045
00:53:37,880 --> 00:53:38,640
Speaker 1: through improvisation?

1046
00:53:38,840 --> 00:53:45,840
Speaker 2: I I I will just say take I was coaching

1047
00:53:45,880 --> 00:53:48,480
Speaker 2: this young fellow. He's so good, and he's doing a

1048
00:53:48,520 --> 00:53:51,160
Speaker 2: thing where I don't know what he had to say.

1049
00:53:51,320 --> 00:53:53,200
Speaker 2: He had to be saying I'm so sorry I did that,

1050
00:53:53,320 --> 00:53:55,360
Speaker 2: and he was kind of okay. It was like acting.

1051
00:53:56,000 --> 00:53:58,400
Speaker 2: And I remembered him telling me that he is the

1052
00:53:58,440 --> 00:54:01,399
Speaker 2: most beautiful little too year old boy that you ever saw.

1053
00:54:01,440 --> 00:54:04,319
Speaker 2: It looks like a little Disney drawing. And I said,

1054
00:54:04,360 --> 00:54:07,560
Speaker 2: did you ever make did you ever make? Ragnar upset?

1055
00:54:07,600 --> 00:54:10,759
Speaker 2: And he goes, yeah, I like I ate all his

1056
00:54:10,840 --> 00:54:14,120
Speaker 2: cookies and then he saw me eating the last one

1057
00:54:14,160 --> 00:54:16,120
Speaker 2: and he started to cry. And I said, well, just

1058
00:54:16,239 --> 00:54:18,080
Speaker 2: stay sorry to him and take all the time you need,

1059
00:54:18,120 --> 00:54:20,040
Speaker 2: but you better see his face, and you know, he

1060
00:54:20,200 --> 00:54:22,719
Speaker 2: just started. It was the most beautiful than you've ever seen.

1061
00:54:22,760 --> 00:54:24,560
Speaker 2: And that was his breakthrough. I was like, just say,

1062
00:54:24,600 --> 00:54:26,759
Speaker 2: started to Ragnar, I don't be sorry. Don't tell me

1063
00:54:26,840 --> 00:54:29,759
Speaker 2: you're sorry that you broke someone's heart. Tell me. And

1064
00:54:29,840 --> 00:54:33,160
Speaker 2: then he got it. And it took a while, but

1065
00:54:33,239 --> 00:54:36,160
Speaker 2: it was the most gorgeous thing you've ever seen. And

1066
00:54:36,200 --> 00:54:40,880
Speaker 2: he has never looked back. It was revelatory.

1067
00:54:41,960 --> 00:54:44,720
Speaker 3: You opened the door for him, and he's never forgotten

1068
00:54:44,719 --> 00:54:45,640
Speaker 3: this thought process.

1069
00:54:45,680 --> 00:54:49,719
Speaker 2: He's so good that it gives me chills. And we

1070
00:54:49,760 --> 00:54:52,040
Speaker 2: had worked together for a couple of years and I

1071
00:54:52,080 --> 00:54:54,319
Speaker 2: would go it would be like two hours, and I

1072
00:54:54,360 --> 00:54:58,160
Speaker 2: was like, just just just let the words out. I

1073
00:54:58,200 --> 00:55:00,400
Speaker 2: don't act it, and he would do, like, you know,

1074
00:55:00,680 --> 00:55:02,720
Speaker 2: an acting face stole and I would say, no acting faces,

1075
00:55:02,760 --> 00:55:06,160
Speaker 2: no squinting, no nothing. Just But then they had this

1076
00:55:06,160 --> 00:55:07,759
Speaker 2: little boy. He didn't even have the little boy when

1077
00:55:07,760 --> 00:55:09,680
Speaker 2: it first started. So he has this little boy, and

1078
00:55:09,680 --> 00:55:11,920
Speaker 2: then he knows where his heart is and then he

1079
00:55:12,000 --> 00:55:14,040
Speaker 2: thought of I just said, just say sorry to him,

1080
00:55:14,080 --> 00:55:16,359
Speaker 2: and that was it. Boom, and he is so good.

1081
00:55:16,440 --> 00:55:20,480
Speaker 2: Now he is so good. Amen, And it's it's wonderful

1082
00:55:20,480 --> 00:55:25,239
Speaker 2: to see. But sometimes I do think I do come

1083
00:55:25,280 --> 00:55:31,239
Speaker 2: this close to saying, let's give up, because it's.

1084
00:55:31,040 --> 00:55:35,000
Speaker 3: It seems impossible, you know, it seems impossible as but as.

1085
00:55:34,840 --> 00:55:37,800
Speaker 2: We know from our own work, you're only ever a

1086
00:55:37,880 --> 00:55:41,160
Speaker 2: quarter of an inch from greatness. A quarter of an inch.

1087
00:55:41,640 --> 00:55:43,759
Speaker 2: It's like right there, it's not a leap.

1088
00:55:43,840 --> 00:55:47,640
Speaker 1: Well, I think it's fair to say that acting specifically,

1089
00:55:47,920 --> 00:55:54,960
Speaker 1: acting is the kind of expression that people can be

1090
00:55:55,000 --> 00:55:57,640
Speaker 1: successful at it that you might not have thought would

1091
00:55:57,680 --> 00:56:01,319
Speaker 1: have been successful. That that's a very fascinating Yeah, you

1092
00:56:01,320 --> 00:56:02,719
Speaker 1: know Melting Pot, well look at.

1093
00:56:02,680 --> 00:56:04,719
Speaker 2: I mean, you know, there was a time in my

1094
00:56:04,760 --> 00:56:08,080
Speaker 2: life when I was just getting started where Joe Peshi

1095
00:56:08,320 --> 00:56:12,120
Speaker 2: in Raging Bull I used to say that, how like,

1096
00:56:12,239 --> 00:56:14,200
Speaker 2: how can it get that good? He was so simple?

1097
00:56:15,040 --> 00:56:17,440
Speaker 2: And I was like, I want to be like that.

1098
00:56:17,480 --> 00:56:19,120
Speaker 2: And I was trying, trying, try and trying, and I

1099
00:56:19,200 --> 00:56:21,800
Speaker 2: was trying to act, and there he was not trying to.

1100
00:56:21,920 --> 00:56:24,960
Speaker 2: And of course deniroed just be like you were saying,

1101
00:56:25,000 --> 00:56:26,440
Speaker 2: and you look at it when you're eighteen and think

1102
00:56:26,480 --> 00:56:29,920
Speaker 2: how do I get there? And you never My big

1103
00:56:29,960 --> 00:56:34,000
Speaker 2: turning point was I was doing an unscripted show where

1104
00:56:34,000 --> 00:56:38,880
Speaker 2: I was building my own house with architectural salvage, and

1105
00:56:38,960 --> 00:56:41,240
Speaker 2: it was called the Bronson Pinchow Project, and I couldn't

1106
00:56:41,239 --> 00:56:44,840
Speaker 2: help noticing that I was Bronson Pinchot. So every time

1107
00:56:45,040 --> 00:56:47,160
Speaker 2: anything would happen, I would just think, oh, that's cool,

1108
00:56:47,239 --> 00:56:48,799
Speaker 2: Like I don't have to do anything because I'm me.

1109
00:56:49,239 --> 00:56:51,319
Speaker 2: It's called the Bronson Pincher project, it's my house and

1110
00:56:51,360 --> 00:56:54,440
Speaker 2: it's for really real my house and I'm and I

1111
00:56:54,440 --> 00:56:57,839
Speaker 2: would go like, okay, you guys, we're gonna do We're

1112
00:56:57,840 --> 00:57:00,920
Speaker 2: gonna do this room and I think, I like this

1113
00:57:01,360 --> 00:57:04,880
Speaker 2: whatever there and and then friends started to call me

1114
00:57:04,880 --> 00:57:06,799
Speaker 2: and they were like, you've never been so good. I said,

1115
00:57:06,800 --> 00:57:09,920
Speaker 2: I'm not doing anything and they said exactly right. And

1116
00:57:10,080 --> 00:57:12,480
Speaker 2: every once in a while. There was one time this

1117
00:57:12,600 --> 00:57:16,840
Speaker 2: antique lamp arrived in a million pieces because it wasn't

1118
00:57:16,880 --> 00:57:20,560
Speaker 2: packed well and I opened it up and I went mm,

1119
00:57:21,240 --> 00:57:23,360
Speaker 2: closed up and gave it and the director said we

1120
00:57:23,400 --> 00:57:26,760
Speaker 2: need to do that again. I said why and he said, well,

1121
00:57:26,840 --> 00:57:28,720
Speaker 2: you need to, you know, get more upset. I said,

1122
00:57:28,720 --> 00:57:30,680
Speaker 2: it was upset, but I need to get on with that.

1123
00:57:30,720 --> 00:57:32,360
Speaker 2: I needed to do my my pro I need to

1124
00:57:32,480 --> 00:57:34,400
Speaker 2: and he goes, no, just give us something. I said, no,

1125
00:57:34,560 --> 00:57:37,720
Speaker 2: I'm Bronson pinchhow it's called the Bronson Pitchroll Project. In

1126
00:57:37,760 --> 00:57:40,280
Speaker 2: real time. I just opened the box. It's broken. It

1127
00:57:40,400 --> 00:57:42,520
Speaker 2: hurt me. I'm done with it. I know who I am,

1128
00:57:42,760 --> 00:57:45,680
Speaker 2: like I it's not gonna get and I said, I

1129
00:57:45,760 --> 00:57:49,240
Speaker 2: just I don't want to do that's real And it

1130
00:57:49,360 --> 00:57:51,840
Speaker 2: was so it was so great. Oh, I had an

1131
00:57:51,840 --> 00:57:53,600
Speaker 2: even better one. All right. So here's the best thing

1132
00:57:53,640 --> 00:57:56,280
Speaker 2: that happened on that show, the best thing ever. This

1133
00:57:56,400 --> 00:58:00,080
Speaker 2: is still the reality show. So the one of the

1134
00:58:00,120 --> 00:58:05,400
Speaker 2: cameraman producers was this fantastic, oh brilliant, wonderful guy and

1135
00:58:05,480 --> 00:58:08,440
Speaker 2: he was from Venezuela and he had shot me for

1136
00:58:08,480 --> 00:58:11,840
Speaker 2: like two years in my own house. And he said,

1137
00:58:11,840 --> 00:58:14,080
Speaker 2: who wants to do? He and my imitation? Bronson? And

1138
00:58:14,120 --> 00:58:16,360
Speaker 2: I thought, it's going to be brilliant because he can't

1139
00:58:16,400 --> 00:58:17,920
Speaker 2: do my voice. He's going to do the way I

1140
00:58:17,920 --> 00:58:20,600
Speaker 2: think because he can't do my voice. So I said,

1141
00:58:20,640 --> 00:58:24,520
Speaker 2: I'll bite. Then he said, okay, I am Bronson. Ask

1142
00:58:24,680 --> 00:58:28,280
Speaker 2: me bron what time is it? And so do that

1143
00:58:28,320 --> 00:58:30,440
Speaker 2: and I'll show you what he did. So I'm Yvonne

1144
00:58:30,480 --> 00:58:35,160
Speaker 2: and you say, Bronzo, what time is it? The light

1145
00:58:36,360 --> 00:58:41,400
Speaker 2: traveling across the ceiling? He's like a p and I

1146
00:58:41,520 --> 00:58:43,920
Speaker 2: was like, in awe, the light, what time is it?

1147
00:58:43,960 --> 00:58:46,280
Speaker 2: The light traveling across the ceiling is a poem? And

1148
00:58:46,320 --> 00:58:48,600
Speaker 2: I was like, that is I knew it was going

1149
00:58:48,680 --> 00:58:50,640
Speaker 2: to be that kind of imitation. It wasn't going to

1150
00:58:50,680 --> 00:58:53,200
Speaker 2: be a rach little imitation. It was going to be

1151
00:58:53,680 --> 00:58:56,920
Speaker 2: here's how your mind works. What time, is it? The

1152
00:58:57,000 --> 00:59:01,160
Speaker 2: light traveling across the ceiling is wonderful because he he

1153
00:59:01,720 --> 00:59:05,200
Speaker 2: you know, in reality as he saw it, just what

1154
00:59:05,240 --> 00:59:08,680
Speaker 2: he saw, and he'd been he'd been you know, he

1155
00:59:08,840 --> 00:59:11,600
Speaker 2: was like watching me through the camera for two years

1156
00:59:11,680 --> 00:59:15,280
Speaker 2: and he was dead right. I'm not interested in anything linear.

1157
00:59:15,360 --> 00:59:17,120
Speaker 2: Will you come back and do the show again?

1158
00:59:17,760 --> 00:59:25,760
Speaker 6: Okay, thanks, it's tydamn, said Sam guilty lessons.

1159
00:59:25,880 --> 00:59:28,640
Speaker 2: This son, this it's so bad.

1160
00:59:28,720 --> 00:59:31,160
Speaker 3: He's the one bad deal.

1161
00:59:31,480 --> 00:59:31,960
Speaker 2: Reason