1 00:00:00,200 --> 00:00:02,520 Speaker 1: That y'all watched the Mandalorian. No, we didn't. You can't 2 00:00:02,560 --> 00:00:04,800 Speaker 1: talk about it because we didn't watch it, So don't 3 00:00:04,840 --> 00:00:10,039 Speaker 1: start going off on the Mandalorian. My wait, you have 4 00:00:10,039 --> 00:00:13,280 Speaker 1: a rule about cursing with things related to Star Wars. Well, 5 00:00:13,320 --> 00:00:15,360 Speaker 1: we're not. Joel is not here, so we're not necessarily 6 00:00:15,360 --> 00:00:18,200 Speaker 1: recording you. I'm recording. Why aren't you recording? Well, I 7 00:00:18,600 --> 00:00:21,599 Speaker 1: am recording. But if you want, Daniel can bleep out 8 00:00:21,720 --> 00:00:24,720 Speaker 1: the curse. Leave the curse, Daniel. But because it's in 9 00:00:24,760 --> 00:00:27,240 Speaker 1: the same sentence as Star Wars, bleep it for him? 10 00:00:28,160 --> 00:00:37,520 Speaker 1: Got it? Is that? Okay? Donald? No cut that out. No, Yeah, listen, man, 11 00:00:37,560 --> 00:00:39,400 Speaker 1: I'm telling you you might not want to talk about it. 12 00:00:39,440 --> 00:00:41,600 Speaker 1: So your your Star Wars girlfriend gets on the line, 13 00:00:41,640 --> 00:00:45,360 Speaker 1: because you're gonna probably be all excited. I know that 14 00:00:45,400 --> 00:00:48,919 Speaker 1: there's big spoilers though, so don't spoil anything. Yeah, they 15 00:00:48,960 --> 00:00:52,120 Speaker 1: just sent me. Lucas Film finally sent me my holiday card. 16 00:00:52,120 --> 00:00:56,640 Speaker 1: I'm excited about that. He wishing you a bountiful new 17 00:00:56,720 --> 00:01:00,440 Speaker 1: year full of laughter, new friends, and unexpected adventures. Happiest 18 00:01:00,440 --> 00:01:04,320 Speaker 1: of holidays to you and your family. PSL the podcast, 19 00:01:04,440 --> 00:01:09,920 Speaker 1: Holy shit, really they love the podcast. There you go, 20 00:01:10,040 --> 00:01:12,319 Speaker 1: probably because you talk about it's like an ad for 21 00:01:12,400 --> 00:01:15,759 Speaker 1: Star Wars every day. Happy Holidays from Lucas Film. They 22 00:01:15,760 --> 00:01:21,200 Speaker 1: are loving the podcast. I love it. Yeah, right now, 23 00:01:21,360 --> 00:01:24,600 Speaker 1: now this part is going in the show's going in 24 00:01:24,640 --> 00:01:27,480 Speaker 1: the show. I love it. I love Donald. I know 25 00:01:27,560 --> 00:01:31,720 Speaker 1: that whatever happened was so impactful that I read someone said, 26 00:01:31,720 --> 00:01:34,640 Speaker 1: don't even look at Twitter trends or yo, don't look 27 00:01:34,959 --> 00:01:39,160 Speaker 1: don't look at anything, or it will ruin everything. It 28 00:01:39,240 --> 00:01:44,200 Speaker 1: will ruin everything here. And I cried like a baby. 29 00:01:44,480 --> 00:01:46,640 Speaker 1: Hold on now, hold on you gets hold you well? 30 00:01:46,640 --> 00:01:48,480 Speaker 1: You cried like a baby. Joel. Did you cry like 31 00:01:48,520 --> 00:01:51,400 Speaker 1: a baby? Did you cry like a baby, Joel, Joel, 32 00:01:51,480 --> 00:01:53,360 Speaker 1: did you cry like a baby? Did you cry like 33 00:01:53,400 --> 00:01:55,640 Speaker 1: a baby this morning? Did you cry like a baby? 34 00:01:56,000 --> 00:01:59,560 Speaker 1: Oh my god. Yeah. They haven't watched it yet. They 35 00:01:59,560 --> 00:02:02,760 Speaker 1: haven't watch it yet. What else did you have to do? 36 00:02:02,840 --> 00:02:08,160 Speaker 1: But when his greatness on your screen, tell them, Joel, 37 00:02:08,720 --> 00:02:11,440 Speaker 1: tell them Joel. No, don't tell us anything, Joel. A 38 00:02:11,440 --> 00:02:15,320 Speaker 1: lot of people won't have seen it. And I I mean, 39 00:02:15,360 --> 00:02:17,320 Speaker 1: I'm sure by the time this airs, if you're a 40 00:02:17,360 --> 00:02:19,280 Speaker 1: fan of the Mandalorian, you'll have watched it. But we 41 00:02:19,400 --> 00:02:21,600 Speaker 1: I haven't watched it yet. We'll watch it tonight. I'm 42 00:02:21,639 --> 00:02:23,679 Speaker 1: just mad that I gotta wait till December of next 43 00:02:23,760 --> 00:02:28,959 Speaker 1: year to see a new episode again. December twenty one. 44 00:02:29,560 --> 00:02:31,800 Speaker 1: Oh my god. But it's gonna be so good. But 45 00:02:31,880 --> 00:02:33,680 Speaker 1: there's so much in between, right, there's gonna be so 46 00:02:33,760 --> 00:02:35,760 Speaker 1: much in between, right, Oh, there's so much in between. 47 00:02:35,800 --> 00:02:38,320 Speaker 1: It's like the the I guess the new movie. The 48 00:02:38,360 --> 00:02:42,520 Speaker 1: movie that's coming out is Rogue Squadron Hetty Jenkins. Laddy 49 00:02:42,600 --> 00:02:45,519 Speaker 1: Jenkins is directing it. I'm really excited about that. There's 50 00:02:45,760 --> 00:02:48,079 Speaker 1: I guess a new Boba Fette show coming. There's a 51 00:02:48,320 --> 00:02:57,959 Speaker 1: Whet Died Huh what No, the actor who played Boba 52 00:02:58,000 --> 00:03:01,960 Speaker 1: Fett in the movie, right, yeah, passed away. The original 53 00:03:02,000 --> 00:03:08,480 Speaker 1: actor who played sorry, yeah, the actor in the original 54 00:03:08,760 --> 00:03:11,480 Speaker 1: movies right and the Empire Strikes Back, and and uh. 55 00:03:11,520 --> 00:03:13,120 Speaker 1: And he was in Return of the Jedi, and he 56 00:03:13,200 --> 00:03:16,560 Speaker 1: was also in uh The Phantom Menace as one of 57 00:03:16,600 --> 00:03:21,680 Speaker 1: the pilots for Queen Amidala, which was no way. Yeah. Yeah, yeah, 58 00:03:21,680 --> 00:03:24,720 Speaker 1: he's one of the shit. Yeah. I just wanted to 59 00:03:24,760 --> 00:03:27,880 Speaker 1: say some good news. We just got Daniel. Can you 60 00:03:27,919 --> 00:03:31,040 Speaker 1: have like a low rumbling drum roll like they what 61 00:03:31,080 --> 00:03:34,800 Speaker 1: are they? What are those large orchestral drums? Yeah? Yeah, 62 00:03:34,880 --> 00:03:38,240 Speaker 1: can you have a timpanie um thing here? That's like 63 00:03:38,320 --> 00:03:40,600 Speaker 1: at the end of Star Wars Bom bom bom bom 64 00:03:40,600 --> 00:03:43,400 Speaker 1: bomb into two thousand and one, bom bom bom bomb. 65 00:03:47,400 --> 00:03:50,720 Speaker 1: I want to remember bom right, but I don't want 66 00:03:50,760 --> 00:03:54,000 Speaker 1: bum bum bum. I want bubb bubb. I got you. 67 00:03:54,000 --> 00:03:57,200 Speaker 1: You got that going, all right? You? Fake Doctor's Real 68 00:03:57,240 --> 00:04:03,080 Speaker 1: Friends is the number one new comedy podcast downloaded in 69 00:04:03,160 --> 00:04:10,360 Speaker 1: twenty It's the most downloaded new comedy podcast of twenty twenty. 70 00:04:11,640 --> 00:04:14,640 Speaker 1: Check that. Thank you, I heart, thank you all of 71 00:04:14,640 --> 00:04:17,200 Speaker 1: our fans. Thank you fans for listening. I really did 72 00:04:17,200 --> 00:04:20,360 Speaker 1: not know that. Thank you. Thank you to our very loyal, 73 00:04:20,400 --> 00:04:24,080 Speaker 1: amazing listeners. That is a big milestone for us. We 74 00:04:24,120 --> 00:04:26,040 Speaker 1: had no idea this would happen, that it would happen 75 00:04:26,120 --> 00:04:28,920 Speaker 1: like this. We just wanted to get on the on 76 00:04:28,960 --> 00:04:32,040 Speaker 1: the internet and talk about, you know, our friendship and 77 00:04:32,680 --> 00:04:34,680 Speaker 1: making scrubs. We had no idea that there were that 78 00:04:34,720 --> 00:04:36,760 Speaker 1: many of you out there who would would be interested 79 00:04:36,800 --> 00:04:39,640 Speaker 1: in this, and so thank you so much for Thank you, 80 00:04:39,720 --> 00:04:45,080 Speaker 1: thank and continue, please continue. We will continue if you continue. Yes, 81 00:04:45,400 --> 00:04:48,359 Speaker 1: and Joel and Daniel. Thank you both for making the 82 00:04:48,480 --> 00:04:52,159 Speaker 1: dream come true. Is our pleasure. It's a lot of fun. 83 00:04:52,200 --> 00:04:55,320 Speaker 1: All right, Let's let the legendary Johnny ce in I forgot. 84 00:04:56,040 --> 00:04:58,000 Speaker 1: I felt bad that we didn't have him for My 85 00:04:58,080 --> 00:04:59,599 Speaker 1: screw Up. So I think we're gonna do a little 86 00:04:59,680 --> 00:05:02,040 Speaker 1: my scho up and then we'll do the new one. 87 00:05:02,080 --> 00:05:07,440 Speaker 1: But we got to talk to him about my screw up. 88 00:05:08,200 --> 00:05:21,560 Speaker 1: Thunder is applause, But John, my god, there he is. 89 00:05:22,680 --> 00:05:29,599 Speaker 1: What I brought him? Handsome? Hello fellas. How good of Zachie. 90 00:05:29,600 --> 00:05:31,839 Speaker 1: I haven't seen you. I get to I have some 91 00:05:32,040 --> 00:05:35,599 Speaker 1: one on one time with Donald. We played golf a 92 00:05:35,600 --> 00:05:38,120 Speaker 1: couple of months ago. Yes we do, so that was good. 93 00:05:38,120 --> 00:05:40,120 Speaker 1: But I don't get to see you, Zachie. I know 94 00:05:40,279 --> 00:05:42,320 Speaker 1: I miss you, sir. I miss you a lot, and 95 00:05:42,520 --> 00:05:45,680 Speaker 1: I'm watching these episodes and we will do lots of 96 00:05:45,720 --> 00:05:48,400 Speaker 1: fawning over you. But you are such a good actor, 97 00:05:48,440 --> 00:05:51,279 Speaker 1: and it's so fun to revisit these and just see 98 00:05:51,839 --> 00:05:55,120 Speaker 1: what an incredible performance you give and continue to give 99 00:05:55,120 --> 00:05:58,919 Speaker 1: in this show. So Johnny, um, well wait till you're settled. 100 00:05:58,960 --> 00:06:01,160 Speaker 1: But I wanted to just say that the fans have 101 00:06:01,279 --> 00:06:04,880 Speaker 1: been clamoring for more Johnny c McGinley, it's everything we 102 00:06:04,920 --> 00:06:07,440 Speaker 1: get is all right? Enough of the bullshit? Where is 103 00:06:07,560 --> 00:06:13,640 Speaker 1: Johnny c McGinley give us Johnny c McGinley respectfully disagree. 104 00:06:13,760 --> 00:06:15,920 Speaker 1: I don't ever try to step on any fans toes. 105 00:06:16,040 --> 00:06:19,160 Speaker 1: But uh, that with Bill, when Bill came back, and 106 00:06:19,320 --> 00:06:24,800 Speaker 1: when with real Bill on there. Uh and then of 107 00:06:24,839 --> 00:06:29,719 Speaker 1: course Josh he the other day was just spectacular. Yeah. Yeah, 108 00:06:29,720 --> 00:06:32,640 Speaker 1: we had a lot of great feedback from the Josh Frady. Yeah, Josh, 109 00:06:32,720 --> 00:06:35,560 Speaker 1: Josh came on and there we had a good show 110 00:06:35,560 --> 00:06:38,200 Speaker 1: with Josh. He did a sting man. Everyone said his 111 00:06:38,279 --> 00:06:40,760 Speaker 1: voice was so soothing, not not even when he was singing. 112 00:06:40,800 --> 00:06:42,880 Speaker 1: When he's I think Josh puts on a little bit 113 00:06:42,920 --> 00:06:45,840 Speaker 1: of a radio voice, you know he was. That's definitely 114 00:06:45,880 --> 00:06:50,359 Speaker 1: a fucking radio voice. Man on this dude got on 115 00:06:50,400 --> 00:06:53,200 Speaker 1: the mica was like, hello, my name was Josh Raiding. Yeah, 116 00:06:53,240 --> 00:06:55,680 Speaker 1: he was seducing the world and I'm gonna drop my 117 00:06:55,800 --> 00:06:58,880 Speaker 1: I'm gonna drop my pitch down a few out there. 118 00:06:58,920 --> 00:07:01,159 Speaker 1: Yeah he did do that. The fuck I need to 119 00:07:01,160 --> 00:07:07,480 Speaker 1: be I wouldn't know Josh's voice from anything other than 120 00:07:09,120 --> 00:07:11,320 Speaker 1: being drunk at four o'clock in the morning. And screaming 121 00:07:11,320 --> 00:07:15,760 Speaker 1: at him how much I love him. So I wouldn't 122 00:07:16,280 --> 00:07:19,920 Speaker 1: I wouldn't know Josh's voice, his real speaking voice if 123 00:07:19,920 --> 00:07:22,000 Speaker 1: they hit me over the fucking kid. But you're right. 124 00:07:22,040 --> 00:07:23,520 Speaker 1: He did do that all of a sudden, and we 125 00:07:23,520 --> 00:07:25,440 Speaker 1: were like okay, and we're recording, and he was like, yeah, 126 00:07:25,480 --> 00:07:27,520 Speaker 1: I just want to say that I love being on 127 00:07:27,560 --> 00:07:29,640 Speaker 1: the radio. And it was like he was It was 128 00:07:29,680 --> 00:07:37,440 Speaker 1: like he was in that uh and a guest ire. Yeah, yeah, 129 00:07:37,480 --> 00:07:39,320 Speaker 1: it was like he was in that sweaty ball sketch. 130 00:07:39,640 --> 00:07:40,800 Speaker 1: I just want to I just want to put those 131 00:07:40,800 --> 00:07:43,120 Speaker 1: sweaty balls in my mouth. I can't wait to eat 132 00:07:43,120 --> 00:07:46,640 Speaker 1: your sweaty balls. Yeah, I love that. I love that sketch. 133 00:07:46,720 --> 00:07:48,520 Speaker 1: That was such a funny sketch like public they were 134 00:07:48,520 --> 00:07:51,040 Speaker 1: like a public access. Yes, we just wanted to say 135 00:07:51,120 --> 00:07:54,160 Speaker 1: that I loved it. How do you how do you 136 00:07:54,240 --> 00:07:57,640 Speaker 1: like to how do you like to eat your sweaty balls? Oh? 137 00:07:57,680 --> 00:07:59,240 Speaker 1: I love it to just pop him in my mouth. 138 00:07:59,720 --> 00:08:03,160 Speaker 1: I with my mouth real wide and I throw those 139 00:08:03,200 --> 00:08:08,920 Speaker 1: sweaty balls in my mouth. Wait. We never counted into 140 00:08:08,920 --> 00:08:15,600 Speaker 1: the song Jenna stories about show we made about a 141 00:08:15,640 --> 00:08:20,880 Speaker 1: bunch of dots and nurses and jan said he's stories 142 00:08:21,640 --> 00:08:34,520 Speaker 1: never so YadA around here, a yadoo around here. We 143 00:08:34,600 --> 00:08:37,840 Speaker 1: are we are fortunate and blessed to have our co 144 00:08:37,960 --> 00:08:42,000 Speaker 1: star Johnny c McGinley on my plan. Um was originally 145 00:08:42,000 --> 00:08:44,400 Speaker 1: gonna have Johnny on for My screw Up, but because 146 00:08:44,440 --> 00:08:48,280 Speaker 1: of Donald's work schedule and COVID and changing everything around, 147 00:08:48,440 --> 00:08:51,679 Speaker 1: it didn't work out because, uh, we actually ended up 148 00:08:51,679 --> 00:08:54,400 Speaker 1: recording at the last minute, and I literally called Josh Rayden. 149 00:08:54,440 --> 00:08:57,760 Speaker 1: I was like, will you be our guest? So, Johnny, 150 00:08:57,840 --> 00:09:00,160 Speaker 1: I just wanted to start off and talk about your 151 00:09:00,200 --> 00:09:03,240 Speaker 1: impressions this many years later seeing My screw Up. You 152 00:09:03,280 --> 00:09:05,560 Speaker 1: know what many of the fans think is is one 153 00:09:05,600 --> 00:09:08,320 Speaker 1: of the finest episodes we did in nine years, and 154 00:09:08,320 --> 00:09:12,720 Speaker 1: it's certainly at the center of it is your incredible performance, 155 00:09:11,840 --> 00:09:14,360 Speaker 1: and I just wanted to hear your thoughts on it 156 00:09:14,800 --> 00:09:18,959 Speaker 1: watching it this many years later. Um, well, I can't. 157 00:09:19,320 --> 00:09:21,600 Speaker 1: I can't start with I mean, I went through the 158 00:09:21,640 --> 00:09:25,600 Speaker 1: episode and the first notes and I'll just bang them. 159 00:09:25,640 --> 00:09:28,960 Speaker 1: I'll just bang them out with you and some well no, 160 00:09:29,080 --> 00:09:32,640 Speaker 1: you guys didn't really touch on these, uh with Joshi, 161 00:09:32,840 --> 00:09:38,440 Speaker 1: so these will be relatively fresh. Uh. I thought that 162 00:09:38,559 --> 00:09:41,080 Speaker 1: Krista looked apt. She always looked beautiful, but I thought 163 00:09:41,120 --> 00:09:45,520 Speaker 1: Krista looked I guess she was between kids and she's 164 00:09:45,559 --> 00:09:51,880 Speaker 1: just killing her jeans, killing it. She just looked like 165 00:09:51,920 --> 00:09:55,760 Speaker 1: a smoke show. Yeah, Zachie, the golf club to the nuts. 166 00:09:56,000 --> 00:09:59,360 Speaker 1: I completely forgot about it. And what the heck did 167 00:09:59,360 --> 00:10:01,360 Speaker 1: you did you have on a big steel plate or something. 168 00:10:01,360 --> 00:10:03,679 Speaker 1: I must have had a big cup on, obviously, and 169 00:10:04,160 --> 00:10:07,040 Speaker 1: more than a cup, because you can't take that without it, 170 00:10:07,120 --> 00:10:10,040 Speaker 1: Man's not a way. Because but also Tara bliss her heart. 171 00:10:10,080 --> 00:10:12,600 Speaker 1: She may not be the most gifted physical comedian. So 172 00:10:12,920 --> 00:10:15,960 Speaker 1: I'm sure that club was just coming back. I don't 173 00:10:16,000 --> 00:10:18,120 Speaker 1: remember it at all, but I do. I can assure 174 00:10:18,120 --> 00:10:20,160 Speaker 1: you I had a cup on. There's a handful of 175 00:10:20,200 --> 00:10:22,559 Speaker 1: times when I would be doing stunts and they'd be like, 176 00:10:22,640 --> 00:10:24,480 Speaker 1: I think you want to cup for this one, and 177 00:10:24,520 --> 00:10:25,679 Speaker 1: I would be like, I just want to come for 178 00:10:25,720 --> 00:10:30,480 Speaker 1: all of them, just in case. Absolutely. Let's that's like 179 00:10:30,559 --> 00:10:33,600 Speaker 1: they have a thing called a it's a girdle that 180 00:10:33,640 --> 00:10:36,800 Speaker 1: you can put on that's from in football. It's almost 181 00:10:36,800 --> 00:10:39,120 Speaker 1: it's a steel from football, but it's called a tortishel 182 00:10:39,240 --> 00:10:42,160 Speaker 1: tortoiseshell and you can put a tortoiseshell girdle on and 183 00:10:42,160 --> 00:10:44,600 Speaker 1: to protect your hips and your lower back, and it 184 00:10:44,640 --> 00:10:47,800 Speaker 1: doesn't read. It's just a thin piece of plastic and 185 00:10:47,960 --> 00:10:50,760 Speaker 1: you just put on you put on the tortoishelf. Your 186 00:10:50,880 --> 00:10:53,600 Speaker 1: your your life is going to be better. Yeah, I think. 187 00:10:53,640 --> 00:10:56,719 Speaker 1: I think once you're definitely better. Yeah, you never. I 188 00:10:56,760 --> 00:10:58,440 Speaker 1: don't remember that one at all. I don't even know 189 00:10:58,480 --> 00:11:00,199 Speaker 1: if that was a real club or if they gave 190 00:11:00,200 --> 00:11:02,320 Speaker 1: a foam end to it or not. But yeah, she 191 00:11:02,440 --> 00:11:05,480 Speaker 1: did take a whack to my grind. Also, you tearing 192 00:11:05,559 --> 00:11:08,559 Speaker 1: into the photo is almost like something I don't know 193 00:11:08,600 --> 00:11:11,600 Speaker 1: if you are versed enough in Jerry Lewis. And that's 194 00:11:11,600 --> 00:11:14,240 Speaker 1: not condescending. There's some people who don't like Jerry Lewis. 195 00:11:14,240 --> 00:11:16,960 Speaker 1: He's a really great physical comedian. And you try to 196 00:11:17,000 --> 00:11:22,320 Speaker 1: tear into the photo completely self generated, and it's completely committed, 197 00:11:22,720 --> 00:11:27,280 Speaker 1: and he totally caught me off guard. And so he's 198 00:11:27,360 --> 00:11:32,520 Speaker 1: such a weakling. He can't rip it. I'm like doing that. Wait, 199 00:11:32,520 --> 00:11:39,760 Speaker 1: hold on, have you ever tried to rip a Polaroid's right? Right, 200 00:11:39,800 --> 00:11:42,079 Speaker 1: So let's let's give JD some credit. It is very 201 00:11:42,080 --> 00:11:45,080 Speaker 1: difficult to rip a polaroid when Brennan says, you've slept 202 00:11:45,120 --> 00:11:47,439 Speaker 1: with both we have something in common. You've slept with 203 00:11:47,480 --> 00:11:50,720 Speaker 1: both of my sisters. We have something in common. That's 204 00:11:50,800 --> 00:11:54,880 Speaker 1: just Bill being devious. Yeah, Yeah, the man has a 205 00:11:54,920 --> 00:11:57,600 Speaker 1: twisted twist. And then he circles back to the joke 206 00:11:57,720 --> 00:11:59,800 Speaker 1: later on when he you guys are walking down the 207 00:11:59,800 --> 00:12:02,800 Speaker 1: whole and he says, I find Danny to be more 208 00:12:02,840 --> 00:12:07,079 Speaker 1: of a of a yeah, and christ is more brutal. 209 00:12:07,600 --> 00:12:10,560 Speaker 1: And it just makes you so, it makes you you, Zach, 210 00:12:10,679 --> 00:12:13,160 Speaker 1: you can see, it's just making you uncomfortable. Well, they 211 00:12:13,200 --> 00:12:17,120 Speaker 1: really do talk, not like Christa and her brother and 212 00:12:17,480 --> 00:12:19,840 Speaker 1: uh and Bill are all close, you know, and they 213 00:12:19,920 --> 00:12:22,480 Speaker 1: must have obviously been the inspo for for some of this. 214 00:12:22,760 --> 00:12:25,800 Speaker 1: And there's definitely times where you're like so cringey around 215 00:12:25,840 --> 00:12:28,000 Speaker 1: them because they do not censor themselves. They're a lot 216 00:12:28,040 --> 00:12:32,320 Speaker 1: like that. I thought when when somebody, oh, there goes 217 00:12:32,880 --> 00:12:38,800 Speaker 1: missus Carlo butt face, uh maybe left. It's just stupid joke. 218 00:12:39,679 --> 00:12:41,920 Speaker 1: It's a stupid joke. But because for the fans, if 219 00:12:41,920 --> 00:12:44,720 Speaker 1: you're listening, if you don't remember, Donald's the plan is 220 00:12:44,720 --> 00:12:47,120 Speaker 1: he's gonna have his mole removed and they're gonna graft 221 00:12:47,240 --> 00:12:51,160 Speaker 1: skin from his ass, and so everyone starts saying, well, 222 00:12:51,240 --> 00:12:54,520 Speaker 1: your name's gonna be butt face, then my name will 223 00:12:54,559 --> 00:12:56,840 Speaker 1: not be butt face. It's not gonna have Turke runs 224 00:12:56,840 --> 00:12:59,240 Speaker 1: around hospital, but you will not be calling me butt face. 225 00:12:59,400 --> 00:13:03,880 Speaker 1: Is not gonna happened, and Elliott goes to town with it. Yeah, 226 00:13:03,880 --> 00:13:06,199 Speaker 1: I thought I thought it was interesting that the writers 227 00:13:06,320 --> 00:13:09,840 Speaker 1: snuck in that Cox had been there for sixty straight hours. 228 00:13:10,320 --> 00:13:13,520 Speaker 1: I guess most of us have never worked sixty straight hours, 229 00:13:13,960 --> 00:13:15,719 Speaker 1: and so I thought that was interesting. And I'm sure 230 00:13:15,760 --> 00:13:17,640 Speaker 1: that must have been a gold mine nugget for me 231 00:13:17,679 --> 00:13:20,760 Speaker 1: back when I was breaking this thing down, that when 232 00:13:21,280 --> 00:13:25,160 Speaker 1: when Brendan does that incompetent puppets thing with Sarah, it 233 00:13:25,160 --> 00:13:30,199 Speaker 1: looks effortless. The two of them, it's just effortless. That 234 00:13:30,320 --> 00:13:32,520 Speaker 1: was such a great moment for both of them. Yeah, 235 00:13:32,559 --> 00:13:34,880 Speaker 1: and then I mean what really kills it though, was 236 00:13:35,280 --> 00:13:37,800 Speaker 1: hard walking away and him falling off the counter like 237 00:13:37,840 --> 00:13:39,920 Speaker 1: he's still tethered to her, you know what I mean? 238 00:13:39,920 --> 00:13:43,800 Speaker 1: It was the two of them. Yeah, they're just both 239 00:13:43,880 --> 00:13:46,320 Speaker 1: really I mean, I think Sarah walks on water, but 240 00:13:46,360 --> 00:13:51,080 Speaker 1: Brendan also, he's really good. He's really good. Yeah, he's 241 00:13:51,200 --> 00:13:55,120 Speaker 1: really good, and watching the episode, you forget how charming is. 242 00:13:55,320 --> 00:13:57,520 Speaker 1: Like this man was an absolute movie star, you know 243 00:13:57,559 --> 00:13:59,960 Speaker 1: what I mean, like big time movie star, biggest movies, 244 00:14:00,520 --> 00:14:02,520 Speaker 1: some of the biggest movies of all time, and so 245 00:14:03,120 --> 00:14:05,880 Speaker 1: you forget you you know, you get caught up in 246 00:14:05,920 --> 00:14:08,240 Speaker 1: the fact that you're just working with another actor, but 247 00:14:08,360 --> 00:14:11,760 Speaker 1: you forget there's a reason why this person has all 248 00:14:11,800 --> 00:14:14,800 Speaker 1: of this stuff behind him, all of this energy behind him. 249 00:14:15,120 --> 00:14:17,240 Speaker 1: And when you watch it on screen and it shows 250 00:14:17,960 --> 00:14:21,200 Speaker 1: you're it's always you're always reminded. Like, so watching this episode, 251 00:14:21,240 --> 00:14:24,400 Speaker 1: like right away, it was like, holy shit, it's kind 252 00:14:24,400 --> 00:14:27,760 Speaker 1: of a fine it's kind of a self serving, kind 253 00:14:27,800 --> 00:14:31,320 Speaker 1: of self rewarding epiphany when you see it and then 254 00:14:31,360 --> 00:14:33,440 Speaker 1: you get to realize it. You think, oh, Brendan so 255 00:14:33,560 --> 00:14:35,600 Speaker 1: handsome and he's so talented, blah blah blah blah. And 256 00:14:35,600 --> 00:14:38,880 Speaker 1: then he just knocks off up a dumb puppet show 257 00:14:38,920 --> 00:14:41,280 Speaker 1: with Sarah all right in the middle of the day 258 00:14:41,360 --> 00:14:43,880 Speaker 1: the shooting. It's a fourteen hour day and they just 259 00:14:43,960 --> 00:14:47,680 Speaker 1: they crush it. Right, Johnny, do you did you have 260 00:14:47,800 --> 00:14:50,680 Speaker 1: the experience watching this knowing the reveal at the end 261 00:14:50,720 --> 00:14:52,800 Speaker 1: in a new way because neither Donald nor I had 262 00:14:52,920 --> 00:14:56,000 Speaker 1: had seen it, you know, since we made it, really 263 00:14:56,080 --> 00:14:57,800 Speaker 1: and it was kind of fun to see all the 264 00:14:57,840 --> 00:15:02,440 Speaker 1: little easter egg hidden mull when um, you know, knowing 265 00:15:03,160 --> 00:15:05,240 Speaker 1: the reveal that you wouldn't know if it was your 266 00:15:05,280 --> 00:15:13,200 Speaker 1: first time. But what really struck me was the how 267 00:15:13,240 --> 00:15:18,040 Speaker 1: seamless the ensemble is. Everybody is. This is season three, 268 00:15:18,640 --> 00:15:21,880 Speaker 1: it's the middle of the season and the writers are cooking. 269 00:15:22,200 --> 00:15:25,320 Speaker 1: I guess Garrett and Neil wrote it, Yes, and yeah 270 00:15:25,360 --> 00:15:29,240 Speaker 1: they did, and and Chris Kotch is in really good 271 00:15:29,280 --> 00:15:31,920 Speaker 1: form directing this thing, and he knows to let the 272 00:15:31,960 --> 00:15:37,760 Speaker 1: horses run and every everybody, Judy and Donald and Zachie 273 00:15:37,880 --> 00:15:40,480 Speaker 1: kind of lifting the whole first act, kind of carrying 274 00:15:40,520 --> 00:15:42,720 Speaker 1: the first act, you know. The pass out through the 275 00:15:42,760 --> 00:15:47,520 Speaker 1: bushes is it's fantastic. It's great. And it looks like you. 276 00:15:47,640 --> 00:15:49,520 Speaker 1: He looks like he scared the living shit out of 277 00:15:49,520 --> 00:15:51,680 Speaker 1: you when he jumps on that car. I think he did. 278 00:15:52,280 --> 00:15:55,080 Speaker 1: I think I think there was the giant pad back 279 00:15:55,120 --> 00:15:58,640 Speaker 1: there and I just fucking leaped into the air backwards 280 00:15:58,640 --> 00:16:01,680 Speaker 1: onto it. It It was awesome. Just establishes a ton of things. 281 00:16:01,720 --> 00:16:04,040 Speaker 1: It doesn't look like your acting. It looks like someone 282 00:16:04,200 --> 00:16:07,160 Speaker 1: scared the piss out of you. And that that's I 283 00:16:07,240 --> 00:16:10,520 Speaker 1: called setting the table. That sets the table, and that 284 00:16:10,720 --> 00:16:14,360 Speaker 1: largely tells us a ton about your relationship with him. Um. 285 00:16:15,200 --> 00:16:20,680 Speaker 1: I was struck by how great, uh the whole the ensemble, 286 00:16:20,800 --> 00:16:23,880 Speaker 1: isn't it? And I heard Donald talking about that scene 287 00:16:23,880 --> 00:16:31,920 Speaker 1: with Kenny in the closet and he's just he's money, 288 00:16:32,160 --> 00:16:36,280 Speaker 1: Vince Vaughan Ley, He's just money. And you know he 289 00:16:36,320 --> 00:16:40,920 Speaker 1: has to affect this crazy almost caricature sometimes and then 290 00:16:40,920 --> 00:16:43,360 Speaker 1: when he wants to shift down into it. You can 291 00:16:43,400 --> 00:16:46,400 Speaker 1: see that he ran the Shakespeare Festival down in Louisville. 292 00:16:46,600 --> 00:16:50,160 Speaker 1: You know he was freaking, you know he was. There's nothing, 293 00:16:50,320 --> 00:16:53,680 Speaker 1: there's nothing non veteran about him. And it's that Chris, 294 00:16:53,680 --> 00:16:56,360 Speaker 1: that Chris Cootch let him have a no look at 295 00:16:56,360 --> 00:17:00,000 Speaker 1: the end of that scene where Judy thanks him or 296 00:17:00,120 --> 00:17:02,960 Speaker 1: or whatever. The button is on the scene and he 297 00:17:03,120 --> 00:17:06,439 Speaker 1: just doesn't know look exit and it's so clean and 298 00:17:06,480 --> 00:17:09,600 Speaker 1: he doesn't have to look back to to accept her 299 00:17:09,640 --> 00:17:12,400 Speaker 1: gratitude or anything. He's done. He said what he means 300 00:17:12,400 --> 00:17:16,760 Speaker 1: to say. Now he's leaving and it's just really clean. 301 00:17:17,160 --> 00:17:19,680 Speaker 1: It's a special moment too. Because you know, like you said, 302 00:17:19,720 --> 00:17:21,679 Speaker 1: I think Ken even articulated this when he was on 303 00:17:21,680 --> 00:17:24,159 Speaker 1: the show, particularly he was talking about season one. He 304 00:17:24,240 --> 00:17:25,919 Speaker 1: felt that he didn't really like it. He felt he 305 00:17:25,960 --> 00:17:28,800 Speaker 1: was too cartoonish and he and he wished he'd been 306 00:17:28,960 --> 00:17:32,480 Speaker 1: directed to be smaller. I you know, we think he's 307 00:17:32,600 --> 00:17:35,040 Speaker 1: hilarious and all of it's perfect, but when you do, 308 00:17:35,119 --> 00:17:37,959 Speaker 1: when when Kelso does get a moment like this finally 309 00:17:37,960 --> 00:17:40,840 Speaker 1: in season three where it's just can being able to 310 00:17:40,920 --> 00:17:45,479 Speaker 1: drop in and be a real, completely empathetic human being, uh, 311 00:17:46,880 --> 00:17:48,879 Speaker 1: you really get a glimpse of the level of actor 312 00:17:49,000 --> 00:17:52,480 Speaker 1: that he is. It's a it's a it's like sure, 313 00:17:53,240 --> 00:17:55,840 Speaker 1: you know, I was watching TV the other night and 314 00:17:55,920 --> 00:18:00,720 Speaker 1: Ken was on Deep Star Trek Generation Next Generation and 315 00:18:00,800 --> 00:18:04,280 Speaker 1: he's working with Will Wheaton on the show, and it's 316 00:18:04,320 --> 00:18:06,399 Speaker 1: a it's a younger Ken Jenkins. It's not you know 317 00:18:06,520 --> 00:18:09,400 Speaker 1: Ken Jenkins when he was doing Scrubs and after it's 318 00:18:09,400 --> 00:18:13,720 Speaker 1: a much younger Ken Jenkins. And I remember thinking, holy, 319 00:18:13,920 --> 00:18:16,600 Speaker 1: you know, he's still he had he had he had 320 00:18:16,680 --> 00:18:19,720 Speaker 1: the chops back then. To do Star Trek isn't no 321 00:18:19,840 --> 00:18:22,320 Speaker 1: easy feat, you know what I mean, if everybody could, 322 00:18:22,560 --> 00:18:24,800 Speaker 1: you know, Star Trek in some ways is like Shakespeare. 323 00:18:24,800 --> 00:18:27,560 Speaker 1: You gotta talk science and sound convincing. In a lot 324 00:18:27,600 --> 00:18:30,960 Speaker 1: of ways. Ken was able to do it no problem. 325 00:18:31,400 --> 00:18:34,080 Speaker 1: It's an easy thing. You watch movies like Courage on 326 00:18:34,160 --> 00:18:37,040 Speaker 1: the Fire and he's in scenes with Denzel Washington and 327 00:18:37,080 --> 00:18:40,520 Speaker 1: you're like, holy shit, Ken freaking this is something he's 328 00:18:40,560 --> 00:18:43,360 Speaker 1: been doing this forever. I can't express it enough. I've 329 00:18:43,359 --> 00:18:45,879 Speaker 1: said it from the beginning. He's like the MVP of 330 00:18:45,880 --> 00:18:48,720 Speaker 1: our crew man because he takes he takes the hate. 331 00:18:49,160 --> 00:18:51,959 Speaker 1: He's the character that everybody loves to hate. He's just 332 00:18:52,000 --> 00:18:55,160 Speaker 1: an MVP. Like whenever the hospital is against the whole 333 00:18:55,680 --> 00:18:59,120 Speaker 1: the whole cast, it's usually Ken's character. It's usually Kelso's 334 00:18:59,160 --> 00:19:02,000 Speaker 1: character who pulls everybody back in to figure shit out, 335 00:19:02,080 --> 00:19:03,520 Speaker 1: you know what I mean. You would think it would 336 00:19:03,520 --> 00:19:06,360 Speaker 1: be Cox or you would think it would be the 337 00:19:06,720 --> 00:19:10,080 Speaker 1: go to mentor, But whenever the hospital's kicking our ass 338 00:19:10,359 --> 00:19:14,480 Speaker 1: and not Ken, he's the one that usually turns us around. 339 00:19:15,200 --> 00:19:17,880 Speaker 1: All right, Well, let's segue Johnny to the to the end, 340 00:19:18,080 --> 00:19:19,879 Speaker 1: because we want to spend a lot of time on 341 00:19:20,160 --> 00:19:23,480 Speaker 1: the next episode. So let's talk about this. First of all, 342 00:19:23,560 --> 00:19:27,040 Speaker 1: your performance. I joined millions of people in saying, this 343 00:19:27,119 --> 00:19:30,399 Speaker 1: is a very very fine performance you give in this episode, 344 00:19:30,880 --> 00:19:34,439 Speaker 1: and um, you know some of everyone's I posted this 345 00:19:34,480 --> 00:19:38,359 Speaker 1: on Twitter the other day. I said, we're going to 346 00:19:38,400 --> 00:19:40,320 Speaker 1: be discussing this moment, and it was a still of 347 00:19:40,400 --> 00:19:42,399 Speaker 1: you and me in the moment you have the realization. 348 00:19:42,440 --> 00:19:46,080 Speaker 1: And the overwhelming response was like, I'm not ready to cry. 349 00:19:46,200 --> 00:19:48,280 Speaker 1: I'm not ready to cry. I can't deal with it 350 00:19:48,320 --> 00:19:52,119 Speaker 1: this many years later, I'm still gonna sob So just 351 00:19:52,200 --> 00:19:55,640 Speaker 1: talk about in particular that that funeral scene. I mean 352 00:19:55,680 --> 00:19:59,679 Speaker 1: you just that moment gives me goose bumps even describing it. 353 00:19:59,720 --> 00:20:01,760 Speaker 1: But and when when I when I say, where do 354 00:20:01,800 --> 00:20:05,560 Speaker 1: you think we are? And you have this realization? Well 355 00:20:05,600 --> 00:20:07,920 Speaker 1: I was. I heard Donald the other day talking about 356 00:20:08,680 --> 00:20:13,160 Speaker 1: going through his divorce, and I was shoved deep in 357 00:20:13,240 --> 00:20:18,000 Speaker 1: a divorce and I was feeling horribly inadequate as a 358 00:20:18,080 --> 00:20:21,760 Speaker 1: dad to a special needs child, and I was going 359 00:20:21,800 --> 00:20:23,840 Speaker 1: to the shrink whenever I wasn't on the set, I 360 00:20:23,920 --> 00:20:29,480 Speaker 1: was working with Barry, and I was trying to wade myself. 361 00:20:29,520 --> 00:20:32,439 Speaker 1: I was trying to chart a course through what was 362 00:20:32,480 --> 00:20:35,199 Speaker 1: really confusing to me as a I'll make it up 363 00:20:35,240 --> 00:20:40,680 Speaker 1: A forty year old man who was I've never been 364 00:20:40,920 --> 00:20:45,600 Speaker 1: more had my chops finer as an actor, and then 365 00:20:45,800 --> 00:20:49,640 Speaker 1: off the set, I felt like a complete and utter failure, 366 00:20:50,359 --> 00:20:55,320 Speaker 1: and I was trying to reconcile that every single waking second. 367 00:20:55,560 --> 00:21:00,119 Speaker 1: And so when I got to do this scene, a 368 00:21:00,160 --> 00:21:05,760 Speaker 1: lot of the inadequacies that were profoundly right in the 369 00:21:05,800 --> 00:21:10,159 Speaker 1: front of my skull were resonating. And so when you 370 00:21:10,160 --> 00:21:14,399 Speaker 1: guys touched me, I couldn't. I couldn't keep it together, 371 00:21:15,720 --> 00:21:17,959 Speaker 1: I wrote, I wrote down in my notebook that there 372 00:21:17,960 --> 00:21:21,040 Speaker 1: that my tribe is scattered, and it's from a poem 373 00:21:21,080 --> 00:21:24,480 Speaker 1: that I found at that time. It's in my notebook 374 00:21:24,680 --> 00:21:28,960 Speaker 1: Um with Covid Layers by Stanley Konans. I'll read it 375 00:21:28,960 --> 00:21:31,160 Speaker 1: to you. And this was what was going through my head, 376 00:21:31,240 --> 00:21:32,720 Speaker 1: or I was trying to keep this in my head. 377 00:21:33,040 --> 00:21:35,120 Speaker 1: And then all of all I could think about was 378 00:21:37,000 --> 00:21:39,960 Speaker 1: what forty years of trying to do the right thing 379 00:21:39,960 --> 00:21:43,400 Speaker 1: and let up to when feeling like an abject failure 380 00:21:43,560 --> 00:21:47,679 Speaker 1: as a father and a husband, and coming back to 381 00:21:47,720 --> 00:21:52,199 Speaker 1: this house every night solo and the whole thing, it 382 00:21:52,280 --> 00:21:55,040 Speaker 1: felt like the floor dropped out. In season three and 383 00:21:55,720 --> 00:22:01,800 Speaker 1: that Billy wrote this for Cox's arc dealt more with loss, 384 00:22:02,040 --> 00:22:05,680 Speaker 1: and the loss that I was trying to reconcile was, 385 00:22:06,960 --> 00:22:10,520 Speaker 1: what do you what's this adding up to? If I 386 00:22:10,560 --> 00:22:16,720 Speaker 1: couldn't be everything whatever I perceived as possible to a 387 00:22:16,760 --> 00:22:20,119 Speaker 1: two or three year old with special needs and a 388 00:22:20,200 --> 00:22:24,640 Speaker 1: failed marriage. And so I came across this thing the layers, 389 00:22:24,920 --> 00:22:28,840 Speaker 1: as I'm always searching for ways that resonate for me. 390 00:22:28,960 --> 00:22:31,880 Speaker 1: And it's a guy named Stanley Kunitz, and he goes, 391 00:22:31,920 --> 00:22:34,720 Speaker 1: I've walked through many lives, some of them my own, 392 00:22:34,840 --> 00:22:37,800 Speaker 1: and I am not who I was, though some principle 393 00:22:37,840 --> 00:22:40,920 Speaker 1: of being abides, from which I struggle not to stray. 394 00:22:41,520 --> 00:22:43,960 Speaker 1: When I look behind, as I'm compelled to look before 395 00:22:43,960 --> 00:22:46,760 Speaker 1: I can gather strength to proceed on my journey, I 396 00:22:46,840 --> 00:22:49,760 Speaker 1: see the milestones dwindling toward the horizon, and the slow 397 00:22:49,800 --> 00:22:54,480 Speaker 1: fires trailing from the abandoned campsites, over which scavenger angels 398 00:22:54,560 --> 00:22:57,840 Speaker 1: wheel on heavy wings. Oh, I have made a tribe 399 00:22:58,160 --> 00:23:01,760 Speaker 1: out of my true affections, and my tribe is scattered. 400 00:23:02,520 --> 00:23:05,800 Speaker 1: How shall the heart be reconciled to its feast of losses? 401 00:23:06,280 --> 00:23:09,320 Speaker 1: In a rising wind? The manic dust of my friends, 402 00:23:09,440 --> 00:23:13,240 Speaker 1: those who fell along the way bitterly stings my fades. 403 00:23:13,720 --> 00:23:17,560 Speaker 1: Yet I turn, I turn, exalting somewhat with my will 404 00:23:17,680 --> 00:23:20,840 Speaker 1: intact to go wherever I need to go. And every 405 00:23:20,880 --> 00:23:24,240 Speaker 1: stone of the road presses to me. In my darkest night, 406 00:23:24,280 --> 00:23:27,280 Speaker 1: when the moon's covered and I roamed through the wreckage, 407 00:23:27,640 --> 00:23:31,520 Speaker 1: a nimbus clouded voice directed me live in the layers, 408 00:23:32,040 --> 00:23:34,520 Speaker 1: not on the litter. And though I lack the art 409 00:23:34,560 --> 00:23:36,760 Speaker 1: to decipher it, no doubt the next chapter of my 410 00:23:36,840 --> 00:23:40,000 Speaker 1: book of transformations is already written. And I am not 411 00:23:40,160 --> 00:23:42,760 Speaker 1: done with my changes. And that's what I brought to 412 00:23:42,800 --> 00:23:47,439 Speaker 1: that funeral, and it resonates to me for me to 413 00:23:47,520 --> 00:23:53,040 Speaker 1: this day. And because I couldn't organize what I couldn't 414 00:23:53,119 --> 00:23:55,600 Speaker 1: organize what was going on in the shrink's office every 415 00:23:55,680 --> 00:23:58,560 Speaker 1: day away from the set, and so I needed to 416 00:23:58,640 --> 00:24:01,919 Speaker 1: lean into Cunan his piece. And then you guys were 417 00:24:02,000 --> 00:24:07,879 Speaker 1: unbelievably supportive. And ah, we had Olympia Tococcus as a 418 00:24:07,920 --> 00:24:10,600 Speaker 1: master teacher at NYU, and one of her the whole 419 00:24:10,600 --> 00:24:13,480 Speaker 1: things about weeping in front of the class, which is 420 00:24:13,520 --> 00:24:16,080 Speaker 1: all actors want to do. She used to say that 421 00:24:16,320 --> 00:24:19,399 Speaker 1: in Vegas terms, when you go to Vegas, there's a 422 00:24:19,440 --> 00:24:22,240 Speaker 1: shoe which is about eight decks of cards and they're 423 00:24:22,240 --> 00:24:25,720 Speaker 1: all shuffled. And she always told us to keep a 424 00:24:25,720 --> 00:24:29,280 Speaker 1: few in the shoe. And I tried. I tried, but 425 00:24:29,960 --> 00:24:33,080 Speaker 1: I couldn't keep it together. It's tough. That's that's a 426 00:24:33,200 --> 00:24:35,760 Speaker 1: very hard you know. There are some actors who can 427 00:24:35,920 --> 00:24:38,119 Speaker 1: do that, and God bless them, and that's why they 428 00:24:38,160 --> 00:24:41,199 Speaker 1: win awards and the freaking Academy Awards and stuff. But 429 00:24:41,280 --> 00:24:44,480 Speaker 1: once I get to the point where I release, it's 430 00:24:44,640 --> 00:24:47,560 Speaker 1: coming out. It's coming. It's not stopping. I'm sorry. I 431 00:24:47,640 --> 00:24:49,200 Speaker 1: wish I could stop it. I wish I could pull 432 00:24:49,240 --> 00:24:52,280 Speaker 1: it back in and then regenerate that energy again. But 433 00:24:52,359 --> 00:24:56,640 Speaker 1: once it starts, it's like keeping let's roll, just keep 434 00:24:56,760 --> 00:24:59,000 Speaker 1: rolling and start all over, or however we need to 435 00:24:59,040 --> 00:25:01,760 Speaker 1: get this because I'm going to I can't stop crying. 436 00:25:01,760 --> 00:25:03,159 Speaker 1: I have such a hard time at that. You know what, 437 00:25:03,160 --> 00:25:05,320 Speaker 1: It's really powerful, Johnny, when the camera pushes in on 438 00:25:05,359 --> 00:25:12,040 Speaker 1: you and you're crying and you allow JD to put 439 00:25:12,080 --> 00:25:14,040 Speaker 1: his hand on his shoulder. I thought that was very 440 00:25:14,119 --> 00:25:16,240 Speaker 1: moving because that's all that's all you're going to allow, 441 00:25:16,880 --> 00:25:20,280 Speaker 1: and that's all JD, you know, reads the moment, and 442 00:25:20,359 --> 00:25:23,800 Speaker 1: that's all It's appropriate obviously, and then the camera pushes 443 00:25:23,800 --> 00:25:25,440 Speaker 1: in on you and your crying, but you also see 444 00:25:25,440 --> 00:25:29,320 Speaker 1: your jaw, your classic Johnny c jaw moving, and I 445 00:25:29,440 --> 00:25:35,879 Speaker 1: was thinking that, like Cox is is just going to 446 00:25:35,960 --> 00:25:39,400 Speaker 1: be as still in stoic as he can, but he 447 00:25:39,760 --> 00:25:42,280 Speaker 1: as he usually is, but he can't control the fact 448 00:25:42,359 --> 00:25:44,200 Speaker 1: that these tears are just going to start streaming down 449 00:25:44,200 --> 00:25:47,159 Speaker 1: his face. And so my interpretation was the muscles in 450 00:25:47,200 --> 00:25:49,919 Speaker 1: your face were like it was everything he could do 451 00:25:50,000 --> 00:25:53,479 Speaker 1: to try and fight the emotion, but he but he 452 00:25:53,520 --> 00:25:55,159 Speaker 1: was losing that battle and they were just going to 453 00:25:55,200 --> 00:25:58,200 Speaker 1: fly down his face. I could hear Olympia saying keep 454 00:25:58,200 --> 00:26:00,320 Speaker 1: a few in the shoe, and yeah, I was battling. 455 00:26:00,480 --> 00:26:03,680 Speaker 1: And I love when we can see actors battle against shit. 456 00:26:03,760 --> 00:26:06,160 Speaker 1: But yeah, I will also tell you, in all fairness, 457 00:26:06,520 --> 00:26:09,360 Speaker 1: when when I think Christoph first and then and then 458 00:26:09,640 --> 00:26:13,080 Speaker 1: you touched me, there was no Cox there that I 459 00:26:13,160 --> 00:26:17,480 Speaker 1: was craving human engagement. That wasn't Cox, that was I 460 00:26:17,560 --> 00:26:23,640 Speaker 1: was McKinley. I was like somebody fucking yeah, And none 461 00:26:23,680 --> 00:26:25,119 Speaker 1: of that was written. We just kind of, like I 462 00:26:25,160 --> 00:26:29,479 Speaker 1: think we both Kristy and I um figured out what 463 00:26:29,520 --> 00:26:33,280 Speaker 1: we would do in that situation, you know, It's a 464 00:26:33,320 --> 00:26:35,879 Speaker 1: powerful thing that Jordan, the way Jordan is. You know, 465 00:26:35,960 --> 00:26:41,159 Speaker 1: she's selfless in in this situation where you know, she 466 00:26:41,320 --> 00:26:46,520 Speaker 1: lost her brother, but she understands that Cox is hurting 467 00:26:46,560 --> 00:26:49,119 Speaker 1: way more than she is. You know, she might be 468 00:26:49,200 --> 00:26:51,359 Speaker 1: hurting just as much as he is, but she's willing 469 00:26:51,440 --> 00:26:55,159 Speaker 1: to sacrifice that pain and push that pain down. Now 470 00:26:55,160 --> 00:26:57,920 Speaker 1: we're kind of jumping into the next episode, but she's 471 00:26:57,920 --> 00:27:02,159 Speaker 1: willing to sacrifice that pain and push it down, bury 472 00:27:02,200 --> 00:27:07,679 Speaker 1: it to support her fragile husband and that or fragile boyfriend. 473 00:27:07,720 --> 00:27:10,600 Speaker 1: And I thought that was I thought that was really powerful. 474 00:27:10,600 --> 00:27:14,680 Speaker 1: I thought that was very, very, very very We didn't 475 00:27:14,680 --> 00:27:17,639 Speaker 1: we don't ever see that of Jordan, you know. And 476 00:27:17,640 --> 00:27:20,159 Speaker 1: and well, I think, you know, if you think, if 477 00:27:20,200 --> 00:27:24,040 Speaker 1: you take the inspiration, Jordan is like Christa in in 478 00:27:24,080 --> 00:27:26,040 Speaker 1: a lot of ways. Well, I was gonna say, you know, 479 00:27:26,080 --> 00:27:28,000 Speaker 1: it took a while for Christa to warm up too, 480 00:27:28,080 --> 00:27:31,000 Speaker 1: Like no, but I'm saying I'll tell you Christa has 481 00:27:31,000 --> 00:27:33,000 Speaker 1: a lot in common with Jordan. She's obviously written for 482 00:27:33,160 --> 00:27:37,240 Speaker 1: and she can be very tough and hardened. But then 483 00:27:37,320 --> 00:27:39,679 Speaker 1: when you get to know where and the moment calls 484 00:27:39,720 --> 00:27:41,760 Speaker 1: for it, you will not find a more loyal, loving, 485 00:27:41,880 --> 00:27:45,600 Speaker 1: care the supported person. I've had some dark moments in 486 00:27:45,640 --> 00:27:48,800 Speaker 1: my life and that woman has always been there for 487 00:27:48,880 --> 00:27:51,200 Speaker 1: me and said come over and we're gonna have wine 488 00:27:51,240 --> 00:27:56,560 Speaker 1: and we're gonna talk, and she and so, you know, 489 00:27:56,680 --> 00:28:00,960 Speaker 1: just like the just like Christa, I think Jordan New 490 00:28:01,000 --> 00:28:03,680 Speaker 1: in this particular moment, even though it's my brother, I'm 491 00:28:03,720 --> 00:28:06,480 Speaker 1: it isn't hitting me like it's hitting my person I love, 492 00:28:06,640 --> 00:28:08,959 Speaker 1: So forget my needs. I'm going to take care of 493 00:28:08,960 --> 00:28:15,760 Speaker 1: this man selfless. I was. I'm very comfortable in post. 494 00:28:15,840 --> 00:28:17,800 Speaker 1: I had a post production company in the Brill Building 495 00:28:17,800 --> 00:28:20,240 Speaker 1: for almost fifteen years, and as you guys know, I 496 00:28:20,359 --> 00:28:23,760 Speaker 1: used to go the editing department was right in the 497 00:28:23,800 --> 00:28:26,120 Speaker 1: hospital where we're shooting, and I used to go down 498 00:28:26,160 --> 00:28:28,960 Speaker 1: there with Rick Blue and John Michelle and I watched 499 00:28:29,000 --> 00:28:31,520 Speaker 1: stuff because if I didn't have anything to do, I 500 00:28:31,600 --> 00:28:33,880 Speaker 1: want to pastor them. And so I saw the moment 501 00:28:33,880 --> 00:28:36,520 Speaker 1: where Zachie goes, where do you think you are? And 502 00:28:36,560 --> 00:28:39,960 Speaker 1: then it's a two shot and Cox turns towards the 503 00:28:40,040 --> 00:28:43,160 Speaker 1: lens and he figures it out and John Michelle had 504 00:28:43,160 --> 00:28:45,720 Speaker 1: cut off and way too quick before he realized where 505 00:28:45,720 --> 00:28:49,040 Speaker 1: he was. And you got to you got you've got 506 00:28:49,200 --> 00:28:51,880 Speaker 1: to stay on Cox until he does that dopey smile 507 00:28:52,080 --> 00:28:55,040 Speaker 1: acknowledging that he knows where he is. And it's an 508 00:28:55,200 --> 00:28:57,200 Speaker 1: I said, even if it's an ad of two seconds, 509 00:28:57,280 --> 00:28:59,920 Speaker 1: take it, take it somewhere else, take it away somewhere 510 00:29:00,560 --> 00:29:02,760 Speaker 1: and you could argue over two and a half seconds 511 00:29:02,800 --> 00:29:06,000 Speaker 1: like the Magna Carter because the show was so tight. 512 00:29:06,520 --> 00:29:10,320 Speaker 1: And to his eternal credit, he stays on Cox and 513 00:29:10,440 --> 00:29:14,320 Speaker 1: Jackie until Cox realizes and he does that kind of 514 00:29:14,520 --> 00:29:18,080 Speaker 1: smile that this is not a kid's birthday party. This is, 515 00:29:18,120 --> 00:29:20,800 Speaker 1: in fact a funeral. And that's what changed the whole 516 00:29:20,840 --> 00:29:23,719 Speaker 1: episode for me, that John Michelle stayed on him long 517 00:29:23,840 --> 00:29:26,720 Speaker 1: enough so we could see this guy arrived at a 518 00:29:26,760 --> 00:29:31,360 Speaker 1: conclusion and instead of just banging that big crane shot, 519 00:29:31,400 --> 00:29:33,880 Speaker 1: which is what we go to next, and we got 520 00:29:33,880 --> 00:29:38,160 Speaker 1: to see this guy arrived at what's going on. And 521 00:29:38,160 --> 00:29:40,160 Speaker 1: when John Michelle did that, it changed the whole thing 522 00:29:40,160 --> 00:29:41,960 Speaker 1: to me. It's also a nice cut that shows that 523 00:29:42,040 --> 00:29:45,080 Speaker 1: Ben's no longer there. That's really gratifying. Yeah, I mean, 524 00:29:45,160 --> 00:29:47,920 Speaker 1: that's the that's the you know, those two moments combined 525 00:29:47,960 --> 00:29:51,400 Speaker 1: are the holy shit moment that big reveal you know 526 00:29:52,280 --> 00:29:54,520 Speaker 1: we were, I know you were talking about it. It 527 00:29:54,880 --> 00:29:57,200 Speaker 1: struck me so different, man. It's like there's so many 528 00:29:57,280 --> 00:30:00,600 Speaker 1: hints and so many clues that he's not there. One 529 00:30:00,680 --> 00:30:02,960 Speaker 1: being the camera Johnny, did you know the camera one? 530 00:30:03,000 --> 00:30:04,520 Speaker 1: I didn't really know the camera one until I read 531 00:30:04,520 --> 00:30:07,720 Speaker 1: it on the web. No, what's the camera one? So 532 00:30:07,800 --> 00:30:10,400 Speaker 1: he says, you say, you still messing around with that 533 00:30:10,680 --> 00:30:12,800 Speaker 1: stupid cameras all the time, And he goes, I'll be 534 00:30:12,840 --> 00:30:16,160 Speaker 1: taking pictures till the day I die. And the moment 535 00:30:16,200 --> 00:30:19,040 Speaker 1: he shows the moment he shows up as a hallucination. 536 00:30:19,080 --> 00:30:22,600 Speaker 1: He no longer has a camera with him anymore. Totally 537 00:30:22,680 --> 00:30:24,560 Speaker 1: missed it till you just told me. I did I 538 00:30:24,560 --> 00:30:26,440 Speaker 1: have to say? I had to say. I read it online. 539 00:30:26,440 --> 00:30:30,040 Speaker 1: I didn't get it myself. But it's great, all right, 540 00:30:30,200 --> 00:30:33,680 Speaker 1: Why don't we segue Donald's as good podcast host? Should 541 00:30:33,680 --> 00:30:35,680 Speaker 1: we take a break? Probably, Dan, let's take a break, 542 00:30:35,680 --> 00:30:39,560 Speaker 1: and when we come back, we'll hum the new one, 543 00:30:39,640 --> 00:30:43,760 Speaker 1: which is um the episode is called My Tormented mentor 544 00:30:43,880 --> 00:30:57,240 Speaker 1: will be right back after these fine words formember back 545 00:30:57,280 --> 00:30:59,520 Speaker 1: when we well listen, do we not deliver? You guys 546 00:30:59,560 --> 00:31:02,680 Speaker 1: said we want more? John C McGinley, and here he is. 547 00:31:02,760 --> 00:31:05,760 Speaker 1: We delivered, and we're going to talk about a great 548 00:31:05,800 --> 00:31:10,800 Speaker 1: episode that continues Cox's recovering from losing his best friend, 549 00:31:10,920 --> 00:31:14,640 Speaker 1: my tormented mentor, which introduces a new character named doctor 550 00:31:14,680 --> 00:31:18,920 Speaker 1: Grace Miller played by Bellamy Young. She's she gets the 551 00:31:19,160 --> 00:31:24,080 Speaker 1: gorgeous woman scrubs intro, only to reveal that she's sort 552 00:31:24,080 --> 00:31:28,160 Speaker 1: of the female equivalent tough ass talking doctor Cox type. 553 00:31:28,920 --> 00:31:30,520 Speaker 1: Do you want me to do the recap or would 554 00:31:30,520 --> 00:31:33,000 Speaker 1: you rather I do? I was just just trying to 555 00:31:33,040 --> 00:31:35,760 Speaker 1: get a Bellamy shout out in that, and you know, 556 00:31:35,800 --> 00:31:38,080 Speaker 1: because usually what happens is I do a recap and 557 00:31:38,120 --> 00:31:40,640 Speaker 1: then we start talking about the I'm sorry, Donald, I 558 00:31:40,720 --> 00:31:43,400 Speaker 1: got excited to introduce Bellamy Young, but let me get 559 00:31:43,440 --> 00:31:47,680 Speaker 1: my stop Watch out. I too, am a Bellamy Young fan. 560 00:31:48,240 --> 00:31:52,000 Speaker 1: I only drove a scandal. I only do this stop 561 00:31:52,000 --> 00:31:54,320 Speaker 1: Watch thing for the guy who makes the graph. That's 562 00:31:54,360 --> 00:31:59,520 Speaker 1: the really only reason I keep doing. All Right, we're 563 00:31:59,600 --> 00:32:02,560 Speaker 1: ready on your marks, gets that go. Cox is having 564 00:32:02,600 --> 00:32:05,520 Speaker 1: a hard time getting ober Ben's death. JD wants to 565 00:32:05,520 --> 00:32:08,160 Speaker 1: be the shoulder Cox needs to lean on. There's a 566 00:32:08,200 --> 00:32:11,360 Speaker 1: new boss in the r and all the Scalpel jockeys 567 00:32:11,440 --> 00:32:14,960 Speaker 1: don't know how to act around her. All the women 568 00:32:15,000 --> 00:32:17,080 Speaker 1: in the hospital are frustrated and fed up with the 569 00:32:17,160 --> 00:32:20,480 Speaker 1: lack of respect they received from their male counterparts. It's 570 00:32:20,480 --> 00:32:23,280 Speaker 1: a conversation that's been on the table for decades and 571 00:32:23,360 --> 00:32:26,640 Speaker 1: still needs to be addressed. After all these years, equality 572 00:32:26,680 --> 00:32:30,520 Speaker 1: in the workplace still hasn't come to fruition. This is 573 00:32:30,560 --> 00:32:33,720 Speaker 1: one of those issues that will be addressed until the 574 00:32:33,800 --> 00:32:37,920 Speaker 1: matter is settled. And I'm all for that, Amen, Donald, 575 00:32:38,000 --> 00:32:42,440 Speaker 1: thirty five seconds, graph guy. It's fascinating that we're having 576 00:32:42,480 --> 00:32:45,320 Speaker 1: these conversations back when we were doing this in two 577 00:32:45,360 --> 00:32:50,400 Speaker 1: thousand and four, And of course they've become so much 578 00:32:50,480 --> 00:32:54,120 Speaker 1: more in the public discourse now with the Me Too movement. 579 00:32:54,600 --> 00:32:57,960 Speaker 1: But here we are in two thousand and four. They're 580 00:32:58,920 --> 00:33:01,000 Speaker 1: having to put out a sort of a suggestion box 581 00:33:01,080 --> 00:33:04,479 Speaker 1: type thing where if you're feeling like you're being sexually 582 00:33:04,520 --> 00:33:07,880 Speaker 1: harassed you can report people. Um, and the two main 583 00:33:08,040 --> 00:33:12,480 Speaker 1: people uh in the room are Kelso and the Todd Yes, well, 584 00:33:12,520 --> 00:33:14,560 Speaker 1: we knew that Todd would be in there, yeah, And 585 00:33:14,560 --> 00:33:17,080 Speaker 1: we kind of knew that Kelso would be in there, yeah, 586 00:33:17,160 --> 00:33:18,920 Speaker 1: you know, but we didn't know that Cox was going 587 00:33:19,000 --> 00:33:20,640 Speaker 1: to be in there. Now Cox is in there for 588 00:33:20,680 --> 00:33:23,000 Speaker 1: calling me girls names. It's not nearly as egregious as 589 00:33:23,000 --> 00:33:31,200 Speaker 1: the ship that the Todds is on. You, Zach Well, 590 00:33:31,320 --> 00:33:34,040 Speaker 1: I thought it was pretty funny that, Um, I mean, 591 00:33:34,280 --> 00:33:37,640 Speaker 1: they decided to make Todd so fucking stupid. He's washing 592 00:33:38,760 --> 00:33:41,520 Speaker 1: the dude. Not only is he one he can't spell, 593 00:33:41,640 --> 00:33:43,880 Speaker 1: we learned it. Todd is a dummy. He can't spell. No, 594 00:33:44,040 --> 00:33:46,280 Speaker 1: he's washing his hands. He's a surgeon. He's washing his 595 00:33:46,320 --> 00:33:48,960 Speaker 1: hands with gloves on. Right, But I think right, but 596 00:33:49,200 --> 00:33:51,320 Speaker 1: I think he's right. What a moron? Not only that 597 00:33:51,520 --> 00:33:53,720 Speaker 1: he goes to the sexual harassment meeting with an I 598 00:33:53,880 --> 00:33:58,720 Speaker 1: Love Vagina t shirt? What kind of moron is that? 599 00:33:58,960 --> 00:34:00,960 Speaker 1: The great got it? I got a circle back. I 600 00:34:00,960 --> 00:34:02,880 Speaker 1: can't remember if you guys told the story or if 601 00:34:02,880 --> 00:34:05,320 Speaker 1: our creator. That's how I'm gonna refer to Billy from 602 00:34:05,320 --> 00:34:08,839 Speaker 1: that one, as if our creator told the story. But 603 00:34:09,080 --> 00:34:13,799 Speaker 1: when we first started early on, Billy gathered everybody in 604 00:34:13,880 --> 00:34:17,520 Speaker 1: what is the cafeteria where we should is the biggest 605 00:34:17,560 --> 00:34:20,040 Speaker 1: room in the hospital, the whole cast and crew, and 606 00:34:20,480 --> 00:34:22,080 Speaker 1: I'll make it up to one hundred and ten people 607 00:34:22,160 --> 00:34:26,760 Speaker 1: or so, and he did his no asshole policy speech, 608 00:34:27,160 --> 00:34:29,040 Speaker 1: and what he meant was, you don't have to come 609 00:34:29,040 --> 00:34:32,719 Speaker 1: to work and be on pins and needles, but you 610 00:34:32,800 --> 00:34:35,080 Speaker 1: have to come to work and treat each other with respect. 611 00:34:35,400 --> 00:34:39,000 Speaker 1: And Billy, who does not like confrontation and is not 612 00:34:39,200 --> 00:34:42,719 Speaker 1: mister tough guy, when he laid that down, he meant it. 613 00:34:42,920 --> 00:34:45,240 Speaker 1: And so if you come to work and you're an asshole, 614 00:34:45,280 --> 00:34:48,239 Speaker 1: and this circles right back into the sexual harassment, but 615 00:34:48,280 --> 00:34:51,400 Speaker 1: he wasn't just talking about sexual harassment. That if you 616 00:34:51,480 --> 00:34:53,920 Speaker 1: can't be nice to each other, you will be fired. 617 00:34:54,000 --> 00:34:57,239 Speaker 1: And subsequently a couple of people were for breaking the 618 00:34:57,280 --> 00:35:00,360 Speaker 1: no asshole policy. And I've brought that with to a 619 00:35:00,400 --> 00:35:04,080 Speaker 1: couple of different things that I've produced since I bring 620 00:35:04,120 --> 00:35:06,719 Speaker 1: the casting crew around. I'm sure not as elegant and 621 00:35:06,760 --> 00:35:10,080 Speaker 1: graceful as Billy doing it, but if you can't be nice, 622 00:35:10,360 --> 00:35:12,319 Speaker 1: and Billy knew one thing we didn't that we were 623 00:35:12,320 --> 00:35:14,600 Speaker 1: going to be there for quite a while as far 624 00:35:14,640 --> 00:35:18,200 Speaker 1: as years go, and he introduced the no asshole policy, 625 00:35:19,040 --> 00:35:22,400 Speaker 1: and I've stolen it on everything I do. Everything I produced, 626 00:35:22,400 --> 00:35:25,480 Speaker 1: I tell the casting crew there's a no asshole policy here. 627 00:35:25,719 --> 00:35:27,800 Speaker 1: You can do whatever you want, but be nice or 628 00:35:27,800 --> 00:35:30,640 Speaker 1: I'm gonna fire you. Yeah, that's great, you know, I 629 00:35:30,680 --> 00:35:33,480 Speaker 1: just can't put his money where his mouth was. I 630 00:35:33,480 --> 00:35:35,160 Speaker 1: don't understand how you can go to work and just 631 00:35:35,280 --> 00:35:38,279 Speaker 1: be an asshole. Like, there's a lot of pricks out there. 632 00:35:38,480 --> 00:35:40,440 Speaker 1: There's a lot of assholes out there, you know. Whenever 633 00:35:40,480 --> 00:35:43,799 Speaker 1: I started, whenever you start a new job, I had 634 00:35:43,840 --> 00:35:45,760 Speaker 1: a friend who would always be like, who's the asshole? 635 00:35:46,160 --> 00:35:48,239 Speaker 1: Like you'd have to find out who they are? So 636 00:35:48,360 --> 00:35:50,760 Speaker 1: let me ask a question. And if I'm wrong, I'm wrong, 637 00:35:50,960 --> 00:35:54,319 Speaker 1: but I want to ask this question. If somebody's being 638 00:35:54,360 --> 00:36:02,000 Speaker 1: an asshole, right, is it just you're fired? Or if 639 00:36:02,040 --> 00:36:04,840 Speaker 1: somebody's being an asshole, at what point does it become 640 00:36:05,440 --> 00:36:09,799 Speaker 1: all right? I can't take this anymore. You are going 641 00:36:09,840 --> 00:36:13,879 Speaker 1: to be escorted out of here. Seems really nearly fired people. 642 00:36:13,920 --> 00:36:15,960 Speaker 1: You have to they have to be doing something that 643 00:36:16,120 --> 00:36:19,920 Speaker 1: is affecting the workplace, and in this obviously in this 644 00:36:19,960 --> 00:36:24,279 Speaker 1: case of sexual harassment, but it could be um, you know, 645 00:36:24,600 --> 00:36:27,120 Speaker 1: just being a hard especially on a movie set, someone 646 00:36:27,120 --> 00:36:30,200 Speaker 1: who's just bringing a toxic energy and and and making 647 00:36:30,239 --> 00:36:34,279 Speaker 1: everyone not do their their best. Um. There are lots 648 00:36:34,280 --> 00:36:37,640 Speaker 1: of times when characters get written off of shows and 649 00:36:37,920 --> 00:36:40,400 Speaker 1: it's for no other reason that everyone was like fuck this. 650 00:36:41,280 --> 00:36:43,640 Speaker 1: But I think, by the way, this is not exclusive 651 00:36:43,680 --> 00:36:49,000 Speaker 1: to actors, because yeah, I'm about to say somebody people 652 00:36:49,040 --> 00:36:51,759 Speaker 1: were not actors. Yo. No, I don't think any of 653 00:36:51,840 --> 00:36:54,320 Speaker 1: the more actors. But I'm saying I was using the 654 00:36:55,440 --> 00:37:00,640 Speaker 1: story of the times that when you hear like creative differences, 655 00:37:00,760 --> 00:37:05,520 Speaker 1: that often means the person these were an asshole. Right. 656 00:37:05,560 --> 00:37:08,160 Speaker 1: I always dot admit they just saw differently than the 657 00:37:08,280 --> 00:37:10,719 Speaker 1: director saw it. But yeah, I get it. Well. I 658 00:37:10,760 --> 00:37:14,480 Speaker 1: mean sometimes that you know a lot of times when 659 00:37:14,480 --> 00:37:21,080 Speaker 1: it's like date date conflicts, it's like no conflicts, The 660 00:37:21,160 --> 00:37:23,400 Speaker 1: dates didn't conflict. The person was like, I gotta tell you, 661 00:37:23,400 --> 00:37:26,000 Speaker 1: I thought Laverne had a couple of a couple of 662 00:37:26,280 --> 00:37:28,680 Speaker 1: one liners here to drop me. The Hilton sisters thing, 663 00:37:28,840 --> 00:37:31,480 Speaker 1: yes when she goes other way around, sugar, and then 664 00:37:31,840 --> 00:37:34,839 Speaker 1: when she when she drops mister Roberts flex to wear 665 00:37:34,920 --> 00:37:39,919 Speaker 1: my proceeds. Yeah, and she does it so dead, so dead. 666 00:37:40,160 --> 00:37:45,080 Speaker 1: So if LaVerne's story is true, and we don't really know, um, 667 00:37:45,360 --> 00:37:50,600 Speaker 1: mister and missus Hilton named their two daughters after LaVerne's breath. Now, 668 00:37:50,640 --> 00:37:55,520 Speaker 1: I'm not sure how that would have transpired, but she 669 00:37:55,840 --> 00:38:03,080 Speaker 1: just yeah, she's very funny. Also tell Uni maybe maybe 670 00:38:03,200 --> 00:38:05,680 Speaker 1: left no whack back to anybody's unibrow, But that made 671 00:38:05,719 --> 00:38:09,400 Speaker 1: me left, he said, my waxers in the Bahamas? What 672 00:38:09,680 --> 00:38:13,399 Speaker 1: was I supposed to do? Get another one that came 673 00:38:13,440 --> 00:38:15,720 Speaker 1: out of nowhere? I mean, why does Todd just randomly 674 00:38:15,760 --> 00:38:17,799 Speaker 1: have a unibrow? There's no other reference to it. It's 675 00:38:17,800 --> 00:38:22,640 Speaker 1: just it's just that's writers climbing the wall in season three, 676 00:38:24,560 --> 00:38:26,279 Speaker 1: I love, I would love. I'm thinking that would be 677 00:38:26,280 --> 00:38:27,800 Speaker 1: the funniest thing to be in the writer's room, be like, 678 00:38:27,840 --> 00:38:29,399 Speaker 1: all right, who's going to be in charge of writing 679 00:38:29,480 --> 00:38:33,680 Speaker 1: the Todd jokes for this episode? So you know, uh, 680 00:38:34,040 --> 00:38:37,879 Speaker 1: do you know that the writer's rooms there were two 681 00:38:38,040 --> 00:38:40,600 Speaker 1: before the strike, there was seven in each room and 682 00:38:40,719 --> 00:38:43,920 Speaker 1: Bill with leapfrog back and forth as each episode was written. 683 00:38:44,200 --> 00:38:47,640 Speaker 1: It was the psychiatric ward of the hospital. Yeah. Yeah, 684 00:38:48,320 --> 00:38:52,960 Speaker 1: imagine the energy that was steward in those rooms. Absolutely. Um. 685 00:38:53,440 --> 00:38:57,120 Speaker 1: How about when when Donald goes to Todd hot chick 686 00:38:57,280 --> 00:39:01,120 Speaker 1: at twelve o'clock and he looks at and he looks up, 687 00:39:02,480 --> 00:39:05,839 Speaker 1: what a moron is a hot cheek on the ceiling? Right, 688 00:39:06,040 --> 00:39:10,879 Speaker 1: He's a moron? So the janitor and Ted we learn um, Yes, 689 00:39:12,200 --> 00:39:13,680 Speaker 1: this is a joke that not a lot of people 690 00:39:13,719 --> 00:39:16,240 Speaker 1: paid attention to. Not a lot of people paid attention 691 00:39:16,280 --> 00:39:18,440 Speaker 1: to this joke, because this joke should have been running 692 00:39:18,480 --> 00:39:21,759 Speaker 1: for it. Ever, this is a joke that could have 693 00:39:21,840 --> 00:39:23,560 Speaker 1: gone on and on and on and on and on. 694 00:39:23,920 --> 00:39:27,320 Speaker 1: We learned that the janitor and Ted frequent a Korean 695 00:39:27,760 --> 00:39:32,440 Speaker 1: singles night at a Korean church, and the janitor brings 696 00:39:33,320 --> 00:39:35,759 Speaker 1: the date to the work the next day. I mean, 697 00:39:36,360 --> 00:39:40,239 Speaker 1: are we supposed to infer that she's left over? And 698 00:39:40,440 --> 00:39:44,040 Speaker 1: also it turns out that he's multi lingual. Yeah, yes, 699 00:39:44,360 --> 00:39:48,680 Speaker 1: they both are. They both are they well, they both 700 00:39:48,760 --> 00:39:52,120 Speaker 1: know enough conversational Korean Johnny to hit on on Korean 701 00:39:52,239 --> 00:39:57,360 Speaker 1: single women. It's it's not unusual, but for some reason, 702 00:39:57,960 --> 00:39:59,600 Speaker 1: I guess because I don't get to watch them all. 703 00:39:59,680 --> 00:40:02,399 Speaker 1: But when every time Sam opens his mouth and off 704 00:40:02,440 --> 00:40:09,560 Speaker 1: freaking episodes, I'm dying when he dumps that fucking cookie. Yeah, 705 00:40:13,000 --> 00:40:15,120 Speaker 1: never have been such a great spin off of all 706 00:40:15,200 --> 00:40:20,000 Speaker 1: the secondary characters, like custodians, great legal custodians. But I 707 00:40:20,080 --> 00:40:23,080 Speaker 1: mean like going into the lives of you know, I 708 00:40:23,200 --> 00:40:26,200 Speaker 1: don't know, you know, how these days a show will 709 00:40:26,239 --> 00:40:28,960 Speaker 1: do something like a totally different episode. You know, there 710 00:40:29,040 --> 00:40:31,799 Speaker 1: was an episode of Master of None that was went 711 00:40:31,880 --> 00:40:33,800 Speaker 1: off and started following people that had never been in 712 00:40:33,840 --> 00:40:35,440 Speaker 1: the show before, and then at the end it had 713 00:40:35,600 --> 00:40:37,759 Speaker 1: it had a purpose, and it was really cool. If 714 00:40:37,800 --> 00:40:39,480 Speaker 1: we were making this show today, you could do a 715 00:40:39,520 --> 00:40:42,640 Speaker 1: whole episode where was like we just follow Sam and 716 00:40:42,800 --> 00:40:44,560 Speaker 1: like it's like he's not even in the hostel. He 717 00:40:44,640 --> 00:40:46,440 Speaker 1: has like he has like a week off. I just 718 00:40:46,560 --> 00:40:53,200 Speaker 1: want to follow a week of Ted's Like, I gotta 719 00:40:53,239 --> 00:40:56,360 Speaker 1: tell you. I've told you this before, but you dancing 720 00:40:56,880 --> 00:40:58,920 Speaker 1: is the biggest gift to the writer's room in the 721 00:40:59,080 --> 00:41:01,839 Speaker 1: history of the world. They use it with everything. It's 722 00:41:02,000 --> 00:41:04,799 Speaker 1: it's we need, we need, we need a special moment 723 00:41:05,160 --> 00:41:08,040 Speaker 1: Donald dance. It was good though it was gold. I'd forgotten. 724 00:41:08,600 --> 00:41:10,920 Speaker 1: You know, your other one gets so much attention. I 725 00:41:10,960 --> 00:41:14,000 Speaker 1: didn't remember this moment. I didn't either. I didn't remember 726 00:41:14,040 --> 00:41:19,600 Speaker 1: it either. Now are you singing MC hammer? Yes? But 727 00:41:19,880 --> 00:41:22,080 Speaker 1: is hammer playing on the boombox? Or is it you 728 00:41:22,239 --> 00:41:25,719 Speaker 1: playing hammer on the boombox? No, it's it's it's it's 729 00:41:25,760 --> 00:41:29,160 Speaker 1: not hammer on the It's not hammer. She calls me 730 00:41:29,239 --> 00:41:31,640 Speaker 1: hammer because of my dancing. Oh, but I say a 731 00:41:31,800 --> 00:41:33,880 Speaker 1: rap going, or you're just rapping something? What are you? 732 00:41:34,000 --> 00:41:36,000 Speaker 1: Are you rapping? I forgot. I think there's a rap going. 733 00:41:36,000 --> 00:41:37,960 Speaker 1: I think there's music. I only ask because on scrubs 734 00:41:38,000 --> 00:41:42,360 Speaker 1: Wiki it says um that it's here comes the Hammer 735 00:41:42,560 --> 00:41:48,959 Speaker 1: originally by Hammer, performed by Donald Fazon. That's not true. 736 00:41:49,280 --> 00:41:52,200 Speaker 1: It's not true. No, that wasn't me rapping. That wasn't 737 00:41:52,440 --> 00:41:57,200 Speaker 1: that wass Wicky? Well, what's what's his name? Trevor, Yeah, Trevor, Yeah, Trevor, 738 00:41:57,239 --> 00:42:00,760 Speaker 1: get it together, Trevor. Actually, let's try Trevor here, Daniel 739 00:42:00,840 --> 00:42:04,279 Speaker 1: and Joel, Trevor, do you know that that's sorry, we've 740 00:42:04,400 --> 00:42:07,560 Speaker 1: we've discovered a mistake on scrubs. Wicky. You can you 741 00:42:07,640 --> 00:42:10,320 Speaker 1: can try and defend it right now if you want to, Trevor. Yeah, Trevor, 742 00:42:10,560 --> 00:42:13,799 Speaker 1: How would you let such a horrible mistake get through 743 00:42:13,880 --> 00:42:17,040 Speaker 1: on scrubs? Wicki, that is not Donald rapping as MC hammer. 744 00:42:17,080 --> 00:42:23,240 Speaker 1: Are you saying all African Americans sound alike? Trevor, trev 745 00:42:24,239 --> 00:42:28,560 Speaker 1: trev you don't have to answer that. You don't have 746 00:42:28,719 --> 00:42:32,520 Speaker 1: to answer that. You walk away from that one, because 747 00:42:32,520 --> 00:42:34,759 Speaker 1: you're in trouble if you answer that one. All right, 748 00:42:35,280 --> 00:42:38,680 Speaker 1: he's been he's been disciplined. There's no way to answer that. Hey, 749 00:42:38,760 --> 00:42:42,239 Speaker 1: there's Zach, Donald, Joel and Daniel. It's the Internet. It's 750 00:42:42,360 --> 00:42:46,360 Speaker 1: littered with misinformation. Apologies about the error on the wiki. 751 00:42:46,880 --> 00:42:49,440 Speaker 1: I fixed the edit that Donald was the one rapping. 752 00:42:49,880 --> 00:42:52,640 Speaker 1: I think I was just mesmerized by his dancing. Johnny, 753 00:42:52,760 --> 00:42:55,439 Speaker 1: Is that a Star Wars pinball machine in your back round? 754 00:42:55,560 --> 00:42:58,960 Speaker 1: It is absolutely? Oh my god, Donald, did you know 755 00:42:59,000 --> 00:43:01,480 Speaker 1: that in Indiana? John One? Oh my god, Donald, did 756 00:43:01,520 --> 00:43:03,960 Speaker 1: you know that? Yeah? He showed it to me. Okay, 757 00:43:04,760 --> 00:43:08,239 Speaker 1: how is the golf game, Johnny? Was? Was it fun 758 00:43:08,400 --> 00:43:13,279 Speaker 1: to swing the axe with Donald? I like to play 759 00:43:13,360 --> 00:43:15,480 Speaker 1: by myself because I like to play against the course 760 00:43:15,560 --> 00:43:17,279 Speaker 1: and see how close I can get to par. That's 761 00:43:17,360 --> 00:43:18,799 Speaker 1: kind of the way I play golf because I don't 762 00:43:18,840 --> 00:43:21,960 Speaker 1: bet and I don't drink on the golf course. And 763 00:43:22,120 --> 00:43:25,960 Speaker 1: so a kindred spirit is Donald, who obviously is a 764 00:43:26,040 --> 00:43:27,879 Speaker 1: much better athlete than I am. He has better feet, 765 00:43:27,880 --> 00:43:30,360 Speaker 1: he has better hands, he has a better swing, and 766 00:43:30,640 --> 00:43:32,319 Speaker 1: to be able to be with him for an hour 767 00:43:32,360 --> 00:43:35,560 Speaker 1: and a half was spectacular. Was amazing. Man. It was 768 00:43:35,640 --> 00:43:37,600 Speaker 1: such a good time, and I wish I can get 769 00:43:37,640 --> 00:43:41,240 Speaker 1: back there. It's just that for some reason. Now every 770 00:43:41,440 --> 00:43:45,880 Speaker 1: Thursday or Wednesday, I'm fucking working. It seems like I 771 00:43:45,920 --> 00:43:51,560 Speaker 1: don't know how that great conflict but nowhere. I love 772 00:43:51,640 --> 00:43:53,719 Speaker 1: that you invite him to a nice course, because this 773 00:43:53,920 --> 00:43:57,080 Speaker 1: guy is often playing not the nicest courses, and he 774 00:43:57,200 --> 00:43:59,400 Speaker 1: loves golf so much, so if you anytime, you can 775 00:43:59,440 --> 00:44:02,000 Speaker 1: bring him to one of those swanky places as as 776 00:44:02,120 --> 00:44:05,799 Speaker 1: his his joy. I want to join, man, I want 777 00:44:05,840 --> 00:44:07,719 Speaker 1: to join, but we are in a pandemic right now, 778 00:44:07,800 --> 00:44:10,200 Speaker 1: and my wife ain't let me spend no money. I 779 00:44:10,280 --> 00:44:15,040 Speaker 1: will say that when when you and Sarah are talking 780 00:44:15,120 --> 00:44:18,399 Speaker 1: about the conflict between a female doctor or an Afrian 781 00:44:18,400 --> 00:44:25,080 Speaker 1: American doctor and then doctor Rhodes watched me. Yeah, I 782 00:44:25,520 --> 00:44:27,560 Speaker 1: don't remember the stuff, and so what I remember it 783 00:44:27,800 --> 00:44:30,800 Speaker 1: smacks me. It's great that I do remember that. I 784 00:44:30,920 --> 00:44:33,320 Speaker 1: remembered that when I did remember, Wait, who wrote this? 785 00:44:34,360 --> 00:44:38,880 Speaker 1: This was no Gabby? Gabby wrote it. Gabby got skills? 786 00:44:39,200 --> 00:44:41,680 Speaker 1: Yes she does, yeah he on did you hear on 787 00:44:41,760 --> 00:44:45,680 Speaker 1: the show? No, we had Gabby on the show. She 788 00:44:45,800 --> 00:44:49,960 Speaker 1: didn't watch the episode. She missed the memo that now 789 00:44:50,000 --> 00:44:52,359 Speaker 1: I got something to listen to tomorrow morning. She missed 790 00:44:52,360 --> 00:44:55,239 Speaker 1: a memo that you supposed to watch the episode before 791 00:44:55,280 --> 00:44:57,440 Speaker 1: she came on. So she came on. She came, but 792 00:44:57,560 --> 00:44:58,840 Speaker 1: she came on the show and she was like, I 793 00:44:58,960 --> 00:45:02,360 Speaker 1: love the podcast. It's such a great podcast. But she 794 00:45:02,440 --> 00:45:11,160 Speaker 1: had never listened to whatever. Yeah, I remember this. M 795 00:45:11,640 --> 00:45:16,960 Speaker 1: the two guest ladies who were playing Jordan's friends, they 796 00:45:17,000 --> 00:45:20,320 Speaker 1: were very nice. But here's the conundrum. I sound like you. 797 00:45:20,680 --> 00:45:25,080 Speaker 1: Here's the conundrum. Am Beth David's who played one of them, 798 00:45:25,280 --> 00:45:28,600 Speaker 1: had a horrible cold, like like should have been in 799 00:45:28,680 --> 00:45:33,040 Speaker 1: bed cold, and they had to mount me in that 800 00:45:33,400 --> 00:45:37,399 Speaker 1: vampire fantasy, and I remember thinking like this is I'm 801 00:45:37,560 --> 00:45:39,839 Speaker 1: so gonna get fight. Like obviously normally when you see 802 00:45:39,840 --> 00:45:41,719 Speaker 1: someone who super sick and they're like sorry, I'm saying 803 00:45:41,719 --> 00:45:43,400 Speaker 1: you're like go away, go away, don't come near me. 804 00:45:43,880 --> 00:45:46,239 Speaker 1: I had to like make out with this woman, and 805 00:45:46,400 --> 00:45:50,040 Speaker 1: so she's like mounting me with her I should be 806 00:45:50,160 --> 00:45:53,600 Speaker 1: in bed cold and chopping on my neck and I 807 00:45:53,680 --> 00:46:02,880 Speaker 1: remember thinking like, ops, know, well, this was back in 808 00:46:02,960 --> 00:46:05,279 Speaker 1: the day before you could get knocked on your ass 809 00:46:05,320 --> 00:46:08,680 Speaker 1: from shit like. So she goes on to either she 810 00:46:08,880 --> 00:46:11,400 Speaker 1: goes on to either have already done or will do 811 00:46:11,920 --> 00:46:15,640 Speaker 1: Schindler's List. I think she had already done. Yeah, she 812 00:46:15,719 --> 00:46:19,600 Speaker 1: had done it already. Yeah. What years? Uh is that? Daniel? 813 00:46:19,600 --> 00:46:21,959 Speaker 1: Can you get that first? Real quick? What years should 814 00:46:22,120 --> 00:46:26,439 Speaker 1: she spectacular Shindler's list? Um, Yeah, she's got a big career. 815 00:46:26,480 --> 00:46:30,440 Speaker 1: She's been in lots of things. Ninety three. Oh yeah, 816 00:46:30,480 --> 00:46:32,080 Speaker 1: so that was long time. And who is who is 817 00:46:32,120 --> 00:46:36,000 Speaker 1: the other young woman? Who is? I have scrubs? WICKI open, 818 00:46:36,080 --> 00:46:40,200 Speaker 1: I can tell you Ulie Julie Warner, oh white? And 819 00:46:40,360 --> 00:46:43,440 Speaker 1: she she played with Michael J. Fox in Doc Hollywood. 820 00:46:43,480 --> 00:46:47,240 Speaker 1: I think, yeah, so anyway possible. They were they were great, 821 00:46:47,480 --> 00:46:49,840 Speaker 1: and they were great and did a fun job. But 822 00:46:49,960 --> 00:46:53,319 Speaker 1: my memory is that she had to both pros. Yeah, yeah, 823 00:46:53,600 --> 00:46:56,080 Speaker 1: she had to be a real trooper because she just 824 00:46:56,360 --> 00:46:59,080 Speaker 1: had to do it. And I had to pray to 825 00:46:59,680 --> 00:47:02,960 Speaker 1: yeah way that. Um, I didn't get sick, all right, Yeah, 826 00:47:02,960 --> 00:47:07,640 Speaker 1: you're right, Doc Hollywood. Absolutely? Um did you laugh when 827 00:47:07,760 --> 00:47:10,600 Speaker 1: I hide in the cabinet amongst the stuffed animals? Like 828 00:47:10,680 --> 00:47:21,839 Speaker 1: et always funny, always funny? Um, I like young Bob 829 00:47:21,960 --> 00:47:28,759 Speaker 1: kelso doing was worth worth? And and then and then 830 00:47:28,880 --> 00:47:34,400 Speaker 1: Todd listening to Annie of all father, Yeah decided he 831 00:47:34,520 --> 00:47:36,279 Speaker 1: was listening to Annie. Well, I think they were trying 832 00:47:36,320 --> 00:47:38,319 Speaker 1: to sit. I don't know what were they trying to say? 833 00:47:38,400 --> 00:47:40,759 Speaker 1: His father it is hard that his father was, that 834 00:47:40,840 --> 00:47:42,640 Speaker 1: his father was hard on him so that when he 835 00:47:42,719 --> 00:47:44,680 Speaker 1: came out of it, he goes, it was a hard 836 00:47:44,800 --> 00:47:48,400 Speaker 1: knock life. Yeah, but no, but his father was like 837 00:47:48,520 --> 00:47:51,240 Speaker 1: supposed to be like Todd. But then but Todd's not listening. 838 00:47:51,280 --> 00:47:53,239 Speaker 1: Todd's listening to the Annie soundtrack, So I don't know, 839 00:47:53,239 --> 00:47:55,800 Speaker 1: I don't really understand the fantasy. But his dad's not 840 00:47:55,960 --> 00:47:58,520 Speaker 1: like Todd. His dad's drinking beer and all of that stuff. 841 00:48:00,000 --> 00:48:01,600 Speaker 1: His dad's like it seemed like his dad was an 842 00:48:01,640 --> 00:48:04,480 Speaker 1: abusive dad. No, his dad was talking. Wasn't his dad 843 00:48:04,600 --> 00:48:06,399 Speaker 1: saying something about women? And which would be like that's 844 00:48:06,440 --> 00:48:08,520 Speaker 1: where he got it from. But then Todd's like, Dad, 845 00:48:08,560 --> 00:48:13,360 Speaker 1: I'm listening to Annie. Yeah, I guess I don't understand. Also, Zachie, 846 00:48:13,360 --> 00:48:15,719 Speaker 1: when you carry I love when actors have a preoccupation, 847 00:48:15,800 --> 00:48:18,200 Speaker 1: in other word, something that's happening outside of frame for 848 00:48:18,280 --> 00:48:22,600 Speaker 1: the character. And so when you bring in you're a 849 00:48:22,680 --> 00:48:24,759 Speaker 1: canary in the coal mine here, or I'm sorry, you're 850 00:48:24,960 --> 00:48:27,440 Speaker 1: you're the cat who ate the canary. When you come 851 00:48:27,480 --> 00:48:30,320 Speaker 1: in and you you're going you know, you're already reported 852 00:48:30,360 --> 00:48:35,239 Speaker 1: Cox for sexual but you don't tell him. And then 853 00:48:35,320 --> 00:48:39,000 Speaker 1: Ted comes in and pays it off. It's you look 854 00:48:39,120 --> 00:48:43,920 Speaker 1: like you have the secrets to some unbelievably crazy thing 855 00:48:44,600 --> 00:48:48,240 Speaker 1: and it's great. It's and the lens just devows that stuff. 856 00:48:48,400 --> 00:48:50,279 Speaker 1: Oh man, Yeah, I wondered. I was like, why is 857 00:48:50,280 --> 00:48:52,160 Speaker 1: he running off so fast? Why is he doing this? 858 00:48:54,640 --> 00:48:57,200 Speaker 1: And then Ted comes up and explains it. How about 859 00:48:57,239 --> 00:48:59,880 Speaker 1: the fact that Todd is actually proud of his sexual 860 00:49:00,239 --> 00:49:04,560 Speaker 1: harassment compliments? Yeah, yeah, says she says forty seven or 861 00:49:04,560 --> 00:49:09,680 Speaker 1: whatever the number. Yes, um, and Judy goes the term 862 00:49:09,960 --> 00:49:16,359 Speaker 1: melons is just as bad as sweater meat. Sweater meat 863 00:49:17,280 --> 00:49:20,040 Speaker 1: as as usual. I don't want to get in trouble 864 00:49:20,120 --> 00:49:28,120 Speaker 1: for uh not for separating. But Judy looks absolutely spectacular always, 865 00:49:28,200 --> 00:49:30,239 Speaker 1: not that she doesn't always, Okay, I want to get that, 866 00:49:30,680 --> 00:49:35,040 Speaker 1: but she looks absolutely She's a knockout. She's a knockout 867 00:49:35,440 --> 00:49:38,399 Speaker 1: or Judy Yes, I love the fact that she's put 868 00:49:38,480 --> 00:49:40,600 Speaker 1: in charge of the sexual harassment meetings and can't get 869 00:49:40,640 --> 00:49:42,440 Speaker 1: anybody to show up to the to the meetings. I 870 00:49:42,560 --> 00:49:44,560 Speaker 1: love it. Well. The only I think she got everyone 871 00:49:44,840 --> 00:49:46,919 Speaker 1: that was in the box right, She got she gets 872 00:49:46,960 --> 00:49:49,440 Speaker 1: everyone in a button right, and then she has to 873 00:49:49,560 --> 00:49:53,000 Speaker 1: explain to them why they're there. And I don't. I 874 00:49:53,040 --> 00:49:55,080 Speaker 1: don't get the Todd one. I do get the kin one. 875 00:49:55,160 --> 00:49:56,839 Speaker 1: I do get the kind one. He's from another era. 876 00:49:58,200 --> 00:50:00,839 Speaker 1: But Tom should be out on his ass, dude, I'm sorry, Well, 877 00:50:00,920 --> 00:50:03,239 Speaker 1: that dude should be out on his ass. Todd would 878 00:50:03,239 --> 00:50:05,600 Speaker 1: be so fired in twenty twenty. Oh my god. We 879 00:50:05,760 --> 00:50:08,400 Speaker 1: used to have these big meetings and Johnny mentioned the 880 00:50:08,480 --> 00:50:11,200 Speaker 1: no asshole policy meetings, but we would also have a 881 00:50:11,560 --> 00:50:17,920 Speaker 1: sexual harassment meaning right, and they were really hilarious, not 882 00:50:18,080 --> 00:50:20,719 Speaker 1: because of the material, which everyone you know, was digesting, 883 00:50:20,800 --> 00:50:23,200 Speaker 1: but the questions that we could ask, many by Donald, 884 00:50:23,320 --> 00:50:26,799 Speaker 1: which were very funny. Those are the least effective seminars 885 00:50:27,000 --> 00:50:30,640 Speaker 1: in the history of seminars. Yeah, but it did. It 886 00:50:30,719 --> 00:50:35,040 Speaker 1: did well until you have somebody ask a question that's like, 887 00:50:35,200 --> 00:50:37,440 Speaker 1: oh boy, here we go, you know what I mean, 888 00:50:37,560 --> 00:50:39,479 Speaker 1: Like it was there. There were there were a couple 889 00:50:39,480 --> 00:50:41,080 Speaker 1: of questions where it was you know, there were a 890 00:50:41,080 --> 00:50:44,520 Speaker 1: couple of questions that involved dogs, coup, you know what 891 00:50:44,600 --> 00:50:46,799 Speaker 1: I mean. It was. I can't put it. I can't 892 00:50:46,800 --> 00:50:48,920 Speaker 1: put a whole room full of comedy writers in all 893 00:50:48,960 --> 00:50:50,560 Speaker 1: of us in a room and be like, all right, 894 00:50:50,600 --> 00:50:52,719 Speaker 1: you're gonna gonna but it was good. The person who 895 00:50:52,800 --> 00:50:54,680 Speaker 1: led it, I remember, was a funny person too, and 896 00:50:55,280 --> 00:50:59,080 Speaker 1: so it was. It went fast, all right. The guest 897 00:50:59,200 --> 00:51:01,719 Speaker 1: is here? Should we take break? Yes, stud that We'll 898 00:51:01,760 --> 00:51:12,040 Speaker 1: be right back with a fancy beautiful guest. You okay, 899 00:51:12,239 --> 00:51:16,760 Speaker 1: welcome back, and um here comes Emily. Ladies and gentlemen, 900 00:51:16,880 --> 00:51:29,120 Speaker 1: please give it up for the one, the only, the only, Emily. Emily. Hi, 901 00:51:29,560 --> 00:51:34,920 Speaker 1: there you are. Oh good, you're lying down, Hire, lying down, Hi, Emily. 902 00:51:35,000 --> 00:51:37,360 Speaker 1: Welcome to the program. We have Johnny c McGinley with 903 00:51:37,440 --> 00:51:42,200 Speaker 1: us today. Hello, Amma, that's amazing. Hi. We're very we're 904 00:51:42,320 --> 00:51:45,320 Speaker 1: very happy you're joining us on the on the podcast. 905 00:51:45,400 --> 00:51:46,840 Speaker 1: I don't know if you heard this, Johnny. We may 906 00:51:46,880 --> 00:51:49,320 Speaker 1: have mentioned it before you came on, but we've just 907 00:51:49,440 --> 00:51:54,120 Speaker 1: been told we are the most downloaded new comedy podcast 908 00:51:54,320 --> 00:52:01,919 Speaker 1: on Daniel thunder supplause and then maybe a timpany sort 909 00:52:01,920 --> 00:52:04,799 Speaker 1: of finished to that. Don't yeah, like like the end 910 00:52:04,840 --> 00:52:10,200 Speaker 1: of Star Wars. Don't don't don't, don't, don't, don't don't do. Emily, 911 00:52:10,600 --> 00:52:13,080 Speaker 1: Welcome to the program. Where are you calling from? I'm 912 00:52:13,120 --> 00:52:21,799 Speaker 1: calling from Shanghai, China. Oh what time is It's six 913 00:52:21,880 --> 00:52:26,279 Speaker 1: am China. This is this is our first call from 914 00:52:26,680 --> 00:52:29,920 Speaker 1: from China. Uh, it's my first call from China as well. Um, 915 00:52:30,040 --> 00:52:33,320 Speaker 1: I'm in Shanghai right now. We just moved here on 916 00:52:33,719 --> 00:52:36,480 Speaker 1: We left on Wednesday from the States, and I guess 917 00:52:36,520 --> 00:52:39,359 Speaker 1: today is Saturday. I'm not sure it's Saturday here, right? Yes, 918 00:52:39,520 --> 00:52:43,719 Speaker 1: that was quarantine. Did you guys have to quarantine and 919 00:52:43,760 --> 00:52:47,040 Speaker 1: all that stuff? Are you quarantine? Right? Yeah? I'm quarantining 920 00:52:47,160 --> 00:52:50,440 Speaker 1: right now in a hotel. Um. Yeah, it was a 921 00:52:50,520 --> 00:52:55,520 Speaker 1: totally reason for your life move to Shanghai. My husband's career. 922 00:52:56,320 --> 00:52:58,520 Speaker 1: They were coming here for a couple of years. Do 923 00:52:58,560 --> 00:53:01,240 Speaker 1: you feel about that? Are you do you already resent 924 00:53:01,400 --> 00:53:05,719 Speaker 1: him and hate him? Or are you excited? No, I'm 925 00:53:05,760 --> 00:53:07,719 Speaker 1: actually a little worried that I'm going to embarrass him 926 00:53:07,719 --> 00:53:10,560 Speaker 1: in some way. So that's what I'm mostly concerned about, 927 00:53:10,719 --> 00:53:14,040 Speaker 1: is that I'm going to be because I'm the streets. 928 00:53:14,080 --> 00:53:16,239 Speaker 1: Well he's at work, and I'm gonna be like arguing 929 00:53:16,280 --> 00:53:19,120 Speaker 1: with vendors and you know, just being a crazy American 930 00:53:19,360 --> 00:53:22,520 Speaker 1: in Shanghai. Oh that sounds like a fun adventure. Did 931 00:53:22,560 --> 00:53:24,239 Speaker 1: you learn the language at all or are you gonna 932 00:53:24,360 --> 00:53:27,319 Speaker 1: learn the language? No, it was kind of it wasn't. 933 00:53:27,320 --> 00:53:29,080 Speaker 1: We weren't sure if it was going to all come together. So, 934 00:53:29,480 --> 00:53:32,560 Speaker 1: you know, I've been working and raising kids and unable 935 00:53:32,600 --> 00:53:34,320 Speaker 1: to really put in the time to study, but I 936 00:53:34,440 --> 00:53:40,399 Speaker 1: did learn. I'm sorry, Dubuchi, you're going to be a yeah, yeah, 937 00:53:40,520 --> 00:53:43,040 Speaker 1: get some basics down. I'm sorry, I'm sorry I don't 938 00:53:43,040 --> 00:53:50,439 Speaker 1: speak Chinese. Um, I'm sorry you speak English idea. So sorry, Yeah, 939 00:53:51,640 --> 00:53:53,799 Speaker 1: So I'm gonna spend I can't work while I'm here, 940 00:53:53,840 --> 00:53:55,839 Speaker 1: so I'm going to spend, you know, however much time 941 00:53:55,960 --> 00:53:58,600 Speaker 1: trying to get fluent. So that'll be great, that'll be fun. Well, yeah, 942 00:53:58,640 --> 00:54:02,560 Speaker 1: get one of those um apps. They have really helpful apps. 943 00:54:03,480 --> 00:54:07,640 Speaker 1: We we we advertise one, don't you advertise? We advertise one? Yeah, Joel, 944 00:54:07,719 --> 00:54:10,000 Speaker 1: what's the one we everised? Right? Babbel? Yeah, yeah, we 945 00:54:10,080 --> 00:54:13,160 Speaker 1: advertise babbel. Get yourself, get yourself, get yourself some babble 946 00:54:13,440 --> 00:54:16,000 Speaker 1: o get myself. So all right, do you have a 947 00:54:16,120 --> 00:54:20,160 Speaker 1: question for us? Emily? You have you have Daniel here, Donald, 948 00:54:20,440 --> 00:54:24,160 Speaker 1: the legendary Johnny c anything, go ahead, Yeah, so Donald, 949 00:54:24,239 --> 00:54:27,080 Speaker 1: my question is actually for you. And yeah, finally you 950 00:54:27,160 --> 00:54:31,120 Speaker 1: know something on this podcast for like, however, many episodes 951 00:54:31,160 --> 00:54:33,520 Speaker 1: and they don't ever ask me anything. They always ask 952 00:54:33,640 --> 00:54:36,120 Speaker 1: zac about Garden State through that and then and then 953 00:54:36,200 --> 00:54:38,960 Speaker 1: when then they start asking about kids and family and 954 00:54:39,040 --> 00:54:40,839 Speaker 1: they don't want to ask me. They want my wife 955 00:54:40,880 --> 00:54:44,600 Speaker 1: to come on the show and come up. I hope 956 00:54:44,640 --> 00:54:46,600 Speaker 1: this is something that I can answer, and that's something 957 00:54:46,640 --> 00:54:47,719 Speaker 1: that I have to go get my wife for it. 958 00:54:47,840 --> 00:54:50,239 Speaker 1: Let's go, Emily, that's better be about the dagab Yeah. 959 00:54:50,400 --> 00:54:52,520 Speaker 1: If it's about If it's about Star Wars, I got you. 960 00:54:54,160 --> 00:54:56,640 Speaker 1: If it's about Star Wars in China, I got you. 961 00:54:56,960 --> 00:55:00,080 Speaker 1: All right, go ahead, Emily. My son's right over there. 962 00:55:00,120 --> 00:55:02,160 Speaker 1: He's got a million Star Wars questions that I cannot answer, 963 00:55:02,239 --> 00:55:05,279 Speaker 1: even though I'm a huge fan. Okay, so, um, my 964 00:55:05,440 --> 00:55:07,680 Speaker 1: question is Donald. So I've been listening to the podcast 965 00:55:07,760 --> 00:55:10,880 Speaker 1: obviously for since you guys. You guys started and sometimes 966 00:55:11,000 --> 00:55:14,080 Speaker 1: you guys burst into song, which I love. Um, but 967 00:55:14,200 --> 00:55:17,720 Speaker 1: I've noticed that you Donald, whenever you start singing something, 968 00:55:17,960 --> 00:55:20,880 Speaker 1: you start singing it exactly at the right pitch that 969 00:55:21,000 --> 00:55:24,960 Speaker 1: the song was written in and so and that you yeah, 970 00:55:26,440 --> 00:55:28,360 Speaker 1: and so I was and that's what I wanted to 971 00:55:28,360 --> 00:55:31,600 Speaker 1: ask was do you have perfect pitch? Or I do? Now? 972 00:55:31,760 --> 00:55:35,480 Speaker 1: Am take something right now? I do now? I do? 973 00:55:36,920 --> 00:55:40,719 Speaker 1: HALLA asked me any any artists out there who needs 974 00:55:40,800 --> 00:55:42,719 Speaker 1: like a cover of your song or you just want 975 00:55:42,760 --> 00:55:44,600 Speaker 1: to do a collab with me? You heard it from 976 00:55:44,760 --> 00:55:47,000 Speaker 1: M I got perfect pitch. I got you you need, 977 00:55:47,120 --> 00:55:49,080 Speaker 1: you need, you need, you need a Nate Dog, you 978 00:55:49,160 --> 00:55:51,200 Speaker 1: need a you need something like that. I could say, 979 00:55:51,200 --> 00:55:52,600 Speaker 1: I I got you know, I got I got a 980 00:55:52,640 --> 00:55:54,040 Speaker 1: little bit of something like that. I can't, I can't. 981 00:55:54,239 --> 00:55:56,960 Speaker 1: I can't ever be the late great Nate Dog. You 982 00:55:57,000 --> 00:56:00,320 Speaker 1: can't ever you can't ever ever ever ever placed a 983 00:56:00,400 --> 00:56:02,480 Speaker 1: late great Nate Dog. But I could sing a little 984 00:56:02,520 --> 00:56:06,160 Speaker 1: something on your wrap hooks. Um Donald is self deprecating 985 00:56:06,280 --> 00:56:09,520 Speaker 1: at times, but has the most incredible voice. And also 986 00:56:09,719 --> 00:56:13,759 Speaker 1: he can seamlessly find the harmony too. He always find 987 00:56:13,800 --> 00:56:16,640 Speaker 1: the harmony, don't you know? And that lends that lends 988 00:56:16,640 --> 00:56:19,800 Speaker 1: to that theory, right, because most people can't do that. 989 00:56:20,040 --> 00:56:22,319 Speaker 1: They can't just come in right on the right note. 990 00:56:22,800 --> 00:56:25,359 Speaker 1: I think a lot of people, I mean, especially if 991 00:56:25,360 --> 00:56:27,920 Speaker 1: you can hear the music, yeah it's easy. But if 992 00:56:27,960 --> 00:56:32,680 Speaker 1: you can't hear the music, you know, hey, yeah, I 993 00:56:32,719 --> 00:56:35,480 Speaker 1: don't know I don't know. I appreciate you saying that. 994 00:56:35,520 --> 00:56:37,360 Speaker 1: I'm gonna want to sing a little something for Emily 995 00:56:37,440 --> 00:56:39,760 Speaker 1: in Shanghai. Do you want to sing like something for Christmas? 996 00:56:39,840 --> 00:56:46,920 Speaker 1: Like sleigh bells? R? Absolutely? Oh, the weather outside is 997 00:56:47,000 --> 00:56:51,879 Speaker 1: frightful with the fire is so delightful. And since there's 998 00:56:51,920 --> 00:56:54,959 Speaker 1: no place to go, let it snow, Let it snow, 999 00:56:55,120 --> 00:56:57,400 Speaker 1: Let it snow. That's all I know. To the song man. 1000 00:56:57,480 --> 00:57:01,719 Speaker 1: We finally kiss good night beautiful. Donald and I did 1001 00:57:01,800 --> 00:57:06,960 Speaker 1: a rendition of Baby It's Cold Outside years ago. That 1002 00:57:07,120 --> 00:57:09,919 Speaker 1: was a huge hit, although now you can't only say 1003 00:57:10,400 --> 00:57:13,160 Speaker 1: that song anymore unless you change the lyrics. What's in 1004 00:57:13,280 --> 00:57:18,680 Speaker 1: this drink? That's probably what about bring Me your afro Comb? 1005 00:57:19,040 --> 00:57:22,280 Speaker 1: That was funny though in our song it's a fucking brush. Yeah, 1006 00:57:22,360 --> 00:57:25,120 Speaker 1: that's so. The song. The lyric was she says, Hey, 1007 00:57:25,240 --> 00:57:28,360 Speaker 1: lend me your comb, and in the song I said, hey, 1008 00:57:28,440 --> 00:57:30,600 Speaker 1: lend me your afro comb, and he goes, it's a 1009 00:57:30,640 --> 00:57:35,800 Speaker 1: fucking brush. If you've never seen it, you gotta go 1010 00:57:35,920 --> 00:57:37,640 Speaker 1: check it out. It was pretty funny. Donald. That was 1011 00:57:37,720 --> 00:57:39,520 Speaker 1: our first like, we just thought it would be a 1012 00:57:39,560 --> 00:57:41,520 Speaker 1: silly thing to do, and it went so viral, and 1013 00:57:41,520 --> 00:57:43,840 Speaker 1: I remember we went to Hawaii and we were watching 1014 00:57:43,920 --> 00:57:46,840 Speaker 1: the YouTube count. You were like, oh my god, look 1015 00:57:46,880 --> 00:57:51,120 Speaker 1: what's happening. It was like it was everywhere. Yeah. Um, 1016 00:57:51,320 --> 00:57:55,080 Speaker 1: all right, Emily, do you have another question? I do, 1017 00:57:55,360 --> 00:57:57,640 Speaker 1: and and Donald. I'm sorry this is a parenting question, 1018 00:57:57,720 --> 00:58:00,200 Speaker 1: but I think you could probably answer kick he's not 1019 00:58:00,240 --> 00:58:04,360 Speaker 1: allowed on this one. Yeah, Johnny, I'm gonna go get 1020 00:58:04,400 --> 00:58:08,040 Speaker 1: her now just because you didn't know, just because you 1021 00:58:08,120 --> 00:58:09,760 Speaker 1: did that, I'm going to get her. No, don't go 1022 00:58:09,840 --> 00:58:11,200 Speaker 1: get her, don't go get her, don't go get her. 1023 00:58:11,360 --> 00:58:14,080 Speaker 1: I'm gonna do it. Man. You I have a feeling 1024 00:58:14,120 --> 00:58:16,160 Speaker 1: your fucking whole thing about getting Casey is going to 1025 00:58:16,200 --> 00:58:18,080 Speaker 1: fucking take a quick hit of the blunt. And we 1026 00:58:18,160 --> 00:58:21,360 Speaker 1: got Emily, I'm from smoking weed. I'm going to get 1027 00:58:21,440 --> 00:58:26,120 Speaker 1: safe hold on Okay, Jesus christ A right, sorry, oh 1028 00:58:26,240 --> 00:58:30,640 Speaker 1: my god. You can commence with your question, yeah, Emily, 1029 00:58:30,640 --> 00:58:33,200 Speaker 1: and begin your question. Okay. Well, actually first I want 1030 00:58:33,240 --> 00:58:35,960 Speaker 1: to show you this. So in China, milk comes in 1031 00:58:36,040 --> 00:58:42,960 Speaker 1: a sack. Okay, okay, is thought that was cool? Okay, Um, 1032 00:58:43,000 --> 00:58:47,800 Speaker 1: what's your question? Um? Yeah, So my question was, Um, 1033 00:58:47,880 --> 00:58:49,600 Speaker 1: I have an eight year old and a five year 1034 00:58:49,640 --> 00:58:53,080 Speaker 1: old and a pretty soon to be born year old. 1035 00:58:53,600 --> 00:58:56,400 Speaker 1: And it's just a big age difference between eight and 1036 00:58:56,760 --> 00:58:59,560 Speaker 1: a newborn. And I just wanted to ask how you 1037 00:58:59,680 --> 00:59:02,640 Speaker 1: manage how do you foster a relationship between your older 1038 00:59:02,760 --> 00:59:07,720 Speaker 1: kids and your very young kids? And how you yeah, yeah, 1039 00:59:08,880 --> 00:59:11,080 Speaker 1: she wants to know how you foster old relationship between 1040 00:59:11,120 --> 00:59:15,000 Speaker 1: your young kids and your old kids. That's Casey Donald's wife. Hi, 1041 00:59:15,640 --> 00:59:17,280 Speaker 1: it broke, Yeah, it broke. I've been I've been doing 1042 00:59:17,320 --> 00:59:19,320 Speaker 1: this looks like a sound Oh my god, it broke. 1043 00:59:19,800 --> 00:59:23,520 Speaker 1: He broke his headphones. You send my voice broke it 1044 00:59:23,920 --> 00:59:27,880 Speaker 1: word your loud voice. Probably voice broke my headphones. That's 1045 00:59:27,880 --> 00:59:30,600 Speaker 1: so funny. Oh my god, I forgot Casey. You're a 1046 00:59:31,040 --> 00:59:35,760 Speaker 1: And say, how did Johnny ce? Casey? We're good. He 1047 00:59:35,920 --> 00:59:38,880 Speaker 1: looked beautiful. Normally are our go to parenting question? And 1048 00:59:38,960 --> 00:59:41,120 Speaker 1: we also have Johnny here who has a young children, 1049 00:59:41,200 --> 00:59:43,560 Speaker 1: but you go first. How do you foster relationship between 1050 00:59:43,600 --> 00:59:45,920 Speaker 1: an older child and a younger child? How do you 1051 00:59:46,040 --> 00:59:48,680 Speaker 1: how do you have them all be copacetic? You know what? 1052 00:59:48,920 --> 00:59:52,720 Speaker 1: Our situation was kind of crazy. Um, you know, Donald 1053 00:59:52,760 --> 00:59:55,400 Speaker 1: has older kids and we have our little ones. And 1054 00:59:56,280 --> 01:00:00,760 Speaker 1: Donald booked a job and on the East Coast and 1055 01:00:01,040 --> 01:00:04,000 Speaker 1: a week before he left, the kid the older kids said, 1056 01:00:04,120 --> 01:00:08,040 Speaker 1: we're moving in. And then Donald said, so the older 1057 01:00:08,120 --> 01:00:09,680 Speaker 1: kids are going to move in, and I'm gonna move 1058 01:00:09,720 --> 01:00:13,840 Speaker 1: to New York. So, um, we kind of just got 1059 01:00:13,960 --> 01:00:17,560 Speaker 1: thrown into it and and it was sink or swim, 1060 01:00:17,680 --> 01:00:21,760 Speaker 1: and thankfully we all swam. But um, you know what 1061 01:00:21,920 --> 01:00:24,600 Speaker 1: I just did. Very this is just my own thing. 1062 01:00:24,640 --> 01:00:28,439 Speaker 1: I grew up in a divorced family. Until this day, 1063 01:00:29,400 --> 01:00:32,120 Speaker 1: no one has ever said a negative thing about the other. 1064 01:00:33,000 --> 01:00:37,440 Speaker 1: And so I'm a firm believer in not talking negatively, 1065 01:00:37,560 --> 01:00:41,280 Speaker 1: whether it's you know, someone's lazy or this or anything 1066 01:00:41,320 --> 01:00:44,840 Speaker 1: in front of my kids. So yeah, so that they 1067 01:00:45,000 --> 01:00:50,000 Speaker 1: just they they only see a positiveness from having a 1068 01:00:50,120 --> 01:00:52,960 Speaker 1: big brother and a big sister. And um, because we 1069 01:00:53,120 --> 01:00:56,439 Speaker 1: really didn't we it was rough. It was rough at first. 1070 01:00:56,520 --> 01:00:57,880 Speaker 1: It was rough at first, and it came from a 1071 01:00:57,960 --> 01:01:01,560 Speaker 1: broken relationship too, whereas uh, my ex wife and I 1072 01:01:01,680 --> 01:01:05,080 Speaker 1: we weren't. We didn't get along, and uh, God rest 1073 01:01:05,120 --> 01:01:08,720 Speaker 1: her soul, she passed away, and with her passing, with 1074 01:01:09,320 --> 01:01:13,960 Speaker 1: her passing away, it opened up the relationship for myself 1075 01:01:14,080 --> 01:01:19,560 Speaker 1: and my older kids. And uh, you know, uh, this 1076 01:01:19,760 --> 01:01:21,600 Speaker 1: is always a difficult thing for me to talk about. 1077 01:01:21,680 --> 01:01:24,680 Speaker 1: But yeah, because we didn't we didn't have a relationship. 1078 01:01:24,720 --> 01:01:26,480 Speaker 1: We didn't have a relationship with them at all, and 1079 01:01:27,360 --> 01:01:29,400 Speaker 1: not we had a bit of a relationship, but it 1080 01:01:29,520 --> 01:01:32,560 Speaker 1: wasn't you know, Casey didn't really know my daughter or 1081 01:01:33,480 --> 01:01:37,360 Speaker 1: my youngest son before we had kids. And and so 1082 01:01:38,520 --> 01:01:41,000 Speaker 1: you know, the fact that she was able to do 1083 01:01:41,160 --> 01:01:45,280 Speaker 1: what she did and take care of my responsibilities when 1084 01:01:45,280 --> 01:01:49,160 Speaker 1: I was out of town, you know, helped out tremendously. Uh. 1085 01:01:49,240 --> 01:01:51,200 Speaker 1: And I feel like I feel like now and I 1086 01:01:51,240 --> 01:01:52,760 Speaker 1: could be wrong, honey, and if I'm wrong, you can 1087 01:01:52,800 --> 01:01:55,080 Speaker 1: totally correct me. But I feel like we were a 1088 01:01:55,160 --> 01:01:57,680 Speaker 1: well oiled machine now because of it, and we all 1089 01:01:58,880 --> 01:02:01,440 Speaker 1: you know, right, I think I think a lot that 1090 01:02:01,640 --> 01:02:04,160 Speaker 1: helped us was that he was out of the equation. 1091 01:02:05,040 --> 01:02:07,840 Speaker 1: So we were forced and I mean that in a 1092 01:02:07,920 --> 01:02:10,760 Speaker 1: possitive way, like we were forced to all develop our 1093 01:02:10,840 --> 01:02:16,520 Speaker 1: own relationship on our own without him overcompensating on this 1094 01:02:16,760 --> 01:02:20,080 Speaker 1: and overcompensating all that and worrying about are you did 1095 01:02:20,160 --> 01:02:22,200 Speaker 1: you check with them or did you hug them or 1096 01:02:22,320 --> 01:02:25,800 Speaker 1: did they check with you? And you know, so all that, 1097 01:02:27,200 --> 01:02:31,720 Speaker 1: you know, crap was out the window. It was more like, hey, 1098 01:02:31,960 --> 01:02:36,000 Speaker 1: I'm in charge and we're all in this together. Let's 1099 01:02:36,200 --> 01:02:38,080 Speaker 1: let's do it. But I have to say where I 1100 01:02:38,120 --> 01:02:41,200 Speaker 1: don't are these are your kids the youngest or the oldest. 1101 01:02:43,240 --> 01:02:47,320 Speaker 1: So sorry, I wasn't think these are all home hours. 1102 01:02:47,880 --> 01:02:50,840 Speaker 1: But yeah, my son is just my husband has a 1103 01:02:51,000 --> 01:02:53,200 Speaker 1: ten year age gap between him and his brother, and 1104 01:02:53,400 --> 01:02:55,720 Speaker 1: they don't you know, they have a good relationship, but 1105 01:02:55,760 --> 01:02:58,439 Speaker 1: it's not close. And I'm just worried that my son 1106 01:02:58,600 --> 01:03:00,720 Speaker 1: is who is going to be nine, is going to 1107 01:03:00,880 --> 01:03:05,280 Speaker 1: not have a close of a relationship with his youngest sibling. Yeah. Well, 1108 01:03:05,800 --> 01:03:10,080 Speaker 1: well I personally, video games is something I can't I 1109 01:03:10,240 --> 01:03:13,520 Speaker 1: cannot stand. It was the one I just can't stand it. 1110 01:03:13,680 --> 01:03:16,400 Speaker 1: I think they wrought my kids brains any kid, and 1111 01:03:16,480 --> 01:03:19,440 Speaker 1: I just am not for it. His son, the oldest one, 1112 01:03:19,760 --> 01:03:23,520 Speaker 1: is a huge gamer, and I had to We fought 1113 01:03:23,840 --> 01:03:26,040 Speaker 1: so much about it, but it was the one thing 1114 01:03:26,240 --> 01:03:30,120 Speaker 1: that that my seven year old and the eighteen year 1115 01:03:30,120 --> 01:03:33,040 Speaker 1: old could connect on that that you know, that's a 1116 01:03:33,080 --> 01:03:35,040 Speaker 1: good point. And eighteen year old doesn't want to hang 1117 01:03:35,040 --> 01:03:37,360 Speaker 1: out with a seven year old, but when you're frying 1118 01:03:37,440 --> 01:03:44,720 Speaker 1: your brain together, it doesn't matter. Yeah, find something, just 1119 01:03:44,880 --> 01:03:46,760 Speaker 1: that one thing whether you like it or not, and 1120 01:03:46,920 --> 01:03:51,520 Speaker 1: just let them go to town on it really and yeah, 1121 01:03:51,520 --> 01:03:53,080 Speaker 1: I need to be more of a cool mom like that. 1122 01:03:53,240 --> 01:03:58,360 Speaker 1: You're right, but but limit it because it was hard. Yeah. Um. 1123 01:03:59,040 --> 01:04:02,000 Speaker 1: And then the daughter just if it's girls, you know, 1124 01:04:02,480 --> 01:04:07,160 Speaker 1: it was all about dancing. So they just taught each 1125 01:04:07,200 --> 01:04:09,800 Speaker 1: other to dance. And you know, my daughter looks up 1126 01:04:09,800 --> 01:04:13,640 Speaker 1: to her big sister like she's the queen. So it was. 1127 01:04:14,920 --> 01:04:16,920 Speaker 1: So it sounds like your answer is fine, things that 1128 01:04:17,160 --> 01:04:20,800 Speaker 1: they can find in common, because obviously they will be 1129 01:04:20,880 --> 01:04:24,280 Speaker 1: able to find things that they like in common. Yeah, yeah, yeah, 1130 01:04:24,720 --> 01:04:29,000 Speaker 1: I love that. Thank you, nice to see you. Thanks 1131 01:04:29,040 --> 01:04:35,440 Speaker 1: for letting me come back on Zach bullshitan liar man. 1132 01:04:36,960 --> 01:04:39,000 Speaker 1: First thing I said to Donald, He was like, babe, 1133 01:04:39,040 --> 01:04:40,800 Speaker 1: can you come up real quick? I said, oh god? 1134 01:04:40,840 --> 01:04:43,280 Speaker 1: What He was like, oh, there's family stuff on. I 1135 01:04:43,360 --> 01:04:47,880 Speaker 1: was like, is Zach pissed? And you were don't lie, 1136 01:04:48,000 --> 01:04:50,120 Speaker 1: don't lie. I love it when you come on. I 1137 01:04:50,240 --> 01:04:52,800 Speaker 1: just think that occasionally he can answer a parenting question 1138 01:04:52,880 --> 01:04:55,040 Speaker 1: without needing to call a friend. Well, this is a 1139 01:04:55,160 --> 01:05:00,640 Speaker 1: glimpse inside our marriage. Guys. There's no occasionally where he 1140 01:05:00,720 --> 01:05:06,080 Speaker 1: can answer a parenting question. Oh my God, you're not 1141 01:05:06,160 --> 01:05:09,000 Speaker 1: funny at all. Get out. I would watch this reality show. 1142 01:05:09,240 --> 01:05:13,800 Speaker 1: All right, Donald, it's time for Shanghai's favorite segment of 1143 01:05:13,920 --> 01:05:22,680 Speaker 1: the show. It's time to fix your life? All right, Emily, 1144 01:05:23,480 --> 01:05:25,680 Speaker 1: you have some very wise minds here. How can we 1145 01:05:25,760 --> 01:05:28,280 Speaker 1: help you in any way fix your life? Do I 1146 01:05:28,360 --> 01:05:32,200 Speaker 1: need to go get Casey again? Oh? Okay, No, no, 1147 01:05:32,400 --> 01:05:35,120 Speaker 1: I think this. I think you're I think you're capable here. Okay. 1148 01:05:36,120 --> 01:05:39,760 Speaker 1: So yeah, so I'm more of an introvert, and now 1149 01:05:39,880 --> 01:05:43,040 Speaker 1: obviously I'm somewhere where I don't have any support socially 1150 01:05:43,160 --> 01:05:44,600 Speaker 1: or anything like that. So I'm gonna have to make 1151 01:05:44,640 --> 01:05:46,800 Speaker 1: an effort and like make friends and stuff. I know, 1152 01:05:47,160 --> 01:05:50,720 Speaker 1: y'all seem like extroverts to me at least. So do 1153 01:05:50,800 --> 01:05:52,680 Speaker 1: you have any tips on how to go out and 1154 01:05:54,120 --> 01:05:57,360 Speaker 1: make this city my home? Yeah? It's really sigur it out. 1155 01:05:57,800 --> 01:06:08,120 Speaker 1: Get an only fans page. It's the god you'll have. Okay, Casey, 1156 01:06:08,400 --> 01:06:12,680 Speaker 1: Well listen, Johnny. Actually I think you could be good 1157 01:06:12,720 --> 01:06:16,760 Speaker 1: this because when you go on location, you're you constantly 1158 01:06:16,920 --> 01:06:20,320 Speaker 1: are forced to start a new existence and figure out 1159 01:06:20,360 --> 01:06:22,800 Speaker 1: your way around you any tidbits when you get to 1160 01:06:22,880 --> 01:06:25,760 Speaker 1: a new place, what do you do when when you 1161 01:06:25,840 --> 01:06:28,600 Speaker 1: settle in for a location. Donald, you just recently did 1162 01:06:28,640 --> 01:06:31,400 Speaker 1: it with Jersey City as well. Have two answers. I 1163 01:06:31,480 --> 01:06:34,680 Speaker 1: have two answers. First, I wanted to revisit Emily's first question, 1164 01:06:35,200 --> 01:06:38,040 Speaker 1: and I have. The way I do it around here 1165 01:06:38,120 --> 01:06:40,439 Speaker 1: with the children is if you can make them feel 1166 01:06:40,560 --> 01:06:43,640 Speaker 1: equally valued. And the way you work backwards for making 1167 01:06:43,680 --> 01:06:46,560 Speaker 1: a child feel equally valued is if you can say 1168 01:06:47,280 --> 01:06:50,560 Speaker 1: out loud, I love you the most because, and then 1169 01:06:50,600 --> 01:06:53,160 Speaker 1: there's an ellipsis, and for each child if you can 1170 01:06:53,320 --> 01:06:56,640 Speaker 1: tell them why you love them the most, and it's 1171 01:06:56,680 --> 01:06:59,880 Speaker 1: an individuated package. So I love you the most because 1172 01:07:00,560 --> 01:07:03,040 Speaker 1: you make me laugh at night, you get best snuggles 1173 01:07:03,080 --> 01:07:05,760 Speaker 1: on the planet. And then for the five year old, 1174 01:07:06,360 --> 01:07:09,000 Speaker 1: I love you the most for an entirely different reason 1175 01:07:09,040 --> 01:07:11,920 Speaker 1: because you're the greatest storyteller and no one else can 1176 01:07:12,000 --> 01:07:14,240 Speaker 1: touch some of the tales that you sell. And for 1177 01:07:14,360 --> 01:07:16,840 Speaker 1: the baby, even though he or she can't understand you, 1178 01:07:17,520 --> 01:07:20,640 Speaker 1: I love you the most because and that, and then 1179 01:07:20,720 --> 01:07:23,800 Speaker 1: people start to feel equally valued. You're not going to 1180 01:07:23,840 --> 01:07:27,160 Speaker 1: be able to manipulate how they feel and treat each other. 1181 01:07:28,280 --> 01:07:31,800 Speaker 1: That's when they become individuals. Your husband who has a 1182 01:07:31,880 --> 01:07:34,800 Speaker 1: ten year gap between his brother. That's not the parent. 1183 01:07:35,000 --> 01:07:37,680 Speaker 1: The parents had nothing to do with that. They're they're individuals. 1184 01:07:37,760 --> 01:07:40,200 Speaker 1: They get to feel that way. But you can foster 1185 01:07:40,320 --> 01:07:44,360 Speaker 1: an environment where people feel equally valued. And that's huge 1186 01:07:44,920 --> 01:07:47,960 Speaker 1: if you could just foster that. It's huge in a 1187 01:07:48,160 --> 01:07:51,920 Speaker 1: tangible way, not in some granola way, in a tangible way, 1188 01:07:52,520 --> 01:07:56,120 Speaker 1: and as far as pandemic notwithstanding. When I get to 1189 01:07:56,200 --> 01:07:59,640 Speaker 1: a new location, to Zach's question, I'm a foodie and 1190 01:08:00,320 --> 01:08:03,760 Speaker 1: I find a really nice, nice grocery store, whether it's 1191 01:08:03,760 --> 01:08:07,200 Speaker 1: a mom pod joint or or a Whole Foods, and um, 1192 01:08:07,600 --> 01:08:10,080 Speaker 1: that's that's where I start. I start. I don't talk 1193 01:08:10,080 --> 01:08:14,480 Speaker 1: to anybody anyway, but I barely talk to myself, and 1194 01:08:14,640 --> 01:08:18,160 Speaker 1: so a grocery stores is where I start. I would 1195 01:08:18,200 --> 01:08:20,400 Speaker 1: think you're gonna I think you're gonna have a leg 1196 01:08:20,520 --> 01:08:23,200 Speaker 1: up because of the children. So I imagine the children 1197 01:08:23,320 --> 01:08:25,880 Speaker 1: will be in a in a blore, some sort of 1198 01:08:25,960 --> 01:08:28,519 Speaker 1: program for maybe are there going to be in some 1199 01:08:28,840 --> 01:08:32,240 Speaker 1: school for ex pats. I'm assuming yeah, yeah, so that 1200 01:08:32,280 --> 01:08:34,360 Speaker 1: you're right. You're right, I'm gonna have to be friends 1201 01:08:34,360 --> 01:08:36,080 Speaker 1: with all the other moms. That's yeah, No, I think 1202 01:08:36,120 --> 01:08:37,800 Speaker 1: it's a good starting point for you to like. The 1203 01:08:37,920 --> 01:08:40,080 Speaker 1: school seems like it will be a good a good 1204 01:08:40,520 --> 01:08:42,920 Speaker 1: hub for you to get a quint and you know, 1205 01:08:43,200 --> 01:08:44,840 Speaker 1: and they can give you the lowdown like, oh this 1206 01:08:45,000 --> 01:08:47,120 Speaker 1: is this is a great place to take the kids, 1207 01:08:47,240 --> 01:08:49,439 Speaker 1: or this is a great restaurant for you and your husband, 1208 01:08:49,520 --> 01:08:51,639 Speaker 1: all that stuff. Donald, go ahead. I would I would 1209 01:08:51,680 --> 01:08:58,800 Speaker 1: don't mention those restaurants in homebook. And again please yeah, man, 1210 01:09:00,400 --> 01:09:02,479 Speaker 1: I'm trying to listen. Man, you need to go to 1211 01:09:02,600 --> 01:09:05,439 Speaker 1: this one restaurant in Hoboken. I can't really, I spoke 1212 01:09:05,479 --> 01:09:08,240 Speaker 1: too much weed to remember the name I got name 1213 01:09:09,000 --> 01:09:12,320 Speaker 1: or Johnny's you in China? Right you in China in 1214 01:09:12,840 --> 01:09:17,799 Speaker 1: a spot You in Shanghai, right a spot on Malcolm 1215 01:09:18,000 --> 01:09:26,320 Speaker 1: X Boulevard in China. Um, you know, I usually start 1216 01:09:26,400 --> 01:09:29,080 Speaker 1: at the gym. I'm gonna be honest with you. That's 1217 01:09:29,120 --> 01:09:32,760 Speaker 1: the easiest way to make friends, to be if you 1218 01:09:32,880 --> 01:09:34,759 Speaker 1: really want to make friends, go to the gym. Somebody's 1219 01:09:34,800 --> 01:09:38,160 Speaker 1: gonna say something eventually. They can't help it. Somebody's gonna 1220 01:09:38,200 --> 01:09:40,479 Speaker 1: be like, how much a bench? Eventually. When I first 1221 01:09:40,520 --> 01:09:44,720 Speaker 1: moved to I didn't know that the that the Gold's 1222 01:09:44,840 --> 01:09:50,439 Speaker 1: Gym Hollywood was considered a really gay jim Um and 1223 01:09:50,600 --> 01:09:53,880 Speaker 1: I started going there and everyone was so helpful to me, 1224 01:09:54,520 --> 01:09:56,920 Speaker 1: and I just so awful or awesome to you. They 1225 01:09:56,960 --> 01:09:59,960 Speaker 1: were so helpful. They remember coming home to my girlfriend 1226 01:10:00,000 --> 01:10:03,880 Speaker 1: and being like, God, everyone at this gym, they're all healthy. 1227 01:10:03,960 --> 01:10:11,160 Speaker 1: Want one guy was like teaching me how to squat. So, yeah, 1228 01:10:11,280 --> 01:10:18,400 Speaker 1: you can make lots of friends at the gym. That's 1229 01:10:18,439 --> 01:10:22,599 Speaker 1: exactly what I'm looking for. You're welcome, Thank you, welcome. Yeah, 1230 01:10:22,960 --> 01:10:25,360 Speaker 1: we did it. I mean, I don't know if you're 1231 01:10:25,360 --> 01:10:27,320 Speaker 1: going to get better advice. I'm gonna be honest with you. 1232 01:10:27,520 --> 01:10:31,640 Speaker 1: You can search all of Shanghai. Yeah, I think we 1233 01:10:31,760 --> 01:10:34,120 Speaker 1: fixed your life. And and Emily, thank you for coming on. 1234 01:10:34,240 --> 01:10:38,000 Speaker 1: We really appreciate you coming on. Yeah. Thanks, and good luck, 1235 01:10:38,160 --> 01:10:41,759 Speaker 1: good luck in the Shanghai. Thank you. Thank well. He's safe. 1236 01:10:41,800 --> 01:10:45,320 Speaker 1: Be happy. I'm kind of nervous for her, just all 1237 01:10:45,320 --> 01:10:47,599 Speaker 1: of a sudden, being in Shanghai with all these kids, 1238 01:10:47,680 --> 01:10:49,439 Speaker 1: and she's got to just start for scratch that that 1239 01:10:49,560 --> 01:10:53,360 Speaker 1: sounds intimidating. Yeah, it seems like she's on our own too. 1240 01:10:53,400 --> 01:10:55,320 Speaker 1: It seems like her husband has his way and knows 1241 01:10:55,360 --> 01:10:57,760 Speaker 1: what he's going to be doing, but she's kind of 1242 01:10:58,000 --> 01:11:00,400 Speaker 1: in the dark side of it. I think it sounds 1243 01:11:00,439 --> 01:11:03,760 Speaker 1: like an amazing adventure, especially since the Chinese have done 1244 01:11:03,840 --> 01:11:07,519 Speaker 1: such a better job with COVID, and I think it's 1245 01:11:07,560 --> 01:11:09,960 Speaker 1: going to be incredible. She was a bit cryptic about 1246 01:11:10,080 --> 01:11:12,080 Speaker 1: what her husband was doing. I felt like he might 1247 01:11:12,120 --> 01:11:15,280 Speaker 1: be a CI agent. Yeah, and I say absolutely, Yeah, 1248 01:11:15,360 --> 01:11:17,560 Speaker 1: something sketchy was going on with the husband because he 1249 01:11:18,120 --> 01:11:20,320 Speaker 1: She was like, it's a job and it was last 1250 01:11:20,400 --> 01:11:25,120 Speaker 1: minute and yeah, now we live here. Yeah, and I 1251 01:11:25,200 --> 01:11:27,920 Speaker 1: think a spy was transferred. God, Johnny, can I tell 1252 01:11:27,960 --> 01:11:31,000 Speaker 1: you that when when Krista has this super clean moment 1253 01:11:31,080 --> 01:11:34,800 Speaker 1: at the end of the episode when she simply says 1254 01:11:35,400 --> 01:11:40,000 Speaker 1: I missed Ben without any historyonics, no, no trying to 1255 01:11:40,360 --> 01:11:43,800 Speaker 1: squeeze the towel out, just she just states it as 1256 01:11:43,800 --> 01:11:46,680 Speaker 1: a fact and she almost throws it away and it 1257 01:11:46,880 --> 01:11:50,479 Speaker 1: is fantastic. Yeah, Johnny, I was going to say something 1258 01:11:50,520 --> 01:11:53,559 Speaker 1: about that because I thought she was gonna go into 1259 01:11:53,840 --> 01:11:57,200 Speaker 1: a whole spiel about it, and I was like, and 1260 01:11:57,400 --> 01:11:59,519 Speaker 1: when she didn't do it, I was like, oh, thank god, 1261 01:12:00,120 --> 01:12:06,040 Speaker 1: Oh wow, thank god. You know what I mean, very simple, yeah, yeah, 1262 01:12:06,600 --> 01:12:09,120 Speaker 1: oh thank god. And so when that happened. That was 1263 01:12:09,160 --> 01:12:11,920 Speaker 1: a very powerful moment for me also, you know, uh, 1264 01:12:12,479 --> 01:12:17,160 Speaker 1: and and and it really you know, my wife was 1265 01:12:17,200 --> 01:12:18,880 Speaker 1: just on the show, you guys know how I am. 1266 01:12:19,000 --> 01:12:21,200 Speaker 1: I'm very all about me and everything like that, and 1267 01:12:21,600 --> 01:12:23,920 Speaker 1: it was clear, and it was so I was so 1268 01:12:24,160 --> 01:12:27,479 Speaker 1: happy for doctor Cox also because now he's healing, you 1269 01:12:27,560 --> 01:12:30,719 Speaker 1: know what I mean. The minute that he realized, Okay, 1270 01:12:30,840 --> 01:12:34,920 Speaker 1: I'm hurting, but I'm not even thinking about the woman 1271 01:12:35,000 --> 01:12:37,639 Speaker 1: in my life who was related to this this man, 1272 01:12:37,760 --> 01:12:40,320 Speaker 1: I'm not even thinking about her. And I'm and and 1273 01:12:40,600 --> 01:12:43,640 Speaker 1: and I'm giving her a hard time too, Like you 1274 01:12:43,720 --> 01:12:45,840 Speaker 1: have all your friends here, get them the fuck out 1275 01:12:45,880 --> 01:12:47,680 Speaker 1: of here. I'm having a hard time with all of this, 1276 01:12:48,240 --> 01:12:51,599 Speaker 1: you know what I mean. And then when he realizes, oh, 1277 01:12:51,720 --> 01:12:55,559 Speaker 1: she's hurting and that's why they're still here. He can 1278 01:12:55,600 --> 01:12:59,519 Speaker 1: now heal, and now he can help her heal, you know. Yeah, 1279 01:12:59,600 --> 01:13:02,080 Speaker 1: And Bill puts this genius button at the end of it. 1280 01:13:03,560 --> 01:13:07,840 Speaker 1: She says, we have a chemical peel tomorrow. They leave, 1281 01:13:08,120 --> 01:13:10,160 Speaker 1: and Chris, it just goes, no, we have a chemical 1282 01:13:10,280 --> 01:13:13,840 Speaker 1: peel tomorrow. And it's the loveliest button and she just 1283 01:13:14,040 --> 01:13:17,000 Speaker 1: again she just plays it right down the little it's 1284 01:13:17,000 --> 01:13:20,880 Speaker 1: a fact they can't leave. Yeah, yeah, yeah, the chemical 1285 01:13:20,920 --> 01:13:23,040 Speaker 1: peel Tomorrow. We're not going to cancel our chemical peel. 1286 01:13:26,760 --> 01:13:30,160 Speaker 1: I thought it was the best non precious button ever. Um, 1287 01:13:30,439 --> 01:13:32,000 Speaker 1: all right, I think we did it, guys. I think 1288 01:13:32,000 --> 01:13:36,439 Speaker 1: that episode. I think we successfully recapped the episode for everybody. Johnny, 1289 01:13:36,520 --> 01:13:38,600 Speaker 1: it is so good to see you always. I miss you. 1290 01:13:39,080 --> 01:13:43,040 Speaker 1: I'm jealous of your biceps that I'm looking at right now. Dude, 1291 01:13:43,040 --> 01:13:46,040 Speaker 1: you are in such great shape still. Man, are you 1292 01:13:46,640 --> 01:13:50,200 Speaker 1: eating food or are you like, are you like eating 1293 01:13:50,280 --> 01:13:53,280 Speaker 1: anything that has salt or sugar in it by any chance? 1294 01:13:54,240 --> 01:13:56,280 Speaker 1: Like the body needs that. I know, not a lot 1295 01:13:56,360 --> 01:13:58,280 Speaker 1: of it, but the body needs it. That's what you 1296 01:13:58,360 --> 01:14:02,479 Speaker 1: tell yourself when you eat your donuts my right, when 1297 01:14:02,520 --> 01:14:05,360 Speaker 1: I mean my Dunkin donuts. You absolutely right, That's what 1298 01:14:05,439 --> 01:14:09,360 Speaker 1: I tell myself. Yeah, remember the beginning of the podcast, 1299 01:14:09,439 --> 01:14:16,559 Speaker 1: you I didn't. I just saw. I gave it back 1300 01:14:16,640 --> 01:14:19,679 Speaker 1: because it was it was the size. It was huge. 1301 01:14:20,320 --> 01:14:23,439 Speaker 1: It was an industrial size donut making for making. It 1302 01:14:23,560 --> 01:14:26,040 Speaker 1: was for like if you wanted to start a donut company. Yes, 1303 01:14:26,400 --> 01:14:28,760 Speaker 1: it was like the size of his dining room table. Yes, 1304 01:14:28,840 --> 01:14:32,080 Speaker 1: it's the funniest. God, my mife was like we're taking 1305 01:14:32,120 --> 01:14:35,040 Speaker 1: it back all right, everybody. Thank you to our listeners 1306 01:14:35,160 --> 01:14:39,439 Speaker 1: for making us the most downloaded new comedy podcast of 1307 01:14:39,520 --> 01:14:43,799 Speaker 1: twenty twenty. We really yeah, ship and uh and Johnny, 1308 01:14:43,840 --> 01:14:45,800 Speaker 1: it's so great to always see you and we love you. 1309 01:14:46,000 --> 01:14:50,679 Speaker 1: And now Donald will lead us all in song. Here's 1310 01:14:50,720 --> 01:14:54,920 Speaker 1: some stories about a show we made or do you 1311 01:14:54,960 --> 01:15:01,200 Speaker 1: want me to go into the goings box six? Yeah, 1312 01:15:01,280 --> 01:15:06,559 Speaker 1: it ain't stories about sure we made about a bunch 1313 01:15:06,640 --> 01:15:09,600 Speaker 1: of docs and nurses and the janitor who loved me. 1314 01:15:09,960 --> 01:15:13,640 Speaker 1: I said, he's the stories never you all should know. 1315 01:15:15,280 --> 01:15:19,320 Speaker 1: So gada around you. Here are gathera around you. Here 1316 01:15:19,400 --> 01:15:24,519 Speaker 1: are free while shows at the time. Mm hmmm