WEBVTT - 8 | The Last Dance

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<v Speaker 1>I spent the last fifteen years in my life fighting

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<v Speaker 1>like hell to make sure that I never ended up here.

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<v Speaker 1>But then I met her. No part of me wanted

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<v Speaker 1>to walk away from Honor that morning, which is exactly

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<v Speaker 1>why I knew I had to.

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<v Speaker 2>That's the thing about curses.

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<v Speaker 3>There may have to be broken.

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<v Speaker 1>She has shifted my center of gravity, leaving her for

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<v Speaker 1>like to find the laws at the universe.

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<v Speaker 3>You got a promise that you'll let me go.

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<v Speaker 4>Oh morning, mister Watts, you sleep well like a baby.

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<v Speaker 2>Oh glad to hear it.

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<v Speaker 4>Maybe you'll be up for a chat now that you're arrested.

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<v Speaker 5>I think this is my first rodeo. We're not chatting

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<v Speaker 5>until my lawyer is ye.

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<v Speaker 4>As much as I would love to talk to you,

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<v Speaker 4>there's someone else who would like work first. I see

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<v Speaker 4>you found the coffee machine.

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<v Speaker 2>Yeah, I'm very resourceful. Sit down.

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<v Speaker 1>I figured Honor would lay low at Diego's, but she

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<v Speaker 1>was determined to get answers from at least one of

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<v Speaker 1>the men in her life that day.

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<v Speaker 4>Can I have the room armed with two scalding hot

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<v Speaker 4>cups of Joe?

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<v Speaker 3>Are you sure I can trust you?

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<v Speaker 6>I promise that I won't hurt your suspect. I just

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<v Speaker 6>want to talk, of.

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<v Speaker 3>Course, Miss Thompson. I am sure you too have I.

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<v Speaker 2>Need to cover.

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<v Speaker 5>I wanted to catch up with you over coffee for years,

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<v Speaker 5>but this isn't exactly what I pictured.

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<v Speaker 2>Yeah, that makes two of us.

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<v Speaker 5>Thanks, I know who you want.

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<v Speaker 6>You owe me an explanation. Why are you here, dad, jesus?

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<v Speaker 5>I know this is an interrogation room, but.

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<v Speaker 2>Just answer the question.

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<v Speaker 5>I guess the FBI has some questions about my business practices,

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<v Speaker 5>not in jail on the island.

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<v Speaker 3>I wanted to see you.

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<v Speaker 6>If you just wanted to see me, you could have

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<v Speaker 6>done it in La So why don't you tell me

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<v Speaker 6>the truth?

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<v Speaker 2>Huh? I've been hearing some rumors, rumors about what exactly about.

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<v Speaker 5>You being in way over your head. I was trying

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<v Speaker 5>to protect you, Okay, Why the hell is.

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<v Speaker 3>That so funny?

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<v Speaker 6>You were just so full of shit. You know that

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<v Speaker 6>this isn't about protecting me. This is about controlling me again.

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<v Speaker 6>If this was about protection, you wouldn't have had to

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<v Speaker 6>hire Nico to trick me into.

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<v Speaker 2>Coming to New York.

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<v Speaker 5>You wouldn't have come let me finish.

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<v Speaker 6>If you cared about protecting me, you would have helped

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<v Speaker 6>me when I came to you all those years ago,

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<v Speaker 6>instead of just turning me away. If you cared about

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<v Speaker 6>protecting me, you wouldn't have let a decade go by

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<v Speaker 6>while some asshole crushed me under his heel.

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<v Speaker 5>Anna, I had no idea what was going on with you.

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<v Speaker 2>I didn't even know where you were. All these you

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<v Speaker 2>could have found out Dad.

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<v Speaker 5>I tried, kid, but eventually I just had to assume

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<v Speaker 5>you didn't want to be found. You made it pretty

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<v Speaker 5>clear you didn't want me to be in your life.

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<v Speaker 2>That shouldn't have stopped you.

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<v Speaker 5>You're right, it shouldn't have, and I'm never gonna forgive

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<v Speaker 5>myself forgiving.

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<v Speaker 3>I'm so easy.

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<v Speaker 5>When I heard about your mom, I realized I missed

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<v Speaker 5>my chance that ever made things right with her, and

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<v Speaker 5>that fucking destroyed me. I guess I was just trying

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<v Speaker 5>to not make the same mistake with you.

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<v Speaker 2>You know, don.

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<v Speaker 6>I genuinely wish I had any reason to believe you,

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<v Speaker 6>But you've never given me that.

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<v Speaker 2>All you've ever done.

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<v Speaker 3>Is take what are you talking about?

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<v Speaker 6>You took away Mom's chance at having the career she

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<v Speaker 6>earned by forcing her to leave the island. You took

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<v Speaker 6>away my chance at having an actual dad in my life,

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<v Speaker 6>dad who cared about me, who believed in me. And

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<v Speaker 6>when I finally finally meet someone I could maybe see

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<v Speaker 6>myself loving, I find out you've taken that too. You

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<v Speaker 6>mean Nicholas, Yes, Nico, the first person, the first person I.

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<v Speaker 2>Meet who really sees me. You already own no like

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<v Speaker 2>it matters now, he's already long gone. What do you

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<v Speaker 2>mean gone? He left this morning. Seems to think he's

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<v Speaker 2>doing me a favor.

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<v Speaker 6>How is it that every time a man tells me

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<v Speaker 6>he's doing what's best for me, he manages to be

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<v Speaker 6>dead wrong.

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<v Speaker 5>Ana, Please, you can't be alone right now. Someone needs

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<v Speaker 5>to be looking out for.

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<v Speaker 6>You in case I can look out for myself, Marcus,

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<v Speaker 6>God knows I've had enough practice.

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<v Speaker 5>Wait, at least let me tell you what I found

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<v Speaker 5>out about Jordan. I can't let you walk out.

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<v Speaker 6>What you can't do is make me listen to this

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<v Speaker 6>shit for another second?

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<v Speaker 3>Who are you too done talking already?

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<v Speaker 5>You need to get Nico down here before he gives

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<v Speaker 5>you the slip.

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<v Speaker 4>Oh, we'll be calling him back for questioning very soon.

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<v Speaker 2>Don't worry, Sue isn't good enough.

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<v Speaker 5>You need to talk to him now it can't wait.

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<v Speaker 3>Can I ask what the urgency is?

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<v Speaker 5>I'll tell you that and anything else you want to

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<v Speaker 5>know if you get.

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<v Speaker 3>Him here.

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<v Speaker 1>Immediately.

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<v Speaker 2>Underwater, Episode eight, The Last Dance.

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<v Speaker 7>Afternoon, Sir, can I help you?

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<v Speaker 3>Nicholas Alexander fled to New York.

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<v Speaker 2>I'm sorry, it looks like that flight has been delayed

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<v Speaker 2>hell long, about five hours. Fuck all right, here's your

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<v Speaker 2>boarding pass.

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<v Speaker 3>Thank you, m.

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<v Speaker 1>Fuck appreciate you let me ride in the front man.

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<v Speaker 1>I ain't a big fan of that back seat.

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<v Speaker 4>You're not under arrest, mister Alexander, though, I do believe

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<v Speaker 4>I remember asking you to stay close.

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<v Speaker 1>And get on the plane today. So why exactly do

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<v Speaker 1>you need me back at the station for questioning?

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<v Speaker 4>Marcus wants to talk to you, okay, and your cooperation

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<v Speaker 4>will make this entire process go so much more smooth.

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<v Speaker 1>Jesus, I served him up to you on a silvil platter, Gabe.

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<v Speaker 1>You really need me to do your entire job for you,

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<v Speaker 1>don't you?

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<v Speaker 4>Yes, you have been incredibly helpful, and I would appreciate

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<v Speaker 4>you keeping it up.

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<v Speaker 1>Please, I'll see what I could do for you, since

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<v Speaker 1>you act so nicely and all.

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<v Speaker 8>Put your seat bet on.

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<v Speaker 3>Where's Marcus, Nico? What are you doing here?

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<v Speaker 4>I called him in, Detective, Well, you could have told

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<v Speaker 4>me that Gabriel this way. Oh, I should warn you.

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<v Speaker 4>Mister Watts has been pretty upset since his daughter left earlier.

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<v Speaker 1>Wait, Anna was here today, Nicholas, Nah, you don't need

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<v Speaker 1>to open it.

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<v Speaker 3>It's like that, is it?

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<v Speaker 8>You're damn right, and I will give you boys some privacy.

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<v Speaker 5>Where the hell have you been?

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<v Speaker 1>I was about to get on a plane and leave

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<v Speaker 1>your ass here, but I couldn't go without saying my piece.

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<v Speaker 3>Fuck your piece.

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<v Speaker 2>Go find Anna.

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<v Speaker 5>Now.

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<v Speaker 1>She's a grown woman, Marcus, she can go over the

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<v Speaker 1>fuck she wants.

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<v Speaker 5>She's a hue f No fucking idea what you've done?

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<v Speaker 5>Do you you know about her ex?

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<v Speaker 3>She told me all about him.

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<v Speaker 5>You clearly don't know everything, or you wouldn't have left

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<v Speaker 5>her side. He's alive, Niko, and he's coming for her.

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<v Speaker 3>What you talking about? Man? I called in every.

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<v Speaker 1>Favor to track Anna down after her mom died.

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<v Speaker 5>When I finally figured out where she was, I caught

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<v Speaker 5>win of what had gone down with her scumbag ex boyfriend.

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<v Speaker 5>What I found out was he was still alive. He

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<v Speaker 5>was still out there that he was still looking for

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<v Speaker 5>her too. I made a plan to get her back

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<v Speaker 5>home to New York right away. That's why I sent

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<v Speaker 5>you down here.

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<v Speaker 3>You were trying to keep her safe.

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<v Speaker 5>Yes, you were supposed to get her off the island

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<v Speaker 5>and back to New York before Jordan found her first.

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<v Speaker 5>He's broke, he's desperate, he's unwell. Who knows what he's

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<v Speaker 5>capable of? Do you know where she is right now? No?

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<v Speaker 3>She left a while ago. Alone alone is the best

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<v Speaker 3>case scenario.

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<v Speaker 1>I thought I was keeping it safe by walking away.

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<v Speaker 3>We did was put in more danger? Then?

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<v Speaker 5>Why are you still here, Nicholas?

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<v Speaker 3>For what it's worth, I'm sorry somehow I don't believe.

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<v Speaker 5>That, Agent Miller.

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<v Speaker 3>Yes, mister Watts, I'm ready for that chat.

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<v Speaker 5>Well, okay, Nico, where did you run off to this morning?

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<v Speaker 2>Why knows?

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<v Speaker 5>Fucking wreck man?

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<v Speaker 3>You know if he is now?

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<v Speaker 5>Just dropped drop at.

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<v Speaker 3>The police station. Why what's going on? Man? I fucked up?

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<v Speaker 1>I gotta find her before anyone else could get to her.

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<v Speaker 3>How can I help? Well, I'm on my way back

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<v Speaker 3>to the hotel.

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<v Speaker 1>You sweep downtown and let me know if you find her.

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<v Speaker 1>You got it and diego yeah, thank you.

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<v Speaker 7>Course, bus I.

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<v Speaker 3>Care about or too.

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<v Speaker 2>Hi, you've reached on Thompson. Leave me a message and

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<v Speaker 2>I'll get back to you.

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<v Speaker 3>Please be here, Hona, it's me.

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<v Speaker 1>Look, I know you probably don't want to see me,

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<v Speaker 1>but you can at least tell me if you are right.

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<v Speaker 9>Anna, Good afternoon, mister alex As.

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<v Speaker 3>Have you seen Honor?

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<v Speaker 7>No, not recently, sir, Hi Anna.

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<v Speaker 3>Miss me Jordan?

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<v Speaker 10>How'd you like to walk down here when no one

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<v Speaker 10>else is around?

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<v Speaker 5>You?

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<v Speaker 3>Mind if I join you?

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<v Speaker 7>It's okay, it's just me.

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<v Speaker 2>Yeah, exactly what are you doing here?

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<v Speaker 7>Making sure you're right?

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<v Speaker 10>Look, I know things got sucked up between us, but

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<v Speaker 10>I'm here to bring you home.

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<v Speaker 2>I'm not going anywhere with you.

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<v Speaker 7>I get it.

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<v Speaker 10>You want me to beg.

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<v Speaker 3>Please, baby, I forgive you.

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<v Speaker 7>Let's just go back home to La.

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<v Speaker 2>I said, no, Jordan, I know you had.

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<v Speaker 10>To blow off some steam. Say goodbye to your mom.

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<v Speaker 10>I shouldn't have tried to stop you.

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<v Speaker 2>You're damn right, you shouldn't have.

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<v Speaker 8>Yeah, that's what I just said.

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<v Speaker 6>Are you on something?

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<v Speaker 3>No?

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<v Speaker 7>All right, I'm just a little horn edge.

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<v Speaker 3>Look we've done this before.

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<v Speaker 7>You pack your bags. To make a point, I say,

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<v Speaker 7>I'm sorry.

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<v Speaker 2>We both move on this time.

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<v Speaker 7>Do you think you have any right to say no

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<v Speaker 7>to me?

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<v Speaker 5>Now?

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<v Speaker 10>Only did you empty my bank account to comment?

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<v Speaker 2>That was my money? Jordan, you're left me for fucking dead.

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<v Speaker 3>I think you weared me a conversation.

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<v Speaker 2>Look, I don't know you a damn thing. Is that

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<v Speaker 2>a gun? I just thought we were taking a walk.

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<v Speaker 7>We don't want to bother this family.

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<v Speaker 2>Excuse me, don't.

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<v Speaker 3>Good.

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<v Speaker 10>Now, Let's go somewhere where we can talk a little

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<v Speaker 10>more privately.

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<v Speaker 2>Hi, you've reached on Thompson.

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<v Speaker 3>Hey, any of you? I keep looking sorry about that.

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<v Speaker 3>It's fine. Listen. You haven't seen a woman down here,

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<v Speaker 3>have you? Yeah? There was a couple just now.

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<v Speaker 11>A couple where they go just around the bend there.

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<v Speaker 2>Come on, Jordan, listen to me.

0:14:07.000 --> 0:14:10.280
<v Speaker 6>Stop please, Jordan, Please, you don't have to do this.

0:14:10.440 --> 0:14:11.559
<v Speaker 7>You're giving me a choice.

0:14:11.640 --> 0:14:11.920
<v Speaker 2>Hona.

0:14:12.800 --> 0:14:15.040
<v Speaker 10>I just couldn't live with myself if I didn't come

0:14:15.080 --> 0:14:15.520
<v Speaker 10>down here.

0:14:16.000 --> 0:14:17.679
<v Speaker 7>I try to make things right between.

0:14:17.480 --> 0:14:19.160
<v Speaker 2>So I don't get to live unless I agree that

0:14:20.520 --> 0:14:21.040
<v Speaker 2>what I mean?

0:14:21.520 --> 0:14:27.080
<v Speaker 3>Hey, drop the gun. You the guys after my girl.

0:14:28.800 --> 0:14:31.200
<v Speaker 10>I've had eyes on her this whole time, and I

0:14:31.200 --> 0:14:33.080
<v Speaker 10>don't like what I've been hearing about you too.

0:14:33.120 --> 0:14:35.360
<v Speaker 6>What happened between me and Nigo is none of your concern.

0:14:35.440 --> 0:14:37.560
<v Speaker 6>I'm not your girl, Jordan, not anymore.

0:14:38.840 --> 0:14:39.000
<v Speaker 3>Now.

0:14:39.000 --> 0:14:41.040
<v Speaker 1>You're just being mean if you want to point that

0:14:41.040 --> 0:14:45.080
<v Speaker 1>thing at anyway, pointed at me, man like you said,

0:14:45.920 --> 0:14:47.640
<v Speaker 1>I'm the one who's been coming after your girl.

0:14:49.560 --> 0:14:54.080
<v Speaker 10>Damn, you've got this guy ready to take a bullet

0:14:54.080 --> 0:14:54.440
<v Speaker 10>for you.

0:14:54.960 --> 0:14:57.840
<v Speaker 7>But don't worry. I've god enough to go around.

0:14:58.840 --> 0:15:01.200
<v Speaker 1>There was no time to think, no time to come

0:15:01.280 --> 0:15:04.280
<v Speaker 1>up with a perfect plan. There was only time enough

0:15:04.280 --> 0:15:05.200
<v Speaker 1>to lock eyes with Honor.

0:15:06.600 --> 0:15:07.360
<v Speaker 3>But that was all the.

0:15:07.280 --> 0:15:09.360
<v Speaker 1>Time that I needed to know that I do anything

0:15:09.360 --> 0:15:12.000
<v Speaker 1>to keep us safe, and to know that she do

0:15:12.120 --> 0:15:12.720
<v Speaker 1>the same for me.

0:15:13.400 --> 0:15:14.720
<v Speaker 10>But it doesn't have to come to that.

0:15:15.840 --> 0:15:17.320
<v Speaker 3>No, if you come with me.

0:15:18.600 --> 0:15:20.800
<v Speaker 1>But I'd be damned if I was gonna let another

0:15:20.800 --> 0:15:27.120
<v Speaker 1>person that I love die while I just stood by you.

0:15:27.880 --> 0:15:32.520
<v Speaker 2>Be careful, No.

0:15:34.560 --> 0:15:45.720
<v Speaker 11>Ship, It's okay. I didn't I wasn't gonna shoot Hey.

0:15:45.600 --> 0:15:56.680
<v Speaker 12>Hey, stay with me, okay, help fuck Honor, Honor, stay

0:15:56.720 --> 0:16:04.920
<v Speaker 12>with me now, Mom, Dad, where are you?

0:16:05.960 --> 0:16:07.600
<v Speaker 1>My whole life, I've been taught to think I was

0:16:07.600 --> 0:16:09.760
<v Speaker 1>a threat, a liability.

0:16:10.520 --> 0:16:12.720
<v Speaker 3>Nico, get out of here.

0:16:12.760 --> 0:16:16.600
<v Speaker 7>Eh, you know they could have fired you.

0:16:18.000 --> 0:16:27.360
<v Speaker 1>I learned that I was destined to always let people down.

0:16:24.760 --> 0:16:26.160
<v Speaker 3>That I was always gonna fuck up.

0:16:26.280 --> 0:16:29.120
<v Speaker 13>I don't remember you being especially good about keeping your word, Nico.

0:16:30.000 --> 0:16:32.080
<v Speaker 1>And as I watched the woman I loved bleed out.

0:16:31.960 --> 0:16:35.320
<v Speaker 5>On the sand, I knew all you had to do

0:16:35.720 --> 0:16:38.600
<v Speaker 5>was get on or back to New York and stay.

0:16:39.160 --> 0:16:42.920
<v Speaker 5>You putter a risk, you faith, Nicholas.

0:16:44.080 --> 0:16:44.840
<v Speaker 3>It was all true.

0:16:46.680 --> 0:16:47.600
<v Speaker 2>I just wanted to scare.

0:16:48.560 --> 0:16:50.400
<v Speaker 11>It's the look I was trying to kill someone to say, man,

0:16:52.720 --> 0:16:54.240
<v Speaker 11>well go to fuck fuck fuck.

0:16:55.080 --> 0:16:55.840
<v Speaker 1>That meant.

0:16:57.160 --> 0:16:59.120
<v Speaker 3>I had nothing to lose.

0:16:59.400 --> 0:17:00.440
<v Speaker 2>Fuck mhmm.

0:17:00.920 --> 0:17:03.280
<v Speaker 3>Now I'm gonna have to kill you too. I told

0:17:03.280 --> 0:17:07.080
<v Speaker 3>you to drop the gun.

0:17:08.400 --> 0:17:12.480
<v Speaker 8>A h.

0:17:17.680 --> 0:17:18.480
<v Speaker 7>Thought you had me.

0:17:24.000 --> 0:17:25.840
<v Speaker 3>What are you gonna.

0:17:29.080 --> 0:17:29.879
<v Speaker 2>Get away from him?

0:17:30.000 --> 0:17:33.640
<v Speaker 9>Jordan's how to get.

0:17:33.560 --> 0:17:35.160
<v Speaker 2>The funk away?

0:17:35.920 --> 0:17:37.080
<v Speaker 3>You're not gonna suit me.

0:17:37.320 --> 0:17:38.359
<v Speaker 2>What makes you so sure?

0:17:39.600 --> 0:17:44.640
<v Speaker 10>If you could stomach that, you would have done.

0:17:44.480 --> 0:17:45.880
<v Speaker 2>It years ago?

0:17:47.680 --> 0:17:47.800
<v Speaker 5>Hum?

0:17:47.880 --> 0:17:57.120
<v Speaker 2>Hm, she never knew me at all.

0:17:59.880 --> 0:18:00.359
<v Speaker 3>I got you.

0:18:01.240 --> 0:18:08.840
<v Speaker 6>It's all over, Yeah.

0:18:07.960 --> 0:18:16.840
<v Speaker 3>Anna, I'm afraid of Anna. Just hold on hello, somebody

0:18:16.880 --> 0:18:25.320
<v Speaker 3>help up. Please, I need you to stay. I love you.

0:18:45.359 --> 0:18:49.640
<v Speaker 5>Doctor tedus Kiny, Please dial one six four, Doctor Tedyskin

0:18:49.840 --> 0:18:51.360
<v Speaker 5>please dial one six.

0:18:51.320 --> 0:19:00.080
<v Speaker 10>Four mm hmmm, Nico, Hey, you're awake, dic.

0:19:02.040 --> 0:19:02.920
<v Speaker 2>How did I get here?

0:19:03.600 --> 0:19:06.840
<v Speaker 1>Nico carried you back up from the beach called an ambulance.

0:19:07.880 --> 0:19:09.520
<v Speaker 3>You know, I think he would have carried you here

0:19:09.600 --> 0:19:10.720
<v Speaker 3>himself if they let him.

0:19:10.760 --> 0:19:12.120
<v Speaker 2>Where is he is he all right?

0:19:12.200 --> 0:19:15.280
<v Speaker 3>Yeah, he's fine. They're patching up some damage Jordan did.

0:19:15.800 --> 0:19:16.480
<v Speaker 3>But you're.

0:19:18.680 --> 0:19:20.720
<v Speaker 14>Hey, my hero.

0:19:21.520 --> 0:19:25.080
<v Speaker 1>That would be the doctors. They had you in surgery

0:19:25.119 --> 0:19:29.160
<v Speaker 1>for hours. I ain't know if you were gonna make it.

0:19:31.040 --> 0:19:32.800
<v Speaker 2>Am I gonna be okay.

0:19:32.480 --> 0:19:36.160
<v Speaker 3>You're gonna be just fine. Saved my life, you know.

0:19:36.560 --> 0:19:37.600
<v Speaker 2>You saved my first.

0:19:38.480 --> 0:19:41.040
<v Speaker 3>This is the most romantic thing I've ever seen in

0:19:41.040 --> 0:19:46.040
<v Speaker 3>real life. Diego. You want to give us a mini man?

0:19:46.200 --> 0:19:54.280
<v Speaker 3>Oh h sure of course. I'll get some snacks, Nico

0:19:55.280 --> 0:19:59.760
<v Speaker 3>is Jordan? Yeah, he's gone.

0:20:04.119 --> 0:20:08.080
<v Speaker 2>I don't know why I'm crying. I fucking hated him

0:20:08.119 --> 0:20:08.520
<v Speaker 2>in the end.

0:20:08.920 --> 0:20:13.200
<v Speaker 3>Yeah, you meant always I should have done it for you.

0:20:13.280 --> 0:20:17.360
<v Speaker 14>No, I'm glad it was me. It's exactly what he deserved.

0:20:19.480 --> 0:20:21.040
<v Speaker 14>It's what I deserved.

0:20:21.880 --> 0:20:25.159
<v Speaker 3>There, you are gonna tell you, let me explain.

0:20:26.400 --> 0:20:28.040
<v Speaker 1>You allowed to be hugging it out with a person

0:20:28.080 --> 0:20:29.479
<v Speaker 1>adventuress who cares?

0:20:30.320 --> 0:20:33.440
<v Speaker 3>You're all right? If you need a question us, let

0:20:33.480 --> 0:20:35.400
<v Speaker 3>me go first on a nieceless sleep.

0:20:35.520 --> 0:20:37.600
<v Speaker 13>Now we we will need to question you both, but

0:20:37.600 --> 0:20:44.399
<v Speaker 13>but not not today. Besides, this whole thing seems pretty

0:20:44.400 --> 0:20:45.000
<v Speaker 13>cut and dry.

0:20:45.440 --> 0:20:46.120
<v Speaker 2>What do you mean?

0:20:46.359 --> 0:20:48.080
<v Speaker 13>I mean it was self defense right.

0:20:49.440 --> 0:20:49.680
<v Speaker 2>Right.

0:20:50.280 --> 0:20:51.920
<v Speaker 3>It was good of you to come down here man

0:20:52.880 --> 0:20:55.359
<v Speaker 3>check on her on us?

0:20:55.840 --> 0:20:57.680
<v Speaker 13>Well, actually, I came to give you an update on

0:20:57.720 --> 0:21:02.960
<v Speaker 13>the FBI investigation. Marcus agreed to come clean to the

0:21:03.000 --> 0:21:06.520
<v Speaker 13>fence on the condition that the two of you receive

0:21:06.600 --> 0:21:07.280
<v Speaker 13>full immunity.

0:21:08.440 --> 0:21:12.920
<v Speaker 1>Oh my god, what why would he guess?

0:21:13.040 --> 0:21:16.920
<v Speaker 13>He wanted to make things right. So, unless there's anything

0:21:16.920 --> 0:21:17.720
<v Speaker 13>else you want to say.

0:21:17.600 --> 0:21:22.080
<v Speaker 3>To the FBI, I'm good. I'm good.

0:21:22.480 --> 0:21:26.560
<v Speaker 13>Yeah, I figured I should probably get back to the station.

0:21:28.480 --> 0:21:31.680
<v Speaker 13>Just don't run off without saying goodbye again, hear.

0:21:31.560 --> 0:21:39.879
<v Speaker 3>Me loud and clear. Bro. Wow, I can't believe Marcus

0:21:39.960 --> 0:21:41.760
<v Speaker 3>did that either.

0:21:43.920 --> 0:21:45.920
<v Speaker 14>My whole life, I've been waiting for him to show

0:21:45.960 --> 0:21:47.160
<v Speaker 14>me that he gives a shit.

0:21:49.560 --> 0:21:51.520
<v Speaker 2>I guess he really doesn't do havelf measures.

0:21:51.560 --> 0:21:53.679
<v Speaker 3>Huh No, I just not.

0:21:54.320 --> 0:21:56.840
<v Speaker 14>So what are you gonna do now you know that

0:21:56.920 --> 0:21:57.760
<v Speaker 14>you're finally.

0:21:57.520 --> 0:22:00.040
<v Speaker 3>For you him? Well, I'm not going anywhere until you

0:22:00.080 --> 0:22:01.119
<v Speaker 3>can walk out of here together.

0:22:01.880 --> 0:22:03.200
<v Speaker 2>I was hoping you'd say that.

0:22:04.520 --> 0:22:06.399
<v Speaker 14>It wasn't until I thought you were really cool, and

0:22:06.440 --> 0:22:08.600
<v Speaker 14>then I realized how much I wanted you to stay.

0:22:09.240 --> 0:22:11.600
<v Speaker 3>And it wasn't until I left that I knew I

0:22:11.640 --> 0:22:12.439
<v Speaker 3>belonged here with you.

0:22:13.640 --> 0:22:16.840
<v Speaker 2>You go, what are we gonna do?

0:22:19.040 --> 0:22:19.400
<v Speaker 3>That shit?

0:22:19.520 --> 0:22:23.800
<v Speaker 1>I don't know, but whatever it is, we're gonna be

0:22:23.840 --> 0:22:24.439
<v Speaker 1>in it together.

0:22:27.040 --> 0:22:27.960
<v Speaker 3>If that's what you want.

0:22:28.119 --> 0:22:34.480
<v Speaker 14>I mean, right now, that's all I want. Well that

0:22:34.640 --> 0:22:37.399
<v Speaker 14>in a drink, and I still you a second.

0:22:37.200 --> 0:22:41.280
<v Speaker 3>Round, so we both deserve one, am I right?

0:22:41.560 --> 0:22:41.760
<v Speaker 9>Yeah?

0:22:41.800 --> 0:22:43.840
<v Speaker 14>I mean I guess I might have to wait a

0:22:43.880 --> 0:22:46.360
<v Speaker 14>while before I can swap out these painkillers they got

0:22:46.359 --> 0:22:49.439
<v Speaker 14>me on for one of Elena's signature cocktails.

0:22:49.560 --> 0:22:50.840
<v Speaker 3>I don't see why we have to wait.

0:22:50.960 --> 0:22:51.520
<v Speaker 2>What do you mean?

0:22:51.840 --> 0:22:54.960
<v Speaker 1>Just wanting to take back a little bit to the

0:22:55.000 --> 0:23:01.679
<v Speaker 1>first night we met. Imagine Elena behind the bar whipping

0:23:01.760 --> 0:23:03.639
<v Speaker 1>up some of them cocktails.

0:23:03.160 --> 0:23:05.719
<v Speaker 2>With their trusty blowtorts, exactly.

0:23:06.000 --> 0:23:09.640
<v Speaker 3>Exactly, and you'll be wearing a tight red.

0:23:09.480 --> 0:23:21.880
<v Speaker 2>Tress two of your signature cocktails. Amazing as usual, Alena,

0:23:22.000 --> 0:23:24.680
<v Speaker 2>Thank you? An you gonna try it, handsome?

0:23:27.480 --> 0:23:27.640
<v Speaker 6>Oh?

0:23:27.680 --> 0:23:29.919
<v Speaker 3>My god, that's incredible.

0:23:30.840 --> 0:23:32.320
<v Speaker 2>See, I knew you'd love it.

0:23:32.600 --> 0:23:33.640
<v Speaker 3>I should have trusted you.

0:23:34.080 --> 0:23:39.879
<v Speaker 2>Don't you forget it? Enjoy you too. I guess we

0:23:39.920 --> 0:23:43.400
<v Speaker 2>should toast my dad. He's the reason we're here.

0:23:43.800 --> 0:23:46.119
<v Speaker 3>Fair enough to Marcus.

0:23:46.359 --> 0:23:47.040
<v Speaker 2>To Marcus.

0:23:53.920 --> 0:23:57.920
<v Speaker 3>Look, I know we just met, but I already feel

0:23:57.960 --> 0:23:58.800
<v Speaker 3>like a different person.

0:23:59.200 --> 0:24:08.080
<v Speaker 2>Me too. Maybe we should reintroduce ourselves. Hi, I'm Anna.

0:24:08.920 --> 0:24:11.879
<v Speaker 3>Nice to meet you. I don't know, I'm Nico.

0:24:13.520 --> 0:24:15.280
<v Speaker 1>I'd come back to the island just hoping to make

0:24:15.320 --> 0:24:18.640
<v Speaker 1>it out alive. I never dreamed that I walk away

0:24:18.640 --> 0:24:19.560
<v Speaker 1>with a whole new life.

0:24:19.440 --> 0:24:19.879
<v Speaker 3>Ahead of me.

0:24:20.320 --> 0:24:21.600
<v Speaker 2>You finally get a dance with me.

0:24:23.400 --> 0:24:24.399
<v Speaker 3>I thought you never asked.

0:24:27.000 --> 0:24:28.880
<v Speaker 1>There was still a lot of unknowns ahead of us,

0:24:29.720 --> 0:24:31.359
<v Speaker 1>a lot of people who might not be willing to

0:24:31.440 --> 0:24:34.640
<v Speaker 1>let us get away with what we've done. But hard

0:24:34.640 --> 0:24:36.400
<v Speaker 1>to imagine you following anybody's lead.

0:24:36.440 --> 0:24:39.280
<v Speaker 14>I gotta say, oh, sweetie, who said you were leading?

0:24:39.800 --> 0:24:40.320
<v Speaker 3>Fair enough?

0:24:42.240 --> 0:24:45.840
<v Speaker 1>But if Anna was by my side, I knew we

0:24:45.880 --> 0:24:48.320
<v Speaker 1>could face whatever the world threw at us.

0:24:48.640 --> 0:24:50.440
<v Speaker 3>Might always just take it one step at a time.

0:24:51.040 --> 0:24:52.240
<v Speaker 2>That sounds perfect to me.

0:25:00.240 --> 0:25:17.920
<v Speaker 15>Under waterma, lord, coming from beyond the water.

0:25:19.920 --> 0:25:26.159
<v Speaker 6>Yeah, comers, behunder water, go the.

0:25:26.640 --> 0:25:35.920
<v Speaker 15>Boat, Swim Fast, Underwater, Underwater, Water.

0:25:44.080 --> 0:25:44.560
<v Speaker 3>He Yeah.

0:25:54.000 --> 0:25:57.160
<v Speaker 16>Underwater is an Interval Presents original production with Temple Hill

0:25:57.280 --> 0:26:02.280
<v Speaker 16>Entertainment and Clamor, starring Jason and Alexandra Shipp. Written by

0:26:02.359 --> 0:26:06.480
<v Speaker 16>Katrina Day, directed by Pat Kelly and Chris Kelly. Executive

0:26:06.480 --> 0:26:11.080
<v Speaker 16>producer Jason Derulo, executive producers from Interval Presents, Alan Coy

0:26:11.160 --> 0:26:15.600
<v Speaker 16>and Jay Kleinberg executive producers from Temple Hill Entertainment, Marty Bowen,

0:26:15.800 --> 0:26:20.359
<v Speaker 16>Wick Godfrey and Alex Addison executive producers from Klamor. Rich Stadter,

0:26:20.800 --> 0:26:25.399
<v Speaker 16>Aaron Hilliard, Adam Reynolds and Alison Cheno. Executive produced by

0:26:25.560 --> 0:26:30.360
<v Speaker 16>Katrina Day. Executive producer from Future History Frank Harris. Special

0:26:30.440 --> 0:26:35.000
<v Speaker 16>thanks to Henri De Sources, Marketing Lead Samara Still, Business

0:26:35.040 --> 0:26:39.760
<v Speaker 16>Development Lead Cheffy Ellen, Sweg Meggie and Operations Lead Sarahu.

0:26:40.160 --> 0:26:43.720
<v Speaker 16>Post production audio services by Kelly and Kelly, Sound design

0:26:43.760 --> 0:26:47.880
<v Speaker 16>and mixed by Paul Teedeskini. Dialogue edited by Max Collins.

0:26:48.480 --> 0:26:51.960
<v Speaker 16>Original music by Genevieve Vincent. Songs arranged by Genevieve Vincent.

0:26:52.600 --> 0:26:55.840
<v Speaker 16>The cast includes Jason Derulo as an Eco, Alexandra Ship

0:26:55.920 --> 0:26:59.240
<v Speaker 16>as Anna Kerry, Alexander as Bank teller and additional voices.

0:26:59.520 --> 0:27:02.359
<v Speaker 16>Baw Bridge as Jordan, Michael Darry as credit reader and

0:27:02.400 --> 0:27:06.480
<v Speaker 16>additional voices, Anisia Dubois as Dahlia and Young Dahlia, Andrew

0:27:06.520 --> 0:27:09.879
<v Speaker 16>Frankel as stranger and additional voices. Walter Gray the Fourth

0:27:10.080 --> 0:27:14.000
<v Speaker 16>as male tourist and additional voices, Melissa Greenspan as female

0:27:14.040 --> 0:27:18.719
<v Speaker 16>tourist and additional voices, Alice Hunter as Elena, Jeremy Jordan

0:27:18.960 --> 0:27:23.479
<v Speaker 16>as Gabriel, Josh Keaton as Matteo, Tara Langella as female

0:27:23.520 --> 0:27:27.879
<v Speaker 16>guest and additional voices, Jonathan Leon as Young Matteo, Donnis

0:27:27.960 --> 0:27:31.640
<v Speaker 16>Leonard Junior as Elias Parker, James Logi as young Boy,

0:27:32.040 --> 0:27:36.560
<v Speaker 16>Emily Martinez as Carman, Michael McLoone as Marcus, Carlo Renata

0:27:36.760 --> 0:27:41.199
<v Speaker 16>as Bartender, John Carlos Sabagal as Diego, David Shatraw as

0:27:41.280 --> 0:27:45.679
<v Speaker 16>male guest and additional voices. Andre Sigluzzo as Sebastian, Cameron

0:27:45.760 --> 0:27:49.000
<v Speaker 16>Jay Wright as Young Nico, and Hannah Zamora as Mia.

0:27:49.640 --> 0:27:53.399
<v Speaker 16>Produced by Lillian Holman, post produced by Justin Schoe and

0:27:53.520 --> 0:27:58.199
<v Speaker 16>Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie

0:27:58.200 --> 0:28:02.080
<v Speaker 16>Mitchell Music Clearances by debrah Mannis Gardner DMG.

0:28:01.800 --> 0:28:02.879
<v Speaker 3>Clearance is Incorporated.

0:28:03.200 --> 0:28:06.680
<v Speaker 16>Audio engineered by Ian Fogerty and Ed mcinti at Gold Diggers,

0:28:07.000 --> 0:28:09.639
<v Speaker 16>Brett Tuban at the Relic Room and Jordan Sweet at

0:28:09.720 --> 0:28:14.800
<v Speaker 16>Challice Recording Studio. Assistant engineered by Derek mcgroen and Amber Orserti.

0:28:15.640 --> 0:28:19.840
<v Speaker 16>Vocal coaching by Bianca Blush Atterbury. Casting by Marlice Gussenhauer,

0:28:19.960 --> 0:28:24.000
<v Speaker 16>Sibby Kersch and Brentegata. Additional casting by Melissa Berger, Brennan,

0:28:24.320 --> 0:28:28.600
<v Speaker 16>Salem Everett and Scott Forbes at CESD. Talent Script supervisor

0:28:28.720 --> 0:28:34.280
<v Speaker 16>Tamara Black, Production supervisor Lizzie Sam Production coordinators Ethan Aronson

0:28:34.480 --> 0:28:39.200
<v Speaker 16>and Sean Green. Production assistants Chelsea Perry and Samara Malik.

0:28:39.720 --> 0:28:44.360
<v Speaker 16>Additional special thanks to Riley Fulsom and Maxim Carlick. Underwater

0:28:44.680 --> 0:28:48.000
<v Speaker 16>was recorded at Gold Diggers in Los Angeles, California, Challie

0:28:48.040 --> 0:28:51.480
<v Speaker 16>Recording Studio in Los Angeles, California, and the Relic Room

0:28:51.600 --> 0:28:54.560
<v Speaker 16>in New York, New York. Make sure to follow under

0:28:54.600 --> 0:28:59.800
<v Speaker 16>Water and listen on Apple Podcasts, Spotify, Amazon Music, sirius x,

0:29:00.480 --> 0:29:01.840
<v Speaker 16>or wherever you get your podcasts.