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Speaker 1: Greens and Ben Benniel's fellow seekers of the dark.

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Speaker 2: I'm your host, dal Israel.

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Speaker 1: Welcome to no Doorno Tales from the Shadows. By the

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Speaker 1: enchanted flame of this fire, we transcend time and space

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Speaker 1: to step into the chilling Lord and legends of Latin America,

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Speaker 1: stories passed down through the years and retold with a choice.

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Speaker 3: Tonight's tale involves one of the more terrifying powers of

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Speaker 3: certain classes of baroahs or witches found in Southern Mexico

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Speaker 3: and Central America.

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Speaker 1: Join me in a dream by the night sea, or

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Speaker 1: a young woman searching for love is the wrong place.

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Speaker 1: We'll soon discover the most uncanny of bonds in love Spell,

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Speaker 1: A tale of the Naguanity.

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Speaker 4: How are you not freezing?

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Speaker 5: Come here and let me hold you, Jack.

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Speaker 6: We're not together anymore.

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Speaker 7: Remember Look, I've been giving this a lot of thought,

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Speaker 7: and I want you back.

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Speaker 5: I'm ready to go public with us. No more hiding,

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Speaker 5: no more sneaking around.

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Speaker 8: Are you serious?

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Speaker 7: Yes, I'm serious.

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Speaker 5: I want to be with you, Sylvia, and I don't

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Speaker 5: care about my family's ignorant opinions.

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Speaker 9: I swear if you're messing with.

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Speaker 5: Me, let me warm me up. I love you, Sylvia.

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Speaker 9: I love you too.

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Speaker 10: Chat huh quick hot?

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Speaker 5: Can you hit me the monocars?

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Speaker 9: What is it?

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Speaker 5: I mean, I'm not sure. It looks like a giant.

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Speaker 7: Rat or something. See for yourself. Right over there against

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Speaker 7: the surf.

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Speaker 9: I don't see. Oh wait, oh my god, it's alo.

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Speaker 9: What you know those dogs from Mexico that are totally hairless.

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Speaker 7: That's a dog.

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Speaker 5: Damn.

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Speaker 7: I can see where two pabas come from.

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Speaker 9: Shut up, I think they're cute.

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Speaker 8: Poor thing.

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Speaker 9: It must be lost. Don't call it hi, Hi spen baby?

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Speaker 11: Are you lost?

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Speaker 5: Stundikes? There's a face only a mother could love. Easy there,

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Speaker 5: big boy, I don't.

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Speaker 7: Think she likes It's not funny. Made me that piece

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Speaker 7: of drift to it?

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Speaker 9: Jack?

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Speaker 10: Jack, don't I can't stay back, Jack?

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Speaker 12: So you.

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Speaker 9: Mom?

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Speaker 13: Dad?

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Speaker 9: Where where's Jack?

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Speaker 14: Okay?

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Speaker 13: Jack?

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Speaker 14: No, no, no, no, no, no. It was just a dream.

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Speaker 4: It's just a dream.

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Speaker 15: Where the Okay, okay, take it.

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Speaker 16: This ridiculous. It's the middle of the morning and you're

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Speaker 16: heaving nightmares. Did you take your night tryst? The doctor

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Speaker 16: told you not to skip any doses here, Okay, Dad.

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Speaker 9: Jesus and I had like three express for breakfast. Can

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Speaker 9: you not yell at me.

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Speaker 2: I'm not yelling.

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Speaker 13: I just work.

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Speaker 17: Yeah, let's just all calm down.

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Speaker 5: You know what.

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Speaker 16: You tool should just fly back early. I can book

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Speaker 16: the tickets right now. You don't need to worry about me.

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Speaker 16: I can handle the funeral on my own.

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Speaker 7: You don't have time.

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Speaker 16: I knew it wasn't a good idea to bring Sylvia here.

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Speaker 16: Oh my, I've probably done to get her nightmares under control?

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Speaker 2: Was I thinking?

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Speaker 15: Okay?

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Speaker 12: Yeah?

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Speaker 15: Can you just stop facing for a second. Celvia is fine, Okay,

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Speaker 15: it's her first time in Nikiko for a funeral. No less,

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Speaker 15: she's going through a breakup and she's just transitioned.

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Speaker 9: This is just her body's way of processing all this change.

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Speaker 15: A nightmare here and there is.

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Speaker 14: To be expected.

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Speaker 9: Can you please not talk to me like I'm not here?

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Speaker 16: We shouldn't have brought her Valentina, she's not well.

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Speaker 14: You're making a mountain out of a molehill.

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Speaker 9: Hey, can you guys stop the The nightmare is over.

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Speaker 17: I'm so sorry.

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Speaker 5: Why not see you? Senor Shoe took a.

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Speaker 13: Yeah, I have to take this.

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Speaker 18: What's wrong with me?

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Speaker 13: Mom?

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Speaker 14: I'm no more.

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Speaker 15: Absolutely enough is wrong with you either. You just need

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Speaker 15: to unwind and reconnect with yourself. Your dad, on the

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Speaker 15: other hand, I think the funeral is really getting to him.

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Speaker 18: Yeah, that must be it.

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Speaker 15: Okay, ah, that was the funeral director. Oh good, finally, yeah.

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Speaker 16: Finally, you can meet us this morning if we hurry.

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Speaker 5: I'm sorry we have to leave you like this.

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Speaker 19: Miha.

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Speaker 9: No, I'm sorry, Dad.

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Speaker 8: I didn't mean to stir up all this drama.

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Speaker 4: Your mom just died, and I know you're just worried.

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Speaker 9: And looking out for me.

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Speaker 16: I mean, there's nothing to be sorry about my mother.

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Speaker 16: She was complex, to say the least. There's a reason

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Speaker 16: we never brought you here. I wish we didn't have

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Speaker 16: to drag you along for all this up.

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Speaker 15: And on the bright side, we are in Mexico and

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Speaker 15: Sylvia has never had a chance to explore her roots.

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Speaker 15: Maybe we should think about extending our trip a little

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Speaker 15: after the funeral.

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Speaker 5: No, no, no, no, no, let's just get through the

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Speaker 5: funeral and head home.

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Speaker 15: We'll talk about it now.

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Speaker 5: There's nothing to discuss.

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Speaker 15: Okay, then, Selvi, why don't you get out of this

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Speaker 15: stuffy room and go enjoy the pool a little sunshinel

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Speaker 15: do you good?

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Speaker 9: Yeah, you're right, Just don't leave.

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Speaker 5: The hotel by yourself.

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Speaker 9: Okay, yes, she's sixteen, that's six.

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Speaker 16: It's a dangerous place, especially especially for what Just stay

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Speaker 16: in the hotel. Okay, let's get going, Valentina. I don't

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Speaker 16: want to miss the priest again.

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Speaker 5: God for you?

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Speaker 7: Oh what's up? Why are you calling Jack?

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Speaker 4: I need to tell you about this dream and we

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Speaker 4: were back together, and.

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Speaker 7: God, Sylvia, how many times do I have to tell

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Speaker 7: you it's over?

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Speaker 6: What are you talking to?

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Speaker 11: Babe?

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Speaker 7: No one? Who is that? Just stop calling Jack? We're done?

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Speaker 9: Jack, freaking asshole? Where is your Olympia?

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Speaker 10: I'm in here.

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Speaker 16: I'm so sorry.

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Speaker 14: I thought it was empty.

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Speaker 11: I can come back later.

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Speaker 20: Okay, okay, I'm fine.

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Speaker 7: Or no, I don't.

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Speaker 10: I don't know.

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Speaker 9: Oh my god, Oh God, I mean me.

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Speaker 14: You're a man, let me guess boy trouble.

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Speaker 20: Yeah, you could say that. I finally confronted my boyfriend

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Speaker 20: for keeping our relationship with secret, and instead of being understanding,

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Speaker 20: he just ended it. And now he's already with some

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Speaker 20: other girl, and I.

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Speaker 14: Just I've been there. No man is worth the amount

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Speaker 14: of pay. Those dark circles under your eyes are telling

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Speaker 14: a story. Maybe you need to get some rest and

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Speaker 14: slip it off.

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Speaker 20: I wish, but I have these terrible nightmares like every night,

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Speaker 20: and I don't know what to do.

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Speaker 19: Oh girl, every night.

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Speaker 15: This sounds like more than just a heartbreak.

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Speaker 14: What you need is a I know of a really

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Speaker 14: good one not too far away from here.

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Speaker 9: What's a good ondetta? You know someone who makes spells

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Speaker 9: and stuff? I love spell and you'll be ood a

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Speaker 9: love spell.

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Speaker 6: I know how it sounds, but.

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Speaker 14: I'm telling you. My cousin went from single to engage

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Speaker 14: in like a week. She swears by this cornder. I

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Speaker 14: am that.

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Speaker 4: Sounds amazing, but I can't.

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Speaker 6: My dad would kill me.

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Speaker 7: If you know.

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Speaker 17: I love the hotel.

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Speaker 15: Soothe yourself, but her shop is just around the corner.

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Speaker 14: If you change your mon.

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Speaker 4: Hello, Wow, does anybody here?

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Speaker 9: Oh?

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Speaker 2: Let me?

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Speaker 14: You're here when they broken her?

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Speaker 4: How did you know that?

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Speaker 14: Believing cause of angst and that both reasons the daunt

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Speaker 14: of time. I know it when I see it. I'm

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Speaker 14: Doni a Bertola and you are Sylvia Chechak. Should have

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Speaker 14: you seen? Let's see what the gods have to say? Ah,

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Speaker 14: Reverend Villas for fever.

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Speaker 15: Mm.

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Speaker 4: The tower that doesn't look very promising.

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Speaker 14: Crumbling the seat and broken promises will never stand the

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Speaker 14: test of time. This boy, my dear, is not worth

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Speaker 14: your tears, but I still love him. I've seen more

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Speaker 14: heartbreak than all the telenovelas combined. This boy will never

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Speaker 14: be your equal. And see as for the last God strength.

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Speaker 14: You see the woman here that's you? What do you

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Speaker 14: see in her?

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Speaker 4: She looks brave and free? But what about that creature

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Speaker 4: in the card?

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Speaker 9: It looks scary.

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Speaker 14: Let me ask you, child, have you had nightmares of

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Speaker 14: wild animals lately?

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Speaker 9: Yes, every night?

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Speaker 14: Beasts of the night, Oh day whisper secrets to those

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Speaker 14: who listen, You know what does that mean? It means

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Speaker 14: your subconscious has quite the menagerie one last God.

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Speaker 9: The lovers.

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Speaker 10: That's a good sign.

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Speaker 13: Right.

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Speaker 14: Indeed, even as we speak, your soulmate searches for you.

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Speaker 14: Oh my God, your one true love is closer than

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Speaker 14: you think. Really, yes, very very close, perhaps even right

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Speaker 14: here in Wahakah. But you are blocked. I'm afraid, And

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Speaker 14: for this I will make you a love spell to

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Speaker 14: open your mind, body and soul and call your true love.

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Speaker 4: For Okay, Okay, wow, that sounds intense, but let's do it.

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Speaker 14: True love is no light matter. Are you sure you

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Speaker 14: want this, oh more than anything. Very well, let me

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Speaker 14: gather my things.

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Speaker 4: That that that knife looks really old?

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Speaker 6: Is it an antique?

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Speaker 7: Give me your hand, oh my hand?

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Speaker 14: Oh yes, a few drops of bloody solidachs.

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Speaker 9: That's a lot more than a few drops there.

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Speaker 17: All done.

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Speaker 14: That wasn't so bad, was it?

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Speaker 21: Now?

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Speaker 14: I will just add a bit of this and some

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Speaker 14: oh pinch of merrow harvested on a new moon. Clow

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Speaker 14: off the rooms and only wonder for good measure. One

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Speaker 14: wouldn't want to open the room.

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Speaker 5: Doors after all.

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Speaker 14: Close your eyes and drink this. It's for unseen yet

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Speaker 14: it's presence, fell.

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Speaker 12: Seve.

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Speaker 9: Wow, I really thought something, I really did.

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Speaker 14: Your true love will find you soon. Oh my god,

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Speaker 14: I lost attention to your dreams. And last but not least,

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Speaker 14: that will be three hundred pesos dollars preferred. But I

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Speaker 14: also take denmo. The QR code is over by the door,

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Speaker 14: and tips.

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Speaker 9: Are well right, of course, let me just uh.

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Speaker 11: Done.

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Speaker 9: Thank you again, Donato, I really appreciate it. Donia Bartola,

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Speaker 9: where's she go? I'll just see myself out, okay, smooth,

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Speaker 9: But I was enjoy.

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Speaker 13: Ship.

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Speaker 9: Excuse me, del scope, Yes, miss, could I get.

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Speaker 8: Another double espresso?

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Speaker 2: Another one?

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Speaker 17: Are you sure you you won't be able to sleep

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Speaker 17: to night?

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Speaker 8: That's kind of what I'm going for, Okay, hardcore?

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Speaker 12: Huh, don't one expressive for the night?

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Speaker 5: Al coming right up?

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Speaker 9: Thanks so much.

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Speaker 19: Hey, I hope this doesn't.

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Speaker 14: Weird you out, but well, my break is coming up,

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Speaker 14: and I was kind of wondering if maybe you want

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Speaker 14: to hng out or something.

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Speaker 12: Are you asking me.

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Speaker 13: On a date?

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Speaker 16: No?

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Speaker 12: No, well I mean yes, yes, but I don't.

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Speaker 2: I don't mean no disrespect.

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Speaker 8: I don't even know your name, right right, of.

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Speaker 12: Course I'm got respect.

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Speaker 17: Clearly, I'm not great at this.

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Speaker 19: I'll just I'll be right back with your coffee.

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Speaker 8: Wait, Carlos, I'd love to go on a date with you, so.

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Speaker 9: Did I tell him? Get your own damn pizza and

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Speaker 9: proceed to eat the entire thing just out of sight. O.

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Speaker 12: Nice.

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Speaker 17: I can't remember the last time of anyone when you

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Speaker 17: left so hard.

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Speaker 12: Us.

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Speaker 10: Yes you are?

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Speaker 12: Hey?

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Speaker 9: Wait, you really think I'm funny?

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Speaker 8: Nobody thinks I'm funny.

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Speaker 17: You're not just funny, You're You're beautiful, smart, cool.

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Speaker 9: I really really like you, Carlos.

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Speaker 7: I really like you too.

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Speaker 12: Holy Ship, did you see that what said?

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Speaker 7: Something just swam by my feet.

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Speaker 12: It looked pretty big.

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Speaker 9: Yeah, good one.

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Speaker 12: No, no, no, no, I'm serious.

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Speaker 10: Oh my god, all these we need to get out

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Speaker 10: of the water.

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Speaker 12: Wait wait, wait, I think it's not I don't see.

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Speaker 18: It out.

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Speaker 17: Man, Senora, your double espresso?

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Speaker 12: Hey you, missmiss you.

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Speaker 9: Okay, Carlos, you're alive.

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Speaker 12: I'm so sorry, mister you.

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Speaker 17: You must have mistaken me for someone else.

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Speaker 10: But we went on a date and and and and

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Speaker 10: the crocodile.

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Speaker 11: Crocodile.

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Speaker 9: Oh my god, it was all the tree.

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Speaker 8: I'm so sorry.

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Speaker 13: Wait, you forgot.

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Speaker 9: Your coffee, thanks dad, And.

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Speaker 5: You took your night trus up on. Yep, she can't

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Speaker 5: hear you with her headphones.

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Speaker 6: I wish you would just encourage her to sleep.

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Speaker 14: This can't be.

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Speaker 5: Healthy and risk more nightmares. I don't think so.

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Speaker 13: Fine.

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Speaker 15: Sylvia can do what she wants, but you need to

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Speaker 15: get some sleep before the funeral tomorrow.

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Speaker 5: I want to keep an eye on Sylvia.

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Speaker 14: What is really going on with you?

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Speaker 15: Is this about Sylvia's transition? May you understand the world

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Speaker 15: can be a scary place, but hovering over her like

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Speaker 15: a hawk and worrying about every little thing isn't doing

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Speaker 15: her any good.

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Speaker 16: You think this is about her transition, This is about

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Speaker 16: her nightmares.

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Speaker 5: My mother used to have these nightmares like that.

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Speaker 16: She was cursed. It was a terrible, terrible affliction.

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Speaker 10: A curse is dorda.

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Speaker 17: You don't really believe that she could.

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Speaker 13: I saw it with myself when I was a boy.

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Speaker 16: You saw what exactly, I don't know, something monstrous in

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Speaker 16: her eyes.

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Speaker 5: I worry for her, Sylvia.

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Speaker 7: I worry she has it too more.

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Speaker 15: You're carrying the weight of the world in your shoulders.

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Speaker 17: Neat rest.

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Speaker 15: Your mother had a mental illness, not a curse. And

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Speaker 15: Sylvie is fine. She's just an ordinary teenager.

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Speaker 5: God. I hope you're right. Valentina.

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Speaker 12: Yeah, an't on her that the factor that shine a won.

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00:20:04,760 --> 00:20:09,720
Speaker 21: You and your infatation adminish nor urbans through the hall.

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Speaker 13: I've had.

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Speaker 7: You also in the.

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Speaker 4: Holy ship. Mom, look up, affair, What is it? All

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Speaker 4: those birds and the rafters birds?

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Speaker 12: What do you mean.

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00:20:32,880 --> 00:20:33,399
Speaker 17: She gains you?

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00:20:33,840 --> 00:20:34,640
Speaker 12: The birds?

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00:20:35,000 --> 00:20:37,320
Speaker 17: They're all looking at me money, What what are you

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Speaker 17: talking about?

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00:20:38,520 --> 00:20:39,520
Speaker 13: There aren't any.

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00:20:39,440 --> 00:20:41,240
Speaker 8: Birds can be pretty?

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Speaker 10: Give them away from me.

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Speaker 12: Here are you clean?

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00:21:00,760 --> 00:21:12,040
Speaker 5: Crash and thank you for coming. And again we're so

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Speaker 5: sorry for the disturbance.

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00:21:13,600 --> 00:21:14,080
Speaker 14: So sorry.

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Speaker 20: I'm so sorry, Dad, I'm so sorry for ruining the funeral.

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Speaker 13: Dad.

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Speaker 10: I don't know what happened.

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00:21:22,359 --> 00:21:23,439
Speaker 9: I'm ast fallen asleep.

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Speaker 5: Yeah, we just want to make sure you're okay. If rosales,

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Speaker 5: he's going to offer you a blessing.

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Speaker 21: Yeah, man made the light of the Lord, dispelled the

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Speaker 21: darkness that surround you. Chi tell me, is there anything

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Speaker 21: that might have invited such darkness into your life? Have

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Speaker 21: you dabbled shay in your forbidding art? Perhaps with your boy? No?

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Speaker 9: No, nothing like that.

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Speaker 21: You can tell me.

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Speaker 18: Although, so yesterday I went to see a corndetta named

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Speaker 18: Donia Bartola and she made me a love spell.

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Speaker 14: Celia, I can't believe you.

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00:22:04,840 --> 00:22:06,439
Speaker 16: I know something wasn't right.

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Speaker 4: And who's yeah to me?

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Speaker 19: That woman is a witch?

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00:22:12,760 --> 00:22:17,200
Speaker 21: What ineg would jim shot? If I had known, I

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Speaker 21: never would have let you shut foot indist.

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Speaker 2: Thank you father.

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Speaker 5: I'll handle it from here, Sylvia, take us to the school.

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Speaker 2: Ndetta, now show yourself burroh.

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Speaker 9: No need to shut my goodness, you scared me.

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Speaker 2: She does that?

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Speaker 7: She? What have you done to our daughter?

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Speaker 14: I should be asking you the same question, mister shutuk.

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00:22:53,320 --> 00:22:56,360
Speaker 14: Why don't you tell your daughter and what you did?

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Speaker 9: What is she talking about?

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Speaker 12: Dad?

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00:23:00,760 --> 00:23:02,840
Speaker 16: Okay, there's something I need to tell you, something I

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00:23:02,960 --> 00:23:06,040
Speaker 16: kept hidden from you for for too long. When you

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00:23:06,200 --> 00:23:09,919
Speaker 16: were young, I hired someone to put a protection spell

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Speaker 16: on you.

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00:23:10,800 --> 00:23:15,240
Speaker 14: What some protection? Look at all that trouble.

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00:23:15,320 --> 00:23:16,639
Speaker 7: It's cost What did you do?

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00:23:16,920 --> 00:23:17,120
Speaker 12: Dad?

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00:23:18,480 --> 00:23:22,679
Speaker 16: There's been a curse in our family that's been carried

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Speaker 16: from generation to generations. I wanted to protect you, Sylvie,

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Speaker 16: but I feared this man everything.

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Speaker 14: Don't you understand anything? It is a gift, not a curs.

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Speaker 10: I sell, I get done, pretty dark.

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00:23:45,160 --> 00:23:45,440
Speaker 13: Done?

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00:23:45,720 --> 00:23:46,320
Speaker 12: Do you see?

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00:23:46,800 --> 00:23:48,600
Speaker 14: See?

390
00:23:49,240 --> 00:23:49,560
Speaker 13: I see?

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00:23:49,720 --> 00:23:50,560
Speaker 10: I see a shadow.

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Speaker 9: Let's getting closer, like a fog of pure darkness.

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Speaker 14: Or your true love is coming now? For the true

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00:24:01,080 --> 00:24:07,159
Speaker 14: love of any blue is her? Not stop resisting? A

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00:24:07,440 --> 00:24:13,840
Speaker 14: for sunsee yet ever? Keen its presence felt, though not foresee?

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00:24:15,240 --> 00:24:18,320
Speaker 14: Was there something in your dreams that you felt but

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00:24:18,560 --> 00:24:22,879
Speaker 14: could not see? And what animal roars.

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00:24:22,640 --> 00:24:23,520
Speaker 19: In such a way?

399
00:24:24,600 --> 00:24:24,960
Speaker 12: I don't know.

400
00:24:26,240 --> 00:24:28,520
Speaker 10: Maybe a lion or a tiger?

401
00:24:29,680 --> 00:24:38,560
Speaker 14: Look within sa a animal a jackuar.

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00:24:40,520 --> 00:24:45,720
Speaker 12: Let the roar enter, and Const'm afraid.

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00:24:45,680 --> 00:24:50,920
Speaker 14: The fear will end when you let it in. We

404
00:24:51,040 --> 00:24:54,639
Speaker 14: need to get around here, just between the counter, and

405
00:24:54,840 --> 00:24:57,040
Speaker 14: to keep in mind what you are about to see.

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00:24:57,160 --> 00:24:59,960
Speaker 14: Men painful, But I assure you see if you.

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00:25:00,119 --> 00:25:01,200
Speaker 21: We'll be nine.

408
00:25:03,920 --> 00:25:05,640
Speaker 12: No no, no, no luck.

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00:25:06,320 --> 00:25:09,080
Speaker 21: The child in conformation.

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00:25:08,880 --> 00:25:26,760
Speaker 11: Sif you're mad?

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00:25:28,160 --> 00:25:30,840
Speaker 14: She thinks it My smelling sounds are on sale for

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00:25:30,960 --> 00:25:31,840
Speaker 14: five ninety nine.

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00:25:38,480 --> 00:25:42,240
Speaker 11: Yeah we are ill, are.

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00:25:47,600 --> 00:25:49,040
Speaker 12: Y don't reger?

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00:25:49,920 --> 00:25:55,160
Speaker 14: The first transformation is exhausting. You are a poor woman,

416
00:25:56,320 --> 00:25:59,080
Speaker 14: and no one must have tormented her from within like

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00:25:59,160 --> 00:26:00,920
Speaker 14: a wild animal trapped.

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00:26:00,600 --> 00:26:01,399
Speaker 13: In that cage.

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Speaker 3: I didn't know.

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00:26:04,200 --> 00:26:05,520
Speaker 13: I thought it was a curse.

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00:26:06,080 --> 00:26:10,359
Speaker 14: People are so afraid of what they don't understand. What

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00:26:11,600 --> 00:26:15,879
Speaker 14: do you hold this gift? Of course, Sylvia is what

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00:26:16,000 --> 00:26:22,639
Speaker 14: you call it? Shapeshifter the jaguar comes only to the

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00:26:22,880 --> 00:26:27,119
Speaker 14: most powerful amongass Just does that mean you?

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00:26:27,280 --> 00:26:27,320
Speaker 3: You?

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00:26:27,680 --> 00:26:34,840
Speaker 5: You also, mister Shatto, I too as well.

427
00:26:36,359 --> 00:26:41,639
Speaker 14: No far be manawal from the jaguar. Would you like

428
00:26:41,880 --> 00:26:42,640
Speaker 14: to see.

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00:26:50,359 --> 00:27:16,400
Speaker 19: H Jack?

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00:27:17,520 --> 00:27:19,280
Speaker 9: I thought you hated hiking in the rain?

431
00:27:20,600 --> 00:27:20,800
Speaker 3: I do.

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00:27:21,000 --> 00:27:23,800
Speaker 7: But if it means I get a second chance?

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00:27:25,200 --> 00:27:26,840
Speaker 9: Who says you get a second chance?

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00:27:27,720 --> 00:27:28,240
Speaker 19: What do you mean?

435
00:27:28,840 --> 00:27:29,680
Speaker 7: Isn't that why we're here?

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00:27:32,800 --> 00:27:36,000
Speaker 10: You don't know? That's saying it's better to show not tell.

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00:27:36,800 --> 00:27:47,639
Speaker 6: Yeah, I don't date cowards anymore, boy, Sylvia.

438
00:27:48,760 --> 00:27:49,840
Speaker 7: What's wrong with your eyes?

439
00:27:59,160 --> 00:28:36,680
Speaker 13: What the Hell's fun? Oh?

440
00:28:38,040 --> 00:28:38,680
Speaker 14: T love?

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00:28:39,840 --> 00:28:40,920
Speaker 7: The first breakup.

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Speaker 1: It's always the hardest, but it opens the door for

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00:28:46,360 --> 00:28:51,040
Speaker 1: what we're truly meant to find. Be careful out there, friends,

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00:28:51,840 --> 00:28:56,000
Speaker 1: there may be a quality lurking much closer than you think.

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Speaker 19: Nocturno Tales from the Shadows was produced by Sonoro in

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00:29:10,920 --> 00:29:16,320
Speaker 19: partnership with I Heartsmichael Dura Podcast Network. Produced and directed

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00:29:16,600 --> 00:29:22,000
Speaker 19: by Luis Eduardo Castillo, developed and produced by Bettina Lopez.

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00:29:22,680 --> 00:29:24,160
Speaker 5: The executive produced by.

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00:29:24,120 --> 00:29:28,480
Speaker 19: Conel Byrne and Giselle Benzies for iHeart and Camilla Victoriano

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00:29:28,520 --> 00:29:34,000
Speaker 19: and Josha Weinstein for Sonoro. This episode was written by

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00:29:35,120 --> 00:29:42,880
Speaker 19: Stephanie Adams. Santos. Performances in this episode by Danny Trejo,

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00:29:43,560 --> 00:29:50,880
Speaker 19: Kuei ten May, aswell Annie Henk, Bacolosano and Aida Gardinez,

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00:29:51,560 --> 00:29:59,040
Speaker 19: Matthew Benavidez, Savanna Nicole Ruiz, Sila, Sheila Corci, Gustavor Rosse

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00:29:59,680 --> 00:30:09,240
Speaker 19: and Arcopelas. Our production manager is Carinsa Chaies. Recording engineering

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00:30:09,400 --> 00:30:14,640
Speaker 19: and sound designed by Cassandra Tinajerro and Andres Bayena. Casting

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00:30:14,720 --> 00:30:20,760
Speaker 19: a coordination by Ansley Martinez Alex Gonzalez, Carenza Chaides and

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00:30:20,920 --> 00:30:26,160
Speaker 19: Bettina Lopez. Voices recorded at the Invisible Studios and Out

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00:30:26,240 --> 00:30:30,200
Speaker 19: Loud Audio in Los Angeles, The Relic Room in New York,

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00:30:30,920 --> 00:30:35,480
Speaker 19: Panoramic Audio in Miami, Bill Carcery Productions in San Diego,

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Speaker 19: Matt Block Sound in San Juan, Puerto Rico, and Low

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Speaker 19: Key Entertainment in Lima Perula, with engineering by Charles Carroll,

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00:30:47,240 --> 00:30:54,440
Speaker 19: Stephen George, John Anderson, Lester Dangler, JK. Hurrado, Brett Tubin,

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00:30:55,040 --> 00:31:01,480
Speaker 19: Ethan Grafton, Manuel DuRane, Reno, Joao, Tito Cavallero, and Bill Carker,