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Speaker 1: It's Memorial Day. We're recording this today, Memorial Day. We

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Speaker 1: should be at a barbecue together.

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Speaker 2: Yeah, we should be eating ribs. We should be Wait,

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Speaker 2: are you really trying wait, hold on, let me get

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Speaker 2: this straight going.

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Speaker 3: Are you really trying not to eat meat nowadays?

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Speaker 1: I am a pescatarian. I'm trying that out.

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Speaker 2: When did you become a pescatarian?

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Speaker 1: I watched this documentary that really got me inspired about

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Speaker 1: stopping eating animals besides fish.

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Speaker 2: You sound like my dad. My dad is the same

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Speaker 2: way right now.

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Speaker 1: The documentary was it's called the Game Changers. Is that

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Speaker 1: what it's called? Yes, game changers. So, but I've never

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Speaker 1: done anything. I love burgers, I love I love all

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Speaker 1: the shit we all have eaten our whole lives. But

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Speaker 1: we have all this time on our hands, right, it's

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Speaker 1: like an experimentation time on every front, right, Like you

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Speaker 1: can experiment with you know, I've been experimenting with all

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Speaker 1: sorts of things in my life. Is I'm sure a

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Speaker 1: lot of people have. And one was like, okay, well

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Speaker 1: let me just try this this during this time to

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Speaker 1: only be a fitter. And I do feel better, I

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Speaker 1: do feel healthier.

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Speaker 2: Well that's great, but I know you're.

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Speaker 1: I know you're very meat passionate.

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Speaker 4: Donald.

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Speaker 2: You know, I'm trying to stay away from the red meat.

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Speaker 2: That's the hardest thing to stay away from. It's so tasty.

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Speaker 2: So I've been trying to figure out different ways to

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Speaker 2: cook a chicken, and I've been doing that a lot lately.

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Speaker 2: But yeah, you're right. I do agree that too much

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Speaker 2: meat is bad for you, obviously, because you know, cholesterol

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Speaker 2: says something about that, blood pressure says something about that,

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Speaker 2: heart disease, colorectal cancer says a lot about that, you

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Speaker 2: know what I mean, And that's when you eat too

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Speaker 2: much red meat, usually or processed foods. I'm having a

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Speaker 2: hard time getting off of all of that stuff though.

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Speaker 4: That's the problem.

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Speaker 1: I I gotta tell you last night we had a

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Speaker 1: fake burger.

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Speaker 2: You had Beyond Burger.

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Speaker 1: It wasn't one of the fancy ones. Beyond It wasn't

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Speaker 1: beyond it impossible. It was the only two names I know,

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Speaker 1: and we just got it at a supermarket. It was

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Speaker 1: a nice a nice brand. I forgot the brand, but

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Speaker 1: it was amazing. I mean, once you put cheese on

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Speaker 1: it and all the fixens and your spices, it's great.

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Speaker 2: But once you put the cheese on it, you're no

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Speaker 2: longer prescytarian whatever it is that you're treescatarian.

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Speaker 1: That's yeah, I'm I can eat cheese. I'm just not

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Speaker 1: eating I'm not eating meat. I'm not eating I'm not

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Speaker 1: eating any form of meat other than fish.

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Speaker 2: All right, well should we sing?

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Speaker 1: You don't seem happy. I want you to get happy.

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Speaker 1: You seem very dumb. You can't sing unless you're happy. Donald,

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Speaker 1: very old.

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Speaker 2: Song, hold on, hold on, hold on.

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Speaker 1: You just you have a furrowed brow.

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Speaker 2: I am very happy. First of all.

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Speaker 1: Well, okay, well, let's let me see it. We're about

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Speaker 1: to bring on Randall Winston, one of the most exciting people.

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Speaker 2: I'm really excited, but I don't want him.

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Speaker 1: To see you. Better turn that motherfucking bearded frown upside down.

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Speaker 2: I'm telling you something right now. Randall Winston is responsible

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Speaker 2: for some of the most happiest moments of my life.

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Speaker 2: So I can't wait to have him on.

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Speaker 1: Okay, well, then count these motherfuckers in five, six, seven, eight.

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Speaker 3: Motherfucker's here some story.

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Speaker 5: I'm that show we made about a bunch of talks

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Speaker 5: and nurses and.

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Speaker 6: He said he's a stormy so Yanda around you here,

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Speaker 6: YadA around here?

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Speaker 1: WI No, there he is? Why is he wearing like

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Speaker 1: a gaming headset?

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Speaker 4: That's the only headset I can find.

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Speaker 1: Oh my god, you're so inorgle.

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Speaker 3: You can play an Xbox later, buddy.

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Speaker 1: Did we interrupt you from call of duty? Or are

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Speaker 1: you flying atop? Are you flying a chopper anytimes too?

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Speaker 4: A w.

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Speaker 3: Oh my god, we're so excited to have you on

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Speaker 3: the show. Yeah, we hear you.

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Speaker 4: Just awesome. Yes, these are this is my son's gaming

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Speaker 4: heads I knew it.

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Speaker 1: By the way, this is gonna be I wish the

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Speaker 1: audience could see Randel is wearing a gaming headset. But

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Speaker 1: if you don't play games, picture a helicopter headset and

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Speaker 1: he's in his beautiful garden and he's wearing his kids

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Speaker 1: gaming indset.

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Speaker 3: Well that literally is it?

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Speaker 2: Literally is a game lights up? I love it? I

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Speaker 2: love it.

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Speaker 4: How are you man?

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Speaker 1: How are you? Randy?

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Speaker 4: I am fantastic, I mean, of things considered, I'm great.

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Speaker 2: You know, congratulations on your pickup.

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Speaker 4: Yes we did.

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Speaker 2: We didn't get picked up, Randall, but.

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Speaker 1: I didn't know you didn't get picked up. I'm sorry.

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Speaker 3: It's all good.

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Speaker 2: ABC decided not to go further with Emergents, but better news,

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Speaker 2: ABC decided to go further with Mixed Dish, which is

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Speaker 2: Randall's show.

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Speaker 3: Now, let me get this straight.

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Speaker 2: Randal, you're executive producer on the show.

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Speaker 4: Now that is correct.

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Speaker 2: Look at you man started.

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Speaker 1: At a rand We gotta go back because Randall's career

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Speaker 1: is on and I think if for people that want

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Speaker 1: to go into Hollywood, Randall is a really exciting case

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Speaker 1: of someone that's on Fuego right now.

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Speaker 2: Well, not only is Antuego. I remember a video. I

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Speaker 2: don't know how I saw this video, but it was

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Speaker 2: a video of you pretty much manifesting your destiny, you

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Speaker 2: know what I mean, saying this is what I want

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Speaker 2: to do. I want to move to Hollywood. I want

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Speaker 2: to be a I want to be a big time producer.

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Speaker 2: And you know, and you're very young in this video too.

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Speaker 3: I don't know how I saw this video.

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Speaker 7: It was it was posted by a friend of mine.

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Speaker 7: It was we were like it was our twenty first

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Speaker 7: birthday or something like that.

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Speaker 4: This is a.

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Speaker 7: Girl who I met on the journey to Los Angeles.

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Speaker 7: We met at a rest stop in Oklahoma and became

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Speaker 7: life for friends. We were on our way to come

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Speaker 7: find our dreams. And she was very into documenting everything

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Speaker 7: and Donald, I can't believe you saw that.

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Speaker 4: That's that's crazy.

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Speaker 1: Donald and I are very into well I don't know, Donald,

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Speaker 1: I think you are, but I'm very pro right now

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Speaker 1: manifesting your shit and making everything happen. My friend, our friend,

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Speaker 1: Amanda is missed like whiteboard and writing everything down. And

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Speaker 1: actually I became friendly with John Legend's manager. I think

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Speaker 1: I've told you this story, Donald, who said that everything

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Speaker 1: that John Legend has accomplished they put on a whiteboard

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Speaker 1: when they were kids, like out out of college, and

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Speaker 1: they were like writing down, like they were laughing, like

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Speaker 1: I don't know this many Grammys and cover a Time

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Speaker 1: magazine and they were just like cracking each other up.

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Speaker 1: And She's like, every single thing we put on that

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Speaker 1: whiteboard happened.

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Speaker 2: Yeah, John Legend got an egot.

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Speaker 1: He's got well, Randall's gonna get a fucking egot, especially

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Speaker 1: for his acting skills.

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Speaker 2: Oh boy, here we go.

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Speaker 1: No, we had to get into it because Donald called

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Speaker 1: me out to Randall saying that I dissed his work

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Speaker 1: as death in the show, and Randall texted me very

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Speaker 1: upset about his work. Is Death being criticized.

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Speaker 7: I mean, I think I played the part that was

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Speaker 7: required of Death. And I also, you know, death is

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Speaker 7: not the only role that they played on Scrubs, you know.

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Speaker 2: No, you also well, we haven't gotten to the to

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Speaker 2: the security guard yet.

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Speaker 3: He hasn't been introduced yet.

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Speaker 2: The hook the hook handed security guards.

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Speaker 1: Oh, I forgot that you were the hook handed security guard.

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Speaker 7: Leonard who had letter Leonard who had tens of fans?

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Speaker 1: Randall, how many episodes did Leonard do? Do you think?

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Speaker 7: I don't know exactly how many episodes he did, but

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Speaker 7: I will tell you this, all fans that wrote to me.

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Speaker 7: So many people from Men's prison got some sort of

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Speaker 7: treat assigned script or something from Scrubs.

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Speaker 2: So you were you weren't able to you weren't you

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Speaker 2: were able to do it and not get carpor tunnel,

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Speaker 2: is what you're saying, because there's only like tens of them.

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Speaker 1: Exactly would you really give fan mail?

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Speaker 4: Yeah? Yeah, I got like not a.

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Speaker 1: Lot, but you got more fan mail Leonard or death.

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Speaker 4: Leonard? For sure.

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Speaker 3: All right, let's go back to the beginning.

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Speaker 1: Yes, let's start at the very beginning.

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Speaker 2: I tried to do that with you manifesting your destiny.

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Speaker 2: But at some point things changed for you, Like you

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Speaker 2: lived in New York for a little bit and then

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Speaker 2: you moved to Los Angeles. Can you just tell us

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Speaker 2: how it all started and how you got connected with Bill,

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Speaker 2: and how this became and how this all trans sent

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Speaker 2: it into scrubs.

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Speaker 7: Yes, the truth is Bill and I met socially first.

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Speaker 7: As a matter of fact, on scrubs. We kept a

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Speaker 7: graduation photo in Turk and JD's apartment and told everybody

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Speaker 7: that was our graduation picture. But we really we met

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Speaker 7: on the basketball court. I had an I had an

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Speaker 7: old room, so I had I had driven out from

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Speaker 7: the Midwest, you know, I trying to trying to find

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Speaker 7: my dream, got to Los Angeles, snuck onto all the

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Speaker 7: lots in town, got myself a job, and I started

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Speaker 7: creating my circle, you know, your chosen family, your la family,

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Speaker 7: and a guy who was my best friend, who I

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Speaker 7: lived with, a guy named Greg Malon's who went on

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Speaker 7: to run friends, and how I met your mother, and

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Speaker 7: a bunch of other stuff. He and Bill had this

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Speaker 7: played in this Saturday game and invited me to play

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Speaker 7: a few times. And that's how that was how I

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Speaker 7: originally met met Bill. I went from working for a

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Speaker 7: guy named Gary Dave Goldberg. That was my very first job.

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Speaker 7: He's the guy who created Family Ties.

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Speaker 4: Yeah.

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Speaker 7: He was amazing. He was an amazing mentor and he

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Speaker 7: had taken Bill under his wing. So so Gary is

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Speaker 7: in some ways the reason that we started working together.

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Speaker 7: And the first show we did together was a show

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Speaker 7: called Champs. That was the first show we did together

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Speaker 7: and Kevin Neelan was in it, and it was it

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Speaker 7: was DreamWorks very first TV show.

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Speaker 3: So that kind of okay.

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Speaker 2: Just to so Kevin Nielan, who Zach remembers being at

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Speaker 2: the first party we ever had in our scrub up.

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Speaker 2: That's why Kevin Nielan was there, Zach. He wasn't there

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Speaker 2: because he was a fan of the show. He was

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Speaker 2: there because he worked with Bill and Randall.

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Speaker 1: Okay, well he may have been a coincidence, but okay,

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Speaker 1: I'll hear you.

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Speaker 2: Okay.

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Speaker 1: Randal V. Froze, are you still there? Oh boy?

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Speaker 2: And that was when we lost Random.

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Speaker 1: Oh god, what are you drinking there?

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Speaker 2: Mamosa, little Mimosa.

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Speaker 1: Memorial Day, Yeah, buddy. The think about Memorial Day is

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Speaker 1: it's just another weekday that you can rationalize it's okay

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Speaker 1: to drink early. Yeah, in this day and age, it

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Speaker 1: doesn't feel any different. My girlfriend was like, it's a

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Speaker 1: memorial day. I'm like, how is that going to be

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Speaker 1: different from any other day that we're living in hibernation

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Speaker 1: right now?

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Speaker 2: Well, a kid can drink.

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Speaker 3: Yeah, the kids don't have to get on zoom today.

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Speaker 1: Okay, I guess if you have kids, they don't have

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Speaker 1: to get on their zoom things.

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Speaker 2: But but today is a is a day where you know,

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Speaker 2: my wife looked at me, it was like, you're drinking already,

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Speaker 2: and I was like, it's it's.

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Speaker 1: A memorial day.

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Speaker 2: It's a memorial day.

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Speaker 1: So did she then join you?

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Speaker 4: No?

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Speaker 2: She did not. She was like, you're an alcoholic.

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Speaker 1: I was like, oh shit, be like, baby, it's a

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Speaker 1: memorial day.

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Speaker 2: And on that note, I'm going upstairs to do my podcast.

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Speaker 4: Okay.

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Speaker 2: Randall says he's resetting the Wi Fi. Oh god, that's

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Speaker 2: that's that's unfortunate.

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Speaker 1: You know, we lost all the momentum of blowing this

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Speaker 1: guy up. We're gonna have to regenerate it.

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Speaker 2: We're gonna have to regenerate it.

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Speaker 1: We're gonna have to regenerate our Randall blow up.

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Speaker 2: He said, fucking Spectrum.

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Speaker 8: I just had my dad switch off of Spectrum for

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Speaker 8: the same reason that shit is do.

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Speaker 1: Trum is bad. Dan, you don't support No, guys, I

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Speaker 1: want you to listen. This is a very very technical

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Speaker 1: man here, and he's saying fuck Spectrum. So if you're

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Speaker 1: choosing a provider, listen to Dan.

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Speaker 8: The only way that I found that you get good

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Speaker 8: internet service is if you just switched from provider to

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Speaker 8: provider every year or so. Because they don't reward loyalty.

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Speaker 8: There's no like your bill is reduced, your service is better.

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Speaker 8: It just gets worse and worse and worse, and they

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Speaker 8: want to keep getting new customers. So I have gigabit

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Speaker 8: Internet a thousand megabytes up and down for seventy five

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Speaker 8: bucks a month, which is the cheapest Internet I've ever had.

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Speaker 8: And it's just because I switched.

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Speaker 1: I What are you using now, Dan, AT and T

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Speaker 1: and T All right, Well, guys, you're hearing it a

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Speaker 1: year first that Dan really recommends AT and T. It's

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Speaker 1: really about you can work the companies against each other.

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Speaker 1: If you're constantly quitting one and saying no, fuck off,

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Speaker 1: you suck, and then they give you a better rate.

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Speaker 1: So if you have the time, which you do now,

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Speaker 1: you two can have fancy fast internet like Dan Randall

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Speaker 1: welcome back, blowing you up. And then you had to

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Speaker 1: do a Wi Fi problem.

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Speaker 2: All right, so let's get back into it.

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Speaker 1: So you let's just jumped to in the spirit of time,

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Speaker 1: let's just keep this moving. You start work on Spin

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Speaker 1: City with Bill, and you hit it off. You become besties.

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Speaker 1: You're partying around the city. Your young men in Manhattan go.

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Speaker 4: From LA.

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Speaker 3: How did you get from LA to Manhattan? How did

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Speaker 3: that happen?

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Speaker 2: Well, we're playing Donald no doubt, fuck you man the fight.

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Speaker 3: If I could reach through this right now.

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Speaker 7: Uh, you know what, it goes back to basketball. We

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Speaker 7: came off to the basketball court one night playing and uh,

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Speaker 7: Gary and Bill pulled me aside and they said, you know,

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Speaker 7: we just wrote this pilot.

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Speaker 6: Uh.

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Speaker 7: We sent it to uh. We sent it to Michael J.

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Speaker 7: Fox and they said, there's a character. The mayor is

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Speaker 7: named after you. I think your mother would be very proud.

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Speaker 7: Had Mayor Randall Winston and uhlaid by the Great Barry

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Speaker 7: box work and with the show Gut. We did the

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Speaker 7: pilot LA, but Michael was living in New York and

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Speaker 7: said he would only do this series if we took

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Speaker 7: it to New York. So that was the opportunity of

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Speaker 7: a lifetime, you know, change my life. I got the

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Speaker 7: chance to go to New York. Garry took a select

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Speaker 7: group of people and Donald you know Sebastians.

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Speaker 4: Do you guys know Sebastian Gens.

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Speaker 3: We moved.

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Speaker 7: We all went to New York with all excitement, like

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Speaker 7: nobody was over anything. Everybody just was into going to

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Speaker 7: the city.

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Speaker 4: You were, how old were you I was? I think

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Speaker 4: I was twenty nine. I think I turned thirty that year.

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Speaker 4: But Bill was.

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Speaker 7: Bill's like a year younger than me, and he had

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Speaker 7: like the first American Express black card, and he would say,

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Speaker 7: you know, randall go out and find us in after

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Speaker 7: hours every Friday. So we were there'd be lines at

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Speaker 7: these after ours clubs and they're like, you know, absolutely,

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Speaker 7: we don't have any room.

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Speaker 4: I'd be like, you got room now, motherfucker.

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Speaker 7: Now Now I say, I say, I need two cases

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Speaker 7: of champagne and a private room. And that was just

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Speaker 7: the beginning.

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Speaker 2: Right now, I got to tell you something. Some of

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Speaker 2: my favorite moments, some of the best moments of my life.

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Speaker 2: I've shared with you. Rend You have been present at

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Speaker 2: some of the most special moments, some of the most

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Speaker 2: wildest moments, some of the craziest moments of my life

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Speaker 2: have been with you there.

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Speaker 4: I love that.

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Speaker 1: Everything everything from partying in Vegas to marrying him and

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Speaker 1: his wife and everything in between, Randall has been there.

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Speaker 3: He has been there.

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Speaker 1: How many people have you married, Randall?

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Speaker 4: U seventeen successful couples? Donald? What I said?

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Speaker 7: I said, you gotta be serious, because everybody I marry

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Speaker 7: stays together?

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Speaker 4: Right?

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Speaker 3: How many? How many people have gotten divorced?

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Speaker 4: Zero?

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Speaker 1: You got a good streak.

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Speaker 4: I don't have people messing my streak up.

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Speaker 1: Now, Now, Randal, if I'm listening to this, I was

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Speaker 1: preparing for this, and I thought, if I'm listening to this,

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Speaker 1: and I'm interested in production, but I don't know anything

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Speaker 1: about it. I see in the credits all the time

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Speaker 1: a line producer, but I see exec producer, I see

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Speaker 1: associate producer. I see all these titles. Could you explain

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Speaker 1: to people that I have nothing to do with the

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Speaker 1: business what a line producer does?

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Speaker 4: Yes, yes, it is.

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Speaker 7: It's true that the TV credits are lousy with producers

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Speaker 7: and usually if the credit is line producer or produced

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Speaker 7: by That credit is reserved for the person who is

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Speaker 7: essentially responsible for keeping the train running on time, making

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Speaker 7: sure that you've got the right group people in the

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Speaker 7: right place, making sure that the show is on budget,

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Speaker 7: that it is getting delivered on time, not just within

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Speaker 7: the time constricts of your time slot, but delivered the

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Speaker 7: day that it's supposed to be delivered, you know, sort

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Speaker 7: of soup to nuts. That it starts with the prep

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Speaker 7: which is, as it sounds, the preparing of the show.

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Speaker 7: When you first get a little bit of information about the

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Speaker 7: about the series and each episode, you know, you start

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Speaker 7: to break it down with your team. You know, how

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Speaker 7: many actors are we going to need, do we need

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Speaker 7: to build sets? Are we going out anywhere? And what

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Speaker 7: is it going to take? And I think that job

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Speaker 7: at its best is a negotiator and a translator. You know,

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Speaker 7: that's somebody who you know, oftentimes it was between I'm

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Speaker 7: working between Bill on scrubs, between Bill who created the show,

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Speaker 7: and the studio and the network.

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Speaker 4: So everybody's getting what they need and.

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Speaker 7: Even when they're not speaking the same language, or figure

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Speaker 7: out what the best thing to accomplish what's in the

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Speaker 7: script is can be accomplished within the box that's been built.

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Speaker 1: Yeah, and the line bruisers also, if you think about it,

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Speaker 1: the keeper of the purse in a sense that when

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Speaker 1: you're directing or show running, you will often think, oh,

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Speaker 1: I think we should I wrote this big scene, would

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Speaker 1: be great to shoot it in this amazing restaurant. And

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Speaker 1: then I want to get a crane outside that's gonna

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Speaker 1: come down here, And then it'd be cool if it

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Speaker 1: was raining outside. And this is when the line producer

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Speaker 1: starts to sweat, when we start to go, wait, we

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Speaker 1: need rain, need rain.

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Speaker 7: Every every time, every time Zach got a directing assignment,

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Speaker 7: before there was even a script, he could come here and.

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Speaker 4: Say, I need a crane exactly exactly.

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Speaker 1: I don't even know what the fucking script says, but

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Speaker 1: I'm gonna need a big ass cran. But so it's

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Speaker 1: the line producer's job, almost like a parent, to be like, look,

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Speaker 1: you used a dollar and you got your candy bar.

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Speaker 1: You should have saved it and you could have gotten ice.

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Speaker 4: Cream, Yes, right, I could have. You could have you

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Speaker 4: could have one big thing or two little things, right right.

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Speaker 1: And a lot of times it's negotiation, like you like, hey,

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Speaker 1: you know, they're keeper of the money. But in terms

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Speaker 1: of the money, it's not just the camera gear, but

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Speaker 1: how many crew, how many extras are you're gonna be

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Speaker 1: able to afford? Are you gonna be able to do

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Speaker 1: any overtime? All of that is off into the relationship

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Speaker 1: I often have with the line producer. As they say it,

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Speaker 1: think of it like a Chinese food menu, in that

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Speaker 1: you're choosing from a myriad of things that you can have,

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Speaker 1: but you can't exceed that budget. So if you do

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Speaker 1: want a big ass crane, then maybe you can't have

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Speaker 1: as many background at the wedding.

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Speaker 7: It's so funny that you say that. I, oftentimes it

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Speaker 7: crossed my career have literally made a Chinese menu for

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Speaker 7: directors and producers, you know, because you inevitably get to

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Speaker 7: a point and Bill and I used to have, you

410
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Speaker 7: know something back then it was like the thousand dollars deal,

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Speaker 7: which was once we had locked the budget, he was

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Speaker 7: not allowed to bring me any.

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Speaker 4: Problems that cost more than one thousand dollars.

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Speaker 7: Like I could figure it out, you know, if it

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Speaker 7: was a thousand or under. But you know, you can't

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Speaker 7: be adding stuff once we're once we started rolling.

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Speaker 1: Now on screen. Back in the day, we would do

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Speaker 1: a lot of overtime, which which now people don't really

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Speaker 1: do anymore, right, I mean on your jobs now, are

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Speaker 1: people pretty much keeping it to twelve hours these days?

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Speaker 7: It depends, really, I mean for the for the most part, yes,

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00:20:04,320 --> 00:20:06,760
Speaker 7: but a lot has changed. You know, we did for

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Speaker 7: a big chunk of that show a true single camera show,

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Speaker 7: which is almost all shows have more than one camera

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Speaker 7: rolling at the time now, so you can get more

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Speaker 7: work done within the hours you can get you know,

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Speaker 7: for those who do people you know that just between

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Speaker 7: single and multi like usually on the single camera show,

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Speaker 7: you're getting one angle at a time, shooting one actors

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Speaker 7: close up, and then you turn around and get the

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Speaker 7: other actor, and the more actors in a scene, you know,

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Speaker 7: the more times you're turning, And if you have multiple cameras,

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Speaker 7: then you can get multiple shots.

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Speaker 4: But on a show like Mixed Dish, you know.

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Speaker 7: Or you know, American Housewife or any show that's got

436
00:20:43,200 --> 00:20:45,840
Speaker 7: a family, you know, family show as opposed to community,

437
00:20:46,080 --> 00:20:49,280
Speaker 7: you're up against kid hours. So those shows in particular

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Speaker 7: are held to a bricter standard.

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Speaker 2: Powers I'm gonna be honest with you, I love it

440
00:20:52,840 --> 00:20:54,720
Speaker 2: when kids are on the show now and you're working

441
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Speaker 2: the show because you're not going past twelve hours. Dude,

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Speaker 2: you might not even do eight hours that day, you

443
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Speaker 2: know what I mean?

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Speaker 3: I love it.

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Speaker 2: I did love so I did emergence this uh this

446
00:21:04,720 --> 00:21:06,480
Speaker 2: last year didn't get picked up ABC.

447
00:21:06,600 --> 00:21:07,960
Speaker 3: Thank you.

448
00:21:07,840 --> 00:21:08,960
Speaker 4: You were great in it.

449
00:21:09,040 --> 00:21:10,800
Speaker 1: Donald, by the way, you were great in that show.

450
00:21:10,840 --> 00:21:14,840
Speaker 1: I think we should pour some out for emergence of Emergence.

451
00:21:15,240 --> 00:21:18,199
Speaker 2: But I remember we had two very young ladies on

452
00:21:18,240 --> 00:21:21,800
Speaker 2: the show and they were in school, and once they

453
00:21:21,880 --> 00:21:24,879
Speaker 2: showed up to set, we had the clock was ticking.

454
00:21:24,920 --> 00:21:26,679
Speaker 2: We had eight hours to get them done or they

455
00:21:26,720 --> 00:21:29,360
Speaker 2: would they turned into a pumpkin.

456
00:21:28,280 --> 00:21:28,679
Speaker 4: And so.

457
00:21:32,800 --> 00:21:34,159
Speaker 2: I used to love that. It would be like, are

458
00:21:34,200 --> 00:21:35,920
Speaker 2: the kids working today? And they'd be like yeah, and

459
00:21:35,920 --> 00:21:38,199
Speaker 2: I'd be like, great. That means I'm done before you know,

460
00:21:38,240 --> 00:21:40,359
Speaker 2: I'm done before the sun goes down. Is when the

461
00:21:40,440 --> 00:21:42,760
Speaker 2: kids weren't working that you were like, oh my god,

462
00:21:42,760 --> 00:21:45,480
Speaker 2: I'm gonna be here forever. Well, random, you.

463
00:21:45,440 --> 00:21:47,919
Speaker 7: See kids on there, you can make it right, Yeah.

464
00:21:47,800 --> 00:21:49,439
Speaker 3: Right, You'd be like, I can make that eight o'clock

465
00:21:49,480 --> 00:21:50,000
Speaker 3: movie tonight.

466
00:21:50,440 --> 00:21:53,760
Speaker 1: Randall, you and I always got along so well. You know,

467
00:21:53,880 --> 00:21:57,640
Speaker 1: sometimes the relationship between a director and a line proderher

468
00:21:57,640 --> 00:22:00,119
Speaker 1: could be contentious because the director feels like, oh, you're

469
00:22:00,119 --> 00:22:01,960
Speaker 1: taking away. You're not you're not working with me, you're

470
00:22:01,960 --> 00:22:04,600
Speaker 1: not making it, you're not helping me realize all the

471
00:22:04,640 --> 00:22:06,600
Speaker 1: things I want to do. Of course, the line producer

472
00:22:06,640 --> 00:22:08,280
Speaker 1: has a stressful job. You're like, dude, you're killing me.

473
00:22:08,280 --> 00:22:10,320
Speaker 1: You're so over budget, what the hell are you talking about.

474
00:22:10,720 --> 00:22:13,880
Speaker 1: But but when the two are friends and they feel like, hey,

475
00:22:14,000 --> 00:22:15,880
Speaker 1: let's work it out, then it then then it never

476
00:22:15,960 --> 00:22:19,240
Speaker 1: gets contentious. But of course sometimes when people don't get along,

477
00:22:19,760 --> 00:22:22,080
Speaker 1: the line producer and the director don't always like each other.

478
00:22:22,480 --> 00:22:26,000
Speaker 7: Well, I think that uh it has been to the

479
00:22:26,040 --> 00:22:28,600
Speaker 7: great benefit of my career in general. Part of it

480
00:22:28,640 --> 00:22:30,720
Speaker 7: is just I think the way that I like to

481
00:22:30,760 --> 00:22:33,600
Speaker 7: work is that the goal is to be symbiotic. Like

482
00:22:33,640 --> 00:22:36,280
Speaker 7: you know, when people think that it's contentious, it is contentious,

483
00:22:36,320 --> 00:22:38,320
Speaker 7: but you know, we're all rowing in the same direction.

484
00:22:38,400 --> 00:22:40,760
Speaker 7: You want, you want a great show. You want and

485
00:22:40,920 --> 00:22:44,560
Speaker 7: comedies in particular, you know, like I think about the episode,

486
00:22:44,640 --> 00:22:47,200
Speaker 7: not that the episode of ting About Day, but your

487
00:22:47,240 --> 00:22:50,919
Speaker 7: episode when you when you go into the puddle and

488
00:22:50,960 --> 00:22:55,919
Speaker 7: you see uh.

489
00:22:55,840 --> 00:22:58,240
Speaker 1: Se monster do you see a sea monster? It was

490
00:22:58,280 --> 00:23:01,960
Speaker 1: not a sea monster. Rand named Julian.

491
00:23:02,080 --> 00:23:05,440
Speaker 4: Julian. I love that you.

492
00:23:05,400 --> 00:23:08,320
Speaker 1: Said sea monsters. What was the sea monster's name?

493
00:23:10,520 --> 00:23:14,719
Speaker 7: So that's a perfect example of that script had so

494
00:23:15,040 --> 00:23:16,000
Speaker 7: much in it.

495
00:23:17,320 --> 00:23:19,080
Speaker 4: But that was the biggest joke in the show.

496
00:23:19,480 --> 00:23:22,120
Speaker 7: And you know, we had to call the city and

497
00:23:22,320 --> 00:23:23,800
Speaker 7: get Diggler and it was the first time I got

498
00:23:23,800 --> 00:23:25,879
Speaker 7: to use a Jack Cameron and we're like digging holes

499
00:23:25,880 --> 00:23:28,960
Speaker 7: in the parking lot and creating a swimming pool that

500
00:23:29,000 --> 00:23:32,159
Speaker 7: we're gonna have to fill in. But but the question was,

501
00:23:32,520 --> 00:23:35,359
Speaker 7: you know, is this one of the funniest things.

502
00:23:35,200 --> 00:23:35,639
Speaker 4: In the script.

503
00:23:35,680 --> 00:23:37,399
Speaker 7: What what are we what are we gonna give up

504
00:23:37,480 --> 00:23:41,000
Speaker 7: or combined so that we can keep that and that

505
00:23:41,760 --> 00:23:44,639
Speaker 7: trusting relationship, you know, with with with the actor, with

506
00:23:44,680 --> 00:23:48,480
Speaker 7: the director, with the writers, you know, builds that thing

507
00:23:48,480 --> 00:23:49,120
Speaker 7: that you're talking.

508
00:23:48,960 --> 00:23:50,760
Speaker 1: And Ron and Renald you're the kind of person that

509
00:23:50,920 --> 00:23:53,200
Speaker 1: was like so on board. You'd be like, oh my god,

510
00:23:53,240 --> 00:23:54,919
Speaker 1: we have to figure out we have to figure out

511
00:23:54,960 --> 00:23:58,000
Speaker 1: a way. I know because I think that I think

512
00:23:58,040 --> 00:24:01,680
Speaker 1: that gag, which involved building two different small swimming pools

513
00:24:01,720 --> 00:24:04,040
Speaker 1: to code because the city was not gonna let anyone

514
00:24:04,080 --> 00:24:05,720
Speaker 1: not do it to code was one of the most

515
00:24:05,760 --> 00:24:08,680
Speaker 1: expensive gags in Scrubs history, as I recall.

516
00:24:08,840 --> 00:24:12,320
Speaker 4: Yes it was, Yes it was very expensive.

517
00:24:12,480 --> 00:24:16,000
Speaker 2: But that's you're right, Zach. That's a very important point.

518
00:24:16,480 --> 00:24:19,520
Speaker 2: If you have a line producer who's game, and it's like,

519
00:24:19,720 --> 00:24:22,320
Speaker 2: I can figure this out. If you work with me,

520
00:24:22,960 --> 00:24:25,320
Speaker 2: we can figure this out, You're gonna get some of

521
00:24:25,359 --> 00:24:26,919
Speaker 2: the best stuff, you know what I mean.

522
00:24:26,960 --> 00:24:28,840
Speaker 1: Of course, of course I was so worried about Randall

523
00:24:28,920 --> 00:24:30,720
Speaker 1: was he wasn't you know some of these guys and

524
00:24:30,760 --> 00:24:32,720
Speaker 1: gals are sitting in office and they're rolling your eyes

525
00:24:32,720 --> 00:24:34,320
Speaker 1: when you walk in. Randon was out there with the

526
00:24:34,400 --> 00:24:36,199
Speaker 1: jackhammer being like, I can't believe O're building is.

527
00:24:45,040 --> 00:24:46,840
Speaker 4: Totally true? All right?

528
00:24:46,840 --> 00:24:50,440
Speaker 1: Should we get into the episode. Let's get into the episode. So, Randal,

529
00:24:50,840 --> 00:24:54,200
Speaker 1: this one is supersized. Let's talk about that very rare.

530
00:24:54,240 --> 00:24:57,040
Speaker 1: Most episodes thus far in the show are been twenty

531
00:24:57,040 --> 00:24:59,600
Speaker 1: two minutes without commercials. This one is twenty eight, which

532
00:24:59,640 --> 00:25:01,600
Speaker 1: is a bit big leap to supersize.

533
00:25:01,720 --> 00:25:03,720
Speaker 7: Right, It was a big It was a big issue

534
00:25:03,760 --> 00:25:07,159
Speaker 7: at the time, this show with the pizza clock as

535
00:25:07,160 --> 00:25:10,960
Speaker 7: we as we called it. But the network was very

536
00:25:11,080 --> 00:25:13,439
Speaker 7: contemptous about this episode, and they did not rerun it

537
00:25:13,800 --> 00:25:17,640
Speaker 7: again in certainly not that season, and I don't think

538
00:25:17,680 --> 00:25:23,960
Speaker 7: for years because being supersized and it's a it's a

539
00:25:24,080 --> 00:25:27,880
Speaker 7: very thoughtful episode, you know, very emotional goes inside where

540
00:25:27,960 --> 00:25:29,240
Speaker 7: are where the characters are?

541
00:25:29,640 --> 00:25:31,680
Speaker 4: And I think at the time, you know.

542
00:25:31,680 --> 00:25:33,520
Speaker 7: We were still in season one and they wanted it

543
00:25:33,520 --> 00:25:36,679
Speaker 7: to just to be you know, more JD falling.

544
00:25:37,040 --> 00:25:40,080
Speaker 1: Yeah, exactly, they were like, what are you doing this

545
00:25:40,160 --> 00:25:43,760
Speaker 1: weird documentary style interludes? I mean, where's JD running into

546
00:25:43,760 --> 00:25:46,560
Speaker 1: a wall? And you know, but it's a great episode.

547
00:25:46,560 --> 00:25:50,320
Speaker 1: I just want to say. Written by Gabrielle Allen and

548
00:25:50,359 --> 00:25:54,760
Speaker 1: directed by Lawrence Trilling, who became one of our favorites

549
00:25:55,000 --> 00:25:58,440
Speaker 1: early on. He then went on to do Pushing Daisies

550
00:25:58,520 --> 00:26:02,760
Speaker 1: and Parenthood and I just googled now that he's on Goliath.

551
00:26:03,160 --> 00:26:04,680
Speaker 1: But super talented guy.

552
00:26:05,080 --> 00:26:07,560
Speaker 2: I think Lawrence Trilling and I did Felicity together.

553
00:26:07,680 --> 00:26:08,000
Speaker 1: You did?

554
00:26:08,040 --> 00:26:08,320
Speaker 2: You did?

555
00:26:08,840 --> 00:26:10,480
Speaker 1: You did? Were we ever on Alias? Done?

556
00:26:11,040 --> 00:26:12,320
Speaker 2: No? I was never on Alias?

557
00:26:12,440 --> 00:26:14,560
Speaker 1: Okay, well he also did Alias, but yeah, he directed

558
00:26:15,440 --> 00:26:17,040
Speaker 1: Young Donald Faison and Felicity.

559
00:26:17,359 --> 00:26:21,760
Speaker 7: He's a really great guy, really fun, good director, and

560
00:26:21,840 --> 00:26:23,000
Speaker 7: Gabby got I love her.

561
00:26:24,720 --> 00:26:28,040
Speaker 1: Good team great team, and I just thought there's a

562
00:26:28,080 --> 00:26:30,719
Speaker 1: lot of style to this. So so there became this

563
00:26:30,800 --> 00:26:33,879
Speaker 1: convention a few conventions. There's the pizza clock thing if

564
00:26:33,920 --> 00:26:36,159
Speaker 1: you look down at the pizza guys in case you

565
00:26:36,160 --> 00:26:38,639
Speaker 1: didn't notice, the idea was that it was mimicking a clock.

566
00:26:39,320 --> 00:26:43,040
Speaker 1: And so as the episode is cutting between that one

567
00:26:43,160 --> 00:26:45,640
Speaker 1: night of Sarah and I in bed and then back

568
00:26:45,680 --> 00:26:48,480
Speaker 1: to the few weeks that follow us trying to date,

569
00:26:49,080 --> 00:26:52,720
Speaker 1: whenever it cuts back the pizzas trying to look like

570
00:26:52,800 --> 00:26:55,919
Speaker 1: a clock from that night. So there's that sort of gag,

571
00:26:56,400 --> 00:27:00,240
Speaker 1: the timeline shake up, and then there's these documentary stole,

572
00:27:00,320 --> 00:27:04,480
Speaker 1: shaky cam, grainy film as though we're all being interviewed

573
00:27:04,520 --> 00:27:09,000
Speaker 1: for a psychologist project on why people become doctors?

574
00:27:09,119 --> 00:27:13,439
Speaker 2: Right, all right, okay, well that's not I thought that

575
00:27:13,520 --> 00:27:14,440
Speaker 2: was the next episode.

576
00:27:14,640 --> 00:27:17,720
Speaker 1: But okay, no, that's my bed banter. And beyond that's

577
00:27:17,760 --> 00:27:21,840
Speaker 1: like inter cutting Salen I and our big epic fuck

578
00:27:21,920 --> 00:27:23,240
Speaker 1: fest for lack of.

579
00:27:23,160 --> 00:27:26,120
Speaker 2: A better term, I gotta tell you something, man, nobodd

580
00:27:26,240 --> 00:27:30,080
Speaker 2: miss that. Let's go back. Are you said the word?

581
00:27:30,160 --> 00:27:32,199
Speaker 2: And now I'm gonna now we can talk about it.

582
00:27:32,200 --> 00:27:35,240
Speaker 2: I guess I missed those days. I missed the days

583
00:27:35,280 --> 00:27:39,280
Speaker 2: when it was just sex all day, you know, before kids,

584
00:27:39,600 --> 00:27:42,960
Speaker 2: when you could just bone all day, then go out

585
00:27:43,000 --> 00:27:46,960
Speaker 2: to dinner that night and then bone some more. My

586
00:27:47,040 --> 00:27:49,159
Speaker 2: wife and I, you know what, we gotta make an

587
00:27:49,200 --> 00:27:50,680
Speaker 2: appointment now, and.

588
00:27:50,640 --> 00:27:52,520
Speaker 1: It sucks, isn't in your eye?

589
00:27:52,560 --> 00:27:56,400
Speaker 2: Cow Dude, I'll be like, it's you think it's a joke,

590
00:27:56,480 --> 00:27:58,800
Speaker 2: and a lot of stand up comics have made this joke,

591
00:27:58,840 --> 00:28:01,520
Speaker 2: but it's real. You'll be like, how about sex Thursday?

592
00:28:01,560 --> 00:28:06,560
Speaker 3: Can we do Thursday? I'm having my hair done right, No, no, no, no,

593
00:28:06,560 --> 00:28:06,840
Speaker 3: no, no no.

594
00:28:07,000 --> 00:28:09,760
Speaker 2: The kid's got zoom all day. I'm gonna be exhausted

595
00:28:09,800 --> 00:28:12,840
Speaker 2: by eight o'clock. There's no way. And Ozark comes on.

596
00:28:13,240 --> 00:28:14,360
Speaker 2: I gotta watch Ozark.

597
00:28:15,119 --> 00:28:18,840
Speaker 1: Okay, well, Jason Bateman, Jason Bateman is stealing your sex night.

598
00:28:19,400 --> 00:28:21,440
Speaker 2: Jason Bateman is fucking it.

599
00:28:21,440 --> 00:28:22,360
Speaker 4: Up for me right now.

600
00:28:22,480 --> 00:28:23,480
Speaker 1: Dude.

601
00:28:23,840 --> 00:28:26,640
Speaker 2: I hear the shows, the good looking man, I hear

602
00:28:26,680 --> 00:28:30,040
Speaker 2: the shows great, but damn you, Jason Bateman. I just

603
00:28:30,080 --> 00:28:32,119
Speaker 2: wish he could get through the show already. I just

604
00:28:32,240 --> 00:28:34,359
Speaker 2: missed those days. I missed the days where it was

605
00:28:34,400 --> 00:28:37,200
Speaker 2: like and granted, I love my children and I love

606
00:28:37,320 --> 00:28:39,080
Speaker 2: having them in my life.

607
00:28:39,360 --> 00:28:40,720
Speaker 3: But I just missed the days.

608
00:28:40,520 --> 00:28:45,440
Speaker 2: Of freaking waking up, boning, going to Hugo's to get

609
00:28:45,480 --> 00:28:52,040
Speaker 2: breakfast or brunch, right, brunch, whatever it is, coming back

610
00:28:52,040 --> 00:28:54,680
Speaker 2: home and being like, well, what do you want to do? Well,

611
00:28:54,720 --> 00:28:56,800
Speaker 2: we haven't fucked in like five hours, we might as

612
00:28:56,800 --> 00:28:57,520
Speaker 2: well fuck again.

613
00:28:58,000 --> 00:29:00,800
Speaker 4: Perfect Donald.

614
00:29:00,880 --> 00:29:04,880
Speaker 7: I am sitting outside looking longingly at my blackout shutters

615
00:29:05,000 --> 00:29:06,760
Speaker 7: and how will you to use them?

616
00:29:06,800 --> 00:29:07,360
Speaker 4: So much more?

617
00:29:07,520 --> 00:29:07,640
Speaker 9: Right?

618
00:29:07,960 --> 00:29:13,520
Speaker 7: Like craik it down, black out the bedroom and.

619
00:29:12,240 --> 00:29:15,080
Speaker 3: And do what you gotta do right them? Days is

620
00:29:15,120 --> 00:29:16,080
Speaker 3: over them?

621
00:29:16,240 --> 00:29:16,720
Speaker 2: Days?

622
00:29:16,960 --> 00:29:19,560
Speaker 1: Is you guys are really doing a great ad for

623
00:29:19,600 --> 00:29:20,720
Speaker 1: having children right now?

624
00:29:21,200 --> 00:29:22,000
Speaker 2: No, you should do it.

625
00:29:22,000 --> 00:29:24,480
Speaker 3: It's great, It's wonderful.

626
00:29:25,120 --> 00:29:27,320
Speaker 1: As you both drink your white claw.

627
00:29:29,160 --> 00:29:29,320
Speaker 4: Now.

628
00:29:29,400 --> 00:29:32,360
Speaker 1: Elliott has said in previous episodes that she's never had

629
00:29:32,360 --> 00:29:35,600
Speaker 1: an orgasm, and she said that she doesn't like sex.

630
00:29:35,680 --> 00:29:40,640
Speaker 1: So is JD the first person to not only bring

631
00:29:40,680 --> 00:29:43,560
Speaker 1: her to orgasm but show her the wondrous world of

632
00:29:43,720 --> 00:29:45,600
Speaker 1: epic sex days?

633
00:29:45,680 --> 00:29:47,240
Speaker 3: I'm sure you would like to think so.

634
00:29:47,560 --> 00:29:51,760
Speaker 1: I think. Yes, I'm not JD. Donald, I'm Zach Braff,

635
00:29:51,800 --> 00:29:55,120
Speaker 1: but I'm character of JD. Probably was good in.

636
00:29:55,080 --> 00:29:57,840
Speaker 2: Bed well, you know, in the beginning of it all,

637
00:29:57,920 --> 00:29:59,840
Speaker 2: JD was kind of a sucker when he's like he

638
00:30:00,120 --> 00:30:02,680
Speaker 2: almost let her walk out of the house, and she

639
00:30:02,840 --> 00:30:06,400
Speaker 2: was obviously very much into JD.

640
00:30:06,720 --> 00:30:09,000
Speaker 1: Well, I don't know, dude, I disagree. I was watching

641
00:30:09,040 --> 00:30:11,320
Speaker 1: it with fresh eyes and I was thinking I couldn't

642
00:30:11,360 --> 00:30:14,600
Speaker 1: read where she was. Was she like, hey, I should go?

643
00:30:15,200 --> 00:30:17,600
Speaker 1: And then you know, you know what that's like back

644
00:30:17,600 --> 00:30:18,000
Speaker 1: in the day.

645
00:30:18,160 --> 00:30:20,080
Speaker 3: Do I hate that shit? I hate that shit?

646
00:30:20,160 --> 00:30:22,960
Speaker 2: Why to test? Why I gotta be tested for? How

647
00:30:22,960 --> 00:30:25,200
Speaker 2: come you can't just be like, you know what, maybe

648
00:30:25,480 --> 00:30:27,000
Speaker 2: uh if this was a mistake.

649
00:30:27,360 --> 00:30:29,560
Speaker 3: Was it a mistake though? Or did you know what

650
00:30:29,600 --> 00:30:29,880
Speaker 3: I mean?

651
00:30:30,040 --> 00:30:32,240
Speaker 2: Like I remember saying to my wife when she was

652
00:30:32,280 --> 00:30:35,640
Speaker 2: my girlfriend, like, you know, I don't know, I don't

653
00:30:35,640 --> 00:30:38,240
Speaker 2: know if this is if this is working out, you

654
00:30:38,280 --> 00:30:40,880
Speaker 2: know what I mean, and her being like, you don't

655
00:30:41,720 --> 00:30:45,480
Speaker 2: this is Wait a second, this is the best thing

656
00:30:45,520 --> 00:30:46,640
Speaker 2: that's ever happened to you.

657
00:30:46,680 --> 00:30:48,040
Speaker 3: What do you mean you don't know if this is

658
00:30:48,120 --> 00:30:50,520
Speaker 3: working out? Like that was real talk.

659
00:30:50,880 --> 00:30:53,400
Speaker 2: The fact that JD almost had her out the door

660
00:30:53,800 --> 00:30:56,240
Speaker 2: before he was before she turned around and was like, yo,

661
00:30:56,680 --> 00:30:58,560
Speaker 2: just say you want me to stay and stop being

662
00:30:58,600 --> 00:31:01,760
Speaker 2: a sucker, stop being a a little punk about this.

663
00:31:02,120 --> 00:31:04,040
Speaker 2: Just say you want me to stay, and I'll stay

664
00:31:04,040 --> 00:31:06,240
Speaker 2: and we can go have sex again. And then he's

665
00:31:06,240 --> 00:31:09,240
Speaker 2: finally like will you stay? She's like, yeah, you gotta

666
00:31:09,240 --> 00:31:11,360
Speaker 2: pay for that though, because I almost will.

667
00:31:11,400 --> 00:31:13,760
Speaker 1: But don't you remember back in the day when you weren't,

668
00:31:13,800 --> 00:31:16,040
Speaker 1: when you weren't in such a long term relationship. When

669
00:31:16,080 --> 00:31:19,120
Speaker 1: something's new and you're kind of insecure about it, You're like,

670
00:31:19,200 --> 00:31:21,720
Speaker 1: did this person have as good of fun as I did?

671
00:31:21,760 --> 00:31:23,040
Speaker 1: I don't want to be the one who put I

672
00:31:23,040 --> 00:31:24,680
Speaker 1: don't want to put my one. I don't want to

673
00:31:24,680 --> 00:31:26,840
Speaker 1: be the one who puts myself out there and and

674
00:31:26,840 --> 00:31:29,120
Speaker 1: and gets dissed. Like you're you're You're in a very

675
00:31:29,200 --> 00:31:31,640
Speaker 1: vulnerable state. You're like, I kind of like this person,

676
00:31:31,680 --> 00:31:32,280
Speaker 1: do they like me?

677
00:31:32,640 --> 00:31:33,600
Speaker 4: You know? Well?

678
00:31:33,640 --> 00:31:34,080
Speaker 3: Did I ja?

679
00:31:34,200 --> 00:31:34,320
Speaker 7: Do you?

680
00:31:34,440 --> 00:31:36,880
Speaker 4: The character just wasn't he in the friend zone a

681
00:31:36,920 --> 00:31:38,600
Speaker 4: couple episodes before that? Yeah?

682
00:31:38,680 --> 00:31:40,120
Speaker 3: Yeah they were? They were friend zoned?

683
00:31:40,280 --> 00:31:44,160
Speaker 2: Yeah, like, uh, maybe seven episodes before he gets friend

684
00:31:44,200 --> 00:31:45,400
Speaker 2: zoned and.

685
00:31:45,320 --> 00:31:47,360
Speaker 1: Then he and then we gotta go to break. We'll

686
00:31:47,400 --> 00:31:50,160
Speaker 1: be right back with the legendary Randall Winster.

687
00:31:57,840 --> 00:32:05,120
Speaker 2: Random where instand is. We're very excited.

688
00:32:05,160 --> 00:32:08,320
Speaker 1: We're very excited Randall's here. We're talking about sex. JD

689
00:32:08,400 --> 00:32:12,200
Speaker 1: and Elliott have an epic, epic twenty four hours of sex,

690
00:32:13,280 --> 00:32:15,640
Speaker 1: and it seems that JD has found a way to

691
00:32:16,200 --> 00:32:19,240
Speaker 1: bring Elliott all the way to the Promised Land because

692
00:32:19,280 --> 00:32:20,840
Speaker 1: she seems to be really enjoying sex.

693
00:32:21,120 --> 00:32:23,040
Speaker 2: Well, the fact that they have it like six or

694
00:32:23,080 --> 00:32:25,400
Speaker 2: seven times is ridiculous. And she even brings up, I'm

695
00:32:25,400 --> 00:32:26,680
Speaker 2: gonna need a vagina transport.

696
00:32:26,720 --> 00:32:28,320
Speaker 1: Yeah, she says, she said, I need av giinant transplant,

697
00:32:28,320 --> 00:32:30,760
Speaker 1: which is a very funny fantasy. Cutting to the guys,

698
00:32:31,000 --> 00:32:32,760
Speaker 1: uh running through.

699
00:32:33,800 --> 00:32:40,320
Speaker 2: Don't go Bucks Boler.

700
00:32:40,480 --> 00:32:44,040
Speaker 7: Randall was that they should have done the song vagainaa Bucks.

701
00:32:44,160 --> 00:32:47,680
Speaker 1: Randall was vagina transplant something that anyone was worried about

702
00:32:47,680 --> 00:32:50,719
Speaker 1: getting through the sensors because it seems pretty pretty risque

703
00:32:50,760 --> 00:32:52,240
Speaker 1: to have a vagina in a box.

704
00:32:53,360 --> 00:32:58,200
Speaker 7: Yes, I remember there being like some conversation, but I

705
00:32:58,240 --> 00:33:00,120
Speaker 7: can't remember whether it was whether it was a lot

706
00:33:00,120 --> 00:33:02,680
Speaker 7: of crims. But the great thing about Scrubs was that

707
00:33:03,360 --> 00:33:05,640
Speaker 7: there was always something else to point at, like you know,

708
00:33:06,000 --> 00:33:07,960
Speaker 7: another red herring. I was like, well, we have a

709
00:33:08,040 --> 00:33:10,560
Speaker 7: giant in the box. But he says dick three times

710
00:33:11,160 --> 00:33:13,080
Speaker 7: two pages later, we'll get rid of that and let

711
00:33:13,160 --> 00:33:13,960
Speaker 7: us keep the giant.

712
00:33:14,120 --> 00:33:17,800
Speaker 1: So part of Randall's job was was being Bill's liaison

713
00:33:17,880 --> 00:33:20,000
Speaker 1: to the studio and being like, listen, guys, it's just

714
00:33:20,120 --> 00:33:23,200
Speaker 1: one vagina in a box. We're not gonna have vaginas

715
00:33:23,200 --> 00:33:24,440
Speaker 1: in boxes every week.

716
00:33:27,720 --> 00:33:30,320
Speaker 7: And and the and the great thing about about the uh,

717
00:33:31,080 --> 00:33:35,720
Speaker 7: the working with the person. There was a woman I

718
00:33:35,720 --> 00:33:37,720
Speaker 7: can't remember this if this was Sandy Christmas, it was

719
00:33:37,720 --> 00:33:40,640
Speaker 7: this Sandy Christmas. It was this very sweet woman who

720
00:33:41,480 --> 00:33:43,560
Speaker 7: used to have these conversations with So I'd get on

721
00:33:43,600 --> 00:33:45,800
Speaker 7: the phone and she'd be like, now, Randa, I packed

722
00:33:45,800 --> 00:33:51,600
Speaker 7: the vagina in the box, and you know, and then

723
00:33:51,640 --> 00:33:54,160
Speaker 7: you later say, Penis you know do we have to

724
00:33:54,200 --> 00:33:55,680
Speaker 7: have all of that in the show.

725
00:33:56,080 --> 00:33:56,800
Speaker 4: Yeah.

726
00:33:56,840 --> 00:33:59,320
Speaker 1: And what's funny is they'll often give you they'll often

727
00:33:59,360 --> 00:34:01,560
Speaker 1: give you a sheet of all their objections and it's

728
00:34:01,600 --> 00:34:04,280
Speaker 1: a negotiation, and then even when you get it through,

729
00:34:04,360 --> 00:34:06,440
Speaker 1: they'd be like, Okay, we're fine with the vagina in

730
00:34:06,480 --> 00:34:09,480
Speaker 1: the box, Please do not show a vagina in a box.

731
00:34:10,040 --> 00:34:14,400
Speaker 1: Like even shit, You're like, really, guys, you had to

732
00:34:14,400 --> 00:34:16,200
Speaker 1: write that on the paper, like you think we were

733
00:34:16,200 --> 00:34:19,359
Speaker 1: gonna cut into a vagina on for NBC in the box.

734
00:34:19,640 --> 00:34:22,279
Speaker 7: And sometimes they say sometimes they say stuff and you're thinking,

735
00:34:22,560 --> 00:34:24,720
Speaker 7: oh damn, you're weight dirtier than I thought.

736
00:34:24,840 --> 00:34:30,719
Speaker 4: Right now, that is not what we meant. This is

737
00:34:30,760 --> 00:34:31,560
Speaker 4: a true story.

738
00:34:31,760 --> 00:34:36,239
Speaker 7: We had to go into the effects visual effects and

739
00:34:36,400 --> 00:34:39,520
Speaker 7: adjust Donald scrubs in a particular scene because they thought

740
00:34:39,560 --> 00:34:40,680
Speaker 7: were seeing too much of a bob.

741
00:34:40,880 --> 00:34:46,920
Speaker 1: Oh, that is how we do, Dan, how about thunder

742
00:34:46,920 --> 00:34:49,600
Speaker 1: and we do. Let's have some thunders.

743
00:34:49,600 --> 00:34:51,560
Speaker 3: Applause or as applause from my junk.

744
00:34:54,120 --> 00:34:55,839
Speaker 1: And then Dan, if you wouldn't mind put him?

745
00:34:57,600 --> 00:34:59,840
Speaker 7: That was I used to do a Loma at the

746
00:35:00,640 --> 00:35:02,600
Speaker 7: and most of my yes inspired me to just.

747
00:35:02,560 --> 00:35:03,480
Speaker 4: Go mm hmm.

748
00:35:05,680 --> 00:35:08,800
Speaker 1: Whenever Nurse Roberts couldn't be at the table, read Randa

749
00:35:08,840 --> 00:35:11,680
Speaker 1: would would play her and his favorite part was doing her.

750
00:35:12,400 --> 00:35:16,480
Speaker 2: Speaking of speaking of Aloma. Holy cow, she's amazing in

751
00:35:16,520 --> 00:35:21,240
Speaker 2: this episode, very funny. Every one of her lines lands hard.

752
00:35:21,400 --> 00:35:21,960
Speaker 4: You know what I mean?

753
00:35:22,239 --> 00:35:26,040
Speaker 2: White boys? Uh? You mean it was a secret all

754
00:35:26,080 --> 00:35:29,200
Speaker 2: of that stuff, everything that everything that she said in

755
00:35:29,239 --> 00:35:30,960
Speaker 2: this episode, I laughed out loud.

756
00:35:30,960 --> 00:35:33,759
Speaker 1: Now let's get ready into it right away, you know,

757
00:35:33,920 --> 00:35:38,480
Speaker 1: let's you know, the janitor sees Aloma and she sees him,

758
00:35:39,520 --> 00:35:42,040
Speaker 1: and she looks at him like get the fuck out

759
00:35:42,080 --> 00:35:45,080
Speaker 1: of my way and Randall, Bill is still hanging on

760
00:35:45,160 --> 00:35:49,280
Speaker 1: to his his his dream that the Janitor was only

761
00:35:49,360 --> 00:35:52,719
Speaker 1: seen by JD in season one and we we are

762
00:35:52,920 --> 00:35:55,640
Speaker 1: Donald and I are detectives that are quickly proving him

763
00:35:55,640 --> 00:35:57,280
Speaker 1: wrong in every other episode.

764
00:35:57,600 --> 00:35:59,440
Speaker 4: Yes, yes, I was.

765
00:35:59,480 --> 00:36:02,000
Speaker 7: I never bought into that, that that he was a

766
00:36:02,040 --> 00:36:03,360
Speaker 7: figment of JD's imagination.

767
00:36:03,719 --> 00:36:05,200
Speaker 2: It's mister Snuffles.

768
00:36:05,640 --> 00:36:09,120
Speaker 7: Yeah, yeah, I mean, and I remember he had because

769
00:36:09,160 --> 00:36:12,120
Speaker 7: there's some episodes later. I remember an episode I directed

770
00:36:12,120 --> 00:36:14,640
Speaker 7: where he has a group of henchmen played by our

771
00:36:14,680 --> 00:36:19,879
Speaker 7: grip team, you know in they are all in it with.

772
00:36:19,920 --> 00:36:23,960
Speaker 2: Him, and isn't his his side? He has two sidekicks,

773
00:36:24,040 --> 00:36:25,200
Speaker 2: Troy and Randall.

774
00:36:25,320 --> 00:36:26,400
Speaker 1: Right, yeah, Randall.

775
00:36:27,680 --> 00:36:30,880
Speaker 2: I remember Randall played by Martin, played by.

776
00:36:30,760 --> 00:36:33,319
Speaker 1: Martin Martin, who was also in Oz the Great and

777
00:36:33,320 --> 00:36:35,120
Speaker 1: Powerful with me, and he was also in Pirates of

778
00:36:35,160 --> 00:36:35,800
Speaker 1: the Caribbean.

779
00:36:36,320 --> 00:36:38,360
Speaker 2: Yes that.

780
00:36:40,200 --> 00:36:42,560
Speaker 1: Let's talk about Colleco Vision, which comes up at seven

781
00:36:42,600 --> 00:36:44,640
Speaker 1: twenty one. Did you have Collecovision either one of you?

782
00:36:45,280 --> 00:36:45,719
Speaker 3: I did not.

783
00:36:45,760 --> 00:36:48,439
Speaker 2: My friend had Calleco Vision, and I remember colleco Vision

784
00:36:48,480 --> 00:36:50,960
Speaker 2: being so awesome because the video games looked exactly like

785
00:36:51,040 --> 00:36:53,719
Speaker 2: they look in the arcade. So if we had Donkey Kong,

786
00:36:54,000 --> 00:36:56,080
Speaker 2: it looked like Donkey Kong from the arcade.

787
00:36:56,160 --> 00:36:56,359
Speaker 4: Yeah.

788
00:36:56,360 --> 00:36:57,359
Speaker 1: I thought that was the first thing.

789
00:36:57,640 --> 00:37:00,600
Speaker 2: And you at first do you remember that game? I don't.

790
00:37:00,760 --> 00:37:02,040
Speaker 2: I don't remember the Smurf.

791
00:37:02,120 --> 00:37:04,440
Speaker 1: Well, if you were interested in video games, please go.

792
00:37:04,560 --> 00:37:07,240
Speaker 1: I'm sure on YouTube they can play you the theme

793
00:37:07,320 --> 00:37:11,280
Speaker 1: music from Smurfs on Cleacovision. And that jam was fire,

794
00:37:11,640 --> 00:37:11,800
Speaker 1: was it?

795
00:37:12,040 --> 00:37:15,720
Speaker 9: La la la la la la la la la la.

796
00:37:16,000 --> 00:37:16,319
Speaker 4: Come on?

797
00:37:16,360 --> 00:37:18,120
Speaker 3: That was the dope ship la.

798
00:37:18,360 --> 00:37:22,400
Speaker 9: La la la la la la la la la la.

799
00:37:21,920 --> 00:37:22,760
Speaker 1: Ahead.

800
00:37:22,960 --> 00:37:24,799
Speaker 2: Let me, let's put it this way. If jay Z

801
00:37:25,040 --> 00:37:27,719
Speaker 2: can make a song from Hard Knock Life, Yes.

802
00:37:28,680 --> 00:37:30,279
Speaker 1: Dude, do that again and I'll kick in my beat

803
00:37:30,280 --> 00:37:31,560
Speaker 1: box and we got a jam halfway there.

804
00:37:33,360 --> 00:37:41,960
Speaker 9: Hey, la la la la la la la la la

805
00:37:42,080 --> 00:37:46,000
Speaker 9: la la la la la la la la.

806
00:37:45,880 --> 00:37:48,440
Speaker 2: La la la la.

807
00:37:48,040 --> 00:37:50,239
Speaker 1: Dam And you're gonna have to line that up with

808
00:37:50,280 --> 00:37:52,440
Speaker 1: some delay. But we I think it's fire, and I

809
00:37:52,480 --> 00:37:54,399
Speaker 1: think we can beat a Hard Knocked Life.

810
00:37:56,280 --> 00:38:00,160
Speaker 7: You you did me that Donald On set you to

811
00:38:00,280 --> 00:38:03,160
Speaker 7: do Transformers as a dude.

812
00:38:03,560 --> 00:38:07,080
Speaker 2: Late Neil Diamond, Neil Diamond singing Transformers. I thought I

813
00:38:07,080 --> 00:38:09,319
Speaker 2: did it already, but if I haven't, if you missed it,

814
00:38:09,920 --> 00:38:17,759
Speaker 2: Transformers more than meets the eye. Keep going, keep going,

815
00:38:18,840 --> 00:38:23,799
Speaker 2: bus face their battles to destroy the evil forces of

816
00:38:25,239 --> 00:38:26,680
Speaker 2: the Decepticons.

817
00:38:29,960 --> 00:38:32,600
Speaker 1: By the way, Neil Diamond's your best impersonation. You also

818
00:38:32,640 --> 00:38:34,960
Speaker 1: do a pretty good Uh, I don't know how much.

819
00:38:36,280 --> 00:38:38,520
Speaker 3: My well, you do a better version of Aaron Neville

820
00:38:38,520 --> 00:38:38,880
Speaker 3: than I do.

821
00:38:39,120 --> 00:38:51,759
Speaker 2: I mean, here, mine's trash that maybe yeahs is way

822
00:38:51,760 --> 00:38:53,719
Speaker 2: better than mine, way better than mine.

823
00:38:53,719 --> 00:38:55,840
Speaker 1: There you go. That's the extent of our impressions. Gleco

824
00:38:55,920 --> 00:38:58,320
Speaker 1: Vision great game system. I felt like a baller because

825
00:38:58,320 --> 00:39:01,160
Speaker 1: I had it, and uh, you know, I remember that

826
00:39:01,400 --> 00:39:04,360
Speaker 1: control was like it was like a long rectangle and

827
00:39:04,400 --> 00:39:04,840
Speaker 1: then there was the.

828
00:39:05,320 --> 00:39:06,200
Speaker 2: Circle on the bottom.

829
00:39:06,280 --> 00:39:06,480
Speaker 4: Yeah.

830
00:39:06,640 --> 00:39:09,560
Speaker 1: Not to be confused within television, which I didn't have.

831
00:39:09,960 --> 00:39:13,520
Speaker 2: Or in television. Wow was it in television? It was

832
00:39:13,600 --> 00:39:14,400
Speaker 2: Kalico Vision.

833
00:39:15,840 --> 00:39:18,600
Speaker 1: I start with the Atari twenty six hundred. I remember

834
00:39:18,640 --> 00:39:20,359
Speaker 1: that everybody had that.

835
00:39:20,840 --> 00:39:21,680
Speaker 2: Yeah, and then.

836
00:39:21,600 --> 00:39:24,520
Speaker 1: There was Kalovision. Go ahead, Randall, I feel like the

837
00:39:24,520 --> 00:39:26,000
Speaker 1: guy with the gaming head that you weigh in.

838
00:39:29,200 --> 00:39:31,239
Speaker 7: But this makes me said one hundred years old. I

839
00:39:31,280 --> 00:39:36,160
Speaker 7: am currently doing a puzzle during COVID that is all

840
00:39:36,760 --> 00:39:41,120
Speaker 7: of the original video games Atari and like, yeah, so it's.

841
00:39:41,400 --> 00:39:45,000
Speaker 1: I need that puzzle. We we got a Van Gos

842
00:39:45,040 --> 00:39:47,279
Speaker 1: Starry Night and we are not even getting anywhere near

843
00:39:47,320 --> 00:39:48,640
Speaker 1: to starting it. But I feel like if it was

844
00:39:48,640 --> 00:39:50,920
Speaker 1: the old game consoles, we've had it done already.

845
00:39:51,120 --> 00:39:51,960
Speaker 4: I'm sending it to you.

846
00:39:52,520 --> 00:39:56,279
Speaker 2: There's an Alf mentioned in this show ALF. I was

847
00:39:56,320 --> 00:39:57,600
Speaker 2: a huge fan of ALF when.

848
00:39:57,440 --> 00:40:00,919
Speaker 1: I too, Max, Right, what do you doing out?

849
00:40:03,680 --> 00:40:07,320
Speaker 2: The puppet from out of space who loved to eat cats?

850
00:40:07,560 --> 00:40:10,200
Speaker 1: I remember being a little kid and the trailer teaser

851
00:40:10,320 --> 00:40:12,439
Speaker 1: for ALF came on and I remember being a little kid,

852
00:40:12,440 --> 00:40:15,959
Speaker 1: my first film critic going that looks so stupid. Cut

853
00:40:16,000 --> 00:40:19,280
Speaker 1: to me loving Alf, like having alf stuffed animals?

854
00:40:20,640 --> 00:40:23,080
Speaker 7: What was not to love about ALF? I visited the

855
00:40:23,080 --> 00:40:25,200
Speaker 7: ALF set, you did, I remember?

856
00:40:25,400 --> 00:40:25,600
Speaker 4: Yes?

857
00:40:25,719 --> 00:40:27,279
Speaker 1: That was it raised up so they could have a

858
00:40:27,280 --> 00:40:27,839
Speaker 1: puppet teer.

859
00:40:28,600 --> 00:40:30,880
Speaker 7: Yes, And it was like it was It wasn't at

860
00:40:30,880 --> 00:40:33,240
Speaker 7: a real stage. It was at uh an a warehouse

861
00:40:33,280 --> 00:40:34,000
Speaker 7: in Culver City.

862
00:40:34,800 --> 00:40:37,440
Speaker 1: Is I Paul Max Wright, who was who played the father,

863
00:40:37,480 --> 00:40:41,520
Speaker 1: who was an accomplished theater actor and Shakespearean actor and

864
00:40:41,760 --> 00:40:44,759
Speaker 1: genius act all around fucking hated it. I think that's

865
00:40:44,840 --> 00:40:47,759
Speaker 1: part of the lore is that he absolutely hated doing

866
00:40:47,760 --> 00:40:48,439
Speaker 1: a puppet show.

867
00:40:51,440 --> 00:40:54,680
Speaker 7: Now, did you did you watch all the Alps? We

868
00:40:54,680 --> 00:40:55,880
Speaker 7: were religious elf because.

869
00:40:55,680 --> 00:40:57,719
Speaker 1: There's episodes on Mitch. I mean, I'm not ready to

870
00:40:57,719 --> 00:40:59,239
Speaker 1: do the rewatch podcast, but.

871
00:40:58,960 --> 00:41:02,480
Speaker 7: There's a there's a very special ALF where I remember

872
00:41:02,520 --> 00:41:03,919
Speaker 7: mostly is crying during alf.

873
00:41:04,520 --> 00:41:06,480
Speaker 4: Alf would to visit the girl in the hospital. It

874
00:41:06,520 --> 00:41:09,040
Speaker 4: was like, you know, tonight on a very special alf.

875
00:41:11,200 --> 00:41:13,040
Speaker 1: Do you remember when they would do you remember when

876
00:41:13,040 --> 00:41:14,719
Speaker 1: they would like back in the day, for those of

877
00:41:14,800 --> 00:41:16,840
Speaker 1: you who are too young, they when there was a

878
00:41:16,920 --> 00:41:19,440
Speaker 1: sad like on Scrubs. We had sad episodes all the time.

879
00:41:19,719 --> 00:41:22,160
Speaker 1: But on the old school sitcoms they would always warn you,

880
00:41:22,239 --> 00:41:27,240
Speaker 1: like tonight on a very special Silver Spoons, the ricker

881
00:41:27,320 --> 00:41:31,480
Speaker 1: will the ricker will kill a deer. We recommend and

882
00:41:31,520 --> 00:41:34,120
Speaker 1: they would go, we recommend parents watch with their children.

883
00:41:34,320 --> 00:41:35,719
Speaker 1: Do you remember that for sure?

884
00:41:35,880 --> 00:41:38,359
Speaker 7: But on Scrubs, if it was sad, we just would

885
00:41:38,360 --> 00:41:39,479
Speaker 7: play the theme song a little.

886
00:41:40,000 --> 00:41:49,799
Speaker 1: Yeah, So there was silver Spoons when the wrecker killed

887
00:41:49,800 --> 00:41:52,840
Speaker 1: a deer, there was different strokes. When Dudley got molested

888
00:41:52,840 --> 00:41:55,120
Speaker 1: by the bike shop owner, remember that.

889
00:41:55,200 --> 00:41:58,920
Speaker 2: I do remember that and everything happened to Dudley or Arnold.

890
00:41:59,280 --> 00:42:01,080
Speaker 1: Yeah, and then I don't know what happened on Alf,

891
00:42:01,120 --> 00:42:02,360
Speaker 1: but I don't know if they made the announcement, it

892
00:42:02,440 --> 00:42:03,560
Speaker 1: must have been serious.

893
00:42:07,480 --> 00:42:08,680
Speaker 2: Special episode of Alf.

894
00:42:09,280 --> 00:42:10,840
Speaker 1: Alf learns to touch himself.

895
00:42:11,239 --> 00:42:13,240
Speaker 2: Oh boy, oh boy.

896
00:42:13,400 --> 00:42:14,960
Speaker 1: But you can't handle it. I used to have an

897
00:42:15,000 --> 00:42:19,640
Speaker 1: alf stuffed animal, and uh, well, never mind without that, man,

898
00:42:19,680 --> 00:42:21,040
Speaker 1: it sounded like I fucked the doll. I didn't.

899
00:42:21,040 --> 00:42:23,000
Speaker 2: I just I just it did sound like you were

900
00:42:23,040 --> 00:42:26,439
Speaker 2: about to say it sounded like you were about to say, yeah,

901
00:42:26,440 --> 00:42:27,120
Speaker 2: I fucked the doll.

902
00:42:27,560 --> 00:42:28,600
Speaker 1: Did Alf have a tail?

903
00:42:30,040 --> 00:42:31,759
Speaker 2: I don't know. No, No, no, he did not.

904
00:42:32,000 --> 00:42:32,960
Speaker 4: I don't think so. Well.

905
00:42:33,000 --> 00:42:34,560
Speaker 1: Can you please look up if Alf had a tail?

906
00:42:34,640 --> 00:42:35,719
Speaker 3: Alf did not have a tail.

907
00:42:36,360 --> 00:42:37,719
Speaker 1: You're feeling really confident about that.

908
00:42:37,760 --> 00:42:38,239
Speaker 2: You didn't see.

909
00:42:38,280 --> 00:42:40,640
Speaker 1: You didn't see Alf's ask that much.

910
00:42:41,480 --> 00:42:44,320
Speaker 2: Okay, let's talk about how well Johnny does in this episode.

911
00:42:44,440 --> 00:42:47,919
Speaker 1: Yeah, in the monologue, in the monologue section, everybody's great.

912
00:42:47,960 --> 00:42:50,399
Speaker 1: In the oh, Joelle, what you look? Your face lit up?

913
00:42:51,040 --> 00:42:53,359
Speaker 2: Alf does have a tail?

914
00:42:57,719 --> 00:42:59,560
Speaker 1: Donald, You fucking liar.

915
00:43:00,160 --> 00:43:02,560
Speaker 2: I just don't remember out for the long terilt.

916
00:43:03,040 --> 00:43:06,520
Speaker 5: No, it's like a dog's tail, and it only because

917
00:43:06,640 --> 00:43:08,720
Speaker 5: you can see him like he's looking out the window

918
00:43:08,760 --> 00:43:09,680
Speaker 5: in a single shot.

919
00:43:10,239 --> 00:43:11,720
Speaker 1: Listen, but I want to see if the album.

920
00:43:11,719 --> 00:43:14,360
Speaker 2: I barely remember episodes of Scrubs. How am I supposed

921
00:43:14,360 --> 00:43:15,000
Speaker 2: to remember Alf?

922
00:43:16,640 --> 00:43:19,440
Speaker 1: He does have a tail, so I have a memory.

923
00:43:19,640 --> 00:43:20,719
Speaker 1: I think what I was trying to say with the

924
00:43:20,719 --> 00:43:24,080
Speaker 1: stuff animals, I used to pull Alf's tail through his

925
00:43:24,200 --> 00:43:26,200
Speaker 1: legs to make it look like it was Alb's.

926
00:43:25,840 --> 00:43:40,359
Speaker 10: Peenis Oh my gosh, all right, all.

927
00:43:40,320 --> 00:43:42,400
Speaker 1: Right is good in this episode? Yes, he's not.

928
00:43:42,440 --> 00:43:42,759
Speaker 4: Only that.

929
00:43:42,840 --> 00:43:44,480
Speaker 3: Before we do that, let's go back a little bit.

930
00:43:45,080 --> 00:43:49,680
Speaker 2: Uh, I didn't know that Kelso's actual name was Kelso Kelso.

931
00:43:51,600 --> 00:43:54,399
Speaker 1: Kelsanovitch. Yeah, well, I don't think that comes up again.

932
00:43:54,440 --> 00:43:56,400
Speaker 1: But this is the first episode where he introduces his

933
00:43:56,440 --> 00:43:57,719
Speaker 1: wife's name, Enid.

934
00:43:57,960 --> 00:44:01,040
Speaker 2: Right, And I thought that was just very interesting that,

935
00:44:01,600 --> 00:44:03,640
Speaker 2: you know, he changed his name to fit in to

936
00:44:03,719 --> 00:44:06,960
Speaker 2: be to sound more American, so instead of kel Sonovich,

937
00:44:07,480 --> 00:44:08,720
Speaker 2: it then became Kelso.

938
00:44:09,800 --> 00:44:14,680
Speaker 1: I think everybody did, including uh, Donald Faison and Judy

939
00:44:14,960 --> 00:44:18,839
Speaker 1: and Sarah. Everybody was great in these monologue sections. They

940
00:44:18,880 --> 00:44:20,960
Speaker 1: were Oh, it was kind of a cool. It's funny

941
00:44:21,000 --> 00:44:23,600
Speaker 1: because that documentary style became very common in shows like

942
00:44:23,880 --> 00:44:27,399
Speaker 1: the Office and a modern family that were doing sort

943
00:44:27,400 --> 00:44:30,280
Speaker 1: of the shaky cam documentary style. Was not a style

944
00:44:30,320 --> 00:44:33,080
Speaker 1: we did on Scrubs. But because of this segment, I

945
00:44:33,120 --> 00:44:35,080
Speaker 1: don't know why the interviewer was so hirky jerky with

946
00:44:35,120 --> 00:44:36,560
Speaker 1: the damn camera. I mean, put the fucking thing on

947
00:44:36,560 --> 00:44:37,600
Speaker 1: a tripod and calm down.

948
00:44:37,680 --> 00:44:39,360
Speaker 2: But it was the.

949
00:44:39,880 --> 00:44:42,759
Speaker 1: Interviewer was making like his own shaky cam TV show.

950
00:44:43,120 --> 00:44:46,560
Speaker 1: But I thought everyone it seemed like the mandate was

951
00:44:46,600 --> 00:44:47,839
Speaker 1: that they were not going to have cuts in them

952
00:44:47,840 --> 00:44:50,640
Speaker 1: and they would all be long takes and yeah, and I

953
00:44:50,680 --> 00:44:52,680
Speaker 1: thought everyone did a really nice job in those scenes.

954
00:44:52,840 --> 00:44:54,920
Speaker 2: Do you call it? They prepared us for that, because

955
00:44:55,320 --> 00:44:58,279
Speaker 2: the fact that I knew my lines like that was

956
00:44:58,920 --> 00:45:02,560
Speaker 2: very weird yourself. I'm watching it and I'm like, they're

957
00:45:02,600 --> 00:45:04,799
Speaker 2: gonna cut soon, because there's no way I remember all

958
00:45:04,840 --> 00:45:05,040
Speaker 2: of this.

959
00:45:06,480 --> 00:45:09,400
Speaker 7: We talked about it a lot, and we knew it

960
00:45:09,400 --> 00:45:12,600
Speaker 7: was gonna be one take. If I remember correctly, those

961
00:45:12,680 --> 00:45:15,920
Speaker 7: are half the monologue that we did. I mean, part

962
00:45:15,920 --> 00:45:17,200
Speaker 7: of the reason why the episode is so long is

963
00:45:17,200 --> 00:45:20,319
Speaker 7: because those chunks. And I remember Johnny c I feel

964
00:45:20,320 --> 00:45:25,600
Speaker 7: like he was disappointed because there was another long take.

965
00:45:25,760 --> 00:45:27,840
Speaker 4: You know, So even though this episode is what do

966
00:45:27,920 --> 00:45:28,239
Speaker 4: We Say?

967
00:45:28,280 --> 00:45:32,000
Speaker 7: Twenty four eight twenty eight, twenty eight, I think the

968
00:45:32,120 --> 00:45:33,920
Speaker 7: editor's cut was closer to forty.

969
00:45:34,280 --> 00:45:37,359
Speaker 1: Yeah, and there's a really cool section later on where

970
00:45:37,400 --> 00:45:40,120
Speaker 1: Donald and Judy are side by side and they're still

971
00:45:40,160 --> 00:45:42,800
Speaker 1: not cutting, so they were able to time out. I

972
00:45:42,840 --> 00:45:44,839
Speaker 1: don't know, was Judy in the room reading with you? Donald,

973
00:45:44,840 --> 00:45:45,320
Speaker 1: do you remember?

974
00:45:45,360 --> 00:45:45,440
Speaker 7: No?

975
00:45:45,560 --> 00:45:51,080
Speaker 2: That was it. They gave us earwigs, I think for that, because.

976
00:45:51,320 --> 00:45:53,359
Speaker 1: Earwig, for those who don't know, is a tiny ear

977
00:45:53,360 --> 00:45:55,600
Speaker 1: piece that goes in your ear that you can't see

978
00:45:55,680 --> 00:45:56,720
Speaker 1: the camera can't see.

979
00:45:56,880 --> 00:46:01,319
Speaker 2: I remember rehearsing it with the voice track. I think

980
00:46:01,320 --> 00:46:04,520
Speaker 2: they recorded Judy first. I could be wrong, though, I

981
00:46:04,520 --> 00:46:08,839
Speaker 2: think they recorded Judy first and then I went in

982
00:46:09,080 --> 00:46:10,240
Speaker 2: after her to record.

983
00:46:10,239 --> 00:46:12,520
Speaker 1: Well, the timing of that was perfect because you you know,

984
00:46:12,560 --> 00:46:14,600
Speaker 1: you had to stall, so you were like thinking and

985
00:46:14,600 --> 00:46:16,239
Speaker 1: then you took a sip of your water and like

986
00:46:16,280 --> 00:46:18,279
Speaker 1: it totally looked natural, but it was. It was well

987
00:46:18,280 --> 00:46:20,239
Speaker 1: done by by Larry trilling.

988
00:46:20,120 --> 00:46:22,480
Speaker 2: Trilling Man, that was one of the that was one

989
00:46:22,480 --> 00:46:26,239
Speaker 2: of the highlights in my notes that I wrote. You know,

990
00:46:27,480 --> 00:46:29,759
Speaker 2: this was his first episode to direct for us, and

991
00:46:29,800 --> 00:46:31,759
Speaker 2: we gave him a pretty you know, you guys gave

992
00:46:31,840 --> 00:46:34,719
Speaker 2: him a big Randall and you and Bill gave him

993
00:46:34,719 --> 00:46:37,520
Speaker 2: a pretty big episode to produce. I wondered if it

994
00:46:37,520 --> 00:46:39,840
Speaker 2: was ever like, Yo, what money do I get to

995
00:46:39,920 --> 00:46:42,839
Speaker 2: make this go easier for me? You know what I mean?

996
00:46:43,000 --> 00:46:45,440
Speaker 1: Like, I'm guessing he was told that it was going

997
00:46:45,480 --> 00:46:48,640
Speaker 1: to be a long one because right Randall or was

998
00:46:48,520 --> 00:46:49,840
Speaker 1: it was decided after the fact.

999
00:46:51,160 --> 00:46:52,399
Speaker 4: It was decided after the fact.

1000
00:46:52,480 --> 00:46:53,880
Speaker 7: We didn't know it was going to come out, but

1001
00:46:53,920 --> 00:46:56,879
Speaker 7: we knew from timing the table read that we were

1002
00:46:56,960 --> 00:46:58,719
Speaker 7: up against it and that we didn't want to make

1003
00:46:58,760 --> 00:47:03,600
Speaker 7: cuts in those you know, soliloquy pieces, you know, directly

1004
00:47:03,640 --> 00:47:07,080
Speaker 7: to the camera. For some reason, I feel like production wise,

1005
00:47:07,600 --> 00:47:10,120
Speaker 7: there was just a lot of talk about the pizza clock,

1006
00:47:10,200 --> 00:47:12,319
Speaker 7: like getting the right angle and how much pizzad it

1007
00:47:12,360 --> 00:47:14,640
Speaker 7: take out. And you know, we were we were in

1008
00:47:14,680 --> 00:47:17,439
Speaker 7: that bedroom for so long, which was a tight set.

1009
00:47:17,880 --> 00:47:20,040
Speaker 1: Yeah, and Sarah and I, you know, we were friends

1010
00:47:21,239 --> 00:47:24,319
Speaker 1: and we really loved each other. But that was a

1011
00:47:24,440 --> 00:47:28,680
Speaker 1: very bizarre thing to have that much fake sex all

1012
00:47:28,719 --> 00:47:30,920
Speaker 1: over one set for many days on end.

1013
00:47:31,440 --> 00:47:33,640
Speaker 2: Well, yeah, not just that, you guys were very much

1014
00:47:33,680 --> 00:47:35,960
Speaker 2: in each other's face. I was going to ask you,

1015
00:47:35,960 --> 00:47:38,760
Speaker 2: you guys made out a lot in this episode. Yeah,

1016
00:47:38,800 --> 00:47:40,319
Speaker 2: how awkward was that for you?

1017
00:47:41,480 --> 00:47:45,600
Speaker 1: I think it was, Uh, you know, you always hear

1018
00:47:45,640 --> 00:47:47,560
Speaker 1: actors talking about, Oh it's you know, it's all very

1019
00:47:47,800 --> 00:47:49,799
Speaker 1: you know, choreographed, and it's not weird at all.

1020
00:47:49,840 --> 00:47:50,360
Speaker 4: It is weird.

1021
00:47:50,400 --> 00:47:52,799
Speaker 1: You know, there's everyone standing around, you're making out with

1022
00:47:52,960 --> 00:47:57,200
Speaker 1: your good friend. Uh, it's you know, it was. It

1023
00:47:57,239 --> 00:47:59,319
Speaker 1: was bizarre. I remember being because also a lot of

1024
00:47:59,320 --> 00:48:01,799
Speaker 1: most times, like okay, there's a quick makeout scene. It's

1025
00:48:01,800 --> 00:48:04,360
Speaker 1: a TV show, you know, That's that's all it ever is.

1026
00:48:04,800 --> 00:48:07,680
Speaker 1: This was like, you know, wrestling around and groping each

1027
00:48:07,719 --> 00:48:09,440
Speaker 1: other and for days.

1028
00:48:09,880 --> 00:48:10,480
Speaker 4: So it was.

1029
00:48:10,440 --> 00:48:14,320
Speaker 2: Weird face to face and not only face.

1030
00:48:14,120 --> 00:48:17,719
Speaker 1: To fanaka Donald you gotta have Banaka. We had a

1031
00:48:17,760 --> 00:48:20,480
Speaker 1: boom man named Kevin what was his last name? Randall?

1032
00:48:20,960 --> 00:48:21,440
Speaker 1: Do you remember?

1033
00:48:22,120 --> 00:48:23,040
Speaker 4: I can't figure it right now.

1034
00:48:25,880 --> 00:48:28,000
Speaker 1: Also hires the whole crew everybody, so he should really

1035
00:48:28,080 --> 00:48:31,880
Speaker 1: know Kevin's last name. But Kevin used to see that

1036
00:48:31,920 --> 00:48:33,399
Speaker 1: we all used to have banaka. This is like back

1037
00:48:33,400 --> 00:48:35,160
Speaker 1: in the day still that we had like spray the

1038
00:48:35,239 --> 00:48:38,640
Speaker 1: aerosol banokam and uh we made a joke like oh,

1039
00:48:38,600 --> 00:48:40,279
Speaker 1: it'll be great because the boom mike's right over your head.

1040
00:48:40,400 --> 00:48:42,000
Speaker 1: We're like, it'd be great if there was a boom

1041
00:48:42,239 --> 00:48:44,160
Speaker 1: if there was banaka on the boom, because then we

1042
00:48:44,160 --> 00:48:46,040
Speaker 1: can just reach up, pull the boom mic down and

1043
00:48:46,040 --> 00:48:47,920
Speaker 1: grab it off. Next day we show up and he

1044
00:48:47,960 --> 00:48:51,359
Speaker 1: had velcrowe a banaka to the end of the boom mic,

1045
00:48:51,719 --> 00:48:56,399
Speaker 1: not not the mic itself, the stick and poll and

1046
00:48:56,480 --> 00:48:59,359
Speaker 1: Kevin santy, thank you and uh and and literally he

1047
00:48:59,400 --> 00:49:00,839
Speaker 1: wasn't just a joke. He kept it up there for

1048
00:49:00,880 --> 00:49:03,719
Speaker 1: like months, and whenever you need a banaka, you just

1049
00:49:03,719 --> 00:49:05,880
Speaker 1: reach up, grab the boom pole, pull it off to

1050
00:49:05,960 --> 00:49:07,919
Speaker 1: a spray. They'll crow it back and stick it off.

1051
00:49:08,360 --> 00:49:10,239
Speaker 2: I used to go crazy with the banaka because I

1052
00:49:10,239 --> 00:49:12,920
Speaker 2: felt like, maybe if I spray enough in my mouth

1053
00:49:12,960 --> 00:49:16,600
Speaker 2: the aarosol and the freaking mint will get me high enough.

1054
00:49:18,880 --> 00:49:21,759
Speaker 1: When your weed was wearing all, so Donald this weed

1055
00:49:21,760 --> 00:49:23,239
Speaker 1: had worn off and he was on set too long.

1056
00:49:23,239 --> 00:49:24,800
Speaker 1: He's like, let me try and get high on baca.

1057
00:49:24,840 --> 00:49:25,000
Speaker 4: Yeah.

1058
00:49:25,239 --> 00:49:27,440
Speaker 3: I remember one day Randall came into the room.

1059
00:49:27,520 --> 00:49:29,160
Speaker 2: Randall, tell me if you remember this, and you were

1060
00:49:29,200 --> 00:49:32,000
Speaker 2: like Donald and we were on set and you were like, Donald,

1061
00:49:32,080 --> 00:49:33,840
Speaker 2: wake up. Do I need to splash cold water in

1062
00:49:33,840 --> 00:49:36,359
Speaker 2: your face and something wake the ass up when you.

1063
00:49:36,360 --> 00:49:43,759
Speaker 3: High or something? No? No, no, no, no no no no.

1064
00:49:43,960 --> 00:49:45,320
Speaker 3: But in my mind I was like, they.

1065
00:49:45,239 --> 00:49:46,799
Speaker 5: Know, they know.

1066
00:49:48,880 --> 00:49:50,560
Speaker 1: It's probably because you were taking too long to get

1067
00:49:50,560 --> 00:49:50,919
Speaker 1: to set.

1068
00:49:51,400 --> 00:49:51,680
Speaker 9: No.

1069
00:49:52,280 --> 00:49:53,960
Speaker 2: The only time I took a long time to get

1070
00:49:53,960 --> 00:49:56,680
Speaker 2: to set was when Grand Theft Auto Vice City came out.

1071
00:49:56,920 --> 00:49:58,600
Speaker 2: And I remember one time they were trying to get

1072
00:49:58,600 --> 00:50:00,680
Speaker 2: me the set and I was on my way out

1073
00:50:00,719 --> 00:50:03,480
Speaker 2: the door and Randall's pushing my door in as I'm

1074
00:50:03,520 --> 00:50:06,839
Speaker 2: pulling it, and I was like hi, and he was like,

1075
00:50:07,400 --> 00:50:12,640
Speaker 2: get upstairs, random.

1076
00:50:12,719 --> 00:50:13,680
Speaker 1: You had to be bad cop.

1077
00:50:14,080 --> 00:50:15,879
Speaker 7: I had to get with the gripe. Yeah, grabbing people,

1078
00:50:16,239 --> 00:50:18,919
Speaker 7: steer them. I remember sending a PA to your house

1079
00:50:18,960 --> 00:50:21,440
Speaker 7: one time, Zach. Somebody had to climb over the fence

1080
00:50:21,800 --> 00:50:23,799
Speaker 7: to get you to like, wait, it.

1081
00:50:23,719 --> 00:50:25,560
Speaker 1: Was a really bad moment. Know what happened was the

1082
00:50:25,600 --> 00:50:29,319
Speaker 1: power What had happened was the power went out. The

1083
00:50:29,360 --> 00:50:31,560
Speaker 1: power went out in my in my on my street

1084
00:50:31,640 --> 00:50:34,760
Speaker 1: or my neighborhood, and so the alarms didn't go off,

1085
00:50:35,360 --> 00:50:38,279
Speaker 1: and and also the phones didn't work, and so I

1086
00:50:38,360 --> 00:50:42,640
Speaker 1: woke up to a PA knocking on my window. And

1087
00:50:42,920 --> 00:50:45,160
Speaker 1: which is the worst sight if you're an actor. It's

1088
00:50:45,200 --> 00:50:48,080
Speaker 1: like the most horrible feeling. And I remember getting to

1089
00:50:48,160 --> 00:50:50,480
Speaker 1: set really late and Bill looked at me and he's like, no, no,

1090
00:50:50,400 --> 00:50:51,959
Speaker 1: don't worry, we'll split the fifty grand.

1091
00:50:55,520 --> 00:50:58,759
Speaker 7: I think during scrubs I had a real moment of

1092
00:50:58,800 --> 00:51:02,840
Speaker 7: peace about producing, which was I gave up on the

1093
00:51:02,880 --> 00:51:05,919
Speaker 7: idea of everything being okay for more than five minutes

1094
00:51:05,960 --> 00:51:09,120
Speaker 7: at a time, because nothing's ever always okay. It's like,

1095
00:51:10,480 --> 00:51:15,839
Speaker 7: and nobody comes to my door to be like everything's great.

1096
00:51:16,280 --> 00:51:19,959
Speaker 7: It's like, you know, somebody took my candy. We don't

1097
00:51:19,960 --> 00:51:21,879
Speaker 7: have any film. You know, somebody's late.

1098
00:51:22,239 --> 00:51:24,799
Speaker 2: Did we ever run out of film?

1099
00:51:25,120 --> 00:51:26,800
Speaker 4: We came, We came close.

1100
00:51:26,840 --> 00:51:28,600
Speaker 7: We used to a lot of short ends one particular

1101
00:51:28,680 --> 00:51:32,759
Speaker 7: week because part of the reason that we were able

1102
00:51:32,760 --> 00:51:35,920
Speaker 7: to fly under the radar financially, and one of the

1103
00:51:35,920 --> 00:51:38,520
Speaker 7: reasons that that show is one of the last shows

1104
00:51:38,760 --> 00:51:42,000
Speaker 7: to be on film is because we shot on sixteen.

1105
00:51:42,000 --> 00:51:44,520
Speaker 7: We shot Super sixteen, not thirty five, So we cut

1106
00:51:44,520 --> 00:51:46,680
Speaker 7: our production costs, you know, by a lot.

1107
00:51:47,160 --> 00:51:48,600
Speaker 4: But we made a great print.

1108
00:51:48,640 --> 00:51:52,560
Speaker 7: I mean, we showed that show on a DJA in

1109
00:51:52,640 --> 00:51:54,359
Speaker 7: the GGA screening room and held up.

1110
00:51:55,719 --> 00:51:57,000
Speaker 1: So, yeah, those of you who don't know, this was

1111
00:51:57,040 --> 00:52:00,680
Speaker 1: one of the last shows still being shot on film,

1112
00:52:00,719 --> 00:52:04,240
Speaker 1: especially sixteen millimeter film probably at the time. Probably nothing

1113
00:52:04,360 --> 00:52:07,480
Speaker 1: is right now, I would guess, unless it's like a

1114
00:52:07,480 --> 00:52:11,160
Speaker 1: big budget feature on Netflix or something. But most people

1115
00:52:11,200 --> 00:52:13,680
Speaker 1: don't do that anymore anyway. And it's one of the

1116
00:52:13,680 --> 00:52:15,960
Speaker 1: reasons why people always ask how come there's no blu

1117
00:52:16,120 --> 00:52:21,760
Speaker 1: ray and high resolution sixteen by nine version of the show.

1118
00:52:22,200 --> 00:52:24,400
Speaker 1: It's because when we made it, we didn't and we

1119
00:52:24,400 --> 00:52:27,680
Speaker 1: were done with it. No one anticipated all this streaming stuff,

1120
00:52:27,719 --> 00:52:31,200
Speaker 1: so it was never like upres to be four K video.

1121
00:52:31,280 --> 00:52:34,759
Speaker 7: Right, they didn't cut the film and then we do it,

1122
00:52:34,760 --> 00:52:36,959
Speaker 7: and some of the film that we used you can't

1123
00:52:36,960 --> 00:52:40,040
Speaker 7: even get anymore. A lot of the flashback scenes I think,

1124
00:52:40,440 --> 00:52:43,360
Speaker 7: I think you'll see it in season one are shot

1125
00:52:43,600 --> 00:52:47,000
Speaker 7: on something that was called reversal film, which was like

1126
00:52:47,040 --> 00:52:48,160
Speaker 7: from the Vietnam War.

1127
00:52:48,400 --> 00:52:50,880
Speaker 4: It could had this look of Yeah.

1128
00:52:50,880 --> 00:52:53,640
Speaker 1: That's why they have a specific texture, though in fact

1129
00:52:53,640 --> 00:52:56,359
Speaker 1: there's different clearly a different film stock being shot for

1130
00:52:56,520 --> 00:52:59,160
Speaker 1: these interview sequences, because they're very grainy and have a

1131
00:52:59,160 --> 00:53:02,680
Speaker 1: different color sort of palette than the show itself.

1132
00:53:03,080 --> 00:53:05,520
Speaker 2: When did we switch When did we switch over to chip?

1133
00:53:05,520 --> 00:53:07,480
Speaker 2: Then when did we switch over to digital?

1134
00:53:07,680 --> 00:53:09,239
Speaker 1: Because I know, did you do it in season nine?

1135
00:53:09,280 --> 00:53:10,680
Speaker 1: It would only be in season nine.

1136
00:53:11,000 --> 00:53:12,680
Speaker 3: I think it was before season nine, to.

1137
00:53:12,640 --> 00:53:15,279
Speaker 7: Be honest with you, I don't think so. I mean

1138
00:53:15,480 --> 00:53:19,000
Speaker 7: because because it was talked about so much shows, because

1139
00:53:19,120 --> 00:53:21,520
Speaker 7: NBC had made this mandate that everybody was going digital.

1140
00:53:21,640 --> 00:53:23,399
Speaker 7: But then when they looked at our numbers, they were like, hey,

1141
00:53:23,520 --> 00:53:26,120
Speaker 7: keep doing what you're doing. Like I think, I think

1142
00:53:26,160 --> 00:53:28,960
Speaker 7: maybe in that season nine we went digital, Like I

1143
00:53:28,960 --> 00:53:30,680
Speaker 7: honestly can't remember us the top of my head.

1144
00:53:30,840 --> 00:53:31,480
Speaker 3: I remember that.

1145
00:53:31,560 --> 00:53:33,799
Speaker 2: I remember that that was very interesting when you would

1146
00:53:33,840 --> 00:53:37,920
Speaker 2: see them changing mags or somebody getting the film ready

1147
00:53:38,000 --> 00:53:40,680
Speaker 2: for the day and having to put the film in

1148
00:53:40,760 --> 00:53:44,040
Speaker 2: a mag so that it could fit on the camera

1149
00:53:44,320 --> 00:53:48,320
Speaker 2: and reaching into this like bag. It looked like a bag,

1150
00:53:48,760 --> 00:53:49,560
Speaker 2: is what it looked like.

1151
00:53:49,760 --> 00:53:52,279
Speaker 1: Well, it was a picture like a miniature camping tent

1152
00:53:52,680 --> 00:53:54,920
Speaker 1: that like that would fit on a desktop and it

1153
00:53:55,000 --> 00:53:57,200
Speaker 1: was blacked out so that they could put their hands

1154
00:53:57,200 --> 00:53:59,839
Speaker 1: in there and not expose the film while loading them

1155
00:54:00,040 --> 00:54:01,040
Speaker 1: of camera magazines.

1156
00:54:01,280 --> 00:54:03,400
Speaker 2: Right, I used to I used to be like, I

1157
00:54:03,480 --> 00:54:06,000
Speaker 2: remember when we switched over to I guess it was

1158
00:54:06,040 --> 00:54:08,200
Speaker 2: season nine where we switched over to Chip and I

1159
00:54:08,200 --> 00:54:10,600
Speaker 2: remember being like, this is the easiest thing in the world.

1160
00:54:10,600 --> 00:54:13,799
Speaker 2: Why didn't we do this before? Like we could do

1161
00:54:13,920 --> 00:54:18,280
Speaker 2: takes for days and days and days. All I remember

1162
00:54:18,360 --> 00:54:21,600
Speaker 2: all my fuck ups, every time I missed a line

1163
00:54:21,680 --> 00:54:23,680
Speaker 2: or forgot a line and everything like that. I remember

1164
00:54:23,719 --> 00:54:26,200
Speaker 2: being like, how much how much more room do we

1165
00:54:26,239 --> 00:54:29,040
Speaker 2: have on the mag before before you know what I mean,

1166
00:54:29,080 --> 00:54:30,600
Speaker 2: before we're out and we have to and we have

1167
00:54:30,680 --> 00:54:32,040
Speaker 2: to change the mag again.

1168
00:54:32,400 --> 00:54:34,239
Speaker 1: You'd have eleven you'd have about eleven minutes on a

1169
00:54:34,600 --> 00:54:37,680
Speaker 1: sixty millimeter magazine and uh and and you'd be like

1170
00:54:37,840 --> 00:54:39,200
Speaker 1: trying to trying to get it, be like, how much

1171
00:54:39,239 --> 00:54:40,640
Speaker 1: how much more fun we got before you roll out?

1172
00:54:40,760 --> 00:54:41,759
Speaker 1: I got it? I got I got it.

1173
00:54:42,040 --> 00:54:42,279
Speaker 4: Let's go.

1174
00:54:42,360 --> 00:54:44,400
Speaker 1: Let's don't go. You can go forever.

1175
00:54:44,520 --> 00:54:46,439
Speaker 3: Now you'd be like, don't cut, don't cut. We gotta cut,

1176
00:54:46,440 --> 00:54:49,080
Speaker 3: we gotta cut. We only got like nineteen feet all right.

1177
00:54:48,960 --> 00:54:53,040
Speaker 1: If I cut. When I say to Sarah, we're gonna

1178
00:54:53,040 --> 00:54:55,960
Speaker 1: need a stool sample not for medical reasons, my robot

1179
00:54:56,160 --> 00:55:01,239
Speaker 1: needs food. I made that, I'm proud to say, and

1180
00:55:01,440 --> 00:55:05,080
Speaker 1: Sarah cracked up at it. And it's so random and weird,

1181
00:55:05,080 --> 00:55:09,560
Speaker 1: but I love it. Okay, I gotta feed my robot. Yes,

1182
00:55:09,640 --> 00:55:10,439
Speaker 1: poo pooh.

1183
00:55:10,880 --> 00:55:15,160
Speaker 2: Yeah, nobody's pooh, patient pooh, patient poof for the rover.

1184
00:55:15,280 --> 00:55:17,120
Speaker 4: It all comes down to pooh.

1185
00:55:16,800 --> 00:55:20,600
Speaker 1: And I laughed out loud when Sarah is seventeen oh four.

1186
00:55:20,680 --> 00:55:22,640
Speaker 1: Sarah is making fun of my laugh because she's like

1187
00:55:22,680 --> 00:55:23,800
Speaker 1: already over me, and she's.

1188
00:55:23,640 --> 00:55:26,960
Speaker 7: Like, yeah, oh my god, that is so funny that

1189
00:55:27,080 --> 00:55:30,799
Speaker 7: she does a funny impression of you, because I mean

1190
00:55:31,280 --> 00:55:34,880
Speaker 7: that laugh has got a lot of genuine laughs with

1191
00:55:35,000 --> 00:55:37,440
Speaker 7: the silly JD laugh all through the season.

1192
00:55:37,760 --> 00:55:37,960
Speaker 1: Yeah.

1193
00:55:38,320 --> 00:55:40,279
Speaker 2: I feel like that's how every I think that's how

1194
00:55:40,320 --> 00:55:41,680
Speaker 2: every relationship should be.

1195
00:55:41,719 --> 00:55:43,520
Speaker 3: What you see is what you get, you know what

1196
00:55:43,560 --> 00:55:43,879
Speaker 3: I mean.

1197
00:55:44,960 --> 00:55:49,160
Speaker 2: Unfortunately, unfortunately what you see and what you get sometimes

1198
00:55:49,400 --> 00:55:52,200
Speaker 2: you think you want it, and then eventually it makes

1199
00:55:52,200 --> 00:55:54,040
Speaker 2: you want to kill the person what it turns out

1200
00:55:54,040 --> 00:55:56,759
Speaker 2: to turns out to be. With Elliott and JD, she

1201
00:55:56,920 --> 00:55:59,120
Speaker 2: loved the laugh in the beginning, Oh, I love it

1202
00:55:59,239 --> 00:56:01,840
Speaker 2: so cute, and then at the end of the show

1203
00:56:02,480 --> 00:56:04,880
Speaker 2: she's like, fuck that laugh, dude.

1204
00:56:04,880 --> 00:56:07,960
Speaker 3: Laugh like that again one more time. I dare you.

1205
00:56:08,280 --> 00:56:09,320
Speaker 1: It's like, say what again?

1206
00:56:09,480 --> 00:56:12,880
Speaker 2: Say again, motherfucker, say what one more time?

1207
00:56:13,760 --> 00:56:15,640
Speaker 1: I know I hear you. Isn't that so sad though?

1208
00:56:15,640 --> 00:56:17,840
Speaker 1: When a relationship goes sour and all the things you

1209
00:56:17,880 --> 00:56:20,120
Speaker 1: thought were so adorable you now just fucking hate.

1210
00:56:20,760 --> 00:56:24,839
Speaker 2: Yeah, that was my life back in the day. Oh,

1211
00:56:24,880 --> 00:56:26,200
Speaker 2: he's got such potential.

1212
00:56:26,640 --> 00:56:29,319
Speaker 1: We have some guests here, Randall. So we have a

1213
00:56:29,440 --> 00:56:31,160
Speaker 1: guest that come on the show. Randal, I know that

1214
00:56:31,200 --> 00:56:32,400
Speaker 1: you don't listen to the podcast.

1215
00:56:32,520 --> 00:56:35,239
Speaker 2: So Randall listens to the podcast.

1216
00:56:35,480 --> 00:56:36,879
Speaker 1: He does. I don't, ye he does.

1217
00:56:37,400 --> 00:56:37,960
Speaker 3: Yeah he does.

1218
00:56:37,960 --> 00:56:39,799
Speaker 2: Because somebody was like, yo, they talked about you on

1219
00:56:39,840 --> 00:56:40,719
Speaker 2: the podcast the other.

1220
00:56:40,680 --> 00:56:43,879
Speaker 1: Yeah, that means that means that Randall was told by

1221
00:56:43,920 --> 00:56:45,440
Speaker 1: someone and he went and listened to one.

1222
00:56:45,680 --> 00:56:47,440
Speaker 3: He was like, oh they got a podcast.

1223
00:56:48,239 --> 00:56:48,839
Speaker 2: To check that out.

1224
00:56:48,880 --> 00:56:50,759
Speaker 7: Oh, somebody's on the podcast.

1225
00:56:52,440 --> 00:56:56,040
Speaker 4: They talked his real friends. I was like, oh.

1226
00:56:55,360 --> 00:56:57,279
Speaker 1: Nice, Hey, yeah, I got shut out.

1227
00:56:57,440 --> 00:56:58,759
Speaker 2: All right, we're gonna go to a break and when

1228
00:56:58,800 --> 00:57:03,799
Speaker 2: we come back, we'll have our guests.

1229
00:57:07,239 --> 00:57:10,040
Speaker 1: So Randall, when we do the commercial breaks and the

1230
00:57:10,080 --> 00:57:13,200
Speaker 1: song comes back, it doesn't have them. A lot of

1231
00:57:13,600 --> 00:57:15,399
Speaker 1: a lot of our fans like to add their own.

1232
00:57:16,040 --> 00:57:23,440
Speaker 1: That's part of Barbara, Robbie, Barbara and Robbie, are.

1233
00:57:23,400 --> 00:57:27,400
Speaker 3: Twins one of your doctor?

1234
00:57:27,600 --> 00:57:30,600
Speaker 1: My god, things are getting weird, you guys. Two different

1235
00:57:30,600 --> 00:57:33,240
Speaker 1: women have entered and they appear to be identical twins

1236
00:57:33,600 --> 00:57:34,840
Speaker 1: in different parts of the world.

1237
00:57:35,120 --> 00:57:36,480
Speaker 3: Where you guys call it from.

1238
00:57:36,760 --> 00:57:42,439
Speaker 11: I'm calling from UK, in the UK, and.

1239
00:57:42,360 --> 00:57:46,120
Speaker 3: You're so you guys. Are you a doctor?

1240
00:57:47,280 --> 00:57:50,320
Speaker 11: Yes, I am, Yes, I am, but I'm not working yet.

1241
00:57:50,920 --> 00:57:51,280
Speaker 2: Okay.

1242
00:57:51,760 --> 00:57:57,840
Speaker 11: I had some problems for coronavirus which delayed some technical issues.

1243
00:57:58,440 --> 00:57:59,680
Speaker 2: Okay, okay.

1244
00:57:59,840 --> 00:58:02,400
Speaker 3: And then Robbie, what about you? Are you a doctor too?

1245
00:58:03,280 --> 00:58:03,640
Speaker 2: No?

1246
00:58:03,640 --> 00:58:07,040
Speaker 12: No, I got doited in law last February.

1247
00:58:07,560 --> 00:58:09,080
Speaker 3: So you've got a lawyer and a doctor.

1248
00:58:09,360 --> 00:58:11,480
Speaker 1: Your parents will be very happy, very proud.

1249
00:58:13,360 --> 00:58:13,640
Speaker 4: Yeah.

1250
00:58:13,680 --> 00:58:16,760
Speaker 12: And last time we saw each other was at the

1251
00:58:16,840 --> 00:58:21,000
Speaker 12: beginning of March when I brought Bobby to the airport

1252
00:58:21,560 --> 00:58:24,720
Speaker 12: to take her flight to go to the UK and

1253
00:58:24,760 --> 00:58:25,360
Speaker 12: move there.

1254
00:58:25,720 --> 00:58:27,360
Speaker 1: So you've been apart for a long time. I just

1255
00:58:27,400 --> 00:58:28,040
Speaker 1: miss each other.

1256
00:58:28,440 --> 00:58:31,920
Speaker 11: Yes, a lot, a lot. That's why I also asked

1257
00:58:31,960 --> 00:58:36,080
Speaker 11: you to do this meeting because I knew that it

1258
00:58:36,120 --> 00:58:38,920
Speaker 11: was very important to her. It is important also for me.

1259
00:58:39,040 --> 00:58:42,680
Speaker 11: But she had a very rough time, so oh well, we're.

1260
00:58:42,560 --> 00:58:44,200
Speaker 1: Here to cheer her up. I'm so glad that you

1261
00:58:44,240 --> 00:58:46,600
Speaker 1: called in, because not only do you have the legendary

1262
00:58:46,640 --> 00:58:50,440
Speaker 1: Donald Faizon here and he's always funny, you have Randall Winston,

1263
00:58:50,800 --> 00:58:53,000
Speaker 1: who was our line producer but you may know him

1264
00:58:53,000 --> 00:58:56,160
Speaker 1: as Leonard the security guard. And also he played Death

1265
00:58:56,560 --> 00:58:59,160
Speaker 1: and you know, we've gotten a lot of questions for

1266
00:58:59,280 --> 00:59:04,000
Speaker 1: Death on our Instagram pages. So finally you can ask

1267
00:59:04,080 --> 00:59:05,200
Speaker 1: Death any question you have.

1268
00:59:06,840 --> 00:59:07,880
Speaker 4: Oh, that's wonderful.

1269
00:59:11,600 --> 00:59:14,640
Speaker 2: Played much Mouth from the Yeah, you did play much

1270
00:59:14,720 --> 00:59:16,800
Speaker 2: mouth from Freaking the Fat Out Jump.

1271
00:59:17,680 --> 00:59:20,880
Speaker 1: Yes, different, you had three different parts.

1272
00:59:20,960 --> 00:59:23,560
Speaker 2: Rand you had that big ass helmet on your head too,

1273
00:59:26,040 --> 00:59:27,160
Speaker 2: all right, So let's get it.

1274
00:59:27,200 --> 00:59:28,680
Speaker 1: Go ahead, ladies, ask a question.

1275
00:59:29,080 --> 00:59:31,120
Speaker 12: I would like to start it because I am in

1276
00:59:31,160 --> 00:59:36,360
Speaker 12: a theater company as well, so sometimes we argue about

1277
00:59:36,400 --> 00:59:40,520
Speaker 12: the best ways to perform. You know, when you have

1278
00:59:40,640 --> 00:59:45,880
Speaker 12: to feel in character and you have to feel what

1279
00:59:45,960 --> 00:59:50,680
Speaker 12: your character is feeling in order to act. So I

1280
00:59:50,720 --> 00:59:55,360
Speaker 12: was wondering whether sometimes you had some difficulties with that

1281
00:59:55,720 --> 00:59:59,640
Speaker 12: and to make a very strange scene you couldn't really

1282
01:00:00,160 --> 01:00:04,800
Speaker 12: feel what JD or Turk or Death or Leonard.

1283
01:00:06,920 --> 01:00:10,560
Speaker 1: Thank you, Bobby, thank you for including him.

1284
01:00:11,560 --> 01:00:12,160
Speaker 2: My pleasure.

1285
01:00:12,760 --> 01:00:17,320
Speaker 12: So if you had to find some strange way to perform.

1286
01:00:17,840 --> 01:00:19,960
Speaker 12: I thought about this question when I was listening to

1287
01:00:20,000 --> 01:00:24,280
Speaker 12: your podcast last week, and Donald said when he had

1288
01:00:24,320 --> 01:00:28,480
Speaker 12: to memorize the line you need the surgical counsole, so

1289
01:00:28,560 --> 01:00:33,200
Speaker 12: you had to make a song about it. So if

1290
01:00:33,320 --> 01:00:36,960
Speaker 12: if my question is not about memorizing things, it's more

1291
01:00:37,000 --> 01:00:38,600
Speaker 12: about like acting the feeling.

1292
01:00:38,800 --> 01:00:44,600
Speaker 2: Yeah, uh, you know, let Leonard go first.

1293
01:00:44,920 --> 01:00:46,400
Speaker 1: When I strapped on the arm.

1294
01:00:47,840 --> 01:00:51,600
Speaker 3: Here's here's the thing. You you work hard.

1295
01:00:52,240 --> 01:00:56,000
Speaker 2: You work so hard to try to feel everything, and

1296
01:00:56,160 --> 01:00:58,360
Speaker 2: that's what comes with being an actor. You're gonna work

1297
01:00:58,840 --> 01:01:01,520
Speaker 2: hard hard and you've ever worked in your life to

1298
01:01:01,600 --> 01:01:05,360
Speaker 2: try to feel it. But when the camera rolls and

1299
01:01:05,440 --> 01:01:07,960
Speaker 2: you don't feel it, you better act the shit out

1300
01:01:07,960 --> 01:01:10,680
Speaker 2: of it, you know what I mean, Because at the

1301
01:01:10,760 --> 01:01:12,240
Speaker 2: end of the day, it still has to be made.

1302
01:01:12,360 --> 01:01:15,000
Speaker 2: So you're gonna work your hard is to try and

1303
01:01:15,200 --> 01:01:19,320
Speaker 2: feel the emotion and find the emotion and pinpoint what

1304
01:01:19,360 --> 01:01:21,120
Speaker 2: it is that you're You know, you'll make notes and

1305
01:01:21,160 --> 01:01:23,800
Speaker 2: you'll do all of that stuff, but there comes a

1306
01:01:23,800 --> 01:01:26,640
Speaker 2: time when you're doing it where all of that preparation

1307
01:01:26,760 --> 01:01:29,600
Speaker 2: and stuff isn't helping, you know what I mean. And

1308
01:01:29,640 --> 01:01:31,840
Speaker 2: so when it's not helping, it's time for you to

1309
01:01:31,880 --> 01:01:34,160
Speaker 2: act the shit out of it. And that's just how

1310
01:01:34,200 --> 01:01:35,480
Speaker 2: it goes, you know what I mean.

1311
01:01:35,520 --> 01:01:38,520
Speaker 1: I would say there's times when it's really just natural,

1312
01:01:38,560 --> 01:01:40,760
Speaker 1: and then there's times where it feels forced and you

1313
01:01:40,800 --> 01:01:43,320
Speaker 1: don't feel present. You can see the cameraman and you

1314
01:01:43,360 --> 01:01:47,040
Speaker 1: can see the crew, and your stomach's growling because you're hungry,

1315
01:01:47,160 --> 01:01:49,320
Speaker 1: and you know, you had an argument with someone in

1316
01:01:49,360 --> 01:01:51,840
Speaker 1: your family and all these things that happen in any job,

1317
01:01:51,880 --> 01:01:53,920
Speaker 1: and you and you're in your head and you're distracted,

1318
01:01:54,360 --> 01:01:56,600
Speaker 1: and the trick with acting is to always be as

1319
01:01:56,800 --> 01:01:59,680
Speaker 1: present as possible. The good news about acting on film

1320
01:01:59,680 --> 01:02:01,480
Speaker 1: and tell vision is you really only need to do

1321
01:02:01,520 --> 01:02:05,440
Speaker 1: it in spurts because you're you're you're trying to shine

1322
01:02:06,320 --> 01:02:08,640
Speaker 1: for your other actor, but also when the camera's on you,

1323
01:02:08,680 --> 01:02:10,960
Speaker 1: when it's on when you're no matter what the shot is.

1324
01:02:11,400 --> 01:02:14,040
Speaker 1: When you're doing a play, you have to maintain that

1325
01:02:14,120 --> 01:02:17,320
Speaker 1: for for two hours and and scene real. But with

1326
01:02:17,400 --> 01:02:20,120
Speaker 1: with film and TV acting, the real challenge is to

1327
01:02:20,160 --> 01:02:22,400
Speaker 1: get it in spurts enough so that it will cut

1328
01:02:22,440 --> 01:02:25,840
Speaker 1: together and be believable. But but yeah, it can be

1329
01:02:25,840 --> 01:02:28,680
Speaker 1: really it can be really challenging, especially when you're there's

1330
01:02:28,720 --> 01:02:31,880
Speaker 1: so much distraction. You know, there's phones ringing, and there's

1331
01:02:31,880 --> 01:02:35,600
Speaker 1: a helicopter overhead, and and you're upset about something in

1332
01:02:35,640 --> 01:02:37,880
Speaker 1: your private life. You know, it's it's it's a real

1333
01:02:38,000 --> 01:02:41,920
Speaker 1: challenge to do everything you can to be present in

1334
01:02:42,080 --> 01:02:42,520
Speaker 1: the moment.

1335
01:02:43,040 --> 01:02:45,880
Speaker 2: And when you can't be present, that's what that's what

1336
01:02:46,040 --> 01:02:46,640
Speaker 2: acting is.

1337
01:02:46,920 --> 01:02:48,280
Speaker 1: Then you fake it till you make it.

1338
01:02:48,200 --> 01:02:49,240
Speaker 2: Fake it till you make it.

1339
01:02:49,560 --> 01:02:54,120
Speaker 1: Now, Randall, when you were playing Leonard, did you did?

1340
01:02:54,160 --> 01:02:57,680
Speaker 1: You didn't? Didn't Leonard have a love interest? By the way, Oh?

1341
01:02:57,760 --> 01:02:59,040
Speaker 4: Yes, I had to.

1342
01:02:59,400 --> 01:02:59,960
Speaker 1: It was a scene.

1343
01:03:00,600 --> 01:03:01,200
Speaker 4: Yes she was.

1344
01:03:04,800 --> 01:03:07,640
Speaker 1: Uh And wasn't she a fellow security guarden?

1345
01:03:07,760 --> 01:03:10,840
Speaker 7: No, no, she was. Maybe she was a candy striper

1346
01:03:10,920 --> 01:03:11,280
Speaker 7: or something.

1347
01:03:11,440 --> 01:03:11,880
Speaker 4: I just.

1348
01:03:15,600 --> 01:03:20,440
Speaker 1: Oh, Robbie knows she was an old Yes, take that

1349
01:03:20,640 --> 01:03:24,040
Speaker 1: was I had to. Were you open mouth kissing her?

1350
01:03:25,720 --> 01:03:29,000
Speaker 4: That was specifically requested.

1351
01:03:31,600 --> 01:03:32,880
Speaker 1: By her? Was it in the script?

1352
01:03:35,400 --> 01:03:43,280
Speaker 4: That parts a little foggy.

1353
01:03:39,880 --> 01:03:43,640
Speaker 1: But you know, I think Robbie's question, how did you

1354
01:03:43,720 --> 01:03:46,600
Speaker 1: maintain being president in the moment when you were kissing

1355
01:03:46,680 --> 01:03:47,520
Speaker 1: the senior citizen?

1356
01:03:47,920 --> 01:03:50,200
Speaker 7: You know what, Robbie, I should have been listening and

1357
01:03:50,280 --> 01:03:51,560
Speaker 7: I've been listening to her.

1358
01:03:51,640 --> 01:03:59,000
Speaker 1: Yeah, you were listening to her mouth. Okay, ladies, good question, Yes,

1359
01:03:59,240 --> 01:04:01,560
Speaker 1: go ahead with another one. Donald left he was so

1360
01:04:01,800 --> 01:04:03,280
Speaker 1: offended by that question he left.

1361
01:04:04,960 --> 01:04:08,680
Speaker 11: Okay. So my question is, we watched Scrubs a lot

1362
01:04:08,800 --> 01:04:11,160
Speaker 11: of time, and the first time we watched it we

1363
01:04:11,160 --> 01:04:14,760
Speaker 11: were just teenagers, and so we watched it in Italian.

1364
01:04:15,440 --> 01:04:19,640
Speaker 11: So I wondered, have you ever listened to yourself dubbed

1365
01:04:19,800 --> 01:04:23,280
Speaker 11: in other languages such as Alan or Spanish or Japanese.

1366
01:04:23,320 --> 01:04:23,480
Speaker 4: Yes?

1367
01:04:23,800 --> 01:04:26,640
Speaker 2: Yeah, I hate how they dubbed me in Spanish and

1368
01:04:26,680 --> 01:04:27,880
Speaker 2: Italian and stuff like that.

1369
01:04:28,120 --> 01:04:29,280
Speaker 3: I never have a deep voice.

1370
01:04:29,280 --> 01:04:39,920
Speaker 13: I'm always like, yeah, I prefer your voice.

1371
01:04:40,080 --> 01:04:42,920
Speaker 1: You know. It's funny is that in most countries, when

1372
01:04:43,000 --> 01:04:46,080
Speaker 1: you become a known actor, they pick the same actor

1373
01:04:46,160 --> 01:04:49,760
Speaker 1: to always do you. So if Donald's in one, if

1374
01:04:49,800 --> 01:04:51,920
Speaker 1: he's in Scrubs and then he goes off to do

1375
01:04:52,080 --> 01:04:54,040
Speaker 1: another film that is not even to do with Scrubs,

1376
01:04:54,080 --> 01:04:57,400
Speaker 1: it's usually the same actor being Donald. And I hate that.

1377
01:04:57,520 --> 01:05:00,320
Speaker 2: I hate that that one person is like, oh, oh no,

1378
01:05:00,880 --> 01:05:01,640
Speaker 2: was he playing in this?

1379
01:05:02,000 --> 01:05:04,120
Speaker 3: Oh don't worry about it. I did him on Scrubs.

1380
01:05:04,280 --> 01:05:04,760
Speaker 3: I got this.

1381
01:05:11,160 --> 01:05:15,120
Speaker 1: So to Donald's to Donald's dismay, that voice will always

1382
01:05:15,160 --> 01:05:16,280
Speaker 1: be his voice.

1383
01:05:18,480 --> 01:05:20,000
Speaker 3: That pisses me off.

1384
01:05:20,120 --> 01:05:20,520
Speaker 4: Man.

1385
01:05:21,240 --> 01:05:25,240
Speaker 1: Yeah, I have. I've heard myself in almost so many

1386
01:05:25,320 --> 01:05:27,880
Speaker 1: voices traveling around there, especially when the show was on NonStop.

1387
01:05:27,920 --> 01:05:30,360
Speaker 1: We'd travel around the world and you turn on the

1388
01:05:30,400 --> 01:05:33,240
Speaker 1: TV and there you were speaking German. It was very funny.

1389
01:05:33,280 --> 01:05:35,240
Speaker 1: I remember. Uh, then there was a thing where we

1390
01:05:35,280 --> 01:05:37,720
Speaker 1: had Germans in the show Herman the German right with

1391
01:05:37,560 --> 01:05:39,880
Speaker 1: the with the balloon things, none of that. And then

1392
01:05:40,200 --> 01:05:42,360
Speaker 1: I remember in Germany they had to change where they

1393
01:05:42,360 --> 01:05:44,600
Speaker 1: were from because it made no sense that their language

1394
01:05:44,600 --> 01:05:46,720
Speaker 1: was different, like you know, so you know, like think

1395
01:05:46,720 --> 01:05:48,640
Speaker 1: about it. If the show has a character that's speaking

1396
01:05:48,640 --> 01:05:50,440
Speaker 1: of the language, and all of a sudden, the show's

1397
01:05:50,480 --> 01:05:52,520
Speaker 1: dubbed into that language, they then have to switch that

1398
01:05:52,520 --> 01:05:54,960
Speaker 1: person's language, so it doesn't make sense.

1399
01:05:55,360 --> 01:05:56,800
Speaker 4: I think we made them Belgium.

1400
01:05:57,160 --> 01:06:00,920
Speaker 1: Yes, I think you're right. N Randall. How do you

1401
01:06:00,960 --> 01:06:03,680
Speaker 1: feel as being dubbed as Death and Leonard.

1402
01:06:06,440 --> 01:06:09,600
Speaker 4: As long as my fan base? All?

1403
01:06:10,360 --> 01:06:11,040
Speaker 3: Did you ever hear?

1404
01:06:11,160 --> 01:06:14,840
Speaker 2: Have you ever heard yourself dubbed in other languages?

1405
01:06:14,920 --> 01:06:16,320
Speaker 4: Randall? I have not.

1406
01:06:16,880 --> 01:06:18,720
Speaker 1: The good thing about dubbing Death is that you don't

1407
01:06:18,720 --> 01:06:20,600
Speaker 1: see his mouth moves, so it doesn't look bad.

1408
01:06:21,200 --> 01:06:21,720
Speaker 4: Exactly.

1409
01:06:22,920 --> 01:06:25,000
Speaker 1: I prefer subtitles, but they don't. They don't do that.

1410
01:06:25,040 --> 01:06:26,640
Speaker 1: A lot of countries just dub it.

1411
01:06:27,760 --> 01:06:31,080
Speaker 2: I don't prefer subtitles. I do not like subtitles.

1412
01:06:31,200 --> 01:06:32,440
Speaker 1: You know you'd rather be dubbed.

1413
01:06:32,800 --> 01:06:35,600
Speaker 2: Yeah, I'm a I'm a very poor reader. So having

1414
01:06:35,640 --> 01:06:38,160
Speaker 2: to read subtitles.

1415
01:06:37,600 --> 01:06:41,439
Speaker 1: Does your poor screen? Does your dyslexia? I've never asked

1416
01:06:41,440 --> 01:06:44,200
Speaker 1: you this before, but does that make you less likely

1417
01:06:44,240 --> 01:06:45,360
Speaker 1: to watch subtitled films?

1418
01:06:46,360 --> 01:06:46,480
Speaker 5: Uh?

1419
01:06:46,800 --> 01:06:48,919
Speaker 2: No, you know a good movie is a good movie,

1420
01:06:48,960 --> 01:06:52,880
Speaker 2: no matter what, even with a learning disability, even if

1421
01:06:52,880 --> 01:06:56,440
Speaker 2: it is written on the screen. My dyslexia isn't so

1422
01:06:56,640 --> 01:06:59,680
Speaker 2: bad that I can't keep up right.

1423
01:07:00,080 --> 01:07:01,560
Speaker 1: I just never asked you. I wondered if you if

1424
01:07:01,560 --> 01:07:03,720
Speaker 1: you said, ah, fuck, it's be paying the ass for

1425
01:07:03,760 --> 01:07:05,040
Speaker 1: me to read these subtitles, or no.

1426
01:07:05,680 --> 01:07:08,440
Speaker 2: I would I would prefer not to read. I'd prefer

1427
01:07:08,480 --> 01:07:09,960
Speaker 2: to listen to a dubbed mix.

1428
01:07:10,200 --> 01:07:10,960
Speaker 1: Right, got it?

1429
01:07:11,560 --> 01:07:12,640
Speaker 3: Do you guys have another question?

1430
01:07:13,080 --> 01:07:15,600
Speaker 1: Oh, you're giving them three because they're separated sisters.

1431
01:07:15,680 --> 01:07:16,840
Speaker 3: They're separated sisters.

1432
01:07:17,080 --> 01:07:19,240
Speaker 2: This is the first time they've talked to each other

1433
01:07:19,280 --> 01:07:19,920
Speaker 2: since March.

1434
01:07:20,120 --> 01:07:22,800
Speaker 1: Right, they're using us. They don't care about scrubs. They

1435
01:07:22,880 --> 01:07:24,720
Speaker 1: just want to, you know, get on our zoom and

1436
01:07:24,720 --> 01:07:25,480
Speaker 1: talk to each other.

1437
01:07:26,040 --> 01:07:28,360
Speaker 2: Like I did a show back in a day called

1438
01:07:28,400 --> 01:07:30,160
Speaker 2: free to Be a Family, and we did a space

1439
01:07:30,200 --> 01:07:33,320
Speaker 2: bridge to Russia and this is like our space bridge

1440
01:07:33,360 --> 01:07:35,240
Speaker 2: between the UK and Italy.

1441
01:07:35,600 --> 01:07:37,240
Speaker 1: Was that like to be? Was that like free to

1442
01:07:37,240 --> 01:07:37,720
Speaker 1: be you and me?

1443
01:07:38,040 --> 01:07:38,240
Speaker 4: Yeah?

1444
01:07:38,240 --> 01:07:39,320
Speaker 2: It was free to be you and me.

1445
01:07:40,240 --> 01:07:41,840
Speaker 1: We're gonna have to see free to be you and

1446
01:07:41,880 --> 01:07:42,760
Speaker 1: me songs one day.

1447
01:07:42,960 --> 01:07:45,440
Speaker 2: We're free to be I could say in a Russian

1448
01:07:46,080 --> 01:07:49,720
Speaker 2: glee wee wheat e e t t e glee weeat

1449
01:07:50,000 --> 01:07:54,120
Speaker 2: nois sennoi. Right, wow, We're free to be you and me.

1450
01:07:54,320 --> 01:07:55,760
Speaker 2: You and me were free to be a family.

1451
01:07:56,080 --> 01:07:58,120
Speaker 1: I only know a little Russian from the Billy Joel

1452
01:07:58,200 --> 01:08:04,320
Speaker 1: Coleopt album when he played and he said Milly Joe

1453
01:08:05,160 --> 01:08:06,320
Speaker 1: and the crowd went crazy.

1454
01:08:06,720 --> 01:08:09,360
Speaker 2: I know that because I got to wrap We're free

1455
01:08:09,360 --> 01:08:11,680
Speaker 2: to be you and me with the Fat Boys. There

1456
01:08:11,680 --> 01:08:14,000
Speaker 2: a lot of people don't remember the Fat Boys, but

1457
01:08:15,280 --> 01:08:18,559
Speaker 2: one of them was an amazing beat boxer, and he

1458
01:08:18,720 --> 01:08:21,280
Speaker 2: beat boxed while I rapped.

1459
01:08:21,800 --> 01:08:22,960
Speaker 3: Anyway, So if you guys have.

1460
01:08:22,920 --> 01:08:27,120
Speaker 7: Another you ever answer any any any calls on the

1461
01:08:27,120 --> 01:08:29,080
Speaker 7: scrubs phone, that were from out of the country.

1462
01:08:29,520 --> 01:08:30,320
Speaker 2: No, I never.

1463
01:08:30,240 --> 01:08:32,759
Speaker 1: Answered any When we did this episode with Call Turk

1464
01:08:33,240 --> 01:08:35,720
Speaker 1: and we had cal Turk, we had to get a

1465
01:08:35,760 --> 01:08:39,360
Speaker 1: real phone line, and Bill thought it would be I

1466
01:08:39,360 --> 01:08:41,240
Speaker 1: don't know if it was you or Bill Randall, but said,

1467
01:08:41,920 --> 01:08:43,719
Speaker 1: you know, rather than do a five five five number,

1468
01:08:43,800 --> 01:08:46,639
Speaker 1: let's get a real number and have it all ring

1469
01:08:46,720 --> 01:08:48,720
Speaker 1: on a cell phone. And so the cell phone was

1470
01:08:48,760 --> 01:08:51,320
Speaker 1: in the Scrubs production office and it would just ring

1471
01:08:51,720 --> 01:08:54,479
Speaker 1: all the time. And when you were randomly just walking

1472
01:08:54,520 --> 01:08:56,519
Speaker 1: through and you had a minute to kill, you just

1473
01:08:56,560 --> 01:08:58,200
Speaker 1: answer it and talk to fans because it would just

1474
01:08:58,320 --> 01:09:00,120
Speaker 1: ring NonStop.

1475
01:09:01,520 --> 01:09:02,920
Speaker 4: Stop for like five years.

1476
01:09:02,960 --> 01:09:04,640
Speaker 7: And we kep the map and we put pins in it,

1477
01:09:04,880 --> 01:09:07,240
Speaker 7: you know, every time we would get calls.

1478
01:09:07,520 --> 01:09:10,639
Speaker 1: Yeah, that was cool. It's all over the world. All right, ladies,

1479
01:09:10,640 --> 01:09:11,759
Speaker 1: one last question, go ahead.

1480
01:09:12,640 --> 01:09:13,200
Speaker 13: That's the thing.

1481
01:09:13,680 --> 01:09:17,000
Speaker 12: I started to really watch the show as well during

1482
01:09:17,040 --> 01:09:20,080
Speaker 12: this quarantine because my boyfriend was with me and he

1483
01:09:20,280 --> 01:09:23,479
Speaker 12: never watched Scrubs before, so I wanted to rewatch it

1484
01:09:23,520 --> 01:09:26,800
Speaker 12: with him, and we watched it on Amazon Prime. And

1485
01:09:27,040 --> 01:09:30,200
Speaker 12: I noticed the thing that you mentioned sometimes in the

1486
01:09:30,240 --> 01:09:34,200
Speaker 12: podcast that they changed a few songs, especially one. It

1487
01:09:34,280 --> 01:09:36,439
Speaker 12: really pissed me off they changed it. It was the

1488
01:09:36,880 --> 01:09:39,559
Speaker 12: one in the second season when j D and Elliott

1489
01:09:39,800 --> 01:09:44,320
Speaker 12: kiss again and they start again and it's dreaming of You,

1490
01:09:45,400 --> 01:09:50,599
Speaker 12: of the choral and I was so waiting for that scene,

1491
01:09:51,240 --> 01:09:53,759
Speaker 12: and when it arrived, the song was a different one.

1492
01:09:53,840 --> 01:09:55,720
Speaker 11: So I was so pissed off.

1493
01:09:55,800 --> 01:09:57,599
Speaker 1: And we are too.

1494
01:09:58,560 --> 01:09:58,840
Speaker 11: Yeah.

1495
01:09:58,880 --> 01:10:03,559
Speaker 12: So I it's wondering whether you have some one song

1496
01:10:03,720 --> 01:10:07,160
Speaker 12: or two that you really really like and you're attached

1497
01:10:07,200 --> 01:10:11,519
Speaker 12: to it, you know, in one seat of Scrubs, and

1498
01:10:11,640 --> 01:10:16,080
Speaker 12: you would really be angry if someone changed.

1499
01:10:16,120 --> 01:10:16,400
Speaker 6: Wow.

1500
01:10:16,479 --> 01:10:17,160
Speaker 1: Good question.

1501
01:10:17,360 --> 01:10:20,320
Speaker 2: Well, you know, anytime Josh Rayden did music on the show,

1502
01:10:21,920 --> 01:10:24,519
Speaker 2: if that got taken off of the show, I would

1503
01:10:24,560 --> 01:10:27,840
Speaker 2: be very upset. One because Josh is a very close

1504
01:10:27,880 --> 01:10:33,080
Speaker 2: body of mine. And two his songs it seems like

1505
01:10:33,880 --> 01:10:38,519
Speaker 2: were made for the episodes of Scrubs, you know what

1506
01:10:38,560 --> 01:10:41,120
Speaker 2: I mean. Like, I don't know if Zach and Josh

1507
01:10:41,120 --> 01:10:43,080
Speaker 2: had a thing where Zach would be like, yo, I

1508
01:10:43,120 --> 01:10:45,439
Speaker 2: need you to write a song about this, and he'd

1509
01:10:45,439 --> 01:10:46,280
Speaker 2: be like, I got it.

1510
01:10:46,720 --> 01:10:46,880
Speaker 4: No.

1511
01:10:46,920 --> 01:10:49,400
Speaker 1: But I mean the example that comes to mind the

1512
01:10:49,439 --> 01:10:52,360
Speaker 1: same thing with me is is Robbie is Josh's song?

1513
01:10:52,479 --> 01:10:55,080
Speaker 1: Because you know, we've told this on the podcast before.

1514
01:10:55,120 --> 01:10:57,920
Speaker 1: But when he wrote that song Winter that played at

1515
01:10:57,920 --> 01:11:01,559
Speaker 1: Benefaer's character's funeral, it was the first song you'd ever written,

1516
01:11:01,600 --> 01:11:03,400
Speaker 1: like he didn't have. Everyone was like, oh my god,

1517
01:11:03,439 --> 01:11:06,439
Speaker 1: this is amazing. Where's your album? He's like, album, this

1518
01:11:06,520 --> 01:11:09,439
Speaker 1: is the only ting ever written. So that one was

1519
01:11:09,520 --> 01:11:11,920
Speaker 1: particularly special to all of us because Josh was our friend.

1520
01:11:12,720 --> 01:11:14,720
Speaker 1: He started playing guitar late in life. He wasn't someone

1521
01:11:14,760 --> 01:11:17,280
Speaker 1: who played as a kid, and all of a sudden,

1522
01:11:17,479 --> 01:11:19,519
Speaker 1: you know, with the thanks to Bill putting him on

1523
01:11:19,560 --> 01:11:22,360
Speaker 1: the show, his career blew up and he travels, you know,

1524
01:11:22,400 --> 01:11:24,640
Speaker 1: when the world is not under lockdown. He travels all

1525
01:11:24,680 --> 01:11:26,680
Speaker 1: around the world. And you guy should see him when

1526
01:11:26,680 --> 01:11:29,120
Speaker 1: he comes to Italy because you'll see you recognize a

1527
01:11:29,120 --> 01:11:31,240
Speaker 1: lot of his music that was in scrubs. Another person

1528
01:11:31,280 --> 01:11:33,000
Speaker 1: I want to just mention was Colin Hay, who was

1529
01:11:33,080 --> 01:11:36,240
Speaker 1: really special for the show. And we're trying to get brandall.

1530
01:11:36,240 --> 01:11:37,800
Speaker 1: I need your help. By the way, the fans are

1531
01:11:37,800 --> 01:11:42,080
Speaker 1: all listening, Yes, I need to get Colin's information because

1532
01:11:42,080 --> 01:11:43,800
Speaker 1: we'd like to have him on for the episode he

1533
01:11:43,880 --> 01:11:44,920
Speaker 1: was on in season two.

1534
01:11:45,520 --> 01:11:48,879
Speaker 7: Okay, I get you. Whatever I had is my last contact.

1535
01:11:49,080 --> 01:11:51,160
Speaker 7: But Colin was a real friend of the show and

1536
01:11:51,640 --> 01:11:53,320
Speaker 7: fun and funny and had a good sense of humor

1537
01:11:53,320 --> 01:11:56,120
Speaker 7: about himself. There was a song I think it's in

1538
01:11:56,160 --> 01:11:59,839
Speaker 7: this season, the Christmas episode in Donald you are running

1539
01:12:00,080 --> 01:12:04,200
Speaker 7: and we play Centerman. Yeah, that song was super powerful

1540
01:12:04,360 --> 01:12:07,479
Speaker 7: in the episode. And and we were all disappointed when

1541
01:12:07,520 --> 01:12:10,679
Speaker 7: songs got changed out, particularly in those first couple of seasons,

1542
01:12:10,720 --> 01:12:15,120
Speaker 7: because we were sort of like the bastard step child

1543
01:12:15,160 --> 01:12:18,000
Speaker 7: over there and like always held to a very strict,

1544
01:12:18,600 --> 01:12:22,920
Speaker 7: low budget number. We licensed a lot of songs not

1545
01:12:23,240 --> 01:12:26,080
Speaker 7: for forever. You know, when you license a song may

1546
01:12:26,080 --> 01:12:28,519
Speaker 7: have something called in perpetuity and all of the media

1547
01:12:28,560 --> 01:12:31,040
Speaker 7: that is now known or yet to be figured out,

1548
01:12:31,439 --> 01:12:34,639
Speaker 7: and you can keep the song in. So there's one

1549
01:12:34,640 --> 01:12:37,080
Speaker 7: and two. The music wasn't licensed that way, so we

1550
01:12:37,120 --> 01:12:39,679
Speaker 7: had to make some of those decisions about which they.

1551
01:12:41,640 --> 01:12:44,280
Speaker 1: Say, I always assumed it was that I didn't know.

1552
01:12:44,400 --> 01:12:46,640
Speaker 1: What you're implying is that as the seasons go on,

1553
01:12:46,760 --> 01:12:50,360
Speaker 1: you then did shot started doing contracts that would cover streaming,

1554
01:12:50,520 --> 01:12:52,000
Speaker 1: but no one knew what streaming was at.

1555
01:12:51,840 --> 01:12:56,040
Speaker 14: The time, exactly exactly, So like that first couple of seasons,

1556
01:12:56,320 --> 01:12:58,840
Speaker 14: the first couple of seasons, if the licensing has run

1557
01:12:58,880 --> 01:13:04,480
Speaker 14: out and then and didn't renegotiate or sign on to

1558
01:13:04,520 --> 01:13:05,720
Speaker 14: continue the licensing.

1559
01:13:06,439 --> 01:13:08,559
Speaker 3: The network automatically just changed the song.

1560
01:13:09,040 --> 01:13:09,240
Speaker 4: Yeah.

1561
01:13:09,280 --> 01:13:12,040
Speaker 7: I mean I actually had to sit with music editor

1562
01:13:12,040 --> 01:13:16,320
Speaker 7: and music licensing for like a week or so after

1563
01:13:16,320 --> 01:13:19,400
Speaker 7: the seasons were over in the summertime to figure out

1564
01:13:19,439 --> 01:13:21,720
Speaker 7: like what songs were. Oh.

1565
01:13:21,800 --> 01:13:24,320
Speaker 1: I always wondered who was who was putting these songs on.

1566
01:13:24,439 --> 01:13:26,240
Speaker 1: We've we talked about that on the podcast that you

1567
01:13:26,240 --> 01:13:30,479
Speaker 1: don't listen to, But we always wondered, what what intern

1568
01:13:30,720 --> 01:13:34,720
Speaker 1: what intern somewhere is choosing these like second best songs.

1569
01:13:35,160 --> 01:13:38,360
Speaker 7: It's it was an exercise and killing babies like everything.

1570
01:13:38,400 --> 01:13:39,040
Speaker 4: It was great.

1571
01:13:39,080 --> 01:13:42,000
Speaker 7: But they're like, they're like, you absolutely cannot have all

1572
01:13:42,040 --> 01:13:45,000
Speaker 7: of this. You know what do you want to say?

1573
01:13:45,360 --> 01:13:45,519
Speaker 4: Right?

1574
01:13:45,560 --> 01:13:49,920
Speaker 1: You're not gonna have Center Man forever. Wow, all right, ladies,

1575
01:13:49,960 --> 01:13:52,280
Speaker 1: we have to move on because death has to take

1576
01:13:52,320 --> 01:13:56,080
Speaker 1: his kids swimming. And but thank you. I I'm sorry

1577
01:13:56,080 --> 01:13:58,120
Speaker 1: that you're I feel sad that your two sisters that

1578
01:13:58,120 --> 01:14:00,439
Speaker 1: are separated. That's horrible.

1579
01:14:00,560 --> 01:14:02,120
Speaker 3: Is there anything you want to say to each other?

1580
01:14:02,160 --> 01:14:02,320
Speaker 2: Yeah?

1581
01:14:02,360 --> 01:14:03,599
Speaker 1: Is there anything want to say to each other? While

1582
01:14:03,600 --> 01:14:04,400
Speaker 1: everyone's listening.

1583
01:14:04,600 --> 01:14:06,160
Speaker 3: It's a free call ye.

1584
01:14:09,120 --> 01:14:16,080
Speaker 12: We actually rehearsed it before. Can we take a picture

1585
01:14:16,120 --> 01:14:16,360
Speaker 12: with you?

1586
01:14:16,439 --> 01:14:17,240
Speaker 1: Yes, of course.

1587
01:14:17,360 --> 01:14:17,559
Speaker 4: Yeah.

1588
01:14:17,600 --> 01:14:18,600
Speaker 3: Let me just get fresh for you.

1589
01:14:18,640 --> 01:14:19,640
Speaker 2: Let me get fresh. Here we go.

1590
01:14:21,640 --> 01:14:25,040
Speaker 1: Thank you, thank you, Thank you, lady so much, thank

1591
01:14:25,080 --> 01:14:29,960
Speaker 1: you be saying so much. Nineteen oh nine, in the

1592
01:14:30,000 --> 01:14:32,720
Speaker 1: Bowling Alley, two people on the left side of the

1593
01:14:32,720 --> 01:14:36,599
Speaker 1: screen spike the lens looked directly into the camera. I'm

1594
01:14:36,640 --> 01:14:37,000
Speaker 1: not sure.

1595
01:14:37,120 --> 01:14:38,639
Speaker 4: Oh my god, the Bowling Alley.

1596
01:14:38,760 --> 01:14:42,960
Speaker 7: Is that not the day when our prop man got

1597
01:14:43,040 --> 01:14:45,960
Speaker 7: stuck in the under Yes, it is.

1598
01:14:46,920 --> 01:14:50,360
Speaker 4: It does to retrieve the ball that he reached it.

1599
01:14:50,360 --> 01:14:51,360
Speaker 4: It was proper set.

1600
01:14:51,280 --> 01:14:52,920
Speaker 1: Or Patrick, my name Patrick Bolton.

1601
01:14:52,920 --> 01:14:53,360
Speaker 2: No, it wasn't.

1602
01:14:53,439 --> 01:14:56,479
Speaker 7: Wasn't because it was somebody who we laughed at much

1603
01:14:56,520 --> 01:14:59,640
Speaker 7: longer before we helped him. It was because the th

1604
01:15:00,080 --> 01:15:02,120
Speaker 7: the thing came down on him and we thought it

1605
01:15:02,120 --> 01:15:03,800
Speaker 7: was hilarious. It was like a cartoon. You just saw's

1606
01:15:03,880 --> 01:15:06,160
Speaker 7: legs kick it, and then suddenly somebody was like, oh

1607
01:15:06,160 --> 01:15:06,800
Speaker 7: my god, we.

1608
01:15:07,400 --> 01:15:09,200
Speaker 3: Should probably take get him out of there.

1609
01:15:10,960 --> 01:15:15,800
Speaker 2: I remember. He wasn't with us very much longer after that, either.

1610
01:15:16,040 --> 01:15:16,439
Speaker 7: He was.

1611
01:15:18,160 --> 01:15:20,000
Speaker 1: Soon after he hid rowdy in the ceiling.

1612
01:15:21,439 --> 01:15:22,599
Speaker 4: He went to that guy.

1613
01:15:22,880 --> 01:15:25,240
Speaker 7: That guy went to uh, Jimmy Kimmel.

1614
01:15:25,640 --> 01:15:28,960
Speaker 1: Ah, Okay, So anyway, two people at the bowling Eye,

1615
01:15:29,000 --> 01:15:30,760
Speaker 1: look right in the lens. If you're interested in your

1616
01:15:30,840 --> 01:15:33,719
Speaker 1: in your new hobby of finding people who spiked the lens.

1617
01:15:34,280 --> 01:15:36,679
Speaker 1: Donald you say, my baby knows how to knock him down.

1618
01:15:36,800 --> 01:15:37,439
Speaker 1: That was funny.

1619
01:15:38,080 --> 01:15:38,880
Speaker 2: My baby does know.

1620
01:15:38,960 --> 01:15:39,040
Speaker 7: Not.

1621
01:15:39,520 --> 01:15:41,080
Speaker 3: That was a lot of fun I don't remember.

1622
01:15:41,120 --> 01:15:44,880
Speaker 2: Okay, like most episodes we've watched so far, when watching this,

1623
01:15:45,000 --> 01:15:47,599
Speaker 2: I didn't remember any of it, and I thought that

1624
01:15:47,640 --> 01:15:49,760
Speaker 2: was the cutest thing. I thought Turk and Carla was

1625
01:15:49,840 --> 01:15:53,320
Speaker 2: so cute and so on point for the joke when

1626
01:15:53,560 --> 01:15:57,040
Speaker 2: JD's like, you know, couples go through this, this is

1627
01:15:57,080 --> 01:15:59,760
Speaker 2: what happens. Name show me a happy couple. And then

1628
01:15:59,840 --> 01:16:03,280
Speaker 2: right the way you see Turk and Carla enjoying themselves. Yeah, yes,

1629
01:16:03,360 --> 01:16:04,080
Speaker 2: that was wonderful.

1630
01:16:04,200 --> 01:16:06,360
Speaker 1: And they're so sweet together. I mean you just you

1631
01:16:06,479 --> 01:16:08,320
Speaker 1: just love them. And then especially of course when you

1632
01:16:08,360 --> 01:16:11,439
Speaker 1: cut to the documentary footage thing and they're you know,

1633
01:16:11,560 --> 01:16:14,639
Speaker 1: and they're being so adorable and and and both saying

1634
01:16:14,640 --> 01:16:15,799
Speaker 1: how much they love each other.

1635
01:16:16,080 --> 01:16:19,559
Speaker 2: No, and you're rooting for them yeah yeah, yeah, and

1636
01:16:19,600 --> 01:16:22,839
Speaker 2: not necessarily for Elliott and j D. In this episode,

1637
01:16:22,880 --> 01:16:24,840
Speaker 2: even though it starts off where you're rooting for them,

1638
01:16:24,880 --> 01:16:28,639
Speaker 2: you can tell, uh, once it gets to the bad times,

1639
01:16:28,680 --> 01:16:32,120
Speaker 2: you're like, wow, these guys really aren't good for each other.

1640
01:16:32,200 --> 01:16:35,519
Speaker 2: Went sour so quick though, very well, you only have

1641
01:16:35,560 --> 01:16:37,000
Speaker 2: a half an hour to tell the story.

1642
01:16:37,080 --> 01:16:39,040
Speaker 1: No, I'm saying like, in the world of the show,

1643
01:16:39,120 --> 01:16:41,120
Speaker 1: they dated for like in two weeks and then they

1644
01:16:41,120 --> 01:16:42,120
Speaker 1: were like, this isn't working.

1645
01:16:42,840 --> 01:16:45,840
Speaker 7: But I think that was acision by Bill because he wanted,

1646
01:16:46,000 --> 01:16:50,840
Speaker 7: you know, he didn't want to have that protracted Will

1647
01:16:50,920 --> 01:16:54,439
Speaker 7: they yeah, will they won't? The friends thing, you know.

1648
01:16:54,760 --> 01:16:55,920
Speaker 1: Then he ended up doing it anyway.

1649
01:16:56,600 --> 01:16:59,599
Speaker 2: Yes, well, but that's the works well even at the end, right,

1650
01:16:59,760 --> 01:17:04,080
Speaker 2: but even at the end of the episode, you say,

1651
01:17:04,560 --> 01:17:06,479
Speaker 2: you know that the therap do I think it'll work?

1652
01:17:06,920 --> 01:17:07,160
Speaker 4: Yeah?

1653
01:17:07,200 --> 01:17:07,519
Speaker 3: I do.

1654
01:17:08,840 --> 01:17:12,840
Speaker 2: And JD's right. JD's right, it does work. It just

1655
01:17:12,920 --> 01:17:16,679
Speaker 2: doesn't work at that moment in time. In the long run,

1656
01:17:17,840 --> 01:17:21,280
Speaker 2: in the in the grand scheme of things, these two

1657
01:17:21,320 --> 01:17:22,320
Speaker 2: are meant to be together.

1658
01:17:22,400 --> 01:17:24,720
Speaker 1: So sad though I was, I was sad watching it

1659
01:17:24,760 --> 01:17:26,559
Speaker 1: that the two people who love each other who can't

1660
01:17:26,680 --> 01:17:29,760
Speaker 1: I'm just a sucker for unrequited love and and love

1661
01:17:29,800 --> 01:17:32,120
Speaker 1: that cannot be and here's two people that we want

1662
01:17:32,160 --> 01:17:33,920
Speaker 1: to be together but they can't.

1663
01:17:34,160 --> 01:17:37,040
Speaker 2: But that's when Harry met Sally. Like you said, that's it,

1664
01:17:37,080 --> 01:17:39,120
Speaker 2: That's when Harry met Sally all over again, you know

1665
01:17:39,160 --> 01:17:42,160
Speaker 2: what I mean. Like, that's such one of my favorite

1666
01:17:42,240 --> 01:17:44,000
Speaker 2: that's first of all, one of my favorite movies Billy

1667
01:17:44,040 --> 01:17:45,120
Speaker 2: Crystal and Meg Ryan.

1668
01:17:45,439 --> 01:17:48,360
Speaker 3: But that story is great, you know.

1669
01:17:49,800 --> 01:17:52,920
Speaker 1: It reminds me of that Fiona Apple lyric when she says,

1670
01:17:53,160 --> 01:17:56,559
Speaker 1: only kisses on the cheek from now on, and.

1671
01:17:56,840 --> 01:18:06,920
Speaker 2: In a littlely they have wave no, no, baby, all right,

1672
01:18:06,960 --> 01:18:10,559
Speaker 2: if I need you, I'll just use your simple name.

1673
01:18:11,040 --> 01:18:12,639
Speaker 1: Keep going. Finish it.

1674
01:18:13,479 --> 01:18:18,559
Speaker 2: Only kisses on the cheek from now on and in

1675
01:18:18,680 --> 01:18:22,280
Speaker 2: a little while, we'll only have to wave.

1676
01:18:22,840 --> 01:18:25,280
Speaker 1: That's so fucked up. They don't have to wave. Hey,

1677
01:18:25,439 --> 01:18:26,000
Speaker 1: how you doing?

1678
01:18:26,439 --> 01:18:26,879
Speaker 7: Hey?

1679
01:18:27,479 --> 01:18:30,320
Speaker 2: I remember breaking up with someone and then going to

1680
01:18:30,439 --> 01:18:33,280
Speaker 2: give them a kiss and they gave me the cheek

1681
01:18:33,320 --> 01:18:36,240
Speaker 2: and being like, yeah, that's probably where what I should

1682
01:18:36,240 --> 01:18:38,120
Speaker 2: We should probably kiss on the cheek from one one.

1683
01:18:38,160 --> 01:18:40,360
Speaker 2: Oh yeah, and now I just wave.

1684
01:18:40,520 --> 01:18:42,559
Speaker 1: The last thing I want to say is that when

1685
01:18:42,640 --> 01:18:44,760
Speaker 1: I liked how Judy a her delivering and also the

1686
01:18:44,760 --> 01:18:48,439
Speaker 1: writing when she she ends the documentary section, and she

1687
01:18:48,520 --> 01:18:52,320
Speaker 1: says he seems to like who I am, and I

1688
01:18:52,360 --> 01:18:54,840
Speaker 1: just thought that was so sweet, Like, you know, all

1689
01:18:54,840 --> 01:18:58,400
Speaker 1: bullshit aside, it seems like he genuinely likes who I

1690
01:18:58,560 --> 01:19:03,559
Speaker 1: genuinely am, and I just thought that was really pretty. Yeah, man, Randall,

1691
01:19:03,680 --> 01:19:05,200
Speaker 1: you've been a phenomenal guest.

1692
01:19:06,280 --> 01:19:07,120
Speaker 4: Thank you for having me.

1693
01:19:07,120 --> 01:19:08,800
Speaker 1: I feel like we're one step away from getting in

1694
01:19:08,840 --> 01:19:10,880
Speaker 1: your car with you, so we want to let you go.

1695
01:19:11,800 --> 01:19:14,840
Speaker 2: We should you just promise us you'll come back.

1696
01:19:14,880 --> 01:19:16,599
Speaker 1: And do you come back? Randall? I feel like you're

1697
01:19:16,600 --> 01:19:20,880
Speaker 1: gonna be a fan favorite because delight here Randall. Randall,

1698
01:19:20,880 --> 01:19:23,040
Speaker 1: do you use a washcloth in the shower? U?

1699
01:19:23,560 --> 01:19:23,840
Speaker 4: Yes?

1700
01:19:24,200 --> 01:19:25,599
Speaker 1: Okay, Randall's black, dude.

1701
01:19:25,600 --> 01:19:28,439
Speaker 2: I'm trying to tell you this. I'm trying to tell

1702
01:19:28,479 --> 01:19:31,280
Speaker 2: you this. All black people use wash cloths.

1703
01:19:31,479 --> 01:19:36,200
Speaker 1: We have house, right, Randall? We love you. You can count

1704
01:19:36,240 --> 01:19:38,360
Speaker 1: us into our theme song. Thank you everybody for listening

1705
01:19:38,360 --> 01:19:41,679
Speaker 1: to Fake Doctor's Real Friends. Randall count us in three

1706
01:19:41,760 --> 01:19:48,360
Speaker 1: two one. Now he doesn't listen to the doesn't listen

1707
01:19:48,400 --> 01:19:54,120
Speaker 1: to the pod. He's just been outed. He's just been outed,

1708
01:19:54,160 --> 01:19:55,000
Speaker 1: you guys.

1709
01:19:55,160 --> 01:19:58,519
Speaker 3: He doesn't listen to the podcast six seven eight.

1710
01:19:58,439 --> 01:20:04,080
Speaker 5: Story show We made about a bunch of talks and

1711
01:20:04,240 --> 01:20:05,799
Speaker 5: nurses in Canada.

1712
01:20:06,800 --> 01:20:09,479
Speaker 3: I said, here's the stories next.

1713
01:20:09,520 --> 01:20:15,080
Speaker 6: All should know, So gather round you here, up, gather

1714
01:20:15,320 --> 01:20:17,160
Speaker 6: around you here up. Stuff me.

1715
01:20:17,360 --> 01:20:18,360
Speaker 7: My show is a