WEBVTT - Announcing Season Three & Ed Ruscha at The MoMA

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<v Speaker 1>Now did you have any lunch?

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<v Speaker 2>I have eaten?

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<v Speaker 3>What did you have?

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<v Speaker 1>Had?

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<v Speaker 2>Some passion fruit? Is that on the menu at the moment?

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<v Speaker 1>Not passion fruit? That's worry.

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<v Speaker 4>Yeah, I saw you like very nice.

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<v Speaker 5>He doesn't know a red pepper from the passion Better

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<v Speaker 5>get another m hm. A beautiful autumnal day. The sun

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<v Speaker 5>is out, that's slightly crisp in the air, and the

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<v Speaker 5>leaves are falling.

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<v Speaker 3>The river is high, and the living is easy. So

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<v Speaker 3>I'm sitting here with Zad Rogers and William Lensky, who

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<v Speaker 3>produced the podcast, through these table four and we're just

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<v Speaker 3>so excited to announce season three with an amazing lineup

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<v Speaker 3>of new guests, including Guy Ritchie s Devlin, Chad Apatow,

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<v Speaker 3>Wes Anderson, Ray Fines, and many many more. Until then, though,

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<v Speaker 3>we don't want to leave you, so we're going to

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<v Speaker 3>be sharing some of our favorite episodes of the past

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<v Speaker 3>two seasons, beginning with edvar Sha.

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<v Speaker 4>It's very busy as ever in the River Cafe, but

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<v Speaker 4>today there's a special date because of the wedding going

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<v Speaker 4>on downstairs. So if you hear some background noise, that's

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<v Speaker 4>what it's much much more importantly the week.

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<v Speaker 3>My week I was in New York.

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<v Speaker 5>I went because Edvarsha has a retrospective, which I would

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<v Speaker 5>say to anybody, including you, because you're going to run,

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<v Speaker 5>don't walk. It's a spectacular show. It's a retrospective of

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<v Speaker 5>his work over the last I guess maybe fifty years,

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<v Speaker 5>and it was very, very moving. I took Austin Butler,

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<v Speaker 5>who also was on a podcast with us, and Austin

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<v Speaker 5>had met Ed because we were in LA at the

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<v Speaker 5>same time in July, and I took Austin to ed

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<v Speaker 5>studio when I went, and they were kind of two

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<v Speaker 5>peers in the park.

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<v Speaker 4>But for our listeners, this is the same whose podcast

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<v Speaker 4>can be found on the table for podcast series. And

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<v Speaker 4>also actually I remember being with you in LA maybe

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<v Speaker 4>this time last year recording it.

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<v Speaker 2>And it was a dog.

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<v Speaker 4>We were in the Gozing Gallery in l A and

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<v Speaker 4>he brought his stray dog and he just he just

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<v Speaker 4>looked like he just came out of the desert. He

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<v Speaker 4>was this sort of tall, dusty lean person. But Ed

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<v Speaker 4>is famous in the podcast series. He's the only person

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<v Speaker 4>that read his own recipe, which was what it was.

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<v Speaker 5>I'm sitting here in LA with Dexter and Edwards Sha Edwards.

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<v Speaker 5>Sha is the artist and Dexter is the dog, and

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<v Speaker 5>I hope we're going to hear from them both in

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<v Speaker 5>the next half hour.

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<v Speaker 1>Did you bring the cactus armor?

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<v Speaker 5>Yeah, there's a small work of art by my bed

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<v Speaker 5>that I say hello to every morning and say good

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<v Speaker 5>night to every night. I think of the day it

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<v Speaker 5>arrived in the River Cafe from Los Angeles, wrapped in

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<v Speaker 5>layers of bubble wrap. I knew then unwrapping it that

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<v Speaker 5>this was one I would never let out of my sight.

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<v Speaker 5>The artist was ed Rushee, and the word in bright

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<v Speaker 5>red says yum. I've known ed Richet's work since the

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<v Speaker 5>early seventies. I followed admired his work through his career,

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<v Speaker 5>and in twenty nineteen. In twenty twenty he shows at

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<v Speaker 5>the National Gallery and Tate Modern And it was then

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<v Speaker 5>that we got to know each other well. Dinners at

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<v Speaker 5>the River Cafe, breakfast at Clarages, and we became friends.

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<v Speaker 5>First I fell in love with the art, and.

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<v Speaker 1>Then I fell in love with the artist. Would you

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<v Speaker 1>like to read a recipe?

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<v Speaker 2>Shall I read your recipe?

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<v Speaker 1>But I'd like to hear yours.

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<v Speaker 5>You'll be the first person to read a recipe that

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<v Speaker 5>is not a river cafe recipe, and I think that's good.

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<v Speaker 6>What is that cactus omelet which I make occasionally? You

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<v Speaker 6>have to get nopolytos little cactus pads that they slice

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<v Speaker 6>into little bits, and so says utensils omelet pan are

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<v Speaker 6>similar type pan with rounded bottom, mixing bowl, wire, whisk

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<v Speaker 6>or fork. Instructions. Break two eggs in bowls slightly under

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<v Speaker 6>mix with whisk or fork. Heat butter in pan until

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<v Speaker 6>it bubbles and begins to turn brown. Add the eggs

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<v Speaker 6>and let them sit in the pan until the bottom

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<v Speaker 6>begins to harden. As soon as this sets, but while

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<v Speaker 6>the top is still moist, add salt and pepper, cottage cheese,

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<v Speaker 6>sprinkle celery on top, followed by the nopoulitos. Let the

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<v Speaker 6>omelet set for about one minute over a low fire

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<v Speaker 6>roll omelet out of pan and onto plate.

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<v Speaker 1>Where does this recipe come from?

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<v Speaker 2>I sort of made it up.

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<v Speaker 6>Yeah, And I always liked the taste of They're kind

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<v Speaker 6>of slimy of cactus, you know, nopolitos and uh, but

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<v Speaker 6>they have a flavor all their own, and I've always

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<v Speaker 6>liked them.

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<v Speaker 5>Yeah, because you know, where we live, we don't get

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<v Speaker 5>cactus cacti.

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<v Speaker 1>So was it when you came out here to l

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<v Speaker 1>you had it?

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<v Speaker 2>Yeah?

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<v Speaker 1>Did you go in the desert?

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<v Speaker 2>Uh? Well, Los Angeles.

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<v Speaker 1>I've talked to artists.

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<v Speaker 5>I've interviewed Damian and Tracy, but I haven't had an

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<v Speaker 5>artist or painted about We talk about food and have

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<v Speaker 5>food in their life and food in there are But

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<v Speaker 5>you actually painted with food.

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<v Speaker 1>You use egg yolk and you used didn't you.

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<v Speaker 5>Was that a certain period that you started painting with

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<v Speaker 5>with actually food?

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<v Speaker 6>I was maybe I was frustrated with art materials or

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<v Speaker 6>it felt like I had reached a apex or a

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<v Speaker 6>stopping off point. And then I thought about why you

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<v Speaker 6>can make marks on paper or on canvas with any

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<v Speaker 6>number of things.

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<v Speaker 2>Why does it have to be pigments?

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<v Speaker 6>And so then I started using these things like axle, grease.

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<v Speaker 2>And caviar, and.

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<v Speaker 6>Well, it's of course egg, and it's pretty stable and

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<v Speaker 6>it hardens and it's proven to be pretty pretty stable

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<v Speaker 6>over the years.

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<v Speaker 5>Also, the paintings that you did with caviar still ye,

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<v Speaker 5>still still there.

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<v Speaker 6>They've yellowed a little bit, but yeah, that's what do

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<v Speaker 6>we call that entropy or something? But you don't do anymore, No,

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<v Speaker 6>I haven't done that for a while, But don't give

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<v Speaker 6>me any idea.

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<v Speaker 5>I think I'm going to give you an idea. When

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<v Speaker 5>I came to a studio, you have an orchard in

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<v Speaker 5>the bat and I was wondering, you know, what what

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<v Speaker 5>does that mean to you to have fruit growing in

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<v Speaker 5>behind your studio.

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<v Speaker 2>Well, fortunately I.

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<v Speaker 6>Got this building that had a large backyard I had

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<v Speaker 6>no real use for, so I sort of divided the

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<v Speaker 6>backyard in half and thought, well, I'll just put an

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<v Speaker 6>orchard in here. And I've always wanted to grow citrus

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<v Speaker 6>and other things too, figs, pomegranates, cherries, and then I've

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<v Speaker 6>got some raised beds there that that I grow. I

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<v Speaker 6>was growing the world's hottest pepper the boot you Lochia.

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<v Speaker 6>It's like an Indian called ghost pepper. It measures out

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<v Speaker 6>to be the hottest pepper in the world.

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<v Speaker 2>Well, I mean, how do you eat it? That's a

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<v Speaker 2>nobody ever has the answer to that.

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<v Speaker 6>Make it that's too powerful, I guess so, and make

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<v Speaker 6>it so fine, grind it so fine. And I think

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<v Speaker 6>there are people that are still working on it to

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<v Speaker 6>get the.

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<v Speaker 2>Get the Blue Ribbon for the hottest pepper.

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<v Speaker 1>That so that it judges that competition. But you cook

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<v Speaker 1>a lot, don't you.

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<v Speaker 5>That recipe for an omelet is a really interesting recipe

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<v Speaker 5>because it's using.

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<v Speaker 1>An ingredient that is so local.

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<v Speaker 5>You know, you go into great depth to tell how

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<v Speaker 5>you fry the eggs, you season it, the heat of

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<v Speaker 5>the pan.

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<v Speaker 1>That's a chef's recipe.

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<v Speaker 6>Well it's sort of hit and miss, you know, And

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<v Speaker 6>so that's fine. Since I'm usually cooking for myself, it

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<v Speaker 6>doesn't matter. But only other thing I really cook is chili,

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<v Speaker 6>and I like. I like to make chili. I make

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<v Speaker 6>it without onions, without beans, and without tomatoes. That's fun

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<v Speaker 6>to make, and that takes a few hours to do that,

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<v Speaker 6>but it's worth it.

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<v Speaker 1>When you're painting, how do you eat and paint generally?

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<v Speaker 2>And I don't even eat lunch.

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<v Speaker 6>I mean I will maybe have a banana or a

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<v Speaker 6>piece of fruit, and that's my lunch. I don't eat

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<v Speaker 6>three meals a day like I used to. But I

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<v Speaker 6>know it's in our artistic tradition. It's always been a

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<v Speaker 6>ceremony with artists to stop working at eleven forty five.

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<v Speaker 2>And sit down. And I don't drink wine.

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<v Speaker 6>Yeah, so and then you know, it's also a tradition

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<v Speaker 6>to have wine with lunch.

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<v Speaker 5>But in New York in the kind of sixties seventies,

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<v Speaker 5>wasn't there the whole thing where artists would be in

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<v Speaker 5>their studios all day, very solitary, and then go to

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<v Speaker 5>Max's or to you know, to the culture of kind

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<v Speaker 5>of being alone and then going out every night. And

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<v Speaker 5>were you ever part of that culture or was it.

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<v Speaker 6>Lle Well, yeah, it's the pnemonium of crowds of people

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<v Speaker 6>in a place like Maxis, Kansas City or any of

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<v Speaker 6>those kind of places, and.

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<v Speaker 2>It was almost ceremonial.

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<v Speaker 6>You know, you'd go and have great fun and drink

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<v Speaker 6>and uh, that was part of life.

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<v Speaker 1>I guess you live in New York?

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<v Speaker 2>Did You never did live in New York.

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<v Speaker 1>No.

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<v Speaker 6>It was always too complicated or too expensive.

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<v Speaker 2>For me to live there.

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<v Speaker 6>And uh, just the idea of trying to take a

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<v Speaker 6>two by four across town was such an issue that

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<v Speaker 6>made California impossibly convenient.

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<v Speaker 5>Yeah, we saw Frank Gary yesterday and we talked about

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<v Speaker 5>the camaraderie between for him many more artists and architects.

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<v Speaker 5>You just loved the feeling of the la kind of

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<v Speaker 5>artists being together here.

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<v Speaker 1>Was that part of your world as well.

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<v Speaker 2>Oh yeah, yeah.

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<v Speaker 6>Did he tell you that his favorite restaurant was the

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<v Speaker 6>Pacific Dining Room.

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<v Speaker 2>Yes, he did, yeah, and they closed it, I think, and.

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<v Speaker 1>He loved that place. Did you ever go there?

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<v Speaker 2>Oh yeah, I went there with him too, and.

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<v Speaker 1>Mister Chow.

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<v Speaker 5>Chow and yeah, oh yeah, he's a great man.

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<v Speaker 6>I went there one time and I with a friend

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<v Speaker 6>and he said, can I bring a friend along? And

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<v Speaker 6>I said yeah, who is it? And he said Groucho

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<v Speaker 6>Marx No. And so we met at chows here and

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<v Speaker 6>Groucho comes in and we all sit down and have

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<v Speaker 6>a good time. But then the food comes and Graucho

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<v Speaker 6>has his food sent in from Nate and Al's delicatessen.

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<v Speaker 6>He didn't even have the He said, I've heard about

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<v Speaker 6>this place. I've heard about this place, And so he

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<v Speaker 6>dined at Chow's restaurant without having its food.

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<v Speaker 5>That I've heard of people, you know, of course, people

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<v Speaker 5>bring their own wine at the River CAF.

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<v Speaker 1>People like to bring their own wine.

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<v Speaker 5>And once somebody bought their own truffle. They've been to

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<v Speaker 5>Italy and they brought a white truffle and asked us

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<v Speaker 5>if we would grade it for them over their pasta.

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<v Speaker 5>But I never actually have heard of anybody actually ordering

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<v Speaker 5>their own food. But I suppose if you're grudging in Marx.

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<v Speaker 1>Yeah, did you go to chaws a lot? Who would

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<v Speaker 1>go there with you? Oh?

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<v Speaker 2>Lots of different people.

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<v Speaker 6>I mean used to go there with Tim Leary and

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<v Speaker 6>his wife and they were regulars there for a good while.

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<v Speaker 6>And it's so good and so traditional. I mean they

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<v Speaker 6>opened I think nineteen seventy five or something like that,

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<v Speaker 6>and they established a menu that they really didn't vary

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<v Speaker 6>from in London.

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<v Speaker 5>They used to have a kind of cart that you

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<v Speaker 5>could actually make the noodles.

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<v Speaker 2>Yeah. Yeah, they do that here too.

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<v Speaker 1>Yeah, we should all.

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<v Speaker 5>Okay, are you going out much? Are you trying to

0:12:54.040 --> 0:12:54.720
<v Speaker 5>stay quiet?

0:12:55.559 --> 0:12:57.240
<v Speaker 2>I'm happy to you know.

0:12:57.320 --> 0:13:00.560
<v Speaker 6>I love loud Hollywood parties, but I don't miss them

0:13:00.640 --> 0:13:01.600
<v Speaker 6>one iota.

0:13:03.679 --> 0:13:05.840
<v Speaker 1>It's been there and done that. Why did you go

0:13:05.880 --> 0:13:06.560
<v Speaker 1>to the desert?

0:13:06.960 --> 0:13:08.000
<v Speaker 2>Yeah? I go to the desert.

0:13:08.200 --> 0:13:09.880
<v Speaker 1>What do you eat there? You hunt?

0:13:11.120 --> 0:13:13.200
<v Speaker 2>I used to do that, but I don't do that anymore.

0:13:13.520 --> 0:13:17.520
<v Speaker 6>And I have a lot of quail out there. And

0:13:19.240 --> 0:13:23.760
<v Speaker 6>oh it's out north of it's east of Big Bear Lake.

0:13:25.000 --> 0:13:28.120
<v Speaker 6>It's not the kind of desert that is like palm

0:13:28.120 --> 0:13:31.880
<v Speaker 6>springs with palm trees. No palm trees up there, they

0:13:31.880 --> 0:13:34.839
<v Speaker 6>have Joshua trees. If you know what those crazy things

0:13:34.880 --> 0:13:35.240
<v Speaker 6>look like.

0:13:35.840 --> 0:13:36.360
<v Speaker 2>Beautiful.

0:13:38.200 --> 0:13:42.840
<v Speaker 6>They're very spiky, spiky, and they look They got called

0:13:42.960 --> 0:13:48.319
<v Speaker 6>Joshua trees because the pioneers thought they looked like silhouettes

0:13:48.360 --> 0:13:52.920
<v Speaker 6>of biblical figures, so they call them Joshua trees. And

0:13:54.800 --> 0:13:59.000
<v Speaker 6>that grows out there. They're almost endangered because of the

0:13:59.160 --> 0:14:03.839
<v Speaker 6>global warming. But then I get pinion pines there and

0:14:04.200 --> 0:14:08.320
<v Speaker 6>I harvest some of the nuts. If you've got time

0:14:08.360 --> 0:14:12.440
<v Speaker 6>to do that that well, just get the pine cones

0:14:12.440 --> 0:14:15.560
<v Speaker 6>off the trees and very carefully take all the little

0:14:16.000 --> 0:14:20.280
<v Speaker 6>seeds out of it, but usually the squirrels get them

0:14:20.320 --> 0:14:23.960
<v Speaker 6>before you do. In order to get a little handful

0:14:24.000 --> 0:14:28.360
<v Speaker 6>of pine nuts, it takes you about an hour, and

0:14:28.400 --> 0:14:31.160
<v Speaker 6>then you have to get the sap off your hands,

0:14:31.520 --> 0:14:35.120
<v Speaker 6>wash your hands in gasoline. I don't know, but they're

0:14:35.560 --> 0:14:41.080
<v Speaker 6>extremely delicious. Yeah, they're far more delicious than the ones

0:14:41.120 --> 0:14:42.720
<v Speaker 6>you actually buy in the market.

0:14:54.320 --> 0:14:57.800
<v Speaker 5>Where you've kind of been through hell in this country

0:14:57.840 --> 0:15:01.200
<v Speaker 5>with our previous president and the and everything. And I

0:15:01.240 --> 0:15:03.560
<v Speaker 5>have a beautiful poster that you sent me, which is

0:15:03.960 --> 0:15:04.560
<v Speaker 5>a treasure.

0:15:04.720 --> 0:15:05.920
<v Speaker 1>That was enough.

0:15:06.280 --> 0:15:07.000
<v Speaker 2>Oh enough?

0:15:07.160 --> 0:15:09.040
<v Speaker 1>Oh can you tell me the story of enough.

0:15:10.840 --> 0:15:12.040
<v Speaker 2>I don't know where that came from.

0:15:12.080 --> 0:15:15.160
<v Speaker 6>It's just well, Norman Lear asked me if I would

0:15:15.240 --> 0:15:18.680
<v Speaker 6>do something, and so that was just some incentive to

0:15:19.640 --> 0:15:24.280
<v Speaker 6>make some statement about the condition of America and you

0:15:24.320 --> 0:15:29.760
<v Speaker 6>know where people sit on the subject, and so expressing

0:15:29.800 --> 0:15:32.360
<v Speaker 6>myself in that way in a poster was fun to do.

0:15:33.280 --> 0:15:33.480
<v Speaker 2>You know.

0:15:33.600 --> 0:15:36.520
<v Speaker 6>It was like, enough of this kind of politics. We've

0:15:36.520 --> 0:15:40.520
<v Speaker 6>got to move on from this to something better, and

0:15:40.640 --> 0:15:42.080
<v Speaker 6>luckily it moved that way.

0:15:43.440 --> 0:15:46.320
<v Speaker 5>Yeah, maybe it'd be nice to talk about from the beginning.

0:15:46.800 --> 0:15:48.240
<v Speaker 1>Tell me about where you grew up.

0:15:49.080 --> 0:15:52.600
<v Speaker 6>I was born in Omaha, Nebraska, very center of the

0:15:52.760 --> 0:15:55.680
<v Speaker 6>United States, and then we moved to Oklahoma when I

0:15:55.720 --> 0:15:58.800
<v Speaker 6>was like five years old. So then I grew up

0:15:58.800 --> 0:16:02.800
<v Speaker 6>from there, and it was kind of a cultural wasteland

0:16:02.880 --> 0:16:06.120
<v Speaker 6>in a lot of ways. Food especially, I mean, there

0:16:06.160 --> 0:16:10.040
<v Speaker 6>was no such thing as an artichoke or an avocado,

0:16:10.280 --> 0:16:14.960
<v Speaker 6>barely no such thing as sushi. There is there now,

0:16:15.000 --> 0:16:20.440
<v Speaker 6>of course, because it's multi dimensional, but I remember growing

0:16:20.480 --> 0:16:23.920
<v Speaker 6>up there and having these kind of foods, Like about

0:16:24.000 --> 0:16:29.240
<v Speaker 6>their early nineteen fifties is when pizza came to fashion.

0:16:29.760 --> 0:16:31.960
<v Speaker 6>And we didn't call it just pizza. We call it

0:16:32.000 --> 0:16:36.360
<v Speaker 6>pizza pie, pizza pie, pizza pieza, like.

0:16:36.280 --> 0:16:37.240
<v Speaker 2>A big pizza.

0:16:37.320 --> 0:16:40.480
<v Speaker 6>Yeah, because you originally came from Chicago or.

0:16:40.720 --> 0:16:42.080
<v Speaker 2>State New York, State New.

0:16:42.160 --> 0:16:44.680
<v Speaker 1>And we had real southern Italian foods.

0:16:44.960 --> 0:16:49.200
<v Speaker 5>I thought Italian food was meatples and spaghetti and eggplant

0:16:49.280 --> 0:16:53.080
<v Speaker 5>parmesana and pizza pie until I went to Italy thirty

0:16:53.160 --> 0:16:53.680
<v Speaker 5>years later.

0:16:54.000 --> 0:16:54.400
<v Speaker 2>Yeah.

0:16:54.440 --> 0:16:57.200
<v Speaker 1>But go back to the pizza pie. When did that come?

0:16:57.520 --> 0:17:00.560
<v Speaker 6>Well, that started coming when around the time I was

0:17:00.600 --> 0:17:03.640
<v Speaker 6>in high school and it became a popular go to

0:17:03.920 --> 0:17:07.239
<v Speaker 6>type of food, kind of novel and unique. And there

0:17:07.280 --> 0:17:12.080
<v Speaker 6>were half a dozen places in Oklahoma City that actually

0:17:12.160 --> 0:17:16.639
<v Speaker 6>served pizza pie, and one place was called Sussy's.

0:17:17.359 --> 0:17:19.760
<v Speaker 2>That was the place you'd always go to.

0:17:20.680 --> 0:17:22.760
<v Speaker 1>I did how who would cook in your house? Was

0:17:22.800 --> 0:17:23.320
<v Speaker 1>it your mother?

0:17:23.800 --> 0:17:26.480
<v Speaker 2>Yeah? Did you mom cooked? No?

0:17:26.760 --> 0:17:30.640
<v Speaker 6>Father didn't really cook so much. But Mom tossed everything

0:17:30.640 --> 0:17:34.520
<v Speaker 6>together and you know, it was a really it was

0:17:34.560 --> 0:17:38.879
<v Speaker 6>all meat and potatoes. I like her pies particularly, and

0:17:38.920 --> 0:17:41.960
<v Speaker 6>she made a cherry pie that I always liked. Also,

0:17:42.080 --> 0:17:46.240
<v Speaker 6>she made rhubarb pie, which was another thing, and so

0:17:46.640 --> 0:17:47.399
<v Speaker 6>that was big.

0:17:48.520 --> 0:17:50.240
<v Speaker 1>Do you think the cherries were fresh or did she

0:17:50.320 --> 0:17:51.480
<v Speaker 1>get them from the cans.

0:17:51.640 --> 0:17:54.040
<v Speaker 6>She'd get them from a can, or sometimes when they

0:17:54.040 --> 0:17:57.600
<v Speaker 6>were there, she would get them fresh. And the effort

0:17:57.680 --> 0:18:01.840
<v Speaker 6>was not so much into absolutely fresh food back then. No,

0:18:02.160 --> 0:18:05.760
<v Speaker 6>canned food was very big and exciting. Yeah, and then

0:18:05.840 --> 0:18:10.400
<v Speaker 6>came frozen food after that, and there's you know, there's

0:18:10.440 --> 0:18:14.600
<v Speaker 6>a big debate over those nutritional value of those foods.

0:18:14.760 --> 0:18:17.000
<v Speaker 1>Did your mom work? So she would work all day

0:18:17.000 --> 0:18:17.760
<v Speaker 1>and then come home.

0:18:17.840 --> 0:18:21.159
<v Speaker 6>She was a housekeeper and prepared food for us, and

0:18:21.560 --> 0:18:25.800
<v Speaker 6>and no, she didn't have a job. And so I

0:18:25.840 --> 0:18:29.000
<v Speaker 6>grew up in the Bible Belt there and we were Catholics,

0:18:29.040 --> 0:18:35.760
<v Speaker 6>so we were called mackerel snappers is what people would

0:18:35.800 --> 0:18:39.399
<v Speaker 6>call us, meaning you don't eat meat on Friday, you

0:18:39.400 --> 0:18:43.520
<v Speaker 6>eat fish on Friday. So mackerel snappers. But the kind

0:18:43.560 --> 0:18:47.040
<v Speaker 6>of food that they served there, the only international food

0:18:47.200 --> 0:18:53.119
<v Speaker 6>was called Chinese food. And every Chinese restaurant would always

0:18:53.240 --> 0:18:57.880
<v Speaker 6>say on the outside of the building Chinese and American food.

0:18:57.680 --> 0:19:01.160
<v Speaker 5>To alleviate the fear of looking into Chinese restaurants.

0:19:01.200 --> 0:19:04.280
<v Speaker 6>And so you could get Chinese, Yes, you could get

0:19:04.400 --> 0:19:07.720
<v Speaker 6>chop suey things like that, and then you could also

0:19:07.760 --> 0:19:08.520
<v Speaker 6>get a hamburger.

0:19:09.040 --> 0:19:11.040
<v Speaker 2>So they were gonna offer you.

0:19:11.040 --> 0:19:15.320
<v Speaker 6>Chinese food, but also just in case, please come anyway

0:19:15.320 --> 0:19:16.320
<v Speaker 6>because we can make.

0:19:16.160 --> 0:19:17.680
<v Speaker 2>A hamburger for you. Familiar.

0:19:17.960 --> 0:19:20.600
<v Speaker 5>Yeah, but did you go to restaurants? I mean, would

0:19:20.600 --> 0:19:22.080
<v Speaker 5>your parents take you out for a.

0:19:22.000 --> 0:19:22.640
<v Speaker 1>Meal and a time.

0:19:22.640 --> 0:19:26.000
<v Speaker 6>Occasionally we'd go to barbecue and that was popular.

0:19:26.040 --> 0:19:26.200
<v Speaker 2>Then.

0:19:26.960 --> 0:19:30.679
<v Speaker 6>The one food that was really hit it big was

0:19:30.760 --> 0:19:36.120
<v Speaker 6>okra fried okra, and they grow it, Yeah, they grow

0:19:36.160 --> 0:19:38.200
<v Speaker 6>it in a big way there, and so there's lots

0:19:38.200 --> 0:19:42.040
<v Speaker 6>of corn that you're giving almost every day.

0:19:42.119 --> 0:19:43.959
<v Speaker 2>Yeah.

0:19:44.000 --> 0:19:46.920
<v Speaker 6>Also during the war, we had a victory garden. It

0:19:47.040 --> 0:19:51.320
<v Speaker 6>was sort of pick yourself up by your booststraps, by

0:19:51.760 --> 0:19:56.520
<v Speaker 6>growing your own food and participating in the war effort

0:19:56.560 --> 0:19:59.560
<v Speaker 6>World War two. So it was an extension of that

0:20:00.080 --> 0:20:04.359
<v Speaker 6>sort of went to your dinner table and other people

0:20:04.400 --> 0:20:08.680
<v Speaker 6>would save metal and that sort of thing to recycle

0:20:08.760 --> 0:20:10.360
<v Speaker 6>into the war effort.

0:20:10.600 --> 0:20:16.320
<v Speaker 2>And so victory garden it was a very popular thing then.

0:20:16.400 --> 0:20:17.040
<v Speaker 1>I wasn't there.

0:20:17.920 --> 0:20:25.880
<v Speaker 6>Just we'd grow tomatoes and corn and celery and various vegetables,

0:20:26.000 --> 0:20:29.679
<v Speaker 6>and that was kind of a unified attitude at the

0:20:29.760 --> 0:20:34.000
<v Speaker 6>time to have victory gardens in your backyard. I had

0:20:34.040 --> 0:20:36.840
<v Speaker 6>a paper route in Oklahoma and I'd deliver my papers

0:20:36.840 --> 0:20:39.000
<v Speaker 6>at like four in the morning and then come back

0:20:39.040 --> 0:20:43.080
<v Speaker 6>and drink almost a half a gallon of milk and

0:20:43.160 --> 0:20:48.600
<v Speaker 6>then oh, about twelve fourteen something like that.

0:20:48.960 --> 0:20:50.639
<v Speaker 5>Yeah, you said that, You said once said that you

0:20:50.680 --> 0:20:52.920
<v Speaker 5>thought that Oklahoma was like a black and white movie?

0:20:52.960 --> 0:20:55.000
<v Speaker 1>Do you think that? Do you think back on those days?

0:20:55.040 --> 0:20:58.119
<v Speaker 6>I still do when I think back on it, But

0:20:58.400 --> 0:21:01.200
<v Speaker 6>as I go back there occasionally I see that it's

0:21:01.480 --> 0:21:03.840
<v Speaker 6>more progressive than I allow.

0:21:03.560 --> 0:21:07.520
<v Speaker 2>My mind to make it be. Yeah, so you know,

0:21:07.640 --> 0:21:09.480
<v Speaker 2>it's caught up with the rest of the world.

0:21:09.720 --> 0:21:11.080
<v Speaker 1>What's happened to your house there?

0:21:11.240 --> 0:21:13.760
<v Speaker 2>Do you still happen still stands? Yeah?

0:21:13.880 --> 0:21:15.720
<v Speaker 1>When was the first time you went to Europe?

0:21:16.840 --> 0:21:20.760
<v Speaker 6>About nineteen sixty one and I went there with my

0:21:20.880 --> 0:21:26.800
<v Speaker 6>mother and brother and we we bought a little Citron

0:21:27.440 --> 0:21:32.200
<v Speaker 6>two CV automobile in Paris and drove it around Europe

0:21:33.040 --> 0:21:34.120
<v Speaker 6>and then came.

0:21:33.960 --> 0:21:35.120
<v Speaker 1>To your mother's first time.

0:21:35.520 --> 0:21:38.480
<v Speaker 2>Yeah, it was her first time too. So what was

0:21:38.560 --> 0:21:38.960
<v Speaker 2>that like?

0:21:39.280 --> 0:21:40.560
<v Speaker 1>What was it like? Food wise?

0:21:40.880 --> 0:21:43.280
<v Speaker 6>Well, food wise, well, we we were kind of on

0:21:43.320 --> 0:21:53.119
<v Speaker 6>a budget, so there wasn't nothing particularly fancy, but just

0:21:53.160 --> 0:21:57.879
<v Speaker 6>the idea of having, you know, stumbling onto wild strawberry,

0:21:58.480 --> 0:22:02.560
<v Speaker 6>which I'd never had before those tiny little wild strawberries

0:22:02.680 --> 0:22:06.240
<v Speaker 6>was great. That was in France. We drove all over

0:22:06.320 --> 0:22:10.680
<v Speaker 6>Europe and for about four or five months, four or

0:22:10.720 --> 0:22:15.159
<v Speaker 6>five months, yeah, yeah, we went as far south. We

0:22:15.240 --> 0:22:23.080
<v Speaker 6>went to Yugoslavia, went to Spain, Portugal, Italy, Germany, France,

0:22:23.840 --> 0:22:27.760
<v Speaker 6>British Isles, went to Ireland try to find my mother's

0:22:29.480 --> 0:22:32.120
<v Speaker 6>heritage and never we struck out there.

0:22:32.160 --> 0:22:35.240
<v Speaker 1>We couldn't find it. Did you paint or draw?

0:22:36.160 --> 0:22:36.400
<v Speaker 2>Yeah?

0:22:36.440 --> 0:22:40.480
<v Speaker 6>I took a little homemade kit a package that I

0:22:40.480 --> 0:22:43.399
<v Speaker 6>would carry around and you know, allow me to do

0:22:43.440 --> 0:22:49.399
<v Speaker 6>something on about eight x ten format, and brought paints

0:22:49.400 --> 0:22:53.640
<v Speaker 6>along with me and worked like that. And my mother

0:22:54.359 --> 0:22:56.760
<v Speaker 6>came back to the States after about two months, and

0:22:56.800 --> 0:22:59.639
<v Speaker 6>then I stayed over there by myself for a while.

0:23:10.920 --> 0:23:12.760
<v Speaker 5>One of the things that I think is very moving

0:23:12.800 --> 0:23:17.080
<v Speaker 5>about your studio, part from the garden and the trees

0:23:17.200 --> 0:23:20.119
<v Speaker 5>and of the fruit, is there seems to be a

0:23:20.240 --> 0:23:22.679
<v Speaker 5>very strong community there and that when you come to

0:23:22.760 --> 0:23:26.400
<v Speaker 5>London for your shows. When we went out to dinner afterwards,

0:23:27.160 --> 0:23:29.399
<v Speaker 5>I think Puppy was the Tait and then there was

0:23:29.440 --> 0:23:30.880
<v Speaker 5>a dinner at the National Gallery.

0:23:31.080 --> 0:23:32.320
<v Speaker 1>Because you had two shows.

0:23:32.600 --> 0:23:36.639
<v Speaker 5>You were the first artists contemporary artists to show singularly

0:23:36.800 --> 0:23:38.000
<v Speaker 5>in the National Gallery.

0:23:38.359 --> 0:23:41.080
<v Speaker 2>I was told at I found it hard to believe,

0:23:41.119 --> 0:23:41.919
<v Speaker 2>but it's true.

0:23:42.720 --> 0:23:46.440
<v Speaker 6>Yeah, and then I think virget Riley maybe had something

0:23:46.640 --> 0:23:48.480
<v Speaker 6>yeah recently there.

0:23:48.760 --> 0:23:52.280
<v Speaker 2>Yeah. Do you bring everybody with you pretty much?

0:23:52.440 --> 0:23:53.160
<v Speaker 1>That's so nice.

0:23:53.280 --> 0:23:56.040
<v Speaker 2>People that work with me, Yeah, travel with me. Yeah,

0:23:56.080 --> 0:23:56.560
<v Speaker 2>that's good.

0:23:57.000 --> 0:24:00.280
<v Speaker 5>You're animals. There are dogs? How many do you have

0:24:00.280 --> 0:24:01.639
<v Speaker 5>any idea of how many dogs?

0:24:01.960 --> 0:24:02.840
<v Speaker 2>Uh?

0:24:03.160 --> 0:24:08.960
<v Speaker 6>Dana has five other dogs besides Dexter, so you know

0:24:09.040 --> 0:24:12.600
<v Speaker 6>she's got her handful. I mean she's got she needs

0:24:12.600 --> 0:24:13.720
<v Speaker 6>a kennel license.

0:24:14.080 --> 0:24:15.800
<v Speaker 1>Do you when you travel do you take a dog?

0:24:17.040 --> 0:24:21.000
<v Speaker 5>He goes in the every So you have a painting

0:24:21.080 --> 0:24:21.719
<v Speaker 5>called Dexter.

0:24:22.119 --> 0:24:24.280
<v Speaker 2>Again, don't give me any ideas.

0:24:24.200 --> 0:24:27.840
<v Speaker 5>I am can I just tell the story about Ruby.

0:24:28.160 --> 0:24:32.360
<v Speaker 5>I've had such a kind of passion for the Ruby painting.

0:24:32.720 --> 0:24:35.720
<v Speaker 5>I didn't know Ruby meant to me. It filled me

0:24:35.800 --> 0:24:40.640
<v Speaker 5>with kind of imagination, and I kept thinking, who is Ruby?

0:24:40.720 --> 0:24:43.399
<v Speaker 5>So I just dreamt about who Ruby could be. I

0:24:43.440 --> 0:24:45.800
<v Speaker 5>thought she might be a woman that you were in

0:24:45.800 --> 0:24:48.080
<v Speaker 5>love with when you were a teenager in Alcoholma. I

0:24:48.119 --> 0:24:50.679
<v Speaker 5>thought she'd might be your mother's name. I thought she

0:24:50.720 --> 0:24:53.560
<v Speaker 5>could be a disappointment somebody who left you, and I

0:24:53.560 --> 0:24:55.960
<v Speaker 5>thought she could be a tragedy of someone who died.

0:24:56.480 --> 0:24:58.680
<v Speaker 5>And I just kept thinking about because the way you

0:24:58.720 --> 0:25:02.480
<v Speaker 5>wrote the ruby on the painting just means so much

0:25:02.520 --> 0:25:05.520
<v Speaker 5>to me. I've been trying to find a ruby painting.

0:25:05.600 --> 0:25:09.240
<v Speaker 5>But when we spent that time together in London, over

0:25:09.359 --> 0:25:12.680
<v Speaker 5>days and nights, I tried to I wanted to find

0:25:12.680 --> 0:25:14.800
<v Speaker 5>a moment that was quiet where I could ask you

0:25:14.920 --> 0:25:17.840
<v Speaker 5>who she was and what she meant to you. And

0:25:17.880 --> 0:25:19.920
<v Speaker 5>I dan and was there and I thought maybe I

0:25:19.920 --> 0:25:22.400
<v Speaker 5>should wait, and we were to party, I should wait.

0:25:22.440 --> 0:25:24.600
<v Speaker 5>But as I was saying goodbye to you that night,

0:25:25.119 --> 0:25:26.760
<v Speaker 5>I said to you, Ed, can I just ask you

0:25:26.800 --> 0:25:27.439
<v Speaker 5>one question?

0:25:28.200 --> 0:25:28.880
<v Speaker 1>Who was she?

0:25:29.000 --> 0:25:32.359
<v Speaker 5>Who was this ruby? Who was the inspiration for these beautiful,

0:25:32.440 --> 0:25:33.560
<v Speaker 5>beautiful paintings?

0:25:34.119 --> 0:25:37.560
<v Speaker 1>And you said ruby was a dog.

0:25:39.920 --> 0:25:43.840
<v Speaker 2>That's right, that's right. But it was not the inspiration

0:25:44.000 --> 0:25:46.639
<v Speaker 2>for that painting or that work. It wasn't.

0:25:47.040 --> 0:25:50.960
<v Speaker 6>The ruby I did came long before the dog. Actual, Yeah,

0:25:51.840 --> 0:25:54.520
<v Speaker 6>And so I don't I'm not really sure where that

0:25:54.520 --> 0:25:57.399
<v Speaker 6>that a name came from. It didn't come from a

0:25:57.440 --> 0:25:58.480
<v Speaker 6>person in my life.

0:25:58.560 --> 0:26:02.080
<v Speaker 2>I didn't know. But I liked ruby as.

0:26:01.920 --> 0:26:06.000
<v Speaker 6>A feminine name, and It's just got a really good

0:26:06.040 --> 0:26:08.359
<v Speaker 6>sound to it. And also it has a double meaning

0:26:08.400 --> 0:26:14.359
<v Speaker 6>too with the gem ruby, and so it just meant

0:26:14.400 --> 0:26:17.280
<v Speaker 6>that to me and kind of was an excuse to

0:26:17.320 --> 0:26:18.040
<v Speaker 6>make a work.

0:26:18.280 --> 0:26:22.439
<v Speaker 1>It's a beautiful work. It's a beautiful, beautiful work. Thank you.

0:26:22.880 --> 0:26:24.080
<v Speaker 1>I have one last question.

0:26:24.800 --> 0:26:29.920
<v Speaker 5>So you've described food as a journey across Oklahoma to California.

0:26:30.000 --> 0:26:34.280
<v Speaker 5>You've described it as an explosion of wild strawberries in France,

0:26:34.359 --> 0:26:38.720
<v Speaker 5>you've used it in your work, used to actually paint

0:26:39.160 --> 0:26:41.920
<v Speaker 5>made out of food. But if you were feeling that

0:26:42.400 --> 0:26:45.480
<v Speaker 5>you needed food is comfort? Would you say there's a

0:26:45.560 --> 0:26:47.600
<v Speaker 5>food you turned to and comfort?

0:26:48.400 --> 0:26:51.800
<v Speaker 6>I would say that some kind of soup might be

0:26:51.960 --> 0:26:58.520
<v Speaker 6>the answer. It's kind of traditionally of healing kind of food,

0:26:59.359 --> 0:27:06.280
<v Speaker 6>so almost any kind would chili could be, although chili

0:27:06.440 --> 0:27:11.120
<v Speaker 6>might make you hop up and down. Yeah, they may

0:27:11.160 --> 0:27:15.080
<v Speaker 6>not be so RESTful, but comfort food might be in

0:27:15.119 --> 0:27:17.520
<v Speaker 6>the form of some kind of vegetable soup.

0:27:18.119 --> 0:27:22.400
<v Speaker 1>Yeah. I get that good. So are you staying here

0:27:22.440 --> 0:27:23.280
<v Speaker 1>for bid? You're going?

0:27:24.240 --> 0:27:28.320
<v Speaker 2>Uh? Actually, I am going to the desert? Yeah today?

0:27:28.760 --> 0:27:30.360
<v Speaker 1>Yeah, I hope I'll see you soon.

0:27:30.600 --> 0:27:35.439
<v Speaker 2>Yeah.

0:27:36.160 --> 0:27:39.440
<v Speaker 5>The River Cafe Lookbook is now available in bookshops and online.

0:27:40.160 --> 0:27:44.240
<v Speaker 6>It has over one hundred recipes, beautifully illustrated with photographs

0:27:44.240 --> 0:27:46.400
<v Speaker 6>from the renowned photographer Matthew Donaldson.

0:27:47.240 --> 0:27:50.639
<v Speaker 5>The book has fifty delicious and easy to prepare recipes,

0:27:50.960 --> 0:27:54.000
<v Speaker 5>including a host of River Cafe classics that have been

0:27:54.040 --> 0:27:55.800
<v Speaker 5>specially adapted for new cooks.

0:27:56.800 --> 0:28:00.160
<v Speaker 2>The River Cafe Lookbook Recipes for Cooks of All.

0:28:05.720 --> 0:28:09.560
<v Speaker 4>Ruthie's Table four is a production of iHeartRadio and Adami Studios.

0:28:10.280 --> 0:28:15.360
<v Speaker 4>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:28:15.560 --> 0:28:17.560
<v Speaker 4>or wherever you listen to your favorite shows.