WEBVTT - From the Archives: Marilu Henner Chooses Joy

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeart Radio. People have different definitions of what

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<v Speaker 1>makes a star. Is it raw talent, beauty or is

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<v Speaker 1>it simply an X factor, a certain ineffable quality. Whatever

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<v Speaker 1>it is, Mary Lou Henner has.

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<v Speaker 2>It, and she has it in spades.

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<v Speaker 1>Singer, dancer, actor, and wellness expert, Henner is a multi

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<v Speaker 1>talented performer who is also simply a joy to be around.

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<v Speaker 1>She's like a Christmas tree and lights up every room

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<v Speaker 1>she's in. She's starred in over a dozen films, seven

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<v Speaker 1>Broadway shows, and two smash hit sitcoms. She played Ava

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<v Speaker 1>Evans Newton on Evening Shade alongside Burt Reynolds, and perhaps

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<v Speaker 1>most notably, Elaine Nardo on Taxi, a role that earned

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<v Speaker 1>her five Golden Globe nominations. Mary Lou Henner has also

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<v Speaker 1>a New York Times bestselling author and recently staged a

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<v Speaker 1>one woman autobiographical show. It covered everything from growing up

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<v Speaker 1>in a large family in Chicago to her preternatural mnemonic skills.

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<v Speaker 1>Henna is one of about sixty people in the world

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<v Speaker 1>who can recall nearly every detail of her life down

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<v Speaker 1>to the exact day and date.

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<v Speaker 3>It's so funny because you know, I worked with Trump

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<v Speaker 3>twice on Celebrity Apprentice, but he used to start every

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<v Speaker 3>boardroom like Mary Lou, if I took you to Vegas?

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<v Speaker 3>Could you cheat for me? Could you count the cards?

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<v Speaker 3>Could you let's go to Vegas.

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<v Speaker 2>I'm sure people assume that this skill you have it's

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<v Speaker 2>not a sill.

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<v Speaker 3>But it's yeah, it's just there. It's weird.

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<v Speaker 2>What do you call it?

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<v Speaker 3>I call it a gift. People sometimes call it a condition.

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<v Speaker 3>It's not, and that's why they changed the name. They

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<v Speaker 3>used to call it hyper tynysia, but then they thought

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<v Speaker 3>that that was like too weird a name, which it

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<v Speaker 3>really is. But it's not that they don't call it

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<v Speaker 3>that anymore. It's h SAM highly superior autobiographical memory, h SAM.

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<v Speaker 3>And it's funny you should mention that on my show

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<v Speaker 3>because I do a song about it in my show

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<v Speaker 3>that my brother wrote the lyrics to. So I'm going

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<v Speaker 3>to is a song called wait, don't tell me no, No,

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<v Speaker 3>you know what it's called. It's you know the Peggy

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<v Speaker 3>Lee song. Because I'm a woman, you know that song? Okay,

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<v Speaker 3>So I thought, hmmm, because I have h Sam, So

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<v Speaker 3>this is what we decided. I'll just do the first

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<v Speaker 3>one bucks count.

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<v Speaker 2>Yeah.

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<v Speaker 3>I was like, I Sam, because I excuse me, mister.

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<v Speaker 3>It was a very successful number and a very successful run,

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<v Speaker 3>a lot of fun. They said it was the best

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<v Speaker 3>show they've done there in seven years.

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<v Speaker 1>Well, let me ask you this. You wrote a biography

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<v Speaker 1>back in ninety four. You've written ten books, I believe,

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<v Speaker 1>including that book. But when you do a one woman show,

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<v Speaker 1>where do you start?

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<v Speaker 3>Well, you need an opening number that sort of grabs

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<v Speaker 3>people and sort of sets up the tone. And so

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<v Speaker 3>I wanted everything to sort of connect to something in

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<v Speaker 3>my life. And I was watching television and do you

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<v Speaker 3>know the Cold Porter movie, not Night and Day, the

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<v Speaker 3>other one that he did anyway, So all of a sudden,

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<v Speaker 3>I'm flicking through channels and there it is, and it's

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<v Speaker 3>Elvis Costello singing Let's Misbehave, And I thought, oh, that's

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<v Speaker 3>the closing credits to Johnny Dangerously. I'm going to sing

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<v Speaker 3>that song as my opener and then tell a story

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<v Speaker 3>about Johnny Dangerously, but then say everything is connected, and

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<v Speaker 3>then I go into the song about my memory because

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<v Speaker 3>I wanted to set that up right away because I

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<v Speaker 3>throw dates around a lot, and then I talk about

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<v Speaker 3>my childhood, which was so unusual, so you know, and

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<v Speaker 3>I do a little whole tribute to growing up in

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<v Speaker 3>a dancing school.

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<v Speaker 1>Well, yeah, what's funny. When I think of you, I

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<v Speaker 1>think of many things. You know, when you do the

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<v Speaker 1>show Taxi. You're someone who is part of that elite

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<v Speaker 1>group of people that I know who were on a

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<v Speaker 1>hit TV show back when tens of millions of people

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<v Speaker 1>were watching TV, but such a remarkable group of people.

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<v Speaker 1>All of them went on to have the really heavy

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<v Speaker 1>duty careers and everything and movies and TV in theater

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<v Speaker 1>and so forth.

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<v Speaker 2>And how did you get that job?

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<v Speaker 3>Okay, this is a good story. I believe that the

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<v Speaker 3>key to your life is how well you deal with

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<v Speaker 3>Plan B, because so many Plan B things you plan

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<v Speaker 3>for Plan A, and you think this is how it's

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<v Speaker 3>going to work out, and then all of a sudden

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<v Speaker 3>forget it. I'd been flown out to Los Angeles to

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<v Speaker 3>do a screen test for a movie called Blood Brothers.

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<v Speaker 3>I auditioned for Robert Mulligan, the guy I was testing opposite.

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<v Speaker 3>He didn't get the job, but they kept me around

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<v Speaker 3>because they had to find the guy and then they

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<v Speaker 3>found him and it was Richard Gear, whom I knew

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<v Speaker 3>through the Grease family because when I my first day

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<v Speaker 3>in show business professionally, I was in the First National

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<v Speaker 3>Company of Greece and I walked into that first rehearsal

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<v Speaker 3>and it was Jeff Conaway playing Danny Zuko, Jerry Zach's

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<v Speaker 3>playing Kinicki, Michael Lembeck playing Sonny, Judy k playing Rizzo,

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<v Speaker 3>Johnny Travolta playing Duty, and Richard Gear rehearsing for the

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<v Speaker 3>London Company to play Danny Zuko. Anyway, so Richard and

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<v Speaker 3>I crosspaths again because we ended up getting care and

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<v Speaker 3>blood brothers. So I came out to Los Angeles and

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<v Speaker 3>then I ended up staying because I had a contract

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<v Speaker 3>with CBS at the time, and they offered me money

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<v Speaker 3>every month to stay away from the other networks while

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<v Speaker 3>they found something for me holding money holding deal. I

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<v Speaker 3>had a holding deal for a few years. Now, all

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<v Speaker 3>of a sudden, they're starting to audition for Taxi and

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<v Speaker 3>Joel Thurn, he really liked me. They wanted a thirty

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<v Speaker 3>five year old Italian New Yorker because they wanted her

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<v Speaker 3>to have like a sixteen seventeen eighteen year old daughter

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<v Speaker 3>and because unmarried woman and Goodbye girl, those were all

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<v Speaker 3>out then, so they liked the mother daughter dynamic. But

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<v Speaker 3>Joel said, I'm telling you, this is the girl. I

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<v Speaker 3>was twenty five. He said, this is the girl because

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<v Speaker 3>she can hold her own with somebody like a Judd Hirsh.

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<v Speaker 3>She is one of the guys, but you'd believe her

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<v Speaker 3>having art aspirations. And I'm telling you, this is the girl.

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<v Speaker 3>So he kept bringing me back with all these older actresses.

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<v Speaker 3>But in the meantime, my mom was dying in the

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<v Speaker 3>hospital in Chicago, so I would literally fly back and

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<v Speaker 3>forth and back and forth and back and forth. So

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<v Speaker 3>what happened was they really liked me. And at that point,

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<v Speaker 3>paper Chase was picked up for a season because Taxi

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<v Speaker 3>didn't have to do a pilot, so paper Chase was

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<v Speaker 3>picked up for a season and they said, okay, she

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<v Speaker 3>tested higher than even John Housman, we have to give

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<v Speaker 3>her a contract. And my agent said, well, there's this

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<v Speaker 3>other show, Taxi that you know, so we have to see.

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<v Speaker 3>So my agents were able to play one against the other.

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<v Speaker 3>And I really wanted to do Taxi because the idea

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<v Speaker 3>of doing a sitcom was more appealing to me because

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<v Speaker 3>it's like a stage play, you know. So Taxi said, well,

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<v Speaker 3>she's too young. We see this teenage girl with a daughter,

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<v Speaker 3>blah blah blah blah blah. And they said, look, you're

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<v Speaker 3>gonna lose her a paper chase if you don't do it.

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<v Speaker 3>And so they said, okay, we'll do it. She's Elaine.

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<v Speaker 3>We'll give her two little kids. So that's what they did.

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<v Speaker 2>So how it was Housman pay per Chase and what

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<v Speaker 2>was his name, Timothy.

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<v Speaker 3>Something, Timothy Bottoms. No, he didn't do the TV show.

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<v Speaker 2>Tim Bottoms did the movie.

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<v Speaker 3>Yeah, yeah, that was a good movie with Lindsay Wagner

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<v Speaker 3>and everything. John Houseman was a real character. At the

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<v Speaker 3>rap party for the pilot, he tried to French kiss me.

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<v Speaker 3>I mean he was like one of those guys.

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<v Speaker 2>Wow, well you can be canceled now, I know.

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<v Speaker 3>Oh my god, I've got that. Yeah. I mean I

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<v Speaker 3>never had.

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<v Speaker 2>Like who probably deserved to be canceled at some point

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<v Speaker 2>in your life.

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<v Speaker 3>Actually, I was very protective of myself. I've been the

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<v Speaker 3>kind of girl that I think most whatever I don't

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<v Speaker 3>want to say, well, you know, I had brothers, so

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<v Speaker 3>I knew men or pigs, so I was like always

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<v Speaker 3>on the defense. I knew I was paying attention. Some

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<v Speaker 3>of them are some of them?

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<v Speaker 1>You know. It's funny you say that because in that

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<v Speaker 1>casting holding deal I went out to l A. I've

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<v Speaker 1>told the story before, I think, but I'm there and

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<v Speaker 1>Chris Guest's mother, Jean Guests, who I worshiped. Geen Guests,

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<v Speaker 1>was in charge of casting. Incredible, loveliest woman and show

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<v Speaker 1>She was one of the loveliest women in show business.

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<v Speaker 1>And if she really believed in you, she like hung

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<v Speaker 1>in there with you. She brings me into a meeting

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<v Speaker 1>and they put me on a holding deal because I

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<v Speaker 1>did a pilot for them that fizzled, and they said,

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<v Speaker 1>we're going to sign to this holding deal because we

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<v Speaker 1>really believe in you. We're going to keep throwing it

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<v Speaker 1>against the wall until something sticks. And then he says,

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<v Speaker 1>we want you to be the.

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<v Speaker 2>Next Bill Bixby. I was like, wow, that sounds great.

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<v Speaker 3>Did you ever honor the deal? Did you ever have

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<v Speaker 3>to or did you go get something else in.

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<v Speaker 1>The I went to do a pilot and then I

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<v Speaker 1>did a TV movie for them. I did a couple

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<v Speaker 1>of things for them. This is obviously a billion years ago.

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<v Speaker 1>In the eighties and the early eighties.

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<v Speaker 3>The one with Stephanie Zimbleist. You were so good in that.

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<v Speaker 2>That was NBC. Remember that, My god?

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<v Speaker 3>Yeah, I did tell you the day we met and

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<v Speaker 3>how we met.

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<v Speaker 2>What was it?

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<v Speaker 3>It was May May the twenty second of nineteen eighty five.

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<v Speaker 3>It was a Wednesday, and this is how we met.

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<v Speaker 3>I knew Tuck, your roommate. So Tuck and I went

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<v Speaker 3>till dinner one time, and in Venice and right where

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<v Speaker 3>you guys used to live. So I went over to

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<v Speaker 3>your house. And now we are both. I'm in New

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<v Speaker 3>York doing the junket for Perfect and I'm on a

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<v Speaker 3>bunch of shows and I'm on Live at five with

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<v Speaker 3>Sue Simmons, remember yeah, and you're and so you and

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<v Speaker 3>I were both in the room, but I didn't see

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<v Speaker 3>you because I didn't really know you. And all of

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<v Speaker 3>a sudden I could feel you over this person over

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<v Speaker 3>my left shoulder, and then all of a sudden, Susman says,

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<v Speaker 3>I'm coming up next Alec Baldwin and later Mary Lou Hannah,

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<v Speaker 3>and it was like we looked at each other and

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<v Speaker 3>I went, oh, my gosh, it was like, oh my gosh.

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<v Speaker 3>And you and I actually had lunch the day of

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<v Speaker 3>the big Perfect opening and you were one hundred days

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<v Speaker 3>sober that day and you showed me your coin.

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<v Speaker 1>Yeah, I have thirty six years now and Febrielle have

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<v Speaker 1>thirty seven years.

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<v Speaker 2>Then, unbelievable.

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<v Speaker 3>It's incredible.

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<v Speaker 1>And even last night I wanted to DEVI a drake.

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<v Speaker 1>Last night, I thought, let me just have a gigantic glass,

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<v Speaker 1>what would you doe, slurpy glass of red wine? Help

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<v Speaker 1>me good because I have horrible insomnia. I've always had

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<v Speaker 1>hard me too.

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<v Speaker 2>Me out with these kids. It's horrible. You know.

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<v Speaker 3>I wrote a book called I Refused to Raise a Brat,

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<v Speaker 3>and I wrote it with a brilliant psyche flanalyist because

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<v Speaker 3>I had these two kids, and I listened. Every time

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<v Speaker 3>I listened to her, it didn't the kids. It was

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<v Speaker 3>all good. And then when I didn't, it was like, Okay,

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<v Speaker 3>it's going to bite me on the ass at some point.

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<v Speaker 3>But it's so funny because having so many. I grew

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<v Speaker 3>up with six. You grew up with six. We had

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<v Speaker 3>the opposite of you, guys, because it was two boys

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<v Speaker 3>and four girl, which is different, and you were third third.

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<v Speaker 3>I was third. We came up with this concept, the

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<v Speaker 3>concept of hamper, you know, because our houses were like

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<v Speaker 3>a big hamper. So now to this day, you could

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<v Speaker 3>have a beautiful silk blouse, but it's got a stain,

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<v Speaker 3>so you put a pin over it. That's hamper. You know,

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<v Speaker 3>your glasses are broken, so you put a pin in it.

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<v Speaker 3>That's hamper. You know, you do you put a paper clip,

0:10:21.679 --> 0:10:24.880
<v Speaker 3>a paper clip, your uniform had staples in it or

0:10:24.920 --> 0:10:25.679
<v Speaker 3>tape or something.

0:10:25.679 --> 0:10:25.880
<v Speaker 2>You know.

0:10:26.160 --> 0:10:28.839
<v Speaker 3>It's like I remember growing up, our phone court was

0:10:28.880 --> 0:10:31.280
<v Speaker 3>always like so you had to like hold it.

0:10:31.600 --> 0:10:33.680
<v Speaker 1>If you read If you read my memoir, it opens

0:10:33.760 --> 0:10:35.760
<v Speaker 1>up with how my mother's bedroom was filled with plastic

0:10:35.800 --> 0:10:41.120
<v Speaker 1>pails filled with laundry. It was laundry bedroom. Her bedroom

0:10:41.120 --> 0:10:43.000
<v Speaker 1>was a hamper. She had an ironing board at the

0:10:43.000 --> 0:10:45.160
<v Speaker 1>foot of her bed and an iron and she had

0:10:45.200 --> 0:10:48.600
<v Speaker 1>like these plastic hampers, right, these collapsible plastic things that

0:10:48.640 --> 0:10:50.640
<v Speaker 1>were just and they were like falling off of each other.

0:10:50.760 --> 0:10:52.760
<v Speaker 1>I said, if you if you came to my house

0:10:52.800 --> 0:10:54.079
<v Speaker 1>and you didn't know better, you thought this was in

0:10:54.080 --> 0:10:55.000
<v Speaker 1>an illegal laundry.

0:10:55.000 --> 0:10:56.160
<v Speaker 2>Someone was running out of their house.

0:10:57.480 --> 0:10:59.480
<v Speaker 3>My mother used to do her laun tree on Tuesdays.

0:10:59.520 --> 0:11:01.880
<v Speaker 3>There was seven teen loads, you know, and she always

0:11:01.920 --> 0:11:04.000
<v Speaker 3>had like seventeen loads from all of us, because when

0:11:04.040 --> 0:11:05.959
<v Speaker 3>you think about it, a house full of kids like that.

0:11:06.280 --> 0:11:08.640
<v Speaker 3>The beginning of the pandemic, I was home, My boys

0:11:08.640 --> 0:11:11.360
<v Speaker 3>were here, my brother has two children, my husband, we

0:11:11.360 --> 0:11:13.720
<v Speaker 3>were here. I never did more cooking and cleaning and

0:11:13.800 --> 0:11:17.560
<v Speaker 3>laundry and scrubbing grout in my life because I'm very

0:11:17.720 --> 0:11:19.720
<v Speaker 3>you know, I like to be very organized. But we

0:11:19.800 --> 0:11:20.960
<v Speaker 3>had a rule that everybody.

0:11:21.120 --> 0:11:23.040
<v Speaker 2>My wife hates it. She's really angry with me.

0:11:23.120 --> 0:11:26.880
<v Speaker 1>That you're so meticulous that I'm so crushed by an

0:11:26.920 --> 0:11:29.480
<v Speaker 1>OCD at that level with my kids, like I'm always

0:11:29.520 --> 0:11:31.160
<v Speaker 1>cleaning in my household, and long with my wife.

0:11:31.080 --> 0:11:32.520
<v Speaker 2>Was like, this is going to kill you.

0:11:32.600 --> 0:11:34.520
<v Speaker 3>Well, with kids, you got to let it go. I mean,

0:11:34.520 --> 0:11:36.680
<v Speaker 3>because I was always and I was tested for OCD

0:11:36.760 --> 0:11:38.400
<v Speaker 3>because that was part of the whole memory thing. They

0:11:38.440 --> 0:11:40.040
<v Speaker 3>take blood, they do all kinds of tests for you.

0:11:40.240 --> 0:11:43.720
<v Speaker 3>I don't have OCD. I call my OCO obsessive compulsive

0:11:43.840 --> 0:11:46.480
<v Speaker 3>order because one kid in the family had to have

0:11:46.520 --> 0:11:49.000
<v Speaker 3>it with six kids, and my bedroom was off the

0:11:49.080 --> 0:11:51.680
<v Speaker 3>kitchen and had no door so people could be on

0:11:51.720 --> 0:11:53.800
<v Speaker 3>the phone or at the kitchen table and look in

0:11:53.840 --> 0:11:57.199
<v Speaker 3>at a little girl sleeping, and I didn't care. I

0:11:57.240 --> 0:11:59.520
<v Speaker 3>was my oldest sister shared it with me, then my

0:11:59.520 --> 0:12:02.640
<v Speaker 3>younger sister than my brother. I mean, but always my

0:12:02.800 --> 0:12:04.839
<v Speaker 3>room had no door. So I think that's how I

0:12:04.920 --> 0:12:05.960
<v Speaker 3>ended up in show business.

0:12:06.000 --> 0:12:06.480
<v Speaker 2>I think the same.

0:12:06.559 --> 0:12:08.000
<v Speaker 1>I'll tell my wife, I go, don't you want to

0:12:08.520 --> 0:12:10.040
<v Speaker 1>let's go to the opposite here. Don't you want to

0:12:10.040 --> 0:12:12.480
<v Speaker 1>commend me for how neat I am? But would you

0:12:12.559 --> 0:12:14.520
<v Speaker 1>rather have a husband who didn't want to clean? Now

0:12:15.000 --> 0:12:17.080
<v Speaker 1>you have two biological.

0:12:16.640 --> 0:12:19.080
<v Speaker 3>Children, two biological children, and they're how old?

0:12:19.120 --> 0:12:19.320
<v Speaker 2>Now?

0:12:19.480 --> 0:12:22.120
<v Speaker 3>They're twenty one is twenty seven, the other one's twenty

0:12:22.120 --> 0:12:22.720
<v Speaker 3>five and a half.

0:12:23.240 --> 0:12:25.280
<v Speaker 1>And you have them doing what phase of your career?

0:12:25.320 --> 0:12:27.000
<v Speaker 1>What were you working on at the time you decided

0:12:27.160 --> 0:12:28.520
<v Speaker 1>to put the brakes on and have kids?

0:12:28.600 --> 0:12:28.760
<v Speaker 2>Oh?

0:12:28.800 --> 0:12:32.640
<v Speaker 3>Well, I had finished okay, so I finished evening Shade.

0:12:32.720 --> 0:12:34.360
<v Speaker 3>I do tell this in my club act because I

0:12:34.400 --> 0:12:36.920
<v Speaker 3>always say I couldn't talk about the eighties and nineties

0:12:36.960 --> 0:12:39.760
<v Speaker 3>without talking about Burt Reynolds, because I did five projects

0:12:39.800 --> 0:12:41.760
<v Speaker 3>with him and we never had a thing, which is

0:12:41.760 --> 0:12:44.480
<v Speaker 3>probably why we were able to work together so often.

0:12:44.720 --> 0:12:48.440
<v Speaker 3>But I always adored him, and he one morning, you know, Rob,

0:12:48.600 --> 0:12:50.960
<v Speaker 3>my second husband, and I were frisky. And then I

0:12:51.040 --> 0:12:54.880
<v Speaker 3>go to work and Bert is directing this episode where

0:12:54.920 --> 0:12:58.080
<v Speaker 3>he has me do a stunt where I am running, running, running,

0:12:58.320 --> 0:13:03.160
<v Speaker 3>leaping over like a fence in a football stadium stand

0:13:03.320 --> 0:13:05.880
<v Speaker 3>and I land and then you run up to the

0:13:05.920 --> 0:13:07.680
<v Speaker 3>team and he says, do it again, do it again,

0:13:07.760 --> 0:13:10.120
<v Speaker 3>do it again, do it again. So that night I

0:13:10.200 --> 0:13:12.480
<v Speaker 3>was sitting in a restaurant, and this is after three

0:13:12.520 --> 0:13:14.520
<v Speaker 3>and a half years. I was sitting in a restaurant

0:13:14.520 --> 0:13:16.640
<v Speaker 3>and I looked at Rob and I went, the eagle

0:13:16.679 --> 0:13:19.480
<v Speaker 3>has landed. I just got pregnant. He said, what I said,

0:13:19.559 --> 0:13:22.560
<v Speaker 3>I'm telling you. Contact was made, and sure enough I

0:13:22.640 --> 0:13:24.960
<v Speaker 3>was pregnant. So I always tell people Burt Renolds got

0:13:25.000 --> 0:13:27.560
<v Speaker 3>me pregnant. Even though he's not the father of my kids.

0:13:27.800 --> 0:13:30.760
<v Speaker 2>He's the spiritual father, a spiritual father. Yeah. And when

0:13:30.760 --> 0:13:33.080
<v Speaker 2>you worked with him, you did Cannibal too.

0:13:33.080 --> 0:13:35.120
<v Speaker 3>With him, Well, I first did the man who loved women,

0:13:35.240 --> 0:13:37.840
<v Speaker 3>and we had such a great chemistry the very first day.

0:13:38.000 --> 0:13:41.360
<v Speaker 3>But he called me the night that we met, the

0:13:41.520 --> 0:13:42.880
<v Speaker 3>very night and he said, I want you to come

0:13:42.920 --> 0:13:46.679
<v Speaker 3>down to the dinner theater in Jupiter, Florida. I want

0:13:46.760 --> 0:13:48.560
<v Speaker 3>you to do their playing our song, he said, And

0:13:48.920 --> 0:13:51.800
<v Speaker 3>I want you to do Cannonball Run too, but I

0:13:51.840 --> 0:13:54.880
<v Speaker 3>want a rewrite of the script. Do you know anybody,

0:13:55.160 --> 0:13:58.000
<v Speaker 3>any of the guys from Taxi that might be willing

0:13:58.040 --> 0:13:59.920
<v Speaker 3>to take a crack at it. I was like, okay.

0:14:00.240 --> 0:14:03.080
<v Speaker 3>So originally the Countball I've never told this story before.

0:14:03.400 --> 0:14:07.400
<v Speaker 3>The Countball Run two script was about the Dom and

0:14:07.559 --> 0:14:10.120
<v Speaker 3>Bert sort of rescue this girl who's hiding out in

0:14:10.160 --> 0:14:13.480
<v Speaker 3>a sanitarium and she's an heiress, and then they rescue her,

0:14:13.520 --> 0:14:15.080
<v Speaker 3>and then she and Bert end up in a thing.

0:14:15.760 --> 0:14:18.400
<v Speaker 3>And so then I get Harvey Miller, who's a taxi

0:14:18.400 --> 0:14:20.880
<v Speaker 3>writer the job, and he turns it into two women.

0:14:21.360 --> 0:14:25.080
<v Speaker 3>And then Shirley McLean wanted to do it. So then

0:14:25.160 --> 0:14:27.280
<v Speaker 3>of course they put Shirley with Burt and I was

0:14:27.320 --> 0:14:29.520
<v Speaker 3>with Dom, which was fine, but it's kind of funny.

0:14:29.800 --> 0:14:31.960
<v Speaker 3>But I had like one of the best experience. That

0:14:32.040 --> 0:14:35.000
<v Speaker 3>movie was so stupid. But there were a couple days

0:14:35.280 --> 0:14:38.720
<v Speaker 3>where we had like twenty three wagon trains in the

0:14:38.760 --> 0:14:43.120
<v Speaker 3>desert outside of Tucson, Arizona, because it was one hundred

0:14:43.120 --> 0:14:45.880
<v Speaker 3>and seventeen degrees. So we started hair and makeup was

0:14:45.960 --> 0:14:47.560
<v Speaker 3>at two o'clock in the morning so we could be

0:14:47.600 --> 0:14:49.880
<v Speaker 3>on the road before four, and we pulled the plug

0:14:49.920 --> 0:14:52.760
<v Speaker 3>at one. But then everybody hung out at the pool

0:14:52.800 --> 0:14:55.320
<v Speaker 3>at the Arizona Inn. So it was Sammy Davis Junior,

0:14:55.360 --> 0:14:57.520
<v Speaker 3>and Dean Martin, all these guys and even Frank for

0:14:57.560 --> 0:15:00.040
<v Speaker 3>a day. And to be with Shirley, who I I

0:15:00.080 --> 0:15:03.520
<v Speaker 3>had always loved and always idle to play her friend

0:15:03.720 --> 0:15:05.840
<v Speaker 3>and then to have her hanging out with the rat pack.

0:15:05.920 --> 0:15:07.200
<v Speaker 3>It was like, you know, I was this little girl

0:15:07.200 --> 0:15:09.920
<v Speaker 3>from Chicago who's watching these people at drive ins and stuff.

0:15:10.360 --> 0:15:11.680
<v Speaker 3>So it was like a lot of fun.

0:15:12.200 --> 0:15:13.200
<v Speaker 2>Yeah, I met him.

0:15:13.320 --> 0:15:16.200
<v Speaker 1>For those people who don't know this, and I wasn't

0:15:16.200 --> 0:15:17.800
<v Speaker 1>on a big devotee of this, but I went a

0:15:17.800 --> 0:15:21.160
<v Speaker 1>few times. It's that Norby Walters, the famous record executive.

0:15:21.880 --> 0:15:23.040
<v Speaker 1>Norby Walters had his.

0:15:23.120 --> 0:15:25.280
<v Speaker 2>Card game, his legendary card game.

0:15:25.160 --> 0:15:27.880
<v Speaker 1>In his apartment Wednesday nights and West Wednesday nights in

0:15:27.960 --> 0:15:29.880
<v Speaker 1>West Hollywood, and you go up to the department of

0:15:29.880 --> 0:15:32.360
<v Speaker 1>his near Holloway.

0:15:31.960 --> 0:15:34.640
<v Speaker 3>Yeah Halloway, Losi Anago, Yeah Losi.

0:15:34.560 --> 0:15:36.320
<v Speaker 1>On your way to Barney's Beanery and on your way

0:15:36.320 --> 0:15:39.800
<v Speaker 1>to the sunset Marquis and you go to his house

0:15:40.080 --> 0:15:40.760
<v Speaker 1>and I went there.

0:15:40.960 --> 0:15:42.120
<v Speaker 2>I went a handful of times.

0:15:42.160 --> 0:15:46.360
<v Speaker 1>You know, velvida cheese and he's in a bowl, my god,

0:15:46.480 --> 0:15:47.240
<v Speaker 1>and no alcohol.

0:15:47.320 --> 0:15:48.600
<v Speaker 2>That was a no alcohol.

0:15:48.800 --> 0:15:50.480
<v Speaker 1>And you bought one hundred dollars worth of chips and

0:15:50.480 --> 0:15:51.960
<v Speaker 1>when you were finished, you were done. It was no

0:15:52.040 --> 0:15:54.400
<v Speaker 1>serious gambling, right, And you went there. And I remember

0:15:54.440 --> 0:15:56.680
<v Speaker 1>sitting there one time, and there was Harvey Korman.

0:15:56.360 --> 0:15:59.120
<v Speaker 3>And Tim Oh, Tim Conway, Yeah Conway.

0:15:59.040 --> 0:16:01.080
<v Speaker 1>The two of them were there one time. Kathy Lee

0:16:01.120 --> 0:16:02.000
<v Speaker 1>Crosby would go.

0:16:01.960 --> 0:16:04.720
<v Speaker 3>Every now and then Rod Steiger was there a couple of.

0:16:04.720 --> 0:16:07.200
<v Speaker 2>Times when you were there. Bert was there when I

0:16:07.240 --> 0:16:07.760
<v Speaker 2>went one.

0:16:07.640 --> 0:16:08.480
<v Speaker 3>Time, Oh he was.

0:16:08.640 --> 0:16:11.080
<v Speaker 1>He seemed like he was in the throes of his

0:16:11.200 --> 0:16:15.240
<v Speaker 1>kind of medicated agony. But he But then to the

0:16:15.320 --> 0:16:19.280
<v Speaker 1>right of me one time was Don Adams. And Don

0:16:19.280 --> 0:16:23.080
<v Speaker 1>Adams is in a China white jumpsuit and everyone's waiting

0:16:23.080 --> 0:16:24.680
<v Speaker 1>for the moment to arrive when someone's going to just

0:16:24.720 --> 0:16:27.000
<v Speaker 1>do this and do the Don Adams thing. So somebody

0:16:27.000 --> 0:16:30.960
<v Speaker 1>will puts down two pairs, you know. He puts down

0:16:31.280 --> 0:16:32.440
<v Speaker 1>two pairs, and I put down.

0:16:32.320 --> 0:16:34.960
<v Speaker 2>I say, I have three kings.

0:16:35.520 --> 0:16:39.520
<v Speaker 1>I do and everybody left and he doesn't laugh, and

0:16:39.560 --> 0:16:41.840
<v Speaker 1>then finally he smiles and nods to me, like, Okay,

0:16:41.920 --> 0:16:44.560
<v Speaker 1>good for you. You saw the opportunity and you took it.

0:16:44.800 --> 0:16:49.400
<v Speaker 1>But he was very serious and very really super antiseptic

0:16:49.400 --> 0:16:51.680
<v Speaker 1>and very He was there to play cards. He didn't

0:16:51.680 --> 0:16:53.800
<v Speaker 1>want to talk about his career or chit chatty. Was

0:16:53.840 --> 0:16:56.440
<v Speaker 1>there to play cards with a bunch of schmucks. We

0:16:56.480 --> 0:16:57.680
<v Speaker 1>were card players, were eating.

0:16:57.560 --> 0:17:00.600
<v Speaker 2>Velveda and Hershey's kisses and drinking on pop punch.

0:17:01.760 --> 0:17:04.639
<v Speaker 3>Yeah, it's funny you're bringing up Norby Walter because you

0:17:04.640 --> 0:17:06.840
<v Speaker 3>probably don't remember this, but we were both supposed to

0:17:06.920 --> 0:17:11.600
<v Speaker 3>be there on it was it was June the seventh

0:17:12.080 --> 0:17:14.640
<v Speaker 3>of two thousand and one. Okay, it was a Wednesday,

0:17:15.040 --> 0:17:18.520
<v Speaker 3>June the sixth of two thousand and one, seriously, and

0:17:19.200 --> 0:17:21.159
<v Speaker 3>you called up and said you weren't going to make it.

0:17:21.400 --> 0:17:23.560
<v Speaker 3>He put me on the phone with you, and I said,

0:17:23.840 --> 0:17:25.119
<v Speaker 3>you said, how are you doing? Blah blah blah, And

0:17:25.160 --> 0:17:28.440
<v Speaker 3>I said something about I just I'm filing for divorce.

0:17:28.800 --> 0:17:31.320
<v Speaker 3>And you said, oh, can I talk to you about divorce?

0:17:31.680 --> 0:17:34.199
<v Speaker 3>I said, you said, let's meet tomorrow. So you and

0:17:34.240 --> 0:17:37.560
<v Speaker 3>I went to Sushi Roku on third Avenue and you

0:17:37.560 --> 0:17:39.520
<v Speaker 3>were telling me there was all the pitfalls. This was

0:17:39.520 --> 0:17:42.359
<v Speaker 3>two thousand and one. It was what happened was we

0:17:42.720 --> 0:17:45.920
<v Speaker 3>got together because I was avoiding the process servers because

0:17:45.960 --> 0:17:48.480
<v Speaker 3>everybody said, oh, you have to let the woman serve first,

0:17:48.760 --> 0:17:51.080
<v Speaker 3>otherwise it looks like she cheated. Blah blah blah blah blah.

0:17:51.119 --> 0:17:52.720
<v Speaker 3>And we were having a friendly divorce, you know, we

0:17:52.760 --> 0:17:55.119
<v Speaker 3>went away that weekend and read about it ourselves in

0:17:55.160 --> 0:17:57.439
<v Speaker 3>the paper. Rob and I we're still friends. You know,

0:17:57.480 --> 0:18:00.760
<v Speaker 3>I do things weird, but we're still like really good friends.

0:18:00.800 --> 0:18:03.640
<v Speaker 3>But anyway, we sat at Sushi Roku for like two

0:18:03.680 --> 0:18:06.479
<v Speaker 3>and a half hours, and you told me everything that

0:18:06.560 --> 0:18:08.439
<v Speaker 3>was going on and what I should watch out for.

0:18:08.760 --> 0:18:10.119
<v Speaker 2>I know you remind me.

0:18:10.400 --> 0:18:12.800
<v Speaker 1>Your energy and my feelings for you remind me of

0:18:13.160 --> 0:18:15.600
<v Speaker 1>when I was around streisand once and I said to her,

0:18:15.880 --> 0:18:18.600
<v Speaker 1>you know, you and I would be the greatest divorced couple.

0:18:18.680 --> 0:18:20.400
<v Speaker 1>You know, we would be married, we'd be in love,

0:18:20.440 --> 0:18:22.840
<v Speaker 1>maybe we'd have a kid. Of course, we get divorced.

0:18:23.160 --> 0:18:24.920
<v Speaker 1>It just has to be that way. It shows us.

0:18:25.240 --> 0:18:27.640
<v Speaker 1>But I come over every Sunday. We'd have Chinese food

0:18:27.680 --> 0:18:31.639
<v Speaker 1>screenings exactly, and I feel the same way about you.

0:18:31.640 --> 0:18:34.320
<v Speaker 3>You and I would have made great ex pers Yeah,

0:18:35.560 --> 0:18:39.040
<v Speaker 3>very similarly, And that we have that big family kind

0:18:39.080 --> 0:18:39.440
<v Speaker 3>of thing.

0:18:40.240 --> 0:18:43.280
<v Speaker 1>This is a trite word, and this is a trite idea,

0:18:43.320 --> 0:18:45.720
<v Speaker 1>but not so trite now in the age of the

0:18:45.720 --> 0:18:49.119
<v Speaker 1>pandemic and beyond. And that is positivity and you have

0:18:49.200 --> 0:18:52.920
<v Speaker 1>always been this, like staggeringly positive healthy.

0:18:53.600 --> 0:18:54.560
<v Speaker 2>What's the secret?

0:18:54.960 --> 0:18:57.000
<v Speaker 3>Well, A couple of things come to mind. I had

0:18:57.040 --> 0:18:59.480
<v Speaker 3>a really great family and we're still super close. My

0:18:59.480 --> 0:19:02.639
<v Speaker 3>parents both died tragically, both of them very young, and

0:19:02.680 --> 0:19:04.840
<v Speaker 3>I think it bonded the family. I did a lot

0:19:04.880 --> 0:19:07.640
<v Speaker 3>of therapy. I got my whole family involved in therapy.

0:19:07.960 --> 0:19:11.400
<v Speaker 3>My therapist would put six speaker boxes up in her

0:19:11.440 --> 0:19:15.480
<v Speaker 3>office at Princeton, New Jersey, and every other Sunday for

0:19:15.640 --> 0:19:18.520
<v Speaker 3>ten years, the siblings would do a group therapy. So

0:19:18.560 --> 0:19:21.280
<v Speaker 3>we've worked out a lot of our stuff. That's number one.

0:19:21.440 --> 0:19:24.960
<v Speaker 3>But I had an extraordinary childhood, which was totally unusual,

0:19:25.040 --> 0:19:27.159
<v Speaker 3>with the dancing school in the backyard, beauty shop in

0:19:27.200 --> 0:19:31.480
<v Speaker 3>the kitchen, an uncle who taught art at the Catholic

0:19:31.480 --> 0:19:34.320
<v Speaker 3>grammar school and lived upstairs with his boyfriend Charles, and

0:19:34.680 --> 0:19:37.439
<v Speaker 3>a menagerie of animals, and I just had such an

0:19:37.520 --> 0:19:39.600
<v Speaker 3>unusual way of growing up, and I always had this

0:19:39.760 --> 0:19:43.200
<v Speaker 3>mission to make something of myself and to share. I

0:19:43.240 --> 0:19:45.399
<v Speaker 3>think it's a middle child and me always wanted to like,

0:19:45.440 --> 0:19:47.120
<v Speaker 3>if I have a good idea, I want to share

0:19:47.119 --> 0:19:50.120
<v Speaker 3>it with everybody. I've never been very proprietary over anything.

0:19:50.160 --> 0:19:53.239
<v Speaker 3>I just always want to share with people. I think

0:19:53.280 --> 0:19:55.920
<v Speaker 3>it comes from being the middle maybe, but I also

0:19:55.920 --> 0:19:59.640
<v Speaker 3>think having my memory is helped because the memory makes

0:19:59.640 --> 0:20:02.199
<v Speaker 3>you get over things very quickly, because you start to

0:20:02.240 --> 0:20:05.399
<v Speaker 3>see the waves. And also being an actress, you know,

0:20:05.520 --> 0:20:08.320
<v Speaker 3>every bad experience was like, Okay, I'm going to take

0:20:08.359 --> 0:20:10.880
<v Speaker 3>note of this. What can I do better next time?

0:20:10.920 --> 0:20:13.440
<v Speaker 3>How can I figure this out? You know I say

0:20:13.520 --> 0:20:14.760
<v Speaker 3>to people all the time, they go, how do you

0:20:14.760 --> 0:20:16.800
<v Speaker 3>do it? And it's like this, I go, think of

0:20:17.080 --> 0:20:20.080
<v Speaker 3>flaps up and it's like you just close your ears

0:20:20.119 --> 0:20:22.560
<v Speaker 3>to it, flaps up. Like say that to my kids

0:20:22.560 --> 0:20:24.720
<v Speaker 3>all the time, you know, smile not and move on.

0:20:25.240 --> 0:20:27.040
<v Speaker 2>So you were married three times, you were married twice,

0:20:27.080 --> 0:20:27.800
<v Speaker 2>and you're married again.

0:20:27.800 --> 0:20:28.720
<v Speaker 3>Now very final.

0:20:29.880 --> 0:20:32.320
<v Speaker 1>There's final, and so each of these meant the extent

0:20:32.320 --> 0:20:35.040
<v Speaker 1>you're willing to say, what did they represent for you?

0:20:35.040 --> 0:20:39.119
<v Speaker 1>You seem to be such a thoughtful, deliberate aware. You

0:20:39.160 --> 0:20:43.080
<v Speaker 1>seem like somebody that all the lights are on your brain,

0:20:43.240 --> 0:20:45.360
<v Speaker 1>your mind, your soul is like a house you pull

0:20:45.440 --> 0:20:48.440
<v Speaker 1>up to. It's like some kind of a Richard Neutra,

0:20:48.600 --> 0:20:51.040
<v Speaker 1>all glass structure and all the lights are on.

0:20:51.200 --> 0:20:53.720
<v Speaker 2>You're always on, you know what I mean? And alert

0:20:53.760 --> 0:20:54.280
<v Speaker 2>and aware.

0:20:54.720 --> 0:20:56.440
<v Speaker 1>So when you married one, and you're married two, and

0:20:56.520 --> 0:20:58.560
<v Speaker 1>you married three, what were you marrying them for?

0:20:59.240 --> 0:20:59.480
<v Speaker 2>Well?

0:20:59.640 --> 0:21:03.240
<v Speaker 3>First, Freddie and I met at a screen test and

0:21:03.400 --> 0:21:05.600
<v Speaker 3>I didn't know that they had added a kiss. And

0:21:05.600 --> 0:21:08.280
<v Speaker 3>I was the sixth girl screen testing opposite him for

0:21:08.320 --> 0:21:11.720
<v Speaker 3>a film called Hammet, and we just did.

0:21:11.640 --> 0:21:13.200
<v Speaker 2>Some people who don't know, this is Forrest.

0:21:13.480 --> 0:21:16.960
<v Speaker 3>Yeah, sorry, Frederick Forrest the Academy Award now called Freddie.

0:21:17.880 --> 0:21:20.640
<v Speaker 3>And so he was so different from anybody I knew.

0:21:20.640 --> 0:21:22.239
<v Speaker 3>He was a lot older than I was, but he

0:21:22.320 --> 0:21:25.320
<v Speaker 3>was so different from anybody I ever knew. And I

0:21:25.400 --> 0:21:27.960
<v Speaker 3>was so fascinated by him because his brain was so

0:21:28.080 --> 0:21:31.600
<v Speaker 3>different and he was just I've just never seen anything

0:21:31.640 --> 0:21:37.520
<v Speaker 3>like a totally instinctive, brilliant actor. Brilliant actor and would

0:21:37.560 --> 0:21:41.719
<v Speaker 3>transform himself every part that he's played. He looks completely different.

0:21:42.160 --> 0:21:44.160
<v Speaker 3>And he wanted to marry me a few months after

0:21:44.160 --> 0:21:46.920
<v Speaker 3>we started dating and I said, no, let's live together.

0:21:47.000 --> 0:21:49.520
<v Speaker 3>He said, no marriage or nothing. I said, okay, well

0:21:49.520 --> 0:21:52.360
<v Speaker 3>then nothing. And then I went to my tenth year

0:21:52.440 --> 0:21:55.080
<v Speaker 3>high school reunion in Chicago and he went to a

0:21:55.080 --> 0:21:57.320
<v Speaker 3>wedding and he called me and we were both feeling

0:21:57.440 --> 0:22:00.280
<v Speaker 3>very sentimental, and we said, okay, let's get married. I

0:22:00.280 --> 0:22:02.760
<v Speaker 3>said okay, and then we ended up getting married three

0:22:02.760 --> 0:22:05.280
<v Speaker 3>weeks later in New Orleans and that was it. And

0:22:05.320 --> 0:22:08.000
<v Speaker 3>then coming home from the honeymoon because the actors were

0:22:08.040 --> 0:22:10.280
<v Speaker 3>on strike, I was going back to taxing. I thought,

0:22:10.359 --> 0:22:12.600
<v Speaker 3>what have I just done? I married a total stranger

0:22:12.640 --> 0:22:14.760
<v Speaker 3>to me. You know, it was like crazy, but he

0:22:14.880 --> 0:22:18.919
<v Speaker 3>was so fascinating and so loving and so full of

0:22:18.960 --> 0:22:22.919
<v Speaker 3>demons that if you're not somebody who is exposed to

0:22:23.080 --> 0:22:26.000
<v Speaker 3>demons a lot, you think like, I'll fix it. I'm

0:22:26.040 --> 0:22:29.560
<v Speaker 3>going to take care of it. Twenty eight twenty.

0:22:29.320 --> 0:22:31.600
<v Speaker 2>Eight, you're very young. Yeah, everything you do in your

0:22:31.640 --> 0:22:34.040
<v Speaker 2>twenties is a book. Yeah. No.

0:22:34.560 --> 0:22:36.800
<v Speaker 3>I have three theories of marriage. The first one is

0:22:37.359 --> 0:22:40.880
<v Speaker 3>marriages like making waffles. You throw the first one out, okay.

0:22:41.080 --> 0:22:44.080
<v Speaker 3>The second one is marriage is finding that special, certain

0:22:44.160 --> 0:22:47.120
<v Speaker 3>someone you just know you'd love to aggravate the rest

0:22:47.160 --> 0:22:49.840
<v Speaker 3>of your life, because marriage is like, you know, all

0:22:49.880 --> 0:22:52.080
<v Speaker 3>these little like diggy kind of things. And I said,

0:22:52.080 --> 0:22:54.720
<v Speaker 3>but no, the real theory. Saint a Zuberrie wrote something,

0:22:54.840 --> 0:22:58.000
<v Speaker 3>and I added something to it, and that is, you'll

0:22:58.000 --> 0:23:01.840
<v Speaker 3>have a happy marriage when you realize marriage isn't two

0:23:01.920 --> 0:23:06.120
<v Speaker 3>people gazing longingly into each other's eyes, but rather looking

0:23:06.200 --> 0:23:10.120
<v Speaker 3>out over the mountain in the same direction, with their

0:23:10.119 --> 0:23:13.320
<v Speaker 3>hands on each other's genitals. That's the part I added.

0:23:16.160 --> 0:23:19.720
<v Speaker 3>That's the part I added, because you got to have heat.

0:23:19.760 --> 0:23:23.720
<v Speaker 2>Oh that wasn't Saintan zuber reed, No, no, ok, sorry.

0:23:23.240 --> 0:23:24.719
<v Speaker 3>So you got to have vision in heat. So my

0:23:24.720 --> 0:23:28.439
<v Speaker 3>first marriage was all heat, my second marriage was all vision,

0:23:28.640 --> 0:23:31.520
<v Speaker 3>and finally I have vision and heat in my third marriage.

0:23:32.320 --> 0:23:39.320
<v Speaker 1>Wow, Actress Mary Lou Henner. If you like hearing about

0:23:39.359 --> 0:23:42.800
<v Speaker 1>the lives of groundbreaking women in comedy, check out my

0:23:42.960 --> 0:23:46.800
<v Speaker 1>interview with Carol Burnett. Her hit variety show ran for

0:23:46.840 --> 0:23:49.879
<v Speaker 1>more than a decade in the late sixties and seventies,

0:23:50.359 --> 0:23:53.000
<v Speaker 1>and at the height of her success, she had to

0:23:53.040 --> 0:23:54.320
<v Speaker 1>tread carefully.

0:23:55.280 --> 0:23:58.639
<v Speaker 4>In that era, the only one who really would speak

0:23:58.680 --> 0:24:02.240
<v Speaker 4>up was Lucy. She was very strong, but It's not

0:24:02.400 --> 0:24:05.240
<v Speaker 4>in my nature to take.

0:24:05.080 --> 0:24:07.000
<v Speaker 2>Over confront or anything.

0:24:07.040 --> 0:24:10.760
<v Speaker 4>You know, if a sketch wasn't working or something, instead

0:24:10.800 --> 0:24:14.640
<v Speaker 4>of like Gleason or Sid would say, look, guys, this stinks.

0:24:14.720 --> 0:24:16.280
<v Speaker 3>Now, come on, you got to fix it.

0:24:16.320 --> 0:24:17.600
<v Speaker 2>But but you know they would do that.

0:24:18.440 --> 0:24:21.760
<v Speaker 4>I would say, I'd call the writers down into the

0:24:21.840 --> 0:24:25.679
<v Speaker 4>rehearsal hall and I'd say, you know, guys, I'm not

0:24:25.760 --> 0:24:27.680
<v Speaker 4>doing this too well. Do you think maybe you could

0:24:27.680 --> 0:24:30.320
<v Speaker 4>help me out with a different line here or there,

0:24:31.000 --> 0:24:33.680
<v Speaker 4>because you know, otherwise I would have been a bitch.

0:24:35.359 --> 0:24:38.680
<v Speaker 1>Hear more of my conversation with Carol Burnett in our

0:24:38.880 --> 0:24:43.359
<v Speaker 1>archives that Here's Thething dot org. After the Break, Mary

0:24:43.400 --> 0:24:45.800
<v Speaker 1>Lou Henner talks about how a change she made and

0:24:45.800 --> 0:25:00.800
<v Speaker 1>her approach to auditioning completely opened up her career. I'm

0:25:00.800 --> 0:25:03.640
<v Speaker 1>Alec Baldwin and you're listening to Here is the Thing.

0:25:04.440 --> 0:25:08.200
<v Speaker 1>Mary Lou Henner is passionate about encouraging people to take

0:25:08.320 --> 0:25:12.320
<v Speaker 1>charge of their happiness and well being. She's written several

0:25:12.400 --> 0:25:16.159
<v Speaker 1>best selling books on living a healthy lifestyle, often sharing

0:25:16.280 --> 0:25:18.440
<v Speaker 1>lessons that changed her own life.

0:25:19.119 --> 0:25:22.199
<v Speaker 3>What happened was I went with Jerry Katzman, who's the

0:25:22.240 --> 0:25:24.479
<v Speaker 3>head of William Morse at the time, he said, you

0:25:24.520 --> 0:25:26.119
<v Speaker 3>have to write a book. I'm hooking you up with

0:25:26.920 --> 0:25:29.399
<v Speaker 3>Judith Reagan. So Judith and I met at lunch and

0:25:29.440 --> 0:25:31.560
<v Speaker 3>we hung out together all day and everything. I had

0:25:31.560 --> 0:25:34.159
<v Speaker 3>a book deal, so I started working on my autobiography.

0:25:34.400 --> 0:25:37.040
<v Speaker 3>She is a character, and when she started her own imprint,

0:25:37.080 --> 0:25:38.880
<v Speaker 3>she said to me, you have to write a health

0:25:38.880 --> 0:25:41.159
<v Speaker 3>book because you're in such good shape of this. You

0:25:41.320 --> 0:25:43.439
<v Speaker 3>changed so much since blah blah blah. Every time I

0:25:43.520 --> 0:25:45.760
<v Speaker 3>have anything wrong with me my kids, I call you,

0:25:45.920 --> 0:25:48.800
<v Speaker 3>and you always seem to know the answer. So I

0:25:48.880 --> 0:25:52.080
<v Speaker 3>was doing the show Chicago on Broadway and one of

0:25:52.119 --> 0:25:54.560
<v Speaker 3>the guys said, oh, why don't you give us some lectures.

0:25:54.680 --> 0:25:57.359
<v Speaker 3>I was like okay. So in between shows, I would

0:25:57.400 --> 0:25:59.600
<v Speaker 3>do these seminars and I'd have a little, you know,

0:25:59.640 --> 0:26:02.400
<v Speaker 3>like recorder and I'd be, you know, talking to them,

0:26:02.680 --> 0:26:04.760
<v Speaker 3>and then I'd be putting on my eyelashes like the

0:26:04.840 --> 0:26:07.199
<v Speaker 3>evils of dairy products, you know, as I'm putting on

0:26:07.240 --> 0:26:09.879
<v Speaker 3>my eyelashes to go do roxy. And so then I

0:26:09.920 --> 0:26:12.600
<v Speaker 3>worked with somebody who was like a real crafts person

0:26:12.680 --> 0:26:15.600
<v Speaker 3>in terms of like books, and I was so revved

0:26:15.680 --> 0:26:17.920
<v Speaker 3>up from all the fossy, and my boys were very little,

0:26:17.960 --> 0:26:20.000
<v Speaker 3>so I could like give them a bath, go to

0:26:20.000 --> 0:26:22.600
<v Speaker 3>the theater, be revved up, go to an office and

0:26:22.640 --> 0:26:24.800
<v Speaker 3>work on the book. And a few weeks after the

0:26:24.840 --> 0:26:27.600
<v Speaker 3>show ended, the book came out and it went on

0:26:27.640 --> 0:26:30.720
<v Speaker 3>the New York Times bestseller list, and I've sold over

0:26:30.760 --> 0:26:33.040
<v Speaker 3>a million copies of that first health book. But then

0:26:33.119 --> 0:26:35.720
<v Speaker 3>got a contract to keep going and going and going,

0:26:36.119 --> 0:26:37.320
<v Speaker 3>so then I've done ton.

0:26:38.400 --> 0:26:41.359
<v Speaker 1>What's your biggest health concern? You know, growing up in

0:26:41.400 --> 0:26:44.919
<v Speaker 1>my lifetime, everybody was always saying, you know, don't smoke,

0:26:45.160 --> 0:26:47.760
<v Speaker 1>and then when I went through my drug phase, people

0:26:47.800 --> 0:26:49.680
<v Speaker 1>said you got to get sober and stop taking all

0:26:49.680 --> 0:26:54.280
<v Speaker 1>these drugs and drinking, which I've had a very relatively

0:26:54.359 --> 0:26:57.480
<v Speaker 1>brief but white hot period of that for a couple

0:26:57.520 --> 0:26:59.240
<v Speaker 1>of years in the eighties when I was very young,

0:26:59.800 --> 0:27:01.720
<v Speaker 1>and then as I've gotten older. You know, the thing

0:27:01.920 --> 0:27:05.479
<v Speaker 1>that shocks me that is the utter poison in my

0:27:05.520 --> 0:27:08.119
<v Speaker 1>life is sugar, because I was pre diabetic and now

0:27:08.119 --> 0:27:12.159
<v Speaker 1>I'm full diabetic, and which has been so for me

0:27:12.240 --> 0:27:15.760
<v Speaker 1>and demoralizing for me. Yeah, what's your health concerns?

0:27:15.800 --> 0:27:19.200
<v Speaker 2>Now? Like, what do you say to yourself? I never eat.

0:27:19.359 --> 0:27:21.639
<v Speaker 1>I sometimes eat every now and then I cheat, and

0:27:21.640 --> 0:27:24.560
<v Speaker 1>I allow myself to eat. When you want to treat

0:27:24.600 --> 0:27:26.600
<v Speaker 1>yourself to something that you know isn't the best possible

0:27:26.600 --> 0:27:27.919
<v Speaker 1>thing for you, Is it something sweet?

0:27:28.040 --> 0:27:31.000
<v Speaker 3>Is something I'm a savory person. No, I would say

0:27:31.560 --> 0:27:34.040
<v Speaker 3>probably sushy is like my own, my last not so

0:27:34.119 --> 0:27:37.439
<v Speaker 3>guilty pleasure. Yeah. But I haven't had dairy since August fifteenth,

0:27:37.480 --> 0:27:40.119
<v Speaker 3>nineteen seventy nine. It was a Wednesday I gave up

0:27:40.160 --> 0:27:42.840
<v Speaker 3>dairy and have never had dairy since. And it changed

0:27:42.840 --> 0:27:44.719
<v Speaker 3>my life. So I'm always trying to get people off

0:27:44.760 --> 0:27:45.080
<v Speaker 3>of dealer.

0:27:45.520 --> 0:27:48.480
<v Speaker 2>What was the impact other than sinuses and congestion?

0:27:48.520 --> 0:27:50.119
<v Speaker 3>You here, but well that's a lot, but you know,

0:27:50.400 --> 0:27:53.199
<v Speaker 3>sore throats and stomach aches all the time. When I

0:27:53.200 --> 0:27:55.159
<v Speaker 3>lived in New York, I'd live near zay Bars, and

0:27:55.200 --> 0:27:57.159
<v Speaker 3>I would go pick up cheese, and you know at

0:27:57.200 --> 0:27:59.879
<v Speaker 3>zay Bars where they'd cut the cheese a certain way

0:27:59.440 --> 0:28:02.560
<v Speaker 3>and the little rind and stuff. And I'd buy these

0:28:02.600 --> 0:28:05.200
<v Speaker 3>little cheese bags, cheese ends bags on my way to

0:28:05.240 --> 0:28:08.000
<v Speaker 3>unemployment and wondered, why am I not working when I'm fat,

0:28:08.040 --> 0:28:10.840
<v Speaker 3>constanpated and half impulse, you know, I mean, my whole

0:28:10.880 --> 0:28:12.960
<v Speaker 3>stomach changed after I gave up dairy.

0:28:13.080 --> 0:28:14.600
<v Speaker 1>I used to be an ice cream addict. I was

0:28:14.640 --> 0:28:16.960
<v Speaker 1>like Brando, And they say that brand would sit with

0:28:17.000 --> 0:28:18.520
<v Speaker 1>like a half a gallon of ice cream and watch

0:28:18.600 --> 0:28:20.840
<v Speaker 1>TV and you have like a big jug of ice

0:28:20.840 --> 0:28:22.119
<v Speaker 1>cream and lay in his bed and just with a

0:28:22.160 --> 0:28:24.000
<v Speaker 1>spoon and eat like a half a gallon of ice cream.

0:28:24.200 --> 0:28:25.080
<v Speaker 2>That wasn't that bad.

0:28:25.240 --> 0:28:27.960
<v Speaker 3>Yeah, But Darry is always the first thing I talk

0:28:28.000 --> 0:28:30.800
<v Speaker 3>to people about. Always, that's been on my that's my

0:28:30.840 --> 0:28:35.159
<v Speaker 3>soapbox speech. Immediately with people especially, I can read people's

0:28:35.200 --> 0:28:37.080
<v Speaker 3>faces and tell that they're like allergic to it or

0:28:37.119 --> 0:28:39.480
<v Speaker 3>something like that, or they've had trouble. But the big

0:28:39.560 --> 0:28:41.520
<v Speaker 3>killer right now, I think for everybody is the whole

0:28:41.560 --> 0:28:44.560
<v Speaker 3>stress management people. Really, you know, I say three things.

0:28:45.080 --> 0:28:47.280
<v Speaker 3>Learn to love the food that loves you. And we

0:28:47.360 --> 0:28:49.440
<v Speaker 3>know what doesn't love us. Learn to love the food

0:28:49.440 --> 0:28:52.240
<v Speaker 3>that loves you. It's very obviously what does Dairy did

0:28:52.240 --> 0:28:55.040
<v Speaker 3>not love me, Meat did not love me. Sugar does

0:28:55.120 --> 0:28:58.080
<v Speaker 3>not love meat, nor does it love you obviously, So

0:28:58.120 --> 0:29:00.000
<v Speaker 3>I say, learn to love the food that loves you.

0:29:00.320 --> 0:29:03.040
<v Speaker 3>I say, motion is the lotion, because we've got to move.

0:29:03.200 --> 0:29:06.080
<v Speaker 3>You know, your cat stretches, your dogs you walk your dogs.

0:29:06.120 --> 0:29:08.880
<v Speaker 3>Your hamster's got a wheel with this beautiful human animal.

0:29:08.880 --> 0:29:10.480
<v Speaker 3>You've got to walk, You got to do, you got

0:29:10.520 --> 0:29:13.400
<v Speaker 3>to move, move move. Motion is the lotion. And then

0:29:13.440 --> 0:29:15.760
<v Speaker 3>I also say, you better fall in love with your

0:29:15.760 --> 0:29:18.480
<v Speaker 3>stress or it's going to kill you. Because if I

0:29:19.000 --> 0:29:21.160
<v Speaker 3>give I go all over the country open.

0:29:20.920 --> 0:29:23.440
<v Speaker 2>Through stress, you better I can't fall in love with

0:29:23.440 --> 0:29:23.920
<v Speaker 2>my stress.

0:29:24.120 --> 0:29:26.800
<v Speaker 3>Got well, yeah, I mean it's but no, you have to,

0:29:27.000 --> 0:29:29.320
<v Speaker 3>I always say, because I give speeches all over the country,

0:29:29.360 --> 0:29:31.400
<v Speaker 3>I'm always like asked to give you know, could go

0:29:31.440 --> 0:29:34.960
<v Speaker 3>to different things, seminars and stuff. And I always say,

0:29:34.960 --> 0:29:36.880
<v Speaker 3>if every one of you in this audience wrote down

0:29:37.080 --> 0:29:39.240
<v Speaker 3>your problems on a piece of paper and I collected

0:29:39.280 --> 0:29:41.480
<v Speaker 3>them and I started reading them out, and you had

0:29:41.480 --> 0:29:44.160
<v Speaker 3>to pick some problems that are on a list, you'd

0:29:44.200 --> 0:29:47.000
<v Speaker 3>all take back your own because you know the beast.

0:29:47.440 --> 0:29:49.920
<v Speaker 3>You know how to handle it. You just might not

0:29:50.000 --> 0:29:50.840
<v Speaker 3>be doing it well.

0:29:50.840 --> 0:29:53.200
<v Speaker 1>I always tell people whenever i'm especially when i'm speaking

0:29:53.240 --> 0:29:56.280
<v Speaker 1>to people in this profession. Number one, find out how

0:29:56.320 --> 0:29:59.000
<v Speaker 1>much you love acting itself, because you're going to get

0:29:59.000 --> 0:30:01.480
<v Speaker 1>to do so little of it. Oh, the life of

0:30:01.480 --> 0:30:03.960
<v Speaker 1>the actor is all this other bullshit. You know, the

0:30:03.960 --> 0:30:05.840
<v Speaker 1>rest of the year and you're in front of a

0:30:05.840 --> 0:30:07.760
<v Speaker 1>camera at what forty five minutes a day, an hour

0:30:07.800 --> 0:30:09.240
<v Speaker 1>a day. The rest is sitting in your room. You

0:30:09.280 --> 0:30:11.320
<v Speaker 1>do the show, it's two hours at night. If you're

0:30:11.360 --> 0:30:13.800
<v Speaker 1>inclined to do theater, and I said, you don't need

0:30:13.840 --> 0:30:15.640
<v Speaker 1>to find that how much you love it. And number two,

0:30:16.120 --> 0:30:18.520
<v Speaker 1>if you're in get into it. Don't do what I did,

0:30:18.600 --> 0:30:21.240
<v Speaker 1>which is to be like fuck la and fuck you

0:30:21.480 --> 0:30:23.480
<v Speaker 1>and I think you're all full of shit, and you

0:30:23.480 --> 0:30:25.200
<v Speaker 1>know this whole thing is just this business is full

0:30:25.200 --> 0:30:25.480
<v Speaker 1>of shit.

0:30:25.920 --> 0:30:26.600
<v Speaker 2>Be a part of it.

0:30:26.840 --> 0:30:29.680
<v Speaker 1>Join the academy, go to the screening, be a part

0:30:29.760 --> 0:30:32.120
<v Speaker 1>of the business, and don't be cynical about it.

0:30:32.120 --> 0:30:33.200
<v Speaker 2>And if not, then get out.

0:30:33.280 --> 0:30:35.280
<v Speaker 3>Get out. I always say, if something, do it or

0:30:35.320 --> 0:30:37.640
<v Speaker 3>don't do it. If someone can talk you out of it,

0:30:38.280 --> 0:30:41.520
<v Speaker 3>let it, because otherwise you have to really really want

0:30:41.560 --> 0:30:43.640
<v Speaker 3>to do it. And also I always say to people,

0:30:43.800 --> 0:30:46.440
<v Speaker 3>look fall in love with auditioning because it might be

0:30:46.480 --> 0:30:49.600
<v Speaker 3>the only ten minutes you have that job. So if

0:30:49.640 --> 0:30:52.040
<v Speaker 3>you do it, you know what I mean, then it's

0:30:52.080 --> 0:30:54.920
<v Speaker 3>like your job for ten minutes. And maybe you remember.

0:30:54.640 --> 0:30:57.000
<v Speaker 1>All these people from the TV star shelf that we

0:30:57.040 --> 0:31:00.440
<v Speaker 1>always talk about Gregory Harrison, who did an interne Wants

0:31:00.440 --> 0:31:02.120
<v Speaker 1>to Change My Life Gregory Harris.

0:31:02.560 --> 0:31:07.000
<v Speaker 3>I mean we did the Jack Nicholson and Margaret parts

0:31:07.120 --> 0:31:11.560
<v Speaker 3>in Carnal Knowledge at the Pasadena Playhouse. We played those parts,

0:31:11.600 --> 0:31:13.280
<v Speaker 3>so we saw each other naked in a shower.

0:31:13.480 --> 0:31:16.560
<v Speaker 2>Yeah, oh my god, I'm sure you both look pretty good.

0:31:16.640 --> 0:31:18.640
<v Speaker 3>We do. We still do.

0:31:21.560 --> 0:31:23.560
<v Speaker 1>He did an interview once years ago, was a million

0:31:23.680 --> 0:31:26.200
<v Speaker 1>years ago, like TV guide or some stupid thing, and

0:31:26.240 --> 0:31:28.640
<v Speaker 1>he did an interview where he said, basically I'm paraphrasing,

0:31:28.680 --> 0:31:30.840
<v Speaker 1>he was like, you know, his whole energy changed, his

0:31:30.880 --> 0:31:33.640
<v Speaker 1>whole career changed when he walked into auditions and his

0:31:33.680 --> 0:31:34.400
<v Speaker 1>attitude was like.

0:31:34.360 --> 0:31:37.480
<v Speaker 2>How can I help you? Like you called me here, right.

0:31:37.520 --> 0:31:39.040
<v Speaker 2>I didn't put a gun to your head and make you,

0:31:39.080 --> 0:31:41.080
<v Speaker 2>but it come to audition me for this part. I

0:31:41.160 --> 0:31:44.120
<v Speaker 2>have something you want? Yes, you're looking for something and

0:31:44.120 --> 0:31:46.600
<v Speaker 2>whether and once he stopped giving the energy of like

0:31:46.680 --> 0:31:50.440
<v Speaker 2>oh and being fawning and obsequious with them, everything changed.

0:31:50.640 --> 0:31:52.360
<v Speaker 3>It's so funny you're saying this because I tell a

0:31:52.400 --> 0:31:56.800
<v Speaker 3>story in my show again about how I auditioned for

0:31:56.800 --> 0:31:59.720
<v Speaker 3>forty commercials before I got one, and the reason I

0:31:59.720 --> 0:32:01.680
<v Speaker 3>find got Then I booked seventy two in two and

0:32:01.720 --> 0:32:03.480
<v Speaker 3>a half years. It was quite crazy. I was doing

0:32:03.480 --> 0:32:07.000
<v Speaker 3>commercials constantly, but it took me forty auditions to get

0:32:07.000 --> 0:32:10.000
<v Speaker 3>my first one because on the thirty ninth a friend

0:32:10.040 --> 0:32:11.840
<v Speaker 3>of mine called me and it was for mister Coffee.

0:32:11.880 --> 0:32:13.800
<v Speaker 3>I still remember the jingle and I had to sing it.

0:32:14.120 --> 0:32:16.600
<v Speaker 3>I was so wrong for the part, but he called

0:32:16.640 --> 0:32:18.400
<v Speaker 3>me in and he called me that night and he

0:32:18.440 --> 0:32:21.200
<v Speaker 3>said he knew I was having trouble with auditions, and

0:32:21.240 --> 0:32:23.040
<v Speaker 3>he said, are you this way the way you were

0:32:23.040 --> 0:32:25.400
<v Speaker 3>today with me in your auditions? And I went, oh,

0:32:25.440 --> 0:32:27.720
<v Speaker 3>my gosh, no, are you kidding. I was just so

0:32:27.840 --> 0:32:30.640
<v Speaker 3>myself because you were there. He said, we almost changed

0:32:30.680 --> 0:32:33.560
<v Speaker 3>the whole concept of the commercial because you were so original.

0:32:33.800 --> 0:32:35.760
<v Speaker 3>He said, that's what you have to do every time

0:32:35.800 --> 0:32:38.360
<v Speaker 3>you go into an audition. Stop giving people what you

0:32:38.480 --> 0:32:40.640
<v Speaker 3>think they want. Just go in there and it's going

0:32:40.680 --> 0:32:42.080
<v Speaker 3>to hit. It's going to hit. And he was right.

0:32:42.200 --> 0:32:44.360
<v Speaker 3>And then I booked one right after the other and

0:32:44.400 --> 0:32:47.040
<v Speaker 3>I became this body parts model and it was just

0:32:47.120 --> 0:32:49.200
<v Speaker 3>like crazy that I did a lot of different parts

0:32:49.240 --> 0:32:49.800
<v Speaker 3>of the body.

0:32:49.960 --> 0:32:52.560
<v Speaker 2>I was which parts of the body did you do there?

0:32:52.840 --> 0:32:55.479
<v Speaker 3>Which party this is in my show? I said, I

0:32:55.520 --> 0:33:00.000
<v Speaker 3>did four playtext broad commercials. It's got sash here and seamless,

0:33:00.480 --> 0:33:01.480
<v Speaker 3>two play text panties.

0:33:01.840 --> 0:33:03.720
<v Speaker 2>You were wearing a bra, you were a bra model.

0:33:03.840 --> 0:33:06.200
<v Speaker 3>I was a bra model, but sometimes I had like

0:33:06.240 --> 0:33:08.600
<v Speaker 3>a shirt on, you know, and you could see certain things.

0:33:08.720 --> 0:33:12.040
<v Speaker 3>But it was just like I'm exactly. And then I

0:33:12.040 --> 0:33:15.200
<v Speaker 3>did two play text panties commercials or all you saw

0:33:15.360 --> 0:33:15.840
<v Speaker 3>was my butts.

0:33:15.840 --> 0:33:19.160
<v Speaker 2>And these were separate commercials, separate. The bra and the

0:33:19.200 --> 0:33:21.000
<v Speaker 2>panties were two.

0:33:21.080 --> 0:33:23.560
<v Speaker 1>There were separate shoots because if I was the producer,

0:33:23.600 --> 0:33:25.080
<v Speaker 1>that's what I would have said, and we need to

0:33:25.080 --> 0:33:28.080
<v Speaker 1>shoot these separately, and we need to shoot them over five.

0:33:27.920 --> 0:33:31.400
<v Speaker 3>Days or and I did do yes. And then I said,

0:33:31.440 --> 0:33:33.440
<v Speaker 3>but all you see is my button, my crotch, walking

0:33:33.480 --> 0:33:36.960
<v Speaker 3>my dog, walking around Lincoln Center, getting on a bus.

0:33:37.000 --> 0:33:40.280
<v Speaker 3>Both the polaroids when you walk into the audition for

0:33:40.360 --> 0:33:42.840
<v Speaker 3>a panties commercial, it's amazing because you see all these

0:33:42.840 --> 0:33:45.640
<v Speaker 3>polarids of just people's crotches and butts and side views

0:33:45.640 --> 0:33:47.560
<v Speaker 3>and everything else. And then I was even the Fruit

0:33:47.560 --> 0:33:49.920
<v Speaker 3>of the Loom panty host girl inside of a giant

0:33:49.920 --> 0:33:53.360
<v Speaker 3>apple with my legs sticking out, and so I did

0:33:53.400 --> 0:33:55.520
<v Speaker 3>like different carts. But then I also did like I

0:33:55.560 --> 0:33:58.840
<v Speaker 3>did an exce on Bicentennial Minute where I played Annie Sullivan.

0:33:59.200 --> 0:34:01.480
<v Speaker 3>I got a Cleon nomination for that. And I did

0:34:01.480 --> 0:34:04.760
<v Speaker 3>everything from Reese's peanut butter to gleam toothpaste, so many

0:34:04.760 --> 0:34:08.040
<v Speaker 3>different times. I was the Ponderosa Steakhouse girl, the samson

0:34:08.120 --> 0:34:10.719
<v Speaker 3>I luggage girl. So I just kept doing it and

0:34:10.760 --> 0:34:12.799
<v Speaker 3>doing it and doing it because every time and I

0:34:12.880 --> 0:34:14.520
<v Speaker 3>learned this the heart. I mean, I learned the hard way.

0:34:14.800 --> 0:34:16.799
<v Speaker 3>You walk in and you'd bring something to it, like

0:34:16.840 --> 0:34:19.080
<v Speaker 3>Gregory says, how can I help you? Let me show

0:34:19.120 --> 0:34:20.640
<v Speaker 3>you something like I would do with it.

0:34:21.080 --> 0:34:23.879
<v Speaker 2>But what did you study at you Chicago? You studied theater.

0:34:24.239 --> 0:34:26.640
<v Speaker 3>No, they had a theater department, but they had no

0:34:27.120 --> 0:34:30.480
<v Speaker 3>theater degree. So even though did you take so, I No,

0:34:30.560 --> 0:34:32.759
<v Speaker 3>I was a political science major and so in the

0:34:32.800 --> 0:34:34.799
<v Speaker 3>first two years is mostly the core curriculum.

0:34:34.840 --> 0:34:36.280
<v Speaker 2>So where did you learn to sing and dance?

0:34:36.760 --> 0:34:39.000
<v Speaker 3>Well? I grew up in the dancing studio and I

0:34:39.040 --> 0:34:41.560
<v Speaker 3>always sang because my two older sisters were in choir

0:34:41.600 --> 0:34:43.520
<v Speaker 3>and stuff like that. So I'd go to their practices

0:34:43.560 --> 0:34:45.840
<v Speaker 3>and stuff, and it was just something I always wanted,

0:34:45.920 --> 0:34:47.759
<v Speaker 3>you know. I was on stage at two and a

0:34:47.800 --> 0:34:49.000
<v Speaker 3>half at a father Gym, was the.

0:34:48.960 --> 0:34:50.680
<v Speaker 2>Lead in Chicago, like a pinnacle for you? Was that

0:34:50.680 --> 0:34:51.520
<v Speaker 2>a big dream country?

0:34:51.600 --> 0:34:55.839
<v Speaker 3>That was a big gena. They called me on March

0:34:55.880 --> 0:34:58.520
<v Speaker 3>the four, nineteen ninety seven, Walter, whom I knew from

0:34:58.520 --> 0:35:00.880
<v Speaker 3>the Greece family, and they called me and they said

0:35:01.400 --> 0:35:03.880
<v Speaker 3>Annie Ranking is leaving Chicago and she thinks she'd be

0:35:03.920 --> 0:35:07.480
<v Speaker 3>a good replacement. What kind of dance shape are you in?

0:35:07.880 --> 0:35:10.680
<v Speaker 3>And I said, ooh, I haven't had my legs up

0:35:10.680 --> 0:35:13.280
<v Speaker 3>over my head except for childbirth or a good weekend

0:35:13.400 --> 0:35:16.680
<v Speaker 3>for about five years, so I better get my ass

0:35:16.680 --> 0:35:18.839
<v Speaker 3>back into class. So I went to class for ten

0:35:18.920 --> 0:35:20.840
<v Speaker 3>days and then I went to audition and then he

0:35:21.000 --> 0:35:23.680
<v Speaker 3>said go home, work on the fosse, and I did.

0:35:23.760 --> 0:35:25.720
<v Speaker 3>And I went back and there were like twenty seven

0:35:26.200 --> 0:35:29.400
<v Speaker 3>potential actors in the room and they kept eliminating, eliminating

0:35:29.480 --> 0:35:32.319
<v Speaker 3>until they told me I had the job. So I

0:35:32.360 --> 0:35:34.839
<v Speaker 3>did four hundred and eight performance, four hundred and eight

0:35:35.040 --> 0:35:38.120
<v Speaker 3>performance on Broadway Broadway, but I also did Vegas because

0:35:38.160 --> 0:35:39.759
<v Speaker 3>they asked me to come to Vegas and I was like, no,

0:35:39.840 --> 0:35:41.279
<v Speaker 3>I don't want to go to Vegas. And then my

0:35:41.320 --> 0:35:43.400
<v Speaker 3>agent said, well, let's have some fun with your quote.

0:35:43.520 --> 0:35:44.960
<v Speaker 3>And then he called me back. He said, they made

0:35:45.000 --> 0:35:46.920
<v Speaker 3>you an offer you can't refuse. You're going to Vegas.

0:35:47.000 --> 0:35:49.040
<v Speaker 3>It was like, okay, So I went to Vegas. But

0:35:49.160 --> 0:35:51.719
<v Speaker 3>my favorite Vegas story because people always said, what's the

0:35:51.719 --> 0:35:55.160
<v Speaker 3>difference between Broadway and Vegas? Although it's not this anymore,

0:35:55.160 --> 0:35:57.680
<v Speaker 3>I'd say, oh, yeah, cup holders, because back then you

0:35:57.719 --> 0:36:01.360
<v Speaker 3>could this was ninety nine. In two thousand you couldn't.

0:36:01.480 --> 0:36:03.200
<v Speaker 3>You could drink in Vegas, but you couldn't do it

0:36:03.239 --> 0:36:06.960
<v Speaker 3>on Broadway. So I'd been there two weeks and they

0:36:07.000 --> 0:36:10.640
<v Speaker 3>said we love you here. I said, really, you've seen

0:36:10.680 --> 0:36:12.920
<v Speaker 3>the show and I was like all excited and he said, no,

0:36:12.960 --> 0:36:15.120
<v Speaker 3>I haven't seen the show yet, but your crowd drinks

0:36:15.160 --> 0:36:21.600
<v Speaker 3>a lot more Belvedere than most people. Okay, we love Belvedere.

0:36:22.400 --> 0:36:24.320
<v Speaker 2>Yeah, I'll never forget.

0:36:24.600 --> 0:36:27.520
<v Speaker 1>Someone was connected to like one of these big phizzy

0:36:27.640 --> 0:36:29.759
<v Speaker 1>musicals and they were doing like some kind of a

0:36:29.800 --> 0:36:32.160
<v Speaker 1>cast replacement, and they wanted all this stunt casting with

0:36:32.239 --> 0:36:36.160
<v Speaker 1>somebody famous, and this actress walks into audition for the

0:36:36.239 --> 0:36:36.799
<v Speaker 1>lead role.

0:36:36.920 --> 0:36:38.000
<v Speaker 2>She's this famous.

0:36:37.680 --> 0:36:40.120
<v Speaker 1>Actress and she comes in and she does her audition

0:36:40.560 --> 0:36:42.440
<v Speaker 1>and she leaves and everyone's just kind of standing there

0:36:42.480 --> 0:36:45.200
<v Speaker 1>slack Jode after she leaves, and the director turns over

0:36:45.280 --> 0:36:48.120
<v Speaker 1>and goes, she can't sing, she can't dance, she can't act.

0:36:48.320 --> 0:36:52.200
<v Speaker 1>She's a star, you know, like we're going to hire her,

0:36:52.400 --> 0:36:54.120
<v Speaker 1>even though she gets a D.

0:36:54.320 --> 0:36:56.960
<v Speaker 2>Or an F in all three categories based on what

0:36:57.000 --> 0:36:58.399
<v Speaker 2>they saw there in that room that day.

0:36:58.560 --> 0:37:00.840
<v Speaker 3>It's so funny because there's all these stories that you

0:37:00.880 --> 0:37:03.279
<v Speaker 3>know that sort of shape your life, like that one.

0:37:03.520 --> 0:37:05.440
<v Speaker 3>You know, and you just write, you hear it and

0:37:05.480 --> 0:37:07.960
<v Speaker 3>you understand it and you know it right away. When

0:37:07.960 --> 0:37:11.080
<v Speaker 3>I was first on taxi, somebody at ABC cany he goes,

0:37:11.239 --> 0:37:13.720
<v Speaker 3>I've got a movie for you, Mary Lou. I said, really,

0:37:13.840 --> 0:37:16.799
<v Speaker 3>what is it? And he said sizzle? I said, what's

0:37:16.800 --> 0:37:21.440
<v Speaker 3>it about? He said, who cares sizzle? So Johnny and

0:37:21.480 --> 0:37:23.799
<v Speaker 3>I always used to say we would like joking like

0:37:23.920 --> 0:37:26.279
<v Speaker 3>people were like, you know, who cares sizzle? You know,

0:37:26.360 --> 0:37:27.799
<v Speaker 3>it's just that thing that you do.

0:37:29.920 --> 0:37:33.960
<v Speaker 1>New York Times best selling author Mary Lou Henner. If

0:37:34.000 --> 0:37:37.680
<v Speaker 1>you're enjoying this conversation, be sure to subscribe to Here's

0:37:37.719 --> 0:37:42.840
<v Speaker 1>the Thing on the iHeartRadio app Apple podcasts or wherever.

0:37:42.600 --> 0:37:43.719
<v Speaker 2>You get your podcasts.

0:37:44.239 --> 0:37:47.760
<v Speaker 1>When we return, Mary Lou Henner talks about finding lasting

0:37:47.840 --> 0:38:04.000
<v Speaker 1>love the third time around. I'm Alec Baldwin and this

0:38:04.080 --> 0:38:07.680
<v Speaker 1>is Here's the thing. Mary Lou Henner recently developed and

0:38:07.800 --> 0:38:12.600
<v Speaker 1>performed a one woman autobiographical show. It's filled with songs

0:38:12.640 --> 0:38:15.800
<v Speaker 1>and stories from her remarkable life.

0:38:16.080 --> 0:38:18.160
<v Speaker 3>I sing a song about my sons and show a

0:38:18.239 --> 0:38:21.000
<v Speaker 3>video of like pictures of them and little videos. Oh

0:38:21.040 --> 0:38:23.000
<v Speaker 3>it kills me every time if I watch it, I'll

0:38:23.040 --> 0:38:25.279
<v Speaker 3>cry just thinking about it. I cry. And it's a

0:38:25.280 --> 0:38:28.560
<v Speaker 3>mash up between nick of Time because you know it's

0:38:28.560 --> 0:38:30.200
<v Speaker 3>funny Nicky took me three and a half years to

0:38:30.200 --> 0:38:32.800
<v Speaker 3>get pregnant Joe, like immediately I didn't even get my period.

0:38:32.840 --> 0:38:35.920
<v Speaker 3>It was like bam, I'm pregnant again. So and so

0:38:35.960 --> 0:38:38.319
<v Speaker 3>I do nick of Time and happiness is just a

0:38:38.360 --> 0:38:41.200
<v Speaker 3>thing called Joe and that's it. And also I sing

0:38:41.239 --> 0:38:44.520
<v Speaker 3>a song about Freddie, my first husband. I do Desperado

0:38:44.840 --> 0:38:47.120
<v Speaker 3>because that's kind of who he was in my life.

0:38:47.160 --> 0:38:49.520
<v Speaker 3>And that song always gets to me too. So it's

0:38:49.560 --> 0:38:51.879
<v Speaker 3>like telling some of those type stories and talking about

0:38:51.880 --> 0:38:54.520
<v Speaker 3>Bird was very emotional to a couple of times. So

0:38:54.600 --> 0:38:56.520
<v Speaker 3>it depends, you know, it depends on the crowd.

0:38:56.840 --> 0:38:58.560
<v Speaker 2>When you come and you're gonna camp, bet he is

0:38:58.600 --> 0:38:59.600
<v Speaker 2>your husband going to come with you?

0:39:00.080 --> 0:39:03.400
<v Speaker 3>Yeah, he's great. That's he's another whole story.

0:39:03.400 --> 0:39:03.560
<v Speaker 2>You know.

0:39:03.600 --> 0:39:06.000
<v Speaker 3>We wrote a book. We got together. He was my

0:39:06.080 --> 0:39:08.759
<v Speaker 3>roommate's boyfriend. I didn't dare twinkle in his direction. But

0:39:08.800 --> 0:39:11.359
<v Speaker 3>then when he called me out of nowhere, six months

0:39:11.400 --> 0:39:13.960
<v Speaker 3>after my divorce from Rob was final, we got together.

0:39:14.040 --> 0:39:15.520
<v Speaker 3>Within a week. We're saying I love you, We're going

0:39:15.560 --> 0:39:17.520
<v Speaker 3>to spend the rest of our lives together. And two

0:39:17.560 --> 0:39:20.560
<v Speaker 3>months later he's diagnosed with two cancers, bladder cancer and

0:39:20.640 --> 0:39:24.000
<v Speaker 3>lung cancer. And we ended up doing a whole protocol

0:39:24.040 --> 0:39:26.600
<v Speaker 3>for him that didn't involve chemo or radiation. They wanted

0:39:26.600 --> 0:39:29.279
<v Speaker 3>to remove his bladder, his prostate, run a hose up

0:39:29.320 --> 0:39:31.279
<v Speaker 3>his penis, and we could pump it up six times

0:39:31.280 --> 0:39:33.799
<v Speaker 3>if we wanted to have sex. They were pushing all

0:39:33.840 --> 0:39:36.600
<v Speaker 3>of this. I was like, no, and we always say.

0:39:36.640 --> 0:39:38.719
<v Speaker 2>He's done with the penis pump by the way, he finished, do.

0:39:39.120 --> 0:39:41.919
<v Speaker 3>It for fun. No, he doesn't need the pump at all. No,

0:39:42.120 --> 0:39:47.280
<v Speaker 3>my husband, thanks, No, no, not at all. He saved

0:39:47.400 --> 0:39:49.759
<v Speaker 3>all of his organs. He saved his organs and he's

0:39:49.760 --> 0:39:52.520
<v Speaker 3>been in remission. It'll be eighteen years November the twenty fourth.

0:39:52.600 --> 0:39:56.280
<v Speaker 3>It's pretty remarkable. And he didn't he did immuno therapy,

0:39:56.320 --> 0:39:58.839
<v Speaker 3>but he went completely vegan, and he went got rid

0:39:58.920 --> 0:40:01.440
<v Speaker 3>of I mean he did every He shot himself with iscador,

0:40:01.480 --> 0:40:04.080
<v Speaker 3>which is extract of missiletoe. He got rid of all

0:40:04.080 --> 0:40:07.600
<v Speaker 3>of the mercury fillings in his Mouthculation therapy, high colonic

0:40:07.840 --> 0:40:11.640
<v Speaker 3>lymphatic massages, infrared saunas, and he stays on this protocol

0:40:11.760 --> 0:40:14.279
<v Speaker 3>and he has been in remission almost eighteen years. It's

0:40:14.320 --> 0:40:16.719
<v Speaker 3>pretty remarkable, you know, pretty cool.

0:40:16.960 --> 0:40:18.319
<v Speaker 1>When I went to the doctor and he was going

0:40:18.400 --> 0:40:22.279
<v Speaker 1>to do the anterior hip replacement process, and he says

0:40:22.280 --> 0:40:23.560
<v Speaker 1>to me, now, I want to just review with you

0:40:23.600 --> 0:40:25.880
<v Speaker 1>that you know that that when you do the anterior procedure,

0:40:25.880 --> 0:40:28.200
<v Speaker 1>when we go in the front as opposed to the side,

0:40:28.320 --> 0:40:30.759
<v Speaker 1>it's the quickest to heal. But there are some complications.

0:40:30.880 --> 0:40:32.440
<v Speaker 1>Is like point zero two percent that we're going to

0:40:32.520 --> 0:40:34.759
<v Speaker 1>nick some nerves in there. There's some material to it,

0:40:34.800 --> 0:40:36.680
<v Speaker 1>which I said, what nerve? He took his finger and

0:40:36.680 --> 0:40:40.520
<v Speaker 1>he went like this, no, And I turned to her

0:40:40.520 --> 0:40:42.160
<v Speaker 1>mind and said, oh you can just tear that out,

0:40:42.200 --> 0:40:42.759
<v Speaker 1>just with that.

0:40:42.800 --> 0:40:45.319
<v Speaker 2>Nerve right down. I'm done. You can just yank there,

0:40:45.360 --> 0:40:46.440
<v Speaker 2>get a pair of pliers and.

0:40:48.239 --> 0:40:50.200
<v Speaker 3>Come on you. And we have an expression in my

0:40:50.239 --> 0:40:53.640
<v Speaker 3>family PF. Okay, we have this expression. My brothers and

0:40:53.680 --> 0:40:55.840
<v Speaker 3>I made it up and it's like measures the sexual

0:40:55.880 --> 0:40:57.799
<v Speaker 3>cuotient of things like, oh man, there was so much

0:40:57.840 --> 0:41:00.000
<v Speaker 3>PF at that party, or man I saw that movie.

0:41:00.160 --> 0:41:02.680
<v Speaker 3>No PF between the two of them. And PF stands

0:41:02.680 --> 0:41:06.520
<v Speaker 3>for pussy factor or penis factor, right, because things have PF,

0:41:06.680 --> 0:41:09.000
<v Speaker 3>you know. And I don't like BD for big dick

0:41:09.120 --> 0:41:11.520
<v Speaker 3>energy because that is sexist and sizest, do you know

0:41:11.520 --> 0:41:14.040
<v Speaker 3>what I mean? But you and Hilaria obviously have tons

0:41:14.080 --> 0:41:18.239
<v Speaker 3>of PF. Obviously six kids, but you still want to

0:41:18.280 --> 0:41:19.719
<v Speaker 3>have You're still gonna have PF.

0:41:19.520 --> 0:41:21.239
<v Speaker 2>Even I don't want you.

0:41:21.239 --> 0:41:23.400
<v Speaker 1>I don't want to retire from that, but yeah, please,

0:41:23.560 --> 0:41:25.440
<v Speaker 1>but six kids, it's really been. It's been like a

0:41:25.440 --> 0:41:29.000
<v Speaker 1>student six and eight years is six kids in seven years.

0:41:28.840 --> 0:41:31.080
<v Speaker 3>Seven years and seven years old. Oh that's right, seven years.

0:41:31.520 --> 0:41:31.719
<v Speaker 2>You know.

0:41:32.239 --> 0:41:33.920
<v Speaker 3>I don't know if you remember this day, but we

0:41:33.920 --> 0:41:37.080
<v Speaker 3>were all all the kids because Ireland is close to

0:41:37.160 --> 0:41:40.919
<v Speaker 3>my Joey's age. He's born November twelfth, nineteen ninety five.

0:41:41.480 --> 0:41:45.319
<v Speaker 3>So she's like the So we were all at a

0:41:45.400 --> 0:41:47.800
<v Speaker 3>meet because Joey was like the real athlete in the family.

0:41:47.960 --> 0:41:50.640
<v Speaker 3>But Joey was at this meet and Caitlyn Jenner was

0:41:50.680 --> 0:41:55.960
<v Speaker 3>there and her kids and you know, Ireland and my

0:41:56.040 --> 0:41:58.480
<v Speaker 3>Joey and they were all doing their sports thing. And

0:41:58.520 --> 0:42:00.680
<v Speaker 3>you walked up to my son Nick, who is about

0:42:01.000 --> 0:42:03.480
<v Speaker 3>thirteen at the time, fourteen at the time, and you said,

0:42:03.520 --> 0:42:05.200
<v Speaker 3>and what are you going to be besides the Ralph

0:42:05.239 --> 0:42:08.200
<v Speaker 3>Lauran model? Because he's very cute.

0:42:08.239 --> 0:42:09.080
<v Speaker 2>What does he doing now?

0:42:09.120 --> 0:42:11.960
<v Speaker 3>He's a director. He's a director. He went to Columbia

0:42:12.000 --> 0:42:14.480
<v Speaker 3>and he directs all these videos. And he directed this

0:42:14.560 --> 0:42:17.720
<v Speaker 3>short that has now been bought by Will Ferrell's company

0:42:17.800 --> 0:42:19.920
<v Speaker 3>and he's turned it into a two hour movie and

0:42:20.239 --> 0:42:22.720
<v Speaker 3>he might be directing it, we'll see. But it looks good.

0:42:23.280 --> 0:42:25.160
<v Speaker 3>Can I just say what my son Joey's doing too?

0:42:25.280 --> 0:42:27.920
<v Speaker 3>Because he's yes, okay, because I said about Nick. So

0:42:28.000 --> 0:42:31.000
<v Speaker 3>Joey lives in Brooklyn. He does his improv troupe that

0:42:31.040 --> 0:42:33.640
<v Speaker 3>they do whatever. But he's an international bridge player. He's

0:42:33.640 --> 0:42:35.600
<v Speaker 3>one of the top bridge players in the world under

0:42:35.600 --> 0:42:38.719
<v Speaker 3>twenty five, and he became a life master at twenty four.

0:42:38.960 --> 0:42:41.080
<v Speaker 3>And he has all these women that he plays bridge

0:42:41.080 --> 0:42:43.040
<v Speaker 3>with and they pay a lot of money to play

0:42:43.040 --> 0:42:45.360
<v Speaker 3>with him because he's so cute. And he's writing a

0:42:45.360 --> 0:42:51.160
<v Speaker 3>script called Bridge Jigglow because I'm a comedy writer and

0:42:51.200 --> 0:42:54.920
<v Speaker 3>I have a director. Yeah, I love it. Yeah, I'm sure.

0:42:54.800 --> 0:42:58.960
<v Speaker 1>Telling telling me should read Jonathan Ames's book The Extra

0:42:59.120 --> 0:43:02.399
<v Speaker 1>Man that was made into a film with Kevin Klein

0:43:02.480 --> 0:43:05.480
<v Speaker 1>and Paul Dano, and that's your son, the Paul Danel.

0:43:05.800 --> 0:43:07.960
<v Speaker 1>He is a character because because it's about a boy

0:43:08.000 --> 0:43:09.880
<v Speaker 1>that meets like a guy who's like a who's like

0:43:09.920 --> 0:43:10.400
<v Speaker 1>a walker.

0:43:10.480 --> 0:43:13.239
<v Speaker 2>He's like a male prostitute, and he doesn't necessarily sleep

0:43:13.280 --> 0:43:13.920
<v Speaker 2>with the women.

0:43:13.719 --> 0:43:15.520
<v Speaker 1>But he's like he like takes old of these old

0:43:15.520 --> 0:43:18.120
<v Speaker 1>biddies to like Palm Beach, Cotillions and all the ship.

0:43:18.200 --> 0:43:22.160
<v Speaker 3>I'm thinking that my son is talking about them as

0:43:22.160 --> 0:43:24.040
<v Speaker 3>old biddies because you know, someone.

0:43:23.760 --> 0:43:26.879
<v Speaker 1>Who know not his not his bridge part.

0:43:27.280 --> 0:43:27.440
<v Speaker 3>Yeah.

0:43:27.480 --> 0:43:29.920
<v Speaker 2>Anyway, my love to you, and I look forward to

0:43:29.960 --> 0:43:30.640
<v Speaker 2>seeing you in New York.

0:43:30.680 --> 0:43:35.759
<v Speaker 3>Okay, and you're killed one. Sometimes it's called Mary Lou.

0:43:35.840 --> 0:43:38.919
<v Speaker 3>I know, so I forgot that.

0:43:39.000 --> 0:43:42.040
<v Speaker 1>I know we literally they my wife calls are Mary Lou.

0:43:42.160 --> 0:43:45.040
<v Speaker 1>I know she does Maria Luthia, but my wife calls

0:43:45.040 --> 0:43:45.560
<v Speaker 1>her Mary.

0:43:45.400 --> 0:43:46.839
<v Speaker 2>Lou, daughter Mary.

0:43:47.840 --> 0:43:49.480
<v Speaker 3>It's on the back of her little.

0:43:50.840 --> 0:43:51.080
<v Speaker 4>I know.

0:43:51.160 --> 0:43:52.120
<v Speaker 3>See I pay attention.

0:43:52.480 --> 0:43:52.600
<v Speaker 2>Well.

0:43:52.640 --> 0:43:55.440
<v Speaker 3>My name is Mary, Lucy, Denise, ce Celia, Hannah Forrest,

0:43:55.520 --> 0:43:59.960
<v Speaker 3>Lieberman Brown, good Luck vision and heat.

0:43:59.760 --> 0:44:02.240
<v Speaker 2>Good on that share I love to use, Sweetie.

0:44:02.239 --> 0:44:07.799
<v Speaker 1>We'll talk to you down the road, okay. Actress and

0:44:08.000 --> 0:44:13.720
<v Speaker 1>author Mary Lou Henner. This episode was produced by Kathleen Russo,

0:44:13.960 --> 0:44:18.520
<v Speaker 1>Carrie Donahue, Maureen Hoben, and Zach McNeese. Our engineer is

0:44:18.560 --> 0:44:22.160
<v Speaker 1>Frank Imperial. I'm Alec Baldwin. Here's the thing is brought

0:44:22.160 --> 0:44:24.160
<v Speaker 1>to you by iHeart Radio.