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Speaker 1: For Mervous Diamond Importers. I'm Ronnie Mervous. Along the edge

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Speaker 1: for diamonds. The diamonds that are recovered are excellent. Mervous

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Speaker 1: is the ring leader for the latest engagement rings and

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Speaker 1: wedding bands. Easy for Dancing is available. For an appointment,

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Speaker 1: go to Mervous diamond dot com or call eight hundred

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Speaker 1: per love. That's Mervous Diamond dot com or eight hundred

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Speaker 1: her love. Yo Yo, yo, yo yo. Welcome to another

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Speaker 1: episode if it's up there podcast. I am your active

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Speaker 1: and attractive hosts for another episode of de Fashions Growing

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Speaker 1: Podcasts on the market right now. Again, thank you for

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Speaker 1: tuning in, listening, touching base with me. You know, um again,

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Speaker 1: it's always a pleasure to have your ear, your your

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Speaker 1: eye and you're hard. You know, it's hard to get

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Speaker 1: these things the days and man, it's um I wouldn't

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Speaker 1: say being easy for me, because I promise you I

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Speaker 1: put a lot of work in, like more work than

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Speaker 1: anyone probably can imagine within the sound of my voice. Right,

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Speaker 1: you probably could never imagine the amount of work that

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Speaker 1: goes into trying to hijack a process with no information. Right,

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Speaker 1: I'm trusting the instincts. I'm trying to look at everything

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Speaker 1: and view it from a standpoint of there's no way

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Speaker 1: to fail when you when you really really take your time,

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Speaker 1: if I mean, see at the further I go, right,

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Speaker 1: and I think like, and this is what gets weird.

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Speaker 1: It'd be like you think, like, all right, when I

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Speaker 1: get on this level, they gonna know what I'm talking about.

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Speaker 1: Like everybody gonna think like this, and the more and

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Speaker 1: more I'm going, I'm still I'm still finding out that

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Speaker 1: it's rare the way that I'm viewing things. And so

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Speaker 1: now what i'm thinking it was worth, I might be

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Speaker 1: off by a lot because I'm thinking, like, oh, once

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Speaker 1: you get past this point, everybody looked at like this.

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Speaker 1: I just always think it's an information thing, meaning that

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Speaker 1: once they let you behind the curtain, then you get

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Speaker 1: to see that they're setting up a whole nother stage

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Speaker 1: and when the lights go out, the whole stage flip around.

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Speaker 1: The audience don't know what's going on. They know the

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Speaker 1: lights go out when they come up. Some mo shit

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Speaker 1: out there. So again, it's just, you know, as I'm

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Speaker 1: finding out that loan you make, you you really owned

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Speaker 1: something with this thing, this thing is just a little

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Speaker 1: bit different, even though I always knew what it was,

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Speaker 1: but I'm saying it's it's a little bit more serious

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Speaker 1: than then. I even you know, knew that it was um.

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Speaker 1: But shout out to everybody listening. Man, if you are

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Speaker 1: right now within the sound of my voice, hit subscribe

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Speaker 1: on whatever app you're listening to the podcast song, hit rate,

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Speaker 1: give us a rating, and all of that if you

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Speaker 1: support us, if you want to see the video, go

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Speaker 1: join as a member on YouTube fo GFO TV on YouTube,

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Speaker 1: join as a member and then you will be able

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Speaker 1: to see the video portion of the podcast. Or go

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Speaker 1: to my patreon. We that every single week. That's where

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Speaker 1: you can contact men do different things as well as YouTube.

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Speaker 1: So just get get in communication. Women really tap in

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Speaker 1: and support the movement. We got hoodies out, we got

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Speaker 1: things out. So it's just it's just about where you

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Speaker 1: staying with us, like you know what I mean, as

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Speaker 1: you really because you can't steal the game. Okay, No,

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Speaker 1: I'm starting to figure that out too, like the way

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Speaker 1: the way I go about it and the way I

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Speaker 1: look at it, like you can't really steal it, you

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Speaker 1: know what I mean. I'll be waiting, you gotta think

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Speaker 1: because of and I'm about to fix that this year.

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Speaker 1: That's one of my that's one of my goals for

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Speaker 1: this year. I'm staggered a week after right, So when

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Speaker 1: you hear me to speak on a topic, that's a

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Speaker 1: week after, right. And so what's happening there is what

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Speaker 1: what's gonna happen this year is at some point I'm

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Speaker 1: gonna catch up with that and it's gonna be right

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Speaker 1: right that Monday of every week I'm dropping right. So

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Speaker 1: I just want you to know that too, just to

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Speaker 1: put things in perspective. Man, this podcast journey that I'm on,

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Speaker 1: and I'm on it by myself, be so it's so dope, bro,

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Speaker 1: Like I'm be in different cities in different states and

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Speaker 1: it's COVID at and it's like, Yo, you're getting rich

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Speaker 1: in COVID and you're gonna suck around and run some

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Speaker 1: you know, And why COVID is at, like man, and

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Speaker 1: it's like, damn, bro, Like I don't know, because you know,

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Speaker 1: I start this thing not really knowing what I was

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Speaker 1: getting myself into. I knew that everybody called me for

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Speaker 1: advice and how you look at this loon? And what's

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Speaker 1: this about? And what would you think? Bro? And and

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Speaker 1: so I always had that, you know, and so I

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Speaker 1: just started. I just started doing it. I went and

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Speaker 1: guy with a couple of my home girls, did a

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Speaker 1: couple of episodes like a pilot, like a just a

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Speaker 1: run like that to see how things would go. Do

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Speaker 1: I want to do it this way? I always knew

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Speaker 1: I needed a new needed women. This was way back then.

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Speaker 1: There t I've been ahead of this ship, you know

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Speaker 1: what I mean. So it's no, it's by it's not

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Speaker 1: by coincidence that the people that's in position can hit

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Speaker 1: me talking say nah, he want us. He knows what

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Speaker 1: he's talking about, you know what I mean. It's no,

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Speaker 1: it's no coincidence of that. But we got a lot

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Speaker 1: to talk about today, man, with the podcast, we got

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Speaker 1: the um Whack one hunting and Bobby's murder dancing thing,

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Speaker 1: you know, um number one. There's a lot going on

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Speaker 1: with Whack one Hunting and Clubhouse. We clearly see he's

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Speaker 1: dropping the podcast and trying to do something to integrate

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Speaker 1: that audience over there rich which which will make it

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Speaker 1: a self running machine. Which I see what he's doing,

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Speaker 1: you know, Um, interesting interesting, I'll just say that. Very interesting.

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Speaker 1: What he's doing. I know and I can see what's happening,

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Speaker 1: so it's interesting. But um, for those of you that

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Speaker 1: may not know, and I want to really put context

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Speaker 1: around what were said with the Whack one hunting and

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Speaker 1: bobby schmurder thing, that's some details missing here that I

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Speaker 1: think people are not necessarily aware that they're missing, right,

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Speaker 1: Because Whack was having a conversation that if we're being

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Speaker 1: honest about it, and let me find a conversation. But

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Speaker 1: Whack was having a conversation about Bobby Schmurder his presence

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Speaker 1: in the music business. Basically, Bobby had a hit I

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Speaker 1: think about seven years ago something like that, and that

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Speaker 1: his presence like he hasn't having served his base, and

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Speaker 1: he talking that build didn't talk when you go to

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Speaker 1: talking like that, So some people may be unaware the

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Speaker 1: points that's being made there. Nonetheless, though I find it

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Speaker 1: interesting that we have or us as a culture, we

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Speaker 1: become critical people like Bobby and we become passive of

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Speaker 1: people like Takasha. I think that's an interesting conundrum when

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Speaker 1: we deal with the specifics right, because hey man, the

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Speaker 1: same way you got such and such business like, if

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Speaker 1: it's if you're dealing with my business or my people,

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Speaker 1: this my people in my business, right and if the

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Speaker 1: parameter is gonna be say, brother, that's that's fojfo business,

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Speaker 1: so which means you don't gotta understand you don't gotta

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Speaker 1: understand that. But if I come out and tell you

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Speaker 1: though this way, it be getting slippery that because as

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Speaker 1: real be feeling like we supposed to have a certain

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Speaker 1: level of respect for real knows right. I ain't saying

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Speaker 1: you can't have a misunderstanding like that or what you're

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Speaker 1: doing when when you say yod or what you're doing

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Speaker 1: and one of my generals come back and say, hey, yo, bro,

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Speaker 1: you know we really hear this fo jeff O business.

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Speaker 1: Ain't no, ain't none of that going on. Yeah it looked,

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Speaker 1: but it looked funny old yeah. But I'm telling you

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Speaker 1: that whatever you're looking at or thank you looking at that,

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Speaker 1: ain't what that is. Because what more you asking me

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Speaker 1: to do the prue prue to you that whatever you're

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Speaker 1: saying ain't what it is. You know what I'm saying,

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Speaker 1: slippery dog, I'll be trying to That's why I gotta

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Speaker 1: I'm gonna have a conversation with the whole game, you

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Speaker 1: know what I'm saying, because on one end, we gotta

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Speaker 1: du right with Takashi, who people can say we took

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Speaker 1: advantage of you did what I'm saying. We know he

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Speaker 1: wasn't cut with no mother steal, you know what I'm saying.

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Speaker 1: We know he really was. He would cook it color,

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Speaker 1: you see what I'm saying. So they allowed him into

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Speaker 1: a position that he couldn't. He was too short to

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Speaker 1: get on the ride. You know when it's when you

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Speaker 1: go to the foul and they say, yo, how taller?

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Speaker 1: Yeah you can't this one, No, sir, you need to

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Speaker 1: go to the bumper car. You know, they allowed him

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Speaker 1: to drive, but they allowed him to drive because he

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Speaker 1: had the bank roll. And anytime poverty is present, manipulation

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Speaker 1: that could be at all time, hind we know people

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Speaker 1: that's putting that in place. You know what I'm saying.

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Speaker 1: We know how they do in the poverty area. The money,

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Speaker 1: the manipulation with the money. Right now, it's a mistake.

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Speaker 1: It's a mistake the boundaries supposed to be in place.

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Speaker 1: I already know that ain't need to be explained. But

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Speaker 1: Takashi get in a situation with these dudes. These dudes

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Speaker 1: putting in real work, and they're doing it on command,

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Speaker 1: and they're doing it with it knowing right. So it's

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Speaker 1: almost like the President approach I always talk about with

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Speaker 1: my square immediate response. It's necessary, you feel what I'm saying,

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Speaker 1: and so certain times and I hate to even explain

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Speaker 1: these kind of things, man, but I know that my

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Speaker 1: position in the game is one of breaking down certain

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Speaker 1: things that maybe other people don't understand, but we can't.

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Speaker 1: How can we champion him when he cooperated in any way?

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Speaker 1: How we putting him on any kind of past? You know?

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Speaker 1: And then when you say, what that ain't my business with?

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Speaker 1: Then get how Bobby is your business? Then? Because what

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Speaker 1: do we say? What is our business? What does that mean?

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Speaker 1: You feel what I'm saying, but we're gonna talk about

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Speaker 1: it forness. But and guess what if that's your brain,

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Speaker 1: if that's how you're moving around the marketplace, I salute you.

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Speaker 1: That show that your business model. If I'm Jamaican, know

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Speaker 1: if my people are, if they're telling you that this

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Speaker 1: is part of our culture, this is what we do,

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Speaker 1: and you know that we went and stood on that business.

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Speaker 1: What is the debates about it? I don't really be understanding.

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Speaker 1: And then on top of that, they get in two

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Speaker 1: videos mixed up. One of these videos they running around

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Speaker 1: and touching the Bobby. I ain't even Bobby, It's a

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Speaker 1: whole different rapper. You did what I'm saying, And so

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Speaker 1: it's like it's a conflation of that, and that's what

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Speaker 1: trolling it's becoming. Now you know how you can trick

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Speaker 1: am like you know what I'm saying, You can point

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Speaker 1: at something and like make it look like it was this,

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Speaker 1: but they can't really say see whackets operating around the

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Speaker 1: industry with high level street jiu jitsu, judo, mind tricks,

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Speaker 1: you know what I'm saying. And a lot of the

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Speaker 1: industry do they walk right into them. They don't. They

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Speaker 1: don't see they ain't have to operate by theirself on

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Speaker 1: a high level, and not necessarily by yourself. But when

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Speaker 1: I say by yourself, I mean, ain't but one pilot.

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Speaker 1: It's a lot of them off on the plane, you

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Speaker 1: know it maybe two pilots, maybe you know, a pilot

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Speaker 1: and a cold pilot. But some our planes ain't but

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Speaker 1: one pilot. He and and you know. And so that's

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Speaker 1: what I mean when I say by yourself. He gotta

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Speaker 1: make the decisions I've always had to when they took

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Speaker 1: my they took my homes when I was young, you know,

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Speaker 1: to the fizz and had to be like, oh, wack

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Speaker 1: one hunting them on clubhouse. We're gonna listen to a

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Speaker 1: little bit of conversation. Joe Budden came in there, Gilly

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Speaker 1: came in there. Another interesting tactic. Whack is doing this.

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Speaker 1: He's tapping into these guys audience off clubhouse, damned it

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Speaker 1: for free, because they're taking the clubhouse audio and they

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Speaker 1: running it through YouTube, which is tapping into today audience.

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Speaker 1: Joe knows Gilly and Wallow they know too the wax,

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Speaker 1: so they you know, they're working with him. But you

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Speaker 1: gotta be careful, though, wag, because dudes gonna stop letting

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Speaker 1: you calling. I'm in there after something after a showing

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Speaker 1: now that they're gonna start ducking him. But let's listen

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Speaker 1: to a little bit of it. It's called me fine

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Speaker 1: cracking because I was little with a big boom. Wait wait, wait, wait, wait,

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Speaker 1: hold on bro, hold on bro way, so Gilly see,

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Speaker 1: I'm thinking you was drunk. And then just the other

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Speaker 1: side came out off the wallow right here wallow stripping

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Speaker 1: name was T T D. Wait, hold on Wallow? What

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Speaker 1: are you lying on? Wallow? Bro? Ain't lying them? Returned

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Speaker 1: the club out? You made that wall is Wallow way way,

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Speaker 1: hold on bro. The problem is this is a problem.

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Speaker 1: Why I be lying about yesterday? I ain't hold on

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Speaker 1: wall Slow down, slow down, Bro. Y'all not supposed to me.

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Speaker 1: I didn't know y'all gonna my name listen, listen my

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Speaker 1: name was tt D throw that. Then they're getting that

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Speaker 1: money up here. Bro. If you're gonna hustle, hustle somewhere

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Speaker 1: up here, brother, Yo, I wasn't expected. Listen your hand,

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Speaker 1: please raise your hand. It was no he was in there,

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Speaker 1: will So how was you thought this might be a hand? Yeah?

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Speaker 1: How you was? How you was doing that? Bro? No,

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Speaker 1: he was in the ship club. I mean because Gilly

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Speaker 1: be talking. Mom. You was on lifeguard duty in prison

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Speaker 1: when the shower No, no, I cleaned the prison showers

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Speaker 1: and he remixed that. I don't know how somebody told

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Speaker 1: his money. I was cleaning the shower. You held it down,

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Speaker 1: you know that, yo. So listen. So y'all telling me that,

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Speaker 1: y'all understand because we've been a little fuge about murder.

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Speaker 1: I'm just saying that it's some What did he say?

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Speaker 1: It's some Islanders knowed Caribbe styles, right. I don't know

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Speaker 1: if we got any Caribbean brothers in here. We got

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Speaker 1: any brothers from the Caribbean in there? Gillo, Gilly, Gilly

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Speaker 1: and Wallow was a tag team stripper group. Yeah, I

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Speaker 1: mean that's what they're saying. Oh hey, I'm thinking I'm

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Speaker 1: gonna flame me hey, hey, Now, now I know where

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Speaker 1: you get that. None from Peter Leta bring y'all see.

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Speaker 1: He's been known for the Philly right rock you. And

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Speaker 1: then you get with Bobby Schmirdy, the young Nick put

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Speaker 1: ya all the way you up, you start popping your

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Speaker 1: crotch and just going real crazy. A lot of gy

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Speaker 1: rated and two wasn't in the room, bro. Hey, hey,

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Speaker 1: let me tell you in the room. Bro right, let

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Speaker 1: me say something, bro, Let me tell you something, right.

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Speaker 1: I ain't never had to be nobody but me. That's

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Speaker 1: the problem. Live up to a facide. I'm just me.

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Speaker 1: I do what I want. And guess what, don't play

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Speaker 1: with me? Don't play with me. No, I'm don't man.

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Speaker 1: I want to play with a man. Don't play with me?

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Speaker 1: What wan? Bro? I'm fine note one hundred and sixty

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Speaker 1: two pounds. Why no play with bro? We don't want

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Speaker 1: your dimensions bro. But dude, bro, Bro, it was a

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Speaker 1: lot of husband too going on play with you. Yeah,

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Speaker 1: that's all I'm telling. At the end of the day,

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Speaker 1: I do what I want. I don't do what I'm feeling.

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Speaker 1: I'm self posted to. I don't live under those certain

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Speaker 1: set of rules. I do whatever. I want to have

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Speaker 1: fun fun and guess what and guess what gonna sit

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Speaker 1: around and they're gonna have an opinion on anything anyway,

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Speaker 1: and guess who don't give a because guess to see me,

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Speaker 1: they're not doing nothing, my man. Right wait, hold on,

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Speaker 1: that's the female right here. Davis EVT Davids just back

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Speaker 1: y'all and said, y'all was doing a little too much hugging.

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Speaker 1: I don't hugging lugging, Okay, we you know some it's

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Speaker 1: it's Um, it's a unique situation because I'd be in

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Speaker 1: some of them room sometimes and and I didn't hit

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Speaker 1: one of them before and say, yo, letting me up.

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Speaker 1: But I need not be doing that. The only reason

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Speaker 1: I say that is is because number one, I'm in

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Speaker 1: negotiations with a lot of different companies. So my content

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Speaker 1: means a lot to me. Right now, right, I come

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Speaker 1: up in a room and in a certain circumstances maybe

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Speaker 1: or something like that. But I'm not necessarily interested in

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Speaker 1: going up all the time when I'm in that because, um,

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Speaker 1: it's basically a free podcasting, you know what I'm saying,

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Speaker 1: And I'm not I'm not sure if I if I

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Speaker 1: if I want to do free podcasting all day long

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Speaker 1: like that. I don't think that that's a good business decision.

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Speaker 1: I think that there's a waste of content, a waste

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Speaker 1: of time. I think it'll be very childish for me

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Speaker 1: to sit up in podcast for free all day like that,

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Speaker 1: especially with me building a brand and having certain people

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Speaker 1: in position we've been doing a lot of these things

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Speaker 1: that's about to happen, and giving them free content out

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Speaker 1: like that, I just think that's that's not good. That

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Speaker 1: hence why you see Joe come in and he keeps

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Speaker 1: it at a bare minimum. If you remember when Joe

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Speaker 1: thought it was the elite on that he would go

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Speaker 1: up there every day talking, he got flooded somebody as

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Speaker 1: he probably looked back, like, Yo, this is free and

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Speaker 1: they put this on YouTube, and I can't take it

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Speaker 1: down right. You can't tell me they don't have a

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Speaker 1: waste free promotion for them. You can't tell me they

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Speaker 1: don't have a way to trigger that audio and make

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Speaker 1: it way if it is loaded anywhere else it's flagged off.

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Speaker 1: You can't tell me that they passed that that technology

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Speaker 1: is available. So when I don't see that in place,

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Speaker 1: I understand the agenda they're using people that's taking those

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Speaker 1: clips and getting hundreds of thousands of views on YouTube

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Speaker 1: and other platforms, Instagram, things like that. They're using that

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Speaker 1: as a part of their marketing team, marketing strategy, you know,

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Speaker 1: and it's working. They've raised their evaluation. They've got the

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Speaker 1: celebrities to come on their bring their whole audience for free.

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Speaker 1: They've got celebrities to come on their host rooms and

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Speaker 1: bring their whole audience for free, you know what I mean.

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Speaker 1: So it's just it's a unique thing, man. But yeah,

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Speaker 1: Joe is in this conversation somewhere, But I want to

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Speaker 1: get back to the part where, you know, because this

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Speaker 1: is where they was just playing, and you know, I

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Speaker 1: want to kind of get past that. I want to

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Speaker 1: get back to the part where he was kind of

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Speaker 1: explaining what he was saying and how versus Howard was painting.

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Speaker 1: And I want to definitely addressed both of those. But

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Speaker 1: let's let's listen to a little bit more this then

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Speaker 1: we'll go to that. Hold on, let me check up.

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Speaker 1: I'm gonna tell y'all feel about it. Taking a lot

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Speaker 1: of these kids. Gotta understand that we're slicking in you right,

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Speaker 1: We're slicking in you so we know, were you just

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Speaker 1: saying to take saying what is he saying because I

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Speaker 1: don't know and what he's saying I did what or

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Speaker 1: what is he saying or what he basically saying that

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Speaker 1: Old Bobby's murders and that they shooters and dances. What

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Speaker 1: you're trying to say, they's saying that you police, and

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Speaker 1: that's just that's not what he's saying. This y'all got

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Speaker 1: educating you whatever I'm the police got to do with

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Speaker 1: my opinion about didn't drop the music on time and

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Speaker 1: you're dancing in the way nigga, that ain't gangster? What

355
00:20:57,600 --> 00:20:59,560
Speaker 1: that got to do it? All? He told you the police.

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Speaker 1: But he's that just because of nigga dancing, don't mean

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Speaker 1: that he can't be a shooter. Well hold on, did

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Speaker 1: we you just brought up ohm, So did we ever

359
00:21:09,200 --> 00:21:14,040
Speaker 1: question about what that doing the street? Bro? Nope? Did

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Speaker 1: anybody call him man gay or say he ain't gangster?

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Speaker 1: We said you're gonna lose the street with that dancing, right,

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Speaker 1: So what the rest of this see looking like that

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Speaker 1: is looked dumb to the state in school, Bro. They

364
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Speaker 1: should have went and stayed in school so they can

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Speaker 1: comprehend what broke that was it said it so it

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Speaker 1: was kind of crazy, Like, yo, so why are you

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Speaker 1: sticking up a bob? Because no, you don't see why

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Speaker 1: he won't whack and say something. She was really killing

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Speaker 1: each other. Look, he won't whacked this. He won't whacked

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Speaker 1: to say something back, and he say something. No, at

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Speaker 1: the end of the day, ain't whack giving Bobby's murder,

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Speaker 1: all this pull up, all this publicity right now, all

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00:22:06,000 --> 00:22:10,200
Speaker 1: this attention, good, bad and different. Bobby's murder getting it

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00:22:10,520 --> 00:22:17,440
Speaker 1: not you whoever? You are too too? Whatever? The that's

375
00:22:17,520 --> 00:22:20,120
Speaker 1: weird because like, why are you speaking on it that's

376
00:22:20,119 --> 00:22:22,879
Speaker 1: supposed to be your enemy to it? You don't know,

377
00:22:23,680 --> 00:22:26,440
Speaker 1: like and when you're talking about something, keep it where

378
00:22:26,480 --> 00:22:29,080
Speaker 1: it's supposed to be. All this this dad, he's a

379
00:22:29,200 --> 00:22:33,280
Speaker 1: real shooter. And whack you the police? What did I

380
00:22:33,480 --> 00:22:37,359
Speaker 1: talk about? It had anything to do with the police. Now?

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00:22:37,440 --> 00:22:40,520
Speaker 1: The reason why too too, Jesus is responded because it's

382
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Speaker 1: a Brooklyn thing. And Brooklyn, who who's really doom going

383
00:22:44,359 --> 00:22:47,440
Speaker 1: at it? That's choo woo. You know what I'm saying,

384
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Speaker 1: the stick together saying your family, he's not ain't so

385
00:22:51,520 --> 00:22:55,440
Speaker 1: from Brooklyn I mean, who called them solves? But that's

386
00:22:55,440 --> 00:22:58,000
Speaker 1: what they think you insinuation? No, no, no, no, ain't

387
00:22:58,040 --> 00:23:02,679
Speaker 1: look bro, stop being Weirdneyking like y'all kids. One thing

388
00:23:02,720 --> 00:23:06,080
Speaker 1: about Whack. If I want to call your trop I'm

389
00:23:06,119 --> 00:23:09,520
Speaker 1: not sugarcoat. I'm gonna say you soft. Yeah, he said

390
00:23:09,600 --> 00:23:13,080
Speaker 1: multiple times, not taking that away from them. He said

391
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Speaker 1: that multiple times in this a hundred times. Cally Nobody.

392
00:23:19,600 --> 00:23:22,920
Speaker 1: It could be his labels, maybe labels telling him no, no, no, no,

393
00:23:23,080 --> 00:23:25,600
Speaker 1: check this out. Them paint that na. Hold on when

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00:23:25,640 --> 00:23:28,000
Speaker 1: y'all hear them paint that narrative, y'all gotta say nah.

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Speaker 1: I talked to wag Her Whack. Nobody calling that off

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00:23:32,520 --> 00:23:36,560
Speaker 1: rich from nobody's calling him soft, nobody's calling him gay,

397
00:23:37,040 --> 00:23:42,440
Speaker 1: nobody's saying he a solid dude. We I'm saying them

398
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Speaker 1: dance moves. Got to pre saying what the fuck is

399
00:23:46,720 --> 00:23:52,119
Speaker 1: going on? What you do? Nobody apposed that yet I

400
00:23:52,240 --> 00:23:55,080
Speaker 1: got you playing. I've been in this room for like

401
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Speaker 1: two hours, and Whack been saying the same for the

402
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Speaker 1: past two hours. He only talking about the dance moves.

403
00:24:00,840 --> 00:24:05,280
Speaker 1: He never said but we just explained to him. Though

404
00:24:05,520 --> 00:24:07,720
Speaker 1: we explained to him, it's a Brooklyn thing. It's a

405
00:24:07,800 --> 00:24:10,360
Speaker 1: Brooklyn westing, you know what I'm saying. That's all we're

406
00:24:10,359 --> 00:24:14,440
Speaker 1: just saying. Though, if you're not from like that's you,

407
00:24:15,000 --> 00:24:18,960
Speaker 1: that's you. People come on stage and say there's not

408
00:24:19,119 --> 00:24:22,000
Speaker 1: some New York and not so weird at the same time.

409
00:24:22,200 --> 00:24:24,480
Speaker 1: This is why I know a games are being played

410
00:24:24,520 --> 00:24:28,800
Speaker 1: at because don't think whack is whack. There's no way

411
00:24:28,840 --> 00:24:31,679
Speaker 1: you boxing people in like this. And you're around somebody

412
00:24:31,760 --> 00:24:35,320
Speaker 1: like Kanye West whose mind is open that dude ain't

413
00:24:35,440 --> 00:24:38,240
Speaker 1: boxing into these little things like this. You feel what

414
00:24:38,280 --> 00:24:40,880
Speaker 1: I'm saying, And I don't even mean dancing. I'm taking

415
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Speaker 1: it further than that, Like, dudes are not at least

416
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Speaker 1: I'm not right. This ain't You're not dealing with nobody

417
00:24:47,960 --> 00:24:50,399
Speaker 1: that's worried about what I look like through your eyes.

418
00:24:50,960 --> 00:24:53,320
Speaker 1: I got a handful of people that through their eyes

419
00:24:53,359 --> 00:24:56,960
Speaker 1: I'm worried about by perception. Outside of that handful of people,

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00:24:57,040 --> 00:25:00,960
Speaker 1: I'm uninterested in what it looked like. I'm more interested

421
00:25:01,000 --> 00:25:04,080
Speaker 1: in what it costs only because the way society is

422
00:25:04,119 --> 00:25:07,159
Speaker 1: set up. At some point, I want to take some

423
00:25:07,320 --> 00:25:09,240
Speaker 1: time out and heal from a lot of the things

424
00:25:09,359 --> 00:25:15,280
Speaker 1: I've been through. Take some time out and on vacation

425
00:25:15,440 --> 00:25:19,680
Speaker 1: and stay out the country for two months, live a

426
00:25:19,800 --> 00:25:22,240
Speaker 1: little big, go too deep in the waters. I was

427
00:25:22,280 --> 00:25:26,280
Speaker 1: telling somebody, like everybody be talking like they, oh yeah,

428
00:25:26,280 --> 00:25:29,639
Speaker 1: I want to get the yacht. Yo. Then waters get scary, bro.

429
00:25:29,800 --> 00:25:32,439
Speaker 1: You you out in Cowboy or something. Man, then waters man,

430
00:25:32,560 --> 00:25:35,640
Speaker 1: and all you can see is water. That's a hell

431
00:25:35,680 --> 00:25:37,959
Speaker 1: of a thing. Like I mean, of course, if you're

432
00:25:38,000 --> 00:25:40,800
Speaker 1: on a big yacht, that's different. I'm talking about I

433
00:25:40,960 --> 00:25:43,280
Speaker 1: was on TikTok. It's a little dude that's literally in

434
00:25:43,320 --> 00:25:46,600
Speaker 1: a boat this big, not you know, just a one

435
00:25:46,600 --> 00:25:48,640
Speaker 1: of them, a little bit of personal boats. He out

436
00:25:48,720 --> 00:25:52,280
Speaker 1: there grabbing ocean. I'm like, Yo, that is a hell

437
00:25:52,320 --> 00:25:54,200
Speaker 1: of a thing. And then when they get dog that

438
00:25:54,320 --> 00:25:57,800
Speaker 1: ocean it's a different place. It's one of the only

439
00:25:57,880 --> 00:26:01,320
Speaker 1: places on Earth that takes such a drastic change as

440
00:26:01,359 --> 00:26:04,600
Speaker 1: the knife fall. And I ain't talking about on the

441
00:26:04,720 --> 00:26:06,840
Speaker 1: beach like in the sand. I'm talking about in the

442
00:26:06,960 --> 00:26:10,920
Speaker 1: actual ocean out there, you know what I mean. It's

443
00:26:10,920 --> 00:26:14,679
Speaker 1: just a different feeling. But yeah, So Wack was basically

444
00:26:14,800 --> 00:26:19,600
Speaker 1: from a label standpoint saying, Yo, Bobby, you ain't dropping

445
00:26:19,640 --> 00:26:21,240
Speaker 1: no music this that in the third, and now they

446
00:26:21,320 --> 00:26:25,960
Speaker 1: got him. They didn't tricked him into entertaining the dancing conversation,

447
00:26:26,119 --> 00:26:28,240
Speaker 1: so now he running with the dancing thing, so he

448
00:26:28,359 --> 00:26:31,320
Speaker 1: fade getting wallow an attempt or do what tapping to

449
00:26:31,440 --> 00:26:35,640
Speaker 1: their audience because they fresh off that interview. You did

450
00:26:35,720 --> 00:26:37,600
Speaker 1: what I'm saying. So if they fresh off an interview,

451
00:26:37,680 --> 00:26:39,639
Speaker 1: come high, let me. I'm at home boy. That's why

452
00:26:39,680 --> 00:26:41,960
Speaker 1: I said it might be a handoff. I ain't sure

453
00:26:42,520 --> 00:26:44,840
Speaker 1: either he tricked them or it's a handout one or

454
00:26:44,880 --> 00:26:49,159
Speaker 1: the other. But again for me, in my opinion on that,

455
00:26:49,240 --> 00:26:53,159
Speaker 1: and I move past it is we're not critical or

456
00:26:53,200 --> 00:26:58,080
Speaker 1: the reals and then giving the suckers passes. You know

457
00:26:58,160 --> 00:27:00,520
Speaker 1: what I'm saying. If we if we got any passes

458
00:27:00,560 --> 00:27:03,680
Speaker 1: in our book bag, it go to the red you

459
00:27:03,760 --> 00:27:05,680
Speaker 1: know what I'm saying. And that's where I'm from. That's

460
00:27:05,680 --> 00:27:07,240
Speaker 1: how I look at it. You know what I'm saying.

461
00:27:07,280 --> 00:27:09,760
Speaker 1: That's where it's up there podcast. That's what we're going for.

462
00:27:10,359 --> 00:27:13,480
Speaker 1: An it passes that we got the suckers, don't get them,

463
00:27:14,400 --> 00:27:18,960
Speaker 1: you know what I'm saying. And because it's limited passes anyway,

464
00:27:19,640 --> 00:27:21,879
Speaker 1: you know what I mean, Because if we're just handing

465
00:27:21,960 --> 00:27:24,200
Speaker 1: passes out? Did it take the equity out of the

466
00:27:24,320 --> 00:27:26,399
Speaker 1: dudes that did go do what they were suposed to

467
00:27:26,480 --> 00:27:28,760
Speaker 1: do on behalf for what it was, you know, just

468
00:27:28,960 --> 00:27:30,920
Speaker 1: to hold some kind of order or some kind of

469
00:27:31,000 --> 00:27:34,520
Speaker 1: equity and just being what it is the dude strive

470
00:27:34,640 --> 00:27:37,720
Speaker 1: to be. You gotta leave a certain amount of passes

471
00:27:37,800 --> 00:27:41,320
Speaker 1: off the table. So if we do or do afford

472
00:27:41,920 --> 00:27:44,440
Speaker 1: afford it a pass to give, we definitely ain't going

473
00:27:44,480 --> 00:27:47,520
Speaker 1: in our backpacking and giving it to the suckers. And

474
00:27:47,680 --> 00:27:50,720
Speaker 1: then on top of their dudes, it's real and rappers.

475
00:27:51,280 --> 00:27:55,480
Speaker 1: We know that's a deadly combination. At least you know,

476
00:27:55,600 --> 00:27:58,280
Speaker 1: I don't know a whole bunch of real and rappers.

477
00:27:59,080 --> 00:28:01,119
Speaker 1: You did what I'm saying, And we know these rappers

478
00:28:01,160 --> 00:28:03,480
Speaker 1: are sending back to the hood with an ap and

479
00:28:03,600 --> 00:28:07,879
Speaker 1: without a house. Dudes, Mama's is in bad positions and

480
00:28:07,960 --> 00:28:09,920
Speaker 1: they got an ap on their risk. But you know

481
00:28:10,080 --> 00:28:13,000
Speaker 1: why it's easier for pass you down to watch he

482
00:28:13,119 --> 00:28:16,159
Speaker 1: got six sell mom, Now you posted to know what

483
00:28:16,280 --> 00:28:19,119
Speaker 1: to do with that watch seeing the hood, the problem

484
00:28:19,240 --> 00:28:23,000
Speaker 1: becomes it he won't let the watch go brod Game

485
00:28:23,040 --> 00:28:26,640
Speaker 1: A hundred eighteen thousand dollars watch he got it on. Man,

486
00:28:26,680 --> 00:28:28,480
Speaker 1: if you don't go a bronthing and get rid of

487
00:28:28,560 --> 00:28:31,080
Speaker 1: this but what it brads for it back, it's just

488
00:28:31,440 --> 00:28:34,320
Speaker 1: so it gets it's a whole. But if something like yeah,

489
00:28:34,359 --> 00:28:37,560
Speaker 1: he probably it's probably something kind of ad loop involved

490
00:28:37,600 --> 00:28:39,880
Speaker 1: in that. He trying to like, I ain't gonna give

491
00:28:39,880 --> 00:28:42,400
Speaker 1: you no money, but he go this, you know you

492
00:28:42,400 --> 00:28:44,720
Speaker 1: should probably be able to get foulded for that month

493
00:28:44,840 --> 00:28:47,280
Speaker 1: fifty for that roller, so you know what I mean,

494
00:28:47,360 --> 00:28:49,239
Speaker 1: Then you can probably do what it is you need

495
00:28:49,360 --> 00:28:52,760
Speaker 1: to do. Man. But um, but yeah, man, you know

496
00:28:52,880 --> 00:28:54,920
Speaker 1: we know these rap dudes are sending the nigga back

497
00:28:54,960 --> 00:28:57,720
Speaker 1: to the hood. Man what a what a what a

498
00:28:57,960 --> 00:29:02,760
Speaker 1: forty thousand dollars chain and sixteen thousand behind in mortgage?

499
00:29:03,560 --> 00:29:05,840
Speaker 1: You know what I mean? So it's just if you

500
00:29:05,960 --> 00:29:08,480
Speaker 1: see a dude to take extra time so his podnic

501
00:29:08,560 --> 00:29:11,640
Speaker 1: can get out early whole clicker dudes, right, and then

502
00:29:12,400 --> 00:29:15,640
Speaker 1: you know, I hear a lot of people say, man,

503
00:29:17,440 --> 00:29:19,480
Speaker 1: well you know you don't you don't applaud him for

504
00:29:19,600 --> 00:29:22,720
Speaker 1: doing what he posed to do. And to that, I say,

505
00:29:26,040 --> 00:29:28,160
Speaker 1: of course, you don't applaud him for doing what he's

506
00:29:28,160 --> 00:29:32,000
Speaker 1: supposed to do. But how many rappers you don't see

507
00:29:32,040 --> 00:29:35,960
Speaker 1: him do it that way. We don't even really know

508
00:29:36,160 --> 00:29:39,680
Speaker 1: what a rapper post to doing those situations to be real,

509
00:29:40,120 --> 00:29:42,720
Speaker 1: So we gotta applaud the ones that resemble one of

510
00:29:42,840 --> 00:29:45,560
Speaker 1: us when they in one of them situations. We gotta

511
00:29:45,600 --> 00:29:48,960
Speaker 1: really applaud him because really don't nobody know what the

512
00:29:49,120 --> 00:29:52,280
Speaker 1: rap post to do. It's two narratives going around. Some

513
00:29:52,440 --> 00:29:55,200
Speaker 1: people saying the rappers don't never post to keep it solid.

514
00:29:55,480 --> 00:29:58,680
Speaker 1: He a rapper, he throwing his life away. You got

515
00:29:58,760 --> 00:30:00,800
Speaker 1: other saying, now, if you got involved in that, you

516
00:30:00,880 --> 00:30:05,000
Speaker 1: gotta stand on that. And so it's confusing out there.

517
00:30:06,800 --> 00:30:09,440
Speaker 1: So so so when you see him start the applause,

518
00:30:09,600 --> 00:30:14,880
Speaker 1: dudes that can't be really lay necessarily that we're looking

519
00:30:14,920 --> 00:30:20,920
Speaker 1: at him like a street. We don't saw rappers fold

520
00:30:21,000 --> 00:30:27,480
Speaker 1: for less. We don't saw rappers get up. Then, you know,

521
00:30:27,560 --> 00:30:32,120
Speaker 1: we don't saw the shame poles and the bgs, the turks.

522
00:30:34,200 --> 00:30:35,640
Speaker 1: You know, I don't know, it's a lot of it's

523
00:30:35,640 --> 00:30:39,320
Speaker 1: a lot of them, the raw loos. You did what

524
00:30:39,400 --> 00:30:41,200
Speaker 1: I'm saying, We don't saw a lot of real ones

525
00:30:41,240 --> 00:30:43,680
Speaker 1: going down and not you know, Gates went and done

526
00:30:43,760 --> 00:30:46,000
Speaker 1: some time. A lot of these dudes went in doing

527
00:30:46,080 --> 00:30:48,120
Speaker 1: time and they ain't really doing too much of the

528
00:30:48,720 --> 00:30:52,920
Speaker 1: you know, and so what's happening. But on the other side,

529
00:30:52,960 --> 00:30:55,200
Speaker 1: you got a whole bunch of them that his paperwork

530
00:30:55,320 --> 00:30:57,760
Speaker 1: came out. He told, he told, he told, he told,

531
00:30:57,920 --> 00:31:01,640
Speaker 1: and you got legitimate they feigned. It's pushing that narrative.

532
00:31:01,680 --> 00:31:05,840
Speaker 1: So again, when you look at someone that stands on

533
00:31:05,920 --> 00:31:10,080
Speaker 1: the responsibilities of hey man, what I've done belong to

534
00:31:10,200 --> 00:31:13,960
Speaker 1: me and what the universe got for me belong to me, right,

535
00:31:16,520 --> 00:31:19,920
Speaker 1: you gotta applaud that in a world where a bunch

536
00:31:19,960 --> 00:31:23,880
Speaker 1: of dudes doing the opposite of that. So we'll move

537
00:31:23,960 --> 00:31:25,800
Speaker 1: on from that, all right, So now I want to

538
00:31:25,840 --> 00:31:29,200
Speaker 1: talk about Kevin Gates went on two Big Facts podcasts.

539
00:31:29,200 --> 00:31:32,000
Speaker 1: Shout out to my people, Bank Baby Jay Scream the

540
00:31:32,080 --> 00:31:36,120
Speaker 1: whole Big Facts podcast family, and shout out Revote TV

541
00:31:37,040 --> 00:31:40,080
Speaker 1: in Black Effect, you know, the whole team over there.

542
00:31:41,120 --> 00:31:44,400
Speaker 1: Beautiful situation. Man. Again Big Facts coming into the year

543
00:31:44,480 --> 00:31:47,640
Speaker 1: with a big interview as they do. Again, That's why

544
00:31:47,640 --> 00:31:49,800
Speaker 1: I tell y'all in this, in this in this space

545
00:31:49,880 --> 00:31:51,760
Speaker 1: over here, man, you got to be getting your work in.

546
00:31:52,400 --> 00:31:54,440
Speaker 1: You got they forcing you to put the work in

547
00:31:54,600 --> 00:31:57,560
Speaker 1: around here, boy, you're not making no money, ain't putting

548
00:31:57,600 --> 00:32:00,920
Speaker 1: no work in. So Gates went over to Big Facts

549
00:32:01,040 --> 00:32:03,560
Speaker 1: podcast and he spoke about a few things. We're gonna

550
00:32:03,560 --> 00:32:05,400
Speaker 1: look at a few of the clips and then we're

551
00:32:05,400 --> 00:32:08,120
Speaker 1: gonna come back with some game. I was gonna, you know,

552
00:32:08,440 --> 00:32:11,520
Speaker 1: the word of samurai. You smashed myself because I was

553
00:32:11,600 --> 00:32:13,080
Speaker 1: to the point I didn't want to live no more.

554
00:32:13,160 --> 00:32:15,680
Speaker 1: That last video I had posted and I was holding

555
00:32:15,760 --> 00:32:19,120
Speaker 1: my daughter, rocking him. I did a birthday in Cabo

556
00:32:19,400 --> 00:32:21,160
Speaker 1: and mixing car I did all of that. I made

557
00:32:21,200 --> 00:32:23,440
Speaker 1: sure that she had the first, the best birthday over.

558
00:32:23,880 --> 00:32:25,720
Speaker 1: I was just holding I knew that my last time

559
00:32:26,200 --> 00:32:31,120
Speaker 1: this was this past decimble, this decembol, but they mark

560
00:32:31,200 --> 00:32:37,320
Speaker 1: the anniversary of that. Though I wasn't happy. I wasn't

561
00:32:37,360 --> 00:32:41,040
Speaker 1: happy the world. The world was already beat the world

562
00:32:41,080 --> 00:32:44,480
Speaker 1: out as men, especially as a provider. A lot of

563
00:32:44,560 --> 00:32:46,320
Speaker 1: men don't speak about this, but a lot of me

564
00:32:46,400 --> 00:32:49,160
Speaker 1: and softa in silence. Also in fact, when you when

565
00:32:49,200 --> 00:32:52,800
Speaker 1: you were a provider, and you and you and you're

566
00:32:52,800 --> 00:32:56,800
Speaker 1: a real real provider, but you already unhappy and you're

567
00:32:56,880 --> 00:33:00,200
Speaker 1: not feeling like you being celebrated in the problem, ma'am,

568
00:33:01,200 --> 00:33:03,360
Speaker 1: you feel like you're only being tolerated. Like a lot

569
00:33:03,400 --> 00:33:05,960
Speaker 1: of people be like why certain men don't go home?

570
00:33:06,040 --> 00:33:07,320
Speaker 1: Like when I was in the streets, I used to

571
00:33:07,360 --> 00:33:10,720
Speaker 1: hate going home because I feel like it's cool, but

572
00:33:10,760 --> 00:33:14,160
Speaker 1: I ain't welcome though, because it don't feel embrace it.

573
00:33:14,240 --> 00:33:16,080
Speaker 1: When I go home, it's like, yeah, like it, this

574
00:33:16,120 --> 00:33:22,480
Speaker 1: is what I'm supposed to be doing. So I want

575
00:33:22,480 --> 00:33:27,360
Speaker 1: to spend some time on that, because that's a powerful,

576
00:33:28,240 --> 00:33:32,160
Speaker 1: powerful place right there, and there's no information on him

577
00:33:32,200 --> 00:33:36,080
Speaker 1: on this right for me and deal with a situation

578
00:33:36,200 --> 00:33:38,840
Speaker 1: where when they go home. See back in the day

579
00:33:40,920 --> 00:33:45,560
Speaker 1: when Granddad and then went home, the home was a

580
00:33:45,680 --> 00:33:49,760
Speaker 1: place where those people dwere that and they felt comfortable.

581
00:33:50,440 --> 00:33:53,400
Speaker 1: It was a level of peace. It was a level

582
00:33:53,480 --> 00:33:59,120
Speaker 1: of you know, love and care and welcome, welcome home.

583
00:34:00,680 --> 00:34:09,799
Speaker 1: You know nowadays nowadays for men, I think that being

584
00:34:09,840 --> 00:34:12,920
Speaker 1: a provider is at the forefront of everyone's list, right.

585
00:34:14,000 --> 00:34:16,520
Speaker 1: Everyone thinks that you must be a provider of me.

586
00:34:16,840 --> 00:34:24,279
Speaker 1: I second that as well. But when you're viewed as

587
00:34:25,440 --> 00:34:28,520
Speaker 1: just a provider, is that different than being viewed it's

588
00:34:28,600 --> 00:34:33,160
Speaker 1: just six like all those two the same things. Are

589
00:34:33,200 --> 00:34:39,239
Speaker 1: we dealing with circumstances where people are not necessarily respecting

590
00:34:39,320 --> 00:34:43,160
Speaker 1: people as people, because men deserve peace too. I know

591
00:34:43,360 --> 00:34:46,040
Speaker 1: some people that say happy wife, happy life, man, and

592
00:34:46,160 --> 00:34:50,080
Speaker 1: I get I get confused when they say that, you

593
00:34:50,200 --> 00:34:52,040
Speaker 1: know what I'm saying. I think that that's true, but

594
00:34:52,160 --> 00:34:54,640
Speaker 1: I think it's part of that sentence they're leaving off.

595
00:34:56,640 --> 00:35:00,960
Speaker 1: Are you seeing them? My light is shining hus or together?

596
00:35:01,080 --> 00:35:05,920
Speaker 1: Do we shine brighter together? Do we make a hell

597
00:35:06,000 --> 00:35:11,160
Speaker 1: of a combination? Do we complement each other? Can we coexist?

598
00:35:12,920 --> 00:35:16,640
Speaker 1: Are you telling me to make myself little so you

599
00:35:16,719 --> 00:35:23,560
Speaker 1: can appear big, make myself uncomfortable so you could become comfortable.

600
00:35:27,040 --> 00:35:29,320
Speaker 1: I need to understand what we're saying when we say it,

601
00:35:29,400 --> 00:35:31,600
Speaker 1: and that's why sometimes I bring it to the part

602
00:35:32,200 --> 00:35:35,840
Speaker 1: and I try to iron it out, try to iron

603
00:35:35,880 --> 00:35:39,239
Speaker 1: the wrinkers out, because I don't, you know, I know,

604
00:35:39,360 --> 00:35:42,960
Speaker 1: as a family, as a community, as a you know,

605
00:35:43,200 --> 00:35:49,080
Speaker 1: as combined. Because if I just need to work on

606
00:35:49,239 --> 00:35:52,040
Speaker 1: what I'm doing right, then I can I can do

607
00:35:52,200 --> 00:35:55,680
Speaker 1: that by myself. I'm not sure that this generation of

608
00:35:55,800 --> 00:36:02,320
Speaker 1: women and men have the information needed to provide any intimacy,

609
00:36:03,920 --> 00:36:10,200
Speaker 1: to provide that comfortability factor that we may have solved

610
00:36:10,239 --> 00:36:12,680
Speaker 1: back in the day, that we may have grow up

611
00:36:12,760 --> 00:36:16,759
Speaker 1: under from Granny that we may assaulve Mama and them

612
00:36:16,880 --> 00:36:23,719
Speaker 1: get like. I think that now we're looking at love

613
00:36:23,840 --> 00:36:29,759
Speaker 1: and six in the same category, and the lines get

614
00:36:29,840 --> 00:36:34,440
Speaker 1: blurred because love it's something that's it's not tangible. It's

615
00:36:34,440 --> 00:36:41,600
Speaker 1: an agreement, but it's a strong verbal agreement. It's a

616
00:36:41,719 --> 00:36:45,880
Speaker 1: strong verbal agreement. But when you're dealing with six, the

617
00:36:46,080 --> 00:36:51,560
Speaker 1: feeling is unmasked. And so sometimes people place that feeling

618
00:36:51,680 --> 00:36:55,120
Speaker 1: next to love because if there's something unmatched in something

619
00:36:55,560 --> 00:36:59,080
Speaker 1: that's posted to be so good, but it's it's not tangible,

620
00:36:59,800 --> 00:37:02,680
Speaker 1: I might as well pick put the unknown with the unknown.

621
00:37:04,000 --> 00:37:05,879
Speaker 1: You feel what I'm saying and say that they're ken,

622
00:37:06,120 --> 00:37:09,919
Speaker 1: especially when we go to verbalizing while we're doing these things,

623
00:37:10,000 --> 00:37:12,520
Speaker 1: and you know, because you know, I'm a talker. You

624
00:37:12,640 --> 00:37:15,000
Speaker 1: know some people are talkers. You know when they get

625
00:37:15,080 --> 00:37:17,600
Speaker 1: in there, you know, and go to you see what

626
00:37:17,719 --> 00:37:22,920
Speaker 1: I'm saying, and so um, it blurs the lines. You

627
00:37:23,000 --> 00:37:25,160
Speaker 1: know what I'm saying. But I think that's something to

628
00:37:25,280 --> 00:37:27,399
Speaker 1: be said about me and being a happy and man

629
00:37:27,520 --> 00:37:30,279
Speaker 1: being in a space where we just seem to feel

630
00:37:30,320 --> 00:37:34,400
Speaker 1: as though, you know that people are not viewing us

631
00:37:34,440 --> 00:37:36,640
Speaker 1: in a way that or appreciating us in a way

632
00:37:36,680 --> 00:37:39,239
Speaker 1: that we should be appreciated. Let's listen to a little more,

633
00:37:40,000 --> 00:37:42,080
Speaker 1: you know, let people live on the journey and where

634
00:37:42,120 --> 00:37:44,640
Speaker 1: and where. I'm mad with it, man and to be

635
00:37:44,760 --> 00:37:49,440
Speaker 1: honest with a lot of people, Manu, it's a weird

636
00:37:49,560 --> 00:37:52,439
Speaker 1: thing that happens with the universe. Right. It's like doubt

637
00:37:52,560 --> 00:37:56,399
Speaker 1: tries to start to creep in, like you know, see,

638
00:37:56,480 --> 00:37:58,920
Speaker 1: For me, I always stand don't trust the game, trust

639
00:37:58,960 --> 00:38:02,840
Speaker 1: the information, trust to trust your ability, trust what you

640
00:38:03,000 --> 00:38:08,320
Speaker 1: the work you put in. Right. But now as I

641
00:38:08,440 --> 00:38:13,640
Speaker 1: got you know, Revote on the line and a couple

642
00:38:13,640 --> 00:38:19,440
Speaker 1: of different companies that I'm in communication with on the line,

643
00:38:19,760 --> 00:38:23,680
Speaker 1: it's like I got a weird something weird it's happening, right.

644
00:38:24,280 --> 00:38:26,960
Speaker 1: It's like and I never never felt it before, right,

645
00:38:27,040 --> 00:38:29,239
Speaker 1: I've been getting money long time in the street. I

646
00:38:29,320 --> 00:38:32,839
Speaker 1: come out of the street getting money, so and I've

647
00:38:32,880 --> 00:38:36,520
Speaker 1: been getting money legally you know, for a while as well.

648
00:38:37,280 --> 00:38:42,200
Speaker 1: But it's like something's happening that feels like a shift

649
00:38:42,400 --> 00:38:45,120
Speaker 1: is about to come. Like there's a change happening. There's

650
00:38:45,160 --> 00:38:50,200
Speaker 1: a there's a something something, there's some momentum. Something's happening, right,

651
00:38:50,360 --> 00:38:52,560
Speaker 1: and it's creeping up on me. It's like I feel

652
00:38:52,560 --> 00:38:56,000
Speaker 1: it as I walk around my crib or let's say

653
00:38:56,040 --> 00:38:58,280
Speaker 1: I go jump in the shower or something. It instantly

654
00:38:58,320 --> 00:39:01,600
Speaker 1: my minded instantly go to the You need a vacation.

655
00:39:01,760 --> 00:39:05,000
Speaker 1: You need like a month to reset, you know, you

656
00:39:05,160 --> 00:39:09,239
Speaker 1: need and I mean before the roll out of any

657
00:39:09,320 --> 00:39:13,360
Speaker 1: shows anything, I need some time to go sit somewhere,

658
00:39:13,440 --> 00:39:18,120
Speaker 1: get some massages. You know, it's been a long fifteen months,

659
00:39:18,239 --> 00:39:21,560
Speaker 1: you know what I'm saying, And you know, I want

660
00:39:21,600 --> 00:39:24,400
Speaker 1: to share with y'all what it's like, what I'm going through, man,

661
00:39:24,440 --> 00:39:31,600
Speaker 1: because I know it's creators out there that's on this journey.

662
00:39:33,080 --> 00:39:35,800
Speaker 1: You know, it's creators out there. It's on this journey.

663
00:39:35,840 --> 00:39:39,960
Speaker 1: And it's almost like damn, bro, like you will be

664
00:39:40,080 --> 00:39:44,640
Speaker 1: able to place yourself and change the generation of curse,

665
00:39:45,400 --> 00:39:48,080
Speaker 1: you know, change the curse of Yo. We might got

666
00:39:48,160 --> 00:39:53,120
Speaker 1: a head for a million laying around, but if if

667
00:39:53,440 --> 00:39:55,920
Speaker 1: you die to hear, then the wrong person get that

668
00:39:56,040 --> 00:39:59,400
Speaker 1: money in them houses. Everything's gone within one swipe. You

669
00:39:59,480 --> 00:40:01,759
Speaker 1: know that's a That's it, man, you know, that's that's

670
00:40:01,840 --> 00:40:04,839
Speaker 1: my biggest feeling. It's a lot to think about right

671
00:40:04,920 --> 00:40:10,600
Speaker 1: when I know, Mama, see because mama been Mama. Mama

672
00:40:10,719 --> 00:40:14,279
Speaker 1: know a nigga smart, right, Mama, no Ah, nigga got

673
00:40:14,440 --> 00:40:17,719
Speaker 1: a unique ability, Mama to see him, you know, the

674
00:40:17,880 --> 00:40:21,480
Speaker 1: salt without and done just in life, right. But I'm

675
00:40:21,520 --> 00:40:25,759
Speaker 1: not sure she's ever really looked at it like and

676
00:40:25,960 --> 00:40:29,360
Speaker 1: really been proud, had one of them real proud moments,

677
00:40:29,760 --> 00:40:31,239
Speaker 1: you know what I'm saying, when you look at it

678
00:40:31,280 --> 00:40:35,479
Speaker 1: and say, damn, man, that's that's my child, that's my son,

679
00:40:35,840 --> 00:40:37,480
Speaker 1: that's my you know what I mean. And so I

680
00:40:37,560 --> 00:40:41,440
Speaker 1: gotta provide some of those, man. But um, let's get

681
00:40:41,480 --> 00:40:45,080
Speaker 1: to this Kevin Gates video with big facts. When you

682
00:40:45,280 --> 00:40:49,080
Speaker 1: when you're a provider and you and you and you're

683
00:40:49,080 --> 00:40:52,759
Speaker 1: a real real provider, but you are really unhappy and

684
00:40:52,880 --> 00:40:56,440
Speaker 1: you're not feeling like you being celebrated in the problem man.

685
00:40:57,440 --> 00:40:59,600
Speaker 1: You feel like you're only being tolerated like a lot

686
00:40:59,600 --> 00:41:02,200
Speaker 1: of people to be like, wow, certain men don't go home.

687
00:41:02,320 --> 00:41:03,600
Speaker 1: Like when I was in the streets, I used to

688
00:41:03,600 --> 00:41:07,000
Speaker 1: hate going home because I feel like it's cool, but

689
00:41:07,040 --> 00:41:10,640
Speaker 1: I ain't welcome though, because it don't feel embracing. When

690
00:41:10,680 --> 00:41:12,520
Speaker 1: I go home, It's like, yeah, like it is what

691
00:41:12,560 --> 00:41:14,799
Speaker 1: I'm supposed to be doing and a lot of men

692
00:41:14,880 --> 00:41:17,719
Speaker 1: suffer from it and not knowing that it's okay to

693
00:41:17,840 --> 00:41:19,680
Speaker 1: have your man. Okay, you have to go on your

694
00:41:19,719 --> 00:41:22,640
Speaker 1: solitude and have your time for yourself in order for you.

695
00:41:22,760 --> 00:41:25,960
Speaker 1: Let me speak on that. Unfortunately for us, right, there's

696
00:41:26,000 --> 00:41:30,399
Speaker 1: a misunderstanding on what it comes to be in a relationship, right,

697
00:41:30,960 --> 00:41:33,880
Speaker 1: me and then women right Somewhere along the lines, we

698
00:41:34,040 --> 00:41:37,440
Speaker 1: start to figure or we think that the price is

699
00:41:37,480 --> 00:41:41,480
Speaker 1: the same, the conditions are the same. We started to

700
00:41:41,560 --> 00:41:45,680
Speaker 1: think we're uniform then the way we view things, receive things,

701
00:41:45,760 --> 00:41:47,879
Speaker 1: and how we interact with each other. And I think

702
00:41:47,960 --> 00:41:52,200
Speaker 1: that's a mistake. Right. I hear oftentimes people say happy wife,

703
00:41:52,280 --> 00:41:55,479
Speaker 1: happy life. See my problem with that is you gotta

704
00:41:55,520 --> 00:41:58,880
Speaker 1: be careful when you're dealing with a tied individual, tied

705
00:41:59,120 --> 00:42:02,640
Speaker 1: human that go for men, old woman, man, old woman.

706
00:42:02,680 --> 00:42:08,080
Speaker 1: That don't there's no specific genders whoever tied right, because

707
00:42:08,160 --> 00:42:11,480
Speaker 1: I don't saw a man get tired as well. Men

708
00:42:11,640 --> 00:42:14,279
Speaker 1: get tired as well. A lot of times when we

709
00:42:14,400 --> 00:42:18,320
Speaker 1: hear women right and they go to communicating their representation

710
00:42:18,480 --> 00:42:21,600
Speaker 1: of relationships or men, a lot of times on the

711
00:42:21,719 --> 00:42:26,799
Speaker 1: other end of that, they're dealing with a tired man, right,

712
00:42:27,000 --> 00:42:30,239
Speaker 1: sometimes they're right. Sometimes they're dealing with a salary man.

713
00:42:30,520 --> 00:42:34,560
Speaker 1: But there's there's a subsection in there too where you

714
00:42:34,640 --> 00:42:38,920
Speaker 1: could be dealing with a tired individual. Right. And so

715
00:42:39,040 --> 00:42:41,080
Speaker 1: when you say he don't hold you no more, or

716
00:42:41,160 --> 00:42:43,960
Speaker 1: he don't take you on dates, or he doesn't let

717
00:42:44,040 --> 00:42:47,200
Speaker 1: itself go in things like that, what kind of pressure

718
00:42:47,320 --> 00:42:51,160
Speaker 1: is involved with the relationship. Is it a healthy environment

719
00:42:51,280 --> 00:42:54,560
Speaker 1: or he or is he just tolerated and expected to excel.

720
00:42:55,920 --> 00:42:58,959
Speaker 1: Some people treat their bost better than they treat they mate.

721
00:43:01,000 --> 00:43:03,520
Speaker 1: I had to figure out one time, I say, damn man,

722
00:43:03,600 --> 00:43:06,440
Speaker 1: then white folks at your job, but tell you anything

723
00:43:06,840 --> 00:43:10,799
Speaker 1: and it ain't no back talk. But I can say

724
00:43:10,920 --> 00:43:13,440
Speaker 1: something to you and you will be able to respond

725
00:43:13,560 --> 00:43:16,759
Speaker 1: to it before you even checked. Right. So I like

726
00:43:16,920 --> 00:43:19,239
Speaker 1: to deal with specifics. Right, So if I come say

727
00:43:19,320 --> 00:43:21,480
Speaker 1: something to you, I don't know, I already check the files.

728
00:43:23,280 --> 00:43:25,680
Speaker 1: I literally doesn't check the files. This is what kind

729
00:43:25,719 --> 00:43:28,719
Speaker 1: of individual I am. This ain't by coincidence. I'd have

730
00:43:28,800 --> 00:43:32,839
Speaker 1: made it this file. This the kind of individual I am.

731
00:43:33,040 --> 00:43:38,279
Speaker 1: We gotta be careful not to celebrate each other, right.

732
00:43:38,680 --> 00:43:41,160
Speaker 1: I think a lot of times when we had these conversations,

733
00:43:41,239 --> 00:43:45,080
Speaker 1: we leave I'm me and out of them, right, happy wife,

734
00:43:45,160 --> 00:43:48,040
Speaker 1: happy life. You know you supposed to be the provider.

735
00:43:48,120 --> 00:43:50,640
Speaker 1: You should have done better. And I think as a

736
00:43:50,760 --> 00:43:53,840
Speaker 1: family again, we gotta be uniformed a lot of times,

737
00:43:56,160 --> 00:43:59,400
Speaker 1: uniform and our acceptance of each other and our standards. Right.

738
00:43:59,480 --> 00:44:01,520
Speaker 1: But a lot of times me and they have trouble

739
00:44:01,600 --> 00:44:06,120
Speaker 1: in communicating their standards. Right. Sometimes it feels like you're

740
00:44:06,160 --> 00:44:09,600
Speaker 1: coming off. See, they don't tricked us somewhere. They don't

741
00:44:09,640 --> 00:44:12,400
Speaker 1: tricked us into thinking that when you communicate your standards,

742
00:44:12,440 --> 00:44:14,759
Speaker 1: it come off as you acting like a woman. Right

743
00:44:14,840 --> 00:44:17,600
Speaker 1: if you go to saying like, hey, yo, you know

744
00:44:17,960 --> 00:44:21,399
Speaker 1: I'm only home three days. You know at the first

745
00:44:21,480 --> 00:44:24,640
Speaker 1: six months of the year, right, I'm only home maybe three,

746
00:44:25,120 --> 00:44:28,040
Speaker 1: three to five days within that time frame, you know,

747
00:44:28,160 --> 00:44:30,200
Speaker 1: when I'm there. I like for this to be the case.

748
00:44:31,840 --> 00:44:36,319
Speaker 1: All the pushing and pulling I'm doing, all the over

749
00:44:37,120 --> 00:44:41,560
Speaker 1: extending that I'm doing everything I'm doing to make sure

750
00:44:41,640 --> 00:44:44,600
Speaker 1: that you can just relax at the Big Boy Palace

751
00:44:44,640 --> 00:44:47,560
Speaker 1: and have a great time if that's what you choose

752
00:44:47,640 --> 00:44:50,360
Speaker 1: to do, Because it ain't never necessary to do nothing,

753
00:44:51,880 --> 00:44:55,120
Speaker 1: you understand me in regards to listen, I'm gonna see,

754
00:44:55,480 --> 00:44:57,719
Speaker 1: I'm a kind of man like this right here. If

755
00:44:57,760 --> 00:45:00,120
Speaker 1: you if you you know, if you're my wife, you

756
00:45:00,160 --> 00:45:03,160
Speaker 1: don't want to do nothing, you know, that's and you

757
00:45:03,280 --> 00:45:04,840
Speaker 1: want to take care of the house and keep the

758
00:45:04,920 --> 00:45:07,480
Speaker 1: house found dating and make sure to running. Because to me,

759
00:45:07,640 --> 00:45:11,920
Speaker 1: that's I got an immense amount of respect for running

760
00:45:12,000 --> 00:45:14,440
Speaker 1: the household at a high level, right and making sure

761
00:45:14,480 --> 00:45:18,480
Speaker 1: that is a place of peace and organization. Right, that's

762
00:45:18,719 --> 00:45:21,960
Speaker 1: that's that's our little organization you're running, right, So I

763
00:45:22,120 --> 00:45:24,759
Speaker 1: got a lot of respect for that. So now, if

764
00:45:24,840 --> 00:45:26,600
Speaker 1: that's what you want to do, we can do that.

765
00:45:26,840 --> 00:45:29,000
Speaker 1: But if you also want to go on your paper

766
00:45:29,120 --> 00:45:32,000
Speaker 1: chase and you want to go into this or that,

767
00:45:32,160 --> 00:45:34,480
Speaker 1: I'm with that as well. But I ain't one of

768
00:45:34,520 --> 00:45:36,799
Speaker 1: them wants to say, yo, you can't work. I hear,

769
00:45:36,920 --> 00:45:39,520
Speaker 1: I hear people sometimes say that. But let me get

770
00:45:39,600 --> 00:45:43,600
Speaker 1: back to what you know, what the topic is. You

771
00:45:43,680 --> 00:45:46,520
Speaker 1: know a lot of times men have trouble communicating their

772
00:45:46,600 --> 00:45:51,319
Speaker 1: standards because women's feelings are attached to what men say,

773
00:45:51,480 --> 00:45:55,480
Speaker 1: especially when they feel as though they open up all avenues,

774
00:45:56,200 --> 00:45:58,239
Speaker 1: you know, for the man. So what tends to happen

775
00:45:58,520 --> 00:46:02,680
Speaker 1: is she think that she hitting you with the guap

776
00:46:02,800 --> 00:46:06,239
Speaker 1: four thousand, you understanding the whole time. In the back

777
00:46:06,280 --> 00:46:09,239
Speaker 1: of your head, you telling them, Man, you're really thinking, yo,

778
00:46:09,880 --> 00:46:11,799
Speaker 1: you should have I could have. You could have done

779
00:46:11,840 --> 00:46:14,719
Speaker 1: it like this, or I want to, you know, try

780
00:46:14,840 --> 00:46:18,239
Speaker 1: this or do this or let's do that. But it's

781
00:46:18,280 --> 00:46:21,560
Speaker 1: almost like when your kid bring you a drawing. You

782
00:46:21,640 --> 00:46:24,520
Speaker 1: know what I'm saying, The dadda can't. The dadda never

783
00:46:24,600 --> 00:46:27,680
Speaker 1: looked at the drawing and be like, oh man, right,

784
00:46:27,920 --> 00:46:30,600
Speaker 1: especially us, we're dealing with people not even trying to

785
00:46:31,760 --> 00:46:34,560
Speaker 1: satisfy us on any level. Black men, you know, we

786
00:46:34,680 --> 00:46:37,479
Speaker 1: don't really, So when it comes to that, it's like, damn,

787
00:46:37,520 --> 00:46:42,279
Speaker 1: he goes somebody I love that may or may not

788
00:46:42,440 --> 00:46:45,359
Speaker 1: be giving me the sexual pleasure that she thinks she's

789
00:46:45,440 --> 00:46:49,960
Speaker 1: given me. Right, So what's happened is I had trouble

790
00:46:50,280 --> 00:46:53,360
Speaker 1: breaking those barriers and saying damn. And she may be

791
00:46:53,480 --> 00:46:55,759
Speaker 1: on the same side, but they know how to some

792
00:46:56,120 --> 00:46:58,200
Speaker 1: kind of way deal with that a little bit better.

793
00:46:58,560 --> 00:47:02,919
Speaker 1: But for the guy, you wonder why he keep paying

794
00:47:02,960 --> 00:47:05,160
Speaker 1: the stripper. He keeps getting caught over here doing this,

795
00:47:05,320 --> 00:47:08,080
Speaker 1: and you're feeling like I just literally gave him some

796
00:47:08,280 --> 00:47:12,160
Speaker 1: head yesterday, right, Because it's a it's a it's a

797
00:47:12,280 --> 00:47:16,760
Speaker 1: miscommunication of our standards. I also think that you gotta

798
00:47:18,719 --> 00:47:21,200
Speaker 1: place yourself in the situations that you would like to

799
00:47:21,280 --> 00:47:23,960
Speaker 1: be in. You see what I'm saying in regards to

800
00:47:24,040 --> 00:47:27,480
Speaker 1: you gotta create your own scenario right, and then you

801
00:47:27,600 --> 00:47:30,239
Speaker 1: can't really sell yourself short. I know sometimes you go

802
00:47:30,320 --> 00:47:32,640
Speaker 1: to thinking like damn, am I asking for two months?

803
00:47:32,680 --> 00:47:36,000
Speaker 1: Like shit getting them they can't get Yeah, man, it's

804
00:47:36,040 --> 00:47:39,560
Speaker 1: probably a little am I Now you're not You're not.

805
00:47:39,840 --> 00:47:43,440
Speaker 1: You're on the right track, just the wrong train. You know.

806
00:47:43,560 --> 00:47:45,480
Speaker 1: They say you can be the full package, you end

807
00:47:45,560 --> 00:47:48,560
Speaker 1: up at the wrong address. You know what I'm saying.

808
00:47:48,600 --> 00:47:51,239
Speaker 1: So you gotta be clean what you you know what

809
00:47:51,440 --> 00:47:54,080
Speaker 1: you want and create the scenario you want. A lot

810
00:47:54,120 --> 00:47:57,360
Speaker 1: of times people getting relationships and they go on auto pilot.

811
00:47:59,200 --> 00:48:03,120
Speaker 1: It ain't no, it ain't no autonomy in relationships, man,

812
00:48:03,280 --> 00:48:07,040
Speaker 1: because as human beings, we continue to evolve and change.

813
00:48:07,080 --> 00:48:09,640
Speaker 1: And then you gotta factor in social media. And now

814
00:48:09,719 --> 00:48:11,960
Speaker 1: you got a factor in kids. Now he's a CEO

815
00:48:12,120 --> 00:48:15,200
Speaker 1: with ten businesses. Now he's in the NFL. Now he's

816
00:48:15,239 --> 00:48:18,600
Speaker 1: a popping rapper. How now she got a bid and going?

817
00:48:18,719 --> 00:48:21,440
Speaker 1: Now she got five businesses, a tax spot, and this

818
00:48:21,600 --> 00:48:24,239
Speaker 1: and that in the massage lower and then and so

819
00:48:24,480 --> 00:48:27,640
Speaker 1: now you gotta edit how you was treating the people

820
00:48:27,719 --> 00:48:32,040
Speaker 1: at first, right, because once you evolved, your interests evolved.

821
00:48:34,200 --> 00:48:38,480
Speaker 1: And me, I feel as though I don't negotiate my peace, right,

822
00:48:38,600 --> 00:48:40,719
Speaker 1: so I don't place myself in I'm just I feel

823
00:48:40,760 --> 00:48:45,240
Speaker 1: the same way about my piece that America feel about terrorists.

824
00:48:45,520 --> 00:48:50,000
Speaker 1: I don't negotiate my peace with nobody. You know what

825
00:48:50,040 --> 00:48:53,400
Speaker 1: I'm saying. That's a complete sentence. And I think time

826
00:48:53,560 --> 00:48:55,840
Speaker 1: pass is time passed. Right. I got a lot of

827
00:48:55,880 --> 00:48:59,560
Speaker 1: respect for if you've been with somebody around somebody and

828
00:48:59,680 --> 00:49:03,280
Speaker 1: what went into that, right, and how much those memories,

829
00:49:05,880 --> 00:49:08,200
Speaker 1: how much they may mean to you. Right, I got

830
00:49:08,280 --> 00:49:10,960
Speaker 1: a lot, you know, I can. I can definitely understand that.

831
00:49:11,600 --> 00:49:15,160
Speaker 1: But I like to stand next to we gotta keep moving,

832
00:49:16,160 --> 00:49:20,040
Speaker 1: and sometimes that becomes uncomfortable for people, right, And I

833
00:49:20,120 --> 00:49:22,080
Speaker 1: don't know if that's the right way to view things,

834
00:49:22,160 --> 00:49:24,040
Speaker 1: but that's the way that that's the way it kind

835
00:49:24,040 --> 00:49:25,920
Speaker 1: of that I view things right mean, And I'm not

836
00:49:26,000 --> 00:49:29,880
Speaker 1: a prisoner of the time spent because I understand the

837
00:49:30,000 --> 00:49:33,080
Speaker 1: time spent, no matter how spent you can't get it

838
00:49:33,160 --> 00:49:37,759
Speaker 1: back good, bad and different. However it would spent. It's

839
00:49:37,800 --> 00:49:41,080
Speaker 1: time gone right, and a lot of people will use

840
00:49:41,200 --> 00:49:45,480
Speaker 1: that time spent and hold it over your head to

841
00:49:46,320 --> 00:49:50,160
Speaker 1: kind of legitimize that you need to continue or to

842
00:49:50,320 --> 00:49:53,239
Speaker 1: spend time with them, saying that if you cut that,

843
00:49:53,680 --> 00:49:55,839
Speaker 1: if you cut them off right now, then that time

844
00:49:55,920 --> 00:49:59,279
Speaker 1: spent becomes wasted. But I believe that if that time

845
00:49:59,400 --> 00:50:02,520
Speaker 1: spent was wasted, it's wasted no matter if we keep going.

846
00:50:03,920 --> 00:50:07,600
Speaker 1: You see what I'm saying. So I think that's very

847
00:50:07,680 --> 00:50:11,200
Speaker 1: important as well. Again, I think time spend is valuable,

848
00:50:11,400 --> 00:50:14,000
Speaker 1: very valuable. You know it's it's a valuable thing. But

849
00:50:14,760 --> 00:50:18,200
Speaker 1: I just can't. I can't consider myself a prisoner, a

850
00:50:18,360 --> 00:50:21,680
Speaker 1: prisoner of it. Love is a two step process or

851
00:50:22,239 --> 00:50:26,120
Speaker 1: being or staying in love, and for me, being in

852
00:50:26,239 --> 00:50:30,239
Speaker 1: love and staying in love our cousins. But they're two

853
00:50:30,320 --> 00:50:33,200
Speaker 1: different people, it's two different places, it's two different things

854
00:50:33,320 --> 00:50:37,759
Speaker 1: going on, right. It's a situation for me that it

855
00:50:37,880 --> 00:50:40,600
Speaker 1: seems that people forget that getting it right and keeping

856
00:50:40,640 --> 00:50:43,520
Speaker 1: it right, it's two different things, right, Getting in love,

857
00:50:43,680 --> 00:50:48,640
Speaker 1: falling in love, those things are an obstacle amongst themselves, right,

858
00:50:48,719 --> 00:50:53,240
Speaker 1: So we don't downplay the level of detail that goes

859
00:50:53,320 --> 00:50:57,400
Speaker 1: into that, the level of commitment that goes into that.

860
00:50:58,160 --> 00:51:01,040
Speaker 1: But what we can't ignore is that that there's another

861
00:51:01,160 --> 00:51:03,960
Speaker 1: step for us to make this getting in love or

862
00:51:04,040 --> 00:51:08,960
Speaker 1: falling in love equal to stand in love. I hear

863
00:51:08,960 --> 00:51:10,960
Speaker 1: a lot of times that people when they talk at

864
00:51:11,000 --> 00:51:14,400
Speaker 1: their weddings or they talk about their relationship, they like

865
00:51:14,560 --> 00:51:19,200
Speaker 1: to talk about when they fell in love and I

866
00:51:19,400 --> 00:51:22,160
Speaker 1: remember when we did this, and I think those again,

867
00:51:22,280 --> 00:51:26,800
Speaker 1: those those things hold a lot of value. But I

868
00:51:26,920 --> 00:51:29,640
Speaker 1: think a question that we got to start asking each

869
00:51:29,680 --> 00:51:31,880
Speaker 1: other too, is are you still in love? How do

870
00:51:32,000 --> 00:51:35,520
Speaker 1: I keep you in love? Little baby just said it

871
00:51:35,600 --> 00:51:38,160
Speaker 1: the other day, And it's the mindset you gotta understand.

872
00:51:38,320 --> 00:51:41,359
Speaker 1: Right when you hear your girls say something, a lot

873
00:51:41,440 --> 00:51:44,320
Speaker 1: of you dudes are bask in that moment. You know, Jada,

874
00:51:44,600 --> 00:51:47,000
Speaker 1: he did some things for Jada. You know, it's a

875
00:51:47,040 --> 00:51:50,279
Speaker 1: bunch of roleses and things. I'll let going on right

876
00:51:50,320 --> 00:51:54,040
Speaker 1: and now I'll probably flashing on the screen and Jada

877
00:51:55,000 --> 00:52:00,319
Speaker 1: allegedly right says that I'm in heaven right now. Say yo,

878
00:52:00,360 --> 00:52:04,080
Speaker 1: I'm trying to keep you there. Some I'm saying because

879
00:52:04,160 --> 00:52:06,360
Speaker 1: it ain't about getting you there, because see, I can

880
00:52:06,480 --> 00:52:08,239
Speaker 1: get you there, but I want you to stay there.

881
00:52:08,280 --> 00:52:10,360
Speaker 1: I want that to be a permanent place for you.

882
00:52:11,640 --> 00:52:14,960
Speaker 1: And that's what you gotta understand about love and relationships.

883
00:52:15,080 --> 00:52:18,320
Speaker 1: Is it ain't just yo baby, I'm I'm gonna sweep

884
00:52:18,360 --> 00:52:22,120
Speaker 1: you off your feet, and I want to keep you

885
00:52:22,280 --> 00:52:25,800
Speaker 1: off your feet. You feel what I'm saying. And I

886
00:52:25,920 --> 00:52:29,000
Speaker 1: think once we understand that, man, we can start celebrating

887
00:52:29,080 --> 00:52:31,719
Speaker 1: each other. But nowhere on that list am I gonna

888
00:52:31,760 --> 00:52:33,920
Speaker 1: ever say that the man doesn't have a place to

889
00:52:34,000 --> 00:52:38,279
Speaker 1: be celebrated, like, you know, like he don't deserve for

890
00:52:38,400 --> 00:52:42,080
Speaker 1: somebody to say, you know, we're holding you down. If

891
00:52:42,120 --> 00:52:44,400
Speaker 1: don't have the whole word against you. This house right

892
00:52:44,480 --> 00:52:48,800
Speaker 1: here got you. This house right here, we honor you

893
00:52:50,200 --> 00:52:55,000
Speaker 1: right if for nothing else is because by proximity, right

894
00:52:55,560 --> 00:52:57,680
Speaker 1: don't even if even if we ain't dealing with the

895
00:52:57,800 --> 00:52:59,719
Speaker 1: love of it, even if we ain't dealing with the

896
00:52:59,800 --> 00:53:03,560
Speaker 1: kid is a this or data if we're just dealing

897
00:53:03,640 --> 00:53:07,879
Speaker 1: with appreciating what you're dealing with, Like yo, you when

898
00:53:07,920 --> 00:53:11,040
Speaker 1: you're around somebody that got a certain level of information,

899
00:53:11,200 --> 00:53:14,279
Speaker 1: opportunity and all this shit meeting the same time and

900
00:53:14,400 --> 00:53:20,040
Speaker 1: this special shit going on. I like to sometimes ask

901
00:53:20,160 --> 00:53:22,399
Speaker 1: my family, who we know done this, what I've done,

902
00:53:23,719 --> 00:53:26,520
Speaker 1: But yet everybody won't win down playing this is we

903
00:53:26,680 --> 00:53:29,720
Speaker 1: don't matter if we is, but they ever so often

904
00:53:29,800 --> 00:53:32,440
Speaker 1: I like to check in with the people who I

905
00:53:32,600 --> 00:53:40,040
Speaker 1: know how to appreciate the attributes right, because don't downplay

906
00:53:40,080 --> 00:53:42,880
Speaker 1: the accomplishments, right, because it's a lot going on that

907
00:53:43,040 --> 00:53:48,759
Speaker 1: I ain't see going on before I came around, you know,

908
00:53:48,920 --> 00:53:51,360
Speaker 1: and not to pat myself on the back of the universe.

909
00:53:51,440 --> 00:53:54,520
Speaker 1: The opportunity things just are lygning, right, and so it's

910
00:53:54,560 --> 00:53:58,400
Speaker 1: just unique the situation. But it's also important, man, that

911
00:53:58,520 --> 00:54:02,759
Speaker 1: we communicate our standards and we appreciate also our mean

912
00:54:03,080 --> 00:54:05,800
Speaker 1: always tell people pride come before the fall, and I

913
00:54:05,920 --> 00:54:12,239
Speaker 1: think they don't understand what that means, right, because when

914
00:54:12,280 --> 00:54:14,120
Speaker 1: I heard it when I was young, I never knew

915
00:54:14,160 --> 00:54:17,120
Speaker 1: what the I'm like, Yo, I hear that, but I

916
00:54:17,239 --> 00:54:22,440
Speaker 1: didn't get it right. But as I come into myself,

917
00:54:22,600 --> 00:54:25,239
Speaker 1: as I come into being a man that I am today, right,

918
00:54:26,280 --> 00:54:28,279
Speaker 1: and I look back at some of those sayings that

919
00:54:28,360 --> 00:54:33,200
Speaker 1: I used to hear just casually said, and I think

920
00:54:33,239 --> 00:54:35,920
Speaker 1: about the gravity attached to him now and I say, man,

921
00:54:36,080 --> 00:54:44,440
Speaker 1: like pride come before the fall man the ego, you

922
00:54:44,560 --> 00:54:48,600
Speaker 1: know the ego, I mean they don't nobody just fall

923
00:54:51,480 --> 00:54:54,480
Speaker 1: ain't see the problem is and this is what this

924
00:54:54,640 --> 00:54:56,640
Speaker 1: is what happens right when they lift you up on

925
00:54:56,719 --> 00:55:01,040
Speaker 1: a pedestal, right, the pride come before the fall, right.

926
00:55:01,080 --> 00:55:02,960
Speaker 1: And so people say, well, I know what I'll do.

927
00:55:03,239 --> 00:55:06,800
Speaker 1: I just won't make a move, meaning I'll get in

928
00:55:06,880 --> 00:55:08,919
Speaker 1: a situation now, I'll just try to stay the same.

929
00:55:09,280 --> 00:55:12,160
Speaker 1: And the unfortunate thing is the game won't allow it.

930
00:55:12,320 --> 00:55:17,120
Speaker 1: You have to make a move, but you also always

931
00:55:17,200 --> 00:55:20,839
Speaker 1: gotta keep keep doing inventory to try to make sure

932
00:55:20,880 --> 00:55:23,600
Speaker 1: the ego is in check, right, and it's gonna take

933
00:55:23,600 --> 00:55:25,680
Speaker 1: a certain amount of ego to get where you wet.

934
00:55:26,880 --> 00:55:28,960
Speaker 1: And this is where it gets slippery at And this

935
00:55:29,120 --> 00:55:32,839
Speaker 1: is why you see the NFL guy not understanding certain things,

936
00:55:32,960 --> 00:55:36,080
Speaker 1: or you see the rapping nigga called the label not

937
00:55:36,320 --> 00:55:40,359
Speaker 1: understanding that they're gonna sit back quiet, but they're gonna

938
00:55:40,360 --> 00:55:45,040
Speaker 1: be taking names and you beat them with the pencil.

939
00:55:45,640 --> 00:55:48,600
Speaker 1: All that run into the online. See Meek is in

940
00:55:48,680 --> 00:55:51,600
Speaker 1: a blessed position, Meek mill is next to Jay and them.

941
00:55:52,040 --> 00:55:54,960
Speaker 1: Jay take a liking to meet Sometimes I always wonder

942
00:55:55,440 --> 00:55:58,879
Speaker 1: is it because of Drake And that's another story, right,

943
00:55:59,520 --> 00:56:02,440
Speaker 1: But he make a real him and meeting them, and

944
00:56:02,480 --> 00:56:04,239
Speaker 1: I know they gotta he gotta it seemed that they

945
00:56:04,320 --> 00:56:07,040
Speaker 1: got a certain level of respect for each other. But

946
00:56:07,200 --> 00:56:11,120
Speaker 1: he because sometimes when I even hear the headlines, they

947
00:56:11,239 --> 00:56:13,880
Speaker 1: make sure that Meek name is attest to certain things,

948
00:56:14,960 --> 00:56:16,640
Speaker 1: you know, and I say, damn, it's Jay and them

949
00:56:16,719 --> 00:56:19,320
Speaker 1: doing that. That's a press thing. I know how this works,

950
00:56:20,000 --> 00:56:25,719
Speaker 1: you understand. But but if you would see, right a

951
00:56:25,920 --> 00:56:29,160
Speaker 1: rapper run to online or someone do something like that

952
00:56:30,080 --> 00:56:34,040
Speaker 1: without any presence in the building or any good management

953
00:56:34,560 --> 00:56:36,919
Speaker 1: like a rock Nation or something on his team. See,

954
00:56:37,160 --> 00:56:40,080
Speaker 1: you gotta have people that walk in the building and

955
00:56:40,200 --> 00:56:42,400
Speaker 1: fighting on your behalf as well as people in the

956
00:56:42,480 --> 00:56:46,000
Speaker 1: building fighting on your behalf, meaning the record label. You

957
00:56:46,080 --> 00:56:48,600
Speaker 1: know what I'm saying. But Meek is able to call

958
00:56:48,719 --> 00:56:50,920
Speaker 1: the label out and do those things because he's in

959
00:56:51,040 --> 00:56:54,879
Speaker 1: that position. And sometimes when he because you do gotta Jay,

960
00:56:55,000 --> 00:56:57,960
Speaker 1: sometimes you do gotta exercise the let because when he

961
00:56:58,120 --> 00:57:00,480
Speaker 1: does something like that, trust me, it's a couple of

962
00:57:00,560 --> 00:57:04,560
Speaker 1: rappers this like, oh check mane man what Meek saying?

963
00:57:04,640 --> 00:57:08,479
Speaker 1: Check mane? See what man looking like? And then dude

964
00:57:08,560 --> 00:57:12,040
Speaker 1: start checking their thing. But in our actuality, you whoop

965
00:57:12,120 --> 00:57:14,640
Speaker 1: them people down on the only on the h you know,

966
00:57:14,719 --> 00:57:18,240
Speaker 1: you pencil whipped them people. You gotta whoop them in

967
00:57:18,320 --> 00:57:21,000
Speaker 1: a certain different way. And sometime we leave with our emotions,

968
00:57:21,120 --> 00:57:22,840
Speaker 1: you know, we don't know what use to do. And

969
00:57:22,920 --> 00:57:25,160
Speaker 1: then boom, you got something on the internet with people

970
00:57:25,240 --> 00:57:31,720
Speaker 1: saying yo meek tweeted this or posted this. Um but

971
00:57:32,000 --> 00:57:34,720
Speaker 1: five year old form went on Mayno's podcasts, right, and

972
00:57:34,800 --> 00:57:38,880
Speaker 1: so Mayno's podcasts the thing it's called Kitchen Talk To podcasts.

973
00:57:38,880 --> 00:57:40,800
Speaker 1: He's been doing five year old goals on there and

974
00:57:40,840 --> 00:57:43,840
Speaker 1: speaks on a lot of stuff um up North. You know,

975
00:57:43,960 --> 00:57:45,880
Speaker 1: like like I said, they got they got a presence

976
00:57:45,920 --> 00:57:48,640
Speaker 1: in media. They've always had that presence. Mayno's kind of

977
00:57:48,720 --> 00:57:53,520
Speaker 1: doing the podcast from from the street perspective, like from

978
00:57:53,680 --> 00:57:56,720
Speaker 1: from the rap up street perspective, and trying to get

979
00:57:56,760 --> 00:57:59,280
Speaker 1: the backstory of these guys and things like that, and

980
00:57:59,360 --> 00:58:01,919
Speaker 1: then it comes off. It is good when he talks

981
00:58:02,000 --> 00:58:05,280
Speaker 1: to the people who respect him. You know, Bobby went

982
00:58:05,320 --> 00:58:07,440
Speaker 1: to him over there first. You know, I think the

983
00:58:07,520 --> 00:58:10,560
Speaker 1: interview he did with Bobby, it didn't I don't know,

984
00:58:10,720 --> 00:58:13,200
Speaker 1: it was it missed something. I really don't know what

985
00:58:13,360 --> 00:58:17,000
Speaker 1: it missed. But he chopped some game up with Bobby

986
00:58:17,040 --> 00:58:19,640
Speaker 1: and and got you know, a certain side of Bobby

987
00:58:19,720 --> 00:58:22,840
Speaker 1: as well. M but five year went on there and

988
00:58:22,880 --> 00:58:27,040
Speaker 1: he talked about signing to Mace for five thousand dollars. See,

989
00:58:27,080 --> 00:58:31,840
Speaker 1: it's a job out here to trick, to prey on

990
00:58:32,000 --> 00:58:34,160
Speaker 1: some of these people dreams. That's why, Man, it's a

991
00:58:34,200 --> 00:58:36,920
Speaker 1: lot of things that I haven't done yet. It's because

992
00:58:37,000 --> 00:58:40,480
Speaker 1: I haven't been able to vet some of these people right,

993
00:58:40,640 --> 00:58:43,240
Speaker 1: and a certain and you know, I know because I'm

994
00:58:43,280 --> 00:58:47,200
Speaker 1: dealing with a certain level of information that Shi It's

995
00:58:47,280 --> 00:58:50,120
Speaker 1: tricks all in the game, and so many tricks. It's

996
00:58:50,200 --> 00:58:53,120
Speaker 1: things happening that you don't know. This is happening right,

997
00:58:54,280 --> 00:58:56,880
Speaker 1: even with Instagram. I'll put this in before we get

998
00:58:56,920 --> 00:58:59,880
Speaker 1: to five year old. I'm starting to view Instagram different

999
00:59:00,240 --> 00:59:04,240
Speaker 1: because I'm starting to understand how some of you people

1000
00:59:04,800 --> 00:59:07,280
Speaker 1: are getting a celebrity follow us in the lens that

1001
00:59:07,440 --> 00:59:10,640
Speaker 1: y'all are going to, right, because I'm around some of

1002
00:59:10,720 --> 00:59:13,920
Speaker 1: these people and I'm seeing what people are doing for

1003
00:59:14,240 --> 00:59:19,160
Speaker 1: a follow or doing for a quick picture, right, and

1004
00:59:21,160 --> 00:59:23,640
Speaker 1: it's still some people that's trying to trick people with

1005
00:59:23,800 --> 00:59:27,320
Speaker 1: the quick picture, like with the picture that's clearly in

1006
00:59:27,360 --> 00:59:30,400
Speaker 1: the airport or at the back of somewhere you where

1007
00:59:30,400 --> 00:59:33,160
Speaker 1: you've asked this person for. If y'all ain't nowhere in

1008
00:59:33,240 --> 00:59:37,120
Speaker 1: an office or somewhere in a relaxed environment or somewhere

1009
00:59:37,160 --> 00:59:40,600
Speaker 1: where y'all are really kicking it bro or doing no business,

1010
00:59:40,640 --> 00:59:44,160
Speaker 1: you don't stop me outside to stop bucks and ask

1011
00:59:44,240 --> 00:59:46,000
Speaker 1: me for a picture. And then next thing you know,

1012
00:59:46,400 --> 00:59:50,200
Speaker 1: I'm tagged and somebody's saying, brought told me the deal

1013
00:59:50,320 --> 00:59:55,000
Speaker 1: now goes up to eighty me And you think to yourself, man,

1014
00:59:55,400 --> 00:59:58,200
Speaker 1: that's it, dude, to stop me outside to stop bucks.

1015
00:59:59,440 --> 01:00:01,600
Speaker 1: You know what I'm saying, If you're really putting game

1016
01:00:01,720 --> 01:00:04,240
Speaker 1: down over, they're gonna hit you with a fall and

1017
01:00:04,360 --> 01:00:07,320
Speaker 1: be like, oh nah, he putting super Game down. But

1018
01:00:07,480 --> 01:00:11,680
Speaker 1: if you one of them can damn man, it's it's

1019
01:00:11,760 --> 01:00:15,240
Speaker 1: trickery going on. So as I know that that's happening,

1020
01:00:16,200 --> 01:00:20,120
Speaker 1: I'm just because I'm around people that's using right, So

1021
01:00:20,440 --> 01:00:24,680
Speaker 1: I'm heating dudes. You say like like like bank, I'm heitting.

1022
01:00:25,040 --> 01:00:29,120
Speaker 1: They say, Yo, just get off the land with Big Bank,

1023
01:00:30,520 --> 01:00:32,680
Speaker 1: And I might have done talked the bank that day

1024
01:00:32,760 --> 01:00:36,520
Speaker 1: or something. No, bank, ain't he ain't he doing something

1025
01:00:36,600 --> 01:00:39,560
Speaker 1: all day? Locked in on something me, ain't you know?

1026
01:00:39,640 --> 01:00:42,360
Speaker 1: And I be on big facts. I'd be like, oh shit,

1027
01:00:43,120 --> 01:00:45,440
Speaker 1: you know what I'm saying, like, or I just talked

1028
01:00:45,480 --> 01:00:47,400
Speaker 1: the loon and he said he gonna plug me right

1029
01:00:47,520 --> 01:00:51,200
Speaker 1: in with the And I'm thinking, like sometimes I see

1030
01:00:51,280 --> 01:00:54,040
Speaker 1: little tags and be like, yo, what the it's going on?

1031
01:00:54,560 --> 01:00:56,880
Speaker 1: So I'm knowing the levels that they'll go to. Man,

1032
01:00:56,960 --> 01:00:58,640
Speaker 1: And it's a lot of trickery in the game. And

1033
01:00:58,720 --> 01:01:01,640
Speaker 1: with five year old he ended up getting lit in

1034
01:01:01,720 --> 01:01:07,240
Speaker 1: New York. I let him explain what happened. At some

1035
01:01:07,400 --> 01:01:13,520
Speaker 1: point you meet Mace, Yeah, yea, he reached out. What

1036
01:01:13,720 --> 01:01:15,880
Speaker 1: that happened. What happened was I had to I had

1037
01:01:15,920 --> 01:01:17,560
Speaker 1: this song with I had this song brook in the

1038
01:01:17,600 --> 01:01:21,640
Speaker 1: Box with j D and m De Sade right. So

1039
01:01:22,200 --> 01:01:24,560
Speaker 1: j D had an uncle I forgot his name, but

1040
01:01:24,640 --> 01:01:29,360
Speaker 1: his uncle knew Mace from somewhere right, And Mace was like, yo,

1041
01:01:30,160 --> 01:01:31,440
Speaker 1: I'm trying to look for artist. So he went. I

1042
01:01:31,480 --> 01:01:33,160
Speaker 1: would think he need to go signed j D first,

1043
01:01:33,640 --> 01:01:35,600
Speaker 1: But the song was hot. This was all the song

1044
01:01:35,680 --> 01:01:37,560
Speaker 1: even had to be in views. I didn't even so

1045
01:01:37,680 --> 01:01:40,000
Speaker 1: This is why I really think kidd sign so fast,

1046
01:01:40,120 --> 01:01:42,480
Speaker 1: like the song Highlight things like five hundred thousand views,

1047
01:01:42,480 --> 01:01:44,520
Speaker 1: but it was litt in Brooklyn, like Brooklyn Joe was

1048
01:01:44,560 --> 01:01:46,720
Speaker 1: litt in Brooklyn. And then he was like, Yo, I

1049
01:01:46,800 --> 01:01:49,400
Speaker 1: want to sign all of y'all. I could take y'all

1050
01:01:49,440 --> 01:01:52,040
Speaker 1: to the moon. I get you any feature you want,

1051
01:01:52,040 --> 01:01:53,160
Speaker 1: who you want to be. I'm like, yall want the

1052
01:01:53,200 --> 01:01:55,440
Speaker 1: song with the herbos. I kept telling him I wanted to,

1053
01:01:56,560 --> 01:01:58,960
Speaker 1: and he was like, he was like, all right, look,

1054
01:01:59,120 --> 01:02:03,000
Speaker 1: sign and ship right yeah, And then he gave the

1055
01:02:03,360 --> 01:02:05,960
Speaker 1: uncle j D. Uncle we gave Uncle. I saw it

1056
01:02:06,040 --> 01:02:09,479
Speaker 1: for five thousand dollars. He gave him the my money

1057
01:02:09,760 --> 01:02:13,560
Speaker 1: and he disappeared. So I never got the money. He

1058
01:02:13,640 --> 01:02:16,840
Speaker 1: disappeared with everybody money. JD. Never Swoman getting up. He

1059
01:02:16,920 --> 01:02:19,320
Speaker 1: got ten thousand dollars and just yeah, yeah, yeah, he

1060
01:02:19,400 --> 01:02:23,240
Speaker 1: got long and you never you never, You never got

1061
01:02:23,280 --> 01:02:26,840
Speaker 1: the money, right, he disappeared. Now you're stuck in a

1062
01:02:26,920 --> 01:02:29,240
Speaker 1: contract with Mice. Yeah. Now I'm in the contract with

1063
01:02:29,360 --> 01:02:36,480
Speaker 1: Mice and it's five thousand dollars. So five thousand dollars

1064
01:02:36,560 --> 01:02:39,960
Speaker 1: check right, five thousand dollars for five year old and

1065
01:02:40,080 --> 01:02:42,720
Speaker 1: you see five year old. The latest album is produced

1066
01:02:42,760 --> 01:02:46,800
Speaker 1: by Kanye West, and he's still in that contract. I'm

1067
01:02:47,120 --> 01:02:51,600
Speaker 1: I'm really trying to understand how or why. How's that

1068
01:02:51,760 --> 01:02:54,440
Speaker 1: stealed honor though? How that contract honor when I never

1069
01:02:54,520 --> 01:02:57,680
Speaker 1: received the funds because they got your they got your name.

1070
01:02:58,720 --> 01:03:01,400
Speaker 1: That's why I say, Brodie contracts is man, it shit

1071
01:03:01,520 --> 01:03:05,080
Speaker 1: hit different. Bro contract thing, that shit hit different, Like

1072
01:03:05,320 --> 01:03:06,760
Speaker 1: you know what I mean. So you got to really

1073
01:03:06,840 --> 01:03:09,760
Speaker 1: really pay attention to young niggas. If you go to Popping,

1074
01:03:10,800 --> 01:03:12,680
Speaker 1: you know what I'm saying. I always take the meeting,

1075
01:03:12,720 --> 01:03:14,760
Speaker 1: but if you go to popping, make sure you understand

1076
01:03:14,840 --> 01:03:17,560
Speaker 1: what you sign it. Man, we're talking five k and

1077
01:03:17,920 --> 01:03:20,400
Speaker 1: this is when he had that big drip. She fell

1078
01:03:20,440 --> 01:03:26,120
Speaker 1: in love with a a big crib and then hey

1079
01:03:26,360 --> 01:03:29,360
Speaker 1: hey then when he had that record, So you gotta

1080
01:03:29,440 --> 01:03:32,200
Speaker 1: deal with understanding how much that was probably because he

1081
01:03:32,240 --> 01:03:34,560
Speaker 1: said he took off on radio based self. Then folks

1082
01:03:34,600 --> 01:03:38,120
Speaker 1: ain't help with nothing. And also, young, if you get

1083
01:03:38,160 --> 01:03:40,520
Speaker 1: a contract with someone, you got to speak the brand

1084
01:03:40,600 --> 01:03:43,840
Speaker 1: building in the contract, you know what I mean. Don't

1085
01:03:43,880 --> 01:03:46,440
Speaker 1: just sign me the work, like, make sure we building

1086
01:03:46,520 --> 01:03:49,240
Speaker 1: my brand as well, you know. And and and um

1087
01:03:50,040 --> 01:03:52,120
Speaker 1: and get everything off the role. Let's hear a little

1088
01:03:52,160 --> 01:03:57,200
Speaker 1: bit more. What happened, like to think from five thousand dollars,

1089
01:04:00,040 --> 01:04:02,840
Speaker 1: I ain't know, I ain't know no better. But what

1090
01:04:03,440 --> 01:04:07,240
Speaker 1: what what what happens next? Because now you you you

1091
01:04:07,360 --> 01:04:10,080
Speaker 1: probably at a point where you feel like, man, damn,

1092
01:04:10,360 --> 01:04:12,680
Speaker 1: I could have used that money. No, I was, I

1093
01:04:12,840 --> 01:04:14,920
Speaker 1: was sick. I was tight, I was tight. I was

1094
01:04:14,960 --> 01:04:18,360
Speaker 1: really go fine. But he really disappeared real I'll disappeared.

1095
01:04:18,600 --> 01:04:21,000
Speaker 1: And then I told Mace. Mace was like, yo, I

1096
01:04:21,040 --> 01:04:23,040
Speaker 1: don't know if y'all running some type of Brooklyn cap

1097
01:04:23,200 --> 01:04:25,960
Speaker 1: scam on me, and acted like he ran off with

1098
01:04:26,000 --> 01:04:29,000
Speaker 1: the money. Mason't really believe it. He didn't really believe it. Wow.

1099
01:04:29,880 --> 01:04:32,160
Speaker 1: So but but he tried to do his ones and

1100
01:04:32,240 --> 01:04:34,400
Speaker 1: two slew me to Lanta a couple of times. I

1101
01:04:34,560 --> 01:04:38,560
Speaker 1: recorded mad songs with him, but it ain't really I mean,

1102
01:04:38,680 --> 01:04:41,160
Speaker 1: I told me a couple of things for me, but

1103
01:04:41,440 --> 01:04:44,400
Speaker 1: like I wasn't seeing him that much. I thought I

1104
01:04:44,480 --> 01:04:46,560
Speaker 1: was seeing more. I wasn't mad at him anybody around

1105
01:04:46,720 --> 01:04:49,680
Speaker 1: like sometures that you was looking for. No, no, no,

1106
01:04:49,760 --> 01:04:56,600
Speaker 1: I never I never got me that geral song. Wow um.

1107
01:04:57,480 --> 01:05:06,280
Speaker 1: Somewhere in the midst of that, you're moving around. Things

1108
01:05:06,320 --> 01:05:09,400
Speaker 1: are not so clear for you, right, but then you

1109
01:05:09,520 --> 01:05:12,440
Speaker 1: record this song bit trip, Yeah, I'm in love with

1110
01:05:14,200 --> 01:05:18,360
Speaker 1: ye Hey, hey hey, listen. It was a lot of

1111
01:05:18,440 --> 01:05:20,520
Speaker 1: lines on that song that really could be attributed to me,

1112
01:05:24,400 --> 01:05:29,560
Speaker 1: attributed to me. Really, you felt that really a lot

1113
01:05:29,640 --> 01:05:32,880
Speaker 1: of a lot of a lot of lines at that point,

1114
01:05:33,880 --> 01:05:36,000
Speaker 1: like you record this song right in the midst of that.

1115
01:05:36,120 --> 01:05:38,560
Speaker 1: Right now, what happened was I think I signed to me.

1116
01:05:38,640 --> 01:05:40,640
Speaker 1: I think when I recorded that song Party like a

1117
01:05:40,760 --> 01:05:43,680
Speaker 1: year later, what I thought I did the blocking about

1118
01:05:43,840 --> 01:05:45,560
Speaker 1: it was like hoodlets. I was lit in the hood

1119
01:05:46,800 --> 01:05:52,320
Speaker 1: Brooklyn Let the cent the beat actual in them was

1120
01:05:52,480 --> 01:05:56,200
Speaker 1: from UK, right, so what so what they was doing

1121
01:05:56,320 --> 01:05:58,360
Speaker 1: was they were sending over packs of beats at a time,

1122
01:05:58,440 --> 01:06:00,960
Speaker 1: like you'll do my beats, y'all, y'all sound crazy on him?

1123
01:06:00,960 --> 01:06:03,840
Speaker 1: Shit do my beats? So he big Drip was one

1124
01:06:03,840 --> 01:06:05,520
Speaker 1: of the beats he sent. So I was about to

1125
01:06:05,600 --> 01:06:09,640
Speaker 1: drop a tape because he sent beats to um comatose

1126
01:06:09,760 --> 01:06:12,040
Speaker 1: roles At the time. One of the cameramans I was

1127
01:06:12,120 --> 01:06:14,760
Speaker 1: working with had a studio on his crid. He like, Yo,

1128
01:06:15,400 --> 01:06:17,120
Speaker 1: this nigga sent me beats I'm gonna fuck with you,

1129
01:06:17,760 --> 01:06:20,560
Speaker 1: let's do. So he was taking me around the record

1130
01:06:20,640 --> 01:06:23,080
Speaker 1: record record. I was record, I record like seven songs,

1131
01:06:23,400 --> 01:06:26,600
Speaker 1: all actual beats, and Big Drip was one of them.

1132
01:06:27,320 --> 01:06:30,000
Speaker 1: But then he like disappeared on me too, you know

1133
01:06:30,040 --> 01:06:31,760
Speaker 1: what I mean, because it wasn't really know, but I

1134
01:06:31,840 --> 01:06:35,160
Speaker 1: had to side the music and then and then one

1135
01:06:35,280 --> 01:06:39,200
Speaker 1: day I'm like, I'm like, yeah, I know, I'm lit Im.

1136
01:06:40,080 --> 01:06:42,320
Speaker 1: I didn't put the song out. I was like, y'all

1137
01:06:42,400 --> 01:06:45,360
Speaker 1: know I'm lit um. Let me drop up, let me

1138
01:06:45,400 --> 01:06:47,880
Speaker 1: take his music series. I want to drop an EP

1139
01:06:48,120 --> 01:06:51,200
Speaker 1: with like four songs with it, right, So I go

1140
01:06:51,360 --> 01:06:55,080
Speaker 1: to drop an EP with the four songs with a video.

1141
01:06:55,240 --> 01:06:56,840
Speaker 1: One of the songs I had swipey on a song

1142
01:06:57,480 --> 01:06:59,439
Speaker 1: two cars. I did the swipeye, I did the video

1143
01:06:59,520 --> 01:07:01,720
Speaker 1: like that one video and dropped it like that. So

1144
01:07:01,760 --> 01:07:03,440
Speaker 1: I dropped the video and to take on the same day.

1145
01:07:04,040 --> 01:07:06,320
Speaker 1: I was just trying to right. So this is my

1146
01:07:06,440 --> 01:07:10,280
Speaker 1: first first for first ever, I got on YouTube. My

1147
01:07:10,400 --> 01:07:13,000
Speaker 1: YouTube channel just started that time. I put the four

1148
01:07:13,040 --> 01:07:17,600
Speaker 1: songs out and then Big Drip started going vira it

1149
01:07:18,080 --> 01:07:19,640
Speaker 1: like I had no video or nothing. So it was

1150
01:07:19,680 --> 01:07:24,720
Speaker 1: just like you did a song started like, and let

1151
01:07:24,800 --> 01:07:27,000
Speaker 1: me speak to why that's the case. So he's saying,

1152
01:07:27,080 --> 01:07:29,120
Speaker 1: big Drift start to go viral on its own. But

1153
01:07:29,200 --> 01:07:32,400
Speaker 1: you gotta remember pop Smoke moving around with that sound.

1154
01:07:33,520 --> 01:07:36,600
Speaker 1: That sound was starting to take off. Pop putting a

1155
01:07:36,640 --> 01:07:38,840
Speaker 1: lot of work in and had that machine behind him.

1156
01:07:39,200 --> 01:07:41,440
Speaker 1: So that's kind of why I was able to blend

1157
01:07:41,560 --> 01:07:45,440
Speaker 1: right in going crazy like did you take the song

1158
01:07:45,520 --> 01:07:47,280
Speaker 1: and Mason say, hey, look, I just got the song.

1159
01:07:47,320 --> 01:07:49,120
Speaker 1: I want to put it out. No, no, no, no.

1160
01:07:49,360 --> 01:07:52,040
Speaker 1: I was just so he wasn't really doing anything for you.

1161
01:07:54,360 --> 01:08:00,440
Speaker 1: I mean, that's not that I'm still signed to right

1162
01:08:00,480 --> 01:08:04,840
Speaker 1: now for real. Yeah. Wow yeah, and he's eating still

1163
01:08:05,040 --> 01:08:09,959
Speaker 1: from whatever you put out. Yeah, he was signed, but wow.

1164
01:08:10,080 --> 01:08:11,720
Speaker 1: So what I'm saying is you never went to him

1165
01:08:11,720 --> 01:08:17,320
Speaker 1: and say, yo, um od, I got this song. Do

1166
01:08:17,360 --> 01:08:20,240
Speaker 1: you want to you want to help me? Nah? I ain't.

1167
01:08:20,280 --> 01:08:22,840
Speaker 1: I ain't. I gave up, like I was asking him

1168
01:08:22,920 --> 01:08:25,240
Speaker 1: for money. I was down like Joe sim a thousand,

1169
01:08:25,280 --> 01:08:27,960
Speaker 1: and He's like, yo, I he sent me seven hundred,

1170
01:08:28,400 --> 01:08:30,680
Speaker 1: He sent me twelve hundred one time, he sent me

1171
01:08:30,800 --> 01:08:33,040
Speaker 1: like but it was like it was too much, Like

1172
01:08:33,200 --> 01:08:35,120
Speaker 1: I just started getting after I got lit. I was

1173
01:08:35,120 --> 01:08:36,599
Speaker 1: then I was reaching out to him like it was sucking.

1174
01:08:36,600 --> 01:08:39,560
Speaker 1: I'm getting lit like so Big Drip basically went on

1175
01:08:39,640 --> 01:08:41,800
Speaker 1: its own. It just it did its own thing, like

1176
01:08:41,920 --> 01:08:44,160
Speaker 1: two Cars was I Two Cars did good, but the

1177
01:08:44,200 --> 01:08:47,720
Speaker 1: Big Drip shit was going crazy. But what happened was

1178
01:08:47,840 --> 01:08:50,080
Speaker 1: right before I dropped before, right before I dropped the

1179
01:08:50,080 --> 01:08:51,439
Speaker 1: Big Drip video, I'm like, I want you to be

1180
01:08:51,640 --> 01:08:54,599
Speaker 1: to this song. Before I did that, I dropped another

1181
01:08:54,680 --> 01:08:58,040
Speaker 1: song in between that wasn't on the EP, Jumping, because

1182
01:08:58,040 --> 01:09:00,240
Speaker 1: I was still going to students recording record. So I

1183
01:09:00,400 --> 01:09:04,799
Speaker 1: dropped Jumping, and then I put the Big Drip preview

1184
01:09:05,160 --> 01:09:09,439
Speaker 1: on the end of Jumping, like like I don't know.

1185
01:09:09,640 --> 01:09:11,880
Speaker 1: I wasn't even trying to really be strategic, but it

1186
01:09:12,000 --> 01:09:14,840
Speaker 1: just happened. Now I know that's ways how you promote

1187
01:09:14,840 --> 01:09:16,800
Speaker 1: your ship now I know the like, but it just

1188
01:09:16,880 --> 01:09:19,160
Speaker 1: worked like that. Then when I did the Big Drip song,

1189
01:09:19,240 --> 01:09:21,760
Speaker 1: it was it was over. It was crazy right right

1190
01:09:21,960 --> 01:09:24,360
Speaker 1: right radio picked it up by myself. It was crazy.

1191
01:09:24,800 --> 01:09:28,960
Speaker 1: That was crazy. Um so he he never came around

1192
01:09:29,040 --> 01:09:32,200
Speaker 1: to really help. So what happened was when the Big

1193
01:09:32,320 --> 01:09:35,320
Speaker 1: Drip video, as a Big Drip video started going crazy

1194
01:09:36,280 --> 01:09:40,320
Speaker 1: right at this time, Pop Smoke it's signed too. I

1195
01:09:40,439 --> 01:09:43,439
Speaker 1: think he signed to Stephen Victor Pop bub the same time,

1196
01:09:44,560 --> 01:09:46,439
Speaker 1: Bubbling at the same job. I was already friends though,

1197
01:09:46,520 --> 01:09:50,439
Speaker 1: right yeah, yeah, yeah, we already was in the same set.

1198
01:09:51,120 --> 01:09:52,920
Speaker 1: I mean he and the floor, so I'm in the

1199
01:09:53,040 --> 01:09:56,240
Speaker 1: non So it was just automatic. But as he's coming up,

1200
01:09:56,840 --> 01:09:59,160
Speaker 1: he was bringing me to the labels with him too,

1201
01:09:59,560 --> 01:10:03,200
Speaker 1: like introduced me to people in that gym. I saw

1202
01:10:03,200 --> 01:10:05,519
Speaker 1: I mess Stephen Rico and all of them du Pop.

1203
01:10:06,240 --> 01:10:08,120
Speaker 1: He was like, yo, five you next up that he

1204
01:10:08,200 --> 01:10:11,360
Speaker 1: was telling them. They I feel like they was more

1205
01:10:11,920 --> 01:10:14,200
Speaker 1: like looking at it like competition. So they was like

1206
01:10:14,760 --> 01:10:17,000
Speaker 1: all right, you know what I mean. It wasn't really

1207
01:10:17,680 --> 01:10:21,519
Speaker 1: they wanted me to sign to pop though. They should

1208
01:10:21,560 --> 01:10:23,559
Speaker 1: have really looked at it like this is a good Now.

1209
01:10:23,600 --> 01:10:27,800
Speaker 1: They looked at everybody as competition. They was gonna, m

1210
01:10:28,840 --> 01:10:31,840
Speaker 1: did that didn't affect your relationship? Nah? It did it?

1211
01:10:31,960 --> 01:10:34,000
Speaker 1: Did it? Could? It? Like? It was like it was

1212
01:10:34,080 --> 01:10:37,240
Speaker 1: like it was like moments where I was like it

1213
01:10:37,840 --> 01:10:40,439
Speaker 1: like is they getting in his head? And I feel

1214
01:10:40,479 --> 01:10:43,400
Speaker 1: like it was moments where he probably would have felt like, yeah,

1215
01:10:43,479 --> 01:10:47,000
Speaker 1: maybe five comes in, but it just it just happened.

1216
01:10:47,000 --> 01:10:48,920
Speaker 1: It's like I feel like, you know, rubbers got that

1217
01:10:49,120 --> 01:10:51,880
Speaker 1: sometimes like shit shit, but it wasn't nothing that was

1218
01:10:51,920 --> 01:10:53,760
Speaker 1: like we won't fuck with each other. No, more like

1219
01:10:53,960 --> 01:10:56,360
Speaker 1: we were cool, like were choking about it, argue about it.

1220
01:10:56,560 --> 01:10:58,320
Speaker 1: Because they're put in his head, yo, five, you don't

1221
01:10:58,320 --> 01:11:01,479
Speaker 1: be showing you them loving the interview. And he's like, Yo,

1222
01:11:01,960 --> 01:11:04,600
Speaker 1: you're not showing me like it'd be like shit like that,

1223
01:11:04,640 --> 01:11:06,200
Speaker 1: And I'm like, Nigga, I'll show you up all the

1224
01:11:06,280 --> 01:11:08,519
Speaker 1: time and all my interviews like look at it like

1225
01:11:08,560 --> 01:11:11,679
Speaker 1: oh yeah, like it's just like loute shit, but nothing

1226
01:11:11,760 --> 01:11:13,479
Speaker 1: that's like we don't fuck with each other. I mean,

1227
01:11:14,920 --> 01:11:21,720
Speaker 1: y'all that's crazy because you know, from a labeled business perspective,

1228
01:11:22,000 --> 01:11:24,240
Speaker 1: I know that I can just I can feel that

1229
01:11:24,400 --> 01:11:29,400
Speaker 1: being the case. Right. It's almost like they're looking at

1230
01:11:29,439 --> 01:11:31,960
Speaker 1: it like, Yo, that dude is in the same lane

1231
01:11:32,000 --> 01:11:34,000
Speaker 1: as you. He sound kind of like you, but his

1232
01:11:34,160 --> 01:11:37,280
Speaker 1: voice is different. Same beats, Like so if they send

1233
01:11:37,320 --> 01:11:41,000
Speaker 1: a beatpack through, y'all are competing for the same beats,

1234
01:11:41,080 --> 01:11:44,240
Speaker 1: the same fan, the same everything. And so that label

1235
01:11:44,400 --> 01:11:46,160
Speaker 1: is gonna tell him, hey, y'all don't care if that's

1236
01:11:46,200 --> 01:11:51,280
Speaker 1: your friend, y'all are competition. And with that being the case, right,

1237
01:11:52,080 --> 01:11:58,080
Speaker 1: coming from poverty, that now manipulates my interaction because now

1238
01:11:58,200 --> 01:12:00,560
Speaker 1: the way I interact with my competition, this ain't the

1239
01:12:00,640 --> 01:12:05,720
Speaker 1: same way I interact with my brother, even though we

1240
01:12:05,880 --> 01:12:10,640
Speaker 1: try to put our blinders on. You understand, But I

1241
01:12:10,800 --> 01:12:19,439
Speaker 1: like competition. I'm a competitor, so I embrace it. But

1242
01:12:19,560 --> 01:12:22,000
Speaker 1: it becomes unique when it's that dude you grew up with,

1243
01:12:22,160 --> 01:12:24,960
Speaker 1: and now you got the labels involved and people involved

1244
01:12:25,000 --> 01:12:27,240
Speaker 1: it saying like, hey, y'all, two la fighting for the

1245
01:12:27,320 --> 01:12:30,680
Speaker 1: same thing, just so you know, Hey, just so you know,

1246
01:12:30,840 --> 01:12:34,080
Speaker 1: it's one state coming down and it's two of y'all

1247
01:12:34,120 --> 01:12:40,040
Speaker 1: out there. Then these is high level jiu jitsu mind tricks.

1248
01:12:41,600 --> 01:12:45,160
Speaker 1: You feel what I'm saying. And sometimes people are only

1249
01:12:45,240 --> 01:12:48,160
Speaker 1: doing what they told So sometimes it ain't even the

1250
01:12:48,320 --> 01:12:51,080
Speaker 1: people that's in the label there's really trying to start

1251
01:12:51,160 --> 01:12:54,920
Speaker 1: a problem. They're literally looking at their investment, like, Yo,

1252
01:12:55,640 --> 01:12:57,840
Speaker 1: we didn't want you to be the face of this, bro.

1253
01:12:59,320 --> 01:13:02,639
Speaker 1: These got your sound and you got the audience. We're

1254
01:13:02,720 --> 01:13:05,000
Speaker 1: building the audience up, and then you're just handing them

1255
01:13:05,080 --> 01:13:07,640
Speaker 1: the audience, Like so they go to they don't want

1256
01:13:07,720 --> 01:13:10,360
Speaker 1: us doing that, They don't want it to be twenty

1257
01:13:10,400 --> 01:13:14,200
Speaker 1: five hundred podcasts going crazy because they think it ain't

1258
01:13:14,320 --> 01:13:17,760
Speaker 1: enough time for allowing us to eat. They want it

1259
01:13:17,840 --> 01:13:22,320
Speaker 1: to be ten same rotating numbers, just rotting. Now we're

1260
01:13:22,320 --> 01:13:24,720
Speaker 1: gonna stick some We're gonna stick some mole up in

1261
01:13:24,840 --> 01:13:31,040
Speaker 1: now you understand. But yeah, man, dude signing for five K.

1262
01:13:31,439 --> 01:13:33,760
Speaker 1: I want to get to the DJ Academics and Fresh

1263
01:13:33,840 --> 01:13:39,479
Speaker 1: and Fit podcasts because again there's a lot to be

1264
01:13:39,640 --> 01:13:41,680
Speaker 1: talked about. So let me find the clipman, We'll be

1265
01:13:41,800 --> 01:13:47,240
Speaker 1: right back, all right. So DJ Academics, Fresh and Fit Podcasts,

1266
01:13:47,280 --> 01:13:51,000
Speaker 1: who was just canceled by the whole industry, was welcomed

1267
01:13:51,080 --> 01:13:54,760
Speaker 1: on DJ academics podcast. And this ladist and gentlemen is

1268
01:13:54,880 --> 01:14:00,559
Speaker 1: DJ Academics telling the industry to suck his I'll let

1269
01:14:00,600 --> 01:14:04,080
Speaker 1: you insert whatever word you think belongs there. Right, he's

1270
01:14:04,160 --> 01:14:10,639
Speaker 1: throwing the frank right. Um. It's interesting because Academics operates

1271
01:14:10,720 --> 01:14:13,040
Speaker 1: around these people, but he operates in a way that

1272
01:14:13,520 --> 01:14:16,000
Speaker 1: seems to be a little role. You know. He seems

1273
01:14:16,040 --> 01:14:21,680
Speaker 1: to be like ayo industry dues um. Or it may

1274
01:14:21,760 --> 01:14:24,160
Speaker 1: be because he's saying what I what I what I

1275
01:14:24,320 --> 01:14:29,720
Speaker 1: said previously on this up the podcast that he's kind

1276
01:14:29,760 --> 01:14:33,120
Speaker 1: of responsible for that blowing up. But I know he

1277
01:14:33,320 --> 01:14:36,160
Speaker 1: just thought he was doing them a solid, see, because

1278
01:14:36,240 --> 01:14:38,800
Speaker 1: that's in their DNA, that's their business model to get

1279
01:14:38,880 --> 01:14:41,280
Speaker 1: on there, kicks some girls out, put that clip out,

1280
01:14:41,360 --> 01:14:44,240
Speaker 1: it goes viral. Probably see a spike in the listens

1281
01:14:44,280 --> 01:14:46,479
Speaker 1: for the next week or two. Right, This is what

1282
01:14:46,640 --> 01:14:53,240
Speaker 1: they do over the salacious, salacious content right now. Granted

1283
01:14:53,320 --> 01:14:57,560
Speaker 1: it is a long time that they're talking, but the

1284
01:14:57,680 --> 01:15:01,040
Speaker 1: way that they market it, right, they take some of

1285
01:15:01,080 --> 01:15:04,840
Speaker 1: those clips like you see and they put them out.

1286
01:15:05,880 --> 01:15:08,679
Speaker 1: DJ Academics is really testing the strength of his rubber

1287
01:15:08,760 --> 01:15:14,960
Speaker 1: band though. He's really placing himself like, oh yeah, I

1288
01:15:15,000 --> 01:15:17,400
Speaker 1: got big feet in this game. And I already knows that,

1289
01:15:18,720 --> 01:15:20,960
Speaker 1: So I want to be clear that that's what he's doing.

1290
01:15:22,280 --> 01:15:25,280
Speaker 1: But he's looking at all these industry dudes, many basically saying,

1291
01:15:26,000 --> 01:15:29,240
Speaker 1: you know, he's brought to people on that is disrespected

1292
01:15:29,320 --> 01:15:34,240
Speaker 1: black women, and the whole industry basically has canceled, you know.

1293
01:15:34,680 --> 01:15:37,080
Speaker 1: So let's take a look at a few of them. Though,

1294
01:15:37,160 --> 01:15:40,040
Speaker 1: Let's take a look at a clip from it and

1295
01:15:40,360 --> 01:15:42,160
Speaker 1: see what he says. But man, this is why I

1296
01:15:42,200 --> 01:15:45,960
Speaker 1: say Academics is operating with these dude secrets. And if

1297
01:15:46,000 --> 01:15:48,000
Speaker 1: you think I'm not smart enough to ignore it like

1298
01:15:48,120 --> 01:15:51,280
Speaker 1: everybody else. Right, if you think I'm not smart enough

1299
01:15:51,360 --> 01:15:54,120
Speaker 1: to come in here and lying act like yo, ac

1300
01:15:54,240 --> 01:15:58,400
Speaker 1: must ain't got because because I mean yo yo', I'm

1301
01:15:58,439 --> 01:16:00,519
Speaker 1: good enough to do that. I paul with the best

1302
01:16:00,640 --> 01:16:03,160
Speaker 1: of them and shout at the rest of them. Right,

1303
01:16:03,320 --> 01:16:05,720
Speaker 1: I can come in here and lie and I got

1304
01:16:05,920 --> 01:16:08,880
Speaker 1: enough game to make you think whatever I want you

1305
01:16:09,000 --> 01:16:10,600
Speaker 1: to think, if that's what I want to do in

1306
01:16:10,720 --> 01:16:14,240
Speaker 1: regards to that situation, like everybody else. The dudes jumped

1307
01:16:14,240 --> 01:16:16,160
Speaker 1: off the roof when he came to Fresh and Fit,

1308
01:16:16,640 --> 01:16:18,840
Speaker 1: but they they ain't say nothing when he came to

1309
01:16:18,840 --> 01:16:21,040
Speaker 1: the Academics co signing that, Hey, I don't know what

1310
01:16:21,200 --> 01:16:24,200
Speaker 1: that's about. Maybe I'm new to the space. Y'all schooled

1311
01:16:24,280 --> 01:16:27,960
Speaker 1: me too, to me, what am I missing right now?

1312
01:16:28,600 --> 01:16:32,599
Speaker 1: They came on here and I'm not sure. I mean

1313
01:16:32,680 --> 01:16:34,800
Speaker 1: every time they asked about it, because shows did what

1314
01:16:34,880 --> 01:16:37,200
Speaker 1: shows usually do when he grabs the hot story got

1315
01:16:37,280 --> 01:16:39,840
Speaker 1: him over there. Every time they kind of talk about it,

1316
01:16:39,960 --> 01:16:45,479
Speaker 1: they they basically just you know, say the same thing

1317
01:16:45,600 --> 01:16:48,679
Speaker 1: that Kevin Samuel's type thing where they statistic get out.

1318
01:16:49,160 --> 01:16:51,280
Speaker 1: You know what I'm saying, and it's a unique thing

1319
01:16:51,400 --> 01:16:54,680
Speaker 1: they're doing. But you know the words that they're used it,

1320
01:16:54,840 --> 01:16:56,760
Speaker 1: I know what they're doing. They're playing some kind of

1321
01:16:56,760 --> 01:16:59,640
Speaker 1: because I'm I'm I'm yo, I know a little bit

1322
01:16:59,640 --> 01:17:02,680
Speaker 1: about it all everything slim and this is what I've

1323
01:17:02,720 --> 01:17:07,519
Speaker 1: been saying, right, I know they're playing some kind of

1324
01:17:07,560 --> 01:17:11,320
Speaker 1: weird mind game with women. Right, there's some kind of

1325
01:17:11,400 --> 01:17:15,200
Speaker 1: weird thing that they think is very highly effective because

1326
01:17:15,280 --> 01:17:19,160
Speaker 1: they get results off of it. Right. But what they're doing, right,

1327
01:17:19,320 --> 01:17:21,479
Speaker 1: is the juice worth to squeeze? They got to start

1328
01:17:21,560 --> 01:17:24,920
Speaker 1: asking themselves that because when you tell somebody you're not special,

1329
01:17:25,800 --> 01:17:29,360
Speaker 1: number one, I would disagree with that, right, But number two,

1330
01:17:29,960 --> 01:17:33,759
Speaker 1: we got to start to deal with what's behind the curtain,

1331
01:17:35,320 --> 01:17:38,240
Speaker 1: not what you're saying, right, all right, I'm not special? Cool?

1332
01:17:39,360 --> 01:17:42,240
Speaker 1: What's the intent behind some of these things and what's

1333
01:17:42,280 --> 01:17:45,840
Speaker 1: the result you're looking for when you're saying these things?

1334
01:17:47,800 --> 01:17:53,599
Speaker 1: Is this the behavior of you know how like if

1335
01:17:53,640 --> 01:17:56,280
Speaker 1: you're in a weird situation where you're looking to buy

1336
01:17:56,920 --> 01:18:00,960
Speaker 1: maybe something that it is you, but the price is

1337
01:18:01,000 --> 01:18:04,880
Speaker 1: still high. See, because if we're dealing with antique, we

1338
01:18:05,120 --> 01:18:08,880
Speaker 1: understand that we put value on everything but life. Right,

1339
01:18:09,439 --> 01:18:12,160
Speaker 1: So when we deal with antique, the older it is,

1340
01:18:12,280 --> 01:18:16,639
Speaker 1: the more value it has. Right. So sometimes when you're

1341
01:18:16,680 --> 01:18:20,280
Speaker 1: dealing with dudes who say certain things ain't special, and

1342
01:18:20,360 --> 01:18:24,040
Speaker 1: then they go to naming these this whatever lists off,

1343
01:18:24,120 --> 01:18:26,320
Speaker 1: you gotta start asking, yo, what are you really trying

1344
01:18:26,360 --> 01:18:30,200
Speaker 1: to do with that? Let's set aside what you're saying

1345
01:18:30,320 --> 01:18:34,040
Speaker 1: for a second, right, what results you're looking for when

1346
01:18:34,080 --> 01:18:36,719
Speaker 1: you say that? And when you say and that's something

1347
01:18:36,800 --> 01:18:39,439
Speaker 1: that maybe I can only do, right? So what we

1348
01:18:40,360 --> 01:18:42,360
Speaker 1: Because if you try to take my game and I

1349
01:18:42,479 --> 01:18:44,760
Speaker 1: used to be afraid of dudes taking my game and

1350
01:18:44,920 --> 01:18:48,240
Speaker 1: running off with it, but you really can't because I

1351
01:18:48,360 --> 01:18:51,799
Speaker 1: can only serve you one level at a time unless

1352
01:18:52,200 --> 01:18:54,200
Speaker 1: my mind is clicking in that way where I want

1353
01:18:54,200 --> 01:18:56,720
Speaker 1: to go in depth with it. But most times I'm

1354
01:18:56,720 --> 01:18:58,800
Speaker 1: only serving you one level. So if you take that

1355
01:18:58,960 --> 01:19:01,360
Speaker 1: one level on that X level, you're gonna need it again.

1356
01:19:01,400 --> 01:19:04,600
Speaker 1: You're gonna need me because my eyes is telling me

1357
01:19:04,760 --> 01:19:10,000
Speaker 1: what I see. You know what I mean? Um, But man,

1358
01:19:10,120 --> 01:19:13,719
Speaker 1: it's just unique to see act bump up against dudes

1359
01:19:13,920 --> 01:19:17,240
Speaker 1: like this. Shill. You know, I'm talking to Takashi, which

1360
01:19:17,280 --> 01:19:20,519
Speaker 1: Takashi thing I get that's always been his boy, so

1361
01:19:20,680 --> 01:19:23,400
Speaker 1: I think that that's his boy. Now act this has

1362
01:19:23,439 --> 01:19:25,640
Speaker 1: been his boy. He act did his first couple of

1363
01:19:25,680 --> 01:19:29,679
Speaker 1: episodes in this spot. But at some point you gotta

1364
01:19:29,680 --> 01:19:32,160
Speaker 1: really look at it, like and it's a real real

1365
01:19:32,280 --> 01:19:35,519
Speaker 1: slick a gangster move. It's slick like he just like, Yo,

1366
01:19:35,640 --> 01:19:37,800
Speaker 1: I'm running with dude them, dude, them help me. I

1367
01:19:37,960 --> 01:19:41,240
Speaker 1: help them. I ain't going I ain't going off board

1368
01:19:41,360 --> 01:19:43,599
Speaker 1: when they you know, getting hot water. I ain't jumping

1369
01:19:43,640 --> 01:19:46,479
Speaker 1: ship when they get hot water. You did what I'm saying,

1370
01:19:46,600 --> 01:19:48,680
Speaker 1: So that's what they feel like. Let's look at a

1371
01:19:48,720 --> 01:19:50,800
Speaker 1: little bit of an interview and see where we can

1372
01:19:50,880 --> 01:19:54,000
Speaker 1: get from, dude. And that's what men do since the

1373
01:19:54,000 --> 01:19:55,960
Speaker 1: beginning of time. But we live in this crazy world.

1374
01:19:56,000 --> 01:19:57,840
Speaker 1: Now we're trying to say man, men and women are

1375
01:19:57,840 --> 01:19:59,559
Speaker 1: the same. Women should go ahead and chase a career,

1376
01:19:59,600 --> 01:20:01,800
Speaker 1: but at LEAs a lot of women unhappy, like one

1377
01:20:01,840 --> 01:20:04,280
Speaker 1: and four women out runs around on antidepression and anxiety

1378
01:20:04,320 --> 01:20:07,280
Speaker 1: medication because they chase his career and this money, but

1379
01:20:07,360 --> 01:20:09,960
Speaker 1: it doesn't actually give them fulfillment. You know how many

1380
01:20:10,040 --> 01:20:12,479
Speaker 1: rich girls you know, I mean me and you both

1381
01:20:12,560 --> 01:20:16,080
Speaker 1: know that make money in their sasstinay, the ones I

1382
01:20:16,240 --> 01:20:19,680
Speaker 1: know it's because they're doing only fans and they're compromising

1383
01:20:19,720 --> 01:20:23,360
Speaker 1: their character. We're not even looking at the actual man. Internally,

1384
01:20:23,400 --> 01:20:25,200
Speaker 1: we're just like, well, if you can't you don't make this,

1385
01:20:25,280 --> 01:20:27,479
Speaker 1: you don't make that. You're not like men are kind

1386
01:20:27,479 --> 01:20:30,240
Speaker 1: of pushed to just work enslave and are kind of

1387
01:20:30,280 --> 01:20:32,280
Speaker 1: forced in a position where if you don't make a

1388
01:20:32,280 --> 01:20:34,879
Speaker 1: certain amount of money, you just are worthless to society.

1389
01:20:34,880 --> 01:20:37,560
Speaker 1: And that's that's something I don't like. I don't like that,

1390
01:20:37,720 --> 01:20:39,160
Speaker 1: you know. I mean, of course, it's like, you know,

1391
01:20:39,240 --> 01:20:41,479
Speaker 1: how can we change that? But there's no changing and

1392
01:20:41,479 --> 01:20:43,560
Speaker 1: we can cry about it man, but no, but no,

1393
01:20:43,640 --> 01:20:45,479
Speaker 1: but no, But like listen though, because it's like, yeah,

1394
01:20:45,880 --> 01:20:47,519
Speaker 1: the reality is like, oh we can cry about it,

1395
01:20:47,520 --> 01:20:50,880
Speaker 1: we can, yeah, but the reality is too is that

1396
01:20:51,840 --> 01:20:54,200
Speaker 1: Why why do we just brush it off like that?

1397
01:20:54,479 --> 01:20:56,599
Speaker 1: Because what I've noticed about you is you're very militant,

1398
01:20:56,640 --> 01:20:58,600
Speaker 1: so like I don't know your background, but I just

1399
01:20:58,760 --> 01:21:01,880
Speaker 1: kind of feel like it very Oh well, get over

1400
01:21:02,080 --> 01:21:04,400
Speaker 1: this is how it is. Cry about it if you want.

1401
01:21:04,439 --> 01:21:08,400
Speaker 1: But it's like, okay, but what about the person under that? Like,

1402
01:21:08,720 --> 01:21:10,360
Speaker 1: at what point in time, Like because as a man,

1403
01:21:10,479 --> 01:21:12,759
Speaker 1: if I put myself in your in a man shoes

1404
01:21:13,040 --> 01:21:15,080
Speaker 1: and I'm having a hard time getting women, I'm not

1405
01:21:15,240 --> 01:21:17,559
Speaker 1: making a lot of money. I feel worthless to society,

1406
01:21:17,640 --> 01:21:21,240
Speaker 1: nobody wants me. Like what am I really gonna How

1407
01:21:21,280 --> 01:21:23,439
Speaker 1: am I really gonna treat women? When I do get

1408
01:21:23,479 --> 01:21:26,360
Speaker 1: these things? I'm gonna look at you guys as objects.

1409
01:21:26,760 --> 01:21:29,920
Speaker 1: That's not healthy either, because I feel like men are

1410
01:21:30,040 --> 01:21:32,040
Speaker 1: more than what they just bring to the table. And

1411
01:21:32,160 --> 01:21:35,200
Speaker 1: I think for me with women, like where I'm at now,

1412
01:21:35,680 --> 01:21:38,639
Speaker 1: an uncomfortable truth for me is I would be considered

1413
01:21:38,680 --> 01:21:42,080
Speaker 1: trophy pussy, like I have to filter through Like yes,

1414
01:21:42,160 --> 01:21:44,519
Speaker 1: I can leverage my beauty and get and get the

1415
01:21:44,640 --> 01:21:48,280
Speaker 1: highest bidder. But the reality is is, like you, we

1416
01:21:48,439 --> 01:21:51,519
Speaker 1: both want each other because I'm who I am. You

1417
01:21:51,600 --> 01:21:54,479
Speaker 1: can do what you do and it's but we can

1418
01:21:55,000 --> 01:21:57,280
Speaker 1: leverage and come together and get whatever we want out

1419
01:21:57,320 --> 01:21:59,559
Speaker 1: of that. But we're still missing the point here, which

1420
01:21:59,680 --> 01:22:03,160
Speaker 1: is magic, like the romance, the love, the connection, Like

1421
01:22:03,360 --> 01:22:06,720
Speaker 1: at what point we can spit out statistics statistics all day,

1422
01:22:06,960 --> 01:22:08,800
Speaker 1: we can talk about this is what men are the

1423
01:22:08,880 --> 01:22:10,519
Speaker 1: society and this is what women are to society. We're

1424
01:22:10,560 --> 01:22:12,400
Speaker 1: supposed to bear children. You guys supposed to bring the

1425
01:22:12,439 --> 01:22:15,640
Speaker 1: bread in. But it's just like, okay, that's great. What

1426
01:22:15,800 --> 01:22:18,160
Speaker 1: about the other ship, though, are you guys in relationships?

1427
01:22:19,040 --> 01:22:20,920
Speaker 1: Are you guys in relationship? I'm asking hold on, just

1428
01:22:21,040 --> 01:22:26,000
Speaker 1: real quick? No, are you in a relationship? Many? Right,

1429
01:22:26,160 --> 01:22:29,160
Speaker 1: you said it's not fair or it's not cool that

1430
01:22:29,240 --> 01:22:31,960
Speaker 1: guys looked at as success officers. Right, Let let me

1431
01:22:32,000 --> 01:22:37,639
Speaker 1: ask you this question. Are you gonna okay, yes, that's

1432
01:22:37,680 --> 01:22:39,920
Speaker 1: a refound, that's a no, that's a fuck. I don't know.

1433
01:22:40,120 --> 01:22:44,040
Speaker 1: I'm just curious. So if listen, the reality is, if

1434
01:22:44,120 --> 01:22:47,599
Speaker 1: I can, if I can create X lifestyle for myself,

1435
01:22:49,400 --> 01:22:54,080
Speaker 1: why would can I finish my point? Okay, if I

1436
01:22:54,160 --> 01:22:57,040
Speaker 1: can create X for myself and I have my house,

1437
01:22:57,120 --> 01:22:59,599
Speaker 1: I have my car, why would I be with someone

1438
01:22:59,640 --> 01:23:01,840
Speaker 1: who had at least doesn't have those things. That's the

1439
01:23:01,880 --> 01:23:04,559
Speaker 1: whole point here. So you just said earlier, what does

1440
01:23:04,600 --> 01:23:06,760
Speaker 1: it matter if guys it's successful or not. It should

1441
01:23:06,760 --> 01:23:08,519
Speaker 1: be the connection, it should be all that stuff that's

1442
01:23:08,600 --> 01:23:10,800
Speaker 1: great at all. But in reality speaking, if guys don't

1443
01:23:10,800 --> 01:23:12,880
Speaker 1: have things on the table for security, you're not gonna

1444
01:23:12,880 --> 01:23:14,519
Speaker 1: do that. But my thing is is, why would I

1445
01:23:14,560 --> 01:23:17,400
Speaker 1: want to be with someone who doesn't prioritize themselves. I know.

1446
01:23:17,520 --> 01:23:19,560
Speaker 1: I listen, listen, I know what we're saying, because so

1447
01:23:19,680 --> 01:23:22,160
Speaker 1: basically what she's saying is it ain't about the money,

1448
01:23:23,320 --> 01:23:26,840
Speaker 1: it's about the value. So I values in different places, right,

1449
01:23:26,960 --> 01:23:29,120
Speaker 1: So I don't want to date a woman who values

1450
01:23:29,200 --> 01:23:32,040
Speaker 1: in different places? Is man? Right? It's because what happens

1451
01:23:32,200 --> 01:23:35,519
Speaker 1: is and this is what this is what you hit

1452
01:23:35,600 --> 01:23:37,559
Speaker 1: me talk about, right, this is why I said, even

1453
01:23:37,640 --> 01:23:40,000
Speaker 1: when I was talking about Gates, when he was talking

1454
01:23:40,000 --> 01:23:43,600
Speaker 1: about celebrating your your man or celebrating your woman and

1455
01:23:43,800 --> 01:23:46,360
Speaker 1: just celebrating whoever your mate is and being in those

1456
01:23:46,439 --> 01:23:51,840
Speaker 1: relationships and where they still feel like they are valuable. Right.

1457
01:23:52,479 --> 01:23:55,600
Speaker 1: You don't want to deal with a tired individual. Somebody's

1458
01:23:55,680 --> 01:23:59,639
Speaker 1: tired of the situation. Those people become weary of why

1459
01:23:59,720 --> 01:24:02,479
Speaker 1: they even in it. Right. But a lot of times

1460
01:24:02,520 --> 01:24:07,479
Speaker 1: you're dealing with tie men, but they under contract. So

1461
01:24:07,640 --> 01:24:11,040
Speaker 1: a lot of still under contract with women, right that

1462
01:24:11,160 --> 01:24:14,120
Speaker 1: they in situations where all the bills is in her name,

1463
01:24:14,240 --> 01:24:16,840
Speaker 1: everything gets written in her name, and so they're in

1464
01:24:17,000 --> 01:24:21,040
Speaker 1: situations where they're unhappy and they there, and man, that's

1465
01:24:21,080 --> 01:24:24,960
Speaker 1: a mental war. Value placing yourself in so it ain't

1466
01:24:25,000 --> 01:24:28,720
Speaker 1: necessarily about a woman not dating a broke dude, or

1467
01:24:28,880 --> 01:24:32,639
Speaker 1: dude not dating a woman who won't you know that's

1468
01:24:32,680 --> 01:24:35,960
Speaker 1: not attractive to him. Because you gotta ask yourself what

1469
01:24:36,120 --> 01:24:39,040
Speaker 1: you value. Then you gotta ask yourself what does it

1470
01:24:39,160 --> 01:24:42,920
Speaker 1: cost to obtain it? Because sometimes you can value something

1471
01:24:42,960 --> 01:24:45,360
Speaker 1: that cost too much to obtain right, cost you your

1472
01:24:45,439 --> 01:24:51,160
Speaker 1: mental health to have that woman. And sometimes you gotta say, yo, again,

1473
01:24:51,320 --> 01:24:54,840
Speaker 1: what's the old saying that juice ain't worth to squeeze? Right,

1474
01:24:54,960 --> 01:24:57,599
Speaker 1: So you get the woman, then you drive yourself off

1475
01:24:57,680 --> 01:25:00,080
Speaker 1: the off the river. You know what I mean, And

1476
01:25:00,240 --> 01:25:03,200
Speaker 1: I mean that figuratively, you know what I mean. So

1477
01:25:03,360 --> 01:25:07,280
Speaker 1: what I'm saying is is that you gotta be aware

1478
01:25:07,320 --> 01:25:10,560
Speaker 1: of the boundaries and have guardrels and hand rills and

1479
01:25:10,680 --> 01:25:13,639
Speaker 1: things to understand about yourself. But you gotta have time

1480
01:25:13,720 --> 01:25:16,760
Speaker 1: to learn yourself. I always tell the rich that, yo,

1481
01:25:16,920 --> 01:25:18,800
Speaker 1: y'all got all the time in the world to kick

1482
01:25:18,880 --> 01:25:21,240
Speaker 1: that mental health and do this and talk that and

1483
01:25:21,360 --> 01:25:24,200
Speaker 1: talk this. It's together I'm dealing with. They don't got

1484
01:25:24,320 --> 01:25:28,040
Speaker 1: time for that. They don't know. Say bro, I don't know, bro,

1485
01:25:28,400 --> 01:25:30,880
Speaker 1: I don't know nothing about that. Bro, we dine here

1486
01:25:30,920 --> 01:25:36,759
Speaker 1: trying to figure out what we're doing. Somebody stole fourteen

1487
01:25:36,880 --> 01:25:39,760
Speaker 1: thousand out that house down there, and he thinks my

1488
01:25:39,960 --> 01:25:42,800
Speaker 1: nephew done it. And they've been shooting up through here

1489
01:25:42,840 --> 01:25:45,280
Speaker 1: and my granted lea right there and this, and you're

1490
01:25:45,320 --> 01:25:47,759
Speaker 1: talking about my mental health. I'm in the war zone,

1491
01:25:48,880 --> 01:25:52,040
Speaker 1: you know what I mean? These environments need an we

1492
01:25:52,200 --> 01:25:55,240
Speaker 1: need of can. They need to be some lesiglation put

1493
01:25:55,320 --> 01:25:58,519
Speaker 1: in place, the need to be some kind of bell ridden,

1494
01:25:58,640 --> 01:26:02,000
Speaker 1: some funding to the ghetto for real, for real, bro,

1495
01:26:02,200 --> 01:26:05,320
Speaker 1: Because if we don't fix the conditions down through that, man,

1496
01:26:05,439 --> 01:26:08,000
Speaker 1: you can really, it's gonna be rough to you know,

1497
01:26:08,400 --> 01:26:10,920
Speaker 1: it's worth it, but it's gonna be rough, you know

1498
01:26:10,960 --> 01:26:14,519
Speaker 1: what I mean. But um, you gotta make sure whoever

1499
01:26:14,600 --> 01:26:17,639
Speaker 1: you went, man, that y'all goals aligned, and that y'all

1500
01:26:17,720 --> 01:26:19,960
Speaker 1: just aligned as individuals. And a lot of us have

1501
01:26:20,120 --> 01:26:22,080
Speaker 1: never felt that, so we don't even know that it's

1502
01:26:22,120 --> 01:26:25,760
Speaker 1: a possibility. And when you don't know something some possibility,

1503
01:26:25,800 --> 01:26:28,800
Speaker 1: it's hard to obtain it. Right. Everything that I know

1504
01:26:28,960 --> 01:26:31,360
Speaker 1: I'm gonna get I already knew was that before I

1505
01:26:31,520 --> 01:26:34,360
Speaker 1: was able to get it. I always tell people, Yo,

1506
01:26:34,439 --> 01:26:37,040
Speaker 1: you gotta be working out like the champion of the

1507
01:26:37,120 --> 01:26:40,280
Speaker 1: world before the champion of the world. You gotta be

1508
01:26:40,439 --> 01:26:43,639
Speaker 1: practicing like super Bowl champions long before you get the ring,

1509
01:26:44,479 --> 01:26:46,280
Speaker 1: you know what I mean. So you always gotta place

1510
01:26:46,320 --> 01:26:50,720
Speaker 1: yourself in a situation to implement what you what you indicate, right,

1511
01:26:51,080 --> 01:26:53,960
Speaker 1: you gotta implement what you want to indicate. You know

1512
01:26:53,960 --> 01:26:56,160
Speaker 1: what I'm saying. You gotta place yourself in a situation.

1513
01:26:56,240 --> 01:26:58,320
Speaker 1: I always do that. Let's listen to a little bit

1514
01:26:58,400 --> 01:27:02,400
Speaker 1: more saying, oh, this is about we were talking about

1515
01:27:02,439 --> 01:27:03,720
Speaker 1: what guys bring to the table or what they can

1516
01:27:03,760 --> 01:27:05,880
Speaker 1: bring to the table. But the reality is is I

1517
01:27:06,040 --> 01:27:09,800
Speaker 1: can look at somebody regardless of their financial status, in

1518
01:27:09,880 --> 01:27:11,960
Speaker 1: a different way if I have my own things. And

1519
01:27:12,080 --> 01:27:14,679
Speaker 1: the reality is if he's in the gym, he has

1520
01:27:14,800 --> 01:27:17,600
Speaker 1: his gallon of water. Right, Is he wrong for not

1521
01:27:17,760 --> 01:27:19,200
Speaker 1: for not want to be with a girl who doesn't

1522
01:27:19,240 --> 01:27:22,080
Speaker 1: drink enough water a day, who has her page balances off,

1523
01:27:22,120 --> 01:27:24,160
Speaker 1: who's not taking care of her body. Is he wrong

1524
01:27:24,240 --> 01:27:26,880
Speaker 1: for not wanting that? No, because that's what the standard

1525
01:27:26,960 --> 01:27:30,240
Speaker 1: of his life. There's nothing wrong with that. So that's

1526
01:27:30,280 --> 01:27:31,840
Speaker 1: just kind of how I feel. You're missing the point.

1527
01:27:32,240 --> 01:27:35,080
Speaker 1: What are's simply trying to illustrate here is that there's

1528
01:27:35,120 --> 01:27:37,559
Speaker 1: a barrier to entry. You're not even going to give

1529
01:27:37,560 --> 01:27:39,800
Speaker 1: a guy an opportunity if he doesn't meet a certain

1530
01:27:39,880 --> 01:27:43,240
Speaker 1: financial requirement that you have brought upon yourself, which is fine.

1531
01:27:43,320 --> 01:27:45,880
Speaker 1: Let me talk about this all the time. Women don't

1532
01:27:45,960 --> 01:27:49,920
Speaker 1: date down socio economically almost ever, However, men will gladly

1533
01:27:49,960 --> 01:27:51,880
Speaker 1: do it. If the roles were reversed and you didn't

1534
01:27:51,880 --> 01:27:53,960
Speaker 1: have your stuff together financially, but a man did, he

1535
01:27:54,000 --> 01:27:56,519
Speaker 1: would gladly take you in and they would date you. Hell,

1536
01:27:56,680 --> 01:27:59,000
Speaker 1: you've been been in relationships with some pretty you know

1537
01:27:59,240 --> 01:28:01,439
Speaker 1: up there guys. They didn't care about how much money

1538
01:28:01,680 --> 01:28:04,040
Speaker 1: or whatever you brought to the table. Because many I'm saying,

1539
01:28:04,080 --> 01:28:06,600
Speaker 1: these are conflating arguments. This is why I say, and

1540
01:28:06,680 --> 01:28:09,920
Speaker 1: I have a hard time because I have a unique perspective.

1541
01:28:10,400 --> 01:28:13,439
Speaker 1: So when these conversations go to happen, it started, Yo,

1542
01:28:13,560 --> 01:28:17,800
Speaker 1: you're conflating things. Hold on, slow down. Somebody got to

1543
01:28:17,880 --> 01:28:19,600
Speaker 1: be able to say that, and that's why it's up there.

1544
01:28:19,720 --> 01:28:22,479
Speaker 1: Podcast now was about to take a stronghold in the

1545
01:28:22,600 --> 01:28:26,120
Speaker 1: market because we got to really know how to communicate

1546
01:28:26,200 --> 01:28:29,559
Speaker 1: with each other and not be manipulated when you hit

1547
01:28:29,600 --> 01:28:32,160
Speaker 1: this dude, he just conflated four or five different things.

1548
01:28:32,479 --> 01:28:35,479
Speaker 1: You're talking about a barrier of entry to dating. I

1549
01:28:35,560 --> 01:28:38,200
Speaker 1: would say yes to that. Everyone has a barrier of

1550
01:28:38,439 --> 01:28:41,920
Speaker 1: entry of dating. We're dealing with standards at the end.

1551
01:28:41,960 --> 01:28:47,080
Speaker 1: We yo, so that bro. But then he continued to

1552
01:28:47,200 --> 01:28:51,719
Speaker 1: go and then he said, Yo, those dudes that dated

1553
01:28:51,840 --> 01:28:57,200
Speaker 1: you basically were dating down and they didn't care. But then,

1554
01:28:57,439 --> 01:29:00,400
Speaker 1: from what perspective, because we've already out there the fact

1555
01:29:00,479 --> 01:29:04,120
Speaker 1: that women value things different than men, right, So if

1556
01:29:04,200 --> 01:29:07,479
Speaker 1: he values to push it in the ass and the tittis,

1557
01:29:07,760 --> 01:29:10,559
Speaker 1: and she values the money, and they value those two

1558
01:29:10,680 --> 01:29:14,439
Speaker 1: the same, how are we what are we? What are

1559
01:29:14,479 --> 01:29:19,600
Speaker 1: we saying in regards to that? Right, Because we're not

1560
01:29:19,720 --> 01:29:25,120
Speaker 1: expecting him to value her status in regards to money

1561
01:29:25,160 --> 01:29:26,960
Speaker 1: and things like that. And that's number one. And in

1562
01:29:27,120 --> 01:29:29,640
Speaker 1: number two they probably was in college or something like

1563
01:29:29,720 --> 01:29:31,519
Speaker 1: he probably you know what I'm saying. So when you

1564
01:29:31,600 --> 01:29:35,639
Speaker 1: say that he decided to date down, when she's already

1565
01:29:36,160 --> 01:29:40,839
Speaker 1: identified or you've already identified, right, that men and women

1566
01:29:41,160 --> 01:29:44,479
Speaker 1: have two different things that indicate value for them. They

1567
01:29:44,520 --> 01:29:49,280
Speaker 1: have two different benchmarks, right, totally different benchmarks. So when

1568
01:29:49,320 --> 01:29:52,920
Speaker 1: you talk about me and dating down talk directly to

1569
01:29:53,160 --> 01:29:56,080
Speaker 1: my benchmark, and then when you talk about him and

1570
01:29:56,240 --> 01:30:00,320
Speaker 1: dating down, talk directly to his benchmark. So if I

1571
01:30:00,520 --> 01:30:03,400
Speaker 1: was a girl that was not as attractive, maybe if

1572
01:30:03,439 --> 01:30:06,800
Speaker 1: I did have more children by your standard, not by

1573
01:30:06,880 --> 01:30:10,320
Speaker 1: her standard, then and he did that, then that would

1574
01:30:10,400 --> 01:30:12,920
Speaker 1: be dating down. So it looks like in this case

1575
01:30:13,720 --> 01:30:16,720
Speaker 1: one of the ideal situations according to how they put it.

1576
01:30:18,000 --> 01:30:20,400
Speaker 1: But I don't know if I'm losing anybody, but pay

1577
01:30:20,400 --> 01:30:23,200
Speaker 1: attention to what I'm saying as a manipulation game being

1578
01:30:23,320 --> 01:30:26,120
Speaker 1: played here. But you got to have a certain frequency

1579
01:30:26,400 --> 01:30:29,479
Speaker 1: to be able to keep up with it. Yo. Value

1580
01:30:29,680 --> 01:30:36,000
Speaker 1: is value, right, value is value. Now everything don't have

1581
01:30:36,160 --> 01:30:41,880
Speaker 1: the same value. But if I value a hot rag

1582
01:30:42,320 --> 01:30:45,400
Speaker 1: on clean home, this, that and the third right, and

1583
01:30:45,560 --> 01:30:53,480
Speaker 1: you provide that for me, and you value stability protection,

1584
01:30:55,040 --> 01:30:58,519
Speaker 1: a man that's punctual, professional, all these different things, right,

1585
01:30:58,840 --> 01:31:01,440
Speaker 1: and I provide that to you. We both are providing

1586
01:31:01,560 --> 01:31:06,800
Speaker 1: some each other a value. And to diminish someone else's value,

1587
01:31:06,840 --> 01:31:08,920
Speaker 1: I think it's irresponsible. Let's listen to a little more

1588
01:31:09,920 --> 01:31:11,600
Speaker 1: very different. We don't care about what you bring to

1589
01:31:11,680 --> 01:31:15,400
Speaker 1: the table financially or satisfied, but women do so you

1590
01:31:15,439 --> 01:31:17,240
Speaker 1: can say that this is kind of the difference between

1591
01:31:17,280 --> 01:31:19,760
Speaker 1: men and women, like women get the privilege of living

1592
01:31:19,800 --> 01:31:21,479
Speaker 1: in a Disney fairy tale of take me how I

1593
01:31:21,600 --> 01:31:23,160
Speaker 1: am and this shouldn't be this way and this is

1594
01:31:23,200 --> 01:31:26,360
Speaker 1: fucked up. And then when you say and women do again,

1595
01:31:26,439 --> 01:31:30,120
Speaker 1: I'm gonna push back on that because we all got

1596
01:31:30,200 --> 01:31:33,160
Speaker 1: home girls or know somebody that dated a broke due.

1597
01:31:35,040 --> 01:31:38,760
Speaker 1: We really know somebody that a broke dude probably took

1598
01:31:38,880 --> 01:31:41,800
Speaker 1: down through that and really gave or probably one of

1599
01:31:41,840 --> 01:31:45,000
Speaker 1: the hardest times she didn't had, right dude. You know

1600
01:31:45,120 --> 01:31:47,360
Speaker 1: the niggas with the money, they ain't really even given

1601
01:31:47,400 --> 01:31:51,200
Speaker 1: a hard time they broke dude. Man, he had a man,

1602
01:31:51,520 --> 01:31:55,439
Speaker 1: He had a world upside down for a second though. Right,

1603
01:31:55,560 --> 01:31:58,120
Speaker 1: So you can't say women don't date down, and you

1604
01:31:58,200 --> 01:32:01,320
Speaker 1: can't say men don't date down. I think dating is

1605
01:32:01,360 --> 01:32:05,920
Speaker 1: more about when you met somebody, you know, proximity, way

1606
01:32:05,960 --> 01:32:07,920
Speaker 1: you wait in your life. I think it's way too

1607
01:32:08,000 --> 01:32:10,400
Speaker 1: many variables to put in that, to just lay that

1608
01:32:10,560 --> 01:32:14,800
Speaker 1: on Yo, you won't date down, Yo, that's that's like Yo,

1609
01:32:15,000 --> 01:32:17,040
Speaker 1: I don't, I don't. I don't know if that's the case. Now,

1610
01:32:17,680 --> 01:32:24,000
Speaker 1: is it unreasonable to request certain things, right with certain attributes, right,

1611
01:32:24,080 --> 01:32:26,519
Speaker 1: with certain things on your side, I would say yes,

1612
01:32:26,720 --> 01:32:29,960
Speaker 1: but those are up for debate and they're interchangeable depending

1613
01:32:30,040 --> 01:32:33,000
Speaker 1: on who it is, and that's gonna be constant, right,

1614
01:32:33,400 --> 01:32:36,240
Speaker 1: So I think you're gonna constantly have an argument when

1615
01:32:36,320 --> 01:32:40,800
Speaker 1: you say things like that patterns and habits that women having.

1616
01:32:40,840 --> 01:32:42,559
Speaker 1: This isn't to knock you or knock all the ladies

1617
01:32:42,600 --> 01:32:45,400
Speaker 1: in the studio, but women, on the balance of averages,

1618
01:32:45,640 --> 01:32:48,000
Speaker 1: operate a certain way, especially when they deal with men.

1619
01:32:48,200 --> 01:32:51,920
Speaker 1: So yeah, but that's very different than not being special.

1620
01:32:52,800 --> 01:32:55,320
Speaker 1: Say that right, We can agree that, right, all right,

1621
01:32:55,439 --> 01:32:57,080
Speaker 1: So a lot of you and that's what I'm saying

1622
01:32:57,080 --> 01:33:00,559
Speaker 1: about understanding how to communicate, and that's why it's important

1623
01:33:00,600 --> 01:33:03,360
Speaker 1: for people like me to be in the marketplace to

1624
01:33:03,520 --> 01:33:06,040
Speaker 1: be able to point these kind of things out. These

1625
01:33:06,120 --> 01:33:09,000
Speaker 1: guys are playing some kind of high level manipulation trick

1626
01:33:09,160 --> 01:33:12,160
Speaker 1: right where they're using words like you're not special and

1627
01:33:12,320 --> 01:33:16,360
Speaker 1: then saying that the definition of special is that your

1628
01:33:16,400 --> 01:33:22,240
Speaker 1: approach is standard. And I think once we drill those down,

1629
01:33:22,360 --> 01:33:24,479
Speaker 1: we understand that this has to be some sort of

1630
01:33:24,600 --> 01:33:28,960
Speaker 1: trick that they're trying to play, because being special isn't

1631
01:33:29,360 --> 01:33:32,719
Speaker 1: based on your approach. Right, If we want to be technical,

1632
01:33:33,280 --> 01:33:36,280
Speaker 1: and I think when we're using special or if we're

1633
01:33:37,439 --> 01:33:41,599
Speaker 1: if we're diminishing people by any stretch of imagination, let's

1634
01:33:41,680 --> 01:33:45,240
Speaker 1: be very specific. Let's be on the nose, and let's

1635
01:33:45,280 --> 01:33:48,200
Speaker 1: be critical of what we're saying, right, because you don't

1636
01:33:48,240 --> 01:33:53,160
Speaker 1: want to criticize people and be really knitly witted because

1637
01:33:53,280 --> 01:33:57,960
Speaker 1: those effects sometimes can't be undone. Right. So what we're

1638
01:33:58,000 --> 01:34:01,200
Speaker 1: dealing with is people saying, yo, you're not special because

1639
01:34:01,240 --> 01:34:08,240
Speaker 1: you guys approach things the same, and all of us

1640
01:34:08,320 --> 01:34:11,919
Speaker 1: approach things a certain way. Right, I go use the restroom,

1641
01:34:12,200 --> 01:34:15,640
Speaker 1: probably the same as ninety percent of men. Right, the

1642
01:34:15,760 --> 01:34:18,559
Speaker 1: girls use the restroom like ninety percent of women use

1643
01:34:18,680 --> 01:34:21,400
Speaker 1: the restroom, and I leave that wigger room because there's

1644
01:34:21,439 --> 01:34:24,160
Speaker 1: some new ways of doing things that I'm sure I'm

1645
01:34:24,200 --> 01:34:31,840
Speaker 1: not unaware that I'm not aware, but special. If we're

1646
01:34:31,920 --> 01:34:35,240
Speaker 1: dealing with DNA, I think the creator says we're special. Right,

1647
01:34:35,320 --> 01:34:37,600
Speaker 1: we all have a specific DNA if we want to

1648
01:34:37,960 --> 01:34:39,800
Speaker 1: drill it down to that. But let's set that to

1649
01:34:39,880 --> 01:34:43,679
Speaker 1: the side, and let's deal with again, not what's being said,

1650
01:34:43,960 --> 01:34:47,840
Speaker 1: but who's saying it and why they're saying it. Why

1651
01:34:47,880 --> 01:34:52,080
Speaker 1: are we conflating arguments and saying special and then having

1652
01:34:52,160 --> 01:34:55,759
Speaker 1: that deal with my approach. But if you're a woman

1653
01:34:55,840 --> 01:34:58,639
Speaker 1: writer and you fall for some of these Jedi mind tricks,

1654
01:34:59,120 --> 01:35:02,800
Speaker 1: you know, you just gotta find yourself somewhere and just

1655
01:35:02,960 --> 01:35:05,920
Speaker 1: kind of try to learn some more information, because when

1656
01:35:06,120 --> 01:35:11,040
Speaker 1: when someone says um something like that, you gotta know

1657
01:35:11,240 --> 01:35:13,879
Speaker 1: kind of what that means, right, And didn't ask questions,

1658
01:35:14,520 --> 01:35:16,320
Speaker 1: you know, but it seemed like she biting off of

1659
01:35:19,400 --> 01:35:21,679
Speaker 1: most guys, Like even if a guy says, I'm tolering

1660
01:35:21,720 --> 01:35:24,519
Speaker 1: of your sexual past, it's okay. It's always kept looking

1661
01:35:24,520 --> 01:35:25,960
Speaker 1: at me kalief for looking a lot of roads. Guys

1662
01:35:26,000 --> 01:35:28,800
Speaker 1: can't accept it. There's something about it. So basically, let

1663
01:35:28,880 --> 01:35:32,120
Speaker 1: me just put a button up on this topic things.

1664
01:35:32,160 --> 01:35:35,040
Speaker 1: You spent enough time dealing with a couple of guys

1665
01:35:35,120 --> 01:35:38,400
Speaker 1: who said some things unfavorable. Hopefully I can have a

1666
01:35:38,479 --> 01:35:44,360
Speaker 1: conversation with them head up and really get the backstory

1667
01:35:44,439 --> 01:35:46,160
Speaker 1: of some of these things and ask some of the

1668
01:35:46,280 --> 01:35:48,880
Speaker 1: real questions. Because at didn't ask where he was from.

1669
01:35:49,040 --> 01:35:50,840
Speaker 1: Things like that, not that I know of, at least

1670
01:35:50,880 --> 01:35:52,839
Speaker 1: I haven't saw any clips of it. I'm not watching

1671
01:35:53,520 --> 01:35:56,679
Speaker 1: three hours of those guys. It's just not ever gonna happen.

1672
01:35:56,800 --> 01:36:02,960
Speaker 1: But um, basically, in this back and forth that you

1673
01:36:03,120 --> 01:36:06,520
Speaker 1: hear here, they're they're kind of speaking about the ability

1674
01:36:06,640 --> 01:36:12,680
Speaker 1: to the ability of this young lady, Brittany Renner not

1675
01:36:12,920 --> 01:36:16,120
Speaker 1: being a gold digger because she posted things that someone

1676
01:36:16,240 --> 01:36:18,840
Speaker 1: that's a gold digger wouldn't post if they wanted their

1677
01:36:18,880 --> 01:36:23,599
Speaker 1: success rate to be of a certain calible. I pushed

1678
01:36:23,640 --> 01:36:25,920
Speaker 1: back on that, And the reason I say that is, again,

1679
01:36:26,040 --> 01:36:28,360
Speaker 1: we're dealing with especially if you weren't them dues. They

1680
01:36:28,439 --> 01:36:31,719
Speaker 1: crunch the numbers and look at statistics. You gotta understand

1681
01:36:31,800 --> 01:36:34,240
Speaker 1: that we're dealing with a monkey wrench being thrown in

1682
01:36:34,320 --> 01:36:37,840
Speaker 1: the information that we look back at. What we looked

1683
01:36:37,880 --> 01:36:41,000
Speaker 1: back at didn't consider the Internet. So we gotta take

1684
01:36:41,080 --> 01:36:43,360
Speaker 1: what we looked back at, and we gotta take what

1685
01:36:43,520 --> 01:36:46,599
Speaker 1: we're looking forward two, and we gotta put something together

1686
01:36:46,720 --> 01:36:50,080
Speaker 1: for what we're at right now. You're catched at another time.

1687
01:36:51,720 --> 01:36:56,040
Speaker 1: But when we deal with the Internet, to say, oh,

1688
01:36:56,200 --> 01:36:58,960
Speaker 1: just because you post this, yeah, it means you're not

1689
01:36:59,080 --> 01:37:02,639
Speaker 1: a gold digger. I'm also to the port. I'm almost

1690
01:37:02,720 --> 01:37:05,920
Speaker 1: to the port where I'll say the opposite if you

1691
01:37:06,040 --> 01:37:08,479
Speaker 1: do too much posting things like because I know some

1692
01:37:08,560 --> 01:37:10,479
Speaker 1: people that post that man out of time and King

1693
01:37:10,640 --> 01:37:12,920
Speaker 1: I'll die for you, and King I love you so much,

1694
01:37:13,000 --> 01:37:15,040
Speaker 1: and King this and King that and King that and

1695
01:37:15,160 --> 01:37:18,360
Speaker 1: King this, and if it's genuine, I salute it. But

1696
01:37:18,520 --> 01:37:21,599
Speaker 1: I know some people that's doing that. But they're creep

1697
01:37:21,680 --> 01:37:23,759
Speaker 1: over here at the late night and do some things,

1698
01:37:24,280 --> 01:37:27,960
Speaker 1: you know, for a smaller piece of you know, you

1699
01:37:28,040 --> 01:37:30,120
Speaker 1: know they're creep over here the late ninety get with

1700
01:37:30,240 --> 01:37:34,160
Speaker 1: me for absolutely nothing. Why them things ain't even twenty

1701
01:37:34,200 --> 01:37:37,320
Speaker 1: four hours old, with about how yo, King this and that? Right,

1702
01:37:37,400 --> 01:37:40,280
Speaker 1: So I look out. I always look at that as trickery,

1703
01:37:40,280 --> 01:37:42,919
Speaker 1: at what people do on social media. I'm not convinced

1704
01:37:42,960 --> 01:37:45,920
Speaker 1: to these celebrities. I ain't convinced. The rappers don't convince me.

1705
01:37:46,280 --> 01:37:49,160
Speaker 1: I don't really believe nothing that they're doing on the internet.

1706
01:37:49,240 --> 01:37:52,120
Speaker 1: I just it. It ain't bit me in that way, right.

1707
01:37:52,200 --> 01:37:55,160
Speaker 1: I ain't saying dudes ain't doing nothing. They ain't gonna go.

1708
01:37:55,640 --> 01:37:58,840
Speaker 1: I ain't that stupid. But I understand that you want

1709
01:37:58,880 --> 01:38:01,000
Speaker 1: me to see a certain you showing me what you

1710
01:38:01,040 --> 01:38:04,479
Speaker 1: want me to see. And I never put that out

1711
01:38:04,560 --> 01:38:07,200
Speaker 1: of my mind. For nobody. I know what the Internet is,

1712
01:38:09,120 --> 01:38:11,280
Speaker 1: but we see dope boys get on the Internet and

1713
01:38:11,560 --> 01:38:14,639
Speaker 1: put their guns up there. We know people in jail

1714
01:38:14,720 --> 01:38:18,200
Speaker 1: for having guns on the Internet. They had serial numbers

1715
01:38:18,520 --> 01:38:21,720
Speaker 1: attached to murders and crimes and things like. So we

1716
01:38:21,840 --> 01:38:23,920
Speaker 1: can't say just because you post something that means you

1717
01:38:24,000 --> 01:38:27,120
Speaker 1: ain't really doing it. Yo. I know real life streets

1718
01:38:27,280 --> 01:38:30,280
Speaker 1: that are going up on Instagram with a million dollars

1719
01:38:30,360 --> 01:38:32,960
Speaker 1: in dirt and money. I know dudes that a go

1720
01:38:33,080 --> 01:38:36,400
Speaker 1: up on Instagram when they're on the run and go

1721
01:38:36,640 --> 01:38:39,120
Speaker 1: live or go to posting things on that gram. So

1722
01:38:39,320 --> 01:38:41,920
Speaker 1: don't ever ever in life thing just because my girl

1723
01:38:42,240 --> 01:38:44,880
Speaker 1: don't post, she ain't this, or just because my girl

1724
01:38:45,000 --> 01:38:48,719
Speaker 1: post she is this. You gotta deal with people within

1725
01:38:48,880 --> 01:38:54,240
Speaker 1: your arm reach. Yeah, deal with people manually. Don't be

1726
01:38:54,400 --> 01:38:57,040
Speaker 1: dealing with nobody because what you see on no Internet

1727
01:38:57,160 --> 01:39:00,320
Speaker 1: or no Gram, either way they go for say doll

1728
01:39:00,439 --> 01:39:03,280
Speaker 1: she go to post it and this she easy. And

1729
01:39:03,600 --> 01:39:06,040
Speaker 1: even if that is the case, you can't know that

1730
01:39:06,200 --> 01:39:09,920
Speaker 1: until you went within arm reach. I don't want to

1731
01:39:10,000 --> 01:39:13,160
Speaker 1: hear what you heard over the WiFi. I don't want

1732
01:39:13,160 --> 01:39:15,439
Speaker 1: to hear about your intending. Well, you know what you

1733
01:39:15,560 --> 01:39:18,080
Speaker 1: got over the WiFi, come in on reach with it,

1734
01:39:18,720 --> 01:39:20,840
Speaker 1: and then you will get a real experience that you

1735
01:39:20,960 --> 01:39:24,320
Speaker 1: maybe can't explain. But outside of that, we don't generalize

1736
01:39:24,400 --> 01:39:28,240
Speaker 1: anything do. We deal with the specifics. And that's what

1737
01:39:28,439 --> 01:39:32,599
Speaker 1: real game get us, do you know what I mean? So, um,

1738
01:39:33,040 --> 01:39:34,360
Speaker 1: we're gonna get off of that and see if we

1739
01:39:34,439 --> 01:39:36,599
Speaker 1: got any other topics. So I want to talk about

1740
01:39:36,640 --> 01:39:39,120
Speaker 1: this meme that I've been seeing going around, you know,

1741
01:39:39,760 --> 01:39:42,960
Speaker 1: on social media. It's a crazy meme about what the

1742
01:39:43,080 --> 01:39:46,240
Speaker 1: next generation respect Michael Jordan in the way that that

1743
01:39:46,479 --> 01:39:48,519
Speaker 1: we do at this time, right, And it's kind of

1744
01:39:48,560 --> 01:39:53,160
Speaker 1: just speaking on how the Internet and things have spared up. Right.

1745
01:39:53,280 --> 01:39:58,000
Speaker 1: It's with the same way where people who will only

1746
01:39:58,080 --> 01:40:03,160
Speaker 1: saw the tail end of Julius Irving right, didn't necessarily

1747
01:40:03,240 --> 01:40:05,640
Speaker 1: give it to him the way that they thought. Right,

1748
01:40:05,800 --> 01:40:08,840
Speaker 1: they would argue Michael Jordan, But Mike's game was just

1749
01:40:09,040 --> 01:40:12,720
Speaker 1: that special to where it transcended those generations to where

1750
01:40:12,720 --> 01:40:16,880
Speaker 1: he's still in the conversation to this day. Um, But

1751
01:40:17,040 --> 01:40:20,559
Speaker 1: people go to asking, yo, what will will his legacy

1752
01:40:20,720 --> 01:40:24,360
Speaker 1: diminish after this generation? Right? People like me, the last

1753
01:40:24,400 --> 01:40:27,479
Speaker 1: generation of people kind of to see him play once

1754
01:40:27,600 --> 01:40:31,920
Speaker 1: we transition, would that next generation still look at Mike

1755
01:40:32,280 --> 01:40:34,960
Speaker 1: the same And a lot of people said no, but

1756
01:40:35,120 --> 01:40:39,439
Speaker 1: I couldn't disagree with them more, right. Number one, of course,

1757
01:40:39,520 --> 01:40:42,280
Speaker 1: everybody makes the same point with the shoes. The shoes

1758
01:40:42,360 --> 01:40:48,479
Speaker 1: is a walking commercial. The shoes by itself, right, and

1759
01:40:48,600 --> 01:40:53,240
Speaker 1: the way that it's intertwined with culture has already placed

1760
01:40:53,320 --> 01:40:56,720
Speaker 1: him in a situation to be be cemented. Right. So

1761
01:40:56,880 --> 01:40:59,880
Speaker 1: that's a giving, that's a that's a that's a thing.

1762
01:41:00,680 --> 01:41:06,120
Speaker 1: Number two is with the internet. See if all these

1763
01:41:06,240 --> 01:41:09,200
Speaker 1: dudes got an update, they keep forgetting one thing when

1764
01:41:09,240 --> 01:41:12,880
Speaker 1: they go to making the conversation. The internet is now here,

1765
01:41:13,800 --> 01:41:19,679
Speaker 1: and so provided people try to forget things like Michael Jordan,

1766
01:41:19,760 --> 01:41:22,200
Speaker 1: or times like the nineties when this was happening, or

1767
01:41:22,200 --> 01:41:25,360
Speaker 1: the early two thousands of Barack Obama went what his

1768
01:41:25,479 --> 01:41:29,000
Speaker 1: fight was to get into the office, or what have you. Right,

1769
01:41:30,160 --> 01:41:33,760
Speaker 1: what that does is effectively create jobs. It creates more

1770
01:41:33,800 --> 01:41:38,680
Speaker 1: of these more podcasts. Now, people are they operating this

1771
01:41:38,920 --> 01:41:43,160
Speaker 1: niche market while we talk about this, comparing Jordan to

1772
01:41:43,240 --> 01:41:47,160
Speaker 1: whoever y'all think is the man and showing you, you know,

1773
01:41:47,280 --> 01:41:50,800
Speaker 1: basically showing you why Jordan was way better than that guy, Right,

1774
01:41:50,960 --> 01:41:53,280
Speaker 1: some kind of way and make a living off of that.

1775
01:41:53,400 --> 01:41:56,720
Speaker 1: And you got platforms popping up everywhere, like so it's

1776
01:41:56,760 --> 01:41:59,479
Speaker 1: gonna be the stories of now being able to be told.

1777
01:41:59,520 --> 01:42:03,519
Speaker 1: And that's the difference between that time what a Julius

1778
01:42:03,640 --> 01:42:06,280
Speaker 1: Irving or Will Chamberlain. They still got you know, they

1779
01:42:06,400 --> 01:42:10,120
Speaker 1: took stats luckily in the NBA, NFL sports in general

1780
01:42:10,800 --> 01:42:14,080
Speaker 1: was thinking like we gotta take stats and and keep

1781
01:42:14,240 --> 01:42:18,639
Speaker 1: a record a Hall of Fame or a canton where

1782
01:42:18,640 --> 01:42:21,919
Speaker 1: they where they take stats and certain you know, records

1783
01:42:22,000 --> 01:42:25,400
Speaker 1: and things like that, record breaking stacks and record breaking

1784
01:42:25,560 --> 01:42:30,759
Speaker 1: stats and things like that. So um, you know, you gotta,

1785
01:42:30,880 --> 01:42:35,200
Speaker 1: you gotta, you gotta understand now that now everything it's

1786
01:42:35,200 --> 01:42:38,439
Speaker 1: gonna start keeping stats and stats on everything. And so

1787
01:42:38,640 --> 01:42:41,599
Speaker 1: as you try to forget Jordan, they're gonna be people

1788
01:42:41,680 --> 01:42:46,439
Speaker 1: who are called in like ESPN gonna need the little

1789
01:42:46,520 --> 01:42:50,080
Speaker 1: dude to know all about Jordan. But it's forty years

1790
01:42:50,200 --> 01:42:54,720
Speaker 1: removed from the people that really saw him play. But

1791
01:42:54,920 --> 01:42:58,320
Speaker 1: he can still explain it in a like his Steven A.

1792
01:42:58,520 --> 01:43:02,040
Speaker 1: Smith type vibe. But that's his niche, right And now

1793
01:43:02,120 --> 01:43:04,640
Speaker 1: that creates a show or slot because it's gonna be

1794
01:43:04,720 --> 01:43:07,960
Speaker 1: twenty four hour content around the world. Everybody gonna have

1795
01:43:08,040 --> 01:43:10,880
Speaker 1: a channel, everybody gonna have to be streaming something. Then

1796
01:43:10,960 --> 01:43:13,760
Speaker 1: you got shit happening in the metaverse, like so it's

1797
01:43:13,800 --> 01:43:17,920
Speaker 1: gonna be opportunity for people to survive always um telling

1798
01:43:18,000 --> 01:43:22,000
Speaker 1: those stories. And that's the difference between what it was

1799
01:43:22,080 --> 01:43:24,479
Speaker 1: and what it is. Let me talk about the Kanye

1800
01:43:25,560 --> 01:43:31,439
Speaker 1: did on the Game UM song with on the Game song.

1801
01:43:31,560 --> 01:43:35,200
Speaker 1: So Kanye Uh, Kanye West has a new song gout

1802
01:43:35,240 --> 01:43:38,920
Speaker 1: with Game produced by hit Boy. Of course you can

1803
01:43:39,000 --> 01:43:41,920
Speaker 1: expect what you know, what you expect from that. I

1804
01:43:42,120 --> 01:43:45,800
Speaker 1: think that I see how the greats get you in there.

1805
01:43:45,880 --> 01:43:47,800
Speaker 1: They try to strip all the strength from you and

1806
01:43:47,880 --> 01:43:50,120
Speaker 1: make you go in Game can go. So Game is

1807
01:43:50,200 --> 01:43:54,240
Speaker 1: comfortable in those situations. Everybody know, our coachure like to

1808
01:43:54,320 --> 01:43:56,800
Speaker 1: support Kanye and what it is that he's going through

1809
01:43:56,960 --> 01:44:00,280
Speaker 1: right now, and his behavior is showing us that these

1810
01:44:00,400 --> 01:44:07,680
Speaker 1: clearly affected right by the circumstances surrounding his marriage and

1811
01:44:07,760 --> 01:44:11,560
Speaker 1: his family as we would expect, right. I understand that

1812
01:44:12,439 --> 01:44:14,840
Speaker 1: I know I know better you know what I'm saying,

1813
01:44:14,880 --> 01:44:16,760
Speaker 1: So I don't really be biting off none of this

1814
01:44:16,920 --> 01:44:20,720
Speaker 1: old front facing this happening in the industry by none

1815
01:44:20,760 --> 01:44:25,920
Speaker 1: of these guys, you know. But when I him this

1816
01:44:26,200 --> 01:44:29,040
Speaker 1: Pete Davison on the song, I really don't like that

1817
01:44:30,080 --> 01:44:32,439
Speaker 1: because I come from a place where you keep it

1818
01:44:32,560 --> 01:44:35,560
Speaker 1: player no matter what. Oh the girls, she want to

1819
01:44:35,600 --> 01:44:38,280
Speaker 1: switch side, she want to choose up and do something else,

1820
01:44:38,800 --> 01:44:41,400
Speaker 1: You just keep it player. You don't never, you know.

1821
01:44:41,520 --> 01:44:43,920
Speaker 1: But that's his family. And so then that's why I

1822
01:44:44,000 --> 01:44:46,880
Speaker 1: don't be knowing how far you go about that, you

1823
01:44:46,960 --> 01:44:50,360
Speaker 1: know what I'm saying. So but really, for me, man,

1824
01:44:51,160 --> 01:44:54,920
Speaker 1: you know, the attempt is always to keep it player,

1825
01:44:55,640 --> 01:44:57,719
Speaker 1: you know what I mean. And so when I see

1826
01:44:58,080 --> 01:45:00,400
Speaker 1: when I see dudes reacting that way, I know that

1827
01:45:00,479 --> 01:45:03,000
Speaker 1: they're clearly doing it because they hurt. You know, that's clear.

1828
01:45:03,760 --> 01:45:07,760
Speaker 1: But I think it's unnecessary. Sometimes you're showing your hand.

1829
01:45:08,439 --> 01:45:11,200
Speaker 1: You know, people kind of go to looking at you

1830
01:45:11,439 --> 01:45:13,599
Speaker 1: a certain kind of way, even though they really ain't

1831
01:45:13,680 --> 01:45:17,360
Speaker 1: saying nothing, you know what I'm saying. And more importantly, um,

1832
01:45:17,880 --> 01:45:21,719
Speaker 1: you're shooting in a dog. And one thing I won't

1833
01:45:21,800 --> 01:45:25,920
Speaker 1: do is waste time. Right, So I can't be trying

1834
01:45:25,960 --> 01:45:30,320
Speaker 1: to chase nobody that don't want me, or that's rejecting me.

1835
01:45:30,680 --> 01:45:33,160
Speaker 1: I feel too funny for me. That's a that's a

1836
01:45:33,280 --> 01:45:35,639
Speaker 1: horrible feeling, you know what I mean, when you're trying

1837
01:45:35,680 --> 01:45:39,160
Speaker 1: to be like hey, you know whatever, and like nah,

1838
01:45:39,280 --> 01:45:41,000
Speaker 1: So I don't know, man, I think he got to

1839
01:45:41,040 --> 01:45:44,000
Speaker 1: figure out a way to it. Looked like he's moving on.

1840
01:45:44,120 --> 01:45:46,960
Speaker 1: He's now, you know, smiling in his pictures. He got

1841
01:45:47,040 --> 01:45:50,760
Speaker 1: his mask fit back on, so look like he's you know,

1842
01:45:50,920 --> 01:45:53,320
Speaker 1: he going on about his business. And if that's the case,

1843
01:45:53,400 --> 01:45:57,080
Speaker 1: that's the case. But it just be it just be

1844
01:45:57,280 --> 01:46:00,800
Speaker 1: interesting to see. Man, Like when you tell violence on

1845
01:46:00,920 --> 01:46:03,040
Speaker 1: these records, when you dus one hundred two to three

1846
01:46:03,120 --> 01:46:05,840
Speaker 1: hundred million dollars up, you know, and then you're a

1847
01:46:05,920 --> 01:46:09,120
Speaker 1: billion dollar dude. You know, when you talk like that,

1848
01:46:09,240 --> 01:46:12,240
Speaker 1: they can start playing the police games on you. It's

1849
01:46:12,240 --> 01:46:15,840
Speaker 1: almost like he taunting them, like you know what I mean,

1850
01:46:15,880 --> 01:46:18,200
Speaker 1: because they can play the police games here. I don't

1851
01:46:18,240 --> 01:46:20,439
Speaker 1: know why he think they got or if he think

1852
01:46:20,520 --> 01:46:22,759
Speaker 1: they can't, but for show, they can play the police

1853
01:46:22,840 --> 01:46:26,400
Speaker 1: games on him and be effective, you know what I mean.

1854
01:46:26,560 --> 01:46:30,080
Speaker 1: And he's gonna play right into some of his triggers

1855
01:46:30,360 --> 01:46:32,599
Speaker 1: and it's gonna affect the whole bunch of things because

1856
01:46:32,600 --> 01:46:36,000
Speaker 1: he gonna nine times out of team. He may do something.

1857
01:46:37,280 --> 01:46:39,920
Speaker 1: If they create the right situation, he may do something

1858
01:46:40,040 --> 01:46:43,320
Speaker 1: unfavorable right and it may cause him more than he's

1859
01:46:43,360 --> 01:46:46,240
Speaker 1: willing to pay, or that he needs to even pay.

1860
01:46:46,360 --> 01:46:50,479
Speaker 1: I was surprised seeing him admitted to the fight. It's

1861
01:46:50,520 --> 01:46:53,920
Speaker 1: almost like he liked this money. Am I ready to

1862
01:46:53,920 --> 01:46:56,000
Speaker 1: getting divorced? They finna take some of it in a

1863
01:46:56,080 --> 01:46:59,360
Speaker 1: way college, you know what I mean. You don't want

1864
01:46:59,400 --> 01:47:01,760
Speaker 1: them to adopt that, you know, but you can't tell

1865
01:47:01,800 --> 01:47:03,960
Speaker 1: a man what to do. I hate to see us,

1866
01:47:04,200 --> 01:47:06,560
Speaker 1: you know. I you know, I'm always thinking about the

1867
01:47:06,640 --> 01:47:09,040
Speaker 1: trick bad. I know. It's too many people depending on

1868
01:47:09,160 --> 01:47:12,680
Speaker 1: the information. You got too many people watching, you know

1869
01:47:12,680 --> 01:47:15,559
Speaker 1: what I mean. The kids, the people that's gonna depend

1870
01:47:15,680 --> 01:47:19,479
Speaker 1: on everything that Kanye said, everything Loan we're putting down,

1871
01:47:20,040 --> 01:47:22,040
Speaker 1: you know, when Loane got into there, or when this

1872
01:47:22,240 --> 01:47:25,080
Speaker 1: dude was doing interview. You know, they really hanging their

1873
01:47:25,160 --> 01:47:27,439
Speaker 1: hats on these things. And so I'm critical of the

1874
01:47:27,479 --> 01:47:30,439
Speaker 1: information that's pushed out. So I must say something when

1875
01:47:30,479 --> 01:47:33,160
Speaker 1: I see something in regards to it, you know. And

1876
01:47:33,280 --> 01:47:35,120
Speaker 1: that's just how it's going in It's just how it's

1877
01:47:35,160 --> 01:47:38,839
Speaker 1: gonna be until I'm out of here. But another episode,

1878
01:47:38,960 --> 01:47:41,200
Speaker 1: Man of the biggest podcasts in the world. Man, we

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Speaker 1: y'all know it's up that podcast biggest for Nervous Diamondy Porters,

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Speaker 1: I'm Ronnie Mervous. Along the edge of the African continent.

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Speaker 1: Like it's an isolated coast where millions of diamonds have

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Speaker 1: by dogs and electric fences. The constant battle is fought

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Speaker 1: against the fierce Atlantic Ocean to harvest the cbed. Giant

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