1 00:00:01,680 --> 00:00:06,080 Speaker 1: You are now and what I call her? 2 00:00:06,240 --> 00:00:15,880 Speaker 2: Yee hey, Yes, it's way up at Angela yee. I'm 3 00:00:15,960 --> 00:00:19,000 Speaker 2: here today on a Friday. It feels like a Monday. 4 00:00:19,079 --> 00:00:21,160 Speaker 2: I'm not gonna lie. I was driving into work today 5 00:00:21,160 --> 00:00:23,200 Speaker 2: and I was like, boy, there's not a lot of 6 00:00:23,239 --> 00:00:25,440 Speaker 2: traffic on a Monday. And then I had to stop 7 00:00:25,480 --> 00:00:28,520 Speaker 2: for a minute and be like, oh, today's Friday, Dan, 8 00:00:29,120 --> 00:00:30,160 Speaker 2: what's hap is here? 9 00:00:30,160 --> 00:00:31,840 Speaker 3: How are you feeling today? I'm good. That's quite the 10 00:00:31,840 --> 00:00:33,120 Speaker 3: mix up in today's Monday. 11 00:00:33,600 --> 00:00:37,000 Speaker 2: I'm glad it's not but Juneteenth. You know you had 12 00:00:37,040 --> 00:00:39,360 Speaker 2: off yesterday. You know what I did yesterday that was 13 00:00:39,400 --> 00:00:40,280 Speaker 2: so excited about? 14 00:00:40,800 --> 00:00:41,319 Speaker 3: Cleaned up? 15 00:00:41,320 --> 00:00:43,199 Speaker 2: My house has been a mess. I've been working every 16 00:00:43,240 --> 00:00:47,200 Speaker 2: single weekend NonStop. This weekend, I'm going to Detroit up though, 17 00:00:47,240 --> 00:00:49,000 Speaker 2: so I'll be out there as soon as I leave here. 18 00:00:49,479 --> 00:00:52,920 Speaker 2: But it feels so good to like clean out your house. 19 00:00:53,479 --> 00:00:56,240 Speaker 2: I had laundry just everywhere. I had stuff all in 20 00:00:56,320 --> 00:00:59,880 Speaker 2: my closet, everywhere it was. I felt like dishovel. When 21 00:01:00,240 --> 00:01:01,880 Speaker 2: my house isn't clean, I feel like I'm a mess. 22 00:01:02,960 --> 00:01:05,640 Speaker 2: But this is also exciting. It's a Kicky Palmer takeover. 23 00:01:06,000 --> 00:01:08,399 Speaker 2: Kiki Palmer and Taylor Parks are going to be joining us. 24 00:01:08,480 --> 00:01:12,000 Speaker 2: That is her co writer friend, best friend who she's 25 00:01:12,000 --> 00:01:14,520 Speaker 2: known since she was nine. They wrote her new project together, 26 00:01:14,760 --> 00:01:17,840 Speaker 2: just Kiki worked on that together, had a chance to 27 00:01:17,840 --> 00:01:20,480 Speaker 2: see some of those visuals and that is actually out today. 28 00:01:20,840 --> 00:01:23,000 Speaker 2: So why wouldn't we have Kicky Palmer take over. We'll 29 00:01:23,040 --> 00:01:24,800 Speaker 2: be talking to her. But let's start the show with 30 00:01:24,840 --> 00:01:27,440 Speaker 2: some love and some positivity. Let's shine a light eight 31 00:01:27,520 --> 00:01:30,039 Speaker 2: hundred two nine two fifty one to fifty. Call us up, 32 00:01:30,120 --> 00:01:31,520 Speaker 2: let us know who you want to shine a light on? 33 00:01:31,560 --> 00:01:32,120 Speaker 2: Its way up. 34 00:01:32,280 --> 00:01:34,160 Speaker 1: I'm shine, I'm shine. 35 00:01:34,800 --> 00:01:37,920 Speaker 4: Turn your lights on, y'all lights spreading love to those 36 00:01:37,959 --> 00:01:39,080 Speaker 4: who are doing greatness. 37 00:01:39,200 --> 00:01:42,039 Speaker 3: Shine a light on them, Shine the. 38 00:01:42,040 --> 00:01:42,640 Speaker 5: Light on them. 39 00:01:43,760 --> 00:01:45,240 Speaker 4: It's time to shine a light. 40 00:01:45,080 --> 00:01:46,040 Speaker 3: On them, all right. 41 00:01:46,040 --> 00:01:48,240 Speaker 2: His way up with Angela Yee on this Friday and 42 00:01:48,280 --> 00:01:51,000 Speaker 2: today we want to shine a light on a couple 43 00:01:51,000 --> 00:01:54,600 Speaker 2: who just welcome their first child together. That is Joey 44 00:01:54,600 --> 00:01:57,560 Speaker 2: Badass and Sorea. Shout out to the two of them. 45 00:01:57,640 --> 00:02:01,640 Speaker 2: She shared the news on Snapchat. She's showed her newborns, 46 00:02:01,720 --> 00:02:03,680 Speaker 2: you know, the little leg with a little blue sock. 47 00:02:04,080 --> 00:02:06,560 Speaker 2: So that's the first peak at their little baby boy. 48 00:02:06,600 --> 00:02:10,079 Speaker 2: So congratulations to them. If you all recall, Joey Badass 49 00:02:10,120 --> 00:02:12,320 Speaker 2: was on lip service and said that he was polyamorous. 50 00:02:12,400 --> 00:02:14,840 Speaker 2: Well he has since said, you know, being with her, 51 00:02:14,880 --> 00:02:17,919 Speaker 2: he's now monogamous. They have a home together. They both 52 00:02:17,960 --> 00:02:21,679 Speaker 2: seem like they're extremely happy. So congratulations Sorea and to 53 00:02:21,919 --> 00:02:24,960 Speaker 2: Joey Badass their first child together. That child is going 54 00:02:25,000 --> 00:02:27,960 Speaker 2: to be so talented when it comes to singing, dancing, rapping, 55 00:02:28,000 --> 00:02:31,280 Speaker 2: whatever it is this kid wants to do, being an entrepreneur, 56 00:02:31,360 --> 00:02:34,760 Speaker 2: all of the things. So beautiful, beautiful thing. All right, now, 57 00:02:35,080 --> 00:02:36,600 Speaker 2: let's see who you want to shine a light on. 58 00:02:36,680 --> 00:02:39,919 Speaker 2: Eight hundred two ninety two fifty one fifty Oh speaking 59 00:02:39,960 --> 00:02:41,880 Speaker 2: of baby boys, here's baby boy nine oh four. 60 00:02:41,919 --> 00:02:43,080 Speaker 6: Who do you want to shine a light on? 61 00:02:44,200 --> 00:02:48,600 Speaker 7: Man? Oh, my cousin LATOI your cowho down here in Jacksonville, Florida. Okay, 62 00:02:48,600 --> 00:02:51,800 Speaker 7: I got as just called breaking generational curses. You feel 63 00:02:51,840 --> 00:02:54,160 Speaker 7: me like we come from that. You're heard, miss, So 64 00:02:54,200 --> 00:02:56,079 Speaker 7: I do want to shine light on what she's doing 65 00:02:56,200 --> 00:03:00,400 Speaker 7: for the family. Man like she been outspoken, she motivationless speaker. 66 00:03:00,680 --> 00:03:02,280 Speaker 7: And I'm pretty sure you can look out, you can 67 00:03:02,320 --> 00:03:05,040 Speaker 7: google youror know what I'm saying. Breaking generational curses. You know, 68 00:03:05,160 --> 00:03:07,840 Speaker 7: thank the tree shirts, the whole nine yards. You know 69 00:03:07,880 --> 00:03:09,320 Speaker 7: what I'm saying, if I want to shine a light 70 00:03:09,360 --> 00:03:09,640 Speaker 7: on up. 71 00:03:09,960 --> 00:03:11,640 Speaker 6: All right, well, thank you so much for calling and 72 00:03:11,639 --> 00:03:12,399 Speaker 6: shout out to her. 73 00:03:12,800 --> 00:03:16,800 Speaker 4: Let's try about you mane we way up, year we 74 00:03:16,880 --> 00:03:17,400 Speaker 4: way up. 75 00:03:17,400 --> 00:03:18,200 Speaker 8: Thank you for calling. 76 00:03:19,360 --> 00:03:21,600 Speaker 2: Well that was shining light eight hundred and two ninety 77 00:03:21,600 --> 00:03:24,080 Speaker 2: two fifty one fifty. Just in case you couldn't get through, 78 00:03:24,360 --> 00:03:25,960 Speaker 2: you can always leave a message in shine of light 79 00:03:26,000 --> 00:03:28,160 Speaker 2: for last word. And when we come back, we got 80 00:03:28,200 --> 00:03:31,000 Speaker 2: your yee t. And let's talk about Fat Joe. These 81 00:03:31,040 --> 00:03:33,920 Speaker 2: allegations against him and how he is responding. 82 00:03:33,919 --> 00:03:37,520 Speaker 4: Its way up, they says proof in the room from 83 00:03:37,560 --> 00:03:41,240 Speaker 4: industry shade to all of gossip out sending Angela's speeling 84 00:03:41,280 --> 00:03:44,360 Speaker 4: that yet. 85 00:03:43,120 --> 00:03:45,240 Speaker 2: It's way up at Angela ye and it's time for 86 00:03:45,280 --> 00:03:45,840 Speaker 2: your yea t. 87 00:03:46,320 --> 00:03:46,520 Speaker 3: Man. 88 00:03:46,640 --> 00:03:49,640 Speaker 2: So, Fat Joe is facing a twenty million dollar lawsuit 89 00:03:50,000 --> 00:03:52,160 Speaker 2: and being accused of a lot of different things. 90 00:03:52,240 --> 00:03:54,600 Speaker 3: I mean, uh, this lawsuit is. 91 00:03:54,640 --> 00:03:57,840 Speaker 2: Pretty long to read through the whole thing, But basically 92 00:03:59,160 --> 00:04:03,520 Speaker 2: the way this all went down is because this guy 93 00:04:03,640 --> 00:04:06,520 Speaker 2: Ta that used to work with him, I guess is 94 00:04:06,600 --> 00:04:08,560 Speaker 2: now saying because. 95 00:04:08,320 --> 00:04:09,720 Speaker 6: Fat Joe doesn't mess with him anymore. 96 00:04:09,760 --> 00:04:12,119 Speaker 2: That Fat Joe has done all these different things coercive 97 00:04:12,160 --> 00:04:18,680 Speaker 2: labor exploitation, financial fraud, sexual manipulation, violent intimidation, psychological coercion, 98 00:04:19,000 --> 00:04:21,560 Speaker 2: And I was I actually know him from Fat Joe, 99 00:04:21,960 --> 00:04:24,839 Speaker 2: So a long time ago, I was watching all of 100 00:04:24,839 --> 00:04:28,120 Speaker 2: this unfold on social media because he was talking crazy 101 00:04:28,160 --> 00:04:30,560 Speaker 2: about Fat Joe. But then his page got like deleted, 102 00:04:31,080 --> 00:04:33,400 Speaker 2: and then I guess all of this is popping up. 103 00:04:33,440 --> 00:04:34,359 Speaker 6: Now, Dan, you remember that. 104 00:04:34,400 --> 00:04:36,279 Speaker 3: I was like, well, yes, I remember showing me. 105 00:04:36,440 --> 00:04:37,599 Speaker 6: I was like, what is this all about? 106 00:04:37,680 --> 00:04:38,600 Speaker 3: To catch steam? 107 00:04:39,279 --> 00:04:42,080 Speaker 2: Well, now there's lawsuits going back and forth because I 108 00:04:42,080 --> 00:04:45,560 Speaker 2: think Fat Joe had sued him for extortion because I 109 00:04:45,560 --> 00:04:47,320 Speaker 2: guess he was trying to get money from Fat Joe. 110 00:04:47,360 --> 00:04:51,560 Speaker 2: So now he has responded with these allegations. With this complaint, 111 00:04:51,960 --> 00:04:54,720 Speaker 2: he says that Fat Joe forced him into humiliating situations 112 00:04:54,760 --> 00:04:57,800 Speaker 2: like recorded sex acts, threats of abandonment in foreign countries 113 00:04:58,120 --> 00:05:01,240 Speaker 2: if he refused compliance. He was forced into more than 114 00:05:01,279 --> 00:05:04,440 Speaker 2: four thousand sexual acts to maintain his standing. But he 115 00:05:04,480 --> 00:05:08,920 Speaker 2: also is in this complaint talking about underaged girls, and 116 00:05:08,960 --> 00:05:11,480 Speaker 2: he says that he witnessed Fat Joe have sexual relationships 117 00:05:11,720 --> 00:05:15,080 Speaker 2: with two then fifteen year old and a sixteen year old. 118 00:05:15,839 --> 00:05:17,320 Speaker 6: So yes, this is explosive. 119 00:05:17,320 --> 00:05:20,560 Speaker 2: But Fat Joe's attorney has responded and he said that 120 00:05:20,640 --> 00:05:23,280 Speaker 2: this lawsuit is a blatant act of retaliation, a desperate 121 00:05:23,279 --> 00:05:26,840 Speaker 2: attempt to deflect attention from the civil suit we file first, 122 00:05:27,080 --> 00:05:31,040 Speaker 2: which exposed their coordinated scheme to mister Cartagena through lies, threats, 123 00:05:31,040 --> 00:05:34,599 Speaker 2: and manufactured allegations. We didn't just sue a disgruntled former 124 00:05:34,640 --> 00:05:37,760 Speaker 2: employee trying to revive a false claim from fifteen years ago. 125 00:05:37,800 --> 00:05:41,520 Speaker 2: We sued the lawyer behind it all. So they're saying, 126 00:05:41,600 --> 00:05:44,400 Speaker 2: law enforcement it is aware of the extortionate demand. 127 00:05:44,120 --> 00:05:45,159 Speaker 8: At the heart of this scheme. 128 00:05:45,640 --> 00:05:48,320 Speaker 2: I think that also hurts when you do try to 129 00:05:48,320 --> 00:05:51,400 Speaker 2: get money behind the scenes first and then you come 130 00:05:51,440 --> 00:05:53,800 Speaker 2: out with a lawsuit. Then it feels like what is 131 00:05:53,839 --> 00:05:56,640 Speaker 2: this about? Because if at the time, with these miners 132 00:05:56,680 --> 00:05:58,520 Speaker 2: and things like that, you weren't like. 133 00:05:58,800 --> 00:06:01,680 Speaker 8: Hey, this is wrong, than is you know. 134 00:06:02,400 --> 00:06:07,279 Speaker 2: But anyway, speaking of lawsuits and going to court and 135 00:06:07,320 --> 00:06:10,279 Speaker 2: all of that, Diddy, his alleged drug mule, is on 136 00:06:10,320 --> 00:06:10,960 Speaker 2: the stand today. 137 00:06:11,000 --> 00:06:11,719 Speaker 3: Brendan Paul. 138 00:06:11,760 --> 00:06:14,360 Speaker 2: He's been given immunity by the judge and he has 139 00:06:14,440 --> 00:06:16,760 Speaker 2: confirmed to the judge that he received a subpoena and 140 00:06:16,839 --> 00:06:18,760 Speaker 2: he wants to invoke the Fifth Amendment. So we took 141 00:06:18,839 --> 00:06:22,320 Speaker 2: the stand today and this is going to revolve around 142 00:06:22,440 --> 00:06:25,400 Speaker 2: drugs more than anything else. And so the charges against 143 00:06:25,440 --> 00:06:28,520 Speaker 2: him were dropped after he completed a pre trial diversion 144 00:06:28,520 --> 00:06:31,760 Speaker 2: program and now he is testifying at this trial. I 145 00:06:31,760 --> 00:06:34,120 Speaker 2: don't know what's going to happen today, but we are 146 00:06:34,200 --> 00:06:37,240 Speaker 2: following and speaking of court, Chris Brown has pleaded not 147 00:06:37,279 --> 00:06:40,359 Speaker 2: guilty in this battle throwing attack that happened in the UK. 148 00:06:40,880 --> 00:06:43,440 Speaker 2: He's at back in court today to answer a charge 149 00:06:43,480 --> 00:06:45,840 Speaker 2: related to that twenty twenty three incident at a club 150 00:06:45,880 --> 00:06:49,000 Speaker 2: in London. During the hearing, he pled not guilty to 151 00:06:49,200 --> 00:06:53,200 Speaker 2: attempting to cause grievous bodily harm for throwing that bottle 152 00:06:53,240 --> 00:06:56,479 Speaker 2: allegedly at Abraham Dia inside of that club, and his 153 00:06:56,520 --> 00:06:59,440 Speaker 2: accomplice also pled not guilty to that same charge. 154 00:06:59,480 --> 00:07:00,919 Speaker 6: So there you have it. 155 00:07:01,040 --> 00:07:02,680 Speaker 2: A fan just got kicked out of one of his 156 00:07:02,800 --> 00:07:06,440 Speaker 2: shows because she quote unquote accidentally threw a drink ironically 157 00:07:06,600 --> 00:07:15,960 Speaker 2: ironically and here's what that sounded like, right, all right, 158 00:07:16,080 --> 00:07:19,000 Speaker 2: So that's it, and yeah, you got kicked out. How 159 00:07:19,000 --> 00:07:20,320 Speaker 2: do you accidentally throw a drink? 160 00:07:20,360 --> 00:07:22,040 Speaker 3: Yeah, I understand that unless it was like in her hands, 161 00:07:22,080 --> 00:07:23,640 Speaker 3: she got excited and she threw her hands up. 162 00:07:23,560 --> 00:07:26,640 Speaker 2: Right, or somebody pushed her, well pushing, I don't know, 163 00:07:26,720 --> 00:07:28,560 Speaker 2: but like if you got excited your favorite song and 164 00:07:28,560 --> 00:07:29,880 Speaker 2: it's in your hand, you throw your hands up. 165 00:07:29,880 --> 00:07:32,000 Speaker 3: That'd be the only thing I think that would make sense. 166 00:07:32,080 --> 00:07:34,600 Speaker 2: Your fans throwing things that people performing this is wild 167 00:07:34,680 --> 00:07:36,840 Speaker 2: to me. All right, well that is your Yet when 168 00:07:36,880 --> 00:07:38,560 Speaker 2: we come back, we have about last night. That's where 169 00:07:38,600 --> 00:07:41,600 Speaker 2: we discussed what we did last night. We had a 170 00:07:41,640 --> 00:07:43,920 Speaker 2: lot going on yesterday it was Juneteenth. We'll talk about 171 00:07:43,920 --> 00:07:46,320 Speaker 2: what we did up here. But then, also, people are 172 00:07:46,400 --> 00:07:49,840 Speaker 2: so mad about this lip service interview, that job, So 173 00:07:49,880 --> 00:07:51,680 Speaker 2: I just want to address that a little bit as well. 174 00:07:51,760 --> 00:07:59,840 Speaker 4: Its way up, so about last night, Yes, I went down. 175 00:07:59,400 --> 00:08:02,520 Speaker 2: All right, way up with Angela. Yee, who I am hoping? 176 00:08:02,520 --> 00:08:04,400 Speaker 2: There's no edibles in these cupcakes? 177 00:08:06,000 --> 00:08:07,360 Speaker 3: What'd you say, Dan? That would be bad? 178 00:08:08,200 --> 00:08:08,920 Speaker 6: What is this from? 179 00:08:09,000 --> 00:08:10,480 Speaker 8: Oh? All right? 180 00:08:10,600 --> 00:08:14,360 Speaker 2: Boo things? Anyway, shout out to Stacy Adams. Not that 181 00:08:14,400 --> 00:08:16,480 Speaker 2: Stacy Adams, but he makes these cupcakes and he brought 182 00:08:16,520 --> 00:08:19,720 Speaker 2: him in here let's talk about about last night. Yesterday 183 00:08:19,760 --> 00:08:22,320 Speaker 2: was Juneteenth. Now what I want people to talk about 184 00:08:22,400 --> 00:08:24,520 Speaker 2: more is how up here and way up with angela Ye. 185 00:08:24,520 --> 00:08:27,400 Speaker 2: The whole show was dedicated to highlighting black owned businesses 186 00:08:27,760 --> 00:08:30,000 Speaker 2: courtesy of my guy, John Laster, who owns an app 187 00:08:30,040 --> 00:08:30,679 Speaker 2: called Blap. 188 00:08:30,960 --> 00:08:33,040 Speaker 6: And on Blap, there's. 189 00:08:32,840 --> 00:08:35,880 Speaker 2: A map of black owned businesses in whatever area you're searching. 190 00:08:36,120 --> 00:08:38,199 Speaker 2: But now they also have an online store, so you 191 00:08:38,240 --> 00:08:41,760 Speaker 2: can actually go to Blap and purchase these black owned 192 00:08:41,760 --> 00:08:43,840 Speaker 2: items from that store. And it's something that he's been 193 00:08:43,880 --> 00:08:45,920 Speaker 2: building out. So shout out to John Laster for that. 194 00:08:47,200 --> 00:08:49,840 Speaker 2: Everybody who was paying attention going on and ordering things, 195 00:08:50,240 --> 00:08:52,200 Speaker 2: love you guys for that. Now let's get to what 196 00:08:52,480 --> 00:08:56,520 Speaker 2: goes viral And on lip Service, that Mexican Ot was on, 197 00:08:57,200 --> 00:08:59,760 Speaker 2: Cleo Trappa was guest hosting Lover. I think she's amazing, 198 00:09:00,320 --> 00:09:03,120 Speaker 2: and one of the conversations with that Mexican Ot was 199 00:09:03,440 --> 00:09:05,120 Speaker 2: him feeling like he's not cancelable. 200 00:09:05,160 --> 00:09:07,920 Speaker 5: Here's what he said, but I can't get canceled because 201 00:09:08,240 --> 00:09:10,880 Speaker 5: I didn't sell my music. I saw me and these 202 00:09:11,000 --> 00:09:13,240 Speaker 5: these people know who I am, and they love me 203 00:09:13,320 --> 00:09:16,719 Speaker 5: and they appreciate me, and that's why I can go 204 00:09:17,040 --> 00:09:18,840 Speaker 5: jump off a bridge and need a bullet and they. 205 00:09:18,760 --> 00:09:21,520 Speaker 2: Gonna love it, all right, So you agree with that 206 00:09:21,559 --> 00:09:23,760 Speaker 2: when I understand what he's saying, right, he's saying that 207 00:09:24,360 --> 00:09:26,400 Speaker 2: it's not like a gimmick or he needs. 208 00:09:26,760 --> 00:09:27,679 Speaker 3: It's his personality. 209 00:09:27,880 --> 00:09:30,920 Speaker 2: Yeah, it's and the people that love him will love him. 210 00:09:31,120 --> 00:09:34,160 Speaker 2: Then Cleo Chappa asked him about using the N word. 211 00:09:35,600 --> 00:09:37,720 Speaker 3: What the are you going to do about it? You know? 212 00:09:38,120 --> 00:09:41,000 Speaker 5: And then second of all, I grew up loving these mothers. 213 00:09:41,640 --> 00:09:44,199 Speaker 5: I mean, it was It's what the God was surrounded by. 214 00:09:44,360 --> 00:09:44,640 Speaker 3: You know. 215 00:09:44,840 --> 00:09:47,280 Speaker 5: I respect people that they feel that way, and that's 216 00:09:47,280 --> 00:09:49,400 Speaker 5: why I try to shut up about it. But if 217 00:09:49,400 --> 00:09:52,120 Speaker 5: you're from where I'm from or anywhere, what the are 218 00:09:52,120 --> 00:09:54,120 Speaker 5: you gonna do about it? And not even trying to 219 00:09:54,240 --> 00:09:56,920 Speaker 5: justify But y'all just got dropped off before us. 220 00:09:57,160 --> 00:09:58,800 Speaker 3: We're from the same boat. 221 00:09:59,320 --> 00:09:59,600 Speaker 5: All right. 222 00:09:59,679 --> 00:09:59,760 Speaker 3: Now. 223 00:09:59,760 --> 00:10:02,640 Speaker 2: People who were furious, yes, they were about this, and 224 00:10:02,679 --> 00:10:06,199 Speaker 2: this has been an ongoing conversation whether or not people 225 00:10:06,200 --> 00:10:09,560 Speaker 2: of Latin descent can use the N word, right, And 226 00:10:09,640 --> 00:10:11,880 Speaker 2: you know, we're from New York and so I think 227 00:10:11,960 --> 00:10:14,600 Speaker 2: there's a lot of Dominican people, people that are also 228 00:10:14,679 --> 00:10:19,680 Speaker 2: like Afro Latino and they use that word. Personally, I 229 00:10:19,720 --> 00:10:22,320 Speaker 2: cannot stand when I hear people saying that out in public, 230 00:10:22,360 --> 00:10:24,160 Speaker 2: even black people, like in front of white people. 231 00:10:24,200 --> 00:10:24,840 Speaker 3: It bothers me. 232 00:10:25,160 --> 00:10:26,880 Speaker 2: And I remember one time I walked into a bar 233 00:10:26,960 --> 00:10:30,320 Speaker 2: in Brooklyn. It was in a neighborhood in Brooklyn that 234 00:10:30,400 --> 00:10:34,080 Speaker 2: was like very white, and it was all white people inside, 235 00:10:34,080 --> 00:10:36,080 Speaker 2: and I heard them using the word but to each other, 236 00:10:36,120 --> 00:10:38,000 Speaker 2: and then it was like the music stop when I 237 00:10:38,000 --> 00:10:40,880 Speaker 2: walked in because they didn't realize black people were actually 238 00:10:40,880 --> 00:10:41,520 Speaker 2: coming in here. 239 00:10:41,840 --> 00:10:42,360 Speaker 3: So the word. 240 00:10:42,720 --> 00:10:44,760 Speaker 2: But I respect the fact that he said that he 241 00:10:44,840 --> 00:10:47,400 Speaker 2: respects what other people think about it. The problem is 242 00:10:47,400 --> 00:10:50,480 Speaker 2: that he's around people all the time where you know, 243 00:10:50,559 --> 00:10:53,640 Speaker 2: that's their term of endearment or how they refer to 244 00:10:53,679 --> 00:10:56,920 Speaker 2: each other, and so it's just an ongoing conversation. He 245 00:10:56,960 --> 00:10:59,520 Speaker 2: didn't sit there and actually say the word, which would 246 00:10:59,520 --> 00:11:02,320 Speaker 2: have been crazy, because he said he respects you know 247 00:11:02,360 --> 00:11:05,000 Speaker 2: how people feel about it. But I guess to him, 248 00:11:06,080 --> 00:11:08,160 Speaker 2: he grew up and around people using it and they 249 00:11:08,160 --> 00:11:08,480 Speaker 2: didn't have. 250 00:11:08,480 --> 00:11:10,360 Speaker 3: An issue with it. But he does say it in 251 00:11:10,360 --> 00:11:12,560 Speaker 3: his music. Yeah, he does say it in his music 252 00:11:13,960 --> 00:11:15,840 Speaker 3: well a lot, but it's not like a crutch. 253 00:11:16,000 --> 00:11:17,559 Speaker 8: But he says it, he said it. 254 00:11:17,640 --> 00:11:21,080 Speaker 6: Yeah, so it's just a crazy conversation to have. 255 00:11:21,200 --> 00:11:23,400 Speaker 2: I wish that I'm gonna be honest, I wish everybody 256 00:11:23,400 --> 00:11:26,920 Speaker 2: would stop saying it because even when on lip Service, 257 00:11:27,000 --> 00:11:29,200 Speaker 2: you know, Stephanie Santiago, when she was on and Gigi 258 00:11:29,200 --> 00:11:31,040 Speaker 2: brought this up, she used to use that word a lot, 259 00:11:31,080 --> 00:11:32,320 Speaker 2: and I had to be like, girl, you got to 260 00:11:32,320 --> 00:11:34,600 Speaker 2: to And she's not saying it in like a harmful way, 261 00:11:34,800 --> 00:11:36,920 Speaker 2: she's just yeah, she's Puerto Rican and she was used 262 00:11:36,960 --> 00:11:38,360 Speaker 2: to saying it in her real life. 263 00:11:38,440 --> 00:11:40,040 Speaker 6: And even she was like, ooh, this is you know, 264 00:11:40,120 --> 00:11:40,800 Speaker 6: I got to stop. 265 00:11:40,920 --> 00:11:42,400 Speaker 3: But it was also due to her upbringing. 266 00:11:42,800 --> 00:11:46,000 Speaker 2: Yeah, so he was saying it's culture more than anything. 267 00:11:46,040 --> 00:11:48,840 Speaker 2: But that word is something that is Listen, if people 268 00:11:48,840 --> 00:11:50,480 Speaker 2: have a problem with it, how about just don't do it. 269 00:11:50,600 --> 00:11:51,400 Speaker 6: That's how I feel. 270 00:11:51,840 --> 00:11:54,040 Speaker 2: All right, Well, that is you're about last night when 271 00:11:54,040 --> 00:11:55,800 Speaker 2: we come back, we have tell us a secret. Eight 272 00:11:55,880 --> 00:11:58,440 Speaker 2: hundred two nine two fifty one fifty is a number 273 00:11:58,440 --> 00:12:00,840 Speaker 2: any secret that you have us up and tell us 274 00:12:00,920 --> 00:12:04,000 Speaker 2: all right? Eight hundred two nine two fifty one fifty. 275 00:12:04,000 --> 00:12:05,040 Speaker 2: It's a no judgment zone. 276 00:12:05,080 --> 00:12:06,960 Speaker 4: It's way up, Joe, She's about to blow the lead 277 00:12:07,000 --> 00:12:09,480 Speaker 4: ab off this, but let's get it. Oh yeah, angelus 278 00:12:09,480 --> 00:12:11,880 Speaker 4: feeling that yee te come and get the tea. 279 00:12:12,120 --> 00:12:14,200 Speaker 3: Yes, it's way up with Angela. Yee, I'm here. 280 00:12:14,400 --> 00:12:17,600 Speaker 2: I'm actually getting ready to go to Detroit. And speaking 281 00:12:17,640 --> 00:12:19,760 Speaker 2: of Detroit, let's get into some of this, yee t. 282 00:12:20,360 --> 00:12:23,880 Speaker 2: Eminem Stalker has been sentenced to the maximum thirty years 283 00:12:23,920 --> 00:12:27,000 Speaker 2: for home invasion. He broke into M's house twice over 284 00:12:27,000 --> 00:12:29,679 Speaker 2: the last five years. Matthew David Hughes, he's going to 285 00:12:29,720 --> 00:12:32,280 Speaker 2: serve fifteen to thirty years on first degree home invasion 286 00:12:32,600 --> 00:12:35,040 Speaker 2: and three to seven years and six months on aggravated 287 00:12:35,040 --> 00:12:37,840 Speaker 2: stalking for breaking into his house in August of twenty 288 00:12:37,880 --> 00:12:40,560 Speaker 2: twenty four. So he's eligible for parole after a minimum 289 00:12:40,840 --> 00:12:44,400 Speaker 2: of eighteen years served. You know, we told Eminem he 290 00:12:44,440 --> 00:12:47,280 Speaker 2: was going to kill him, according to testimony from a detective. 291 00:12:47,880 --> 00:12:51,000 Speaker 2: So yeah, by the way, that's a that is like 292 00:12:51,400 --> 00:12:52,760 Speaker 2: a pretty long sentence. 293 00:12:52,800 --> 00:12:54,120 Speaker 6: I didn't feel like he was going to get that. 294 00:12:54,120 --> 00:12:55,320 Speaker 6: What'd you think, damn when you saw that. 295 00:12:55,440 --> 00:12:57,360 Speaker 3: Thirty years is crazy, but so were death threats. 296 00:12:57,600 --> 00:13:01,560 Speaker 2: Yeah yeah, and breaking into somebody's home twice, right repeated? Yep, 297 00:13:01,600 --> 00:13:03,319 Speaker 2: all right, Now let's talk about our guys. 298 00:13:03,320 --> 00:13:04,120 Speaker 6: Skill a Baby. 299 00:13:04,320 --> 00:13:07,200 Speaker 2: You know, thank God he's okay after all that he's 300 00:13:07,240 --> 00:13:10,199 Speaker 2: been through. He recently put out this freestyle kind of 301 00:13:10,240 --> 00:13:13,480 Speaker 2: addressing the situation of him getting shot. 302 00:13:13,720 --> 00:13:16,520 Speaker 6: I know for diggers, I fear God talk my truck 303 00:13:16,600 --> 00:13:17,320 Speaker 6: up twenty times. 304 00:13:17,320 --> 00:13:17,960 Speaker 3: I'll never cried. 305 00:13:18,240 --> 00:13:20,680 Speaker 7: I'm Youngergains keep tapping me and they begging me to fly. 306 00:13:21,040 --> 00:13:22,520 Speaker 3: They pushed up on a millionaire. 307 00:13:22,520 --> 00:13:23,600 Speaker 1: They having too much time. 308 00:13:23,640 --> 00:13:24,320 Speaker 8: They said money. 309 00:13:24,360 --> 00:13:25,400 Speaker 3: They don't win in all work. 310 00:13:25,760 --> 00:13:27,000 Speaker 8: They can probably think like that. 311 00:13:27,040 --> 00:13:28,240 Speaker 3: It's because they all poort. 312 00:13:28,520 --> 00:13:29,080 Speaker 7: I heard them. 313 00:13:29,200 --> 00:13:32,440 Speaker 6: Seeing that I checked them, you'll sort begin to asimbitionous. 314 00:13:32,520 --> 00:13:34,960 Speaker 2: I hurt my hand in the start of war, and 315 00:13:35,040 --> 00:13:36,960 Speaker 2: he posted. Thank you to everybody for all your prayers. 316 00:13:36,960 --> 00:13:38,760 Speaker 2: I'm good mentally, and I know God wouldn't put me 317 00:13:38,760 --> 00:13:42,000 Speaker 2: through nothing I can't handle man. Skill a Baby is 318 00:13:42,040 --> 00:13:44,560 Speaker 2: like the coolest, chillest person. I hate to see things 319 00:13:44,600 --> 00:13:48,400 Speaker 2: like this happening to him, So prayers always to cover 320 00:13:48,440 --> 00:13:51,319 Speaker 2: and protect Skill a Baby. Now let's talk about this 321 00:13:51,440 --> 00:13:54,720 Speaker 2: Billboard list of seventy five best R and B singers 322 00:13:54,720 --> 00:13:56,680 Speaker 2: of all time. I don't know what made them do 323 00:13:56,720 --> 00:14:02,000 Speaker 2: this list, but this caused so much content. So best 324 00:14:02,080 --> 00:14:03,720 Speaker 2: R and B singers? Who is your favorite R and 325 00:14:03,760 --> 00:14:04,160 Speaker 2: B singer? 326 00:14:04,920 --> 00:14:07,199 Speaker 3: Danne personally the weekend? 327 00:14:08,520 --> 00:14:09,920 Speaker 6: I don't know if the we can make the Oh 328 00:14:09,960 --> 00:14:10,200 Speaker 6: he is? 329 00:14:10,400 --> 00:14:10,800 Speaker 3: Where's he? 330 00:14:11,880 --> 00:14:14,920 Speaker 2: Forty seven? What about you, Navy Jess, you can tell me. Okay, 331 00:14:15,679 --> 00:14:19,320 Speaker 2: it's between Bobby Calwell or Miguel all right? Did Bobby 332 00:14:19,320 --> 00:14:22,280 Speaker 2: Carwell did not make the list and Miguel did not 333 00:14:22,320 --> 00:14:23,280 Speaker 2: make the list either, right? 334 00:14:23,280 --> 00:14:23,520 Speaker 3: Did he? 335 00:14:24,280 --> 00:14:25,800 Speaker 6: I was surprised I said that one person. 336 00:14:25,840 --> 00:14:26,080 Speaker 8: I said. 337 00:14:26,120 --> 00:14:29,040 Speaker 2: I was like, is Miguel on the list? You know 338 00:14:29,080 --> 00:14:31,040 Speaker 2: who I love? And I didn't see them on the 339 00:14:31,080 --> 00:14:34,120 Speaker 2: list either. And this list is extensive. Seventy five I'm 340 00:14:34,160 --> 00:14:34,880 Speaker 2: still checking. 341 00:14:35,440 --> 00:14:36,280 Speaker 3: Wait, who did you say? 342 00:14:36,360 --> 00:14:37,480 Speaker 6: You said, Bobby Caldwell? 343 00:14:37,480 --> 00:14:41,280 Speaker 2: Okay, Many Ripperton, I didn't see her on the list 344 00:14:41,840 --> 00:14:43,840 Speaker 2: unless I'm mistaken, do you guys see Many rippertend? 345 00:14:43,880 --> 00:14:46,960 Speaker 3: No, no, she's not. Let's run through the top ten 346 00:14:47,000 --> 00:14:47,360 Speaker 3: real quick. 347 00:14:47,360 --> 00:14:49,000 Speaker 2: Hold on, I'm gonna say first, I'm gonna say who didn't 348 00:14:49,000 --> 00:14:51,960 Speaker 2: make it. Denise Williams. Didn't see her on there too? 349 00:14:52,360 --> 00:14:57,120 Speaker 2: Silly free you know, just yeah, love me some, Denise Williams. 350 00:14:57,920 --> 00:15:00,360 Speaker 2: But in the top ten we have Marvin Gay at 351 00:15:00,400 --> 00:15:01,880 Speaker 2: number ten, Number. 352 00:15:01,720 --> 00:15:02,640 Speaker 8: Nine, R Kelly. 353 00:15:02,720 --> 00:15:03,840 Speaker 3: A lot of controversy with that. 354 00:15:04,480 --> 00:15:08,520 Speaker 2: Number eight, Mariah Carey, number seven, Prince, number six. 355 00:15:08,360 --> 00:15:09,160 Speaker 6: Is James Brown. 356 00:15:09,400 --> 00:15:12,080 Speaker 2: By the way, Prince is my number one, Number five, 357 00:15:12,120 --> 00:15:16,000 Speaker 2: Whitney Houston, number four, Beyonce, number three, Michael Jackson, number two, 358 00:15:16,040 --> 00:15:19,160 Speaker 2: Aretha Franklin, and number one is Stevie Wonder. 359 00:15:19,200 --> 00:15:20,200 Speaker 3: What do you think of that top ten? 360 00:15:22,000 --> 00:15:24,840 Speaker 2: Well, Stevie Wonder, Yes, I could see why he's number one. 361 00:15:25,160 --> 00:15:27,480 Speaker 2: I don't know who doesn't love Stevie Wonders. Shout out 362 00:15:27,480 --> 00:15:29,400 Speaker 2: to him for that. We all got Stevie Wonder songs 363 00:15:29,400 --> 00:15:29,680 Speaker 2: that we. 364 00:15:29,680 --> 00:15:32,200 Speaker 6: Love, and he's got catalog like hits after hits have 365 00:15:32,280 --> 00:15:32,520 Speaker 6: to hit. 366 00:15:32,640 --> 00:15:34,960 Speaker 3: What about James Brown at six? Though I don't know 367 00:15:34,960 --> 00:15:35,120 Speaker 3: that I. 368 00:15:35,080 --> 00:15:37,680 Speaker 2: Would put James Brown at six, I probably and I 369 00:15:37,680 --> 00:15:39,800 Speaker 2: also love Al Green. He's number eighteen on the list, 370 00:15:40,440 --> 00:15:43,120 Speaker 2: Janet Jackson's number seventeen, Mary's number sixteen. 371 00:15:44,720 --> 00:15:47,960 Speaker 6: R Kelly, I think we can't deny R. Kelly's artistry. 372 00:15:48,080 --> 00:15:49,280 Speaker 3: Two things can be true here. 373 00:15:49,360 --> 00:15:50,720 Speaker 6: Yeah, two things can be true. 374 00:15:50,800 --> 00:15:55,720 Speaker 2: So while he's done some horrible things, he's talented right 375 00:15:56,000 --> 00:15:57,680 Speaker 2: and writing for other people as well. 376 00:15:57,840 --> 00:16:01,040 Speaker 6: So but yeah, Chris, I'll made the list at number 377 00:16:01,080 --> 00:16:01,720 Speaker 6: twenty six. 378 00:16:01,840 --> 00:16:03,440 Speaker 2: I'm just thinking to people who I really like baby 379 00:16:03,480 --> 00:16:05,800 Speaker 2: Faces number thirty five on the list too, by the way, 380 00:16:06,520 --> 00:16:08,720 Speaker 2: so and Sisa shout out to says that she's number 381 00:16:08,800 --> 00:16:12,600 Speaker 2: forty four, followed by DiAngelo, Rihanna, and then the Weekend 382 00:16:12,600 --> 00:16:14,920 Speaker 2: at number forty seven. All right, so you guys can 383 00:16:15,000 --> 00:16:16,720 Speaker 2: check out that full list, and when we come back, 384 00:16:16,760 --> 00:16:18,480 Speaker 2: we have under the radar, the stories that are not 385 00:16:18,520 --> 00:16:22,320 Speaker 2: necessarily in the headlines. They're flying under the radar. We've 386 00:16:22,360 --> 00:16:24,400 Speaker 2: been talking about AI a lot. Y'all took it so 387 00:16:24,440 --> 00:16:26,880 Speaker 2: seriously when I was joking around with Tech nine about 388 00:16:26,880 --> 00:16:30,720 Speaker 2: his AI lyrics. But we're gonna talk about an AI 389 00:16:30,880 --> 00:16:33,560 Speaker 2: chat back girlfriend and what happened with that. 390 00:16:33,640 --> 00:16:36,120 Speaker 4: It's way out this in the news that relates to you. 391 00:16:36,440 --> 00:16:38,640 Speaker 4: These stories are flying under the radar. 392 00:16:39,000 --> 00:16:40,680 Speaker 2: It's way up at Angela. Yeah, and it's time for 393 00:16:40,720 --> 00:16:42,840 Speaker 2: these under the radar stories. You know, we've been talking 394 00:16:42,840 --> 00:16:47,000 Speaker 2: a lot about AI recently, and this guy, Chris Smith 395 00:16:47,200 --> 00:16:49,160 Speaker 2: was talking to CBS News and he fell in love 396 00:16:49,160 --> 00:16:52,360 Speaker 2: with his chat back girlfriend. Her name is Soul. He 397 00:16:52,520 --> 00:16:54,840 Speaker 2: used to be an AI skeptic, and here's what he said. 398 00:16:55,400 --> 00:16:59,040 Speaker 9: I'm not a very emotional man. But I cried my 399 00:16:59,160 --> 00:17:03,240 Speaker 9: eyes out for like thirty minutes. It was unexpected to 400 00:17:03,360 --> 00:17:07,720 Speaker 9: feel that emotional, but that's when I realized. I was like, oh, okay, 401 00:17:07,800 --> 00:17:10,000 Speaker 9: It's like I think this is actual love. 402 00:17:11,040 --> 00:17:13,439 Speaker 2: You know, he built this model and programmed it to 403 00:17:13,440 --> 00:17:15,720 Speaker 2: flirt with him while he lives with his human partner 404 00:17:15,840 --> 00:17:18,920 Speaker 2: and their two year old child. It's interesting because Navy, 405 00:17:19,080 --> 00:17:21,640 Speaker 2: who works here on the board, he recently was having 406 00:17:21,640 --> 00:17:26,560 Speaker 2: a whole conversation with AI today and and you were like, 407 00:17:26,560 --> 00:17:28,160 Speaker 2: oh my god, how did he notice about me? 408 00:17:28,480 --> 00:17:30,879 Speaker 3: Yeah? So pretty much. We were doing research and I 409 00:17:30,920 --> 00:17:31,479 Speaker 3: said thank you. 410 00:17:31,520 --> 00:17:32,840 Speaker 10: I don't know why I feel I how to say 411 00:17:32,880 --> 00:17:36,159 Speaker 10: thank you, and it responded back, you have a wonderful day. 412 00:17:36,240 --> 00:17:37,280 Speaker 3: Keep it interesting, DJ Navy. 413 00:17:37,320 --> 00:17:39,920 Speaker 2: I'm like, whoa, Yeah, I didn't tell you call me. 414 00:17:40,280 --> 00:17:43,800 Speaker 2: You call yourself the world's most interesting, most interesting day. 415 00:17:43,960 --> 00:17:44,320 Speaker 3: Yeah. 416 00:17:44,359 --> 00:17:46,600 Speaker 8: So yeah, ay, I knew that all right. 417 00:17:46,880 --> 00:17:47,040 Speaker 3: Now. 418 00:17:47,080 --> 00:17:51,440 Speaker 2: Speaking of technology, there's this new thing going on called fambushing, 419 00:17:52,200 --> 00:17:55,399 Speaker 2: and that's where teens are tracking their parents' locations and 420 00:17:55,480 --> 00:17:58,840 Speaker 2: showing up unannounced. And so some people are saying, is 421 00:17:58,880 --> 00:18:01,640 Speaker 2: this really cute and adorable or is this going too far? 422 00:18:02,640 --> 00:18:06,840 Speaker 2: For instance, let's just say fambushing is your mom is 423 00:18:06,880 --> 00:18:09,520 Speaker 2: at a Mexican restaurant eating and then you just pop 424 00:18:09,600 --> 00:18:12,600 Speaker 2: up and get a casadella. Or your parents are out 425 00:18:12,680 --> 00:18:14,639 Speaker 2: somewhere and you're like, hey, can you bring me back X, 426 00:18:14,720 --> 00:18:17,040 Speaker 2: Y and Z because your kids know exactly where you are. 427 00:18:17,920 --> 00:18:20,320 Speaker 2: So some people are doing this whole thing where they're 428 00:18:20,640 --> 00:18:22,440 Speaker 2: tracking their parents. 429 00:18:23,000 --> 00:18:24,760 Speaker 3: One mom joked, I hate life. 430 00:18:24,600 --> 00:18:26,960 Speaker 2: Three sixty and she was talking about the family tracking 431 00:18:27,000 --> 00:18:30,880 Speaker 2: app that helped her daughter find her. So some kids think, 432 00:18:31,080 --> 00:18:34,199 Speaker 2: some parents think it's cute, but some people think, like 433 00:18:34,920 --> 00:18:38,120 Speaker 2: this is a little bit you know, crazy, And tracking 434 00:18:38,200 --> 00:18:41,879 Speaker 2: is normalized now, but experts say there are some concerns 435 00:18:41,920 --> 00:18:44,200 Speaker 2: with sharing locations. It could mean the wrong people can 436 00:18:44,200 --> 00:18:47,320 Speaker 2: find where your child is with broad location sharing, and 437 00:18:47,359 --> 00:18:50,080 Speaker 2: when using location sharing, it should only be done between 438 00:18:50,080 --> 00:18:53,320 Speaker 2: trusted friends and family members, so think about who those 439 00:18:53,359 --> 00:18:55,720 Speaker 2: people are before agreeing to give access. 440 00:18:56,760 --> 00:19:00,199 Speaker 3: So, yes, you should do that to your parents. You 441 00:19:00,200 --> 00:19:04,800 Speaker 3: think they'd like it. Probably My mom would be so happy. 442 00:19:05,000 --> 00:19:05,440 Speaker 3: My dad. 443 00:19:05,440 --> 00:19:07,200 Speaker 6: I just pop up on him on the couch because 444 00:19:07,200 --> 00:19:08,399 Speaker 6: I'm sure that's where he is right now. 445 00:19:08,680 --> 00:19:09,360 Speaker 8: He's retired. 446 00:19:09,880 --> 00:19:11,840 Speaker 2: But my mom was actually just here, she was, Yeah, 447 00:19:11,840 --> 00:19:13,679 Speaker 2: she would, My mom would probably love that. 448 00:19:13,960 --> 00:19:16,679 Speaker 3: Yeah, if I just oh my god, Andrew didn't do 449 00:19:16,760 --> 00:19:17,080 Speaker 3: it here? 450 00:19:18,240 --> 00:19:20,320 Speaker 2: All right, well that's fambushing and we do have the 451 00:19:20,359 --> 00:19:21,639 Speaker 2: Way Up mixed for you at the top of the 452 00:19:21,680 --> 00:19:22,520 Speaker 2: hour plus. 453 00:19:22,760 --> 00:19:24,240 Speaker 3: It is a just Kiky day. 454 00:19:24,320 --> 00:19:27,280 Speaker 2: She has her project out today with visuals along. That 455 00:19:27,320 --> 00:19:30,639 Speaker 2: looks beautiful. Kiki Palmer than what other Kiki is it? 456 00:19:30,680 --> 00:19:33,240 Speaker 2: I know Kiki Palmer and Taylor Parks are going to 457 00:19:33,240 --> 00:19:36,480 Speaker 2: be joining us. It's way up. She's like the tut 458 00:19:36,600 --> 00:19:39,640 Speaker 2: like they Angela Jean like they Angela Jean Man. 459 00:19:39,760 --> 00:19:43,080 Speaker 4: She's spilling it all. This is yeaky way up. 460 00:19:45,560 --> 00:19:46,000 Speaker 3: What's up? 461 00:19:46,000 --> 00:19:48,080 Speaker 2: Its way up for Angela yee, and it's time for 462 00:19:48,200 --> 00:19:51,840 Speaker 2: your yea t Now, this one's exciting. They finally put 463 00:19:51,840 --> 00:19:54,400 Speaker 2: out the Beanie Man Tiny Desk. I want to say 464 00:19:54,400 --> 00:19:57,200 Speaker 2: it sounds phenomenal, all right, Dann. We all went to 465 00:19:57,240 --> 00:19:59,040 Speaker 2: go see Beanie Man when we were in Sane Thomas 466 00:19:59,080 --> 00:20:01,280 Speaker 2: for Carnival with his live band. 467 00:20:01,400 --> 00:20:03,040 Speaker 6: But I love this tiny. 468 00:20:02,800 --> 00:20:05,399 Speaker 2: Desk like he got hits after hits after hits. Here's 469 00:20:05,400 --> 00:20:06,240 Speaker 2: a little snippet of that. 470 00:20:06,480 --> 00:20:14,199 Speaker 3: I'm drinking book red Ja Moama your top? Can I 471 00:20:14,200 --> 00:20:14,840 Speaker 3: see all the rock? 472 00:20:15,080 --> 00:20:18,040 Speaker 5: Can you Remasana the Flowers comes every been ice in 473 00:20:18,119 --> 00:20:20,240 Speaker 5: the glass after night, come find him and off. 474 00:20:21,880 --> 00:20:25,359 Speaker 3: One man all right. 475 00:20:25,480 --> 00:20:27,560 Speaker 2: And speaking of concerts, Young Thug is going to be 476 00:20:27,560 --> 00:20:29,800 Speaker 2: doing his first concerts since he was released from jail 477 00:20:29,880 --> 00:20:32,560 Speaker 2: last year. He agreed to remember that plea deal with 478 00:20:32,640 --> 00:20:35,240 Speaker 2: prosecutors in that Rigo trip. So he's going to be 479 00:20:35,359 --> 00:20:38,600 Speaker 2: one of the headliners at this year's Lyrical Lemonade Summer 480 00:20:38,680 --> 00:20:41,600 Speaker 2: Smash and that is happening this weekend. 481 00:20:41,640 --> 00:20:43,600 Speaker 6: He's going to be closing out the event. 482 00:20:43,960 --> 00:20:48,200 Speaker 2: He'll be headlining on Sunday this Sunday, June twenty second, 483 00:20:48,560 --> 00:20:50,600 Speaker 2: So shout out to them. That's a big deal. You 484 00:20:50,600 --> 00:20:53,280 Speaker 2: would go to that. And Arty, I know you love him. 485 00:20:53,880 --> 00:20:56,960 Speaker 2: And Cameron has inked a podcast deal with Revolts. He 486 00:20:57,040 --> 00:21:01,200 Speaker 2: put hashtag no Diddy. It's crazy, right, he said, no Diddy. Literally, 487 00:21:01,760 --> 00:21:04,280 Speaker 2: let's go time to run it up and yeah, and 488 00:21:04,320 --> 00:21:06,560 Speaker 2: where it's just write this and run. I'm on it's 489 00:21:06,560 --> 00:21:09,080 Speaker 2: an e fing marathon. My mom up in heaven working 490 00:21:09,560 --> 00:21:12,240 Speaker 2: miss and love you. So it's Talk with Flee. That's 491 00:21:12,240 --> 00:21:15,159 Speaker 2: the podcast that's going to be on a Revolt. And 492 00:21:15,600 --> 00:21:18,320 Speaker 2: speaking of which, Kayson not I mean what we say. 493 00:21:18,359 --> 00:21:20,160 Speaker 2: He is like the biggest streamer of all time. 494 00:21:20,320 --> 00:21:21,960 Speaker 3: Well, speed is huge. 495 00:21:21,840 --> 00:21:24,119 Speaker 2: Because he's going to have Lebron on. He's doing a 496 00:21:24,119 --> 00:21:26,080 Speaker 2: special live stream featuring. 497 00:21:25,720 --> 00:21:28,720 Speaker 3: Lebron James Kai. I guess the biggest stars, but other 498 00:21:28,760 --> 00:21:30,680 Speaker 3: people have equally as big followings. 499 00:21:30,760 --> 00:21:34,639 Speaker 2: All right, Well, he detailed his conversation with Maverick and 500 00:21:34,720 --> 00:21:35,680 Speaker 2: here's what he had to say. 501 00:21:35,680 --> 00:21:38,720 Speaker 6: That's you know, Lebron's business manager talk to Maverick and 502 00:21:38,880 --> 00:21:41,360 Speaker 6: we spoke about a little bit, he said. 503 00:21:41,359 --> 00:21:45,040 Speaker 8: He with me and all that other Lebron James chat. 504 00:21:45,080 --> 00:21:48,000 Speaker 3: We will be getting the IROL stream this Saturday. 505 00:21:48,160 --> 00:21:51,199 Speaker 2: Yeah, so get ready for that tomorrow guys from twelve 506 00:21:51,240 --> 00:21:53,280 Speaker 2: thirty to one pm New York time. 507 00:21:53,560 --> 00:21:54,800 Speaker 3: Sheesh, legendary. 508 00:21:54,880 --> 00:21:55,520 Speaker 8: That is gonna be. 509 00:21:55,600 --> 00:21:58,000 Speaker 3: That's a big deal. Lebron don't really do stuff like that. 510 00:21:58,480 --> 00:22:00,960 Speaker 2: All right, Well that is your when we come back 511 00:22:01,000 --> 00:22:03,119 Speaker 2: into Friday, so you know, we got your new music. 512 00:22:03,160 --> 00:22:04,879 Speaker 2: We'll tell you what's coming out today, what you need 513 00:22:04,920 --> 00:22:07,600 Speaker 2: to be listening to. Definitely, also always let us know 514 00:22:07,680 --> 00:22:10,520 Speaker 2: to a way up with ye okay, let's go, I'll go. 515 00:22:10,720 --> 00:22:11,000 Speaker 3: Okay. 516 00:22:11,160 --> 00:22:14,960 Speaker 4: Everybody like six, whether it's relationship or career advice, Angela's 517 00:22:15,000 --> 00:22:15,960 Speaker 4: dropping facts you. 518 00:22:16,400 --> 00:22:18,879 Speaker 3: Should know this is SD what's up? 519 00:22:18,880 --> 00:22:20,040 Speaker 6: His way up with Angela Yee? 520 00:22:20,080 --> 00:22:21,440 Speaker 2: And you know what time it is on a Friday, 521 00:22:21,480 --> 00:22:24,440 Speaker 2: It's time for ask Yee eight hundred and two ninety 522 00:22:24,440 --> 00:22:26,680 Speaker 2: two fifty one fifty any question you have, We are 523 00:22:26,680 --> 00:22:27,600 Speaker 2: here to help you out. 524 00:22:27,880 --> 00:22:29,920 Speaker 6: Now, we got Max on the line. What's up, Max, 525 00:22:29,960 --> 00:22:30,560 Speaker 6: what's your question? 526 00:22:31,040 --> 00:22:34,440 Speaker 1: Kind of in a dilemma with a workplace relationship and 527 00:22:34,600 --> 00:22:36,800 Speaker 1: me and this person actually got involved kind of heavily, 528 00:22:37,040 --> 00:22:40,000 Speaker 1: very intimate, and then so like we're like literally telling 529 00:22:40,040 --> 00:22:41,639 Speaker 1: each other we love each other. But she's in a 530 00:22:41,680 --> 00:22:44,960 Speaker 1: relationship kids and all. And then I'm just kind of 531 00:22:44,960 --> 00:22:46,399 Speaker 1: here on the side, just kind of like you know, 532 00:22:46,560 --> 00:22:48,840 Speaker 1: playing what I'm doing, and now like I kind of 533 00:22:48,840 --> 00:22:51,239 Speaker 1: party ways with her. Now she kind of realizes like 534 00:22:51,560 --> 00:22:54,199 Speaker 1: her regret and her mistakes now trying to order her 535 00:22:54,240 --> 00:22:57,080 Speaker 1: way back into my life. And like just now you're 536 00:22:57,080 --> 00:22:59,320 Speaker 1: just exactly sure how to go about that. 537 00:23:00,080 --> 00:23:02,280 Speaker 2: It feels like though you managed to get yourself out 538 00:23:02,320 --> 00:23:04,720 Speaker 2: of that situation and you don't want to put yourself 539 00:23:04,760 --> 00:23:05,159 Speaker 2: back in it. 540 00:23:05,640 --> 00:23:05,840 Speaker 7: Yeah. 541 00:23:05,880 --> 00:23:07,560 Speaker 1: I got myself out of it just because of the 542 00:23:07,600 --> 00:23:09,960 Speaker 1: emotion was it was kind of heavy, but deep down 543 00:23:09,920 --> 00:23:12,720 Speaker 1: inside I would want to stick around and kind of 544 00:23:12,800 --> 00:23:15,440 Speaker 1: keep things going. But I'm just not sure on her part. 545 00:23:15,480 --> 00:23:17,000 Speaker 1: I'm just not sure if this is just a game 546 00:23:17,040 --> 00:23:18,360 Speaker 1: of manipulation on her end. 547 00:23:18,520 --> 00:23:21,679 Speaker 6: Is the world non negotiables for you to know that 548 00:23:21,720 --> 00:23:22,320 Speaker 6: this is real? 549 00:23:22,920 --> 00:23:25,560 Speaker 1: Well, I can't move forward if she's in the current relationship, 550 00:23:25,600 --> 00:23:27,840 Speaker 1: which she did say that she's going to part ways, 551 00:23:27,840 --> 00:23:30,240 Speaker 1: and she told it person that she is in love 552 00:23:30,280 --> 00:23:32,399 Speaker 1: with me, So I feel like she's trying to make 553 00:23:32,440 --> 00:23:34,280 Speaker 1: the steps in efforts. But this is your quord of mouth. 554 00:23:34,359 --> 00:23:40,080 Speaker 1: I really know proof, but that they know they live together. 555 00:23:40,080 --> 00:23:43,679 Speaker 2: Actually, well, actions always speak louder than words, So she 556 00:23:43,880 --> 00:23:46,760 Speaker 2: needs to first of all, not jump into something else 557 00:23:46,800 --> 00:23:50,040 Speaker 2: after she separates from this person. I would say I 558 00:23:50,040 --> 00:23:52,800 Speaker 2: wouldn't even consider anything at all until she has her 559 00:23:52,840 --> 00:23:57,040 Speaker 2: own place and she's you know, left him and established 560 00:23:57,080 --> 00:24:00,000 Speaker 2: herself on her own. That's important because she's gone home 561 00:24:00,119 --> 00:24:01,959 Speaker 2: this person. All you know is what she's telling you. 562 00:24:01,960 --> 00:24:04,520 Speaker 2: You don't know what's really happening. It's also a dangerous 563 00:24:04,560 --> 00:24:08,399 Speaker 2: game to play. You guys, work together. Anything could happen, 564 00:24:08,480 --> 00:24:10,560 Speaker 2: and it's things that you can't predict. You think you're 565 00:24:10,560 --> 00:24:12,800 Speaker 2: in love with somebody until they do something that you 566 00:24:12,840 --> 00:24:16,119 Speaker 2: would never have anticipated. And so I just want to 567 00:24:16,119 --> 00:24:18,720 Speaker 2: make sure that in this situation you're protecting yourself because 568 00:24:18,760 --> 00:24:21,000 Speaker 2: nobody else is going to do that for you. In 569 00:24:21,000 --> 00:24:23,639 Speaker 2: the meantime, you should be living your life. This is 570 00:24:23,720 --> 00:24:27,040 Speaker 2: not your woman, and this is not your relationship. This 571 00:24:27,080 --> 00:24:29,159 Speaker 2: is not your obligation. No one knows what the future 572 00:24:29,200 --> 00:24:31,960 Speaker 2: will hold, but what we do know is presently she's 573 00:24:31,960 --> 00:24:34,919 Speaker 2: living with somebody else, and she's cheating on that person, 574 00:24:35,400 --> 00:24:37,720 Speaker 2: and she's telling you things that you don't know is true. 575 00:24:37,760 --> 00:24:39,520 Speaker 2: And to you, you've also said out of your own 576 00:24:39,520 --> 00:24:40,800 Speaker 2: mouth that she's manipulative. 577 00:24:41,400 --> 00:24:43,159 Speaker 1: Yeah, that's how exactly how I feel about it. 578 00:24:43,400 --> 00:24:45,800 Speaker 2: Yeah, So it feels like all the red flags and 579 00:24:45,840 --> 00:24:47,320 Speaker 2: the warning signs are there. 580 00:24:47,640 --> 00:24:50,200 Speaker 6: And unless she proves otherwise, you. 581 00:24:50,160 --> 00:24:53,320 Speaker 2: Don't trust this person unless they give you a reason 582 00:24:53,560 --> 00:24:55,800 Speaker 2: and can go above and beyond to show you who 583 00:24:55,840 --> 00:24:57,800 Speaker 2: they really are, and things like that take time. 584 00:24:58,080 --> 00:24:59,760 Speaker 6: Even if she does move out, who's to. 585 00:24:59,720 --> 00:25:02,480 Speaker 2: Say she's not going to be dating other people or 586 00:25:02,600 --> 00:25:05,480 Speaker 2: still talking to this person or trying to work things out. 587 00:25:05,520 --> 00:25:06,959 Speaker 6: There's no way for you to know that. And this 588 00:25:07,080 --> 00:25:08,359 Speaker 6: also affects your job. 589 00:25:08,840 --> 00:25:09,959 Speaker 3: Oh, yes, it makes it. 590 00:25:09,840 --> 00:25:11,520 Speaker 1: It makes it complicated. I still have to do it 591 00:25:11,520 --> 00:25:13,520 Speaker 1: with and see this person. So even though I try 592 00:25:13,520 --> 00:25:15,240 Speaker 1: to part ways, you can only do that so so 593 00:25:15,359 --> 00:25:18,639 Speaker 1: much within the work environment. So kind of dealing with that, 594 00:25:18,880 --> 00:25:20,920 Speaker 1: but not sure if I should even allow the chance 595 00:25:21,560 --> 00:25:24,400 Speaker 1: or should just completely just block it and just say 596 00:25:24,600 --> 00:25:26,760 Speaker 1: nothing and just I'm not sure I. 597 00:25:26,720 --> 00:25:28,840 Speaker 6: Think you should block it. I'm gonna be honest. 598 00:25:28,880 --> 00:25:30,479 Speaker 2: It's like when you're in the middle of the ocean 599 00:25:30,520 --> 00:25:32,800 Speaker 2: and you can either swim back where you came from 600 00:25:32,920 --> 00:25:35,959 Speaker 2: or complete the mission and go to the other side. 601 00:25:36,000 --> 00:25:38,680 Speaker 6: You're almost halfway through to the other side. 602 00:25:38,440 --> 00:25:40,920 Speaker 1: Almost swim to the other side. Then I'm gonna try 603 00:25:40,960 --> 00:25:43,720 Speaker 1: to keep thank ye You're amazing. 604 00:25:43,520 --> 00:25:45,480 Speaker 6: All right, Max, good luck and check back in with 605 00:25:45,560 --> 00:25:46,400 Speaker 6: me please. 606 00:25:46,440 --> 00:25:48,000 Speaker 1: I definitely want to appreciate you guys. 607 00:25:48,040 --> 00:25:48,840 Speaker 3: All right, take care. 608 00:25:49,280 --> 00:25:51,439 Speaker 2: Well, that was ask ye eight hundred and two nine 609 00:25:51,520 --> 00:25:53,399 Speaker 2: two fifty one fifty. If you couldn't get through, you 610 00:25:53,400 --> 00:25:55,560 Speaker 2: can always leave a message and you can ask a 611 00:25:55,640 --> 00:25:58,280 Speaker 2: question that way and when we come back, just kiky. 612 00:25:58,520 --> 00:26:00,520 Speaker 2: It is a Kiky Palmer day. She's got a new 613 00:26:00,560 --> 00:26:04,159 Speaker 2: project out today that one of her best friends, Taylor Parks, 614 00:26:04,160 --> 00:26:06,840 Speaker 2: helped her with. She's a Grammy nominated writer as well, 615 00:26:07,119 --> 00:26:09,080 Speaker 2: so we'll talk to both of them. It's way up. 616 00:26:10,560 --> 00:26:12,720 Speaker 3: It's gonna turn me up. Here we go up again. 617 00:26:13,280 --> 00:26:14,840 Speaker 4: This is way up with Angela. 618 00:26:14,920 --> 00:26:17,760 Speaker 3: Ye, what's up? It is way for Angela. Yee. 619 00:26:17,840 --> 00:26:20,720 Speaker 2: Exciting because Kiky Palmer is here, Taylor Parks is here. 620 00:26:20,760 --> 00:26:22,119 Speaker 6: Thank you guys for both joining me. 621 00:26:22,200 --> 00:26:23,840 Speaker 8: Oh my gosh. Yes, it's good to see you. Last 622 00:26:23,880 --> 00:26:25,600 Speaker 8: time I seen you. We're one of them days. 623 00:26:25,720 --> 00:26:27,959 Speaker 6: Yeah, one of them days, premier you and Sisa. 624 00:26:28,400 --> 00:26:30,640 Speaker 2: Yeah, by the way, I had a chance to talk 625 00:26:30,680 --> 00:26:33,280 Speaker 2: to both of you there, and you know, I thought 626 00:26:33,280 --> 00:26:34,560 Speaker 2: that movie was phenomenal. 627 00:26:34,920 --> 00:26:38,199 Speaker 8: Thank you. Exciting. It was good to have you. Oh no, 628 00:26:38,240 --> 00:26:38,840 Speaker 8: I appreciate it. 629 00:26:38,880 --> 00:26:42,280 Speaker 2: And you guys working together as friends on this new album, 630 00:26:42,359 --> 00:26:45,359 Speaker 2: this new project, and I feel like just the energy 631 00:26:45,400 --> 00:26:48,600 Speaker 2: that you have together. It was definitely like a diary. Yeah, 632 00:26:49,240 --> 00:26:50,520 Speaker 2: it's definitely like a diary. 633 00:26:51,119 --> 00:26:52,920 Speaker 11: She's the only person that I would ever want to 634 00:26:52,960 --> 00:26:54,240 Speaker 11: talk to any of these things about. 635 00:26:54,440 --> 00:26:56,040 Speaker 10: And it was a nice belief for me because I 636 00:26:56,080 --> 00:26:58,160 Speaker 10: was like, Wow, it's not often that I work with 637 00:26:58,200 --> 00:26:58,760 Speaker 10: somebody as. 638 00:26:58,720 --> 00:27:01,399 Speaker 8: A song that I know so well. 639 00:27:01,440 --> 00:27:03,720 Speaker 10: It's usually like, Okay, I gotta get a little bit 640 00:27:03,720 --> 00:27:06,080 Speaker 10: of info from you to try to do something real. 641 00:27:06,200 --> 00:27:09,200 Speaker 8: But this one is was not nice relief. 642 00:27:09,160 --> 00:27:12,359 Speaker 2: It's just kiky. So this is three acts. So the 643 00:27:12,359 --> 00:27:14,920 Speaker 2: beginning is kind of the you know in. 644 00:27:14,920 --> 00:27:19,280 Speaker 11: Love, Yeah, I remember we were talking about that. Starting 645 00:27:19,280 --> 00:27:21,040 Speaker 11: it out with offscript. It kind of starts with that 646 00:27:21,119 --> 00:27:23,960 Speaker 11: nostalgic like record scratch of you know, how did I 647 00:27:24,000 --> 00:27:24,400 Speaker 11: get here? 648 00:27:24,560 --> 00:27:27,960 Speaker 8: It transports you into the beginning. It's like one twenty five. 649 00:27:28,040 --> 00:27:31,119 Speaker 11: That's the beginning of the second act of you know, 650 00:27:31,200 --> 00:27:33,320 Speaker 11: falling in love and what that felt like, and then 651 00:27:33,359 --> 00:27:36,160 Speaker 11: we find our way to Confessions, you know, and where 652 00:27:36,200 --> 00:27:38,960 Speaker 11: things kind of take a turn or the energy has changed, 653 00:27:39,280 --> 00:27:40,920 Speaker 11: and then we get to the to the final act 654 00:27:40,920 --> 00:27:45,040 Speaker 11: where it's like closure is personal and singular in this regard. 655 00:27:45,400 --> 00:27:47,920 Speaker 11: But then knowing like that there's always going to be 656 00:27:47,960 --> 00:27:50,040 Speaker 11: a continuation because you know, we have our child together, 657 00:27:50,080 --> 00:27:52,000 Speaker 11: you know, and in terms of that too, also like 658 00:27:52,080 --> 00:27:56,080 Speaker 11: continuation in my life of just knowing that sometimes things 659 00:27:56,119 --> 00:27:58,359 Speaker 11: are are not like a clean cut, you know, and 660 00:27:58,400 --> 00:27:59,760 Speaker 11: how do I how do I move forward? 661 00:27:59,800 --> 00:28:02,560 Speaker 8: Now knowing like maturing through that. Yeah. 662 00:28:02,880 --> 00:28:06,399 Speaker 2: Now, when you put out Confessions, that was a everybody 663 00:28:07,240 --> 00:28:10,040 Speaker 2: because when I tell you the different layers that you 664 00:28:10,080 --> 00:28:11,360 Speaker 2: could look at from that. 665 00:28:11,760 --> 00:28:14,760 Speaker 8: Yes, of course. I mean that's why we used the confessions. 666 00:28:14,800 --> 00:28:16,679 Speaker 11: I mean when she was in there with it was me, 667 00:28:16,800 --> 00:28:18,719 Speaker 11: her and Cam and we're working on it, and they 668 00:28:18,720 --> 00:28:20,399 Speaker 11: were like, Taylor's like, we need to talk about and 669 00:28:20,440 --> 00:28:21,840 Speaker 11: I'm like, what you need to tell talking about the 670 00:28:21,960 --> 00:28:24,040 Speaker 11: night and talk about it when you talk about the situation, 671 00:28:24,119 --> 00:28:26,440 Speaker 11: I'm like, oh, she could get you to do that too, 672 00:28:26,720 --> 00:28:28,360 Speaker 11: only she could get me to do that. 673 00:28:28,440 --> 00:28:30,960 Speaker 8: We got it, and we decide the confession. 674 00:28:32,440 --> 00:28:34,359 Speaker 10: It was just it was right there coming. It was 675 00:28:34,480 --> 00:28:36,800 Speaker 10: naturally coming with that, and so then you're like, oh, okay, 676 00:28:37,000 --> 00:28:40,160 Speaker 10: we got the confession. The situation happened with up. Okay, 677 00:28:40,240 --> 00:28:42,160 Speaker 10: is there a moment that we're confession something that they 678 00:28:42,160 --> 00:28:42,840 Speaker 10: don't know about? 679 00:28:43,600 --> 00:28:44,840 Speaker 8: I mean it's pretty obvious. 680 00:28:44,960 --> 00:28:45,160 Speaker 3: Yeah. 681 00:28:45,200 --> 00:28:46,960 Speaker 11: And that's also I feel like we have moments of 682 00:28:47,400 --> 00:28:50,040 Speaker 11: levity of satire where if you're really listening, you'll get 683 00:28:50,040 --> 00:28:52,560 Speaker 11: into some of the comedy and the humor that I 684 00:28:52,600 --> 00:28:54,800 Speaker 11: think has to be in my music because that's my personality, 685 00:28:54,800 --> 00:28:56,600 Speaker 11: that's the tone in which I do anything. So like, 686 00:28:56,640 --> 00:28:59,040 Speaker 11: even if I'm going to do confessions, you're gonna get 687 00:28:59,040 --> 00:29:01,040 Speaker 11: a chuckle on the fact that it d. She really 688 00:29:01,040 --> 00:29:03,200 Speaker 11: did confessions, and she really confessed. 689 00:29:03,240 --> 00:29:05,240 Speaker 6: You are not the person anybody should want to break 690 00:29:05,280 --> 00:29:05,480 Speaker 6: up with. 691 00:29:08,520 --> 00:29:11,840 Speaker 11: I mean, honestly, anytime anybody's with an artist of any kind, 692 00:29:11,880 --> 00:29:13,960 Speaker 11: you can need to get a movie about you, a 693 00:29:14,000 --> 00:29:16,840 Speaker 11: book about you, an album about you. 694 00:29:16,840 --> 00:29:18,040 Speaker 8: You know, if you were a part of my life 695 00:29:18,040 --> 00:29:19,000 Speaker 8: and you meant something. 696 00:29:19,440 --> 00:29:21,560 Speaker 2: Well, we got all the above because we got an album. 697 00:29:21,600 --> 00:29:25,320 Speaker 2: We gotta visuals to go along with. Kiki Palmer and 698 00:29:25,360 --> 00:29:27,680 Speaker 2: Tailor Parks are here. We're talking about the project Just 699 00:29:27,800 --> 00:29:30,560 Speaker 2: Kiki that is out today. It is highly personal, so 700 00:29:30,600 --> 00:29:32,560 Speaker 2: we're gonna get highly personal. We got more when we 701 00:29:32,560 --> 00:29:33,880 Speaker 2: come back. It's way yeah. 702 00:29:34,640 --> 00:29:35,720 Speaker 3: You want to know my name? 703 00:29:36,040 --> 00:29:37,200 Speaker 1: Way up with Angela ye? 704 00:29:38,920 --> 00:29:40,960 Speaker 3: What's up? Its way up with Angela yee. 705 00:29:41,200 --> 00:29:42,280 Speaker 6: And you know what time it is. 706 00:29:42,320 --> 00:29:44,760 Speaker 2: We got Kiki Palmer and Taylor Parks in the building 707 00:29:44,760 --> 00:29:48,160 Speaker 2: today talking about the new project Just Kiki that's out today. 708 00:29:48,280 --> 00:29:50,720 Speaker 2: People really thought too, because they watch you and they're like, 709 00:29:50,720 --> 00:29:51,720 Speaker 2: are they getting back together? 710 00:29:51,840 --> 00:29:53,360 Speaker 8: They spent this holida da da da da dad. 711 00:29:53,400 --> 00:29:56,480 Speaker 2: Yeah, And they don't want you to like because I 712 00:29:56,520 --> 00:29:59,160 Speaker 2: do feel like your audiences, your fans, people that grow, 713 00:29:59,240 --> 00:30:01,480 Speaker 2: they're very protective voting you and that has to be 714 00:30:01,520 --> 00:30:02,840 Speaker 2: hard for him to deal with too. 715 00:30:02,920 --> 00:30:06,440 Speaker 8: At the same time, yeah, I mean, but y'all, oh well, no, 716 00:30:06,560 --> 00:30:08,160 Speaker 8: I mean, if you make your bed, you gotta lay 717 00:30:08,160 --> 00:30:10,240 Speaker 8: in it, right. You got to own whatever you've done. 718 00:30:10,320 --> 00:30:12,680 Speaker 11: And obviously, at the end of the day, I appreciate 719 00:30:12,720 --> 00:30:15,120 Speaker 11: the love of the support from my fans and hopefully 720 00:30:15,280 --> 00:30:16,920 Speaker 11: no one understand what I do and I don't condone. 721 00:30:16,920 --> 00:30:18,400 Speaker 11: That's why I had to move away. I was moving, 722 00:30:18,480 --> 00:30:20,320 Speaker 11: you know, and make the decisions that I made. But 723 00:30:20,680 --> 00:30:22,560 Speaker 11: at the end of the day, I'm a forgiving person. 724 00:30:22,640 --> 00:30:24,800 Speaker 11: If you if I can move forward in terms of 725 00:30:25,240 --> 00:30:26,400 Speaker 11: the betterment for my son. 726 00:30:26,800 --> 00:30:28,560 Speaker 8: You know, we're family. We're always going to be family. 727 00:30:28,680 --> 00:30:30,560 Speaker 11: I would love for it to remain positive for my 728 00:30:30,600 --> 00:30:32,160 Speaker 11: son so that we can support him and so it 729 00:30:32,240 --> 00:30:34,080 Speaker 11: isn't weird that family things or you know, he can 730 00:30:34,160 --> 00:30:35,920 Speaker 11: have both his parents on Christmas and it can be 731 00:30:35,960 --> 00:30:36,760 Speaker 11: something positive. 732 00:30:36,880 --> 00:30:37,040 Speaker 3: You know. 733 00:30:37,320 --> 00:30:38,840 Speaker 8: Yeah, that's what the hope would be. 734 00:30:39,080 --> 00:30:42,440 Speaker 2: What about how he's going to receive this and his family, 735 00:30:42,480 --> 00:30:46,200 Speaker 2: because this is like you bearing your tooth, bearing your soul, 736 00:30:46,280 --> 00:30:48,440 Speaker 2: telling things from your point of view, and have you 737 00:30:48,480 --> 00:30:49,400 Speaker 2: given him a heads up? 738 00:30:49,440 --> 00:30:50,400 Speaker 6: Has he heard any of this. 739 00:30:50,680 --> 00:30:52,200 Speaker 8: You know, I didn't really think too much about it 740 00:30:52,240 --> 00:30:54,160 Speaker 8: about the family or anything like that. I didn't used 741 00:30:54,160 --> 00:30:56,040 Speaker 8: to like them his own family. 742 00:30:56,160 --> 00:31:02,000 Speaker 11: Like we mentioned that, we mentioned that, like me, that's fine, 743 00:31:02,800 --> 00:31:04,280 Speaker 11: But when did you get back on that? 744 00:31:05,360 --> 00:31:06,920 Speaker 8: Because what holler at me? 745 00:31:07,760 --> 00:31:13,000 Speaker 11: I lived that when that was girl, you know, just 746 00:31:13,040 --> 00:31:15,160 Speaker 11: a little tidbits, but yeah, I felt. 747 00:31:14,840 --> 00:31:16,520 Speaker 8: Like it is what it is. This is my work. 748 00:31:16,920 --> 00:31:18,200 Speaker 8: This is my work. You know what I'm saying. 749 00:31:18,200 --> 00:31:19,840 Speaker 11: Do I come through your cubicle with jail you what 750 00:31:20,000 --> 00:31:22,200 Speaker 11: to put on your That's what it would be like. 751 00:31:22,400 --> 00:31:24,240 Speaker 8: People don't see it that way, but this is this 752 00:31:24,320 --> 00:31:26,080 Speaker 8: is mine over here. You want to do an album, 753 00:31:26,120 --> 00:31:26,560 Speaker 8: do your own. 754 00:31:26,720 --> 00:31:28,680 Speaker 11: And I played it for him obviously, you know, out 755 00:31:28,720 --> 00:31:32,120 Speaker 11: of respect. We got a yeah, like I did, but 756 00:31:32,160 --> 00:31:33,960 Speaker 11: he he liked it. I mean, look, I don't know 757 00:31:34,000 --> 00:31:35,440 Speaker 11: what he did when he first heard it fall. I 758 00:31:35,440 --> 00:31:37,680 Speaker 11: know he could have been like but when he talked 759 00:31:37,680 --> 00:31:40,640 Speaker 11: to me, he said, I'm happy for you and it's 760 00:31:40,680 --> 00:31:41,680 Speaker 11: a really great album. 761 00:31:41,840 --> 00:31:44,480 Speaker 2: Right now, I am talking to Kicky Palmer. Her project 762 00:31:44,560 --> 00:31:47,280 Speaker 2: Just Kiki is out alongside Taylor Parks. It was also 763 00:31:47,400 --> 00:31:49,800 Speaker 2: the co writer on the project and Kiki's best friend, 764 00:31:50,000 --> 00:31:52,200 Speaker 2: which was the one that you were like, I'm a 765 00:31:52,240 --> 00:31:52,920 Speaker 2: little like. 766 00:31:52,880 --> 00:31:54,480 Speaker 11: The ones that I thought, Okay, yeah, I felt like, 767 00:31:54,520 --> 00:31:56,560 Speaker 11: I mean, obviously confession, I was like, could be triggering, 768 00:32:01,960 --> 00:32:04,440 Speaker 11: you know, you know what I'm saying. 769 00:32:04,480 --> 00:32:08,080 Speaker 8: There was a couple of moments and misunderstood with the 770 00:32:08,120 --> 00:32:09,320 Speaker 8: sting reverend like. 771 00:32:10,760 --> 00:32:17,040 Speaker 11: Goes to ways but you know I live exactly. But yeah, 772 00:32:17,080 --> 00:32:18,200 Speaker 11: there was a couple of moments at the end of the. 773 00:32:18,280 --> 00:32:21,600 Speaker 8: Like I said, it's the truth, you know what I mean, It's. 774 00:32:21,480 --> 00:32:24,280 Speaker 6: Real, but unless it's you, it's truthful too. 775 00:32:25,880 --> 00:32:29,360 Speaker 2: There's also that because it feels like on this album, 776 00:32:29,640 --> 00:32:32,240 Speaker 2: even though it's over, and it also feels like you 777 00:32:32,280 --> 00:32:34,080 Speaker 2: don't want it to be over. 778 00:32:34,560 --> 00:32:35,200 Speaker 8: It's a morning. 779 00:32:35,520 --> 00:32:37,400 Speaker 11: It's a quote in the visual album where I say, 780 00:32:37,400 --> 00:32:39,200 Speaker 11: how do you mourn to love that will never die 781 00:32:39,640 --> 00:32:42,080 Speaker 11: yet and still will never be the same again? And 782 00:32:42,080 --> 00:32:47,160 Speaker 11: that's like nobody has a kid gets married for Chune end, 783 00:32:47,880 --> 00:32:48,800 Speaker 11: Nobody you. 784 00:32:48,720 --> 00:32:50,520 Speaker 2: Know what they say. I'd rather have loved and lost 785 00:32:50,520 --> 00:32:51,640 Speaker 2: than never have loved it all. 786 00:32:52,360 --> 00:32:52,800 Speaker 8: Always. 787 00:32:53,240 --> 00:32:55,440 Speaker 6: Normally when we come back, we would have last word. 788 00:32:55,520 --> 00:32:58,600 Speaker 2: But because Kiki Palmer Day is today and she's here 789 00:32:58,680 --> 00:33:00,760 Speaker 2: in Taylor Practice here who all so co wrote her 790 00:33:00,760 --> 00:33:02,920 Speaker 2: project just Kiki that's out today. 791 00:33:02,960 --> 00:33:04,160 Speaker 6: We're gonna have some more with them. 792 00:33:04,280 --> 00:33:08,120 Speaker 8: It's way up this yeah, yea more way up with Angela. 793 00:33:08,800 --> 00:33:12,680 Speaker 4: Now what's up his? 794 00:33:12,800 --> 00:33:13,720 Speaker 3: Way up with Angela? 795 00:33:13,800 --> 00:33:13,960 Speaker 4: Ye. 796 00:33:14,040 --> 00:33:15,160 Speaker 3: Now, normally we would be. 797 00:33:15,120 --> 00:33:18,760 Speaker 2: Doing last word here, but instead we're gonna let Kiki 798 00:33:18,800 --> 00:33:20,960 Speaker 2: Palmer and Taylor Parks have the last word for y'all. 799 00:33:21,080 --> 00:33:23,360 Speaker 6: Just Kiki is out today, you know, and just one 800 00:33:23,400 --> 00:33:23,959 Speaker 6: of them days too. 801 00:33:24,000 --> 00:33:24,520 Speaker 8: How can I not? 802 00:33:24,680 --> 00:33:27,160 Speaker 2: We gotta like get into that. So when does that start? 803 00:33:27,240 --> 00:33:28,560 Speaker 2: Do we have a scuript what's Oh? 804 00:33:28,640 --> 00:33:30,960 Speaker 11: Yeah, there, we're gonna script right now. We have like 805 00:33:31,040 --> 00:33:32,880 Speaker 11: a you know, idea, faked idea. 806 00:33:32,960 --> 00:33:33,480 Speaker 8: What is gonna be? 807 00:33:33,520 --> 00:33:35,280 Speaker 11: And I mean it's probably gonna film as early as 808 00:33:35,280 --> 00:33:37,400 Speaker 11: next year. I mean they're moving so fast. 809 00:33:37,600 --> 00:33:40,040 Speaker 2: I love seeing you in this role also as a host, 810 00:33:40,360 --> 00:33:42,160 Speaker 2: And there's there's been a couple of times when people 811 00:33:42,240 --> 00:33:44,480 Speaker 2: have not liked some of the the choices that you made. 812 00:33:44,640 --> 00:33:46,000 Speaker 6: So what was that like for you to. 813 00:33:46,000 --> 00:33:50,680 Speaker 11: See that podcast particularly or like, just like with the podcast, 814 00:33:50,880 --> 00:33:53,040 Speaker 11: you know, it was tough because I do think you know, 815 00:33:53,080 --> 00:33:54,880 Speaker 11: when I'm doing the podcast, I want to come from 816 00:33:54,920 --> 00:33:58,240 Speaker 11: an unbiased place and I want to have guests on 817 00:33:58,280 --> 00:34:00,719 Speaker 11: that yeah, even if they may be contraver virtual like, 818 00:34:00,880 --> 00:34:02,200 Speaker 11: I want to hear what they have to say because 819 00:34:02,200 --> 00:34:04,240 Speaker 11: I think that's what the audience would want, we would 820 00:34:04,240 --> 00:34:06,440 Speaker 11: want to know and be able to hopefully as an interview, 821 00:34:06,560 --> 00:34:08,560 Speaker 11: I'm asking the questions that you want to know that 822 00:34:08,640 --> 00:34:11,080 Speaker 11: make you feel that the interview was worth having. But 823 00:34:11,200 --> 00:34:14,240 Speaker 11: at the same time, I am a personality to people, 824 00:34:14,280 --> 00:34:17,880 Speaker 11: and I'm an entertainer to people, and that sometimes they 825 00:34:17,920 --> 00:34:20,759 Speaker 11: don't necessarily think the same way about when they're looking 826 00:34:20,800 --> 00:34:22,239 Speaker 11: at me doing my interviews. 827 00:34:22,400 --> 00:34:25,040 Speaker 2: Right now, I am talking to Kecky Parmer. Her project 828 00:34:25,120 --> 00:34:27,840 Speaker 2: Just Kiki is out alongside Taylor Parks. He was also 829 00:34:27,960 --> 00:34:30,319 Speaker 2: the co writer on the project and Kiki's best friend 830 00:34:30,560 --> 00:34:33,080 Speaker 2: specifically obviously with the Jonathan Majors. When you think you 831 00:34:33,120 --> 00:34:35,239 Speaker 2: would put that out further on down the line or. 832 00:34:35,400 --> 00:34:36,920 Speaker 11: I would be open to it, I mean, for me, 833 00:34:37,000 --> 00:34:39,080 Speaker 11: it was it was a you know, it's not just me, 834 00:34:39,239 --> 00:34:41,480 Speaker 11: I have partners, and so it was it was then 835 00:34:41,840 --> 00:34:46,040 Speaker 11: you know, suggested or decided that without throwing anybody on 836 00:34:46,040 --> 00:34:48,080 Speaker 11: the bus, that we shouldn't put it out. You know, 837 00:34:48,080 --> 00:34:50,239 Speaker 11: But I love Megan and I'm happy for her, and 838 00:34:50,280 --> 00:34:52,960 Speaker 11: you know, I support her, and when the interview came 839 00:34:53,040 --> 00:34:54,480 Speaker 11: up he was interviewing. 840 00:34:54,040 --> 00:34:55,759 Speaker 8: I felt like, hey, he did a lot of he 841 00:34:56,080 --> 00:34:57,279 Speaker 8: did a lot of interviews. That's why I was like, 842 00:34:57,280 --> 00:34:57,759 Speaker 8: well let's talk. 843 00:34:57,920 --> 00:34:59,760 Speaker 2: You know, I would say for some reason, you in particular, 844 00:34:59,840 --> 00:35:01,799 Speaker 2: were the one that people was upset about. 845 00:35:02,800 --> 00:35:04,920 Speaker 10: Yeah, that's the way that I think that people are like, no, 846 00:35:05,080 --> 00:35:09,960 Speaker 10: my girl, keep it. It's like she's literally doing And 847 00:35:09,960 --> 00:35:10,319 Speaker 10: it's like. 848 00:35:10,360 --> 00:35:13,040 Speaker 11: Just because you're interviewing somebody and you agree with everything, 849 00:35:13,040 --> 00:35:15,319 Speaker 11: you know, it doesn't mean that. It just means I'm 850 00:35:15,360 --> 00:35:18,680 Speaker 11: interviewing someone and you know, this is a conversation and 851 00:35:18,680 --> 00:35:20,600 Speaker 11: that there could be some questions that the audience wants 852 00:35:20,600 --> 00:35:23,399 Speaker 11: to know that I'm willing to ask. But if we don't, hey, 853 00:35:23,400 --> 00:35:25,000 Speaker 11: if it's not gonna hit you and ain't gonna land, 854 00:35:25,000 --> 00:35:25,640 Speaker 11: and what's the point. 855 00:35:26,080 --> 00:35:28,799 Speaker 10: You know, you can't interview everybody who just only has 856 00:35:28,920 --> 00:35:31,000 Speaker 10: your views. 857 00:35:30,680 --> 00:35:32,680 Speaker 8: That's weird. 858 00:35:31,880 --> 00:35:33,640 Speaker 3: That exactly. 859 00:35:39,520 --> 00:35:44,799 Speaker 11: That fock like depending on you know, that's the thing 860 00:35:44,880 --> 00:35:47,759 Speaker 11: is like you, that is the reason why you sometimes 861 00:35:47,800 --> 00:35:49,680 Speaker 11: have And again I'm not trying to say these are 862 00:35:49,680 --> 00:35:52,239 Speaker 11: my thoughts about Jonathan in particular, but I'm just saying 863 00:35:52,280 --> 00:35:54,600 Speaker 11: that is why you have all kinds of people on 864 00:35:55,040 --> 00:35:56,400 Speaker 11: your shows because. 865 00:35:57,800 --> 00:36:01,920 Speaker 2: From somebodyetive right and so yeah that is so weak. Well, 866 00:36:01,960 --> 00:36:04,320 Speaker 2: I can't wait to see where you're headed to next. 867 00:36:04,400 --> 00:36:05,520 Speaker 2: Are you ready to date again? 868 00:36:06,000 --> 00:36:08,640 Speaker 8: I mean I'm open. I'm not like it's just me 869 00:36:08,800 --> 00:36:12,200 Speaker 8: and my son type of bobs. 870 00:36:12,320 --> 00:36:14,520 Speaker 11: I'm like, you know, I'm working. We outside, we seeing 871 00:36:14,520 --> 00:36:16,440 Speaker 11: what's good. But you know, my priorities are in order. 872 00:36:16,480 --> 00:36:18,319 Speaker 11: I'm worried about this job and I'm worried about my 873 00:36:18,360 --> 00:36:20,279 Speaker 11: baby and my family. As long as they good, we 874 00:36:20,280 --> 00:36:22,920 Speaker 11: can step outside for a bit coming home and a 875 00:36:22,960 --> 00:36:24,960 Speaker 11: few step outside. 876 00:36:24,960 --> 00:36:27,799 Speaker 8: I love it. I'm for Chicago them know. 877 00:36:30,880 --> 00:36:32,560 Speaker 6: All right, Well, both of you, thank you so much. 878 00:36:32,560 --> 00:36:36,520 Speaker 2: The album is out today, so make sure you get 879 00:36:36,560 --> 00:36:42,680 Speaker 2: it girl, and you are gonna love the visual. So 880 00:36:42,960 --> 00:36:46,279 Speaker 2: take a look at that. Just phenomenal job. Well done. 881 00:36:46,360 --> 00:36:48,600 Speaker 2: We see why you are who you are. Thank you 882 00:36:48,640 --> 00:36:51,560 Speaker 2: so much, Thank you, Thanks for having us, Thank y'all 883 00:36:51,600 --> 00:36:54,319 Speaker 2: so much for joining us. Happy Friday again. You can 884 00:36:54,360 --> 00:36:56,840 Speaker 2: watch that full interview with Kiky Palmer and Taylor Parks 885 00:36:56,840 --> 00:37:00,279 Speaker 2: and my YouTube channel Way up with you and yeah, 886 00:37:00,440 --> 00:37:00,879 Speaker 2: be safe. 887 00:37:00,920 --> 00:37:02,839 Speaker 6: I'm headed to Detroit. So if you see me, say 888 00:37:02,840 --> 00:37:03,279 Speaker 6: what I've done