1
00:00:00,200 --> 00:00:03,440
Speaker 1: Now here's a highlight from Coast to Coast AM on

2
00:00:03,560 --> 00:00:06,840
Speaker 1: iHeart Radio and welcome back to Coast to Coast George

3
00:00:06,880 --> 00:00:09,800
Speaker 1: Nori with you along with our guest Keith clad Let's

4
00:00:09,800 --> 00:00:12,800
Speaker 1: talk more about that open and shut case that was

5
00:00:12,840 --> 00:00:16,160
Speaker 1: not so open and shut, the murder suicide. So police

6
00:00:16,200 --> 00:00:19,680
Speaker 1: still aren't invest I've kind of like dropped the case. Huh. Yeah. So,

7
00:00:19,840 --> 00:00:24,560
Speaker 1: like I was saying, they're a billion dollar family back

8
00:00:24,600 --> 00:00:27,400
Speaker 1: in the twenties, when a penny meant something. So when

9
00:00:27,480 --> 00:00:32,600
Speaker 1: that took place within twenty four hours, that whole story

10
00:00:32,640 --> 00:00:35,360
Speaker 1: about the murder was put under the rug. Never talked

11
00:00:35,400 --> 00:00:38,720
Speaker 1: about again. The newspapers never printed anything after that. They

12
00:00:38,760 --> 00:00:41,120
Speaker 1: had that much clout, huh, that much claus all money,

13
00:00:41,159 --> 00:00:43,320
Speaker 1: all about money for sure. How'd they make their money?

14
00:00:43,360 --> 00:00:46,839
Speaker 1: By the way, oil oil, all right, Yeah, Edward Doheny

15
00:00:46,840 --> 00:00:48,680
Speaker 1: came and he found he was the first one fine

16
00:00:48,720 --> 00:00:52,320
Speaker 1: oil in Los Angeles, went down to Mexico, to Tampico, Mexico,

17
00:00:52,760 --> 00:00:56,160
Speaker 1: made his fortune down there and then was a billionaire

18
00:00:56,200 --> 00:01:00,279
Speaker 1: by them. Geez, yeah, was there name brand name company

19
00:01:00,360 --> 00:01:03,080
Speaker 1: that we'd all know, well, no, I mean he was

20
00:01:04,560 --> 00:01:09,840
Speaker 1: I'm not sure. What if there's a gas stations or whatever.

21
00:01:09,880 --> 00:01:12,759
Speaker 1: I know that there are other people like Harry Sinclair

22
00:01:13,280 --> 00:01:15,800
Speaker 1: has Sinclair Oil, which is now Arco. But as far

23
00:01:15,880 --> 00:01:19,200
Speaker 1: as this family, they just sold their product to whomever.

24
00:01:19,400 --> 00:01:22,200
Speaker 1: And all right, I get it. Let's talk about some

25
00:01:22,240 --> 00:01:24,800
Speaker 1: of the ghost stories emitting from that mansion. Tell us

26
00:01:24,840 --> 00:01:27,600
Speaker 1: about the story of the city worker. What happened there? Okay,

27
00:01:27,920 --> 00:01:32,200
Speaker 1: this is nuts. And I talked to him today. Oddly enough,

28
00:01:32,240 --> 00:01:34,119
Speaker 1: he drove up to I was here at Graytone. He's

29
00:01:34,160 --> 00:01:37,080
Speaker 1: still around that still. Oddly enough, he's still actually showed

30
00:01:37,160 --> 00:01:41,120
Speaker 1: up here. And his story is he works for the

31
00:01:41,160 --> 00:01:43,640
Speaker 1: city and one of his jobs when he first started

32
00:01:43,680 --> 00:01:48,720
Speaker 1: working was on rodeo in Beverly Hills. They do for

33
00:01:48,840 --> 00:01:51,960
Speaker 1: the holidays. They do one night and they have workers

34
00:01:52,000 --> 00:01:54,320
Speaker 1: come in and they replace all the flowers of like

35
00:01:54,440 --> 00:01:56,560
Speaker 1: points set he is and stuff. I've seen that. I've

36
00:01:56,600 --> 00:01:59,080
Speaker 1: seen that. Yeah, So the next morning everybody comes and goes,

37
00:01:59,080 --> 00:02:01,720
Speaker 1: oh my god, it's holiday time, which is great. But

38
00:02:01,840 --> 00:02:04,840
Speaker 1: he worked until like two thirty at night, from from

39
00:02:04,880 --> 00:02:07,280
Speaker 1: the morning into the night. Was exhausted. Said, I'll go

40
00:02:07,360 --> 00:02:10,840
Speaker 1: up to my office, which was a trailer here at

41
00:02:11,200 --> 00:02:14,639
Speaker 1: Graystone down at the southern end of this property. He

42
00:02:14,680 --> 00:02:18,400
Speaker 1: comes in two thirty at night dark, goes into his

43
00:02:18,600 --> 00:02:22,680
Speaker 1: office inside this trailer, sits down to close his eyes,

44
00:02:23,280 --> 00:02:27,720
Speaker 1: and he hears three loud knocks on the front door.

45
00:02:28,680 --> 00:02:32,400
Speaker 1: Now that might be scary if you're at home at

46
00:02:32,400 --> 00:02:36,680
Speaker 1: your house, but think about being at this property by yourself.

47
00:02:36,919 --> 00:02:39,639
Speaker 1: He hears the knox and he's like, who is at

48
00:02:39,639 --> 00:02:42,360
Speaker 1: the front door? If I open it and somebody hacks

49
00:02:42,440 --> 00:02:46,000
Speaker 1: me up, nobody's gonna know because nobody knows about Graystone,

50
00:02:45,919 --> 00:02:48,880
Speaker 1: yea or some skeleton at the door or something. But

51
00:02:49,000 --> 00:02:51,520
Speaker 1: that's what. So he knows what where he's at. He

52
00:02:51,560 --> 00:02:53,880
Speaker 1: knows how the property is. He didn't know it was

53
00:02:53,919 --> 00:02:57,240
Speaker 1: really haunted though. So he goes up. He creeps up

54
00:02:57,280 --> 00:02:59,480
Speaker 1: to the to the window that's right by the door,

55
00:03:00,000 --> 00:03:03,200
Speaker 1: and he sees a glow coming from the outside of

56
00:03:03,240 --> 00:03:06,200
Speaker 1: this window and he's like, what is that. He gets

57
00:03:06,520 --> 00:03:09,800
Speaker 1: and creep just a little bit, opens up the blinds

58
00:03:10,320 --> 00:03:13,880
Speaker 1: and what he sees and we talked about it today

59
00:03:13,960 --> 00:03:18,400
Speaker 1: and he was tripping out again today. What he sees, George,

60
00:03:18,960 --> 00:03:25,639
Speaker 1: is a stagecoach. It's a stage coach that's lit up.

61
00:03:26,080 --> 00:03:28,400
Speaker 1: He said it looked like almost like an avatar where

62
00:03:28,400 --> 00:03:31,320
Speaker 1: they had kind of the purple white light and avatar

63
00:03:31,360 --> 00:03:35,040
Speaker 1: of the movie. He said it was like translucent, and

64
00:03:35,120 --> 00:03:38,880
Speaker 1: it was a stagecoach with four lights on the top.

65
00:03:39,360 --> 00:03:41,720
Speaker 1: He could see the wood on the side look like

66
00:03:41,800 --> 00:03:46,119
Speaker 1: old barnwood. There were reins that came off the stagecoach

67
00:03:46,480 --> 00:03:51,560
Speaker 1: onto a horse, and he's looking at this. Imagine what

68
00:03:51,680 --> 00:03:54,400
Speaker 1: you would what's going through your mind? Oh? Yeah? And

69
00:03:54,640 --> 00:03:56,920
Speaker 1: he's like, what am I? What is going on here?

70
00:03:57,160 --> 00:04:00,280
Speaker 1: And the horse takes off and pulls the stage coach

71
00:04:00,360 --> 00:04:02,960
Speaker 1: away from his trailer and goes up the hill toward

72
00:04:03,040 --> 00:04:06,040
Speaker 1: the Gatehouse, which is the lower building down here in

73
00:04:06,080 --> 00:04:08,680
Speaker 1: the south end, and makes a turn and then just

74
00:04:08,760 --> 00:04:12,400
Speaker 1: dissipates and disappears away. That's a great story. Is that crazy?

75
00:04:12,880 --> 00:04:18,080
Speaker 1: Does he seem bothered by it? Yes? And to this day. Yeah,

76
00:04:18,080 --> 00:04:19,680
Speaker 1: he came up to me and he starts telling me

77
00:04:19,720 --> 00:04:23,000
Speaker 1: the story again, and he shows me his arms with goosebumps,

78
00:04:23,360 --> 00:04:26,160
Speaker 1: and he said it was like ghost Writer, the movie

79
00:04:26,240 --> 00:04:28,880
Speaker 1: ghost Writer had the same kind of feel. And look,

80
00:04:30,200 --> 00:04:33,239
Speaker 1: tell me about Emily. What's Emily got to do with this?

81
00:04:33,240 --> 00:04:37,120
Speaker 1: This is crazy. So I'm in the mansion. There's a

82
00:04:37,240 --> 00:04:39,160
Speaker 1: movie crew that's in there because they're getting ready to

83
00:04:39,200 --> 00:04:42,680
Speaker 1: shoot a series in there, and this woman who's with

84
00:04:42,880 --> 00:04:45,479
Speaker 1: that group, I see her break away from the group

85
00:04:45,480 --> 00:04:47,520
Speaker 1: and she comes toward me with her eyes wide open.

86
00:04:47,560 --> 00:04:50,320
Speaker 1: I'm going, oh, something happened to her. So she comes

87
00:04:50,360 --> 00:04:52,280
Speaker 1: towards me and she goes, can I talk to you

88
00:04:52,279 --> 00:04:55,320
Speaker 1: a minute? And I go, yeah, sure, and she says,

89
00:04:55,960 --> 00:04:59,360
Speaker 1: is this place you know? I go no, I don't know.

90
00:05:00,120 --> 00:05:02,240
Speaker 1: I don't know what you're saying. I want them to

91
00:05:02,240 --> 00:05:04,560
Speaker 1: tell me the story. I don't want to lead them anyway.

92
00:05:05,120 --> 00:05:08,760
Speaker 1: And she's like, it is it haunted? And I said,

93
00:05:08,800 --> 00:05:11,400
Speaker 1: why do you ask? And she says to me, ever

94
00:05:11,480 --> 00:05:13,960
Speaker 1: since she was a little girl, she could see here,

95
00:05:14,160 --> 00:05:18,920
Speaker 1: feel sense spirits that right exactly. And she said when

96
00:05:18,920 --> 00:05:21,560
Speaker 1: she turned fifteen, she shut it down. She couldn't take

97
00:05:21,600 --> 00:05:24,680
Speaker 1: it anymore. She said. But when I came into this

98
00:05:24,720 --> 00:05:28,080
Speaker 1: mansion and I'm standing with the crew, I looked over

99
00:05:28,480 --> 00:05:30,839
Speaker 1: and this little girl runs up to me and says,

100
00:05:31,200 --> 00:05:33,760
Speaker 1: my name is Emily. It's Emily, my name is Emily.

101
00:05:33,960 --> 00:05:37,120
Speaker 1: And she's looking at this little girl like and looks

102
00:05:37,160 --> 00:05:40,039
Speaker 1: at the crew. They're not responding, and she's like, my god,

103
00:05:40,080 --> 00:05:43,920
Speaker 1: it's happening again. She walks around the corner and looks

104
00:05:43,920 --> 00:05:45,760
Speaker 1: at the little girl and says, Okay, your name's Emily.

105
00:05:45,800 --> 00:05:47,760
Speaker 1: But don't do this to me. Please, don't do this

106
00:05:47,839 --> 00:05:50,520
Speaker 1: to me. So she says, So my question is is

107
00:05:50,560 --> 00:05:53,920
Speaker 1: this mansion haunted? And I said yes. She said, did

108
00:05:53,960 --> 00:05:57,320
Speaker 1: a little girl die here? And I said, yes, what's

109
00:05:57,360 --> 00:05:59,960
Speaker 1: her name? Emily? I said, we don't know. She goes

110
00:06:00,160 --> 00:06:05,400
Speaker 1: it's Emily. Were able to verify that, well, we've I've

111
00:06:05,440 --> 00:06:09,000
Speaker 1: gone through with the forensics guy from Beverly Hills, went

112
00:06:09,040 --> 00:06:12,120
Speaker 1: downtown and we're still trying to find remember if she

113
00:06:12,320 --> 00:06:15,440
Speaker 1: died here, the family covered it up right as they

114
00:06:15,480 --> 00:06:18,560
Speaker 1: covered up so many things, you bet. So we're still looking.

115
00:06:18,640 --> 00:06:21,840
Speaker 1: But I know she's been seeing George. She has been

116
00:06:21,880 --> 00:06:26,719
Speaker 1: seen in the house probably five times, literally seen running away.

117
00:06:26,760 --> 00:06:28,400
Speaker 1: One of the rangers went up to the front door

118
00:06:28,400 --> 00:06:31,479
Speaker 1: one morning, looked in there, and there she was, and

119
00:06:31,600 --> 00:06:34,159
Speaker 1: she ran away from him, and he went inside, looked

120
00:06:34,160 --> 00:06:36,920
Speaker 1: around the corner and went, oh my god, there's nobody there,

121
00:06:37,120 --> 00:06:39,880
Speaker 1: and then we knew Emily's in the house. Are there

122
00:06:39,880 --> 00:06:44,599
Speaker 1: any more Dohanes around? No, the immediate family, I think

123
00:06:44,600 --> 00:06:49,719
Speaker 1: it was. Patrick was the last surviving son of Ned

124
00:06:50,040 --> 00:06:53,400
Speaker 1: and he died I think at ninety three, probably six

125
00:06:53,480 --> 00:06:57,560
Speaker 1: or seven years ago. And how did they disperse the mansion?

126
00:06:57,600 --> 00:07:01,599
Speaker 1: Did they sell it or what happened? Yeah? So Ned's wife,

127
00:07:01,680 --> 00:07:04,640
Speaker 1: Lucy Doheny, stayed in the mansion until nineteen fifty five

128
00:07:05,279 --> 00:07:08,719
Speaker 1: and then she sold it all all the children had gone.

129
00:07:08,800 --> 00:07:12,640
Speaker 1: She sold it to Henry Crown, who built who was

130
00:07:12,680 --> 00:07:15,920
Speaker 1: part of the Empire State Building. He bought it and

131
00:07:16,040 --> 00:07:19,320
Speaker 1: he held onto it. They thought he might move in,

132
00:07:19,640 --> 00:07:22,400
Speaker 1: but I think his wife put the kabash on that one,

133
00:07:22,880 --> 00:07:26,080
Speaker 1: and he was out of Chicago. So he stayed and

134
00:07:26,360 --> 00:07:29,240
Speaker 1: kept all his dealings in Chicago, and he held onto

135
00:07:29,320 --> 00:07:31,760
Speaker 1: it for ten years and had people come they could

136
00:07:31,800 --> 00:07:34,280
Speaker 1: film here, and used it for filming, and eventually the

137
00:07:34,320 --> 00:07:37,760
Speaker 1: city bought it in sixty five. They've got some huge

138
00:07:37,800 --> 00:07:41,600
Speaker 1: properties and prominent names in that city, don't they. My god, George,

139
00:07:42,320 --> 00:07:47,160
Speaker 1: two doors down is Ozzy Osbourne's house? Remember his show? Oh? Yeah, absolutely,

140
00:07:47,280 --> 00:07:50,200
Speaker 1: I know his son, I know his son real well okay, yeah,

141
00:07:50,200 --> 00:07:52,520
Speaker 1: it's two doors down from here. So all right, what

142
00:07:52,600 --> 00:07:56,480
Speaker 1: about the strange story of Ranger Steve? Okay, are you

143
00:07:56,520 --> 00:08:00,200
Speaker 1: ready for this? This is senior Ranger Steve Clark, one

144
00:08:00,200 --> 00:08:03,960
Speaker 1: of my best friends and we were having a design show,

145
00:08:04,680 --> 00:08:07,400
Speaker 1: and so designers would come in, they choose a room,

146
00:08:07,640 --> 00:08:10,440
Speaker 1: they put up all their designs and try to have

147
00:08:10,560 --> 00:08:12,840
Speaker 1: people come in and they would go through the rooms

148
00:08:12,840 --> 00:08:14,600
Speaker 1: and see if they want to purchase things or have

149
00:08:14,720 --> 00:08:18,080
Speaker 1: them design their homes. So Steve would come here early

150
00:08:18,480 --> 00:08:21,680
Speaker 1: open up the mansion to get it ready for the day.

151
00:08:22,160 --> 00:08:24,760
Speaker 1: And he comes into the mansion. He's walking through the

152
00:08:24,800 --> 00:08:28,960
Speaker 1: grand hall, turning on the lights, and in the card room,

153
00:08:29,000 --> 00:08:30,920
Speaker 1: which is straight ahead when you walk in through the

154
00:08:30,960 --> 00:08:35,720
Speaker 1: grand entry. The card room it was the designer was

155
00:08:35,800 --> 00:08:38,440
Speaker 1: Lisa Turner, and she was designing it. It was for

156
00:08:38,760 --> 00:08:42,200
Speaker 1: Titans of the Business and she was designing it for

157
00:08:42,280 --> 00:08:46,280
Speaker 1: Stevie Wonder and so she had all these motifs in it.

158
00:08:46,280 --> 00:08:50,280
Speaker 1: They were really beautiful. And in between these doors she

159
00:08:50,400 --> 00:08:54,240
Speaker 1: had these statues and they were like probably six three

160
00:08:54,400 --> 00:08:58,920
Speaker 1: six four tall, heavy three hundred pound statues that had

161
00:09:00,800 --> 00:09:03,880
Speaker 1: like a leather face and off that there were women.

162
00:09:04,040 --> 00:09:07,439
Speaker 1: Off that leather face that came down to the chest

163
00:09:07,520 --> 00:09:11,400
Speaker 1: were strings with heavy rocks hollowed out that made it

164
00:09:11,440 --> 00:09:14,720
Speaker 1: look like a dress. So he's walking through the mansion

165
00:09:14,960 --> 00:09:18,200
Speaker 1: turning on the lights and he looks over as he

166
00:09:18,280 --> 00:09:23,240
Speaker 1: turns on the lights, and this one statue moves toward

167
00:09:23,400 --> 00:09:28,040
Speaker 1: him about a foot foot and a half scoots toward him.

168
00:09:28,160 --> 00:09:31,600
Speaker 1: These are three to four hundred pounds. It took like

169
00:09:31,760 --> 00:09:35,800
Speaker 1: six guys to move them in and moves towards Steve

170
00:09:36,559 --> 00:09:39,440
Speaker 1: and he stares at it and he told me, he said,

171
00:09:39,880 --> 00:09:43,040
Speaker 1: you just moved, because it's really hard to fathom when

172
00:09:43,040 --> 00:09:45,320
Speaker 1: you're by yourself and you're in a mansion. Was early morning,

173
00:09:45,400 --> 00:09:49,280
Speaker 1: was dark, and this thing moved toward him. When Lisa

174
00:09:49,360 --> 00:09:52,800
Speaker 1: Turner showed up during the day, she was upset because

175
00:09:52,800 --> 00:09:56,880
Speaker 1: she said, who moved the statue? And Steve said, got

176
00:09:56,880 --> 00:10:00,840
Speaker 1: to tell you, it moved by itself. That's really true.

177
00:10:00,880 --> 00:10:03,240
Speaker 1: The creepy meat Locker's story was that the maid who

178
00:10:03,280 --> 00:10:06,719
Speaker 1: killed herself in there. Yeah. So what happened was that

179
00:10:06,800 --> 00:10:10,000
Speaker 1: I was taking this woman Lose, who was a ranger,

180
00:10:10,040 --> 00:10:13,840
Speaker 1: an X ranger from a long time ago. She decided

181
00:10:13,880 --> 00:10:15,560
Speaker 1: to come here to meet me here, and I was

182
00:10:15,559 --> 00:10:18,600
Speaker 1: going to walk her through this mansion to get her

183
00:10:18,720 --> 00:10:22,200
Speaker 1: ideas of what happened to her of the paranormal. She

184
00:10:22,280 --> 00:10:25,120
Speaker 1: has the gift she can feel, she can sense, so

185
00:10:25,200 --> 00:10:27,680
Speaker 1: she had eighteen stories that are in the book that

186
00:10:27,720 --> 00:10:31,559
Speaker 1: are like off the charts. So when I walked her through,

187
00:10:32,120 --> 00:10:35,520
Speaker 1: we were upstairs, in the kitchen, upstairs, and she said

188
00:10:35,559 --> 00:10:38,400
Speaker 1: to me, whenever I was in here, Cleet. I was in,

189
00:10:39,280 --> 00:10:41,319
Speaker 1: I go check the kitchen, make sure everything's locked and

190
00:10:41,360 --> 00:10:45,000
Speaker 1: everything's okay. And I keep hearing this pounding and I

191
00:10:45,040 --> 00:10:48,760
Speaker 1: couldn't figure out where the pounding was coming from. So

192
00:10:48,800 --> 00:10:51,120
Speaker 1: I'd walk out of the kitchen, look down the hallway,

193
00:10:51,440 --> 00:10:54,839
Speaker 1: hunt couldn't hear where it was coming from. And then

194
00:10:54,840 --> 00:10:58,160
Speaker 1: the next day, same thing, same. She goes, Finally, one

195
00:10:58,240 --> 00:11:00,680
Speaker 1: day I found out it was coming from this door.

196
00:11:00,720 --> 00:11:03,760
Speaker 1: She shows me. I said, well, you know what that is, right,

197
00:11:03,800 --> 00:11:06,959
Speaker 1: She goes, well, it's the meat locker. I said, what

198
00:11:07,240 --> 00:11:11,600
Speaker 1: happened in the meat locker and she said no. I said,

199
00:11:12,000 --> 00:11:15,200
Speaker 1: a woman slid her wrists there. And she just stared

200
00:11:15,240 --> 00:11:17,959
Speaker 1: at me and went, oh, oh my god, she was

201
00:11:18,000 --> 00:11:20,920
Speaker 1: trying to get out, and that's what she heard is

202
00:11:20,960 --> 00:11:24,800
Speaker 1: the pounding from inside the meat locker. Wow. Yeah, yeah,

203
00:11:25,080 --> 00:11:28,480
Speaker 1: creepy indeed. Yeah. How about the strange story of Ranger Mike,

204
00:11:28,559 --> 00:11:30,760
Speaker 1: A lot of Ranger stories out. Yeah, with the Ranger,

205
00:11:30,840 --> 00:11:33,200
Speaker 1: there are a lot of Ranger stories because the rangers

206
00:11:33,240 --> 00:11:36,720
Speaker 1: have access to the mansion and were one. I was one.

207
00:11:37,280 --> 00:11:40,760
Speaker 1: I didn't want access, but I had asked. So Ranger

208
00:11:40,840 --> 00:11:45,640
Speaker 1: Mike shows up design show again. He opens the door.

209
00:11:46,040 --> 00:11:48,200
Speaker 1: It's the end of the day. He comes in through

210
00:11:48,200 --> 00:11:52,040
Speaker 1: the servants entrance and he's checking to make sure everything's

211
00:11:52,080 --> 00:11:54,559
Speaker 1: locked up for the night. He walks over by this

212
00:11:54,760 --> 00:11:57,120
Speaker 1: stairwell that goes up to the second floor and he

213
00:11:57,200 --> 00:12:02,000
Speaker 1: glances over and there's this little boy looking through the

214
00:12:02,840 --> 00:12:05,520
Speaker 1: railing of the stairway staring at him, and he's like,

215
00:12:06,160 --> 00:12:08,920
Speaker 1: how did this kid get? Oh? My god, I got.

216
00:12:09,080 --> 00:12:11,560
Speaker 1: He was afraid that Steve Ranger Steve, who was his boss,

217
00:12:11,640 --> 00:12:13,319
Speaker 1: was going to get upset with him because he let

218
00:12:13,400 --> 00:12:16,640
Speaker 1: people in the house during the design show. So he

219
00:12:16,679 --> 00:12:19,840
Speaker 1: says hey, and the kid turns and runs and he

220
00:12:19,920 --> 00:12:22,840
Speaker 1: goes up through the servants wing on the second floor.

221
00:12:23,400 --> 00:12:26,959
Speaker 1: He runs after him, pursues the child. The kid goes

222
00:12:27,000 --> 00:12:30,360
Speaker 1: around the corner. Mike loses him and comes out and says, hey,

223
00:12:31,000 --> 00:12:33,600
Speaker 1: come on out, tell me where are your parents. You've

224
00:12:33,600 --> 00:12:35,800
Speaker 1: got to come out. You can't be inside the house.

225
00:12:35,920 --> 00:12:40,120
Speaker 1: He's looking, he's looking, and there is no child. And

226
00:12:40,840 --> 00:12:44,760
Speaker 1: to top it off, during that design show. There was

227
00:12:44,880 --> 00:12:49,640
Speaker 1: a room that we used for all historic purposes, for photos,

228
00:12:49,679 --> 00:12:51,760
Speaker 1: for dishes and things. You could see what used to

229
00:12:51,800 --> 00:12:54,000
Speaker 1: be in the home. And he calls him, says, clea,

230
00:12:54,080 --> 00:12:57,040
Speaker 1: come here, come here, what's going on? Come here, takes

231
00:12:57,040 --> 00:13:00,840
Speaker 1: me into this room, goes up to a photo and says,

232
00:13:01,320 --> 00:13:06,520
Speaker 1: there's the kid right there. I love these things. It's

233
00:13:06,400 --> 00:13:08,840
Speaker 1: just crazy. These are great stories. Yeah, it's it's and

234
00:13:08,920 --> 00:13:13,640
Speaker 1: it's all all real. There's a message room in this house. Yeah,

235
00:13:13,640 --> 00:13:17,120
Speaker 1: the massage room. You're talking about massage room, okay, and

236
00:13:17,200 --> 00:13:21,480
Speaker 1: the massage room. This is crazy. You remember Lose Lose

237
00:13:21,640 --> 00:13:24,520
Speaker 1: was it was a ranger. She told me the story

238
00:13:25,080 --> 00:13:28,559
Speaker 1: that she they had a movie that had come in

239
00:13:29,080 --> 00:13:32,280
Speaker 1: they shot in the house and in that massage room

240
00:13:32,920 --> 00:13:35,800
Speaker 1: somebody spilled something and staying this white carpet that was

241
00:13:35,840 --> 00:13:38,200
Speaker 1: in there. So she was like, oh my god, I

242
00:13:38,240 --> 00:13:40,480
Speaker 1: gotta have a company come back and clean this. Clean

243
00:13:40,520 --> 00:13:43,439
Speaker 1: it up if you can, geez can, right, So it's

244
00:13:43,440 --> 00:13:46,240
Speaker 1: a it's a white carpet. So this guy shows up,

245
00:13:46,559 --> 00:13:48,680
Speaker 1: he's got his cleaning bucket in the whole thing, and

246
00:13:48,679 --> 00:13:51,000
Speaker 1: she goes, you got this has to come out. So

247
00:13:51,080 --> 00:13:54,319
Speaker 1: he starts in scrubbing it. She stands her watching him.

248
00:13:54,440 --> 00:13:56,720
Speaker 1: Then she walks into the room next to her, which

249
00:13:56,760 --> 00:14:00,960
Speaker 1: is missus Doheni's room. She's walking around. She comes back

250
00:14:01,000 --> 00:14:03,360
Speaker 1: into the massage room to see how he's doing. He

251
00:14:03,520 --> 00:14:08,400
Speaker 1: is frozen. He stopped cleaning. He is staring at Loose

252
00:14:08,920 --> 00:14:11,160
Speaker 1: walking into the room, and she's looking at him, like,

253
00:14:11,480 --> 00:14:15,400
Speaker 1: why aren't you cleaning? And he looks back over to

254
00:14:15,520 --> 00:14:18,760
Speaker 1: the door that enters the massage room, and there is

255
00:14:18,840 --> 00:14:23,440
Speaker 1: a woman standing in that doorway in a white dress,

256
00:14:23,760 --> 00:14:26,280
Speaker 1: and you can see right through her into the hallway,

257
00:14:26,920 --> 00:14:30,440
Speaker 1: and he's staring. She looks up. The woman looks up

258
00:14:30,480 --> 00:14:33,800
Speaker 1: from the guy over to Lose, sees she's there the ranger,

259
00:14:34,160 --> 00:14:39,360
Speaker 1: and just dissipates and goes away and Lose. The guy goes, hey, man,

260
00:14:40,400 --> 00:14:42,920
Speaker 1: is this good enough? And she goes, nope, clean it.

261
00:14:43,240 --> 00:14:46,880
Speaker 1: And she made him stay there and clean the rug,

262
00:14:46,920 --> 00:14:49,120
Speaker 1: and then the guy ran out. He was he was frozen,

263
00:14:49,320 --> 00:14:52,560
Speaker 1: wasn't he? He was done? He had just shut down.

264
00:14:53,440 --> 00:14:57,280
Speaker 1: Yet these things continue to happen. So something is still

265
00:14:57,320 --> 00:15:00,640
Speaker 1: hanging around there. Oh yeah, I mean, honestly, George, And

266
00:15:00,680 --> 00:15:03,120
Speaker 1: you'll see in January there are a lot of things

267
00:15:03,360 --> 00:15:06,440
Speaker 1: still happening all all in all parts of the place.

268
00:15:06,640 --> 00:15:10,360
Speaker 1: In the recreation wing which has the bowling alley, what

269
00:15:10,560 --> 00:15:13,280
Speaker 1: did you ever see there will be blood? Yes, okay,

270
00:15:13,320 --> 00:15:14,880
Speaker 1: remember that at the end the bowling alle at the

271
00:15:14,960 --> 00:15:17,880
Speaker 1: end yep, Yeah, where were there? That was the that

272
00:15:17,960 --> 00:15:22,000
Speaker 1: was shot there where where he killed him with the

273
00:15:22,040 --> 00:15:25,120
Speaker 1: bowling ball, crushed town exactly, Daniel day Lewis. So that

274
00:15:25,160 --> 00:15:26,880
Speaker 1: was a great movie, by the way, really good. And

275
00:15:26,920 --> 00:15:30,040
Speaker 1: they shot quite a few scenes here and and uh,

276
00:15:30,320 --> 00:15:34,040
Speaker 1: and there's there's activity there. There's activity in a lot

277
00:15:34,080 --> 00:15:36,880
Speaker 1: of renovation brings activity, which is what is happening now.

278
00:15:36,920 --> 00:15:40,960
Speaker 1: We we renovated the theater, we're renovating the library, and

279
00:15:41,160 --> 00:15:44,240
Speaker 1: boy I have there are so many stories that came

280
00:15:44,240 --> 00:15:47,240
Speaker 1: out from that from the contractors who were coming up

281
00:15:47,240 --> 00:15:49,920
Speaker 1: to me going what is going on in this place.

282
00:15:50,320 --> 00:15:53,560
Speaker 1: Listen to more Coast to Coast AM every weeknight at

283
00:15:53,600 --> 00:15:56,520
Speaker 1: one am Eastern and go to Coast to Coast am

284
00:15:56,600 --> 00:15:57,640
Speaker 1: dot com for more