WEBVTT - Dianna Agron Week (Part 1)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 3>Welcome to and That's what you really miss podcast.

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<v Speaker 1>Oh it's a big.

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<v Speaker 2>One, the most request or most requested.

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<v Speaker 1>Yes, we heard it.

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<v Speaker 4>We couldn't on here, We couldn't none hear it, we

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<v Speaker 4>couldn't ignore it.

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<v Speaker 2>We I mean, we also agreed.

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<v Speaker 1>Quinn Fibre herself is here. Diana Agron, the.

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<v Speaker 4>Whimsical fairy angel Unicorn herself, Diana Agron is here.

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<v Speaker 2>And to make it even better, not that she's here,

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<v Speaker 2>she's really here. This is Diana week on and that's

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<v Speaker 2>what you really missed. We have part one for you

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<v Speaker 2>today and then on Thursday at seven am Eastern time,

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<v Speaker 2>we have part two coming. We really could have talked

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<v Speaker 2>all day, I mean, but we got into all of it,

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<v Speaker 2>and we've talked about everything.

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<v Speaker 3>There was just too much to not give you more.

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<v Speaker 1>So here it is.

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<v Speaker 3>Let's get into part one.

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<v Speaker 4>Oh yes, he love beauty, stunning.

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<v Speaker 1>Oh my gosh, welcome. Look at your faces. Nothing has changed.

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<v Speaker 1>I'd like to include myself in that.

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<v Speaker 2>Yes, I saw Diana a couple months ago in Paris,

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<v Speaker 2>and there was a moment of that time. Stent together,

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<v Speaker 2>just being like, do we look the same? I'm like,

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<v Speaker 2>you look the same for sure.

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<v Speaker 1>Hi, Lady d what an honor and a pleasure.

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<v Speaker 4>We're so happy to have you. Congrats on your collab.

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<v Speaker 2>Did you just sound like a clothing collaboration?

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<v Speaker 1>I just I just love collaboration. In all four I

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<v Speaker 1>did I did over the past year. It was so fun.

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<v Speaker 1>My friends have this excellent clothing and.

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<v Speaker 5>Company, and I love clothes, so I got to step

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<v Speaker 5>into their world and do that together.

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<v Speaker 2>I feel it could be so good at that you

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<v Speaker 2>have like excellent taste and beautiful.

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<v Speaker 5>You say that, and I wish I could show you

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<v Speaker 5>a photo album and you remember you.

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<v Speaker 1>Were there of some of the insane things I used

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<v Speaker 1>to wear.

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<v Speaker 2>Yeah, but you know what, you have to try those

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<v Speaker 2>things out. You got to take risks, swing big. You're

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<v Speaker 2>not going to get them all uh huh.

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<v Speaker 4>But the Queen of the dresses would show up like

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<v Speaker 4>to set where I'd be in like sweatpants and a

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<v Speaker 4>graphic tea, and Diana would show up in like a

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<v Speaker 4>beautiful floral printed dress at seven in the morning, and like,

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<v Speaker 4>how does she do it?

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<v Speaker 1>Maybe she will?

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<v Speaker 2>Wait, Yes, that's fair. The power of clothing.

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<v Speaker 4>Yeah, yeah, yeah, Okay, Well, we're so grateful to have

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<v Speaker 4>you here. It's so good to see you in the

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<v Speaker 4>flash here. I am I Diana and I got on

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<v Speaker 4>the phone. When was that like a month ago?

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<v Speaker 1>Yeah, it was so nice.

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<v Speaker 4>It's been so long, but it's always so nice because

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<v Speaker 4>everybody just picks up where.

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<v Speaker 1>We left off. Oh yeah, do you feel that? What's

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<v Speaker 1>the joy of it? Kevin and I walking down the street.

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<v Speaker 1>I wish our phone call.

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<v Speaker 5>I wish you could have just pulled me through the

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<v Speaker 5>phone and I could have been standing in front of you.

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<v Speaker 5>Very doyful to be with heaven walking the streets, pretty

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<v Speaker 5>pump set memories.

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<v Speaker 1>But I agree, it does feel.

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<v Speaker 5>Every single time like no time has passed, And I

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<v Speaker 5>think that just speaks to the depth of our friendships

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<v Speaker 5>and our life experience together.

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<v Speaker 2>Yes, we we were talking about because we've had lots

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<v Speaker 2>of crew members on the show as well, and how

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<v Speaker 2>they obviously, you know, see a lot more sets than

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<v Speaker 2>we do. They've worked a lot more in this business

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<v Speaker 2>that we work periodically, and the fact that they even

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<v Speaker 2>have that same feeling that we do. You see anybody

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<v Speaker 2>from the crew at any point and it feels like

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<v Speaker 2>nothing has changed and how that speaks to the like

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<v Speaker 2>you just said, the depth and not just the cast,

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<v Speaker 2>but everybody that worked on that show, which I think

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<v Speaker 2>is just really special.

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<v Speaker 5>Yeah.

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<v Speaker 1>I mean we were we weren't working ten months of

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<v Speaker 1>the year on set.

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<v Speaker 4>Yeah, and then together hours very nuch great every month

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<v Speaker 4>of the year.

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<v Speaker 2>Yeah.

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<v Speaker 5>And then every month of the year together whether it

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<v Speaker 5>was on set or on the road.

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<v Speaker 1>Yeah.

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<v Speaker 5>Like, as I said that, I just had a flashback

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<v Speaker 5>to Australia.

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<v Speaker 2>Oh my god, oh my. I talked about you the

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<v Speaker 2>other day to my mom and her friend because her

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<v Speaker 2>friend was saying that, you know, they went to Australia

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<v Speaker 2>and do you know there are penguins in Australia. And

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<v Speaker 2>I'm like, actually, I do know there are pinguins in

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<v Speaker 2>Australia because and Diana got on a bus.

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<v Speaker 5>I got on a bus to see those baby penguins.

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<v Speaker 5>It must have been because it was when we were

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<v Speaker 5>in Melbourne. Yes, and I mean it was kind of

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<v Speaker 5>an insane excursion.

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<v Speaker 2>Yes, that's why we all didn't go.

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<v Speaker 1>Well, we're tired. You had just flown over to Australia.

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<v Speaker 3>Diana like we must do something.

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<v Speaker 4>She's like, should we go to New Zealand and I

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<v Speaker 4>was like, I think that's a little too far. She's like,

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<v Speaker 4>but should we see the penguins? And I was like, Diana,

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<v Speaker 4>I think I'm really tired and I think I'm gonna

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<v Speaker 4>go lay down. She was like, I think I'm gonna

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<v Speaker 4>go on this bus.

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<v Speaker 2>She was like already back by the time we woke up.

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<v Speaker 5>Oh, that trip was magnificent and really before we knew

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<v Speaker 5>the scale of what was to become.

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<v Speaker 2>Do you remember returning back and it was like everything

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<v Speaker 2>had changed, Like that was like our last moment of

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<v Speaker 2>you know, like somewhat normalcy.

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<v Speaker 5>Yeah, and definitely uncertainty because we've shot pilot at that

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<v Speaker 5>point seven or eight months before.

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<v Speaker 1>We shop the pilot in what October of that?

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<v Speaker 5>Yeah, yes, And then that was May, so the pilot

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<v Speaker 5>had broadcast of the American Idol and then we had

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<v Speaker 5>gone to Australia on our break and then we knew

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<v Speaker 5>the official.

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<v Speaker 1>Pickup and that we were filming in the fall. Yeah. Wild.

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<v Speaker 4>The craziest cart was through, you know, the time between

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<v Speaker 4>the pilot airing, shooting, filming the pilot right and then

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<v Speaker 4>it airing and actually going into season one, we didn't

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<v Speaker 4>really film with you in the pilot, we spent time with.

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<v Speaker 2>You, time a tiny bit of and I remember.

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<v Speaker 1>It so vividly.

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<v Speaker 4>It feels like longer and more time during the pilot,

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<v Speaker 4>but it was it was a fraction, and you came

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<v Speaker 4>on so late to the pilot.

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<v Speaker 3>I think that we have just right. So what remind

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<v Speaker 3>us what that process was like for you?

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<v Speaker 1>Because it was so fast, it was so fast.

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<v Speaker 5>I I had read the pilot and was going in

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<v Speaker 5>for Robert, and I went and I say, because you know,

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<v Speaker 5>the instruction was singing eight bars of a song, trying

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<v Speaker 5>that might be a non typical song. And I had

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<v Speaker 5>just recently for my birthday been at the Dresden in

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<v Speaker 5>Los Angeles and gotten up. It's like such a jazz

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<v Speaker 5>place and which Laane rip there's wonderful performers in community

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<v Speaker 5>organizers at Svential place in Los Angeles.

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<v Speaker 1>And for some reason, one of my friends it was

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<v Speaker 1>my birthday and they were like, I don't know, Frank Sinultra,

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<v Speaker 1>that feels right for this joint.

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<v Speaker 5>And it's like, I guess I'm going to sing fly

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<v Speaker 5>Me to the Moon. Because also I you guys could

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<v Speaker 5>speak to this. It's very rare that I know the

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<v Speaker 5>lyrics of a song. I know the melody to a tea.

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<v Speaker 5>I hear melody before I hear lyrics, ye saying that,

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<v Speaker 5>and then that ended up being what I sang for

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<v Speaker 5>Robert because I just thought, oh well, I just did

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<v Speaker 5>this in front of people at the dress end and

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<v Speaker 5>I had to come back two days later, and they

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<v Speaker 5>said and I was already out in another audition, driving

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<v Speaker 5>across town.

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<v Speaker 1>I think it was in Santa Monica.

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<v Speaker 2>Always it's always Santa Monica.

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<v Speaker 5>Oh way, well, Samonica because it's far away from wherever

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<v Speaker 5>you live, you know, Last Journey and I the instruction was,

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<v Speaker 5>we're something a little sexier and can you straighten your hair?

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<v Speaker 6>Like oh no, and uh, and so I go again

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<v Speaker 6>and then they tell me on you're gonna go screen

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<v Speaker 6>test or test yeah, And I showed up on the

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<v Speaker 6>Fox lot.

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<v Speaker 5>I was terribly early because I was so nervous that

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<v Speaker 5>I didn't want to run the risk of doing anything.

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<v Speaker 5>And then I walked in and they have me sign

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<v Speaker 5>my paperwork and I tested for two.

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<v Speaker 1>Other shows before that, so I kind of like new

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<v Speaker 1>the drill.

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<v Speaker 5>She's like okay, and then we're gonna go in for

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<v Speaker 5>the executives and there's gonna be other people and maybe

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<v Speaker 5>they're gonna be in the hallway.

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<v Speaker 1>Maybe I'm gonna look at them, maybe not, and then

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<v Speaker 1>we'll see. And after I signed my paperwork, Cassie was like, Okay, great, it's.

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<v Speaker 5>Yours and you're gonna go to set and do you

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<v Speaker 5>want to see footage from the show.

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<v Speaker 1>And I'm stunned at this point, because what do you

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<v Speaker 1>mean I have to go read for somebody that this

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<v Speaker 1>isn't how it goes.

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<v Speaker 5>And I walked into that office and it was Corey

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<v Speaker 5>singing to that bar of soap in the shower, and

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<v Speaker 5>I had goosebums over my whole body, and I just thought,

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<v Speaker 5>is going to be phenomenal.

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<v Speaker 1>And if this goes.

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<v Speaker 5>To air, this is exactly what I wanted. Because, by

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<v Speaker 5>the way, I mean similar to you guys at music

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<v Speaker 5>and musical theater was my huge passion. And so when

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<v Speaker 5>I'm home to Los Angeles, I told anyone who would.

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<v Speaker 1>Listen to me, oh, I'm really looking for a musical.

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<v Speaker 1>They're like, great, go to New York.

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<v Speaker 5>It's just like my families in San Francisco, and I

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<v Speaker 5>really like to drive home and see my mom sometimes.

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<v Speaker 5>So I'm going to try it in Los Angeles, and

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<v Speaker 5>it's going to be a film or a TV show.

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<v Speaker 1>I'm sure of it. And then cut to this and

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<v Speaker 1>then I remember being on.

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<v Speaker 5>Set and Naia and I because Heather wasn't present yet,

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<v Speaker 5>that round out the Holy Trinity. And I remember seeing

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<v Speaker 5>you guys coming from rehearsal and oh.

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<v Speaker 1>You just looked so cool.

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<v Speaker 5>You were like this cool, you were so bonded, and

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<v Speaker 5>I remember being so nervous and offering some weird quick hello,

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<v Speaker 5>this is why I'm so excited. They all like word

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<v Speaker 5>vomiting all over you, and then you guys had to

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<v Speaker 5>go off like you were being pulled at.

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<v Speaker 2>What was that?

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<v Speaker 1>Was that in Long Beach? Where was that?

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<v Speaker 2>Yes, well I remember that, Yeah, but we were yeah,

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<v Speaker 2>it was some other because we weren't like situated how

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<v Speaker 2>we when the show got picked up. Yeah, in my memory,

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<v Speaker 2>it's like where base camp was and everything was in

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<v Speaker 2>a different place, like that was the only time it

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<v Speaker 2>was there. And I remember you coming over and being

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<v Speaker 2>so nice, and we did just have like a fleeting

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<v Speaker 2>like hell, and we were like, oh, she seems nice

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<v Speaker 2>because we were we had been together for like three

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<v Speaker 2>weeks already. Yeah, and like hanging out and in rehearsal,

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<v Speaker 2>and I also think that's probably was so I don't

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<v Speaker 2>know if intimidating is the right word, but weird, like

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<v Speaker 2>you're joining this thing so last minute.

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<v Speaker 5>It was intimidating as hell, also because I just wanted

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<v Speaker 5>to participate in the fun that you were having. Luckily

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<v Speaker 5>I had Naya, so I wasn't load on an eyeland,

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<v Speaker 5>but I was not We were not in group form,

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<v Speaker 5>and then you know, we kind of the two of

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<v Speaker 5>us were, you know, kind.

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<v Speaker 1>Of guessing how it would go.

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<v Speaker 5>And I think none three lines in the pilot, yep,

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<v Speaker 5>I never anticipated. I had no understanding of where that

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<v Speaker 5>character would go should I was just so happy to

0:12:23.679 --> 0:12:29.640
<v Speaker 5>be there. It was so deeply thrilling, regardless of what happened.

0:12:30.960 --> 0:12:32.880
<v Speaker 2>I do think that's interesting that because you and Naya

0:12:33.040 --> 0:12:36.400
<v Speaker 2>had you both had done a lot of TV before,

0:12:36.920 --> 0:12:39.120
<v Speaker 2>like a fair amount of TV before Glee.

0:12:39.880 --> 0:12:43.680
<v Speaker 5>I mean, Nia, certainly I had done bits and bots

0:12:43.679 --> 0:12:45.120
<v Speaker 5>here and there, But.

0:12:46.640 --> 0:12:47.319
<v Speaker 1>It's a burrd.

0:12:47.559 --> 0:12:52.080
<v Speaker 5>I just I loved my father so much, and he

0:12:52.520 --> 0:12:55.319
<v Speaker 5>was supportive in a different way than my mother. But

0:12:55.440 --> 0:12:58.559
<v Speaker 5>he would say these things that would really make me laugh.

0:12:58.600 --> 0:13:01.720
<v Speaker 5>You would say, oh, I tuned in to Veronica Mars

0:13:02.240 --> 0:13:04.680
<v Speaker 5>very exciting, but where was the rest of your character?

0:13:07.600 --> 0:13:11.640
<v Speaker 1>Character? She had three lines, you know, and it was

0:13:12.600 --> 0:13:14.960
<v Speaker 1>and I was, please just punch, you.

0:13:14.960 --> 0:13:18.320
<v Speaker 5>Know, it's just about and you know, making the steps

0:13:18.320 --> 0:13:23.280
<v Speaker 5>and moved forward. But I was I you know, but

0:13:23.800 --> 0:13:26.679
<v Speaker 5>when I came to that pilot situation, or even as

0:13:26.679 --> 0:13:30.439
<v Speaker 5>we were filming the first couple of episodes, I wouldn't

0:13:30.440 --> 0:13:32.000
<v Speaker 5>say I was comfortable.

0:13:32.880 --> 0:13:38.040
<v Speaker 1>How set. It was still such a new green place

0:13:38.400 --> 0:13:38.680
<v Speaker 1>for me.

0:13:39.160 --> 0:13:43.040
<v Speaker 4>That's so funny because I think like we didn't spend

0:13:43.040 --> 0:13:44.920
<v Speaker 4>a lot of time. I also want to know what

0:13:44.960 --> 0:13:47.480
<v Speaker 4>it was like filming don't stop for you, because it's

0:13:47.520 --> 0:13:49.480
<v Speaker 4>so iconic when you guys step up, But like I

0:13:49.520 --> 0:13:51.080
<v Speaker 4>was curious if you were seen any of it. But

0:13:51.120 --> 0:13:53.720
<v Speaker 4>the other thing is like, it's so funny because at

0:13:53.760 --> 0:13:56.640
<v Speaker 4>first glance, like you were on all these shows, you

0:13:56.679 --> 0:14:00.040
<v Speaker 4>had like this resume that we came from like a

0:14:00.080 --> 0:14:00.960
<v Speaker 4>totally different world.

0:14:01.040 --> 0:14:02.040
<v Speaker 3>Kevin came from music.

0:14:02.120 --> 0:14:02.880
<v Speaker 1>I came from New.

0:14:02.840 --> 0:14:06.080
<v Speaker 4>York and so it felt like at least there was like, oh,

0:14:06.160 --> 0:14:13.960
<v Speaker 4>these people who have been on Hollywood that's she knows, yeah,

0:14:14.400 --> 0:14:16.440
<v Speaker 4>And then you were sort of this far off like

0:14:16.920 --> 0:14:19.240
<v Speaker 4>character that was kind of this enemy to us at

0:14:19.280 --> 0:14:21.960
<v Speaker 4>the beginning, and so initially.

0:14:21.560 --> 0:14:24.080
<v Speaker 1>It was like, oh, she's like she had like a halo,

0:14:24.240 --> 0:14:24.440
<v Speaker 1>you have.

0:14:24.480 --> 0:14:26.760
<v Speaker 4>Like a halo in your head, and like you had

0:14:26.800 --> 0:14:29.760
<v Speaker 4>like done this before, and we're like here we are,

0:14:30.160 --> 0:14:33.920
<v Speaker 4>We're just bab bah buying. But very quickly after that,

0:14:34.000 --> 0:14:37.080
<v Speaker 4>obviously we all melded very quickly, you know.

0:14:37.640 --> 0:14:39.760
<v Speaker 2>Oh quickly obsessed with each other.

0:14:40.040 --> 0:14:42.560
<v Speaker 1>Yeah, yeah, oh.

0:14:42.160 --> 0:14:49.760
<v Speaker 5>I and and I think that the chemistry that we had,

0:14:49.800 --> 0:14:53.160
<v Speaker 5>both on screen and offscreen is such a testament to

0:14:53.200 --> 0:14:54.200
<v Speaker 5>the casting.

0:14:53.800 --> 0:14:54.280
<v Speaker 1>Of the show.

0:14:54.560 --> 0:15:00.280
<v Speaker 5>Yeah, because it really when you look at all bus,

0:15:00.280 --> 0:15:03.160
<v Speaker 5>when I look at the footage of us, we are

0:15:03.200 --> 0:15:05.920
<v Speaker 5>such babies and we are so connected.

0:15:06.200 --> 0:15:10.120
<v Speaker 1>It's Yes, it's really special to revisit.

0:15:10.520 --> 0:15:14.000
<v Speaker 2>I have to say, yeah, you have you watched any

0:15:14.040 --> 0:15:14.600
<v Speaker 2>of it since?

0:15:16.080 --> 0:15:16.200
<v Speaker 5>So?

0:15:17.200 --> 0:15:19.040
<v Speaker 2>I like clips online.

0:15:19.800 --> 0:15:22.320
<v Speaker 5>Well, clips online keep coming back to me in a

0:15:22.320 --> 0:15:25.960
<v Speaker 5>funny way, even you.

0:15:25.920 --> 0:15:29.680
<v Speaker 1>Know, uh, I think there is.

0:15:31.360 --> 0:15:37.880
<v Speaker 5>There's definitely we are consistently in the zeitgeist, and I

0:15:37.920 --> 0:15:41.760
<v Speaker 5>guess that speaks to our show is constantly on whether

0:15:41.840 --> 0:15:46.920
<v Speaker 5>it's you know, Netflix or Amazon Prime or Hulu, or

0:15:47.320 --> 0:15:50.160
<v Speaker 5>people are watching this show in waves.

0:15:50.400 --> 0:15:55.160
<v Speaker 1>There's never somebody that's not watching the show. Then I

0:15:55.200 --> 0:15:59.760
<v Speaker 1>am stopped most days if I'm in a big city

0:16:00.240 --> 0:16:02.600
<v Speaker 1>by somebody. The other day it was this mother.

0:16:02.680 --> 0:16:06.480
<v Speaker 5>I was sitting in washermon like, eating this metal with

0:16:06.520 --> 0:16:08.640
<v Speaker 5>my friend and this woman.

0:16:11.240 --> 0:16:13.040
<v Speaker 1>I don't even know why I have to name an age.

0:16:13.080 --> 0:16:16.600
<v Speaker 1>She was a mother children of a certain age.

0:16:16.800 --> 0:16:19.560
<v Speaker 5>She didn't specify, and she said, I'm rewatching the show

0:16:19.560 --> 0:16:20.480
<v Speaker 5>with my kids and.

0:16:20.440 --> 0:16:23.480
<v Speaker 1>I'm having the best time, and it's so thrilling to

0:16:23.520 --> 0:16:25.480
<v Speaker 1>see you here. And she grabbed my arm, and then

0:16:25.520 --> 0:16:26.880
<v Speaker 1>she grabbed my friend's arms.

0:16:26.960 --> 0:16:31.320
<v Speaker 5>She goes, then you found the most perfect Parishian boyspread.

0:16:31.400 --> 0:16:38.680
<v Speaker 5>And my lovely friend, who's not Parisian at all, lives

0:16:38.680 --> 0:16:41.760
<v Speaker 5>in New York, and he was like, he just found

0:16:41.800 --> 0:16:48.200
<v Speaker 5>it very funny. He goes, I'm Mexican, but I loved

0:16:48.560 --> 0:16:53.000
<v Speaker 5>the fantasy. She saw us in Paris in this moment,

0:16:53.160 --> 0:16:55.480
<v Speaker 5>having this meal at this French cafe.

0:16:55.680 --> 0:16:58.520
<v Speaker 1>It was just like, and look at you. But she

0:16:58.680 --> 0:16:59.640
<v Speaker 1>was so overjoyed.

0:16:59.640 --> 0:17:02.640
<v Speaker 5>And it's always very special to hear that the show

0:17:02.760 --> 0:17:08.080
<v Speaker 5>resonates with people, for sure, but so yes, that feedback

0:17:08.119 --> 0:17:10.320
<v Speaker 5>comes to you in real life, and then footage comes

0:17:10.359 --> 0:17:11.400
<v Speaker 5>to you and the.

0:17:11.480 --> 0:17:17.360
<v Speaker 1>Ent, whether you're tagged in something on Instagram, whether.

0:17:17.200 --> 0:17:19.600
<v Speaker 2>You're looking for it or not, whether you're looking for

0:17:19.680 --> 0:17:19.840
<v Speaker 2>or not.

0:17:19.960 --> 0:17:23.280
<v Speaker 1>My friend, I guess this was two months ago, and

0:17:23.320 --> 0:17:28.080
<v Speaker 1>I was shocked. She goes your dance, you and I

0:17:28.200 --> 0:17:31.919
<v Speaker 1>and Heather singing say a little Prayer is viral on

0:17:31.960 --> 0:17:36.200
<v Speaker 1>TikTok and she showed me it.

0:17:36.040 --> 0:17:40.479
<v Speaker 5>Was all ages, all mixtures of people from all different places,

0:17:40.520 --> 0:17:43.840
<v Speaker 5>and it went on for over a week. Yes, And

0:17:43.880 --> 0:17:46.840
<v Speaker 5>I thought you would think that the show had just

0:17:47.160 --> 0:17:50.080
<v Speaker 5>debuted with how And then I think that.

0:17:51.800 --> 0:17:52.680
<v Speaker 1>Makes sense to me in.

0:17:52.600 --> 0:17:56.199
<v Speaker 5>Some way, as a forty five second clip danced with

0:17:57.560 --> 0:18:03.720
<v Speaker 5>delightfully delicious choreography from Zach that is understandable to people,

0:18:03.920 --> 0:18:08.199
<v Speaker 5>and it's a fun trio, and there it was on

0:18:08.240 --> 0:18:09.080
<v Speaker 5>the internet again.

0:18:09.240 --> 0:18:13.280
<v Speaker 1>Yeah, but you guys are so iconic in that.

0:18:13.480 --> 0:18:18.400
<v Speaker 5>Oh god, I remember the feeling of that so vividly,

0:18:18.520 --> 0:18:24.679
<v Speaker 5>because one again nervous as hell. Two, Ryan was in

0:18:24.720 --> 0:18:28.560
<v Speaker 5>the room with all of this great instruction and you know,

0:18:28.960 --> 0:18:32.200
<v Speaker 5>sitting there in just such a regal way and really

0:18:32.240 --> 0:18:34.720
<v Speaker 5>wanting to deliver for him. And then Nip Tuck was

0:18:34.760 --> 0:18:39.199
<v Speaker 5>still filming, and so they came over and were watching.

0:18:39.200 --> 0:18:42.359
<v Speaker 1>There was just a band operation.

0:18:42.680 --> 0:18:47.400
<v Speaker 5>Rude to him, and I'm just like, oh wow or eyebills,

0:18:47.440 --> 0:18:50.720
<v Speaker 5>A very professional people led to do this thing.

0:18:51.000 --> 0:18:55.000
<v Speaker 1>Yeah, And so I don't remember you guys feeling that.

0:18:55.280 --> 0:18:57.720
<v Speaker 2>I have a picture of Ryan watching the monitor because

0:18:57.760 --> 0:19:00.360
<v Speaker 2>I stayed after it because I was so excited, not

0:19:00.480 --> 0:19:02.399
<v Speaker 2>thinking that more people in the room might make it

0:19:02.440 --> 0:19:07.080
<v Speaker 2>more difficult for them, but I was just so excited

0:19:07.080 --> 0:19:10.320
<v Speaker 2>to see it one because I didn't know you, like,

0:19:10.480 --> 0:19:13.119
<v Speaker 2>we hadn't spent still at that point, like that much time,

0:19:14.000 --> 0:19:17.200
<v Speaker 2>and I wanted to see it. I wanted to see

0:19:17.200 --> 0:19:20.840
<v Speaker 2>everyone perform, and because I knew everyone was so good,

0:19:21.480 --> 0:19:23.840
<v Speaker 2>and I was so excited, like sitting back there and

0:19:23.880 --> 0:19:28.080
<v Speaker 2>watching Ryan's monitor. I mean, I have so many pictures

0:19:28.080 --> 0:19:29.959
<v Speaker 2>of it because it's like, this is the greatest thing

0:19:30.000 --> 0:19:30.720
<v Speaker 2>I've ever seen.

0:19:32.320 --> 0:19:34.600
<v Speaker 5>That was such a fun moment that that's when it

0:19:34.640 --> 0:19:37.119
<v Speaker 5>that's when the show really started feeling real to me.

0:19:38.280 --> 0:19:42.919
<v Speaker 7>Yes, yes, because I really you perform in a musical

0:19:43.000 --> 0:19:47.000
<v Speaker 7>number on our show, you're floating a little bit, and

0:19:47.040 --> 0:19:49.919
<v Speaker 7>then once you're performing in that way, you're in the

0:19:49.960 --> 0:19:52.040
<v Speaker 7>glee club, You're off to the races.

0:19:52.640 --> 0:19:52.840
<v Speaker 8>You know.

0:19:53.800 --> 0:19:59.159
<v Speaker 3>Yes, do you remember when do you remember when you

0:19:59.240 --> 0:19:59.840
<v Speaker 3>found out that.

0:20:00.359 --> 0:20:04.320
<v Speaker 1>You were going to be pregnant in the like did

0:20:04.359 --> 0:20:05.920
<v Speaker 1>you read it? Really?

0:20:06.440 --> 0:20:06.680
<v Speaker 2>One?

0:20:07.119 --> 0:20:09.320
<v Speaker 1>And then it.

0:20:09.160 --> 0:20:14.480
<v Speaker 5>Was Ryan this hilarious and very true to Ryan way

0:20:14.640 --> 0:20:15.159
<v Speaker 5>I think it.

0:20:15.520 --> 0:20:17.720
<v Speaker 1>I think we were filming the second episode and he

0:20:17.840 --> 0:20:18.240
<v Speaker 1>was like.

0:20:18.720 --> 0:20:25.280
<v Speaker 5>Yeah, funny, Quinn's gonna get pregnant in episode and we're

0:20:25.280 --> 0:20:28.160
<v Speaker 5>gonna think it's Fin's baby, but really it's gonna be poxed.

0:20:28.320 --> 0:20:32.200
<v Speaker 5>And then filming that scene in the hot tub with Corey. Yes,

0:20:33.760 --> 0:20:37.040
<v Speaker 5>and that's how we got pregnant.

0:20:38.040 --> 0:20:39.320
<v Speaker 1>That's delicious.

0:20:39.520 --> 0:20:44.040
<v Speaker 5>It was you know, that storytelling was funny, but you

0:20:44.040 --> 0:20:44.560
<v Speaker 5>give them.

0:20:49.080 --> 0:20:49.560
<v Speaker 1>Totally.

0:20:49.880 --> 0:20:54.440
<v Speaker 2>You had that first season. I mean Quinn's entire run

0:20:54.600 --> 0:20:57.399
<v Speaker 2>on the show, you got put through the ringer.

0:20:57.240 --> 0:21:00.200
<v Speaker 1>But like there were a lot of potion.

0:21:01.000 --> 0:21:05.600
<v Speaker 2>Nobody went through as much as Quinn. Nobody's journey was

0:21:05.720 --> 0:21:09.119
<v Speaker 2>quite like yours. Like that first season there was that

0:21:09.240 --> 0:21:12.199
<v Speaker 2>comedy of like, you know, the hot tip scene, you

0:21:12.200 --> 0:21:15.680
<v Speaker 2>were you had to cry in so many episodes. Then

0:21:15.720 --> 0:21:19.159
<v Speaker 2>you're pregnant, you're fighting with people, like what was that?

0:21:19.320 --> 0:21:19.439
<v Speaker 5>Like?

0:21:19.680 --> 0:21:22.360
<v Speaker 2>You knows delicious as an actor.

0:21:23.480 --> 0:21:29.000
<v Speaker 5>Really truly, And I guess I was so delighted, And

0:21:29.040 --> 0:21:32.919
<v Speaker 5>I think this applies to all of our characters. We

0:21:33.040 --> 0:21:37.920
<v Speaker 5>might have started off as something that might have felt

0:21:38.280 --> 0:21:41.480
<v Speaker 5>more like a stereotype of a certain character, and there

0:21:41.520 --> 0:21:46.960
<v Speaker 5>was real vulnerability and exploration of who we all were.

0:21:47.280 --> 0:21:50.520
<v Speaker 1>Nobody stayed the same as they started. You know.

0:21:50.600 --> 0:21:54.920
<v Speaker 5>There was full character arcs, and I think to play

0:21:54.960 --> 0:22:00.479
<v Speaker 5>to her vulnerability, I mean, she just really quit as

0:22:00.480 --> 0:22:03.840
<v Speaker 5>a character, wanted to be loved for who she was,

0:22:04.200 --> 0:22:10.159
<v Speaker 5>not who she represented, and there was so much masking throughout.

0:22:09.280 --> 0:22:12.000
<v Speaker 2>The show all the time, all the.

0:22:12.000 --> 0:22:15.240
<v Speaker 1>Time, but who she was at her core was very

0:22:15.280 --> 0:22:16.760
<v Speaker 1>different than the presentation.

0:22:16.880 --> 0:22:27.639
<v Speaker 2>Yes, some of those scenes with your parents on the

0:22:27.640 --> 0:22:33.800
<v Speaker 2>show were some of my best heaviest scenes with parents

0:22:34.400 --> 0:22:35.320
<v Speaker 2>in the entire show.

0:22:35.680 --> 0:22:36.080
<v Speaker 1>Yeah.

0:22:36.119 --> 0:22:39.919
<v Speaker 5>Wow, we really so many of our characters had really

0:22:40.920 --> 0:22:46.920
<v Speaker 5>emotionally honest, vulnerable, hoard conversations with parents.

0:22:47.160 --> 0:22:52.960
<v Speaker 1>That scene, I remember Brad was directing. Brad Foulchuk was directing.

0:22:52.600 --> 0:22:56.359
<v Speaker 5>That scene where tells me to get out of the house,

0:22:57.160 --> 0:23:01.520
<v Speaker 5>and I was crying so hard that he he had to,

0:23:02.160 --> 0:23:07.320
<v Speaker 5>and also just for me, you know, I think understanding

0:23:07.320 --> 0:23:13.080
<v Speaker 5>how to harness your emotions while performing really rough, raw material,

0:23:13.400 --> 0:23:17.800
<v Speaker 5>there's no to that, and it definitely didn't have that

0:23:18.000 --> 0:23:20.520
<v Speaker 5>in the beginning. So that was the first moment everyone

0:23:20.560 --> 0:23:23.800
<v Speaker 5>sat where I realized, oh, I've I've let it touch

0:23:23.840 --> 0:23:28.240
<v Speaker 5>something so real and honestly, I'm sobbing and snop crying

0:23:28.359 --> 0:23:33.680
<v Speaker 5>and it's unusable and red well, and he said, I'm

0:23:33.840 --> 0:23:37.600
<v Speaker 5>really so proud of you for for giving so much

0:23:37.720 --> 0:23:40.040
<v Speaker 5>this moment we are going to be.

0:23:40.119 --> 0:23:46.560
<v Speaker 1>Pup back like twenty five. Like I can't even understand

0:23:46.600 --> 0:23:47.359
<v Speaker 1>what you're saying.

0:23:47.520 --> 0:23:53.600
<v Speaker 5>I was like, I know, you know, hold on, let

0:23:53.600 --> 0:23:54.160
<v Speaker 5>me start again.

0:23:57.880 --> 0:24:01.480
<v Speaker 1>Just so sad, but that's the truth of it. We

0:24:01.480 --> 0:24:05.640
<v Speaker 1>were so young. We were so young and so young.

0:24:06.840 --> 0:24:11.320
<v Speaker 5>What scenes would you both say were the most difficult

0:24:12.000 --> 0:24:14.480
<v Speaker 5>in that kind of emotional way to film?

0:24:14.520 --> 0:24:15.280
<v Speaker 1>Do you have an answer?

0:24:15.400 --> 0:24:17.000
<v Speaker 8>Do you know? Well?

0:24:18.640 --> 0:24:21.200
<v Speaker 2>So two things I just want to remark on. I

0:24:21.240 --> 0:24:23.239
<v Speaker 2>remember the first time you had to sing, I mean

0:24:23.240 --> 0:24:26.639
<v Speaker 2>you had to cry during keep Holding On. Oh my gosh,

0:24:27.080 --> 0:24:30.600
<v Speaker 2>like musical number and a few full musical number takes

0:24:30.600 --> 0:24:32.400
<v Speaker 2>so long to film, And that was the first time

0:24:32.440 --> 0:24:34.240
<v Speaker 2>I had ever been in a scene with somebody who

0:24:34.240 --> 0:24:38.960
<v Speaker 2>had to cry. Yeah, And I remember being like, oh

0:24:39.040 --> 0:24:41.720
<v Speaker 2>my god, like we're doing very different things on the

0:24:41.760 --> 0:24:45.479
<v Speaker 2>show because like I'm just being a clown and like,

0:24:45.520 --> 0:24:48.640
<v Speaker 2>oh she has to do something like really serious right now,

0:24:48.680 --> 0:24:51.680
<v Speaker 2>and so I had to like learn by your example

0:24:51.800 --> 0:24:54.919
<v Speaker 2>of like how to be during that time off, like

0:24:54.920 --> 0:24:59.800
<v Speaker 2>how to respect your fellow actor when they're trying to

0:25:00.000 --> 0:25:02.280
<v Speaker 2>you know, because we're making jokes, we're laughing in between takes.

0:25:02.480 --> 0:25:05.119
<v Speaker 2>Like no, Dan, it has to like cry for the

0:25:05.160 --> 0:25:08.800
<v Speaker 2>next six hours, so we need to get it together.

0:25:08.960 --> 0:25:12.000
<v Speaker 2>But I think just.

0:25:11.960 --> 0:25:13.200
<v Speaker 1>To speak to that really quickly.

0:25:13.280 --> 0:25:17.320
<v Speaker 5>I remember, though, it was very helpful having you guys

0:25:18.119 --> 0:25:21.920
<v Speaker 5>act normally around me because I felt more isolated because

0:25:21.920 --> 0:25:24.119
<v Speaker 5>I had to. I just would sit there in the

0:25:24.160 --> 0:25:27.159
<v Speaker 5>middle of it, in between takes, and the jovial nature

0:25:27.320 --> 0:25:29.840
<v Speaker 5>to which people were, you know.

0:25:29.920 --> 0:25:32.840
<v Speaker 1>Just responding as you normally would in between takes.

0:25:33.040 --> 0:25:36.119
<v Speaker 5>Yeah, it made me feel increasingly more and more lively,

0:25:36.160 --> 0:25:39.280
<v Speaker 5>which is what that character was feeling in that moment.

0:25:39.840 --> 0:25:42.920
<v Speaker 2>So you're welcome for us being told very.

0:25:42.800 --> 0:25:46.600
<v Speaker 1>Much it was good. I was like, I was so

0:25:47.280 --> 0:25:48.960
<v Speaker 1>isolated from the school.

0:25:51.480 --> 0:25:53.520
<v Speaker 4>That was like when Matt Morrison we were doing Don't Stop,

0:25:53.560 --> 0:25:57.119
<v Speaker 4>and you know, we had zero experience for any of this,

0:25:57.280 --> 0:26:00.560
<v Speaker 4>and Matt's trying to cry and that most like knic

0:26:01.200 --> 0:26:04.200
<v Speaker 4>close up of his face that's supposed to be the

0:26:04.200 --> 0:26:08.240
<v Speaker 4>culmination of this whole episode and we're literally like humping

0:26:08.280 --> 0:26:10.080
<v Speaker 4>each other, like acting like a fool.

0:26:10.119 --> 0:26:12.960
<v Speaker 1>And Ryan's like, you guys, we heard like the.

0:26:12.920 --> 0:26:16.359
<v Speaker 3>Voice of God come down and slap us to the ground.

0:26:16.359 --> 0:26:17.439
<v Speaker 1>It was very embarrassing.

0:26:19.119 --> 0:26:22.440
<v Speaker 4>No, I feel like you had it on. You had

0:26:22.440 --> 0:26:26.920
<v Speaker 4>it so early before any of us. Queen had such deep,

0:26:27.640 --> 0:26:32.800
<v Speaker 4>uh you know, emotional storylines that you know, created that

0:26:32.840 --> 0:26:35.520
<v Speaker 4>were so necessary for those moments that like by the

0:26:35.560 --> 0:26:39.639
<v Speaker 4>time Tina got her groove of like her storylines, it

0:26:39.680 --> 0:26:40.600
<v Speaker 4>was so much later.

0:26:40.800 --> 0:26:43.600
<v Speaker 3>So I kind of learned by that point. Like I

0:26:43.640 --> 0:26:44.680
<v Speaker 3>remember the school.

0:26:44.359 --> 0:26:51.639
<v Speaker 4>Shooting episode, which you know, questionable, uh controversial episode that

0:26:51.760 --> 0:26:54.240
<v Speaker 4>we did, and Tina stuck outside of the room, so

0:26:54.280 --> 0:26:56.400
<v Speaker 4>I didn't luckily have to be in the room while

0:26:56.440 --> 0:26:59.640
<v Speaker 4>you guys shot that very emotional like day of shooting.

0:26:59.680 --> 0:27:03.120
<v Speaker 3>But Gina's like, all my friends are in there and

0:27:03.160 --> 0:27:06.479
<v Speaker 3>that's my family. And we started shooting.

0:27:06.520 --> 0:27:09.720
<v Speaker 4>Beeker was directing, and I'm talking to Blaine as we're

0:27:09.720 --> 0:27:12.440
<v Speaker 4>walking down the hallway. It was the end of the

0:27:12.520 --> 0:27:15.160
<v Speaker 4>day and I was filming and then he was doing

0:27:15.160 --> 0:27:18.840
<v Speaker 4>the wide and he saw how emotional I was getting

0:27:19.000 --> 0:27:21.639
<v Speaker 4>and how I was like, it is here and I

0:27:21.640 --> 0:27:23.600
<v Speaker 4>don't know how long, it's gonna last and we are

0:27:23.720 --> 0:27:26.160
<v Speaker 4>in it, and he was like, just stop, we're moving

0:27:26.200 --> 0:27:27.840
<v Speaker 4>the cameras in right now. So we had to move

0:27:27.880 --> 0:27:30.679
<v Speaker 4>the cameras in and swap shots just because he was like,

0:27:31.200 --> 0:27:33.080
<v Speaker 4>this is this is what we are, you know. So

0:27:33.119 --> 0:27:36.120
<v Speaker 4>we had learned by that point that, like, you know,

0:27:35.880 --> 0:27:39.399
<v Speaker 4>you learned how to do that. But I think in

0:27:39.440 --> 0:27:41.480
<v Speaker 4>the terms of in terms of Quinn, like you had

0:27:41.560 --> 0:27:46.280
<v Speaker 4>such such a journey and it started off with a bang,

0:27:47.680 --> 0:27:48.360
<v Speaker 4>like it did.

0:27:48.280 --> 0:27:51.680
<v Speaker 1>A pregnancy bang, a teen pregnancy bang.

0:27:52.560 --> 0:27:55.879
<v Speaker 2>My god, it was the greatest hits. It was like

0:27:55.960 --> 0:27:58.280
<v Speaker 2>teen peggiancy bang. Then she comes back with like the

0:27:58.320 --> 0:28:02.200
<v Speaker 2>pink short hair and she's in a car accident, and then.

0:28:03.640 --> 0:28:07.520
<v Speaker 3>There were redemption Justice Quinn.

0:28:09.560 --> 0:28:13.680
<v Speaker 2>Like, we just finished watching this and it's like at

0:28:13.680 --> 0:28:19.080
<v Speaker 2>some point during every season we're like, what's happened to Quinn? This? Like,

0:28:19.280 --> 0:28:24.600
<v Speaker 2>I don't think I necessarily realized how much that whole

0:28:24.640 --> 0:28:27.760
<v Speaker 2>storyline with a Dina I'm.

0:28:27.600 --> 0:28:28.640
<v Speaker 1>Going to get the baby back.

0:28:28.840 --> 0:28:32.120
<v Speaker 2>Yes, I was like, it is never ending. You never

0:28:32.240 --> 0:28:35.720
<v Speaker 2>have a break, and when you.

0:28:35.840 --> 0:28:40.480
<v Speaker 5>Start with teen pregnancy, you know you're in it. So

0:28:41.080 --> 0:28:45.160
<v Speaker 5>just put it all in the cart, put it all

0:28:45.160 --> 0:28:46.800
<v Speaker 5>in the cart or at all.

0:28:48.080 --> 0:28:50.760
<v Speaker 4>What One of the most iconic Quinn scenes that I

0:28:50.800 --> 0:28:53.320
<v Speaker 4>loved so much was in the first season when you

0:28:53.360 --> 0:28:54.520
<v Speaker 4>give birth to the baby.

0:28:55.960 --> 0:29:01.560
<v Speaker 5>I that birthing scene, going from stage to delivery room,

0:29:02.080 --> 0:29:03.640
<v Speaker 5>singing that Queen song.

0:29:03.760 --> 0:29:07.480
<v Speaker 1>I mean it was Queen Yeah, Rhapsody.

0:29:08.760 --> 0:29:12.320
<v Speaker 5>God, and just all of us running down the hallway,

0:29:12.520 --> 0:29:13.760
<v Speaker 5>pushing me through.

0:29:14.880 --> 0:29:22.200
<v Speaker 7>Bumps with our bump bes and those kind of metallic cultuneck.

0:29:23.640 --> 0:29:24.840
<v Speaker 1>Yeah.

0:29:24.960 --> 0:29:25.240
<v Speaker 4>Those.

0:29:25.560 --> 0:29:32.160
<v Speaker 5>I really did love when music and song could take

0:29:32.280 --> 0:29:37.560
<v Speaker 5>us through really heightened moments as demonstrated, and that that

0:29:37.760 --> 0:29:42.440
<v Speaker 5>was one of my favorites performance because it just the

0:29:42.520 --> 0:29:46.840
<v Speaker 5>emotion PI and it matched the song really well, and

0:29:46.880 --> 0:29:50.520
<v Speaker 5>it just so people and fun and wild and wacky,

0:29:50.600 --> 0:29:53.360
<v Speaker 5>but still within the realm of believability.

0:29:53.720 --> 0:29:56.960
<v Speaker 2>You know, Yes, definitely, It's one of my favorite things.

0:29:56.960 --> 0:30:00.240
<v Speaker 2>Like when that I feel like that more than post

0:30:00.440 --> 0:30:03.680
<v Speaker 2>musical numbers, like has a moment online like once a

0:30:03.760 --> 0:30:06.000
<v Speaker 2>year when people are seeing it for the first time,

0:30:06.000 --> 0:30:10.080
<v Speaker 2>they're like, wait, what happened and you're matching the lyrics

0:30:10.160 --> 0:30:12.560
<v Speaker 2>and I'm like, yeah, it's insane, and I feel like

0:30:12.600 --> 0:30:16.360
<v Speaker 2>it works so well, it's so effective, And I remember

0:30:16.440 --> 0:30:19.000
<v Speaker 2>watching it for the first time, because we obviously were

0:30:19.040 --> 0:30:23.320
<v Speaker 2>not in the birthing scene and so like we don't know. Yeah,

0:30:23.400 --> 0:30:26.440
<v Speaker 2>And I remember sitting there like in the theater at Paramount,

0:30:26.840 --> 0:30:30.600
<v Speaker 2>just like my hands on my face like, oh my god,

0:30:31.240 --> 0:30:35.400
<v Speaker 2>like you're screaming for your life. It is so good.

0:30:35.920 --> 0:30:41.360
<v Speaker 2>How I have a question, how the hell did did

0:30:41.440 --> 0:30:45.120
<v Speaker 2>how did it work? Like practically speaking them like Okay,

0:30:45.120 --> 0:30:47.520
<v Speaker 2>now you're gonna scream this lyric and it's in time

0:30:47.760 --> 0:30:51.000
<v Speaker 2>with the actual song, like did you just keep going?

0:30:51.000 --> 0:30:52.560
<v Speaker 2>And they just kept okay, now do this lyric?

0:30:53.200 --> 0:30:57.520
<v Speaker 1>Yes, And Brad Falchic again was in the room.

0:30:57.880 --> 0:30:59.760
<v Speaker 5>He was there with me for so many of the

0:31:00.040 --> 0:31:08.600
<v Speaker 5>heightened emotional scenes, and he was just recounting memories from

0:31:08.640 --> 0:31:12.560
<v Speaker 5>his own children being born, and he was throwing and things.

0:31:12.360 --> 0:31:14.600
<v Speaker 1>Like now tell him that you want him to die,

0:31:14.720 --> 0:31:16.240
<v Speaker 1>or like you know, I'll kill you.

0:31:16.160 --> 0:31:19.240
<v Speaker 5>And so all of those kind of peppered moments in

0:31:19.360 --> 0:31:23.520
<v Speaker 5>line amazing lyrics were ad lived.

0:31:23.800 --> 0:31:27.920
<v Speaker 8>And and then they plopped down this brand new baby

0:31:28.000 --> 0:31:29.080
<v Speaker 8>in my arms.

0:31:29.840 --> 0:31:31.560
<v Speaker 1>And they were triplets.

0:31:31.840 --> 0:31:35.959
<v Speaker 5>Because anybody who has filmed its children, as I have

0:31:36.320 --> 0:31:38.480
<v Speaker 5>many times past our.

0:31:38.360 --> 0:31:43.120
<v Speaker 1>Show, it's helpful to have more than one because one might.

0:31:43.000 --> 0:31:46.680
<v Speaker 5>Be tired, and one might be sad and crying and

0:31:46.800 --> 0:31:49.240
<v Speaker 5>not be giving you the right of emotion for what

0:31:49.440 --> 0:31:50.719
<v Speaker 5>you're needing.

0:31:51.840 --> 0:31:54.800
<v Speaker 1>Yeah, when I filmed Shima Shimma.

0:31:54.560 --> 0:31:56.840
<v Speaker 5>Baby, we only had one baby, and that baby was

0:31:56.880 --> 0:32:00.160
<v Speaker 5>so unhappy to be on set, and we were so

0:32:00.240 --> 0:32:04.360
<v Speaker 5>many ways that were just the most comical. And it

0:32:04.440 --> 0:32:06.760
<v Speaker 5>wasn't a brand new baby like this was. I think

0:32:06.840 --> 0:32:08.480
<v Speaker 5>the baby was two weeks old.

0:32:08.440 --> 0:32:13.800
<v Speaker 8>Or three weeks old, and it all felt strangely weird,

0:32:14.200 --> 0:32:17.080
<v Speaker 8>you know, at the set, like a hospital room and

0:32:17.160 --> 0:32:21.280
<v Speaker 8>here's my baby, And that was one of the stranger

0:32:21.680 --> 0:32:23.360
<v Speaker 8>I've had on set.

0:32:24.320 --> 0:32:24.560
<v Speaker 7>You know.

0:32:25.200 --> 0:32:28.520
<v Speaker 5>Yeah, that baby away from me, both on the show

0:32:28.640 --> 0:32:29.560
<v Speaker 5>and in real life.

0:32:29.680 --> 0:32:35.880
<v Speaker 2>Oh right, yeah, oh my God, and Graff singing at

0:32:35.880 --> 0:32:38.360
<v Speaker 2>the top of his lungs and you giving birth is

0:32:38.360 --> 0:32:40.800
<v Speaker 2>one of the best things that ever happened to television.

0:32:41.440 --> 0:32:43.600
<v Speaker 3>We love Diana, Oh yes, we do.

0:32:43.960 --> 0:32:44.840
<v Speaker 2>An angel on Earth.

0:32:45.800 --> 0:32:48.880
<v Speaker 1>She truly is. She hasn't aged a day, no.

0:32:48.960 --> 0:32:50.880
<v Speaker 2>And she's so sweet. And also like, this is only

0:32:51.240 --> 0:32:55.080
<v Speaker 2>the first half, so stick around, come back on Thursday

0:32:55.160 --> 0:32:58.120
<v Speaker 2>because there's even more to get into it. And also

0:32:58.880 --> 0:33:01.840
<v Speaker 2>thanks to Anna for sticking her and opening up and

0:33:01.880 --> 0:33:04.720
<v Speaker 2>being this honest this is great. Come back on Thursday

0:33:04.840 --> 0:33:07.760
<v Speaker 2>for and That's what you really missed. Thanks for listening,

0:33:08.040 --> 0:33:10.560
<v Speaker 2>and follow us on Instagram at and That's what you

0:33:10.640 --> 0:33:12.880
<v Speaker 2>really miss pod. Make sure to write us a review

0:33:12.920 --> 0:33:15.080
<v Speaker 2>and leave us five stars. See you next time.