1 00:00:01,720 --> 00:00:04,440 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,760 --> 00:00:12,880 Speaker 3: Welcome to and That's what you really miss podcast. 4 00:00:15,480 --> 00:00:16,880 Speaker 1: Oh it's a big. 5 00:00:16,680 --> 00:00:21,440 Speaker 2: One, the most request or most requested. 6 00:00:21,920 --> 00:00:23,040 Speaker 1: Yes, we heard it. 7 00:00:23,520 --> 00:00:25,439 Speaker 4: We couldn't on here, We couldn't none hear it, we 8 00:00:25,480 --> 00:00:26,439 Speaker 4: couldn't ignore it. 9 00:00:27,720 --> 00:00:29,200 Speaker 2: We I mean, we also agreed. 10 00:00:30,000 --> 00:00:33,279 Speaker 1: Quinn Fibre herself is here. Diana Agron, the. 11 00:00:34,000 --> 00:00:42,800 Speaker 4: Whimsical fairy angel Unicorn herself, Diana Agron is here. 12 00:00:43,000 --> 00:00:47,080 Speaker 2: And to make it even better, not that she's here, 13 00:00:47,960 --> 00:00:51,639 Speaker 2: she's really here. This is Diana week on and that's 14 00:00:51,680 --> 00:00:53,680 Speaker 2: what you really missed. We have part one for you 15 00:00:53,720 --> 00:00:56,840 Speaker 2: today and then on Thursday at seven am Eastern time, 16 00:00:57,480 --> 00:01:00,720 Speaker 2: we have part two coming. We really could have talked 17 00:01:00,720 --> 00:01:04,600 Speaker 2: all day, I mean, but we got into all of it, 18 00:01:04,880 --> 00:01:06,480 Speaker 2: and we've talked about everything. 19 00:01:06,720 --> 00:01:09,000 Speaker 3: There was just too much to not give you more. 20 00:01:09,440 --> 00:01:10,920 Speaker 1: So here it is. 21 00:01:11,200 --> 00:01:12,880 Speaker 3: Let's get into part one. 22 00:01:13,160 --> 00:01:21,360 Speaker 4: Oh yes, he love beauty, stunning. 23 00:01:21,400 --> 00:01:26,840 Speaker 1: Oh my gosh, welcome. Look at your faces. Nothing has changed. 24 00:01:29,440 --> 00:01:31,400 Speaker 1: I'd like to include myself in that. 25 00:01:31,600 --> 00:01:34,679 Speaker 2: Yes, I saw Diana a couple months ago in Paris, 26 00:01:34,720 --> 00:01:37,240 Speaker 2: and there was a moment of that time. Stent together, 27 00:01:37,319 --> 00:01:40,080 Speaker 2: just being like, do we look the same? I'm like, 28 00:01:40,240 --> 00:01:41,480 Speaker 2: you look the same for sure. 29 00:01:43,360 --> 00:01:45,959 Speaker 1: Hi, Lady d what an honor and a pleasure. 30 00:01:46,600 --> 00:01:51,400 Speaker 4: We're so happy to have you. Congrats on your collab. 31 00:01:52,360 --> 00:01:54,880 Speaker 2: Did you just sound like a clothing collaboration? 32 00:01:57,200 --> 00:02:04,280 Speaker 1: I just I just love collaboration. In all four I 33 00:02:04,400 --> 00:02:07,000 Speaker 1: did I did over the past year. It was so fun. 34 00:02:07,080 --> 00:02:09,120 Speaker 1: My friends have this excellent clothing and. 35 00:02:09,160 --> 00:02:13,400 Speaker 5: Company, and I love clothes, so I got to step 36 00:02:13,440 --> 00:02:16,000 Speaker 5: into their world and do that together. 37 00:02:16,480 --> 00:02:18,359 Speaker 2: I feel it could be so good at that you 38 00:02:18,400 --> 00:02:21,480 Speaker 2: have like excellent taste and beautiful. 39 00:02:22,440 --> 00:02:25,359 Speaker 5: You say that, and I wish I could show you 40 00:02:25,360 --> 00:02:27,359 Speaker 5: a photo album and you remember you. 41 00:02:27,280 --> 00:02:29,880 Speaker 1: Were there of some of the insane things I used 42 00:02:29,880 --> 00:02:30,200 Speaker 1: to wear. 43 00:02:30,800 --> 00:02:32,760 Speaker 2: Yeah, but you know what, you have to try those 44 00:02:32,760 --> 00:02:35,280 Speaker 2: things out. You got to take risks, swing big. You're 45 00:02:35,320 --> 00:02:37,480 Speaker 2: not going to get them all uh huh. 46 00:02:37,560 --> 00:02:40,440 Speaker 4: But the Queen of the dresses would show up like 47 00:02:40,600 --> 00:02:44,359 Speaker 4: to set where I'd be in like sweatpants and a 48 00:02:44,680 --> 00:02:48,200 Speaker 4: graphic tea, and Diana would show up in like a 49 00:02:48,240 --> 00:02:52,440 Speaker 4: beautiful floral printed dress at seven in the morning, and like, 50 00:02:52,520 --> 00:02:54,200 Speaker 4: how does she do it? 51 00:02:54,240 --> 00:02:54,919 Speaker 1: Maybe she will? 52 00:02:55,000 --> 00:02:58,600 Speaker 2: Wait, Yes, that's fair. The power of clothing. 53 00:02:59,160 --> 00:03:03,200 Speaker 4: Yeah, yeah, yeah, Okay, Well, we're so grateful to have 54 00:03:03,280 --> 00:03:05,960 Speaker 4: you here. It's so good to see you in the 55 00:03:05,960 --> 00:03:10,840 Speaker 4: flash here. I am I Diana and I got on 56 00:03:10,880 --> 00:03:14,200 Speaker 4: the phone. When was that like a month ago? 57 00:03:14,760 --> 00:03:16,760 Speaker 1: Yeah, it was so nice. 58 00:03:17,040 --> 00:03:19,280 Speaker 4: It's been so long, but it's always so nice because 59 00:03:19,280 --> 00:03:21,120 Speaker 4: everybody just picks up where. 60 00:03:20,800 --> 00:03:24,320 Speaker 1: We left off. Oh yeah, do you feel that? What's 61 00:03:24,320 --> 00:03:27,440 Speaker 1: the joy of it? Kevin and I walking down the street. 62 00:03:27,440 --> 00:03:28,840 Speaker 1: I wish our phone call. 63 00:03:28,840 --> 00:03:30,360 Speaker 5: I wish you could have just pulled me through the 64 00:03:30,360 --> 00:03:32,280 Speaker 5: phone and I could have been standing in front of you. 65 00:03:33,960 --> 00:03:39,280 Speaker 5: Very doyful to be with heaven walking the streets, pretty 66 00:03:39,280 --> 00:03:40,800 Speaker 5: pump set memories. 67 00:03:40,840 --> 00:03:42,520 Speaker 1: But I agree, it does feel. 68 00:03:42,440 --> 00:03:46,040 Speaker 5: Every single time like no time has passed, And I 69 00:03:46,040 --> 00:03:49,200 Speaker 5: think that just speaks to the depth of our friendships 70 00:03:49,280 --> 00:03:51,120 Speaker 5: and our life experience together. 71 00:03:51,480 --> 00:03:55,080 Speaker 2: Yes, we we were talking about because we've had lots 72 00:03:55,120 --> 00:03:58,440 Speaker 2: of crew members on the show as well, and how 73 00:03:58,480 --> 00:04:00,960 Speaker 2: they obviously, you know, see a lot more sets than 74 00:04:01,000 --> 00:04:04,440 Speaker 2: we do. They've worked a lot more in this business 75 00:04:04,440 --> 00:04:08,000 Speaker 2: that we work periodically, and the fact that they even 76 00:04:08,080 --> 00:04:11,920 Speaker 2: have that same feeling that we do. You see anybody 77 00:04:11,920 --> 00:04:13,720 Speaker 2: from the crew at any point and it feels like 78 00:04:13,760 --> 00:04:17,440 Speaker 2: nothing has changed and how that speaks to the like 79 00:04:17,480 --> 00:04:19,679 Speaker 2: you just said, the depth and not just the cast, 80 00:04:19,720 --> 00:04:21,600 Speaker 2: but everybody that worked on that show, which I think 81 00:04:21,720 --> 00:04:23,240 Speaker 2: is just really special. 82 00:04:23,839 --> 00:04:24,119 Speaker 5: Yeah. 83 00:04:24,200 --> 00:04:26,680 Speaker 1: I mean we were we weren't working ten months of 84 00:04:26,720 --> 00:04:27,919 Speaker 1: the year on set. 85 00:04:28,320 --> 00:04:32,680 Speaker 4: Yeah, and then together hours very nuch great every month 86 00:04:32,720 --> 00:04:33,159 Speaker 4: of the year. 87 00:04:33,240 --> 00:04:33,480 Speaker 2: Yeah. 88 00:04:33,520 --> 00:04:36,280 Speaker 5: And then every month of the year together whether it 89 00:04:36,320 --> 00:04:37,719 Speaker 5: was on set or on the road. 90 00:04:39,680 --> 00:04:39,920 Speaker 1: Yeah. 91 00:04:40,040 --> 00:04:42,560 Speaker 5: Like, as I said that, I just had a flashback 92 00:04:42,600 --> 00:04:43,600 Speaker 5: to Australia. 93 00:04:44,080 --> 00:04:48,160 Speaker 2: Oh my god, oh my. I talked about you the 94 00:04:48,240 --> 00:04:51,240 Speaker 2: other day to my mom and her friend because her 95 00:04:51,279 --> 00:04:53,440 Speaker 2: friend was saying that, you know, they went to Australia 96 00:04:53,440 --> 00:04:55,360 Speaker 2: and do you know there are penguins in Australia. And 97 00:04:55,400 --> 00:04:58,520 Speaker 2: I'm like, actually, I do know there are pinguins in 98 00:04:58,560 --> 00:05:06,240 Speaker 2: Australia because and Diana got on a bus. 99 00:05:06,880 --> 00:05:11,599 Speaker 5: I got on a bus to see those baby penguins. 100 00:05:12,360 --> 00:05:14,360 Speaker 5: It must have been because it was when we were 101 00:05:14,360 --> 00:05:18,000 Speaker 5: in Melbourne. Yes, and I mean it was kind of 102 00:05:18,040 --> 00:05:19,440 Speaker 5: an insane excursion. 103 00:05:19,920 --> 00:05:21,400 Speaker 2: Yes, that's why we all didn't go. 104 00:05:22,000 --> 00:05:26,160 Speaker 1: Well, we're tired. You had just flown over to Australia. 105 00:05:26,720 --> 00:05:28,359 Speaker 3: Diana like we must do something. 106 00:05:28,480 --> 00:05:30,159 Speaker 4: She's like, should we go to New Zealand and I 107 00:05:30,200 --> 00:05:32,839 Speaker 4: was like, I think that's a little too far. She's like, 108 00:05:32,880 --> 00:05:35,200 Speaker 4: but should we see the penguins? And I was like, Diana, 109 00:05:35,240 --> 00:05:37,640 Speaker 4: I think I'm really tired and I think I'm gonna 110 00:05:37,640 --> 00:05:40,400 Speaker 4: go lay down. She was like, I think I'm gonna 111 00:05:40,440 --> 00:05:41,920 Speaker 4: go on this bus. 112 00:05:42,279 --> 00:05:44,680 Speaker 2: She was like already back by the time we woke up. 113 00:05:46,880 --> 00:05:51,080 Speaker 5: Oh, that trip was magnificent and really before we knew 114 00:05:52,480 --> 00:05:54,320 Speaker 5: the scale of what was to become. 115 00:06:02,600 --> 00:06:06,360 Speaker 2: Do you remember returning back and it was like everything 116 00:06:06,400 --> 00:06:09,680 Speaker 2: had changed, Like that was like our last moment of 117 00:06:10,560 --> 00:06:12,279 Speaker 2: you know, like somewhat normalcy. 118 00:06:13,040 --> 00:06:18,080 Speaker 5: Yeah, and definitely uncertainty because we've shot pilot at that 119 00:06:18,160 --> 00:06:20,159 Speaker 5: point seven or eight months before. 120 00:06:21,040 --> 00:06:23,039 Speaker 1: We shop the pilot in what October of that? 121 00:06:23,320 --> 00:06:27,400 Speaker 5: Yeah, yes, And then that was May, so the pilot 122 00:06:27,400 --> 00:06:30,840 Speaker 5: had broadcast of the American Idol and then we had 123 00:06:30,839 --> 00:06:33,200 Speaker 5: gone to Australia on our break and then we knew 124 00:06:33,640 --> 00:06:34,680 Speaker 5: the official. 125 00:06:34,560 --> 00:06:39,040 Speaker 1: Pickup and that we were filming in the fall. Yeah. Wild. 126 00:06:39,520 --> 00:06:44,320 Speaker 4: The craziest cart was through, you know, the time between 127 00:06:44,400 --> 00:06:48,440 Speaker 4: the pilot airing, shooting, filming the pilot right and then 128 00:06:48,600 --> 00:06:53,200 Speaker 4: it airing and actually going into season one, we didn't 129 00:06:53,240 --> 00:06:56,159 Speaker 4: really film with you in the pilot, we spent time with. 130 00:06:56,040 --> 00:07:01,560 Speaker 2: You, time a tiny bit of and I remember. 131 00:07:01,200 --> 00:07:01,960 Speaker 1: It so vividly. 132 00:07:02,000 --> 00:07:04,839 Speaker 4: It feels like longer and more time during the pilot, 133 00:07:04,880 --> 00:07:07,159 Speaker 4: but it was it was a fraction, and you came 134 00:07:07,240 --> 00:07:09,440 Speaker 4: on so late to the pilot. 135 00:07:10,480 --> 00:07:15,480 Speaker 3: I think that we have just right. So what remind 136 00:07:15,600 --> 00:07:18,480 Speaker 3: us what that process was like for you? 137 00:07:18,480 --> 00:07:21,320 Speaker 1: Because it was so fast, it was so fast. 138 00:07:21,720 --> 00:07:25,840 Speaker 5: I I had read the pilot and was going in 139 00:07:25,880 --> 00:07:31,960 Speaker 5: for Robert, and I went and I say, because you know, 140 00:07:32,120 --> 00:07:35,760 Speaker 5: the instruction was singing eight bars of a song, trying 141 00:07:36,560 --> 00:07:40,880 Speaker 5: that might be a non typical song. And I had 142 00:07:40,960 --> 00:07:44,440 Speaker 5: just recently for my birthday been at the Dresden in 143 00:07:44,480 --> 00:07:48,400 Speaker 5: Los Angeles and gotten up. It's like such a jazz 144 00:07:48,640 --> 00:07:53,560 Speaker 5: place and which Laane rip there's wonderful performers in community 145 00:07:53,640 --> 00:07:56,400 Speaker 5: organizers at Svential place in Los Angeles. 146 00:07:56,600 --> 00:07:58,360 Speaker 1: And for some reason, one of my friends it was 147 00:07:58,360 --> 00:08:00,800 Speaker 1: my birthday and they were like, I don't know, Frank Sinultra, 148 00:08:00,960 --> 00:08:02,400 Speaker 1: that feels right for this joint. 149 00:08:02,480 --> 00:08:04,680 Speaker 5: And it's like, I guess I'm going to sing fly 150 00:08:04,760 --> 00:08:07,480 Speaker 5: Me to the Moon. Because also I you guys could 151 00:08:07,480 --> 00:08:10,000 Speaker 5: speak to this. It's very rare that I know the 152 00:08:10,080 --> 00:08:12,920 Speaker 5: lyrics of a song. I know the melody to a tea. 153 00:08:13,040 --> 00:08:16,640 Speaker 5: I hear melody before I hear lyrics, ye saying that, 154 00:08:16,720 --> 00:08:20,000 Speaker 5: and then that ended up being what I sang for 155 00:08:20,120 --> 00:08:22,240 Speaker 5: Robert because I just thought, oh well, I just did 156 00:08:22,240 --> 00:08:25,160 Speaker 5: this in front of people at the dress end and 157 00:08:25,480 --> 00:08:27,640 Speaker 5: I had to come back two days later, and they 158 00:08:27,680 --> 00:08:30,280 Speaker 5: said and I was already out in another audition, driving 159 00:08:30,320 --> 00:08:30,920 Speaker 5: across town. 160 00:08:30,960 --> 00:08:32,120 Speaker 1: I think it was in Santa Monica. 161 00:08:32,360 --> 00:08:33,880 Speaker 2: Always it's always Santa Monica. 162 00:08:34,040 --> 00:08:38,000 Speaker 5: Oh way, well, Samonica because it's far away from wherever 163 00:08:38,040 --> 00:08:45,480 Speaker 5: you live, you know, Last Journey and I the instruction was, 164 00:08:45,640 --> 00:08:50,600 Speaker 5: we're something a little sexier and can you straighten your hair? 165 00:08:51,440 --> 00:08:58,600 Speaker 6: Like oh no, and uh, and so I go again 166 00:08:58,880 --> 00:09:03,040 Speaker 6: and then they tell me on you're gonna go screen 167 00:09:03,080 --> 00:09:07,840 Speaker 6: test or test yeah, And I showed up on the 168 00:09:07,840 --> 00:09:08,439 Speaker 6: Fox lot. 169 00:09:08,520 --> 00:09:10,800 Speaker 5: I was terribly early because I was so nervous that 170 00:09:10,800 --> 00:09:13,560 Speaker 5: I didn't want to run the risk of doing anything. 171 00:09:14,600 --> 00:09:17,320 Speaker 5: And then I walked in and they have me sign 172 00:09:17,360 --> 00:09:19,480 Speaker 5: my paperwork and I tested for two. 173 00:09:19,280 --> 00:09:22,080 Speaker 1: Other shows before that, so I kind of like new 174 00:09:22,559 --> 00:09:23,120 Speaker 1: the drill. 175 00:09:23,720 --> 00:09:25,480 Speaker 5: She's like okay, and then we're gonna go in for 176 00:09:25,559 --> 00:09:27,840 Speaker 5: the executives and there's gonna be other people and maybe 177 00:09:27,840 --> 00:09:28,760 Speaker 5: they're gonna be in the hallway. 178 00:09:28,800 --> 00:09:31,480 Speaker 1: Maybe I'm gonna look at them, maybe not, and then 179 00:09:31,600 --> 00:09:37,959 Speaker 1: we'll see. And after I signed my paperwork, Cassie was like, Okay, great, it's. 180 00:09:37,800 --> 00:09:40,520 Speaker 5: Yours and you're gonna go to set and do you 181 00:09:40,559 --> 00:09:41,960 Speaker 5: want to see footage from the show. 182 00:09:43,120 --> 00:09:46,079 Speaker 1: And I'm stunned at this point, because what do you 183 00:09:46,160 --> 00:09:47,840 Speaker 1: mean I have to go read for somebody that this 184 00:09:47,920 --> 00:09:48,760 Speaker 1: isn't how it goes. 185 00:09:49,360 --> 00:09:53,120 Speaker 5: And I walked into that office and it was Corey 186 00:09:53,480 --> 00:09:55,880 Speaker 5: singing to that bar of soap in the shower, and 187 00:09:55,960 --> 00:09:58,720 Speaker 5: I had goosebums over my whole body, and I just thought, 188 00:10:00,160 --> 00:10:02,440 Speaker 5: is going to be phenomenal. 189 00:10:02,800 --> 00:10:04,400 Speaker 1: And if this goes. 190 00:10:04,120 --> 00:10:08,160 Speaker 5: To air, this is exactly what I wanted. Because, by 191 00:10:08,240 --> 00:10:12,240 Speaker 5: the way, I mean similar to you guys at music 192 00:10:12,480 --> 00:10:16,040 Speaker 5: and musical theater was my huge passion. And so when 193 00:10:16,080 --> 00:10:20,440 Speaker 5: I'm home to Los Angeles, I told anyone who would. 194 00:10:20,200 --> 00:10:22,000 Speaker 1: Listen to me, oh, I'm really looking for a musical. 195 00:10:22,040 --> 00:10:24,080 Speaker 1: They're like, great, go to New York. 196 00:10:24,240 --> 00:10:27,160 Speaker 5: It's just like my families in San Francisco, and I 197 00:10:27,240 --> 00:10:29,040 Speaker 5: really like to drive home and see my mom sometimes. 198 00:10:29,080 --> 00:10:30,800 Speaker 5: So I'm going to try it in Los Angeles, and 199 00:10:30,840 --> 00:10:32,280 Speaker 5: it's going to be a film or a TV show. 200 00:10:32,360 --> 00:10:35,080 Speaker 1: I'm sure of it. And then cut to this and 201 00:10:35,120 --> 00:10:37,040 Speaker 1: then I remember being on. 202 00:10:37,040 --> 00:10:42,880 Speaker 5: Set and Naia and I because Heather wasn't present yet, 203 00:10:43,160 --> 00:10:49,480 Speaker 5: that round out the Holy Trinity. And I remember seeing 204 00:10:49,520 --> 00:10:51,880 Speaker 5: you guys coming from rehearsal and oh. 205 00:10:51,800 --> 00:10:53,000 Speaker 1: You just looked so cool. 206 00:10:53,040 --> 00:10:56,840 Speaker 5: You were like this cool, you were so bonded, and 207 00:10:56,880 --> 00:11:03,160 Speaker 5: I remember being so nervous and offering some weird quick hello, 208 00:11:03,280 --> 00:11:05,920 Speaker 5: this is why I'm so excited. They all like word 209 00:11:06,000 --> 00:11:08,360 Speaker 5: vomiting all over you, and then you guys had to 210 00:11:08,440 --> 00:11:10,320 Speaker 5: go off like you were being pulled at. 211 00:11:10,520 --> 00:11:10,920 Speaker 2: What was that? 212 00:11:11,000 --> 00:11:12,440 Speaker 1: Was that in Long Beach? Where was that? 213 00:11:12,600 --> 00:11:16,040 Speaker 2: Yes, well I remember that, Yeah, but we were yeah, 214 00:11:16,120 --> 00:11:18,400 Speaker 2: it was some other because we weren't like situated how 215 00:11:18,440 --> 00:11:21,520 Speaker 2: we when the show got picked up. Yeah, in my memory, 216 00:11:21,520 --> 00:11:23,560 Speaker 2: it's like where base camp was and everything was in 217 00:11:23,600 --> 00:11:25,400 Speaker 2: a different place, like that was the only time it 218 00:11:25,480 --> 00:11:29,360 Speaker 2: was there. And I remember you coming over and being 219 00:11:29,440 --> 00:11:31,720 Speaker 2: so nice, and we did just have like a fleeting 220 00:11:32,679 --> 00:11:35,720 Speaker 2: like hell, and we were like, oh, she seems nice 221 00:11:35,760 --> 00:11:37,680 Speaker 2: because we were we had been together for like three 222 00:11:37,720 --> 00:11:41,000 Speaker 2: weeks already. Yeah, and like hanging out and in rehearsal, 223 00:11:41,200 --> 00:11:45,480 Speaker 2: and I also think that's probably was so I don't 224 00:11:45,480 --> 00:11:48,079 Speaker 2: know if intimidating is the right word, but weird, like 225 00:11:48,120 --> 00:11:49,920 Speaker 2: you're joining this thing so last minute. 226 00:11:50,440 --> 00:11:54,480 Speaker 5: It was intimidating as hell, also because I just wanted 227 00:11:54,480 --> 00:11:57,160 Speaker 5: to participate in the fun that you were having. Luckily 228 00:11:57,160 --> 00:12:00,000 Speaker 5: I had Naya, so I wasn't load on an eyeland, 229 00:12:00,280 --> 00:12:03,959 Speaker 5: but I was not We were not in group form, 230 00:12:04,000 --> 00:12:06,000 Speaker 5: and then you know, we kind of the two of 231 00:12:06,080 --> 00:12:08,800 Speaker 5: us were, you know, kind. 232 00:12:08,600 --> 00:12:09,720 Speaker 1: Of guessing how it would go. 233 00:12:09,880 --> 00:12:14,360 Speaker 5: And I think none three lines in the pilot, yep, 234 00:12:14,440 --> 00:12:18,920 Speaker 5: I never anticipated. I had no understanding of where that 235 00:12:19,040 --> 00:12:23,679 Speaker 5: character would go should I was just so happy to 236 00:12:23,679 --> 00:12:29,640 Speaker 5: be there. It was so deeply thrilling, regardless of what happened. 237 00:12:30,960 --> 00:12:32,880 Speaker 2: I do think that's interesting that because you and Naya 238 00:12:33,040 --> 00:12:36,400 Speaker 2: had you both had done a lot of TV before, 239 00:12:36,920 --> 00:12:39,120 Speaker 2: like a fair amount of TV before Glee. 240 00:12:39,880 --> 00:12:43,680 Speaker 5: I mean, Nia, certainly I had done bits and bots 241 00:12:43,679 --> 00:12:45,120 Speaker 5: here and there, But. 242 00:12:46,640 --> 00:12:47,319 Speaker 1: It's a burrd. 243 00:12:47,559 --> 00:12:52,080 Speaker 5: I just I loved my father so much, and he 244 00:12:52,520 --> 00:12:55,319 Speaker 5: was supportive in a different way than my mother. But 245 00:12:55,440 --> 00:12:58,559 Speaker 5: he would say these things that would really make me laugh. 246 00:12:58,600 --> 00:13:01,720 Speaker 5: You would say, oh, I tuned in to Veronica Mars 247 00:13:02,240 --> 00:13:04,680 Speaker 5: very exciting, but where was the rest of your character? 248 00:13:07,600 --> 00:13:11,640 Speaker 1: Character? She had three lines, you know, and it was 249 00:13:12,600 --> 00:13:14,960 Speaker 1: and I was, please just punch, you. 250 00:13:14,960 --> 00:13:18,320 Speaker 5: Know, it's just about and you know, making the steps 251 00:13:18,320 --> 00:13:23,280 Speaker 5: and moved forward. But I was I you know, but 252 00:13:23,800 --> 00:13:26,679 Speaker 5: when I came to that pilot situation, or even as 253 00:13:26,679 --> 00:13:30,439 Speaker 5: we were filming the first couple of episodes, I wouldn't 254 00:13:30,440 --> 00:13:32,000 Speaker 5: say I was comfortable. 255 00:13:32,880 --> 00:13:38,040 Speaker 1: How set. It was still such a new green place 256 00:13:38,400 --> 00:13:38,680 Speaker 1: for me. 257 00:13:39,160 --> 00:13:43,040 Speaker 4: That's so funny because I think like we didn't spend 258 00:13:43,040 --> 00:13:44,920 Speaker 4: a lot of time. I also want to know what 259 00:13:44,960 --> 00:13:47,480 Speaker 4: it was like filming don't stop for you, because it's 260 00:13:47,520 --> 00:13:49,480 Speaker 4: so iconic when you guys step up, But like I 261 00:13:49,520 --> 00:13:51,080 Speaker 4: was curious if you were seen any of it. But 262 00:13:51,120 --> 00:13:53,720 Speaker 4: the other thing is like, it's so funny because at 263 00:13:53,760 --> 00:13:56,640 Speaker 4: first glance, like you were on all these shows, you 264 00:13:56,679 --> 00:14:00,040 Speaker 4: had like this resume that we came from like a 265 00:14:00,080 --> 00:14:00,960 Speaker 4: totally different world. 266 00:14:01,040 --> 00:14:02,040 Speaker 3: Kevin came from music. 267 00:14:02,120 --> 00:14:02,880 Speaker 1: I came from New. 268 00:14:02,840 --> 00:14:06,080 Speaker 4: York and so it felt like at least there was like, oh, 269 00:14:06,160 --> 00:14:13,960 Speaker 4: these people who have been on Hollywood that's she knows, yeah, 270 00:14:14,400 --> 00:14:16,440 Speaker 4: And then you were sort of this far off like 271 00:14:16,920 --> 00:14:19,240 Speaker 4: character that was kind of this enemy to us at 272 00:14:19,280 --> 00:14:21,960 Speaker 4: the beginning, and so initially. 273 00:14:21,560 --> 00:14:24,080 Speaker 1: It was like, oh, she's like she had like a halo, 274 00:14:24,240 --> 00:14:24,440 Speaker 1: you have. 275 00:14:24,480 --> 00:14:26,760 Speaker 4: Like a halo in your head, and like you had 276 00:14:26,800 --> 00:14:29,760 Speaker 4: like done this before, and we're like here we are, 277 00:14:30,160 --> 00:14:33,920 Speaker 4: We're just bab bah buying. But very quickly after that, 278 00:14:34,000 --> 00:14:37,080 Speaker 4: obviously we all melded very quickly, you know. 279 00:14:37,640 --> 00:14:39,760 Speaker 2: Oh quickly obsessed with each other. 280 00:14:40,040 --> 00:14:42,560 Speaker 1: Yeah, yeah, oh. 281 00:14:42,160 --> 00:14:49,760 Speaker 5: I and and I think that the chemistry that we had, 282 00:14:49,800 --> 00:14:53,160 Speaker 5: both on screen and offscreen is such a testament to 283 00:14:53,200 --> 00:14:54,200 Speaker 5: the casting. 284 00:14:53,800 --> 00:14:54,280 Speaker 1: Of the show. 285 00:14:54,560 --> 00:15:00,280 Speaker 5: Yeah, because it really when you look at all bus, 286 00:15:00,280 --> 00:15:03,160 Speaker 5: when I look at the footage of us, we are 287 00:15:03,200 --> 00:15:05,920 Speaker 5: such babies and we are so connected. 288 00:15:06,200 --> 00:15:10,120 Speaker 1: It's Yes, it's really special to revisit. 289 00:15:10,520 --> 00:15:14,000 Speaker 2: I have to say, yeah, you have you watched any 290 00:15:14,040 --> 00:15:14,600 Speaker 2: of it since? 291 00:15:16,080 --> 00:15:16,200 Speaker 5: So? 292 00:15:17,200 --> 00:15:19,040 Speaker 2: I like clips online. 293 00:15:19,800 --> 00:15:22,320 Speaker 5: Well, clips online keep coming back to me in a 294 00:15:22,320 --> 00:15:25,960 Speaker 5: funny way, even you. 295 00:15:25,920 --> 00:15:29,680 Speaker 1: Know, uh, I think there is. 296 00:15:31,360 --> 00:15:37,880 Speaker 5: There's definitely we are consistently in the zeitgeist, and I 297 00:15:37,920 --> 00:15:41,760 Speaker 5: guess that speaks to our show is constantly on whether 298 00:15:41,840 --> 00:15:46,920 Speaker 5: it's you know, Netflix or Amazon Prime or Hulu, or 299 00:15:47,320 --> 00:15:50,160 Speaker 5: people are watching this show in waves. 300 00:15:50,400 --> 00:15:55,160 Speaker 1: There's never somebody that's not watching the show. Then I 301 00:15:55,200 --> 00:15:59,760 Speaker 1: am stopped most days if I'm in a big city 302 00:16:00,240 --> 00:16:02,600 Speaker 1: by somebody. The other day it was this mother. 303 00:16:02,680 --> 00:16:06,480 Speaker 5: I was sitting in washermon like, eating this metal with 304 00:16:06,520 --> 00:16:08,640 Speaker 5: my friend and this woman. 305 00:16:11,240 --> 00:16:13,040 Speaker 1: I don't even know why I have to name an age. 306 00:16:13,080 --> 00:16:16,600 Speaker 1: She was a mother children of a certain age. 307 00:16:16,800 --> 00:16:19,560 Speaker 5: She didn't specify, and she said, I'm rewatching the show 308 00:16:19,560 --> 00:16:20,480 Speaker 5: with my kids and. 309 00:16:20,440 --> 00:16:23,480 Speaker 1: I'm having the best time, and it's so thrilling to 310 00:16:23,520 --> 00:16:25,480 Speaker 1: see you here. And she grabbed my arm, and then 311 00:16:25,520 --> 00:16:26,880 Speaker 1: she grabbed my friend's arms. 312 00:16:26,960 --> 00:16:31,320 Speaker 5: She goes, then you found the most perfect Parishian boyspread. 313 00:16:31,400 --> 00:16:38,680 Speaker 5: And my lovely friend, who's not Parisian at all, lives 314 00:16:38,680 --> 00:16:41,760 Speaker 5: in New York, and he was like, he just found 315 00:16:41,800 --> 00:16:48,200 Speaker 5: it very funny. He goes, I'm Mexican, but I loved 316 00:16:48,560 --> 00:16:53,000 Speaker 5: the fantasy. She saw us in Paris in this moment, 317 00:16:53,160 --> 00:16:55,480 Speaker 5: having this meal at this French cafe. 318 00:16:55,680 --> 00:16:58,520 Speaker 1: It was just like, and look at you. But she 319 00:16:58,680 --> 00:16:59,640 Speaker 1: was so overjoyed. 320 00:16:59,640 --> 00:17:02,640 Speaker 5: And it's always very special to hear that the show 321 00:17:02,760 --> 00:17:08,080 Speaker 5: resonates with people, for sure, but so yes, that feedback 322 00:17:08,119 --> 00:17:10,320 Speaker 5: comes to you in real life, and then footage comes 323 00:17:10,359 --> 00:17:11,400 Speaker 5: to you and the. 324 00:17:11,480 --> 00:17:17,360 Speaker 1: Ent, whether you're tagged in something on Instagram, whether. 325 00:17:17,200 --> 00:17:19,600 Speaker 2: You're looking for it or not, whether you're looking for 326 00:17:19,680 --> 00:17:19,840 Speaker 2: or not. 327 00:17:19,960 --> 00:17:23,280 Speaker 1: My friend, I guess this was two months ago, and 328 00:17:23,320 --> 00:17:28,080 Speaker 1: I was shocked. She goes your dance, you and I 329 00:17:28,200 --> 00:17:31,919 Speaker 1: and Heather singing say a little Prayer is viral on 330 00:17:31,960 --> 00:17:36,200 Speaker 1: TikTok and she showed me it. 331 00:17:36,040 --> 00:17:40,479 Speaker 5: Was all ages, all mixtures of people from all different places, 332 00:17:40,520 --> 00:17:43,840 Speaker 5: and it went on for over a week. Yes, And 333 00:17:43,880 --> 00:17:46,840 Speaker 5: I thought you would think that the show had just 334 00:17:47,160 --> 00:17:50,080 Speaker 5: debuted with how And then I think that. 335 00:17:51,800 --> 00:17:52,680 Speaker 1: Makes sense to me in. 336 00:17:52,600 --> 00:17:56,199 Speaker 5: Some way, as a forty five second clip danced with 337 00:17:57,560 --> 00:18:03,720 Speaker 5: delightfully delicious choreography from Zach that is understandable to people, 338 00:18:03,920 --> 00:18:08,199 Speaker 5: and it's a fun trio, and there it was on 339 00:18:08,240 --> 00:18:09,080 Speaker 5: the internet again. 340 00:18:09,240 --> 00:18:13,280 Speaker 1: Yeah, but you guys are so iconic in that. 341 00:18:13,480 --> 00:18:18,400 Speaker 5: Oh god, I remember the feeling of that so vividly, 342 00:18:18,520 --> 00:18:24,679 Speaker 5: because one again nervous as hell. Two, Ryan was in 343 00:18:24,720 --> 00:18:28,560 Speaker 5: the room with all of this great instruction and you know, 344 00:18:28,960 --> 00:18:32,200 Speaker 5: sitting there in just such a regal way and really 345 00:18:32,240 --> 00:18:34,720 Speaker 5: wanting to deliver for him. And then Nip Tuck was 346 00:18:34,760 --> 00:18:39,199 Speaker 5: still filming, and so they came over and were watching. 347 00:18:39,200 --> 00:18:42,359 Speaker 1: There was just a band operation. 348 00:18:42,680 --> 00:18:47,400 Speaker 5: Rude to him, and I'm just like, oh wow or eyebills, 349 00:18:47,440 --> 00:18:50,720 Speaker 5: A very professional people led to do this thing. 350 00:18:51,000 --> 00:18:55,000 Speaker 1: Yeah, And so I don't remember you guys feeling that. 351 00:18:55,280 --> 00:18:57,720 Speaker 2: I have a picture of Ryan watching the monitor because 352 00:18:57,760 --> 00:19:00,360 Speaker 2: I stayed after it because I was so excited, not 353 00:19:00,480 --> 00:19:02,399 Speaker 2: thinking that more people in the room might make it 354 00:19:02,440 --> 00:19:07,080 Speaker 2: more difficult for them, but I was just so excited 355 00:19:07,080 --> 00:19:10,320 Speaker 2: to see it one because I didn't know you, like, 356 00:19:10,480 --> 00:19:13,119 Speaker 2: we hadn't spent still at that point, like that much time, 357 00:19:14,000 --> 00:19:17,200 Speaker 2: and I wanted to see it. I wanted to see 358 00:19:17,200 --> 00:19:20,840 Speaker 2: everyone perform, and because I knew everyone was so good, 359 00:19:21,480 --> 00:19:23,840 Speaker 2: and I was so excited, like sitting back there and 360 00:19:23,880 --> 00:19:28,080 Speaker 2: watching Ryan's monitor. I mean, I have so many pictures 361 00:19:28,080 --> 00:19:29,959 Speaker 2: of it because it's like, this is the greatest thing 362 00:19:30,000 --> 00:19:30,720 Speaker 2: I've ever seen. 363 00:19:32,320 --> 00:19:34,600 Speaker 5: That was such a fun moment that that's when it 364 00:19:34,640 --> 00:19:37,119 Speaker 5: that's when the show really started feeling real to me. 365 00:19:38,280 --> 00:19:42,919 Speaker 7: Yes, yes, because I really you perform in a musical 366 00:19:43,000 --> 00:19:47,000 Speaker 7: number on our show, you're floating a little bit, and 367 00:19:47,040 --> 00:19:49,919 Speaker 7: then once you're performing in that way, you're in the 368 00:19:49,960 --> 00:19:52,040 Speaker 7: glee club, You're off to the races. 369 00:19:52,640 --> 00:19:52,840 Speaker 8: You know. 370 00:19:53,800 --> 00:19:59,159 Speaker 3: Yes, do you remember when do you remember when you 371 00:19:59,240 --> 00:19:59,840 Speaker 3: found out that. 372 00:20:00,359 --> 00:20:04,320 Speaker 1: You were going to be pregnant in the like did 373 00:20:04,359 --> 00:20:05,920 Speaker 1: you read it? Really? 374 00:20:06,440 --> 00:20:06,680 Speaker 2: One? 375 00:20:07,119 --> 00:20:09,320 Speaker 1: And then it. 376 00:20:09,160 --> 00:20:14,480 Speaker 5: Was Ryan this hilarious and very true to Ryan way 377 00:20:14,640 --> 00:20:15,159 Speaker 5: I think it. 378 00:20:15,520 --> 00:20:17,720 Speaker 1: I think we were filming the second episode and he 379 00:20:17,840 --> 00:20:18,240 Speaker 1: was like. 380 00:20:18,720 --> 00:20:25,280 Speaker 5: Yeah, funny, Quinn's gonna get pregnant in episode and we're 381 00:20:25,280 --> 00:20:28,160 Speaker 5: gonna think it's Fin's baby, but really it's gonna be poxed. 382 00:20:28,320 --> 00:20:32,200 Speaker 5: And then filming that scene in the hot tub with Corey. Yes, 383 00:20:33,760 --> 00:20:37,040 Speaker 5: and that's how we got pregnant. 384 00:20:38,040 --> 00:20:39,320 Speaker 1: That's delicious. 385 00:20:39,520 --> 00:20:44,040 Speaker 5: It was you know, that storytelling was funny, but you 386 00:20:44,040 --> 00:20:44,560 Speaker 5: give them. 387 00:20:49,080 --> 00:20:49,560 Speaker 1: Totally. 388 00:20:49,880 --> 00:20:54,440 Speaker 2: You had that first season. I mean Quinn's entire run 389 00:20:54,600 --> 00:20:57,399 Speaker 2: on the show, you got put through the ringer. 390 00:20:57,240 --> 00:21:00,200 Speaker 1: But like there were a lot of potion. 391 00:21:01,000 --> 00:21:05,600 Speaker 2: Nobody went through as much as Quinn. Nobody's journey was 392 00:21:05,720 --> 00:21:09,119 Speaker 2: quite like yours. Like that first season there was that 393 00:21:09,240 --> 00:21:12,199 Speaker 2: comedy of like, you know, the hot tip scene, you 394 00:21:12,200 --> 00:21:15,680 Speaker 2: were you had to cry in so many episodes. Then 395 00:21:15,720 --> 00:21:19,159 Speaker 2: you're pregnant, you're fighting with people, like what was that? 396 00:21:19,320 --> 00:21:19,439 Speaker 5: Like? 397 00:21:19,680 --> 00:21:22,360 Speaker 2: You knows delicious as an actor. 398 00:21:23,480 --> 00:21:29,000 Speaker 5: Really truly, And I guess I was so delighted, And 399 00:21:29,040 --> 00:21:32,919 Speaker 5: I think this applies to all of our characters. We 400 00:21:33,040 --> 00:21:37,920 Speaker 5: might have started off as something that might have felt 401 00:21:38,280 --> 00:21:41,480 Speaker 5: more like a stereotype of a certain character, and there 402 00:21:41,520 --> 00:21:46,960 Speaker 5: was real vulnerability and exploration of who we all were. 403 00:21:47,280 --> 00:21:50,520 Speaker 1: Nobody stayed the same as they started. You know. 404 00:21:50,600 --> 00:21:54,920 Speaker 5: There was full character arcs, and I think to play 405 00:21:54,960 --> 00:22:00,479 Speaker 5: to her vulnerability, I mean, she just really quit as 406 00:22:00,480 --> 00:22:03,840 Speaker 5: a character, wanted to be loved for who she was, 407 00:22:04,200 --> 00:22:10,159 Speaker 5: not who she represented, and there was so much masking throughout. 408 00:22:09,280 --> 00:22:12,000 Speaker 2: The show all the time, all the. 409 00:22:12,000 --> 00:22:15,240 Speaker 1: Time, but who she was at her core was very 410 00:22:15,280 --> 00:22:16,760 Speaker 1: different than the presentation. 411 00:22:16,880 --> 00:22:27,639 Speaker 2: Yes, some of those scenes with your parents on the 412 00:22:27,640 --> 00:22:33,800 Speaker 2: show were some of my best heaviest scenes with parents 413 00:22:34,400 --> 00:22:35,320 Speaker 2: in the entire show. 414 00:22:35,680 --> 00:22:36,080 Speaker 1: Yeah. 415 00:22:36,119 --> 00:22:39,919 Speaker 5: Wow, we really so many of our characters had really 416 00:22:40,920 --> 00:22:46,920 Speaker 5: emotionally honest, vulnerable, hoard conversations with parents. 417 00:22:47,160 --> 00:22:52,960 Speaker 1: That scene, I remember Brad was directing. Brad Foulchuk was directing. 418 00:22:52,600 --> 00:22:56,359 Speaker 5: That scene where tells me to get out of the house, 419 00:22:57,160 --> 00:23:01,520 Speaker 5: and I was crying so hard that he he had to, 420 00:23:02,160 --> 00:23:07,320 Speaker 5: and also just for me, you know, I think understanding 421 00:23:07,320 --> 00:23:13,080 Speaker 5: how to harness your emotions while performing really rough, raw material, 422 00:23:13,400 --> 00:23:17,800 Speaker 5: there's no to that, and it definitely didn't have that 423 00:23:18,000 --> 00:23:20,520 Speaker 5: in the beginning. So that was the first moment everyone 424 00:23:20,560 --> 00:23:23,800 Speaker 5: sat where I realized, oh, I've I've let it touch 425 00:23:23,840 --> 00:23:28,240 Speaker 5: something so real and honestly, I'm sobbing and snop crying 426 00:23:28,359 --> 00:23:33,680 Speaker 5: and it's unusable and red well, and he said, I'm 427 00:23:33,840 --> 00:23:37,600 Speaker 5: really so proud of you for for giving so much 428 00:23:37,720 --> 00:23:40,040 Speaker 5: this moment we are going to be. 429 00:23:40,119 --> 00:23:46,560 Speaker 1: Pup back like twenty five. Like I can't even understand 430 00:23:46,600 --> 00:23:47,359 Speaker 1: what you're saying. 431 00:23:47,520 --> 00:23:53,600 Speaker 5: I was like, I know, you know, hold on, let 432 00:23:53,600 --> 00:23:54,160 Speaker 5: me start again. 433 00:23:57,880 --> 00:24:01,480 Speaker 1: Just so sad, but that's the truth of it. We 434 00:24:01,480 --> 00:24:05,640 Speaker 1: were so young. We were so young and so young. 435 00:24:06,840 --> 00:24:11,320 Speaker 5: What scenes would you both say were the most difficult 436 00:24:12,000 --> 00:24:14,480 Speaker 5: in that kind of emotional way to film? 437 00:24:14,520 --> 00:24:15,280 Speaker 1: Do you have an answer? 438 00:24:15,400 --> 00:24:17,000 Speaker 8: Do you know? Well? 439 00:24:18,640 --> 00:24:21,200 Speaker 2: So two things I just want to remark on. I 440 00:24:21,240 --> 00:24:23,239 Speaker 2: remember the first time you had to sing, I mean 441 00:24:23,240 --> 00:24:26,639 Speaker 2: you had to cry during keep Holding On. Oh my gosh, 442 00:24:27,080 --> 00:24:30,600 Speaker 2: like musical number and a few full musical number takes 443 00:24:30,600 --> 00:24:32,400 Speaker 2: so long to film, And that was the first time 444 00:24:32,440 --> 00:24:34,240 Speaker 2: I had ever been in a scene with somebody who 445 00:24:34,240 --> 00:24:38,960 Speaker 2: had to cry. Yeah, And I remember being like, oh 446 00:24:39,040 --> 00:24:41,720 Speaker 2: my god, like we're doing very different things on the 447 00:24:41,760 --> 00:24:45,479 Speaker 2: show because like I'm just being a clown and like, 448 00:24:45,520 --> 00:24:48,640 Speaker 2: oh she has to do something like really serious right now, 449 00:24:48,680 --> 00:24:51,680 Speaker 2: and so I had to like learn by your example 450 00:24:51,800 --> 00:24:54,919 Speaker 2: of like how to be during that time off, like 451 00:24:54,920 --> 00:24:59,800 Speaker 2: how to respect your fellow actor when they're trying to 452 00:25:00,000 --> 00:25:02,280 Speaker 2: you know, because we're making jokes, we're laughing in between takes. 453 00:25:02,480 --> 00:25:05,119 Speaker 2: Like no, Dan, it has to like cry for the 454 00:25:05,160 --> 00:25:08,800 Speaker 2: next six hours, so we need to get it together. 455 00:25:08,960 --> 00:25:12,000 Speaker 2: But I think just. 456 00:25:11,960 --> 00:25:13,200 Speaker 1: To speak to that really quickly. 457 00:25:13,280 --> 00:25:17,320 Speaker 5: I remember, though, it was very helpful having you guys 458 00:25:18,119 --> 00:25:21,920 Speaker 5: act normally around me because I felt more isolated because 459 00:25:21,920 --> 00:25:24,119 Speaker 5: I had to. I just would sit there in the 460 00:25:24,160 --> 00:25:27,159 Speaker 5: middle of it, in between takes, and the jovial nature 461 00:25:27,320 --> 00:25:29,840 Speaker 5: to which people were, you know. 462 00:25:29,920 --> 00:25:32,840 Speaker 1: Just responding as you normally would in between takes. 463 00:25:33,040 --> 00:25:36,119 Speaker 5: Yeah, it made me feel increasingly more and more lively, 464 00:25:36,160 --> 00:25:39,280 Speaker 5: which is what that character was feeling in that moment. 465 00:25:39,840 --> 00:25:42,920 Speaker 2: So you're welcome for us being told very. 466 00:25:42,800 --> 00:25:46,600 Speaker 1: Much it was good. I was like, I was so 467 00:25:47,280 --> 00:25:48,960 Speaker 1: isolated from the school. 468 00:25:51,480 --> 00:25:53,520 Speaker 4: That was like when Matt Morrison we were doing Don't Stop, 469 00:25:53,560 --> 00:25:57,119 Speaker 4: and you know, we had zero experience for any of this, 470 00:25:57,280 --> 00:26:00,560 Speaker 4: and Matt's trying to cry and that most like knic 471 00:26:01,200 --> 00:26:04,200 Speaker 4: close up of his face that's supposed to be the 472 00:26:04,200 --> 00:26:08,240 Speaker 4: culmination of this whole episode and we're literally like humping 473 00:26:08,280 --> 00:26:10,080 Speaker 4: each other, like acting like a fool. 474 00:26:10,119 --> 00:26:12,960 Speaker 1: And Ryan's like, you guys, we heard like the. 475 00:26:12,920 --> 00:26:16,359 Speaker 3: Voice of God come down and slap us to the ground. 476 00:26:16,359 --> 00:26:17,439 Speaker 1: It was very embarrassing. 477 00:26:19,119 --> 00:26:22,440 Speaker 4: No, I feel like you had it on. You had 478 00:26:22,440 --> 00:26:26,920 Speaker 4: it so early before any of us. Queen had such deep, 479 00:26:27,640 --> 00:26:32,800 Speaker 4: uh you know, emotional storylines that you know, created that 480 00:26:32,840 --> 00:26:35,520 Speaker 4: were so necessary for those moments that like by the 481 00:26:35,560 --> 00:26:39,639 Speaker 4: time Tina got her groove of like her storylines, it 482 00:26:39,680 --> 00:26:40,600 Speaker 4: was so much later. 483 00:26:40,800 --> 00:26:43,600 Speaker 3: So I kind of learned by that point. Like I 484 00:26:43,640 --> 00:26:44,680 Speaker 3: remember the school. 485 00:26:44,359 --> 00:26:51,639 Speaker 4: Shooting episode, which you know, questionable, uh controversial episode that 486 00:26:51,760 --> 00:26:54,240 Speaker 4: we did, and Tina stuck outside of the room, so 487 00:26:54,280 --> 00:26:56,400 Speaker 4: I didn't luckily have to be in the room while 488 00:26:56,440 --> 00:26:59,640 Speaker 4: you guys shot that very emotional like day of shooting. 489 00:26:59,680 --> 00:27:03,120 Speaker 3: But Gina's like, all my friends are in there and 490 00:27:03,160 --> 00:27:06,479 Speaker 3: that's my family. And we started shooting. 491 00:27:06,520 --> 00:27:09,720 Speaker 4: Beeker was directing, and I'm talking to Blaine as we're 492 00:27:09,720 --> 00:27:12,440 Speaker 4: walking down the hallway. It was the end of the 493 00:27:12,520 --> 00:27:15,160 Speaker 4: day and I was filming and then he was doing 494 00:27:15,160 --> 00:27:18,840 Speaker 4: the wide and he saw how emotional I was getting 495 00:27:19,000 --> 00:27:21,639 Speaker 4: and how I was like, it is here and I 496 00:27:21,640 --> 00:27:23,600 Speaker 4: don't know how long, it's gonna last and we are 497 00:27:23,720 --> 00:27:26,160 Speaker 4: in it, and he was like, just stop, we're moving 498 00:27:26,200 --> 00:27:27,840 Speaker 4: the cameras in right now. So we had to move 499 00:27:27,880 --> 00:27:30,679 Speaker 4: the cameras in and swap shots just because he was like, 500 00:27:31,200 --> 00:27:33,080 Speaker 4: this is this is what we are, you know. So 501 00:27:33,119 --> 00:27:36,120 Speaker 4: we had learned by that point that, like, you know, 502 00:27:35,880 --> 00:27:39,399 Speaker 4: you learned how to do that. But I think in 503 00:27:39,440 --> 00:27:41,480 Speaker 4: the terms of in terms of Quinn, like you had 504 00:27:41,560 --> 00:27:46,280 Speaker 4: such such a journey and it started off with a bang, 505 00:27:47,680 --> 00:27:48,360 Speaker 4: like it did. 506 00:27:48,280 --> 00:27:51,680 Speaker 1: A pregnancy bang, a teen pregnancy bang. 507 00:27:52,560 --> 00:27:55,879 Speaker 2: My god, it was the greatest hits. It was like 508 00:27:55,960 --> 00:27:58,280 Speaker 2: teen peggiancy bang. Then she comes back with like the 509 00:27:58,320 --> 00:28:02,200 Speaker 2: pink short hair and she's in a car accident, and then. 510 00:28:03,640 --> 00:28:07,520 Speaker 3: There were redemption Justice Quinn. 511 00:28:09,560 --> 00:28:13,680 Speaker 2: Like, we just finished watching this and it's like at 512 00:28:13,680 --> 00:28:19,080 Speaker 2: some point during every season we're like, what's happened to Quinn? This? Like, 513 00:28:19,280 --> 00:28:24,600 Speaker 2: I don't think I necessarily realized how much that whole 514 00:28:24,640 --> 00:28:27,760 Speaker 2: storyline with a Dina I'm. 515 00:28:27,600 --> 00:28:28,640 Speaker 1: Going to get the baby back. 516 00:28:28,840 --> 00:28:32,120 Speaker 2: Yes, I was like, it is never ending. You never 517 00:28:32,240 --> 00:28:35,720 Speaker 2: have a break, and when you. 518 00:28:35,840 --> 00:28:40,480 Speaker 5: Start with teen pregnancy, you know you're in it. So 519 00:28:41,080 --> 00:28:45,160 Speaker 5: just put it all in the cart, put it all 520 00:28:45,160 --> 00:28:46,800 Speaker 5: in the cart or at all. 521 00:28:48,080 --> 00:28:50,760 Speaker 4: What One of the most iconic Quinn scenes that I 522 00:28:50,800 --> 00:28:53,320 Speaker 4: loved so much was in the first season when you 523 00:28:53,360 --> 00:28:54,520 Speaker 4: give birth to the baby. 524 00:28:55,960 --> 00:29:01,560 Speaker 5: I that birthing scene, going from stage to delivery room, 525 00:29:02,080 --> 00:29:03,640 Speaker 5: singing that Queen song. 526 00:29:03,760 --> 00:29:07,480 Speaker 1: I mean it was Queen Yeah, Rhapsody. 527 00:29:08,760 --> 00:29:12,320 Speaker 5: God, and just all of us running down the hallway, 528 00:29:12,520 --> 00:29:13,760 Speaker 5: pushing me through. 529 00:29:14,880 --> 00:29:22,200 Speaker 7: Bumps with our bump bes and those kind of metallic cultuneck. 530 00:29:23,640 --> 00:29:24,840 Speaker 1: Yeah. 531 00:29:24,960 --> 00:29:25,240 Speaker 4: Those. 532 00:29:25,560 --> 00:29:32,160 Speaker 5: I really did love when music and song could take 533 00:29:32,280 --> 00:29:37,560 Speaker 5: us through really heightened moments as demonstrated, and that that 534 00:29:37,760 --> 00:29:42,440 Speaker 5: was one of my favorites performance because it just the 535 00:29:42,520 --> 00:29:46,840 Speaker 5: emotion PI and it matched the song really well, and 536 00:29:46,880 --> 00:29:50,520 Speaker 5: it just so people and fun and wild and wacky, 537 00:29:50,600 --> 00:29:53,360 Speaker 5: but still within the realm of believability. 538 00:29:53,720 --> 00:29:56,960 Speaker 2: You know, Yes, definitely, It's one of my favorite things. 539 00:29:56,960 --> 00:30:00,240 Speaker 2: Like when that I feel like that more than post 540 00:30:00,440 --> 00:30:03,680 Speaker 2: musical numbers, like has a moment online like once a 541 00:30:03,760 --> 00:30:06,000 Speaker 2: year when people are seeing it for the first time, 542 00:30:06,000 --> 00:30:10,080 Speaker 2: they're like, wait, what happened and you're matching the lyrics 543 00:30:10,160 --> 00:30:12,560 Speaker 2: and I'm like, yeah, it's insane, and I feel like 544 00:30:12,600 --> 00:30:16,360 Speaker 2: it works so well, it's so effective, And I remember 545 00:30:16,440 --> 00:30:19,000 Speaker 2: watching it for the first time, because we obviously were 546 00:30:19,040 --> 00:30:23,320 Speaker 2: not in the birthing scene and so like we don't know. Yeah, 547 00:30:23,400 --> 00:30:26,440 Speaker 2: And I remember sitting there like in the theater at Paramount, 548 00:30:26,840 --> 00:30:30,600 Speaker 2: just like my hands on my face like, oh my god, 549 00:30:31,240 --> 00:30:35,400 Speaker 2: like you're screaming for your life. It is so good. 550 00:30:35,920 --> 00:30:41,360 Speaker 2: How I have a question, how the hell did did 551 00:30:41,440 --> 00:30:45,120 Speaker 2: how did it work? Like practically speaking them like Okay, 552 00:30:45,120 --> 00:30:47,520 Speaker 2: now you're gonna scream this lyric and it's in time 553 00:30:47,760 --> 00:30:51,000 Speaker 2: with the actual song, like did you just keep going? 554 00:30:51,000 --> 00:30:52,560 Speaker 2: And they just kept okay, now do this lyric? 555 00:30:53,200 --> 00:30:57,520 Speaker 1: Yes, And Brad Falchic again was in the room. 556 00:30:57,880 --> 00:30:59,760 Speaker 5: He was there with me for so many of the 557 00:31:00,040 --> 00:31:08,600 Speaker 5: heightened emotional scenes, and he was just recounting memories from 558 00:31:08,640 --> 00:31:12,560 Speaker 5: his own children being born, and he was throwing and things. 559 00:31:12,360 --> 00:31:14,600 Speaker 1: Like now tell him that you want him to die, 560 00:31:14,720 --> 00:31:16,240 Speaker 1: or like you know, I'll kill you. 561 00:31:16,160 --> 00:31:19,240 Speaker 5: And so all of those kind of peppered moments in 562 00:31:19,360 --> 00:31:23,520 Speaker 5: line amazing lyrics were ad lived. 563 00:31:23,800 --> 00:31:27,920 Speaker 8: And and then they plopped down this brand new baby 564 00:31:28,000 --> 00:31:29,080 Speaker 8: in my arms. 565 00:31:29,840 --> 00:31:31,560 Speaker 1: And they were triplets. 566 00:31:31,840 --> 00:31:35,959 Speaker 5: Because anybody who has filmed its children, as I have 567 00:31:36,320 --> 00:31:38,480 Speaker 5: many times past our. 568 00:31:38,360 --> 00:31:43,120 Speaker 1: Show, it's helpful to have more than one because one might. 569 00:31:43,000 --> 00:31:46,680 Speaker 5: Be tired, and one might be sad and crying and 570 00:31:46,800 --> 00:31:49,240 Speaker 5: not be giving you the right of emotion for what 571 00:31:49,440 --> 00:31:50,719 Speaker 5: you're needing. 572 00:31:51,840 --> 00:31:54,800 Speaker 1: Yeah, when I filmed Shima Shimma. 573 00:31:54,560 --> 00:31:56,840 Speaker 5: Baby, we only had one baby, and that baby was 574 00:31:56,880 --> 00:32:00,160 Speaker 5: so unhappy to be on set, and we were so 575 00:32:00,240 --> 00:32:04,360 Speaker 5: many ways that were just the most comical. And it 576 00:32:04,440 --> 00:32:06,760 Speaker 5: wasn't a brand new baby like this was. I think 577 00:32:06,840 --> 00:32:08,480 Speaker 5: the baby was two weeks old. 578 00:32:08,440 --> 00:32:13,800 Speaker 8: Or three weeks old, and it all felt strangely weird, 579 00:32:14,200 --> 00:32:17,080 Speaker 8: you know, at the set, like a hospital room and 580 00:32:17,160 --> 00:32:21,280 Speaker 8: here's my baby, And that was one of the stranger 581 00:32:21,680 --> 00:32:23,360 Speaker 8: I've had on set. 582 00:32:24,320 --> 00:32:24,560 Speaker 7: You know. 583 00:32:25,200 --> 00:32:28,520 Speaker 5: Yeah, that baby away from me, both on the show 584 00:32:28,640 --> 00:32:29,560 Speaker 5: and in real life. 585 00:32:29,680 --> 00:32:35,880 Speaker 2: Oh right, yeah, oh my God, and Graff singing at 586 00:32:35,880 --> 00:32:38,360 Speaker 2: the top of his lungs and you giving birth is 587 00:32:38,360 --> 00:32:40,800 Speaker 2: one of the best things that ever happened to television. 588 00:32:41,440 --> 00:32:43,600 Speaker 3: We love Diana, Oh yes, we do. 589 00:32:43,960 --> 00:32:44,840 Speaker 2: An angel on Earth. 590 00:32:45,800 --> 00:32:48,880 Speaker 1: She truly is. She hasn't aged a day, no. 591 00:32:48,960 --> 00:32:50,880 Speaker 2: And she's so sweet. And also like, this is only 592 00:32:51,240 --> 00:32:55,080 Speaker 2: the first half, so stick around, come back on Thursday 593 00:32:55,160 --> 00:32:58,120 Speaker 2: because there's even more to get into it. And also 594 00:32:58,880 --> 00:33:01,840 Speaker 2: thanks to Anna for sticking her and opening up and 595 00:33:01,880 --> 00:33:04,720 Speaker 2: being this honest this is great. Come back on Thursday 596 00:33:04,840 --> 00:33:07,760 Speaker 2: for and That's what you really missed. Thanks for listening, 597 00:33:08,040 --> 00:33:10,560 Speaker 2: and follow us on Instagram at and That's what you 598 00:33:10,640 --> 00:33:12,880 Speaker 2: really miss pod. Make sure to write us a review 599 00:33:12,920 --> 00:33:15,080 Speaker 2: and leave us five stars. See you next time.