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Speaker 1: Hey, it's j Jo Bell.

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Speaker 2: You know I've had my ass kicked and beat by

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Speaker 2: some of the great names in country music.

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Speaker 1: Coming up?

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Speaker 2: Are you gonna hear the best of Ginge Bell getting

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Speaker 2: his ass kicked, beat thrown out of windows and run

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Speaker 2: over by guys? But right now I want to tell

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Speaker 2: you the backstage pass to the world Famous Phil Henry Show. Yeah,

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Speaker 2: the world Famous Phil Henry Show. Because this show is

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Speaker 2: unlike any other. It is the most unique podcast I

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Speaker 2: think out there today. And that's coming from Gen Jobel,

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Speaker 2: Gingo Bell, who wants everybody to be focused on him,

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Speaker 2: Ginge Bell, who wants everyone to be thinking about him,

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Speaker 2: Ginge Bell, who wants everybody to be hiring him. I'm

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Speaker 2: putting the focus off of me, and I'm putting it

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Speaker 2: on Phil Henry.

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Speaker 1: What are my nuts? You bet? But Phil Henry? Is

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Speaker 1: that good?

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Speaker 2: Get a backstage pass the world Famous Phil Henry Show podcast,

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Speaker 2: the net cast, the website with all of the great

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Speaker 2: archived radio shows, all of the great you know, video casts,

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Speaker 2: And my mind is just all right, Gene, keep your

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Speaker 2: mind focused. I'm just thinking about all the country artists.

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Speaker 1: That you kick my assy.

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Speaker 2: It's the world famous Phil Henry show where Gene Jabelle

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Speaker 2: gets his.

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Speaker 1: Ass beat regularly.

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Speaker 2: Yeah, get a backstage pass and get all of the

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Speaker 2: great sounds, the great archives, the great podcasts, video casts,

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Speaker 2: and home movies at Phil evryshow dot com, the greatest

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Speaker 2: value online other than poorn Yih. Hey, it's Phil, and

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Speaker 2: we want to thank our great friend and curator and

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Speaker 2: archivist and all around cool guy. Yeah, Rory McLoud for

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Speaker 2: another best of this from Jean Jabbell. Rory is he's

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Speaker 2: really good at just finding these You want to do

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Speaker 2: this again? Why because you went Rory's you know, no, no, no,

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Speaker 2: Now that you mentioned no, I don't want to do

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Speaker 2: it again, fine, Rory's did.

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Speaker 3: The Okay, Phil, we get the call.

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Speaker 2: Rory's great at finding these great, great clips, these great

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Speaker 2: actual you know, collections of characters, character bits and moments

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Speaker 2: and environments and things like that. He's done the best

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Speaker 2: of Bathtub and yeah, the best of Bathtub was was

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Speaker 2: great because it's a lot of different people.

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Speaker 1: Yeah, a lot of different people in a bathtub.

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Speaker 2: Yeah, now that you guys bring it up that way,

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Speaker 2: it's not that interesting, No, it isn't. However, today we

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Speaker 2: have the best of Ginga Bell Ginge Bell.

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Speaker 1: Just so you know. No, I don't want to go

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Speaker 1: back and redo it, but I said.

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Speaker 2: Ginge Bell is a country disc jockey who is reflective

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Speaker 2: of a phenomenon that I noticed when I was in radio,

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Speaker 2: and it's kind of a one that I was jealous of.

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Speaker 2: Country artists and country disc jockeys get along pretty good.

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Speaker 2: I mean these cats, actually some of them actually hang

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Speaker 2: out together. Some of the country disc jockeys go into management,

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Speaker 2: they manage some of these artists that they find, and

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Speaker 2: they have a kind of a good working relationship. I

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Speaker 2: was in rock radio just about my entire life, and

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Speaker 2: that was never the case with uh, with rock artists,

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Speaker 2: rock and roll artists. I'm not complaining about that. But

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Speaker 2: while I love their music, a lot of them were

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Speaker 2: major assholes. Yeah, that's a way to talk about it.

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Speaker 1: Nice Cohen, Phil, What do white care? Anyway?

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Speaker 2: Today we have the best of Jinga Bell, Ginga Bell,

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Speaker 2: who's had his ass kicked by some of the great

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Speaker 2: names in country music.

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Speaker 1: The following is a collection of Phil Henry Show encore

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Speaker 1: presentations by those.

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Speaker 2: Hey Gingebell here, you know, I've had my ass kicked

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Speaker 2: by some of the great names in country music. I

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Speaker 2: have had my ass kicked, I've had my head stoved in,

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Speaker 2: I've had my eyeballs punched black, I've had my nose

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Speaker 2: broken six seven times. But you know what that is

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Speaker 2: the price of doing business. The country artists love and

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Speaker 2: respect me. You know. I just have to get by

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Speaker 2: their their bouncers and their security, and I hand them

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Speaker 2: some of the great management deals of all time. As

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Speaker 2: Ginge Bell gets beat up, repeatedly, beat up, almost to

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Speaker 2: the point of being crippled. Weekly on country music usay

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Speaker 2: is Willie Hickson. Willi Hickson's Blues Parlor is opened twenty

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Speaker 2: four hours a day, seven days a week. I don't

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Speaker 2: even mess around, i'd because I like my music. I

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Speaker 2: know you like your music, and yeah, having a blues

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Speaker 2: let me tell you some I'm having a blues bar

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Speaker 2: and a city like Nashel, everybody want to hear country music.

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Speaker 2: I'm going to keep this thing open twenty four seven,

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Speaker 2: seven days a week to say I am blues, blues, blues, blues, No, no, no,

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Speaker 2: I won't.

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Speaker 1: Play no country music.

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Speaker 2: Come on into Willie Hickson Blues Bar twenty four hours

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Speaker 2: a day, seven days a week, Listen to blues, see

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Speaker 2: eat some good food. I don't know what kind of

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Speaker 2: fits jelly hamburgers. We actually have beef borgan. You know,

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Speaker 2: there's no such thing.

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Speaker 1: As blues food. Okay, we'll just.

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Speaker 2: Get that out of your mind, all right. We serve

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Speaker 2: up regular food, good food. We got pot roast. You know,

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Speaker 2: we were all kind of I think I think we

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Speaker 2: even have kish but Willie Hickson's Blues Parlor, Real Blues,

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Speaker 2: Willie Hickson's Bruze Parlor, fifty Main in downtown Dufuffity. We're

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Speaker 2: in the Fuffity. That's about five miles outside of Coopton,

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Speaker 2: which is in Central City Nashville.

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Speaker 1: I mean, whatdy ginger Bell here.

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Speaker 2: I get my ass kicked by the great names in

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Speaker 2: country music every single week right here on Country Music USA.

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Speaker 1: You know, Hank Williams is no longer.

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Speaker 2: With us, as I was mentioning that long. And Hank Williams,

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Speaker 2: of course was on our great stars. But when he

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Speaker 2: was making music, I was barely born, and when I

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Speaker 2: finally was born, I was I've.

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Speaker 1: Listened to Disney Records.

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Speaker 2: If I'd had to actually listen to this kind of

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Speaker 2: music as a little tiny kid, I probably wouldn't have

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Speaker 2: stopped projectile vomiting week after week. But overtheless, this is music,

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Speaker 2: country music. It's very Important's Hank Williams and it's important,

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Speaker 2: and it's Tank Williams.

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Speaker 1: That's about all I know about that. But I can

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Speaker 1: tell you this much.

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Speaker 2: I do know this, ladies and gentlemen. I do know

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Speaker 2: that Hank Williams drank himself to death. And the other

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Speaker 2: day I was am seeing a charity event for a

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Speaker 2: drunk driving sponsored by Hank Williams Foundation, and so I

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Speaker 2: was up there.

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Speaker 1: I'm trying to loosen people. One of the things I

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Speaker 1: like to do is gen Ja.

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Speaker 2: Belle when I'm doing am seeing events or in my

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Speaker 2: management carreras of this jockey'd like a loosen people up.

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Speaker 2: I like to get people just kind of yeah, you know,

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Speaker 2: loosen it up. Man, don't tell you everything so serious.

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Speaker 2: So I started making you know, I started making jokes

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Speaker 2: about drunk driving, talking about being thrown through a windshield

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Speaker 2: and things like that.

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Speaker 1: I know it sounds gruesome.

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Speaker 2: I know it sounds bad, but hey, you know what,

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Speaker 2: when you learn to loosen up, when you learn to

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Speaker 2: say just hey, you know what, the guy's are drunk,

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Speaker 2: he drives drunk, he drives over top of old people.

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Speaker 1: At bus stops. Big deal.

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Speaker 2: That's when we can begin to talk to each other.

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Speaker 2: That's what we bridge the gaps between each other. Well,

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Speaker 2: so I'm making all these jokes about drunk driving at

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Speaker 2: this event, and the PA there, I guess, for whatever reason.

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Speaker 1: They didn't like it. And they don't have a sense

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Speaker 1: of humor.

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Speaker 2: And one of the things about country music fans especially

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Speaker 2: and the artists, no sense of humor at all. So

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Speaker 2: they rolled me up in a large rug, just like

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Speaker 2: that management team there, I think Patsy Klimb.

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Speaker 1: I mean, they rolled me up.

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Speaker 2: In this rug and they beat me with chairs and tables,

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Speaker 2: lead pipes, baseball bats, sledgehammers. The reason why I know

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Speaker 2: is because I would peek out from under the rug

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Speaker 2: and take a look and say, what are they hitting.

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Speaker 1: Me with now? And I kept the metal notes, I

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Speaker 1: kept the middle note.

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Speaker 2: I was being hit with lead pipes. I wasn't sure

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Speaker 2: it was lead. I actually asked somebody, I said, is.

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Speaker 1: That a lead pipe? And they went, wouldn't you like

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Speaker 1: to know? Bang?

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Speaker 2: Hit me again, sledgehammer's standing lamps on a snowshovel. Well,

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Speaker 2: with all of my teeth shattered and my jaw unhinged.

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Speaker 2: I tried to explain myself, but I came off talking

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Speaker 2: more like a zombie or a ghoul, because you know,

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Speaker 2: I'd had my face kicked in, and this is what

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Speaker 2: I saided, like a fog ye, I'll plog ye.

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Speaker 1: Well. The people screamed, they were fighting, They didn't know

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Speaker 1: what to do.

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Speaker 2: Some of them doused me with whiskey, another hard liquor

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Speaker 2: from the cash bar, you know, and I probably made

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Speaker 2: a bunch of jokes about.

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Speaker 1: The cash board. How stupid these people are.

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Speaker 2: I mean, you know, go to a host bar, man,

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Speaker 2: go to a host bar, you get it for free,

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Speaker 2: and you can still get your drunk driving rap going.

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Speaker 1: That's when they lit me on fire.

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Speaker 2: Scott Well, I staggered to the ballroom on fire, boning

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Speaker 2: and scaring everyone. You've seen it happen in all CODs

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Speaker 2: of movies, all kinds of horror movies, and guy just

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Speaker 2: going ah, and I was a flaming guy. I staggered

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Speaker 2: through the ballroom, smashed through, yes you're right, some glass

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Speaker 2: sliding glass doors, and then a priest using a cross

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Speaker 2: tried to turn me like a vampire. Cops and fire

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Speaker 2: departments showed up and I fell in a hail of

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Speaker 2: rubber bullets. I'm Jean Jabell, but nobody has kicked my

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Speaker 2: ass quite as thoroughly. No one has kicked my ass

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Speaker 2: in a manner that is so humiliating to me. No

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Speaker 2: one has kicked my ass to the point where, you

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Speaker 2: know what, I know, I want to come back and

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Speaker 2: get my ass kicked again because I think I might

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Speaker 2: just like it.

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Speaker 1: Then, Kenny Rodgers, it's the dark, that's right.

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Speaker 2: I'm gen Jebel and oh, I stuttered over the name.

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Speaker 2: You heard me kind of hesitate, he Ben Rogers. He

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Speaker 2: because remembering the beating I took at the hands of

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Speaker 2: Kenny Rodgers, reading, Oh man, what the carcares the hell

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Speaker 2: out of you? Well, it turns out I appeared to

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Speaker 2: the Horseshoe Casino in Robinson, Mississippi.

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Speaker 1: One day. There was Kenny.

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Speaker 2: Rodgers, Kenny Rodgers look alike, singing a duet with a

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Speaker 2: lookalike Dolly Parton. That's right, who, of course had these big, huge,

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Speaker 2: and I mean gigantic fake boobs.

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Speaker 4: Wow.

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Speaker 1: So I remarked on how I'd like to have those

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Speaker 1: boobs in my mouth, just something to kind of break

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Speaker 1: the ice.

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Speaker 2: The fake Kenny Rodgers grabbed me by my ear nearly

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Speaker 2: wrenching it free of my skull, dragged me across the

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Speaker 2: casino floor, across multible craps and roulette tables. I got

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Speaker 2: then this is Kenny Rodger. There's fake Kenny Rodgers. By

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Speaker 2: the way, imagine a fake Kenny Rodgers treating me. Not

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Speaker 2: even the real Kenny Rodgers did. This was a fake

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Speaker 2: Kenny Rodgers. I'll get to the story about the real

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Speaker 2: Kenny Rodgers kicking.

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Speaker 1: My ass just a second. The fake Kenny Rodgers threw

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Speaker 1: me into.

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Speaker 2: An ATM machine head first, and then he dumped a

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Speaker 2: video slot machine onto my head, my bloodied head. Various

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Speaker 2: casino customers took turns kicking me while I was on

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Speaker 2: the floor, and some old lady poured whiskey sour.

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Speaker 1: On me and then kicked me in the nutsack. When

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Speaker 1: you how about that?

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Speaker 2: And along comes that Dolly Parton with the big fake boobs,

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Speaker 2: and I still said to her, good, I'll call boob,

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Speaker 2: but the ball.

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Speaker 1: That's the way I sat it. Well. The last person

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Speaker 1: to stand over me is I looked up.

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Speaker 2: I opened my eyes about six hours later, and I

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Speaker 2: was laying there in a pool of spit and blood

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Speaker 2: and whiskey.

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Speaker 1: And it was the actual Kenny Rodgers. He said, are

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Speaker 1: you all right?

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Speaker 2: I said, mister Rogers, I wanted to come here to

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Speaker 2: tell you I like your song The Gambler.

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Speaker 1: He said, you mean the Gambler. I said, oh, oh,

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Speaker 1: and that's what I felt.

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Speaker 2: Yet another man ATM machine drop on my head. See

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Speaker 2: and with Kenny Rogers drops an ATM machine on the

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Speaker 2: factory Gabelle crush tat cigarette. Yeah, Willie Hickson's Gut Bucket Festival.

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Speaker 2: This is an announcement that Gene Gabelle has been uninvited

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Speaker 2: as the MC because insurance will not cover the event

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Speaker 2: if Jean Jabell is seen anywhere near the place. All right,

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Speaker 2: we will have the Sweet Willy Hickson Gut Bucket Festival.

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Speaker 2: But I do not want, I do not care to have,

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Speaker 2: I do not wish to have. I do not want

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Speaker 2: and will not want and will not want to have

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Speaker 2: Ginge Bell anywhere near me, my festival, members of my family,

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Speaker 2: even in my date, which is Tennessee, sometimes Arizona and

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Speaker 2: most of the time California. The Sweet Willie Hickson Gut

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Speaker 2: Bucket Festival not featuring Jean Jabell.

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Speaker 1: Well, here's a song.

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Speaker 2: I thought for sure I was really gonna be I

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Speaker 2: thought I was really picking it right here. He says

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Speaker 2: to me, I got a song, mister Jabell, I hope

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Speaker 2: you managed me.

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Speaker 1: I said, what it's called? I said, Okie from Muskoge?

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Speaker 1: I said, are you kidding me? Sco Are you kidding me?

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Speaker 2: He said, well, well, come on, it's about being here

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Speaker 2: about you nuts. So I said, I'm not going to

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Speaker 2: take some hay seed act like you. Man, get out

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Speaker 2: of here. Three weeks later, it was a smash hit

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Speaker 2: all over the world. I called him up and I said, hey,

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Speaker 2: maryl remember that song Oki from Muscoge. He said, yeah,

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Speaker 2: you didn't want to manage me because you thought the

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Speaker 2: thing was just you thought the thing.

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Speaker 1: Was strictly from Hungary.

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Speaker 2: Said, well, yes, I did, but I also understand the

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Speaker 2: appeal that it can have for the hay seed and

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Speaker 2: the hillbilly and the real you know, the real backward

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Speaker 2: clowns like you. He said, oh really. I said, yeah,

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Speaker 2: So why didn't you sign a management deal with me?

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Speaker 2: And let's hit it big baby.

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Speaker 1: You know, we'll we'll touch this guy, we'll reach for

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Speaker 1: the stars. He said, that just gave.

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Speaker 2: Me an idea he went into the other room and

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Speaker 2: came out up with one of those skyrockets for the

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Speaker 2: fourth of July, watered it right up my ass and

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Speaker 2: lid it is that San Francisco dude, And this.

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Speaker 1: Is what I sounded like.

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Speaker 2: And I'm proud me from that bad Jean Jebel, I

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Speaker 2: swear event squares.

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Speaker 1: I'll tell you no right now. We played some of

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Speaker 1: the great country hits of all time.

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Speaker 2: But what would we be if we didn't have this

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Speaker 2: lovely little lady here, Donna Fargo, the happiest girl in

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Speaker 2: the USA. Doesn't this sound like a bunch of simple

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Speaker 2: minded garbage?

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Speaker 1: And that's exactly what I thought.

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Speaker 2: It was a bunch of simpled and simple minded trash.

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Speaker 2: And her husband came out of her boyfriend some guy

291
00:11:38,280 --> 00:11:39,800
Speaker 2: was there. He said, hey, Jane Bell, would you mind

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Speaker 2: managing Dona Fargo? He's got a great hit record. I said,

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Speaker 2: what's it called? He said, happiest girl in the USA?

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Speaker 2: I said, I would Are you kidding me with that?

295
00:11:46,240 --> 00:11:48,120
Speaker 2: I said, are you kidding me with that? I asked

296
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Speaker 2: it three times? Are you kidding me with that? And

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00:11:50,400 --> 00:11:51,920
Speaker 2: he stared at me and I said, get out of

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Speaker 2: my office and never darkened my toilet paper again left me.

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Speaker 2: Five months later, the songs a hit. I went over

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Speaker 2: to her house. She wasn't normal. In her office, she wasn't.

301
00:12:00,120 --> 00:12:01,960
Speaker 2: They said she was on vacation in Switzerland. So I

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00:12:01,960 --> 00:12:03,760
Speaker 2: booked a jet. I flew all the way to Switzerland.

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Speaker 2: I found her in a villa over there, some sort

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Speaker 2: of a lakeside retreat. I said, Hi, Donna, it's change

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Speaker 2: a bell.

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Speaker 1: And I was the one that.

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00:12:09,480 --> 00:12:11,679
Speaker 2: Said happiest girl in the whole USA was something that

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Speaker 2: would drop out of a cow's ass.

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Speaker 1: She said, that's right, I do remember you.

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Speaker 2: That's when she snapped her fingers and two guys came

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Speaker 2: in wearing SS uniforms.

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Speaker 1: That's right, Nazi uniforms.

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00:12:20,640 --> 00:12:23,720
Speaker 2: They had the lightning bolt collars, they had the swastikas.

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Speaker 1: On the armbands.

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Speaker 2: And they lifted me up and carried me outside, and

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Speaker 2: then they dropped me off the edge of a cliff.

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00:12:28,080 --> 00:12:30,600
Speaker 2: I bounded down about three four hundred feet, and I

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Speaker 2: rolled out into a.

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Speaker 1: Highway where there were troop transports.

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Speaker 2: Some of the most armored personnel carriers with those heavy

321
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Speaker 2: tracks rolled right over top of my ass.

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Speaker 5: Skip pretty thank you, oh thank you, Oh soup minded shit.

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Speaker 2: Thank you Jane a bell pain in the ass, Jane

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Speaker 2: of Bells in Barol Country, USA. All listened to the

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Speaker 2: children while they play Yeah yeah, yeah yeah, I ain't

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Speaker 2: kind of funny?

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Speaker 1: What the children? And see Skipper.

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Speaker 2: Borough, he's a cargill there, Skipper up, y'all. It's a

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Speaker 2: song about divorce.

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Speaker 1: Daddy hates mommy, Mommy hates dad. I guess who's gonna

331
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Speaker 1: win that fight? Dad would be. I should have heard

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Speaker 1: the fight they had. I bet they did. Mat gay

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Speaker 1: little sister, another bad dream.

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Speaker 2: I'll tell you what if you know a country song

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Speaker 2: about divorce. The best divorced song I heard was tell

336
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Speaker 2: me why not?

337
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Speaker 1: D I v old art? Well, I can't spell Skipper Row,

338
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Speaker 1: you know divorce is terrible.

339
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Speaker 2: He's gentlemen, all this to the children while it sings.

340
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Speaker 1: Ever it plays, it is hey doing, buddy.

341
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Speaker 2: See. I wish you'd got a hole under your nose

342
00:13:46,559 --> 00:13:48,839
Speaker 2: so I can hear the music that you're playing, because

343
00:13:48,880 --> 00:13:50,800
Speaker 2: I'm I'm getting very angry.

344
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Speaker 1: Thanks so much for colleags. Is dog you food?

345
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Speaker 2: You know?

346
00:13:57,360 --> 00:14:02,520
Speaker 1: What's that to say about the Golden room? Skip a rope? Yeah?

347
00:14:02,520 --> 00:14:05,480
Speaker 2: I tell you something. I was entertaining our great veterans.

348
00:14:05,480 --> 00:14:07,720
Speaker 2: And you know, there's nobody in this country that has love,

349
00:14:07,840 --> 00:14:11,640
Speaker 2: is more loving and more appreciative of our veterans than

350
00:14:11,720 --> 00:14:14,000
Speaker 2: Jean Javell here in country USA. And we go out

351
00:14:14,000 --> 00:14:16,640
Speaker 2: once a year to our big veterans picnic and Henson

352
00:14:16,679 --> 00:14:19,440
Speaker 2: Cargill of course, had come out the year before, and

353
00:14:19,480 --> 00:14:21,440
Speaker 2: I remember that song Skip a Rope. I was out

354
00:14:21,480 --> 00:14:23,600
Speaker 2: there and I saw a couple of our vets who were,

355
00:14:23,680 --> 00:14:25,240
Speaker 2: you know, missing their legs, and I said, hey, you

356
00:14:25,280 --> 00:14:28,320
Speaker 2: heard that song by Henson Cargill Skip a Rope?

357
00:14:28,400 --> 00:14:28,600
Speaker 3: Right?

358
00:14:28,720 --> 00:14:30,080
Speaker 2: So I said, I thought it'd be funny if we

359
00:14:30,080 --> 00:14:32,760
Speaker 2: had a rope skipping contest with some of the vets

360
00:14:32,800 --> 00:14:34,880
Speaker 2: that don't have legs. I didn't mean any offense by that.

361
00:14:35,000 --> 00:14:38,760
Speaker 2: I certainly didn't mean to insult them, or to embarrass

362
00:14:38,800 --> 00:14:40,560
Speaker 2: them or anything. But one of the veterans that was

363
00:14:40,600 --> 00:14:43,560
Speaker 2: there helping out came over and said, you know, did

364
00:14:43,640 --> 00:14:46,000
Speaker 2: you really just asked those guys to skip rope and

365
00:14:46,040 --> 00:14:48,200
Speaker 2: they only have you know, no leg and maybe one

366
00:14:48,200 --> 00:14:50,680
Speaker 2: guy got a leg in one arm and everything. I said, yeah,

367
00:14:50,720 --> 00:14:53,640
Speaker 2: I did. I said you got a problem with that?

368
00:14:54,080 --> 00:14:56,120
Speaker 2: I said, I'm sure these men have a good sense

369
00:14:56,120 --> 00:14:58,200
Speaker 2: of humor, and I'm sure, well, while I'm trying to

370
00:14:58,240 --> 00:15:00,640
Speaker 2: explain it and make sense to this guy, he was

371
00:15:01,080 --> 00:15:03,000
Speaker 2: wiggling his finger like once, you come on over here

372
00:15:03,040 --> 00:15:03,480
Speaker 2: for a second.

373
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Speaker 1: And I walked over.

374
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Speaker 2: He had the trunk of his car open, and there

375
00:15:07,160 --> 00:15:09,120
Speaker 2: was rope and there was a bag in there, and

376
00:15:09,160 --> 00:15:12,000
Speaker 2: I think I saw a saw, and I felt a

377
00:15:12,000 --> 00:15:13,840
Speaker 2: baseball bat hit me in the back of my head,

378
00:15:13,880 --> 00:15:15,640
Speaker 2: and I was out. Everything blacked out, and I woke

379
00:15:15,720 --> 00:15:17,960
Speaker 2: up and I was inside a bag and tied at

380
00:15:18,000 --> 00:15:22,920
Speaker 2: both ends with this rope, and the car stopped and

381
00:15:22,920 --> 00:15:24,720
Speaker 2: they opened it. I felt myself getting rolled out of

382
00:15:24,760 --> 00:15:26,320
Speaker 2: the back of his trunk. I was still inside the bag,

383
00:15:26,400 --> 00:15:28,640
Speaker 2: and I felt baseball bats hitting me all it must

384
00:15:28,640 --> 00:15:30,040
Speaker 2: have been one hundred, two hundred.

385
00:15:30,080 --> 00:15:31,880
Speaker 1: Hits, this baseball bat. And I died.

386
00:15:31,920 --> 00:15:33,760
Speaker 2: I was dead, and then they cut me up and

387
00:15:33,800 --> 00:15:35,240
Speaker 2: they threw me into a river. And that's why he

388
00:15:35,320 --> 00:15:37,880
Speaker 2: listened to this program here, this is the Jim Jim

389
00:15:37,960 --> 00:15:40,000
Speaker 2: Jabell Show here in Country USA. You're listening to this

390
00:15:40,040 --> 00:15:42,760
Speaker 2: program mostly in a dream. You're in a sleeping state.

391
00:15:42,800 --> 00:15:45,480
Speaker 2: You're in some kind of a state where this isn't reality.

392
00:15:45,520 --> 00:15:48,320
Speaker 2: I'm dead I'm dead. You understand I'm dead. If I'm

393
00:15:48,360 --> 00:15:51,200
Speaker 2: not dead, I ought to be half the things that

394
00:15:51,200 --> 00:15:51,800
Speaker 2: have happened to me.

395
00:15:52,040 --> 00:15:53,120
Speaker 1: Blake Shelton I could have.

396
00:15:53,080 --> 00:15:54,800
Speaker 2: Managed had I been a little bit kinder, had I

397
00:15:54,840 --> 00:15:57,080
Speaker 2: been a little bit had I been conscious, I could

398
00:15:57,080 --> 00:15:59,640
Speaker 2: have managed him. But I fell asleep. And the reason

399
00:15:59,640 --> 00:16:02,480
Speaker 2: why I sleep with Blake with skin concert, he said,

400
00:16:02,520 --> 00:16:04,200
Speaker 2: would you please come out and watch me, mister Jabel,

401
00:16:04,240 --> 00:16:06,400
Speaker 2: I said, sure. Well, I got so blind, stink and

402
00:16:06,480 --> 00:16:07,760
Speaker 2: drunk that I passed out in the middle of the

403
00:16:07,800 --> 00:16:11,000
Speaker 2: first song, and I was laying on the floor underneath

404
00:16:11,040 --> 00:16:13,080
Speaker 2: the table in the bar that I was watching Blake Sheldon,

405
00:16:13,120 --> 00:16:15,600
Speaker 2: but while he was signing with another manager, I was

406
00:16:15,880 --> 00:16:18,240
Speaker 2: laying on the floor throwing up. And finally my girlfriend

407
00:16:18,240 --> 00:16:19,800
Speaker 2: picked me up, dragged me up my cross and Rea

408
00:16:19,920 --> 00:16:21,280
Speaker 2: and I went to sleep in the front seat. When

409
00:16:21,280 --> 00:16:23,240
Speaker 2: I woke up, I was at an empty parking lot.

410
00:16:23,240 --> 00:16:25,400
Speaker 2: The bar was closed, it was five am. Nobody was there.

411
00:16:25,400 --> 00:16:27,640
Speaker 2: Blake wasn't there. I said, where's Blake, where's Blake. I've

412
00:16:27,640 --> 00:16:30,400
Speaker 2: got to know, I must know. There was nobody there

413
00:16:30,400 --> 00:16:32,560
Speaker 2: to tell me Bill. I did see a guy sweeping

414
00:16:32,600 --> 00:16:34,080
Speaker 2: up out back. I said, you know who Blake Shelton is.

415
00:16:34,120 --> 00:16:35,760
Speaker 2: He said, yes, say do. I said, you're gonna tell

416
00:16:35,760 --> 00:16:37,360
Speaker 2: me where he is, aren't you. He said, I don't know,

417
00:16:37,400 --> 00:16:39,280
Speaker 2: but I'll make a place up. I said fine. So

418
00:16:39,360 --> 00:16:40,760
Speaker 2: he made up a place. I went there. It turned

419
00:16:40,800 --> 00:16:43,560
Speaker 2: out to be the clubhouse of a notorious outlaw motorcycle gang.

420
00:16:43,840 --> 00:16:45,600
Speaker 2: I got my ass kicked. I was hung by one

421
00:16:45,680 --> 00:16:47,120
Speaker 2: arm from the ceiling, and I was left there to

422
00:16:47,160 --> 00:16:48,320
Speaker 2: just kind of twist in the wind.

423
00:16:48,760 --> 00:16:50,600
Speaker 1: And I never did meet Blake Shelton. I got my

424
00:16:50,640 --> 00:16:55,200
Speaker 1: ass kicked. Buy a motorcycle club. Jean Jabell gets his

425
00:16:55,240 --> 00:16:56,560
Speaker 1: ass kicked by one percent.

426
00:16:59,360 --> 00:17:03,040
Speaker 2: That's Country USA, the great great country artists of all time.

427
00:17:03,440 --> 00:17:05,760
Speaker 2: Kick my ass, Throw me out of the backs of cars,

428
00:17:06,200 --> 00:17:09,280
Speaker 2: throw my head into a into a brick wall, kick

429
00:17:09,359 --> 00:17:11,960
Speaker 2: me downstairs. I'll tell you it's a great, great life.

430
00:17:12,000 --> 00:17:15,800
Speaker 2: It's a great great music. Country. Roscoe's Country Cooking at

431
00:17:15,840 --> 00:17:18,280
Speaker 2: the corner of fifteenth in Uber in downtown Nashville.

432
00:17:18,320 --> 00:17:20,160
Speaker 1: They got chicken in the rough. They got chicken. They

433
00:17:20,160 --> 00:17:23,959
Speaker 1: got chicken, catcha tory. They got broiled chicken. Boiled chicken, brothers,

434
00:17:24,000 --> 00:17:25,119
Speaker 1: they got barbecued chicken.

435
00:17:25,359 --> 00:17:27,800
Speaker 2: And guess what unless you're chicken, so you've got to

436
00:17:27,880 --> 00:17:30,040
Speaker 2: really enjoy their chicken tequila.

437
00:17:30,440 --> 00:17:30,880
Speaker 1: That's right.

438
00:17:31,000 --> 00:17:35,720
Speaker 2: Roscoe's Roscoe's Country Cooking in downtown Nashville, and I'm Roscoe,

439
00:17:35,760 --> 00:17:38,399
Speaker 2: and I'll there isn't anything that's ever been done with

440
00:17:38,600 --> 00:17:41,840
Speaker 2: or two a chicken that I haven't tried. And sorry, folks,

441
00:17:41,880 --> 00:17:44,000
Speaker 2: we didn't mean that. That is Roscoe and the restaurant

442
00:17:44,040 --> 00:17:45,680
Speaker 2: is named after him, but he hasn't been allowed out.

443
00:17:46,720 --> 00:17:49,240
Speaker 2: That's wow, that's a big mistake there. Who's too did that?

444
00:17:50,080 --> 00:17:56,120
Speaker 2: Roscoe's Country Cooking in Nashville? Chicken and more memory great

445
00:17:56,160 --> 00:17:58,960
Speaker 2: country disc jockey and knowing out of the great stars

446
00:18:00,119 --> 00:18:01,400
Speaker 2: of times, they're going to come over to your house,

447
00:18:01,440 --> 00:18:02,919
Speaker 2: They're going to break bread with you, they over, I

448
00:18:02,920 --> 00:18:04,320
Speaker 2: have a drink, maybe they'll have dinner with you. A

449
00:18:04,359 --> 00:18:06,560
Speaker 2: lot of times we're out and we're hanging out with

450
00:18:06,600 --> 00:18:08,479
Speaker 2: a lot of the great country stars, and fans will

451
00:18:08,520 --> 00:18:10,040
Speaker 2: come up and say, hey, can we get an autograph?

452
00:18:10,119 --> 00:18:12,479
Speaker 2: And I realized that it's very exciting for a lot

453
00:18:12,480 --> 00:18:14,520
Speaker 2: of you fans to get the autographs of Jeane Bell

454
00:18:14,960 --> 00:18:17,159
Speaker 2: and any of the country artists that I'm with. But

455
00:18:17,520 --> 00:18:20,159
Speaker 2: so many times it just is not possible, So we

456
00:18:20,200 --> 00:18:22,760
Speaker 2: do ask you to stop and don't bother us while

457
00:18:22,760 --> 00:18:24,920
Speaker 2: we're eating and while we're having drinks and while we're

458
00:18:25,000 --> 00:18:27,600
Speaker 2: laughing and enjoying our lives. Is very, very wealthy and

459
00:18:27,960 --> 00:18:31,440
Speaker 2: important people. Now, one time that happened. I was with

460
00:18:31,480 --> 00:18:33,560
Speaker 2: a country artist by the name of Chris Young. And

461
00:18:33,640 --> 00:18:35,440
Speaker 2: Chris Young, as you know, as a brand new star.

462
00:18:35,520 --> 00:18:37,280
Speaker 2: He's got a brand new song ad. It's called Think

463
00:18:37,320 --> 00:18:40,200
Speaker 2: of You and it's a duet with I believe it's

464
00:18:40,240 --> 00:18:44,080
Speaker 2: Cassidy Pope. Well, anyway, it was Chris Young that evening

465
00:18:44,359 --> 00:18:46,080
Speaker 2: and some kid came over and said, can I get

466
00:18:46,080 --> 00:18:48,600
Speaker 2: your autograph? And I said no, you may not quit

467
00:18:48,680 --> 00:18:51,720
Speaker 2: bothering me. And the kids said, mister Young, and Chris

468
00:18:51,800 --> 00:18:53,520
Speaker 2: kind of looked at me and laughed, and I said, well,

469
00:18:53,720 --> 00:18:54,679
Speaker 2: you just embarrassed me.

470
00:18:54,800 --> 00:18:55,000
Speaker 1: Kid.

471
00:18:55,280 --> 00:18:56,960
Speaker 2: Do you want my autograph or don't you? And the

472
00:18:57,040 --> 00:18:58,560
Speaker 2: kids said, I don't even know who you are. And

473
00:18:58,600 --> 00:19:01,399
Speaker 2: I said, okay, that does. I grabbed the kid and

474
00:19:01,440 --> 00:19:02,920
Speaker 2: I ran him right out the door. I mean I

475
00:19:02,960 --> 00:19:04,399
Speaker 2: grabbed him by the belt, I had him by the

476
00:19:04,480 --> 00:19:07,960
Speaker 2: collar and ran him right out into the street. And unfortunately, yes,

477
00:19:08,000 --> 00:19:10,000
Speaker 2: he was hit by a bus. But that was on him,

478
00:19:10,040 --> 00:19:12,240
Speaker 2: not me. That was on him, not me, because he

479
00:19:12,359 --> 00:19:15,040
Speaker 2: was bothering me. Jeanj of Bell and Chris Young in

480
00:19:15,040 --> 00:19:15,720
Speaker 2: the middle of dinner.

481
00:19:15,960 --> 00:19:16,919
Speaker 1: Chris said, why did you do that.

482
00:19:16,960 --> 00:19:19,600
Speaker 2: I like signing autographs and I said autografts.

483
00:19:19,840 --> 00:19:20,919
Speaker 1: He said, no autographs.

484
00:19:21,200 --> 00:19:23,200
Speaker 2: I said, don't lie to me, Young, You lie in

485
00:19:23,400 --> 00:19:26,080
Speaker 2: sack a crap you don't like signing. And before I

486
00:19:26,119 --> 00:19:28,480
Speaker 2: got the word autograph out, he'd hit me with a

487
00:19:28,520 --> 00:19:32,320
Speaker 2: straight left shot right into the teeth. I lost one, two, three, four,

488
00:19:32,440 --> 00:19:35,240
Speaker 2: five teeth from the upper jaw and I said, that's

489
00:19:35,320 --> 00:19:36,359
Speaker 2: amazing shot.

490
00:19:36,680 --> 00:19:37,600
Speaker 1: I remember. I said that.

491
00:19:38,400 --> 00:19:40,880
Speaker 2: I was really it hurt, but I was also very impressed,

492
00:19:40,920 --> 00:19:45,159
Speaker 2: and he said, thank yousjeez. Well, there was blood spewing everywhere,

493
00:19:45,200 --> 00:19:46,760
Speaker 2: and meanwhile there were people lining up to have their

494
00:19:46,760 --> 00:19:49,560
Speaker 2: autograph sign. I said, excuse me, I can't sign it. Actually,

495
00:19:49,600 --> 00:19:52,040
Speaker 2: I said I can't thank you as they gassed and

496
00:19:52,040 --> 00:19:54,440
Speaker 2: they said, we don't want your autograph, you freak on wheels.

497
00:19:54,680 --> 00:19:55,719
Speaker 1: I said, that's the hit.

498
00:19:56,119 --> 00:19:59,119
Speaker 2: Well, and Chris started signing all these autographs. I said, hey, Chris,

499
00:19:59,320 --> 00:20:01,359
Speaker 2: tell you what, man, how about signing with me? And

500
00:20:01,359 --> 00:20:04,800
Speaker 2: of course was sounding like this, how about he said,

501
00:20:04,840 --> 00:20:06,440
Speaker 2: I'm not going to sign with you. You're spitting blood

502
00:20:06,480 --> 00:20:08,960
Speaker 2: all over the place. You look like you look like

503
00:20:09,160 --> 00:20:11,240
Speaker 2: Dracula with no teeth in the middle of your head.

504
00:20:11,720 --> 00:20:13,520
Speaker 1: Get out of here, that's what.

505
00:20:13,640 --> 00:20:15,360
Speaker 2: He grabbed me by the collar, grabbed me by my belt,

506
00:20:15,400 --> 00:20:17,399
Speaker 2: and ran me right out in the same street that

507
00:20:17,520 --> 00:20:19,040
Speaker 2: I just run that young fan out into.

508
00:20:19,200 --> 00:20:23,200
Speaker 1: And you got it, the same bus came by. No, man,

509
00:20:23,480 --> 00:20:25,159
Speaker 1: he didn't do it. I know a lot of you

510
00:20:25,160 --> 00:20:26,919
Speaker 1: were thinking right now or and you're asking, well, did

511
00:20:26,960 --> 00:20:27,480
Speaker 1: it hit you?

512
00:20:28,320 --> 00:20:31,480
Speaker 2: No, it didn't because I had a skillful side step

513
00:20:31,560 --> 00:20:33,959
Speaker 2: that I used. I was quicker, a lot quicker than

514
00:20:33,960 --> 00:20:36,399
Speaker 2: that fans. No, the bus didn't hit me, right, the

515
00:20:36,440 --> 00:20:37,280
Speaker 2: bus didn't hit me.

516
00:20:37,520 --> 00:20:38,160
Speaker 1: But I did.

517
00:20:38,000 --> 00:20:40,879
Speaker 2: Continue across the street into the other oncoming traffic, and

518
00:20:41,000 --> 00:20:41,760
Speaker 2: that bus hit me.

519
00:20:42,160 --> 00:20:43,800
Speaker 1: It was a bus that was going the other way.

520
00:20:43,920 --> 00:20:46,160
Speaker 2: But I really like to think that I did way

521
00:20:46,160 --> 00:20:48,359
Speaker 2: way better than that fan he got hit by the

522
00:20:48,359 --> 00:20:48,920
Speaker 2: first bus.

523
00:20:48,960 --> 00:20:50,480
Speaker 1: I was able to avoid the first bus.

524
00:20:50,880 --> 00:20:52,760
Speaker 2: Yes, I did run into the path of the second

525
00:20:52,760 --> 00:20:55,199
Speaker 2: bus and it did hit me. And I was in

526
00:20:55,240 --> 00:20:58,000
Speaker 2: the hospital for four months. And I will tell you

527
00:20:58,000 --> 00:21:00,679
Speaker 2: this right now, I don't really remember any thing for

528
00:21:00,760 --> 00:21:02,960
Speaker 2: about a week or two weeks after I got out

529
00:21:02,960 --> 00:21:05,320
Speaker 2: of the hospital, and I don't really remember anything about

530
00:21:05,359 --> 00:21:08,800
Speaker 2: what Chris Young looks like, but he's one of the

531
00:21:08,800 --> 00:21:14,800
Speaker 2: great stars of all times.

532
00:21:16,280 --> 00:21:21,040
Speaker 1: In the space manories came.

533
00:21:21,920 --> 00:21:27,360
Speaker 2: Je Ja bills Country hits them all time for us,

534
00:21:27,440 --> 00:21:29,400
Speaker 2: saying Maren Morris said a song called My Church. When

535
00:21:29,400 --> 00:21:31,200
Speaker 2: I first heard it, I thought, no, I'm not going

536
00:21:31,200 --> 00:21:33,520
Speaker 2: that round. I'm gonna do that country music spiritual round. Yeah.

537
00:21:33,520 --> 00:21:34,960
Speaker 2: I know you got you got gut when you stopped

538
00:21:35,000 --> 00:21:37,639
Speaker 2: drinking stut' using bills. But I can't do that. I

539
00:21:37,680 --> 00:21:39,480
Speaker 2: can't play that. I can't go there. I'm a honkey

540
00:21:39,520 --> 00:21:41,280
Speaker 2: talk kind of a guy. So when Maren Morries said

541
00:21:41,280 --> 00:21:43,320
Speaker 2: to me, I got this beautiful song, mister Jabel, I said, yeah,

542
00:21:43,400 --> 00:21:44,840
Speaker 2: let me guess it's called my Church? And you found

543
00:21:44,920 --> 00:21:47,160
Speaker 2: Jesus said sort of. I said, why don't you get

544
00:21:47,280 --> 00:21:50,680
Speaker 2: your country ass the hell out of my office? We

545
00:21:50,760 --> 00:21:52,560
Speaker 2: had About six months later, I saw it was churning,

546
00:21:52,640 --> 00:21:54,199
Speaker 2: so I went over to Mara's house. And by that

547
00:21:54,240 --> 00:21:56,560
Speaker 2: time she was married to a very big, strong, muscular guy,

548
00:21:56,720 --> 00:21:58,639
Speaker 2: and he said, what do you want. I said, I

549
00:21:58,640 --> 00:21:59,879
Speaker 2: want to talk to Marion. I don't want to talk

550
00:21:59,920 --> 00:22:01,320
Speaker 2: to you. I'll tell you what. When I want to

551
00:22:01,320 --> 00:22:02,879
Speaker 2: talk to you, I'll come around with a bar of soap.

552
00:22:03,080 --> 00:22:05,399
Speaker 2: And that's when he picked me up and kind of

553
00:22:05,440 --> 00:22:07,080
Speaker 2: put me under his arm, almost as if he was

554
00:22:07,119 --> 00:22:10,119
Speaker 2: carrying like a big sack of something, and he rammed

555
00:22:10,160 --> 00:22:12,200
Speaker 2: my head I would say a good half a dozen

556
00:22:12,200 --> 00:22:15,480
Speaker 2: to a dozen times, rammed my head into a concrete

557
00:22:15,480 --> 00:22:17,240
Speaker 2: wall that they had around back here. They're building a

558
00:22:17,280 --> 00:22:20,200
Speaker 2: swimming pool, I say, around here, I'm just imagining her backyard.

559
00:22:20,320 --> 00:22:22,080
Speaker 2: They're putting in a swimming pool, and they were also

560
00:22:22,080 --> 00:22:24,760
Speaker 2: putting into a barbecue pit, and there was going to

561
00:22:24,800 --> 00:22:26,200
Speaker 2: be a gas pit there as well, a fire pit.

562
00:22:26,440 --> 00:22:28,280
Speaker 1: And he began ramming my head into.

563
00:22:28,080 --> 00:22:30,600
Speaker 2: What would be the bar for the barbecue, and there

564
00:22:30,600 --> 00:22:32,719
Speaker 2: would be chairs there. I said, this is very nice.

565
00:22:32,880 --> 00:22:35,159
Speaker 2: He said, you're still conscious? I said yeah. And then

566
00:22:35,240 --> 00:22:37,840
Speaker 2: one final ram of my head into this bar, he

567
00:22:38,040 --> 00:22:39,880
Speaker 2: just let gold me, just kind of put his arms

568
00:22:39,920 --> 00:22:41,440
Speaker 2: out to his side, and I dropped like.

569
00:22:41,400 --> 00:22:43,960
Speaker 1: A well, just like a sega shit.

570
00:22:44,080 --> 00:22:48,600
Speaker 2: Right out of the cement there. And when I finally

571
00:22:48,600 --> 00:22:50,320
Speaker 2: did wake up, the sun had gone down. I saw

572
00:22:50,359 --> 00:22:52,320
Speaker 2: people partying and having fun in the house, I realized

573
00:22:52,320 --> 00:22:54,680
Speaker 2: I was still a Meren Morris's house, and I finally

574
00:22:54,760 --> 00:22:57,240
Speaker 2: kind of picked myself up and dusted myself off and

575
00:22:57,720 --> 00:22:59,119
Speaker 2: went around the side of the house so no one

576
00:22:59,160 --> 00:23:00,399
Speaker 2: saw me, and got out to the front of the

577
00:23:00,400 --> 00:23:02,440
Speaker 2: street there and just walked all the way down through

578
00:23:02,480 --> 00:23:04,960
Speaker 2: the gates and out out of the boulevard and hitchhiked

579
00:23:04,960 --> 00:23:06,760
Speaker 2: because there wasn't any way to get a cab, and

580
00:23:06,800 --> 00:23:08,679
Speaker 2: there wasn't any way to get a bus, and my

581
00:23:08,720 --> 00:23:12,119
Speaker 2: cell phone had been smashed to pieces, frank and I

582
00:23:12,160 --> 00:23:14,400
Speaker 2: don't know how, but it was I think somebody pulled

583
00:23:14,400 --> 00:23:16,040
Speaker 2: it out of my pocket and stepped on it. So

584
00:23:16,040 --> 00:23:17,399
Speaker 2: when I finally got to a pay phone, I was

585
00:23:17,440 --> 00:23:19,120
Speaker 2: able to call up a cab, and then I had

586
00:23:19,119 --> 00:23:21,400
Speaker 2: to get over to a cash machine. I got mugged there.

587
00:23:22,119 --> 00:23:24,520
Speaker 2: I was mugged by one of barn morses as a buddyguards.

588
00:23:24,560 --> 00:23:26,120
Speaker 2: He said, I'm only kidding and gave me the money back.

589
00:23:26,560 --> 00:23:28,760
Speaker 2: And then I finally got to the hotel, but since

590
00:23:28,760 --> 00:23:30,080
Speaker 2: I couldn't pay my bill, I had to go down

591
00:23:30,119 --> 00:23:32,119
Speaker 2: here to a Super eight and I went to sleep,

592
00:23:32,200 --> 00:23:36,960
Speaker 2: and I believe there was fecal matter in the bed.

593
00:23:37,640 --> 00:23:40,520
Speaker 2: I've had my ass beat kicked. I have had rocks

594
00:23:40,600 --> 00:23:43,359
Speaker 2: dropped on my head. I've had lead pipes hit across

595
00:23:43,400 --> 00:23:47,320
Speaker 2: my face. I've had all kinds of manner of beatings,

596
00:23:47,359 --> 00:23:49,479
Speaker 2: and I take them like a man. And you know what,

597
00:23:49,880 --> 00:23:52,879
Speaker 2: I consider a very, very, a wonderful aspect of my

598
00:23:52,920 --> 00:23:55,120
Speaker 2: life careers that I've had my ass kicked by similar greats.

599
00:23:55,119 --> 00:23:57,199
Speaker 2: I've met my ass kick by Merle Haggard. I've had

600
00:23:57,200 --> 00:23:59,080
Speaker 2: my ass kicked by Marty Robbins. I've had my ass

601
00:23:59,160 --> 00:24:01,639
Speaker 2: kick by Yet That's right, Loretta Lynn, I had my

602
00:24:01,680 --> 00:24:02,800
Speaker 2: ass kicked by Minnie Pearl.

603
00:24:02,840 --> 00:24:05,600
Speaker 1: When I went how Dee and I made fit. I

604
00:24:05,640 --> 00:24:06,880
Speaker 1: pointed and I laughed at her.

605
00:24:07,040 --> 00:24:09,600
Speaker 2: She came over and she had what was I don't

606
00:24:09,640 --> 00:24:12,280
Speaker 2: know if you're familiar with those big old stand ashtrays.

607
00:24:12,280 --> 00:24:14,040
Speaker 1: She had an ashtray. It was on a.

608
00:24:14,000 --> 00:24:16,640
Speaker 2: Stand and she took it and she hit me beautiful

609
00:24:16,680 --> 00:24:18,800
Speaker 2: flush right in the side, right up around the orbital

610
00:24:18,800 --> 00:24:21,600
Speaker 2: bone of the eye socket with the ashtray itself, using

611
00:24:21,600 --> 00:24:24,120
Speaker 2: the stand as a sort of the baseball bat. Hit

612
00:24:24,200 --> 00:24:26,639
Speaker 2: me full with this ashtray, kind of stunned me. I

613
00:24:26,640 --> 00:24:29,320
Speaker 2: saw little lights and I said, try to be very

614
00:24:29,400 --> 00:24:32,679
Speaker 2: very cool. I said, Minnie, wow, you know what the

615
00:24:32,960 --> 00:24:34,879
Speaker 2: get the license plate of that truck. Sorry, man, it

616
00:24:34,880 --> 00:24:36,480
Speaker 2: didn't mean to say, you've got a big ass, but

617
00:24:36,800 --> 00:24:39,480
Speaker 2: ha ha ha. And that's when one of her people

618
00:24:39,520 --> 00:24:42,240
Speaker 2: picked me up, turned me upside down and pile drived me,

619
00:24:42,400 --> 00:24:44,359
Speaker 2: or pile drove me. And I was saying, is that

620
00:24:44,400 --> 00:24:46,439
Speaker 2: a pile? Did you just pile drive me? He said no,

621
00:24:46,520 --> 00:24:49,400
Speaker 2: I piled drove you. I piled drove you. And I said,

622
00:24:49,400 --> 00:24:50,800
Speaker 2: thank you, thank you for making that.

623
00:24:51,280 --> 00:24:51,920
Speaker 1: Very very clear.

624
00:24:53,800 --> 00:24:55,680
Speaker 3: Many little way hits in here and then when it

625
00:24:55,760 --> 00:24:58,080
Speaker 3: hits some on me out the Willie Hickson Blue Pond.

626
00:24:58,119 --> 00:24:59,600
Speaker 1: I played a band Joe. I played a stand up

627
00:24:59,600 --> 00:25:00,159
Speaker 1: bas the.

628
00:25:00,160 --> 00:25:01,920
Speaker 3: Gut bucket and I get up there and I've got

629
00:25:01,920 --> 00:25:04,040
Speaker 3: a monkey to hop around on the end of a leash.

630
00:25:04,080 --> 00:25:04,399
Speaker 1: That's right.

631
00:25:04,400 --> 00:25:06,240
Speaker 3: I played an organ grind. I'm the only organ grinde

632
00:25:06,280 --> 00:25:09,040
Speaker 3: in Nashville, Tennessee. I do a country organ grind act.

633
00:25:09,040 --> 00:25:10,680
Speaker 3: If you will, I hope you come out there to

634
00:25:10,840 --> 00:25:13,720
Speaker 3: the Willie Hickson Blues Parlot. I'll be out there. Jean Jabelle,

635
00:25:13,720 --> 00:25:15,760
Speaker 3: I'll be hosting a couple of the shows. She gonna

636
00:25:15,760 --> 00:25:18,720
Speaker 3: be bringing out mostly the Monkey Act. I want y'all

637
00:25:18,760 --> 00:25:20,720
Speaker 3: to know that I respect that I love Gene, but

638
00:25:20,760 --> 00:25:23,080
Speaker 3: I will only trust them. Introing a monkey act, all

639
00:25:23,119 --> 00:25:25,439
Speaker 3: the heavyweight blues and all the heavy country stuff. I

640
00:25:25,480 --> 00:25:28,159
Speaker 3: intro myself, Jane, I hope you don't mind that anyway.

641
00:25:28,160 --> 00:25:30,240
Speaker 3: Willie Hitson hamby the Willy Hickson. I'll be at the

642
00:25:30,280 --> 00:25:32,680
Speaker 3: Lily Willie Hitson Blues part of Willy Lily and Lily

643
00:25:32,720 --> 00:25:35,600
Speaker 3: Willy and I'm Lily Willey the Willie Hickson Blues Parlor

644
00:25:35,680 --> 00:25:37,160
Speaker 3: here in Nashville, Tennessee.

645
00:25:37,240 --> 00:25:42,200
Speaker 1: Y'all say, well.

646
00:25:42,080 --> 00:25:43,680
Speaker 2: I went back the next week. This is the story.

647
00:25:43,720 --> 00:25:44,960
Speaker 2: The part of the story didn't tell you. Went about

648
00:25:44,960 --> 00:25:46,760
Speaker 2: the next week. They say, hey, Florida Georgia line, how

649
00:25:46,800 --> 00:25:48,879
Speaker 2: about giving Geen Jabell another chance. Okay, I know that

650
00:25:48,920 --> 00:25:50,439
Speaker 2: you bust at the garage door down.

651
00:25:50,320 --> 00:25:52,280
Speaker 1: On top of my head. They said, sure, Jane, Sure,

652
00:25:52,280 --> 00:25:53,520
Speaker 1: we'll give you another chance. What would you like?

653
00:25:53,560 --> 00:25:55,679
Speaker 2: I said, I'd like you to sign this contract my

654
00:25:55,760 --> 00:25:58,720
Speaker 2: management company. It'll be a management deal with Jean Jebel

655
00:25:59,400 --> 00:26:01,440
Speaker 2: who play some of the great country hits and gets

656
00:26:01,480 --> 00:26:03,000
Speaker 2: his ass kicked by some of the great country outis

657
00:26:03,040 --> 00:26:04,600
Speaker 2: I think this ought to be the first time that

658
00:26:04,640 --> 00:26:06,720
Speaker 2: I'm actually able to sign a management deal. You guys,

659
00:26:06,720 --> 00:26:08,359
Speaker 2: don't kick my ass. They said, do you mind if

660
00:26:08,400 --> 00:26:09,520
Speaker 2: we go outside and talk about it.

661
00:26:09,520 --> 00:26:10,240
Speaker 1: I said not at all.

662
00:26:10,359 --> 00:26:12,440
Speaker 2: So they went outside, and that's when they had already

663
00:26:12,960 --> 00:26:16,479
Speaker 2: placed some charges around the house. Unbeknownst to me, they

664
00:26:16,480 --> 00:26:18,520
Speaker 2: were all set to go, and when they went outside,

665
00:26:18,600 --> 00:26:21,000
Speaker 2: they went ahead and detonated those charges. So there were

666
00:26:21,000 --> 00:26:23,119
Speaker 2: explosions in the back of the house, in the kitchen

667
00:26:23,400 --> 00:26:25,679
Speaker 2: and in the quarters of the living room where I was.

668
00:26:25,920 --> 00:26:28,760
Speaker 2: That set the entire house on fire, and the home

669
00:26:28,880 --> 00:26:30,880
Speaker 2: was burning down around me. I couldn't get out either

670
00:26:30,920 --> 00:26:32,879
Speaker 2: of the doors. I couldn't get out to the sliding

671
00:26:32,880 --> 00:26:35,359
Speaker 2: glass door because that was broken, and the house had

672
00:26:35,359 --> 00:26:37,399
Speaker 2: caved in on that side. So the house began to

673
00:26:37,520 --> 00:26:41,520
Speaker 2: burn down around me after they had detonated these strategically

674
00:26:41,520 --> 00:26:44,080
Speaker 2: placed charges, and I squear to god, I was in

675
00:26:44,080 --> 00:26:46,439
Speaker 2: that house up until the very last minute when I

676
00:26:46,480 --> 00:26:48,760
Speaker 2: finally just walked through a wall of flame with a

677
00:26:48,760 --> 00:26:50,000
Speaker 2: wet towel over my head.

678
00:26:50,040 --> 00:26:52,600
Speaker 1: Now, this wall of flame could have melt steel.

679
00:26:52,960 --> 00:26:55,000
Speaker 2: This wall of flame probably could have melted steel, and

680
00:26:55,040 --> 00:26:57,240
Speaker 2: probably could have it probably could have brought down the

681
00:26:57,240 --> 00:26:59,400
Speaker 2: World Trade Center, and yet I put a wet towel

682
00:26:59,440 --> 00:27:01,560
Speaker 2: over my head and I proudly walked through it. Now,

683
00:27:01,560 --> 00:27:04,320
Speaker 2: when I got outside, they said that my entire suit

684
00:27:04,359 --> 00:27:06,320
Speaker 2: of clothes was on fire. They put it out with

685
00:27:06,359 --> 00:27:08,400
Speaker 2: a hose. They put it out with a fire extinguisher.

686
00:27:08,680 --> 00:27:12,520
Speaker 2: I got up and began staggering toward Florida, Georgia line, saying, okay,

687
00:27:12,560 --> 00:27:16,159
Speaker 2: you guys are signed a contract. And they're like, and

688
00:27:16,200 --> 00:27:18,640
Speaker 2: they dove into their limousine and they raced off down

689
00:27:18,680 --> 00:27:20,119
Speaker 2: and I don't know what the hell happened to them,

690
00:27:20,119 --> 00:27:22,040
Speaker 2: but I hear they read a gig the following night.

691
00:27:22,240 --> 00:27:23,800
Speaker 2: I tried to get into that gig the following night,

692
00:27:23,800 --> 00:27:25,040
Speaker 2: but I was still wearing the suit that I was

693
00:27:25,040 --> 00:27:27,280
Speaker 2: wearing with a house burned down, and they said, oh

694
00:27:27,320 --> 00:27:29,720
Speaker 2: my god, you're in What happened to you? I set

695
00:27:29,760 --> 00:27:31,679
Speaker 2: a house burned down around me and I said, you

696
00:27:31,720 --> 00:27:33,280
Speaker 2: got to get to a hospital, man. I said, no,

697
00:27:33,400 --> 00:27:36,280
Speaker 2: I gotta sign a manage back contact. And that's when

698
00:27:36,280 --> 00:27:39,399
Speaker 2: they basically bundled me off onto a stretcher, put me

699
00:27:39,440 --> 00:27:41,359
Speaker 2: in the hospital, and I just laid there for a

700
00:27:41,359 --> 00:27:44,120
Speaker 2: few weeks. I wasn't burned all that badly. I'd had

701
00:27:44,119 --> 00:27:45,679
Speaker 2: that wet towel over me, But boy did I need

702
00:27:45,720 --> 00:27:47,720
Speaker 2: a new suit of clothes. I got singed on the

703
00:27:47,720 --> 00:27:49,240
Speaker 2: ass a little bit, but I got up out of

704
00:27:49,280 --> 00:27:52,040
Speaker 2: the hospital. I determined that I would sign Florida Georgia

705
00:27:52,040 --> 00:27:53,440
Speaker 2: Line to a management contract.

706
00:27:53,520 --> 00:27:54,760
Speaker 1: So I went back to their house.

707
00:27:54,760 --> 00:27:56,720
Speaker 2: And as I got there, I went and I said

708
00:27:56,760 --> 00:27:58,280
Speaker 2: to the here, They said, no, get out of here,

709
00:27:58,320 --> 00:27:59,920
Speaker 2: Geinge Bell. So I got back to my car. Will

710
00:28:00,000 --> 00:28:02,320
Speaker 2: so I'm going to put an explosive in the engine block.

711
00:28:02,400 --> 00:28:02,719
Speaker 1: That's right.

712
00:28:02,800 --> 00:28:04,760
Speaker 2: When I turned the ignition, the car blew to Helen

713
00:28:04,880 --> 00:28:15,800
Speaker 2: back Florda Georgia Line. Here, I'm Ginge Bell.

714
00:28:15,880 --> 00:28:16,800
Speaker 1: This is Country USA.

715
00:28:17,119 --> 00:28:19,640
Speaker 2: The top country hits of all time, played here by

716
00:28:20,119 --> 00:28:21,720
Speaker 2: one of the top country jocks of all time.

717
00:28:21,800 --> 00:28:23,600
Speaker 1: Let me tell us some right now here on a

718
00:28:23,720 --> 00:28:24,680
Speaker 1: Ginge Bell show.

719
00:28:25,480 --> 00:28:28,720
Speaker 2: I'm always having myself a good time playing the hits

720
00:28:28,760 --> 00:28:31,439
Speaker 2: that you want to hear and getting my ass beat,

721
00:28:31,640 --> 00:28:35,320
Speaker 2: and I mean beat bloody by your favorite artists. Let's

722
00:28:35,359 --> 00:28:37,800
Speaker 2: go back in time now to a time when a

723
00:28:37,840 --> 00:28:40,480
Speaker 2: man named Marty Robbins I didn't think would amount to

724
00:28:40,480 --> 00:28:41,120
Speaker 2: a hill of shit.

725
00:28:41,680 --> 00:28:47,000
Speaker 1: I told Mary about it. I told her about a beats.

726
00:28:47,080 --> 00:28:49,760
Speaker 2: Well, he did, you know the song the Devil Woman?

727
00:28:49,800 --> 00:28:51,040
Speaker 2: You know the song He'll Pass. So you know a

728
00:28:51,080 --> 00:28:54,000
Speaker 2: lot of those great Marty Robbins hits. Jane Bell didn't

729
00:28:54,040 --> 00:28:56,280
Speaker 2: think Marty Robins would amount to a pinch of shit

730
00:28:56,560 --> 00:28:59,320
Speaker 2: readA but he did. And so I knocked on his

731
00:28:59,360 --> 00:29:02,520
Speaker 2: door there and Nashville. His offices now very palatial, with

732
00:29:02,560 --> 00:29:04,560
Speaker 2: all kinds of assistants and all kinds of producers and

733
00:29:04,560 --> 00:29:05,280
Speaker 2: all kinds of agents.

734
00:29:05,360 --> 00:29:08,680
Speaker 1: I said, Marty, this is your lucky day. It's Jean Jabell.

735
00:29:09,320 --> 00:29:11,240
Speaker 2: I was the one that called you a washed up

736
00:29:11,280 --> 00:29:13,360
Speaker 2: grease monkey about two years ago. Remember when you thought

737
00:29:13,400 --> 00:29:16,040
Speaker 2: you're a big nasscarse, you know, speed driver, all that

738
00:29:16,080 --> 00:29:18,520
Speaker 2: stuff he goes, it's called a race car driver, Gene.

739
00:29:18,520 --> 00:29:21,240
Speaker 2: I said, ha ha, I know that it's not called

740
00:29:21,280 --> 00:29:24,280
Speaker 2: a speed driver. Said, I'm just talking about my hobby,

741
00:29:24,280 --> 00:29:25,440
Speaker 2: which is popping that speed.

742
00:29:25,520 --> 00:29:27,320
Speaker 1: You know I'm kidding. You know I'm kidding, Marty.

743
00:29:27,320 --> 00:29:28,560
Speaker 2: He said, Well, one of the reasons I didn't go

744
00:29:28,600 --> 00:29:30,600
Speaker 2: with you as a manager because I know you're heavily

745
00:29:30,600 --> 00:29:34,200
Speaker 2: involved in drug dealing. I said, pullshit, I said, Marty,

746
00:29:34,240 --> 00:29:37,040
Speaker 2: even a hillbilly like you can't be that's stupid. And

747
00:29:37,120 --> 00:29:39,400
Speaker 2: I'm here to pull your life out of the sewer

748
00:29:39,440 --> 00:29:41,640
Speaker 2: that it's in with all that stock car racing, and

749
00:29:41,680 --> 00:29:43,880
Speaker 2: I want to make some real hits. Devil Woman's fine,

750
00:29:43,880 --> 00:29:46,480
Speaker 2: El Paso's fine. Why don't you pull your head out

751
00:29:46,480 --> 00:29:48,120
Speaker 2: of your ass, take the corn cob out.

752
00:29:48,000 --> 00:29:48,520
Speaker 1: Of your ear?

753
00:29:49,000 --> 00:29:52,800
Speaker 2: Okay, put up the jaw, drop that butter hog you

754
00:29:52,840 --> 00:29:55,760
Speaker 2: got off of your lap, and let's get some real brods.

755
00:29:55,640 --> 00:29:57,920
Speaker 1: And let's get this show.

756
00:29:57,960 --> 00:30:00,760
Speaker 2: On the And I didn't get the the word rode

757
00:30:00,760 --> 00:30:03,160
Speaker 2: out because as soon as I tried to say the word,

758
00:30:03,560 --> 00:30:07,160
Speaker 2: a glass ashtray was smashed right into my face. I mean,

759
00:30:07,200 --> 00:30:09,800
Speaker 2: someone took it almost like they pommed it like you'd

760
00:30:09,840 --> 00:30:12,680
Speaker 2: palm a basketball and shoved it into my face. And

761
00:30:12,720 --> 00:30:16,040
Speaker 2: it smashed across my face, all of the glass just

762
00:30:16,160 --> 00:30:18,840
Speaker 2: embedding itself in the flesh of my cheeks, some of

763
00:30:18,880 --> 00:30:21,560
Speaker 2: the glass going right into my gums. And though I

764
00:30:21,680 --> 00:30:25,840
Speaker 2: talk like this, I said, Navi, Navi Navia, know you

765
00:30:26,000 --> 00:30:28,960
Speaker 2: thought they Kevin his girlfriend went ah, oh my god,

766
00:30:29,040 --> 00:30:31,200
Speaker 2: look at it. And Marty said, you're scaring her. Now

767
00:30:31,200 --> 00:30:32,880
Speaker 2: get out of here. Jean, I don't want to hurt

768
00:30:32,920 --> 00:30:33,680
Speaker 2: any worse than that.

769
00:30:33,880 --> 00:30:39,040
Speaker 1: I thought, Bobby, let's that's when he called up a bodyguard. Yeah,

770
00:30:39,080 --> 00:30:39,400
Speaker 1: you're right.

771
00:30:39,440 --> 00:30:41,920
Speaker 2: I mean all these guys have got bodyguards everywhere. These

772
00:30:41,920 --> 00:30:44,240
Speaker 2: two guys were big, two ugly cowboys, and.

773
00:30:44,160 --> 00:30:46,840
Speaker 1: I said, that's good, that's top. They did get well.

774
00:30:46,840 --> 00:30:50,000
Speaker 2: These two cowboys tried to throw punches, but I grabbed

775
00:30:50,000 --> 00:30:52,680
Speaker 2: both of their fists as each approached my head from

776
00:30:52,720 --> 00:30:55,880
Speaker 2: either side, and I twisted their wrists so far around

777
00:30:55,880 --> 00:30:58,360
Speaker 2: that both guys dropped to their knees, screaming in agony.

778
00:30:58,720 --> 00:31:03,680
Speaker 2: And I was saying, look, Bobby, and he was saying,

779
00:31:03,680 --> 00:31:05,760
Speaker 2: oh my god, look what you've done to my bodyguards.

780
00:31:06,040 --> 00:31:08,080
Speaker 2: At that point, he went into his desk and he

781
00:31:08,120 --> 00:31:11,440
Speaker 2: pulled out you got it to Smith and Wesson six shots,

782
00:31:11,680 --> 00:31:14,280
Speaker 2: and he started pumping bullets at me. I got winged

783
00:31:14,320 --> 00:31:17,040
Speaker 2: in the shoulder, hitting the other shoulder, hitting the elbow,

784
00:31:17,280 --> 00:31:19,440
Speaker 2: hitting a knee, hitting the other knee. He never did

785
00:31:19,520 --> 00:31:21,720
Speaker 2: hit body mass, but oh god, it hurt.

786
00:31:21,880 --> 00:31:24,240
Speaker 1: But I would self tagle a love and I said

787
00:31:24,240 --> 00:31:27,920
Speaker 1: the hes a babby, Mobby, And that's when the police arrived.

788
00:31:27,960 --> 00:31:30,520
Speaker 2: I was tased again, blood pouring out of my face,

789
00:31:30,600 --> 00:31:32,480
Speaker 2: my knees, my elbows in one.

790
00:31:32,320 --> 00:31:35,240
Speaker 1: Shoulder, thrown it into the back of a radio car.

791
00:31:35,400 --> 00:31:37,480
Speaker 2: When I got to the sub station, I escaped and

792
00:31:37,480 --> 00:31:39,960
Speaker 2: I began running down the street toward Marty's office, and

793
00:31:40,000 --> 00:31:42,400
Speaker 2: that's when I was approached by another Nashville police officer.

794
00:31:42,680 --> 00:31:44,760
Speaker 1: I was double tased, hobbled.

795
00:31:44,440 --> 00:31:46,880
Speaker 2: That's right, and then I was remanded for seventy two

796
00:31:46,880 --> 00:31:50,440
Speaker 2: hours psychiatric over you know, care oversight, whatever they call it.

797
00:31:50,640 --> 00:31:52,400
Speaker 2: And as soon as I got out, my mouth wasn't

798
00:31:52,440 --> 00:31:57,040
Speaker 2: completely healed. I went back to Marty Ba Baba, and

799
00:31:57,080 --> 00:31:59,840
Speaker 2: that's when somebody came out with a fire extinguisher and

800
00:32:00,080 --> 00:32:03,240
Speaker 2: busted it clean over my head, bending the fire extinguisher

801
00:32:03,520 --> 00:32:05,600
Speaker 2: right around my head so it looked like you got

802
00:32:05,600 --> 00:32:11,120
Speaker 2: it yet again. A fire extinguisher bonnet. See Winston Haley,

803
00:32:11,160 --> 00:32:13,920
Speaker 2: I've been thirteen years in Nashville. I'll be thirteen more.

804
00:32:13,960 --> 00:32:16,400
Speaker 2: That's because we cook it up, and we fry it up,

805
00:32:16,440 --> 00:32:18,600
Speaker 2: We butter it up, and we grease it up. Whatever

806
00:32:18,640 --> 00:32:20,280
Speaker 2: you want, we'll cook it and we will lay it

807
00:32:20,320 --> 00:32:23,640
Speaker 2: on thick and hard. Winston's that's the place for breakfast.

808
00:32:23,920 --> 00:32:26,080
Speaker 2: It's the place for lunch. It's the place for dinner

809
00:32:26,280 --> 00:32:28,800
Speaker 2: at Winston's in Nashville. We'll cook it up, fry it up,

810
00:32:28,880 --> 00:32:30,880
Speaker 2: lard it up, we fat it up, and we beef

811
00:32:30,880 --> 00:32:33,040
Speaker 2: it up. If you don't die from some kind of

812
00:32:33,080 --> 00:32:36,000
Speaker 2: blood clot then we aren't doing our business right. If

813
00:32:36,000 --> 00:32:39,760
Speaker 2: you don't die from some sort of blood plot. Winston's

814
00:32:39,840 --> 00:32:43,680
Speaker 2: in Nashville. Get it on Old Country Door. Here's more

815
00:32:43,680 --> 00:32:47,880
Speaker 2: from Glenn Campbell, who has Alzheimer's emelan for the county.

816
00:32:49,400 --> 00:32:52,120
Speaker 2: How we could remember that? I've never known not drive

817
00:32:52,320 --> 00:32:53,720
Speaker 2: the main road.

818
00:32:54,160 --> 00:32:58,440
Speaker 1: Not very straight, though I have search in the sun.

819
00:33:02,720 --> 00:33:04,960
Speaker 1: I took him about three days. The sun had gone

820
00:33:05,000 --> 00:33:09,000
Speaker 1: down twice. You singing in why Yeah, I'll bet you're

821
00:33:09,000 --> 00:33:13,680
Speaker 1: hearing something singing in the wires, and I can. I

822
00:33:13,680 --> 00:33:14,800
Speaker 1: can hear you through the wine.

823
00:33:14,800 --> 00:33:15,480
Speaker 2: I'll bet you can.

824
00:33:15,600 --> 00:33:17,960
Speaker 1: There's gen Glenn Campbell. I should say I'm Ginge Bel.

825
00:33:18,040 --> 00:33:21,240
Speaker 2: This is the Ginge of Bell Country USA show here

826
00:33:21,320 --> 00:33:25,760
Speaker 2: for this Wednesday, y'all live. Yeah in a country lineman.

827
00:33:25,800 --> 00:33:28,400
Speaker 2: He's still on the line. How is he still on

828
00:33:28,400 --> 00:33:33,440
Speaker 2: the He's hanging for the line. Somebody get the clothes

829
00:33:33,480 --> 00:33:35,080
Speaker 2: pegs off of him so we can take him in

830
00:33:35,200 --> 00:33:35,800
Speaker 2: off the line.

831
00:33:35,800 --> 00:33:40,640
Speaker 1: Where the wash is. Oh it don't.

832
00:33:40,800 --> 00:33:42,360
Speaker 3: This is a ging of bel show. It's gonna be

833
00:33:42,400 --> 00:33:46,200
Speaker 3: right back when Willie Hickson here. Don't forget the Willy

834
00:33:46,240 --> 00:33:48,880
Speaker 3: Hits and Blues partter fonted by Ginge of Bells Country,

835
00:33:48,920 --> 00:33:51,080
Speaker 3: Usay said, I got a Ginge Bell.

836
00:33:51,120 --> 00:33:53,120
Speaker 2: I'll be the host there at the Monkey Grinder event,

837
00:33:53,400 --> 00:33:54,800
Speaker 2: the Monkey Grinder event there at.

838
00:33:54,720 --> 00:33:56,200
Speaker 1: The Willie Hickson Blues Parlor.

839
00:33:56,240 --> 00:33:57,880
Speaker 2: Then I will be escorted from the club and not

840
00:33:57,920 --> 00:34:01,040
Speaker 2: allowed to go back in until the show is over with.

841
00:34:01,240 --> 00:34:03,280
Speaker 2: I can go back in and get dessert and coffee,

842
00:34:03,400 --> 00:34:05,160
Speaker 2: but they will escort me up to the parking lot.

843
00:34:05,200 --> 00:34:06,280
Speaker 2: So if you want to talk, come on out to

844
00:34:06,280 --> 00:34:08,680
Speaker 2: the parking lot. They bring along something that's good to

845
00:34:08,680 --> 00:34:10,960
Speaker 2: look at. Okay, maybe your old lady, maybe your daughter's something,

846
00:34:11,000 --> 00:34:13,920
Speaker 2: so I can have something to look at instead of you. Thanks.

847
00:34:15,680 --> 00:34:17,279
Speaker 3: But he hits an he handed bluth poder. Come on

848
00:34:17,320 --> 00:34:19,040
Speaker 3: out this Saturday night. Will He hits the louth potet

849
00:34:19,120 --> 00:34:21,600
Speaker 3: and played the banjo, played the flupper horn. I played

850
00:34:21,600 --> 00:34:26,040
Speaker 3: a French horn, all kinds of horn, and Lena horn.

851
00:34:26,400 --> 00:34:29,080
Speaker 3: I did play Lena horn until she found me out.

852
00:34:29,360 --> 00:34:31,400
Speaker 3: I've been a business manager and I played her for

853
00:34:31,440 --> 00:34:34,879
Speaker 3: about ten years. That'd be roughly ten million dollar worth.

854
00:34:36,600 --> 00:34:39,720
Speaker 2: Willie Hickson, former business manager for Lena Horn, now plays

855
00:34:39,719 --> 00:34:42,040
Speaker 2: the French horn at the Willie Hickson Blues and Country

856
00:34:42,040 --> 00:34:48,480
Speaker 2: Parlor in Nashville. Call now for reservations. Hi, Ginga Bell here, Willie,

857
00:34:48,480 --> 00:34:50,680
Speaker 2: thank you so very very much. We continue here on

858
00:34:50,719 --> 00:34:53,600
Speaker 2: this our Glenn Campbell's section of the show. This is

859
00:34:53,600 --> 00:34:55,799
Speaker 2: our Glenn Campbell section the show. Ginge Bell is being

860
00:34:56,239 --> 00:34:59,240
Speaker 2: salute a great artist like Glenn Campbell and ask ourselves,

861
00:34:59,280 --> 00:35:01,120
Speaker 2: how's this guy still doing it with Alzheimer's?

862
00:35:01,120 --> 00:35:04,840
Speaker 1: Who he is? I mean, this is a recording stop galvist.

863
00:35:05,440 --> 00:35:07,880
Speaker 2: I kidd around folks. You know, I'm Gen Jabelle. I'm

864
00:35:07,920 --> 00:35:10,040
Speaker 2: well known as the country humorist. I'm the country disc

865
00:35:10,080 --> 00:35:12,400
Speaker 2: jackie who has the great sense of humor. And I

866
00:35:12,440 --> 00:35:15,600
Speaker 2: remember saying to a good friend of Glenn Campbell's. His

867
00:35:15,680 --> 00:35:18,520
Speaker 2: name was Dawson. Heinsey and Dawson had been in Glenn's band.

868
00:35:18,560 --> 00:35:21,200
Speaker 2: I said, you know, Glenn's got Alzheimer's. He said, yeah,

869
00:35:21,239 --> 00:35:23,840
Speaker 2: it's very very sad. I said, I used a lot

870
00:35:23,880 --> 00:35:25,960
Speaker 2: of those lines. I said, well, he was the witchital lineman.

871
00:35:25,960 --> 00:35:28,040
Speaker 2: How do you know he remember which line and that

872
00:35:28,160 --> 00:35:30,319
Speaker 2: kind of that. I'm going, ha ha ha ha. And

873
00:35:30,360 --> 00:35:33,319
Speaker 2: that's what I felt, that that fist again, and I

874
00:35:33,360 --> 00:35:36,040
Speaker 2: saw the fist coming, but I was still laughing because

875
00:35:36,040 --> 00:35:37,759
Speaker 2: I was laughing at my own line. I said, how

876
00:35:37,760 --> 00:35:40,080
Speaker 2: does he know which line he's working on? If he's

877
00:35:40,080 --> 00:35:42,400
Speaker 2: the Wichital lineman or the Omaha lineman, how does he

878
00:35:42,440 --> 00:35:43,920
Speaker 2: know he's not the des Moines lineman, you know?

879
00:35:44,239 --> 00:35:47,960
Speaker 1: And I went ha ha, and my teeth were showing.

880
00:35:48,239 --> 00:35:51,719
Speaker 2: Now I saw Dawson's fist coming toward my teeth, but

881
00:35:51,840 --> 00:35:54,200
Speaker 2: it was so funny I couldn't stop laughing, even though

882
00:35:54,200 --> 00:35:56,880
Speaker 2: I knew in about well about two seconds, three seconds,

883
00:35:57,000 --> 00:35:58,440
Speaker 2: I would be in pain. I'd be in a lot

884
00:35:58,480 --> 00:36:00,120
Speaker 2: of pain. It would hurt, and it would hurt band

885
00:36:00,160 --> 00:36:02,840
Speaker 2: and I'd be tasting teeth. I be tasting blood, I

886
00:36:02,960 --> 00:36:05,600
Speaker 2: be tasting teeth fragments. And yet I stayed with the

887
00:36:05,680 --> 00:36:08,239
Speaker 2: laugh because that's how funny I think I am.

888
00:36:08,640 --> 00:36:11,680
Speaker 1: I risked everything just to go ha ha.

889
00:36:12,280 --> 00:36:15,440
Speaker 2: And when you see a fist traveling at pretty good clip,

890
00:36:15,440 --> 00:36:18,440
Speaker 2: probably about seventy miles an hour. If that fist was clocked,

891
00:36:18,640 --> 00:36:20,920
Speaker 2: that fist was doing seventy eighty miles an hour and

892
00:36:21,040 --> 00:36:23,759
Speaker 2: hit my teeth running at a good seventy five eighty

893
00:36:23,760 --> 00:36:26,240
Speaker 2: miles an hour. But I could not stop laughing because

894
00:36:26,280 --> 00:36:28,440
Speaker 2: I said, is it the wichital alignment or the des

895
00:36:28,480 --> 00:36:31,200
Speaker 2: moin lineman? How does he know he's got the Alsheimers?

896
00:36:31,440 --> 00:36:35,000
Speaker 2: And I went he he he, And that's when Dawson said,

897
00:36:35,040 --> 00:36:37,560
Speaker 2: that is that's just too inviting a target, you and

898
00:36:37,600 --> 00:36:40,840
Speaker 2: those yellow teeth. Everybody's stand back. This is going to

899
00:36:40,920 --> 00:36:42,840
Speaker 2: be fun. I heard the word fun.

900
00:36:42,920 --> 00:36:43,840
Speaker 1: I saw the fist.

901
00:36:44,120 --> 00:36:46,880
Speaker 2: I still couldn't stop laughing, but I did stop laughing

902
00:36:46,880 --> 00:36:50,400
Speaker 2: when the fist impacted my teeth. I actually heard shattering,

903
00:36:50,440 --> 00:36:52,480
Speaker 2: I did. I heard the breaking. What I thought were

904
00:36:52,680 --> 00:36:55,960
Speaker 2: was china rare china rare plates. Nope, it was my teeth.

905
00:36:56,080 --> 00:37:01,719
Speaker 2: It was my upper bridge. Matt Cambley all here on

906
00:37:01,719 --> 00:37:03,400
Speaker 2: a Ginger Bell show Country USA.

907
00:37:03,480 --> 00:37:05,879
Speaker 1: But it's here Wednesday. Yeah, yeah, man.

908
00:37:06,239 --> 00:37:10,080
Speaker 5: It's knowing that your doors always open, land your pad

909
00:37:10,160 --> 00:37:10,880
Speaker 5: dis free to.

910
00:37:11,000 --> 00:37:13,120
Speaker 2: Wolf a good thing because you'll go wandering out in

911
00:37:13,160 --> 00:37:13,680
Speaker 2: the middle of the night.

912
00:37:13,719 --> 00:37:14,680
Speaker 1: Somebody gotta go get him.

913
00:37:15,000 --> 00:37:17,680
Speaker 5: And that makes me tend to leave my sleeping back

914
00:37:17,840 --> 00:37:20,200
Speaker 5: roll the fences behind your couch.

915
00:37:20,600 --> 00:37:22,319
Speaker 2: Is that where you left it for sure, because there's

916
00:37:22,360 --> 00:37:25,080
Speaker 2: one behind my couch, and it's knowing I'm.

917
00:37:24,920 --> 00:37:28,719
Speaker 5: Not shackled by forgotten words and funds and the eg

918
00:37:28,840 --> 00:37:32,160
Speaker 5: stains that are dried upon some line because he can't

919
00:37:32,200 --> 00:37:37,319
Speaker 5: remember them. That keeps you in the back roads, by

920
00:37:37,360 --> 00:37:40,520
Speaker 5: the rivers of my memory. It keeps you in it

921
00:37:41,080 --> 00:37:41,960
Speaker 5: belong mind.

922
00:37:42,120 --> 00:37:43,399
Speaker 1: Can you out here? Country USA?

923
00:37:43,520 --> 00:37:45,600
Speaker 2: That's the great Glenn Campbell here with Country on my mind.

924
00:37:45,640 --> 00:37:46,759
Speaker 2: General on my Mind is the name of the song.

925
00:37:46,800 --> 00:37:48,440
Speaker 2: Got country on my mind? I got Glenn Campbell on

926
00:37:48,440 --> 00:37:50,920
Speaker 2: my mind because there's a song. And I remember talking

927
00:37:50,960 --> 00:37:53,279
Speaker 2: to one of the guys, a great songwriter by the

928
00:37:53,360 --> 00:37:56,680
Speaker 2: name of Stinson Haney. You remember Stinson Haney. Yeah, Stinson

929
00:37:56,760 --> 00:37:58,279
Speaker 2: was a great country songwriter, and he and I were

930
00:37:58,280 --> 00:38:00,000
Speaker 2: talking about the great John Stewart. I wrote that song,

931
00:38:00,239 --> 00:38:01,759
Speaker 2: Jenna on my Mind. Jenna on my Mind is a

932
00:38:01,800 --> 00:38:03,839
Speaker 2: great song. But it's a song about garbage cans and

933
00:38:03,920 --> 00:38:05,759
Speaker 2: fields and and you know.

934
00:38:05,840 --> 00:38:06,799
Speaker 1: Junkyards and all that.

935
00:38:06,920 --> 00:38:08,839
Speaker 2: And you're talking about a guy who is staggering through

936
00:38:08,880 --> 00:38:11,000
Speaker 2: a junkyard and he's got Alzheimer's. And I said to Stints,

937
00:38:11,040 --> 00:38:13,520
Speaker 2: and I said, John Stewart must have seen the future

938
00:38:13,600 --> 00:38:15,399
Speaker 2: or something when he wrote that song and he gave

939
00:38:15,440 --> 00:38:17,000
Speaker 2: it a Glenn Campbell. Glenn Campbell, of course made it

940
00:38:17,040 --> 00:38:19,120
Speaker 2: a great hit. I said, but he must have seen

941
00:38:19,160 --> 00:38:21,279
Speaker 2: the future, because you can see Glenn singing a song

942
00:38:21,280 --> 00:38:24,040
Speaker 2: about staggering through a junk yard and stumbling down the

943
00:38:24,080 --> 00:38:26,080
Speaker 2: side of a ravine and falling into a lady's house,

944
00:38:26,160 --> 00:38:28,279
Speaker 2: left his sleeping bag there, probably scared the living hell

945
00:38:28,280 --> 00:38:30,520
Speaker 2: out of herd and her kids. And I said, what

946
00:38:30,560 --> 00:38:33,640
Speaker 2: about you got Glenn Campbell staggering in. He's got the Alzheimer.

947
00:38:34,120 --> 00:38:36,400
Speaker 2: And that's when Stinton said, it's called Alzheimer's. Don't be

948
00:38:36,400 --> 00:38:38,120
Speaker 2: such a smart ass, I said, you know me, I said,

949
00:38:38,120 --> 00:38:39,880
Speaker 2: I'm kidding you know. I've got nothing but loving my

950
00:38:39,920 --> 00:38:42,719
Speaker 2: heart Stinton. And he said, so you say, And I said,

951
00:38:42,760 --> 00:38:44,640
Speaker 2: well I do. I got nothing but love in my heart.

952
00:38:44,719 --> 00:38:47,480
Speaker 2: Just don't I don't understand how it is some guy's

953
00:38:47,840 --> 00:38:49,279
Speaker 2: singing a song like that. You're gonna have a man

954
00:38:49,280 --> 00:38:51,040
Speaker 2: singing a song like that. He suffers from the Alzheimer

955
00:38:51,080 --> 00:38:52,759
Speaker 2: or Alzheimer, whatever you want to call it. And he

956
00:38:52,800 --> 00:38:54,879
Speaker 2: goes stumbling down the side of ravine. He rolls out

957
00:38:54,880 --> 00:38:57,160
Speaker 2: onto a freight train track, or something. The train goes

958
00:38:57,200 --> 00:38:59,320
Speaker 2: right over top of him, and you've got a mutilated,

959
00:38:59,320 --> 00:39:02,520
Speaker 2: old dead bump where once you had yourself a country singer.

960
00:39:02,520 --> 00:39:05,120
Speaker 2: How does that work? How does that play? Who makes

961
00:39:05,160 --> 00:39:08,200
Speaker 2: the decision to have that kind of thing? And Stinson said,

962
00:39:08,239 --> 00:39:10,080
Speaker 2: excuse me for a minute. He put down a glass.

963
00:39:10,080 --> 00:39:11,600
Speaker 2: He had a big, big high ball. He had a

964
00:39:11,600 --> 00:39:13,520
Speaker 2: G and T a Gin and tonic, and he put

965
00:39:13,560 --> 00:39:15,439
Speaker 2: it down, and he picked up a big beer mug

966
00:39:16,080 --> 00:39:19,120
Speaker 2: that I think was Bosley Brewer, right love the beer

967
00:39:19,200 --> 00:39:21,520
Speaker 2: Bosley Brewer had a big beer stein. He said, pardon me,

968
00:39:21,560 --> 00:39:23,799
Speaker 2: he put that down. He picked up the beerstein, and

969
00:39:24,000 --> 00:39:28,520
Speaker 2: he wailed this into my face. That's the right side.

970
00:39:28,719 --> 00:39:31,280
Speaker 2: He punched me with the left hand, hitting the left

971
00:39:31,280 --> 00:39:33,960
Speaker 2: of my face. So I was blinded by the shattering

972
00:39:33,960 --> 00:39:36,200
Speaker 2: glass and the blood pouring down the right side of

973
00:39:36,200 --> 00:39:39,400
Speaker 2: my face. I also felt my cheekbone get crushed by

974
00:39:39,440 --> 00:39:40,319
Speaker 2: the left.

975
00:39:40,080 --> 00:39:42,319
Speaker 1: That Stinson had hit me with.

976
00:39:42,800 --> 00:39:45,000
Speaker 2: And he grabbed me by the hair, my ponytail again,

977
00:39:45,080 --> 00:39:47,719
Speaker 2: my much abused ponytail. And that's when he pulled me

978
00:39:47,800 --> 00:39:50,960
Speaker 2: down into his left knee, and I swear to God,

979
00:39:51,000 --> 00:39:53,120
Speaker 2: I think I broke my nose in three places.

980
00:39:53,160 --> 00:39:55,680
Speaker 1: There. I also lost the upper row of teeth.

981
00:39:55,680 --> 00:39:57,560
Speaker 2: I'd be the second time in as many weeks I

982
00:39:57,560 --> 00:40:00,880
Speaker 2: lost the top bridge. The that was another bridge that

983
00:40:00,960 --> 00:40:04,040
Speaker 2: was absolutely destroyed. He took my head, he lifted my

984
00:40:04,080 --> 00:40:05,800
Speaker 2: head up, and then he drove it into the other knee.

985
00:40:05,840 --> 00:40:07,600
Speaker 2: Now this was a move I'd never seen a guy make,

986
00:40:07,600 --> 00:40:09,799
Speaker 2: and frankly, I didn't see the move because my face

987
00:40:09,840 --> 00:40:12,840
Speaker 2: is getting driven into both knees. But he alternated knees.

988
00:40:13,120 --> 00:40:15,920
Speaker 2: He went, drove my face into one knee, picked it up,

989
00:40:16,000 --> 00:40:18,680
Speaker 2: drove my face to the other knee, other knee, other knee,

990
00:40:18,960 --> 00:40:20,799
Speaker 2: And I guess at some point somebody put down another

991
00:40:20,800 --> 00:40:22,560
Speaker 2: beer stein and started to play the piano. I think

992
00:40:22,560 --> 00:40:25,200
Speaker 2: it was Bob Holseley. So he picked up that beer

993
00:40:25,800 --> 00:40:28,040
Speaker 2: a stein, and he drove my head down into the

994
00:40:28,080 --> 00:40:30,000
Speaker 2: left knee, drove my head down to the right knee,

995
00:40:30,040 --> 00:40:32,560
Speaker 2: then lifted my head up, smashed the beer mug across

996
00:40:32,600 --> 00:40:34,360
Speaker 2: my face, and then drove it down to the other

997
00:40:34,480 --> 00:40:35,719
Speaker 2: knee and the other knee. And I went back and

998
00:40:35,719 --> 00:40:38,279
Speaker 2: forth like that. And I'll tell you if ever a

999
00:40:38,320 --> 00:40:39,879
Speaker 2: guy was going to make a point about not making

1000
00:40:39,920 --> 00:40:42,919
Speaker 2: some crack about Glenn Camill with the Alzheimer or whatever

1001
00:40:42,920 --> 00:40:45,360
Speaker 2: it was, and the guy stumbling down the side of

1002
00:40:45,440 --> 00:40:48,000
Speaker 2: ravine over across a railroad track, turning some mutilaid bum

1003
00:40:48,080 --> 00:40:49,520
Speaker 2: outside thing, and he made that point.

1004
00:40:49,560 --> 00:40:51,080
Speaker 1: I'll tell you that, tell you what.

1005
00:40:51,600 --> 00:40:53,680
Speaker 2: I was invited into his home. I had lunch. I

1006
00:40:53,719 --> 00:40:56,319
Speaker 2: met himself and his wife, and as we talked, and

1007
00:40:56,360 --> 00:40:58,520
Speaker 2: I saw this poor gentleman sitting there on the couch

1008
00:40:58,800 --> 00:41:01,719
Speaker 2: going through a very debilitating time in his life. We

1009
00:41:01,719 --> 00:41:05,359
Speaker 2: were discussing the very things, the challenges that he's up

1010
00:41:05,360 --> 00:41:07,879
Speaker 2: against now, one of the great country artists of all time.

1011
00:41:08,239 --> 00:41:10,520
Speaker 2: And I said to him, hey, listen, are you having

1012
00:41:10,520 --> 00:41:13,279
Speaker 2: any problems like do you mistakenly try to boil your

1013
00:41:13,320 --> 00:41:17,200
Speaker 2: own underwear for lunch? Trying to turn it into soup? Well,

1014
00:41:17,239 --> 00:41:20,000
Speaker 2: he said to me, what do you mean? He looked confused.

1015
00:41:20,640 --> 00:41:22,080
Speaker 2: I said, you know what I'm saying. Do you ever

1016
00:41:22,160 --> 00:41:25,040
Speaker 2: wander outside and almost get hit by trucks? Things like that?

1017
00:41:25,400 --> 00:41:27,560
Speaker 2: And I was laughing a little bit. Well, I looked

1018
00:41:27,560 --> 00:41:29,879
Speaker 2: at him, his eyes at a vacant stare. His wife

1019
00:41:29,960 --> 00:41:32,279
Speaker 2: looked at me, and she got very angry, and she

1020
00:41:32,360 --> 00:41:35,319
Speaker 2: picked up the very heavy lid that she'd had on

1021
00:41:35,360 --> 00:41:37,279
Speaker 2: a pot of lentle soup that she was making for

1022
00:41:37,360 --> 00:41:40,080
Speaker 2: our lunch, and she took the lid and she crashed

1023
00:41:40,080 --> 00:41:42,279
Speaker 2: it down on top of my head, almost as if

1024
00:41:42,320 --> 00:41:44,920
Speaker 2: to turn it into a hat. Well, my head is

1025
00:41:45,000 --> 00:41:48,120
Speaker 2: extra thick. I've got a very thick skull, and so

1026
00:41:48,239 --> 00:41:51,760
Speaker 2: it basically bent the lid around my head and until

1027
00:41:52,320 --> 00:41:54,640
Speaker 2: finally when she brought this thing entirely down on me,

1028
00:41:55,080 --> 00:41:57,680
Speaker 2: the lid was covering my ears almost like a kind

1029
00:41:57,680 --> 00:42:00,719
Speaker 2: of funny looking metal bonnet. Her and looked at her.

1030
00:42:00,719 --> 00:42:02,480
Speaker 2: There was a little trickle of blood now coming down

1031
00:42:02,520 --> 00:42:05,080
Speaker 2: from the top of my split skull. And that's when

1032
00:42:05,080 --> 00:42:07,080
Speaker 2: I said, why did you do that? All I was

1033
00:42:07,120 --> 00:42:09,839
Speaker 2: talking about was mumbles over here? Does he ever walk

1034
00:42:09,880 --> 00:42:12,120
Speaker 2: into traffic? And that's when she took a heavy cast

1035
00:42:12,120 --> 00:42:15,239
Speaker 2: iron skillet and she hit me right across the side

1036
00:42:15,280 --> 00:42:18,359
Speaker 2: of my face with it, fracturing my cheekbone. Well, at

1037
00:42:18,360 --> 00:42:20,080
Speaker 2: that point I couldn't see out of that eye, and

1038
00:42:20,120 --> 00:42:22,160
Speaker 2: I began to lurch toward her to try to explain

1039
00:42:22,200 --> 00:42:24,319
Speaker 2: to her that everything was okay and I didn't mean

1040
00:42:24,360 --> 00:42:26,919
Speaker 2: any offense. By then, the man that we were talking about,

1041
00:42:26,960 --> 00:42:29,720
Speaker 2: this great country artist, also got up and he started

1042
00:42:29,719 --> 00:42:32,400
Speaker 2: coming toward me as well, saying don't you hurt my wife?

1043
00:42:32,760 --> 00:42:34,680
Speaker 2: And I said to him, look, bumbles, why don't you

1044
00:42:34,680 --> 00:42:37,600
Speaker 2: sit down while you still have the ability to stand

1045
00:42:37,719 --> 00:42:39,840
Speaker 2: up so that you could sit down? Otherwise you'd just

1046
00:42:39,840 --> 00:42:41,840
Speaker 2: be sitting all of that. And I didn't get the

1047
00:42:41,880 --> 00:42:44,200
Speaker 2: word time out because I was then hit with a

1048
00:42:44,320 --> 00:42:47,040
Speaker 2: very heavy clock from a mantle that they had. It

1049
00:42:47,080 --> 00:42:49,880
Speaker 2: was a big, heavy, thick, old fashioned clock, and I

1050
00:42:49,960 --> 00:42:52,279
Speaker 2: was hit right in the mouth. I mean, she took this,

1051
00:42:52,440 --> 00:42:55,879
Speaker 2: the wife, this clock, and jammed this thing, almost tried

1052
00:42:55,880 --> 00:42:59,680
Speaker 2: to take this entire, big fifteen twenty pound clock and

1053
00:42:59,719 --> 00:43:02,719
Speaker 2: show it right into my mouth. Well, I couldn't talk,

1054
00:43:02,880 --> 00:43:05,000
Speaker 2: My teeth were coming out of my head, blood was

1055
00:43:05,040 --> 00:43:07,279
Speaker 2: pouring down my face, and I was a little bit

1056
00:43:07,280 --> 00:43:10,440
Speaker 2: disoriented as I began to stagger outside outside where, well

1057
00:43:10,480 --> 00:43:14,440
Speaker 2: outside the home of one of country music's great artists. Whowever,

1058
00:43:14,520 --> 00:43:17,000
Speaker 2: a guy who may be boiling is underwear these days

1059
00:43:17,000 --> 00:43:19,359
Speaker 2: are walking in front of buses. I can tell you

1060
00:43:19,400 --> 00:43:21,239
Speaker 2: that that day I wandered out of his house and

1061
00:43:21,280 --> 00:43:23,280
Speaker 2: I almost was hit by a truck that was aiming

1062
00:43:23,320 --> 00:43:25,920
Speaker 2: for me, driven by his wife. The time.

1063
00:43:27,239 --> 00:43:32,000
Speaker 1: I get to Phoenix, sho be RAZI all right, that's

1064
00:43:32,080 --> 00:43:33,320
Speaker 1: enough of that. That's Glenn Campbell.

1065
00:43:33,360 --> 00:43:36,239
Speaker 2: Hey everybody, this is Jane of Bell and this is

1066
00:43:36,480 --> 00:43:40,440
Speaker 2: the Country USA show guy that beat my ass bloody once,

1067
00:43:40,560 --> 00:43:41,680
Speaker 2: Glenn Campbell.

1068
00:43:41,360 --> 00:43:44,200
Speaker 1: Milan for the County.

1069
00:43:46,719 --> 00:43:51,720
Speaker 2: And drive the main Remember meeting Glenn Campbell in Nashville

1070
00:43:51,760 --> 00:43:53,600
Speaker 2: years ago and I said, really, you are Alignment for

1071
00:43:53,640 --> 00:43:55,400
Speaker 2: the County and you drive the main road? Are you

1072
00:43:55,480 --> 00:43:58,160
Speaker 2: sure you still have a driver's license after similar things

1073
00:43:58,200 --> 00:44:00,960
Speaker 2: I've seen you pull? And he went You could tell

1074
00:44:00,960 --> 00:44:02,239
Speaker 2: that he was just trying to get away from me.

1075
00:44:02,280 --> 00:44:03,600
Speaker 2: It was that a party that was being given by

1076
00:44:03,640 --> 00:44:05,600
Speaker 2: one of the record labels, And I said, Alignment for

1077
00:44:05,640 --> 00:44:07,120
Speaker 2: the Cutty. Are you sure this guy even knows how

1078
00:44:07,160 --> 00:44:09,880
Speaker 2: to climb a tree? Wait, excuse me, I'm sure he

1079
00:44:09,960 --> 00:44:12,120
Speaker 2: knows how to climb a tree because I think a

1080
00:44:12,120 --> 00:44:15,200
Speaker 2: lot of his ancestors did the same thing.

1081
00:44:15,440 --> 00:44:18,520
Speaker 1: Ha ha ha. Well he wasn't none too amused.

1082
00:44:18,520 --> 00:44:20,359
Speaker 2: You know, some guys just don't have a sense of humor,

1083
00:44:20,440 --> 00:44:23,400
Speaker 2: especially when Jean Ja Bell is knocking it out of

1084
00:44:23,400 --> 00:44:26,200
Speaker 2: the park at your expense. Finally, I said to him,

1085
00:44:26,200 --> 00:44:28,160
Speaker 2: you know something, Glenn, I don't think you've ever really

1086
00:44:28,200 --> 00:44:31,000
Speaker 2: done any work harder then string a guitar. What do

1087
00:44:31,040 --> 00:44:32,960
Speaker 2: you think about? And as soon as I got out

1088
00:44:32,960 --> 00:44:34,680
Speaker 2: the word what do you think about? I was about

1089
00:44:34,680 --> 00:44:36,520
Speaker 2: to say, what do you think about that? And I

1090
00:44:36,520 --> 00:44:38,840
Speaker 2: think I might even have started with the word that,

1091
00:44:39,400 --> 00:44:42,640
Speaker 2: but I didn't quite get it out. The fist full fist,

1092
00:44:42,640 --> 00:44:46,040
Speaker 2: and I say, the fist attached to the wrist, attached

1093
00:44:46,080 --> 00:44:50,319
Speaker 2: to the arm, attached to the Glenn Cammel, not me,

1094
00:44:50,640 --> 00:44:53,640
Speaker 2: you more than it was a straight left hand. It

1095
00:44:53,760 --> 00:44:56,880
Speaker 2: caught me flush right in the mouth. It loosened the

1096
00:44:56,880 --> 00:44:59,400
Speaker 2: two front teeth, It knocked out the two bottom teeth.

1097
00:44:59,520 --> 00:45:01,879
Speaker 2: I could taste blood immediately, and I began to spit

1098
00:45:01,960 --> 00:45:04,359
Speaker 2: it on the floor. It was a beautiful rug there

1099
00:45:04,400 --> 00:45:08,279
Speaker 2: at a very very beautiful, beautiful hotel banquet hall that

1100
00:45:08,360 --> 00:45:11,040
Speaker 2: the record label was having this party yet. But I

1101
00:45:11,080 --> 00:45:13,360
Speaker 2: began to stain the rug with blood and it was

1102
00:45:13,440 --> 00:45:15,920
Speaker 2: running down the front of a brand spaking new silk

1103
00:45:15,960 --> 00:45:18,279
Speaker 2: shirt that I was wearing. And I had just had

1104
00:45:18,280 --> 00:45:23,160
Speaker 2: my head shaved, and I said, hey, Glenn, why did

1105
00:45:23,239 --> 00:45:26,480
Speaker 2: you do that? He said, because, Gene, you've always been

1106
00:45:26,520 --> 00:45:28,920
Speaker 2: a swine hunt and a slob. You've always been a

1107
00:45:28,960 --> 00:45:32,759
Speaker 2: real brainless empty head. You are nothing to me, I said,

1108
00:45:32,880 --> 00:45:34,719
Speaker 2: just because I didn't think you'd make it with all

1109
00:45:34,719 --> 00:45:37,520
Speaker 2: of this symphonic crap that you're doing. I realize now

1110
00:45:37,719 --> 00:45:39,840
Speaker 2: going with Jimmy Webb and all that beautiful music was

1111
00:45:39,880 --> 00:45:40,439
Speaker 2: the right move.

1112
00:45:40,520 --> 00:45:41,560
Speaker 1: I know I made fun of it.

1113
00:45:41,840 --> 00:45:44,360
Speaker 2: I know. I said, you went from being a bona

1114
00:45:44,400 --> 00:45:47,240
Speaker 2: fide great session player to some kind of half a fag.

1115
00:45:47,320 --> 00:45:49,640
Speaker 2: Excuse me, I did use those words back when it

1116
00:45:49,680 --> 00:45:52,719
Speaker 2: was okay to use those words. Glenn said, it still

1117
00:45:52,800 --> 00:45:54,680
Speaker 2: isn't okay with me for you to use the phrase

1118
00:45:54,719 --> 00:45:57,640
Speaker 2: half a fag, And with that he grabbed my head.

1119
00:45:57,840 --> 00:46:00,319
Speaker 2: You got it, brought my face right down to his

1120
00:46:00,440 --> 00:46:03,560
Speaker 2: right knee as hard as he possibly could, split my

1121
00:46:03,640 --> 00:46:06,160
Speaker 2: nose right up the middle, and he began walking out.

1122
00:46:06,480 --> 00:46:11,520
Speaker 2: I staggered after him, saying, yes, that's right. I was

1123
00:46:11,600 --> 00:46:18,200
Speaker 2: gagging on my own blood. Change of Bells Country, USA. Hi,

1124
00:46:18,239 --> 00:46:20,759
Speaker 2: Winston Too May here for Winston two May Barbecue. I

1125
00:46:20,800 --> 00:46:22,480
Speaker 2: know what I said in the last commercial. It might

1126
00:46:22,480 --> 00:46:24,239
Speaker 2: have been a completely different name, but I'm here to

1127
00:46:24,280 --> 00:46:26,120
Speaker 2: tell you that no matter what name we go by,

1128
00:46:26,160 --> 00:46:29,879
Speaker 2: Winston Too May, Winston Barrel, or some other made up name,

1129
00:46:30,120 --> 00:46:32,440
Speaker 2: our food is delicious. If only we can settle on

1130
00:46:32,440 --> 00:46:34,239
Speaker 2: the name of our restaurant. We load up the lard,

1131
00:46:34,280 --> 00:46:35,879
Speaker 2: we load up the fat, we load up the cream,

1132
00:46:35,920 --> 00:46:39,040
Speaker 2: We load up the margarine, fat, creamy stuffed.

1133
00:46:39,200 --> 00:46:39,719
Speaker 1: You got it.

1134
00:46:40,000 --> 00:46:41,920
Speaker 2: If we can stuff it with something, we'll stuff it.

1135
00:46:41,960 --> 00:46:44,600
Speaker 2: If we can't stuff it with anything, we'll still stuff it.

1136
00:46:44,640 --> 00:46:46,960
Speaker 2: Is it breakfast? Is it lunch? Is at dinner? Does

1137
00:46:47,000 --> 00:46:49,719
Speaker 2: it really matter anymore? Taking a look at yourself in

1138
00:46:49,760 --> 00:46:51,920
Speaker 2: a mirror, Take a look at yourself, See what size

1139
00:46:51,920 --> 00:46:54,319
Speaker 2: you are. You got it? It doesn't matter, does it.

1140
00:46:55,000 --> 00:46:56,840
Speaker 2: Here's Marl Haggard in the fight inside of me.

1141
00:46:58,840 --> 00:47:03,120
Speaker 1: I hear people talking that about we a jing a

1142
00:47:03,200 --> 00:47:05,480
Speaker 1: bell fleshback in the country. That's right.

1143
00:47:05,520 --> 00:47:07,759
Speaker 2: I told you the story about meeting Gene excuse me,

1144
00:47:07,760 --> 00:47:10,000
Speaker 2: meeting Merle Haggard at his home in Nashville, Tennessee, a

1145
00:47:10,040 --> 00:47:10,640
Speaker 2: number of years ago.

1146
00:47:10,719 --> 00:47:11,000
Speaker 1: And I went in.

1147
00:47:11,080 --> 00:47:13,600
Speaker 2: He was recording, I recording some kind of an interview

1148
00:47:13,640 --> 00:47:15,799
Speaker 2: with a country artist. They said, Hey, Merle, it's me.

1149
00:47:15,880 --> 00:47:17,920
Speaker 2: It's Ginge a Bell. He said, oh, yeah, you're the

1150
00:47:17,960 --> 00:47:19,920
Speaker 2: guy that threw me out of your office back when

1151
00:47:19,920 --> 00:47:20,759
Speaker 2: I just got out of prison.

1152
00:47:20,800 --> 00:47:22,960
Speaker 1: I said, well, can you blame me? You're a jailbird creep,

1153
00:47:23,480 --> 00:47:25,880
Speaker 1: and that's what he said. Listen, honey, you take care

1154
00:47:25,920 --> 00:47:26,360
Speaker 1: of okay.

1155
00:47:26,440 --> 00:47:28,480
Speaker 2: And he sent his eleven year old daughter over to me,

1156
00:47:28,920 --> 00:47:31,000
Speaker 2: and she had a baseball bat and she cracked it.

1157
00:47:30,960 --> 00:47:31,799
Speaker 1: Over the top of my head.

1158
00:47:31,880 --> 00:47:34,120
Speaker 2: Then she grabbed what looked to me a very very

1159
00:47:34,160 --> 00:47:36,920
Speaker 2: expensive bass guitar and cracked that over my skull. Then

1160
00:47:36,960 --> 00:47:39,239
Speaker 2: she picked up what look like a ming vase, very

1161
00:47:39,320 --> 00:47:41,960
Speaker 2: very ancient, very expensive, busted that over the top of

1162
00:47:41,960 --> 00:47:44,280
Speaker 2: my head. Then she picked up an end table, busted

1163
00:47:44,320 --> 00:47:45,759
Speaker 2: that down on the top of my head, picked up

1164
00:47:45,760 --> 00:47:47,080
Speaker 2: a chair and broke that down over the top of

1165
00:47:47,120 --> 00:47:47,479
Speaker 2: my head.

1166
00:47:47,640 --> 00:47:51,319
Speaker 1: And finally that one staggered me when you're running down, And.

1167
00:47:51,280 --> 00:47:53,160
Speaker 2: Haggard came over and said, I got to destroy half

1168
00:47:53,200 --> 00:47:55,200
Speaker 2: the furniture in my house to get your ass out

1169
00:47:55,200 --> 00:47:58,439
Speaker 2: of here. Ging a bell, Oh my god, Jeane a bell,

1170
00:48:05,200 --> 00:48:06,880
Speaker 2: and my name is Jean Jabell.

1171
00:48:07,560 --> 00:48:09,879
Speaker 1: Here he is George Jones. Can't beat white Latin.

1172
00:48:10,480 --> 00:48:13,879
Speaker 5: The barro Lota's back in the hill lee him all

1173
00:48:14,160 --> 00:48:15,800
Speaker 5: pay and it had him a steel.

1174
00:48:15,960 --> 00:48:19,040
Speaker 1: Yeah, he brewed a lot lot until the sun went down.

1175
00:48:19,120 --> 00:48:22,080
Speaker 1: There you can feel him a jug and it passed right.

1176
00:48:22,200 --> 00:48:24,360
Speaker 2: George Jones there ripping off a little Chuck Berry as

1177
00:48:24,440 --> 00:48:26,720
Speaker 2: he's had this call Johnny be Good. You've heard Johnny

1178
00:48:26,719 --> 00:48:29,359
Speaker 2: be Good. Well, that was George Jones stealing that lick

1179
00:48:29,440 --> 00:48:32,640
Speaker 2: from Chuck Berry. You know, I said that to George Jones.

1180
00:48:32,880 --> 00:48:34,920
Speaker 2: It was a fantastic I'll tell you, there's nobody like

1181
00:48:34,960 --> 00:48:36,719
Speaker 2: George Jones the world. George Jones one of the great, great,

1182
00:48:36,719 --> 00:48:39,840
Speaker 2: great country artists. And we were backstage at the Slugo Festival,

1183
00:48:39,880 --> 00:48:41,640
Speaker 2: you know, the Sluggo Country festival there at Arkansas and

1184
00:48:41,640 --> 00:48:43,719
Speaker 2: Little Rock in my hometown, and I said, George, I'll

1185
00:48:43,719 --> 00:48:45,359
Speaker 2: tell you I have I've heard a lot of people

1186
00:48:45,360 --> 00:48:47,520
Speaker 2: lift Chuck Berry licks, but I've never heard anybody so

1187
00:48:47,600 --> 00:48:50,520
Speaker 2: blatantly steal Johnny be Good like the way you just done.

1188
00:48:50,600 --> 00:48:51,600
Speaker 1: Did that, and.

1189
00:48:51,640 --> 00:48:54,759
Speaker 2: Without warning, he cracked his guitar down on top of

1190
00:48:54,800 --> 00:48:56,920
Speaker 2: my head. I mean, he brought the guitar down as

1191
00:48:56,920 --> 00:48:59,680
Speaker 2: hard as he could. It busted down over my head,

1192
00:48:59,760 --> 00:49:01,760
Speaker 2: and the strings of the guitar, which were still attached

1193
00:49:01,760 --> 00:49:04,760
Speaker 2: obviously to the neck and to the body of the guitar,

1194
00:49:05,000 --> 00:49:07,040
Speaker 2: the strings were stretched over the top of my head.

1195
00:49:07,080 --> 00:49:10,120
Speaker 2: So everything had busted down over my head. The sound

1196
00:49:10,120 --> 00:49:12,960
Speaker 2: hole fell apart, and I had the strings that were

1197
00:49:13,000 --> 00:49:14,600
Speaker 2: still attached to the neck and of the body of

1198
00:49:14,640 --> 00:49:15,000
Speaker 2: the guitar.

1199
00:49:15,360 --> 00:49:17,280
Speaker 1: George took both ends of those strings.

1200
00:49:17,280 --> 00:49:18,960
Speaker 2: He snapped them off of the neck, snap muff the

1201
00:49:18,960 --> 00:49:21,040
Speaker 2: body of the guitar, and then he grabbed me around

1202
00:49:21,080 --> 00:49:23,560
Speaker 2: the neck with them and began to strangle me with

1203
00:49:23,600 --> 00:49:26,840
Speaker 2: the guitar strings while he was repeatedly driving his knee

1204
00:49:27,080 --> 00:49:29,799
Speaker 2: into my balls, into my gut, into my balls, into

1205
00:49:29,800 --> 00:49:31,879
Speaker 2: my gut, over and over and over again. I said, man,

1206
00:49:31,920 --> 00:49:34,000
Speaker 2: that is a beautiful thing you're doing there, George, you said,

1207
00:49:34,000 --> 00:49:36,120
Speaker 2: do you think so? That's when he head buttted me.

1208
00:49:36,160 --> 00:49:39,080
Speaker 2: So he used the strings of the guitar to head

1209
00:49:39,080 --> 00:49:42,719
Speaker 2: butt me, and painful. God damn, it was painful. But

1210
00:49:42,760 --> 00:49:44,320
Speaker 2: I'll tell you what I think. I learned my lesson

1211
00:49:44,640 --> 00:49:46,799
Speaker 2: the hard way. And I said, you know what, I

1212
00:49:46,840 --> 00:49:48,520
Speaker 2: will never accuse you of ripping off Jay. He said,

1213
00:49:48,520 --> 00:49:51,000
Speaker 2: I don't mind. You accused me of ripping off another musician,

1214
00:49:51,000 --> 00:49:53,239
Speaker 2: but he's black. You know you're telling me that I

1215
00:49:53,320 --> 00:49:55,600
Speaker 2: ripped off a black guy. I said, well, I know

1216
00:49:55,640 --> 00:49:57,360
Speaker 2: how you feel, and I know you're resistant using the

1217
00:49:57,440 --> 00:50:00,400
Speaker 2: N word. He says, you better believe it because you

1218
00:50:00,440 --> 00:50:02,279
Speaker 2: did do that. And he said, you know what, you

1219
00:50:02,360 --> 00:50:04,120
Speaker 2: still you still don't get it. So we grabbed a

1220
00:50:04,120 --> 00:50:06,400
Speaker 2: frying pan that happened to be there because we were

1221
00:50:06,440 --> 00:50:08,399
Speaker 2: in the at that point, in the mess hall there

1222
00:50:08,400 --> 00:50:10,719
Speaker 2: of the auditorium. He grabbed a frying pan and he

1223
00:50:10,800 --> 00:50:13,680
Speaker 2: hit me a forehand, a backhand, a forehand in a

1224
00:50:13,719 --> 00:50:17,200
Speaker 2: backhand until there were basically no teeth left in the

1225
00:50:17,320 --> 00:50:21,399
Speaker 2: right side of my mouth, and the right side of

1226
00:50:21,440 --> 00:50:24,719
Speaker 2: my jaw had unhinged, so I had no teeth and

1227
00:50:24,760 --> 00:50:26,880
Speaker 2: my jaw hanging off, and the only thing that was

1228
00:50:26,920 --> 00:50:28,759
Speaker 2: holding it there was the skin on my face, you know,

1229
00:50:29,320 --> 00:50:32,200
Speaker 2: And if you've ever seen my face, there is a

1230
00:50:32,280 --> 00:50:34,440
Speaker 2: whole lot my face can do other than maybe hold

1231
00:50:34,440 --> 00:50:36,520
Speaker 2: my jaw in place for about thirty.

1232
00:50:36,239 --> 00:50:39,120
Speaker 1: Seconds, which was the case here with George Jones. Let's

1233
00:50:39,160 --> 00:50:39,919
Speaker 1: take the Grand Tour.

1234
00:50:41,480 --> 00:50:43,399
Speaker 2: I'll tell you something, when you talk about the Grand Tour,

1235
00:50:43,480 --> 00:50:46,480
Speaker 2: reminds me of a very very special guy, a wonderful guy,

1236
00:50:46,480 --> 00:50:48,680
Speaker 2: one of the great country promoters in this in this

1237
00:50:48,800 --> 00:50:52,319
Speaker 2: great land of ours, Bobby Cossack. And Bobby was a

1238
00:50:52,320 --> 00:50:55,000
Speaker 2: guy who he never met anybody did want to do

1239
00:50:55,040 --> 00:50:57,960
Speaker 2: a favor for it, and we were doing a special

1240
00:50:58,080 --> 00:51:01,120
Speaker 2: charity function. We were Albuquerque, New Mexico, and we had

1241
00:51:01,200 --> 00:51:03,560
Speaker 2: just heard that great song, the Grand Tour, as sung

1242
00:51:03,560 --> 00:51:07,120
Speaker 2: by George Jones. And I know that Bobby, if he

1243
00:51:07,200 --> 00:51:09,040
Speaker 2: were here today, he would say the same thing he

1244
00:51:09,040 --> 00:51:11,600
Speaker 2: said to me that night when we heard that song,

1245
00:51:11,680 --> 00:51:15,319
Speaker 2: The Grand Tour. Bobby had a beautiful daughter who had

1246
00:51:15,560 --> 00:51:18,920
Speaker 2: just gotten married to a very, very prestigious politician in Washington,

1247
00:51:19,000 --> 00:51:21,640
Speaker 2: d C. I forget his name, but Bobby's daughter, her

1248
00:51:21,680 --> 00:51:25,040
Speaker 2: name was Bezolene, a beautiful, beautiful girl. And I said, boy,

1249
00:51:25,080 --> 00:51:27,640
Speaker 2: I'd love to take the grand tour of her, of her,

1250
00:51:27,719 --> 00:51:30,359
Speaker 2: I should say, all sixty nine states. And that's when

1251
00:51:30,400 --> 00:51:32,400
Speaker 2: Bobby looked at me. He said, I can't even believe

1252
00:51:32,960 --> 00:51:34,440
Speaker 2: that you said what you said. I said, what did

1253
00:51:34,480 --> 00:51:34,759
Speaker 2: I do?

1254
00:51:35,560 --> 00:51:38,200
Speaker 1: Now? At the time that was bad.

1255
00:51:38,640 --> 00:51:40,000
Speaker 2: I knew it was bad, but at the time I

1256
00:51:40,000 --> 00:51:42,399
Speaker 2: thought it was funny. I always went for funny over bad.

1257
00:51:42,440 --> 00:51:45,200
Speaker 2: I always went for ask for forgiveness, not permission.

1258
00:51:45,280 --> 00:51:46,600
Speaker 1: Huh, isn't that right?

1259
00:51:46,840 --> 00:51:48,920
Speaker 2: So I said, boy, I would love to take the

1260
00:51:48,920 --> 00:51:50,840
Speaker 2: grand tour of your daughter. She was a thirty one

1261
00:51:50,920 --> 00:51:53,239
Speaker 2: year old woman. So let's be honest here and reasonable

1262
00:51:53,719 --> 00:51:55,920
Speaker 2: that it was entirely appropriate, at least was age appropriate.

1263
00:51:55,960 --> 00:51:57,840
Speaker 2: I said, I'd love to take the grand tour of

1264
00:51:57,880 --> 00:52:01,920
Speaker 2: her all sixty nine states, and he said around the world.

1265
00:52:02,080 --> 00:52:04,080
Speaker 2: I said, yeah, as a matter of fact, Bobby, Yeah,

1266
00:52:04,120 --> 00:52:05,439
Speaker 2: he said, that's all I needed to hear.

1267
00:52:05,760 --> 00:52:07,160
Speaker 1: He had a toaster there, and.

1268
00:52:07,120 --> 00:52:10,440
Speaker 2: I remember because we were making English muffins and we'd

1269
00:52:10,520 --> 00:52:12,400
Speaker 2: just gotten up and was a buffet there in the hotel,

1270
00:52:12,680 --> 00:52:14,600
Speaker 2: and he plugged the toaster in and he turned the

1271
00:52:14,600 --> 00:52:17,160
Speaker 2: toaster on basically pushed that little push thing down right,

1272
00:52:17,440 --> 00:52:19,640
Speaker 2: and he took my hand and jammed it into the

1273
00:52:19,640 --> 00:52:24,600
Speaker 2: toaster until I could literally feel my flesh burning and searing,

1274
00:52:24,680 --> 00:52:27,000
Speaker 2: and also there was a low level of electric shot

1275
00:52:27,080 --> 00:52:29,440
Speaker 2: going through my hand. And he held my hand in

1276
00:52:29,480 --> 00:52:31,880
Speaker 2: that toaster. Then he pulled my hand out of the

1277
00:52:31,920 --> 00:52:34,800
Speaker 2: toaster after it had been cooked and seared third degree burns.

1278
00:52:35,000 --> 00:52:38,520
Speaker 2: He began to just slather on butter, put on some

1279
00:52:38,680 --> 00:52:42,320
Speaker 2: I believe was it the strawberry It was that delicious

1280
00:52:42,320 --> 00:52:44,560
Speaker 2: strawberry jam, not the delicious matters. He put on the

1281
00:52:44,680 --> 00:52:48,000
Speaker 2: delicious strawberry jam over that hand. Then he put it

1282
00:52:48,040 --> 00:52:52,160
Speaker 2: between two pieces of the wonderbread too, just white I said, boy,

1283
00:52:52,160 --> 00:52:54,520
Speaker 2: there's no nutrition in that, Bobby, he said, still making

1284
00:52:54,520 --> 00:52:57,040
Speaker 2: the jokes. I said, I go down with the ships.

1285
00:52:57,040 --> 00:52:59,040
Speaker 2: So he said, okay, great. So he lifted up my

1286
00:52:59,160 --> 00:53:01,560
Speaker 2: hand with a two piece pieces of bread wrapped around it,

1287
00:53:01,800 --> 00:53:05,400
Speaker 2: and he took a bite that severed the ends of

1288
00:53:05,440 --> 00:53:08,080
Speaker 2: the two bigger fingers, so I lost both of those fingers.

1289
00:53:08,120 --> 00:53:10,520
Speaker 2: He took a bite, and he chewed my fingers and

1290
00:53:10,600 --> 00:53:13,239
Speaker 2: swallowed them. And then as he was staring me and

1291
00:53:13,239 --> 00:53:15,600
Speaker 2: the blood coming out of his mouth, chewing on my fingers,

1292
00:53:15,640 --> 00:53:17,120
Speaker 2: and I was looking at him with shock and.

1293
00:53:17,120 --> 00:53:19,279
Speaker 1: Horror, he said, okay, perfect, And.

1294
00:53:19,239 --> 00:53:20,680
Speaker 2: He was saying this through a full mouth because he's

1295
00:53:20,719 --> 00:53:22,680
Speaker 2: chewing on my fingers and swelling. He says, okay, perfect,

1296
00:53:22,680 --> 00:53:24,920
Speaker 2: You're in the perfect state of mind. This is exactly

1297
00:53:24,960 --> 00:53:27,839
Speaker 2: what I need. And that's when he took two very

1298
00:53:27,960 --> 00:53:31,520
Speaker 2: very large, heavy, look like shot puts, but I know

1299
00:53:31,560 --> 00:53:33,600
Speaker 2: they couldn't have been shot puts, not the ball bearings.

1300
00:53:33,640 --> 00:53:36,600
Speaker 2: That truck two ball bearings, and he slammed both of

1301
00:53:36,640 --> 00:53:39,800
Speaker 2: them on both sides of my head until, as again

1302
00:53:39,920 --> 00:53:43,399
Speaker 2: witnesses said, my head thinned, it narrowed, that's how hard

1303
00:53:43,440 --> 00:53:46,759
Speaker 2: he slammed these two ball bearings cracking both sides of

1304
00:53:46,800 --> 00:53:48,719
Speaker 2: my skull. Now again, this was about a year after

1305
00:53:48,760 --> 00:53:51,120
Speaker 2: I'd had all of that skull surgery to put my

1306
00:53:51,239 --> 00:53:53,319
Speaker 2: head back into as sort of the shape that it was.

1307
00:53:53,400 --> 00:53:55,680
Speaker 2: It never really was put back into the proper shape

1308
00:53:55,760 --> 00:53:58,279
Speaker 2: because it would throw people off, and this would throw

1309
00:53:58,280 --> 00:54:01,280
Speaker 2: them off even more. After hem the to ball bearings

1310
00:54:01,320 --> 00:54:04,800
Speaker 2: crushing my head, my eyes popped out and my tongue

1311
00:54:04,800 --> 00:54:06,680
Speaker 2: came out. So you can imagine I'm walking around with

1312
00:54:06,719 --> 00:54:08,480
Speaker 2: these two eyeballs hanging out in the tongue and I'm

1313
00:54:08,480 --> 00:54:13,080
Speaker 2: going People screamed, They ran out of the they ran

1314
00:54:13,080 --> 00:54:15,279
Speaker 2: out of the hotel. They were frightened to death. They

1315
00:54:15,320 --> 00:54:16,800
Speaker 2: were they were peeing themselves.

1316
00:54:16,880 --> 00:54:17,600
Speaker 1: It was something.

1317
00:54:17,600 --> 00:54:22,040
Speaker 2: He's kind of a crazy, crazy, crazy crazy. Here's another

1318
00:54:22,080 --> 00:54:24,000
Speaker 2: George Jones. This is called He Stopped Loving Her Today

1319
00:54:24,000 --> 00:54:26,040
Speaker 2: Here at Ginge of Bell. This is the Ginge Bel

1320
00:54:26,080 --> 00:54:32,239
Speaker 2: Country USA show. Yeah, the Ginge Bell here.

1321
00:54:32,320 --> 00:54:32,960
Speaker 1: Hi, how are you doing.

1322
00:54:33,640 --> 00:54:36,560
Speaker 2: I'm doing fine. You're telling stories about having your face

1323
00:54:37,480 --> 00:54:40,080
Speaker 2: crushed and you're singing over top of it. I'm just

1324
00:54:40,239 --> 00:54:42,720
Speaker 2: asking you if you would have the common courtesy they.

1325
00:54:42,640 --> 00:54:45,879
Speaker 1: Shut up, just to shut up while we're hearing it.

1326
00:54:45,880 --> 00:54:52,120
Speaker 1: Thanks so much for calling. Yeah, right, we half crazy.

1327
00:54:52,320 --> 00:54:54,719
Speaker 2: George Jones right there and he stopped loving Today here

1328
00:54:54,760 --> 00:54:57,400
Speaker 2: the ging of bell Country USA show. You know. I

1329
00:54:57,440 --> 00:54:59,239
Speaker 2: went to George one day and I said, George, you

1330
00:54:59,239 --> 00:55:01,959
Speaker 2: know the music that you're singing is good. I said,

1331
00:55:01,960 --> 00:55:04,319
Speaker 2: it's not bad, it's good. It's for what it is,

1332
00:55:04,360 --> 00:55:06,600
Speaker 2: it's good. And he said, well, who are you to

1333
00:55:06,600 --> 00:55:08,440
Speaker 2: tell me that? I said, well, I'm a Jane of

1334
00:55:08,440 --> 00:55:10,080
Speaker 2: Bell Country USA. He said, no, I know who you are,

1335
00:55:10,120 --> 00:55:11,279
Speaker 2: but who are you to tell me something like that.

1336
00:55:11,280 --> 00:55:12,680
Speaker 2: I said, well, a lot of the music that you sing,

1337
00:55:12,719 --> 00:55:15,040
Speaker 2: George is sad. It might have a it might be

1338
00:55:15,200 --> 00:55:17,600
Speaker 2: a product of your alcoholism, it might be a product

1339
00:55:17,600 --> 00:55:20,879
Speaker 2: of whatever drug abuse that you're involved in. And he said,

1340
00:55:20,880 --> 00:55:22,759
Speaker 2: who are you? How dare you say that? He was

1341
00:55:22,800 --> 00:55:24,879
Speaker 2: getting very very young. I said, look at George, I'm

1342
00:55:25,160 --> 00:55:26,680
Speaker 2: you and I have been friends a long time. He said, no,

1343
00:55:26,760 --> 00:55:28,200
Speaker 2: we haven't been friends at all. He says, I just

1344
00:55:28,239 --> 00:55:30,640
Speaker 2: met you. You're a disc jockey at a radio station.

1345
00:55:30,760 --> 00:55:31,400
Speaker 1: I don't know you.

1346
00:55:31,520 --> 00:55:33,799
Speaker 2: I pretend to be friends with you because I want

1347
00:55:33,800 --> 00:55:35,600
Speaker 2: you to play my records, but I don't know you.

1348
00:55:35,640 --> 00:55:37,239
Speaker 2: I wouldn't I don't care to know you, I said,

1349
00:55:38,120 --> 00:55:40,640
Speaker 2: I said, George, there you go again. I said, listen,

1350
00:55:40,680 --> 00:55:43,360
Speaker 2: the music you sing is so drag ass, so derivative.

1351
00:55:43,360 --> 00:55:46,040
Speaker 2: It is so slow and so meaningless and so tedious.

1352
00:55:46,960 --> 00:55:49,759
Speaker 2: I feel it's the product of you drinking heavily and

1353
00:55:50,600 --> 00:55:54,719
Speaker 2: perhaps abusing prescription narcotics, you know. And he said, if

1354
00:55:54,719 --> 00:55:57,600
Speaker 2: you say one more word to me, so help me God,

1355
00:55:57,960 --> 00:56:01,399
Speaker 2: I'm going to stick your head under the the cover

1356
00:56:01,480 --> 00:56:04,000
Speaker 2: of this baby grand piano and I'm gonna slam the

1357
00:56:04,000 --> 00:56:05,920
Speaker 2: hood of that thing down on your skull.

1358
00:56:06,320 --> 00:56:07,319
Speaker 1: Do you want that?

1359
00:56:07,680 --> 00:56:09,360
Speaker 2: I said, George, you know as well as I do,

1360
00:56:09,440 --> 00:56:11,600
Speaker 2: you wouldn't dare do anything like that. I'm Jean Jabelle.

1361
00:56:11,840 --> 00:56:14,640
Speaker 2: I can make or break a punk like you because

1362
00:56:14,680 --> 00:56:16,960
Speaker 2: of the music that I play. It makes her breaks

1363
00:56:17,360 --> 00:56:20,240
Speaker 2: punks like you. Well, it turned out that George didn't.

1364
00:56:20,000 --> 00:56:20,640
Speaker 1: Do it himself.

1365
00:56:20,680 --> 00:56:25,400
Speaker 2: He nodded to a very tall man wearing all leather, sunglasses,

1366
00:56:25,440 --> 00:56:28,480
Speaker 2: a black leather had a black jacket, the whole black

1367
00:56:28,560 --> 00:56:32,719
Speaker 2: cowboy thing. And I said, oh, looks like who's this guy?

1368
00:56:32,760 --> 00:56:35,280
Speaker 2: Man the man with no name? Or he said, wouldn't

1369
00:56:35,320 --> 00:56:38,320
Speaker 2: you like to know? The guy literally grabbed me, folded

1370
00:56:38,360 --> 00:56:41,160
Speaker 2: me over at the waist. He was so strong. I

1371
00:56:41,200 --> 00:56:43,920
Speaker 2: felt like I was just a doll, just a rag doll.

1372
00:56:43,960 --> 00:56:46,040
Speaker 2: I couldn't do anything to resist. I couldn't do anything

1373
00:56:46,040 --> 00:56:48,920
Speaker 2: to help myself. He put my head near the you know,

1374
00:56:48,960 --> 00:56:51,560
Speaker 2: the piano strings, and he slammed the hood of the

1375
00:56:51,600 --> 00:56:54,520
Speaker 2: piano down on my head five times. I counted it.

1376
00:56:54,600 --> 00:56:57,160
Speaker 2: I felt it, but more to the point I counted it.

1377
00:56:57,160 --> 00:57:00,359
Speaker 2: It went one bang, two bang, three bang, And I

1378
00:57:00,360 --> 00:57:03,880
Speaker 2: remember thinking, when will I stop counting? I stopped counting

1379
00:57:03,920 --> 00:57:06,360
Speaker 2: at five. Now later on, what did you say, Jerry,

1380
00:57:06,440 --> 00:57:09,440
Speaker 2: Well ten? I stopped counting at five. But the guys

1381
00:57:09,480 --> 00:57:11,440
Speaker 2: swear up and down, they swear to christ all might

1382
00:57:11,480 --> 00:57:14,360
Speaker 2: excuse my language, that he actually slammed that thing on

1383
00:57:14,400 --> 00:57:15,480
Speaker 2: my head ten times.

1384
00:57:15,880 --> 00:57:16,840
Speaker 1: But when I.

1385
00:57:16,600 --> 00:57:21,120
Speaker 2: Pulled my head out from the from the piano, people

1386
00:57:21,160 --> 00:57:23,880
Speaker 2: screamed and began running because my head had thinned again.

1387
00:57:24,200 --> 00:57:26,080
Speaker 2: Now this was the second time in as many weeks

1388
00:57:26,120 --> 00:57:28,600
Speaker 2: that I got my head slammed so hard that my

1389
00:57:28,720 --> 00:57:32,280
Speaker 2: head was now shaped more what would you say, banana like?

1390
00:57:33,400 --> 00:57:36,320
Speaker 2: My head was almost a banana shape because it had

1391
00:57:36,360 --> 00:57:39,920
Speaker 2: been slammed in, and my tongue and my eyeballs again

1392
00:57:40,080 --> 00:57:42,920
Speaker 2: sticking out. So imagine a man with a banana shaped

1393
00:57:42,960 --> 00:57:46,640
Speaker 2: head walking around the ballroom of a major hotel, a

1394
00:57:46,720 --> 00:57:50,560
Speaker 2: major disc jockey with a ponytail. Because why because I

1395
00:57:50,600 --> 00:57:53,640
Speaker 2: was honest, Because I said to this man what needed

1396
00:57:53,680 --> 00:57:56,480
Speaker 2: to be said. I said to him, George, your music drags, ass,

1397
00:57:56,920 --> 00:57:59,920
Speaker 2: it's derivative. You're ripped off Chuck Berry's Johnny Begod with

1398
00:58:00,040 --> 00:58:03,520
Speaker 2: white lightning. And he said to me, guess what, You're

1399
00:58:03,520 --> 00:58:07,000
Speaker 2: gonna have a banana shaped head before the boat hits Venezuela. Hi,

1400
00:58:07,400 --> 00:58:09,840
Speaker 2: Greig Morton's got something to say to you. Don't lean

1401
00:58:09,880 --> 00:58:12,520
Speaker 2: on that horn, friend, Just say hello to the man

1402
00:58:12,600 --> 00:58:14,760
Speaker 2: there the International Harvester.

1403
00:58:14,880 --> 00:58:15,200
Speaker 1: Y'all.

1404
00:58:15,480 --> 00:58:18,880
Speaker 2: I'm the son of a third generation fo farmer.

1405
00:58:20,400 --> 00:58:22,960
Speaker 1: I've been mad ten years to the farmer's dog.

1406
00:58:24,480 --> 00:58:28,120
Speaker 2: Yeah yeah, I'm a god fearing, hard working combine driver,

1407
00:58:28,360 --> 00:58:30,840
Speaker 2: hugging up to roll them up a pup of flowers.

1408
00:58:32,400 --> 00:58:36,600
Speaker 2: Everybody together now here this morning on the International Harvester.

1409
00:58:37,840 --> 00:58:40,000
Speaker 1: I'll tell you what. I love that music so very

1410
00:58:40,160 --> 00:58:40,600
Speaker 1: very much.

1411
00:58:40,640 --> 00:58:42,840
Speaker 2: There with I was caught. Oh yeah, Craig Morton, their

1412
00:58:42,920 --> 00:58:45,000
Speaker 2: International Harvester. Good morning, how you doing? Hey?

1413
00:58:45,000 --> 00:58:45,560
Speaker 1: Good morning?

1414
00:58:45,840 --> 00:58:49,920
Speaker 2: Gino stated musically. Yeah, I happen to witness what happened

1415
00:58:49,920 --> 00:58:52,320
Speaker 2: between you and Craig Morton. You're gonna tell that story,

1416
00:58:52,520 --> 00:58:53,040
Speaker 2: you better.

1417
00:58:52,880 --> 00:58:55,240
Speaker 1: Be Craig Morgan, not Craig Morton, not the football player.

1418
00:58:55,400 --> 00:59:01,560
Speaker 2: Oh you're right, Greg Morgan. Because I was there, well,

1419
00:59:01,560 --> 00:59:05,360
Speaker 2: I was Tuxedo County, Tuxedo County, Tuxedo County, thank you

1420
00:59:05,440 --> 00:59:07,960
Speaker 2: very much for recall this morning for years, Tuxedo County.

1421
00:59:07,960 --> 00:59:10,480
Speaker 2: I was there and I was again hosting a charity event.

1422
00:59:10,520 --> 00:59:12,800
Speaker 2: Craig Morton came there, and Craig was there with the

1423
00:59:12,840 --> 00:59:15,919
Speaker 2: International Harvester people, and I had made a comment about

1424
00:59:15,960 --> 00:59:18,880
Speaker 2: his wife. She was a very, very fancy looking and

1425
00:59:18,920 --> 00:59:21,480
Speaker 2: good looking woman. It still is as a matter of fact.

1426
00:59:21,480 --> 00:59:23,280
Speaker 2: I hope they're still married. I hope they're very happily married.

1427
00:59:24,200 --> 00:59:25,600
Speaker 2: Or it might have been his girlfriend. I don't know,

1428
00:59:25,640 --> 00:59:27,600
Speaker 2: but I made a comment about her backside. Now, I

1429
00:59:27,640 --> 00:59:29,080
Speaker 2: know it's kind of rude you make a comment about

1430
00:59:29,080 --> 00:59:30,760
Speaker 2: a woman's backside. It's one thing to make a comment

1431
00:59:30,760 --> 00:59:33,200
Speaker 2: about a woman's breasts, but I made a comment about

1432
00:59:33,200 --> 00:59:36,520
Speaker 2: a very I would say, prominent backside. And that's when

1433
00:59:36,520 --> 00:59:39,120
Speaker 2: Craig said to me, would you like to go outside

1434
00:59:39,160 --> 00:59:40,760
Speaker 2: and take a look at my sponsor and I said,

1435
00:59:40,760 --> 00:59:42,880
Speaker 2: you mean the International Harvester people. He said, yeah, just

1436
00:59:42,880 --> 00:59:45,520
Speaker 2: stand there now. He walked down about twenty yards. He

1437
00:59:45,560 --> 00:59:48,439
Speaker 2: got into an International Harvester tractor and drove it straight

1438
00:59:48,440 --> 00:59:50,280
Speaker 2: at me, and I started to run. I didn't know

1439
00:59:50,280 --> 00:59:51,400
Speaker 2: what he was doing. I thought it was drunk. I

1440
00:59:51,440 --> 00:59:53,640
Speaker 2: thought it was crazy. I ran, but he did catch

1441
00:59:53,680 --> 00:59:55,440
Speaker 2: me with the bucket on that thing kind of like

1442
00:59:55,480 --> 00:59:58,160
Speaker 2: a Bobcat bucket lifted me up and then dropped me.

1443
00:59:58,800 --> 01:00:01,600
Speaker 2: I mean, he just let that hydraula go and dropped me.

1444
01:00:01,640 --> 01:00:04,000
Speaker 2: And I hit the ground I'd say about thirty miles

1445
01:00:04,000 --> 01:00:08,040
Speaker 2: an hour, and fell right on my backside. I started

1446
01:00:08,040 --> 01:00:09,840
Speaker 2: to try to get up. I was woozy, and then

1447
01:00:09,840 --> 01:00:12,040
Speaker 2: they brought the brought the bucket down on top of

1448
01:00:12,040 --> 01:00:14,600
Speaker 2: my head. So it was one to two down, and

1449
01:00:14,600 --> 01:00:16,200
Speaker 2: then the bucket came down to my head. He got

1450
01:00:16,200 --> 01:00:18,720
Speaker 2: out of the International Harvester. He said, you got anything

1451
01:00:18,720 --> 01:00:20,280
Speaker 2: else you want to say about my wife? And at

1452
01:00:20,280 --> 01:00:22,680
Speaker 2: that time, or he said, girlfriend, I forget what it was.

1453
01:00:22,720 --> 01:00:25,440
Speaker 2: You know what, Bobby, what it was? Well say what

1454
01:00:25,640 --> 01:00:27,600
Speaker 2: it was? I mean what she was? I know, I

1455
01:00:27,640 --> 01:00:30,080
Speaker 2: don't well, I'd said, well, if you want me to

1456
01:00:30,080 --> 01:00:32,520
Speaker 2: say so. I said, she's got a great rear end.

1457
01:00:32,520 --> 01:00:35,200
Speaker 2: I said she's got big ones up front. I said

1458
01:00:35,440 --> 01:00:37,280
Speaker 2: she looked like she could take it off a trailer hitch,

1459
01:00:37,360 --> 01:00:38,880
Speaker 2: a trailer hitch. I should say all the things you

1460
01:00:38,880 --> 01:00:41,560
Speaker 2: would say in a golf ball through garden hose. I

1461
01:00:41,600 --> 01:00:45,160
Speaker 2: said just about everything a man can say, not knowing

1462
01:00:45,400 --> 01:00:48,200
Speaker 2: that Craig does not have the best sense of humor.

1463
01:00:48,240 --> 01:00:50,440
Speaker 2: And that's when he went ahead and need me in

1464
01:00:50,520 --> 01:00:54,840
Speaker 2: my testicles. You're kidding, no, not, no, he need me

1465
01:00:54,880 --> 01:00:57,200
Speaker 2: in my testicles. Then he grabbed me again. He headlocked

1466
01:00:57,200 --> 01:00:58,520
Speaker 2: me the same way Brooks and doesn't it. But he

1467
01:00:58,520 --> 01:01:00,280
Speaker 2: did a very interesting thing. It was almost like Astler

1468
01:01:00,320 --> 01:01:01,680
Speaker 2: move where he had me around the neck and he

1469
01:01:01,680 --> 01:01:04,280
Speaker 2: also had the top of my head and he did

1470
01:01:04,720 --> 01:01:06,959
Speaker 2: one of those atomic slams. He went up in the air.

1471
01:01:08,120 --> 01:01:11,640
Speaker 2: Excuse me, excuse me, I'm coughing.

1472
01:01:11,440 --> 01:01:11,800
Speaker 1: A little bit.

1473
01:01:11,800 --> 01:01:13,320
Speaker 2: I hope a lot of you folks out there this morning,

1474
01:01:13,360 --> 01:01:16,480
Speaker 2: of course, are gonna be driving carefully because we know

1475
01:01:17,000 --> 01:01:18,960
Speaker 2: with all this congestion you're gonna have a really bad air.

1476
01:01:19,000 --> 01:01:20,360
Speaker 2: But anyway, I'm gonna get back to the music here.

1477
01:01:20,360 --> 01:01:22,520
Speaker 2: I just want to say did an atomic slam. He

1478
01:01:22,560 --> 01:01:24,640
Speaker 2: went down, landed on his butt, but at the same

1479
01:01:24,680 --> 01:01:28,680
Speaker 2: time he had his knee right under my testicles, under

1480
01:01:28,680 --> 01:01:29,240
Speaker 2: the scrotum.

1481
01:01:29,440 --> 01:01:32,440
Speaker 1: And excuse me as we went down.

1482
01:01:32,720 --> 01:01:34,720
Speaker 2: As we went down, and the knee drove right clean

1483
01:01:34,800 --> 01:01:37,200
Speaker 2: up into the scrotum.

1484
01:01:37,280 --> 01:01:38,720
Speaker 1: So it did it hurt? You better believe it.

1485
01:01:38,760 --> 01:01:40,920
Speaker 2: Hi, everybody, this is jean Ja Belle and I am

1486
01:01:41,040 --> 01:01:44,320
Speaker 2: a pain in the ass. Just when you thought summer

1487
01:01:44,400 --> 01:01:47,480
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1488
01:01:47,520 --> 01:01:52,520
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1489
01:01:52,600 --> 01:01:55,600
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1490
01:01:55,160 --> 01:01:57,520
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1491
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