WEBVTT - #175 - Westside Boogie

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<v Speaker 1>All right, man Boulet cap show. We got a special

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<v Speaker 1>guests in here. It's lit side boogie. You finally let

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<v Speaker 1>me come first of all, I've DMed you before. That's crazy.

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<v Speaker 1>You be ignoring my dms. That's not true. It's a man,

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<v Speaker 1>I can show you treat me like the little Instagram thought,

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<v Speaker 1>Hey for this stuck video? How did y'all pull that

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<v Speaker 1>shit off? Just for see? You just look like it

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<v Speaker 1>was it like an uncomfortable video to shoot hanging upside

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<v Speaker 1>down like that? What do you mean? I was flying

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<v Speaker 1>for real? You weren't flying for real. I was literally

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<v Speaker 1>was flying. Okay, well, now it was hell uncomfortable. I

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<v Speaker 1>hate that shit because the fucking uh can I cuss

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<v Speaker 1>on this thing? Of course? Oh the fucking harness. They

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<v Speaker 1>put it inside my pants. So for one, it's a

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<v Speaker 1>dude kneeling down in front of me while my pants

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<v Speaker 1>is like kind of down. Can you enjoy that? No,

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<v Speaker 1>you're funny as hell and I'm already and Compton in

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<v Speaker 1>the middle of the hood. So them was like, oh,

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<v Speaker 1>I'm dealing with that. And then it's just uncomfortable like

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<v Speaker 1>some and like because it's up against you're skinny, and

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<v Speaker 1>they needed tight. The tighter it is, the safer it

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<v Speaker 1>is for you. So I'm already like scary about heights

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<v Speaker 1>and stuff like that. Something put his as possible, So

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<v Speaker 1>then I had to get used to like flipping backwards

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<v Speaker 1>and like my weight and stuff like that. But it

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<v Speaker 1>just kind of reminds like you're facing Like a few

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<v Speaker 1>of the shots reminded me of fifty at the super

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<v Speaker 1>Bowl bent that's far, you know what I mean, like

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<v Speaker 1>hanging upside down, you know, I mean for a little

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<v Speaker 1>bit about fifty in a regular video the super Bowl,

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<v Speaker 1>he looked kind of washed. That's my boy. But super

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<v Speaker 1>Bowl he was a little heavy when he pulled down,

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<v Speaker 1>but he wasn't heavy. I just think that's grown up weight. Yeah, exactly,

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<v Speaker 1>So you're saying mine look like grown up. Wait, I

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<v Speaker 1>got you. Anyway, When is your album coming out? Man?

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<v Speaker 1>It's been a while. I know it's been what three years?

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<v Speaker 1>Was it? Twenty nineteen, twenty eighteen, twenty nineteen, yeah, twenty nineteen?

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<v Speaker 1>Oh yeah, soon next one of these days. I mean, listen,

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<v Speaker 1>you're here for a reason, exactly. You know it's rollout.

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<v Speaker 1>The album is done. I didn't just pull up right,

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<v Speaker 1>I mean, you got music out. Yeah, I do exactly

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<v Speaker 1>that me. I'm back outside. How many songs on your album? Yeah,

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<v Speaker 1>asked me questions. I don't even know if I can answer.

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<v Speaker 1>I'm gonna say twelve to fifteen because I didn't ask you.

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<v Speaker 1>Everything is like, you know, everything is part of rollo.

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<v Speaker 1>You know you got to surprise people. But it's is ridiculous.

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<v Speaker 1>You guys are do an interviews. I know it's fucked up. Man,

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<v Speaker 1>I love you, bro. What are we doing here? I

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<v Speaker 1>don't know capping twelve to fifteen? I wanted to be

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<v Speaker 1>for real, in my brain, I wanted to be thirteen.

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<v Speaker 1>But I'm just I'll be like trying to figure it

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<v Speaker 1>out until the day it's released. I probably might take

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<v Speaker 1>something out or add some last minute Hell Mary, you

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<v Speaker 1>never know. Yeah, is it like because I feel like

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<v Speaker 1>that's like, to me, a nice number for an album. Yeah,

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<v Speaker 1>And we start getting into like that twenty twenty one,

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<v Speaker 1>it's like, yeah, it's a little overwhelming sometimes listening a

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<v Speaker 1>lot to that much music. I once so I was

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<v Speaker 1>gonna do ten, but I was like, I don't make

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<v Speaker 1>them wait three years to ten something. They're gonna be pissed.

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<v Speaker 1>So how was everything just in terms of like just life. Man,

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<v Speaker 1>we got through a pandemic, you know what I mean.

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<v Speaker 1>Obviously that happened. I was in waiting three years for

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<v Speaker 1>your music, so I'm assuming you've lived a lot of

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<v Speaker 1>life in that time. Yeah, pandemic was was good and

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<v Speaker 1>bad for me, like as far as like quarantining because

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<v Speaker 1>like I had to be in the house, but it

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<v Speaker 1>also like tested my relationship out I was in at

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<v Speaker 1>the moment. We ended up breaking up, which like I

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<v Speaker 1>don't think we was right for each other anyway, So

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<v Speaker 1>I think the pandemic kind of made you all break up.

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<v Speaker 1>Like I mean, it forced us to be around each other.

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<v Speaker 1>I think it was problems we would have kept prolonging.

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<v Speaker 1>We probably would have ended up breaking up, but not

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<v Speaker 1>like when we needed to. You know what I'm saying,

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<v Speaker 1>Because if think got it happened before you had a

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<v Speaker 1>baby or I mean, yeah with her, Yeah, you're right,

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<v Speaker 1>You're right, you're right, because I do got a kid.

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<v Speaker 1>But yeah, but it just not with Yeah, it's not

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<v Speaker 1>with her, So that happened then. Also, just like an

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<v Speaker 1>artist in my head, I deal with that a lot,

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<v Speaker 1>you know what I'm saying. I can't lie about that.

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<v Speaker 1>Then going through therapy and then finally being in a

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<v Speaker 1>good headspace, still struggling some days. So yeah, whatep, y'all

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<v Speaker 1>got to stop the interview real quick to tell you

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<v Speaker 1>for free therapy. Man, I feel like something that a

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<v Speaker 1>lot of people are comfortable. I feel like it's starting

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<v Speaker 1>to become normalized. I love this. Like my generation, I'm

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<v Speaker 1>starting to realize we're so amazing, just as far as

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<v Speaker 1>like I look around all my homies's great parents. When

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<v Speaker 1>I remember us being younger, none of us had our dads,

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<v Speaker 1>and now we like over like we're just overcompensating for

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<v Speaker 1>what we didn't have. You know what I'm saying, We

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<v Speaker 1>super like dads now. And so yeah, even with therapy,

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<v Speaker 1>like my home is just starting to be open to it,

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<v Speaker 1>Black and brown community starting to be open to it.

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<v Speaker 1>So I think it's dope. What is was there anything

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<v Speaker 1>like kind of was like your tipping point? Where like

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<v Speaker 1>I need to go talk to somebody type shit for me.

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<v Speaker 1>My feelings was just hurt. I was just crying. I

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<v Speaker 1>was tired of crying. The opportunity was presented to me

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<v Speaker 1>from LVRN because you know, they care about the artist's

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<v Speaker 1>mental health, so shout out to them, and I didn't

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<v Speaker 1>really want to do it at first. It felt like homework.

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<v Speaker 1>Some days it's still feel like class, you know what

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<v Speaker 1>I'm saying, because yeah, because I've been to therapy that

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<v Speaker 1>sometimes you get like exercises and DA like yeah, do this,

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<v Speaker 1>do this and we'll meet next week exactly, so having

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<v Speaker 1>to do stuf when you leave, and it's like, man,

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<v Speaker 1>I just want to come here and not have to

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<v Speaker 1>deal with it when I get out of therapy. So

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<v Speaker 1>it's still a struggle, you know what I'm saying. But

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<v Speaker 1>I'm starting to notice the benefits of it, just like

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<v Speaker 1>I'm more patient or open to people and like understanding

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<v Speaker 1>where they're coming from and stuff like do you find

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<v Speaker 1>yourself like practicing shit you learn like in real time

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<v Speaker 1>to be like oh this is yeah, just like I

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<v Speaker 1>get tested still and the way I'm able to approach

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<v Speaker 1>these situations now and I just react out of like

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<v Speaker 1>anger or feel like I'm getting attacked when somebody give

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<v Speaker 1>me their opinion on something. And I know in the

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<v Speaker 1>past that's been my problem, is always feeling attacked when

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<v Speaker 1>somebody go against my way of thinking. Hmm, what were

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<v Speaker 1>you so sad about? Man? I got dumped, you know

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<v Speaker 1>what I'm saying. Also, the breakup, yeah, mess me up

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<v Speaker 1>because I feel like this was like my first healthy relationship.

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<v Speaker 1>All my other relationship was like based off like trauma

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<v Speaker 1>bonding and stuff like that was my baby bonding, you

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<v Speaker 1>know what I'm saying. Just hurt people. Yeah, just like

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<v Speaker 1>hurt people love hurt people, you know what I'm saying.

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<v Speaker 1>So they hurt together exactly. So this was the first

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<v Speaker 1>time I felt like I had a girl who's like

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<v Speaker 1>she was open to my kid, like, she was receptive

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<v Speaker 1>to him, she was at the games with me. It

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<v Speaker 1>was just healthy and I don't think I knew how

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<v Speaker 1>to handle that. So I don't think I was a

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<v Speaker 1>great boyfriend at the time. But also she had a

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<v Speaker 1>lot of growling to do, and so I think we

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<v Speaker 1>just hit our ceiling and it messed me up because

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<v Speaker 1>I was my best friend. Also, you know what I'm saying,

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<v Speaker 1>that was the part I didn't know how to like.

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<v Speaker 1>I was just trying to fill that void because it

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<v Speaker 1>was just missing. So I was messing with a lot

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<v Speaker 1>of thoughts and stuff like that just to feel that space.

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<v Speaker 1>I didn't know how to sit sit at home by

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<v Speaker 1>myself for more than a day. I got to have

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<v Speaker 1>somebody over, but then also don't want them like being

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<v Speaker 1>cleany or kissing on me. It's just like it's just weird.

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<v Speaker 1>So you kind of use like a that was kind

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<v Speaker 1>of like your coping mechanism exactly being a thought being

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<v Speaker 1>a thought. Yeah, how do you feel like you're over it? Yeah?

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<v Speaker 1>I still go through days when I'm mad because I

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<v Speaker 1>feel like I didn't get no closure, right. I feel

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<v Speaker 1>like what happened just disappeared on your well, it's just

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<v Speaker 1>you know, life, her life. I feel like she still

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<v Speaker 1>have to go through her whole phase. I ain't gonna lie.

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<v Speaker 1>I feel honestly, it's an important phase to every girl,

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<v Speaker 1>you know what I'm saying. And I feel like she

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<v Speaker 1>was starting to grow to resent me because she still

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<v Speaker 1>had she had life she needed to see. She also

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<v Speaker 1>a singer, so I felt like I'm not sure she

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<v Speaker 1>felt supported in all the space of her career, and

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<v Speaker 1>I got an ego too, so who knows how I

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<v Speaker 1>was acting or how she was perceiving it. But I

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<v Speaker 1>also don't want to hold her accountable. She was doing

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<v Speaker 1>weird stuff on Instagram, you know, she dating somebody I

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<v Speaker 1>know now and oh shit and stuff like that. But

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<v Speaker 1>what was like for you, Like, was there a specific

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<v Speaker 1>reason why it took you so long to get this

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<v Speaker 1>album out or do you feel like it was just

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<v Speaker 1>I mean, so many different things probably ended up accumulating

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<v Speaker 1>in this I know I could. I'm sure it was

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<v Speaker 1>because I was in my head a lot. I'm so

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<v Speaker 1>heavy on like growth and like making sure my my

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<v Speaker 1>next stuff is buried in my last project, and I

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<v Speaker 1>felt like my last project was so amazing, So that

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<v Speaker 1>first year after that, I was definitely in that bag.

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<v Speaker 1>When I finally was ready to record again, I feel

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<v Speaker 1>like I was making the same songs that I did

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<v Speaker 1>from Everything for Sale because it was my comfort space.

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<v Speaker 1>So then it was that my managers having to be like, nah,

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<v Speaker 1>we not doing this again. You're gonna have to find

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<v Speaker 1>a new pocket. So being frustrated about that took a

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<v Speaker 1>minute to get over that hump. Then yeah, I finally

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<v Speaker 1>got to a space where I had something I wanted

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<v Speaker 1>to talk about. I also don't know how to draw

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<v Speaker 1>from fake spaces. I gotta find something something real. Yeah,

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<v Speaker 1>you know what I'm saying. So I obviously don't want

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<v Speaker 1>this to be my production rate. Every three years I

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<v Speaker 1>drop an album. So I think the therapy also like

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<v Speaker 1>opening my mind up to stuff. It's been helping. So

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<v Speaker 1>I think I'm in a great space now. So you

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<v Speaker 1>mentioned LVRN, I mean yeah, I bring it up a lot. Yeah, yeah, yeah,

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<v Speaker 1>those my managers are great. Shout out to them. Shout

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<v Speaker 1>out to them. Yo. They have some of my favorite artists,

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<v Speaker 1>Me and Me and me and me, and I love

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<v Speaker 1>I Love I Love Black. That's my dog. Amazing. Huh,

0:09:43.360 --> 0:09:47.800
<v Speaker 1>he's the man. I love Black. Black's like he's like

0:09:49.160 --> 0:09:51.200
<v Speaker 1>I would say, he's like in my probably top five

0:09:51.200 --> 0:09:55.839
<v Speaker 1>favorite artists of the last decade. I love Black's new music. Man,

0:09:56.200 --> 0:09:59.040
<v Speaker 1>it's coming black season. I just seen you on somebody's

0:09:59.040 --> 0:10:00.880
<v Speaker 1>story the other day, so I'm way like you, bro.

0:10:01.160 --> 0:10:03.960
<v Speaker 1>Yeah yeah, we need some new music, yeah for sure,

0:10:04.040 --> 0:10:06.720
<v Speaker 1>some new merch all that good stuff. What is it for?

0:10:06.760 --> 0:10:09.439
<v Speaker 1>You know? Cause like I feel like being signed to

0:10:09.480 --> 0:10:12.560
<v Speaker 1>eminem has got to be a gifted a curse? How

0:10:12.720 --> 0:10:14.800
<v Speaker 1>how would you kind of perceive it? Because we always

0:10:14.800 --> 0:10:17.280
<v Speaker 1>hear like, what curse? What do you think is a curse?

0:10:17.800 --> 0:10:20.520
<v Speaker 1>I mean, Eminem is you know, he's he's the greatest

0:10:20.600 --> 0:10:23.640
<v Speaker 1>rapper alive, that is I feel, you know what I mean?

0:10:23.720 --> 0:10:25.679
<v Speaker 1>So like when people think of Eminem, they think of

0:10:25.760 --> 0:10:29.040
<v Speaker 1>him being like the goat, you know. And I feel

0:10:29.040 --> 0:10:32.840
<v Speaker 1>like anytime he signs an artist, it's very much expected

0:10:32.840 --> 0:10:34.960
<v Speaker 1>that that artist also has to be in that scene.

0:10:35.000 --> 0:10:37.480
<v Speaker 1>And like, think about he signed you, he signed the

0:10:37.520 --> 0:10:41.480
<v Speaker 1>Griselda Guys Slaughterhouse back in the day. I'm forgetting I'm sure. Yeah,

0:10:41.840 --> 0:10:45.240
<v Speaker 1>some other artists. Who else on shady? Yellow Wolf? Who?

0:10:45.480 --> 0:10:48.160
<v Speaker 1>Yellow Wolf? Yello? Oh yellow Wolf? Yeah, but that means

0:10:48.160 --> 0:10:51.160
<v Speaker 1>he's not on shady anymore? Who's on shady? You don't

0:10:51.200 --> 0:10:54.240
<v Speaker 1>know that he kind had of falling out? Oh my bad?

0:10:54.440 --> 0:10:57.440
<v Speaker 1>I believe yellow Wolf. No, I don't say my bad.

0:10:57.559 --> 0:11:02.679
<v Speaker 1>I don't know the place. Royce my dog. But let

0:11:02.679 --> 0:11:03.959
<v Speaker 1>me just tell you this, I don't think Royce is

0:11:04.000 --> 0:11:05.680
<v Speaker 1>on shady though he was at the point, come on,

0:11:06.480 --> 0:11:12.400
<v Speaker 1>wasn't you know better than me? Why shout out to

0:11:12.440 --> 0:11:15.280
<v Speaker 1>roy is really one of my favorite people in the world.

0:11:15.320 --> 0:11:18.400
<v Speaker 1>It's also one of the greatest rappers of all time. Literally,

0:11:18.800 --> 0:11:21.200
<v Speaker 1>I literally think at any given time he might be

0:11:21.200 --> 0:11:23.559
<v Speaker 1>a greatest rapper alive. There's like a few of those guys.

0:11:23.559 --> 0:11:29.439
<v Speaker 1>It's like Royce Black thought, I think Conway's in that discussion.

0:11:29.880 --> 0:11:31.360
<v Speaker 1>I think when you're at your peak, you could be

0:11:31.360 --> 0:11:35.400
<v Speaker 1>in that discussion, Emine if you didn't say something towards me.

0:11:35.440 --> 0:11:39.480
<v Speaker 1>I was about the trip, like no, fuck you. But

0:11:39.679 --> 0:11:41.560
<v Speaker 1>what I'll be saying is like, I don't know, I

0:11:41.640 --> 0:11:45.120
<v Speaker 1>never feel it because it's the one I'm competitive, So

0:11:45.120 --> 0:11:47.720
<v Speaker 1>it's like everybody's like even playing field for me. Obviously,

0:11:47.720 --> 0:11:50.960
<v Speaker 1>I respect everything how Eminem changed my life, but you

0:11:50.960 --> 0:11:52.240
<v Speaker 1>know what I'm saying, I'm still trying to get to

0:11:52.240 --> 0:11:53.960
<v Speaker 1>where I'm trying to go. So I don't feel no

0:11:54.080 --> 0:11:57.280
<v Speaker 1>pressure from whatever Eminem is accomplished, because I like that

0:11:57.400 --> 0:12:00.240
<v Speaker 1>my own goals. And also, it's like this ship I

0:12:00.320 --> 0:12:02.920
<v Speaker 1>faced in my neighborhood. It's like, once I come to

0:12:02.960 --> 0:12:05.440
<v Speaker 1>this shit, it's like it's just nothing. It's like, whatever,

0:12:05.480 --> 0:12:07.360
<v Speaker 1>what's some little you know, it's a little little not

0:12:07.400 --> 0:12:09.040
<v Speaker 1>like that's some little white kids on the internet that's

0:12:09.040 --> 0:12:11.120
<v Speaker 1>gonna be mad. I'm not rapping fast. It's the most,

0:12:11.600 --> 0:12:13.679
<v Speaker 1>the most. It is a thing, for real, for real,

0:12:13.760 --> 0:12:16.280
<v Speaker 1>My It's like, from the outside looking in, a lot

0:12:16.280 --> 0:12:18.800
<v Speaker 1>of people think I don't fit with the shady rosters

0:12:18.800 --> 0:12:20.959
<v Speaker 1>stand for. You know what I'm saying, eminem though, you

0:12:20.960 --> 0:12:22.560
<v Speaker 1>know what I'm saying, I could borrow any given time,

0:12:22.640 --> 0:12:23.960
<v Speaker 1>and that's not I just don't want to do it

0:12:23.960 --> 0:12:25.760
<v Speaker 1>all the time. Way you can borrow up eminem at

0:12:25.760 --> 0:12:28.800
<v Speaker 1>any time, you know what I'm saying. Maybe, but I

0:12:28.920 --> 0:12:32.560
<v Speaker 1>was just saying, you know, I could go off, but

0:12:32.600 --> 0:12:34.160
<v Speaker 1>that's not you know what I'm saying. I'm more so

0:12:34.200 --> 0:12:36.920
<v Speaker 1>in delivering my message, and if great lines come in

0:12:37.240 --> 0:12:39.679
<v Speaker 1>the process of that, that's dope, little metaphors and stuff,

0:12:39.720 --> 0:12:41.720
<v Speaker 1>But trying to get my point across it and make

0:12:41.760 --> 0:12:44.840
<v Speaker 1>great music and talk to my people. So yeah, don't

0:12:44.840 --> 0:12:47.000
<v Speaker 1>care about what those shady fans are saying. I love

0:12:47.040 --> 0:12:49.080
<v Speaker 1>the ship out of y'all. But you know what I'm saying. Yeah,

0:12:49.120 --> 0:12:50.600
<v Speaker 1>I was just in Detroit. I told you what Tech

0:12:50.679 --> 0:12:53.520
<v Speaker 1>nine concert in Detroit, and I saw with my own

0:12:53.559 --> 0:12:58.400
<v Speaker 1>eyes Detroit white people, like not just normal white people

0:12:58.480 --> 0:13:01.199
<v Speaker 1>like Detroit white people like you know, like that listened

0:13:01.200 --> 0:13:05.239
<v Speaker 1>to insane clown possy and stuff, and I was like, yeah,

0:13:05.400 --> 0:13:08.600
<v Speaker 1>it was just a different different white trash in Detroit hits.

0:13:08.640 --> 0:13:11.600
<v Speaker 1>You gotta see Australian white trash. I bet you they're

0:13:11.640 --> 0:13:14.040
<v Speaker 1>fucking different, but I bet you they could survive off

0:13:14.080 --> 0:13:17.160
<v Speaker 1>the grid. Nah. It was fired. Eighty thousand people five

0:13:17.240 --> 0:13:20.040
<v Speaker 1>year olds out there in Australia and Australia at this

0:13:20.160 --> 0:13:23.640
<v Speaker 1>concert and it was just wild. You opened YEP and

0:13:23.679 --> 0:13:25.360
<v Speaker 1>he brought me out on his head. That's a big man.

0:13:25.440 --> 0:13:31.120
<v Speaker 1>Super grateful for that. Nice guy, Eminem, Yes, nice guy. Uh.

0:13:31.160 --> 0:13:32.960
<v Speaker 1>Sometimes I feel bad for how big he is because

0:13:32.960 --> 0:13:34.920
<v Speaker 1>he can't do some of the stuff that he would

0:13:34.920 --> 0:13:38.280
<v Speaker 1>probably want to regular people want to do. So I

0:13:38.559 --> 0:13:42.439
<v Speaker 1>do see he trapped in celebrity sometimes, but I take that.

0:13:42.559 --> 0:13:45.440
<v Speaker 1>You know what I'm saying. I know you obviously wrote

0:13:45.440 --> 0:13:46.520
<v Speaker 1>on the album, but I just want to get your

0:13:46.559 --> 0:13:49.840
<v Speaker 1>opinion on this Kendrick album. Man, amazing, it's incredible right

0:13:50.120 --> 0:13:52.280
<v Speaker 1>to be from Compton. Shout out to that. What was

0:13:52.320 --> 0:13:54.720
<v Speaker 1>your favorite song on the album? Count me out? Count

0:13:54.760 --> 0:13:58.280
<v Speaker 1>me O's amazing love at that's right when I right

0:13:58.320 --> 0:13:59.960
<v Speaker 1>after we listened, I was just the one, I said

0:14:00.040 --> 0:14:02.000
<v Speaker 1>play back again, did you. I was gonna say, like,

0:14:02.040 --> 0:14:04.280
<v Speaker 1>how did you initially listen to the album? Because for me,

0:14:04.440 --> 0:14:06.600
<v Speaker 1>like we had like premiered it at the radio station,

0:14:07.960 --> 0:14:09.680
<v Speaker 1>and I was like, man, I don't want to listen

0:14:09.679 --> 0:14:11.040
<v Speaker 1>to it tonight because I can't give it all the

0:14:11.080 --> 0:14:13.600
<v Speaker 1>attention I wanted. So I waited until like Saturday or

0:14:13.600 --> 0:14:16.559
<v Speaker 1>Sunday and just sat with it and my friend made

0:14:16.600 --> 0:14:19.160
<v Speaker 1>it thing. We it was like my close music friends,

0:14:19.200 --> 0:14:22.440
<v Speaker 1>like my two producers and a couple other people I respect,

0:14:22.480 --> 0:14:24.560
<v Speaker 1>and we had the lights low. I was sitting on

0:14:24.560 --> 0:14:27.440
<v Speaker 1>the floor with it, bottle champagne and we just played

0:14:27.440 --> 0:14:30.120
<v Speaker 1>it too. Incredible body of work, and I feel like

0:14:30.160 --> 0:14:33.920
<v Speaker 1>it's like it's it's it's like the vulnerability from artist's

0:14:33.920 --> 0:14:36.800
<v Speaker 1>biggest Kendrick, Like, think how vulnerable he is, And that's

0:14:37.080 --> 0:14:39.280
<v Speaker 1>that's the necessary part. And I'm glad you said that,

0:14:39.320 --> 0:14:43.080
<v Speaker 1>because that's extremely necessary, super necessary. Somebody that big is

0:14:43.080 --> 0:14:45.800
<v Speaker 1>still vulnerable and not yeah, and still goes through like

0:14:46.720 --> 0:14:50.720
<v Speaker 1>the same random human situations we go. Yeah, because to

0:14:50.800 --> 0:14:52.560
<v Speaker 1>do this that he opened and talked about it, Yeah,

0:14:52.600 --> 0:14:54.840
<v Speaker 1>everyone goes through it, but like not everyone in his

0:14:54.920 --> 0:14:58.840
<v Speaker 1>position is going to share that kind of shit. You

0:14:59.200 --> 0:15:01.320
<v Speaker 1>helping Summer with reverse, Like, just give me a little

0:15:01.360 --> 0:15:05.560
<v Speaker 1>rundown of how that happened? Are in dream Team this

0:15:06.040 --> 0:15:08.440
<v Speaker 1>the play was brought to me by Justice Uh, one

0:15:08.480 --> 0:15:10.560
<v Speaker 1>of my managers, and I just helped to what I

0:15:10.600 --> 0:15:12.920
<v Speaker 1>can help with scent it over. You know what I'm saying,

0:15:12.920 --> 0:15:15.560
<v Speaker 1>Summer did her thing went crazy? That's gotta be up there,

0:15:15.600 --> 0:15:19.320
<v Speaker 1>and like, you know, being a kid from Compton, Yeah yeah,

0:15:19.360 --> 0:15:21.840
<v Speaker 1>I mean, you know what I'm saying. Kendrick one of

0:15:21.880 --> 0:15:23.960
<v Speaker 1>my favorite rappers in the world. So would you say,

0:15:24.000 --> 0:15:26.240
<v Speaker 1>because I always say Kendrick is top five, dead or alive.

0:15:26.360 --> 0:15:28.360
<v Speaker 1>I feel like if you could put Biggie in your

0:15:28.400 --> 0:15:30.720
<v Speaker 1>top five, you old dusty ass motherfuckers. By the way,

0:15:30.760 --> 0:15:33.680
<v Speaker 1>I'm one of them. M hm, he's got two albums.

0:15:33.920 --> 0:15:35.480
<v Speaker 1>I don't put bigg in my top five, but a

0:15:35.520 --> 0:15:37.960
<v Speaker 1>lot of people don't like Brian go get it from

0:15:38.440 --> 0:15:40.200
<v Speaker 1>from Interscope who was here with you? He's an old

0:15:40.240 --> 0:15:42.920
<v Speaker 1>dusty New Yorker. He's definitely in his top five off

0:15:42.920 --> 0:15:45.040
<v Speaker 1>a two hours get it though. But I'm like, Yoka,

0:15:45.160 --> 0:15:46.960
<v Speaker 1>if you get my top five, did or a lot

0:15:47.800 --> 0:15:51.760
<v Speaker 1>what the effects? And he's probably. I mean, I feel like,

0:15:51.880 --> 0:15:53.880
<v Speaker 1>if you think of like first and if we're not

0:15:53.920 --> 0:15:57.160
<v Speaker 1>even we're excluding section eighty. But let's even include like

0:15:57.200 --> 0:16:00.160
<v Speaker 1>section eighty. But like, I feel like the only person

0:16:00.200 --> 0:16:02.560
<v Speaker 1>who could fuck with his first four albums is Kanye.

0:16:03.640 --> 0:16:06.240
<v Speaker 1>That's a good that's a good point. Facts them first

0:16:06.240 --> 0:16:11.160
<v Speaker 1>four albums was undeniable because if it's section eighty, good Kid,

0:16:11.200 --> 0:16:14.200
<v Speaker 1>Mad City to Pimp a Butterfly, Damn, that's for well.

0:16:14.240 --> 0:16:15.960
<v Speaker 1>I mean, if he takes section eighty out, let's start

0:16:15.960 --> 0:16:18.800
<v Speaker 1>with this good good Kid, Mad City. Yeah, even ship,

0:16:19.760 --> 0:16:22.280
<v Speaker 1>not including untitled, which is kind of like his lost tapes.

0:16:22.320 --> 0:16:24.360
<v Speaker 1>You know I love untitled me too. That was my

0:16:24.440 --> 0:16:27.640
<v Speaker 1>ship doesn't get talked about enough. And we got an

0:16:27.720 --> 0:16:30.080
<v Speaker 1>untitled project from Kendrick. That's some real rap ship. Like

0:16:30.160 --> 0:16:32.680
<v Speaker 1>NAS gave us a lost tapes, Kendrick gave us untitled. Yeah,

0:16:32.720 --> 0:16:35.240
<v Speaker 1>he really gave us a lot of music. Who is

0:16:35.280 --> 0:16:37.800
<v Speaker 1>your top five? That's a weird question, but like you know,

0:16:37.920 --> 0:16:41.800
<v Speaker 1>it's probably, I mean, it don't really rotate. It's the

0:16:41.800 --> 0:16:43.320
<v Speaker 1>same ones. I'm not gonna say no order, but I

0:16:43.400 --> 0:16:53.479
<v Speaker 1>just know it's Lil Wayne, Kendrick, jay Z, tupac Eminem

0:16:53.760 --> 0:16:58.760
<v Speaker 1>was the last one. Political. You don't say Eminem. Those

0:16:58.840 --> 0:17:00.640
<v Speaker 1>dusty white kids are coming for you this at the

0:17:00.840 --> 0:17:03.960
<v Speaker 1>on the craft of music. Yeah, he might be number one.

0:17:03.960 --> 0:17:05.720
<v Speaker 1>If we just talk we're talking about ability to rap.

0:17:05.760 --> 0:17:08.280
<v Speaker 1>It's probably number one exactly. So yeah, my ability of

0:17:08.400 --> 0:17:11.520
<v Speaker 1>rapping Eminem could be I mean yeah, I mean yeah.

0:17:11.960 --> 0:17:16.920
<v Speaker 1>Discography you know with agree to disagree? You you like

0:17:17.160 --> 0:17:20.000
<v Speaker 1>his discography? Discography? Yeah, but I'm not gonna debate you

0:17:20.040 --> 0:17:23.240
<v Speaker 1>on it either. Yeah, I got you, I get it man. Yeah,

0:17:23.320 --> 0:17:25.960
<v Speaker 1>but yep. I love everything Eminem does. Love his first

0:17:25.960 --> 0:17:28.960
<v Speaker 1>three albums. Everything Eminem has ever dropped is amazing. Loved

0:17:29.000 --> 0:17:31.200
<v Speaker 1>his first three I thought you were asking me. I

0:17:31.280 --> 0:17:34.240
<v Speaker 1>loved music. To be murdered by that ship was fire?

0:17:34.320 --> 0:17:37.280
<v Speaker 1>What's the least favorite one had all his albums? Val

0:17:37.400 --> 0:17:40.280
<v Speaker 1>was a revival? Was that the one that came out

0:17:40.280 --> 0:17:43.119
<v Speaker 1>in like where he Was? You know? That's the one

0:17:43.160 --> 0:17:45.320
<v Speaker 1>he said he didn't like, right, one of them he

0:17:45.359 --> 0:17:47.520
<v Speaker 1>said he didn't like Listen. I'm gonna say this about Eminem.

0:17:48.320 --> 0:17:50.560
<v Speaker 1>Eminem is one of my favorites ever. Eminem Show is

0:17:50.560 --> 0:17:52.160
<v Speaker 1>one of my favorite albums of all time. I love

0:17:52.200 --> 0:17:56.600
<v Speaker 1>Eminem Show. It's my favorite m album. I just man

0:17:57.920 --> 0:18:03.560
<v Speaker 1>Skylar Gray on every fucking album. Oh my god, you're

0:18:03.800 --> 0:18:06.600
<v Speaker 1>shout out of the Skylark. I'm just tired of Skylar Graham,

0:18:06.640 --> 0:18:10.600
<v Speaker 1>Pink Hooks, Cooks. I respect that, but I did love

0:18:10.760 --> 0:18:13.000
<v Speaker 1>Recovery was dope. That was a newer one. I mean

0:18:13.040 --> 0:18:14.439
<v Speaker 1>that was it's like twelve years old now, but like

0:18:14.480 --> 0:18:18.320
<v Speaker 1>Recovery was fire and Music to be murdered By was

0:18:18.359 --> 0:18:20.720
<v Speaker 1>like a vintage Eminem album. To me, it's because do

0:18:20.760 --> 0:18:22.359
<v Speaker 1>you know what's crazy? Because like I just missed Like

0:18:23.320 --> 0:18:25.240
<v Speaker 1>a lot of people used to talk shit about Eminem's production,

0:18:25.720 --> 0:18:27.360
<v Speaker 1>but I liked it now. It used to be hard

0:18:27.359 --> 0:18:29.679
<v Speaker 1>to me too, So like all those albums, like especially

0:18:29.720 --> 0:18:31.800
<v Speaker 1>like Eminem Show, you would hear like Eminem production and

0:18:31.840 --> 0:18:33.480
<v Speaker 1>you'd be like, oh, but then I feel like he

0:18:33.560 --> 0:18:36.080
<v Speaker 1>kind of just got a web. Music to be murdered

0:18:36.080 --> 0:18:38.520
<v Speaker 1>By it was my ship. I was like, this feels

0:18:38.560 --> 0:18:42.119
<v Speaker 1>like a vintage Eminem project. That's amazing and not a

0:18:42.119 --> 0:18:45.240
<v Speaker 1>bunch of you know, ballads. Shout out to Skylar Gray though.

0:18:45.960 --> 0:18:48.119
<v Speaker 1>Have you met Skyler Gray? Yep, she was in Australia.

0:18:48.600 --> 0:18:51.160
<v Speaker 1>She was a nice lady, amazing lady. Nice shout out

0:18:51.160 --> 0:18:53.920
<v Speaker 1>to her. Man was the Skylar Gray man shout out

0:18:53.960 --> 0:18:58.040
<v Speaker 1>to her and sharing pink all of them, shut all

0:18:58.080 --> 0:19:00.639
<v Speaker 1>of them out to white people, man, white people in general.

0:19:00.680 --> 0:19:04.120
<v Speaker 1>Man with your album, like you know, I know you're

0:19:04.119 --> 0:19:07.760
<v Speaker 1>not gonna give us any features because Shelley on there.

0:19:07.800 --> 0:19:10.120
<v Speaker 1>But that was on a single, so okay, yeah that's

0:19:10.119 --> 0:19:13.080
<v Speaker 1>already out. But anyway, how many rappers? How many other

0:19:13.119 --> 0:19:14.640
<v Speaker 1>rappers are on the album? How about that? Just give

0:19:14.640 --> 0:19:20.320
<v Speaker 1>me that? M m M. As of right now, I'm

0:19:20.320 --> 0:19:23.120
<v Speaker 1>counting four in my brain. If we just say they rap,

0:19:23.560 --> 0:19:28.119
<v Speaker 1>yeah for the rappers? Yeah, yeah, no idea when the

0:19:28.160 --> 0:19:31.159
<v Speaker 1>album's coming out or I got idea, an idea I

0:19:31.200 --> 0:19:35.160
<v Speaker 1>will say in the next forty days. That sounds about right. Yeah,

0:19:35.200 --> 0:19:37.040
<v Speaker 1>I mean you are making your rounds exactly, you know

0:19:37.040 --> 0:19:40.280
<v Speaker 1>what I'm saying. Yeah, what about like in terms of

0:19:40.320 --> 0:19:44.120
<v Speaker 1>like your writing process. A lot of times, like when

0:19:44.119 --> 0:19:46.480
<v Speaker 1>I'm in the studio, a lot of artists nowadays, I

0:19:46.480 --> 0:19:48.320
<v Speaker 1>feel like they do they punch in line by line,

0:19:48.320 --> 0:19:49.800
<v Speaker 1>you know what I'm saying, And I can't. I don't.

0:19:49.920 --> 0:19:52.800
<v Speaker 1>I can't. I respect people who do that and imire him.

0:19:52.840 --> 0:19:54.560
<v Speaker 1>I just can't do that. That just seems so like

0:19:55.119 --> 0:19:57.280
<v Speaker 1>counterproductive for me. Are you still putting the pen to

0:19:57.320 --> 0:20:00.359
<v Speaker 1>paper or the notes. Nah, I just I write in

0:20:00.400 --> 0:20:02.200
<v Speaker 1>my brain. I've been doing that since ninth grade when

0:20:02.240 --> 0:20:04.119
<v Speaker 1>my glass is messed up and I can see like

0:20:04.160 --> 0:20:06.639
<v Speaker 1>the paper no more. But also I just need a

0:20:06.720 --> 0:20:09.439
<v Speaker 1>trigger word, Like if I'm scared, I'm gonna forget the sentence,

0:20:09.480 --> 0:20:11.960
<v Speaker 1>I just write a word down in my notes. Oh fire,

0:20:12.040 --> 0:20:13.760
<v Speaker 1>It's one word, and then I could connect the bar.

0:20:13.800 --> 0:20:16.280
<v Speaker 1>I'm gonna remember the bar. Oh shit like that? So

0:20:16.320 --> 0:20:19.040
<v Speaker 1>will you like do that? Like? Like I guess if

0:20:19.080 --> 0:20:21.160
<v Speaker 1>you get send a pack of beats, are you doing

0:20:21.160 --> 0:20:22.480
<v Speaker 1>that shit in the studio or are you doing that

0:20:22.480 --> 0:20:24.040
<v Speaker 1>shit at home? And then I don't like the studio.

0:20:24.040 --> 0:20:25.879
<v Speaker 1>I hate the studio. I do everything at home. I

0:20:25.960 --> 0:20:30.240
<v Speaker 1>literally hate the studio. Why because it's cold, it's people

0:20:30.320 --> 0:20:33.760
<v Speaker 1>walking around. It's just like I need my intimate. My

0:20:33.840 --> 0:20:36.240
<v Speaker 1>music is so personal to me. I'm not ready for

0:20:36.280 --> 0:20:37.960
<v Speaker 1>people to It's only a certain amount of people I

0:20:37.960 --> 0:20:40.600
<v Speaker 1>trust to hear it. And you record yourself, no, but

0:20:40.640 --> 0:20:43.000
<v Speaker 1>he with me every day, my producer Engineering Area, one

0:20:43.040 --> 0:20:45.439
<v Speaker 1>of my best friends. So I can't record myself, though

0:20:45.480 --> 0:20:47.840
<v Speaker 1>I definitely send him stuff when I'm just at home. Yeah,

0:20:47.840 --> 0:20:51.080
<v Speaker 1>when Blast just told us that he recorded Chosen on

0:20:51.320 --> 0:20:54.920
<v Speaker 1>a Focus right in a road mic at his house.

0:20:55.040 --> 0:20:57.320
<v Speaker 1>That shit blew my mind. I was like, that's crazy.

0:20:57.320 --> 0:20:59.640
<v Speaker 1>That's like the two hundred and fifty dollars like package.

0:20:59.720 --> 0:21:02.119
<v Speaker 1>That's but I did my first project, thirty forty eight

0:21:02.160 --> 0:21:03.879
<v Speaker 1>I did at home by myself too. That Michael was

0:21:03.880 --> 0:21:06.480
<v Speaker 1>probably fifty dollars. So I just had to stack my

0:21:06.600 --> 0:21:08.480
<v Speaker 1>vocals a bunch of times to make it sound full.

0:21:08.680 --> 0:21:10.280
<v Speaker 1>I just copy and paste, copy and paste because I

0:21:10.280 --> 0:21:12.880
<v Speaker 1>didn't know how to really do it. Mix some aster shit, yeah,

0:21:12.920 --> 0:21:15.520
<v Speaker 1>and I just put it out. So, uh, what in

0:21:15.560 --> 0:21:18.080
<v Speaker 1>your you know, obviously LA. I feel like it's kind

0:21:18.080 --> 0:21:21.439
<v Speaker 1>of how the renaissance in terms of like getting a

0:21:21.480 --> 0:21:23.800
<v Speaker 1>lot more respected hip hop, and you know, I feel

0:21:23.840 --> 0:21:26.080
<v Speaker 1>like there was like a dry spell, you know, from

0:21:26.200 --> 0:21:28.160
<v Speaker 1>like man, I was just with this nigga from LA,

0:21:28.280 --> 0:21:31.040
<v Speaker 1>I mean Atlanta the other day. He was talking crazy

0:21:31.200 --> 0:21:34.359
<v Speaker 1>about LA and just how we not respected outside of

0:21:34.480 --> 0:21:36.679
<v Speaker 1>LA and it was pissing me off. And then it

0:21:36.760 --> 0:21:39.840
<v Speaker 1>was just like rowdy flopped, where's that at. We don't

0:21:39.840 --> 0:21:42.080
<v Speaker 1>got him? And it's like I'll be saying it, I'd

0:21:42.119 --> 0:21:44.280
<v Speaker 1>be one in the world's respect it. But it still

0:21:44.280 --> 0:21:45.719
<v Speaker 1>feels like we got a lot of work to do

0:21:46.400 --> 0:21:48.680
<v Speaker 1>as far as, like what I was saying yesterday is

0:21:49.000 --> 0:21:50.879
<v Speaker 1>out here, they always want to bring up Atlanta and

0:21:50.880 --> 0:21:53.720
<v Speaker 1>how everybody support each other. The streets dictate how LA

0:21:53.840 --> 0:21:56.320
<v Speaker 1>move and you know what I'm saying, everybody can't move

0:21:56.359 --> 0:21:57.800
<v Speaker 1>around each Well, I was gonna say, do you feel

0:21:57.800 --> 0:21:59.240
<v Speaker 1>like that? That is because I always say that, like

0:21:59.280 --> 0:22:01.359
<v Speaker 1>sometimes the pop pics or get in the way of

0:22:01.480 --> 0:22:06.640
<v Speaker 1>like certain artists working together, or like you said, people

0:22:06.680 --> 0:22:09.120
<v Speaker 1>say that about Atlanta, but it might not be actually

0:22:09.160 --> 0:22:11.520
<v Speaker 1>possible for everyone to move together out here. But I

0:22:11.560 --> 0:22:13.840
<v Speaker 1>do feel like there is some sort of cohesiveness with

0:22:13.920 --> 0:22:15.639
<v Speaker 1>some of the younger generation when it comes to like

0:22:15.640 --> 0:22:18.960
<v Speaker 1>the Rucci's and the One Take Jays, and like obviously

0:22:19.080 --> 0:22:21.159
<v Speaker 1>nationally they might not be where we want them to be,

0:22:21.240 --> 0:22:22.840
<v Speaker 1>But I just feel like there's something, you know, the

0:22:23.560 --> 0:22:26.680
<v Speaker 1>lac and that is thriving. And that's what makes One

0:22:26.720 --> 0:22:28.680
<v Speaker 1>Take I think will make One Takes you amazing because

0:22:28.720 --> 0:22:30.920
<v Speaker 1>he stay true to hisself. He's not trying to gang bang,

0:22:31.359 --> 0:22:33.040
<v Speaker 1>you know what I'm saying, and that make him able

0:22:33.080 --> 0:22:35.000
<v Speaker 1>to move in all these different spaces, and we need

0:22:35.119 --> 0:22:37.080
<v Speaker 1>artists like that that could do that. He could go

0:22:37.240 --> 0:22:40.160
<v Speaker 1>do work with Rucci and then go work with Blue

0:22:40.160 --> 0:22:41.920
<v Speaker 1>Face and then just be anywhere he want. You know,

0:22:41.920 --> 0:22:44.199
<v Speaker 1>I'm saying nobody saying it and nobody saying nothing, and

0:22:44.240 --> 0:22:46.760
<v Speaker 1>we love them, but it's a lot of niggas. It's

0:22:46.800 --> 0:22:48.720
<v Speaker 1>a lot of upcoming artists that feel they got to

0:22:48.720 --> 0:22:52.120
<v Speaker 1>attest theirselves to a neighborhood. And that's just young black

0:22:52.160 --> 0:22:54.000
<v Speaker 1>men in general. They gotta feel like they got to

0:22:54.040 --> 0:22:56.280
<v Speaker 1>do that to feel like secure or feel cool. So

0:22:56.880 --> 0:22:58.679
<v Speaker 1>then that prevents them from being able to work with

0:22:58.720 --> 0:23:02.359
<v Speaker 1>other artists because it's thirty years of tension between these

0:23:02.359 --> 0:23:05.840
<v Speaker 1>two neighborhoods and you just can't do it. Yeah, it's

0:23:05.880 --> 0:23:08.080
<v Speaker 1>crazy because, uh, you know, working with Head had had

0:23:08.080 --> 0:23:09.760
<v Speaker 1>to break down all the politics at LA to me

0:23:09.800 --> 0:23:11.639
<v Speaker 1>one night when I first moved out here in like

0:23:11.680 --> 0:23:15.080
<v Speaker 1>twenty seventeen, I was like, fuck, I had no idea.

0:23:15.240 --> 0:23:17.639
<v Speaker 1>It's sad. It's hell, it's sad. But people from the

0:23:17.640 --> 0:23:20.800
<v Speaker 1>outside that don't live here don't understand like the intricacies

0:23:20.800 --> 0:23:22.120
<v Speaker 1>of some of the shit because like we just think

0:23:22.160 --> 0:23:24.479
<v Speaker 1>of like nationally, you think of LA, you just think

0:23:24.520 --> 0:23:27.040
<v Speaker 1>blood's versus crips, Like it's definitely not that simple. No,

0:23:27.119 --> 0:23:30.560
<v Speaker 1>it's not. It's bloods versus blood this bloods, crips verse cribs.

0:23:30.680 --> 0:23:32.320
<v Speaker 1>That's the majority of the time of what it is.

0:23:32.400 --> 0:23:34.520
<v Speaker 1>It's like same, all same now. So it's like and

0:23:34.600 --> 0:23:37.879
<v Speaker 1>it's like some of the more heavier conflicts are between

0:23:38.560 --> 0:23:42.920
<v Speaker 1>except you know, crips verse cribs actually son and then

0:23:42.920 --> 0:23:45.560
<v Speaker 1>not knowing what had to wear in what areas? Man.

0:23:45.680 --> 0:23:49.240
<v Speaker 1>I I remember it was recently. I knew somebody that

0:23:49.280 --> 0:23:51.920
<v Speaker 1>got that got shot and I was trying to support them,

0:23:51.960 --> 0:23:54.440
<v Speaker 1>and then I had commented on the page like I

0:23:54.480 --> 0:23:57.400
<v Speaker 1>hope you get better, and then I know somebody was like, yeah,

0:23:58.240 --> 0:23:59.760
<v Speaker 1>egrace the other thing because you know what I'm saying

0:24:00.040 --> 0:24:02.080
<v Speaker 1>has something to do with that, and I'm just like, oh,

0:24:02.119 --> 0:24:04.600
<v Speaker 1>what happened? Man, I'm like, I never know nothing. I'm

0:24:04.640 --> 0:24:07.520
<v Speaker 1>just saying it dark. So it'd be like that's la

0:24:07.560 --> 0:24:10.520
<v Speaker 1>politics for you. Hey, we got to stop the interview

0:24:10.520 --> 0:24:12.960
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0:24:13.040 --> 0:24:16.680
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0:25:04.359 --> 0:25:06.480
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0:25:09.280 --> 0:25:11.119
<v Speaker 1>Who are some of your favorite LA artists that like

0:25:11.160 --> 0:25:12.200
<v Speaker 1>are kind of on the come up? You know what

0:25:12.200 --> 0:25:14.320
<v Speaker 1>I'm saying, Like that you're just a fan of I

0:25:14.440 --> 0:25:18.879
<v Speaker 1>like Babystone Guerrillas. I like what they're doing. My young homies.

0:25:18.920 --> 0:25:20.960
<v Speaker 1>I gotta give them a shameless plug. Epic must Die

0:25:20.960 --> 0:25:24.800
<v Speaker 1>in KB Devine who else I like right now? Asim

0:25:24.880 --> 0:25:28.000
<v Speaker 1>a bobster, I think he dope. He's got that, uh,

0:25:28.200 --> 0:25:32.040
<v Speaker 1>I like doing your move. Wally is from my neighborhood. Obviously,

0:25:32.080 --> 0:25:35.600
<v Speaker 1>I love Wally. Wally's dope Wally and why yes, I

0:25:35.640 --> 0:25:38.720
<v Speaker 1>love him. Key Riches three youngest from my neighborhood that

0:25:38.760 --> 0:25:41.479
<v Speaker 1>I love. And let me see what else out here.

0:25:41.480 --> 0:25:43.199
<v Speaker 1>I still want to take j but he already kind

0:25:43.240 --> 0:25:47.160
<v Speaker 1>of up now. Wally is dope though. Waley amazing, super talented,

0:25:47.200 --> 0:25:48.960
<v Speaker 1>Like you're really right, and yeah, I feel like he

0:25:49.000 --> 0:25:51.360
<v Speaker 1>makes records that can really translate, like exactly, and that's

0:25:51.400 --> 0:25:53.919
<v Speaker 1>one of them artists that like that can move outside

0:25:53.920 --> 0:25:55.760
<v Speaker 1>of LA and people connect to it. You know what

0:25:55.800 --> 0:25:58.080
<v Speaker 1>I'm saying a lot of what we got to stop

0:25:58.080 --> 0:26:00.199
<v Speaker 1>doing is stop making our music just so about like

0:26:00.680 --> 0:26:02.920
<v Speaker 1>for our homies. And I used to do that early too,

0:26:03.000 --> 0:26:04.760
<v Speaker 1>Like I'm just gonna make music for the hood, so

0:26:04.800 --> 0:26:06.200
<v Speaker 1>when I come to the hood, the hood could be

0:26:06.240 --> 0:26:08.840
<v Speaker 1>playing it. But then we go out, you want the

0:26:08.840 --> 0:26:10.639
<v Speaker 1>world to play, yeah, exactly, then you leave it like

0:26:10.640 --> 0:26:12.879
<v Speaker 1>what the fuck? I mean? That's why Roddy figured it,

0:26:13.000 --> 0:26:14.720
<v Speaker 1>you know, they figured it out. That's what I'm saying

0:26:14.720 --> 0:26:17.440
<v Speaker 1>once once you find the formulist up and so yeah,

0:26:17.480 --> 0:26:19.640
<v Speaker 1>even when we had that wave of muster and Roddy,

0:26:19.640 --> 0:26:21.320
<v Speaker 1>I think it was a year or two ago, right,

0:26:21.960 --> 0:26:28.080
<v Speaker 1>Uh Roddy's album came out in uh December of twenty nineteen,

0:26:29.240 --> 0:26:32.399
<v Speaker 1>right yeah, yeah, Yeah, it was everywhere, and I feel

0:26:32.400 --> 0:26:34.119
<v Speaker 1>like that was our chance to like be back in

0:26:34.160 --> 0:26:36.520
<v Speaker 1>the world and like figure it out. But you know,

0:26:36.560 --> 0:26:39.840
<v Speaker 1>we're still gonna have our shot. But it's crazy because

0:26:39.840 --> 0:26:41.840
<v Speaker 1>you think of the Roddy situation and like how long

0:26:41.840 --> 0:26:43.960
<v Speaker 1>he took to put out put out his album kind

0:26:43.960 --> 0:26:48.200
<v Speaker 1>of similar to you. And I feel like sometimes when

0:26:48.200 --> 0:26:51.560
<v Speaker 1>you wait a while, you can maybe overthink it and

0:26:51.640 --> 0:26:53.360
<v Speaker 1>you know it's not it's a real fear, and it's

0:26:53.359 --> 0:26:56.359
<v Speaker 1>a real thing because the more they it's always gonna

0:26:56.359 --> 0:26:58.399
<v Speaker 1>be like, oh, you made this this way this long,

0:26:58.440 --> 0:27:00.159
<v Speaker 1>and you didn't live up to expectations because you're not

0:27:00.160 --> 0:27:02.520
<v Speaker 1>gonna be able to please everybody, and that one time

0:27:02.560 --> 0:27:05.040
<v Speaker 1>you see that could just mess up your whole mental state.

0:27:05.160 --> 0:27:06.600
<v Speaker 1>I know for me it will, like you know what

0:27:06.640 --> 0:27:10.120
<v Speaker 1>I'm saying. So it's tough, but you also don't want

0:27:10.119 --> 0:27:13.600
<v Speaker 1>to oversaturate yourself. You also don't want to rush your product,

0:27:13.720 --> 0:27:16.640
<v Speaker 1>but you gotta let that shit go. You do. Gotta

0:27:16.680 --> 0:27:19.320
<v Speaker 1>just let it go and just create and just give

0:27:19.359 --> 0:27:20.800
<v Speaker 1>it out to the world. You know what I'm saying. Yeah,

0:27:20.840 --> 0:27:22.919
<v Speaker 1>low key, man, I mean I see. I feel like

0:27:23.200 --> 0:27:25.680
<v Speaker 1>that sometimes, Like when we think of like we all

0:27:25.680 --> 0:27:28.280
<v Speaker 1>know artists, you're one of them. I'm sure that. I'm

0:27:28.320 --> 0:27:30.440
<v Speaker 1>sure you've had songs that you've recorded in the last

0:27:30.480 --> 0:27:33.000
<v Speaker 1>three years that you loved, like two and a half

0:27:33.080 --> 0:27:34.800
<v Speaker 1>years ago when you first recorded them, they probably didn't

0:27:34.800 --> 0:27:36.680
<v Speaker 1>make the album because they might have been old to you. Yeah,

0:27:36.920 --> 0:27:39.040
<v Speaker 1>did that happen. No, it still happens. I just had

0:27:39.040 --> 0:27:41.920
<v Speaker 1>to bring an old song back like two weeks ago

0:27:42.359 --> 0:27:44.520
<v Speaker 1>because it's old to you, but no one's heard it exactly.

0:27:44.560 --> 0:27:46.400
<v Speaker 1>I see that shit all the time. But I'm glad

0:27:46.480 --> 0:27:48.359
<v Speaker 1>if I left the song for a little bit and

0:27:48.480 --> 0:27:50.280
<v Speaker 1>came back to it and with new ears and I

0:27:50.320 --> 0:27:52.679
<v Speaker 1>was like, oh, I was tripping this song slap and

0:27:52.840 --> 0:27:56.200
<v Speaker 1>that'd be a lot a lot of times too. So yeah.

0:27:56.240 --> 0:27:58.040
<v Speaker 1>But I also I feel like I've rushed songs out

0:27:58.080 --> 0:28:00.280
<v Speaker 1>that I was just trying to put music out and

0:28:00.320 --> 0:28:02.280
<v Speaker 1>I was like, I don't really love this, But then

0:28:02.640 --> 0:28:04.359
<v Speaker 1>I guess that could happen all the time. Why do

0:28:04.400 --> 0:28:06.399
<v Speaker 1>you think you're still so slept on, man, because I

0:28:06.400 --> 0:28:08.679
<v Speaker 1>feel like you're very slept on, very underrated when it

0:28:08.680 --> 0:28:11.840
<v Speaker 1>comes to just the conversations of just the best rappers,

0:28:11.840 --> 0:28:12.800
<v Speaker 1>you know what I mean. Like, I feel like you

0:28:12.800 --> 0:28:16.800
<v Speaker 1>don't get the respect you deserve. What I notice, I'm

0:28:16.960 --> 0:28:19.440
<v Speaker 1>super respected by artists. It's like I'm just a nigga

0:28:19.480 --> 0:28:21.120
<v Speaker 1>that's known in the artists world to like, oh yeah,

0:28:21.200 --> 0:28:23.560
<v Speaker 1>not to play with boogie. But it could be consistency,

0:28:23.560 --> 0:28:25.800
<v Speaker 1>you know what I'm saying, Like dropping more that could

0:28:25.800 --> 0:28:27.960
<v Speaker 1>be a thing. I hate to turn slept on because

0:28:28.000 --> 0:28:29.560
<v Speaker 1>I feel so much love, but I get it when

0:28:29.600 --> 0:28:32.040
<v Speaker 1>people say it, but it's I don't never really feel it.

0:28:32.080 --> 0:28:34.159
<v Speaker 1>I know I'm supposed to be bigger, but it's slept

0:28:34.200 --> 0:28:37.320
<v Speaker 1>on always. It's like it's really my fault if I'm not.

0:28:37.400 --> 0:28:38.960
<v Speaker 1>It is where I need to. Yeah, I think it's

0:28:39.000 --> 0:28:41.920
<v Speaker 1>just like I feel like an artist like yourself, like

0:28:41.960 --> 0:28:43.440
<v Speaker 1>I just feel like we just need more music. No,

0:28:43.520 --> 0:28:45.080
<v Speaker 1>that's that's where and I get it. So you know

0:28:45.120 --> 0:28:48.520
<v Speaker 1>what I'm saying. So that's all it is consistency. So

0:28:49.040 --> 0:28:51.360
<v Speaker 1>that's if you if any artists want to learn from me,

0:28:51.520 --> 0:28:53.520
<v Speaker 1>learn from me and like get out your head and

0:28:54.080 --> 0:28:55.560
<v Speaker 1>move forward, you know what I'm saying. And get some

0:28:55.600 --> 0:28:57.880
<v Speaker 1>therapy if you need it. Even if you don't need it,

0:28:57.920 --> 0:28:59.640
<v Speaker 1>you might not even know you need it. We all

0:28:59.680 --> 0:29:01.960
<v Speaker 1>need it. I said, well, I'm talking to black people.

0:29:02.000 --> 0:29:04.760
<v Speaker 1>I know for sure you got some type of unaddressed

0:29:04.800 --> 0:29:09.280
<v Speaker 1>trauma somewhere you gotta be. Have ever done any hallucinogenics

0:29:09.280 --> 0:29:10.920
<v Speaker 1>at all, like shrooms or any day? And I'm scared

0:29:10.920 --> 0:29:13.239
<v Speaker 1>of shrooms right now because that shit revealed that I

0:29:13.280 --> 0:29:15.920
<v Speaker 1>had some crazy shit going on in my brain and

0:29:15.960 --> 0:29:18.280
<v Speaker 1>I'm not doing it again, so I'm gonna to fix

0:29:18.360 --> 0:29:20.600
<v Speaker 1>myself some more. I like that. So you took shrooms,

0:29:20.600 --> 0:29:22.880
<v Speaker 1>and it kind of like I took it was because

0:29:22.880 --> 0:29:24.600
<v Speaker 1>I was against it like forever. So it was just

0:29:24.640 --> 0:29:26.280
<v Speaker 1>like last year, I had like a month where I

0:29:26.280 --> 0:29:30.480
<v Speaker 1>did ascid and like shrooms and it was crazy, very

0:29:30.520 --> 0:29:33.000
<v Speaker 1>therapeutic thing to do do it the right way. I

0:29:33.040 --> 0:29:35.720
<v Speaker 1>saw all my demons, I saw myself, and I hated

0:29:35.760 --> 0:29:38.600
<v Speaker 1>who I saw. You can change your life low key facts,

0:29:38.680 --> 0:29:42.000
<v Speaker 1>and I'm damn near preaching like niggas need therapy and

0:29:42.040 --> 0:29:45.200
<v Speaker 1>shrooms just as much. I feel like every everybody needs

0:29:45.200 --> 0:29:48.400
<v Speaker 1>to do shrooms once because like you gotta see that shit, Mike,

0:29:48.840 --> 0:29:51.600
<v Speaker 1>that shit was crazy. Yeah, what about would you ever

0:29:51.640 --> 0:29:55.280
<v Speaker 1>try DMT? Man? I don't think I'm ready because I

0:29:55.280 --> 0:29:57.720
<v Speaker 1>could barely handle shrooms. Yeah, I feel like DMT you

0:29:57.760 --> 0:30:00.240
<v Speaker 1>gotta be like really Yeah, and what's the other out

0:30:00.280 --> 0:30:03.600
<v Speaker 1>of Waska ayahuasca? Yeah? Ayahuasca? Yeah, that's like a all

0:30:03.680 --> 0:30:06.600
<v Speaker 1>day thing. You need a shaman. You need a shaman.

0:30:06.880 --> 0:30:09.360
<v Speaker 1>You got to like prepare yourself. Your body probably will

0:30:09.360 --> 0:30:11.720
<v Speaker 1>never be able to come back from that. I don't know, man,

0:30:11.720 --> 0:30:13.440
<v Speaker 1>I know a lot of people. You know. It's funny

0:30:13.440 --> 0:30:14.719
<v Speaker 1>because I got a couple of homies that have done

0:30:14.720 --> 0:30:17.240
<v Speaker 1>ayhuasca and they say it's like thirty years of therapy

0:30:17.280 --> 0:30:20.800
<v Speaker 1>in like six hours too. It's crazy, like so much,

0:30:20.800 --> 0:30:23.800
<v Speaker 1>I can do it. I want to do it eventually. Yeah,

0:30:23.880 --> 0:30:25.560
<v Speaker 1>I know that they have like some groups in like

0:30:25.600 --> 0:30:28.560
<v Speaker 1>Malibu and Santa Monica to do it. I like low

0:30:28.600 --> 0:30:31.479
<v Speaker 1>key want to go to like Costa Rica where it's

0:30:31.520 --> 0:30:34.080
<v Speaker 1>at that. But I also I'm like free, I'm going

0:30:34.120 --> 0:30:35.680
<v Speaker 1>to throw up ship on myself. Yeah, And they say

0:30:35.680 --> 0:30:39.640
<v Speaker 1>you do that projecting or projectile or whatever. No, but shrooms.

0:30:39.680 --> 0:30:42.640
<v Speaker 1>Shrooms are the wave, like we got to normalized shrooms

0:30:42.680 --> 0:30:45.760
<v Speaker 1>in hip hop. Man, micro dose, you got a micro dose.

0:30:45.840 --> 0:30:48.240
<v Speaker 1>No more perks. Leave the perks alone, the perks alone,

0:30:48.280 --> 0:30:51.560
<v Speaker 1>and micro micro doose bro. All right, Well, look, we're

0:30:51.560 --> 0:30:54.400
<v Speaker 1>gonna get album in the next forty days. Forty days,

0:30:54.560 --> 0:30:59.360
<v Speaker 1>all right, rappers on it for rappers, a singer too,

0:31:00.120 --> 0:31:03.600
<v Speaker 1>the singer too, singer to it's black on the album.

0:31:04.040 --> 0:31:07.520
<v Speaker 1>I'm not giving him no info, but also a black

0:31:07.520 --> 0:31:11.440
<v Speaker 1>man album. Listen, man, this fly has been fun to

0:31:11.480 --> 0:31:13.720
<v Speaker 1>be his ass or this fly has been flying around

0:31:13.760 --> 0:31:16.840
<v Speaker 1>this whole interview, this whole interview. This fly is a

0:31:16.880 --> 0:31:18.520
<v Speaker 1>co star of the fucking interview. That's what we care

0:31:18.520 --> 0:31:20.240
<v Speaker 1>for leaving the front door open earlier. But yeah, I

0:31:20.280 --> 0:31:21.800
<v Speaker 1>appreciate you pulling up man. I can't wait to hear

0:31:21.840 --> 0:31:23.880
<v Speaker 1>the album. Thank you. Man. I'm gonna have him send

0:31:23.920 --> 0:31:25.480
<v Speaker 1>it to you early. Yeah, send it to me early.

0:31:25.520 --> 0:31:28.200
<v Speaker 1>So I no rap cap, no rap cap there it

0:31:28.320 --> 0:31:32.040
<v Speaker 1>is my guy, check my hand on camera, all right, Yeah, yeah,

0:31:33.600 --> 0:31:36.640
<v Speaker 1>appreciate you. Man. All right, we're gonna do a video

0:31:36.800 --> 0:31:40.600
<v Speaker 1>drop in this camera, that one where you just introduce yourself.

0:31:41.000 --> 0:31:43.360
<v Speaker 1>Make sure you check me out on the Bootleg cav podcast.

0:31:44.560 --> 0:31:47.840
<v Speaker 1>What's the deal to see boy Westside Boogie? Make sure

0:31:47.840 --> 0:31:50.640
<v Speaker 1>you check me out on the Boulet cav podcast. I

0:31:50.680 --> 0:31:54.120
<v Speaker 1>finally pulled up with my boy slip and then an

0:31:54.160 --> 0:31:58.360
<v Speaker 1>audio only drop for the radio. Just be like, what's

0:31:58.400 --> 0:32:01.760
<v Speaker 1>that boogie? And you're listening to the Calf Show, te Yo,

0:32:01.880 --> 0:32:04.360
<v Speaker 1>what's the deal Tosa boy West Side Boogie? And you

0:32:04.480 --> 0:32:07.880
<v Speaker 1>tuned into the boutleg Calf Pocket It's not Pockets Show.