1 00:00:00,040 --> 00:00:01,960 Speaker 1: All right, man Boulet cap show. We got a special 2 00:00:01,960 --> 00:00:05,760 Speaker 1: guests in here. It's lit side boogie. You finally let 3 00:00:05,800 --> 00:00:08,600 Speaker 1: me come first of all, I've DMed you before. That's crazy. 4 00:00:08,640 --> 00:00:11,040 Speaker 1: You be ignoring my dms. That's not true. It's a man, 5 00:00:11,039 --> 00:00:14,160 Speaker 1: I can show you treat me like the little Instagram thought, 6 00:00:14,720 --> 00:00:17,119 Speaker 1: Hey for this stuck video? How did y'all pull that 7 00:00:17,120 --> 00:00:18,680 Speaker 1: shit off? Just for see? You just look like it 8 00:00:19,120 --> 00:00:22,040 Speaker 1: was it like an uncomfortable video to shoot hanging upside 9 00:00:22,079 --> 00:00:23,520 Speaker 1: down like that? What do you mean? I was flying 10 00:00:23,520 --> 00:00:26,480 Speaker 1: for real? You weren't flying for real. I was literally 11 00:00:26,560 --> 00:00:30,720 Speaker 1: was flying. Okay, well, now it was hell uncomfortable. I 12 00:00:30,720 --> 00:00:32,840 Speaker 1: hate that shit because the fucking uh can I cuss 13 00:00:32,840 --> 00:00:36,319 Speaker 1: on this thing? Of course? Oh the fucking harness. They 14 00:00:36,360 --> 00:00:39,080 Speaker 1: put it inside my pants. So for one, it's a 15 00:00:39,159 --> 00:00:41,200 Speaker 1: dude kneeling down in front of me while my pants 16 00:00:41,240 --> 00:00:43,279 Speaker 1: is like kind of down. Can you enjoy that? No, 17 00:00:43,400 --> 00:00:45,640 Speaker 1: you're funny as hell and I'm already and Compton in 18 00:00:45,680 --> 00:00:48,120 Speaker 1: the middle of the hood. So them was like, oh, 19 00:00:49,520 --> 00:00:52,080 Speaker 1: I'm dealing with that. And then it's just uncomfortable like 20 00:00:52,280 --> 00:00:54,360 Speaker 1: some and like because it's up against you're skinny, and 21 00:00:54,560 --> 00:00:56,520 Speaker 1: they needed tight. The tighter it is, the safer it 22 00:00:56,560 --> 00:00:58,640 Speaker 1: is for you. So I'm already like scary about heights 23 00:00:58,680 --> 00:01:01,160 Speaker 1: and stuff like that. Something put his as possible, So 24 00:01:01,200 --> 00:01:04,280 Speaker 1: then I had to get used to like flipping backwards 25 00:01:04,319 --> 00:01:06,480 Speaker 1: and like my weight and stuff like that. But it 26 00:01:06,680 --> 00:01:08,800 Speaker 1: just kind of reminds like you're facing Like a few 27 00:01:08,800 --> 00:01:10,559 Speaker 1: of the shots reminded me of fifty at the super 28 00:01:10,600 --> 00:01:12,880 Speaker 1: Bowl bent that's far, you know what I mean, like 29 00:01:13,240 --> 00:01:14,840 Speaker 1: hanging upside down, you know, I mean for a little 30 00:01:14,880 --> 00:01:16,759 Speaker 1: bit about fifty in a regular video the super Bowl, 31 00:01:16,760 --> 00:01:19,919 Speaker 1: he looked kind of washed. That's my boy. But super 32 00:01:19,920 --> 00:01:21,959 Speaker 1: Bowl he was a little heavy when he pulled down, 33 00:01:22,240 --> 00:01:24,959 Speaker 1: but he wasn't heavy. I just think that's grown up weight. Yeah, exactly, 34 00:01:25,160 --> 00:01:28,040 Speaker 1: So you're saying mine look like grown up. Wait, I 35 00:01:28,080 --> 00:01:31,200 Speaker 1: got you. Anyway, When is your album coming out? Man? 36 00:01:31,520 --> 00:01:33,919 Speaker 1: It's been a while. I know it's been what three years? 37 00:01:34,240 --> 00:01:38,040 Speaker 1: Was it? Twenty nineteen, twenty eighteen, twenty nineteen, yeah, twenty nineteen? 38 00:01:38,080 --> 00:01:42,840 Speaker 1: Oh yeah, soon next one of these days. I mean, listen, 39 00:01:42,920 --> 00:01:45,160 Speaker 1: you're here for a reason, exactly. You know it's rollout. 40 00:01:45,200 --> 00:01:47,360 Speaker 1: The album is done. I didn't just pull up right, 41 00:01:47,840 --> 00:01:49,640 Speaker 1: I mean, you got music out. Yeah, I do exactly 42 00:01:49,680 --> 00:01:55,760 Speaker 1: that me. I'm back outside. How many songs on your album? Yeah, 43 00:01:55,840 --> 00:01:57,720 Speaker 1: asked me questions. I don't even know if I can answer. 44 00:01:57,720 --> 00:02:00,680 Speaker 1: I'm gonna say twelve to fifteen because I didn't ask you. 45 00:02:01,280 --> 00:02:03,960 Speaker 1: Everything is like, you know, everything is part of rollo. 46 00:02:04,080 --> 00:02:07,240 Speaker 1: You know you got to surprise people. But it's is ridiculous. 47 00:02:07,400 --> 00:02:10,120 Speaker 1: You guys are do an interviews. I know it's fucked up. Man, 48 00:02:10,160 --> 00:02:11,600 Speaker 1: I love you, bro. What are we doing here? I 49 00:02:11,639 --> 00:02:15,600 Speaker 1: don't know capping twelve to fifteen? I wanted to be 50 00:02:15,720 --> 00:02:17,560 Speaker 1: for real, in my brain, I wanted to be thirteen. 51 00:02:17,720 --> 00:02:20,639 Speaker 1: But I'm just I'll be like trying to figure it 52 00:02:20,639 --> 00:02:22,639 Speaker 1: out until the day it's released. I probably might take 53 00:02:22,680 --> 00:02:24,920 Speaker 1: something out or add some last minute Hell Mary, you 54 00:02:25,000 --> 00:02:27,240 Speaker 1: never know. Yeah, is it like because I feel like 55 00:02:27,480 --> 00:02:30,839 Speaker 1: that's like, to me, a nice number for an album. Yeah, 56 00:02:30,960 --> 00:02:33,120 Speaker 1: And we start getting into like that twenty twenty one, 57 00:02:33,160 --> 00:02:35,720 Speaker 1: it's like, yeah, it's a little overwhelming sometimes listening a 58 00:02:35,720 --> 00:02:37,800 Speaker 1: lot to that much music. I once so I was 59 00:02:37,800 --> 00:02:39,160 Speaker 1: gonna do ten, but I was like, I don't make 60 00:02:39,200 --> 00:02:42,200 Speaker 1: them wait three years to ten something. They're gonna be pissed. 61 00:02:42,560 --> 00:02:46,839 Speaker 1: So how was everything just in terms of like just life. Man, 62 00:02:46,880 --> 00:02:49,160 Speaker 1: we got through a pandemic, you know what I mean. 63 00:02:49,480 --> 00:02:53,440 Speaker 1: Obviously that happened. I was in waiting three years for 64 00:02:53,480 --> 00:02:55,000 Speaker 1: your music, so I'm assuming you've lived a lot of 65 00:02:55,040 --> 00:02:58,959 Speaker 1: life in that time. Yeah, pandemic was was good and 66 00:02:59,000 --> 00:03:01,639 Speaker 1: bad for me, like as far as like quarantining because 67 00:03:01,720 --> 00:03:03,720 Speaker 1: like I had to be in the house, but it 68 00:03:03,720 --> 00:03:06,320 Speaker 1: also like tested my relationship out I was in at 69 00:03:06,320 --> 00:03:08,280 Speaker 1: the moment. We ended up breaking up, which like I 70 00:03:08,320 --> 00:03:10,000 Speaker 1: don't think we was right for each other anyway, So 71 00:03:10,080 --> 00:03:11,720 Speaker 1: I think the pandemic kind of made you all break up. 72 00:03:11,760 --> 00:03:13,320 Speaker 1: Like I mean, it forced us to be around each other. 73 00:03:13,360 --> 00:03:15,280 Speaker 1: I think it was problems we would have kept prolonging. 74 00:03:15,360 --> 00:03:17,440 Speaker 1: We probably would have ended up breaking up, but not 75 00:03:17,800 --> 00:03:19,120 Speaker 1: like when we needed to. You know what I'm saying, 76 00:03:19,160 --> 00:03:20,799 Speaker 1: Because if think got it happened before you had a 77 00:03:20,800 --> 00:03:22,800 Speaker 1: baby or I mean, yeah with her, Yeah, you're right, 78 00:03:22,840 --> 00:03:24,600 Speaker 1: You're right, you're right, because I do got a kid. 79 00:03:24,639 --> 00:03:26,239 Speaker 1: But yeah, but it just not with Yeah, it's not 80 00:03:26,320 --> 00:03:30,960 Speaker 1: with her, So that happened then. Also, just like an 81 00:03:31,040 --> 00:03:32,960 Speaker 1: artist in my head, I deal with that a lot, 82 00:03:33,040 --> 00:03:35,120 Speaker 1: you know what I'm saying. I can't lie about that. 83 00:03:35,720 --> 00:03:38,040 Speaker 1: Then going through therapy and then finally being in a 84 00:03:38,040 --> 00:03:42,240 Speaker 1: good headspace, still struggling some days. So yeah, whatep, y'all 85 00:03:42,240 --> 00:03:43,920 Speaker 1: got to stop the interview real quick to tell you 86 00:03:43,960 --> 00:03:47,320 Speaker 1: about our good folks over at blue Shoe. Now, Fellas, 87 00:03:47,360 --> 00:03:50,560 Speaker 1: if you're out there and you're suffering from a little 88 00:03:50,560 --> 00:03:54,400 Speaker 1: bit of that ed erect how dysfunction, it's totally normal. 89 00:03:54,680 --> 00:03:56,480 Speaker 1: It happens. You could be stressed out at work, you 90 00:03:56,480 --> 00:03:59,600 Speaker 1: could be just having an anxiety in life, and you 91 00:03:59,640 --> 00:04:01,960 Speaker 1: know you're is not up to par. Well. Guess what. 92 00:04:02,000 --> 00:04:04,760 Speaker 1: That's where blue Choo comes in. Because blue Choo has 93 00:04:04,800 --> 00:04:08,960 Speaker 1: the same active ingredients as viagra and scalis and check 94 00:04:09,000 --> 00:04:12,760 Speaker 1: this out. It's a straight online prescription service. You do 95 00:04:12,880 --> 00:04:14,520 Speaker 1: not have to go to the doctor's office. You don't 96 00:04:14,520 --> 00:04:16,840 Speaker 1: have to go have any like weird awkward conversations about 97 00:04:16,839 --> 00:04:19,840 Speaker 1: why your dick isn't working with a stranger. No, what 98 00:04:19,920 --> 00:04:23,640 Speaker 1: you do is you go to blue choo dot com, 99 00:04:23,880 --> 00:04:27,159 Speaker 1: use the promo code Bootleg, and you'll get your first 100 00:04:27,480 --> 00:04:32,080 Speaker 1: month for free. That's right, first month for free. All 101 00:04:32,120 --> 00:04:34,280 Speaker 1: you do is pay five dollars shipping. All right, when 102 00:04:34,320 --> 00:04:37,080 Speaker 1: I tell you that blue Choo, it hits all right. 103 00:04:37,200 --> 00:04:40,400 Speaker 1: You will You'll be fucking like you never fucked before. 104 00:04:40,560 --> 00:04:42,560 Speaker 1: Let's just say that. Shout out to uh blue choo 105 00:04:42,560 --> 00:04:44,800 Speaker 1: one more time. Get your first month free use the 106 00:04:44,800 --> 00:04:48,280 Speaker 1: promo code bootleg blue choo dot com. It comes right 107 00:04:48,320 --> 00:04:51,720 Speaker 1: to your door in discrete packaging. Open it up. It's 108 00:04:51,720 --> 00:04:55,359 Speaker 1: in a chewable form, and it is that shit to 109 00:04:55,520 --> 00:04:58,400 Speaker 1: fight ed. So go to bluetoo dot com asap and 110 00:04:58,480 --> 00:05:00,720 Speaker 1: use that promo code bootleg and try for a month 111 00:05:00,800 --> 00:05:04,680 Speaker 1: for free therapy. Man, I feel like something that a 112 00:05:04,720 --> 00:05:07,520 Speaker 1: lot of people are comfortable. I feel like it's starting 113 00:05:07,520 --> 00:05:10,360 Speaker 1: to become normalized. I love this. Like my generation, I'm 114 00:05:10,360 --> 00:05:12,400 Speaker 1: starting to realize we're so amazing, just as far as 115 00:05:12,440 --> 00:05:15,320 Speaker 1: like I look around all my homies's great parents. When 116 00:05:15,320 --> 00:05:17,719 Speaker 1: I remember us being younger, none of us had our dads, 117 00:05:17,720 --> 00:05:20,919 Speaker 1: and now we like over like we're just overcompensating for 118 00:05:20,960 --> 00:05:22,120 Speaker 1: what we didn't have. You know what I'm saying, We 119 00:05:22,240 --> 00:05:26,160 Speaker 1: super like dads now. And so yeah, even with therapy, 120 00:05:26,279 --> 00:05:28,000 Speaker 1: like my home is just starting to be open to it, 121 00:05:28,720 --> 00:05:30,760 Speaker 1: Black and brown community starting to be open to it. 122 00:05:30,839 --> 00:05:33,520 Speaker 1: So I think it's dope. What is was there anything 123 00:05:33,720 --> 00:05:36,000 Speaker 1: like kind of was like your tipping point? Where like 124 00:05:36,040 --> 00:05:37,960 Speaker 1: I need to go talk to somebody type shit for me. 125 00:05:38,040 --> 00:05:39,800 Speaker 1: My feelings was just hurt. I was just crying. I 126 00:05:39,839 --> 00:05:42,719 Speaker 1: was tired of crying. The opportunity was presented to me 127 00:05:42,760 --> 00:05:46,120 Speaker 1: from LVRN because you know, they care about the artist's 128 00:05:46,120 --> 00:05:48,400 Speaker 1: mental health, so shout out to them, and I didn't 129 00:05:48,400 --> 00:05:50,320 Speaker 1: really want to do it at first. It felt like homework. 130 00:05:50,440 --> 00:05:51,960 Speaker 1: Some days it's still feel like class, you know what 131 00:05:52,000 --> 00:05:53,880 Speaker 1: I'm saying, because yeah, because I've been to therapy that 132 00:05:54,160 --> 00:05:56,479 Speaker 1: sometimes you get like exercises and DA like yeah, do this, 133 00:05:56,640 --> 00:05:59,560 Speaker 1: do this and we'll meet next week exactly, so having 134 00:05:59,560 --> 00:06:01,280 Speaker 1: to do stuf when you leave, and it's like, man, 135 00:06:01,320 --> 00:06:02,640 Speaker 1: I just want to come here and not have to 136 00:06:02,680 --> 00:06:04,320 Speaker 1: deal with it when I get out of therapy. So 137 00:06:04,920 --> 00:06:06,600 Speaker 1: it's still a struggle, you know what I'm saying. But 138 00:06:06,839 --> 00:06:08,719 Speaker 1: I'm starting to notice the benefits of it, just like 139 00:06:08,720 --> 00:06:11,440 Speaker 1: I'm more patient or open to people and like understanding 140 00:06:11,480 --> 00:06:12,800 Speaker 1: where they're coming from and stuff like do you find 141 00:06:12,839 --> 00:06:14,880 Speaker 1: yourself like practicing shit you learn like in real time 142 00:06:14,920 --> 00:06:17,719 Speaker 1: to be like oh this is yeah, just like I 143 00:06:17,760 --> 00:06:20,800 Speaker 1: get tested still and the way I'm able to approach 144 00:06:20,839 --> 00:06:23,000 Speaker 1: these situations now and I just react out of like 145 00:06:24,240 --> 00:06:26,920 Speaker 1: anger or feel like I'm getting attacked when somebody give 146 00:06:26,960 --> 00:06:28,640 Speaker 1: me their opinion on something. And I know in the 147 00:06:28,680 --> 00:06:31,360 Speaker 1: past that's been my problem, is always feeling attacked when 148 00:06:31,680 --> 00:06:34,920 Speaker 1: somebody go against my way of thinking. Hmm, what were 149 00:06:34,920 --> 00:06:37,400 Speaker 1: you so sad about? Man? I got dumped, you know 150 00:06:37,440 --> 00:06:39,920 Speaker 1: what I'm saying. Also, the breakup, yeah, mess me up 151 00:06:40,200 --> 00:06:42,960 Speaker 1: because I feel like this was like my first healthy relationship. 152 00:06:43,040 --> 00:06:45,520 Speaker 1: All my other relationship was like based off like trauma 153 00:06:45,520 --> 00:06:48,000 Speaker 1: bonding and stuff like that was my baby bonding, you 154 00:06:48,040 --> 00:06:49,760 Speaker 1: know what I'm saying. Just hurt people. Yeah, just like 155 00:06:49,880 --> 00:06:51,520 Speaker 1: hurt people love hurt people, you know what I'm saying. 156 00:06:51,560 --> 00:06:53,880 Speaker 1: So they hurt together exactly. So this was the first 157 00:06:53,920 --> 00:06:55,760 Speaker 1: time I felt like I had a girl who's like 158 00:06:56,640 --> 00:06:58,600 Speaker 1: she was open to my kid, like, she was receptive 159 00:06:58,640 --> 00:07:00,080 Speaker 1: to him, she was at the games with me. It 160 00:07:00,120 --> 00:07:02,480 Speaker 1: was just healthy and I don't think I knew how 161 00:07:02,520 --> 00:07:03,800 Speaker 1: to handle that. So I don't think I was a 162 00:07:03,800 --> 00:07:05,880 Speaker 1: great boyfriend at the time. But also she had a 163 00:07:05,880 --> 00:07:07,480 Speaker 1: lot of growling to do, and so I think we 164 00:07:07,560 --> 00:07:10,520 Speaker 1: just hit our ceiling and it messed me up because 165 00:07:10,840 --> 00:07:12,720 Speaker 1: I was my best friend. Also, you know what I'm saying, 166 00:07:13,440 --> 00:07:15,080 Speaker 1: that was the part I didn't know how to like. 167 00:07:15,600 --> 00:07:17,160 Speaker 1: I was just trying to fill that void because it 168 00:07:17,200 --> 00:07:18,440 Speaker 1: was just missing. So I was messing with a lot 169 00:07:18,480 --> 00:07:21,720 Speaker 1: of thoughts and stuff like that just to feel that space. 170 00:07:21,760 --> 00:07:23,360 Speaker 1: I didn't know how to sit sit at home by 171 00:07:23,360 --> 00:07:25,800 Speaker 1: myself for more than a day. I got to have 172 00:07:25,880 --> 00:07:29,080 Speaker 1: somebody over, but then also don't want them like being 173 00:07:29,120 --> 00:07:31,800 Speaker 1: cleany or kissing on me. It's just like it's just weird. 174 00:07:32,520 --> 00:07:35,000 Speaker 1: So you kind of use like a that was kind 175 00:07:35,000 --> 00:07:39,000 Speaker 1: of like your coping mechanism exactly being a thought being 176 00:07:39,040 --> 00:07:43,200 Speaker 1: a thought. Yeah, how do you feel like you're over it? Yeah? 177 00:07:43,240 --> 00:07:45,240 Speaker 1: I still go through days when I'm mad because I 178 00:07:45,240 --> 00:07:47,680 Speaker 1: feel like I didn't get no closure, right. I feel 179 00:07:47,680 --> 00:07:51,040 Speaker 1: like what happened just disappeared on your well, it's just 180 00:07:51,240 --> 00:07:53,560 Speaker 1: you know, life, her life. I feel like she still 181 00:07:53,560 --> 00:07:55,280 Speaker 1: have to go through her whole phase. I ain't gonna lie. 182 00:07:55,320 --> 00:07:57,600 Speaker 1: I feel honestly, it's an important phase to every girl, 183 00:07:57,640 --> 00:07:58,800 Speaker 1: you know what I'm saying. And I feel like she 184 00:07:58,880 --> 00:08:01,280 Speaker 1: was starting to grow to resent me because she still 185 00:08:01,280 --> 00:08:03,960 Speaker 1: had she had life she needed to see. She also 186 00:08:04,000 --> 00:08:06,360 Speaker 1: a singer, so I felt like I'm not sure she 187 00:08:06,400 --> 00:08:09,840 Speaker 1: felt supported in all the space of her career, and 188 00:08:10,080 --> 00:08:12,280 Speaker 1: I got an ego too, so who knows how I 189 00:08:12,320 --> 00:08:14,600 Speaker 1: was acting or how she was perceiving it. But I 190 00:08:14,600 --> 00:08:16,840 Speaker 1: also don't want to hold her accountable. She was doing 191 00:08:16,840 --> 00:08:19,680 Speaker 1: weird stuff on Instagram, you know, she dating somebody I 192 00:08:19,760 --> 00:08:22,120 Speaker 1: know now and oh shit and stuff like that. But 193 00:08:23,440 --> 00:08:26,360 Speaker 1: what was like for you, Like, was there a specific 194 00:08:26,400 --> 00:08:27,960 Speaker 1: reason why it took you so long to get this 195 00:08:28,120 --> 00:08:30,000 Speaker 1: album out or do you feel like it was just 196 00:08:31,040 --> 00:08:34,559 Speaker 1: I mean, so many different things probably ended up accumulating 197 00:08:34,600 --> 00:08:36,760 Speaker 1: in this I know I could. I'm sure it was 198 00:08:36,760 --> 00:08:39,400 Speaker 1: because I was in my head a lot. I'm so 199 00:08:40,120 --> 00:08:42,560 Speaker 1: heavy on like growth and like making sure my my 200 00:08:42,600 --> 00:08:44,560 Speaker 1: next stuff is buried in my last project, and I 201 00:08:44,559 --> 00:08:46,920 Speaker 1: felt like my last project was so amazing, So that 202 00:08:46,960 --> 00:08:49,120 Speaker 1: first year after that, I was definitely in that bag. 203 00:08:49,640 --> 00:08:51,680 Speaker 1: When I finally was ready to record again, I feel 204 00:08:51,760 --> 00:08:53,960 Speaker 1: like I was making the same songs that I did 205 00:08:54,040 --> 00:08:56,280 Speaker 1: from Everything for Sale because it was my comfort space. 206 00:08:56,760 --> 00:08:59,400 Speaker 1: So then it was that my managers having to be like, nah, 207 00:08:59,440 --> 00:09:01,160 Speaker 1: we not doing this again. You're gonna have to find 208 00:09:01,200 --> 00:09:04,199 Speaker 1: a new pocket. So being frustrated about that took a 209 00:09:04,320 --> 00:09:08,120 Speaker 1: minute to get over that hump. Then yeah, I finally 210 00:09:08,120 --> 00:09:09,880 Speaker 1: got to a space where I had something I wanted 211 00:09:09,880 --> 00:09:11,600 Speaker 1: to talk about. I also don't know how to draw 212 00:09:11,640 --> 00:09:15,120 Speaker 1: from fake spaces. I gotta find something something real. Yeah, 213 00:09:15,200 --> 00:09:17,960 Speaker 1: you know what I'm saying. So I obviously don't want 214 00:09:17,960 --> 00:09:20,440 Speaker 1: this to be my production rate. Every three years I 215 00:09:20,520 --> 00:09:24,360 Speaker 1: drop an album. So I think the therapy also like 216 00:09:24,440 --> 00:09:26,920 Speaker 1: opening my mind up to stuff. It's been helping. So 217 00:09:27,400 --> 00:09:28,880 Speaker 1: I think I'm in a great space now. So you 218 00:09:28,880 --> 00:09:32,040 Speaker 1: mentioned LVRN, I mean yeah, I bring it up a lot. Yeah, yeah, yeah, 219 00:09:32,360 --> 00:09:35,080 Speaker 1: those my managers are great. Shout out to them. Shout 220 00:09:35,080 --> 00:09:38,000 Speaker 1: out to them. Yo. They have some of my favorite artists, 221 00:09:38,040 --> 00:09:40,240 Speaker 1: Me and Me and me and me, and I love 222 00:09:40,360 --> 00:09:43,320 Speaker 1: I Love I Love Black. That's my dog. Amazing. Huh, 223 00:09:43,360 --> 00:09:47,800 Speaker 1: he's the man. I love Black. Black's like he's like 224 00:09:49,160 --> 00:09:51,200 Speaker 1: I would say, he's like in my probably top five 225 00:09:51,200 --> 00:09:55,839 Speaker 1: favorite artists of the last decade. I love Black's new music. Man, 226 00:09:56,200 --> 00:09:59,040 Speaker 1: it's coming black season. I just seen you on somebody's 227 00:09:59,040 --> 00:10:00,880 Speaker 1: story the other day, so I'm way like you, bro. 228 00:10:01,160 --> 00:10:03,960 Speaker 1: Yeah yeah, we need some new music, yeah for sure, 229 00:10:04,040 --> 00:10:06,720 Speaker 1: some new merch all that good stuff. What is it for? 230 00:10:06,760 --> 00:10:09,439 Speaker 1: You know? Cause like I feel like being signed to 231 00:10:09,480 --> 00:10:12,560 Speaker 1: eminem has got to be a gifted a curse? How 232 00:10:12,720 --> 00:10:14,800 Speaker 1: how would you kind of perceive it? Because we always 233 00:10:14,800 --> 00:10:17,280 Speaker 1: hear like, what curse? What do you think is a curse? 234 00:10:17,800 --> 00:10:20,520 Speaker 1: I mean, Eminem is you know, he's he's the greatest 235 00:10:20,600 --> 00:10:23,640 Speaker 1: rapper alive, that is I feel, you know what I mean? 236 00:10:23,720 --> 00:10:25,679 Speaker 1: So like when people think of Eminem, they think of 237 00:10:25,760 --> 00:10:29,040 Speaker 1: him being like the goat, you know. And I feel 238 00:10:29,040 --> 00:10:32,840 Speaker 1: like anytime he signs an artist, it's very much expected 239 00:10:32,840 --> 00:10:34,960 Speaker 1: that that artist also has to be in that scene. 240 00:10:35,000 --> 00:10:37,480 Speaker 1: And like, think about he signed you, he signed the 241 00:10:37,520 --> 00:10:41,480 Speaker 1: Griselda Guys Slaughterhouse back in the day. I'm forgetting I'm sure. Yeah, 242 00:10:41,840 --> 00:10:45,240 Speaker 1: some other artists. Who else on shady? Yellow Wolf? Who? 243 00:10:45,480 --> 00:10:48,160 Speaker 1: Yellow Wolf? Yello? Oh yellow Wolf? Yeah, but that means 244 00:10:48,160 --> 00:10:51,160 Speaker 1: he's not on shady anymore? Who's on shady? You don't 245 00:10:51,200 --> 00:10:54,240 Speaker 1: know that he kind had of falling out? Oh my bad? 246 00:10:54,440 --> 00:10:57,440 Speaker 1: I believe yellow Wolf. No, I don't say my bad. 247 00:10:57,559 --> 00:11:02,679 Speaker 1: I don't know the place. Royce my dog. But let 248 00:11:02,679 --> 00:11:03,959 Speaker 1: me just tell you this, I don't think Royce is 249 00:11:04,000 --> 00:11:05,680 Speaker 1: on shady though he was at the point, come on, 250 00:11:06,480 --> 00:11:12,400 Speaker 1: wasn't you know better than me? Why shout out to 251 00:11:12,440 --> 00:11:15,280 Speaker 1: roy is really one of my favorite people in the world. 252 00:11:15,320 --> 00:11:18,400 Speaker 1: It's also one of the greatest rappers of all time. Literally, 253 00:11:18,800 --> 00:11:21,200 Speaker 1: I literally think at any given time he might be 254 00:11:21,200 --> 00:11:23,559 Speaker 1: a greatest rapper alive. There's like a few of those guys. 255 00:11:23,559 --> 00:11:29,439 Speaker 1: It's like Royce Black thought, I think Conway's in that discussion. 256 00:11:29,880 --> 00:11:31,360 Speaker 1: I think when you're at your peak, you could be 257 00:11:31,360 --> 00:11:35,400 Speaker 1: in that discussion, Emine if you didn't say something towards me. 258 00:11:35,440 --> 00:11:39,480 Speaker 1: I was about the trip, like no, fuck you. But 259 00:11:39,679 --> 00:11:41,560 Speaker 1: what I'll be saying is like, I don't know, I 260 00:11:41,640 --> 00:11:45,120 Speaker 1: never feel it because it's the one I'm competitive, So 261 00:11:45,120 --> 00:11:47,720 Speaker 1: it's like everybody's like even playing field for me. Obviously, 262 00:11:47,720 --> 00:11:50,960 Speaker 1: I respect everything how Eminem changed my life, but you 263 00:11:50,960 --> 00:11:52,240 Speaker 1: know what I'm saying, I'm still trying to get to 264 00:11:52,240 --> 00:11:53,960 Speaker 1: where I'm trying to go. So I don't feel no 265 00:11:54,080 --> 00:11:57,280 Speaker 1: pressure from whatever Eminem is accomplished, because I like that 266 00:11:57,400 --> 00:12:00,240 Speaker 1: my own goals. And also, it's like this ship I 267 00:12:00,320 --> 00:12:02,920 Speaker 1: faced in my neighborhood. It's like, once I come to 268 00:12:02,960 --> 00:12:05,440 Speaker 1: this shit, it's like it's just nothing. It's like, whatever, 269 00:12:05,480 --> 00:12:07,360 Speaker 1: what's some little you know, it's a little little not 270 00:12:07,400 --> 00:12:09,040 Speaker 1: like that's some little white kids on the internet that's 271 00:12:09,040 --> 00:12:11,120 Speaker 1: gonna be mad. I'm not rapping fast. It's the most, 272 00:12:11,600 --> 00:12:13,679 Speaker 1: the most. It is a thing, for real, for real, 273 00:12:13,760 --> 00:12:16,280 Speaker 1: My It's like, from the outside looking in, a lot 274 00:12:16,280 --> 00:12:18,800 Speaker 1: of people think I don't fit with the shady rosters 275 00:12:18,800 --> 00:12:20,959 Speaker 1: stand for. You know what I'm saying, eminem though, you 276 00:12:20,960 --> 00:12:22,560 Speaker 1: know what I'm saying, I could borrow any given time, 277 00:12:22,640 --> 00:12:23,960 Speaker 1: and that's not I just don't want to do it 278 00:12:23,960 --> 00:12:25,760 Speaker 1: all the time. Way you can borrow up eminem at 279 00:12:25,760 --> 00:12:28,800 Speaker 1: any time, you know what I'm saying. Maybe, but I 280 00:12:28,920 --> 00:12:32,560 Speaker 1: was just saying, you know, I could go off, but 281 00:12:32,600 --> 00:12:34,160 Speaker 1: that's not you know what I'm saying. I'm more so 282 00:12:34,200 --> 00:12:36,920 Speaker 1: in delivering my message, and if great lines come in 283 00:12:37,240 --> 00:12:39,679 Speaker 1: the process of that, that's dope, little metaphors and stuff, 284 00:12:39,720 --> 00:12:41,720 Speaker 1: But trying to get my point across it and make 285 00:12:41,760 --> 00:12:44,840 Speaker 1: great music and talk to my people. So yeah, don't 286 00:12:44,840 --> 00:12:47,000 Speaker 1: care about what those shady fans are saying. I love 287 00:12:47,040 --> 00:12:49,080 Speaker 1: the ship out of y'all. But you know what I'm saying. Yeah, 288 00:12:49,120 --> 00:12:50,600 Speaker 1: I was just in Detroit. I told you what Tech 289 00:12:50,679 --> 00:12:53,520 Speaker 1: nine concert in Detroit, and I saw with my own 290 00:12:53,559 --> 00:12:58,400 Speaker 1: eyes Detroit white people, like not just normal white people 291 00:12:58,480 --> 00:13:01,199 Speaker 1: like Detroit white people like you know, like that listened 292 00:13:01,200 --> 00:13:05,239 Speaker 1: to insane clown possy and stuff, and I was like, yeah, 293 00:13:05,400 --> 00:13:08,600 Speaker 1: it was just a different different white trash in Detroit hits. 294 00:13:08,640 --> 00:13:11,600 Speaker 1: You gotta see Australian white trash. I bet you they're 295 00:13:11,640 --> 00:13:14,040 Speaker 1: fucking different, but I bet you they could survive off 296 00:13:14,080 --> 00:13:17,160 Speaker 1: the grid. Nah. It was fired. Eighty thousand people five 297 00:13:17,240 --> 00:13:20,040 Speaker 1: year olds out there in Australia and Australia at this 298 00:13:20,160 --> 00:13:23,640 Speaker 1: concert and it was just wild. You opened YEP and 299 00:13:23,679 --> 00:13:25,360 Speaker 1: he brought me out on his head. That's a big man. 300 00:13:25,440 --> 00:13:31,120 Speaker 1: Super grateful for that. Nice guy, Eminem, Yes, nice guy. Uh. 301 00:13:31,160 --> 00:13:32,960 Speaker 1: Sometimes I feel bad for how big he is because 302 00:13:32,960 --> 00:13:34,920 Speaker 1: he can't do some of the stuff that he would 303 00:13:34,920 --> 00:13:38,280 Speaker 1: probably want to regular people want to do. So I 304 00:13:38,559 --> 00:13:42,439 Speaker 1: do see he trapped in celebrity sometimes, but I take that. 305 00:13:42,559 --> 00:13:45,440 Speaker 1: You know what I'm saying. I know you obviously wrote 306 00:13:45,440 --> 00:13:46,520 Speaker 1: on the album, but I just want to get your 307 00:13:46,559 --> 00:13:49,840 Speaker 1: opinion on this Kendrick album. Man, amazing, it's incredible right 308 00:13:50,120 --> 00:13:52,280 Speaker 1: to be from Compton. Shout out to that. What was 309 00:13:52,320 --> 00:13:54,720 Speaker 1: your favorite song on the album? Count me out? Count 310 00:13:54,760 --> 00:13:58,280 Speaker 1: me O's amazing love at that's right when I right 311 00:13:58,320 --> 00:13:59,960 Speaker 1: after we listened, I was just the one, I said 312 00:14:00,040 --> 00:14:02,000 Speaker 1: play back again, did you. I was gonna say, like, 313 00:14:02,040 --> 00:14:04,280 Speaker 1: how did you initially listen to the album? Because for me, 314 00:14:04,440 --> 00:14:06,600 Speaker 1: like we had like premiered it at the radio station, 315 00:14:07,960 --> 00:14:09,680 Speaker 1: and I was like, man, I don't want to listen 316 00:14:09,679 --> 00:14:11,040 Speaker 1: to it tonight because I can't give it all the 317 00:14:11,080 --> 00:14:13,600 Speaker 1: attention I wanted. So I waited until like Saturday or 318 00:14:13,600 --> 00:14:16,559 Speaker 1: Sunday and just sat with it and my friend made 319 00:14:16,600 --> 00:14:19,160 Speaker 1: it thing. We it was like my close music friends, 320 00:14:19,200 --> 00:14:22,440 Speaker 1: like my two producers and a couple other people I respect, 321 00:14:22,480 --> 00:14:24,560 Speaker 1: and we had the lights low. I was sitting on 322 00:14:24,560 --> 00:14:27,440 Speaker 1: the floor with it, bottle champagne and we just played 323 00:14:27,440 --> 00:14:30,120 Speaker 1: it too. Incredible body of work, and I feel like 324 00:14:30,160 --> 00:14:33,920 Speaker 1: it's like it's it's it's like the vulnerability from artist's 325 00:14:33,920 --> 00:14:36,800 Speaker 1: biggest Kendrick, Like, think how vulnerable he is, And that's 326 00:14:37,080 --> 00:14:39,280 Speaker 1: that's the necessary part. And I'm glad you said that, 327 00:14:39,320 --> 00:14:43,080 Speaker 1: because that's extremely necessary, super necessary. Somebody that big is 328 00:14:43,080 --> 00:14:45,800 Speaker 1: still vulnerable and not yeah, and still goes through like 329 00:14:46,720 --> 00:14:50,720 Speaker 1: the same random human situations we go. Yeah, because to 330 00:14:50,800 --> 00:14:52,560 Speaker 1: do this that he opened and talked about it, Yeah, 331 00:14:52,600 --> 00:14:54,840 Speaker 1: everyone goes through it, but like not everyone in his 332 00:14:54,920 --> 00:14:58,840 Speaker 1: position is going to share that kind of shit. You 333 00:14:59,200 --> 00:15:01,320 Speaker 1: helping Summer with reverse, Like, just give me a little 334 00:15:01,360 --> 00:15:05,560 Speaker 1: rundown of how that happened? Are in dream Team this 335 00:15:06,040 --> 00:15:08,440 Speaker 1: the play was brought to me by Justice Uh, one 336 00:15:08,480 --> 00:15:10,560 Speaker 1: of my managers, and I just helped to what I 337 00:15:10,600 --> 00:15:12,920 Speaker 1: can help with scent it over. You know what I'm saying, 338 00:15:12,920 --> 00:15:15,560 Speaker 1: Summer did her thing went crazy? That's gotta be up there, 339 00:15:15,600 --> 00:15:19,320 Speaker 1: and like, you know, being a kid from Compton, Yeah yeah, 340 00:15:19,360 --> 00:15:21,840 Speaker 1: I mean, you know what I'm saying. Kendrick one of 341 00:15:21,880 --> 00:15:23,960 Speaker 1: my favorite rappers in the world. So would you say, 342 00:15:24,000 --> 00:15:26,240 Speaker 1: because I always say Kendrick is top five, dead or alive. 343 00:15:26,360 --> 00:15:28,360 Speaker 1: I feel like if you could put Biggie in your 344 00:15:28,400 --> 00:15:30,720 Speaker 1: top five, you old dusty ass motherfuckers. By the way, 345 00:15:30,760 --> 00:15:33,680 Speaker 1: I'm one of them. M hm, he's got two albums. 346 00:15:33,920 --> 00:15:35,480 Speaker 1: I don't put bigg in my top five, but a 347 00:15:35,520 --> 00:15:37,960 Speaker 1: lot of people don't like Brian go get it from 348 00:15:38,440 --> 00:15:40,200 Speaker 1: from Interscope who was here with you? He's an old 349 00:15:40,240 --> 00:15:42,920 Speaker 1: dusty New Yorker. He's definitely in his top five off 350 00:15:42,920 --> 00:15:45,040 Speaker 1: a two hours get it though. But I'm like, Yoka, 351 00:15:45,160 --> 00:15:46,960 Speaker 1: if you get my top five, did or a lot 352 00:15:47,800 --> 00:15:51,760 Speaker 1: what the effects? And he's probably. I mean, I feel like, 353 00:15:51,880 --> 00:15:53,880 Speaker 1: if you think of like first and if we're not 354 00:15:53,920 --> 00:15:57,160 Speaker 1: even we're excluding section eighty. But let's even include like 355 00:15:57,200 --> 00:16:00,160 Speaker 1: section eighty. But like, I feel like the only person 356 00:16:00,200 --> 00:16:02,560 Speaker 1: who could fuck with his first four albums is Kanye. 357 00:16:03,640 --> 00:16:06,240 Speaker 1: That's a good that's a good point. Facts them first 358 00:16:06,240 --> 00:16:11,160 Speaker 1: four albums was undeniable because if it's section eighty, good Kid, 359 00:16:11,200 --> 00:16:14,200 Speaker 1: Mad City to Pimp a Butterfly, Damn, that's for well. 360 00:16:14,240 --> 00:16:15,960 Speaker 1: I mean, if he takes section eighty out, let's start 361 00:16:15,960 --> 00:16:18,800 Speaker 1: with this good good Kid, Mad City. Yeah, even ship, 362 00:16:19,760 --> 00:16:22,280 Speaker 1: not including untitled, which is kind of like his lost tapes. 363 00:16:22,320 --> 00:16:24,360 Speaker 1: You know I love untitled me too. That was my 364 00:16:24,440 --> 00:16:27,640 Speaker 1: ship doesn't get talked about enough. And we got an 365 00:16:27,720 --> 00:16:30,080 Speaker 1: untitled project from Kendrick. That's some real rap ship. Like 366 00:16:30,160 --> 00:16:32,680 Speaker 1: NAS gave us a lost tapes, Kendrick gave us untitled. Yeah, 367 00:16:32,720 --> 00:16:35,240 Speaker 1: he really gave us a lot of music. Who is 368 00:16:35,280 --> 00:16:37,800 Speaker 1: your top five? That's a weird question, but like you know, 369 00:16:37,920 --> 00:16:41,800 Speaker 1: it's probably, I mean, it don't really rotate. It's the 370 00:16:41,800 --> 00:16:43,320 Speaker 1: same ones. I'm not gonna say no order, but I 371 00:16:43,400 --> 00:16:53,479 Speaker 1: just know it's Lil Wayne, Kendrick, jay Z, tupac Eminem 372 00:16:53,760 --> 00:16:58,760 Speaker 1: was the last one. Political. You don't say Eminem. Those 373 00:16:58,840 --> 00:17:00,640 Speaker 1: dusty white kids are coming for you this at the 374 00:17:00,840 --> 00:17:03,960 Speaker 1: on the craft of music. Yeah, he might be number one. 375 00:17:03,960 --> 00:17:05,720 Speaker 1: If we just talk we're talking about ability to rap. 376 00:17:05,760 --> 00:17:08,280 Speaker 1: It's probably number one exactly. So yeah, my ability of 377 00:17:08,400 --> 00:17:11,520 Speaker 1: rapping Eminem could be I mean yeah, I mean yeah. 378 00:17:11,960 --> 00:17:16,920 Speaker 1: Discography you know with agree to disagree? You you like 379 00:17:17,160 --> 00:17:20,000 Speaker 1: his discography? Discography? Yeah, but I'm not gonna debate you 380 00:17:20,040 --> 00:17:23,240 Speaker 1: on it either. Yeah, I got you, I get it man. Yeah, 381 00:17:23,320 --> 00:17:25,960 Speaker 1: but yep. I love everything Eminem does. Love his first 382 00:17:25,960 --> 00:17:28,960 Speaker 1: three albums. Everything Eminem has ever dropped is amazing. Loved 383 00:17:29,000 --> 00:17:31,200 Speaker 1: his first three I thought you were asking me. I 384 00:17:31,280 --> 00:17:34,240 Speaker 1: loved music. To be murdered by that ship was fire? 385 00:17:34,320 --> 00:17:37,280 Speaker 1: What's the least favorite one had all his albums? Val 386 00:17:37,400 --> 00:17:40,280 Speaker 1: was a revival? Was that the one that came out 387 00:17:40,280 --> 00:17:43,119 Speaker 1: in like where he Was? You know? That's the one 388 00:17:43,160 --> 00:17:45,320 Speaker 1: he said he didn't like, right, one of them he 389 00:17:45,359 --> 00:17:47,520 Speaker 1: said he didn't like Listen. I'm gonna say this about Eminem. 390 00:17:48,320 --> 00:17:50,560 Speaker 1: Eminem is one of my favorites ever. Eminem Show is 391 00:17:50,560 --> 00:17:52,160 Speaker 1: one of my favorite albums of all time. I love 392 00:17:52,200 --> 00:17:56,600 Speaker 1: Eminem Show. It's my favorite m album. I just man 393 00:17:57,920 --> 00:18:03,560 Speaker 1: Skylar Gray on every fucking album. Oh my god, you're 394 00:18:03,800 --> 00:18:06,600 Speaker 1: shout out of the Skylark. I'm just tired of Skylar Graham, 395 00:18:06,640 --> 00:18:10,600 Speaker 1: Pink Hooks, Cooks. I respect that, but I did love 396 00:18:10,760 --> 00:18:13,000 Speaker 1: Recovery was dope. That was a newer one. I mean 397 00:18:13,040 --> 00:18:14,439 Speaker 1: that was it's like twelve years old now, but like 398 00:18:14,480 --> 00:18:18,320 Speaker 1: Recovery was fire and Music to be murdered By was 399 00:18:18,359 --> 00:18:20,720 Speaker 1: like a vintage Eminem album. To me, it's because do 400 00:18:20,760 --> 00:18:22,359 Speaker 1: you know what's crazy? Because like I just missed Like 401 00:18:23,320 --> 00:18:25,240 Speaker 1: a lot of people used to talk shit about Eminem's production, 402 00:18:25,720 --> 00:18:27,360 Speaker 1: but I liked it now. It used to be hard 403 00:18:27,359 --> 00:18:29,679 Speaker 1: to me too, So like all those albums, like especially 404 00:18:29,720 --> 00:18:31,800 Speaker 1: like Eminem Show, you would hear like Eminem production and 405 00:18:31,840 --> 00:18:33,480 Speaker 1: you'd be like, oh, but then I feel like he 406 00:18:33,560 --> 00:18:36,080 Speaker 1: kind of just got a web. Music to be murdered 407 00:18:36,080 --> 00:18:38,520 Speaker 1: By it was my ship. I was like, this feels 408 00:18:38,560 --> 00:18:42,119 Speaker 1: like a vintage Eminem project. That's amazing and not a 409 00:18:42,119 --> 00:18:45,240 Speaker 1: bunch of you know, ballads. Shout out to Skylar Gray though. 410 00:18:45,960 --> 00:18:48,119 Speaker 1: Have you met Skyler Gray? Yep, she was in Australia. 411 00:18:48,600 --> 00:18:51,160 Speaker 1: She was a nice lady, amazing lady. Nice shout out 412 00:18:51,160 --> 00:18:53,920 Speaker 1: to her. Man was the Skylar Gray man shout out 413 00:18:53,960 --> 00:18:58,040 Speaker 1: to her and sharing pink all of them, shut all 414 00:18:58,080 --> 00:19:00,639 Speaker 1: of them out to white people, man, white people in general. 415 00:19:00,680 --> 00:19:04,120 Speaker 1: Man with your album, like you know, I know you're 416 00:19:04,119 --> 00:19:07,760 Speaker 1: not gonna give us any features because Shelley on there. 417 00:19:07,800 --> 00:19:10,120 Speaker 1: But that was on a single, so okay, yeah that's 418 00:19:10,119 --> 00:19:13,080 Speaker 1: already out. But anyway, how many rappers? How many other 419 00:19:13,119 --> 00:19:14,640 Speaker 1: rappers are on the album? How about that? Just give 420 00:19:14,640 --> 00:19:20,320 Speaker 1: me that? M m M. As of right now, I'm 421 00:19:20,320 --> 00:19:23,120 Speaker 1: counting four in my brain. If we just say they rap, 422 00:19:23,560 --> 00:19:28,119 Speaker 1: yeah for the rappers? Yeah, yeah, no idea when the 423 00:19:28,160 --> 00:19:31,159 Speaker 1: album's coming out or I got idea, an idea I 424 00:19:31,200 --> 00:19:35,160 Speaker 1: will say in the next forty days. That sounds about right. Yeah, 425 00:19:35,200 --> 00:19:37,040 Speaker 1: I mean you are making your rounds exactly, you know 426 00:19:37,040 --> 00:19:40,280 Speaker 1: what I'm saying. Yeah, what about like in terms of 427 00:19:40,320 --> 00:19:44,120 Speaker 1: like your writing process. A lot of times, like when 428 00:19:44,119 --> 00:19:46,480 Speaker 1: I'm in the studio, a lot of artists nowadays, I 429 00:19:46,480 --> 00:19:48,320 Speaker 1: feel like they do they punch in line by line, 430 00:19:48,320 --> 00:19:49,800 Speaker 1: you know what I'm saying, And I can't. I don't. 431 00:19:49,920 --> 00:19:52,800 Speaker 1: I can't. I respect people who do that and imire him. 432 00:19:52,840 --> 00:19:54,560 Speaker 1: I just can't do that. That just seems so like 433 00:19:55,119 --> 00:19:57,280 Speaker 1: counterproductive for me. Are you still putting the pen to 434 00:19:57,320 --> 00:20:00,359 Speaker 1: paper or the notes. Nah, I just I write in 435 00:20:00,400 --> 00:20:02,200 Speaker 1: my brain. I've been doing that since ninth grade when 436 00:20:02,240 --> 00:20:04,119 Speaker 1: my glass is messed up and I can see like 437 00:20:04,160 --> 00:20:06,639 Speaker 1: the paper no more. But also I just need a 438 00:20:06,720 --> 00:20:09,439 Speaker 1: trigger word, Like if I'm scared, I'm gonna forget the sentence, 439 00:20:09,480 --> 00:20:11,960 Speaker 1: I just write a word down in my notes. Oh fire, 440 00:20:12,040 --> 00:20:13,760 Speaker 1: It's one word, and then I could connect the bar. 441 00:20:13,800 --> 00:20:16,280 Speaker 1: I'm gonna remember the bar. Oh shit like that? So 442 00:20:16,320 --> 00:20:19,040 Speaker 1: will you like do that? Like? Like I guess if 443 00:20:19,080 --> 00:20:21,160 Speaker 1: you get send a pack of beats, are you doing 444 00:20:21,160 --> 00:20:22,480 Speaker 1: that shit in the studio or are you doing that 445 00:20:22,480 --> 00:20:24,040 Speaker 1: shit at home? And then I don't like the studio. 446 00:20:24,040 --> 00:20:25,879 Speaker 1: I hate the studio. I do everything at home. I 447 00:20:25,960 --> 00:20:30,240 Speaker 1: literally hate the studio. Why because it's cold, it's people 448 00:20:30,320 --> 00:20:33,760 Speaker 1: walking around. It's just like I need my intimate. My 449 00:20:33,840 --> 00:20:36,240 Speaker 1: music is so personal to me. I'm not ready for 450 00:20:36,280 --> 00:20:37,960 Speaker 1: people to It's only a certain amount of people I 451 00:20:37,960 --> 00:20:40,600 Speaker 1: trust to hear it. And you record yourself, no, but 452 00:20:40,640 --> 00:20:43,000 Speaker 1: he with me every day, my producer Engineering Area, one 453 00:20:43,040 --> 00:20:45,439 Speaker 1: of my best friends. So I can't record myself, though 454 00:20:45,480 --> 00:20:47,840 Speaker 1: I definitely send him stuff when I'm just at home. Yeah, 455 00:20:47,840 --> 00:20:51,080 Speaker 1: when Blast just told us that he recorded Chosen on 456 00:20:51,320 --> 00:20:54,920 Speaker 1: a Focus right in a road mic at his house. 457 00:20:55,040 --> 00:20:57,320 Speaker 1: That shit blew my mind. I was like, that's crazy. 458 00:20:57,320 --> 00:20:59,640 Speaker 1: That's like the two hundred and fifty dollars like package. 459 00:20:59,720 --> 00:21:02,119 Speaker 1: That's but I did my first project, thirty forty eight 460 00:21:02,160 --> 00:21:03,879 Speaker 1: I did at home by myself too. That Michael was 461 00:21:03,880 --> 00:21:06,480 Speaker 1: probably fifty dollars. So I just had to stack my 462 00:21:06,600 --> 00:21:08,480 Speaker 1: vocals a bunch of times to make it sound full. 463 00:21:08,680 --> 00:21:10,280 Speaker 1: I just copy and paste, copy and paste because I 464 00:21:10,280 --> 00:21:12,880 Speaker 1: didn't know how to really do it. Mix some aster shit, yeah, 465 00:21:12,920 --> 00:21:15,520 Speaker 1: and I just put it out. So, uh, what in 466 00:21:15,560 --> 00:21:18,080 Speaker 1: your you know, obviously LA. I feel like it's kind 467 00:21:18,080 --> 00:21:21,439 Speaker 1: of how the renaissance in terms of like getting a 468 00:21:21,480 --> 00:21:23,800 Speaker 1: lot more respected hip hop, and you know, I feel 469 00:21:23,840 --> 00:21:26,080 Speaker 1: like there was like a dry spell, you know, from 470 00:21:26,200 --> 00:21:28,160 Speaker 1: like man, I was just with this nigga from LA, 471 00:21:28,280 --> 00:21:31,040 Speaker 1: I mean Atlanta the other day. He was talking crazy 472 00:21:31,200 --> 00:21:34,359 Speaker 1: about LA and just how we not respected outside of 473 00:21:34,480 --> 00:21:36,679 Speaker 1: LA and it was pissing me off. And then it 474 00:21:36,760 --> 00:21:39,840 Speaker 1: was just like rowdy flopped, where's that at. We don't 475 00:21:39,840 --> 00:21:42,080 Speaker 1: got him? And it's like I'll be saying it, I'd 476 00:21:42,119 --> 00:21:44,280 Speaker 1: be one in the world's respect it. But it still 477 00:21:44,280 --> 00:21:45,719 Speaker 1: feels like we got a lot of work to do 478 00:21:46,400 --> 00:21:48,680 Speaker 1: as far as, like what I was saying yesterday is 479 00:21:49,000 --> 00:21:50,879 Speaker 1: out here, they always want to bring up Atlanta and 480 00:21:50,880 --> 00:21:53,720 Speaker 1: how everybody support each other. The streets dictate how LA 481 00:21:53,840 --> 00:21:56,320 Speaker 1: move and you know what I'm saying, everybody can't move 482 00:21:56,359 --> 00:21:57,800 Speaker 1: around each Well, I was gonna say, do you feel 483 00:21:57,800 --> 00:21:59,240 Speaker 1: like that? That is because I always say that, like 484 00:21:59,280 --> 00:22:01,359 Speaker 1: sometimes the pop pics or get in the way of 485 00:22:01,480 --> 00:22:06,640 Speaker 1: like certain artists working together, or like you said, people 486 00:22:06,680 --> 00:22:09,120 Speaker 1: say that about Atlanta, but it might not be actually 487 00:22:09,160 --> 00:22:11,520 Speaker 1: possible for everyone to move together out here. But I 488 00:22:11,560 --> 00:22:13,840 Speaker 1: do feel like there is some sort of cohesiveness with 489 00:22:13,920 --> 00:22:15,639 Speaker 1: some of the younger generation when it comes to like 490 00:22:15,640 --> 00:22:18,960 Speaker 1: the Rucci's and the One Take Jays, and like obviously 491 00:22:19,080 --> 00:22:21,159 Speaker 1: nationally they might not be where we want them to be, 492 00:22:21,240 --> 00:22:22,840 Speaker 1: But I just feel like there's something, you know, the 493 00:22:23,560 --> 00:22:26,680 Speaker 1: lac and that is thriving. And that's what makes One 494 00:22:26,720 --> 00:22:28,680 Speaker 1: Take I think will make One Takes you amazing because 495 00:22:28,720 --> 00:22:30,920 Speaker 1: he stay true to hisself. He's not trying to gang bang, 496 00:22:31,359 --> 00:22:33,040 Speaker 1: you know what I'm saying, and that make him able 497 00:22:33,080 --> 00:22:35,000 Speaker 1: to move in all these different spaces, and we need 498 00:22:35,119 --> 00:22:37,080 Speaker 1: artists like that that could do that. He could go 499 00:22:37,240 --> 00:22:40,160 Speaker 1: do work with Rucci and then go work with Blue 500 00:22:40,160 --> 00:22:41,920 Speaker 1: Face and then just be anywhere he want. You know, 501 00:22:41,920 --> 00:22:44,199 Speaker 1: I'm saying nobody saying it and nobody saying nothing, and 502 00:22:44,240 --> 00:22:46,760 Speaker 1: we love them, but it's a lot of niggas. It's 503 00:22:46,800 --> 00:22:48,720 Speaker 1: a lot of upcoming artists that feel they got to 504 00:22:48,720 --> 00:22:52,120 Speaker 1: attest theirselves to a neighborhood. And that's just young black 505 00:22:52,160 --> 00:22:54,000 Speaker 1: men in general. They gotta feel like they got to 506 00:22:54,040 --> 00:22:56,280 Speaker 1: do that to feel like secure or feel cool. So 507 00:22:56,880 --> 00:22:58,679 Speaker 1: then that prevents them from being able to work with 508 00:22:58,720 --> 00:23:02,359 Speaker 1: other artists because it's thirty years of tension between these 509 00:23:02,359 --> 00:23:05,840 Speaker 1: two neighborhoods and you just can't do it. Yeah, it's 510 00:23:05,880 --> 00:23:08,080 Speaker 1: crazy because, uh, you know, working with Head had had 511 00:23:08,080 --> 00:23:09,760 Speaker 1: to break down all the politics at LA to me 512 00:23:09,800 --> 00:23:11,639 Speaker 1: one night when I first moved out here in like 513 00:23:11,680 --> 00:23:15,080 Speaker 1: twenty seventeen, I was like, fuck, I had no idea. 514 00:23:15,240 --> 00:23:17,639 Speaker 1: It's sad. It's hell, it's sad. But people from the 515 00:23:17,640 --> 00:23:20,800 Speaker 1: outside that don't live here don't understand like the intricacies 516 00:23:20,800 --> 00:23:22,120 Speaker 1: of some of the shit because like we just think 517 00:23:22,160 --> 00:23:24,479 Speaker 1: of like nationally, you think of LA, you just think 518 00:23:24,520 --> 00:23:27,040 Speaker 1: blood's versus crips, Like it's definitely not that simple. No, 519 00:23:27,119 --> 00:23:30,560 Speaker 1: it's not. It's bloods versus blood this bloods, crips verse cribs. 520 00:23:30,680 --> 00:23:32,320 Speaker 1: That's the majority of the time of what it is. 521 00:23:32,400 --> 00:23:34,520 Speaker 1: It's like same, all same now. So it's like and 522 00:23:34,600 --> 00:23:37,879 Speaker 1: it's like some of the more heavier conflicts are between 523 00:23:38,560 --> 00:23:42,920 Speaker 1: except you know, crips verse cribs actually son and then 524 00:23:42,920 --> 00:23:45,560 Speaker 1: not knowing what had to wear in what areas? Man. 525 00:23:45,680 --> 00:23:49,240 Speaker 1: I I remember it was recently. I knew somebody that 526 00:23:49,280 --> 00:23:51,920 Speaker 1: got that got shot and I was trying to support them, 527 00:23:51,960 --> 00:23:54,440 Speaker 1: and then I had commented on the page like I 528 00:23:54,480 --> 00:23:57,400 Speaker 1: hope you get better, and then I know somebody was like, yeah, 529 00:23:58,240 --> 00:23:59,760 Speaker 1: egrace the other thing because you know what I'm saying 530 00:24:00,040 --> 00:24:02,080 Speaker 1: has something to do with that, and I'm just like, oh, 531 00:24:02,119 --> 00:24:04,600 Speaker 1: what happened? Man, I'm like, I never know nothing. I'm 532 00:24:04,640 --> 00:24:07,520 Speaker 1: just saying it dark. So it'd be like that's la 533 00:24:07,560 --> 00:24:10,520 Speaker 1: politics for you. Hey, we got to stop the interview 534 00:24:10,520 --> 00:24:12,960 Speaker 1: real quick to tell you about our good folks at 535 00:24:13,040 --> 00:24:16,680 Speaker 1: odd Socks. Listen, the most comfortable socks in the entire world, 536 00:24:17,200 --> 00:24:22,200 Speaker 1: I promise you are these odd socks basics right here now. 537 00:24:22,240 --> 00:24:25,479 Speaker 1: I like the uh, the high joints, the whites, are 538 00:24:25,480 --> 00:24:28,600 Speaker 1: the blacks. We're very inclusive at the Bootleg HEV podcast. 539 00:24:28,760 --> 00:24:31,320 Speaker 1: Love the blacks and the whites of odd socks, of course, 540 00:24:31,720 --> 00:24:34,840 Speaker 1: but they also got the crazy licenses. They got Ninja turtles, 541 00:24:34,840 --> 00:24:39,320 Speaker 1: they got a fucking scarface breaking bad socks which I 542 00:24:39,400 --> 00:24:42,640 Speaker 1: just rewatched amazing, and their underwear of the best man. 543 00:24:42,640 --> 00:24:44,520 Speaker 1: I was just talking to somebody about how fire the 544 00:24:44,800 --> 00:24:48,080 Speaker 1: odd Socks draws are because the waistband it don't fold. 545 00:24:48,160 --> 00:24:51,560 Speaker 1: They're just comfy as hell. So go to odd socksofficial 546 00:24:52,040 --> 00:24:54,400 Speaker 1: dot com. You see the website, spell it that same 547 00:24:54,400 --> 00:24:57,240 Speaker 1: way and use the promo code Bootleg cav all one 548 00:24:57,240 --> 00:25:00,760 Speaker 1: word together and you'll get twenty percent off from our 549 00:25:00,800 --> 00:25:04,360 Speaker 1: presenting sponsors, our family at odd Socks. It's all It's 550 00:25:04,359 --> 00:25:06,480 Speaker 1: on my ass and feet, ladies and gentlemen, So go 551 00:25:06,600 --> 00:25:08,439 Speaker 1: get you some odd socks. Let's get back to the interview. 552 00:25:09,280 --> 00:25:11,119 Speaker 1: Who are some of your favorite LA artists that like 553 00:25:11,160 --> 00:25:12,200 Speaker 1: are kind of on the come up? You know what 554 00:25:12,200 --> 00:25:14,320 Speaker 1: I'm saying, Like that you're just a fan of I 555 00:25:14,440 --> 00:25:18,879 Speaker 1: like Babystone Guerrillas. I like what they're doing. My young homies. 556 00:25:18,920 --> 00:25:20,960 Speaker 1: I gotta give them a shameless plug. Epic must Die 557 00:25:20,960 --> 00:25:24,800 Speaker 1: in KB Devine who else I like right now? Asim 558 00:25:24,880 --> 00:25:28,000 Speaker 1: a bobster, I think he dope. He's got that, uh, 559 00:25:28,200 --> 00:25:32,040 Speaker 1: I like doing your move. Wally is from my neighborhood. Obviously, 560 00:25:32,080 --> 00:25:35,600 Speaker 1: I love Wally. Wally's dope Wally and why yes, I 561 00:25:35,640 --> 00:25:38,720 Speaker 1: love him. Key Riches three youngest from my neighborhood that 562 00:25:38,760 --> 00:25:41,479 Speaker 1: I love. And let me see what else out here. 563 00:25:41,480 --> 00:25:43,199 Speaker 1: I still want to take j but he already kind 564 00:25:43,240 --> 00:25:47,160 Speaker 1: of up now. Wally is dope though. Waley amazing, super talented, 565 00:25:47,200 --> 00:25:48,960 Speaker 1: Like you're really right, and yeah, I feel like he 566 00:25:49,000 --> 00:25:51,360 Speaker 1: makes records that can really translate, like exactly, and that's 567 00:25:51,400 --> 00:25:53,919 Speaker 1: one of them artists that like that can move outside 568 00:25:53,920 --> 00:25:55,760 Speaker 1: of LA and people connect to it. You know what 569 00:25:55,800 --> 00:25:58,080 Speaker 1: I'm saying a lot of what we got to stop 570 00:25:58,080 --> 00:26:00,199 Speaker 1: doing is stop making our music just so about like 571 00:26:00,680 --> 00:26:02,920 Speaker 1: for our homies. And I used to do that early too, 572 00:26:03,000 --> 00:26:04,760 Speaker 1: Like I'm just gonna make music for the hood, so 573 00:26:04,800 --> 00:26:06,200 Speaker 1: when I come to the hood, the hood could be 574 00:26:06,240 --> 00:26:08,840 Speaker 1: playing it. But then we go out, you want the 575 00:26:08,840 --> 00:26:10,639 Speaker 1: world to play, yeah, exactly, then you leave it like 576 00:26:10,640 --> 00:26:12,879 Speaker 1: what the fuck? I mean? That's why Roddy figured it, 577 00:26:13,000 --> 00:26:14,720 Speaker 1: you know, they figured it out. That's what I'm saying 578 00:26:14,720 --> 00:26:17,440 Speaker 1: once once you find the formulist up and so yeah, 579 00:26:17,480 --> 00:26:19,640 Speaker 1: even when we had that wave of muster and Roddy, 580 00:26:19,640 --> 00:26:21,320 Speaker 1: I think it was a year or two ago, right, 581 00:26:21,960 --> 00:26:28,080 Speaker 1: Uh Roddy's album came out in uh December of twenty nineteen, 582 00:26:29,240 --> 00:26:32,399 Speaker 1: right yeah, yeah, Yeah, it was everywhere, and I feel 583 00:26:32,400 --> 00:26:34,119 Speaker 1: like that was our chance to like be back in 584 00:26:34,160 --> 00:26:36,520 Speaker 1: the world and like figure it out. But you know, 585 00:26:36,560 --> 00:26:39,840 Speaker 1: we're still gonna have our shot. But it's crazy because 586 00:26:39,840 --> 00:26:41,840 Speaker 1: you think of the Roddy situation and like how long 587 00:26:41,840 --> 00:26:43,960 Speaker 1: he took to put out put out his album kind 588 00:26:43,960 --> 00:26:48,200 Speaker 1: of similar to you. And I feel like sometimes when 589 00:26:48,200 --> 00:26:51,560 Speaker 1: you wait a while, you can maybe overthink it and 590 00:26:51,640 --> 00:26:53,360 Speaker 1: you know it's not it's a real fear, and it's 591 00:26:53,359 --> 00:26:56,359 Speaker 1: a real thing because the more they it's always gonna 592 00:26:56,359 --> 00:26:58,399 Speaker 1: be like, oh, you made this this way this long, 593 00:26:58,440 --> 00:27:00,159 Speaker 1: and you didn't live up to expectations because you're not 594 00:27:00,160 --> 00:27:02,520 Speaker 1: gonna be able to please everybody, and that one time 595 00:27:02,560 --> 00:27:05,040 Speaker 1: you see that could just mess up your whole mental state. 596 00:27:05,160 --> 00:27:06,600 Speaker 1: I know for me it will, like you know what 597 00:27:06,640 --> 00:27:10,120 Speaker 1: I'm saying. So it's tough, but you also don't want 598 00:27:10,119 --> 00:27:13,600 Speaker 1: to oversaturate yourself. You also don't want to rush your product, 599 00:27:13,720 --> 00:27:16,640 Speaker 1: but you gotta let that shit go. You do. Gotta 600 00:27:16,680 --> 00:27:19,320 Speaker 1: just let it go and just create and just give 601 00:27:19,359 --> 00:27:20,800 Speaker 1: it out to the world. You know what I'm saying. Yeah, 602 00:27:20,840 --> 00:27:22,919 Speaker 1: low key, man, I mean I see. I feel like 603 00:27:23,200 --> 00:27:25,680 Speaker 1: that sometimes, Like when we think of like we all 604 00:27:25,680 --> 00:27:28,280 Speaker 1: know artists, you're one of them. I'm sure that. I'm 605 00:27:28,320 --> 00:27:30,440 Speaker 1: sure you've had songs that you've recorded in the last 606 00:27:30,480 --> 00:27:33,000 Speaker 1: three years that you loved, like two and a half 607 00:27:33,080 --> 00:27:34,800 Speaker 1: years ago when you first recorded them, they probably didn't 608 00:27:34,800 --> 00:27:36,680 Speaker 1: make the album because they might have been old to you. Yeah, 609 00:27:36,920 --> 00:27:39,040 Speaker 1: did that happen. No, it still happens. I just had 610 00:27:39,040 --> 00:27:41,920 Speaker 1: to bring an old song back like two weeks ago 611 00:27:42,359 --> 00:27:44,520 Speaker 1: because it's old to you, but no one's heard it exactly. 612 00:27:44,560 --> 00:27:46,400 Speaker 1: I see that shit all the time. But I'm glad 613 00:27:46,480 --> 00:27:48,359 Speaker 1: if I left the song for a little bit and 614 00:27:48,480 --> 00:27:50,280 Speaker 1: came back to it and with new ears and I 615 00:27:50,320 --> 00:27:52,679 Speaker 1: was like, oh, I was tripping this song slap and 616 00:27:52,840 --> 00:27:56,200 Speaker 1: that'd be a lot a lot of times too. So yeah. 617 00:27:56,240 --> 00:27:58,040 Speaker 1: But I also I feel like I've rushed songs out 618 00:27:58,080 --> 00:28:00,280 Speaker 1: that I was just trying to put music out and 619 00:28:00,320 --> 00:28:02,280 Speaker 1: I was like, I don't really love this, But then 620 00:28:02,640 --> 00:28:04,359 Speaker 1: I guess that could happen all the time. Why do 621 00:28:04,400 --> 00:28:06,399 Speaker 1: you think you're still so slept on, man, because I 622 00:28:06,400 --> 00:28:08,679 Speaker 1: feel like you're very slept on, very underrated when it 623 00:28:08,680 --> 00:28:11,840 Speaker 1: comes to just the conversations of just the best rappers, 624 00:28:11,840 --> 00:28:12,800 Speaker 1: you know what I mean. Like, I feel like you 625 00:28:12,800 --> 00:28:16,800 Speaker 1: don't get the respect you deserve. What I notice, I'm 626 00:28:16,960 --> 00:28:19,440 Speaker 1: super respected by artists. It's like I'm just a nigga 627 00:28:19,480 --> 00:28:21,120 Speaker 1: that's known in the artists world to like, oh yeah, 628 00:28:21,200 --> 00:28:23,560 Speaker 1: not to play with boogie. But it could be consistency, 629 00:28:23,560 --> 00:28:25,800 Speaker 1: you know what I'm saying, Like dropping more that could 630 00:28:25,800 --> 00:28:27,960 Speaker 1: be a thing. I hate to turn slept on because 631 00:28:28,000 --> 00:28:29,560 Speaker 1: I feel so much love, but I get it when 632 00:28:29,600 --> 00:28:32,040 Speaker 1: people say it, but it's I don't never really feel it. 633 00:28:32,080 --> 00:28:34,159 Speaker 1: I know I'm supposed to be bigger, but it's slept 634 00:28:34,200 --> 00:28:37,320 Speaker 1: on always. It's like it's really my fault if I'm not. 635 00:28:37,400 --> 00:28:38,960 Speaker 1: It is where I need to. Yeah, I think it's 636 00:28:39,000 --> 00:28:41,920 Speaker 1: just like I feel like an artist like yourself, like 637 00:28:41,960 --> 00:28:43,440 Speaker 1: I just feel like we just need more music. No, 638 00:28:43,520 --> 00:28:45,080 Speaker 1: that's that's where and I get it. So you know 639 00:28:45,120 --> 00:28:48,520 Speaker 1: what I'm saying. So that's all it is consistency. So 640 00:28:49,040 --> 00:28:51,360 Speaker 1: that's if you if any artists want to learn from me, 641 00:28:51,520 --> 00:28:53,520 Speaker 1: learn from me and like get out your head and 642 00:28:54,080 --> 00:28:55,560 Speaker 1: move forward, you know what I'm saying. And get some 643 00:28:55,600 --> 00:28:57,880 Speaker 1: therapy if you need it. Even if you don't need it, 644 00:28:57,920 --> 00:28:59,640 Speaker 1: you might not even know you need it. We all 645 00:28:59,680 --> 00:29:01,960 Speaker 1: need it. I said, well, I'm talking to black people. 646 00:29:02,000 --> 00:29:04,760 Speaker 1: I know for sure you got some type of unaddressed 647 00:29:04,800 --> 00:29:09,280 Speaker 1: trauma somewhere you gotta be. Have ever done any hallucinogenics 648 00:29:09,280 --> 00:29:10,920 Speaker 1: at all, like shrooms or any day? And I'm scared 649 00:29:10,920 --> 00:29:13,239 Speaker 1: of shrooms right now because that shit revealed that I 650 00:29:13,280 --> 00:29:15,920 Speaker 1: had some crazy shit going on in my brain and 651 00:29:15,960 --> 00:29:18,280 Speaker 1: I'm not doing it again, so I'm gonna to fix 652 00:29:18,360 --> 00:29:20,600 Speaker 1: myself some more. I like that. So you took shrooms, 653 00:29:20,600 --> 00:29:22,880 Speaker 1: and it kind of like I took it was because 654 00:29:22,880 --> 00:29:24,600 Speaker 1: I was against it like forever. So it was just 655 00:29:24,640 --> 00:29:26,280 Speaker 1: like last year, I had like a month where I 656 00:29:26,280 --> 00:29:30,480 Speaker 1: did ascid and like shrooms and it was crazy, very 657 00:29:30,520 --> 00:29:33,000 Speaker 1: therapeutic thing to do do it the right way. I 658 00:29:33,040 --> 00:29:35,720 Speaker 1: saw all my demons, I saw myself, and I hated 659 00:29:35,760 --> 00:29:38,600 Speaker 1: who I saw. You can change your life low key facts, 660 00:29:38,680 --> 00:29:42,000 Speaker 1: and I'm damn near preaching like niggas need therapy and 661 00:29:42,040 --> 00:29:45,200 Speaker 1: shrooms just as much. I feel like every everybody needs 662 00:29:45,200 --> 00:29:48,400 Speaker 1: to do shrooms once because like you gotta see that shit, Mike, 663 00:29:48,840 --> 00:29:51,600 Speaker 1: that shit was crazy. Yeah, what about would you ever 664 00:29:51,640 --> 00:29:55,280 Speaker 1: try DMT? Man? I don't think I'm ready because I 665 00:29:55,280 --> 00:29:57,720 Speaker 1: could barely handle shrooms. Yeah, I feel like DMT you 666 00:29:57,760 --> 00:30:00,240 Speaker 1: gotta be like really Yeah, and what's the other out 667 00:30:00,280 --> 00:30:03,600 Speaker 1: of Waska ayahuasca? Yeah? Ayahuasca? Yeah, that's like a all 668 00:30:03,680 --> 00:30:06,600 Speaker 1: day thing. You need a shaman. You need a shaman. 669 00:30:06,880 --> 00:30:09,360 Speaker 1: You got to like prepare yourself. Your body probably will 670 00:30:09,360 --> 00:30:11,720 Speaker 1: never be able to come back from that. I don't know, man, 671 00:30:11,720 --> 00:30:13,440 Speaker 1: I know a lot of people. You know. It's funny 672 00:30:13,440 --> 00:30:14,719 Speaker 1: because I got a couple of homies that have done 673 00:30:14,720 --> 00:30:17,240 Speaker 1: ayhuasca and they say it's like thirty years of therapy 674 00:30:17,280 --> 00:30:20,800 Speaker 1: in like six hours too. It's crazy, like so much, 675 00:30:20,800 --> 00:30:23,800 Speaker 1: I can do it. I want to do it eventually. Yeah, 676 00:30:23,880 --> 00:30:25,560 Speaker 1: I know that they have like some groups in like 677 00:30:25,600 --> 00:30:28,560 Speaker 1: Malibu and Santa Monica to do it. I like low 678 00:30:28,600 --> 00:30:31,479 Speaker 1: key want to go to like Costa Rica where it's 679 00:30:31,520 --> 00:30:34,080 Speaker 1: at that. But I also I'm like free, I'm going 680 00:30:34,120 --> 00:30:35,680 Speaker 1: to throw up ship on myself. Yeah, And they say 681 00:30:35,680 --> 00:30:39,640 Speaker 1: you do that projecting or projectile or whatever. No, but shrooms. 682 00:30:39,680 --> 00:30:42,640 Speaker 1: Shrooms are the wave, like we got to normalized shrooms 683 00:30:42,680 --> 00:30:45,760 Speaker 1: in hip hop. Man, micro dose, you got a micro dose. 684 00:30:45,840 --> 00:30:48,240 Speaker 1: No more perks. Leave the perks alone, the perks alone, 685 00:30:48,280 --> 00:30:51,560 Speaker 1: and micro micro doose bro. All right, Well, look, we're 686 00:30:51,560 --> 00:30:54,400 Speaker 1: gonna get album in the next forty days. Forty days, 687 00:30:54,560 --> 00:30:59,360 Speaker 1: all right, rappers on it for rappers, a singer too, 688 00:31:00,120 --> 00:31:03,600 Speaker 1: the singer too, singer to it's black on the album. 689 00:31:04,040 --> 00:31:07,520 Speaker 1: I'm not giving him no info, but also a black 690 00:31:07,520 --> 00:31:11,440 Speaker 1: man album. Listen, man, this fly has been fun to 691 00:31:11,480 --> 00:31:13,720 Speaker 1: be his ass or this fly has been flying around 692 00:31:13,760 --> 00:31:16,840 Speaker 1: this whole interview, this whole interview. This fly is a 693 00:31:16,880 --> 00:31:18,520 Speaker 1: co star of the fucking interview. That's what we care 694 00:31:18,520 --> 00:31:20,240 Speaker 1: for leaving the front door open earlier. But yeah, I 695 00:31:20,280 --> 00:31:21,800 Speaker 1: appreciate you pulling up man. I can't wait to hear 696 00:31:21,840 --> 00:31:23,880 Speaker 1: the album. Thank you. Man. I'm gonna have him send 697 00:31:23,920 --> 00:31:25,480 Speaker 1: it to you early. Yeah, send it to me early. 698 00:31:25,520 --> 00:31:28,200 Speaker 1: So I no rap cap, no rap cap there it 699 00:31:28,320 --> 00:31:32,040 Speaker 1: is my guy, check my hand on camera, all right, Yeah, yeah, 700 00:31:33,600 --> 00:31:36,640 Speaker 1: appreciate you. Man. All right, we're gonna do a video 701 00:31:36,800 --> 00:31:40,600 Speaker 1: drop in this camera, that one where you just introduce yourself. 702 00:31:41,000 --> 00:31:43,360 Speaker 1: Make sure you check me out on the Bootleg cav podcast. 703 00:31:44,560 --> 00:31:47,840 Speaker 1: What's the deal to see boy Westside Boogie? Make sure 704 00:31:47,840 --> 00:31:50,640 Speaker 1: you check me out on the Boulet cav podcast. I 705 00:31:50,680 --> 00:31:54,120 Speaker 1: finally pulled up with my boy slip and then an 706 00:31:54,160 --> 00:31:58,360 Speaker 1: audio only drop for the radio. Just be like, what's 707 00:31:58,400 --> 00:32:01,760 Speaker 1: that boogie? And you're listening to the Calf Show, te Yo, 708 00:32:01,880 --> 00:32:04,360 Speaker 1: what's the deal Tosa boy West Side Boogie? And you 709 00:32:04,480 --> 00:32:07,880 Speaker 1: tuned into the boutleg Calf Pocket It's not Pockets Show.