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Speaker 1: It's the best Bitch of the Week with Morgan i k.

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Speaker 2: She's breaking down the top seven segments from the Bobby Bone.

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Speaker 3: Show this week.

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Speaker 4: Happy weekend friends, I'm excited that you're joining me here

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Speaker 4: for the best bits. We are counting down the best

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Speaker 4: seven segments from The Bobby Bone Show this week, all

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Speaker 4: based on engagement. The things that you guys loved online

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Speaker 4: called in about all that good stuff. Lots of numbers

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Speaker 4: and analytics to this, so let's dive in so you

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Speaker 4: can catch up. Amy and Eddie both admitted some things

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Speaker 4: that their kids have made impulse purchases on, like when

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Speaker 4: they weren't paying attention and they decided to go online

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Speaker 4: and order something and then holy crap, all of these

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Speaker 4: things either show up or they see it on their bill.

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Speaker 4: And we even had parents call in and share some

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Speaker 4: of their stories. It's always fun. Kids do the craziest things.

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Speaker 4: Number seven, Hid ordered seventy thousand suckers.

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Speaker 3: Oh that's a big box. Oh, Kentucky second grader ordered

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Speaker 3: seventy thousand lollipops. I mean that's going to hold you

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Speaker 3: for a while. Let's be honest. I feel like suckers,

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Speaker 3: you're good, But yeah, how are the favors from Lexington

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Speaker 3: shared the heir Son Liam order thirty cases of dumb

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Speaker 3: dumb suckers. And these cases aren't small. They have two

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Speaker 3: three hundred and forty suckers inside. Just went on and

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Speaker 3: I'm assuming because it's very easy to hit that plus

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Speaker 3: button because you know your order. And this says, Oh,

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Speaker 3: I'm looking at the front door. Oh my god, how

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Speaker 3: they get out? Oh my god? If Amazon it filled

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Speaker 3: up the whole Amazon van. There's no way the guy

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Speaker 3: had to make a specialty dumb dumb sucker drop because

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Speaker 3: they're stacked probably six feet high. The boxes, five or

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Speaker 3: six different rows six feet wow, seventy thousand lollipops.

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Speaker 5: Dum dumbs are good.

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Speaker 3: Dumb dumbs pretty good.

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Speaker 5: The mystery dumb dumb.

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Speaker 3: There's too much work for too little dumb because it's small.

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Speaker 3: It's so small. Yeah, so yeah, four two hundred dollars

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Speaker 3: and dumb dumbs.

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Speaker 5: Oh my goodness.

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Speaker 3: Amazon letter return eight of the thirty box. She was

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Speaker 3: left with another twenty two, so she's trying to sucker

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Speaker 3: sell them. Would you like to buy some dom doms?

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Speaker 3: That's from wkyt dot com. This has to be super

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Speaker 3: relatable with parents. And kids who were just learning how

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Speaker 3: to use the phone or the iPad, because I'm imagining

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Speaker 3: a toddler ain't slapping a bunch of buttons and making

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Speaker 3: it exactly to order this, order this many, proceed to

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Speaker 3: check out, go. It's got to be right in that

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Speaker 3: wheelhouse amy anything.

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Speaker 6: Now, Well, when my kids first got to America, we

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Speaker 6: adopted and they were older, and we were like, oh,

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Speaker 6: let's get on these Amazon fire tablets. And I guess

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Speaker 6: we didn't turn off something on my daughter's Amazon tablet

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Speaker 6: and she was able to buy like a bunch of

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Speaker 6: things and I don't remember exactly what it was, but

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Speaker 6: it was hundreds of dollars.

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Speaker 3: And she know what she was doing.

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Speaker 1: Oh yeah, probably she's pretty savvy.

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Speaker 3: Maybe she didn't think it would get back to you

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Speaker 3: since it was her tablet.

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Speaker 1: Yeah, I'm like, was it music? I honestly can't remember.

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Speaker 6: I just know when we called Amazon, they refunded us immediately,

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Speaker 6: so that part was cool.

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Speaker 3: And you got to keep the other stuff or was

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Speaker 3: it digital?

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Speaker 6: It was all digital because it was on the fire

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Speaker 6: tablet and we were like, oh, we need to make

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Speaker 6: sure that this toggle is on, and this toggle is

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Speaker 6: on for like parental controls and all of that. But

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Speaker 6: it surprised me how easy it was for the Amazon

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Speaker 6: probably dealt with it a lot, and they're like, oh, yeah,

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Speaker 6: no problem, here's a refund.

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Speaker 3: Like Tutsi pops. I'd been a little happier about ye too, Yeah,

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Speaker 3: Tutsi pops are awesome. Do you ever did the thing

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Speaker 3: with the star and it became the stupid thing where

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Speaker 3: if you opened your Toutsi pop and there was the

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Speaker 3: Native American with the arrow and there was a star

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Speaker 3: on it, and you stuck your stick through the star,

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Speaker 3: then you made a wish. I'm convinced that was them

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Speaker 3: just marketing toward kids.

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Speaker 6: Oh really, I mean I knew about the star thing

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Speaker 6: and I thought it was cool, but I never knew

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Speaker 6: there was a whole thing where you stick the stick

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Speaker 6: in it and make a wish. Is that an Arkansas

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Speaker 6: thing or just universal?

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Speaker 3: Why has it got to be an Arkansas thing? Because

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Speaker 3: that yeah? There, no, I you it's okay, I start crying.

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Speaker 1: Okay, you just made that story up, that's in your head.

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Speaker 1: What story that I was saying? Why does it have

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Speaker 1: to be from Arkansas?

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Speaker 3: As you said, is that an Arkansas thing?

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Speaker 2: Yeah?

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Speaker 1: Because that's where you grew up. Sometimes things are regional

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Speaker 1: potato potato.

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Speaker 3: I'm just kidding. I'm just kidding, Eddie.

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Speaker 5: Yeah, my oldest like when he's seventeen now, but I

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Speaker 5: think he was probably nine or ten, and he was

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Speaker 5: playing the game Subway Surfers, and I guess our credit

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Speaker 5: card was already programmed with the phone.

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Speaker 3: In at purchases power Up.

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Speaker 5: Yeah, dude, he spent like two hundred and fifty dollars.

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Speaker 3: Of power love a power up? I felt that I

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Speaker 3: love a power up.

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Speaker 5: And what's crazy is we called Apple. We're like, this

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Speaker 5: is like what do we do here and there? Like

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Speaker 5: it happens all the time. We'll just we'll just take

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Speaker 5: all those power ups away and now and then we

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Speaker 5: got our money.

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Speaker 3: Back pay used them so different ish, But my grandmother

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Speaker 3: raised me for a lot of my life. And I

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Speaker 3: remember seeing on television you call this nine hundred number

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Speaker 3: and talk to your favorite Major League Baseball stars and

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Speaker 3: they had Andre Dawson. Oh yeah. Different. As a kid,

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Speaker 3: I didn't know what Kitty after darkwise, so I could

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Speaker 3: talk to Andre Dawson, Mark Grace too, of my favorite Cubs.

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Speaker 3: And so you call and it was two ninety nine

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Speaker 3: in the first minute, ninety nine cents each additional minute.

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Speaker 3: So I called, and then I realized it was recordings

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Speaker 3: from these guys. I didn't really keep me from calling

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Speaker 3: again because I thought I would hang out before the

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Speaker 3: first minute and never get charged. So I'd listen to

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Speaker 3: the first fifty seconds of Mark Grace. Hey, thanks for Colin.

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Speaker 3: Let me tell you all of my favorite baseball stories.

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Speaker 3: Grandma got the bill. I was like one hundred and

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Speaker 3: ten dollars. Oh my gosh, yeah, she called. They even

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Speaker 3: then they wipe most of it away.

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Speaker 5: That's cool.

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Speaker 3: Back in the day. They understand lunchbox, your kids anything.

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Speaker 7: No, they're too young.

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Speaker 8: They don't really know how to get on Amazon or

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Speaker 8: anything like that. They don't know how to get on

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Speaker 8: an iPad. They don't know how to do any of that.

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Speaker 7: So so far, so good.

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Speaker 3: He's like, oh, I did My wife had no idea.

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Speaker 3: Let's talk to Sarah and Florida. Sarah, you're on the show.

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Speaker 3: What happened with you?

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Speaker 9: Good morning studio morning. Well, my son had just turned

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Speaker 9: six years old and we had a birthday party for

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Speaker 9: him and he got a bunch of gift cards, which

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Speaker 9: he was sick so he didn't understand how that worked.

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Speaker 9: He thought that that just meant he had money. And

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Speaker 9: we also didn't realize he knew how to use Amazon,

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Speaker 9: but he did. And we woke up the next morning

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Speaker 9: to an email that said he ordered a thousand Pokemon

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Speaker 9: cards and an airsoft rifle.

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Speaker 3: Oh nice, sounds fun, sounds fun, and so how much total?

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Speaker 9: It was just over five hundred and fifty dollars?

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Speaker 3: Oh and how much did you a? Were you able

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Speaker 3: to send anything back and get a refund?

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Speaker 9: No, we cried, and it was already being delivered. I

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Speaker 9: could have sent it back, but I ended up just

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Speaker 9: keeping the airsoft rifle and we're waiting till he's older

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Speaker 9: to let him play with it.

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Speaker 3: She's like, we kept it. We tied him out, and

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Speaker 3: we shot him with it. Will you do that again?

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Speaker 7: No, ma'am?

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Speaker 3: Yeah, dang, that stinks, Sarah. I appreciate that call. Thank

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Speaker 3: you very much.

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Speaker 1: Thank you, y'all, have a good day you too.

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Speaker 3: Thank you so much for calling. Really eight seven seven

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Speaker 3: seventy seven, Bobby is our number. Let's got Rebecca listening

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Speaker 3: in Maryland. Rebecca, what is your story?

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Speaker 10: So?

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Speaker 11: My five year old son, this was last year. He

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Speaker 11: got super into ninjas and decided that he was gonna

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Speaker 11: hop on Amazon with his friends and order Morning Stars,

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Speaker 11: a dagger, and a ninja outfit. So it was kind

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Speaker 11: of crazy as well as nunchucks. Actually, it's kind of crazy.

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Speaker 9: Because it didn't end up being that.

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Speaker 11: Expensive, which was shocking to me. It was only like

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Speaker 11: two hundred and fifty dollars, but they.

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Speaker 9: Were all real so oh wow for a five year

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Speaker 9: old obviously.

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Speaker 11: So yes, we did end up sending them back and

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Speaker 11: got a full refund, but I let him keep an

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Speaker 11: einja out fit.

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Speaker 3: Makes me want a ninja outfit because and all those

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Speaker 3: other stuff, well, the stuff I don't hurt myself, but

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Speaker 3: like scrubs look so comfortable, so does a ninja outfit.

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Speaker 1: It does.

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Speaker 3: Yeah, and then I can cover up no one even

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Speaker 3: know who I am, right, and.

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Speaker 5: You just wrap your face move around places quietly.

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Speaker 12: Yeah.

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Speaker 3: You know what ninjas could do though, They could hide

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Speaker 3: their vulnerabilities. They could take their testicles and push in

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Speaker 3: their stomach what No, they could not. They could the

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Speaker 3: good ones. Oh well that's a vulnerable spot.

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Speaker 1: I yeah.

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Speaker 3: So let's imagine you're fighting a ninja right now. Imagine

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Speaker 3: this a lot I'm fighting ninja and then I kick

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Speaker 3: them with the balls and they go, nothing here, can't

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Speaker 3: hurt me tucked away. I'm like, what happened? My vulnerability

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Speaker 3: has been tucked? Tell me that ain't?

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Speaker 13: I mean?

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Speaker 1: You just made me google? Can ninjas really hide their

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Speaker 1: the Internet?

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Speaker 3: The Internet will say no because they don't want you

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Speaker 3: to know.

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Speaker 1: Okay, they say in a literal sense, they cannot.

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Speaker 3: Okay, what's the figurative sense?

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Speaker 1: The term life typed in balls?

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Speaker 14: Okay?

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Speaker 1: I said, can ninjas really hide their balls?

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Speaker 3: What the heck? That's a weird way to ask? That

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Speaker 3: is that weird?

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Speaker 6: No, ninjas do not have any specific techniques hyder balls

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Speaker 6: in the literal sense. The term balls is often used

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Speaker 6: humorously in the context of ninja lore, but ninja's focused

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Speaker 6: on stealth, infiltration and espionage or not hiding body parts.

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Speaker 3: Yeah, hey, Mike, look up the real version. Okay, go

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Speaker 3: to the dark web. That's where we find the good stuff.

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Speaker 6: Okay, let me get more scientific testicles.

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Speaker 3: Can ninjas google this? Can ninja? How did ninjas protect

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Speaker 3: their testicles? Okay? Can we find me in ninjasuit? I

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Speaker 3: want to wear it next week on the show The

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Speaker 3: Whole Week yeah, I want to wear a ninja suit

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Speaker 3: every day on the show. Go ahead.

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Speaker 6: Okay, they wear compression shorts. It does what compresses it

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Speaker 6: fitting underpants or spandex underneath their attire to keep the

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Speaker 6: testicle snug and minimize the risk of injury during movement

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Speaker 6: and potential impact.

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Speaker 1: So they're just compressed.

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Speaker 3: You said, they were talking them what I've done in

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Speaker 3: my training. They can tuck them up in.

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Speaker 15: Now.

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Speaker 6: The media does portray that they're able to do something

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Speaker 6: like you were talking about.

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Speaker 1: But that's media.

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Speaker 3: And you know what, if you're thinking about the media,

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Speaker 3: always truthful. That's one thing we know. Okay, we're idiots.

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Speaker 3: Let me do Hey, Rebecca, do you know where he

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Speaker 3: got the ninja out fit? And was it cool?

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Speaker 13: It was pretty cool.

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Speaker 11: He ended up wearing it for Halloween, but I don't know,

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Speaker 11: it was just awful Amazon.

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Speaker 3: Okay, well, thank you for the call. You have inspired.

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Speaker 3: Thank you?

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Speaker 11: Is it?

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Speaker 3: Let me ask a question if I were a ninja costume.

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Speaker 3: Oh so, people get in trouble for putting on the

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Speaker 3: head dress because they're like, hey, you can't dress like

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Speaker 3: a Native American if they're not Native American. I'm not

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Speaker 3: a ninja.

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Speaker 6: Yeah, but I don't think is ninja specific to a

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Speaker 6: group of people.

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Speaker 1: I mean, I know that the abody Asian.

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Speaker 3: Are there American ninjas?

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Speaker 5: Maybe that's the way it used to be.

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Speaker 3: You know, soon wrestlers stuck their stuff up in their

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Speaker 3: thing too Suma wrestlers fight by throwing each other around

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Speaker 3: and jumping. I gotta get one of these two.

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Speaker 1: It says there are American ninja warriors.

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Speaker 3: Pulling the testes up behind the pubis gives them some

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Speaker 3: measure of protection against the crashing blows of their opponent

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Speaker 3: compression underwear behind it. That's what they would call in

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Speaker 3: the NFL the tuck rule.

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Speaker 1: Bobby, you're good. You can be an all American ninja.

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Speaker 3: I can you have to wear an American flag though,

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Speaker 3: to say I'm not appropriating. Can you find me a

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Speaker 3: ninjat fit costume? Okay? Cool? I feel good. This thing

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Speaker 3: turned it too a big one eighty. But we'll take

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Speaker 3: more calls on. Oh man, there's awesome one there. How

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Speaker 3: much of the sword?

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Speaker 5: Oh you're on the website now?

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Speaker 6: Yeah, wait a second, this is just that TV show

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Speaker 6: where they like new obstacle courses.

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Speaker 3: Oh yeah, that's not a real ninja. I know, that. Now,

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Speaker 3: that's what she was like on the TV show American Ninja.

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Speaker 3: Can they stick their testicles?

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Speaker 10: No?

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Speaker 3: Of course not. Okay? Is it okay to dress like

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Speaker 3: a ninja?

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Speaker 7: Go ahead?

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Speaker 3: Will you hit that please? As long as you treat

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Speaker 3: the costume of culture with respect, there is no harm

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Speaker 3: in wearing them. Okays?

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Speaker 6: For how long did you type in is it okay

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Speaker 6: for a white guy from Arkansas?

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Speaker 3: Why do you gotta go to Arkansas again?

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Speaker 1: Because again that's where you're from?

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Speaker 16: Okay, it's the best bits of the week with Morgan.

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Speaker 16: Number two.

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Speaker 4: This is a very classic Lunchbox versus Morgan situation where

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Speaker 4: he thought I was being dramatic. I thought he was

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Speaker 4: being too much, and we shared our sides of the story,

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Speaker 4: and then everybody else shared how they thought about it.

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Speaker 17: So Lunchbox versus Morgan, But it is not a game.

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Speaker 17: This is very real life.

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Speaker 3: Number six, So I have a recording of Lunchbox scaring

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Speaker 3: Morgan in the garage. Is this a thing like you

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Speaker 3: like to scare? Because I hear you like to scare

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Speaker 3: women in the garage? What?

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Speaker 12: Oh?

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Speaker 8: No, I just saw Morgan getting out of her car

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Speaker 8: getting in her car sometime like leaving work or whatever,

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Speaker 8: and so.

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Speaker 3: A talker says, yeah, like he just watched her do

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Speaker 3: this over and over.

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Speaker 7: No, no, over and over. It's just a happenstance. And

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Speaker 7: so what's that word?

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Speaker 3: Go ahead?

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Speaker 8: Like if I don't see if she doesn't see me,

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Speaker 8: it's funny.

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Speaker 7: Ah boo whatever. People do that all the time.

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Speaker 3: It's funny, okay, And here it is okay. So here's

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Speaker 3: the club of him scaring her in the garage. Go ahead, woo.

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Speaker 7: Tell you that.

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Speaker 10: Don't hog in me.

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Speaker 3: So it wasn't a happenstance. She honked at you.

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Speaker 8: I guess she had haunked at me a couple of

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Speaker 8: days before. And then I got her and then she's like,

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Speaker 8: you can't do that. That is so disrespectful. Do you

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Speaker 8: know how fearful it is for a woman to walk

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Speaker 8: into parking roade and she starts going ballistic.

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Speaker 7: And I'm like, you had.

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Speaker 3: That recording, then if you're really sting she's ballistic, there's

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Speaker 3: no reason why to stop the recording.

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Speaker 7: No. I stopped because I'm like, oh, this is done.

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Speaker 7: I just wanted to scare you.

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Speaker 3: And then she was like, so the good audio you

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Speaker 3: don't have? What do you mean the good audio, claiming

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Speaker 3: that she went ballistic.

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Speaker 8: She told me, it's so unsafe for you to do

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Speaker 8: that with women in a garage, like it's we're already

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Speaker 8: scared to walk through garage and you can't jump out

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Speaker 8: and scare us. I'm like, whoa, it's in daylight. And

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Speaker 8: I said, ah, that said boo? Did I say boo?

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Speaker 3: Gets boo yah boo.

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Speaker 7: There you go.

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Speaker 3: Yeah, Morgan thoughts, Okay.

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Speaker 4: I not it was disrespectful or anything, but I just said, Lunchbox.

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Speaker 4: Lunchbox has scared me in the parking garage like five

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Speaker 4: times now. This is a common party, and I'm like,

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Speaker 4: do you have to stop doing this? Because I do

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Speaker 4: feel alert in places that are darker, and parking garages

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Speaker 4: are a little sketchy, so I do feel very like

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Speaker 4: on alert in places like that. And I'm like, Lunchbox,

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Speaker 4: you can do this anywhere else, but please stop doing

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Speaker 4: this in the parking.

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Speaker 3: Garage anywhere else. Dude, are sneak in her house.

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Speaker 7: That's what I've got free right and anywhere else to

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Speaker 7: say boo.

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Speaker 8: Think she's a little overreacting, like, oh my gosh, it's

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Speaker 8: not a safe place.

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Speaker 3: And I think somebody just yelling boo's kind of funny.

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Speaker 3: That's like nineteen.

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Speaker 4: Fifties, right, Like he's like an old cast more the ghost,

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Speaker 4: like an old ghost.

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Speaker 3: Yeah, I think it's funny. I think she's expressed that

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Speaker 3: she doesn't feel safe, so please don't scare in the

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Speaker 3: garage she does.

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Speaker 8: Oh my gosh, Okay, So am I allowed to if

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Speaker 8: she's walking in.

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Speaker 3: The I'm not saying you're allowed to do anything more?

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Speaker 6: Again, for the record, she's like, am I allowed to

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Speaker 6: come up behind her?

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Speaker 1: That's not what I was gonna say.

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Speaker 3: What am I stabber with a fork in the leg?

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Speaker 3: Is that okay?

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Speaker 1: Can I get in her back seat?

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Speaker 3: Can I abduct her pencil to her neck? Can I

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Speaker 3: drive her to the county line and throw her in

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Speaker 3: a ditch?

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Speaker 10: You?

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Speaker 3: What's what's wrong with you?

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Speaker 1: What if I up?

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Speaker 3: What if I put a bag over her head but

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Speaker 3: I don't tape her mouth?

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Speaker 1: Can I put her in my trunk?

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Speaker 3: But what if the trunk has pillowed in it?

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Speaker 7: Go ahead, man, what are you gonna ask?

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Speaker 12: So?

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Speaker 7: Is it okay?

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Speaker 1: If what we're gonna say?

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Speaker 7: No, If she's walking through the garage and our.

377
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Speaker 3: If you honk, that's different because it's not like a dude.

378
00:15:58,720 --> 00:16:02,720
Speaker 3: And she's in her car walking. I think you're still

379
00:16:02,720 --> 00:16:04,240
Speaker 3: a cars Okay, Yeah, I mean I wouldn't do it,

380
00:16:04,240 --> 00:16:05,520
Speaker 3: but is.

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00:16:05,600 --> 00:16:08,160
Speaker 7: So hogging is okay? But boo is bad. I mean.

382
00:16:10,120 --> 00:16:11,920
Speaker 3: From a private number and breathe heavily and tell her

383
00:16:11,960 --> 00:16:13,320
Speaker 3: I'm gonna kill her and eat her alive.

384
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Speaker 4: There's something about the close proximity of like two people

385
00:16:17,320 --> 00:16:19,200
Speaker 4: and you're coming out of nowhere that just feels like

386
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Speaker 4: I'm just gonna one of these times I'm gonna like

387
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Speaker 4: react to that.

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Speaker 3: Oh man, get tears of my eyes from get back

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Speaker 3: and forth.

390
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Speaker 16: It's the best bits of the week with Morgan.

391
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Speaker 4: Number two, Megan Moroney stopped by the studio to talk

392
00:16:34,440 --> 00:16:37,240
Speaker 4: about her collaboration That's now out with Kenny Chesney and

393
00:16:37,280 --> 00:16:39,960
Speaker 4: how it happened, why she wrote the song, plus her

394
00:16:40,000 --> 00:16:44,160
Speaker 4: connection to Christian Bush one part of sugar Land, and

395
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Speaker 4: why he's a producer on so many of her record

396
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Speaker 4: So really fun stuff right here here it is Meghan

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Speaker 4: Maroney in studio.

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Speaker 16: Number five on The Bobby Bones Show.

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Speaker 3: Now, Megan, Meghan, really good to see you, Good to

400
00:16:56,320 --> 00:16:58,800
Speaker 3: see you. Thank you hoping that was the answer. Sometimes

401
00:16:58,840 --> 00:17:01,760
Speaker 3: it's not met like that I have said multiple times,

402
00:17:01,760 --> 00:17:05,400
Speaker 3: even publicly, I think you are this generations the songwriter,

403
00:17:05,560 --> 00:17:09,720
Speaker 3: like the artist songwriter of today. Thoughts thoughts on me

404
00:17:09,880 --> 00:17:12,560
Speaker 3: claiming proclaiming you the greatest artist songwriter of today.

405
00:17:12,640 --> 00:17:16,000
Speaker 18: That's a huge compliment, it is, yes, and I really

406
00:17:16,080 --> 00:17:16,720
Speaker 18: appreciate that.

407
00:17:17,080 --> 00:17:19,320
Speaker 3: What's Kenny been like as a person on tour?

408
00:17:19,880 --> 00:17:20,720
Speaker 17: The best ever?

409
00:17:20,960 --> 00:17:23,920
Speaker 18: Like I would redo last summer, every single summer.

410
00:17:23,640 --> 00:17:26,520
Speaker 3: If I could give me a Kenny on tour story.

411
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Speaker 18: Kenny on tour story. Okay, so one time the route

412
00:17:30,600 --> 00:17:34,440
Speaker 18: he gets to travel like the king of country.

413
00:17:34,440 --> 00:17:37,399
Speaker 17: He is me not so much.

414
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Speaker 7: So.

415
00:17:38,040 --> 00:17:39,760
Speaker 17: One time we had like a couple of days off.

416
00:17:39,800 --> 00:17:41,320
Speaker 18: The routing was weird and we were stuck in a

417
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Speaker 18: parking lot in like Ohio or something for a couple

418
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Speaker 18: of days. And he found out that we were having

419
00:17:46,920 --> 00:17:50,159
Speaker 18: to do that, so he literally flew my crew. He

420
00:17:50,320 --> 00:17:55,400
Speaker 18: sent his plane to middle of nowhere, Ohio and put

421
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Speaker 18: us in rooms in Malibu for a couple of days,

422
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Speaker 18: just because he knew that we needed the rest, Me

423
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Speaker 18: and team. Yeah, he's just like so kind and so

424
00:18:03,760 --> 00:18:05,600
Speaker 18: welcoming and we learned so much from him.

425
00:18:05,960 --> 00:18:07,640
Speaker 3: The song with Kenny you had to be there how'd

426
00:18:07,640 --> 00:18:08,200
Speaker 3: that come together.

427
00:18:08,320 --> 00:18:10,680
Speaker 18: We were on a writer's trip in December of last year,

428
00:18:10,800 --> 00:18:13,800
Speaker 18: and that was obviously After the Sun Goes Down tour,

429
00:18:14,560 --> 00:18:16,439
Speaker 18: and I write about things that are important to me,

430
00:18:16,560 --> 00:18:19,040
Speaker 18: and that tour I just feel like was a pivotal

431
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Speaker 18: point of my career and honestly a highlight.

432
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Speaker 17: Of my life, to be honest. So I knew I

433
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Speaker 17: wanted to write a song about it somehow.

434
00:18:25,280 --> 00:18:27,920
Speaker 18: But we were on the beach, we were down in Florida,

435
00:18:28,160 --> 00:18:31,000
Speaker 18: and Micah started playing this thing that sounded like a

436
00:18:31,080 --> 00:18:32,880
Speaker 18: Kenney song, like you know when it opens and it's

437
00:18:32,920 --> 00:18:34,919
Speaker 18: like dun dun du dun d. I'm like, that's freaking

438
00:18:35,080 --> 00:18:38,439
Speaker 18: a guiney Jesney song. And I had the title you

439
00:18:38,440 --> 00:18:40,639
Speaker 18: had to Be There, because that's how it kind of

440
00:18:40,640 --> 00:18:42,359
Speaker 18: felt like. When I explained the tour to someone that

441
00:18:42,440 --> 00:18:44,399
Speaker 18: wasn't there, I'm like, I don't even know how to

442
00:18:44,440 --> 00:18:44,840
Speaker 18: explain it.

443
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Speaker 17: But it was like the best summer of my life.

444
00:18:46,280 --> 00:18:49,119
Speaker 18: And yeah, we kind of just started writing, and then

445
00:18:49,640 --> 00:18:52,239
Speaker 18: we ended up writing Kenny into the second verse and

446
00:18:52,920 --> 00:18:55,239
Speaker 18: it was his Christmas gift from me. We had a

447
00:18:55,280 --> 00:18:58,439
Speaker 18: trip planned to the island like January. First, I played

448
00:18:59,400 --> 00:19:02,200
Speaker 18: New York City for New Year's Eve. We flew straight

449
00:19:02,240 --> 00:19:04,040
Speaker 18: from there to the island, like me and my team

450
00:19:04,119 --> 00:19:06,920
Speaker 18: and a couple of my friends. And I didn't know

451
00:19:06,960 --> 00:19:08,680
Speaker 18: what to get him for Christmas because he has everything,

452
00:19:08,800 --> 00:19:10,560
Speaker 18: you know what I mean. Like my end of tour

453
00:19:10,600 --> 00:19:13,560
Speaker 18: gift was a scrapbook that I made because he has that,

454
00:19:13,720 --> 00:19:14,320
Speaker 18: Like what do you like?

455
00:19:16,480 --> 00:19:19,119
Speaker 17: So I was like, I've got a creative here. So

456
00:19:19,160 --> 00:19:20,879
Speaker 17: we ended up writing this song. I wrote out the.

457
00:19:20,960 --> 00:19:24,159
Speaker 18: Lyrics and I gave that to him, like wrote it.

458
00:19:24,200 --> 00:19:26,320
Speaker 18: I wrote it down on paper, and I said, I

459
00:19:26,400 --> 00:19:28,359
Speaker 18: was so awkward the first like three hours we were

460
00:19:28,359 --> 00:19:29,879
Speaker 18: in the island because I knew I was gonna like

461
00:19:29,880 --> 00:19:31,320
Speaker 18: have to show him a song, and like, how do

462
00:19:31,359 --> 00:19:32,800
Speaker 18: you show Kenny Chesney.

463
00:19:32,440 --> 00:19:33,320
Speaker 17: A song that you wrote?

464
00:19:33,640 --> 00:19:38,240
Speaker 18: Like that's so embarrassing to bring it up. Yeah, and

465
00:19:38,520 --> 00:19:41,119
Speaker 18: like he if he hated it. I don't like getting

466
00:19:41,160 --> 00:19:43,680
Speaker 18: shown songs that I don't love, especially you know what

467
00:19:43,720 --> 00:19:43,919
Speaker 18: I mean.

468
00:19:44,000 --> 00:19:46,480
Speaker 3: You're like, how about that song?

469
00:19:47,920 --> 00:19:49,600
Speaker 18: I know, like if he hated it, I didn't want

470
00:19:49,640 --> 00:19:51,359
Speaker 18: him to feel bad because I know he like cares

471
00:19:51,359 --> 00:19:53,679
Speaker 18: about me. I literally prefaced it with like, if you

472
00:19:53,720 --> 00:19:55,959
Speaker 18: hate this, this is just like from my heart and

473
00:19:56,160 --> 00:19:57,760
Speaker 18: how I feel about the tour and like, I'm so

474
00:19:57,800 --> 00:20:00,560
Speaker 18: appreciative that you took me on tour. It does We

475
00:20:00,600 --> 00:20:02,040
Speaker 18: do not have to do anything with this song. You

476
00:20:02,080 --> 00:20:04,679
Speaker 18: can literally like never show it to anyone. But I

477
00:20:04,680 --> 00:20:06,520
Speaker 18: wrote out the lyrics for you and he ended up

478
00:20:06,560 --> 00:20:10,159
Speaker 18: loving it. And a lot of things I feel like

479
00:20:11,080 --> 00:20:14,440
Speaker 18: can make you feel jaded in the industry, but having

480
00:20:14,520 --> 00:20:16,320
Speaker 18: a song with Kenny is something like I was listening

481
00:20:16,359 --> 00:20:17,720
Speaker 18: to it on the way here. I'm like, when his

482
00:20:17,800 --> 00:20:19,679
Speaker 18: voice comes in, I'm like, holy crap.

483
00:20:19,800 --> 00:20:21,680
Speaker 3: Do you have a favorite Kenny song of all time?

484
00:20:22,280 --> 00:20:24,119
Speaker 18: I think the one that I've listened to, Like, if

485
00:20:24,119 --> 00:20:26,520
Speaker 18: you look at my Spotify and the data, I would

486
00:20:26,520 --> 00:20:29,760
Speaker 18: say Knowing You is probably one that I've fixated on.

487
00:20:29,840 --> 00:20:33,160
Speaker 3: It's a good one. What Kenny. I often say, I'm

488
00:20:33,200 --> 00:20:35,720
Speaker 3: not a beach Kenny fan, but I'm a sad Kenny

489
00:20:35,800 --> 00:20:38,080
Speaker 3: super fan because I love sad songs that Kenny does

490
00:20:38,080 --> 00:20:40,760
Speaker 3: the best. I tell Kenny this, I'm like, I love

491
00:20:40,880 --> 00:20:43,360
Speaker 3: sad Kenny, and you know I like you and Tequila

492
00:20:43,359 --> 00:20:47,200
Speaker 3: probably my favorite Kenny's song in general nineties. Kenny's interesting

493
00:20:47,240 --> 00:20:49,520
Speaker 3: because that was Cowboy Hat Kenny way back in the day.

494
00:20:49,600 --> 00:20:51,520
Speaker 3: Are you more of a beach Kenny or a sad Kenny.

495
00:20:51,760 --> 00:20:52,159
Speaker 17: I don't know.

496
00:20:52,240 --> 00:20:54,440
Speaker 18: Beach Kenny is hard to be. Like Summertime.

497
00:20:55,040 --> 00:20:57,240
Speaker 3: You grew up near Asha Beach that right in Georgia,

498
00:20:57,440 --> 00:21:01,200
Speaker 3: you had water. I'm from Arkansas. We never had beaches song, I.

499
00:20:59,600 --> 00:21:01,280
Speaker 17: Don't I listened to Kenny on.

500
00:21:01,280 --> 00:21:03,040
Speaker 3: The Lake a lot, so yeah, even like I guess

501
00:21:03,080 --> 00:21:04,359
Speaker 3: it counts. Yeah.

502
00:21:04,440 --> 00:21:06,919
Speaker 18: The first time I heard Summertime, I was on a

503
00:21:06,960 --> 00:21:08,439
Speaker 18: boat and lake.

504
00:21:08,280 --> 00:21:11,200
Speaker 3: With DOOWI you're still working with my bff, Christian Bush.

505
00:21:11,240 --> 00:21:11,760
Speaker 18: Sure, I am.

506
00:21:12,400 --> 00:21:14,960
Speaker 3: So everybody knows Christian Bush is one half of sugar Land,

507
00:21:15,040 --> 00:21:17,080
Speaker 3: and I've been lucky enough to know Christian. We've written

508
00:21:17,119 --> 00:21:19,920
Speaker 3: whole bunch stuff together, like comedy stuff together, and he's awesome.

509
00:21:20,040 --> 00:21:23,800
Speaker 3: But at one point, you like interned, I was, yeah,

510
00:21:23,920 --> 00:21:25,480
Speaker 3: Christian in Atlanta, right.

511
00:21:25,359 --> 00:21:27,800
Speaker 18: Yeah, my senior year at the University of Georgia, I

512
00:21:27,840 --> 00:21:31,080
Speaker 18: was a publishing intern. So I was logging all the

513
00:21:31,119 --> 00:21:33,880
Speaker 18: splits and figuring out how to do that, which was actually.

514
00:21:33,600 --> 00:21:35,639
Speaker 3: Helpful because you learned the business.

515
00:21:35,720 --> 00:21:37,560
Speaker 18: Yeah, I had to do it for myself.

516
00:21:37,800 --> 00:21:39,920
Speaker 3: What does he do with you? Like, what's you guys'

517
00:21:40,040 --> 00:21:44,200
Speaker 3: relationship professionally now? He's my producer, so he's producing the music. Yeah,

518
00:21:44,240 --> 00:21:47,080
Speaker 3: he did the Kenny song and then all of my music.

519
00:21:47,160 --> 00:21:48,480
Speaker 3: Isn't he the most positive guy?

520
00:21:48,840 --> 00:21:49,040
Speaker 18: Yes?

521
00:21:49,359 --> 00:21:50,960
Speaker 17: He makes any so smart.

522
00:21:51,080 --> 00:21:53,959
Speaker 18: Yes, sometimes he loses me, like he'll have some crazy

523
00:21:54,040 --> 00:21:55,600
Speaker 18: philosophical thing and I'm like.

524
00:21:56,640 --> 00:21:57,199
Speaker 17: You lost me.

525
00:21:57,359 --> 00:21:59,440
Speaker 3: That's his brother for me. Sometimes he brand it the

526
00:21:59,440 --> 00:22:01,919
Speaker 3: same way, like way smart and You're like, I don't know,

527
00:22:02,000 --> 00:22:04,080
Speaker 3: can you like E l I five because I do

528
00:22:04,200 --> 00:22:05,880
Speaker 3: not understand this? Oh you having fine?

529
00:22:06,000 --> 00:22:09,040
Speaker 18: Like yes, the most fun like this tour that I'm

530
00:22:09,080 --> 00:22:11,480
Speaker 18: on them IOK tour has been the most fun I've

531
00:22:11,480 --> 00:22:14,280
Speaker 18: had on the road. And I just feel, I don't know,

532
00:22:14,800 --> 00:22:16,879
Speaker 18: it's just the best time ever. My fans are the best.

533
00:22:17,119 --> 00:22:20,679
Speaker 3: You know, you're making it whenever tiktoks are going viral

534
00:22:20,760 --> 00:22:23,080
Speaker 3: of your entrances and I see that of yours of

535
00:22:23,119 --> 00:22:25,600
Speaker 3: your like come out and oh yeah yeah, where like

536
00:22:25,640 --> 00:22:26,760
Speaker 3: people are like and then what.

537
00:22:26,720 --> 00:22:28,680
Speaker 17: You say really dramatic, yeah moon thing.

538
00:22:28,920 --> 00:22:30,919
Speaker 3: Yeah, I've seen that a bunch. When you're in the

539
00:22:30,960 --> 00:22:32,840
Speaker 3: middle of it, does it feel like you've been blown up?

540
00:22:33,119 --> 00:22:36,840
Speaker 18: I think when I hear like it's stirring the shows

541
00:22:36,840 --> 00:22:40,199
Speaker 18: where I'm like, wow, a lot has changed because I

542
00:22:40,359 --> 00:22:42,919
Speaker 18: sing the least I sing the whole album in the

543
00:22:43,000 --> 00:22:46,320
Speaker 18: least stream song on the album, which I'm not even

544
00:22:46,320 --> 00:22:48,280
Speaker 18: sure which one that is. But they sing every single word,

545
00:22:48,320 --> 00:22:51,240
Speaker 18: every single song, which is when I'm like, oh wait,

546
00:22:51,400 --> 00:22:54,919
Speaker 18: this is more than just whatever it used to be,

547
00:22:55,320 --> 00:22:58,240
Speaker 18: you know. And I just feel grateful for fans who

548
00:22:58,920 --> 00:23:00,639
Speaker 18: I don't know. I guess they feel connected to me

549
00:23:00,720 --> 00:23:03,080
Speaker 18: because we're all going through the same stuff and they

550
00:23:03,200 --> 00:23:06,320
Speaker 18: like my songwriting, and as a songwriter, to hear a

551
00:23:06,359 --> 00:23:09,640
Speaker 18: whole room of people sing every single word is like.

552
00:23:09,920 --> 00:23:12,560
Speaker 3: Okay, Like I think that's it. I think you're a

553
00:23:12,640 --> 00:23:15,360
Speaker 3: really good singer. You're a really good performer. But it's

554
00:23:15,400 --> 00:23:18,959
Speaker 3: all back to the songwriting. I think people really identify

555
00:23:19,080 --> 00:23:22,680
Speaker 3: with you because of how you write songs and how

556
00:23:22,720 --> 00:23:27,000
Speaker 3: personal or even specific you get during songs. Were you

557
00:23:27,080 --> 00:23:29,640
Speaker 3: ever at the beginning like maybe we shouldn't be so specific,

558
00:23:29,720 --> 00:23:33,000
Speaker 3: because that's kind of a new trend to be extremely specific.

559
00:23:33,359 --> 00:23:35,679
Speaker 18: Yeah, I'm not even sure it was on purpose. I

560
00:23:35,680 --> 00:23:38,080
Speaker 18: think I was just like I didn't know how to

561
00:23:38,080 --> 00:23:41,240
Speaker 18: write a song. I was just writing, you know, like

562
00:23:41,320 --> 00:23:44,359
Speaker 18: I didn't take a class or I guess I just

563
00:23:44,480 --> 00:23:47,240
Speaker 18: like like the music I like growing up and that

564
00:23:47,320 --> 00:23:50,040
Speaker 18: kind of has bled into my songwriting. But yeah, I

565
00:23:50,040 --> 00:23:53,480
Speaker 18: guess I've never been afraid to be specific.

566
00:23:54,200 --> 00:23:55,760
Speaker 3: What was the first song you learned to play and

567
00:23:55,800 --> 00:23:59,240
Speaker 3: sing at the same time? Strawberry one and that's probably

568
00:23:59,240 --> 00:24:01,320
Speaker 3: that's monumental and you can do the hands on rhythm,

569
00:24:01,359 --> 00:24:03,359
Speaker 3: also saying yeah, how old were you?

570
00:24:04,160 --> 00:24:05,080
Speaker 17: I was like sixteen?

571
00:24:05,440 --> 00:24:06,520
Speaker 3: How did you get your first guitar?

572
00:24:08,320 --> 00:24:11,720
Speaker 18: I wouldn't stop crying over my first boyfriend. He broke

573
00:24:11,800 --> 00:24:14,200
Speaker 18: up with me. My heart was shattered. My dad took

574
00:24:14,200 --> 00:24:16,640
Speaker 18: me to Guitar Center on like Labor Day or something,

575
00:24:16,680 --> 00:24:19,119
Speaker 18: so they're having the sale. I picked out one that

576
00:24:19,240 --> 00:24:21,240
Speaker 18: was not on sale. He didn't realize that until they

577
00:24:21,280 --> 00:24:22,880
Speaker 18: wiped it off and they got it to the front

578
00:24:22,920 --> 00:24:25,560
Speaker 18: and they were like, sorry, sir, this one's not on sale.

579
00:24:25,600 --> 00:24:27,200
Speaker 18: And I looked at my dad and I said, I've

580
00:24:27,200 --> 00:24:29,000
Speaker 18: had my heart broken once this week. I think I

581
00:24:29,000 --> 00:24:31,400
Speaker 18: could handle it again if you don't want to get this.

582
00:24:31,880 --> 00:24:33,920
Speaker 18: And that's how I ended up with it, and now

583
00:24:34,320 --> 00:24:36,480
Speaker 18: I've retired it from the road because it's sentimental and

584
00:24:36,520 --> 00:24:38,520
Speaker 18: it means a lot to me, so I don't because

585
00:24:38,560 --> 00:24:40,040
Speaker 18: you know, sometimes you got to perform in the rain

586
00:24:40,119 --> 00:24:42,359
Speaker 18: and stuff. So I don't take that one on tour anymore,

587
00:24:42,400 --> 00:24:43,480
Speaker 18: but I do have it still.

588
00:24:43,760 --> 00:24:46,119
Speaker 3: When you moved to Nashville, what was harder than you

589
00:24:46,160 --> 00:24:47,000
Speaker 3: expected it to be?

590
00:24:47,760 --> 00:24:52,119
Speaker 18: Everything? I think, I would say, I guess just figuring

591
00:24:52,160 --> 00:24:54,560
Speaker 18: out your groove of like people to write with and

592
00:24:54,560 --> 00:24:56,720
Speaker 18: stuff like, because I wrote by myself for the first

593
00:24:56,800 --> 00:24:59,520
Speaker 18: year basically, and also kind of I guess just keeping

594
00:24:59,520 --> 00:25:02,760
Speaker 18: after it and nothing's happening because for the first like

595
00:25:02,840 --> 00:25:05,800
Speaker 18: two years, I was writing songs every day, going to

596
00:25:05,880 --> 00:25:08,760
Speaker 18: every single possible social event. I could go to every

597
00:25:08,760 --> 00:25:11,720
Speaker 18: writer's round, and not much happened. So I think, just like,

598
00:25:12,240 --> 00:25:14,640
Speaker 18: it's hard to stick with something when you don't see

599
00:25:14,680 --> 00:25:15,640
Speaker 18: the results right away.

600
00:25:15,800 --> 00:25:18,560
Speaker 3: You know, well, Megan, it's awesome to see you again.

601
00:25:18,920 --> 00:25:21,320
Speaker 3: You're killing it. You make the best music. I don't

602
00:25:21,320 --> 00:25:23,280
Speaker 3: even know what else to say except I'm super happy

603
00:25:23,359 --> 00:25:23,600
Speaker 3: for you.

604
00:25:24,000 --> 00:25:24,919
Speaker 17: I appreciate you.

605
00:25:25,200 --> 00:25:27,480
Speaker 3: Yeah, there she is our friend, Megan Roney. Good job,

606
00:25:27,520 --> 00:25:32,919
Speaker 3: good job. It's the best Bits of the week with Morgan.

607
00:25:33,000 --> 00:25:33,440
Speaker 16: Number two.

608
00:25:36,200 --> 00:25:37,440
Speaker 17: It was draft day this week.

609
00:25:37,480 --> 00:25:40,880
Speaker 4: We did a draft of the best wedding reception songs,

610
00:25:41,000 --> 00:25:44,800
Speaker 4: and I got absolutely roasted for my picks. Okay, and

611
00:25:45,280 --> 00:25:46,680
Speaker 4: I don't think it was warranted.

612
00:25:47,280 --> 00:25:49,760
Speaker 3: Number four, we'll be drafting best songs to play at

613
00:25:49,760 --> 00:25:52,600
Speaker 3: a wedding reception. So you're a wedding reception. Dja gets up.

614
00:25:52,640 --> 00:25:53,960
Speaker 3: All right, ever, we got over my day. I'm gonna

615
00:25:53,960 --> 00:25:56,480
Speaker 3: play this song and they hit it and everybody's like, oh,

616
00:25:56,720 --> 00:25:59,720
Speaker 3: gotta get out on the dance floor. So we'll be

617
00:25:59,800 --> 00:26:04,919
Speaker 3: draftfting and Lunchbox won the dice, roll backstage. He'll go first, Lunchbox,

618
00:26:05,000 --> 00:26:07,280
Speaker 3: Best songs to play at a wedding reception.

619
00:26:08,359 --> 00:26:10,560
Speaker 7: Oh man, I didn't want to go first, but here

620
00:26:10,560 --> 00:26:10,880
Speaker 7: we go.

621
00:26:10,960 --> 00:26:12,200
Speaker 5: Wow, I really want to go first.

622
00:26:12,280 --> 00:26:13,600
Speaker 3: You always want. I want to go first.

623
00:26:13,920 --> 00:26:14,680
Speaker 5: It's the best pick.

624
00:26:15,280 --> 00:26:15,720
Speaker 10: Give me.

625
00:26:17,359 --> 00:26:19,320
Speaker 7: Oh gosh, I don't know. Uptown Funk.

626
00:26:19,760 --> 00:26:23,200
Speaker 3: It's a good one. Yeah, that's a good one. Okay,

627
00:26:23,320 --> 00:26:25,159
Speaker 3: Uptown Funk. You should feel solid with that.

628
00:26:25,400 --> 00:26:25,600
Speaker 7: I do.

629
00:26:25,680 --> 00:26:28,120
Speaker 8: I actually wrote the bad word though, Why.

630
00:26:28,040 --> 00:26:30,280
Speaker 3: Would you at the up? That's not even a song?

631
00:26:30,640 --> 00:26:32,800
Speaker 3: All right, Morgan, I'm.

632
00:26:32,680 --> 00:26:35,280
Speaker 17: Gonna go with Sweet Caroline.

633
00:26:35,040 --> 00:26:37,399
Speaker 3: Okay, Neil Diamond, Sweet Caroline. That's a good singer.

634
00:26:37,600 --> 00:26:38,040
Speaker 5: That's good.

635
00:26:38,600 --> 00:26:41,600
Speaker 17: It's always played every wedding I've gone to Eddie.

636
00:26:42,040 --> 00:26:46,040
Speaker 5: The one that is always always played is y m

637
00:26:46,160 --> 00:26:46,440
Speaker 5: c A.

638
00:26:46,920 --> 00:26:54,600
Speaker 3: Oh that's a good one. I didn't have that really, guys,

639
00:26:54,640 --> 00:26:55,520
Speaker 3: I think it's a great one.

640
00:26:56,400 --> 00:26:57,320
Speaker 5: Everyone gets excited.

641
00:26:57,359 --> 00:27:05,280
Speaker 3: We're familiar with song. Yeah, yeah, we are. Okay, Okay,

642
00:27:05,440 --> 00:27:11,280
Speaker 3: I'm gonna go with chut y'all slide it's the group

643
00:27:11,440 --> 00:27:12,440
Speaker 3: dance of course.

644
00:27:14,040 --> 00:27:15,360
Speaker 5: To slide one.

645
00:27:17,320 --> 00:27:18,760
Speaker 3: We about to get funk it.

646
00:27:19,880 --> 00:27:20,680
Speaker 5: Don't say the other word.

647
00:27:20,800 --> 00:27:24,040
Speaker 3: Well, I wrote down the other word, Amy, Cupid shuffle.

648
00:27:24,960 --> 00:27:27,800
Speaker 3: It was one of those two for me. Which one

649
00:27:27,880 --> 00:27:28,680
Speaker 3: is to the left?

650
00:27:28,760 --> 00:27:29,600
Speaker 5: To the left that.

651
00:27:30,280 --> 00:27:31,560
Speaker 3: You're doing Cupid shuffle now?

652
00:27:33,280 --> 00:27:42,840
Speaker 19: But they're similar, like yeah, turn turn it down, both jams, yeah,

653
00:27:42,880 --> 00:27:43,320
Speaker 19: both champs.

654
00:27:43,400 --> 00:27:45,639
Speaker 3: They're getting confused in my head. Now, all right, Amy,

655
00:27:45,680 --> 00:27:48,520
Speaker 3: we're gonna go backward. Now you have the first pick,

656
00:27:48,880 --> 00:27:50,399
Speaker 3: best songs to play at a wedding reception.

657
00:27:50,960 --> 00:27:59,680
Speaker 6: We are family, mister Sledge.

658
00:28:00,359 --> 00:28:01,600
Speaker 5: Did you have to look up who sing that one?

659
00:28:01,680 --> 00:28:01,840
Speaker 18: Yeah?

660
00:28:01,840 --> 00:28:03,199
Speaker 17: Who's I didn't know that's who's saying that?

661
00:28:04,000 --> 00:28:05,520
Speaker 1: Yes, I had to google it's sister Sluch.

662
00:28:06,800 --> 00:28:13,000
Speaker 3: Okay, I'm gonna go with my second pick, shake it off.

663
00:28:13,040 --> 00:28:19,440
Speaker 3: Taylor Swift one a little newer that I'm comfortable with,

664
00:28:19,800 --> 00:28:21,560
Speaker 3: but I think it's still fun. I think that's a

665
00:28:21,560 --> 00:28:22,880
Speaker 3: good one, all.

666
00:28:22,880 --> 00:28:26,719
Speaker 5: Right, Eddie, Grandma's love this one because when they come

667
00:28:26,720 --> 00:28:29,879
Speaker 5: out of their shell when they hear Pony by genuine

668
00:28:30,080 --> 00:28:32,240
Speaker 5: Grandma's your horn.

669
00:28:33,920 --> 00:28:38,200
Speaker 3: Yeah, okay, genuine pony Okay.

670
00:28:38,520 --> 00:28:44,160
Speaker 4: Morgan, Okay, oh man, this is maybe it's because it's

671
00:28:44,160 --> 00:28:46,040
Speaker 4: related to Key State, but I also hear this at

672
00:28:46,080 --> 00:28:48,680
Speaker 4: every wedding, mister bright Side, all.

673
00:28:48,600 --> 00:28:50,320
Speaker 3: The killers, mister bright Side, Okay, Yeah, I think it

674
00:28:50,320 --> 00:28:52,520
Speaker 3: may be a Kansas state thing. It's a great song,

675
00:28:53,120 --> 00:28:54,080
Speaker 3: but I don't I.

676
00:28:54,080 --> 00:28:55,760
Speaker 4: Mean, I've heard it at every wedding I've gone to,

677
00:28:55,800 --> 00:28:57,360
Speaker 4: but I don't know if that's a Kansas thing.

678
00:28:57,400 --> 00:28:58,360
Speaker 3: I'm gonna fight you over it.

679
00:28:59,360 --> 00:29:03,440
Speaker 8: Lunchbox, Yeah, everybody likes to dance, everybody likes to sing

680
00:29:03,440 --> 00:29:03,800
Speaker 8: this one.

681
00:29:04,040 --> 00:29:05,040
Speaker 7: Don't stop believing.

682
00:29:05,200 --> 00:29:07,080
Speaker 5: That's a good one.

683
00:29:07,720 --> 00:29:11,280
Speaker 3: Okay, So Lunchmarks has uptown funk and don't stop believing.

684
00:29:11,720 --> 00:29:13,880
Speaker 3: And now for his final pick, because he'll go first

685
00:29:13,920 --> 00:29:14,960
Speaker 3: this final pick. Go ahead.

686
00:29:15,040 --> 00:29:17,640
Speaker 7: Yeah, you write a party, you want people on the

687
00:29:17,720 --> 00:29:25,040
Speaker 7: dance floor. Party in the US. Side my mighty cyrus boom.

688
00:29:25,080 --> 00:29:26,560
Speaker 7: Everybody's on the dance floor.

689
00:29:26,880 --> 00:29:29,640
Speaker 3: Morgan has Sweet Carolina, mister Brightside, Morgan.

690
00:29:29,560 --> 00:29:33,400
Speaker 4: Yeah, I'm between two that are single words, but one

691
00:29:33,480 --> 00:29:36,880
Speaker 4: is like a newer one's old school. I think.

692
00:29:39,120 --> 00:29:46,840
Speaker 15: I'm gonna go with the wobble wabblebaby, wabble baby m

693
00:29:46,840 --> 00:29:51,360
Speaker 15: that's tough. That's also another big dance that everybody does

694
00:29:51,400 --> 00:29:52,840
Speaker 15: and everybody knows it because it's easy.

695
00:29:53,560 --> 00:29:54,040
Speaker 3: That's tough.

696
00:29:54,040 --> 00:29:55,400
Speaker 5: I don't see Grandma's doing that one.

697
00:29:55,400 --> 00:29:55,760
Speaker 3: That's tough.

698
00:29:55,800 --> 00:29:57,640
Speaker 17: I see Grandma's doing that one more than Pony.

699
00:29:58,080 --> 00:30:00,120
Speaker 3: Well, yeah, I agree, don't. I don't like Grandma do

700
00:30:00,280 --> 00:30:00,640
Speaker 3: either one of.

701
00:30:02,480 --> 00:30:02,760
Speaker 10: Eddie.

702
00:30:02,800 --> 00:30:04,160
Speaker 3: You have y mc A and Pony.

703
00:30:04,320 --> 00:30:06,440
Speaker 5: God, what a good team. This is why I'm gonna

704
00:30:06,480 --> 00:30:11,800
Speaker 5: draft Shadeur Sanders. Next, this is the give me girls

705
00:30:12,080 --> 00:30:15,800
Speaker 5: just want to have fun. Come on, girls, it's your

706
00:30:15,880 --> 00:30:17,040
Speaker 5: time on the dance below.

707
00:30:17,120 --> 00:30:18,479
Speaker 3: My favorite thing is when we all sell it, when

708
00:30:18,520 --> 00:30:20,920
Speaker 3: nobody gives us a good reaction, because we all do it,

709
00:30:21,440 --> 00:30:23,480
Speaker 3: you know, partying, and you we're like, come on, give

710
00:30:23,480 --> 00:30:24,960
Speaker 3: me something, but you all don't like that one. Well, no,

711
00:30:25,040 --> 00:30:26,600
Speaker 3: I do it too. And if if I'm like you guys,

712
00:30:26,800 --> 00:30:28,720
Speaker 3: if there's not a good reaction, like I'm family feud,

713
00:30:28,760 --> 00:30:33,200
Speaker 3: good answer, good answer? Yeah, okay, So I have chock

714
00:30:33,280 --> 00:30:42,360
Speaker 3: y'all slide and shake it off. I'm between two. I'd

715
00:30:42,400 --> 00:30:45,000
Speaker 3: love to talk it out, but do you already know yours? Amy?

716
00:30:45,160 --> 00:30:47,720
Speaker 1: Yeah?

717
00:30:48,080 --> 00:30:50,280
Speaker 3: What if I let you have yours regardless and now

718
00:30:50,360 --> 00:30:52,040
Speaker 3: talk my two out? But you may have one of

719
00:30:52,080 --> 00:30:53,560
Speaker 3: my two, and I'm willing to go with that risk.

720
00:30:54,000 --> 00:30:54,360
Speaker 7: What do you have?

721
00:30:55,040 --> 00:30:55,120
Speaker 13: Uh?

722
00:30:55,160 --> 00:30:55,360
Speaker 11: Sure?

723
00:30:55,480 --> 00:30:57,080
Speaker 3: Yeah, I didn't have that one. I have it, but

724
00:30:57,080 --> 00:30:58,320
Speaker 3: that wasn't one of my cho That's a good one.

725
00:30:58,320 --> 00:30:59,000
Speaker 3: That's a good one.

726
00:30:59,680 --> 00:30:59,920
Speaker 13: Yeah.

727
00:31:00,400 --> 00:31:01,400
Speaker 1: Yeah.

728
00:31:01,480 --> 00:31:05,600
Speaker 3: So the two that I'm working between, one title, everybody's

729
00:31:05,640 --> 00:31:07,560
Speaker 3: gonna know and know the song. It's That's importance brown

730
00:31:07,600 --> 00:31:10,000
Speaker 3: Eyed Girl Van Morrison. That's good, which is a great one.

731
00:31:10,400 --> 00:31:12,440
Speaker 3: The other one I think people will know, but I

732
00:31:12,480 --> 00:31:13,920
Speaker 3: think they know it more when they hear it, and

733
00:31:13,920 --> 00:31:16,040
Speaker 3: it's an ultimate dance at a wedding song, which is

734
00:31:16,040 --> 00:31:19,360
Speaker 3: September earth Wind and Fire. Do you remember? And I

735
00:31:19,360 --> 00:31:21,280
Speaker 3: think when that plays, that feels like a wedding more

736
00:31:21,320 --> 00:31:23,760
Speaker 3: than anything else. But people may not know September just

737
00:31:23,800 --> 00:31:25,080
Speaker 3: seeing it up there, no.

738
00:31:25,160 --> 00:31:25,960
Speaker 5: No no, no, no, no no no.

739
00:31:28,240 --> 00:31:30,120
Speaker 1: Yeah.

740
00:31:30,320 --> 00:31:34,120
Speaker 3: So I'm just gonna go brown Eyed Girl, that's my

741
00:31:34,160 --> 00:31:38,520
Speaker 3: third song. Good answer, thank you. I see Grandma's doing

742
00:31:38,520 --> 00:31:40,800
Speaker 3: that one you do, that's a Grandma one. So we'll

743
00:31:40,800 --> 00:31:43,000
Speaker 3: put them up and you guys can vote Lunchbox Uptown Funk,

744
00:31:43,040 --> 00:31:45,480
Speaker 3: don't stop believing a party in the USA. Morgan with

745
00:31:45,560 --> 00:31:48,240
Speaker 3: Sweet Caroline, Mister Brightside and Wobble.

746
00:31:48,920 --> 00:31:52,280
Speaker 17: Why are you that's such a good team? Maybe you

747
00:31:52,320 --> 00:31:53,880
Speaker 17: know what? Maybe is because I'm young.

748
00:31:54,360 --> 00:31:55,520
Speaker 3: Wobble's not because you're young.

749
00:31:55,600 --> 00:31:56,520
Speaker 5: I mean, she probably.

750
00:31:56,240 --> 00:31:58,000
Speaker 1: Hasn't played in the club.

751
00:31:58,080 --> 00:31:59,280
Speaker 17: But I don't know what to tell you.

752
00:32:01,640 --> 00:32:03,960
Speaker 4: I have danced to the Wabble at every club I

753
00:32:04,000 --> 00:32:05,120
Speaker 4: have gone to ever.

754
00:32:05,080 --> 00:32:08,680
Speaker 3: Always play. Eddie has Ymca pony and girls just want

755
00:32:08,680 --> 00:32:09,040
Speaker 3: to have fun.

756
00:32:09,120 --> 00:32:09,560
Speaker 5: That's good.

757
00:32:09,920 --> 00:32:11,520
Speaker 3: I chucked You'll slides shake it off and brown Eye

758
00:32:11,560 --> 00:32:14,080
Speaker 3: girl and Amy has cupa shuffle. We are family and

759
00:32:14,280 --> 00:32:15,440
Speaker 3: yeah that's good.

760
00:32:15,560 --> 00:32:16,360
Speaker 1: Yeah yeah.

761
00:32:16,400 --> 00:32:18,800
Speaker 3: Who did he finish his last though? Honestly probably Morgan?

762
00:32:19,200 --> 00:32:22,080
Speaker 17: MORGANA haters it because I'm young.

763
00:32:22,120 --> 00:32:24,240
Speaker 3: It's not on purpose, not on purpose. Okay, go vote

764
00:32:24,240 --> 00:32:25,560
Speaker 3: Bobbybones dot com. It's up there.

765
00:32:26,920 --> 00:32:30,080
Speaker 16: It's the best bits of the week with Morgan.

766
00:32:30,160 --> 00:32:30,640
Speaker 3: Number two.

767
00:32:32,200 --> 00:32:34,320
Speaker 4: Eddie had his way in this week after he listened

768
00:32:34,360 --> 00:32:37,200
Speaker 4: to the tone that claims to help people lose weight

769
00:32:37,440 --> 00:32:38,560
Speaker 4: for an entire week.

770
00:32:38,760 --> 00:32:41,400
Speaker 17: Well, Monday was his way in after doing that for.

771
00:32:41,360 --> 00:32:44,120
Speaker 4: A week and we see if he lost anywait or

772
00:32:44,400 --> 00:32:46,320
Speaker 4: put wait on or you know what happened?

773
00:32:46,320 --> 00:32:47,960
Speaker 17: Does this tone actually work?

774
00:32:48,520 --> 00:32:52,240
Speaker 3: Number three? So back in twenty eighteen, they had this tone,

775
00:32:52,280 --> 00:32:54,720
Speaker 3: and this tone was at a certain wavelength, and this

776
00:32:54,840 --> 00:32:59,760
Speaker 3: tone did things like helped in bone reformation after injuries

777
00:32:59,800 --> 00:33:03,200
Speaker 3: and wound healing. So since that work, they started to

778
00:33:03,360 --> 00:33:07,720
Speaker 3: what they say bathe cultured cells and acoustic waves, and

779
00:33:07,760 --> 00:33:09,920
Speaker 3: they started to manipulate it a bit, and they created

780
00:33:09,920 --> 00:33:12,480
Speaker 3: a tone that also did a weight loss. And so

781
00:33:12,600 --> 00:33:15,480
Speaker 3: this here is a four hundred and forty hertz tone,

782
00:33:15,920 --> 00:33:19,160
Speaker 3: the a note on a piano and a high pitched

783
00:33:19,160 --> 00:33:22,920
Speaker 3: fourteen killer hertz tone put together. And you listen to

784
00:33:22,960 --> 00:33:25,360
Speaker 3: this and you lose weight if you walk around listening

785
00:33:25,360 --> 00:33:27,680
Speaker 3: to it for like fifteen minutes a day. I'm gonna

786
00:33:27,680 --> 00:33:29,480
Speaker 3: play the tone. Then we're going to weigh Eddie in again.

787
00:33:29,560 --> 00:33:36,680
Speaker 3: All right, hit the tone. So for the last seven days,

788
00:33:36,720 --> 00:33:39,840
Speaker 3: Eddie has walked around twenty minutes a day listening to

789
00:33:39,960 --> 00:33:44,200
Speaker 3: this tone. He's done nothing else that's out of the ordinary.

790
00:33:44,280 --> 00:33:46,880
Speaker 3: You even travel this weekend, we went to Ira country festivals.

791
00:33:46,560 --> 00:33:49,440
Speaker 5: Drank beer, eight pizza, room service late at night. Yeah,

792
00:33:50,560 --> 00:33:51,120
Speaker 5: the normal.

793
00:33:52,040 --> 00:33:53,280
Speaker 3: I don't even think you did all that.

794
00:33:53,840 --> 00:33:55,479
Speaker 5: Did you want a room service every night?

795
00:33:55,560 --> 00:33:55,720
Speaker 13: Yeah?

796
00:33:55,800 --> 00:33:58,480
Speaker 3: Dude, drank beer eight pizza. Yeah.

797
00:33:58,560 --> 00:34:00,600
Speaker 5: You have a lot of clothes on though, so I

798
00:34:00,600 --> 00:34:01,200
Speaker 5: thought about this.

799
00:34:01,240 --> 00:34:02,640
Speaker 3: I wear like two sweaters.

800
00:34:02,680 --> 00:34:06,560
Speaker 5: I should take the sweater off. Yeah, take everything else off.

801
00:34:07,400 --> 00:34:07,680
Speaker 3: Yeah.

802
00:34:07,800 --> 00:34:09,640
Speaker 7: Oh, you gotta take your shoes off. Remember we took

803
00:34:09,680 --> 00:34:10,680
Speaker 7: shoes off last time.

804
00:34:11,080 --> 00:34:15,840
Speaker 3: His last weight was one ninety six point three. Are

805
00:34:15,880 --> 00:34:16,799
Speaker 3: your shoes off?

806
00:34:16,880 --> 00:34:18,640
Speaker 5: Yeah, shoes are off. But dude, I have been I've

807
00:34:18,640 --> 00:34:21,680
Speaker 5: been doing this like and that. That sound freaks me out.

808
00:34:21,719 --> 00:34:25,160
Speaker 5: Now I don't want to hear it anymore. Oh but maybe.

809
00:34:25,040 --> 00:34:27,120
Speaker 3: I have lost weight and that's the day eddphones on.

810
00:34:27,200 --> 00:34:28,879
Speaker 3: He can't hear it. Ray's playing it now.

811
00:34:28,960 --> 00:34:30,839
Speaker 5: Oh yeah, what. I took him off because I didn't

812
00:34:30,840 --> 00:34:32,640
Speaker 5: want to. I didn't want to weigh the headphones.

813
00:34:32,840 --> 00:34:35,120
Speaker 1: Great point, and take your hat off and socks.

814
00:34:35,880 --> 00:34:38,560
Speaker 3: We're good without socks, and you're not gonna go like

815
00:34:38,640 --> 00:34:40,520
Speaker 3: underwear all day like the UFC fighters.

816
00:34:40,760 --> 00:34:41,600
Speaker 5: No, they were good.

817
00:34:41,680 --> 00:34:44,800
Speaker 3: And you've not like worked out extra huh, it's normal life.

818
00:34:45,840 --> 00:34:48,880
Speaker 3: He weighed in at one ninety six point three. Eddie,

819
00:34:48,920 --> 00:34:53,080
Speaker 3: step on the scale. Please let go the mic a

820
00:34:53,320 --> 00:34:55,719
Speaker 3: good point. He takes off all his clothes and holds

821
00:34:55,719 --> 00:34:58,279
Speaker 3: onto the biggest thing. Mike, what does it say there?

822
00:34:58,360 --> 00:35:07,200
Speaker 3: What one five point four? Oh my god, and you traveled,

823
00:35:07,239 --> 00:35:09,920
Speaker 3: we're on flights and we're out of your normal zone.

824
00:35:10,080 --> 00:35:12,520
Speaker 6: Yes, And I can confirm that at one one night,

825
00:35:12,560 --> 00:35:14,759
Speaker 6: like what was Friday night, at like eleven pmish, we

826
00:35:14,800 --> 00:35:16,479
Speaker 6: got back to the hotel and he's like, I'm gonna

827
00:35:16,480 --> 00:35:17,960
Speaker 6: go get a burger anybody who won't.

828
00:35:17,800 --> 00:35:20,080
Speaker 5: Want Yeah, And that was the same night I walked

829
00:35:20,080 --> 00:35:21,719
Speaker 5: the halls of the hotel listening to this tone, which

830
00:35:21,719 --> 00:35:22,319
Speaker 5: is kind of weird.

831
00:35:22,600 --> 00:35:24,880
Speaker 3: And there's a lot of water retention inflammation that happened

832
00:35:24,880 --> 00:35:28,480
Speaker 3: on your thought. Yeah, dude, does this really work? Do

833
00:35:28,560 --> 00:35:30,759
Speaker 3: you think it worked? I think it did.

834
00:35:30,800 --> 00:35:32,719
Speaker 5: I'm telling you, like, Okay, there were a couple of

835
00:35:32,800 --> 00:35:34,839
Speaker 5: nights where I was like, I did eat sweets, But

836
00:35:34,880 --> 00:35:36,560
Speaker 5: there were some nights where I'm like, I was not

837
00:35:36,600 --> 00:35:38,400
Speaker 5: craving a sweet that I would normally crave.

838
00:35:38,680 --> 00:35:40,759
Speaker 3: So you think, more than the tone doing something to

839
00:35:40,800 --> 00:35:43,759
Speaker 3: your body physically, it did something to your brain and

840
00:35:43,800 --> 00:35:46,960
Speaker 3: your cravings. It impacted what you wanted more than what

841
00:35:47,000 --> 00:35:48,120
Speaker 3: it was doing to your body.

842
00:35:48,200 --> 00:35:50,759
Speaker 5: I'm no scientists, but yeah, no scientist, which is not there.

843
00:35:51,640 --> 00:35:54,839
Speaker 5: It's yeah maybe okay, And of course, I mean I

844
00:35:54,880 --> 00:35:57,200
Speaker 5: was walking while I was listening to this tone. Some

845
00:35:57,400 --> 00:35:58,920
Speaker 5: days I would do it for twenty minutes, some days

846
00:35:58,920 --> 00:36:01,080
Speaker 5: I would do it for fifteen minutes. But I was

847
00:36:01,200 --> 00:36:02,120
Speaker 5: walking the whole time.

848
00:36:02,200 --> 00:36:03,840
Speaker 6: You said a minute ago that it scared you, but

849
00:36:03,880 --> 00:36:06,360
Speaker 6: if you lost weight, it may not. And you lost

850
00:36:06,360 --> 00:36:07,680
Speaker 6: a pound, so what are you going to keep?

851
00:36:07,840 --> 00:36:09,680
Speaker 3: I think it was making him crazy more than like

852
00:36:09,800 --> 00:36:10,920
Speaker 3: that's what the sound was doing.

853
00:36:10,840 --> 00:36:12,839
Speaker 5: Right, Yeah, but you know, like, what do you call it? Net?

854
00:36:12,880 --> 00:36:13,080
Speaker 19: Game?

855
00:36:13,280 --> 00:36:15,120
Speaker 5: Like, dude, if I can lose another pound or listen

856
00:36:15,120 --> 00:36:16,600
Speaker 5: to this for another week, I'm game.

857
00:36:17,320 --> 00:36:20,560
Speaker 3: So okay, does anyone own this sound? Let's we put

858
00:36:20,600 --> 00:36:23,600
Speaker 3: it up on our website. Morgan, can we get sued?

859
00:36:24,160 --> 00:36:25,560
Speaker 3: We can't put a Luke com song up on the

860
00:36:25,560 --> 00:36:27,479
Speaker 3: website because we get to Yeah, I'm.

861
00:36:27,400 --> 00:36:28,840
Speaker 17: Gonna have to do some research into.

862
00:36:28,680 --> 00:36:31,600
Speaker 3: This, or is there a link we can just provide somebody.

863
00:36:31,280 --> 00:36:32,520
Speaker 17: We can link out to it.

864
00:36:32,600 --> 00:36:34,520
Speaker 3: Okay, so we can do that. We'll put the tone

865
00:36:34,600 --> 00:36:36,239
Speaker 3: up that way. You can download it if you want

866
00:36:36,239 --> 00:36:37,680
Speaker 3: to walk and listen to it for twenty minutes, you

867
00:36:37,719 --> 00:36:40,440
Speaker 3: can the miracle tone is that we're calling it the

868
00:36:40,440 --> 00:36:41,040
Speaker 3: miracle tone.

869
00:36:41,080 --> 00:36:41,960
Speaker 5: That's what this is.

870
00:36:42,680 --> 00:36:45,520
Speaker 3: I think it's interesting that you say it stopped your cravings,

871
00:36:45,640 --> 00:36:47,920
Speaker 3: because if you were to say I lost weight because

872
00:36:47,920 --> 00:36:50,440
Speaker 3: it did something to my body physically, like it worked

873
00:36:50,480 --> 00:36:55,560
Speaker 3: on cells and cellular rejuvenation, whatever those terms are they

874
00:36:55,640 --> 00:36:57,360
Speaker 3: used for that, I have no idea i'd go. I

875
00:36:57,400 --> 00:36:57,759
Speaker 3: don't know.

876
00:36:58,360 --> 00:37:01,160
Speaker 5: So like maybe as I'm listening into the tone, I'm thinking,

877
00:37:01,280 --> 00:37:04,680
Speaker 5: like my body's losing way, and then somewhere in there

878
00:37:04,719 --> 00:37:06,760
Speaker 5: my mind is telling don't eat the sweets.

879
00:37:06,840 --> 00:37:09,279
Speaker 3: It could have been some sort of like hypnosis type DWG.

880
00:37:09,520 --> 00:37:12,120
Speaker 6: Yeah, so you don't think that the tone increases is

881
00:37:12,239 --> 00:37:12,960
Speaker 6: metabolic rate?

882
00:37:12,960 --> 00:37:14,200
Speaker 3: I don't know that's a good word. I should have

883
00:37:14,239 --> 00:37:18,520
Speaker 3: used that. I didn't know that one. That's a good one, possibly,

884
00:37:18,680 --> 00:37:21,000
Speaker 3: But I believe the other thing a little more, that

885
00:37:21,040 --> 00:37:26,839
Speaker 3: it's affected his cravings more so than physically it's affected him.

886
00:37:26,880 --> 00:37:28,640
Speaker 5: What are the odds of me like just losing a

887
00:37:28,680 --> 00:37:30,520
Speaker 5: pound though randomly, I think that.

888
00:37:30,480 --> 00:37:32,040
Speaker 3: You lost if you did come back even out of say,

889
00:37:32,040 --> 00:37:34,960
Speaker 3: that's victory considering your abnormal travel schedule.

890
00:37:35,200 --> 00:37:37,839
Speaker 5: But it's crazy, dude, I really lost a pound.

891
00:37:38,120 --> 00:37:42,239
Speaker 3: And hey, I can tell he like great good.

892
00:37:44,080 --> 00:37:47,240
Speaker 16: It's the best bits of the week with Morgan.

893
00:37:47,360 --> 00:37:56,360
Speaker 4: Number two, These are my confessions. That's what happened in

894
00:37:56,440 --> 00:38:00,120
Speaker 4: this upcoming segment. Lunchbox did his bathroom confessions, which he

895
00:38:00,160 --> 00:38:02,239
Speaker 4: does at least once a year, and at least once

896
00:38:02,280 --> 00:38:05,120
Speaker 4: a year. I always cringe and die of laughter because

897
00:38:05,200 --> 00:38:08,480
Speaker 4: this is potentially one of my favorite street mids that

898
00:38:08,520 --> 00:38:10,840
Speaker 4: he does, where he goes out and talks to strangers

899
00:38:10,840 --> 00:38:14,040
Speaker 4: and I cringe so hard, but it's also hilarious the

900
00:38:14,080 --> 00:38:15,680
Speaker 4: fact that he is even willing to go.

901
00:38:15,680 --> 00:38:16,080
Speaker 17: And do this.

902
00:38:16,800 --> 00:38:19,640
Speaker 3: Number two, so Lunchbox goes back into a public bathroom.

903
00:38:19,960 --> 00:38:20,800
Speaker 3: Was this at an airport?

904
00:38:21,040 --> 00:38:21,880
Speaker 7: Airport bathrooms?

905
00:38:21,960 --> 00:38:22,160
Speaker 10: Yeah?

906
00:38:22,160 --> 00:38:22,560
Speaker 7: This time?

907
00:38:22,960 --> 00:38:23,520
Speaker 3: What city?

908
00:38:24,200 --> 00:38:26,320
Speaker 7: Austin or Nashville. I don't know which one's witch, you

909
00:38:26,360 --> 00:38:27,720
Speaker 7: know what I mean? They all get jumbled.

910
00:38:28,160 --> 00:38:30,560
Speaker 3: Yeah both, Yeah, I did them both. So Lunchbox will

911
00:38:30,560 --> 00:38:33,040
Speaker 3: walk into the bathroom and you'll sit on the toilet

912
00:38:33,360 --> 00:38:35,400
Speaker 3: when there's a guy sitting on the toilet next to him.

913
00:38:35,440 --> 00:38:37,480
Speaker 3: The only thing in the middle is the wall, and

914
00:38:37,560 --> 00:38:41,320
Speaker 3: so then he knocks and then he just basically either

915
00:38:41,400 --> 00:38:46,240
Speaker 3: asks for advice or confesses something. These are very cringey.

916
00:38:46,360 --> 00:38:50,800
Speaker 3: They also are awesome. Sometimes. Here we go clip number one, Stall.

917
00:38:50,640 --> 00:38:55,240
Speaker 10: Four, what's up? Installed three? Stall two? Here Paul stops?

918
00:38:55,400 --> 00:38:55,839
Speaker 10: How you doing?

919
00:38:55,880 --> 00:38:56,040
Speaker 9: Man?

920
00:38:56,480 --> 00:38:56,640
Speaker 4: Man?

921
00:38:57,400 --> 00:38:59,439
Speaker 10: Man, I gotta be honest, this is my first time flying.

922
00:38:59,480 --> 00:39:04,279
Speaker 10: I'm kind of nervous. Well, more beer? Is that what

923
00:39:04,360 --> 00:39:06,959
Speaker 10: it is? So just get a good buzz going.

924
00:39:07,400 --> 00:39:10,960
Speaker 20: If it's good, someone'll just say your your byes.

925
00:39:11,080 --> 00:39:13,279
Speaker 10: So oh, man, Well, I don't want to.

926
00:39:13,840 --> 00:39:21,520
Speaker 20: Man, Man, I know, hey, you worry about okay, but.

927
00:39:21,480 --> 00:39:23,000
Speaker 8: It would be weird if I ask the person next

928
00:39:23,040 --> 00:39:24,840
Speaker 8: to me, like, hey, can I hold your hand on takeoff?

929
00:39:24,920 --> 00:39:25,080
Speaker 7: Right?

930
00:39:25,719 --> 00:39:32,080
Speaker 20: That might be a little weird. Okay, Man, I think

931
00:39:32,120 --> 00:39:34,520
Speaker 20: it's weird. All right, Man, Well, I guess I better

932
00:39:35,480 --> 00:39:36,640
Speaker 20: down a couple more beers.

933
00:39:38,000 --> 00:39:40,279
Speaker 3: Did he say, is no weirder than him because he's

934
00:39:40,280 --> 00:39:40,839
Speaker 3: taking a beef?

935
00:39:41,160 --> 00:39:41,359
Speaker 7: Yeah?

936
00:39:41,480 --> 00:39:43,640
Speaker 8: Well we're talking through the bathroom stalls, he goes. So

937
00:39:43,680 --> 00:39:44,520
Speaker 8: I don't think it's weird.

938
00:39:44,880 --> 00:39:51,080
Speaker 3: Yeah, it's just weird. No, I just when people talk

939
00:39:51,120 --> 00:39:53,839
Speaker 3: while doing that, that's weird. Some guy next to you

940
00:39:53,880 --> 00:39:57,040
Speaker 3: like wants to have a conversation. But that guy was nice. Yeah,

941
00:39:57,040 --> 00:39:58,960
Speaker 3: he jumped right in. I was going under Stall fours,

942
00:39:59,000 --> 00:40:01,640
Speaker 3: thought that that's what happened. He jumped in. He jumped

943
00:40:01,680 --> 00:40:02,320
Speaker 3: in out of nowhere.

944
00:40:02,440 --> 00:40:05,280
Speaker 8: I knocked on Stall four, Installed two to my left,

945
00:40:05,320 --> 00:40:06,879
Speaker 8: and the one said, hey, I'm install two here.

946
00:40:07,440 --> 00:40:11,919
Speaker 3: Bro wanted to get on. Okay, next one, Stall three?

947
00:40:12,000 --> 00:40:15,280
Speaker 10: What's up? Install four? Okay?

948
00:40:15,600 --> 00:40:17,440
Speaker 8: No, but I really got a question because my wife

949
00:40:18,480 --> 00:40:19,640
Speaker 8: needed our three kids.

950
00:40:19,719 --> 00:40:20,400
Speaker 7: You know what did that?

951
00:40:20,400 --> 00:40:21,000
Speaker 3: Guys say?

952
00:40:21,280 --> 00:40:23,360
Speaker 7: I said, what's going on? He goes, I don't really know.

953
00:40:23,480 --> 00:40:24,120
Speaker 3: He didn't want to talk.

954
00:40:24,160 --> 00:40:25,799
Speaker 7: No, he was like, what's going on?

955
00:40:25,840 --> 00:40:27,240
Speaker 3: Here? Got it? Okay, go ahead.

956
00:40:28,360 --> 00:40:31,640
Speaker 8: So her, you know, boobies are a little like saggy,

957
00:40:32,120 --> 00:40:33,880
Speaker 8: and so she wants to get like a lift.

958
00:40:35,320 --> 00:40:37,440
Speaker 10: And I kind of like what she's working with. I

959
00:40:37,520 --> 00:40:39,360
Speaker 10: kind of like the way they look. I don't know

960
00:40:39,360 --> 00:40:40,880
Speaker 10: how to get her to keep them like they are.

961
00:40:41,320 --> 00:40:42,879
Speaker 10: You want me to email your pick so you can

962
00:40:42,920 --> 00:40:49,239
Speaker 10: like give your opinion. I gotta get you killed. Well,

963
00:40:49,320 --> 00:40:51,000
Speaker 10: I mean, I know I'm not gonna get killed.

964
00:40:51,000 --> 00:40:56,680
Speaker 8: Like it's just like it's like you're helping a friend.

965
00:40:56,840 --> 00:41:00,359
Speaker 10: Maybe you get your girl's opinion too kill.

966
00:41:01,680 --> 00:41:04,480
Speaker 8: Do you want me to air drop it anyway?

967
00:41:06,800 --> 00:41:06,960
Speaker 6: Yeah?

968
00:41:07,000 --> 00:41:09,480
Speaker 10: I don't think that's gonna work. Man, all right, we'll

969
00:41:09,520 --> 00:41:10,320
Speaker 10: mass safe travel.

970
00:41:10,360 --> 00:41:12,879
Speaker 20: Sorry to bother you you know st Jevisi Man, Yeah,

971
00:41:13,600 --> 00:41:14,759
Speaker 20: everything works out for you.

972
00:41:17,760 --> 00:41:19,080
Speaker 3: I did not want to be a part of it.

973
00:41:21,000 --> 00:41:24,200
Speaker 3: All right, This one says airport toilet paper review. I

974
00:41:24,239 --> 00:41:26,160
Speaker 3: can only imagine what this is. All right, go ahead,

975
00:41:27,719 --> 00:41:28,239
Speaker 3: Stall two?

976
00:41:28,280 --> 00:41:34,120
Speaker 10: What's up? Installed three? Hey, I gotta say this toilet

977
00:41:34,200 --> 00:41:35,960
Speaker 10: paper is not bad. I was expected to be a

978
00:41:35,960 --> 00:41:36,600
Speaker 10: lot rougher.

979
00:41:37,360 --> 00:41:39,360
Speaker 8: Usually when you go to the airport, the toilet paper

980
00:41:39,440 --> 00:41:41,680
Speaker 8: is just like it like rips your butt.

981
00:41:41,800 --> 00:41:42,719
Speaker 3: You know what?

982
00:41:42,920 --> 00:41:43,120
Speaker 6: True?

983
00:41:43,200 --> 00:41:47,120
Speaker 10: Man, how would you rate the toilet paper?

984
00:41:47,520 --> 00:41:47,919
Speaker 1: Not bad?

985
00:41:48,000 --> 00:41:48,160
Speaker 13: Right?

986
00:41:48,239 --> 00:41:53,040
Speaker 10: It's not sharman soft, but it's not like you know, gravel. True.

987
00:41:54,320 --> 00:41:55,839
Speaker 10: Are you are you leaving? Yeah?

988
00:41:56,400 --> 00:41:56,600
Speaker 6: Yeah.

989
00:41:56,640 --> 00:41:59,080
Speaker 8: So whenever you tell people say, man, that National airport

990
00:41:59,080 --> 00:42:00,120
Speaker 8: they got a good toilet.

991
00:42:02,320 --> 00:42:07,279
Speaker 10: Oh good, Yeah, I say, travels man, where are you headed? Uh?

992
00:42:07,440 --> 00:42:08,120
Speaker 10: Have a good trip?

993
00:42:08,200 --> 00:42:14,600
Speaker 3: Man, I will, He said, enjoy your Yeah. So you

994
00:42:14,640 --> 00:42:16,479
Speaker 3: were still on the toilet while talking to him. Yeah,

995
00:42:16,560 --> 00:42:18,080
Speaker 3: And you were trying to make it an ambassador for

996
00:42:18,080 --> 00:42:20,320
Speaker 3: the city, like when you get out, tell everybody Nashville

997
00:42:20,320 --> 00:42:21,120
Speaker 3: has good toilet paper.

998
00:42:21,200 --> 00:42:23,239
Speaker 8: Yeah, Because I mean the toilet paper was softer than

999
00:42:23,280 --> 00:42:25,640
Speaker 8: I expected, and so I I wanted to get his

1000
00:42:25,680 --> 00:42:26,359
Speaker 8: opinion on it.

1001
00:42:26,520 --> 00:42:27,520
Speaker 7: He liked the toilet paper.

1002
00:42:27,520 --> 00:42:29,279
Speaker 3: Also, I'm thinking if this were to happen to me,

1003
00:42:29,600 --> 00:42:31,319
Speaker 3: I didn't I just wouldn't say anything.

1004
00:42:31,120 --> 00:42:35,239
Speaker 1: Right, Like you just stay silent ignore. Yes, what if

1005
00:42:35,280 --> 00:42:38,759
Speaker 1: he's like stall to hello, I do not.

1006
00:42:38,719 --> 00:42:42,799
Speaker 3: Go over silent. You can't see AirPods, so maybe things

1007
00:42:42,840 --> 00:42:45,319
Speaker 3: of airport. I'm not talking. I'm not talking during that.

1008
00:42:45,400 --> 00:42:47,600
Speaker 5: Yeah, you can have your music in and they think

1009
00:42:47,600 --> 00:42:48,480
Speaker 5: he's special.

1010
00:42:48,560 --> 00:42:51,480
Speaker 3: Right, Oh that's why they are so nice, I think.

1011
00:42:51,520 --> 00:42:53,640
Speaker 3: So I have one more about a drug test? You

1012
00:42:53,680 --> 00:42:55,160
Speaker 3: want to hear that one? Okay?

1013
00:42:56,400 --> 00:43:01,760
Speaker 10: Install four? What's up? Install three? How you doing? Man?

1014
00:43:02,000 --> 00:43:02,439
Speaker 10: I'm good.

1015
00:43:03,640 --> 00:43:07,000
Speaker 8: I just got a question for you many, like do

1016
00:43:07,040 --> 00:43:08,879
Speaker 8: you know any way to like sheet a drug test?

1017
00:43:08,920 --> 00:43:09,920
Speaker 10: Because like I'm supposed to have.

1018
00:43:09,840 --> 00:43:14,080
Speaker 20: A job interview this week and got kind of out

1019
00:43:14,080 --> 00:43:17,080
Speaker 20: of control this weekend, you know what I mean? Like

1020
00:43:17,080 --> 00:43:19,040
Speaker 20: like you shot light on to him, like my drink

1021
00:43:19,160 --> 00:43:20,600
Speaker 20: was like spiked or something?

1022
00:43:21,320 --> 00:43:26,919
Speaker 10: Sorry? Sorry, what you don't you want to help me out?

1023
00:43:31,280 --> 00:43:33,879
Speaker 10: Are you leaving? Yeah? But you haven't.

1024
00:43:34,480 --> 00:43:37,800
Speaker 8: Yeah, you didn't give me a solution to my problem?

1025
00:43:38,360 --> 00:43:41,480
Speaker 10: Am I on my own? Stop four?

1026
00:43:46,320 --> 00:43:47,920
Speaker 3: Speaking the cracke? What you look like?

1027
00:43:48,120 --> 00:43:48,319
Speaker 7: No?

1028
00:43:48,440 --> 00:43:50,640
Speaker 3: I mean that d was running out of there.

1029
00:43:50,719 --> 00:43:51,600
Speaker 10: Like he ran.

1030
00:43:52,960 --> 00:43:55,120
Speaker 6: This issy thing, that that guy might be in trouble

1031
00:43:55,280 --> 00:43:57,200
Speaker 6: with the law, and that he thinks this is some

1032
00:43:57,360 --> 00:43:58,120
Speaker 6: undercover thing.

1033
00:43:58,600 --> 00:44:00,600
Speaker 3: No, your head went there. I don't any guys wants

1034
00:44:00,600 --> 00:44:03,840
Speaker 3: to get I think that everybody's up to something.

1035
00:44:03,960 --> 00:44:05,040
Speaker 7: He was so incomfortable.

1036
00:44:05,280 --> 00:44:06,640
Speaker 3: Okay, well, thank you, lunchbox.

1037
00:44:06,719 --> 00:44:07,280
Speaker 7: They're welcome.

1038
00:44:07,760 --> 00:44:11,280
Speaker 3: Nothing like Cringe in the Morning show. That was almost

1039
00:44:11,280 --> 00:44:12,720
Speaker 3: the name of our show, Cringe in the Morning.

1040
00:44:14,080 --> 00:44:17,920
Speaker 16: It's the best bits of the week. With Morgan number.

1041
00:44:17,640 --> 00:44:20,800
Speaker 17: Two coming in at the number one spot.

1042
00:44:20,840 --> 00:44:23,279
Speaker 4: Maddie and Tay stopped by the studio this week and

1043
00:44:23,320 --> 00:44:25,960
Speaker 4: they absolutely crushed it, not only talking about life and

1044
00:44:26,160 --> 00:44:29,320
Speaker 4: shared stories of their career and fun stuff that's happening

1045
00:44:29,400 --> 00:44:32,440
Speaker 4: in their lives, but they played the Boppet challenge.

1046
00:44:32,600 --> 00:44:34,359
Speaker 17: That's all I'm going to say. You know, listen. If

1047
00:44:34,400 --> 00:44:35,560
Speaker 17: you want to go watch, you can also go to

1048
00:44:35,560 --> 00:44:36,280
Speaker 17: our YouTube page.

1049
00:44:36,320 --> 00:44:41,319
Speaker 4: While you're there, subscribe number one on the Bobby Bones Show.

1050
00:44:41,440 --> 00:44:46,120
Speaker 17: Now, Hi, guys, to see you.

1051
00:44:46,320 --> 00:44:47,760
Speaker 3: So did you guys drive to the wrong studio?

1052
00:44:48,120 --> 00:44:50,359
Speaker 17: Yes, yeah, that's hilarious. We did.

1053
00:44:50,520 --> 00:44:52,440
Speaker 13: And then I went to like the wrong parking garage.

1054
00:44:52,480 --> 00:44:55,200
Speaker 13: It was yeah, I was like Oh, this is like

1055
00:44:55,440 --> 00:44:56,879
Speaker 13: kind of like you know.

1056
00:44:57,239 --> 00:44:57,600
Speaker 17: A fled.

1057
00:44:57,680 --> 00:44:59,480
Speaker 3: Did someone give you the wrong address?

1058
00:45:00,040 --> 00:45:00,160
Speaker 13: Oh?

1059
00:45:00,600 --> 00:45:01,440
Speaker 14: I think what happened.

1060
00:45:01,440 --> 00:45:04,320
Speaker 13: Our management put the right address in, but for some reason,

1061
00:45:04,400 --> 00:45:07,520
Speaker 13: like if you put Bobby Bone's studio, like for.

1062
00:45:07,480 --> 00:45:08,839
Speaker 3: Some reason, that's what I put in.

1063
00:45:09,040 --> 00:45:12,319
Speaker 13: That's what jacked up my phone because I like clicked it,

1064
00:45:12,400 --> 00:45:14,120
Speaker 13: but it was like it didn't do this address.

1065
00:45:14,160 --> 00:45:15,680
Speaker 14: It went. It was super stupid.

1066
00:45:15,760 --> 00:45:17,640
Speaker 3: I type in Bobby Bone Studio. I hope it doesn't

1067
00:45:17,640 --> 00:45:20,840
Speaker 3: take like that. That's why. Yeah, I.

1068
00:45:22,520 --> 00:45:22,719
Speaker 13: Don't.

1069
00:45:23,440 --> 00:45:26,759
Speaker 17: No, I'm so sorry you what I've been.

1070
00:45:26,880 --> 00:45:29,120
Speaker 21: I've been late everywhere these days though, I know, like

1071
00:45:29,920 --> 00:45:30,920
Speaker 21: having a baby.

1072
00:45:31,000 --> 00:45:32,840
Speaker 3: I'm just it does it? Yeah?

1073
00:45:32,880 --> 00:45:36,799
Speaker 13: And I have been like really early lately because it

1074
00:45:36,840 --> 00:45:39,000
Speaker 13: was something I was really struggling with last year, like

1075
00:45:39,040 --> 00:45:40,959
Speaker 13: showing up late. And I just don't like it because

1076
00:45:40,960 --> 00:45:43,799
Speaker 13: I just feel like it's disrespectful. But you know, when

1077
00:45:43,840 --> 00:45:46,880
Speaker 13: the map leads you the wrong way, you know, But

1078
00:45:46,960 --> 00:45:47,480
Speaker 13: I'm sorry.

1079
00:45:47,560 --> 00:45:49,279
Speaker 3: There was a story the other day about a guy

1080
00:45:49,320 --> 00:45:51,279
Speaker 3: who drove off a bridge because he typed it into

1081
00:45:51,320 --> 00:45:52,000
Speaker 3: his GPS.

1082
00:45:52,160 --> 00:45:53,560
Speaker 1: Oh that would be.

1083
00:45:53,560 --> 00:45:56,000
Speaker 3: Me, and the bridge wasn't full complete, but they took

1084
00:45:56,080 --> 00:45:58,279
Speaker 3: him all and he drove off. Yeah, and it fell

1085
00:45:58,320 --> 00:46:01,200
Speaker 3: and he didn't die. Oh, but it fell. And we

1086
00:46:01,200 --> 00:46:04,200
Speaker 3: were talking about do you not look ahead of you?

1087
00:46:04,520 --> 00:46:04,840
Speaker 17: Yeah?

1088
00:46:04,880 --> 00:46:06,080
Speaker 3: But I think there are two kinds of people.

1089
00:46:06,120 --> 00:46:07,600
Speaker 21: I still to feel that way, Like I am writer.

1090
00:46:07,760 --> 00:46:10,040
Speaker 21: I to my GPS like if it tells me.

1091
00:46:10,239 --> 00:46:12,080
Speaker 17: You're loyal, I am loyalty.

1092
00:46:12,200 --> 00:46:14,880
Speaker 14: I am not today being an example, I'm not.

1093
00:46:15,000 --> 00:46:18,320
Speaker 13: I'm like mostly gut and then the GPS is to

1094
00:46:18,600 --> 00:46:20,080
Speaker 13: maybe like kind of help.

1095
00:46:20,520 --> 00:46:24,080
Speaker 3: How do you guys well memory wise? Do you remember

1096
00:46:24,239 --> 00:46:27,680
Speaker 3: lyrics to songs pretty well? Or because again, that's it,

1097
00:46:27,760 --> 00:46:29,640
Speaker 3: that's a big I don't go anywhere that I know

1098
00:46:29,680 --> 00:46:31,320
Speaker 3: how to GPS all the way, but I think I

1099
00:46:31,320 --> 00:46:33,319
Speaker 3: wouldn't fall off a bridge. I would look ahead, but

1100
00:46:33,360 --> 00:46:35,719
Speaker 3: I don't know how to get anywhere. I've only gps'd

1101
00:46:35,960 --> 00:46:38,200
Speaker 3: my wife, who hasn't lived here as long as I have,

1102
00:46:38,360 --> 00:46:40,200
Speaker 3: but she's been here long enough now she knows how

1103
00:46:40,239 --> 00:46:42,040
Speaker 3: to get everywhere. I know how to get nowhere because

1104
00:46:42,040 --> 00:46:45,800
Speaker 3: I type it in. I also have trouble remembering scripts

1105
00:46:45,880 --> 00:46:48,360
Speaker 3: or lyrics. I just my memory is not that. What

1106
00:46:48,440 --> 00:46:49,080
Speaker 3: about you, guys?

1107
00:46:49,320 --> 00:46:51,480
Speaker 14: I feel like your memory is so much better than mine.

1108
00:46:51,560 --> 00:46:54,800
Speaker 21: Yeah, GPS wise, not at all, But I can listen

1109
00:46:54,800 --> 00:46:57,600
Speaker 21: to a song one time, and when you play it again,

1110
00:46:57,640 --> 00:46:58,960
Speaker 21: I pretty much know the whole thing.

1111
00:46:59,080 --> 00:47:01,759
Speaker 13: Really wow, when we so we did this show with

1112
00:47:01,840 --> 00:47:04,160
Speaker 13: Breelin a couple of days ago, and I was listening

1113
00:47:04,160 --> 00:47:05,759
Speaker 13: to the song he wanted us to sing on for

1114
00:47:05,880 --> 00:47:09,120
Speaker 13: like a week just because I get really nervous about Like,

1115
00:47:09,360 --> 00:47:11,439
Speaker 13: I don't even remember our own lyrics most of the time.

1116
00:47:11,719 --> 00:47:13,319
Speaker 14: So I was like, I really don't want to mess

1117
00:47:13,400 --> 00:47:14,080
Speaker 14: up his lyrics.

1118
00:47:14,160 --> 00:47:16,960
Speaker 13: So I give myself at least seven days to digest

1119
00:47:17,280 --> 00:47:17,840
Speaker 13: the content.

1120
00:47:18,120 --> 00:47:19,920
Speaker 3: Are there any songs that you guys have recorded that

1121
00:47:19,960 --> 00:47:21,200
Speaker 3: you never once played live?

1122
00:47:21,239 --> 00:47:21,439
Speaker 12: Ever?

1123
00:47:22,160 --> 00:47:23,280
Speaker 14: So many?

1124
00:47:23,320 --> 00:47:26,520
Speaker 13: Like there's a song called These Tears that our fans

1125
00:47:26,560 --> 00:47:28,400
Speaker 13: love on through the madness.

1126
00:47:30,040 --> 00:47:30,880
Speaker 14: I'm trying to think.

1127
00:47:31,200 --> 00:47:33,640
Speaker 13: I mean, there's a handful like the last two records

1128
00:47:33,680 --> 00:47:35,399
Speaker 13: that like we never got to play that I would

1129
00:47:35,480 --> 00:47:38,200
Speaker 13: love to play, but the crowd would be like, huh

1130
00:47:38,239 --> 00:47:39,839
Speaker 13: what is this because they're super deep.

1131
00:47:40,200 --> 00:47:41,600
Speaker 3: Worry about that when you're playing a show.

1132
00:47:41,800 --> 00:47:43,640
Speaker 17: Oh yes, unfortunately, Like what do.

1133
00:47:43,600 --> 00:47:45,080
Speaker 3: You think when you're putting a set list together? What are

1134
00:47:45,120 --> 00:47:47,120
Speaker 3: you thinking about the play?

1135
00:47:47,160 --> 00:47:47,600
Speaker 14: What they want?

1136
00:47:47,680 --> 00:47:51,399
Speaker 21: Play the hits? Yeah, keep the crowd engage. You want

1137
00:47:51,440 --> 00:47:52,759
Speaker 21: it to like EBB and Flow. You want it to

1138
00:47:52,800 --> 00:47:54,520
Speaker 21: have like good energy moments, and then you want it

1139
00:47:54,560 --> 00:47:57,160
Speaker 21: to have those like real authentic moments. You kind of

1140
00:47:57,160 --> 00:47:59,680
Speaker 21: have to like tell a story with your set list. Yeah,

1141
00:48:00,000 --> 00:48:01,480
Speaker 21: lots of things to think about.

1142
00:48:01,200 --> 00:48:03,560
Speaker 13: But come in real hot off the gate, like I

1143
00:48:03,840 --> 00:48:06,480
Speaker 13: or that's what we do are set like even Like

1144
00:48:06,600 --> 00:48:09,680
Speaker 13: for this Love and Light tour, I go on a

1145
00:48:09,719 --> 00:48:12,799
Speaker 13: treadmill and I sing while I run the first like

1146
00:48:13,000 --> 00:48:16,040
Speaker 13: six songs because it is like it's like cardio freaking

1147
00:48:16,200 --> 00:48:20,000
Speaker 13: like tempo tempo tempo. It is like just like super

1148
00:48:20,080 --> 00:48:22,239
Speaker 13: high energy, and I want to be able to not

1149
00:48:22,320 --> 00:48:22,799
Speaker 13: pass out.

1150
00:48:23,000 --> 00:48:24,600
Speaker 3: Have you ever done that? And you can't catch your

1151
00:48:24,600 --> 00:48:26,680
Speaker 3: bread so they're struggling the whole time to catch back up.

1152
00:48:26,760 --> 00:48:29,319
Speaker 13: Oh yeah, it happened in New York, and I was like,

1153
00:48:29,400 --> 00:48:32,399
Speaker 13: never again. I'm gonna freaking run my little badonkas off

1154
00:48:32,400 --> 00:48:35,719
Speaker 13: and I suck at running, like not gonna run after

1155
00:48:35,760 --> 00:48:38,560
Speaker 13: this tour, just doing it for the time being to

1156
00:48:38,640 --> 00:48:40,279
Speaker 13: get you know what I need?

1157
00:48:40,440 --> 00:48:43,200
Speaker 3: Do you do encore? If you guys are headlining a show,

1158
00:48:43,239 --> 00:48:44,719
Speaker 3: hire you do an encore? Will you come back out

1159
00:48:44,800 --> 00:48:45,200
Speaker 3: and do that?

1160
00:48:45,320 --> 00:48:46,080
Speaker 17: We do an encore?

1161
00:48:46,120 --> 00:48:48,520
Speaker 3: Do you ever not do an encore if the crowd sucked? Yes,

1162
00:48:48,680 --> 00:48:51,160
Speaker 3: we used Yes, that's what I like to hear.

1163
00:48:51,360 --> 00:48:53,080
Speaker 14: And you know what, just keeping it real.

1164
00:48:53,160 --> 00:48:56,040
Speaker 13: If the crowd sucked, it's like that's an added bonus,

1165
00:48:56,080 --> 00:48:59,080
Speaker 13: you know, like an encore. So if you're energy sucked,

1166
00:48:59,200 --> 00:49:00,120
Speaker 13: yang in it.

1167
00:49:00,120 --> 00:49:02,359
Speaker 3: What do you do? And it's very rare that. Yeah,

1168
00:49:02,360 --> 00:49:05,200
Speaker 3: I'm sure. I'm sure most shows they're into it because

1169
00:49:05,200 --> 00:49:07,239
Speaker 3: they came to see you. Yeah. I did see a

1170
00:49:07,280 --> 00:49:08,880
Speaker 3: band once. I saw the Fray once not come out.

1171
00:49:08,920 --> 00:49:11,080
Speaker 3: I saw them debate because I was on the side

1172
00:49:11,080 --> 00:49:12,520
Speaker 3: stage and they were like, yeah, how do we feel

1173
00:49:12,520 --> 00:49:13,640
Speaker 3: about the crowd And they were like they kind of

1174
00:49:13,640 --> 00:49:14,960
Speaker 3: sucked and they were like yeah, no Oncre and they

1175
00:49:14,960 --> 00:49:16,560
Speaker 3: walked back and just went in their dressing room. Thought

1176
00:49:16,560 --> 00:49:17,680
Speaker 3: it was hilarious and.

1177
00:49:17,719 --> 00:49:19,279
Speaker 17: We've done that a handful of times.

1178
00:49:19,360 --> 00:49:21,839
Speaker 3: Yeah, they were really evaluating like how much the crowd

1179
00:49:21,880 --> 00:49:23,439
Speaker 3: gave back to them because they felt like they poured

1180
00:49:23,480 --> 00:49:24,960
Speaker 3: it all out for the crowd. Yeah, they were like,

1181
00:49:24,960 --> 00:49:26,480
Speaker 3: I don't think they'll appreciate it and they probably want

1182
00:49:26,480 --> 00:49:28,000
Speaker 3: to go home. So no on Cale.

1183
00:49:28,080 --> 00:49:30,279
Speaker 13: Oh yeah, there was times when like you know, the

1184
00:49:30,280 --> 00:49:32,800
Speaker 13: whole like half the crowd had already left, and I'm like, okay,

1185
00:49:32,840 --> 00:49:35,120
Speaker 13: well I'm gonna get my Jammi's on, give myself five

1186
00:49:35,160 --> 00:49:38,120
Speaker 13: more minutes to shower and get in bed. But most

1187
00:49:38,160 --> 00:49:39,840
Speaker 13: of the time that doesn't happen these days. And we

1188
00:49:39,920 --> 00:49:42,560
Speaker 13: kind of have a system where like we because encores

1189
00:49:42,560 --> 00:49:44,600
Speaker 13: are so stressful because you're like, cause everyone's gonna leave,

1190
00:49:44,719 --> 00:49:47,399
Speaker 13: like could be super awkward, but we actually like kind

1191
00:49:47,400 --> 00:49:49,719
Speaker 13: of set up a thing where like you can kind

1192
00:49:49,760 --> 00:49:53,160
Speaker 13: of tell something's gonna happen, So we're like kind of

1193
00:49:53,719 --> 00:49:56,279
Speaker 13: training the audience like, hey, stick.

1194
00:49:56,040 --> 00:49:58,840
Speaker 21: Around, like you know, when you go to a pampient lighting,

1195
00:49:59,080 --> 00:50:00,000
Speaker 21: you know some like sweat.

1196
00:50:00,360 --> 00:50:01,960
Speaker 14: When you go to a movie and they start doing

1197
00:50:02,000 --> 00:50:02,960
Speaker 14: the credits, you can kind of.

1198
00:50:02,920 --> 00:50:04,640
Speaker 13: Tell when they're gonna give you a little blip of

1199
00:50:04,680 --> 00:50:05,800
Speaker 13: like the next thing or something.

1200
00:50:05,840 --> 00:50:08,000
Speaker 3: So you're a Marvel superhero movie.

1201
00:50:08,000 --> 00:50:11,759
Speaker 13: Basically I hate that, but my husband makes me go

1202
00:50:11,880 --> 00:50:13,520
Speaker 13: with him, so well not anymore now that we have

1203
00:50:13,560 --> 00:50:16,560
Speaker 13: a kid. It's a great out to not do Marvel movies.

1204
00:50:16,680 --> 00:50:19,120
Speaker 3: So no more Marvel because you have a kid, just

1205
00:50:19,160 --> 00:50:20,799
Speaker 3: because like find out why you had the kid not

1206
00:50:20,800 --> 00:50:21,440
Speaker 3: to go to the movies.

1207
00:50:21,680 --> 00:50:26,160
Speaker 13: Actually, yeah, it's just date nights are expensive, like you

1208
00:50:26,200 --> 00:50:27,200
Speaker 13: gotta pay for the sitter.

1209
00:50:27,280 --> 00:50:28,040
Speaker 14: You gotta pay, you know.

1210
00:50:28,080 --> 00:50:30,040
Speaker 13: And it's like, if we're gonna go on a date night,

1211
00:50:30,080 --> 00:50:32,400
Speaker 13: it better be something awesome, not a Marvel movie. It

1212
00:50:32,440 --> 00:50:34,759
Speaker 13: depends because I do love like a couple of them,

1213
00:50:34,760 --> 00:50:37,080
Speaker 13: but I'm not are you? Are you a Marvel guy?

1214
00:50:37,360 --> 00:50:39,520
Speaker 3: I don't like the movie theater, so I'll watch the

1215
00:50:39,560 --> 00:50:41,319
Speaker 3: Marvel movies, but I hate the movie theater. There's people

1216
00:50:41,360 --> 00:50:43,360
Speaker 3: in there with their phones on, they're talking, they're farting.

1217
00:50:43,400 --> 00:50:44,120
Speaker 3: I don't I'm good.

1218
00:50:45,800 --> 00:50:47,799
Speaker 17: No, definitely, Oh my god.

1219
00:50:47,960 --> 00:50:48,480
Speaker 1: The popcorn.

1220
00:50:48,520 --> 00:50:49,759
Speaker 17: The popcorn is the best part.

1221
00:50:50,239 --> 00:50:52,520
Speaker 1: Yeah, I have some, you know, you can go by there.

1222
00:50:52,600 --> 00:50:54,440
Speaker 6: My friend and her husband they go to a movie theater,

1223
00:50:54,520 --> 00:50:56,160
Speaker 6: they buy popcorn and they take them home.

1224
00:50:56,320 --> 00:51:01,560
Speaker 13: Yeah that's no, because it's the only place you can

1225
00:51:01,600 --> 00:51:05,240
Speaker 13: get a specific buttery good miss.

1226
00:51:05,320 --> 00:51:05,520
Speaker 6: Yes.

1227
00:51:06,160 --> 00:51:08,399
Speaker 3: Yeah that feels weird, right, guys.

1228
00:51:09,680 --> 00:51:12,440
Speaker 21: Yeah, just get I'm a popcorn advocate.

1229
00:51:12,480 --> 00:51:15,240
Speaker 13: I know T used to do that in the Bellevue theater,

1230
00:51:15,440 --> 00:51:16,880
Speaker 13: but it was good.

1231
00:51:16,960 --> 00:51:18,040
Speaker 3: You go get popcorn and leave.

1232
00:51:18,239 --> 00:51:20,560
Speaker 17: Yeah yeah, no, no, for sure.

1233
00:51:20,600 --> 00:51:23,520
Speaker 21: And then they have those buckets that you can like refill.

1234
00:51:23,719 --> 00:51:25,000
Speaker 14: For like two dollars cheaper.

1235
00:51:25,400 --> 00:51:25,680
Speaker 1: Yeah.

1236
00:51:25,800 --> 00:51:27,719
Speaker 17: Yeah, and so I'd have my own bucket so and

1237
00:51:27,800 --> 00:51:28,640
Speaker 17: then I'd till back.

1238
00:51:29,280 --> 00:51:30,239
Speaker 14: It's like a weekly thing.

1239
00:51:30,280 --> 00:51:32,400
Speaker 3: If you like, I don't sure that you're saving money.

1240
00:51:32,400 --> 00:51:34,200
Speaker 3: It's just weird to go get popcorn at the theater

1241
00:51:34,440 --> 00:51:35,080
Speaker 3: and then go.

1242
00:51:35,239 --> 00:51:36,080
Speaker 1: Well, it's not that weird.

1243
00:51:36,120 --> 00:51:37,719
Speaker 6: I just told you I know someone that does it,

1244
00:51:37,800 --> 00:51:39,480
Speaker 6: and they do it, and those are too weird people.

1245
00:51:39,840 --> 00:51:40,560
Speaker 17: I think I am.

1246
00:51:40,600 --> 00:51:43,480
Speaker 13: We need to do like an analysis on like the

1247
00:51:43,520 --> 00:51:46,320
Speaker 13: personality type that goes to get the popcorn, because I

1248
00:51:46,360 --> 00:51:47,680
Speaker 13: would love to eat that popcorn.

1249
00:51:47,719 --> 00:51:49,080
Speaker 21: I'm just not going to go drive to it. I

1250
00:51:49,120 --> 00:51:51,040
Speaker 21: am also the kind of person that eats beef jerkey

1251
00:51:51,040 --> 00:51:51,600
Speaker 21: on planes.

1252
00:51:53,000 --> 00:51:56,080
Speaker 14: So I'm trying to tell her about this problem. No,

1253
00:51:56,239 --> 00:51:57,480
Speaker 14: I'm talking cry.

1254
00:51:59,120 --> 00:52:01,040
Speaker 17: Eating crimes on planes.

1255
00:52:01,120 --> 00:52:04,239
Speaker 13: Yeah, that's where the unconditional love kicks in, you know,

1256
00:52:04,239 --> 00:52:05,680
Speaker 13: because I'm just like, you're that person.

1257
00:52:05,719 --> 00:52:08,239
Speaker 14: You're gonna bring an onion sandwich on the freaking.

1258
00:52:08,000 --> 00:52:13,560
Speaker 13: Fly like everybody she does like stinky snacks onion sandwich.

1259
00:52:13,560 --> 00:52:14,200
Speaker 3: I had onions.

1260
00:52:15,600 --> 00:52:16,520
Speaker 14: I don't know if that's a.

1261
00:52:16,480 --> 00:52:18,920
Speaker 13: Thing, but this dude, I'm not kidding, like I swear,

1262
00:52:18,960 --> 00:52:21,880
Speaker 13: he just like had a like sandwich full of freaking onions.

1263
00:52:21,880 --> 00:52:24,239
Speaker 14: One time, and I was just like.

1264
00:52:23,480 --> 00:52:25,520
Speaker 13: Like, and I was pregnant to you at the time,

1265
00:52:25,680 --> 00:52:28,600
Speaker 13: and I was just like, this is like from hell,

1266
00:52:28,840 --> 00:52:32,280
Speaker 13: Like this is there's a demon energy, like just trying

1267
00:52:32,280 --> 00:52:33,640
Speaker 13: to ruin my day right here.

1268
00:52:33,680 --> 00:52:35,319
Speaker 6: I had that a guy on my flight once that

1269
00:52:35,440 --> 00:52:37,319
Speaker 6: was eating something like that and he told the flight

1270
00:52:37,360 --> 00:52:40,080
Speaker 6: attendant smelly, he ate it real fast, and then he goes,

1271
00:52:40,160 --> 00:52:41,440
Speaker 6: it's fine now smelly and.

1272
00:52:41,520 --> 00:52:49,399
Speaker 13: My belly, oh my, oh my gosh, that's so sick.

1273
00:52:49,480 --> 00:52:51,600
Speaker 13: So basically like I'm going to be farting well I

1274
00:52:51,640 --> 00:52:55,000
Speaker 13: don't know, but the fendent, yeah, I brought I was

1275
00:52:55,000 --> 00:52:55,640
Speaker 13: so shocked by it.

1276
00:52:55,680 --> 00:52:57,920
Speaker 6: I brought it into work right after, like the next day.

1277
00:52:57,960 --> 00:52:59,480
Speaker 6: I was back at work and I was like, you're

1278
00:52:59,480 --> 00:53:00,720
Speaker 6: not gonna below what he said.

1279
00:53:00,840 --> 00:53:03,399
Speaker 1: But it did make it. It was it was what's

1280
00:53:03,400 --> 00:53:04,120
Speaker 1: the word endearing?

1281
00:53:04,239 --> 00:53:04,680
Speaker 17: Endearing?

1282
00:53:04,840 --> 00:53:06,760
Speaker 14: Okay, what about.

1283
00:53:06,440 --> 00:53:08,719
Speaker 3: On airplanes with your kids? Have you taking them on airplanes?

1284
00:53:08,840 --> 00:53:09,120
Speaker 14: Yes?

1285
00:53:09,239 --> 00:53:10,640
Speaker 3: Do you like pass out? Candy had a time to

1286
00:53:10,680 --> 00:53:13,040
Speaker 3: be like if my kids scream or like no they

1287
00:53:13,080 --> 00:53:13,600
Speaker 3: do they cry?

1288
00:53:13,800 --> 00:53:16,719
Speaker 13: No, I'm like, you know what we have been on

1289
00:53:17,080 --> 00:53:18,200
Speaker 13: thousands of flights.

1290
00:53:18,360 --> 00:53:20,360
Speaker 14: It's with screaming babies and your.

1291
00:53:20,320 --> 00:53:24,760
Speaker 13: Responsibility on a flight is to have headphones noise canceling.

1292
00:53:24,800 --> 00:53:25,960
Speaker 14: You got the noise canceling thing.

1293
00:53:26,000 --> 00:53:28,840
Speaker 13: You cannot hear anything that works, So maybe I should

1294
00:53:28,840 --> 00:53:30,520
Speaker 13: have like handed out some earplugs or something.

1295
00:53:30,640 --> 00:53:34,760
Speaker 21: They really only cry when you're like ascending and descending.

1296
00:53:35,080 --> 00:53:38,600
Speaker 13: Yeah, our babies are both like like, well, Chapel hasn't

1297
00:53:38,640 --> 00:53:39,120
Speaker 13: flown yet.

1298
00:53:39,160 --> 00:53:41,600
Speaker 14: No, he's never but he's so chill he'll probably be great.

1299
00:53:41,680 --> 00:53:43,520
Speaker 14: But my son, he's a pro.

1300
00:53:43,600 --> 00:53:45,439
Speaker 13: And I've like got it down to a science where

1301
00:53:45,480 --> 00:53:47,920
Speaker 13: I like wear him out and then we get on

1302
00:53:47,920 --> 00:53:50,040
Speaker 13: the flight and he's exhausted, so he just sleeps on

1303
00:53:50,080 --> 00:53:50,719
Speaker 13: me the whole time.

1304
00:53:50,920 --> 00:53:54,720
Speaker 3: So I wear him out and then we get on it's.

1305
00:53:54,560 --> 00:53:55,800
Speaker 14: Snuggle him and then he's.

1306
00:53:55,560 --> 00:53:58,080
Speaker 1: Good to go a little movie.

1307
00:53:58,239 --> 00:53:58,520
Speaker 12: I know.

1308
00:53:59,000 --> 00:54:02,120
Speaker 13: But they are like it's fun because like flying is

1309
00:54:02,360 --> 00:54:03,600
Speaker 13: I feel like to all of us, we're all just

1310
00:54:03,680 --> 00:54:06,040
Speaker 13: like flying, you know, you just do it so much

1311
00:54:06,080 --> 00:54:06,759
Speaker 13: it's not that cool.

1312
00:54:06,760 --> 00:54:08,440
Speaker 14: But then when a kit you see like through your

1313
00:54:08,520 --> 00:54:09,320
Speaker 14: kid's eyes.

1314
00:54:09,120 --> 00:54:13,000
Speaker 13: And he's just like airplane, airplane and clouds and like

1315
00:54:13,400 --> 00:54:19,799
Speaker 13: he's just like pointing at editing who yeah, same, So yeah,

1316
00:54:19,800 --> 00:54:20,880
Speaker 13: it makes it more magical.

1317
00:54:21,000 --> 00:54:23,840
Speaker 3: Let's talk about the new album and mostly if you

1318
00:54:23,880 --> 00:54:25,680
Speaker 3: have one of these songs because the album just came

1319
00:54:25,680 --> 00:54:27,080
Speaker 3: out that you're gonna play in your set list, do

1320
00:54:27,120 --> 00:54:29,400
Speaker 3: you like put it in between two songs people know

1321
00:54:29,440 --> 00:54:31,839
Speaker 3: if it's unknown, do you guys do that strategy? Yes,

1322
00:54:31,920 --> 00:54:33,360
Speaker 3: and you talk a lot before it to give a

1323
00:54:33,400 --> 00:54:37,600
Speaker 3: story about it so people will stay, like, I don't know,

1324
00:54:38,160 --> 00:54:40,440
Speaker 3: keep their attention on the song. I know if it's

1325
00:54:40,440 --> 00:54:41,879
Speaker 3: a song, I don't know. I'm most like I'm gonna

1326
00:54:41,880 --> 00:54:42,759
Speaker 3: go go to pee or something.

1327
00:54:43,000 --> 00:54:46,359
Speaker 13: Yeah, dang, I've never gone to pee during someone's show,

1328
00:54:46,400 --> 00:54:49,400
Speaker 13: have you. I don't think I will hold it because

1329
00:54:49,440 --> 00:54:51,080
Speaker 13: I'm just like, I don't want to miss anything. Now

1330
00:54:51,080 --> 00:54:52,839
Speaker 13: if the show kind of sucks, I'm just like, and

1331
00:54:52,840 --> 00:54:54,440
Speaker 13: that's not gonna be the case with this. I promise

1332
00:54:54,480 --> 00:54:57,640
Speaker 13: that show is great. But I've never gone to like

1333
00:54:57,760 --> 00:54:59,920
Speaker 13: just go like, I'm gonna skip this song.

1334
00:55:01,080 --> 00:55:01,560
Speaker 17: I'm trying to.

1335
00:55:01,520 --> 00:55:02,879
Speaker 3: Think you never had a band that you love playing

1336
00:55:02,920 --> 00:55:04,200
Speaker 3: new music and you're like, Okay, this is the time

1337
00:55:04,200 --> 00:55:05,040
Speaker 3: when I can take a break.

1338
00:55:05,760 --> 00:55:08,560
Speaker 13: No, But I'm kind of a Foamo gal so I

1339
00:55:08,560 --> 00:55:11,239
Speaker 13: think it's just my personality. But for us, like we

1340
00:55:11,960 --> 00:55:14,479
Speaker 13: for the Ryman, we played a song called Somebody Will

1341
00:55:14,800 --> 00:55:17,319
Speaker 13: and the title track, Love and Light, which no one

1342
00:55:17,320 --> 00:55:19,880
Speaker 13: had heard yet, but the album came out at midnight,

1343
00:55:19,920 --> 00:55:21,719
Speaker 13: so we were like, it's gonna be so magical for

1344
00:55:22,200 --> 00:55:24,520
Speaker 13: everyone at the rhyman to hear those two songs before

1345
00:55:24,680 --> 00:55:25,520
Speaker 13: they even come out.

1346
00:55:26,080 --> 00:55:27,680
Speaker 17: But everything else everybody will know.

1347
00:55:27,920 --> 00:55:31,560
Speaker 13: We try, like, I don't know, I love watching an

1348
00:55:31,640 --> 00:55:34,520
Speaker 13: artist play songs that you know, you know.

1349
00:55:34,560 --> 00:55:36,719
Speaker 14: It feels more like Kumba y'a in fun.

1350
00:55:36,480 --> 00:55:37,960
Speaker 3: So I love Kumbaya.

1351
00:55:38,200 --> 00:55:40,719
Speaker 17: You know we're gonna cover that next and.

1352
00:55:40,640 --> 00:55:41,359
Speaker 14: We'll bring you out.

1353
00:55:41,400 --> 00:55:43,520
Speaker 3: Okay, I'm gonna do play a little bit of Love

1354
00:55:43,560 --> 00:55:46,520
Speaker 3: and Light Raymundo, it's number sixteen. They have an album

1355
00:55:46,560 --> 00:55:48,200
Speaker 3: called Love and Light, which is the title track here

1356
00:55:48,360 --> 00:55:50,840
Speaker 3: that came out on Friday. So hit that ray upbeat.

1357
00:55:51,200 --> 00:55:51,399
Speaker 13: Yeah.

1358
00:55:51,719 --> 00:55:53,839
Speaker 17: It's actually it's a sneaky little dis track.

1359
00:55:54,520 --> 00:55:56,640
Speaker 13: It's literally a dis track, but it turned into this

1360
00:55:56,719 --> 00:55:58,640
Speaker 13: like really positive, uplifting song.

1361
00:55:58,760 --> 00:56:00,719
Speaker 3: So that's funny how that works, because there are other

1362
00:56:00,760 --> 00:56:04,360
Speaker 3: dis tracks that people don't know where distracks. For example, Uh,

1363
00:56:04,440 --> 00:56:08,919
Speaker 3: you look wonderful tonight, that's a it's a distrack. Yeah,

1364
00:56:08,920 --> 00:56:10,759
Speaker 3: because he's like his wife won't get ready. It's late

1365
00:56:10,840 --> 00:56:15,120
Speaker 3: in the evening, no time, like, hurry up, don't worry

1366
00:56:15,120 --> 00:56:17,720
Speaker 3: about it, wonderful tonight.

1367
00:56:18,120 --> 00:56:20,520
Speaker 13: Oh my gosh, that's such a fun fact. I knew

1368
00:56:20,560 --> 00:56:22,080
Speaker 13: that I'm going to spread.

1369
00:56:21,800 --> 00:56:22,640
Speaker 5: That in his wife.

1370
00:56:22,840 --> 00:56:24,600
Speaker 3: He's like, hurry up. Yeah.

1371
00:56:24,400 --> 00:56:27,040
Speaker 17: Yeah, I think it's like this perfect.

1372
00:56:26,760 --> 00:56:28,800
Speaker 3: And not even a distrack. But a song that's actually

1373
00:56:28,880 --> 00:56:31,800
Speaker 3: sad that people think is a love song is Neon

1374
00:56:31,880 --> 00:56:36,560
Speaker 3: Moon because when the sun goes down, he's sitting in

1375
00:56:36,640 --> 00:56:37,560
Speaker 3: a bar by himself.

1376
00:56:38,080 --> 00:56:40,600
Speaker 14: That's right, if you lose your one and only if.

1377
00:56:40,440 --> 00:56:41,600
Speaker 3: You lose your one.

1378
00:56:41,840 --> 00:56:45,040
Speaker 13: And it sounds like a love song, dang, because everyone's

1379
00:56:45,080 --> 00:56:46,200
Speaker 13: all like hugging and.

1380
00:56:46,120 --> 00:56:50,080
Speaker 3: Smoothing the slow dancing. Yeah, but it's not a love

1381
00:56:50,080 --> 00:56:51,400
Speaker 3: song at all. It's actually the opposite.

1382
00:56:51,480 --> 00:56:51,760
Speaker 12: Wow.

1383
00:56:52,160 --> 00:56:52,839
Speaker 14: Yeah, that's like.

1384
00:56:52,960 --> 00:56:56,600
Speaker 13: There's a song called only Jesus on this record that's

1385
00:56:56,640 --> 00:56:57,680
Speaker 13: also kind of a burn.

1386
00:56:58,160 --> 00:56:59,359
Speaker 3: Explain it before I play it then.

1387
00:56:59,680 --> 00:57:03,560
Speaker 13: So well, basically, there was people in my life I

1388
00:57:03,560 --> 00:57:07,640
Speaker 13: had to set boundaries with and I was just feeling

1389
00:57:07,680 --> 00:57:10,400
Speaker 13: so defeated, like I like, I want to love this

1390
00:57:10,440 --> 00:57:13,919
Speaker 13: person so well and fully, but they just like let

1391
00:57:13,960 --> 00:57:16,440
Speaker 13: me down every single time. And me and my husband

1392
00:57:16,480 --> 00:57:18,760
Speaker 13: were talking and he's like, honey, only Jesus is gonna

1393
00:57:18,760 --> 00:57:20,160
Speaker 13: love them like that, And I was like.

1394
00:57:21,000 --> 00:57:22,160
Speaker 14: I'm writing that tomorrow.

1395
00:57:22,200 --> 00:57:24,640
Speaker 13: So we went into a writing session and it was

1396
00:57:24,680 --> 00:57:27,439
Speaker 13: like really healing because I was like really heartbroken over

1397
00:57:27,480 --> 00:57:30,240
Speaker 13: this whole situation. And then it kind of just gave

1398
00:57:30,280 --> 00:57:33,640
Speaker 13: me the opportunity to like release it and like make

1399
00:57:33,680 --> 00:57:35,040
Speaker 13: something positive out of pain.

1400
00:57:35,360 --> 00:57:37,320
Speaker 14: I love a positive pivot. Both of us are all

1401
00:57:37,360 --> 00:57:37,800
Speaker 14: about that.

1402
00:57:37,920 --> 00:57:41,080
Speaker 3: Another one that's a little deceiving is Sarah burrellis I'm

1403
00:57:41,120 --> 00:57:42,680
Speaker 3: not gonna write you I love song.

1404
00:57:42,840 --> 00:57:43,960
Speaker 17: She wrote that about her label.

1405
00:57:43,960 --> 00:57:45,920
Speaker 3: Her record label say you need to write like a

1406
00:57:45,920 --> 00:57:48,840
Speaker 3: slow love song artists ever, Yeah, and she's like, not

1407
00:57:48,920 --> 00:57:51,920
Speaker 3: gonna write you and then smash. I know it's so

1408
00:57:52,040 --> 00:57:55,440
Speaker 3: bluse traveler hook, the hook We'll bring you. That's all

1409
00:57:55,440 --> 00:57:57,560
Speaker 3: about Oh yeah, yeah, yeah, Okay, I write a song.

1410
00:57:57,560 --> 00:57:59,120
Speaker 3: Show you how easy to stop telling me what to write?

1411
00:57:59,120 --> 00:58:00,360
Speaker 3: So I'm gonna write a song on that.

1412
00:58:00,360 --> 00:58:02,440
Speaker 21: Before it wasn't a very good song. But when we

1413
00:58:02,440 --> 00:58:05,240
Speaker 21: were like sixteen or we were told to write a

1414
00:58:05,280 --> 00:58:08,240
Speaker 21: song about nothing, and so we wrote a song called

1415
00:58:08,360 --> 00:58:11,520
Speaker 21: song about Nothing and it was not it really really batchy,

1416
00:58:11,800 --> 00:58:13,280
Speaker 21: but like yeah, we.

1417
00:58:13,120 --> 00:58:15,480
Speaker 13: Were just like we can't like we basically to be like,

1418
00:58:15,560 --> 00:58:17,160
Speaker 13: we're never going to write a song about nothing, so

1419
00:58:17,320 --> 00:58:19,520
Speaker 13: that's what you want, then you need to have somebody

1420
00:58:19,520 --> 00:58:21,720
Speaker 13: else because it ain't gonna happen for us.

1421
00:58:21,880 --> 00:58:24,840
Speaker 3: I said him, a blank truck. Here you go, there

1422
00:58:24,880 --> 00:58:27,880
Speaker 3: you go. Hey, Taylor Tay whatever your name is, Taylor

1423
00:58:27,920 --> 00:58:33,440
Speaker 3: Ta Taylor Ta Te the Love and Light Song and others.

1424
00:58:33,640 --> 00:58:36,520
Speaker 3: Your husband's one of the writers as well. How does that?

1425
00:58:37,160 --> 00:58:37,960
Speaker 3: What's that dynamic?

1426
00:58:38,080 --> 00:58:38,200
Speaker 8: Like?

1427
00:58:38,800 --> 00:58:41,920
Speaker 21: It has been amazing working with him. I think it

1428
00:58:42,080 --> 00:58:44,360
Speaker 21: just definitely took like the right project for us to

1429
00:58:45,120 --> 00:58:48,479
Speaker 21: for our worlds to collide in this. It's funny because

1430
00:58:48,480 --> 00:58:51,440
Speaker 21: when he and I actually first started dating, Maddie and

1431
00:58:51,480 --> 00:58:53,840
Speaker 21: I had toyed with the idea of him actually producing

1432
00:58:54,520 --> 00:58:57,320
Speaker 21: that record, and so I was like at this crossroads

1433
00:58:57,320 --> 00:58:59,080
Speaker 21: of do I want him to be my boyfriend or

1434
00:58:59,120 --> 00:59:02,480
Speaker 21: do I want him to be my producer? And then

1435
00:59:02,480 --> 00:59:04,800
Speaker 21: I chose boyfriend because I fell madly in love with him.

1436
00:59:05,440 --> 00:59:07,760
Speaker 3: So that was really it, Like he didn't produce because

1437
00:59:07,760 --> 00:59:08,480
Speaker 3: he was your boyfriend?

1438
00:59:08,560 --> 00:59:10,720
Speaker 21: Yeah, I mean yeah, I didn't want I didn't want

1439
00:59:10,760 --> 00:59:12,320
Speaker 21: the worlds to collide.

1440
00:59:12,360 --> 00:59:13,840
Speaker 14: I didn't want that, and it.

1441
00:59:13,760 --> 00:59:16,600
Speaker 13: Was her, like I was so open to it, but

1442
00:59:16,680 --> 00:59:18,960
Speaker 13: I think and I totally understand. Sometimes you just want

1443
00:59:18,960 --> 00:59:22,200
Speaker 13: to make sure like exactly you know what's Yeah, He's like,

1444
00:59:22,240 --> 00:59:24,960
Speaker 13: you don't want a separation of church length where you eat,

1445
00:59:25,000 --> 00:59:25,560
Speaker 13: you know what I'm.

1446
00:59:25,400 --> 00:59:33,240
Speaker 21: Saying that, Yeah, And then I felt like, you know,

1447
00:59:33,280 --> 00:59:35,280
Speaker 21: we had made babies together, so maybe it's time we

1448
00:59:35,280 --> 00:59:38,360
Speaker 21: make a record together. And I was like, come on, yeah,

1449
00:59:38,600 --> 00:59:41,600
Speaker 21: And it was like magical, truly, like the most enjoyable

1450
00:59:41,720 --> 00:59:44,680
Speaker 21: record making process. And I'm just so like, I feel

1451
00:59:44,720 --> 00:59:47,880
Speaker 21: so proud that we get to celebrate this together.

1452
00:59:48,120 --> 00:59:51,440
Speaker 3: You know, I do want to play Kissing Cowboys and

1453
00:59:51,600 --> 00:59:54,520
Speaker 3: another song that you guys wrote everything right.

1454
00:59:54,560 --> 00:59:57,360
Speaker 13: Yeah, the only one is Heart they Didn't Break, which

1455
00:59:57,440 --> 00:59:58,800
Speaker 13: three of our best.

1456
00:59:58,520 --> 01:00:00,000
Speaker 17: Friends, my favorite favorite.

1457
01:00:00,320 --> 01:00:05,200
Speaker 13: That's fine, Yeah, just kidding, I'm just kidding, Ray.

1458
01:00:05,920 --> 01:00:07,680
Speaker 3: You know, we'll play the full song. I set me

1459
01:00:07,720 --> 01:00:09,360
Speaker 3: up for Kissing Cowboys. I don't give me a story

1460
01:00:09,360 --> 01:00:11,080
Speaker 3: about when you wrote it or why you wrote it.

1461
01:00:11,200 --> 01:00:12,720
Speaker 3: Like you're in concert right now and I'm like, oh,

1462
01:00:12,760 --> 01:00:14,480
Speaker 3: they're gonna play a new song. I gotta go pee,

1463
01:00:14,600 --> 01:00:16,120
Speaker 3: but keep me, keep here, keep me.

1464
01:00:16,240 --> 01:00:16,640
Speaker 14: Yeah.

1465
01:00:16,680 --> 01:00:18,920
Speaker 13: Well, first off, I feel like I saw this video

1466
01:00:18,960 --> 01:00:20,720
Speaker 13: on TikTok. I don't know if it was like old

1467
01:00:20,720 --> 01:00:22,480
Speaker 13: from the show that we did together where you were

1468
01:00:22,560 --> 01:00:25,640
Speaker 13: like jamming to kissing Cowboys. I was like, dang, Bobby's

1469
01:00:25,680 --> 01:00:27,800
Speaker 13: got way more swag than I think people give you

1470
01:00:27,920 --> 01:00:28,360
Speaker 13: credit for.

1471
01:00:28,480 --> 01:00:30,360
Speaker 3: I was like, that's a compliment and an insult at

1472
01:00:30,400 --> 01:00:32,440
Speaker 3: the same time. If you guys thought that, I was

1473
01:00:32,480 --> 01:00:34,800
Speaker 3: both lifted up and knocked down, Thank you, Mattie.

1474
01:00:34,960 --> 01:00:36,240
Speaker 14: I didn't know you got it.

1475
01:00:36,320 --> 01:00:38,919
Speaker 3: I was just like, oh wow, like, well, the song's

1476
01:00:38,920 --> 01:00:41,800
Speaker 3: awesome and it's it's like it's slamming right.

1477
01:00:41,840 --> 01:00:43,600
Speaker 13: It was fun to play together, but it was your

1478
01:00:43,640 --> 01:00:45,360
Speaker 13: title for a while a year to write.

1479
01:00:45,360 --> 01:00:47,400
Speaker 21: Actually, that's the fun fact about the song is we

1480
01:00:47,480 --> 01:00:51,040
Speaker 21: started it and we just had the verses and for

1481
01:00:51,120 --> 01:00:53,200
Speaker 21: some reason we couldn't quite figure out what we wanted

1482
01:00:53,200 --> 01:00:56,480
Speaker 21: that chorus to be, and we just knew that the

1483
01:00:56,560 --> 01:00:58,600
Speaker 21: verses were so fun. And it took a year between

1484
01:00:58,640 --> 01:01:01,360
Speaker 21: I think, like Luke Dick's got was crazy and Lauri

1485
01:01:01,760 --> 01:01:04,720
Speaker 21: feltz her schedule is crazy. So then we got back

1486
01:01:04,720 --> 01:01:06,880
Speaker 21: together a year later and finished it and like, I

1487
01:01:06,880 --> 01:01:09,200
Speaker 21: don't even think this was on our radar.

1488
01:01:09,320 --> 01:01:11,560
Speaker 14: We didn't even know. We were like, I think this

1489
01:01:11,640 --> 01:01:12,360
Speaker 14: is a fun song.

1490
01:01:12,480 --> 01:01:15,280
Speaker 13: But yeah, I don't know with record making, like we'd

1491
01:01:15,320 --> 01:01:18,240
Speaker 13: like to write what like what our lives are looking like,

1492
01:01:18,400 --> 01:01:20,240
Speaker 13: just to like let our fans kind of go on

1493
01:01:20,240 --> 01:01:22,360
Speaker 13: the journey with us. But also it's like we have

1494
01:01:22,520 --> 01:01:25,280
Speaker 13: so many fans that are single. In this I feel

1495
01:01:25,280 --> 01:01:27,040
Speaker 13: like is an anthem I wish we would have had

1496
01:01:27,080 --> 01:01:29,040
Speaker 13: when we were single, like just not putting so much

1497
01:01:29,080 --> 01:01:32,000
Speaker 13: pressure on finding the one, like the right like right away.

1498
01:01:32,320 --> 01:01:33,800
Speaker 13: That's kind of what it says, like there might be

1499
01:01:33,880 --> 01:01:36,080
Speaker 13: a John Wayne hiding in the here and now boys

1500
01:01:36,240 --> 01:01:38,200
Speaker 13: just keep on kissing cowboys till you fine.

1501
01:01:38,720 --> 01:01:39,640
Speaker 14: You know the John Wayne.

1502
01:01:39,640 --> 01:01:41,160
Speaker 3: Oh, I know the song. I get it.

1503
01:01:40,760 --> 01:01:42,760
Speaker 1: I know you did.

1504
01:01:42,800 --> 01:01:45,440
Speaker 3: But I had a lot of swag. But everyone was like,

1505
01:01:45,600 --> 01:01:47,560
Speaker 3: we didn't think he had swag. We've known him forever.

1506
01:01:47,720 --> 01:01:48,280
Speaker 5: Gave you credit.

1507
01:01:48,400 --> 01:01:49,000
Speaker 3: Yeah, they were like.

1508
01:01:49,320 --> 01:01:51,040
Speaker 14: I was like, y'all.

1509
01:01:50,840 --> 01:01:53,040
Speaker 13: Didn't even know Bobby could get down like that. I

1510
01:01:53,080 --> 01:01:54,840
Speaker 13: don't know if that side. I don't know if you

1511
01:01:54,880 --> 01:01:56,000
Speaker 13: show that, like I.

1512
01:01:56,000 --> 01:01:58,800
Speaker 3: Didn't win a dance competition on television once you did.

1513
01:01:58,840 --> 01:01:59,800
Speaker 3: I want to dance on the stars.

1514
01:02:00,560 --> 01:02:02,280
Speaker 5: Guys, guys, you need that.

1515
01:02:02,320 --> 01:02:03,320
Speaker 17: I live under a rock.

1516
01:02:03,960 --> 01:02:06,480
Speaker 13: You know that. No, I know I'm not mad.

1517
01:02:06,520 --> 01:02:06,760
Speaker 3: I don't.

1518
01:02:07,280 --> 01:02:09,600
Speaker 17: I remember you did want the shtars.

1519
01:02:09,800 --> 01:02:12,400
Speaker 13: I just don't take it personal because I'm a loser

1520
01:02:12,440 --> 01:02:14,880
Speaker 13: and I don't keep up with like pop culture or

1521
01:02:14,920 --> 01:02:17,040
Speaker 13: what my friends are doing, which is messed up. It's

1522
01:02:17,080 --> 01:02:19,520
Speaker 13: like I, I, you know, literally going to get better

1523
01:02:19,920 --> 01:02:21,160
Speaker 13: dissing herself now.

1524
01:02:21,120 --> 01:02:23,760
Speaker 3: Yeah, no, no, okay, thank you. Yeah, I won a

1525
01:02:23,840 --> 01:02:27,040
Speaker 3: dance show. You had no idea. Actually it's just beginning now.

1526
01:02:27,880 --> 01:02:29,240
Speaker 11: You know.

1527
01:02:29,360 --> 01:02:31,080
Speaker 1: He has a mirror ball tattoo.

1528
01:02:32,320 --> 01:02:34,520
Speaker 3: Oh my gosh, all the way down my back. Really,

1529
01:02:35,080 --> 01:02:37,000
Speaker 3: it's very tiny on the back of my arm because

1530
01:02:37,000 --> 01:02:38,280
Speaker 3: I said if we won, we would get one.

1531
01:02:38,280 --> 01:02:39,840
Speaker 13: But that's oh my gosh. I know I want to

1532
01:02:39,840 --> 01:02:42,080
Speaker 13: get some tats. It's time for me to get some tats.

1533
01:02:42,120 --> 01:02:45,280
Speaker 3: If you call him tats, you shouldn't get one.

1534
01:02:46,200 --> 01:02:47,000
Speaker 17: I already have some.

1535
01:02:47,400 --> 01:02:48,760
Speaker 3: If you call him tatsy, you think you're done. You

1536
01:02:49,000 --> 01:02:50,520
Speaker 3: your tap down, you're tapped out a.

1537
01:02:50,560 --> 01:02:53,520
Speaker 14: Tat tat out on tats by tot.

1538
01:02:53,760 --> 01:02:56,120
Speaker 3: Who's going to play bop it me?

1539
01:02:56,320 --> 01:02:58,760
Speaker 14: Because let me tell you, I think I'm gonna crush

1540
01:02:58,800 --> 01:02:59,480
Speaker 14: and who's.

1541
01:02:59,360 --> 01:03:01,919
Speaker 3: Who's gonna We're gonna put it up on the leader

1542
01:03:02,320 --> 01:03:02,640
Speaker 3: behind you?

1543
01:03:02,760 --> 01:03:03,160
Speaker 17: Okay?

1544
01:03:03,200 --> 01:03:05,400
Speaker 3: Oh they already have it down. Yeah, yeah, bring bop

1545
01:03:05,400 --> 01:03:06,920
Speaker 3: it in here. We'll put up the leader board.

1546
01:03:06,960 --> 01:03:09,600
Speaker 13: We're team, but I think it should be extra points

1547
01:03:09,600 --> 01:03:11,800
Speaker 13: to do it, like in Rhythm Poppet. Well you have

1548
01:03:11,880 --> 01:03:17,720
Speaker 13: to that helps, like if you start doing it.

1549
01:03:16,280 --> 01:03:17,720
Speaker 3: But don't don't start to We get the leader board

1550
01:03:17,760 --> 01:03:18,520
Speaker 3: up behind you. Okay.

1551
01:03:18,600 --> 01:03:20,480
Speaker 14: I'm a little missed. Am I supposed to be able

1552
01:03:20,480 --> 01:03:23,800
Speaker 14: to see this? Okay? I just work well under pressure.

1553
01:03:23,840 --> 01:03:26,520
Speaker 3: Okay, so you can look now. The leaderboard in fifth

1554
01:03:26,520 --> 01:03:28,800
Speaker 3: places kept More with nine, and fourth is Matt Carney

1555
01:03:28,800 --> 01:03:32,640
Speaker 3: with sixteen, Derks Bentley with eighteen, John Party with twenty five,

1556
01:03:33,120 --> 01:03:35,600
Speaker 3: and number one Bailey Zimmerman with sixty one.

1557
01:03:35,760 --> 01:03:38,120
Speaker 17: Oh Bailey, maybe you go win to Okay, so.

1558
01:03:38,320 --> 01:03:42,080
Speaker 3: You're gonna hold her mic Okay, okay, hold and Maddie

1559
01:03:42,160 --> 01:03:46,680
Speaker 3: is going to remember guys when she's done. Don't yell

1560
01:03:46,720 --> 01:03:47,880
Speaker 3: because we have to hear the thing.

1561
01:03:47,920 --> 01:03:48,000
Speaker 10: Go.

1562
01:03:48,200 --> 01:03:48,920
Speaker 3: What the number is?

1563
01:03:50,760 --> 01:03:53,000
Speaker 1: I know I need to remind myself good, don't know?

1564
01:03:53,160 --> 01:03:54,800
Speaker 3: All right, everybody, here we go. It is now time

1565
01:03:54,840 --> 01:03:56,480
Speaker 3: for Maddie from Maddie and Tay, which, by the way,

1566
01:03:56,880 --> 01:04:00,360
Speaker 3: new album's out Love and Light under Band thing as

1567
01:04:00,400 --> 01:04:03,920
Speaker 3: you are you ready? Okay, she's nervous. Here we go,

1568
01:04:04,320 --> 01:04:04,800
Speaker 3: There we go.

1569
01:04:05,520 --> 01:04:19,360
Speaker 12: Boppy twist it, Pully, bopp it, pull it, Boppy twist it, Bobby,

1570
01:04:20,960 --> 01:04:33,960
Speaker 12: Bobby Pully, Bobby Pully twist it, twist it, Pully, Boppy,

1571
01:04:35,360 --> 01:04:46,160
Speaker 12: Pully twist it, Bobby, Bobby twist it. Pully twist it.

1572
01:04:47,360 --> 01:04:57,680
Speaker 12: Pully Boppy Pully twist it, Twist it, Pully twist it.

1573
01:04:58,880 --> 01:05:07,280
Speaker 12: Pully bop it, twist it, pull it, Bobby twist it,

1574
01:05:08,360 --> 01:05:19,640
Speaker 12: pull it, Pully twist it, Twist it. Pully, Bobby Pully, Pully,

1575
01:05:20,800 --> 01:05:30,280
Speaker 12: Bobby Pully twist it, Bobby twist it. Bobby twist it.

1576
01:05:31,200 --> 01:05:38,800
Speaker 12: Bobby twist it, Bobby twist it, pull it, twist it,

1577
01:05:39,720 --> 01:05:46,960
Speaker 12: pull it, twist it, pull it, Twist it, twist it, Bobby,

1578
01:05:47,920 --> 01:05:51,120
Speaker 12: Bobby Pully bopp.

1579
01:05:50,880 --> 01:05:58,840
Speaker 22: It twist it, Twist it, twist it, Boppy twist it, Pully,

1580
01:05:59,680 --> 01:06:11,240
Speaker 22: Bobby Pully, Pully twisted Bobby, Bobby, Bobby Pully twisted, twisted,

1581
01:06:12,080 --> 01:06:24,360
Speaker 22: Pully twisted, Pully Bobby twisted, Bobby Pully twisted. Pully twisted Pully.

1582
01:06:25,200 --> 01:06:34,240
Speaker 22: Pully Bobby twisted, Pully Bobby twisted Pully.

1583
01:06:34,400 --> 01:06:36,720
Speaker 16: Wow you beat Boppy Hi score?

1584
01:06:37,880 --> 01:06:46,400
Speaker 17: Oh whoa.

1585
01:06:48,160 --> 01:06:54,280
Speaker 3: Who said you bet whow No one's ever beat boppet.

1586
01:06:55,120 --> 01:06:57,919
Speaker 1: I mean it didn't even want to let her keep going.

1587
01:06:59,600 --> 01:07:00,880
Speaker 17: Because I was so on fire.

1588
01:07:00,920 --> 01:07:03,040
Speaker 3: Wow. Unbelievable.

1589
01:07:03,160 --> 01:07:03,440
Speaker 17: Dude.

1590
01:07:03,480 --> 01:07:07,160
Speaker 13: You know what the trick is following direction and staying calm.

1591
01:07:07,240 --> 01:07:08,880
Speaker 13: I think those are the two ways that you win.

1592
01:07:08,960 --> 01:07:10,000
Speaker 13: But because I started.

1593
01:07:09,680 --> 01:07:12,840
Speaker 14: Getting really, really really really like Bailey's.

1594
01:07:12,520 --> 01:07:13,760
Speaker 17: And woman cannot beat me up.

1595
01:07:13,840 --> 01:07:19,320
Speaker 3: You crushed. You beat him by thirty nine. Dude, that's amazing. Congratulations.

1596
01:07:19,320 --> 01:07:20,520
Speaker 1: Wow, I mean, thank you.

1597
01:07:20,840 --> 01:07:22,200
Speaker 3: There's nothing, there's no way to go from here.

1598
01:07:22,240 --> 01:07:23,880
Speaker 5: No, it's that's the top.

1599
01:07:23,920 --> 01:07:26,920
Speaker 3: That's it. Wow. Okay everyone, for no other reason, you

1600
01:07:26,960 --> 01:07:28,800
Speaker 3: need to go check out Love and Light because that's

1601
01:07:28,840 --> 01:07:30,560
Speaker 3: one of the greatest boppet performances I've ever seen.

1602
01:07:30,600 --> 01:07:30,840
Speaker 12: Wow.

1603
01:07:31,240 --> 01:07:33,120
Speaker 14: That is I feel so honored.

1604
01:07:33,600 --> 01:07:36,680
Speaker 13: So thank you for this opportunity to showcase my skills.

1605
01:07:36,840 --> 01:07:40,040
Speaker 3: When I think back, there's like Queen it farmaide, I'm

1606
01:07:40,040 --> 01:07:43,440
Speaker 3: thinking of the greatest performances ever Maddie doing bop it

1607
01:07:43,480 --> 01:07:46,800
Speaker 3: on the Bobby. Yeah, oh my goodness. That.

1608
01:07:47,000 --> 01:07:48,960
Speaker 13: I mean, my heart is still like I was like

1609
01:07:49,000 --> 01:07:51,160
Speaker 13: feeling the pressure. I was like, well, stay calm, because

1610
01:07:51,160 --> 01:07:51,720
Speaker 13: we gotta win.

1611
01:07:51,760 --> 01:07:52,320
Speaker 14: We gotta win.

1612
01:07:52,520 --> 01:07:54,240
Speaker 3: Okay, the album is out, Love and Light.

1613
01:07:55,040 --> 01:07:57,840
Speaker 13: There's a bopp It sample in the album there should

1614
01:07:57,840 --> 01:07:59,440
Speaker 13: be now and you.

1615
01:07:59,360 --> 01:07:59,920
Speaker 14: Gotta find it.

1616
01:08:00,200 --> 01:08:03,040
Speaker 13: Yes, deluxe version will sneak in the Bofit.

1617
01:08:02,800 --> 01:08:06,440
Speaker 3: Track follow at Maddie and Tay. Great to see you, guys,

1618
01:08:06,440 --> 01:08:09,919
Speaker 3: and now I am even just more obsessed at how

1619
01:08:10,000 --> 01:08:12,880
Speaker 3: how great of competitors and artists you are. That was.

1620
01:08:12,920 --> 01:08:16,240
Speaker 3: That was amazing that I that changed. I wasn't even

1621
01:08:16,240 --> 01:08:17,080
Speaker 3: a fan until now.

1622
01:08:16,960 --> 01:08:19,240
Speaker 16: But now I'm a massive I'm glad.

1623
01:08:19,400 --> 01:08:20,439
Speaker 3: Yes, there they are, Maddie and.

1624
01:08:23,800 --> 01:08:27,479
Speaker 16: It's the best Bits of the week with Morgan number two.

1625
01:08:29,160 --> 01:08:31,240
Speaker 4: That is all for me this weekend. Friends, Thanks for

1626
01:08:31,280 --> 01:08:33,519
Speaker 4: being here hanging out and listening to the best bits.

1627
01:08:33,640 --> 01:08:35,360
Speaker 4: Make sure you check out Part one, Part three this

1628
01:08:35,400 --> 01:08:38,120
Speaker 4: weekend with Raymundo. Part one we caught up on live

1629
01:08:38,120 --> 01:08:40,400
Speaker 4: talked about a lot of random subjects. In Part three

1630
01:08:40,439 --> 01:08:43,559
Speaker 4: we answered listener questions and also if you need other

1631
01:08:43,600 --> 01:08:46,040
Speaker 4: things to listen to, go check out my podcast Take

1632
01:08:46,080 --> 01:08:48,960
Speaker 4: this Personally. We just did a little mini trauma series

1633
01:08:49,040 --> 01:08:52,200
Speaker 4: in this upcoming week and the few following episodes will

1634
01:08:52,240 --> 01:08:53,280
Speaker 4: be about disabilities.

1635
01:08:53,479 --> 01:08:55,040
Speaker 17: So really fun stuff over there.

1636
01:08:55,160 --> 01:08:57,759
Speaker 4: As far as connecting with you, and helping people feel

1637
01:08:57,960 --> 01:09:00,000
Speaker 4: less alone through some of their hardest struggle.

1638
01:09:01,280 --> 01:09:03,160
Speaker 17: Now I'm getting out of here. I love you guys. Bye.

1639
01:09:03,479 --> 01:09:06,320
Speaker 2: That's the best bits of the week with Morgan. Thanks

1640
01:09:06,360 --> 01:09:06,879
Speaker 2: for listening.

1641
01:09:07,000 --> 01:09:09,360
Speaker 16: Be sure to check out the other two parts this weekend.

1642
01:09:09,439 --> 01:09:11,680
Speaker 3: Go follow the show on all social platforms.

1643
01:09:12,400 --> 01:09:14,680
Speaker 22: Show and follow at webgirl Morgan to

1644
01:09:14,720 --> 01:09:17,920
Speaker 2: Submit her listener questions for next week's episode.