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Speaker 1: No, all right, we are back that made in a

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Speaker 1: miracle with another amazing guest. They have seen her on

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Speaker 1: Beyonce's first album. She was in the background doing her vocals.

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Speaker 2: Was she born yet?

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Speaker 1: Yes, she was, absolutely, She was just a twinkle in

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Speaker 1: her daddy's eye.

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Speaker 3: We are with Demarias, Damaras. How are you doing now?

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Speaker 1: First of all, let me apologize because in my acting

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Speaker 1: debut and my thespian of a piece of the Great

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Speaker 1: Bishop Tupac Shakur. Yes, you caught a stray and I

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Speaker 1: just wanted to apologize. I didn't It was just acting.

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Speaker 1: It was just energy.

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Speaker 3: I didn't mean to. You don't come come to you

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Speaker 3: like that.

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Speaker 2: You know there was other people that caught straits. You

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Speaker 2: haven't apologize. Well they have her here.

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Speaker 3: Well they well, Edi, and I apologize. I didn't mean to.

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Speaker 3: I know you were scared.

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Speaker 1: I'm so sorry, but I wanted to apologize the marriage

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Speaker 1: because everybody was hitting like damn, what the marriage do?

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Speaker 2: And you know, it's just I love you. I just

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Speaker 2: wish people that have seen juice before.

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Speaker 1: Yeah, I'm sorry, But how are you doing? I'm doing

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Speaker 1: pretty good?

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Speaker 3: What is this number you're wearing? Oh?

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Speaker 2: Wait, you ain't even peep. I just peep. You see

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Speaker 2: what she did with the accent. Look at the accent.

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Speaker 3: With the till on the till on the hill. I

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Speaker 3: like it.

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Speaker 2: Wait, I even peeped up the hair with the maroon.

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Speaker 3: It's something like your fun out of you.

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Speaker 2: It's always so light.

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Speaker 3: Whatever you in my eyes are telling me, it's something like.

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Speaker 2: Whenever you match the stitching in something like.

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Speaker 1: I didn't even think. I didn't even see that. You

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Speaker 1: pointed it out around funk out of here? Are you

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Speaker 1: feeling your first made in America? Is it your first one?

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Speaker 4: It's my first made in America?

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Speaker 3: How are you feeling? Who you want to see?

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Speaker 2: I really really too bad. You gotta work.

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Speaker 3: Right. You won't see her now with that ass.

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Speaker 4: Now I'm going to see Victoria on that somebody else.

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Speaker 3: Will be.

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Speaker 2: Today, tomorrow, tomorrowrow Victoria. And I know contractually we're not

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Speaker 2: allowed tohoo on in America, nor do I want to.

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Speaker 2: But why is Victoria on at three o'clock?

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Speaker 3: She probably had things to do and once to get

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Speaker 3: out of.

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Speaker 2: Here, Victoria.

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Speaker 3: That's how it happens, cause I got to catch your

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Speaker 3: flight like they want to get out of it.

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Speaker 1: So but yeah, I do want to see Victoria's amazing

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Speaker 1: and flow Millie.

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Speaker 5: Actually, I really want to see.

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Speaker 3: Flow flow Jasmine. You want to see Jasmine.

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Speaker 6: I've seen Jasmine like three times. I do want to

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Speaker 6: see Jasmine again.

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Speaker 3: But I'll be working.

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Speaker 6: I think when Jasmine's okay, I think I'm gonna end

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Speaker 6: up missing Jasmine.

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Speaker 4: I'm sad about that.

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Speaker 3: But well, we're here.

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Speaker 2: We're gonna try to run back and forth, and for

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Speaker 2: those watching on video, it's just going to keep changing

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Speaker 2: frames because we're trying to make this a full episode

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Speaker 2: but also interview people. Yeah, so we're gonna be potting.

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Speaker 2: We'll be going back and forth. We had to turn

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Speaker 2: the a C back on, so if the audio changed,

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Speaker 2: I'm sorry, we would either die of fucking heat exhausted

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Speaker 2: that we need that AC and that's the only way

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Speaker 2: you can get guests. Hey, there's an a C in here.

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Speaker 2: You want to talk to us.

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Speaker 3: We are in a airstream.

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Speaker 1: It's a nice setup that do Say gave us, but

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Speaker 1: we need a A C on, so we have to sacrifice

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Speaker 1: some of the audio. We apologize in advance, but we

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Speaker 1: can't be sitting in here like chicken brush.

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Speaker 3: We can't can't do it.

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Speaker 2: I'm proud out of everything you said.

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Speaker 3: Yeah, I know when you put chicken breash in the oven,

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Speaker 3: it get starts sweating, you know that.

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Speaker 1: Side note, it's his birthday this weekend, Yes, Polos's kin Sierra?

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Speaker 3: Is it your kin Sierra this weekend?

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Speaker 4: And then old are you turning? Oh you're turning twenty eight? Right?

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Speaker 3: His documents say sixteen?

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Speaker 2: Yeah? Just seeing the Little League World Series this past summer. Yeah, yes, yeah,

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Speaker 2: fucking Danny al Monte over here.

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Speaker 3: Oh that's fucking hilarious. I love Adam.

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Speaker 2: So what what are we doing for uh, for Edd's birthday?

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Speaker 2: Are we gonna do a Philly thing? Should we do

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Speaker 2: something in New York?

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Speaker 3: Yesterday? Yeah? We went out last night. I was doing.

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Speaker 2: I went to bed at ten pm.

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Speaker 3: How was the Hookah lounges like Uga Lounge was?

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Speaker 4: It was just young ratchets, like young young girl.

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Speaker 3: What I'm saying, Eden's.

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Speaker 4: A and they was but you know, yeah.

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Speaker 3: Oh if you don't like the ratchet, then it's not

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Speaker 3: it's not the right ratchet.

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Speaker 4: They were cute, the girls were.

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Speaker 6: They were just really young, okay, like twenty one year

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Speaker 6: old girls tourking. Yeah, scream at A and and Philly

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Speaker 6: plays very Philly music, so it wasn't like dancing music.

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Speaker 2: It was like, shoot a lot of aggressive snares.

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Speaker 1: Okay, yeah, you feel like they played a lot of

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Speaker 1: Oh yeah yeah yeah, gun you down, spin around.

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Speaker 2: Final yep, we'll take We'll take end to say lesson,

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Speaker 2: you can take a photo in front of the Neon sign, in.

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Speaker 1: Front of the what is it the dragon that they

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Speaker 1: have on the steps?

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Speaker 2: Say another another lap around the sun?

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Speaker 4: Yeah, that's really nasty.

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Speaker 2: Do you still do the Earth day birthday thing in

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Speaker 2: the comments?

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Speaker 5: Yeah?

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Speaker 2: What is significance?

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Speaker 5: Is that?

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Speaker 2: Like five percenter? Do I need to do the now?

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Speaker 1: Just that it's just that you're on Earth, so so

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Speaker 1: happy birth. You've been on the Earth for however many years?

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Speaker 3: Okay, yeah that's so.

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Speaker 6: Yeah, the Earth has done a complete sixty.

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Speaker 1: So yeah, around you? The world does all around you. Yeah,

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Speaker 1: it does, contrary to popular belief.

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Speaker 4: I'm thinking of dinner. We could do dinner for ad

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Speaker 4: in here.

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Speaker 7: Yeah.

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Speaker 4: What have.

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Speaker 1: Making somebody to Taco Bell for their birthday is absolutely terrorism?

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Speaker 3: That's terrorism.

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Speaker 4: Do you want to do Italian Mexican?

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Speaker 1: Come on, you know what he wants to do? Italian

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Speaker 1: and then you look like you could be Italian.

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Speaker 3: Yea. If he slicked his hair back, a different hairstyle,

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Speaker 3: different hairstuff, do.

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Speaker 2: The chin strap with your beard, you'ld be Italian. Yeah.

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Speaker 1: You gotta wear jeans and a button up shirt though,

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Speaker 1: that's how you look Italian.

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Speaker 3: Yeah, absolutely, and hard bottom shoes with a terrible chain.

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Speaker 2: Yep, you could definitely pass.

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Speaker 3: Yeah.

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Speaker 2: Absolutely.

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Speaker 4: Is that a racist term?

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Speaker 2: Wiedo?

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Speaker 3: Yes, it might be Weiedo is death.

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Speaker 2: Yes, well it's not a turn of endearment, guinea guido. Yeah,

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Speaker 2: it's all.

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Speaker 4: Bad because what are they called Americans?

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Speaker 3: No?

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Speaker 4: What do Cubans call Americans? Gringos?

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Speaker 2: No, it's the called white people period, Like you're American,

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Speaker 2: but you wouldn't be a gringo.

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Speaker 3: I would be.

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Speaker 4: No, I think they will call me a gringo.

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Speaker 2: Still, Ringo is white people, for sure.

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Speaker 3: You think that Cubans would call you America? You think

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Speaker 3: they would definitely? Yeah.

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Speaker 2: Matter of fact, the only time, the only time I

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Speaker 2: knew Jay Electronica was talking about me when we were

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Speaker 2: in Mexico was when I heard gringo. It sparked my ears.

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Speaker 2: Like always, he's referring, you.

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Speaker 3: Need me in the kitchen I am the gringo. Yes me.

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Speaker 4: So who are you guys? Looking forward to interviewing?

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Speaker 2: Not seeing should go a question?

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Speaker 3: I would love to sit with a with Snow. Yeah,

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Speaker 3: I would love talk Snow because she doesn't do a lot.

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Speaker 3: I don't see a lot of Snow interviews.

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Speaker 2: She doesn't, so I would love to sit and talk

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Speaker 2: with her. Jid just because the album and that's that's family,

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Speaker 2: So that's good. I don't think he's gonna talk to us,

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Speaker 2: but Tory Moyes has been one of my favorite artists

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Speaker 2: for like a while. I also don't even know what

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Speaker 2: to ask him. Yeah, I feel like I feel like

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Speaker 2: he would be like not offended, but would just be

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Speaker 2: wondering why someone was asking questions in an interview.

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Speaker 3: Yeah.

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Speaker 1: Toro is one of those guys that operates like on

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Speaker 1: his own time. Yeah, so it's kind of like what

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Speaker 1: do you ask him? He's like he's looking at you

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Speaker 1: like why are you talking to me? Like this is

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Speaker 1: not my talking hours. Yeah, Like he's one of those

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Speaker 1: guys he looks like you to have him, we could

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Speaker 1: have total all the way fucked up. He could come

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Speaker 1: here and be like yo, so ain't no bitches like y'oll.

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Speaker 1: I had had no idea he was one of us,

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Speaker 1: Like I thought you was a mutant.

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Speaker 3: I didn't know.

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Speaker 2: But I've noticed that with a lot of like the

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Speaker 2: fake well not fake, but like the conscious rappers that

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Speaker 2: like really be getting into deep shit. They be the

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Speaker 2: biggest dirtbags, like by far, Yeah.

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Speaker 1: That's just the cover that they operate under those covers

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Speaker 1: and once the lady get along with the lady ends

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Speaker 1: up on the fucking podium to about I did not

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Speaker 1: touch that woman.

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Speaker 2: And I mean, I don't want to insult Kendrick's album

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Speaker 2: because I'm glad he got through all the things he

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Speaker 2: got through, But that album at the end of the

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Speaker 2: day was like, Yo, I was a woke rapper, but

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Speaker 2: I was really texting every bitch that I'm.

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Speaker 3: Oh, yeah for sure, Yeah for sure.

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Speaker 2: He was talking all that shit onto Pipper Butterfly and

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Speaker 2: was in every Bitch's DX.

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Speaker 3: I love. I love what they have us.

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Speaker 1: They have us right in the artist village, artists village

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Speaker 1: kind of like right in the cut, Klay, if you

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Speaker 1: want to go talk to those guys, they were over

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Speaker 1: there baking in the fucking aluminum can.

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Speaker 3: Over there.

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Speaker 2: Somebody grabbed Elliott. I want to have pod wars.

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Speaker 3: Yeah, where's Elliott at man? Let's get Elliott in here.

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Speaker 3: Over there, Let's get Elliott in here to talk a

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Speaker 3: little bit wars.

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Speaker 4: Do you want to talk your ship that you were talking.

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Speaker 1: About him and beat up and beat up? Yeah, they're

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Speaker 1: not really friends, they're business partners.

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Speaker 2: We don't have to ask that talking with Elliott. They

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Speaker 2: did an ad read for us.

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Speaker 3: They did.

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Speaker 2: Yeah, so now I'm I don't know whatever Stitcher sent

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Speaker 2: them over as copy. But okay, it did make me

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Speaker 2: want to go a little a little harder on our ass,

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Speaker 2: had a little more sauce to it. I didn't like

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Speaker 2: that we were politically correct. I want to talk some

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Speaker 2: more shit.

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Speaker 3: Well, no, we kind of. We had fun with it.

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Speaker 3: Did day? Which one did they accept? Did they accept

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Speaker 3: the one that we had fun with?

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Speaker 2: I don't know.

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Speaker 3: Okay, I hope they hope they kept that one. We

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Speaker 3: had fun with that one.

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Speaker 2: Well, yeah, I think I think we could have some

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Speaker 2: some fun conversation with Elliot.

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Speaker 3: Yeah, definitely, it's beat out here.

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Speaker 2: I do they don't like each other, as.

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Speaker 1: To my theory, can't wait to talk to what It's

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Speaker 1: funny seeing you and not your your business model.

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Speaker 2: I have been to Made America for the past ten years,

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Speaker 2: and you're gonna come with me once.

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Speaker 3: You also weren't working for Made in America.

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Speaker 1: All right, we are sitting with the legend, good God,

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Speaker 1: great guy, Elliott Wilson Media. So Elliott, first of all, man,

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Speaker 1: congrats on rap raid all coming back.

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Speaker 3: Can you believe it? Man, I'm so happy to see

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Speaker 3: you guys back.

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Speaker 2: We just sad read for you guys.

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Speaker 3: How is that? Did you fucking up? Well? I'm sure

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Speaker 3: we had fun.

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Speaker 1: We We don't think that we were sitting there talking

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Speaker 1: of verbatim.

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Speaker 3: No no, no, no, no no no.

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Speaker 7: We didn't one for y'all too. It's so funny they

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Speaker 7: give you like that generic.

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Speaker 3: And sh yeah. We gotta have fun with it, man, like.

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Speaker 7: What mine was like.

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Speaker 8: Check out mal and Rory is the Reverend takes on

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Speaker 8: pop culture and what's going on?

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Speaker 3: Reverend? You're a Reverend Rory.

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Speaker 2: Well, I want to say, I want to say, I

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Speaker 2: don't think if you're looking at your numbers, I think

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Speaker 2: they spiked because of the ad we did not calid interview.

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Speaker 3: It wasn't not any of that. It wasn't Jamie.

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Speaker 2: You saw those numbers go crazy after our Jamie Trump,

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Speaker 2: I'm gonna go with our yea our mineral.

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Speaker 1: Definitely, definitely was I was before we go, okay, cool,

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Speaker 1: I like it all right with that.

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Speaker 2: Before we start talking ship. How how was the uh

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Speaker 2: the news fest of Jamie Fox rap radar? Because now

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Speaker 2: you're you politicize an interview. Yeah you're now now you're

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Speaker 2: on the uh the far left.

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Speaker 3: No, that's.

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Speaker 2: You are contributed to the far left narrative I did.

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Speaker 8: I didn't get the crazy Trumpians in my mentions. I

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Speaker 8: appreciate that, though I don't know where to help you out.

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Speaker 3: Those are my people. I'll don't you worry about.

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Speaker 7: I'll send them a bottle, send him a bottle to

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Speaker 7: bottle do no.

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Speaker 8: But that was like the like real like because here's

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Speaker 8: the thing, like when you think about it, like you know,

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Speaker 8: you remember like back in the day, Moory, like, uh,

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Speaker 8: I don't know, mam was down yet when you joined

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Speaker 8: the other ship twenty seventeen, twenty sixty sixteen. Okay, he

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Speaker 8: was part of the two. Okay, so remember twenty fifteen,

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Speaker 8: twenty seventeen, you know, tax zones running around and like

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Speaker 8: we have the podcast app and it's like we're looking

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Speaker 8: at those charts and.

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Speaker 7: Like who's number one, and we'll show each other.

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Speaker 8: So it's early early that podcast earlier o shit, and

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Speaker 8: like so that's twenty fifteen to twenty seventeen, and twenty seventeen.

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Speaker 7: I go to title.

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Speaker 8: So now I'm behind the paywalls exclusive, but now we're

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Speaker 8: like back open platforms. Everybody can listen on your favorite

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Speaker 8: podcast app. So it's just crazy to be like accessible

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Speaker 8: in that way. Like and it's modern era where it's like,

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Speaker 8: you know, the business is grown thanks to you guys

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Speaker 8: in a major way. Also, like you know, like how

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Speaker 8: much attention and like eyes and every So I'm learning

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Speaker 8: the whole business because you know, a lot of is

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Speaker 8: from the work that you guys did and continue to do.

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Speaker 2: So yeah, no having to go wide and not just

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Speaker 2: do the exclusive thing. It's definitely a different approach. And

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Speaker 2: I understood why you guys did the title thing, but

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Speaker 2: I'm happy now there's so many of those interviews.

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Speaker 3: Killed the exclusive for everything Franks definitely definitely more fucking sis.

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Speaker 2: Yeah, but I'm glad those these types of interviews can

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Speaker 2: be seen by everybody.

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Speaker 1: Village Underground okay radio. Yeah, I drove past the other

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Speaker 1: day and I was like, Yo, this was ahead of

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Speaker 1: his time.

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Speaker 3: Just that location that's set up, like I had drinking there.

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Speaker 1: That is like it's a legendary square feet legendary legendary.

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Speaker 2: What's what's those little genies that used to put in

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Speaker 2: the things? You put a quarter in and they talked

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Speaker 2: to you, Oh circumstance, that was Elliott Is in a

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Speaker 2: little glass you know started you know did it first?

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Speaker 3: Uh?

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Speaker 8: Well, shout out Peter Ferraro, Like he's a dude, who's

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Speaker 8: who started? He don't get a lot of credit. Shout

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Speaker 8: out to him.

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Speaker 7: He actually used to sell he used to be an

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Speaker 7: ad guy at the source.

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Speaker 8: That's how I knew him, saust magazine ad dude, Like,

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Speaker 8: who's the pioneer of that? Like first getting up the

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Speaker 8: real major paper for that for that brand. So I

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Speaker 8: ran to him, Peter Farro, and He's like, I'm doing

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Speaker 8: this thing e v R.

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Speaker 3: And really was.

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Speaker 8: Mark Ronson was the first that kind of really started

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Speaker 8: making noise with that that platform. And I loved it

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Speaker 8: because you're literally on like the street, You're like the

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Speaker 8: first right in And I was like, we all we

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Speaker 8: all have the we all grew up listening to ninety

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Speaker 8: seven and we all think we could be on the radio,

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Speaker 8: have those dreams and ship and this gave me a

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Speaker 8: chance to do it. And really I could just really

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Speaker 8: play two hours of what I wanted to play. It's

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Speaker 8: obviously a precursor to a lot of the internet radio,

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Speaker 8: but definitely ahead of the time. And I would get

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Speaker 8: everybody to call in like it was crazy. It just

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Speaker 8: was real organic and dope and like I mean when

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Speaker 8: the Drake thing happened, he came in the thing and

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Speaker 8: it's like is a shot of like Oliver in the

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Speaker 8: back and Oliver looks so like mad that like why

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Speaker 8: are we in this like fucking closet, elliot, Like I

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Speaker 8: don't understand.

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Speaker 2: We just went number one.

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Speaker 3: We should not be.

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Speaker 2: I was like looking on stone faced, I'm like, yo,

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Speaker 2: Katie Kirk this morning.

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Speaker 3: And then I remember, here's here's the Jeffer y'all.

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Speaker 8: So I'm doing it and ifew I'm doing these talk

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Speaker 8: breaks with him, trying to do like radio play songs

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Speaker 8: blah blah, and then we go to like the Dirt

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Speaker 8: Break and Draco's you didn't ask me about Chris Brown.

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Speaker 7: This is the height of their like he wanted to

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Speaker 7: talk about it.

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Speaker 3: He wanted to talk about it.

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Speaker 2: And by the way, side note, I think Eric Adams

359
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Speaker 2: is the only person that can get Whipped Greenhouse back open.

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Speaker 2: I'm voting.

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Speaker 8: Next one part also, and all these Borium all exclusives.

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Speaker 2: Uh. And I want to hear the Chris Brown final approval.

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Speaker 7: Of the interview, of course, because the big stars get

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Speaker 7: final approval for sure.

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00:14:05,840 --> 00:14:07,120
Speaker 8: So when he sent the ship back and it was

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Speaker 8: two hours twenty minutes, like, holy fucking ship, Like.

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Speaker 7: It's perfect whatever he wants to do.

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00:14:11,360 --> 00:14:13,920
Speaker 8: Yeah, No, he did cut small things he didn't cut,

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00:14:13,920 --> 00:14:16,240
Speaker 8: like the chit you worried about, like is he talking

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00:14:16,240 --> 00:14:17,520
Speaker 8: about Kanye A pushing at the time.

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Speaker 7: He cut out the thing while I said that he

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Speaker 7: ruined a club life.

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Speaker 3: In New York City home boy, Yeah ruined Whipping.

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Speaker 7: I really got in his ass about how you ruined.

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Speaker 3: Yeah, I love that ship like.

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Speaker 7: Last Night Life.

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Speaker 3: Well there's two people, Jill Greenhouse and Whip.

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00:14:30,960 --> 00:14:33,280
Speaker 2: Yeah Greenhouse. Whip was the last of the great club

379
00:14:33,320 --> 00:14:34,800
Speaker 2: ship and that was because of Chris Brown and Drake.

380
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Speaker 2: But I will say the real issue was Maul and

381
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Speaker 2: his family with bottle service ruined.

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00:14:41,080 --> 00:14:43,920
Speaker 7: By no bottles there was not bottle service.

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Speaker 3: Look where we are today, because listen, we're here.

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Speaker 2: It's kind of peculiar. Mau had a theory and I

385
00:14:50,720 --> 00:14:52,840
Speaker 2: had some pushback for it. But now that I see

386
00:14:53,200 --> 00:14:55,360
Speaker 2: you are here solo, right, it's weird. I thought you

387
00:14:55,360 --> 00:14:56,200
Speaker 2: had a podcast partner.

388
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Speaker 3: Wonder where's where's Dot?

389
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Speaker 2: Where's Brian?

390
00:14:59,280 --> 00:15:01,960
Speaker 3: Brian Miller? Who's who's brying to beat up? Yeah? See

391
00:15:01,920 --> 00:15:03,440
Speaker 3: that's what I'm saying. He was. He was in the

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Speaker 3: even y'all don't hang out. Y'all not friends. I don't

393
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Speaker 3: kick it. You're roy.

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00:15:06,480 --> 00:15:06,880
Speaker 7: You hit them.

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00:15:07,160 --> 00:15:09,240
Speaker 1: This is credential work. You hit him, beat out it

396
00:15:09,360 --> 00:15:11,880
Speaker 1: at the gate. Elliet isn't here talking to at.

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Speaker 3: The thing because my I add another t to him

398
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Speaker 3: with the one tea.

399
00:15:15,560 --> 00:15:17,200
Speaker 2: Oh no, it makes me feel better.

400
00:15:17,200 --> 00:15:20,520
Speaker 3: You don't have a picture because ellie'r rice. Yeah, I'm

401
00:15:20,520 --> 00:15:22,200
Speaker 3: not for your name right, double t? I got her?

402
00:15:22,440 --> 00:15:24,120
Speaker 8: Now look at me and beat out man like, mam,

403
00:15:24,120 --> 00:15:27,920
Speaker 8: he's funny you started this ship I was doing.

404
00:15:27,920 --> 00:15:30,000
Speaker 1: I was like Elliet, like there was so many congrats,

405
00:15:30,080 --> 00:15:31,680
Speaker 1: congrats like y'all don't like each other.

406
00:15:32,360 --> 00:15:33,160
Speaker 7: Friend, here's the.

407
00:15:33,120 --> 00:15:35,280
Speaker 8: Whole friend you know, the friend thing gets weird right

408
00:15:35,400 --> 00:15:36,480
Speaker 8: to call somebody your friend?

409
00:15:36,920 --> 00:15:37,120
Speaker 3: True?

410
00:15:37,240 --> 00:15:39,320
Speaker 7: The mass is cracking, the white cracking.

411
00:15:39,400 --> 00:15:39,800
Speaker 3: It's just weird.

412
00:15:39,840 --> 00:15:40,040
Speaker 4: Mass.

413
00:15:40,080 --> 00:15:41,000
Speaker 7: How friends that you have?

414
00:15:41,280 --> 00:15:43,440
Speaker 8: Like, it's hard, right, that's a title, right, get somebody

415
00:15:43,440 --> 00:15:44,160
Speaker 8: your friends title?

416
00:15:44,920 --> 00:15:45,280
Speaker 3: It's hard.

417
00:15:45,440 --> 00:15:48,080
Speaker 2: There's there's work, there's work, friends, work associates, and then

418
00:15:48,080 --> 00:15:48,640
Speaker 2: there's friends.

419
00:15:48,640 --> 00:15:50,520
Speaker 3: And so said viral clip I saw. I don't even

420
00:15:50,480 --> 00:15:51,160
Speaker 3: know who the person is.

421
00:15:51,160 --> 00:15:53,360
Speaker 8: He's like, you know, everybody wants to have all these friends,

422
00:15:53,400 --> 00:15:55,920
Speaker 8: like twenty friends and ship, Like give me free, motherfuckers,

423
00:15:55,920 --> 00:15:56,920
Speaker 8: then I'll take over the world.

424
00:15:56,920 --> 00:15:58,880
Speaker 7: Like only twenty friends. Everybody want to have so many

425
00:15:58,920 --> 00:15:59,360
Speaker 7: friends now.

426
00:15:59,440 --> 00:16:01,120
Speaker 8: But this is see me and Beat that it's hard

427
00:16:01,160 --> 00:16:03,760
Speaker 8: to like lean into saying we're friends because of the

428
00:16:03,800 --> 00:16:06,120
Speaker 8: age difference and because when he goes to when he

429
00:16:06,360 --> 00:16:09,040
Speaker 8: joins Double Excel, it's like two thousand and five. I'm like,

430
00:16:09,040 --> 00:16:11,080
Speaker 8: I'm a grown ass man. He's a young dude. So

431
00:16:11,120 --> 00:16:13,000
Speaker 8: it's like that difference to that. But yeah, we've grown

432
00:16:13,000 --> 00:16:13,840
Speaker 8: to be friends.

433
00:16:13,520 --> 00:16:15,400
Speaker 3: Obestuly and like there's a lot of love and respect there.

434
00:16:15,440 --> 00:16:17,600
Speaker 8: But what I've always loved about Beat Isaiah, he's not

435
00:16:17,600 --> 00:16:20,080
Speaker 8: a fucking yes man to me, Like he respects me,

436
00:16:20,360 --> 00:16:22,120
Speaker 8: but he thinks he's the ship too, so you know,

437
00:16:22,240 --> 00:16:25,080
Speaker 8: somehow work he has his confidence. Now he's got a

438
00:16:25,120 --> 00:16:27,000
Speaker 8: list that y'all give a fuck about. On the YU

439
00:16:27,320 --> 00:16:29,080
Speaker 8: why you gassed this guy list?

440
00:16:29,200 --> 00:16:30,880
Speaker 3: People go crazy every time he dropped.

441
00:16:31,160 --> 00:16:33,360
Speaker 8: Seriously, we got a joint with the next episode of

442
00:16:33,440 --> 00:16:35,800
Speaker 8: Late Banks and with interview and let Banks and like,

443
00:16:36,080 --> 00:16:38,480
Speaker 8: like towards the end, Banks just like gets on it

444
00:16:38,560 --> 00:16:40,160
Speaker 8: about the list, like he just turns the whole ship

445
00:16:40,160 --> 00:16:41,680
Speaker 8: to us, Like yeah, I was like, Oh, these motherfuckers

446
00:16:41,760 --> 00:16:43,120
Speaker 8: really care about this guy's.

447
00:16:42,880 --> 00:16:45,800
Speaker 3: List, Like it's insane, insane.

448
00:16:45,440 --> 00:16:48,440
Speaker 8: Sane, right, like rolling Stone, beat Out, beat Out, Strong Sign,

449
00:16:48,520 --> 00:16:50,520
Speaker 8: rolling Stone, what you think about his ship?

450
00:16:50,600 --> 00:16:52,960
Speaker 2: Like because beat Out is actually in the culture. And

451
00:16:53,440 --> 00:16:55,440
Speaker 2: that's where it gets different because with somebody's Rolling Stone

452
00:16:55,440 --> 00:16:57,960
Speaker 2: and you don't even say complex list, it's like, who's

453
00:16:58,000 --> 00:17:00,480
Speaker 2: making this list? Do I know them? Can I trust

454
00:17:00,520 --> 00:17:02,640
Speaker 2: their taste? I could disagree with beat Out, but I

455
00:17:02,680 --> 00:17:04,840
Speaker 2: respect his music taste and know that he takes a

456
00:17:04,880 --> 00:17:06,680
Speaker 2: shit serious. But that's why I don't mind when it

457
00:17:06,800 --> 00:17:08,440
Speaker 2: just goes like, no, let's not kill this list, Let's

458
00:17:08,480 --> 00:17:08,959
Speaker 2: always make it.

459
00:17:09,040 --> 00:17:11,359
Speaker 8: So the era of personal branding is the authority and

460
00:17:11,400 --> 00:17:13,240
Speaker 8: I leaned into that early with ex Excel, and I

461
00:17:13,280 --> 00:17:15,359
Speaker 8: didn't know I was doing that. Like I created this

462
00:17:15,480 --> 00:17:18,280
Speaker 8: Yan persona which allowed me to be fucking bold and

463
00:17:18,480 --> 00:17:20,480
Speaker 8: you know, yellow and word doesn't care and like he's

464
00:17:20,520 --> 00:17:22,080
Speaker 8: wanting to put it all on the line, and like,

465
00:17:22,400 --> 00:17:24,560
Speaker 8: you know, I'm going against real dudes, I'm going against all.

466
00:17:24,800 --> 00:17:26,280
Speaker 7: It's funny because I wasn't always just this.

467
00:17:27,040 --> 00:17:29,359
Speaker 8: It wasn't just me this in those guys, I just

468
00:17:29,480 --> 00:17:31,320
Speaker 8: everybody in the industry, like I called it, everybody, Like

469
00:17:31,359 --> 00:17:34,600
Speaker 8: I was moving fearless and reckless and crazy because that's

470
00:17:34,600 --> 00:17:36,000
Speaker 8: what I thought I had to do and I was

471
00:17:36,040 --> 00:17:37,879
Speaker 8: young and I was spelling myself making money for the

472
00:17:37,880 --> 00:17:41,240
Speaker 8: first time, so you know, but people believed in yn

473
00:17:41,240 --> 00:17:43,399
Speaker 8: this personal brand behind the bigger brand.

474
00:17:43,480 --> 00:17:45,359
Speaker 3: Yeah, and now the whole thing is about personal brands.

475
00:17:45,359 --> 00:17:47,800
Speaker 8: They came about with Rory mal Elliott. Think like personal

476
00:17:47,840 --> 00:17:50,080
Speaker 8: branding is really more important right now than like these

477
00:17:50,160 --> 00:17:52,920
Speaker 8: like who is these brands? Like who is no shot

478
00:17:53,000 --> 00:17:54,960
Speaker 8: to anybody know who is complex at this point?

479
00:17:55,200 --> 00:17:56,359
Speaker 3: Who is this one? At this point?

480
00:17:56,560 --> 00:17:58,760
Speaker 8: You know, they care about Rory mall Elliott Wilson beat

481
00:17:58,760 --> 00:18:00,320
Speaker 8: out like it's it's personal.

482
00:18:00,400 --> 00:18:03,480
Speaker 2: So much that I think did come from podcasting and

483
00:18:03,520 --> 00:18:05,640
Speaker 2: the visual aspect of podcasting, because even when I would

484
00:18:05,640 --> 00:18:07,639
Speaker 2: pick up like you had to be an actual like

485
00:18:08,040 --> 00:18:11,000
Speaker 2: super nerd to like, look who wrote this in double XL?

486
00:18:11,119 --> 00:18:12,720
Speaker 2: Who wrote this in the source? Most people were picking

487
00:18:12,760 --> 00:18:14,359
Speaker 2: up the source because there was an article about an

488
00:18:14,400 --> 00:18:16,440
Speaker 2: artist they like and they read it in agree or disagree.

489
00:18:16,760 --> 00:18:18,840
Speaker 2: Also me, Now it's like your face is right on

490
00:18:18,880 --> 00:18:20,960
Speaker 2: this camera and it's my opinion with my name above it,

491
00:18:21,000 --> 00:18:23,560
Speaker 2: with my name and the caption like it becomes.

492
00:18:23,680 --> 00:18:27,160
Speaker 3: Jit is ready? Hello? Sorry? Is ready? Sorry? Elliott?

493
00:18:27,520 --> 00:18:29,159
Speaker 7: Did you do?

494
00:18:29,240 --> 00:18:29,560
Speaker 3: I want to?

495
00:18:29,680 --> 00:18:31,000
Speaker 7: Can I get my sh off behind me?

496
00:18:31,000 --> 00:18:35,160
Speaker 3: Media cool? Media was never cool before me and then

497
00:18:35,200 --> 00:18:39,119
Speaker 3: dropped off Elliot. No, everybody know like MAM's media. Now

498
00:18:39,160 --> 00:18:40,560
Speaker 3: it's like media wasn't cool.

499
00:18:41,240 --> 00:18:42,400
Speaker 2: Do we consider radio media?

500
00:18:42,600 --> 00:18:45,360
Speaker 7: Media was like no, but not not not journalism.

501
00:18:45,359 --> 00:18:47,840
Speaker 3: It's corny, asked her, like you can't wrap who you

502
00:18:47,880 --> 00:18:48,920
Speaker 3: to tell me how? I'm's whack?

503
00:18:49,320 --> 00:18:50,800
Speaker 8: I see you by line, I don't know what you

504
00:18:50,840 --> 00:18:52,760
Speaker 8: look like, trying to find you in the club and

505
00:18:52,800 --> 00:18:53,400
Speaker 8: put hands on.

506
00:18:53,920 --> 00:18:55,800
Speaker 7: That was media, Like that's where I come from.

507
00:18:56,080 --> 00:18:58,080
Speaker 3: Yeah, you know what I'm saying, Like now it's cool

508
00:18:58,119 --> 00:18:58,679
Speaker 3: to be media.

509
00:18:58,760 --> 00:19:00,720
Speaker 8: Charles Barkley is more known from media and then even

510
00:19:00,720 --> 00:19:02,760
Speaker 8: being like I saw the clips win, like he was

511
00:19:02,800 --> 00:19:04,119
Speaker 8: a phenomenal basketball player.

512
00:19:04,160 --> 00:19:06,159
Speaker 3: A lot of people forget that was nice, Like it

513
00:19:06,200 --> 00:19:07,800
Speaker 3: was fucking great, like one of my favorite players.

514
00:19:07,800 --> 00:19:10,159
Speaker 8: Like, but like he's a great media personality also. But

515
00:19:10,240 --> 00:19:12,840
Speaker 8: it's like, it's crazy how media is now cool. You

516
00:19:12,840 --> 00:19:14,879
Speaker 8: have to have a media company, and I love it.

517
00:19:14,920 --> 00:19:16,359
Speaker 8: I feel like I was ahead of that curve of

518
00:19:16,400 --> 00:19:19,160
Speaker 8: like I made you buy into the like the coolness

519
00:19:19,200 --> 00:19:21,080
Speaker 8: that we extally so was cooler than the source.

520
00:19:21,160 --> 00:19:22,680
Speaker 3: Yeah, that's why we had to win.

521
00:19:22,760 --> 00:19:24,919
Speaker 7: It's like they're not of us, They're not the culture.

522
00:19:24,960 --> 00:19:26,760
Speaker 3: Like they're not gonna win. I don't care if they're

523
00:19:26,800 --> 00:19:29,160
Speaker 3: the Bible. It's over. Well, I'm putting them out.

524
00:19:29,560 --> 00:19:31,600
Speaker 2: You did the ship too, because I feel like I

525
00:19:31,640 --> 00:19:35,160
Speaker 2: feel like you got about all the gangster rappers wanted

526
00:19:35,160 --> 00:19:37,639
Speaker 2: to beat you up. Now now they're media. Yeah, like

527
00:19:38,359 --> 00:19:40,440
Speaker 2: is a sweetheart when Noriega was not a sweetheart.

528
00:19:40,440 --> 00:19:42,720
Speaker 3: No, okay, here's a good here's a good Jim Jones story.

529
00:19:42,800 --> 00:19:46,639
Speaker 8: Jim Jones. Uh, there's a tape of Jim Jones. I

530
00:19:46,640 --> 00:19:49,480
Speaker 8: think one of those like they had the DVD. Yeah,

531
00:19:49,600 --> 00:19:52,240
Speaker 8: like we did your DVD and he's basically he's young

532
00:19:52,320 --> 00:19:54,480
Speaker 8: in Vanessa on the phone. He's talking about basically like

533
00:19:54,480 --> 00:19:56,440
Speaker 8: he's mad we don't give him a cover. Yeah, blah blah.

534
00:19:56,920 --> 00:19:58,720
Speaker 8: You know, dreading to slide my coofee off all that

535
00:19:58,720 --> 00:19:59,160
Speaker 8: type of ship.

536
00:19:59,240 --> 00:20:00,000
Speaker 2: He was on the Coofie liers.

537
00:20:00,080 --> 00:20:02,240
Speaker 3: I was on the Coofie list. No, he was on

538
00:20:02,280 --> 00:20:04,280
Speaker 3: the cookie list. Definitely on the cool fee list. Damn,

539
00:20:04,280 --> 00:20:06,720
Speaker 3: I didn't know that. Joe.

540
00:20:06,880 --> 00:20:13,840
Speaker 8: Yeah, Joe, I remember, like I get fired and then

541
00:20:14,119 --> 00:20:16,320
Speaker 8: I'm in a fashion ship, some kind of fashion thing.

542
00:20:16,480 --> 00:20:18,840
Speaker 8: That's when he was running around with Dame. I remember

543
00:20:18,840 --> 00:20:22,680
Speaker 8: when Castle was wearing the Louis over there there the scarf.

544
00:20:22,880 --> 00:20:26,360
Speaker 2: Yeah yeah, so the rap money Tom yeah, and Jim

545
00:20:26,400 --> 00:20:27,000
Speaker 2: goes something.

546
00:20:27,800 --> 00:20:29,840
Speaker 8: He goes, he starts, he goes, I should suck you

547
00:20:29,920 --> 00:20:32,640
Speaker 8: up right now, blab blah, and then he goes, now, no, no, no, now,

548
00:20:33,080 --> 00:20:33,560
Speaker 8: we had that song.

549
00:20:37,000 --> 00:20:39,240
Speaker 2: Look well, he he was branding himself at the same time.

550
00:20:40,000 --> 00:20:42,960
Speaker 3: To his credit, Dame comes in. You know, Dame's the

551
00:20:42,960 --> 00:20:43,800
Speaker 3: peace maker.

552
00:20:43,560 --> 00:20:46,399
Speaker 5: Like your niggas.

553
00:20:46,400 --> 00:20:48,440
Speaker 3: He come on office the next morning blah blah blah.

554
00:20:48,640 --> 00:20:50,600
Speaker 8: A nigga Damn called the meeting, and me and Jim

555
00:20:50,680 --> 00:20:53,040
Speaker 8: like school kids, came to the office the next day

556
00:20:53,119 --> 00:20:55,360
Speaker 8: like ten am and basically just hammered the ship out

557
00:20:55,359 --> 00:20:58,880
Speaker 8: and got and got me and Jomo been sild ever since.

558
00:20:58,960 --> 00:21:02,280
Speaker 2: Did you talk to Banks about you in fifties history? Now?

559
00:21:02,440 --> 00:21:03,960
Speaker 3: Banks didn't go ahead with me on any of that

560
00:21:04,000 --> 00:21:04,680
Speaker 3: ship obviously.

561
00:21:04,720 --> 00:21:04,920
Speaker 9: Yeah.

562
00:21:05,640 --> 00:21:08,760
Speaker 2: Do you think Banks was super aware of I think so.

563
00:21:09,000 --> 00:21:10,679
Speaker 2: But I think fifty is a disdained for you at

564
00:21:10,720 --> 00:21:14,400
Speaker 2: one moment. It's disdain trying to think a nice way.

565
00:21:14,480 --> 00:21:15,879
Speaker 8: I think that this thing grew at the end. I

566
00:21:15,920 --> 00:21:18,480
Speaker 8: don't think this sting was fully there during the height

567
00:21:18,520 --> 00:21:21,280
Speaker 8: of their run. Did the stain came kind of after

568
00:21:21,320 --> 00:21:23,000
Speaker 8: the end, and you know, like we don't realize is

569
00:21:23,000 --> 00:21:25,680
Speaker 8: that besides the things that you know? I think the

570
00:21:25,680 --> 00:21:28,200
Speaker 8: one way to look at is that, you know, fifty

571
00:21:28,240 --> 00:21:29,679
Speaker 8: is the type of dude's a hustler. It's like he

572
00:21:29,720 --> 00:21:32,120
Speaker 8: can't make no money with me. Fuck you, He's getting

573
00:21:32,160 --> 00:21:34,239
Speaker 8: on some songs, right, So what I'm more for out

574
00:21:34,280 --> 00:21:36,919
Speaker 8: of Double Excel is I create rap Radarf. Then you

575
00:21:36,960 --> 00:21:39,840
Speaker 8: see he starts really pushing this is fifty. So again

576
00:21:40,040 --> 00:21:42,000
Speaker 8: someone'st like with being competitive with each other, like and

577
00:21:42,119 --> 00:21:44,640
Speaker 8: the fact that Paul Roseberg was my partner and he

578
00:21:44,680 --> 00:21:46,600
Speaker 8: was the guy whoever eminem whatever. I think he just

579
00:21:46,600 --> 00:21:48,760
Speaker 8: felt a way about that too, like y'all niggas trying to,

580
00:21:48,800 --> 00:21:49,720
Speaker 8: you know, level up on me.

581
00:21:49,920 --> 00:21:51,000
Speaker 5: You know, it is what it is.

582
00:21:51,200 --> 00:21:51,600
Speaker 3: I get it.

583
00:21:51,640 --> 00:21:53,720
Speaker 2: Well, I'm glad nothing happened with the entire thing.

584
00:21:53,840 --> 00:21:56,880
Speaker 8: Also, let's break it down really by you notice Rory,

585
00:21:58,080 --> 00:21:59,960
Speaker 8: you want on that side of town with Quinn.

586
00:22:00,600 --> 00:22:02,800
Speaker 7: South Side, we don't side.

587
00:22:02,880 --> 00:22:05,040
Speaker 8: They usually don't get you all usually don't get along

588
00:22:05,119 --> 00:22:09,920
Speaker 8: with my side, which is no long Island Bridge, Ravens,

589
00:22:10,000 --> 00:22:10,879
Speaker 8: wood Woodside.

590
00:22:11,240 --> 00:22:13,480
Speaker 7: We don't get along with different cats like you. You

591
00:22:13,560 --> 00:22:15,040
Speaker 7: think we were like Manhattan boys.

592
00:22:15,200 --> 00:22:17,360
Speaker 1: I think that's like every every every city, every boroughs

593
00:22:17,480 --> 00:22:19,040
Speaker 1: is kind of like that. Yeah, you have your side

594
00:22:19,080 --> 00:22:20,679
Speaker 1: of the city where you're just like, we don't really

595
00:22:20,760 --> 00:22:21,480
Speaker 1: rock with like queens.

596
00:22:21,520 --> 00:22:23,480
Speaker 8: We all have that queen's pride, but it's very different

597
00:22:23,480 --> 00:22:26,359
Speaker 8: to being like West divided, Woodside and south Side are

598
00:22:26,440 --> 00:22:26,879
Speaker 8: very different.

599
00:22:27,359 --> 00:22:28,639
Speaker 2: Does queens run podcasting?

600
00:22:29,400 --> 00:22:31,920
Speaker 3: Hey man, we run everything. That's Russell Simmons. I don't know.

601
00:22:34,080 --> 00:22:36,720
Speaker 2: He was talking to you and your friends. He was,

602
00:22:37,000 --> 00:22:38,720
Speaker 2: he was saying more you should ask Russell Simmons.

603
00:22:39,760 --> 00:22:41,720
Speaker 3: Have you talking to Russell since.

604
00:22:41,720 --> 00:22:46,280
Speaker 8: The having My Man though, Like you know cats like

605
00:22:46,520 --> 00:22:50,400
Speaker 8: Russell started that wave. You know, it's funny Russell's remember

606
00:22:50,440 --> 00:22:52,119
Speaker 8: what was that ship he at hook dot com. I

607
00:22:52,240 --> 00:22:54,480
Speaker 8: mean that is in the nineties, so Russell was at

608
00:22:54,520 --> 00:22:57,200
Speaker 8: the forefront. It's sort of like the beginning of kind

609
00:22:57,240 --> 00:23:00,439
Speaker 8: of killing print journalism because everybody got internet jobs back

610
00:23:00,480 --> 00:23:01,800
Speaker 8: when we didn't know what to do with the da right,

611
00:23:02,080 --> 00:23:04,000
Speaker 8: So he used to pay journalists like he hired like

612
00:23:04,080 --> 00:23:06,240
Speaker 8: you know someone Hines who I work with, shout de

613
00:23:06,359 --> 00:23:07,600
Speaker 8: Swan Thomas, who's that vibe?

614
00:23:07,760 --> 00:23:09,520
Speaker 7: And he basically like using let's say he was making

615
00:23:09,560 --> 00:23:10,159
Speaker 7: seventy five.

616
00:23:10,160 --> 00:23:12,600
Speaker 8: Year as a journalist. Russell had the bag one point

617
00:23:12,600 --> 00:23:14,600
Speaker 8: fifty you do this in and that shit. But it

618
00:23:14,680 --> 00:23:16,200
Speaker 8: was ahead of his time. We didn't know about being

619
00:23:16,440 --> 00:23:17,000
Speaker 8: the power of the.

620
00:23:17,080 --> 00:23:18,480
Speaker 2: Dook a digital.

621
00:23:18,800 --> 00:23:21,600
Speaker 3: The digital ship was Russell. When I think of Russell,

622
00:23:21,600 --> 00:23:22,359
Speaker 3: I think of that part too.

623
00:23:22,480 --> 00:23:24,200
Speaker 2: Yeah, All def Digital did a lot of ship that

624
00:23:24,760 --> 00:23:26,600
Speaker 2: is now prominent on the Internet. Of course, a lot

625
00:23:26,600 --> 00:23:28,960
Speaker 2: of shit happened with Russ and yeah, other there was

626
00:23:28,960 --> 00:23:31,159
Speaker 2: other bigger websites, but All Deaf Digital really did do

627
00:23:31,200 --> 00:23:31,720
Speaker 2: a lot of the ship.

628
00:23:31,840 --> 00:23:33,280
Speaker 7: And it started with a thing he had called hook

629
00:23:33,320 --> 00:23:33,679
Speaker 7: dot com.

630
00:23:33,840 --> 00:23:35,600
Speaker 3: When that became then I became all the digital.

631
00:23:35,840 --> 00:23:37,680
Speaker 2: That's crazy, but has a curve of that ship. Who

632
00:23:37,720 --> 00:23:39,040
Speaker 2: do you want to see and who don't you want

633
00:23:39,080 --> 00:23:39,360
Speaker 2: to see?

634
00:23:39,680 --> 00:23:41,879
Speaker 8: No, I'm actually you know, I'm really like a service

635
00:23:41,920 --> 00:23:43,800
Speaker 8: fan where I'm really excited about the headliners, Like I

636
00:23:43,880 --> 00:23:46,760
Speaker 8: really like, I mean, obviously loved Tyler. He's a great guy.

637
00:23:47,119 --> 00:23:49,000
Speaker 8: I don't want to see him live and Bad Bundy

638
00:23:49,080 --> 00:23:51,639
Speaker 8: the phenomenon. I missed the whole Yankee Stadium. You know,

639
00:23:51,720 --> 00:23:53,560
Speaker 8: nobody told me. I also say, for the record word Mam.

640
00:23:53,560 --> 00:23:55,920
Speaker 3: Showed that I live in California. No one wants to

641
00:23:55,960 --> 00:23:57,680
Speaker 3: accept it. I left New York.

642
00:23:57,840 --> 00:23:59,639
Speaker 8: Yeahah, everybody wants I don't think about a lot of

643
00:23:59,640 --> 00:24:01,080
Speaker 8: people know they don't want to accept it.

644
00:24:01,160 --> 00:24:03,160
Speaker 2: Mom, I've known you been out for a while.

645
00:24:04,640 --> 00:24:08,440
Speaker 3: Drove you up? Did he help you back? He ran?

646
00:24:10,359 --> 00:24:12,800
Speaker 8: He ran, He ran me out of Queens, he read

647
00:24:12,880 --> 00:24:15,440
Speaker 8: me out of town. No, it's a bad Bunny. I

648
00:24:15,480 --> 00:24:17,720
Speaker 8: want to see bad Bunny. Heard about the Yankee Stadium stuff,

649
00:24:17,760 --> 00:24:19,399
Speaker 8: and like the phenomenon of this bad Bunny.

650
00:24:19,440 --> 00:24:22,160
Speaker 3: Bad Bunny is running this whole music ship. So who's

651
00:24:22,200 --> 00:24:24,040
Speaker 3: the one artist that you reached out to to to

652
00:24:24,119 --> 00:24:26,119
Speaker 3: sit down with that never responded.

653
00:24:26,560 --> 00:24:28,560
Speaker 7: The funny thing is that a lot I was talking.

654
00:24:28,600 --> 00:24:29,879
Speaker 7: I ran into Jinks. It's funny.

655
00:24:29,880 --> 00:24:30,520
Speaker 3: I told Rory.

656
00:24:31,400 --> 00:24:33,440
Speaker 7: I flew in wearing a Royal mahoodie. You act to

657
00:24:33,440 --> 00:24:34,400
Speaker 7: give me a Royal malhodie.

658
00:24:34,400 --> 00:24:34,960
Speaker 3: I like that hoodie.

659
00:24:34,960 --> 00:24:38,639
Speaker 2: It's a good pandemonium. Sure you don't need to take

660
00:24:38,680 --> 00:24:38,919
Speaker 2: that off.

661
00:24:40,320 --> 00:24:41,920
Speaker 7: Give it to me somebody here, roy Ma hoodies. I

662
00:24:42,240 --> 00:24:43,679
Speaker 7: like my Royal and his thing.

663
00:24:43,760 --> 00:24:46,280
Speaker 8: And my wife approves of Royal malh hoodie because thank you.

664
00:24:46,440 --> 00:24:48,240
Speaker 8: A lot of promo ships she don't funk with. She

665
00:24:48,320 --> 00:24:51,160
Speaker 8: calls it Rob McDaniel ship goes straight in the trash.

666
00:24:51,520 --> 00:24:53,360
Speaker 8: But that Royal Ma hoodies kind of clean.

667
00:24:53,440 --> 00:24:54,679
Speaker 2: So I rocked that quality.

668
00:24:54,760 --> 00:24:56,399
Speaker 7: I ran to Jinks. You know, we all know the

669
00:24:56,480 --> 00:24:59,159
Speaker 7: brother Jinks. But I was saying, what was that.

670
00:24:59,200 --> 00:25:00,680
Speaker 3: What's the point I'm trying to I forget the point.

671
00:25:00,680 --> 00:25:02,560
Speaker 3: I was trying to make an artist that you reached

672
00:25:02,600 --> 00:25:03,200
Speaker 3: out to that turn.

673
00:25:03,160 --> 00:25:03,520
Speaker 4: You got oh.

674
00:25:03,520 --> 00:25:04,159
Speaker 7: I was telling him.

675
00:25:04,160 --> 00:25:04,320
Speaker 10: I was.

676
00:25:04,480 --> 00:25:06,840
Speaker 8: I was lamented to him about how you know, now

677
00:25:06,880 --> 00:25:08,600
Speaker 8: we're turning people down and want to get line. But

678
00:25:08,840 --> 00:25:10,320
Speaker 8: people were fronting like you know what I'm saying, Like

679
00:25:10,359 --> 00:25:12,520
Speaker 8: in July when I'm trying to do bookings, you know,

680
00:25:12,600 --> 00:25:14,119
Speaker 8: people were kind of not getting back to me.

681
00:25:14,280 --> 00:25:15,760
Speaker 7: It's hard to, you know, get back in again.

682
00:25:15,760 --> 00:25:16,280
Speaker 3: You're not game.

683
00:25:16,880 --> 00:25:18,640
Speaker 7: Nobody's gonna lift you up when you down. You gotta

684
00:25:18,640 --> 00:25:19,240
Speaker 7: get hot again.

685
00:25:19,359 --> 00:25:22,280
Speaker 8: So you know, now that Jamie went viral, everybody pitching

686
00:25:22,400 --> 00:25:24,560
Speaker 8: so not be as relevant anymore.

687
00:25:24,760 --> 00:25:27,040
Speaker 7: Like, you know, he's in town, he's in town, He's

688
00:25:27,040 --> 00:25:29,119
Speaker 7: in town. So just the industry shit, you know.

689
00:25:29,400 --> 00:25:29,800
Speaker 3: I hate it.

690
00:25:31,000 --> 00:25:33,719
Speaker 2: I hate that shit, with the battle of who can

691
00:25:33,760 --> 00:25:36,040
Speaker 2: talk to who first, or who can talk to the most.

692
00:25:35,880 --> 00:25:37,440
Speaker 3: People that we are, who talks the best?

693
00:25:37,880 --> 00:25:40,480
Speaker 2: Yeah, let's talk to each other wars with that being

694
00:25:40,520 --> 00:25:43,560
Speaker 2: so accessible in so many fucking podcasts and so many cameras.

695
00:25:44,320 --> 00:25:46,800
Speaker 2: What's wrong with hip hop journalism right now? As far

696
00:25:46,800 --> 00:25:49,720
Speaker 2: as interviewing goes, well, I could do a.

697
00:25:49,720 --> 00:25:53,320
Speaker 8: Whole tutorial on how the interview like stop interrupting, motherfuckers. Uh,

698
00:25:53,920 --> 00:25:56,400
Speaker 8: everything doesn't have to be chronological in your conversation.

699
00:25:56,560 --> 00:26:00,040
Speaker 3: Yeah, I'm learning that. Yeah, you guys gotta.

700
00:25:59,840 --> 00:26:00,400
Speaker 7: Watch you guys.

701
00:26:00,400 --> 00:26:02,320
Speaker 8: Man, He's starting to what it was the thing before

702
00:26:02,400 --> 00:26:06,399
Speaker 8: Quin Miller that's journalism. He snapped another German drama that

703
00:26:07,240 --> 00:26:09,520
Speaker 8: you did. You did, You did the journalism one on

704
00:26:09,600 --> 00:26:10,800
Speaker 8: one where it's like you.

705
00:26:10,920 --> 00:26:14,040
Speaker 7: Talked to fifty cent, you gotta talk to murder ing

706
00:26:14,240 --> 00:26:16,320
Speaker 7: like he did the whole side. No, but that was

707
00:26:16,440 --> 00:26:18,240
Speaker 7: that was tell both sides.

708
00:26:18,640 --> 00:26:18,680
Speaker 3: No.

709
00:26:18,800 --> 00:26:21,080
Speaker 1: But the Queen thing was Quinn was in the making

710
00:26:21,119 --> 00:26:22,520
Speaker 1: for a while, which I was back and forth with

711
00:26:22,600 --> 00:26:24,760
Speaker 1: him for about over a year and a half, and

712
00:26:24,880 --> 00:26:26,800
Speaker 1: he just wasn't you know, he wasn't comfortable, he wasn't ready,

713
00:26:26,800 --> 00:26:27,600
Speaker 1: he didn't really want to talk.

714
00:26:27,600 --> 00:26:28,920
Speaker 3: I'm a ship. All of a sudden he got. He

715
00:26:29,840 --> 00:26:31,080
Speaker 3: hit me as soon as it came out.

716
00:26:31,280 --> 00:26:34,400
Speaker 8: He said, I'm ready, like people forget, like everybody talks

717
00:26:34,400 --> 00:26:37,200
Speaker 8: about when I did the m J fifty cover, you know,

718
00:26:37,320 --> 00:26:38,680
Speaker 8: two months later I did murder Rag.

719
00:26:39,040 --> 00:26:41,680
Speaker 7: Yeah, and those are real conversations, like you know, and

720
00:26:41,760 --> 00:26:43,240
Speaker 7: the scope was mad and we want you all that.

721
00:26:43,320 --> 00:26:45,159
Speaker 7: But it's like, as the journalism thing is that you

722
00:26:45,280 --> 00:26:47,320
Speaker 7: have to tell both sides as give everybody.

723
00:26:47,640 --> 00:26:49,920
Speaker 8: It's unfair to give drama this platform where you show

724
00:26:50,000 --> 00:26:52,160
Speaker 8: up to this level and quin Miller want to speak

725
00:26:52,200 --> 00:26:53,320
Speaker 8: and you got relationship already.

726
00:26:53,680 --> 00:26:56,680
Speaker 7: It's almost unfair you know, to not give him that platform.

727
00:26:56,760 --> 00:26:57,720
Speaker 3: So you know, I watch you.

728
00:26:57,760 --> 00:26:59,720
Speaker 8: I think that's where that's what certain journalism thinks. And

729
00:26:59,760 --> 00:27:02,320
Speaker 8: then it's like it's embedded in some of the best

730
00:27:02,359 --> 00:27:05,240
Speaker 8: moments of everything we do. But there just isn't this

731
00:27:05,400 --> 00:27:07,600
Speaker 8: one standard anymore, you know what. I mean to consider

732
00:27:07,680 --> 00:27:10,000
Speaker 8: what you guys did with that journalism moments, but I

733
00:27:10,040 --> 00:27:11,480
Speaker 8: feel like every end of you, you know, we try

734
00:27:11,560 --> 00:27:11,960
Speaker 8: to deliver it.

735
00:27:12,000 --> 00:27:15,520
Speaker 2: That so so many journalists And that's why I, outside

736
00:27:15,560 --> 00:27:17,440
Speaker 2: of your work, do call you the goat the fact

737
00:27:17,480 --> 00:27:21,200
Speaker 2: that you've been able to keep this many industry relationships

738
00:27:21,840 --> 00:27:25,560
Speaker 2: and never just take a sage is incredible because at

739
00:27:25,560 --> 00:27:27,639
Speaker 2: this point, I feel like it's hard to do the

740
00:27:27,720 --> 00:27:29,520
Speaker 2: drama quent and shit. Of course that's a lower level,

741
00:27:30,000 --> 00:27:32,200
Speaker 2: but artists are so sensitive now, and I feel like

742
00:27:32,280 --> 00:27:35,440
Speaker 2: social media has brought media and artists closer where that

743
00:27:35,440 --> 00:27:37,200
Speaker 2: people feel like they're friends, like they go to dinner

744
00:27:37,240 --> 00:27:40,800
Speaker 2: and shit now, So it's tough to be the objective

745
00:27:40,920 --> 00:27:42,320
Speaker 2: like all right, well, I'm gonna let the person you

746
00:27:42,359 --> 00:27:44,440
Speaker 2: won't fuck with till they side, and now you become

747
00:27:44,480 --> 00:27:45,040
Speaker 2: a bad friend.

748
00:27:45,400 --> 00:27:46,920
Speaker 7: No, I think you just have to think about it.

749
00:27:47,040 --> 00:27:48,600
Speaker 7: That's how people they say things like that.

750
00:27:48,720 --> 00:27:50,680
Speaker 8: They say, well, you're cool with jay Z, you're not

751
00:27:50,760 --> 00:27:52,680
Speaker 8: cool with fifty cent, Like everything's black and white.

752
00:27:52,920 --> 00:27:53,920
Speaker 3: It's not black and white.

753
00:27:53,960 --> 00:27:55,719
Speaker 8: And the biggest thing is when you're cool with somebody,

754
00:27:56,240 --> 00:27:58,000
Speaker 8: you guys know, it's like you carry even more way

755
00:27:58,080 --> 00:27:59,480
Speaker 8: to that because when you do something they don't like,

756
00:27:59,520 --> 00:28:02,080
Speaker 8: they feel like their friend portrayed them, but the man's

757
00:28:02,160 --> 00:28:04,479
Speaker 8: turned on them, like the fuck my nigga, Like la,

758
00:28:04,960 --> 00:28:07,399
Speaker 8: that's the energy towards you. So how you manage that,

759
00:28:07,600 --> 00:28:08,960
Speaker 8: how you deal with the ups and downs of the

760
00:28:09,000 --> 00:28:11,800
Speaker 8: relationship is what's important. And the biggest thing, like we

761
00:28:11,880 --> 00:28:14,000
Speaker 8: said earlier, is like you just got to get hot.

762
00:28:14,040 --> 00:28:15,840
Speaker 8: You gotta stay hot, like I always got to be

763
00:28:15,920 --> 00:28:18,080
Speaker 8: near the flame. I gotta stay hot. Like I have

764
00:28:18,240 --> 00:28:20,240
Speaker 8: my down times, but for the most part, you know,

765
00:28:20,400 --> 00:28:22,560
Speaker 8: I don't really ever fall off, and shit, I sounded

766
00:28:22,640 --> 00:28:24,840
Speaker 8: I get lower times, but yeah, I'm there, Like I

767
00:28:24,920 --> 00:28:26,320
Speaker 8: want to be in a winning circle and like I

768
00:28:26,359 --> 00:28:28,600
Speaker 8: feel like it's gonna come around for me and ride

769
00:28:28,640 --> 00:28:30,719
Speaker 8: those waves and like and then then thinking about this industry,

770
00:28:30,760 --> 00:28:32,919
Speaker 8: like you said, even something like Jim Jones and styles

771
00:28:32,960 --> 00:28:34,960
Speaker 8: p of these kind of guys that mayn't want to

772
00:28:35,000 --> 00:28:37,480
Speaker 8: put hands on me. You know, twenty years ago, now

773
00:28:37,520 --> 00:28:40,000
Speaker 8: you're like warriors, like like you're still standing. I'm still

774
00:28:40,000 --> 00:28:42,120
Speaker 8: standing there, and there's respect there as amongst men. Like

775
00:28:42,440 --> 00:28:44,360
Speaker 8: to survive in this business for people to still care

776
00:28:44,400 --> 00:28:46,440
Speaker 8: about you, like this is my thirtieth summer. I've been

777
00:28:46,480 --> 00:28:48,960
Speaker 8: in this thirty years in terms of covering the culture,

778
00:28:49,040 --> 00:28:51,600
Speaker 8: like reviewing Diamond D albums and chronic and then then

779
00:28:51,680 --> 00:28:54,520
Speaker 8: you went fucking Cuji rap on election Day in nineteen

780
00:28:54,560 --> 00:28:56,840
Speaker 8: ninety two when Clinton be Bush and shit.

781
00:28:57,000 --> 00:28:59,520
Speaker 3: So that's like a minute, so like you know, that's

782
00:28:59,560 --> 00:28:59,880
Speaker 3: what it is.

783
00:29:00,040 --> 00:29:02,640
Speaker 8: So you know, I think the longevity is important, but

784
00:29:02,720 --> 00:29:04,560
Speaker 8: you know what I mean, Like sometimes I don't think longevity.

785
00:29:04,680 --> 00:29:07,800
Speaker 8: It's respected, but it doesn't really get the the big

786
00:29:07,920 --> 00:29:09,960
Speaker 8: numbers acclaimed. But Mom'm here to try to do both,

787
00:29:10,040 --> 00:29:12,600
Speaker 8: like I want to be double platinum and legend and.

788
00:29:12,720 --> 00:29:14,400
Speaker 2: OG hip hop in general, I feel like we don't

789
00:29:14,440 --> 00:29:17,800
Speaker 2: respect longevity the way we should. Speaking of that, is

790
00:29:17,840 --> 00:29:19,360
Speaker 2: it too soon for the Elliott Wilson doc.

791
00:29:20,200 --> 00:29:24,560
Speaker 8: I don't know my confession Like I thought, okay, pandemic,

792
00:29:25,000 --> 00:29:27,160
Speaker 8: Yeah it's slow down. I'm about to I'm about to

793
00:29:27,600 --> 00:29:29,800
Speaker 8: get these cast that biography about.

794
00:29:29,640 --> 00:29:31,840
Speaker 7: My life and tell them it really goes down who

795
00:29:31,920 --> 00:29:32,120
Speaker 7: I am.

796
00:29:32,240 --> 00:29:34,800
Speaker 8: But I struggle with that, honestly, Like I struggle with

797
00:29:35,320 --> 00:29:37,720
Speaker 8: figuring out how to really tell my story in a

798
00:29:37,760 --> 00:29:40,320
Speaker 8: way that feels organic, it feels really haven't really landed

799
00:29:40,360 --> 00:29:42,600
Speaker 8: on that, like pov of it, Like, but I'm getting there.

800
00:29:43,200 --> 00:29:44,959
Speaker 8: I want to do it and like it's gonna be real.

801
00:29:45,000 --> 00:29:46,800
Speaker 8: It's gonna be great when it happens, But I'm just

802
00:29:46,880 --> 00:29:47,480
Speaker 8: not there yet.

803
00:29:47,640 --> 00:29:50,760
Speaker 3: Do you enjoy living in New York or La more?

804
00:29:51,280 --> 00:29:52,400
Speaker 8: I feel like it was time for me to be

805
00:29:52,480 --> 00:29:54,320
Speaker 8: in LA. I'm still in New York. I feel like

806
00:29:54,360 --> 00:29:56,320
Speaker 8: I moved like in New Yorker. I'm know, I'm the

807
00:29:56,360 --> 00:29:58,040
Speaker 8: cat in California. If you see me, I'm walking in

808
00:29:58,120 --> 00:30:00,320
Speaker 8: the street, I'm like, that's from New York. Not crazy

809
00:30:00,400 --> 00:30:04,240
Speaker 8: person walking down like Ocean Avenue and Santa Monica, like

810
00:30:04,520 --> 00:30:05,120
Speaker 8: two miles.

811
00:30:05,560 --> 00:30:06,719
Speaker 3: You know that's me. Say what's up?

812
00:30:07,000 --> 00:30:07,120
Speaker 11: Right?

813
00:30:07,560 --> 00:30:08,160
Speaker 3: You know what I'm saying?

814
00:30:08,240 --> 00:30:08,520
Speaker 12: That's me?

815
00:30:09,320 --> 00:30:11,560
Speaker 3: So you can see you adapt me up.

816
00:30:11,560 --> 00:30:13,760
Speaker 7: Don't talk about me bad in your car, you know,

817
00:30:13,880 --> 00:30:16,600
Speaker 7: pop out and we'll good. But yeah, I feel like

818
00:30:16,600 --> 00:30:17,560
Speaker 7: I carry in New York sperience.

819
00:30:17,560 --> 00:30:19,680
Speaker 8: I don't feel like a California person, but you know,

820
00:30:19,800 --> 00:30:21,840
Speaker 8: quality of life, my wife, It just it just felt right.

821
00:30:21,880 --> 00:30:24,120
Speaker 7: But I'm excited now that you know part of what

822
00:30:24,200 --> 00:30:26,080
Speaker 7: we do. And like the idea of Rapperate our podcast.

823
00:30:26,200 --> 00:30:28,200
Speaker 8: Going back to that is that you know, you saw

824
00:30:28,240 --> 00:30:30,360
Speaker 8: like jay Z and Malibu or Drake's House in Toronto

825
00:30:30,520 --> 00:30:31,640
Speaker 8: or will Swift and Budapest.

826
00:30:31,760 --> 00:30:33,120
Speaker 7: Like I like the idea, Like you guys are.

827
00:30:33,040 --> 00:30:35,160
Speaker 8: Doing, like you don't know where Rory mar gonna pop

828
00:30:35,240 --> 00:30:36,640
Speaker 8: up a what kind of content they're going to give you,

829
00:30:36,720 --> 00:30:37,560
Speaker 8: what city they're gonna do.

830
00:30:38,080 --> 00:30:39,440
Speaker 3: You guys are unpredictable too, And.

831
00:30:39,440 --> 00:30:39,800
Speaker 7: I like that.

832
00:30:39,800 --> 00:30:40,840
Speaker 3: I feel like there's power in that.

833
00:30:41,040 --> 00:30:42,160
Speaker 7: Like, so I like the idea.

834
00:30:42,240 --> 00:30:43,960
Speaker 3: Now the world's open back up a little bit.

835
00:30:44,040 --> 00:30:45,800
Speaker 8: Yeah, that you could travel, right, So, like I like

836
00:30:45,880 --> 00:30:47,480
Speaker 8: CALLI as my home base, but I love now that

837
00:30:47,560 --> 00:30:49,280
Speaker 8: I could move around and I want to go to

838
00:30:49,320 --> 00:30:51,120
Speaker 8: New York several times a year. I want to hit Philly,

839
00:30:51,160 --> 00:30:53,800
Speaker 8: I want to all these markets, Atlanta, Toronto, so you know,

840
00:30:53,840 --> 00:30:54,880
Speaker 8: I want to be mobile.

841
00:30:54,680 --> 00:30:55,440
Speaker 3: Like that in the real way.

842
00:30:55,600 --> 00:30:55,760
Speaker 11: Yeah.

843
00:30:55,760 --> 00:30:57,520
Speaker 2: I think it makes for a better interview too, because

844
00:30:57,680 --> 00:30:59,840
Speaker 2: so many artists used to the press run walk into

845
00:30:59,840 --> 00:31:02,680
Speaker 2: the radio sticky, let's go to the next room. Yeah,

846
00:31:02,880 --> 00:31:04,480
Speaker 2: it's different. I mean, I'm glad you guys were at

847
00:31:04,560 --> 00:31:06,360
Speaker 2: Jay's house and we're in a trailer in Philly. But yeah,

848
00:31:06,560 --> 00:31:07,719
Speaker 2: I see what you're trying to say.

849
00:31:09,240 --> 00:31:13,600
Speaker 7: I think there's no ventilation. We got the record that

850
00:31:14,240 --> 00:31:16,480
Speaker 7: with that Jay One final though it was Little Beach

851
00:31:16,520 --> 00:31:17,640
Speaker 7: House Malleable, So.

852
00:31:18,240 --> 00:31:21,520
Speaker 2: Okay, yeah, bit your style and went to a logic

853
00:31:22,000 --> 00:31:24,920
Speaker 2: that yeah, j logic the same jay z.

854
00:31:25,040 --> 00:31:28,840
Speaker 3: Logic equal Yeah, same was I think?

855
00:31:29,080 --> 00:31:29,280
Speaker 5: Yeah?

856
00:31:29,480 --> 00:31:31,280
Speaker 3: Yeah, absolutely careful before you steal.

857
00:31:32,200 --> 00:31:35,040
Speaker 1: Yeah, all right, we're backed with one of my one

858
00:31:35,080 --> 00:31:37,560
Speaker 1: of my favorite You want out? Okay, so the cool

859
00:31:38,480 --> 00:31:40,720
Speaker 1: you didn't want to be out there with Babyface Ray

860
00:31:40,800 --> 00:31:41,600
Speaker 1: Detroit Finest?

861
00:31:41,720 --> 00:31:43,800
Speaker 3: Yeah? Yeah, how you feeling man made in America?

862
00:31:43,880 --> 00:31:44,400
Speaker 13: Feeling good?

863
00:31:44,520 --> 00:31:44,680
Speaker 1: Man?

864
00:31:45,160 --> 00:31:46,320
Speaker 13: My first made in American?

865
00:31:46,520 --> 00:31:48,320
Speaker 3: Ready to hit the stage? Did you? Did you win?

866
00:31:48,400 --> 00:31:50,720
Speaker 2: Already? They've had us trapped in here. We can't see ship.

867
00:31:50,800 --> 00:31:52,280
Speaker 3: That's the funk that we in here. We don't know

868
00:31:52,360 --> 00:31:54,720
Speaker 3: who on stage? How was it they had me before

869
00:31:55,240 --> 00:31:55,840
Speaker 3: the dose of them.

870
00:31:55,840 --> 00:31:56,480
Speaker 13: But it's all good.

871
00:31:56,680 --> 00:31:59,680
Speaker 1: Steal crowded, they felt the energy though, sure I was

872
00:31:59,760 --> 00:32:01,640
Speaker 1: just send it to the to the goofies.

873
00:32:01,680 --> 00:32:04,440
Speaker 3: Record with my man Digga D Yeah in the UK. Yeah,

874
00:32:05,680 --> 00:32:08,160
Speaker 3: I like Digga. I'm fucking with Digga. I'm happy that

875
00:32:08,240 --> 00:32:10,120
Speaker 3: you reached out. How did that happen? Did he reach

876
00:32:10,160 --> 00:32:11,200
Speaker 3: out to you and you reached out to him?

877
00:32:11,680 --> 00:32:12,440
Speaker 13: I reached out to him?

878
00:32:12,880 --> 00:32:13,600
Speaker 3: So you tuned in with.

879
00:32:13,600 --> 00:32:16,920
Speaker 13: DIGGI yeah, like h u K rep how you be coming?

880
00:32:17,000 --> 00:32:17,040
Speaker 10: Like?

881
00:32:17,200 --> 00:32:18,600
Speaker 3: Yeah, okay, okay?

882
00:32:19,440 --> 00:32:22,959
Speaker 2: Do you think of the Detroit current? Detroit sound kind

883
00:32:23,000 --> 00:32:25,880
Speaker 2: of derives from u K? DRILLERD or Detroit a whole different.

884
00:32:26,000 --> 00:32:28,360
Speaker 2: I'm probably only came from from the D. That's understanding

885
00:32:28,400 --> 00:32:29,720
Speaker 2: what's going on in UK for real?

886
00:32:29,800 --> 00:32:34,080
Speaker 1: Who's some of your the artists from Detroit that you

887
00:32:34,240 --> 00:32:37,040
Speaker 1: still keep in touch with, that inspired you, that give

888
00:32:37,080 --> 00:32:39,320
Speaker 1: you words and encouragement, that you probably collabor with on

889
00:32:39,440 --> 00:32:41,280
Speaker 1: some things pretty much?

890
00:32:41,560 --> 00:32:46,240
Speaker 13: Oh everybody? You know what I'm saying. Icewear, Vessel, shout Vel.

891
00:32:46,560 --> 00:32:49,760
Speaker 13: I'm like little bro to him. Easy, I'm like little

892
00:32:49,800 --> 00:32:52,800
Speaker 13: bro to him. G T Well grew up together. Okay,

893
00:32:53,080 --> 00:32:55,800
Speaker 13: these Losinetti.

894
00:32:56,280 --> 00:32:58,040
Speaker 3: It's a good energy coming out of Detroit right now.

895
00:32:58,120 --> 00:32:59,600
Speaker 13: Yeah, yeah, baby money, you can name it.

896
00:32:59,640 --> 00:33:00,000
Speaker 3: Anybody.

897
00:33:01,000 --> 00:33:02,960
Speaker 13: I guess something going right now. They know about face

898
00:33:03,000 --> 00:33:03,320
Speaker 13: for sure.

899
00:33:03,440 --> 00:33:03,640
Speaker 3: Yeah.

900
00:33:03,880 --> 00:33:06,280
Speaker 2: I know you was on Are you still currently on tour?

901
00:33:06,560 --> 00:33:07,400
Speaker 2: I know you'd stopped by me.

902
00:33:08,280 --> 00:33:12,640
Speaker 3: You're the New York shows. Yeah, that was crazy. It

903
00:33:12,760 --> 00:33:15,360
Speaker 3: was crazy, absolutely, absolutely.

904
00:33:15,120 --> 00:33:17,280
Speaker 13: The New York Show was crazy. I feel like that

905
00:33:17,440 --> 00:33:18,240
Speaker 13: was my worst show.

906
00:33:19,440 --> 00:33:21,520
Speaker 3: I wasn't expecting New York to even show lovely. I

907
00:33:21,520 --> 00:33:22,120
Speaker 3: didn't even know that.

908
00:33:22,320 --> 00:33:24,400
Speaker 13: Everybody keeps saying, but it was like New York.

909
00:33:26,720 --> 00:33:28,720
Speaker 2: We never seen New York react that way. Usually they're

910
00:33:28,720 --> 00:33:30,880
Speaker 2: more even stagnant, sitting there like this, looking up like

911
00:33:31,000 --> 00:33:31,560
Speaker 2: New York crowd.

912
00:33:31,920 --> 00:33:32,080
Speaker 9: I was.

913
00:33:32,200 --> 00:33:33,800
Speaker 1: I was surprised to see that many people come out

914
00:33:33,840 --> 00:33:36,120
Speaker 1: and didn't know babyface read know the lyrics.

915
00:33:36,160 --> 00:33:38,840
Speaker 3: I was like this, that was surprising. That was surprising

916
00:33:38,920 --> 00:33:40,080
Speaker 3: for me. I can't lie because I was like.

917
00:33:40,120 --> 00:33:41,760
Speaker 13: I ain't eve gonna lie. I was feeling like New

918
00:33:41,880 --> 00:33:44,840
Speaker 13: York won't fucking women. I was telling Maroyland, like, man, so.

919
00:33:44,880 --> 00:33:46,920
Speaker 1: That's one of the markets as rappers that y'all come

920
00:33:46,960 --> 00:33:48,320
Speaker 1: to you like, man, we gotta see what New York

921
00:33:48,400 --> 00:33:48,760
Speaker 1: doing tonight.

922
00:33:48,800 --> 00:33:50,480
Speaker 3: If they fucking with us, it's fucked up.

923
00:33:50,520 --> 00:33:52,240
Speaker 1: That that's like a thing for artists in their mind,

924
00:33:52,280 --> 00:33:54,280
Speaker 1: like going into New York, like I don't know what

925
00:33:54,320 --> 00:33:55,120
Speaker 1: they're gonna do tonight.

926
00:33:55,200 --> 00:33:57,120
Speaker 2: And on top of that, usually it's just be people

927
00:33:57,160 --> 00:33:59,200
Speaker 2: from Jersey Long Island, Like it don't even beat New York.

928
00:33:59,360 --> 00:34:01,040
Speaker 2: A lot of times it's a whole different crowd.

929
00:34:01,080 --> 00:34:02,680
Speaker 1: I know, y'all to start a New York to start

930
00:34:02,720 --> 00:34:05,120
Speaker 1: a hip hop So it's like it's important for artists

931
00:34:05,160 --> 00:34:09,000
Speaker 1: to go down for sure going into next year because

932
00:34:09,000 --> 00:34:10,879
Speaker 1: I know we just got the Face Deluxe in May.

933
00:34:11,719 --> 00:34:12,480
Speaker 3: So what's next for you?

934
00:34:13,120 --> 00:34:14,920
Speaker 13: I got some new music coming out, you know what

935
00:34:14,960 --> 00:34:18,000
Speaker 13: I'm saying very soon. I just need everybody too. I'm

936
00:34:18,000 --> 00:34:20,680
Speaker 13: trying to take it up at a different level right now,

937
00:34:20,800 --> 00:34:23,759
Speaker 13: you know what I'm saying. So, yeah, I can't respected something.

938
00:34:23,960 --> 00:34:26,680
Speaker 2: So were you able to connect to with Kyle Anderson

939
00:34:26,760 --> 00:34:29,160
Speaker 2: in New York? Who that play We played for the

940
00:34:29,200 --> 00:34:30,880
Speaker 2: Grizzlies Now he plays a wee and oh yeah, he

941
00:34:30,920 --> 00:34:32,400
Speaker 2: came to my show. Yeah, I got him tickets and

942
00:34:32,440 --> 00:34:34,759
Speaker 2: he came to super big fan of yours. I wasn't

943
00:34:34,760 --> 00:34:36,279
Speaker 2: sure if you guys, I'm a big fan of him.

944
00:34:36,280 --> 00:34:39,160
Speaker 2: That's the slow motion guy with it. Yeah, I'm a

945
00:34:39,200 --> 00:34:39,680
Speaker 2: big fan of he.

946
00:34:39,800 --> 00:34:42,319
Speaker 13: I like sports, if I always telling myself, I went

947
00:34:42,880 --> 00:34:45,759
Speaker 13: doing fashion music I've been trying to hoop, so it'd

948
00:34:45,800 --> 00:34:48,120
Speaker 13: be crazy when the basketball players come to my show.

949
00:34:48,239 --> 00:34:49,280
Speaker 5: I'd be like, that's crazy.

950
00:34:49,440 --> 00:34:49,640
Speaker 3: Yeah.

951
00:34:49,680 --> 00:34:51,120
Speaker 1: Well, I definitely want to sit down with you, like

952
00:34:51,320 --> 00:34:53,279
Speaker 1: maybe become to Detroit and I want to do like

953
00:34:53,320 --> 00:34:54,799
Speaker 1: a full piece with you, because I think that you're

954
00:34:54,800 --> 00:34:56,799
Speaker 1: one of those artists that's very special, especially coming out

955
00:34:56,800 --> 00:34:58,759
Speaker 1: of Detroit. You got a lot of upside to you

956
00:34:58,840 --> 00:35:01,520
Speaker 1: and I know what you mean to this generation that's

957
00:35:01,560 --> 00:35:03,120
Speaker 1: coming up now. So we definitely got to sit down

958
00:35:03,160 --> 00:35:05,800
Speaker 1: with you away from Philly, away from you know, just

959
00:35:05,880 --> 00:35:07,800
Speaker 1: being at the festival, and really sit down with Babyface

960
00:35:07,920 --> 00:35:10,000
Speaker 1: Ray and kicking in Detroit. So we got to make

961
00:35:10,040 --> 00:35:13,600
Speaker 1: that happen soon. Appreciate you for stopping Bob my God,

962
00:35:13,680 --> 00:35:14,440
Speaker 1: Babyface Ray.

963
00:35:16,080 --> 00:35:19,000
Speaker 2: I'm well rested, unlike the rest of you. Fucking I

964
00:35:19,160 --> 00:35:20,320
Speaker 2: was sleep before midnight.

965
00:35:20,520 --> 00:35:21,320
Speaker 3: I'm well rested.

966
00:35:21,320 --> 00:35:23,200
Speaker 1: In my phone, I woke up to about eight text

967
00:35:23,239 --> 00:35:25,120
Speaker 1: messages people wanted me to go out last night.

968
00:35:25,520 --> 00:35:26,560
Speaker 3: What's not happening?

969
00:35:26,880 --> 00:35:27,640
Speaker 2: Yeah I was.

970
00:35:27,880 --> 00:35:28,839
Speaker 3: I think we might have walked.

971
00:35:28,880 --> 00:35:32,640
Speaker 1: I don't have a step tracker, but we definitely got

972
00:35:32,680 --> 00:35:34,040
Speaker 1: our ten thousand steps in yesterday.

973
00:35:34,280 --> 00:35:35,320
Speaker 2: Well, you're not really a walker.

974
00:35:37,000 --> 00:35:38,720
Speaker 3: I mean, I'm a New Yorker, so I am a walker.

975
00:35:38,840 --> 00:35:40,759
Speaker 2: But you're an uber suv type of person.

976
00:35:40,800 --> 00:35:42,640
Speaker 3: I don't get. I don't get ten thousand a day.

977
00:35:42,680 --> 00:35:45,879
Speaker 2: And no, if I see something as fifteen blocks away,

978
00:35:45,960 --> 00:35:46,719
Speaker 2: I don't even go twenty.

979
00:35:46,760 --> 00:35:49,840
Speaker 3: I'm walking. It depends on what city walker. It depends

980
00:35:49,840 --> 00:35:50,440
Speaker 3: on what city I'm me.

981
00:35:50,719 --> 00:35:51,920
Speaker 2: And even when I got a car, I used to

982
00:35:51,960 --> 00:35:53,719
Speaker 2: park in the garage and then I would do my

983
00:35:53,920 --> 00:35:55,480
Speaker 2: entire day either on the train or walking.

984
00:35:55,560 --> 00:35:57,560
Speaker 3: Oh no, that's that's normal New Yorker. Sheah. No, No,

985
00:35:57,640 --> 00:36:00,479
Speaker 3: nobody's trying to drive and find parking on every block

986
00:36:00,520 --> 00:36:00,920
Speaker 3: in New York.

987
00:36:01,000 --> 00:36:03,440
Speaker 2: Because we walked. I had like the cool fit on

988
00:36:03,560 --> 00:36:06,560
Speaker 2: yesterday with sneakers. I liked, well, I am standing with yea.

989
00:36:06,640 --> 00:36:08,560
Speaker 2: That's why I'm wearing this. Yes, stay with YEA. But

990
00:36:09,120 --> 00:36:11,720
Speaker 2: I came more prepared today to be active.

991
00:36:12,320 --> 00:36:13,920
Speaker 3: Got to be active, got to have the right shit on.

992
00:36:15,840 --> 00:36:18,359
Speaker 3: We just saw Victoria Monette. We did. She looked great,

993
00:36:18,400 --> 00:36:19,200
Speaker 3: she sounded great.

994
00:36:19,520 --> 00:36:19,640
Speaker 6: Uh.

995
00:36:20,680 --> 00:36:22,160
Speaker 3: I feel like they had her on too earlier. She

996
00:36:22,200 --> 00:36:24,160
Speaker 3: got a lot of records, man, way too early. Yeah,

997
00:36:24,160 --> 00:36:26,239
Speaker 3: that's I think they had Victoria on a little too early.

998
00:36:26,320 --> 00:36:28,839
Speaker 3: But she was on the main stage. Yep. So that's

999
00:36:28,880 --> 00:36:30,319
Speaker 3: a great look. The production was great.

1000
00:36:30,640 --> 00:36:32,879
Speaker 2: But like with her, I would put her on way

1001
00:36:33,000 --> 00:36:35,839
Speaker 2: later on, like the second biggest stage, the Liberty Joint. Yeah,

1002
00:36:35,880 --> 00:36:38,280
Speaker 2: because she still has records that are like kind of intimate.

1003
00:36:38,960 --> 00:36:41,080
Speaker 2: She would have been perfect, like second to last or

1004
00:36:41,200 --> 00:36:43,759
Speaker 2: last on the second Liberty stage. People know what we're

1005
00:36:43,760 --> 00:36:44,600
Speaker 2: talk about. We say Liberty.

1006
00:36:44,640 --> 00:36:47,480
Speaker 3: But somebody I was looking forward to seeing yesterday Kodak.

1007
00:36:47,719 --> 00:36:48,839
Speaker 3: He was. He had a robbed late.

1008
00:36:48,960 --> 00:36:52,000
Speaker 1: Assauli's Instagram he posted fifth he had to robb late,

1009
00:36:52,120 --> 00:36:53,600
Speaker 1: and he was saying that they didn't want to let

1010
00:36:53,680 --> 00:36:56,160
Speaker 1: him in because he was a little late, and he

1011
00:36:56,239 --> 00:36:58,200
Speaker 1: was upset about it because he really wanted to perform.

1012
00:36:58,840 --> 00:36:59,920
Speaker 2: Can we really can?

1013
00:37:00,680 --> 00:37:00,839
Speaker 14: Yes?

1014
00:37:01,080 --> 00:37:02,520
Speaker 2: Can I translate what Kodak.

1015
00:37:02,280 --> 00:37:04,120
Speaker 3: Said on his I G Well, we all going to

1016
00:37:04,160 --> 00:37:05,360
Speaker 3: Florida by the way, so be careful.

1017
00:37:06,000 --> 00:37:06,880
Speaker 2: I'm a Kodak fan.

1018
00:37:06,920 --> 00:37:09,479
Speaker 3: Okay, no, no, no, That's what I'm big step whenever

1019
00:37:10,000 --> 00:37:12,480
Speaker 3: Florida's on the schedule. I'm a Kodak fan.

1020
00:37:12,560 --> 00:37:14,560
Speaker 2: Yeah, Tyler hassee all the way down to Miami, Key West,

1021
00:37:14,600 --> 00:37:18,200
Speaker 2: out of Key West, I get it. Yeah, Oh go

1022
00:37:18,480 --> 00:37:23,680
Speaker 2: of Gators? Is that Florida State and the Kings them all.

1023
00:37:23,840 --> 00:37:28,759
Speaker 3: He didn't go to college, but ahead what he didn't what.

1024
00:37:30,760 --> 00:37:34,360
Speaker 2: But I understand Floridian talk basically what Kodak said. For

1025
00:37:34,400 --> 00:37:35,920
Speaker 2: those that don't know, Kodak did not perform with me

1026
00:37:35,960 --> 00:37:40,160
Speaker 2: in America yesterday. According to reports, he was late, so

1027
00:37:40,239 --> 00:37:42,799
Speaker 2: he got on his I G and he said, Hey,

1028
00:37:43,200 --> 00:37:46,239
Speaker 2: I was late, but y'all stoodn't let me on. That's

1029
00:37:46,320 --> 00:37:47,840
Speaker 2: bad business, fuck y'all.

1030
00:37:48,400 --> 00:37:50,759
Speaker 1: Yeah, I mean, and then then he threw and then

1031
00:37:50,800 --> 00:37:52,839
Speaker 1: he threw he threw j name in it, like Jay

1032
00:37:52,840 --> 00:37:53,759
Speaker 1: stopped him from getting it.

1033
00:37:53,920 --> 00:37:55,320
Speaker 2: Then he said, then he said he was going to

1034
00:37:55,360 --> 00:37:57,680
Speaker 2: cancel his whole tour because Live Nation did his tour

1035
00:37:57,840 --> 00:38:00,480
Speaker 2: and all their business is just bad, apparent because if

1036
00:38:00,520 --> 00:38:03,400
Speaker 2: you show up over forty minutes late, they're supposed to

1037
00:38:03,480 --> 00:38:05,560
Speaker 2: change an entire festival for you.

1038
00:38:06,880 --> 00:38:07,040
Speaker 3: Yeah.

1039
00:38:07,120 --> 00:38:08,720
Speaker 2: Yeah, yeah, they do bad business.

1040
00:38:08,840 --> 00:38:11,520
Speaker 1: That's that's the thing about it. Like, you know, artists

1041
00:38:11,560 --> 00:38:14,440
Speaker 1: got to remember with these parks and these permits, they

1042
00:38:14,520 --> 00:38:17,360
Speaker 1: have to be out at a certain time on a

1043
00:38:17,440 --> 00:38:18,920
Speaker 1: grand per minute you go over.

1044
00:38:19,000 --> 00:38:20,880
Speaker 3: Yeah, so I mean if you're forty minute and I

1045
00:38:20,920 --> 00:38:22,160
Speaker 3: think he was a little later than that.

1046
00:38:22,840 --> 00:38:24,600
Speaker 2: Yeah, he was more than that. Yeah, I'm being nice

1047
00:38:24,600 --> 00:38:25,319
Speaker 2: by saying forty minutes.

1048
00:38:25,560 --> 00:38:27,200
Speaker 1: Yeah, so, I mean it would have been dope to

1049
00:38:27,239 --> 00:38:30,439
Speaker 1: see Kodak and then Uzi, but Uzi set was dope.

1050
00:38:30,520 --> 00:38:32,680
Speaker 2: Yeah, he said was dope, and I'm not mad at listen,

1051
00:38:32,840 --> 00:38:36,719
Speaker 2: artists end up travel schedules are crazy people. It was

1052
00:38:36,800 --> 00:38:39,200
Speaker 2: him going on there and saying, y'all do bad business.

1053
00:38:39,200 --> 00:38:40,440
Speaker 2: If he would have got on there and be like, yoh,

1054
00:38:40,480 --> 00:38:42,960
Speaker 2: I was late, like sorry to the fans, out of

1055
00:38:43,000 --> 00:38:46,640
Speaker 2: my control, I would believe him accountability, But saying bad

1056
00:38:46,719 --> 00:38:49,080
Speaker 2: business and y'all don't know what y'all doing. Yeah, it's

1057
00:38:49,160 --> 00:38:50,040
Speaker 2: fucking hilarious.

1058
00:38:50,200 --> 00:38:50,520
Speaker 3: And it was.

1059
00:38:50,719 --> 00:38:52,000
Speaker 1: It was fucked u because a lot of the fans

1060
00:38:52,040 --> 00:38:53,880
Speaker 1: were disappointed because I was standing over there by the

1061
00:38:53,920 --> 00:38:56,080
Speaker 1: stage when he was supposed to go on and then

1062
00:38:56,080 --> 00:38:57,600
Speaker 1: they announced that he wasn't going to be performing.

1063
00:38:57,719 --> 00:38:59,759
Speaker 2: It was probably one of the biggest polls for this

1064
00:39:00,040 --> 00:39:03,680
Speaker 2: can absolutely. I mean, of course there's Tyler and Bad Bunny,

1065
00:39:03,719 --> 00:39:06,080
Speaker 2: but what Kodak would be Uzzi the third.

1066
00:39:06,400 --> 00:39:08,520
Speaker 3: It was Bad Bunny and Uzi and then Kodak.

1067
00:39:08,520 --> 00:39:11,360
Speaker 2: I would say those four yeah. Yeah, so yeah, that

1068
00:39:11,560 --> 00:39:14,160
Speaker 2: for fans, especially the young kids, because a young crowd I.

1069
00:39:14,239 --> 00:39:16,000
Speaker 1: Was definitely looking forward to seeing Kodak, A huge fan

1070
00:39:16,040 --> 00:39:17,960
Speaker 1: of his, I wanted to see I've never seen him live,

1071
00:39:18,000 --> 00:39:18,960
Speaker 1: so I was looking forward to that.

1072
00:39:20,840 --> 00:39:23,400
Speaker 2: Uzzi was good though. I like the Lambers that was

1073
00:39:23,480 --> 00:39:25,680
Speaker 2: really dope on stage, and Ship the Mohawk.

1074
00:39:26,000 --> 00:39:26,719
Speaker 3: He sounded good.

1075
00:39:28,120 --> 00:39:30,400
Speaker 1: That was my first time, no, my second time seeing Uzie,

1076
00:39:30,400 --> 00:39:34,200
Speaker 1: but my first time seeing him in over probably five years.

1077
00:39:34,320 --> 00:39:35,440
Speaker 2: I think the last time I saw him was on

1078
00:39:35,520 --> 00:39:37,279
Speaker 2: that exact same stage years ago.

1079
00:39:37,440 --> 00:39:41,240
Speaker 1: Yeah, so, so his set was dope. We saw Tyler

1080
00:39:41,360 --> 00:39:45,680
Speaker 1: set last night, Yes, his his his set was amazing.

1081
00:39:45,960 --> 00:39:47,879
Speaker 2: I missed the one of the Garden, which pissed me off,

1082
00:39:47,960 --> 00:39:50,040
Speaker 2: so I was happy to watch it and I watched

1083
00:39:50,080 --> 00:39:54,520
Speaker 2: it from a It is funny though to see and

1084
00:39:54,680 --> 00:39:56,640
Speaker 2: Tyler kind of touched on it on stage. As far

1085
00:39:56,719 --> 00:40:01,040
Speaker 2: as his music has changed so drastically, but Odd Future

1086
00:40:01,120 --> 00:40:04,279
Speaker 2: had such a core, crazy fan base that it's so

1087
00:40:04,400 --> 00:40:06,520
Speaker 2: funny that people that may be going there to hear

1088
00:40:06,680 --> 00:40:10,279
Speaker 2: like some beautiful R and B from Igor and then

1089
00:40:10,360 --> 00:40:15,040
Speaker 2: it's like fuck killed from his at the beginning of

1090
00:40:15,080 --> 00:40:17,239
Speaker 2: his catalog. So he's like, well, I guess I'll start

1091
00:40:17,280 --> 00:40:19,080
Speaker 2: with some old ship and see if you guys know

1092
00:40:19,120 --> 00:40:20,719
Speaker 2: any of this, and it went into yonkers and it

1093
00:40:20,840 --> 00:40:22,480
Speaker 2: was like, this didn't sound like the last song.

1094
00:40:23,400 --> 00:40:23,880
Speaker 3: It's amazing.

1095
00:40:23,880 --> 00:40:23,960
Speaker 2: You know.

1096
00:40:24,000 --> 00:40:26,080
Speaker 1: What's funny with like Tyler the way he talks to

1097
00:40:26,239 --> 00:40:28,480
Speaker 1: like his fans, Like he was like, let me hear

1098
00:40:28,560 --> 00:40:29,279
Speaker 1: y'all on this side.

1099
00:40:29,560 --> 00:40:32,759
Speaker 3: He's like, oh, y'all suck dick. Yeah. I was like,

1100
00:40:33,000 --> 00:40:34,919
Speaker 3: how are you telling your fans because they not loud

1101
00:40:35,000 --> 00:40:35,919
Speaker 3: enough that they sucked dick.

1102
00:40:36,440 --> 00:40:41,000
Speaker 2: That's probably the best I've ever seen someone make a

1103
00:40:41,640 --> 00:40:44,680
Speaker 2: festival stage feel intimate. Yeah, because the way we've we

1104
00:40:44,840 --> 00:40:47,160
Speaker 2: know entered like rappers and R and B singers that

1105
00:40:47,200 --> 00:40:49,000
Speaker 2: are funny and like when they have intimate shows, they

1106
00:40:49,040 --> 00:40:51,000
Speaker 2: really be doing that type of shit and really interacting

1107
00:40:51,320 --> 00:40:54,640
Speaker 2: and you know, talking to the crowd. Tyler really made

1108
00:40:54,719 --> 00:40:57,360
Speaker 2: that feel like that with fucking I don't know, I

1109
00:40:57,520 --> 00:40:58,759
Speaker 2: heard fifty thousand people.

1110
00:40:59,080 --> 00:41:00,640
Speaker 3: Yeah, it looked great.

1111
00:41:01,719 --> 00:41:04,360
Speaker 1: I was looking at his setup and you know, just

1112
00:41:04,440 --> 00:41:08,920
Speaker 1: the backdrop and like Tyler is, he's a bonafide superstar

1113
00:41:09,160 --> 00:41:09,759
Speaker 1: without a doubt.

1114
00:41:09,920 --> 00:41:13,240
Speaker 2: So we were we were arguing on the riser because

1115
00:41:13,239 --> 00:41:15,560
Speaker 2: that's just what old people that watch music festivals do

1116
00:41:15,880 --> 00:41:16,919
Speaker 2: from a distance.

1117
00:41:17,480 --> 00:41:19,560
Speaker 3: Drinks flowing arguments happening debates.

1118
00:41:19,880 --> 00:41:22,600
Speaker 2: Yeah, and we were already debating to begin with, so

1119
00:41:22,640 --> 00:41:24,400
Speaker 2: once Tyler came on, it's like, well, let's debate more.

1120
00:41:24,520 --> 00:41:24,719
Speaker 3: Yeah.

1121
00:41:25,719 --> 00:41:28,080
Speaker 2: I was the youngest in the debate. And we all

1122
00:41:28,200 --> 00:41:31,160
Speaker 2: know that the certified three Cole Kendrick Drake that we

1123
00:41:31,200 --> 00:41:37,320
Speaker 2: always argue future has been that fourth one. Tyler with sales, impact,

1124
00:41:38,080 --> 00:41:43,719
Speaker 2: show fashion numbers is like, what how is Tyler not

1125
00:41:44,080 --> 00:41:46,680
Speaker 2: festival a candidate for that fourth I'm not saying he

1126
00:41:46,800 --> 00:41:48,840
Speaker 2: is number four? Why is he not in the conversation

1127
00:41:48,920 --> 00:41:49,200
Speaker 2: for four?

1128
00:41:50,320 --> 00:41:53,719
Speaker 1: For some weird reason, I think that a lot of

1129
00:41:53,800 --> 00:42:00,160
Speaker 1: people still don't categorize Tyler as a rapper or or

1130
00:42:00,200 --> 00:42:03,120
Speaker 1: like hip hop for whatever reason. He raped, he rapped,

1131
00:42:03,200 --> 00:42:06,080
Speaker 1: He rapped most of his set last night with a

1132
00:42:06,120 --> 00:42:09,239
Speaker 1: lot of people have a hard time looking at Tyler

1133
00:42:09,320 --> 00:42:12,759
Speaker 1: as a rapper, like Cole rap, Hendrick rap, Like you

1134
00:42:12,800 --> 00:42:13,120
Speaker 1: know what I mean.

1135
00:42:13,200 --> 00:42:15,319
Speaker 3: So it's like, I mean, I'll look at him as

1136
00:42:15,360 --> 00:42:16,520
Speaker 3: a rapper, but this is off.

1137
00:42:17,080 --> 00:42:19,000
Speaker 2: Tyler is one thousand percent of right. He may have

1138
00:42:19,160 --> 00:42:20,759
Speaker 2: had Rap Album of the Year last year.

1139
00:42:20,800 --> 00:42:23,000
Speaker 3: Yeah, no, listen, I do. But you know it's just

1140
00:42:23,040 --> 00:42:25,360
Speaker 3: when you talk about those names, I don't think that

1141
00:42:25,440 --> 00:42:27,440
Speaker 3: people put Tyler in that.

1142
00:42:27,760 --> 00:42:29,239
Speaker 2: Even the old heads, and I think a lot of

1143
00:42:29,280 --> 00:42:31,640
Speaker 2: it has to do with perceptions sometimes and not even numbers,

1144
00:42:31,880 --> 00:42:34,440
Speaker 2: because of course Future does good numbers. Don't get it twisted.

1145
00:42:34,760 --> 00:42:38,000
Speaker 2: Tyler does better numbers than Future and sells out way

1146
00:42:38,239 --> 00:42:39,399
Speaker 2: crazier venues than Future.

1147
00:42:39,880 --> 00:42:41,160
Speaker 3: But the old heads who.

1148
00:42:41,040 --> 00:42:43,640
Speaker 2: Would probably prefer Tyler's music and say Future is not

1149
00:42:43,719 --> 00:42:45,880
Speaker 2: a rapper, We're like, nah, Future got that four spot,

1150
00:42:46,480 --> 00:42:48,480
Speaker 2: he's Tyler's not. He's not hip hop. I'm like, what

1151
00:42:48,920 --> 00:42:51,799
Speaker 2: the fuck are y'all talking about? Tyler is for real

1152
00:42:51,880 --> 00:42:55,759
Speaker 2: hip hop? Absolutely okay, So he's rapping overbeats that sound

1153
00:42:55,880 --> 00:42:56,600
Speaker 2: just like FOREL beats.

1154
00:42:57,360 --> 00:43:00,160
Speaker 3: No, I'm with you, I'm saying that I've her.

1155
00:43:00,239 --> 00:43:02,239
Speaker 1: People have that argument, and it's just that they don't

1156
00:43:02,280 --> 00:43:04,560
Speaker 1: really respect Tyler as a rapper.

1157
00:43:05,480 --> 00:43:07,680
Speaker 2: They need to listen to more Tyler, and Tyler's incredible.

1158
00:43:07,719 --> 00:43:09,879
Speaker 2: They probably have the odd Future shit and they brain

1159
00:43:09,960 --> 00:43:12,360
Speaker 2: still because I was even scared at twenty two. I

1160
00:43:12,480 --> 00:43:14,160
Speaker 2: was like these fucking fifteen year olds.

1161
00:43:14,920 --> 00:43:18,359
Speaker 1: Yeah, it was somebody else we saw last night who

1162
00:43:18,440 --> 00:43:21,960
Speaker 1: said was pretty Jasmine Jazmina Sullivan. Oh my god, she

1163
00:43:22,320 --> 00:43:25,360
Speaker 1: gave a masterclass on vocal performance.

1164
00:43:26,200 --> 00:43:28,840
Speaker 2: To sound that good outside with that many people.

1165
00:43:28,640 --> 00:43:31,280
Speaker 3: It just doesn't. Jazmine Sullivan's voice.

1166
00:43:31,080 --> 00:43:32,560
Speaker 2: Is just noahcoustics for real.

1167
00:43:32,880 --> 00:43:35,400
Speaker 3: Yeah, Like it's just I.

1168
00:43:35,480 --> 00:43:39,200
Speaker 1: Mean, I would love to see other artists, like R

1169
00:43:39,239 --> 00:43:42,279
Speaker 1: and B artists watching Jazmine perform. Yeah, Like because you

1170
00:43:42,480 --> 00:43:44,880
Speaker 1: have to just look at that and all like the

1171
00:43:45,080 --> 00:43:48,800
Speaker 1: runs and the tone and the breath control and just

1172
00:43:48,920 --> 00:43:50,200
Speaker 1: all of the things that it takes to be a

1173
00:43:50,239 --> 00:43:55,160
Speaker 1: great vocalist. Like she never seemed anytime I heard Jazmine Sullivan,

1174
00:43:55,200 --> 00:43:56,120
Speaker 1: she never had an off night.

1175
00:43:56,360 --> 00:43:56,560
Speaker 3: Yeah.

1176
00:43:56,920 --> 00:44:00,120
Speaker 2: And it was so good to see Hotels perform or

1177
00:44:00,400 --> 00:44:03,440
Speaker 2: because I've seen a lot of her earlier stuff, but

1178
00:44:05,440 --> 00:44:07,279
Speaker 2: hotels were so important to me because the same way

1179
00:44:07,280 --> 00:44:09,399
Speaker 2: they do it to like the conscious rappers, Like when

1180
00:44:09,440 --> 00:44:11,359
Speaker 2: someone brings up future, they'll be like, oh, but he's

1181
00:44:11,400 --> 00:44:13,279
Speaker 2: talking about real shit. I felt like they did that

1182
00:44:13,760 --> 00:44:15,680
Speaker 2: to Jasmine with R and B be like, well, there's

1183
00:44:16,000 --> 00:44:18,520
Speaker 2: we need more Jazzmine sullivans. And then Jasmine Sullivan put

1184
00:44:18,520 --> 00:44:21,680
Speaker 2: out hotels and the content just debunked all you fucking

1185
00:44:21,719 --> 00:44:25,480
Speaker 2: woke people, right, where's the love? Like, nah, she was harmonizing.

1186
00:44:25,560 --> 00:44:28,720
Speaker 2: This pussy's good for forty five seconds on that stage

1187
00:44:28,800 --> 00:44:30,759
Speaker 2: with all of her background singers. It was the most

1188
00:44:30,760 --> 00:44:33,400
Speaker 2: beautiful thing I've ever seen. Yeah, like I love that jazzmine.

1189
00:44:33,400 --> 00:44:35,880
Speaker 2: It's like I'm a person. I got a whole hotel

1190
00:44:36,320 --> 00:44:36,880
Speaker 2: tape right now.

1191
00:44:37,680 --> 00:44:40,000
Speaker 3: Incredible album that probably R and B album of the

1192
00:44:40,040 --> 00:44:40,880
Speaker 3: year that year came out.

1193
00:44:41,200 --> 00:44:44,439
Speaker 2: Shit, you might be able to put that in five years.

1194
00:44:44,800 --> 00:44:48,560
Speaker 3: No, she she looked great, she sounded great. So yeah,

1195
00:44:48,560 --> 00:44:49,880
Speaker 3: it was good to see her. And who do we

1196
00:44:49,960 --> 00:44:52,400
Speaker 3: just see? Uh? Victoria Monet.

1197
00:44:52,600 --> 00:44:56,480
Speaker 1: Yeah, we just saw Victoria Monet today and I'm looking

1198
00:44:56,520 --> 00:44:57,600
Speaker 1: forward to snows today.

1199
00:44:57,920 --> 00:45:01,480
Speaker 3: Yep, snow or many white amani white? Uh?

1200
00:45:01,760 --> 00:45:03,440
Speaker 2: While we were watching Victoria edit, it's.

1201
00:45:03,239 --> 00:45:05,520
Speaker 1: Been going crazy for Bad Bunny. Edwon did one hundred

1202
00:45:05,520 --> 00:45:06,360
Speaker 1: push ups and set ups this.

1203
00:45:06,440 --> 00:45:10,480
Speaker 2: Morning calving outside the Bad Bunny production trailer. It's just

1204
00:45:10,560 --> 00:45:12,680
Speaker 2: like it's trying to trying to blend in rush after

1205
00:45:12,719 --> 00:45:13,120
Speaker 2: the medium.

1206
00:45:13,600 --> 00:45:15,680
Speaker 1: Yeah, like it's just nastiness going on. Man, I don't

1207
00:45:15,680 --> 00:45:17,480
Speaker 1: know what Editing's doing said, your rushing.

1208
00:45:17,280 --> 00:45:19,200
Speaker 3: To the meat, to the to the photo bit.

1209
00:45:19,640 --> 00:45:19,839
Speaker 1: Yes.

1210
00:45:20,680 --> 00:45:23,400
Speaker 2: Absolutely. If Bad Bunny did what Chris Brown did with

1211
00:45:23,480 --> 00:45:27,640
Speaker 2: meet and greet photos, what would be your I would Okay,

1212
00:45:27,680 --> 00:45:28,320
Speaker 2: what if I paid it?

1213
00:45:28,400 --> 00:45:28,880
Speaker 3: What would you do?

1214
00:45:29,000 --> 00:45:31,200
Speaker 2: In the photo shoot, we're doing a handshake.

1215
00:45:31,800 --> 00:45:34,160
Speaker 3: The handshake, Yeah, the hand was kind of low. You

1216
00:45:35,880 --> 00:45:40,560
Speaker 3: that hand is kind of low. He was down here. Hey,

1217
00:45:40,680 --> 00:45:41,200
Speaker 3: nice to meet you.

1218
00:45:41,640 --> 00:45:44,239
Speaker 2: Wasn't that called that the elephant walk or something? Hate

1219
00:45:44,280 --> 00:45:45,560
Speaker 2: elephant walk through the whole photo?

1220
00:45:46,560 --> 00:45:49,839
Speaker 3: Hey, nice to meet you. Fit What are you shake?

1221
00:45:49,880 --> 00:45:54,000
Speaker 3: You right there? But yeah, Bad Bunny is is headlining tonight.

1222
00:45:54,840 --> 00:45:55,320
Speaker 2: You can't tell me.

1223
00:45:55,360 --> 00:45:57,800
Speaker 3: I'm not excited for that. No, I like. I like

1224
00:45:57,840 --> 00:46:00,439
Speaker 3: Bad Bunny after seeing like the clips from his Yankee

1225
00:46:00,480 --> 00:46:01,160
Speaker 3: Stadium weekend.

1226
00:46:02,400 --> 00:46:02,560
Speaker 10: I do.

1227
00:46:03,440 --> 00:46:05,160
Speaker 1: I do want to see bad but I disrespect art

1228
00:46:05,200 --> 00:46:07,560
Speaker 1: man in artistry and when artists take it there and

1229
00:46:07,719 --> 00:46:09,880
Speaker 1: you know, visually, they try to make it a whole experience.

1230
00:46:10,040 --> 00:46:14,759
Speaker 2: Like I will say, somebody at Live Nation or Made

1231
00:46:14,840 --> 00:46:17,400
Speaker 2: or Rock or whatever is kind of there's a horny

1232
00:46:17,440 --> 00:46:20,560
Speaker 2: booker amongst us, a horny booker to go Burner Boy

1233
00:46:20,640 --> 00:46:23,560
Speaker 2: to Bad Bunny and know the type of crowd that

1234
00:46:23,680 --> 00:46:26,200
Speaker 2: Burner Boy brings out and then that Bad Bunny brings out.

1235
00:46:26,320 --> 00:46:27,120
Speaker 2: You're a horny toad.

1236
00:46:27,320 --> 00:46:31,800
Speaker 3: Yeah, there's a lot of women in the Amarice was

1237
00:46:31,840 --> 00:46:34,319
Speaker 3: out there throwing ass to Victoria mone. She don't think

1238
00:46:34,360 --> 00:46:34,759
Speaker 3: we saw her.

1239
00:46:35,080 --> 00:46:37,080
Speaker 2: You know. Somebody said to me while we were watching it,

1240
00:46:37,680 --> 00:46:40,680
Speaker 2: I could see Maul with Victoria, and respect to Victoria's

1241
00:46:40,960 --> 00:46:45,319
Speaker 2: situations with her baby father and all that hypothetical. They

1242
00:46:45,360 --> 00:46:47,440
Speaker 2: were saying, they could see you with Victoria, that you

1243
00:46:47,480 --> 00:46:49,080
Speaker 2: guys would be a cute couple. You could feel the

1244
00:46:49,160 --> 00:46:51,520
Speaker 2: vibe and all that. But that'd be somebody that that

1245
00:46:51,560 --> 00:46:51,920
Speaker 2: you would be.

1246
00:46:52,880 --> 00:46:55,920
Speaker 1: I mean, all respect. She has a fiance and a family,

1247
00:46:56,000 --> 00:46:57,800
Speaker 1: a kid. But no, Victoria's beautiful.

1248
00:46:58,800 --> 00:47:01,640
Speaker 2: Maybe siblings, if she ad that would be an age

1249
00:47:02,120 --> 00:47:02,880
Speaker 2: that looked just like her.

1250
00:47:03,080 --> 00:47:08,560
Speaker 3: I mean, just like you have a sister that sings

1251
00:47:08,640 --> 00:47:09,040
Speaker 3: just like her.

1252
00:47:09,239 --> 00:47:10,319
Speaker 7: He set me up.

1253
00:47:10,400 --> 00:47:11,560
Speaker 3: No, Victoria, she's beautiful.

1254
00:47:11,560 --> 00:47:14,360
Speaker 1: But we sat with her BT weekend, super cool, Like

1255
00:47:14,520 --> 00:47:17,840
Speaker 1: that was my first time actually having a conversation with

1256
00:47:18,000 --> 00:47:19,440
Speaker 1: We've been in like the some of the same studio

1257
00:47:19,520 --> 00:47:21,560
Speaker 1: sessions before and ship like that, but that was like.

1258
00:47:21,600 --> 00:47:24,239
Speaker 3: My first time having a real conversation. But she looked great.

1259
00:47:24,600 --> 00:47:26,000
Speaker 3: I didn't know Victoria could dance like that.

1260
00:47:26,600 --> 00:47:27,200
Speaker 9: She was killing that.

1261
00:47:27,480 --> 00:47:29,480
Speaker 3: She looked great like she she really was up there

1262
00:47:29,520 --> 00:47:30,960
Speaker 3: like really performing. She looked really good.

1263
00:47:31,800 --> 00:47:34,279
Speaker 2: Again, should have been later, but what it is.

1264
00:47:34,440 --> 00:47:37,080
Speaker 1: I mean the main stage a little early, but you

1265
00:47:37,120 --> 00:47:39,839
Speaker 1: know she's on the main stage, so you know, it's

1266
00:47:39,880 --> 00:47:42,000
Speaker 1: the look. And I'm sure a lot of people out

1267
00:47:42,040 --> 00:47:45,160
Speaker 1: there didn't know Victoria set, didn't know her her sound,

1268
00:47:46,360 --> 00:47:46,920
Speaker 1: but now they do.

1269
00:47:47,080 --> 00:47:47,759
Speaker 2: Here comes to Hive.

1270
00:47:48,040 --> 00:47:51,000
Speaker 4: She has amazing stage presence, Like it's just like her

1271
00:47:51,120 --> 00:47:53,960
Speaker 4: stage presence, her ability to dance and.

1272
00:47:59,800 --> 00:48:01,520
Speaker 2: Had a she was like, you know, I don't care,

1273
00:48:01,600 --> 00:48:04,880
Speaker 2: but she was like, wait again, respectful to Victoria, but

1274
00:48:05,440 --> 00:48:09,319
Speaker 2: Damarus is not wiping her mouth, Victoria, She's letting it draw.

1275
00:48:11,600 --> 00:48:12,200
Speaker 3: No, but she looked.

1276
00:48:12,280 --> 00:48:15,160
Speaker 1: Victoria looked great, she sounded great, and it was good

1277
00:48:15,200 --> 00:48:17,000
Speaker 1: to see her on the main stage getting her ship off.

1278
00:48:17,080 --> 00:48:18,279
Speaker 3: Like she's one of those artists that.

1279
00:48:18,840 --> 00:48:21,239
Speaker 1: You know she's if you know she's a writer, she's

1280
00:48:21,280 --> 00:48:23,440
Speaker 1: She's written a lot of dope records. She's worked with

1281
00:48:23,520 --> 00:48:28,480
Speaker 1: a lot of amazing talent, amazing vocalists, Ariana Grande and

1282
00:48:28,719 --> 00:48:30,960
Speaker 1: a few a bunch of other acts. But it's good

1283
00:48:31,000 --> 00:48:33,279
Speaker 1: to see her on the main stage showing her talent

1284
00:48:33,320 --> 00:48:34,040
Speaker 1: and getting her ship off.

1285
00:48:34,080 --> 00:48:37,840
Speaker 2: I see Dameris did not miss a lyric of what

1286
00:48:38,000 --> 00:48:38,719
Speaker 2: that head game like.

1287
00:48:39,920 --> 00:48:42,520
Speaker 4: Period have a long conversation with me if you like

1288
00:48:42,600 --> 00:48:44,440
Speaker 4: swimen under sea, then dive you know what?

1289
00:48:44,560 --> 00:48:47,520
Speaker 2: I like? How that and rbat to some degree that

1290
00:48:47,840 --> 00:48:49,480
Speaker 2: women now have. We used to have to set the

1291
00:48:49,520 --> 00:48:51,520
Speaker 2: tone like guys would have to set like, you know,

1292
00:48:51,640 --> 00:48:54,000
Speaker 2: the when I'm trying to go there, you put on

1293
00:48:54,040 --> 00:48:56,800
Speaker 2: a certain type of record. Women have so many records

1294
00:48:56,880 --> 00:49:00,200
Speaker 2: now that they can connect to the speaker. Yeah, really

1295
00:49:00,239 --> 00:49:01,920
Speaker 2: get the move started. How would you feel if you

1296
00:49:02,000 --> 00:49:04,359
Speaker 2: was in shorty scribbage. She's just throwing what's that head game?

1297
00:49:04,440 --> 00:49:04,480
Speaker 3: Like?

1298
00:49:04,520 --> 00:49:07,759
Speaker 2: By Victoria Monte? I mean, and I'm butchering the title,

1299
00:49:07,800 --> 00:49:10,560
Speaker 2: but that's what that's what. But it's called it's called

1300
00:49:10,600 --> 00:49:11,160
Speaker 2: what the head game?

1301
00:49:11,280 --> 00:49:11,320
Speaker 10: Like?

1302
00:49:11,760 --> 00:49:14,040
Speaker 3: I'm gonna just be like swear like I'm trying to

1303
00:49:14,560 --> 00:49:15,200
Speaker 3: what is it like?

1304
00:49:15,480 --> 00:49:16,200
Speaker 2: Do you get nervous?

1305
00:49:16,640 --> 00:49:20,680
Speaker 3: No, you don't get You still get who still gets

1306
00:49:20,719 --> 00:49:22,680
Speaker 3: nervous with women? Mom?

1307
00:49:22,719 --> 00:49:24,319
Speaker 4: Do you like do girls? Do you like when girls

1308
00:49:24,360 --> 00:49:25,960
Speaker 4: like grab your head like if you like kiss the herd?

1309
00:49:26,000 --> 00:49:26,160
Speaker 3: Shit?

1310
00:49:26,200 --> 00:49:27,200
Speaker 4: She like, push your head down.

1311
00:49:27,360 --> 00:49:30,560
Speaker 1: We're not doing that. I don't don't We're not doing that.

1312
00:49:30,719 --> 00:49:32,520
Speaker 1: I don't mind the aggressive ship. I don't mind that,

1313
00:49:32,600 --> 00:49:34,200
Speaker 1: but don't push my head down, Like.

1314
00:49:34,640 --> 00:49:35,080
Speaker 14: Don't do that.

1315
00:49:35,320 --> 00:49:37,320
Speaker 2: Listen, I'll let you, but like guide it.

1316
00:49:37,520 --> 00:49:39,279
Speaker 3: You know, I know where I'm going. I know I'm going.

1317
00:49:39,719 --> 00:49:41,000
Speaker 3: If a man, you don't have to guide me. I

1318
00:49:41,040 --> 00:49:42,400
Speaker 3: know what I'm going the relationship.

1319
00:49:42,520 --> 00:49:44,239
Speaker 14: I would get really upset when he did that.

1320
00:49:44,440 --> 00:49:47,400
Speaker 3: Why I don't like I just I feel like it's disrespectful.

1321
00:49:48,920 --> 00:49:51,239
Speaker 3: So it's not disrespectful to me. You don't need to

1322
00:49:51,280 --> 00:49:52,839
Speaker 3: guide me. I know where it's at the marriage. I've

1323
00:49:52,880 --> 00:49:54,520
Speaker 3: been there. If you tell you exactly that, I know

1324
00:49:54,560 --> 00:49:54,960
Speaker 3: where it's at.

1325
00:49:55,040 --> 00:49:56,880
Speaker 2: The bad part about like damn there being bald is

1326
00:49:57,000 --> 00:50:00,120
Speaker 2: we can cover scratches on our back. When you see

1327
00:50:00,160 --> 00:50:01,560
Speaker 2: me with them scratches on the top of my head,

1328
00:50:01,600 --> 00:50:03,440
Speaker 2: you know I went crazy. He's really you know I

1329
00:50:03,480 --> 00:50:05,719
Speaker 2: went crazy when I got the nail ships right up here.

1330
00:50:06,440 --> 00:50:08,279
Speaker 1: They only scratch your head when you when you when

1331
00:50:08,280 --> 00:50:11,960
Speaker 1: you put the tongue in the asshole like Thateeah.

1332
00:50:11,040 --> 00:50:13,320
Speaker 2: Well no, no, they'll they'll be there. They dig the

1333
00:50:13,400 --> 00:50:16,359
Speaker 2: nails that the nails dig when you hit that, it's

1334
00:50:16,400 --> 00:50:19,080
Speaker 2: a surprise, oh ship and yeah, oh whoa in your

1335
00:50:19,120 --> 00:50:21,720
Speaker 2: head is bleeding said yeah.

1336
00:50:22,080 --> 00:50:25,680
Speaker 3: Back, little little red back came uble if that counch

1337
00:50:25,800 --> 00:50:25,960
Speaker 3: like that.

1338
00:50:26,160 --> 00:50:31,080
Speaker 2: So Kanye West going crazy on Instagram. I'm sure Kanye

1339
00:50:31,200 --> 00:50:33,960
Speaker 2: out of control. Someone get the Wi fi yo.

1340
00:50:34,080 --> 00:50:38,000
Speaker 1: Listen, man, Kanye has been going crazy. Which seems like

1341
00:50:38,160 --> 00:50:39,319
Speaker 1: a week and it was only a day.

1342
00:50:39,440 --> 00:50:41,160
Speaker 2: We missed a lot of ship because we were doing

1343
00:50:41,200 --> 00:50:42,880
Speaker 2: the quent and ship. We have another interview coming was

1344
00:50:42,960 --> 00:50:44,880
Speaker 2: then made I feel like we missed a lot of

1345
00:50:44,920 --> 00:50:45,480
Speaker 2: fucking topics.

1346
00:50:46,080 --> 00:50:47,759
Speaker 3: It's a lot of ship going on in the world

1347
00:50:47,840 --> 00:50:50,080
Speaker 3: right now. Man, it was the weekend.

1348
00:50:50,640 --> 00:50:52,880
Speaker 1: He uh had a few people in La last night

1349
00:50:52,920 --> 00:50:55,120
Speaker 1: that We're going to the show, and everybody start texting

1350
00:50:55,160 --> 00:50:57,160
Speaker 1: me like, yo, he just canceled in the middle of

1351
00:50:57,200 --> 00:50:58,719
Speaker 1: his set, and I'm like, oh, ship would happen.

1352
00:50:58,800 --> 00:51:01,480
Speaker 3: They're like he said he lost his I'm like, oh, okay,

1353
00:51:01,680 --> 00:51:02,400
Speaker 3: Like I respect that.

1354
00:51:02,520 --> 00:51:05,200
Speaker 1: But obviously the internet was killing the weekend because so

1355
00:51:05,280 --> 00:51:08,120
Speaker 1: many people had paid money and you know whatever. Some

1356
00:51:08,160 --> 00:51:10,640
Speaker 1: people probably traveled to come to the show. But I

1357
00:51:10,640 --> 00:51:15,480
Speaker 1: don't think people understand that level of art. And you know, vocally,

1358
00:51:15,560 --> 00:51:17,200
Speaker 1: if an artist is on stage and they feel like

1359
00:51:17,680 --> 00:51:20,319
Speaker 1: I'm gonna sound because I would rather cancel my show

1360
00:51:20,719 --> 00:51:22,799
Speaker 1: than to sound like shit in the internet, be like yo,

1361
00:51:22,920 --> 00:51:24,040
Speaker 1: he's terrible live.

1362
00:51:24,000 --> 00:51:26,239
Speaker 2: And just do disservice to your fans where you can

1363
00:51:26,280 --> 00:51:28,160
Speaker 2: eventually reschedule it and they get the full experience.

1364
00:51:28,160 --> 00:51:30,120
Speaker 3: And then he said that, yo, you'll you'll be refunded.

1365
00:51:30,480 --> 00:51:33,040
Speaker 2: Why didn't they just Millie viniliate with that guy that

1366
00:51:33,120 --> 00:51:35,719
Speaker 2: did all those fake Michael Jackson references? You know, one

1367
00:51:35,760 --> 00:51:36,520
Speaker 2: of them that Drake bought?

1368
00:51:36,680 --> 00:51:36,879
Speaker 11: Yeah?

1369
00:51:38,080 --> 00:51:41,080
Speaker 2: Did they ever confirm that that was not Michael Jackson?

1370
00:51:41,120 --> 00:51:41,239
Speaker 1: Bro?

1371
00:51:41,360 --> 00:51:43,640
Speaker 2: I mean the day because pr team is the greatest ever.

1372
00:51:43,680 --> 00:51:45,320
Speaker 2: I swear if you go look at Scorpion now, it

1373
00:51:45,360 --> 00:51:47,960
Speaker 2: doesn't say feature Michael Jackson. Good, that is not Michael Jackson.

1374
00:51:48,280 --> 00:51:49,840
Speaker 2: When I heard that shit, I'm like, my ear is

1375
00:51:49,920 --> 00:51:51,920
Speaker 2: not the best, but this ain't Michael.

1376
00:51:52,160 --> 00:51:54,279
Speaker 3: Yeah. But the fact that they sold it it like

1377
00:51:54,360 --> 00:51:55,280
Speaker 3: it was Mike was crazy.

1378
00:51:55,520 --> 00:51:57,279
Speaker 2: And the fact that I would say OVO has some

1379
00:51:57,360 --> 00:52:02,000
Speaker 2: of the best ears in music history. How like how

1380
00:52:02,080 --> 00:52:02,440
Speaker 2: forty go?

1381
00:52:02,600 --> 00:52:05,120
Speaker 3: Bro, this is not Michael Jackson. Yeah, that's crazy. We

1382
00:52:05,239 --> 00:52:06,279
Speaker 3: never talked about that enough.

1383
00:52:06,760 --> 00:52:09,359
Speaker 4: They swept that under the round.

1384
00:52:09,560 --> 00:52:11,680
Speaker 2: That's why they got that through there like that on

1385
00:52:11,840 --> 00:52:14,640
Speaker 2: Drake's album, And like who was the one cutting those

1386
00:52:14,640 --> 00:52:17,319
Speaker 2: who sold it? I did the Michael Jackson of state

1387
00:52:17,520 --> 00:52:19,960
Speaker 2: because if I'm Drake, I'm only buying from something from

1388
00:52:19,960 --> 00:52:25,799
Speaker 2: that state. Michael versus with my hard drive.

1389
00:52:26,280 --> 00:52:28,000
Speaker 3: That's why that's crazy. I never understood that one.

1390
00:52:28,040 --> 00:52:31,520
Speaker 1: But but yeah, the Weekend had to cancel his show

1391
00:52:31,560 --> 00:52:34,960
Speaker 1: because his vocally, he just wasn't there. The internet, you know,

1392
00:52:35,640 --> 00:52:37,759
Speaker 1: they killed him and the internet is gonna internet. But

1393
00:52:38,239 --> 00:52:40,800
Speaker 1: people just have to understand that artists, you know, especially

1394
00:52:40,800 --> 00:52:42,960
Speaker 1: when they take their craft serious, if they feel like

1395
00:52:43,000 --> 00:52:46,000
Speaker 1: I'm not one hundred percent tonight, I'm gonna sound like shit.

1396
00:52:46,120 --> 00:52:47,640
Speaker 3: I want to give you my best performance.

1397
00:52:48,520 --> 00:52:50,320
Speaker 1: I know that in the middle of the set, the

1398
00:52:50,440 --> 00:52:53,320
Speaker 1: night had started, the show has started, everybody's kind of

1399
00:52:53,360 --> 00:52:55,399
Speaker 1: like in the mood. And then for the artists to say, yo, listen,

1400
00:52:56,160 --> 00:52:58,440
Speaker 1: I can't do this tonight vocal. I know it's like

1401
00:52:58,560 --> 00:53:01,040
Speaker 1: fucked up yea, But you have to understand that they're

1402
00:53:01,120 --> 00:53:03,640
Speaker 1: human and their artists and they want to give you

1403
00:53:03,719 --> 00:53:07,120
Speaker 1: their best performance. So it's like, you know, take the

1404
00:53:07,200 --> 00:53:09,640
Speaker 1: weekend and you know, pray for him and hope that

1405
00:53:09,719 --> 00:53:11,359
Speaker 1: he gets better, and you know he might double back.

1406
00:53:12,200 --> 00:53:14,120
Speaker 2: Just just take the weekend to get his voice.

1407
00:53:17,360 --> 00:53:19,080
Speaker 3: Because it just flows, you know what I'm saying. She's

1408
00:53:19,120 --> 00:53:19,680
Speaker 3: just off the top.

1409
00:53:20,440 --> 00:53:22,359
Speaker 2: You get around Victoria Monday, the Penn start working.

1410
00:53:23,400 --> 00:53:26,200
Speaker 3: She is engaged. Man, Please, what do you'll do? She's

1411
00:53:26,200 --> 00:53:29,799
Speaker 3: an amazing writer, absolutely amazing writer. But yeah, shout out

1412
00:53:29,840 --> 00:53:30,320
Speaker 3: to the Weekend.

1413
00:53:30,800 --> 00:53:33,920
Speaker 1: Get better, sound better soon and hopefully you get back

1414
00:53:33,920 --> 00:53:35,520
Speaker 1: to la and give the people a great show at

1415
00:53:35,560 --> 00:53:36,440
Speaker 1: the Sofi Stadium.

1416
00:53:41,640 --> 00:53:42,960
Speaker 3: All right, we are back with.

1417
00:53:44,160 --> 00:53:48,680
Speaker 1: Elliott Wilson once again. But now we are back with Brian.

1418
00:53:48,719 --> 00:53:49,840
Speaker 1: I'm gonna call you Brian.

1419
00:53:49,680 --> 00:53:50,440
Speaker 3: B Don Miller.

1420
00:53:53,000 --> 00:53:54,400
Speaker 1: I had to, I had to, but I got to

1421
00:53:54,400 --> 00:53:57,360
Speaker 1: give you the official introduction because we sat down with

1422
00:53:57,400 --> 00:53:59,719
Speaker 1: Elliott yesterday and you know, I've been giving y'all ship

1423
00:53:59,719 --> 00:54:01,520
Speaker 1: to your came at first of well, welcome back, thank you.

1424
00:54:01,920 --> 00:54:03,160
Speaker 2: And by the way, I think it's the only way

1425
00:54:03,239 --> 00:54:05,520
Speaker 2: we'll get a rap rate our interview. This is well

1426
00:54:06,239 --> 00:54:08,359
Speaker 2: is at a festival. They'll never invite us to come

1427
00:54:08,400 --> 00:54:10,200
Speaker 2: sit with them in Malibu.

1428
00:54:10,800 --> 00:54:14,319
Speaker 1: Did because I'll actually eat We had that for first

1429
00:54:14,320 --> 00:54:16,360
Speaker 1: of Let's talk about the setup, because this is my

1430
00:54:16,400 --> 00:54:16,759
Speaker 1: first time.

1431
00:54:17,200 --> 00:54:19,400
Speaker 3: It looks like a big bake baked potato on the outside.

1432
00:54:19,600 --> 00:54:19,920
Speaker 3: It does.

1433
00:54:19,960 --> 00:54:22,239
Speaker 1: It's like it's like, yeah, it's almost like you get

1434
00:54:22,280 --> 00:54:23,600
Speaker 1: to a que girl's house and you like, oh, she

1435
00:54:23,640 --> 00:54:25,319
Speaker 1: has shower curtains. You know what, it's just with Colls

1436
00:54:25,360 --> 00:54:31,120
Speaker 1: in Brooklyn, about five grand at least right first, first, last.

1437
00:54:31,280 --> 00:54:39,960
Speaker 2: Third, But you have a gym part like it does

1438
00:54:40,080 --> 00:54:43,319
Speaker 2: give some type of nasty pod version of Bangbros. When

1439
00:54:43,360 --> 00:54:45,160
Speaker 2: I first walked into it, I was like, this is

1440
00:54:45,280 --> 00:54:48,239
Speaker 2: kind of nasty. They to throw the lamps don't work.

1441
00:54:49,239 --> 00:54:51,880
Speaker 1: Yeah, this is definitely the bunch for sure, But it

1442
00:54:51,960 --> 00:54:54,279
Speaker 1: has a c That's all that matters. Right soon as

1443
00:54:54,280 --> 00:54:55,560
Speaker 1: you go open the door, they're like, oh my god,

1444
00:54:55,600 --> 00:54:56,200
Speaker 1: it's cooling here.

1445
00:54:57,239 --> 00:54:58,640
Speaker 2: Are we here to squash these rumors?

1446
00:54:58,800 --> 00:54:58,960
Speaker 3: Yeah?

1447
00:54:59,040 --> 00:55:01,520
Speaker 2: So friends, should we give you some backstory?

1448
00:55:01,880 --> 00:55:03,400
Speaker 3: I hope? So let's give some backstory.

1449
00:55:03,520 --> 00:55:05,279
Speaker 2: Let's have them So so Maul and I don't know

1450
00:55:05,320 --> 00:55:07,400
Speaker 2: what episode it was. When you guys had announced that

1451
00:55:07,400 --> 00:55:09,920
Speaker 2: you guys been back, very happy about it. We did

1452
00:55:10,000 --> 00:55:15,839
Speaker 2: ads super excited for sure what we got to figure out?

1453
00:55:15,840 --> 00:55:18,400
Speaker 2: Pre roll too, you had said that you do not

1454
00:55:18,480 --> 00:55:20,480
Speaker 2: think Elliott and beat out our friends. We talked to

1455
00:55:20,520 --> 00:55:23,560
Speaker 2: Elliott yesterday. We then opened the door to the Pod

1456
00:55:23,640 --> 00:55:27,080
Speaker 2: Bang bus. Can we see him beat out? Yeah, right

1457
00:55:27,160 --> 00:55:29,880
Speaker 2: next to Elliott and you almost did it like the

1458
00:55:29,920 --> 00:55:31,880
Speaker 2: Bang ship Like yo, I got four hunred dollars you want.

1459
00:55:31,719 --> 00:55:34,359
Speaker 1: To come here like we're going that way, just get

1460
00:55:34,400 --> 00:55:36,640
Speaker 1: in No, But it was first of all, was just

1461
00:55:36,719 --> 00:55:39,560
Speaker 1: me throwing a shot uh under Elliott's post and saying,

1462
00:55:39,840 --> 00:55:41,560
Speaker 1: I know a good pr stunt when I see one.

1463
00:55:42,840 --> 00:55:45,400
Speaker 1: These two are not friends, but it is good to

1464
00:55:45,440 --> 00:55:47,640
Speaker 1: have you gentlemen both at the same time, because.

1465
00:55:47,520 --> 00:55:48,680
Speaker 3: For we appreciate y'all.

1466
00:55:48,719 --> 00:55:51,880
Speaker 1: We appreciate what y'all do at the highest level of

1467
00:55:52,120 --> 00:55:54,520
Speaker 1: what we're doing the culture with out with our former

1468
00:55:54,600 --> 00:55:57,640
Speaker 1: journalism and you guys sit down with some of the

1469
00:55:58,400 --> 00:56:00,839
Speaker 1: best that we have in our culture and y'all get

1470
00:56:00,880 --> 00:56:02,399
Speaker 1: intriguing conversations out of them.

1471
00:56:02,719 --> 00:56:07,400
Speaker 3: The Jamie fox Snoop episode was was was amazing API.

1472
00:56:07,880 --> 00:56:10,080
Speaker 1: So yeah, we have y'all here now, and we just

1473
00:56:10,120 --> 00:56:12,319
Speaker 1: got to ask the question because beat out you weren't

1474
00:56:12,360 --> 00:56:15,160
Speaker 1: here yesterday, So I know sometimes you know it's friends

1475
00:56:15,239 --> 00:56:17,640
Speaker 1: don't go everywhere together. But then it's like Ellie got there,

1476
00:56:17,800 --> 00:56:20,560
Speaker 1: was like, yo, bro, they really think we're not friends.

1477
00:56:20,560 --> 00:56:21,440
Speaker 1: You gotta get out here.

1478
00:56:21,600 --> 00:56:28,399
Speaker 2: Like by the way, I didn't believe you got kill

1479
00:56:29,040 --> 00:56:29,800
Speaker 2: you know, flying.

1480
00:56:29,560 --> 00:56:30,920
Speaker 3: From New York to phillyas crazy.

1481
00:56:31,320 --> 00:56:32,480
Speaker 2: We have to kill the rumors.

1482
00:56:32,520 --> 00:56:36,000
Speaker 3: Hash go half for the Peter Pan So.

1483
00:56:37,719 --> 00:56:39,319
Speaker 2: I had pushedback from all because I was like, well,

1484
00:56:39,400 --> 00:56:42,000
Speaker 2: now they fuck with each other. Then I'm in an

1485
00:56:42,080 --> 00:56:45,760
Speaker 2: uber on Lafayette. Yeah, and I see beat Out walking

1486
00:56:45,840 --> 00:56:49,520
Speaker 2: down like somebody killed his dog, and I probably went

1487
00:56:49,640 --> 00:56:53,920
Speaker 2: up probably Elliott I said beat out your eyes, like, yeah,

1488
00:56:53,960 --> 00:56:55,840
Speaker 2: I just came from this rap radar interview.

1489
00:56:58,400 --> 00:57:01,080
Speaker 7: He was think it was I think it was.

1490
00:57:01,280 --> 00:57:01,920
Speaker 5: Yeah, it was.

1491
00:57:02,120 --> 00:57:04,200
Speaker 7: It was if you had beat on his feelings.

1492
00:57:05,040 --> 00:57:07,200
Speaker 2: Really everybody, Okay, because you can say it now.

1493
00:57:07,760 --> 00:57:08,960
Speaker 3: I think it was a great episode.

1494
00:57:09,239 --> 00:57:10,200
Speaker 2: My feelings a lot, so it's fine.

1495
00:57:10,200 --> 00:57:11,680
Speaker 1: Okay, Yeah, I just didn't think it was great. And

1496
00:57:11,800 --> 00:57:13,799
Speaker 1: it's like, was it just the energy the bad Yeah,

1497
00:57:13,800 --> 00:57:15,160
Speaker 1: it was just a bad road game, you know what

1498
00:57:15,160 --> 00:57:15,520
Speaker 1: I'm saying.

1499
00:57:15,560 --> 00:57:17,720
Speaker 8: Like we felt it was really ready to kind of

1500
00:57:17,760 --> 00:57:21,480
Speaker 8: go there. The Mingos thing is fascinating because because those

1501
00:57:21,560 --> 00:57:24,480
Speaker 8: dudes are actually real dudes, it's hard for them to

1502
00:57:24,640 --> 00:57:27,880
Speaker 8: like publicly say the ship they want to say because

1503
00:57:27,880 --> 00:57:31,760
Speaker 8: the family and gossip exactly, so they tinge on the

1504
00:57:32,000 --> 00:57:32,640
Speaker 8: edge of the thing.

1505
00:57:32,760 --> 00:57:35,000
Speaker 3: So it's disappointment it was presented to us that they

1506
00:57:35,080 --> 00:57:37,400
Speaker 3: was ready to Like it's always like that.

1507
00:57:37,480 --> 00:57:41,120
Speaker 2: It's always clarity An artist we will will not name.

1508
00:57:41,160 --> 00:57:43,080
Speaker 2: We do have like a saying for that now is

1509
00:57:43,120 --> 00:57:45,120
Speaker 2: he gonna do this? Because every time we have artists

1510
00:57:45,160 --> 00:57:47,720
Speaker 2: that texts more we're about to air all this ship out,

1511
00:57:48,000 --> 00:57:50,320
Speaker 2: can't fucking wait all and I get excited, we get

1512
00:57:50,320 --> 00:57:53,400
Speaker 2: production together, they come like, yo, I love everybody exactly.

1513
00:57:53,840 --> 00:57:56,840
Speaker 1: Everyone wins, which is fine, love and everybody that's cool.

1514
00:57:56,920 --> 00:57:59,080
Speaker 1: Just don't yeah, tell me like you're ready to go

1515
00:57:59,280 --> 00:58:01,480
Speaker 1: and tell us about everything that's going on. You want

1516
00:58:01,520 --> 00:58:03,440
Speaker 1: to really talk about it, and then you get to

1517
00:58:03,600 --> 00:58:04,680
Speaker 1: sit down like beat out his.

1518
00:58:05,960 --> 00:58:07,560
Speaker 3: Feeling that it was just weird. It was just like

1519
00:58:07,640 --> 00:58:10,560
Speaker 3: a weird time. I was walking down Lafayette and uh

1520
00:58:11,280 --> 00:58:14,320
Speaker 3: and say, you beat out, what the are you doing it?

1521
00:58:16,920 --> 00:58:19,280
Speaker 2: I was in a Toyoa CAMERI uber too. It won't

1522
00:58:19,280 --> 00:58:21,480
Speaker 2: even a fly that the.

1523
00:58:23,480 --> 00:58:25,840
Speaker 3: CAMERI for sure he's talking to that nice social club

1524
00:58:25,880 --> 00:58:26,680
Speaker 3: over there around that.

1525
00:58:27,360 --> 00:58:32,520
Speaker 2: I saw hours later he links. Has there been interviews

1526
00:58:32,560 --> 00:58:34,840
Speaker 2: you guys probably won't take because of that that you know,

1527
00:58:34,920 --> 00:58:35,680
Speaker 2: the artist is.

1528
00:58:36,320 --> 00:58:39,800
Speaker 1: One of those everybody I think going forward is like,

1529
00:58:39,880 --> 00:58:41,320
Speaker 1: if we're not going to be able to talk about

1530
00:58:41,360 --> 00:58:44,680
Speaker 1: certain things, like, let's not have a conversations with that

1531
00:58:44,920 --> 00:58:48,040
Speaker 1: so I think that Quavo and uh takeoff was kind.

1532
00:58:47,920 --> 00:58:48,760
Speaker 5: Of like a learning lesson.

1533
00:58:48,880 --> 00:58:49,880
Speaker 3: Okay, going forward.

1534
00:58:50,080 --> 00:58:52,280
Speaker 8: Also Hereio's about like you ain't hot or the timing

1535
00:58:52,320 --> 00:58:55,120
Speaker 8: of things beat as quick, beat as ruthless be. I'm like, well,

1536
00:58:55,200 --> 00:58:57,520
Speaker 8: maybe we can kind of make this work and it's

1537
00:58:57,880 --> 00:59:00,960
Speaker 8: not hot, it gotta make sense, like more ruthless than

1538
00:59:01,000 --> 00:59:01,480
Speaker 8: I get that.

1539
00:59:02,680 --> 00:59:07,200
Speaker 2: Was there anything post kalid interview or even watching it

1540
00:59:07,280 --> 00:59:09,480
Speaker 2: back or doing the edit that you wanted to ask

1541
00:59:09,560 --> 00:59:11,840
Speaker 2: him or stop him and say, hey, you kind of

1542
00:59:11,880 --> 00:59:12,920
Speaker 2: sound full of ship right now?

1543
00:59:14,480 --> 00:59:16,960
Speaker 3: Another one? No, I mean nah, I think we got

1544
00:59:17,080 --> 00:59:17,720
Speaker 3: everything out.

1545
00:59:17,880 --> 00:59:20,080
Speaker 1: Like in a conversation, I told him what if the

1546
00:59:20,160 --> 00:59:22,040
Speaker 1: vocal because he said he likes what Drake likes, right,

1547
00:59:23,320 --> 00:59:24,960
Speaker 1: But I also told him, like, what if you don't

1548
00:59:25,040 --> 00:59:26,800
Speaker 1: like the vocals? Because the vocals come in all the time,

1549
00:59:26,880 --> 00:59:28,960
Speaker 1: you're excited, But what about how do you, you know,

1550
00:59:29,480 --> 00:59:32,680
Speaker 1: manage quality controls? So that's a real question. But I

1551
00:59:32,840 --> 00:59:36,000
Speaker 1: think we pretty much got everything off. Chest I did

1552
00:59:36,560 --> 00:59:38,320
Speaker 1: break his glass when I was at his house.

1553
00:59:38,720 --> 00:59:39,520
Speaker 3: That's party.

1554
00:59:39,640 --> 00:59:41,840
Speaker 1: That was what happened was is that Kala has these

1555
00:59:41,880 --> 00:59:43,920
Speaker 1: wine glasses and he had coaches, but the coasters were

1556
00:59:43,960 --> 00:59:46,520
Speaker 1: too small, and then the wine glass was sweating, so

1557
00:59:46,640 --> 00:59:48,960
Speaker 1: as I was trying to grab it, it just slip.

1558
00:59:49,000 --> 00:59:51,400
Speaker 3: Right before we started the table, and it just I

1559
00:59:51,520 --> 00:59:55,080
Speaker 3: was like, it's okay, it's okay, it's okay. So John

1560
00:59:55,200 --> 00:59:55,480
Speaker 3: loves you.

1561
00:59:55,920 --> 01:00:01,600
Speaker 2: It was like, Kalid is an amazing human be and hospitality.

1562
01:00:02,480 --> 01:00:07,200
Speaker 1: Something immediately for the glass at the ground later, you know,

1563
01:00:07,600 --> 01:00:09,880
Speaker 1: and you know, I was like, to sign of good faith,

1564
01:00:09,920 --> 01:00:12,320
Speaker 1: I sent him some new ones the next day, thanks

1565
01:00:12,360 --> 01:00:12,800
Speaker 1: a gentleman.

1566
01:00:12,840 --> 01:00:15,000
Speaker 2: I had to, man, that's Brian.

1567
01:00:15,080 --> 01:00:20,800
Speaker 3: That's yeah, it's definitely Brian talking right there. I got you.

1568
01:00:21,160 --> 01:00:23,840
Speaker 2: Thank you, not just Sonny.

1569
01:00:24,040 --> 01:00:28,000
Speaker 1: So that y'all are back about pH back, what were

1570
01:00:28,040 --> 01:00:29,880
Speaker 1: some of the some of the guys that y'all are

1571
01:00:29,880 --> 01:00:31,840
Speaker 1: looking forward to talking to that y'all had already, but

1572
01:00:31,920 --> 01:00:34,520
Speaker 1: now so many things have happened in their lives and

1573
01:00:34,600 --> 01:00:35,160
Speaker 1: in their careers.

1574
01:00:35,200 --> 01:00:36,720
Speaker 3: It was like, we got to sit down with him again.

1575
01:00:37,040 --> 01:00:37,880
Speaker 3: J Cole for sure.

1576
01:00:38,440 --> 01:00:40,320
Speaker 1: He promised that he was going to have another conversation

1577
01:00:40,400 --> 01:00:43,000
Speaker 1: with him at Dreamville Fest, but it hasn't really happened yet.

1578
01:00:44,200 --> 01:00:46,840
Speaker 3: Who else, Elliott, what do you think everybody want? Kendrick?

1579
01:00:46,920 --> 01:00:48,280
Speaker 3: Everybody we haven't told to Kendrick.

1580
01:00:48,360 --> 01:00:50,360
Speaker 2: Yet, what what do you guys think that Kendrick interview

1581
01:00:50,360 --> 01:00:50,800
Speaker 2: would look like?

1582
01:00:51,480 --> 01:00:54,120
Speaker 3: That's interesting, you asked, what you're saying, what.

1583
01:00:54,160 --> 01:00:56,640
Speaker 2: Would interview at this point in his life looks.

1584
01:00:56,480 --> 01:00:59,600
Speaker 8: Like he'd have the thing about the moments to rob

1585
01:00:59,680 --> 01:01:01,160
Speaker 8: and what you love it or like it or whatever

1586
01:01:01,280 --> 01:01:05,600
Speaker 8: or I love it? He said, that's so therapeutic against.

1587
01:01:05,320 --> 01:01:07,520
Speaker 7: So much to unpack from that album exactly like that

1588
01:01:07,560 --> 01:01:08,920
Speaker 7: shit is at least an hour and a half.

1589
01:01:08,800 --> 01:01:09,200
Speaker 3: Two hours.

1590
01:01:09,600 --> 01:01:12,640
Speaker 8: He would be interesting to see his perspective of those

1591
01:01:12,760 --> 01:01:14,840
Speaker 8: things he touched on in the album, now that he

1592
01:01:14,920 --> 01:01:16,920
Speaker 8: got that out to the world, that would be what's

1593
01:01:16,960 --> 01:01:19,640
Speaker 8: intriguing like and how? And also the energy he's gotten

1594
01:01:19,720 --> 01:01:22,560
Speaker 8: back from everybody because family business, like, he aired a

1595
01:01:22,600 --> 01:01:23,280
Speaker 8: lot of things out.

1596
01:01:23,400 --> 01:01:25,840
Speaker 3: So I wonder what that looks like now after you

1597
01:01:25,920 --> 01:01:26,520
Speaker 3: get that off.

1598
01:01:26,760 --> 01:01:29,600
Speaker 2: You know we were talking right when the album came out.

1599
01:01:30,560 --> 01:01:32,560
Speaker 2: You know, is his wife or I'm not sure the

1600
01:01:32,600 --> 01:01:36,120
Speaker 2: status is in my business kids, he's kept hidden. They

1601
01:01:36,200 --> 01:01:38,200
Speaker 2: didn't signed up for none of the ship we saw

1602
01:01:38,200 --> 01:01:40,240
Speaker 2: even with Lemonade four four fours. As much as that

1603
01:01:40,360 --> 01:01:43,480
Speaker 2: is still private business. They are both superstars and you know,

1604
01:01:43,800 --> 01:01:47,320
Speaker 2: such as comes with the business Kendrick has. His family

1605
01:01:47,800 --> 01:01:51,280
Speaker 2: is not they're not superstars. I'm curious what that was

1606
01:01:51,440 --> 01:01:53,440
Speaker 2: like when he played it for them. Are you okay

1607
01:01:53,520 --> 01:01:53,680
Speaker 2: with this?

1608
01:01:54,200 --> 01:01:55,240
Speaker 3: Then? What happened? Yeah?

1609
01:01:55,680 --> 01:01:57,360
Speaker 2: I wish Kendrick would do that and that he owes

1610
01:01:57,360 --> 01:01:59,160
Speaker 2: it to us, But he'll probably only talk to Tim

1611
01:01:59,160 --> 01:02:00,640
Speaker 2: from Amazon because they go Africa together.

1612
01:02:01,240 --> 01:02:04,400
Speaker 3: Shout out to shout out. If you're not from Compton,

1613
01:02:04,440 --> 01:02:04,920
Speaker 3: you can't get this.

1614
01:02:05,640 --> 01:02:07,520
Speaker 2: I guess I did love that aspect of it, with

1615
01:02:07,720 --> 01:02:10,000
Speaker 2: the position Tim is in now and Amazon where they

1616
01:02:10,040 --> 01:02:12,280
Speaker 2: act that he went right to like him.

1617
01:02:12,160 --> 01:02:13,120
Speaker 7: To Tim to Africa.

1618
01:02:13,160 --> 01:02:18,800
Speaker 3: He took Cherry to Spotify shout out the call good dude, Philly.

1619
01:02:18,880 --> 01:02:23,000
Speaker 3: He's in Kendrick ship, so he might he might be

1620
01:02:23,040 --> 01:02:24,600
Speaker 3: ready to come out side and sit and talk. I

1621
01:02:24,600 --> 01:02:26,240
Speaker 3: hate it when I see like rappers in New York.

1622
01:02:26,280 --> 01:02:27,440
Speaker 3: I'm like, you know what, the what do you? I

1623
01:02:27,440 --> 01:02:29,360
Speaker 3: could have met you? You know what I mean? A

1624
01:02:29,520 --> 01:02:31,840
Speaker 3: Sam ferguts a podcast is over for us because.

1625
01:02:31,640 --> 01:02:37,360
Speaker 1: He he got Kendrick Lennox and and tiger Bone, Tiger

1626
01:02:37,400 --> 01:02:39,280
Speaker 1: Bone and shipping and doing pull ups. It's like I'd

1627
01:02:39,280 --> 01:02:41,280
Speaker 1: be in that area, Like I never see anybody in

1628
01:02:41,280 --> 01:02:45,520
Speaker 1: the one day, I'm not Kendrick Porto eating and doing

1629
01:02:45,560 --> 01:02:46,200
Speaker 1: pull ups.

1630
01:02:48,240 --> 01:02:50,000
Speaker 3: Because he was.

1631
01:02:50,120 --> 01:02:51,640
Speaker 2: He was breaking generational curses.

1632
01:02:52,160 --> 01:02:52,800
Speaker 5: Yeah he was.

1633
01:02:53,240 --> 01:02:56,760
Speaker 2: He was speaking of pod wars and media awards. You

1634
01:02:56,840 --> 01:02:58,640
Speaker 2: guys were at cal It's house. How did you feel

1635
01:02:58,680 --> 01:03:01,160
Speaker 2: when Rob Markman got the Guru break down a piece?

1636
01:03:01,440 --> 01:03:04,720
Speaker 2: Because I personally will admit I was frustrated and upset.

1637
01:03:05,120 --> 01:03:06,920
Speaker 3: I was cool with it, you know, like I like

1638
01:03:07,000 --> 01:03:09,080
Speaker 3: the fact like Rob is, you know, a great guy.

1639
01:03:10,200 --> 01:03:12,680
Speaker 2: People know he's in a group chat with pot Rob,

1640
01:03:13,000 --> 01:03:15,280
Speaker 2: so Rob is Rob is cool? And I was just well,

1641
01:03:15,320 --> 01:03:18,200
Speaker 2: you're in that infamous group chat, infamous in that neither

1642
01:03:18,880 --> 01:03:19,240
Speaker 2: about me and.

1643
01:03:19,240 --> 01:03:22,240
Speaker 7: That break down, Like we're in a group chat with Hole,

1644
01:03:22,320 --> 01:03:23,720
Speaker 7: but that's not as cool as the other.

1645
01:03:25,280 --> 01:03:26,840
Speaker 3: Jay Z. I don't know that was.

1646
01:03:27,120 --> 01:03:28,040
Speaker 7: That was the other group chat.

1647
01:03:28,080 --> 01:03:30,080
Speaker 2: We can backum the floor after we drop all the names,

1648
01:03:31,000 --> 01:03:31,200
Speaker 2: do it.

1649
01:03:31,320 --> 01:03:32,600
Speaker 3: I don't know what he's talking about.

1650
01:03:33,200 --> 01:03:33,960
Speaker 2: Snitch on the group chat?

1651
01:03:34,040 --> 01:03:35,480
Speaker 7: Yeah, please the one to beat that saying that we're

1652
01:03:35,520 --> 01:03:36,840
Speaker 7: not worthy enough to being Rory.

1653
01:03:37,400 --> 01:03:38,440
Speaker 2: Kaz is in that group chat.

1654
01:03:38,480 --> 01:03:45,200
Speaker 3: Yes, shout out to kazan Uh. I'm so glad I'm

1655
01:03:45,200 --> 01:03:45,920
Speaker 3: not in that group chat.

1656
01:03:46,880 --> 01:03:50,680
Speaker 2: All they do is all they do is talking. They

1657
01:03:50,760 --> 01:03:52,680
Speaker 2: talked about us, and Wayne knows in there as well.

1658
01:03:54,320 --> 01:03:56,520
Speaker 3: I might be able to get in with Wayne. Could

1659
01:03:56,520 --> 01:03:57,400
Speaker 3: be Wayne. No, that's my man.

1660
01:03:57,800 --> 01:03:59,919
Speaker 2: It's a lot of allies and enemies in the group chats.

1661
01:04:00,040 --> 01:04:01,240
Speaker 2: I don't even know how it's managing.

1662
01:04:01,320 --> 01:04:02,120
Speaker 3: It's all love.

1663
01:04:02,560 --> 01:04:04,760
Speaker 1: I like the competitive I like the competitive nature, like

1664
01:04:04,840 --> 01:04:07,120
Speaker 1: I think that we all have a mutual respect for

1665
01:04:07,200 --> 01:04:09,040
Speaker 1: each other. I did at one point have a real

1666
01:04:09,120 --> 01:04:11,640
Speaker 1: issue with Charlamagne because of what he said, but I

1667
01:04:11,680 --> 01:04:13,120
Speaker 1: mean that's you know, it is what it is.

1668
01:04:13,880 --> 01:04:15,400
Speaker 3: I was happy they got you. Didn't like beat out.

1669
01:04:15,440 --> 01:04:16,360
Speaker 3: I remember in the beginning too.

1670
01:04:18,600 --> 01:04:20,040
Speaker 2: I don't remember that fake news.

1671
01:04:20,480 --> 01:04:25,280
Speaker 3: That's definitely fake news. Good people, good people tried to

1672
01:04:25,400 --> 01:04:25,640
Speaker 3: kill me.

1673
01:04:28,160 --> 01:04:29,880
Speaker 2: I watched that clip a thousand times.

1674
01:04:30,400 --> 01:04:31,280
Speaker 3: Because you know what's saying.

1675
01:04:31,320 --> 01:04:34,880
Speaker 8: He doesn't if you study that clip, like he goes

1676
01:04:34,920 --> 01:04:37,400
Speaker 8: into this thing and then beat out smartly, like we're

1677
01:04:37,440 --> 01:04:38,320
Speaker 8: not actors like you guys.

1678
01:04:38,360 --> 01:04:39,280
Speaker 7: You guys are like actors.

1679
01:04:39,320 --> 01:04:41,400
Speaker 8: We make us feel like we gotta take acting lessons

1680
01:04:41,480 --> 01:04:43,120
Speaker 8: and ship like you guys are like serious about it.

1681
01:04:43,320 --> 01:04:44,960
Speaker 7: So me and beat Out and not despians. But I

1682
01:04:45,000 --> 01:04:47,439
Speaker 7: think in the Jamie Foxx clip, if you really watch

1683
01:04:47,480 --> 01:04:49,800
Speaker 7: it like tape and really break it down. The best

1684
01:04:49,840 --> 01:04:50,240
Speaker 7: thing is that.

1685
01:04:50,400 --> 01:04:52,800
Speaker 3: Beat Out immediately jumps into the whole position of like,

1686
01:04:53,200 --> 01:04:55,080
Speaker 3: let's pretend he's Trump. Just ask him.

1687
01:04:55,040 --> 01:04:57,840
Speaker 8: Questions like as he as if he's Trump, That's what

1688
01:04:57,880 --> 01:04:59,840
Speaker 8: I'm playing. And then you watch that part. It goes

1689
01:04:59,880 --> 01:05:01,360
Speaker 8: on a great and I jump in with the fake

1690
01:05:01,440 --> 01:05:03,880
Speaker 8: news and then he leverged off that and then if

1691
01:05:03,880 --> 01:05:06,040
Speaker 8: you see the clip, then we have that bit it

1692
01:05:06,080 --> 01:05:07,800
Speaker 8: starts to wrap up. I literally give him like a

1693
01:05:07,880 --> 01:05:10,680
Speaker 8: fist bump like oh ship you like, thank you man,

1694
01:05:10,760 --> 01:05:11,040
Speaker 8: thank you.

1695
01:05:11,440 --> 01:05:14,360
Speaker 7: And then he gets he gave me the virus. He

1696
01:05:14,440 --> 01:05:15,520
Speaker 7: starts a whole other bit.

1697
01:05:15,840 --> 01:05:18,000
Speaker 3: Yeah, and guys, the little ship.

1698
01:05:18,080 --> 01:05:20,439
Speaker 2: Jamie Fox didn't that even when when Beatot got into

1699
01:05:20,560 --> 01:05:22,920
Speaker 2: like the journalists, I'm talking to Trump. Now, see what

1700
01:05:22,960 --> 01:05:27,360
Speaker 2: he's doing. You see what he's doing. Question, excuse me,

1701
01:05:27,480 --> 01:05:27,920
Speaker 2: excuse me.

1702
01:05:28,360 --> 01:05:31,240
Speaker 3: He's great. No, Jamie Fox is his comedic mind.

1703
01:05:31,520 --> 01:05:33,440
Speaker 8: And it was with Snoop, like it's so funny to

1704
01:05:33,480 --> 01:05:35,800
Speaker 8: see Snoop kind of like he was with Doctor Dre

1705
01:05:36,000 --> 01:05:38,600
Speaker 8: some way Snoop and play number two because we know

1706
01:05:38,680 --> 01:05:40,320
Speaker 8: what the four Snoop is and we all love Snoop.

1707
01:05:40,560 --> 01:05:43,840
Speaker 8: But Snoop was letting Jamie be in control running room

1708
01:05:44,000 --> 01:05:45,560
Speaker 8: and like Eve, when Snoop was talking about things, I

1709
01:05:45,600 --> 01:05:47,320
Speaker 8: could Jamie being so close to me. I can see

1710
01:05:47,360 --> 01:05:49,800
Speaker 8: his comedic mind trying to figure like how am I

1711
01:05:49,840 --> 01:05:51,120
Speaker 8: going to rejoin the conversation?

1712
01:05:51,800 --> 01:05:53,080
Speaker 3: Like it's powerful man.

1713
01:05:53,800 --> 01:05:59,280
Speaker 2: Speaking of Oscar super Bowl? Yeah, anyone care? I think

1714
01:05:59,320 --> 01:06:00,320
Speaker 2: that's fucking that's.

1715
01:06:00,240 --> 01:06:05,520
Speaker 8: A win shot out to Death's eyes for the coaches

1716
01:06:05,560 --> 01:06:07,200
Speaker 8: to major when I had we hit on board to

1717
01:06:07,280 --> 01:06:09,320
Speaker 8: this morning and thank congrats to him and Dez and

1718
01:06:09,880 --> 01:06:11,600
Speaker 8: you know, for all that drama, look the super Bowl,

1719
01:06:11,800 --> 01:06:14,760
Speaker 8: like that's a big platform. They've taken it to another level.

1720
01:06:14,880 --> 01:06:16,760
Speaker 8: Dre added his genius to it. Whether or not he

1721
01:06:16,840 --> 01:06:19,040
Speaker 8: made the right decision of who joined him or not,

1722
01:06:19,160 --> 01:06:20,960
Speaker 8: you know, that's not for us to judge. But I

1723
01:06:21,280 --> 01:06:23,240
Speaker 8: love when hip hop's recognized that way. So I think

1724
01:06:23,240 --> 01:06:24,160
Speaker 8: it's huge that they got them.

1725
01:06:24,720 --> 01:06:26,200
Speaker 2: Do you guys want a Snoop and Dre album?

1726
01:06:27,560 --> 01:06:29,320
Speaker 3: Yeah? We confirmed that the music is good.

1727
01:06:29,600 --> 01:06:34,040
Speaker 1: Yeah you know what I'm saying, like skeptical, keep it

1728
01:06:35,040 --> 01:06:36,520
Speaker 1: like I just like the kind of guys like it

1729
01:06:36,600 --> 01:06:40,440
Speaker 1: sounds good on paper, like sound yeah, like hopefully it's

1730
01:06:40,480 --> 01:06:42,800
Speaker 1: better in actual practice instead of theory. You know what

1731
01:06:42,800 --> 01:06:45,120
Speaker 1: I'm saying, because they made magic. It's hard to capture

1732
01:06:45,200 --> 01:06:46,240
Speaker 1: lightning in a bottle, you know.

1733
01:06:46,360 --> 01:06:48,520
Speaker 8: Once again, But if you're Snoop, don't you want like

1734
01:06:48,600 --> 01:06:50,320
Speaker 8: a real dread like you had the moment you had

1735
01:06:50,400 --> 01:06:51,960
Speaker 8: Doggy Style you had two thousand and one.

1736
01:06:52,000 --> 01:06:54,080
Speaker 7: But it's like your Snoop Dogg like he was like

1737
01:06:54,360 --> 01:06:55,919
Speaker 7: he was like the anchor of the whole ship.

1738
01:06:56,040 --> 01:06:58,680
Speaker 8: Like, if you're Snoop at this point and you've maintained relevancy,

1739
01:06:59,080 --> 01:07:01,439
Speaker 8: you feel like you need that look like you need.

1740
01:07:01,480 --> 01:07:04,040
Speaker 3: One more like moment with Dre, I guess because they're

1741
01:07:04,080 --> 01:07:07,600
Speaker 3: mad at it. But the music, it has to it

1742
01:07:07,680 --> 01:07:09,440
Speaker 3: has to be phenomenal, I guess.

1743
01:07:09,920 --> 01:07:12,520
Speaker 2: Is already perfect. And I love that Snoop still works

1744
01:07:12,560 --> 01:07:15,000
Speaker 2: with the younger artists. I love that Dre sound has

1745
01:07:15,080 --> 01:07:17,080
Speaker 2: not aged at all, he still works with the younger artists.

1746
01:07:17,120 --> 01:07:19,880
Speaker 2: Like I'd rather Dre lock in production wise with the

1747
01:07:19,960 --> 01:07:22,360
Speaker 2: younger kids and Snoop do the same with the younger

1748
01:07:22,400 --> 01:07:26,080
Speaker 2: producers and then get there like their catalog is flawless.

1749
01:07:26,480 --> 01:07:28,439
Speaker 2: Do we really need it at this point?

1750
01:07:28,840 --> 01:07:31,920
Speaker 3: We don't need it, don't need Yeah, it's we need yeah.

1751
01:07:31,960 --> 01:07:34,040
Speaker 2: But we okay, but we need Dre to fuck with

1752
01:07:34,080 --> 01:07:35,640
Speaker 2: the young kids. We need Snoop to fuck with the

1753
01:07:35,680 --> 01:07:39,000
Speaker 2: young kids. Yeah, I think that's needed that I had.

1754
01:07:38,960 --> 01:07:41,320
Speaker 8: Confirmed that Cord wrote some of his boss Yeah, it

1755
01:07:41,400 --> 01:07:43,800
Speaker 8: shows his dedication to recognize.

1756
01:07:43,400 --> 01:07:45,280
Speaker 2: And like, you know, we all say definitely rocks with

1757
01:07:45,320 --> 01:07:45,960
Speaker 2: younger generation.

1758
01:07:46,080 --> 01:07:46,840
Speaker 3: Yeah for sure.

1759
01:07:47,200 --> 01:07:50,840
Speaker 2: But listen, man and any other ship we can, we

1760
01:07:50,880 --> 01:07:51,200
Speaker 2: can stir.

1761
01:07:51,320 --> 01:07:53,880
Speaker 3: I don't know. We love y'all.

1762
01:07:54,000 --> 01:07:54,760
Speaker 2: We we love y'all.

1763
01:07:54,800 --> 01:07:56,120
Speaker 3: Were happy that y'all are back.

1764
01:07:56,320 --> 01:07:57,800
Speaker 1: I don't think I love how beat I can be

1765
01:07:57,840 --> 01:07:59,600
Speaker 1: waaring to do rag one minute and then sitting down

1766
01:07:59,640 --> 01:08:00,920
Speaker 1: with Jamie Fox the next.

1767
01:08:01,280 --> 01:08:02,560
Speaker 3: It is just the greatest in the world to put

1768
01:08:02,600 --> 01:08:03,400
Speaker 3: my good clothes on for.

1769
01:08:03,440 --> 01:08:06,400
Speaker 2: That, you know, I don't I don't think. I don't

1770
01:08:06,400 --> 01:08:08,960
Speaker 2: think our passes scanned at mad in America right now

1771
01:08:09,200 --> 01:08:12,520
Speaker 2: because we did the fun jay Z segment with beat Up.

1772
01:08:12,720 --> 01:08:14,320
Speaker 2: It wasn't our verse, it wasn't a.

1773
01:08:14,360 --> 01:08:16,640
Speaker 3: Fun Worst jay Z. I don't know how.

1774
01:08:16,840 --> 01:08:18,160
Speaker 8: I don't know how you'll pulled that off. I was

1775
01:08:18,240 --> 01:08:21,160
Speaker 8: mortified at home. Could folks that complex?

1776
01:08:21,240 --> 01:08:26,599
Speaker 1: Yeah, let's say for my show Wednesday, they was like, hey,

1777
01:08:27,080 --> 01:08:32,800
Speaker 1: season season four, actually, okay, season four real and it

1778
01:08:32,880 --> 01:08:34,280
Speaker 1: was like, hey, thank you, I appreciate It was like,

1779
01:08:35,240 --> 01:08:36,800
Speaker 1: why don't we just do worst jay Z songs?

1780
01:08:36,800 --> 01:08:39,360
Speaker 3: I was like, hmm, okay, who can we get? We

1781
01:08:39,400 --> 01:08:43,000
Speaker 3: gotta get the whole Vengers man. I said, Rory mall, okay,

1782
01:08:43,080 --> 01:08:43,800
Speaker 3: let's make it happen.

1783
01:08:43,880 --> 01:08:45,240
Speaker 1: And when I got that text, I was like, wait,

1784
01:08:45,280 --> 01:08:47,080
Speaker 1: whoa y'all want me to sit down and talk about

1785
01:08:47,160 --> 01:08:50,040
Speaker 1: Jay's worst lyrics worst you know what?

1786
01:08:50,320 --> 01:08:53,040
Speaker 3: Yeah, let's have fun. Let's have fun. And of course

1787
01:08:53,080 --> 01:08:55,160
Speaker 3: I signed Jay signed off on it. Yeah, that was all.

1788
01:08:56,280 --> 01:08:58,519
Speaker 3: Hope it not. He doesn't take yourself that ship. And

1789
01:08:59,479 --> 01:09:00,760
Speaker 3: you know he think he.

1790
01:09:00,800 --> 01:09:04,680
Speaker 1: Said Hollywood was his worst song, and he admitted to that. No,

1791
01:09:05,000 --> 01:09:07,640
Speaker 1: not in Hollywood. He said, anything what one?

1792
01:09:07,720 --> 01:09:12,240
Speaker 3: I think you the strip Club song? Is that the

1793
01:09:12,320 --> 01:09:13,240
Speaker 3: one that we crowned up?

1794
01:09:13,280 --> 01:09:13,400
Speaker 2: Now?

1795
01:09:14,080 --> 01:09:15,360
Speaker 3: Wasn't that one? I think it might have been?

1796
01:09:15,400 --> 01:09:16,800
Speaker 1: I think that was the one we can I think

1797
01:09:16,840 --> 01:09:19,040
Speaker 1: I hope so there was anything? I think it was

1798
01:09:19,080 --> 01:09:21,080
Speaker 1: pretty bad and keep him come. So she got like,

1799
01:09:21,120 --> 01:09:23,439
Speaker 1: remember hot, wasn't that bad?

1800
01:09:23,479 --> 01:09:27,920
Speaker 7: You know it don't really can't make magic together, Paul Joint.

1801
01:09:28,439 --> 01:09:29,040
Speaker 3: You don't like that.

1802
01:09:31,160 --> 01:09:31,559
Speaker 2: Your back.

1803
01:09:31,920 --> 01:09:34,160
Speaker 3: I hate that record on the top of the one

1804
01:09:34,280 --> 01:09:36,400
Speaker 3: time I hate it, Sean.

1805
01:09:37,080 --> 01:09:39,360
Speaker 8: I'll say earlier, like when I Forever Young comes on

1806
01:09:39,960 --> 01:09:41,920
Speaker 8: at the concert, when he stabbed the set list, it's like,

1807
01:09:42,240 --> 01:09:42,839
Speaker 8: I'm going.

1808
01:09:42,680 --> 01:09:45,000
Speaker 2: To the exit, I'm trying to I'm gonna be traffic.

1809
01:09:45,120 --> 01:09:48,519
Speaker 3: I'm being traffic. And then like that whole you're not hoping.

1810
01:09:48,680 --> 01:09:50,160
Speaker 3: She's like you just on that pure hip hop ship.

1811
01:09:50,200 --> 01:09:50,760
Speaker 3: You don't get it.

1812
01:09:51,479 --> 01:09:52,760
Speaker 7: Backpack is you know you walk?

1813
01:09:53,000 --> 01:09:53,240
Speaker 1: You don't.

1814
01:09:53,920 --> 01:09:57,479
Speaker 3: You don't even understand. You don't know what I'm saying.

1815
01:09:57,840 --> 01:09:59,280
Speaker 7: What I'm saying this is like a big thing. You

1816
01:09:59,360 --> 01:10:00,439
Speaker 7: can't die jet have you.

1817
01:10:00,439 --> 01:10:03,760
Speaker 2: You put the flashlight on and.

1818
01:10:06,000 --> 01:10:09,320
Speaker 3: You can't light up, like helly, put your light up,

1819
01:10:10,400 --> 01:10:11,160
Speaker 3: put the light up.

1820
01:10:12,520 --> 01:10:16,080
Speaker 2: He's all right, this girl, you shake the ladder, operate.

1821
01:10:17,720 --> 01:10:19,880
Speaker 3: We can't put the light up there for mister Hudson.

1822
01:10:20,360 --> 01:10:22,880
Speaker 3: We love mister.

1823
01:10:23,360 --> 01:10:25,040
Speaker 7: That's that's a guest right then.

1824
01:10:25,080 --> 01:10:29,240
Speaker 3: It's amazing yells. I'm just saying, that's a great record, man,

1825
01:10:29,320 --> 01:10:33,160
Speaker 3: Fuck you guys Young Forever Young that got some person

1826
01:10:33,439 --> 01:10:35,600
Speaker 3: that got some personal ship would be that he was

1827
01:10:35,680 --> 01:10:38,760
Speaker 3: going through something with that record drop. It's a great song, man.

1828
01:10:38,960 --> 01:10:41,560
Speaker 3: I mean say, his lyrics was always top notch. But

1829
01:10:42,160 --> 01:10:43,320
Speaker 3: you're not gonna go right to that.

1830
01:10:44,000 --> 01:10:46,000
Speaker 2: You think you beat out out the dark.

1831
01:10:47,880 --> 01:10:50,000
Speaker 3: Look look at this record.

1832
01:10:50,560 --> 01:10:54,680
Speaker 2: So when rap Radar was the video was in between negotiating.

1833
01:10:55,240 --> 01:10:59,680
Speaker 2: It's just that it's like the video. No, we not

1834
01:11:00,120 --> 01:11:00,280
Speaker 2: with it.

1835
01:11:00,280 --> 01:11:02,320
Speaker 3: I don't even remember the video. It was black and white.

1836
01:11:02,400 --> 01:11:05,439
Speaker 2: Yea, it was not problems some kids with skate.

1837
01:11:05,240 --> 01:11:07,600
Speaker 7: For man, we didn't get it.

1838
01:11:07,640 --> 01:11:12,960
Speaker 3: We didn't get it that young I get it. Great record,

1839
01:11:13,000 --> 01:11:13,679
Speaker 3: he stays centered.

1840
01:11:14,560 --> 01:11:17,720
Speaker 2: I don't like Nike shorts with the Jordan's unlesson did

1841
01:11:17,760 --> 01:11:19,160
Speaker 2: they have the Nike symbol on the back of the three?

1842
01:11:19,320 --> 01:11:21,679
Speaker 2: All right, I take it back. I apologize I should

1843
01:11:21,680 --> 01:11:22,120
Speaker 2: have never done that.

1844
01:11:22,720 --> 01:11:24,759
Speaker 3: Festival chic, Yeah, exactly exactly.

1845
01:11:25,400 --> 01:11:26,920
Speaker 2: I broke these out because I stay with you.

1846
01:11:28,280 --> 01:11:29,719
Speaker 3: You can't come here the color.

1847
01:11:30,720 --> 01:11:33,040
Speaker 1: You could tell a rookie at it's your first time

1848
01:11:33,080 --> 01:11:34,960
Speaker 1: telling rookie at the festival. You could tell when a

1849
01:11:35,040 --> 01:11:37,280
Speaker 1: rookie is at they get way too fresh. You can't

1850
01:11:37,320 --> 01:11:40,439
Speaker 1: be fresh and you gotta be like laungry day. Yeah, yeah,

1851
01:11:40,720 --> 01:11:44,040
Speaker 1: you know what errands, errands to look like you wanted

1852
01:11:44,080 --> 01:11:46,800
Speaker 1: some errands. How do you feel about all the ship that?

1853
01:11:46,920 --> 01:11:47,080
Speaker 3: Yeah?

1854
01:11:47,080 --> 01:11:47,680
Speaker 5: You got going on?

1855
01:11:47,880 --> 01:11:52,400
Speaker 1: Right, now on instagrams, Kanye loves him. Some posts Kanye

1856
01:11:52,640 --> 01:11:55,599
Speaker 1: thinks he thinks too fast for his fingers. I think

1857
01:11:55,680 --> 01:11:58,280
Speaker 1: I will say, though I've been saying this lately, besides

1858
01:11:58,360 --> 01:12:00,599
Speaker 1: these recent posts, I say, the higher you go up

1859
01:12:00,680 --> 01:12:04,040
Speaker 1: the ladder of success, the more Kanye makes sense. I

1860
01:12:04,160 --> 01:12:07,000
Speaker 1: get it, the more you understand what he's talking about

1861
01:12:07,040 --> 01:12:09,240
Speaker 1: as being a creative and a visionary, because there's a

1862
01:12:09,240 --> 01:12:10,880
Speaker 1: lot of people in these positions that.

1863
01:12:10,920 --> 01:12:11,439
Speaker 3: Don't get it.

1864
01:12:11,600 --> 01:12:13,880
Speaker 1: Oh yeah, So I'm like, you know what, when Elliott

1865
01:12:13,880 --> 01:12:17,240
Speaker 1: and I negotiating and doing things, it's like, you get it,

1866
01:12:18,000 --> 01:12:19,439
Speaker 1: Kanye get it.

1867
01:12:20,280 --> 01:12:21,800
Speaker 2: I've been voking when I don't agree with him, and

1868
01:12:21,840 --> 01:12:23,800
Speaker 2: I'm vocal when I agree with them. I disagree with

1869
01:12:24,000 --> 01:12:25,760
Speaker 2: putting those people's faces up there because that could be

1870
01:12:25,760 --> 01:12:27,680
Speaker 2: a liability of fans is fucking crazy. Who knows.

1871
01:12:27,920 --> 01:12:32,040
Speaker 1: Yeah, but everything he's saying is not wrong. He makes Yeah,

1872
01:12:32,800 --> 01:12:35,720
Speaker 1: he's smart, he's educated, he's intelligent. He's not you know,

1873
01:12:35,960 --> 01:12:38,479
Speaker 1: we may not understand him because we're not in his

1874
01:12:38,600 --> 01:12:41,280
Speaker 1: business like that. Yeah, but he's not just doing these

1875
01:12:41,360 --> 01:12:43,439
Speaker 1: things just because he woke up and decided that's what

1876
01:12:43,520 --> 01:12:45,479
Speaker 1: he wanted to do. Yeah, he's a passionate guy, and

1877
01:12:45,600 --> 01:12:48,080
Speaker 1: I think that shows in his music of course, and

1878
01:12:48,560 --> 01:12:49,400
Speaker 1: in business as well.

1879
01:12:49,520 --> 01:12:51,679
Speaker 3: So so before we go, is it Drake rein over.

1880
01:12:54,240 --> 01:12:55,040
Speaker 7: Podcast topic?

1881
01:12:55,240 --> 01:12:56,479
Speaker 3: Is Drake not number one anymore?

1882
01:12:56,520 --> 01:12:58,680
Speaker 2: I don't think Staying Alive helped you.

1883
01:12:58,800 --> 01:13:01,920
Speaker 7: Hate staying alive? You got right, yo, every every staying

1884
01:13:01,960 --> 01:13:04,120
Speaker 7: a live clip. I sent it to Rory like, like, I.

1885
01:13:05,920 --> 01:13:08,240
Speaker 2: Know, but you guys, let say that it was. It

1886
01:13:08,360 --> 01:13:10,439
Speaker 2: was the greatest hook of our our lifetime.

1887
01:13:10,520 --> 01:13:11,839
Speaker 3: I disagree. I disagree.

1888
01:13:11,880 --> 01:13:13,280
Speaker 2: I think GS disagreed.

1889
01:13:13,439 --> 01:13:17,720
Speaker 3: Yeah, actually, let's not plays incredible record. It's incredible. I

1890
01:13:17,800 --> 01:13:18,960
Speaker 3: think Cliff did it better.

1891
01:13:19,400 --> 01:13:21,320
Speaker 2: You know, I agree, Well, I don't think it's even

1892
01:13:21,360 --> 01:13:22,400
Speaker 2: comparable between Stay.

1893
01:13:23,680 --> 01:13:24,360
Speaker 7: We appreciate that.

1894
01:13:24,400 --> 01:13:26,240
Speaker 8: Why because I was at the source of the time.

1895
01:13:26,720 --> 01:13:29,280
Speaker 8: We shipped on that in real time, hated that in

1896
01:13:29,320 --> 01:13:31,439
Speaker 8: real time. Now you look back on that that Wycum

1897
01:13:31,520 --> 01:13:32,200
Speaker 8: ship was flopped.

1898
01:13:32,640 --> 01:13:34,720
Speaker 2: Yeah, why, Cliff and will I Am have a lot

1899
01:13:34,760 --> 01:13:36,920
Speaker 2: of similarity, like going from the real hip hop ship

1900
01:13:37,479 --> 01:13:38,160
Speaker 2: going to mains.

1901
01:13:38,479 --> 01:13:40,360
Speaker 3: I never thought about that comparison. I see it.

1902
01:13:40,560 --> 01:13:42,240
Speaker 2: I see it now, and then we look back at

1903
01:13:42,240 --> 01:13:43,599
Speaker 2: a lot of will I Am ship that we hated.

1904
01:13:43,680 --> 01:13:45,320
Speaker 2: It's like this was a joint like, why.

1905
01:13:45,200 --> 01:13:47,320
Speaker 3: Do we hate this when it came Bob, it's actually

1906
01:13:47,360 --> 01:13:51,120
Speaker 3: a bop. You needed time to time that happened. But yeah,

1907
01:13:53,160 --> 01:13:58,280
Speaker 3: staying alive, uh CLB anniversary.

1908
01:13:59,400 --> 01:14:01,439
Speaker 1: You went to the that we might not be friends.

1909
01:14:01,479 --> 01:14:03,160
Speaker 1: You went to the release party. You didn't invite me

1910
01:14:03,240 --> 01:14:07,760
Speaker 1: last minute. That flew in last minute. I didn't until

1911
01:14:07,880 --> 01:14:08,960
Speaker 1: yesterday by.

1912
01:14:09,040 --> 01:14:10,240
Speaker 2: You take a picture in front of the neons.

1913
01:14:10,680 --> 01:14:13,840
Speaker 3: Yo, I didn't. I was running kid. I could have

1914
01:14:13,880 --> 01:14:14,640
Speaker 3: give me the heads up.

1915
01:14:14,720 --> 01:14:20,439
Speaker 8: Many, I'm sorry, we're getting my friend friend.

1916
01:14:20,479 --> 01:14:23,400
Speaker 1: Don't don't like, don't do that to me, the mass

1917
01:14:23,600 --> 01:14:24,080
Speaker 1: producer man.

1918
01:14:24,479 --> 01:14:25,560
Speaker 3: But she can't give me the thing. Don't do that.

1919
01:14:26,439 --> 01:14:28,559
Speaker 3: She can't give me the middle figure. She might as well.

1920
01:14:28,640 --> 01:14:34,200
Speaker 3: This is this got hit him with the flint ria.

1921
01:14:34,479 --> 01:14:35,800
Speaker 2: Do we have a do we have a date for

1922
01:14:35,840 --> 01:14:37,640
Speaker 2: the Banks interview? What else? What else can we look for?

1923
01:14:38,040 --> 01:14:40,479
Speaker 3: So whenever this comes out, the Banks interview probably out

1924
01:14:40,520 --> 01:14:41,920
Speaker 3: by then. That's coming out.

1925
01:14:41,960 --> 01:14:45,040
Speaker 8: Every Thursday, every Thursday, podcast every Thursday, Michael, twice a

1926
01:14:45,040 --> 01:14:46,320
Speaker 8: week because we want to compete with you guys.

1927
01:14:46,360 --> 01:14:47,800
Speaker 2: But we'll see how go once a week with an

1928
01:14:47,800 --> 01:14:49,160
Speaker 2: interview and the way y'all do interview.

1929
01:14:49,280 --> 01:14:53,160
Speaker 7: Yeah right, talk to them to mark a lot of work.

1930
01:14:53,240 --> 01:14:55,320
Speaker 3: You know what, I'm competitive, but I'm not in competition

1931
01:14:55,439 --> 01:14:57,479
Speaker 3: if that makes sense, Okay.

1932
01:14:57,840 --> 01:15:01,720
Speaker 2: That that's when that's when PR says, hey, you're being

1933
01:15:01,760 --> 01:15:02,240
Speaker 2: too arrogant.

1934
01:15:02,280 --> 01:15:06,599
Speaker 1: Here's what to Saytive, you're a candle in the sun

1935
01:15:07,200 --> 01:15:08,200
Speaker 1: and that ship don't even know.

1936
01:15:08,920 --> 01:15:11,720
Speaker 3: I like to be competitive, man, You know what I'm saying,

1937
01:15:11,760 --> 01:15:15,479
Speaker 3: Like you said, we asked when Rob got the interview grew?

1938
01:15:15,640 --> 01:15:18,280
Speaker 7: Yeah, go two quality interviews a week.

1939
01:15:18,400 --> 01:15:19,240
Speaker 3: No one's really doing that.

1940
01:15:19,360 --> 01:15:22,320
Speaker 2: That's difficult, And I'm just saying if anyone can do it,

1941
01:15:22,520 --> 01:15:23,760
Speaker 2: y'all would be the two to do it. I just

1942
01:15:23,800 --> 01:15:26,880
Speaker 2: know how difficult listen to like really conductive hard and

1943
01:15:26,960 --> 01:15:28,800
Speaker 2: doing that twice a week, shooting the ship with him

1944
01:15:28,800 --> 01:15:32,040
Speaker 2: twice a week is how you can never imagine.

1945
01:15:32,840 --> 01:15:34,639
Speaker 8: And then you know those kids like I got before

1946
01:15:34,680 --> 01:15:37,520
Speaker 8: we get out of here, mall you Bishop man congratulate,

1947
01:15:37,560 --> 01:15:40,240
Speaker 8: but one man, one.

1948
01:15:40,160 --> 01:15:41,760
Speaker 1: Man above the polist and we're just trying to have

1949
01:15:41,840 --> 01:15:44,600
Speaker 1: fun and promote out to our tickets available now right

1950
01:15:44,640 --> 01:15:45,360
Speaker 1: now dot com.

1951
01:15:45,800 --> 01:15:47,280
Speaker 7: You'll make me feel like me and Bet I gotta

1952
01:15:47,280 --> 01:15:48,479
Speaker 7: get acting lessons and some ship.

1953
01:15:49,160 --> 01:15:50,120
Speaker 3: What you wouldn't beat out.

1954
01:15:50,000 --> 01:15:52,880
Speaker 1: Of doing or you listen to conversations that y'all are having,

1955
01:15:52,960 --> 01:15:56,200
Speaker 1: the questions that y'all ask h how personal y'all get

1956
01:15:56,240 --> 01:15:59,960
Speaker 1: with with some of our favorite artists, and in the cold,

1957
01:16:01,000 --> 01:16:02,840
Speaker 1: y'all are like, you know, the top of the top

1958
01:16:02,880 --> 01:16:04,439
Speaker 1: it gets. It doesn't get any better than y'all. So

1959
01:16:04,479 --> 01:16:06,760
Speaker 1: what y'all are doing is exactly what what we need.

1960
01:16:06,920 --> 01:16:08,120
Speaker 3: Y'all. Y'all are wanted a few.

1961
01:16:08,080 --> 01:16:10,840
Speaker 1: Podcasts that I actually sit down and watch and listen

1962
01:16:10,920 --> 01:16:12,519
Speaker 1: to because I know y'all are going to ask it

1963
01:16:12,600 --> 01:16:13,920
Speaker 1: that I would ask if I was sitting in front

1964
01:16:13,960 --> 01:16:15,960
Speaker 1: of these generals. So you know, we're happy to have

1965
01:16:16,080 --> 01:16:20,479
Speaker 1: y'all back. God damn it, we gotta do a wrap

1966
01:16:20,560 --> 01:16:21,840
Speaker 1: rate off. Ship'll be hard.

1967
01:16:22,240 --> 01:16:22,720
Speaker 3: Let's do it.

1968
01:16:22,920 --> 01:16:24,120
Speaker 2: If they're doing twice a week.

1969
01:16:24,000 --> 01:16:29,320
Speaker 3: Then they might start running artist.

1970
01:16:32,280 --> 01:16:33,160
Speaker 2: Y'all want to do a whole.

1971
01:16:33,000 --> 01:16:34,800
Speaker 3: We'll take it.

1972
01:16:35,560 --> 01:16:40,240
Speaker 1: Take y'all, man, take you rap right off. You say

1973
01:16:40,320 --> 01:16:44,400
Speaker 1: that that don't get enough, shout shout out to everybody?

1974
01:16:44,560 --> 01:16:47,000
Speaker 1: Do say shout out everybody in Rock Nation. Made in America, Philly,

1975
01:16:47,000 --> 01:16:50,520
Speaker 1: two thousand and two, Rap Rate Off twenty.

1976
01:16:54,400 --> 01:16:55,840
Speaker 3: Much too much?

1977
01:16:55,920 --> 01:16:59,320
Speaker 1: Do say Philly Made America twenty twenty two rap rate

1978
01:16:59,360 --> 01:17:02,360
Speaker 1: off b dot Yep, Elliott Wilson Friend, thank you for

1979
01:17:02,439 --> 01:17:03,920
Speaker 1: having it, thank you, Thank y'all for.

1980
01:17:03,920 --> 01:17:06,600
Speaker 3: Sitting with us. Manbasty all right, well we're back with

1981
01:17:06,720 --> 01:17:07,040
Speaker 3: a guest.

1982
01:17:07,160 --> 01:17:09,920
Speaker 1: Man just got off the stage and mattresses in the

1983
01:17:10,000 --> 01:17:13,200
Speaker 1: crowd surfing cray.

1984
01:17:13,040 --> 01:17:14,839
Speaker 2: One of the more creative things I've ever seen.

1985
01:17:15,520 --> 01:17:17,800
Speaker 3: Added to shows that they're trying to add safety into it.

1986
01:17:18,240 --> 01:17:20,360
Speaker 1: Say, I just found out you can get sued and

1987
01:17:20,479 --> 01:17:22,360
Speaker 1: shows and ship for that because of the air mattress

1988
01:17:22,560 --> 01:17:23,720
Speaker 1: for anything, Like I didn't know that, Like.

1989
01:17:25,520 --> 01:17:26,719
Speaker 3: You can get sue for anything.

1990
01:17:28,040 --> 01:17:29,280
Speaker 2: Travis Scott suit for performing.

1991
01:17:29,680 --> 01:17:34,120
Speaker 3: Yeah, Travis did way more to perform. But but like

1992
01:17:34,240 --> 01:17:35,920
Speaker 3: now we throw fru snacks out of crowded Like, yo,

1993
01:17:36,000 --> 01:17:37,360
Speaker 3: that's a liability. You take somebody.

1994
01:17:38,160 --> 01:17:39,840
Speaker 2: I'm like, bro, that's a fruit snack.

1995
01:17:39,920 --> 01:17:42,120
Speaker 3: If fruit snack takes your eye out, yeah you should

1996
01:17:42,160 --> 01:17:42,360
Speaker 3: be home.

1997
01:17:43,720 --> 01:17:45,479
Speaker 2: We fucked up the intro because his family. This is

1998
01:17:45,520 --> 01:17:46,479
Speaker 2: OURMANI white here.

1999
01:17:46,439 --> 01:17:48,519
Speaker 3: Yeah, MONI white up. Yes, listen, listen.

2000
01:17:48,600 --> 01:17:50,200
Speaker 1: This this is my second time it made America. The

2001
01:17:50,240 --> 01:17:53,800
Speaker 1: first time Rory saved my life. Uh, they had Douce

2002
01:17:53,960 --> 01:17:55,240
Speaker 1: Palser right before our set.

2003
01:17:55,360 --> 01:17:57,479
Speaker 12: Yes, but if they did not do that ship boy,

2004
01:17:58,439 --> 01:17:59,960
Speaker 12: we'd have been performing a staff for sure.

2005
01:18:01,680 --> 01:18:03,560
Speaker 2: And it wasn't because we were dope. It was it

2006
01:18:03,680 --> 01:18:05,960
Speaker 2: was just a quiet ass fucking party because it was

2007
01:18:06,040 --> 01:18:08,439
Speaker 2: like we were at whenever the gates opened, we were

2008
01:18:08,520 --> 01:18:11,559
Speaker 2: the minute after and they just herd bass from Austin

2009
01:18:11,720 --> 01:18:14,320
Speaker 2: and all these kids just ran over and made us

2010
01:18:14,400 --> 01:18:15,680
Speaker 2: look like we were the hottest ship move.

2011
01:18:15,720 --> 01:18:16,920
Speaker 3: What's the dope thing about festivals?

2012
01:18:16,920 --> 01:18:17,040
Speaker 2: Though?

2013
01:18:17,040 --> 01:18:20,519
Speaker 3: Likes soon as kids hear something, just what it is,

2014
01:18:21,680 --> 01:18:23,519
Speaker 3: check it out. Sound like wait, yeah, it makes sense.

2015
01:18:24,800 --> 01:18:25,439
Speaker 3: What's been going on?

2016
01:18:25,600 --> 01:18:28,360
Speaker 2: Man? I have some questions, bro?

2017
01:18:29,520 --> 01:18:32,400
Speaker 12: She has been a journey broen, especially since the last

2018
01:18:32,439 --> 01:18:35,040
Speaker 12: time I saw you been I took some trips around

2019
01:18:35,040 --> 01:18:35,720
Speaker 12: the sun like that ship.

2020
01:18:35,800 --> 01:18:37,160
Speaker 3: Yeah, it'd been crazy for sure.

2021
01:18:37,840 --> 01:18:41,080
Speaker 2: So how do we go from being the amazing musician

2022
01:18:41,479 --> 01:18:45,040
Speaker 2: that cares about every last fucking detail and every last

2023
01:18:45,120 --> 01:18:51,400
Speaker 2: bit of the artwork down to everything and TikTok? So

2024
01:18:51,880 --> 01:18:53,759
Speaker 2: some women doing somersaults and hoodies.

2025
01:18:54,800 --> 01:18:56,439
Speaker 1: The women are going to dictate the culture. I keep

2026
01:18:56,479 --> 01:18:58,760
Speaker 1: telling people, I know, bro, That's what I'm saying. Like,

2027
01:18:58,920 --> 01:19:00,320
Speaker 1: I like you.

2028
01:19:00,479 --> 01:19:02,439
Speaker 12: You see Roy Kane in the studio with me, like

2029
01:19:02,600 --> 01:19:04,880
Speaker 12: years and long years ago. Yeah, and he know I

2030
01:19:05,040 --> 01:19:07,360
Speaker 12: was on some like not everything, I'll be fine tuning.

2031
01:19:07,479 --> 01:19:09,000
Speaker 12: I played in the whole project and was like like,

2032
01:19:09,000 --> 01:19:09,840
Speaker 12: all right, so Maody's done.

2033
01:19:09,880 --> 01:19:11,439
Speaker 3: I was like, nah, I'm about to rework the whole ship.

2034
01:19:11,720 --> 01:19:14,120
Speaker 3: I mean, so like now I'm just kind of like

2035
01:19:14,400 --> 01:19:14,880
Speaker 3: having fun.

2036
01:19:15,040 --> 01:19:17,280
Speaker 1: Yeah, bro, Like I I was so into the like

2037
01:19:17,360 --> 01:19:20,280
Speaker 1: the particular it was like overthinking sometimes And.

2038
01:19:20,320 --> 01:19:22,680
Speaker 12: Honestly, I ended up sitting with this project for a

2039
01:19:22,720 --> 01:19:24,760
Speaker 12: whole nother year just because I wanted to keep fine

2040
01:19:24,800 --> 01:19:26,160
Speaker 12: tuning it. And it was like now it's just like, bro,

2041
01:19:26,240 --> 01:19:27,400
Speaker 12: this is get the ship out and have some fun

2042
01:19:27,479 --> 01:19:29,000
Speaker 12: with it. And that was the record that you know,

2043
01:19:29,120 --> 01:19:31,040
Speaker 12: we decided to have fun with it, just going crazy

2044
01:19:31,120 --> 01:19:32,000
Speaker 12: and went stupid.

2045
01:19:32,040 --> 01:19:34,360
Speaker 2: I was happy that it wasn't like a shitty record.

2046
01:19:34,439 --> 01:19:36,759
Speaker 2: It's a good record. There's a lot of TikTok records

2047
01:19:36,760 --> 01:19:39,000
Speaker 2: that blow up like they're catchy, but they're shitty record.

2048
01:19:39,240 --> 01:19:41,040
Speaker 2: Oh no, no, no, at least this actually felt like

2049
01:19:41,160 --> 01:19:43,400
Speaker 2: a good, good record. But it was still you come

2050
01:19:43,479 --> 01:19:44,799
Speaker 2: up with the summersault in the hoodie.

2051
01:19:45,160 --> 01:19:45,360
Speaker 1: Nah.

2052
01:19:45,640 --> 01:19:45,680
Speaker 10: No.

2053
01:19:46,280 --> 01:19:48,720
Speaker 12: The thing is I tried the ship fell broke, a

2054
01:19:48,720 --> 01:19:52,000
Speaker 12: couple of broke some fur well, that ship was bad.

2055
01:19:52,320 --> 01:19:52,599
Speaker 2: I said.

2056
01:19:52,640 --> 01:19:55,680
Speaker 3: Now y'all got it, Like, y'all do that right, y'all

2057
01:19:55,760 --> 01:19:58,240
Speaker 3: think I'm gonna fall back? Like yeah, I didn't come

2058
01:19:58,320 --> 01:19:58,800
Speaker 3: up with the summer.

2059
01:19:58,840 --> 01:20:00,760
Speaker 12: So now I try to hold into other trains this

2060
01:20:00,760 --> 01:20:02,600
Speaker 12: ship that they have my privates right now, like I

2061
01:20:03,280 --> 01:20:04,719
Speaker 12: shits went right off of my TikTok.

2062
01:20:04,800 --> 01:20:07,000
Speaker 2: But yeah, I was telling Demeris that's what I want

2063
01:20:07,040 --> 01:20:08,920
Speaker 2: to see. All the outtakes of all these women doing

2064
01:20:08,960 --> 01:20:11,840
Speaker 2: summersaults off their bed yeah, and not landing, nah, not

2065
01:20:12,160 --> 01:20:12,760
Speaker 2: sticking to land.

2066
01:20:12,880 --> 01:20:15,200
Speaker 1: Some people have gotten hurt, I guaranteed, yeh know, kick

2067
01:20:15,240 --> 01:20:17,080
Speaker 1: their cameras all sorts of wild ship does?

2068
01:20:17,560 --> 01:20:19,600
Speaker 2: Is there some catch twenty two to the success? Do

2069
01:20:19,640 --> 01:20:21,640
Speaker 2: you feel like because you have such a larger fan

2070
01:20:21,720 --> 01:20:23,840
Speaker 2: base now with this record and it's at what ten

2071
01:20:23,920 --> 01:20:25,040
Speaker 2: billion streams or some shit?

2072
01:20:25,160 --> 01:20:27,320
Speaker 3: Yeah there's forty billion?

2073
01:20:28,560 --> 01:20:31,320
Speaker 2: My apologies, Yeah, yeah, I undermined you with ten billions streams?

2074
01:20:31,360 --> 01:20:34,000
Speaker 3: Yeah, thirty show them one is thirty billion?

2075
01:20:34,720 --> 01:20:36,400
Speaker 2: Do you have to approach it different now or you

2076
01:20:36,479 --> 01:20:37,200
Speaker 2: still want to stick?

2077
01:20:37,439 --> 01:20:39,640
Speaker 12: I mean that's that's TikTok like them, forty billion is

2078
01:20:39,680 --> 01:20:41,840
Speaker 12: on TikTok Like I'm you know, like I'm still an

2079
01:20:41,880 --> 01:20:42,759
Speaker 12: artist outside of TikTok.

2080
01:20:42,800 --> 01:20:44,479
Speaker 3: And the great thing about this shit is it didn't

2081
01:20:44,560 --> 01:20:45,840
Speaker 3: just live on TikTok, you know what I mean.

2082
01:20:45,920 --> 01:20:48,719
Speaker 12: It's just like a record that it got millions of videos,

2083
01:20:48,760 --> 01:20:51,200
Speaker 12: billions of views, but like nobody ever actually listened to

2084
01:20:51,240 --> 01:20:52,360
Speaker 12: the song, you know what I mean, Like the shit

2085
01:20:52,400 --> 01:20:55,200
Speaker 12: transferred over my little, my little back catalog and strain

2086
01:20:55,280 --> 01:20:55,559
Speaker 12: the money.

2087
01:20:55,600 --> 01:20:57,640
Speaker 3: Thenk went up a little couple of shit.

2088
01:20:57,640 --> 01:21:00,200
Speaker 12: It multiply, so like, yeah, I'm chilling, like I my

2089
01:21:00,280 --> 01:21:02,280
Speaker 12: thing is with Billy with a record like Billy OLiS

2090
01:21:02,320 --> 01:21:03,880
Speaker 12: I was having fun, I would still being myself, so

2091
01:21:03,960 --> 01:21:06,519
Speaker 12: it's easy for me to keep being myself as opposed

2092
01:21:06,520 --> 01:21:07,519
Speaker 12: to like you know what I'm saying, But the.

2093
01:21:07,560 --> 01:21:10,840
Speaker 1: Billy Elish record, so you have the ears now, yeah,

2094
01:21:11,240 --> 01:21:14,280
Speaker 1: now they could really get into Almani the artists, yeah,

2095
01:21:14,360 --> 01:21:16,240
Speaker 1: and really see that it's a whole different.

2096
01:21:16,000 --> 01:21:18,479
Speaker 12: Vibe exactly exactly, Bro, I do a whole bunch of

2097
01:21:18,560 --> 01:21:21,759
Speaker 12: Like my main thing is like I define the genre

2098
01:21:21,800 --> 01:21:23,280
Speaker 12: as happy hood music, Like you know what I'm saying,

2099
01:21:23,280 --> 01:21:25,839
Speaker 12: I'm a nigga for Philly. Like there's already a connotation

2100
01:21:25,920 --> 01:21:27,519
Speaker 12: that come with that just being from Philly. So it's

2101
01:21:27,560 --> 01:21:29,760
Speaker 12: like all right, let me take that West Philly, right, Yeah,

2102
01:21:29,800 --> 01:21:31,320
Speaker 12: from West Philly. So it's like, let me take that,

2103
01:21:31,520 --> 01:21:33,080
Speaker 12: take that whole thing that you're you know, like that

2104
01:21:33,120 --> 01:21:35,920
Speaker 12: you're already think about Philly and just turn turning around

2105
01:21:35,960 --> 01:21:37,360
Speaker 12: like I've come from the same hood, but I found

2106
01:21:37,360 --> 01:21:39,240
Speaker 12: a brighter and more colorful way to tell my story,

2107
01:21:39,320 --> 01:21:41,200
Speaker 12: so you know what I mean. So with with that,

2108
01:21:41,400 --> 01:21:44,520
Speaker 12: it's just it's still like it's gonna be some Billy eilishes,

2109
01:21:44,560 --> 01:21:47,360
Speaker 12: it's gonna be some some of the oldest style. Yeah,

2110
01:21:47,400 --> 01:21:49,479
Speaker 12: but it's always just going to be uplifting. It's like

2111
01:21:49,640 --> 01:21:51,200
Speaker 12: I think about it like a funeral. It's like, instead

2112
01:21:51,240 --> 01:21:52,800
Speaker 12: of morning to death, I'm going to celebrate the life.

2113
01:21:52,800 --> 01:21:54,519
Speaker 12: Even if we're talking about some dark shit, I'm gonna

2114
01:21:54,520 --> 01:21:55,080
Speaker 12: celebrate the life.

2115
01:21:55,080 --> 01:21:55,599
Speaker 3: You know what I'm saying.

2116
01:21:55,760 --> 01:21:57,000
Speaker 2: Has Billy reached out?

2117
01:21:57,320 --> 01:22:00,800
Speaker 3: Billy ain't doing Billy ain't doing that.

2118
01:22:01,040 --> 01:22:06,760
Speaker 2: Goddamn no, no mercy collab on a hood, right, Yeah,

2119
01:22:06,800 --> 01:22:07,320
Speaker 2: come on, Billy?

2120
01:22:07,360 --> 01:22:10,439
Speaker 3: What manager? Her manager? He hit her manager up.

2121
01:22:10,479 --> 01:22:13,200
Speaker 12: A manager was like, Yo, Billy's really happy for our money,

2122
01:22:13,360 --> 01:22:14,560
Speaker 12: but she doesn't plan on leaning it.

2123
01:22:14,680 --> 01:22:17,439
Speaker 3: So she said, fuck that, nigga, she doesn't plan on

2124
01:22:17,560 --> 01:22:19,560
Speaker 3: leaning in. She's like, right now, Oh, that's such a

2125
01:22:20,160 --> 01:22:23,200
Speaker 3: She's not gonna lean into it, like Billy, don't lean

2126
01:22:23,280 --> 01:22:24,479
Speaker 3: into the goddamn record.

2127
01:22:24,560 --> 01:22:27,000
Speaker 2: Well, no, Drake was the other one. When Drake did

2128
01:22:27,040 --> 01:22:29,840
Speaker 2: the interview with Games, like that was the best pr

2129
01:22:29,960 --> 01:22:31,600
Speaker 2: movis saying I'm not doing it first. And there was

2130
01:22:31,600 --> 01:22:33,519
Speaker 2: someone else we interviewed that had the greatest like, my

2131
01:22:33,720 --> 01:22:36,320
Speaker 2: energy is not in the place to support you at

2132
01:22:36,360 --> 01:22:38,280
Speaker 2: the moment, like it was some ship like that was like, I.

2133
01:22:38,320 --> 01:22:40,200
Speaker 3: Need to use that. Yeah, her energy is definitely not

2134
01:22:40,240 --> 01:22:41,439
Speaker 3: in the place of support. It was.

2135
01:22:42,120 --> 01:22:44,360
Speaker 2: It's gonna bother me too, I need to write it

2136
01:22:44,400 --> 01:22:44,680
Speaker 2: down here.

2137
01:22:44,960 --> 01:22:47,479
Speaker 1: All was like, that is such a great thing to say.

2138
01:22:47,600 --> 01:22:51,240
Speaker 1: But Billy lean into the goddamn record. God damn, it's

2139
01:22:51,240 --> 01:22:51,680
Speaker 1: a great guy.

2140
01:22:51,840 --> 01:22:55,200
Speaker 3: She cleared this sample for me though, like she that's all.

2141
01:22:55,240 --> 01:22:57,280
Speaker 3: That's all I really like. I'm still appreciative of Billy

2142
01:22:57,320 --> 01:22:57,880
Speaker 3: for doing that shit.

2143
01:22:57,920 --> 01:23:01,160
Speaker 12: Because Universal waited to the very re end, the very

2144
01:23:01,280 --> 01:23:03,479
Speaker 12: end of the clearance process to be like, wait, did y'all.

2145
01:23:03,360 --> 01:23:04,400
Speaker 7: Ask Billy to do this ship?

2146
01:23:04,880 --> 01:23:05,880
Speaker 2: They want to see them numbers go.

2147
01:23:07,479 --> 01:23:09,120
Speaker 3: They ain't want that call from Billy. After this ship

2148
01:23:09,160 --> 01:23:11,920
Speaker 3: went out, they wasn't to say, but it is. It's

2149
01:23:11,960 --> 01:23:12,679
Speaker 3: cool that she cleared.

2150
01:23:12,800 --> 01:23:16,080
Speaker 2: Yeah, that was that was good segue into the question

2151
01:23:16,120 --> 01:23:19,439
Speaker 2: we've been asking every artist. Yeah, who's an artist you

2152
01:23:19,560 --> 01:23:21,120
Speaker 2: d M that did not reply to.

2153
01:23:23,840 --> 01:23:27,160
Speaker 3: Boy, it's a list. Uh everybody has a list. Yeah, no,

2154
01:23:27,280 --> 01:23:29,040
Speaker 3: it's a list because you got you got to shoot

2155
01:23:29,080 --> 01:23:29,559
Speaker 3: a couple shops.

2156
01:23:29,560 --> 01:23:31,120
Speaker 12: I just found out that this ship worked like I

2157
01:23:31,240 --> 01:23:34,760
Speaker 12: shot one uh on some like like not like super big.

2158
01:23:34,760 --> 01:23:36,400
Speaker 12: When I shot on the ski Mans he was like, yeah, bro,

2159
01:23:36,520 --> 01:23:40,400
Speaker 12: let's do it game. Hit me up, uh gz, my

2160
01:23:40,439 --> 01:23:42,160
Speaker 12: favorite white guy hit me up.

2161
01:23:43,840 --> 01:23:45,719
Speaker 2: I was just I was a studio with you before.

2162
01:23:45,800 --> 01:23:49,439
Speaker 2: That's cool Irish Irish.

2163
01:23:49,880 --> 01:23:52,040
Speaker 3: It's different. It's different you billy Irish.

2164
01:23:52,520 --> 01:23:56,360
Speaker 2: Yeah, I am not billy Irish. My name is not

2165
01:23:56,439 --> 01:23:57,040
Speaker 2: billy Irish.

2166
01:24:05,439 --> 01:24:07,479
Speaker 3: Yeh niggas. That's the remix of money Billy Irish.

2167
01:24:08,840 --> 01:24:10,639
Speaker 2: We didn't have much of a budget. We got this guy.

2168
01:24:13,840 --> 01:24:14,080
Speaker 3: Damn.

2169
01:24:14,120 --> 01:24:17,280
Speaker 12: It's it's a couple that definitely didn't that didn't. I

2170
01:24:17,320 --> 01:24:19,640
Speaker 12: don't even want to say that your embarrassing.

2171
01:24:19,800 --> 01:24:22,439
Speaker 2: Ship g Eazy would be perfect for that remix. That's

2172
01:24:22,479 --> 01:24:24,080
Speaker 2: his pocket yez.

2173
01:24:24,400 --> 01:24:27,000
Speaker 12: I had see the thing is though they said that,

2174
01:24:27,280 --> 01:24:29,360
Speaker 12: but it was like Yo, Gezy did the what's the

2175
01:24:29,400 --> 01:24:30,760
Speaker 12: one record with him and a sap and.

2176
01:24:31,479 --> 01:24:34,960
Speaker 2: Oh Cardi's not on that, Card is on that.

2177
01:24:35,200 --> 01:24:38,920
Speaker 12: But but in that in that situation, that scenario, Gez

2178
01:24:39,120 --> 01:24:40,960
Speaker 12: was kind of like the RMANI White in that situation,

2179
01:24:41,120 --> 01:24:42,360
Speaker 12: like a lot of he had a lot of more

2180
01:24:42,560 --> 01:24:44,920
Speaker 12: like coaching had been. So I'm like, damn, do I

2181
01:24:45,080 --> 01:24:46,479
Speaker 12: you know what I mean? Like like, I think we

2182
01:24:46,520 --> 01:24:48,120
Speaker 12: can find another record for me and easy to go

2183
01:24:48,240 --> 01:24:48,680
Speaker 12: crazy on.

2184
01:24:50,640 --> 01:24:55,040
Speaker 2: Uh you're in the whisper Yeah video you want.

2185
01:24:56,760 --> 01:24:56,800
Speaker 3: Not?

2186
01:24:56,880 --> 01:24:57,559
Speaker 7: So we we tacked.

2187
01:24:57,560 --> 01:24:58,960
Speaker 12: We tapped a few difer people. I'm just I'm gonna

2188
01:24:59,000 --> 01:25:00,000
Speaker 12: yell a bunch of it ou because I don't th

2189
01:25:00,000 --> 01:25:00,680
Speaker 12: any of them is having it.

2190
01:25:00,880 --> 01:25:03,920
Speaker 3: But let's records taken off.

2191
01:25:04,000 --> 01:25:04,080
Speaker 10: Now.

2192
01:25:04,160 --> 01:25:07,120
Speaker 3: We tapped. We tapped Jack Carlow, we tapped Uzzi.

2193
01:25:07,400 --> 01:25:10,360
Speaker 12: We tapped Yeah, I guess funny shit to tell you

2194
01:25:10,360 --> 01:25:13,559
Speaker 12: about that Uzzy off camera, But okay, we got tap

2195
01:25:13,680 --> 01:25:14,080
Speaker 12: Jack Carlo.

2196
01:25:14,240 --> 01:25:17,800
Speaker 3: Uzy would be interesting on that, Wozy would be tough. Yeah.

2197
01:25:17,840 --> 01:25:20,040
Speaker 3: It was Philly things too, Yeah right, I mean so

2198
01:25:20,840 --> 01:25:23,200
Speaker 3: we tapped. We tapped them too. I think I want to.

2199
01:25:23,200 --> 01:25:24,800
Speaker 2: Say a lot of us, you know what, So I

2200
01:25:24,880 --> 01:25:27,000
Speaker 2: was literally about to say, what about lotto? Yeah, yeah, yeah,

2201
01:25:27,120 --> 01:25:27,760
Speaker 2: I was poking too.

2202
01:25:27,920 --> 01:25:29,679
Speaker 12: My thought was lott of that was my My initial

2203
01:25:29,760 --> 01:25:31,320
Speaker 12: drum was a lot of first ship. I said, it

2204
01:25:31,360 --> 01:25:33,439
Speaker 12: was a lot with you know, like this woman rappings,

2205
01:25:33,520 --> 01:25:34,679
Speaker 12: so that'd be my ship.

2206
01:25:34,760 --> 01:25:36,559
Speaker 1: So we gotta ask man, because we've been asking all

2207
01:25:36,560 --> 01:25:39,200
Speaker 1: the artists that come through kicking with us, lunch with

2208
01:25:39,360 --> 01:25:39,600
Speaker 1: jay Z.

2209
01:25:41,200 --> 01:25:45,280
Speaker 3: Let's let's up the bag a little bit. Lunch with

2210
01:25:45,439 --> 01:25:50,639
Speaker 3: jay Z or two hundred and fifty K cash.

2211
01:25:50,960 --> 01:25:57,160
Speaker 12: Okay, I don't even eat like there's been right, all right, Bro,

2212
01:25:57,560 --> 01:26:00,439
Speaker 12: I'll be starving. I give my whole lunch two fifty

2213
01:26:00,520 --> 01:26:03,120
Speaker 12: k right right, looking at jay just eating.

2214
01:26:05,000 --> 01:26:05,640
Speaker 3: I watched all his.

2215
01:26:05,720 --> 01:26:07,840
Speaker 1: Videos on my iPad with the two fifty k really

2216
01:26:07,920 --> 01:26:11,680
Speaker 1: hard right now, Ja, So the two fifty you take it,

2217
01:26:11,720 --> 01:26:12,439
Speaker 1: take it to two fifty.

2218
01:26:12,479 --> 01:26:14,880
Speaker 2: But you had lunch with j Bro, like half I'm saying,

2219
01:26:15,000 --> 01:26:20,720
Speaker 2: I got that interested. Doesn't talk to you, Like the

2220
01:26:20,800 --> 01:26:22,559
Speaker 2: only thing he said to me was I'm getting better.

2221
01:26:23,400 --> 01:26:25,000
Speaker 2: The direct quote of when I had lunch with jay Z.

2222
01:26:25,120 --> 01:26:26,360
Speaker 2: He said I'm getting better.

2223
01:26:26,640 --> 01:26:28,280
Speaker 3: Yeah, yeah, he proved it.

2224
01:26:28,760 --> 01:26:30,240
Speaker 2: Yeah, But I wasn't at lunch for that.

2225
01:26:30,240 --> 01:26:31,320
Speaker 3: Invitation, right, exactly.

2226
01:26:31,520 --> 01:26:33,400
Speaker 12: He's just commentating on his food, like, man, these crab

2227
01:26:33,479 --> 01:26:36,240
Speaker 12: legs right right, exactly like that.

2228
01:26:37,040 --> 01:26:38,760
Speaker 2: And walk out.

2229
01:26:38,840 --> 01:26:43,400
Speaker 3: Yeah, the two fifties good. I'm definitely taking the two fifty.

2230
01:26:43,640 --> 01:26:46,280
Speaker 3: That's an easy one. I ain't even yo, keep it

2231
01:26:46,320 --> 01:26:49,719
Speaker 3: a mean. When I found out you and BIG's brothers.

2232
01:26:50,040 --> 01:26:52,160
Speaker 12: So it makes sense because I always see Rory just

2233
01:26:52,240 --> 01:26:54,519
Speaker 12: like running around like every time every year.

2234
01:26:54,600 --> 01:26:56,680
Speaker 3: I mean like I just see Royalino. That's what for him. No,

2235
01:26:56,760 --> 01:27:01,640
Speaker 3: that has nothing to do with me. That's more they had.

2236
01:27:03,280 --> 01:27:06,400
Speaker 2: I've been in this game for twenty years, you know.

2237
01:27:06,760 --> 01:27:11,599
Speaker 1: I've been saying, like, in this game, shout out to family. Yeah,

2238
01:27:11,720 --> 01:27:13,720
Speaker 1: like damn y'all probably like you know, I imagine, Oh,

2239
01:27:13,840 --> 01:27:16,800
Speaker 1: but you know the whole duce du say Paloza, right, I.

2240
01:27:16,840 --> 01:27:18,160
Speaker 2: No, No, I'll put in perspective and I tell the

2241
01:27:18,200 --> 01:27:19,800
Speaker 2: story on the pod. I've told this story in the

2242
01:27:19,840 --> 01:27:22,599
Speaker 2: pod plenty of times. One time after Made America, after

2243
01:27:22,640 --> 01:27:23,800
Speaker 2: we had met, I was in the Saint Thomas and

2244
01:27:23,880 --> 01:27:26,559
Speaker 2: I saw Biggs in the airport. Yeah, and I had

2245
01:27:26,600 --> 01:27:29,920
Speaker 2: never met Biggs, but Mom had we had a podcast together,

2246
01:27:30,000 --> 01:27:31,720
Speaker 2: and I went up to Bigs and I said, Hey,

2247
01:27:32,920 --> 01:27:34,920
Speaker 2: I do a podcast with your brother. Yeah, he said,

2248
01:27:35,360 --> 01:27:38,519
Speaker 2: didn't know my brother had one. So no, I've not

2249
01:27:38,640 --> 01:27:40,920
Speaker 2: gotten a wrist band from Bigs in my life.

2250
01:27:41,880 --> 01:27:44,320
Speaker 1: That's such a great story because that's such a big story.

2251
01:27:44,439 --> 01:27:46,960
Speaker 1: Like he he's so disconnected at times.

2252
01:27:47,040 --> 01:27:49,000
Speaker 2: Yeah, like this was so early.

2253
01:27:49,160 --> 01:27:51,840
Speaker 12: Yeah, for dropped some fire emojes on my my bitch

2254
01:27:52,000 --> 01:27:53,720
Speaker 12: what or like my video or some ship like that

2255
01:27:53,880 --> 01:27:56,160
Speaker 12: Billie Olish No, no, no, like boy like twenty eighteens

2256
01:27:56,360 --> 01:27:56,479
Speaker 12: like that.

2257
01:27:56,520 --> 01:27:59,960
Speaker 3: I didn't know Big. I thought Biggs was like a motive.

2258
01:28:00,400 --> 01:28:03,000
Speaker 12: Yeah, exactly, like I didn't know Bigs and Bigs now person.

2259
01:28:03,120 --> 01:28:05,160
Speaker 12: Ye I've seen all the coaches know this.

2260
01:28:05,600 --> 01:28:06,360
Speaker 3: He be talking that talk.

2261
01:28:06,520 --> 01:28:08,280
Speaker 1: You would actually be dope. Sat John would be dope

2262
01:28:08,280 --> 01:28:10,519
Speaker 1: on that. BILLI alliy shrinking, bro, let's think about it.

2263
01:28:10,560 --> 01:28:11,600
Speaker 3: We definitely can set that up.

2264
01:28:11,600 --> 01:28:12,360
Speaker 2: There would be fire on that.

2265
01:28:12,439 --> 01:28:14,760
Speaker 3: Yeah, that would be hard. Might be able to make

2266
01:28:14,760 --> 01:28:15,840
Speaker 3: something saint.

2267
01:28:15,840 --> 01:28:19,120
Speaker 10: We can't get oozy, you know the big not really

2268
01:28:19,200 --> 01:28:23,960
Speaker 10: but yeah, I feel you ad wrong place wrong yea, yeah, no,

2269
01:28:24,160 --> 01:28:27,160
Speaker 10: that's all love man water under the bridge.

2270
01:28:27,640 --> 01:28:30,240
Speaker 3: He was like, yeah, Sat Time tookuation.

2271
01:28:31,160 --> 01:28:33,040
Speaker 2: Yeah that was funny.

2272
01:28:33,800 --> 01:28:34,280
Speaker 3: Get that joke.

2273
01:28:35,160 --> 01:28:36,200
Speaker 2: No, that's get that joke.

2274
01:28:36,280 --> 01:28:36,439
Speaker 10: With me.

2275
01:28:36,600 --> 01:28:39,120
Speaker 3: Totally get it. I totally get it. So listen, what's

2276
01:28:39,160 --> 01:28:39,800
Speaker 3: next for you? Man?

2277
01:28:40,320 --> 01:28:42,559
Speaker 12: Ship just rolling out? You know, like we did forty

2278
01:28:42,600 --> 01:28:45,160
Speaker 12: billion streams for views or whatever like this one. You know,

2279
01:28:45,840 --> 01:28:48,280
Speaker 12: this one is already an eighty million, million million on

2280
01:28:48,360 --> 01:28:50,960
Speaker 12: Spotify and and what three months and that Now it's

2281
01:28:50,960 --> 01:28:53,120
Speaker 12: just like, bro, like let's let's one up.

2282
01:28:53,160 --> 01:28:54,519
Speaker 3: You know what I'm Saying's do this again and do

2283
01:28:54,560 --> 01:28:55,280
Speaker 3: the sh over and over again.

2284
01:28:55,280 --> 01:28:56,800
Speaker 12: We got a EP to wrap the year out and

2285
01:28:56,840 --> 01:28:58,000
Speaker 12: then we just you know, I mean like I've been

2286
01:28:58,000 --> 01:28:59,360
Speaker 12: having my way with the ship, but I really just

2287
01:28:59,400 --> 01:28:59,920
Speaker 12: having fun with it.

2288
01:29:00,160 --> 01:29:01,479
Speaker 3: Join it, you know, just a part of the like

2289
01:29:01,800 --> 01:29:03,720
Speaker 3: the new regime of deaf GM or whatever.

2290
01:29:03,840 --> 01:29:05,320
Speaker 12: Like you know what I'm saying, Like it's a it's

2291
01:29:05,320 --> 01:29:08,240
Speaker 12: a good joint because I know everybody from CEO down. Yeah,

2292
01:29:08,360 --> 01:29:09,479
Speaker 12: I call you know what I mean, I me and

2293
01:29:09,520 --> 01:29:11,240
Speaker 12: to you be on the phone talking about prect lyrics

2294
01:29:11,240 --> 01:29:11,600
Speaker 12: and like that.

2295
01:29:11,720 --> 01:29:15,599
Speaker 3: Like just so so it's it's always just a fun ship,

2296
01:29:15,600 --> 01:29:16,720
Speaker 3: you know what I mean. I'm just having fun.

2297
01:29:16,800 --> 01:29:20,280
Speaker 2: Bro, that's deaf Jim asked you to like play around

2298
01:29:20,320 --> 01:29:22,320
Speaker 2: with other hooks like Miley Cyrus, like just trying to

2299
01:29:22,360 --> 01:29:25,400
Speaker 2: throw certain names. They kept putting a list of white people.

2300
01:29:25,920 --> 01:29:28,040
Speaker 3: So who else is gonna make a song about? Like, nah, nigga,

2301
01:29:29,040 --> 01:29:29,839
Speaker 3: whatever coach.

2302
01:29:29,720 --> 01:29:34,400
Speaker 2: Of culture you want to like Hillary Clinton, Yeah, Hillary Rodham.

2303
01:29:34,240 --> 01:29:34,559
Speaker 3: Right right?

2304
01:29:35,920 --> 01:29:38,240
Speaker 2: Hillary Rodham would be I don't even know what Hillary

2305
01:29:38,320 --> 01:29:45,519
Speaker 2: rod Bro, you get Monica on the intro. No, no,

2306
01:29:46,120 --> 01:29:48,280
Speaker 2: don't let don't don't let them box.

2307
01:29:48,200 --> 01:29:50,080
Speaker 3: You into that. Don't let them. Please, don't let them

2308
01:29:50,120 --> 01:29:51,559
Speaker 3: box you. Don't let that happen.

2309
01:29:52,120 --> 01:29:53,920
Speaker 12: They try and do, They try to even get me

2310
01:29:53,960 --> 01:29:55,479
Speaker 12: to just start making club records and ship like that

2311
01:29:55,640 --> 01:29:58,320
Speaker 12: is I mean, I just I just at this point,

2312
01:29:58,360 --> 01:29:59,519
Speaker 12: like I said, I'm having my way with it, but

2313
01:29:59,560 --> 01:30:01,160
Speaker 12: I know and I want I'm not wanting them dudes

2314
01:30:01,160 --> 01:30:02,559
Speaker 12: that walked in the building. It was like all right, man,

2315
01:30:02,600 --> 01:30:03,680
Speaker 12: like you know what you want me to do? That

2316
01:30:03,880 --> 01:30:06,080
Speaker 12: Like I know where I'm taking it. I know exactly

2317
01:30:06,080 --> 01:30:07,280
Speaker 12: what I want to sound like all that ship.

2318
01:30:07,320 --> 01:30:09,320
Speaker 2: So he was moving independently exactly.

2319
01:30:09,960 --> 01:30:11,960
Speaker 12: So you know, even with this deal, bro, we had

2320
01:30:12,000 --> 01:30:14,120
Speaker 12: to like like I was like, I was telling better

2321
01:30:14,200 --> 01:30:16,280
Speaker 12: this show. I'm like, bro, they came up. They came

2322
01:30:16,360 --> 01:30:17,800
Speaker 12: up before Billy out of this drop. It was like, Yo,

2323
01:30:17,920 --> 01:30:19,160
Speaker 12: we want to do the deal. I'm like, all right,

2324
01:30:19,200 --> 01:30:22,479
Speaker 12: fifty fifty this Oh, I don't know about what I said.

2325
01:30:22,479 --> 01:30:22,799
Speaker 7: That'school.

2326
01:30:22,880 --> 01:30:26,400
Speaker 3: I dropped the song and said, hey, yeah, we'll make

2327
01:30:26,439 --> 01:30:26,720
Speaker 3: it work.

2328
01:30:27,479 --> 01:30:31,800
Speaker 1: We could make something making work. So yeah, so we

2329
01:30:31,920 --> 01:30:35,160
Speaker 1: we you know we we can now right now that

2330
01:30:35,280 --> 01:30:36,599
Speaker 1: the street work.

2331
01:30:36,960 --> 01:30:38,519
Speaker 12: This ship worked for sure, like I put you know,

2332
01:30:38,640 --> 01:30:40,920
Speaker 12: put my nuts on the table, right man, this ship

2333
01:30:41,000 --> 01:30:41,880
Speaker 12: worked out, worked out.

2334
01:30:42,120 --> 01:30:42,240
Speaker 5: Well.

2335
01:30:42,280 --> 01:30:43,519
Speaker 2: We're going to get more all to do to do

2336
01:30:43,600 --> 01:30:44,559
Speaker 2: the TikTok challenge.

2337
01:30:45,800 --> 01:30:48,400
Speaker 3: Listen, man, get them to do Somemer so I will

2338
01:30:48,400 --> 01:30:50,519
Speaker 3: be on for b be honest.

2339
01:30:50,400 --> 01:30:51,959
Speaker 2: I can't tell the new hoodiemerch.

2340
01:30:52,040 --> 01:30:52,200
Speaker 3: Yeah.

2341
01:30:52,240 --> 01:30:54,479
Speaker 2: We just have a bunch of people doing summer so real, right,

2342
01:30:54,640 --> 01:30:55,920
Speaker 2: that's a guess summer.

2343
01:30:56,080 --> 01:30:57,080
Speaker 3: That's good. That's a good job.

2344
01:30:57,760 --> 01:30:58,320
Speaker 2: Just me doing so.

2345
01:31:01,040 --> 01:31:04,800
Speaker 1: Niggas fresson like you like I'm to be like, no,

2346
01:31:04,840 --> 01:31:07,640
Speaker 1: I'm gonna do it. You got a point, like I

2347
01:31:08,600 --> 01:31:10,560
Speaker 1: see it now do Somemer souff.

2348
01:31:10,720 --> 01:31:11,519
Speaker 3: This is crazy.

2349
01:31:11,640 --> 01:31:13,720
Speaker 2: It's hard. I know, it's a.

2350
01:31:15,320 --> 01:31:18,080
Speaker 3: It's not a bad idea, though. Just let me show me.

2351
01:31:18,160 --> 01:31:19,920
Speaker 1: Damaras gonna have to show me some more the tiktoks.

2352
01:31:19,920 --> 01:31:21,200
Speaker 1: I gotta kind of look at this thing. Bro.

2353
01:31:21,280 --> 01:31:24,360
Speaker 2: If you do a summer sau and try how the

2354
01:31:24,360 --> 01:31:26,080
Speaker 2: ship goes is you do a summer sault, you come

2355
01:31:26,120 --> 01:31:27,960
Speaker 2: out like as a different version of yourself. If you

2356
01:31:28,080 --> 01:31:30,400
Speaker 2: do a summer sault and then come out as meat. Yeah,

2357
01:31:30,760 --> 01:31:31,800
Speaker 2: he's selling hoodies, bro.

2358
01:31:32,240 --> 01:31:35,920
Speaker 3: You know money, bro, Like we selling the money free.

2359
01:31:36,280 --> 01:31:37,479
Speaker 2: These ideas not free, bro.

2360
01:31:37,720 --> 01:31:41,920
Speaker 3: These ideas not free. Bro. Right, they gotta pay for

2361
01:31:42,000 --> 01:31:45,840
Speaker 3: this idea is not free, bro. Like, listen, we're gonna

2362
01:31:45,840 --> 01:31:46,320
Speaker 3: think this some cool.

2363
01:31:47,640 --> 01:31:48,000
Speaker 2: We just did.

2364
01:31:48,479 --> 01:31:50,280
Speaker 1: We just thought it's some cool you'll got seventy two hours,

2365
01:31:51,920 --> 01:31:54,120
Speaker 1: but the marriage showed me one it looked cool, but

2366
01:31:54,200 --> 01:31:55,760
Speaker 1: I don't know how we can pull that off.

2367
01:31:56,240 --> 01:31:56,760
Speaker 3: It looked cool.

2368
01:31:56,800 --> 01:31:58,320
Speaker 12: I ain't gonna lie, but I hurt myself when I

2369
01:31:58,360 --> 01:32:01,040
Speaker 12: did this ship, Like I like, yeah, not do it,

2370
01:32:01,280 --> 01:32:04,960
Speaker 12: but like, yeah, your money, you're not selling this definitely

2371
01:32:06,200 --> 01:32:07,720
Speaker 12: like try it out, but like just you know, it

2372
01:32:07,800 --> 01:32:08,200
Speaker 12: might get a.

2373
01:32:08,200 --> 01:32:09,960
Speaker 3: Little crazy in the process to try and get this ship.

2374
01:32:09,960 --> 01:32:11,200
Speaker 1: I'm gonn look at it. I'mnn look at some more

2375
01:32:11,200 --> 01:32:11,639
Speaker 1: to TikTok.

2376
01:32:12,120 --> 01:32:14,439
Speaker 2: And the fact that that day forty billion streams you

2377
01:32:14,520 --> 01:32:19,519
Speaker 2: a little limber, like you got a lot. I know

2378
01:32:19,640 --> 01:32:23,559
Speaker 2: he's friends, but Jesus Christ. I'm looking at my limbs.

2379
01:32:25,640 --> 01:32:29,599
Speaker 3: He's a little he's on the young man. You see

2380
01:32:29,640 --> 01:32:32,200
Speaker 3: the cast you came in with skinny ladies on bro.

2381
01:32:32,280 --> 01:32:34,560
Speaker 7: You can do that ship, you got it?

2382
01:32:34,680 --> 01:32:37,000
Speaker 3: Bro? Oh man? Do say is kicking in?

2383
01:32:41,080 --> 01:32:41,240
Speaker 12: Right?

2384
01:32:41,439 --> 01:32:42,680
Speaker 3: Man? All right?

2385
01:32:42,760 --> 01:32:46,720
Speaker 2: So you have anything to announce, anything that you like.

2386
01:32:47,880 --> 01:32:49,760
Speaker 1: He has a project coming into the year to wrap

2387
01:32:49,800 --> 01:32:53,800
Speaker 1: it up. He's had eighty millions streams on Spotifrock, forty.

2388
01:32:53,560 --> 01:32:55,479
Speaker 2: Billion views on treams and human beings.

2389
01:32:55,600 --> 01:33:00,519
Speaker 3: Yeah, there's more streams than human beings. Omnia killing shit

2390
01:33:00,560 --> 01:33:03,920
Speaker 3: out here right now? Manias wild who.

2391
01:33:03,360 --> 01:33:05,760
Speaker 1: You're looking forward to seeing out here today if you're

2392
01:33:05,760 --> 01:33:06,240
Speaker 1: staying around.

2393
01:33:06,240 --> 01:33:11,320
Speaker 3: I don't even know about but Bonnie. Yeah, Nigga is

2394
01:33:11,360 --> 01:33:13,120
Speaker 3: a bad Yeah, he's a bad rabbit.

2395
01:33:13,200 --> 01:33:13,439
Speaker 5: He's not.

2396
01:33:13,880 --> 01:33:15,519
Speaker 3: Yeah I heard you was out there when he kissing

2397
01:33:15,560 --> 01:33:17,519
Speaker 3: niggas at the mom or some ship like that. Yeah,

2398
01:33:19,160 --> 01:33:26,320
Speaker 3: he was like no yeah that should baby, No, no no.

2399
01:33:26,720 --> 01:33:28,280
Speaker 2: And it's one of those nice people that fronts like,

2400
01:33:28,439 --> 01:33:29,479
Speaker 2: I mean, as long as he's happy.

2401
01:33:32,479 --> 01:33:34,040
Speaker 3: I don't even know what he sees in that guy.

2402
01:33:34,120 --> 01:33:37,200
Speaker 13: Yeah, like yo, Like, I mean I like him so

2403
01:33:37,320 --> 01:33:41,839
Speaker 13: much that works for him, Like, I can't.

2404
01:33:41,680 --> 01:33:43,400
Speaker 1: Do this with though many now we having too much

2405
01:33:43,439 --> 01:33:45,760
Speaker 1: money here, Yo, listen man, it's a mighty white Thank

2406
01:33:45,800 --> 01:33:46,559
Speaker 1: you for coming here.

2407
01:33:46,840 --> 01:33:49,040
Speaker 3: Bro, good luck with you. We're gonna listen out for

2408
01:33:49,040 --> 01:33:55,599
Speaker 3: the next project. My guys. So we just walked back over.

2409
01:33:55,520 --> 01:34:00,640
Speaker 1: Here from uh watching this artist set and and I

2410
01:34:00,720 --> 01:34:03,400
Speaker 1: had to tweet. I was standing next to Julian when

2411
01:34:03,560 --> 01:34:06,479
Speaker 1: you first went on, and I say, yo, Jid is

2412
01:34:06,479 --> 01:34:07,000
Speaker 1: a superstar.

2413
01:34:08,320 --> 01:34:13,560
Speaker 3: Just the energy from where we was at incredible, incredible.

2414
01:34:14,120 --> 01:34:15,960
Speaker 1: So we want to first of all, salute you on

2415
01:34:16,320 --> 01:34:19,160
Speaker 1: just continue to elevate every time we see you, every

2416
01:34:19,200 --> 01:34:19,880
Speaker 1: time we hear from you.

2417
01:34:20,000 --> 01:34:22,760
Speaker 3: We already you know how we feel about you.

2418
01:34:23,000 --> 01:34:24,760
Speaker 1: You're one of those, one of those ones and our

2419
01:34:24,880 --> 01:34:27,840
Speaker 1: in our in our culture, that's just a superstar. So

2420
01:34:28,000 --> 01:34:29,599
Speaker 1: anytime we see you, we got to show you love,

2421
01:34:29,600 --> 01:34:31,439
Speaker 1: we got to give you respect. And being out there

2422
01:34:31,479 --> 01:34:33,240
Speaker 1: with the fans, the energy was crazy.

2423
01:34:33,360 --> 01:34:37,320
Speaker 2: I'm gonna say this. With festivals people that can actually rap,

2424
01:34:38,000 --> 01:34:40,080
Speaker 2: it'd be tough to get a crowd to go fucking crazy. Yes,

2425
01:34:40,439 --> 01:34:45,120
Speaker 2: it's very diffic Yeah. How has that changed your performance though, U?

2426
01:34:45,680 --> 01:34:48,160
Speaker 2: Because you like really moving around but actually saying every

2427
01:34:48,160 --> 01:34:48,679
Speaker 2: fucking word.

2428
01:34:48,960 --> 01:34:51,880
Speaker 11: Yeah, And I feel like the fans just adapt it

2429
01:34:51,960 --> 01:34:53,880
Speaker 11: to like what I do kind of cause they find

2430
01:34:53,920 --> 01:34:56,599
Speaker 11: that little word that I'm not saying too fast they

2431
01:34:56,680 --> 01:34:59,640
Speaker 11: say god yeah, which is the hardest part. I'm like, oh,

2432
01:34:59,720 --> 01:35:02,599
Speaker 11: y'all really trying to learn shit exactly. So anybody letting

2433
01:35:02,600 --> 01:35:04,559
Speaker 11: you take up their mental space, it's important.

2434
01:35:04,680 --> 01:35:05,160
Speaker 3: Absolutely.

2435
01:35:05,280 --> 01:35:07,160
Speaker 2: So Yeah, did that even change, like how you made

2436
01:35:07,600 --> 01:35:09,080
Speaker 2: the joints on this album, because even when I was

2437
01:35:09,160 --> 01:35:12,240
Speaker 2: watching your performance, it's so many certain parts. Now I

2438
01:35:12,320 --> 01:35:15,400
Speaker 2: feel like in the newer music that is the rapidly

2439
01:35:15,439 --> 01:35:17,880
Speaker 2: shit and that it's a break to have somebody be

2440
01:35:17,920 --> 01:35:21,160
Speaker 2: able to say something back to you, like calling demand

2441
01:35:21,240 --> 01:35:23,040
Speaker 2: type of shit. Yeah, did that change? When making the

2442
01:35:23,040 --> 01:35:24,920
Speaker 2: album was like, fuck, I gotta remember I'm getting booked

2443
01:35:24,920 --> 01:35:25,400
Speaker 2: for festivals.

2444
01:35:25,439 --> 01:35:28,560
Speaker 3: Now you create with that in mind, like what the

2445
01:35:28,960 --> 01:35:29,840
Speaker 3: crowd is gonna get.

2446
01:35:30,560 --> 01:35:32,800
Speaker 11: So with the second project, Dicapriol two, which is way

2447
01:35:32,840 --> 01:35:34,800
Speaker 11: more energetic and stuff, I was on that.

2448
01:35:35,040 --> 01:35:36,800
Speaker 14: That's why most of the songs I performed.

2449
01:35:36,560 --> 01:35:38,960
Speaker 11: Today were from that project. I didn't really get into

2450
01:35:38,960 --> 01:35:41,120
Speaker 11: this one because this one is more personal. Okay, this

2451
01:35:41,240 --> 01:35:44,839
Speaker 11: one off, I wasn't really thinking about nobody to label anybody.

2452
01:35:44,920 --> 01:35:47,040
Speaker 11: I hated everything, but my family at that moment.

2453
01:35:47,200 --> 01:35:50,439
Speaker 1: So, but when you did on stage was funny because

2454
01:35:50,479 --> 01:35:51,840
Speaker 1: we was on the side and we was looking and

2455
01:35:52,280 --> 01:35:54,800
Speaker 1: they told you you have four minutes left, cat me down,

2456
01:35:54,960 --> 01:35:57,200
Speaker 1: and then you jump when I knew wanted to be.

2457
01:35:57,280 --> 01:35:59,280
Speaker 1: You wanted it to be that your in set. Yeah,

2458
01:35:59,360 --> 01:36:01,439
Speaker 1: and when right into stick, But you went into the

2459
01:36:01,880 --> 01:36:05,240
Speaker 1: into the fucking audience, climbed the light pole, and then

2460
01:36:05,280 --> 01:36:06,880
Speaker 1: when you came back, there's like, now you got like

2461
01:36:06,920 --> 01:36:07,720
Speaker 1: fifteen minutes left.

2462
01:36:07,760 --> 01:36:09,400
Speaker 3: You was like, and we saw their face, like what

2463
01:36:10,240 --> 01:36:12,160
Speaker 3: that was supposed to be there? It confused me me

2464
01:36:12,160 --> 01:36:13,880
Speaker 3: getting ready to walk up in debt niggas right.

2465
01:36:14,439 --> 01:36:16,960
Speaker 2: It confused me because we thought six o'clock he was done.

2466
01:36:17,439 --> 01:36:19,840
Speaker 2: So I was chilling and then I saw four minutes.

2467
01:36:19,880 --> 01:36:21,519
Speaker 2: I was like, fuck, I get back to the trailer.

2468
01:36:21,680 --> 01:36:24,040
Speaker 2: Yeah for this interview. Yeah, and it's at like five thirty.

2469
01:36:24,120 --> 01:36:26,240
Speaker 1: I'm like, they say it was it was twenty minutes,

2470
01:36:26,280 --> 01:36:27,920
Speaker 1: And I was like, good when I saw you going

2471
01:36:27,960 --> 01:36:29,400
Speaker 1: to the crosset, he's gonna be pissed that.

2472
01:36:29,520 --> 01:36:33,160
Speaker 3: That wasn't it. Yah, It's like winning right, you went

2473
01:36:33,200 --> 01:36:35,960
Speaker 3: into the right record. Next year, he went into the

2474
01:36:36,000 --> 01:36:36,639
Speaker 3: right year. It worked.

2475
01:36:36,720 --> 01:36:39,720
Speaker 2: It were me and better walked leaving and her stick

2476
01:36:39,800 --> 01:36:41,639
Speaker 2: was like, oh yeah, it's about to explode this entire

2477
01:36:41,720 --> 01:36:42,200
Speaker 2: fucking spot.

2478
01:36:42,439 --> 01:36:43,080
Speaker 3: No lean to.

2479
01:36:43,240 --> 01:36:44,360
Speaker 14: I was like, oh okay, they got you.

2480
01:36:44,479 --> 01:36:46,120
Speaker 1: No fans was fainting. I don't know if you saw it.

2481
01:36:46,120 --> 01:36:47,840
Speaker 1: They had to pull people out of the out of

2482
01:36:47,840 --> 01:36:49,840
Speaker 1: the pitt. No, it's it's superstar shit now like that

2483
01:36:49,920 --> 01:36:51,560
Speaker 1: shit last year on that stage. Let's just say that

2484
01:36:51,840 --> 01:36:52,240
Speaker 1: you will not.

2485
01:36:52,280 --> 01:36:54,160
Speaker 3: Be on that stage anymore. It's old for that ship.

2486
01:36:54,240 --> 01:36:55,360
Speaker 14: Yeah, she felt good.

2487
01:36:55,960 --> 01:36:57,639
Speaker 3: It looked good with this album.

2488
01:36:58,280 --> 01:37:00,960
Speaker 2: This album is it's funny brought that up, but that

2489
01:37:01,080 --> 01:37:03,320
Speaker 2: this one was more family shit, more that. I feel

2490
01:37:03,360 --> 01:37:07,240
Speaker 2: like the last three projects, including the Dreamville joint, all

2491
01:37:07,280 --> 01:37:09,479
Speaker 2: you've been trying to do is show everyone I rap

2492
01:37:09,520 --> 01:37:12,800
Speaker 2: better than you. Let me get the hardest drums. I'm

2493
01:37:12,840 --> 01:37:14,439
Speaker 2: not pissed off, but I'm better than you. So let

2494
01:37:14,520 --> 01:37:14,920
Speaker 2: me prove that.

2495
01:37:15,040 --> 01:37:16,960
Speaker 14: You know what it is, I kind of I ain't

2496
01:37:16,960 --> 01:37:19,120
Speaker 14: mean to cut you, Oh no, I kind of planned it.

2497
01:37:19,280 --> 01:37:23,960
Speaker 11: Like you know how you write an essay, your opening lines,

2498
01:37:24,000 --> 01:37:27,160
Speaker 11: the open paragraph is an attention grabber. Right For the

2499
01:37:27,240 --> 01:37:29,760
Speaker 11: past few years, it's been my attention grabber. Okay, this

2500
01:37:29,880 --> 01:37:31,559
Speaker 11: album is getting into the essay.

2501
01:37:31,400 --> 01:37:34,600
Speaker 2: The three paragraphs and from it, and I feel like.

2502
01:37:34,600 --> 01:37:36,720
Speaker 11: I planned it like that because I wanted to know

2503
01:37:36,800 --> 01:37:38,479
Speaker 11: like I could rap better than you. And then you

2504
01:37:38,680 --> 01:37:41,720
Speaker 11: just start singing and niggas start trying to really construct songs.

2505
01:37:41,840 --> 01:37:44,120
Speaker 2: What is the word doing that? Sixteens thirty to the

2506
01:37:44,200 --> 01:37:46,880
Speaker 2: most like it took you and I feel like you

2507
01:37:46,960 --> 01:37:49,040
Speaker 2: took a lot of time off. Is that because you

2508
01:37:49,080 --> 01:37:52,160
Speaker 2: were trying to get out of rapper competition mode and

2509
01:37:52,400 --> 01:37:53,120
Speaker 2: fully get into that.

2510
01:37:53,439 --> 01:37:55,280
Speaker 14: You got to unlearned, You got to really be like

2511
01:37:55,960 --> 01:37:57,439
Speaker 14: like a man, and this shit unlearned.

2512
01:37:57,479 --> 01:37:57,559
Speaker 1: Bro.

2513
01:37:57,960 --> 01:38:01,400
Speaker 11: This whole process for me, not for me dropping not

2514
01:38:01,600 --> 01:38:05,519
Speaker 11: I dropped. My last soul solo single project was twenty eighteen,

2515
01:38:06,080 --> 01:38:10,040
Speaker 11: and then of course we toured twenty nineteen, Revenge twenty twenty,

2516
01:38:10,080 --> 01:38:11,840
Speaker 11: we did some Religionship twenty one.

2517
01:38:12,479 --> 01:38:14,240
Speaker 14: That's when I was really holding in on the album,

2518
01:38:14,240 --> 01:38:15,160
Speaker 14: and then we dropped this year.

2519
01:38:15,439 --> 01:38:18,360
Speaker 11: So it was just really those moments of like, all right,

2520
01:38:18,360 --> 01:38:19,880
Speaker 11: I gotta be a better artist, like you can run

2521
01:38:19,960 --> 01:38:22,160
Speaker 11: bigle freestyle all day. That's leaving part of the reason

2522
01:38:22,200 --> 01:38:24,240
Speaker 11: I didn't start off the project with like, oh dude, freestyle,

2523
01:38:24,360 --> 01:38:25,800
Speaker 11: nigga go dropped the album, like, let me.

2524
01:38:25,840 --> 01:38:26,360
Speaker 3: Wait this out.

2525
01:38:26,439 --> 01:38:30,920
Speaker 11: I got a crazy freestyle prepared and yeah, bro, just

2526
01:38:31,040 --> 01:38:33,280
Speaker 11: trying to be better man as a man like step

2527
01:38:33,360 --> 01:38:33,759
Speaker 11: in the nigga.

2528
01:38:33,760 --> 01:38:36,560
Speaker 14: I'm I just stepped into thirty. So it's like a

2529
01:38:36,600 --> 01:38:37,800
Speaker 14: whole different mindset, bro.

2530
01:38:38,360 --> 01:38:39,400
Speaker 2: Yeah, shit is way different.

2531
01:38:39,479 --> 01:38:39,760
Speaker 4: Yes, sir?

2532
01:38:40,280 --> 01:38:42,880
Speaker 1: Who is some of the artists that you've ever a

2533
01:38:43,000 --> 01:38:46,400
Speaker 1: DM that never responded to you that you wanted to work.

2534
01:38:46,280 --> 01:38:52,519
Speaker 3: With Sizza m That would be fire.

2535
01:38:53,000 --> 01:38:55,439
Speaker 14: I got messages from twenty sixteen s It's like.

2536
01:38:55,479 --> 01:38:57,120
Speaker 3: Hey man, we're gonna be never responded.

2537
01:38:57,680 --> 01:38:59,400
Speaker 11: She probably never seen it because I got a message

2538
01:38:59,400 --> 01:39:01,559
Speaker 11: off sure in a request and requests and we scored.

2539
01:39:01,960 --> 01:39:03,760
Speaker 14: So I feel like when we meet, it's gonna be

2540
01:39:03,760 --> 01:39:04,639
Speaker 14: on the vine time and it's.

2541
01:39:04,479 --> 01:39:05,080
Speaker 3: Gonna be organic.

2542
01:39:05,240 --> 01:39:07,599
Speaker 2: Yeah, I'm a tourist. I don't apply to DM. I'm

2543
01:39:07,600 --> 01:39:10,720
Speaker 2: gonna say that next what I was doing.

2544
01:39:11,360 --> 01:39:13,639
Speaker 11: I don't even look at requests And just just because

2545
01:39:13,680 --> 01:39:15,200
Speaker 11: I just wanted to just detap into because she cool

2546
01:39:15,240 --> 01:39:16,920
Speaker 11: his head. I just think she's a cool person. I

2547
01:39:16,960 --> 01:39:18,559
Speaker 11: just think your hope it's on whatever it is cool

2548
01:39:18,640 --> 01:39:20,160
Speaker 11: you score deill, so we might think of like m

2549
01:39:20,320 --> 01:39:21,559
Speaker 11: HM and.

2550
01:39:21,600 --> 01:39:24,400
Speaker 3: Then vocally what you can do, and then I just

2551
01:39:24,640 --> 01:39:25,000
Speaker 3: I hear it.

2552
01:39:26,360 --> 01:39:28,479
Speaker 2: It's funny that you said siss the first. I just

2553
01:39:28,520 --> 01:39:30,720
Speaker 2: from outside looking as a fan, I do feel like

2554
01:39:30,760 --> 01:39:34,120
Speaker 2: there's a friendly yet not really friendly tension between t

2555
01:39:34,240 --> 01:39:35,040
Speaker 2: D and dream.

2556
01:39:34,880 --> 01:39:35,720
Speaker 3: Bill in a good way.

2557
01:39:35,760 --> 01:39:36,759
Speaker 14: Yeah, yeah, it's beautiful.

2558
01:39:36,760 --> 01:39:40,120
Speaker 2: I feel like y'all. Yeah, it's love, but it's like

2559
01:39:40,240 --> 01:39:41,240
Speaker 2: we're better than y'all.

2560
01:39:41,560 --> 01:39:42,240
Speaker 5: In some direction.

2561
01:39:42,400 --> 01:39:43,840
Speaker 14: Yeah, it could be coming from either side.

2562
01:39:44,000 --> 01:39:44,400
Speaker 5: Mm hmm.

2563
01:39:45,040 --> 01:39:47,200
Speaker 14: I need my own Dreamville.

2564
01:39:47,240 --> 01:39:51,040
Speaker 11: So I feel the show with the Earth Game Earth

2565
01:39:51,080 --> 01:39:53,920
Speaker 11: Gag is amazing. They about to go into gorillas. Bro, Wow,

2566
01:39:54,479 --> 01:39:55,519
Speaker 11: they want gorillas.

2567
01:39:55,680 --> 01:39:58,240
Speaker 2: The Spellers Village new album.

2568
01:39:58,360 --> 01:39:59,960
Speaker 14: Were working on some stuff.

2569
01:40:00,080 --> 01:40:01,679
Speaker 11: We're working on some stuff, so I think we're gonna

2570
01:40:01,680 --> 01:40:04,200
Speaker 11: get something out, But no, not for twenty twenty two.

2571
01:40:04,840 --> 01:40:05,960
Speaker 14: It's twenty twenty two, y'all.

2572
01:40:06,040 --> 01:40:07,120
Speaker 2: It's about to be twenty twenty three.

2573
01:40:07,160 --> 01:40:13,679
Speaker 3: If summer's over September, I mean it's to the thirty.

2574
01:40:13,680 --> 01:40:14,400
Speaker 2: Shit become a blur.

2575
01:40:15,520 --> 01:40:19,280
Speaker 1: It's this is what was unlearning. That's why I like

2576
01:40:19,320 --> 01:40:20,920
Speaker 1: that word. I think this year you had to unlearn

2577
01:40:21,000 --> 01:40:23,280
Speaker 1: some shit. Yeah, this was a year of unlearning. I

2578
01:40:23,320 --> 01:40:25,479
Speaker 1: think last year we learned a lot about ourselves, how

2579
01:40:25,640 --> 01:40:27,320
Speaker 1: we can tolerate and put up with, how we can

2580
01:40:27,360 --> 01:40:29,840
Speaker 1: adjust with the whole pandemic shit. And I think this

2581
01:40:30,040 --> 01:40:32,439
Speaker 1: year we had to unlearned a lot of shit. Yeah,

2582
01:40:32,600 --> 01:40:34,040
Speaker 1: and I'm looking forward to twenty.

2583
01:40:34,040 --> 01:40:36,600
Speaker 2: And figuring out what you still fucking like. That was

2584
01:40:36,680 --> 01:40:38,479
Speaker 2: a nice part of the pandemic because we were doing

2585
01:40:38,520 --> 01:40:40,320
Speaker 2: so much stuff we had to do. Now it's like, damn,

2586
01:40:40,840 --> 01:40:42,479
Speaker 2: it stripped a bunch of shit that I didn't need

2587
01:40:42,560 --> 01:40:44,960
Speaker 2: to do, like even walking into a fucking office keeping

2588
01:40:45,040 --> 01:40:46,519
Speaker 2: up with certain people that don't need to Now, it's

2589
01:40:46,560 --> 01:40:48,600
Speaker 2: trying to figure out what mattered and was at that.

2590
01:40:48,680 --> 01:40:51,040
Speaker 3: Time type shit. It's hard. Yeah, that's hard.

2591
01:40:52,479 --> 01:40:55,200
Speaker 2: I went to your listening, which was phenomenal about Dog

2592
01:40:55,720 --> 01:40:58,240
Speaker 2: and I love the like the art gallery type shit

2593
01:40:58,280 --> 01:41:01,519
Speaker 2: you guys did downstairs, one of my favorite album covers

2594
01:41:01,560 --> 01:41:03,880
Speaker 2: of the year. Have you fully explained what that meant?

2595
01:41:03,880 --> 01:41:05,639
Speaker 2: Because you did at the album listening and I thought

2596
01:41:06,000 --> 01:41:08,800
Speaker 2: the entire thing was beautiful. So can you explain what

2597
01:41:08,880 --> 01:41:11,560
Speaker 2: that album represents and what it is and down to

2598
01:41:11,640 --> 01:41:15,720
Speaker 2: your entire family within every image from that project.

2599
01:41:15,720 --> 01:41:16,840
Speaker 3: It it came from.

2600
01:41:17,360 --> 01:41:19,320
Speaker 14: It's a sequel. I always do sequel projects, so this

2601
01:41:19,439 --> 01:41:20,719
Speaker 14: is a sequel to the Never story.

2602
01:41:20,880 --> 01:41:25,720
Speaker 11: Yeah, And basically I wanted to bring those images from

2603
01:41:25,760 --> 01:41:28,479
Speaker 11: the initial cover to life. It was almost like a

2604
01:41:28,479 --> 01:41:30,439
Speaker 11: where's wad feel? But you in the hood for sure,

2605
01:41:30,479 --> 01:41:32,160
Speaker 11: and it's a whole lot of black trauma going on.

2606
01:41:32,240 --> 01:41:34,400
Speaker 11: It's positive things. You got football players here, you got

2607
01:41:34,680 --> 01:41:36,559
Speaker 11: a mother braid in her daughter's hair, but you got

2608
01:41:36,600 --> 01:41:39,080
Speaker 11: a body bag, and you got all these different scenarios

2609
01:41:39,160 --> 01:41:40,519
Speaker 11: that we go through.

2610
01:41:40,840 --> 01:41:41,400
Speaker 14: Ask people, we.

2611
01:41:41,360 --> 01:41:43,320
Speaker 11: Don't even got to be black trauma, all types of

2612
01:41:43,360 --> 01:41:45,800
Speaker 11: trauma and everybody goes through. So so at the same time,

2613
01:41:45,960 --> 01:41:47,720
Speaker 11: it's me trying to bring that to the light. And

2614
01:41:47,800 --> 01:41:50,240
Speaker 11: then I'm an the initial album cover, I'm kind of

2615
01:41:50,280 --> 01:41:51,920
Speaker 11: like to the right, kind of outside of it, and

2616
01:41:52,000 --> 01:41:53,760
Speaker 11: this one I'm like dead in the.

2617
01:41:53,760 --> 01:41:55,519
Speaker 14: Middle of it. Just like, yeah, I came back to.

2618
01:41:55,560 --> 01:41:58,160
Speaker 2: Where it's trauma, and it's where it's at right the middle,

2619
01:41:58,680 --> 01:41:59,799
Speaker 2: right hand exactly.

2620
01:42:00,040 --> 01:42:03,120
Speaker 11: So we brought that to life and just a lot

2621
01:42:03,160 --> 01:42:05,600
Speaker 11: of my family members on their cousins, brothers, sisters, just

2622
01:42:05,960 --> 01:42:08,479
Speaker 11: placed in here strategically to explain.

2623
01:42:09,479 --> 01:42:11,760
Speaker 14: And you know what's crazy album covers. I heard they

2624
01:42:11,760 --> 01:42:12,800
Speaker 14: can get Grammys.

2625
01:42:12,479 --> 01:42:13,640
Speaker 2: Now, I didn't know that.

2626
01:42:13,720 --> 01:42:15,519
Speaker 14: I didn't check check me on that check me on that.

2627
01:42:16,680 --> 01:42:19,559
Speaker 2: That's amazing needs to be in there though, for real, Yeah,

2628
01:42:19,920 --> 01:42:20,439
Speaker 2: why wouldn't.

2629
01:42:20,439 --> 01:42:23,519
Speaker 14: I think that's another piece of artists deserve that, artists

2630
01:42:23,560 --> 01:42:24,040
Speaker 14: that worked hard on.

2631
01:42:24,800 --> 01:42:26,880
Speaker 1: To me, that's like wow, the fact that they would

2632
01:42:26,920 --> 01:42:29,160
Speaker 1: make that. Yeah, so I believe that's crazy.

2633
01:42:29,200 --> 01:42:31,160
Speaker 14: I believe that might have been intentional.

2634
01:42:33,080 --> 01:42:35,600
Speaker 2: Down to all the Grammy ship that people don't televise,

2635
01:42:35,680 --> 01:42:37,400
Speaker 2: like down to the writing credits and all that ship. Yeah,

2636
01:42:37,400 --> 01:42:40,160
Speaker 2: that should definitely be there album cover and and that

2637
01:42:40,280 --> 01:42:42,880
Speaker 2: needs to be rolled down into every genre as well,

2638
01:42:43,000 --> 01:42:45,559
Speaker 2: not just let's just give it to Taylor Swift. Yeah,

2639
01:42:45,680 --> 01:42:48,400
Speaker 2: ship is the Starbucks fact that's done properly.

2640
01:42:48,600 --> 01:42:50,920
Speaker 3: I was talking to Guru backstage. He's watching you perform.

2641
01:42:52,200 --> 01:42:55,080
Speaker 1: Yeah, I was watching, was watching your set, and I

2642
01:42:55,200 --> 01:42:57,280
Speaker 1: was telling him. I was like, yo, I was listening

2643
01:42:57,360 --> 01:43:00,640
Speaker 1: to Jid's album on the way here from LA. I

2644
01:43:00,760 --> 01:43:03,280
Speaker 1: just had it on fell asleep but I could still

2645
01:43:03,320 --> 01:43:05,439
Speaker 1: hear it. Yeah, And I was like, just the sound

2646
01:43:05,479 --> 01:43:08,560
Speaker 1: of the album. It just sounds so good. Like I

2647
01:43:08,680 --> 01:43:12,240
Speaker 1: had Vince Staples album It's probably one of my favorite,

2648
01:43:12,280 --> 01:43:14,759
Speaker 1: but this j album is right there for me already.

2649
01:43:14,920 --> 01:43:18,600
Speaker 2: Yeah, appreciate that, brother and sonically, because I feel like

2650
01:43:18,600 --> 01:43:20,360
Speaker 2: you would have the opportunities now to get in the

2651
01:43:20,439 --> 01:43:23,600
Speaker 2: rooms with all your favorite producers growing up, and that

2652
01:43:23,800 --> 01:43:26,560
Speaker 2: it still felt like the internal jig crew. Yeh, like

2653
01:43:26,760 --> 01:43:28,760
Speaker 2: it didn't feel like all. I finally kind of got

2654
01:43:28,840 --> 01:43:32,960
Speaker 2: my status out there. Let me do the Timbland for

2655
01:43:33,280 --> 01:43:35,920
Speaker 2: let me just hit that I could. Is that something

2656
01:43:36,000 --> 01:43:38,280
Speaker 2: eventually want to do or want to stay away from it?

2657
01:43:38,320 --> 01:43:39,439
Speaker 14: I want to happen organically.

2658
01:43:39,600 --> 01:43:40,200
Speaker 3: Yeah, you feel me.

2659
01:43:40,520 --> 01:43:42,120
Speaker 14: I got my guy, you know what I'm saying.

2660
01:43:42,200 --> 01:43:45,120
Speaker 11: Drake got forty your DJ two right, yes, Chris though

2661
01:43:45,240 --> 01:43:48,439
Speaker 11: he's an amazing composer. I tapped in with all the

2662
01:43:48,840 --> 01:43:51,719
Speaker 11: hip boy metro bombits, my brother shot up to my Dog.

2663
01:43:53,080 --> 01:43:55,120
Speaker 14: Boy Wonder. I tapped in with Pharreal.

2664
01:43:55,320 --> 01:43:58,120
Speaker 11: I tapped in with Timbland for this but for what

2665
01:43:58,200 --> 01:44:00,439
Speaker 11: we were trying to do this sequel to keep on

2666
01:44:00,840 --> 01:44:02,439
Speaker 11: as you know what I'm saying.

2667
01:44:02,640 --> 01:44:04,720
Speaker 14: But I tapped in with James Blake. You know what

2668
01:44:04,720 --> 01:44:07,240
Speaker 14: I'm saying. I literally the beat it this on the album.

2669
01:44:07,240 --> 01:44:08,240
Speaker 14: I don't know if you want me to say this.

2670
01:44:08,360 --> 01:44:08,559
Speaker 3: Sorry.

2671
01:44:08,640 --> 01:44:11,479
Speaker 11: James Levy, he uh, the only person he sent that

2672
01:44:11,479 --> 01:44:13,160
Speaker 11: beat to was undred two thousand. He's like, that's the

2673
01:44:13,200 --> 01:44:14,680
Speaker 11: only person I think he can do it, and then

2674
01:44:14,680 --> 01:44:16,559
Speaker 11: he sent me to beat. I'm like, oh, this is perfect.

2675
01:44:16,600 --> 01:44:17,599
Speaker 11: Let me get Thundercat on here.

2676
01:44:17,680 --> 01:44:20,120
Speaker 14: Let's listen, let's mesh it up, let's get crazy.

2677
01:44:19,840 --> 01:44:20,800
Speaker 5: And right lauda.

2678
01:44:21,160 --> 01:44:23,400
Speaker 14: It's the last song for now because we can this

2679
01:44:23,840 --> 01:44:24,760
Speaker 14: last song clet or whatever.

2680
01:44:24,800 --> 01:44:28,439
Speaker 11: But that if you listen to the James Bake production,

2681
01:44:28,640 --> 01:44:32,960
Speaker 11: is the electric, groovy, indeed change Thundercat come in.

2682
01:44:34,120 --> 01:44:35,920
Speaker 14: Oh my gosh, It's like one of the greatest pieces of.

2683
01:44:37,720 --> 01:44:39,160
Speaker 2: James Blake connection come together.

2684
01:44:39,320 --> 01:44:39,479
Speaker 3: Oh.

2685
01:44:40,000 --> 01:44:41,880
Speaker 2: I saw that track list because I'm a James Blake fan,

2686
01:44:42,000 --> 01:44:45,040
Speaker 2: and when his album dropped, I was like shit, Not

2687
01:44:45,160 --> 01:44:45,559
Speaker 2: that I was.

2688
01:44:45,600 --> 01:44:47,200
Speaker 3: Surprised, but it was still like it was a little

2689
01:44:47,240 --> 01:44:49,000
Speaker 3: it was like we didn't expect the James, but.

2690
01:44:49,000 --> 01:44:51,519
Speaker 2: I could see James wanting to go that route. Oh James.

2691
01:44:51,800 --> 01:44:55,280
Speaker 14: That features James ally brother. When twenty twenty was happening

2692
01:44:55,680 --> 01:44:57,519
Speaker 14: and I was telling him, I was like, bro, where

2693
01:44:58,120 --> 01:44:58,880
Speaker 14: Brooks got killed at?

2694
01:44:58,920 --> 01:44:59,360
Speaker 2: This was name?

2695
01:44:59,400 --> 01:44:59,920
Speaker 3: Like I still right.

2696
01:45:00,080 --> 01:45:02,479
Speaker 14: They marched right outside my crypt talking about change. Was

2697
01:45:02,920 --> 01:45:05,120
Speaker 14: so mad at the world with me. We on the

2698
01:45:05,160 --> 01:45:07,840
Speaker 14: phone talking for hours just about what's going on with us?

2699
01:45:07,880 --> 01:45:09,680
Speaker 11: Over here, and he's trying to wrap his mind around it,

2700
01:45:09,680 --> 01:45:12,120
Speaker 11: and I'm telling him in the most crazy ways, bro,

2701
01:45:12,240 --> 01:45:14,880
Speaker 11: like I'm trying to explain how it is in atlant

2702
01:45:14,960 --> 01:45:17,120
Speaker 11: being from Atlanta, being from the South, being in whatever.

2703
01:45:17,280 --> 01:45:20,559
Speaker 11: He's furious with me, and I'm like, Wow, you are

2704
01:45:20,800 --> 01:45:23,880
Speaker 11: more than music, bro, to a whole essence. You're a

2705
01:45:24,040 --> 01:45:25,760
Speaker 11: unicorn and this ship because you really give a fuck

2706
01:45:25,800 --> 01:45:28,080
Speaker 11: about real matters. And we ain't even start doing music

2707
01:45:28,120 --> 01:45:30,080
Speaker 11: at by the time we started getting the music, it

2708
01:45:30,200 --> 01:45:33,160
Speaker 11: was like that New York as much as you used to. Yeah,

2709
01:45:33,240 --> 01:45:36,559
Speaker 11: I'm coming back from fashion Week, Okay, Okay, let's there,

2710
01:45:36,600 --> 01:45:37,160
Speaker 11: so let's happen in.

2711
01:45:38,800 --> 01:45:41,120
Speaker 3: Here for like three four days. Okay, that's nothing.

2712
01:45:41,640 --> 01:45:43,240
Speaker 2: Look at jobs you being New York. I don't think

2713
01:45:43,240 --> 01:45:44,920
Speaker 2: people know he be on all block.

2714
01:45:44,960 --> 01:45:47,880
Speaker 3: That's why I got my bars. I got my boss.

2715
01:45:52,439 --> 01:45:52,920
Speaker 7: That's my boy.

2716
01:45:52,960 --> 01:45:56,600
Speaker 2: That day, I was walking down in the summertime, right,

2717
01:45:56,600 --> 01:45:59,240
Speaker 2: it's Ludlow in the summertime. Somebody with a whole mask

2718
01:45:59,280 --> 01:46:00,840
Speaker 2: and dreads come on run down on me. I'm like,

2719
01:46:00,840 --> 01:46:04,760
Speaker 2: what the pull the mask down a j I'm like, like, what.

2720
01:46:04,800 --> 01:46:09,240
Speaker 3: You're doing on love log the spots? Right? Yeah?

2721
01:46:10,080 --> 01:46:13,479
Speaker 2: Yeah, Like what the But yeah, we'll definitely get up.

2722
01:46:13,560 --> 01:46:16,200
Speaker 2: Thank you, thank you, especially after performance. I know that

2723
01:46:16,520 --> 01:46:18,040
Speaker 2: is a lot, So yeah, I want to go.

2724
01:46:19,439 --> 01:46:19,680
Speaker 3: Some of this.

2725
01:46:19,760 --> 01:46:21,479
Speaker 2: Do say for sure, Yes, sir.

2726
01:46:21,479 --> 01:46:21,800
Speaker 3: Let's do it.

2727
01:46:21,920 --> 01:46:23,679
Speaker 14: J I d thank you, man, appreciate y'all.

2728
01:46:23,720 --> 01:46:30,960
Speaker 3: Man, all right, we're back man. Uh listen.

2729
01:46:31,760 --> 01:46:34,320
Speaker 1: The bad thing about this rory is that being here

2730
01:46:34,520 --> 01:46:38,240
Speaker 1: doing these artist interviews we missed the performances and fresh

2731
01:46:38,320 --> 01:46:40,360
Speaker 1: off the stage, we got my guy Larry June with us.

2732
01:46:40,439 --> 01:46:42,439
Speaker 2: Man, who I want to do a full full episode

2733
01:46:42,920 --> 01:46:44,280
Speaker 2: this this is on the list something.

2734
01:46:44,400 --> 01:46:46,439
Speaker 1: Yeah, we had you on the list of dudes who

2735
01:46:46,439 --> 01:46:50,920
Speaker 1: wanted to that numbers Man, we gotta do. So we're

2736
01:46:50,920 --> 01:46:52,360
Speaker 1: here with Larry June the base findest.

2737
01:46:52,400 --> 01:46:54,680
Speaker 3: How you doing man? How was the How was the performance?

2738
01:46:54,720 --> 01:46:56,800
Speaker 15: And I'm doing good today? You know it was great

2739
01:46:57,120 --> 01:46:59,920
Speaker 15: and good energy, very professional. You know what I'm talking about.

2740
01:47:00,439 --> 01:47:04,479
Speaker 15: You know, we do say a suspected Hey man, I

2741
01:47:04,560 --> 01:47:05,120
Speaker 15: can't complain.

2742
01:47:05,200 --> 01:47:07,320
Speaker 5: Man, we did numbers. It was a great crowd. We

2743
01:47:07,479 --> 01:47:09,400
Speaker 5: rocked it and we was in and there like fast food.

2744
01:47:10,000 --> 01:47:12,600
Speaker 2: What joint from the new album went off the most ship.

2745
01:47:12,520 --> 01:47:15,000
Speaker 5: Man for me personally, I tell you my favorite.

2746
01:47:15,120 --> 01:47:16,320
Speaker 3: Okay, So my favorite.

2747
01:47:16,320 --> 01:47:17,439
Speaker 15: You know what I'm saying when I wake, when I'm

2748
01:47:17,439 --> 01:47:19,120
Speaker 15: waking up in the morning, I'm putting that shit on

2749
01:47:19,240 --> 01:47:23,080
Speaker 15: brushing my teeth. I talked on another day, Part two. Okay,

2750
01:47:23,479 --> 01:47:25,599
Speaker 15: real smooth player ship. You know I'm talking about bring

2751
01:47:25,680 --> 01:47:28,799
Speaker 15: nigga back into them times. If I'm feeling real smooth

2752
01:47:29,439 --> 01:47:31,120
Speaker 15: and I want to, you know, high that my lady

2753
01:47:31,400 --> 01:47:33,960
Speaker 15: get her some frozes and something. I talks on that

2754
01:47:34,080 --> 01:47:35,599
Speaker 15: things you do. You know what I'm saying. I don't

2755
01:47:35,640 --> 01:47:38,400
Speaker 15: come in real macias. Don't check me, man, check that.

2756
01:47:38,479 --> 01:47:42,360
Speaker 2: Big is how you put projects together. Certain is how

2757
01:47:42,400 --> 01:47:44,000
Speaker 2: you put projects together. Man.

2758
01:47:44,040 --> 01:47:45,680
Speaker 15: You know I got I'm a human. You know I

2759
01:47:45,760 --> 01:47:48,080
Speaker 15: got different different ways I feel. At a certain time.

2760
01:47:48,720 --> 01:47:50,600
Speaker 15: I might you know, I might feel like you know,

2761
01:47:50,800 --> 01:47:53,120
Speaker 15: you know, I'm feeling lovely today. You know, I might

2762
01:47:53,640 --> 01:47:55,360
Speaker 15: be feeling like a macdawn. I might feel like I

2763
01:47:55,400 --> 01:47:56,639
Speaker 15: want to slap the fuck out of a nigga.

2764
01:47:56,680 --> 01:47:57,200
Speaker 5: You know what I'm saying.

2765
01:47:57,560 --> 01:47:59,559
Speaker 15: I might be wanting to sep some motherfucking orange juice.

2766
01:47:59,800 --> 01:48:01,240
Speaker 15: But you know what I'm talking about how I feel.

2767
01:48:01,360 --> 01:48:03,519
Speaker 15: Don't we don't put no filters on this motherfucker. Getting

2768
01:48:03,520 --> 01:48:05,680
Speaker 15: the booth because I know your big car, got favorite car.

2769
01:48:05,840 --> 01:48:07,600
Speaker 15: You know, when it comes to cars, man, this is

2770
01:48:07,640 --> 01:48:09,880
Speaker 15: about how I feel that day. I might wake up

2771
01:48:09,880 --> 01:48:11,320
Speaker 15: in the morning and feel like I want to slide

2772
01:48:11,360 --> 01:48:12,920
Speaker 15: in that old school So I might jump in that

2773
01:48:13,040 --> 01:48:16,639
Speaker 15: Grand knaves, turn the ac slide up the ocean beach,

2774
01:48:16,760 --> 01:48:19,320
Speaker 15: Grand me a hot tear or some ship alrobaby, feeling

2775
01:48:19,320 --> 01:48:21,920
Speaker 15: like I want to really get real grand Charismo.

2776
01:48:22,040 --> 01:48:25,200
Speaker 5: I might hoping the gt por GTV course, Okay, you.

2777
01:48:25,200 --> 01:48:27,000
Speaker 15: Know what I'm saying, and Ben some colors, I might

2778
01:48:27,080 --> 01:48:29,920
Speaker 15: just feel like a dad hopping that Ben Tager. You

2779
01:48:29,920 --> 01:48:31,439
Speaker 15: know what I'm saying. So when it when it comes

2780
01:48:31,479 --> 01:48:34,240
Speaker 15: to cars, it's about how I feel like. You know,

2781
01:48:34,360 --> 01:48:37,560
Speaker 15: my cars really influenced my music a lot. You know

2782
01:48:37,560 --> 01:48:40,120
Speaker 15: what I'm saying, Like I jumped in my vent. If

2783
01:48:40,160 --> 01:48:42,200
Speaker 15: I jump into my eighty seven vent right now with

2784
01:48:42,240 --> 01:48:44,680
Speaker 15: the orange guts, I'm gona want to I'm gonna go

2785
01:48:44,760 --> 01:48:46,360
Speaker 15: get into my real eighties bag.

2786
01:48:46,640 --> 01:48:49,080
Speaker 3: Okay, I'm finna get real groovy. You know what I'm saying.

2787
01:48:49,160 --> 01:48:51,840
Speaker 5: Socking to me? Yeah, Baby, when.

2788
01:48:51,760 --> 01:48:54,040
Speaker 15: I when I get in that motherfucker, I'm only playing prints.

2789
01:48:54,920 --> 01:48:56,600
Speaker 15: I'm only playing you know what I'm saying only the

2790
01:48:56,760 --> 01:48:58,400
Speaker 15: good eighties school ship.

2791
01:48:58,760 --> 01:49:03,080
Speaker 5: I don't big cut if my ship, come on, gotta go, anything,

2792
01:49:03,200 --> 01:49:03,560
Speaker 5: gotta go.

2793
01:49:03,840 --> 01:49:05,639
Speaker 2: So the car, what's the car on the cover, Now.

2794
01:49:06,160 --> 01:49:07,320
Speaker 5: That's my on that car.

2795
01:49:07,400 --> 01:49:10,040
Speaker 15: I put the GT three. That's why Porsche. I love

2796
01:49:10,160 --> 01:49:12,280
Speaker 15: Porsche because you know, Porsche got a lot of longevity.

2797
01:49:12,320 --> 01:49:14,160
Speaker 15: I can keep that car for forever, as long.

2798
01:49:14,040 --> 01:49:15,679
Speaker 2: As to be album.

2799
01:49:15,920 --> 01:49:18,280
Speaker 15: Yeah, So I put the Porsche into Bentley, the Bentley

2800
01:49:18,360 --> 01:49:23,240
Speaker 15: GT from my GT. The the GT Speed, the fucking

2801
01:49:23,320 --> 01:49:25,920
Speaker 15: sports car to door. I put those two on there

2802
01:49:25,960 --> 01:49:28,720
Speaker 15: because it brought on both sides of me, whereas like

2803
01:49:29,360 --> 01:49:32,400
Speaker 15: this album is more like I'm turned up and I'm

2804
01:49:32,439 --> 01:49:32,680
Speaker 15: on my.

2805
01:49:32,800 --> 01:49:35,720
Speaker 5: Speed ship and I'm also smooth, right, you know what

2806
01:49:35,760 --> 01:49:38,240
Speaker 5: I'm saying. So I put both of them on there.

2807
01:49:38,840 --> 01:49:39,160
Speaker 1: That ship.

2808
01:49:39,880 --> 01:49:42,040
Speaker 3: That's why. That's why we gotta really sit down with Larry.

2809
01:49:42,720 --> 01:49:45,760
Speaker 1: He's one of those he's ship talking you, sipping his

2810
01:49:45,920 --> 01:49:46,880
Speaker 1: juice talking ship.

2811
01:49:47,040 --> 01:49:48,479
Speaker 5: But it's all the way hundred, you know what I'm saying.

2812
01:49:48,520 --> 01:49:51,519
Speaker 15: Whatever, I ain't writing this ship, man, I'm gonna tell

2813
01:49:51,520 --> 01:49:53,360
Speaker 15: a nigga exactly how I feel right now.

2814
01:49:53,600 --> 01:49:55,839
Speaker 2: Two car questions. How many points are on your license?

2815
01:49:56,479 --> 01:49:58,360
Speaker 2: Are you a Geico guy, what's what type of insurance

2816
01:49:58,479 --> 01:49:59,400
Speaker 2: we're going through?

2817
01:50:00,080 --> 01:50:00,240
Speaker 3: Man?

2818
01:50:01,600 --> 01:50:03,160
Speaker 15: Man, you know at the nine and saying I stay

2819
01:50:03,200 --> 01:50:05,599
Speaker 15: on ten so I don't got there any parking speeding ticket.

2820
01:50:05,640 --> 01:50:08,360
Speaker 15: I got one speeding ticket. I wasn't driving mine. I

2821
01:50:08,479 --> 01:50:10,639
Speaker 15: was driving a busch car up to the packing Camaro

2822
01:50:10,760 --> 01:50:12,800
Speaker 15: on my way to LA to get a chain, and

2823
01:50:12,960 --> 01:50:14,800
Speaker 15: I got a speeding ticket just because I didn't really

2824
01:50:14,920 --> 01:50:16,360
Speaker 15: know how to the windows in that car was a

2825
01:50:16,400 --> 01:50:19,080
Speaker 15: little different. Only speeding ticket I ever had my life.

2826
01:50:19,520 --> 01:50:22,960
Speaker 15: I'm flying, flying all the ship. I'm hitting one thirty.

2827
01:50:22,960 --> 01:50:23,759
Speaker 2: But I pay attention.

2828
01:50:24,600 --> 01:50:26,280
Speaker 15: I pay attention to I do it for a certain

2829
01:50:26,280 --> 01:50:28,679
Speaker 15: amount of time. Niggas be speeding too long. Yeah, yeah,

2830
01:50:29,040 --> 01:50:32,320
Speaker 15: you can speed, but don't speed for two minutes straight.

2831
01:50:32,520 --> 01:50:32,720
Speaker 2: Yeah.

2832
01:50:33,080 --> 01:50:34,640
Speaker 3: You gotta be able to watch your some round. You

2833
01:50:34,720 --> 01:50:36,000
Speaker 3: gotta let the one nigga pass you.

2834
01:50:37,640 --> 01:50:41,280
Speaker 2: Come on, man, going see the risks at playing the game?

2835
01:50:42,040 --> 01:50:42,280
Speaker 3: Come on?

2836
01:50:42,439 --> 01:50:44,599
Speaker 7: Yeah that nigga pay attention number.

2837
01:50:45,080 --> 01:50:47,639
Speaker 15: Yeah, saying look, absolutely know you gotta watch out because

2838
01:50:47,640 --> 01:50:49,679
Speaker 15: I ain't trying to get pulled over. No, I don't

2839
01:50:49,680 --> 01:50:51,320
Speaker 15: want to like I like the sound, and that's why

2840
01:50:51,360 --> 01:50:53,240
Speaker 15: I drive fast at like five and thirty in the

2841
01:50:53,280 --> 01:50:54,840
Speaker 15: morning when the sun is coming up, I go down.

2842
01:50:54,920 --> 01:50:55,760
Speaker 3: I'm slide right.

2843
01:50:56,080 --> 01:51:00,000
Speaker 15: Yeah, those hours I'm being in corners, yeah I'm saying,

2844
01:51:00,360 --> 01:51:01,960
Speaker 15: but like on a regular day, No, I'm not.

2845
01:51:02,520 --> 01:51:04,840
Speaker 5: You know, I'm driving in the rush, in the rush,

2846
01:51:04,920 --> 01:51:05,360
Speaker 5: you see me.

2847
01:51:10,720 --> 01:51:12,240
Speaker 7: Don't do that what I'm saying.

2848
01:51:14,120 --> 01:51:19,040
Speaker 2: I don't even like complimenting right now, Hey, come on, man,

2849
01:51:19,200 --> 01:51:20,280
Speaker 2: and we go do numbers.

2850
01:51:20,360 --> 01:51:23,280
Speaker 5: Man, We just even I'm a regular nigga like everybody else.

2851
01:51:23,320 --> 01:51:24,680
Speaker 5: The cars just got fast.

2852
01:51:25,640 --> 01:51:26,120
Speaker 3: Type of talk.

2853
01:51:26,320 --> 01:51:27,760
Speaker 1: So, who's some of the artists out here that you're

2854
01:51:27,760 --> 01:51:31,640
Speaker 1: looking forward to see and perform live? You know you

2855
01:51:31,680 --> 01:51:33,160
Speaker 1: go to shows a lot. I don't go a lot

2856
01:51:33,160 --> 01:51:35,200
Speaker 1: of shows. My son want to see titl of the Creator. Hell,

2857
01:51:36,240 --> 01:51:37,519
Speaker 1: you know what I'm saying. I know it's said, gonna

2858
01:51:37,520 --> 01:51:39,400
Speaker 1: be crazy. I'm gonna come back and come and see

2859
01:51:39,439 --> 01:51:41,599
Speaker 1: Tit of the Credit with my son that be here.

2860
01:51:41,680 --> 01:51:43,160
Speaker 1: He excited for it, you know what I'm saying. Good

2861
01:51:43,200 --> 01:51:45,120
Speaker 1: job time artist, real artists, real artist.

2862
01:51:45,479 --> 01:51:48,280
Speaker 15: I love how his shows put together. Real he put

2863
01:51:48,280 --> 01:51:51,640
Speaker 15: a lot of Yeah, it's my first time actually seeing it.

2864
01:51:51,840 --> 01:51:53,599
Speaker 15: I'm excited though, Okay, should be fun.

2865
01:51:54,080 --> 01:51:55,800
Speaker 2: Speaking of the artists, are you familiar with the group

2866
01:51:55,880 --> 01:51:58,759
Speaker 2: Emotional Oranges, and are you aware of the beef between

2867
01:51:58,800 --> 01:52:01,000
Speaker 2: your fan base and theirs about the orange emoji.

2868
01:52:01,360 --> 01:52:03,639
Speaker 5: No, I never heard of the beef. Heard of them though, Okay,

2869
01:52:04,000 --> 01:52:08,080
Speaker 5: it's only one of the layers, remember, because the.

2870
01:52:08,120 --> 01:52:09,880
Speaker 2: Fan base of Emotional Oranges.

2871
01:52:11,680 --> 01:52:16,160
Speaker 5: Versus Let's let's cut this now. I'm not an Orange nigga.

2872
01:52:16,160 --> 01:52:18,080
Speaker 5: I I just stay healthy. You see the shirt. You

2873
01:52:18,120 --> 01:52:18,559
Speaker 5: know what I'm saying.

2874
01:52:18,680 --> 01:52:18,880
Speaker 10: I do.

2875
01:52:19,000 --> 01:52:20,960
Speaker 15: I'm a nigga from the hood. I came outside. I'm

2876
01:52:20,960 --> 01:52:23,680
Speaker 15: pretty sure we came from completely different backgrounds. Nigga from

2877
01:52:23,720 --> 01:52:25,759
Speaker 15: the hood, you know I'm talking about. And I switched

2878
01:52:25,840 --> 01:52:28,200
Speaker 15: my life down and the Orange civilized me. Staying healthy

2879
01:52:28,240 --> 01:52:29,120
Speaker 15: on the punk bitch.

2880
01:52:29,320 --> 01:52:30,519
Speaker 5: And that is what it is now.

2881
01:52:30,560 --> 01:52:33,000
Speaker 15: It's not don't you know, Like I go to my house,

2882
01:52:33,040 --> 01:52:35,240
Speaker 15: it might be helling mangos with my motherfucking you know

2883
01:52:35,280 --> 01:52:35,840
Speaker 15: I'm talking about.

2884
01:52:36,000 --> 01:52:38,920
Speaker 5: Keep it so much Emotional Oranges. It's all love. I

2885
01:52:38,960 --> 01:52:40,519
Speaker 5: didn't even know it was a beef. Maybe I don't

2886
01:52:40,520 --> 01:52:41,200
Speaker 5: be on Twitter.

2887
01:52:44,880 --> 01:52:45,320
Speaker 2: Orange Emo.

2888
01:52:46,360 --> 01:52:46,880
Speaker 5: They can have it.

2889
01:52:49,160 --> 01:52:51,840
Speaker 3: Keep the orange shot with them.

2890
01:52:52,600 --> 01:52:55,720
Speaker 15: My civilization behind the Oranges can completely different. It was

2891
01:52:55,800 --> 01:52:57,280
Speaker 15: more about me, honestly, you want to know why I

2892
01:52:57,360 --> 01:53:00,280
Speaker 15: kept orange on me. So when I was when I

2893
01:53:00,400 --> 01:53:02,519
Speaker 15: was working my game, I had a different lifestyle. I

2894
01:53:02,560 --> 01:53:04,640
Speaker 15: don't like to getting to that if you know you

2895
01:53:04,760 --> 01:53:05,719
Speaker 15: know I'm talking about.

2896
01:53:06,080 --> 01:53:08,080
Speaker 5: But I used to get anxiety going through t s

2897
01:53:08,160 --> 01:53:11,640
Speaker 5: A at the airport Okay, and orange I needed, like

2898
01:53:11,680 --> 01:53:13,839
Speaker 5: some kind of liquid. You ever get anxiety, you feel.

2899
01:53:13,680 --> 01:53:14,240
Speaker 10: Like I.

2900
01:53:15,800 --> 01:53:17,360
Speaker 5: Like, you know, I'm a regular nigga, Like it is

2901
01:53:17,400 --> 01:53:17,720
Speaker 5: what it is.

2902
01:53:17,840 --> 01:53:20,479
Speaker 15: So after the orange made me feel a little comfort

2903
01:53:20,560 --> 01:53:23,639
Speaker 15: when I was going through the TSA stress the stress

2904
01:53:23,680 --> 01:53:26,200
Speaker 15: ball and particularly I was going through Canada and I

2905
01:53:26,760 --> 01:53:28,599
Speaker 15: just needed to have an orange and a nigga came

2906
01:53:28,640 --> 01:53:29,120
Speaker 15: in by mind.

2907
01:53:29,200 --> 01:53:31,040
Speaker 5: I got to my nigga Creer like, man, Larry, why

2908
01:53:31,080 --> 01:53:32,200
Speaker 5: you always got an orange with you?

2909
01:53:32,720 --> 01:53:34,720
Speaker 15: And I told him the story and I know this

2910
01:53:34,920 --> 01:53:36,960
Speaker 15: always had it. I had bad anxiety at the point

2911
01:53:37,000 --> 01:53:39,080
Speaker 15: in my life overcame it. You know what I'm saying,

2912
01:53:39,120 --> 01:53:41,880
Speaker 15: anything is possible and I'm I'm doing good now and

2913
01:53:41,880 --> 01:53:43,960
Speaker 15: I'm doing numbers. And that's why I promote the peaceful

2914
01:53:43,960 --> 01:53:48,000
Speaker 15: ship so much, where taking walks, taking drugs and keeping

2915
01:53:48,000 --> 01:53:50,160
Speaker 15: your mind at peace because it is what it is.

2916
01:53:50,240 --> 01:53:53,680
Speaker 15: It's kind of weird, but like I told you that

2917
01:53:53,800 --> 01:53:54,400
Speaker 15: it is what it is.

2918
01:53:54,439 --> 01:53:56,519
Speaker 5: So that's what the orange came apart the niggas. I

2919
01:53:56,560 --> 01:53:57,840
Speaker 5: didn't ask for the orange.

2920
01:53:57,520 --> 01:53:58,559
Speaker 3: To be my people.

2921
01:53:59,439 --> 01:54:00,880
Speaker 5: I didn't say, hey, I'm going to go get an

2922
01:54:00,920 --> 01:54:01,800
Speaker 5: orange and here it is.

2923
01:54:01,920 --> 01:54:03,640
Speaker 15: But no, the people seeing me, I'm a showder and

2924
01:54:03,640 --> 01:54:06,400
Speaker 15: I still ask myself, now I do this orange, I'll

2925
01:54:06,439 --> 01:54:06,920
Speaker 15: leave the crib.

2926
01:54:07,000 --> 01:54:08,680
Speaker 5: And I just had one. I'm like some days I

2927
01:54:08,680 --> 01:54:09,719
Speaker 5: didn't even eat the motherfucker.

2928
01:54:09,800 --> 01:54:14,080
Speaker 2: That's that's they will create the orange watching.

2929
01:54:15,920 --> 01:54:17,760
Speaker 15: You feel me, that's for the people. Man, y'all made

2930
01:54:17,800 --> 01:54:19,560
Speaker 15: me like these motherfuckers, I don't ask me about no

2931
01:54:19,680 --> 01:54:20,479
Speaker 15: much life.

2932
01:54:20,920 --> 01:54:23,280
Speaker 2: And now moji beef is crazy.

2933
01:54:23,680 --> 01:54:25,240
Speaker 1: That moji beef is wow. And now that I know

2934
01:54:25,320 --> 01:54:27,960
Speaker 1: that the meaning behind it, yeah, it's super.

2935
01:54:28,080 --> 01:54:30,320
Speaker 5: It's real. It is what it is like. I'm always

2936
01:54:30,400 --> 01:54:31,240
Speaker 5: keeping one hundred man.

2937
01:54:31,280 --> 01:54:33,640
Speaker 15: It might not be the most brightest ship to the motherfucker,

2938
01:54:33,680 --> 01:54:35,880
Speaker 15: I know, right and science, but it is what it

2939
01:54:36,040 --> 01:54:37,640
Speaker 15: is like when you it was a point of time

2940
01:54:37,680 --> 01:54:39,960
Speaker 15: where I wouldn't I wouldn't live into how I wanted

2941
01:54:40,000 --> 01:54:41,800
Speaker 15: to live, and I didn't really feel good about it,

2942
01:54:41,840 --> 01:54:44,040
Speaker 15: and it gave me anxiety. And the orange made me

2943
01:54:44,120 --> 01:54:46,400
Speaker 15: feel better Man, so good old good job Orange.

2944
01:54:46,480 --> 01:54:49,520
Speaker 2: I think outside of doing a full episode, we have

2945
01:54:49,600 --> 01:54:51,800
Speaker 2: to find like a race track. There's the poor ship

2946
01:54:51,840 --> 01:54:54,400
Speaker 2: in Atlanta that we could do. We gotta do. We

2947
01:54:54,480 --> 01:54:57,200
Speaker 2: have to race more. You got to a valid license? No,

2948
01:54:57,720 --> 01:54:58,560
Speaker 2: all right, we gotta get.

2949
01:55:00,200 --> 01:55:02,320
Speaker 3: Like real niggas drive a bunch of you.

2950
01:55:02,520 --> 01:55:07,960
Speaker 2: Right, I got straight racing. No, maybe we can can't track.

2951
01:55:08,040 --> 01:55:08,520
Speaker 3: We need to do that.

2952
01:55:08,560 --> 01:55:10,040
Speaker 1: By the time we sit down to shoot, I'm gonna

2953
01:55:10,040 --> 01:55:11,920
Speaker 1: get the valid like, get the license, gonna get the

2954
01:55:11,920 --> 01:55:13,520
Speaker 1: license and reil track and race.

2955
01:55:13,640 --> 01:55:14,240
Speaker 7: Let's go to the track.

2956
01:55:14,240 --> 01:55:14,880
Speaker 3: I'm pulling ship.

2957
01:55:15,000 --> 01:55:16,960
Speaker 5: I'm not a race I drive fast. Came from the

2958
01:55:17,000 --> 01:55:17,640
Speaker 5: d Boy year.

2959
01:55:17,640 --> 01:55:21,040
Speaker 16: Nigga gotta get the niggas off. Niggas pull up in

2960
01:55:21,160 --> 01:55:24,040
Speaker 16: fo tools. It wasn't even me particularly. I don't see

2961
01:55:24,040 --> 01:55:26,920
Speaker 16: the old g come through high speed chases and tool.

2962
01:55:27,080 --> 01:55:31,400
Speaker 16: Yeah to the super Yah super charge spot point. So

2963
01:55:31,520 --> 01:55:33,360
Speaker 16: what I grew up like, nigga, I need that half

2964
01:55:33,960 --> 01:55:36,240
Speaker 16: the fastest ship. I don't give it a truck car.

2965
01:55:36,400 --> 01:55:38,120
Speaker 16: Give me the fast cun I feel you know what

2966
01:55:38,120 --> 01:55:38,520
Speaker 16: I'm saying.

2967
01:55:38,560 --> 01:55:39,160
Speaker 5: That's all it is.

2968
01:55:39,400 --> 01:55:40,120
Speaker 2: I like that concept.

2969
01:55:40,440 --> 01:55:42,880
Speaker 1: We're gonna definitely shitt down with Larry. If we gotta

2970
01:55:42,880 --> 01:55:44,120
Speaker 1: go to the band and shoot some ship, We're gonna

2971
01:55:44,120 --> 01:55:45,280
Speaker 1: definitely do some super cool ship.

2972
01:55:45,400 --> 01:55:48,200
Speaker 2: I feel like the car show aspect of just music

2973
01:55:48,280 --> 01:55:50,520
Speaker 2: hip hop period is going. Like Flex used to do

2974
01:55:50,600 --> 01:55:51,840
Speaker 2: his car show all the time. I feel like that

2975
01:55:51,960 --> 01:55:54,840
Speaker 2: was more of a thing now, dj N I feel

2976
01:55:54,840 --> 01:55:55,800
Speaker 2: like you gotta do something.

2977
01:55:55,640 --> 01:55:59,200
Speaker 3: Around Nobody got more cars and currency. No, that's currency.

2978
01:55:59,280 --> 01:56:01,760
Speaker 5: Got an extra car, Yeah, that's in fact I get

2979
01:56:01,840 --> 01:56:03,560
Speaker 5: I get to new order. Niggas get dry.

2980
01:56:03,960 --> 01:56:07,280
Speaker 3: Yeah yeah, I'm in a low runner. I'm slying like this.

2981
01:56:07,440 --> 01:56:10,440
Speaker 15: I don't do low I'm a five point oh muscle

2982
01:56:10,480 --> 01:56:12,520
Speaker 15: card kind of niggas. I'm sliding and I'm in the mother.

2983
01:56:12,600 --> 01:56:15,080
Speaker 15: I don't know what I'm in, but I'm sliding.

2984
01:56:14,720 --> 01:56:15,160
Speaker 5: In that mother.

2985
01:56:15,320 --> 01:56:16,920
Speaker 3: You know I'm talking about. You know what I'm saying.

2986
01:56:17,000 --> 01:56:19,400
Speaker 5: I think I think Curtaousy can do a card show, yeh,

2987
01:56:19,520 --> 01:56:21,600
Speaker 5: because you know what I'm saying. Nigga to go to ship.

2988
01:56:21,640 --> 01:56:22,840
Speaker 5: You know what I'm saying. You know I talk about

2989
01:56:23,160 --> 01:56:24,080
Speaker 5: he got all kind of ship.

2990
01:56:24,120 --> 01:56:27,800
Speaker 2: You got ship in the cutou The younger generation needs

2991
01:56:27,840 --> 01:56:28,360
Speaker 2: their car show.

2992
01:56:28,840 --> 01:56:28,880
Speaker 10: Me.

2993
01:56:28,960 --> 01:56:32,560
Speaker 2: Who whould you think generation? Your currentcy would definitely be

2994
01:56:32,640 --> 01:56:36,040
Speaker 2: up there. I don't know what you feel like, like,

2995
01:56:36,080 --> 01:56:36,600
Speaker 2: who's the car?

2996
01:56:36,680 --> 01:56:37,360
Speaker 10: Do it?

2997
01:56:37,440 --> 01:56:40,680
Speaker 3: Ain't nobody currency the car? Nigga like, I like car.

2998
01:56:40,760 --> 01:56:42,360
Speaker 15: I like cars that came from my like you know,

2999
01:56:42,480 --> 01:56:44,480
Speaker 15: my pops hell of cars growing up, and ship like

3000
01:56:44,560 --> 01:56:46,600
Speaker 15: I looked up the Pose when I was young. He

3001
01:56:46,640 --> 01:56:50,320
Speaker 15: had all kind of five point those to super Fox

3002
01:56:50,400 --> 01:56:53,160
Speaker 15: fo tools to all kind of ship. So you know

3003
01:56:53,200 --> 01:56:54,960
Speaker 15: what I'm saying. I kind of was inspired by that

3004
01:56:55,120 --> 01:56:57,880
Speaker 15: whole ship and then seeing niggas coming through the hood

3005
01:56:57,920 --> 01:57:01,320
Speaker 15: and Grand Nashes and like you know, I was inspired.

3006
01:57:01,320 --> 01:57:04,080
Speaker 15: I was right there in the Flesh show. But when

3007
01:57:04,120 --> 01:57:06,560
Speaker 15: it comes to these cars shows, like currency gotta come

3008
01:57:06,600 --> 01:57:09,120
Speaker 15: with a car show because nobody fucking with currency.

3009
01:57:09,200 --> 01:57:10,800
Speaker 3: When Tourny.

3010
01:57:12,280 --> 01:57:15,840
Speaker 5: Now, because he got more cars, he got extra ship,

3011
01:57:16,040 --> 01:57:18,520
Speaker 5: well he got to make post.

3012
01:57:18,960 --> 01:57:21,400
Speaker 2: Everybody else bring two cars, current taken host of ship

3013
01:57:21,440 --> 01:57:22,800
Speaker 2: and we find out with the young kids that have

3014
01:57:22,920 --> 01:57:24,440
Speaker 2: the cars now because I wouldn't even know which is

3015
01:57:24,480 --> 01:57:26,520
Speaker 2: crazy because you feel like Instagram, you would know who

3016
01:57:26,640 --> 01:57:28,360
Speaker 2: was the car, and a nigga like me.

3017
01:57:28,440 --> 01:57:30,520
Speaker 3: I got certain cars. I got certain cars. I keep

3018
01:57:30,560 --> 01:57:30,960
Speaker 3: some cars.

3019
01:57:31,000 --> 01:57:33,240
Speaker 5: I get rid of it. Update. I live in San Francisco.

3020
01:57:33,560 --> 01:57:35,720
Speaker 15: Yeah, so like I don't got like a massive parking

3021
01:57:35,760 --> 01:57:37,960
Speaker 15: garage or ship I got, Like I keep my old school,

3022
01:57:37,960 --> 01:57:41,040
Speaker 15: so I got a parking garage like twenty miles out. Yeah,

3023
01:57:41,040 --> 01:57:42,720
Speaker 15: I'm talking about But like I get rid of ship

3024
01:57:42,760 --> 01:57:45,520
Speaker 15: like my I had my sixty three GT bands. Got

3025
01:57:45,640 --> 01:57:48,040
Speaker 15: rid of that and I jumped into Bentley, and I

3026
01:57:48,080 --> 01:57:50,960
Speaker 15: get rid of it at least certain cars because I

3027
01:57:51,040 --> 01:57:52,480
Speaker 15: you know, tax purposes.

3028
01:57:53,760 --> 01:57:56,400
Speaker 2: What it is. Some cars just I don't appreciate well, Like.

3029
01:57:56,400 --> 01:57:58,640
Speaker 5: I keep all my roryes, I keep all my portion

3030
01:57:58,720 --> 01:57:59,240
Speaker 5: and ship like that.

3031
01:57:59,320 --> 01:58:02,760
Speaker 15: But some ship curzy keeping everything, keeping that nigga got

3032
01:58:02,800 --> 01:58:04,720
Speaker 15: everything you probably got save you know, like a pair

3033
01:58:04,760 --> 01:58:05,960
Speaker 15: of socks and saying good job.

3034
01:58:06,240 --> 01:58:08,960
Speaker 2: What's the best place to drive in San Francisco or

3035
01:58:09,000 --> 01:58:09,800
Speaker 2: Bay Area in general?

3036
01:58:11,560 --> 01:58:11,800
Speaker 3: For me?

3037
01:58:14,200 --> 01:58:14,440
Speaker 5: Man?

3038
01:58:14,600 --> 01:58:15,080
Speaker 3: You know, I.

3039
01:58:16,720 --> 01:58:21,000
Speaker 15: Mmm, I love waking up early, right, give me some

3040
01:58:21,160 --> 01:58:23,320
Speaker 15: hot tea maybe, Earl Gray sending to start in the

3041
01:58:23,360 --> 01:58:23,960
Speaker 15: morning up.

3042
01:58:24,280 --> 01:58:25,840
Speaker 2: And I drive ginger guys.

3043
01:58:25,840 --> 01:58:26,400
Speaker 3: You know what I'm saying.

3044
01:58:26,480 --> 01:58:28,040
Speaker 5: You know, good job, Earl.

3045
01:58:28,400 --> 01:58:29,040
Speaker 3: You know what I'm saying.

3046
01:58:29,800 --> 01:58:30,440
Speaker 5: I'm a slide.

3047
01:58:30,560 --> 01:58:31,120
Speaker 3: I'm a slide.

3048
01:58:32,040 --> 01:58:32,640
Speaker 5: I'm a slide.

3049
01:58:32,680 --> 01:58:33,600
Speaker 3: The sauce alitos.

3050
01:58:33,720 --> 01:58:35,000
Speaker 5: You know what I'm saying. I might have one of

3051
01:58:35,080 --> 01:58:37,480
Speaker 5: my you know, lady friends with me. You know, heat

3052
01:58:37,560 --> 01:58:38,000
Speaker 5: the seats.

3053
01:58:38,040 --> 01:58:38,600
Speaker 3: You know what I'm saying.

3054
01:58:39,240 --> 01:58:41,240
Speaker 15: And I've been a cone and now I'm peaceful with it.

3055
01:58:41,560 --> 01:58:45,880
Speaker 15: I'm only playing like smooth Ship lately has been slum Village.

3056
01:58:45,880 --> 01:58:49,600
Speaker 15: I might toss home from Donielle Jones music. So I'm

3057
01:58:49,600 --> 01:58:50,440
Speaker 15: nothing too aggressive.

3058
01:58:50,560 --> 01:58:51,600
Speaker 2: You know, I'm not with the team.

3059
01:58:52,000 --> 01:58:54,600
Speaker 5: I'm not trying to knock a nigga. I'm not trying

3060
01:58:54,640 --> 01:58:55,800
Speaker 5: to kill. No, I don't want to.

3061
01:58:56,400 --> 01:58:59,400
Speaker 15: I'm just trying to slide through smooth, make sure my

3062
01:58:59,480 --> 01:59:01,520
Speaker 15: shoes clean. You know it might sound a little, you know,

3063
01:59:01,920 --> 01:59:04,320
Speaker 15: Larry doing the extra. That's really how nigga. This is

3064
01:59:04,400 --> 01:59:07,080
Speaker 15: not no motherfucking why nigga. When you see Uncle Lady

3065
01:59:07,080 --> 01:59:09,440
Speaker 15: sy how I'm coming, He's a motherfucking anniversary joint. I

3066
01:59:09,520 --> 01:59:11,160
Speaker 15: put that shit on area. This is my first time

3067
01:59:11,200 --> 01:59:13,600
Speaker 15: putting them on, So I'm gonna call these my motherfuckering

3068
01:59:13,640 --> 01:59:14,480
Speaker 15: a maid in America.

3069
01:59:14,600 --> 01:59:18,920
Speaker 5: Bust down numbers, nigga. Good job, Larry, shut it up.

3070
01:59:21,080 --> 01:59:23,080
Speaker 2: That's the cut right there, Yo.

3071
01:59:23,160 --> 01:59:26,160
Speaker 1: Before we let you go, real quick question because we

3072
01:59:26,280 --> 01:59:29,160
Speaker 1: just got to ask Lunch with Jay z or two

3073
01:59:29,280 --> 01:59:31,120
Speaker 1: hundred k cash shit.

3074
01:59:31,160 --> 01:59:33,360
Speaker 5: Two hundred k easy, I got that. I go get

3075
01:59:33,400 --> 01:59:35,440
Speaker 5: that in the morning, so I might have lunch with

3076
01:59:35,560 --> 01:59:35,800
Speaker 5: jay Z.

3077
01:59:35,960 --> 01:59:38,000
Speaker 15: I almost turned down two hundred k three days ago,

3078
01:59:38,120 --> 01:59:40,360
Speaker 15: he personally, So you know it's different. It's different. It's

3079
01:59:40,400 --> 01:59:43,320
Speaker 15: different strokes for different folks. You know, imbody, I ain't

3080
01:59:43,360 --> 01:59:45,200
Speaker 15: flex and I was just broke five years ago.

3081
01:59:45,800 --> 01:59:50,680
Speaker 5: But as if today it's about building relationships with certain people.

3082
01:59:50,760 --> 01:59:52,040
Speaker 7: He might not do nothing for me.

3083
01:59:52,160 --> 01:59:54,360
Speaker 5: I don't. I'm not asking for a handout, but it'd

3084
01:59:54,360 --> 01:59:56,240
Speaker 5: be more of experienced in getting two hundred k. I

3085
01:59:56,320 --> 01:59:58,880
Speaker 5: can go. That's two hundred it's twenty twenty two. Two

3086
01:59:58,960 --> 01:59:59,320
Speaker 5: hundred k.

3087
01:59:59,360 --> 02:00:02,560
Speaker 3: That's like, is that a car talk your ship? It

3088
02:00:02,680 --> 02:00:07,280
Speaker 3: is what it is. That's that's paddic. Yeah, it is weird.

3089
02:00:07,320 --> 02:00:09,240
Speaker 5: I'm not even flexing. I'm not the richest nigga in

3090
02:00:09,240 --> 02:00:10,120
Speaker 5: the world, but I get it.

3091
02:00:10,280 --> 02:00:12,040
Speaker 15: I know two hundred k ain't the same as it

3092
02:00:12,200 --> 02:00:15,440
Speaker 15: was in the ninety nigga Nigga gas ten dollars in

3093
02:00:15,520 --> 02:00:18,600
Speaker 15: the bay, eight dollars in the bank, two hundred minium

3094
02:00:18,640 --> 02:00:20,640
Speaker 15: a ways, don't want up two hundred k differently, so

3095
02:00:20,840 --> 02:00:24,320
Speaker 15: maybe say two milk, give me the two mell, I'm gonnay,

3096
02:00:24,360 --> 02:00:25,240
Speaker 15: I'll see you next time.

3097
02:00:26,200 --> 02:00:28,560
Speaker 5: It is what it is, but two k taking it too,

3098
02:00:28,600 --> 02:00:29,360
Speaker 5: may I go?

3099
02:00:29,640 --> 02:00:32,120
Speaker 3: Niggas man fifty in Hawaii on some cat off ship.

3100
02:00:32,240 --> 02:00:34,960
Speaker 15: Right, is what it is like not to be in

3101
02:00:35,080 --> 02:00:37,320
Speaker 15: my humblest way because I'm like I say, I'm not flexing,

3102
02:00:37,400 --> 02:00:40,000
Speaker 15: not the richest nigga in the world, but like, good job,

3103
02:00:40,040 --> 02:00:40,920
Speaker 15: you know I'm saying numbers.

3104
02:00:41,200 --> 02:00:43,000
Speaker 1: Yeah, Well listen, man, you're gonna pull up in the

3105
02:00:43,040 --> 02:00:44,240
Speaker 1: bay and sit down and kick it with you like

3106
02:00:44,280 --> 02:00:46,840
Speaker 1: we have a real piece with you. Show us around

3107
02:00:46,880 --> 02:00:48,120
Speaker 1: the town, drop some cars and.

3108
02:00:48,120 --> 02:00:49,880
Speaker 2: Ship you want to definitely driving.

3109
02:00:49,960 --> 02:00:51,680
Speaker 1: We want to thank you for stopping by kicking with

3110
02:00:51,800 --> 02:00:53,120
Speaker 1: us in this airstream we had to end on for you.

3111
02:00:53,200 --> 02:00:54,360
Speaker 1: Had to keep it cool in here for y'all.

3112
02:00:54,440 --> 02:00:55,400
Speaker 5: Man, I appreciate y'all.

3113
02:00:55,440 --> 02:00:57,200
Speaker 3: Y'all can't be always one hundred. Y'all made it real

3114
02:00:57,240 --> 02:00:59,400
Speaker 3: comfortable for me. Man, Larry June, thank you, Bro.

3115
02:01:00,000 --> 02:01:03,960
Speaker 2: I want to love Meg the Stallion Verse photographer versus Catcher.

3116
02:01:03,960 --> 02:01:05,040
Speaker 2: Who was the best nees.

3117
02:01:05,120 --> 02:01:09,080
Speaker 1: I'm going Mike Piazza, Oh yeah, Mike over Meghan, Mike

3118
02:01:10,160 --> 02:01:10,680
Speaker 1: you going mad?

3119
02:01:10,800 --> 02:01:12,720
Speaker 3: Y'all seen man I've seen, man, but.

3120
02:01:15,000 --> 02:01:17,360
Speaker 1: I've seen I've seen Mike Piazza catch for fourteen innings.

3121
02:01:17,480 --> 02:01:20,120
Speaker 1: That was like, I never seen med catch for fourteen innings.

3122
02:01:20,400 --> 02:01:20,880
Speaker 2: What's going on?

3123
02:01:21,040 --> 02:01:23,440
Speaker 3: Bro? Not much? Man, just got off the stage. How

3124
02:01:23,560 --> 02:01:24,800
Speaker 3: you feeling? I feel good? Man.

3125
02:01:24,880 --> 02:01:27,720
Speaker 1: It's my first Made in America first one. It's not

3126
02:01:27,800 --> 02:01:30,720
Speaker 1: really my first. I did Made America in twenty seventeen

3127
02:01:30,840 --> 02:01:33,680
Speaker 1: as a background singer. Okay, were you with Vic Menta?

3128
02:01:33,800 --> 02:01:35,320
Speaker 2: Okay, shout out to Vic and you did his tour

3129
02:01:35,320 --> 02:01:37,600
Speaker 2: as well for the four Yes, that was a really

3130
02:01:37,640 --> 02:01:38,200
Speaker 2: really good tour.

3131
02:01:38,320 --> 02:01:38,520
Speaker 3: Yeah.

3132
02:01:38,880 --> 02:01:41,640
Speaker 2: Uh, well ship before we get even into that, the

3133
02:01:41,760 --> 02:01:46,000
Speaker 2: voice is that where everything starts. As far as major steps, yeah, I.

3134
02:01:46,000 --> 02:01:50,720
Speaker 1: Think that's the first like major like TV moment I had. Yeah,

3135
02:01:50,800 --> 02:01:52,720
Speaker 1: And just like being in front of that many people,

3136
02:01:52,880 --> 02:01:54,200
Speaker 1: that was the That was the first time.

3137
02:01:54,400 --> 02:01:56,720
Speaker 2: And did you do the whole weight in line? American

3138
02:01:56,800 --> 02:01:59,920
Speaker 2: idol type shit? You know, skip right to the front.

3139
02:02:00,120 --> 02:02:02,400
Speaker 3: To I did. I did? Well?

3140
02:02:02,480 --> 02:02:04,800
Speaker 1: What happened was I had auditioned quite a few times,

3141
02:02:05,840 --> 02:02:07,440
Speaker 1: and I did wait in line one time.

3142
02:02:07,800 --> 02:02:09,560
Speaker 3: I think I had auditioned like three or four times.

3143
02:02:09,760 --> 02:02:10,480
Speaker 2: Who waited in line?

3144
02:02:10,480 --> 02:02:10,720
Speaker 3: Would you?

3145
02:02:12,160 --> 02:02:15,240
Speaker 1: I don't remember I remember, there wasn't There wasn't anybody

3146
02:02:15,640 --> 02:02:18,880
Speaker 1: like you know. I was kind of there by myself. Yeah,

3147
02:02:19,440 --> 02:02:21,160
Speaker 1: so I wasn't. I didn't a lot of people go

3148
02:02:21,240 --> 02:02:23,120
Speaker 1: as friends, like with friends and all that ship. I

3149
02:02:23,160 --> 02:02:25,800
Speaker 1: went by myself. So I was just so focused on

3150
02:02:25,960 --> 02:02:29,200
Speaker 1: doing a good job. I wasn't really paying attention the Pharrell.

3151
02:02:30,200 --> 02:02:31,680
Speaker 1: How did they word it as far as you were

3152
02:02:31,720 --> 02:02:33,960
Speaker 1: on Farrell's team, I forget. Yeah, the structure of that show.

3153
02:02:34,280 --> 02:02:36,560
Speaker 3: I was on For's team. He was my coach. That's

3154
02:02:36,600 --> 02:02:37,200
Speaker 3: how they worded.

3155
02:02:37,480 --> 02:02:38,760
Speaker 2: Was that the one that you were hoping?

3156
02:02:38,960 --> 02:02:39,160
Speaker 3: Yeah?

3157
02:02:39,240 --> 02:02:41,600
Speaker 1: That's who I mean. That's really like why I did

3158
02:02:41,680 --> 02:02:44,920
Speaker 1: the show that season? Who with other judges that season?

3159
02:02:45,080 --> 02:02:49,720
Speaker 1: It was Adam from Room five, Okay, saying Adam twenty two?

3160
02:02:49,840 --> 02:02:52,400
Speaker 3: Oh no, it wasn't Adam twenty two. He man that

3161
02:02:52,600 --> 02:02:52,920
Speaker 3: that would have.

3162
02:02:52,880 --> 02:02:55,960
Speaker 2: Been a great crazy voice. My god, that would be

3163
02:02:56,320 --> 02:03:00,640
Speaker 2: he could do the SoundCloud, he could all the little

3164
02:03:00,960 --> 02:03:03,400
Speaker 2: yeah body voice, low voice.

3165
02:03:03,480 --> 02:03:08,320
Speaker 3: Yeah. Uh, and I think going to was the other. Okay,

3166
02:03:08,360 --> 02:03:10,320
Speaker 3: have you spoken to Pharrell since, like, have you worked

3167
02:03:10,320 --> 02:03:10,600
Speaker 3: with them?

3168
02:03:10,920 --> 02:03:11,120
Speaker 10: Yeah?

3169
02:03:11,280 --> 02:03:15,320
Speaker 1: Man, Farrell's been a mentor. He's been very, uh, a

3170
02:03:15,480 --> 02:03:17,080
Speaker 1: very good influence in my life.

3171
02:03:17,120 --> 02:03:17,800
Speaker 3: And in my career.

3172
02:03:18,680 --> 02:03:20,240
Speaker 1: Yeah, he was my coach and then I ended up

3173
02:03:20,280 --> 02:03:22,680
Speaker 1: doing some work for his company I am mother as

3174
02:03:22,720 --> 02:03:24,920
Speaker 1: a music producer and so I made a lot of

3175
02:03:24,960 --> 02:03:27,480
Speaker 1: friends there. But he's been in my life for a minute.

3176
02:03:27,720 --> 02:03:30,800
Speaker 3: Uh yeah, listen, how the ladies treating you that that

3177
02:03:30,840 --> 02:03:33,360
Speaker 3: you're working with Beyonce man? Right?

3178
02:03:33,640 --> 02:03:34,440
Speaker 2: And are you a virgo?

3179
02:03:34,720 --> 02:03:34,920
Speaker 3: Yeah?

3180
02:03:34,960 --> 02:03:38,040
Speaker 1: Yeah, okay, I'm a Leo. Okay, but I'm a Virgo

3181
02:03:38,160 --> 02:03:41,000
Speaker 1: in three of my houses, so I do get along

3182
02:03:41,080 --> 02:03:43,600
Speaker 1: with your houses. Yeah, So I'm like, so the ladies

3183
02:03:43,600 --> 02:03:44,240
Speaker 1: are treating you really?

3184
02:03:44,400 --> 02:03:44,560
Speaker 3: Yeah?

3185
02:03:44,600 --> 02:03:47,440
Speaker 2: They like me right now, hold on, three, let's break

3186
02:03:47,520 --> 02:03:51,080
Speaker 2: this down. Are you in like a a triplet? Truplet

3187
02:03:51,120 --> 02:03:52,800
Speaker 2: what you call like you date three people?

3188
02:03:52,960 --> 02:03:53,000
Speaker 10: No?

3189
02:03:53,240 --> 02:03:57,120
Speaker 1: No, no, no, like no non polyps, not a thule.

3190
02:03:57,600 --> 02:04:01,200
Speaker 1: Uh your house is meaning like in your astrological okay,

3191
02:04:01,280 --> 02:04:03,440
Speaker 1: my grand rising, yeah, all of that, all of that

3192
02:04:03,800 --> 02:04:09,240
Speaker 1: sun rise, yeah, brunch, yeah yeah, so yeah, three of

3193
02:04:09,360 --> 02:04:10,520
Speaker 1: those are virgo.

3194
02:04:10,920 --> 02:04:14,080
Speaker 3: So I vibe well with virgo. Who's the one artist

3195
02:04:14,160 --> 02:04:16,320
Speaker 3: that you dm that has not responded to you yet?

3196
02:04:17,360 --> 02:04:20,720
Speaker 1: Jasmine Sullivan here today, you gotta run down and run

3197
02:04:20,760 --> 02:04:24,360
Speaker 1: down on jazz requests. Yeah, and we have a bunch

3198
02:04:24,400 --> 02:04:26,720
Speaker 1: of mutuals and like my homie sing background for it.

3199
02:04:26,800 --> 02:04:30,080
Speaker 3: But like I've always she's incredible. Yeah, she's so she's

3200
02:04:30,080 --> 02:04:30,560
Speaker 3: so good.

3201
02:04:31,680 --> 02:04:34,560
Speaker 1: Yeah, and Kendrick, but you know, I don't think he

3202
02:04:34,640 --> 02:04:36,800
Speaker 1: checks his DM. Bro, I don't even know if Kendrick

3203
02:04:36,880 --> 02:04:41,080
Speaker 1: has Yeah, yeah, Kendrick, we can kind of understand jazz

3204
02:04:41,560 --> 02:04:43,400
Speaker 1: phone for sure, but Jazz definitely, Like, oh, I didn't

3205
02:04:43,400 --> 02:04:47,520
Speaker 1: even know about the request section, that whole thing. So talented, Bro,

3206
02:04:49,200 --> 02:04:52,040
Speaker 1: she deserves vocally for me. Yeah, she's the greatest.

3207
02:04:52,160 --> 02:04:55,880
Speaker 3: But yeah, you won't be working with anymore that. I

3208
02:04:56,000 --> 02:04:56,760
Speaker 3: just let you know that now.

3209
02:04:56,880 --> 02:05:00,120
Speaker 1: No, it's gonna it's gonna all work out. I'm to

3210
02:05:00,160 --> 02:05:03,440
Speaker 1: get to keep working with everybody. Listen, I need the work,

3211
02:05:03,480 --> 02:05:04,120
Speaker 1: get you to work.

3212
02:05:04,760 --> 02:05:05,240
Speaker 5: I want that.

3213
02:05:05,560 --> 02:05:06,640
Speaker 3: I feel want to work with everyone.

3214
02:05:06,840 --> 02:05:07,800
Speaker 2: You got a project coming?

3215
02:05:08,320 --> 02:05:12,680
Speaker 1: Yes, oh for Daisy, it's a it's a labor love man.

3216
02:05:12,920 --> 02:05:13,320
Speaker 3: It's uh.

3217
02:05:13,640 --> 02:05:16,080
Speaker 1: It's the first time where I really feel like I'm

3218
02:05:16,160 --> 02:05:19,880
Speaker 1: getting super free as an artist. I think working with

3219
02:05:20,040 --> 02:05:21,920
Speaker 1: all these great artists that I've worked with over the

3220
02:05:22,000 --> 02:05:24,200
Speaker 1: last two years, man, it's just encouraged me to like

3221
02:05:24,560 --> 02:05:26,760
Speaker 1: make the ship I want to hear versus trying to

3222
02:05:26,800 --> 02:05:28,520
Speaker 1: make the ship that I think people want to hear,

3223
02:05:29,360 --> 02:05:31,120
Speaker 1: and I feel like if I can connect to it,

3224
02:05:31,160 --> 02:05:33,240
Speaker 1: then I can you know, get an audience to connect

3225
02:05:33,240 --> 02:05:33,360
Speaker 1: to it.

3226
02:05:33,440 --> 02:05:35,760
Speaker 2: What's the significance of that title for Daisy?

3227
02:05:35,880 --> 02:05:39,680
Speaker 1: So, uh, Daisy's Daisy is an operating system. You all

3228
02:05:39,720 --> 02:05:42,760
Speaker 1: are getting it first that takes over my life.

3229
02:05:44,720 --> 02:05:45,440
Speaker 3: She's not a stem.

3230
02:05:46,320 --> 02:05:49,160
Speaker 1: Shout out to Kanye though, another person who hasn't answered

3231
02:05:49,240 --> 02:05:54,320
Speaker 1: d m S. I feel like you should see that

3232
02:05:54,640 --> 02:06:00,520
Speaker 1: check like I need. Yeah, So she's operating since she's

3233
02:06:00,560 --> 02:06:03,400
Speaker 1: a bad bitch like she you know, she changes my

3234
02:06:03,520 --> 02:06:06,400
Speaker 1: life and she's a part of this new sound that

3235
02:06:06,480 --> 02:06:07,000
Speaker 1: I'm building.

3236
02:06:07,160 --> 02:06:08,120
Speaker 2: Have you seen the movie Her?

3237
02:06:08,520 --> 02:06:09,480
Speaker 3: Yeah? Is it like that?

3238
02:06:09,680 --> 02:06:09,840
Speaker 5: Yeah?

3239
02:06:10,000 --> 02:06:10,520
Speaker 3: Kind of sort of?

3240
02:06:10,600 --> 02:06:14,000
Speaker 1: Okay, so this is like the prequel, so I'm doing

3241
02:06:14,080 --> 02:06:17,040
Speaker 1: it in order. So this one is the prequel. Like

3242
02:06:17,160 --> 02:06:20,440
Speaker 1: people are, you know, figuring out, you know, who she is,

3243
02:06:20,640 --> 02:06:22,840
Speaker 1: what she might be, but it's not quite answering all

3244
02:06:22,880 --> 02:06:26,800
Speaker 1: the questions yet. And then there's another project coming right

3245
02:06:26,880 --> 02:06:31,880
Speaker 1: after that that provides a physical representation of Daisy, so're

3246
02:06:31,920 --> 02:06:32,560
Speaker 1: excited about it.

3247
02:06:33,760 --> 02:06:36,880
Speaker 2: I don't know how familiar are with with Twitter, yes,

3248
02:06:36,960 --> 02:06:38,400
Speaker 2: because I feel like a lot of artists you know,

3249
02:06:38,560 --> 02:06:41,440
Speaker 2: they just post their album and keep it moving Twitter streets.

3250
02:06:41,520 --> 02:06:44,200
Speaker 3: I'm on Twitter, so you're active. I'm here and are you.

3251
02:06:44,400 --> 02:06:48,200
Speaker 2: Are you aware of LLC Twitter? No, okay, LLC Twitter

3252
02:06:48,400 --> 02:06:51,600
Speaker 2: is the people that try to guide you through all

3253
02:06:51,760 --> 02:06:53,280
Speaker 2: business endeavors. That's where they know.

3254
02:06:53,360 --> 02:06:54,920
Speaker 3: Yes, yeah, they give you the greatest advice.

3255
02:06:55,160 --> 02:06:58,640
Speaker 2: So yeah, A long time ago, somebody, a proud member

3256
02:06:58,680 --> 02:07:01,920
Speaker 2: of LLC Twitter, said they would rather take lunch with

3257
02:07:02,040 --> 02:07:05,200
Speaker 2: jay Z than fifty thousand dollars cash because jay Z

3258
02:07:05,320 --> 02:07:07,480
Speaker 2: would teach them how to make fifty thousand dollars cash.

3259
02:07:08,000 --> 02:07:10,000
Speaker 2: Us being logical, people say, that's the dumbest thing I've

3260
02:07:10,000 --> 02:07:11,760
Speaker 2: ever heard in my life. You should take that fifty

3261
02:07:11,800 --> 02:07:12,240
Speaker 2: thousand dollars.

3262
02:07:12,280 --> 02:07:14,240
Speaker 3: I don't even eat lunch, like just one of those people.

3263
02:07:14,400 --> 02:07:14,560
Speaker 6: I know.

3264
02:07:14,680 --> 02:07:17,200
Speaker 2: It's it's you're with rock. So I don't know if

3265
02:07:17,240 --> 02:07:20,120
Speaker 2: it's the right question. Yeah, so maybe we should up

3266
02:07:20,240 --> 02:07:20,680
Speaker 2: up the price.

3267
02:07:20,800 --> 02:07:22,920
Speaker 3: Gotta up to andy up it. So lunch with jay

3268
02:07:23,000 --> 02:07:24,320
Speaker 3: Z or you're.

3269
02:07:24,200 --> 02:07:34,360
Speaker 1: Publishing, well technically he has a piece, but yeah, I

3270
02:07:34,400 --> 02:07:34,680
Speaker 1: don't know.

3271
02:07:34,800 --> 02:07:34,960
Speaker 3: Man.

3272
02:07:35,320 --> 02:07:37,800
Speaker 1: You know, to get the rare opportunity to sit with

3273
02:07:37,920 --> 02:07:41,080
Speaker 1: Jay you have you know, he was next to me

3274
02:07:41,160 --> 02:07:41,879
Speaker 1: at the oscars.

3275
02:07:42,280 --> 02:07:44,560
Speaker 3: You know, I haven't had that sit down yet.

3276
02:07:44,720 --> 02:07:47,120
Speaker 1: Yeah, So I feel like for me at this point

3277
02:07:47,280 --> 02:07:49,200
Speaker 1: where I am, I would love to sit down with

3278
02:07:49,280 --> 02:07:51,680
Speaker 1: you versus I mean, also, I don't need the fifty

3279
02:07:51,760 --> 02:07:54,440
Speaker 1: bands right now, So I mean, you know, the gentleman,

3280
02:07:56,400 --> 02:07:58,440
Speaker 1: I don't necessarily need the fifty bands right now. If

3281
02:07:58,480 --> 02:08:00,800
Speaker 1: I needed it, I'm definitely taking the fifty bands. And

3282
02:08:00,880 --> 02:08:05,800
Speaker 1: if you're starting out, nigga, take the fifty bands. What

3283
02:08:05,880 --> 02:08:08,400
Speaker 1: are you talking about? But I am signed to him

3284
02:08:08,440 --> 02:08:10,960
Speaker 1: and I think he's a wealth of knowledge and for

3285
02:08:11,120 --> 02:08:13,160
Speaker 1: me right now in my career, I would love to

3286
02:08:13,200 --> 02:08:14,200
Speaker 1: sit down and talk to Jay.

3287
02:08:14,320 --> 02:08:17,160
Speaker 2: Okay. You get a text from Jay and Pharrell at

3288
02:08:17,200 --> 02:08:19,160
Speaker 2: the exact same time, say I'm in a session.

3289
02:08:19,240 --> 02:08:19,880
Speaker 3: I need you now.

3290
02:08:20,200 --> 02:08:22,240
Speaker 2: You go to Pharrell's studio or you go to Jason

3291
02:08:22,840 --> 02:08:25,200
Speaker 2: and you can't tell them that yo, Farrel, just hit me, Ja,

3292
02:08:25,280 --> 02:08:26,760
Speaker 2: just me. You just have you gotta make a decision

3293
02:08:26,760 --> 02:08:28,320
Speaker 2: with studio and then leave the other one on red.

3294
02:08:30,920 --> 02:08:35,560
Speaker 1: It's probably Jay okay, because I think Pharrell would understand

3295
02:08:35,920 --> 02:08:37,080
Speaker 1: why I need to go to jail.

3296
02:08:37,880 --> 02:08:38,680
Speaker 3: You see what I'm saying.

3297
02:08:38,840 --> 02:08:42,160
Speaker 1: Like Farrell got a text one time that said Jay

3298
02:08:42,240 --> 02:08:43,720
Speaker 1: needs you to pull up and he went and then

3299
02:08:43,760 --> 02:08:46,560
Speaker 1: we got all these beautiful records. So I feel like, Forrell,

3300
02:08:46,680 --> 02:08:47,880
Speaker 1: I think Pharrell will understand.

3301
02:08:47,920 --> 02:08:48,560
Speaker 3: I hope you would.

3302
02:08:48,600 --> 02:08:50,080
Speaker 1: God, I hope you would. This is gonna be on

3303
02:08:50,200 --> 02:08:52,560
Speaker 1: fucking well. I hope it happens so you can YouTube

3304
02:08:52,680 --> 02:08:55,920
Speaker 1: and now this man, he gonna block my ass. But no,

3305
02:08:56,160 --> 02:08:58,080
Speaker 1: I'm I think he would understand. I think he should

3306
02:08:58,080 --> 02:08:58,280
Speaker 1: get it.

3307
02:08:58,880 --> 02:08:58,960
Speaker 7: Well.

3308
02:08:59,040 --> 02:09:00,520
Speaker 2: Yeah, man, know it was good. Chop it up here.

3309
02:09:00,520 --> 02:09:02,160
Speaker 2: I'm looking forward to hearing the project.

3310
02:09:02,280 --> 02:09:06,960
Speaker 1: Yeah, man, let's go see Jasmine performed, so can like

3311
02:09:07,000 --> 02:09:07,920
Speaker 1: Little Girls to also.

3312
02:09:08,000 --> 02:09:09,160
Speaker 3: Are y'all going to see Tyler?

3313
02:09:10,080 --> 02:09:13,000
Speaker 1: That's another person that's actually introduced me to Tyler, which

3314
02:09:13,040 --> 02:09:15,720
Speaker 1: is but we never got to work, and I'm like, itching,

3315
02:09:15,840 --> 02:09:16,920
Speaker 1: I gotta work with Tyler.

3316
02:09:17,520 --> 02:09:18,800
Speaker 2: He's a massive square garden show.

3317
02:09:18,840 --> 02:09:20,520
Speaker 3: So yeah, yeah, I have to see it definitely.

3318
02:09:20,880 --> 02:09:22,520
Speaker 1: I want to catch that l A show. I missed

3319
02:09:22,520 --> 02:09:24,320
Speaker 1: the l show and I want to catch back. That's

3320
02:09:24,320 --> 02:09:25,640
Speaker 1: gonna be an incredible show he puts on.

3321
02:09:25,960 --> 02:09:28,000
Speaker 2: I want to be like far away from the stage

3322
02:09:28,000 --> 02:09:28,160
Speaker 2: for that.

3323
02:09:28,600 --> 02:09:30,760
Speaker 1: Bro. No, just understand, I'm going to be at the

3324
02:09:30,800 --> 02:09:34,440
Speaker 1: little Nervous Little Ship is up there. I'm there because

3325
02:09:34,480 --> 02:09:36,200
Speaker 1: I can't match whatever they're gonna be in there.

3326
02:09:36,240 --> 02:09:37,160
Speaker 2: But it's just gonna be too much.

3327
02:09:37,920 --> 02:09:38,400
Speaker 3: It's too much.

3328
02:09:38,720 --> 02:09:40,160
Speaker 2: Yeah, be a lot, but man, thank you.

3329
02:09:40,680 --> 02:09:45,120
Speaker 1: Dixon, thank you man, thank you. Appreciate you all right, listen, man,

3330
02:09:45,160 --> 02:09:47,600
Speaker 1: I gotta be honest. I'm disappointed, I'm mad, I'm upset.

3331
02:09:47,640 --> 02:09:49,240
Speaker 1: I'm a lot of things right now. Because the one

3332
02:09:49,400 --> 02:09:52,040
Speaker 1: artist that I said I was not gonna miss Rory

3333
02:09:52,160 --> 02:09:53,600
Speaker 1: because I missed her when we went in.

3334
02:09:53,720 --> 02:09:55,080
Speaker 3: LA at the Rock Nation party.

3335
02:09:55,320 --> 02:09:58,360
Speaker 2: You're terrible person, and she just got off.

3336
02:09:58,280 --> 02:10:05,080
Speaker 1: Stage she performed, but the talented, beautiful, super cool ombre.

3337
02:10:06,800 --> 02:10:09,320
Speaker 3: I'm so mad in Michigan. I'm sorry, and I said,

3338
02:10:09,320 --> 02:10:09,960
Speaker 3: I was just waving.

3339
02:10:09,840 --> 02:10:12,720
Speaker 2: This apology next week. Do you believe his apology.

3340
02:10:13,200 --> 02:10:16,360
Speaker 3: I'm sorry, I'm sorry, and I'm just this this ship

3341
02:10:16,400 --> 02:10:16,920
Speaker 3: has to stop.

3342
02:10:17,120 --> 02:10:18,480
Speaker 1: Because I was sitting there and I was like, damn,

3343
02:10:18,480 --> 02:10:19,640
Speaker 1: I want to see arm but I didn't think you

3344
02:10:19,680 --> 02:10:20,520
Speaker 1: were going on so soon.

3345
02:10:20,640 --> 02:10:23,120
Speaker 3: But how you feeling? It's good to see you feel good.

3346
02:10:23,720 --> 02:10:25,400
Speaker 3: I was the s that was the crowd.

3347
02:10:26,080 --> 02:10:26,600
Speaker 4: There was lit.

3348
02:10:26,680 --> 02:10:28,960
Speaker 17: Actually, I had like a whole group in the front

3349
02:10:29,000 --> 02:10:31,240
Speaker 17: that was like singing all the words. That was the

3350
02:10:31,280 --> 02:10:32,480
Speaker 17: first time that ever happened to me?

3351
02:10:33,040 --> 02:10:34,560
Speaker 3: Like, how does that feel like? You know when you

3352
02:10:34,840 --> 02:10:36,680
Speaker 3: step out there and so many people know the lyrics.

3353
02:10:36,760 --> 02:10:40,920
Speaker 2: Yeah, it's a little invasive though, now, like stop singing

3354
02:10:40,920 --> 02:10:45,680
Speaker 2: about my life. You don't even know me, Like they know.

3355
02:10:45,760 --> 02:10:46,800
Speaker 4: My government name and ship.

3356
02:10:47,320 --> 02:10:50,879
Speaker 2: It's not no, it's myself.

3357
02:10:52,160 --> 02:10:53,760
Speaker 18: I'm not gonna say it. Y'all can look it up.

3358
02:10:53,800 --> 02:10:55,640
Speaker 2: Oh, then let's let's get into some deep hop shit

3359
02:10:55,640 --> 02:10:56,920
Speaker 2: because I know you've done pressing and was going to

3360
02:10:56,960 --> 02:10:59,720
Speaker 2: ask the regular ship your album cover, well, EP cover

3361
02:11:00,040 --> 02:11:02,520
Speaker 2: do you call it? At this point, everything's an album, yeah,

3362
02:11:03,920 --> 02:11:07,280
Speaker 2: one of the colection, one of the best covers I've

3363
02:11:07,360 --> 02:11:10,400
Speaker 2: seen in a while. Thank you who in that picture

3364
02:11:10,800 --> 02:11:13,000
Speaker 2: from your family? He was like, now, don't really rock

3365
02:11:13,080 --> 02:11:14,680
Speaker 2: with you like that. You can't be in this photo

3366
02:11:15,760 --> 02:11:17,120
Speaker 2: because we all have those family members.

3367
02:11:17,400 --> 02:11:19,120
Speaker 3: I want to see your text messages when that photo

3368
02:11:19,200 --> 02:11:19,480
Speaker 3: came out.

3369
02:11:19,520 --> 02:11:21,760
Speaker 2: I know people that like the family group, Yo, she's

3370
02:11:21,800 --> 02:11:25,760
Speaker 2: doing her album, and it was like, yo, I don't

3371
02:11:25,760 --> 02:11:26,760
Speaker 2: know if you really can be in it.

3372
02:11:27,080 --> 02:11:29,280
Speaker 17: I definitely got some angry calls like why you ain't

3373
02:11:29,360 --> 02:11:32,680
Speaker 17: telling me you wasn't that you was in here. But

3374
02:11:32,800 --> 02:11:35,280
Speaker 17: I was just like, bro, I have a big family

3375
02:11:35,440 --> 02:11:38,720
Speaker 17: like that's just like I'm not gonna get everybody every time,

3376
02:11:39,400 --> 02:11:42,280
Speaker 17: so you know. But I mean, there's nobody in the

3377
02:11:42,320 --> 02:11:43,680
Speaker 17: picture that I would be like, I don't know, watch,

3378
02:11:43,960 --> 02:11:44,760
Speaker 17: I mean, it's my family.

3379
02:11:45,000 --> 02:11:49,120
Speaker 2: Anybody behind the lens that was a little salty, like yo,

3380
02:11:49,200 --> 02:11:50,000
Speaker 2: I could fit right there.

3381
02:11:51,320 --> 02:11:52,680
Speaker 4: Shot, I don't think so.

3382
02:11:53,200 --> 02:11:54,560
Speaker 18: I mean my grandma wasn't in it.

3383
02:11:54,760 --> 02:11:57,400
Speaker 2: Well one of my grandma's okay, oh.

3384
02:11:57,360 --> 02:11:59,640
Speaker 3: Yeah, the granny. The other granny is mad. She's salty.

3385
02:11:59,720 --> 02:12:02,520
Speaker 3: But it's a little like, oh, for sure one made

3386
02:12:02,520 --> 02:12:04,720
Speaker 3: it and the other one didn't. It's granny beef.

3387
02:12:05,240 --> 02:12:07,080
Speaker 2: That was Granny's house.

3388
02:12:07,160 --> 02:12:09,760
Speaker 3: She got Grandy beef. Now for sure. It's definitely granded.

3389
02:12:09,880 --> 02:12:11,840
Speaker 2: Here has always some and and blessed everyone that still

3390
02:12:11,840 --> 02:12:14,160
Speaker 2: has both their grandparents, there is some grandmother beef.

3391
02:12:14,200 --> 02:12:14,680
Speaker 3: I feel like.

3392
02:12:16,240 --> 02:12:16,920
Speaker 2: Grandy's beef.

3393
02:12:18,520 --> 02:12:20,760
Speaker 3: She don't even know how to. She don't even know

3394
02:12:20,800 --> 02:12:20,960
Speaker 3: how to.

3395
02:12:22,320 --> 02:12:23,240
Speaker 2: Son doesn't treat you right.

3396
02:12:23,280 --> 02:12:26,360
Speaker 3: But you know, I mean, if she's happy, I am,

3397
02:12:27,000 --> 02:12:28,960
Speaker 3: no grant, no you not you miserable.

3398
02:12:29,440 --> 02:12:31,840
Speaker 2: How's things been since the project came out? Because I

3399
02:12:32,320 --> 02:12:34,960
Speaker 2: had seen you first time we met in person. Uh,

3400
02:12:35,040 --> 02:12:36,440
Speaker 2: the project was about to come out and you played

3401
02:12:36,440 --> 02:12:37,880
Speaker 2: me a bunch of stuff. I showed up super late

3402
02:12:37,920 --> 02:12:41,360
Speaker 2: to you like I did, ye that was my and

3403
02:12:41,440 --> 02:12:43,320
Speaker 2: you went against everything I said, which I thought was

3404
02:12:43,400 --> 02:12:47,200
Speaker 2: weird because I'm your A and R. But how's everything been?

3405
02:12:47,280 --> 02:12:47,520
Speaker 3: Since?

3406
02:12:48,760 --> 02:12:49,640
Speaker 18: It's been great?

3407
02:12:51,920 --> 02:12:54,320
Speaker 2: I feel like, don't give me the political answer. How's

3408
02:12:54,360 --> 02:12:54,600
Speaker 2: it been?

3409
02:12:55,000 --> 02:12:56,040
Speaker 3: It's not political.

3410
02:12:56,160 --> 02:12:57,880
Speaker 18: I'm just thinking about what I want to say.

3411
02:12:57,960 --> 02:13:02,280
Speaker 17: But this is the first time I've put out a

3412
02:13:02,360 --> 02:13:06,440
Speaker 17: project and I've received like this much love. I mean,

3413
02:13:06,480 --> 02:13:08,760
Speaker 17: obviously it's like with time you grow as an artist

3414
02:13:08,840 --> 02:13:11,960
Speaker 17: and shit, but I don't know, it just feels different

3415
02:13:12,240 --> 02:13:12,600
Speaker 17: this time.

3416
02:13:12,680 --> 02:13:13,240
Speaker 5: For some reason.

3417
02:13:13,440 --> 02:13:18,440
Speaker 18: It's like I'm making a statement. It's like who I

3418
02:13:18,520 --> 02:13:19,920
Speaker 18: am type of thing, you know, and.

3419
02:13:20,000 --> 02:13:22,840
Speaker 2: You think that you think that derives directly from the writing,

3420
02:13:23,280 --> 02:13:25,080
Speaker 2: because I felt that way the first time I heard it.

3421
02:13:25,120 --> 02:13:26,600
Speaker 2: I was like, oh, I know this person.

3422
02:13:26,880 --> 02:13:28,160
Speaker 3: Maybe yeah, I.

3423
02:13:28,200 --> 02:13:33,440
Speaker 17: Mean, I did intentionally make it more personal than like

3424
02:13:33,560 --> 02:13:38,560
Speaker 17: my other projects, just because I'm so like, I don't

3425
02:13:38,600 --> 02:13:39,560
Speaker 17: know what's the word, but.

3426
02:13:41,520 --> 02:13:42,400
Speaker 5: Yeah, I don't know get it.

3427
02:13:42,920 --> 02:13:46,320
Speaker 3: So the project, to me, it was one of my

3428
02:13:46,440 --> 02:13:48,000
Speaker 3: favorite projects of the year so far.

3429
02:13:49,280 --> 02:13:51,480
Speaker 2: I love you heard it here first has there been

3430
02:13:51,480 --> 02:13:53,480
Speaker 2: an artist that's DMG that you looked at and was

3431
02:13:53,560 --> 02:13:57,440
Speaker 2: like not working with you a lot. But it's not

3432
02:13:57,560 --> 02:13:59,200
Speaker 2: like one that we would know, not like just someone

3433
02:13:59,240 --> 02:14:00,480
Speaker 2: that check out my cloud.

3434
02:14:00,760 --> 02:14:01,880
Speaker 4: It just be like random people.

3435
02:14:01,880 --> 02:14:03,200
Speaker 13: I'd be like, what the fuck?

3436
02:14:03,280 --> 02:14:04,800
Speaker 18: You go to their page and they paid, First of all,

3437
02:14:04,840 --> 02:14:05,760
Speaker 18: they page be private.

3438
02:14:06,440 --> 02:14:07,360
Speaker 3: That's always stupid.

3439
02:14:07,920 --> 02:14:09,640
Speaker 2: You want to work how much? Check you music?

3440
02:14:09,920 --> 02:14:13,400
Speaker 17: Like what's your feature rate? And then like there's no

3441
02:14:13,640 --> 02:14:15,920
Speaker 17: music to be found on their page, Like why would I.

3442
02:14:17,560 --> 02:14:18,680
Speaker 4: Give me a link or something?

3443
02:14:18,840 --> 02:14:20,440
Speaker 2: Yeah? Well no, then they put it in the d

3444
02:14:20,560 --> 02:14:22,960
Speaker 2: MS and you can't even click the link. Yeah I'm

3445
02:14:23,000 --> 02:14:24,480
Speaker 2: not going out my way to copy and paste this.

3446
02:14:24,600 --> 02:14:27,360
Speaker 2: And they go to my browser to let's say, your

3447
02:14:27,400 --> 02:14:28,440
Speaker 2: fucking sound cloud music?

3448
02:14:29,080 --> 02:14:32,120
Speaker 1: What are you working on? As far as like the

3449
02:14:32,240 --> 02:14:34,040
Speaker 1: twenty twenty three is it a new project coming?

3450
02:14:35,040 --> 02:14:39,440
Speaker 2: I feel like I have an album in me, like

3451
02:14:39,520 --> 02:14:40,560
Speaker 2: already recorded or just.

3452
02:14:40,680 --> 02:14:44,120
Speaker 18: Like not already recorded. But I've literally in the past,

3453
02:14:44,280 --> 02:14:46,240
Speaker 18: in the past like two weeks.

3454
02:14:46,000 --> 02:14:49,800
Speaker 17: I've recorded like twenty songs. Wow, in a matter of

3455
02:14:49,960 --> 02:14:50,919
Speaker 17: like four sessions.

3456
02:14:51,560 --> 02:14:54,200
Speaker 3: Okay, So like I'm kind of so you live in

3457
02:14:54,240 --> 02:14:55,040
Speaker 3: the studio.

3458
02:14:55,520 --> 02:14:58,000
Speaker 18: At this point. I mean I'm in a crazy like

3459
02:14:58,160 --> 02:14:59,200
Speaker 18: mental space right now.

3460
02:14:59,320 --> 02:15:02,480
Speaker 2: Okay, I feel good, I feel inspired.

3461
02:15:02,040 --> 02:15:05,040
Speaker 17: But also I'm a little heartbroken. I don't want to

3462
02:15:05,080 --> 02:15:09,959
Speaker 17: go into details, but studio, you know what I'm saying.

3463
02:15:10,280 --> 02:15:14,120
Speaker 3: Just doesn't the doesn't the greatest you can take that

3464
02:15:14,560 --> 02:15:17,120
Speaker 3: make some crazy ship? You say, what doesn't the greatest

3465
02:15:17,200 --> 02:15:18,200
Speaker 3: art come from a broken art?

3466
02:15:18,320 --> 02:15:22,280
Speaker 2: You were the first one that said that, right, I said, publishing, Uh.

3467
02:15:22,840 --> 02:15:23,960
Speaker 4: You should put that on the shirt.

3468
02:15:25,760 --> 02:15:28,360
Speaker 3: I'm not putting the shirt. You can tell me. You

3469
02:15:28,440 --> 02:15:30,000
Speaker 3: can tell me to put my lyrics on the shirt.

3470
02:15:30,040 --> 02:15:31,960
Speaker 1: You don't do that, And she looked me in my eye.

3471
02:15:31,960 --> 02:15:33,640
Speaker 1: I was like, you should put that on the shirt.

3472
02:15:34,160 --> 02:15:37,160
Speaker 1: You put that in the song break some Bread, I

3473
02:15:37,200 --> 02:15:37,720
Speaker 1: got bills?

3474
02:15:38,920 --> 02:15:40,560
Speaker 2: You see me in the trailer? Yeah, like this is

3475
02:15:40,680 --> 02:15:41,680
Speaker 2: you look at where we live?

3476
02:15:42,640 --> 02:15:44,200
Speaker 4: You know that sounds like a Drake line.

3477
02:15:46,120 --> 02:15:48,120
Speaker 3: Thanks, thank you.

3478
02:15:48,400 --> 02:15:49,240
Speaker 2: I can hear it for real.

3479
02:15:49,600 --> 02:15:51,040
Speaker 3: Yeah, yeah, you know.

3480
02:15:51,480 --> 02:15:53,680
Speaker 2: You were actually the person that gave me, speaking of heartbreak,

3481
02:15:53,760 --> 02:15:55,680
Speaker 2: the confidence to put out my first single. When I

3482
02:15:55,760 --> 02:15:58,280
Speaker 2: played it, you were like, yo, if you like that ship,

3483
02:15:58,360 --> 02:16:00,360
Speaker 2: put that ship out. Even though it was like a enterence.

3484
02:16:00,720 --> 02:16:03,520
Speaker 2: It only took four years for someone to resonate with

3485
02:16:03,600 --> 02:16:05,960
Speaker 2: me with advice. I was like, I got all these

3486
02:16:05,960 --> 02:16:07,680
Speaker 2: other records people tell me I should put out, and

3487
02:16:07,800 --> 02:16:09,920
Speaker 2: then I played the one that's not the single I

3488
02:16:09,960 --> 02:16:11,520
Speaker 2: want you to want to go to know. You're like, man,

3489
02:16:11,520 --> 02:16:13,480
Speaker 2: if you like that ship, put that ship out, fuck them.

3490
02:16:13,960 --> 02:16:15,720
Speaker 2: I was like, I never thought of it that way.

3491
02:16:16,000 --> 02:16:17,640
Speaker 3: It's so simple. It's so simple.

3492
02:16:17,680 --> 02:16:21,680
Speaker 2: When Arey says, oh ship, okay, thank you for that.

3493
02:16:22,440 --> 02:16:25,280
Speaker 2: We're not at the Billie Eilish show, so we're doing okay.

3494
02:16:25,840 --> 02:16:27,760
Speaker 2: You don't mean that. It's fine. I understand that was

3495
02:16:27,760 --> 02:16:29,520
Speaker 2: the only time you aready. It's cool. I listen to

3496
02:16:29,560 --> 02:16:30,000
Speaker 2: your project.

3497
02:16:30,080 --> 02:16:30,760
Speaker 3: Yo, you didn't doubt.

3498
02:16:30,800 --> 02:16:31,440
Speaker 2: We don't got a verse.

3499
02:16:31,680 --> 02:16:33,080
Speaker 1: We're going on your phone right now. If that record

3500
02:16:33,120 --> 02:16:34,600
Speaker 1: in in there, that's fucked up, I know it's not.

3501
02:16:34,800 --> 02:16:36,640
Speaker 1: If that record in in there operate, that's fucked up.

3502
02:16:36,640 --> 02:16:37,800
Speaker 2: I think I d m here the link too.

3503
02:16:43,160 --> 02:16:45,000
Speaker 4: Do not lie, Do not lie.

3504
02:16:45,520 --> 02:16:46,200
Speaker 3: I love to lie.

3505
02:16:48,800 --> 02:16:51,040
Speaker 2: You made it so simple for hit you for the

3506
02:16:51,080 --> 02:16:56,120
Speaker 2: remix something you have to laugh like that at me

3507
02:16:56,280 --> 02:16:58,880
Speaker 2: asking for the You feel that like the laugh you

3508
02:16:58,959 --> 02:16:59,200
Speaker 2: have to.

3509
02:17:00,879 --> 02:17:02,560
Speaker 18: Like, I really would do it.

3510
02:17:03,400 --> 02:17:04,760
Speaker 4: You think I was sitting here lie to you.

3511
02:17:04,920 --> 02:17:06,360
Speaker 18: Yes and tell you your music is good.

3512
02:17:06,360 --> 02:17:07,240
Speaker 2: I think that's why we get.

3513
02:17:07,160 --> 02:17:11,879
Speaker 1: Are you look like you would look right into somebody's eyes.

3514
02:17:11,680 --> 02:17:15,760
Speaker 2: And be like, watch your heart broke? Which take accountability?

3515
02:17:15,760 --> 02:17:19,760
Speaker 3: What do? What happened? What role did you play in.

3516
02:17:19,840 --> 02:17:22,360
Speaker 2: The accountability tone?

3517
02:17:22,760 --> 02:17:23,840
Speaker 4: Listen? Let me tell you something.

3518
02:17:24,320 --> 02:17:25,000
Speaker 2: Are you about to lie?

3519
02:17:25,040 --> 02:17:25,160
Speaker 3: Now?

3520
02:17:25,240 --> 02:17:25,640
Speaker 18: Let me tell you?

3521
02:17:25,879 --> 02:17:26,560
Speaker 2: Let me tell you something.

3522
02:17:26,800 --> 02:17:30,240
Speaker 18: I'm not gonna tell you I like your music. If

3523
02:17:30,280 --> 02:17:32,720
Speaker 18: I don't like your music, that is where I draw

3524
02:17:32,840 --> 02:17:33,640
Speaker 18: the line with lying.

3525
02:17:34,280 --> 02:17:34,720
Speaker 2: That's fair.

3526
02:17:35,000 --> 02:17:37,120
Speaker 3: Well, listen, we thank you for stopping by kicking it

3527
02:17:37,200 --> 02:17:37,440
Speaker 3: with us.

3528
02:17:37,920 --> 02:17:40,320
Speaker 1: You know that we support you, We were behind you,

3529
02:17:40,400 --> 02:17:42,760
Speaker 1: and we look forward to seeing you do major, major things.

3530
02:17:43,320 --> 02:17:45,920
Speaker 3: The show appreciate you kicking am.

3531
02:17:45,760 --> 02:17:50,360
Speaker 1: Break all right, we're back man with another guest, Young Nudy.

3532
02:17:51,360 --> 02:17:53,879
Speaker 1: How you feeling, bro smell good?

3533
02:17:53,920 --> 02:17:59,080
Speaker 3: I smell it, I smell it loud, smell good. How

3534
02:17:59,160 --> 02:17:59,600
Speaker 3: you feeling?

3535
02:18:00,000 --> 02:18:00,680
Speaker 5: I'm feeling good?

3536
02:18:00,760 --> 02:18:02,320
Speaker 3: Your first made in America? That's your first one?

3537
02:18:02,720 --> 02:18:03,120
Speaker 5: The first one?

3538
02:18:03,240 --> 02:18:04,720
Speaker 3: You enjoying it? One? Yeah?

3539
02:18:05,560 --> 02:18:08,640
Speaker 2: Fresh off a monster and off of the calla joint?

3540
02:18:09,120 --> 02:18:09,760
Speaker 5: Oh yeah?

3541
02:18:09,959 --> 02:18:11,879
Speaker 2: Did newd he did? Did he do one of those

3542
02:18:11,879 --> 02:18:14,840
Speaker 2: fucking I G stores? What Cali.

3543
02:18:16,520 --> 02:18:16,840
Speaker 3: Caller?

3544
02:18:17,080 --> 02:18:20,800
Speaker 2: You're not on callous abu? No hell first that says

3545
02:18:20,840 --> 02:18:23,800
Speaker 2: that though it's on the I know I'm not Trippa,

3546
02:18:23,800 --> 02:18:24,960
Speaker 2: it's not on that track list.

3547
02:18:25,440 --> 02:18:28,680
Speaker 3: I'm not sure. No, I don't think so, bro.

3548
02:18:31,120 --> 02:18:34,160
Speaker 2: I could be this could be the clip pull that

3549
02:18:34,160 --> 02:18:35,520
Speaker 2: ship up. It wasn't on the first one. When he

3550
02:18:35,600 --> 02:18:35,920
Speaker 2: changed it.

3551
02:18:37,120 --> 02:18:38,879
Speaker 5: Will make i'mna make one of the motherfuckers.

3552
02:18:39,160 --> 02:18:41,560
Speaker 1: It was the same thing it did the Yeah, yeah,

3553
02:18:41,600 --> 02:18:43,440
Speaker 1: we don't put it in a universe. How are you

3554
02:18:43,440 --> 02:18:45,560
Speaker 1: feeling on your first made in America? Who are you

3555
02:18:45,640 --> 02:18:46,959
Speaker 1: excited to see performing this year?

3556
02:18:49,200 --> 02:18:52,000
Speaker 5: Myself could be my first time? Great answer, So I'm

3557
02:18:52,080 --> 02:18:53,640
Speaker 5: performing and I'm gonna watch this ship.

3558
02:18:54,560 --> 02:18:56,760
Speaker 2: So we had first time performing off the Monster.

3559
02:18:57,840 --> 02:18:59,960
Speaker 5: No, no, no, this ain't gonna be my first time performance.

3560
02:19:01,400 --> 02:19:02,320
Speaker 5: See how they react to it.

3561
02:19:02,560 --> 02:19:03,840
Speaker 3: Yeah, we had Jim.

3562
02:19:03,879 --> 02:19:08,520
Speaker 1: We sat down with j I D yesterday obviously Georgia. Yeah,

3563
02:19:08,800 --> 02:19:09,879
Speaker 1: you're a fan of You're fan.

3564
02:19:09,760 --> 02:19:13,400
Speaker 3: Of Jitty j j oh Yeah, from the same side,

3565
02:19:14,080 --> 02:19:14,520
Speaker 3: east side.

3566
02:19:14,560 --> 02:19:17,520
Speaker 1: Okay, okay, yeah, he went he went crazy yesterday, he

3567
02:19:17,600 --> 02:19:19,680
Speaker 1: went crazy, yes d, Yeah, he went.

3568
02:19:21,400 --> 02:19:23,840
Speaker 3: Crazy. Superstar Ship, superstar Ship.

3569
02:19:25,080 --> 02:19:26,920
Speaker 5: I ain't standing out down, No poles and ship.

3570
02:19:28,480 --> 02:19:30,280
Speaker 3: You don't got that. You you two late, you cool

3571
02:19:30,400 --> 02:19:32,160
Speaker 3: laid back. You ain't jumping in that pig.

3572
02:19:32,400 --> 02:19:33,400
Speaker 7: I walked through the crowd.

3573
02:19:33,680 --> 02:19:36,440
Speaker 5: Yeah nah, yeah, no, I'm too big.

3574
02:19:36,959 --> 02:19:40,720
Speaker 2: And Jen had talked about just that whole era of

3575
02:19:40,840 --> 02:19:44,280
Speaker 2: East Atlanta coming up with Earth Gang and just down

3576
02:19:45,080 --> 02:19:48,560
Speaker 2: like twenty twelve to twenty eighteen type ship, and he

3577
02:19:48,800 --> 02:19:50,560
Speaker 2: had brought you up as well. What was it like

3578
02:19:51,000 --> 02:19:53,640
Speaker 2: being that like second generation? I almost feel like Gucci,

3579
02:19:53,760 --> 02:19:56,720
Speaker 2: A and R that whole ship put that together. What

3580
02:19:56,800 --> 02:19:59,080
Speaker 2: was that era like when y'all was coming up?

3581
02:20:00,120 --> 02:20:01,840
Speaker 5: What watching all the other ship haven't Yeah?

3582
02:20:01,959 --> 02:20:04,120
Speaker 2: Just music wise, the scene in Atlanta at that tone.

3583
02:20:07,680 --> 02:20:08,080
Speaker 3: I don't know.

3584
02:20:08,200 --> 02:20:08,840
Speaker 5: I can't really.

3585
02:20:09,120 --> 02:20:12,720
Speaker 19: I mean, you know, I probably went down a different

3586
02:20:12,760 --> 02:20:15,240
Speaker 19: paltern with j went. You feels I've probably seen a

3587
02:20:15,240 --> 02:20:19,080
Speaker 19: little more other type ship seen. Yeah, you know, it's

3588
02:20:19,200 --> 02:20:22,960
Speaker 19: just you know, typical ship type ship. But the music

3589
02:20:23,040 --> 02:20:25,720
Speaker 19: with you know, may set the tone for the ship.

3590
02:20:26,959 --> 02:20:29,480
Speaker 2: How how did you and twenty one connect all that family?

3591
02:20:30,240 --> 02:20:31,920
Speaker 2: That's Atlanta music ship?

3592
02:20:32,840 --> 02:20:35,280
Speaker 3: So with the E A Monster project, I know that

3593
02:20:35,400 --> 02:20:37,720
Speaker 3: you don't have pretty much no features.

3594
02:20:38,440 --> 02:20:41,400
Speaker 5: Baby drill. Yeah yeah, free baby drill by the way too.

3595
02:20:41,440 --> 02:20:44,240
Speaker 3: Baby Drill. So is that something that you prefer to

3596
02:20:44,320 --> 02:20:46,520
Speaker 3: do is like your project, you like to lock in

3597
02:20:47,040 --> 02:20:52,680
Speaker 3: alone with producers and just your team and there, like, I.

3598
02:20:52,680 --> 02:20:55,199
Speaker 5: Ain't that feature should be like a headache.

3599
02:20:55,240 --> 02:20:58,040
Speaker 3: It comes too much getting versus clear and all that ship.

3600
02:20:58,160 --> 02:21:00,800
Speaker 19: Yeah yeah again versus club got wait for a nigga

3601
02:21:00,800 --> 02:21:03,160
Speaker 19: to respond and all that ship and yeah, so I'd

3602
02:21:03,360 --> 02:21:05,640
Speaker 19: be like, you know, fuck that ship, and then then

3603
02:21:05,640 --> 02:21:07,640
Speaker 19: they were more like a mistake for me.

3604
02:21:07,840 --> 02:21:09,880
Speaker 5: Okay, whatever funk I wanted to do, you know what

3605
02:21:09,879 --> 02:21:10,240
Speaker 5: I'm saying.

3606
02:21:10,320 --> 02:21:13,199
Speaker 1: So, speaking of speaking away for people to respond, who's

3607
02:21:13,240 --> 02:21:15,760
Speaker 1: saw some rappers, some artists that you've ever reached out

3608
02:21:15,840 --> 02:21:18,960
Speaker 1: via DM social media and said, yo, listen, you know

3609
02:21:19,160 --> 02:21:22,280
Speaker 1: I got this joint, but they never responded.

3610
02:21:24,080 --> 02:21:25,160
Speaker 3: Or maybe they never seen it.

3611
02:21:26,120 --> 02:21:28,440
Speaker 5: I don't know they saying it responded or that. Because

3612
02:21:28,480 --> 02:21:33,000
Speaker 5: I don't sh ship, I have to go through my

3613
02:21:33,080 --> 02:21:35,240
Speaker 5: ship and see who all along got damn. I think

3614
02:21:35,520 --> 02:21:37,840
Speaker 5: as I know, for Sean, I'm probably about three artists,

3615
02:21:37,959 --> 02:21:39,000
Speaker 5: okay for real.

3616
02:21:39,520 --> 02:21:41,760
Speaker 3: So Nudy, who's some of the artists coming up in

3617
02:21:41,760 --> 02:21:43,840
Speaker 3: Atlanta right now that you got your eye on that

3618
02:21:43,959 --> 02:21:44,280
Speaker 3: you like?

3619
02:21:44,720 --> 02:21:53,840
Speaker 9: I like this kid right here, mum, ship ship baby drill,

3620
02:21:54,200 --> 02:21:56,320
Speaker 9: baby drip, Yeah yeah, yeah.

3621
02:21:56,560 --> 02:21:59,840
Speaker 5: Yeah. By the way, free shouting again kind of ship.

3622
02:22:00,080 --> 02:22:04,360
Speaker 2: Yeah, since versus been kind of honest. I don't want

3623
02:22:04,360 --> 02:22:05,440
Speaker 2: to say it was on his way out, but it

3624
02:22:05,520 --> 02:22:07,760
Speaker 2: held us down during quarantine. What you thought of the

3625
02:22:07,840 --> 02:22:11,520
Speaker 2: Gez and Gucci versus seeing them on stages as in

3626
02:22:11,560 --> 02:22:13,199
Speaker 2: Atlanta were hard?

3627
02:22:13,640 --> 02:22:16,240
Speaker 3: Yeah, I feel like a lot of people in Atlanta.

3628
02:22:16,520 --> 02:22:18,600
Speaker 19: You can't how we wanted him the car. I mean,

3629
02:22:18,720 --> 02:22:21,880
Speaker 19: I can't speak for us, but you know that you

3630
02:22:22,000 --> 02:22:25,480
Speaker 19: know we're like, you know, not encouraging the bullshit, but

3631
02:22:25,680 --> 02:22:27,720
Speaker 19: you know we enjoyed that ship. What I'm saying, we

3632
02:22:27,800 --> 02:22:29,840
Speaker 19: get to see the old Gucci for a little minute

3633
02:22:29,920 --> 02:22:30,400
Speaker 19: type ship.

3634
02:22:31,160 --> 02:22:33,160
Speaker 1: How did you feel about Alma Redder's record where she

3635
02:22:33,280 --> 02:22:36,160
Speaker 1: was breaking down Atlanta and people that if you're from

3636
02:22:36,200 --> 02:22:38,640
Speaker 1: this part, you're not from Atlanta, like she was saying,

3637
02:22:38,680 --> 02:22:39,680
Speaker 1: you're not from Atlanta, if.

3638
02:22:39,560 --> 02:22:42,039
Speaker 3: You're from here, from here, from here. I know everybody

3639
02:22:42,120 --> 02:22:44,680
Speaker 3: in Atlanta has something to say about that, like did

3640
02:22:44,760 --> 02:22:45,680
Speaker 3: y'all support it? Like? Yo?

3641
02:22:45,800 --> 02:22:46,200
Speaker 7: She right?

3642
02:22:46,720 --> 02:22:47,360
Speaker 2: And did you care?

3643
02:22:49,320 --> 02:22:49,880
Speaker 5: I ain't come.

3644
02:22:50,800 --> 02:22:55,560
Speaker 19: I'mas Atlanta, Okay, I mean, but I don't. You know,

3645
02:22:55,680 --> 02:22:59,120
Speaker 19: I really can't speak on ship like I be in

3646
02:22:59,160 --> 02:22:59,640
Speaker 19: the streets.

3647
02:23:02,720 --> 02:23:08,080
Speaker 3: I can't like I can't sweak on that ship.

3648
02:23:08,240 --> 02:23:11,000
Speaker 2: Yeah, I mean at the hospital, public school.

3649
02:23:12,160 --> 02:23:14,120
Speaker 3: I don't know what she talked about piece the hood up.

3650
02:23:14,560 --> 02:23:14,680
Speaker 9: Uh.

3651
02:23:15,160 --> 02:23:17,520
Speaker 2: But speaking of Gucci, we we've talked about a lot

3652
02:23:17,600 --> 02:23:20,040
Speaker 2: on this podcast that we think Gucci is probably the

3653
02:23:20,120 --> 02:23:24,120
Speaker 2: most underrated an R and hip hop history as far

3654
02:23:24,200 --> 02:23:27,200
Speaker 2: as Gucci putting this, how I feel outside looking in

3655
02:23:27,360 --> 02:23:29,680
Speaker 2: this whole generation of new Atlanta artists on like what

3656
02:23:29,720 --> 02:23:32,680
Speaker 2: does Gucci really mean to Atlanta outside of his actual music?

3657
02:23:32,680 --> 02:23:34,680
Speaker 2: I'm saying behind the scenes ship and like what he

3658
02:23:34,800 --> 02:23:37,200
Speaker 2: really does for this new generation?

3659
02:23:37,959 --> 02:23:43,480
Speaker 5: Yeah, just let me ship schnitch. He ain't went out

3660
02:23:43,560 --> 02:23:46,040
Speaker 5: band on camera, none of that type of ship and ship.

3661
02:23:46,280 --> 02:23:49,600
Speaker 5: So you know, I fucked with it. You feel what

3662
02:23:49,600 --> 02:23:53,560
Speaker 5: I'm saying? Ship type ship? I fuck with it? Yeah

3663
02:23:53,959 --> 02:23:54,360
Speaker 5: for sure?

3664
02:23:54,800 --> 02:23:57,760
Speaker 3: Did you listen to the new giz and DJ drama

3665
02:23:57,840 --> 02:23:58,640
Speaker 3: gangster grill.

3666
02:24:01,879 --> 02:24:03,440
Speaker 5: Here and I ain't listen to I ain't gonna lie

3667
02:24:03,480 --> 02:24:06,440
Speaker 5: to you, no sign. I don't funk with you.

3668
02:24:11,400 --> 02:24:11,880
Speaker 3: With your ship.

3669
02:24:14,440 --> 02:24:16,680
Speaker 5: I don't tap into none of like the new ship

3670
02:24:16,840 --> 02:24:19,480
Speaker 5: that the artists. I really just still listen to that.

3671
02:24:20,080 --> 02:24:20,280
Speaker 3: Okay?

3672
02:24:20,560 --> 02:24:20,960
Speaker 4: You like me?

3673
02:24:21,320 --> 02:24:23,760
Speaker 1: I like if it's classic old ship, I keep running

3674
02:24:23,760 --> 02:24:26,160
Speaker 1: that back because you don't want to be disappointed. Like

3675
02:24:26,840 --> 02:24:29,199
Speaker 1: Mike and the Wizards Jersey. It's like, oh it looks

3676
02:24:29,200 --> 02:24:31,640
Speaker 1: It's like, damn, Mike, you can't look like that. We

3677
02:24:31,800 --> 02:24:33,480
Speaker 1: love you in the Bulls Jersey, you know.

3678
02:24:33,480 --> 02:24:34,920
Speaker 3: What I mean? Like not the Wizards.

3679
02:24:36,680 --> 02:24:40,120
Speaker 2: What's up with tour coming up and obviously getting boked

3680
02:24:40,120 --> 02:24:43,720
Speaker 2: for festivals headlining ship last act? What's the city you

3681
02:24:43,760 --> 02:24:45,720
Speaker 2: can't wait to go to next year or whenever?

3682
02:24:45,800 --> 02:24:50,160
Speaker 5: The tour isn't count Keep it a brick jack. That

3683
02:24:50,240 --> 02:24:52,600
Speaker 5: ship was just super cronk that time I went I'm

3684
02:24:52,640 --> 02:24:56,520
Speaker 5: ready to go to d C again, d C that

3685
02:24:56,640 --> 02:24:58,640
Speaker 5: wanted to see it. I wouldn't even for them to

3686
02:24:58,800 --> 02:24:59,879
Speaker 5: fuck with me like that, like.

3687
02:25:00,120 --> 02:25:04,000
Speaker 2: Ship, mostly because we're from New York. Anytime I went

3688
02:25:04,000 --> 02:25:06,840
Speaker 2: to d C is when I found out about Atlanta music.

3689
02:25:07,000 --> 02:25:09,120
Speaker 2: Like they be on Atlanta ship way more than I

3690
02:25:09,200 --> 02:25:11,160
Speaker 2: think any other city on the East Coast. D C

3691
02:25:11,320 --> 02:25:12,840
Speaker 2: is like an Atlanta cousin of me for some reason.

3692
02:25:13,200 --> 02:25:15,920
Speaker 2: Anytime ship, even we talked about Gooci. I figured out

3693
02:25:15,920 --> 02:25:17,680
Speaker 2: about Gooshy mixtapes because I went down to d C.

3694
02:25:18,280 --> 02:25:20,440
Speaker 2: D C is on Atlanta ship all the funk away

3695
02:25:20,440 --> 02:25:22,600
Speaker 2: from Who's.

3696
02:25:22,400 --> 02:25:25,520
Speaker 1: One of the artists that you're looking forward to, like

3697
02:25:25,640 --> 02:25:27,800
Speaker 1: really getting in the studio and just learning from and

3698
02:25:28,000 --> 02:25:31,120
Speaker 1: like working with like one on one.

3699
02:25:35,440 --> 02:25:37,440
Speaker 5: Ship like that really on come to my mind for real?

3700
02:25:37,800 --> 02:25:38,680
Speaker 5: I hang on a lot to you.

3701
02:25:38,920 --> 02:25:39,160
Speaker 9: Ship.

3702
02:25:39,440 --> 02:25:42,160
Speaker 5: It's just ship happened. Ship happened. But I don't I

3703
02:25:42,240 --> 02:25:45,320
Speaker 5: don't really be looking to be like, oh, I'm ready

3704
02:25:45,360 --> 02:25:46,320
Speaker 5: to work with this artist.

3705
02:25:46,400 --> 02:25:47,560
Speaker 3: Is is gonna be part of.

3706
02:25:47,600 --> 02:25:50,160
Speaker 5: My dream like ship, part of my dream with me

3707
02:25:50,240 --> 02:25:51,840
Speaker 5: being no guy Dawn Raffle. But it happened.

3708
02:25:51,959 --> 02:25:52,280
Speaker 2: You know what.

3709
02:25:56,000 --> 02:26:00,320
Speaker 3: Part of my three wasn't even being all of this

3710
02:26:00,360 --> 02:26:02,440
Speaker 3: ship is Like, I didn't even think about this.

3711
02:26:03,120 --> 02:26:03,960
Speaker 5: I'll go with the flow.

3712
02:26:04,120 --> 02:26:05,960
Speaker 3: I feel you, man, I feel you. So what's what's

3713
02:26:05,959 --> 02:26:08,680
Speaker 3: what's what's next for Young Nudy? What you got coming up?

3714
02:26:09,400 --> 02:26:12,080
Speaker 19: I wanna drop I wanna drop a right before my tour,

3715
02:26:12,320 --> 02:26:14,720
Speaker 19: so you know, we we can listen to a monster

3716
02:26:14,760 --> 02:26:17,440
Speaker 19: they gonna be and then you know the al I'm

3717
02:26:17,440 --> 02:26:19,560
Speaker 19: gonna come out and beat some new ship for him

3718
02:26:19,560 --> 02:26:22,120
Speaker 19: to eat up. Then I got a whole catalog, just

3719
02:26:22,160 --> 02:26:25,080
Speaker 19: a whole bunch of music to perform, you feel, Yeah,

3720
02:26:25,280 --> 02:26:26,920
Speaker 19: you know type ship we.

3721
02:26:26,920 --> 02:26:29,560
Speaker 3: Got to catch Young Nudy on tour for sure, because

3722
02:26:29,840 --> 02:26:31,760
Speaker 3: I want to see I want to see Chadi.

3723
02:26:31,840 --> 02:26:34,360
Speaker 5: Which branch.

3724
02:26:35,640 --> 02:26:37,360
Speaker 2: We don't get the first that night? Yeah, yeah, yeah,

3725
02:26:37,400 --> 02:26:37,959
Speaker 2: I'm gonna be calling.

3726
02:26:38,160 --> 02:26:40,080
Speaker 3: I gotta lay lay the first down that night.

3727
02:26:40,240 --> 02:26:43,720
Speaker 2: It's giving me bad notes and ships out terribly.

3728
02:26:45,120 --> 02:26:45,240
Speaker 10: Well.

3729
02:26:45,320 --> 02:26:45,880
Speaker 3: Listen, Nudie.

3730
02:26:45,879 --> 02:26:48,160
Speaker 1: We appreciate you stopping by wining. Gonna keep you too long, man,

3731
02:26:48,160 --> 02:26:49,880
Speaker 1: because I listen, I smell it, I see it. I

3732
02:26:49,959 --> 02:26:51,440
Speaker 1: know you're ready to spark up. I'm ready to do

3733
02:26:51,520 --> 02:26:53,600
Speaker 1: the same. I'm ready to do the same thing. We

3734
02:26:53,720 --> 02:26:55,920
Speaker 1: appreciate you stopping by kicking with this mass of regime.

3735
02:26:56,080 --> 02:26:57,800
Speaker 2: Yes, thank you. I know I know how to travel

3736
02:26:57,840 --> 02:27:00,960
Speaker 2: across across the grounds and ship. Appreciate that. BJ, thank you.

3737
02:27:01,040 --> 02:27:05,040
Speaker 5: I appreciate y'all. Man, appreciate y'all. Appreciate you. Jay z

3738
02:27:05,200 --> 02:27:07,920
Speaker 5: in fin take the do you say black motherfucker whitman.

3739
02:27:07,640 --> 02:27:10,640
Speaker 2: That's yours. Take it, Willia