WEBVTT - Yolk with Doak 40: High Pointe, Lido, and Playing His Own Designs

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball in a.

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<v Speaker 2>Bright egg, Friday Egg, the dreaded Frida Egg, Friday fridagg

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<v Speaker 2>Bride Egg, Lie, I'm about ready to run off of

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<v Speaker 2>the hump course. Welcome back to another edition of the

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<v Speaker 2>Friday Egg Golf Podcast. I am Andy Johnson and this

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<v Speaker 2>is another edition of the Yolk with Doak. So Tom

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<v Speaker 2>was gracious enough to catch up with me. We have

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<v Speaker 2>we haven't talked in a while on the podcast. I

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<v Speaker 2>think we've both been very busy, Tom more so than me.

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<v Speaker 2>He has a ton of new projects to chat about,

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<v Speaker 2>and we into it just as a little programming note.

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<v Speaker 2>We talked for about two hours. So this will be

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<v Speaker 2>part one of the conversation and we will be releasing

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<v Speaker 2>part two this week. With it being Thanksgiving week, I

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<v Speaker 2>figure everybody's got a lot of travel on their hands.

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<v Speaker 2>This will get you through that and it should be

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<v Speaker 2>should be pretty fun conversation. A quick reminder, we have

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<v Speaker 2>our Black Friday sale going. It starts on Tuesday of

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<v Speaker 2>Thanksgiving week and runs till the Tuesday after Thanksgiving week.

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<v Speaker 2>If you use the code black Friday, you'll get twenty

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<v Speaker 2>percent off everything in the pro Shop outside of events,

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<v Speaker 2>so that that promo code is Black Friday. Meg has

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<v Speaker 2>done a tremendous job getting the pro Shop really stocked

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<v Speaker 2>with a wide range of different styles, different things. It

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<v Speaker 2>obviously is a big part of what we do here

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<v Speaker 2>is you know, in helping us continue to put out

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<v Speaker 2>all the content that we want to do. So thank

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<v Speaker 2>you to everybody that has supported us through the years.

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<v Speaker 2>And if you're in the market for some gifts for

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<v Speaker 2>a loved one or a gift for yourself, check out

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<v Speaker 2>our Black Friday sale at Proshop dot Dofriday dot com.

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<v Speaker 2>Without further ado, let's get to Tom Dook and Part

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<v Speaker 2>two of this conversation will be posted later this week.

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<v Speaker 2>All right, Tom, we're back. It's been been a number

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<v Speaker 2>of months. I feel like we've both been very busy,

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<v Speaker 2>but you're definitely been more busy than me. I got

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<v Speaker 2>to ask you, have you had any travel problems this year?

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<v Speaker 1>Not too bad really. I've gotten stranded in the airport

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<v Speaker 1>once or twice, but you know, that's about par for

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<v Speaker 1>the course for me. Got a thirty twenty thirty trips

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<v Speaker 1>and no, I mean it's been you know, it's been

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<v Speaker 1>a little easier because mostly I'm traveling in America. You know,

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<v Speaker 1>I don't have any thirty hour flights to deal with.

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<v Speaker 1>That's that's a welcome changement.

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<v Speaker 2>Pace. Yeah, I always I don't. I never complain about travel, like,

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<v Speaker 2>you know, if I get a bad you know, something

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<v Speaker 2>bad happens, because I really believe in like the travel gods.

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<v Speaker 2>And this year I had like the worst thing I

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<v Speaker 2>had happened was like I had a few flights where

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<v Speaker 2>my my my computer didn't plug in. And I was like, Okay,

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<v Speaker 2>these aren't big problems. I'm not I'm not upset about this,

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<v Speaker 2>and I'm going to you know, and it was a

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<v Speaker 2>great year of travel for me. So it was like,

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<v Speaker 2>you know, there's tons of people had trouble and I

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<v Speaker 2>did not. Let's start. We got a ton of listener questions,

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<v Speaker 2>which is obviously the basis of this pod going back

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<v Speaker 2>six years or so. I want to get to them,

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<v Speaker 2>and we'll weave in kind of all your new projects

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<v Speaker 2>through a lot of these questions. But this is a

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<v Speaker 2>fun one that we got from get get a Hold one.

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<v Speaker 2>When was the last time that you played one of

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<v Speaker 2>your golf courses with random people that didn't realize you

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<v Speaker 2>designed the course. Has that happened?

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<v Speaker 1>Oh yeah, so yeah a bunch of times, because I

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<v Speaker 1>don't you know, if if I do meet up with

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<v Speaker 1>some random person, I'm not the kind of person who's

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<v Speaker 1>going to be like looking for recognition, and I know

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<v Speaker 1>that I'm much more likely to get some real, like

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<v Speaker 1>honest feedback if I don't tell them right away who

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<v Speaker 1>I am. So I played with an Asian couple at

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<v Speaker 1>Barnboogle one of the times I was there, which was

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<v Speaker 1>great fun. They'd never been on a links course before

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<v Speaker 1>in their lives, and like after two or three holes,

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<v Speaker 1>I had him using the backboards, but I still didn't

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<v Speaker 1>I didn't tell them until like we made the turn. Yeah. Yeah,

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<v Speaker 1>that's why I know a lot about the golf course. Well.

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<v Speaker 1>The funniest one the last time I was at common

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<v Speaker 1>Ground was it was kind of right right after the pandemic.

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<v Speaker 1>I was out looking at something out that way, and

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<v Speaker 1>I just stopped in a common Ground late in the afternoon,

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<v Speaker 1>like just in time to maybe get in eighteen holes

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<v Speaker 1>before dark. And you know, I, you know, went in

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<v Speaker 1>the pro shop and said hi, and just just went

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<v Speaker 1>off by myself. But there was there was like a

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<v Speaker 1>three ball in front of me. So after a couple

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<v Speaker 1>you know, I hit a good shot on the second hall,

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<v Speaker 1>right up close while they were still standing on the

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<v Speaker 1>third tee. So they waved me up, and we're going

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<v Speaker 1>down the third fairway and I saw that one of

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<v Speaker 1>the guys had a bag with a bally Neal tag

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<v Speaker 1>on it or something like that, and I mentioned that

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<v Speaker 1>and he said, oh yeah, I'm a big Tom Doak fan,

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<v Speaker 1>but he did not recognize me. So I let that

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<v Speaker 1>go for at least two or three holes before I

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<v Speaker 1>told him who I was.

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<v Speaker 2>That's amazing. You mentioned like real feedback. Do you have

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<v Speaker 2>anything that you remember where somebody said something that's stuck

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<v Speaker 2>with you that didn't know who you were.

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<v Speaker 1>No, not like any great architectural insights, just more their

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<v Speaker 1>takeaway from the golf course. You know, is it you know,

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<v Speaker 1>what's the first word out of their mouths? Is it fun?

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<v Speaker 1>Is it difficult? Is it interesting? You know, just that

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<v Speaker 1>kind of feedback is nice to get, and you don't

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<v Speaker 1>really get that very much normally, you know, every you know,

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<v Speaker 1>I talked to a bunch of writers who want to

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<v Speaker 1>analyze things more in depth than that, and that's not

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<v Speaker 1>really how the average golfer is going to experience it.

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<v Speaker 2>Yeah, that's I would agree with that, you know, all right,

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<v Speaker 2>Joel Anderson writes, since writing Anatomy of a Golf Course

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<v Speaker 2>in nineteen ninety two, what changes would you make to

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<v Speaker 2>the book book after thirty years of experience? Would you

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<v Speaker 2>prioritize certain topics more now than you did then?

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<v Speaker 1>No? I mean, just like my own golf courses, I

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<v Speaker 1>don't really want to go back and rewrite books and

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<v Speaker 1>edit them. And you know, I don't think my philosophy

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<v Speaker 1>has changed very much. You know, I'm a better architect

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<v Speaker 1>because I've got more practice building things. That's the part

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<v Speaker 1>where we keep getting better. But the ideas are still

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<v Speaker 1>the ideas. They've kind of always been the ideas, and

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<v Speaker 1>maybe there's pieces of it I could do better at

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<v Speaker 1>editing and condensing a little bit. That is a pretty

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<v Speaker 1>dense book for a beginner. I'm really surprised how many

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<v Speaker 1>times people compliment me on it, because it does get

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<v Speaker 1>pretty technical at times in the middle of it. But overall,

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<v Speaker 1>I'm really happy with the book. It's still sell you know,

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<v Speaker 1>it sells better now than it used to. I guess

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<v Speaker 1>that's because people know me more. But I'm really happy

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<v Speaker 1>with that book. I don't feel the need to rewrite

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<v Speaker 1>it at all.

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<v Speaker 2>All Right, all right, all right, with a high point.

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<v Speaker 2>We'll go back thirty years, thirty plus years, and your

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<v Speaker 2>back rebuilding high point. It's got eight holes from the

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<v Speaker 2>original design, and you guys have finished shaping all of them,

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<v Speaker 2>if I'm correct.

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<v Speaker 1>Right, we finished shaping everything, and we actually seeded all

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<v Speaker 1>the holes this fall, although quite a few of the

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<v Speaker 1>newer holes were seated so late that, you know, we

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<v Speaker 1>were hoping for a really long, nice fall like we

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<v Speaker 1>had last year to get some growth on those. But

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<v Speaker 1>I suspect several of those holes will have to be

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<v Speaker 1>reseeded next spring. You know, you always take the chance

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<v Speaker 1>and go ahead and try to seat everything and just

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<v Speaker 1>see if it'll catch. Because, as Pete I said to me,

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<v Speaker 1>the first time we were working on a high point,

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<v Speaker 1>we were getting near the end of the year and

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<v Speaker 1>we didn't have irrigation in all the holes. I actually

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<v Speaker 1>called him for advice and said, you know, we're not

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<v Speaker 1>going to have time to get all the irrigation, and

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<v Speaker 1>should I try to see these holes or not. And

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<v Speaker 1>Peetie and his infinite wisdom said, seed doesn't grow in

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<v Speaker 1>the barn. What do you think we used to do

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<v Speaker 1>before we had a lot of your big irrigation systems.

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<v Speaker 1>Just put it out there and see if it'll to grow.

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<v Speaker 2>That's good, that's a good one liner. What surprised you

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<v Speaker 2>most about High Point? Part two? So like, what has

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<v Speaker 2>surprised you about the whole project the most? And that's

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<v Speaker 2>from Sea Pressed.

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<v Speaker 1>I don't know if I'm surprised by high Point. I

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<v Speaker 1>mean I did feel a lot more pressure to get

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<v Speaker 1>out there and do some of the shaping myself, and

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<v Speaker 1>it certainly interrupted my rhythm at home. You know, normally,

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<v Speaker 1>when Brian Slannik and I are working on project, we're

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<v Speaker 1>away working on the project and then we're home and

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<v Speaker 1>we're home and we have time for our families. And

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<v Speaker 1>this summer wasn't like that at all. You know, we

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<v Speaker 1>were are we going to be home for dinner? We're

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<v Speaker 1>not sure. You know, we might work late. That doesn't

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<v Speaker 1>go over well. So it was that was a tough

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<v Speaker 1>summer just for you know, getting out of our comfort

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<v Speaker 1>zones while we're home, which we don't really it's taken

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<v Speaker 1>a long time to get in a comfort zone as

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<v Speaker 1>much as we travel. But you know, overall, I'm really

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<v Speaker 1>happy with the golf course. At the same time, you know,

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<v Speaker 1>I'm kind of curious to play these new nine holes

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<v Speaker 1>and see if I like them as much. You know,

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<v Speaker 1>I'm happy with all the holes, but would we have

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<v Speaker 1>had more cool features if I'd had all of my

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<v Speaker 1>crew working on that, contributing their little idea like they

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<v Speaker 1>do on all of my other projects, instead of having

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<v Speaker 1>to all come from me. And personally, I think it

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<v Speaker 1>would probably be better if I'd had all that help.

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<v Speaker 1>You know, people always assume all the ideas are mine,

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<v Speaker 1>and that's not really the way we work, and and

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<v Speaker 1>I hope this course doesn't show that in a bad light.

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<v Speaker 2>It's uh yeah, I mean, I would hate for anybody

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<v Speaker 2>to read my writing without Garrett from our team or

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<v Speaker 2>Brendan from our team editing it. It would be it

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<v Speaker 2>would be revealing. I guess people from wayback might remember that.

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<v Speaker 2>You know, it's like the same type of thing with writing,

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<v Speaker 2>right It's like if you don't have your editor or

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<v Speaker 2>you know, team of editors. I like that's and it

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<v Speaker 2>makes sense. I think it makes sense completely, because if

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<v Speaker 2>you think about the Great Golden Age courses, so many

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<v Speaker 2>of them were built through collaboration, and architects weren't as

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<v Speaker 2>competitive then. And in a way, your associates act as

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<v Speaker 2>as the you know, you know obviously the historic story

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<v Speaker 2>of like the Philly School acted where they all shared

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<v Speaker 2>ideas they would come visit their site. In a way,

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<v Speaker 2>your your associates are kind of like that, right.

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<v Speaker 1>Yeah, they're They're a huge part of what I do

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<v Speaker 1>and they always have been, and you know, and we

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<v Speaker 1>like having all these young guys around to getting their

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<v Speaker 1>first taste of it because they they they bring such

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<v Speaker 1>enthusiasm to the project. It's like it's never just another

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<v Speaker 1>project to them. And you know, they may not give

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<v Speaker 1>me a great idea of how to shape the ninth Green,

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<v Speaker 1>they shouldn't really expect to do that at this point

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<v Speaker 1>in their lives, but just being out there every day

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<v Speaker 1>and being another set of eyes on the thing to say,

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<v Speaker 1>you know that the right that back right corner doesn't

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<v Speaker 1>really look cry. You know, most of my jobs, I've

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<v Speaker 1>got half a dozen people with real talent out there

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<v Speaker 1>looking at everything we're doing every day. And that's why

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<v Speaker 1>they turn out.

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<v Speaker 2>That well, speaking of that, I noticed this at the

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<v Speaker 2>at your Renaissance Cup about a month ago, where you had,

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<v Speaker 2>you know, you had everybody that was really involved with

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<v Speaker 2>the with Alito project there. I couldn't help but notice

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<v Speaker 2>the youth wave on your staff. What's it been like

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<v Speaker 2>having so many new young people involved and have you

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<v Speaker 2>noticed anything different about the way they think about golf

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<v Speaker 2>architecture or talk about it.

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<v Speaker 1>Unfortunately I don't get to spend as much time with

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<v Speaker 1>them as i'd like, you know, I try to make

0:13:48.120 --> 0:13:50.920
<v Speaker 1>room for at least to have every one of them

0:13:51.000 --> 0:13:53.439
<v Speaker 1>like shadow me for a day at some point when

0:13:53.440 --> 0:13:59.079
<v Speaker 1>I'm there during the process. But there has been a

0:13:59.120 --> 0:14:01.560
<v Speaker 1>youth movement. We've kind have done it in waves over

0:14:01.600 --> 0:14:04.160
<v Speaker 1>the years. You know, I've always had this internship program,

0:14:04.160 --> 0:14:06.760
<v Speaker 1>but you can't really have too many interns unless you've

0:14:06.760 --> 0:14:09.560
<v Speaker 1>got a design project coming up in the summer, a

0:14:09.640 --> 0:14:12.440
<v Speaker 1>construction project coming up in the summer, so you'll have

0:14:12.559 --> 0:14:14.720
<v Speaker 1>something for them to do. You know, it doesn't make

0:14:14.760 --> 0:14:16.920
<v Speaker 1>sense to have them all sit around my office looking

0:14:16.960 --> 0:14:20.400
<v Speaker 1>at each other trying to draw routing for something. So,

0:14:21.440 --> 0:14:24.200
<v Speaker 1>you know, coming out of the pandemic and getting started

0:14:24.200 --> 0:14:27.640
<v Speaker 1>on Lido, we've trained up a lot of people to

0:14:27.680 --> 0:14:31.520
<v Speaker 1>the point that you know, ten years ago those people

0:14:31.600 --> 0:14:35.440
<v Speaker 1>helping us were Blake Konan and Cly Johnson and Angela

0:14:35.480 --> 0:14:38.560
<v Speaker 1>Moser and now they're running projects and we you know,

0:14:38.600 --> 0:14:40.840
<v Speaker 1>we need another generation of people who are kind of

0:14:40.880 --> 0:14:42.680
<v Speaker 1>starting at the bottom and we don't have to pay

0:14:42.720 --> 0:14:46.240
<v Speaker 1>them a fortune and you know, let them be out

0:14:46.240 --> 0:14:49.480
<v Speaker 1>there and contribute a little bit. So so we had

0:14:50.120 --> 0:14:54.280
<v Speaker 1>five interns for the lido and two or three of

0:14:54.320 --> 0:14:57.320
<v Speaker 1>them that came back for the second year, and you know,

0:14:57.400 --> 0:15:00.480
<v Speaker 1>Brian Schneiders had a couple of them under here wings

0:15:00.520 --> 0:15:03.240
<v Speaker 1>since then working on Old Barnwell and some of the

0:15:03.240 --> 0:15:06.680
<v Speaker 1>renovation things that he's doing. So we had to get

0:15:06.720 --> 0:15:12.520
<v Speaker 1>a couple more to help with Sedge Valley and there's

0:15:12.520 --> 0:15:17.800
<v Speaker 1>some real talent there, like there always is, and it's

0:15:17.840 --> 0:15:21.400
<v Speaker 1>exciting to see him starting to learn how to actually

0:15:21.400 --> 0:15:25.880
<v Speaker 1>build things and and be helpful instead of just having

0:15:25.920 --> 0:15:26.480
<v Speaker 1>an opinion.

0:15:28.920 --> 0:15:32.680
<v Speaker 2>I love that they're helpful instead of just having an opinion.

0:15:33.320 --> 0:15:36.120
<v Speaker 1>That's the thing I mean. You know, I meet so

0:15:36.200 --> 0:15:38.680
<v Speaker 1>many people that are interested in golf course design and

0:15:38.760 --> 0:15:40.360
<v Speaker 1>want to work for me, and that you know, their

0:15:40.440 --> 0:15:42.080
<v Speaker 1>idea of working for me is that they're going to

0:15:42.160 --> 0:15:44.520
<v Speaker 1>walk around behind me all day and help me think

0:15:44.600 --> 0:15:48.280
<v Speaker 1>through everything. It's like everybody would like to have that.

0:15:48.280 --> 0:15:50.400
<v Speaker 2>Job, especially right out of the gate.

0:15:51.000 --> 0:15:54.480
<v Speaker 1>Sure, and I don't know what I expected the day

0:15:54.560 --> 0:15:57.240
<v Speaker 1>I went down to start working for Pete Dye at

0:15:57.240 --> 0:16:00.280
<v Speaker 1>Long Cove, But it did not take me more than

0:16:00.760 --> 0:16:04.840
<v Speaker 1>half a day to figure out, Okay, he doesn't really

0:16:04.920 --> 0:16:08.880
<v Speaker 1>need that much help thinking through how to design this thing.

0:16:09.560 --> 0:16:13.480
<v Speaker 1>He needs help building it. That's what everybody's out there for,

0:16:13.920 --> 0:16:17.480
<v Speaker 1>and that is the most important part of it. You

0:16:17.520 --> 0:16:20.440
<v Speaker 1>can't It doesn't matter how many great ideas you've got

0:16:20.840 --> 0:16:25.160
<v Speaker 1>if you can't build that. And that building process takes

0:16:25.200 --> 0:16:29.760
<v Speaker 1>so long and takes so many people that that gives

0:16:30.000 --> 0:16:32.800
<v Speaker 1>everybody else a chance to contribute and make it better,

0:16:33.320 --> 0:16:35.400
<v Speaker 1>which you're not going to do sitting in the office.

0:16:35.920 --> 0:16:39.200
<v Speaker 2>Well, it's what you just said about high Point, and

0:16:39.280 --> 0:16:42.320
<v Speaker 2>like what you are worried about is that you didn't

0:16:42.320 --> 0:16:45.880
<v Speaker 2>have as many people helping you, and you worry about

0:16:45.960 --> 0:16:48.960
<v Speaker 2>like the cool stuff that you might have missed out

0:16:49.000 --> 0:16:52.280
<v Speaker 2>on by not having everybody there right and.

0:16:52.040 --> 0:16:54.320
<v Speaker 1>Right, Which is not to say I didn't have any help.

0:16:54.360 --> 0:16:56.760
<v Speaker 1>I mean, Brian Slanik was there from start to finish

0:16:56.800 --> 0:16:59.840
<v Speaker 1>and kind of polishing up everything I did and make

0:16:59.880 --> 0:17:05.280
<v Speaker 1>it better. We aren't just going straight off my last

0:17:05.359 --> 0:17:09.000
<v Speaker 1>bulldozer push to a finished green for the couple of

0:17:09.000 --> 0:17:11.960
<v Speaker 1>greens that I did, just say, now, we're just going

0:17:12.040 --> 0:17:14.960
<v Speaker 1>to keep these contours that are right here. Let's just

0:17:15.160 --> 0:17:18.240
<v Speaker 1>map that and put it back together. And then I

0:17:18.320 --> 0:17:21.400
<v Speaker 1>had Matt Hunter, who was an intern for US at

0:17:21.440 --> 0:17:25.720
<v Speaker 1>stream Song years ago and worked on several construction projects

0:17:25.880 --> 0:17:30.040
<v Speaker 1>for US, but eventually got out of the business and

0:17:30.119 --> 0:17:33.520
<v Speaker 1>moved back to Traverse City and you know, got married

0:17:33.560 --> 0:17:37.280
<v Speaker 1>and has a little family. Now he's been working here

0:17:37.280 --> 0:17:39.280
<v Speaker 1>in Traverse City for the last ten years. But he

0:17:39.359 --> 0:17:42.640
<v Speaker 1>always said to me, if high Point ever comes back,

0:17:42.680 --> 0:17:45.359
<v Speaker 1>I'm going to quit my job and work on high Point.

0:17:45.960 --> 0:17:48.760
<v Speaker 1>And sure enough, as soon as they started talking about

0:17:48.960 --> 0:17:51.400
<v Speaker 1>putting it back, he was like, yeah, I'm serious, that's

0:17:51.440 --> 0:17:53.600
<v Speaker 1>what I'm going to do. So he was on the

0:17:53.640 --> 0:17:55.679
<v Speaker 1>crew all summer and you know, good enough on a

0:17:55.680 --> 0:17:59.040
<v Speaker 1>bulldozer that he was the one with actually with the

0:17:59.200 --> 0:18:02.240
<v Speaker 1>daughter of the engineer for the project who put the

0:18:02.240 --> 0:18:04.560
<v Speaker 1>greens back together and put the mix in and got

0:18:04.600 --> 0:18:08.119
<v Speaker 1>them floated out again with the GPS unit. So they

0:18:08.119 --> 0:18:11.680
<v Speaker 1>were right, which saved both me and Brian a ton

0:18:11.720 --> 0:18:15.160
<v Speaker 1>of time. And you know, they did a great job.

0:18:15.640 --> 0:18:18.080
<v Speaker 1>So it's not like I didn't have any help, but

0:18:18.160 --> 0:18:22.320
<v Speaker 1>I didn't. You know, most of the famous courses I've

0:18:22.359 --> 0:18:25.080
<v Speaker 1>worked on in the last twenty years, Bally Neil or

0:18:25.160 --> 0:18:29.760
<v Speaker 1>Terry Edy or wherever. You know, you've got at least

0:18:30.000 --> 0:18:32.520
<v Speaker 1>four or five greens on those golf courses that that

0:18:32.720 --> 0:18:36.640
<v Speaker 1>was really Brian Schneider's idea or Eric's idea or Kai

0:18:36.680 --> 0:18:40.040
<v Speaker 1>Goldy's idea, you know, with me editing them a little.

0:18:40.760 --> 0:18:43.960
<v Speaker 1>And that's you know, it's different when all the ideas

0:18:44.000 --> 0:18:46.280
<v Speaker 1>have to come straight out of me. That's the part

0:18:46.280 --> 0:18:47.159
<v Speaker 1>that I'm worried about.

0:18:47.560 --> 0:18:51.840
<v Speaker 2>Yeah, yeah, I guess. Yeah. My point was the where

0:18:51.880 --> 0:18:54.200
<v Speaker 2>people can help is in the field. That's where they

0:18:54.280 --> 0:18:58.000
<v Speaker 2>get to put their ideas right, imprinted their ideas, and

0:18:58.720 --> 0:19:02.000
<v Speaker 2>you know, very little comes from just walking behind you. Right.

0:19:10.760 --> 0:19:15.359
<v Speaker 2>All right, let's talk about our sponsor, Club Champion. Club

0:19:15.440 --> 0:19:18.320
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0:20:32.200 --> 0:20:35.280
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0:20:37.520 --> 0:20:41.520
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0:20:44.080 --> 0:20:47.040
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0:20:47.080 --> 0:20:49.800
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0:20:51.440 --> 0:20:54.800
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0:20:55.520 --> 0:20:58.640
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0:21:10.520 --> 0:21:12.400
<v Speaker 2>One of the unique things about your some of your

0:21:12.440 --> 0:21:15.440
<v Speaker 2>new holes, and you posted this on Instagram at high

0:21:15.440 --> 0:21:20.080
<v Speaker 2>point is the choose your own adventure routing between three

0:21:20.160 --> 0:21:23.639
<v Speaker 2>and four and Ryan Book asked, how far do you

0:21:23.680 --> 0:21:26.600
<v Speaker 2>think this concept could go? I think explaining how it

0:21:26.680 --> 0:21:28.600
<v Speaker 2>works would be great. How far do you think this

0:21:28.680 --> 0:21:32.240
<v Speaker 2>concept could go? Do you think a course could have

0:21:32.640 --> 0:21:36.840
<v Speaker 2>a few similar situations like could you do this multiple

0:21:36.920 --> 0:21:40.760
<v Speaker 2>times of course? Or could an entire course be where

0:21:40.800 --> 0:21:43.680
<v Speaker 2>you that your next tee is determined by the green

0:21:43.680 --> 0:21:44.480
<v Speaker 2>you choose.

0:21:44.880 --> 0:21:47.919
<v Speaker 1>Well for starters, you know, I came up with that

0:21:48.000 --> 0:21:51.280
<v Speaker 1>idea very late in the process of building the golf course.

0:21:51.320 --> 0:21:53.080
<v Speaker 1>We were down to building the shape in the last

0:21:53.080 --> 0:21:56.440
<v Speaker 1>three or four holes, and we had all the all

0:21:56.440 --> 0:21:58.600
<v Speaker 1>the other part of three is were kind of medium length,

0:21:58.720 --> 0:22:01.399
<v Speaker 1>and I was trying to decide whether to make number

0:22:01.520 --> 0:22:06.880
<v Speaker 1>three really short or really long, and I asked Rod

0:22:06.920 --> 0:22:11.400
<v Speaker 1>Trump his opinion, and he said, I kind of like short,

0:22:11.640 --> 0:22:14.080
<v Speaker 1>and I said, well, so do I. But the hard

0:22:14.119 --> 0:22:16.679
<v Speaker 1>thing about doing a really short part three is you

0:22:16.720 --> 0:22:19.840
<v Speaker 1>want to build a really small green. And the superintendent

0:22:19.840 --> 0:22:22.040
<v Speaker 1>doesn't want us to build a thirty five hundred square

0:22:22.040 --> 0:22:24.560
<v Speaker 1>foot green. You know, he's going to say that's going

0:22:24.600 --> 0:22:27.400
<v Speaker 1>to be hard to keep in perfect shape every day

0:22:27.600 --> 0:22:31.560
<v Speaker 1>if we're doing fifteen thousand rounds down the road. So

0:22:32.440 --> 0:22:34.439
<v Speaker 1>you know, Tom Fazio used to do it quite a

0:22:34.480 --> 0:22:38.200
<v Speaker 1>bit on his golf courses back in like around two thousand.

0:22:38.720 --> 0:22:41.840
<v Speaker 1>Shadow Creek had one and Pelican Hill had one where

0:22:41.880 --> 0:22:44.680
<v Speaker 1>they built two greens on a hole so they could

0:22:44.720 --> 0:22:48.160
<v Speaker 1>build a small green for one of those two greens.

0:22:48.280 --> 0:22:53.520
<v Speaker 1>That was the whole idea, and you know, so that

0:22:53.640 --> 0:22:56.040
<v Speaker 1>was the start of this, was like, okay, well we'll

0:22:56.080 --> 0:22:58.720
<v Speaker 1>build the small green for the really short hole, but

0:22:58.760 --> 0:23:01.760
<v Speaker 1>then we'll build a know, we'll build another green on

0:23:01.800 --> 0:23:05.080
<v Speaker 1>the par three that's a much longer haul and have

0:23:05.119 --> 0:23:07.960
<v Speaker 1>a decent sized green for it too, and then there'll

0:23:08.000 --> 0:23:10.080
<v Speaker 1>be plenty of green space, even though both the greens

0:23:10.080 --> 0:23:13.080
<v Speaker 1>are barely smalle if they were the only one and

0:23:14.320 --> 0:23:18.760
<v Speaker 1>that longer green pushed against the t's for the next hole,

0:23:19.119 --> 0:23:23.320
<v Speaker 1>so you don't have to play the short t the

0:23:23.400 --> 0:23:26.240
<v Speaker 1>short green for the par three and then the long

0:23:26.400 --> 0:23:29.719
<v Speaker 1>tee for the par five. You could obviously walk forward

0:23:30.480 --> 0:23:35.040
<v Speaker 1>and you could stand. You could stand on the back

0:23:35.119 --> 0:23:37.639
<v Speaker 1>tee for the par five while people were playing the

0:23:37.680 --> 0:23:42.359
<v Speaker 1>long part three and not get hit. But it does

0:23:42.440 --> 0:23:45.160
<v Speaker 1>make more sense for flow to just combine them. When

0:23:45.160 --> 0:23:47.560
<v Speaker 1>you play the short part three, play the long par five.

0:23:47.840 --> 0:23:49.840
<v Speaker 1>When you play the long part three, play the short

0:23:49.880 --> 0:23:52.840
<v Speaker 1>part five. And because one of the things that somebody's

0:23:52.880 --> 0:23:54.840
<v Speaker 1>going to ask me at some point is, well, how

0:23:54.840 --> 0:23:57.080
<v Speaker 1>do they get a good course rating and a slope

0:23:57.520 --> 0:24:01.119
<v Speaker 1>If you've got these two different options, we're gonna have

0:24:01.200 --> 0:24:04.560
<v Speaker 1>to rate it separately from all the t's. But I

0:24:04.600 --> 0:24:07.680
<v Speaker 1>think you know this kind of balances that out. If

0:24:07.680 --> 0:24:11.480
<v Speaker 1>they use it the way I'm describing, you're playing two

0:24:11.520 --> 0:24:15.080
<v Speaker 1>holes that add up to seven hundred and fifty yards

0:24:15.160 --> 0:24:18.280
<v Speaker 1>or whatever. That's gonna come out pretty much the same

0:24:18.600 --> 0:24:21.679
<v Speaker 1>in the slope system no matter which way you rate it.

0:24:22.240 --> 0:24:26.200
<v Speaker 1>I think so I'm hoping that discussion goes away because

0:24:26.200 --> 0:24:29.199
<v Speaker 1>the last thing we need is like multiple sets of

0:24:29.280 --> 0:24:31.680
<v Speaker 1>combo tes plus different greens.

0:24:32.640 --> 0:24:36.800
<v Speaker 2>So it'll be fascinating to see after like a year

0:24:37.160 --> 0:24:42.479
<v Speaker 2>of play, what like the averages if they track it,

0:24:42.640 --> 0:24:46.840
<v Speaker 2>what the average is of going short long so short

0:24:46.880 --> 0:24:52.040
<v Speaker 2>part three, long part five versus long part three short

0:24:52.080 --> 0:24:55.480
<v Speaker 2>part five, Like, it's gonna be fascinating. Does it change

0:24:55.560 --> 0:24:59.720
<v Speaker 2>year by year? And then you know, is there are

0:24:59.720 --> 0:25:02.160
<v Speaker 2>there certain types of players, like you know, if this

0:25:02.320 --> 0:25:06.760
<v Speaker 2>level of I think this is it's a really interesting concept.

0:25:07.040 --> 0:25:10.919
<v Speaker 2>The idea of allowing people to choose, Like effectively, what

0:25:10.960 --> 0:25:15.359
<v Speaker 2>you're doing is allowing like human decision into something which

0:25:15.440 --> 0:25:18.080
<v Speaker 2>always makes things more interesting, you.

0:25:18.040 --> 0:25:22.359
<v Speaker 1>Know, right at the same time, you know, I'm a

0:25:22.400 --> 0:25:27.560
<v Speaker 1>golf designer. Usually my job is to choose the best combination.

0:25:28.720 --> 0:25:32.000
<v Speaker 1>That's that is the job. That's what we do. Try

0:25:32.040 --> 0:25:34.960
<v Speaker 1>to figure out which of those holes is better, which

0:25:35.000 --> 0:25:39.000
<v Speaker 1>of those two combinations is better. In this case, because

0:25:39.040 --> 0:25:41.800
<v Speaker 1>of wanting to do the really small green, I opted

0:25:41.840 --> 0:25:44.440
<v Speaker 1>to do it this way. But you know, I've done

0:25:44.560 --> 0:25:47.240
<v Speaker 1>something like this a couple times before, you know, like

0:25:47.720 --> 0:25:50.760
<v Speaker 1>Pacific Dunes has the alternate greens for nine and the

0:25:50.800 --> 0:25:54.000
<v Speaker 1>alternate teas for number ten, and they kind of work together.

0:25:54.520 --> 0:25:57.359
<v Speaker 1>You don't really have to keep the combination the same,

0:25:57.359 --> 0:26:02.639
<v Speaker 1>but I like that way of you those The loop

0:26:02.800 --> 0:26:07.840
<v Speaker 1>obviously has all kinds of different combinations and permutations to it.

0:26:09.720 --> 0:26:12.960
<v Speaker 1>I've seen it in other places, like Tom Watson's design

0:26:13.200 --> 0:26:17.040
<v Speaker 1>for that of course it kesiki or whatever it is

0:26:17.040 --> 0:26:20.080
<v Speaker 1>it I don't know how I pronounced that. In South

0:26:20.119 --> 0:26:22.959
<v Speaker 1>Carolina has a couple of versions of this were two

0:26:23.080 --> 0:26:28.479
<v Speaker 1>or three holes played different from one version to the next.

0:26:29.400 --> 0:26:32.680
<v Speaker 1>Do I see myself doing it a lot? No, because again,

0:26:33.240 --> 0:26:34.840
<v Speaker 1>and at the end of the day, it's my job

0:26:34.880 --> 0:26:39.160
<v Speaker 1>to figure out I like this way better than that way.

0:26:39.720 --> 0:26:43.480
<v Speaker 1>But do I like playing around with new things, and

0:26:43.560 --> 0:26:46.399
<v Speaker 1>especially when I can't decide which one I like better? Sure?

0:26:46.600 --> 0:26:46.960
<v Speaker 1>Why not?

0:26:47.760 --> 0:26:50.520
<v Speaker 2>So if you did this for an entire course, you

0:26:50.520 --> 0:26:55.160
<v Speaker 2>would need to have effectively two greens or two whole

0:26:55.200 --> 0:26:57.080
<v Speaker 2>locations you could I guess you could do it with

0:26:57.160 --> 0:26:59.600
<v Speaker 2>bigger greens and have all that side.

0:27:00.040 --> 0:27:03.560
<v Speaker 1>What I forgot to mention was that weird renegade Courus,

0:27:03.600 --> 0:27:06.160
<v Speaker 1>a desert mountain they built thirty years ago, which had

0:27:06.440 --> 0:27:09.600
<v Speaker 1>every hole either had two small greens, or one giant

0:27:09.640 --> 0:27:13.160
<v Speaker 1>green with two flags on it that you could choose

0:27:13.200 --> 0:27:18.320
<v Speaker 1>your own adventure, and that was interesting. But again, you know,

0:27:18.400 --> 0:27:21.800
<v Speaker 1>my takeaway from that was like, clearly some holes were

0:27:21.840 --> 0:27:24.199
<v Speaker 1>more interesting if you played the shorter tea and the

0:27:24.200 --> 0:27:27.119
<v Speaker 1>harder pin, and some of those holes were too hard.

0:27:27.680 --> 0:27:30.040
<v Speaker 1>The harder pin was just too hard for ninety percent

0:27:30.080 --> 0:27:33.160
<v Speaker 1>of people, and you had to play the easier pin.

0:27:34.040 --> 0:27:36.920
<v Speaker 1>And you know, why didn't they just decide to do

0:27:37.000 --> 0:27:40.440
<v Speaker 1>that instead of having the two options on every single hole.

0:27:41.119 --> 0:27:43.359
<v Speaker 2>I think the other thing that it would do is

0:27:43.440 --> 0:27:47.760
<v Speaker 2>it reduces over like if you did it over and

0:27:47.800 --> 0:27:52.240
<v Speaker 2>over again, it would reduce the importance of like the

0:27:52.280 --> 0:27:55.280
<v Speaker 2>T shot in positioning, because you could hit your T

0:27:55.480 --> 0:28:00.760
<v Speaker 2>shot and then kind of decide, right, yes you could,

0:28:01.080 --> 0:28:03.600
<v Speaker 2>It's like, well I hit it over here, so I'm

0:28:03.600 --> 0:28:05.240
<v Speaker 2>going over here, right.

0:28:05.760 --> 0:28:08.200
<v Speaker 1>Or the approach shot if there's two flags on the green.

0:28:08.280 --> 0:28:10.679
<v Speaker 2>Or yeah, exactly, you can hit a really bad you

0:28:10.680 --> 0:28:14.280
<v Speaker 2>could hit such a bad approach shot that it was good, right.

0:28:15.240 --> 0:28:17.720
<v Speaker 2>So I think that's where it kind of falls apart

0:28:17.760 --> 0:28:20.160
<v Speaker 2>for like a lot, But I do like the idea

0:28:20.359 --> 0:28:25.200
<v Speaker 2>of one time. It's like everything like in small doses, right,

0:28:25.560 --> 0:28:27.399
<v Speaker 2>I think it would be hard to do for eighteen holes,

0:28:27.760 --> 0:28:31.040
<v Speaker 2>is my thoughts though on just in general, it.

0:28:31.040 --> 0:28:33.800
<v Speaker 1>Would be pretty hard to do. Oh. Another example of

0:28:33.840 --> 0:28:37.160
<v Speaker 1>it in Japan to you know all those old courses

0:28:37.160 --> 0:28:41.760
<v Speaker 1>they built two greens on every hole for agronomy reasons. Yeah,

0:28:41.800 --> 0:28:45.360
<v Speaker 1>and sometimes the combinations don't work there very well. You know,

0:28:45.440 --> 0:28:47.400
<v Speaker 1>you have a lot of holes that just they look

0:28:47.480 --> 0:28:50.000
<v Speaker 1>the same because it's like a two headed monster. It's

0:28:50.080 --> 0:28:56.360
<v Speaker 1>really hard to come up with eighteen optional greens that

0:28:56.440 --> 0:28:59.360
<v Speaker 1>look different from each other. It's easy to do it

0:28:59.400 --> 0:29:01.280
<v Speaker 1>once or twice on a golf course, it's really hard

0:29:01.320 --> 0:29:03.200
<v Speaker 1>to do on multiple times. It's also much easier on

0:29:03.240 --> 0:29:06.000
<v Speaker 1>par three's than it is on par fours. You know,

0:29:06.040 --> 0:29:07.640
<v Speaker 1>when you get to a par four or part five

0:29:07.680 --> 0:29:10.480
<v Speaker 1>with alternate greens, you know it does it looks like

0:29:10.520 --> 0:29:13.040
<v Speaker 1>a two headed monster because you've got you got to

0:29:13.040 --> 0:29:15.800
<v Speaker 1>have fairway going into both with a par three, you

0:29:15.840 --> 0:29:16.400
<v Speaker 1>really don't.

0:29:16.680 --> 0:29:20.200
<v Speaker 2>Yeah, your your turf budget too, would go through the roof,

0:29:20.480 --> 0:29:24.560
<v Speaker 2>right right, All right, let's talk a little bit about

0:29:24.640 --> 0:29:29.800
<v Speaker 2>the Sand Valley golf courses. Obviously you were part of

0:29:29.840 --> 0:29:34.360
<v Speaker 2>recreating the Lido, and then you have now eighteen holes

0:29:34.400 --> 0:29:39.920
<v Speaker 2>of sedge valley completed grass, it's been playable. What were

0:29:39.960 --> 0:29:42.560
<v Speaker 2>your big takeaways you had your Renaissance Cup out there

0:29:42.720 --> 0:29:45.440
<v Speaker 2>from just watching people play Lido.

0:29:46.080 --> 0:29:48.080
<v Speaker 1>Well, I should ask what were yours? Because you played

0:29:49.080 --> 0:29:53.040
<v Speaker 1>for me. The biggest takeaway was, you know, I didn't

0:29:53.080 --> 0:29:56.880
<v Speaker 1>really think much about the strategy of some of those

0:29:56.960 --> 0:29:59.520
<v Speaker 1>holes while we were building the golf course because that

0:29:59.600 --> 0:30:03.200
<v Speaker 1>wasn't my job. You know, we were trying to recreate

0:30:03.280 --> 0:30:07.440
<v Speaker 1>it exactly as it was, so we were following a model,

0:30:08.000 --> 0:30:10.840
<v Speaker 1>and you know, I wasn't thinking about the playability or

0:30:11.600 --> 0:30:13.920
<v Speaker 1>you know. Plus, most of the halls are template holes,

0:30:13.920 --> 0:30:16.160
<v Speaker 1>which you think you know pretty well. You know, you've

0:30:16.160 --> 0:30:19.720
<v Speaker 1>seen lots of versions of them. But going out there

0:30:19.760 --> 0:30:22.840
<v Speaker 1>and watching the matches in the Renaissance Cup or playing

0:30:22.920 --> 0:30:25.480
<v Speaker 1>with some of the better players on the second day,

0:30:25.960 --> 0:30:31.560
<v Speaker 1>you know, just informally, after I lost early in the competition,

0:30:33.840 --> 0:30:38.440
<v Speaker 1>I was really amazed how many contracs there were in

0:30:38.480 --> 0:30:43.760
<v Speaker 1>the fairways to like steer balls into certain spots or

0:30:44.480 --> 0:30:46.840
<v Speaker 1>or make it tougher. You know, if you drove it

0:30:46.880 --> 0:30:50.040
<v Speaker 1>over here, you're in a rumpy little area, or the

0:30:50.080 --> 0:30:53.800
<v Speaker 1>ball just steered away from the good line of attack

0:30:53.880 --> 0:30:58.080
<v Speaker 1>to the green and you know, it finally dawned on me.

0:30:58.240 --> 0:31:02.080
<v Speaker 1>McDonald spent a lot a lot of time thinking about

0:31:02.400 --> 0:31:06.800
<v Speaker 1>all those little ridges in the fairways. They're not random.

0:31:07.280 --> 0:31:10.440
<v Speaker 1>They look kind of random, but they're all thought out

0:31:10.520 --> 0:31:14.760
<v Speaker 1>for like getting a golf shot into position. And the

0:31:14.760 --> 0:31:17.720
<v Speaker 1>one that impressed me the most. You know, Mike mccarton

0:31:17.960 --> 0:31:21.040
<v Speaker 1>worked for us for years, good player and his brother

0:31:21.120 --> 0:31:24.000
<v Speaker 1>played college golf at Duke, so they were they were

0:31:24.200 --> 0:31:26.200
<v Speaker 1>I thought they'd be a really formidable team. But they

0:31:26.240 --> 0:31:28.040
<v Speaker 1>lost in like the second round of the match.

0:31:28.360 --> 0:31:30.160
<v Speaker 2>So I went, there are a lot of good There

0:31:30.160 --> 0:31:31.560
<v Speaker 2>are a lot of good players out there.

0:31:31.600 --> 0:31:34.760
<v Speaker 1>I got a lot of good players, and so I lost.

0:31:34.520 --> 0:31:37.560
<v Speaker 2>To the second round and we played well, we just

0:31:37.600 --> 0:31:38.120
<v Speaker 2>got beat.

0:31:39.040 --> 0:31:42.400
<v Speaker 1>So Eric and I played nine holes with the two

0:31:42.440 --> 0:31:46.280
<v Speaker 1>of them and a couple other people in the afternoon

0:31:46.320 --> 0:31:49.400
<v Speaker 1>after we were eliminated. And you know, Mike's brother hits

0:31:49.440 --> 0:31:52.760
<v Speaker 1>it really far, like all college players do, and he

0:31:52.880 --> 0:31:57.080
<v Speaker 1>was trying to hit it over the bunkers on fifteen,

0:31:57.360 --> 0:32:01.040
<v Speaker 1>but also way left to get the angle into the green.

0:32:01.200 --> 0:32:04.240
<v Speaker 2>With that right with that right pen right, yeah, those

0:32:04.280 --> 0:32:05.840
<v Speaker 2>are the yeah right.

0:32:06.120 --> 0:32:09.560
<v Speaker 1>So he didn't do it. He hit it in the bunker,

0:32:10.240 --> 0:32:14.760
<v Speaker 1>but as I was watching. After hitting my second shot,

0:32:14.840 --> 0:32:17.479
<v Speaker 1>I went over to watch him and I noticed on

0:32:17.520 --> 0:32:20.800
<v Speaker 1>the far side of all those bunkers, there's a contour

0:32:20.800 --> 0:32:22.680
<v Speaker 1>in the fairway that if you can keep it close

0:32:22.760 --> 0:32:26.000
<v Speaker 1>to that left bunker, you can kind of steer it

0:32:26.160 --> 0:32:29.200
<v Speaker 1>way to the left instead of having to carry all

0:32:29.280 --> 0:32:33.600
<v Speaker 1>of that last bunker. And I thought, holy hell, I

0:32:33.600 --> 0:32:37.760
<v Speaker 1>mean he put that in deliberately in nineteen eighteen for

0:32:37.840 --> 0:32:40.040
<v Speaker 1>a guy who is going to carry it three hundred yards,

0:32:40.800 --> 0:32:45.680
<v Speaker 1>or maybe it was for somebody's second shot, but whatever

0:32:45.760 --> 0:32:48.920
<v Speaker 1>it was, it's like, that's that's not just the accident.

0:32:49.000 --> 0:32:50.880
<v Speaker 1>That's there for a reason. And I could tell you

0:32:51.000 --> 0:32:53.160
<v Speaker 1>I've built a lot of golf courses. I've never thought

0:32:53.240 --> 0:32:57.160
<v Speaker 1>that much about putting little extra contures into the fairways.

0:32:57.480 --> 0:33:00.960
<v Speaker 1>And Nita did McDonald you know, every other court. There

0:33:01.040 --> 0:33:02.760
<v Speaker 1>was a lot of cool stuff there and he just

0:33:02.880 --> 0:33:05.440
<v Speaker 1>used it the same way we always do. But when

0:33:05.440 --> 0:33:10.080
<v Speaker 1>he had nothing to start from, he spent a lot

0:33:10.200 --> 0:33:14.880
<v Speaker 1>of time thinking about those details and embarrassing. You know,

0:33:14.920 --> 0:33:17.120
<v Speaker 1>I'm kind of humbled by it. I was like, well,

0:33:17.160 --> 0:33:20.560
<v Speaker 1>I'm not spending enough time on this project or that project.

0:33:21.520 --> 0:33:25.600
<v Speaker 2>Yeah, you know, I I think my takeaways. I had

0:33:25.640 --> 0:33:29.440
<v Speaker 2>played it once before the event, and then I think

0:33:29.480 --> 0:33:31.920
<v Speaker 2>I played it four times or three three or four

0:33:31.960 --> 0:33:36.680
<v Speaker 2>times during the event. And the first time you play it,

0:33:36.760 --> 0:33:40.720
<v Speaker 2>you're you're very disoriented. And I think this is like

0:33:40.840 --> 0:33:44.280
<v Speaker 2>just an interesting topic in general about golf design and

0:33:45.240 --> 0:33:48.520
<v Speaker 2>how a lot of people will only play a golf

0:33:48.560 --> 0:33:51.520
<v Speaker 2>course like at a resort one time, right, and the

0:33:51.560 --> 0:33:54.200
<v Speaker 2>first time you play Lido, you're kind of like what's

0:33:54.240 --> 0:33:57.040
<v Speaker 2>going on? You don't see a lot of stuff because

0:33:57.080 --> 0:34:01.000
<v Speaker 2>there's significant blindness and you're you hit into these spots

0:34:01.400 --> 0:34:03.800
<v Speaker 2>and you don't know where the right places and the

0:34:03.840 --> 0:34:04.560
<v Speaker 2>wrong places.

0:34:06.040 --> 0:34:08.600
<v Speaker 1>You know, with it is like the old course at

0:34:08.600 --> 0:34:10.719
<v Speaker 1>Saint Andrews in that you need it caddy to tell

0:34:10.760 --> 0:34:13.319
<v Speaker 1>you what to aim at. Yeah, you can't really tell

0:34:13.360 --> 0:34:15.919
<v Speaker 1>from the team.

0:34:15.000 --> 0:34:17.200
<v Speaker 2>And where to aim is different based off of how

0:34:17.200 --> 0:34:20.120
<v Speaker 2>far you hit it. Right, if you're hitting in two twenty.

0:34:20.040 --> 0:34:22.359
<v Speaker 1>Picks up your game after a couple holes and tells

0:34:22.400 --> 0:34:23.640
<v Speaker 1>you where it usuing.

0:34:24.239 --> 0:34:27.520
<v Speaker 2>Yeah, it's not like a hit it here for everyone

0:34:27.640 --> 0:34:32.600
<v Speaker 2>type situation. What I thought was really fascinating, and I

0:34:32.640 --> 0:34:36.799
<v Speaker 2>talked to Peter Florey about this is I believe that

0:34:36.840 --> 0:34:40.520
<v Speaker 2>the golf course everybody thinks it's very, very hard, and

0:34:40.600 --> 0:34:45.200
<v Speaker 2>I do think for a player that can hit good shots,

0:34:45.880 --> 0:34:50.440
<v Speaker 2>once you understand the course, it actually becomes fairly easy

0:34:50.520 --> 0:34:53.520
<v Speaker 2>because you can get yourself there's enough space out there

0:34:54.480 --> 0:34:57.000
<v Speaker 2>that you can get yourself into positions where you're hitting

0:34:57.320 --> 0:35:01.160
<v Speaker 2>shots into greens where like all the contours help you.

0:35:01.560 --> 0:35:04.160
<v Speaker 2>And it's just this giant chess match. And I talk

0:35:04.239 --> 0:35:07.200
<v Speaker 2>to another person who's a member, who's a really good

0:35:07.280 --> 0:35:09.799
<v Speaker 2>player about this, and he's like, yeah, every time I

0:35:09.880 --> 0:35:12.680
<v Speaker 2>play it, it becomes like a little bit easier because

0:35:13.040 --> 0:35:15.120
<v Speaker 2>of like I know, I need to get over here

0:35:15.200 --> 0:35:17.600
<v Speaker 2>for this pin. It's like a perfect example what you're

0:35:17.600 --> 0:35:20.759
<v Speaker 2>talking about with fifteen getting the ball, Like you get

0:35:20.760 --> 0:35:23.120
<v Speaker 2>the pins on there. This is it's like a shorter,

0:35:23.440 --> 0:35:27.280
<v Speaker 2>it's like a medium like Part four, and there's the

0:35:27.360 --> 0:35:29.920
<v Speaker 2>right side of the greens protected by a really deep bunker.

0:35:30.280 --> 0:35:33.640
<v Speaker 2>And if you hit a driver and you have like

0:35:33.680 --> 0:35:37.239
<v Speaker 2>a sixty yard wedge, you have no chance from the right.

0:35:37.440 --> 0:35:39.120
<v Speaker 2>You have to get over to the left. You're not

0:35:39.160 --> 0:35:41.359
<v Speaker 2>going to hit it close from the right side, so

0:35:41.400 --> 0:35:43.000
<v Speaker 2>you have to get it over left, and you just

0:35:43.120 --> 0:35:44.840
<v Speaker 2>know and then you see when the pin's on the

0:35:44.920 --> 0:35:47.400
<v Speaker 2>left side. You're like, okay, I can just blast us

0:35:47.440 --> 0:35:49.200
<v Speaker 2>up the right and then I have a little bit

0:35:49.239 --> 0:35:53.040
<v Speaker 2>of help. So I think, like, what's interesting about the

0:35:53.080 --> 0:35:57.719
<v Speaker 2>golf course is is how a golf course can go

0:35:58.000 --> 0:36:00.440
<v Speaker 2>from like the first time you play it, you're like, wow,

0:36:00.480 --> 0:36:04.560
<v Speaker 2>that's really intense, really hard, to more and more you

0:36:04.600 --> 0:36:10.640
<v Speaker 2>play it, the more and more achievable and impossible it seems.

0:36:10.880 --> 0:36:11.640
<v Speaker 2>Does that make.

0:36:11.480 --> 0:36:15.920
<v Speaker 1>Sense, Yeah, I'd add that. You know, there's two things

0:36:15.920 --> 0:36:20.160
<v Speaker 1>about it that really help make it like that and

0:36:20.360 --> 0:36:23.880
<v Speaker 1>make it a little more complicated still than you're saying.

0:36:24.320 --> 0:36:28.320
<v Speaker 1>One is, you know, the surface is really firm and fast,

0:36:28.480 --> 0:36:31.560
<v Speaker 1>and the bunkers are really deep. And that's why I'm fifteen.

0:36:31.600 --> 0:36:34.600
<v Speaker 1>You know, on a normal American course, it doesn't matter

0:36:34.600 --> 0:36:37.000
<v Speaker 1>if you're hitting over the bunker into a big green.

0:36:37.080 --> 0:36:39.319
<v Speaker 1>You just hit seven iron over the bunker and it

0:36:39.560 --> 0:36:42.600
<v Speaker 1>plops down on the green, it stops, and nobody would

0:36:42.600 --> 0:36:46.040
<v Speaker 1>be afraid of that at all. But the conditions on

0:36:46.080 --> 0:36:48.680
<v Speaker 1>that golf course, at least for an hour and hopefully

0:36:48.680 --> 0:36:51.520
<v Speaker 1>they can keep them that way, you cannot afford to

0:36:51.520 --> 0:36:53.520
<v Speaker 1>do that. The bunkers are too deep. You really don't

0:36:53.520 --> 0:36:56.080
<v Speaker 1>want to miss in them or play it too close

0:36:56.120 --> 0:36:59.480
<v Speaker 1>to the edge of getting over and then even though

0:36:59.520 --> 0:37:02.320
<v Speaker 1>the green's big as hard as a rock and trying

0:37:02.320 --> 0:37:05.120
<v Speaker 1>to get it to stay on the green, flying it

0:37:05.200 --> 0:37:09.040
<v Speaker 1>over a bunker at an angle is not any guarantee

0:37:09.360 --> 0:37:12.799
<v Speaker 1>unless you're a damn good player, So you kind of

0:37:12.840 --> 0:37:16.640
<v Speaker 1>have to find the angles and give yourself, you know,

0:37:16.800 --> 0:37:19.920
<v Speaker 1>some approach in front of the green instead of flying

0:37:19.960 --> 0:37:22.359
<v Speaker 1>it over a green side bunker. But then the other

0:37:22.400 --> 0:37:25.400
<v Speaker 1>thing is it's windy and the wind comes out of

0:37:25.440 --> 0:37:28.160
<v Speaker 1>different directions there, so you can figure it out for

0:37:28.239 --> 0:37:30.520
<v Speaker 1>yourself on a calm day, but then when the wind's

0:37:30.520 --> 0:37:33.720
<v Speaker 1>blowing twenty miles an hour, it's like, oh, all right, today,

0:37:33.760 --> 0:37:36.680
<v Speaker 1>I can't do that. I got to think about going

0:37:36.719 --> 0:37:41.000
<v Speaker 1>back to this instead. So I don't think it'll get boring.

0:37:41.280 --> 0:37:43.839
<v Speaker 1>You know, you'll you'll definitely figure out more, but you'll

0:37:43.880 --> 0:37:46.960
<v Speaker 1>still have decisions to make because you're not going to

0:37:47.000 --> 0:37:49.640
<v Speaker 1>see it under the same conditions three days in a row.

0:37:49.719 --> 0:37:53.480
<v Speaker 2>Well, I think that's what the fascinating thing about it

0:37:53.520 --> 0:37:55.480
<v Speaker 2>is is when you know where you need to go

0:37:55.760 --> 0:37:58.080
<v Speaker 2>and it see you know, it's very wide, but then

0:37:58.120 --> 0:38:01.400
<v Speaker 2>it becomes very narrow, right like you are trying to

0:38:01.440 --> 0:38:04.160
<v Speaker 2>push it into these little spots, because you know, you

0:38:04.280 --> 0:38:06.959
<v Speaker 2>get such a big advantage if you can get it there.

0:38:07.480 --> 0:38:09.840
<v Speaker 2>And every one of those little spots you have to

0:38:09.880 --> 0:38:12.480
<v Speaker 2>take on something you don't want to take on, and

0:38:12.520 --> 0:38:14.640
<v Speaker 2>you know where you can bail, and then you hit

0:38:14.680 --> 0:38:16.960
<v Speaker 2>these shots and you bail and you're like, oh no,

0:38:17.239 --> 0:38:19.400
<v Speaker 2>I can't believe I'm here. Next time I play it,

0:38:19.480 --> 0:38:23.120
<v Speaker 2>I really want to play it with like, pick up

0:38:23.160 --> 0:38:25.759
<v Speaker 2>a set of the Hickorys from the clubhouse and play

0:38:25.800 --> 0:38:28.000
<v Speaker 2>it with that. That's like kind of my next next

0:38:28.000 --> 0:38:30.960
<v Speaker 2>time around there, I'm gonna play hickoryes and just see

0:38:30.960 --> 0:38:33.279
<v Speaker 2>how great I mean. That's the thing, is like the

0:38:33.360 --> 0:38:36.840
<v Speaker 2>idea of that golf course existing in nineteen eighteen is

0:38:37.520 --> 0:38:41.120
<v Speaker 2>absolutely like. I just don't know how people got around it.

0:38:41.719 --> 0:38:44.319
<v Speaker 1>Or you could be like me and get old and

0:38:44.600 --> 0:38:48.240
<v Speaker 1>just play like you're playing with hickory is with really

0:38:48.239 --> 0:38:49.480
<v Speaker 1>good modern equipment.

0:38:50.520 --> 0:38:54.400
<v Speaker 2>I don't want to do that anytime soon. Matt Schoolfield

0:38:54.400 --> 0:38:58.680
<v Speaker 2>had a question that I thought was press it with Lido.

0:38:59.520 --> 0:39:02.680
<v Speaker 2>What are some of your personal contrasts between the work

0:39:02.680 --> 0:39:05.800
<v Speaker 2>at Old Mac and the Lido in creating a cb

0:39:05.880 --> 0:39:09.759
<v Speaker 2>McDonald homage like you did at old mac. Where do

0:39:09.800 --> 0:39:13.440
<v Speaker 2>you see your own influence versus trying to channel McDonald?

0:39:14.239 --> 0:39:17.000
<v Speaker 2>And did you try and restrain your own influence in

0:39:17.920 --> 0:39:21.439
<v Speaker 2>one areas of the lido that were up to interpretation.

0:39:22.560 --> 0:39:26.239
<v Speaker 1>We very much tried to restrain our own influence at

0:39:26.239 --> 0:39:29.560
<v Speaker 1>the Lido. I was just trying to build the golf

0:39:29.600 --> 0:39:32.239
<v Speaker 1>course as best I could. You know, it's like a restoration,

0:39:32.800 --> 0:39:34.960
<v Speaker 1>but a restoration where we had to start from scratch,

0:39:35.000 --> 0:39:37.680
<v Speaker 1>so it's way more complicated. You know, you don't there's

0:39:37.719 --> 0:39:41.080
<v Speaker 1>nothing that you just leave alone. Although the computer model

0:39:41.120 --> 0:39:43.120
<v Speaker 1>did produce some things that it was just like, yeah,

0:39:43.160 --> 0:39:45.920
<v Speaker 1>that looks exactly right, that looks like all these pictures.

0:39:46.160 --> 0:39:48.480
<v Speaker 1>We don't need to tinker with that at all. But

0:39:48.520 --> 0:39:51.319
<v Speaker 1>there were there were The main thing was there were

0:39:51.320 --> 0:39:56.800
<v Speaker 1>some other greens. Some of the greens were flatter looking

0:39:57.080 --> 0:40:01.080
<v Speaker 1>than my impression of most of mc donald's golf courses.

0:40:01.920 --> 0:40:05.960
<v Speaker 1>And so I asked Peter Floory right away, you know,

0:40:06.040 --> 0:40:09.200
<v Speaker 1>how how sure are you about the contours? You know,

0:40:10.320 --> 0:40:12.680
<v Speaker 1>how strongly do you feel that you got them right?

0:40:13.080 --> 0:40:15.759
<v Speaker 1>And he said, honestly, that's probably the weakest part of

0:40:15.800 --> 0:40:19.120
<v Speaker 1>the model. It's very hard to tell from a bunch

0:40:19.160 --> 0:40:23.320
<v Speaker 1>of photos how you know if that contra three inches

0:40:23.440 --> 0:40:27.400
<v Speaker 1>high or six inches high, because you don't see it

0:40:27.440 --> 0:40:31.839
<v Speaker 1>except under extreme shadows or something like that. And so

0:40:32.040 --> 0:40:36.560
<v Speaker 1>he really encouraged us just to wing it. But by

0:40:36.560 --> 0:40:39.520
<v Speaker 1>the same token, you have the client who prefers greens

0:40:39.520 --> 0:40:42.040
<v Speaker 1>that are kind of big and with big, flatter areas

0:40:42.080 --> 0:40:44.800
<v Speaker 1>in them. So there was there was some tension there,

0:40:44.840 --> 0:40:48.480
<v Speaker 1>but we you know, we tried to be just as

0:40:48.480 --> 0:40:51.480
<v Speaker 1>faithful as we could do what we thought the McDonald

0:40:51.560 --> 0:40:54.480
<v Speaker 1>greens would have looked like. And you know, I did

0:40:54.520 --> 0:40:57.120
<v Speaker 1>assume that Peter doing it for kind of a video

0:40:57.239 --> 0:41:00.279
<v Speaker 1>game version the first time. You know, the video game

0:41:00.320 --> 0:41:02.200
<v Speaker 1>is set up so the greens were all really fast,

0:41:02.480 --> 0:41:05.200
<v Speaker 1>so you're gonna make the greens kind of flat to

0:41:05.280 --> 0:41:07.840
<v Speaker 1>deal with that. And obviously the Lido built in nineteen

0:41:07.920 --> 0:41:11.520
<v Speaker 1>eighteen was not built for greens that run at eleven

0:41:11.640 --> 0:41:14.200
<v Speaker 1>or twelve or whatever a computer game version of it

0:41:14.239 --> 0:41:18.239
<v Speaker 1>would run at. So that would just mean, you know,

0:41:18.280 --> 0:41:21.799
<v Speaker 1>the contents were a little more amped up, probably just

0:41:21.840 --> 0:41:24.799
<v Speaker 1>to have the same kind of breaks on pots that

0:41:25.560 --> 0:41:29.680
<v Speaker 1>you wanted it to be. You know, for all McDonald

0:41:30.239 --> 0:41:35.520
<v Speaker 1>completely different philosophy there. You know, what we were doing

0:41:35.840 --> 0:41:42.480
<v Speaker 1>was just approaching the design the way Charles Blair McDonald would, Okay,

0:41:42.560 --> 0:41:46.359
<v Speaker 1>where's the best place to put a road hole? And

0:41:47.120 --> 0:41:50.239
<v Speaker 1>we want to get the essential features of the road

0:41:50.280 --> 0:41:55.279
<v Speaker 1>hall right, and what other little features do we have

0:41:55.440 --> 0:41:57.759
<v Speaker 1>out here to make this one give this kind of

0:41:57.760 --> 0:42:00.320
<v Speaker 1>a character of its own. The other thing that school

0:42:00.320 --> 0:42:03.200
<v Speaker 1>about old McDonald, you know, other than the Lido, which

0:42:03.239 --> 0:42:06.760
<v Speaker 1>I never thought would come back, McDonald never built anything

0:42:06.760 --> 0:42:10.520
<v Speaker 1>that was remotely like a Lynx course. All the all,

0:42:10.719 --> 0:42:15.160
<v Speaker 1>nearly all the templates were from Lynx halls overseas, nearly

0:42:15.200 --> 0:42:20.880
<v Speaker 1>all of which I've seen. So instead of thinking about

0:42:21.000 --> 0:42:26.279
<v Speaker 1>the Seth Rayner version of the road hole or the

0:42:26.360 --> 0:42:30.160
<v Speaker 1>Red Daan or whatever, you know, we thought a lot

0:42:30.280 --> 0:42:34.719
<v Speaker 1>more about the real because we were really familiar with them,

0:42:34.760 --> 0:42:38.800
<v Speaker 1>and so was Charles bro McDonald's. So it really looks different,

0:42:39.560 --> 0:42:42.560
<v Speaker 1>you know, the bunkering looks more linksy, even though we

0:42:42.600 --> 0:42:47.600
<v Speaker 1>didn't do any like prevetted faces. But it's not, you know,

0:42:47.719 --> 0:42:50.279
<v Speaker 1>the flashy bunkering that we do a lot. It's not

0:42:50.920 --> 0:42:55.840
<v Speaker 1>just the the straight banks like the Lido has and

0:42:55.960 --> 0:42:58.960
<v Speaker 1>like your typical McDonald course has. But if you look

0:42:59.000 --> 0:43:02.640
<v Speaker 1>at early pictures the National they had a bunch of

0:43:02.680 --> 0:43:05.600
<v Speaker 1>different looking bunkers. They even had some things that had

0:43:05.640 --> 0:43:08.960
<v Speaker 1>like sleeper faces originally on a couple of the holes.

0:43:09.000 --> 0:43:12.680
<v Speaker 1>So we did that at Old McDonald too. Those Jim

0:43:12.760 --> 0:43:14.480
<v Speaker 1>Orbina put those and those are some of the coolest

0:43:14.480 --> 0:43:15.360
<v Speaker 1>bunkers out there.

0:43:15.719 --> 0:43:18.680
<v Speaker 2>Yeah. Yeah, there's a lot of cool stuff. I you know,

0:43:18.880 --> 0:43:22.640
<v Speaker 2>I was, I've been thinking through in my head what

0:43:22.640 --> 0:43:27.160
<v Speaker 2>what alpshole is? Is I prefer whether it's Liedo or

0:43:27.880 --> 0:43:31.200
<v Speaker 2>or Old McDonald. Just one little thing. We did a

0:43:31.280 --> 0:43:37.680
<v Speaker 2>dream eighteen recently on sand Valley on this podcast, and

0:43:37.000 --> 0:43:40.960
<v Speaker 2>H and I was just talking through alpsholes and I

0:43:41.000 --> 0:43:43.920
<v Speaker 2>was like, oh, Liedo's, you know, probably one of the

0:43:43.920 --> 0:43:46.920
<v Speaker 2>best ones, along with like National Golf links and and

0:43:46.960 --> 0:43:50.279
<v Speaker 2>then somebody commented about about forgetting Old McDonald and I

0:43:50.320 --> 0:43:53.000
<v Speaker 2>was like, uh, that's that's a great alps hal Yep.

0:44:03.400 --> 0:44:06.760
<v Speaker 2>Thank you for listening to another edition of the Friday

0:44:06.840 --> 0:44:11.400
<v Speaker 2>Golf Podcast, and big thanks to Matt Rushes for editing

0:44:11.640 --> 0:44:16.360
<v Speaker 2>and producing this podcast. A quick reminder, if you you

0:44:16.400 --> 0:44:19.600
<v Speaker 2>know we're in that holiday time period, a great gift

0:44:19.840 --> 0:44:23.080
<v Speaker 2>is Club TFE. It is one hundred and twenty dollars

0:44:23.080 --> 0:44:27.279
<v Speaker 2>for the entire year and really we're putting up, you know,

0:44:27.520 --> 0:44:31.600
<v Speaker 2>a bunch of content in there, a new newest feature

0:44:31.760 --> 0:44:33.920
<v Speaker 2>in the last three months we you know, or so

0:44:34.200 --> 0:44:38.000
<v Speaker 2>we we put out every Monday a Design Notebook. It

0:44:38.160 --> 0:44:40.919
<v Speaker 2>just kind of like covers you know, stuff that we've

0:44:40.920 --> 0:44:43.840
<v Speaker 2>seen recently, as well as news in the world of

0:44:43.880 --> 0:44:49.839
<v Speaker 2>golf course architecture. This week I compared Old Barnwell and

0:44:50.320 --> 0:44:54.960
<v Speaker 2>the Tree Farm, two new golf courses in Aiken that

0:44:54.440 --> 0:44:58.120
<v Speaker 2>that I've seen, and just talk about what each's each

0:44:58.239 --> 0:45:02.160
<v Speaker 2>does really well. So Design Notebook comes out every Monday.

0:45:02.600 --> 0:45:05.560
<v Speaker 2>We have course profiles every week and much much more.

0:45:06.080 --> 0:45:09.399
<v Speaker 2>Thank you guys, to whoever is a member. It's been

0:45:09.480 --> 0:45:13.120
<v Speaker 2>really great to build that community and interact with it

0:45:13.160 --> 0:45:15.520
<v Speaker 2>throughout the year, and those that are on the fence,

0:45:15.600 --> 0:45:18.560
<v Speaker 2>this is a great time to do it around the holidays.

0:45:19.200 --> 0:45:22.160
<v Speaker 2>One hundred and twenty dollars and all that goes to

0:45:22.280 --> 0:45:25.920
<v Speaker 2>supporting what we're doing on a you're on basis, so

0:45:26.160 --> 0:45:28.359
<v Speaker 2>to join, go to the Frida Egg dot com and

0:45:28.400 --> 0:45:30.759
<v Speaker 2>then there's a Club TF button right at the top

0:45:30.760 --> 0:45:33.719
<v Speaker 2>of the screen. All right, We'll be back later this

0:45:33.760 --> 0:45:37.200
<v Speaker 2>week with another edition of the Yoke with Doak and

0:45:37.320 --> 0:45:37.719
<v Speaker 2>thank you