WEBVTT - 3 | Amén

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<v Speaker 1>Kah Consumed is a production of iHeart Podcasts and Grimm

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<v Speaker 1>and Mild from Aaron Maky Headphones Recommended listener discretion advised.

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<v Speaker 2>Yeah, yeah, you can see Maria Rote, Ami Brote, Ami Alfonso.

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<v Speaker 3>He's a good son there, costubborn sis santif.

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<v Speaker 2>N so to Reno said, so las la tierra COmON

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<v Speaker 2>siero donavia hi perforan just offenses, I see commnosatus bread

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<v Speaker 2>of mammals, the skins offending in knows that is cutting

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<v Speaker 2>up intessium in Libana knows that other mind a man, h.

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<v Speaker 4>M hm hm.

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<v Speaker 5>Hm.

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<v Speaker 6>You don't mind? Do you want being taped?

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<v Speaker 7>Nah?

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<v Speaker 6>If I did, then I'd probably need to rethink my profession,

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<v Speaker 6>wouldn't I. So usually I'm the one pressing record, you know,

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<v Speaker 6>on my phone, not something so antique vintage.

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<v Speaker 8>It's how we do it back home.

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<v Speaker 6>Really, I mean, I could have guessed you weren't from here, but.

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<v Speaker 8>A reminder that we're not here to talk about me,

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<v Speaker 8>but rather you missus Simmons.

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<v Speaker 6>J Just Sarah's fine, right, Well, let's.

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<v Speaker 8>See, Sarah Simmons. You graduated mid top of your class

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<v Speaker 8>at Northeastern. Both parents are school teachers, so I imagine

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<v Speaker 8>you'll be paying that off for a while, held a

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<v Speaker 8>couple of odd assistant jobs after UNI, but for months

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<v Speaker 8>now unemployed.

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<v Speaker 6>I'm sorry you have a file on me.

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<v Speaker 8>It's not hard when you lay out your entire life

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<v Speaker 8>for the whole online world to see.

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<v Speaker 6>Wait, you get internet.

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<v Speaker 8>You're a person of interest in a possible murder, and

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<v Speaker 8>that's your question. If I get Internet?

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<v Speaker 6>Well, how close from passable to confirmed?

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<v Speaker 8>Close enough that I wouldn't be so unconcerned if I

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<v Speaker 8>were you.

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<v Speaker 6>I know I didn't do anything, so I've got nothing

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<v Speaker 6>to worry about.

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<v Speaker 8>So it's pure luck that you turn up in Danville

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<v Speaker 8>just as the town sees its first real crime in decades.

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<v Speaker 6>Like I already told you, I was on my way

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<v Speaker 6>back from doing research at the reserve when your car

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<v Speaker 6>broke down.

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<v Speaker 8>Yes I remember, but you don't believe me. I don't

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<v Speaker 8>believe in coincidences, so much so in fact, that I've

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<v Speaker 8>built my career in dismantling them.

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<v Speaker 6>Must be quite a record. Then if you ended up

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<v Speaker 6>here in Danville, a town which, how did you put it,

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<v Speaker 6>hasn't seen a real crime in decades, that's a.

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<v Speaker 8>Fine line you're walking. Miss Simmons, Best be careful not

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<v Speaker 8>to fall.

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<v Speaker 6>Hasn't seen a real crime. You haven't seen a real crime,

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<v Speaker 6>hasn't seen a real crime decade.

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<v Speaker 7>I don't believe in coincidence.

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<v Speaker 6>I don't believe in analog, not without its quirks. We're

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<v Speaker 6>busy in here, Oldbert, just want to.

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<v Speaker 1>Let you know that we finally identified the remains.

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<v Speaker 6>Wait here, Okay. Sophie sheriff, who by the way, is

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<v Speaker 6>not vibing with me at all, just stepped out after

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<v Speaker 6>her Sideka came in looking like a spooked walrus, saying

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<v Speaker 6>they identified the body. Now they're out there talking, arguing,

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<v Speaker 6>hold on, I'm gonna get a better view. Okay, I

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<v Speaker 6>can't hear what they're saying, but she doesn't look happy.

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<v Speaker 6>He's explaining. She's not having it. He's shaking his head,

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<v Speaker 6>and they keep repeating something not Alfonso, either that or

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<v Speaker 6>how potato. I don't really wish i'd taking that lip

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<v Speaker 6>reading classic crap. Now they're pointing at me and she's

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<v Speaker 6>turned shit. Well, miss Simmons, Sarah, you are free to go.

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<v Speaker 6>How come h excuse me? A moment ago you were

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<v Speaker 6>a hair's breath away from accusing me of murder. But

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<v Speaker 6>now I just pick up and go.

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<v Speaker 8>That's right, you're no longer of interest to this investigation.

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<v Speaker 6>Which means I have an alibi. So then the murder

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<v Speaker 6>must have happened before I got to town, or better yet,

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<v Speaker 6>while I.

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<v Speaker 7>Was with Jack.

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<v Speaker 6>That's quite the deduction. It makes sense if the body

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<v Speaker 6>you found wasn't someone else's body is putting it generously,

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<v Speaker 6>So who is it?

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<v Speaker 9>A local?

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<v Speaker 6>Aaron McDonald?

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<v Speaker 8>And like you said, your alibi is saw So I

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<v Speaker 8>recommend leaving before the frenzy arrives. The last thing this

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<v Speaker 8>town needs is another gossip with a mic. And if

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<v Speaker 8>I don't, then you'll see that a tape recorder is

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<v Speaker 8>not my only old Habit won't be the first time

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<v Speaker 8>I deal with unwanted attention. It certainly won't be the last.

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<v Speaker 6>Right, got it? You never answered my question?

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<v Speaker 8>Which one?

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<v Speaker 6>If you get internet, no, we get facts.

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<v Speaker 10>Oh my gosh, you're out.

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<v Speaker 11>I tried asking Albert what was taking this long? But

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<v Speaker 11>the man, somehow, for the first time in his life,

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<v Speaker 11>decided to take a.

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<v Speaker 12>Vow of silence and then then made me wait outside

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<v Speaker 12>because I was quote unquote disturbing police protocol, which I

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<v Speaker 12>don't think is even a real thing.

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<v Speaker 11>And then I heard the news about Erin and he

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<v Speaker 11>wouldn't tell me if you needed a lawyer.

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<v Speaker 6>Whoa whoa, whoa hold on? Did you think I was

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<v Speaker 6>getting arrested?

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<v Speaker 7>Oh?

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<v Speaker 10>No, yesterday I thought I lived in a safe town.

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<v Speaker 10>And now I'm not so sure.

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<v Speaker 6>Oh, ye have little faith. I'm fine and I don't

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<v Speaker 6>need a lawyer, though I am fascinated to know what

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<v Speaker 6>ace defense attorney you'd call on if I did or

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<v Speaker 6>did I miss a firm on my way in.

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<v Speaker 11>Yeah, you're right, you probably wouldn't be any good or

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<v Speaker 11>she Really, you're making a case for gender equality in

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<v Speaker 11>a hypothetically shitty lawyer.

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<v Speaker 6>Women have just as much a right to mediocrity as

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<v Speaker 6>men do.

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<v Speaker 10>I'm gonna stop now because this feels like a trap.

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<v Speaker 7>So so what now?

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<v Speaker 6>Well the sheriff said, I'm free to go all clear.

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<v Speaker 10>That's great.

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<v Speaker 3>Yeah, no it is.

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<v Speaker 6>I guess I just started to like it here in Danville.

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<v Speaker 6>Oh gruesome death notwithstanding.

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<v Speaker 10>Of course, Yeah, yeah, of course, So you're gonna.

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<v Speaker 6>Go go that's the plan. I mean, this whole murder thing,

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<v Speaker 6>it's it's not really my beat.

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<v Speaker 10>You know, can't force put us in there exactly.

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<v Speaker 11>Well, the Tunnell messie.

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<v Speaker 6>Somehow I doubt that part of it.

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<v Speaker 10>Well, so this is it.

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<v Speaker 11>Thus the greatest adventure known to man and woman comes

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<v Speaker 11>to a close.

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<v Speaker 6>One final hurrah. Come on, that was weak.

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<v Speaker 3>I'll work on it.

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<v Speaker 6>Well, oh yeah, bring it in. We're doing Yeah, see

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<v Speaker 6>you not not it is? How hard is it to

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<v Speaker 6>just hug?

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<v Speaker 7>But no?

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<v Speaker 6>You just had to make it weird?

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<v Speaker 13>Why Sarah?

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<v Speaker 6>Why? Okay? Let's see, I think everything. No Christmas sweater?

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<v Speaker 6>I know I put it here somewhere, I think think

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<v Speaker 6>where was it?

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<v Speaker 5>Oh?

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<v Speaker 6>Sorry, I didn't think there was anyone in here?

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<v Speaker 7>It's fine.

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<v Speaker 6>I didn't mean to.

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<v Speaker 13>Are you okay?

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<v Speaker 9>It's nothing?

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<v Speaker 6>Hate to be that person, but doesn't look like nothing.

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<v Speaker 6>You sure you're okay?

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<v Speaker 9>What do you care?

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<v Speaker 6>Well, I'm a human being with empathy. It's kind of hardwired.

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<v Speaker 9>Aren't you leaving or something?

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<v Speaker 6>Listen, kid, you're young. Whatever it is, I'm sure it'll pass.

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<v Speaker 6>Just give it some time.

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<v Speaker 9>Oh really? So how long I gotta wait for someone

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<v Speaker 9>to come back to life?

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<v Speaker 14>A year?

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<v Speaker 9>Maybe two?

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<v Speaker 15>Oh?

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<v Speaker 9>Yeah, didn't think so, did you know?

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<v Speaker 6>Aaron?

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<v Speaker 5>No?

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<v Speaker 9>Now I'm fucking crying for a stranger. What do you think?

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<v Speaker 14>Right?

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<v Speaker 6>Dumb question?

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<v Speaker 9>Sorry, you're just like them, you know, like who my

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<v Speaker 9>parents this town. They all think they know better because

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<v Speaker 9>they're older like us, kids are just stupid.

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<v Speaker 6>I'm sure that's not.

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<v Speaker 9>We hear things, you know, when they whisper or when

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<v Speaker 9>they think they're alone.

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<v Speaker 14>What do you hear?

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<v Speaker 9>They say? The secrets are for our own good? But

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<v Speaker 9>I know they're lying, and Aaron knew it too. But

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<v Speaker 9>now she's gone and they still won't say the truth.

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<v Speaker 6>Avery, what do you hear?

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<v Speaker 9>You don't want to know?

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<v Speaker 13>Avery, stop bothering our guest. Oh sorry, dear, did I

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<v Speaker 13>startle you?

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<v Speaker 6>Oh no, no, that's not I just didn't hear you

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<v Speaker 6>come in, and he's not bothering me.

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<v Speaker 8>I mean, Avery, come on, I told you to get dressed.

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<v Speaker 6>Your suit's been laid out.

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<v Speaker 13>On your bed all morning.

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<v Speaker 9>Yeah, whatever, Sorry about that.

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<v Speaker 13>He's been taking all this pretty hard.

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<v Speaker 6>He was friends with Aaron, right, friends falls a bit short.

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<v Speaker 13>He never told us, but Jack and I saw how

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<v Speaker 13>they were together ever since they were little. And Ah,

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<v Speaker 13>now that poor girl. I can't imagine what her parents

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<v Speaker 13>are going through right now.

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<v Speaker 6>It must be unbearable.

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<v Speaker 13>Well, we're seeing them later today. Don't know how much

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<v Speaker 13>help a cast role will be, but I hope a

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<v Speaker 13>friendly face does better.

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<v Speaker 6>Did you know the McDonald's will know them?

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<v Speaker 13>We grew up together right here in this very town.

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<v Speaker 6>Oh wow, that's a really long time. I mean, wasn't

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<v Speaker 6>referring to your age or anything, and I should probably

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<v Speaker 6>shut up, untaken. I just meant, I don't think there's

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<v Speaker 6>anyone in my life that I've known for longer than

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<v Speaker 6>a couple of years. Only family.

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<v Speaker 16>I suppose that's what happens when you joined the great

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<v Speaker 16>big world out there. Everything's so bright and flashy, but

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<v Speaker 16>it's also fast and fast to move on. That's why

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<v Speaker 16>we value what we have here, even if others don't.

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<v Speaker 6>Right, you got all your things almost just missing one sweater.

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<v Speaker 6>I know I brought it with me, so it has

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<v Speaker 6>to be run here somewhere.

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<v Speaker 13>You mean this one?

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<v Speaker 6>Ah found it? Do you think it'll be much longer

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<v Speaker 6>for my car?

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<v Speaker 14>Buster says the parts are delayed. Oh so how do

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<v Speaker 14>I There's a bus leaving for Boston at eight.

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<v Speaker 6>I can drive you to the station, but I can't

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<v Speaker 6>just leave my car here.

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<v Speaker 14>Yeah, you'll have to. I spoke to Sheriff Allen. She

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<v Speaker 14>wants you on your way tonight.

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<v Speaker 6>Yeah, she made that pretty obvious.

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<v Speaker 14>Here I'll take that.

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<v Speaker 6>Oh no, no, no, you don't have to. It's oh okay, goodbye, Sarah.

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<v Speaker 6>It was great meeting you. Yeah. Likewise, Hey, I'm sorry,

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<v Speaker 6>could you so don't want to be late. I'm really

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<v Speaker 6>not in that big hurry.

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<v Speaker 14>Well you should be. Look, I'm sure you're aware of

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<v Speaker 14>Miss Simmons. This town's going through something horrible right now,

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<v Speaker 14>and we need to focus on our own, which means

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<v Speaker 14>the last thing we need is an outsider with prying eyes.

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<v Speaker 14>Sheriff Allen understands that, and I hope you do as well.

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<v Speaker 6>Seems like I went from Sarah to Miss Simmons real quick.

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<v Speaker 6>You're the one who invited me.

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<v Speaker 14>That was before, and now I'm saying you should go

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<v Speaker 14>here after you.

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<v Speaker 7>Last call for the seven fifty okay.

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<v Speaker 6>Hi, one ticket to Boston please eight.

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<v Speaker 7>O'clock, the last one for the day. Look at you

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<v Speaker 7>missed it.

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<v Speaker 6>Oh, trust me, the powers that be did not want.

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<v Speaker 7>Me to comes out to dollars and twenty seven cents.

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<v Speaker 7>We'll not be cash your credit cash.

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<v Speaker 6>It's okay, I'm there. Twenty one second for two and

0:14:10.720 --> 0:14:13.640
<v Speaker 6>there we go. Sorry, all right, here you go.

0:14:13.960 --> 0:14:16.000
<v Speaker 7>Let you get the Boston moding our platform.

0:14:15.679 --> 0:14:18.960
<v Speaker 6>Too, and I still can't seem to get a phone signal.

0:14:19.120 --> 0:14:20.760
<v Speaker 6>Is there a phone booth or something around here?

0:14:21.080 --> 0:14:24.040
<v Speaker 7>Unfortunately not, but try over by the fence. That's why,

0:14:24.080 --> 0:14:25.840
<v Speaker 7>would take over breaks? Next?

0:14:26.160 --> 0:14:26.400
<v Speaker 6>Great?

0:14:26.520 --> 0:14:31.200
<v Speaker 7>Thank you? Now one the eight o'clock bus to Boston. Now,

0:14:31.320 --> 0:14:33.600
<v Speaker 7>bought the eight o'clock bus to Boston.

0:14:34.840 --> 0:14:36.960
<v Speaker 6>All right, come on, one bar? That's it, that's all

0:14:37.000 --> 0:14:45.000
<v Speaker 6>I'm asking for. Yes, yes, okay, this is progress. Oh

0:14:45.200 --> 0:14:47.440
<v Speaker 6>why why Sarah? Why did you ask for this?

0:14:49.000 --> 0:14:59.600
<v Speaker 15>You have thirteen no voice messages plus one here. No,

0:15:01.040 --> 0:15:01.960
<v Speaker 15>you've been trying to reach you.

0:15:02.000 --> 0:15:06.119
<v Speaker 17>As Quinn calling again about.

0:15:05.920 --> 0:15:11.040
<v Speaker 18>Your Mount Red Thick delete aye there, calling about your

0:15:11.120 --> 0:15:14.120
<v Speaker 18>reason inquiry and our submission guidelines.

0:15:16.280 --> 0:15:20.840
<v Speaker 17>Guarding your NPF package. Unfortunately, we will not be able

0:15:20.880 --> 0:15:25.040
<v Speaker 17>to extend the deadline at this time when we play

0:15:25.240 --> 0:15:29.600
<v Speaker 17>a high value on efficiency and emission preparation we look

0:15:29.680 --> 0:15:32.840
<v Speaker 17>for in your project. Should you get it in on time?

0:15:33.560 --> 0:15:33.800
<v Speaker 9>Great?

0:15:34.480 --> 0:15:34.840
<v Speaker 6>Just great?

0:15:36.360 --> 0:15:36.680
<v Speaker 7>Sarah?

0:15:36.920 --> 0:15:37.800
<v Speaker 15>Where the hell are you?

0:15:37.920 --> 0:15:41.120
<v Speaker 18>We've been calling you for days now, Sarah, I swear

0:15:41.160 --> 0:15:43.240
<v Speaker 18>to God, if you don't pick up this phone right now,

0:15:43.280 --> 0:15:44.240
<v Speaker 18>I'm gonna come after you.

0:15:45.160 --> 0:15:45.720
<v Speaker 7>Are you dead?

0:15:46.040 --> 0:15:52.040
<v Speaker 18>Were you following up whole because otherwise I swear to you, Sarah, please.

0:15:53.480 --> 0:16:02.600
<v Speaker 6>Call me, okay, har that you Well, it's my phone,

0:16:02.720 --> 0:16:03.280
<v Speaker 6>so i'd hope.

0:16:03.320 --> 0:16:05.960
<v Speaker 18>So where have you been and why haven't you been

0:16:06.000 --> 0:16:08.360
<v Speaker 18>answering my colt? Every single one goes a voicemail.

0:16:08.440 --> 0:16:11.120
<v Speaker 6>Well, that would be because the specific region of the

0:16:11.200 --> 0:16:13.800
<v Speaker 6>US discovered time travel and has since decided that the

0:16:13.920 --> 0:16:18.680
<v Speaker 6>late eighteen hundreds is where we peaked. Why never mind?

0:16:18.800 --> 0:16:19.400
<v Speaker 17>Is is mom?

0:16:19.480 --> 0:16:19.720
<v Speaker 10>Okay?

0:16:20.840 --> 0:16:21.560
<v Speaker 15>Now you want to know?

0:16:22.360 --> 0:16:26.760
<v Speaker 18>Really, she fell going up the stairs, didn't even make

0:16:26.800 --> 0:16:29.360
<v Speaker 18>it off the ground, thankfully nothing broke.

0:16:29.920 --> 0:16:31.520
<v Speaker 6>So then why'd you say she was admitted?

0:16:32.320 --> 0:16:32.360
<v Speaker 17>What?

0:16:32.960 --> 0:16:33.520
<v Speaker 7>No, I didn't.

0:16:33.680 --> 0:16:34.880
<v Speaker 15>That wasn't about Mom.

0:16:35.520 --> 0:16:38.240
<v Speaker 6>Yeah you did. You said something something intensive care and

0:16:38.360 --> 0:16:39.880
<v Speaker 6>that she was admitted to the hospital.

0:16:40.360 --> 0:16:45.400
<v Speaker 15>No, that's not that's not why we were there. Listen,

0:16:46.000 --> 0:16:47.000
<v Speaker 15>when are you coming back?

0:16:47.520 --> 0:16:49.280
<v Speaker 18>Dana's out in the field asking when I'm going to

0:16:49.320 --> 0:16:51.360
<v Speaker 18>come see her, and I can't keep selling on my wife.

0:16:51.440 --> 0:16:52.720
<v Speaker 7>You need to help with mom.

0:16:53.960 --> 0:16:55.400
<v Speaker 6>But you're better with her.

0:16:56.080 --> 0:16:58.200
<v Speaker 18>Of course, I'm better with her. That's what happens when

0:16:58.240 --> 0:17:01.880
<v Speaker 18>you practice something you obvious would know. Since you're all gallivanting,

0:17:01.920 --> 0:17:02.560
<v Speaker 18>you know where?

0:17:03.360 --> 0:17:05.720
<v Speaker 6>Okay, First, of all props on the vocab. Didn't expect

0:17:05.720 --> 0:17:08.560
<v Speaker 6>that from you. And secondly, you know the town where

0:17:08.600 --> 0:17:11.000
<v Speaker 6>a girl got chopped up? Well, guess where I am.

0:17:11.760 --> 0:17:12.879
<v Speaker 15>What are you talking about?

0:17:13.520 --> 0:17:16.359
<v Speaker 6>What am I talking about? I'm talking about the murder

0:17:16.480 --> 0:17:18.240
<v Speaker 6>and disappearance in small town New Hampshire.

0:17:18.320 --> 0:17:18.800
<v Speaker 14>What do you think?

0:17:19.600 --> 0:17:21.920
<v Speaker 6>I'm sure it's all over the news by now. So yeah,

0:17:22.280 --> 0:17:26.040
<v Speaker 6>I've been a little busy being interrogated. Sorry, are you

0:17:26.119 --> 0:17:26.800
<v Speaker 6>making this uck?

0:17:27.440 --> 0:17:27.480
<v Speaker 11>What?

0:17:28.119 --> 0:17:28.159
<v Speaker 5>No?

0:17:29.320 --> 0:17:31.000
<v Speaker 15>And what the hell are you talking about?

0:17:31.080 --> 0:17:31.399
<v Speaker 7>Sarah?

0:17:32.359 --> 0:17:35.359
<v Speaker 6>A girl was found murdered here, or parts of her were,

0:17:35.440 --> 0:17:38.760
<v Speaker 6>at least, and then some guy straight up disappeared from

0:17:38.760 --> 0:17:41.840
<v Speaker 6>his work. Are you really telling me you haven't heard

0:17:41.840 --> 0:17:42.119
<v Speaker 6>about this?

0:17:42.960 --> 0:17:45.600
<v Speaker 18>No, Sarah, I haven't heard, and I have been watching

0:17:45.640 --> 0:17:47.360
<v Speaker 18>the news because that's what you do when your little

0:17:47.359 --> 0:17:51.400
<v Speaker 18>sister doesn't answer the vote for two days. I thought

0:17:51.440 --> 0:17:52.440
<v Speaker 18>something might have happened to you.

0:17:54.080 --> 0:17:57.879
<v Speaker 6>It was not two days, got it? Well I'm fine?

0:17:58.440 --> 0:17:59.640
<v Speaker 15>Oh yeah, you're coming home?

0:18:00.880 --> 0:18:03.520
<v Speaker 6>Are you sure you haven't heard about this? Something like

0:18:04.119 --> 0:18:07.240
<v Speaker 6>I don't know the Danville deadening.

0:18:07.800 --> 0:18:10.840
<v Speaker 18>The next door suburbia would be imploding. So no, no

0:18:10.960 --> 0:18:11.760
<v Speaker 18>breaking news here.

0:18:16.080 --> 0:18:19.280
<v Speaker 6>Ship that's my buss. I gotta go aware.

0:18:20.560 --> 0:18:21.480
<v Speaker 7>Platform two.

0:18:41.720 --> 0:18:47.120
<v Speaker 10>Sorry, like I said, the library still close. Hey, you're

0:18:47.160 --> 0:18:49.440
<v Speaker 10>really gonna have to come back another Oh you're back,

0:18:49.920 --> 0:18:50.479
<v Speaker 10>miss me much?

0:18:51.720 --> 0:18:53.480
<v Speaker 11>What happened to you?

0:18:54.440 --> 0:18:54.840
<v Speaker 10>Oh this?

0:18:56.200 --> 0:18:59.760
<v Speaker 6>Well, since there are no buses destination Danville, I had

0:18:59.800 --> 0:19:02.080
<v Speaker 6>to with the trucker who wouldn't shut up about fishing line,

0:19:02.400 --> 0:19:04.600
<v Speaker 6>And since the route only went as far as Woodstone Creek,

0:19:04.640 --> 0:19:06.480
<v Speaker 6>I had to splash through a field for the last

0:19:06.480 --> 0:19:09.800
<v Speaker 6>two miles here, Hence the mud and the dirt and

0:19:09.840 --> 0:19:11.720
<v Speaker 6>the grass where no grass should ever grass.

0:19:12.320 --> 0:19:14.840
<v Speaker 11>Okay, let me make sure I'm getting this right. You're

0:19:14.880 --> 0:19:18.360
<v Speaker 11>not only hitchhike with a complete stranger, but also walk

0:19:18.440 --> 0:19:21.520
<v Speaker 11>two miles alone in the dark while there's a murderer

0:19:21.560 --> 0:19:22.119
<v Speaker 11>on the loose.

0:19:23.040 --> 0:19:25.480
<v Speaker 6>In hindsight, I should be dead.

0:19:26.240 --> 0:19:27.520
<v Speaker 10>What do you have to say for yourself?

0:19:27.920 --> 0:19:29.080
<v Speaker 6>It was a lady trucker.

0:19:30.280 --> 0:19:33.000
<v Speaker 11>Women have just as much right to be murderers as

0:19:33.080 --> 0:19:33.359
<v Speaker 11>men do.

0:19:33.560 --> 0:19:42.840
<v Speaker 6>Oh shut up, so, mister lead tenant. I know it's

0:19:43.000 --> 0:19:45.400
<v Speaker 6>no high rise, but maybe you've got an extra room.

0:19:47.720 --> 0:19:50.120
<v Speaker 10>You're here for business or pleasure?

0:19:51.040 --> 0:19:52.040
<v Speaker 6>Who says it can't be both?

0:20:00.240 --> 0:20:11.639
<v Speaker 4>H m hmmm mm hmmm mm hmmm mm hmmm.

0:20:15.960 --> 0:20:22.560
<v Speaker 10>Grassiers, do you see the Grassiers, hell, please.

0:20:22.960 --> 0:20:32.960
<v Speaker 5>Scientific nobody. We're gonna trusted right now. I seem like

0:20:33.080 --> 0:20:41.720
<v Speaker 5>theater accommodations. When start from stress of friends.

0:20:45.720 --> 0:20:49.840
<v Speaker 10>You hear me, Ma, I'm hurt, and I think, don't

0:20:49.880 --> 0:20:50.960
<v Speaker 10>think I'm gonna make it.

0:20:51.600 --> 0:20:54.760
<v Speaker 5>I see coming as I just give myself friend.

0:20:55.000 --> 0:21:16.240
<v Speaker 10>I'm sorry, Ma, Luten, I think well, I'm consumed.

0:21:16.480 --> 0:21:21.200
<v Speaker 1>Episode three, ah Men written by Alessandra Hara del Castillo,

0:21:21.680 --> 0:21:26.000
<v Speaker 1>editing and sound design by Jesse Funk, Starring Rachel Rosenbloom

0:21:26.119 --> 0:21:31.399
<v Speaker 1>and Arturo Castro, with Ruth Connell, Sam Rod, Genevieve Padalaki,

0:21:31.800 --> 0:21:36.880
<v Speaker 1>Benjamin Stockholm, Charlie David Newell, Mike Korich, Anna East Fairweather,

0:21:37.280 --> 0:21:43.159
<v Speaker 1>Junior A Lobby, Alma Martinez, Tracy Martin, Laura Shine, George Vincent,

0:21:43.400 --> 0:21:49.040
<v Speaker 1>and Ratteel Corkill. Directed by Alexander Williams, Assistant director Trevor Young,

0:21:49.400 --> 0:21:54.000
<v Speaker 1>Casting by Sunday Bowling CSA and Meg Mormon CSA. Production

0:21:54.160 --> 0:21:59.440
<v Speaker 1>coordinator Wayna Calderon. Music by Carlos Folia Consumed The season

0:21:59.520 --> 0:22:03.520
<v Speaker 1>one score available now on Apple Music, Spotify, or wherever

0:22:03.720 --> 0:22:09.080
<v Speaker 1>music is streamed. Executive producers Aaronmanky, Carlos Folia, Matt Frederick

0:22:09.200 --> 0:22:13.680
<v Speaker 1>and Alexander Williams supervising producers Trevor Young and Josh Thain.

0:22:14.119 --> 0:22:19.199
<v Speaker 1>Producers Noami Griffin, Jesse Funk and Rima Ilkali. Recorded at

0:22:19.359 --> 0:22:24.320
<v Speaker 1>This Is Sound Design Studios, Burbank, California, engineered by Ross Aerono,

0:22:24.840 --> 0:22:29.399
<v Speaker 1>east Side Studios, Austin, Texas, engineered by Austin Sisler and

0:22:29.760 --> 0:22:34.320
<v Speaker 1>Aros Creative and Sound Ohi, California, engineered by Ken Aros.

0:22:34.800 --> 0:22:38.480
<v Speaker 1>Consumed was created by Carlos Folia, inspired by the novel

0:22:38.680 --> 0:22:41.800
<v Speaker 1>by Aaron Manky. Consumed is the newest chapter in the

0:22:41.880 --> 0:22:45.679
<v Speaker 1>Bridgewater universe. To learn more and catch up, visit Grimandmild

0:22:45.840 --> 0:22:50.160
<v Speaker 1>dot com Slash Bridgewater. Learn more about Consumed at grimmanmile

0:22:50.240 --> 0:22:54.000
<v Speaker 1>dot com Slash Consumed, and find more podcasts from iHeartRadio

0:22:54.240 --> 0:22:57.800
<v Speaker 1>by visiting the iHeartRadio app, Apple Podcasts, or wherever you

0:22:58.000 --> 0:22:59.320
<v Speaker 1>listen to your favorite shows.