1 00:00:00,080 --> 00:00:03,640 Speaker 1: Kah Consumed is a production of iHeart Podcasts and Grimm 2 00:00:03,640 --> 00:00:08,719 Speaker 1: and Mild from Aaron Maky Headphones Recommended listener discretion advised. 3 00:00:21,600 --> 00:00:31,040 Speaker 2: Yeah, yeah, you can see Maria Rote, Ami Brote, Ami Alfonso. 4 00:00:35,520 --> 00:00:46,360 Speaker 3: He's a good son there, costubborn sis santif. 5 00:00:48,240 --> 00:00:55,280 Speaker 2: N so to Reno said, so las la tierra COmON 6 00:00:55,480 --> 00:01:02,240 Speaker 2: siero donavia hi perforan just offenses, I see commnosatus bread 7 00:01:02,240 --> 00:01:06,800 Speaker 2: of mammals, the skins offending in knows that is cutting 8 00:01:06,880 --> 00:01:46,959 Speaker 2: up intessium in Libana knows that other mind a man, h. 9 00:01:50,880 --> 00:01:57,800 Speaker 4: M hm hm. 10 00:01:59,800 --> 00:01:59,880 Speaker 5: Hm. 11 00:02:37,840 --> 00:02:40,200 Speaker 6: You don't mind? Do you want being taped? 12 00:02:40,919 --> 00:02:41,119 Speaker 7: Nah? 13 00:02:41,639 --> 00:02:43,640 Speaker 6: If I did, then I'd probably need to rethink my profession, 14 00:02:43,639 --> 00:02:47,799 Speaker 6: wouldn't I. So usually I'm the one pressing record, you know, 15 00:02:48,200 --> 00:02:52,320 Speaker 6: on my phone, not something so antique vintage. 16 00:02:53,360 --> 00:02:54,560 Speaker 8: It's how we do it back home. 17 00:02:55,440 --> 00:02:58,120 Speaker 6: Really, I mean, I could have guessed you weren't from here, but. 18 00:02:58,320 --> 00:03:00,440 Speaker 8: A reminder that we're not here to talk about me, 19 00:03:00,760 --> 00:03:02,720 Speaker 8: but rather you missus Simmons. 20 00:03:03,440 --> 00:03:07,040 Speaker 6: J Just Sarah's fine, right, Well, let's. 21 00:03:06,800 --> 00:03:12,320 Speaker 8: See, Sarah Simmons. You graduated mid top of your class 22 00:03:12,360 --> 00:03:16,160 Speaker 8: at Northeastern. Both parents are school teachers, so I imagine 23 00:03:16,160 --> 00:03:18,720 Speaker 8: you'll be paying that off for a while, held a 24 00:03:18,840 --> 00:03:22,359 Speaker 8: couple of odd assistant jobs after UNI, but for months 25 00:03:22,520 --> 00:03:24,000 Speaker 8: now unemployed. 26 00:03:24,800 --> 00:03:26,320 Speaker 6: I'm sorry you have a file on me. 27 00:03:26,760 --> 00:03:29,000 Speaker 8: It's not hard when you lay out your entire life 28 00:03:29,040 --> 00:03:30,560 Speaker 8: for the whole online world to see. 29 00:03:31,120 --> 00:03:32,280 Speaker 6: Wait, you get internet. 30 00:03:33,200 --> 00:03:35,960 Speaker 8: You're a person of interest in a possible murder, and 31 00:03:36,080 --> 00:03:38,440 Speaker 8: that's your question. If I get Internet? 32 00:03:38,760 --> 00:03:40,680 Speaker 6: Well, how close from passable to confirmed? 33 00:03:41,200 --> 00:03:43,760 Speaker 8: Close enough that I wouldn't be so unconcerned if I 34 00:03:43,880 --> 00:03:44,120 Speaker 8: were you. 35 00:03:45,040 --> 00:03:47,120 Speaker 6: I know I didn't do anything, so I've got nothing 36 00:03:47,160 --> 00:03:47,640 Speaker 6: to worry about. 37 00:03:48,000 --> 00:03:50,520 Speaker 8: So it's pure luck that you turn up in Danville 38 00:03:50,920 --> 00:03:54,120 Speaker 8: just as the town sees its first real crime in decades. 39 00:03:54,560 --> 00:03:56,080 Speaker 6: Like I already told you, I was on my way 40 00:03:56,120 --> 00:03:58,160 Speaker 6: back from doing research at the reserve when your car 41 00:03:58,280 --> 00:03:58,760 Speaker 6: broke down. 42 00:03:58,880 --> 00:04:02,560 Speaker 8: Yes I remember, but you don't believe me. I don't 43 00:04:02,640 --> 00:04:06,400 Speaker 8: believe in coincidences, so much so in fact, that I've 44 00:04:06,440 --> 00:04:08,080 Speaker 8: built my career in dismantling them. 45 00:04:08,920 --> 00:04:10,600 Speaker 6: Must be quite a record. Then if you ended up 46 00:04:10,600 --> 00:04:13,040 Speaker 6: here in Danville, a town which, how did you put it, 47 00:04:13,760 --> 00:04:17,640 Speaker 6: hasn't seen a real crime in decades, that's a. 48 00:04:17,680 --> 00:04:21,200 Speaker 8: Fine line you're walking. Miss Simmons, Best be careful not 49 00:04:21,400 --> 00:04:21,840 Speaker 8: to fall. 50 00:04:22,520 --> 00:04:25,760 Speaker 6: Hasn't seen a real crime. You haven't seen a real crime, 51 00:04:26,320 --> 00:04:28,440 Speaker 6: hasn't seen a real crime decade. 52 00:04:28,760 --> 00:04:30,240 Speaker 7: I don't believe in coincidence. 53 00:04:31,320 --> 00:04:36,680 Speaker 6: I don't believe in analog, not without its quirks. We're 54 00:04:36,720 --> 00:04:38,719 Speaker 6: busy in here, Oldbert, just want to. 55 00:04:38,720 --> 00:04:40,920 Speaker 1: Let you know that we finally identified the remains. 56 00:04:41,560 --> 00:04:50,520 Speaker 6: Wait here, Okay. Sophie sheriff, who by the way, is 57 00:04:50,560 --> 00:04:53,000 Speaker 6: not vibing with me at all, just stepped out after 58 00:04:53,080 --> 00:04:56,280 Speaker 6: her Sideka came in looking like a spooked walrus, saying 59 00:04:56,320 --> 00:05:00,640 Speaker 6: they identified the body. Now they're out there talking, arguing, 60 00:05:01,240 --> 00:05:05,680 Speaker 6: hold on, I'm gonna get a better view. Okay, I 61 00:05:05,920 --> 00:05:08,839 Speaker 6: can't hear what they're saying, but she doesn't look happy. 62 00:05:09,320 --> 00:05:12,120 Speaker 6: He's explaining. She's not having it. He's shaking his head, 63 00:05:12,160 --> 00:05:16,600 Speaker 6: and they keep repeating something not Alfonso, either that or 64 00:05:16,600 --> 00:05:19,440 Speaker 6: how potato. I don't really wish i'd taking that lip 65 00:05:19,480 --> 00:05:21,839 Speaker 6: reading classic crap. Now they're pointing at me and she's 66 00:05:21,920 --> 00:05:28,120 Speaker 6: turned shit. Well, miss Simmons, Sarah, you are free to go. 67 00:05:28,640 --> 00:05:33,040 Speaker 6: How come h excuse me? A moment ago you were 68 00:05:33,080 --> 00:05:35,120 Speaker 6: a hair's breath away from accusing me of murder. But 69 00:05:35,320 --> 00:05:37,000 Speaker 6: now I just pick up and go. 70 00:05:37,480 --> 00:05:41,520 Speaker 8: That's right, you're no longer of interest to this investigation. 71 00:05:41,480 --> 00:05:43,920 Speaker 6: Which means I have an alibi. So then the murder 72 00:05:44,000 --> 00:05:46,120 Speaker 6: must have happened before I got to town, or better yet, 73 00:05:46,160 --> 00:05:46,400 Speaker 6: while I. 74 00:05:46,480 --> 00:05:46,920 Speaker 7: Was with Jack. 75 00:05:47,480 --> 00:05:50,080 Speaker 6: That's quite the deduction. It makes sense if the body 76 00:05:50,120 --> 00:05:53,120 Speaker 6: you found wasn't someone else's body is putting it generously, 77 00:05:53,839 --> 00:05:54,400 Speaker 6: So who is it? 78 00:05:54,839 --> 00:05:55,320 Speaker 9: A local? 79 00:05:56,200 --> 00:05:57,039 Speaker 6: Aaron McDonald? 80 00:05:58,040 --> 00:06:00,280 Speaker 8: And like you said, your alibi is saw So I 81 00:06:00,400 --> 00:06:04,080 Speaker 8: recommend leaving before the frenzy arrives. The last thing this 82 00:06:04,200 --> 00:06:07,280 Speaker 8: town needs is another gossip with a mic. And if 83 00:06:07,320 --> 00:06:09,920 Speaker 8: I don't, then you'll see that a tape recorder is 84 00:06:10,000 --> 00:06:13,360 Speaker 8: not my only old Habit won't be the first time 85 00:06:13,440 --> 00:06:17,400 Speaker 8: I deal with unwanted attention. It certainly won't be the last. 86 00:06:18,240 --> 00:06:24,200 Speaker 6: Right, got it? You never answered my question? 87 00:06:24,920 --> 00:06:25,479 Speaker 8: Which one? 88 00:06:26,120 --> 00:06:29,919 Speaker 6: If you get internet, no, we get facts. 89 00:06:37,960 --> 00:06:39,120 Speaker 10: Oh my gosh, you're out. 90 00:06:40,160 --> 00:06:42,400 Speaker 11: I tried asking Albert what was taking this long? But 91 00:06:42,520 --> 00:06:44,800 Speaker 11: the man, somehow, for the first time in his life, 92 00:06:45,040 --> 00:06:45,880 Speaker 11: decided to take a. 93 00:06:45,960 --> 00:06:49,640 Speaker 12: Vow of silence and then then made me wait outside 94 00:06:49,720 --> 00:06:54,880 Speaker 12: because I was quote unquote disturbing police protocol, which I 95 00:06:54,880 --> 00:06:56,520 Speaker 12: don't think is even a real thing. 96 00:06:57,080 --> 00:06:59,080 Speaker 11: And then I heard the news about Erin and he 97 00:06:59,080 --> 00:07:00,880 Speaker 11: wouldn't tell me if you needed a lawyer. 98 00:07:01,120 --> 00:07:04,240 Speaker 6: Whoa whoa, whoa hold on? Did you think I was 99 00:07:04,279 --> 00:07:04,960 Speaker 6: getting arrested? 100 00:07:05,040 --> 00:07:05,160 Speaker 7: Oh? 101 00:07:05,279 --> 00:07:08,080 Speaker 10: No, yesterday I thought I lived in a safe town. 102 00:07:08,200 --> 00:07:10,240 Speaker 10: And now I'm not so sure. 103 00:07:11,440 --> 00:07:15,160 Speaker 6: Oh, ye have little faith. I'm fine and I don't 104 00:07:15,200 --> 00:07:18,040 Speaker 6: need a lawyer, though I am fascinated to know what 105 00:07:18,120 --> 00:07:20,440 Speaker 6: ace defense attorney you'd call on if I did or 106 00:07:20,640 --> 00:07:22,280 Speaker 6: did I miss a firm on my way in. 107 00:07:22,880 --> 00:07:25,400 Speaker 11: Yeah, you're right, you probably wouldn't be any good or 108 00:07:25,520 --> 00:07:29,400 Speaker 11: she Really, you're making a case for gender equality in 109 00:07:29,480 --> 00:07:31,320 Speaker 11: a hypothetically shitty lawyer. 110 00:07:31,760 --> 00:07:33,960 Speaker 6: Women have just as much a right to mediocrity as 111 00:07:34,000 --> 00:07:34,240 Speaker 6: men do. 112 00:07:35,120 --> 00:07:37,600 Speaker 10: I'm gonna stop now because this feels like a trap. 113 00:07:40,440 --> 00:07:41,600 Speaker 7: So so what now? 114 00:07:42,400 --> 00:07:45,680 Speaker 6: Well the sheriff said, I'm free to go all clear. 115 00:07:46,160 --> 00:07:46,640 Speaker 10: That's great. 116 00:07:47,400 --> 00:07:49,000 Speaker 3: Yeah, no it is. 117 00:07:49,800 --> 00:07:53,400 Speaker 6: I guess I just started to like it here in Danville. 118 00:07:54,160 --> 00:07:57,320 Speaker 6: Oh gruesome death notwithstanding. 119 00:07:56,840 --> 00:08:01,800 Speaker 10: Of course, Yeah, yeah, of course, So you're gonna. 120 00:08:01,680 --> 00:08:06,280 Speaker 6: Go go that's the plan. I mean, this whole murder thing, 121 00:08:06,400 --> 00:08:08,200 Speaker 6: it's it's not really my beat. 122 00:08:08,080 --> 00:08:11,640 Speaker 10: You know, can't force put us in there exactly. 123 00:08:12,680 --> 00:08:14,680 Speaker 11: Well, the Tunnell messie. 124 00:08:15,920 --> 00:08:18,480 Speaker 6: Somehow I doubt that part of it. 125 00:08:18,600 --> 00:08:22,040 Speaker 10: Well, so this is it. 126 00:08:22,680 --> 00:08:26,239 Speaker 11: Thus the greatest adventure known to man and woman comes 127 00:08:26,280 --> 00:08:26,840 Speaker 11: to a close. 128 00:08:27,200 --> 00:08:30,560 Speaker 6: One final hurrah. Come on, that was weak. 129 00:08:31,720 --> 00:08:32,360 Speaker 3: I'll work on it. 130 00:08:33,720 --> 00:08:41,280 Speaker 6: Well, oh yeah, bring it in. We're doing Yeah, see 131 00:08:41,360 --> 00:08:48,439 Speaker 6: you not not it is? How hard is it to 132 00:08:48,559 --> 00:08:48,920 Speaker 6: just hug? 133 00:08:49,080 --> 00:08:49,280 Speaker 7: But no? 134 00:08:49,480 --> 00:08:50,559 Speaker 6: You just had to make it weird? 135 00:08:50,679 --> 00:08:51,439 Speaker 13: Why Sarah? 136 00:08:51,559 --> 00:09:01,040 Speaker 6: Why? Okay? Let's see, I think everything. No Christmas sweater? 137 00:09:01,280 --> 00:09:03,640 Speaker 6: I know I put it here somewhere, I think think 138 00:09:03,720 --> 00:09:04,160 Speaker 6: where was it? 139 00:09:05,600 --> 00:09:05,760 Speaker 5: Oh? 140 00:09:06,040 --> 00:09:07,719 Speaker 6: Sorry, I didn't think there was anyone in here? 141 00:09:08,360 --> 00:09:08,840 Speaker 7: It's fine. 142 00:09:09,400 --> 00:09:09,920 Speaker 6: I didn't mean to. 143 00:09:10,880 --> 00:09:11,439 Speaker 13: Are you okay? 144 00:09:12,720 --> 00:09:13,280 Speaker 9: It's nothing? 145 00:09:14,160 --> 00:09:17,080 Speaker 6: Hate to be that person, but doesn't look like nothing. 146 00:09:17,880 --> 00:09:19,160 Speaker 6: You sure you're okay? 147 00:09:19,600 --> 00:09:20,199 Speaker 9: What do you care? 148 00:09:21,000 --> 00:09:25,200 Speaker 6: Well, I'm a human being with empathy. It's kind of hardwired. 149 00:09:25,960 --> 00:09:27,240 Speaker 9: Aren't you leaving or something? 150 00:09:27,960 --> 00:09:32,240 Speaker 6: Listen, kid, you're young. Whatever it is, I'm sure it'll pass. 151 00:09:32,720 --> 00:09:34,120 Speaker 6: Just give it some time. 152 00:09:36,200 --> 00:09:38,640 Speaker 9: Oh really? So how long I gotta wait for someone 153 00:09:38,679 --> 00:09:39,560 Speaker 9: to come back to life? 154 00:09:40,679 --> 00:09:41,040 Speaker 14: A year? 155 00:09:41,880 --> 00:09:42,360 Speaker 9: Maybe two? 156 00:09:42,960 --> 00:09:43,120 Speaker 15: Oh? 157 00:09:43,760 --> 00:09:46,679 Speaker 9: Yeah, didn't think so, did you know? 158 00:09:47,080 --> 00:09:47,400 Speaker 6: Aaron? 159 00:09:48,200 --> 00:09:48,240 Speaker 5: No? 160 00:09:49,160 --> 00:09:51,800 Speaker 9: Now I'm fucking crying for a stranger. What do you think? 161 00:09:52,400 --> 00:09:52,559 Speaker 14: Right? 162 00:09:53,360 --> 00:09:53,920 Speaker 6: Dumb question? 163 00:09:54,120 --> 00:09:58,800 Speaker 9: Sorry, you're just like them, you know, like who my 164 00:09:59,040 --> 00:10:03,319 Speaker 9: parents this town. They all think they know better because 165 00:10:03,320 --> 00:10:07,040 Speaker 9: they're older like us, kids are just stupid. 166 00:10:07,640 --> 00:10:08,520 Speaker 6: I'm sure that's not. 167 00:10:08,760 --> 00:10:12,400 Speaker 9: We hear things, you know, when they whisper or when 168 00:10:12,440 --> 00:10:13,439 Speaker 9: they think they're alone. 169 00:10:14,600 --> 00:10:15,160 Speaker 14: What do you hear? 170 00:10:16,400 --> 00:10:19,400 Speaker 9: They say? The secrets are for our own good? But 171 00:10:19,520 --> 00:10:25,480 Speaker 9: I know they're lying, and Aaron knew it too. But 172 00:10:25,600 --> 00:10:29,400 Speaker 9: now she's gone and they still won't say the truth. 173 00:10:30,840 --> 00:10:32,959 Speaker 6: Avery, what do you hear? 174 00:10:34,120 --> 00:10:34,839 Speaker 9: You don't want to know? 175 00:10:35,480 --> 00:10:40,360 Speaker 13: Avery, stop bothering our guest. Oh sorry, dear, did I 176 00:10:40,480 --> 00:10:41,000 Speaker 13: startle you? 177 00:10:41,520 --> 00:10:44,439 Speaker 6: Oh no, no, that's not I just didn't hear you 178 00:10:44,520 --> 00:10:46,640 Speaker 6: come in, and he's not bothering me. 179 00:10:46,880 --> 00:10:49,319 Speaker 8: I mean, Avery, come on, I told you to get dressed. 180 00:10:49,320 --> 00:10:50,320 Speaker 6: Your suit's been laid out. 181 00:10:50,240 --> 00:10:51,280 Speaker 13: On your bed all morning. 182 00:10:52,400 --> 00:10:56,079 Speaker 9: Yeah, whatever, Sorry about that. 183 00:10:56,400 --> 00:10:58,400 Speaker 13: He's been taking all this pretty hard. 184 00:10:59,559 --> 00:11:04,760 Speaker 6: He was friends with Aaron, right, friends falls a bit short. 185 00:11:05,720 --> 00:11:08,040 Speaker 13: He never told us, but Jack and I saw how 186 00:11:08,080 --> 00:11:11,440 Speaker 13: they were together ever since they were little. And Ah, 187 00:11:11,920 --> 00:11:17,679 Speaker 13: now that poor girl. I can't imagine what her parents 188 00:11:17,720 --> 00:11:18,679 Speaker 13: are going through right now. 189 00:11:19,640 --> 00:11:20,800 Speaker 6: It must be unbearable. 190 00:11:21,559 --> 00:11:24,640 Speaker 13: Well, we're seeing them later today. Don't know how much 191 00:11:24,679 --> 00:11:27,920 Speaker 13: help a cast role will be, but I hope a 192 00:11:28,000 --> 00:11:29,320 Speaker 13: friendly face does better. 193 00:11:30,280 --> 00:11:32,360 Speaker 6: Did you know the McDonald's will know them? 194 00:11:33,160 --> 00:11:37,200 Speaker 13: We grew up together right here in this very town. 195 00:11:37,760 --> 00:11:41,040 Speaker 6: Oh wow, that's a really long time. I mean, wasn't 196 00:11:41,040 --> 00:11:43,080 Speaker 6: referring to your age or anything, and I should probably 197 00:11:43,280 --> 00:11:48,080 Speaker 6: shut up, untaken. I just meant, I don't think there's 198 00:11:48,080 --> 00:11:49,960 Speaker 6: anyone in my life that I've known for longer than 199 00:11:50,000 --> 00:11:52,000 Speaker 6: a couple of years. Only family. 200 00:11:52,200 --> 00:11:55,320 Speaker 16: I suppose that's what happens when you joined the great 201 00:11:55,400 --> 00:11:58,240 Speaker 16: big world out there. Everything's so bright and flashy, but 202 00:11:58,480 --> 00:12:02,640 Speaker 16: it's also fast and fast to move on. That's why 203 00:12:02,720 --> 00:12:06,120 Speaker 16: we value what we have here, even if others don't. 204 00:12:06,679 --> 00:12:13,000 Speaker 6: Right, you got all your things almost just missing one sweater. 205 00:12:13,240 --> 00:12:15,120 Speaker 6: I know I brought it with me, so it has 206 00:12:15,120 --> 00:12:16,239 Speaker 6: to be run here somewhere. 207 00:12:16,360 --> 00:12:17,280 Speaker 13: You mean this one? 208 00:12:17,760 --> 00:12:22,080 Speaker 6: Ah found it? Do you think it'll be much longer 209 00:12:22,160 --> 00:12:22,560 Speaker 6: for my car? 210 00:12:23,040 --> 00:12:27,079 Speaker 14: Buster says the parts are delayed. Oh so how do 211 00:12:27,200 --> 00:12:30,719 Speaker 14: I There's a bus leaving for Boston at eight. 212 00:12:31,400 --> 00:12:34,120 Speaker 6: I can drive you to the station, but I can't 213 00:12:34,240 --> 00:12:35,199 Speaker 6: just leave my car here. 214 00:12:36,280 --> 00:12:40,240 Speaker 14: Yeah, you'll have to. I spoke to Sheriff Allen. She 215 00:12:40,400 --> 00:12:41,720 Speaker 14: wants you on your way tonight. 216 00:12:42,200 --> 00:12:43,480 Speaker 6: Yeah, she made that pretty obvious. 217 00:12:44,000 --> 00:12:45,199 Speaker 14: Here I'll take that. 218 00:12:45,400 --> 00:12:49,880 Speaker 6: Oh no, no, no, you don't have to. It's oh okay, goodbye, Sarah. 219 00:12:50,360 --> 00:12:59,240 Speaker 6: It was great meeting you. Yeah. Likewise, Hey, I'm sorry, 220 00:12:59,320 --> 00:13:03,480 Speaker 6: could you so don't want to be late. I'm really 221 00:13:03,559 --> 00:13:04,600 Speaker 6: not in that big hurry. 222 00:13:05,400 --> 00:13:09,400 Speaker 14: Well you should be. Look, I'm sure you're aware of 223 00:13:09,440 --> 00:13:12,640 Speaker 14: Miss Simmons. This town's going through something horrible right now, 224 00:13:13,000 --> 00:13:15,720 Speaker 14: and we need to focus on our own, which means 225 00:13:15,800 --> 00:13:19,040 Speaker 14: the last thing we need is an outsider with prying eyes. 226 00:13:19,600 --> 00:13:23,160 Speaker 14: Sheriff Allen understands that, and I hope you do as well. 227 00:13:24,000 --> 00:13:27,320 Speaker 6: Seems like I went from Sarah to Miss Simmons real quick. 228 00:13:28,120 --> 00:13:29,240 Speaker 6: You're the one who invited me. 229 00:13:29,640 --> 00:13:32,719 Speaker 14: That was before, and now I'm saying you should go 230 00:13:34,280 --> 00:13:35,200 Speaker 14: here after you. 231 00:13:44,920 --> 00:13:47,600 Speaker 7: Last call for the seven fifty okay. 232 00:13:49,840 --> 00:13:51,720 Speaker 6: Hi, one ticket to Boston please eight. 233 00:13:51,640 --> 00:13:54,480 Speaker 7: O'clock, the last one for the day. Look at you 234 00:13:55,640 --> 00:13:55,959 Speaker 7: missed it. 235 00:13:56,280 --> 00:13:58,360 Speaker 6: Oh, trust me, the powers that be did not want. 236 00:13:58,240 --> 00:14:01,679 Speaker 7: Me to comes out to dollars and twenty seven cents. 237 00:14:01,720 --> 00:14:04,160 Speaker 7: We'll not be cash your credit cash. 238 00:14:05,480 --> 00:14:10,439 Speaker 6: It's okay, I'm there. Twenty one second for two and 239 00:14:10,720 --> 00:14:13,640 Speaker 6: there we go. Sorry, all right, here you go. 240 00:14:13,960 --> 00:14:16,000 Speaker 7: Let you get the Boston moding our platform. 241 00:14:15,679 --> 00:14:18,960 Speaker 6: Too, and I still can't seem to get a phone signal. 242 00:14:19,120 --> 00:14:20,760 Speaker 6: Is there a phone booth or something around here? 243 00:14:21,080 --> 00:14:24,040 Speaker 7: Unfortunately not, but try over by the fence. That's why, 244 00:14:24,080 --> 00:14:25,840 Speaker 7: would take over breaks? Next? 245 00:14:26,160 --> 00:14:26,400 Speaker 6: Great? 246 00:14:26,520 --> 00:14:31,200 Speaker 7: Thank you? Now one the eight o'clock bus to Boston. Now, 247 00:14:31,320 --> 00:14:33,600 Speaker 7: bought the eight o'clock bus to Boston. 248 00:14:34,840 --> 00:14:36,960 Speaker 6: All right, come on, one bar? That's it, that's all 249 00:14:37,000 --> 00:14:45,000 Speaker 6: I'm asking for. Yes, yes, okay, this is progress. Oh 250 00:14:45,200 --> 00:14:47,440 Speaker 6: why why Sarah? Why did you ask for this? 251 00:14:49,000 --> 00:14:59,600 Speaker 15: You have thirteen no voice messages plus one here. No, 252 00:15:01,040 --> 00:15:01,960 Speaker 15: you've been trying to reach you. 253 00:15:02,000 --> 00:15:06,119 Speaker 17: As Quinn calling again about. 254 00:15:05,920 --> 00:15:11,040 Speaker 18: Your Mount Red Thick delete aye there, calling about your 255 00:15:11,120 --> 00:15:14,120 Speaker 18: reason inquiry and our submission guidelines. 256 00:15:16,280 --> 00:15:20,840 Speaker 17: Guarding your NPF package. Unfortunately, we will not be able 257 00:15:20,880 --> 00:15:25,040 Speaker 17: to extend the deadline at this time when we play 258 00:15:25,240 --> 00:15:29,600 Speaker 17: a high value on efficiency and emission preparation we look 259 00:15:29,680 --> 00:15:32,840 Speaker 17: for in your project. Should you get it in on time? 260 00:15:33,560 --> 00:15:33,800 Speaker 9: Great? 261 00:15:34,480 --> 00:15:34,840 Speaker 6: Just great? 262 00:15:36,360 --> 00:15:36,680 Speaker 7: Sarah? 263 00:15:36,920 --> 00:15:37,800 Speaker 15: Where the hell are you? 264 00:15:37,920 --> 00:15:41,120 Speaker 18: We've been calling you for days now, Sarah, I swear 265 00:15:41,160 --> 00:15:43,240 Speaker 18: to God, if you don't pick up this phone right now, 266 00:15:43,280 --> 00:15:44,240 Speaker 18: I'm gonna come after you. 267 00:15:45,160 --> 00:15:45,720 Speaker 7: Are you dead? 268 00:15:46,040 --> 00:15:52,040 Speaker 18: Were you following up whole because otherwise I swear to you, Sarah, please. 269 00:15:53,480 --> 00:16:02,600 Speaker 6: Call me, okay, har that you Well, it's my phone, 270 00:16:02,720 --> 00:16:03,280 Speaker 6: so i'd hope. 271 00:16:03,320 --> 00:16:05,960 Speaker 18: So where have you been and why haven't you been 272 00:16:06,000 --> 00:16:08,360 Speaker 18: answering my colt? Every single one goes a voicemail. 273 00:16:08,440 --> 00:16:11,120 Speaker 6: Well, that would be because the specific region of the 274 00:16:11,200 --> 00:16:13,800 Speaker 6: US discovered time travel and has since decided that the 275 00:16:13,920 --> 00:16:18,680 Speaker 6: late eighteen hundreds is where we peaked. Why never mind? 276 00:16:18,800 --> 00:16:19,400 Speaker 17: Is is mom? 277 00:16:19,480 --> 00:16:19,720 Speaker 10: Okay? 278 00:16:20,840 --> 00:16:21,560 Speaker 15: Now you want to know? 279 00:16:22,360 --> 00:16:26,760 Speaker 18: Really, she fell going up the stairs, didn't even make 280 00:16:26,800 --> 00:16:29,360 Speaker 18: it off the ground, thankfully nothing broke. 281 00:16:29,920 --> 00:16:31,520 Speaker 6: So then why'd you say she was admitted? 282 00:16:32,320 --> 00:16:32,360 Speaker 17: What? 283 00:16:32,960 --> 00:16:33,520 Speaker 7: No, I didn't. 284 00:16:33,680 --> 00:16:34,880 Speaker 15: That wasn't about Mom. 285 00:16:35,520 --> 00:16:38,240 Speaker 6: Yeah you did. You said something something intensive care and 286 00:16:38,360 --> 00:16:39,880 Speaker 6: that she was admitted to the hospital. 287 00:16:40,360 --> 00:16:45,400 Speaker 15: No, that's not that's not why we were there. Listen, 288 00:16:46,000 --> 00:16:47,000 Speaker 15: when are you coming back? 289 00:16:47,520 --> 00:16:49,280 Speaker 18: Dana's out in the field asking when I'm going to 290 00:16:49,320 --> 00:16:51,360 Speaker 18: come see her, and I can't keep selling on my wife. 291 00:16:51,440 --> 00:16:52,720 Speaker 7: You need to help with mom. 292 00:16:53,960 --> 00:16:55,400 Speaker 6: But you're better with her. 293 00:16:56,080 --> 00:16:58,200 Speaker 18: Of course, I'm better with her. That's what happens when 294 00:16:58,240 --> 00:17:01,880 Speaker 18: you practice something you obvious would know. Since you're all gallivanting, 295 00:17:01,920 --> 00:17:02,560 Speaker 18: you know where? 296 00:17:03,360 --> 00:17:05,720 Speaker 6: Okay, First, of all props on the vocab. Didn't expect 297 00:17:05,720 --> 00:17:08,560 Speaker 6: that from you. And secondly, you know the town where 298 00:17:08,600 --> 00:17:11,000 Speaker 6: a girl got chopped up? Well, guess where I am. 299 00:17:11,760 --> 00:17:12,879 Speaker 15: What are you talking about? 300 00:17:13,520 --> 00:17:16,359 Speaker 6: What am I talking about? I'm talking about the murder 301 00:17:16,480 --> 00:17:18,240 Speaker 6: and disappearance in small town New Hampshire. 302 00:17:18,320 --> 00:17:18,800 Speaker 14: What do you think? 303 00:17:19,600 --> 00:17:21,920 Speaker 6: I'm sure it's all over the news by now. So yeah, 304 00:17:22,280 --> 00:17:26,040 Speaker 6: I've been a little busy being interrogated. Sorry, are you 305 00:17:26,119 --> 00:17:26,800 Speaker 6: making this uck? 306 00:17:27,440 --> 00:17:27,480 Speaker 11: What? 307 00:17:28,119 --> 00:17:28,159 Speaker 5: No? 308 00:17:29,320 --> 00:17:31,000 Speaker 15: And what the hell are you talking about? 309 00:17:31,080 --> 00:17:31,399 Speaker 7: Sarah? 310 00:17:32,359 --> 00:17:35,359 Speaker 6: A girl was found murdered here, or parts of her were, 311 00:17:35,440 --> 00:17:38,760 Speaker 6: at least, and then some guy straight up disappeared from 312 00:17:38,760 --> 00:17:41,840 Speaker 6: his work. Are you really telling me you haven't heard 313 00:17:41,840 --> 00:17:42,119 Speaker 6: about this? 314 00:17:42,960 --> 00:17:45,600 Speaker 18: No, Sarah, I haven't heard, and I have been watching 315 00:17:45,640 --> 00:17:47,360 Speaker 18: the news because that's what you do when your little 316 00:17:47,359 --> 00:17:51,400 Speaker 18: sister doesn't answer the vote for two days. I thought 317 00:17:51,440 --> 00:17:52,440 Speaker 18: something might have happened to you. 318 00:17:54,080 --> 00:17:57,879 Speaker 6: It was not two days, got it? Well I'm fine? 319 00:17:58,440 --> 00:17:59,640 Speaker 15: Oh yeah, you're coming home? 320 00:18:00,880 --> 00:18:03,520 Speaker 6: Are you sure you haven't heard about this? Something like 321 00:18:04,119 --> 00:18:07,240 Speaker 6: I don't know the Danville deadening. 322 00:18:07,800 --> 00:18:10,840 Speaker 18: The next door suburbia would be imploding. So no, no 323 00:18:10,960 --> 00:18:11,760 Speaker 18: breaking news here. 324 00:18:16,080 --> 00:18:19,280 Speaker 6: Ship that's my buss. I gotta go aware. 325 00:18:20,560 --> 00:18:21,480 Speaker 7: Platform two. 326 00:18:41,720 --> 00:18:47,120 Speaker 10: Sorry, like I said, the library still close. Hey, you're 327 00:18:47,160 --> 00:18:49,440 Speaker 10: really gonna have to come back another Oh you're back, 328 00:18:49,920 --> 00:18:50,479 Speaker 10: miss me much? 329 00:18:51,720 --> 00:18:53,480 Speaker 11: What happened to you? 330 00:18:54,440 --> 00:18:54,840 Speaker 10: Oh this? 331 00:18:56,200 --> 00:18:59,760 Speaker 6: Well, since there are no buses destination Danville, I had 332 00:18:59,800 --> 00:19:02,080 Speaker 6: to with the trucker who wouldn't shut up about fishing line, 333 00:19:02,400 --> 00:19:04,600 Speaker 6: And since the route only went as far as Woodstone Creek, 334 00:19:04,640 --> 00:19:06,480 Speaker 6: I had to splash through a field for the last 335 00:19:06,480 --> 00:19:09,800 Speaker 6: two miles here, Hence the mud and the dirt and 336 00:19:09,840 --> 00:19:11,720 Speaker 6: the grass where no grass should ever grass. 337 00:19:12,320 --> 00:19:14,840 Speaker 11: Okay, let me make sure I'm getting this right. You're 338 00:19:14,880 --> 00:19:18,360 Speaker 11: not only hitchhike with a complete stranger, but also walk 339 00:19:18,440 --> 00:19:21,520 Speaker 11: two miles alone in the dark while there's a murderer 340 00:19:21,560 --> 00:19:22,119 Speaker 11: on the loose. 341 00:19:23,040 --> 00:19:25,480 Speaker 6: In hindsight, I should be dead. 342 00:19:26,240 --> 00:19:27,520 Speaker 10: What do you have to say for yourself? 343 00:19:27,920 --> 00:19:29,080 Speaker 6: It was a lady trucker. 344 00:19:30,280 --> 00:19:33,000 Speaker 11: Women have just as much right to be murderers as 345 00:19:33,080 --> 00:19:33,359 Speaker 11: men do. 346 00:19:33,560 --> 00:19:42,840 Speaker 6: Oh shut up, so, mister lead tenant. I know it's 347 00:19:43,000 --> 00:19:45,400 Speaker 6: no high rise, but maybe you've got an extra room. 348 00:19:47,720 --> 00:19:50,120 Speaker 10: You're here for business or pleasure? 349 00:19:51,040 --> 00:19:52,040 Speaker 6: Who says it can't be both? 350 00:20:00,240 --> 00:20:11,639 Speaker 4: H m hmmm mm hmmm mm hmmm mm hmmm. 351 00:20:15,960 --> 00:20:22,560 Speaker 10: Grassiers, do you see the Grassiers, hell, please. 352 00:20:22,960 --> 00:20:32,960 Speaker 5: Scientific nobody. We're gonna trusted right now. I seem like 353 00:20:33,080 --> 00:20:41,720 Speaker 5: theater accommodations. When start from stress of friends. 354 00:20:45,720 --> 00:20:49,840 Speaker 10: You hear me, Ma, I'm hurt, and I think, don't 355 00:20:49,880 --> 00:20:50,960 Speaker 10: think I'm gonna make it. 356 00:20:51,600 --> 00:20:54,760 Speaker 5: I see coming as I just give myself friend. 357 00:20:55,000 --> 00:21:16,240 Speaker 10: I'm sorry, Ma, Luten, I think well, I'm consumed. 358 00:21:16,480 --> 00:21:21,200 Speaker 1: Episode three, ah Men written by Alessandra Hara del Castillo, 359 00:21:21,680 --> 00:21:26,000 Speaker 1: editing and sound design by Jesse Funk, Starring Rachel Rosenbloom 360 00:21:26,119 --> 00:21:31,399 Speaker 1: and Arturo Castro, with Ruth Connell, Sam Rod, Genevieve Padalaki, 361 00:21:31,800 --> 00:21:36,880 Speaker 1: Benjamin Stockholm, Charlie David Newell, Mike Korich, Anna East Fairweather, 362 00:21:37,280 --> 00:21:43,159 Speaker 1: Junior A Lobby, Alma Martinez, Tracy Martin, Laura Shine, George Vincent, 363 00:21:43,400 --> 00:21:49,040 Speaker 1: and Ratteel Corkill. Directed by Alexander Williams, Assistant director Trevor Young, 364 00:21:49,400 --> 00:21:54,000 Speaker 1: Casting by Sunday Bowling CSA and Meg Mormon CSA. Production 365 00:21:54,160 --> 00:21:59,440 Speaker 1: coordinator Wayna Calderon. Music by Carlos Folia Consumed The season 366 00:21:59,520 --> 00:22:03,520 Speaker 1: one score available now on Apple Music, Spotify, or wherever 367 00:22:03,720 --> 00:22:09,080 Speaker 1: music is streamed. Executive producers Aaronmanky, Carlos Folia, Matt Frederick 368 00:22:09,200 --> 00:22:13,680 Speaker 1: and Alexander Williams supervising producers Trevor Young and Josh Thain. 369 00:22:14,119 --> 00:22:19,199 Speaker 1: Producers Noami Griffin, Jesse Funk and Rima Ilkali. Recorded at 370 00:22:19,359 --> 00:22:24,320 Speaker 1: This Is Sound Design Studios, Burbank, California, engineered by Ross Aerono, 371 00:22:24,840 --> 00:22:29,399 Speaker 1: east Side Studios, Austin, Texas, engineered by Austin Sisler and 372 00:22:29,760 --> 00:22:34,320 Speaker 1: Aros Creative and Sound Ohi, California, engineered by Ken Aros. 373 00:22:34,800 --> 00:22:38,480 Speaker 1: Consumed was created by Carlos Folia, inspired by the novel 374 00:22:38,680 --> 00:22:41,800 Speaker 1: by Aaron Manky. Consumed is the newest chapter in the 375 00:22:41,880 --> 00:22:45,679 Speaker 1: Bridgewater universe. To learn more and catch up, visit Grimandmild 376 00:22:45,840 --> 00:22:50,160 Speaker 1: dot com Slash Bridgewater. Learn more about Consumed at grimmanmile 377 00:22:50,240 --> 00:22:54,000 Speaker 1: dot com Slash Consumed, and find more podcasts from iHeartRadio 378 00:22:54,240 --> 00:22:57,800 Speaker 1: by visiting the iHeartRadio app, Apple Podcasts, or wherever you 379 00:22:58,000 --> 00:22:59,320 Speaker 1: listen to your favorite shows.