WEBVTT - 50 Cent Pt. 2: Federal Raids, a Stabbing in the Studio, and a Dead Man’s Game

0:00:00.160 --> 0:00:03.440
<v Speaker 1>This episode contains content that may be disturbing to some listeners.

0:00:03.840 --> 0:00:05.760
<v Speaker 1>Please check the show notes for more information.

0:00:07.000 --> 0:00:20.680
<v Speaker 2>Disgraceland is a production of Double Elvis. This is a

0:00:20.720 --> 0:00:24.040
<v Speaker 2>story about power, about a stick up kid who became

0:00:24.079 --> 0:00:26.720
<v Speaker 2>a king and a crime kingpin who wanted to stay

0:00:26.720 --> 0:00:30.000
<v Speaker 2>in the game. It's a story about music moguls who

0:00:30.080 --> 0:00:32.960
<v Speaker 2>wanted to be gangsters and gangsters who wanted to be

0:00:33.080 --> 0:00:37.640
<v Speaker 2>music moguls. About reputations in the street and assumed identities

0:00:37.840 --> 0:00:42.360
<v Speaker 2>on the stage, about mixtapes, attempted murder, and four FBI

0:00:42.479 --> 0:00:46.880
<v Speaker 2>raids in one day. This is a story about Kenneth

0:00:47.000 --> 0:00:51.960
<v Speaker 2>Supreme McGriff, the Lorenzo Brothers, jah Ruhle, and most importantly,

0:00:52.440 --> 0:00:59.160
<v Speaker 2>Curtis Jackson aka fifty Cent. It's a story about great music,

0:01:00.200 --> 0:01:01.639
<v Speaker 2>like that clip I played for you at the top

0:01:01.680 --> 0:01:04.520
<v Speaker 2>of the show that wasn't great music. That was a

0:01:04.520 --> 0:01:07.880
<v Speaker 2>preset loop for my melotron called gold Chain Cha Cha

0:01:08.480 --> 0:01:12.559
<v Speaker 2>MK one. I played you that loop because I can't

0:01:12.560 --> 0:01:16.320
<v Speaker 2>afford the rights to Lose yourself by eminem But why

0:01:16.319 --> 0:01:20.040
<v Speaker 2>would I play you that specific slice of Moms spaghetti Cheese?

0:01:20.080 --> 0:01:21.000
<v Speaker 1>Could I afford it?

0:01:22.640 --> 0:01:25.800
<v Speaker 2>Because that was the number one song in America on

0:01:25.920 --> 0:01:28.680
<v Speaker 2>January third, two thousand and three, and that was the

0:01:28.760 --> 0:01:32.160
<v Speaker 2>day the federal agents raided the offices of Murder Inc.

0:01:32.400 --> 0:01:35.840
<v Speaker 2>Records looking for dirty Money. Four days before, the hip

0:01:35.840 --> 0:01:40.040
<v Speaker 2>hop label's main adversary, fifty Cent, released a single in

0:01:40.160 --> 0:01:42.800
<v Speaker 2>the Club, which would become the biggest song of the year.

0:01:44.600 --> 0:01:50.200
<v Speaker 2>On this episode raids, stick Up Kids, Crime, Kingpins, Music Moguls,

0:01:50.400 --> 0:01:54.280
<v Speaker 2>Mixtape Wars, Attempted Murder, and Part two of our story

0:01:54.520 --> 0:01:59.840
<v Speaker 2>on fifty Cent. I'm Jake Brennan and this this Disgraceland.

0:02:21.840 --> 0:02:24.079
<v Speaker 2>If you happen to have a copy of Eric being

0:02:24.200 --> 0:02:28.440
<v Speaker 2>Rakim's classic nineteen eighty seven debut album Paid in Full,

0:02:28.919 --> 0:02:31.920
<v Speaker 2>go grab it and turn it over. There on the

0:02:31.919 --> 0:02:34.920
<v Speaker 2>back cover you'll see a small picture of nine guys

0:02:35.040 --> 0:02:38.240
<v Speaker 2>posing outside the Jacob Javit Center in the Hell's Kitchen

0:02:38.240 --> 0:02:42.520
<v Speaker 2>neighborhood of Manhattan. There's Eric B with the giant gold

0:02:42.560 --> 0:02:46.560
<v Speaker 2>medallion hanging from his neck, and there's Rakim aka the

0:02:46.639 --> 0:02:51.160
<v Speaker 2>God MC and yeah, I know it's crazy, he's actually smiling.

0:02:51.639 --> 0:02:54.280
<v Speaker 2>And then there's the rest of their crew, real guys,

0:02:54.600 --> 0:02:59.000
<v Speaker 2>a mixture of rappers, hustlers and stickup men, including the

0:02:59.080 --> 0:03:01.520
<v Speaker 2>kid crouched in the bottom right hand corner with the

0:03:01.560 --> 0:03:05.040
<v Speaker 2>red Adida's hat and the thick gold rope chain. If

0:03:05.040 --> 0:03:07.960
<v Speaker 2>you know anything about hip hop, especially the foundational years

0:03:08.000 --> 0:03:11.320
<v Speaker 2>of the nineteen eighties, that chain will look awfully familiar

0:03:11.320 --> 0:03:11.520
<v Speaker 2>to you.

0:03:11.880 --> 0:03:13.120
<v Speaker 1>But more on that in a minute.

0:03:13.400 --> 0:03:15.799
<v Speaker 2>This kid with the Adida's hat and the gold rope chain,

0:03:16.040 --> 0:03:19.360
<v Speaker 2>they all called him fifty cent, But he's not the

0:03:19.440 --> 0:03:23.400
<v Speaker 2>fifty cent you're thinking of. That is not Curtis Jackson,

0:03:23.600 --> 0:03:26.360
<v Speaker 2>who was just twelve years old when Peydon Full, this

0:03:26.440 --> 0:03:28.200
<v Speaker 2>record that we're talking about with the photo on the

0:03:28.240 --> 0:03:32.240
<v Speaker 2>back was released. Incidentally, it was the first record that

0:03:32.280 --> 0:03:35.760
<v Speaker 2>he ever bought. But I'm getting ahead of myself. This

0:03:35.920 --> 0:03:39.120
<v Speaker 2>fifty cent, the og fifty cent. The dude on the

0:03:39.160 --> 0:03:42.920
<v Speaker 2>back of Peyden Full was a guy named Kelvin Martin, who,

0:03:43.200 --> 0:03:46.800
<v Speaker 2>despite his vertically challenged five foot two frame, was at

0:03:46.800 --> 0:03:50.360
<v Speaker 2>the time one of the most prolific and feared stick.

0:03:50.200 --> 0:03:52.080
<v Speaker 1>Up men in Brooklyn.

0:03:52.320 --> 0:03:54.720
<v Speaker 2>It didn't matter if you were John Dillinger or Billy

0:03:54.800 --> 0:03:57.440
<v Speaker 2>the Kid or Tony fucking Montana, if you were a pimp,

0:03:57.560 --> 0:04:00.120
<v Speaker 2>a dealer, a doper a rapper, you could be he

0:04:00.120 --> 0:04:03.200
<v Speaker 2>has sworn enemy or his good friend if you saw

0:04:03.320 --> 0:04:07.360
<v Speaker 2>fifty coming, you crossed the street because chances were you

0:04:07.400 --> 0:04:09.920
<v Speaker 2>were gonna get robbed. And that's if you were lucky.

0:04:11.240 --> 0:04:13.400
<v Speaker 2>With a three fifty seven magnum in one hand and

0:04:13.480 --> 0:04:17.440
<v Speaker 2>a cold forty five in the other. Fifties reputation preceded him.

0:04:18.080 --> 0:04:21.680
<v Speaker 2>He had no fear, no regrets, and at only twenty

0:04:21.680 --> 0:04:24.919
<v Speaker 2>three years old, he lived by a code that protected

0:04:25.000 --> 0:04:29.320
<v Speaker 2>himself above everything and everyone else. Some said he shot

0:04:29.360 --> 0:04:31.400
<v Speaker 2>down some of Brooklyn's biggest hustlers and a hail of

0:04:31.440 --> 0:04:34.479
<v Speaker 2>bullets like a Western gunslinger of old, just to make

0:04:34.520 --> 0:04:37.839
<v Speaker 2>sure that reputation of his was kept spit shined in

0:04:37.960 --> 0:04:41.479
<v Speaker 2>air tight. Some even said that he stole the gold

0:04:41.560 --> 0:04:46.360
<v Speaker 2>rope chain right off of LLL Coolj's neck, LLL's iconic chain,

0:04:46.760 --> 0:04:49.719
<v Speaker 2>and that LLL was relieved of said chain by the

0:04:49.760 --> 0:04:54.560
<v Speaker 2>persuasive force of fifties twin long barreled revolvers. Whether or

0:04:54.600 --> 0:04:57.279
<v Speaker 2>not that particular story is true, it's hard to say.

0:04:58.120 --> 0:05:01.200
<v Speaker 2>LLL COOLJ, for one, had his own reputation to maintain.

0:05:02.000 --> 0:05:05.760
<v Speaker 2>Ll was hard as hell, so ll wasn't saying shit.

0:05:06.520 --> 0:05:09.720
<v Speaker 2>But plenty of others saw fifty cent again, the original

0:05:09.760 --> 0:05:14.880
<v Speaker 2>fifty cent pull a piece and lived to tell. On

0:05:14.880 --> 0:05:17.920
<v Speaker 2>one particular afternoon, every liquor store owner on a long

0:05:17.960 --> 0:05:20.560
<v Speaker 2>stretch of Myrtle Avenue in Brooklyn heard the front door

0:05:20.640 --> 0:05:23.200
<v Speaker 2>of the shop open in the jingle of that little

0:05:23.200 --> 0:05:26.279
<v Speaker 2>bell go dangling, and looked up from behind the counter

0:05:26.360 --> 0:05:29.159
<v Speaker 2>to see not a customer but this short stack of

0:05:29.360 --> 0:05:33.120
<v Speaker 2>menace cocking one pistol and then another, and then that face,

0:05:33.480 --> 0:05:36.400
<v Speaker 2>not Fifty's actual face, but the face of the Halloween

0:05:36.480 --> 0:05:39.880
<v Speaker 2>masks that fifty was wearing, the count from Sesame Street,

0:05:40.120 --> 0:05:42.599
<v Speaker 2>or maybe it was a Rich Nixon mask or something

0:05:42.640 --> 0:05:44.680
<v Speaker 2>like that. And by that time the store owner was

0:05:44.800 --> 0:05:47.560
<v Speaker 2>way ahead of them, popping open the registered drawer and

0:05:47.680 --> 0:05:52.039
<v Speaker 2>hand in the mass neighborhood menace all of his cash

0:05:52.520 --> 0:05:56.680
<v Speaker 2>but fifty cents exploits, his crimes, his unwavering code in

0:05:56.720 --> 0:05:59.520
<v Speaker 2>which he got rich or died trying again. I'm still

0:05:59.560 --> 0:06:02.240
<v Speaker 2>talking about the original fifty cent. It made him a

0:06:02.320 --> 0:06:06.000
<v Speaker 2>lot of enemies. It all came to an inevitable end

0:06:06.120 --> 0:06:09.960
<v Speaker 2>in October of nineteen eighty seven, just months after Payden

0:06:10.040 --> 0:06:14.080
<v Speaker 2>full hit the shelves. This time the barrel was aimed

0:06:14.160 --> 0:06:17.960
<v Speaker 2>at fifty cent, multiple shots fired, one to the back

0:06:18.000 --> 0:06:21.440
<v Speaker 2>of his head, the plume of gun smoke, the scattershot

0:06:21.480 --> 0:06:24.359
<v Speaker 2>rhythm of sneakers tearing astown several flights of stairs, and

0:06:24.400 --> 0:06:29.880
<v Speaker 2>then hitting the pavement and fading into the night. They

0:06:29.920 --> 0:06:33.120
<v Speaker 2>found fifty cent bleeding out on the seventh floor stairwell

0:06:33.240 --> 0:06:36.719
<v Speaker 2>in an Albany Projects building in Brooklyn. He was rushed

0:06:36.720 --> 0:06:40.120
<v Speaker 2>to the hospital and then moved to the ICU. Four

0:06:40.200 --> 0:06:46.960
<v Speaker 2>days later, he was dead. Word of Fifty's death rippled

0:06:46.960 --> 0:06:49.320
<v Speaker 2>through the streets of Brooklyn, through every liquor store that

0:06:49.400 --> 0:06:52.240
<v Speaker 2>he ever held up, and to the ears of every person.

0:06:51.960 --> 0:06:53.080
<v Speaker 1>He ever double crossed.

0:06:53.640 --> 0:06:56.320
<v Speaker 2>But by the time that word spread one borrow over

0:06:56.640 --> 0:07:00.159
<v Speaker 2>to Queen's, the streets were reckoning with even bigger news.

0:07:00.960 --> 0:07:05.640
<v Speaker 2>Kenneth Supreme McGriff was being released from prison and coming

0:07:05.680 --> 0:07:10.080
<v Speaker 2>home after serving eight years of a twelve year sentence. Preme,

0:07:10.320 --> 0:07:13.280
<v Speaker 2>as he was better known, was a ruthless gangster and

0:07:13.360 --> 0:07:17.000
<v Speaker 2>the leader of the Supreme Team, a notorious criminal organization

0:07:17.280 --> 0:07:21.559
<v Speaker 2>and crack cocaine distributor based in Queen's. Unlike the last

0:07:21.560 --> 0:07:24.080
<v Speaker 2>time Pream got out of the joint, this time was

0:07:24.120 --> 0:07:27.040
<v Speaker 2>going to be different. At least that's what was believed

0:07:27.040 --> 0:07:29.280
<v Speaker 2>to be true by the FEDS, who are continuing to

0:07:29.320 --> 0:07:33.040
<v Speaker 2>monitor Prem's every move. It was suspected that Supreme had

0:07:33.160 --> 0:07:36.040
<v Speaker 2>entered the increasingly lucrative world of hip hop by striking

0:07:36.080 --> 0:07:38.600
<v Speaker 2>up a relationship with a brand new record label, and

0:07:38.640 --> 0:07:41.200
<v Speaker 2>that he was using that label to launder.

0:07:40.840 --> 0:07:42.200
<v Speaker 1>His drug money.

0:07:42.640 --> 0:07:46.920
<v Speaker 2>Murder Incorporated Records was named after the cold blooded triggerman

0:07:47.160 --> 0:07:50.400
<v Speaker 2>of the Syndicate, the infamous organized crime group from the

0:07:50.400 --> 0:07:53.560
<v Speaker 2>mid twentieth century, the one we're talking about here in

0:07:53.680 --> 0:07:58.040
<v Speaker 2>Queen's was founded by the Lorenzo brothers, Chris and Irv.

0:07:58.440 --> 0:08:00.560
<v Speaker 2>Though they wanted to be known around town, Chris and

0:08:00.720 --> 0:08:04.520
<v Speaker 2>IRV Gotti, a nickname bestowed upon them by none other

0:08:04.560 --> 0:08:08.240
<v Speaker 2>than Jay Z. So here's a record label whose very name,

0:08:08.440 --> 0:08:11.080
<v Speaker 2>as well as the nicknames of its owners, gave a

0:08:11.120 --> 0:08:14.200
<v Speaker 2>wink in a nod to gangsters both passed and present.

0:08:14.440 --> 0:08:17.600
<v Speaker 2>And again this is alleged by the Feds. They were

0:08:17.640 --> 0:08:20.600
<v Speaker 2>being bankrolled by the deep, dirty pockets of the Queen's

0:08:20.680 --> 0:08:25.560
<v Speaker 2>drug lord Kenneth Supreme McGriff. Little future IRV Goddis growing

0:08:25.600 --> 0:08:27.920
<v Speaker 2>up in Queen's growing up in the shadow of the

0:08:27.960 --> 0:08:32.000
<v Speaker 2>supposed Preme and Lorenzo partnership, were inspired by the sheer

0:08:32.040 --> 0:08:34.800
<v Speaker 2>magnitude of this new endeavor by a record label that

0:08:34.880 --> 0:08:37.720
<v Speaker 2>wanted to be bigger than the streets, like the rapper

0:08:37.800 --> 0:08:40.760
<v Speaker 2>joh Ruhle, who was one of Murder Inc's first and

0:08:40.840 --> 0:08:46.120
<v Speaker 2>brightest stars. But not every kid in the city looked

0:08:46.200 --> 0:08:48.839
<v Speaker 2>up to the Lorenzo's and to prem with that kind

0:08:48.880 --> 0:08:53.360
<v Speaker 2>of awe. One such outlier was Queen's native Curtis Jackson.

0:08:54.200 --> 0:08:56.319
<v Speaker 2>When it came time for Curtis to level up from

0:08:56.360 --> 0:08:59.079
<v Speaker 2>hustling on the streets to hustling on the airwaves, he

0:08:59.120 --> 0:09:01.439
<v Speaker 2>did so not by ligning himself with the likes of

0:09:01.520 --> 0:09:05.400
<v Speaker 2>Murder Inc. The Lorenzo's Pream, and even Sean Puffy Combs.

0:09:05.679 --> 0:09:09.160
<v Speaker 2>In the eyes of Curtis Jackson, these guys didn't represent

0:09:09.440 --> 0:09:13.000
<v Speaker 2>what was real. They weren't the streets. They repped that

0:09:13.360 --> 0:09:17.679
<v Speaker 2>Hubris life. They were all corporate bullshit, so far removed

0:09:17.800 --> 0:09:19.800
<v Speaker 2>from the streets that they may as well have been

0:09:19.840 --> 0:09:26.479
<v Speaker 2>living in a castle in the sky. Curtis was the opposite.

0:09:26.920 --> 0:09:29.560
<v Speaker 2>He was the fly in the ointment, the nail and

0:09:29.600 --> 0:09:33.280
<v Speaker 2>the tire, the stick up kid fucking up your corporate machinations.

0:09:33.960 --> 0:09:36.360
<v Speaker 2>When it came time to assemble a crew, he called

0:09:36.360 --> 0:09:40.480
<v Speaker 2>it g unit, not g as in gangster, but as

0:09:40.520 --> 0:09:44.840
<v Speaker 2>in gorilla, as in a scrappy, independent group that battled

0:09:44.920 --> 0:09:49.000
<v Speaker 2>much larger, stronger forces. And when it came time to

0:09:49.000 --> 0:09:51.680
<v Speaker 2>take a stage name, Curtis Jackson didn't look to the

0:09:51.679 --> 0:09:56.520
<v Speaker 2>Gambino family for inspiration, as Chris and herv Lorenzo did. Instead,

0:09:56.960 --> 0:09:59.600
<v Speaker 2>Curtis Jackson took up the mantle of the city's ultimate

0:09:59.640 --> 0:10:03.319
<v Speaker 2>stick up kid. For his first commercial single, how to Rob,

0:10:03.559 --> 0:10:07.040
<v Speaker 2>released on Columbia Records in nineteen ninety nine, Curtis Jackson,

0:10:07.320 --> 0:10:10.000
<v Speaker 2>now fifty cent, gave a wink in a nod to

0:10:10.080 --> 0:10:13.440
<v Speaker 2>his new name in his place in the hip hop hierarchy. See.

0:10:13.480 --> 0:10:15.720
<v Speaker 2>The single was included on the soundtrack of the film

0:10:15.840 --> 0:10:20.280
<v Speaker 2>Into Deep, which starred none other than LLL Cooljay himself,

0:10:20.559 --> 0:10:22.599
<v Speaker 2>long since rumored to be one of the victims of

0:10:22.640 --> 0:10:26.960
<v Speaker 2>the og. Fifty in LL's face was featured on the

0:10:27.000 --> 0:10:28.320
<v Speaker 2>singles artwork.

0:10:28.520 --> 0:10:29.760
<v Speaker 1>It was genius.

0:10:30.720 --> 0:10:34.280
<v Speaker 2>Unlike the late Kevin Martin the original fifty cent, the

0:10:34.400 --> 0:10:38.480
<v Speaker 2>new fifty cent had no beef with LL coolj. His

0:10:38.640 --> 0:10:43.559
<v Speaker 2>beef was with these new corporate gangsters, the Lorenzos, the Preams,

0:10:43.880 --> 0:10:47.599
<v Speaker 2>and the Puffies. Mostly for the little guy with the

0:10:47.720 --> 0:10:51.440
<v Speaker 2>rough voice that was now putting Murder Inc On the map.

0:11:19.400 --> 0:11:22.760
<v Speaker 2>It all began with a stick up. One of Curtis

0:11:22.880 --> 0:11:27.240
<v Speaker 2>Jackson's now fifty cents friends flashed his piece and told

0:11:27.320 --> 0:11:30.960
<v Speaker 2>Joe Rule to fork over his chain. Joh got this

0:11:31.040 --> 0:11:33.720
<v Speaker 2>rumble deep down in his gut, a feeling that fell

0:11:33.760 --> 0:11:36.400
<v Speaker 2>somewhere between embarrassed and insulted.

0:11:36.920 --> 0:11:39.559
<v Speaker 1>What the hell was he going to do? He slowly

0:11:39.600 --> 0:11:40.560
<v Speaker 1>peeled the chain.

0:11:40.360 --> 0:11:43.400
<v Speaker 2>From around his neck and handed it over. The Next

0:11:43.440 --> 0:11:45.880
<v Speaker 2>time he saw fifty, Joe gave him all kinds of shit.

0:11:46.480 --> 0:11:50.480
<v Speaker 2>The fuck fifty thought he didn't rob jow It didn't matter.

0:11:50.760 --> 0:11:53.200
<v Speaker 2>It was fifty's guy who did it, so it might

0:11:53.280 --> 0:11:56.320
<v Speaker 2>as well have been fifty himself. Fifty tried the water

0:11:56.400 --> 0:11:59.040
<v Speaker 2>under the bridge thing, but John didn't see a bridge,

0:11:59.480 --> 0:12:02.120
<v Speaker 2>he saw wall. And then he started talking shit to

0:12:02.120 --> 0:12:04.880
<v Speaker 2>anyone who would listen, and the gist was always the same.

0:12:05.400 --> 0:12:09.800
<v Speaker 2>Fifty cent was a fake rapper. This is when fifty

0:12:09.920 --> 0:12:11.559
<v Speaker 2>was on the come up, when he was trying to

0:12:11.720 --> 0:12:14.920
<v Speaker 2>establish himself. He couldn't be derailed by some wanna be

0:12:15.080 --> 0:12:16.439
<v Speaker 2>gangster running his mouth.

0:12:17.200 --> 0:12:18.559
<v Speaker 1>But if Jow Rule wanted to.

0:12:18.520 --> 0:12:21.240
<v Speaker 2>Fight, then a fight was what fifty cent was going

0:12:21.320 --> 0:12:24.200
<v Speaker 2>to give him some say the fifty cent didn't fight fair,

0:12:24.280 --> 0:12:26.680
<v Speaker 2>but fairness had nothing to do with it. Fifty cents

0:12:26.720 --> 0:12:32.559
<v Speaker 2>played by the rules of a dead man. March twenty fourth,

0:12:32.800 --> 0:12:39.880
<v Speaker 2>two thousand, Midtown, Manhattan. The small studio inside the Hit

0:12:39.960 --> 0:12:43.560
<v Speaker 2>Factory was loud as hell. Fifty was rhythmically bobbing his

0:12:43.559 --> 0:12:46.040
<v Speaker 2>head up and down, lost in the music and letting

0:12:46.080 --> 0:12:47.160
<v Speaker 2>the deep bass of this.

0:12:47.200 --> 0:12:48.560
<v Speaker 1>Track wash over him.

0:12:49.040 --> 0:12:51.360
<v Speaker 2>He worked out a verse in his head, the rhymes

0:12:51.400 --> 0:12:55.959
<v Speaker 2>coalescing into that trademark smooth casual flow. A small but

0:12:56.200 --> 0:12:59.080
<v Speaker 2>mighty crew looked on a couple of dudes sitting on

0:12:59.120 --> 0:13:02.120
<v Speaker 2>the couch, heads not in sync, and an engineer working

0:13:02.120 --> 0:13:05.920
<v Speaker 2>the board. The track ended, and fifty cent told the

0:13:05.920 --> 0:13:08.240
<v Speaker 2>engineer to rewind it and started from the top again,

0:13:08.440 --> 0:13:12.960
<v Speaker 2>but this time hit recording fifty was ready. He stepped

0:13:13.000 --> 0:13:14.560
<v Speaker 2>up to the mic and began to rap his verse

0:13:14.600 --> 0:13:18.520
<v Speaker 2>while the music played. His debut album for Columbia, Power

0:13:18.559 --> 0:13:21.480
<v Speaker 2>of the Dollar, was scheduled for release in four months

0:13:21.520 --> 0:13:25.000
<v Speaker 2>in July, but fifty was already thinking three steps ahead.

0:13:25.160 --> 0:13:27.040
<v Speaker 2>You had to be prepared if you wanted to blow

0:13:27.120 --> 0:13:30.439
<v Speaker 2>up without selling out. Take that wrap money don't shake

0:13:30.440 --> 0:13:36.319
<v Speaker 2>hands with it. The song how to Rob, in particular,

0:13:36.640 --> 0:13:40.400
<v Speaker 2>was all the rage, with emphasis on the word rage.

0:13:40.920 --> 0:13:43.120
<v Speaker 2>It was supposed to be a joke, a piece of

0:13:43.320 --> 0:13:46.440
<v Speaker 2>cutting satire, but more than a few of the forty

0:13:46.520 --> 0:13:50.000
<v Speaker 2>or so famous rappers and singers, the fifty cent fantasized

0:13:50.000 --> 0:13:52.640
<v Speaker 2>about taking for all they were worth in his lyrics,

0:13:53.000 --> 0:13:56.400
<v Speaker 2>they weren't laughing, No one could take a joke. Jo

0:13:56.600 --> 0:13:59.760
<v Speaker 2>Rule wasn't included in that song, but fifty cent made

0:13:59.760 --> 0:14:03.200
<v Speaker 2>sure the murder Ink Star didn't feel left out. The

0:14:03.240 --> 0:14:05.840
<v Speaker 2>string of diss tracks that fifty was releasing straight to

0:14:05.880 --> 0:14:08.960
<v Speaker 2>the streets in advance of his major label debut put

0:14:09.080 --> 0:14:12.880
<v Speaker 2>jaw Rule in the crosshairs, and then fifty cent took

0:14:12.920 --> 0:14:15.679
<v Speaker 2>aim with the guy that the FBI and the NYPD

0:14:15.880 --> 0:14:18.840
<v Speaker 2>thought was really in control of. Murder Inks Perse Strings,

0:14:19.440 --> 0:14:21.760
<v Speaker 2>one of the songs from Fifty's upcoming Power of the

0:14:21.760 --> 0:14:25.400
<v Speaker 2>Dollar album, Ghetto Kuran, leaked and soon it could be

0:14:25.440 --> 0:14:28.840
<v Speaker 2>heard pouring from speakers throughout the Five Burroughs. The track

0:14:28.920 --> 0:14:31.320
<v Speaker 2>aired the Dirty Laundry of the Supreme Team and of

0:14:31.400 --> 0:14:33.840
<v Speaker 2>Kenneth Prema m griff and this was something that you

0:14:34.000 --> 0:14:39.520
<v Speaker 2>just didn't do. The door to the small hit factory.

0:14:39.520 --> 0:14:43.640
<v Speaker 2>Studio flew open, and three men walked inside, jaw Rule, Chris,

0:14:43.680 --> 0:14:48.720
<v Speaker 2>Lorenzo and another murder ink rapper, Ramel Gill aka Black Child.

0:14:49.480 --> 0:14:51.320
<v Speaker 2>They weren't there to check out the new ship fifty

0:14:51.400 --> 0:14:54.320
<v Speaker 2>was working on. Fifty stopped rapping right away and took

0:14:54.320 --> 0:14:57.200
<v Speaker 2>a step back as the uninvited visitors came out him fast.

0:14:57.720 --> 0:15:00.000
<v Speaker 2>If only he had some of that Kelvin Martin hardware

0:15:00.080 --> 0:15:02.760
<v Speaker 2>on him. Someone hit the lights and the whole room

0:15:02.760 --> 0:15:06.200
<v Speaker 2>descended into chaos. Fifties boys were up off the couch,

0:15:06.440 --> 0:15:09.640
<v Speaker 2>up from the engineer's chair, jumping into the fray. Fists

0:15:09.680 --> 0:15:13.040
<v Speaker 2>swung in the darkness. Lorenzo or Jos Someone was coming

0:15:13.040 --> 0:15:17.680
<v Speaker 2>at fifty now, knuckles out, so fifty cent retaliated wild

0:15:17.840 --> 0:15:19.640
<v Speaker 2>quick stabs of self preservation.

0:15:20.360 --> 0:15:21.040
<v Speaker 1>Then the scuffle.

0:15:21.040 --> 0:15:22.880
<v Speaker 2>A pair of hands grabbed one of the speakers to

0:15:22.960 --> 0:15:25.240
<v Speaker 2>the top of the recording console and lobbed it through

0:15:25.280 --> 0:15:28.400
<v Speaker 2>the air. It slammed Lorenzo right in the head. He

0:15:28.520 --> 0:15:31.200
<v Speaker 2>screamed in pain and also because it pissed him off.

0:15:31.720 --> 0:15:35.160
<v Speaker 2>The blood gushed down the side of his face. Fifty

0:15:35.160 --> 0:15:38.640
<v Speaker 2>Cents stumbled tried to catch his breath. Black Child flashed

0:15:38.640 --> 0:15:41.800
<v Speaker 2>a knife. Fifty sot gleam in the darkness, like it

0:15:41.880 --> 0:15:45.320
<v Speaker 2>was winking at him, this all knowing, all seen beacon

0:15:45.400 --> 0:15:47.119
<v Speaker 2>of impending doune about.

0:15:46.840 --> 0:15:47.920
<v Speaker 1>To all fuck up.

0:15:48.680 --> 0:15:51.240
<v Speaker 2>Black Child lunged forward, jabbed, and sunk the knife right

0:15:51.280 --> 0:15:56.280
<v Speaker 2>into Fifty's chest. Fifty howled. The pain consumed him, breathing in,

0:15:56.520 --> 0:16:00.520
<v Speaker 2>breathing out. It hurt like fucking hell. He slumped to

0:16:00.520 --> 0:16:05.360
<v Speaker 2>the floor, teeth clenched, eyes squeezed tight, while Lorenzo, Black

0:16:05.480 --> 0:16:08.800
<v Speaker 2>Child and jah Rule scurried out the same way they'd

0:16:08.840 --> 0:16:16.080
<v Speaker 2>come in. Minutes later, fifty cent was in the back

0:16:16.120 --> 0:16:18.760
<v Speaker 2>of an ambulance, racing down the streets of Midtown to

0:16:18.800 --> 0:16:22.920
<v Speaker 2>Saint Luke's Roosevelt Hospital, where doctors treated his gaping chest wound,

0:16:23.200 --> 0:16:28.040
<v Speaker 2>along with a partially collapsed a long Two months later,

0:16:28.240 --> 0:16:31.360
<v Speaker 2>after getting back on his feet, fifty cent was shot

0:16:31.600 --> 0:16:35.800
<v Speaker 2>nine times by an unknown would be assassin and nearly killed.

0:16:39.160 --> 0:16:42.200
<v Speaker 2>It was the totality of these two incidents, happening so

0:16:42.400 --> 0:16:46.040
<v Speaker 2>quickly back to back, that cemented fifty cent not only

0:16:46.120 --> 0:16:51.000
<v Speaker 2>as authentic, but dangerous, So dangerous and so hot the

0:16:51.040 --> 0:16:54.400
<v Speaker 2>Columbia Records got cold feet. He may have survived those

0:16:54.520 --> 0:16:57.080
<v Speaker 2>nine bullets he took outside his grandmother's house in Queen's

0:16:57.360 --> 0:17:00.360
<v Speaker 2>but he wouldn't survive his first relationship with a major label.

0:17:01.080 --> 0:17:03.800
<v Speaker 2>Columbia pulled Power of the Dollar with no intention to

0:17:03.840 --> 0:17:06.680
<v Speaker 2>release it, or any other fifty cent album for that matter,

0:17:07.640 --> 0:17:09.480
<v Speaker 2>And right at the moment when he was supposed to

0:17:09.560 --> 0:17:12.760
<v Speaker 2>be blowing up by executing that stick up strategy, by

0:17:12.840 --> 0:17:16.840
<v Speaker 2>taking that rat money instead, fifty cents dead man game

0:17:17.280 --> 0:17:18.920
<v Speaker 2>left him dead in the water.

0:17:25.040 --> 0:17:39.480
<v Speaker 1>We'll be right back after this word word word.

0:17:38.640 --> 0:17:38.960
<v Speaker 2>Murder.

0:17:39.000 --> 0:17:39.160
<v Speaker 1>Inc.

0:17:39.320 --> 0:17:41.560
<v Speaker 2>Made sure to hit fifty cent while he was down.

0:17:42.400 --> 0:17:44.639
<v Speaker 2>IRV God He went live on Hot ninety seven's The

0:17:44.680 --> 0:17:47.959
<v Speaker 2>Star and Buck Wywe Morning Show. IRV told all in

0:17:47.960 --> 0:17:51.000
<v Speaker 2>New York that fifty cent had gone soft, that fifty

0:17:51.040 --> 0:17:54.520
<v Speaker 2>had turned tail, that fifty cent was a rat. So

0:17:54.640 --> 0:17:57.480
<v Speaker 2>fifty cent you're never gonna believe this went and got

0:17:57.560 --> 0:18:01.680
<v Speaker 2>himself in order of protection against IRV Gotti and Jah rule.

0:18:02.200 --> 0:18:04.879
<v Speaker 2>This is what IRV Gotti told Pot ninety seven that

0:18:05.040 --> 0:18:08.640
<v Speaker 2>fifty cent was essentially acting like a little bit. That's

0:18:08.720 --> 0:18:12.399
<v Speaker 2>him talking, not me. Also him talking, a guy does that.

0:18:12.720 --> 0:18:15.680
<v Speaker 2>He makes himself all cozy with the NYPD. That guy

0:18:15.760 --> 0:18:19.640
<v Speaker 2>is not authentic, and that guy is essentially a fucking snitch,

0:18:20.000 --> 0:18:23.600
<v Speaker 2>per IRV God he's thinking, But fifty cent was no snitch,

0:18:24.160 --> 0:18:26.120
<v Speaker 2>IRV God. He was only half right, whether he knew

0:18:26.160 --> 0:18:28.919
<v Speaker 2>it or not. There was in order of protection, but

0:18:29.160 --> 0:18:32.879
<v Speaker 2>it had been issued by the NYPD on behalf of

0:18:32.960 --> 0:18:36.000
<v Speaker 2>fifty cent. And no matter how much IRV Godi and

0:18:36.080 --> 0:18:39.560
<v Speaker 2>Crys Lorenzo and Prem tried to discredit their rival, their

0:18:39.600 --> 0:18:43.480
<v Speaker 2>strategy continued to backfire, only adding to fifty cents suddenly

0:18:43.560 --> 0:18:46.439
<v Speaker 2>larger than life profile, which in turn was how one

0:18:46.480 --> 0:18:50.240
<v Speaker 2>of his mixtapes ended up in Eminem's Walkman, and then

0:18:50.600 --> 0:18:53.439
<v Speaker 2>to a million dollar deal with m in Doctor Dre's

0:18:53.520 --> 0:18:58.119
<v Speaker 2>hip hop Empire. And so as fifty cents debut album

0:18:58.280 --> 0:19:00.760
<v Speaker 2>was once again back in the pipeline, being prep for

0:19:00.800 --> 0:19:03.600
<v Speaker 2>an early two thousand and three release, he doubled back

0:19:03.640 --> 0:19:05.520
<v Speaker 2>to respond to the guys who had left him for

0:19:05.560 --> 0:19:07.639
<v Speaker 2>dead and were now trying to bury him alive.

0:19:08.440 --> 0:19:10.160
<v Speaker 1>To be clear here, I'm not talking.

0:19:09.960 --> 0:19:12.240
<v Speaker 2>About the guy who shot him nine times, as fifty

0:19:12.280 --> 0:19:15.000
<v Speaker 2>would make known on the track many Men Wish Death

0:19:15.160 --> 0:19:18.000
<v Speaker 2>from his debut album, Get Rich or Die, Trying the

0:19:18.040 --> 0:19:20.120
<v Speaker 2>shooter was a stick up kid from four Green named

0:19:20.160 --> 0:19:23.879
<v Speaker 2>Darryl homo Baum, who was killed just weeks after he

0:19:23.960 --> 0:19:26.679
<v Speaker 2>tried to ice fifty Cent. When I say left him

0:19:26.720 --> 0:19:29.160
<v Speaker 2>for dead and we're now trying to bury him, I'm

0:19:29.200 --> 0:19:30.880
<v Speaker 2>talking about the shit that went down at the Hit

0:19:30.960 --> 0:19:34.040
<v Speaker 2>Factory and the subsequent slandering of fifty cents name on

0:19:34.119 --> 0:19:38.240
<v Speaker 2>the airwaves. But as usual, fifty was three steps ahead

0:19:38.280 --> 0:19:41.400
<v Speaker 2>of his antagonists. Just weeks after IRV God he called

0:19:41.440 --> 0:19:43.880
<v Speaker 2>fifty a snitch. In December of two thousand and two,

0:19:44.240 --> 0:19:47.280
<v Speaker 2>fifty Cent, in his rap trio G Unit, released an

0:19:47.320 --> 0:19:51.240
<v Speaker 2>independent mixtape titled The Future Is Now. One of its

0:19:51.240 --> 0:19:55.040
<v Speaker 2>standout tracks was I Smell Pussy, and it flipped IRV

0:19:55.080 --> 0:19:58.520
<v Speaker 2>Gotti's script by calling out IRV Ja Rule and the

0:19:58.560 --> 0:20:01.879
<v Speaker 2>guy who stabbed fifty cent Black Child by their names,

0:20:02.160 --> 0:20:04.920
<v Speaker 2>as in I Smell Pussy is that U IRV?

0:20:05.000 --> 0:20:06.800
<v Speaker 1>I Smell Pussy is that Jujah Rule.

0:20:07.680 --> 0:20:10.480
<v Speaker 2>Fifty Cent didn't go after preim on this particular track,

0:20:10.520 --> 0:20:13.439
<v Speaker 2>but the notorious crack Kingpin was having enough problems of

0:20:13.480 --> 0:20:17.560
<v Speaker 2>his own. Earlier in the year, Supreme had pleaded guilty

0:20:17.600 --> 0:20:20.440
<v Speaker 2>to a weapons possession charge, and he was currently out

0:20:20.480 --> 0:20:24.000
<v Speaker 2>on bail and awaiting sentencing, and the shocking recent murder

0:20:24.000 --> 0:20:26.880
<v Speaker 2>of run DMC's jam Master J had brought more unwanted

0:20:26.880 --> 0:20:29.440
<v Speaker 2>attention from the cops in some of Jay's close friends,

0:20:29.560 --> 0:20:32.399
<v Speaker 2>friends like fifty Cent, who was mentored by jam Master J.

0:20:32.840 --> 0:20:34.320
<v Speaker 2>They weren't going out of their way to say that

0:20:34.359 --> 0:20:37.679
<v Speaker 2>Preme hadn't had anything to do with the shooting, and

0:20:37.800 --> 0:20:41.080
<v Speaker 2>so as g units I Smell Pussy kept the cold

0:20:41.080 --> 0:20:43.680
<v Speaker 2>December streets of New York City red hot.

0:20:43.680 --> 0:20:46.000
<v Speaker 1>Pream was laying low down in Miami Beach.

0:20:46.440 --> 0:20:49.240
<v Speaker 2>He checked into the Lowe's Hotel under an alias, paid

0:20:49.280 --> 0:20:51.840
<v Speaker 2>with cash, and then quietly slipped into a room with

0:20:51.920 --> 0:20:54.199
<v Speaker 2>walls as white as the outfits at a Sean Combe's

0:20:54.240 --> 0:20:59.640
<v Speaker 2>Labor Day party. But his quiet reprieve didn't last long.

0:21:00.560 --> 0:21:03.879
<v Speaker 2>As Priam sat there alone, his hotel room door was

0:21:03.920 --> 0:21:07.160
<v Speaker 2>busted down from the outside with a bang, and splintered

0:21:07.160 --> 0:21:10.720
<v Speaker 2>wood paved the way for FBI agents in their trademark windbreakers.

0:21:11.240 --> 0:21:14.040
<v Speaker 2>They grabbed Priam's arms and twisted them behind his back,

0:21:14.400 --> 0:21:15.880
<v Speaker 2>locking his wrists and cuffs.

0:21:16.880 --> 0:21:20.440
<v Speaker 1>What the fuck was it this time? Priam shook his head.

0:21:20.880 --> 0:21:23.359
<v Speaker 2>He didn't know who did Jim Master Jay, but it

0:21:23.480 --> 0:21:26.600
<v Speaker 2>wasn't him. Now it was the Fed's turned to shake

0:21:26.640 --> 0:21:29.920
<v Speaker 2>their heads. They didn't care. They weren't here for that.

0:21:30.400 --> 0:21:33.199
<v Speaker 2>They had pream on another weapons charge, one from a

0:21:33.200 --> 0:21:36.000
<v Speaker 2>few years back when he brought a machine gun to.

0:21:36.000 --> 0:21:36.879
<v Speaker 1>A shooting range.

0:21:38.440 --> 0:21:41.120
<v Speaker 2>What's this, one of the agents wanted to know. We're

0:21:41.160 --> 0:21:44.200
<v Speaker 2>rocking and rolling tonight, are we pream As he said,

0:21:44.280 --> 0:21:47.000
<v Speaker 2>he was holding up a baggy of viagra and another

0:21:47.040 --> 0:21:49.520
<v Speaker 2>baggie full of ecstasy that were found right there on

0:21:49.560 --> 0:21:52.680
<v Speaker 2>the nightstand, next to a Murder Ink pager. And that's

0:21:52.680 --> 0:21:55.159
<v Speaker 2>where the Feds were headed next, straight out of this

0:21:55.240 --> 0:21:57.840
<v Speaker 2>Miami safe house and back to New York, where, not

0:21:57.920 --> 0:22:00.399
<v Speaker 2>even a week later, the record company that they believe

0:22:00.480 --> 0:22:05.720
<v Speaker 2>Preme Bank World was about to be taken down. January third,

0:22:06.119 --> 0:22:11.479
<v Speaker 2>two thousand and three, Manhattan. Early, the elevator doors opened

0:22:11.480 --> 0:22:14.119
<v Speaker 2>on the twenty ninth floor of the Worldwide Plaza building

0:22:14.160 --> 0:22:17.800
<v Speaker 2>on Eighth Avenue. The surge of Federal agents and NYPD

0:22:17.960 --> 0:22:22.280
<v Speaker 2>detectors came flooding out, vest strapped, tight weapons, locked and

0:22:22.359 --> 0:22:26.120
<v Speaker 2>loaded warrant in hand. They crashed through the front door

0:22:26.119 --> 0:22:28.680
<v Speaker 2>of Murder Inc's corporate offices and began to turn the

0:22:28.720 --> 0:22:33.160
<v Speaker 2>place upside down. They seized computers, foxes of files, two

0:22:33.160 --> 0:22:35.879
<v Speaker 2>way pagers, anything they could use to trace the dirty

0:22:35.880 --> 0:22:40.240
<v Speaker 2>money back to Preme. Cut to New Jersey where more

0:22:40.359 --> 0:22:44.040
<v Speaker 2>FBI agents and NYPD officers were raiding the house belonging

0:22:44.080 --> 0:22:49.639
<v Speaker 2>to Cynthia Brent, Murder Inc's accountant, and then to Westchester County,

0:22:49.640 --> 0:22:54.600
<v Speaker 2>New York. IRV Gotti's house raided, and then Wexford Terrace

0:22:54.640 --> 0:22:57.440
<v Speaker 2>and Queen's the home of Joe Reagan, one of Prem's

0:22:57.480 --> 0:23:03.239
<v Speaker 2>longtime associates, raided. All four places were raided simultaneously by

0:23:03.240 --> 0:23:06.280
<v Speaker 2>the FEDS that morning, along with a fifth location, Chris

0:23:06.280 --> 0:23:11.399
<v Speaker 2>Gotti's apartment at an undisclosed location. And then, with an

0:23:11.440 --> 0:23:14.840
<v Speaker 2>affidavit filed with the US Attorney's Office, the United States

0:23:14.920 --> 0:23:18.080
<v Speaker 2>Government officially made the claim that prim was the quote

0:23:18.119 --> 0:23:21.600
<v Speaker 2>true owner quote of Murder Inc. And then he provided

0:23:21.640 --> 0:23:25.920
<v Speaker 2>the Lorenzos in the label with muscle aka threats, violence

0:23:26.080 --> 0:23:30.760
<v Speaker 2>and intimidation. Four days later, while job Rules Record Label

0:23:30.800 --> 0:23:32.840
<v Speaker 2>was trying to peel the g men off their backs,

0:23:33.160 --> 0:23:37.600
<v Speaker 2>fifty Cent pulled that G unit guerrilla move of his, swooping.

0:23:37.119 --> 0:23:40.720
<v Speaker 1>In and taking that rap money. He hit Murder Inc.

0:23:40.880 --> 0:23:42.159
<v Speaker 1>Where it really.

0:23:41.960 --> 0:23:45.000
<v Speaker 2>Hurt on the charts and in the minds and hearts

0:23:45.040 --> 0:23:48.520
<v Speaker 2>of the record buying public. His smash single in the

0:23:48.600 --> 0:23:51.680
<v Speaker 2>Club was released on January seventh, two thousand and three.

0:23:52.240 --> 0:23:54.760
<v Speaker 2>It spent nine consecutive weeks at the top of the

0:23:54.760 --> 0:23:57.800
<v Speaker 2>Billboard Top one hundred and during its time in the

0:23:57.880 --> 0:24:00.560
<v Speaker 2>number one slot as quick as a kelvin and liquor

0:24:00.560 --> 0:24:03.359
<v Speaker 2>store stick up, and set a Billboard record as the

0:24:03.400 --> 0:24:33.400
<v Speaker 2>most listened to song in radio history. Two thousand and five,

0:24:34.000 --> 0:24:38.200
<v Speaker 2>Brooklyn Chris and erv Lorenzo sat inside a federal courthouse,

0:24:38.280 --> 0:24:42.040
<v Speaker 2>watching nervously as one of Prem's former close confidants walked

0:24:42.080 --> 0:24:45.760
<v Speaker 2>slowly to the witness stand. The brothers were on trial

0:24:45.800 --> 0:24:48.760
<v Speaker 2>for laundering more than one million dollars in drug proceeds

0:24:48.800 --> 0:24:49.720
<v Speaker 2>through their Murder Inc.

0:24:49.840 --> 0:24:50.480
<v Speaker 1>Record label.

0:24:51.160 --> 0:24:55.119
<v Speaker 2>In total, nine individuals and two corporations have been charged

0:24:55.160 --> 0:24:59.080
<v Speaker 2>with everything from racketeering to cocaine, heroin and crack trafficking

0:24:59.320 --> 0:25:02.720
<v Speaker 2>to homicide. Chris and ear of Lorenzo considered it a

0:25:02.760 --> 0:25:05.520
<v Speaker 2>win early on when a judge granted their request to

0:25:05.560 --> 0:25:09.040
<v Speaker 2>try them separately from Prem, who they continued to maintain

0:25:09.480 --> 0:25:12.280
<v Speaker 2>was in their orbit for street credit only but did

0:25:12.320 --> 0:25:16.000
<v Speaker 2>not contribute financially to their business. If they were guilty

0:25:16.000 --> 0:25:19.359
<v Speaker 2>of anything, they said, it was guilt by association, plain

0:25:19.520 --> 0:25:22.560
<v Speaker 2>and simple. But even though Prem was not in the

0:25:22.560 --> 0:25:26.160
<v Speaker 2>courtroom with them, you could nevertheless feel his shadow casting

0:25:26.320 --> 0:25:30.159
<v Speaker 2>Paul over the proceedings. The allegations, The charges that the

0:25:30.200 --> 0:25:34.400
<v Speaker 2>Lorenzos were facing were serious, career ending, life altering charges,

0:25:35.760 --> 0:25:38.800
<v Speaker 2>and so as they watched while former Prime associate Joe

0:25:38.800 --> 0:25:40.800
<v Speaker 2>Reagan sat down in the hot seat next to the.

0:25:40.800 --> 0:25:42.600
<v Speaker 1>Judge, their pulses quickened.

0:25:43.800 --> 0:25:47.159
<v Speaker 2>The prosecuting attorney asked John Reagan if he could recall

0:25:47.200 --> 0:25:50.640
<v Speaker 2>the events of one day in particular, some five years earlier,

0:25:51.080 --> 0:25:55.240
<v Speaker 2>May twenty fourth, two thousand. Reagan nodded his head. He

0:25:55.280 --> 0:25:57.879
<v Speaker 2>had a mind like a steel trap. He remembered that

0:25:58.000 --> 0:26:02.000
<v Speaker 2>day like it was yesterday. Reagan was no longer as

0:26:02.040 --> 0:26:04.600
<v Speaker 2>close with Prem as he'd once been, and with the

0:26:04.600 --> 0:26:06.959
<v Speaker 2>feared crime mogul now on the hook for a laundry

0:26:07.000 --> 0:26:11.120
<v Speaker 2>list of offenses, including two murder for higher homicides, Reagan

0:26:11.160 --> 0:26:17.080
<v Speaker 2>really didn't care what he said incriminated his one time ally,

0:26:17.920 --> 0:26:21.440
<v Speaker 2>So Reagan began to talk. He recalled how Prem came

0:26:21.480 --> 0:26:25.080
<v Speaker 2>by his auto garage in Brooklyn that afternoon. Pream had

0:26:25.080 --> 0:26:27.520
<v Speaker 2>come all the way from Queen's and he had two

0:26:27.560 --> 0:26:29.880
<v Speaker 2>other guys with him. Now, the reason that they went

0:26:29.880 --> 0:26:31.359
<v Speaker 2>all the way to Brooklyn and the first place was

0:26:31.359 --> 0:26:33.520
<v Speaker 2>to buy a bunch of stuff from stores. They're on

0:26:33.560 --> 0:26:35.480
<v Speaker 2>a shopping spree, you could say. And it's not that

0:26:35.640 --> 0:26:37.960
<v Speaker 2>Pream was in a shopping mood or anything. He just

0:26:38.040 --> 0:26:42.160
<v Speaker 2>wanted receipts, pieces of paper to prove that he had

0:26:42.200 --> 0:26:46.160
<v Speaker 2>been in Brooklyn during the afternoon and not in Queen's

0:26:46.400 --> 0:26:50.679
<v Speaker 2>were just an hour before nine bullets ripped through fifty

0:26:50.720 --> 0:26:55.159
<v Speaker 2>cents body. But of course Prem had actually been in

0:26:55.320 --> 0:26:58.960
<v Speaker 2>South Jamaica Queen's that day. According to John Reagan's recollection,

0:26:59.680 --> 0:27:03.520
<v Speaker 2>Reagan testified that Prem told him they'd just come from

0:27:03.560 --> 0:27:06.560
<v Speaker 2>Queen's where fifty was shot coming out of his grandmother's

0:27:06.560 --> 0:27:09.199
<v Speaker 2>house and then left to bleed out, just like the

0:27:09.240 --> 0:27:12.400
<v Speaker 2>og fifty cent Kelvin Martin how he had led out

0:27:12.520 --> 0:27:16.320
<v Speaker 2>on that seventh floor stairwell some thirteen years earlier. Now.

0:27:16.400 --> 0:27:19.600
<v Speaker 2>John Reagan further said that while Preme ordered the hit,

0:27:19.880 --> 0:27:22.320
<v Speaker 2>that he hadn't pulled the trigger, but that was one

0:27:22.359 --> 0:27:24.960
<v Speaker 2>of the other two guys who showed up Reagan's garage

0:27:25.040 --> 0:27:29.119
<v Speaker 2>that day and that dude's name was Robert's son Lyons. Again,

0:27:29.440 --> 0:27:34.440
<v Speaker 2>this is alleged by John Reagan. But wait, you're thinking, Jake,

0:27:34.760 --> 0:27:38.159
<v Speaker 2>you told us earlier that fifty Cent id'd Daryl Hamo

0:27:38.359 --> 0:27:42.760
<v Speaker 2>Bomb as his shooter in a song. Yes, that's correct,

0:27:42.960 --> 0:27:45.520
<v Speaker 2>and it's also true that the primary book that we

0:27:45.640 --> 0:27:49.640
<v Speaker 2>used for researching this episode Ethan Brown's excellent Fat Cat

0:27:49.800 --> 0:27:52.080
<v Speaker 2>fifty Cent in the Rise of the Hip Hop Hustler

0:27:52.480 --> 0:27:55.719
<v Speaker 2>also claimed quite definitively that the shooter was indeed Homo.

0:27:56.280 --> 0:27:59.720
<v Speaker 2>The distinction of who the trigger man was exactly may

0:27:59.760 --> 0:28:02.720
<v Speaker 2>not really matter in the end, because the big bombshell

0:28:02.840 --> 0:28:06.800
<v Speaker 2>here in John Reagan's testimony was that prem was the

0:28:06.840 --> 0:28:10.560
<v Speaker 2>one who'd been behind the attempted assassination of fifty Cent.

0:28:10.840 --> 0:28:14.400
<v Speaker 2>It was not some random stick up kid. It wasn't

0:28:14.440 --> 0:28:17.600
<v Speaker 2>some low key street beef for whatever. It was the

0:28:17.680 --> 0:28:21.560
<v Speaker 2>mastermind of a New York criminal empire, the chief of

0:28:21.600 --> 0:28:25.520
<v Speaker 2>the Supreme Team, the alleged muscle of a record label

0:28:25.560 --> 0:28:29.800
<v Speaker 2>with which fifty Cent had been publicly feuding. So to recap,

0:28:30.119 --> 0:28:33.399
<v Speaker 2>fifty Cent claimed Hama was the shooter in his song

0:28:33.720 --> 0:28:37.960
<v Speaker 2>Many Men Wish Death At the Lorenzo Brothers two thousand

0:28:38.000 --> 0:28:42.040
<v Speaker 2>and five trial, John Reagan testified that Robert's son Lyons

0:28:42.080 --> 0:28:45.520
<v Speaker 2>pulled the trigger on behalf of Prem, who sat by

0:28:45.640 --> 0:28:50.880
<v Speaker 2>and watched as fifty cent was sprayed with gunfire. Now,

0:28:50.880 --> 0:28:54.120
<v Speaker 2>this was one man's testimony. This was talked from a

0:28:54.160 --> 0:28:57.280
<v Speaker 2>guy who we can assume had fallen from grace and

0:28:57.360 --> 0:28:58.000
<v Speaker 2>fallen out.

0:28:57.840 --> 0:29:00.720
<v Speaker 1>Of favor with Prim at some point. So who knows.

0:29:01.080 --> 0:29:04.800
<v Speaker 2>Perhaps John Reagan had something to gain from saying something

0:29:04.920 --> 0:29:08.520
<v Speaker 2>like this, Perhaps that game was just to hurt Prem

0:29:08.760 --> 0:29:12.040
<v Speaker 2>or to hurt the Lorenzos. It's important to note that,

0:29:12.120 --> 0:29:16.160
<v Speaker 2>like many aspects of Prem's relationship with murder incorporated, this

0:29:16.240 --> 0:29:19.920
<v Speaker 2>particular allegation has never been proven in a court of law.

0:29:20.920 --> 0:29:24.200
<v Speaker 1>But here's the thing. Before the jury could hear John.

0:29:24.000 --> 0:29:28.320
<v Speaker 2>Reagan's story, the defense attorney, the Lorenzo's attorney, made this

0:29:28.560 --> 0:29:31.120
<v Speaker 2>argument to the judge, and I quote, this fifty cent

0:29:31.280 --> 0:29:33.760
<v Speaker 2>artist is at the height of his popularity, and this

0:29:33.800 --> 0:29:38.080
<v Speaker 2>is an explosive issue. It's fundamentally unfair. I believe this

0:29:38.160 --> 0:29:41.560
<v Speaker 2>to be outcome determinative. This would be like a plot

0:29:41.600 --> 0:29:46.160
<v Speaker 2>to assassinate Bob Dylan unquote. In other words, people would

0:29:46.200 --> 0:29:48.920
<v Speaker 2>lose their minds if they knew that one of the

0:29:48.960 --> 0:29:52.480
<v Speaker 2>biggest leaders of New York City organized crime, Kenneth McGriff

0:29:52.600 --> 0:29:56.400
<v Speaker 2>aka Supreme aka Preme, put out a hit on one of

0:29:56.440 --> 0:29:58.200
<v Speaker 2>the biggest rappers in the world.

0:29:58.040 --> 0:30:01.080
<v Speaker 3>That it would be a quote unquote explain jo issue

0:30:01.200 --> 0:30:03.840
<v Speaker 3>and that the public wouldn't be able to handle it,

0:30:04.280 --> 0:30:07.760
<v Speaker 3>so the judge did not allow the jury to actually

0:30:07.840 --> 0:30:13.600
<v Speaker 3>hear this explosive testimony from Joe Reagan implicating Kenneth's Supreme

0:30:13.760 --> 0:30:16.480
<v Speaker 3>McGriff aka Preme as.

0:30:16.520 --> 0:30:22.440
<v Speaker 2>The mastermind behind the assassination attempt on fifty Cent. Less

0:30:22.440 --> 0:30:25.280
<v Speaker 2>than two weeks later, on December two, two thousand and five,

0:30:25.680 --> 0:30:29.000
<v Speaker 2>Chris and IRV Lorenzo were acquitted of the federal charges

0:30:29.040 --> 0:30:33.200
<v Speaker 2>against them, but despite this, their reputation was already damaged

0:30:33.200 --> 0:30:35.840
<v Speaker 2>by the criminal allegations and by their ties to Preme,

0:30:36.240 --> 0:30:38.600
<v Speaker 2>so much so that their careers and their murder and

0:30:38.680 --> 0:30:42.440
<v Speaker 2>glabel were never the same again. Their beef with fifty

0:30:42.440 --> 0:30:45.480
<v Speaker 2>Cent was never really squashed, and in the years that followed,

0:30:45.640 --> 0:30:50.000
<v Speaker 2>Chris Lorenzo co founded Adventures, a digital distribution platform aimed

0:30:50.000 --> 0:30:51.040
<v Speaker 2>to give artists.

0:30:50.680 --> 0:30:53.200
<v Speaker 1>More control, and IRV Lorenzo eventually.

0:30:52.920 --> 0:30:56.560
<v Speaker 2>Went into TV production before suffering a massive stroke and

0:30:56.760 --> 0:31:02.400
<v Speaker 2>dying in early twenty twenty five. Supreme McGriff Akaapreme He,

0:31:02.480 --> 0:31:05.120
<v Speaker 2>on the other hand, despite the jury not hearing the

0:31:05.160 --> 0:31:07.840
<v Speaker 2>testimony from Joe Reagan incriminating him as the one who

0:31:07.960 --> 0:31:10.160
<v Speaker 2>ordered the hit on rapper fifty Cent back in two

0:31:10.160 --> 0:31:10.560
<v Speaker 2>thousand and.

0:31:10.560 --> 0:31:12.160
<v Speaker 1>Five, was not so lucky.

0:31:12.960 --> 0:31:15.600
<v Speaker 2>In February of two thousand and seven, following his own

0:31:15.680 --> 0:31:19.680
<v Speaker 2>trial from murder conspiracy in drug trafficking, Kenneth Supreme McGriff

0:31:20.040 --> 0:31:22.960
<v Speaker 2>was sentenced to life in prison without parole.

0:31:23.680 --> 0:31:24.720
<v Speaker 1>During his trial, he.

0:31:24.760 --> 0:31:27.360
<v Speaker 2>Was asked by prosecutors about his role in the attempted

0:31:27.360 --> 0:31:31.320
<v Speaker 2>assassination of fifty Cent. Preme straight up denied any and

0:31:31.440 --> 0:31:34.440
<v Speaker 2>all involvement and said that the government and the media

0:31:34.520 --> 0:31:40.200
<v Speaker 2>made the whole thing bigger than it actually was. But

0:31:40.320 --> 0:31:43.440
<v Speaker 2>to the hip hop community at large, the prem fifty

0:31:43.480 --> 0:31:46.960
<v Speaker 2>beef was an iconic conflict which shaped rap music in

0:31:47.000 --> 0:31:50.520
<v Speaker 2>the early two thousands and helped define who fifty Cent was.

0:31:51.440 --> 0:31:54.880
<v Speaker 2>Later that same year, as Preme began serving his life sentence,

0:31:55.200 --> 0:31:59.280
<v Speaker 2>fifty Cent released his third studio album, debuted at number

0:31:59.320 --> 0:32:01.760
<v Speaker 2>two on the bill Board Album chart, and within a

0:32:01.760 --> 0:32:04.360
<v Speaker 2>month and a half it sold over one million copies.

0:32:06.160 --> 0:32:10.920
<v Speaker 2>Fifty Cent called the album Curtis perhaps a surprisingly vulnerable

0:32:10.960 --> 0:32:14.280
<v Speaker 2>move to acknowledge the person he was before he took

0:32:14.360 --> 0:32:17.840
<v Speaker 2>a dead man's name as his own, a dead stick

0:32:17.920 --> 0:32:21.600
<v Speaker 2>up man who led a nasty, brudish and short life

0:32:21.840 --> 0:32:27.200
<v Speaker 2>of disgrace. I'm like fifty cent, who's still breathing, and

0:32:27.280 --> 0:32:30.240
<v Speaker 2>who took that money without ever shaking hands with it.

0:32:31.480 --> 0:32:44.560
<v Speaker 4>I'm Jake Brennan, and this his Disgraceland.

0:32:47.400 --> 0:32:49.120
<v Speaker 2>All right, thanks for rolling with me in this fifty

0:32:49.160 --> 0:32:51.560
<v Speaker 2>Cent Part two episode of Disgraceland.

0:32:51.600 --> 0:32:54.880
<v Speaker 1>Apple podcast listeners, make sure you have auto downloads turned on. Listen.

0:32:55.120 --> 0:32:56.080
<v Speaker 1>I want to know from you, guys.

0:32:56.120 --> 0:32:58.160
<v Speaker 2>Six point seven nine h sixty sixty six three eight

0:32:58.440 --> 0:33:01.320
<v Speaker 2>which hip hop star would you most want to sit

0:33:01.400 --> 0:33:04.600
<v Speaker 2>down and have a drink with, chill out with, talk with,

0:33:04.880 --> 0:33:07.080
<v Speaker 2>ask questions to share some stories.

0:33:07.200 --> 0:33:09.640
<v Speaker 1>Is it fifty cent? Who is it somebody else? Let

0:33:09.680 --> 0:33:09.840
<v Speaker 1>me know?

0:33:09.880 --> 0:33:12.080
<v Speaker 2>It could be any hip hop star from any era.

0:33:12.440 --> 0:33:13.960
<v Speaker 2>Not looking for rockstars, not looking for.

0:33:13.920 --> 0:33:16.760
<v Speaker 1>Pop stars here, You're looking specifically for hip hop stars.

0:33:16.800 --> 0:33:18.560
<v Speaker 1>Which one would you most want to hang out with?

0:33:18.640 --> 0:33:18.920
<v Speaker 1>Let me know?

0:33:19.000 --> 0:33:21.520
<v Speaker 2>Six one seven nine six six six three eight Call

0:33:21.560 --> 0:33:23.760
<v Speaker 2>me with your answers. Leave a voicemail, send me a text,

0:33:23.760 --> 0:33:26.040
<v Speaker 2>and you might hear yourself on the next episode of

0:33:26.080 --> 0:33:30.680
<v Speaker 2>the After Party coming up right after this At disgracelampod,

0:33:30.680 --> 0:33:32.160
<v Speaker 2>I'm the socials. You want to get at me on

0:33:32.240 --> 0:33:35.440
<v Speaker 2>anything else? Scracelampod at gmail dot com.

0:33:35.600 --> 0:33:37.480
<v Speaker 1>I get to take off. Here come some credits.

0:33:38.600 --> 0:33:41.400
<v Speaker 2>Disgraceland was created by Yours Truly and is produced in

0:33:41.440 --> 0:33:44.840
<v Speaker 2>partnership with Double Elvis. Credits for this episode can be

0:33:44.880 --> 0:33:48.240
<v Speaker 2>found on the show notes page at disgracelampod dot com.

0:33:48.600 --> 0:33:51.880
<v Speaker 2>If you're listening as a Disgraceland All Access member, thank.

0:33:51.680 --> 0:33:52.760
<v Speaker 1>You for supporting the show.

0:33:52.800 --> 0:33:55.520
<v Speaker 2>We really appreciate it, and if not, you can become

0:33:55.560 --> 0:33:58.920
<v Speaker 2>a member right now by going to disgracelampod dot com

0:33:58.960 --> 0:34:01.880
<v Speaker 2>slash membership, rate and review the show, and follow us

0:34:01.920 --> 0:34:05.920
<v Speaker 2>on Instagram, TikTok, Twitter, and Facebook at disgracelampod and on

0:34:05.960 --> 0:34:10.719
<v Speaker 2>YouTube at YouTube dot com slash at disgrace Lampod Rock

0:34:10.760 --> 0:34:11.160
<v Speaker 2>a roller.

0:34:15.320 --> 0:34:16.879
<v Speaker 3>He's a bad down man.