WEBVTT - Street Revenge w/ Michael Rispoli

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 1>These episodes are based on. These are our stories.

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<v Speaker 3>Done Done, Hello and welcome back to That's Messed Up

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<v Speaker 3>n SVU podcast.

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<v Speaker 2>I'm Kara Klink and I'm Liza Traeger. We talk SVU

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<v Speaker 2>true crime. We have celeb gas at first, sweet chit chat.

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<v Speaker 2>Get used to it. Listen. I have a little Apple

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<v Speaker 2>Juice book.

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<v Speaker 1>Yeah, I was gonna say you drinking a little honest kids.

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<v Speaker 2>Well, because sometimes when I order delivery, I don't want

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<v Speaker 2>a fountain drink or caffeine like late at night, so

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<v Speaker 2>I'll pick the apple juice or it was it was

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<v Speaker 2>a McDonald's fist and I picked the apple juice because

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<v Speaker 2>I didn't want I want better coffee. I didn't want

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<v Speaker 2>a soda in the morning, you know. And I didn't

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<v Speaker 2>want a milk or a chocolate milk. And I have

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<v Speaker 2>tons of water bottles.

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<v Speaker 1>These are the kind of juices I get for all

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<v Speaker 1>my kids parties, and the kids always like want them,

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<v Speaker 1>and then they drink like two SIPs and then leave

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<v Speaker 1>them because they are very they're quite watery, right, Like

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<v Speaker 1>wouldn't you say, Well.

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<v Speaker 2>I'm an adult, so like I don't know, maybe i'm

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<v Speaker 2>looking oh yeah, no added sugar, but I like yeah,

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<v Speaker 2>apple sauce. So like maybe I didn't I wouldn't have

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<v Speaker 2>noticed if you didn't say anything. But maybe if I

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<v Speaker 2>had a Martinelli's next to me, I would.

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<v Speaker 1>Write like, compared to like a martinettal at least or

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<v Speaker 1>I mean or compared to like a Caprice Son. You

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<v Speaker 1>can put put out Caprice Sons at a party. Those

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<v Speaker 1>things are wrong out within an inch of their lives.

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<v Speaker 1>Well that wouldn't be ap Oh my god.

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<v Speaker 2>If I can get what is it a cool it's

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<v Speaker 2>not a cool ranch, but they have one that's like

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<v Speaker 2>a cool name that it's fucking good.

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<v Speaker 4>But I love fruit punch too. Yeah yeah, yeah yeah.

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<v Speaker 1>Sometimes I'm drinking those at parties because a lot of

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<v Speaker 1>parties for kids, they're only if they're putting out parent drinks,

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<v Speaker 1>they're only putting out specific cooler. But if they only

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<v Speaker 1>put out Lacroix at a party, I'm going for the

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<v Speaker 1>Caprice Sons or the juice boxes because I don't like

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<v Speaker 1>carbonated Uh, I like soda, like straight up like full

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<v Speaker 1>fat coke, but I don't like uh seltzers.

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<v Speaker 2>I knew someone that lived in Chicago and they had

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<v Speaker 2>like a cruise themed party at their house and with syringes,

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<v Speaker 2>they may they put vodka into the caprice sons.

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<v Speaker 1>Oh that's fun.

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<v Speaker 4>Yeah, that's a fun little idea. Syringes you got to do.

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<v Speaker 2>I wouldn't want to bring a syringe into my life,

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<v Speaker 2>Like that's not really I don't need that.

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<v Speaker 1>Yeah, I don't think we need syringes, But you.

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<v Speaker 4>Know what I need.

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<v Speaker 2>I want fancy jungle juice. When I go out to drink,

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<v Speaker 2>like people just start doing jungle juice, high end jungle

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<v Speaker 2>juice high end, Like yeah, I want to go to

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<v Speaker 2>a nice ass rest and order a jungle juice and

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<v Speaker 2>be like wait, what is this and like what's going on?

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<v Speaker 1>And it just tastes like punch, but it gets you

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<v Speaker 1>like super fucked up after like two. Yeah, I guess

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<v Speaker 1>that's like the sangrias I used to get at Alta

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<v Speaker 1>in the city. I used to get two and they

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<v Speaker 1>were light light pink, like you know, it was supposed

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<v Speaker 1>to be red sangria, but it was like light pink,

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<v Speaker 1>light purple.

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<v Speaker 4>So fucked. Like, if I had two, I was wasted.

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<v Speaker 1>If I had three, it was like, get me a cab,

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<v Speaker 1>I gotta go home, Like they were love that.

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<v Speaker 2>I love when you can go somewhere and just have

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<v Speaker 2>two drinks that are well balanced, not sweet, you like sweet,

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<v Speaker 2>but like just boozy, delicious, refreshing in your fucks. That's

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<v Speaker 2>why I like Tiki, because I get fucked at Tiki

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<v Speaker 2>and they're like good and delicious and there's you know,

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<v Speaker 2>a dolphin shaped out of a banana.

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<v Speaker 4>You gotta love that.

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<v Speaker 1>Definitely. This episode is coming out like in the in

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<v Speaker 1>later in Augus, I'm like, what's that. Well, Virgo season

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<v Speaker 1>is a mom it's happening. Yeah, it's upon us. Well,

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<v Speaker 1>it's like almost there. It's almost there. We're a couple

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<v Speaker 1>eaves away or something. I think it's like the twenty

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<v Speaker 1>first or twenty second.

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<v Speaker 2>Yeah, yeah, yeah, Virgo season is in full of fat,

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<v Speaker 2>Labor Day weekend.

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<v Speaker 1>You know, shit like that.

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<v Speaker 4>Yeah.

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<v Speaker 2>But August, I mean for kids, it's like school. So

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<v Speaker 2>my mom said, like, we're you know where we're from.

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<v Speaker 2>Every every everyone went to school on September first. That

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<v Speaker 2>was the first day of school, and it was what

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<v Speaker 2>it was like no matter what, it didn't matter what. Well,

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<v Speaker 2>it's communism, but yeah, right September first, and everyone brings

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<v Speaker 2>flowers for.

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<v Speaker 1>That, I mean, bring the communism to La Baby Rosi's

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<v Speaker 1>first day of school is August fourteenth.

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<v Speaker 4>I mean she's not gonna be there for it, but.

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<v Speaker 1>Like it's it's uh, it's so early, Like August is

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<v Speaker 1>crazy for school. Yeah, I thought you'd be happy because

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<v Speaker 1>you like your kids out of the house. Well yeah,

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<v Speaker 1>but I guess you're already be at camp. Yeah, it's

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<v Speaker 1>like we do camp, we do stuff in the summer,

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<v Speaker 1>and it's just I just feel like it's also sad

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<v Speaker 1>to be like at school, Like even they start going

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<v Speaker 1>to sleep away camp, it's not even over until like

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<v Speaker 1>the seventeenth, you know what I mean, in the sixteenth

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<v Speaker 1>or something. So I don't know, like they're gonna have

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<v Speaker 1>to be late for school like every year of their lives.

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<v Speaker 1>I guess I don't know. Right now, I'm doing it

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<v Speaker 1>because they're so young, and like what could they possibly

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<v Speaker 1>be learning on the first day of like you know,

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<v Speaker 1>pre k that's going to really matter too bad, But

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<v Speaker 1>like I don't know, later when it's like sixth grade,

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<v Speaker 1>they might be like I was late for school and

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<v Speaker 1>I missed like this paper I had to write.

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<v Speaker 4>I don't know.

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<v Speaker 1>I always tell the teachers, I go, send me the work,

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<v Speaker 1>send me the work for the rising first grader. Apparently

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<v Speaker 1>the homework is really going to be pumped up next year.

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<v Speaker 2>I'm so against homework for children. I'm so against school

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<v Speaker 2>starting before Labor Day weekend. I think it should be

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<v Speaker 2>post Labor Day weekend until Memorial Day weekend. And if

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<v Speaker 2>you can't teach what you need to teach without homework

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<v Speaker 2>in that time, then we need to like restructure. I

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<v Speaker 2>mean whatever, education's over, so it doesn't matter. We don't

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<v Speaker 2>have to stop. I know, teachers, listen. I wish you

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<v Speaker 2>the best.

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<v Speaker 3>I don't know.

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<v Speaker 1>It's yeah, everybody, don't forget to go to our Instagram

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<v Speaker 1>highlight that's called teachers, and you can find a link

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<v Speaker 1>in there to like our Google sheet that has all

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<v Speaker 1>of the TMU listeners who are teachers that need help

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<v Speaker 1>with their wish lists. Because we do appreciate teachers, but

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<v Speaker 1>it is a difficult job. And a woman that ran

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<v Speaker 1>a wrestling company is in charge of you right now,

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<v Speaker 1>so we understand that's tough. I'm getting a heavy yesterday.

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<v Speaker 1>I had really been avoiding it. My parents really have

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<v Speaker 1>been cool about the Fox News, But yesterday I got

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<v Speaker 1>a heavy dose of it when I was watching when

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<v Speaker 1>I was making dinner for my kids and they were

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<v Speaker 1>just watching it, and I was just like, like, you know,

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<v Speaker 1>there's all this like what about is them? Like yeah,

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<v Speaker 1>but the right makes fun of the like the left

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<v Speaker 1>makes fun of the right. Also, It's like sure, sure,

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<v Speaker 1>but like if you go on CNN or MSNBC, you

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<v Speaker 1>do not hear the same tone. The way they talk

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<v Speaker 1>about Democrats on Fox News is as if they are

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<v Speaker 1>the scum of the earth. And I want to be like,

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<v Speaker 1>you know, that's like all your kids to my parents

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<v Speaker 1>want to be like that's all your kids, that's all

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<v Speaker 1>your my mom's brothers and sisters, like they all like

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<v Speaker 1>everybody votes Democrats. Like they talk about people like they

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<v Speaker 1>are cockroaches, Like there's like a sneering like well, negativity.

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<v Speaker 2>They have to start this because once all the like

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<v Speaker 2>Mexican people and brown people are locked up, they're going

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<v Speaker 2>to turn towards any dissenters, you know, Like I don't know, we.

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<v Speaker 4>Just have it's like color by numbers.

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<v Speaker 2>It's like we really know all the pieces, and it's

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<v Speaker 2>just like hoping they take longer or we get out,

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<v Speaker 2>Like when do we get out? Like I don't. It's

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<v Speaker 2>like crazy, like people are taken. There's a secret police.

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<v Speaker 2>He's firing anyone that disagrees with him. People are getting assassinated.

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<v Speaker 2>There's nothing real. They're shutting down anything that's good for society,

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<v Speaker 2>and it's just.

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<v Speaker 1>Like hey, guys, like what the fuck? But yeah, of.

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<v Speaker 4>Course they don't want them to think that we're people.

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<v Speaker 1>I just like put me in such a bad mood

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<v Speaker 1>and I had to watch it for fifteen minutes, like

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<v Speaker 1>cause it's just like my it's an open kitchen, Like

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<v Speaker 1>I you know, I had no choice.

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<v Speaker 2>Did you know what you have to do? What you

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<v Speaker 2>have to go into the parental controls. You have to

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<v Speaker 2>shut it off before you leave and be like what

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<v Speaker 2>are you talking about? You should call the cable car

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<v Speaker 2>like you gotta just act like you have no idea.

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<v Speaker 1>They'll figure out. Trust me, every time we say can

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<v Speaker 1>you turn it off? Because they'll turn it off in

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<v Speaker 1>front of the kids. They're not they don't have it

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<v Speaker 1>on in front of the kids. They'll my dad goes

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<v Speaker 1>out and watches it on his computer. I mean, he'll

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<v Speaker 1>watch it on his phone, Like I would have to

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<v Speaker 1>shut down so many different ways. It is a full

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<v Speaker 1>addiction at this point, like how much right wing news

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<v Speaker 1>that he is consuming, Like.

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<v Speaker 4>Damn, you're right, and it puts everyone in a bad mood.

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<v Speaker 4>They want people pissed.

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<v Speaker 2>I mean it's like, yeah, they're pissed, Yeah, piss it's

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<v Speaker 2>just because that's my thing. You've won it all. You

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<v Speaker 2>have the guy in charge, you have all of the conger.

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<v Speaker 2>Everything is closing. Rights are closing in. Brown people are

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<v Speaker 2>being you know, put into camps. They've truly got everything

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<v Speaker 2>they could ever want, and they are still pissed.

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<v Speaker 4>Off and they're just like Plan A Democrats.

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<v Speaker 2>Still it's yea, your guy's in charge with everything, he

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<v Speaker 2>still fucking hates you.

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<v Speaker 4>You grow up, you fucked.

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<v Speaker 1>I can't. I can't.

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<v Speaker 4>Did I talk about how I watched The Hunt?

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<v Speaker 1>No?

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<v Speaker 4>What's the Hunt?

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<v Speaker 1>So it's Betty Gilpin, your husband's favorite actress. And it

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<v Speaker 1>was fun.

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<v Speaker 2>I mean there's like really corny elements and like a

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<v Speaker 2>little too okay, guys, but I really enjoyed it and

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<v Speaker 2>I would watch it again and it's gory and fun

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<v Speaker 2>and oh Yeah, it's cool. Don't say one of the people,

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<v Speaker 2>don't say any other actors. Someone's a surprise. I guess

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<v Speaker 2>I could look it up. It doesn't matter. So, yeah,

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<v Speaker 2>it's like rich people. It's like they hunt people for fun.

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<v Speaker 2>You know, it's the classic storyline, rich people. They're taking

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<v Speaker 2>you and they're gonna shoot you. But there's like twists

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<v Speaker 2>and turns that are like silly and I don't know.

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<v Speaker 4>I liked it.

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<v Speaker 1>I liked it. I feel like maybe it's just because.

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<v Speaker 4>But it's because she's incredible.

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<v Speaker 2>I will say that without her, I don't know, but

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<v Speaker 2>like Betty Gilpin is a star beyond belief, a true

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<v Speaker 2>act like I can't she was incredible.

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<v Speaker 1>Yeah, yeah, I didn't talk to anybody that saw her

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<v Speaker 1>and O Mary, I was wondering how that was gonna go.

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<v Speaker 1>I'm going to see it again on Monday. It's yeah.

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<v Speaker 2>I can't wait to get a full review. We'll all

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<v Speaker 2>be sitting at the edge of our seats. But yeah,

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<v Speaker 2>I heard about this movie. I did too, and thought

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<v Speaker 2>nothing of it, and then and then I don't know

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<v Speaker 2>what made well. I know I'm doing like in the Woods,

0:10:39.720 --> 0:10:44.959
<v Speaker 2>comedy horror short and so many words, but yeah, so

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<v Speaker 2>I wanted to watch like.

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<v Speaker 1>And get into theme.

0:10:48.559 --> 0:10:51.400
<v Speaker 2>Yeah this isn't the theme truly, but no, no, but

0:10:51.440 --> 0:10:54.120
<v Speaker 2>I just wanted to like see like fear running away,

0:10:54.160 --> 0:10:57.040
<v Speaker 2>you know, like kind of just yeah, running past trees,

0:10:57.200 --> 0:11:00.120
<v Speaker 2>falling over sticks. I like hate that we talked to

0:11:00.160 --> 0:11:02.760
<v Speaker 2>all these good actors on our podcast because it's like

0:11:03.160 --> 0:11:05.080
<v Speaker 2>I just am constantly think I'm not doing enough, and

0:11:05.120 --> 0:11:08.000
<v Speaker 2>I feel guilty all the time because all these motherfuckers

0:11:08.000 --> 0:11:10.280
<v Speaker 2>talk about is preparation and how to be prepared and

0:11:10.280 --> 0:11:12.480
<v Speaker 2>how much they love working with people that are prepared.

0:11:12.960 --> 0:11:19.920
<v Speaker 2>And I'm like, okay, like can do it. I'm like, yeah,

0:11:19.960 --> 0:11:23.440
<v Speaker 2>I just I just it's hard to get me to work,

0:11:23.520 --> 0:11:26.400
<v Speaker 2>you know. I'm like, uh, I'm a it's I am

0:11:26.440 --> 0:11:27.280
<v Speaker 2>not good at work.

0:11:27.440 --> 0:11:29.400
<v Speaker 1>But I think also there's something to be said with

0:11:29.520 --> 0:11:35.120
<v Speaker 1>like a comedian using their flair for improv. You know. Yes, no,

0:11:35.200 --> 0:11:38.559
<v Speaker 1>they're even though Ipher Maloney didn't like Kathy Griffin doing

0:11:38.600 --> 0:11:41.160
<v Speaker 1>it on the show, I think somebody, you know, I think.

0:11:41.040 --> 0:11:42.800
<v Speaker 4>There's they definitely got a bargain.

0:11:43.280 --> 0:11:46.800
<v Speaker 2>They're gonna get a lot for a little Okay, Yeah,

0:11:46.800 --> 0:11:48.640
<v Speaker 2>I'm gonna make up all these They're gonna love it.

0:11:48.679 --> 0:11:51.439
<v Speaker 2>They're gonna they're not gonna believe all these little lines

0:11:51.480 --> 0:11:52.160
<v Speaker 2>that I'm gonna bring.

0:11:53.000 --> 0:11:56.360
<v Speaker 1>Yes, I can't, They're gonna love it. I truly believe that.

0:11:56.640 --> 0:11:58.920
<v Speaker 1>Does dollar store have a clearance bin? That's where I'm at,

0:12:01.200 --> 0:12:02.960
<v Speaker 1>clearance at the dollar store.

0:12:05.080 --> 0:12:06.719
<v Speaker 2>But I'm also kind of an outside so it's like

0:12:06.800 --> 0:12:08.920
<v Speaker 2>me and this guy are outsiders. But then the director

0:12:09.320 --> 0:12:12.640
<v Speaker 2>and star are our brother and sister, and the star

0:12:12.720 --> 0:12:17.000
<v Speaker 2>wrote it. And then the director's wife's in it too. Okay, Yeah,

0:12:17.160 --> 0:12:20.800
<v Speaker 2>family affair. Family affair. And then I'll be with one

0:12:20.800 --> 0:12:23.840
<v Speaker 2>other dude in a van. You never know what's going

0:12:23.880 --> 0:12:24.240
<v Speaker 2>to happen.

0:12:24.240 --> 0:12:24.400
<v Speaker 1>You know.

0:12:24.400 --> 0:12:27.200
<v Speaker 2>There's a comedian that gotten another comedian's car. They were

0:12:27.200 --> 0:12:29.719
<v Speaker 2>like driving to a show together, and this guy put

0:12:29.800 --> 0:12:32.559
<v Speaker 2>on headphones, plugged it into his laptop and started.

0:12:32.160 --> 0:12:36.240
<v Speaker 1>Working, like writing jokes or edited. I don't know what

0:12:36.360 --> 0:12:42.439
<v Speaker 1>he was doing, but ignored for hours. That's insane behavior.

0:12:42.880 --> 0:12:46.400
<v Speaker 1>It is that people we deal with. Yeah, these are

0:12:46.440 --> 0:12:49.360
<v Speaker 1>these are who we are facing off with every day.

0:12:50.120 --> 0:12:52.440
<v Speaker 1>You more than me. But when I do get a

0:12:52.440 --> 0:12:56.440
<v Speaker 1>little glimpse and I'm like, wow, insane people. Yeah, We're

0:12:56.480 --> 0:12:58.280
<v Speaker 1>like trying to have dinner with an old friend here

0:12:58.360 --> 0:13:00.559
<v Speaker 1>that lives out in Connecticut, who but stand up in

0:13:00.600 --> 0:13:03.120
<v Speaker 1>the city, who you know, can't get, can't nail and die.

0:13:03.120 --> 0:13:04.880
<v Speaker 1>He's like, I got sponsored the city that night. I

0:13:04.920 --> 0:13:06.480
<v Speaker 1>got spots to the city that I were like, Okay,

0:13:06.760 --> 0:13:08.920
<v Speaker 1>I give up. We're done trying. Like we're not going

0:13:09.000 --> 0:13:09.720
<v Speaker 1>to try anymore.

0:13:10.200 --> 0:13:12.720
<v Speaker 4>No, just like Heart of Adulthood, that's what it is.

0:13:13.720 --> 0:13:14.520
<v Speaker 1>That's what it is.

0:13:15.080 --> 0:13:20.320
<v Speaker 2>Yeah, everyone's just busy until they're not. Yeah, my pet

0:13:20.360 --> 0:13:24.120
<v Speaker 2>peeve is I have a friend who's always like, oh

0:13:24.160 --> 0:13:26.280
<v Speaker 2>and you didn't call me, And I'm like, well, now

0:13:26.320 --> 0:13:29.800
<v Speaker 2>I'll definitely never call you.

0:13:29.840 --> 0:13:32.320
<v Speaker 1>Should we just get into today's episode. We've got a

0:13:32.360 --> 0:13:35.600
<v Speaker 1>good episode coming out, you know what. I will say.

0:13:35.600 --> 0:13:39.840
<v Speaker 2>One SVW themed thing, that viral TikTok dance, the line

0:13:39.920 --> 0:13:42.839
<v Speaker 2>dance of the Sview theme is the best one I've

0:13:42.880 --> 0:13:46.000
<v Speaker 2>ever seen. It has taken over to the point where

0:13:46.080 --> 0:13:48.200
<v Speaker 2>now when I hear the theme song, I think of

0:13:48.200 --> 0:13:48.760
<v Speaker 2>that dance.

0:13:49.520 --> 0:13:54.600
<v Speaker 1>Yeah. It really was so fun. Yeah, and they Rollins

0:13:54.640 --> 0:14:00.360
<v Speaker 1>and Benson did it, but fun. Yeah, they were a

0:14:00.400 --> 0:14:03.559
<v Speaker 1>little off the beat and benches you could see her counting, but.

0:14:05.200 --> 0:14:07.440
<v Speaker 2>Like you could have taken another couple hours. No, it

0:14:07.520 --> 0:14:09.600
<v Speaker 2>was cool to see him. It's like it reminds you

0:14:09.640 --> 0:14:11.719
<v Speaker 2>they're just like kind of fun moms, you know what

0:14:11.760 --> 0:14:15.200
<v Speaker 2>I mean. Yeah, Like we see these characters and they're

0:14:15.280 --> 0:14:19.239
<v Speaker 2>multifaceted and bad ass, but then it's like they're just silly,

0:14:19.600 --> 0:14:21.680
<v Speaker 2>silly moms learning a TikTok dance.

0:14:22.120 --> 0:14:24.440
<v Speaker 1>Yeah, Like part of me when I see those videos,

0:14:24.480 --> 0:14:26.960
<v Speaker 1>what I think happens and this is just a scenario

0:14:27.000 --> 0:14:28.600
<v Speaker 1>I create in my mind is that like a young

0:14:28.640 --> 0:14:32.160
<v Speaker 1>social media manager goes, guys, here's what we have to

0:14:32.200 --> 0:14:33.800
<v Speaker 1>have you do. This is gonna be amazing, this is

0:14:33.840 --> 0:14:36.960
<v Speaker 1>going to break the internet, and Marishka is like down, down, down,

0:14:37.080 --> 0:14:39.600
<v Speaker 1>like she is like already started working on the choreo.

0:14:40.000 --> 0:14:42.560
<v Speaker 1>And my feeling is that Kelly Giddish is a little

0:14:42.600 --> 0:14:46.400
<v Speaker 1>bit like yeah, yeah, let's do it, you know, like

0:14:46.480 --> 0:14:49.000
<v Speaker 1>and then in the videos she always seems a little

0:14:49.000 --> 0:14:52.040
<v Speaker 1>bit like cool and then I do a guitar strum

0:14:52.120 --> 0:14:54.440
<v Speaker 1>and then I like she doesn't seem like she kind

0:14:54.440 --> 0:14:58.160
<v Speaker 1>of wants to be doing like the little videos. But Marishka,

0:14:58.200 --> 0:15:00.600
<v Speaker 1>I know, like did like a Pamela Pumpkin and it's

0:15:00.600 --> 0:15:04.240
<v Speaker 1>like always down with engaging with the culture online. So

0:15:06.000 --> 0:15:09.120
<v Speaker 1>oh and then all the social media person goes got

0:15:09.200 --> 0:15:11.680
<v Speaker 1>it and then posts.

0:15:11.280 --> 0:15:14.000
<v Speaker 2>Do you think the social media person wants one more?

0:15:14.000 --> 0:15:15.960
<v Speaker 2>And they're like, no, we're we were going I.

0:15:16.000 --> 0:15:16.600
<v Speaker 4>Think we got it.

0:15:16.760 --> 0:15:19.120
<v Speaker 1>Yeah. I think they're like because they're like, they're one

0:15:19.160 --> 0:15:20.600
<v Speaker 1>take on the show all the time, so I think

0:15:20.640 --> 0:15:22.400
<v Speaker 1>they probably are like, can we get it one more

0:15:22.400 --> 0:15:24.479
<v Speaker 1>time for safety, and they're probably like, nope.

0:15:24.520 --> 0:15:27.160
<v Speaker 4>Oh my god, one take is psychotic.

0:15:27.840 --> 0:15:28.320
<v Speaker 1>Oh my god.

0:15:28.400 --> 0:15:31.360
<v Speaker 2>My YouTube is just filled with little, you know, little

0:15:31.400 --> 0:15:35.520
<v Speaker 2>bits of actors talking and the guy what's his name,

0:15:35.560 --> 0:15:39.720
<v Speaker 2>Eli Roth? Mm hmmm, so for his uh, what's the

0:15:39.720 --> 0:15:44.200
<v Speaker 2>bear character? And an inglorious bastard's the Jewish bear? What

0:15:44.360 --> 0:15:47.880
<v Speaker 2>was his name? He's a real name, Donnie Donowitz, the

0:15:47.880 --> 0:15:51.240
<v Speaker 2>bear jew okay yea, yeah yeah. So that they were

0:15:51.280 --> 0:15:54.600
<v Speaker 2>shooting and then and that they kept him in the

0:15:54.640 --> 0:15:57.840
<v Speaker 2>cave for like three or four days, so he kept

0:15:57.840 --> 0:16:00.000
<v Speaker 2>thinking it was going to be his turn, and then

0:16:00.000 --> 0:16:02.120
<v Speaker 2>they would wrap for the day and they never let

0:16:02.200 --> 0:16:04.880
<v Speaker 2>him out of the cave for days. So by the

0:16:04.920 --> 0:16:06.840
<v Speaker 2>time he got out of the cave, that's why he's

0:16:06.880 --> 0:16:07.800
<v Speaker 2>so fucking amped.

0:16:09.240 --> 0:16:14.520
<v Speaker 1>Jesus crazy like forced method acting like what is that?

0:16:14.520 --> 0:16:15.840
<v Speaker 1>That's so nuts?

0:16:16.080 --> 0:16:18.480
<v Speaker 2>I just can't believe Quentin Tarantino is like such a

0:16:18.520 --> 0:16:21.200
<v Speaker 2>heavy part of the Valley, Like, wait, are you watching

0:16:21.200 --> 0:16:24.080
<v Speaker 2>the Valley, Casey or you retired after vander Pump.

0:16:24.480 --> 0:16:27.760
<v Speaker 5>I've popped in a little bit, but seeing Jax Taylor

0:16:27.880 --> 0:16:31.440
<v Speaker 5>is too dark. He's an evil presence. It's so yeah,

0:16:31.480 --> 0:16:34.160
<v Speaker 5>it's hard for me to engage. After you said I

0:16:34.160 --> 0:16:37.200
<v Speaker 5>think carry you said he's like the prototype for a

0:16:37.400 --> 0:16:39.560
<v Speaker 5>family annihilator or something.

0:16:39.280 --> 0:16:41.920
<v Speaker 1>Like, yeah, well we saw somebody say that online. Yeah,

0:16:41.960 --> 0:16:43.120
<v Speaker 1>I can't get that out of my head.

0:16:43.400 --> 0:16:45.160
<v Speaker 5>So I haven't really been watching.

0:16:45.520 --> 0:16:48.560
<v Speaker 1>Like Also, what creeped me out so hard was like

0:16:49.360 --> 0:16:52.360
<v Speaker 1>his him, I don't watch the Valley, but I know

0:16:52.480 --> 0:16:54.840
<v Speaker 1>the characters, and I get enough through like the osmosis

0:16:54.840 --> 0:16:56.960
<v Speaker 1>of the blogs and andst does that I follow or whatever.

0:16:57.560 --> 0:17:00.160
<v Speaker 4>He looked exactly the same.

0:17:00.080 --> 0:17:05.080
<v Speaker 1>Same in his reunion of the Valley talking about apologizing

0:17:05.720 --> 0:17:08.160
<v Speaker 1>to Brittany as he does, as he did on vander

0:17:08.200 --> 0:17:11.399
<v Speaker 1>Pump when he was like a decade younger apologizing for

0:17:11.520 --> 0:17:13.320
<v Speaker 1>cheating on Stasse with her best friend.

0:17:13.400 --> 0:17:15.600
<v Speaker 4>Like the man does not learn.

0:17:16.080 --> 0:17:19.320
<v Speaker 1>He has no capability of self reflection or accountability.

0:17:19.359 --> 0:17:20.480
<v Speaker 4>He is a sociopath.

0:17:20.560 --> 0:17:23.480
<v Speaker 1>I think like he literally goes, yeah, and I'm so

0:17:23.640 --> 0:17:26.040
<v Speaker 1>sorry for that and I'm sorry and I apologize to

0:17:26.040 --> 0:17:28.119
<v Speaker 1>you for that, and he's rolling his eyes while he

0:17:28.200 --> 0:17:31.520
<v Speaker 1>does it, like he is so like a ghost.

0:17:31.680 --> 0:17:35.200
<v Speaker 2>There's like a social media therapist. And she was saying

0:17:35.359 --> 0:17:38.280
<v Speaker 2>that like when sociopastern they're like, oh, I thought they

0:17:38.280 --> 0:17:39.800
<v Speaker 2>don't care about anyone, and it's like, well, they don't

0:17:39.800 --> 0:17:42.000
<v Speaker 2>care about anybody else. They care about themselves and like

0:17:42.040 --> 0:17:44.879
<v Speaker 2>what's going to happen to them? And I think about that.

0:17:45.000 --> 0:17:49.320
<v Speaker 2>With him, it's it's like he is disgusting. Yeah, well

0:17:49.359 --> 0:17:52.000
<v Speaker 2>life for the house has the son living somewhere else,

0:17:52.200 --> 0:17:53.320
<v Speaker 2>like thinking he's a good day.

0:17:53.320 --> 0:17:55.960
<v Speaker 1>Why would she let you be with your son? And

0:17:56.119 --> 0:17:58.760
<v Speaker 1>every apology has like a butt after it. It's always like,

0:17:59.040 --> 0:18:00.639
<v Speaker 1>but you should have were I mean, yeah, but you

0:18:00.720 --> 0:18:02.560
<v Speaker 1>were doing this and you were drinking.

0:18:03.080 --> 0:18:06.720
<v Speaker 2>Yeah yeah, but maybe you should watch it, Casey. I mean,

0:18:06.760 --> 0:18:08.879
<v Speaker 2>I can't wait to watch the reunion and I have

0:18:08.920 --> 0:18:11.240
<v Speaker 2>to watch the Loss Culture Resa's Awards, Like I know

0:18:11.400 --> 0:18:11.800
<v Speaker 2>me too.

0:18:11.840 --> 0:18:14.120
<v Speaker 1>I really want to see that. The memes coming out

0:18:14.119 --> 0:18:17.399
<v Speaker 1>of that are making me laugh so hard. It's so cool.

0:18:17.480 --> 0:18:18.200
<v Speaker 1>It's so cool.

0:18:18.320 --> 0:18:20.760
<v Speaker 2>It gives me the same vibe as Oh Mary, where

0:18:20.760 --> 0:18:23.320
<v Speaker 2>it's like non compromising, doing things that are fun, that

0:18:23.400 --> 0:18:26.880
<v Speaker 2>make you feel good, and then it becoming like this thing.

0:18:27.720 --> 0:18:28.200
<v Speaker 2>It's cool.

0:18:28.240 --> 0:18:32.680
<v Speaker 1>Yeah. The Lost Culturesa's Award just remind me of like

0:18:33.560 --> 0:18:35.960
<v Speaker 1>I don't know, like signing each other's yearbooks in high

0:18:36.000 --> 0:18:38.720
<v Speaker 1>school and it's all just like inside fucking jokes that

0:18:38.800 --> 0:18:39.959
<v Speaker 1>like no one else would get.

0:18:39.960 --> 0:18:41.560
<v Speaker 4>It just feels like it's that's what they said.

0:18:41.600 --> 0:18:43.399
<v Speaker 2>They're like it was just like an inside joke on

0:18:43.440 --> 0:18:46.120
<v Speaker 2>our podcast, but they said that their fans are as

0:18:46.200 --> 0:18:49.960
<v Speaker 2>crazy as maybe Swifty Level or something.

0:18:50.280 --> 0:18:50.800
<v Speaker 4>Yeah.

0:18:50.840 --> 0:18:53.600
<v Speaker 1>So yeah, I'm trying to remember what the rule of

0:18:53.640 --> 0:18:57.040
<v Speaker 1>culture was. Was that way the awards came from the

0:18:57.119 --> 0:19:01.119
<v Speaker 1>rules of culture, didn't they? Or no, yeah, separate yeah.

0:19:00.560 --> 0:19:02.760
<v Speaker 2>Yeah yeah, mule culture And then it was just like

0:19:02.840 --> 0:19:05.320
<v Speaker 2>voting like on the podcast and it was just like

0:19:05.359 --> 0:19:08.480
<v Speaker 2>a podcast and they would have episodes announcing the winners

0:19:08.480 --> 0:19:09.080
<v Speaker 2>on the pod.

0:19:09.840 --> 0:19:13.280
<v Speaker 1>But yeah, I just love like all of the like

0:19:13.800 --> 0:19:17.439
<v Speaker 1>the Renee Wrap Award for Greatness and Lesbianism and like

0:19:17.480 --> 0:19:19.439
<v Speaker 1>all like they're like the way that the awards are

0:19:19.480 --> 0:19:21.760
<v Speaker 1>based on other people too, is like so funny.

0:19:21.800 --> 0:19:23.800
<v Speaker 4>It's just like it's so funny.

0:19:23.800 --> 0:19:25.879
<v Speaker 1>It it feels like I don't know, it feels like

0:19:25.920 --> 0:19:28.720
<v Speaker 1>it's for me, Like it's I when did you know

0:19:28.760 --> 0:19:29.800
<v Speaker 1>the culture was for you?

0:19:29.880 --> 0:19:31.360
<v Speaker 4>The last culture is the awards.

0:19:31.720 --> 0:19:32.199
<v Speaker 1>It's for me.

0:19:32.520 --> 0:19:35.960
<v Speaker 2>Yeah, It's like it's like it's like silly and serious,

0:19:36.000 --> 0:19:38.680
<v Speaker 2>Like they take so much time to craft these funny things,

0:19:38.720 --> 0:19:41.440
<v Speaker 2>but it doesn't take themselves seriously. Like I think they're

0:19:41.480 --> 0:19:44.239
<v Speaker 2>all just geniuses that work so hard, but it is

0:19:44.640 --> 0:19:45.360
<v Speaker 2>so stupid.

0:19:45.840 --> 0:19:48.280
<v Speaker 1>But also it's like a send up of award shows.

0:19:48.320 --> 0:19:50.720
<v Speaker 1>And award shows are so silly, like they I mean

0:19:50.760 --> 0:19:53.240
<v Speaker 1>I watch them same as anybody else, but like they

0:19:53.280 --> 0:19:56.360
<v Speaker 1>are such like a silly self congratulatory and like when

0:19:56.440 --> 0:19:58.680
<v Speaker 1>Muna didn't win the Lesbian Award, they were like mad.

0:19:58.720 --> 0:20:00.359
<v Speaker 1>I mean it was like it was so funn like

0:20:00.400 --> 0:20:02.720
<v Speaker 1>everything was a bit like I really liked that, Like

0:20:02.880 --> 0:20:06.679
<v Speaker 1>because the award shows take themselves too seriously, and and

0:20:06.800 --> 0:20:08.879
<v Speaker 1>talk shows like Late Night takes itself too seriously. And

0:20:08.920 --> 0:20:11.520
<v Speaker 1>that's why people like Andy Cohen because he he honestly

0:20:11.560 --> 0:20:16.080
<v Speaker 1>doesn't take it as seriously. Although I saw Carol back

0:20:16.119 --> 0:20:18.160
<v Speaker 1>on back in the Clubhouse.

0:20:18.359 --> 0:20:21.040
<v Speaker 2>Yeah, I was the Matt and Bowen episode. I watched

0:20:21.040 --> 0:20:23.480
<v Speaker 2>it it was phenomenal, it was fun. It was fun.

0:20:23.640 --> 0:20:25.920
<v Speaker 4>Listen, I'm gonna Rava Hollicks and it is what.

0:20:25.920 --> 0:20:26.880
<v Speaker 1>It is now.

0:20:26.880 --> 0:20:33.240
<v Speaker 4>People want Ninni back in. But let's get now. Yeah,

0:20:33.400 --> 0:20:34.320
<v Speaker 4>let's get started.

0:20:36.080 --> 0:20:39.920
<v Speaker 1>We yeah, we've already done our last show, so nothing

0:20:39.960 --> 0:20:40.439
<v Speaker 1>to promote.

0:20:40.560 --> 0:20:41.280
<v Speaker 4>Let's go.

0:20:45.600 --> 0:20:50.440
<v Speaker 1>Okay, Today, we are doing the episode Street Revenge from

0:20:50.480 --> 0:20:55.000
<v Speaker 1>season thirteen, the first post Maloney. Ooh, that's funny, post

0:20:55.000 --> 0:21:01.320
<v Speaker 1>Maloney post Maloney season episode nineteen. This came out in

0:21:01.320 --> 0:21:04.359
<v Speaker 1>twenty twelve, in April of twenty twelve, so this episode

0:21:04.400 --> 0:21:06.520
<v Speaker 1>starts a little bit differently. They do not give us

0:21:06.520 --> 0:21:09.800
<v Speaker 1>the thrill of a rollerblader falling onto a dead body. Instead,

0:21:09.840 --> 0:21:11.720
<v Speaker 1>it is a girl being loaded into an ambulance, with

0:21:11.760 --> 0:21:14.840
<v Speaker 1>Olivia already talking to her softly about how she's going

0:21:14.880 --> 0:21:17.399
<v Speaker 1>to be in touch. Okay, So Benson is joined by

0:21:17.440 --> 0:21:19.600
<v Speaker 1>Tomorrow and they're talking about how this girl might be

0:21:19.640 --> 0:21:23.080
<v Speaker 1>the fifth victim of a serial rapist. Samemo pushes them

0:21:23.080 --> 0:21:25.760
<v Speaker 1>down from behind, cuts a handful of their hair. We

0:21:25.960 --> 0:21:28.880
<v Speaker 1>just did a hair episode, like we just did it

0:21:28.920 --> 0:21:33.040
<v Speaker 1>two episodes ago. Wet, how was the hair criminal? And

0:21:33.400 --> 0:21:36.640
<v Speaker 1>then he says to them, you think you're special bitch okay.

0:21:37.240 --> 0:21:40.040
<v Speaker 1>They think he's all the victims can't really see him

0:21:40.200 --> 0:21:42.080
<v Speaker 1>because they push him from behind. He pushes them from behind,

0:21:42.080 --> 0:21:44.640
<v Speaker 1>but they think he's white with a dark hoodie. They're

0:21:44.640 --> 0:21:48.720
<v Speaker 1>in West Soho, a neighborhood I have never heard referenced

0:21:48.760 --> 0:21:51.960
<v Speaker 1>as such, like Soho itself is a quite a small

0:21:52.000 --> 0:21:55.439
<v Speaker 1>neighborhood and to be like oh in West Soho, and

0:21:55.480 --> 0:21:57.600
<v Speaker 1>they go back and forth between calling it Soho and

0:21:57.640 --> 0:21:59.840
<v Speaker 1>West Soho the whole time, which is so funny to me.

0:22:00.200 --> 0:22:02.560
<v Speaker 1>It is a small, small neighborhood, like I looked it

0:22:02.640 --> 0:22:04.960
<v Speaker 1>up on Google Maps, and Soho is only like four

0:22:05.080 --> 0:22:08.520
<v Speaker 1>avenues and like eight blocks. It's very a small area.

0:22:09.040 --> 0:22:11.639
<v Speaker 1>So there's a big crowd of people gathered and a

0:22:11.680 --> 0:22:14.399
<v Speaker 1>reporter is asking them if the West Soho rapist has

0:22:14.440 --> 0:22:18.119
<v Speaker 1>struck again. It's like the West so okay. Anyway, the

0:22:18.119 --> 0:22:21.560
<v Speaker 1>reporter is British and bitchy, and he's like still nothing,

0:22:21.640 --> 0:22:25.120
<v Speaker 1>detective and Live gives her, gives one of her classic

0:22:25.200 --> 0:22:27.760
<v Speaker 1>withering looks and goes, let us do our job, and

0:22:27.800 --> 0:22:30.399
<v Speaker 1>he gets right on camera to clown the NYPD for

0:22:30.440 --> 0:22:33.639
<v Speaker 1>being clueless, and then back at the precinct, munch is

0:22:33.680 --> 0:22:35.840
<v Speaker 1>looking at a sketch that could literally be any man

0:22:35.880 --> 0:22:38.640
<v Speaker 1>on the planet, Like it's like racially ambiguous, Like it's

0:22:38.680 --> 0:22:40.280
<v Speaker 1>like a man with a nose and a chin, like

0:22:40.320 --> 0:22:44.360
<v Speaker 1>there's no defining characteristics. And the problem is no one

0:22:44.359 --> 0:22:48.240
<v Speaker 1>gets a good look at the guy, no witnesses, no footage,

0:22:48.280 --> 0:22:49.919
<v Speaker 1>like they just they can't get the guy, Like he

0:22:50.000 --> 0:22:53.520
<v Speaker 1>just disappears right after these crimes take place. And Craigan's like,

0:22:53.640 --> 0:22:57.520
<v Speaker 1>is this guy invisible? And Benson's like, well, listen, the

0:22:57.520 --> 0:22:59.640
<v Speaker 1>only subway nearby is the one train, Like this guy

0:22:59.720 --> 0:23:00.600
<v Speaker 1>must be driving.

0:23:01.119 --> 0:23:02.440
<v Speaker 4>The Holland Tunnel is right there.

0:23:02.440 --> 0:23:05.040
<v Speaker 1>We're trying to pull video we're doing stopping frisks on

0:23:05.119 --> 0:23:07.760
<v Speaker 1>white males, and Finn goes, well, that's a nice change

0:23:07.760 --> 0:23:10.000
<v Speaker 1>of pace, and I'm like, see, I love the how

0:23:10.040 --> 0:23:12.439
<v Speaker 1>At season thirteen, this show does no cops or racist

0:23:13.000 --> 0:23:16.439
<v Speaker 1>Cragan wants the whole neighborhood flooded with coverage. Anyone on

0:23:16.440 --> 0:23:19.520
<v Speaker 1>the streets after midnight better have an NYPD's pay stub

0:23:19.640 --> 0:23:20.040
<v Speaker 1>on them.

0:23:20.320 --> 0:23:21.439
<v Speaker 4>And then he goes, what are you waiting for?

0:23:21.480 --> 0:23:22.320
<v Speaker 1>A hug? Goodbye?

0:23:22.400 --> 0:23:23.520
<v Speaker 4>And this is cranky Kragan.

0:23:23.640 --> 0:23:26.359
<v Speaker 1>This is like a very cranky Kragan part he's getting

0:23:26.440 --> 0:23:29.639
<v Speaker 1>his ass ritten. Whenever there's a seial that they're not finding,

0:23:29.680 --> 0:23:33.560
<v Speaker 1>you can tell the Commissioner's right up Cragan's butt. So

0:23:33.680 --> 0:23:35.879
<v Speaker 1>Craigan pulls Live aside and goes the commissioner saw the

0:23:35.880 --> 0:23:38.879
<v Speaker 1>coverage from the British boy whose name is Griscom And

0:23:38.960 --> 0:23:41.840
<v Speaker 1>we actually have seen this man before. He is in

0:23:41.880 --> 0:23:45.760
<v Speaker 1>the episode Lost Traveler. He is the sicko who hacked

0:23:45.760 --> 0:23:49.120
<v Speaker 1>into the missing boy's phone in Lost Traveler to check

0:23:49.119 --> 0:23:51.840
<v Speaker 1>his messages and then deleted some of them and gave

0:23:51.840 --> 0:23:54.800
<v Speaker 1>the family hope that he was alive. Remember we and

0:23:54.840 --> 0:23:58.840
<v Speaker 1>we researched a crime basey do you remember so fucked up? Yeah?

0:23:59.119 --> 0:24:01.560
<v Speaker 1>So now this guy he got a job as a

0:24:01.600 --> 0:24:05.000
<v Speaker 1>reporter for NY three and has the audacity to shit

0:24:05.119 --> 0:24:09.239
<v Speaker 1>talk SVU when he has actively hindered their investigation before. Like,

0:24:09.359 --> 0:24:11.760
<v Speaker 1>I you know you want to kill this guy immediately

0:24:12.160 --> 0:24:16.639
<v Speaker 1>if you can remember him anyway, Kraagan wants Live to

0:24:16.720 --> 0:24:20.200
<v Speaker 1>come to this community Council meeting to do damage control,

0:24:20.240 --> 0:24:22.240
<v Speaker 1>and she's like, I'd rather work the case, captain, and

0:24:22.240 --> 0:24:25.359
<v Speaker 1>he's like, it's not a request again, Cranky Craigan, but

0:24:25.600 --> 0:24:28.000
<v Speaker 1>my thing, this is what I've been really sitting on.

0:24:28.119 --> 0:24:33.639
<v Speaker 2>It's like, Craigan, you have been a captain for now

0:24:34.200 --> 0:24:37.880
<v Speaker 2>thirty let's say fourteen years, and that's that's just captain.

0:24:38.240 --> 0:24:40.240
<v Speaker 2>So you are a lieutenant and a sergeant and a

0:24:40.280 --> 0:24:42.560
<v Speaker 2>cop and you don't know how to give a press conference?

0:24:42.600 --> 0:24:44.400
<v Speaker 2>How did you get this start? Like, you know, I'm

0:24:44.440 --> 0:24:46.280
<v Speaker 2>glad to see live I want her always in action.

0:24:46.600 --> 0:24:48.800
<v Speaker 2>Yeah yeah, But to be the leader of your squad

0:24:48.960 --> 0:24:51.760
<v Speaker 2>and be scared of press or journalists and fuck up

0:24:51.840 --> 0:24:53.960
<v Speaker 2>is just so lame to me and weird.

0:24:54.080 --> 0:24:55.960
<v Speaker 4>Yeah, like I don't believe in him more.

0:24:56.240 --> 0:24:58.399
<v Speaker 1>The writing would have also made more sense if it's like,

0:24:58.520 --> 0:25:01.280
<v Speaker 1>I think women will take a warning more from a woman,

0:25:01.359 --> 0:25:03.080
<v Speaker 1>Why don't you come and do this press conference? You

0:25:03.080 --> 0:25:05.160
<v Speaker 1>know what I mean? Like rather than bald, old white

0:25:05.240 --> 0:25:08.240
<v Speaker 1>cop just saying stay off the streets anyway. At the meeting,

0:25:08.359 --> 0:25:11.120
<v Speaker 1>Craigan is urging people to be cautious. And then this

0:25:11.200 --> 0:25:13.240
<v Speaker 1>one white man in a sea of white people, like

0:25:13.280 --> 0:25:16.399
<v Speaker 1>every single person in West Soho is white. They start yelling.

0:25:16.480 --> 0:25:18.840
<v Speaker 1>They're like, so the rapist wins, these are our streets.

0:25:18.840 --> 0:25:21.119
<v Speaker 1>And the crowd is pissed and they think Craigan is

0:25:21.200 --> 0:25:23.639
<v Speaker 1>victim blaming and so Live has to take over, like

0:25:23.680 --> 0:25:25.720
<v Speaker 1>we said, and like, surely they'll listen to her. I

0:25:25.760 --> 0:25:26.280
<v Speaker 1>mean not really.

0:25:26.320 --> 0:25:27.240
<v Speaker 4>They're still pretty mad.

0:25:27.600 --> 0:25:31.159
<v Speaker 1>But at Liv's voiceover is urging women like be vigilant,

0:25:31.680 --> 0:25:33.679
<v Speaker 1>like you know, don't walk alone on the streets. And

0:25:33.680 --> 0:25:36.280
<v Speaker 1>of course we cut to a girl while Lives voiceovers

0:25:36.280 --> 0:25:39.440
<v Speaker 1>playing a girl walking down the darkest, emptiest street I've

0:25:39.480 --> 0:25:42.360
<v Speaker 1>ever seen in New York City, Like not a thing exists.

0:25:42.400 --> 0:25:45.000
<v Speaker 1>This is like a warehouse district and nothing is Like

0:25:45.359 --> 0:25:47.159
<v Speaker 1>I don't think there is a street this dark that

0:25:47.240 --> 0:25:50.760
<v Speaker 1>exists in Soho, Like Soho has stuff on every street.

0:25:51.000 --> 0:25:54.359
<v Speaker 1>And of course the attacker jumps out and goes, you're mine, bitch,

0:25:54.680 --> 0:25:57.879
<v Speaker 1>and he starts attacking her until some guy in like

0:25:57.920 --> 0:25:59.760
<v Speaker 1>a you can't really make him out, but he's in

0:25:59.840 --> 0:26:03.280
<v Speaker 1>like some kind of nondescript superhero outfit shows up, pulls

0:26:03.320 --> 0:26:06.280
<v Speaker 1>him off, punches the guy, and then chases him and

0:26:06.320 --> 0:26:07.200
<v Speaker 1>that's credits.

0:26:07.720 --> 0:26:09.640
<v Speaker 4>So wow, they've really set this up.

0:26:09.680 --> 0:26:13.280
<v Speaker 1>We're looking for a serial rapist and now there's superheroes involved.

0:26:13.600 --> 0:26:17.080
<v Speaker 1>What the fuck is going on? At the hospital, Rollins

0:26:17.080 --> 0:26:19.280
<v Speaker 1>Tomorrow are talking to the victim. Her name is Claire

0:26:19.320 --> 0:26:21.880
<v Speaker 1>and she's like, I shouldn't have done that. I saw

0:26:21.920 --> 0:26:24.080
<v Speaker 1>the stories. I shouldn't have been out alone. I had

0:26:24.080 --> 0:26:28.760
<v Speaker 1>a few drinks. And this actress is actually Veronica Dominsic,

0:26:28.800 --> 0:26:30.320
<v Speaker 1>which I don't know if I'm saying it correctly, but

0:26:30.359 --> 0:26:33.280
<v Speaker 1>she is the sister of Dagmara and Marika Dominsic, who

0:26:33.320 --> 0:26:36.160
<v Speaker 1>have both been on SVU, and we just talked about

0:26:36.200 --> 0:26:39.960
<v Speaker 1>them because Dagmara is married to I think Patrick Wilson

0:26:40.000 --> 0:26:43.040
<v Speaker 1>and was just the episode in the in the Prog episode, right.

0:26:43.359 --> 0:26:45.760
<v Speaker 1>So now we've really in the past like a couple months,

0:26:45.840 --> 0:26:48.440
<v Speaker 1>hit all three of these sisters, and they've all been

0:26:48.440 --> 0:26:49.960
<v Speaker 1>on a s few and I think Marika has been

0:26:50.000 --> 0:26:52.480
<v Speaker 1>on a couple of times. She's the one who poisoned

0:26:52.520 --> 0:26:57.040
<v Speaker 1>the chemistry poison Experience consent in the Tammy Blanchard episode.

0:26:57.400 --> 0:27:00.280
<v Speaker 1>So we got a trio of sisters. I don't know

0:27:00.280 --> 0:27:01.840
<v Speaker 1>if we've seen that before, they've all been on this

0:27:01.960 --> 0:27:05.040
<v Speaker 1>view anyway. Rollins is like, girl, it's not your fault

0:27:05.080 --> 0:27:06.760
<v Speaker 1>that you got attacked, and the girl goes, you have

0:27:06.840 --> 0:27:09.639
<v Speaker 1>to say that, and Rollins doesn't really say no. She's

0:27:09.640 --> 0:27:13.400
<v Speaker 1>not like no, it's not no, it's she's like, you know, yeah,

0:27:13.640 --> 0:27:16.080
<v Speaker 1>I do kind of blame you, and I do have

0:27:16.119 --> 0:27:18.119
<v Speaker 1>to say that, And so I know we usually comment

0:27:18.160 --> 0:27:20.760
<v Speaker 1>on Marishka's hair, but Rollin's hair this is her first season.

0:27:21.200 --> 0:27:23.920
<v Speaker 1>The side bang is so aggressive. It starts like above

0:27:23.960 --> 0:27:26.480
<v Speaker 1>her ear, I mean like she's pulling it over, like

0:27:26.680 --> 0:27:31.280
<v Speaker 1>really really aggressively, and she tells them the girl clear goes, well,

0:27:31.320 --> 0:27:33.679
<v Speaker 1>this guy didn't even actually rate me, like her face.

0:27:33.440 --> 0:27:35.000
<v Speaker 4>Is fucked up, like he definitely hurt her.

0:27:35.280 --> 0:27:37.040
<v Speaker 1>But she's like, he didn't actually rap me because that

0:27:37.080 --> 0:27:40.119
<v Speaker 1>other guy stopped him. And she says the same stuff

0:27:40.119 --> 0:27:44.119
<v Speaker 1>about her attacker, like hoodie, tan, construction jacket. Maybe he

0:27:44.200 --> 0:27:47.679
<v Speaker 1>said you're mine, bitch. She goes, his voice sounded white,

0:27:47.760 --> 0:27:52.439
<v Speaker 1>which I don't know, and then she tells them the rescue.

0:27:52.680 --> 0:27:55.119
<v Speaker 1>The rescuer was in a crazy get up like a

0:27:55.160 --> 0:27:56.080
<v Speaker 1>downtown superhero.

0:27:56.200 --> 0:27:57.639
<v Speaker 4>She thought she was imagining things.

0:27:57.960 --> 0:28:00.600
<v Speaker 1>Okay, So now back at the Precinct Risk Them is

0:28:00.640 --> 0:28:03.760
<v Speaker 1>back on the air reporting on the sixth attack of

0:28:03.800 --> 0:28:06.600
<v Speaker 1>the West. Soho rapist and Craigan wants to know what's

0:28:06.680 --> 0:28:12.080
<v Speaker 1>up with the superhero, like, guy, what's happening? And liv says, well,

0:28:12.240 --> 0:28:13.840
<v Speaker 1>say what you want to about this guy, but he

0:28:13.880 --> 0:28:15.920
<v Speaker 1>clocked the rapist so hard he left blood at the

0:28:15.960 --> 0:28:18.240
<v Speaker 1>crime scene, and Craigan's like, I'm not sold that this

0:28:18.320 --> 0:28:20.640
<v Speaker 1>is the same guy, Like, some of the details are similar,

0:28:21.200 --> 0:28:24.120
<v Speaker 1>but also our other rapist said your mind. This guy

0:28:24.119 --> 0:28:26.480
<v Speaker 1>said your mind, bitch instead of you think you're special, bitch.

0:28:26.520 --> 0:28:29.080
<v Speaker 1>Like it's close, but it's not the same. And it

0:28:29.119 --> 0:28:31.399
<v Speaker 1>was the same for the first five you know. And

0:28:31.480 --> 0:28:33.600
<v Speaker 1>they're like, well, did he cut his her hair? And

0:28:33.640 --> 0:28:35.159
<v Speaker 1>he's They're like, well, he didn't have a chance to

0:28:35.160 --> 0:28:38.440
<v Speaker 1>cut it. So not everything's matching because the hair and

0:28:38.480 --> 0:28:40.600
<v Speaker 1>some of these details have not been released to the press.

0:28:41.040 --> 0:28:45.520
<v Speaker 1>So Craigan doesn't like vigilantes doing their job. So they

0:28:45.520 --> 0:28:49.040
<v Speaker 1>found footage of the guy matching her description getting on

0:28:49.320 --> 0:28:52.160
<v Speaker 1>the subway. They're going to go track down his Metro card.

0:28:52.880 --> 0:28:56.160
<v Speaker 1>So now Rollins and Amarro are at the Department of

0:28:56.280 --> 0:28:59.440
<v Speaker 1>Education payroll office. And this woman is one of my

0:28:59.560 --> 0:29:02.640
<v Speaker 1>favorite like random one sceners of all time.

0:29:03.120 --> 0:29:04.280
<v Speaker 4>Okay, and I.

0:29:04.600 --> 0:29:08.440
<v Speaker 1>Yeah, I love this scene. Yeah you're in Yeah, it's great,

0:29:09.000 --> 0:29:12.440
<v Speaker 1>Like and she go, they go, she goes, you're asking

0:29:12.480 --> 0:29:15.239
<v Speaker 1>me to match a person to a Metro card. One

0:29:15.320 --> 0:29:17.480
<v Speaker 1>hundred and thirty five thousand people work here like, I

0:29:17.520 --> 0:29:20.360
<v Speaker 1>don't have time for that, and rollins. It's her first season.

0:29:20.360 --> 0:29:23.560
<v Speaker 1>She hasn't really perfected her She hasn't perfected how to

0:29:23.560 --> 0:29:25.480
<v Speaker 1>talk to women yet. She knows how to flirt with men,

0:29:25.520 --> 0:29:27.880
<v Speaker 1>but she can't talk to women yet. So she goes, well,

0:29:27.880 --> 0:29:29.680
<v Speaker 1>we're police, so you're gonna have to make time, and

0:29:29.720 --> 0:29:31.600
<v Speaker 1>the woman goes, excuse me, all I have to do

0:29:31.640 --> 0:29:34.160
<v Speaker 1>is stay black and die and love that. For her,

0:29:34.600 --> 0:29:37.880
<v Speaker 1>she's really standing in her own uh you know, the

0:29:37.960 --> 0:29:39.640
<v Speaker 1>value of her own time. She's like, I'm not doing

0:29:39.680 --> 0:29:41.880
<v Speaker 1>this and Amarro cuts in and he's like, well, if

0:29:41.880 --> 0:29:44.040
<v Speaker 1>you can't flirt with a woman, I certainly can. So

0:29:44.200 --> 0:29:46.680
<v Speaker 1>he starts his charming guy routine. He notices her framed

0:29:46.680 --> 0:29:49.520
<v Speaker 1>picks of her kids and starts chatting parenting stuff. It's

0:29:49.680 --> 0:29:52.320
<v Speaker 1>just so over the top that, yeah, how many times

0:29:52.320 --> 0:29:56.800
<v Speaker 1>were you all classic? Yeah, he's so hot. I can

0:29:56.920 --> 0:30:01.560
<v Speaker 1>imagine kind of just enjoying the moment exactly. He's batting

0:30:01.600 --> 0:30:04.280
<v Speaker 1>his eyes, he's saying pretty pleased. Like he's getting her

0:30:04.480 --> 0:30:06.840
<v Speaker 1>to check for the metro card and she's like, I'll

0:30:06.840 --> 0:30:08.560
<v Speaker 1>take a look, and he's like, well does this one thing?

0:30:08.760 --> 0:30:09.560
<v Speaker 4>Like cut it down?

0:30:09.640 --> 0:30:12.080
<v Speaker 1>Like there's one fact about the Metro card that cuts

0:30:12.080 --> 0:30:14.520
<v Speaker 1>it down, like it uses a certain system. And so

0:30:14.600 --> 0:30:17.720
<v Speaker 1>she's like she's typing. She's like, okay, I'll check. Like

0:30:17.760 --> 0:30:20.920
<v Speaker 1>she's clearly you know she's smitten with Amorro. And then

0:30:20.920 --> 0:30:23.400
<v Speaker 1>she goes, you got Indian in you. And it's so

0:30:23.760 --> 0:30:26.880
<v Speaker 1>funny because he goes, yeah, I get that, and she goes,

0:30:26.920 --> 0:30:29.600
<v Speaker 1>I knew it. Like she it's so funny, like she's

0:30:29.640 --> 0:30:33.160
<v Speaker 1>flirting with him so hard, and then she goes, you guys.

0:30:33.000 --> 0:30:33.600
<v Speaker 4>Go get coffee.

0:30:33.640 --> 0:30:35.240
<v Speaker 1>This is gonna take a while. So now we found

0:30:35.240 --> 0:30:37.760
<v Speaker 1>out who the card belongs to, and Tomorrow and Rollins

0:30:37.800 --> 0:30:40.960
<v Speaker 1>are checking this lead. And while they're walking there, Rollin's

0:30:40.960 --> 0:30:44.000
<v Speaker 1>asked Tomorrow about his wife, who he barely likes, Maria,

0:30:44.440 --> 0:30:47.600
<v Speaker 1>who is back home with him now, and Amara's like,

0:30:47.960 --> 0:30:51.280
<v Speaker 1>Zara's happy, my mom moved out, Maria sage the apartment.

0:30:51.360 --> 0:30:54.160
<v Speaker 1>Everyone's happy. And then the woman who's Metro card it is.

0:30:54.200 --> 0:30:56.200
<v Speaker 1>She's a school teacher. She's like loading kids on the bus.

0:30:56.200 --> 0:31:00.640
<v Speaker 1>Her name's may Chen, and they're like, hey, we tracked

0:31:00.640 --> 0:31:02.920
<v Speaker 1>your Metro card. It was used last night and she goes, well,

0:31:03.080 --> 0:31:05.200
<v Speaker 1>I mean I didn't even use my metro card this morning,

0:31:05.280 --> 0:31:08.800
<v Speaker 1>like I walk to work and sometimes my son Andy

0:31:08.840 --> 0:31:11.200
<v Speaker 1>borrows it. So now Finn and Benson are at a

0:31:11.200 --> 0:31:13.880
<v Speaker 1>basketball court to find Andy and he's playing bee ball

0:31:13.960 --> 0:31:15.840
<v Speaker 1>and he's got a black eye and a busted jaw,

0:31:16.160 --> 0:31:18.160
<v Speaker 1>and Fin's like, that's our guy. We need a new

0:31:18.200 --> 0:31:20.960
<v Speaker 1>sketch artist, because everyone was like saying, this guy's white,

0:31:21.000 --> 0:31:22.840
<v Speaker 1>and this guy is Asian or at least part or

0:31:22.840 --> 0:31:25.600
<v Speaker 1>at least like part Asian. They call out to him,

0:31:25.960 --> 0:31:27.800
<v Speaker 1>They're like, we need to ask you some questions, and

0:31:28.200 --> 0:31:30.480
<v Speaker 1>this kid does not give a shit. He's like very

0:31:30.480 --> 0:31:32.600
<v Speaker 1>bluse about the cops wanting to talk to him, Like

0:31:33.120 --> 0:31:35.080
<v Speaker 1>Liv asks about the nose and.

0:31:35.040 --> 0:31:36.880
<v Speaker 4>He goes, oh, you know what happened with that?

0:31:37.000 --> 0:31:40.560
<v Speaker 1>And then he shoves a basketball at Benson takes off running,

0:31:40.640 --> 0:31:43.640
<v Speaker 1>Finn takes up after him, live runs in another direction.

0:31:44.200 --> 0:31:46.760
<v Speaker 1>She cuts the guy off. He raises his hands like

0:31:46.800 --> 0:31:49.480
<v Speaker 1>he's ready to fight her, going come on, come on,

0:31:49.520 --> 0:31:53.240
<v Speaker 1>and in an iconic Benson move, she pauses, gives him

0:31:53.280 --> 0:31:55.200
<v Speaker 1>like are you fucking kidding me? Look, and then bitch

0:31:55.200 --> 0:31:57.840
<v Speaker 1>slaps this kid right across his dumb little face. Then

0:31:57.840 --> 0:31:59.840
<v Speaker 1>she throws him against a car to cuff him. And

0:32:00.040 --> 0:32:02.440
<v Speaker 1>you probably recognize this scene because it's gone viral before,

0:32:02.880 --> 0:32:05.000
<v Speaker 1>Like this scene has been sent to us many times

0:32:05.000 --> 0:32:07.320
<v Speaker 1>of like people will just post it being like shit,

0:32:07.400 --> 0:32:09.680
<v Speaker 1>I didn't know Benson had that in or whatever, like

0:32:09.840 --> 0:32:12.720
<v Speaker 1>because it's really great, like she's kicking this guy's ass

0:32:13.040 --> 0:32:15.400
<v Speaker 1>and then and it's like it is a police brutality thing,

0:32:15.440 --> 0:32:18.800
<v Speaker 1>but it's like in another scenario, I would not I'm

0:32:18.840 --> 0:32:20.680
<v Speaker 1>not mad at it. This kid. All she does is

0:32:20.720 --> 0:32:23.640
<v Speaker 1>slap him the first time, like, and then he yells,

0:32:23.680 --> 0:32:25.560
<v Speaker 1>I know my rights, don't touch me. And he struggles

0:32:25.560 --> 0:32:27.040
<v Speaker 1>and then he makes like he's gonna hit her, and

0:32:27.040 --> 0:32:29.160
<v Speaker 1>that's when she punches him in the face. And then

0:32:29.160 --> 0:32:31.000
<v Speaker 1>she gets him on the ground and he's screaming and

0:32:31.040 --> 0:32:32.719
<v Speaker 1>grunting and being like you're breaking my arm.

0:32:32.720 --> 0:32:33.440
<v Speaker 4>You're breaking my arm.

0:32:33.680 --> 0:32:36.720
<v Speaker 1>And then Live finds a switchblade on him, so you

0:32:36.800 --> 0:32:37.920
<v Speaker 1>know this is enough?

0:32:38.000 --> 0:32:38.400
<v Speaker 4>I guess.

0:32:38.560 --> 0:32:40.840
<v Speaker 1>I don't know. Can you just carry a switchblade? You

0:32:40.880 --> 0:32:41.760
<v Speaker 1>can carry a knife.

0:32:41.960 --> 0:32:44.960
<v Speaker 2>Remember in Vancouver they took oh you mean for some reason,

0:32:44.960 --> 0:32:48.920
<v Speaker 2>it's not my knife story, Yeah, your knife wesa no.

0:32:49.080 --> 0:32:51.000
<v Speaker 1>But on the streets of New York, can you my

0:32:51.120 --> 0:32:52.760
<v Speaker 1>dad carries a knife? Everywhere he goes. So I'm like,

0:32:52.800 --> 0:32:55.480
<v Speaker 1>assuming the knives are okay. I don't know if that

0:32:55.520 --> 0:32:57.680
<v Speaker 1>gives them grounds. I don't know what the deal is,

0:32:57.720 --> 0:33:00.320
<v Speaker 1>but well, maybe because it's like a part of them

0:33:00.720 --> 0:33:03.000
<v Speaker 1>or whatever. Yeah, I think you're allowed to just have

0:33:03.080 --> 0:33:04.000
<v Speaker 1>a knife.

0:33:04.160 --> 0:33:06.560
<v Speaker 2>But I know at the comedy store they once told

0:33:06.560 --> 0:33:09.960
<v Speaker 2>me they confiscate like an average of ten like knives

0:33:10.000 --> 0:33:10.440
<v Speaker 2>a show.

0:33:10.840 --> 0:33:12.880
<v Speaker 1>I think about that all the time, actually, that you

0:33:12.960 --> 0:33:14.560
<v Speaker 1>told me that one time, and I think about it

0:33:14.600 --> 0:33:16.520
<v Speaker 1>all the time. I'm like, I can't believe so many

0:33:16.520 --> 0:33:17.840
<v Speaker 1>people go to the comedy store on a night that I

0:33:17.840 --> 0:33:19.440
<v Speaker 1>have a knife on them. But I guess my dad's

0:33:19.440 --> 0:33:24.760
<v Speaker 1>one of them. So who knows? At the precinct, the

0:33:24.800 --> 0:33:27.680
<v Speaker 1>lowdown on Andy Chen is this, he's twenty, he goes

0:33:27.720 --> 0:33:30.880
<v Speaker 1>to community college, he's got a prior for subway groping,

0:33:30.960 --> 0:33:33.600
<v Speaker 1>and he lives with his mom. Warner is checking to

0:33:33.600 --> 0:33:36.320
<v Speaker 1>see if the DNA that they found at the Superhero

0:33:36.400 --> 0:33:40.040
<v Speaker 1>scene is his, and Craigan wants to know what's up

0:33:40.080 --> 0:33:42.000
<v Speaker 1>with the kids nose, but Finn's like, no, that's a

0:33:42.040 --> 0:33:44.560
<v Speaker 1>prior injury. Live just knocked him upside the head, like

0:33:44.600 --> 0:33:46.680
<v Speaker 1>because he swung at her like, that's we saw he

0:33:46.680 --> 0:33:49.280
<v Speaker 1>had the nose problem before. So even if they can

0:33:49.400 --> 0:33:52.520
<v Speaker 1>link this guy through DNA, Craigan says, that's only in

0:33:52.560 --> 0:33:55.040
<v Speaker 1>this one attack. The guy left no DNA at any

0:33:55.040 --> 0:33:57.240
<v Speaker 1>other attacks, so they can't lick to the other ones.

0:33:57.280 --> 0:33:59.040
<v Speaker 1>So you better go get a confession, like that would

0:33:59.080 --> 0:34:01.360
<v Speaker 1>be great right now. So Finn and Tomorrow go in

0:34:01.400 --> 0:34:03.320
<v Speaker 1>and talk to Andy, who is icing his face, and

0:34:03.360 --> 0:34:06.120
<v Speaker 1>Finn's like, yo, we got you, like you're fucking we

0:34:06.240 --> 0:34:08.120
<v Speaker 1>have you. We've got DNA, we've got the metro card,

0:34:08.520 --> 0:34:11.120
<v Speaker 1>and this fucking loser, like he doesn't even try to lie.

0:34:11.600 --> 0:34:13.560
<v Speaker 1>He's I mean, he tries to lie, but he kind

0:34:13.560 --> 0:34:16.080
<v Speaker 1>of cops to it. He's like, yeah, she wanted it.

0:34:16.120 --> 0:34:18.960
<v Speaker 1>They all wanted it. I'm the King of Soho. And

0:34:19.000 --> 0:34:21.200
<v Speaker 1>we know we're still in the first act of the show,

0:34:21.239 --> 0:34:22.960
<v Speaker 1>so we know this guy is not the guy right,

0:34:23.040 --> 0:34:25.040
<v Speaker 1>Like it's we haven't even gone to commercial.

0:34:25.360 --> 0:34:26.640
<v Speaker 4>Anyone could be a threat.

0:34:26.680 --> 0:34:31.200
<v Speaker 1>But he's like scrawny, I know, but he had that

0:34:31.239 --> 0:34:33.280
<v Speaker 1>girl knocked down on the ground and was like about

0:34:33.280 --> 0:34:36.120
<v Speaker 1>to do it before the superhero came. So if you

0:34:36.120 --> 0:34:38.360
<v Speaker 1>have a knife too, it's like, I don't know but

0:34:39.520 --> 0:34:42.319
<v Speaker 1>he says these girls picked him up and he's like,

0:34:42.400 --> 0:34:44.560
<v Speaker 1>they're like, which one did you like best? And he's like, oh,

0:34:44.640 --> 0:34:47.560
<v Speaker 1>the first one, the blonde and they're like what was

0:34:47.600 --> 0:34:50.560
<v Speaker 1>she wearing and he's like, like a skirt thing. It's like, dog,

0:34:50.600 --> 0:34:52.160
<v Speaker 1>I don't know if you're gonna be a copycat, you

0:34:52.160 --> 0:34:54.920
<v Speaker 1>gotta have more information here, like you're not, you're not,

0:34:55.200 --> 0:34:57.200
<v Speaker 1>you don't know a ny. He seems dumb and he's

0:34:57.239 --> 0:35:01.200
<v Speaker 1>not even good at bluffing. And also it's like, what's

0:35:01.280 --> 0:35:03.919
<v Speaker 1>your mo here? Like you want to be the king

0:35:03.960 --> 0:35:06.680
<v Speaker 1>of Soho, so you're going to go to jail for

0:35:06.840 --> 0:35:08.960
<v Speaker 1>five to six rapes when you really only did one

0:35:08.960 --> 0:35:12.120
<v Speaker 1>and you didn't even really do it, like what? And

0:35:12.200 --> 0:35:15.720
<v Speaker 1>then Finn and Tomorrow step out. They're talking to Craigan

0:35:15.760 --> 0:35:18.600
<v Speaker 1>on the other side of the fish bowl and he's like, well,

0:35:19.080 --> 0:35:20.920
<v Speaker 1>I think this guy's good for Monday night, but he's

0:35:20.960 --> 0:35:22.560
<v Speaker 1>not our cereal, Like he doesn't have any.

0:35:22.480 --> 0:35:23.120
<v Speaker 4>Of the details.

0:35:23.320 --> 0:35:25.319
<v Speaker 1>So this kid is a copycat who got stopped by

0:35:25.320 --> 0:35:27.680
<v Speaker 1>a mass crusader. Craigan's like, I don't like any of

0:35:27.719 --> 0:35:30.120
<v Speaker 1>these details. I don't like where this is going. Munch

0:35:30.120 --> 0:35:32.920
<v Speaker 1>pops back in with more news. Griscom is back on

0:35:32.960 --> 0:35:36.200
<v Speaker 1>the news, shading the NYPD, saying the Soho rapist is

0:35:36.239 --> 0:35:39.640
<v Speaker 1>still at large. Now they've dropped the West it's now

0:35:39.719 --> 0:35:42.239
<v Speaker 1>just the Soho rapist. And he knows the rapist is

0:35:42.239 --> 0:35:44.040
<v Speaker 1>still out there because he just got a letter from

0:35:44.120 --> 0:35:49.279
<v Speaker 1>him and it reads, quote the NYPD can't catch me, copycats,

0:35:49.320 --> 0:35:52.440
<v Speaker 1>can't touch me, batman can't stop me. End quote.

0:35:52.440 --> 0:35:53.960
<v Speaker 4>So you know this is a dork right away.

0:35:54.239 --> 0:35:57.360
<v Speaker 1>The letter goes on with about three pages about the crimes.

0:35:57.400 --> 0:35:59.160
<v Speaker 4>Yeah, the poetry.

0:35:59.320 --> 0:36:06.160
<v Speaker 1>Yeah, details only the perpetrator would know. So it ends

0:36:06.200 --> 0:36:09.760
<v Speaker 1>with this line, quote, you Soho sluts think you're special.

0:36:09.920 --> 0:36:13.800
<v Speaker 1>This is just the beginning end quote. Craigan wants the letter,

0:36:13.880 --> 0:36:15.759
<v Speaker 1>but Munch says, you're gonna have to pry it from

0:36:15.760 --> 0:36:19.560
<v Speaker 1>this guy's cold dead fingers, which I'm confused. But at

0:36:19.600 --> 0:36:22.560
<v Speaker 1>the precinct, Craigan tells the gang that Cabot just informed

0:36:22.600 --> 0:36:25.400
<v Speaker 1>him that Chen is out on bail. So liv is like,

0:36:25.440 --> 0:36:27.319
<v Speaker 1>what the fuck? The DNA for the blood was a

0:36:27.360 --> 0:36:30.080
<v Speaker 1>match at the scene, like he's good for attempted rape,

0:36:30.160 --> 0:36:32.480
<v Speaker 1>But his lawyer argued that the NYPD cave to the

0:36:32.520 --> 0:36:35.520
<v Speaker 1>media pressure and the hysteria, and Andy is a straight

0:36:35.560 --> 0:36:38.440
<v Speaker 1>a student with ties to his community. His church posted

0:36:38.480 --> 0:36:41.719
<v Speaker 1>the bond, and it's like society really works overtime to

0:36:41.800 --> 0:36:44.080
<v Speaker 1>let a sociopathic boy get as many chances as he

0:36:44.120 --> 0:36:45.399
<v Speaker 1>possibly can, you know what I mean?

0:36:45.520 --> 0:36:46.680
<v Speaker 4>Like, I don't know.

0:36:47.040 --> 0:36:50.000
<v Speaker 1>Rollins tells them that the community hysteria is just getting started.

0:36:50.000 --> 0:36:51.960
<v Speaker 1>On the computer, she shows them a group of Soho

0:36:52.040 --> 0:36:54.719
<v Speaker 1>residents led by the guy who was being the most

0:36:54.800 --> 0:36:57.040
<v Speaker 1>vocal at the earlier meeting, who's like, these are our

0:36:57.080 --> 0:37:01.000
<v Speaker 1>streets and he says he's getting He's like, they're outraged

0:37:01.000 --> 0:37:04.359
<v Speaker 1>that the rapist made bail, and there's a redhead with him,

0:37:04.400 --> 0:37:06.600
<v Speaker 1>and she's like, I want, we want everyone to join

0:37:06.680 --> 0:37:09.560
<v Speaker 1>us for a no More Fear slut walk. So Much

0:37:09.600 --> 0:37:11.760
<v Speaker 1>doesn't know what a SlutWalk is, which I do not buy.

0:37:11.840 --> 0:37:14.000
<v Speaker 1>Like he's usually up on current shit like that, Like

0:37:14.040 --> 0:37:16.279
<v Speaker 1>he seems like he's the one that's like, it's a SlutWalk.

0:37:16.320 --> 0:37:17.960
<v Speaker 1>It's meant to do. You know, he's a gonna explain it.

0:37:17.960 --> 0:37:19.440
<v Speaker 1>I know you're gonna explain it later, so I'm not

0:37:19.480 --> 0:37:20.960
<v Speaker 1>gonna get into it right now. But I just don't

0:37:20.960 --> 0:37:23.360
<v Speaker 1>buy that Much doesn't know what one is liv explains

0:37:23.400 --> 0:37:25.600
<v Speaker 1>that it started in Toronto went global. Women are sick

0:37:25.640 --> 0:37:29.080
<v Speaker 1>of victim blaming and slutshaming. Also, Griscom won't give up

0:37:29.080 --> 0:37:31.879
<v Speaker 1>the letter, citing freedom of the press. So this guy

0:37:31.880 --> 0:37:34.759
<v Speaker 1>who's been like why aren't you finding him is now

0:37:34.880 --> 0:37:39.640
<v Speaker 1>actively hindering the second investigation with SVU, Like, this guy's

0:37:39.640 --> 0:37:41.480
<v Speaker 1>giving up so many details. His prints could be on

0:37:41.520 --> 0:37:44.040
<v Speaker 1>the letter, like all this stuff I know newspapers, Like,

0:37:44.400 --> 0:37:47.960
<v Speaker 1>technically media is allowed to keep sources confidential, but when

0:37:48.000 --> 0:37:51.959
<v Speaker 1>there is an imminent public threat, usually media organizations choose

0:37:52.000 --> 0:37:54.000
<v Speaker 1>to cooperate with the police because it's the right thing

0:37:54.000 --> 0:37:54.239
<v Speaker 1>to do.

0:37:54.320 --> 0:37:56.000
<v Speaker 4>Like with BTK, he sent letters.

0:37:56.040 --> 0:37:59.520
<v Speaker 1>He sent letters to newspapers and TV stations and they

0:37:59.600 --> 0:38:01.560
<v Speaker 1>handed it all over to the cops, like and that's

0:38:01.600 --> 0:38:03.839
<v Speaker 1>how they fucking got him. So I don't think when

0:38:03.840 --> 0:38:05.759
<v Speaker 1>a criminal sends a letter to a newspaper or TV

0:38:05.840 --> 0:38:08.000
<v Speaker 1>station they have any expectation of privacy.

0:38:08.480 --> 0:38:10.520
<v Speaker 2>So I don't know what it's this guy while I'm

0:38:10.560 --> 0:38:12.400
<v Speaker 2>watching and I'm like, this is the rapist.

0:38:12.360 --> 0:38:15.759
<v Speaker 1>Yeah, Like why isn't he publishing it or something and

0:38:15.800 --> 0:38:17.319
<v Speaker 1>then giving it to the cops, Like if you want

0:38:17.320 --> 0:38:19.080
<v Speaker 1>to get the scoop. I get that it got sent

0:38:19.120 --> 0:38:21.360
<v Speaker 1>to you, get your scoop, get your clicks, get your whatever,

0:38:21.960 --> 0:38:24.320
<v Speaker 1>but like not not give it to the cops. I

0:38:24.320 --> 0:38:28.680
<v Speaker 1>don't know. It seems crazy, but Finn says, no, I know,

0:38:28.920 --> 0:38:30.480
<v Speaker 1>And Finn's like, but the guy's prince could be on

0:38:30.480 --> 0:38:32.560
<v Speaker 1>the letter, and Rollins is like, nah, the guy has

0:38:32.640 --> 0:38:34.719
<v Speaker 1>left no physical evidence at five scenes. I don't think

0:38:34.719 --> 0:38:36.279
<v Speaker 1>he's gonna leave prints on the letter. But still you

0:38:36.280 --> 0:38:39.600
<v Speaker 1>don't know that. Liv says no DNA at five rapes

0:38:40.080 --> 0:38:43.480
<v Speaker 1>and is this guy starting something he can't finish? And

0:38:43.520 --> 0:38:46.200
<v Speaker 1>then uh, they say, well, some of the victims thought

0:38:46.239 --> 0:38:49.920
<v Speaker 1>he used a condemn He gets away unseen, So maybe

0:38:49.960 --> 0:38:52.600
<v Speaker 1>he lives in the neighborhood and he's like a super

0:38:52.719 --> 0:38:56.480
<v Speaker 1>or a maintenance man. Craigan does a traffic cop. He

0:38:56.520 --> 0:38:58.640
<v Speaker 1>sends Munch and Finn to go find sex offenders in

0:38:58.640 --> 0:39:01.680
<v Speaker 1>the neighborhood. He sends Lived, which feels like this guy's

0:39:01.680 --> 0:39:03.359
<v Speaker 1>been out there for two months. You haven't already found

0:39:03.360 --> 0:39:05.759
<v Speaker 1>the sex offenders in the neighborhood. He sends Live to

0:39:05.800 --> 0:39:08.680
<v Speaker 1>go ask Warrener to retest the victims clothes for touch DNA,

0:39:09.200 --> 0:39:11.600
<v Speaker 1>and then Rollin's to talk to one of her rabbis

0:39:11.680 --> 0:39:14.160
<v Speaker 1>and work up a profile. We've mentioned this before, but

0:39:14.200 --> 0:39:16.239
<v Speaker 1>a rabbi is like your mentor in the police world.

0:39:16.280 --> 0:39:18.239
<v Speaker 1>And I'm not sure who Rollins would be talking to

0:39:18.320 --> 0:39:20.719
<v Speaker 1>since she just got to New York from Atlanta, Like

0:39:20.760 --> 0:39:23.440
<v Speaker 1>who is her rat? She already has rabbis. But anyway,

0:39:23.600 --> 0:39:26.400
<v Speaker 1>Craigan looks stress. Why have I never heard that term?

0:39:27.560 --> 0:39:30.080
<v Speaker 1>We've talked about it because I have looked it up before,

0:39:30.440 --> 0:39:32.560
<v Speaker 1>because it'll be like, Oh, he's her rabbi, that's why,

0:39:32.840 --> 0:39:35.480
<v Speaker 1>or like, oh, that's his rabbi. That's why they never

0:39:35.600 --> 0:39:38.400
<v Speaker 1>remember turned him in because he's her rabbi or something

0:39:38.440 --> 0:39:43.040
<v Speaker 1>like that. I got to think that back in my head. Yeah,

0:39:43.440 --> 0:39:46.160
<v Speaker 1>so Craigan looks stressed, like the mayor is, like we said,

0:39:46.239 --> 0:39:48.000
<v Speaker 1>riding his ass, and he's like, and where the hell

0:39:48.120 --> 0:39:52.399
<v Speaker 1>is amorrow? Cut to tomorrow in a car spying on

0:39:52.480 --> 0:39:55.800
<v Speaker 1>his fucking wife. Okay, she's sitting outside at a cafe

0:39:55.960 --> 0:39:58.960
<v Speaker 1>and he's truly parked right across the street with nothing

0:39:58.960 --> 0:40:01.560
<v Speaker 1>obstructing the view, Like does he think the sunglasses make

0:40:01.640 --> 0:40:03.759
<v Speaker 1>him invisible? Like she could truly just look across the

0:40:03.760 --> 0:40:05.480
<v Speaker 1>street and be like, there's my husband sitting in his

0:40:05.520 --> 0:40:09.279
<v Speaker 1>cop car, and like, while she's sitting there, she's outside

0:40:09.920 --> 0:40:13.200
<v Speaker 1>in the summer sun or spring sun, and up walks

0:40:13.200 --> 0:40:15.000
<v Speaker 1>a handsome man to meet Maria. And this is a

0:40:15.040 --> 0:40:18.680
<v Speaker 1>friend of the pod Dominic Famusa and he's played four

0:40:18.719 --> 0:40:22.360
<v Speaker 1>different characters on SVU. We interviewed him about the episode PTSD,

0:40:22.800 --> 0:40:23.960
<v Speaker 1>but I think we talked about.

0:40:23.760 --> 0:40:24.239
<v Speaker 4>Him with this one.

0:40:24.280 --> 0:40:25.840
<v Speaker 1>So if you want to go back and listen to PTSD,

0:40:25.880 --> 0:40:26.359
<v Speaker 1>you could talk.

0:40:26.239 --> 0:40:26.880
<v Speaker 4>To him about that.

0:40:26.920 --> 0:40:28.799
<v Speaker 1>We talked about this episode a little with him, and

0:40:28.840 --> 0:40:30.360
<v Speaker 1>he's everywhere he's in.

0:40:30.520 --> 0:40:33.359
<v Speaker 2>Yeah, he's the asshole in Sex and the City that

0:40:33.400 --> 0:40:35.040
<v Speaker 2>Miranda meets at the funeral.

0:40:35.520 --> 0:40:37.520
<v Speaker 4>Yeah, that Carrie used to date.

0:40:38.360 --> 0:40:42.680
<v Speaker 1>Yes, And he is in another episode where his daughter

0:40:42.800 --> 0:40:46.880
<v Speaker 1>Vicky was came to New York on a field trip

0:40:46.960 --> 0:40:50.080
<v Speaker 1>and was trafficked and then he calls Maria because they're

0:40:50.120 --> 0:40:52.920
<v Speaker 1>friends from the military, and then Maria involves Nick. And

0:40:52.960 --> 0:40:55.360
<v Speaker 1>so that's an episode that's already happened, I think earlier

0:40:55.440 --> 0:40:58.160
<v Speaker 1>in this season. And I'm not supporting like Mike Pence

0:40:58.239 --> 0:41:00.600
<v Speaker 1>bullshit that the opposite sex can't have a meal together,

0:41:00.840 --> 0:41:03.479
<v Speaker 1>but they are splitting a bottle of rose in the

0:41:03.520 --> 0:41:06.680
<v Speaker 1>middle of the day and Maria friend of the pod

0:41:06.719 --> 0:41:09.719
<v Speaker 1>Laura Bananty is grinning like a schoolgirl when he walks up.

0:41:09.760 --> 0:41:12.680
<v Speaker 1>I'm just saying, like, Amaro's not wrong to be like worried.

0:41:12.719 --> 0:41:15.960
<v Speaker 1>I don't think you should be following and whatever, like,

0:41:16.000 --> 0:41:18.239
<v Speaker 1>but it is like I would be kind of like, huh, well.

0:41:18.160 --> 0:41:20.839
<v Speaker 2>It's also her lying, you know what I mean, if

0:41:20.920 --> 0:41:23.719
<v Speaker 2>she said I'm doing lunch with a friend.

0:41:23.520 --> 0:41:27.440
<v Speaker 1>I'm seeing my old friend. Yeah, and laps of fine too.

0:41:27.480 --> 0:41:29.719
<v Speaker 1>It's the descending a bottle in the middle of the

0:41:29.800 --> 0:41:32.200
<v Speaker 1>day is a little bit like we're having fun, you know.

0:41:32.239 --> 0:41:34.160
<v Speaker 1>It's not just like we're having a little drink, a

0:41:34.160 --> 0:41:36.160
<v Speaker 1>little nip before we go back to work.

0:41:36.280 --> 0:41:38.719
<v Speaker 4>It's a bottle. I didn't notice that.

0:41:38.960 --> 0:41:41.520
<v Speaker 1>I didn't notice that. Well, he pours his own after

0:41:41.520 --> 0:41:43.719
<v Speaker 1>he sits down. She's already had some like okay, So

0:41:44.440 --> 0:41:46.719
<v Speaker 1>but he gets a call. Amaro gets a call, and

0:41:46.760 --> 0:41:48.520
<v Speaker 1>obviously work wants to know where the fuck he is.

0:41:48.560 --> 0:41:51.479
<v Speaker 1>So Omoro arrives to a hell of a scene. Nick Chen,

0:41:51.560 --> 0:41:54.640
<v Speaker 1>the little fucker that we've already met before, is hanging

0:41:54.680 --> 0:41:56.360
<v Speaker 1>from a fence by his wrists.

0:41:56.600 --> 0:41:57.640
<v Speaker 4>He's unconscious.

0:41:57.719 --> 0:41:59.920
<v Speaker 1>One of his eyes is like swollen shut, like that

0:42:00.080 --> 0:42:02.640
<v Speaker 1>really nasty makeup they do where like it's his eye

0:42:02.640 --> 0:42:05.960
<v Speaker 1>looks really really gnarly, and a crowd has gathered and

0:42:06.000 --> 0:42:08.359
<v Speaker 1>the EMTs are like cutting him down, like this is hard,

0:42:09.280 --> 0:42:10.400
<v Speaker 1>it's hard to watch.

0:42:10.160 --> 0:42:13.239
<v Speaker 2>The makeup departments at a great job. But like they

0:42:13.280 --> 0:42:14.080
<v Speaker 2>had to hang the.

0:42:14.000 --> 0:42:16.279
<v Speaker 1>Guy geesez yeah yeah, well they yeah, they hang him

0:42:16.280 --> 0:42:19.600
<v Speaker 1>by his wrists like it's crazy, And witnesses say, he

0:42:19.640 --> 0:42:20.840
<v Speaker 1>got jumped by a gang.

0:42:20.640 --> 0:42:24.359
<v Speaker 2>Of I don't hate Vigilante Justice. I know him against it,

0:42:24.440 --> 0:42:28.319
<v Speaker 2>but I don't hate it. But those people should go

0:42:28.320 --> 0:42:30.959
<v Speaker 2>to jail that did that. By the way, I forgot

0:42:30.960 --> 0:42:32.920
<v Speaker 2>to mention that this is broad daylight. That he's strung

0:42:33.000 --> 0:42:35.920
<v Speaker 2>up by his wrists. Okay, so it's broad daylight. A

0:42:36.000 --> 0:42:37.080
<v Speaker 2>huge crowd has gathered.

0:42:37.719 --> 0:42:39.480
<v Speaker 1>Witnesses say he got jumped by a gang of five

0:42:39.480 --> 0:42:42.279
<v Speaker 1>superheroes calling themselves the Justice League, Which is why that

0:42:42.320 --> 0:42:44.399
<v Speaker 1>they could even use that name in this episode because

0:42:44.400 --> 0:42:47.040
<v Speaker 1>it is an established thing from DC comments, which has

0:42:47.080 --> 0:42:51.160
<v Speaker 1>existed since like nineteen sixty. It's like a supergroup of superheroes.

0:42:51.600 --> 0:42:56.080
<v Speaker 1>The original Justice League was Green Lantern, the Flash, Superman, Batman,

0:42:56.120 --> 0:43:00.120
<v Speaker 1>Wonder Woman, Aquaman, and the Martian Manhunter. Wow, he has

0:43:00.200 --> 0:43:03.239
<v Speaker 1>not done as well as his friends. Let's just say that. Okay,

0:43:04.000 --> 0:43:04.600
<v Speaker 1>Oh my god.

0:43:04.600 --> 0:43:07.640
<v Speaker 2>When I want to look him up, the Martian what Manhunter,

0:43:09.640 --> 0:43:12.720
<v Speaker 2>I wonder, like, literally, there's a franchise on every single

0:43:12.719 --> 0:43:14.600
<v Speaker 2>one of these people, and the Martian Manhunter's not someone

0:43:14.640 --> 0:43:18.719
<v Speaker 2>I've ever even laid ears on, But hey, you know

0:43:18.840 --> 0:43:24.399
<v Speaker 2>what I want, because he's in stuff. He's he's just yeah,

0:43:24.440 --> 0:43:26.080
<v Speaker 2>he doesn't.

0:43:27.280 --> 0:43:29.680
<v Speaker 1>It's just they got to name him something else. The Martian,

0:43:29.719 --> 0:43:33.400
<v Speaker 1>the Manhunter, the man Hunters a scary superhero name. But anyway,

0:43:33.600 --> 0:43:35.880
<v Speaker 1>I think these vigilantes in the episode spent so much

0:43:35.920 --> 0:43:37.879
<v Speaker 1>time on their costumes that the name took a back seat.

0:43:37.920 --> 0:43:40.200
<v Speaker 1>So they just took whatever they could think of. Nobody

0:43:40.239 --> 0:43:42.080
<v Speaker 1>helped Andy Chen when they were beating the shit out

0:43:42.120 --> 0:43:44.080
<v Speaker 1>of him. Most of them cheered him on. And I

0:43:44.120 --> 0:43:46.600
<v Speaker 1>don't think we should be stringing people up in the streets,

0:43:46.640 --> 0:43:48.759
<v Speaker 1>but I do think we should. Like the squad is

0:43:48.760 --> 0:43:51.239
<v Speaker 1>being very like, oh my god, this poor boy, and

0:43:51.239 --> 0:43:52.280
<v Speaker 1>I'm like, let's not forget.

0:43:52.080 --> 0:43:53.759
<v Speaker 4>He is a rapist. Like he's a sociopath.

0:43:53.840 --> 0:43:57.040
<v Speaker 1>Like he escalated from subway groping to attempted rape and

0:43:57.040 --> 0:43:59.560
<v Speaker 1>I know he's not the rapist, but he is a rapist.

0:43:59.719 --> 0:44:02.640
<v Speaker 1>And I just don't think I don't need SVU shedding

0:44:02.719 --> 0:44:04.759
<v Speaker 1>quite so many tears over this kid. But I do

0:44:04.800 --> 0:44:06.960
<v Speaker 1>think it's like, we don't need vigil anties taking care

0:44:07.000 --> 0:44:10.160
<v Speaker 1>of it anyway. The vigil antes spray painted j L

0:44:10.320 --> 0:44:14.480
<v Speaker 1>NY Justice League of New York one NYPD zero on

0:44:14.520 --> 0:44:17.080
<v Speaker 1>the ground where they hung Andy up, so Finn says,

0:44:17.280 --> 0:44:20.279
<v Speaker 1>these are our streets, not theirs. You honestly can't even

0:44:20.280 --> 0:44:22.200
<v Speaker 1>tell if Andy's dead or not until they show him

0:44:22.239 --> 0:44:24.160
<v Speaker 1>being wheeled away on a stretcher and he's not in

0:44:24.200 --> 0:44:25.600
<v Speaker 1>a body bag, Like I didn't know if he was

0:44:25.600 --> 0:44:28.920
<v Speaker 1>dead or not. Now I assume dead. I assume I

0:44:28.960 --> 0:44:31.360
<v Speaker 1>assumed when I first watched dead. Now Finn and to

0:44:31.400 --> 0:44:33.759
<v Speaker 1>Morrow at the hospital talking to him, and he's he's

0:44:33.800 --> 0:44:36.080
<v Speaker 1>alive and awake, and he looks terrible that I is

0:44:36.120 --> 0:44:37.160
<v Speaker 1>fucking poppin'.

0:44:37.200 --> 0:44:40.279
<v Speaker 2>He's got a neck brace on his force. Don't make

0:44:40.320 --> 0:44:43.080
<v Speaker 2>me feel bad for a rapist. Yeah, don't do that.

0:44:43.360 --> 0:44:45.600
<v Speaker 1>Don't do that. Sv don't do that. If it's a

0:44:45.640 --> 0:44:48.879
<v Speaker 1>wrong if it's wrongly accused, let's shine a light.

0:44:49.040 --> 0:44:50.040
<v Speaker 4>But that's not what this guy.

0:44:50.160 --> 0:44:53.120
<v Speaker 1>This guy was trying to copycat a horrific rapist that

0:44:53.200 --> 0:44:57.319
<v Speaker 1>was like fucking terrorizing his neighborhood, and he was trying

0:44:57.320 --> 0:45:00.400
<v Speaker 1>to take credit for all of it. Anyway, he's crazy.

0:45:00.680 --> 0:45:03.520
<v Speaker 1>And the thing is he will this kid will rape again.

0:45:03.600 --> 0:45:05.960
<v Speaker 1>Like I think he's a sociopath, like for sure, So

0:45:06.000 --> 0:45:07.560
<v Speaker 1>they got to do some kind of Yeah, well, you know.

0:45:07.600 --> 0:45:10.120
<v Speaker 2>We always talking about these sociopaths that get a lot dumb,

0:45:10.200 --> 0:45:11.360
<v Speaker 2>but some are dumb.

0:45:11.760 --> 0:45:13.600
<v Speaker 4>Yeah, there are dumb sociopaths.

0:45:13.680 --> 0:45:17.240
<v Speaker 2>Yeah, getting caught at first attempt for sure.

0:45:19.760 --> 0:45:21.480
<v Speaker 4>Now wait should should we be?

0:45:21.560 --> 0:45:21.759
<v Speaker 1>Yeah?

0:45:21.800 --> 0:45:23.479
<v Speaker 4>I want to I want to watch that TV show

0:45:23.800 --> 0:45:24.720
<v Speaker 4>The Dumb Socio.

0:45:24.880 --> 0:45:28.040
<v Speaker 1>Dumb instead of like a total like Wonderkin, it's like

0:45:28.080 --> 0:45:32.160
<v Speaker 1>a freaking dumb ass sociopath. He keeps fucking up and

0:45:32.280 --> 0:45:34.400
<v Speaker 1>like his sister has to keep bailing him out or something.

0:45:34.400 --> 0:45:36.120
<v Speaker 1>And she's smart, She's like, why are you so dumb?

0:45:36.160 --> 0:45:39.200
<v Speaker 1>You're supposed to be a brilliant psycho killer. It's like

0:45:39.239 --> 0:45:44.200
<v Speaker 1>the reverse deb in Decks. Okay, so he says, oh

0:45:44.320 --> 0:45:47.120
<v Speaker 1>was deb dumb? Oh no, Dev's not dumb. But she

0:45:47.160 --> 0:45:49.919
<v Speaker 1>definitely doesn't like bailing Dexter out. He makes her think

0:45:50.000 --> 0:45:52.000
<v Speaker 1>that she's bailing him out sometimes, but she's like kind

0:45:52.000 --> 0:45:55.560
<v Speaker 1>of not, you know. So he goes, they were wearing

0:45:55.640 --> 0:45:58.359
<v Speaker 1>masks and helmets. He goes, there was even a chick there.

0:45:58.360 --> 0:46:01.440
<v Speaker 1>It's like, you've literally been attacked by a mob and

0:46:01.480 --> 0:46:03.440
<v Speaker 1>you're still like being kind of a dick and like

0:46:03.520 --> 0:46:06.040
<v Speaker 1>being a misogynist. He's like, there was even a chick there,

0:46:06.080 --> 0:46:08.279
<v Speaker 1>and he goes, this is all your fault. You made

0:46:08.280 --> 0:46:11.239
<v Speaker 1>everyone hate me. And Tomorrow gets my point and goes, no,

0:46:11.239 --> 0:46:12.880
<v Speaker 1>they hate you because you're a rapist. And if I

0:46:12.920 --> 0:46:16.400
<v Speaker 1>wasn't a cop, i'd smack you around two And suddenly

0:46:16.440 --> 0:46:18.640
<v Speaker 1>Andy's mom runs in with a lawyer who hands them

0:46:18.640 --> 0:46:21.880
<v Speaker 1>a lawsuit that he's filing against them for violating Andy's

0:46:21.880 --> 0:46:24.799
<v Speaker 1>civil rights. Tomorrow throws the lawsuit on the ground and

0:46:24.840 --> 0:46:27.759
<v Speaker 1>they walk out. You can tell the stress of what

0:46:27.840 --> 0:46:31.879
<v Speaker 1>he's witnessed in his Maria stakeouts is bleeding into the job.

0:46:32.440 --> 0:46:34.520
<v Speaker 1>So now we cut to a whole operation.

0:46:34.560 --> 0:46:36.560
<v Speaker 2>It's like, I'm sorry, did you not flirt with that

0:46:36.640 --> 0:46:38.399
<v Speaker 2>woman when you needed documents?

0:46:38.719 --> 0:46:43.600
<v Speaker 1>Yeah? What if Maria was watching? And now we cut

0:46:43.640 --> 0:46:46.000
<v Speaker 1>to this whole operation where Rollins is in a brown

0:46:46.040 --> 0:46:48.040
<v Speaker 1>wig and she's telling a bunch of babes in tight

0:46:48.120 --> 0:46:50.960
<v Speaker 1>dresses and heels how to handle this rapist looking like

0:46:51.280 --> 0:46:53.399
<v Speaker 1>it looks like they're all acting as baits, like they're bait.

0:46:53.440 --> 0:46:56.879
<v Speaker 1>They're all like, they're all undercovers and ghosts they call them.

0:46:56.920 --> 0:46:59.120
<v Speaker 1>I don't know what a ghost is, but the undercovers

0:46:59.120 --> 0:47:01.080
<v Speaker 1>they're probably like just they were like, are there any

0:47:01.120 --> 0:47:03.920
<v Speaker 1>pretty female cops that can go undercover with Rowlands? They

0:47:03.920 --> 0:47:06.920
<v Speaker 1>got a bunch of them. Kraign wants everyone in radio contact.

0:47:06.920 --> 0:47:09.640
<v Speaker 1>Amaro goes, well, we're light on backup, which is apparently

0:47:09.680 --> 0:47:11.200
<v Speaker 1>because a lot of the department is tied up at

0:47:11.200 --> 0:47:13.520
<v Speaker 1>the slut walk, Finn goes, just what we need one

0:47:13.560 --> 0:47:15.919
<v Speaker 1>hundred women walking around half naked, and it's like, Finn,

0:47:15.920 --> 0:47:17.960
<v Speaker 1>it is season thirteen, Like, please tell me you're not

0:47:18.000 --> 0:47:19.840
<v Speaker 1>still doing the what was she wearing?

0:47:20.040 --> 0:47:20.400
<v Speaker 4>Argument?

0:47:20.760 --> 0:47:24.799
<v Speaker 1>Especially when you love strip clubs. Yeah, they just can't

0:47:24.800 --> 0:47:27.600
<v Speaker 1>be in public naked, Okay, I mean they're wearing tube tops.

0:47:28.000 --> 0:47:32.000
<v Speaker 1>The undercover hotties all scatter into the night, okay. Rollins

0:47:32.040 --> 0:47:34.040
<v Speaker 1>is now walking down the street alone when suddenly she

0:47:34.120 --> 0:47:37.400
<v Speaker 1>hears a man's voice yelling rape, help, help us, help me,

0:47:38.040 --> 0:47:39.440
<v Speaker 1>And it's hard to tell where it's coming from. It

0:47:39.440 --> 0:47:41.799
<v Speaker 1>seems like it's coming from the roof of one of

0:47:41.800 --> 0:47:44.440
<v Speaker 1>these buildings, but she really can't tell. Finn rolls up

0:47:44.480 --> 0:47:46.640
<v Speaker 1>and rollins hops in the car, and now those two

0:47:46.680 --> 0:47:48.360
<v Speaker 1>are up on the roof and they find the screaming

0:47:48.400 --> 0:47:51.440
<v Speaker 1>guy and there's also a woman face down. The screaming

0:47:51.440 --> 0:47:53.520
<v Speaker 1>guy has been stabbed, and the woman who's calling her,

0:47:53.880 --> 0:47:57.640
<v Speaker 1>who he's calling Fantastica, looks bruised up, but she's hanging

0:47:57.680 --> 0:48:00.360
<v Speaker 1>in there. And the guy they're asking the I like,

0:48:00.360 --> 0:48:01.360
<v Speaker 1>what happened? What happened?

0:48:01.400 --> 0:48:03.600
<v Speaker 4>He goes, I was only gone a minute, and then

0:48:03.640 --> 0:48:04.399
<v Speaker 4>he passes out.

0:48:04.600 --> 0:48:08.799
<v Speaker 1>Okay, So now at the hospital, Fantastica is spilling to live.

0:48:09.120 --> 0:48:11.239
<v Speaker 1>She's like, I don't remember anything. I got knocked out

0:48:11.239 --> 0:48:12.800
<v Speaker 1>in the back of my head. I blacked out. I

0:48:12.840 --> 0:48:15.680
<v Speaker 1>woke up in the ambulance. Liv tells her and her

0:48:15.680 --> 0:48:18.160
<v Speaker 1>real name is Leslie Lives like, I hate to tell

0:48:18.200 --> 0:48:20.080
<v Speaker 1>you this, Leslie, but you have been sexually assaulted. And

0:48:20.360 --> 0:48:22.520
<v Speaker 1>she's incredulous. She's like, this can't happen to me. We

0:48:22.520 --> 0:48:25.040
<v Speaker 1>were supposed to catch him. And tomorrow's talking to the

0:48:25.080 --> 0:48:26.960
<v Speaker 1>other victim, the guy who was stabbed. His name is

0:48:27.000 --> 0:48:29.440
<v Speaker 1>Stuart and he's got a little bit of like a

0:48:29.480 --> 0:48:33.239
<v Speaker 1>stutter when he speaks. And he's played by kier O'Donnell

0:48:33.800 --> 0:48:35.080
<v Speaker 1>k E I R I don't know how you say

0:48:35.080 --> 0:48:38.240
<v Speaker 1>that name, kir He's been in a lot of fun stuff,

0:48:38.280 --> 0:48:41.239
<v Speaker 1>but he is best known to me as Rachel mcadam's

0:48:41.239 --> 0:48:45.600
<v Speaker 1>freaky gothy brother Todd in Wedding Crashers. Oh that's how

0:48:46.000 --> 0:48:52.480
<v Speaker 1>my god? Yeah wow cool? Yeah yeah yeah. So Stuart

0:48:52.640 --> 0:48:58.000
<v Speaker 1>said we're in the presence of greatness exactly, holy whole legend.

0:48:58.320 --> 0:49:00.840
<v Speaker 1>That's one of the funny I can't believe this is

0:49:00.840 --> 0:49:03.200
<v Speaker 1>the same guy. He was also in Paul Blart Mallcop,

0:49:03.239 --> 0:49:06.120
<v Speaker 1>but I've never seen that, so oh fuck. He was

0:49:06.120 --> 0:49:07.239
<v Speaker 1>in Sons of Anarchy.

0:49:08.200 --> 0:49:10.959
<v Speaker 2>Mall Cop is kind of maga coded. I'm not saying

0:49:11.000 --> 0:49:12.839
<v Speaker 2>Kevin James is. I don't really know about him, but

0:49:13.000 --> 0:49:17.520
<v Speaker 2>like I feel like Mallcop is like so maga coded.

0:49:17.920 --> 0:49:21.239
<v Speaker 2>Yeah wait, I'm obsessed with kier Wait.

0:49:21.440 --> 0:49:23.440
<v Speaker 1>I need to go to his IMD be really quick

0:49:23.440 --> 0:49:24.880
<v Speaker 1>because I did not know he was in Sons of

0:49:24.920 --> 0:49:26.480
<v Speaker 1>Anarchy and now I'm trying to figure.

0:49:26.239 --> 0:49:29.719
<v Speaker 2>Out, well, we're all taking a huge moment. Okay, yeah, yeah,

0:49:29.719 --> 0:49:30.480
<v Speaker 2>he's got a lot.

0:49:30.520 --> 0:49:32.440
<v Speaker 1>He works a lot. I mean he's got like seventy

0:49:32.440 --> 0:49:36.360
<v Speaker 1>six credits doing some upcoming stuff.

0:49:36.640 --> 0:49:41.160
<v Speaker 2>Now, this man definitely books. But as I think, the

0:49:41.200 --> 0:49:43.520
<v Speaker 2>wedding crashers to me is so funny, and then everything

0:49:43.560 --> 0:49:46.719
<v Speaker 2>else is so serious. I'm like, get this man back

0:49:46.760 --> 0:49:50.680
<v Speaker 2>in a little weird emo. Look, yeah, Sons of Anarchy.

0:49:51.920 --> 0:49:55.080
<v Speaker 1>Well goth Todd is like, well, I think the guy

0:49:55.239 --> 0:49:57.759
<v Speaker 1>was white and stocky, but it was dark. I pulled

0:49:57.840 --> 0:50:00.200
<v Speaker 1>him off of her and then he stabbed me, and

0:50:00.239 --> 0:50:03.120
<v Speaker 1>he describes the weapon as big black scissors with a

0:50:03.200 --> 0:50:07.680
<v Speaker 1>curved handle, or with like a curved blade and black handle. Sorry,

0:50:07.680 --> 0:50:10.440
<v Speaker 1>I think I'm fucking up the description. Then they're back

0:50:10.480 --> 0:50:12.239
<v Speaker 1>to Leslie and she goes, no, it was just me

0:50:12.280 --> 0:50:14.239
<v Speaker 1>and Stewart up on that roof. We work in two

0:50:14.280 --> 0:50:17.360
<v Speaker 1>person cells. We got up to the roof by a

0:50:17.360 --> 0:50:19.839
<v Speaker 1>fire escape. Lives like, okay, I'm going to check your

0:50:19.920 --> 0:50:21.920
<v Speaker 1>rape kit for DNA, and she's like, have you had

0:50:21.960 --> 0:50:23.480
<v Speaker 1>sex with anybody else? And she's like, no, I'm not

0:50:23.520 --> 0:50:26.919
<v Speaker 1>seeing anyone, and then she goes, I was just trying

0:50:26.920 --> 0:50:29.200
<v Speaker 1>to stop other women from being raped, and Live goes

0:50:29.600 --> 0:50:31.000
<v Speaker 1>I get it, but you need to leave it to

0:50:31.040 --> 0:50:34.040
<v Speaker 1>the cops. And Leslie goes, that hasn't worked, has it?

0:50:34.360 --> 0:50:36.600
<v Speaker 1>And Live goes, well, this didn't work.

0:50:36.480 --> 0:50:36.879
<v Speaker 4>Did it?

0:50:37.520 --> 0:50:41.880
<v Speaker 1>And I kind of like it because it's like lives

0:50:41.960 --> 0:50:44.200
<v Speaker 1>kind of try to be like I, you know, I

0:50:44.239 --> 0:50:47.480
<v Speaker 1>believe every victim, but girl, don't go vigilante because I'm

0:50:47.480 --> 0:50:49.560
<v Speaker 1>Olivia Benson and I will fucking bind out who did this,

0:50:49.719 --> 0:50:52.080
<v Speaker 1>and like, don't don't try to act like I'm not

0:50:52.120 --> 0:50:54.799
<v Speaker 1>doing my job. You know, she shaded, She tried to

0:50:54.800 --> 0:50:56.200
<v Speaker 1>shade Live and lived through it right back in her

0:50:56.200 --> 0:50:58.959
<v Speaker 1>fucking face. So Stewart tells Tomorrow that he had nothing

0:50:58.960 --> 0:51:02.640
<v Speaker 1>to do with the Andy Chen and he says he's

0:51:02.680 --> 0:51:04.399
<v Speaker 1>done more. And he goes, I've done more in two

0:51:04.480 --> 0:51:06.399
<v Speaker 1>nights than you guys have done in two months. I say,

0:51:06.480 --> 0:51:10.080
<v Speaker 1>fantastica and that other girl the other night. So he's like,

0:51:10.360 --> 0:51:13.480
<v Speaker 1>I'm on duty, I train, I work out. This is serious.

0:51:13.800 --> 0:51:16.680
<v Speaker 1>And Tomorrow's like, okay, so what's with the costumes? And

0:51:16.719 --> 0:51:19.000
<v Speaker 1>he's like, they tell the world what we stand for?

0:51:19.320 --> 0:51:21.600
<v Speaker 1>And he goes, so who are you? And he shows

0:51:21.640 --> 0:51:26.040
<v Speaker 1>his hands, his knuckles and he's got twelve and nineteen

0:51:26.120 --> 0:51:28.840
<v Speaker 1>tattooed on his hands, which Amorrow knows immediately is a

0:51:28.840 --> 0:51:35.080
<v Speaker 1>Bible verse Romans twelve nineteen, Vengeance's mind saith the Lord. Okay,

0:51:35.840 --> 0:51:38.920
<v Speaker 1>so in walks the mouthy guy from the first meeting

0:51:39.000 --> 0:51:42.080
<v Speaker 1>and the slut Walk announcement, and he's yelling at Stuart

0:51:42.120 --> 0:51:43.600
<v Speaker 1>for bringing Leslie out in the middle of the night

0:51:43.680 --> 0:51:45.560
<v Speaker 1>dressed up like a freak while a rapist is on

0:51:45.600 --> 0:51:49.360
<v Speaker 1>the loose, and Stewart says, fantastica wanted to come. This

0:51:49.400 --> 0:51:52.120
<v Speaker 1>man's name is Henry Brizeki, and he's played by Michael Rispoli,

0:51:52.160 --> 0:51:54.239
<v Speaker 1>who you might recognize. He's a character actor. You might

0:51:54.280 --> 0:51:56.680
<v Speaker 1>recognize him from the Sopranos and other stuff. And he

0:51:56.800 --> 0:52:01.080
<v Speaker 1>says Leslie called him. She needs a grown up right now, Tomorrow,

0:52:01.120 --> 0:52:03.720
<v Speaker 1>and we've seen this guy, Henry. He's clearly a leader

0:52:03.760 --> 0:52:07.440
<v Speaker 1>of the community council, right and he was there for

0:52:07.440 --> 0:52:09.560
<v Speaker 1>the announcement of the slut walk and saying these are

0:52:09.600 --> 0:52:12.440
<v Speaker 1>our streets, blah blah blah. Amorrow questions Henry on the

0:52:12.480 --> 0:52:14.279
<v Speaker 1>side and goes, after the slut walk, did you go

0:52:14.320 --> 0:52:16.759
<v Speaker 1>on superhero Patrol? He looks at a Tomorrow and goes,

0:52:16.840 --> 0:52:19.239
<v Speaker 1>I'm fifty I was home with my wife and kid,

0:52:19.400 --> 0:52:22.160
<v Speaker 1>all right. He's like, I don't know, I'm not out

0:52:22.239 --> 0:52:25.640
<v Speaker 1>dressed up, like fucking the flash. So we cut to

0:52:25.680 --> 0:52:28.960
<v Speaker 1>Maria and Nick having a nice dinner at a white

0:52:28.960 --> 0:52:32.880
<v Speaker 1>tablecloth place, okay, and he's complaining about Griscam the reporter,

0:52:33.200 --> 0:52:35.839
<v Speaker 1>and then he asked Maria about her week and she's like,

0:52:36.239 --> 0:52:38.839
<v Speaker 1>oh yeah, I'm just like happy to be with Zara.

0:52:38.920 --> 0:52:41.799
<v Speaker 1>And then it's just like watching two people that a

0:52:42.000 --> 0:52:45.320
<v Speaker 1>don't like each other, but b are horrible at lying

0:52:45.760 --> 0:52:46.879
<v Speaker 1>or horrible at like.

0:52:47.200 --> 0:52:49.719
<v Speaker 2>And it's like, are you guys questions? It's like, it's

0:52:49.760 --> 0:52:51.799
<v Speaker 2>not like comparative to your safety to be able to lie.

0:52:51.880 --> 0:52:54.080
<v Speaker 2>You're yes, been in the military or a cop? Like

0:52:54.160 --> 0:52:55.120
<v Speaker 2>what are you talking about?

0:52:55.640 --> 0:52:58.320
<v Speaker 1>Is it lying? Part of you know, push ups? Lying

0:52:59.239 --> 0:53:02.879
<v Speaker 1>shooting exactly? You could just push ups and lying? Why

0:53:02.880 --> 0:53:04.759
<v Speaker 1>are you not good at both of those? I think

0:53:04.840 --> 0:53:07.160
<v Speaker 1>push ups he's probably great at. But like he goes,

0:53:07.280 --> 0:53:09.920
<v Speaker 1>what about yesterday? I missed you all day? It's like,

0:53:10.840 --> 0:53:13.760
<v Speaker 1>why are you specifically asking about yesterday? It's just confusing.

0:53:13.880 --> 0:53:15.640
<v Speaker 1>She goes, oh, hey, I took Zara to the park

0:53:15.680 --> 0:53:18.200
<v Speaker 1>and then we played Princesses. It was kind of boring,

0:53:18.280 --> 0:53:21.719
<v Speaker 1>and then the conversation is like extremely awkward, like they

0:53:21.719 --> 0:53:24.040
<v Speaker 1>don't like each other, they're both lying badly. And then

0:53:24.080 --> 0:53:26.320
<v Speaker 1>he goes, oh, that sounds fun, and she goes, no,

0:53:26.480 --> 0:53:28.239
<v Speaker 1>it was fun, like after she had just said it

0:53:28.280 --> 0:53:30.359
<v Speaker 1>was boring, Like it was so weird how that they

0:53:30.360 --> 0:53:33.080
<v Speaker 1>were just badly covering up for each other that are

0:53:33.120 --> 0:53:36.040
<v Speaker 1>for themselves in front of each other. Back at the squad,

0:53:36.840 --> 0:53:40.560
<v Speaker 1>everyone's watching griscom's coverage of the Andy Chen beating by

0:53:40.600 --> 0:53:44.000
<v Speaker 1>the Justice League of New York. Robin's reference is Trayvon Martin.

0:53:44.040 --> 0:53:45.920
<v Speaker 1>It's what happens when people take the law into their

0:53:45.920 --> 0:53:49.000
<v Speaker 1>own hands, like, you know, being anti vigilante. The gang

0:53:49.080 --> 0:53:51.719
<v Speaker 1>is confused, like why was Leslie knocked out? He's not

0:53:51.800 --> 0:53:54.960
<v Speaker 1>done that before. This guy, like Nick says, he's sending

0:53:55.040 --> 0:53:59.680
<v Speaker 1>a message to the vigilantes, like you know, you guys

0:53:59.719 --> 0:54:01.800
<v Speaker 1>need a back off trying to find me or whatever.

0:54:02.239 --> 0:54:04.960
<v Speaker 1>Stuart and Leslie have been involved in community outreach for weeks.

0:54:05.000 --> 0:54:08.200
<v Speaker 1>If the rapist infiltrated their group, he would know they

0:54:08.200 --> 0:54:11.400
<v Speaker 1>were on the roof. But that doesn't make sense to

0:54:11.440 --> 0:54:14.640
<v Speaker 1>me because there's only like five of them that are

0:54:14.640 --> 0:54:18.640
<v Speaker 1>the vigilantes if they infiltrated the community group, they don't

0:54:18.640 --> 0:54:21.239
<v Speaker 1>necessarily know where the vigilantes are going. But again, I

0:54:21.320 --> 0:54:23.400
<v Speaker 1>try to find holes and it's kind of a problem.

0:54:23.520 --> 0:54:24.359
<v Speaker 1>But I don't know if you.

0:54:24.320 --> 0:54:27.520
<v Speaker 2>Always do I think this is like a new thing,

0:54:28.080 --> 0:54:32.960
<v Speaker 2>or we're just watching more holes. Maybe maybe we're pretty

0:54:33.000 --> 0:54:35.440
<v Speaker 2>like holeless, right or am I being a am I

0:54:35.680 --> 0:54:38.040
<v Speaker 2>like looking back at everything with rose colors?

0:54:38.080 --> 0:54:40.680
<v Speaker 1>Well, I think you're looking at those colored because remember

0:54:40.760 --> 0:54:43.080
<v Speaker 1>when like, there's never been a hole in my mind,

0:54:43.320 --> 0:54:46.719
<v Speaker 1>because remember when Diane Neil was like, who was it

0:54:46.800 --> 0:54:49.359
<v Speaker 1>Dianiel that said don't ask questions. Sam Waterson told her

0:54:49.360 --> 0:54:51.480
<v Speaker 1>don't ask questions because then you'll open a whole Pandora's

0:54:51.480 --> 0:54:52.920
<v Speaker 1>box if you ask questions about like, well, how did

0:54:52.960 --> 0:54:55.120
<v Speaker 1>this happen? If this happened like because I think sometimes

0:54:55.120 --> 0:54:56.880
<v Speaker 1>they're just like, we got to get it shot, let's go,

0:54:57.239 --> 0:54:58.799
<v Speaker 1>And I think they just let a hole be a hole,

0:54:59.040 --> 0:55:02.160
<v Speaker 1>you know, because at this point they're not like trying to,

0:55:02.560 --> 0:55:08.239
<v Speaker 1>you know, reinvent the wheel. So anyway, Craigan's like, we

0:55:08.320 --> 0:55:12.200
<v Speaker 1>think the serial rapist is attending his own anti rapist rallies,

0:55:12.560 --> 0:55:14.040
<v Speaker 1>and it's like Craigan, are you new here?

0:55:14.120 --> 0:55:15.600
<v Speaker 4>We see this shit all the time.

0:55:15.719 --> 0:55:19.600
<v Speaker 1>People are constantly the murderer always comes back to the scene.

0:55:19.640 --> 0:55:22.800
<v Speaker 1>We've seen that reporter who murdered his own sister started

0:55:22.880 --> 0:55:25.320
<v Speaker 1>dating Benson to cover his tracks. I mean, like, people

0:55:25.400 --> 0:55:28.680
<v Speaker 1>do tons of crazy shit. So apparently Henry's restaurant has

0:55:28.680 --> 0:55:31.160
<v Speaker 1>been ground zero for this movement. Let's get a list

0:55:31.239 --> 0:55:34.239
<v Speaker 1>of members of the group. Amaro shoves his chair in

0:55:34.400 --> 0:55:37.479
<v Speaker 1>a little bit loud and Cragan clocks it. We've got

0:55:37.800 --> 0:55:39.359
<v Speaker 1>Nick's got a bit of a temporar. He's mad.

0:55:41.000 --> 0:55:42.400
<v Speaker 4>Henry's restaurant is called.

0:55:42.239 --> 0:55:46.160
<v Speaker 1>Brick Chicken, the Toast of Soho, Brick Chicken Rollin's and

0:55:46.200 --> 0:55:48.480
<v Speaker 1>tomorrow go there and he's in like a chef jacket thing,

0:55:48.520 --> 0:55:51.520
<v Speaker 1>like a Bobby Fla type jacket, and he's like, my

0:55:51.640 --> 0:55:54.560
<v Speaker 1>group is a front for the vigilantes and the rapists.

0:55:54.680 --> 0:55:57.400
<v Speaker 1>Come on, this is NYPD payback. Like he's not buying.

0:55:57.920 --> 0:55:59.880
<v Speaker 1>He said he had no idea that Leslie was in

0:55:59.920 --> 0:56:02.880
<v Speaker 1>the Justice League. His first inkling was at the March

0:56:03.440 --> 0:56:05.400
<v Speaker 1>and he goes and we got into a fight afterwards,

0:56:05.600 --> 0:56:06.800
<v Speaker 1>and then they're like, and then you let her go

0:56:06.840 --> 0:56:09.480
<v Speaker 1>off on her own and he goes, you're married. You

0:56:09.480 --> 0:56:12.800
<v Speaker 1>ever tried telling a woman what to do? So he goes,

0:56:13.160 --> 0:56:15.879
<v Speaker 1>I was in West Soho before it was gentrified. I'm

0:56:15.880 --> 0:56:18.480
<v Speaker 1>trying to save it. I was in West Soho when

0:56:18.480 --> 0:56:21.279
<v Speaker 1>it didn't exist, because it's not something people say. But

0:56:21.719 --> 0:56:25.680
<v Speaker 1>Amaro spots some curved scissors with a black handle, just

0:56:25.760 --> 0:56:29.319
<v Speaker 1>the same as Stuart described as his stabbing weapon. What

0:56:29.400 --> 0:56:31.839
<v Speaker 1>are these poultry shears? He goes, yeah, don't touch those,

0:56:31.920 --> 0:56:35.319
<v Speaker 1>those are sharp. So Tomorrow asked Rollins to ask the

0:56:35.440 --> 0:56:37.680
<v Speaker 1>meme to see if the weapons are a match, and

0:56:37.719 --> 0:56:39.440
<v Speaker 1>she goes, well, I could do it, but so could you.

0:56:40.000 --> 0:56:42.399
<v Speaker 1>And he goes, well, I got to go investigate my wife,

0:56:42.400 --> 0:56:46.160
<v Speaker 1>who I hate. So in another Tomorrow's stakeout, he's in

0:56:46.239 --> 0:56:48.799
<v Speaker 1>his car and a car pulls up and Tomorrow gets

0:56:48.800 --> 0:56:51.319
<v Speaker 1>out and starts rage walking towards the car, and it's

0:56:51.360 --> 0:56:55.319
<v Speaker 1>Jason Dominic Famusa, his wife's rose buddy, and we find

0:56:55.360 --> 0:56:59.480
<v Speaker 1>out that he's in fucking Philadelphia. You're working a serial

0:56:59.600 --> 0:57:03.600
<v Speaker 1>rapist and you're popping down to Philadelphia. Holy shit, Like

0:57:03.719 --> 0:57:07.520
<v Speaker 1>Nick Tomorrow, hot head of the fucking century, like Stabler

0:57:07.520 --> 0:57:08.080
<v Speaker 1>wouldn't do that.

0:57:08.280 --> 0:57:09.960
<v Speaker 4>Like that's fucking nuts. Behavior.

0:57:10.360 --> 0:57:14.040
<v Speaker 1>Jason goes, oh, hey, my daughter, who you saved from trafficking,

0:57:14.120 --> 0:57:15.359
<v Speaker 1>she was just talking about you.

0:57:15.640 --> 0:57:16.760
<v Speaker 4>She's doing a lot better.

0:57:17.080 --> 0:57:19.080
<v Speaker 1>And this is a reference to that episode I was

0:57:19.080 --> 0:57:24.360
<v Speaker 1>explaining before, which is called Spiraling Down, and Tomorrow goes, yeah, yeah,

0:57:24.400 --> 0:57:26.080
<v Speaker 1>like he could give a shit about Vicki, the daughter.

0:57:26.160 --> 0:57:28.520
<v Speaker 1>He wants to talk about lunch. But before Jason can't

0:57:28.520 --> 0:57:31.680
<v Speaker 1>even get a word out, Tomorrow sucker punches him right

0:57:31.720 --> 0:57:33.560
<v Speaker 1>in his fucking face and goes, stay away from my

0:57:33.640 --> 0:57:36.920
<v Speaker 1>wife and then walks away to start his two plus

0:57:36.960 --> 0:57:40.560
<v Speaker 1>hour journey back to New York City. He is unhinged.

0:57:41.200 --> 0:57:44.560
<v Speaker 1>So now back in New York City, it's nighttime, because

0:57:44.600 --> 0:57:47.560
<v Speaker 1>you know, we've gone through Tomorrow's full, he's paid tolls,

0:57:47.960 --> 0:57:50.240
<v Speaker 1>He's gone halfway to Washington, d C. To punch a

0:57:50.240 --> 0:57:52.520
<v Speaker 1>guy in the face, and then walk away. Back in

0:57:52.960 --> 0:57:56.600
<v Speaker 1>New York it's nighttime and Henry the chef slash activist

0:57:56.640 --> 0:57:59.800
<v Speaker 1>is getting into his car when suddenly four members of

0:57:59.840 --> 0:58:03.680
<v Speaker 1>the Justice League in these superhero costumes attack him, smash

0:58:03.760 --> 0:58:05.760
<v Speaker 1>up his car, They beat the shit out of him,

0:58:05.800 --> 0:58:08.080
<v Speaker 1>and then they run okay, and they leave him just

0:58:08.120 --> 0:58:11.880
<v Speaker 1>like like moaning in the in the cobblestone streets of

0:58:11.920 --> 0:58:15.880
<v Speaker 1>West Soho So top of Act four. It's the next

0:58:15.920 --> 0:58:20.080
<v Speaker 1>morning and another Griscom news report about the attack on

0:58:20.480 --> 0:58:24.320
<v Speaker 1>Soho Icon Henry brizeki Uh saying that he was beaten

0:58:24.320 --> 0:58:27.200
<v Speaker 1>by vigilantes, hospitalized with a concussion and a broken hand.

0:58:27.680 --> 0:58:31.200
<v Speaker 1>Griscom goes to Tomorrow on camera, Hey, detective, are there

0:58:31.200 --> 0:58:33.840
<v Speaker 1>any leads? And Tomorrow goes, who me, You're the one

0:58:33.840 --> 0:58:36.840
<v Speaker 1>withholding evidence? Care to comment? Which I love that he does.

0:58:36.880 --> 0:58:38.800
<v Speaker 1>Put this reporter in his place a little bit, and

0:58:38.800 --> 0:58:41.080
<v Speaker 1>then Rollin calls him sassy and she looks turned on,

0:58:41.280 --> 0:58:43.280
<v Speaker 1>like this is you can see the sparks flying. She's

0:58:43.480 --> 0:58:47.560
<v Speaker 1>very invested in how serious the reconciliation is with Maria.

0:58:47.840 --> 0:58:50.680
<v Speaker 2>And Sudley was in an elevator and O guy walked

0:58:50.720 --> 0:58:53.800
<v Speaker 2>on and I went, wow, you look fancy, and I

0:58:53.840 --> 0:58:59.600
<v Speaker 2>regret it. That's so funny. Yeah, he was like, I'm

0:58:59.600 --> 0:59:01.800
<v Speaker 2>just coming from work. I go cool, And then I

0:59:01.840 --> 0:59:02.120
<v Speaker 2>was like.

0:59:02.240 --> 0:59:04.200
<v Speaker 1>Being in New York is crazy because seeing people walk

0:59:04.200 --> 0:59:06.080
<v Speaker 1>around in suits in the middle of the boiling hot heat,

0:59:06.080 --> 0:59:08.040
<v Speaker 1>I'm like, I forgot that New York has serious jobs.

0:59:08.080 --> 0:59:09.919
<v Speaker 4>Like I forgot people have to wear suits to their work.

0:59:10.960 --> 0:59:13.000
<v Speaker 1>It's not something I see in Los Angeles because like

0:59:13.080 --> 0:59:16.640
<v Speaker 1>CEOs in LA where like Cargo shorts. So Rollins asks,

0:59:16.760 --> 0:59:18.600
<v Speaker 1>what happened to your hand and he goes, I must

0:59:18.640 --> 0:59:20.200
<v Speaker 1>have banged it, and she goes, yeah, did you feel

0:59:20.240 --> 0:59:21.000
<v Speaker 1>better afterwards?

0:59:21.440 --> 0:59:22.880
<v Speaker 4>So she's got his fucking number.

0:59:23.160 --> 0:59:29.720
<v Speaker 1>Csu finds baggies in Henry the Chef's car with locks

0:59:29.720 --> 0:59:34.000
<v Speaker 1>of hair in them, six bags of them. Amorrow doesn't

0:59:34.040 --> 0:59:38.240
<v Speaker 1>buy that he keeps these hair samples and these trophies

0:59:38.320 --> 0:59:41.600
<v Speaker 1>in his car, But like, if he is a rapist

0:59:41.600 --> 0:59:44.400
<v Speaker 1>and the Justice League made him before they did, maybe

0:59:44.440 --> 0:59:47.160
<v Speaker 1>they know something that we don't, Tomorrow says. So now

0:59:47.160 --> 0:59:50.360
<v Speaker 1>Amaro and Rollins are questioning Stuart about beating up Henry,

0:59:50.360 --> 0:59:52.600
<v Speaker 1>and he's like, it wasn't me, Like I can't even

0:59:52.640 --> 0:59:54.680
<v Speaker 1>lift my arm up, which is in a sling from

0:59:54.720 --> 0:59:58.920
<v Speaker 1>his stabbing. So the night after you fight off Leslie's rapist,

0:59:58.960 --> 1:00:02.240
<v Speaker 1>Henry gets targeted and Stuart has like no response, and

1:00:02.280 --> 1:00:05.120
<v Speaker 1>they're like, uh, They're like what about the poultry? Shears,

1:00:05.160 --> 1:00:07.919
<v Speaker 1>They're just like Henry's why are you covering for him?

1:00:08.320 --> 1:00:11.280
<v Speaker 1>And he says, I had to. Leslie's one of us,

1:00:11.400 --> 1:00:14.000
<v Speaker 1>the only girl with courage to take to the streets.

1:00:14.520 --> 1:00:18.200
<v Speaker 1>And then he says to Rollins, I saved her, not you,

1:00:19.160 --> 1:00:21.320
<v Speaker 1>And they're they're figuring out that this guy has like

1:00:21.360 --> 1:00:24.680
<v Speaker 1>a weird hero complex thing, and they're like, if he

1:00:24.800 --> 1:00:27.040
<v Speaker 1>raped her, you gotta tell us. If it was Henry,

1:00:27.080 --> 1:00:29.960
<v Speaker 1>you got to tell us. Almaro snatches this styrofoam cup

1:00:29.960 --> 1:00:32.280
<v Speaker 1>away because he's kind of like pyper focusing on this

1:00:32.360 --> 1:00:34.480
<v Speaker 1>cup and like twisting it and stuff. And now he's

1:00:34.480 --> 1:00:37.680
<v Speaker 1>ready to focus and he goes when I found Leslie

1:00:37.680 --> 1:00:39.960
<v Speaker 1>on the roof, he was on top of her, and

1:00:40.040 --> 1:00:42.600
<v Speaker 1>I heard him say, you think you're special, bitch, and

1:00:42.640 --> 1:00:47.360
<v Speaker 1>he recognized the voice. So this guy, now, Stewart is going,

1:00:48.120 --> 1:00:50.360
<v Speaker 1>I didn't want to I didn't want to say it

1:00:50.440 --> 1:00:54.560
<v Speaker 1>was Henry, but it's Henry. So back at the precinct,

1:00:54.920 --> 1:00:58.120
<v Speaker 1>Craigan is like, Henry the town crier is the rapist.

1:00:58.560 --> 1:00:58.840
<v Speaker 4>Again.

1:00:58.920 --> 1:01:00.400
<v Speaker 1>I don't know why this would be suprise to you.

1:01:00.440 --> 1:01:02.200
<v Speaker 1>It all after years and years at s FORU, Like

1:01:02.240 --> 1:01:05.560
<v Speaker 1>this happens a lot of times, Like, yes, the principle

1:01:05.640 --> 1:01:07.240
<v Speaker 1>can be the rapist, you know what I mean, Like

1:01:07.280 --> 1:01:09.800
<v Speaker 1>the molester. The guy has locks of hair in his

1:01:09.840 --> 1:01:12.680
<v Speaker 1>car Stuart's wounds were consistent with the poultry shears. Every

1:01:12.760 --> 1:01:16.000
<v Speaker 1>attack was in walking distance of his restaurant. Omar thinks

1:01:16.000 --> 1:01:18.520
<v Speaker 1>it's a smart move for a cereal to be on

1:01:18.560 --> 1:01:21.160
<v Speaker 1>the front lines, making the most noise and lives like

1:01:21.360 --> 1:01:23.800
<v Speaker 1>or it's more than that, Like he's creating a crisis

1:01:23.840 --> 1:01:26.360
<v Speaker 1>just to solve it. Like a firefighter who sets fires,

1:01:26.360 --> 1:01:30.320
<v Speaker 1>which we've also seen before on this show Rollins Gets.

1:01:30.000 --> 1:01:33.360
<v Speaker 2>And one of my favorite Forensic Files episodes. It literally

1:01:33.440 --> 1:01:36.200
<v Speaker 2>this place went from fifty plus fires a year and

1:01:36.240 --> 1:01:38.120
<v Speaker 2>when they caught this guy went down to like two.

1:01:38.840 --> 1:01:41.640
<v Speaker 2>Like this one firefighter is truly responsible for like ninety

1:01:41.640 --> 1:01:44.040
<v Speaker 2>eight percent of every fire Casey.

1:01:43.800 --> 1:01:46.320
<v Speaker 1>Is that the plot of Backdraft? Isn't that the plot

1:01:46.360 --> 1:01:48.720
<v Speaker 1>of Backdraft? That one of them is like setting the fires.

1:01:48.960 --> 1:01:50.400
<v Speaker 1>I've never seen Backdraft?

1:01:50.480 --> 1:01:52.040
<v Speaker 4>Oh my god, you've never seen back Draft.

1:01:52.160 --> 1:01:52.880
<v Speaker 1>I haven't either.

1:01:53.280 --> 1:01:56.080
<v Speaker 4>I just keep thinking, is that on the New York

1:01:56.120 --> 1:01:57.560
<v Speaker 4>Times close Backdraft was?

1:01:57.680 --> 1:01:59.160
<v Speaker 1>It's not on the New York Times list, it's not

1:01:59.160 --> 1:02:00.680
<v Speaker 1>from the it's not from the twenty first Center. I'm

1:02:00.680 --> 1:02:04.160
<v Speaker 1>pretty sure it's from the nineties. But like, I was

1:02:04.480 --> 1:02:06.840
<v Speaker 1>really into it, and it really made me scared of

1:02:06.840 --> 1:02:10.320
<v Speaker 1>Fire as it made me like very respectful of fire

1:02:10.440 --> 1:02:12.400
<v Speaker 1>as like a young person, like I feel like I

1:02:12.440 --> 1:02:14.640
<v Speaker 1>was like, you cannot fuck with fire because the way

1:02:14.640 --> 1:02:16.800
<v Speaker 1>they talk about fire in the movie, like fire is alive.

1:02:16.880 --> 1:02:18.600
<v Speaker 1>Like I don't know, you should got you guys should

1:02:18.600 --> 1:02:22.120
<v Speaker 1>watch it, crazy cast. It's like Donald Sutherland, Billy Baldwin.

1:02:22.160 --> 1:02:23.720
<v Speaker 1>There's like a lot of people in it, right, a

1:02:23.720 --> 1:02:26.640
<v Speaker 1>lot of hot Billy Baldwin. Well, at the time I

1:02:26.640 --> 1:02:28.000
<v Speaker 1>thought he was really hot and good and then he

1:02:28.120 --> 1:02:30.400
<v Speaker 1>kind of went by the wayside. But I do think

1:02:30.440 --> 1:02:31.720
<v Speaker 1>he's the hottest Baldwin still.

1:02:32.080 --> 1:02:32.440
<v Speaker 4>Okay.

1:02:32.640 --> 1:02:37.840
<v Speaker 1>So Rollins gets confirmation that Leslie's rape kit DNA is

1:02:37.880 --> 1:02:40.640
<v Speaker 1>a match to Henry, So this is not looking good

1:02:40.680 --> 1:02:43.800
<v Speaker 1>for Henry. But this guy has left no DNA at

1:02:43.880 --> 1:02:46.160
<v Speaker 1>any scene, but then he left it on victim number six.

1:02:46.240 --> 1:02:47.520
<v Speaker 1>That's me talking. That's not them.

1:02:47.640 --> 1:02:50.560
<v Speaker 4>That's just me being like what no one's it doesn't

1:02:50.560 --> 1:02:50.960
<v Speaker 4>make sense.

1:02:51.000 --> 1:02:51.320
<v Speaker 6>Okay.

1:02:51.480 --> 1:02:54.640
<v Speaker 1>So they go visit Henry in the hospital and he's like, oh,

1:02:54.640 --> 1:02:57.160
<v Speaker 1>they broke my hand. I can't chop, I can't work,

1:02:57.240 --> 1:02:59.720
<v Speaker 1>and then they confront him they're like you have bigger problems, dude,

1:03:00.080 --> 1:03:03.280
<v Speaker 1>Like we got your DNA on Leslie and he's like,

1:03:03.640 --> 1:03:07.200
<v Speaker 1>I didn't rape her. I'm a public figure and I'm

1:03:07.200 --> 1:03:10.200
<v Speaker 1>a married man, And basically he confesses that him and

1:03:10.280 --> 1:03:12.400
<v Speaker 1>Leslie have been having an affair. He's like, we got

1:03:12.400 --> 1:03:14.520
<v Speaker 1>close while working on protesting the rapists.

1:03:14.640 --> 1:03:17.520
<v Speaker 2>Makes no sense as he's like cool and hip, he's

1:03:17.600 --> 1:03:19.959
<v Speaker 2>kind of like a wise guy.

1:03:20.520 --> 1:03:23.760
<v Speaker 1>Yeah, she was nervous. He's also fifty, he's got a

1:03:23.760 --> 1:03:27.840
<v Speaker 1>wife and kid at home, wife and daughter, and he

1:03:27.960 --> 1:03:30.600
<v Speaker 1>was nervous. She was nervous about walking home alone, so

1:03:30.640 --> 1:03:31.960
<v Speaker 1>obviously starts walking her home.

1:03:32.000 --> 1:03:33.720
<v Speaker 4>Whatever. They start, you know, having an affair.

1:03:34.160 --> 1:03:36.560
<v Speaker 1>They bring up the other five girls and he's like

1:03:36.760 --> 1:03:39.160
<v Speaker 1>what and they're like, we found the hair of the

1:03:39.200 --> 1:03:41.400
<v Speaker 1>other five victims in your fucking car.

1:03:41.440 --> 1:03:43.160
<v Speaker 4>And he goes, now, you're framing me.

1:03:43.320 --> 1:03:45.040
<v Speaker 1>I want a lawyer, and they go, well, get a

1:03:45.040 --> 1:03:46.560
<v Speaker 1>good one and tell him you're under arrest.

1:03:47.080 --> 1:03:47.240
<v Speaker 3>Now.

1:03:47.320 --> 1:03:51.280
<v Speaker 1>Amaro and Finn back after seemingly days. I don't know

1:03:51.280 --> 1:03:53.480
<v Speaker 1>where Finn's been for a little while. They gave him

1:03:53.480 --> 1:03:56.560
<v Speaker 1>a break. They're talking to Leslie and she admits to

1:03:56.600 --> 1:03:59.439
<v Speaker 1>the affair and she's like, I couldn't tell anyone because

1:03:59.480 --> 1:04:02.560
<v Speaker 1>Henry's a public figure. He's the brick Chicken guy. He's

1:04:02.600 --> 1:04:05.040
<v Speaker 1>the head of the West so whole council. I couldn't

1:04:05.080 --> 1:04:07.080
<v Speaker 1>talk about it to the cops. It would ruin his

1:04:07.120 --> 1:04:11.160
<v Speaker 1>reputation in our ten block neighborhood. You think Henry raped me,

1:04:11.160 --> 1:04:14.000
<v Speaker 1>and she goes, no way, he loves me, so they

1:04:14.040 --> 1:04:16.040
<v Speaker 1>remind her, but you got knocked out, so you actually

1:04:16.040 --> 1:04:17.880
<v Speaker 1>don't remember anything, like it could have been him, And

1:04:17.920 --> 1:04:20.479
<v Speaker 1>she tells them no. We got into a fight after

1:04:20.520 --> 1:04:22.480
<v Speaker 1>the march, and when Henry figured out that I was

1:04:22.520 --> 1:04:24.640
<v Speaker 1>in the Justice League, he got really really mad that

1:04:24.680 --> 1:04:25.320
<v Speaker 1>I was going on.

1:04:25.240 --> 1:04:26.120
<v Speaker 4>Patrol with Stuart.

1:04:26.760 --> 1:04:31.640
<v Speaker 1>So now we're talking up hand bandaged Henry and he's

1:04:31.720 --> 1:04:34.840
<v Speaker 1>in woodroom blinds, but it's very dark. It's got the

1:04:34.920 --> 1:04:37.480
<v Speaker 1>lighting of cement room bars, but it's woodroom blinds because

1:04:37.480 --> 1:04:41.280
<v Speaker 1>I can see the blinds extremely dark. There's no light

1:04:41.320 --> 1:04:44.760
<v Speaker 1>bulb budget at the SVU. So he's with his lawyer,

1:04:45.000 --> 1:04:48.160
<v Speaker 1>and his lawyer is Linus Tate, who has kind of

1:04:48.200 --> 1:04:51.040
<v Speaker 1>like a Roger Kressler vibe, maybe not as smarmy as Roger,

1:04:51.080 --> 1:04:53.840
<v Speaker 1>but like he's a defense attorney. In season thirteen, fourteen,

1:04:53.840 --> 1:04:56.680
<v Speaker 1>and fifteen, he's played by a guy named David pittou So,

1:04:56.840 --> 1:05:00.000
<v Speaker 1>but he's recurring and in many episodes, some that we've covered,

1:05:00.440 --> 1:05:03.560
<v Speaker 1>they ask Henry where he was on a few nights

1:05:03.560 --> 1:05:06.320
<v Speaker 1>that the attacks took place, and he goes, oh, he's

1:05:06.360 --> 1:05:09.200
<v Speaker 1>probably home with my wife and daughter. And they're like, well,

1:05:09.200 --> 1:05:11.600
<v Speaker 1>can she verify? And I love when these guys are

1:05:11.640 --> 1:05:13.240
<v Speaker 1>like being accused of a crime. They could put them

1:05:13.240 --> 1:05:16.080
<v Speaker 1>in jail, and they're like, don't ask my wife. Come on,

1:05:16.640 --> 1:05:19.120
<v Speaker 1>don't don't get me in trouble with my wife. And

1:05:19.120 --> 1:05:21.400
<v Speaker 1>the lawyer is like, dude, worry about your marriage later.

1:05:21.480 --> 1:05:24.520
<v Speaker 1>So Henry fesses up. He goes, those nights, I was

1:05:24.560 --> 1:05:28.840
<v Speaker 1>either with Amy, my pastry chef who's also married, or

1:05:28.920 --> 1:05:33.800
<v Speaker 1>Leslie or Janette, my wife's sister. So this guy is

1:05:33.880 --> 1:05:36.400
<v Speaker 1>just like a fucking philanderer. And you know, you hear

1:05:36.440 --> 1:05:38.560
<v Speaker 1>a lot about actually chefs and men in the restaurant

1:05:38.600 --> 1:05:43.080
<v Speaker 1>business being like this, but your wife's sister, that's fucking solo,

1:05:44.040 --> 1:05:47.480
<v Speaker 1>and Live goes, yes, come on, I know, like there

1:05:47.480 --> 1:05:49.240
<v Speaker 1>how many women are there in West Soho that you

1:05:49.280 --> 1:05:50.920
<v Speaker 1>could be fucking and you gotta go with your wife's

1:05:50.920 --> 1:05:54.480
<v Speaker 1>sister and he Lived goes wow, and he goes, it's

1:05:54.520 --> 1:05:56.200
<v Speaker 1>not what you think, and Live goes, you don't want

1:05:56.200 --> 1:05:58.960
<v Speaker 1>to know what I think, and you judges you as

1:05:59.000 --> 1:06:00.800
<v Speaker 1>a person. You know what I mean? You don't like that.

1:06:01.680 --> 1:06:04.439
<v Speaker 1>So this chicken chef may be a philandering piece of shit,

1:06:04.520 --> 1:06:06.880
<v Speaker 1>but he is not the rapist. Rollins confirms all three

1:06:06.920 --> 1:06:09.360
<v Speaker 1>of his alibis with his little baby girls checks out,

1:06:09.760 --> 1:06:13.280
<v Speaker 1>plus the doorman and video footage double confirms it. But

1:06:13.320 --> 1:06:16.080
<v Speaker 1>it's worth mentioning that I think the victims would have

1:06:16.160 --> 1:06:18.920
<v Speaker 1>mentioned that their rapist sounded like Tony soprano like. None

1:06:18.920 --> 1:06:20.640
<v Speaker 1>of them were like, uh, he said, you think you

1:06:20.760 --> 1:06:23.080
<v Speaker 1>special bitch? I mean, like, that's not like what he

1:06:23.200 --> 1:06:27.240
<v Speaker 1>sounded like. So it's just funny. So who planted the hair?

1:06:27.320 --> 1:06:30.040
<v Speaker 1>Amaro is about to crack the damn case and he goes, well,

1:06:30.040 --> 1:06:31.840
<v Speaker 1>it's probably the guy who put Henry on the roof

1:06:31.880 --> 1:06:35.200
<v Speaker 1>attacking Leslie. But before he gets the medal for best Cop,

1:06:35.560 --> 1:06:38.960
<v Speaker 1>Maria blows into the precinct and knocks a bunch of

1:06:39.000 --> 1:06:41.800
<v Speaker 1>files off his desk onto the floor, and she screams,

1:06:41.920 --> 1:06:43.080
<v Speaker 1>what the hell is wrong with you?

1:06:43.360 --> 1:06:44.800
<v Speaker 4>And Maria knows what she's doing.

1:06:45.160 --> 1:06:48.600
<v Speaker 1>Amarro cares a lot about what his coworkers think about him, like,

1:06:48.680 --> 1:06:52.040
<v Speaker 1>he looks so embarrassed right now, and she doesn't give

1:06:52.080 --> 1:06:55.600
<v Speaker 1>a fuck, nor should she, but she starts screaming about

1:06:55.680 --> 1:06:58.960
<v Speaker 1>him driving to Philly to attack her friend, and he's like, friend,

1:06:59.200 --> 1:07:01.640
<v Speaker 1>you're gonna call him a friend and Craigan's like no, no,

1:07:01.640 --> 1:07:03.760
<v Speaker 1>no, no no nick nick nick not here, not here, So

1:07:04.280 --> 1:07:05.520
<v Speaker 1>no mess in the precinct.

1:07:05.800 --> 1:07:07.640
<v Speaker 4>He grabs her arm and they walk out of there,

1:07:07.680 --> 1:07:08.520
<v Speaker 4>and Munch goes.

1:07:08.400 --> 1:07:11.960
<v Speaker 2>Yeah, the precinct is actually reserved for suspects and victims

1:07:12.000 --> 1:07:13.919
<v Speaker 2>to meet up right in the middle.

1:07:14.080 --> 1:07:16.680
<v Speaker 1>Yeah, this is actually where people can accidentally pass each

1:07:16.680 --> 1:07:19.640
<v Speaker 1>other and attack each other. It's not it's not for

1:07:19.720 --> 1:07:23.400
<v Speaker 1>unhappily married couples that work here. And Munch goes that,

1:07:23.560 --> 1:07:26.320
<v Speaker 1>right there is why I stopped marrying Italian women. And

1:07:26.360 --> 1:07:29.600
<v Speaker 1>it's like, okay, Munch, you've had four wives. How many

1:07:29.640 --> 1:07:30.440
<v Speaker 1>could have been Italian?

1:07:30.640 --> 1:07:31.040
<v Speaker 4>Anyway.

1:07:31.080 --> 1:07:33.800
<v Speaker 1>Amara and Maria are in interrogation and the first thing

1:07:33.800 --> 1:07:35.840
<v Speaker 1>he says to her is how embarrassed he is, not

1:07:35.880 --> 1:07:38.360
<v Speaker 1>how hurted he is that she may have cheated, but like,

1:07:38.400 --> 1:07:40.840
<v Speaker 1>you come to my office and he confronts her about

1:07:40.840 --> 1:07:41.320
<v Speaker 1>the lunch.

1:07:41.720 --> 1:07:42.400
<v Speaker 4>She figures out.

1:07:42.440 --> 1:07:44.280
<v Speaker 1>She's like, you've been following me, and he goes, you

1:07:44.320 --> 1:07:46.040
<v Speaker 1>lied to me, and she goes, cause I knew you

1:07:46.040 --> 1:07:48.800
<v Speaker 1>would react like this, and she's like, nothing is going

1:07:48.840 --> 1:07:51.720
<v Speaker 1>on between us. We just talk and he's like, I'm

1:07:51.760 --> 1:07:53.880
<v Speaker 1>your husband. You talk to me. I mean fuck that,

1:07:53.880 --> 1:07:56.160
<v Speaker 1>that's not You're not in the military. You can't like

1:07:56.200 --> 1:07:58.120
<v Speaker 1>if she needs to talk to a military friend. She

1:07:58.200 --> 1:08:01.040
<v Speaker 1>talked to a military friend. And then she says like

1:08:01.120 --> 1:08:03.720
<v Speaker 1>this is this how we talk? Good point, And then

1:08:03.720 --> 1:08:05.880
<v Speaker 1>she tries to touch his face and like be kind

1:08:05.880 --> 1:08:07.480
<v Speaker 1>of like tender with him, and she goes, I swear

1:08:07.520 --> 1:08:09.520
<v Speaker 1>I'm not having an affair, and he like bats her

1:08:09.600 --> 1:08:11.400
<v Speaker 1>arms away and he goes, I don't buy it. And

1:08:11.400 --> 1:08:13.720
<v Speaker 1>then he brings up the brownstone on twenty seventh Street

1:08:13.800 --> 1:08:15.040
<v Speaker 1>and he goes, is that where you meet him? So

1:08:15.120 --> 1:08:17.360
<v Speaker 1>obviously she's been he's been following her for a while,

1:08:17.680 --> 1:08:19.760
<v Speaker 1>like it's not just the two stakeouts that we saw

1:08:19.880 --> 1:08:21.880
<v Speaker 1>or whatever, Like he's been following her because we've never

1:08:21.920 --> 1:08:26.360
<v Speaker 1>even seen this fucking brownstone, And is that where you

1:08:26.360 --> 1:08:28.280
<v Speaker 1>meet him? Is that where you've been screwing him? And

1:08:28.320 --> 1:08:31.719
<v Speaker 1>she goes, no, that's my psychiatrist's office. I've been seeing

1:08:31.720 --> 1:08:35.240
<v Speaker 1>a shrink, I didn't tell you because you like everything

1:08:35.240 --> 1:08:37.880
<v Speaker 1>to be perfect and it's not. I'm not like that,

1:08:38.479 --> 1:08:41.280
<v Speaker 1>and he's like, I didn't think, and she goes, you

1:08:41.280 --> 1:08:43.519
<v Speaker 1>didn't think because you don't trust me. I'm your wife.

1:08:43.600 --> 1:08:45.519
<v Speaker 1>You can't treat me like one of your suspects. And

1:08:45.880 --> 1:08:47.920
<v Speaker 1>I gotta say I'm on Maria's side for this one here,

1:08:48.120 --> 1:08:49.960
<v Speaker 1>Like she probably could have been more open with him,

1:08:49.960 --> 1:08:51.720
<v Speaker 1>but like he really went off the handle right away

1:08:51.760 --> 1:08:54.320
<v Speaker 1>thinking it was an affair, and it's he really fucked up,

1:08:54.360 --> 1:08:55.320
<v Speaker 1>and he kind of knows he did.

1:08:55.360 --> 1:08:56.920
<v Speaker 4>Like he walks out of the room very slowly. He

1:08:56.960 --> 1:08:57.519
<v Speaker 4>knows he fucked up.

1:08:57.520 --> 1:09:00.280
<v Speaker 1>When he gets back into the bullpen, everyone just stares

1:09:00.320 --> 1:09:02.720
<v Speaker 1>awkwardly at him, and you kind of love to see it.

1:09:02.760 --> 1:09:04.519
<v Speaker 1>You love to see him get in trouble for being

1:09:04.520 --> 1:09:06.439
<v Speaker 1>such a hothead. And then he goes, let's get back

1:09:06.439 --> 1:09:08.599
<v Speaker 1>to work, and he kind of apologizes to the immediate

1:09:08.640 --> 1:09:10.840
<v Speaker 1>gang and they're back in the game now and they're

1:09:10.880 --> 1:09:13.400
<v Speaker 1>looking at Stuart. He has no alibi for the Henry

1:09:13.439 --> 1:09:16.120
<v Speaker 1>beat down, and Warner says it's possible he stabbed himself.

1:09:16.200 --> 1:09:18.479
<v Speaker 1>Like we got a lot of Warner references here, but

1:09:18.479 --> 1:09:21.000
<v Speaker 1>they couldn't afford Tamratuni that day because she's not in

1:09:21.080 --> 1:09:23.160
<v Speaker 1>the episode, but they talk about her like six times.

1:09:23.720 --> 1:09:26.599
<v Speaker 1>Rollins pipes in with the profile, and we just talked

1:09:26.600 --> 1:09:28.960
<v Speaker 1>about this last episode. I didn't realize how early in

1:09:29.000 --> 1:09:31.880
<v Speaker 1>her tenure they had her acting like George Wong, Like

1:09:32.040 --> 1:09:34.160
<v Speaker 1>this is her first season. So it's kind of wild

1:09:34.240 --> 1:09:37.160
<v Speaker 1>that they're already like, give us the profile, Rollins, are

1:09:37.200 --> 1:09:39.800
<v Speaker 1>you are you it or are you Wong? Like what's

1:09:39.800 --> 1:09:40.200
<v Speaker 1>going on?

1:09:40.320 --> 1:09:40.559
<v Speaker 3>Wow?

1:09:40.720 --> 1:09:43.600
<v Speaker 1>Yeah, I don't think I really you know. So she

1:09:43.760 --> 1:09:47.439
<v Speaker 1>points out how he was tearing at the styrofoam cup

1:09:47.479 --> 1:09:50.960
<v Speaker 1>when talking about Leslie. She goes, he's obsessive, he works

1:09:51.000 --> 1:09:54.360
<v Speaker 1>at a comic book store. He's an outsider, desperate to

1:09:54.400 --> 1:09:57.360
<v Speaker 1>be seen as a hero by Leslie, and he leads

1:09:57.360 --> 1:09:59.360
<v Speaker 1>a double life. He's got this fantasy life and we

1:09:59.360 --> 1:10:02.000
<v Speaker 1>don't know how Dark Kick goes. So Craigan sends Rollins

1:10:02.040 --> 1:10:04.559
<v Speaker 1>on tomorrow to go back to Stuart. So they bring

1:10:04.640 --> 1:10:07.040
<v Speaker 1>Stuart onto the roof and they're like, well we need

1:10:07.040 --> 1:10:09.840
<v Speaker 1>the details, and Rollins is laying it on thick. She goes, well,

1:10:10.040 --> 1:10:11.519
<v Speaker 1>you know, we had to let Henry go. He's got

1:10:11.520 --> 1:10:13.479
<v Speaker 1>a lot of support every woman in Soho sees him

1:10:13.479 --> 1:10:16.120
<v Speaker 1>as a hero, even Leslie. And then he's like, can't

1:10:16.120 --> 1:10:18.920
<v Speaker 1>you tell her that he's a rapist? And they're like,

1:10:19.000 --> 1:10:20.760
<v Speaker 1>just walk us through everything that happened, and he tells

1:10:20.800 --> 1:10:24.120
<v Speaker 1>them how he got stabbed, but they also you could

1:10:24.160 --> 1:10:26.080
<v Speaker 1>tell he's kind of nervous giving them all these details,

1:10:26.120 --> 1:10:28.160
<v Speaker 1>and they're like, well, you know, Rmy says that your

1:10:28.360 --> 1:10:31.840
<v Speaker 1>wounds could have been self inflicted, and we think it's

1:10:31.840 --> 1:10:34.160
<v Speaker 1>because you want Leslie to think that you saved her,

1:10:34.640 --> 1:10:37.000
<v Speaker 1>and they start just laying it all out for him.

1:10:37.000 --> 1:10:38.920
<v Speaker 1>They're like, the Soho rapist has been around for like

1:10:38.960 --> 1:10:41.719
<v Speaker 1>two months, which is about the time when you met Leslie.

1:10:41.760 --> 1:10:44.080
<v Speaker 1>She told us she came into the store to buy

1:10:44.080 --> 1:10:47.200
<v Speaker 1>you a gift for her nephew, and he goes, yeah,

1:10:47.240 --> 1:10:49.599
<v Speaker 1>I showed her Jimmy Corrigan and The Dark Knight Returns

1:10:49.640 --> 1:10:50.560
<v Speaker 1>and the New Avengers.

1:10:50.720 --> 1:10:51.719
<v Speaker 4>She was really cool.

1:10:52.160 --> 1:10:54.160
<v Speaker 1>And then you told her about the Justice League and

1:10:54.200 --> 1:10:56.680
<v Speaker 1>she said it sounded silly because the city's safe, and

1:10:56.720 --> 1:10:59.200
<v Speaker 1>he goes, I tried to warn her. Women don't know.

1:11:00.040 --> 1:11:02.040
<v Speaker 1>Oh my god, can you believe that this religious nut

1:11:02.040 --> 1:11:04.040
<v Speaker 1>who works in a comic book shop also things women

1:11:04.080 --> 1:11:07.559
<v Speaker 1>are helpless, and then a week later the SOHO rapist

1:11:07.600 --> 1:11:11.000
<v Speaker 1>struck isn't that interesting timing? And then Leslie joined up

1:11:11.040 --> 1:11:14.800
<v Speaker 1>and became Fantastica so awesome, and you guys were a

1:11:14.840 --> 1:11:17.679
<v Speaker 1>team until Henry came along with his meetings and sound

1:11:17.680 --> 1:11:20.800
<v Speaker 1>bites and getting attention for your work. And he's like, no, no, no,

1:11:20.800 --> 1:11:24.559
<v Speaker 1>that's not what happened, and Tomorrow starts amping up the humiliation, saying,

1:11:24.800 --> 1:11:27.360
<v Speaker 1>Leslie went with Henry that night. They were laughing at you.

1:11:27.479 --> 1:11:29.880
<v Speaker 1>She felt sorry for you. And then the copycat You

1:11:29.960 --> 1:11:32.519
<v Speaker 1>really saved her, but Leslie didn't even care. You got

1:11:32.520 --> 1:11:34.280
<v Speaker 1>so angry you hit her over the head with a brick.

1:11:34.320 --> 1:11:36.640
<v Speaker 1>You almost killed the girl you love. And Rollins is

1:11:36.680 --> 1:11:38.519
<v Speaker 1>trying to get Nick to chill out because he's being

1:11:38.720 --> 1:11:41.600
<v Speaker 1>very intense, and Stuart's like, does Leslie know?

1:11:42.040 --> 1:11:43.160
<v Speaker 4>What did she say about me?

1:11:43.439 --> 1:11:46.439
<v Speaker 1>Like such in cell vibes, and then Rollins gets the

1:11:46.479 --> 1:11:49.520
<v Speaker 1>final twist of the knife in for old Stu goes, yeah,

1:11:49.600 --> 1:11:53.160
<v Speaker 1>she's leaving the Justice League. She's not Fantastica anymore, and

1:11:53.200 --> 1:11:55.840
<v Speaker 1>you're not twelve nineteen, and he goes, I never meant

1:11:55.880 --> 1:11:57.640
<v Speaker 1>to hurt her. I never meant to hurt anyone. I

1:11:57.720 --> 1:11:59.479
<v Speaker 1>just wanted her to look at me and know that

1:11:59.520 --> 1:12:04.040
<v Speaker 1>I was a zo. And that's dick wolf baby, very sad, empathetic.

1:12:04.680 --> 1:12:06.679
<v Speaker 1>You can't really rape your way to be a hero,

1:12:07.240 --> 1:12:09.720
<v Speaker 1>I guess. I mean, I'm sure there's an argument the

1:12:09.760 --> 1:12:12.400
<v Speaker 1>other way. Well, remember Luke Perry. Remember Luke Perry's character

1:12:12.479 --> 1:12:15.400
<v Speaker 1>in that episode he raped her and then met her

1:12:15.400 --> 1:12:16.759
<v Speaker 1>at the support group or whatever.

1:12:16.880 --> 1:12:18.840
<v Speaker 4>Yeah, sickos everywhere.

1:12:26.160 --> 1:12:28.080
<v Speaker 2>I will say, this is one of the few times

1:12:28.200 --> 1:12:32.960
<v Speaker 2>the real crime pretty chill, pretty chill. Okay, nothing credible, though,

1:12:33.000 --> 1:12:36.919
<v Speaker 2>I'll be honest, these were This was really funny research.

1:12:37.040 --> 1:12:41.519
<v Speaker 2>This was like like comic Con interviews. It was like

1:12:41.640 --> 1:12:44.360
<v Speaker 2>with one of their enemies, like the superhero.

1:12:45.880 --> 1:12:48.160
<v Speaker 4>It was Yeah, it's just interesting. It's interesting.

1:12:48.160 --> 1:12:52.280
<v Speaker 2>So this all happened in Seattle, the rain City Superhero organization.

1:12:53.720 --> 1:12:55.800
<v Speaker 1>So we're in Seattle, two thousand and eight.

1:12:56.680 --> 1:12:58.760
<v Speaker 2>But I found articles, so that's when it like kind

1:12:58.800 --> 1:13:00.840
<v Speaker 2>of started, and then one of the main group started

1:13:00.840 --> 1:13:05.080
<v Speaker 2>in twenty ten. Most of the articles loose term I

1:13:05.120 --> 1:13:10.160
<v Speaker 2>found were between twenty twelve and twenty fifteen. Would say,

1:13:10.160 --> 1:13:16.880
<v Speaker 2>this is gonna be like the least respected thing I've

1:13:16.880 --> 1:13:18.720
<v Speaker 2>ever done in the are Okay, I feel like our

1:13:18.760 --> 1:13:20.680
<v Speaker 2>microchips are more respected.

1:13:20.760 --> 1:13:24.200
<v Speaker 1>That's than this. Hey, I did the research on that.

1:13:24.479 --> 1:13:26.920
<v Speaker 1>I still think they're possible. People are gonna get microchips soon.

1:13:27.680 --> 1:13:29.759
<v Speaker 1>Oh no, it it was just not a crime.

1:13:30.200 --> 1:13:31.639
<v Speaker 4>No, yeah, it was just silly.

1:13:31.800 --> 1:13:36.520
<v Speaker 2>No, I had no shade to the microchip investigative research.

1:13:38.520 --> 1:13:41.519
<v Speaker 2>But I found something is recent as twenty twenty four

1:13:41.560 --> 1:13:44.759
<v Speaker 2>with people that were split off from the OG Crew. So, okay,

1:13:44.920 --> 1:13:50.160
<v Speaker 2>you know, there's obviously drama within a volunteer superhero community

1:13:50.160 --> 1:13:53.680
<v Speaker 2>in Seattle, if you can imagine. So, a group of

1:13:53.680 --> 1:13:57.800
<v Speaker 2>self described superheroes started prowling the streets claiming to save

1:13:57.920 --> 1:14:02.720
<v Speaker 2>people from crime. And yeah, some of their names, so

1:14:02.760 --> 1:14:08.280
<v Speaker 2>the leader is Phoenix Jones, the Guardian of Seattle, and

1:14:08.400 --> 1:14:14.360
<v Speaker 2>some of the other fun names are Buster Dough, Catastrophe, Gemini,

1:14:15.080 --> 1:14:22.520
<v Speaker 2>Green Reaper, no name, Penelope Thorn, and Thunder eighty eight. Okay,

1:14:23.520 --> 1:14:25.479
<v Speaker 2>so kind of exciting. I also have a thing that

1:14:25.479 --> 1:14:27.080
<v Speaker 2>says none of them. I'm like, that could be a

1:14:27.160 --> 1:14:30.720
<v Speaker 2>name too, but whatever. So and then this Phoenix Jones guy,

1:14:30.760 --> 1:14:34.160
<v Speaker 2>he was also like the leader of a wider network

1:14:34.320 --> 1:14:39.360
<v Speaker 2>called the Alliance that had thirty four members across the US, London,

1:14:39.479 --> 1:14:41.360
<v Speaker 2>and Dubai, which is like not a.

1:14:41.320 --> 1:14:45.840
<v Speaker 1>Lot, that's like three enormous cities. I'm sorry the thirty

1:14:45.840 --> 1:14:49.080
<v Speaker 1>four people like me.

1:14:49.320 --> 1:14:53.000
<v Speaker 2>This is like unserious. This is the most unserious investigation

1:14:53.160 --> 1:14:56.160
<v Speaker 2>we've ever done. To be in this alliance, you have

1:14:56.200 --> 1:14:59.559
<v Speaker 2>to have a steady job, not committed any crimes of

1:14:59.600 --> 1:15:02.519
<v Speaker 2>disson honesty. You have to be able to run two

1:15:02.560 --> 1:15:05.719
<v Speaker 2>miles in eight minutes and thirty seconds in full gear.

1:15:05.880 --> 1:15:07.839
<v Speaker 2>And you have to be able to train with Jones

1:15:07.880 --> 1:15:14.080
<v Speaker 2>for three days a week during a trial period. Damn yeah.

1:15:12.760 --> 1:15:18.280
<v Speaker 2>And so he mostly like drove around the city looking

1:15:18.280 --> 1:15:21.400
<v Speaker 2>for fights to stop, and he decided to become this

1:15:21.640 --> 1:15:26.960
<v Speaker 2>caped crusader. CNN words not mine, and the.

1:15:27.000 --> 1:15:29.639
<v Speaker 1>Article was in the entertainment section. I will say.

1:15:32.479 --> 1:15:33.679
<v Speaker 4>No crime.

1:15:36.120 --> 1:15:38.360
<v Speaker 2>But his car was broken into and his young son

1:15:38.479 --> 1:15:41.320
<v Speaker 2>was hurt by the glass. So he decided that he

1:15:41.360 --> 1:15:43.240
<v Speaker 2>was going to take a more active role in fighting

1:15:43.280 --> 1:15:46.840
<v Speaker 2>crime and he threw himself fully into it. Phoenix Jones

1:15:46.920 --> 1:15:51.680
<v Speaker 2>told the Seattle Post Intelligencer according to the Week, that

1:15:51.760 --> 1:15:55.360
<v Speaker 2>they all have military and MMA backgrounds, but they do

1:15:55.400 --> 1:15:59.880
<v Speaker 2>not carry guns. These got tasers, nightsticks, pepper spray, and

1:16:00.200 --> 1:16:03.200
<v Speaker 2>Jones also had this suit and it costs ten thousand dollars.

1:16:03.720 --> 1:16:08.160
<v Speaker 2>So it's bulletproof kevlar reinforced fire retardant jumpsuit made with

1:16:08.280 --> 1:16:11.520
<v Speaker 2>D three L smart fabric and it hardens on impact.

1:16:12.160 --> 1:16:15.799
<v Speaker 2>Oh my god, kind of cool. The hardens on impact.

1:16:15.880 --> 1:16:20.760
<v Speaker 2>I've never heard that before. Seattle police do not respect them,

1:16:21.000 --> 1:16:24.160
<v Speaker 2>and they think that they're silly at best or dangerous

1:16:24.200 --> 1:16:29.040
<v Speaker 2>at worst, which would actually be the worst danger, you

1:16:29.040 --> 1:16:32.639
<v Speaker 2>know what I mean? Yeah, yeah, they like didn't get

1:16:32.720 --> 1:16:35.160
<v Speaker 2>how to do the saying, like the police didn't get it.

1:16:37.080 --> 1:16:42.840
<v Speaker 2>Echo is a group started by El Caballero and Dragon Caballero.

1:16:43.120 --> 1:16:43.720
<v Speaker 1>Is that you're saying that?

1:16:43.840 --> 1:16:51.440
<v Speaker 4>That was really funny?

1:16:52.520 --> 1:16:59.800
<v Speaker 2>Oh god, I don't want to say Caballero, cab Caballero,

1:17:00.360 --> 1:17:05.200
<v Speaker 2>El Cabalio. Ronnie was on Bobby Lee's podcast Ronnie Chang,

1:17:05.479 --> 1:17:08.080
<v Speaker 2>and Bobby was like making him say all these words

1:17:08.080 --> 1:17:09.400
<v Speaker 2>with R and was like, you don't know how to

1:17:09.400 --> 1:17:12.520
<v Speaker 2>say R? And then Ronnie was like, my name is Ronnie,

1:17:12.680 --> 1:17:14.439
<v Speaker 2>likes I can say it?

1:17:17.920 --> 1:17:19.000
<v Speaker 4>Oh my god.

1:17:19.479 --> 1:17:25.920
<v Speaker 2>Okay, so yeah, so El Caballero and Dragon followed the split,

1:17:26.040 --> 1:17:30.280
<v Speaker 2>like if you heard me speaking Spanish, I would sound

1:17:30.320 --> 1:17:34.440
<v Speaker 2>like a like a Republican I would say, unfortunately.

1:17:35.240 --> 1:17:37.479
<v Speaker 4>But it is what it is.

1:17:38.240 --> 1:17:41.360
<v Speaker 2>Yeah, But they split from the Phoenix Jones network and

1:17:41.439 --> 1:17:45.120
<v Speaker 2>the rain City superhero movement. They said that Phoenix kept

1:17:45.160 --> 1:17:49.120
<v Speaker 2>pushing the legal limits and so another group emerged. But

1:17:49.160 --> 1:17:52.360
<v Speaker 2>basically Phoenix got arrested for pepper spring people outside of

1:17:52.360 --> 1:17:55.800
<v Speaker 2>a bar, but he was released without charges.

1:17:56.840 --> 1:17:59.920
<v Speaker 1>But a lot of people just really don't like him.

1:18:01.200 --> 1:18:03.599
<v Speaker 1>He sometimes made I just can't.

1:18:04.120 --> 1:18:07.200
<v Speaker 2>He sometimes made things worse by trying to get involved

1:18:07.640 --> 1:18:10.519
<v Speaker 2>in places he shouldn't have been. And I found these

1:18:10.560 --> 1:18:13.320
<v Speaker 2>like nerd comic interviews with other nerds discussing each other.

1:18:13.400 --> 1:18:18.600
<v Speaker 2>One piece was titled Seattle's Protector Causes Tension in superhero Community.

1:18:20.240 --> 1:18:24.080
<v Speaker 2>I found a photo though of Phoenix and he was

1:18:24.120 --> 1:18:26.799
<v Speaker 2>with Rain Wilson and director James Gunn at a premiere

1:18:26.800 --> 1:18:30.759
<v Speaker 2>in twenty twelve, So there is one photo he hash

1:18:30.760 --> 1:18:35.160
<v Speaker 2>Okay on a premiere. Eventually, all of this did cost

1:18:35.240 --> 1:18:37.320
<v Speaker 2>Jones his day job at a daycare that cater to

1:18:37.360 --> 1:18:40.439
<v Speaker 2>special needs children. It cost him his wife, and then

1:18:40.479 --> 1:18:44.519
<v Speaker 2>eventually he was arrested on drug charges. His wife used

1:18:44.560 --> 1:18:47.360
<v Speaker 2>to also be a superhero. Her name was Purple Rain

1:18:48.040 --> 1:18:52.400
<v Speaker 2>and she used her persona to raise awareness about domestic violence.

1:18:53.360 --> 1:18:58.120
<v Speaker 2>Red Ranger and Justin Servis are current members, and they

1:18:58.520 --> 1:19:00.920
<v Speaker 2>just keep their eyes out. They're just trying to help

1:19:00.960 --> 1:19:05.800
<v Speaker 2>anyone in need. And they said, of this group, now,

1:19:05.840 --> 1:19:08.599
<v Speaker 2>they start their shifts by handing out bags with food, water,

1:19:08.680 --> 1:19:11.360
<v Speaker 2>and socks, and then when they're done with that, they

1:19:11.439 --> 1:19:15.960
<v Speaker 2>take vigilante strolls. But the Red Ranger says, they all

1:19:15.960 --> 1:19:17.880
<v Speaker 2>have nine to fives. He's a nurse.

1:19:18.680 --> 1:19:21.240
<v Speaker 1>Oh that's nice. And they're giving out like hygiene kits

1:19:21.240 --> 1:19:24.519
<v Speaker 1>and then just walking around to help people. I do

1:19:24.640 --> 1:19:27.160
<v Speaker 1>kind of think some of these are good drag names,

1:19:27.560 --> 1:19:30.479
<v Speaker 1>like Justin's Service is kind of a fun name, but

1:19:30.520 --> 1:19:35.200
<v Speaker 1>also fantastica with like something else with like a good last.

1:19:35.040 --> 1:19:40.479
<v Speaker 2>Name, but go on, fantastica Fox. Yeah, FANTASTICA Hawks is

1:19:40.520 --> 1:19:43.080
<v Speaker 2>so good. So this is you know, they mentioned the

1:19:43.160 --> 1:19:46.200
<v Speaker 2>slut Walk a few times. I remember the slut Walk

1:19:46.280 --> 1:19:49.400
<v Speaker 2>part of our general generation. I would say it's a

1:19:49.520 --> 1:19:54.600
<v Speaker 2>transnational movement to end rape culture, including victim blaming and

1:19:54.680 --> 1:19:58.240
<v Speaker 2>slut shaming sexual assault victims or just like slut shaming,

1:19:58.320 --> 1:19:59.240
<v Speaker 2>I think in general.

1:19:59.400 --> 1:20:01.360
<v Speaker 4>But it really worked JK.

1:20:02.120 --> 1:20:07.040
<v Speaker 2>So they began and this I think alludes to like

1:20:07.160 --> 1:20:11.599
<v Speaker 2>Craigan's little thing in the press conference. But in Toronto

1:20:11.680 --> 1:20:16.160
<v Speaker 2>April third, twenty eleven, Toronto Police suggested that women should

1:20:16.160 --> 1:20:21.200
<v Speaker 2>avoid dressing like sluts to help stop sexual assaults. So

1:20:21.360 --> 1:20:25.240
<v Speaker 2>the cost So it was Michael Sanguinetti and another officer

1:20:25.320 --> 1:20:27.960
<v Speaker 2>from the thirty first Division, thirty one division.

1:20:28.360 --> 1:20:31.320
<v Speaker 4>I think they do things different in Canada because.

1:20:31.040 --> 1:20:33.800
<v Speaker 2>You know they say like grade seven, yeah, yeah, yeah,

1:20:33.800 --> 1:20:37.040
<v Speaker 2>they maybe it's thirty one division not that different.

1:20:36.800 --> 1:20:38.960
<v Speaker 1>But I do. I think everything's weird. They've like Royal

1:20:39.000 --> 1:20:40.559
<v Speaker 1>Mounted Police. I don't know. I don't know what's going

1:20:40.560 --> 1:20:41.479
<v Speaker 1>on over there in Canada.

1:20:41.600 --> 1:20:44.800
<v Speaker 2>So they were speaking on crime prevention at York University

1:20:45.360 --> 1:20:48.280
<v Speaker 2>and then during the talk he legit said listen, I'm

1:20:48.280 --> 1:20:51.679
<v Speaker 2>not supposed to say this, however, women should avoid dressing

1:20:51.760 --> 1:20:54.960
<v Speaker 2>like sluts in order to not be victimized. So it

1:20:55.000 --> 1:20:58.400
<v Speaker 2>did get international attention. He did issue an apology and

1:20:58.439 --> 1:21:01.000
<v Speaker 2>I'm sure he really meant it. Yeah, And that's an

1:21:01.080 --> 1:21:03.760
<v Speaker 2>officer of the law saying that out loud in a

1:21:03.840 --> 1:21:08.639
<v Speaker 2>room at like you don't even understand sexual assault, yet

1:21:08.680 --> 1:21:12.240
<v Speaker 2>you're the authority speaking on its prevention or like with

1:21:12.320 --> 1:21:13.960
<v Speaker 2>the task to stop it or punish it.

1:21:13.960 --> 1:21:14.759
<v Speaker 1>It makes no sense.

1:21:15.080 --> 1:21:18.519
<v Speaker 2>So you guys are the authority and you misunderstand, like

1:21:19.360 --> 1:21:21.559
<v Speaker 2>it's all about power and all of these things, and

1:21:21.640 --> 1:21:23.840
<v Speaker 2>like children aren't dressing a certain way and that, like

1:21:23.840 --> 1:21:25.040
<v Speaker 2>what are you talking about?

1:21:25.400 --> 1:21:28.840
<v Speaker 4>And that's the leader. It's like so crazy. So the

1:21:28.880 --> 1:21:29.479
<v Speaker 4>march had it.

1:21:29.600 --> 1:21:31.600
<v Speaker 2>So when the march started, the first stop was like

1:21:31.640 --> 1:21:36.000
<v Speaker 2>the Toronto Police headquarters. Sonia Barnett and Heather Jarvis are

1:21:36.040 --> 1:21:38.360
<v Speaker 2>the leaders of the movement, and they wanted to redefine

1:21:38.360 --> 1:21:41.120
<v Speaker 2>the word slut as someone in control of their sexuality.

1:21:41.760 --> 1:21:43.599
<v Speaker 2>They made they wanted to make it a power word.

1:21:44.120 --> 1:21:46.400
<v Speaker 2>And you can kind of compare it to take Back

1:21:46.439 --> 1:21:49.560
<v Speaker 2>the Night or Reclaim the Night movement of the seventies,

1:21:50.000 --> 1:21:52.320
<v Speaker 2>which was women saying that they should be able to

1:21:52.360 --> 1:21:54.720
<v Speaker 2>be out at night and it doesn't mean that it's

1:21:54.760 --> 1:21:59.360
<v Speaker 2>an invitation to rape. Can you imagine ya in the

1:21:59.400 --> 1:22:02.480
<v Speaker 2>seventies and be like, hey, if we're out after the sun.

1:22:02.360 --> 1:22:05.880
<v Speaker 1>Why are you out after dark? You silly little woman? Yeah,

1:22:05.960 --> 1:22:06.920
<v Speaker 1>so disgusting.

1:22:07.000 --> 1:22:09.759
<v Speaker 2>They expected about two hundred people, but three thousand people

1:22:09.800 --> 1:22:13.639
<v Speaker 2>showed up at Queen's Park. Okay, So basically the other

1:22:13.720 --> 1:22:17.799
<v Speaker 2>case that inspired this movement was so this guy, Kenneth Rhoades,

1:22:18.080 --> 1:22:20.840
<v Speaker 2>he raped a woman on the side of the road.

1:22:21.160 --> 1:22:24.040
<v Speaker 2>She said no multiple times, and the victim even said

1:22:24.080 --> 1:22:26.360
<v Speaker 2>that he was like, Oh, it's only gonna hurt a little.

1:22:26.800 --> 1:22:30.160
<v Speaker 2>So this is February twenty eleven, and so the Justice

1:22:30.280 --> 1:22:34.960
<v Speaker 2>Robert Duar, this judge convicted the rapist, Kenneth Rhodes, of

1:22:35.000 --> 1:22:38.800
<v Speaker 2>sexual assault, but only sentenced him to two years house arrest.

1:22:39.320 --> 1:22:41.240
<v Speaker 2>He was like truly on the side of the rapist

1:22:41.439 --> 1:22:44.960
<v Speaker 2>and the judge, this judge, she said that this was

1:22:45.080 --> 1:22:48.640
<v Speaker 2>just a clumsy dawn Juan who just made a mistake

1:22:48.720 --> 1:22:51.439
<v Speaker 2>of thinking sex was in the air since she kissed

1:22:51.479 --> 1:22:53.839
<v Speaker 2>him earlier and was wearing a tube top and heels.

1:22:54.880 --> 1:22:57.680
<v Speaker 2>Again a judge, Yeah, like these are the people in

1:22:57.800 --> 1:23:00.120
<v Speaker 2>charge of the It's so upsetting.

1:23:00.320 --> 1:23:02.560
<v Speaker 1>But it's like the den that like the Jenes or

1:23:02.600 --> 1:23:05.439
<v Speaker 1>the Denham thing in Italy where it's like the case

1:23:05.479 --> 1:23:08.719
<v Speaker 1>where her genes were so tight that that was like allowed.

1:23:08.960 --> 1:23:09.759
<v Speaker 1>That was the defense.

1:23:10.080 --> 1:23:13.360
<v Speaker 2>Did you see that Italy passed legislation for chemical castration?

1:23:14.040 --> 1:23:14.519
<v Speaker 1>I did.

1:23:14.920 --> 1:23:18.400
<v Speaker 2>It was fucking past. That's exciting. I love when a

1:23:18.439 --> 1:23:21.360
<v Speaker 2>country's behind my beliefs. I guess not all of them.

1:23:21.400 --> 1:23:23.280
<v Speaker 2>I guess not all of them, but I am happy

1:23:23.320 --> 1:23:26.559
<v Speaker 2>with Italy doing that. So this guy, you know, always

1:23:26.560 --> 1:23:31.479
<v Speaker 2>with these apologies. In November and the Manitoba Court of

1:23:31.520 --> 1:23:35.280
<v Speaker 2>Appeals overturned roads conviction and after a new trial they

1:23:35.320 --> 1:23:38.320
<v Speaker 2>did sentence him to three years in prison in twenty thirteen.

1:23:39.280 --> 1:23:42.439
<v Speaker 2>Still like true, like he did rape someone on the

1:23:42.479 --> 1:23:44.920
<v Speaker 2>side of a road, but yeah, three years, okay. So

1:23:45.120 --> 1:23:48.640
<v Speaker 2>I always connected the slut walk with Amber Rose, but

1:23:49.000 --> 1:23:52.000
<v Speaker 2>she's just the most famous person I guess involved celebrity wise,

1:23:52.000 --> 1:23:54.800
<v Speaker 2>and was the most outspoken. She didn't start it, she

1:23:54.920 --> 1:23:57.120
<v Speaker 2>just brought attention to it in the United States with

1:23:57.160 --> 1:23:59.960
<v Speaker 2>her march in Los Angeles. There was one in New

1:24:00.080 --> 1:24:03.679
<v Speaker 2>York City that shut down Union Square, Chicago, Detroit. Marches

1:24:03.720 --> 1:24:06.759
<v Speaker 2>all over the world and it's still is still happening.

1:24:07.600 --> 1:24:11.240
<v Speaker 2>In Peoria, there's one schedules for September sixth, twenty twenty five,

1:24:11.840 --> 1:24:13.960
<v Speaker 2>and I found a lot of them. I don't think

1:24:13.960 --> 1:24:15.799
<v Speaker 2>they're as giant, but I think a lot of college

1:24:15.800 --> 1:24:18.000
<v Speaker 2>campuses still do them, and it's still.

1:24:18.000 --> 1:24:20.280
<v Speaker 4>Thing, like you know, in Peoria, and of.

1:24:20.200 --> 1:24:24.599
<v Speaker 2>Course, like most movements and stuff, it was like super white,

1:24:24.720 --> 1:24:29.240
<v Speaker 2>not that many black people involved. There's always you know,

1:24:29.320 --> 1:24:32.439
<v Speaker 2>exclusions with most movements and mistakes and stuff like that,

1:24:32.520 --> 1:24:37.160
<v Speaker 2>but nothing too crazy. And of course like conservatives still

1:24:37.200 --> 1:24:39.960
<v Speaker 2>are like but still don't be a slut. And then

1:24:40.160 --> 1:24:44.439
<v Speaker 2>also like what Finn said of like, ah, you shouldn't

1:24:44.439 --> 1:24:47.280
<v Speaker 2>be dressed like that in big groups, like you know,

1:24:47.320 --> 1:24:50.439
<v Speaker 2>I kind of don't want to give any like time

1:24:50.560 --> 1:24:54.880
<v Speaker 2>to the people that are like, no, you don't fuck yeah,

1:24:55.360 --> 1:24:56.719
<v Speaker 2>stop dressing crazy.

1:24:56.880 --> 1:24:57.719
<v Speaker 4>That words bad.

1:24:58.040 --> 1:25:00.799
<v Speaker 1>But yeah, now amber Rose is this is a trumper.

1:25:01.080 --> 1:25:04.400
<v Speaker 1>So yeah, so the tables fucking really turned, don't they.

1:25:05.240 --> 1:25:11.080
<v Speaker 1>That's great, though, amber Rose, she's made some bad decisions. Listen,

1:25:11.960 --> 1:25:14.800
<v Speaker 1>that was great. Thank you so much for giving us

1:25:14.840 --> 1:25:18.439
<v Speaker 1>all that information. And now we've got a great interview,

1:25:18.720 --> 1:25:30.000
<v Speaker 1>so don't anybody move. Our guest today is a prolific

1:25:30.080 --> 1:25:33.080
<v Speaker 1>actor who has been working consistently for over thirty years.

1:25:33.120 --> 1:25:35.519
<v Speaker 1>You may remember him from films like While You Were

1:25:35.560 --> 1:25:38.120
<v Speaker 1>Sleeping and Rounders. He was also on a little show

1:25:38.160 --> 1:25:40.160
<v Speaker 1>you may have heard of called The Sopranos, but you

1:25:40.200 --> 1:25:44.840
<v Speaker 1>know him best as the philandering chef Henry Brazeki. Please

1:25:44.960 --> 1:25:47.920
<v Speaker 1>enjoy our lovely combo with Michael Rispoli.

1:25:48.200 --> 1:25:50.400
<v Speaker 2>Well we'll talk about the episode. But you are in

1:25:50.400 --> 1:25:52.640
<v Speaker 2>one of my favorite movies. Oh, which is a do

1:25:52.680 --> 1:25:53.160
<v Speaker 2>you want to guess?

1:25:53.200 --> 1:25:53.320
<v Speaker 6>Ther?

1:25:53.360 --> 1:25:54.360
<v Speaker 1>Now? Should I just tell you.

1:25:54.600 --> 1:25:56.120
<v Speaker 6>Well while you were sleeping?

1:25:56.760 --> 1:25:58.880
<v Speaker 1>No, we do love that movie, we do. I was

1:25:58.920 --> 1:26:01.800
<v Speaker 1>going to bring it up. I actually just watched it

1:26:01.840 --> 1:26:05.880
<v Speaker 1>for the first time a life ago, and when I

1:26:05.960 --> 1:26:07.960
<v Speaker 1>was looking at your IMDb, I was like, oh my god,

1:26:08.000 --> 1:26:10.200
<v Speaker 1>I'm talking to Joe Junior on my podcast.

1:26:10.240 --> 1:26:11.440
<v Speaker 4>This is so exciting.

1:26:12.720 --> 1:26:17.360
<v Speaker 6>But so, Lisa, what is the movie Rounders? Oh, you're

1:26:17.400 --> 1:26:18.240
<v Speaker 6>a poker player.

1:26:18.720 --> 1:26:20.559
<v Speaker 2>I wasn't like two thousand and you know when it

1:26:20.640 --> 1:26:23.000
<v Speaker 2>was like really a big deal. But my brother in

1:26:23.080 --> 1:26:26.160
<v Speaker 2>law plays. But I watched that movie all the time.

1:26:26.200 --> 1:26:28.040
<v Speaker 2>I don't know why I love it. I was a

1:26:28.040 --> 1:26:29.360
<v Speaker 2>big girl too.

1:26:29.920 --> 1:26:31.800
<v Speaker 6>It was really you know what, it was a great

1:26:31.840 --> 1:26:33.640
<v Speaker 6>time shooting that movie, and it was and it was

1:26:34.080 --> 1:26:37.479
<v Speaker 6>a great movie. It came out about a year two

1:26:37.560 --> 1:26:41.519
<v Speaker 6>years before the big poker craze, you know. I remember

1:26:41.560 --> 1:26:43.880
<v Speaker 6>they were just ahead of the curve just a little bit,

1:26:44.000 --> 1:26:47.360
<v Speaker 6>and then it took off. And then everybody who plays

1:26:47.400 --> 1:26:51.240
<v Speaker 6>a poker, you know, all the tournaments there like that.

1:26:51.360 --> 1:26:54.120
<v Speaker 6>They always talk to me about it. So yeah, that's great.

1:26:54.000 --> 1:26:56.519
<v Speaker 2>And it's stars studded and you you get to like

1:26:56.560 --> 1:26:59.760
<v Speaker 2>beat people up in strip clubs like fun hats, like

1:27:00.080 --> 1:27:00.800
<v Speaker 2>have a good time.

1:27:01.320 --> 1:27:03.960
<v Speaker 6>I know, it was great. I enjoyed. My whole character

1:27:04.080 --> 1:27:07.479
<v Speaker 6>was the hat. Yeah, that was It was a pork

1:27:07.560 --> 1:27:11.160
<v Speaker 6>piet so. But that's kind. I'm glad you liked that

1:27:11.280 --> 1:27:14.599
<v Speaker 6>movie because I'll tell you. I'll tell you something quick.

1:27:15.400 --> 1:27:19.000
<v Speaker 6>You don't have to be quick, okay. I uh So,

1:27:19.080 --> 1:27:24.160
<v Speaker 6>Matt Damon had done Goodwill Hunting, so he kind of

1:27:24.160 --> 1:27:27.519
<v Speaker 6>blew up, you know, everywhere, him and and uh Ben

1:27:27.560 --> 1:27:30.599
<v Speaker 6>Affleck and because of the writing, and while we were

1:27:30.640 --> 1:27:34.840
<v Speaker 6>shooting it, the Oscar nominations came out and he got

1:27:34.840 --> 1:27:39.160
<v Speaker 6>an Oscar nomination and very humble, very you know, I

1:27:39.200 --> 1:27:40.920
<v Speaker 6>mean you know he was like, oh my gosh, I

1:27:40.960 --> 1:27:42.920
<v Speaker 6>can't believe it, you know, all this other stuff. He

1:27:42.960 --> 1:27:45.720
<v Speaker 6>was very humble, really really a great down there guy

1:27:45.760 --> 1:27:49.519
<v Speaker 6>and stuff ed Norton was on there too, on the

1:27:49.560 --> 1:27:53.479
<v Speaker 6>movie too. His first movie. He got an Oscar nomination.

1:27:53.560 --> 1:27:57.320
<v Speaker 6>The Woman Richard Gear that's it, primal fear. He was terrific,

1:27:57.439 --> 1:28:00.840
<v Speaker 6>you know, and he was when we were shoot and rounders,

1:28:01.080 --> 1:28:07.599
<v Speaker 6>he was, uh, all right, I can't go too much.

1:28:09.520 --> 1:28:11.040
<v Speaker 4>We could cut it out, but I have to know.

1:28:11.200 --> 1:28:13.639
<v Speaker 6>No, you're not gonna cut it. I know that I

1:28:13.720 --> 1:28:19.080
<v Speaker 6>heard this about podcast. It's just that, uh, he was

1:28:19.120 --> 1:28:22.720
<v Speaker 6>not as humble, that's all. Well, so, uh but not

1:28:22.880 --> 1:28:25.000
<v Speaker 6>a bad way. He was not a bad way. But

1:28:25.240 --> 1:28:28.200
<v Speaker 6>he you know, he was he had been there. He

1:28:28.240 --> 1:28:29.960
<v Speaker 6>had been there already, you know what I mean.

1:28:30.760 --> 1:28:33.120
<v Speaker 4>So it was he wasn't nice to Matt Datement about it.

1:28:33.160 --> 1:28:36.360
<v Speaker 6>Oh No, it's not what I'm saying. Definitely not many

1:28:36.400 --> 1:28:39.200
<v Speaker 6>of this out. All I'm saying is when we you know,

1:28:39.240 --> 1:28:41.680
<v Speaker 6>I would speak. I'm just saying on that thing. You know,

1:28:41.920 --> 1:28:44.479
<v Speaker 6>first nomination for Matt Damon, and he had had a

1:28:44.479 --> 1:28:46.479
<v Speaker 6>first time It's just a couple of years before. He

1:28:46.560 --> 1:28:48.920
<v Speaker 6>was in the middle. He had just finished shooting. They

1:28:48.960 --> 1:28:52.760
<v Speaker 6>were in post production for American History X.

1:28:53.000 --> 1:28:53.679
<v Speaker 1>Oh wow.

1:28:53.880 --> 1:28:56.439
<v Speaker 6>He was feeling really good about that movie. And he

1:28:56.520 --> 1:28:57.880
<v Speaker 6>was tremendous in that movie.

1:28:58.040 --> 1:29:00.400
<v Speaker 1>Did you guys have scenes together in Death to Mucchie?

1:29:01.360 --> 1:29:04.160
<v Speaker 6>Oh? Yeah, And that's the difference. So a few years

1:29:04.240 --> 1:29:08.920
<v Speaker 6>later we went and did Death to Smoochie and he

1:29:08.960 --> 1:29:12.080
<v Speaker 6>had already done a few films obviously, and then he

1:29:12.120 --> 1:29:18.599
<v Speaker 6>had directed a movie one with Ben Stiller. That's it.

1:29:18.640 --> 1:29:20.799
<v Speaker 6>He's a priest, the other ones a rabbi and everything

1:29:20.840 --> 1:29:22.800
<v Speaker 6>like that. And the movie was fine, you know. I

1:29:22.840 --> 1:29:25.880
<v Speaker 6>guess it did well enough or whatever. He was different

1:29:26.000 --> 1:29:28.640
<v Speaker 6>a few years later, you know, and we went and

1:29:28.680 --> 1:29:33.439
<v Speaker 6>we shot that up in Toronto, Death to Smoochie and

1:29:33.560 --> 1:29:35.479
<v Speaker 6>it was great saying them and we were laughing about

1:29:35.479 --> 1:29:37.519
<v Speaker 6>a lot of stuff and everything. And then he rented

1:29:37.640 --> 1:29:42.719
<v Speaker 6>a he's really a good guy. He rented a ice

1:29:42.800 --> 1:29:47.360
<v Speaker 6>house for what do you do up for Canada hockey

1:29:49.080 --> 1:29:54.439
<v Speaker 6>like Carling Arena because he wanted to try curling. So

1:29:54.479 --> 1:29:57.599
<v Speaker 6>he went Carling for the afternoon, him and he had

1:29:58.040 --> 1:30:02.880
<v Speaker 6>two friends and O in the movie She's Amazing that

1:30:02.960 --> 1:30:03.760
<v Speaker 6>was a long time ago.

1:30:04.280 --> 1:30:07.439
<v Speaker 4>Also asked for you, Robin Williams, isn't it well?

1:30:07.560 --> 1:30:10.400
<v Speaker 6>Robin Wallas was amazing to watch work. He was tremendous.

1:30:11.000 --> 1:30:13.479
<v Speaker 4>Oh Catherine Keener a thrick key and.

1:30:13.479 --> 1:30:18.160
<v Speaker 6>His husband at the time, a great actor in his

1:30:18.240 --> 1:30:20.600
<v Speaker 6>own right. And again I have forgotten his name. And

1:30:21.000 --> 1:30:23.160
<v Speaker 6>it looked like a big idiodea you keep filling in

1:30:23.240 --> 1:30:24.120
<v Speaker 6>all the plays.

1:30:23.880 --> 1:30:26.639
<v Speaker 2>Oh Dermott Melrooney. I didn't even know they were together.

1:30:28.080 --> 1:30:29.559
<v Speaker 2>They were married cool.

1:30:29.720 --> 1:30:31.760
<v Speaker 6>They were married at the time. Anyways, it was a

1:30:31.760 --> 1:30:33.800
<v Speaker 6>weekend and he said, I read to this curling how

1:30:33.880 --> 1:30:35.639
<v Speaker 6>you want to go? So we learned that of curl

1:30:35.720 --> 1:30:39.360
<v Speaker 6>you have to throw it and glide and all this stuff.

1:30:39.400 --> 1:30:42.680
<v Speaker 6>And it was Dermott mulroney and and he had a

1:30:42.680 --> 1:30:46.519
<v Speaker 6>friend from school his school days was up there with him,

1:30:47.200 --> 1:30:50.120
<v Speaker 6>not Dermott, what do they call it, ed Norton. So

1:30:50.240 --> 1:30:51.800
<v Speaker 6>it was fun. It was a great way to spend

1:30:51.800 --> 1:30:52.400
<v Speaker 6>the afternoon.

1:30:53.400 --> 1:30:56.280
<v Speaker 1>Were you excited to do this episode or did it.

1:30:56.360 --> 1:30:56.800
<v Speaker 6>That's for you?

1:30:57.040 --> 1:30:57.560
<v Speaker 1>Yeah?

1:30:57.640 --> 1:31:01.719
<v Speaker 6>Oh yeah, absolutely, yeah. I mean, well you goad. I'm sorry.

1:31:01.760 --> 1:31:04.360
<v Speaker 1>I was just gonna say, because you did you did

1:31:04.479 --> 1:31:07.760
<v Speaker 1>like uh at Law and Order first, and then you

1:31:07.800 --> 1:31:11.800
<v Speaker 1>did Criminal Intent and then you did SVUS like you know,

1:31:11.920 --> 1:31:12.880
<v Speaker 1>you've done all of them.

1:31:13.360 --> 1:31:15.640
<v Speaker 6>Well, if you're in New York and you're a New

1:31:15.760 --> 1:31:20.439
<v Speaker 6>York actor, you generally you generally, you know, I mean,

1:31:20.479 --> 1:31:23.000
<v Speaker 6>that's the shows to do in town, what with the

1:31:23.040 --> 1:31:26.880
<v Speaker 6>ones that are shooting in town. And I did I

1:31:26.880 --> 1:31:29.200
<v Speaker 6>think I might have did two one orders maybe.

1:31:29.439 --> 1:31:32.200
<v Speaker 1>Yeah, You've done a couple of regular Law and Orders

1:31:32.240 --> 1:31:34.799
<v Speaker 1>and then like and then you've done like a Chicago

1:31:34.840 --> 1:31:36.439
<v Speaker 1>p D and an FBI most wanted.

1:31:36.439 --> 1:31:39.120
<v Speaker 4>I mean, you're like in the Dick Wolf, they've got

1:31:39.120 --> 1:31:40.040
<v Speaker 4>your speed dial.

1:31:40.720 --> 1:31:40.880
<v Speaker 1>You know.

1:31:40.920 --> 1:31:44.480
<v Speaker 6>I had dinner with Dick Wolf one time, not me personally.

1:31:44.560 --> 1:31:47.519
<v Speaker 6>There was like fifteen people at the table and he

1:31:47.640 --> 1:31:49.080
<v Speaker 6>was on the other end of the table, and I

1:31:49.160 --> 1:31:51.120
<v Speaker 6>kept wanting to get his attention, like he put me

1:31:51.120 --> 1:31:55.040
<v Speaker 6>on a show. But he was, you know, he was

1:31:55.040 --> 1:31:57.479
<v Speaker 6>having a good time. We're literally on the opposite ends

1:31:57.479 --> 1:31:58.360
<v Speaker 6>of a long table.

1:31:58.439 --> 1:31:58.640
<v Speaker 3>You know.

1:31:58.880 --> 1:32:01.000
<v Speaker 6>Yeah, he probably doesn't even remember.

1:32:01.240 --> 1:32:02.840
<v Speaker 4>Well, you've done like a hunt. I mean, you have

1:32:02.960 --> 1:32:03.960
<v Speaker 4>like a ton of credits.

1:32:03.960 --> 1:32:06.680
<v Speaker 1>You've been working for decades, so we're not expecting you

1:32:06.720 --> 1:32:10.519
<v Speaker 1>to remember like specific too many specifics about this. But

1:32:10.560 --> 1:32:14.000
<v Speaker 1>do you remember like any like ins and outs of

1:32:14.040 --> 1:32:17.519
<v Speaker 1>doing this wild episode where they're superheroes beating people up

1:32:17.560 --> 1:32:18.080
<v Speaker 1>on the streets.

1:32:18.240 --> 1:32:20.960
<v Speaker 6>Yes, for you. Yeah. When I read it, I was like, Wow,

1:32:21.040 --> 1:32:24.000
<v Speaker 6>superheroes in the city. You know, I'm like, Wow, that's it,

1:32:24.040 --> 1:32:28.040
<v Speaker 6>that's cool, that's you know, generally, the law and orders

1:32:28.080 --> 1:32:31.000
<v Speaker 6>they pulled from the you know, they pulled from the

1:32:31.040 --> 1:32:34.240
<v Speaker 6>headlines or kind of thing. And I wasn't sure how

1:32:34.360 --> 1:32:37.559
<v Speaker 6>that element got in there, But I rewatched the show

1:32:38.200 --> 1:32:42.920
<v Speaker 6>and somebody talks about one of the characters talks about

1:32:43.400 --> 1:32:45.599
<v Speaker 6>something they brought up, but I felt it was happening

1:32:45.640 --> 1:32:49.400
<v Speaker 6>in another city. Maybe when did you guys see the show?

1:32:49.720 --> 1:32:52.680
<v Speaker 2>So this is based on these superheroes that were in

1:32:52.800 --> 1:32:56.200
<v Speaker 2>Seattle and it was like a group of you know,

1:32:56.240 --> 1:32:59.120
<v Speaker 2>they didn't solve many crimes, and then they took it

1:32:59.160 --> 1:33:02.760
<v Speaker 2>to a new level with the assault, you know, And

1:33:02.760 --> 1:33:04.639
<v Speaker 2>in the episode they talk.

1:33:04.520 --> 1:33:07.240
<v Speaker 1>About the slut Walk, which happened in Toronto but then

1:33:07.320 --> 1:33:09.040
<v Speaker 1>also moved to different cities.

1:33:09.080 --> 1:33:11.280
<v Speaker 4>So like, yeah, we're That's what we.

1:33:11.240 --> 1:33:13.559
<v Speaker 1>Do in this podcast is like find out what it's

1:33:13.600 --> 1:33:16.800
<v Speaker 1>based on too, So like we found out some of that.

1:33:16.960 --> 1:33:18.680
<v Speaker 1>But I thought it was interesting that you were in

1:33:18.720 --> 1:33:21.040
<v Speaker 1>the movie kick Ass that was about high schoolers wanting

1:33:21.080 --> 1:33:24.200
<v Speaker 1>to be superheroes, and then right after you're in this

1:33:24.320 --> 1:33:28.320
<v Speaker 1>about adults wanting to be superheroes. And then how did

1:33:28.360 --> 1:33:30.439
<v Speaker 1>you start getting into acting? I know you grew up

1:33:30.439 --> 1:33:32.559
<v Speaker 1>in like sort of the New York, like right outside

1:33:32.560 --> 1:33:35.160
<v Speaker 1>of New York, right like tape kind of area.

1:33:35.240 --> 1:33:38.760
<v Speaker 6>I grew up in Rockley County and I always had

1:33:38.800 --> 1:33:40.960
<v Speaker 6>an interest in it. I went to college for it.

1:33:41.120 --> 1:33:43.679
<v Speaker 6>I finished the early so I can get in the city.

1:33:44.680 --> 1:33:49.200
<v Speaker 6>And then I went to Circle in the Square theater program.

1:33:49.280 --> 1:33:52.080
<v Speaker 6>It was a two year school. You know. They took

1:33:52.120 --> 1:33:53.880
<v Speaker 6>in just a certain number of suits, and then they

1:33:53.920 --> 1:33:57.240
<v Speaker 6>cut the class in half the second year and then

1:33:57.600 --> 1:34:02.760
<v Speaker 6>which I uh, I made the second class. But and

1:34:02.800 --> 1:34:04.760
<v Speaker 6>then as I was getting out of school, one of

1:34:04.800 --> 1:34:08.920
<v Speaker 6>the teachers recommended myself and a few others. Myself and

1:34:09.000 --> 1:34:14.400
<v Speaker 6>three others they needed understudies for a John Malkovich directed

1:34:15.000 --> 1:34:18.439
<v Speaker 6>play down at Circle Repertory down in it was down

1:34:18.439 --> 1:34:20.400
<v Speaker 6>when it used to be in the garage on seventh Day,

1:34:20.479 --> 1:34:23.759
<v Speaker 6>New South. I had twenty two people on the stage

1:34:23.760 --> 1:34:26.639
<v Speaker 6>and they needed understudies for no pay. But you've got

1:34:26.800 --> 1:34:29.720
<v Speaker 6>credit towards your equity card. So I was out of

1:34:29.720 --> 1:34:31.559
<v Speaker 6>school about a month or so. I had an audition

1:34:31.720 --> 1:34:35.000
<v Speaker 6>for him. I thought I did terrible, but I got

1:34:35.000 --> 1:34:37.920
<v Speaker 6>the job. So I had to learn seven roles. I

1:34:38.040 --> 1:34:39.800
<v Speaker 6>ended up going on for six of them. But that

1:34:39.960 --> 1:34:41.599
<v Speaker 6>was with the Steppenwolf people.

1:34:41.920 --> 1:34:42.280
<v Speaker 1>Wow.

1:34:42.320 --> 1:34:46.000
<v Speaker 6>So it was half Steppenwolf half Circle rep which was

1:34:46.040 --> 1:34:48.840
<v Speaker 6>a tremendous theater company in New York at the time.

1:34:49.560 --> 1:34:52.000
<v Speaker 6>So Malcolvich gave me my first job. So when you

1:34:52.040 --> 1:34:55.040
<v Speaker 6>talk about Rounders. When I saw him on Rounders, you know,

1:34:55.120 --> 1:34:57.280
<v Speaker 6>we talked about that, you know, and every he was

1:34:57.280 --> 1:35:01.040
<v Speaker 6>always big, very quiet, very self spoke, you know when

1:35:01.040 --> 1:35:04.080
<v Speaker 6>he speaks, you know. But but it was great because

1:35:04.120 --> 1:35:07.040
<v Speaker 6>Laurie Metcalfe was in that show. Gary Sone was in

1:35:07.080 --> 1:35:10.200
<v Speaker 6>that show, Terry Kinney was in that show, Jeff Perry,

1:35:11.439 --> 1:35:14.880
<v Speaker 6>Glenn Headley, I mean, you know, these were all originalty

1:35:15.479 --> 1:35:19.240
<v Speaker 6>These were all original Steppenwolf people, and they came from

1:35:19.280 --> 1:35:22.240
<v Speaker 6>Chicago to do the show in New York. They originally

1:35:22.240 --> 1:35:24.160
<v Speaker 6>did in Chicago, but to bring it to New York,

1:35:24.200 --> 1:35:27.760
<v Speaker 6>who had to be half Steppenwolf Circle rep. So I

1:35:28.000 --> 1:35:31.599
<v Speaker 6>was a rookie and I was on stage with like,

1:35:31.800 --> 1:35:35.240
<v Speaker 6>you know, four hundred years of experience from everybody, you know.

1:35:36.320 --> 1:35:39.320
<v Speaker 4>So that's what a start.

1:35:40.120 --> 1:35:44.040
<v Speaker 6>Yeah, it was a great start. And and uh so

1:35:44.160 --> 1:35:46.320
<v Speaker 6>that's how I know. And and then somebody left the

1:35:46.360 --> 1:35:48.680
<v Speaker 6>show and then I got my equity car because I

1:35:48.760 --> 1:35:51.880
<v Speaker 6>took over the part, you know. So but it was

1:35:51.960 --> 1:35:54.559
<v Speaker 6>great and it was a great production. I mean, standing

1:35:54.560 --> 1:35:59.280
<v Speaker 6>ovations every night. Laurie metcalfter the monologue started the second

1:35:59.320 --> 1:36:02.840
<v Speaker 6>act and Glenn Hadley is, I'll tell you this real quick.

1:36:02.880 --> 1:36:08.160
<v Speaker 6>Is this all right? Yeahlen rip Okay, So they're on

1:36:08.439 --> 1:36:11.479
<v Speaker 6>you on stage. It's a diner, an all night diner.

1:36:11.520 --> 1:36:13.519
<v Speaker 6>It's a Lamford Wilson play. And he had done it

1:36:13.560 --> 1:36:18.760
<v Speaker 6>many many years before, and uh anyways, Uh, it's an

1:36:18.760 --> 1:36:21.559
<v Speaker 6>all night diner and just hookers and pimps and drug

1:36:21.640 --> 1:36:24.800
<v Speaker 6>addicts and everything else. It's you know, basically from the sixties,

1:36:24.880 --> 1:36:29.400
<v Speaker 6>late sixties, you know. So Glenn Hadley is a hooker

1:36:29.560 --> 1:36:32.759
<v Speaker 6>in the in the prostitute, you know, walking the street,

1:36:32.840 --> 1:36:35.840
<v Speaker 6>and and Laurie Metcalf is a girl who comes into

1:36:35.880 --> 1:36:38.120
<v Speaker 6>the neighborhood lost, like I don't know what I'm gonna

1:36:38.160 --> 1:36:40.719
<v Speaker 6>do kind of thing. Anyways, kind of falls in loves

1:36:40.720 --> 1:36:44.360
<v Speaker 6>with a guy. In a sense, it's late night. I'm

1:36:44.400 --> 1:36:48.280
<v Speaker 6>the overnight manager of the place, so Glenn Hedley is

1:36:48.439 --> 1:36:50.840
<v Speaker 6>just her. Otherwise it's a big crowd, cross talking and

1:36:50.920 --> 1:36:53.599
<v Speaker 6>every Glenn Hedley is just sitting in the booth and

1:36:53.640 --> 1:36:56.439
<v Speaker 6>she's eating soup. You know. So it's late at night,

1:36:56.520 --> 1:36:59.439
<v Speaker 6>nobody's there. I'm reading the paper at the counter, and

1:36:59.560 --> 1:37:01.559
<v Speaker 6>Laurie Meg comes in. She goes, you know, I'm looking

1:37:01.600 --> 1:37:03.360
<v Speaker 6>for the guy she fell in love with. Whoever. The

1:37:03.479 --> 1:37:05.320
<v Speaker 6>character was, you know, I can't seek to find him

1:37:05.360 --> 1:37:07.880
<v Speaker 6>and everyone else, and so Glenn Headley had to listen

1:37:07.880 --> 1:37:10.840
<v Speaker 6>to Laurie Metcalf. It was like a twenty five minute monologue,

1:37:10.920 --> 1:37:14.920
<v Speaker 6>twenty two minute monologue, I think. And she went on

1:37:15.080 --> 1:37:17.280
<v Speaker 6>and on and told the story about how where she

1:37:17.360 --> 1:37:19.320
<v Speaker 6>came from and what she did and how she did

1:37:19.320 --> 1:37:21.160
<v Speaker 6>and she used to it was going to get married,

1:37:21.160 --> 1:37:24.920
<v Speaker 6>but then this happened. Anyways, she brought the house down

1:37:25.120 --> 1:37:28.599
<v Speaker 6>every night. She nailed that monologue every night. So here

1:37:28.640 --> 1:37:31.599
<v Speaker 6>I am a young guy out of school. I'm sitting

1:37:31.600 --> 1:37:34.840
<v Speaker 6>there reading the paper basically, you know, because that's all

1:37:34.880 --> 1:37:36.840
<v Speaker 6>you have to do. And I saw I get to

1:37:36.920 --> 1:37:39.320
<v Speaker 6>listen to her every night. I even kind of moved

1:37:39.360 --> 1:37:42.080
<v Speaker 6>around so I could peek at it. Sometimes she nailed

1:37:42.080 --> 1:37:45.280
<v Speaker 6>that every night. Audience would go up. Tom Waite's song

1:37:45.320 --> 1:37:48.320
<v Speaker 6>would come up, waltson until there's a lot of great

1:37:48.400 --> 1:37:51.120
<v Speaker 6>music right at the end of the monologue, people clapping,

1:37:51.240 --> 1:37:54.519
<v Speaker 6>the music come up, and then I start noticing Glenn Hedley.

1:37:55.400 --> 1:37:59.160
<v Speaker 6>Glenn Hedley has to listen to this twenty two minute monologue.

1:37:59.160 --> 1:38:03.559
<v Speaker 6>When an occasional interjection, you know, and now I'm gone,

1:38:03.720 --> 1:38:07.200
<v Speaker 6>Oh my god, I thought Worry Metcalfe was. She was amazing.

1:38:07.400 --> 1:38:10.000
<v Speaker 6>But then I'm looking at Glenn Heaveley and she could

1:38:10.280 --> 1:38:14.600
<v Speaker 6>lessen like nobody's business. When an occasional, you know, she

1:38:14.680 --> 1:38:17.679
<v Speaker 6>had a word here and there she made the monologue word.

1:38:17.720 --> 1:38:20.000
<v Speaker 6>I mean, Laura Metcalffe did the monologue at him. But

1:38:20.080 --> 1:38:24.840
<v Speaker 6>the two of them, she her listening, her concentration was amazing.

1:38:24.960 --> 1:38:28.000
<v Speaker 6>So I learned just so much from that show, and

1:38:28.080 --> 1:38:31.320
<v Speaker 6>specifically those two tremendous actresses.

1:38:31.640 --> 1:38:34.680
<v Speaker 1>So yeah, those are like two of my tops. I

1:38:34.680 --> 1:38:36.679
<v Speaker 1>would say, I think they're both so awesome.

1:38:36.720 --> 1:38:37.400
<v Speaker 4>That's so great.

1:38:37.680 --> 1:38:42.360
<v Speaker 1>Well you watched the episode, yes, so tell us your

1:38:42.400 --> 1:38:45.200
<v Speaker 1>reflections memories. Wow'd you feel?

1:38:45.360 --> 1:38:48.559
<v Speaker 6>My memory is watching it that I had more hair

1:38:49.479 --> 1:38:51.840
<v Speaker 6>and I was like, oh boy, I remember when I

1:38:51.880 --> 1:38:55.280
<v Speaker 6>had that hair. You know, you know what it was.

1:38:55.520 --> 1:38:59.880
<v Speaker 6>It was funny because I was remembering what was going

1:39:00.120 --> 1:39:02.360
<v Speaker 6>on in my life at the time and it was fine.

1:39:02.400 --> 1:39:04.720
<v Speaker 6>But I had to be Upstate a lot, so I

1:39:04.800 --> 1:39:07.240
<v Speaker 6>remember driving in. I had my apartment in the city,

1:39:07.240 --> 1:39:08.800
<v Speaker 6>but I remember having a drive in to make the

1:39:08.960 --> 1:39:13.519
<v Speaker 6>call times and stuff and then do the show. I

1:39:13.520 --> 1:39:19.760
<v Speaker 6>remember Mariska Hargetae being really nice. She actually brought she's

1:39:19.800 --> 1:39:22.280
<v Speaker 6>got a number of children, is that correct. Yeah, she

1:39:22.320 --> 1:39:24.080
<v Speaker 6>had brought there was a she brought it one of

1:39:24.120 --> 1:39:27.280
<v Speaker 6>her daughters in one day. Really cute young girl. She's

1:39:27.320 --> 1:39:32.799
<v Speaker 6>probably thirty years older, but she was very nice. And

1:39:32.800 --> 1:39:35.639
<v Speaker 6>and the whole crew, all those law and orders are

1:39:35.840 --> 1:39:39.320
<v Speaker 6>like a really fine tuned machine. The crews are great,

1:39:39.680 --> 1:39:42.799
<v Speaker 6>the team stays are great. I mean, all of those guys,

1:39:42.840 --> 1:39:45.479
<v Speaker 6>like they got a job and there here it is

1:39:45.520 --> 1:39:48.160
<v Speaker 6>twenty six years later. Do they get married, they have

1:39:48.200 --> 1:39:52.080
<v Speaker 6>a kid, the kids get kid, graduates, graduates college, and

1:39:52.120 --> 1:39:54.920
<v Speaker 6>then you know, gets married themselves and they're still working

1:39:54.960 --> 1:39:57.640
<v Speaker 6>on the same job. I mean, it's so those the

1:39:57.720 --> 1:40:00.559
<v Speaker 6>crews were terrific. And I I do a few of

1:40:00.560 --> 1:40:02.400
<v Speaker 6>the guys on the crew and you know, the team

1:40:02.439 --> 1:40:05.679
<v Speaker 6>stairs in New York a little bit, but the other

1:40:05.760 --> 1:40:09.960
<v Speaker 6>actors were really nice. I just remember it feeling really good.

1:40:10.000 --> 1:40:12.840
<v Speaker 6>I felt like I felt like I was in really

1:40:12.840 --> 1:40:16.639
<v Speaker 6>good hands, you know. So I made sure I was prepared,

1:40:16.640 --> 1:40:18.280
<v Speaker 6>and I mean, which I usually do, but I really

1:40:18.280 --> 1:40:20.920
<v Speaker 6>want to make sure. I remember when I got beat

1:40:21.040 --> 1:40:24.720
<v Speaker 6>up outside the car. Those guys actually hit me in

1:40:24.760 --> 1:40:27.600
<v Speaker 6>the ribs, you know, so I because they got to

1:40:27.680 --> 1:40:30.400
<v Speaker 6>kick you in stop and there's a couple little you know,

1:40:30.520 --> 1:40:34.120
<v Speaker 6>too enthusiastic, you know. But it wasn't bad though. That's fine.

1:40:34.160 --> 1:40:35.599
<v Speaker 6>I mean that kind of what happens. I get beat

1:40:35.680 --> 1:40:37.640
<v Speaker 6>up in a lot of more. Either I'm beating somebody up.

1:40:37.920 --> 1:40:40.599
<v Speaker 6>I used to either beat people up or get beaten up.

1:40:40.720 --> 1:40:42.040
<v Speaker 1>You know, what do you prefer?

1:40:43.280 --> 1:40:46.360
<v Speaker 6>Uh, you know what, I'm a little I prefer to

1:40:46.400 --> 1:40:50.560
<v Speaker 6>get I prefer to probably beat somebody up now because

1:40:51.720 --> 1:40:54.280
<v Speaker 6>well here's the difference. I'm older now, so you know,

1:40:54.520 --> 1:40:56.880
<v Speaker 6>there's only so much I can beat somebody up. That's

1:40:56.920 --> 1:40:58.720
<v Speaker 6>you know, on the screen what I'm asked to do.

1:40:59.360 --> 1:41:03.880
<v Speaker 6>But when I first started, first time, somebody, I remember direct,

1:41:04.120 --> 1:41:06.439
<v Speaker 6>can you take who I need somebody take a punch,

1:41:06.479 --> 1:41:08.160
<v Speaker 6>go to the floor. I'll do it. I'll do it,

1:41:08.640 --> 1:41:11.559
<v Speaker 6>you know. I take my punchy. You just gotta you know,

1:41:11.560 --> 1:41:13.960
<v Speaker 6>you gotta time it and snap your head so it

1:41:14.000 --> 1:41:15.720
<v Speaker 6>really looks like you're getting in or it. They put

1:41:15.760 --> 1:41:17.880
<v Speaker 6>the sound effects in later because the guy's missing you

1:41:17.960 --> 1:41:21.040
<v Speaker 6>by this much, you know, at least that much. Just

1:41:21.080 --> 1:41:23.200
<v Speaker 6>the camera angle. So I get hit and I go

1:41:23.240 --> 1:41:24.960
<v Speaker 6>to the floor, and then they go, okay, let's do

1:41:24.960 --> 1:41:27.040
<v Speaker 6>it again. That was great, not just to me. The

1:41:27.080 --> 1:41:30.120
<v Speaker 6>scene right, great, Let's do it again, do it again,

1:41:30.240 --> 1:41:33.000
<v Speaker 6>do it again, do it again. This angle, that angle,

1:41:33.080 --> 1:41:36.000
<v Speaker 6>this angle. So after that, I learned not to volunteer

1:41:36.040 --> 1:41:38.559
<v Speaker 6>to get hit and go to the floor. So somebody

1:41:38.640 --> 1:41:40.400
<v Speaker 6>when they say we got you know, we got a fight,

1:41:40.439 --> 1:41:42.040
<v Speaker 6>you can take a punch. How about I take a

1:41:42.040 --> 1:41:43.720
<v Speaker 6>punch and I just kind of go back against the

1:41:43.800 --> 1:41:47.800
<v Speaker 6>wall like this as opposed down on my knees, you know. So,

1:41:48.160 --> 1:41:50.599
<v Speaker 6>I mean, honestly, that's what it was, because they used

1:41:50.600 --> 1:41:54.240
<v Speaker 6>to be bigger fights. I did a Spike Lee movie

1:41:54.280 --> 1:41:56.320
<v Speaker 6>Summer of sam and in the area have the Fight.

1:41:56.400 --> 1:41:57.320
<v Speaker 4>I love that movie too.

1:41:57.920 --> 1:42:00.000
<v Speaker 6>Yeah, but I got to beat people up in that one.

1:42:00.120 --> 1:42:02.840
<v Speaker 6>But but the difference is, like when you get hit,

1:42:02.880 --> 1:42:05.040
<v Speaker 6>you gotta go down. You gotta do it twenty more

1:42:05.080 --> 1:42:07.759
<v Speaker 6>times at different angles, you know. So I learned.

1:42:08.040 --> 1:42:10.040
<v Speaker 4>Yeah, yeah, yeah, wow, Well there's.

1:42:10.000 --> 1:42:14.160
<v Speaker 6>One I forget. I forgot. I'm sorry, I interrupted, No,

1:42:14.320 --> 1:42:20.720
<v Speaker 6>keep talking. I forgot that then I was a player.

1:42:20.439 --> 1:42:22.920
<v Speaker 1>And that oh yeah, what I was going to bring up.

1:42:23.479 --> 1:42:26.120
<v Speaker 6>Yeah, I forgot that I was a player. But I go,

1:42:26.160 --> 1:42:28.879
<v Speaker 6>I know I'm not the I know I wasn't the rapist,

1:42:28.960 --> 1:42:31.000
<v Speaker 6>you know, and now I wasn't the criminal and stuff,

1:42:31.280 --> 1:42:33.080
<v Speaker 6>and then it all it comes to me, go, no,

1:42:33.280 --> 1:42:35.120
<v Speaker 6>that's right, because I'm with her, and then I'm with

1:42:35.160 --> 1:42:36.200
<v Speaker 6>the other one. The other one.

1:42:36.320 --> 1:42:37.320
<v Speaker 1>Your wife's sister.

1:42:37.560 --> 1:42:40.080
<v Speaker 4>Your wife's sister, such a sister.

1:42:40.200 --> 1:42:42.120
<v Speaker 6>That was a tough one. I had to say my

1:42:42.160 --> 1:42:45.439
<v Speaker 6>wife's sister. Oh jeez, I forgot I did that. And

1:42:45.479 --> 1:42:48.400
<v Speaker 6>then and then because then I remember because the guy

1:42:48.439 --> 1:42:51.680
<v Speaker 6>who played uh what was his name? The girl? The

1:42:51.720 --> 1:42:53.679
<v Speaker 6>woman was fantastic.

1:42:53.560 --> 1:42:56.320
<v Speaker 4>Oh yeah, and the guy was his name?

1:42:56.360 --> 1:42:59.000
<v Speaker 1>Is? Like here, somebody the guy who plays is you're

1:42:59.000 --> 1:42:59.880
<v Speaker 1>talking about the other guy?

1:43:00.080 --> 1:43:00.200
<v Speaker 3>Right?

1:43:00.280 --> 1:43:02.960
<v Speaker 6>But what was his character? He had a character name?

1:43:03.120 --> 1:43:05.959
<v Speaker 4>Oh, twelve nineteen or something.

1:43:06.840 --> 1:43:09.400
<v Speaker 6>Twelve nineteen is what he had on his lists because

1:43:09.439 --> 1:43:11.920
<v Speaker 6>it was that thing. But I think he had him

1:43:11.920 --> 1:43:14.439
<v Speaker 6>and FANTASTICA were a team, and I forget what his

1:43:14.680 --> 1:43:17.599
<v Speaker 6>superhero name was. But either way, I just that's when

1:43:17.640 --> 1:43:19.880
<v Speaker 6>I remember it. I well, yeah, he put it in mind,

1:43:19.920 --> 1:43:21.920
<v Speaker 6>he sent me in the car, he set it up.

1:43:21.960 --> 1:43:24.720
<v Speaker 6>It was him, you know, everything else, And then it

1:43:24.760 --> 1:43:26.599
<v Speaker 6>all kind of came to me. So what was great

1:43:26.760 --> 1:43:29.479
<v Speaker 6>was I hadn't seen it basically since it came out

1:43:30.000 --> 1:43:31.559
<v Speaker 6>so when I'm watching it and I'm like, hey, that's

1:43:31.560 --> 1:43:34.360
<v Speaker 6>pretty good. That's pretty good, you know. And it's hard

1:43:34.400 --> 1:43:38.559
<v Speaker 6>watching yourself over and over because I'm not I'm not

1:43:38.920 --> 1:43:42.080
<v Speaker 6>you know, you're always kind of satisfying. You never I'm

1:43:42.080 --> 1:43:44.599
<v Speaker 6>never fully satisfied with what I'm doing on the screen.

1:43:44.720 --> 1:43:46.800
<v Speaker 6>But I watched it and I was able to sit

1:43:46.840 --> 1:43:49.439
<v Speaker 6>back and just enjoy the show. Again, it's a great

1:43:50.479 --> 1:43:52.679
<v Speaker 6>you could see it in there. Just what a well

1:43:52.720 --> 1:43:56.439
<v Speaker 6>oiled machine that is, you know, so you get to

1:43:56.560 --> 1:44:00.000
<v Speaker 6>you can really appreciate s for you.

1:44:00.200 --> 1:44:03.000
<v Speaker 2>Yeah, it was so good because even though I've seen

1:44:03.040 --> 1:44:05.360
<v Speaker 2>it a few times, I still really thought that it

1:44:05.400 --> 1:44:09.680
<v Speaker 2>was you. But the Philander stuff is very funny. I

1:44:09.720 --> 1:44:12.120
<v Speaker 2>love when SVU gets funny and when you start talking

1:44:12.120 --> 1:44:14.080
<v Speaker 2>about all the women you're with, it is like a

1:44:14.200 --> 1:44:15.320
<v Speaker 2>nice funny moment.

1:44:16.320 --> 1:44:19.840
<v Speaker 6>Yeah, and listen, I'm not Brad Pitt, So you know,

1:44:19.920 --> 1:44:22.439
<v Speaker 6>I'm not asked to play those roles too many times,

1:44:22.479 --> 1:44:23.840
<v Speaker 6>you know, because who's going to believe it?

1:44:24.280 --> 1:44:26.960
<v Speaker 1>Well, you're supposed to be a big chef, and like,

1:44:27.040 --> 1:44:28.519
<v Speaker 1>you know, there's a lot of that that goes on

1:44:28.560 --> 1:44:30.160
<v Speaker 1>in the restaurant world late nights.

1:44:30.479 --> 1:44:35.759
<v Speaker 6>Absolutely, and I did have a nice chef nice chef's shirt.

1:44:35.960 --> 1:44:38.040
<v Speaker 4>They give you a nice chef shirt. And you ever

1:44:38.160 --> 1:44:40.160
<v Speaker 4>take things from set for memories?

1:44:41.479 --> 1:44:45.519
<v Speaker 6>No, they don't let it. I mean, I don't ever

1:44:45.640 --> 1:44:48.160
<v Speaker 6>take anything. If there's something I really want, I asked him.

1:44:48.200 --> 1:44:50.639
<v Speaker 6>I was doing a movie called Nana's Yeah.

1:44:50.439 --> 1:44:52.240
<v Speaker 1>I want to know about that, because this same movie

1:44:52.240 --> 1:44:53.519
<v Speaker 1>seems right up my alley.

1:44:53.920 --> 1:44:56.800
<v Speaker 6>Oh, you gotta watch it. You got to see it.

1:44:56.800 --> 1:44:59.200
<v Speaker 6>It's a lot of fun. I usually do movies that

1:44:59.320 --> 1:45:04.000
<v Speaker 6>are are This movie is a real good, feel good movie.

1:45:04.160 --> 1:45:07.040
<v Speaker 6>You know, there's no real cursing, nobody's getting beat up.

1:45:07.680 --> 1:45:09.720
<v Speaker 6>It's just a really it's just a nice story. And

1:45:09.720 --> 1:45:11.600
<v Speaker 6>it's based on the true story, so it's kind of

1:45:11.600 --> 1:45:13.160
<v Speaker 6>got a good feeling to it. You'll get a little

1:45:13.200 --> 1:45:16.800
<v Speaker 6>choked up. So I really liked it. And by the way,

1:45:17.000 --> 1:45:19.200
<v Speaker 6>and I've done a movie with Joe Manganello. We did

1:45:19.240 --> 1:45:22.200
<v Speaker 6>a baseball movie and he's a great guy. And then

1:45:22.240 --> 1:45:25.800
<v Speaker 6>Lorraine Brocco, you know, Andrea di Matteo. I mean, like,

1:45:25.920 --> 1:45:28.519
<v Speaker 6>you know, so there was people I knew, you know,

1:45:28.680 --> 1:45:31.200
<v Speaker 6>on the on the set and everything, so they you know,

1:45:31.240 --> 1:45:32.400
<v Speaker 6>they were great. But why did I.

1:45:32.439 --> 1:45:35.240
<v Speaker 4>Even bring up on us well, you took something.

1:45:35.360 --> 1:45:38.639
<v Speaker 6>Right, So you generally don't take anything on the set.

1:45:38.720 --> 1:45:40.519
<v Speaker 6>You know, you can ask it if you could tell

1:45:40.560 --> 1:45:43.120
<v Speaker 6>if something's not needed anymore, Hey can I have that?

1:45:43.240 --> 1:45:45.160
<v Speaker 6>But what no way I want. I don't take it

1:45:45.200 --> 1:45:47.559
<v Speaker 6>to put up on a shelf or anything. On that

1:45:47.680 --> 1:45:49.800
<v Speaker 6>movie though you guys haven't seen it, there's a big

1:45:49.840 --> 1:45:53.599
<v Speaker 6>Italian street fair, you know, all food outside, and they

1:45:53.640 --> 1:45:56.880
<v Speaker 6>had like all cans of olive oil and tonatives and everything.

1:45:56.880 --> 1:45:58.680
<v Speaker 6>We finished shooting, I go, what are you gonna do

1:45:58.720 --> 1:46:01.880
<v Speaker 6>with that stuff? You know, so the props goes, Hey,

1:46:01.880 --> 1:46:03.880
<v Speaker 6>you could take. So I took some olive oil and

1:46:04.000 --> 1:46:06.320
<v Speaker 6>kids at domates and stuff like that because they were

1:46:06.360 --> 1:46:08.599
<v Speaker 6>just gonna ship it somewhere else and was staying at

1:46:08.640 --> 1:46:11.240
<v Speaker 6>it was outside for a long time. You know, that

1:46:11.360 --> 1:46:13.880
<v Speaker 6>kind of thing. But that's a prop. When you're done

1:46:13.920 --> 1:46:16.519
<v Speaker 6>with the props, you know that.

1:46:16.800 --> 1:46:16.960
<v Speaker 1>You know.

1:46:17.000 --> 1:46:19.000
<v Speaker 6>I would take and news, but I don't take a momento.

1:46:19.080 --> 1:46:21.400
<v Speaker 6>I don't take like an ash tray from a hotel

1:46:21.680 --> 1:46:24.719
<v Speaker 6>movie scene that I was in or something. Does anybody

1:46:24.840 --> 1:46:26.040
<v Speaker 6>use ashtrays anymore?

1:46:26.160 --> 1:46:28.439
<v Speaker 4>I don't know I do, but I'm a pothead more.

1:46:28.920 --> 1:46:31.320
<v Speaker 6>It's well, then you need an ash. If I get

1:46:31.320 --> 1:46:33.080
<v Speaker 6>an ass stray, I will send it to you.

1:46:35.120 --> 1:46:37.519
<v Speaker 1>What do you get like recognized for the most like

1:46:37.560 --> 1:46:41.599
<v Speaker 1>are people calling you out from Sopranos or they're all

1:46:41.720 --> 1:46:43.519
<v Speaker 1>while you were sleeping fans or what?

1:46:44.040 --> 1:46:48.519
<v Speaker 6>Yeah, well around those actually plese you know people say

1:46:48.560 --> 1:46:50.760
<v Speaker 6>that because I mean I'm older, but you know they

1:46:50.840 --> 1:46:53.200
<v Speaker 6>kind of recognized me for that. One guy said you

1:46:52.840 --> 1:46:58.080
<v Speaker 6>were you were you were Grandma? That movie I get

1:46:58.120 --> 1:47:03.479
<v Speaker 6>recognized for and h while you were sleeping, And it's

1:47:03.560 --> 1:47:10.040
<v Speaker 6>usually one time. I had a woman and her daughter

1:47:10.400 --> 1:47:13.120
<v Speaker 6>and her daughter was like you know, twenty something. They go,

1:47:13.120 --> 1:47:16.440
<v Speaker 6>oh my god, your favorite movie and watching every Christmas.

1:47:16.479 --> 1:47:18.840
<v Speaker 6>You know, it was like you know, and the mother

1:47:19.120 --> 1:47:21.280
<v Speaker 6>saw it when she was younger, and then she introduced

1:47:21.280 --> 1:47:23.360
<v Speaker 6>it to the daughter. So I always liked that kind

1:47:23.439 --> 1:47:28.160
<v Speaker 6>of thing, you know, I uh. And then the Sopranos. Yeah,

1:47:28.240 --> 1:47:30.960
<v Speaker 6>the Sopranos, and you know it gets wild when they

1:47:31.080 --> 1:47:32.519
<v Speaker 6>and what I do I mean not a lot of

1:47:32.520 --> 1:47:36.519
<v Speaker 6>people saw it, unfortunately, was Death to Smoochi. Yeah, that character,

1:47:36.560 --> 1:47:39.760
<v Speaker 6>the character I played was a punch trunk boxer. So

1:47:39.840 --> 1:47:41.920
<v Speaker 6>the people who see that movie are a little rabbit

1:47:41.960 --> 1:47:43.720
<v Speaker 6>about it. So when I meet one of them. They go,

1:47:43.720 --> 1:47:47.320
<v Speaker 6>oh my god, it's been done so and mostly I

1:47:47.360 --> 1:47:51.040
<v Speaker 6>get this, Hey, I know, oh man, you're an actor.

1:47:51.120 --> 1:47:53.800
<v Speaker 6>I know I've seen you in so many things. Oh

1:47:53.840 --> 1:47:55.600
<v Speaker 6>my well, tell me what you've been And I go,

1:47:56.120 --> 1:47:58.800
<v Speaker 6>I'm not gonna do that. Just look my name, like,

1:47:58.840 --> 1:48:01.599
<v Speaker 6>here's my name. I can't go through a list. I

1:48:01.720 --> 1:48:04.320
<v Speaker 6>used to try to. I used to go while you sleeping. No, no,

1:48:04.240 --> 1:48:05.919
<v Speaker 6>it's not that. What else? Volcano?

1:48:06.080 --> 1:48:06.120
<v Speaker 1>No?

1:48:06.320 --> 1:48:08.960
<v Speaker 6>What else? This movie? That movie? Now, I don't know

1:48:09.000 --> 1:48:11.400
<v Speaker 6>what kind of movies you want. I can't go through

1:48:11.400 --> 1:48:12.479
<v Speaker 6>the whole IAMTB.

1:48:12.600 --> 1:48:13.759
<v Speaker 4>It's like one hundred credits.

1:48:14.400 --> 1:48:18.160
<v Speaker 6>Yeah, so it's they recognize the face, they recognized the voice.

1:48:18.840 --> 1:48:21.400
<v Speaker 1>Yeah, it is like we you know, sodays we hear

1:48:21.439 --> 1:48:24.639
<v Speaker 1>about from actors on different shows where like or movies

1:48:24.720 --> 1:48:27.320
<v Speaker 1>where when it's such a huge hit, it like bonds

1:48:27.360 --> 1:48:29.200
<v Speaker 1>everybody together. Do you still talk to like a lot

1:48:29.200 --> 1:48:31.559
<v Speaker 1>of the Sopranos guys or like run into each other

1:48:31.600 --> 1:48:31.960
<v Speaker 1>a lot?

1:48:32.040 --> 1:48:34.479
<v Speaker 6>And yeah, okay, so I'll tell you this. We all

1:48:34.560 --> 1:48:37.479
<v Speaker 6>kind of knew each other coming up. Michael imperially. I

1:48:37.479 --> 1:48:40.880
<v Speaker 6>did my first movie with Michael, who was a great

1:48:40.960 --> 1:48:45.000
<v Speaker 6>guy of great actor and funny. We he had it.

1:48:45.200 --> 1:48:47.559
<v Speaker 6>He was doing All Off Broadway as I was doing

1:48:47.640 --> 1:48:50.240
<v Speaker 6>my theater company, and we happened to do the same play,

1:48:51.280 --> 1:48:55.759
<v Speaker 6>you know, different productions of the Canadian tiny Canadian playwright.

1:48:55.840 --> 1:48:57.760
<v Speaker 6>And so we you know, when we first met, we

1:48:57.840 --> 1:49:01.320
<v Speaker 6>talked about that. Just by chance we did that. I

1:49:01.360 --> 1:49:05.480
<v Speaker 6>did my first movie with him and with Vince Denafrio

1:49:06.120 --> 1:49:11.960
<v Speaker 6>and and then so you got to know the other people.

1:49:12.040 --> 1:49:16.200
<v Speaker 6>I did this movie called Angie with Jimmy Gandelfini. It

1:49:16.280 --> 1:49:18.839
<v Speaker 6>was called Angie, I says, but then it became Angie

1:49:18.880 --> 1:49:22.519
<v Speaker 6>and it was Geena Davis Haena to Toro was.

1:49:22.520 --> 1:49:26.160
<v Speaker 1>In It's for You, Judge.

1:49:26.240 --> 1:49:29.360
<v Speaker 6>Yeah, yeah, yeah, that's right. That's right, She's yes for you.

1:49:29.439 --> 1:49:32.320
<v Speaker 1>J Just Angie movie looks so familiar, like I watched

1:49:32.360 --> 1:49:34.960
<v Speaker 1>it when I was like a kid or something exactly.

1:49:35.040 --> 1:49:37.519
<v Speaker 6>You watched it when you you you watched it all

1:49:37.520 --> 1:49:39.800
<v Speaker 6>those years ago. So that's where I met Jimmy. We

1:49:39.920 --> 1:49:42.800
<v Speaker 6>really kind of bonded. We're very close, Jimmy and I.

1:49:43.000 --> 1:49:45.280
<v Speaker 6>We go out, you know, drinking every once in a

1:49:45.320 --> 1:49:48.160
<v Speaker 6>while and and and things like that. So I knew Jimmy.

1:49:48.200 --> 1:49:54.280
<v Speaker 6>Then I did Demi Moore to Me More and Alec

1:49:54.320 --> 1:49:57.360
<v Speaker 6>Baldwin movie The Juror, and Jimmy was in it, so

1:49:57.400 --> 1:49:59.479
<v Speaker 6>I would say him. We went up for a lot

1:49:59.479 --> 1:50:01.920
<v Speaker 6>of the same roles, so we got to know so

1:50:02.000 --> 1:50:03.840
<v Speaker 6>we would see each other and again we went out

1:50:03.880 --> 1:50:06.040
<v Speaker 6>socially and would have a good time. So I knew

1:50:06.080 --> 1:50:08.200
<v Speaker 6>those guys and I knew Michael. I did a movie

1:50:08.200 --> 1:50:12.320
<v Speaker 6>with Tony si Rico, who played Pauli Walnuts and the Sopranos,

1:50:12.960 --> 1:50:16.040
<v Speaker 6>a weekend movie. It was like every weekend we shot

1:50:16.240 --> 1:50:18.360
<v Speaker 6>and we I never saw in a movie. But we

1:50:18.439 --> 1:50:21.760
<v Speaker 6>shot it in a strip club because the guy who

1:50:21.800 --> 1:50:25.720
<v Speaker 6>was shooting it ran security at the strip club and

1:50:25.760 --> 1:50:29.960
<v Speaker 6>he got Saturday mornings or he got Sunday mornings, you know,

1:50:30.000 --> 1:50:32.080
<v Speaker 6>when the place it was all closed. We shot for

1:50:32.120 --> 1:50:34.200
<v Speaker 6>a few hours. I never saw a move, but I

1:50:34.280 --> 1:50:36.799
<v Speaker 6>met Tony Cirico. He was a great guy and fortunately

1:50:36.800 --> 1:50:40.439
<v Speaker 6>the best way. A few years ago, Viny Pastor, you know,

1:50:40.600 --> 1:50:43.960
<v Speaker 6>I did a movie with him called Two Family House.

1:50:45.320 --> 1:50:48.400
<v Speaker 6>So I'll see Vinnie every once in a while, and

1:50:48.479 --> 1:50:50.559
<v Speaker 6>I know I'm missing somebody. But the thing is, do

1:50:50.600 --> 1:50:54.360
<v Speaker 6>you see everybody everybody's you know, doing their family. Every

1:50:54.560 --> 1:50:57.840
<v Speaker 6>family has grown. You see each other occasionally occasionally you

1:50:57.920 --> 1:51:00.800
<v Speaker 6>talk to each other when that was going on. I

1:51:00.960 --> 1:51:03.519
<v Speaker 6>was only in it for a few episodes, you know,

1:51:03.600 --> 1:51:05.720
<v Speaker 6>but we but like I say, I already done it.

1:51:05.840 --> 1:51:08.519
<v Speaker 6>I think I did maybe four movies with Jimmy, maybe

1:51:08.560 --> 1:51:12.800
<v Speaker 6>five Michael a couple of movies. Michael was a co

1:51:12.880 --> 1:51:17.880
<v Speaker 6>writer on Summer of Sam So and Michael, so I knew,

1:51:18.360 --> 1:51:20.080
<v Speaker 6>you know Michael that way. So we would look each

1:51:20.120 --> 1:51:22.599
<v Speaker 6>other up in the city and go out. Those guys

1:51:22.600 --> 1:51:25.640
<v Speaker 6>would be running all over the city. They're making appearances

1:51:25.680 --> 1:51:28.160
<v Speaker 6>together all the time. So there was a really close

1:51:28.200 --> 1:51:31.000
<v Speaker 6>little tribe going on. And I would be there from

1:51:31.080 --> 1:51:33.000
<v Speaker 6>time to time, but it would be more like a

1:51:33.000 --> 1:51:36.240
<v Speaker 6>personal dinner with Michael, with Jimmy or whenever you would

1:51:36.280 --> 1:51:40.000
<v Speaker 6>see them. Everybody loved to see each other. But but

1:51:40.040 --> 1:51:42.400
<v Speaker 6>they you know, they couldn't go anywhere, you know, and

1:51:42.600 --> 1:51:44.639
<v Speaker 6>the city was open to them, you know, they would

1:51:44.680 --> 1:51:46.960
<v Speaker 6>I mean, you know, so that was a great time

1:51:47.040 --> 1:51:50.840
<v Speaker 6>that way. Did I answer you question?

1:51:50.960 --> 1:51:54.280
<v Speaker 4>Yeah, I'm no, It's okay.

1:51:54.360 --> 1:51:57.800
<v Speaker 2>You guys all talk well, what is there anything you'd

1:51:57.880 --> 1:51:59.800
<v Speaker 2>like to that's coming out?

1:51:59.800 --> 1:52:01.960
<v Speaker 4>But talk about something that's coming out.

1:52:01.760 --> 1:52:04.040
<v Speaker 6>Well, it's already out, known as his Out, which I

1:52:04.040 --> 1:52:06.080
<v Speaker 6>think is a really good movie. For it's a family

1:52:06.160 --> 1:52:08.160
<v Speaker 6>you can watch it with your family, you know, it's

1:52:08.280 --> 1:52:10.760
<v Speaker 6>nice and everybody's a little older in the cast, but

1:52:11.080 --> 1:52:13.360
<v Speaker 6>the theme. Anybody can watch it.

1:52:13.360 --> 1:52:16.720
<v Speaker 1>And right, yeah, it's on Netflix Share.

1:52:16.800 --> 1:52:20.400
<v Speaker 6>And I did a movie called Alto Knights that came

1:52:20.439 --> 1:52:23.759
<v Speaker 6>out a few months ago with De Niro, Robert de Niro,

1:52:23.840 --> 1:52:25.160
<v Speaker 6>Barry Levinson director.

1:52:25.640 --> 1:52:29.040
<v Speaker 1>Did you clarify that it was Robert de Niro? Yeah,

1:52:29.320 --> 1:52:30.680
<v Speaker 1>not a different DeNiro, you.

1:52:30.600 --> 1:52:35.040
<v Speaker 6>Know, but different DeNiro plays two roles in it.

1:52:35.280 --> 1:52:37.440
<v Speaker 4>So Alto Nights, huh.

1:52:37.280 --> 1:52:39.120
<v Speaker 6>Yeah, the yeah, Alto Nights.

1:52:39.240 --> 1:52:42.000
<v Speaker 1>And then this looks very DeNiro.

1:52:42.920 --> 1:52:47.839
<v Speaker 6>Oh, it's very DeNiro. And he's a traumatous, really soft spoken,

1:52:48.040 --> 1:52:51.360
<v Speaker 6>focused man, focused actor. I mean a man is all

1:52:51.520 --> 1:52:55.280
<v Speaker 6>eighty years old now maybe, but I mean focused, knows

1:52:55.320 --> 1:52:58.960
<v Speaker 6>his stuff. He's really and gentle, gentle man. You know,

1:52:59.439 --> 1:53:02.840
<v Speaker 6>you know you're in especially as a younger Italian guy. Listen,

1:53:02.880 --> 1:53:05.479
<v Speaker 6>when I first came into the you guys are going

1:53:05.520 --> 1:53:08.160
<v Speaker 6>to get thrown off the area. I'm just telling old stories.

1:53:08.240 --> 1:53:12.240
<v Speaker 6>But when I first came into when I was first studying,

1:53:12.479 --> 1:53:15.360
<v Speaker 6>you know, when I first moved into the city. You know,

1:53:15.439 --> 1:53:17.480
<v Speaker 6>you want to meet Daniro, you want to meet Paccino.

1:53:17.600 --> 1:53:21.000
<v Speaker 6>You know, I'm a young Italian American actor and there

1:53:21.040 --> 1:53:24.200
<v Speaker 6>philosophy is my philosophy and acting method, acting all this

1:53:24.280 --> 1:53:27.120
<v Speaker 6>other stuff. So I always thought they're going to call

1:53:27.200 --> 1:53:29.439
<v Speaker 6>me kid. I just want to be called kid, you know,

1:53:29.640 --> 1:53:31.640
<v Speaker 6>on the the set one day. You know, if I

1:53:31.680 --> 1:53:33.640
<v Speaker 6>haven't make it, that was gonna say, kid, come here,

1:53:33.640 --> 1:53:36.639
<v Speaker 6>I'll take you under my wing. You know, I finally

1:53:36.680 --> 1:53:39.320
<v Speaker 6>meet him. I'm no longer a kid. He didn't call

1:53:39.400 --> 1:53:42.360
<v Speaker 6>me kid, but I was, like I wanted to say,

1:53:42.360 --> 1:53:44.320
<v Speaker 6>I just called me kid, just so at once. I've

1:53:44.320 --> 1:53:47.519
<v Speaker 6>been thinking of it for forty years. But but he was.

1:53:47.680 --> 1:53:50.439
<v Speaker 6>He was a really good gentleman. He gave me to

1:53:50.840 --> 1:53:53.240
<v Speaker 6>gave me the look, so I said, okay, I got

1:53:53.240 --> 1:53:54.320
<v Speaker 6>the look of approval.

1:53:54.400 --> 1:53:57.160
<v Speaker 1>So that's just good. This is awesome. Thank you so

1:53:57.240 --> 1:54:00.280
<v Speaker 1>much for taking the time to talk to us. Michael Hey,

1:54:00.280 --> 1:54:00.600
<v Speaker 1>thank you.

1:54:01.120 --> 1:54:02.040
<v Speaker 6>I appreciate it.

1:54:02.080 --> 1:54:02.599
<v Speaker 1>Thank you.

1:54:03.600 --> 1:54:07.240
<v Speaker 6>This works out perfectly because I gotta go meet somebody.

1:54:07.479 --> 1:54:11.360
<v Speaker 6>But but I have to tell you I am. I'm

1:54:11.400 --> 1:54:14.439
<v Speaker 6>really happy for you guys. Congratulations on you five years.

1:54:14.479 --> 1:54:16.000
<v Speaker 6>I hope you go twenty six years.

1:54:16.080 --> 1:54:17.280
<v Speaker 4>Oh, thank you so much.

1:54:17.479 --> 1:54:18.960
<v Speaker 1>Many seasons as SVU.

1:54:19.120 --> 1:54:23.320
<v Speaker 6>Maybe we'll say, all right, take care guys.

1:54:27.000 --> 1:54:31.120
<v Speaker 1>That was fun as fuck. He is a character so

1:54:31.280 --> 1:54:34.400
<v Speaker 1>funny but like also down to earth and just like yeah,

1:54:34.440 --> 1:54:35.360
<v Speaker 1>I don't know, but.

1:54:35.400 --> 1:54:39.200
<v Speaker 2>Remember so much prepare Yeah, speaking of being prepared, our

1:54:39.280 --> 1:54:45.160
<v Speaker 2>story watched the episode, had things to say, thought about everything,

1:54:45.560 --> 1:54:49.320
<v Speaker 2>and when he guess while you were sleeping instead of Rounders,

1:54:49.320 --> 1:54:50.880
<v Speaker 2>it did make me laugh. It's like when I get

1:54:50.920 --> 1:54:53.640
<v Speaker 2>into an uber and they start playing Lady Gaga, I'm like,

1:54:53.760 --> 1:54:55.120
<v Speaker 2>you got me right, you.

1:54:55.000 --> 1:54:58.920
<v Speaker 1>Know, it ended up being Rounders. But when he said,

1:54:58.920 --> 1:55:01.240
<v Speaker 1>well you are sleeping, I guess that's what I give.

1:55:01.600 --> 1:55:04.800
<v Speaker 1>But we loved we loved that movie, like I remember

1:55:04.840 --> 1:55:08.760
<v Speaker 1>my mom and I loving it. So the nineties were

1:55:08.880 --> 1:55:13.000
<v Speaker 1>I don't know, I just feel crazy, just wish you

1:55:13.040 --> 1:55:15.560
<v Speaker 1>could go back in time and just watch a VHS

1:55:15.680 --> 1:55:19.280
<v Speaker 1>tape and like, I don't know, not live this life.

1:55:19.920 --> 1:55:23.840
<v Speaker 1>You know. I was just seeing this thing on Instagram

1:55:23.840 --> 1:55:26.480
<v Speaker 1>today about how like it was. It was some article

1:55:26.520 --> 1:55:29.600
<v Speaker 1>about like how teens like are jealous of a pre

1:55:29.960 --> 1:55:34.200
<v Speaker 1>like internet time like today's teens like they do kind

1:55:34.200 --> 1:55:35.880
<v Speaker 1>of want to know what it was like like before

1:55:35.920 --> 1:55:38.080
<v Speaker 1>they were We were all like glued to our phones.

1:55:39.440 --> 1:55:42.400
<v Speaker 2>Yeah, I mean the Internet will be shut down sooner

1:55:42.480 --> 1:55:45.640
<v Speaker 2>or later, so we're not talking to each other, so

1:55:45.920 --> 1:55:46.400
<v Speaker 2>they'll know.

1:55:46.520 --> 1:55:48.800
<v Speaker 4>Soon it'll be pay It'll be like I mean.

1:55:48.720 --> 1:55:52.240
<v Speaker 2>They wanted nineties fun, but they might end up getting

1:55:52.520 --> 1:55:56.080
<v Speaker 2>nineteen thirties starving, and.

1:55:55.960 --> 1:55:58.320
<v Speaker 1>Then we're all gonna have to become bang gangs of

1:55:58.400 --> 1:56:02.600
<v Speaker 1>superheroes doing vigilant justice on the streets and like saving

1:56:02.600 --> 1:56:05.720
<v Speaker 1>people from getting like, you know, taken by the state

1:56:05.880 --> 1:56:08.280
<v Speaker 1>or whatever. I don't know what are our little superhero

1:56:08.360 --> 1:56:13.080
<v Speaker 1>names going to be fantastic? I feel like I've thought

1:56:13.120 --> 1:56:16.240
<v Speaker 1>of fun like drag slash superhero names before.

1:56:16.400 --> 1:56:18.680
<v Speaker 2>Well, I'm looking at my little Boo Boo box and

1:56:18.720 --> 1:56:21.400
<v Speaker 2>it says boom on it. Oh, but that's that's actually

1:56:21.400 --> 1:56:22.960
<v Speaker 2>called kobanas thing boom boom.

1:56:23.440 --> 1:56:24.600
<v Speaker 1>Do you get a new La Boo Boo?

1:56:25.120 --> 1:56:25.200
<v Speaker 6>No?

1:56:25.360 --> 1:56:26.360
<v Speaker 4>But I have the boxes.

1:56:26.360 --> 1:56:28.720
<v Speaker 1>They're like, oh, okay, I thought maybe I saw you

1:56:28.840 --> 1:56:30.160
<v Speaker 1>unboxing a new La Boo Boo.

1:56:30.280 --> 1:56:33.120
<v Speaker 4>No, it's listen the videos go up. When they go up.

1:56:33.120 --> 1:56:34.640
<v Speaker 4>I don't know, yeah, yeah, yeah, I know.

1:56:34.760 --> 1:56:35.640
<v Speaker 1>I didn't.

1:56:36.440 --> 1:56:39.360
<v Speaker 4>I not mean to bring up a dead relative. I apologize.

1:56:40.320 --> 1:56:42.840
<v Speaker 1>I just uh, I Rosie had her La Booo in

1:56:42.880 --> 1:56:44.520
<v Speaker 1>her backpack that she's been bringing a camp every day

1:56:44.520 --> 1:56:45.760
<v Speaker 1>and today I saw it in there and I go,

1:56:45.880 --> 1:56:47.520
<v Speaker 1>I'm taking this out. I go, you know, Lisa got

1:56:47.520 --> 1:56:49.560
<v Speaker 1>her La Boo Boo stolen. She was like really, And

1:56:49.600 --> 1:56:51.640
<v Speaker 1>I go, yeah, and so did someone else I know?

1:56:51.800 --> 1:56:54.240
<v Speaker 1>And she goes, maybe the same person stole both of them.

1:56:54.840 --> 1:56:58.960
<v Speaker 1>I was like, maybe maybe the little Boo Boo. Yeah,

1:56:59.000 --> 1:57:00.640
<v Speaker 1>So I told her we got a a La Booo

1:57:00.680 --> 1:57:05.760
<v Speaker 1>at home. It's your prize possession. But takeaways post mortem

1:57:05.800 --> 1:57:08.600
<v Speaker 1>from this episode, what do you I mean, Like, I

1:57:08.600 --> 1:57:10.640
<v Speaker 1>don't know. It's hard for me to say, like, don't

1:57:10.640 --> 1:57:14.480
<v Speaker 1>do vigilante justice because sometimes it does feel like we're

1:57:14.480 --> 1:57:17.000
<v Speaker 1>on the precipice of that being like our only option.

1:57:17.600 --> 1:57:19.600
<v Speaker 4>But yeah, I need to get a sword.

1:57:20.440 --> 1:57:26.640
<v Speaker 1>Yeah, that's your mode. A sword is how you're gonna

1:57:26.640 --> 1:57:30.200
<v Speaker 1>defend yourself when they take over. I think we need

1:57:30.240 --> 1:57:33.440
<v Speaker 1>a taser, a stung like, something that's a little bit

1:57:33.480 --> 1:57:34.960
<v Speaker 1>more electronic.

1:57:35.000 --> 1:57:37.760
<v Speaker 4>I don't know, sword work. That seems very difficult.

1:57:37.760 --> 1:57:41.080
<v Speaker 1>We're gonna have to charge the tasers, yep, We're not

1:57:41.120 --> 1:57:44.800
<v Speaker 1>gonna have keep your taser charged. I mean, I never

1:57:44.840 --> 1:57:47.360
<v Speaker 1>want to. I've never wanted to own a gun, but

1:57:48.400 --> 1:57:51.240
<v Speaker 1>I haven't either. Wait, Joel, it has to take me shooting.

1:57:51.320 --> 1:57:54.640
<v Speaker 1>I got a text her. Oh yeah, maybe I'll make

1:57:54.640 --> 1:57:56.200
<v Speaker 1>her do it. Oh we could do like a joint

1:57:56.200 --> 1:57:59.320
<v Speaker 1>birthday shooting events. Oh yeah, her birthdays around yours. Yeah,

1:57:59.400 --> 1:58:00.360
<v Speaker 1>she's a very guy to.

1:58:01.440 --> 1:58:04.680
<v Speaker 2>But she's September, but like September third or fourth, something

1:58:04.760 --> 1:58:06.840
<v Speaker 2>like that. I actually had a lot of friends I

1:58:06.880 --> 1:58:09.560
<v Speaker 2>remember in school that were September one, two, three, vibes.

1:58:10.040 --> 1:58:11.800
<v Speaker 2>But I was August thirty first, so I was a

1:58:11.920 --> 1:58:12.960
<v Speaker 2>full year younger than them.

1:58:13.080 --> 1:58:14.320
<v Speaker 4>They were all a full year old.

1:58:14.360 --> 1:58:19.040
<v Speaker 2>Because once your birthdays post September, you have to like, wait, yeah.

1:58:18.800 --> 1:58:21.840
<v Speaker 1>You actually have the craziest birthday if you were to

1:58:21.880 --> 1:58:25.720
<v Speaker 1>be in the school systems in LA, because you have

1:58:25.840 --> 1:58:28.720
<v Speaker 1>to be Oh no, actually no, you would have the

1:58:28.760 --> 1:58:31.480
<v Speaker 1>most you'd be the youngest person in your whole strade.

1:58:31.680 --> 1:58:34.200
<v Speaker 1>But that's how it was because for me, Oh really,

1:58:34.280 --> 1:58:36.240
<v Speaker 1>because you could. It was very loose back then. If

1:58:36.240 --> 1:58:37.560
<v Speaker 1>you wanted to put your kid in a year early

1:58:37.640 --> 1:58:40.200
<v Speaker 1>you could, or late you could. Now it's like you

1:58:40.360 --> 1:58:43.360
<v Speaker 1>have to be four, but to enter the public school

1:58:43.360 --> 1:58:46.280
<v Speaker 1>you have before by September second. So if you're born

1:58:46.280 --> 1:58:49.000
<v Speaker 1>on like September third, you're definitely gonna be like the oldest.

1:58:49.120 --> 1:58:49.920
<v Speaker 6>You know that.

1:58:49.960 --> 1:58:52.840
<v Speaker 1>It's really strict and they make no exceptions. Yeah, my

1:58:52.880 --> 1:58:55.680
<v Speaker 1>neighbor was like one year old, certa and stuff. We

1:58:55.680 --> 1:58:56.320
<v Speaker 1>would go to school.

1:58:56.320 --> 1:58:57.880
<v Speaker 4>Oh, I had a friend like school who was older

1:58:57.960 --> 1:58:59.440
<v Speaker 4>than me too. I was young. I was young.

1:58:59.520 --> 1:59:03.160
<v Speaker 1>They shot me right into school early. Like being young,

1:59:04.040 --> 1:59:06.720
<v Speaker 1>I like, I always hated it in terms of getting

1:59:06.720 --> 1:59:08.720
<v Speaker 1>my license and like everybody because I wanted to get it,

1:59:08.760 --> 1:59:11.240
<v Speaker 1>like when everybody else was getting it, but then and

1:59:11.280 --> 1:59:13.080
<v Speaker 1>then turning twenty one. But then like after I was

1:59:13.080 --> 1:59:14.800
<v Speaker 1>twenty one, I was like, oh, being young is the

1:59:14.840 --> 1:59:18.800
<v Speaker 1>best you know? No, I always yeah, being a little baby,

1:59:18.960 --> 1:59:21.600
<v Speaker 1>well you're just the eldest sister, so you never had it.

1:59:22.480 --> 1:59:24.760
<v Speaker 4>Yeah, I never felt like a baby maybe one brief

1:59:24.800 --> 1:59:25.520
<v Speaker 4>year of my life.

1:59:25.560 --> 1:59:28.120
<v Speaker 1>I felt like a baby when you were a baby,

1:59:28.320 --> 1:59:31.480
<v Speaker 1>when I was an actual baby, and then I had

1:59:31.480 --> 1:59:35.640
<v Speaker 1>two siblings by the time I was too. But I

1:59:35.680 --> 1:59:38.960
<v Speaker 1>guess the takeaway from this episode is, yeah, like watch

1:59:38.960 --> 1:59:43.000
<v Speaker 1>how even the nerdy comic book guy is probably posing

1:59:43.040 --> 1:59:44.840
<v Speaker 1>as a serial rapist so that he can date you.

1:59:45.480 --> 1:59:47.640
<v Speaker 2>It's a really fucked storyline. At the end of the day,

1:59:47.640 --> 1:59:49.840
<v Speaker 2>you never want to suspect this of someone your date

1:59:50.040 --> 1:59:51.120
<v Speaker 2>or she didn't want to date him.

1:59:51.120 --> 1:59:53.560
<v Speaker 1>They were friends. Yeah, but it's also like did he

1:59:53.600 --> 1:59:54.320
<v Speaker 1>shoot his shot?

1:59:54.400 --> 1:59:57.560
<v Speaker 2>Like you're doing all of this vigilante work and superhero

1:59:57.640 --> 2:00:00.160
<v Speaker 2>outfits and all this raping when you could have been like,

2:00:00.200 --> 2:00:02.360
<v Speaker 2>do you want to go out? And then she could

2:00:02.360 --> 2:00:04.880
<v Speaker 2>have been like, I'm gonna I'm gonna fuck this married chef.

2:00:05.200 --> 2:00:11.080
<v Speaker 1>My bad. I'm sure he shot a shot or knew

2:00:11.080 --> 2:00:13.200
<v Speaker 1>that she was definitely gonna reject him. I mean, like

2:00:13.320 --> 2:00:16.800
<v Speaker 1>he he was not going to land Fantastica. But I

2:00:16.800 --> 2:00:19.400
<v Speaker 1>think he thought as twelve nineteen, he would, you know,

2:00:19.920 --> 2:00:22.000
<v Speaker 1>oh yeah, what would be my name.

2:00:23.680 --> 2:00:29.680
<v Speaker 2>Something with yeah, lion Lisa, the lion from this that's

2:00:29.680 --> 2:00:33.040
<v Speaker 2>so Simpson's codd it's least a lioness.

2:00:33.560 --> 2:00:35.080
<v Speaker 4>Oh, I know that's the doll's name.

2:00:35.640 --> 2:00:39.760
<v Speaker 2>She had her own Malibu Stacey Doll. And oh, I

2:00:39.840 --> 2:00:41.920
<v Speaker 2>don't know now, I don't know. Wrong, I'm gonna be

2:00:41.920 --> 2:00:42.760
<v Speaker 2>so embarrassed.

2:00:44.720 --> 2:00:49.360
<v Speaker 1>Well yeah, and also like, oh my god, fuck your

2:00:49.360 --> 2:00:52.440
<v Speaker 1>pastry chef, but do not fuck your sister, your wife's sister.

2:00:52.560 --> 2:00:57.480
<v Speaker 1>Henry Broseki Jesus God, the worst, the worst betrayal.

2:00:58.720 --> 2:01:01.160
<v Speaker 2>I just totally thought, but he did it. Like I've

2:01:01.200 --> 2:01:03.680
<v Speaker 2>seen this a lot. I'm like, it's the chef. I remember,

2:01:03.800 --> 2:01:05.560
<v Speaker 2>but I forgot there's double twists.

2:01:06.840 --> 2:01:10.760
<v Speaker 1>Yeah, I honestly feel like the stutter of Stuart kind

2:01:10.760 --> 2:01:13.280
<v Speaker 1>of gave it away to me. Like I always think

2:01:13.280 --> 2:01:17.240
<v Speaker 1>when they're trying to make somebody seem like more innocent

2:01:17.640 --> 2:01:22.120
<v Speaker 1>or like more you know, like vulnerable, like it's there

2:01:22.200 --> 2:01:24.560
<v Speaker 1>they are hiding something, you know.

2:01:25.720 --> 2:01:30.040
<v Speaker 2>Yeah, I don't understand why I can't get an easy answer.

2:01:30.640 --> 2:01:33.160
<v Speaker 2>Yeah it was. It's Lisa lion Heart. I'm like, what

2:01:33.200 --> 2:01:35.800
<v Speaker 2>the fuck lion Heart. It's like I forgot how to

2:01:35.880 --> 2:01:38.880
<v Speaker 2>google or something like nothing. It just kept showing me

2:01:38.920 --> 2:01:44.520
<v Speaker 2>other things. Lisa lion Heart was the doll that Lisa created.

2:01:45.280 --> 2:01:46.200
<v Speaker 4>It's a fun episode.

2:01:47.000 --> 2:01:47.400
<v Speaker 1>I don't know.

2:01:47.520 --> 2:01:49.000
<v Speaker 4>I want a superhero name.

2:01:49.240 --> 2:01:52.160
<v Speaker 1>Fuck. I think the Lioness is kind of a good one.

2:01:52.240 --> 2:01:54.320
<v Speaker 1>But like I wouldn't. You wouldn't like put your name

2:01:54.360 --> 2:01:55.720
<v Speaker 1>in it, you know, you would just be like the

2:01:55.800 --> 2:02:03.400
<v Speaker 1>something or yeah, yeah, somebody I Lady Lucky and be

2:02:03.480 --> 2:02:04.200
<v Speaker 1>Lady Lucky.

2:02:04.360 --> 2:02:05.200
<v Speaker 4>Lady Lucky.

2:02:05.280 --> 2:02:08.040
<v Speaker 1>What's your Rosie made me look up the whole fantastic

2:02:08.080 --> 2:02:10.200
<v Speaker 1>for today and tell me tell them all their powers.

2:02:10.200 --> 2:02:11.640
<v Speaker 4>Well, I mean Pedro Pascal.

2:02:11.680 --> 2:02:13.960
<v Speaker 2>When I went to see The Materialists, he was in

2:02:14.080 --> 2:02:17.040
<v Speaker 2>almost every single preview and then in every single poster

2:02:17.120 --> 2:02:20.160
<v Speaker 2>in the hallway, Like truly, he's in four movies right

2:02:20.160 --> 2:02:20.480
<v Speaker 2>now that.

2:02:20.560 --> 2:02:22.480
<v Speaker 1>He is the moment. He is the moment moment.

2:02:22.520 --> 2:02:25.200
<v Speaker 4>Wait, what did you think of The Materialists?

2:02:26.520 --> 2:02:30.800
<v Speaker 2>I liked it. There were moments I really liked and

2:02:30.840 --> 2:02:31.960
<v Speaker 2>I would watch it again.

2:02:32.040 --> 2:02:34.000
<v Speaker 1>But I would never tell someone to go see it

2:02:34.040 --> 2:02:36.080
<v Speaker 1>and be like, it's good, you know what I mean?

2:02:36.240 --> 2:02:39.160
<v Speaker 4>But oh, really okay, but I really wanted to go

2:02:39.160 --> 2:02:40.800
<v Speaker 4>see the arts. I saw the movie theater.

2:02:40.880 --> 2:02:41.200
<v Speaker 1>Listen.

2:02:41.280 --> 2:02:45.040
<v Speaker 2>I liked the parts where like I liked it. She's

2:02:45.040 --> 2:02:47.600
<v Speaker 2>not a good enough actress. Sorry, like I really like her,

2:02:47.680 --> 2:02:49.200
<v Speaker 2>but like she couldn't carry this movie.

2:02:49.280 --> 2:02:53.080
<v Speaker 1>So like, I mean, yeah, I like Dakota Johnson way

2:02:53.080 --> 2:02:54.840
<v Speaker 1>more as a person.

2:02:55.160 --> 2:02:58.320
<v Speaker 2>And the movie star. Her parents are venomous in the

2:02:58.760 --> 2:03:01.440
<v Speaker 2>work she does. I think a better actress would have

2:03:01.520 --> 2:03:06.840
<v Speaker 2>made it better. Also, Chris Evans like him playing poor

2:03:07.040 --> 2:03:10.000
<v Speaker 2>out of work actor schlub with It's.

2:03:09.880 --> 2:03:12.440
<v Speaker 1>Like Casey is shaking his head and it really it

2:03:12.480 --> 2:03:15.920
<v Speaker 1>was just literally the embottoment of s md H.

2:03:16.120 --> 2:03:18.520
<v Speaker 4>He was just shaking my damn head.

2:03:18.720 --> 2:03:21.760
<v Speaker 1>Yeah, you're trying to tell me Chris Evans didn't go

2:03:21.800 --> 2:03:22.600
<v Speaker 1>to college.

2:03:22.680 --> 2:03:25.839
<v Speaker 5>I agree with everything you're saying, Lisa and Dakota Johnson.

2:03:25.920 --> 2:03:29.240
<v Speaker 5>It's like I grew up poor. It's like, no, you

2:03:29.320 --> 2:03:32.600
<v Speaker 5>fucking didn't. Like I don't know it was it did

2:03:32.640 --> 2:03:33.320
<v Speaker 5>not work for me.

2:03:33.560 --> 2:03:33.960
<v Speaker 1>Well. Yeah.

2:03:34.000 --> 2:03:36.440
<v Speaker 2>She also says in it that her she made her

2:03:36.520 --> 2:03:39.760
<v Speaker 2>yearly salary is eighty grand, and it's like, no way

2:03:39.920 --> 2:03:41.960
<v Speaker 2>is someone with that job in New York living on

2:03:42.000 --> 2:03:43.520
<v Speaker 2>that the way she liked, like it was just like

2:03:43.560 --> 2:03:44.960
<v Speaker 2>why did you just say one fifty?

2:03:45.400 --> 2:03:48.240
<v Speaker 4>Like if you just said one fifty it would be more.

2:03:48.520 --> 2:03:50.920
<v Speaker 2>But the best line, there's like a line where page

2:03:51.000 --> 2:03:53.840
<v Speaker 2>Ro's like it's hard not to believe that this isn't

2:03:53.840 --> 2:03:56.040
<v Speaker 2>about the legs and like that to me was like

2:03:56.120 --> 2:03:57.120
<v Speaker 2>the best part of the movie.

2:03:57.120 --> 2:03:57.800
<v Speaker 1>It's so funny.

2:03:57.880 --> 2:04:00.560
<v Speaker 5>But I didn't feel like that was supposed to be funny.

2:04:00.640 --> 2:04:04.600
<v Speaker 5>Oh I know, and that's why, like, do you know

2:04:04.640 --> 2:04:05.400
<v Speaker 5>what we're talking about?

2:04:05.440 --> 2:04:08.880
<v Speaker 1>No, no, and we shouldn't. We shouldn't still, But I

2:04:09.400 --> 2:04:11.960
<v Speaker 1>had heard from from my friend who's a movie writer

2:04:12.160 --> 2:04:15.120
<v Speaker 1>He said that they released like two different trailers and

2:04:15.120 --> 2:04:17.880
<v Speaker 1>one was like very rom comedy and one was very

2:04:17.920 --> 2:04:20.640
<v Speaker 1>Selene songy, like one they were trying to make seem

2:04:20.680 --> 2:04:22.600
<v Speaker 1>more like it's a past lives like it's a it's

2:04:23.000 --> 2:04:25.440
<v Speaker 1>an A twenty four series and it's beautifully shot. I

2:04:25.520 --> 2:04:28.920
<v Speaker 1>mean the song of it is like it is very pretty.

2:04:29.360 --> 2:04:31.160
<v Speaker 1>So I was wondering what it ended up being, like

2:04:31.240 --> 2:04:33.640
<v Speaker 1>is it wrong? But it's a bad mix of both.

2:04:34.240 --> 2:04:37.160
<v Speaker 5>It feels like it has the bones of a romantic

2:04:37.200 --> 2:04:41.280
<v Speaker 5>comedy with zero jokes, Like it feels like structurally it

2:04:41.320 --> 2:04:44.120
<v Speaker 5>feels like a romantic comedy, but it's not funny.

2:04:44.480 --> 2:04:44.760
<v Speaker 1>Yeah.

2:04:44.800 --> 2:04:47.080
<v Speaker 2>The only things that were funny but not ha ha

2:04:47.440 --> 2:04:52.440
<v Speaker 2>was like her clients, Like the clients at communicating their

2:04:52.440 --> 2:04:55.440
<v Speaker 2>demands of like what they're looking for and her trying

2:04:55.440 --> 2:04:57.680
<v Speaker 2>to figure it out. But what I also loved about

2:04:57.680 --> 2:05:02.640
<v Speaker 2>the movie is like the female boss was nice, like

2:05:02.720 --> 2:05:05.120
<v Speaker 2>she was hardcore and business but was like, no, I

2:05:05.120 --> 2:05:07.240
<v Speaker 2>get it, it takes some time off. Like I like that

2:05:07.320 --> 2:05:10.800
<v Speaker 2>it wasn't adversarial kind of classic in that way.

2:05:10.800 --> 2:05:13.320
<v Speaker 4>Well, I will watch it on a plane for sure. Yeah,

2:05:13.360 --> 2:05:14.720
<v Speaker 4>when I get a perfect plane movie.

2:05:14.760 --> 2:05:18.120
<v Speaker 2>Yeah, yeah, I saw it alone on July fourth, So

2:05:18.400 --> 2:05:23.000
<v Speaker 2>that's a lot of stakes on the movie. Well, my

2:05:23.000 --> 2:05:25.480
<v Speaker 2>my the thing is my Australia trip got canceled right

2:05:25.480 --> 2:05:29.120
<v Speaker 2>before July fourth, so a bunch of my friends did

2:05:29.160 --> 2:05:32.080
<v Speaker 2>have different plans. But it's like I didn't want, I

2:05:32.120 --> 2:05:34.120
<v Speaker 2>couldn't really get it together to do these.

2:05:33.960 --> 2:05:35.160
<v Speaker 4>Far off things, or I didn't want.

2:05:35.160 --> 2:05:37.800
<v Speaker 2>I didn't want, I didn't feel these things i'd have

2:05:37.840 --> 2:05:38.760
<v Speaker 2>spot and then I just.

2:05:38.800 --> 2:05:40.120
<v Speaker 1>Was like, I'm going to enjoy the city.

2:05:40.840 --> 2:05:44.680
<v Speaker 4>Yeah, and I walked around, You're never born in New York.

2:05:45.160 --> 2:05:48.920
<v Speaker 2>You're not And so then god, except this artsy fartsy

2:05:48.960 --> 2:05:50.800
<v Speaker 2>movie theater does not have a hot dog, and it's

2:05:50.800 --> 2:05:52.480
<v Speaker 2>like so annoying. So I'd have a hot dog before

2:05:52.520 --> 2:05:56.120
<v Speaker 2>and after, like I'm sorry, get a hot dog. You

2:05:56.160 --> 2:05:59.520
<v Speaker 2>can't show an independent movie and eat a dog, like

2:06:00.120 --> 2:06:01.120
<v Speaker 2>it's so annoying.

2:06:01.600 --> 2:06:04.600
<v Speaker 4>But I like, I've never had a hot dog in

2:06:04.600 --> 2:06:05.120
<v Speaker 4>a movie theater.

2:06:05.200 --> 2:06:08.800
<v Speaker 1>So it doesn't like actually go together exactly, like perfectly

2:06:08.840 --> 2:06:11.680
<v Speaker 1>to me the way for you, But I can see

2:06:11.800 --> 2:06:14.480
<v Speaker 1>it's like if they didn't have like my razin utes

2:06:14.560 --> 2:06:15.560
<v Speaker 1>or something, I would be mad.

2:06:16.120 --> 2:06:18.240
<v Speaker 2>On July fourth, it's the July fourth elementsion. I don't

2:06:18.240 --> 2:06:20.720
<v Speaker 2>know the material. I wish it was better. There's some

2:06:20.840 --> 2:06:24.400
<v Speaker 2>unbelievable things, but I'm in I like the questions they

2:06:24.440 --> 2:06:27.880
<v Speaker 2>propose and like the themes and I was into it.

2:06:28.720 --> 2:06:32.000
<v Speaker 4>But okay, all right, I'll get back with my review.

2:06:32.800 --> 2:06:36.360
<v Speaker 2>But I would never tell someone to watch it. I

2:06:36.440 --> 2:06:39.120
<v Speaker 2>may but imagine a better actress, and I think it

2:06:39.160 --> 2:06:40.440
<v Speaker 2>would be carried differently.

2:06:41.440 --> 2:06:43.839
<v Speaker 1>I've been saying pretty much forever that I think Dakota

2:06:43.920 --> 2:06:45.800
<v Speaker 1>Johnson has the charisma of Atnial.

2:06:45.920 --> 2:06:48.000
<v Speaker 2>But what I mean, it's like you're trying to like

2:06:48.520 --> 2:06:50.480
<v Speaker 2>you want to see the chemistry, like you want to

2:06:50.560 --> 2:06:53.560
<v Speaker 2>root for the couples, you want to also be tricked by,

2:06:53.680 --> 2:06:57.040
<v Speaker 2>Like who is she gonna pick? Like yeah, but there

2:06:57.120 --> 2:06:59.920
<v Speaker 2>was just no chemistry. But I would pick Pedro Pascal.

2:07:00.240 --> 2:07:02.240
<v Speaker 1>But I do think she's like funny on a podcast,

2:07:02.240 --> 2:07:04.120
<v Speaker 1>Like I've seen her be funny and clips on podcasts,

2:07:04.120 --> 2:07:05.720
<v Speaker 1>and I do think it's funny she called out Ellen,

2:07:05.800 --> 2:07:08.360
<v Speaker 1>Like there's things about Dakota as a person that I think,

2:07:08.640 --> 2:07:11.440
<v Speaker 1>like the Amy Polar podcast clips. Yeah for sure, but

2:07:11.800 --> 2:07:13.800
<v Speaker 1>it's just like I don't you're not want to go

2:07:13.920 --> 2:07:14.360
<v Speaker 1>see her?

2:07:14.600 --> 2:07:17.440
<v Speaker 2>Your mom's Melanie Griffith. Your stepdad's an sonyo, Benderaz, your

2:07:17.480 --> 2:07:21.720
<v Speaker 2>dad is Don Johnson. Stop trying to be relatable. Yeah,

2:07:21.960 --> 2:07:25.360
<v Speaker 2>your mom grew up a lions, legit lions.

2:07:25.200 --> 2:07:29.400
<v Speaker 4>I remember. All right, let's get into our what would

2:07:29.440 --> 2:07:31.720
<v Speaker 4>sister peg? Do? You guys know this?

2:07:31.800 --> 2:07:35.520
<v Speaker 1>It's our weekly segment where we direct you towards an article,

2:07:35.560 --> 2:07:37.920
<v Speaker 1>a book, a doc, an organization, something to give you

2:07:38.240 --> 2:07:42.120
<v Speaker 1>more info about what we talked about today. And we

2:07:42.240 --> 2:07:45.560
<v Speaker 1>just thought that uh Old twelve nineteen had a lot

2:07:45.600 --> 2:07:48.920
<v Speaker 1>of in cell ideology and uh we wanted to point

2:07:48.960 --> 2:07:53.480
<v Speaker 1>you to an article on Safeguarding dot Network called Responding

2:07:53.520 --> 2:07:56.400
<v Speaker 1>to the in Cell Ideology. It's an extensive explanation of

2:07:56.440 --> 2:07:59.000
<v Speaker 1>in cell culture and how to protect your loved ones

2:07:59.040 --> 2:08:03.040
<v Speaker 1>from pervasive and expensive in cell ideology. Trust me, you

2:08:03.040 --> 2:08:05.440
<v Speaker 1>think your kids are not watching Andrew Tait videos, they're

2:08:05.480 --> 2:08:08.040
<v Speaker 1>popping up. It also has a huge list of in

2:08:08.120 --> 2:08:10.240
<v Speaker 1>cell terms with definitions. If you're like, what the hell

2:08:10.280 --> 2:08:12.520
<v Speaker 1>are you been talking about? I think it's a huge

2:08:12.560 --> 2:08:17.480
<v Speaker 1>part of raising better boys in our society. So if

2:08:17.480 --> 2:08:20.360
<v Speaker 1>you're interested in reading the article, head over to Safeguarding

2:08:20.400 --> 2:08:23.440
<v Speaker 1>dot Network that will be linked in our show notes

2:08:23.600 --> 2:08:27.440
<v Speaker 1>and in a story the day that this episode comes out,

2:08:27.480 --> 2:08:30.560
<v Speaker 1>that will be saved forever in our WWSPD highlight.

2:08:30.760 --> 2:08:34.080
<v Speaker 2>Amazing and next week episode we will be doing coned

2:08:34.880 --> 2:08:37.320
<v Speaker 2>for it always just reminds me of James Con, like

2:08:37.360 --> 2:08:39.960
<v Speaker 2>I can't say cond without thinking of the Con and

2:08:40.000 --> 2:08:46.640
<v Speaker 2>his son, Scott Con. Yeah, Scott Con season eleven, well

2:08:46.680 --> 2:08:49.480
<v Speaker 2>he's yeah, friends with money, you know how we love

2:08:49.520 --> 2:08:57.360
<v Speaker 2>that Season eleven, episode nineteen con Hulu Peacock and we'll

2:08:57.400 --> 2:08:58.280
<v Speaker 2>see you next week.

2:08:58.440 --> 2:08:59.440
<v Speaker 1>I thank you for listening.

2:08:59.480 --> 2:09:02.440
<v Speaker 2>It's truly a pleasure that you would even listen to

2:09:02.480 --> 2:09:06.800
<v Speaker 2>the end, hoping for one more squeeze a juice.

2:09:08.080 --> 2:09:09.480
<v Speaker 4>Bye, guys, see you next week.

2:09:17.800 --> 2:09:20.000
<v Speaker 2>That's Messed Up as an exactly right production.

2:09:20.400 --> 2:09:22.520
<v Speaker 1>If you have compliments you'd like to give us or

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<v Speaker 1>episodes you'd like us to cover, shoot us an email

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<v Speaker 1>it That's Messed uppod at gmail dot com. Listen to

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<v Speaker 1>That's Messed Up on the iHeartRadio app, Apple Podcasts, or

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<v Speaker 1>wherever you get your podcasts.

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<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod,

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<v Speaker 2>and follow us personally at Kara Klank and.

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<v Speaker 4>At glitter Cheese.

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<v Speaker 1>As always, please see our show notes for sources and

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<v Speaker 1>more Information.

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<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

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<v Speaker 2>and our associate producer Christina Chamberlain, and to.

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<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner,

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<v Speaker 1>and to Henry Kaperski for our theme song and Carly

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<v Speaker 1>Geen Andrews for our artwork. Thank you to our executive

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<v Speaker 1>producer Georgia hard Start, Karen Kilgarriff, Daniel Kramer and everybody

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<v Speaker 1>at Exactly Right Media.

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<v Speaker 5>Dun Dun