1 00:00:01,080 --> 00:00:05,280 Speaker 1: Look man, oh I see you? Why and look over there? 2 00:00:05,280 --> 00:00:15,640 Speaker 1: How is that? Cher? Yes, goodness, lost culture, a new day, 3 00:00:15,680 --> 00:00:18,360 Speaker 1: a brand new day, and more gifts to be shown 4 00:00:18,600 --> 00:00:20,840 Speaker 1: when you say, a brand new day, and more gifts 5 00:00:20,880 --> 00:00:23,639 Speaker 1: to be shown and to share. Here's the thing, But 6 00:00:23,720 --> 00:00:26,480 Speaker 1: when do you consider yourself a good gift giver? I 7 00:00:26,560 --> 00:00:29,280 Speaker 1: really don't know. I don't know how to self identify. 8 00:00:29,360 --> 00:00:31,960 Speaker 1: Because today I was just like, oh, should I get 9 00:00:31,960 --> 00:00:34,720 Speaker 1: gifts for the office. I was like, well, that's a 10 00:00:34,720 --> 00:00:36,320 Speaker 1: lot of people. It's a lot of people that I 11 00:00:36,360 --> 00:00:38,280 Speaker 1: was like, but I'm also like that. I was I 12 00:00:38,320 --> 00:00:41,920 Speaker 1: couldn't think of a single thing. Like, here's the thing. 13 00:00:42,040 --> 00:00:45,840 Speaker 1: Miss Heidi Gardner nails it. Every year I've heard tell 14 00:00:45,880 --> 00:00:49,440 Speaker 1: of her gifts. She is a slay Every Christmas. Will 15 00:00:49,479 --> 00:00:54,240 Speaker 1: give you thoughtful, queen, baked Goody's, queen Candy's gummies, queen 16 00:00:54,600 --> 00:00:57,400 Speaker 1: things that you can immediately enjoy, up in the kitchen, 17 00:00:57,560 --> 00:01:01,480 Speaker 1: up in the bakery, up in the partissary. Here they're everywhere. 18 00:01:01,520 --> 00:01:05,080 Speaker 1: And then on Saturday Night Live on stage, wild on camera, 19 00:01:05,240 --> 00:01:12,600 Speaker 1: slaying Heidie Gardner, thoughtful, talented and ultimately fashion, fashion and 20 00:01:12,680 --> 00:01:15,880 Speaker 1: a queen and a queen and her I'm sorry. You 21 00:01:15,920 --> 00:01:17,760 Speaker 1: were going to say, ultimately a good gift giver, which 22 00:01:17,840 --> 00:01:21,080 Speaker 1: I'm not because I'm like, I can't think of anything. Oh, 23 00:01:21,760 --> 00:01:24,600 Speaker 1: Doug is saying mcribs, mcribs for the whole cat, for 24 00:01:24,680 --> 00:01:26,920 Speaker 1: the whole casting crew. Yeah, get him a macrib you 25 00:01:26,959 --> 00:01:31,600 Speaker 1: love it. So maybe, but truly, the dietary restrictions are 26 00:01:32,080 --> 00:01:39,160 Speaker 1: beautifully diverse. That's a dog, says Now, Doug says, what's 27 00:01:39,200 --> 00:01:43,080 Speaker 1: Doug trying to say? Dog? What are you trying to say? Doug? 28 00:01:43,160 --> 00:01:45,760 Speaker 1: Come in here, Doug, come in do come in here, Now, 29 00:01:45,959 --> 00:01:47,800 Speaker 1: come in here, come in Here're gonna get We're gonna 30 00:01:47,800 --> 00:01:49,200 Speaker 1: get you. We're gonna get We're gonna get to the 31 00:01:49,240 --> 00:01:51,040 Speaker 1: bottom of this. Doug. What are you trying to say? 32 00:01:51,080 --> 00:01:53,880 Speaker 1: This is this is engineer dog, this is Doug. Do 33 00:01:53,920 --> 00:01:56,880 Speaker 1: you feel emboldened because before we got on, Bowen said 34 00:01:56,920 --> 00:01:59,040 Speaker 1: that you looked handsome and hot with your new haircutter, Like, 35 00:01:59,080 --> 00:02:02,480 Speaker 1: what's what's going on? Yeah? Of course, I mean who 36 00:02:02,520 --> 00:02:05,520 Speaker 1: wouldn't be right? What are you trying to What are 37 00:02:05,560 --> 00:02:08,000 Speaker 1: you trying to say about the micrib? I was just 38 00:02:08,040 --> 00:02:10,800 Speaker 1: trying to be funny. Well, what will you say? Consider? 39 00:02:11,000 --> 00:02:13,679 Speaker 1: What was it? We want? We want to know. I 40 00:02:13,720 --> 00:02:18,760 Speaker 1: don't think it's a good idea at all. No, No, no, really, 41 00:02:20,200 --> 00:02:22,880 Speaker 1: of course not. I was trying to just for a 42 00:02:22,960 --> 00:02:26,600 Speaker 1: second just be in that counterfactual space and be like, 43 00:02:26,639 --> 00:02:29,079 Speaker 1: what would I do. I'm just gonna keep my mouth 44 00:02:29,120 --> 00:02:31,720 Speaker 1: shut from now. And I think you know what though, like, 45 00:02:31,800 --> 00:02:34,919 Speaker 1: if you're going to insinuate that everyone at SNL should 46 00:02:34,919 --> 00:02:37,600 Speaker 1: be given the micrib, then I just want to hear 47 00:02:37,639 --> 00:02:39,239 Speaker 1: why it's a good idea, because as you as you 48 00:02:39,360 --> 00:02:43,040 Speaker 1: heard bo and say there's a litany of dietary restrictions, 49 00:02:43,200 --> 00:02:46,600 Speaker 1: he was just he was just kidding. I guess goodbye bye, Doug. 50 00:02:46,840 --> 00:02:48,239 Speaker 1: That was the first time you heard Doug. It would 51 00:02:48,240 --> 00:02:50,040 Speaker 1: not be the last. No. And see, the thing is, 52 00:02:50,680 --> 00:02:53,760 Speaker 1: you know our producers, they chime in quite a bit, 53 00:02:54,080 --> 00:02:57,880 Speaker 1: and we love, we love their their interactions. But they 54 00:02:57,919 --> 00:03:02,320 Speaker 1: shouldn't be surprised from this point on this challenge them 55 00:03:02,560 --> 00:03:05,119 Speaker 1: when we say get on up here and sort of 56 00:03:05,639 --> 00:03:09,600 Speaker 1: you know, explain yourself, explain yourself, prove it you have 57 00:03:09,600 --> 00:03:14,440 Speaker 1: a strong opinion. Welcome to the world stage. Welcome to 58 00:03:14,520 --> 00:03:16,120 Speaker 1: the world, world stage. Oh my god, I think this 59 00:03:16,200 --> 00:03:19,000 Speaker 1: is gonna be a theme for this episode. I think 60 00:03:19,040 --> 00:03:22,720 Speaker 1: that this actually is sort of what they call really 61 00:03:22,760 --> 00:03:26,720 Speaker 1: a Western culture a segue. Yes, well, first of all, 62 00:03:26,800 --> 00:03:29,040 Speaker 1: before we segway and I will actually know now I 63 00:03:29,040 --> 00:03:31,760 Speaker 1: feel bad for undermining your perfect segway. Yeah, oh, this 64 00:03:31,840 --> 00:03:33,679 Speaker 1: is what I wanted to say. I think, as someone 65 00:03:33,680 --> 00:03:36,600 Speaker 1: who has received gifts from you, that you are a 66 00:03:36,720 --> 00:03:39,320 Speaker 1: very good gift giver because you gave me one of 67 00:03:39,320 --> 00:03:41,640 Speaker 1: my favorite things. You gave me a pair of shoes 68 00:03:41,680 --> 00:03:43,160 Speaker 1: that I love. I gave you a pair of shoes 69 00:03:43,160 --> 00:03:44,960 Speaker 1: when I when I care about the person, and you 70 00:03:45,000 --> 00:03:49,200 Speaker 1: know how I care about you. You know that when now, 71 00:03:49,400 --> 00:03:55,880 Speaker 1: okay you I feel this is a Whitney Houston song. 72 00:03:55,920 --> 00:03:59,640 Speaker 1: But anyway go, I have to I I can be 73 00:03:59,760 --> 00:04:02,200 Speaker 1: thought off the when there is thought to be had, 74 00:04:02,280 --> 00:04:04,720 Speaker 1: like I can't be thoughtful when I don't Really, I 75 00:04:04,760 --> 00:04:09,320 Speaker 1: can be thoughtful when there is thought. That is very real, Housewives, 76 00:04:10,280 --> 00:04:11,920 Speaker 1: I can be thought when there is thought to be had. 77 00:04:11,960 --> 00:04:14,560 Speaker 1: But for you, darling, there's no thought to be had. 78 00:04:16,040 --> 00:04:19,760 Speaker 1: It's very It's like a combination of Karen he grew 79 00:04:19,800 --> 00:04:23,279 Speaker 1: with the care that I don't care about you, fuck 80 00:04:23,360 --> 00:04:27,400 Speaker 1: you attitude of Nini, and the verbosity of Bethany. Yeah, 81 00:04:27,480 --> 00:04:31,000 Speaker 1: and she's trying to like really smoke you out in 82 00:04:31,040 --> 00:04:36,320 Speaker 1: front of and yes, yeah, yeah, are you a good gift? No. 83 00:04:36,800 --> 00:04:39,800 Speaker 1: I think that I'm getting better now that I have 84 00:04:40,000 --> 00:04:42,360 Speaker 1: time in the quarantine to sit around and think, like 85 00:04:42,440 --> 00:04:44,560 Speaker 1: what's a good thing to get that person. If I'm busy, 86 00:04:44,920 --> 00:04:48,040 Speaker 1: like it's it's something I need to prioritize more and don't. 87 00:04:48,080 --> 00:04:51,880 Speaker 1: But I've really enjoyed getting to kind of just take 88 00:04:52,080 --> 00:04:54,960 Speaker 1: the time to think early about what I want to 89 00:04:55,000 --> 00:04:58,680 Speaker 1: get people. And I'm actually, for the first year maybe 90 00:04:59,040 --> 00:05:01,880 Speaker 1: excited about the things that I'm getting from people, just 91 00:05:01,920 --> 00:05:05,320 Speaker 1: because I think that, um, they'll go over a well personally, 92 00:05:05,720 --> 00:05:08,480 Speaker 1: and it's not just like i'd like to get someone, um, 93 00:05:08,520 --> 00:05:14,800 Speaker 1: you know expensive, Yeah, like a humidifier, okay, or like 94 00:05:15,080 --> 00:05:17,640 Speaker 1: one of those like small, tiny little humidifiers that like 95 00:05:17,800 --> 00:05:22,560 Speaker 1: you know what everybody has from Christmas. Yeah, you really 96 00:05:22,600 --> 00:05:24,800 Speaker 1: went above and beyond for me this year for my birthday. 97 00:05:24,880 --> 00:05:27,159 Speaker 1: So I can confirm that one that you are a 98 00:05:27,160 --> 00:05:29,840 Speaker 1: good gift giver. I wanted you to be able to 99 00:05:29,880 --> 00:05:32,799 Speaker 1: spend the records and I know I'm enjoying my setup 100 00:05:33,160 --> 00:05:35,280 Speaker 1: so much, like I have a new record collection. It's 101 00:05:35,279 --> 00:05:38,080 Speaker 1: like my new favorite thing that I'm doing seriously, it's 102 00:05:38,120 --> 00:05:40,080 Speaker 1: like really filling itself out. It's like I've been a 103 00:05:40,120 --> 00:05:42,680 Speaker 1: good hobby. You are you are enjoying this? Oh my god, 104 00:05:42,680 --> 00:05:45,640 Speaker 1: I'm rediscovering so many good things. Like I listened to 105 00:05:46,000 --> 00:05:48,680 Speaker 1: you know this isn't too old, but just like like 106 00:05:48,760 --> 00:05:51,919 Speaker 1: playing Casey Musgraves here by mar and must Well, I 107 00:05:51,920 --> 00:05:53,520 Speaker 1: was playing. I was listening to Mary, but like Casey 108 00:05:53,600 --> 00:05:59,720 Speaker 1: Musgraves Morris, Sorry, yeah, man Musgraves, she's a soupy about 109 00:06:00,080 --> 00:06:04,240 Speaker 1: chicken pass the path was upon bas and Kassie Musprass, 110 00:06:04,560 --> 00:06:08,400 Speaker 1: Maaron Mustspres. She's a hero. That's like an animated shot. 111 00:06:08,400 --> 00:06:12,400 Speaker 1: I would like to scorge this um. But anyway, Yeah, 112 00:06:12,400 --> 00:06:15,279 Speaker 1: I've been loving Golden Our on Vinyl. So good. And 113 00:06:15,360 --> 00:06:17,880 Speaker 1: now back to the segment. Remember when we know, hold 114 00:06:17,920 --> 00:06:21,840 Speaker 1: on for a second. Remember remember when you and I 115 00:06:21,920 --> 00:06:25,159 Speaker 1: were out here telling all the queers to listen to 116 00:06:25,320 --> 00:06:29,720 Speaker 1: Casey Musgraves. We were years but we're you and I 117 00:06:29,839 --> 00:06:32,400 Speaker 1: emailed our editors at Vultramore, like we have to write 118 00:06:32,400 --> 00:06:38,680 Speaker 1: this piece about Casey musk Graves. Everyone needs to hi 119 00:06:38,800 --> 00:06:41,760 Speaker 1: Key Loki, hi key lokey mid key. But like she 120 00:06:41,880 --> 00:06:45,920 Speaker 1: was being paid dust by the queers. Yeah, until really recently. 121 00:06:46,240 --> 00:06:50,040 Speaker 1: And I gotta tell you something. What I she is 122 00:06:50,240 --> 00:06:56,200 Speaker 1: has a song with choice on coming out. If it's 123 00:06:56,240 --> 00:06:58,920 Speaker 1: not out by the time this comes out, I'll retract this. 124 00:06:58,960 --> 00:07:04,240 Speaker 1: But I saw the music video today. It is stunning. Bitch. 125 00:07:04,360 --> 00:07:07,360 Speaker 1: Have you seen the music video of Casey Musgraves and 126 00:07:08,080 --> 00:07:10,760 Speaker 1: Miguel doing it. I might have talked about this before, 127 00:07:10,800 --> 00:07:13,760 Speaker 1: but Miguel has that song Waves, and then he did 128 00:07:13,800 --> 00:07:16,840 Speaker 1: a bunch of like covers of it that he duetted 129 00:07:16,880 --> 00:07:19,000 Speaker 1: with other artists. So I think he might have done this. 130 00:07:19,040 --> 00:07:20,320 Speaker 1: I'm making this up and he might have done when 131 00:07:20,400 --> 00:07:21,960 Speaker 1: he might have done with the Grimes or something. And 132 00:07:22,000 --> 00:07:24,239 Speaker 1: then he did another with Casey and he would switch 133 00:07:24,280 --> 00:07:27,000 Speaker 1: the genre, he would switch the It was great. It 134 00:07:27,000 --> 00:07:29,800 Speaker 1: was genius for Waves. It was like this like slowed down. 135 00:07:30,920 --> 00:07:35,680 Speaker 1: And the two of them have the most crazy chemistry 136 00:07:35,720 --> 00:07:40,680 Speaker 1: I have ever seen. I mean, she is stunning, stunning. 137 00:07:40,920 --> 00:07:45,680 Speaker 1: She's like she's like a runway model. Stunning, stunning, stunning. God, 138 00:07:45,960 --> 00:07:50,160 Speaker 1: we love Casey. Oh. We were time about vinyls, right, Tom, 139 00:07:50,160 --> 00:07:53,040 Speaker 1: We're talking about vinyls. But before there was a segue 140 00:07:53,080 --> 00:07:55,920 Speaker 1: which was taking the world stage. Well, hold on, yes, 141 00:07:56,680 --> 00:07:58,320 Speaker 1: as gonna say it's meaningful that you bought me my 142 00:07:58,360 --> 00:08:02,440 Speaker 1: first vinyl. Oh yeah, Teresa Tang And it's like so 143 00:08:02,880 --> 00:08:05,000 Speaker 1: that she's the reason. She's like the first musical artist 144 00:08:05,000 --> 00:08:07,640 Speaker 1: I was ever obsessed with. So it's it's it's all perfect. 145 00:08:08,040 --> 00:08:09,840 Speaker 1: So once I get my setup going, it'll be great. 146 00:08:10,360 --> 00:08:12,640 Speaker 1: That is what's nice about a vinyl collection, because you're 147 00:08:12,680 --> 00:08:14,920 Speaker 1: not just gonna buy every album on vinyl. You're gonna 148 00:08:14,960 --> 00:08:18,040 Speaker 1: buy ones that feel like they're a time and place 149 00:08:18,120 --> 00:08:20,240 Speaker 1: and you put energy into them that you would like 150 00:08:20,280 --> 00:08:22,520 Speaker 1: to recreate in a special way on a record player. 151 00:08:22,560 --> 00:08:24,880 Speaker 1: Because if I ever want to listen to something disposable 152 00:08:24,960 --> 00:08:27,560 Speaker 1: like whatever, like a single from an artist I haven't 153 00:08:27,560 --> 00:08:30,400 Speaker 1: invest in, I'll just pop that on like whatever, like 154 00:08:31,200 --> 00:08:34,080 Speaker 1: like Spotify, whatever I played off my laptop, whatever. But 155 00:08:34,400 --> 00:08:36,600 Speaker 1: to buy an album and like invest in, it takes 156 00:08:36,640 --> 00:08:38,600 Speaker 1: you back to a time in place and a feeling, 157 00:08:38,640 --> 00:08:41,720 Speaker 1: which we love that. Um, so it's good to start 158 00:08:41,760 --> 00:08:44,520 Speaker 1: it with something like TERSA for you. I love it. 159 00:08:44,520 --> 00:08:47,520 Speaker 1: It's beautiful. I remember always talk about the world stage. 160 00:08:47,559 --> 00:08:50,520 Speaker 1: What does it mean when someone is on the world stage. 161 00:08:50,760 --> 00:08:54,120 Speaker 1: There's the period before you're on the world stage, and 162 00:08:54,160 --> 00:08:56,959 Speaker 1: then there's the period after, and they call that the 163 00:08:57,080 --> 00:09:00,760 Speaker 1: grade before and the grade after of us stars life. So, 164 00:09:00,840 --> 00:09:06,280 Speaker 1: for example, in the great before of someone's life, such as, um, 165 00:09:06,320 --> 00:09:09,760 Speaker 1: you know Barbara streisand she was sort of you know, 166 00:09:11,760 --> 00:09:15,000 Speaker 1: you know she was she was a Brooklyn girl, and 167 00:09:15,080 --> 00:09:19,120 Speaker 1: she sort of rose up and started playing in clubs 168 00:09:19,200 --> 00:09:22,600 Speaker 1: and places like, um, the Duplex, like you were saying, 169 00:09:22,640 --> 00:09:25,040 Speaker 1: and then she rose in the New York scene, hit Broadway, 170 00:09:25,120 --> 00:09:28,079 Speaker 1: was startling and funny girl. And then in the film 171 00:09:28,160 --> 00:09:30,080 Speaker 1: she really hit the world stage and she want an oscar. 172 00:09:30,440 --> 00:09:33,880 Speaker 1: And I think the Second Day of Culture kind of 173 00:09:33,920 --> 00:09:38,360 Speaker 1: covers that sort of Barbara streisand hitting the world stage. 174 00:09:38,920 --> 00:09:42,800 Speaker 1: Star is born, truly, if you will, moments with our 175 00:09:42,840 --> 00:09:45,679 Speaker 1: second day here the figure we're going to be discussed figure, 176 00:09:45,720 --> 00:09:49,560 Speaker 1: We're going to be disgusting. So, Matt, what is on 177 00:09:49,640 --> 00:10:01,400 Speaker 1: the second dayture? It was? It was gone? It was 178 00:10:01,520 --> 00:10:12,600 Speaker 1: November eleven. Mary, Mary m Cosby hits the world stage. 179 00:10:13,360 --> 00:10:18,720 Speaker 1: Oh my, Mary is here. Mary is here, and it's 180 00:10:18,760 --> 00:10:22,839 Speaker 1: the second most important day of culture in a row 181 00:10:23,000 --> 00:10:25,560 Speaker 1: of the twelve. I as soon as you say the 182 00:10:25,600 --> 00:10:28,920 Speaker 1: words Marry m culture hits the word stage, I'm hit 183 00:10:29,000 --> 00:10:32,200 Speaker 1: with so many senses. Mary am culture, you too, call 184 00:10:32,280 --> 00:10:36,080 Speaker 1: me out. You said, Mary am culture, Bowen said, Mary 185 00:10:36,120 --> 00:10:41,360 Speaker 1: Mary M. Culture. It's a Mary M. Cosby. Bowen said, culture. 186 00:10:41,600 --> 00:10:44,240 Speaker 1: It's a rule of culture. It's rule of culture number two. 187 00:10:45,040 --> 00:10:51,640 Speaker 1: Mary M. Cossie. Bowen said, Mary M. Culture. But let's 188 00:10:51,679 --> 00:10:55,640 Speaker 1: just when I say the words. When I say the 189 00:10:55,720 --> 00:11:00,800 Speaker 1: words Mary M. Culture hits the words world stage. I 190 00:11:01,440 --> 00:11:07,320 Speaker 1: can see it, I can hear see it. She's wearing 191 00:11:07,320 --> 00:11:11,880 Speaker 1: with a metallic, metallic blazer but with the Chris the green, 192 00:11:12,000 --> 00:11:16,600 Speaker 1: that green Christmas tree looking dress. She's wearing that hideous garment, 193 00:11:16,760 --> 00:11:19,079 Speaker 1: hideous garment, but she's wearing a blazer over at, a 194 00:11:19,520 --> 00:11:23,720 Speaker 1: metallic blazer over it. Her hair is like is down um. 195 00:11:23,800 --> 00:11:28,040 Speaker 1: She's got six inch long stiletto is also metallic, but 196 00:11:28,240 --> 00:11:31,959 Speaker 1: rose gold for some reason doesn't Matt doesn't echo the 197 00:11:32,679 --> 00:11:35,240 Speaker 1: metallic silver from the blazer. I should have said it 198 00:11:35,280 --> 00:11:38,240 Speaker 1: was a silver blazer. I see that. But I see 199 00:11:38,240 --> 00:11:42,000 Speaker 1: her like with her arm on her hip and she's 200 00:11:42,080 --> 00:11:46,640 Speaker 1: literally stepping on a miniature version of planet Earth in 201 00:11:46,760 --> 00:11:50,800 Speaker 1: space like it's black behind her, but she's slamming her 202 00:11:50,840 --> 00:11:54,280 Speaker 1: heel down on the surface of our planet. One of 203 00:11:54,320 --> 00:11:58,599 Speaker 1: the most epic things I've ever thought about. And I 204 00:11:59,360 --> 00:12:02,680 Speaker 1: hear this sound on impact on impact of her heel 205 00:12:02,800 --> 00:12:06,720 Speaker 1: hitting earth. I'm literally, I'm not even joking. This is 206 00:12:06,720 --> 00:12:12,400 Speaker 1: what I hear. I am edging hard. Do it crown like? 207 00:12:13,200 --> 00:12:14,959 Speaker 1: She hits the world stage and it's like it's like 208 00:12:14,960 --> 00:12:18,720 Speaker 1: a stag. It's like a frown. Oh my god like 209 00:12:19,920 --> 00:12:23,559 Speaker 1: and it's Mary M Culture, not Cosby m Culture, no 210 00:12:24,160 --> 00:12:26,880 Speaker 1: hitting the world stage. And now we all know who 211 00:12:26,920 --> 00:12:29,280 Speaker 1: Mariam Culture is. If you don't know who marry Am 212 00:12:29,280 --> 00:12:32,360 Speaker 1: Culture slash Cosby is, reader Matt, tell him Marry M 213 00:12:32,440 --> 00:12:34,360 Speaker 1: Culture and you know what, Yeah, we are taking the 214 00:12:34,400 --> 00:12:39,400 Speaker 1: Cosby out of it. We're gonna take the Cosby bad things. Yeah, 215 00:12:39,440 --> 00:12:41,840 Speaker 1: so we're taking it out. I do love that her 216 00:12:41,920 --> 00:12:43,960 Speaker 1: name is Miriam cos people. We're taking it out of it. 217 00:12:44,000 --> 00:12:47,960 Speaker 1: She's Merriam Culture for this episode, all right, stupid. Mary 218 00:12:48,040 --> 00:12:54,800 Speaker 1: Am Culture is the newest mover and shaker of the 219 00:12:54,880 --> 00:13:00,200 Speaker 1: housewives franchise in Real Housewives of Salt Lake, and she 220 00:13:00,240 --> 00:13:05,040 Speaker 1: has been the topic of conversation. Why. Oh, it's because 221 00:13:05,280 --> 00:13:09,880 Speaker 1: she's currently married to you guessed her grandmother, who is 222 00:13:10,240 --> 00:13:14,760 Speaker 1: since past ex husband she is. She is married to 223 00:13:14,800 --> 00:13:19,559 Speaker 1: her step grandfather. The man that was basically her grandfather 224 00:13:19,800 --> 00:13:22,640 Speaker 1: figure is the one she is married to. Now you 225 00:13:22,720 --> 00:13:26,160 Speaker 1: might think this is a little odd, Well, it was 226 00:13:26,200 --> 00:13:29,600 Speaker 1: in her grandmother's will that one of her granddaughters do 227 00:13:29,720 --> 00:13:33,280 Speaker 1: this so that she could eventually step into her shoes 228 00:13:33,480 --> 00:13:36,839 Speaker 1: as the first lady of the Pentecostal church in Salt 229 00:13:36,920 --> 00:13:40,560 Speaker 1: Lake City, Utah. Thanks right, she is. I don't know 230 00:13:40,600 --> 00:13:43,360 Speaker 1: if they are ordained. I don't know the specifics in 231 00:13:43,440 --> 00:13:48,440 Speaker 1: terms of um religious titles and maybe wouldn't want to know, 232 00:13:48,720 --> 00:13:52,679 Speaker 1: and leadership roles, I maybe wouldn't want to know. But 233 00:13:53,559 --> 00:13:57,679 Speaker 1: she is, I guess an ordained Pentecostal minister. She oh, 234 00:13:57,760 --> 00:13:59,959 Speaker 1: and she feels her fantasy, she feels her fan of 235 00:14:00,200 --> 00:14:04,880 Speaker 1: But she is a professional orator in a sense. And 236 00:14:04,960 --> 00:14:06,839 Speaker 1: yet the words that come out of her mouth are 237 00:14:06,920 --> 00:14:11,640 Speaker 1: so shocking, and that, of course it makes sense. So 238 00:14:11,800 --> 00:14:15,479 Speaker 1: the words like words like what you smell like hospital. 239 00:14:16,080 --> 00:14:19,040 Speaker 1: I had to get my odor glands removed. It was 240 00:14:19,080 --> 00:14:22,760 Speaker 1: a twelve different surgeries. I almost died twice on the table. 241 00:14:23,680 --> 00:14:25,400 Speaker 1: They had to bring me back. They had to bring 242 00:14:25,440 --> 00:14:28,520 Speaker 1: me back. They had to bring me back. Or words 243 00:14:28,600 --> 00:14:31,160 Speaker 1: like one of the one of the worst wildfire that 244 00:14:31,200 --> 00:14:35,240 Speaker 1: killed people turned into some of the best grapes I've 245 00:14:35,280 --> 00:14:39,080 Speaker 1: ever tasted. Out of context, they like they did you 246 00:14:39,080 --> 00:14:42,840 Speaker 1: remember that from last night show? Yes, I distinctly remember them, 247 00:14:42,880 --> 00:14:45,600 Speaker 1: like all coming in, all coming in. We should say 248 00:14:45,920 --> 00:14:50,120 Speaker 1: to her met gala themed luncheon, to theme, to theme 249 00:14:50,200 --> 00:14:57,479 Speaker 1: your your event after another event that changes themes is iconic, carthartic, 250 00:14:57,640 --> 00:15:02,200 Speaker 1: even it's cathartic. It was a startic moment in history 251 00:15:02,240 --> 00:15:07,040 Speaker 1: to understand that the women had no prompt other than 252 00:15:07,240 --> 00:15:13,960 Speaker 1: met a famously themed annual event. It was held in 253 00:15:14,000 --> 00:15:18,600 Speaker 1: a restaurant in in Ostaria in Salt Lake City with 254 00:15:18,880 --> 00:15:22,920 Speaker 1: a thin, thin red carpet that maybe had was four 255 00:15:23,000 --> 00:15:28,360 Speaker 1: feet in length total velvet rope. You had beefeater slash 256 00:15:28,440 --> 00:15:33,440 Speaker 1: Christmas toy soldiers valeting the women out, opening the women's door, 257 00:15:33,600 --> 00:15:37,680 Speaker 1: the car doors, and then two or three fake papar 258 00:15:37,760 --> 00:15:41,640 Speaker 1: rocks or fake photographers snapping photos of these women walking 259 00:15:41,640 --> 00:15:47,160 Speaker 1: inside this one story restaurant in Salt Lake City. And 260 00:15:47,160 --> 00:15:50,200 Speaker 1: then they walk into their settings, to their play settings, 261 00:15:50,200 --> 00:15:54,000 Speaker 1: where they are um greeted by a journal that has 262 00:15:54,040 --> 00:15:58,040 Speaker 1: the words boss lady on them, and they're prompted to 263 00:15:58,120 --> 00:16:00,680 Speaker 1: write something about themselves. That they want the group to 264 00:16:00,800 --> 00:16:04,560 Speaker 1: know as well as air pods. As well as air 265 00:16:04,600 --> 00:16:16,280 Speaker 1: pods when we are understanding this to be a real 266 00:16:16,440 --> 00:16:20,440 Speaker 1: person in the world, it's important that we lift that 267 00:16:20,560 --> 00:16:26,680 Speaker 1: person up to the front of the culture now in 268 00:16:26,840 --> 00:16:33,600 Speaker 1: terms of housewives and why we should care. Bethany Frankel 269 00:16:34,280 --> 00:16:36,320 Speaker 1: is a part of the culture. Ninny Leaks is a 270 00:16:36,360 --> 00:16:39,120 Speaker 1: part of the culture. To to move to move on, 271 00:16:39,320 --> 00:16:41,800 Speaker 1: you know, Lisa Brenna is a part of the culture. 272 00:16:41,920 --> 00:16:45,160 Speaker 1: Lisa vander Pump is a part of the culture. This 273 00:16:45,840 --> 00:16:51,480 Speaker 1: individual has the power, Miriam. Culture has the power to 274 00:16:51,600 --> 00:16:57,360 Speaker 1: shake things up internationally. She has a great responsibility now 275 00:16:57,800 --> 00:17:03,640 Speaker 1: to speak for us on an international on an international level, 276 00:17:03,880 --> 00:17:07,040 Speaker 1: because these women, you know, they do they they're international, 277 00:17:07,520 --> 00:17:11,320 Speaker 1: They're all over the place. Any Frankel, she's feared. She's 278 00:17:11,400 --> 00:17:15,359 Speaker 1: feared in all nations across the across the world. She 279 00:17:15,640 --> 00:17:19,160 Speaker 1: is one of the most fearsome figures. Do you remember 280 00:17:19,200 --> 00:17:24,000 Speaker 1: when we saw her at the Emmy's I literally don't 281 00:17:24,320 --> 00:17:26,399 Speaker 1: and we were like, that's Bethany. Honestly, maybe I was 282 00:17:26,480 --> 00:17:28,920 Speaker 1: more having a suity moment about it, or like that's 283 00:17:29,000 --> 00:17:32,480 Speaker 1: fully Bethany, just out in the wild. I'm you must 284 00:17:32,520 --> 00:17:35,679 Speaker 1: have blacked it up. Maybe you were so anxious, you know, 285 00:17:35,760 --> 00:17:40,680 Speaker 1: like Big Night, the Big Night. Sometimes there's some jitters 286 00:17:40,720 --> 00:17:43,840 Speaker 1: on Emmy Night, you know, on the Purple carpet, the Emmys. 287 00:17:44,520 --> 00:17:47,159 Speaker 1: It just gets really feels so big, and you know 288 00:17:47,160 --> 00:17:48,879 Speaker 1: you've been watching it every year since you were a 289 00:17:48,880 --> 00:17:50,639 Speaker 1: little and then all of a sudden you're there. You know, 290 00:17:51,600 --> 00:17:55,000 Speaker 1: Miriam Cosby, which what kind of leader do you want 291 00:17:55,000 --> 00:17:59,880 Speaker 1: her to be if she ever reaches that international international level, diplomatic, 292 00:18:00,600 --> 00:18:04,399 Speaker 1: diplomatic leader, which I think she has shown. I like 293 00:18:04,440 --> 00:18:09,000 Speaker 1: her to be a diplomatic leader, compromise, centrist, It could 294 00:18:09,080 --> 00:18:12,600 Speaker 1: be the most centrist you we need. We need more centrism. 295 00:18:12,680 --> 00:18:16,080 Speaker 1: We need more centrist. We obviously need more centrist. America 296 00:18:16,119 --> 00:18:18,920 Speaker 1: has spoken we need to be more centrist and keep 297 00:18:19,000 --> 00:18:22,520 Speaker 1: things the same. We need to do nothing. Things need 298 00:18:22,560 --> 00:18:26,000 Speaker 1: to not change. We need to be more centrist. Is 299 00:18:26,040 --> 00:18:30,000 Speaker 1: the way things are going. Now, that's good. We need 300 00:18:30,040 --> 00:18:41,480 Speaker 1: more more centrism, stay the same. Stop. I said, everybody this, 301 00:18:42,080 --> 00:18:48,800 Speaker 1: these episodes are going everyone's gonna catch up. Just this 302 00:18:48,840 --> 00:18:50,760 Speaker 1: is gonna this is gonna be weird. Matt. I'm sorry, 303 00:18:51,160 --> 00:18:53,960 Speaker 1: everyone's going to catch up to the baseline. That I 304 00:18:54,080 --> 00:18:56,960 Speaker 1: have been at this whole time, which is there is 305 00:18:57,119 --> 00:19:00,840 Speaker 1: no one funnier than Matt Rogers. No, don't do that, 306 00:19:01,000 --> 00:19:07,000 Speaker 1: Matt are this is art. You're being ho ish. Stop. 307 00:19:07,359 --> 00:19:10,399 Speaker 1: I'm just having a good time with my sister Sara. 308 00:19:11,480 --> 00:19:14,199 Speaker 1: You know what I've been thinking a lot. How we 309 00:19:14,240 --> 00:19:17,480 Speaker 1: have to make these twelve days of culture surprising coming 310 00:19:17,520 --> 00:19:21,960 Speaker 1: from us. We can't have any bullshit like it's Disney 311 00:19:21,359 --> 00:19:25,119 Speaker 1: s No, but I mean, it's well tried territory cannot 312 00:19:25,160 --> 00:19:28,440 Speaker 1: be trod again. But Miriam Cosby is an exception because 313 00:19:28,480 --> 00:19:31,520 Speaker 1: she's it's a Barber Strays and Stars moment, Bethany frankl potential. 314 00:19:32,160 --> 00:19:35,439 Speaker 1: That's what I'm saying thinking. But you why are you 315 00:19:35,480 --> 00:19:38,959 Speaker 1: putting that limit on yourself? No, no, no, I'm look, 316 00:19:39,240 --> 00:19:41,679 Speaker 1: we've talked at NaSTA if you want, but if you 317 00:19:41,680 --> 00:19:45,600 Speaker 1: want to talk about Disney being a part of the 318 00:19:45,600 --> 00:19:51,560 Speaker 1: there's bigger than Disney. There is so much bigger. So 319 00:19:51,600 --> 00:19:52,960 Speaker 1: you're saying, you're saying, there's not going to be a 320 00:19:53,000 --> 00:19:57,720 Speaker 1: Kelly Clarkson day. There's not going to beg My Jaws 321 00:19:57,880 --> 00:20:03,160 Speaker 1: on the floor. I've I don't Kelly doesn't need she 322 00:20:03,160 --> 00:20:05,120 Speaker 1: she are you? Are you going to commit to this. 323 00:20:05,960 --> 00:20:09,280 Speaker 1: There is no Kelly on this. Oh my god. Well, readers, okay, 324 00:20:09,320 --> 00:20:10,879 Speaker 1: we should just say we were we did not do 325 00:20:10,960 --> 00:20:14,000 Speaker 1: this like two hundred moments in culture history. We're doing 326 00:20:14,040 --> 00:20:19,120 Speaker 1: this second by second. We are we are doing We're 327 00:20:19,160 --> 00:20:23,360 Speaker 1: building this out like on like ad hoc creating. So 328 00:20:23,440 --> 00:20:25,960 Speaker 1: you're saying that you don't want any Kelly Clarkson days. 329 00:20:26,760 --> 00:20:31,280 Speaker 1: I have spoken about Kelly Clarkson enough and she needs 330 00:20:31,280 --> 00:20:34,840 Speaker 1: the holidays off from me. She needs the holidays off 331 00:20:35,160 --> 00:20:39,560 Speaker 1: from me. And we've done an amazing job so far 332 00:20:39,800 --> 00:20:44,359 Speaker 1: over two episodes. We have done the cultural institution of 333 00:20:44,440 --> 00:20:47,920 Speaker 1: McDonald's and the cultural institution and cultural promise shown by Ms. 334 00:20:48,000 --> 00:20:53,200 Speaker 1: Mary m Cosby, who said famously, what's her opening line? 335 00:20:53,440 --> 00:20:58,199 Speaker 1: You smell like hospital. I'm a love god, but I 336 00:20:58,240 --> 00:21:00,159 Speaker 1: will read you like script but I will read like 337 00:21:00,160 --> 00:21:03,520 Speaker 1: a scripture, like like a scripture. I'm sorry. Also noticed 338 00:21:03,560 --> 00:21:08,320 Speaker 1: that maryam Cosby feels no need to like say the 339 00:21:08,359 --> 00:21:11,840 Speaker 1: housewives tagline like a housewife, or like do any of 340 00:21:11,880 --> 00:21:15,920 Speaker 1: her talking heads like in a housewife way. She is authentic, 341 00:21:16,800 --> 00:21:19,480 Speaker 1: not she's not adding an extra layer on top of 342 00:21:19,840 --> 00:21:23,919 Speaker 1: who she really is. You have to respect that. Oh, no, 343 00:21:24,560 --> 00:21:29,840 Speaker 1: there is no layers. She is married to her step grandfather, 344 00:21:29,960 --> 00:21:32,760 Speaker 1: she has a child with him, and now when her 345 00:21:32,800 --> 00:21:35,359 Speaker 1: son is acting up about who he wants to date, 346 00:21:35,760 --> 00:21:39,560 Speaker 1: she will have an opinion that explains it. I never 347 00:21:39,600 --> 00:21:41,159 Speaker 1: thought of it like that. I'm a dumbo. I'm just 348 00:21:41,200 --> 00:21:45,000 Speaker 1: watching these shows like fully. Oh, no, these are deep texts. No, 349 00:21:45,160 --> 00:21:48,400 Speaker 1: they are. They really are deep texts. I've never doubted. 350 00:21:48,440 --> 00:21:51,440 Speaker 1: I mean, you know, our friend Natalie Walker says Housewives 351 00:21:51,480 --> 00:21:55,320 Speaker 1: is Shakespeare. You're seeing pat those play out in these 352 00:21:56,160 --> 00:21:59,120 Speaker 1: in these truly shocking ways that make you rethink how 353 00:21:59,640 --> 00:22:04,160 Speaker 1: suffer for ring happens or joy happens? Can you literally 354 00:22:04,200 --> 00:22:07,200 Speaker 1: believe though, that there's only been four house four Housewives 355 00:22:07,200 --> 00:22:10,720 Speaker 1: of Salt Lake episodes, and already it's in the whole world. 356 00:22:11,040 --> 00:22:12,800 Speaker 1: I'm like, I'm like, I feel like I could slide 357 00:22:12,840 --> 00:22:14,240 Speaker 1: into a booth at a restaurant with the girls and 358 00:22:14,359 --> 00:22:17,560 Speaker 1: be like everyone, I have an opinion and I'm ready 359 00:22:17,600 --> 00:22:21,280 Speaker 1: to share it. I don't like Meredith. I don't like Lisa. 360 00:22:21,960 --> 00:22:26,000 Speaker 1: That's crazy. Meredith is the glue. No, she's the glue. 361 00:22:26,040 --> 00:22:28,960 Speaker 1: Meredith is the glue, and I'm just engaging. I'm sorry, 362 00:22:29,720 --> 00:22:33,879 Speaker 1: I'm not engaging, and I'm just engaging. No longer engaging, 363 00:22:34,400 --> 00:22:36,760 Speaker 1: I said, I do, I just engage. I don't think 364 00:22:36,800 --> 00:22:39,560 Speaker 1: you should talk to a woman like that. No, that's Lisa. No, 365 00:22:39,840 --> 00:22:42,800 Speaker 1: that's what. No, Lisa. Is Lisa crying because she has 366 00:22:42,880 --> 00:22:45,399 Speaker 1: high goals. At the end of the episode, was I 367 00:22:45,440 --> 00:22:47,280 Speaker 1: texted you about that, right? I was like, but I 368 00:22:47,280 --> 00:22:49,359 Speaker 1: feel like I'm Lisa, So I did think it was 369 00:22:49,400 --> 00:22:52,720 Speaker 1: hilarious that she started crying out of nowhere talking about 370 00:22:52,720 --> 00:22:56,240 Speaker 1: her own goals. I was like, where is this going 371 00:22:56,280 --> 00:22:58,600 Speaker 1: to go? That was the only non marry related thing 372 00:22:58,640 --> 00:23:00,520 Speaker 1: that episode that I was like, oh my god. What. 373 00:23:01,640 --> 00:23:04,560 Speaker 1: Also Meredith telling her something important about her life and 374 00:23:04,600 --> 00:23:06,800 Speaker 1: Lisa being like, is it gonna make me cry? Don't 375 00:23:06,800 --> 00:23:12,240 Speaker 1: make me cry. I'm crying. I'm crying a lot. Okay, Okay, 376 00:23:12,280 --> 00:23:14,639 Speaker 1: I'm not going Okay, I'm not gonna cry. Yeah. I 377 00:23:14,640 --> 00:23:17,719 Speaker 1: didn't think of that. Wow, Lisa is it's to me? 378 00:23:17,800 --> 00:23:21,040 Speaker 1: It's funny, Like literally, that entire scene. The thesis of 379 00:23:21,080 --> 00:23:24,400 Speaker 1: that scene was Lisa tries not to cry while Meredith 380 00:23:24,440 --> 00:23:26,960 Speaker 1: tells her about her separation from her husband, her the 381 00:23:27,000 --> 00:23:31,399 Speaker 1: father of her children. Okay, The through line was Lisa 382 00:23:31,480 --> 00:23:33,320 Speaker 1: did not want to cry. Okay, well, I guess this 383 00:23:33,400 --> 00:23:38,080 Speaker 1: is the thing I like. I like watching Lisa and Meredith, 384 00:23:38,160 --> 00:23:40,800 Speaker 1: but they are not likable to me, whereas Heather at 385 00:23:40,840 --> 00:23:44,000 Speaker 1: it Heather, Heather, Heather's growing on me so much. In 386 00:23:44,040 --> 00:23:46,960 Speaker 1: a lot her her saying yeah, I'm yeah, I'm dressed 387 00:23:46,960 --> 00:23:49,160 Speaker 1: to like a flapper and I have cankles, like calling 388 00:23:49,160 --> 00:23:53,320 Speaker 1: the uber driver cankles. I'm like, Okay, she's so funny. 389 00:23:53,400 --> 00:23:55,040 Speaker 1: And then I mean, I'll go over there if we 390 00:23:55,119 --> 00:23:57,320 Speaker 1: make eye contact, but if not, I'm gonna wait from 391 00:23:57,320 --> 00:24:04,080 Speaker 1: my chicken lollipop sticks iconic. And then Whitney I think 392 00:24:04,200 --> 00:24:09,360 Speaker 1: is really fun too. Whitney is great, great talking, She's 393 00:24:09,400 --> 00:24:12,280 Speaker 1: really good. She actually is the one that has impressed 394 00:24:12,280 --> 00:24:14,640 Speaker 1: me the most. I love that. It's like a thing 395 00:24:14,720 --> 00:24:16,640 Speaker 1: that she get a stripper pole in her house, so 396 00:24:16,680 --> 00:24:19,040 Speaker 1: she must use it a lot because the women I'll 397 00:24:19,119 --> 00:24:22,680 Speaker 1: talk about it. Also just like she's not like, she's 398 00:24:22,680 --> 00:24:24,480 Speaker 1: not against I don't know. When I saw her, I 399 00:24:24,480 --> 00:24:26,080 Speaker 1: was like, oh, she's gonna be too sweet for me. 400 00:24:26,320 --> 00:24:29,000 Speaker 1: But she talks a lot of ship and she's but 401 00:24:29,080 --> 00:24:32,000 Speaker 1: she says smart things. Yeah, she's always right. I feel 402 00:24:32,080 --> 00:24:34,880 Speaker 1: like she hasn't said anything thus far where I've been like, Oh, 403 00:24:34,960 --> 00:24:38,639 Speaker 1: that person has an issue that's deeper than anything I 404 00:24:38,640 --> 00:24:41,160 Speaker 1: can get from justin them talking right now. Like, for example, 405 00:24:41,240 --> 00:24:47,080 Speaker 1: Jen obviously has like anger issues, Like there's obviously a 406 00:24:47,280 --> 00:24:50,560 Speaker 1: deep well of sadness there or maybe loneliness like she 407 00:24:50,680 --> 00:24:53,520 Speaker 1: was saying, but I think crucially is like there needs 408 00:24:53,520 --> 00:24:56,040 Speaker 1: to be an assessment of like what's obviously an anger problem. 409 00:24:56,119 --> 00:24:59,600 Speaker 1: Of course, Um, before we move on from Whitney, I 410 00:24:59,640 --> 00:25:03,119 Speaker 1: feel like Whitney's sort of storylines that have nothing to 411 00:25:03,119 --> 00:25:05,960 Speaker 1: do with the Housewives are mostly about her dad, and 412 00:25:06,000 --> 00:25:09,040 Speaker 1: I'm like, oh, but like this is a really kind 413 00:25:09,040 --> 00:25:10,920 Speaker 1: of like a like a lovely journey to follow, and 414 00:25:11,080 --> 00:25:14,080 Speaker 1: there's a lot of like pathos there too, but it's 415 00:25:14,119 --> 00:25:17,119 Speaker 1: like on its weight and it's on the right side 416 00:25:17,119 --> 00:25:21,080 Speaker 1: of things. Yeah, she is like she's like she's like 417 00:25:21,080 --> 00:25:22,800 Speaker 1: a good audience circuit, Like you feel like you can 418 00:25:22,800 --> 00:25:26,239 Speaker 1: place herself in her situation and understand emotionally, she's a 419 00:25:26,240 --> 00:25:30,440 Speaker 1: lot like honestly, um, you don't watch Dallas, but Stephanie, 420 00:25:30,560 --> 00:25:32,919 Speaker 1: I can see like there's this one Stephanie where she 421 00:25:33,119 --> 00:25:35,920 Speaker 1: just like really opened up about the stuff that she's 422 00:25:35,960 --> 00:25:38,360 Speaker 1: gone through, Like she she made a suicide attempt when 423 00:25:38,359 --> 00:25:40,959 Speaker 1: she was very young, and she was open about it, 424 00:25:41,000 --> 00:25:43,399 Speaker 1: and you she I talked about this with Joel all 425 00:25:43,440 --> 00:25:45,720 Speaker 1: the time. Because she's in both of our all Stars cast. 426 00:25:45,760 --> 00:25:49,199 Speaker 1: If we put together housewives, you might like Dallas. By 427 00:25:49,240 --> 00:25:52,680 Speaker 1: the way, No, I have no reason to not watch it. Yeah, yeah, 428 00:25:52,680 --> 00:25:55,120 Speaker 1: but I get I literally get not watching it. It's 429 00:25:55,119 --> 00:25:57,679 Speaker 1: like doubts on face value. I didn't watch it for 430 00:25:57,680 --> 00:26:00,200 Speaker 1: so long. It's like Dallas, Like, am I gonna hate 431 00:26:00,240 --> 00:26:03,720 Speaker 1: watching these like rich white women who have like Southern values, 432 00:26:03,800 --> 00:26:07,400 Speaker 1: conservative values, like tow the line between like what's low 433 00:26:07,480 --> 00:26:11,560 Speaker 1: class and half society? And I gonna like that? I did? Um, 434 00:26:12,000 --> 00:26:13,679 Speaker 1: that's how I fell going into some cities like am 435 00:26:13,720 --> 00:26:16,800 Speaker 1: I gonna want to watch these wealthy women? And they're 436 00:26:16,800 --> 00:26:20,040 Speaker 1: the most liberal cast? They are? They really are. It's 437 00:26:20,080 --> 00:26:23,240 Speaker 1: it's interesting, Yeah, it's it is. It is interesting. Like 438 00:26:23,320 --> 00:26:28,320 Speaker 1: Heather Gay said something that was really great about trans rights. 439 00:26:28,359 --> 00:26:30,960 Speaker 1: Did you see this? Did somebody? Somebody comments? And on 440 00:26:31,000 --> 00:26:32,720 Speaker 1: her instant I was like, how does it feel to 441 00:26:32,760 --> 00:26:36,879 Speaker 1: be the first trans housewife? Like like making it was horrible? 442 00:26:36,920 --> 00:26:39,440 Speaker 1: It was it was like just trying to demean her. 443 00:26:39,520 --> 00:26:42,840 Speaker 1: And she said, I am so happy to be an 444 00:26:42,840 --> 00:26:46,080 Speaker 1: advocate for the trans community if it's helpful. I think 445 00:26:46,080 --> 00:26:48,600 Speaker 1: that everyone deserves equal rights and that everyone Like she 446 00:26:48,720 --> 00:26:50,880 Speaker 1: just like went on and she was like, you're saying 447 00:26:50,880 --> 00:26:52,919 Speaker 1: this as an insult, but like, if I can be 448 00:26:52,960 --> 00:26:57,120 Speaker 1: someone who's visible that says that trans lives matter, that 449 00:26:57,200 --> 00:26:59,680 Speaker 1: black trans lives matter, Like she basically kind of just 450 00:27:00,359 --> 00:27:03,520 Speaker 1: took that opportunity to be like, I'm an ally just 451 00:27:03,560 --> 00:27:05,920 Speaker 1: so everyone that follows me not. I love that because 452 00:27:05,960 --> 00:27:09,040 Speaker 1: it's not even her like trying to like snipe back. 453 00:27:09,080 --> 00:27:12,320 Speaker 1: But she was just like, oh no, I refuse the 454 00:27:12,440 --> 00:27:17,200 Speaker 1: terms of this insult that you are putting forward and 455 00:27:17,240 --> 00:27:19,639 Speaker 1: I'm only going to go the other way. Like that's great, 456 00:27:19,640 --> 00:27:22,600 Speaker 1: Oh my god, good for her. Yeah, yeah, it was 457 00:27:22,640 --> 00:27:25,440 Speaker 1: cool to read. And this is before the show started. 458 00:27:25,800 --> 00:27:29,200 Speaker 1: But I don't want to talk positively about anyone really 459 00:27:29,240 --> 00:27:32,560 Speaker 1: in the moment of Mary culture. Oh no, this is 460 00:27:32,600 --> 00:27:36,399 Speaker 1: Miriam Culture's moment. Yeah, because none of them matter ultimately, 461 00:27:36,760 --> 00:27:41,480 Speaker 1: but hitting hitting the world stage like mm hmmm, what 462 00:27:41,600 --> 00:27:47,119 Speaker 1: I want to ask you, what do you see any 463 00:27:47,200 --> 00:27:53,480 Speaker 1: sensory it's any sensory thing that it's associated the Greek theater. 464 00:27:56,480 --> 00:28:01,080 Speaker 1: It's nine thirty. The show started at seven. The sky 465 00:28:01,200 --> 00:28:10,960 Speaker 1: is black, but thousands of stars on stage, cutting through, 466 00:28:11,240 --> 00:28:15,639 Speaker 1: cutting through, even the Los Angeles smock. The stars in 467 00:28:15,680 --> 00:28:21,240 Speaker 1: a way, calling out, saying, we're here and we're ready 468 00:28:21,240 --> 00:28:26,680 Speaker 1: to be joined by a new star. Understand that we 469 00:28:26,720 --> 00:28:33,320 Speaker 1: are your family. The stars screaming out for something. On 470 00:28:33,480 --> 00:28:39,600 Speaker 1: stage is just that familiar landscape, you know, that familiar 471 00:28:39,760 --> 00:28:46,520 Speaker 1: musical landscape. The drums, the guitars, the keyboards, all empty. 472 00:28:48,320 --> 00:28:53,280 Speaker 1: No one is there in the audience, However, thousands of 473 00:28:53,320 --> 00:28:59,560 Speaker 1: people screaming, screaming, Stars, Star. They're screaming for the star. 474 00:29:00,280 --> 00:29:11,120 Speaker 1: H Star, come out, Star, screaming out backstage, just offstage. 475 00:29:12,280 --> 00:29:20,400 Speaker 1: The star is shaking. She is so trembleful, and she 476 00:29:20,600 --> 00:29:23,400 Speaker 1: is such a star, like everyone knows it, everyone that 477 00:29:23,480 --> 00:29:27,480 Speaker 1: sees her knows it. She has star quality. She's a 478 00:29:27,600 --> 00:29:35,200 Speaker 1: star shines. But still she's shaking so much. And a 479 00:29:35,320 --> 00:29:38,800 Speaker 1: man approaches her, and I mean, oh my god, I 480 00:29:38,840 --> 00:29:41,280 Speaker 1: don't mean just any type of man. I mean a 481 00:29:41,440 --> 00:29:46,160 Speaker 1: real man, okay, one who can handle some bricks and 482 00:29:46,280 --> 00:29:50,080 Speaker 1: some wood and some trees. Okay. He has that rugged 483 00:29:50,120 --> 00:29:53,600 Speaker 1: look of a man, not a boy, a simple boy, 484 00:29:53,920 --> 00:29:57,440 Speaker 1: not a simple boy. And he says to the Star, 485 00:29:59,480 --> 00:30:03,320 Speaker 1: I will be with you out there too. He says, 486 00:30:03,360 --> 00:30:05,280 Speaker 1: just those simple words, I will be with you out 487 00:30:05,320 --> 00:30:09,520 Speaker 1: there too. He says, hey, hey, I will be with 488 00:30:09,640 --> 00:30:14,280 Speaker 1: you out there too. And she sort of looks up 489 00:30:14,360 --> 00:30:18,120 Speaker 1: at him and she says, I know this is about 490 00:30:18,160 --> 00:30:23,800 Speaker 1: to change it all everything, and he just shakes his 491 00:30:23,840 --> 00:30:27,200 Speaker 1: head and he just said, you know. He's like yeah, 492 00:30:28,720 --> 00:30:31,280 Speaker 1: And in that moment they not only just fall in love, 493 00:30:32,480 --> 00:30:41,120 Speaker 1: but they start walking and then so emotional even for me, 494 00:30:41,320 --> 00:30:43,160 Speaker 1: I was there, that I was there that night, you 495 00:30:43,240 --> 00:30:51,120 Speaker 1: were I was there, and um, she gets start once 496 00:30:51,160 --> 00:30:54,480 Speaker 1: the crowd sees her. It's just it's so clear, it's 497 00:30:54,640 --> 00:30:59,160 Speaker 1: so clear she's she's Star. And Star gets to the 498 00:30:59,240 --> 00:31:03,880 Speaker 1: mic and she looks out to the crowd and everyone's 499 00:31:03,920 --> 00:31:11,280 Speaker 1: just like it's just a thick wall. And she holds 500 00:31:11,360 --> 00:31:14,320 Speaker 1: up one finger. She says, one thing. She holds one 501 00:31:14,320 --> 00:31:17,720 Speaker 1: finger up, this one the pointer finger, just the pointer 502 00:31:19,120 --> 00:31:28,520 Speaker 1: and everyone within seconds and it is silent, and suddenly 503 00:31:28,920 --> 00:31:35,720 Speaker 1: the Star drops her hand and the beat comes in 504 00:31:36,480 --> 00:31:55,680 Speaker 1: and she says, who tell me? That causes her to 505 00:31:55,840 --> 00:32:00,760 Speaker 1: shoot into the sky. Salt it a fi in a 506 00:32:00,840 --> 00:32:09,160 Speaker 1: gaseous form. She becomes her own son, planets circle around her, 507 00:32:10,640 --> 00:32:14,000 Speaker 1: and the stars all around her turned to her because 508 00:32:14,040 --> 00:32:20,840 Speaker 1: they too were once performers, and they say, girl, you 509 00:32:21,000 --> 00:32:34,280 Speaker 1: did that m and of story. You know why I 510 00:32:34,320 --> 00:32:40,040 Speaker 1: love that? Because it referenced a lot of Lady Gaga immagery. No, no, 511 00:32:41,360 --> 00:32:46,239 Speaker 1: it was because is Mariam. Culture is the why did 512 00:32:46,280 --> 00:32:52,560 Speaker 1: you do that? People? That's a little culture. Mary. Culture 513 00:32:53,880 --> 00:33:01,600 Speaker 1: is the why of humans? What rule culture is that 514 00:33:03,920 --> 00:33:08,240 Speaker 1: there's many of them, There's so many and this joins 515 00:33:08,320 --> 00:33:11,640 Speaker 1: that iconic group you are giving me. Can I tell 516 00:33:11,800 --> 00:33:15,240 Speaker 1: can I tell you something? Yes, everything you're saying has 517 00:33:15,400 --> 00:33:20,640 Speaker 1: the same amount of gravitas that I associate with someone 518 00:33:20,800 --> 00:33:25,240 Speaker 1: like Hillary Clinton, Barbara Walton, Well, Barbara Walters, Oprah Winfrey. 519 00:33:25,840 --> 00:33:30,560 Speaker 1: You are you were laying down these This company is immense. 520 00:33:31,040 --> 00:33:33,560 Speaker 1: I think you you've earned You've earned your place next 521 00:33:33,600 --> 00:33:39,520 Speaker 1: to them. My friend. I take my platform very seriously 522 00:33:39,760 --> 00:33:42,000 Speaker 1: and you do too, And I want you to know 523 00:33:42,160 --> 00:33:45,880 Speaker 1: that you do something different. No, no, no, no, I'm 524 00:33:45,880 --> 00:33:50,120 Speaker 1: not done with you yet. You do something with your platform, 525 00:33:51,680 --> 00:33:55,120 Speaker 1: which is that when you speak, you speak the truth. 526 00:33:55,280 --> 00:33:59,560 Speaker 1: You're a seer and people listen, People listen. Don't forget 527 00:34:00,000 --> 00:34:05,120 Speaker 1: earned everything that I learned from books, film, television, media. 528 00:34:06,360 --> 00:34:08,879 Speaker 1: But that's the power of culture. You're even, you're not even, 529 00:34:08,960 --> 00:34:11,920 Speaker 1: You're don't deflect the culture teaches me, and I'm just 530 00:34:12,000 --> 00:34:16,319 Speaker 1: a vessel. You're giving the culture back. Radiating out from 531 00:34:16,400 --> 00:34:22,200 Speaker 1: you is the culture. You know what. Ultimately, it is 532 00:34:22,280 --> 00:34:25,560 Speaker 1: an honor to hear that coming from you, My sister, 533 00:34:26,000 --> 00:34:31,719 Speaker 1: thank you. Who has the taste that jumps out nearly 534 00:34:32,320 --> 00:34:36,360 Speaker 1: seven times a day. The taste jumps out, which is 535 00:34:37,000 --> 00:34:41,080 Speaker 1: way more then the taste jumps out of Let's just 536 00:34:41,120 --> 00:34:45,600 Speaker 1: say this. Anyone who listens to this, no no, no, no, no, 537 00:34:45,719 --> 00:34:48,560 Speaker 1: no no no, they understand the taste jumps out of 538 00:34:48,640 --> 00:34:51,000 Speaker 1: bow and Yang more than most human beings. And we 539 00:34:51,200 --> 00:34:53,880 Speaker 1: as readers and me as a cultures that has to 540 00:34:54,000 --> 00:34:57,719 Speaker 1: be humble about this. We are in the presence of 541 00:34:57,880 --> 00:35:05,839 Speaker 1: bowe and taste Yang b T Why I take very seriously, Yes, 542 00:35:07,040 --> 00:35:10,520 Speaker 1: the act of consumption. We will consume. Well, it's okay, 543 00:35:10,600 --> 00:35:14,719 Speaker 1: we all consume. You know what I've been consuming from 544 00:35:14,920 --> 00:35:19,800 Speaker 1: day one, Honey, you don't have to explain it to me. 545 00:35:20,120 --> 00:35:23,239 Speaker 1: I've been there, and I've been there, I know. But 546 00:35:23,400 --> 00:35:27,800 Speaker 1: I take seriously what I consume, and after a certain 547 00:35:27,840 --> 00:35:29,640 Speaker 1: amount of time I don't know if anyone else does this, 548 00:35:29,840 --> 00:35:34,000 Speaker 1: but I when I when I like something, I go 549 00:35:34,200 --> 00:35:37,279 Speaker 1: for it. Yes, and that's what I hope. I hope 550 00:35:37,320 --> 00:35:39,279 Speaker 1: some people out there are doing this too. I can't 551 00:35:39,320 --> 00:35:41,920 Speaker 1: be the only way. Are you doing this? Think about that, 552 00:35:42,160 --> 00:35:44,719 Speaker 1: ask yourself that question right now? Are you doing this? 553 00:35:45,360 --> 00:35:48,120 Speaker 1: I want every culture, rista and reader, whatever you got, 554 00:35:48,160 --> 00:35:52,040 Speaker 1: your stupid idiots stop. I don't like it, and I 555 00:35:52,239 --> 00:35:56,520 Speaker 1: lovely call them the stupid idiots. Yes. I want you 556 00:35:56,600 --> 00:35:58,560 Speaker 1: to say out loud right now, are you doing this? 557 00:35:58,840 --> 00:36:01,319 Speaker 1: Are you doing this? Just say that to yourself. Are 558 00:36:01,400 --> 00:36:05,200 Speaker 1: you doing this? And answer? You might not like the answer, 559 00:36:05,280 --> 00:36:07,759 Speaker 1: but you have to answer, and you know what, I 560 00:36:07,880 --> 00:36:09,879 Speaker 1: hope you say yes. And I just want to say 561 00:36:10,360 --> 00:36:12,920 Speaker 1: that before we sing our little song. Thank you so 562 00:36:13,080 --> 00:36:15,480 Speaker 1: much to Mary. I'm Cosby for hitting the world stage. 563 00:36:15,719 --> 00:36:20,760 Speaker 1: Thank you life, thank you love. And it is true 564 00:36:21,640 --> 00:36:31,640 Speaker 1: there is in this city and Miriam Cosby, Ah, I 565 00:36:31,719 --> 00:36:45,320 Speaker 1: won't take you for giving me the best. Sure. Bye 566 00:36:46,080 --> 00:36:46,360 Speaker 1: bye