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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama, Girl Drama Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic girl cheering drama Queen's Girl Fashion. But you'll tough, girl,

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Speaker 1: you could sit with us Girl Drama Queens Drama, Queen's Drama,

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Speaker 1: Queen's Drama Drawn MC Queen's Drama Queen's Season three, episode six, Lucked,

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Speaker 1: Hearts and Hand Grades Air date November nine, two thousand five. Hillary,

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Speaker 1: what was this episode of Acts? Oh my god, it's

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Speaker 1: the Fantasy boy Draft. You guys, we're gonna give you

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Speaker 1: the rundown on this. But not to be confused with

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Speaker 1: the boy Toy auction. That's it. It was like they

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Speaker 1: were like, you know what's worked in the past. We

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Speaker 1: did we do the boy toy already, the boy toy

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Speaker 1: action already, The boy to auction was season one. Yeah,

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Speaker 1: they were like, we like, we like hot ass, and

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Speaker 1: so to join us for this selling boys body episode

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Speaker 1: was our wonderful friend. Danielle Harris sackles ull Well, listen,

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Speaker 1: a lot happened this episode, and Rachel was the spicy

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Speaker 1: center of a lot of it. Uh to prevent the

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Speaker 1: cheer squad from fighting for the same guy, Brooks sets

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Speaker 1: up this fantasy boy draft. It backfires as predicted. Um

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Speaker 1: Hailey continues to work with Chris Keller as he pushes

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Speaker 1: her to write better music than Mayoral Race heats up

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Speaker 1: between Dan and Karen, and Lucas is having so much

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Speaker 1: trouble keeping up with the pace of basketball. It's just

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Speaker 1: things some dramatic in this week. It's a inchense. We

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Speaker 1: wanted you to come back for Rachel's introduction because it

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Speaker 1: was the perfect curveball for our show, and since we

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Speaker 1: didn't get we needed her energy. Let's go back because

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Speaker 1: as long as we're like looking at boy bodies in

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Speaker 1: this episode, we might as well go back and remember

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Speaker 1: the full display that you had to do with your

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Speaker 1: cheerleading audition. Um, yeah, what was like? Hell the hell

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Speaker 1: did you end up on our show? What happened? Oh

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Speaker 1: yeah that's right? Yeah, well huh, I auditioned, But when

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Speaker 1: I auditioned, I didn't have to do that dance. There

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Speaker 1: was no Um, I mean, look, full disclosure. I was

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Speaker 1: a cheerleader, but I was always the one that was

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Speaker 1: like in the back row and I was a bass

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Speaker 1: I was like the lifter of girls, and I was

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Speaker 1: like never the one who could follow along with the steps,

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Speaker 1: and I was always the one who was like counting

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Speaker 1: along with my mouth one like person. So it's like

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Speaker 1: the kid in the play that's always mouthing other people's

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Speaker 1: lines to them. Yes, yeah, So I was always in

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Speaker 1: the back. And so with with Rachel and like her,

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Speaker 1: you know her first, you know her. Her introduction is

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Speaker 1: you have to learn an dance. And I remember getting

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Speaker 1: the dance when I got to set, and I was like, oh,

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Speaker 1: they think I'm like a real performer who could just

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Speaker 1: like learn this in a day, like I need a

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Speaker 1: month for this, like I needed to. So it was

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Speaker 1: a lot um and I think it was to the

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Speaker 1: Whisper song. It was really gross. Turn up the volume

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Speaker 1: is very scary. It's um. It's pretty scandalous. Gus is

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Speaker 1: obsessed with Star Wars right now, and I was explaining

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Speaker 1: to him the viral sensation that was Star Wars Kid,

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Speaker 1: like around that time, do you guys remember that video totally?

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Speaker 1: And so we repeated it in those cheerleading tryouts we

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Speaker 1: had like a Star Wars kid, and so I went

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Speaker 1: to show him that. I was like look, we referenced

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Speaker 1: this in One Tree Hill and then all of a sudden,

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Speaker 1: Rachel comes out and starts doing her dance, and I

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Speaker 1: had to like like, he's like, oh, that's Danil, and

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Speaker 1: I'm like, we're not gonna look at Antonia like this. Yeah,

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Speaker 1: oh my god. I don't remember how many times you too.

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Speaker 1: I saw you this weekend and you told me you

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Speaker 1: auditioned for a different character. Yeah, so I auditioned for Brooke,

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Speaker 1: and at least I'm pretty sure. I'm pretty sure it

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Speaker 1: was Brooke. I was going through a record collection and

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Speaker 1: being really bitchy, um, but not in a bitchy Peyton way,

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Speaker 1: So I'm pretty sure that it was. So they loved

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Speaker 1: you and brought you back then for this. Did you

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Speaker 1: have to audition again for Rachel? Or was it like

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Speaker 1: we remember how much we love that girl call her? No,

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Speaker 1: So it wasn't like a giant audition. I do remember that.

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Speaker 1: It was just like, you know, maybe like kind of

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Speaker 1: us or something. Yeah, but there there were a couple

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Speaker 1: of girls, and but I do remember specifically there was

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Speaker 1: no dancing required and I was not told about any

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Speaker 1: of that. And then I get there and I was

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Speaker 1: just like, so nervous, and I had to meet you

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Speaker 1: guys all. I met all of you in like a

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Speaker 1: Pamela Anderson outfit that was super tight. It was Clether

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Speaker 1: was buying way, it was Vinyl. I don't it was

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Speaker 1: so it was nerve wracking. We have talked about that

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Speaker 1: dress because I had as Peyton and as Hillary had

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Speaker 1: zero problem with it. Was just like, oh my god,

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Speaker 1: look at her calves, like this is amazing, amazing. And

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Speaker 1: what I like about the way you play Rachel, is

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Speaker 1: I suppose any of those other girls auditioning could have

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Speaker 1: played some of these lines really bitchy, like oh, is

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Speaker 1: that your boyfriend? You know? And Rachel from the jump

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Speaker 1: earnestly asks brook She's like, oh, I'm so sorry, is

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Speaker 1: that your boyfriend? And Brooks the one that keeps saying no, no, no,

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Speaker 1: and so yeah, so Rachel doesn't necessarily get with Brooke

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Speaker 1: until Brooke is like clearly offended by her presence, and

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Speaker 1: it kind of it doesn't make sense. It's yeah, that

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Speaker 1: really feels like, yeah, it's kind of all on Brook

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Speaker 1: right now. I mean, and Rachel's seems to be having

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Speaker 1: a little fun with having fun with her about it

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Speaker 1: because she's clearly so bothered, and Rachel is clearly so

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Speaker 1: not bothered. But you know, when you see somebody that's

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Speaker 1: all worked up about something, it's fun like do you

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Speaker 1: like to push a button here and there? I don't,

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Speaker 1: but there are several kinds of people, and some people

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Speaker 1: like to just find a poke buttons a little bit

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Speaker 1: when you see somebody who's really worked up. Um, I

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Speaker 1: don't know. I just this whole episode. I'm like, Rachel

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Speaker 1: so nice, She's a friendly and in genuine th I was, um,

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Speaker 1: who was it? I was really into a Vonage Public

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Speaker 1: the coach. She was like a famous acting coach. I

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Speaker 1: think she's passed away now, but she both this really

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Speaker 1: great book, um, and I remember for this specifically, for

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Speaker 1: this audition, I went back um through her book and

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Speaker 1: I used some of her techniques. And what I discovered

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Speaker 1: with Rachel is you never needed to play Rachel Bidgie,

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Speaker 1: and if you did, you know that that no one

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Speaker 1: was really going to respond to her because the lines

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Speaker 1: by themselves were so terrible that if you didn't say

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Speaker 1: it with a smile or didn't say it with like,

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Speaker 1: you know. I always gave Rachel the backstory of you know,

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Speaker 1: her parents, traveled and she has been in a thousand

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Speaker 1: schools and she expects to leave Tree Hill. Um, she

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Speaker 1: does not expect to be there. She's there, and what

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Speaker 1: how was it like we were sophomores or you go

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Speaker 1: to the junior year because we have one where year

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Speaker 1: left to school. Okay, So I mean she was just like, well,

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Speaker 1: this is like I've spent two previous years in different schools.

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Speaker 1: Now I'm going to be here for just a second.

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Speaker 1: And like and I wasn't supposed to be a series regular.

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Speaker 1: I was only a recurring guest star. So it played

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Speaker 1: that played end of my back that was in my

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Speaker 1: head of like I'm just popping in here for a

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Speaker 1: minute like I do every school and it's more fun.

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Speaker 1: I'm just like what, like, okay, y'all are going to

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Speaker 1: get all serious. Everybody's worked up about this, but I'm

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Speaker 1: going to leave in a minute, so it doesn't matter.

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Speaker 1: I don't need to invest too much. So her lines

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Speaker 1: to me were always just kind of they needed to

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Speaker 1: be more flippant, more like that's so smart and it

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Speaker 1: tracks when I watch your performance, I see that choice.

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Speaker 1: Oh it's senior year. We just had that big beach

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Speaker 1: party where we're like it's our last year of high school.

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Speaker 1: That almost lends itself to be flip because it's like, guys,

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Speaker 1: we're out of here. Yeah, don't be you and your

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Speaker 1: little boyfriends so cute, Yeah, you're not going to know them.

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Speaker 1: And Rachel would never know anybody long term because of

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Speaker 1: moving so much. So it's you know, she doesn't develop

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Speaker 1: those really strong relationships, and I think later later on,

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Speaker 1: not to be a spoiler, but that's I think that's

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Speaker 1: why she whole so close to mouth when they do

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Speaker 1: become friends, because that really was her only true friend

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Speaker 1: at Tree hill Brook a little but they always it

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Speaker 1: got good and then it was what was high school

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Speaker 1: like for you? For real? I mean I know that you.

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Speaker 1: I listen. I told on you. I told the other

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Speaker 1: girls that you were a pageant queen because that picture

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Speaker 1: of you with the puffy sleeves and the scepter is

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Speaker 1: like my favorite picture. It's my favorite throughout my life

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Speaker 1: various friends. I Like, it's one of those things where

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Speaker 1: like I'll go over to people's house and they've found

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Speaker 1: it on the internet and tried it about, Like okay, classic,

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Speaker 1: I've seen this like a thousand times. I'm gonna get

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Speaker 1: a cardboard cut out of it and just have it

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Speaker 1: here in the office. Culture queen, And you know what,

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Speaker 1: I'm proud of my Cajun culture and I can tell

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Speaker 1: you a lot about it. Um. It was just like

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Speaker 1: a thing to do where I grew up. Everybody did

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Speaker 1: it and I only did that one pageant. That was

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Speaker 1: it for me. I wasn't like a I did and

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Speaker 1: I won. What do you want? I didn't want my one.

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Speaker 1: I was like, okay, I checked that. But you know,

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Speaker 1: I did a lot of things in high school. I

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Speaker 1: was like A had a lot of different, um, different

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Speaker 1: friend groups. And you know, I changed high schools myself

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Speaker 1: more year or let's see, middle of my freshman year,

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Speaker 1: I changed from like a really small high school to

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Speaker 1: a really big high school, and so I got to

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Speaker 1: kind of reinvent myself. I think, um, as much as

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Speaker 1: you can do in a town with like, you know,

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Speaker 1: three red lights. So I reinvented myself when everyone was

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Speaker 1: like no, no, you're no, You're still a bad girl.

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Speaker 1: We already know. But high school for me was fun.

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Speaker 1: I don't have any like bad memories of high school.

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Speaker 1: I enjoyed it. I mean, sure, I got my feelings hurt,

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Speaker 1: and I probably hurt feelings, but all in all, it

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Speaker 1: was a good experience. Nothing quite like Tree Hill. I

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Speaker 1: would say, yeah, but these kids go through no offense

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Speaker 1: to all the people I went to high school with.

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Speaker 1: But like Tree Hill, it's like one of the most

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Speaker 1: beautiful high school. Like did you see all the cute

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Speaker 1: boys like that? The cheerleaders are super cute, Like I

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Speaker 1: think like this was during that super mode of like

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Speaker 1: CW casting or Warner Brothers casting where they're like, literally,

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Speaker 1: every face has to be you know, every face, every

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Speaker 1: face has to be magical. That was a lot to

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Speaker 1: look up to, though, because that's what you went to

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Speaker 1: the c W four if you were an audience member,

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Speaker 1: like you knew, yeah, every it was just all pretty.

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Speaker 1: And that was the trope and the joke right about

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Speaker 1: the network, like it's just all pretty people. Yes, I

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Speaker 1: don't know, Yeah, well they were they were beautiful. I

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Speaker 1: noticed that about Tree Hills, Like, Wow, this is a

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Speaker 1: good looking high school. Who would you have picked in

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Speaker 1: the boy draft? Who would have your who would I

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Speaker 1: think it'd be a toss up between well, I think

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Speaker 1: Nathan because just because we were watching him run back

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Speaker 1: and I'm like this is a cute guy, like yeah, probably,

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Speaker 1: I don't know, probably not Lucas, because are we talking

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Speaker 1: about me or Rachel? You know, we can we can

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Speaker 1: be safe and say Rachel, like, who do you think Rachel?

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Speaker 1: I think Rachel would be into um all the philosophical

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Speaker 1: poetry and all that. I think she would maybe roll

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Speaker 1: her eyes and I wouldn't want to be update with

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Speaker 1: someone as Rachel. And they and they're like starting to

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Speaker 1: quote poetry like I'm so yes, I think just Nan,

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Speaker 1: Chris Keller, I'm taking like all of your men um

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Speaker 1: joy Sorry those two maybe O. See why do I

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Speaker 1: slap you in later events? Don't like a drink in

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Speaker 1: your face? You drinking? Why why do we fight? We

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Speaker 1: fight in an episode coming up soon, right? Why do

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Speaker 1: we fight? I throw a drink in your I do

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Speaker 1: something with your husband? Oh? Because you were after Nathan.

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Speaker 1: That's right. Yeah, she did actually decide. Yeah, that's what

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Speaker 1: it was. I don't know what happens to her. I

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Speaker 1: mean she has to overcome. I mean there was like

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Speaker 1: you know, she was heavier in her younger years, and

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Speaker 1: and Brooke put all those pictures up of her, so

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Speaker 1: she's embarrassed in front of the the whole high school,

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Speaker 1: so I think, like, then she starts to retaliate, she

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Speaker 1: becomes yeah, but um yeah, you throw a drink on

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Speaker 1: me and then slapped me. Do I slap you? Because

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Speaker 1: you're pressing so many altercations on this show. I feel

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Speaker 1: like you were pregnant, so I would I don't feel

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Speaker 1: like I would have hit you, I think too, So

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Speaker 1: maybe it's next next season. Well, it's girl fighting that

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Speaker 1: kicks off this whole boy draft, this idea that like

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Speaker 1: the cheerleading squad is just fighting over boys. Um yeah,

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Speaker 1: and like physically fighting with each other. Bevin and one

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Speaker 1: of the other cheerleaders have each other in like headlocks.

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Speaker 1: I love how much screen time Bevan got this episode.

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Speaker 1: It was crazy. I don't remember that, but it's awesome

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Speaker 1: and I want to see, like, I want to see

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Speaker 1: more of her character with skills. Chemistry was so good.

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Speaker 1: It was really unexpected to it was scene. To me,

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Speaker 1: that was the most interesting scene of the episode because

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Speaker 1: there was just so there was like a little fireworks

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Speaker 1: happening on camera. It was great. Yeah, I can't wait

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Speaker 1: till they come on the podcast. Well, we've had but

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Speaker 1: we need to get them together. They're both comedic actors,

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Speaker 1: and usually on our show, we use our comedic actors

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Speaker 1: to lighten up the straight men. So like Lucas would

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Speaker 1: get haired with Gills to lighten then you know, Peyton

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Speaker 1: gets paired with people to lighten up. Um. When we

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Speaker 1: have these scenes where we've got two great comedic actors

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Speaker 1: working together, that's why the Skills Barbara stuff is so good.

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Speaker 1: You know, we don't get to do a lot of it.

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Speaker 1: It's usually just kissing and crying everyone I want a giggle,

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Speaker 1: you know. But I liked I I agree, I really

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Speaker 1: liked that. It was good. It was very sexy. We

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Speaker 1: also had a cameo in this episode, um, a guest star,

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Speaker 1: Julianna Gwill who is now she's still working now. She's

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Speaker 1: starring in Joe Pickett alongside Michael Dorman. He just did

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Speaker 1: a movie with Sophia Oh that's right. Yeah, yeah, I

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Speaker 1: can't remember the name of it. Yeah, she was great.

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Speaker 1: I remember her. Like in this specific episode, the director

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Speaker 1: for some reason kept making our stay that line skills

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Speaker 1: to Bevan, Yes, over and over and like I just

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Speaker 1: remember that in my head, Like the minute she said

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Speaker 1: skills to Bevan, I had like a traumatic flinch. I

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Speaker 1: was like, I just remember sitting on that couch and

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Speaker 1: something was going wrong. I don't know if it was

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Speaker 1: like technical or whatever it was, but it was like

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Speaker 1: she kept having to say that line, and then she

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Speaker 1: ended up like being so upset. You know. It was

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Speaker 1: just remember that room being just a bit difficult that day.

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Speaker 1: But she was great and she um. She went out

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Speaker 1: and did a movie after that that was kind of big.

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Speaker 1: It was like a high school films. I love seeing

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Speaker 1: people who are still working in the industry and still

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Speaker 1: like making stories and making great movies pop up in

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Speaker 1: their early early beginning days pop up on our show.

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Speaker 1: She was also on Friday the thirteen. Yeah, I was

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Speaker 1: gonna shared padillacky. Yeah, we're going to the premiere of

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Speaker 1: that and seeing her and I was like, oh my gosh,

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Speaker 1: so yeah, you know, we can talk about that boy draft.

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Speaker 1: We don't have to talk about things in order. Because

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Speaker 1: when we saw that this was the episode we were watching,

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Speaker 1: we were all like, oh oh, because this is a

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Speaker 1: hard one they had to shoot. They had like three

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Speaker 1: girls in a room, and not only are you supposed

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Speaker 1: to know your own lines, but you're supposed to know

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Speaker 1: everyone else's lines so you can rapid fire like, you know,

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Speaker 1: talking right after. Yeah, it was impossible, and the director,

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Speaker 1: I think, got very frustrated with us, and then it

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Speaker 1: was kind of grouchy. Anyway, she did one episode of

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Speaker 1: our show and was like, I'm never talking again, never again. Um, yes,

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Speaker 1: that is what that is what I remember the minute

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Speaker 1: I thought. I also remember not understanding the boy draft

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Speaker 1: at all, and I watched it again and I still

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Speaker 1: don't understand. And I don't understand fantasy football draft, so

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Speaker 1: and I don't know how that works. So maybe that's

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Speaker 1: why I'm so confused. But I was watching it, I

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Speaker 1: was like, I don't get it, Like was explaining it right, yeah,

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Speaker 1: Brooks explaining it, and I still had trouble figuring out

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Speaker 1: what the actual So so nobody's allowed to like that

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Speaker 1: that's the boy that you can chase for the entire

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Speaker 1: season and no one else can chase after him. I

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Speaker 1: don't like, is that what it is? I don't understand.

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Speaker 1: I don't I don't get it. I don't like the

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Speaker 1: whole Like I don't know when you're sixteen years yeah, sixteen,

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Speaker 1: seventeen years old, like you've got to pick one, you know,

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Speaker 1: like you're supposed to be chasing three or four at

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Speaker 1: any even times, real live version of Masha. Like we

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Speaker 1: were trying to do, you know, the piece of paper

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Speaker 1: Mash Mary and the apartment shack house or whatever. Man,

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Speaker 1: Oh that's what is mansion apartment shack house. You never

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Speaker 1: did this, Hillary? Of course, I did this, of course.

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Speaker 1: But I was always like I want to live in

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Speaker 1: a castle with bats, and you know, like I want

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Speaker 1: to marry a vampire. I feel like Brooke was trying

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Speaker 1: to create her own live, real life version of Mash. Yeah, everybody.

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Speaker 1: Everybody gets to pick. Then I remain confused by I

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Speaker 1: don't know what we were doing, but I knew I

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Speaker 1: had to pick Lucas and it was to piss Brook off.

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Speaker 1: So that was the only do you guys have like

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Speaker 1: girl code when you were growing up? Like, was it

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Speaker 1: like you and your friends made agreements like we're not

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Speaker 1: going to like the same guy. Yeah, but it never worked, right, Yeah, exactly.

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Speaker 1: I remember I remember me and my friend both going

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Speaker 1: out with the same guy like in fifth grade or something,

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Speaker 1: fifth or sixth grade, and it was like, yeah, we're

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Speaker 1: both his girlfriend were so progressive. It worked for like

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Speaker 1: four days. Yeah, in high school. I just I was

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Speaker 1: in a very small town. So by nature, you were

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Speaker 1: going to date somebody that somebody else's had already been with.

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Speaker 1: But sometimes that's good because you can learn a lot

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Speaker 1: before you get into that relationship. So my best friend

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Speaker 1: and I dated guys in so our senior year. We

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Speaker 1: dated college boys and they were best friends. They had

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Speaker 1: graduated two years before us, and they were best friends,

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Speaker 1: and we were best friends, and we would like double

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Speaker 1: date and like super cute until did your parents know?

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Speaker 1: My mom would have killed me up in the same town.

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Speaker 1: We've known these guys since we were little. Like it's

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Speaker 1: not like they were like mysterious older guys. I've known

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Speaker 1: them since they were like, you know, nerdy fifth grade.

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Speaker 1: Immediately after graduating high school, my boyfriend was I was like, yeah, guys, come,

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Speaker 1: it's like you and year old when I was at

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Speaker 1: nineteen two. Yeah, poor choices. But these boys decided that

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Speaker 1: they wanted to switch. They decided that I was a

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Speaker 1: better fit for her boyfriend and she was a better

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Speaker 1: fit for my boyfriend, and they decided they went out

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Speaker 1: progressive guys. Know. I was the bitch that was just

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Speaker 1: like we're done here, We're done everyone. Oh you didn't

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Speaker 1: want to I'm done here. Didn't Shania Twain do that? No, dude,

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Speaker 1: I completely left the quadrant. I left the quadran. Oh

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00:21:22,920 --> 00:21:31,520
Speaker 1: that's rights. Yeah, who did with who? Her husband started

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Speaker 1: cheating on her with the the best friends. They're the

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Speaker 1: little couple they were best friends with I think, yeahall

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Speaker 1: we have to go back and look. But then and

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Speaker 1: then they do other too. Were kind of like bonding

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Speaker 1: with each other about it or something, and then they

365
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Speaker 1: started there was and so now is that the situation?

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Speaker 1: They just did a full switchero and now everybody's happy again.

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Speaker 1: They're still dinner parties. It's still just like, I don't

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Speaker 1: know how happy it is. Maybe yeah, I don't know

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Speaker 1: if they hang out there dosie dough. But disclaimer, none

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Speaker 1: of us know Shania or anything about her life. She

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Speaker 1: wants to come on and tell us all about it.

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Speaker 1: We're totally yeah, should I come explain? Yeah, I'm into it. Well, um,

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Speaker 1: because this episode felt to me like it was a placeholder. Yeah,

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Speaker 1: nothing happened, and all the things that were supposed to

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Speaker 1: seem really meaningful, like Lucas's speeches and even a couple

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Speaker 1: of moments with Nathan and Haley, I guess, and it

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Speaker 1: all just felt like kind of a filler, like they

378
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Speaker 1: couldn't figure out what to do with this episode and

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Speaker 1: they just said, well, let's just do something found nothing matters.

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Speaker 1: Is it a spec script? Oh that's interesting, because here's

381
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Speaker 1: the deal. When they're hiring new writers or when they're

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Speaker 1: like bringing new people into the writer's room, a lot

383
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Speaker 1: of times they're like, just write a standalone episode so

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Speaker 1: that we can pop it in whenever we need to

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Speaker 1: pop it in. And this one really doesn't connect to anything,

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00:23:01,720 --> 00:23:05,240
Speaker 1: you know. You know, the only connections are the Dan

387
00:23:05,359 --> 00:23:08,639
Speaker 1: and Karen stuff and Dan and I always want to

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00:23:08,640 --> 00:23:11,880
Speaker 1: call her Barbara Dan and Debb just and those are

389
00:23:11,920 --> 00:23:16,000
Speaker 1: just continuations of a storyline that already started. But there's

390
00:23:16,000 --> 00:23:18,800
Speaker 1: no real progression in either of those storylines. They just

391
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Speaker 1: kind of think her moving that sign was a big deal.

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Speaker 1: I didn't understand shouldn't deface it or anything. I just

393
00:23:26,760 --> 00:23:30,040
Speaker 1: totally I was like, okay, so you got it, move

394
00:23:31,040 --> 00:23:32,840
Speaker 1: and you put a little bumper sticker on the back.

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Speaker 1: As an adult. Nice though as an adult toy, we're

396
00:23:37,920 --> 00:23:42,800
Speaker 1: so much more capable of vandalism at this age. Absolutely,

397
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Speaker 1: what would do did you do it, What would you

398
00:23:48,280 --> 00:23:51,600
Speaker 1: mean at least like popped a giant poop emoji on

399
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Speaker 1: the head or I don't know, done some more with

400
00:23:54,119 --> 00:23:57,560
Speaker 1: the with the like there should have been more diarrhea,

401
00:23:58,720 --> 00:24:04,679
Speaker 1: oh more, you want to always yeah that, Like I

402
00:24:04,720 --> 00:24:07,800
Speaker 1: guess we weren't. It was too early in the series

403
00:24:07,840 --> 00:24:10,320
Speaker 1: to like actually see a poop stain or maybe that

404
00:24:10,359 --> 00:24:13,360
Speaker 1: would be like standards and practices would be like no, no,

405
00:24:13,359 --> 00:24:16,160
Speaker 1: no no, But I wanted to see a poop stain. Um.

406
00:24:16,800 --> 00:24:18,959
Speaker 1: I love that Paul was so committed to that, like

407
00:24:19,000 --> 00:24:20,960
Speaker 1: when he was in Karen's cafe yelling at her and

408
00:24:20,960 --> 00:24:24,439
Speaker 1: then like the way he kind of hobbled off. I

409
00:24:24,480 --> 00:24:27,760
Speaker 1: love he was like so game for anything. Yes, Um,

410
00:24:27,800 --> 00:24:29,879
Speaker 1: but I thought there was some really good like um,

411
00:24:30,280 --> 00:24:34,639
Speaker 1: Brooke Rachel lines in there, and like there was definitely

412
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Speaker 1: a lot of like if I look on my Instagram,

413
00:24:37,920 --> 00:24:40,880
Speaker 1: some of those scenes are always on there because it's

414
00:24:40,920 --> 00:24:47,159
Speaker 1: like the totally Beaches moment. Loved that line. Love. Um,

415
00:24:47,200 --> 00:24:50,280
Speaker 1: just some of the early Brook Rachel face offs, I think,

416
00:24:50,440 --> 00:24:53,000
Speaker 1: and those were so much fun to shoot, Like I

417
00:24:53,080 --> 00:24:55,480
Speaker 1: just remember like being done with those and then laughing

418
00:24:55,640 --> 00:24:59,760
Speaker 1: because they were so ridiculous and um, you know you

419
00:25:00,119 --> 00:25:03,919
Speaker 1: out biting each other. It takes a big personality to

420
00:25:04,040 --> 00:25:07,800
Speaker 1: stand up to Brook, you know, like, yeah, you cannot

421
00:25:07,920 --> 00:25:12,639
Speaker 1: be a little bit intimidated or insecure. You have to

422
00:25:12,760 --> 00:25:15,320
Speaker 1: outbrooke Brook in order to play the game with her.

423
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Speaker 1: And so watching you two together it's so fun because

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00:25:19,560 --> 00:25:21,680
Speaker 1: this is the first time we've actually seen Brook kind

425
00:25:21,680 --> 00:25:27,000
Speaker 1: of insecure, like she wasn't insecure. She knew exactly who

426
00:25:27,040 --> 00:25:30,440
Speaker 1: she was with Erika marsh you know, yeah, this is fun.

427
00:25:30,760 --> 00:25:35,920
Speaker 1: It's I also like the way when there's the Hailey

428
00:25:36,240 --> 00:25:45,240
Speaker 1: Brooke interactions, because like Brooke and Haley is just like yeah, anyway,

429
00:25:45,280 --> 00:25:48,560
Speaker 1: and it's like just so grounded and it's just like

430
00:25:48,600 --> 00:25:52,920
Speaker 1: these two I love it, Um, I love watching them.

431
00:25:53,040 --> 00:25:56,359
Speaker 1: That's like every conversation you'll have in that episode was

432
00:25:56,440 --> 00:26:00,840
Speaker 1: like that it is we have we end up seeing. Yeah.

433
00:26:00,920 --> 00:26:03,680
Speaker 1: I loved seeing Brooke and Haley really getting a chance

434
00:26:03,720 --> 00:26:07,119
Speaker 1: to to play ball and bat around their friendship. And

435
00:26:07,280 --> 00:26:10,400
Speaker 1: in the last season this season, it's been really fun.

436
00:26:10,520 --> 00:26:14,359
Speaker 1: I like watching real Chris, Like, you want to talk

437
00:26:14,400 --> 00:26:21,040
Speaker 1: about chemistry, You and Tyler have such good chemistry on

438
00:26:21,080 --> 00:26:26,639
Speaker 1: this show, and so Chris that that segue between um

439
00:26:26,880 --> 00:26:29,320
Speaker 1: them talking about something sucking and then Crisp being like

440
00:26:29,400 --> 00:26:33,800
Speaker 1: the song sucks, you know. Yeah, it was a great

441
00:26:33,920 --> 00:26:37,160
Speaker 1: segue and the only thing that's good about that song

442
00:26:37,280 --> 00:26:42,359
Speaker 1: besides it being over. They always gave him great lines.

443
00:26:42,400 --> 00:26:45,879
Speaker 1: He really did. Yeah, him hair as me in that

444
00:26:45,960 --> 00:26:49,520
Speaker 1: episode hair color. I don't remember his hair. I don't

445
00:26:49,520 --> 00:26:52,439
Speaker 1: remember his hair being red. I don't know why I

446
00:26:52,600 --> 00:26:55,720
Speaker 1: was remember. It might have just been the light in

447
00:26:55,720 --> 00:26:59,520
Speaker 1: the room, but it was filter. Yeah, there was like

448
00:26:59,560 --> 00:27:04,520
Speaker 1: a neon, like a neon sign in that room, I think. Um.

449
00:27:04,560 --> 00:27:09,480
Speaker 1: But he is a good catalyst for Haley. The conversation

450
00:27:09,520 --> 00:27:11,639
Speaker 1: that you guys have in the recording studio is great

451
00:27:11,720 --> 00:27:15,880
Speaker 1: because he's like, he's doing exactly what Nathan wants him

452
00:27:15,920 --> 00:27:19,680
Speaker 1: to do, and that's to push her and get her

453
00:27:19,720 --> 00:27:24,520
Speaker 1: to stop lying or stop pretending or being safe. Um.

454
00:27:24,560 --> 00:27:27,199
Speaker 1: And it is weird that he's the only person that

455
00:27:27,320 --> 00:27:29,600
Speaker 1: can do that. And then when he comes into the

456
00:27:29,640 --> 00:27:33,520
Speaker 1: cafe and he puts her name on the board, I

457
00:27:33,560 --> 00:27:36,880
Speaker 1: totally forgot about that. What I thought you did that

458
00:27:37,320 --> 00:27:41,320
Speaker 1: when Chris, Oh no, she's talking about earlier when Chris came. Yeah,

459
00:27:41,560 --> 00:27:44,199
Speaker 1: that was really sweet and I love the Scott at

460
00:27:44,200 --> 00:27:45,919
Speaker 1: the end. You know what made me think of that,

461
00:27:46,000 --> 00:27:49,480
Speaker 1: because they It made me think of wanting to explain

462
00:27:49,520 --> 00:27:52,560
Speaker 1: to the audience how they get those shots, because the

463
00:27:52,680 --> 00:27:56,040
Speaker 1: shot of Haley putting the Scott sticker on the map

464
00:27:57,840 --> 00:28:03,159
Speaker 1: transitions into the shot of the Scott letters on a

465
00:28:04,000 --> 00:28:06,119
Speaker 1: what is it a locker or a jersey or something,

466
00:28:07,000 --> 00:28:11,320
Speaker 1: But they have to measure that so specifically with the

467
00:28:11,400 --> 00:28:15,000
Speaker 1: camera to make sure that there the letters are going

468
00:28:15,040 --> 00:28:17,560
Speaker 1: to line up exactly so that they can transit, and

469
00:28:17,560 --> 00:28:20,159
Speaker 1: then how to pull back from that to get to

470
00:28:20,240 --> 00:28:22,240
Speaker 1: the actor's face. Because you're going from a super super

471
00:28:22,280 --> 00:28:24,439
Speaker 1: super extreme close up and then pulling back out to

472
00:28:24,480 --> 00:28:27,600
Speaker 1: a regular size. You could be there for like over

473
00:28:27,640 --> 00:28:30,520
Speaker 1: an hour sometimes on each end, trying to make sure

474
00:28:30,560 --> 00:28:36,199
Speaker 1: that you get the get you get the sizes exactly right.

475
00:28:36,240 --> 00:28:38,520
Speaker 1: And I always think those things are interesting for people

476
00:28:38,560 --> 00:28:41,920
Speaker 1: who don't work in our industry to know that you

477
00:28:42,040 --> 00:28:44,320
Speaker 1: just see a cool shot. Oh that's so cool they

478
00:28:44,360 --> 00:28:48,440
Speaker 1: transitioned on the Scott name. That's neat. But um, sometimes

479
00:28:48,440 --> 00:28:50,400
Speaker 1: the technical stuff is kind of fun to learn. So

480
00:28:50,720 --> 00:28:54,400
Speaker 1: there you go totally. People are always like it takes

481
00:28:54,400 --> 00:28:57,960
Speaker 1: you all how long to make a forty minute episode?

482
00:28:58,080 --> 00:29:03,120
Speaker 1: Over a week eight days, because where are we eight days? Yeah,

483
00:29:03,160 --> 00:29:06,240
Speaker 1: you're right, yeah, we spent seven of them, like holding

484
00:29:06,240 --> 00:29:12,960
Speaker 1: cupcakes in your apartment in this episode. The cupcakes. Okay,

485
00:29:13,000 --> 00:29:17,040
Speaker 1: so listen, the props department is who supplies the cupcakes, right,

486
00:29:17,360 --> 00:29:19,000
Speaker 1: they have to go out and get all the fake food.

487
00:29:19,320 --> 00:29:24,280
Speaker 1: But they didn't get like three cupcakes for all thirty

488
00:29:24,320 --> 00:29:27,000
Speaker 1: seven of these girls to eat in every single take.

489
00:29:27,560 --> 00:29:30,200
Speaker 1: So the directors thought they might have thought I was

490
00:29:30,240 --> 00:29:32,520
Speaker 1: just going to put them, you know, on the on

491
00:29:32,600 --> 00:29:35,360
Speaker 1: the counter, or that's what they because they had meetings

492
00:29:35,360 --> 00:29:38,320
Speaker 1: prior to this, like um tone meetings and all these

493
00:29:38,320 --> 00:29:42,680
Speaker 1: different sorts of meetings where everything is discussed, and it

494
00:29:42,720 --> 00:29:45,680
Speaker 1: was probably said that I would just put the cupcakes

495
00:29:45,720 --> 00:29:48,000
Speaker 1: on the counter and then maybe on the day. The

496
00:29:48,000 --> 00:29:50,040
Speaker 1: director was like no, no, no, she passes them out

497
00:29:50,680 --> 00:29:53,320
Speaker 1: and she wanted everyone to take bites of the cupcakes,

498
00:29:53,400 --> 00:29:55,840
Speaker 1: like I remember that being like She's like, these gotta

499
00:29:55,920 --> 00:29:58,800
Speaker 1: look like these girls love these cupcakes. So that Brooke

500
00:29:58,880 --> 00:30:02,320
Speaker 1: is upset, and so we all have blue mouths because

501
00:30:02,320 --> 00:30:05,080
Speaker 1: you know that icing from the grocery store, because that

502
00:30:05,160 --> 00:30:07,640
Speaker 1: has kids and it is like a disaster that stuff.

503
00:30:07,680 --> 00:30:11,240
Speaker 1: It doesn't come on, come on, the Great Cupcake Battle

504
00:30:11,400 --> 00:30:16,160
Speaker 1: of the Fantasy Boy Draft. It's so stupid the things

505
00:30:16,200 --> 00:30:20,320
Speaker 1: that you remember. It's so stupid because it's like it's

506
00:30:20,320 --> 00:30:22,600
Speaker 1: like we've we filmed for eight days, but the cupcakes

507
00:30:22,600 --> 00:30:27,600
Speaker 1: are the things where I'm like, oh, not those things. Yeah,

508
00:30:27,880 --> 00:30:30,320
Speaker 1: do you know what I have for you? Guys? I

509
00:30:30,320 --> 00:30:34,320
Speaker 1: have a present for you. Um. Sometimes my hoarding pays off,

510
00:30:35,680 --> 00:30:41,280
Speaker 1: and I have hearded this Mouth McFadden boy draft card

511
00:30:41,720 --> 00:30:46,720
Speaker 1: for the last like years. It's got stats on the

512
00:30:46,760 --> 00:30:51,040
Speaker 1: back on how do I Okay, yeah, read them. It

513
00:30:51,080 --> 00:30:56,480
Speaker 1: says number one for your consideration, height five seven, weight

514
00:30:56,680 --> 00:31:03,440
Speaker 1: one In what world was Mouth one? Ninety? Okay? Our

515
00:31:03,520 --> 00:31:07,520
Speaker 1: department got a little creative. Here says born ten, ten

516
00:31:07,760 --> 00:31:11,440
Speaker 1: eighty nine. Okay, so we know that Mouth's birthdays ten birthday.

517
00:31:12,440 --> 00:31:15,600
Speaker 1: It says I'm the nice guy. You've been waiting for

518
00:31:15,840 --> 00:31:20,600
Speaker 1: exclamation mark and then bullet pointed. Uh, like on our

519
00:31:20,640 --> 00:31:23,600
Speaker 1: resumes when we have to do special skills. Um, it

520
00:31:23,640 --> 00:31:32,000
Speaker 1: says stylish, smart, sincere, great conversationalist and great dancer available.

521
00:31:32,040 --> 00:31:37,400
Speaker 1: Now Mouth mixed that in Oh my god, awesome. I

522
00:31:37,400 --> 00:31:40,200
Speaker 1: mean this was a little I stole this from set

523
00:31:40,480 --> 00:31:44,080
Speaker 1: and it's you got to frame it in one of

524
00:31:44,120 --> 00:31:46,280
Speaker 1: those frames that's glass in the front and glass in

525
00:31:46,320 --> 00:31:48,480
Speaker 1: the back. I love him. You can get him at

526
00:31:48,480 --> 00:31:51,680
Speaker 1: like Marshall's. They're cheap number one. He's a number one

527
00:31:51,760 --> 00:31:54,680
Speaker 1: pick guys. No, she's a she's not going to give

528
00:31:54,720 --> 00:31:56,760
Speaker 1: that joy. There's no way in hell he's going to

529
00:31:56,840 --> 00:31:58,520
Speaker 1: get it. I'll maybe take a screen grab and send

530
00:31:58,560 --> 00:32:03,040
Speaker 1: it to him, but I'm gonna be I'm gonna years old,

531
00:32:03,120 --> 00:32:06,440
Speaker 1: like whym I tell you kids about the Fantasy Boy Draft.

532
00:32:07,680 --> 00:32:10,040
Speaker 1: You gotta get him to sign it and then still

533
00:32:10,120 --> 00:32:14,960
Speaker 1: keep it. By the way, he really is the best dancer.

534
00:32:15,480 --> 00:32:18,880
Speaker 1: That's a He's a great dancer. Yeah, it really is.

535
00:32:18,920 --> 00:32:20,720
Speaker 1: It makes a difference when a guy knows how to dance,

536
00:32:20,760 --> 00:32:24,200
Speaker 1: doesn't it nice? Okay, So what were you gonna say

537
00:32:24,200 --> 00:32:26,680
Speaker 1: before I interrupted you with my totally sweet trading card.

538
00:32:27,520 --> 00:32:29,239
Speaker 1: I was gonna say, well, there's two things. Ay, I

539
00:32:29,320 --> 00:32:31,960
Speaker 1: really want to go back to figuring out what we

540
00:32:32,000 --> 00:32:34,800
Speaker 1: would have done to destroy dance campaign, because I think

541
00:32:34,840 --> 00:32:38,280
Speaker 1: that's such a fun topic. But also, why the hell

542
00:32:38,520 --> 00:32:42,040
Speaker 1: does Lucas care so much about being on the varsity

543
00:32:42,080 --> 00:32:45,520
Speaker 1: basketball team but he's willing to risk his life? What

544
00:32:45,800 --> 00:32:49,680
Speaker 1: is going on? Well, I think he said he said

545
00:32:49,680 --> 00:32:51,960
Speaker 1: in the episode that he never felt like he had

546
00:32:52,000 --> 00:32:55,400
Speaker 1: fit in before and he'd finally found a group of

547
00:32:55,440 --> 00:33:01,160
Speaker 1: people that you know, supported him, and he felt he

548
00:33:01,280 --> 00:33:03,400
Speaker 1: felt safe and all of that. Didn't he say that

549
00:33:03,800 --> 00:33:07,800
Speaker 1: he did? Did? I mean, it's not like he's hanging

550
00:33:07,840 --> 00:33:11,440
Speaker 1: out with the bros. It's not like he's like like

551
00:33:11,760 --> 00:33:14,760
Speaker 1: got a connection with the team at all, and all

552
00:33:14,760 --> 00:33:17,120
Speaker 1: the girls still want to hook up with him. So

553
00:33:17,200 --> 00:33:21,640
Speaker 1: it's not like not playing basketballs to ruin that. Um

554
00:33:21,880 --> 00:33:25,120
Speaker 1: if Again, it feels like a spec script. It feels

555
00:33:25,120 --> 00:33:28,400
Speaker 1: like a standalone thing where it's like Luca's just really

556
00:33:28,400 --> 00:33:32,720
Speaker 1: has to care about basketball so much. Um Yeah, he's

557
00:33:32,720 --> 00:33:35,080
Speaker 1: only been playing for what half a year on the

558
00:33:35,160 --> 00:33:37,200
Speaker 1: varsity team. I mean, obviously he's been playing his whole

559
00:33:37,200 --> 00:33:39,400
Speaker 1: life in the river court means everything to him, and

560
00:33:39,440 --> 00:33:42,080
Speaker 1: those guys mean everything. But that's the other thing. I mean,

561
00:33:42,120 --> 00:33:44,600
Speaker 1: what about his river court friends. Aren't those the people

562
00:33:44,680 --> 00:33:48,680
Speaker 1: that always made him feel like he belonged somewhere? Is he?

563
00:33:49,240 --> 00:33:52,800
Speaker 1: Why is he suddenly all obsessed with the jocks at

564
00:33:52,800 --> 00:34:02,760
Speaker 1: the high school who were always apples to him. I

565
00:34:02,840 --> 00:34:04,600
Speaker 1: do love that this was like the first time we

566
00:34:04,600 --> 00:34:09,200
Speaker 1: saw skills at school about time, you know, was it? Yeah,

567
00:34:09,520 --> 00:34:11,880
Speaker 1: one of the first I mean, if it's not the first,

568
00:34:11,880 --> 00:34:16,200
Speaker 1: it's the second, which is when became in hot, which

569
00:34:16,239 --> 00:34:19,719
Speaker 1: I like, Yeah, I don't think we have seen him

570
00:34:19,719 --> 00:34:24,160
Speaker 1: at school before. I mean maybe sitting in a classroom maybe,

571
00:34:25,400 --> 00:34:28,440
Speaker 1: I don't know. How about how bad is Brookett passing notes?

572
00:34:29,360 --> 00:34:34,160
Speaker 1: Just like who thought that was a good idea? Like

573
00:34:34,400 --> 00:34:39,520
Speaker 1: do kids even pass notes anymore? It happened, I got

574
00:34:39,560 --> 00:34:42,480
Speaker 1: I gotten big trouble. But it wasn't really passing it out.

575
00:34:42,520 --> 00:34:44,359
Speaker 1: It was I left it in my pocket and my

576
00:34:44,400 --> 00:34:47,839
Speaker 1: mom washed my pants, you know, and pulled it out

577
00:34:47,840 --> 00:34:51,040
Speaker 1: and found it, and it was bad. It was like

578
00:34:51,120 --> 00:34:54,000
Speaker 1: all about like the party that we had snuck out,

579
00:34:54,080 --> 00:34:56,600
Speaker 1: and like I don't know why my friend was writing

580
00:34:56,600 --> 00:34:59,359
Speaker 1: in so much detail, but it was like all of it.

581
00:34:59,480 --> 00:35:04,520
Speaker 1: She just like, and then about your window and went

582
00:35:04,600 --> 00:35:08,120
Speaker 1: to so and so's house, and then I can't believe

583
00:35:08,160 --> 00:35:10,520
Speaker 1: we stayed out until two in the morning, can you?

584
00:35:11,320 --> 00:35:13,799
Speaker 1: And but it was just like, well everything's there. My

585
00:35:13,840 --> 00:35:16,840
Speaker 1: mom was like, OK, well you're it, and I'm like

586
00:35:17,600 --> 00:35:19,560
Speaker 1: I couldn't even get out of it because like every

587
00:35:19,600 --> 00:35:24,000
Speaker 1: single detail I had been described. Wait, man I got caught.

588
00:35:24,120 --> 00:35:29,040
Speaker 1: It was a great yeah, great, You're the best sneaker out. Ever,

589
00:35:29,320 --> 00:35:31,080
Speaker 1: my mom did the same thing. She found a note

590
00:35:31,160 --> 00:35:34,240
Speaker 1: in my pocket that I was the middleman. This girl

591
00:35:34,360 --> 00:35:36,760
Speaker 1: Jade wanted me to pass this note to her cousin

592
00:35:36,920 --> 00:35:39,520
Speaker 1: in my class. And my mom finds it in my

593
00:35:39,560 --> 00:35:42,720
Speaker 1: pocket and it was just one sentence it said you Leon,

594
00:35:43,360 --> 00:35:46,840
Speaker 1: and it was second grade. My mom found it and

595
00:35:46,840 --> 00:35:50,160
Speaker 1: it was just like, who's Leon. It has to be

596
00:35:50,200 --> 00:35:56,360
Speaker 1: another T shirt? I really need that T shirt. I

597
00:35:56,480 --> 00:35:59,480
Speaker 1: used to pass notes all the time. We used to.

598
00:36:01,280 --> 00:36:04,000
Speaker 1: I was went to high school in New Jersey in

599
00:36:04,040 --> 00:36:06,920
Speaker 1: a building that had been around for probably since like

600
00:36:06,960 --> 00:36:09,399
Speaker 1: the thirties or forties. So we had these old radiators

601
00:36:09,920 --> 00:36:12,480
Speaker 1: that were on the sides of the rooms and it

602
00:36:12,560 --> 00:36:15,760
Speaker 1: was close enough to the desk where you could count

603
00:36:15,960 --> 00:36:18,799
Speaker 1: how many slats in the radiator there were, and you

604
00:36:18,840 --> 00:36:22,040
Speaker 1: could like. So there was this little note space for notes,

605
00:36:22,160 --> 00:36:25,000
Speaker 1: and I would slide my notes for from my friend

606
00:36:25,000 --> 00:36:27,640
Speaker 1: who was coming into the next class. So we would

607
00:36:27,640 --> 00:36:29,319
Speaker 1: all leave the classroom and then he would come in

608
00:36:29,360 --> 00:36:33,520
Speaker 1: and sit down and my note it wass yes, this

609
00:36:33,600 --> 00:36:35,320
Speaker 1: was my best friend in high school. And so I

610
00:36:35,320 --> 00:36:38,560
Speaker 1: would always leave a little uh, I live a little

611
00:36:38,760 --> 00:36:40,439
Speaker 1: little notes in there. We would like trade and pass

612
00:36:40,560 --> 00:36:45,760
Speaker 1: notes back and forth in the radiator. I like, pardon

613
00:36:45,840 --> 00:36:51,200
Speaker 1: the pun. I didn't even mean it jokes, No, I like,

614
00:36:51,640 --> 00:36:53,360
Speaker 1: I'm just thinking, like if that was in a movie,

615
00:36:53,400 --> 00:36:55,239
Speaker 1: that would be like a sexy little thing to do

616
00:36:55,440 --> 00:36:57,840
Speaker 1: is to have like a little hidi hole in public,

617
00:36:58,520 --> 00:37:00,200
Speaker 1: you know what I mean. Like that's what makes it's

618
00:37:00,239 --> 00:37:03,040
Speaker 1: so cute. It's the you know, the sixth It's like

619
00:37:03,080 --> 00:37:05,440
Speaker 1: the sixth slat or whatever it was. You know, you

620
00:37:05,480 --> 00:37:07,719
Speaker 1: could always say whichever desk you ended up sitting by,

621
00:37:08,080 --> 00:37:11,080
Speaker 1: like number eight, Yeah, what happens if someone else leaves

622
00:37:11,080 --> 00:37:16,960
Speaker 1: a note there one day? Are like, I'm always more scared.

623
00:37:17,880 --> 00:37:20,040
Speaker 1: I mean, I like to journal, but every time I

624
00:37:20,160 --> 00:37:23,640
Speaker 1: journal something, I'll then shred it because I'm so paranoid

625
00:37:24,320 --> 00:37:27,800
Speaker 1: um of like keeping notes and letters because it's like,

626
00:37:27,840 --> 00:37:32,359
Speaker 1: oh my gosh, it's so permanent. Um. And then yet

627
00:37:32,520 --> 00:37:36,839
Speaker 1: I will text a lot of crazy and I'm like,

628
00:37:38,280 --> 00:37:41,920
Speaker 1: like just a digital but something about yeah, it's just

629
00:37:41,960 --> 00:37:44,000
Speaker 1: a digital footbir. It's just going into the cloud and

630
00:37:44,080 --> 00:37:49,400
Speaker 1: anybody can access it. But like, you gotta shred this.

631
00:37:49,560 --> 00:37:52,560
Speaker 1: It's probably some like trauma from high school. But I'm like,

632
00:37:53,239 --> 00:37:56,399
Speaker 1: you got caught, Yeah, I got caught. I'm like, better

633
00:37:56,440 --> 00:37:59,480
Speaker 1: shred this note. But yeah, I'm always I'm always like

634
00:38:00,000 --> 00:38:03,520
Speaker 1: so scared to write things down? Now, haven't you seen

635
00:38:03,560 --> 00:38:07,120
Speaker 1: Bridges of Madison County. After Meryl Street dies, her children

636
00:38:07,280 --> 00:38:13,920
Speaker 1: find all of her like she does. The movie starts

637
00:38:15,280 --> 00:38:17,600
Speaker 1: it's our kids and they find all her the attic

638
00:38:17,640 --> 00:38:23,160
Speaker 1: and they're like, mother had a life and a photographer.

639
00:38:25,920 --> 00:38:28,719
Speaker 1: Keep the notes. Let your kids think you're interesting one day.

640
00:38:29,160 --> 00:38:31,560
Speaker 1: You know. I love keeping all that stuff. I'm a

641
00:38:31,800 --> 00:38:34,720
Speaker 1: total paper hoarder. I have there's a lot of stuff

642
00:38:34,719 --> 00:38:37,799
Speaker 1: that I'll throw away, but paper. I have bins of

643
00:38:37,880 --> 00:38:41,840
Speaker 1: note cards and um greeting cards that people have given

644
00:38:41,880 --> 00:38:44,800
Speaker 1: me from birthdays and things from like, you know, twenty

645
00:38:44,880 --> 00:38:47,759
Speaker 1: years ago. Keep none of all that stuff. I have

646
00:38:47,880 --> 00:38:50,600
Speaker 1: that box full of notes from high school that I

647
00:38:50,640 --> 00:38:53,720
Speaker 1: passed back and forth with my friends. That's not true, Hilary.

648
00:38:53,760 --> 00:38:55,200
Speaker 1: I have a birthday card you gave me for my

649
00:38:55,239 --> 00:38:59,680
Speaker 1: twenty six birthday. I ever come on this podcast again,

650
00:39:00,040 --> 00:39:02,880
Speaker 1: will bring it. Because she would draw like elaborate pictures.

651
00:39:02,920 --> 00:39:11,000
Speaker 1: Remember you joked, because I was like the oldest was

652
00:39:11,160 --> 00:39:15,920
Speaker 1: always like so old, like compelled to everybody else. God,

653
00:39:16,000 --> 00:39:18,600
Speaker 1: I'm so old, what do we think? Goodness, we didn't

654
00:39:18,640 --> 00:39:21,239
Speaker 1: have like so much like social media. We do not

655
00:39:21,320 --> 00:39:24,360
Speaker 1: have any social media. But no, we were safe. Nobody

656
00:39:24,400 --> 00:39:28,239
Speaker 1: could nobody could really like comment on that, because I

657
00:39:28,280 --> 00:39:30,200
Speaker 1: remember like watching nine or two one I my mom

658
00:39:30,239 --> 00:39:34,719
Speaker 1: being like Dylan McKay's four hundred years old. None of

659
00:39:34,760 --> 00:39:40,440
Speaker 1: these people because we had all like the forehead wrinkles. Yeah. Um,

660
00:39:40,480 --> 00:39:44,680
Speaker 1: but yeah, it was like, no, we didn't know that.

661
00:39:44,760 --> 00:39:46,640
Speaker 1: We didn't need to know what people were saying about us.

662
00:39:46,680 --> 00:39:49,560
Speaker 1: We just passed our own. Look. Joy and I had

663
00:39:49,600 --> 00:39:52,640
Speaker 1: a notebook that we would pass between our trailers and

664
00:39:52,680 --> 00:39:54,879
Speaker 1: you decorated the front of it and it was called

665
00:39:54,920 --> 00:39:58,280
Speaker 1: Trailer Trash and we would just talk in this journal

666
00:39:58,520 --> 00:40:01,680
Speaker 1: and has it back and forth so that we have it.

667
00:40:02,360 --> 00:40:05,359
Speaker 1: You you do, I've found it in my in my

668
00:40:05,440 --> 00:40:14,279
Speaker 1: storage in it. There needs to be another podcast. Yeah,

669
00:40:14,400 --> 00:40:16,920
Speaker 1: that's because it's like you you do the scene and

670
00:40:16,960 --> 00:40:19,640
Speaker 1: you know, you're just like, oh God, I'm exhausted. Now

671
00:40:19,680 --> 00:40:21,640
Speaker 1: I gotta sit around for four hours while they shoot

672
00:40:21,640 --> 00:40:23,239
Speaker 1: a different scene, and I don't know what to do

673
00:40:23,360 --> 00:40:26,000
Speaker 1: for the next four hours, and so you write to

674
00:40:26,040 --> 00:40:29,960
Speaker 1: your human journal joy and you're like, did you check

675
00:40:29,960 --> 00:40:32,239
Speaker 1: out this on set today? And did you know who's

676
00:40:32,320 --> 00:40:34,879
Speaker 1: kissing who? And did you know what happened after work

677
00:40:34,920 --> 00:40:40,080
Speaker 1: on Wednesday? We had a grand times did I love

678
00:40:40,239 --> 00:40:44,040
Speaker 1: the I love the Traveling Notebook? And I've actually used

679
00:40:44,120 --> 00:40:47,719
Speaker 1: this UM in raising my daughter. It's really helped it

680
00:40:47,719 --> 00:40:52,879
Speaker 1: with communication because um, she would we I started out

681
00:40:52,960 --> 00:40:57,799
Speaker 1: with when she was writing, kids start writing about um

682
00:40:57,880 --> 00:41:00,560
Speaker 1: what five six years old in kindergarten are like putting

683
00:41:00,560 --> 00:41:05,480
Speaker 1: together real basic sentences. UM. So if she was mad,

684
00:41:06,160 --> 00:41:08,759
Speaker 1: she just shuts down. She will not speak and have

685
00:41:08,800 --> 00:41:11,080
Speaker 1: a conversation. So I and she would go in her

686
00:41:11,160 --> 00:41:14,000
Speaker 1: room and close the door, or she would we weren't allowed.

687
00:41:14,120 --> 00:41:16,239
Speaker 1: I didn't let her have a fully closed door until

688
00:41:16,239 --> 00:41:19,600
Speaker 1: it certain, so you know, I took it off. She's

689
00:41:19,600 --> 00:41:24,520
Speaker 1: got no door, and UM, so I would I would write, UM,

690
00:41:24,560 --> 00:41:27,240
Speaker 1: are you mad at me? And slide it under the door,

691
00:41:27,719 --> 00:41:30,640
Speaker 1: and then she would write yes and slide it back

692
00:41:33,920 --> 00:41:37,640
Speaker 1: what happened? Slide it back and should And so we

693
00:41:37,680 --> 00:41:41,279
Speaker 1: would do that and we have kept doing that. I

694
00:41:41,320 --> 00:41:43,040
Speaker 1: think the last time we did it was Eventually I

695
00:41:43,040 --> 00:41:44,960
Speaker 1: graduated to a notebook because it was a little easier

696
00:41:44,960 --> 00:41:46,560
Speaker 1: because you know, I had to keep going to find

697
00:41:46,640 --> 00:41:50,360
Speaker 1: pieces of papor, but I wanted to keep them forever.

698
00:41:51,160 --> 00:41:53,640
Speaker 1: It was it gave her the freedom to have to

699
00:41:53,760 --> 00:41:57,880
Speaker 1: share her emotions without the scariness of having to, you know,

700
00:41:58,200 --> 00:42:02,960
Speaker 1: say things out loud sometime. Um So anyway, it's a

701
00:42:03,040 --> 00:42:05,160
Speaker 1: it's a fun tool for any parents out there who

702
00:42:05,160 --> 00:42:06,719
Speaker 1: are trying to figure out how to get your kids

703
00:42:06,719 --> 00:42:10,200
Speaker 1: to talk to you about scary things or whatever. I

704
00:42:10,280 --> 00:42:13,360
Speaker 1: like that a lot. That's a good one. Gus employed

705
00:42:13,400 --> 00:42:17,040
Speaker 1: that joy. Like. I remember finding a note on the

706
00:42:17,120 --> 00:42:21,719
Speaker 1: kitchen island that said mom is dumb. D O M.

707
00:42:21,800 --> 00:42:25,839
Speaker 1: And he was trying to say numb, mom is dumb,

708
00:42:26,440 --> 00:42:28,560
Speaker 1: and so Jeff Will still yelled at him. He was like,

709
00:42:28,640 --> 00:42:35,560
Speaker 1: mom is dumb. Notes are the way to my heart,

710
00:42:35,760 --> 00:42:38,319
Speaker 1: even if you're being kind of an asshole. I love

711
00:42:38,560 --> 00:42:41,000
Speaker 1: the written word to What would you do if you

712
00:42:41,080 --> 00:42:48,080
Speaker 1: found a boy draft note in your daughter's pocket? I

713
00:42:48,120 --> 00:42:54,160
Speaker 1: would laugh so hard. I don't know, I think that's hysterical. Yeah,

714
00:42:54,320 --> 00:42:57,480
Speaker 1: like the idea of Davis's kids finding a boy draft

715
00:42:57,520 --> 00:42:59,640
Speaker 1: and it being all the names of all of the

716
00:42:59,719 --> 00:43:05,080
Speaker 1: like uncles and like people she knows in town. That's horrifying.

717
00:43:05,280 --> 00:43:07,520
Speaker 1: We don't think about it in context like that. It's

718
00:43:07,520 --> 00:43:11,520
Speaker 1: a stranger. My youngest daughter, you know, there's a little

719
00:43:11,560 --> 00:43:13,600
Speaker 1: jewelry box. You open it up and there's like a

720
00:43:13,600 --> 00:43:17,480
Speaker 1: little ballerina kind of rolling around. So she has one

721
00:43:17,520 --> 00:43:19,960
Speaker 1: of those, and I I was putting away some of

722
00:43:20,000 --> 00:43:22,359
Speaker 1: her little like stretchy bracelets, and I opened it up

723
00:43:23,360 --> 00:43:26,799
Speaker 1: in there and she has in there, and she just

724
00:43:26,840 --> 00:43:30,960
Speaker 1: graduated pre school. She has in there perfectly positioned a

725
00:43:31,000 --> 00:43:34,600
Speaker 1: little boy his picture, his school pictures, put it in there,

726
00:43:35,600 --> 00:43:39,120
Speaker 1: and I was like, what's this? And she told me

727
00:43:39,160 --> 00:43:41,319
Speaker 1: his name and I was like, is this like a

728
00:43:41,360 --> 00:43:45,120
Speaker 1: special friend? And she's like I just didn't want to

729
00:43:45,120 --> 00:43:49,240
Speaker 1: lose it. And I was like, she's like it's really special.

730
00:43:49,320 --> 00:43:53,000
Speaker 1: And I'm like that's adorable, Like it's really cute. I'm

731
00:43:53,040 --> 00:43:58,839
Speaker 1: here for young love me too. I love it. Oh man,

732
00:43:59,440 --> 00:44:02,000
Speaker 1: it's the remember too young to have a crush. I

733
00:44:02,000 --> 00:44:07,920
Speaker 1: don't think it just means you like people like Jeff

734
00:44:07,960 --> 00:44:11,880
Speaker 1: and I don't understand. We were both like in love

735
00:44:12,200 --> 00:44:15,040
Speaker 1: from preschool on, like I have been in love my

736
00:44:15,280 --> 00:44:18,640
Speaker 1: entire life. Jeff was in love his entire life. Gus

737
00:44:18,760 --> 00:44:22,680
Speaker 1: is like computers. Do you know what I mean now

738
00:44:22,840 --> 00:44:25,160
Speaker 1: or just like I don't know. That seems like work.

739
00:44:25,400 --> 00:44:27,960
Speaker 1: You guys are a lot since this is really intimidating,

740
00:44:27,960 --> 00:44:30,399
Speaker 1: I don't understand that. Can I find out the line

741
00:44:30,440 --> 00:44:34,640
Speaker 1: craft one of mine? So at least we know one

742
00:44:34,719 --> 00:44:38,719
Speaker 1: is a romantic I was like, that's great. Is the

743
00:44:38,760 --> 00:44:41,560
Speaker 1: older one is she? Is she a slurty girl? Now?

744
00:44:42,280 --> 00:44:47,120
Speaker 1: Now she's serious. No, she's very serious, like not a flirt. No. No,

745
00:44:48,040 --> 00:44:50,480
Speaker 1: And I don't really think any of them. I she

746
00:44:51,680 --> 00:44:53,839
Speaker 1: my nine year old recently had a slummer party, and

747
00:44:54,760 --> 00:44:57,640
Speaker 1: I mean third grade summer parties. We were talking about boys.

748
00:44:57,719 --> 00:45:02,719
Speaker 1: They didn't they did not mention one boy. Oh wow,

749
00:45:03,000 --> 00:45:08,759
Speaker 1: well that's good. They're evolved. We were just like monsters. Yeah,

750
00:45:08,880 --> 00:45:11,759
Speaker 1: they did each other, which is hilarious, but not in

751
00:45:11,760 --> 00:45:15,120
Speaker 1: a serious way. They like blindfolded each other and did

752
00:45:15,160 --> 00:45:18,160
Speaker 1: it all. See that's what we should have been doing

753
00:45:18,200 --> 00:45:22,520
Speaker 1: at the apartment. You know. Yes, the apartment is a

754
00:45:22,520 --> 00:45:24,799
Speaker 1: good set. By the way, those Okay, so Sophia is

755
00:45:24,800 --> 00:45:29,480
Speaker 1: not here. Everybody at home knows that she's doing romantic things. Um,

756
00:45:29,560 --> 00:45:33,520
Speaker 1: which is very cool. Uh, but I love in this

757
00:45:33,600 --> 00:45:36,960
Speaker 1: episode the apartment. You know, she's like the French riviera,

758
00:45:37,080 --> 00:45:40,120
Speaker 1: and Rachel corrects her. But isn't that like we're st

759
00:45:40,320 --> 00:45:45,120
Speaker 1: got engaged, Like has life come full circle? Oh that's

760
00:45:45,200 --> 00:45:48,080
Speaker 1: interesting Positano, Right, Wasn't that sort of the area that

761
00:45:48,120 --> 00:45:51,160
Speaker 1: she was Guys? I don't know. I'm just some bumpkin

762
00:45:51,239 --> 00:45:56,960
Speaker 1: that lives in the country, but I think it's like

763
00:45:57,000 --> 00:46:00,759
Speaker 1: CuMo different. I don't know, that isn't the same. It's

764
00:46:00,760 --> 00:46:06,680
Speaker 1: off the same coast. They were in a boat Rachel's lines,

765
00:46:06,880 --> 00:46:11,919
Speaker 1: I am not. I don't know. Ye, Okay. Talk about

766
00:46:12,000 --> 00:46:15,040
Speaker 1: Rachel being smart though, because I loved that bombshell this

767
00:46:15,080 --> 00:46:18,319
Speaker 1: episode with the Supreme Court case. Oh my gosh, that

768
00:46:18,440 --> 00:46:21,960
Speaker 1: was great. Yeah, she's very smart and she does that throughout.

769
00:46:22,239 --> 00:46:24,440
Speaker 1: I think all of her time at Tree Hill, she's

770
00:46:24,480 --> 00:46:27,480
Speaker 1: always pulling out something like that. But I mean again,

771
00:46:27,680 --> 00:46:31,160
Speaker 1: like when you're you know, popping around to all these

772
00:46:31,160 --> 00:46:33,279
Speaker 1: different schools, I mean, I feel like there is part

773
00:46:33,320 --> 00:46:36,080
Speaker 1: of her that's like she just kind of buried herself,

774
00:46:36,120 --> 00:46:40,040
Speaker 1: probably in her studies. And you know, we learned later

775
00:46:40,120 --> 00:46:44,120
Speaker 1: that her parents aren't very um present because she and

776
00:46:44,200 --> 00:46:49,600
Speaker 1: Brookes share that in common. Umi, Yeah, I was like

777
00:46:49,680 --> 00:46:54,640
Speaker 1: no one we were at Charlie Brown's real life. I

778
00:46:54,640 --> 00:46:58,920
Speaker 1: guess no one's parents were really present. No, but I

779
00:46:58,960 --> 00:47:02,280
Speaker 1: like that you also are so smart in real life, Danielle.

780
00:47:02,480 --> 00:47:06,040
Speaker 1: Like when we had to do that Maxim cover, we

781
00:47:06,080 --> 00:47:07,799
Speaker 1: had to go sit down and do an interview, and

782
00:47:07,840 --> 00:47:11,800
Speaker 1: it was so Danielle and myself and this reporter's asking

783
00:47:11,880 --> 00:47:18,759
Speaker 1: us questions, and we were very aware of what that

784
00:47:18,880 --> 00:47:21,279
Speaker 1: kind of magazine wants you to be, and you know,

785
00:47:21,360 --> 00:47:24,880
Speaker 1: like the whole like bimbo mentality. And as we're answering

786
00:47:24,880 --> 00:47:27,840
Speaker 1: all these questions, I was like, do you understand that

787
00:47:27,880 --> 00:47:30,080
Speaker 1: Danielle is the smartest one at this table, Like she's

788
00:47:30,120 --> 00:47:32,480
Speaker 1: the one that graduated college, like she's always been like

789
00:47:32,480 --> 00:47:34,759
Speaker 1: the honor student. Like Danielle is the smartest person at

790
00:47:34,760 --> 00:47:37,760
Speaker 1: this table. And daniel is all like oh no, no,

791
00:47:37,760 --> 00:47:43,560
Speaker 1: no no, but in real life. And it's also just

792
00:47:43,680 --> 00:47:49,600
Speaker 1: memorizing a couple of facts that um will yes, yes,

793
00:47:49,920 --> 00:47:52,919
Speaker 1: the human had weighs eight pounds, right, you just spit

794
00:47:52,960 --> 00:47:54,759
Speaker 1: out a couple of random back and be like, oh,

795
00:47:55,000 --> 00:48:00,200
Speaker 1: she knows that she must know more. You are an

796
00:48:00,200 --> 00:48:04,319
Speaker 1: incredibly successful woman in so many different arenas, and it's

797
00:48:04,360 --> 00:48:09,080
Speaker 1: because you're so smart and intuitive and that doesn't happen

798
00:48:09,120 --> 00:48:12,479
Speaker 1: by accident. Well yeah, look she's a business owner. Look

799
00:48:12,520 --> 00:48:16,000
Speaker 1: I've got our family business beer shirt on right now. Um,

800
00:48:16,120 --> 00:48:18,680
Speaker 1: and that you want me to go get my booze bottles?

801
00:48:18,719 --> 00:48:21,320
Speaker 1: We were going to do that. No, no, no, no, hey,

802
00:48:21,440 --> 00:48:24,759
Speaker 1: where's my booze? The booze is coming? Do you guys

803
00:48:24,840 --> 00:48:28,160
Speaker 1: think it's it's weird that as adult women we went

804
00:48:28,200 --> 00:48:30,719
Speaker 1: from one tree hill to all kind of venturing into

805
00:48:30,719 --> 00:48:34,200
Speaker 1: the liquor business or the like the alcoholic Is it

806
00:48:34,280 --> 00:48:41,400
Speaker 1: a coping mechanism? It's just a lushes tracks perfectly? Well, yeah,

807
00:48:41,640 --> 00:48:49,960
Speaker 1: what is Rachel doing right now? Wine? And figured there

808
00:48:50,000 --> 00:48:55,399
Speaker 1: might be something about wine coming. But what's Rachel doing now?

809
00:48:55,480 --> 00:48:57,480
Speaker 1: Where where did Rachel end up? I don't even know?

810
00:48:57,600 --> 00:49:02,479
Speaker 1: Dan dies? And then what happens where I we talked?

811
00:49:04,320 --> 00:49:07,719
Speaker 1: I think that I just took all his money and left. Um,

812
00:49:08,480 --> 00:49:11,160
Speaker 1: I have to ask some fans to help us out.

813
00:49:11,239 --> 00:49:15,040
Speaker 1: But I, um, yeah, I'm gonna do like a little

814
00:49:15,080 --> 00:49:18,640
Speaker 1: research on her because now I'm interested watching that. Watching

815
00:49:18,680 --> 00:49:22,359
Speaker 1: those episodes is really fun. It's really fun, like all

816
00:49:22,400 --> 00:49:24,640
Speaker 1: the emotions and I know I've heard y'all talk about it,

817
00:49:24,640 --> 00:49:27,279
Speaker 1: but like when you actually watch it. That just makes

818
00:49:27,320 --> 00:49:29,640
Speaker 1: me happy. Well, you were saying that you have like

819
00:49:29,760 --> 00:49:33,200
Speaker 1: muscle memory, like you remember some of the lines. Remember

820
00:49:33,360 --> 00:49:35,919
Speaker 1: I was remembering my lines. I was like, oh my gosh,

821
00:49:36,040 --> 00:49:38,520
Speaker 1: I remember this. I remember what comes next, I remember

822
00:49:38,520 --> 00:49:41,200
Speaker 1: the scenes. I remember what she's going to say, because

823
00:49:41,200 --> 00:49:43,640
Speaker 1: I was like just starting out and I was so

824
00:49:43,719 --> 00:49:46,760
Speaker 1: paranoid all the time that I was going to forget stuff,

825
00:49:46,760 --> 00:49:49,920
Speaker 1: and then I did, and then I get screamed that like,

826
00:49:49,960 --> 00:49:51,759
Speaker 1: you should know your lines, and I'm like I do.

827
00:49:51,840 --> 00:49:55,720
Speaker 1: I'm just so nervous and scared. I can't remember them.

828
00:49:55,800 --> 00:49:58,520
Speaker 1: I know. My favorite part of watching this episode back

829
00:49:58,840 --> 00:50:02,319
Speaker 1: is when the cheerleaders are fighting in the classroom and

830
00:50:02,360 --> 00:50:05,440
Speaker 1: they said something really mean, like he's not into horror

831
00:50:05,560 --> 00:50:10,160
Speaker 1: or something like that Danil in real life go fad

832
00:50:10,840 --> 00:50:15,360
Speaker 1: And then Rachel laughs like you laughed on que In.

833
00:50:17,400 --> 00:50:20,160
Speaker 1: You're like, it's funny. I don't care, it's still funny.

834
00:50:20,360 --> 00:50:30,920
Speaker 1: What's funny? Then it's still funny. Yeah. Should we do

835
00:50:30,960 --> 00:50:34,920
Speaker 1: some listener questions? I think we have a couple. Okay,

836
00:50:35,200 --> 00:50:38,400
Speaker 1: there's a question about musical theater and then another question

837
00:50:38,440 --> 00:50:42,759
Speaker 1: about I like Arianna's question. Let's start with this one.

838
00:50:43,160 --> 00:50:46,480
Speaker 1: She says, was it hard to be mean to someone

839
00:50:46,520 --> 00:50:49,520
Speaker 1: when your characters didn't get along and you actually adore

840
00:50:49,760 --> 00:50:53,120
Speaker 1: the real life actor? For example, what about Tyler Hilton

841
00:50:53,120 --> 00:50:56,719
Speaker 1: and James Lafferty, Sophia Bush and Danielle Accles. M hm

842
00:50:57,360 --> 00:50:59,960
Speaker 1: hm oh. I think it was fun. We kind of talk.

843
00:51:00,000 --> 00:51:03,840
Speaker 1: It's fun a minute ago like those it was, it

844
00:51:03,960 --> 00:51:06,719
Speaker 1: was so fun. And I remember just like so I

845
00:51:06,840 --> 00:51:09,560
Speaker 1: just like busting up laughing, like right after those scenes

846
00:51:09,600 --> 00:51:11,960
Speaker 1: because it was like hard, it was. It was hard

847
00:51:11,960 --> 00:51:15,279
Speaker 1: to keep a straight face and do though. Um, that

848
00:51:15,360 --> 00:51:18,239
Speaker 1: was one thing I remember, because like you have to

849
00:51:18,280 --> 00:51:23,520
Speaker 1: be so intense and like Sophia is like so like

850
00:51:24,239 --> 00:51:26,160
Speaker 1: Brook is like so over the top and so fast

851
00:51:26,160 --> 00:51:28,040
Speaker 1: in all this, and you want to laugh anyway because

852
00:51:28,040 --> 00:51:31,759
Speaker 1: it's funny, Like she's funny when she's doing it, And

853
00:51:31,880 --> 00:51:35,480
Speaker 1: I just remember it being like hard not to laugh.

854
00:51:36,480 --> 00:51:39,000
Speaker 1: That's it. It's hard not to laugh because it's just

855
00:51:39,040 --> 00:51:41,920
Speaker 1: so absurd. How it's so crazy to be mean to

856
00:51:42,040 --> 00:51:45,840
Speaker 1: someone that you really love. That's it's hard, it's so ridiculous.

857
00:51:45,880 --> 00:51:48,560
Speaker 1: I think it's way more awkward when you actually hate

858
00:51:48,560 --> 00:51:51,520
Speaker 1: the person, because then you have to pretend like you

859
00:51:51,640 --> 00:51:56,360
Speaker 1: don't in between scenes and you're like, great work today,

860
00:51:56,640 --> 00:52:00,120
Speaker 1: black an asshole? You know what I mean? That's a

861
00:52:00,239 --> 00:52:05,239
Speaker 1: more awkward. Yeah. Yeah. When it's your friend, go all out.

862
00:52:05,600 --> 00:52:08,200
Speaker 1: But if they if they have an inkling that you

863
00:52:08,239 --> 00:52:11,080
Speaker 1: don't like them, you have to pull the performance back

864
00:52:11,120 --> 00:52:14,400
Speaker 1: a little bit, just for the sake of politics. Yeah,

865
00:52:14,640 --> 00:52:16,520
Speaker 1: bring it back to all right. We have another question

866
00:52:16,600 --> 00:52:20,160
Speaker 1: from Jackie. As a huge musical theater nerd. I love

867
00:52:20,200 --> 00:52:23,040
Speaker 1: when y'all talk about connections to the theater and your

868
00:52:23,080 --> 00:52:26,400
Speaker 1: love of it. If there had been a full musical

869
00:52:26,440 --> 00:52:29,239
Speaker 1: episode of One Tree Hill, Oh my god, we used

870
00:52:29,280 --> 00:52:32,200
Speaker 1: to ask for that. What we did? What would you

871
00:52:32,200 --> 00:52:34,120
Speaker 1: have wanted to sing? And I'd love to know what

872
00:52:34,160 --> 00:52:40,960
Speaker 1: your favorite musical is. M Danielle loves singing. Okay, my

873
00:52:41,040 --> 00:52:44,560
Speaker 1: favorite musical from Yeah, I love I do love singing.

874
00:52:44,560 --> 00:52:47,960
Speaker 1: I just don't let other people hear. Um. But I

875
00:52:48,040 --> 00:52:50,560
Speaker 1: recently had a conversation with Joy and she said she

876
00:52:50,640 --> 00:52:53,080
Speaker 1: was going to help me with us. Oh yeah, thank

877
00:52:53,120 --> 00:52:54,640
Speaker 1: you for reminding me. I'll send you those I'll send

878
00:52:54,640 --> 00:52:56,759
Speaker 1: you those links. Thank you. I do remember it. I

879
00:52:56,760 --> 00:53:00,319
Speaker 1: didn't have that much champagne, right, it was that was

880
00:53:00,440 --> 00:53:05,360
Speaker 1: really early on in the night. Um, no, my favorite.

881
00:53:05,360 --> 00:53:09,160
Speaker 1: My first favorite musical was Oklahoma. My parents had the

882
00:53:09,239 --> 00:53:12,680
Speaker 1: record and I would listen to it over and over

883
00:53:12,880 --> 00:53:17,520
Speaker 1: and over and over and sing all the songs and yeah,

884
00:53:17,600 --> 00:53:20,560
Speaker 1: I just loved it. And I actually sang it this

885
00:53:20,600 --> 00:53:23,560
Speaker 1: weekend quite a bit in my head. In your head, Yeah,

886
00:53:23,719 --> 00:53:26,759
Speaker 1: you're just walking around? No no no no no no

887
00:53:26,760 --> 00:53:31,120
Speaker 1: no no no no no. Joy, what's your favorite? I mean,

888
00:53:31,360 --> 00:53:37,040
Speaker 1: I could always watch Lima is always always and South Pacific.

889
00:53:37,160 --> 00:53:41,799
Speaker 1: South Pacific is one that has no boring moments for me,

890
00:53:41,840 --> 00:53:45,400
Speaker 1: there's no dip, there's I'm interested in every single moment

891
00:53:45,400 --> 00:53:51,040
Speaker 1: that's on stage. I really loved Tommy the first time

892
00:53:51,080 --> 00:53:55,279
Speaker 1: I saw it, Um, the Who's Tommy? But it's been

893
00:53:55,320 --> 00:53:56,920
Speaker 1: a while since I've seen it on stage, so I

894
00:53:56,920 --> 00:54:01,400
Speaker 1: don't know. Um, I think those are my favorites. I

895
00:54:01,440 --> 00:54:04,640
Speaker 1: love Into the Woods of course, yeah, but the second

896
00:54:04,640 --> 00:54:10,000
Speaker 1: act is I don't know, like minutes too long? Yes, Yes,

897
00:54:10,640 --> 00:54:15,880
Speaker 1: what's your funny girl? Funny Girl? You know, seeing it

898
00:54:15,960 --> 00:54:19,879
Speaker 1: as a kid and then having it parts of it

899
00:54:20,440 --> 00:54:23,840
Speaker 1: come to fruition in my adult life. You know that

900
00:54:23,840 --> 00:54:25,600
Speaker 1: that scene where all of a sudden she gets called

901
00:54:25,680 --> 00:54:27,640
Speaker 1: up by the Zigfeld Follies, and she's like, oh my god,

902
00:54:27,640 --> 00:54:30,880
Speaker 1: oh my god, I did it. It's overnight, like getting

903
00:54:30,960 --> 00:54:33,880
Speaker 1: called up by TRL off the street. You know. I

904
00:54:33,920 --> 00:54:36,520
Speaker 1: was just like, oh my god, it's happening, you know,

905
00:54:36,600 --> 00:54:40,480
Speaker 1: in the relationship stuff of like having been with men

906
00:54:40,520 --> 00:54:43,640
Speaker 1: in my past that didn't love that I was successful,

907
00:54:44,280 --> 00:54:46,560
Speaker 1: you know, like there were so many parts of that

908
00:54:46,640 --> 00:54:48,560
Speaker 1: movie that as a kid, I was just like, this

909
00:54:48,640 --> 00:54:50,920
Speaker 1: is razzle dazzle. I want to be an actress, just

910
00:54:50,960 --> 00:54:55,799
Speaker 1: like Fanny brice Um. And then those life lessons just

911
00:54:55,960 --> 00:55:00,680
Speaker 1: hit hard with a sweet Barbera streisand solo here and there.

912
00:55:01,360 --> 00:55:03,800
Speaker 1: She's genius. Did you see a Funny Girl in London

913
00:55:03,840 --> 00:55:06,400
Speaker 1: when they did it with them? Know they're doing it

914
00:55:06,480 --> 00:55:08,560
Speaker 1: right now. Don't remember that New York are doing it again?

915
00:55:08,880 --> 00:55:12,960
Speaker 1: How they are? Beanie felt, Oh, Beanie, that's right. I

916
00:55:13,000 --> 00:55:15,560
Speaker 1: haven't seen it yet, you know. I I love her.

917
00:55:15,840 --> 00:55:18,479
Speaker 1: I think she's great. Normally, when to go to the theater,

918
00:55:18,520 --> 00:55:20,359
Speaker 1: I take my son and so I don't know how

919
00:55:20,400 --> 00:55:22,520
Speaker 1: into funny girl he is. I actually promised him We're

920
00:55:22,520 --> 00:55:26,359
Speaker 1: going to go see a Little Shop of Horrors. That's

921
00:55:26,400 --> 00:55:29,399
Speaker 1: all so Tammy. I said, Hi, that's a fun show man.

922
00:55:30,080 --> 00:55:32,880
Speaker 1: You would be a good Audrey Danielle. I would love

923
00:55:33,640 --> 00:55:36,480
Speaker 1: Danielle would make a great Audrey. Yes, we'll be her

924
00:55:36,520 --> 00:55:38,719
Speaker 1: back up, we'll be the will be the do up

925
00:55:39,120 --> 00:55:43,480
Speaker 1: singers in the background. That's right. Yeah, those are the

926
00:55:43,480 --> 00:55:47,080
Speaker 1: songs you wouldn't be singing. Yes, I'll practice that. We'll

927
00:55:47,120 --> 00:55:52,880
Speaker 1: start with that. Suddenly, Seymour, go nuts, Go for babe.

928
00:55:52,960 --> 00:55:57,480
Speaker 1: That's so fun. Those are good questions. Umhould we be Wait,

929
00:55:57,520 --> 00:55:59,160
Speaker 1: we didn't talk about if there had been a musical

930
00:55:59,160 --> 00:56:02,040
Speaker 1: episode of the show. Oh yeah, let's go back. I mean,

931
00:56:02,440 --> 00:56:04,759
Speaker 1: I don't I don't know, Like it's hard to tell.

932
00:56:04,840 --> 00:56:07,840
Speaker 1: I'm trying to think of songs back then, like a

933
00:56:07,960 --> 00:56:10,600
Speaker 1: song that what like embodies your character, or just like

934
00:56:10,640 --> 00:56:12,759
Speaker 1: a group song or I don't know what he'll say.

935
00:56:12,800 --> 00:56:16,040
Speaker 1: Glee was like a jukebox musical. They would take pop

936
00:56:16,120 --> 00:56:20,440
Speaker 1: songs and make them like the character's narrative. What song

937
00:56:20,880 --> 00:56:26,400
Speaker 1: embodies your character? I mean, in this season, it's um

938
00:56:26,520 --> 00:56:32,000
Speaker 1: ain't too proud to beg right, Please don't leave it,

939
00:56:32,440 --> 00:56:38,400
Speaker 1: don't you? Yeah, I mean, I don't know what's that for?

940
00:56:38,560 --> 00:56:42,279
Speaker 1: Not for the candlebox. I am going to punch you

941
00:56:42,320 --> 00:56:45,439
Speaker 1: in the neck with the candlebox. Danil loves signing other

942
00:56:45,480 --> 00:56:48,719
Speaker 1: people up for karaoke and then making them sing the

943
00:56:48,800 --> 00:56:53,440
Speaker 1: song while she's yelling at the audience karaoke pitches. I

944
00:56:53,480 --> 00:56:56,600
Speaker 1: did sing four non blondes recently, you did? That's a

945
00:56:56,600 --> 00:56:59,759
Speaker 1: good one. Yeah, actually with with Renee, our head of

946
00:56:59,760 --> 00:57:04,919
Speaker 1: the elament at our pods. So it's uh, it's really fun. Okay,

947
00:57:04,920 --> 00:57:12,640
Speaker 1: should we spend a wheel? Guys? Do it? Do it? Okay,

948
00:57:12,800 --> 00:57:16,240
Speaker 1: go ahead? What does what does it say? Daniel? Who

949
00:57:16,320 --> 00:57:21,320
Speaker 1: is most likely to travel the world in their van? So?

950
00:57:21,360 --> 00:57:24,320
Speaker 1: Who is most likely to travel the world in their van?

951
00:57:24,640 --> 00:57:26,360
Speaker 1: You have to pick a character from the show in

952
00:57:26,360 --> 00:57:29,360
Speaker 1: a real life person. But I think we know the

953
00:57:29,400 --> 00:57:36,080
Speaker 1: answer to those Chris Keller character. Oh sure, I could

954
00:57:36,080 --> 00:57:40,560
Speaker 1: see Chris on the show doing that, um, But in

955
00:57:40,600 --> 00:57:43,760
Speaker 1: real life it's you, dude. You've got the big, huge

956
00:57:43,840 --> 00:57:49,000
Speaker 1: like astro van van. We're all together this weekend and

957
00:57:49,080 --> 00:57:51,640
Speaker 1: Danil rolled up in a van that my husband thought

958
00:57:51,880 --> 00:57:53,960
Speaker 1: was like the van that was supposed to take us

959
00:57:54,000 --> 00:57:56,440
Speaker 1: from the hotel to the venues. He thought it was

960
00:57:56,520 --> 00:58:00,640
Speaker 1: like the hired van take their family on the road.

961
00:58:00,680 --> 00:58:04,800
Speaker 1: And a fan it is me? Did you have to

962
00:58:04,800 --> 00:58:09,400
Speaker 1: get like a like a cdo license to drive that thing? No? No,

963
00:58:09,640 --> 00:58:11,120
Speaker 1: And we used to have a boat and I think

964
00:58:11,320 --> 00:58:15,200
Speaker 1: I actually I got a license for that because I

965
00:58:15,320 --> 00:58:20,680
Speaker 1: thought everyone should. But it's not required. What. Yeah, Well,

966
00:58:20,680 --> 00:58:23,200
Speaker 1: listen when we go on the road with the Drama

967
00:58:23,280 --> 00:58:27,640
Speaker 1: Queen's Tour with our win suit case, you give me

968
00:58:27,720 --> 00:58:35,240
Speaker 1: our bus driver. Drama Queen's Tour. We are working on that. Folks,

969
00:58:35,280 --> 00:58:38,120
Speaker 1: feel free to send us some info about if you

970
00:58:38,120 --> 00:58:40,439
Speaker 1: want us to come to your city, email us yes,

971
00:58:40,520 --> 00:58:47,480
Speaker 1: Austin want, Yes, Okay. Next episode, Season three, episode seven,

972
00:58:47,560 --> 00:58:50,800
Speaker 1: Champagne for my real friends, Real Pain for my sham friends.

973
00:58:50,840 --> 00:58:53,280
Speaker 1: This is one of the ones that I remember this

974
00:58:53,360 --> 00:58:56,520
Speaker 1: title and I think of it often for some random reason.

975
00:58:56,560 --> 00:58:58,840
Speaker 1: I guess it's just stuck in my head. I don't

976
00:58:58,840 --> 00:59:00,800
Speaker 1: know what the episodes about out, but I bet i'll

977
00:59:00,800 --> 00:59:04,160
Speaker 1: remember it when we start watching. Are you will? I

978
00:59:04,200 --> 00:59:06,320
Speaker 1: hope you'll join us. Thanks for hanging out with us

979
00:59:06,360 --> 00:59:08,919
Speaker 1: today and we'll see you next week. Bye. Thanks to deal.

980
00:59:09,040 --> 00:59:12,880
Speaker 1: We love you guys. Bye, Hey, thanks for listening. Don't

981
00:59:12,880 --> 00:59:15,240
Speaker 1: forget to leave us a review. You can also follow

982
00:59:15,320 --> 00:59:18,720
Speaker 1: us on Instagram at Drama Queens O t H or

983
00:59:19,000 --> 00:59:22,520
Speaker 1: email us at Drama Queens at I Heart radio dot com.

984
00:59:23,040 --> 00:59:27,919
Speaker 1: See you next time. Well, all about that high school drama, Girl,

985
00:59:28,000 --> 00:59:31,600
Speaker 1: Drama girl, all about them high school queens. We'll take

986
00:59:31,640 --> 00:59:34,600
Speaker 1: you for a ride in our comic girl cheering for

987
00:59:34,680 --> 00:59:39,520
Speaker 1: the right drama queens up girl fashion, but your tough girls.

988
00:59:39,600 --> 00:59:42,640
Speaker 1: You could sit with us. Girl Drama Queens, Drama Queens, Drama,

989
00:59:42,720 --> 00:59:46,320
Speaker 1: Queen's Drama, Drama, Queen's Drama Queens