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Speaker 1: Yes, Brendy Being and Iron Wrap Porstereo podcast is here.

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Speaker 1: Kigg you have no fear of today's Iron Rapports Stereo podcast.

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Speaker 1: The Young Shooter is back, Boom, Deuce Pacino Duce Cowns

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Speaker 1: is back. We're talking about him doing some construction to

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Speaker 1: his new apartment. Yeah, the Shooter is moved and all

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Speaker 1: things going on in my in his world all that morning. Fantastic,

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Speaker 1: hard hitting, museum quality Iron Wrap Ports stereo podcast coming

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Speaker 1: up right now. Moul Jordanika the Week's Brothers aka the

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Speaker 1: Dust Brothers. Start this Iron Wrap Ports Stereo podcasts off.

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Speaker 1: It's something real nice, Yes, started off with something real loud. Yes,

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Speaker 1: But most importantly, start this puppy off with something real

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Speaker 1: real funking. I am Wrap Sportstereo Podcasts coming at you

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Speaker 1: right now, Leggy, let us fucking boom. Yes, have no

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Speaker 1: fear of the Iron Rappaport Stereo podcast is here. Welcome

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Speaker 1: to the Iron Dome of Disruption. Welcome to the Ziggity

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Speaker 1: Zone of Disruption. Name is Michael Rappaport aka the Gringo

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Speaker 1: man Dingo aka the Saltless Sniff aka the Inflamed Oshga

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Speaker 1: Nazi aka the King of Kashmir's that time of year,

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Speaker 1: AKA mister New York And this is the I Am

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Speaker 1: Rappaport Stereo podcast, coming live and direct and without further ado.

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Speaker 1: Because I can tell he's chomping at the bit, chomp, chomping, hungry,

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Speaker 1: hungry to turn that mic on, Hungry to fire up

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Speaker 1: that mic. Let's bring in the part time sometime co

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Speaker 1: host with the most. They call him Deuce Pacino, they

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Speaker 1: call him Deuce Cuddles. We like to call them the

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Speaker 1: young Shooter Boom. Dean Collins is into Kassi. Yes, hey, rapper,

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Speaker 1: what's happening. Everything's good, man, everything is good. I'm on

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Speaker 1: my way to Milwaukee. I'm gonna be in Milwaukee performing

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Speaker 1: all weekend at the Milwaukee Improv. And I'm looking forward

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Speaker 1: to the shows in Milwaukee. I got my winter clothes on,

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Speaker 1: get to rock all that good cashmere. And other than that,

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Speaker 1: I'm just happy to happy to have you on the

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Speaker 1: one thousand, one thousandth and second, the one thousand and two,

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Speaker 1: one thousand and second. No, it doesn't sound right one

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Speaker 1: thousand and second. Is it one thousand and two or

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Speaker 1: one thousand? The one thousand second? Yeah, you're right, one

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Speaker 1: thousand second episode of the I Am Rappaport Stereo podcast,

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Speaker 1: the world's most disruptive podcast. That is so crazy to me.

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Speaker 1: I know, we every time it's like it comes up,

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Speaker 1: it's like, oh, we were just in the four hundredth episode,

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Speaker 1: the six hundredth episode. I mean, it's like doing a

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Speaker 1: season of it. It's like doing like a television series

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Speaker 1: like Family Guys on its four hundredth episode. It's like,

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Speaker 1: it's the same thing with the iem Rabbitport stereo podcas

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Speaker 1: It's like we're on the thousand one, we're on the

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Speaker 1: thousandth second episode. That doesn't roll off the tongue so smoothly,

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Speaker 1: but that is really cool that you're on that. And

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Speaker 1: you know what, I just want to say, congratulations to

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Speaker 1: you for getting a thousand in the can. That is unreal,

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Speaker 1: what a feat, what a fantastic I mean, that is

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Speaker 1: so fucking cool to me. But you know what, I

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Speaker 1: just wanted to bring something up to you. Okay, what

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Speaker 1: do you want to bring up? You want to you

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Speaker 1: do send me a gift. I didn't send you a gift. No,

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Speaker 1: I didn't send you a gift. That's the last thing

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Speaker 1: I did you. I think on the thousandth episode, you

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Speaker 1: went down a list of people that you thank. You

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Speaker 1: think you thinked everybody. It's it felt like you thanked everybody.

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Speaker 1: And I was listening and I was kind of just

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Speaker 1: like it was like an Oscar speech. It's like you're

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Speaker 1: up there, you're acepting the award. You're going down the

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Speaker 1: list of your agents, your family members, and somehow you forget.

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Speaker 1: It's like it's somehow you forget your wife or your

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Speaker 1: best friend during that speech. And the only reason. And

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Speaker 1: I didn't think about it too much until somebody DM

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Speaker 1: me and they said, you know, Shooter, I don't normally

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Speaker 1: DM and I just wanted to shout out Bradley Howard

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Speaker 1: so you know that I'm not lying either. Shout out

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Speaker 1: Bradley Howard, the one person to DM me about this,

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Speaker 1: but he said, you know, I don't normally DM people,

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Speaker 1: but I just want to. I just wanted to let

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Speaker 1: you know I'm very upset that Michael did not bother

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Speaker 1: to mention you when thinking everybody on the thousandth podcast

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Speaker 1: that just dropped. What the fuck? I really hope you

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Speaker 1: addressed this with him at your next opportunity, because that

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Speaker 1: is ice cold and what I wanted to bring this guy.

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Speaker 1: What's this guy's name, Bradley Howard. He's a good guy,

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Speaker 1: he listens to the podcast, he's a fan. I'll be

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Speaker 1: the judge. I'll be the judge of what he is.

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Speaker 1: First of all, Bradley, I appreciate your support. I appreci

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Speaker 1: shape that you have been rocking with the Iron Rapp

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Speaker 1: Reports stereo podcast through thick and thin. And I appreciate

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Speaker 1: it that you listened carefully enough to bring this to

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Speaker 1: the world's attention and to specifically Dean collins attention. Now, yeah,

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Speaker 1: I don't appreciate it. I go ahead out, okay, motherfucker,

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Speaker 1: motherfucker Bradley being a fan. And I don't like to

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Speaker 1: argue with the fans, because the fans make or break

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Speaker 1: the show. Is he's sort of throwing gas on a

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Speaker 1: non existent fire, because the only people that really sort

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Speaker 1: of got specific shout outs are the Dust Brothers and

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Speaker 1: the fans and guests. As you know, we've had some

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Speaker 1: let's just say, what's the word. We've had some difficulty.

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Speaker 1: No oh so this was Oh so this was intentional?

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Speaker 1: Oh no, no, no, no, no, no, no. We haven't

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Speaker 1: had any difficulty with you. We've had some difficulty with

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Speaker 1: a few things. But as much as I break your balls,

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Speaker 1: I'll do this once, and I'll do this only once.

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Speaker 1: What you have brought to the Irom Rapp Reports Stereo

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Speaker 1: podcast as a guest throughout the years, what you have

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Speaker 1: brought to the Irom Wrapp Reports Stereo podcast as a

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Speaker 1: part time co host that you are now part time

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Speaker 1: sometime co host that you are now is it brings

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Speaker 1: not only does it bring me so much joy, it

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Speaker 1: brings the fans and the world so much joy. So

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Speaker 1: as much as I like to pound that fucking ass

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Speaker 1: and I like to pound that ass of yours, you,

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Speaker 1: I will publicly thank you for all that you've brought

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Speaker 1: to the Irom Wrapp Reports Stereo podcasts and all that

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Speaker 1: you're gonna bring going forward to the im Rappaport Stereo podcast.

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Speaker 1: As far as your friend what's his name again, Bradley,

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Speaker 1: Bradley's a great guy. He don't disrespect him because he

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Speaker 1: makes a valid point. But I look, look, look, I

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Speaker 1: appreciate all that. I think, what motherfucker, that's it. I said,

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Speaker 1: my little piece, and that's it. I know what it's like.

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Speaker 1: I appreciate that. It feels very after the fact it

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Speaker 1: feels like charity at this point. It like I said,

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Speaker 1: it would have been great to have it on the

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Speaker 1: stage at the Oscars in front of everybody, and it's

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Speaker 1: like you're doing a radio program afterwards, kind of like,

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Speaker 1: oh right, I forgot this guy. That's cool. I'm not

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Speaker 1: asking you to do it now. I just did you.

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Speaker 1: I didn't ask you to do it now. I just

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Speaker 1: wanted to say somehow that maybe I got lost in

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Speaker 1: the shuffle there. But I'm not offended by it. It's

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Speaker 1: just Bradley brought it to my attention, and um, I look,

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Speaker 1: I'm just happy to be here. I'm happy to be

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Speaker 1: involved with the podcast. I think it's fantastic that you're

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Speaker 1: on your thousandth and second episode, and I just want

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Speaker 1: to move forward. I just want to I just want

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Speaker 1: to move forward. I want to move forward to Okay,

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Speaker 1: let's do it. So let's move forward starting right now.

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Speaker 1: I'm ready. I'm absolutely ready. I can't wait for another

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Speaker 1: thousand and Um. So you're going to Milwaukee and a

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Speaker 1: lot of people can't see this podcast, but you are

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Speaker 1: wearing a ridiculous sweatshirt. I don't mean ridiculous in a

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Speaker 1: good way. I mean in like I don't. I don't

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Speaker 1: know what it is. It's kind of like your old

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Speaker 1: Tony Hawk sweatshirt, like like ones of the fifteen year olds,

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Speaker 1: where it's got a lot of scribbles on it, like

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Speaker 1: white scribbles going on. It's gray, it's like an it's

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Speaker 1: like a strange color. Are you planning on wearing that

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Speaker 1: to the shows? Or what are or are you gonna

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Speaker 1: throw that in the fire at some point? Listen to me.

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Speaker 1: Listen to me, my friend, you're in your fucking pajamas. No,

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Speaker 1: I'm in a sweatshirt. I'm gonna pajamas, forest green sweatshirt

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Speaker 1: and and what's underneath some sweatpants. I'm doing this from

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Speaker 1: my home. I okay, let's say, okay, well, let's let's

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Speaker 1: stay focused. You're doing this from your home. You moved.

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Speaker 1: I did move into a bigger place, greener pastures for me.

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Speaker 1: I'm out of my dungeon. I don't live in my

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Speaker 1: kitchen anymore, thankfully I can say that. And um, it's

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Speaker 1: there's been a lot of movement. I'm mounting desks, I'm

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Speaker 1: hanging up picture frames. I've never gotten my hands dirty

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Speaker 1: like I have this move in my entire work how

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Speaker 1: many holes? Because you said to me the other day.

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Speaker 1: I called you the other day and I said, Yo,

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Speaker 1: what's up. I was touching based with the actually to

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Speaker 1: schedule the pockets, and you go, I gotta call you back.

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Speaker 1: I'm doing You said, I'm doing construction in my house, right,

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Speaker 1: So how many holes did you fucking destroy into your wall?

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Speaker 1: Talk to us about the construction. Like when you said construction,

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Speaker 1: you acted like you were building something from scratch, like

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Speaker 1: you were putting something together. You had also mentioned you

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Speaker 1: went to the hardware store. You were like, I'm going

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Speaker 1: to the hardware store to go get a drill, Like, so,

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Speaker 1: how did that work out? It worked? I got the drill.

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Speaker 1: I've been shotting him out to the fucking floating desk

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Speaker 1: in my living room and I had a bracket there.

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Speaker 1: I must have created about one hundred holes. Now we're

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Speaker 1: gonna have to patch all these motherfucking holes. There's so

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Speaker 1: many goddamn holes that are showing right now. It looks

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Speaker 1: like shit. The desk is up, it's it's working. You

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Speaker 1: can't see the holes anymore. The mirrors are up. It's

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Speaker 1: looking pretty great in here. I'm excited to keep it going. Um,

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Speaker 1: but I've never got my hands dirty like this ever.

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Speaker 1: And you know what, I don't ask for a lot

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Speaker 1: of help. Look, my brother really helped me lug watch shit.

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Speaker 1: I don't know. I don't know why did he help you?

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Speaker 1: I don't know. If it were me, i'd be like,

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Speaker 1: you know, like can you can you pay me to

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Speaker 1: do it? Take me out to dinner? He was just

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Speaker 1: like if it was me, i'd be like, can you

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Speaker 1: can you go fuck off? Right? That's like, I know

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Speaker 1: it's straight. I really, why did your brothers spend a

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Speaker 1: few hours helping you lug couches in a bed up

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Speaker 1: flights of stairs. Literally, if you had asked, if you

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Speaker 1: had been asked to do the same thing like you

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Speaker 1: said you would ask for some money, you would a horror.

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Speaker 1: You'd have been like, oh, can we do it at

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Speaker 1: this time? You're not that, You're not a kind of

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Speaker 1: like a guy who's gonna go aware and wed. Yeah,

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Speaker 1: I'll help you. Well, I just I don't have like muscles,

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Speaker 1: you know. It's like it's hard for me to carry

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Speaker 1: just like light things. So that's you know, I needed him.

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Speaker 1: He showed up with his tool bag. My girlfriend also

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Speaker 1: helped me, like till one in the morning and the

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Speaker 1: rain started lugging all these clothes up to this place.

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Speaker 1: It was. But here's the thing. I feel bad asking

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Speaker 1: people to help me because I remember a while ago,

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Speaker 1: and I think I might have mentioned this on the podcast,

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Speaker 1: when I was living next to this woman who started

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Speaker 1: she started moving. She was my neighbor at this apartment building.

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Speaker 1: And I had noticed she had boxes that she was

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Speaker 1: lifting up into her apartment. And I was coming into

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Speaker 1: my house and I just thought I was I was

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Speaker 1: just being friendly. I was being a friendly neighbor. And

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Speaker 1: I said, oh, like, do you need a hand with anything,

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Speaker 1: just to say, you know, oh, do you need a hand?

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Speaker 1: And she was like, yeah, that would be great, and

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Speaker 1: I was like okay, And so I helped her move

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Speaker 1: a box. And that one box turned into the next

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Speaker 1: six hours of my day. She had roped me into

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Speaker 1: helping her move her entire house into a new apartment.

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Speaker 1: It was horrible, and I learned my lesson. Never offer

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Speaker 1: help to anyone that is moving ever, because they'll take

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Speaker 1: you up on it. They absolutely will take you up

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Speaker 1: on it. And it was right and God and God

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Speaker 1: forbid if they take you up on it. Oh God forbid.

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Speaker 1: Because I mean, I had six out, I was sweating.

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Speaker 1: I was like really sweating in her apartment lifting couches.

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Speaker 1: It was ridiculous. So I try not to like rope

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Speaker 1: everyone into doing that with me. But now that I've

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Speaker 1: seen your apartment, I've seen some pictures and I've seen

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Speaker 1: a little bit. It looks nicer, it looks brighter. Um.

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Speaker 1: The one thing that I'm going to ask you about, like,

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Speaker 1: what are you going to do about the cat hair

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Speaker 1: to avoid the cat hair dungeon that you had the

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Speaker 1: last in the last place, because the last place you

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Speaker 1: have one cat, and but it had the smell of cat.

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Speaker 1: No doesn't, doesn't, No, it doesn't. I don't appreciate you

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Speaker 1: saying that on wax either, that Dean, the smell of cat.

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Speaker 1: I'm saying it on wax because when you're living in

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Speaker 1: a in a cat hole like you were living in,

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Speaker 1: you get to sensitize from it. Your old crib had

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Speaker 1: the smell of cat. I'm asking you this, like you

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Speaker 1: you moved. Movement is good, change is great. I believe

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Speaker 1: very much in change and movement. What are we doing

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Speaker 1: with that cat? Let's just get to that. I really

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Speaker 1: don't appreciate and you said that the other day too

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Speaker 1: on the phone, and this is like maybe the second

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Speaker 1: or third time you're saying what are we doing with

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Speaker 1: that cat? Because you're like, oh, cool, you got the

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Speaker 1: desk up, like you moved into a new apartment, and

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Speaker 1: now what are we going to do with the cat?

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Speaker 1: Like when no, no, sorry, that's not what you said.

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Speaker 1: You said, you said you moved into a new apartment.

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Speaker 1: It's bigger, it's brighter, you got your desk in there,

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Speaker 1: you got a new bed frame in there. Now, when

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Speaker 1: are you getting rid of the cat? You can say

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Speaker 1: what are we doing with the cat? You said, when

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Speaker 1: are we getting rid of the cat? The cat is

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Speaker 1: is it's I know that's like it's cringey to say,

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Speaker 1: but it really is. It's like a son to me.

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Speaker 1: So when you say that, it's it's insulting. It's like

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Speaker 1: you want me to get rid of somebody that it's

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Speaker 1: like a part of my life, like like a child.

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Speaker 1: And I'm never ever getting rid of the cat that

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Speaker 1: I've had for seven years. And the cat has a name.

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Speaker 1: It's Pablo. He almost died last year. And you we

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Speaker 1: oh god fuck we we we we covered it. We

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Speaker 1: did a whole hashtaga. We had a Pray for Pablo campaign.

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Speaker 1: That's the point. And so you're even even knowing all

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Speaker 1: of that, and you knew what I've been through. You

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Speaker 1: my god, We just don't. Do you want another campaign

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Speaker 1: for this fucking cat? I don't want to. I'm not

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Speaker 1: I don't want to campaign. Cat do tricks? Does it

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Speaker 1: do anything? Does it do roll over? Does it do tricks? Like?

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Speaker 1: Is it a show? Cat? Like? Is it won any awards? Like? Fuck? Man,

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Speaker 1: the cat? The cat is staying, man, And what are

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Speaker 1: you gonna do about the cat here? Like? Are you

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Speaker 1: gonna keep him off the couch? And shit? Because I

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Speaker 1: don't like coming over and I'm like, I leave and

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Speaker 1: I needed like a fucking lint, like a lint brush

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Speaker 1: in a vacuum to get all the cat hair off,

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Speaker 1: is what I'm saying. Bro, That's what I'm saying. Bro. Oh,

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Speaker 1: there's not a lot of cat hair. Bro. And I'm

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Speaker 1: getting a new couch and I'm probably gonna put some

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Speaker 1: towels on that couch so he doesn't so he doesn't

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Speaker 1: scratch it up. It sounds fuck man, Why get a

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Speaker 1: new couch if you gotta put towels on it two towels.

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Speaker 1: Put towels on the one. He already mangled. I see,

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Speaker 1: I mean he already mangled the other. He mangled the

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Speaker 1: funk out of it. I can't even I'm selling a

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Speaker 1: bunch of things I'm facing marketplace. I can't even sell

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Speaker 1: that fucking thing. I have to I literally have put

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Speaker 1: it out. Why get a new one if you're gonna

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Speaker 1: towel up it, just put some towels in a nice

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Speaker 1: sheet on the old one. That that cat has no

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Speaker 1: respect for its its home man, and its owner. Really,

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Speaker 1: that cat doesn't give a fuck about you, man, And

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Speaker 1: we're doing it entire campaigns on this show man taking

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Speaker 1: the airspace. This is this is equity. This is like

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Speaker 1: you know, and then and then it's like we're doing

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Speaker 1: a hole and you're like, oh, oh, the cat almost

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Speaker 1: died last year. Motherfucker that was last year. Okay, is thriving,

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Speaker 1: scratching the ship at a furniture shedding all over the place.

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Speaker 1: It's fucking healthy enough with the goddamn cat man, for real,

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Speaker 1: I understand, I understand, I appreciate that. I'm just I'm

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Speaker 1: not gonna throw a cat up for adoption after seven

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Speaker 1: years of having it, you know, it's it's like it

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Speaker 1: just sounds fucked up to me, But I appreciate your

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Speaker 1: concern and I'll definitely make it so it's just like

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Speaker 1: it's hairlessen here. It's gonna be a nice environment to

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Speaker 1: come over too. But I'm excited for you to come here. Bro.

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Speaker 1: I can't wait. I cannot And I like that we're

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Speaker 1: both calling each other bro a lot today. Well I

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Speaker 1: just say, it's just like a part of my vocabulary.

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Speaker 1: I like, I like calling you bro because you are

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Speaker 1: my bro. And and thanks. I'm excited for you to

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Speaker 1: be in Milwaukee. I don't know what you're doing there

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Speaker 1: on your own. You're gonna be out there by yourself. Right,

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Speaker 1: I'm out there by myself, and I'm checking into a zoom.

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Speaker 1: It's not a zoom. What am I talking about. I'm

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Speaker 1: checking into a Airbnb. I'm checking into an Airbnb by myself.

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Speaker 1: Like I checked into Airbnb with you once and then

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Speaker 1: I remember I did it with the Dust Brothers somewhere.

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Speaker 1: But I've never like done an Airbnb on my own.

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Speaker 1: You know, I a lot of people have, you know,

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Speaker 1: giving me different things and what to check four. But

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Speaker 1: I'm a little nervous about it. I'm sure to be fine,

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Speaker 1: but you know, I wanted to start trying to stay

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Speaker 1: in airbdnb's specifically because the hotels. I'm sick and tired

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Speaker 1: of laying in the beds and feeling the indentation from

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Speaker 1: other humans. And I'm also not into the windows not opening. Now.

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Speaker 1: You know, um, next weekend the tenth and eleventh, I'm

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Speaker 1: gonna be in Cleveland at the Improv in Cleveland. I

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Speaker 1: know you're not joining me for those shows. And then

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Speaker 1: on the twenty third, twenty fourth, and twenty fifth, I'm

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Speaker 1: gonna be in Indianapolis. Now, are you gonna come to

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Speaker 1: Indianapolis and not only be at the shows, do security

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Speaker 1: for the shows, but videotape the shows? Can you? Can? You?

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Speaker 1: Are you doing that? Okay, So you're saying right now, yes,

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Speaker 1: I'm gonna be at the shows because I don't like

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Speaker 1: having to make fucking excuses. You've been to my shows.

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Speaker 1: The crowd, you're very excited, and towards the end sometimes

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Speaker 1: I'll start talking to the crowd and they'll ask questions,

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Speaker 1: and a lot of times they'll go, where's the young shooter?

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Speaker 1: And I and I have to like him and Hall,

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Speaker 1: and I'm I'm stuttering and stammering and I'm trying to

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Speaker 1: give excuses. So you're saying, right now publicly publicly, yeah,

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Speaker 1: I am coming to the Indianapolis shows the twenty third,

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Speaker 1: twenty fourth, and twenty fifth. You're saying that now, is

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Speaker 1: that right? On podcast? You're saying right now publicly, yeah,

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Speaker 1: I am coming to the Indianapolis shows the twenty third,

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Speaker 1: twenty fourth, and twenty fifth. You're saying that now, is

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Speaker 1: that right? D I'll be there and I and you

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Speaker 1: know what I'm going to order or maybe you could

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Speaker 1: put it on your tab. But I'm gonnad what order what? Man?

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Speaker 1: A security shirt off of Amazon? Because I have a

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Speaker 1: staff shirt but it just doesn't do it doesn't have

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Speaker 1: the same effect I need, like a black shirt that's

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Speaker 1: a security on it. So people order the shirt. If

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Speaker 1: you need to order it as a hoodie, get a

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Speaker 1: black hoodie, could do that, you know, and get it

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Speaker 1: big so you can wear something under this so it

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Speaker 1: gives you a little like a little girth. It look

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Speaker 1: makes it a little look a little thick and intimidating.

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Speaker 1: Because we're performing at the Helium Comedy Club and we're

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Speaker 1: busy all of all of March. We're fucking busy. So

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Speaker 1: you'll be at those shows, and you're also you're gonna

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Speaker 1: find us a nice airbnb situation in Indianapolis? Is it?

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Speaker 1: Is that correct? And the only thing with Airbnb and

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Speaker 1: I think it's gonna be great ship The only thing

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Speaker 1: no one wants to hear, the only thing I just

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Speaker 1: want to hear. Yes, it's going to me. Yes, but

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Speaker 1: it's on on for you. I know that you like

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Speaker 1: to be waited on hand and foot, you like to

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Speaker 1: pick up that phone in hotel rooms, and so I

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Speaker 1: don't I need I need a gallon of water. I

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Speaker 1: need to show it's like this, I'm prepared for that.

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Speaker 1: I'm prepared for my water. No. What I asked homeboy

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Speaker 1: in Milwaukee, I said, you are your sheets soft? Tomy? Okay?

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Speaker 1: Said yes, And he sent me the thread count number

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Speaker 1: and I was like, this the type of shit I

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Speaker 1: like to hear. I like threadcount numbers. Okay, Well, then

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Speaker 1: as long as you're prepared for that, it's gonna be

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Speaker 1: a great experience. I think I think you're gonna like

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Speaker 1: the Airbnb life. Do you have a preferential thing for

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Speaker 1: thread counts? Because I like soft sheets. I was told

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Speaker 1: the higher the thread count, like the better quality and

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Speaker 1: all that stuff, but it's also I get overheated like crazy.

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Speaker 1: I keep my I keep my I keep my apartment

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Speaker 1: at sixty degrees at all times. So I heard that

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Speaker 1: the higher the threadcount, the warmer the sheets. So I like,

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Speaker 1: I kind of like lower thread count because you can

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Speaker 1: breathe a little bit, you know. I sleep in the

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Speaker 1: nude um and so I don't need the high thread count. Yuck.

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Speaker 1: Yeah I'm not it's not yuck, but I'm just I'm

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Speaker 1: not like a d like you. I don't need like

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Speaker 1: what's the thread count. I'm just like, just give me

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Speaker 1: some hotel sheets. I'm happy. It's fine as this hotel sheets,

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Speaker 1: hotel grade sheets. So all tickets, all information for all

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Speaker 1: the March shows, and then we have them the shows

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Speaker 1: in April. I'm gonna be in Addison, Texas in April,

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Speaker 1: which I'm excited about those shows as well. Um, and

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Speaker 1: I'm gonna be in Jersey in April, and I am

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Speaker 1: going to be in Philadelphia in April. All tickets, all

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Speaker 1: information for all my shows through the end of April

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Speaker 1: are available at Michael Rapp Report Comedy dot Com, Michael

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Speaker 1: Rapp Report Comedy dot Com. What are you up to?

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Speaker 1: What are you doing? You moved, you did construction? What

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00:21:42,040 --> 00:21:44,800
Speaker 1: have you been watching? What have you been seeing? The

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Speaker 1: comings and goings of all things the Young Shooter? Where

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00:21:48,680 --> 00:21:52,040
Speaker 1: are things at? Shooter? Been watching a lot of stuff. Actually,

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00:21:52,160 --> 00:21:55,080
Speaker 1: still on my reality shit if you haven't seen it,

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Speaker 1: It's on Netflix now. It's a brand new reality dating

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00:21:57,880 --> 00:22:01,320
Speaker 1: game from all sorts of different show, all these people

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Speaker 1: from different different reality shows like Love is Blind and

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Speaker 1: The Mole and all these things. It's called Perfect Match.

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Speaker 1: It's like a Love Island. I'm watching it because my guy,

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Speaker 1: Shane from Love is Blind season two is on it.

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Speaker 1: We love him. It's pretty entertaining. It's on Netflix right now.

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Speaker 1: I've been watching that. I've been still watching Milf Manner.

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Speaker 1: It is so fucking creepy. It gets creepier and creepier

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Speaker 1: each week. And I've been also watching I've been on

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Speaker 1: my like erotic nineties horror thriller movies again. I watched well, obviously,

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Speaker 1: like I watched Kate Fear, which is fantastic seeing it before,

418
00:22:35,760 --> 00:22:41,760
Speaker 1: but amazing. Juliette Lewis shout out Juliet Lewis Oscar nominated performance.

419
00:22:42,480 --> 00:22:45,119
Speaker 1: How she's only been nominated one time in her career

420
00:22:45,840 --> 00:22:50,600
Speaker 1: is blows my mind as well. There's nobody like Juliette Lewis. Literally,

421
00:22:50,680 --> 00:22:54,040
Speaker 1: there's there's very few actors out there that have just

422
00:22:54,080 --> 00:22:57,040
Speaker 1: like their own thing, like their own vibe is, you know,

423
00:22:57,160 --> 00:23:00,240
Speaker 1: like I really like Christina Rishi and other actress kind

424
00:23:00,240 --> 00:23:02,600
Speaker 1: of has her own thing. When Known Ryder's got her

425
00:23:02,640 --> 00:23:06,240
Speaker 1: own thing. Juliet Lewis is like in a whole other league.

426
00:23:06,400 --> 00:23:09,560
Speaker 1: Nobody can touch what she does. And just at such

427
00:23:09,600 --> 00:23:12,200
Speaker 1: a young age, she's bringing so much to the table.

428
00:23:12,480 --> 00:23:15,720
Speaker 1: She's so fucking good. In that movie. Robert de Niro

429
00:23:15,960 --> 00:23:19,000
Speaker 1: is like unlike any role you've ever seen him do.

430
00:23:19,240 --> 00:23:23,359
Speaker 1: He's got that like Southern Georgia accent. It's a little crazy.

431
00:23:23,359 --> 00:23:25,480
Speaker 1: He's creepy as fuck though when his face is melting

432
00:23:25,480 --> 00:23:30,200
Speaker 1: at the end, and I he's great. Nick Nolty's great,

433
00:23:30,359 --> 00:23:32,639
Speaker 1: and Jessica Lang, I forget that she's the mom and

434
00:23:32,680 --> 00:23:35,560
Speaker 1: that she's great too. But I did watch this movie

435
00:23:35,560 --> 00:23:37,560
Speaker 1: that you recommended, because you know that I've been on

436
00:23:38,160 --> 00:23:42,320
Speaker 1: my erotic thriller Kick, which I still think The Godfather

437
00:23:42,560 --> 00:23:46,119
Speaker 1: of all erotic thrillers is fatal attraction. That will always

438
00:23:46,119 --> 00:23:49,159
Speaker 1: be my favorite fatal attraction, basic instinct. I love that

439
00:23:49,200 --> 00:23:55,120
Speaker 1: director Adrian Lynn, Adrian Lyne Lynn, and so I watched

440
00:23:55,359 --> 00:24:00,200
Speaker 1: nine and a half Weeks starring Mickey Rourke and him

441
00:24:00,200 --> 00:24:05,160
Speaker 1: basing Juror, and I thought it was I was so

442
00:24:05,280 --> 00:24:08,359
Speaker 1: underwhelmed by it. I thought the movie sucked. I thought that.

443
00:24:08,480 --> 00:24:12,040
Speaker 1: I thought, yeah, I thought the acting sucked. Kim basing

444
00:24:12,119 --> 00:24:17,360
Speaker 1: Jerror is great. Um but man, Mickey Rourke, I mean

445
00:24:17,400 --> 00:24:20,919
Speaker 1: maybe this is like maybe I don't know, I just

446
00:24:21,000 --> 00:24:24,680
Speaker 1: I thought he was so creepy in it. He had

447
00:24:24,680 --> 00:24:29,520
Speaker 1: this creepy smile, he had one expression the entire film.

448
00:24:29,920 --> 00:24:32,400
Speaker 1: I didn't see any kind of range at all from

449
00:24:32,400 --> 00:24:34,879
Speaker 1: this fucking guy. And I like his movies. I like

450
00:24:34,920 --> 00:24:36,719
Speaker 1: the Wrestler, I like it, I like a ship. But

451
00:24:37,119 --> 00:24:40,560
Speaker 1: he was so goddamn creepy in this movie. Not charming,

452
00:24:41,119 --> 00:24:43,359
Speaker 1: not charismatic. I thought Bruce Willis should have been in

453
00:24:43,400 --> 00:24:45,800
Speaker 1: the movie. I think they look very similar from that

454
00:24:45,880 --> 00:24:49,360
Speaker 1: in that time period. But um man, by the way,

455
00:24:49,359 --> 00:24:52,439
Speaker 1: before finished with you thing, but sending thoughts and prayers

456
00:24:52,440 --> 00:24:55,400
Speaker 1: to the great Bruce Willis, who's having some serious, serious

457
00:24:56,200 --> 00:25:00,200
Speaker 1: umhealth issues and a guy that, um, you know, it's

458
00:25:00,200 --> 00:25:04,479
Speaker 1: been such a great star and just like everyman's movie

459
00:25:04,480 --> 00:25:06,720
Speaker 1: star for so many years. It was so sad to

460
00:25:06,760 --> 00:25:09,119
Speaker 1: hear that he has dealing with this form of dementia.

461
00:25:09,880 --> 00:25:12,000
Speaker 1: But go on, sorry to interrupt you, but when you said,

462
00:25:12,400 --> 00:25:15,720
Speaker 1: because I hadn't mentioned that, I had been thinking about

463
00:25:15,800 --> 00:25:18,360
Speaker 1: him and the times I've come across Bruce Willis, he's

464
00:25:18,400 --> 00:25:21,920
Speaker 1: like a New Jersey dude, cool as shit, like a

465
00:25:21,920 --> 00:25:24,840
Speaker 1: regular dude, like always throughout the years, always seen him,

466
00:25:25,040 --> 00:25:26,280
Speaker 1: and you know, he would be like, what's up, Mike,

467
00:25:26,320 --> 00:25:28,679
Speaker 1: and I'm like, bugging that even know who I am.

468
00:25:28,760 --> 00:25:31,760
Speaker 1: But it wasn't even it was such a disarming like

469
00:25:32,119 --> 00:25:34,159
Speaker 1: a guy that you'd see it like a like a

470
00:25:34,200 --> 00:25:37,320
Speaker 1: coffee shop or a diner, like just regular cool, motherfucker

471
00:25:37,320 --> 00:25:39,960
Speaker 1: Bruce Willis. Anyway, go ahead with your review. You hated

472
00:25:40,040 --> 00:25:42,359
Speaker 1: nine and a half weeks. Yeah, but you're right, Bruce

473
00:25:42,359 --> 00:25:44,760
Speaker 1: Willis is fucking iconic. It is really sad what's going

474
00:25:44,800 --> 00:25:46,960
Speaker 1: on with him? And yeah, I hated nine and a

475
00:25:47,000 --> 00:25:50,440
Speaker 1: half weeks. I read that Kim Basinger was traumatized by

476
00:25:50,440 --> 00:25:53,240
Speaker 1: the movie, by the shooting and all the shit that

477
00:25:53,280 --> 00:25:55,439
Speaker 1: she had to do and it actually like affected her

478
00:25:56,240 --> 00:25:59,080
Speaker 1: marriage and all sorts of shit. Like, I mean, you know,

479
00:25:59,080 --> 00:26:01,720
Speaker 1: it's a it's erotic. It's like they're doing some fifty

480
00:26:01,760 --> 00:26:03,720
Speaker 1: shades of gray ship before fifty shades of grade was

481
00:26:03,760 --> 00:26:06,639
Speaker 1: a movie. I exactly, it's some fifty grades of shade,

482
00:26:06,800 --> 00:26:11,280
Speaker 1: fifty grades of fifty shades of shades, fifty shades. Yeah,

483
00:26:11,280 --> 00:26:13,360
Speaker 1: they're like pouring honey all over each other and he's

484
00:26:13,359 --> 00:26:16,600
Speaker 1: like force feeding or strawberries and food and all sorts

485
00:26:16,600 --> 00:26:18,639
Speaker 1: of I just thought it was a fucking weird movie.

486
00:26:18,640 --> 00:26:22,040
Speaker 1: And nothing happens. It's like they meet each other. He's

487
00:26:22,080 --> 00:26:24,240
Speaker 1: throwing his fucking top hat in the air, he takes

488
00:26:24,240 --> 00:26:25,879
Speaker 1: her on a ferris wheel, they meet each other, and

489
00:26:25,920 --> 00:26:28,480
Speaker 1: then that's it. No, there's no plot twist. He's just

490
00:26:28,520 --> 00:26:32,320
Speaker 1: a creepy dude. But that movie I thought sucked. And

491
00:26:32,800 --> 00:26:37,000
Speaker 1: but the highlight I would say of these past few weeks,

492
00:26:37,080 --> 00:26:39,920
Speaker 1: which I brought up to you briefly, is I saw

493
00:26:40,359 --> 00:26:43,280
Speaker 1: a midnight screening at the New Beverly. And if people

494
00:26:43,280 --> 00:26:45,760
Speaker 1: aren't familiar with the New Beverly, it's in Los Angeles.

495
00:26:45,840 --> 00:26:49,480
Speaker 1: Quentin Tarantinos owns the theater. It's his theater, and he

496
00:26:49,600 --> 00:26:54,399
Speaker 1: screens all sorts of iconic classic movies each month. You know,

497
00:26:54,480 --> 00:26:57,239
Speaker 1: No Country for Old Men is premiering next month, like

498
00:26:58,480 --> 00:27:01,199
Speaker 1: kill Bill. He screens his own movies. So me and

499
00:27:01,240 --> 00:27:04,880
Speaker 1: my girlfriend went to go see True Romance the midnight

500
00:27:04,960 --> 00:27:07,720
Speaker 1: screening a True Romance at the New Beverly Theater, and

501
00:27:07,760 --> 00:27:10,240
Speaker 1: I hadn't seen No I've obviously, I've seen it multiple times,

502
00:27:10,280 --> 00:27:13,920
Speaker 1: but I wasn't privileged to see it on the big

503
00:27:13,960 --> 00:27:16,520
Speaker 1: screen like you know, back in the nineties when it

504
00:27:16,600 --> 00:27:19,879
Speaker 1: was when it was out, and and it's an entirely

505
00:27:19,960 --> 00:27:23,280
Speaker 1: different experience seeing that movie on the big screen in

506
00:27:23,440 --> 00:27:27,600
Speaker 1: theaters versus seeing it on a TV at home. It

507
00:27:28,080 --> 00:27:30,719
Speaker 1: really is, and it was so I'm telling you, it

508
00:27:30,760 --> 00:27:33,119
Speaker 1: was one of the most fun times I've had in

509
00:27:33,320 --> 00:27:36,960
Speaker 1: such a long time. And my girlfriend hadn't seen the movie,

510
00:27:36,960 --> 00:27:40,560
Speaker 1: and she really was excited to see it. We she

511
00:27:40,760 --> 00:27:44,159
Speaker 1: loved it, and the experience was so cool because you

512
00:27:44,760 --> 00:27:46,880
Speaker 1: go there, it's the midnight show. They have all these

513
00:27:46,920 --> 00:27:51,400
Speaker 1: pictures still frames from the movie, like a Mexic concession stands,

514
00:27:51,520 --> 00:27:54,080
Speaker 1: and they do a raffle in the beginning. They're raffling

515
00:27:54,119 --> 00:27:57,399
Speaker 1: off like a skateboard with um, you know the scene

516
00:27:57,400 --> 00:28:00,760
Speaker 1: in the movie where Elliott is dry with that, with

517
00:28:00,880 --> 00:28:02,600
Speaker 1: that like with the girl. I don't know if she's

518
00:28:02,600 --> 00:28:06,720
Speaker 1: a prostitute or prostitute. Yeah, and he has the coke

519
00:28:06,800 --> 00:28:09,199
Speaker 1: splashed in his face and there's a still frame on

520
00:28:09,200 --> 00:28:12,480
Speaker 1: a skateboard. They're raffling off sunglasses and all sorts of

521
00:28:12,480 --> 00:28:15,840
Speaker 1: like prop, like little props, and so the movie started.

522
00:28:15,880 --> 00:28:19,120
Speaker 1: They play all these old trailers like Bonnie and Clyde

523
00:28:19,200 --> 00:28:21,600
Speaker 1: and they you know, they're very strict with phones and

524
00:28:21,640 --> 00:28:24,800
Speaker 1: all that shit. It was a great experience. People were clapping,

525
00:28:25,040 --> 00:28:29,240
Speaker 1: people were cracking you. I mean not just because I'm

526
00:28:29,240 --> 00:28:33,280
Speaker 1: talking right now, but you on that screen. You first

527
00:28:33,320 --> 00:28:36,600
Speaker 1: of all, the acting is so great from everybody. There's

528
00:28:36,640 --> 00:28:39,160
Speaker 1: not one performance in that movie where you're like, you know,

529
00:28:39,160 --> 00:28:41,280
Speaker 1: everyone was so good but this person kind of was

530
00:28:41,320 --> 00:28:45,120
Speaker 1: like or they sucked. Everybody in that film is so

531
00:28:45,240 --> 00:28:49,440
Speaker 1: perfectly cast. You are stand out in that movie. The

532
00:28:49,520 --> 00:28:53,160
Speaker 1: scene when you're doing your audition, everyone's cracking up. It's

533
00:28:53,200 --> 00:28:58,400
Speaker 1: so fucking good. Um fuck yeah. And young James Gandelfoenie,

534
00:28:58,480 --> 00:29:02,920
Speaker 1: the late Sreen, Dennis Hopper, Christopher Walking, Tom Sizemore, who's

535
00:29:02,960 --> 00:29:07,280
Speaker 1: also dealing with some house, the late great h Christopher

536
00:29:07,320 --> 00:29:10,760
Speaker 1: penn Um, the late great Tony Scott. I mean, there's

537
00:29:10,760 --> 00:29:13,560
Speaker 1: been a lot of people that asked away from fuck Man.

538
00:29:14,280 --> 00:29:17,320
Speaker 1: I mean, the cast is ridiculous. I mean, I can't

539
00:29:17,360 --> 00:29:20,320
Speaker 1: think of a movie like that is so stacked with

540
00:29:20,360 --> 00:29:24,800
Speaker 1: a cast like that. I mean, and sobody breakthrough breakout performances.

541
00:29:24,800 --> 00:29:27,520
Speaker 1: And Brad Pitt is your roommate as a stoner roommate

542
00:29:27,560 --> 00:29:30,440
Speaker 1: before he was like fucking anything. You know, maybe did

543
00:29:30,480 --> 00:29:32,840
Speaker 1: a couple of movies before that, but he was on

544
00:29:32,880 --> 00:29:35,920
Speaker 1: his way. Everybody knew he was on his fucking way.

545
00:29:36,000 --> 00:29:39,240
Speaker 1: Like that guy. As soon as a Thumb and Louise

546
00:29:39,360 --> 00:29:41,760
Speaker 1: came out, it was over. That was it. I mean,

547
00:29:41,760 --> 00:29:45,960
Speaker 1: it was done. It was fucking done. He was done.

548
00:29:46,520 --> 00:29:48,920
Speaker 1: When that guy came on screen and Thumb and Louise,

549
00:29:49,000 --> 00:29:52,000
Speaker 1: you were like, this is a movie star. It's a rap,

550
00:29:52,280 --> 00:29:56,120
Speaker 1: Bye bye, see you later. And then California came out

551
00:29:56,640 --> 00:30:02,080
Speaker 1: and then um what the a river runs through and

552
00:30:02,160 --> 00:30:05,080
Speaker 1: he had the hair and then it was done. But

553
00:30:05,120 --> 00:30:09,520
Speaker 1: for you and Louise, everyone knew when Thelm and Louise

554
00:30:09,640 --> 00:30:12,560
Speaker 1: came out, it was done. It was done, and he

555
00:30:12,640 --> 00:30:14,960
Speaker 1: was in in the movie for like fucking ten minutes.

556
00:30:15,040 --> 00:30:17,320
Speaker 1: But it was like, this guy's a fucking movie star,

557
00:30:18,080 --> 00:30:21,120
Speaker 1: And so did he like when you were working with him?

558
00:30:21,120 --> 00:30:23,200
Speaker 1: Because you were. I mean, I don't think anyone else

559
00:30:23,240 --> 00:30:25,240
Speaker 1: really had scenes with the guy. It was really just you,

560
00:30:25,760 --> 00:30:28,760
Speaker 1: Christian Slater, Patricia Arquette and like the mob who would

561
00:30:28,760 --> 00:30:30,479
Speaker 1: come over to his house for a second to like

562
00:30:30,560 --> 00:30:32,560
Speaker 1: find out where you guys are. But what was that

563
00:30:32,720 --> 00:30:36,120
Speaker 1: like like being on set with Brad Pitt? Was he cool?

564
00:30:36,160 --> 00:30:37,840
Speaker 1: Because I want this to be like the True Romance

565
00:30:37,880 --> 00:30:39,720
Speaker 1: podcast now, because I don't think that you talk about

566
00:30:39,720 --> 00:30:41,840
Speaker 1: it enough on the podcast. I think people want to

567
00:30:41,880 --> 00:30:45,080
Speaker 1: hear about it. He was cool as shit. We got

568
00:30:45,120 --> 00:30:49,000
Speaker 1: along great. We've been cool since then. He was dating

569
00:30:49,160 --> 00:30:52,640
Speaker 1: Juliette Louis, So Juliette came to the set, and that's

570
00:30:52,640 --> 00:30:55,440
Speaker 1: how me and her met. Oh and how you guys

571
00:30:55,440 --> 00:30:58,640
Speaker 1: met yep, And Juliette's like home girl. You know she's

572
00:30:58,640 --> 00:31:00,840
Speaker 1: been on the pocket, but that's like my fucking homegirl.

573
00:31:00,840 --> 00:31:05,560
Speaker 1: You've met her. She's the fucking best. And listen, man,

574
00:31:05,760 --> 00:31:10,280
Speaker 1: I doing True Romance was as exciting as you would

575
00:31:10,280 --> 00:31:15,320
Speaker 1: imagine it could be. Every single day everybody was pumped

576
00:31:15,320 --> 00:31:18,360
Speaker 1: to be there. We were all excited to be a

577
00:31:18,400 --> 00:31:20,560
Speaker 1: part of it. We all knew it was gonna be

578
00:31:20,760 --> 00:31:23,160
Speaker 1: a good movie. And that's the only movie that I've

579
00:31:23,160 --> 00:31:24,959
Speaker 1: ever done where we were like, you knew you were

580
00:31:24,960 --> 00:31:27,000
Speaker 1: gonna be you were part of a good movie. The

581
00:31:27,040 --> 00:31:31,560
Speaker 1: script was so good, Tony Scott was so perfectly you know,

582
00:31:31,640 --> 00:31:35,360
Speaker 1: brought on to direct it, Christian Slater, Patricia Arkett. It

583
00:31:35,400 --> 00:31:37,920
Speaker 1: was just a great time and it was I was

584
00:31:37,960 --> 00:31:40,640
Speaker 1: as excited as everybody has been to watch it throughout

585
00:31:40,640 --> 00:31:42,800
Speaker 1: the years. That's what it was like for me. And

586
00:31:42,840 --> 00:31:45,760
Speaker 1: how how many movies did you do before True Romance?

587
00:31:46,440 --> 00:31:49,960
Speaker 1: I did ze Brand. I hadn't done high or learned.

588
00:31:49,960 --> 00:31:52,400
Speaker 1: I hadn't done much. I did Zeebrand, I did like

589
00:31:52,480 --> 00:31:55,920
Speaker 1: three or four. Yeah, I hadn't done much. Man, I

590
00:31:55,960 --> 00:31:59,400
Speaker 1: was twenty four years old. You were so what it was?

591
00:31:59,520 --> 00:32:02,880
Speaker 1: When was that movie ninety three? Ninety three? Was it

592
00:32:03,000 --> 00:32:04,880
Speaker 1: ninety three that it came out? You might you might

593
00:32:04,920 --> 00:32:07,280
Speaker 1: have been twenty two or twenty three, three years old,

594
00:32:07,280 --> 00:32:10,160
Speaker 1: I mean as a fucking kid, and that movie like

595
00:32:10,320 --> 00:32:13,080
Speaker 1: when you're doing like indie movies before that, like Zebrahead,

596
00:32:13,120 --> 00:32:14,720
Speaker 1: where you know, not a lot of people are in

597
00:32:14,720 --> 00:32:16,160
Speaker 1: those kind of movies, like and then you're on a

598
00:32:16,240 --> 00:32:19,920
Speaker 1: set with all of these fucking icons. And the funny

599
00:32:19,920 --> 00:32:23,320
Speaker 1: thing is now, when there's a movie like a Babylon

600
00:32:23,560 --> 00:32:27,120
Speaker 1: or the movies like got a cast that's just stacked,

601
00:32:27,360 --> 00:32:30,360
Speaker 1: it usually flops. It's usually like when you have that

602
00:32:30,400 --> 00:32:32,640
Speaker 1: many famous people in a movie, it's it's usually not

603
00:32:32,760 --> 00:32:35,080
Speaker 1: that good. And back then, I feel like, I mean,

604
00:32:35,080 --> 00:32:36,800
Speaker 1: that is such an iconic movie. But when you're on

605
00:32:36,840 --> 00:32:39,400
Speaker 1: a set and you're going from like indie movie to

606
00:32:39,560 --> 00:32:43,480
Speaker 1: something like such a huge Hollywood production with so many

607
00:32:43,480 --> 00:32:47,120
Speaker 1: famous actors, how are you, Like are you fanning out

608
00:32:47,160 --> 00:32:49,000
Speaker 1: on the set? You have to reel it back and

609
00:32:49,040 --> 00:32:51,160
Speaker 1: be like, fuck, I'm not gonna say anything to Dennis Hopper,

610
00:32:51,200 --> 00:32:55,520
Speaker 1: I'm not gonna say anything to Christopher Walking, like yeah,

611
00:32:55,560 --> 00:32:57,240
Speaker 1: but you also want to say what's up to them?

612
00:32:57,280 --> 00:32:59,040
Speaker 1: You know, you're like you're working with them, so it's

613
00:32:59,040 --> 00:33:00,760
Speaker 1: like you have like this pet asked to sort of

614
00:33:01,520 --> 00:33:05,000
Speaker 1: act normal, although inside, like me and Kevin Corgan because

615
00:33:05,040 --> 00:33:07,880
Speaker 1: Kevin Corrigan's in the film too, we were bugging that

616
00:33:07,960 --> 00:33:10,560
Speaker 1: we were in the movie and we were tripping the

617
00:33:10,560 --> 00:33:14,040
Speaker 1: fuck out like you'd be on set and like, you know,

618
00:33:14,120 --> 00:33:16,040
Speaker 1: you go into the makeup trailer to get touched up,

619
00:33:16,040 --> 00:33:18,840
Speaker 1: and Val Kilmer was in there. You know, Val Kilmer

620
00:33:18,880 --> 00:33:22,120
Speaker 1: played Elvis, you know, you know, and then you know,

621
00:33:22,200 --> 00:33:24,720
Speaker 1: you'd walk on the set and like Samuel Jackson would

622
00:33:24,760 --> 00:33:26,360
Speaker 1: be getting a fitting and you're like, what the fuck

623
00:33:26,480 --> 00:33:29,160
Speaker 1: is going on here? You know, Like, but you know,

624
00:33:29,360 --> 00:33:31,800
Speaker 1: like I was young, I was excited, I was ready.

625
00:33:32,240 --> 00:33:35,480
Speaker 1: I was focused for the opportunity, and you know, when

626
00:33:35,480 --> 00:33:38,920
Speaker 1: it came to the acting. Although I was inexperienced about

627
00:33:38,960 --> 00:33:41,960
Speaker 1: acting on film and the technicalities of acting on film,

628
00:33:42,800 --> 00:33:47,920
Speaker 1: I was raring, reading, chomping at the bit to kick

629
00:33:48,040 --> 00:33:52,440
Speaker 1: fucking ass every single day on set. And I had

630
00:33:52,440 --> 00:33:55,680
Speaker 1: a fucking ball making that film. I mean, like Brad Pitt,

631
00:33:55,720 --> 00:33:57,560
Speaker 1: where you're like, you knew that Brad Pitt was going

632
00:33:57,640 --> 00:33:59,200
Speaker 1: to be a star all that stuff. When you were

633
00:33:59,240 --> 00:34:01,120
Speaker 1: on screen, you guys were doing your thing. It was

634
00:34:01,160 --> 00:34:02,880
Speaker 1: like you knew that you were going to just be

635
00:34:02,920 --> 00:34:05,120
Speaker 1: work a like a working actor for the rest of

636
00:34:05,520 --> 00:34:07,800
Speaker 1: your career. I mean, that's what that like. Seeing it

637
00:34:07,840 --> 00:34:10,759
Speaker 1: in theaters was a completely different experience and being in

638
00:34:10,920 --> 00:34:14,920
Speaker 1: LA and seeing it in theaters, and that's the directing everything.

639
00:34:15,520 --> 00:34:18,640
Speaker 1: Was there anybody like on out of all those actors

640
00:34:18,680 --> 00:34:22,640
Speaker 1: that was particularly kind to you or like took you

641
00:34:22,680 --> 00:34:25,200
Speaker 1: under their wing or was like stood out out of

642
00:34:25,360 --> 00:34:27,400
Speaker 1: all those icons where it was like damn, that person

643
00:34:27,480 --> 00:34:29,640
Speaker 1: was really the person that I would say that that

644
00:34:29,719 --> 00:34:32,440
Speaker 1: took me under her wing and like, you know, just

645
00:34:32,480 --> 00:34:34,640
Speaker 1: made me feel comfortable and it didn't just make me

646
00:34:34,640 --> 00:34:37,040
Speaker 1: feel comfortable in Truroma. To gave me the confidence going

647
00:34:37,040 --> 00:34:40,120
Speaker 1: forward was Tony Scott. You know, I remember with him.

648
00:34:40,160 --> 00:34:42,319
Speaker 1: You know, you're young and you're trying to like, you know,

649
00:34:42,400 --> 00:34:44,719
Speaker 1: find your way as an actor, and you know, you

650
00:34:44,760 --> 00:34:47,680
Speaker 1: hear all these stories and you're you know, you're trying

651
00:34:47,719 --> 00:34:49,640
Speaker 1: to do this that in the third and you know,

652
00:34:49,680 --> 00:34:52,359
Speaker 1: and I remember Tony Scott like I would say can

653
00:34:52,400 --> 00:34:54,040
Speaker 1: we try this? And he'd be like, yeah, try it.

654
00:34:54,360 --> 00:34:55,719
Speaker 1: And then I would say can we try this? He'd

655
00:34:55,719 --> 00:34:57,440
Speaker 1: be like, no, I don't try that, but keep coming

656
00:34:57,480 --> 00:35:00,399
Speaker 1: to me, keep coming with ideas. And him, I'm saying,

657
00:35:00,480 --> 00:35:03,839
Speaker 1: keep coming to me with ideas gave me the confidence

658
00:35:04,360 --> 00:35:06,480
Speaker 1: that what I was doing was okay and one of

659
00:35:06,520 --> 00:35:09,799
Speaker 1: what I was doing was right, and it really you know,

660
00:35:10,800 --> 00:35:13,799
Speaker 1: sort of certified me going forward at that point in

661
00:35:13,840 --> 00:35:16,320
Speaker 1: my career and that point being so young, because like

662
00:35:16,360 --> 00:35:18,880
Speaker 1: I said, I was so fucking young, and there's no

663
00:35:20,040 --> 00:35:22,759
Speaker 1: preparation for that. It's just you know, you're going by

664
00:35:22,800 --> 00:35:25,240
Speaker 1: the seat of your pants. And you know, Christian Slater

665
00:35:25,280 --> 00:35:27,480
Speaker 1: at the time was a fucking huge star and he

666
00:35:27,520 --> 00:35:30,399
Speaker 1: had been in huge movies, you know, through his late

667
00:35:30,440 --> 00:35:33,160
Speaker 1: teens and his twenties, and you know, it was you know,

668
00:35:33,200 --> 00:35:35,840
Speaker 1: Patricia Arquette was coming off Indian Runner, which is a

669
00:35:35,880 --> 00:35:38,560
Speaker 1: small film that I love, and you know, obviously Rosanne

670
00:35:38,640 --> 00:35:41,800
Speaker 1: Arquette and you know David Arquette and her late brother,

671
00:35:41,840 --> 00:35:44,960
Speaker 1: you know, the Arquette name was like yo, So just

672
00:35:45,000 --> 00:35:48,719
Speaker 1: the whole fucking thing. I was amped up, chomping at

673
00:35:48,760 --> 00:35:55,239
Speaker 1: the bit, was raring retty to fucking go every single day. Yeah,

674
00:35:55,239 --> 00:35:58,040
Speaker 1: I mean that is incredible. And there were like scenes

675
00:35:58,080 --> 00:36:01,120
Speaker 1: in there where you guys are all riding the roller coaster.

676
00:36:01,200 --> 00:36:04,000
Speaker 1: It's like, did you you really were on the roller coaster?

677
00:36:04,000 --> 00:36:05,839
Speaker 1: Were you nervous to get on the roller coaster? Were

678
00:36:05,840 --> 00:36:07,480
Speaker 1: you sick on the roller coaster? Because I'd be like

679
00:36:07,520 --> 00:36:10,320
Speaker 1: Nick on the roller coaster. I don't fuck with roller coasters.

680
00:36:10,719 --> 00:36:13,200
Speaker 1: Throwing up on the roller coaster throwing up after the

681
00:36:13,280 --> 00:36:15,400
Speaker 1: roller coaster. And the only scene in that film that

682
00:36:15,440 --> 00:36:20,120
Speaker 1: they had to re shoot was the roller coaster scene

683
00:36:20,640 --> 00:36:24,440
Speaker 1: because the camera was shaking, and to quite frankly, you know,

684
00:36:24,480 --> 00:36:26,680
Speaker 1: one of the reasons why is because I was like

685
00:36:26,800 --> 00:36:29,000
Speaker 1: crying during the first time we shot it, so we

686
00:36:29,040 --> 00:36:30,960
Speaker 1: had to reshoot it. So they gave me some ambient

687
00:36:31,080 --> 00:36:33,400
Speaker 1: or xanex or whatever the fuck, and I had to

688
00:36:33,400 --> 00:36:36,480
Speaker 1: go back to Magic Mountain and that was the last

689
00:36:36,520 --> 00:36:39,279
Speaker 1: time that I'd been on a roller coaster. But it

690
00:36:39,360 --> 00:36:41,800
Speaker 1: was you know, shit, it's true romance, man. It was

691
00:36:41,840 --> 00:37:00,440
Speaker 1: fucking dope. It was just a fun, fun experienced at

692
00:37:00,480 --> 00:37:03,239
Speaker 1: the theme park too. I know that Christian Slater is

693
00:37:03,239 --> 00:37:05,880
Speaker 1: on the phone with Elliott at the pay phone, you know,

694
00:37:06,000 --> 00:37:09,279
Speaker 1: he's like, Elliot's talking to the financier or whatever on

695
00:37:09,320 --> 00:37:12,000
Speaker 1: the pay phone, and you and Patricia Arkett are like

696
00:37:12,040 --> 00:37:14,520
Speaker 1: looking at your script in the background. And this is

697
00:37:14,520 --> 00:37:18,120
Speaker 1: a long scene. And I noticed like as an actor,

698
00:37:18,160 --> 00:37:20,120
Speaker 1: when you're in the background of a scene where you're

699
00:37:20,160 --> 00:37:22,239
Speaker 1: not like the focal point of the scene and it's

700
00:37:22,280 --> 00:37:24,239
Speaker 1: really Christian Slater and Elliott on the phone, but you

701
00:37:24,280 --> 00:37:26,439
Speaker 1: and Patricia Arkette have to have your own thing going

702
00:37:26,480 --> 00:37:28,480
Speaker 1: on in the background for like what feels like a

703
00:37:28,480 --> 00:37:31,040
Speaker 1: ten minute fucking scene. You're looking through the script, are

704
00:37:31,080 --> 00:37:35,120
Speaker 1: you mining talking? Are you in character talking to each other? Like?

705
00:37:35,280 --> 00:37:38,040
Speaker 1: What are you talking about that? The audience isn't hearing

706
00:37:38,600 --> 00:37:40,720
Speaker 1: in anything? Like what are you guys like in the background,

707
00:37:40,760 --> 00:37:43,000
Speaker 1: you like, let's talk about this, or let's actually flip

708
00:37:43,000 --> 00:37:44,720
Speaker 1: through the script, like what are you guys talking about

709
00:37:44,719 --> 00:37:47,600
Speaker 1: for ten minutes? Shit, that's a good quote. We were just,

710
00:37:48,160 --> 00:37:49,759
Speaker 1: I mean to be I don't remember what we were

711
00:37:49,760 --> 00:37:52,839
Speaker 1: talking about, but I remember, you know, I was very inexperiencing.

712
00:37:52,960 --> 00:37:55,520
Speaker 1: Patricia didn't have that much experience. We were probably just

713
00:37:55,600 --> 00:37:58,279
Speaker 1: bullshitting around. And I'm sure there was probably you know,

714
00:37:58,360 --> 00:38:00,680
Speaker 1: times when we were talking and they probably like, yo,

715
00:38:01,560 --> 00:38:03,680
Speaker 1: you know, mind it because you know, because we didn't

716
00:38:03,680 --> 00:38:05,400
Speaker 1: know what the fuck were I could speak for myself.

717
00:38:05,440 --> 00:38:08,480
Speaker 1: I didn't know what the fuck I was doing. You know, Technically,

718
00:38:08,520 --> 00:38:11,920
Speaker 1: there's a technical side of acting on film, and I

719
00:38:11,960 --> 00:38:16,040
Speaker 1: did not understand that technical side, you know. I remember

720
00:38:16,120 --> 00:38:19,719
Speaker 1: James Gandolfini was very, very very shy, you know, his

721
00:38:19,800 --> 00:38:23,120
Speaker 1: whole time, and you know, I was there obviously when

722
00:38:23,120 --> 00:38:25,759
Speaker 1: he did the scene with Brad Pitt and you know

723
00:38:25,800 --> 00:38:27,200
Speaker 1: when he came over there and you were just like

724
00:38:27,520 --> 00:38:29,160
Speaker 1: that might have been the first time I saw him,

725
00:38:29,560 --> 00:38:32,240
Speaker 1: and you just like knew, like this guy's fucking what's

726
00:38:32,320 --> 00:38:35,719
Speaker 1: his deal? And you know I was there when they

727
00:38:35,719 --> 00:38:38,040
Speaker 1: did the big Dennis Hopper Christopher walkinte. I get just

728
00:38:38,040 --> 00:38:40,440
Speaker 1: showed up like I made some excuse to show up

729
00:38:40,440 --> 00:38:43,600
Speaker 1: to watch them do it. I don't know what or

730
00:38:43,640 --> 00:38:45,919
Speaker 1: what my excuse was, but I came to the set

731
00:38:46,000 --> 00:38:49,040
Speaker 1: that day to watch that. And Quinn Tarantino says, you

732
00:38:49,120 --> 00:38:51,440
Speaker 1: even sent me a TikTok says that that is the

733
00:38:51,600 --> 00:38:55,799
Speaker 1: best the Sicilian Christopher walkin Dennis Hopper scene, That whole

734
00:38:55,840 --> 00:38:58,680
Speaker 1: scene is the best thing that he's ever written. Is

735
00:38:58,719 --> 00:39:01,080
Speaker 1: the most proud of that he he's ever rich. Crazy.

736
00:39:01,200 --> 00:39:03,480
Speaker 1: He said that about that scene, and it's that's a

737
00:39:03,520 --> 00:39:07,320
Speaker 1: fantastic scene. It's a fantastic scene. It's a fantastic movie.

738
00:39:07,640 --> 00:39:09,680
Speaker 1: And this has been a great interview. I love that

739
00:39:09,719 --> 00:39:13,080
Speaker 1: you're interviewing me and finally showing me the fucking respect

740
00:39:13,200 --> 00:39:17,440
Speaker 1: that I deserve on my own podcast. God damn man, Well,

741
00:39:17,520 --> 00:39:19,080
Speaker 1: it took it for me to see it in theaters

742
00:39:19,120 --> 00:39:21,920
Speaker 1: to just have a profound effect on me. We're not surprising.

743
00:39:22,000 --> 00:39:24,480
Speaker 1: Fuck it, man, you've had the career that you've had,

744
00:39:24,520 --> 00:39:27,080
Speaker 1: and uh, we should do more of these inside the

745
00:39:27,120 --> 00:39:29,319
Speaker 1: actor's studio interviews because I have a lot more to

746
00:39:29,600 --> 00:39:31,320
Speaker 1: a lot more to talk about with you. We should

747
00:39:31,320 --> 00:39:33,400
Speaker 1: do the True Romance. We should do the True Romance

748
00:39:33,400 --> 00:39:35,480
Speaker 1: podcast because I want to talk about Gandel, Phoeny and

749
00:39:35,520 --> 00:39:37,399
Speaker 1: all those things I wanted to hear about it all.

750
00:39:37,480 --> 00:39:40,000
Speaker 1: So I think I think, yeah, I think the listeners

751
00:39:40,040 --> 00:39:43,200
Speaker 1: want to hear more. We'll do it, man. Fuck yeah, Man,

752
00:39:43,440 --> 00:39:46,800
Speaker 1: you got any other questions for me? Man? Life? Anything

753
00:39:46,800 --> 00:39:49,719
Speaker 1: else you need for me? Brother? Shit, I mean, I'll

754
00:39:49,760 --> 00:39:51,799
Speaker 1: have to think about it. But those the advice like

755
00:39:51,960 --> 00:39:53,520
Speaker 1: you know, like I'm not just you know, like a

756
00:39:53,520 --> 00:39:56,399
Speaker 1: well rounded actor like I got life advice? Yeah, yeah,

757
00:39:56,440 --> 00:40:01,200
Speaker 1: we need what do you want? Excuse me, excuse me,

758
00:40:02,840 --> 00:40:06,080
Speaker 1: excuse me, excuse me? What can I help you with? Anything?

759
00:40:06,160 --> 00:40:09,440
Speaker 1: You need anything? Let me know, not like financially, right,

760
00:40:09,520 --> 00:40:13,480
Speaker 1: but any insight or anything, just what's up? Well, I'll

761
00:40:13,560 --> 00:40:15,400
Speaker 1: drop some more questions down by the next time I

762
00:40:15,400 --> 00:40:18,120
Speaker 1: interview you. But all right, all right, cool man. We

763
00:40:18,120 --> 00:40:20,680
Speaker 1: were really stoked on that and they're playing True Romance

764
00:40:20,719 --> 00:40:22,400
Speaker 1: all the time I think it. I think it played

765
00:40:22,480 --> 00:40:25,920
Speaker 1: like a couple of days ago again at me. So

766
00:40:25,960 --> 00:40:28,680
Speaker 1: you know that Tarantino is very proud of that movie.

767
00:40:28,680 --> 00:40:32,920
Speaker 1: But we're all proud of you, proud of you, thank you.

768
00:40:32,920 --> 00:40:36,080
Speaker 1: You know it's another film. Since you're in your thriller's

769
00:40:36,200 --> 00:40:39,400
Speaker 1: nineties thrillers, you should watch this movie with Ellen Barkin

770
00:40:39,480 --> 00:40:42,799
Speaker 1: and Al Paccino called Sea of Love, very New York.

771
00:40:42,920 --> 00:40:47,840
Speaker 1: John Goodman's in it, a very good twists turns crime thriller,

772
00:40:47,880 --> 00:40:51,640
Speaker 1: erotic sexual thriller, and I really be curious to see

773
00:40:51,640 --> 00:40:54,239
Speaker 1: if you knew who the killer was at the end

774
00:40:54,239 --> 00:40:56,600
Speaker 1: of the film. And I loved I love that film,

775
00:40:57,000 --> 00:40:59,520
Speaker 1: and you know, it really sort of was the resurgence

776
00:40:59,520 --> 00:41:02,719
Speaker 1: of foul Pino, you know, to get him back, and uh,

777
00:41:02,840 --> 00:41:05,719
Speaker 1: you know, he gives a great, great performance in that film,

778
00:41:05,760 --> 00:41:07,960
Speaker 1: so does Ellen Bark. And it's a dope movie, Sea

779
00:41:08,080 --> 00:41:11,120
Speaker 1: of Love, directed by the great Harold Becker, whose wife

780
00:41:11,200 --> 00:41:16,840
Speaker 1: actually was the costume designer on True Romance, and it

781
00:41:16,880 --> 00:41:19,319
Speaker 1: comes full circle. I love that. I'm definitely gonna check

782
00:41:19,360 --> 00:41:22,560
Speaker 1: out Sea of Love watching that. I watched this movie

783
00:41:22,560 --> 00:41:26,680
Speaker 1: called Final Analysis with Uma Thurman, Kim Basinger again. Eric

784
00:41:26,800 --> 00:41:30,280
Speaker 1: Roberts was pretty good entertaining, so keep sending me suggestions.

785
00:41:30,320 --> 00:41:31,600
Speaker 1: With a Sea of Love will be the next one

786
00:41:31,600 --> 00:41:35,279
Speaker 1: on my list. Have you have you seen anything nah man?

787
00:41:35,400 --> 00:41:39,040
Speaker 1: I mean I talked in depth the other day about

788
00:41:39,040 --> 00:41:42,120
Speaker 1: the Jake Paul fight. Um, you know, I'm excited about

789
00:41:42,160 --> 00:41:45,759
Speaker 1: the NBA. I'm excited about going on the road. Obviously

790
00:41:45,880 --> 00:41:49,239
Speaker 1: deep in my reality TV shows of Real Housewives of

791
00:41:49,320 --> 00:41:54,280
Speaker 1: New Jersey enjoying it profusely. The Real Housewives of Potomac

792
00:41:54,320 --> 00:41:57,759
Speaker 1: reunions coming to an end, so that season's ending. But

793
00:41:57,840 --> 00:42:01,080
Speaker 1: like every every season of the Real Housewive one season

794
00:42:01,120 --> 00:42:03,359
Speaker 1: comes to an end, and you feel the sadness. It's

795
00:42:03,360 --> 00:42:05,759
Speaker 1: like the weather, the weather changing and then the next

796
00:42:05,800 --> 00:42:08,520
Speaker 1: season boom. You you have to just wait for the

797
00:42:08,760 --> 00:42:10,600
Speaker 1: next show to start. But it's like every time a

798
00:42:10,680 --> 00:42:13,200
Speaker 1: season comes to an end. Uh, you know, there's a

799
00:42:13,200 --> 00:42:15,080
Speaker 1: little bit of sadness. I'm not gonna lie to you

800
00:42:15,120 --> 00:42:18,319
Speaker 1: my friends. All right, Well, this has been fantastic. I

801
00:42:18,360 --> 00:42:21,600
Speaker 1: hope that you have a great time in Milwaukee. Thank you.

802
00:42:22,040 --> 00:42:25,000
Speaker 1: It sounds like it could be lonely, like life on

803
00:42:25,040 --> 00:42:26,800
Speaker 1: the road as a comedian could be a little lonely,

804
00:42:26,800 --> 00:42:30,040
Speaker 1: you're by yourself in Milwaukee. Um, but we're just we're

805
00:42:30,080 --> 00:42:32,200
Speaker 1: worth thinking about you. We're thinking about you while you're

806
00:42:32,200 --> 00:42:35,080
Speaker 1: out there. But but you're gonna be. You're coming Indianapolis,

807
00:42:35,200 --> 00:42:38,319
Speaker 1: right you fuck one hundred percent. I'm placing in order

808
00:42:38,320 --> 00:42:41,279
Speaker 1: for the security sweatshirt or T shirt or hoodie as

809
00:42:41,320 --> 00:42:43,919
Speaker 1: we speak on Amazon, So yeah, it gets yourself a hoodie, man,

810
00:42:44,280 --> 00:42:47,040
Speaker 1: get your hoe because because people don't look at me,

811
00:42:47,080 --> 00:42:49,520
Speaker 1: and they don't go that's a guy carrying pepper gel,

812
00:42:49,640 --> 00:42:52,160
Speaker 1: that's a guy carrying a taser. When I don't have

813
00:42:52,200 --> 00:42:59,120
Speaker 1: a shirt like that, so I think that, don't say that. No, listen,

814
00:43:00,120 --> 00:43:03,320
Speaker 1: take a fucking jiu jitsu class, get yourself a security shirt,

815
00:43:03,640 --> 00:43:06,480
Speaker 1: and then leave me the fuck alone. That's it, all right,

816
00:43:06,520 --> 00:43:10,080
Speaker 1: fair enough, all right, coming to the end here, fantastic

817
00:43:10,120 --> 00:43:12,520
Speaker 1: I am Wrapped Ports Stereo pockets. We're glad you're back.

818
00:43:13,360 --> 00:43:15,440
Speaker 1: Miles Jordan Ak, the Bleach Brothers. Take us out of

819
00:43:15,480 --> 00:43:17,840
Speaker 1: here with something real nice. Take us out here with

820
00:43:17,880 --> 00:43:20,520
Speaker 1: something real loud, but most importantly, end the one thousand

821
00:43:20,920 --> 00:43:24,359
Speaker 1: and two I Am wrap Ports Stereo Podcasts with something

822
00:43:24,960 --> 00:43:27,839
Speaker 1: real loud and real fucking and extended. Let it play

823
00:43:27,840 --> 00:43:30,000
Speaker 1: out for the people. I am wrap, ports, stereo pockets, rap,