WEBVTT - HBO's The Last of Us Ep. 7

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<v Speaker 1>Warning, this podcast couldast spoilers for the Last of Us

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<v Speaker 1>episode seven and in our nerd out, pretty major spoilers

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<v Speaker 1>I think for the Last of Us Parts one and two,

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<v Speaker 1>the video game, and depending on what the Last of

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<v Speaker 1>Us Season two decides to do, potentially for the Last

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<v Speaker 1>of Us Season two as well, so be warned about

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<v Speaker 1>that nerd out. Hello, my name is Jason Concepcion.

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<v Speaker 2>I'm I'm Rosey Night, and.

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<v Speaker 1>Welcome to x ray Vision, the Crooked media podcast where

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<v Speaker 1>we dive deep to your fais movies, comics, and pop culture.

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<v Speaker 2>In this episode, guess what. It's the Lost of Us

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<v Speaker 2>and it's gonna make you cry. Like every week in

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<v Speaker 2>the Hallow Week, it's episode seven, and boy, if you

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<v Speaker 2>haven't played the game, and if you have played the game,

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<v Speaker 2>if you haven't played the game, you're in. You're in

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<v Speaker 2>for some some sad times ahead. And in that doubt,

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<v Speaker 2>listen to Robe tells us about a possible Lost of

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<v Speaker 2>Us pop three. Dun, Dun, dun.

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<v Speaker 1>Of course, if you want to jump around, check the

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<v Speaker 1>show notes for time stamps. Coming up the air lock,

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<v Speaker 1>we're stepping out of the airlock and into Ellie's feder

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<v Speaker 1>orphanage past For the Last of Us episode seven, titled

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<v Speaker 1>Left Behind, written by Neil Druckman and directed by E.

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<v Speaker 1>Liza Johnson. We start somewhere in suburban Colorado. There is

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<v Speaker 1>a bloody trail leading to the ruin of the suburban house. Inside,

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<v Speaker 1>Ellie is desperately trying to keep Joel alive. She has

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<v Speaker 1>them laid out on a mattress in the garage or somewhere.

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<v Speaker 1>She's trying to keep pressure on his gut wound. Which

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<v Speaker 1>same place Sarah is it? You know, there's mirror images or.

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<v Speaker 2>Shadowing, And I think this is like a great moment

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<v Speaker 2>to just kind of say the show is doing so

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<v Speaker 2>many smart little things to make itself more believable, because

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<v Speaker 2>compared to the game where Joel's like impaled, you know,

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<v Speaker 2>this feels very real. It feels like a real small

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<v Speaker 2>wound that could end a life, and it does have

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<v Speaker 2>that impact of feeling like, is that where Sarah is it?

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<v Speaker 2>It looks the same and Joel is not doing well.

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<v Speaker 1>I mean, do we have Neo Sporan and the post

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<v Speaker 1>outbreak feature. It's unclear if there's any less. Joel is gasping,

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<v Speaker 1>you know, leave, just leave, trying to get Ellie to

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<v Speaker 1>just save herself get out of there. And Ellie is saying, Joel,

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<v Speaker 1>shut the fuck up.

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<v Speaker 2>She is having any of it.

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<v Speaker 1>No, she is desperately trying to save his life. Joel,

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<v Speaker 1>you know, of course, wants Ellie to take the horse

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<v Speaker 1>ride back to Jackson live out her life with Tommy

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<v Speaker 1>and Marie. And Ellie covers Joel with his jacket because

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<v Speaker 1>he's shivering so hard, and she heads upstairs, closes the

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<v Speaker 1>door on the room where Joel is and starts thinking

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<v Speaker 1>about the past, and we flash back there. It is

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<v Speaker 1>her Federa school. We get to see Ellie at Federal

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<v Speaker 1>School jogging in fizzed class, jogging around in a circle.

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<v Speaker 1>She's wearing a walkman from like nineteen eighty eight and

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<v Speaker 1>kind of loping around in a circle. And as she's

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<v Speaker 1>doing that, a tall girl who we will soon come

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<v Speaker 1>to learn is named Bethany snatches her headphones off her

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<v Speaker 1>head and is like, hey, pick it up. Apparently, collective

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<v Speaker 1>punishment is the rule at feder which is not surprising.

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<v Speaker 1>And because Ellie is slow, everybody's going to have to

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<v Speaker 1>run extra aps, and Bethany is tired of running extra laps,

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<v Speaker 1>so Ellie's like, okay, then I'll fight you to get

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<v Speaker 1>my walkman back. Bethanie says, you don't fight. Your friend fights,

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<v Speaker 1>and she's not here anymore, is she? And then Ellie

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<v Speaker 1>punches the girl in the face.

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<v Speaker 2>It's great, It's really just a good moment. And I

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<v Speaker 2>think as well, I feel like this is such an

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<v Speaker 2>important moment in Ellie's story because what we see here

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<v Speaker 2>is this transition from the girl who likes behind the

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<v Speaker 2>girl's kind of in our own world, the girl who

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<v Speaker 2>clearly was just protected by her friend, And in this

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<v Speaker 2>moment we get that little bit of fierceness and agency

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<v Speaker 2>and that Ellie that we kind of know now, which

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<v Speaker 2>is the Ellie who's not afraid to just punch someone

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<v Speaker 2>in the face.

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<v Speaker 1>That's a great point because as we see over the

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<v Speaker 1>course of this episode, and as we've seen over the

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<v Speaker 1>course of this series, Ellie is often the person under

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<v Speaker 1>the protection of the fighter, the more aggressive person, the

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<v Speaker 1>stronger person, the more confident person, as she's been with Joel,

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<v Speaker 1>and that has been the case with her friend, who

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<v Speaker 1>we have yet to meet. We catch up with Ellie

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<v Speaker 1>in Captain Kwang's office, Captain Quang's kind of the principle

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<v Speaker 1>of this federal school. And in this meeting we learned

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<v Speaker 1>that Ellie's been disruptive lately. It's been just the last

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<v Speaker 1>few weeks that this kicked off. She's obviously very smart, brilliant.

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<v Speaker 1>Even Captain Kwang notes that, but she's been in the

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<v Speaker 1>whole several times over the last few weeks. When she

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<v Speaker 1>offers to just go to the hole again for knocking

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<v Speaker 1>Bethany out, Kuwang is doesn't take the bait. He's frustrated

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<v Speaker 1>because again she is smarter than she's been acting. So

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<v Speaker 1>he lays out a couple of passer He says, okay,

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<v Speaker 1>path number one, you keep fucking up, and Bethany's going

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<v Speaker 1>to make your commanding officer. How do you like that?

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<v Speaker 2>Or two?

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<v Speaker 1>Follow the rules. Become an officer. You get the better food,

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<v Speaker 1>you get, the better housing, you get, the less dangerous work,

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<v Speaker 1>and you get to give other people orders. What do

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<v Speaker 1>you think about that? And the truth is, though she

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<v Speaker 1>doesn't say any here, Ellie thinks that sounds pretty good.

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<v Speaker 2>Actually, so he sells her on it. In that moment,

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<v Speaker 2>it has like an honesty here an adult who is

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<v Speaker 2>just telling her how it is and who is basically

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<v Speaker 2>like look, you can either let your bullies bully you,

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<v Speaker 2>or you can rise up the ranks of this fascist organization.

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<v Speaker 2>But then you can bully the bully and you can

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<v Speaker 2>also be in like a safer space.

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<v Speaker 1>It's it's interesting. This scene starts with Ellie looking at

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<v Speaker 1>Gwang's family photos. It's a wife and daughter, I'm assuming, right,

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<v Speaker 1>and who knows if they're still alive or what. But

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<v Speaker 1>thinking about this, this is our first real moment of

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<v Speaker 1>like seeing Federick humanized. Because Gwang says right after that

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<v Speaker 1>kind of lecture on the two pass, he says, quote,

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<v Speaker 1>we're the only thing holding this all together. If we

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<v Speaker 1>go down, the people in the zone will starve and

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<v Speaker 1>murder each other. Now. And it's interesting because we've been

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<v Speaker 1>framing the things that Joel or tom Me have done

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<v Speaker 1>in the past as you did what you had to

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<v Speaker 1>do to survive. And I think Kwang would say, not

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<v Speaker 1>only am I doing what I have to do to survive,

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<v Speaker 1>as distasteful and at times unfair as it is, but

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<v Speaker 1>I'm also doing what I have to do so other

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<v Speaker 1>people could survive.

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<v Speaker 2>He believed, he's a believer, he's a believer in Federra

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<v Speaker 2>and he kind of hints at this like, you know,

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<v Speaker 2>no now what other people say about Fedro, like it's

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<v Speaker 2>only us and you know what in the Boston QZ,

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<v Speaker 2>I maybe maybe that was what was real. Maybe that

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<v Speaker 2>was a version of that was true at least at

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<v Speaker 2>some point, or that's what Quang believes. But like, I

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<v Speaker 2>do think it's a really interesting comparison after we saw

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<v Speaker 2>what Fedri did in you know, Kansas City.

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<v Speaker 1>Yeah, I think that argument holds some weight. And it's

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<v Speaker 1>also clear that there is no overarching command in control

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<v Speaker 1>of federal like each the men and were like they've

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<v Speaker 1>become their own little city states unto themselves without any

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<v Speaker 1>kind of like oversight. But I think it's an important

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<v Speaker 1>perspective to hear that despite the corruption of the rank

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<v Speaker 1>and file soldiers, there are people at the top who

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<v Speaker 1>are like this is I'm not saying this is perfect,

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<v Speaker 1>but this is the best we got. And maybe he's

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<v Speaker 1>I'm not sure that he's necessarily wrong. Gwang then goes

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<v Speaker 1>on to tell Ellie, you know, basically like I see

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<v Speaker 1>you as a future leader. Now get your walk in

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<v Speaker 1>and get the fuck out of here, and she leaves. Later,

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<v Speaker 1>Ellie is in her room. She's reading an issue of

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<v Speaker 1>Savage Starlight. It is raining, much like the night where

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<v Speaker 1>she and Joel set out on their big adventure from

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<v Speaker 1>the QZ. You see her knife on the table next

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<v Speaker 1>to her. She stares across the room at an empty bed.

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<v Speaker 1>She's frustrated, she's lonely, she's clearly not getting any kind

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<v Speaker 1>of satisfaction from reading this issue of Savage Starlight. And

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<v Speaker 1>eventually she falls asleep. And when she's asleep, late almost

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<v Speaker 1>two in the morning, someone creeps into the room through

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<v Speaker 1>the window and it is Riley. This is the person

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<v Speaker 1>who is missing, This as the protector. This is Ellie's

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<v Speaker 1>best friend, owner of the empty bed, and Riley has

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<v Speaker 1>been missing for the last three weeks.

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<v Speaker 2>And I will say this is a great bit of

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<v Speaker 2>foreshadowing about is not sensible Riley is Yeah, because Riley

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<v Speaker 2>creeps into this room and basically sneaks up on her

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<v Speaker 2>armed friend, who obviously is like what the fuck and

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<v Speaker 2>almost stabs her like and I think that is a

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<v Speaker 2>really good kind of like. Riley is someone who has

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<v Speaker 2>not been made more cautious by the post apocalypse. Riley

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<v Speaker 2>is someone who has found that humor and pranks and

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<v Speaker 2>kind of this lazzy affair, like reckless attitude is what

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<v Speaker 2>helps her get by, and she even says it to Ellie.

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<v Speaker 2>She's like, it was a joke. I thought you'd find

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<v Speaker 2>it funny.

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<v Speaker 1>Yeah, it's interesting. Riley is where is Ellie is? I

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<v Speaker 1>didn't of how she was raised. Is kind of a

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<v Speaker 1>believer in what Federra is selling. Riley is looking for

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<v Speaker 1>a cause and she has clearly found it. Ellie is like,

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<v Speaker 1>are you okay? And Riley's like, I just ran away

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<v Speaker 1>for a little bit, and then she flashes a gun

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<v Speaker 1>a piece.

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<v Speaker 2>Ellie loves a gun.

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<v Speaker 1>Ellis nobody loves a gun more than Ellie. And Ellie

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<v Speaker 1>is fucking shocked because you know, Riley has joined the Fireflies.

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<v Speaker 1>Is what this means now, I would say for anyone

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<v Speaker 1>who has been thinking of the Fireflies as like this

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<v Speaker 1>freedom fighter organization fighting against the evils of Fedra, they

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<v Speaker 1>just armed like a sixteen year old kid literally, and

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<v Speaker 1>it as we learn to put her in charge of

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<v Speaker 1>bombs spoiler moving out.

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<v Speaker 2>Yeah, there's a lot of you learn a lot about

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<v Speaker 2>Molly and I feel like, and I wrote a piece

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<v Speaker 2>actually ign where I think this leans into some of

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<v Speaker 2>our thoughts about like what does Molly know and how

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<v Speaker 2>much is she kind of this kind of puppet Masstu.

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<v Speaker 2>But yeah, they literally just armed a child who is

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<v Speaker 2>clearly lovely but reckless. Af well, I mean, then she's

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<v Speaker 2>a kid, you know, she.

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<v Speaker 1>Is a kid. You know, there's almost no situation in

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<v Speaker 1>which you can be like, we're we're an armed quasi

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<v Speaker 1>military operation fighting to overthrow you know, despotic regime and uh,

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<v Speaker 1>and we're trying to bring democracy and freedom, you know.

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<v Speaker 2>Bad chilsages and that's and how.

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<v Speaker 1>We're going to do that is by giving sixteen year

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<v Speaker 1>old guns like it. It doesn't work. So Riley says,

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<v Speaker 1>you know, she went and joined the Fireflies. She wants

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<v Speaker 1>Ellie to come out with her for a few hours,

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<v Speaker 1>doesn't say what they're gonna do and have basically the

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<v Speaker 1>best night of their lives. Ellie is like, I gotta

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<v Speaker 1>be a drill tomorrow, but she goes of course. Anyway,

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<v Speaker 1>they head out to the street to the QZ. Riley

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<v Speaker 1>wants Elie to stop fucking around with Bethany. Uh, she's

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<v Speaker 1>it's interesting to your point. Riley has come away from

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<v Speaker 1>this three weeks with the Fireflies and now she's acting

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<v Speaker 1>like listen, kid, I've seen the world and as a

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<v Speaker 1>as a mature adult now an owner of a firearm,

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<v Speaker 1>I got a telegal Yeah, a little drama. Yeah, this

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<v Speaker 1>little drama you have, it's small potatoes compared to what's

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<v Speaker 1>really going out there in the big, big adult world.

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<v Speaker 1>It's a little patronizing, just a little bit patronizing. Riley

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<v Speaker 1>we learn as a fighter. She talks about how she's

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<v Speaker 1>learned to kind of like focus her rage, her anger

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<v Speaker 1>on the things that matter, meaning overthrowing turity and re

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<v Speaker 1>establishing democracy under the aegis of the Firefly, and she

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<v Speaker 1>gives Elle a little bit of a you can't fight

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<v Speaker 1>everything again, this wisdom that she has gleaned in the

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<v Speaker 1>three weeks. You gotta pick, you gotta pick Firefly traded camp. Listen,

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<v Speaker 1>I've been firing at paper targets for the last two weeks.

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<v Speaker 1>I gotta tell you, you can't fight everybody.

0:13:16.000 --> 0:13:18.120
<v Speaker 2>I mean, it's also like me. I think this is

0:13:18.160 --> 0:13:23.920
<v Speaker 2>a really interesting episode in terms of how it showcases

0:13:24.320 --> 0:13:28.200
<v Speaker 2>the similarities because Federer is making child soldiers, that's what

0:13:28.240 --> 0:13:31.960
<v Speaker 2>they're training people for, and they arguably probably armed some

0:13:32.080 --> 0:13:34.600
<v Speaker 2>of those children. And guess what the Fireflies are doing

0:13:34.640 --> 0:13:36.840
<v Speaker 2>exactly the same thing. It's kind of the Kansas City

0:13:37.360 --> 0:13:43.360
<v Speaker 2>question of what do you replace something like Feder with.

0:13:43.840 --> 0:13:45.920
<v Speaker 2>It has to be something better, it can't be the

0:13:45.920 --> 0:13:49.720
<v Speaker 2>same thing. And are the Fireflies in a process of

0:13:49.800 --> 0:13:52.839
<v Speaker 2>actually planning for something bad or are they just replicating

0:13:52.920 --> 0:13:54.600
<v Speaker 2>the thing that they want to stop?

0:13:54.760 --> 0:13:58.079
<v Speaker 1>Exactly what I was thinking so much about watching this episode.

0:13:58.120 --> 0:14:00.960
<v Speaker 1>This is maybe this conversation time because maybe jumping ahead

0:14:00.960 --> 0:14:04.520
<v Speaker 1>a little bit, but I think the downfall of the

0:14:04.559 --> 0:14:10.080
<v Speaker 1>Fireflies of Feder, of the Kansas City freedom fighters if

0:14:10.080 --> 0:14:13.840
<v Speaker 1>you could call them that, and people who fight for

0:14:13.960 --> 0:14:16.480
<v Speaker 1>causes in the real world is this thought of, Okay,

0:14:16.559 --> 0:14:20.480
<v Speaker 1>we're opposing the bad guys, therefore we are good, and

0:14:20.520 --> 0:14:23.720
<v Speaker 1>when we get power, we will be good, when in

0:14:23.840 --> 0:14:29.000
<v Speaker 1>actual fact, you will just become the thing that you overthrew,

0:14:29.360 --> 0:14:34.400
<v Speaker 1>because no one has the clear eyed ability to look

0:14:34.440 --> 0:14:38.120
<v Speaker 1>at themselves and go no, actually, the problem is not

0:14:38.400 --> 0:14:41.080
<v Speaker 1>the people who are in charge. The problem is the

0:14:41.120 --> 0:14:43.320
<v Speaker 1>corrosive effect of being in charge.

0:14:43.480 --> 0:14:44.440
<v Speaker 2>Yeah, and if we.

0:14:45.080 --> 0:14:47.520
<v Speaker 1>Yeah, the systems that we build, if we don't build

0:14:47.520 --> 0:14:52.000
<v Speaker 1>a system that has oversight on the people who were

0:14:52.000 --> 0:14:55.640
<v Speaker 1>in power, then we're just gonna be Feder Part two

0:14:55.880 --> 0:14:58.280
<v Speaker 1>and this is not a thing that either the Fireflies

0:14:58.640 --> 0:15:02.360
<v Speaker 1>or Riley or anybody is thinking about. Yes, that we've

0:15:02.400 --> 0:15:03.160
<v Speaker 1>seen in this world.

0:15:03.240 --> 0:15:05.480
<v Speaker 2>No, I think that only people who are thinking about it.

0:15:05.520 --> 0:15:11.600
<v Speaker 2>Ironically is like Jackson Jackson, the Comnists. They took years

0:15:12.120 --> 0:15:14.680
<v Speaker 2>to plan a system with from what we know like

0:15:14.800 --> 0:15:18.920
<v Speaker 2>democratic oversight and like extreme planning. But what has that meant?

0:15:18.920 --> 0:15:23.800
<v Speaker 2>That means it's a tiny society that's actually incredibly exclusionary.

0:15:23.880 --> 0:15:27.280
<v Speaker 2>So there's this kind of like all these really interesting conversations.

0:15:27.360 --> 0:15:29.840
<v Speaker 2>And the thing that so blew me away about this

0:15:29.880 --> 0:15:32.760
<v Speaker 2>episode is like, look in our discord on the internet.

0:15:33.240 --> 0:15:34.680
<v Speaker 2>The thing that is going to get you about this

0:15:34.720 --> 0:15:36.960
<v Speaker 2>episode is the emotional arc of the characters, right.

0:15:37.040 --> 0:15:37.520
<v Speaker 1>Absolutely.

0:15:37.560 --> 0:15:41.280
<v Speaker 2>I came away from it knowing so much more about

0:15:41.320 --> 0:15:44.440
<v Speaker 2>the world and having so many more questions about the Fireflies.

0:15:45.040 --> 0:15:46.880
<v Speaker 2>The piece that I wrote I cover this show every

0:15:46.920 --> 0:15:48.960
<v Speaker 2>week at IGN, and the piece that I wrote this

0:15:49.000 --> 0:15:51.560
<v Speaker 2>week wasn't even to do with Ellie and Riley. It

0:15:51.640 --> 0:15:53.560
<v Speaker 2>was just all about Marlene because I was like, wait

0:15:53.600 --> 0:15:55.840
<v Speaker 2>a minute, what does this mean? Because they will get

0:15:55.880 --> 0:15:58.840
<v Speaker 2>to this later, but they changed so far, they haven't

0:15:58.880 --> 0:16:02.440
<v Speaker 2>revealed something that's really important in the game. To understand Marlene,

0:16:02.720 --> 0:16:06.360
<v Speaker 2>and without that knowledge, Marlene seems like a very sinister figure,

0:16:06.920 --> 0:16:10.760
<v Speaker 2>and I find that to be a very interesting choice. So, yeah,

0:16:10.760 --> 0:16:12.800
<v Speaker 2>this is just such a mind blowing episode because it

0:16:12.840 --> 0:16:18.080
<v Speaker 2>is essentially like a fun Stranger Things esque like why.

0:16:19.160 --> 0:16:22.000
<v Speaker 1>To a point it reminded me of I mean, it's

0:16:22.440 --> 0:16:25.360
<v Speaker 1>it's so very very modeled on the DLC in which

0:16:25.520 --> 0:16:28.160
<v Speaker 1>Riley Oh years, it's like direct, but it also reminded

0:16:28.160 --> 0:16:32.800
<v Speaker 1>me of the San Junipero episode of Black Men. Yes,

0:16:33.360 --> 0:16:39.760
<v Speaker 1>very San Junipero. Yeah, two women together just living a

0:16:39.840 --> 0:16:40.440
<v Speaker 1>life in.

0:16:40.360 --> 0:16:44.680
<v Speaker 2>A night, which I also think is like probably completely

0:16:44.720 --> 0:16:47.800
<v Speaker 2>intentional because I feel like the people felt like that.

0:16:48.000 --> 0:16:50.880
<v Speaker 2>The third episode of the show, another great queer episode

0:16:50.920 --> 0:16:53.080
<v Speaker 2>of TV. A lot of people I saw them being

0:16:53.160 --> 0:16:56.160
<v Speaker 2>like the gaze, they have their Sand Junipero, like the

0:16:56.280 --> 0:16:58.680
<v Speaker 2>Cis gaze, Like they have it, you know, the men

0:16:58.720 --> 0:17:01.840
<v Speaker 2>have had They've they found their space. And I kind

0:17:01.840 --> 0:17:03.680
<v Speaker 2>of think that they probably look to that a lot,

0:17:03.720 --> 0:17:07.880
<v Speaker 2>that this idea of where can you find like joy

0:17:08.200 --> 0:17:10.800
<v Speaker 2>in love and in queer love even in the face

0:17:10.880 --> 0:17:12.040
<v Speaker 2>of like an apocalypse.

0:17:13.359 --> 0:17:14.760
<v Speaker 1>X Ray Vision will be back.

0:17:23.920 --> 0:17:24.560
<v Speaker 2>And We're back.

0:17:24.920 --> 0:17:34.679
<v Speaker 1>So Riley leads Ellie over rooftops. They head up into

0:17:34.680 --> 0:17:37.439
<v Speaker 1>a building. Ellie is winded. They find a dead body there,

0:17:37.680 --> 0:17:41.440
<v Speaker 1>which apparently was not there the last time Riley has

0:17:41.480 --> 0:17:43.480
<v Speaker 1>been through this building. They then take a closer look

0:17:43.800 --> 0:17:46.760
<v Speaker 1>good time to time back, Yeah, I would imagine so.

0:17:46.800 --> 0:17:50.400
<v Speaker 1>But then it's clear that the guy committed suicide. There's

0:17:50.400 --> 0:17:54.760
<v Speaker 1>a bottle of pre outbreak liquor, I think next toom,

0:17:54.760 --> 0:17:58.000
<v Speaker 1>which is clearly very expensive, as is the you know,

0:17:58.040 --> 0:17:59.679
<v Speaker 1>there's also a baggy of pills, and we know the

0:17:59.680 --> 0:18:04.040
<v Speaker 1>bag at least this is extremely expensive. Yeah, so this

0:18:04.040 --> 0:18:07.640
<v Speaker 1>this person went out with a bang. The hopelessness caught

0:18:07.720 --> 0:18:10.919
<v Speaker 1>up to them and they have killed themselves, and they

0:18:11.040 --> 0:18:13.520
<v Speaker 1>kind of like lean in close and they examine this person.

0:18:13.520 --> 0:18:15.080
<v Speaker 1>They take the bottle of whiskey, and then all of

0:18:15.119 --> 0:18:17.960
<v Speaker 1>a sudden, the floor under this corpse gives way and

0:18:18.000 --> 0:18:21.360
<v Speaker 1>it just falls down. And it's a measure of how

0:18:22.359 --> 0:18:25.520
<v Speaker 1>hardened you would be growing up in this world that

0:18:25.560 --> 0:18:31.639
<v Speaker 1>Ellie just fucking laughs, just laughing hysterically at this. Yeah.

0:18:31.640 --> 0:18:35.560
<v Speaker 1>On the roof, the girls sip from the bottle. Ellie asks,

0:18:35.760 --> 0:18:38.160
<v Speaker 1>is that the first dead body you've ever seen? Riley? Is? Like, no,

0:18:38.240 --> 0:18:40.639
<v Speaker 1>I saw my parents Ellie's like, oh, that's right. I'm sorry,

0:18:41.440 --> 0:18:44.200
<v Speaker 1>I'm sorry I asked about that as a change of topic.

0:18:44.240 --> 0:18:45.080
<v Speaker 1>Can I hold your gun?

0:18:46.160 --> 0:18:50.840
<v Speaker 2>Could I please? She's like, I just love guns.

0:18:50.880 --> 0:18:53.080
<v Speaker 1>Could I just feel the weight of it?

0:18:53.160 --> 0:18:53.400
<v Speaker 2>Yeah?

0:18:54.760 --> 0:18:58.640
<v Speaker 1>I didn't love the trigger discipline here, but that's another thing.

0:18:58.880 --> 0:19:02.240
<v Speaker 1>Ellie then asks, okay, well, why did you join the Fireflies?

0:19:02.280 --> 0:19:05.399
<v Speaker 1>Like what wasn't a boy? Like? What was it this probing?

0:19:05.520 --> 0:19:09.280
<v Speaker 1>You know? Clearly for what happens later on, Riley says

0:19:09.359 --> 0:19:13.800
<v Speaker 1>that she was just out. She just snuck out. She's

0:19:13.880 --> 0:19:16.080
<v Speaker 1>clearly was very frustrated with the kind of rules and

0:19:16.119 --> 0:19:19.120
<v Speaker 1>regulations at FEDRA, so she had snuck out. She's running

0:19:19.119 --> 0:19:22.320
<v Speaker 1>around on the streets. She ran into a woman who

0:19:22.880 --> 0:19:26.399
<v Speaker 1>she doesn't define who it is here, but it's clearly

0:19:26.440 --> 0:19:30.200
<v Speaker 1>Marlene who asked her, hey, what do you think of FEDRA?

0:19:31.480 --> 0:19:34.800
<v Speaker 1>And Riley must have asked in the right way because

0:19:34.800 --> 0:19:37.760
<v Speaker 1>next thing you know, Riley is in the Fireflies and

0:19:38.000 --> 0:19:44.879
<v Speaker 1>Ellie here pushing back against this kind of clear, you know,

0:19:45.000 --> 0:19:47.919
<v Speaker 1>romance that Riley is in, with this kind of like

0:19:48.000 --> 0:19:50.400
<v Speaker 1>new mission that she has found in her life, pushes

0:19:50.480 --> 0:19:54.320
<v Speaker 1>back with by by basically recycling Captain Wong's line, which

0:19:54.359 --> 0:19:56.960
<v Speaker 1>is like, well, you know, Fedra, they're not perfect, but like,

0:19:57.040 --> 0:20:00.520
<v Speaker 1>aren't they the only things holding it together? They're here.

0:20:01.720 --> 0:20:05.280
<v Speaker 1>Riley doesn't argue with this now, she isn't not at

0:20:05.280 --> 0:20:08.960
<v Speaker 1>this moment. She leads Ellie on to where they're going.

0:20:10.040 --> 0:20:11.920
<v Speaker 1>They're standing on the rooftop. She's look over there, you

0:20:11.960 --> 0:20:16.639
<v Speaker 1>see those new lights. Yeah, Fedra has been apparently running

0:20:16.680 --> 0:20:19.159
<v Speaker 1>new electric lines to some of the vacant apartments, and

0:20:19.200 --> 0:20:23.040
<v Speaker 1>it is like service and house the growing population. And

0:20:23.080 --> 0:20:25.760
<v Speaker 1>now they have that argument, you know, Ellie's like, well, see,

0:20:25.760 --> 0:20:27.640
<v Speaker 1>feder is not bad. They're not all bad, right, They're

0:20:27.640 --> 0:20:30.520
<v Speaker 1>giving people a place to live. And Riley says, yeah,

0:20:30.520 --> 0:20:34.760
<v Speaker 1>but they're starving a portion of their population. And Ellie says, well,

0:20:35.400 --> 0:20:39.040
<v Speaker 1>it wouldn't be so difficult if the fireflies hadn't blown

0:20:39.119 --> 0:20:41.439
<v Speaker 1>up the warehouse where all the food is kept. And

0:20:41.480 --> 0:20:45.040
<v Speaker 1>then Riley's like, no, we didn't do that, and then

0:20:45.040 --> 0:20:48.719
<v Speaker 1>Ellie's like, and also the fireflies are killing civilians when

0:20:48.760 --> 0:20:50.919
<v Speaker 1>they get caught in the crossfire, get you know, or

0:20:51.000 --> 0:20:52.760
<v Speaker 1>just happen to be around where these bombs blow up.

0:20:52.960 --> 0:20:56.720
<v Speaker 1>And then Riley says, no, we're not doing that, and

0:20:56.760 --> 0:21:01.439
<v Speaker 1>then she says the thing that is so literally ironic

0:21:01.600 --> 0:21:04.760
<v Speaker 1>and she doesn't know it. It's you know, again with

0:21:04.840 --> 0:21:07.800
<v Speaker 1>this incredible maturity that she's gleaned, like in the three

0:21:07.840 --> 0:21:11.000
<v Speaker 1>weeks that she's a grutty way is you know, it's

0:21:11.040 --> 0:21:15.679
<v Speaker 1>okay to admit that you don't know everything, the implication

0:21:15.840 --> 0:21:19.960
<v Speaker 1>being I do kind of know not everything, but a

0:21:20.000 --> 0:21:23.000
<v Speaker 1>lot more about the world, a lot more than you.

0:21:23.000 --> 0:21:25.840
<v Speaker 1>You don't understand how it works, and of course that

0:21:25.960 --> 0:21:28.320
<v Speaker 1>you know they're The tragedy of this is that they're

0:21:28.359 --> 0:21:31.800
<v Speaker 1>both wrong. And she also says, Okay, we're here and

0:21:31.840 --> 0:21:35.200
<v Speaker 1>it's them. All this building is supposedly sealed up because

0:21:35.200 --> 0:21:38.359
<v Speaker 1>it's full of infected and Riley says, oh yeah, well

0:21:38.400 --> 0:21:40.960
<v Speaker 1>if it's sealed off, then why is it sealed off?

0:21:40.960 --> 0:21:42.480
<v Speaker 1>And they see there's a hole in the roof and

0:21:42.520 --> 0:21:46.880
<v Speaker 1>they go inside. What they find in here is that

0:21:47.520 --> 0:21:51.680
<v Speaker 1>the electricity is on. Riley turns it on and all

0:21:51.760 --> 0:21:56.160
<v Speaker 1>the stuff is almost as it had been on outbreak day,

0:21:56.240 --> 0:21:58.399
<v Speaker 1>like still the signs of looting at different stores, but

0:21:58.480 --> 0:22:02.359
<v Speaker 1>electricity on. It's really fountains running.

0:22:04.240 --> 0:22:07.560
<v Speaker 2>It's really amazing. And also I saw some people who

0:22:07.600 --> 0:22:09.439
<v Speaker 2>were like, oh, how could you not see those lights. No,

0:22:09.600 --> 0:22:12.680
<v Speaker 2>I've actually been to those American malls where the roof

0:22:12.720 --> 0:22:15.399
<v Speaker 2>is completely solid, but it looks like there's skylights, and

0:22:15.400 --> 0:22:19.560
<v Speaker 2>they're actually electrical lights and stuff. I believe that there

0:22:19.640 --> 0:22:21.320
<v Speaker 2>is a version of the world where you could not

0:22:21.359 --> 0:22:24.159
<v Speaker 2>see those lights coming on from outside. Now, do I

0:22:24.280 --> 0:22:29.040
<v Speaker 2>think you should be like lasting Carousel music when there

0:22:29.119 --> 0:22:32.840
<v Speaker 2>is a whole race of infected monsters who can only

0:22:34.080 --> 0:22:37.000
<v Speaker 2>hear things. No, this is obviously a bad idea, but

0:22:37.040 --> 0:22:39.240
<v Speaker 2>I will say I do believe that there. I do

0:22:39.320 --> 0:22:41.760
<v Speaker 2>believe there's a version where people couldn't see the lights outside.

0:22:42.080 --> 0:22:44.679
<v Speaker 2>I don't think the lights are what you should be

0:22:44.720 --> 0:22:45.399
<v Speaker 2>worrying about.

0:22:45.680 --> 0:22:55.240
<v Speaker 1>I think the story will bear you out. Riley notes

0:22:55.920 --> 0:22:58.400
<v Speaker 1>that hey, looks like there's no infected in the mall,

0:22:58.760 --> 0:23:02.320
<v Speaker 1>like they've been telling us. Score one for Feather being

0:23:02.400 --> 0:23:06.159
<v Speaker 1>absolute liars. She tells Ellie again that some of the

0:23:06.160 --> 0:23:09.159
<v Speaker 1>stores are empty because of the looting. They stand in

0:23:09.200 --> 0:23:13.280
<v Speaker 1>front of a victorious secret store and they're kind of

0:23:14.000 --> 0:23:18.399
<v Speaker 1>just talking about like what they're experiencing, and then Riley says,

0:23:19.119 --> 0:23:21.479
<v Speaker 1>you know, I'm trying to imagine you wearing that, pointing

0:23:21.480 --> 0:23:25.280
<v Speaker 1>at one of the pieces there Ellie blushes extremely strongly,

0:23:25.880 --> 0:23:28.760
<v Speaker 1>and then Riley is like, Okay, are you ready for

0:23:29.320 --> 0:23:33.080
<v Speaker 1>I've got several wonders that you're going to experience tonight.

0:23:33.119 --> 0:23:34.560
<v Speaker 1>Are you ready for the first one? And she takes

0:23:34.560 --> 0:23:39.520
<v Speaker 1>her to a carousel and it's it's gorgeous, one of

0:23:39.560 --> 0:23:44.359
<v Speaker 1>the old school carousels with the carved wooden horses, you know,

0:23:44.520 --> 0:23:49.040
<v Speaker 1>galloping in full gallop, the beautiful lights and mirrored pieces

0:23:49.119 --> 0:23:51.280
<v Speaker 1>all around the outside. Riley turns it on, it starts

0:23:51.320 --> 0:23:54.679
<v Speaker 1>spinning around. It's I love the touch that it's like

0:23:54.840 --> 0:23:56.960
<v Speaker 1>right across the way from a game stop, like there's

0:23:56.960 --> 0:23:58.120
<v Speaker 1>a game stuff right there.

0:23:58.359 --> 0:24:00.760
<v Speaker 2>Yeah. I just I just want to say as well,

0:24:00.960 --> 0:24:05.120
<v Speaker 2>I love this because Ellie is like Riley kind of

0:24:05.800 --> 0:24:11.159
<v Speaker 2>in her jaded firefly new persona. The carousel that's like

0:24:11.200 --> 0:24:13.240
<v Speaker 2>a wonder to her and she can't even see it.

0:24:13.520 --> 0:24:16.399
<v Speaker 2>But like when Ellie sees an escalator, Ellie is like

0:24:16.760 --> 0:24:19.919
<v Speaker 2>moving stairs, like is this a wonder? And you really

0:24:20.000 --> 0:24:23.640
<v Speaker 2>learned so much about like what Ellie doesn't know. There's

0:24:23.680 --> 0:24:26.280
<v Speaker 2>loads of great moments like that, like after the the

0:24:26.359 --> 0:24:30.920
<v Speaker 2>Victoria's Secret moment with this lingerie, you know, Riley walks

0:24:30.960 --> 0:24:33.600
<v Speaker 2>ahead and Ellie's kind of checking her hair in the window,

0:24:33.640 --> 0:24:36.280
<v Speaker 2>and you start to really see that Riley and Ellie

0:24:36.280 --> 0:24:38.280
<v Speaker 2>are not just friends, or at least Ellie would like

0:24:38.400 --> 0:24:39.720
<v Speaker 2>them to be something more.

0:24:41.600 --> 0:24:44.680
<v Speaker 1>They both would like the exactly to be something more,

0:24:44.720 --> 0:24:52.000
<v Speaker 1>but they're both like afraid, nervous about and.

0:24:52.440 --> 0:24:55.879
<v Speaker 2>That's why you know, it's so cute. And I have

0:24:55.920 --> 0:24:57.719
<v Speaker 2>to say, storm Read is just so incredible hair.

0:24:57.760 --> 0:24:58.520
<v Speaker 1>She's incredible now.

0:24:58.720 --> 0:25:01.639
<v Speaker 2>She's incredible in the Man. She was really really great

0:25:01.640 --> 0:25:04.120
<v Speaker 2>in Wrinkling Time, which I know people think is really

0:25:04.119 --> 0:25:06.280
<v Speaker 2>weird movie and it is, but she's brilliant in it,

0:25:06.400 --> 0:25:08.879
<v Speaker 2>Like she is just such Oh she's great in Euphoria,

0:25:08.960 --> 0:25:11.320
<v Speaker 2>Like she's such a great actress. And something that this

0:25:11.359 --> 0:25:13.800
<v Speaker 2>show has done so well is like they bring in

0:25:13.880 --> 0:25:17.320
<v Speaker 2>cast members for one episode and you just would do

0:25:17.480 --> 0:25:20.240
<v Speaker 2>anything for them to stick around, you know. But this

0:25:20.320 --> 0:25:22.600
<v Speaker 2>is a flashback, so you're already aware that that's not

0:25:22.640 --> 0:25:24.920
<v Speaker 2>necessarily going to be the case. And if you remember

0:25:24.920 --> 0:25:28.680
<v Speaker 2>what Ellie told Tess about getting bitten, Ellie claimed that

0:25:28.720 --> 0:25:30.680
<v Speaker 2>she was in there by herself. So I think you're

0:25:30.720 --> 0:25:32.679
<v Speaker 2>starting to get a vision for what this is gonna be.

0:25:33.000 --> 0:25:36.920
<v Speaker 2>But I love this idea that Riley is like, they're

0:25:37.000 --> 0:25:40.479
<v Speaker 2>just friends. But Riley's planned like this date night in

0:25:40.520 --> 0:25:42.760
<v Speaker 2>an abandoned wall, which, by the way, is the kind

0:25:42.800 --> 0:25:45.480
<v Speaker 2>of thing we should see more in these post apocalyptic storytelling.

0:25:45.880 --> 0:25:49.000
<v Speaker 2>I remember playing DLC. It's like, oh, this is what.

0:25:49.760 --> 0:25:51.600
<v Speaker 2>Why don't we see this? Why is there never a

0:25:51.640 --> 0:25:54.240
<v Speaker 2>moment where people take advantage of the emptiness and do

0:25:54.320 --> 0:25:57.280
<v Speaker 2>something cool and fun. It's like in The Walking Dead,

0:25:57.600 --> 0:25:59.760
<v Speaker 2>how is there never a moment where somebody like goes

0:25:59.800 --> 0:26:02.360
<v Speaker 2>to old movie there or something, you know, like, yeah,

0:26:02.520 --> 0:26:05.600
<v Speaker 2>I love this idea of like trying to seek out

0:26:05.640 --> 0:26:09.800
<v Speaker 2>the human nature of having fun and bringing fun into

0:26:09.840 --> 0:26:12.920
<v Speaker 2>someone else's life, even if, as we are sure to learn,

0:26:13.000 --> 0:26:14.480
<v Speaker 2>this was a very reckless choice.

0:26:16.760 --> 0:26:22.080
<v Speaker 1>The carousel stops and the conversation about the firefly starts

0:26:22.080 --> 0:26:27.120
<v Speaker 1>back up again. Riley and Ellie kind of argue about

0:26:27.160 --> 0:26:30.040
<v Speaker 1>like whether they think the fireflies will make a difference,

0:26:30.040 --> 0:26:34.560
<v Speaker 1>and clearly Riley does. Riley says, hey, they freed other cuesies,

0:26:34.640 --> 0:26:37.879
<v Speaker 1>this is probably not true, Like, clearly this is I

0:26:37.920 --> 0:26:41.600
<v Speaker 1>think firefly propaganda. It feels like something would be to

0:26:41.760 --> 0:26:49.359
<v Speaker 1>join the fireflys. I agree. Ellie says that if you know,

0:26:49.480 --> 0:26:53.800
<v Speaker 1>like if you stay with Fedra. I mean Captain Wong says,

0:26:53.840 --> 0:26:55.879
<v Speaker 1>I'm a leader. I think we could be running things

0:26:55.880 --> 0:26:58.399
<v Speaker 1>in a few years. And Riley says, forget that Guang

0:26:58.520 --> 0:27:01.400
<v Speaker 1>had me on sewage detail, like that's what I would

0:27:01.400 --> 0:27:03.919
<v Speaker 1>have been doing. They you know, like that's why I

0:27:04.040 --> 0:27:07.960
<v Speaker 1>ran away, which made me think again that Quang kind

0:27:07.960 --> 0:27:11.120
<v Speaker 1>of has a point in the sense of listen, sewer detail.

0:27:11.640 --> 0:27:14.480
<v Speaker 1>Is it anything that anyone wants to do? No? Is

0:27:14.520 --> 0:27:18.200
<v Speaker 1>it absolutely necessary for like the functioning of a civilized

0:27:19.040 --> 0:27:23.080
<v Speaker 1>society where people live together and scale. Yes, Like maybe

0:27:23.119 --> 0:27:27.160
<v Speaker 1>you could argue in the top three most important jobs

0:27:27.200 --> 0:27:30.440
<v Speaker 1>that you could have is making sure we don't drown

0:27:30.720 --> 0:27:34.679
<v Speaker 1>in our own waist, Like that's a vital job. But

0:27:34.840 --> 0:27:38.440
<v Speaker 1>because it's not framed as this adventure, this grand fight

0:27:38.640 --> 0:27:42.560
<v Speaker 1>against against tyranny, there's no romance in it. It's not

0:27:42.600 --> 0:27:45.119
<v Speaker 1>something that you could use to groom young people to

0:27:45.440 --> 0:27:47.800
<v Speaker 1>get excited for. You know, they want to have old

0:27:47.840 --> 0:27:50.199
<v Speaker 1>guns and fight the bad guys. They don't want to

0:27:50.240 --> 0:27:52.919
<v Speaker 1>go into the sewer and clean it out. So the

0:27:53.000 --> 0:27:55.920
<v Speaker 1>twenty thousand or forty thousand how many people live here,

0:27:56.200 --> 0:27:59.720
<v Speaker 1>don't die of some disease that is preventable.

0:28:00.560 --> 0:28:04.360
<v Speaker 2>Yeah, I think as well. Like that is also partly

0:28:04.400 --> 0:28:07.880
<v Speaker 2>Federer's fault because it's clear that they use these they

0:28:07.960 --> 0:28:11.240
<v Speaker 2>use it as punishment, So if you don't follow the rules,

0:28:11.240 --> 0:28:13.040
<v Speaker 2>you're going to get the bad thing. But you're right

0:28:13.080 --> 0:28:15.919
<v Speaker 2>like that in a post apocalyptic well, that is a

0:28:16.000 --> 0:28:19.439
<v Speaker 2>heroic job because that is something everybody needs to do

0:28:19.520 --> 0:28:22.840
<v Speaker 2>every single day and needs to not die and not

0:28:23.119 --> 0:28:25.919
<v Speaker 2>get you know, sick, and be able to go to

0:28:25.960 --> 0:28:28.600
<v Speaker 2>the bathroom. And and I love that because it's such

0:28:28.640 --> 0:28:31.719
<v Speaker 2>a good smart point. There's something true in what he's saying.

0:28:32.520 --> 0:28:36.120
<v Speaker 2>But it's not all about presentation. They're not present They

0:28:36.240 --> 0:28:40.520
<v Speaker 2>use these roles as punishment and slight reward if you

0:28:40.600 --> 0:28:43.600
<v Speaker 2>become a commander. But the Fireflies, they promise a mission.

0:28:43.640 --> 0:28:48.560
<v Speaker 1>They promise a store, romance and adventure and fighting against

0:28:48.640 --> 0:28:50.080
<v Speaker 1>you know, we're going to do it and you get

0:28:50.080 --> 0:28:53.320
<v Speaker 1>all the gun. It's gonna be great. X Ray Vision

0:28:53.320 --> 0:29:04.760
<v Speaker 1>will be back, and we're back. They move on to

0:29:04.800 --> 0:29:06.840
<v Speaker 1>the next wonder And it is a photo booth. And

0:29:06.880 --> 0:29:09.280
<v Speaker 1>as a person who loves a photo booth, I'm looking

0:29:09.440 --> 0:29:13.360
<v Speaker 1>into my office, I see numerous pictures of from various

0:29:13.360 --> 0:29:18.400
<v Speaker 1>times with various friends, and other people. I fucking love

0:29:18.440 --> 0:29:20.960
<v Speaker 1>a photo booth. It cost five dollars, which of course

0:29:21.040 --> 0:29:23.800
<v Speaker 1>Riley has, she's been waiting to use it. And this

0:29:24.040 --> 0:29:27.440
<v Speaker 1>evening there's a wonderful moment where you know, they're hanging

0:29:27.440 --> 0:29:29.440
<v Speaker 1>on each other. It's like, you know, like and then

0:29:29.440 --> 0:29:31.800
<v Speaker 1>all of a sudden, Ellie gets a little uncomfortable by

0:29:31.960 --> 0:29:35.640
<v Speaker 1>like the closeness, and so they they sit very chastely

0:29:35.760 --> 0:29:37.680
<v Speaker 1>like next to each other and they look at the picks,

0:29:38.240 --> 0:29:40.160
<v Speaker 1>and Ellie's like, oh, I love that one. And Riley,

0:29:40.280 --> 0:29:41.560
<v Speaker 1>let's Ellie have the lunch.

0:29:41.720 --> 0:29:44.040
<v Speaker 2>Yeah, it's and it's this is a great like direct

0:29:44.040 --> 0:29:47.560
<v Speaker 2>from the gate where they're doing these kind of scary

0:29:47.640 --> 0:29:51.120
<v Speaker 2>faces and there's so much childlike wonder here. I just

0:29:51.280 --> 0:29:53.760
<v Speaker 2>love it and I love that. As we go along,

0:29:53.880 --> 0:29:56.200
<v Speaker 2>the five dollars is your first hint the fact that

0:29:56.320 --> 0:29:59.280
<v Speaker 2>Riley knows about this at all. You start to realize

0:29:59.280 --> 0:30:03.520
<v Speaker 2>that Riley has like planned this, Riley has spent time

0:30:04.440 --> 0:30:07.520
<v Speaker 2>working present this for Ellie.

0:30:10.360 --> 0:30:15.240
<v Speaker 1>Next, the arcade. Gotta gotta go to the arcade old school.

0:30:15.400 --> 0:30:18.840
<v Speaker 1>I love I get this cabinets coin up arcade.

0:30:19.520 --> 0:30:21.240
<v Speaker 2>When I go to the mall and they have an

0:30:21.320 --> 0:30:23.360
<v Speaker 2>arcade which, by the way, I am blessed with because

0:30:23.360 --> 0:30:27.040
<v Speaker 2>a lot of I am as excited as they are

0:30:27.200 --> 0:30:29.680
<v Speaker 2>in the post apocalypse just in a normal day. So

0:30:29.760 --> 0:30:32.080
<v Speaker 2>I love this moment. I feel like it's very representative.

0:30:32.240 --> 0:30:36.400
<v Speaker 2>It encapsulates that excitement, and obviously for Ellie, this is

0:30:36.440 --> 0:30:41.360
<v Speaker 2>that game that we know that Riley told her about.

0:30:40.160 --> 0:30:44.360
<v Speaker 1>The game I remember as a kid, like being taken

0:30:44.360 --> 0:30:48.840
<v Speaker 1>to the mall and just hearing the sounds in the

0:30:48.880 --> 0:30:51.360
<v Speaker 1>distance as you got close to like the change machine

0:30:51.400 --> 0:30:56.840
<v Speaker 1>going and the like, and just being like, oh fuck,

0:30:56.880 --> 0:30:59.080
<v Speaker 1>I want to go to the arcade. I want to arcade.

0:30:59.080 --> 0:31:01.560
<v Speaker 1>I want to be there. I remember, like I remember

0:31:01.560 --> 0:31:03.800
<v Speaker 1>the first time I ever cashed in five dollars for

0:31:03.880 --> 0:31:05.760
<v Speaker 1>quarters and just being like, oh my god, this is

0:31:05.760 --> 0:31:09.040
<v Speaker 1>like a jew I'm going to be here for twelve

0:31:09.200 --> 0:31:10.120
<v Speaker 1>hours playing.

0:31:11.880 --> 0:31:15.080
<v Speaker 2>This is like the most English situation. But like they

0:31:15.080 --> 0:31:17.239
<v Speaker 2>didn't relate moors, didn't really exist that way when I

0:31:17.280 --> 0:31:20.040
<v Speaker 2>was a kid, or like arcades and mores. But if

0:31:20.080 --> 0:31:22.760
<v Speaker 2>you went to the seaside, the British seaside as we

0:31:22.800 --> 0:31:25.320
<v Speaker 2>call that the side, the British seaside, if you went

0:31:25.360 --> 0:31:27.840
<v Speaker 2>towards start to broad Church, don't know you know it

0:31:27.880 --> 0:31:31.320
<v Speaker 2>could to Brighton or with the ball, Like if you

0:31:31.360 --> 0:31:34.520
<v Speaker 2>went there, especially Brighton Pier, it was like they're just

0:31:34.600 --> 0:31:37.239
<v Speaker 2>huge arcades and there would mostly be ones to win

0:31:37.320 --> 0:31:39.200
<v Speaker 2>money and toys, but you would get a couple of

0:31:39.200 --> 0:31:41.560
<v Speaker 2>stand up cabinets and it's that same thing hearing that

0:31:41.680 --> 0:31:44.200
<v Speaker 2>noise and that like chink chink, chink chink chin of

0:31:44.280 --> 0:31:46.520
<v Speaker 2>the coins. It just makes you feel like a little kid.

0:31:46.560 --> 0:31:47.400
<v Speaker 1>And they just love it.

0:31:47.440 --> 0:31:49.280
<v Speaker 2>They encapsulated it so well. Here.

0:31:49.840 --> 0:31:54.320
<v Speaker 1>The excitement that Ellie feels is just palpable again. You know,

0:31:54.320 --> 0:31:57.080
<v Speaker 1>what a great job by Bella Ramsey. And the first

0:31:57.080 --> 0:31:59.160
<v Speaker 1>thing she wants to do is play Mortal Kombat too, because,

0:31:59.160 --> 0:32:02.680
<v Speaker 1>as we've seen from previous episodes, she has heard a

0:32:02.680 --> 0:32:03.520
<v Speaker 1>lot about this game.

0:32:03.600 --> 0:32:06.160
<v Speaker 2>There's even a more combat to banner in that bedroom,

0:32:07.360 --> 0:32:09.520
<v Speaker 2>like this is like Riley's hyper fixation.

0:32:09.840 --> 0:32:15.120
<v Speaker 1>Yeah, so they play Raydon versus Molina. Riley wins round one.

0:32:16.200 --> 0:32:20.720
<v Speaker 1>Riley then wins round two and man, this hit because

0:32:22.640 --> 0:32:25.440
<v Speaker 1>anybody who's ever played Mortal Kombat knows that when you

0:32:25.520 --> 0:32:28.800
<v Speaker 1>win the bout, you get to hit the finisher, your

0:32:28.880 --> 0:32:29.440
<v Speaker 1>your character.

0:32:29.560 --> 0:32:31.239
<v Speaker 2>You can hit you if you can, if you can

0:32:31.320 --> 0:32:32.720
<v Speaker 2>press the button, if you can.

0:32:34.720 --> 0:32:39.760
<v Speaker 1>You can execute your your character's fatality slash finishing move,

0:32:40.080 --> 0:32:43.280
<v Speaker 1>and in this case it's Molina's man eater move where

0:32:43.280 --> 0:32:47.240
<v Speaker 1>she eats the opponent. But the thing that I that

0:32:47.640 --> 0:32:52.240
<v Speaker 1>really resonated for me was like playing Mortal Kombat against

0:32:52.480 --> 0:32:56.400
<v Speaker 1>other people and being like mad if they were going

0:32:56.480 --> 0:32:59.760
<v Speaker 1>to hit the fatality, like you better not hit the dude,

0:33:00.640 --> 0:33:04.440
<v Speaker 1>don't do it and don't do it.

0:33:05.200 --> 0:33:08.280
<v Speaker 2>And also because I I love More Kombat. That's like

0:33:08.280 --> 0:33:10.400
<v Speaker 2>one of the video games and the series I play

0:33:10.440 --> 0:33:12.320
<v Speaker 2>more than any other. I even love the movies. I

0:33:12.320 --> 0:33:14.640
<v Speaker 2>love More Kombat. But I tell you I'm terrible at

0:33:14.640 --> 0:33:17.400
<v Speaker 2>a fatality, that horrible feeling if you miss it and

0:33:17.440 --> 0:33:18.560
<v Speaker 2>your character just goes like.

0:33:19.800 --> 0:33:20.720
<v Speaker 1>And then falls over.

0:33:21.320 --> 0:33:24.560
<v Speaker 2>So I also love again. If we talk about Riley

0:33:24.600 --> 0:33:26.600
<v Speaker 2>and how much she cares about Ellie and the planning,

0:33:27.000 --> 0:33:29.320
<v Speaker 2>I know she was in there playing that game practicing.

0:33:30.040 --> 0:33:34.360
<v Speaker 2>She basically admits it, like yeah, she knows where the

0:33:34.360 --> 0:33:36.400
<v Speaker 2>money is, because how does she get the coarse? She

0:33:36.480 --> 0:33:37.880
<v Speaker 2>breaks open a change machine.

0:33:38.480 --> 0:33:40.760
<v Speaker 1>She's like up, up, down, and then you have to like,

0:33:40.840 --> 0:33:41.760
<v Speaker 1>come on, you've been.

0:33:41.680 --> 0:33:44.000
<v Speaker 2>Practicing a bottom. So I don't know.

0:33:46.360 --> 0:33:52.520
<v Speaker 1>Now as they are playing camera drifts off, and our

0:33:52.600 --> 0:33:57.240
<v Speaker 1>friends are unaware of the fact that a few stores

0:33:57.280 --> 0:34:00.400
<v Speaker 1>over somewhere here close by in the mall, there is

0:34:00.480 --> 0:34:06.120
<v Speaker 1>an infected heavily you know, scaled with cordy steps mushrooms.

0:34:06.760 --> 0:34:13.440
<v Speaker 1>Who is just now stirring into consciousness. Ellie finally wins about.

0:34:13.320 --> 0:34:14.799
<v Speaker 2>I just want to say, yeah, if we're talking about

0:34:14.840 --> 0:34:19.759
<v Speaker 2>fireflies and they're bad, training, yeah, like sweets them all,

0:34:19.840 --> 0:34:22.120
<v Speaker 2>sweet them all. How is that not like the first

0:34:22.160 --> 0:34:24.400
<v Speaker 2>thing that they taught her that makes me mad? You

0:34:24.440 --> 0:34:28.799
<v Speaker 2>haven't got you could have. You could have just gone

0:34:28.840 --> 0:34:30.680
<v Speaker 2>and shot that infected in the head and this would

0:34:30.719 --> 0:34:33.279
<v Speaker 2>not be a problem because it's I like as well,

0:34:33.360 --> 0:34:35.520
<v Speaker 2>it touches on that thing like you said, I love

0:34:35.640 --> 0:34:38.440
<v Speaker 2>that moment where you said they're both wrong. That's the

0:34:38.520 --> 0:34:41.759
<v Speaker 2>sad thing. They're both wrong. Mark. You know, Ellie is

0:34:41.760 --> 0:34:44.719
<v Speaker 2>wrong about Fedra and Riley is wrong about the fireflies.

0:34:44.760 --> 0:34:46.520
<v Speaker 2>And I love this because this is a great moment

0:34:46.520 --> 0:34:49.840
<v Speaker 2>of that fireflies were not wrong. Fedra has been lying.

0:34:49.920 --> 0:34:53.160
<v Speaker 2>The mall is not overrun with infected, but Fedra was

0:34:53.200 --> 0:34:55.960
<v Speaker 2>not completely wrong. They are infected in the mall. So

0:34:55.960 --> 0:34:59.000
<v Speaker 2>it's that great gray area of like, what is the truth?

0:34:59.520 --> 0:35:01.759
<v Speaker 2>And in this moment, the most important thing is just

0:35:01.800 --> 0:35:04.600
<v Speaker 2>that there's a single infected in them all.

0:35:04.760 --> 0:35:08.439
<v Speaker 1>Yeah, and to your point, one, let's secure them all

0:35:08.480 --> 0:35:12.800
<v Speaker 1>if you're going to have a child you've been so long, Yeah,

0:35:12.920 --> 0:35:15.080
<v Speaker 1>let's secure them all number and tell her how to

0:35:15.080 --> 0:35:16.680
<v Speaker 1>secure them all and don't have her do it on

0:35:16.680 --> 0:35:22.359
<v Speaker 1>her own. Have teams. And then seconds to your point,

0:35:23.200 --> 0:35:26.600
<v Speaker 1>the Fireflies want to overthrow Federer and they want to

0:35:26.600 --> 0:35:30.000
<v Speaker 1>re establish a government. You know that that I ostensibly

0:35:30.040 --> 0:35:34.520
<v Speaker 1>they would run, and everything that we've seen from them

0:35:34.600 --> 0:35:36.640
<v Speaker 1>tells us that they wouldn't be good at it, like

0:35:36.840 --> 0:35:43.279
<v Speaker 1>they Marlene and the Fireflies have have executed one fuck

0:35:43.400 --> 0:35:48.279
<v Speaker 1>up after another throughout the course of this show. And

0:35:48.480 --> 0:35:52.439
<v Speaker 1>here they are doing it again, tasking a child with

0:35:52.719 --> 0:35:59.080
<v Speaker 1>like securing like a large sensitive space while sitting on

0:35:59.360 --> 0:36:03.799
<v Speaker 1>a cash of I guess like important munitions, Like that's

0:36:04.160 --> 0:36:06.960
<v Speaker 1>her child making and they have a child doing it.

0:36:06.960 --> 0:36:12.560
<v Speaker 1>It's ridiculous. Ellie finally wins. They get There's this moment

0:36:12.600 --> 0:36:14.600
<v Speaker 1>where she and Riley get close to each other, but

0:36:14.640 --> 0:36:18.400
<v Speaker 1>nothing happens. Ellie is then like, hey, I gotta go

0:36:18.400 --> 0:36:21.080
<v Speaker 1>back soon. I don't want to get in trouble. Riley

0:36:21.200 --> 0:36:23.680
<v Speaker 1>is disappointed, but then she decides to speed up her

0:36:23.680 --> 0:36:26.840
<v Speaker 1>timetable of wonders to really get to all the things

0:36:26.880 --> 0:36:29.160
<v Speaker 1>that they want to get to. Riley takes Ellie to

0:36:29.200 --> 0:36:31.080
<v Speaker 1>a spot in the food court and we see that

0:36:31.160 --> 0:36:36.000
<v Speaker 1>she has been sleeping there. We also see the pipe bombs,

0:36:36.080 --> 0:36:40.399
<v Speaker 1>as you said, and she gives Ellie the gift. It's

0:36:40.640 --> 0:36:42.600
<v Speaker 1>the no pun intended Volume two book.

0:36:42.600 --> 0:36:45.719
<v Speaker 2>Dun dun d It's going to be the cost of

0:36:45.800 --> 0:36:46.600
<v Speaker 2>Joel's life.

0:36:46.880 --> 0:36:50.440
<v Speaker 1>Yes, six weeks so as they're trading puns, this is

0:36:50.440 --> 0:36:53.000
<v Speaker 1>when Ellie discovers the pipe bombs that Riley's been building,

0:36:53.000 --> 0:36:56.280
<v Speaker 1>and Ellie is upset. She realizes that Riley didn't discover

0:36:56.320 --> 0:36:59.360
<v Speaker 1>them all, that she's been posted here by the fireflies

0:36:59.400 --> 0:37:02.880
<v Speaker 1>to make bombs and to guard this like arsenal that

0:37:02.960 --> 0:37:08.480
<v Speaker 1>she is creating. Then Riley again shows her naivete by saying, hey,

0:37:08.520 --> 0:37:11.360
<v Speaker 1>don't worry about it, like the fireflies number one. She's like,

0:37:11.640 --> 0:37:14.600
<v Speaker 1>Ellie's like, so what happens if the fireflies blow me

0:37:14.719 --> 0:37:18.759
<v Speaker 1>up with fedra right? And Riley is like, no, no, no,

0:37:18.800 --> 0:37:23.320
<v Speaker 1>I wouldn't. I wouldn't let them do it. And it's

0:37:23.760 --> 0:37:28.759
<v Speaker 1>almost tragic. The naivete that Riley has here. She's so

0:37:30.040 --> 0:37:33.640
<v Speaker 1>I mean, who hasn't at a young age, especially been

0:37:34.040 --> 0:37:38.400
<v Speaker 1>entranced by the feeling of belonging somewhere, like finding a community,

0:37:38.480 --> 0:37:42.880
<v Speaker 1>and they're being like a real it's like almost like

0:37:42.960 --> 0:37:45.759
<v Speaker 1>falling in love. You realize around people who are like me,

0:37:46.080 --> 0:37:48.719
<v Speaker 1>and we have a you know, she really believes that,

0:37:48.840 --> 0:37:53.240
<v Speaker 1>oh everyone's like me, and they therefore love and value

0:37:53.320 --> 0:37:56.759
<v Speaker 1>Ellie and they understand that though she is in Federa,

0:37:56.920 --> 0:37:59.839
<v Speaker 1>she's good and they wouldn't hurt her. And it's so

0:38:01.040 --> 0:38:05.680
<v Speaker 1>childlike and sad in understandable that she would think like

0:38:05.680 --> 0:38:05.960
<v Speaker 1>this in.

0:38:07.719 --> 0:38:08.680
<v Speaker 2>And brainwashing.

0:38:09.040 --> 0:38:11.640
<v Speaker 1>That's exactly it, because I would argue to your point,

0:38:12.440 --> 0:38:16.000
<v Speaker 1>the fireflies are counting on people being this knave or

0:38:16.040 --> 0:38:18.880
<v Speaker 1>exact Why approach a sixteen year old to do this.

0:38:19.440 --> 0:38:21.839
<v Speaker 1>You're counting on the fact and that they don't know

0:38:22.320 --> 0:38:23.560
<v Speaker 1>about exactly and.

0:38:23.520 --> 0:38:25.400
<v Speaker 2>Also not just that, you're counting on the fact that

0:38:25.440 --> 0:38:29.560
<v Speaker 2>they're reckless, because think about this in a world where

0:38:29.600 --> 0:38:32.239
<v Speaker 2>Fedra hangs people for like going against them for the

0:38:32.280 --> 0:38:34.600
<v Speaker 2>smallest infractions. We even saw this in Boston, so we

0:38:34.680 --> 0:38:37.840
<v Speaker 2>noticed the case where Riley grew up. Riley a random

0:38:37.880 --> 0:38:39.640
<v Speaker 2>woman in the street asked her what she thought about

0:38:39.680 --> 0:38:43.120
<v Speaker 2>feder and Riley started chatting shit and bad mouth in Fedra.

0:38:43.400 --> 0:38:47.880
<v Speaker 2>That in itself that is like stealth, like this is

0:38:47.920 --> 0:38:52.200
<v Speaker 2>a problem, but it shows that the anger and hatred

0:38:52.280 --> 0:38:55.120
<v Speaker 2>towards Fedra, I think probably very understandably being raised in

0:38:55.120 --> 0:38:59.240
<v Speaker 2>a federal orphanage. It bubbles to the top in Riley

0:38:59.239 --> 0:39:01.319
<v Speaker 2>and they can take it of that. And I think

0:39:01.320 --> 0:39:05.200
<v Speaker 2>this is such a heartbreaking narrative revealed because I think

0:39:05.520 --> 0:39:08.200
<v Speaker 2>they do such a good job seeding how much Riley's

0:39:08.200 --> 0:39:10.600
<v Speaker 2>planned it. And I do believe that Riley planned this state.

0:39:11.000 --> 0:39:14.440
<v Speaker 2>But the date is secondary and just the offshoot of

0:39:14.480 --> 0:39:17.080
<v Speaker 2>this mission that she has. And that's heartbreaking because to Ellie,

0:39:17.120 --> 0:39:19.479
<v Speaker 2>it proves to Ellie that she second she ran away

0:39:19.520 --> 0:39:22.759
<v Speaker 2>for three weeks, she didn't know where she was, she

0:39:22.800 --> 0:39:25.880
<v Speaker 2>thought she was dead, and then she did this beautiful, huge,

0:39:27.239 --> 0:39:30.880
<v Speaker 2>like romantic gesture. But it was really just an offshoot

0:39:30.920 --> 0:39:33.600
<v Speaker 2>of this mission that she took her away from Ellie.

0:39:33.600 --> 0:39:36.760
<v Speaker 2>That's so heartbreaking because two things can be true. It's romantic,

0:39:36.800 --> 0:39:39.200
<v Speaker 2>it's kind, she put thought into it, but it wasn't

0:39:39.200 --> 0:39:41.200
<v Speaker 2>the purpose of her being in the mall. This wasn't

0:39:41.280 --> 0:39:42.279
<v Speaker 2>something for the two of them.

0:39:43.600 --> 0:39:46.520
<v Speaker 1>It's not just Ellie she's in love with She is

0:39:46.560 --> 0:39:50.280
<v Speaker 1>in love with being a firefly. Truly. It's a great point.

0:39:50.800 --> 0:39:55.799
<v Speaker 1>Ellie is now furious and rightly so honestly, and she's notes, Hey,

0:39:55.800 --> 0:39:57.440
<v Speaker 1>none of this shit was even about me. You were

0:39:57.480 --> 0:40:00.000
<v Speaker 1>already here. They ordered you to do this. Yeah, yeah,

0:40:00.040 --> 0:40:07.640
<v Speaker 1>I'm out. Uh. Riley tells Ellie that, well, if you're leaving,

0:40:07.640 --> 0:40:10.520
<v Speaker 1>this is it just so you know, like I'm leaving too,

0:40:10.719 --> 0:40:14.240
<v Speaker 1>Like Marlene is giving me my posting, I'll be leaving Boston.

0:40:14.280 --> 0:40:17.719
<v Speaker 1>Tonight's my last night here. Ellie asks why did you

0:40:17.760 --> 0:40:20.040
<v Speaker 1>bring me here then? And Riley's like, because I wanted

0:40:20.080 --> 0:40:22.240
<v Speaker 1>to see you. I wanted to say goodbye. Ellie leaves,

0:40:24.560 --> 0:40:28.479
<v Speaker 1>then doubles back. Just the thought of leaving Riley under

0:40:28.480 --> 0:40:31.840
<v Speaker 1>these circumstances it brings her up short. And here's the

0:40:32.360 --> 0:40:35.120
<v Speaker 1>show has been doing this all season, which is subvert

0:40:35.239 --> 0:40:39.040
<v Speaker 1>giving us these little fake outs where you think prospect

0:40:39.120 --> 0:40:42.359
<v Speaker 1>to happen, and it's always based around some point of

0:40:42.400 --> 0:40:45.440
<v Speaker 1>the game that the game players would be expecting. And

0:40:45.480 --> 0:40:48.520
<v Speaker 1>here is that moment she comes back. You here, screams,

0:40:49.239 --> 0:40:52.319
<v Speaker 1>She runs up panicked. Riley are you, okay, but it

0:40:52.360 --> 0:40:57.920
<v Speaker 1>isn't Riley. It's one of those Halloween decorations and it's like.

0:40:57.960 --> 0:41:04.040
<v Speaker 2>Ah a, a's like waking up and saying back, and

0:41:04.239 --> 0:41:05.840
<v Speaker 2>it's they're in this halloween store.

0:41:05.960 --> 0:41:08.600
<v Speaker 1>She finds Riley just kind of sad moping in this

0:41:08.640 --> 0:41:11.400
<v Speaker 1>halloween store, and Riley says, surprise, it's the Fifth Wonder

0:41:11.760 --> 0:41:14.520
<v Speaker 1>and it's the store she thought Ellie would love it,

0:41:14.560 --> 0:41:16.920
<v Speaker 1>so she saved it for last. Riley gives Ellie the

0:41:16.920 --> 0:41:23.240
<v Speaker 1>Book of Puns. Ellie tells Riley that basically she doesn't

0:41:23.239 --> 0:41:25.840
<v Speaker 1>think that she understands what the fireflies are really about,

0:41:27.360 --> 0:41:30.440
<v Speaker 1>and Riley again says, like you think you know everything,

0:41:30.480 --> 0:41:33.680
<v Speaker 1>but you don't know everything. But then she kind of

0:41:33.760 --> 0:41:40.800
<v Speaker 1>admits that Ellie is right. She basically says, like, hey,

0:41:40.920 --> 0:41:43.279
<v Speaker 1>you don't understand what it's like to feel like I'm

0:41:43.320 --> 0:41:45.600
<v Speaker 1>part of a mission, part of a community. They chose me.

0:41:45.719 --> 0:41:50.719
<v Speaker 1>I matter to them, and it's a way of saying, yes,

0:41:52.440 --> 0:41:56.640
<v Speaker 1>maybe I don't know everything that the fireflies are doing,

0:41:57.560 --> 0:41:58.680
<v Speaker 1>but they want me so I will.

0:41:58.760 --> 0:42:00.800
<v Speaker 2>Yeah, how they make me feel as more important? Also,

0:42:00.840 --> 0:42:03.520
<v Speaker 2>I think it's really there's a really interesting thing here

0:42:03.520 --> 0:42:09.120
<v Speaker 2>where you know, Riley is not callous to her feelings

0:42:09.120 --> 0:42:13.160
<v Speaker 2>about Ellie or Ellie's feelings. Riley asked Marlene if Ellie

0:42:13.160 --> 0:42:17.240
<v Speaker 2>could go with her, and Marlene said, no, she stays

0:42:17.280 --> 0:42:20.279
<v Speaker 2>in Fedra. She stays in that Boston orphanage. Now, like

0:42:20.320 --> 0:42:22.719
<v Speaker 2>I say, I'm not going to get into spoiler territory,

0:42:22.840 --> 0:42:25.160
<v Speaker 2>but in the game and in the TYE, in comic

0:42:25.280 --> 0:42:28.520
<v Speaker 2>and in the DLC, there is like there is a

0:42:28.600 --> 0:42:32.200
<v Speaker 2>reasoning behind why Marlene cares for Ellie and and kind

0:42:32.200 --> 0:42:36.040
<v Speaker 2>of does these makes these choices, that is a human reason.

0:42:36.360 --> 0:42:39.000
<v Speaker 2>I feel like in the game. I understand that they

0:42:39.000 --> 0:42:42.000
<v Speaker 2>may likely show this later, but currently it feels like

0:42:42.040 --> 0:42:45.360
<v Speaker 2>a conspiracy to me. I feel like Marlene wants Ellie

0:42:45.400 --> 0:42:48.520
<v Speaker 2>in Fedra for a reason. Whether it's because she thinks

0:42:48.800 --> 0:42:51.080
<v Speaker 2>maybe they have a bunch of kids who were born

0:42:51.239 --> 0:42:54.200
<v Speaker 2>after the Fall and they think that they could be

0:42:54.239 --> 0:42:56.800
<v Speaker 2>immune and they want to see, or maybe it's because

0:42:56.840 --> 0:42:59.080
<v Speaker 2>she wants a plant within Fedra. I don't know what

0:42:59.120 --> 0:43:03.279
<v Speaker 2>it is, but I found this announcement even knowing what

0:43:03.320 --> 0:43:07.000
<v Speaker 2>the game reasoning is. I feel like it's so interesting.

0:43:07.160 --> 0:43:10.479
<v Speaker 2>We've heard r Ellie has asked Marlene about her mom.

0:43:10.640 --> 0:43:12.880
<v Speaker 2>Ellie asked malleyne, are you my mom? There was a

0:43:12.960 --> 0:43:16.000
<v Speaker 2>chance there for a conversation that could lean into what

0:43:16.040 --> 0:43:18.720
<v Speaker 2>happened in the game, but instead this just makes Morlene

0:43:18.840 --> 0:43:21.200
<v Speaker 2>seem like she has some kind of shadowy oceans.

0:43:21.520 --> 0:43:26.880
<v Speaker 1>Definitely, And don't forget Marlene basically intimating earlier in this

0:43:27.480 --> 0:43:29.919
<v Speaker 1>in episode one, that she's been keeping eye on Ellie

0:43:29.960 --> 0:43:30.520
<v Speaker 1>for a long time.

0:43:30.560 --> 0:43:33.160
<v Speaker 2>So actually you in that orphanage like it was me,

0:43:34.080 --> 0:43:37.239
<v Speaker 2>and it's like, so she's there a season and I

0:43:37.280 --> 0:43:38.560
<v Speaker 2>find that really interesting.

0:43:40.000 --> 0:43:44.640
<v Speaker 1>Ellie basically is unhappy with Riley's decision, becomes to a

0:43:44.680 --> 0:43:49.440
<v Speaker 1>place where she accept it, accepts it. Riley tells Ellie that, Okay,

0:43:49.440 --> 0:43:51.680
<v Speaker 1>we have one last surprise left. She gives Ellie a

0:43:51.680 --> 0:43:55.319
<v Speaker 1>werewolf mask. Riley puts on a scary clown mask and

0:43:55.360 --> 0:44:01.000
<v Speaker 1>they play on They play on Ellie's walk and a

0:44:01.160 --> 0:44:04.520
<v Speaker 1>cover of I Got You Babe by Edna James, and

0:44:04.560 --> 0:44:06.680
<v Speaker 1>they dance and then at the end of the dance,

0:44:07.760 --> 0:44:13.560
<v Speaker 1>the masks come off. Ellie desperately says to Riley like

0:44:13.719 --> 0:44:16.920
<v Speaker 1>that she doesn't want her to leave. Riley says, okay,

0:44:16.960 --> 0:44:22.960
<v Speaker 1>and then they kiss and it's a wonderful, tender, nervy moment.

0:44:23.160 --> 0:44:26.920
<v Speaker 1>Ellie then apologizes, but of course it's fine.

0:44:27.200 --> 0:44:30.120
<v Speaker 2>Like they both wanted this. It's like they this is

0:44:30.200 --> 0:44:33.400
<v Speaker 2>a world where maybe in this night, it feels like

0:44:33.520 --> 0:44:35.840
<v Speaker 2>they can make something great happen between the.

0:44:35.880 --> 0:44:39.239
<v Speaker 1>Yeah, and then before you know what, the infected is there.

0:44:39.440 --> 0:44:44.560
<v Speaker 1>They hear it before they see it, and Riley has

0:44:44.560 --> 0:44:47.920
<v Speaker 1>her gun out. She says, get ready to run. It

0:44:48.000 --> 0:44:51.239
<v Speaker 1>feels like something Joel would say. Also, which which it

0:44:51.320 --> 0:44:57.279
<v Speaker 1>really does. The contrast is so stark, you know. Then

0:44:57.320 --> 0:45:00.000
<v Speaker 1>all of a sudden the affected is with insight Ley

0:45:00.360 --> 0:45:02.440
<v Speaker 1>opening fire on it, hits it a couple of times.

0:45:02.520 --> 0:45:04.960
<v Speaker 1>The infected, of course, does not go down. It's like

0:45:05.320 --> 0:45:08.920
<v Speaker 1>almost like to clicker level something of like heartiness.

0:45:09.120 --> 0:45:11.799
<v Speaker 2>Yeah. And also like again, I feel like the three

0:45:11.840 --> 0:45:14.200
<v Speaker 2>weeks did not was not spent well. They did not

0:45:14.320 --> 0:45:18.240
<v Speaker 2>think like, listen, let's make sure she can. She needs

0:45:18.280 --> 0:45:20.920
<v Speaker 2>to know or shift something like that. They need to know.

0:45:21.239 --> 0:45:22.840
<v Speaker 2>She needs to know how to kill a zomb because

0:45:22.840 --> 0:45:26.480
<v Speaker 2>she's protecting these I'm sure very you know, expensive in

0:45:26.520 --> 0:45:29.360
<v Speaker 2>the relative terms of the last of US economy, munitions

0:45:29.400 --> 0:45:32.239
<v Speaker 2>that could kill many people. Uh, maybe it would have

0:45:32.239 --> 0:45:33.640
<v Speaker 2>been good to have one of those around in case

0:45:33.680 --> 0:45:36.239
<v Speaker 2>there was an infected. Riley has clearly been told there

0:45:36.280 --> 0:45:38.880
<v Speaker 2>is no infected. Riley is not ready for this, and

0:45:38.920 --> 0:45:41.880
<v Speaker 2>it is like really heartbreaking to see this. Also, just

0:45:41.880 --> 0:45:44.240
<v Speaker 2>want to shout out the fact that throughout this episode

0:45:44.280 --> 0:45:46.719
<v Speaker 2>from the beginning, they're playing eighties music, So if we

0:45:46.840 --> 0:45:48.920
<v Speaker 2>know what Bill's code is, we knew where this was

0:45:48.960 --> 0:45:49.200
<v Speaker 2>going to.

0:45:49.239 --> 0:45:52.400
<v Speaker 1>Go, and it's going exactly here. So there is a struggle.

0:45:53.160 --> 0:45:55.360
<v Speaker 1>Riley is knocked out for a little bit, Ellie is

0:45:55.400 --> 0:45:57.960
<v Speaker 1>on her own. Then Riley comes back to knocks the

0:45:58.360 --> 0:46:01.840
<v Speaker 1>infected off of Ellie. Ellie finally kills it with a

0:46:01.880 --> 0:46:06.840
<v Speaker 1>head stab sumb and they are both so high on adrenaline.

0:46:08.160 --> 0:46:11.120
<v Speaker 1>Ellie is like particularly like flushed with victory, and then

0:46:11.120 --> 0:46:15.359
<v Speaker 1>she looks at Riley and Riley's got this devastated look

0:46:15.400 --> 0:46:17.640
<v Speaker 1>on her face and they realize they've both been bitten

0:46:17.880 --> 0:46:21.799
<v Speaker 1>and so they're dead essentially. We go back to the house.

0:46:21.880 --> 0:46:24.240
<v Speaker 1>Joel is shivering on the floor. Ellie is still standing

0:46:24.239 --> 0:46:26.960
<v Speaker 1>on the door. All of these thoughts have flashed through

0:46:27.000 --> 0:46:29.960
<v Speaker 1>her mind in the seconds that she had been standing

0:46:29.960 --> 0:46:33.080
<v Speaker 1>on the other side of the door, and it steals

0:46:33.120 --> 0:46:37.360
<v Speaker 1>her for what comes next. She thinks, I'm not going

0:46:37.440 --> 0:46:39.520
<v Speaker 1>to lose Joel the way I lost Riley. It's not

0:46:39.560 --> 0:46:42.600
<v Speaker 1>gonna happen. She runs upstairs looks for any supplies she

0:46:42.680 --> 0:46:47.239
<v Speaker 1>can find to try and stabilize Joel. We go back

0:46:47.280 --> 0:46:52.680
<v Speaker 1>to the mall, and Ellie, in her rage at the

0:46:52.920 --> 0:46:56.600
<v Speaker 1>hopelessness of their situation, is just smashing everything in sight.

0:46:57.360 --> 0:47:00.839
<v Speaker 1>Riley is like, go ahead, there's more stuff smash over there.

0:47:00.880 --> 0:47:03.680
<v Speaker 1>She's really kind of resigned to this happening. I will say,

0:47:03.719 --> 0:47:07.560
<v Speaker 1>both of them are acting like there's no more zombies

0:47:07.640 --> 0:47:13.520
<v Speaker 1>in this building, like, you know, like if you saw one,

0:47:13.719 --> 0:47:16.640
<v Speaker 1>that would tell me there might be more. But that's

0:47:17.520 --> 0:47:22.359
<v Speaker 1>for another time. Riley is really resigned to this being

0:47:22.360 --> 0:47:26.280
<v Speaker 1>In the end, she says that, you know, I guess

0:47:26.280 --> 0:47:30.000
<v Speaker 1>we could kill ourselves, but I don't want to. I

0:47:30.000 --> 0:47:33.560
<v Speaker 1>think what we should do is go into whatever comes next,

0:47:33.560 --> 0:47:37.560
<v Speaker 1>hand in hand. We squeeze every last good moment out

0:47:37.560 --> 0:47:40.840
<v Speaker 1>of the moments that we have left. And it's just

0:47:40.960 --> 0:47:47.400
<v Speaker 1>really I read it as this very young you know,

0:47:47.440 --> 0:47:51.240
<v Speaker 1>the passion and strength of young love. Is this feeling

0:47:51.360 --> 0:47:56.799
<v Speaker 1>like even as infected, we'd know who each other are,

0:47:57.160 --> 0:48:00.879
<v Speaker 1>you know, like that It's almost that kind of that

0:48:01.000 --> 0:48:04.800
<v Speaker 1>kind of statement of like, yes, but we'll be together exactly.

0:48:05.440 --> 0:48:08.960
<v Speaker 2>Actually, I really love how in this final moment, Riley

0:48:09.000 --> 0:48:12.279
<v Speaker 2>actually has like this immense amount of wisdom, Like we've

0:48:12.320 --> 0:48:14.960
<v Speaker 2>kind of joked about this three weeks of wisdom that

0:48:15.000 --> 0:48:18.000
<v Speaker 2>she got from the fireflies, but in this moment she

0:48:18.160 --> 0:48:20.799
<v Speaker 2>has a recognition that like no one else really has

0:48:20.880 --> 0:48:23.680
<v Speaker 2>had apart from Sam. So it's kind of that childlike

0:48:23.760 --> 0:48:27.680
<v Speaker 2>wonder of you know what. One, we could still have

0:48:27.760 --> 0:48:30.200
<v Speaker 2>four or five hours together in this moll where we

0:48:30.239 --> 0:48:32.160
<v Speaker 2>remember each other, so let's make the most of that.

0:48:32.280 --> 0:48:34.840
<v Speaker 2>And two, who knows what happens? Who knows what happened

0:48:34.840 --> 0:48:36.960
<v Speaker 2>when we turned You never know, we might just be

0:48:37.000 --> 0:48:39.719
<v Speaker 2>both living in here being infected together. And I love

0:48:40.120 --> 0:48:43.799
<v Speaker 2>that is such an out of the box, different hopeful

0:48:43.880 --> 0:48:46.000
<v Speaker 2>outlook than what we usually get, which is this you've

0:48:46.000 --> 0:48:48.080
<v Speaker 2>got to kill them, you got to kill someone. It

0:48:48.120 --> 0:48:49.880
<v Speaker 2>brings me back. I'm really happy to see a lot

0:48:49.920 --> 0:48:53.400
<v Speaker 2>of people in the discord reading The Girl with all

0:48:53.400 --> 0:48:55.200
<v Speaker 2>the Gifts and starting to watch the movie, and I

0:48:55.200 --> 0:48:58.040
<v Speaker 2>feel like this is really playing into those questions like

0:48:58.080 --> 0:49:01.840
<v Speaker 2>we don't really know what the cognizance of a zombie is,

0:49:01.880 --> 0:49:04.839
<v Speaker 2>We don't know how the infected experience life, and I

0:49:04.880 --> 0:49:09.239
<v Speaker 2>love that Riley has this kind of you know, kind

0:49:09.280 --> 0:49:12.080
<v Speaker 2>of that mind blowing moment where she's just like, well,

0:49:12.120 --> 0:49:15.600
<v Speaker 2>we could just enjoy each other and spend time together.

0:49:15.719 --> 0:49:18.800
<v Speaker 2>I mean, I can't imagine how horrific that would have

0:49:18.920 --> 0:49:22.520
<v Speaker 2>ended up being for Ellie, because we know who survived

0:49:22.520 --> 0:49:23.080
<v Speaker 2>and who didn't.

0:49:23.239 --> 0:49:27.200
<v Speaker 1>Yes, so they grasp hands and lean on each other

0:49:27.320 --> 0:49:30.560
<v Speaker 1>and go forward into whatever comes next. We go back

0:49:30.560 --> 0:49:33.440
<v Speaker 1>to the house. Ellie has come back to Joel. She

0:49:33.480 --> 0:49:37.000
<v Speaker 1>has a sewing needle, and she kind of grits her teeth,

0:49:37.480 --> 0:49:41.879
<v Speaker 1>steals herself and goes about the really really hard work

0:49:41.920 --> 0:49:46.760
<v Speaker 1>of binding up Joel's wounds. He passes out from the

0:49:46.800 --> 0:49:48.720
<v Speaker 1>pain of it, and we fed to black.

0:49:48.960 --> 0:49:52.640
<v Speaker 2>Yeah, and just before Joel, just before he passes out,

0:49:53.320 --> 0:49:57.319
<v Speaker 2>there's this great moment where, like she put she's pressuring

0:49:57.920 --> 0:50:01.040
<v Speaker 2>the wound right, putting pressure on it, and Joel allows

0:50:01.080 --> 0:50:05.480
<v Speaker 2>her to hold his hand, Yeah, and their fingers like intertwine.

0:50:05.560 --> 0:50:09.840
<v Speaker 2>And it's this first moment of vulnerability, real vulnerability that

0:50:09.920 --> 0:50:13.879
<v Speaker 2>Joel's shown Ellie. And also I think that marks a change.

0:50:13.640 --> 0:50:16.440
<v Speaker 2>If Ellie asked Joel if she was family now, he

0:50:16.480 --> 0:50:20.520
<v Speaker 2>would say yes. It wouldn't be your cargo. You know.

0:50:20.840 --> 0:50:23.160
<v Speaker 2>This is she's willing to save him and he can

0:50:23.239 --> 0:50:26.000
<v Speaker 2>feel that, and he's willing to be saved in that moment.

0:50:27.120 --> 0:50:28.080
<v Speaker 2>What an episode.

0:50:28.320 --> 0:50:35.440
<v Speaker 1>What an episode, and an episode that really underlines Ellie's

0:50:35.520 --> 0:50:39.920
<v Speaker 1>growth from a person who has kind of been the

0:50:40.000 --> 0:50:42.960
<v Speaker 1>sidekick and a lot of the important relationships in her

0:50:43.000 --> 0:50:46.400
<v Speaker 1>life until now and now she's really standing up on

0:50:46.440 --> 0:50:49.360
<v Speaker 1>her own t feet and being the person who saves

0:50:49.360 --> 0:50:51.680
<v Speaker 1>the other people. Really beautiful and also, I got to say,

0:50:52.080 --> 0:50:54.680
<v Speaker 1>is an episode that makes you see the fireflies in

0:50:54.719 --> 0:50:55.799
<v Speaker 1>a very very different light.

0:50:55.920 --> 0:50:58.960
<v Speaker 2>Yeah, it's a really interesting world building episode. Like I said,

0:50:59.000 --> 0:51:03.600
<v Speaker 2>like this as the potential emotional theft of like episode three,

0:51:03.760 --> 0:51:05.239
<v Speaker 2>and I'm sure that for a lot of people it's

0:51:05.239 --> 0:51:08.120
<v Speaker 2>going to hit that way. And it is storm Read

0:51:08.160 --> 0:51:10.200
<v Speaker 2>and Bella Ramsey is so brilliant together.

0:51:10.320 --> 0:51:10.840
<v Speaker 1>Yeah.

0:51:10.880 --> 0:51:13.560
<v Speaker 2>But the thing that really blew me away as a

0:51:13.680 --> 0:51:16.280
<v Speaker 2>viewer and as a kind of somebody who's always enjoys

0:51:16.320 --> 0:51:18.640
<v Speaker 2>looking at these narratives, it was that world building. It

0:51:18.680 --> 0:51:21.120
<v Speaker 2>was this idea of like, who are the fireflies really?

0:51:21.160 --> 0:51:28.160
<v Speaker 2>What does Marlene know? What could happen that would explain

0:51:28.239 --> 0:51:31.480
<v Speaker 2>away this behavior and will it come too late, does

0:51:31.520 --> 0:51:35.040
<v Speaker 2>it matter? And also, like you said, our main children

0:51:35.239 --> 0:51:38.279
<v Speaker 2>putting them in charge of munitions. This is not some

0:51:38.840 --> 0:51:43.880
<v Speaker 2>great hope for the future. Currently, this is like dangerous.

0:51:44.160 --> 0:51:48.880
<v Speaker 1>Yeah. Well, we'll be continuing our coverage of the Last

0:51:48.920 --> 0:51:55.040
<v Speaker 1>of a Show here on the Xtra Vision podcast. Up next, nerd.

0:51:54.840 --> 0:52:06.520
<v Speaker 2>Out Spoiler, spoiler. This nerd Out contains spoilers for the

0:52:06.600 --> 0:52:09.560
<v Speaker 2>video game The Last of Us Part two, which would

0:52:09.600 --> 0:52:12.600
<v Speaker 2>make me say, probably just skip past this if you

0:52:12.680 --> 0:52:14.879
<v Speaker 2>have not played the game or care about spoilers, because

0:52:14.880 --> 0:52:16.680
<v Speaker 2>this will likely come into play or there will be

0:52:16.719 --> 0:52:18.480
<v Speaker 2>characters mentioned he who would come into play in a

0:52:18.480 --> 0:52:19.120
<v Speaker 2>second season.

0:52:19.520 --> 0:52:22.799
<v Speaker 1>I would say, Also, secondarily, yes, if you are a

0:52:22.920 --> 0:52:26.480
<v Speaker 1>show watcher who has never played the game exactly, I

0:52:26.520 --> 0:52:27.600
<v Speaker 1>would also stay.

0:52:27.920 --> 0:52:31.480
<v Speaker 2>Yeah, I'm saying like I'm saying, just generally, don't do it.

0:52:31.560 --> 0:52:34.719
<v Speaker 1>Probably don't listen to this, and you have played the

0:52:34.800 --> 0:52:35.919
<v Speaker 1>Last of Us one and two.

0:52:36.080 --> 0:52:39.959
<v Speaker 2>If you do, do not be googling anything about these characters.

0:52:39.719 --> 0:52:41.359
<v Speaker 1>Also, don't do that.

0:52:41.560 --> 0:52:44.200
<v Speaker 2>Don't do that. In today's nerd Out, where you tell

0:52:44.239 --> 0:52:46.759
<v Speaker 2>us what you love or why or a theory that

0:52:46.840 --> 0:52:49.120
<v Speaker 2>you're excited to share. Rob pictures us the Last of

0:52:49.200 --> 0:52:52.000
<v Speaker 2>US Part three video game, which I think introduces something

0:52:52.040 --> 0:52:54.440
<v Speaker 2>that the first Last of Us was arguably missing, though

0:52:54.480 --> 0:52:55.680
<v Speaker 2>I understand why it was missing.

0:52:56.080 --> 0:52:59.799
<v Speaker 1>So here is Rob's pitch for a Last of Us

0:53:00.000 --> 0:53:04.040
<v Speaker 1>three game and how it would end. Quote. The third

0:53:04.080 --> 0:53:06.600
<v Speaker 1>act would end with Ellie traveling with Abby back to

0:53:06.640 --> 0:53:09.440
<v Speaker 1>the new Firefly HQ. I would love to be able

0:53:09.520 --> 0:53:12.080
<v Speaker 1>to switch from Abby to Ellie on their journey, using

0:53:12.120 --> 0:53:17.040
<v Speaker 1>each one's different skill sets or play skill sets to

0:53:17.160 --> 0:53:20.239
<v Speaker 1>move the player along towards the goal and survive. I

0:53:20.280 --> 0:53:23.680
<v Speaker 1>would also make Ellie's choice to sacrifice herself up to

0:53:23.760 --> 0:53:26.319
<v Speaker 1>the player, So, in other words, unlike the Last of

0:53:26.400 --> 0:53:30.040
<v Speaker 1>Us one and two, but I would love to have

0:53:30.120 --> 0:53:33.160
<v Speaker 1>that be the choice, be the potential savior of mankind

0:53:33.360 --> 0:53:36.360
<v Speaker 1>or act like the father figure of her life Joel,

0:53:36.440 --> 0:53:39.840
<v Speaker 1>and tear down the fireflies once again. So in other words,

0:53:40.000 --> 0:53:43.600
<v Speaker 1>Rob's pitches a Last of Us three ending with a

0:53:43.760 --> 0:53:49.040
<v Speaker 1>choice as Ellie, you can either A sacrifice yourself, save

0:53:49.400 --> 0:53:52.960
<v Speaker 1>the hear and race, or b kill all the fireflies.

0:53:53.560 --> 0:53:56.600
<v Speaker 2>That would actually be such a nice reflection of that

0:53:56.719 --> 0:53:59.839
<v Speaker 2>first game, and it would give us that It would

0:54:00.120 --> 0:54:03.000
<v Speaker 2>how much has Ellie changed over these games, and what

0:54:03.080 --> 0:54:05.239
<v Speaker 2>choice would the player make. It would give us back

0:54:05.280 --> 0:54:08.719
<v Speaker 2>that agency that we never had, and it would give

0:54:08.760 --> 0:54:10.879
<v Speaker 2>Ellie the agency to make the choice that so many

0:54:10.880 --> 0:54:13.640
<v Speaker 2>people wanted her to make. I think that is like

0:54:14.600 --> 0:54:18.600
<v Speaker 2>that could be a really deep, interesting way.

0:54:19.000 --> 0:54:22.080
<v Speaker 1>I think this is great. Here is a pitch because

0:54:22.080 --> 0:54:26.560
<v Speaker 1>I feel like this choice it's already a video game.

0:54:26.960 --> 0:54:28.719
<v Speaker 1>You've likely you know, by the time you get to

0:54:28.760 --> 0:54:32.480
<v Speaker 1>Act three, you've replayed certain levels several times because you

0:54:32.520 --> 0:54:35.800
<v Speaker 1>didn't make it through, and now you're here. It seems

0:54:35.840 --> 0:54:39.719
<v Speaker 1>to me almost too easy to make the save Mankind

0:54:40.440 --> 0:54:44.360
<v Speaker 1>choice right now. I wonder if you can add some

0:54:44.440 --> 0:54:50.680
<v Speaker 1>stakes to it, like if you save Mankind. I don't

0:54:50.680 --> 0:54:52.960
<v Speaker 1>know how you do it, But if you save Mankind,

0:54:53.840 --> 0:54:59.400
<v Speaker 1>you can't just play is your next playthrough? You have

0:54:59.440 --> 0:55:02.040
<v Speaker 1>to start all over again. I can't you know what?

0:55:02.040 --> 0:55:02.560
<v Speaker 2>I like?

0:55:02.600 --> 0:55:04.640
<v Speaker 1>You know how like when you finish a game and

0:55:05.239 --> 0:55:07.600
<v Speaker 1>end game, Yeah, you can like jump back in and

0:55:07.640 --> 0:55:12.720
<v Speaker 1>play certain levels. If you save Mankind, it wipes.

0:55:12.920 --> 0:55:17.920
<v Speaker 2>I was gonna you either you don't keep because dies.

0:55:18.239 --> 0:55:20.319
<v Speaker 1>Yeah, you know all your achievements. But the next time

0:55:20.360 --> 0:55:22.279
<v Speaker 1>you play, you have to play from the beginning. Now,

0:55:22.320 --> 0:55:25.680
<v Speaker 1>if you decide as I would imagine either Abby and

0:55:25.719 --> 0:55:29.319
<v Speaker 1>Ellie together or just Abby or just Ellie. If you

0:55:29.360 --> 0:55:32.600
<v Speaker 1>decide to wipe out the fireflies, then you keep all

0:55:32.680 --> 0:55:35.640
<v Speaker 1>your saves, you can play, you can jump back into

0:55:35.640 --> 0:55:37.920
<v Speaker 1>different levels and keep all that stuff. You keep all

0:55:38.000 --> 0:55:41.520
<v Speaker 1>your DLC regardless of what choice you make. But I'm

0:55:41.520 --> 0:55:44.000
<v Speaker 1>thinking there has to be right.

0:55:44.360 --> 0:55:47.359
<v Speaker 2>Yeah, I mean, the one thing I'll say is the

0:55:47.400 --> 0:55:51.920
<v Speaker 2>writers of these games are like so brilliant at telling

0:55:51.960 --> 0:55:55.040
<v Speaker 2>these stories. I also think that there is a version

0:55:55.080 --> 0:55:59.160
<v Speaker 2>of this where they get you so invested in this

0:55:59.280 --> 0:56:02.359
<v Speaker 2>story that there are people who will make the other

0:56:02.480 --> 0:56:04.880
<v Speaker 2>choice also as well, it's the it's the joker thing.

0:56:04.880 --> 0:56:06.600
<v Speaker 2>There's people who just want to see the world burn.

0:56:06.960 --> 0:56:09.880
<v Speaker 2>So I think there's that interesting thing of like knowing

0:56:09.920 --> 0:56:12.400
<v Speaker 2>that you're making the wrong choice and the human appeal

0:56:12.920 --> 0:56:15.960
<v Speaker 2>to make this horrific choice, and also the tradition of

0:56:16.000 --> 0:56:18.600
<v Speaker 2>the game, which is to make the terrible choice. So

0:56:18.640 --> 0:56:20.719
<v Speaker 2>I think that's really interesting.

0:56:20.800 --> 0:56:24.919
<v Speaker 1>What about this If you choose to sacrifice yourself, there

0:56:25.080 --> 0:56:28.680
<v Speaker 1>is no post you know how usually you win the

0:56:28.719 --> 0:56:31.520
<v Speaker 1>game and then there's like a post game montage. That's

0:56:31.520 --> 0:56:32.080
<v Speaker 1>what I'm saying.

0:56:32.280 --> 0:56:35.000
<v Speaker 2>Nothing get you just said, you just go back Black Faith,

0:56:35.120 --> 0:56:37.879
<v Speaker 2>Black done. Yeah, I think that's it. You don't get

0:56:37.880 --> 0:56:40.879
<v Speaker 2>any cut scenes, you don't know how to if it works,

0:56:41.320 --> 0:56:45.280
<v Speaker 2>if you don't know if the rest of the world

0:56:45.440 --> 0:56:47.799
<v Speaker 2>keeps going on, you have no idea because you're dead.

0:56:48.239 --> 0:56:50.280
<v Speaker 2>I think that is like such a belief.

0:56:50.360 --> 0:56:51.919
<v Speaker 1>I know it just yeah, faith are black.

0:56:52.080 --> 0:56:54.640
<v Speaker 2>You never know, and that's I just have people talking

0:56:54.640 --> 0:56:55.920
<v Speaker 2>for like a million years.

0:56:56.200 --> 0:56:58.439
<v Speaker 1>I do love the idea, Rob. I think it's really great.

0:56:58.800 --> 0:57:03.600
<v Speaker 1>My here's the thing I wonder is Naughty Dog so

0:57:05.840 --> 0:57:10.719
<v Speaker 1>invested in their style of storytelling, which is in these

0:57:10.760 --> 0:57:13.640
<v Speaker 1>big moments, you don't have agency. We have agency. We're

0:57:13.680 --> 0:57:16.920
<v Speaker 1>telling our story. If you want to know about our story,

0:57:17.440 --> 0:57:19.840
<v Speaker 1>you can play through and that's it. But don't expect

0:57:19.840 --> 0:57:22.200
<v Speaker 1>to be like, well, now Joel's not going to do this,

0:57:22.400 --> 0:57:24.520
<v Speaker 1>or Ellie is not going to do this, and Ellie's

0:57:24.520 --> 0:57:26.880
<v Speaker 1>going to decide to, you know, not get involved in

0:57:26.880 --> 0:57:29.600
<v Speaker 1>this fight. Abby is going to decide to walk away

0:57:29.600 --> 0:57:33.680
<v Speaker 1>and live peacefully like and so I wonder.

0:57:33.480 --> 0:57:36.240
<v Speaker 2>If they howitch it up.

0:57:36.760 --> 0:57:39.800
<v Speaker 1>I do wonder if they would ever decide if they

0:57:40.000 --> 0:57:41.520
<v Speaker 1>do decide to go back for a last of Us

0:57:41.520 --> 0:57:44.320
<v Speaker 1>part three, which is I would can't imagine they won't

0:57:45.240 --> 0:57:48.000
<v Speaker 1>if they ever do decide to hand over the keys

0:57:48.000 --> 0:57:50.600
<v Speaker 1>in a key moment to a player. Yeah, I wonder.

0:57:51.560 --> 0:57:54.520
<v Speaker 2>It's so exciting to even think about. Thank you, Rob.

0:57:54.600 --> 0:57:56.520
<v Speaker 2>If you have theories or passions you want to share,

0:57:56.600 --> 0:57:58.560
<v Speaker 2>hit us up at x ray at crooked dot com.

0:57:58.680 --> 0:58:01.080
<v Speaker 2>Instructions are in the show notes as always.

0:58:03.280 --> 0:58:06.560
<v Speaker 1>Well that's it for us, Rosie. Anything to plug plug

0:58:06.600 --> 0:58:07.000
<v Speaker 1>plug pok.

0:58:07.520 --> 0:58:09.760
<v Speaker 2>You can read my coverage of this show, which is

0:58:10.040 --> 0:58:12.600
<v Speaker 2>a weekly article that I write about a certain part

0:58:12.640 --> 0:58:16.160
<v Speaker 2>of the show that speaks to me. At IGN you

0:58:16.320 --> 0:58:19.439
<v Speaker 2>can read I wrote a lot of articles for DC

0:58:20.080 --> 0:58:23.680
<v Speaker 2>dot Com DC Comics now known as DC dot Com.

0:58:23.800 --> 0:58:24.960
<v Speaker 2>Ever heard of them?

0:58:25.000 --> 0:58:33.520
<v Speaker 1>Superman, Batman, I wrote Manhunter, Fanplastic Man.

0:58:33.600 --> 0:58:36.439
<v Speaker 2>I actually got to write a Plastic Man article which

0:58:36.480 --> 0:58:40.160
<v Speaker 2>was very fun about Kyle Baker's brilliant Plastic Man, like

0:58:40.280 --> 0:58:42.160
<v Speaker 2>one of the weirdest best comics I ever made. I

0:58:42.200 --> 0:58:43.840
<v Speaker 2>wrote a lot of articles there this month. You can

0:58:43.880 --> 0:58:46.320
<v Speaker 2>check them out. I have a really cool one maybe

0:58:46.360 --> 0:58:47.880
<v Speaker 2>I don't know what days are. I think it will

0:58:47.920 --> 0:58:49.800
<v Speaker 2>be out by the time this comes out about a

0:58:49.840 --> 0:58:55.320
<v Speaker 2>really underrated, underread Green Lantern arc by Christopher Priest and

0:58:55.400 --> 0:58:57.760
<v Speaker 2>Mark Bright that was really cool that ran us backups

0:58:57.760 --> 0:59:01.520
<v Speaker 2>in action comics, so those are fun. Uh yeah, like

0:59:01.680 --> 0:59:05.360
<v Speaker 2>lots of articles online you can I just when this finishes,

0:59:05.880 --> 0:59:10.560
<v Speaker 2>I will be sending the much toiled over next draft

0:59:10.800 --> 0:59:14.919
<v Speaker 2>of this secret project that I have. I'll be able

0:59:14.960 --> 0:59:17.240
<v Speaker 2>to share soon, so that's cool. And yeah, I'm here

0:59:17.480 --> 0:59:20.400
<v Speaker 2>twice a week Rosie marks on Instagram and letterbox and

0:59:20.480 --> 0:59:21.320
<v Speaker 2>obviously here.

0:59:23.400 --> 0:59:26.800
<v Speaker 1>Catch our next episode Friday, March third, where we'll be

0:59:26.920 --> 0:59:31.160
<v Speaker 1>talking about the premiere episode of Mandalorian Season three, Big brand,

0:59:31.240 --> 0:59:32.120
<v Speaker 1>the Baby.

0:59:31.880 --> 0:59:33.680
<v Speaker 2>Bring them back the baby. We want to see him.

0:59:34.040 --> 0:59:37.320
<v Speaker 1>We want to see the beautiful now fifty three year

0:59:37.360 --> 0:59:41.000
<v Speaker 1>old baby. And of course remember remember we'll bring you

0:59:41.000 --> 0:59:45.720
<v Speaker 1>two episodes twice a week Wednesdays and Fridays on your

0:59:45.800 --> 0:59:47.800
<v Speaker 1>podcast platform of choice.

0:59:48.280 --> 0:59:50.640
<v Speaker 2>Check us out and if you want to see us

0:59:50.680 --> 0:59:52.720
<v Speaker 2>as well as hear us, you can subscribe on YouTube

0:59:52.720 --> 0:59:54.800
<v Speaker 2>where you can watch full episodes of the show. Now,

0:59:55.240 --> 0:59:58.160
<v Speaker 2>follow us on Twitter where xrv pod, and check out

0:59:58.160 --> 1:00:00.440
<v Speaker 2>our discord. We talk about it a lot because we

1:00:00.480 --> 1:00:02.680
<v Speaker 2>have a lot of fun in that a bunch of

1:00:02.720 --> 1:00:05.240
<v Speaker 2>amazing fans, people who love all the same cool stuff

1:00:05.240 --> 1:00:07.360
<v Speaker 2>as we do. And me and Jason pop in there

1:00:07.360 --> 1:00:09.720
<v Speaker 2>every now and again. If you want to do watch parties.

1:00:09.800 --> 1:00:11.520
<v Speaker 2>Those are popping off at the moment. We're gonna have

1:00:11.520 --> 1:00:12.320
<v Speaker 2>them for the last of us.

1:00:12.320 --> 1:00:16.960
<v Speaker 1>From Mandalorian five star ratings, five star reviews. We need them,

1:00:17.000 --> 1:00:19.160
<v Speaker 1>we gotta have them, you gotta give them to us.

1:00:19.480 --> 1:00:24.880
<v Speaker 1>Here is one from melligator Family Bonding. I love and

1:00:24.960 --> 1:00:27.800
<v Speaker 1>learn from Jason and Rosie so much. Thank you, so much,

1:00:27.840 --> 1:00:30.840
<v Speaker 1>Thank you, melligaate. They're very entertaining and occasionally I can

1:00:30.880 --> 1:00:34.360
<v Speaker 1>mention something to my sixteen year old and shocker, thanks

1:00:34.360 --> 1:00:36.160
<v Speaker 1>for making me a sometimes cool mom.

1:00:36.240 --> 1:00:38.960
<v Speaker 2>You're welcome. Wow. That's the power of X ray Vision.

1:00:39.240 --> 1:00:40.960
<v Speaker 2>I really love it.

1:00:41.680 --> 1:00:43.520
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:00:43.560 --> 1:00:45.280
<v Speaker 1>is produced by Chris Lord and Sal Rubin. The show

1:00:45.400 --> 1:00:48.320
<v Speaker 1>is executive produced by myself and Sandy Garhard are editing

1:00:48.320 --> 1:00:52.120
<v Speaker 1>and sound design who's by Vascillas Fatopoulos, Dylon Villanueva and

1:00:52.120 --> 1:00:55.000
<v Speaker 1>Matt de Group provide video production support. Alex Roller for

1:00:55.120 --> 1:00:58.160
<v Speaker 1>handle social media. Thank you Brian Vasquez for the music.

1:00:58.680 --> 1:01:03.160
<v Speaker 1>See you next time, ms M