1 00:00:01,960 --> 00:00:04,640 Speaker 1: What's up, everybody? What's up Batchel Nation. As you can 2 00:00:04,680 --> 00:00:07,960 Speaker 1: tell from my voice, I'm so horace fresh from Super Bowl, 3 00:00:08,000 --> 00:00:09,720 Speaker 1: but so happy to be here to talk to you 4 00:00:09,760 --> 00:00:13,480 Speaker 1: guys because they get a double dose of us this week. 5 00:00:13,560 --> 00:00:16,400 Speaker 1: You guys are stuck with us. Two episodes means two 6 00:00:16,480 --> 00:00:19,439 Speaker 1: podcast episodes this week as well. We're so excited to 7 00:00:19,480 --> 00:00:21,599 Speaker 1: get into it. Thank you for listening, thank you for 8 00:00:21,720 --> 00:00:23,840 Speaker 1: joining us. We are so happy to serve you the 9 00:00:23,920 --> 00:00:28,920 Speaker 1: latest and greatest and Batchel Nation news and opinions everything. 10 00:00:29,280 --> 00:00:32,240 Speaker 1: I have notes in front of me. Rachel's here. We're 11 00:00:32,240 --> 00:00:35,040 Speaker 1: gonna break it down because there is a lot that 12 00:00:35,120 --> 00:00:37,440 Speaker 1: went down this episode, and you have to have notes 13 00:00:37,479 --> 00:00:39,440 Speaker 1: because you need to keep it all in order because 14 00:00:39,440 --> 00:00:41,480 Speaker 1: it's like, where do we even start from? I mean 15 00:00:41,680 --> 00:00:44,920 Speaker 1: it we saw a telenovella, but that should be the 16 00:00:44,920 --> 00:00:49,200 Speaker 1: theme of this season. It's his own soap opera. Yeah, so, Rachel, 17 00:00:49,280 --> 00:00:51,000 Speaker 1: before we get started, I do have to say we 18 00:00:51,040 --> 00:00:54,600 Speaker 1: have a very special guest coming in while calling in 19 00:00:54,920 --> 00:00:58,680 Speaker 1: later this afternoon, with the wonderful mister Higgins. He cannot 20 00:00:58,760 --> 00:01:01,480 Speaker 1: get rid of me, which is why we forced him 21 00:01:01,520 --> 00:01:03,640 Speaker 1: onto our podcast today, and so we're so excited to 22 00:01:03,640 --> 00:01:05,720 Speaker 1: break it down with him and to get his point 23 00:01:05,720 --> 00:01:07,600 Speaker 1: of view on this season so far, because I'm sure 24 00:01:07,600 --> 00:01:10,080 Speaker 1: he will have plenty to say. We're gonna have the poke, Ben, 25 00:01:10,120 --> 00:01:13,680 Speaker 1: because you know Ben likes to be straight line, politically correct. 26 00:01:13,760 --> 00:01:15,679 Speaker 1: This is not what this show is about. Okay, it's 27 00:01:15,680 --> 00:01:17,720 Speaker 1: a happy hour, you know, take one back and let's 28 00:01:17,720 --> 00:01:19,640 Speaker 1: get into it. I really want to know what he 29 00:01:20,360 --> 00:01:22,319 Speaker 1: who would he be going for right now if he 30 00:01:22,440 --> 00:01:25,319 Speaker 1: was Peter, because everyone compares the two. They're like Peter's 31 00:01:25,360 --> 00:01:27,039 Speaker 1: a mini Ben, and so I really can't wait to 32 00:01:27,040 --> 00:01:30,520 Speaker 1: get his take on these ladies and see if he 33 00:01:30,600 --> 00:01:32,480 Speaker 1: was in Peter's shoes, who he'd be going for. So 34 00:01:32,640 --> 00:01:37,760 Speaker 1: far before that, we see this episode kickoff and the 35 00:01:37,840 --> 00:01:41,720 Speaker 1: beautiful Santiago Chili. Now, Peter still has ten women remaining, 36 00:01:41,760 --> 00:01:43,679 Speaker 1: and I feel like it's more than that just because 37 00:01:43,680 --> 00:01:46,760 Speaker 1: there's so much drama. So we still have Hannah Ann, 38 00:01:47,080 --> 00:01:53,120 Speaker 1: Kelly Kelsey, Madison McKenna, Natasha Sidney, Tammy, Victoria f and 39 00:01:53,720 --> 00:01:57,720 Speaker 1: Victoria p. Now again it feels like more than ten. Yeah, no, 40 00:01:57,840 --> 00:01:59,720 Speaker 1: I'm pretty sure you name more than ten people there. 41 00:02:00,200 --> 00:02:03,560 Speaker 1: But it starts off with Hannah Anne getting a one 42 00:02:03,600 --> 00:02:06,920 Speaker 1: on one. Now Is that just me or were you like, 43 00:02:07,160 --> 00:02:09,840 Speaker 1: did she already have one? I could have, so I 44 00:02:09,880 --> 00:02:12,399 Speaker 1: would have put money on it. I thought Hannah Ann 45 00:02:12,400 --> 00:02:15,520 Speaker 1: already had a date. I honestly don't know what season 46 00:02:15,520 --> 00:02:17,600 Speaker 1: I'm watching. There's just been so much going on there, 47 00:02:17,639 --> 00:02:20,520 Speaker 1: really has maybe because she's stolen him so many times, 48 00:02:20,560 --> 00:02:23,880 Speaker 1: it feels like it's all added up than most of 49 00:02:23,880 --> 00:02:27,560 Speaker 1: these women, that's for sure. Um. I was watching this 50 00:02:27,680 --> 00:02:29,640 Speaker 1: and the way it kicks off is so Peter joins 51 00:02:29,680 --> 00:02:32,520 Speaker 1: the girls at a bar, and I don't think on 52 00:02:33,280 --> 00:02:35,120 Speaker 1: when I was on the Bachelor, I don't think we 53 00:02:35,200 --> 00:02:37,400 Speaker 1: ever had a setup like that. We're real, we could 54 00:02:37,440 --> 00:02:39,400 Speaker 1: all just kick it and be out in public and drink, 55 00:02:39,440 --> 00:02:41,360 Speaker 1: and then he just showed up and grabbed someone. So 56 00:02:41,400 --> 00:02:43,079 Speaker 1: I was kind of jealous. I'm like, man, I wish 57 00:02:43,120 --> 00:02:44,800 Speaker 1: I was with these girls right now and what have 58 00:02:44,919 --> 00:02:48,560 Speaker 1: you know? Show up? But um, yeah, he takes Hannah Ann, 59 00:02:48,840 --> 00:02:51,960 Speaker 1: and like you, I feel like we've just seen more 60 00:02:52,000 --> 00:02:53,960 Speaker 1: of her because I think she's just been so confident 61 00:02:54,000 --> 00:02:56,480 Speaker 1: in all the group dates. I mean we've had, we've 62 00:02:56,480 --> 00:02:59,280 Speaker 1: had a lot of model esque dates that she's you know, 63 00:02:59,360 --> 00:03:01,760 Speaker 1: kind of stolen the showing because that's that's what she does. 64 00:03:02,919 --> 00:03:05,679 Speaker 1: But yeah, I think in my mind this data on 65 00:03:05,760 --> 00:03:08,640 Speaker 1: this city. I think it was a good date. It 66 00:03:08,680 --> 00:03:10,520 Speaker 1: seemed like a normal date. Like there wasn't a ton 67 00:03:10,560 --> 00:03:13,680 Speaker 1: of like glitzingle am in hype, There wasn't any helicopters 68 00:03:13,880 --> 00:03:17,239 Speaker 1: or private concerts. It just seemed very chill. I will 69 00:03:17,280 --> 00:03:19,360 Speaker 1: say that those type of dates I love. They were 70 00:03:19,400 --> 00:03:22,040 Speaker 1: always my favorite dates because it's not there weren't a 71 00:03:22,080 --> 00:03:24,000 Speaker 1: lot of distractions. You now, you weren't doing all these 72 00:03:24,080 --> 00:03:26,200 Speaker 1: crazy things. It's a real life thing. You're exploring this 73 00:03:26,280 --> 00:03:29,320 Speaker 1: new city, this new country with someone you really care about, 74 00:03:29,520 --> 00:03:32,480 Speaker 1: and you're doing it together. I loved those when I 75 00:03:32,520 --> 00:03:34,000 Speaker 1: was on the batchelor, I loved it, and I loved 76 00:03:34,000 --> 00:03:36,080 Speaker 1: it on the batcherette. And I would always usually take 77 00:03:36,120 --> 00:03:38,320 Speaker 1: someone that I really really wanted to get to know 78 00:03:38,440 --> 00:03:42,640 Speaker 1: on those dates because there's so much time to talk. Yeah, 79 00:03:42,760 --> 00:03:44,520 Speaker 1: and I think that's what he needed from her. I 80 00:03:44,520 --> 00:03:46,360 Speaker 1: think he needed her to just open up and not 81 00:03:46,440 --> 00:03:48,600 Speaker 1: be this like cute girl that's how he's smiling and 82 00:03:48,680 --> 00:03:53,240 Speaker 1: happy all the time, because that's not a relationship. Um yeah, 83 00:03:53,360 --> 00:03:55,320 Speaker 1: so well then that was a bust. If that's what 84 00:03:55,400 --> 00:03:57,640 Speaker 1: he wanted. That was a bust because then night rolled 85 00:03:57,680 --> 00:04:01,400 Speaker 1: around and she didn't have shit to say. Yeah, I 86 00:04:01,480 --> 00:04:05,600 Speaker 1: just I feel like I still don't know much of her, 87 00:04:05,800 --> 00:04:08,600 Speaker 1: Like she has this one on one time and there's 88 00:04:08,640 --> 00:04:12,080 Speaker 1: not more. You know, we've seen dates like, for instance, 89 00:04:12,080 --> 00:04:15,360 Speaker 1: with Kelsey where she opened up about her her parents 90 00:04:15,440 --> 00:04:17,840 Speaker 1: divorce and how that kind of like shaped her into 91 00:04:17,880 --> 00:04:20,240 Speaker 1: the woman she is today, or we you know, we've 92 00:04:20,240 --> 00:04:22,719 Speaker 1: always had these stories and now I'm not saying that 93 00:04:22,760 --> 00:04:25,440 Speaker 1: somebody needs like this whole sob story or this life 94 00:04:25,520 --> 00:04:29,440 Speaker 1: changing story, but just something to give us more of 95 00:04:29,480 --> 00:04:31,680 Speaker 1: who they are. And I felt like I didn't get 96 00:04:31,760 --> 00:04:34,280 Speaker 1: that and this was so frustrating. So we've seen her, 97 00:04:34,279 --> 00:04:36,320 Speaker 1: We've seen her. I have all this personality, whether it's 98 00:04:36,360 --> 00:04:38,839 Speaker 1: in front of a camera or walking down a runway, 99 00:04:38,880 --> 00:04:40,960 Speaker 1: which a lot of people say is their issue with 100 00:04:41,560 --> 00:04:44,400 Speaker 1: Instagram models or models. It's like they have all this personality, 101 00:04:44,440 --> 00:04:45,800 Speaker 1: but then you talk to them in person and there's 102 00:04:45,800 --> 00:04:51,440 Speaker 1: really nothing there, so no offense to anybody. So when 103 00:04:51,520 --> 00:04:54,000 Speaker 1: I when he asked her very direct questions, she cannot 104 00:04:54,040 --> 00:04:56,360 Speaker 1: answer them, And to me, that is a red flag. 105 00:04:56,560 --> 00:04:59,480 Speaker 1: I saw all the red flags waving all around Hannah 106 00:04:59,480 --> 00:05:01,520 Speaker 1: Ann and her face and then he gets up in 107 00:05:01,560 --> 00:05:04,920 Speaker 1: frustration because he's not getting anything from her, and she 108 00:05:05,080 --> 00:05:08,920 Speaker 1: starts crying and he's like, this is what I needed. 109 00:05:09,120 --> 00:05:14,440 Speaker 1: And I'm like, Peter, she hasn't said anything yet unless 110 00:05:14,839 --> 00:05:17,880 Speaker 1: this was edited and we just didn't get it. I 111 00:05:17,920 --> 00:05:20,640 Speaker 1: don't understand because Peter was like, that's what I needed. 112 00:05:20,800 --> 00:05:23,960 Speaker 1: A tear. I mean, was she pinching herself to make 113 00:05:24,000 --> 00:05:26,720 Speaker 1: herself correy? I don't understand what was behind her tears. 114 00:05:26,760 --> 00:05:30,080 Speaker 1: She did not explain that we got nothing from her, 115 00:05:30,200 --> 00:05:32,760 Speaker 1: and he said he got everything he needed, right. I 116 00:05:32,800 --> 00:05:35,760 Speaker 1: think there's a difference that sometimes and I don't want 117 00:05:35,800 --> 00:05:39,920 Speaker 1: to say just men, but people do they confuse like 118 00:05:40,000 --> 00:05:45,679 Speaker 1: emotion and tears for depth. And it goes back to 119 00:05:45,800 --> 00:05:48,599 Speaker 1: us questioning like is Peter asking the right questions with 120 00:05:48,640 --> 00:05:51,840 Speaker 1: these women Like he's it's like he's trying to pull 121 00:05:51,880 --> 00:05:55,480 Speaker 1: teeth to get a straight answer. And my problem with 122 00:05:55,680 --> 00:05:58,000 Speaker 1: not only Hannah Ann, but with some of the other girls, 123 00:05:58,279 --> 00:06:00,280 Speaker 1: and trust me, I'm going to get into this as 124 00:06:00,320 --> 00:06:02,479 Speaker 1: we go on to the next one on one, but 125 00:06:02,600 --> 00:06:05,640 Speaker 1: it seems like they don't truly know what they want 126 00:06:05,760 --> 00:06:09,680 Speaker 1: and what in themselves or in a relationship. Like you 127 00:06:09,760 --> 00:06:11,640 Speaker 1: go on the show and you think you know yourself 128 00:06:11,640 --> 00:06:13,839 Speaker 1: and what you want, and then they're like thrust into 129 00:06:13,880 --> 00:06:17,400 Speaker 1: this spot where you know, it's like a future ahead 130 00:06:17,440 --> 00:06:19,599 Speaker 1: of them and an engagement looming, and they're trying to 131 00:06:19,600 --> 00:06:22,400 Speaker 1: form this relationship and they don't truly know who they 132 00:06:22,440 --> 00:06:25,560 Speaker 1: are and what they want in a partner in a relationship. 133 00:06:25,920 --> 00:06:28,320 Speaker 1: And that's where my frustration is. It's and I'm not 134 00:06:28,360 --> 00:06:33,440 Speaker 1: saying Hannah Ann is immature. I'm not saying, yeah, Kelly 135 00:06:33,440 --> 00:06:36,320 Speaker 1: did say that, but and I don't want to, like 136 00:06:36,360 --> 00:06:38,919 Speaker 1: I want to get to know these people individually to 137 00:06:38,920 --> 00:06:41,720 Speaker 1: say like, Okay, you're immature or mature. I think just 138 00:06:41,839 --> 00:06:44,400 Speaker 1: based upon her age, yes, she's young, a younger girl 139 00:06:44,400 --> 00:06:46,560 Speaker 1: in the group, like she's only twenty three. I'm not 140 00:06:46,600 --> 00:06:49,880 Speaker 1: saying that she's probably not ready because Becka m on 141 00:06:50,000 --> 00:06:51,960 Speaker 1: r Season was only twenty two and she got so 142 00:06:52,080 --> 00:06:54,760 Speaker 1: much Flackford seeming young and immature. But look at her now, 143 00:06:54,800 --> 00:06:57,159 Speaker 1: like she shot out to baby because she's my favorite, 144 00:06:57,600 --> 00:06:59,839 Speaker 1: one of my favorites too, and she's so mature. She 145 00:07:00,680 --> 00:07:03,080 Speaker 1: has a lovely child who just turned one, she has 146 00:07:03,080 --> 00:07:06,360 Speaker 1: another baby on the way, She's in a very loving, committed, 147 00:07:06,440 --> 00:07:10,440 Speaker 1: loyal relationship, a respectful relationship. So she like, I don't 148 00:07:10,480 --> 00:07:13,560 Speaker 1: think the age number always is the problem. It's just 149 00:07:14,200 --> 00:07:20,160 Speaker 1: I think like mindset, and I think Peter's asking for 150 00:07:20,240 --> 00:07:22,520 Speaker 1: something from Hannah Anne, and she thinks he's asking for 151 00:07:22,560 --> 00:07:25,000 Speaker 1: like emotion and tears and something more than just a smile, 152 00:07:25,040 --> 00:07:27,120 Speaker 1: when really he's like, no, I actually want to know 153 00:07:27,160 --> 00:07:29,480 Speaker 1: what you want. Yeah, And she couldn't give it to him. 154 00:07:29,480 --> 00:07:32,720 Speaker 1: She just looked at him. She's perfectly curated. I'm over 155 00:07:32,800 --> 00:07:35,520 Speaker 1: Hannah Anne. At this point, she gave him nothing. She 156 00:07:35,680 --> 00:07:37,520 Speaker 1: those tears were because she thought she was going to 157 00:07:37,560 --> 00:07:39,960 Speaker 1: go home, point blank period. That's why she couldn't talk 158 00:07:39,960 --> 00:07:42,200 Speaker 1: about what was behind them. She thought she was going home. 159 00:07:42,440 --> 00:07:45,920 Speaker 1: He gives her a rose. A rose. I don't understand why. Again, 160 00:07:46,000 --> 00:07:48,280 Speaker 1: I'm hoping that we miss something, but I don't understand. 161 00:07:48,280 --> 00:07:49,800 Speaker 1: I don't think we did, because I think they would 162 00:07:49,800 --> 00:07:52,160 Speaker 1: have shown it. So I don't get his relationship with 163 00:07:52,200 --> 00:07:55,400 Speaker 1: Hannah Anne. It's very superficial at this point. There seems 164 00:07:55,440 --> 00:07:57,600 Speaker 1: to be no depth. She gave us nothing. I'm onto 165 00:07:57,640 --> 00:08:00,800 Speaker 1: the next person. So well, then go on to the 166 00:08:01,640 --> 00:08:05,120 Speaker 1: Lovely Group date the telenovela, which I will say was 167 00:08:05,200 --> 00:08:07,640 Speaker 1: probably one of my favorite dates I've seen. I would 168 00:08:07,680 --> 00:08:10,120 Speaker 1: have loved to have been part of this. I just 169 00:08:11,120 --> 00:08:13,760 Speaker 1: it just seemed fun, creative, Like I loved all of 170 00:08:13,800 --> 00:08:18,320 Speaker 1: these girls and their personas because like I mean McKenna 171 00:08:18,360 --> 00:08:20,320 Speaker 1: with the maid, like, poor girl, she cannot get a 172 00:08:20,360 --> 00:08:24,080 Speaker 1: break right now. She wasn't everything, and I wish she 173 00:08:24,120 --> 00:08:25,560 Speaker 1: would have made more of it, like you see her 174 00:08:25,640 --> 00:08:29,520 Speaker 1: kind of in the back Dustine, and I wanted more 175 00:08:29,560 --> 00:08:32,480 Speaker 1: like she could have played that up so incredibly much. 176 00:08:33,160 --> 00:08:34,920 Speaker 1: But some of the girls did great. I will say 177 00:08:35,040 --> 00:08:38,440 Speaker 1: Kelly as the Boila, that was good. It was so 178 00:08:38,520 --> 00:08:41,000 Speaker 1: good and like it was kind of the cringeworthy moments 179 00:08:41,000 --> 00:08:43,680 Speaker 1: where it's like they're talking about like dating. It's just 180 00:08:43,720 --> 00:08:45,360 Speaker 1: like the moments that you love on the show. We're 181 00:08:45,440 --> 00:08:49,280 Speaker 1: in this like telenovella, soap opera. I'm trying to think 182 00:08:49,280 --> 00:08:52,160 Speaker 1: who else, No, they were great. I thought I loved 183 00:08:52,240 --> 00:08:54,880 Speaker 1: dates where we get to see their personalities come out, 184 00:08:54,920 --> 00:08:57,240 Speaker 1: and there's always that one date and usually it's in 185 00:08:57,280 --> 00:08:58,960 Speaker 1: the beginning, but in the middle of it, just to 186 00:08:59,000 --> 00:09:01,240 Speaker 1: see the girls have fun with it and kind of 187 00:09:01,280 --> 00:09:03,800 Speaker 1: just be so light when everything has been so heavy. 188 00:09:03,920 --> 00:09:06,120 Speaker 1: I thought, I thought that that was fun. But I 189 00:09:06,160 --> 00:09:08,559 Speaker 1: guess they were just a little bit too inspired by 190 00:09:08,600 --> 00:09:12,000 Speaker 1: by that telenovella because they took it off the set 191 00:09:12,760 --> 00:09:16,760 Speaker 1: and back into the house with them. Yes, the drama continues. Yeah, 192 00:09:16,760 --> 00:09:20,120 Speaker 1: Peters season just needs to be his own telenovella because 193 00:09:20,120 --> 00:09:22,400 Speaker 1: that's what it feels like. Yeah, and this is what 194 00:09:22,480 --> 00:09:26,000 Speaker 1: I don't understand, y'all, Like listeners, if you're listening, write 195 00:09:26,080 --> 00:09:29,160 Speaker 1: us in on this, because I don't get how there's 196 00:09:29,240 --> 00:09:33,120 Speaker 1: always the one contestant who falls for this shit, Like 197 00:09:33,400 --> 00:09:35,920 Speaker 1: how do you always get to be the one who's 198 00:09:36,000 --> 00:09:40,400 Speaker 1: talking shit about every single person? And you become that girl? 199 00:09:40,760 --> 00:09:43,880 Speaker 1: Like you see it coming, you watch the show and 200 00:09:43,920 --> 00:09:45,559 Speaker 1: you're like, oh, mate, if I ever go on the 201 00:09:45,600 --> 00:09:48,600 Speaker 1: Bachelor Bachelorette, don't be that girl. And then there's always 202 00:09:48,640 --> 00:09:50,880 Speaker 1: that girl. It happens. I don't know if they're doing 203 00:09:50,880 --> 00:09:52,600 Speaker 1: it because they know they're not going to make it far. 204 00:09:52,880 --> 00:09:54,880 Speaker 1: I don't know if they're trying to create a storyline. 205 00:09:54,920 --> 00:09:56,360 Speaker 1: I don't know if they're trying to get to paradise. 206 00:09:56,760 --> 00:09:59,440 Speaker 1: I don't understand it. I'm upset that it's Tammy. Though 207 00:10:00,000 --> 00:10:02,920 Speaker 1: at the beginning, Tammy was one of my favorites, and 208 00:10:02,960 --> 00:10:05,840 Speaker 1: she had so much promise and now she's just like 209 00:10:05,920 --> 00:10:10,000 Speaker 1: on a mission to eliminate women and her new victim 210 00:10:10,440 --> 00:10:13,640 Speaker 1: is McKenna. Right yeah, I think it's an easy victim, 211 00:10:13,760 --> 00:10:16,920 Speaker 1: like because McKenna's she's praying on the week at this point, 212 00:10:16,960 --> 00:10:18,679 Speaker 1: right yeah. And I will agree, I had so much 213 00:10:18,720 --> 00:10:20,800 Speaker 1: hope for Tammy, And I said it last week, where 214 00:10:21,120 --> 00:10:23,040 Speaker 1: like I was rooting for her, and in the beginning, 215 00:10:23,559 --> 00:10:26,199 Speaker 1: I think Tammy offered in the beginning, like this great 216 00:10:26,280 --> 00:10:29,160 Speaker 1: combo of a little bit of SaaS and she'll she'll 217 00:10:29,200 --> 00:10:31,160 Speaker 1: say it like it is, but then she still like 218 00:10:31,240 --> 00:10:33,000 Speaker 1: would check in on the girls if they were having 219 00:10:33,280 --> 00:10:35,560 Speaker 1: I mean, we saw it with Kelsey when Kelsey was 220 00:10:35,559 --> 00:10:37,240 Speaker 1: crying by the pool, she kind of tried to like 221 00:10:37,559 --> 00:10:39,520 Speaker 1: go and what's going on, like talk it through, and 222 00:10:39,559 --> 00:10:41,600 Speaker 1: obviously she didn't get anywhere and we saw how that went. 223 00:10:42,040 --> 00:10:44,000 Speaker 1: But yeah, it's and I don't know if it's like 224 00:10:44,040 --> 00:10:47,000 Speaker 1: she's trying to this is her Batchelor and Paradise interview 225 00:10:47,120 --> 00:10:49,480 Speaker 1: or what where she's just trying to to, you know, 226 00:10:49,600 --> 00:10:51,920 Speaker 1: get to a certain point because she knows, let's be honest, 227 00:10:52,080 --> 00:10:54,520 Speaker 1: she knows it's not her. She knows that Peter and 228 00:10:54,640 --> 00:10:58,120 Speaker 1: her relationship isn't where it needs to be, so it 229 00:10:58,160 --> 00:11:02,600 Speaker 1: continues obviously, And gosh, the part where Peter is trying 230 00:11:02,600 --> 00:11:04,920 Speaker 1: to have this moment with Madison and he's you're just 231 00:11:05,040 --> 00:11:09,120 Speaker 1: hearing the screams from the house above. I'm just like, uh, like, 232 00:11:09,960 --> 00:11:12,360 Speaker 1: the best kind of cockblock moment is right there? Two 233 00:11:12,360 --> 00:11:17,520 Speaker 1: girls fighting. Yeah, Tammy and McKenna. I'm so sorry. It's 234 00:11:17,520 --> 00:11:19,240 Speaker 1: just poor McKenna. That's all. That's all I have to 235 00:11:19,240 --> 00:11:22,000 Speaker 1: say about Ken. Tammy knows exactly what she's doing. But 236 00:11:22,160 --> 00:11:27,720 Speaker 1: the real drama was Victoria. Now, I was proud of Peter. 237 00:11:28,000 --> 00:11:30,559 Speaker 1: This is a proud moment. I was too, because the 238 00:11:30,600 --> 00:11:33,320 Speaker 1: first time that I've seen him be really matter of 239 00:11:33,400 --> 00:11:37,160 Speaker 1: fact about something. I told you, Victoria Pee, there was 240 00:11:37,200 --> 00:11:39,520 Speaker 1: always something that was just a little off to me, 241 00:11:39,720 --> 00:11:42,480 Speaker 1: called it when it comes to her. And I don't 242 00:11:42,480 --> 00:11:44,920 Speaker 1: think I think Peter in the moment, okay, sends a 243 00:11:44,960 --> 00:11:48,439 Speaker 1: lat home. All right, fine, I still got Victoria Pee here. 244 00:11:48,480 --> 00:11:52,040 Speaker 1: I think he went back and really processed what happened 245 00:11:52,120 --> 00:11:54,440 Speaker 1: and thought about it, because from the moment he sat 246 00:11:54,480 --> 00:11:57,480 Speaker 1: down with her, he was not into hers, not into it, 247 00:11:57,720 --> 00:11:59,400 Speaker 1: not like what we've seen with him and her in 248 00:11:59,440 --> 00:12:01,400 Speaker 1: the past, and I kind of wished he would have 249 00:12:01,440 --> 00:12:05,480 Speaker 1: addressed that. He just kept saying, do you see a future? 250 00:12:05,920 --> 00:12:07,880 Speaker 1: I don't see you as my wife. But I wanted 251 00:12:08,000 --> 00:12:11,080 Speaker 1: him to be more confrontational. I wanted him to say, 252 00:12:11,280 --> 00:12:12,960 Speaker 1: let me tell you why I don't see you as 253 00:12:13,000 --> 00:12:15,679 Speaker 1: my wife, and it's because of how you handled this situation, 254 00:12:15,800 --> 00:12:18,560 Speaker 1: or because I just don't trust you, trust you, And 255 00:12:18,679 --> 00:12:21,120 Speaker 1: that's not what he really did. But I am happy, 256 00:12:21,120 --> 00:12:23,679 Speaker 1: but I'm gonna give it to him. He sent her home, yes, 257 00:12:24,000 --> 00:12:26,480 Speaker 1: and people watching and say, well, oh, he sent a 258 00:12:26,559 --> 00:12:29,960 Speaker 1: Laya home last week before the Row ceremony. But had 259 00:12:30,000 --> 00:12:32,600 Speaker 1: all of the women not called him out and addressed 260 00:12:32,640 --> 00:12:35,560 Speaker 1: it and told him their frustration and where their hurt was, 261 00:12:35,600 --> 00:12:37,440 Speaker 1: I think he would have kept a layer around. So 262 00:12:37,480 --> 00:12:40,559 Speaker 1: I'm glad that he finally did this on his own terms. 263 00:12:40,600 --> 00:12:44,560 Speaker 1: I think he needed it. I think that I have, okay, 264 00:12:45,320 --> 00:12:47,520 Speaker 1: my problem now with Victoria Pee and now that I 265 00:12:47,520 --> 00:12:51,040 Speaker 1: have a problem, but I just I felt like, Okay, 266 00:12:51,760 --> 00:12:55,360 Speaker 1: we've seen it season after season where clearly doesn't work out. 267 00:12:55,520 --> 00:12:57,480 Speaker 1: The lead always walks you out. They give you that 268 00:12:57,559 --> 00:12:59,800 Speaker 1: respect to say goodbye. You kind of talk it out. 269 00:12:59,840 --> 00:13:03,520 Speaker 1: You you have that moment. I always have a problem 270 00:13:03,520 --> 00:13:06,920 Speaker 1: where somebody is like better than that and they're like, no, 271 00:13:07,080 --> 00:13:09,240 Speaker 1: I don't need you, I don't need your help. I 272 00:13:09,280 --> 00:13:12,080 Speaker 1: find it. So Chris ran down on my season said 273 00:13:12,080 --> 00:13:13,319 Speaker 1: that to me, I was like, well, walk you out 274 00:13:13,320 --> 00:13:14,800 Speaker 1: even though it's not working out, Like I'm still going 275 00:13:14,840 --> 00:13:16,960 Speaker 1: to respect you, and the time that you put on 276 00:13:17,000 --> 00:13:19,000 Speaker 1: the show. You don't want to walk him out, that's 277 00:13:19,040 --> 00:13:21,000 Speaker 1: that's part of the show. So well I did because 278 00:13:21,000 --> 00:13:22,440 Speaker 1: I wanted him to go so I could go to sleep. 279 00:13:22,559 --> 00:13:25,480 Speaker 1: But that's like, I guess to what And I definitely 280 00:13:25,480 --> 00:13:27,080 Speaker 1: want you to finish your point, But it's kind of like, 281 00:13:27,080 --> 00:13:29,240 Speaker 1: what's so disrespectful into what you're saying. I don't even 282 00:13:29,280 --> 00:13:30,920 Speaker 1: really want to walk you out. It's just like I'm 283 00:13:30,960 --> 00:13:33,640 Speaker 1: trying to be nice, so at least accept me being nice. Yeah, 284 00:13:33,640 --> 00:13:35,640 Speaker 1: and she and we saw like in that moment there 285 00:13:35,720 --> 00:13:39,480 Speaker 1: was that switch where maybe it was like her guard 286 00:13:39,559 --> 00:13:41,160 Speaker 1: went up and it was just a way so she 287 00:13:41,240 --> 00:13:43,120 Speaker 1: doesn't like feel about hurt in that pain in front 288 00:13:43,160 --> 00:13:46,560 Speaker 1: of him. But I just like Peter is still like, 289 00:13:46,640 --> 00:13:48,360 Speaker 1: even though it's not working out, he's still trying to 290 00:13:48,360 --> 00:13:50,480 Speaker 1: respect you. He's still trying to be that gentleman and 291 00:13:50,520 --> 00:13:52,160 Speaker 1: walk you out and see you out and so give 292 00:13:52,200 --> 00:13:54,480 Speaker 1: you that closure a little bit. And in that moment 293 00:13:54,480 --> 00:13:56,600 Speaker 1: you saw something and switch where she's like, I'm not 294 00:13:56,640 --> 00:13:59,000 Speaker 1: having this, like I can walk myself out. She's walking 295 00:13:59,040 --> 00:14:00,480 Speaker 1: in front of him. I don't know it just it 296 00:14:00,600 --> 00:14:02,720 Speaker 1: really rubbed me the wrong way. And we all go 297 00:14:02,760 --> 00:14:04,520 Speaker 1: into this show knowing that there's only going to be 298 00:14:04,559 --> 00:14:07,040 Speaker 1: one and so the odds really aren't probably in your favor. 299 00:14:08,000 --> 00:14:10,440 Speaker 1: So in that instance, I was like, okay, like we're 300 00:14:10,440 --> 00:14:15,480 Speaker 1: seeing a new side to her. Been seeing it. You've 301 00:14:15,520 --> 00:14:19,040 Speaker 1: been calling I really have needless to say. I'm glad 302 00:14:19,120 --> 00:14:21,920 Speaker 1: Victoria Pia's home and it's giving me promise that Peter 303 00:14:22,040 --> 00:14:25,160 Speaker 1: is starting to eliminate the drama and focus on some 304 00:14:25,200 --> 00:14:27,720 Speaker 1: of the more serious relationships, and I think that that's 305 00:14:27,800 --> 00:14:32,760 Speaker 1: the point of the season that we're in. So also, 306 00:14:33,240 --> 00:14:35,480 Speaker 1: when you're in the house, you're starting to reflect on 307 00:14:35,840 --> 00:14:39,040 Speaker 1: who's had one on one date? Where's my relationship with Peter? 308 00:14:39,080 --> 00:14:42,320 Speaker 1: As you're seeing the numbers dwindle down, and you have 309 00:14:42,400 --> 00:14:44,560 Speaker 1: to start thinking, Okay, Tammy hasn't had a one on 310 00:14:44,560 --> 00:14:46,760 Speaker 1: one yet. Tasha hasn't had a one on one yet, 311 00:14:46,960 --> 00:14:49,760 Speaker 1: neither has McKenna, So you know, at this point they're 312 00:14:49,800 --> 00:14:53,200 Speaker 1: kind of like, where do I stand compared to these 313 00:14:53,240 --> 00:14:56,880 Speaker 1: other ones? Right? So then Peter has a chance to 314 00:14:56,880 --> 00:14:59,560 Speaker 1: give another one on one. Doesn't give it to Dammy 315 00:14:59,640 --> 00:15:04,080 Speaker 1: mckenn Natasha. He gives it to Victoria. F Were you shocked? 316 00:15:04,120 --> 00:15:08,200 Speaker 1: I was shocked. I blew my mind when they read 317 00:15:08,200 --> 00:15:12,320 Speaker 1: her name. I was like, what he either sees something 318 00:15:12,400 --> 00:15:15,840 Speaker 1: in her or he's really questioning do I keep her 319 00:15:15,840 --> 00:15:18,560 Speaker 1: around after everything that went down on their very first 320 00:15:18,560 --> 00:15:21,720 Speaker 1: one on one. I just to insert a little bit 321 00:15:21,720 --> 00:15:26,480 Speaker 1: of my experience. I remember on The Bachelor, we Lauren 322 00:15:27,000 --> 00:15:30,280 Speaker 1: Lauren b had a date with Ari in Paris, and 323 00:15:30,360 --> 00:15:33,800 Speaker 1: the week after she got the second one on one, 324 00:15:34,120 --> 00:15:35,560 Speaker 1: and it was right after my one on one, and 325 00:15:35,560 --> 00:15:37,560 Speaker 1: I remember coming home and I walked into the room 326 00:15:37,560 --> 00:15:39,360 Speaker 1: and all of the girls were like dead silent. It 327 00:15:39,400 --> 00:15:41,840 Speaker 1: was super awkward. I was like, what did I miss? 328 00:15:42,360 --> 00:15:44,880 Speaker 1: And they're like, oh, well, Lauren Lauren got the second 329 00:15:44,960 --> 00:15:46,520 Speaker 1: one on one day and I was like, she just 330 00:15:46,600 --> 00:15:48,880 Speaker 1: had one last week, and in that moment, I was shocked. 331 00:15:49,560 --> 00:15:51,400 Speaker 1: But I was even shocked for this one. I think 332 00:15:51,480 --> 00:15:54,240 Speaker 1: after all of the interaction that I've seen with Peter 333 00:15:54,360 --> 00:15:58,240 Speaker 1: and Victoria f and just like the drama that just 334 00:15:58,320 --> 00:16:02,760 Speaker 1: kind of follows, and like the extra time and care 335 00:16:02,880 --> 00:16:05,560 Speaker 1: and attention and all of this effort Peter seems to 336 00:16:05,600 --> 00:16:09,000 Speaker 1: be putting into her. I would have wanted a break 337 00:16:09,040 --> 00:16:11,920 Speaker 1: if I was him personally. But I don't know what 338 00:16:11,960 --> 00:16:13,600 Speaker 1: it is. And this is what I have all of 339 00:16:13,600 --> 00:16:16,360 Speaker 1: my notes written about. Oh this is this one on 340 00:16:16,360 --> 00:16:18,400 Speaker 1: one day. I'm sure it's the nighttime because not much 341 00:16:18,440 --> 00:16:21,400 Speaker 1: happen in the in the daytime part of it, right, 342 00:16:21,440 --> 00:16:22,840 Speaker 1: like they do their thing whatever. I don't even want 343 00:16:22,840 --> 00:16:24,360 Speaker 1: to get into that. Let's just get into the nighttime 344 00:16:24,360 --> 00:16:28,240 Speaker 1: portion because that's when that's when that's the juicy part. 345 00:16:28,320 --> 00:16:33,160 Speaker 1: That's that isn't. Yes, Like I just don't understand why 346 00:16:33,240 --> 00:16:36,240 Speaker 1: she wasn't. She just did not seem appreciative of the 347 00:16:36,320 --> 00:16:38,120 Speaker 1: date that he gave her a second one and one. 348 00:16:38,360 --> 00:16:41,840 Speaker 1: She did not seem into it and him it's like 349 00:16:41,880 --> 00:16:45,120 Speaker 1: she I feel like she's questioning like where her feelings 350 00:16:45,160 --> 00:16:48,120 Speaker 1: actually are, but she doesn't want to like admit them, 351 00:16:48,160 --> 00:16:49,960 Speaker 1: like maybe I'm not as into you or maybe like 352 00:16:50,000 --> 00:16:52,960 Speaker 1: it's not like there's something off and she she made 353 00:16:52,960 --> 00:16:54,880 Speaker 1: a comment and they wrote it down. Because this is 354 00:16:54,880 --> 00:16:57,280 Speaker 1: what stood out to me the most was I wish 355 00:16:57,320 --> 00:16:59,600 Speaker 1: I knew my issues so that you didn't have to 356 00:16:59,600 --> 00:17:02,320 Speaker 1: deal with them. It's like, then, why did you come 357 00:17:02,760 --> 00:17:06,240 Speaker 1: on the show with the potential? Because Rice was on tour, 358 00:17:07,200 --> 00:17:09,639 Speaker 1: he was gone, he was out of office apparently. But 359 00:17:09,720 --> 00:17:13,399 Speaker 1: it's like, know yourself before coming on the show. Well, 360 00:17:13,480 --> 00:17:16,199 Speaker 1: that could be a theme for several women. But my 361 00:17:16,359 --> 00:17:20,560 Speaker 1: frustration with her I share your same sentiments. I thought 362 00:17:20,720 --> 00:17:23,879 Speaker 1: you are so ungrateful. Yes, there are women sitting in 363 00:17:23,880 --> 00:17:26,119 Speaker 1: this house who have never had a date, and you 364 00:17:26,160 --> 00:17:28,840 Speaker 1: were complaining about getting a date. Now I do a 365 00:17:28,840 --> 00:17:31,360 Speaker 1: second date, a second date. You're right, And I do 366 00:17:31,520 --> 00:17:33,680 Speaker 1: get you saying, oh gosh, he's maybe he's putting you 367 00:17:33,720 --> 00:17:35,600 Speaker 1: on a second day because he doesn't know, but he 368 00:17:35,800 --> 00:17:39,960 Speaker 1: reassured you so many times. She is that girl who 369 00:17:40,040 --> 00:17:43,200 Speaker 1: needs to constantly be told I'm you're pretty, you're great, 370 00:17:43,240 --> 00:17:46,399 Speaker 1: you're wonderful, instead of having that own confidence, which I 371 00:17:46,520 --> 00:17:49,480 Speaker 1: just don't. I just her own confidence. I just don't understand. 372 00:17:51,320 --> 00:17:54,080 Speaker 1: Actually I do think I understand her. She just doesn't 373 00:17:54,119 --> 00:17:55,680 Speaker 1: know who she is and what she wants. She's all 374 00:17:55,680 --> 00:17:58,240 Speaker 1: over the place. And what I don't understand is, Peter, 375 00:17:58,600 --> 00:18:00,600 Speaker 1: you want a woman who's confident, you want a woman 376 00:18:00,600 --> 00:18:03,560 Speaker 1: who knows who she is. That's what you say you 377 00:18:03,560 --> 00:18:08,200 Speaker 1: liked about Hannah by Victoria f has shown you none 378 00:18:08,200 --> 00:18:11,840 Speaker 1: of that. So again, I don't know what Peter wants 379 00:18:12,640 --> 00:18:15,560 Speaker 1: in a wife because you are constantly having to baby 380 00:18:15,640 --> 00:18:18,359 Speaker 1: her and coddle her and reassure her. As you have said, 381 00:18:18,400 --> 00:18:21,240 Speaker 1: that is exhausting. And that's the only word I can 382 00:18:21,280 --> 00:18:23,560 Speaker 1: think of when I think of their relationship. It's and 383 00:18:23,640 --> 00:18:25,760 Speaker 1: I've never and I've watched the show for a while, 384 00:18:25,800 --> 00:18:30,400 Speaker 1: I've never seen one lead put in so much reassurance 385 00:18:30,440 --> 00:18:34,359 Speaker 1: to someone to the point where it's like that cannot last. 386 00:18:34,359 --> 00:18:36,040 Speaker 1: Like in my mind, there's no way that that can last. 387 00:18:36,080 --> 00:18:38,800 Speaker 1: Like he's gonna he's gonna get to his breaking point 388 00:18:39,000 --> 00:18:41,000 Speaker 1: and be like, I can't, Like, what else do you 389 00:18:41,040 --> 00:18:43,119 Speaker 1: have to say? Like, and he has said multiple times, 390 00:18:43,160 --> 00:18:45,080 Speaker 1: I'm not going to give you a rose unless I 391 00:18:45,119 --> 00:18:47,240 Speaker 1: see something, unless I feel it, like unless I know. 392 00:18:47,800 --> 00:18:50,840 Speaker 1: And so she keeps getting roses, she keeps getting roses. 393 00:18:52,160 --> 00:18:55,440 Speaker 1: He's giving you you should be more sure because remember 394 00:18:55,440 --> 00:18:57,840 Speaker 1: there's a point in the show where Sidney and um 395 00:18:58,000 --> 00:19:00,440 Speaker 1: Tasha are sitting on the couch and there's saying, oh, 396 00:19:00,440 --> 00:19:03,199 Speaker 1: he really must be into Victoria hockey. Everybody see it, 397 00:19:03,280 --> 00:19:07,440 Speaker 1: but you, you, more than anyone, should know that Peter's 398 00:19:07,480 --> 00:19:09,560 Speaker 1: into you, and not just because of the dates, because 399 00:19:09,600 --> 00:19:12,520 Speaker 1: he's telling you that he's giving you all the reassurance 400 00:19:12,560 --> 00:19:14,800 Speaker 1: that you need. It's so frustrating to watch. I am 401 00:19:14,840 --> 00:19:17,600 Speaker 1: so sick of her. I'm so sick of seeing her cry. 402 00:19:17,720 --> 00:19:20,280 Speaker 1: I am sick of watching her goal on date well, 403 00:19:20,320 --> 00:19:25,240 Speaker 1: and I just it's disrespectful to not be able to 404 00:19:26,280 --> 00:19:28,800 Speaker 1: give Peter answers when he's asking you direct questions. I 405 00:19:28,840 --> 00:19:30,760 Speaker 1: feel like she just keeps saying I don't know, I 406 00:19:30,800 --> 00:19:32,840 Speaker 1: don't know. So it's like, how is Peter going to know? 407 00:19:32,840 --> 00:19:35,200 Speaker 1: He's not a mind reader? But then to get up. 408 00:19:35,680 --> 00:19:37,360 Speaker 1: This isn't the first time we've seen this with her 409 00:19:37,359 --> 00:19:39,760 Speaker 1: on a date. She gets up and she walks away, 410 00:19:39,920 --> 00:19:42,639 Speaker 1: and she cries and she leaves him. And in this process, 411 00:19:42,720 --> 00:19:44,520 Speaker 1: time is of the essence, like you need to make 412 00:19:44,520 --> 00:19:46,760 Speaker 1: the most of it and you can't keep having these 413 00:19:46,800 --> 00:19:50,720 Speaker 1: moments or these these like fits where you you can't 414 00:19:50,720 --> 00:19:52,879 Speaker 1: handle it and you can't handle like answering the questions, 415 00:19:52,880 --> 00:19:55,359 Speaker 1: and you walk away, and she's saying, I don't know 416 00:19:55,400 --> 00:19:56,800 Speaker 1: if I want to be here. I don't know. I 417 00:19:56,800 --> 00:19:59,280 Speaker 1: don't know. And Peter can't even hear that, and he's 418 00:19:59,320 --> 00:20:02,879 Speaker 1: talking to produce and he's saying, I don't know. She 419 00:20:02,920 --> 00:20:06,479 Speaker 1: doesn't want this, so send her home. If you are 420 00:20:06,560 --> 00:20:08,480 Speaker 1: questioning this, it's this late in the process. You have 421 00:20:08,520 --> 00:20:11,080 Speaker 1: so many women who want you. That again shows how 422 00:20:11,160 --> 00:20:14,280 Speaker 1: into her he is. Send her home. Two roses should 423 00:20:14,280 --> 00:20:16,639 Speaker 1: not have been given out on this episode, Hannah, Anne 424 00:20:16,920 --> 00:20:20,200 Speaker 1: and Victoria f It is very clear that if you're 425 00:20:20,240 --> 00:20:23,880 Speaker 1: saying you want these things, these women don't possess those 426 00:20:23,960 --> 00:20:27,600 Speaker 1: qualities from what we've seen. I'm sorry, I just don't understand. 427 00:20:27,640 --> 00:20:30,840 Speaker 1: But what does Peter do? Gives her a rose? Gives 428 00:20:30,880 --> 00:20:35,399 Speaker 1: her a rose, and then and then and then we 429 00:20:35,520 --> 00:20:39,159 Speaker 1: see something that, to my knowledge, I have never seen before, 430 00:20:39,320 --> 00:20:42,120 Speaker 1: no plot twist two on one, which I don't even think. 431 00:20:42,119 --> 00:20:43,879 Speaker 1: We got a two on one in Hannah by season 432 00:20:44,680 --> 00:20:47,400 Speaker 1: a two on one at a cocktail party. I thought 433 00:20:47,400 --> 00:20:49,880 Speaker 1: this was genius. You know what, Thank you, Bachelor producers. 434 00:20:49,920 --> 00:20:52,080 Speaker 1: Let's streamline this process. We don't need a whole damn 435 00:20:52,160 --> 00:20:54,520 Speaker 1: date for this, let's just do it at a cocktail party. 436 00:20:54,600 --> 00:20:57,560 Speaker 1: I will say I would have loved having the two 437 00:20:57,600 --> 00:20:59,360 Speaker 1: on one at a cocktail party. I would You don't 438 00:20:59,359 --> 00:21:01,320 Speaker 1: need a full day, And usually when you pick a 439 00:21:01,359 --> 00:21:03,119 Speaker 1: two on one, you kind of know the two people 440 00:21:03,280 --> 00:21:06,000 Speaker 1: that you're like, m they're probably gonna go home, Like, 441 00:21:06,080 --> 00:21:08,200 Speaker 1: let's be honest, we've seen it happened multiple times where 442 00:21:08,240 --> 00:21:10,520 Speaker 1: both people end up going home, so you I mean, 443 00:21:10,600 --> 00:21:13,880 Speaker 1: I watched it knowing like, Okay, yes he gave McKenna 444 00:21:13,920 --> 00:21:16,719 Speaker 1: the rose, but I was like, she's not sticking around. 445 00:21:17,160 --> 00:21:21,760 Speaker 1: You just you can sense it. And the moment where 446 00:21:22,440 --> 00:21:24,560 Speaker 1: you see the girls, the two girls walk in and 447 00:21:24,600 --> 00:21:27,119 Speaker 1: sit on the couch, I felt like I was watching 448 00:21:27,119 --> 00:21:29,720 Speaker 1: the telenovella once again. I was like, they're gonna start 449 00:21:30,000 --> 00:21:33,600 Speaker 1: like spooning out their scripts, and that's what it felt like. 450 00:21:33,640 --> 00:21:35,640 Speaker 1: I felt like I was transported back to their group 451 00:21:35,680 --> 00:21:40,000 Speaker 1: date because it was just so awkward clearly between them. 452 00:21:40,040 --> 00:21:43,959 Speaker 1: They just like McKenna talks about you know, love, winds 453 00:21:44,000 --> 00:21:46,840 Speaker 1: and kindness and she's stronger and then Tammy's just not 454 00:21:46,880 --> 00:21:49,280 Speaker 1: really saying much at that point, and it was just 455 00:21:49,320 --> 00:21:52,159 Speaker 1: one one big mess, one big two on one mess 456 00:21:52,320 --> 00:21:55,840 Speaker 1: it was. I loved how it was set up. I 457 00:21:55,880 --> 00:21:59,280 Speaker 1: am proud of McKenna for standing up for herself against Tammy, 458 00:21:59,320 --> 00:22:03,639 Speaker 1: because Tammy's Tammy stuff. So I was happy that she 459 00:22:03,680 --> 00:22:06,280 Speaker 1: stood her ground. She said her piece and it worked 460 00:22:06,280 --> 00:22:08,760 Speaker 1: for her. And Peter said, I trust McKenna over Tammy, 461 00:22:08,800 --> 00:22:10,640 Speaker 1: and sant Tammy home. Now this is what was sad 462 00:22:10,680 --> 00:22:14,480 Speaker 1: to me. Tammy made a comment when she was going 463 00:22:14,520 --> 00:22:17,720 Speaker 1: home and said that he just wants a trophy wife 464 00:22:17,760 --> 00:22:21,120 Speaker 1: and I'm not a trophy wife. That hurt me to 465 00:22:21,160 --> 00:22:25,800 Speaker 1: hear Tammy say that because I understood Tammy after once 466 00:22:25,800 --> 00:22:28,760 Speaker 1: she made that comment. I understood her entire actions through 467 00:22:28,800 --> 00:22:33,200 Speaker 1: this entire process. She is extremely insecure. She is confident, 468 00:22:33,400 --> 00:22:36,639 Speaker 1: and she's got her job, and she's ambitious and all 469 00:22:36,720 --> 00:22:40,000 Speaker 1: of that, but she's got some serious insecurities when comparing 470 00:22:40,000 --> 00:22:42,639 Speaker 1: herself to the other women. And she even said, I 471 00:22:42,680 --> 00:22:46,520 Speaker 1: guess he wants that blonde something trophy. It let me 472 00:22:46,600 --> 00:22:50,720 Speaker 1: know that probably growing up she has compared herself to 473 00:22:50,760 --> 00:22:52,919 Speaker 1: women that don't look like her, and she felt like 474 00:22:52,920 --> 00:22:56,119 Speaker 1: a minority in the house, which she is, and she 475 00:22:56,280 --> 00:22:59,720 Speaker 1: felt like I felt like the younger self in her 476 00:23:00,200 --> 00:23:02,680 Speaker 1: coming out when she was making those comments in the car, 477 00:23:02,680 --> 00:23:04,560 Speaker 1: and it was actually really really sad for me to 478 00:23:04,600 --> 00:23:07,879 Speaker 1: watch because I think Tammy is so beautiful and she 479 00:23:07,960 --> 00:23:11,000 Speaker 1: has so much going for and it just seems I 480 00:23:11,080 --> 00:23:13,040 Speaker 1: said this when I was on Next Season, the house 481 00:23:13,080 --> 00:23:15,199 Speaker 1: brings out the best or the worst in year, and 482 00:23:15,240 --> 00:23:17,040 Speaker 1: it seems like it really brought out the worst in 483 00:23:17,160 --> 00:23:20,720 Speaker 1: Tammy and she just fell victim to her insecurity. So 484 00:23:20,920 --> 00:23:23,320 Speaker 1: if Tammy lives inst our podcast, I want her to 485 00:23:23,359 --> 00:23:27,240 Speaker 1: know that you are so beautiful, You are so so 486 00:23:27,240 --> 00:23:29,399 Speaker 1: many things going for You. Don't feel like you have 487 00:23:29,480 --> 00:23:34,640 Speaker 1: to compare yourself to what a stereotypical version of what 488 00:23:34,720 --> 00:23:37,679 Speaker 1: beauty is like. Beauty is so many different things. Beauty 489 00:23:37,760 --> 00:23:39,720 Speaker 1: is in the eye of the beholder, and I want 490 00:23:39,760 --> 00:23:41,840 Speaker 1: her to know that she's a beautiful person. And it 491 00:23:42,359 --> 00:23:44,400 Speaker 1: was so sad for me to sit there and watch 492 00:23:44,440 --> 00:23:47,919 Speaker 1: that Peter didn't send you home because you didn't have 493 00:23:48,000 --> 00:23:51,160 Speaker 1: blonde hair. Peter sent you home because you lost your 494 00:23:51,160 --> 00:23:53,879 Speaker 1: ship in that kind because you had it out for 495 00:23:54,000 --> 00:23:56,440 Speaker 1: the other girls. And in that moment too, it's kind 496 00:23:56,440 --> 00:23:59,439 Speaker 1: of said because she doesn't have to get along and 497 00:23:59,480 --> 00:24:02,000 Speaker 1: she doesn't have to be best friends with the remaining girls, like, 498 00:24:02,359 --> 00:24:04,679 Speaker 1: no one is saying that, but but it kind of 499 00:24:04,680 --> 00:24:07,840 Speaker 1: degrades the other women that are still there, and in 500 00:24:07,880 --> 00:24:12,120 Speaker 1: that moment, it was tough. I will say, though, I 501 00:24:12,119 --> 00:24:14,200 Speaker 1: still have hope for Tammy. I would love to see 502 00:24:14,240 --> 00:24:16,479 Speaker 1: her in Paradise, but like I want her to have 503 00:24:16,480 --> 00:24:19,320 Speaker 1: that redemption story. I want her to maybe form better 504 00:24:19,359 --> 00:24:22,639 Speaker 1: friendships there than she could on this season, because I, 505 00:24:22,840 --> 00:24:25,160 Speaker 1: like you said, I think she kind of spiraled out 506 00:24:25,200 --> 00:24:27,160 Speaker 1: at the very end when she knew it wasn't her. 507 00:24:28,280 --> 00:24:30,120 Speaker 1: So maybe we will, maybe we'll see more of her 508 00:24:30,160 --> 00:24:33,360 Speaker 1: and she can have that redemption story if you want 509 00:24:33,359 --> 00:24:37,320 Speaker 1: to call it that. Yeah, I mean, well, listen, she 510 00:24:37,320 --> 00:24:40,480 Speaker 1: can only go up from here and hopefully that happens 511 00:24:40,480 --> 00:24:43,280 Speaker 1: to her in Paradise with some other Bachelor franchise show 512 00:24:43,400 --> 00:24:45,560 Speaker 1: or just a really over it and just realized I 513 00:24:45,560 --> 00:24:47,320 Speaker 1: don't think she is. I don't think she is at all. 514 00:24:47,600 --> 00:24:50,720 Speaker 1: But we have the rose ceremony, and I was shocked 515 00:24:50,840 --> 00:24:53,560 Speaker 1: by these eliminations. I did, like, I didn't know who 516 00:24:53,600 --> 00:24:55,480 Speaker 1: was on the chopping block. I thought maybe it was Tasha, 517 00:24:55,560 --> 00:24:57,920 Speaker 1: just because Tasha hasn't had a one on one and 518 00:24:57,960 --> 00:24:59,879 Speaker 1: so he hasn't been able to grow his relationship with 519 00:25:00,160 --> 00:25:01,919 Speaker 1: but then he reassures her in that private time, so 520 00:25:01,960 --> 00:25:04,800 Speaker 1: I thought, Okay, my girl, Tasha, she's gonna be safe, 521 00:25:04,880 --> 00:25:08,680 Speaker 1: and she is. But he sends Sydney. I was surprised 522 00:25:08,720 --> 00:25:11,320 Speaker 1: at that one. Now, but we said Sydney and him 523 00:25:11,359 --> 00:25:13,720 Speaker 1: have a physical relationship and it doesn't seem to be much. 524 00:25:13,800 --> 00:25:16,960 Speaker 1: Death seems to be a running theme with several of 525 00:25:16,960 --> 00:25:19,840 Speaker 1: the women here, but obviously that was the case because 526 00:25:19,840 --> 00:25:23,160 Speaker 1: he sends her home. Yes, and that's That's the only 527 00:25:23,240 --> 00:25:24,879 Speaker 1: thing I can think of is that he had this 528 00:25:25,040 --> 00:25:28,080 Speaker 1: moment where he of course, you have to compartmentalize all 529 00:25:28,080 --> 00:25:31,199 Speaker 1: the relationships and tear them out in a way. But 530 00:25:31,280 --> 00:25:34,680 Speaker 1: I think he realized, like, she's beautiful, I'm super attracted 531 00:25:34,680 --> 00:25:37,000 Speaker 1: to her. We have this chemistry, She's this amazing kisser. 532 00:25:37,040 --> 00:25:40,120 Speaker 1: But what's beyond that? And I would love to ask 533 00:25:40,200 --> 00:25:42,200 Speaker 1: him and pick us brand. I can only assume from 534 00:25:42,240 --> 00:25:44,240 Speaker 1: everything that we've saw that that's what it was. But 535 00:25:44,600 --> 00:25:47,640 Speaker 1: hit it and quit it. Sadly, McKenna and Sydney are 536 00:25:47,640 --> 00:25:53,040 Speaker 1: no more. Yeah, girl, girl, I feel sorry for you 537 00:25:53,080 --> 00:25:56,200 Speaker 1: because Peter gave you false hope. But girl, you knew 538 00:25:56,200 --> 00:25:58,600 Speaker 1: you weren't going far past that two on one, right, 539 00:25:58,640 --> 00:26:00,639 Speaker 1: it was the end of the road. I thought he 540 00:26:00,680 --> 00:26:02,280 Speaker 1: was going to cut on both in that two on one, 541 00:26:02,359 --> 00:26:04,560 Speaker 1: to be honest, Yeah, no, no, no, it was It 542 00:26:04,600 --> 00:26:07,480 Speaker 1: was the end of the road, poor McKenna. And it's 543 00:26:07,520 --> 00:26:09,680 Speaker 1: the end of the road for our recap as well. 544 00:26:10,119 --> 00:26:12,080 Speaker 1: So let's get to our cats and rats of the week. 545 00:26:12,160 --> 00:26:15,760 Speaker 1: There are some cats and some rats. Okay, so my 546 00:26:15,840 --> 00:26:19,640 Speaker 1: cat for the week is McKenna. Even though she went home, 547 00:26:19,800 --> 00:26:23,119 Speaker 1: I was really proud to see her stand up for herself. 548 00:26:23,119 --> 00:26:25,720 Speaker 1: I thought what she said when she went home was beautiful. 549 00:26:27,080 --> 00:26:29,520 Speaker 1: She really seems to have found her voice, even though 550 00:26:29,560 --> 00:26:32,879 Speaker 1: it's it's sad because it's late. That was the end. 551 00:26:32,880 --> 00:26:34,000 Speaker 1: That was the last thing we were going to hear 552 00:26:34,040 --> 00:26:36,480 Speaker 1: from her, at least on Peter's season. But I was 553 00:26:36,520 --> 00:26:39,199 Speaker 1: proud of her. I like to see people stand up 554 00:26:39,240 --> 00:26:42,600 Speaker 1: for themselves. And my rat, I mean, it's gotta go 555 00:26:42,680 --> 00:26:46,639 Speaker 1: to it's Tammy. It's Tammy. You know, she lost herself. 556 00:26:46,640 --> 00:26:49,160 Speaker 1: I feel bad again what I said. What I said, 557 00:26:49,160 --> 00:26:51,960 Speaker 1: and imant it, but she really had it in for 558 00:26:52,080 --> 00:26:55,159 Speaker 1: praying on certain people and I didn't like that side 559 00:26:55,160 --> 00:26:58,000 Speaker 1: of her. So I agree. I would agree with both 560 00:26:58,080 --> 00:27:01,200 Speaker 1: of those I would also say, just because he gave 561 00:27:01,240 --> 00:27:05,040 Speaker 1: me some comedic relief. Um my cat was Kelly as 562 00:27:05,119 --> 00:27:07,760 Speaker 1: the a boiler Kelly, because that was good. She she 563 00:27:07,800 --> 00:27:10,440 Speaker 1: did well, she nailed that role. And then my rat, 564 00:27:10,520 --> 00:27:12,919 Speaker 1: I would say, Tammy, it was just as much as 565 00:27:12,920 --> 00:27:14,920 Speaker 1: I wanted her to not be. You know, we saw 566 00:27:15,000 --> 00:27:16,920 Speaker 1: go down, we saw the drama, we saw her kind 567 00:27:16,920 --> 00:27:20,920 Speaker 1: of spiral out. So hopefully again paradise that redemption story. 568 00:27:20,920 --> 00:27:22,880 Speaker 1: I'd love to see some more of her. We used 569 00:27:22,880 --> 00:27:27,600 Speaker 1: to love Tammy, loved Tammy all right, so much hope. 570 00:27:27,680 --> 00:27:30,679 Speaker 1: Let's pour one out for Tammy and McKenna. All right, 571 00:27:30,800 --> 00:27:34,080 Speaker 1: So next week it's looking like it's gonna be good 572 00:27:34,119 --> 00:27:36,440 Speaker 1: these previous ones. Don't you film this week? I mean 573 00:27:36,440 --> 00:27:39,520 Speaker 1: this season more than ever. The previews you hanging on 574 00:27:39,560 --> 00:27:42,520 Speaker 1: the end of their seat, yes, or your seat, your seat. 575 00:27:42,680 --> 00:27:45,560 Speaker 1: Garrett were watching the preview together and he's like he's 576 00:27:45,640 --> 00:27:47,680 Speaker 1: literally grabbing my leg and squeezing and they're like, oh 577 00:27:47,680 --> 00:27:50,440 Speaker 1: my gosh, what what what? What? What? He's waiting, This 578 00:27:50,480 --> 00:27:52,840 Speaker 1: is Garrettson. He's waiting for the moment when Barbe comes 579 00:27:52,880 --> 00:27:56,080 Speaker 1: back on, when she's like, just bring her home to us, 580 00:27:56,080 --> 00:27:57,879 Speaker 1: Like that's what He's like, who is she talking? We 581 00:27:57,960 --> 00:28:01,000 Speaker 1: know when that's coming. That's gonna be the last episode. Yeah, Becca, 582 00:28:01,160 --> 00:28:03,359 Speaker 1: that was a lot to digest. You had your notes, 583 00:28:03,520 --> 00:28:05,879 Speaker 1: we had opinions, we had an outline. We had a 584 00:28:05,920 --> 00:28:07,959 Speaker 1: lot to get into. But we have been waiting on 585 00:28:08,000 --> 00:28:14,560 Speaker 1: the line. We have the wonderful mister Ben Higgins, Ben welcolcome. 586 00:28:15,400 --> 00:28:19,960 Speaker 1: First time on the show. Yeah, first time guest, not 587 00:28:20,160 --> 00:28:24,879 Speaker 1: first time caller. Big fans of you both, be gotcha. 588 00:28:25,000 --> 00:28:28,160 Speaker 1: Flattery will get you far here, Ben, So we appreciate that. 589 00:28:28,400 --> 00:28:32,560 Speaker 1: Ben smooth um. Yeah, Beca, I can't shake you. I 590 00:28:32,600 --> 00:28:34,040 Speaker 1: feel like we're gonna be spending a lot of time 591 00:28:34,080 --> 00:28:37,360 Speaker 1: together soon. Yeah, for three three whole months everyone. So 592 00:28:38,160 --> 00:28:40,000 Speaker 1: you know, Ben and I just spent a week together 593 00:28:40,040 --> 00:28:42,360 Speaker 1: in New York doing press for Bachelor Live on stage, 594 00:28:42,360 --> 00:28:44,720 Speaker 1: so we and you know, we've talked about The Bachelor 595 00:28:44,760 --> 00:28:47,400 Speaker 1: at length. So I can't wait to share some of 596 00:28:47,440 --> 00:28:50,280 Speaker 1: the insider tidbits that we've been you know, bouncing off 597 00:28:50,320 --> 00:28:52,360 Speaker 1: of each other and talking about. So here we go. 598 00:28:52,440 --> 00:28:56,200 Speaker 1: I'm just excited to have you here. Oh let's do it. Yeah, Ben, 599 00:28:56,200 --> 00:28:59,120 Speaker 1: don't hold back, Like, let's just get at it. I 600 00:28:59,400 --> 00:29:02,240 Speaker 1: just go there's a lot to talk about this season, 601 00:29:02,880 --> 00:29:06,080 Speaker 1: like off the top, are you enjoying it or not? 602 00:29:06,400 --> 00:29:10,920 Speaker 1: Because I feel like people have mixed reviews about this season. Yeah, 603 00:29:10,920 --> 00:29:13,480 Speaker 1: you know what, I think I've put a lot of 604 00:29:13,520 --> 00:29:16,560 Speaker 1: thought into this in my life, and I think we 605 00:29:16,560 --> 00:29:20,040 Speaker 1: went into this season with insanely high expectations. Peter is 606 00:29:20,080 --> 00:29:23,080 Speaker 1: a good dude, he's a nice guy. We want to 607 00:29:23,120 --> 00:29:27,000 Speaker 1: see him succeed, we want to see him flourish. The 608 00:29:27,120 --> 00:29:30,800 Speaker 1: women from really Week one kind of captivated us because 609 00:29:31,040 --> 00:29:35,040 Speaker 1: they were a little bit dramatic, they had intense storylines, 610 00:29:35,080 --> 00:29:36,560 Speaker 1: and so I think all of us as fans went 611 00:29:36,560 --> 00:29:38,080 Speaker 1: into being like, this is going to be the greatest 612 00:29:38,080 --> 00:29:41,040 Speaker 1: season ever. And I can't say it hasn't been. I 613 00:29:41,080 --> 00:29:43,760 Speaker 1: just don't think we've gotten there yet. We haven't yet 614 00:29:43,800 --> 00:29:46,960 Speaker 1: seen a love story. But I'll tell you this because 615 00:29:46,960 --> 00:29:48,520 Speaker 1: I'm not going to go on and on, I'll keep 616 00:29:48,560 --> 00:29:51,960 Speaker 1: these short. This was the week and I don't know 617 00:29:52,080 --> 00:29:54,840 Speaker 1: exactly why. Maybe we can find out why, but this 618 00:29:54,920 --> 00:29:57,600 Speaker 1: was the week for whatever reason. I'm really excited to 619 00:29:58,080 --> 00:29:59,840 Speaker 1: watch next weeks Like this is the first time I've 620 00:29:59,840 --> 00:30:01,840 Speaker 1: been Oh, I can't wait till next week's come out. 621 00:30:01,880 --> 00:30:04,640 Speaker 1: I hadn't had that feeling yet, but after these two episodes, 622 00:30:05,120 --> 00:30:07,280 Speaker 1: now I'm on edge waiting for that next episode to 623 00:30:07,280 --> 00:30:11,360 Speaker 1: come out. Before before we keep going, I think someone's 624 00:30:11,400 --> 00:30:14,000 Speaker 1: really upset that we didn't introduce them. We do have 625 00:30:14,040 --> 00:30:17,239 Speaker 1: another co host here as well, Minno is joining us 626 00:30:17,240 --> 00:30:20,440 Speaker 1: in bastlor Happy Hour, and Minno we apologize. That's why 627 00:30:20,480 --> 00:30:22,680 Speaker 1: she continues to bark because we did not acknowledge her 628 00:30:22,720 --> 00:30:26,600 Speaker 1: presence in the podcast. So Minno, we Minno, don't worry. 629 00:30:26,640 --> 00:30:30,160 Speaker 1: You will have your shine. Yeah, she's a diva, she 630 00:30:30,280 --> 00:30:33,280 Speaker 1: needs to be heard. But but Ben, so going into 631 00:30:33,320 --> 00:30:37,480 Speaker 1: this season, I think people I think, you know, we're 632 00:30:37,480 --> 00:30:40,120 Speaker 1: excited to see Peter, but for a specific reason and 633 00:30:40,200 --> 00:30:44,680 Speaker 1: because they say Peter is much like a younger version 634 00:30:44,680 --> 00:30:49,720 Speaker 1: of Ben Higgins. And I think I think people saw 635 00:30:49,760 --> 00:30:52,160 Speaker 1: that because you guys are both very sweet. You just 636 00:30:52,400 --> 00:30:55,280 Speaker 1: seem to have big hearts and kind souls. I think 637 00:30:55,360 --> 00:30:57,320 Speaker 1: from the more that I get to know you and 638 00:30:57,360 --> 00:30:59,040 Speaker 1: the more that I get to see of Peter, I 639 00:30:59,040 --> 00:31:02,160 Speaker 1: wouldn't necessary agree. I think you guys handle things very 640 00:31:02,240 --> 00:31:06,840 Speaker 1: very differently. But I talking about this week and I 641 00:31:06,920 --> 00:31:09,719 Speaker 1: just think, like, Okay, if Ben was now in Peter's shoes, 642 00:31:10,000 --> 00:31:13,160 Speaker 1: what would he do, who would he gravitate towards? How 643 00:31:13,160 --> 00:31:16,280 Speaker 1: would he handle the drama? And so putting yourself in 644 00:31:16,280 --> 00:31:18,480 Speaker 1: Peter's position this season, so you had this whole new 645 00:31:18,480 --> 00:31:21,080 Speaker 1: group of girls, how would you handle some of this 646 00:31:21,160 --> 00:31:25,040 Speaker 1: conflict and drama that's going on? Good question. Well, I've 647 00:31:25,040 --> 00:31:27,960 Speaker 1: always said, you know, it's it's great. I think one 648 00:31:28,040 --> 00:31:29,960 Speaker 1: thing that Peter and I have in common, and I 649 00:31:30,000 --> 00:31:33,680 Speaker 1: think what you and Rachel had in common also based 650 00:31:33,680 --> 00:31:35,480 Speaker 1: on your successes. I think we all went into it 651 00:31:35,560 --> 00:31:39,720 Speaker 1: knowing what this is. Right. It's it's an experience, one 652 00:31:39,760 --> 00:31:42,800 Speaker 1: that will have ups and downs, one that at times 653 00:31:42,840 --> 00:31:45,040 Speaker 1: will be dramatic and I'll make you want to pull 654 00:31:45,120 --> 00:31:48,840 Speaker 1: your hair, but ultimately, at the end of it, something 655 00:31:48,880 --> 00:31:51,640 Speaker 1: good could happen, Like this could really shake up life 656 00:31:51,640 --> 00:31:54,280 Speaker 1: in a beautiful way, especially if you find your partner. 657 00:31:54,800 --> 00:31:57,640 Speaker 1: And I think all four of us in that we're 658 00:31:57,640 --> 00:31:59,680 Speaker 1: speaking of right now had that in common. And I 659 00:31:59,680 --> 00:32:01,560 Speaker 1: think if you have that, you're off to a good start. 660 00:32:01,600 --> 00:32:03,440 Speaker 1: I think the second thing is the mark of a 661 00:32:03,440 --> 00:32:07,400 Speaker 1: good bachelorat or bachelor, is how you handle conflict. Because 662 00:32:07,440 --> 00:32:10,920 Speaker 1: conflict is kind of unseen a lot of times it's 663 00:32:11,000 --> 00:32:13,840 Speaker 1: unexpected on this show. The one thing that we could 664 00:32:13,920 --> 00:32:16,440 Speaker 1: knock Peter for is not how kind he's being, which 665 00:32:16,480 --> 00:32:20,200 Speaker 1: is super which is super important here, or not how 666 00:32:20,280 --> 00:32:23,600 Speaker 1: much he respects the women, which he obviously does. It's 667 00:32:23,640 --> 00:32:26,479 Speaker 1: the one knock on Peter and I would say assume 668 00:32:26,560 --> 00:32:30,560 Speaker 1: is he hasn't confronted the conflict to get rid of it. Instead, 669 00:32:30,600 --> 00:32:33,080 Speaker 1: he's just kind of perpetuating the inevitable, which is that 670 00:32:33,120 --> 00:32:34,720 Speaker 1: it's going to continue to get bigger and bigger and 671 00:32:34,720 --> 00:32:36,680 Speaker 1: bigger until he has to put his foot down. He 672 00:32:36,680 --> 00:32:41,080 Speaker 1: just doesn't have another option, and I'm hoping that over 673 00:32:41,200 --> 00:32:43,880 Speaker 1: time we see him get better and better at that 674 00:32:44,280 --> 00:32:45,680 Speaker 1: to ultimately get him where he wants to be at 675 00:32:45,680 --> 00:32:47,840 Speaker 1: the end. But how I would handle this To answer 676 00:32:47,880 --> 00:32:51,160 Speaker 1: your question, I think anytime conflict came up during my 677 00:32:51,280 --> 00:32:56,200 Speaker 1: time on the show, immediately as soon as there is drama, 678 00:32:56,280 --> 00:32:58,640 Speaker 1: as soon as somebody said somebody's acting a certain way, 679 00:32:58,680 --> 00:33:01,680 Speaker 1: as soon as you heard an argument going on, my 680 00:33:01,720 --> 00:33:03,800 Speaker 1: first reaction was to always try to pull away from 681 00:33:03,840 --> 00:33:07,040 Speaker 1: it and analyze it, think about it, process it, put 682 00:33:07,040 --> 00:33:09,520 Speaker 1: the pieces together so that I'm not just running into 683 00:33:09,560 --> 00:33:12,000 Speaker 1: what everybody's saying or I'm not just running into the argument. 684 00:33:12,560 --> 00:33:14,280 Speaker 1: I'm able to take a step back and look at 685 00:33:14,320 --> 00:33:17,600 Speaker 1: the situation as a whole and try at that point 686 00:33:17,680 --> 00:33:21,000 Speaker 1: then to navigate it to some place of healthiness. But 687 00:33:21,200 --> 00:33:24,240 Speaker 1: in healthiness to me was just peace, peacefulness in the house. 688 00:33:24,320 --> 00:33:28,080 Speaker 1: But I think right now Peter's one thing is he's 689 00:33:28,080 --> 00:33:30,560 Speaker 1: just kind of running straightforward into it and then once 690 00:33:30,560 --> 00:33:32,520 Speaker 1: he gets into it, it's impossible to get out instead 691 00:33:32,520 --> 00:33:35,960 Speaker 1: of pulling away and analyzing the whole situation. One thing 692 00:33:36,160 --> 00:33:38,600 Speaker 1: I want to ask you this Ben, as you know 693 00:33:38,680 --> 00:33:41,000 Speaker 1: the mail on the line, and then Rich ask you 694 00:33:41,040 --> 00:33:44,680 Speaker 1: this too. So when I was about Surette, you know 695 00:33:44,720 --> 00:33:47,360 Speaker 1: it didn't happen all that often that this came up. 696 00:33:47,400 --> 00:33:50,120 Speaker 1: But you know, there's always the moments where someone will 697 00:33:50,120 --> 00:33:52,360 Speaker 1: come to you and and talk about someone else. They'll say, well, 698 00:33:52,400 --> 00:33:55,280 Speaker 1: so and so did this, or they said that. It's 699 00:33:55,360 --> 00:33:59,080 Speaker 1: happening so much with Peter. I think every conversation he 700 00:33:59,120 --> 00:34:01,600 Speaker 1: has with the girls talking about someone else, and for me, 701 00:34:02,440 --> 00:34:05,080 Speaker 1: that is just personally a huge turn off. And I 702 00:34:05,120 --> 00:34:07,040 Speaker 1: want to know for you, when you were the Bachelor, 703 00:34:07,080 --> 00:34:09,759 Speaker 1: if that happened, did you take it as okay? This 704 00:34:09,840 --> 00:34:12,279 Speaker 1: girl's kind of you know, telling on this other girl 705 00:34:12,320 --> 00:34:14,759 Speaker 1: and found it immature or did you appreciate it to 706 00:34:14,840 --> 00:34:17,440 Speaker 1: kind of know what was going on and figure it 707 00:34:17,480 --> 00:34:19,680 Speaker 1: out for yourself, Because when that would happen, I was like, Ah, 708 00:34:19,760 --> 00:34:24,360 Speaker 1: don't waste your time talking about someone else to me. Yeah, Rachel, 709 00:34:24,400 --> 00:34:25,919 Speaker 1: I really want to hear your thoughts here. But I'll 710 00:34:25,960 --> 00:34:31,600 Speaker 1: say this, I you know, and this is going to 711 00:34:31,680 --> 00:34:33,600 Speaker 1: get super Just deal with me here for a second. 712 00:34:33,600 --> 00:34:35,480 Speaker 1: I'm not trying to get super Christian ease on you here, 713 00:34:35,920 --> 00:34:37,680 Speaker 1: but I'm going to have to. So I have a 714 00:34:37,760 --> 00:34:40,920 Speaker 1: principle in my life that I try to stick by. 715 00:34:41,040 --> 00:34:42,880 Speaker 1: Do a terrible job at it, but I try to. 716 00:34:43,520 --> 00:34:46,560 Speaker 1: And it's to not murder somebody's name when you're talking 717 00:34:46,920 --> 00:34:49,560 Speaker 1: about them to somebody else, Like it is really important 718 00:34:49,880 --> 00:34:52,680 Speaker 1: to allow them into the conversation when you have conflict 719 00:34:52,840 --> 00:34:55,160 Speaker 1: or when you have an issue with somebody. And I 720 00:34:55,160 --> 00:34:57,520 Speaker 1: believe the same thing principle goes to who I want 721 00:34:57,600 --> 00:35:01,040 Speaker 1: my partner, like Jessica for example, right now, there has 722 00:35:01,080 --> 00:35:03,319 Speaker 1: probably been there. I don't think there has been an 723 00:35:03,320 --> 00:35:05,960 Speaker 1: occasion that I can think of in our year together 724 00:35:06,320 --> 00:35:08,520 Speaker 1: that she has came to me kind of bad mouthing 725 00:35:08,600 --> 00:35:10,560 Speaker 1: somebody else she might come to me and say, man, 726 00:35:10,600 --> 00:35:13,320 Speaker 1: I'm just frustrated. I don't get it. You know this person, 727 00:35:13,360 --> 00:35:14,960 Speaker 1: I'm just not understanding them. I feel like we're not 728 00:35:14,960 --> 00:35:17,040 Speaker 1: in the same page. But there's never been this. That 729 00:35:17,080 --> 00:35:20,520 Speaker 1: girl's crazy, like that girl's whacked out, Like that's never 730 00:35:21,040 --> 00:35:22,960 Speaker 1: something that comes through her mouth. And I love that 731 00:35:23,000 --> 00:35:24,839 Speaker 1: about her because it allows me to love that other 732 00:35:24,880 --> 00:35:27,399 Speaker 1: person and respect the other person more. And so when 733 00:35:27,400 --> 00:35:29,600 Speaker 1: that would happen on the show, I don't really love it. 734 00:35:29,719 --> 00:35:31,440 Speaker 1: I don't get it. I don't like it, and it 735 00:35:31,480 --> 00:35:34,000 Speaker 1: feels like it's setting that other person back without them 736 00:35:34,000 --> 00:35:37,040 Speaker 1: ever having a chance to explain themselves in me. So basically, 737 00:35:37,040 --> 00:35:39,120 Speaker 1: you don't like the season, because that is the whole season. 738 00:35:39,480 --> 00:35:41,160 Speaker 1: I'm just gonna go ahead and put words in your 739 00:35:41,160 --> 00:35:43,960 Speaker 1: mouth because we Rachel you your spot. I mean not 740 00:35:44,080 --> 00:35:45,719 Speaker 1: that I don't like the season. Now, I watch this 741 00:35:45,760 --> 00:35:49,319 Speaker 1: season because I'm entertained, like very entertaining. Yes, it's like 742 00:35:49,360 --> 00:35:53,839 Speaker 1: your Housewives, and I'm a fan. I like, I appreciate 743 00:35:53,880 --> 00:35:57,480 Speaker 1: the cattiness, but I feel bad for Peter. That's it. Yeah, 744 00:35:57,520 --> 00:35:59,000 Speaker 1: So like I'm not going to say I don't like 745 00:35:59,040 --> 00:36:02,320 Speaker 1: this season as which just like I feel bad for Peter. 746 00:36:03,840 --> 00:36:07,920 Speaker 1: Quite honestly, this is my take. I don't think there's 747 00:36:08,280 --> 00:36:13,120 Speaker 1: and if unless Victoria comes through and shows herself to 748 00:36:13,200 --> 00:36:16,280 Speaker 1: be like just or Hannah An maybe still which Victoria, 749 00:36:16,320 --> 00:36:18,319 Speaker 1: if there's any other women there that I'm looking at 750 00:36:18,360 --> 00:36:20,680 Speaker 1: being like you've shown yourself to be, you know, a 751 00:36:20,719 --> 00:36:24,839 Speaker 1: partner for Peter. Oh, I'm entertained. But as somebody's been 752 00:36:24,880 --> 00:36:26,960 Speaker 1: in the show before and somebody really likes Peter and 753 00:36:27,000 --> 00:36:30,600 Speaker 1: wants to see this like go well for him, and 754 00:36:30,760 --> 00:36:34,040 Speaker 1: I'm frustrated it's awkward to watch. I don't think I 755 00:36:34,040 --> 00:36:35,880 Speaker 1: would want to be in the situation, you know. I 756 00:36:35,920 --> 00:36:39,040 Speaker 1: will say though, I think Madison is a top contender. 757 00:36:39,080 --> 00:36:41,759 Speaker 1: I think she's the first one who had the very 758 00:36:41,800 --> 00:36:46,239 Speaker 1: first day with him, and now she's kind of fallen off, 759 00:36:46,760 --> 00:36:48,839 Speaker 1: fallen off the radar a little bit, but I think 760 00:36:48,880 --> 00:36:51,560 Speaker 1: that's only because they're kind of hiding not hiding her, 761 00:36:51,800 --> 00:36:53,920 Speaker 1: but a little bit removed from the drama. But I 762 00:36:53,960 --> 00:36:57,000 Speaker 1: think when they're together it's something really special. And she's 763 00:36:57,040 --> 00:36:59,280 Speaker 1: the only one right now that I could really see 764 00:36:59,680 --> 00:37:01,839 Speaker 1: wife potential. No no, Ben, when you and I were 765 00:37:01,840 --> 00:37:03,480 Speaker 1: in New York together, we were kind of saying like, 766 00:37:03,520 --> 00:37:05,640 Speaker 1: it's really tough to see someone for him right now, 767 00:37:05,640 --> 00:37:08,399 Speaker 1: and it's really tough to see a bachelor at lead 768 00:37:08,480 --> 00:37:10,160 Speaker 1: come from this group of girls right now. It's just 769 00:37:10,239 --> 00:37:13,200 Speaker 1: it's hard to picture only because we haven't gotten to 770 00:37:13,239 --> 00:37:16,319 Speaker 1: know them. For them, it's been so much around the drama. 771 00:37:16,400 --> 00:37:19,080 Speaker 1: But I think Madison is one that, yes, she's kind 772 00:37:19,080 --> 00:37:22,080 Speaker 1: of hidden and she's not in the limelight and the 773 00:37:22,200 --> 00:37:24,560 Speaker 1: drama and the craziness right now, but I think that 774 00:37:24,920 --> 00:37:28,360 Speaker 1: there's something there between them, and you know, we just 775 00:37:28,400 --> 00:37:30,560 Speaker 1: haven't been allowed to see it because of all of 776 00:37:30,560 --> 00:37:34,480 Speaker 1: the cattiness going on. Question. I always forget about Madison. 777 00:37:34,560 --> 00:37:37,440 Speaker 1: You always always I always say this like Victorian Hannah, 778 00:37:37,440 --> 00:37:39,879 Speaker 1: and and then somebody always goes, what about Madison. I'm like, oh, yeah, 779 00:37:39,880 --> 00:37:42,319 Speaker 1: that works. She's great. Um, we just haven't seen her. 780 00:37:42,360 --> 00:37:44,959 Speaker 1: And Brian, if you're not messy, you're not getting sane. 781 00:37:45,120 --> 00:37:48,600 Speaker 1: That's kind of theme the theme this season, right Like, 782 00:37:48,719 --> 00:37:51,839 Speaker 1: as far as far as the women are concerned. Question, though, 783 00:37:52,200 --> 00:37:56,719 Speaker 1: we talked about Peter's conflict resolution or the lack thereof, 784 00:37:57,280 --> 00:37:59,080 Speaker 1: and it doesn't just seem to be just with Peter. 785 00:37:59,120 --> 00:38:00,920 Speaker 1: It seems to be with the women as well, because 786 00:38:01,160 --> 00:38:03,319 Speaker 1: they don't seem to be able to get along. There's 787 00:38:03,320 --> 00:38:07,360 Speaker 1: just mean girls. Right now. Here's my thing, I think, 788 00:38:07,520 --> 00:38:09,799 Speaker 1: and I know Peter. I get to speak with him. 789 00:38:10,760 --> 00:38:12,799 Speaker 1: I think he's a really nice dude, and I think 790 00:38:12,840 --> 00:38:15,000 Speaker 1: he really cares about this experience, and I think he 791 00:38:15,040 --> 00:38:17,520 Speaker 1: really wants to see at work. I don't think he's 792 00:38:17,560 --> 00:38:20,719 Speaker 1: great at conflict. I don't think he expected so much conflict. 793 00:38:21,800 --> 00:38:23,879 Speaker 1: The one thing that Peter has is he walked into 794 00:38:23,920 --> 00:38:26,000 Speaker 1: this this thinking this was going to be like a 795 00:38:26,040 --> 00:38:28,640 Speaker 1: really magical like experience, and I hope it is at 796 00:38:28,640 --> 00:38:31,399 Speaker 1: the end, but we all know that's not really nice 797 00:38:31,440 --> 00:38:35,200 Speaker 1: while you're in it. It's not magical. It sucks sometimes, 798 00:38:35,200 --> 00:38:37,200 Speaker 1: but it's not real life. And I know he came 799 00:38:37,239 --> 00:38:39,239 Speaker 1: to you to seek advice, and I don't know if 800 00:38:39,239 --> 00:38:41,200 Speaker 1: you told him that or not. But I think the 801 00:38:41,239 --> 00:38:43,480 Speaker 1: beauty the gifts in the Curse of Peter is that 802 00:38:43,520 --> 00:38:47,200 Speaker 1: he is so optimistic that it's beautiful for this type 803 00:38:47,200 --> 00:38:51,000 Speaker 1: of experience, but then he's not realistic about how this 804 00:38:51,080 --> 00:38:54,879 Speaker 1: experience can also be. And I think that it's there's 805 00:38:54,920 --> 00:38:57,000 Speaker 1: something that you said, Oh, you brought up a really 806 00:38:57,000 --> 00:38:59,600 Speaker 1: good point about him not asking the right questions I 807 00:38:59,640 --> 00:39:01,560 Speaker 1: think that's true, and that's a huge red flag for 808 00:39:01,640 --> 00:39:03,960 Speaker 1: me when it comes to this season, because to be 809 00:39:04,200 --> 00:39:07,800 Speaker 1: successful at the end of this you have to ask 810 00:39:07,880 --> 00:39:11,280 Speaker 1: the right questions. Right If you're not asking those things, 811 00:39:11,280 --> 00:39:14,960 Speaker 1: how are you preparing? Because I feel like no offense 812 00:39:15,040 --> 00:39:17,600 Speaker 1: been But I feel like where the men really suck 813 00:39:17,640 --> 00:39:21,279 Speaker 1: at this is that you guys get caught up in 814 00:39:21,320 --> 00:39:23,080 Speaker 1: the world that you're in when you're on the show, 815 00:39:23,560 --> 00:39:25,919 Speaker 1: and that you don't think about how does this work 816 00:39:25,960 --> 00:39:28,839 Speaker 1: in real life? And I'm using general, not saying you specifically, 817 00:39:29,120 --> 00:39:31,400 Speaker 1: And that's my fear with Peter. He is so caught 818 00:39:31,480 --> 00:39:33,560 Speaker 1: up in this that are you thinking and asking the 819 00:39:33,600 --> 00:39:36,440 Speaker 1: right questions of how this can work in real life? 820 00:39:37,200 --> 00:39:39,560 Speaker 1: That is why I'm afraid now that he won't be 821 00:39:39,600 --> 00:39:42,520 Speaker 1: successful on this show. When I said before he was gonna, 822 00:39:42,920 --> 00:39:45,000 Speaker 1: you know, like have five women that he's into it, 823 00:39:45,040 --> 00:39:48,240 Speaker 1: and it does seem that way, but it's not looking 824 00:39:48,280 --> 00:39:50,640 Speaker 1: too good and he doesn't have a good crop of 825 00:39:50,640 --> 00:39:53,480 Speaker 1: women to choose from. Sorry, people are going to say 826 00:39:53,480 --> 00:39:55,360 Speaker 1: that I'm not supporting women when I say that, but 827 00:39:55,520 --> 00:39:59,279 Speaker 1: I mean, but I agree, like the drama is distracting 828 00:39:59,400 --> 00:40:01,600 Speaker 1: him to get to ask the right questions, like he 829 00:40:01,640 --> 00:40:03,920 Speaker 1: hasn't just sat down and been like, Okay, I like 830 00:40:04,040 --> 00:40:06,160 Speaker 1: you like me? Like how? Like where are you from? 831 00:40:06,200 --> 00:40:08,200 Speaker 1: How do our lives combine after this? Like what are 832 00:40:08,200 --> 00:40:10,040 Speaker 1: you looking for in your career after this? If if 833 00:40:10,080 --> 00:40:12,600 Speaker 1: we'd end up together? And I will say, just from 834 00:40:12,600 --> 00:40:15,440 Speaker 1: my experience, especially when I was on The Bachelor, that 835 00:40:15,480 --> 00:40:19,520 Speaker 1: didn't come until my second, I think second or third 836 00:40:19,840 --> 00:40:22,240 Speaker 1: one on one with Ari, when we were finally alone 837 00:40:22,239 --> 00:40:24,200 Speaker 1: and I was like, Okay, this is now getting serious. 838 00:40:24,480 --> 00:40:26,520 Speaker 1: And Peter is just not allowed to get to that 839 00:40:26,560 --> 00:40:29,520 Speaker 1: point because of all of this chaos going on about 840 00:40:30,080 --> 00:40:35,759 Speaker 1: champagne bottles and ex boyfriends and all of the all 841 00:40:35,840 --> 00:40:39,120 Speaker 1: the things. Do you think Ben has been sorry? I 842 00:40:39,239 --> 00:40:43,600 Speaker 1: did it? Ben? Peter been to point in Do you 843 00:40:43,719 --> 00:40:47,399 Speaker 1: think Peter is a good judge of character? I think 844 00:40:47,400 --> 00:40:49,320 Speaker 1: it's do I think he's a good judge of character 845 00:40:50,200 --> 00:40:52,719 Speaker 1: in life? I do think he is. I think he 846 00:40:52,880 --> 00:40:55,640 Speaker 1: is in when in this experience I think your spot 847 00:40:55,640 --> 00:40:58,319 Speaker 1: on Rachel where he's caught up. I think it's hard 848 00:40:58,360 --> 00:41:01,680 Speaker 1: to judge character at all when you're not being able 849 00:41:01,719 --> 00:41:04,799 Speaker 1: to ask those questions, when every conversation we see is 850 00:41:04,800 --> 00:41:08,040 Speaker 1: focused on somebody else and and this was not a 851 00:41:08,120 --> 00:41:10,720 Speaker 1: small moment for me. I think it happened in episode five, 852 00:41:10,840 --> 00:41:13,279 Speaker 1: and I believe it was with Sydney. I don't know 853 00:41:13,280 --> 00:41:16,400 Speaker 1: if for certain, but there's this conversation that he was 854 00:41:16,440 --> 00:41:19,120 Speaker 1: having with her, and she said to him, Peter, you 855 00:41:19,200 --> 00:41:22,680 Speaker 1: don't know me and I don't know you, and you 856 00:41:22,719 --> 00:41:24,759 Speaker 1: don't see that this far in the season. Quite often, 857 00:41:24,800 --> 00:41:26,960 Speaker 1: I would say the first four weeks are like survival 858 00:41:26,960 --> 00:41:30,080 Speaker 1: of the fittest, like just try to stay around, and 859 00:41:30,120 --> 00:41:33,000 Speaker 1: then after that you really do start to know the 860 00:41:33,080 --> 00:41:36,400 Speaker 1: other people or the people within the group. And I 861 00:41:36,440 --> 00:41:40,200 Speaker 1: think she was speaking to something like every cocktail party, 862 00:41:40,800 --> 00:41:44,440 Speaker 1: every group date, every time, like there is a moment 863 00:41:44,440 --> 00:41:47,560 Speaker 1: for us to get together, there's something that pulls you away, 864 00:41:47,719 --> 00:41:49,879 Speaker 1: something else on your mind, something else that you're trying 865 00:41:49,880 --> 00:41:53,760 Speaker 1: to work through. Because this whole thing is so chaotic. 866 00:41:53,800 --> 00:41:57,200 Speaker 1: There's so many different storylines going on of drama right 867 00:41:57,239 --> 00:41:59,960 Speaker 1: now that I don't know, to go back to your 868 00:42:00,080 --> 00:42:02,879 Speaker 1: question if he's had the chance to judge character or 869 00:42:02,880 --> 00:42:06,279 Speaker 1: even get to start those questions that point to who 870 00:42:06,360 --> 00:42:10,319 Speaker 1: somebody is, because there's never like getting to we don't 871 00:42:10,400 --> 00:42:12,880 Speaker 1: know one person from this show very well, yet not 872 00:42:13,000 --> 00:42:15,640 Speaker 1: one I would argue that we haven't had one like 873 00:42:15,760 --> 00:42:18,879 Speaker 1: contestant that we are like all rooting for right now 874 00:42:20,560 --> 00:42:22,600 Speaker 1: after someone on once. But can't you say that that 875 00:42:22,640 --> 00:42:24,960 Speaker 1: means that he's kind of not a good judge because 876 00:42:24,960 --> 00:42:29,759 Speaker 1: he is keeping the drama around, like he can't get 877 00:42:29,800 --> 00:42:33,319 Speaker 1: to the root of it, of the person who could 878 00:42:33,320 --> 00:42:36,960 Speaker 1: potentially be his wife, because he is keeping these people around. 879 00:42:37,000 --> 00:42:39,919 Speaker 1: Like if I'm a female in that house, I would 880 00:42:39,920 --> 00:42:43,400 Speaker 1: be questioning Peter at this point like why are they here? Oh? 881 00:42:43,400 --> 00:42:45,640 Speaker 1: Why is she here? It's, you know the same way 882 00:42:45,640 --> 00:42:48,520 Speaker 1: people did with Hannah Bright and Luke pe why is 883 00:42:48,560 --> 00:42:50,359 Speaker 1: he here? I'm starting to look at you and say, 884 00:42:50,400 --> 00:42:51,960 Speaker 1: you know what, maybe you're not the best judge of 885 00:42:51,960 --> 00:42:54,600 Speaker 1: the character. Yeah, And I would question and and we've 886 00:42:54,640 --> 00:42:57,560 Speaker 1: seen the girls like, well, he's keeping so and so around, 887 00:42:57,960 --> 00:43:02,400 Speaker 1: But she's completely different from I am. She's immature, she's 888 00:43:02,719 --> 00:43:05,319 Speaker 1: fixated on some sort of drama. I would question, like 889 00:43:05,320 --> 00:43:07,120 Speaker 1: what is he looking for? Like what is his type? 890 00:43:07,160 --> 00:43:11,320 Speaker 1: What does he wanting a partner right now? It's confusing 891 00:43:11,360 --> 00:43:13,759 Speaker 1: for us viewers. Kelly said it, That's why I'm like, 892 00:43:13,840 --> 00:43:17,000 Speaker 1: I am Kelly, Kelly is me? Kelly's like listen I'm 893 00:43:17,040 --> 00:43:19,279 Speaker 1: different from the women that are you know, I'm just 894 00:43:19,640 --> 00:43:21,319 Speaker 1: in a different space in my life. And I think 895 00:43:21,640 --> 00:43:25,759 Speaker 1: that that's why she seems so disinterested, because there's just 896 00:43:25,840 --> 00:43:27,799 Speaker 1: such a disconnect with her and the other women in 897 00:43:27,800 --> 00:43:30,759 Speaker 1: the household versus how she is in real life, which 898 00:43:30,840 --> 00:43:32,560 Speaker 1: makes me think of this been when it comes to 899 00:43:32,600 --> 00:43:35,359 Speaker 1: the franchise. I'm gonna get real general, big picture here, 900 00:43:37,520 --> 00:43:41,200 Speaker 1: looking at the past few seasons and seeing where we 901 00:43:41,239 --> 00:43:43,600 Speaker 1: are now. I know Becca and I've talked about this, 902 00:43:43,640 --> 00:43:46,480 Speaker 1: and I bet you and Becca have too. We feel 903 00:43:46,520 --> 00:43:50,759 Speaker 1: so far removed. Things just seem so different than when 904 00:43:50,800 --> 00:43:53,040 Speaker 1: we were on the show. And the only thing that 905 00:43:53,080 --> 00:43:55,839 Speaker 1: I can attribute that to are the people that are 906 00:43:55,880 --> 00:43:59,719 Speaker 1: coming on this show. So do you are you fearful 907 00:44:00,440 --> 00:44:06,880 Speaker 1: for the franchise? I think the longevity of cable television 908 00:44:06,920 --> 00:44:10,480 Speaker 1: in general, we should be a little bit. Ben. I'm 909 00:44:10,480 --> 00:44:12,560 Speaker 1: not going to let you that is the most politically 910 00:44:12,880 --> 00:44:17,960 Speaker 1: correct answer. You are a politician. You are you are 911 00:44:18,480 --> 00:44:20,400 Speaker 1: let me know when you're running for office, because you 912 00:44:20,480 --> 00:44:25,520 Speaker 1: are good. Let me start there. So, um, two things. 913 00:44:26,320 --> 00:44:30,520 Speaker 1: Am I fearful for the for the franchise? No? Here's why, 914 00:44:31,120 --> 00:44:34,040 Speaker 1: because they've always adjusted. Well, if you look back in 915 00:44:34,120 --> 00:44:36,120 Speaker 1: the history of this show, it is I don't know 916 00:44:36,160 --> 00:44:39,840 Speaker 1: who's pulling those strings and who's making these decisions, but 917 00:44:39,960 --> 00:44:42,799 Speaker 1: it is when I was the Bachelor, and I think 918 00:44:42,800 --> 00:44:44,840 Speaker 1: your producers that are in that room who know the 919 00:44:44,840 --> 00:44:48,800 Speaker 1: show well could speak to this. It was not an 920 00:44:48,920 --> 00:44:51,479 Speaker 1: uncommon fear that this show wasn't going to be around 921 00:44:51,520 --> 00:44:54,880 Speaker 1: a lot longer. They had had some really like rough moments. 922 00:44:55,280 --> 00:44:59,359 Speaker 1: Social media still really didn't exist, like Instagram when I 923 00:44:59,360 --> 00:45:02,160 Speaker 1: was on The Bachelor at was just coming out. That 924 00:45:02,239 --> 00:45:05,600 Speaker 1: was six years ago at this point, So there were 925 00:45:05,600 --> 00:45:08,960 Speaker 1: some huge hurdles and transitions that had to be made, 926 00:45:09,040 --> 00:45:11,279 Speaker 1: and they made them. Like the show had never been 927 00:45:11,320 --> 00:45:14,200 Speaker 1: bigger than ever over the last four seasons, and now 928 00:45:14,400 --> 00:45:16,760 Speaker 1: you're getting to that point where it's at its peak, 929 00:45:16,960 --> 00:45:20,080 Speaker 1: which ultimately it's cyclical. It's going to start dropping down again. 930 00:45:20,440 --> 00:45:22,640 Speaker 1: So what a judge, Adjustments are going to be made 931 00:45:22,960 --> 00:45:24,920 Speaker 1: to keep the show around. Now, I don't know what 932 00:45:24,960 --> 00:45:28,160 Speaker 1: those are, but I do The Bachelor out of any 933 00:45:28,160 --> 00:45:32,279 Speaker 1: show on television, and I don't get it has made 934 00:45:32,280 --> 00:45:35,200 Speaker 1: adjustments to keep this thing going, and it's huge. It's 935 00:45:35,239 --> 00:45:39,200 Speaker 1: never been bigger. So that's my first that's my first thing. 936 00:45:39,200 --> 00:45:43,400 Speaker 1: The second thing is back to the show a little bit. 937 00:45:43,520 --> 00:45:45,920 Speaker 1: Is I'm with you on you got to cut out 938 00:45:45,920 --> 00:45:49,080 Speaker 1: the drama. But when we look at this show in general, 939 00:45:49,160 --> 00:45:51,040 Speaker 1: I don't know where that dramas coming from. I don't 940 00:45:51,080 --> 00:45:52,480 Speaker 1: know the route, and so I don't know where you 941 00:45:52,520 --> 00:45:54,440 Speaker 1: take it out at unless you just send six of 942 00:45:54,480 --> 00:45:56,800 Speaker 1: them home in one night. So anyways, am I fearful 943 00:45:56,800 --> 00:45:59,760 Speaker 1: of the show? No, I'm not. Yeah, not the success 944 00:45:59,760 --> 00:46:01,680 Speaker 1: of the show. The show is going to be successful. 945 00:46:01,719 --> 00:46:03,400 Speaker 1: It is what it is. It has taken over a 946 00:46:03,480 --> 00:46:05,520 Speaker 1: day of the week. I'm not concerned about that. I 947 00:46:05,600 --> 00:46:08,880 Speaker 1: just more, maybe I should say the quality, because a 948 00:46:08,920 --> 00:46:11,920 Speaker 1: lot of people seem to be so upset because like 949 00:46:12,239 --> 00:46:14,520 Speaker 1: you want drama, like you said Survival of the Fitness, 950 00:46:14,520 --> 00:46:19,840 Speaker 1: you want drama first night week one, two, three, or five. 951 00:46:19,960 --> 00:46:21,879 Speaker 1: You usually get that two on one, and you start 952 00:46:21,880 --> 00:46:25,359 Speaker 1: to see things changing and there is like no end 953 00:46:25,719 --> 00:46:28,680 Speaker 1: to it at this point, what we're saying, and so 954 00:46:28,840 --> 00:46:31,400 Speaker 1: that I guess that's what I mean. I hear I 955 00:46:31,480 --> 00:46:34,080 Speaker 1: talk to a lot of people even Super Bowl weekend, 956 00:46:34,080 --> 00:46:35,400 Speaker 1: people want to come up to me and talk to 957 00:46:35,440 --> 00:46:38,280 Speaker 1: me about the show and the general consensus as people 958 00:46:38,400 --> 00:46:42,840 Speaker 1: are tired of the drama, and maybe more so also 959 00:46:43,040 --> 00:46:45,480 Speaker 1: what we said at the beginning of this podcast, how 960 00:46:45,640 --> 00:46:48,680 Speaker 1: Peter is handling it. Maybe that so it's frustrating. It's 961 00:46:48,680 --> 00:46:54,040 Speaker 1: frustrating on both ends. I wonder, though, then, okay, with that, 962 00:46:54,120 --> 00:46:56,920 Speaker 1: I can fully agree with you. I wonder if the 963 00:46:57,000 --> 00:47:01,359 Speaker 1: secret sauce this whole show has always been and the drama, Yes, yeah, 964 00:47:01,560 --> 00:47:04,600 Speaker 1: end in love, and yes, we are looking for a 965 00:47:04,680 --> 00:47:07,600 Speaker 1: really cool ending that we can all celebrate and forget 966 00:47:07,640 --> 00:47:10,640 Speaker 1: about all the drama together. We're quick, really quick to 967 00:47:10,680 --> 00:47:12,759 Speaker 1: forget the negatives. I told Becca last week, it's not 968 00:47:12,800 --> 00:47:14,560 Speaker 1: how you start, it's how you finish. And if Peter 969 00:47:14,640 --> 00:47:16,560 Speaker 1: finishes in a love story, we're all going to forget 970 00:47:16,560 --> 00:47:19,040 Speaker 1: all these little arguments and go, Wow, what a beautiful, 971 00:47:19,120 --> 00:47:22,880 Speaker 1: beautiful thing that happened. Yet, the drama keeps us engaged. 972 00:47:22,960 --> 00:47:24,879 Speaker 1: It does in all of our lives no matter what 973 00:47:24,920 --> 00:47:27,600 Speaker 1: we're doing, if we're watching TV or we're at you 974 00:47:27,800 --> 00:47:31,799 Speaker 1: out for cocktails with friends, drama keeps us interested, and 975 00:47:31,960 --> 00:47:33,920 Speaker 1: drama will keep us around. Even if we want to 976 00:47:33,920 --> 00:47:36,160 Speaker 1: complain about it, we still want to watch it well. 977 00:47:36,200 --> 00:47:38,400 Speaker 1: And that's the thing. We can complain week after a 978 00:47:38,400 --> 00:47:40,120 Speaker 1: week and be like, oh my gosh, it's so hard 979 00:47:40,120 --> 00:47:42,799 Speaker 1: to watch. These girls are crazy, like poor Peter. But 980 00:47:42,920 --> 00:47:46,080 Speaker 1: we're still watching and everyone out there is still watching, 981 00:47:46,160 --> 00:47:49,080 Speaker 1: so clearly it's doing something right. I mean, and I 982 00:47:49,120 --> 00:47:51,319 Speaker 1: can't imagine. I feel like, once you get this like 983 00:47:51,600 --> 00:47:53,799 Speaker 1: dose of this drama, you kind of have to keep 984 00:47:53,840 --> 00:47:56,480 Speaker 1: it up now season by season, which makes me a 985 00:47:56,560 --> 00:48:00,200 Speaker 1: little nervous for the future Boucher and Boucherrettes. But but 986 00:48:00,360 --> 00:48:03,399 Speaker 1: once you have that and like you can't come down, 987 00:48:03,440 --> 00:48:06,000 Speaker 1: I feel like everything after that's going to seem boring. Well, 988 00:48:06,000 --> 00:48:08,920 Speaker 1: it is reality TV, right, Like we need a little 989 00:48:08,920 --> 00:48:12,439 Speaker 1: bit of it, right, But I think what you said, 990 00:48:12,440 --> 00:48:16,040 Speaker 1: Ben is so on point too about short term memory. 991 00:48:16,080 --> 00:48:17,920 Speaker 1: At the end of the day, they'll just you just 992 00:48:17,960 --> 00:48:19,840 Speaker 1: want to see a love story. It's just taken a 993 00:48:19,920 --> 00:48:22,640 Speaker 1: little bit longer to get to than that. So Ben, 994 00:48:22,640 --> 00:48:25,400 Speaker 1: do you even have a favorite lady on this season? Oh? 995 00:48:25,400 --> 00:48:29,040 Speaker 1: That's tough, right, really really tough. I will say that's 996 00:48:29,080 --> 00:48:31,440 Speaker 1: the hardest, Like this is the hardest season for me, Like, 997 00:48:31,719 --> 00:48:34,279 Speaker 1: you know, I really went into this when we're just 998 00:48:34,280 --> 00:48:36,440 Speaker 1: looking at pictures and being like, oh, this girl's beautiful, 999 00:48:36,480 --> 00:48:40,640 Speaker 1: this girl's beautiful, and it's true beautiful season of people. 1000 00:48:41,800 --> 00:48:44,160 Speaker 1: But I do think the one that has has shown 1001 00:48:44,239 --> 00:48:46,759 Speaker 1: themselves to have the best like interactions just based on 1002 00:48:46,760 --> 00:48:51,719 Speaker 1: what we've seen is Victoria. I think Storia who Victoria? 1003 00:48:51,800 --> 00:48:55,280 Speaker 1: F Oh, let me make some notes while you're talking. 1004 00:48:55,360 --> 00:48:58,960 Speaker 1: Oh gosh, Ben, I would disagree so wholeheartedly with you 1005 00:48:59,080 --> 00:49:01,279 Speaker 1: on that one. Right, Why we got to hear the why? 1006 00:49:01,320 --> 00:49:03,399 Speaker 1: Because we have to hear why we have to hear why? Well, 1007 00:49:03,440 --> 00:49:06,880 Speaker 1: I will get into it. I just every time I 1008 00:49:06,880 --> 00:49:09,600 Speaker 1: feel like they're together, there's no doubt about it. Like 1009 00:49:09,640 --> 00:49:13,040 Speaker 1: Peter is very drawn to her, he's very attracted. But 1010 00:49:13,200 --> 00:49:17,040 Speaker 1: I feel like she just in a way she handles 1011 00:49:17,040 --> 00:49:20,600 Speaker 1: and approaches situations, whether it's with him or the date, 1012 00:49:20,719 --> 00:49:24,959 Speaker 1: whatever they're doing, she just seems very very over the top, 1013 00:49:25,040 --> 00:49:27,480 Speaker 1: like she either is like all in or freaking out 1014 00:49:27,520 --> 00:49:30,160 Speaker 1: and there's like no, she just seems kind of exhausting. 1015 00:49:30,320 --> 00:49:33,160 Speaker 1: But I also think there's always an issue when she's 1016 00:49:33,200 --> 00:49:36,600 Speaker 1: with Peter. She's always upset about something. She starts to cry, 1017 00:49:36,680 --> 00:49:38,920 Speaker 1: she gets upset and walks away and leaves him, And 1018 00:49:38,960 --> 00:49:42,640 Speaker 1: I like, this is your right, the one that went 1019 00:49:42,719 --> 00:49:47,640 Speaker 1: on the uh that went on the date? Listen boyfriend? Yeah, 1020 00:49:47,719 --> 00:49:50,040 Speaker 1: That's why I'm like, Ben, I want to hear your 1021 00:49:50,080 --> 00:49:54,239 Speaker 1: logic as to how you see Victoria as the one, 1022 00:49:54,320 --> 00:49:56,640 Speaker 1: because Becca and I'm on the same age, Becca, so 1023 00:49:56,880 --> 00:50:02,399 Speaker 1: please please do case. Well, here's my case is. I 1024 00:50:02,440 --> 00:50:04,600 Speaker 1: do feel like Peter is the most comfortable with her. 1025 00:50:04,640 --> 00:50:07,200 Speaker 1: I do feel like he's attracted to her. I don't 1026 00:50:07,239 --> 00:50:10,120 Speaker 1: feel like we've had anybody kind of make his world 1027 00:50:10,160 --> 00:50:12,239 Speaker 1: stop at this point. I said it a little bit 1028 00:50:12,280 --> 00:50:15,919 Speaker 1: ago and I still stick to it. I don't know 1029 00:50:16,000 --> 00:50:19,360 Speaker 1: if there's even one right now that I've seen Peter 1030 00:50:19,520 --> 00:50:24,200 Speaker 1: just fully like be engaged with yet. I mean Madison 1031 00:50:24,280 --> 00:50:26,719 Speaker 1: kind of like week one, which is easy to do, 1032 00:50:27,160 --> 00:50:30,080 Speaker 1: and Hannah Ann has kind of walked on the perimeter 1033 00:50:30,160 --> 00:50:33,080 Speaker 1: through the whole show. I'm just saying, if there is 1034 00:50:33,160 --> 00:50:35,880 Speaker 1: one person that I've seen him have interaction with that 1035 00:50:35,920 --> 00:50:38,760 Speaker 1: could point to any type of future relationship, it seems 1036 00:50:38,760 --> 00:50:43,319 Speaker 1: like Victoria is it? Yet I don't hesitate to say 1037 00:50:44,200 --> 00:50:46,920 Speaker 1: I don't know if there is a one, like I don't. 1038 00:50:46,960 --> 00:50:48,880 Speaker 1: I have yet to see it. Ben, I want to 1039 00:50:48,920 --> 00:50:52,720 Speaker 1: know if you were Peter right now, what girl would 1040 00:50:52,800 --> 00:50:57,600 Speaker 1: you have as as your top girl? If I was Peter, Oh, 1041 00:50:57,640 --> 00:51:00,680 Speaker 1: she's gone. I said, it was Sarah. See I think 1042 00:51:00,719 --> 00:51:04,480 Speaker 1: seemed like cool. She was like funny in a moment 1043 00:51:04,520 --> 00:51:06,480 Speaker 1: that we saw her, and then she was beautiful. I 1044 00:51:06,520 --> 00:51:10,400 Speaker 1: think just like at the very first night she was 1045 00:51:10,440 --> 00:51:14,560 Speaker 1: like at least somewhat like this is okay. This is 1046 00:51:14,560 --> 00:51:18,160 Speaker 1: what I'm saying about the men. You picked her because 1047 00:51:18,200 --> 00:51:21,120 Speaker 1: she's pretty. I mean, the girl didn't. We didn't see 1048 00:51:21,160 --> 00:51:25,120 Speaker 1: anything of her on the show. She's It's the same 1049 00:51:25,120 --> 00:51:27,880 Speaker 1: thing with Joe, grocery Store Joe, who I adore, But 1050 00:51:27,960 --> 00:51:29,960 Speaker 1: grocery Store Joe, you saw nothing of him and people 1051 00:51:30,000 --> 00:51:32,400 Speaker 1: went wild about him because they thought he was attractive. 1052 00:51:32,600 --> 00:51:35,080 Speaker 1: It's the same thing with Sarah. She's a beautiful girl. 1053 00:51:35,640 --> 00:51:39,360 Speaker 1: You saw nothing of her personality. Store Joe ended up 1054 00:51:39,400 --> 00:51:42,719 Speaker 1: being awesome and you're like, well this guy could You're right, 1055 00:51:42,800 --> 00:51:44,960 Speaker 1: but that's what we know now after the fact. At 1056 00:51:44,960 --> 00:51:47,720 Speaker 1: the time, what I'm saying is with Sarah, you can't 1057 00:51:47,760 --> 00:51:50,600 Speaker 1: point to anything outside of her being pretty. That's it. 1058 00:51:50,680 --> 00:51:52,719 Speaker 1: I said before the show even started, that was like 1059 00:51:52,760 --> 00:51:54,800 Speaker 1: who I went into this season like, she's just pretty 1060 00:51:54,880 --> 00:51:58,120 Speaker 1: like pumped up about so like now that be like 1061 00:51:58,160 --> 00:52:00,600 Speaker 1: who he's left and who he's captain, who's still around 1062 00:52:01,239 --> 00:52:04,320 Speaker 1: I don't think there is one person that would match 1063 00:52:04,400 --> 00:52:07,760 Speaker 1: me at all. It would be tough. Maybe well after 1064 00:52:07,800 --> 00:52:10,120 Speaker 1: you have the catch like Jessica. Of course no one can. 1065 00:52:10,280 --> 00:52:13,719 Speaker 1: Oh nobody even compares. And that's the closest thing that 1066 00:52:13,760 --> 00:52:16,279 Speaker 1: I've from what I've seen is Madison. Maybe you brought 1067 00:52:16,320 --> 00:52:19,040 Speaker 1: it up. I think Madison has shown to be like sweet. 1068 00:52:19,360 --> 00:52:21,600 Speaker 1: She was met his family and was like cool with it. 1069 00:52:22,200 --> 00:52:24,680 Speaker 1: She hasn't been involved in the other drama. We haven't 1070 00:52:24,680 --> 00:52:27,600 Speaker 1: seen her freaking out yet. I don't know a lot 1071 00:52:27,640 --> 00:52:30,399 Speaker 1: about her. We haven't got to know her too well. 1072 00:52:30,520 --> 00:52:32,520 Speaker 1: So I would say the one person right now that 1073 00:52:32,600 --> 00:52:36,600 Speaker 1: sits there, that's still on the show that would feel 1074 00:52:36,600 --> 00:52:39,560 Speaker 1: like the best fit for somebody like Peter would probably 1075 00:52:39,600 --> 00:52:43,279 Speaker 1: be a Madam. Just shocked that you said, well, I'm 1076 00:52:43,280 --> 00:52:45,799 Speaker 1: over Sarah, even though I'm still shocked at that. But 1077 00:52:46,040 --> 00:52:51,200 Speaker 1: Victoria f for you to be say that Peter can't 1078 00:52:51,239 --> 00:52:54,759 Speaker 1: handle conflict. She can't either. When he tries to have 1079 00:52:54,800 --> 00:52:57,640 Speaker 1: a conversation with her, she runs off and starts crying 1080 00:52:57,640 --> 00:53:00,719 Speaker 1: in a corner. I mean literally, she can't warm sentences 1081 00:53:00,880 --> 00:53:04,759 Speaker 1: to express how she feels unless she's confronting one of 1082 00:53:04,760 --> 00:53:07,280 Speaker 1: the girls in the house and then she's ripping them apart. 1083 00:53:07,360 --> 00:53:09,839 Speaker 1: That's what I don't understand the contradiction with her. You 1084 00:53:09,880 --> 00:53:13,239 Speaker 1: can tell a girl off and call her out, and 1085 00:53:13,280 --> 00:53:17,160 Speaker 1: then you become this meek, shy I can't express how 1086 00:53:17,200 --> 00:53:19,520 Speaker 1: I feel person in front of Peter, like, which one 1087 00:53:19,560 --> 00:53:27,920 Speaker 1: are you to me that the girl isn't? Honestly, I 1088 00:53:28,000 --> 00:53:31,680 Speaker 1: hope we find out who she is. Rachel. The truth 1089 00:53:31,680 --> 00:53:33,840 Speaker 1: to all this is, I don't think there's a favorite 1090 00:53:33,840 --> 00:53:36,040 Speaker 1: for me. Ben. You know you've mentioned do you and 1091 00:53:36,040 --> 00:53:38,600 Speaker 1: Peter have talked quite a bit. You gave him some 1092 00:53:38,640 --> 00:53:41,520 Speaker 1: advice in the beginning now halfway through, and I'm not 1093 00:53:41,560 --> 00:53:43,800 Speaker 1: sure if you've talked to him recently within the past 1094 00:53:44,000 --> 00:53:46,800 Speaker 1: week or so. You know, it's different when you start 1095 00:53:46,920 --> 00:53:49,200 Speaker 1: the season and you're in the middle of it. And 1096 00:53:49,239 --> 00:53:51,960 Speaker 1: I'm sure Peter's in a very unique position right now 1097 00:53:51,960 --> 00:53:54,279 Speaker 1: where he's watching half of the season back and he's 1098 00:53:54,320 --> 00:53:58,400 Speaker 1: getting the world, the world's reaction about everything he's saying, 1099 00:53:58,480 --> 00:54:01,120 Speaker 1: everything he's doing, all of these girls like, he's getting 1100 00:54:01,160 --> 00:54:03,600 Speaker 1: a lot at this point. And if there's any advice 1101 00:54:04,400 --> 00:54:07,160 Speaker 1: from here on out for him to expect, what would 1102 00:54:07,200 --> 00:54:09,160 Speaker 1: it be Because he's he's in for a whild, right, 1103 00:54:09,200 --> 00:54:11,600 Speaker 1: I mean this is only halfway through and we haven't 1104 00:54:11,600 --> 00:54:13,680 Speaker 1: even gotten to see like the love stories unfold. So 1105 00:54:13,719 --> 00:54:17,000 Speaker 1: what would you say to him if he called you up? Yeah, well, 1106 00:54:18,160 --> 00:54:21,400 Speaker 1: I'd say hold tight. I mean he's already done with this, right, 1107 00:54:21,480 --> 00:54:25,560 Speaker 1: so I would say, hold on tight. It's gonna get better, 1108 00:54:26,400 --> 00:54:28,239 Speaker 1: no matter what it was my you know, it's my 1109 00:54:28,280 --> 00:54:30,600 Speaker 1: same advice for anybody it's been on the show that's 1110 00:54:30,600 --> 00:54:32,880 Speaker 1: going through turmoil. I mean there's a couple of characters 1111 00:54:32,880 --> 00:54:35,920 Speaker 1: that we've seen last year, we spent or Hannah b season, 1112 00:54:35,960 --> 00:54:38,919 Speaker 1: We spent all year talking about Luke, and I thought 1113 00:54:38,960 --> 00:54:41,040 Speaker 1: that could get pretty ugly for him. I thought that 1114 00:54:41,040 --> 00:54:43,480 Speaker 1: would last a little bit outside the show. Most of 1115 00:54:43,480 --> 00:54:48,360 Speaker 1: the time, nobody unless your character is really, really really 1116 00:54:48,360 --> 00:54:50,879 Speaker 1: really be in question. If you make it to the end, 1117 00:54:50,920 --> 00:54:55,520 Speaker 1: which I'm hoping Peter does, he's gonna be fine. I 1118 00:54:55,520 --> 00:54:57,600 Speaker 1: would just say, hold on tight and continue to be 1119 00:54:57,640 --> 00:55:00,000 Speaker 1: who he is, continue to be kind, continue to answer 1120 00:55:00,080 --> 00:55:03,040 Speaker 1: the questions that he's doing. But on the show, what 1121 00:55:03,120 --> 00:55:05,280 Speaker 1: I really hope he does is he starts to really 1122 00:55:05,320 --> 00:55:07,319 Speaker 1: try to dive into who these women are and how 1123 00:55:07,320 --> 00:55:10,279 Speaker 1: they fit him and how he fits them and what 1124 00:55:10,320 --> 00:55:12,960 Speaker 1: relationships can be made because I don't I haven't seen 1125 00:55:13,040 --> 00:55:15,080 Speaker 1: that yet. I mean, we can sit here and we 1126 00:55:15,120 --> 00:55:17,600 Speaker 1: can argue about Victorian, we can argue about Madison and 1127 00:55:17,800 --> 00:55:19,919 Speaker 1: all these girls. The truth of it is, I don't 1128 00:55:20,040 --> 00:55:22,080 Speaker 1: I mean, unless you have a really strong opinion on 1129 00:55:22,120 --> 00:55:24,680 Speaker 1: who he should be with. Right now, I think most 1130 00:55:24,719 --> 00:55:26,560 Speaker 1: of the fans are going, I don't know if there's 1131 00:55:26,560 --> 00:55:29,399 Speaker 1: anybody like not that these women are bad, just like 1132 00:55:29,520 --> 00:55:33,040 Speaker 1: nobody seems to fit Peter that well. Right. I think 1133 00:55:33,080 --> 00:55:37,040 Speaker 1: that's very well said, Ben, and I think we all 1134 00:55:37,080 --> 00:55:39,640 Speaker 1: we are all you right now. We share your sentiments. 1135 00:55:39,680 --> 00:55:42,319 Speaker 1: And I remember Beck and I'm both talking about at 1136 00:55:42,320 --> 00:55:45,080 Speaker 1: the beginning of this season that we're so excited for Peter, 1137 00:55:45,160 --> 00:55:47,359 Speaker 1: even talking with Peter, talking to Peter's parents, were so 1138 00:55:47,400 --> 00:55:49,920 Speaker 1: excited for him. We feel like it's the thing that 1139 00:55:49,920 --> 00:55:51,880 Speaker 1: he's missing. He's got his job, he's got his family, 1140 00:55:51,960 --> 00:55:55,200 Speaker 1: his friends, all of that. He wants this, you know, 1141 00:55:55,520 --> 00:55:58,400 Speaker 1: as much as any lead I've ever seen. So I 1142 00:55:58,480 --> 00:56:00,440 Speaker 1: hope it ends in a love story. Hope it works out. 1143 00:56:00,560 --> 00:56:03,000 Speaker 1: Hope the tide is changing when it comes to how 1144 00:56:03,040 --> 00:56:06,040 Speaker 1: we're seeing his relationships play out this season. But we'll 1145 00:56:06,040 --> 00:56:08,239 Speaker 1: just have to wait until the next week to see 1146 00:56:08,239 --> 00:56:10,680 Speaker 1: how it goes. But I mean, I don't know what 1147 00:56:10,760 --> 00:56:14,680 Speaker 1: else to say except for Ben for governor. If I 1148 00:56:14,719 --> 00:56:18,160 Speaker 1: can bypass questions about the Bachelor, I think politics will 1149 00:56:18,200 --> 00:56:22,120 Speaker 1: be a lot easier. Can I switch roles here for 1150 00:56:22,160 --> 00:56:25,680 Speaker 1: a second and ask you too, who are you fans of? Like? 1151 00:56:25,719 --> 00:56:28,200 Speaker 1: Who should I be looking at and watching and going 1152 00:56:28,239 --> 00:56:33,399 Speaker 1: this could work? Well? Okay, yeah, I have I have 1153 00:56:33,480 --> 00:56:37,239 Speaker 1: my people that I like just for the comedic relief, 1154 00:56:38,239 --> 00:56:39,960 Speaker 1: and then I have the girls who I think are 1155 00:56:40,000 --> 00:56:43,440 Speaker 1: top contenders. I mean right now, and we've talked about Madison. 1156 00:56:43,440 --> 00:56:45,759 Speaker 1: We haven't seen very much of her other than the 1157 00:56:45,880 --> 00:56:49,120 Speaker 1: very first one on one date, But in a weird way, 1158 00:56:49,160 --> 00:56:51,480 Speaker 1: I feel like I can kind of relate to Madison. 1159 00:56:51,520 --> 00:56:55,480 Speaker 1: I feel like she is me in that scenario because 1160 00:56:55,880 --> 00:56:58,120 Speaker 1: I had on our season the very first one on 1161 00:56:58,120 --> 00:57:00,680 Speaker 1: one date, and then it was kind of I was 1162 00:57:00,960 --> 00:57:02,560 Speaker 1: kind of out of the picture. I wasn't part of 1163 00:57:02,560 --> 00:57:05,000 Speaker 1: the drama. I knew I had this strong connection, but 1164 00:57:05,680 --> 00:57:07,960 Speaker 1: it was a little bit removed. And I think that 1165 00:57:07,960 --> 00:57:10,960 Speaker 1: that's how she is. I do think that when they 1166 00:57:11,040 --> 00:57:14,759 Speaker 1: have their interactions. From what we've seen, she's one that 1167 00:57:15,200 --> 00:57:17,160 Speaker 1: he has a stronger one with. And maybe that's just 1168 00:57:17,240 --> 00:57:19,320 Speaker 1: given to the fact that she met his family and 1169 00:57:19,360 --> 00:57:21,080 Speaker 1: that just bonded them in a way that he hasn't 1170 00:57:21,120 --> 00:57:23,600 Speaker 1: bonded with these other girls. But I do. I am 1171 00:57:23,640 --> 00:57:27,520 Speaker 1: excited to see more of her. And in terms of Kelsey, 1172 00:57:28,880 --> 00:57:31,080 Speaker 1: I'm always up and down with Kelsey. I think that 1173 00:57:31,120 --> 00:57:33,040 Speaker 1: there's really something there, and I think that as we 1174 00:57:33,080 --> 00:57:35,120 Speaker 1: get to know her, she's unpeeling these layers and we're 1175 00:57:35,120 --> 00:57:38,440 Speaker 1: getting to know a deeper level aside from just the 1176 00:57:38,440 --> 00:57:42,320 Speaker 1: whole champagne Champagne gate and that drama. I think he's 1177 00:57:43,240 --> 00:57:44,720 Speaker 1: from what I've seen with her though, I think he's 1178 00:57:44,800 --> 00:57:47,880 Speaker 1: drawn to her, and I'm trying to. I'm trying to. 1179 00:57:48,560 --> 00:57:50,440 Speaker 1: When I watched their interactions, I try to pick it 1180 00:57:50,480 --> 00:57:53,400 Speaker 1: apart a little bit more and really like focus on 1181 00:57:53,440 --> 00:57:57,680 Speaker 1: what it is. I will say I'm intrigued by her 1182 00:57:57,840 --> 00:58:04,280 Speaker 1: and Pete's relationship. Yeah. For me, I like Tasha the best. 1183 00:58:04,360 --> 00:58:07,439 Speaker 1: I think she's funny, she's level headed, the girls seem 1184 00:58:07,480 --> 00:58:09,800 Speaker 1: to like her in the house, no drama. She's like 1185 00:58:09,800 --> 00:58:13,360 Speaker 1: a breath of fresh air to me. And then for Peter, 1186 00:58:13,600 --> 00:58:17,360 Speaker 1: I like Madison. I mean for the obvious. She seems 1187 00:58:17,400 --> 00:58:19,240 Speaker 1: to be no drama. I mean, I guess I could 1188 00:58:19,280 --> 00:58:23,120 Speaker 1: throw Hannah in in there, but Madison, I think there's 1189 00:58:23,120 --> 00:58:26,240 Speaker 1: a there's a spark there, and it seems very effortless 1190 00:58:26,240 --> 00:58:27,960 Speaker 1: when they're together. And this is just me going on 1191 00:58:28,000 --> 00:58:30,560 Speaker 1: the first off the first day, so I don't know, 1192 00:58:30,840 --> 00:58:33,480 Speaker 1: we'll see. It seems very obvious he's in a Madison. 1193 00:58:33,560 --> 00:58:35,440 Speaker 1: So it makes me think that something's going to happen. 1194 00:58:36,000 --> 00:58:39,080 Speaker 1: Oh right, because it's so to me, it's so obvious 1195 00:58:39,080 --> 00:58:42,200 Speaker 1: it's Madison. Yeah, I can't take any more of this. 1196 00:58:42,280 --> 00:58:45,560 Speaker 1: Like Peter being happy, dancing around, smiling, like doing his 1197 00:58:45,600 --> 00:58:47,560 Speaker 1: goofy little dance thing, and then all of a sudden, 1198 00:58:47,600 --> 00:58:51,760 Speaker 1: out of nowhere comes some young lady walking up, say Peter, 1199 00:58:52,720 --> 00:58:55,160 Speaker 1: you've got to talk right. It's like, Peter, is that 1200 00:58:55,240 --> 00:58:58,400 Speaker 1: a smile? Let me turn that? Let me turn that 1201 00:58:58,480 --> 00:59:03,760 Speaker 1: upside down? Because we've been As you're saying this, I 1202 00:59:03,840 --> 00:59:06,120 Speaker 1: have that image of in my head of him dancing 1203 00:59:06,120 --> 00:59:08,760 Speaker 1: on stage with Victoria f and he's got you know, 1204 00:59:08,800 --> 00:59:11,440 Speaker 1: he's doing this hands in the air thing, smile on 1205 00:59:11,480 --> 00:59:13,360 Speaker 1: his face, and it's like they pan out and it 1206 00:59:13,480 --> 00:59:16,960 Speaker 1: shows Chase Rice, just like in Victoria's singing the words 1207 00:59:17,200 --> 00:59:21,560 Speaker 1: I mean, it's poor. We we like to title each episode, 1208 00:59:21,560 --> 00:59:25,520 Speaker 1: and during that episode we titled that one poor Peter. Okay, Ben, 1209 00:59:25,680 --> 00:59:28,360 Speaker 1: always a pleasure. Love having you on the podcast. But 1210 00:59:28,440 --> 00:59:30,520 Speaker 1: before we let you go, we like to play a 1211 00:59:30,600 --> 00:59:32,680 Speaker 1: game with our guests. Even though I felt like you're 1212 00:59:32,680 --> 00:59:34,480 Speaker 1: not you haven't really been a guest today. You've kind 1213 00:59:34,520 --> 00:59:36,720 Speaker 1: of been the fourth co host because obviously the third 1214 00:59:36,720 --> 00:59:38,120 Speaker 1: one is men. Oh. I don't want to say not 1215 00:59:38,160 --> 00:59:41,520 Speaker 1: acknowledge her again and have her star barking, but um, yeah, 1216 00:59:41,640 --> 00:59:44,080 Speaker 1: you've been fantastic. It's great to get your opinions and 1217 00:59:44,080 --> 00:59:47,280 Speaker 1: your take on the show, even though they were politically correct. 1218 00:59:47,360 --> 00:59:50,080 Speaker 1: We tried to poke you, but you were good. Whatever. 1219 00:59:50,360 --> 00:59:52,160 Speaker 1: We'll try again with this game. So here we go. 1220 00:59:52,240 --> 00:59:54,600 Speaker 1: I'm gonna do this game with you and Becca because 1221 00:59:54,680 --> 00:59:57,560 Speaker 1: you guys, you know you got Bachelor Alive coming up 1222 00:59:57,640 --> 01:00:00,360 Speaker 1: so soon. I can't wait to catch it. But you 1223 01:00:00,400 --> 01:00:03,080 Speaker 1: are the perfect duo, well other than Becca and I 1224 01:00:03,120 --> 01:00:06,040 Speaker 1: of course, obviously, So okay, here we go. I'm gonna 1225 01:00:06,080 --> 01:00:09,800 Speaker 1: throw out questions and then you're gonna say, who's going 1226 01:00:09,840 --> 01:00:11,760 Speaker 1: to be doing this when I throw this out? Either 1227 01:00:11,800 --> 01:00:15,480 Speaker 1: Becca or Ben. All right. First up, who is going 1228 01:00:15,520 --> 01:00:18,840 Speaker 1: to sleep better on the tour bus? You? Becca? Oh? 1229 01:00:18,920 --> 01:00:23,640 Speaker 1: Oh oh? I would say you, Ben, I can't sleep, 1230 01:00:23,680 --> 01:00:26,280 Speaker 1: Hey me, neither one of you can. Is that because 1231 01:00:26,280 --> 01:00:28,400 Speaker 1: you real tired after three months? It's because of the 1232 01:00:28,480 --> 01:00:31,280 Speaker 1: excitement of Bachelor Live on stage. You just can't wait 1233 01:00:31,320 --> 01:00:33,800 Speaker 1: to get to the next city. I actually heard the 1234 01:00:33,880 --> 01:00:36,560 Speaker 1: buses are super dry, and it's like the one thing 1235 01:00:36,600 --> 01:00:38,360 Speaker 1: I can't sleep in even though I live in Denver, 1236 01:00:38,400 --> 01:00:40,800 Speaker 1: but I have a huge humidifier in my house. That 1237 01:00:41,800 --> 01:00:44,040 Speaker 1: buses are super dry, So I'm worried that I'm going 1238 01:00:44,120 --> 01:00:46,480 Speaker 1: to always wake up like with the sore throw. Is 1239 01:00:46,480 --> 01:00:50,240 Speaker 1: it a portable humidifier, I'm bringing it with me. Yes. Okay. 1240 01:00:50,280 --> 01:00:52,440 Speaker 1: I was gonna say, sponsor, Ben, I will let you. 1241 01:00:52,680 --> 01:00:54,600 Speaker 1: I will let you borrow my facial steamer so you 1242 01:00:54,600 --> 01:00:56,880 Speaker 1: can just shove your face in that every day. Thanks, 1243 01:00:57,400 --> 01:01:02,960 Speaker 1: You're welcome. I was gonna say something really inappropriate, Okay. Next, 1244 01:01:03,640 --> 01:01:06,120 Speaker 1: whose partner? Whose partner is going to be on the 1245 01:01:06,120 --> 01:01:12,360 Speaker 1: tour bus more often? Becca's or Bins, Jessica or Garrett? 1246 01:01:13,800 --> 01:01:20,040 Speaker 1: I think Garrett, right, I would say Jessica, Ja there, 1247 01:01:20,360 --> 01:01:23,880 Speaker 1: Jessica's there for a third of the tours. She's coming 1248 01:01:23,880 --> 01:01:25,560 Speaker 1: in and out, so she'll be in for a week 1249 01:01:25,640 --> 01:01:27,720 Speaker 1: out for two, in for a week out for two. 1250 01:01:27,840 --> 01:01:31,600 Speaker 1: So that sounds like a lot. I honestly think Jessica 1251 01:01:31,640 --> 01:01:34,040 Speaker 1: because Garrett right now is so scattered all over the place, 1252 01:01:34,080 --> 01:01:38,400 Speaker 1: so he'll he you know what, Jessica might be there more. 1253 01:01:38,680 --> 01:01:41,200 Speaker 1: But of course we'll have Minno consoling, and she's also 1254 01:01:41,280 --> 01:01:44,200 Speaker 1: my partner, so she'll she'll take the lead as Minno 1255 01:01:44,320 --> 01:01:45,920 Speaker 1: going to be there the whole time. We don't stop 1256 01:01:46,000 --> 01:01:52,280 Speaker 1: licking that. You know, dogs like to get in that booty, doesn't. 1257 01:01:53,080 --> 01:01:58,880 Speaker 1: You're not on camera right now. Okay, I don't know 1258 01:01:58,960 --> 01:02:01,960 Speaker 1: what is going on over there. This sounds sounds like 1259 01:02:02,000 --> 01:02:06,280 Speaker 1: a good time. Okay, who's gonna be the bigger hype man? 1260 01:02:09,920 --> 01:02:12,640 Speaker 1: Here's the thing I want to explain myself as part 1261 01:02:12,640 --> 01:02:16,720 Speaker 1: of the show. Okay, that's gonna be Ben Well. I 1262 01:02:16,920 --> 01:02:20,240 Speaker 1: and when I when like getting the crowd pumped up, um, 1263 01:02:20,280 --> 01:02:23,960 Speaker 1: I lose myself in the adrenaline. But I feel like Becca. 1264 01:02:25,200 --> 01:02:27,960 Speaker 1: Becca is really going to come through as the closer 1265 01:02:28,200 --> 01:02:31,720 Speaker 1: and keep everything like consistently hyped. But like I'll come 1266 01:02:31,720 --> 01:02:34,840 Speaker 1: out like a rocket and I'll slow down and then 1267 01:02:34,880 --> 01:02:38,680 Speaker 1: I'll end pretty excited too. If love love exist on stage, 1268 01:02:39,200 --> 01:02:41,600 Speaker 1: well I'm gonna need the rain Ben in It sounds 1269 01:02:41,640 --> 01:02:46,760 Speaker 1: like No I competed against Ben on the lip sync battle. 1270 01:02:46,840 --> 01:02:51,120 Speaker 1: Oh yes, I've seen firsthand him lose himself on stage. 1271 01:02:51,600 --> 01:02:54,240 Speaker 1: So my vote is for Been on this show. I'm 1272 01:02:54,280 --> 01:02:58,160 Speaker 1: just picturing Ben fall into the mosh pit? What is 1273 01:02:58,200 --> 01:03:00,920 Speaker 1: it where they But I'll start the crowd, but it's 1274 01:03:00,920 --> 01:03:04,320 Speaker 1: gonna be crowdsurfing everyone. Oh yeah, by tickets. Now I'm excited. 1275 01:03:04,320 --> 01:03:06,880 Speaker 1: I mean listen. If that's not selling Bachelor Live on 1276 01:03:06,920 --> 01:03:09,280 Speaker 1: stage for you guys, I don't know what it is. 1277 01:03:09,760 --> 01:03:12,120 Speaker 1: I want to see it. Okay, who's more likely to 1278 01:03:12,160 --> 01:03:20,640 Speaker 1: trip on stage? Becca or Ben? I can answer this one. Ben, 1279 01:03:20,640 --> 01:03:25,640 Speaker 1: who's your hands? And you know it's it's gotta be Becca. Yeah, 1280 01:03:25,640 --> 01:03:30,360 Speaker 1: totally lock upstairs. Becca has her hands and her feet 1281 01:03:30,360 --> 01:03:32,000 Speaker 1: in the air on this one. She knows it's her 1282 01:03:32,120 --> 01:03:36,600 Speaker 1: minno raised a paw. I will for sure trip probably. Okay, 1283 01:03:36,760 --> 01:03:40,120 Speaker 1: we're doing what sixty six shows? I will probably trip 1284 01:03:40,640 --> 01:03:44,080 Speaker 1: in at least twenty seven of them. It's not more 1285 01:03:44,280 --> 01:03:47,160 Speaker 1: to say it, but yeah, yeah, definitely she owns it. 1286 01:03:47,200 --> 01:03:50,720 Speaker 1: She owns it's gonna happen. People, Just bear with me, please, Okay, 1287 01:03:50,800 --> 01:03:53,640 Speaker 1: last one who's going to take longer in hair and makeup? 1288 01:03:54,000 --> 01:04:00,320 Speaker 1: Ben or Becca Minno, that's easy? Are kidding me? That's 1289 01:04:00,320 --> 01:04:04,960 Speaker 1: definitely Beccat. I have this theory that I don't understand 1290 01:04:04,960 --> 01:04:07,880 Speaker 1: why I have to wear makeup at any point ever. Again, 1291 01:04:07,920 --> 01:04:09,520 Speaker 1: it just makes my I don't know how you all 1292 01:04:09,520 --> 01:04:11,920 Speaker 1: do it. It It makes my skin feel all sorts of weird. 1293 01:04:12,160 --> 01:04:15,800 Speaker 1: So that way, you don't need makeup. You got a 1294 01:04:15,840 --> 01:04:18,959 Speaker 1: fresh face ready for camera all the time. Everybody's not able. 1295 01:04:19,000 --> 01:04:23,920 Speaker 1: We don't all wake up like this, Thanks Rachel. Ben's 1296 01:04:23,920 --> 01:04:28,360 Speaker 1: only bringing two suits for the entire show. Yeah, he's yeah, 1297 01:04:28,760 --> 01:04:32,200 Speaker 1: don't care you know about this? Yeah, I'm pack and 1298 01:04:32,320 --> 01:04:34,520 Speaker 1: light team. Here's my thing. As long as I have 1299 01:04:34,640 --> 01:04:36,840 Speaker 1: enough golf shirts to play golf in the morning. I'm 1300 01:04:36,840 --> 01:04:39,520 Speaker 1: happy about this tour. I don't care about the night portion. 1301 01:04:39,640 --> 01:04:41,600 Speaker 1: I'm ready to hit the links. Ben's gonna have more 1302 01:04:41,600 --> 01:04:46,400 Speaker 1: polos than ties on this tour. All right, Well, Ben, 1303 01:04:46,720 --> 01:04:49,840 Speaker 1: thank you for joining us. Always a pleasure. Loved having 1304 01:04:49,840 --> 01:04:52,000 Speaker 1: you on the show. Can't wait to catch Batchel live 1305 01:04:52,080 --> 01:04:55,720 Speaker 1: on stage and everything else that you're doing. It's going 1306 01:04:55,760 --> 01:04:57,919 Speaker 1: to be. Thanks guys, you guys are crushing it. Thanks 1307 01:04:57,960 --> 01:05:01,160 Speaker 1: for having me on. Thanks Benalty very soon, see y'all 1308 01:05:03,000 --> 01:05:05,320 Speaker 1: all right, listeners, thank you so much for tuning in.