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Speaker 1: Behold. I am Bethelzda, a giant worm like creature that

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Speaker 1: lives at the bottom of a muddy hole. And this

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Speaker 1: is my podcast on the surface, where I try to

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Speaker 1: make sense of the world above with help from human

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Speaker 1: experts and my sidekick, a cool teen that fell down

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Speaker 1: my whole. Colteene, say something, I forget how to do math?

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Speaker 1: All right, we'll work on it, Colteine. Today's topic musical theater.

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Speaker 1: What is it? Why is it? Is it dangerous? Hopefully

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Speaker 1: we'll find out from our guest musical theater aficionado, Avery

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Speaker 1: nuts Bomb. Avery, thank you for being here in the whole.

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Speaker 1: Oh my goodness, it is a leisure to be here

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Speaker 1: with you both. Thank you for saying that. Yes, I

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Speaker 1: just love musical theater and I want to spread it

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Speaker 1: around the world and share it here with you today.

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Speaker 1: Oh wow, sounds like a disease. I'm excited. Some would say,

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Speaker 1: John would say a disease. Some say, oh my god,

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Speaker 1: And that is once on this island. Avery. Your voice

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Speaker 1: is beautiful. You have a voice of an angel. Thank

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Speaker 1: you so much. And your voice is also very unique.

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Speaker 1: Thank you very much. Dressy. You know I I've been

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Speaker 1: told I have a certain certain something certain flair in

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Speaker 1: my vocal tone anyway, every for for myself and my listeners. Okay,

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Speaker 1: in your own words, what would you say musical theater is?

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Speaker 1: So that is a loaded question, I will say at first,

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Speaker 1: and I will say this, when you have a spirit

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Speaker 1: that needs to be expressed, okay, and the only way

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Speaker 1: you can express it is not just through words. It

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Speaker 1: becomes a song. Okay, I'm familiar. I'm familiar with songs. Yes.

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Speaker 1: And then while you're expressing your emotional life through song,

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Speaker 1: you're also maybe doing a little tippity tap dance on

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Speaker 1: the side, tap dance. That's interesting. Yes, you're maybe doing

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Speaker 1: a jazz square and you are conveying a beautiful story

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Speaker 1: through the medium of song and dance. Let me tell

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Speaker 1: you most of those words, I have no idea what

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Speaker 1: they mean is my first time hearing them. But god,

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Speaker 1: I'm so glad you're here so you can figure this out. Okay, Okay, great,

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Speaker 1: let's uh should we hop into her? Oh? First off?

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Speaker 1: Soho sorry, let me introduce you to my sidekick slash hostage.

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Speaker 1: Cool teen. It's a cool teen that fell down my

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Speaker 1: whole Yeah, yeah, hi, Avery, we're so we're so happy

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Speaker 1: to be visited. Uh, you know, it gets pretty lonely

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Speaker 1: down here, but we may do also. But those as

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Speaker 1: far as up dancing goes, you know, you do typically

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Speaker 1: need feet to do it. But you know when I

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Speaker 1: tap on your big gelatinous skin and it kind of

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Speaker 1: jiggles in a way, that's tap dance. Okay, right, should

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Speaker 1: we've been doing a little tippy tab down here. That's nice? Yeah, yeah,

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Speaker 1: I like that. Have you have you ever seen musical

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Speaker 1: theater coot? Uh? Maybe you know. I didn't. I didn't

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Speaker 1: do a lot of arts and culture stuff, and I

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Speaker 1: could never audition for the school play because I was

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Speaker 1: way too cool for that. I was busy going to

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Speaker 1: my chess tournaments. So and chess is a very cool activity,

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Speaker 1: yes savory, yes, oh yeah. I definitely think they should

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Speaker 1: make a musical out of the Queen's Gambit. So there's

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Speaker 1: a chess musical out there, the Queen's Gambit. No idea

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Speaker 1: what that is, but it sounds pretty exciting. You know,

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Speaker 1: I've known some queen bees, for example, and they've put

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Speaker 1: me through a few gambits, if you know what I'm saying.

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Speaker 1: Not quite sure? Right, Well, then we're both confused and

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Speaker 1: you know what, it's a great equalizer. You know, why

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Speaker 1: don't we Why don't we hop into our first segment? Okay,

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Speaker 1: this first segment I'm calling what in the bud is this? Alright?

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Speaker 1: So here's how it works. Okay, Avery, I'm gonna present

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Speaker 1: you with some words related to a musical theater, Okay,

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Speaker 1: and then I'll take a guess at what they mean,

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Speaker 1: and then you can correct me if needed. Cool, very cool, absolutely, okay, great,

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Speaker 1: here we go. I'm excited. First word, scales Okay, now,

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Speaker 1: this one's easy. I think scales are the things that

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Speaker 1: have developed on my soft belly due to what I've

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Speaker 1: named mud burn. Is that the same thing for human

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Speaker 1: musical scales? So scales and musical theater actually have to

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Speaker 1: do with the sequence of notes that are basically I'll

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Speaker 1: think you a scale right now. I would love that.

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Speaker 1: M ah. So it's a sequence of notes in an order,

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Speaker 1: usually ascending, sometimes descending. But unfortunately there is no mud involved.

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Speaker 1: Unless it's a musical about mud wrestling. Probably there must

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Speaker 1: be something out there, see that's a musical I could

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Speaker 1: get into. I think little mud wrestling musical. I I

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Speaker 1: used to be on the mud wrestling team actually when

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Speaker 1: I was when I was cool teen's age, which in

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Speaker 1: warm years is like a month old. That was pretty good.

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Speaker 1: I miss it, really miss it. But those are there's

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Speaker 1: a there's a tear in your in your hole. You know,

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Speaker 1: I miss my missed my fellow grubs. You know, I

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Speaker 1: miss I missed the feeling of touch. If I'm being honest,

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Speaker 1: don't touch me, cool tine. That was an invitation. Okay, alright,

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Speaker 1: let's go into the second folk a word shoe we Okay,

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Speaker 1: So here we've got the opening night. Okay, So opening

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Speaker 1: night for me, it's the one night a year that

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Speaker 1: I opened and drained my slime pockets. Okay, I gotta

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Speaker 1: get those line baggage drained. That's opening night. Is that

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Speaker 1: the same thing for musicals? Well, I will say this,

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Speaker 1: a lot of musical theater people are very horny, So

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Speaker 1: I do think there is a lot of built up tension. Okay, right,

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Speaker 1: maybe on the opening night people are sort of releasing

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Speaker 1: their slime pockets as well. That's that's a lot of

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Speaker 1: if everybody's doing it, definitely. I I would like to say, though,

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Speaker 1: of course, opening night is when you've rehearsed for this

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Speaker 1: musical you're a performer, You've rehearsed, and now you're putting

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Speaker 1: on the show. Now the show is opening, there's an audience,

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Speaker 1: and it's the night of all nights to remember. Okay, okay,

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Speaker 1: let me review. Okay, So musical theater, Musical's right, it's

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Speaker 1: people expressing themselves through sean. It's a show. There's a

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Speaker 1: show involved. Absolutely everybody's emptying their shliine pockets and it's

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Speaker 1: a night you remember. Yes, it's exactly you've you've hit

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Speaker 1: the nail that I think you're you're almost ready to

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Speaker 1: be in a musical. I mean, talk about a dream

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Speaker 1: of mine. I don't know if you know I do

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Speaker 1: love to sing, but you know, I don't know if

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Speaker 1: anybody really wants to hear it. Oh I want to

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Speaker 1: hear it. Okay, Well, I feel put on the spot.

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Speaker 1: Maybe later we a little nervous. Let's just keep going

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Speaker 1: with this. Let's keep going with this. Brop. Okay, we

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Speaker 1: got um oh, we got Mattenee. I'm gonna say this

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Speaker 1: is like a really fancy matt Yes, uh so Mattenee.

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Speaker 1: So there's shows at night. Normally shows are at night

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Speaker 1: on on the Great Broadway. Wow, nighttime over here, we

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Speaker 1: do nothing because it's pitch black. So that's good to know.

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Speaker 1: Oh yes, you know, I could maybe get one of

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Speaker 1: my tech friends to bring you a spotlight or two

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Speaker 1: to help out. That would be amazing. I'll see what

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Speaker 1: I can do. Hold on, let me just write that down.

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Speaker 1: I'm gonna hold you to that. Maybe I won't let

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Speaker 1: you leave till you bring it, you know. No, no, no,

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Speaker 1: that's that's funny. But every crazy Yeah okay, um but

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Speaker 1: basically it's a show usually at two or three in

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Speaker 1: the afternoon. Okay, great, that makes it's sort of like

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Speaker 1: um my bathing schedule. You know. It's like once a

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Speaker 1: week whenever it rains. Sometimes it's at nights, sometimes it's

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Speaker 1: in a day. You know. Either way, I don't get

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Speaker 1: very clean. Oh I say, that's that's that's what the

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Speaker 1: smell is. Yeah, oh yeah, sorry if you didn't realize

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Speaker 1: that's the mud. It's a mixture of you know what.

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Speaker 1: You don't want to know what's in it. It's better

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Speaker 1: if you don't know. All right, let's keep going with

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Speaker 1: those folks up all right here we go, okay, okay, understudy.

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Speaker 1: I think that's what cool team has to do when

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Speaker 1: we drained my slime buckets. The cool Tine has to

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Speaker 1: study my under if you will, Is that right? Yeah?

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Speaker 1: I gotta make sure that nothing's wrong with it, no

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Speaker 1: growth snow, you know, additional parasites, etcetera. Sort of like

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Speaker 1: a summer job for Cootine. Yeah, but for no money

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Speaker 1: and for the foreseeable future. That's true. Wow, Wow, that

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Speaker 1: is a fate of sorts that I personally am excited

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Speaker 1: to hear about. Do you think do you think my

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Speaker 1: relationship with Cootine could be used for musical theater? Oh?

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Speaker 1: Absolutely absolutely. It's it reminds me of of Young Frankenstein

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Speaker 1: the musical okay, which is based on the movie Young Frankenstein.

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Speaker 1: No idea. Great, you've got this uh mad scientist who

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Speaker 1: I think you? You sort of reminded me of a

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Speaker 1: little bit. And then Coultine, you would be sort of

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Speaker 1: like Igor, who is the sort of henchman. Yeah, I

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Speaker 1: see it. I haven't been able to stand up straight

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Speaker 1: since I fell down this hole, so I do see

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Speaker 1: myself playing that role. That's true. You gotta kind of

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Speaker 1: crouch down in case anybody throws anything in here. You know,

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Speaker 1: you gotta be in running position. Short of all the time.

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Speaker 1: Yeah yeah, yeah, yeah, yeah yeah. Coutine almost gotta taken

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Speaker 1: out by an old swing set earlier today, I know.

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Speaker 1: And the saddest thing is I couldn't put it back together,

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Speaker 1: so it's just more sticks for Bethel's they which after

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Speaker 1: players stick games. Wow? Um well what was the word again? Oh? Sorry,

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Speaker 1: the word was understudy? Yes, understudy? Um, so, understudy is

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Speaker 1: basically where there's a lead or not, there are characters.

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Speaker 1: There are characters in a musical, yes, go on, and

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Speaker 1: basically people sometimes cover those roles just in case the

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Speaker 1: actor who's performing those roles get sick, go on vacation. Okay,

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Speaker 1: we get sick a lot down here, so that would

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Speaker 1: make sense. Oh absolutely, could you could both do with

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Speaker 1: some good understudies? Cool teen? I mean if another cool

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Speaker 1: teen falls down here or even are not cool teen,

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Speaker 1: you know, maybe they could help you pick up some

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Speaker 1: of the slack. Yeah yeah, maybe even they could fully

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Speaker 1: replace me and I could return to me. I think,

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Speaker 1: I think probably until you get me out of here,

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Speaker 1: you're gonna go anywhere my friends ship. Yes, and normally

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Speaker 1: the people return to the rules, yes, yes, yes, after

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Speaker 1: the understudy goes on. So even if you got a

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Speaker 1: day off, you'd still be down here. Okay, alright, I

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Speaker 1: like this out of that, Let's do the next book

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Speaker 1: a world. Okay, here we go. This is Oh, this

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Speaker 1: is a curtain call. A curtain call, I'm gonna say.

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Speaker 1: I'm gonna say this is like a really shifty secretive

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Speaker 1: phone call that happens behind a curtain. Cool team makes

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Speaker 1: a bunch of curtain calls on their on their cell

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Speaker 1: phone whenever they've got service, and minus the curtain, they

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Speaker 1: sort of just faced the wall and can kind of

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Speaker 1: hear everything they're saying. But is that a curtain call? Well,

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Speaker 1: let me see if I can put this into something

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Speaker 1: that makes a little bit more sense for you. Oh, perfect,

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Speaker 1: because I am a worm. Yes, and and you know

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Speaker 1: that I'm going to use you know, whole language. Okay,

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Speaker 1: So basically, you know the people in the show, they've

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Speaker 1: been doing their parts, so they've been going through the underground.

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Speaker 1: They've really been going through it. I used to go

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Speaker 1: through the underground when I was small enough to still

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Speaker 1: break the surface, but not anymore. Well, basically, they do

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Speaker 1: end up breaking the surface, and they end up coming

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Speaker 1: to the other side of the story. That is the

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Speaker 1: show interesting and now that they've reached the sunlight. Right,

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Speaker 1: they get accolades and people are waiting on the other

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Speaker 1: side to cheer them on. Great. I have to be

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Speaker 1: honest with you, I think that took away some of

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Speaker 1: my understanding. I feel slightly dumber about musical theater. But

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Speaker 1: you know what, it's not you. It's not you. It's

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Speaker 1: definitely me. You know, you're the expert. I'm the learner.

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Speaker 1: It's a teaching moment. But okay, I'll get it. Let's

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Speaker 1: still understanding communication styles of course. Yeah, okay, so this one,

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Speaker 1: this one is a leading role. So I'm gonna guess.

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Speaker 1: I'm gonna guess that's the first of many segments on

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Speaker 1: your Body, for example, have thirty two. So I'm gonna

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Speaker 1: go with the role that you lead with uh, you know,

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Speaker 1: it's it's a little close. You know, if if if

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Speaker 1: the if the show is a body of people, then

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Speaker 1: the person who's really the protagonist or the person who

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Speaker 1: um maybe sings the most, says the most. We follow

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Speaker 1: that character the most. You know, they're doing most of

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Speaker 1: the heavy lifting of the show. So it is the

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Speaker 1: role of the person to lead the rest of the body.

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Speaker 1: Avery they say, if you can't do teach and let

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Speaker 1: me tell you, based on your singing, you can do,

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Speaker 1: my friend, you can do by that, I mean, don't teach.

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Speaker 1: I'm just kidding. I'm just skidding with you. Avery, you

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Speaker 1: get it. Contine, do you have any musical theater related

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Speaker 1: vocab you want to patch by Avery? Yeah, I'm pretty

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Speaker 1: sure I know what this one is. I'm pretty sure

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Speaker 1: it's gonna you know, when a woman's body gets the

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Speaker 1: eggs ready. But a standing ovation, Oh yeah, yeah, So

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Speaker 1: a standing ovation in a musical theater is basically when

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Speaker 1: you know someone has done something so miraculous that the

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Speaker 1: audience is getting up on their feet and clapping and

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Speaker 1: giving that person the most amazing accolades, and it's like

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Speaker 1: a magical moment. So it's, you know, magical moment, not

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Speaker 1: far off from what you know. Let me ask, Let

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Speaker 1: me ask for someone like me or doesn't have hands,

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Speaker 1: what would be appropriate for me to do if I were,

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Speaker 1: you know, in the in the theater. And I love

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Speaker 1: what I shall. Well, I'm really loving the way that

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Speaker 1: your tail sort of curves. And I really think, sorry,

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Speaker 1: I mean, I don't is that overstepping to comment on

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Speaker 1: your physical form? No, thank you? I just I actually

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Speaker 1: might really love your hair. I just want to put

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Speaker 1: that out there. Thank you so much. Cooteene. Look away,

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Speaker 1: I'm looking away. I'm looking away, all right, now you

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Speaker 1: can look back, look back, because I need you to

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Speaker 1: understand and help with the clapping, because basically I would say,

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Speaker 1: move your tail up and down and then slap the

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Speaker 1: rest of your big body. Okay, so kind of like dish. Yes, oh,

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Speaker 1: can you just you're just getting a little bit of

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Speaker 1: slot that comes from the territory, right, But that's it,

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Speaker 1: that's it. Anything for the sake of theater. Absolutely all right, Coolteene,

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Speaker 1: you got any other vocab you want to go over? Yeah.

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Speaker 1: I once met a gruff woman named Peg and she

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Speaker 1: said she was a stage manager. So I'm assuming that

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Speaker 1: means lesbian. That's a good question. Yeah, yeah, you know

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Speaker 1: you're probably uh not wrong. Um no, um. Peg is

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Speaker 1: a dear friend of mine. You know Peg, I know Peg,

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Speaker 1: I know Peg. She's actually she's done Lion King, she's

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Speaker 1: done Wicked, she's done a Lad and she's really doing

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Speaker 1: the Disney circuit right now. And uh, she's pretty badass.

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Speaker 1: Stage managers are the glue that hold together the whole

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Speaker 1: entire show, okay, or the slime that holds my tail

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Speaker 1: in the muddy floor together. Yeah, yes, the gelatinous group,

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Speaker 1: if you will, I love it. Did I answer your

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Speaker 1: question anymore? Yeah? Okay. This is a combination of my

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Speaker 1: uncle and aunt's names Macbeth, mac and Beth. Yeah, that's

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Speaker 1: my uncle and my aunt serendipitous because Macbeth. It's an incredible,

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Speaker 1: incredible play written by, of course, the one and only Shakespeare,

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Speaker 1: William Shakespeare him sound so not not a musical, not

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Speaker 1: a musical, but see it. But how dare you bring

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Speaker 1: up anything that is not cool? Team? We're going to

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Speaker 1: talk about this later, but go ahead. I didn't know

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Speaker 1: that was the whole we're gonna talk about. We're gonna

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Speaker 1: talk about Eric. I'm sorry, all right, go ahead, Avery. Well,

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Speaker 1: I I do think there really should be a musical

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Speaker 1: version of every Shakespeare play. Unfortunately, I don't think there

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Speaker 1: is a Macbeth one. Well, hey, I mean, if we

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Speaker 1: get you and Peg and me and cool teen together,

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Speaker 1: I don't see where we couldn't make a all musicals

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Speaker 1: just saying all right, well, let me whip something up.

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Speaker 1: I can get a few sheet music, grab that spotlight

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Speaker 1: my friend. All right, but sure you were saying, uh no, basically, uh,

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Speaker 1: it's it's pretty cool that your aunt and uncle are

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Speaker 1: Mac Andbeth. I would I would also say be careful

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Speaker 1: because it is cursed. It's cursed, it's cursed. Then we

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Speaker 1: don't say that. Oh my god, the podcast just gonna fail.

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Speaker 1: I'm ruined. Oh gosh. Anyone who's listening, Um, just know

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Speaker 1: that it's we're just talking about the play and we

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Speaker 1: haven't performed it. Okay, so you think we're in the clear.

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Speaker 1: We're in the clear. All right, Thank worm, Thank worm.

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Speaker 1: We're in the clear. We say thank worm because you

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Speaker 1: know worms don't famously don't have a god. So thank worm. Alright.

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Speaker 1: I love it. Okay, I'll be honest, I feel like

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Speaker 1: I'm only halfway there. But that's all right, because we're

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Speaker 1: gonna pop into our next segment that I'm calling musical theater.

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Speaker 1: Musical theater. Okay, So Avery, here's how it works. Okay,

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Speaker 1: I'm gonna give you a series of scenarios okay, submitted

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Speaker 1: by myself Quotine in our listeners, and we want you

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Speaker 1: to say whether they are or are not musical theater. Cool,

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Speaker 1: very cool, Alright, let's get this going. Okay, let's do it.

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Speaker 1: Let's do it. Oh yeah, I love that voice. Alright, first, hup,

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Speaker 1: we got fiddler on the roof musical theater or not

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Speaker 1: musical theory at musical theater. Okay, absolutely great, checking that off.

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Speaker 1: All right, let's try this next one. A fiddler on

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Speaker 1: a roof musical theater. Musical theater really depends, really depends

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Speaker 1: on what on whether or not there is in fact

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Speaker 1: a spotlight on this fiddler on this roof. Okay, So

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Speaker 1: that's what distinguishes the musical theater fiddlers from the regular fiddlers,

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Speaker 1: because regular fiddlers, they're just doing it for ships and giggles. Yeah,

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Speaker 1: don't fucking swear on my show. Okay, don't swear on

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Speaker 1: my goddamn show. That's actually a game I like to

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Speaker 1: play when I hear a little kind of skirting noises

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Speaker 1: from over in the corner. I tried to guess whether

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Speaker 1: Bethelsa's having the ships or the giggles. That was pretty good,

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Speaker 1: Gold you know, like that one. Thank you, Just so

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Speaker 1: you know it's the shift. I rarely giggle unless we're

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Speaker 1: recording the podcast. Yeah, alright, let's let's go to this

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Speaker 1: next scenario already. All right, Okay, here we go, a

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Speaker 1: couple arguing in public musical theater or not musical theater.

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Speaker 1: If we're in tic tic boom, the musical musical theater.

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Speaker 1: If we're not tic tic booming, if we're not tictic booming,

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Speaker 1: not musical theater, not musical theater. Okay, great, alright, let's

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Speaker 1: go to this next one. We got when you put

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Speaker 1: a show on for your parents in your living room

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Speaker 1: musical theater, musical theater, musical theater. Wow, okay, you got

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Speaker 1: it right away. I had to jump in. Is just

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Speaker 1: something you've done, yes, when I was younger. Actually, I

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Speaker 1: used to stop Thanksgiving um every year and put on

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Speaker 1: a combination of any musical theater songs we wanted to

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Speaker 1: put on, normally from Wicked and normally the song what

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Speaker 1: is this feeling? Okay, I'm writing it down. I got

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Speaker 1: to write my mouth. Go ahead. Oh no, that's fine.

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Speaker 1: I also write it down for why isn't it cool?

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Speaker 1: Do you know what I can do it? Thank you

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Speaker 1: very much? Okay, it's pretty good. I'm pretty good in

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Speaker 1: my mouth. I can't wait to hear that voice. Then,

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Speaker 1: oh yeah, maybe I'm nervous alright, I don't make me sing. Well,

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Speaker 1: I'll be here with you, so don't even worry about it,

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Speaker 1: all right, I don't think about it. I don't think

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Speaker 1: about it. Yes, but I used to put on show

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Speaker 1: as musical theater. Let me ask, if you want to

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Speaker 1: write your own musical, what would it be called? That

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Speaker 1: is a great question, thank you. I'm tried my best.

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Speaker 1: I would have to say the title the musical would

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Speaker 1: be called Sparkly and Pink. The musical sparkling pink. You know,

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Speaker 1: sometimes I get sparkly and pink when the light hits

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Speaker 1: me just right, you know, I start a shimmer. It's

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Speaker 1: I look beautiful for about five seconds, and then it's

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Speaker 1: you know, back to worm. I'll have to come by

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Speaker 1: and then see that one time. Thank you. But what

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Speaker 1: would it be about sparkling pink? Um? I think it

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Speaker 1: would be uh an autobiographical uh story of my life

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Speaker 1: and how I've come into my own my own power

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Speaker 1: and uh. It would be um embracing femininity and also

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Speaker 1: understanding femininity in the context of stereotypes in the world. Listen,

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Speaker 1: I'm just a worm. But from where I'm squiggling, that

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Speaker 1: sounds like a great show. Thank you so much, i'd

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Speaker 1: get you free tickets. Of course. Well that'd be great.

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Speaker 1: You know, I can't escape the whole at the moment,

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Speaker 1: but once I do, you know, i'd be front row

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Speaker 1: ruining the view for everybody. Absolutely. All right, let's go.

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Speaker 1: Let let's go this next scenario. Let's see a really

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Speaker 1: crunchy leaf. Musical theater or not musical theater. I have

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Speaker 1: to tell you why I'm stumped on this one. I

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Speaker 1: really think, you know, at first, it's not musical theater, okay,

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Speaker 1: but then you know, if you start to see the

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Speaker 1: world in a sort of musical sort of way, the

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Speaker 1: crunch of a leaf could really be the percussion that

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Speaker 1: was needed for the day, an instrument of shorts, an

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Speaker 1: instrument um, sort of that extra flavor. You know, we

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Speaker 1: could probably put together. It's called an orchestra, right when

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Speaker 1: people play look at you? Yeah there, you know, I try.

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Speaker 1: I try. So maybe we can make an orchestra out

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Speaker 1: of all the garbage ship that's been thrown down here. Yeah,

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Speaker 1: I mean we got crunchy leaves, right, yeah, we got some.

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Speaker 1: We got a cool whip container. I bet when you

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Speaker 1: hit this is a nice noise. She ye oh yeah,

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00:23:43,400 --> 00:23:46,600
Speaker 1: that's pretty nice. So yeah, I think I've been leaning

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Speaker 1: on what I think isn't half eaten hot pocket. Oh yeah,

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Speaker 1: that's my half eaten hot pocket. Sorry, I left it

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Speaker 1: on the chair. The chair made out of mud. Yes,

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Speaker 1: but that could be an instrument. It coold, Okay, Yeah,

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00:23:59,720 --> 00:24:02,359
Speaker 1: I feel squishy sound. And when the mud leaks on

385
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Speaker 1: our collection of microwaves, it goes Oh yeah, I almost

386
00:24:06,119 --> 00:24:10,000
Speaker 1: forgot about our collection of microwaves. Yeah, that ding would

387
00:24:10,080 --> 00:24:13,840
Speaker 1: make for a good good orchestra section, the ding section.

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Speaker 1: I like that. Alright, let's see Okay, I gotta the

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Speaker 1: orchestra is down in a pit. Well, I feel seen.

390
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Speaker 1: I'm just gonna say it. I feel seen. Great, So

391
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Speaker 1: I could just be in the pit when I come

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Speaker 1: to your show. Oh my gosh, you know, I'm we'd

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Speaker 1: love to get you on. Maybe we can get you

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Speaker 1: on that cool webcam. I would love that. I'm gonna

395
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Speaker 1: start practicing. Alright, Okay, so I got I got two

396
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Speaker 1: more all let's see. Um Okay, a fart that started

397
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Speaker 1: a low pitch, it ends on a high note. Musical theater.

398
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Speaker 1: I'm not musical theater. Musical theater. Great, you're that one

399
00:24:51,960 --> 00:24:55,440
Speaker 1: seemed obvious. I'll just move right along. Here's my last one. Okay,

400
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Speaker 1: when a group of children come to the edge of

401
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Speaker 1: your whole and sing this song, don't go down into

402
00:25:03,240 --> 00:25:06,000
Speaker 1: that whole filled with mud and bugs and fowls. Don't

403
00:25:06,080 --> 00:25:09,040
Speaker 1: go down into that whole. There's a big, disgusting woman

404
00:25:09,080 --> 00:25:14,000
Speaker 1: worm down there. Musical theater or not musical theater. I'm

405
00:25:14,040 --> 00:25:18,080
Speaker 1: gonna say, the lyrics are a little bit far fetched. Um,

406
00:25:18,400 --> 00:25:21,280
Speaker 1: but musical theater. You know what I told him the

407
00:25:21,400 --> 00:25:24,400
Speaker 1: same thing. I said, the tunes pretty good. You gotta

408
00:25:24,480 --> 00:25:28,520
Speaker 1: work on the lyrics. It's just it's obvious, right it is.

409
00:25:29,080 --> 00:25:33,399
Speaker 1: Thank you for saying that. But musical theater. Musical theater. Okay, great,

410
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Speaker 1: Well that's all I got. Coutine. You've got any scenarios, yeah,

411
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Speaker 1: you know, unless they camp when everybody sings, I hope

412
00:25:41,520 --> 00:25:44,960
Speaker 1: you've had the time of your life and starts crying

413
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Speaker 1: and apologizes for how they've treated me. Is that musical theater? Oh?

414
00:25:49,600 --> 00:25:52,720
Speaker 1: Good one, That is a good one. And musical theater. Absolutely,

415
00:25:52,760 --> 00:25:55,920
Speaker 1: that is musical theater. That is probably one of the

416
00:25:56,000 --> 00:25:58,959
Speaker 1: most musical theater things you've said. Oh wow, I mean

417
00:25:59,000 --> 00:26:01,840
Speaker 1: I would love to watch it. Yes, I just I

418
00:26:01,920 --> 00:26:04,440
Speaker 1: just think about leaving. I did go to theater camp,

419
00:26:04,560 --> 00:26:08,359
Speaker 1: and I think about leaving this theater camp. Cotine, you

420
00:26:08,520 --> 00:26:12,320
Speaker 1: ran away from camp. That's how you fell in the whole. Yeah, wow,

421
00:26:12,400 --> 00:26:16,399
Speaker 1: tell us about theater camp. Well, um, you know, I

422
00:26:16,520 --> 00:26:21,119
Speaker 1: think about how we practically French kissed at the end

423
00:26:21,160 --> 00:26:24,040
Speaker 1: of camp after doing very much. What you said is

424
00:26:24,080 --> 00:26:26,000
Speaker 1: the French is a French kiss when you kiss with

425
00:26:26,080 --> 00:26:30,040
Speaker 1: a little mustache on. Uh, that's that's gonna be part

426
00:26:30,080 --> 00:26:33,960
Speaker 1: of it. Okay, great, especially if you're kissing Pierre Anitatomus

427
00:26:34,320 --> 00:26:41,399
Speaker 1: who was the French camper? All right he was? Um,

428
00:26:41,480 --> 00:26:46,679
Speaker 1: but yes, musical theater absolutely great. What else you got, Cotine? Uh?

429
00:26:47,080 --> 00:26:51,240
Speaker 1: What about rebooting some intellectual property from the Marvel Cinematic

430
00:26:51,440 --> 00:26:55,480
Speaker 1: universe in a really high value production that ends in

431
00:26:55,520 --> 00:26:58,760
Speaker 1: the deaths of multiple people? Is that musical theater? What

432
00:26:59,000 --> 00:27:02,200
Speaker 1: the fun? Did you just say? Yeah? What? I'm sorry?

433
00:27:02,600 --> 00:27:06,200
Speaker 1: Can you say it one more time? The whole thing? No?

434
00:27:06,560 --> 00:27:14,400
Speaker 1: Thank Cotine? What about no do it? What about when

435
00:27:14,480 --> 00:27:19,240
Speaker 1: you reboot intellectual property from the Marvel Cinematic universe in

436
00:27:19,280 --> 00:27:23,040
Speaker 1: a really kind intensity production that ends in the deaths

437
00:27:23,119 --> 00:27:27,800
Speaker 1: and injuries of multiple people? Is that musical theater, I'm

438
00:27:27,840 --> 00:27:33,760
Speaker 1: gonna have to say, um, unfortunately, yes, that is musical theater. Uh.

439
00:27:34,000 --> 00:27:39,040
Speaker 1: Spider Man the musical killed a few. Wow, spider Man.

440
00:27:39,240 --> 00:27:42,280
Speaker 1: That sounds like someone i'd be friends with. Warm and

441
00:27:42,359 --> 00:27:45,879
Speaker 1: spider Man. You know, wait, maybe if you bite me,

442
00:27:46,720 --> 00:27:50,800
Speaker 1: I'll get your magical wormpowers. Coltine, We've been over this.

443
00:27:51,040 --> 00:27:55,040
Speaker 1: I don't have teeth. Okay, damn it, We've tried. It

444
00:27:55,200 --> 00:27:57,600
Speaker 1: just ended up with me gumming your arm for like

445
00:27:57,760 --> 00:28:01,560
Speaker 1: an hour. Okay, Yes, it felt good though, Yeah, that's

446
00:28:01,560 --> 00:28:04,720
Speaker 1: why I never did it again. All Right, I have

447
00:28:04,800 --> 00:28:07,200
Speaker 1: another one. I have another one. Okay, great? What is it?

448
00:28:07,720 --> 00:28:10,719
Speaker 1: What about the racially driven gang wars of the nineteen

449
00:28:10,800 --> 00:28:15,320
Speaker 1: fifties is that musical theater? Wow? Um, this is above

450
00:28:15,400 --> 00:28:21,120
Speaker 1: my slimy head. Go ahead, avery, musical theater. Wow theater.

451
00:28:22,000 --> 00:28:23,920
Speaker 1: That also makes me think of there's a musical called

452
00:28:24,000 --> 00:28:29,119
Speaker 1: bugsy Malone, and that is twenties gangsters who shoot people,

453
00:28:29,720 --> 00:28:32,840
Speaker 1: but instead of shooting people with bullets, they shoot people

454
00:28:33,440 --> 00:28:36,160
Speaker 1: with pie. Well, so here's what I'm Here's what I'm

455
00:28:36,200 --> 00:28:39,520
Speaker 1: kind of getting about musical theater is that, as long

456
00:28:39,600 --> 00:28:43,200
Speaker 1: as it's got a musical element, pretty much anything can

457
00:28:43,240 --> 00:28:49,080
Speaker 1: be theater. Isn't that beautiful? That is so beautiful? Interesting? Interesting,

458
00:28:49,320 --> 00:28:51,880
Speaker 1: you know I'm doing Maybe, you know, maybe I can

459
00:28:51,960 --> 00:28:54,080
Speaker 1: have a show about a big worm that lives in

460
00:28:54,120 --> 00:28:56,240
Speaker 1: a hole in a cool teen that they have a

461
00:28:56,320 --> 00:29:00,720
Speaker 1: love hit relationship with. Yes, the advent terms of starting

462
00:29:00,760 --> 00:29:04,400
Speaker 1: a podcast. Honestly, that's not so different from the musical

463
00:29:04,520 --> 00:29:07,240
Speaker 1: I I said, I wanted to write. That's true. You know,

464
00:29:07,320 --> 00:29:09,840
Speaker 1: you're coming into your power, coming into that power. I

465
00:29:09,880 --> 00:29:11,640
Speaker 1: don't know what that means, but I like to out

466
00:29:11,680 --> 00:29:14,800
Speaker 1: of it. You got any you got any more scenario?

467
00:29:14,880 --> 00:29:17,800
Speaker 1: School team before we move on? Yeah, what about when

468
00:29:17,840 --> 00:29:19,680
Speaker 1: a group of children comes to the edge of the

469
00:29:19,760 --> 00:29:23,640
Speaker 1: hole and says, where are you? Where are you? Never mind?

470
00:29:23,880 --> 00:29:27,040
Speaker 1: We don't care God, the kids just come to the

471
00:29:27,120 --> 00:29:29,440
Speaker 1: hole and sing. It's like, I don't know who asked

472
00:29:29,480 --> 00:29:33,000
Speaker 1: him to. Yeah, but that group they have talent because

473
00:29:33,040 --> 00:29:36,000
Speaker 1: that song. I think their name was thin. Their name

474
00:29:36,080 --> 00:29:39,320
Speaker 1: was Search Party? Is that right? Or was it search

475
00:29:39,400 --> 00:29:42,600
Speaker 1: and Rescue something like that, something like that. Yeah, they

476
00:29:42,720 --> 00:29:46,520
Speaker 1: came in so briefly, you know, so so briefly, and

477
00:29:46,600 --> 00:29:49,240
Speaker 1: they were calling out to someone. I forget, I forget

478
00:29:49,320 --> 00:29:52,520
Speaker 1: the name. I don't know, but Oh was that was

479
00:29:52,560 --> 00:29:56,320
Speaker 1: that earlier today? Oh? Yeah, it happens all the time. Yeah,

480
00:29:56,400 --> 00:29:59,440
Speaker 1: because I think actually I saw them doing some jazz

481
00:29:59,440 --> 00:30:03,120
Speaker 1: squares while they were doing that. Oh wow, cool teen.

482
00:30:03,200 --> 00:30:06,120
Speaker 1: Maybe they're they're looking for you again, Maybe they maybe

483
00:30:06,160 --> 00:30:08,520
Speaker 1: they re up to the search. Maybe there's been uh

484
00:30:08,880 --> 00:30:11,200
Speaker 1: maybe one of our previous guests, you know, started a

485
00:30:11,240 --> 00:30:13,080
Speaker 1: little rumor that I was still a live down here,

486
00:30:13,120 --> 00:30:15,240
Speaker 1: and it gave some people hope, and they're finally gonna

487
00:30:15,280 --> 00:30:18,000
Speaker 1: come find me and escape me out of here. I

488
00:30:18,120 --> 00:30:23,160
Speaker 1: certainly hope not. I certainly hope not because I don't

489
00:30:23,160 --> 00:30:27,680
Speaker 1: want to be alone anymore. So you'd miss me? I mean,

490
00:30:27,760 --> 00:30:30,840
Speaker 1: I wouldn't I mean, and that I'd be furious you

491
00:30:30,960 --> 00:30:33,280
Speaker 1: left the whole without me. Yet, Well that's not what

492
00:30:33,400 --> 00:30:36,640
Speaker 1: you said. Would I have a vendetta? What you always say?

493
00:30:36,920 --> 00:30:39,840
Speaker 1: But just then, would I spend years training to go

494
00:30:40,000 --> 00:30:43,200
Speaker 1: to the surface and assassinate you? Yes, So if that's

495
00:30:43,240 --> 00:30:47,720
Speaker 1: what missing you is, then absolutely sure? Sure sure sure

496
00:30:48,400 --> 00:30:52,000
Speaker 1: you said that you'd be lonely. Fine, I miss you

497
00:30:52,040 --> 00:30:54,920
Speaker 1: a little bit. There we go. That's what I wanted

498
00:30:54,960 --> 00:30:57,360
Speaker 1: to hear. Don't make a thing out of it. Okay,

499
00:30:57,640 --> 00:30:59,520
Speaker 1: I'm looking away don't make a thing out of it,

500
00:30:59,680 --> 00:31:02,840
Speaker 1: or I won't let you play with the sticks. Deal.

501
00:31:04,640 --> 00:31:07,000
Speaker 1: But I'm I'm glad I witnessed that moment. I'm sorry.

502
00:31:07,040 --> 00:31:09,240
Speaker 1: I'm sorry you had to hear that. That was That

503
00:31:09,360 --> 00:31:11,680
Speaker 1: was fun. We try not to mix the personal with

504
00:31:11,880 --> 00:31:15,440
Speaker 1: the business. Yeah it's hard. You know, we're acquaintances, but

505
00:31:15,520 --> 00:31:19,440
Speaker 1: we also work together. Now show it's hard. I don't

506
00:31:19,480 --> 00:31:22,640
Speaker 1: overlap in the sections of our lives. Anyway. That was

507
00:31:22,720 --> 00:31:26,480
Speaker 1: my last That was my last great avery. I mean,

508
00:31:26,520 --> 00:31:28,600
Speaker 1: I think I've got a good grasp on musical theater

509
00:31:28,720 --> 00:31:31,560
Speaker 1: and I'm absolutely through. Oh my gosh, go tell all

510
00:31:31,600 --> 00:31:34,840
Speaker 1: your friends. I mean that, I'm so glad. I'm so glad.

511
00:31:35,000 --> 00:31:37,920
Speaker 1: Go tell all my what all of your friends, all

512
00:31:37,960 --> 00:31:43,520
Speaker 1: of your friends? What's a friend? It's um do you

513
00:31:43,600 --> 00:31:46,040
Speaker 1: know what? This were another for another time. I'll have

514
00:31:46,120 --> 00:31:49,160
Speaker 1: a friend expert come on, you know, for musical theater.

515
00:31:49,440 --> 00:31:50,960
Speaker 1: I don't want I don't want to burden you with

516
00:31:51,120 --> 00:32:09,640
Speaker 1: that question because it seems loaded. Alright, well, I'm excited.

517
00:32:09,720 --> 00:32:12,600
Speaker 1: Maybe we just hop into our third segment alright, which

518
00:32:12,680 --> 00:32:18,040
Speaker 1: I'm calling for those that gets her dirty. All right now,

519
00:32:18,960 --> 00:32:21,680
Speaker 1: for this segment, we're gonna do something different. I'm very

520
00:32:21,800 --> 00:32:25,440
Speaker 1: excited about it. Okay, so we're gonna take a brief break, right,

521
00:32:25,520 --> 00:32:29,040
Speaker 1: We're gonna stop recording. Then Avery and I are gonna

522
00:32:29,160 --> 00:32:33,600
Speaker 1: go rehearse what's called a musical duet, which I think

523
00:32:33,680 --> 00:32:37,080
Speaker 1: is a song with two people. Correct? Correct? Alright? Does

524
00:32:37,160 --> 00:32:40,240
Speaker 1: one person in a worm also work in this scenario?

525
00:32:40,360 --> 00:32:44,520
Speaker 1: It absolutely has to. Okay, great, I'm so excited. I'm nervous.

526
00:32:44,760 --> 00:32:47,200
Speaker 1: I'm so nervous to sing with you, Avery. Alright, so

527
00:32:47,320 --> 00:32:49,920
Speaker 1: we're gonna we're gonna stop recording, and then we'll be

528
00:32:50,080 --> 00:32:58,920
Speaker 1: right back. Alright, alright, we're back. Oh, Avery and I

529
00:32:59,080 --> 00:33:03,480
Speaker 1: have been. We're hear sing our little segmented booties off,

530
00:33:04,040 --> 00:33:09,800
Speaker 1: and I'm I'm really excited. Um uh, let's see, uh, cooteen,

531
00:33:09,920 --> 00:33:12,880
Speaker 1: do you wanna intro Avery and I in our song?

532
00:33:14,200 --> 00:33:19,440
Speaker 1: And now, creatures of the mud, put your appendages or

533
00:33:19,560 --> 00:33:24,360
Speaker 1: tails together for but fells of the muddy and avering

534
00:33:24,480 --> 00:33:29,240
Speaker 1: us bombed the pink and sparkly we go. I'm too excited.

535
00:33:29,400 --> 00:33:37,360
Speaker 1: Oh my gosh, sisters, sisters, there were never such devoting sisters.

536
00:33:38,760 --> 00:33:41,800
Speaker 1: I'm a giant worm down in a hole, that's true.

537
00:33:42,280 --> 00:33:48,720
Speaker 1: But pat doesn't stop me from loving you, carrying, sharing

538
00:33:50,120 --> 00:33:54,640
Speaker 1: every little thing that we are wearing. When a certain

539
00:33:54,760 --> 00:33:59,520
Speaker 1: gentelman arrived from Rome, she wore my extra skeleton and

540
00:33:59,640 --> 00:34:04,560
Speaker 1: ice dad home home games. Whoever, who is it? Together?

541
00:34:05,000 --> 00:34:08,400
Speaker 1: She slimmier than a suity hall. I can't help it.

542
00:34:09,040 --> 00:34:13,120
Speaker 1: Two different bodies, but both total hollies, you know. So

543
00:34:13,360 --> 00:34:18,720
Speaker 1: I'm a living feet dull. You are. Those who see

544
00:34:19,000 --> 00:34:24,560
Speaker 1: us always seem to want to get between us. Many

545
00:34:24,640 --> 00:34:27,040
Speaker 1: men have tried to let it it up, but no

546
00:34:27,480 --> 00:34:30,800
Speaker 1: one cap and the government tried to capture me to study.

547
00:34:31,880 --> 00:34:37,960
Speaker 1: Lord help the mister who humes between me and my sister,

548
00:34:39,040 --> 00:34:44,440
Speaker 1: and Lord help the sister who comes between me and

549
00:34:44,719 --> 00:34:49,400
Speaker 1: my man. You know. The other day two men approached

550
00:34:49,520 --> 00:34:52,120
Speaker 1: us and one said to me, what's happening to it?

551
00:34:52,320 --> 00:34:55,719
Speaker 1: Hell rude, I know. Then the other one threw a

552
00:34:55,800 --> 00:34:58,240
Speaker 1: net over me and tried to show me to the circus.

553
00:34:59,719 --> 00:35:06,720
Speaker 1: Da pickle, he sis not men? Who's there? Me? Sorry?

554
00:35:07,000 --> 00:35:09,640
Speaker 1: I just realized you aren't wearing any lipstick. Well, you know,

555
00:35:09,840 --> 00:35:15,840
Speaker 1: it's hard when you don't have any lips. You know.

556
00:35:16,239 --> 00:35:19,080
Speaker 1: They say the early bird gets the worm, but birds

557
00:35:19,120 --> 00:35:23,279
Speaker 1: tend to flee from her. It's my big personality. I've

558
00:35:23,360 --> 00:35:25,680
Speaker 1: got one. How can you tell which end of a

559
00:35:25,800 --> 00:35:29,080
Speaker 1: worm is which? Tickle it in the middle and see

560
00:35:29,080 --> 00:35:36,799
Speaker 1: which end laughs? Um no, that's like really fucked up.

561
00:35:38,560 --> 00:35:43,000
Speaker 1: Oh types of weather. He sick together, she'll fry if

562
00:35:43,080 --> 00:35:47,680
Speaker 1: she's out in the sob do it? Do different monies?

563
00:35:48,080 --> 00:35:51,959
Speaker 1: Both total horties, you know. So I breathe through my skin.

564
00:35:52,560 --> 00:35:59,839
Speaker 1: That's true. When she's malting, people find me totally disgusted.

565
00:36:01,120 --> 00:36:05,560
Speaker 1: But under all that slimer all a sister ever needs.

566
00:36:06,200 --> 00:36:12,480
Speaker 1: Thank you for saying that. Nor help the lister who

567
00:36:12,680 --> 00:36:18,480
Speaker 1: blows between me and my sister, and Lord help the

568
00:36:18,680 --> 00:36:31,839
Speaker 1: sister who goes between me and my man. Sister, sisters

569
00:36:35,560 --> 00:36:43,759
Speaker 1: don't come between me and my man who I don't know.

570
00:36:43,840 --> 00:36:47,120
Speaker 1: I'm so good. That was exhilarating. Oh my gosh, I

571
00:36:47,239 --> 00:36:50,880
Speaker 1: mean we just bounced off each other. That was magic, Avery.

572
00:36:51,040 --> 00:36:53,160
Speaker 1: What was that thing we did? Were we sang notes

573
00:36:53,280 --> 00:36:59,400
Speaker 1: that sounded good together? It was harmonizing, harmonizing. Wow, I

574
00:36:59,520 --> 00:37:04,960
Speaker 1: love that. I love that very much. You're you're pretty good, Avery,

575
00:37:05,040 --> 00:37:10,360
Speaker 1: stob cool teen is watching. I'm just being honest. I'd

576
00:37:10,400 --> 00:37:14,200
Speaker 1: look away, but I honestly can't. I am enraptured by that. Performance.

577
00:37:14,400 --> 00:37:18,080
Speaker 1: You know, Avery, sometimes you know, if you want to

578
00:37:18,239 --> 00:37:21,600
Speaker 1: come back ever cool teen could have put their fingers

579
00:37:21,680 --> 00:37:24,440
Speaker 1: in their ears and close their eyes and uh, I

580
00:37:24,480 --> 00:37:27,600
Speaker 1: don't know, maybe we could do another type of do

581
00:37:27,760 --> 00:37:31,880
Speaker 1: it or something another. Forget it, never mind, forget it,

582
00:37:31,920 --> 00:37:34,240
Speaker 1: never mind, never mind. I didn't mean. I'm just kidding.

583
00:37:35,680 --> 00:37:38,719
Speaker 1: I'm kidding. We should keep our relationship professional for the

584
00:37:38,880 --> 00:37:42,360
Speaker 1: musicals we're gonna write. Absolutely, I'm not in the market

585
00:37:42,440 --> 00:37:46,399
Speaker 1: for anything other than a musical theater partner. Oh my god,

586
00:37:46,520 --> 00:37:49,120
Speaker 1: me either, yeah, me either. I love being Shingle, Yeah,

587
00:37:50,480 --> 00:37:54,399
Speaker 1: I love it. Yeah. Well, Avery, this was fantastic. Every

588
00:37:54,520 --> 00:37:57,440
Speaker 1: Is there anything you'd like to plug, anything you're working on,

589
00:37:57,640 --> 00:38:03,560
Speaker 1: anything at all. I'd love to plug my Instagram great, yes,

590
00:38:03,840 --> 00:38:09,719
Speaker 1: which is uh the Cosmic Dreamer Queen. And I'd also

591
00:38:09,840 --> 00:38:14,840
Speaker 1: like to plug that I'm writing a musical. Yes, I

592
00:38:14,920 --> 00:38:17,680
Speaker 1: am writing a musical. How dare you keep this from us?

593
00:38:19,480 --> 00:38:21,880
Speaker 1: And it is? Um I'll give you a little elevator

594
00:38:21,920 --> 00:38:26,959
Speaker 1: pitch about it. But it's basically about aliens who heard

595
00:38:27,120 --> 00:38:32,560
Speaker 1: music from the Golden Voyager and they don't like it,

596
00:38:32,640 --> 00:38:35,759
Speaker 1: so they come to Earth destroy Earth. That I get,

597
00:38:36,440 --> 00:38:39,239
Speaker 1: But then they hear musical theater and they fall in

598
00:38:39,320 --> 00:38:43,240
Speaker 1: love with earth music because of musical theater. Oh, please

599
00:38:43,320 --> 00:38:45,640
Speaker 1: let me audition, Please let me audition for an alien

600
00:38:45,719 --> 00:38:48,440
Speaker 1: please please, I beg you absolutely, just have your agent

601
00:38:48,560 --> 00:38:52,040
Speaker 1: call us and we will absolutely. Okay, great, my agent

602
00:38:52,200 --> 00:38:54,799
Speaker 1: is cool. Teen? Is that all right? Cool? Teen? We'll

603
00:38:54,880 --> 00:38:56,920
Speaker 1: we'll be in touch. All right. Well, we got to

604
00:38:57,000 --> 00:39:01,120
Speaker 1: discuss rates up top. You get nothing. I think that's

605
00:39:01,239 --> 00:39:08,160
Speaker 1: that's fair unbelievable. Well, folks, that is our episode, more specifically,

606
00:39:08,760 --> 00:39:12,320
Speaker 1: our last episode, at least for the time being, because

607
00:39:12,480 --> 00:39:16,719
Speaker 1: I have to shed my exoskeleton and it is very

608
00:39:16,840 --> 00:39:20,680
Speaker 1: complicated and painful and takes forever. Yeah, but hopefully we'll

609
00:39:20,719 --> 00:39:23,759
Speaker 1: be back soon. Oh yeah, it's a really dark time

610
00:39:23,840 --> 00:39:27,279
Speaker 1: when but fells to sheds exoskeleton. So if if anyone's

611
00:39:27,320 --> 00:39:31,120
Speaker 1: listening and you stumble upon a deep hole in the

612
00:39:31,200 --> 00:39:34,440
Speaker 1: woods near a camp that was supposed to be, you know,

613
00:39:35,000 --> 00:39:39,000
Speaker 1: a dump for bile hazards, please please please put a

614
00:39:39,160 --> 00:39:48,160
Speaker 1: really long ladder down. But if not, stay moddy, everybody. Sisters, sisters,

615
00:39:49,320 --> 00:39:54,120
Speaker 1: there were never such devoted sisters, never had to have

616
00:39:54,280 --> 00:39:59,360
Speaker 1: a chaperon. No, sir, I'm here to keep mid on

617
00:39:59,719 --> 00:40:06,880
Speaker 1: her here carrying, sharing every little thing that we are wearing.

618
00:40:08,320 --> 00:40:12,799
Speaker 1: When a certain gentleman a wrong from wrong, she wore

619
00:40:12,920 --> 00:40:14,920
Speaker 1: the dress and I stayed on