1 00:00:01,920 --> 00:00:07,120 Speaker 1: Welcome to brain Stuff production of iHeart Radio. Hey brain Stuff, 2 00:00:07,200 --> 00:00:09,720 Speaker 1: Lauren vog Obam here with another classic episode from our 3 00:00:09,840 --> 00:00:13,640 Speaker 1: archive and from our former host, Christian Sager. If you've 4 00:00:13,680 --> 00:00:17,000 Speaker 1: ever watched old movies, say from the nineties or earlier, 5 00:00:17,320 --> 00:00:20,040 Speaker 1: or listen to old radio plays, you may have noticed 6 00:00:20,079 --> 00:00:23,119 Speaker 1: that the accents American actors used were different than what 7 00:00:23,160 --> 00:00:26,240 Speaker 1: we hear today. There's a reason for that, and this 8 00:00:26,280 --> 00:00:31,360 Speaker 1: episode explains it. Hey brain Stuff, it's Christian Sager here. 9 00:00:31,480 --> 00:00:34,720 Speaker 1: If you have ever heard old movies or newsreels from 10 00:00:34,720 --> 00:00:37,839 Speaker 1: the thirties or forties, then you've probably heard that weird 11 00:00:38,280 --> 00:00:40,920 Speaker 1: old timey voice. You know, it sounds something like this. 12 00:00:41,479 --> 00:00:44,360 Speaker 1: Now see here, Mr Weather's being there's no money in 13 00:00:44,479 --> 00:00:47,640 Speaker 1: dog racing. The future is radio. You hear me radio? 14 00:00:48,280 --> 00:00:51,240 Speaker 1: It sounds a little like a blend between American English 15 00:00:51,240 --> 00:00:55,520 Speaker 1: and a form of British English. So what is this cadence? Exactly? 16 00:00:55,960 --> 00:00:59,640 Speaker 1: This type of pronunciation is actually called the Transatlantic or 17 00:01:00,120 --> 00:01:03,280 Speaker 1: mid Atlantic accent, and it isn't like most other accents. 18 00:01:03,320 --> 00:01:07,679 Speaker 1: Instead of naturally evolving, the trans Atlantic accent was acquired. 19 00:01:08,040 --> 00:01:10,360 Speaker 1: This means that people in the United States were taught 20 00:01:10,400 --> 00:01:14,480 Speaker 1: to speak in this voice Historically, Transatlantic speech was the 21 00:01:14,560 --> 00:01:19,399 Speaker 1: hallmark of aristocratic America and theater. In upper class boarding 22 00:01:19,400 --> 00:01:23,800 Speaker 1: schools across New England, students learned the Transatlantic accent as 23 00:01:23,800 --> 00:01:28,160 Speaker 1: an international norm for communication, similar to the way posh 24 00:01:28,200 --> 00:01:32,520 Speaker 1: British society used received pronunciation. Essentially, that's the way the 25 00:01:32,600 --> 00:01:36,360 Speaker 1: queen and aristocrats are taught to speak. It has several 26 00:01:36,520 --> 00:01:40,280 Speaker 1: quasi British elements, such as a lack of roticity. This 27 00:01:40,400 --> 00:01:43,640 Speaker 1: means that mid Atlantic speakers drop their rs at the 28 00:01:43,760 --> 00:01:48,040 Speaker 1: end of words like winna or clea. They'll also use 29 00:01:48,240 --> 00:01:52,639 Speaker 1: softer British vowels daunce instead of dance, for instance. Another 30 00:01:52,720 --> 00:01:56,680 Speaker 1: thing that stands out is the emphasis on clipped sharp teas. 31 00:01:57,120 --> 00:02:00,360 Speaker 1: In American English, we often pronounced the tea in words 32 00:02:00,440 --> 00:02:05,760 Speaker 1: like writer or water as d's. Transatlantic speakers will hit 33 00:02:05,880 --> 00:02:10,120 Speaker 1: that t like it stole something writer water. But again, 34 00:02:10,440 --> 00:02:14,440 Speaker 1: this speech pattern isn't completely British, nor is it really 35 00:02:14,480 --> 00:02:17,839 Speaker 1: completely American. Instead, it's a form of English that's hard 36 00:02:17,880 --> 00:02:21,200 Speaker 1: to place, and that's part of why Hollywood loved it. 37 00:02:21,480 --> 00:02:26,679 Speaker 1: There's also a theory that technological constraints helped mid Atlantic's popularity. 38 00:02:26,720 --> 00:02:32,000 Speaker 1: According to professor J. Oberski. This nasally clipped pronunciation is 39 00:02:32,040 --> 00:02:35,800 Speaker 1: a vestiage from the early days of radio Receivers had 40 00:02:36,160 --> 00:02:38,640 Speaker 1: very little based technology at the time, and it was 41 00:02:38,800 --> 00:02:42,800 Speaker 1: very difficult, if not impossible, to hear based tones on 42 00:02:42,840 --> 00:02:45,200 Speaker 1: your home device. Now we live in an age where 43 00:02:45,240 --> 00:02:49,320 Speaker 1: based technology booms from the trunks of cars all across America. 44 00:02:49,639 --> 00:02:53,360 Speaker 1: So what happened to the Transatlantic accent. Well, it's no 45 00:02:53,480 --> 00:02:58,359 Speaker 1: longer the common tongue of elite boarding schools. Linguist William 46 00:02:58,480 --> 00:03:01,800 Speaker 1: Labov notes that mid Lantic speech fell out of favor 47 00:03:01,840 --> 00:03:06,120 Speaker 1: after World War Two, as fewer teachers continued teaching the 48 00:03:06,160 --> 00:03:09,960 Speaker 1: pronunciation to their students. That's one of the reasons this 49 00:03:10,000 --> 00:03:13,560 Speaker 1: speech sounds so old timey to us today. When people 50 00:03:13,639 --> 00:03:17,000 Speaker 1: learn it, they're usually learning it for acting purposes rather 51 00:03:17,080 --> 00:03:20,520 Speaker 1: than for everyday use. However, we can still hear the 52 00:03:20,520 --> 00:03:24,200 Speaker 1: effects of mid Atlantic speech in recordings of everyone from 53 00:03:24,360 --> 00:03:30,280 Speaker 1: Katherine Hepburn to Franklin D. Roosevelt, and of course countless films, newsreels, 54 00:03:30,320 --> 00:03:38,880 Speaker 1: and radio shows from the thirties and forties. Today's episode 55 00:03:38,880 --> 00:03:41,160 Speaker 1: was written by Ben Bolan and produced by Tyler Klang. 56 00:03:41,400 --> 00:03:43,119 Speaker 1: For more on this and lots of other topics visit 57 00:03:43,120 --> 00:03:45,720 Speaker 1: how stuffworks dot com. Brain Stuff is production of by 58 00:03:45,760 --> 00:03:48,360 Speaker 1: Heart Radio. For more podcasts my heart Radio, visit the 59 00:03:48,480 --> 00:03:51,120 Speaker 1: heart Radio app, Apple Podcasts, or wherever you listen to 60 00:03:51,120 --> 00:03:51,960 Speaker 1: your favorite shows.