WEBVTT - Venom w/ Joe Grifasi

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories done done?

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<v Speaker 2>Yay, that's messed up.

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<v Speaker 1>In Sview podcast, I'm Liza Traeger. I'm Kara Klank you

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<v Speaker 1>guys hopefully by now. Episode two eighty six, Get the

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<v Speaker 1>Drill It's SVU episode recaps true crime deep dives and

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<v Speaker 1>interviews with actors and other interesting people.

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<v Speaker 2>Were trust the dollars and I need people to start

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<v Speaker 2>talking about it. I need because people respect. But some

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<v Speaker 2>people are like, oh, how do you choose someone? How

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<v Speaker 2>do you choose guests for your podcast? I go, do

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<v Speaker 2>you even know what I'm doing here? I got a

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<v Speaker 2>lot of investigations or something.

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<v Speaker 1>Someone will be like, my husband plays a waiter with

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<v Speaker 1>no lines. Do you want to talk to him? I'm like,

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<v Speaker 1>what would what would we what would.

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<v Speaker 4>We talk about?

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<v Speaker 2>Honestly, we could find things to talk about. That's our skill.

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<v Speaker 2>That another skill we have that would be able to

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<v Speaker 2>talk to him.

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<v Speaker 1>But we do try to get people that are at

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<v Speaker 1>least in a one meaty scene.

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<v Speaker 2>One meaty scene is but we would take questlove as

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<v Speaker 2>a dead body. That's true.

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<v Speaker 1>Oh yeah, so that's different that one dead body I

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<v Speaker 1>would take or what well, No, I was just gonna

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<v Speaker 1>say it. Continuing our our constant quest for expertise in

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<v Speaker 1>the field of law and order and the SPU universe,

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<v Speaker 1>we did talk about exhumations on the last episode Bound

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<v Speaker 1>and we did get a ping from our list one

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<v Speaker 1>of our listeners who is a forensic anthropologist, and she said,

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<v Speaker 1>regarding your exhamation question, she goes, I, actually we had

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<v Speaker 1>to apply for a grant to do this work. Here's

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<v Speaker 1>a quick breakdown because we were wondering, like who pays

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<v Speaker 1>for an exhormation? Like is it the family? Is it

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<v Speaker 1>the cops? Like is it the courts? Like who pays

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<v Speaker 1>for that? How does that get done? She said? Processes

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<v Speaker 1>vary by state and district. Cemeteries are typically involved and

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<v Speaker 1>compensated for equipment. Petitions go through attorneys at the request

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<v Speaker 1>of the EMMY, police, et cetera. For cold cases, grants

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<v Speaker 1>can be applied for or the requesting police department EMY

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<v Speaker 1>can cover the costs. Families can sometimes pay depending on

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<v Speaker 1>local laws, but they would pay for everything. Exhamations are

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<v Speaker 1>usually only approved for unexplained, sudden, violent, or suspicious deaths,

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<v Speaker 1>so you can't like exzoom your grandma that like just

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<v Speaker 1>past dinner sleep. Cost Wise, full service companies legal through

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<v Speaker 1>actual exclamation run about ten thousand per case, not including

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<v Speaker 1>scientific analysis. Exhamation alone typically ranges five k to ten k,

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<v Speaker 1>cheaper than I thought. To be honest, I thought a

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<v Speaker 1>government service they would be patting that shit. I thought

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<v Speaker 1>it was gonna be like thirty K to take a

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<v Speaker 1>body out of the ground, and it's five to ten

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<v Speaker 1>k just to get the body out of the ground,

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<v Speaker 1>usually dependent on the digging vendor. Love this information. Thank

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<v Speaker 1>you so much to our extremely talented listener who gave

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<v Speaker 1>us all the information about exhamations.

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<v Speaker 2>That is incredible. And then I had a message that

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<v Speaker 2>I'm not finding but the old woman that killed everyone,

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<v Speaker 2>the like the one the from bound that at the

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<v Speaker 2>same episode, someone knows someone that lived in that house afterwards,

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<v Speaker 2>Dorothea or Dorothea's house. Yeah yeah, So whoa kind of

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<v Speaker 2>thrilling or not or distasting yeah yeah, or Sam Dam

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<v Speaker 2>dam or scary as fuck.

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<v Speaker 1>I mean, our listeners are so connected. People are like

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<v Speaker 1>I've vacation, I've I've met the Murdochs down in South Carolina.

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<v Speaker 1>Like when we talk about stuff, everyone's like, I actually

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<v Speaker 1>know the guy who had too many babies, gave too

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<v Speaker 1>much sperm and had too many babies, Like we like,

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<v Speaker 1>you know you guys never cease to amaze a sou

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<v Speaker 1>Please keep the personal connections coming, Kara.

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<v Speaker 2>I was at like a big dinner yesterday, probably like

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<v Speaker 2>you know, an event type thing, and a friend at

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<v Speaker 2>the other end of the table goes, wait, who's poking

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<v Speaker 2>holes in condoms? And I'm like John Stamo's in SVU,

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<v Speaker 2>Like that's what I'm talking about.

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<v Speaker 1>Sorry, they just overheard you. Yeah. I just never take

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<v Speaker 1>a day off, you know what I mean, No day's off.

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<v Speaker 2>Or like when people see me in Soul Cycle and

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<v Speaker 2>I'm in an SVU sweatshirt, I'm like, I do I live,

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<v Speaker 2>I walk the walk.

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<v Speaker 1>I walk the talk. I do it.

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<v Speaker 2>Yeah yeah, yeah, I truly do it. No.

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<v Speaker 1>I'm always talking about parenting issues with people and I'm like,

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<v Speaker 1>and you know what can happen? And people are like, wow,

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<v Speaker 1>that's dark. I go you know you know who you

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<v Speaker 1>were talking to, Like, yeah, this is what I'm researching

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<v Speaker 1>and reading all day. Wait what are you gonna?

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<v Speaker 2>What's the theme for Oscar's birthday? What is he asking for?

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<v Speaker 2>What does he want?

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<v Speaker 1>So his birthday is today, as I mean as not

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<v Speaker 1>the day we're recording this, but the day this is

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<v Speaker 1>coming out. Thank you, So happy birthday, Oscar. Everybody drop

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<v Speaker 1>a happy birthday Oscar comment and I will show them

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<v Speaker 1>to him.

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<v Speaker 2>No, but he.

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<v Speaker 1>You know, he's still on his Butterflies Unicorns kick. He's

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<v Speaker 1>getting a new pink and purple bike. I got him

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<v Speaker 1>a little butterfly bell for it and a little cute helmet.

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<v Speaker 1>He's getting some more Gabby's dollhouse stuff to add to

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<v Speaker 1>the dollhouse that you gave him for his birthday a

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<v Speaker 1>couple of years ago. He still needs a couple of

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<v Speaker 1>rooms for that, cause you know, you can't just buy

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<v Speaker 1>the dollhouse comes with a couple of rooms, but you

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<v Speaker 1>got to buy the rest of the rooms. You know,

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<v Speaker 1>That's how these things work. Get them hooked. He's getting

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<v Speaker 1>like a couple of Yodo cards all this stuff. He's

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<v Speaker 1>not actually having a birthday party. We're going to Knotsberry

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<v Speaker 1>Farm and he's really excited. And they've never been cute

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<v Speaker 1>because you know, we've been doing experiences over parties. So

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<v Speaker 1>we're doing a little we're doing a little note and

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<v Speaker 1>he'll bring cupcakes to school and everything, and he really

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<v Speaker 1>wants me to get a goodie bag. But the goodie

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<v Speaker 1>bags are just literally plastic trash.

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<v Speaker 2>But you know what, my sister would do one big thing,

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<v Speaker 2>like why don't you You can get kids like a journal

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<v Speaker 2>and a pen, right, we.

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<v Speaker 1>Did for rosies a few years ago. We got them

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<v Speaker 1>little clipboards, and we gave with coloring pages, and we

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<v Speaker 1>gave them crayons. I have to I gotta get on that.

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<v Speaker 1>It's like it's it's very coming up.

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<v Speaker 2>So what about those things that's like a mitt with

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<v Speaker 2>the velcro and you can throw the ball? Oh yeah,

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<v Speaker 2>those are cute.

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<v Speaker 1>Yeah, there has to be.

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<v Speaker 2>Something that's also not expensive but actually like a one

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<v Speaker 2>big usable thing, because I get what you mean.

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<v Speaker 1>You don't want a bag of trash, a bag of trash.

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<v Speaker 1>And then it's like times eighteen. It's like even if

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<v Speaker 1>I find something like, you know, cute, for like ten dollars,

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<v Speaker 1>its like times eighteen, I'm spending two hundred bucks on

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<v Speaker 1>these goodie bags.

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<v Speaker 2>Like I don't know, it's just like you know, I

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<v Speaker 2>thought goodie bags would have ended, like, I can't believe

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<v Speaker 2>goodie bag culture.

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<v Speaker 1>Is no if God culture is all live and well.

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<v Speaker 1>I thought we all agreed to stop, and it's alive

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<v Speaker 1>and well, like people are doing it and I got

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<v Speaker 1>something to say.

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<v Speaker 2>You got something bad about bags? But my sister always

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<v Speaker 2>at such good party, isn't she just always try to

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<v Speaker 2>do one big gift. But she also like in her house,

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<v Speaker 2>because we all have shopping addictions and stuff, she had

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<v Speaker 2>like a gift drawer, so like if you needed a

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<v Speaker 2>last minute gift, you could just go to this closet

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<v Speaker 2>and it has gifts.

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<v Speaker 1>My friend's mom had that, and I was always like,

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<v Speaker 1>that's so luxurious. You know, what is this good or bad?

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<v Speaker 1>I think this was cute.

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<v Speaker 2>Like the kids like and they spend as much money

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<v Speaker 2>as the kid is turning. Oh so if everyone just

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<v Speaker 2>brings seven dollars for the seven year old's party, and

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<v Speaker 2>then everyone then it's like, you know, fifteen kids come

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<v Speaker 2>and then he can and then here she can go

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<v Speaker 2>buy whatever he wants. Yeah, yeah, that's a great.

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<v Speaker 1>I don't know if we say no gifts, I will

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<v Speaker 1>say I will say no gifts is getting more popular.

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<v Speaker 2>A lot of people, Yes, but then everyone's still gonna

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<v Speaker 2>bring a gift. There's no way I'm gonna come to

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<v Speaker 2>a kids party and not bring a gift. There's just

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<v Speaker 2>no way in hell the way. There's no way in

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<v Speaker 2>hell do books do a there's no that is actually

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<v Speaker 2>specif against your culture. And I can't believe I brought

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<v Speaker 2>it up for a child.

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<v Speaker 1>Yeah, well now I'm want to redd it. Now I'm

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<v Speaker 1>on to redd it at all party favorite bags that

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<v Speaker 1>aren't plastic jumps, so I'll be down this rabbit hole.

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<v Speaker 2>Or like the but the blind box gifts aren't cheap,

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<v Speaker 2>like do you know? Like that's because I was like,

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<v Speaker 2>those are like surprise things are so fun. But yeah,

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<v Speaker 2>you know, I don't know. I love stickers, but that's

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<v Speaker 2>you know, maybe it's just me.

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<v Speaker 1>Yeah, stickers and temporary tattoos are really big, so maybe

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<v Speaker 1>I'll I'll look into that.

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<v Speaker 2>But I have a tale.

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<v Speaker 1>I have a story. Okay, what's the tale?

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<v Speaker 2>So I go into soul cycle like I do, and

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<v Speaker 2>it's Sunday and a girl is on the verge of

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<v Speaker 2>tears like one of my young you know, one of

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<v Speaker 2>my young friends, and I go, what's going on? She's

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<v Speaker 2>talking too she's in distress. She goes, I just got scammed.

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<v Speaker 2>I tried to get Moona tickets. I spent four hundred

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<v Speaker 2>dollars and it's a fake ticket.

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<v Speaker 1>Do I try?

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<v Speaker 2>I go? I know them, I go, I bet I

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<v Speaker 2>can get you a ticket. And so I I text

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<v Speaker 2>Naomi from Muna, which is insane of me because they're

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<v Speaker 2>clearly getting ready for a show. Like Also, I have

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<v Speaker 2>to preface. I had to margaritas in a shot before

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<v Speaker 2>class on a net, so I'm sorry. I forgot to wait.

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<v Speaker 2>What well, because it was like a warm ass day

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<v Speaker 2>and I went to the park to read.

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<v Speaker 1>It was a Sunday.

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<v Speaker 2>I went to the park to read, and then I

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<v Speaker 2>went to a bar in my neighborhood for a meal

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<v Speaker 2>and it was two to five, was a happy hours

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<v Speaker 2>dollar fifty East Coast oysters. So I had oysters, a

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<v Speaker 2>couple of margarita's. I'm friends with the bartender. I got

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<v Speaker 2>a free a free shot. Yeah. And then I went

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<v Speaker 2>to soul Cycle. So I was also feeling loose. I

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<v Speaker 2>don't know if what I did is embarrassing. But then

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<v Speaker 2>I texted Kate Berlant and yeah, they set it up.

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<v Speaker 2>So I brought I brought this person to Muna and

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<v Speaker 2>I wouldn't have gone, which is crazy because I love

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<v Speaker 2>Muna and it was electric. Anyone that I was thinking

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<v Speaker 2>of going in the fall on their tour, you have

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<v Speaker 2>to go. The new album is so good. They're such

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<v Speaker 2>good performers. It's also like the sexiest tattest show. I

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<v Speaker 2>was like, Kate, are you just like horny every show?

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<v Speaker 2>Like it's just like such a sexual show. The lighting's incredible.

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<v Speaker 2>There's such good performers. They played the whole album and

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<v Speaker 2>then they played like five other songs and it was incredible.

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<v Speaker 1>It was incredible, and it's weird. I wouldn't have gone.

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<v Speaker 1>Do you know, are you friends with this girl from

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<v Speaker 1>Soul Cycle or it's like a just like an acquaintance

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<v Speaker 1>or acquaintance. So it was weird of course. And yeah,

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<v Speaker 1>she's like twenty four. She's a very nice thing to do.

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<v Speaker 2>You know me with a couple margerite, I will buy

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<v Speaker 2>all the costumes for Shrek, like I'll do whatever, like

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<v Speaker 2>if you catch me I had me a little tipsy,

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<v Speaker 2>I'll set it up. But then I think to the matter,

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<v Speaker 2>like then I of course, I'm like, was it weird?

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<v Speaker 2>Did I do something weird, did I bring like a

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<v Speaker 2>child to this show? Like should I have just let her?

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<v Speaker 2>Like should I have let her barrow her own friend

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<v Speaker 2>and I go separate? But at the end of the day,

0:10:56.400 --> 0:10:58.040
<v Speaker 2>like who cares? And it was fun.

0:10:58.679 --> 0:11:01.880
<v Speaker 1>Wow, it's so great. It's like I went into soil

0:11:01.960 --> 0:11:04.079
<v Speaker 1>Cycle and this girl at so Cycle got me and

0:11:04.120 --> 0:11:06.160
<v Speaker 1>like the honestly, probably just makes you feel better about

0:11:06.160 --> 0:11:09.440
<v Speaker 1>losing four hundred fucking bucks, you know, yeau, we are

0:11:09.480 --> 0:11:12.599
<v Speaker 1>in the age of the damn scam. So yeah, we

0:11:12.880 --> 0:11:16.320
<v Speaker 1>met for a margarita, like it was a crazy thing.

0:11:16.360 --> 0:11:18.400
<v Speaker 2>And then I questioned if like what I did was

0:11:18.440 --> 0:11:21.120
<v Speaker 2>like annoying and weird, should I send them something?

0:11:21.120 --> 0:11:24.000
<v Speaker 1>But I'm glad I saw the concert. I think it's great.

0:11:24.840 --> 0:11:27.400
<v Speaker 1>I just can't believe I'm evening everything. Listen, have I

0:11:27.480 --> 0:11:30.240
<v Speaker 1>worked out after a happy hour? Absolutely not since I

0:11:30.360 --> 0:11:34.640
<v Speaker 1>was twenty six, probably, Like no, I impressed myself daily.

0:11:34.720 --> 0:11:37.640
<v Speaker 2>Oh you don't know what stand. I impressed myself constantly,

0:11:37.720 --> 0:11:41.120
<v Speaker 2>Like because listen, when you know, when the weather hits

0:11:41.120 --> 0:11:44.079
<v Speaker 2>in New York, there's nothing like it not turning down.

0:11:44.320 --> 0:11:46.719
<v Speaker 1>I'm having a midday drink. But you also got to

0:11:46.760 --> 0:11:48.920
<v Speaker 1>get to the gym. And stay healthy, you know.

0:11:49.040 --> 0:11:51.000
<v Speaker 2>And then I ended up at Moona that night like

0:11:51.120 --> 0:11:52.720
<v Speaker 2>I was just gonna clean. I'm just gonna have a

0:11:52.800 --> 0:11:56.520
<v Speaker 2>chill Sunday. It was actually like quite exhausted. I think,

0:11:56.640 --> 0:11:58.920
<v Speaker 2>you know, I did spots till late at night. But

0:11:58.960 --> 0:12:03.480
<v Speaker 2>I woke up this morning and I wasn't feeling I'll

0:12:03.520 --> 0:12:05.840
<v Speaker 2>be on it. I wasn't doing well. But then I

0:12:05.880 --> 0:12:08.440
<v Speaker 2>opened my laptop to watch the mes views for our

0:12:08.480 --> 0:12:12.200
<v Speaker 2>profession and I look at my screen. Is me blacked

0:12:12.200 --> 0:12:15.160
<v Speaker 2>out drunk signing up for three food bank shifts for June.

0:12:16.800 --> 0:12:20.959
<v Speaker 1>Just like, no, I think it's good. I think it's good.

0:12:21.120 --> 0:12:24.240
<v Speaker 1>Of course you're working out, you're drunk giving to charity

0:12:24.320 --> 0:12:27.400
<v Speaker 1>or donating your time to charity. You're drunk giving helping

0:12:27.400 --> 0:12:29.160
<v Speaker 1>people that have been scammed. I mean, as far as

0:12:29.160 --> 0:12:29.880
<v Speaker 1>I'm concerned.

0:12:30.640 --> 0:12:33.960
<v Speaker 2>Yeah, Like I'm such a fun drunk, like I really am.

0:12:34.000 --> 0:12:35.400
<v Speaker 1>I think knock on wood.

0:12:35.400 --> 0:12:39.560
<v Speaker 2>I really don't want it to ever shift, you know,

0:12:39.559 --> 0:12:42.600
<v Speaker 2>I don't want to get too cocky. But then so

0:12:42.679 --> 0:12:44.920
<v Speaker 2>after I went to an event yesterday. It was supposed

0:12:44.960 --> 0:12:47.440
<v Speaker 2>to be chill, but then me and two other girls

0:12:47.440 --> 0:12:50.079
<v Speaker 2>were like, let's just grab one more, and it's New York.

0:12:50.280 --> 0:12:51.920
<v Speaker 2>So the patios aren't real, and it was like in

0:12:51.960 --> 0:12:55.480
<v Speaker 2>the streets and it was like covered like the plastic horses,

0:12:55.960 --> 0:12:58.280
<v Speaker 2>and the other two girls didn't want to sit there,

0:12:58.320 --> 0:13:00.480
<v Speaker 2>and I went, Okay, you guys are ring fucking annoying.

0:13:00.480 --> 0:13:03.280
<v Speaker 2>What because it's plastic, Like, let's fucking sit outside. A

0:13:03.320 --> 0:13:08.120
<v Speaker 2>garbage truck comes immediately immediately, so now it's like we

0:13:08.160 --> 0:13:11.080
<v Speaker 2>are sitting at the table as and the garbage truck

0:13:11.120 --> 0:13:13.520
<v Speaker 2>had work to do, so it was like like five minutes.

0:13:13.559 --> 0:13:16.480
<v Speaker 2>It was five minutes in our faces. Even the server

0:13:16.640 --> 0:13:21.360
<v Speaker 2>was like, wow, what a nightmare. I'm like yeah. But

0:13:21.360 --> 0:13:23.559
<v Speaker 2>then I'm amazing now that I'm obsessed with this bar

0:13:23.600 --> 0:13:25.400
<v Speaker 2>in my you know, I've had my coffee shop, and

0:13:25.440 --> 0:13:28.200
<v Speaker 2>now that I found this bar, it's open till four,

0:13:28.320 --> 0:13:32.840
<v Speaker 2>kitchen till four. What yeah?

0:13:33.080 --> 0:13:35.200
<v Speaker 1>Ah, that's that would have really solved am And then

0:13:35.240 --> 0:13:38.480
<v Speaker 1>I started talking to a guy next to me, and

0:13:38.640 --> 0:13:40.840
<v Speaker 1>he works at this other spot that I go to.

0:13:41.120 --> 0:13:43.120
<v Speaker 2>So I'm about to even hit a new level in

0:13:43.160 --> 0:13:46.880
<v Speaker 2>my neighborhood. Like yeah, I'm excited. I'm excited for this summer.

0:13:47.120 --> 0:13:49.000
<v Speaker 2>I'm like I'm pumped.

0:13:49.320 --> 0:13:51.240
<v Speaker 1>And if you're on, if you're on the Upper West Side.

0:13:51.400 --> 0:13:55.080
<v Speaker 1>French Roast still open, but not twenty four hours anymore.

0:13:55.600 --> 0:13:57.400
<v Speaker 2>Oh my god, I went to the selk. I mean

0:13:57.440 --> 0:13:59.240
<v Speaker 2>I've had Oh my god, I can't believe I didn't

0:13:59.240 --> 0:14:02.000
<v Speaker 2>say this. I walked past Dexter Resurrection shooting in the

0:14:02.000 --> 0:14:05.440
<v Speaker 2>streets of New York got up. Oh my god.

0:14:05.960 --> 0:14:07.880
<v Speaker 1>Yeah, but it was stand ins.

0:14:07.880 --> 0:14:10.120
<v Speaker 2>It was fucking stand ins, like they were just setting

0:14:10.160 --> 0:14:12.800
<v Speaker 2>up lighting and the PA is kept like, keep it moving,

0:14:12.920 --> 0:14:14.560
<v Speaker 2>keep it moving, and I kept doing circ I like

0:14:14.559 --> 0:14:16.959
<v Speaker 2>wouldn't leave, and then a PA was like.

0:14:16.920 --> 0:14:18.880
<v Speaker 1>You guys, can you just please you have to.

0:14:18.880 --> 0:14:21.680
<v Speaker 2>Move, and I go, We're obsessed, get over it, Like

0:14:21.800 --> 0:14:22.760
<v Speaker 2>what do you want from us?

0:14:22.840 --> 0:14:24.080
<v Speaker 1>It's a fandom bitch.

0:14:24.320 --> 0:14:28.360
<v Speaker 2>Yeah, Like, but yeah, it was stand ins, but it

0:14:28.440 --> 0:14:31.040
<v Speaker 2>was I just lost my fucking mind.

0:14:31.080 --> 0:14:32.000
<v Speaker 1>Hold on, I was with people.

0:14:32.200 --> 0:14:36.119
<v Speaker 2>I'll show you a photo of my face, me reacting

0:14:36.200 --> 0:14:41.560
<v Speaker 2>to seeing to seeing it like this is my true

0:14:41.680 --> 0:14:42.280
<v Speaker 2>natural like.

0:14:44.280 --> 0:14:51.960
<v Speaker 1>Bliss, blissful, like so happy, that's so good. And it's like,

0:14:52.040 --> 0:14:54.560
<v Speaker 1>you know, you know the business, like you know that.

0:14:54.560 --> 0:14:58.000
<v Speaker 1>That poor PA is like, please, I'm gonna get fired

0:14:58.040 --> 0:15:00.680
<v Speaker 1>if I don't get you guys off the cot upset.

0:15:01.080 --> 0:15:03.920
<v Speaker 2>I know, but that's the risk you take shooting in

0:15:03.960 --> 0:15:06.400
<v Speaker 2>the streets of New York. Like, I don't know what

0:15:06.440 --> 0:15:09.840
<v Speaker 2>you want from us. I'm wearing my Dexter Morgan bracelet

0:15:09.880 --> 0:15:12.400
<v Speaker 2>every day of my life. Like I don't know.

0:15:12.520 --> 0:15:14.920
<v Speaker 1>Maybe if I showed him my bracelet, you'd understand. But

0:15:15.800 --> 0:15:17.480
<v Speaker 1>I was gonna say, you could have seen. You could

0:15:17.520 --> 0:15:20.160
<v Speaker 1>have run into our friend of the pod Kadi or off.

0:15:20.280 --> 0:15:22.680
<v Speaker 2>No, I know, but I saw the scene. I saw

0:15:22.720 --> 0:15:24.720
<v Speaker 2>the stand ins. I knew it wasn't I know. I

0:15:24.800 --> 0:15:27.320
<v Speaker 2>I was gonna send her the photo. Maybe she'll let

0:15:27.360 --> 0:15:30.800
<v Speaker 2>me do a set visit. Oh, I should hit her up.

0:15:30.840 --> 0:15:33.240
<v Speaker 2>I'll hit her because if there's I mean, I know

0:15:33.280 --> 0:15:35.600
<v Speaker 2>they're shooting because I've been begging my team for an audition.

0:15:35.760 --> 0:15:41.800
<v Speaker 2>Nothing's come through yet, but you know. But it was

0:15:41.800 --> 0:15:44.080
<v Speaker 2>like the most New York day. So I had a

0:15:44.160 --> 0:15:47.080
<v Speaker 2>doctor's appointment. Then I went down to Hoff Studios. They

0:15:47.160 --> 0:15:50.160
<v Speaker 2>produced my special and they acquired the Vogue Adria with

0:15:50.240 --> 0:15:52.680
<v Speaker 2>Connor's story on the cover for me, So I went

0:15:52.720 --> 0:15:54.920
<v Speaker 2>and picked that up. Wow. Then I went to a

0:15:54.960 --> 0:15:58.120
<v Speaker 2>diner read a book. Then I had a dentist appointment.

0:15:58.280 --> 0:16:00.640
<v Speaker 2>Then I walked to a six o'clo show I had

0:16:00.640 --> 0:16:03.720
<v Speaker 2>at a private club for whatever. But before that, I

0:16:04.120 --> 0:16:06.040
<v Speaker 2>went to the Chelsea high Line or the Yeah, the

0:16:06.080 --> 0:16:08.680
<v Speaker 2>high Line did a show. Then me and another comic

0:16:08.720 --> 0:16:11.480
<v Speaker 2>we walked to Little Island watched the sunset. Then we

0:16:11.520 --> 0:16:14.160
<v Speaker 2>walked to Flat Iron he had a spot. Then we

0:16:14.200 --> 0:16:16.920
<v Speaker 2>met three other comics, and then we walked to the Selka.

0:16:17.160 --> 0:16:18.200
<v Speaker 1>That's when I saw Dexter.

0:16:18.560 --> 0:16:22.320
<v Speaker 2>Then we had ice cream on a bench and I

0:16:22.360 --> 0:16:24.400
<v Speaker 2>was like, I'm gonna have the best summer of my life,

0:16:26.920 --> 0:16:28.080
<v Speaker 2>like so wholesome.

0:16:28.200 --> 0:16:29.720
<v Speaker 1>And then and then of course blackouts.

0:16:29.760 --> 0:16:32.760
<v Speaker 2>Yeah, I'm just feeling And I finished two more gay

0:16:32.800 --> 0:16:36.080
<v Speaker 2>hockey books. So I'm starting my new book today.

0:16:36.320 --> 0:16:38.920
<v Speaker 1>Everybody's been asking in the comments for you to name

0:16:39.000 --> 0:16:41.880
<v Speaker 1>these books that you're reading, these all your gay hockey books.

0:16:42.120 --> 0:16:48.360
<v Speaker 2>Okay, So the author is Serena Bowen. Serena Bowen s

0:16:48.680 --> 0:16:53.120
<v Speaker 2>A R I n A Bowen, like the guy that

0:16:53.200 --> 0:17:01.240
<v Speaker 2>we know as Yeah, I told you I forgot what

0:17:01.280 --> 0:17:04.240
<v Speaker 2>bad Bunny was. And I was like Benito, you know Benito,

0:17:04.400 --> 0:17:07.359
<v Speaker 2>and my brain is so fried.

0:17:08.200 --> 0:17:08.480
<v Speaker 1>Okay.

0:17:08.560 --> 0:17:12.160
<v Speaker 2>So and she this bitch is writing NonStop and actually

0:17:12.640 --> 0:17:15.879
<v Speaker 2>the categories like you can go, there's hockey guys a

0:17:16.280 --> 0:17:18.880
<v Speaker 2>male male books, and then she has a category that's

0:17:18.920 --> 0:17:22.959
<v Speaker 2>like for fans of heated rivalry. So the series is

0:17:23.040 --> 0:17:26.960
<v Speaker 2>like the new Guy, I'm your guy, the last guy

0:17:26.960 --> 0:17:31.640
<v Speaker 2>on Earth, my kind of guy. Okay, So that those

0:17:31.640 --> 0:17:33.879
<v Speaker 2>are the four I've just read, and then it seems

0:17:33.880 --> 0:17:37.119
<v Speaker 2>like there's more. There's more. I might watch Goodbybe. I'm

0:17:37.200 --> 0:17:40.080
<v Speaker 2>trying to read a few ups. I'm I have some

0:17:40.160 --> 0:17:44.120
<v Speaker 2>other categories and genres that I'd like to get into. Yeah,

0:17:44.160 --> 0:17:46.440
<v Speaker 2>and we'll see if we'll see if I can get

0:17:46.440 --> 0:17:50.480
<v Speaker 2>through this James Baldwin book. But I have some murder books. Oh,

0:17:50.520 --> 0:17:52.080
<v Speaker 2>I also bought a new book. Yeah, I went to

0:17:52.160 --> 0:17:54.040
<v Speaker 2>Risolute while I killed time before my dentist.

0:17:54.880 --> 0:17:57.879
<v Speaker 1>And while we are promoting books, I just want to

0:17:57.960 --> 0:18:00.919
<v Speaker 1>shout out a couple of friends books that are coming

0:18:01.000 --> 0:18:05.760
<v Speaker 1>out this summer that it's so in the book business,

0:18:05.840 --> 0:18:08.800
<v Speaker 1>it is like so important to pre order shit first

0:18:08.800 --> 0:18:11.200
<v Speaker 1>of all for you it feels like when it comes,

0:18:11.240 --> 0:18:13.199
<v Speaker 1>it feels like it's free, right because you ordered it

0:18:13.280 --> 0:18:15.560
<v Speaker 1>in May and then it comes in July or August.

0:18:15.800 --> 0:18:18.800
<v Speaker 1>So the first one is our mutual great friend Alison

0:18:18.880 --> 0:18:20.960
<v Speaker 1>Labee has a book called I'm a lot. We've already

0:18:20.960 --> 0:18:22.840
<v Speaker 1>talked about it, I think, but just another shout out

0:18:23.080 --> 0:18:25.560
<v Speaker 1>that it's coming out in July, pre order it now.

0:18:26.640 --> 0:18:29.720
<v Speaker 1>And then the second one is The Terrible Horrible, no good,

0:18:29.880 --> 0:18:34.480
<v Speaker 1>very Bad Gay by Elliott Glazer. He's a soer Wish

0:18:34.760 --> 0:18:36.760
<v Speaker 1>guy and he has a book coming out in August,

0:18:36.920 --> 0:18:41.040
<v Speaker 1>so go and you can pre order those on you know,

0:18:41.560 --> 0:18:45.720
<v Speaker 1>at local like if you just look up his book title,

0:18:45.800 --> 0:18:47.639
<v Speaker 1>it takes you to the Simon and Schuster page if

0:18:47.680 --> 0:18:50.280
<v Speaker 1>you can't order it on Amazon, but they also have

0:18:50.359 --> 0:18:53.240
<v Speaker 1>it at Books a Million and other like local bookshops

0:18:53.240 --> 0:18:55.640
<v Speaker 1>and stuff where you can get stuff. And definitely want

0:18:55.680 --> 0:18:58.639
<v Speaker 1>to promote local bookshops. I think I mentioned on the

0:18:58.640 --> 0:19:02.919
<v Speaker 1>podcast recently that I bought Yesteryear on Amazon, and that

0:19:03.040 --> 0:19:05.560
<v Speaker 1>is because I needed to read it very quickly, and

0:19:05.920 --> 0:19:08.280
<v Speaker 1>it's been hard to find it at some of the bookstores.

0:19:08.359 --> 0:19:11.000
<v Speaker 1>So I want everyone to I do support local bookstores

0:19:11.359 --> 0:19:13.680
<v Speaker 1>and that Barnes.

0:19:13.280 --> 0:19:16.439
<v Speaker 2>And Noble is a small town bookstore now at this point.

0:19:16.920 --> 0:19:17.919
<v Speaker 1>Yeah, so that's fine.

0:19:18.040 --> 0:19:19.919
<v Speaker 2>So also, so I'm still on this girl's site, and

0:19:19.920 --> 0:19:21.880
<v Speaker 2>now you've you shouldn't have brought me here because now

0:19:21.960 --> 0:19:24.080
<v Speaker 2>I see these two guys holding a basketball ones I'm

0:19:24.119 --> 0:19:26.680
<v Speaker 2>glad like. And now there's two other hockey. I just

0:19:26.680 --> 0:19:28.600
<v Speaker 2>can't believe I'm reading so much about hockey. There's only

0:19:28.640 --> 0:19:32.280
<v Speaker 2>so many storylines, you know, but you know, it's interesting,

0:19:32.280 --> 0:19:33.080
<v Speaker 2>It's gonna be interesting.

0:19:33.480 --> 0:19:38.359
<v Speaker 1>This translates to, like you actually going to see professional hockey.

0:19:39.040 --> 0:19:40.600
<v Speaker 2>I would go to the women. It was just all

0:19:40.640 --> 0:19:42.679
<v Speaker 2>sold out by the time. But yeah, I'm gonna definitely

0:19:42.680 --> 0:19:45.760
<v Speaker 2>go to hockey. Yeah, and these minorly, Yeah, I'd like

0:19:45.800 --> 0:19:48.080
<v Speaker 2>to see it live. I think it's fun to watch.

0:19:48.119 --> 0:19:50.480
<v Speaker 2>It's fast, That's what I like about it. But I

0:19:50.520 --> 0:19:52.919
<v Speaker 2>bought a Susan Sontag book, and then I bought a

0:19:52.960 --> 0:19:56.040
<v Speaker 2>book that's like a guy that couldn't solve a crime

0:19:56.080 --> 0:19:57.800
<v Speaker 2>and it's thirty years later and he's trying to, you know,

0:19:58.119 --> 0:20:02.080
<v Speaker 2>up my alley. And then maybe, oh, I have one

0:20:02.240 --> 0:20:03.040
<v Speaker 2>straight book.

0:20:03.119 --> 0:20:05.720
<v Speaker 1>I you know, I blackout drank. I mean I black

0:20:05.760 --> 0:20:06.840
<v Speaker 1>out read as well.

0:20:07.160 --> 0:20:09.480
<v Speaker 2>So I woke up with a book in my bed

0:20:09.520 --> 0:20:11.840
<v Speaker 2>and it's like a girl and guy fall in love

0:20:11.880 --> 0:20:18.520
<v Speaker 2>and they work at a vibrator factory or something like that. Okay,

0:20:19.440 --> 0:20:22.280
<v Speaker 2>but someone was like trying to be like, oh, like,

0:20:22.320 --> 0:20:24.400
<v Speaker 2>what could even happen like who care?

0:20:24.560 --> 0:20:27.280
<v Speaker 1>Like somebody whatever I think. I think this person like

0:20:27.320 --> 0:20:27.959
<v Speaker 1>surriled me up.

0:20:28.000 --> 0:20:30.680
<v Speaker 2>He's a toxic straight But like it's like, what could

0:20:30.680 --> 0:20:31.680
<v Speaker 2>even happen to these guys?

0:20:31.680 --> 0:20:34.840
<v Speaker 1>Like what's so? I go, Well, they can't come out.

0:20:34.960 --> 0:20:39.120
<v Speaker 2>They're in a masculine place, everyone's homophobic, their families won't

0:20:39.160 --> 0:20:41.399
<v Speaker 2>speak to I'm like, it's layered as fuck. Two of

0:20:41.440 --> 0:20:44.000
<v Speaker 2>them get robbed, like this is the thing, Like Serena

0:20:44.119 --> 0:20:45.600
<v Speaker 2>is great, but they're just not as good as.

0:20:45.600 --> 0:20:47.800
<v Speaker 1>Cat Sebastian and Rachel read you know what I mean.

0:20:48.000 --> 0:20:51.320
<v Speaker 2>Like sometimes there's sentences where I'm like, this is humiliating,

0:20:51.359 --> 0:20:52.760
<v Speaker 2>Like when people are like can I see that book,

0:20:52.800 --> 0:20:54.439
<v Speaker 2>I'm like, absolutely not.

0:20:55.880 --> 0:20:58.840
<v Speaker 1>You can't even look at one page of this book. Look,

0:20:58.880 --> 0:21:02.040
<v Speaker 1>I think we can have of reading that is going

0:21:02.080 --> 0:21:05.399
<v Speaker 1>to like better us intellectually and reading that it's just fun.

0:21:05.440 --> 0:21:08.439
<v Speaker 2>I think we can hold both things. But they happen

0:21:08.560 --> 0:21:10.880
<v Speaker 2>at the same time. Because there's a quote in one

0:21:10.920 --> 0:21:13.480
<v Speaker 2>of these that I is my new mantra, Like my

0:21:13.600 --> 0:21:16.480
<v Speaker 2>new mantra, that's all I say. Now, it's like awesome,

0:21:16.800 --> 0:21:19.320
<v Speaker 2>what is it? It's there's nowhere you have to be

0:21:19.400 --> 0:21:23.000
<v Speaker 2>right now. But right here. Oh, and it's helped me

0:21:23.200 --> 0:21:26.760
<v Speaker 2>settle because the city is alive. There's so much to do,

0:21:27.000 --> 0:21:30.280
<v Speaker 2>so much to read, so much to see, and sometimes

0:21:30.320 --> 0:21:31.320
<v Speaker 2>you're like, oh, what do I do?

0:21:31.359 --> 0:21:32.959
<v Speaker 1>And then it's like, actually, don't have to be anywhere.

0:21:32.960 --> 0:21:35.080
<v Speaker 2>I don't have to do anything, and I could just

0:21:35.119 --> 0:21:37.119
<v Speaker 2>sit here and have a beer and like whatever.

0:21:37.480 --> 0:21:41.280
<v Speaker 1>So I've just been enjoying that in terms of my vibe.

0:21:41.440 --> 0:21:42.240
<v Speaker 2>And so that's great.

0:21:42.359 --> 0:21:44.879
<v Speaker 1>That's a great way to realize we all have to

0:21:44.920 --> 0:21:47.680
<v Speaker 1>like slow down and just be where you are sometimes

0:21:48.000 --> 0:21:50.199
<v Speaker 1>unless you hate where you are, in which case you

0:21:50.200 --> 0:21:52.159
<v Speaker 1>can always get out of it. Nothing's permanent, you know.

0:21:52.720 --> 0:21:56.080
<v Speaker 1>That's my favorite quote, Nothing's permanent. I speaking of what

0:21:56.240 --> 0:21:57.680
<v Speaker 1>like full circle to what we talked about at the

0:21:57.720 --> 0:22:00.399
<v Speaker 1>beginning of this episode. Somebody just wrote us and said,

0:22:00.640 --> 0:22:03.600
<v Speaker 1>I'm listening to Bound and the hospital in New Jersey

0:22:03.600 --> 0:22:05.720
<v Speaker 1>that you're talking about is where I gave birth. So

0:22:06.320 --> 0:22:10.600
<v Speaker 1>people are giving birth at evil nurse hospitals and you

0:22:10.640 --> 0:22:14.120
<v Speaker 1>guys have all the boots on the ground info for us. Oh,

0:22:14.160 --> 0:22:18.399
<v Speaker 1>I went camping with my daughter this this weekend. It

0:22:18.520 --> 0:22:22.000
<v Speaker 1>was so set to be so much more comfortable than

0:22:22.080 --> 0:22:24.320
<v Speaker 1>last year. And then my friends lent me an air

0:22:24.359 --> 0:22:27.359
<v Speaker 1>mattress that had a slow leak, so like, I was

0:22:27.359 --> 0:22:30.480
<v Speaker 1>in a taco every morning of with Rosie on top

0:22:30.520 --> 0:22:33.240
<v Speaker 1>of me, which was but she had a blast. It

0:22:33.280 --> 0:22:35.720
<v Speaker 1>was great. And then Monday night I did live band

0:22:35.760 --> 0:22:39.600
<v Speaker 1>karaoke and I can't say enough about live band KaraOK.

0:22:39.720 --> 0:22:40.280
<v Speaker 2>I just love it.

0:22:40.600 --> 0:22:44.280
<v Speaker 1>They have less options, but I think the performances are

0:22:44.280 --> 0:22:44.920
<v Speaker 1>more meaningful.

0:22:45.320 --> 0:22:45.639
<v Speaker 2>Oh.

0:22:45.800 --> 0:22:50.240
<v Speaker 1>Also, one of my parents' stray cats is pregnant. Oh no,

0:22:50.400 --> 0:22:52.080
<v Speaker 1>your parents are about to be grandparents.

0:22:52.359 --> 0:22:54.520
<v Speaker 2>Yeah, it's quite stressful, but you know, they have an

0:22:54.520 --> 0:22:57.160
<v Speaker 2>old neighbor friend that's helping. But my niece was there

0:22:57.160 --> 0:22:58.720
<v Speaker 2>for a little bit and built a house for them

0:22:58.760 --> 0:23:01.240
<v Speaker 2>that's waterproof for the cats.

0:23:01.920 --> 0:23:02.320
<v Speaker 5>Wow.

0:23:02.760 --> 0:23:05.080
<v Speaker 1>Yeah, she's better than all of us. That's an incredibly

0:23:05.119 --> 0:23:06.160
<v Speaker 1>young woman at least.

0:23:06.240 --> 0:23:07.160
<v Speaker 4>Yeah.

0:23:07.640 --> 0:23:09.040
<v Speaker 1>Yeah, just so cool.

0:23:09.240 --> 0:23:13.360
<v Speaker 2>I was bragging about her yesterday at the table. Oh

0:23:13.400 --> 0:23:17.000
<v Speaker 2>my god, wait, is she a junior, honey?

0:23:17.320 --> 0:23:18.600
<v Speaker 1>Like I know, I don't know. Well, I was just

0:23:18.600 --> 0:23:20.280
<v Speaker 1>gonna say, at some point, you're going to go back

0:23:20.320 --> 0:23:23.520
<v Speaker 1>to my alma mater for graduation and that shit's fun.

0:23:23.840 --> 0:23:26.439
<v Speaker 1>Oh my god, you're right, it's really fun. It's like

0:23:26.480 --> 0:23:29.359
<v Speaker 1>a tense city a big playing field of tents. Everybody

0:23:29.359 --> 0:23:31.399
<v Speaker 1>gets tense with their friends and then it's just like

0:23:32.000 --> 0:23:32.960
<v Speaker 1>drinking and fun.

0:23:33.359 --> 0:23:39.720
<v Speaker 2>I learned how to say graduation and Russian scholow.

0:23:41.040 --> 0:23:42.800
<v Speaker 1>I just looked. That was one of my vocab words

0:23:42.800 --> 0:23:46.000
<v Speaker 1>for the week. Graduation. It's perfect. It's that it's that

0:23:46.080 --> 0:23:50.479
<v Speaker 1>time of year, and congratulations to everybody graduating or you know,

0:23:50.640 --> 0:23:53.679
<v Speaker 1>having a graduate go through the education system.

0:23:54.240 --> 0:23:55.720
<v Speaker 2>Oh my god. I got into a fight at my

0:23:55.760 --> 0:23:59.080
<v Speaker 2>coffee shop. I'm sitting and these two guys are talking

0:23:59.119 --> 0:24:02.000
<v Speaker 2>about AI and I just can't and I just can't.

0:24:02.080 --> 0:24:04.000
<v Speaker 2>I just I had enough. So I go, you, guys,

0:24:04.040 --> 0:24:06.120
<v Speaker 2>it's stupid. It doesn't have to happen, like you shouldn't

0:24:06.160 --> 0:24:08.000
<v Speaker 2>be using it. And I kind of go off, and

0:24:08.040 --> 0:24:09.560
<v Speaker 2>he goes, you don't get No, we're talking about research.

0:24:09.560 --> 0:24:11.919
<v Speaker 2>I go, especially for research. I go, it's not accurate.

0:24:11.960 --> 0:24:14.639
<v Speaker 2>It's not accurate information. It's taking all information. Some of

0:24:14.680 --> 0:24:17.000
<v Speaker 2>it's not accurate. They're forcing it upon us. You can't

0:24:17.000 --> 0:24:19.560
<v Speaker 2>opt out, I'm like. And then they're like, I'm like,

0:24:19.640 --> 0:24:21.640
<v Speaker 2>people are getting fired. They're like, well, that's not real,

0:24:21.720 --> 0:24:24.199
<v Speaker 2>that's this and that, And then I finally went and

0:24:24.240 --> 0:24:26.240
<v Speaker 2>this was my fault of course, like I should have

0:24:26.280 --> 0:24:27.080
<v Speaker 2>been more composed.

0:24:27.119 --> 0:24:29.920
<v Speaker 1>There always gets to be this part in the argument

0:24:30.000 --> 0:24:32.080
<v Speaker 1>where you're like, and then I said something crazy.

0:24:32.680 --> 0:24:34.680
<v Speaker 2>I went, well that and I go, well, that's because

0:24:34.720 --> 0:24:38.840
<v Speaker 2>you're losers and nerds. And then the guy went, well,

0:24:38.920 --> 0:24:42.600
<v Speaker 2>you're really not elegant listening into a conversation and butting in,

0:24:42.640 --> 0:24:45.240
<v Speaker 2>and I went, honey, I'm not here trying to be elegant,

0:24:45.840 --> 0:24:49.119
<v Speaker 2>and he goes, yeah, I can tell, and then I

0:24:49.160 --> 0:24:49.880
<v Speaker 2>went whatever.

0:24:50.160 --> 0:24:54.119
<v Speaker 1>And then we were like sitting and the what the fuck?

0:24:55.200 --> 0:24:57.480
<v Speaker 2>And then they were they were they felt weird, and

0:24:57.480 --> 0:24:58.919
<v Speaker 2>I could tell I go, you guys, it's fine, you

0:24:58.920 --> 0:24:59.919
<v Speaker 2>can continue talking.

0:25:00.040 --> 0:25:01.959
<v Speaker 1>Everything is normal. I don't feel weird about this.

0:25:02.680 --> 0:25:04.760
<v Speaker 2>And so then we sat next to each other for

0:25:04.800 --> 0:25:07.560
<v Speaker 2>another probably ten fifteen minutes as they ate their banana bread.

0:25:07.880 --> 0:25:12.240
<v Speaker 1>Well, first of all, the fucking all these graduation speeches. Yeah,

0:25:12.720 --> 0:25:16.280
<v Speaker 1>wherever the kids are rebelling and booing, these speeches about Ai.

0:25:17.080 --> 0:25:20.640
<v Speaker 1>I was talking to someone over the weekend who this

0:25:20.720 --> 0:25:23.960
<v Speaker 1>is my friend and her husband that own she's a

0:25:23.960 --> 0:25:27.239
<v Speaker 1>fashion designer and he works for her and they are

0:25:27.280 --> 0:25:29.840
<v Speaker 1>a small business. And he was like going on about

0:25:29.840 --> 0:25:32.399
<v Speaker 1>how AI is so amazing, and it built this It

0:25:32.440 --> 0:25:35.440
<v Speaker 1>built this app for him that's customized to their business,

0:25:35.720 --> 0:25:37.160
<v Speaker 1>that does the work that it takes him a week

0:25:37.200 --> 0:25:40.000
<v Speaker 1>to do in like a day, and I was like yeah,

0:25:40.000 --> 0:25:43.520
<v Speaker 1>and like pretty soon you're like your wife can replace you,

0:25:43.520 --> 0:25:45.399
<v Speaker 1>you know, Like I was kind of trying to like

0:25:45.560 --> 0:25:47.639
<v Speaker 1>I don't want to like start a fight at like

0:25:47.760 --> 0:25:51.240
<v Speaker 1>a Scouts camping trip, but I was definitely like doing

0:25:51.280 --> 0:25:53.040
<v Speaker 1>digs where I was like, yeah, it just kind of sucks,

0:25:53.040 --> 0:25:55.120
<v Speaker 1>like in my line of work that like people are

0:25:55.200 --> 0:25:58.320
<v Speaker 1>like not getting copywriting jobs or voiceover jobs or jobs

0:25:58.320 --> 0:26:00.399
<v Speaker 1>that like used to be sort of like middle class

0:26:00.480 --> 0:26:03.919
<v Speaker 1>entertainment jobs because computers are gonna do them. And they're like,

0:26:03.960 --> 0:26:05.960
<v Speaker 1>oh yeah for that. We don't agree with AI. Like

0:26:06.000 --> 0:26:08.360
<v Speaker 1>everybody like is like I have a reason why I

0:26:08.440 --> 0:26:11.199
<v Speaker 1>need it, but like, you know, well, I.

0:26:11.560 --> 0:26:14.560
<v Speaker 2>At my doctor's appointment, she goes, hey, so we're using

0:26:14.560 --> 0:26:17.200
<v Speaker 2>a new thing where AI summarizes everything we talk about

0:26:17.200 --> 0:26:21.880
<v Speaker 2>and I go no, I go absolutely not, and she goes, Okay,

0:26:22.000 --> 0:26:24.159
<v Speaker 2>I guess I'll type it in manually, and I go,

0:26:24.320 --> 0:26:27.960
<v Speaker 2>you will, Yeah, are you out of your fucking mind?

0:26:28.720 --> 0:26:32.040
<v Speaker 2>I guess they have. Maybe I'm the horn they baby.

0:26:32.119 --> 0:26:33.800
<v Speaker 2>I posted about my fight at the coffee shop, and

0:26:33.800 --> 0:26:35.680
<v Speaker 2>obviously the people that follow me were on my side,

0:26:35.680 --> 0:26:38.359
<v Speaker 2>thank you very much, and the briastes as well. After

0:26:38.400 --> 0:26:39.879
<v Speaker 2>he left, I go, I'm so sorry, and they're like,

0:26:39.920 --> 0:26:42.040
<v Speaker 2>he's still they still tipped. It's fine. I go, I'm sorry.

0:26:42.080 --> 0:26:43.920
<v Speaker 2>I don't mean to like fight at your shop. They're like, well,

0:26:43.920 --> 0:26:45.720
<v Speaker 2>we hate them and they were losers, and I go great.

0:26:46.560 --> 0:26:50.280
<v Speaker 2>They yeah, the when I get started on AI, you know,

0:26:50.320 --> 0:26:51.080
<v Speaker 2>I really can't stop.

0:26:51.160 --> 0:26:53.119
<v Speaker 1>Yah, yeah, yeah, no, I know. Oh no, I was

0:26:53.160 --> 0:26:55.520
<v Speaker 1>gonna say. They did a storyline on the pit that

0:26:55.800 --> 0:26:58.280
<v Speaker 1>was sort of meant to like they have there's like

0:26:58.320 --> 0:27:00.719
<v Speaker 1>a new resident head resident comes in and he's like, hey,

0:27:00.760 --> 0:27:03.000
<v Speaker 1>we're gonna all use this AI software, and everybody's kind

0:27:03.000 --> 0:27:05.280
<v Speaker 1>of like all right, whatever, and then the computers go

0:27:05.359 --> 0:27:09.520
<v Speaker 1>down in the whole er for hours in a cyber attack,

0:27:09.560 --> 0:27:11.919
<v Speaker 1>and they have to go back to literally paper and

0:27:12.040 --> 0:27:15.040
<v Speaker 1>running things manually. And I think they're definitely making a

0:27:15.080 --> 0:27:18.320
<v Speaker 1>comment of like, well, it used to be here, which

0:27:18.359 --> 0:27:21.880
<v Speaker 1>is super crazy like the old way, but the new

0:27:21.920 --> 0:27:25.200
<v Speaker 1>way is also too reliant on a lot of things.

0:27:25.640 --> 0:27:27.880
<v Speaker 2>So I don't want AI to have my medical shit

0:27:27.960 --> 0:27:30.400
<v Speaker 2>are you out of your mind? Why are we trusting

0:27:30.440 --> 0:27:36.320
<v Speaker 2>the most evil people on the planet? Yeah, with everything sensitive? Yeah,

0:27:36.320 --> 0:27:38.680
<v Speaker 2>we all of our information in the episode. I'm obviously Yeah,

0:27:38.680 --> 0:27:41.040
<v Speaker 2>we gotta start, We gotta start. This is a This

0:27:41.080 --> 0:27:43.840
<v Speaker 2>is a fucking banger of an episode. Don't go anywhere

0:27:44.160 --> 0:27:47.440
<v Speaker 2>as usual, we're doing extra fun stuff on Patreon.

0:27:47.560 --> 0:27:50.280
<v Speaker 1>A lot of you were into our Twilight recap. There's

0:27:50.320 --> 0:27:53.880
<v Speaker 1>more where that came from. Come uh join us over

0:27:53.880 --> 0:27:56.440
<v Speaker 1>at patreon dot com. Slash that's messed up. We've got

0:27:56.520 --> 0:28:00.640
<v Speaker 1>merch uh, promo codes, tourdates for Lisa, all kinds of stuff.

0:28:00.680 --> 0:28:02.359
<v Speaker 1>Is that that's messed up live dot com. So you

0:28:02.359 --> 0:28:07.280
<v Speaker 1>can go over there and yeah, enjoy and let's get started.

0:28:11.480 --> 0:28:16.520
<v Speaker 2>Oh hello, Oh we already did that. We're here with

0:28:16.560 --> 0:28:21.440
<v Speaker 2>the episode. We are doing Venom Today, Season seven, episode eighteen,

0:28:22.280 --> 0:28:24.240
<v Speaker 2>March twenty eighth, two thousand and six.

0:28:24.520 --> 0:28:28.440
<v Speaker 1>So that's cool. A classic, a scary one we've been

0:28:28.480 --> 0:28:31.400
<v Speaker 1>waiting before. William Lewis, this was one of my scariest

0:28:31.440 --> 0:28:34.560
<v Speaker 1>got like Darius was a scary scary man for me

0:28:35.080 --> 0:28:36.080
<v Speaker 1>one hundred percent.

0:28:36.320 --> 0:28:40.160
<v Speaker 2>And you guys, it is like part of two episodes

0:28:40.560 --> 0:28:44.080
<v Speaker 2>seasons apart, but we're not doing it until we get ludicrous.

0:28:44.360 --> 0:28:47.080
<v Speaker 2>So if you want to know what happens, like, you

0:28:47.120 --> 0:28:51.480
<v Speaker 2>can go watch it. But it's called school what is

0:28:51.480 --> 0:28:53.720
<v Speaker 2>it called scorch screwed, screwed, screwed.

0:28:54.040 --> 0:28:55.760
<v Speaker 1>So yeah, if you want to hear the second half,

0:28:55.760 --> 0:28:58.640
<v Speaker 1>you're going to have to pull help us, help us

0:28:58.640 --> 0:29:03.360
<v Speaker 1>get Ludacris start. Are scouring your contacts because peoples.

0:29:03.480 --> 0:29:06.800
<v Speaker 2>So someone messaged me that they know Corey Stole or

0:29:06.920 --> 0:29:13.360
<v Speaker 2>Stole's wife and that they sent her the podcast to

0:29:13.520 --> 0:29:15.960
<v Speaker 2>listen to. And I go and she got a kick

0:29:15.960 --> 0:29:17.480
<v Speaker 2>out of it. I'm like, yeah, I mean she knows

0:29:17.480 --> 0:29:20.560
<v Speaker 2>her husband's hot, you know, yeah, yeah.

0:29:20.080 --> 0:29:22.920
<v Speaker 1>Yeah, So someone's got to know Ludacrous's wife or something.

0:29:22.960 --> 0:29:25.800
<v Speaker 2>Come on, yeah, like where's the I've gotten Taco Bell

0:29:25.840 --> 0:29:29.160
<v Speaker 2>gift cards from someone that's listened. If you're still listening,

0:29:29.280 --> 0:29:34.640
<v Speaker 2>thank you. Like it's one day, we'll get him. One day.

0:29:35.560 --> 0:29:39.520
<v Speaker 2>We're mafesting it and he's a virgo. It would be

0:29:39.600 --> 0:29:42.800
<v Speaker 2>so powerful, it would be too powerful. Maybe maybe that's

0:29:42.800 --> 0:29:44.800
<v Speaker 2>why he's not doing it. He knows. So we're at

0:29:44.880 --> 0:29:50.960
<v Speaker 2>venom like a snake. So some wise guys are driving.

0:29:51.320 --> 0:29:52.920
<v Speaker 2>Why did I write that they're cops, but in the

0:29:52.920 --> 0:29:54.480
<v Speaker 2>beginning I thought they were wise guys.

0:29:56.160 --> 0:29:56.600
<v Speaker 1>It's night.

0:29:56.640 --> 0:30:00.160
<v Speaker 2>They're talking about their wives, Classic New York, and one

0:30:00.160 --> 0:30:02.800
<v Speaker 2>of them is very pro sex and is like, get

0:30:02.840 --> 0:30:06.240
<v Speaker 2>your wife new batteries for her vibrator and she'll stay longer.

0:30:06.280 --> 0:30:08.320
<v Speaker 2>But it's like, wouldn't she leave? Like I don't get that.

0:30:10.320 --> 0:30:11.239
<v Speaker 2>I don't really get it.

0:30:12.480 --> 0:30:15.000
<v Speaker 1>Yeah, he's like, she'll stay married if she's happy with you.

0:30:15.080 --> 0:30:17.200
<v Speaker 1>But in two thousand and six and you're married to

0:30:17.240 --> 0:30:21.720
<v Speaker 1>a cop, maybe that's there's Culturally they don't they won't

0:30:21.720 --> 0:30:24.440
<v Speaker 1>get divorced if she's like coming with a vibrator once

0:30:24.480 --> 0:30:26.960
<v Speaker 1>a week or something. I don't know, But then she

0:30:26.960 --> 0:30:28.080
<v Speaker 1>wouldn't get the batteries.

0:30:28.160 --> 0:30:32.560
<v Speaker 2>Like this guy is doing the errands of now he's

0:30:32.640 --> 0:30:37.640
<v Speaker 2>gonna go get the batteries. Yeah, okay, like it's just crazy. Sure,

0:30:38.200 --> 0:30:42.440
<v Speaker 2>so he says bigger and better than you, and then

0:30:42.440 --> 0:30:45.360
<v Speaker 2>the other guy's like shut up. And then and then

0:30:45.360 --> 0:30:47.680
<v Speaker 2>the other guy goes, I'm just tugging your tea bag.

0:30:47.920 --> 0:30:52.080
<v Speaker 2>So this is obviously a romance novel. Beginning, I did

0:30:52.120 --> 0:30:54.200
<v Speaker 2>not clock I'm just tugging your tea bag. I just

0:30:54.240 --> 0:30:55.920
<v Speaker 2>watched the episode and I did not even hear that.

0:30:56.120 --> 0:30:58.400
<v Speaker 2>Oh everywhere I go. Now I'm like, well, this would

0:30:58.440 --> 0:31:02.520
<v Speaker 2>be ripe for a romance now every dynamic. But these

0:31:02.520 --> 0:31:07.600
<v Speaker 2>guys have obviously fucked and it's clear. So but they're

0:31:07.640 --> 0:31:11.240
<v Speaker 2>seeing it everywhere. Now the cops see something.

0:31:11.840 --> 0:31:12.360
<v Speaker 1>Is he black?

0:31:12.480 --> 0:31:14.640
<v Speaker 2>Yes, so it's a black man in a hoodie, but

0:31:14.680 --> 0:31:16.320
<v Speaker 2>he is digging in the middle of the night, so

0:31:16.360 --> 0:31:20.600
<v Speaker 2>it is on savory for sure. But they come out

0:31:21.080 --> 0:31:23.680
<v Speaker 2>and the guy's like, I'm not doing anything illegal, and

0:31:23.680 --> 0:31:25.440
<v Speaker 2>they're like, bro, you're digging dirt in the middle of

0:31:25.480 --> 0:31:28.280
<v Speaker 2>the night, so like, what are you talking about? And

0:31:28.320 --> 0:31:30.640
<v Speaker 2>then one of them just like throws them against the

0:31:30.680 --> 0:31:35.000
<v Speaker 2>fence yells, you know, the drill, his hoodie falls. I

0:31:35.040 --> 0:31:36.920
<v Speaker 2>can't tell if we're supposed to know who it is

0:31:37.080 --> 0:31:41.160
<v Speaker 2>or I just know because I know. But Benson comes

0:31:41.200 --> 0:31:45.360
<v Speaker 2>to bail this person out and it is Ken Finn's son.

0:31:46.000 --> 0:31:47.320
<v Speaker 1>So then Benson comes.

0:31:48.040 --> 0:31:50.840
<v Speaker 2>He's bloody in the face, and then Benson is blonde,

0:31:51.040 --> 0:31:54.640
<v Speaker 2>honey highlight vibes, and he thinks her for coming and says,

0:31:54.680 --> 0:31:56.200
<v Speaker 2>I didn't know who else to call, and she's like,

0:31:56.440 --> 0:31:59.160
<v Speaker 2>what about your father, Finn? And he says, calling his

0:31:59.280 --> 0:32:02.400
<v Speaker 2>dad was not an option. She yells, you are being

0:32:02.480 --> 0:32:06.640
<v Speaker 2>charged with drunken, disorderly, resisting arrest, and assaulting an officer,

0:32:07.120 --> 0:32:09.560
<v Speaker 2>and they're claiming that you hit him with a shovel.

0:32:09.640 --> 0:32:11.560
<v Speaker 1>All of this is obviously lies. We saw it.

0:32:11.640 --> 0:32:13.400
<v Speaker 2>He lost his footing. Well we didn't see this, but

0:32:13.840 --> 0:32:18.920
<v Speaker 2>I'll testify he lost his footing and he fell and

0:32:19.000 --> 0:32:22.280
<v Speaker 2>the other one arrested him and then started beating him,

0:32:22.320 --> 0:32:25.600
<v Speaker 2>wailing on him with a flashlight. He says he was

0:32:25.720 --> 0:32:28.360
<v Speaker 2>not drunk, he only had a couple drinks, but he

0:32:28.440 --> 0:32:33.200
<v Speaker 2>did have a shovel. So there's that, and she would

0:32:33.240 --> 0:32:36.000
<v Speaker 2>like to know why, and he gets up. Will you

0:32:36.040 --> 0:32:39.120
<v Speaker 2>know my dad? A tradition in our family is if

0:32:39.160 --> 0:32:40.960
<v Speaker 2>you get a new car, he'll buy you a shovel

0:32:40.960 --> 0:32:43.920
<v Speaker 2>for the car to keep in your trunk.

0:32:43.840 --> 0:32:46.000
<v Speaker 1>For shoveling out snow and stuff.

0:32:46.120 --> 0:32:48.120
<v Speaker 2>You just never know when you'll be still never nowhere,

0:32:48.240 --> 0:32:51.400
<v Speaker 2>You just never know. So like it's not a full

0:32:51.440 --> 0:32:54.840
<v Speaker 2>size shovel, but it's like he gets everyone a shovel immediately.

0:32:54.880 --> 0:32:58.120
<v Speaker 1>Wow, worth a new car. I would say, get that shovel.

0:32:59.760 --> 0:33:03.880
<v Speaker 1>I mean that's hilarious. That's like, yeah, I've never seen

0:33:03.920 --> 0:33:05.400
<v Speaker 1>It's like that's not a thing I think of when

0:33:05.400 --> 0:33:07.680
<v Speaker 1>I like open someone's trunk, like, oh, you have a shovel.

0:33:08.080 --> 0:33:14.760
<v Speaker 2>Maybe one of those scrapers, but my dad's whatever. So

0:33:14.800 --> 0:33:16.520
<v Speaker 2>she needs to know why he had the shovel. He

0:33:16.560 --> 0:33:20.080
<v Speaker 2>gets up and walks towards the bars of the person

0:33:20.400 --> 0:33:21.480
<v Speaker 2>or jail holding.

0:33:21.200 --> 0:33:22.120
<v Speaker 1>Cell whatever, I don't know.

0:33:22.280 --> 0:33:25.480
<v Speaker 2>Benson starts to walk out because he's not cooperating, but

0:33:25.720 --> 0:33:27.920
<v Speaker 2>so he realizes he needs to talk or has one

0:33:28.280 --> 0:33:31.240
<v Speaker 2>connection to help is walking out the door, and he's like,

0:33:31.280 --> 0:33:33.960
<v Speaker 2>I was looking for something a body. So Benson looks

0:33:33.960 --> 0:33:37.240
<v Speaker 2>stunned and we go into the credits. I don't like

0:33:37.600 --> 0:33:39.600
<v Speaker 2>these highlights on her. I don't know.

0:33:39.760 --> 0:33:41.720
<v Speaker 1>This is probably one of my least favorite looks.

0:33:42.880 --> 0:33:48.240
<v Speaker 2>And this is funny. She's pregnant.

0:33:47.920 --> 0:33:49.880
<v Speaker 1>I don't think she's pregnant in season seven.

0:33:49.920 --> 0:33:53.800
<v Speaker 2>I'm almost positive. I have no idea, But okay, you

0:33:53.840 --> 0:33:56.680
<v Speaker 2>don't like the honey, I don't, which is rude.

0:33:56.680 --> 0:33:58.320
<v Speaker 1>I don't think I've ever said a rude thing about

0:33:58.360 --> 0:34:00.920
<v Speaker 1>her hair. I think it's the bloe she's ever been.

0:34:01.000 --> 0:34:03.240
<v Speaker 1>It's quite blonde, and I do like her with a

0:34:03.240 --> 0:34:05.800
<v Speaker 1>little bit more of a darker I like her care.

0:34:05.920 --> 0:34:08.160
<v Speaker 2>I like when they're like Bolliage, when she has like

0:34:08.239 --> 0:34:10.880
<v Speaker 2>soft curls and she has some highlights on the bottom.

0:34:11.200 --> 0:34:13.880
<v Speaker 1>Yeah, but I like her with a darker root. M

0:34:15.200 --> 0:34:18.440
<v Speaker 1>that's fair and I think that's more modern. I'm wondering

0:34:18.440 --> 0:34:21.360
<v Speaker 1>if two thousand and six was like happening. Oh yeah,

0:34:21.440 --> 0:34:23.080
<v Speaker 1>Kelly Clarkson red and white.

0:34:23.320 --> 0:34:23.600
<v Speaker 2>Yes.

0:34:24.480 --> 0:34:26.840
<v Speaker 1>My hairstylist was just telling me the other day that

0:34:26.880 --> 0:34:29.680
<v Speaker 1>it's back that she goes. People are just asking for

0:34:29.960 --> 0:34:32.320
<v Speaker 1>these hair chunks, and I keep going, oh, Kelly Clarkson,

0:34:32.320 --> 0:34:34.759
<v Speaker 1>and they don't know what I'm talking about, and I'm like,

0:34:34.840 --> 0:34:36.680
<v Speaker 1>that's people forget their history.

0:34:36.960 --> 0:34:41.000
<v Speaker 2>Well, I told you that someone called Jennifer Aniston that

0:34:41.200 --> 0:34:44.040
<v Speaker 2>girl with the cheating thing with Brad Pitt.

0:34:44.640 --> 0:34:48.640
<v Speaker 1>Like it's it's it's.

0:34:48.480 --> 0:34:53.840
<v Speaker 2>So strange to not know Kelly Clarkson's chunky highlight. Like

0:34:53.920 --> 0:34:57.279
<v Speaker 2>these people have no reverence. It's like, I don't know

0:34:57.480 --> 0:34:59.520
<v Speaker 2>share lived before I was born.

0:34:59.719 --> 0:35:04.160
<v Speaker 1>I know a few looks like I don't understand. Yeah,

0:35:04.200 --> 0:35:04.839
<v Speaker 1>I get it.

0:35:04.960 --> 0:35:09.520
<v Speaker 2>I didn't. I didn't do disco. I get what disco is, Like,

0:35:09.640 --> 0:35:16.600
<v Speaker 2>what has happened? I know who Donna Summer is. Yeah,

0:35:16.640 --> 0:35:19.479
<v Speaker 2>I'm getting back to the episode Finn. Yeah, he's busting through.

0:35:19.960 --> 0:35:23.520
<v Speaker 2>He's pissed. He's in the precinct. Munch is running after him,

0:35:23.880 --> 0:35:27.360
<v Speaker 2>trying to calm him down. I love their dynamic. Craigan

0:35:27.440 --> 0:35:29.640
<v Speaker 2>comes out and Finn starts in with him too. Why

0:35:29.800 --> 0:35:32.840
<v Speaker 2>is my son in there? And nobody calls me? And

0:35:32.880 --> 0:35:34.799
<v Speaker 2>then he has to be like, babe, he didn't want

0:35:34.840 --> 0:35:38.279
<v Speaker 2>us to, so that's something to explore, and it's explosive.

0:35:38.400 --> 0:35:40.600
<v Speaker 2>He yells for everyone to stay out of him and

0:35:40.640 --> 0:35:44.359
<v Speaker 2>his son's business, and Craigan says, it is my business.

0:35:44.640 --> 0:35:46.759
<v Speaker 2>I've never seen Finn so mad. Craigan is like, I

0:35:46.800 --> 0:35:49.600
<v Speaker 2>need to know who that body is. Where is this

0:35:49.760 --> 0:35:52.920
<v Speaker 2>body who put the body there? So then Finn relaxes

0:35:52.960 --> 0:35:54.879
<v Speaker 2>a little and goes, well, can I at least listen in?

0:35:55.080 --> 0:35:57.840
<v Speaker 2>And Munch is like, he has bruises, but he's fine,

0:35:58.120 --> 0:36:00.600
<v Speaker 2>and the resting officers are getting looked at too, so

0:36:00.719 --> 0:36:04.200
<v Speaker 2>don't make trouble. Craigan ads, Benson and Stabler are in there,

0:36:04.239 --> 0:36:07.480
<v Speaker 2>and Ken starts talking. He was with his cousin Darius

0:36:07.600 --> 0:36:10.480
<v Speaker 2>at a dive bar around nine o'clock when he overheard

0:36:10.480 --> 0:36:12.239
<v Speaker 2>a guy talking about how he killed a woman a

0:36:12.280 --> 0:36:14.640
<v Speaker 2>couple years ago and got away with it. And he

0:36:14.680 --> 0:36:16.680
<v Speaker 2>said he raped her with a knife and buried the

0:36:16.680 --> 0:36:20.040
<v Speaker 2>body in a vacant lot. Crazy secret to give up

0:36:20.040 --> 0:36:22.440
<v Speaker 2>at a bar, you know what I mean? That's like, ohy.

0:36:22.200 --> 0:36:24.440
<v Speaker 1>Over here to be talking about it so loudly that

0:36:24.440 --> 0:36:27.000
<v Speaker 1>people can hear you in a loud dive bar. Yeah.

0:36:27.040 --> 0:36:29.640
<v Speaker 2>The raping of the knife really takes it to like,

0:36:29.760 --> 0:36:31.120
<v Speaker 2>let's not openly chat.

0:36:31.400 --> 0:36:33.280
<v Speaker 1>Yeah, so strange.

0:36:34.120 --> 0:36:36.920
<v Speaker 2>So anyways, so then the bar is called the Deuce

0:36:37.800 --> 0:36:40.440
<v Speaker 2>one hundred and twenty ninth and Lennox he didn't know

0:36:40.520 --> 0:36:43.280
<v Speaker 2>the guy. Stabler asks why would you go body hunting

0:36:43.280 --> 0:36:45.600
<v Speaker 2>in the middle of the night from some bar chat

0:36:45.760 --> 0:36:48.000
<v Speaker 2>and he says the way he talked it sounded real

0:36:48.040 --> 0:36:50.640
<v Speaker 2>to me and I had to know. But Benson goes,

0:36:50.680 --> 0:36:52.080
<v Speaker 2>why wouldn't you call the cops? And he's like, well,

0:36:52.080 --> 0:36:54.200
<v Speaker 2>they wouldn't have believed me, Like you're not believing me

0:36:54.320 --> 0:36:57.400
<v Speaker 2>right now, but he describes He's like, this dude was black,

0:36:57.480 --> 0:37:00.520
<v Speaker 2>mid twenties, under six feet, medium billed, puffy jacket. And

0:37:00.560 --> 0:37:02.239
<v Speaker 2>they're like, okay, but did you get a name or

0:37:02.280 --> 0:37:04.440
<v Speaker 2>ask anyone at the bar about him? And they're like,

0:37:04.440 --> 0:37:07.200
<v Speaker 2>did you even find the body? Like, I like, what

0:37:07.400 --> 0:37:09.560
<v Speaker 2>is up, bro? And Ken's like, listen, I'm trying to

0:37:09.560 --> 0:37:12.040
<v Speaker 2>help him do the right thing. Knock on the window.

0:37:12.920 --> 0:37:16.319
<v Speaker 2>Stabler goes out. Finn screams, you are treating my son

0:37:16.600 --> 0:37:19.080
<v Speaker 2>like any bozo off the street. Why don't you believe him?

0:37:19.080 --> 0:37:21.440
<v Speaker 2>And Stabler's like, well, it's his body language, and Kragan's

0:37:21.840 --> 0:37:24.480
<v Speaker 2>asks if Stabler thinks Ken is trying to protect somebody

0:37:24.880 --> 0:37:28.319
<v Speaker 2>or himself. Stabler says, Stabler is such a piece of shit,

0:37:29.800 --> 0:37:33.360
<v Speaker 2>like I don't know. Everyone was so behind him with

0:37:33.440 --> 0:37:36.799
<v Speaker 2>Kathleen and stuff, like being like, yeah, maybe it's your son.

0:37:36.880 --> 0:37:38.799
<v Speaker 2>He did it. He raped a woman with his knife.

0:37:38.840 --> 0:37:41.520
<v Speaker 2>You don't even know him, Like, what the fuck right?

0:37:42.320 --> 0:37:44.920
<v Speaker 1>And this is our third episode with Ken, like we

0:37:45.000 --> 0:37:48.080
<v Speaker 1>have met Ken before, they all know him.

0:37:48.200 --> 0:37:50.200
<v Speaker 2>Oh my god? Do you remember the episode? Who did

0:37:50.200 --> 0:37:53.600
<v Speaker 2>I See on the flight? I texted you guys, John Macgaro, Yes,

0:37:54.080 --> 0:37:56.200
<v Speaker 2>that was fun. I don't I bet no one's ever

0:37:56.280 --> 0:38:00.200
<v Speaker 2>gasped in his face from seeing it before now to

0:38:00.200 --> 0:38:04.000
<v Speaker 2>diminish his work. But I gasped, But I left him alone.

0:38:04.040 --> 0:38:06.319
<v Speaker 1>I left him alone. Very kind of you.

0:38:06.680 --> 0:38:09.400
<v Speaker 2>But they were in that episode together. Ken's been protecting

0:38:09.440 --> 0:38:11.240
<v Speaker 2>gay kids. Right, isn't that that one?

0:38:11.560 --> 0:38:11.799
<v Speaker 4>Yes?

0:38:12.719 --> 0:38:12.919
<v Speaker 2>Right?

0:38:13.560 --> 0:38:16.560
<v Speaker 1>I think so he's been in two so yeah, well.

0:38:16.440 --> 0:38:22.120
<v Speaker 2>He's in in an not in constitution institutional fail, institutional fail,

0:38:22.520 --> 0:38:25.160
<v Speaker 2>which I don't know. If I was trying to get

0:38:25.160 --> 0:38:30.279
<v Speaker 2>into acting school, I would do that monologue. I would

0:38:30.320 --> 0:38:32.200
<v Speaker 2>try to do that monologue and then they would go, oh,

0:38:32.239 --> 0:38:35.920
<v Speaker 2>we actually don't do TV monologues here, but that is

0:38:36.040 --> 0:38:43.880
<v Speaker 2>let me finish. Okay, so body language, Stabler goes, I

0:38:43.920 --> 0:38:46.720
<v Speaker 2>think your son raped a woman with a knife, and

0:38:47.440 --> 0:38:51.040
<v Speaker 2>he says the story's too soft, and then he was

0:38:51.080 --> 0:38:54.880
<v Speaker 2>like maybe he was moving the bodies around. Finish steaming,

0:38:55.560 --> 0:38:58.360
<v Speaker 2>and it's all YadA YadA, like let's dig up the body.

0:38:58.440 --> 0:39:00.719
<v Speaker 2>So then Craigan goes, we can't just go digging. We

0:39:00.800 --> 0:39:02.719
<v Speaker 2>need to know whose body it is, and like who

0:39:02.719 --> 0:39:05.760
<v Speaker 2>we're looking for. Finn finally asked, so you not only

0:39:05.760 --> 0:39:07.520
<v Speaker 2>think my son is a liar, you think he's a

0:39:07.600 --> 0:39:09.960
<v Speaker 2>murderer or two, And Sailor says, I don't know, but

0:39:10.000 --> 0:39:12.160
<v Speaker 2>you are the first to admit you don't really know him,

0:39:12.440 --> 0:39:15.080
<v Speaker 2>and Finn hits low and says, oh, like you know

0:39:15.200 --> 0:39:17.640
<v Speaker 2>your kids, right, And now I don't think it's low

0:39:17.719 --> 0:39:19.720
<v Speaker 2>because I don't think the first time I was watching

0:39:19.760 --> 0:39:22.880
<v Speaker 2>and typing, I was as mad at what was Stabler

0:39:22.960 --> 0:39:27.759
<v Speaker 2>was accusing because it is clear Ken is lying, but like, yes,

0:39:27.880 --> 0:39:29.600
<v Speaker 2>of course it's to protection.

0:39:29.320 --> 0:39:31.239
<v Speaker 1>Like there's no get to the bottom of it.

0:39:31.480 --> 0:39:33.759
<v Speaker 2>Yeah, Ken is like a sensitive god, like there's just

0:39:33.800 --> 0:39:35.240
<v Speaker 2>no fucking like fuck off.

0:39:35.480 --> 0:39:38.000
<v Speaker 1>I would also like love the statistics on the number

0:39:38.040 --> 0:39:40.520
<v Speaker 1>of like violent rapes of women committed by gay men,

0:39:40.680 --> 0:39:42.160
<v Speaker 1>like at this, we know he's a gay man.

0:39:42.440 --> 0:39:45.880
<v Speaker 2>Yeah, yeah, So it's so annoying. I don't know if

0:39:45.920 --> 0:39:48.399
<v Speaker 2>I get the motive here. No, and now I don't

0:39:48.400 --> 0:39:52.200
<v Speaker 2>think Finn is hits low. He hits honestly too kind

0:39:52.320 --> 0:39:54.680
<v Speaker 2>and goes, oh, like you know your kids right, Tell me,

0:39:54.800 --> 0:39:57.399
<v Speaker 2>is your daughter still driving drunk or did she move

0:39:57.520 --> 0:39:58.719
<v Speaker 2>up to something stronger?

0:39:59.239 --> 0:40:01.840
<v Speaker 1>Soon enough you might be swinging off a pole.

0:40:03.680 --> 0:40:08.759
<v Speaker 2>Then Stabler lunges to attack him, and then Craigan holds

0:40:08.800 --> 0:40:12.160
<v Speaker 2>him back and strains like to scream like Elliott, walk

0:40:12.200 --> 0:40:15.640
<v Speaker 2>it off now, and then Craigan says, that's enough, focus

0:40:15.680 --> 0:40:18.320
<v Speaker 2>on your son and take him home. Talk to Darius

0:40:18.360 --> 0:40:20.719
<v Speaker 2>and see if he has the same story and you know,

0:40:20.800 --> 0:40:23.799
<v Speaker 2>heard the same stuff. So Finn walks to get his son,

0:40:24.040 --> 0:40:26.479
<v Speaker 2>and so him and Benson have been chilling there. Munch

0:40:26.520 --> 0:40:28.880
<v Speaker 2>asks Craigan if he thinks Ken did it, and Craigan goes, no,

0:40:28.960 --> 0:40:32.279
<v Speaker 2>but he is lying. I want to know why. So

0:40:32.400 --> 0:40:36.000
<v Speaker 2>that's our captain. Hell yeah. And then Ken goes to

0:40:36.120 --> 0:40:39.360
<v Speaker 2>his mom, Lisa Gay Hamilton, and her name is Teresa

0:40:39.440 --> 0:40:42.200
<v Speaker 2>in this aka Terry and you might know her from

0:40:42.239 --> 0:40:45.120
<v Speaker 2>one hundred and forty five episodes of the Practice or

0:40:45.160 --> 0:40:47.400
<v Speaker 2>from Sex and the City. Her name is Kendall. She's

0:40:47.560 --> 0:40:51.560
<v Speaker 2>Miranda's neighbor who gives her the vibrating chair. But I

0:40:51.600 --> 0:40:54.320
<v Speaker 2>forgot the daughter's name. It's like Malika, I think though.

0:40:54.400 --> 0:40:55.800
<v Speaker 2>And then that's my daughter, Manka.

0:40:55.960 --> 0:40:58.040
<v Speaker 1>And you would note that if you, if you ever

0:40:58.040 --> 0:41:01.160
<v Speaker 1>bother to stop and talk to us. Yeah, and this

0:41:01.280 --> 0:41:05.120
<v Speaker 1>is her first appearance in this show. We've not seen

0:41:05.200 --> 0:41:06.239
<v Speaker 1>Finn's wife yet.

0:41:06.800 --> 0:41:09.080
<v Speaker 2>Yeah, yeah, yeah, that's wife.

0:41:09.080 --> 0:41:09.840
<v Speaker 1>Sorry x wife?

0:41:09.920 --> 0:41:12.560
<v Speaker 2>Well yeah, so she so she goes, so, this is

0:41:12.640 --> 0:41:15.799
<v Speaker 2>Teresa Randall and she is worried about his bruises and

0:41:15.880 --> 0:41:18.200
<v Speaker 2>bandaged face, and she asks what do we do now?

0:41:18.280 --> 0:41:20.359
<v Speaker 1>And Ken's like, why the fuck are you asking him?

0:41:20.840 --> 0:41:23.959
<v Speaker 2>And Ken wants to handle it himself and and Finn goes, yep,

0:41:24.040 --> 0:41:26.600
<v Speaker 2>like you have it all covered. Looks looks good to me,

0:41:27.920 --> 0:41:30.560
<v Speaker 2>and he goes, you know what, I'm going to bed.

0:41:30.640 --> 0:41:32.960
<v Speaker 2>So then the exes are together in the kitchen and

0:41:33.000 --> 0:41:35.640
<v Speaker 2>Finn asks about Darius and she's like, fuck him. He

0:41:35.800 --> 0:41:39.240
<v Speaker 2>is poisoned and always will be and you weren't around

0:41:39.320 --> 0:41:41.960
<v Speaker 2>much so you don't know shit. And he goes, come on,

0:41:42.480 --> 0:41:44.400
<v Speaker 2>you know, I was undercover and i'd be gone a

0:41:44.440 --> 0:41:46.839
<v Speaker 2>lot and she says, no, not a lot, you were

0:41:46.920 --> 0:41:49.279
<v Speaker 2>just gone. So they go back and forth a bit,

0:41:49.400 --> 0:41:52.440
<v Speaker 2>but she goes and opens the door and says sperm

0:41:52.480 --> 0:41:56.080
<v Speaker 2>donors don't get parental rights, and he says cool and

0:41:56.120 --> 0:41:58.880
<v Speaker 2>starts exiting and is like, just tell me where Darius is,

0:41:59.000 --> 0:42:03.399
<v Speaker 2>and she says, autobody on Frederick Douglas and there he is,

0:42:03.520 --> 0:42:06.760
<v Speaker 2>Terry's nephew, Finn says, and it's been a long time.

0:42:06.880 --> 0:42:09.719
<v Speaker 2>So then we see it's Ludacris. Okay, it's Ludacris, guys,

0:42:10.360 --> 0:42:14.200
<v Speaker 2>so it's a thrill, okay. So he goes, it's been

0:42:14.239 --> 0:42:17.680
<v Speaker 2>a long time, Finn, and then Finn corrects him. Detective

0:42:17.960 --> 0:42:21.280
<v Speaker 2>then introduces him to Munch. So he's working on a sculpture.

0:42:21.320 --> 0:42:25.400
<v Speaker 2>He's really artistic. They're setting this up, and you know,

0:42:25.680 --> 0:42:27.719
<v Speaker 2>neither of them are interested in small talks. So Finn

0:42:27.800 --> 0:42:29.879
<v Speaker 2>gets down to business and is like, did you see

0:42:29.920 --> 0:42:31.839
<v Speaker 2>Ken last night? And he confirms they had a few

0:42:31.880 --> 0:42:35.080
<v Speaker 2>drinks at the Deuce left around midnight. He assumed that

0:42:35.160 --> 0:42:37.680
<v Speaker 2>Ken went home just like he went home. Finn goes, well,

0:42:37.680 --> 0:42:40.680
<v Speaker 2>you know, Ken seems upset, and Ludacris is like, you

0:42:40.760 --> 0:42:43.880
<v Speaker 2>know him, He's always twisting over something. His grades is

0:42:43.920 --> 0:42:47.160
<v Speaker 2>beef with you being gay, and just the way he

0:42:47.280 --> 0:42:50.840
<v Speaker 2>is much ass if anybody ever talked about a murder,

0:42:50.880 --> 0:42:53.800
<v Speaker 2>and he's like, really taken him back, like what, no way, why?

0:42:54.440 --> 0:42:57.080
<v Speaker 2>And he took his fire burning helmet thing off and

0:42:57.120 --> 0:42:58.839
<v Speaker 2>now he's in a do rag and they go, well,

0:42:58.880 --> 0:43:01.000
<v Speaker 2>your cousin said he did, and he was digging for

0:43:01.040 --> 0:43:03.399
<v Speaker 2>a body when the cops pinched him. And he goes,

0:43:03.400 --> 0:43:07.600
<v Speaker 2>that's crazy. He wouldn't let him do that if, like

0:43:07.680 --> 0:43:10.120
<v Speaker 2>he knew what was up. And then he goes, but

0:43:10.160 --> 0:43:12.560
<v Speaker 2>the bar is shady as fuck, like, I'm not surprised

0:43:12.560 --> 0:43:15.280
<v Speaker 2>if there was a killer or two there, and he says,

0:43:15.360 --> 0:43:19.160
<v Speaker 2>I've changed no matter what Terry says, and he's not

0:43:19.200 --> 0:43:22.600
<v Speaker 2>in the game anymore, and he calls Riker's a gated community,

0:43:22.640 --> 0:43:25.480
<v Speaker 2>which I found funny, and then then he goes, if

0:43:25.560 --> 0:43:29.600
<v Speaker 2>I don't care about me, nobody will. And then Finn's like, okay, well,

0:43:29.640 --> 0:43:32.000
<v Speaker 2>will you please talk to Ken because he's not talking

0:43:32.000 --> 0:43:34.759
<v Speaker 2>to me. So now Benson and Stable are gossiping in

0:43:34.760 --> 0:43:36.800
<v Speaker 2>the office and they're like, oh, he has a record,

0:43:36.800 --> 0:43:39.000
<v Speaker 2>but it's sealed, blah blah blah. Can lie to us,

0:43:39.480 --> 0:43:43.319
<v Speaker 2>and she says, kids lie and so do yours. But

0:43:43.320 --> 0:43:46.080
<v Speaker 2>they're also looking for Yes, you would know that, but

0:43:46.120 --> 0:43:49.640
<v Speaker 2>you're never home. And they're looking at potential murder victims.

0:43:49.800 --> 0:43:52.719
<v Speaker 2>And they said there's one woman, but they don't say

0:43:52.760 --> 0:43:54.399
<v Speaker 2>her name, and then they say the other woman's name

0:43:54.440 --> 0:43:57.080
<v Speaker 2>and we're gonna assume it's her. So it's Nina Stanfield

0:43:57.280 --> 0:44:00.600
<v Speaker 2>and her her and her baby disappeared and in her

0:44:00.640 --> 0:44:04.239
<v Speaker 2>apartment were seven pints of blood and a four inch

0:44:04.360 --> 0:44:07.680
<v Speaker 2>knife that was engraved was left at the house and

0:44:07.760 --> 0:44:10.239
<v Speaker 2>everyone thinks the ex husband did it, so they go

0:44:10.280 --> 0:44:11.400
<v Speaker 2>to the ex husband's place.

0:44:11.440 --> 0:44:12.760
<v Speaker 1>He's like, I didn't kill my wife.

0:44:12.840 --> 0:44:15.439
<v Speaker 2>Nobody believes me, and Munch is like, well, then, who

0:44:15.480 --> 0:44:17.920
<v Speaker 2>did you know you did abuse her, like, and then

0:44:17.920 --> 0:44:23.320
<v Speaker 2>he goes, yeah, but everyone abuses women like relax, I

0:44:23.360 --> 0:44:26.719
<v Speaker 2>wouldn't take it further than that. Yeah, just hitting her

0:44:26.800 --> 0:44:30.239
<v Speaker 2>a couple times. But he said I didn't hate her

0:44:30.440 --> 0:44:32.680
<v Speaker 2>or my son, and I would never hurt them. I mean,

0:44:32.760 --> 0:44:36.960
<v Speaker 2>I'm against domestic violence obviously, very strong, but I feel like,

0:44:37.080 --> 0:44:39.520
<v Speaker 2>even if you did punch your wife once, it's different

0:44:39.560 --> 0:44:41.040
<v Speaker 2>than raping someone with a knife.

0:44:41.080 --> 0:44:43.000
<v Speaker 1>Like it is just such a famous prime.

0:44:44.640 --> 0:44:47.000
<v Speaker 2>But I guess you have to assume it's the domestic

0:44:47.040 --> 0:44:50.960
<v Speaker 2>abuser because they asked they can't escalate. Yeah, I hope

0:44:51.000 --> 0:44:54.640
<v Speaker 2>no one clips that. And it's like she defended, defended

0:44:54.760 --> 0:44:58.839
<v Speaker 2>the guy, but whatever. Finn's like, well, who else could

0:44:58.880 --> 0:45:01.400
<v Speaker 2>have done it? And he's like, oh god, so much blood?

0:45:01.440 --> 0:45:04.040
<v Speaker 2>No body, where's my son? And he looks like a

0:45:04.080 --> 0:45:06.640
<v Speaker 2>shell of a man. And police will not tell me

0:45:06.680 --> 0:45:09.280
<v Speaker 2>a thing, but they talk to my in laws, my boss,

0:45:09.360 --> 0:45:12.080
<v Speaker 2>my friends. They labeled me a killer. So then they're like,

0:45:12.080 --> 0:45:14.359
<v Speaker 2>well does the wife have like what other people could

0:45:14.360 --> 0:45:16.960
<v Speaker 2>she have had problems with? And he goes, yeah, you know,

0:45:17.000 --> 0:45:20.439
<v Speaker 2>she had boyfriends, there were babysitters, she loved going out,

0:45:20.640 --> 0:45:23.680
<v Speaker 2>she loved happy hour, dinners with the friends, reliving her

0:45:23.719 --> 0:45:27.840
<v Speaker 2>single glory days, and then Finn's like, was she cheating?

0:45:27.920 --> 0:45:29.080
<v Speaker 1>And he says that's the reason.

0:45:29.080 --> 0:45:31.240
<v Speaker 2>The cops say I killed her, but I was always

0:45:31.280 --> 0:45:34.319
<v Speaker 2>at work always. They ask about the Douce bar and

0:45:34.360 --> 0:45:36.520
<v Speaker 2>he says he's not welcome in that neighborhood. So he

0:45:36.640 --> 0:45:39.120
<v Speaker 2>drinks at home now and he sits with a bottle

0:45:39.160 --> 0:45:41.200
<v Speaker 2>of brown liquor and he tells him to leave, and

0:45:41.239 --> 0:45:44.000
<v Speaker 2>he's about to drink whiskey from or scotch or something

0:45:44.200 --> 0:45:46.479
<v Speaker 2>out of a and it's like one of the big

0:45:46.560 --> 0:45:48.440
<v Speaker 2>kind of tubs of bottles.

0:45:48.160 --> 0:45:52.080
<v Speaker 1>So yeah, it's like a handle. He's about to Yah,

0:45:52.200 --> 0:45:53.359
<v Speaker 1>forgot that week time.

0:45:53.760 --> 0:45:57.000
<v Speaker 2>I truly forgot Bad Bunny his name this week and

0:45:57.239 --> 0:45:59.000
<v Speaker 2>was like trying to talk about bad Bunny and I

0:45:59.000 --> 0:46:04.200
<v Speaker 2>had to be like, you know, Benito, And that's how

0:46:04.239 --> 0:46:06.680
<v Speaker 2>I felt right now, like I could not think of

0:46:06.719 --> 0:46:09.600
<v Speaker 2>the fucking word dude, that's.

0:46:09.440 --> 0:46:12.640
<v Speaker 1>My whole life. I'm like describing things like I'm second,

0:46:12.719 --> 0:46:15.440
<v Speaker 1>like I'm e s l like I'm truly like all

0:46:15.520 --> 0:46:17.560
<v Speaker 1>the time, like what's the thing where you like you

0:46:18.200 --> 0:46:19.920
<v Speaker 1>put your comforter inside of oh a duvet?

0:46:20.040 --> 0:46:22.480
<v Speaker 2>Yes, Like well, that's actually good for me to hear,

0:46:22.600 --> 0:46:25.240
<v Speaker 2>because I obviously am like, Oh, it's weed's fault.

0:46:25.239 --> 0:46:26.920
<v Speaker 1>But you don't smoke weed? Really?

0:46:27.000 --> 0:46:27.040
<v Speaker 5>No?

0:46:27.160 --> 0:46:30.399
<v Speaker 1>Wow, I drink and I have two kids, so maybe

0:46:30.440 --> 0:46:31.200
<v Speaker 1>that's the equivalent.

0:46:31.320 --> 0:46:34.840
<v Speaker 2>That's the equivalent. But do you think but I drink

0:46:34.880 --> 0:46:35.480
<v Speaker 2>and smoke.

0:46:35.800 --> 0:46:38.400
<v Speaker 1>Yeah, I think all of our minds are going are.

0:46:38.239 --> 0:46:39.160
<v Speaker 2>Going to be most eventually.

0:46:39.160 --> 0:46:39.480
<v Speaker 4>I don't know.

0:46:39.520 --> 0:46:44.080
<v Speaker 2>We're probably speeding it up. We're speeding it up. But

0:46:44.160 --> 0:46:47.360
<v Speaker 2>I am reading, and I keep i'm reading. I'm probably

0:46:47.360 --> 0:46:51.120
<v Speaker 2>going to sharpen things. That's only going to sharpen things. Yeah,

0:46:51.160 --> 0:46:54.239
<v Speaker 2>I already feel my vocabulary growing. JK, what where did

0:46:54.239 --> 0:46:56.320
<v Speaker 2>I forget that existed? A handle?

0:46:56.520 --> 0:46:59.960
<v Speaker 1>Handle? But he says I'd like to get started.

0:47:00.520 --> 0:47:02.640
<v Speaker 2>So he's gonna drink his life away and he's in

0:47:02.719 --> 0:47:07.319
<v Speaker 2>mourning Munchhin Finn are in Kragan's office being like that

0:47:07.480 --> 0:47:11.239
<v Speaker 2>man is so so sad. I don't think it's him,

0:47:11.280 --> 0:47:14.640
<v Speaker 2>and Craigan goes, yeah, we think it's Ken. So Finn

0:47:14.719 --> 0:47:18.160
<v Speaker 2>is like, what the fuck? I know I'm a bad dad,

0:47:18.239 --> 0:47:20.319
<v Speaker 2>but I don't think my son raped a woman with

0:47:20.360 --> 0:47:22.480
<v Speaker 2>a knife. And then okay, I have we talked about

0:47:22.520 --> 0:47:24.719
<v Speaker 2>this on the pot already do you say, Like when

0:47:24.719 --> 0:47:28.040
<v Speaker 2>I talk about necrophilia rape, I just say necrophilia someone

0:47:28.080 --> 0:47:30.160
<v Speaker 2>like and then he necrophilia.

0:47:29.640 --> 0:47:32.640
<v Speaker 1>Them, Like, do I have to say rape? Is it

0:47:32.680 --> 0:47:33.160
<v Speaker 1>like rape?

0:47:33.160 --> 0:47:33.279
<v Speaker 4>Neg?

0:47:33.560 --> 0:47:36.480
<v Speaker 1>Like what? I think it's implied that it's there's nothing

0:47:36.520 --> 0:47:37.600
<v Speaker 1>a print being given?

0:47:38.000 --> 0:47:41.360
<v Speaker 2>Sure, but what is the word because the tense I'm using, Like,

0:47:41.400 --> 0:47:43.640
<v Speaker 2>I know I'm not being grammatically correct, it's what That's

0:47:43.680 --> 0:47:44.560
<v Speaker 2>the best I can do.

0:47:45.400 --> 0:47:49.080
<v Speaker 1>But yeah, yeah, I don't even know if you need

0:47:49.120 --> 0:47:52.360
<v Speaker 1>to Yeah, I don't know if you need to include

0:47:52.360 --> 0:47:56.080
<v Speaker 1>I would I would personally not include the rape. I

0:47:56.080 --> 0:47:59.759
<v Speaker 1>would just say, but committed necrophilia on a.

0:47:59.680 --> 0:48:03.399
<v Speaker 2>Person committed necrophilia, I guess because I'm trying. I'm working

0:48:03.400 --> 0:48:06.759
<v Speaker 2>on a Green River killer bit, and I don't know.

0:48:07.600 --> 0:48:10.319
<v Speaker 1>I think it's funnier to say necrophilia on someone if

0:48:10.320 --> 0:48:14.360
<v Speaker 1>you want, like just from a funny standpoint, that's funnier. Okay,

0:48:14.400 --> 0:48:17.040
<v Speaker 1>But what do I use on our professional pop in

0:48:17.080 --> 0:48:21.400
<v Speaker 1>a committed necrophilia or committed acts of committed ophelias? Like

0:48:21.440 --> 0:48:23.319
<v Speaker 1>what they would say about like Bundy and people that

0:48:23.360 --> 0:48:25.120
<v Speaker 1>would go back and revisit their victims.

0:48:25.520 --> 0:48:29.080
<v Speaker 2>Yeah, I just thought of a really good slur morg fucker.

0:48:29.400 --> 0:48:34.680
<v Speaker 2>Oh yeh like you. We would never hire you because

0:48:34.680 --> 0:48:39.000
<v Speaker 2>you look like a morgue fucker. I can't wait to

0:48:39.040 --> 0:48:41.279
<v Speaker 2>start calling people morg fuckers. Do you think people will

0:48:41.280 --> 0:48:42.279
<v Speaker 2>get what I'm saying.

0:48:43.920 --> 0:48:43.960
<v Speaker 1>That?

0:48:44.080 --> 0:48:46.080
<v Speaker 2>I think that that. I like, to me, it's like

0:48:46.320 --> 0:48:48.719
<v Speaker 2>a funeral home would not hire you because you.

0:48:48.640 --> 0:48:50.840
<v Speaker 1>Look like much fun with the dead bodies.

0:48:50.960 --> 0:48:51.280
<v Speaker 4>Yeah.

0:48:51.560 --> 0:48:53.640
<v Speaker 2>Yeah, but you don't think it comes It's not. It's

0:48:53.640 --> 0:48:57.640
<v Speaker 2>not clear enough. If I if I like saw someone

0:48:57.640 --> 0:49:00.400
<v Speaker 2>at a bar being like, no, you're.

0:49:00.239 --> 0:49:01.960
<v Speaker 1>I'm just thinking about it. I'm just thinking about it.

0:49:02.000 --> 0:49:03.719
<v Speaker 1>I think I think it would definitely take people back.

0:49:03.760 --> 0:49:05.680
<v Speaker 1>It's not it's it's not an a lexicon. You're and

0:49:05.800 --> 0:49:08.719
<v Speaker 1>you're you know, you're innovative. No, I'm inventing it here.

0:49:09.080 --> 0:49:11.480
<v Speaker 6>I think what came to my mind first was someone

0:49:11.480 --> 0:49:13.920
<v Speaker 6>who like hangs out around a morgue to pick up

0:49:14.000 --> 0:49:19.200
<v Speaker 6>like people's whose husbands died. Oh, like an ambulance chase. Yeah, yeah,

0:49:19.200 --> 0:49:20.520
<v Speaker 6>that's sort of what I was saying. So that was

0:49:20.560 --> 0:49:22.719
<v Speaker 6>the first image that came to mind for me.

0:49:23.960 --> 0:49:25.799
<v Speaker 1>Casey, I'm glad we could catch up this with you.

0:49:26.000 --> 0:49:30.120
<v Speaker 2>Okay, so you're thinking, but that's not even a thing.

0:49:30.719 --> 0:49:32.920
<v Speaker 2>Do you think people sit around the morgue trying to

0:49:32.960 --> 0:49:35.440
<v Speaker 2>fuck the widowed, the recently bereaved.

0:49:35.840 --> 0:49:37.960
<v Speaker 6>I mean, I don't think that, but that was the

0:49:37.960 --> 0:49:41.359
<v Speaker 6>the connotation that was where my mind went.

0:49:41.400 --> 0:49:43.960
<v Speaker 2>But that would work too, Like you're so desperate a

0:49:44.000 --> 0:49:47.360
<v Speaker 2>woman or a man needs to be like crying, like

0:49:47.600 --> 0:49:48.520
<v Speaker 2>just dropped off the dead.

0:49:48.800 --> 0:49:51.520
<v Speaker 1>Well, like I think also sometimes it's like remember that

0:49:51.560 --> 0:49:53.800
<v Speaker 1>episode we just did it all with all the silky robes.

0:49:53.920 --> 0:49:55.799
<v Speaker 1>Like I think that there's probably guys like that that

0:49:55.920 --> 0:49:58.279
<v Speaker 1>hang out and like talk to the grieving widow who

0:49:58.280 --> 0:50:01.160
<v Speaker 1>has a lot of money, Hey, can I be your

0:50:01.200 --> 0:50:04.080
<v Speaker 1>shoulder to cry on? That's more like a funeral fucker.

0:50:04.120 --> 0:50:08.160
<v Speaker 1>I would say, yeah, a more fucker or a more.

0:50:09.680 --> 0:50:10.080
<v Speaker 2>Yeah.

0:50:10.160 --> 0:50:12.839
<v Speaker 1>I know what you're saying. You seem like the kind

0:50:12.880 --> 0:50:16.279
<v Speaker 1>of person that would commit necrophilia. Well, I will come

0:50:16.360 --> 0:50:19.719
<v Speaker 1>up with something perfect. We also need to make some

0:50:19.800 --> 0:50:20.439
<v Speaker 1>Tommy Merch.

0:50:20.560 --> 0:50:24.280
<v Speaker 2>Okay, Craigan is like, listen, your son has an assault

0:50:24.360 --> 0:50:27.880
<v Speaker 2>charge at sixteen years old, had one again, Grammar a nightmare.

0:50:28.440 --> 0:50:30.480
<v Speaker 2>Craigan's like, you know, he had an assault charge at

0:50:30.520 --> 0:50:34.200
<v Speaker 2>sixteen that was recanted, and Finn goes, yeah, exactly recanted,

0:50:34.560 --> 0:50:37.680
<v Speaker 2>but also he didn't know about it, and so then

0:50:37.719 --> 0:50:41.160
<v Speaker 2>maybe the girl lied. And then Craigan reminds him, like,

0:50:41.280 --> 0:50:44.600
<v Speaker 2>stay off this case, please, and Munch defends his friend

0:50:44.640 --> 0:50:46.400
<v Speaker 2>and goes, why would he do that? Like what is

0:50:46.400 --> 0:50:48.719
<v Speaker 2>the connection? And Craigan goes, oh, funny, you asked. Well,

0:50:48.800 --> 0:50:52.080
<v Speaker 2>Harry and Ken lived across the street from that apartment.

0:50:52.440 --> 0:50:54.520
<v Speaker 2>And then everyone looks at Finn and is like, oh,

0:50:54.680 --> 0:50:58.600
<v Speaker 2>so lying runs in your fucking family. Munch is so disappointed.

0:50:58.640 --> 0:51:00.560
<v Speaker 2>Why would you do that? And he's like, I'm trying

0:51:00.600 --> 0:51:02.680
<v Speaker 2>to protect my son. Munch asked, like, do you think

0:51:02.760 --> 0:51:05.279
<v Speaker 2>Ken did it? Finn responds no, but if you can

0:51:05.280 --> 0:51:07.520
<v Speaker 2>make an easy case, it won't matter if he did

0:51:07.520 --> 0:51:07.880
<v Speaker 2>it or not.

0:51:08.239 --> 0:51:09.880
<v Speaker 1>And Cragan's like, fuck you.

0:51:09.600 --> 0:51:11.879
<v Speaker 2>You know I don't cut corners here and I don't

0:51:11.960 --> 0:51:16.360
<v Speaker 2>just go for easy clothes. Finn says, that's your opinion,

0:51:16.480 --> 0:51:19.120
<v Speaker 2>and then Craigan responds and for your son's sake, you're lucky.

0:51:19.160 --> 0:51:22.040
<v Speaker 2>My opinion is the only one that matters. Stare down

0:51:22.440 --> 0:51:25.160
<v Speaker 2>and now for a dig. They found three bodies and

0:51:25.680 --> 0:51:29.279
<v Speaker 2>body parts. There's people everywhere, all different races, like, so

0:51:29.560 --> 0:51:33.080
<v Speaker 2>it's a really popular grave site, but they're all men.

0:51:33.360 --> 0:51:36.920
<v Speaker 2>Melinda has not found a woman or child yet. And

0:51:36.960 --> 0:51:41.080
<v Speaker 2>then Melinda calls it an impromptu graveyard and she looks

0:51:41.160 --> 0:51:42.280
<v Speaker 2>really cute in her beanie.

0:51:42.440 --> 0:51:47.200
<v Speaker 1>Wait, so now how did they get to this impromptu graveyard?

0:51:48.000 --> 0:51:52.880
<v Speaker 2>Okay, so basically, like Ken heard, Like part of the

0:51:52.880 --> 0:51:56.120
<v Speaker 2>thing Ken heard was that the body was buried in

0:51:56.239 --> 0:51:59.000
<v Speaker 2>like this kind of an empty lot across from a bar.

0:52:00.080 --> 0:52:02.640
<v Speaker 2>So he just went to a random lot across from

0:52:02.680 --> 0:52:04.919
<v Speaker 2>a bar, hoping he would find it. But I think

0:52:05.000 --> 0:52:09.000
<v Speaker 2>this was just another popular burialh and so they're just

0:52:09.040 --> 0:52:10.560
<v Speaker 2>finding a ton of other bodies.

0:52:10.719 --> 0:52:13.400
<v Speaker 1>They're just difference so many bodies.

0:52:14.200 --> 0:52:16.440
<v Speaker 2>Yeah, Like it makes me think the killers are getting

0:52:16.440 --> 0:52:20.040
<v Speaker 2>together and chit chatting like in Dexter Resurrection, because it's

0:52:20.040 --> 0:52:22.680
<v Speaker 2>like you all picked the slot. It also is in

0:52:22.719 --> 0:52:25.440
<v Speaker 2>New York City, and like, I think a lot of

0:52:25.480 --> 0:52:27.879
<v Speaker 2>places are quiet at night, but I really don't think

0:52:27.920 --> 0:52:31.880
<v Speaker 2>you would get away with bearing and a lot in

0:52:32.000 --> 0:52:32.919
<v Speaker 2>the bar.

0:52:33.280 --> 0:52:35.040
<v Speaker 1>Like there's one thing to say, Oh, a lot of

0:52:35.040 --> 0:52:37.040
<v Speaker 1>bodies are in the Hudson River, or there's a lot

0:52:37.080 --> 0:52:38.879
<v Speaker 1>of bodies in the East River, Like that's one thing,

0:52:39.360 --> 0:52:42.560
<v Speaker 1>But to have like a lot that's just like yep.

0:52:42.640 --> 0:52:44.360
<v Speaker 1>This is where a lot of bodies are buried. It

0:52:44.440 --> 0:52:48.400
<v Speaker 1>seems crazy in a like who's strap buying it?

0:52:48.480 --> 0:52:50.759
<v Speaker 2>How did they get into the fenced area, like and

0:52:50.800 --> 0:52:51.719
<v Speaker 2>no one noticed?

0:52:51.840 --> 0:52:53.840
<v Speaker 1>Like how they get the body? Like you have to

0:52:53.920 --> 0:52:57.160
<v Speaker 1>carry the body? Yeah, like wrapped it. So I always

0:52:57.200 --> 0:52:59.200
<v Speaker 1>assume when you're moving a body in the city, it's

0:52:59.200 --> 0:53:02.400
<v Speaker 1>wrapped in a car. You're always like moving moving to

0:53:02.440 --> 0:53:05.120
<v Speaker 1>a new apartment, have a carpet, just got this off Craigslist.

0:53:05.840 --> 0:53:08.600
<v Speaker 1>Nothing inside of it, you know, or it's or it's

0:53:08.600 --> 0:53:10.040
<v Speaker 1>like or it's the trunk of the car. And I

0:53:10.040 --> 0:53:11.960
<v Speaker 1>don't know, you got everyone's got a car to get

0:53:12.000 --> 0:53:13.200
<v Speaker 1>rid of it. I didn't have a car.

0:53:13.040 --> 0:53:16.759
<v Speaker 2>In New York. Everyone's driving now, Yeah, they get shovels

0:53:17.400 --> 0:53:18.600
<v Speaker 2>bearing at the lots.

0:53:19.000 --> 0:53:19.640
<v Speaker 1>It's too much.

0:53:19.719 --> 0:53:24.719
<v Speaker 2>Yeah. So now Melinda nova Okay, so Melinda Novak, there's

0:53:24.760 --> 0:53:29.319
<v Speaker 2>knocks on Craigan's door. She confirmed that the assault charge

0:53:29.360 --> 0:53:33.520
<v Speaker 2>against Ken was bogus. Again, we know Ken, like anyone

0:53:33.560 --> 0:53:35.720
<v Speaker 2>can be a rapist, but like we do know Ken.

0:53:36.280 --> 0:53:38.680
<v Speaker 2>So Munch arrives with Ken and Terry, and Terry goes,

0:53:38.719 --> 0:53:40.640
<v Speaker 2>where can I wait? So then she goes to sit

0:53:40.680 --> 0:53:43.239
<v Speaker 2>somewhere and then Novak and Craigan go to grab Ken,

0:53:43.320 --> 0:53:46.240
<v Speaker 2>but then Finn walks in with a tough, fast lawyer.

0:53:46.719 --> 0:53:50.480
<v Speaker 2>She's tough, and then Finn looks cold as hell and

0:53:50.560 --> 0:53:53.200
<v Speaker 2>Teresa wants to talk and Finn says talk or yell,

0:53:53.280 --> 0:53:55.399
<v Speaker 2>and she says that's up to you. And now we're

0:53:55.440 --> 0:53:58.319
<v Speaker 2>in cement room bars and Munch is there with the

0:53:58.400 --> 0:54:00.759
<v Speaker 2>lawyer in Novak and he does an want to change

0:54:00.760 --> 0:54:03.080
<v Speaker 2>his story at all, and Munch goes, well, okay, but

0:54:03.239 --> 0:54:05.600
<v Speaker 2>what about the baby? And Ken is confused and was like,

0:54:05.600 --> 0:54:07.880
<v Speaker 2>what baby? And I do believe him? And then they

0:54:07.960 --> 0:54:10.360
<v Speaker 2>bring up Nina Stanfield's name. Do you know the victim

0:54:10.440 --> 0:54:13.680
<v Speaker 2>or not? The lawyer goes nope, and Novak goes chill

0:54:13.840 --> 0:54:16.200
<v Speaker 2>out and lawyer goes, no, you do your job and

0:54:16.280 --> 0:54:18.279
<v Speaker 2>prove if he knows her or not. It's not my

0:54:18.600 --> 0:54:21.719
<v Speaker 2>client's job to do your job for you. Ken is

0:54:21.719 --> 0:54:25.080
<v Speaker 2>stressing it's killing him on the inside. Munch then goes, listen,

0:54:25.440 --> 0:54:28.280
<v Speaker 2>she was raped by a knife, just like Ken said,

0:54:28.280 --> 0:54:30.719
<v Speaker 2>and Novak adds this young man had knowledge of the

0:54:30.719 --> 0:54:33.359
<v Speaker 2>crime and he lived right across the street. Lawyer goes,

0:54:33.400 --> 0:54:35.759
<v Speaker 2>anything else because we're gonna leave Novak's like, just give

0:54:35.840 --> 0:54:37.560
<v Speaker 2>us the DNA and then you can get on with

0:54:37.600 --> 0:54:38.040
<v Speaker 2>your life.

0:54:38.360 --> 0:54:40.440
<v Speaker 1>And lawyer goes lol lol lol.

0:54:40.840 --> 0:54:43.160
<v Speaker 2>So then tre Senfinn are walking up the stairs to

0:54:43.200 --> 0:54:46.320
<v Speaker 2>the loft lounge trademark that that's what we're calling.

0:54:46.239 --> 0:54:48.080
<v Speaker 1>From now on. Doesn't that sound good?

0:54:48.520 --> 0:54:49.560
<v Speaker 2>The loft lounge.

0:54:49.920 --> 0:54:52.440
<v Speaker 1>The loft Lounge's good, theft lounge.

0:54:52.800 --> 0:55:01.520
<v Speaker 2>She says, you are write that down, Casey, She said, for.

0:55:00.840 --> 0:55:04.360
<v Speaker 1>For trademark, not a pension. What is the patent pending?

0:55:04.880 --> 0:55:07.640
<v Speaker 1>She says, call her patent lawyer, Casey, call her patent lawyer.

0:55:07.680 --> 0:55:12.000
<v Speaker 2>Thank you Jesus. She says, you are not doing him

0:55:12.000 --> 0:55:14.840
<v Speaker 2>any favors getting that lawyer. And he says he is

0:55:14.880 --> 0:55:18.640
<v Speaker 2>the only suspect in a double homicide. I'm protecting him.

0:55:18.760 --> 0:55:21.440
<v Speaker 2>And then from what, like he's innocent? Like from what,

0:55:22.080 --> 0:55:24.840
<v Speaker 2>Finn goes, are you fucking slow? Prison is filled with

0:55:24.880 --> 0:55:27.359
<v Speaker 2>innocent people, and we know what color most of them are.

0:55:27.800 --> 0:55:29.520
<v Speaker 2>So they go back and forth. She wants me to

0:55:29.520 --> 0:55:31.520
<v Speaker 2>be his father, not his friend, and we all know

0:55:31.640 --> 0:55:34.080
<v Speaker 2>he knows like more to what's going on. We need

0:55:34.160 --> 0:55:36.799
<v Speaker 2>him to get involved, so come on, like, let's help

0:55:36.880 --> 0:55:39.719
<v Speaker 2>him tell the truth and figure this out. Finn is

0:55:39.760 --> 0:55:41.840
<v Speaker 2>looking for something in a hurry, and Benson asked what

0:55:41.880 --> 0:55:46.040
<v Speaker 2>he's looking for. He responds the Stanfield crime scene photos

0:55:46.080 --> 0:55:48.600
<v Speaker 2>and sketches, and Benson just opens a drawer and hands

0:55:48.600 --> 0:55:51.319
<v Speaker 2>it to him really easy, peasy, and says, all you

0:55:51.360 --> 0:55:53.239
<v Speaker 2>had to do is ask, And he says all you

0:55:53.280 --> 0:55:55.920
<v Speaker 2>could have done is picked up the damn phone. And

0:55:55.960 --> 0:55:58.439
<v Speaker 2>she's annoyed but knows he's going through stuff, so she's

0:55:58.440 --> 0:56:00.440
<v Speaker 2>being chill and she's like, so one thing you want

0:56:00.440 --> 0:56:02.880
<v Speaker 2>to get off your chest and he says, you cross

0:56:02.960 --> 0:56:05.800
<v Speaker 2>the line. He should have been the next call after

0:56:05.880 --> 0:56:09.400
<v Speaker 2>my after the sun, and that can't happen again. She goes,

0:56:09.520 --> 0:56:12.319
<v Speaker 2>come on, like, let's go talk in private, and she's like,

0:56:12.680 --> 0:56:13.799
<v Speaker 2>your son asked me for help.

0:56:13.880 --> 0:56:14.680
<v Speaker 1>What should I have done?

0:56:14.760 --> 0:56:17.920
<v Speaker 2>He goes not making decisions for my family and running

0:56:18.000 --> 0:56:21.239
<v Speaker 2>interference between me and my son, and she says it

0:56:21.320 --> 0:56:23.759
<v Speaker 2>wasn't her intention, and he knows that she was just

0:56:23.800 --> 0:56:26.720
<v Speaker 2>trying to help, so this is really sweet. He also

0:56:26.760 --> 0:56:29.360
<v Speaker 2>knows they have a lot to work through as father

0:56:29.440 --> 0:56:32.600
<v Speaker 2>and son, and she understands and says sorry, So what's

0:56:32.640 --> 0:56:35.680
<v Speaker 2>the next move? He says, there's nothing I need to do.

0:56:35.920 --> 0:56:38.879
<v Speaker 2>Benson says, listen, Melinda has the info back and none

0:56:38.880 --> 0:56:40.879
<v Speaker 2>of it matches the victim. Like what do you think

0:56:40.920 --> 0:56:43.200
<v Speaker 2>all of this means? He says, I don't know. It

0:56:43.239 --> 0:56:45.799
<v Speaker 2>tells me Ken didn't do it. She says, no, it

0:56:45.880 --> 0:56:48.200
<v Speaker 2>means we can't prove it. We can't get his DNA,

0:56:48.400 --> 0:56:50.680
<v Speaker 2>Like do you want this cloud hanging over him forever?

0:56:51.160 --> 0:56:53.239
<v Speaker 2>Let's get the blood, Like don't you want to know?

0:56:53.800 --> 0:56:56.200
<v Speaker 2>Finn is not okay with that, but Benson says it's

0:56:56.200 --> 0:56:58.760
<v Speaker 2>the only way. And you know it, like you're a dad,

0:56:59.360 --> 0:57:02.000
<v Speaker 2>but you're also cop, and there's no way to separate

0:57:02.000 --> 0:57:03.680
<v Speaker 2>the two, and you know we need to be clear

0:57:03.680 --> 0:57:06.480
<v Speaker 2>with him. So Ken is walking and you just hear

0:57:06.520 --> 0:57:09.759
<v Speaker 2>him going. My lawyer says, no, munchin Finn are following him.

0:57:09.800 --> 0:57:12.520
<v Speaker 2>It's the snowy streets of New York and they're asking

0:57:12.600 --> 0:57:15.120
<v Speaker 2>him now to do the opposite of everything that has

0:57:15.160 --> 0:57:18.040
<v Speaker 2>been going down. And they're like, listen, dude, a woman

0:57:18.080 --> 0:57:20.600
<v Speaker 2>and child is dead, a husband's destroyed, and I know

0:57:20.680 --> 0:57:23.440
<v Speaker 2>that means something to you, So like, decide what kind

0:57:23.480 --> 0:57:27.040
<v Speaker 2>of man you want to be. So then Melinda, see

0:57:27.080 --> 0:57:29.760
<v Speaker 2>he's a good guy, Like you know, Ken is actually

0:57:29.760 --> 0:57:33.040
<v Speaker 2>a good guy. So then Melinda got the lab results

0:57:33.080 --> 0:57:35.760
<v Speaker 2>and of course it's not a match. I wrote, like

0:57:36.160 --> 0:57:39.680
<v Speaker 2>the fact that I've seen this episode fifteen times, it's

0:57:39.680 --> 0:57:41.880
<v Speaker 2>not a match. Okay, so that's not it. So I

0:57:41.880 --> 0:57:44.160
<v Speaker 2>wrote that all caps. It's wilder. So we're all in

0:57:44.200 --> 0:57:47.959
<v Speaker 2>the center precinct and so like Finn and Craigan both

0:57:48.040 --> 0:57:51.560
<v Speaker 2>ask questions at the same time, and she answers like,

0:57:51.680 --> 0:57:52.440
<v Speaker 2>is it isn't it?

0:57:52.560 --> 0:57:54.520
<v Speaker 1>She says, both, what does that mean?

0:57:55.000 --> 0:58:01.920
<v Speaker 2>Same mitochondria, mie cadrial DNA, same mitochondrial DNA. They're related.

0:58:02.400 --> 0:58:05.640
<v Speaker 2>Oh so Darius Ken's cousin. They're close, like you know,

0:58:05.840 --> 0:58:07.960
<v Speaker 2>that's why he probably protected him and didn't want to

0:58:08.000 --> 0:58:10.320
<v Speaker 2>tell us. And Melinda goes, no, babe, can't be a

0:58:10.360 --> 0:58:14.360
<v Speaker 2>cousin brother. He says, that's not possible. My ex wife

0:58:14.360 --> 0:58:16.960
<v Speaker 2>didn't have other kids. She says, DNA doesn't lie, and

0:58:17.000 --> 0:58:20.400
<v Speaker 2>we know that same codes, same sequence, like killer and

0:58:20.440 --> 0:58:24.240
<v Speaker 2>your son have the same mother. He's stun stun stun.

0:58:24.720 --> 0:58:28.320
<v Speaker 2>She's in office room blinds. Fuck, she says, nobody knows,

0:58:28.360 --> 0:58:30.560
<v Speaker 2>and nobody was supposed to know that he is my son,

0:58:30.800 --> 0:58:34.120
<v Speaker 2>not even Ken. Finn says, I know, I understand but

0:58:34.160 --> 0:58:36.560
<v Speaker 2>it's DNA, and she says, it happened before I met you,

0:58:37.120 --> 0:58:39.560
<v Speaker 2>and he had to go somewhere and he certainly couldn't

0:58:39.560 --> 0:58:42.360
<v Speaker 2>stay with me. She was sixteen. The father was a

0:58:42.360 --> 0:58:44.560
<v Speaker 2>bastard and you don't know what he did to me.

0:58:44.920 --> 0:58:47.840
<v Speaker 2>And Darius looks just like him now, acting like him,

0:58:48.200 --> 0:58:50.840
<v Speaker 2>and he's like, well, why why not adoption, you know?

0:58:51.200 --> 0:58:53.200
<v Speaker 2>And why give the baby to your mother? Are you

0:58:53.280 --> 0:58:56.280
<v Speaker 2>fucking kidding? I didn't give her anything she took. You

0:58:56.360 --> 0:58:59.480
<v Speaker 2>knew her. She wouldn't allow blood out of the family.

0:59:00.160 --> 0:59:03.360
<v Speaker 2>That's crazy. That's like a crazy That's like a good line.

0:59:03.360 --> 0:59:05.880
<v Speaker 2>Whoever wrote this episode, that's like a really good line.

0:59:06.400 --> 0:59:08.720
<v Speaker 2>I like, informed so much about the character with such

0:59:08.800 --> 0:59:12.040
<v Speaker 2>little information. He asks about the dad and she says,

0:59:12.080 --> 0:59:14.240
<v Speaker 2>I don't know, but I hope he's dead. And he

0:59:14.280 --> 0:59:16.960
<v Speaker 2>asked what happened to you? And she's traumatized as fuck,

0:59:17.040 --> 0:59:20.040
<v Speaker 2>refuses to say anything, and he's acting like he has

0:59:20.080 --> 0:59:22.840
<v Speaker 2>not been an SVU detective now for seven years, Like

0:59:23.400 --> 0:59:25.440
<v Speaker 2>he's like, come on, you're the fucking problem.

0:59:25.480 --> 0:59:26.080
<v Speaker 1>What the fuck?

0:59:26.120 --> 0:59:30.600
<v Speaker 2>And she is crying and shaking, crying and shaking, she screams,

0:59:30.640 --> 0:59:32.480
<v Speaker 2>you don't know what it's like to be forced to

0:59:32.480 --> 0:59:35.040
<v Speaker 2>look at a face you hate. Every time he came

0:59:35.080 --> 0:59:37.960
<v Speaker 2>over to play with Ken. It was agony family functions.

0:59:38.040 --> 0:59:40.360
<v Speaker 2>It made me sick. I can't stand to look at

0:59:40.400 --> 0:59:43.640
<v Speaker 2>him even now. And then she goes, does Darius know

0:59:43.840 --> 0:59:46.600
<v Speaker 2>you're his mother? She says, I don't see how unless

0:59:46.640 --> 0:59:49.040
<v Speaker 2>my you know, my mom's been dead for years, and

0:59:49.120 --> 0:59:52.720
<v Speaker 2>I wouldn't tell him. He walks out, and Beady Wong's there,

0:59:52.760 --> 0:59:54.600
<v Speaker 2>and I don't know if he's saying it to talk

0:59:54.640 --> 0:59:58.200
<v Speaker 2>to Finn or he's caught talking shit about Finn because

0:59:58.320 --> 1:00:02.000
<v Speaker 2>he goes interesting family dinah as Finn walks by, like

1:00:02.080 --> 1:00:06.000
<v Speaker 2>out of the door. So that that was the moment

1:00:06.040 --> 1:00:07.880
<v Speaker 2>I watched a couple of times. And then Finn says

1:00:07.880 --> 1:00:10.760
<v Speaker 2>a classic line, damn freak show. We belong in one

1:00:10.760 --> 1:00:12.960
<v Speaker 2>of your textbooks with the rest of the fruit loops.

1:00:13.280 --> 1:00:14.880
<v Speaker 2>And you know, I love what they call the mentally

1:00:14.880 --> 1:00:18.560
<v Speaker 2>ill fruit loops. And I don't care if it's like wrong.

1:00:19.040 --> 1:00:22.439
<v Speaker 2>I like it. You're a fruit loop, oh, because it's

1:00:22.640 --> 1:00:24.680
<v Speaker 2>is it also geysto like a gay slur too?

1:00:25.160 --> 1:00:27.880
<v Speaker 1>I don't think so, Yeah, I mean fruity is, but

1:00:27.960 --> 1:00:30.040
<v Speaker 1>I think a fruit loop is just like cuckoo for

1:00:30.080 --> 1:00:32.240
<v Speaker 1>cocoa puffs, like, you know, like I don't know, it's

1:00:32.280 --> 1:00:37.760
<v Speaker 1>like your fruit loop me, Yeah, you're atlutely. I don't know.

1:00:37.960 --> 1:00:38.240
<v Speaker 2>I don't know.

1:00:38.480 --> 1:00:39.960
<v Speaker 1>I don't think it has a gay connotation, but.

1:00:41.320 --> 1:00:41.880
<v Speaker 2>No it is.

1:00:42.560 --> 1:00:45.680
<v Speaker 1>So it also sounds like he's kind of like, yeah,

1:00:45.680 --> 1:00:47.480
<v Speaker 1>my family's messed up like everybody.

1:00:47.520 --> 1:00:47.920
<v Speaker 2>I don't know.

1:00:48.040 --> 1:00:49.520
<v Speaker 1>Yeah, rest its fruit loops.

1:00:49.800 --> 1:00:52.640
<v Speaker 2>Craigan says, go pick up Darius, but Novacco's no, we

1:00:52.680 --> 1:00:55.080
<v Speaker 2>need a little more evidence, and they're like, well he

1:00:55.160 --> 1:00:57.360
<v Speaker 2>said it at the bar, you know. And then Beatie

1:00:57.400 --> 1:00:59.800
<v Speaker 2>Wongs also like work the baby angle. There's a reason

1:00:59.840 --> 1:01:02.360
<v Speaker 2>that baby wasn't brought up. You know. He's like, I

1:01:02.360 --> 1:01:05.440
<v Speaker 2>think it's self loathing. He's a reject, a pariah, and

1:01:05.440 --> 1:01:09.919
<v Speaker 2>it's like whoa, whoa, whoa. But maybe maybe he thinks

1:01:09.920 --> 1:01:12.600
<v Speaker 2>he's like saving the baby from this terrible like pain

1:01:12.640 --> 1:01:15.840
<v Speaker 2>of living. Also, they have to like real like figure

1:01:15.840 --> 1:01:18.080
<v Speaker 2>out if Darius nos or not, because what if Grandma

1:01:18.120 --> 1:01:20.400
<v Speaker 2>gave a deathbed confession? You know, you never know what

1:01:20.480 --> 1:01:24.400
<v Speaker 2>happens on those deathbeds, and so is that merch You

1:01:24.400 --> 1:01:26.960
<v Speaker 2>don't know what happens on those deathbeds? You never know

1:01:27.000 --> 1:01:29.280
<v Speaker 2>what happens on a deathbed. If this was last culture,

1:01:29.320 --> 1:01:31.080
<v Speaker 2>he says, it would be a rule of culture, it

1:01:31.120 --> 1:01:36.920
<v Speaker 2>would be Yeah, but it's not. It's not guys Anyways,

1:01:37.160 --> 1:01:39.760
<v Speaker 2>Then they go, were baby items missing from the apartment?

1:01:40.000 --> 1:01:40.320
<v Speaker 1>Maybe?

1:01:40.480 --> 1:01:40.560
<v Speaker 5>No?

1:01:40.880 --> 1:01:41.520
<v Speaker 2>What fuck?

1:01:41.640 --> 1:01:41.720
<v Speaker 4>Like?

1:01:41.800 --> 1:01:45.160
<v Speaker 1>What's missing? How did he know her? Why bury her? Like?

1:01:45.280 --> 1:01:46.120
<v Speaker 1>What's going on?

1:01:46.680 --> 1:01:49.040
<v Speaker 2>And if he did find out the truth, maybe like

1:01:49.120 --> 1:01:51.880
<v Speaker 2>something small could have set him off, you know, rage,

1:01:51.920 --> 1:01:54.880
<v Speaker 2>surrogate crime. So they go back to the husband. He's

1:01:54.880 --> 1:01:57.200
<v Speaker 2>at work and they're like, do you recognize any of

1:01:57.240 --> 1:01:58.000
<v Speaker 2>these suspects.

1:01:58.040 --> 1:02:00.680
<v Speaker 1>He does not. He's willing to lie say, that's not

1:02:00.680 --> 1:02:01.320
<v Speaker 1>how it works.

1:02:01.720 --> 1:02:04.120
<v Speaker 2>Munch asks if any of his son's stuff was taken

1:02:04.160 --> 1:02:06.280
<v Speaker 2>from him, and he goes, actually, yes, a rattle. It

1:02:06.320 --> 1:02:08.720
<v Speaker 2>was passed down by my wife's family. It was wooden,

1:02:09.240 --> 1:02:11.360
<v Speaker 2>this like heirloom, and the family wanted it back and

1:02:11.400 --> 1:02:13.440
<v Speaker 2>I couldn't find it. So now we got to go

1:02:13.480 --> 1:02:16.400
<v Speaker 2>find this fucking rattle. So they're at Darius's apartment. They're

1:02:16.440 --> 1:02:21.920
<v Speaker 2>searching Judith Ciper sniper why do I forget her name? Cyper? Yeah? Yeah,

1:02:22.040 --> 1:02:24.920
<v Speaker 2>and a CSU tech you know, I think Melinda's at

1:02:24.920 --> 1:02:28.720
<v Speaker 2>the morgue and Judith's on the scene today and Finn

1:02:28.720 --> 1:02:30.640
<v Speaker 2>wants her to work faster, and she says she can

1:02:30.680 --> 1:02:34.120
<v Speaker 2>always use a second set of hands, bitch. And then

1:02:34.880 --> 1:02:37.960
<v Speaker 2>Munch finds the wooden rattle. It's hidden in a sculpture,

1:02:39.000 --> 1:02:41.560
<v Speaker 2>but it's been three years, so it might be hard

1:02:41.560 --> 1:02:44.440
<v Speaker 2>to get DNA, and Finn doesn't think the rattle is

1:02:44.480 --> 1:02:47.640
<v Speaker 2>solid enough evidence. Finn goes to harass his son, though

1:02:47.760 --> 1:02:49.680
<v Speaker 2>like he won't he won't pass up a chance to

1:02:49.720 --> 1:02:52.800
<v Speaker 2>do that, so he won't turn on his brother, like

1:02:53.080 --> 1:02:54.720
<v Speaker 2>Ken is like, I'm not going to turn on my brother.

1:02:54.840 --> 1:02:56.760
<v Speaker 2>But it's like he did rape someone with a knife,

1:02:56.760 --> 1:02:58.360
<v Speaker 2>Like I don't know how many more times I can

1:02:58.360 --> 1:03:02.640
<v Speaker 2>repeat that, So so he won't turn on his brother.

1:03:04.040 --> 1:03:06.640
<v Speaker 2>He also hates Terry now for throwing her son away,

1:03:06.840 --> 1:03:09.720
<v Speaker 2>but like, and he doesn't trust Finn, and Darius is

1:03:09.760 --> 1:03:11.960
<v Speaker 2>the only person who's ever been there for him, even

1:03:12.000 --> 1:03:14.440
<v Speaker 2>when he came out as gay, and Finn sucks, and

1:03:14.480 --> 1:03:16.439
<v Speaker 2>Finn's like, well, you murdered a woman, so like it's

1:03:16.560 --> 1:03:18.240
<v Speaker 2>nice that he was nice too when he came out,

1:03:18.280 --> 1:03:20.480
<v Speaker 2>but like, hmm, I think I don't know.

1:03:20.840 --> 1:03:21.720
<v Speaker 1>I don't know what's worse.

1:03:21.760 --> 1:03:29.400
<v Speaker 2>Homophobia or double homicide, so not to compare traumas, but

1:03:29.400 --> 1:03:32.200
<v Speaker 2>but yeah, Finn and Kenn are back at Darius's place

1:03:32.280 --> 1:03:33.920
<v Speaker 2>and there's a photo of the blood and he's like,

1:03:33.960 --> 1:03:34.800
<v Speaker 2>what do you want from me?

1:03:34.880 --> 1:03:35.080
<v Speaker 1>Man?

1:03:35.120 --> 1:03:38.960
<v Speaker 2>And they're like, how long have you known that Terry's

1:03:39.000 --> 1:03:41.160
<v Speaker 2>your mom? And he goes, too long. Grandma told me,

1:03:41.680 --> 1:03:43.880
<v Speaker 2>he says, when she was hopped up on morphine and

1:03:43.920 --> 1:03:47.080
<v Speaker 2>begging for forgiveness. But he doesn't like that she told

1:03:47.200 --> 1:03:49.040
<v Speaker 2>him and wished that she had kept it a secret.

1:03:49.120 --> 1:03:52.800
<v Speaker 2>Why did the grandma do it? She's a bad person.

1:03:52.960 --> 1:03:56.960
<v Speaker 1>And it's like the end of well, she was also

1:03:57.320 --> 1:04:01.400
<v Speaker 1>probably like I know that you're birth mother has like

1:04:01.640 --> 1:04:05.320
<v Speaker 1>not been kind to you and like you've been kind

1:04:05.320 --> 1:04:08.760
<v Speaker 1>of cast out, and she was probably like guilty and

1:04:09.120 --> 1:04:10.560
<v Speaker 1>fucked up at the end of her life and was

1:04:10.600 --> 1:04:13.680
<v Speaker 1>like she's your real mother, like make amends, like probably

1:04:13.680 --> 1:04:15.080
<v Speaker 1>thinking she was helping you know.

1:04:15.600 --> 1:04:19.520
<v Speaker 2>Yeah, So he kind of breaks and is like, fuck you, Ken,

1:04:19.800 --> 1:04:22.200
<v Speaker 2>why you what's so special about you and not me?

1:04:22.720 --> 1:04:26.520
<v Speaker 2>And he's really sad in his eyes. Luda's crushing and

1:04:26.560 --> 1:04:28.800
<v Speaker 2>then Ken says, there's nothing special.

1:04:28.880 --> 1:04:30.720
<v Speaker 1>Butt did we talk to Neil Baerr about this?

1:04:30.880 --> 1:04:32.960
<v Speaker 2>Like how did they even come up with the ludas

1:04:33.000 --> 1:04:35.480
<v Speaker 2>like to get ludacris you know, I don't know.

1:04:35.480 --> 1:04:37.560
<v Speaker 1>It sounds like he really wanted to act, you know,

1:04:38.400 --> 1:04:42.560
<v Speaker 1>like for sure, yeah so, but I I don't know.

1:04:43.480 --> 1:04:46.000
<v Speaker 1>I don't know if we talked to Neil about Luda. Yeah,

1:04:46.080 --> 1:04:47.240
<v Speaker 1>we gotta go back and relisten.

1:04:47.280 --> 1:04:50.240
<v Speaker 2>It's been a mile, so he kind so, and then

1:04:50.360 --> 1:04:53.000
<v Speaker 2>Ken goes, there's nothing special about me, you know, and

1:04:53.080 --> 1:04:55.640
<v Speaker 2>Luda says, no, I know, it's not your fault either,

1:04:56.120 --> 1:04:58.760
<v Speaker 2>And then Finn says he thinks you did it on accident,

1:04:58.800 --> 1:05:00.400
<v Speaker 2>and Luda goes, are you fucking kidding me?

1:05:00.480 --> 1:05:02.280
<v Speaker 1>I knew you couldn't keep your mouth shut.

1:05:02.320 --> 1:05:04.400
<v Speaker 2>Like I don't know why he told him, Like Ken

1:05:04.480 --> 1:05:07.000
<v Speaker 2>is such a dogurder, you know what I mean, Like

1:05:07.040 --> 1:05:07.560
<v Speaker 2>he wouldn't be.

1:05:07.520 --> 1:05:09.840
<v Speaker 1>Able to live with this, Like maybe he was more drunk.

1:05:10.200 --> 1:05:14.360
<v Speaker 2>But anyways, he says, I didn't tell anyone, and Darius

1:05:14.480 --> 1:05:17.840
<v Speaker 2>is like, listen, don't sweat, it's probably why I told you. Anyways,

1:05:17.920 --> 1:05:20.120
<v Speaker 2>I got sober, I changed. I couldn't live with the

1:05:20.120 --> 1:05:22.919
<v Speaker 2>guilt for one more day. Finn's like, okay, come clean,

1:05:23.040 --> 1:05:25.080
<v Speaker 2>I'll help you. So they go downtown to get a

1:05:25.080 --> 1:05:27.880
<v Speaker 2>confession from a non family member. We have Munch and

1:05:27.960 --> 1:05:30.200
<v Speaker 2>Kragan in there, and they're like, let's do it. He

1:05:30.280 --> 1:05:33.160
<v Speaker 2>knew Nina threw a babysitter she hired, and they want

1:05:33.200 --> 1:05:35.840
<v Speaker 2>more information. He says, no, I'm not going to lead

1:05:35.920 --> 1:05:37.840
<v Speaker 2>you to this person all, but I will lead you

1:05:37.880 --> 1:05:40.600
<v Speaker 2>to the bodies. I'm guilty of murder here, so I'm

1:05:40.640 --> 1:05:43.120
<v Speaker 2>not going to make any excuses. I stabbed her with

1:05:43.160 --> 1:05:45.040
<v Speaker 2>a knife and I killed her baby, and the baby

1:05:45.080 --> 1:05:49.040
<v Speaker 2>was fourteen months old. Took the bodies from the apartment.

1:05:49.160 --> 1:05:51.360
<v Speaker 2>I went to this in the car. You're right, car too,

1:05:51.360 --> 1:05:53.720
<v Speaker 2>a vacant lot. Dug a hole and buried them and

1:05:53.760 --> 1:05:56.000
<v Speaker 2>they've been there for three years. And like that's when

1:05:56.000 --> 1:05:58.120
<v Speaker 2>he found out the secret. So this probably was like

1:05:58.320 --> 1:06:02.800
<v Speaker 2>within a very close time frame. They asked for him

1:06:02.800 --> 1:06:05.640
<v Speaker 2>to write down the confession. He starts writing, and I wrote,

1:06:05.640 --> 1:06:08.400
<v Speaker 2>I love Ludas so much. Now he is in a

1:06:08.400 --> 1:06:10.920
<v Speaker 2>puffer jacket, Finn is in a leather Munch is in

1:06:10.960 --> 1:06:13.959
<v Speaker 2>a pea coat, and they're digging. Everyone's digging. Melinda finds

1:06:14.000 --> 1:06:16.960
<v Speaker 2>something three feet down. Finn says he did the right thing,

1:06:17.040 --> 1:06:18.680
<v Speaker 2>and he goes, yep, I'm going to spend the rest

1:06:18.720 --> 1:06:21.120
<v Speaker 2>of my life in prison, and Munch goes, listen, you

1:06:21.160 --> 1:06:24.240
<v Speaker 2>confess to your own volition. You led us to the bodies, Like,

1:06:24.280 --> 1:06:27.440
<v Speaker 2>maybe the ADA will take that into consideration. He's depressed

1:06:27.480 --> 1:06:30.560
<v Speaker 2>and over it and doesn't care and he just doesn't

1:06:30.560 --> 1:06:33.880
<v Speaker 2>want to can involved. And it's done. So there's evidence

1:06:34.280 --> 1:06:37.320
<v Speaker 2>an adult female age thirty, multiple cutting and stabbing wounds,

1:06:38.160 --> 1:06:41.920
<v Speaker 2>advanced d CAM, lots of defensive cuts, strike marks two

1:06:42.040 --> 1:06:45.440
<v Speaker 2>with murder weapon. Baby was suffocated, soil and lungs bury

1:06:45.520 --> 1:06:50.720
<v Speaker 2>the baby alive. I forgot that detail. The baby was alive, Yeah,

1:06:50.800 --> 1:06:56.440
<v Speaker 2>soil and the lungs. I forgot about that. Yeah. Him

1:06:56.480 --> 1:06:59.960
<v Speaker 2>and Derek Musa really want to torture up a baby.

1:07:00.280 --> 1:07:04.400
<v Speaker 2>And John Ritter, oh yeah, may he rests okay, so

1:07:05.080 --> 1:07:08.320
<v Speaker 2>lots of defense. Yeah, we okay, whatever. The baby's buried alive,

1:07:08.520 --> 1:07:11.960
<v Speaker 2>so I won't say it again. So then Nahshi Horowitz

1:07:12.040 --> 1:07:14.480
<v Speaker 2>comes in and we love when he's on our screen

1:07:14.880 --> 1:07:18.640
<v Speaker 2>and he's representing Darius and Nova goes no deal. He

1:07:18.680 --> 1:07:20.880
<v Speaker 2>says he's not asking for one, and she's rude and

1:07:21.000 --> 1:07:23.320
<v Speaker 2>is like, what do you want and he says, pleasant

1:07:23.360 --> 1:07:27.360
<v Speaker 2>conversation wouldn't hurt. As he sits down slowly, Novak does

1:07:27.360 --> 1:07:30.840
<v Speaker 2>a seething monologue, stands over him, like fuck him, and

1:07:30.880 --> 1:07:34.400
<v Speaker 2>as she so then has she tells Novak amazing monologue,

1:07:34.560 --> 1:07:37.040
<v Speaker 2>so sad nobody will ever hear it. And he is

1:07:37.080 --> 1:07:40.040
<v Speaker 2>like so smug, and he hands her emotion to suppress

1:07:40.560 --> 1:07:44.120
<v Speaker 2>and emotion to dismiss, and it's Judge Louis Preston and

1:07:44.160 --> 1:07:46.720
<v Speaker 2>it's let's go. So then they get two minutes with her.

1:07:46.760 --> 1:07:49.479
<v Speaker 2>She's like two minutes, she's so busy. And he says

1:07:49.520 --> 1:07:52.280
<v Speaker 2>that his client's fifth and sixth Amendment rights were violated,

1:07:52.800 --> 1:07:56.880
<v Speaker 2>that the police interrogated him without council. They argue what's up,

1:07:56.920 --> 1:07:59.840
<v Speaker 2>and bring up like old cases and what happened, and

1:08:00.040 --> 1:08:02.880
<v Speaker 2>then he says, there's an open burglary charge and court

1:08:02.960 --> 1:08:05.040
<v Speaker 2>date that he mentioned and you all knew, so you

1:08:05.120 --> 1:08:08.440
<v Speaker 2>knew he had counsel. All they had to do was

1:08:08.480 --> 1:08:10.480
<v Speaker 2>call him and wait. But they ignored it. And she

1:08:10.560 --> 1:08:14.240
<v Speaker 2>agrees with him, and confession is out and any fruit's

1:08:14.360 --> 1:08:17.000
<v Speaker 2>born from it. So Novaka is mad and runs into

1:08:17.000 --> 1:08:20.240
<v Speaker 2>the Center precinct. They're all fucked. Everyone's flabberg acid. The

1:08:20.280 --> 1:08:23.479
<v Speaker 2>bodies can't be included Finn is like, fuck, Darius knew

1:08:23.479 --> 1:08:25.639
<v Speaker 2>exactly what he was doing. This was all a setup.

1:08:25.680 --> 1:08:28.240
<v Speaker 2>He did it. He's so fucking smart. So they need

1:08:28.280 --> 1:08:31.080
<v Speaker 2>to run and try to find more evidence. So everyone's dispersing,

1:08:31.200 --> 1:08:34.160
<v Speaker 2>everyone's at work and like nothing he said can be

1:08:34.240 --> 1:08:35.559
<v Speaker 2>used or what they got from it.

1:08:36.120 --> 1:08:38.599
<v Speaker 1>And well, here's what I don't understand, Like they found

1:08:39.040 --> 1:08:42.040
<v Speaker 1>his DNA at the scene.

1:08:42.040 --> 1:08:44.679
<v Speaker 2>Yeah, but only because he confessed and brought it.

1:08:45.439 --> 1:08:48.479
<v Speaker 1>Not at first, like at first it was because Ken

1:08:49.439 --> 1:08:52.439
<v Speaker 1>was accused, and then they found out that they share

1:08:52.520 --> 1:08:56.400
<v Speaker 1>mitochondrial DNA the person that was at the scene with Ken,

1:08:57.080 --> 1:09:00.360
<v Speaker 1>So can't they say, like we found a DNA connect.

1:09:00.479 --> 1:09:04.280
<v Speaker 2>Through absolutely, but they can't prove like they don't have

1:09:04.320 --> 1:09:07.800
<v Speaker 2>his DNA, right yeah, true, they need to get his

1:09:07.920 --> 1:09:09.160
<v Speaker 2>DNA to confirm, right.

1:09:09.479 --> 1:09:13.519
<v Speaker 1>Yeah, but it would be a brother of or another

1:09:13.640 --> 1:09:15.839
<v Speaker 1>child that Terry had at some point. Yeah.

1:09:15.880 --> 1:09:18.240
<v Speaker 2>So Finn goes to Ken, like maybe Ken's gonna just

1:09:18.280 --> 1:09:20.240
<v Speaker 2>give him the info they need to help the case.

1:09:20.320 --> 1:09:22.280
<v Speaker 2>So it's like Ken, come on, he is a killer,

1:09:22.800 --> 1:09:25.040
<v Speaker 2>and they're like, does he have any girlfriends? Like any

1:09:25.040 --> 1:09:29.280
<v Speaker 2>of this any of these babysitters on Nina's babysitter list

1:09:29.520 --> 1:09:32.840
<v Speaker 2>or any of them connected to Darius, and he recognizes

1:09:32.840 --> 1:09:36.280
<v Speaker 2>the name Angela Bodden and she is crazy about him,

1:09:36.320 --> 1:09:39.080
<v Speaker 2>bought him gifts and money, but he wasn't that into her,

1:09:39.160 --> 1:09:43.080
<v Speaker 2>but liked how she treated him, like unsafe. She's a

1:09:43.080 --> 1:09:45.920
<v Speaker 2>male person. Now, I'm proud of her, great job, she says.

1:09:45.960 --> 1:09:48.680
<v Speaker 2>The dead baby was a good baby. Unfortunately, so she

1:09:48.800 --> 1:09:51.960
<v Speaker 2>hated the mom for like stepping out on her old man,

1:09:52.120 --> 1:09:54.200
<v Speaker 2>but was mad at her all the time about how

1:09:54.240 --> 1:09:56.720
<v Speaker 2>much food she ate and like, oh, you spend so

1:09:56.720 --> 1:09:59.000
<v Speaker 2>too much time on the phone and stuff like that,

1:09:59.160 --> 1:10:00.639
<v Speaker 2>and so she's like, I don't want to speak ill

1:10:00.680 --> 1:10:04.280
<v Speaker 2>of the dead, but she was fucking annoying, and she goes,

1:10:04.280 --> 1:10:06.760
<v Speaker 2>she did hate my boyfriend, but she had a point

1:10:06.800 --> 1:10:08.920
<v Speaker 2>to hate Darius because he had a temper and he

1:10:09.080 --> 1:10:13.400
<v Speaker 2>got me fired. And so basically what happened was she

1:10:13.400 --> 1:10:17.000
<v Speaker 2>would complain to Ludacris's Darius's character. I just want to

1:10:17.000 --> 1:10:19.360
<v Speaker 2>call him Luda every single time. It's so hard for me.

1:10:19.520 --> 1:10:22.960
<v Speaker 2>So she was like, God, my boss is a stupid bitch.

1:10:23.000 --> 1:10:25.160
<v Speaker 2>So then when he saw the mom on the street,

1:10:25.479 --> 1:10:28.320
<v Speaker 2>he's like, you're a bad mother. So she's like, don't

1:10:28.320 --> 1:10:31.040
<v Speaker 2>bring him around and then she's like, but that's my boyfriend,

1:10:31.439 --> 1:10:33.720
<v Speaker 2>and it's like, you actually are not entitled to bring

1:10:33.720 --> 1:10:36.040
<v Speaker 2>your boyfriend to your job, and he should have somewhere

1:10:36.080 --> 1:10:39.639
<v Speaker 2>else to go. Also, it's like humiliating or buying him stuff.

1:10:39.640 --> 1:10:42.160
<v Speaker 2>He doesn't even like you. You're jeopardized. I mean you're

1:10:42.160 --> 1:10:44.360
<v Speaker 2>a male person now, So like that's awesome, but like

1:10:44.479 --> 1:10:47.840
<v Speaker 2>so strange. She found his knife in the couch cushions

1:10:47.880 --> 1:10:50.840
<v Speaker 2>and fired her on this spot. So he went back

1:10:50.880 --> 1:10:53.080
<v Speaker 2>to get the knife and she says like, but it

1:10:53.120 --> 1:10:57.120
<v Speaker 2>was too late. So then this dummy she goes, you know,

1:10:57.160 --> 1:10:59.960
<v Speaker 2>it's kind of ironic, like if she didn't take his knife,

1:11:00.080 --> 1:11:03.120
<v Speaker 2>her husband would have used it to kill her. Oh

1:11:03.200 --> 1:11:04.439
<v Speaker 2>my god, Like, in what world.

1:11:04.400 --> 1:11:05.200
<v Speaker 1>Is that what happened?

1:11:05.280 --> 1:11:08.360
<v Speaker 2>Yeah, okay, so but they still don't have enough, and

1:11:08.439 --> 1:11:11.040
<v Speaker 2>munch Infinner trying with Novak and she's like, why didn't

1:11:11.040 --> 1:11:13.120
<v Speaker 2>the cops do their job back in the day, And

1:11:13.200 --> 1:11:15.599
<v Speaker 2>you know, classic tunnel vision, they thought the husband didn't,

1:11:16.040 --> 1:11:17.760
<v Speaker 2>So what do they do now? So we're back in

1:11:17.760 --> 1:11:20.960
<v Speaker 2>cement room bars and Novak's trying to intimidate Heshi and

1:11:21.000 --> 1:11:22.920
<v Speaker 2>Luda do not give a fuck, and he tells her

1:11:23.040 --> 1:11:26.200
<v Speaker 2>Hubris isn't attractive, especially for a woman her age.

1:11:26.360 --> 1:11:29.720
<v Speaker 1>Lol obsessed, which is hilarious because I think I look

1:11:29.800 --> 1:11:32.439
<v Speaker 1>this up, like I feel like Diane Neil is twenty

1:11:32.520 --> 1:11:34.840
<v Speaker 1>nine in this episode. I mean she's probably supposed to

1:11:34.880 --> 1:11:38.760
<v Speaker 1>be like thirty five, but it's like, wow, what a read.

1:11:39.840 --> 1:11:42.519
<v Speaker 2>Yeah, I mean all those movies to early two thousands,

1:11:42.520 --> 1:11:45.280
<v Speaker 2>Like I think, like The Wedding Planner, all those people

1:11:45.280 --> 1:11:47.799
<v Speaker 2>are in their twenties, like they're twenty seven, right.

1:11:48.040 --> 1:11:50.799
<v Speaker 1>Yeah, I mean remember Bird Cage when she's like nineteen

1:11:50.840 --> 1:11:52.759
<v Speaker 1>and it's like, why won't my parents let me get married?

1:11:54.560 --> 1:11:57.559
<v Speaker 1>I think she's twenty two in Father of the Bride. Well, yeah,

1:11:57.600 --> 1:11:58.240
<v Speaker 1>because in.

1:12:00.640 --> 1:12:04.240
<v Speaker 2>Nineteen as well, my best friend's wedding, Cameron Diaz is

1:12:04.320 --> 1:12:08.000
<v Speaker 2>nineteen oh right, that one's crazy, yeah, or like twenty

1:12:08.160 --> 1:12:11.559
<v Speaker 2>like something great. Yeah, I'm still in college. So he

1:12:11.640 --> 1:12:13.680
<v Speaker 2>also then fruit, you know, everyone loves fruit of the

1:12:13.680 --> 1:12:17.479
<v Speaker 2>Poisonous Tree. And then maybe that's the tattoo I guess.

1:12:17.360 --> 1:12:19.760
<v Speaker 1>I was gonna say, is that merch fruit of the

1:12:19.800 --> 1:12:22.120
<v Speaker 1>Poisonous tes? Oh my god, I saw the funniest meme.

1:12:22.240 --> 1:12:23.200
<v Speaker 1>It is totally me.

1:12:23.360 --> 1:12:27.479
<v Speaker 2>Hold on, let me fucking I've never been I've actually

1:12:27.479 --> 1:12:30.760
<v Speaker 2>been read a couple times with the memes. Really come

1:12:30.800 --> 1:12:35.240
<v Speaker 2>after me, Okay, this is the meme tattoos. Yes, absolutely,

1:12:35.320 --> 1:12:38.599
<v Speaker 2>it'll lasts forever sticker, what if I regret this placement?

1:12:43.760 --> 1:12:45.479
<v Speaker 2>So true? That's good.

1:12:45.600 --> 1:12:48.360
<v Speaker 1>They got you good. It's so fucking true.

1:12:48.640 --> 1:12:53.519
<v Speaker 2>Got your ass fruit of the poisonous tree. So Casey said,

1:12:53.680 --> 1:12:56.240
<v Speaker 2>I mean Casey, like I wrote this, Casey, you have

1:12:56.320 --> 1:12:58.840
<v Speaker 2>nothing like he You know they're cocky. She has nothing.

1:12:59.240 --> 1:13:01.360
<v Speaker 2>You can't bring charge with the kids, so shut up.

1:13:01.680 --> 1:13:04.120
<v Speaker 2>She says, you're gonna get the maximum and how she says,

1:13:04.160 --> 1:13:07.760
<v Speaker 2>I smell a horse trade. She says, if you cooperate now,

1:13:07.760 --> 1:13:09.920
<v Speaker 2>I can make it thirty years total for all the crimes.

1:13:10.240 --> 1:13:12.719
<v Speaker 2>As she goes, you cannot prove intent. And I didn't

1:13:12.720 --> 1:13:14.759
<v Speaker 2>even know that was part of this conversation, was intent,

1:13:14.880 --> 1:13:15.760
<v Speaker 2>you know what I mean? Like?

1:13:16.360 --> 1:13:18.040
<v Speaker 1>And did we get evidence all of a sudden?

1:13:18.080 --> 1:13:20.599
<v Speaker 2>Are you right that like they can do the DNA

1:13:20.680 --> 1:13:23.000
<v Speaker 2>now like they like everything's out, the rattles out, Like

1:13:23.040 --> 1:13:27.880
<v Speaker 2>I don't get what's happening. So has she's like twenty

1:13:27.880 --> 1:13:30.080
<v Speaker 2>five with the possibility of parole and we can chat

1:13:30.080 --> 1:13:32.519
<v Speaker 2>and Luda goes, no, we don't, and Nova goes, well,

1:13:32.520 --> 1:13:35.400
<v Speaker 2>that's the final offer. Has She says we need time

1:13:35.439 --> 1:13:38.000
<v Speaker 2>to chat, and Darius goes, no, there is no chat.

1:13:38.240 --> 1:13:39.160
<v Speaker 1>I'm not making a deal.

1:13:39.280 --> 1:13:41.960
<v Speaker 2>I want my dan core and Finn says take the offer,

1:13:42.400 --> 1:13:45.760
<v Speaker 2>and Darius says, go to hell, kiss my ass, and

1:13:45.800 --> 1:13:48.320
<v Speaker 2>while you're down there, spread them because you're about to

1:13:48.360 --> 1:13:48.960
<v Speaker 2>get done.

1:13:49.680 --> 1:13:54.960
<v Speaker 1>But he says fucked. His mouth says fucked, and his

1:13:55.080 --> 1:13:59.679
<v Speaker 1>voiceover says done. I rewatched it three times. You're about

1:13:59.680 --> 1:14:02.400
<v Speaker 1>to get fucked, Like I wonder if he like ad

1:14:02.439 --> 1:14:04.320
<v Speaker 1>libbed that, and they were like, that's good. We just

1:14:04.360 --> 1:14:07.120
<v Speaker 1>have to make it network appropriate. Like his mouth is

1:14:07.120 --> 1:14:12.759
<v Speaker 1>saying fucked, like yeah, whoa, I gotta I didn't catch that. Wow,

1:14:12.840 --> 1:14:16.160
<v Speaker 1>I was focused on the spreading. And he says, oh,

1:14:16.200 --> 1:14:20.840
<v Speaker 1>it's about the family, and Darius goes, yep, every single

1:14:20.920 --> 1:14:22.479
<v Speaker 1>last one of you is gonna have to be in

1:14:22.479 --> 1:14:26.160
<v Speaker 1>that courtroom like family reunion. You're gonna have to testify

1:14:26.400 --> 1:14:29.240
<v Speaker 1>your lives out in the open for everybody to judge,

1:14:29.280 --> 1:14:32.400
<v Speaker 1>like you've all done to me since day one. They're

1:14:32.400 --> 1:14:34.240
<v Speaker 1>gonna know what kind of cop you are and what

1:14:34.320 --> 1:14:37.080
<v Speaker 1>kind of husband and father you weren't. They're gonna know

1:14:37.160 --> 1:14:40.080
<v Speaker 1>about my brother's sexual habits, and it's like he's just gay,

1:14:41.040 --> 1:14:44.320
<v Speaker 1>but collusion, and everyone's gonna wonder why he's not being

1:14:44.439 --> 1:14:48.160
<v Speaker 1>charged either, and maybe his cop father helped cover up.

1:14:48.240 --> 1:14:50.920
<v Speaker 1>Makes for a nice headline and a no good mother

1:14:51.120 --> 1:14:53.960
<v Speaker 1>is dead, the baby is missing, even though the baby

1:14:54.080 --> 1:14:56.760
<v Speaker 1>is fucking better off, and he goes, sure, I'm gonna

1:14:56.760 --> 1:14:58.920
<v Speaker 1>go to prison, but not for as long as you think.

1:14:59.280 --> 1:15:01.920
<v Speaker 1>And once to sir, Randal takes the stand and has

1:15:02.000 --> 1:15:05.320
<v Speaker 1>to tell the truth, and his lips quiver. That festering

1:15:05.439 --> 1:15:08.320
<v Speaker 1>bitch is gonna have to claim me for the first

1:15:08.320 --> 1:15:11.559
<v Speaker 1>time in her miserable life. And let's see her shake

1:15:11.680 --> 1:15:14.920
<v Speaker 1>me after that, And Finn looks at him, and he

1:15:15.080 --> 1:15:18.120
<v Speaker 1>keeps going, you want to bury me, go ahead, because

1:15:18.120 --> 1:15:20.679
<v Speaker 1>I'm taking you all down with me. When I do,

1:15:21.120 --> 1:15:24.760
<v Speaker 1>and Finn keeps looking. It's a flute noise. Finn walks out,

1:15:25.000 --> 1:15:29.559
<v Speaker 1>Munch has some cuffed. Terry arrives, Ludas scowls at her.

1:15:29.880 --> 1:15:33.280
<v Speaker 1>She says, Darius, like finally her heart softens for a second,

1:15:33.400 --> 1:15:36.880
<v Speaker 1>like she has hated him forever, and he keeps scowling

1:15:37.040 --> 1:15:39.120
<v Speaker 1>as they drag him away, and then it's a close

1:15:39.200 --> 1:15:41.400
<v Speaker 1>up on Finn and he has a lot of emotions

1:15:41.400 --> 1:15:44.320
<v Speaker 1>on his face and it's dick wolf baby. I mean,

1:15:44.439 --> 1:15:46.760
<v Speaker 1>why does he say the baby's missing and better off

1:15:46.760 --> 1:15:50.320
<v Speaker 1>you buried the baby alive. We found him, Like.

1:15:51.280 --> 1:15:53.000
<v Speaker 2>Maybe they didn't find the baby and they just found

1:15:53.040 --> 1:15:58.240
<v Speaker 2>the blanket and the mom. No, because on the lungs.

1:15:58.360 --> 1:15:59.519
<v Speaker 2>Soil was in the lungs.

1:16:00.520 --> 1:16:00.560
<v Speaker 5>Ugh.

1:16:00.720 --> 1:16:03.240
<v Speaker 1>Well, you're not gonna love the real case because it's

1:16:03.240 --> 1:16:16.360
<v Speaker 1>pretty close. So this one is based pretty on the

1:16:16.400 --> 1:16:19.759
<v Speaker 1>nose with the Actually it's the Raymond it's the Raymond

1:16:19.840 --> 1:16:25.040
<v Speaker 1>Levi Cobb case, and Novak actually references it when she's

1:16:25.080 --> 1:16:29.559
<v Speaker 1>talking to Lois Preston about Cobb versus Texas. So let

1:16:29.600 --> 1:16:33.320
<v Speaker 1>me get into this. So on December twenty seventh, a

1:16:33.360 --> 1:16:35.960
<v Speaker 1>couple of days after Christmas nineteen ninety three, the home

1:16:36.040 --> 1:16:40.560
<v Speaker 1>of Lindsay and Margaret Owings in rural Huntsville, Texas is burglarized.

1:16:40.600 --> 1:16:44.320
<v Speaker 1>Lindsay is a man. Just for any confusion, Lindsay calls

1:16:44.439 --> 1:16:46.640
<v Speaker 1>the Walk You knew it would be confused, Yeah, like

1:16:46.720 --> 1:16:50.880
<v Speaker 1>wait who Okay? So Lindsay calls the Walker County Sheriff's

1:16:50.920 --> 1:16:53.320
<v Speaker 1>Office and reports a burglary that a stereo and a

1:16:53.360 --> 1:16:57.240
<v Speaker 1>VCR are missing, but also kind of important, my wife

1:16:57.320 --> 1:16:59.840
<v Speaker 1>and my sixteen year old daughter, Corey Ray are also

1:17:01.800 --> 1:17:03.880
<v Speaker 1>They called around to her friends. No one had heard

1:17:03.880 --> 1:17:06.640
<v Speaker 1>from her all day. Authorities are searching for her, but

1:17:06.680 --> 1:17:09.679
<v Speaker 1>they come up with nothing. Obviously, they suspect the husband.

1:17:10.080 --> 1:17:13.840
<v Speaker 1>He took several polygraphs and he passed them all and

1:17:13.960 --> 1:17:16.320
<v Speaker 1>the authorities kind of started to come around on him

1:17:16.360 --> 1:17:19.559
<v Speaker 1>not being the guy, but the community did not let up,

1:17:19.600 --> 1:17:21.960
<v Speaker 1>like they all thought he was behind it. So it's like,

1:17:22.280 --> 1:17:26.040
<v Speaker 1>you know, small town, everyone's like, you killed your wife. Whatever.

1:17:26.560 --> 1:17:30.240
<v Speaker 1>So the case went cold for a couple of years.

1:17:30.600 --> 1:17:33.880
<v Speaker 1>Like in February of ninety four, they got a tip

1:17:33.920 --> 1:17:37.759
<v Speaker 1>that the across the street neighbor, seventeen year old Raymond

1:17:37.840 --> 1:17:40.920
<v Speaker 1>Levit Cobb, might be involved in the burglary. They had

1:17:40.960 --> 1:17:43.840
<v Speaker 1>initially questioned Cobb, but he had denied any involvement, and

1:17:43.880 --> 1:17:46.759
<v Speaker 1>then this tip led to the recovery of the stolen

1:17:46.840 --> 1:17:51.960
<v Speaker 1>items in Cobb's home. On July fifteen, nineteen ninety four, Cobb,

1:17:52.360 --> 1:17:57.240
<v Speaker 1>who was under arrest in an unrelated case actually like

1:17:57.280 --> 1:17:59.760
<v Speaker 1>a drug case or I think a drug charge, gave

1:17:59.760 --> 1:18:04.040
<v Speaker 1>a statement confessing to the burglary. But denying having anything

1:18:04.040 --> 1:18:05.840
<v Speaker 1>to do with the disappearance of the woman and the child.

1:18:06.160 --> 1:18:08.080
<v Speaker 1>So like, they found the stereo in the VCR in

1:18:08.120 --> 1:18:09.800
<v Speaker 1>this kid's house and they're like you did it, and

1:18:09.840 --> 1:18:11.400
<v Speaker 1>he's like, yeah, I confessed with the burglary. I had

1:18:11.439 --> 1:18:14.320
<v Speaker 1>nothing to do with the other stuff. He did tell

1:18:14.320 --> 1:18:16.800
<v Speaker 1>them during that interrogation that he had a feeling the

1:18:16.840 --> 1:18:20.720
<v Speaker 1>bodies might be in the woods nearby. Okay, bro, like

1:18:21.240 --> 1:18:25.320
<v Speaker 1>you're telling on yourself. That's when they started to feel like, oh,

1:18:25.479 --> 1:18:29.280
<v Speaker 1>this kid has something to do with it. Cobb's lawyer,

1:18:29.800 --> 1:18:32.680
<v Speaker 1>Hal Ridley, his lawyer in the burglary case, like his

1:18:32.960 --> 1:18:36.960
<v Speaker 1>Hashi Horowitz, gave authorities permission to question him in August

1:18:37.000 --> 1:18:39.040
<v Speaker 1>of nineteen eighty four, and in September of nineteen ninety

1:18:39.080 --> 1:18:42.200
<v Speaker 1>five because the authorities told him he's not a suspect.

1:18:42.479 --> 1:18:45.720
<v Speaker 1>Then in November of nineteen ninety five. So now at

1:18:45.720 --> 1:18:49.439
<v Speaker 1>this point it's almost two years. They've really not gotten

1:18:49.439 --> 1:18:52.000
<v Speaker 1>anywhere in this case. They found who robbed them, They

1:18:52.000 --> 1:18:54.880
<v Speaker 1>found the burglary guy, but they don't know where the mom,

1:18:54.920 --> 1:18:59.719
<v Speaker 1>where the mom, is the baby anything. Cobb's father, Charles Cobb,

1:19:00.280 --> 1:19:03.240
<v Speaker 1>concerned about his son after his son like drank too

1:19:03.280 --> 1:19:06.439
<v Speaker 1>much and started getting violent with his pregnant girlfriend. He

1:19:06.800 --> 1:19:11.559
<v Speaker 1>later went to his son's apartment in Odessa, Texas, which

1:19:11.600 --> 1:19:15.320
<v Speaker 1>is Friday night Lights territory. Well, also were Connor stories from.

1:19:15.720 --> 1:19:21.760
<v Speaker 1>Oh I didn't know that. I did. Of course, that's interesting.

1:19:21.920 --> 1:19:23.519
<v Speaker 1>You get out of it because you know if you

1:19:23.560 --> 1:19:25.160
<v Speaker 1>read that, like I read the book of Friday Night

1:19:25.240 --> 1:19:27.960
<v Speaker 1>Lights for sociology class in school, and it was like

1:19:28.000 --> 1:19:30.840
<v Speaker 1>the only way to get out of for college, and

1:19:30.920 --> 1:19:32.960
<v Speaker 1>the only way to get out of Odessa is like

1:19:33.000 --> 1:19:33.759
<v Speaker 1>to play football.

1:19:34.040 --> 1:19:35.280
<v Speaker 2>But not Connor story.

1:19:35.720 --> 1:19:37.360
<v Speaker 1>He got out of there acting.

1:19:38.760 --> 1:19:42.080
<v Speaker 2>So anyway because photos surfaced of him from a few

1:19:42.120 --> 1:19:44.439
<v Speaker 2>weeks ago at a gas station in Texas, like he

1:19:44.520 --> 1:19:48.840
<v Speaker 2>was back home visiting, I think, and all these he

1:19:48.880 --> 1:19:51.479
<v Speaker 2>took photos of people at the gas station and he

1:19:51.520 --> 1:19:52.840
<v Speaker 2>had a jeep Rubicon.

1:19:53.439 --> 1:19:59.639
<v Speaker 1>Oh that's very high school hot guy, I know. He

1:20:00.120 --> 1:20:02.639
<v Speaker 1>But this guy so Odessa, by the way, and Huntsville,

1:20:02.640 --> 1:20:04.880
<v Speaker 1>like where this is all happening is like seventy miles

1:20:05.800 --> 1:20:08.479
<v Speaker 1>away from Houston. I think north, but I'm not sure.

1:20:08.720 --> 1:20:12.240
<v Speaker 1>So the dad goes to his son's apartment in Odessa, Texas,

1:20:12.320 --> 1:20:15.080
<v Speaker 1>hometown of Connor story, to try to like talk to him,

1:20:15.080 --> 1:20:17.519
<v Speaker 1>and he's like, tell me what's going on with you?

1:20:17.680 --> 1:20:18.679
<v Speaker 2>Blah blah blah.

1:20:18.920 --> 1:20:23.760
<v Speaker 1>And on November eleventh, nineteen ninety five, Charles Cobb goes

1:20:23.800 --> 1:20:26.479
<v Speaker 1>to the Sheriff's office and tells them that my son

1:20:26.560 --> 1:20:30.000
<v Speaker 1>has confessed to him that he killed Margaret during the burglary.

1:20:30.200 --> 1:20:33.120
<v Speaker 1>So the dad hold on his son. Yes, so they

1:20:33.240 --> 1:20:37.080
<v Speaker 1>arrest Cobb and they bring him in for questioning, and

1:20:37.160 --> 1:20:41.200
<v Speaker 1>after ninety minutes of questioning, he admits to killing Margaret

1:20:41.280 --> 1:20:45.320
<v Speaker 1>and Corey Ray. And Margaret had confronted him during the burglary,

1:20:45.400 --> 1:20:47.559
<v Speaker 1>like lunged at him, and so he stabbed her in

1:20:47.600 --> 1:20:51.400
<v Speaker 1>the stomach. There's some he sort of tried to say,

1:20:51.880 --> 1:20:54.160
<v Speaker 1>I was holding a knife and she ran into it,

1:20:54.240 --> 1:20:56.400
<v Speaker 1>and it's like nobody buys that he was trying to

1:20:56.439 --> 1:21:00.320
<v Speaker 1>like downplay it. But so then this is off. What

1:21:00.360 --> 1:21:03.240
<v Speaker 1>happens next He brings her body out to a wooded

1:21:03.280 --> 1:21:06.040
<v Speaker 1>area close to the house. Then he goes back to

1:21:06.080 --> 1:21:08.960
<v Speaker 1>the house to get a shovel. He because I don't know,

1:21:08.960 --> 1:21:10.160
<v Speaker 1>he didn't have one, like in the trunk of his

1:21:10.200 --> 1:21:13.320
<v Speaker 1>car from his dad, and he spotted a sleep the

1:21:13.360 --> 1:21:17.360
<v Speaker 1>sleeping baby, So he grabs the shovel and the sleeping baby.

1:21:18.000 --> 1:21:20.879
<v Speaker 1>He could have just left her there, but he brings

1:21:21.240 --> 1:21:25.120
<v Speaker 1>he brings her out to where the mother's body is.

1:21:25.880 --> 1:21:29.679
<v Speaker 1>Then he starts digging the grave. Okay, at some point,

1:21:29.920 --> 1:21:33.839
<v Speaker 1>little Corey Ray wakes up and starts like moving towards

1:21:33.840 --> 1:21:39.240
<v Speaker 1>her mom, but falls into the open grave. No claims

1:21:39.280 --> 1:21:43.240
<v Speaker 1>the guy, and he just put the mom's dead body

1:21:43.280 --> 1:21:48.320
<v Speaker 1>in there with her and filled it up like nightmare fuel.

1:21:48.720 --> 1:21:51.479
<v Speaker 1>Like I know they said ludicrous did this, but like

1:21:51.560 --> 1:21:54.919
<v Speaker 1>this happened in real life too, Like it's so horrible.

1:21:55.000 --> 1:21:58.560
<v Speaker 1>This guy is seventeen years old, Like this is psychotic,

1:21:58.640 --> 1:22:02.880
<v Speaker 1>and it's like it's the same everybody was saying the

1:22:02.920 --> 1:22:07.000
<v Speaker 1>same shit that Kragan was saying about Darius, Like that

1:22:07.040 --> 1:22:09.879
<v Speaker 1>little girl couldn't have idd you, she couldn't have testified

1:22:09.880 --> 1:22:13.519
<v Speaker 1>against you. She's sixteen months old. You could have left her,

1:22:14.320 --> 1:22:17.800
<v Speaker 1>Like what why did you do that? You know, it's

1:22:18.080 --> 1:22:21.960
<v Speaker 1>really really nightmarish. And then he goes back into the house,

1:22:22.320 --> 1:22:25.919
<v Speaker 1>takes the stereo, the VCR videotapes, and a bottle of tequila,

1:22:27.080 --> 1:22:32.639
<v Speaker 1>like really unhinged. After he confesses, he brings the cops

1:22:32.640 --> 1:22:36.000
<v Speaker 1>to his apartment, where he shows them his knife collection

1:22:36.200 --> 1:22:37.559
<v Speaker 1>and is basically like I don't.

1:22:37.360 --> 1:22:39.400
<v Speaker 2>Really remember which one is the murder REPM.

1:22:39.120 --> 1:22:42.120
<v Speaker 1>But here are my knives and then the wedding ring

1:22:42.479 --> 1:22:45.479
<v Speaker 1>that he took off of this woman's dead body. So

1:22:45.560 --> 1:22:47.720
<v Speaker 1>like I'm like this, I wrote, this is a psychopath,

1:22:47.760 --> 1:22:49.400
<v Speaker 1>Like if you have the presence of mine to take

1:22:49.439 --> 1:22:51.400
<v Speaker 1>a wedding ring off of a woman you just killed,

1:22:51.640 --> 1:22:54.800
<v Speaker 1>and then also like grab a stereo and like you

1:22:54.800 --> 1:22:58.040
<v Speaker 1>know that shit, it's like you're missing a chip. Something

1:22:58.080 --> 1:23:01.160
<v Speaker 1>is going wrong in your head. He also, because I

1:23:01.160 --> 1:23:03.200
<v Speaker 1>can understand if he was like, oh no, I'm going

1:23:03.240 --> 1:23:04.680
<v Speaker 1>to get caught with this burglary, I have to kill

1:23:04.680 --> 1:23:06.720
<v Speaker 1>her about like everything else he did after that is

1:23:07.800 --> 1:23:12.760
<v Speaker 1>really really psychopathic to me. So he also takes them

1:23:12.760 --> 1:23:14.800
<v Speaker 1>to the wooded area behind the house where he buries

1:23:14.840 --> 1:23:17.200
<v Speaker 1>the body so much like in the episode he shows them.

1:23:17.479 --> 1:23:20.400
<v Speaker 1>So two years after the disappearance, the bodies of Margaret

1:23:20.439 --> 1:23:25.280
<v Speaker 1>and Corey Ray are finally found. Obviously, the husband, Lindsay,

1:23:25.560 --> 1:23:28.439
<v Speaker 1>is like relieved in a sense because he's like, now

1:23:28.479 --> 1:23:31.960
<v Speaker 1>everybody can stop thinking that I murdered my wife and child,

1:23:32.040 --> 1:23:34.920
<v Speaker 1>and I can also mourn them, because I mean, I'm

1:23:34.960 --> 1:23:37.439
<v Speaker 1>sure he knew they were gone gone at some point.

1:23:38.320 --> 1:23:42.240
<v Speaker 1>So his lawyer, Cobb's lawyer in the burglary case, is

1:23:42.320 --> 1:23:45.320
<v Speaker 1>furious that he hadn't been contacted before they questioned Cobb

1:23:45.320 --> 1:23:49.400
<v Speaker 1>about the murder and that his subsequent confession like that

1:23:49.439 --> 1:23:52.559
<v Speaker 1>they never called him during that whole process, and so

1:23:52.640 --> 1:23:54.920
<v Speaker 1>he motioned to have the confession thrown out on the

1:23:54.920 --> 1:23:57.960
<v Speaker 1>grounds that his sixth Amendment right to counsel had been violated.

1:23:58.360 --> 1:24:01.720
<v Speaker 1>The judge did not go for it and Cobb. They

1:24:01.720 --> 1:24:04.679
<v Speaker 1>said Cobb had been mirandized and did not ask for counsel,

1:24:05.080 --> 1:24:07.640
<v Speaker 1>and they found his confession to be lawful and voluntary.

1:24:08.200 --> 1:24:11.200
<v Speaker 1>So he is a reigned on capital murder charges, and

1:24:11.240 --> 1:24:13.760
<v Speaker 1>in February of nineteen ninety seven his trial begins. He

1:24:13.840 --> 1:24:17.360
<v Speaker 1>is convicted and gets the death penalty pretty quickly after that.

1:24:17.920 --> 1:24:21.200
<v Speaker 1>And then three years later, in two thousand, Cobb's defense

1:24:21.280 --> 1:24:23.920
<v Speaker 1>team appealed and once again said his right to council

1:24:24.160 --> 1:24:28.200
<v Speaker 1>was violated, and the Court of Criminal Appeals of Texas

1:24:28.680 --> 1:24:32.040
<v Speaker 1>did overturn his conviction on appeal in a vote of

1:24:32.080 --> 1:24:36.479
<v Speaker 1>six to three. Everyone is stunned, shocked, pissed, like they

1:24:36.520 --> 1:24:39.799
<v Speaker 1>take it to the Supreme Court of the United States

1:24:40.080 --> 1:24:44.360
<v Speaker 1>which agrees to hear the case, and they eventually reverse

1:24:44.439 --> 1:24:47.840
<v Speaker 1>the decision by the Texas Court of Criminal Appeals, and

1:24:47.880 --> 1:24:50.720
<v Speaker 1>the Supreme Court states that the sixth Amendment right to

1:24:50.800 --> 1:24:55.320
<v Speaker 1>council is offense specific and attaches to charged and sufficiently

1:24:55.360 --> 1:25:01.280
<v Speaker 1>related uncharged offenses, not necessarily offenses factual related to those

1:25:01.360 --> 1:25:03.880
<v Speaker 1>that have actually been charged. So just because they charged

1:25:03.960 --> 1:25:09.120
<v Speaker 1>him for the burglary, which was connected, it was like,

1:25:09.439 --> 1:25:12.200
<v Speaker 1>it's that's a different offense that he was being charged for.

1:25:13.000 --> 1:25:16.040
<v Speaker 1>So he didn't have the right to counsel there, And

1:25:16.080 --> 1:25:18.400
<v Speaker 1>he was properly mirandized and could have asked for counsel

1:25:18.439 --> 1:25:20.840
<v Speaker 1>at any time and did not. And I think in

1:25:20.880 --> 1:25:23.640
<v Speaker 1>this case, we know ludacrous sort of like planned this,

1:25:23.760 --> 1:25:25.559
<v Speaker 1>but in this case, I definitely don't think this kid

1:25:25.600 --> 1:25:30.080
<v Speaker 1>had anything planned. So five years later, in early two

1:25:30.080 --> 1:25:34.040
<v Speaker 1>thousand and five, Cobb was twenty eight years old, and

1:25:34.080 --> 1:25:36.720
<v Speaker 1>he became one of seventy two death row inmates whose

1:25:36.760 --> 1:25:41.840
<v Speaker 1>sentences were commuted after Roper versus Simmons, a Supreme Court

1:25:41.880 --> 1:25:45.599
<v Speaker 1>ruling found that the Constitution prohibits the execution of people

1:25:45.640 --> 1:25:48.679
<v Speaker 1>who were under eighteen when they committed their crimes. So

1:25:49.160 --> 1:25:52.120
<v Speaker 1>this guy is involved now in two The one of

1:25:52.160 --> 1:25:55.240
<v Speaker 1>the cases is Cobb versus Texas, which is this landmark

1:25:55.280 --> 1:26:00.360
<v Speaker 1>case that like you actually don't have a right to counsel,

1:26:00.439 --> 1:26:03.680
<v Speaker 1>like built in if you're charged with something else, you

1:26:03.720 --> 1:26:06.200
<v Speaker 1>always have a right to counsel, of course. And then

1:26:06.240 --> 1:26:09.160
<v Speaker 1>the second one was he actually got his life sentence commuted.

1:26:09.360 --> 1:26:13.240
<v Speaker 1>So and David Weeks, who is the DA who prosecuted him,

1:26:13.439 --> 1:26:16.960
<v Speaker 1>was obviously not happy to see a sentence commuted. Although

1:26:17.040 --> 1:26:21.040
<v Speaker 1>like when this just when this Supreme Court decision passed

1:26:21.080 --> 1:26:24.439
<v Speaker 1>about the being under eighteen, like so many of the

1:26:24.479 --> 1:26:27.719
<v Speaker 1>cases were in Texas, like Texas like loves the death penalty,

1:26:27.880 --> 1:26:30.080
<v Speaker 1>loves to kill people that are under eighteen, like loved

1:26:30.120 --> 1:26:33.320
<v Speaker 1>it at the time. Now it's changed. And David Weeks,

1:26:33.320 --> 1:26:35.920
<v Speaker 1>the DA who prosecuted him, said, quote, the way he

1:26:35.960 --> 1:26:38.559
<v Speaker 1>carried out the crime tells you more than what his

1:26:38.560 --> 1:26:41.599
<v Speaker 1>physical age was. There are people younger than eighteen out

1:26:41.640 --> 1:26:44.280
<v Speaker 1>there who are as scary as anybody you can come across.

1:26:44.439 --> 1:26:47.320
<v Speaker 1>They're just wired differently. If ever, there was a crime

1:26:47.320 --> 1:26:49.920
<v Speaker 1>that the death penalty was designed to punish, that was it.

1:26:51.439 --> 1:26:54.360
<v Speaker 1>And I mean he's not totally. I mean, I don't

1:26:54.360 --> 1:26:55.760
<v Speaker 1>really believe in the death penalty. I think he can

1:26:55.800 --> 1:26:57.599
<v Speaker 1>rot in prison for the rest of his life. But like, yeah,

1:26:57.680 --> 1:27:01.040
<v Speaker 1>he the way that this crime came about was really

1:27:01.240 --> 1:27:04.360
<v Speaker 1>like very born psychopath. But he's still in prison today.

1:27:04.400 --> 1:27:07.400
<v Speaker 1>He'd probably be around forty eight years old, forty eight,

1:27:07.479 --> 1:27:15.679
<v Speaker 1>forty nine. And that's where they got the Luda crime devastating. Yeah,

1:27:15.880 --> 1:27:20.760
<v Speaker 1>like really really so terrible, and honestly, there's not a

1:27:20.760 --> 1:27:24.240
<v Speaker 1>Wikipedia page about this crime, Like there's not like there's

1:27:24.280 --> 1:27:26.640
<v Speaker 1>a really bad murder Pedia page about it, but like

1:27:26.680 --> 1:27:28.479
<v Speaker 1>I had to look at court documents. I had to

1:27:28.520 --> 1:27:32.920
<v Speaker 1>find like a little crime documentary that was like there

1:27:33.000 --> 1:27:36.320
<v Speaker 1>just wasn't a lot. There's not you know, like usually

1:27:36.720 --> 1:27:39.519
<v Speaker 1>there's a Wikipedia page about like the killer the crime,

1:27:39.680 --> 1:27:45.360
<v Speaker 1>Like there's there's a Wikipedia page about the Supreme Court ruling,

1:27:45.720 --> 1:27:48.599
<v Speaker 1>but really like to get the details of the crime itself,

1:27:48.680 --> 1:27:49.960
<v Speaker 1>you had to go I had to go into like

1:27:49.960 --> 1:27:54.800
<v Speaker 1>the court documents and everything. So yeah, interestingly, this case

1:27:54.880 --> 1:27:58.160
<v Speaker 1>is it's so horrific, but it's kind of only relevant

1:27:58.160 --> 1:28:00.160
<v Speaker 1>because of the Supreme Court ruling around.

1:28:00.280 --> 1:28:02.280
<v Speaker 2>It's like the only reason that it's Yeah, killing the

1:28:02.360 --> 1:28:05.599
<v Speaker 2>babies takes it to a new level that.

1:28:05.600 --> 1:28:11.240
<v Speaker 1>You didn't need I mean that I don't know, like

1:28:11.280 --> 1:28:13.479
<v Speaker 1>I could guess some psycho killers are like, oh, it's

1:28:13.479 --> 1:28:15.120
<v Speaker 1>a seven year old. They're gonna say who I am.

1:28:15.280 --> 1:28:17.160
<v Speaker 1>They're going to testify. I've got to get rid of

1:28:17.200 --> 1:28:17.400
<v Speaker 1>all the.

1:28:17.400 --> 1:28:20.639
<v Speaker 2>Evidence, Like, oh yeah, we canna understand that that I'd

1:28:20.640 --> 1:28:23.120
<v Speaker 2>be like, you're a psycho, but you're covering up your crimes.

1:28:23.160 --> 1:28:26.639
<v Speaker 1>This is like you just were like, oh and then alive.

1:28:26.760 --> 1:28:31.120
<v Speaker 1>It's like it's just so horrific. Anyway, Anyway, it's bad.

1:28:31.200 --> 1:28:35.280
<v Speaker 1>But we have a wild interview coming up, so don't

1:28:35.400 --> 1:28:45.720
<v Speaker 1>anybody go anywhere, all right, guys, today's guest is an

1:28:45.880 --> 1:28:47.200
<v Speaker 1>SVU legend.

1:28:47.360 --> 1:28:48.320
<v Speaker 2>You may know him.

1:28:49.120 --> 1:28:52.400
<v Speaker 1>We know him for his roles in two classic nineteen

1:28:52.479 --> 1:28:55.280
<v Speaker 1>eighty eight movies, Beaches and Big Business, two of our

1:28:55.320 --> 1:28:57.640
<v Speaker 1>Absolute Waves. He has also been in two of the

1:28:57.680 --> 1:29:00.200
<v Speaker 1>original Naked God movies. But you know him best as

1:29:00.520 --> 1:29:05.920
<v Speaker 1>defense attorney turned judge Hashi Horowitz. Please enjoy our chat

1:29:05.960 --> 1:29:09.200
<v Speaker 1>with Joe Grifassi. If we get into your tenure as

1:29:09.240 --> 1:29:14.000
<v Speaker 1>Hashi Horowitz, you defend some pretty bad men as she is.

1:29:13.960 --> 1:29:15.439
<v Speaker 4>The King of Sleeves Bay.

1:29:15.640 --> 1:29:17.320
<v Speaker 2>Yeah, defense attorneys.

1:29:17.320 --> 1:29:20.720
<v Speaker 5>In fact, that was my first you know, to go

1:29:20.840 --> 1:29:26.479
<v Speaker 5>back to that when that started, I mean, as you

1:29:26.640 --> 1:29:29.000
<v Speaker 5>had been on for a year and then really a

1:29:29.000 --> 1:29:31.160
<v Speaker 5>good friend of mine who I got it. It's a

1:29:31.200 --> 1:29:33.320
<v Speaker 5>shout out to how do you shout out to a

1:29:33.360 --> 1:29:36.160
<v Speaker 5>person that's deceased and you can't, but I mean you

1:29:36.240 --> 1:29:39.080
<v Speaker 5>hope you do. But he was a wonderful guy and

1:29:39.080 --> 1:29:41.680
<v Speaker 5>a brilliant direct named Jonathan Kaplan who had done a

1:29:41.800 --> 1:29:45.519
<v Speaker 5>lot of films, had a pedigree in his family. He

1:29:45.560 --> 1:29:49.960
<v Speaker 5>was Van Heflin's nephew. His father was blacklisted from MGM

1:29:50.040 --> 1:29:53.120
<v Speaker 5>in the fifties. But he and he took what he

1:29:53.200 --> 1:29:56.439
<v Speaker 5>knew from learning that business right all the way into

1:29:56.479 --> 1:30:01.400
<v Speaker 5>television and into SVU because when when he called me,

1:30:01.439 --> 1:30:02.960
<v Speaker 5>I had already done a movie of the Week with

1:30:03.080 --> 1:30:04.600
<v Speaker 5>him when he called me.

1:30:05.439 --> 1:30:07.240
<v Speaker 4>By the way, he won Jody Foster and.

1:30:07.280 --> 1:30:11.120
<v Speaker 5>Oscar for the accused of Oh yeah, brilliant film director. Yeah,

1:30:11.160 --> 1:30:16.000
<v Speaker 5>he had great films and he when he directed, he

1:30:16.160 --> 1:30:18.640
<v Speaker 5>was like, yeah, that was the one, let's go.

1:30:18.960 --> 1:30:21.600
<v Speaker 4>You know. He didn't dick her around. He knew, you know,

1:30:21.640 --> 1:30:22.919
<v Speaker 4>because he learned that way.

1:30:23.240 --> 1:30:26.880
<v Speaker 5>And yeah, he was the one that said, you know,

1:30:26.920 --> 1:30:29.320
<v Speaker 5>all these great shots we've done with you and her

1:30:29.479 --> 1:30:33.160
<v Speaker 5>and all the interplay says, forget about it because once

1:30:33.200 --> 1:30:36.639
<v Speaker 5>they get it into the editing. With SVU and Law

1:30:36.640 --> 1:30:41.599
<v Speaker 5>and Order generally the early period, I remember, especially you guys.

1:30:41.439 --> 1:30:41.960
<v Speaker 4>Would know this.

1:30:42.280 --> 1:30:44.559
<v Speaker 5>They did this big head stuff, you know what I mean,

1:30:45.160 --> 1:30:47.759
<v Speaker 5>everything went to the big head. And what you don't

1:30:47.800 --> 1:30:50.720
<v Speaker 5>see is that the scene that was played in the

1:30:50.760 --> 1:30:53.160
<v Speaker 5>medium shots or even in the two shots was some

1:30:53.280 --> 1:30:54.160
<v Speaker 5>great chemistry.

1:30:54.240 --> 1:31:00.640
<v Speaker 2>You know. But uh episode of SVU is one of

1:31:00.640 --> 1:31:06.240
<v Speaker 2>my favorite top two episodes. I would say, yeah, I

1:31:06.240 --> 1:31:09.720
<v Speaker 2>mean the shootout in the court, that whole episode.

1:31:09.960 --> 1:31:14.040
<v Speaker 4>Oh yeah, the twitter was that the one with the.

1:31:13.960 --> 1:31:15.840
<v Speaker 1>With the races white nationalists?

1:31:16.000 --> 1:31:19.519
<v Speaker 5>Yes, yeah, So it was great because Jonathan when he

1:31:19.560 --> 1:31:21.080
<v Speaker 5>called me up, he said, Yoe, I want you to

1:31:21.120 --> 1:31:24.280
<v Speaker 5>do this. He says, Heshi, He says, I know he's

1:31:24.760 --> 1:31:27.640
<v Speaker 5>you know, I think he's like a public defender. And

1:31:27.680 --> 1:31:30.080
<v Speaker 5>he says, and you're going to defend uh an area

1:31:30.160 --> 1:31:33.400
<v Speaker 5>nation guy, And I said, oh, that's wonderful. And he

1:31:33.520 --> 1:31:35.360
<v Speaker 5>was the one that put the stamp on the character

1:31:35.560 --> 1:31:37.880
<v Speaker 5>and told the producers because they really liked they wanted

1:31:37.960 --> 1:31:39.400
<v Speaker 5>him to come to New York, but he wouldn't.

1:31:39.560 --> 1:31:40.920
<v Speaker 4>He was doing the r at the time.

1:31:41.320 --> 1:31:45.880
<v Speaker 5>And uh, they said, uh, he said, this guy's great

1:31:45.960 --> 1:31:49.320
<v Speaker 5>because he's like a real public defender. He has to

1:31:49.320 --> 1:31:53.960
<v Speaker 5>take whatever Helly gets, and for the Jew to get the.

1:31:54.000 --> 1:31:56.479
<v Speaker 4>Nazi is perfect, you know what I mean. I think

1:31:56.520 --> 1:31:59.200
<v Speaker 4>at one point, doesn't he say he wonderful actor by

1:31:59.240 --> 1:32:04.120
<v Speaker 4>the way played the cop or the guy. Didn't he

1:32:04.160 --> 1:32:06.120
<v Speaker 4>say I don't know, ask my Jew or something like that.

1:32:06.200 --> 1:32:10.920
<v Speaker 2>Yeah, yeah, I mean that episode is wild that it

1:32:10.960 --> 1:32:13.760
<v Speaker 2>was on NBC with some of the language in it,

1:32:14.080 --> 1:32:16.960
<v Speaker 2>but also still relevant today, like so much of s

1:32:17.000 --> 1:32:21.400
<v Speaker 2>for you, Like yeah, case is like it's like so

1:32:22.439 --> 1:32:24.559
<v Speaker 2>if it aired this year, it would make sense.

1:32:24.960 --> 1:32:26.440
<v Speaker 4>It was great because.

1:32:28.080 --> 1:32:31.360
<v Speaker 5>For me it's cemented who my character would be in

1:32:31.400 --> 1:32:34.760
<v Speaker 5>the future. Because I was kind of like, you know,

1:32:35.200 --> 1:32:36.760
<v Speaker 5>I have to do this, you know what I mean.

1:32:36.960 --> 1:32:39.320
<v Speaker 5>This is not only I always we Jonathan. I used

1:32:39.320 --> 1:32:40.680
<v Speaker 5>to joke, I said, I have to do this, not

1:32:40.840 --> 1:32:45.040
<v Speaker 5>just because it's my job, because it's my tumudic responsibility,

1:32:45.280 --> 1:32:46.120
<v Speaker 5>you know, to.

1:32:46.120 --> 1:32:47.720
<v Speaker 4>See justice, you know what I mean.

1:32:48.080 --> 1:32:51.559
<v Speaker 5>And I love playing that And I spent considerable time

1:32:51.600 --> 1:32:54.719
<v Speaker 5>down at the courts years earlier because when I did,

1:32:55.600 --> 1:32:56.679
<v Speaker 5>I did a film called.

1:32:56.479 --> 1:32:59.479
<v Speaker 4>Presumed Innocent with my old friend Brad Whitford, who I

1:32:59.520 --> 1:33:04.160
<v Speaker 4>heard crazy Bread. It was just like the second assistant

1:33:04.240 --> 1:33:07.680
<v Speaker 4>to the left. He played role Julia's assistant in the

1:33:07.920 --> 1:33:08.479
<v Speaker 4>in that one.

1:33:08.800 --> 1:33:12.880
<v Speaker 5>And uh and we we spent time down at at

1:33:12.880 --> 1:33:17.080
<v Speaker 5>the court. You know Alan Pacola, who was a genius director.

1:33:17.160 --> 1:33:20.760
<v Speaker 5>I loved him and he he said, I want you

1:33:20.800 --> 1:33:21.479
<v Speaker 5>to go spend time.

1:33:21.560 --> 1:33:22.040
<v Speaker 4>So we spent.

1:33:22.160 --> 1:33:24.360
<v Speaker 5>I spent a couple of weeks with the I sat

1:33:24.400 --> 1:33:27.000
<v Speaker 5>it on cases and and so I got to see

1:33:27.040 --> 1:33:32.800
<v Speaker 5>the kind of cool, relaxed interplay that goes on. You

1:33:32.840 --> 1:33:34.800
<v Speaker 5>know that you don't some son seat like well, before

1:33:34.840 --> 1:33:38.479
<v Speaker 5>they bring the jury in, the judge and the the

1:33:38.520 --> 1:33:41.240
<v Speaker 5>defense lawyers are like, you know, their buddy, buddy, you

1:33:41.280 --> 1:33:45.519
<v Speaker 5>know what I'm saying. In fact, there's a dick Wolf

1:33:45.520 --> 1:33:46.640
<v Speaker 5>would know all about this.

1:33:46.760 --> 1:33:47.680
<v Speaker 4>Of course there was.

1:33:47.760 --> 1:33:51.759
<v Speaker 5>There's a famous bar down in in Chinatown behind City

1:33:51.800 --> 1:33:53.360
<v Speaker 5>Hall by the courtroom.

1:33:53.360 --> 1:33:54.400
<v Speaker 4>It's called for Leeni's.

1:33:54.800 --> 1:33:56.240
<v Speaker 2>Oh yeah, yeah.

1:33:56.280 --> 1:33:58.840
<v Speaker 1>There's an episode of the show called Last Call at

1:33:58.840 --> 1:34:02.320
<v Speaker 1>for Leanies from like one of the more recent seasons.

1:34:02.400 --> 1:34:04.720
<v Speaker 4>Probably because I don't know if it's closed. I went

1:34:04.720 --> 1:34:06.679
<v Speaker 4>there and had a bull of tripe about three years

1:34:06.680 --> 1:34:09.920
<v Speaker 4>ago old.

1:34:10.800 --> 1:34:13.600
<v Speaker 7>So for Leanie's was great because when you go to

1:34:13.680 --> 1:34:18.240
<v Speaker 7>for Leanie's, you see the defense attorneys and prosecutors sitting

1:34:18.240 --> 1:34:20.960
<v Speaker 7>at the same table, you know, and uh, and what's

1:34:20.960 --> 1:34:21.760
<v Speaker 7>his name would be.

1:34:21.720 --> 1:34:24.160
<v Speaker 5>There all the time at his table. Oh geez, who

1:34:24.200 --> 1:34:26.040
<v Speaker 5>was the famous DA in New York? And my my

1:34:26.080 --> 1:34:26.559
<v Speaker 5>brain is.

1:34:26.479 --> 1:34:29.479
<v Speaker 1>Shocked real life. Yeah, I'm not gonna run.

1:34:31.960 --> 1:34:33.160
<v Speaker 4>At his own table. You know.

1:34:33.960 --> 1:34:38.400
<v Speaker 2>Do you have some favorite judges or a das that

1:34:38.439 --> 1:34:42.639
<v Speaker 2>you would go up against during your SVU time?

1:34:43.240 --> 1:34:46.519
<v Speaker 5>Let me think, oh, yeah, well, Stephanie March would be

1:34:46.560 --> 1:34:47.000
<v Speaker 5>one of them.

1:34:47.400 --> 1:34:52.719
<v Speaker 1>And uh, dian Neel Dianel, I thought you were gonna

1:34:52.720 --> 1:34:53.479
<v Speaker 1>say yeah.

1:34:53.640 --> 1:34:54.040
<v Speaker 2>I thought you.

1:34:56.000 --> 1:34:58.880
<v Speaker 1>Guys have such a great chemistry in this episode Venom

1:34:58.920 --> 1:35:01.920
<v Speaker 1>that we're talking about today that I was like, I'm

1:35:01.960 --> 1:35:04.840
<v Speaker 1>pretty sure he's gonna say unless it's one of those

1:35:04.840 --> 1:35:08.599
<v Speaker 1>things where no on screen is that you actually hate

1:35:08.600 --> 1:35:09.599
<v Speaker 1>each other in real life.

1:35:10.439 --> 1:35:12.040
<v Speaker 4>Oh my god, how could you hate her?

1:35:12.200 --> 1:35:14.479
<v Speaker 1>I know, she's been a guest on our podcast twice.

1:35:14.600 --> 1:35:16.599
<v Speaker 2>She's one of our the other one.

1:35:16.479 --> 1:35:20.479
<v Speaker 5>Too, because I mean, you guys, you guys are really

1:35:20.479 --> 1:35:21.000
<v Speaker 5>good at this.

1:35:21.080 --> 1:35:23.600
<v Speaker 4>I mean you are like you are like, you know,

1:35:24.160 --> 1:35:26.320
<v Speaker 4>sort of I don't know how to describe it. You know,

1:35:26.640 --> 1:35:28.120
<v Speaker 4>a brutal energy.

1:35:28.000 --> 1:35:33.080
<v Speaker 1>Or or put it on a T shirt, Joe, we're gonna.

1:35:32.840 --> 1:35:36.640
<v Speaker 4>Make like happiness. I don't know. Yeah, I like, I

1:35:36.720 --> 1:35:37.760
<v Speaker 4>like those opposite things.

1:35:38.320 --> 1:35:45.599
<v Speaker 5>But anyway, she working together, she's the best. But you know,

1:35:46.120 --> 1:35:49.599
<v Speaker 5>this is goes back to what I said before. If

1:35:49.760 --> 1:35:52.000
<v Speaker 5>you'll see there's a walk and talk scene in that

1:35:52.200 --> 1:35:58.680
<v Speaker 5>episode with me and Diane and we're Those kind of

1:35:58.680 --> 1:36:00.840
<v Speaker 5>scenes make me thrilled to do though, you know what

1:36:00.880 --> 1:36:04.040
<v Speaker 5>I mean for actors, especially stage actors. I think even

1:36:04.120 --> 1:36:08.800
<v Speaker 5>Brad talked about it. And you know, I didn't know

1:36:09.080 --> 1:36:10.800
<v Speaker 5>that was the first time working with her. I didn't

1:36:10.840 --> 1:36:13.880
<v Speaker 5>know what her experience was. I was a devote you

1:36:14.000 --> 1:36:17.080
<v Speaker 5>might say, of thirties and forties American comedy, you know,

1:36:17.240 --> 1:36:20.479
<v Speaker 5>especially in films like you know, for me, the first

1:36:20.520 --> 1:36:22.760
<v Speaker 5>scene of His Girl Friday is it you know if

1:36:22.760 --> 1:36:24.800
<v Speaker 5>you can, you know, And that's pretty much a two

1:36:24.800 --> 1:36:26.920
<v Speaker 5>shot where Carrie Grant and Rosalind Russell just.

1:36:27.600 --> 1:36:29.599
<v Speaker 4>Never lose a beat. That it's a brilliant scene.

1:36:29.600 --> 1:36:32.559
<v Speaker 5>But to be able to do that, and it was

1:36:32.600 --> 1:36:35.479
<v Speaker 5>a two shot, and because they put a side by side,

1:36:35.600 --> 1:36:38.320
<v Speaker 5>they couldn't do the big head because they couldn't do

1:36:38.360 --> 1:36:39.000
<v Speaker 5>the reverses.

1:36:39.040 --> 1:36:41.960
<v Speaker 4>You know, the judge, she was sitting at the desk, so.

1:36:41.880 --> 1:36:44.360
<v Speaker 5>They kept us in frame and it was great because

1:36:44.360 --> 1:36:47.120
<v Speaker 5>we're arguing at the desk, trying to make our points.

1:36:47.160 --> 1:36:51.599
<v Speaker 5>You know, they didn't know, but you know what I mean, but.

1:36:51.640 --> 1:36:53.280
<v Speaker 2>You knew you were going to win, and you know,

1:36:53.520 --> 1:36:56.840
<v Speaker 2>like you came in smug as hell into that court.

1:36:57.040 --> 1:37:03.120
<v Speaker 4>No smug at all. I didn't think I did smoke.

1:37:02.880 --> 1:37:06.000
<v Speaker 2>But he knew that he was going to get this

1:37:06.080 --> 1:37:07.880
<v Speaker 2>guy off. Like that was fun.

1:37:08.760 --> 1:37:13.679
<v Speaker 4>Oh yeah, and ludicrous was good.

1:37:13.880 --> 1:37:16.760
<v Speaker 5>I mean I really, you know, I he was like,

1:37:17.280 --> 1:37:19.200
<v Speaker 5>first of all, I walk on the set and I

1:37:19.640 --> 1:37:20.040
<v Speaker 5>didn't know.

1:37:20.160 --> 1:37:22.559
<v Speaker 4>I didn't know. I didn't know who he was. You know,

1:37:24.439 --> 1:37:25.360
<v Speaker 4>I heard his name.

1:37:26.080 --> 1:37:29.519
<v Speaker 5>He was really sweet and he really wanted to act.

1:37:29.960 --> 1:37:31.960
<v Speaker 5>And there was one take I remember when he was

1:37:32.520 --> 1:37:35.960
<v Speaker 5>you know it was it was it was his long

1:37:36.040 --> 1:37:40.000
<v Speaker 5>speech and close up in that interrogation and.

1:37:41.640 --> 1:37:42.960
<v Speaker 4>They we had to.

1:37:42.880 --> 1:37:46.160
<v Speaker 5>Go you know, sometimes with people who are new at it,

1:37:46.400 --> 1:37:48.640
<v Speaker 5>especially in TV, because the way it works, you have

1:37:48.680 --> 1:37:50.840
<v Speaker 5>to go back in the front for a line or

1:37:50.840 --> 1:37:53.679
<v Speaker 5>something or or get off it.

1:37:54.320 --> 1:37:56.080
<v Speaker 4>And he says, I remember.

1:37:55.720 --> 1:37:57.519
<v Speaker 5>Saying, oh I can do this, don't worry I can

1:37:57.600 --> 1:37:59.599
<v Speaker 5>do this. You know, he really wanted to eat.

1:37:59.600 --> 1:38:03.000
<v Speaker 4>He was arrogant at all, and he did that one

1:38:03.040 --> 1:38:05.599
<v Speaker 4>take and he was just grand in it. I don't know,

1:38:05.680 --> 1:38:07.360
<v Speaker 4>you know what I mean, that long one.

1:38:07.840 --> 1:38:10.519
<v Speaker 5>Great yeah, and it was such a good take that

1:38:10.640 --> 1:38:12.840
<v Speaker 5>I have lines and somebody else, but they never cut

1:38:12.880 --> 1:38:16.759
<v Speaker 5>to us because you know, the sustained take was so great.

1:38:16.880 --> 1:38:20.519
<v Speaker 5>And besides, you know the old adigend movies which I've

1:38:20.560 --> 1:38:21.800
<v Speaker 5>lived through as a character actor.

1:38:21.880 --> 1:38:23.640
<v Speaker 4>My whole life is cut to the money. You know,

1:38:24.400 --> 1:38:26.920
<v Speaker 4>so when you're on scene, you're on screen.

1:38:26.720 --> 1:38:29.839
<v Speaker 5>With a really name actor like I was with Richard

1:38:29.880 --> 1:38:33.559
<v Speaker 5>Pryor or Harrison Ford, don't expect in the editing room

1:38:33.560 --> 1:38:37.040
<v Speaker 5>all those wonderful shots of your reactions to go anywhere.

1:38:37.080 --> 1:38:43.320
<v Speaker 2>You know. Yeah, that is so funny. Well, okay, so wildly.

1:38:44.240 --> 1:38:49.400
<v Speaker 2>You're in both of our favorite movies, what from the eighties,

1:38:49.560 --> 1:38:52.240
<v Speaker 2>both with Bette Midler, So Big Business is my number

1:38:52.280 --> 1:38:53.200
<v Speaker 2>one favorite movie.

1:38:53.000 --> 1:38:56.480
<v Speaker 1>Of all time. And then Kara and Mine is Beaches.

1:38:56.920 --> 1:39:00.000
<v Speaker 1>She had Beaches the Party, and I had two Beaches

1:39:00.120 --> 1:39:02.240
<v Speaker 1>seen birthday parties when I was in third and fourth grade.

1:39:02.280 --> 1:39:05.280
<v Speaker 1>And I can't believe I'm speaking to Auto tits like himself.

1:39:05.320 --> 1:39:09.439
<v Speaker 1>This is invenoring crowd had nothing to get very worked

1:39:09.479 --> 1:39:09.880
<v Speaker 1>up about.

1:39:11.280 --> 1:39:13.519
<v Speaker 4>Can we digress? Can I talk about those two movies?

1:39:14.560 --> 1:39:18.760
<v Speaker 2>Great stories about yes, this is our dream that this was.

1:39:18.760 --> 1:39:23.840
<v Speaker 4>So much fun. Oh, I got so many stories. I'll

1:39:23.840 --> 1:39:24.519
<v Speaker 4>tell you one though.

1:39:24.760 --> 1:39:27.479
<v Speaker 5>Like, for example, there was a wonderful producer named Mike

1:39:27.520 --> 1:39:29.360
<v Speaker 5>Piser who used to do all the Woody Allen's and

1:39:29.360 --> 1:39:31.519
<v Speaker 5>then he moved out to California, so he's doing this.

1:39:31.680 --> 1:39:35.040
<v Speaker 5>I got that job because I got a call Noon

1:39:35.120 --> 1:39:38.920
<v Speaker 5>says can you come right now to meet Jim Abrams.

1:39:38.920 --> 1:39:42.599
<v Speaker 5>Somebody backed out of the apart and I went and

1:39:42.800 --> 1:39:44.720
<v Speaker 5>I got the role. I was like, I guess I'm

1:39:44.720 --> 1:39:46.759
<v Speaker 5>not moving out of New York. I was thinking about

1:39:46.840 --> 1:39:49.400
<v Speaker 5>commuting or something. Anyway, I get the roll and get

1:39:49.400 --> 1:39:51.720
<v Speaker 5>on there and and Jim is great. He was, you know,

1:39:51.840 --> 1:39:57.280
<v Speaker 5>part of zazz Zucker Abram Zucker. You know they are airplane.

1:39:58.240 --> 1:40:01.400
<v Speaker 1>Oh yeah, all the naked naked I saw you're in

1:40:01.479 --> 1:40:02.599
<v Speaker 1>all the naked guns here.

1:40:02.760 --> 1:40:03.759
<v Speaker 2>Yeah. I mean those.

1:40:03.520 --> 1:40:04.880
<v Speaker 4>Guys were genius.

1:40:05.200 --> 1:40:06.720
<v Speaker 5>They were a bunch of guys that came out of

1:40:06.720 --> 1:40:10.679
<v Speaker 5>Milwaukee doing sketch comedy on stage. So so big business

1:40:10.760 --> 1:40:14.840
<v Speaker 5>is like, and it's got this wonderful cast and and.

1:40:14.680 --> 1:40:18.000
<v Speaker 2>Uh and you guys shot at the hotel, right, did

1:40:18.000 --> 1:40:18.880
<v Speaker 2>you shoot at the Plaza?

1:40:19.400 --> 1:40:20.320
<v Speaker 1>No, now, we.

1:40:20.320 --> 1:40:21.960
<v Speaker 4>Shot the externals at the Plaza.

1:40:22.120 --> 1:40:22.200
<v Speaker 7>Right.

1:40:22.280 --> 1:40:24.879
<v Speaker 1>Everything was a set. Okay, we were on this big.

1:40:24.680 --> 1:40:27.080
<v Speaker 5>Set on the Disney lot and it was very formidable looking.

1:40:27.080 --> 1:40:29.200
<v Speaker 5>Oh my god, it looked like plaster and everything.

1:40:29.280 --> 1:40:29.559
<v Speaker 4>You know.

1:40:30.160 --> 1:40:35.759
<v Speaker 5>Mike Piser said to me, Disney unlike any other uh

1:40:35.800 --> 1:40:39.599
<v Speaker 5>you know, uh company who worked for They have product

1:40:39.680 --> 1:40:43.280
<v Speaker 5>placement like nobody's business. You know, they'll take a nickel

1:40:43.320 --> 1:40:46.479
<v Speaker 5>from somebody, you know. But the funniest one was I

1:40:46.560 --> 1:40:49.120
<v Speaker 5>have a moment if you remember where I go in

1:40:49.400 --> 1:40:55.040
<v Speaker 5>Uh what's his name? Uh, Michel Placido, who's a big

1:40:55.040 --> 1:40:59.080
<v Speaker 5>star in Italy. I didn't know that plays the Latino guy.

1:40:59.640 --> 1:41:03.519
<v Speaker 5>He was into the gift shop to get something and

1:41:03.600 --> 1:41:06.479
<v Speaker 5>for one of them, and I walk in next and

1:41:07.080 --> 1:41:10.000
<v Speaker 5>I stop in front of the thing with prophylactics on it,

1:41:10.080 --> 1:41:13.880
<v Speaker 5>you know, and it's got it's got like it's loaded

1:41:13.880 --> 1:41:16.800
<v Speaker 5>with Trojans, you know what I mean. So it's kind

1:41:16.800 --> 1:41:18.680
<v Speaker 5>of a great scene. It's mos me. It was no

1:41:18.760 --> 1:41:20.599
<v Speaker 5>sounds that it was easy. It was fun I grabbed

1:41:20.600 --> 1:41:22.519
<v Speaker 5>one and I had an idea and I said, Jim,

1:41:22.520 --> 1:41:23.280
<v Speaker 5>I'll watch this.

1:41:23.680 --> 1:41:27.080
<v Speaker 4>I took one, I went two, you know, like it's

1:41:27.080 --> 1:41:28.160
<v Speaker 4>gonna be a big night, you know.

1:41:28.200 --> 1:41:28.559
<v Speaker 2>What I mean?

1:41:29.200 --> 1:41:31.280
<v Speaker 5>And I walk away and he said, oh, that's great,

1:41:31.400 --> 1:41:33.679
<v Speaker 5>cot could we can move on? And suddenly the prop

1:41:33.760 --> 1:41:36.200
<v Speaker 5>woman comes yelling, no stop, God, we have to do

1:41:36.240 --> 1:41:38.360
<v Speaker 5>it again. You don't usually hear that. And he goes,

1:41:38.360 --> 1:41:41.800
<v Speaker 5>what are you talking about? He goes Disney's dealers with

1:41:41.880 --> 1:41:43.760
<v Speaker 5>lifestyles and we had Trojans on.

1:41:44.320 --> 1:41:47.240
<v Speaker 2>God, Oh my god, this is Disney right.

1:41:47.560 --> 1:41:50.200
<v Speaker 5>And I didn't know mice used prophylactics, but I found

1:41:50.200 --> 1:41:50.800
<v Speaker 5>out that day.

1:41:51.640 --> 1:41:53.640
<v Speaker 1>And then he got punched in the face.

1:41:54.080 --> 1:41:57.960
<v Speaker 5>And Jim, I gotta say, because there's such great We

1:41:58.160 --> 1:42:00.280
<v Speaker 5>both done sketch comedy on stage, so we had an

1:42:00.360 --> 1:42:04.040
<v Speaker 5>impulse to do like that. And he said, uh, how

1:42:04.040 --> 1:42:05.880
<v Speaker 5>are we gonna stage this? And I said I have

1:42:05.960 --> 1:42:08.280
<v Speaker 5>an idea. I said, I have an idea. You can

1:42:08.320 --> 1:42:11.080
<v Speaker 5>do it, no wonder He said, how is that? I says,

1:42:11.240 --> 1:42:12.000
<v Speaker 5>let me go to the.

1:42:11.960 --> 1:42:12.559
<v Speaker 4>Door and knock.

1:42:13.080 --> 1:42:16.080
<v Speaker 5>It does cut to her answering, but basically the same shot.

1:42:16.320 --> 1:42:19.400
<v Speaker 5>It's like it's it's it's my POV on her. She

1:42:19.560 --> 1:42:24.280
<v Speaker 5>answers the door and I grab her sweater and say,

1:42:24.280 --> 1:42:27.160
<v Speaker 5>I used to be allergic to angora, but no more,

1:42:27.400 --> 1:42:30.559
<v Speaker 5>you know, And which time she wils me and I said, Jim,

1:42:31.720 --> 1:42:33.040
<v Speaker 5>I said, I said, give me a mat.

1:42:33.479 --> 1:42:34.880
<v Speaker 4>You give me a mat behind me.

1:42:35.320 --> 1:42:37.880
<v Speaker 5>I flipped around and I went like that and I

1:42:37.920 --> 1:42:39.760
<v Speaker 5>fell out a frame and it left her with a

1:42:39.800 --> 1:42:41.599
<v Speaker 5>close up, you know, and she does that little thing

1:42:41.640 --> 1:42:42.920
<v Speaker 5>with the with the thing.

1:42:43.360 --> 1:42:47.120
<v Speaker 4>But yeah, the movie was, uh, it was. It was

1:42:47.200 --> 1:42:48.920
<v Speaker 4>just great to work on it and never forget it.

1:42:48.960 --> 1:42:53.280
<v Speaker 5>And then a year, a couple of years later, I

1:42:53.320 --> 1:42:56.120
<v Speaker 5>get a phone I get a phone call from Bonnie Bruckheimer,

1:42:56.160 --> 1:42:59.720
<v Speaker 5>who was best, good friend and producer, you know, and

1:42:59.760 --> 1:43:04.760
<v Speaker 5>she says, Joe, we're doing this movie and there's a

1:43:04.920 --> 1:43:06.040
<v Speaker 5>musical number in it.

1:43:06.640 --> 1:43:07.439
<v Speaker 4>Can you dance?

1:43:09.280 --> 1:43:12.599
<v Speaker 5>And I had been in some musicals, so I did dance,

1:43:12.800 --> 1:43:14.920
<v Speaker 5>you know, as a comic dancer, I guess.

1:43:15.439 --> 1:43:18.760
<v Speaker 4>So I said, yeah, she goes, you got anything that

1:43:18.880 --> 1:43:21.280
<v Speaker 4>shows you dancing? So I did a video.

1:43:21.520 --> 1:43:23.240
<v Speaker 5>I have a pair of I have one pair of

1:43:23.280 --> 1:43:25.920
<v Speaker 5>black tights which I had from drama school days as

1:43:25.960 --> 1:43:28.120
<v Speaker 5>a whole right in the back, a little hole.

1:43:28.640 --> 1:43:31.000
<v Speaker 4>So and I wear tidy whities. So I did a

1:43:31.080 --> 1:43:31.680
<v Speaker 4>dance with it.

1:43:31.760 --> 1:43:34.479
<v Speaker 5>I did a little put a little like three minute

1:43:34.520 --> 1:43:37.479
<v Speaker 5>thing to Swan Lake in my living room, and I

1:43:37.520 --> 1:43:39.920
<v Speaker 5>turned around and showed this little thing and I ended

1:43:39.960 --> 1:43:42.360
<v Speaker 5>it with it like a pseudo Barushnikov move.

1:43:42.800 --> 1:43:44.240
<v Speaker 4>Apparently she liked it.

1:43:44.320 --> 1:43:45.960
<v Speaker 5>Oh and then she says, is there anyone I can

1:43:46.040 --> 1:43:47.479
<v Speaker 5>ask about your dancing?

1:43:47.520 --> 1:43:48.960
<v Speaker 4>So I just got to be sure, because it's going

1:43:49.000 --> 1:43:51.160
<v Speaker 4>to be a real dance number. I said.

1:43:51.160 --> 1:43:55.360
<v Speaker 5>Called Graciela Daniella. She was the great, you know, choreographer

1:43:55.400 --> 1:43:58.679
<v Speaker 5>on Broadway. We'd worked twice and I got the job

1:43:58.800 --> 1:44:05.000
<v Speaker 5>and I saw Grassiew months later, I said, what did

1:44:05.040 --> 1:44:05.400
<v Speaker 5>you say?

1:44:05.479 --> 1:44:07.880
<v Speaker 4>Obviously it was, she goes. I told them the truth.

1:44:08.040 --> 1:44:10.360
<v Speaker 4>She says, you know, if you want barish Niko, I

1:44:10.479 --> 1:44:12.760
<v Speaker 4>forget about it. But if you want to laugh, get him,

1:44:13.080 --> 1:44:18.479
<v Speaker 4>you know, you know. And I and and that was amazing.

1:44:18.560 --> 1:44:21.479
<v Speaker 5>We went out every day to the Debbie Rentals studios

1:44:21.520 --> 1:44:25.479
<v Speaker 5>in the valley and really rehearsed it like serious number stuff,

1:44:25.520 --> 1:44:28.599
<v Speaker 5>you know, And uh, it was.

1:44:28.680 --> 1:44:30.479
<v Speaker 4>It was. It was great.

1:44:30.520 --> 1:44:35.519
<v Speaker 5>And Gary Marshall was wacky Gary, you know, he was

1:44:35.560 --> 1:44:37.400
<v Speaker 5>fun to work with. I used to I did Flamingo

1:44:37.479 --> 1:44:41.960
<v Speaker 5>Kid with him years earlier, and he would he was

1:44:42.000 --> 1:44:43.920
<v Speaker 5>so laid back. You didn't know if he had a

1:44:43.960 --> 1:44:46.160
<v Speaker 5>pulse sometime when he was directing, but he kind of

1:44:46.240 --> 1:44:47.040
<v Speaker 5>knew it was funny.

1:44:47.640 --> 1:44:50.800
<v Speaker 4>Bet was great, I mean she actually loved you.

1:44:50.760 --> 1:44:53.400
<v Speaker 5>Know, when we were doing the Week of Choreography, she

1:44:53.560 --> 1:44:56.519
<v Speaker 5>was almost happier, you know what I mean, because that's

1:44:56.680 --> 1:44:58.280
<v Speaker 5>like that's like hermechier.

1:44:58.479 --> 1:45:01.480
<v Speaker 4>You know, that's what she was doing for you years. Yeah,

1:45:01.920 --> 1:45:03.439
<v Speaker 4>when she was doing her shows, you know.

1:45:03.880 --> 1:45:08.040
<v Speaker 2>Yeah, And I just looked up Vannie Bruckheimer and she

1:45:08.120 --> 1:45:10.439
<v Speaker 2>also did Hocus Pocus, I mean.

1:45:11.120 --> 1:45:12.880
<v Speaker 4>Yeah, and her husband was Jerry Bruckhremer.

1:45:13.000 --> 1:45:16.360
<v Speaker 1>Well, of course I saw that. I am dB, I assumed.

1:45:16.800 --> 1:45:18.280
<v Speaker 4>So I want to just.

1:45:18.240 --> 1:45:26.519
<v Speaker 5>Say, going back to us VU, yeah that doing that,

1:45:26.520 --> 1:45:32.760
<v Speaker 5>that those quick snappy dialogue scenes, which the thing I

1:45:32.800 --> 1:45:34.880
<v Speaker 5>loved about it was uh and you can see it.

1:45:34.920 --> 1:45:38.080
<v Speaker 5>I felt like we were both on that day. We

1:45:38.200 --> 1:45:42.720
<v Speaker 5>both had our intentions were very strong. And sometimes you know,

1:45:42.880 --> 1:45:46.240
<v Speaker 5>actors on television they don't you know, we know as

1:45:46.240 --> 1:45:49.080
<v Speaker 5>stage actors that you have to have really an intention.

1:45:49.240 --> 1:45:51.720
<v Speaker 5>You want it's something you want, you know what I mean.

1:45:52.160 --> 1:45:54.840
<v Speaker 5>And she's striving for it, and I'm striving for it

1:45:54.880 --> 1:45:59.200
<v Speaker 5>and it just keeps creating. But with Stephanie March, I

1:45:59.280 --> 1:46:01.880
<v Speaker 5>never expect did this, but we did it. We did

1:46:02.000 --> 1:46:04.880
<v Speaker 5>exactly the same scene in a sense that it's the

1:46:04.920 --> 1:46:08.000
<v Speaker 5>two of us facing as judge and arguing our point,

1:46:07.640 --> 1:46:10.280
<v Speaker 5>but in chambers, so you know, we can say anything

1:46:10.320 --> 1:46:10.719
<v Speaker 5>we want.

1:46:11.560 --> 1:46:12.559
<v Speaker 4>She was great.

1:46:12.640 --> 1:46:15.479
<v Speaker 5>We're both trying to like, you shut up so I

1:46:15.479 --> 1:46:17.120
<v Speaker 5>can speak, you know, kind of like that, you know,

1:46:17.640 --> 1:46:20.280
<v Speaker 5>Stephanie March was. I loved her. I thought she had

1:46:20.320 --> 1:46:25.000
<v Speaker 5>something really because she could she could play severe, you

1:46:25.000 --> 1:46:28.040
<v Speaker 5>know what I mean. And and but it was but

1:46:28.120 --> 1:46:31.040
<v Speaker 5>it was interesting, you know, and she didn't back off

1:46:31.080 --> 1:46:32.720
<v Speaker 5>from it. She didn't try to soften the edge. So

1:46:32.760 --> 1:46:34.800
<v Speaker 5>maybe the TV audience will like me a bit, you know.

1:46:35.520 --> 1:46:37.520
<v Speaker 1>No, she went after those criminals.

1:46:38.320 --> 1:46:38.720
<v Speaker 2>She did.

1:46:38.760 --> 1:46:41.919
<v Speaker 5>And if did you ever see did you ever see?

1:46:43.080 --> 1:46:46.040
<v Speaker 5>I was in the pilot and it was one of

1:46:46.040 --> 1:46:48.200
<v Speaker 5>the very few dick Wolf shows that probably never went

1:46:48.240 --> 1:46:51.559
<v Speaker 5>past pilot, or maybe it did. It's called conviction. Did

1:46:51.600 --> 1:46:54.520
<v Speaker 5>you ever see any of that? Oh you never did?

1:46:55.240 --> 1:46:57.320
<v Speaker 5>I can send you, I can link you to the episode.

1:46:57.360 --> 1:46:59.000
<v Speaker 5>I have a copy of the episode.

1:46:59.200 --> 1:47:01.960
<v Speaker 4>Oh it's fun. There was supposed to be this grant.

1:47:02.000 --> 1:47:04.719
<v Speaker 5>He was at his full powers and all the shows

1:47:04.720 --> 1:47:08.760
<v Speaker 5>were running full blast at that time, and this new

1:47:08.760 --> 1:47:11.439
<v Speaker 5>one looked really good. It was all about the young

1:47:11.520 --> 1:47:13.800
<v Speaker 5>prosecutors in the New York Prosecutor's Office, you know what

1:47:13.840 --> 1:47:16.000
<v Speaker 5>I mean. And they're all these young and he was smart.

1:47:16.080 --> 1:47:18.400
<v Speaker 5>He said, let's get some young actors who are going

1:47:18.479 --> 1:47:20.439
<v Speaker 5>to go places, because you know, we have shows with

1:47:20.520 --> 1:47:21.160
<v Speaker 5>old actors.

1:47:21.200 --> 1:47:24.800
<v Speaker 4>Now they're legacy people, you know. So this was really

1:47:24.800 --> 1:47:28.160
<v Speaker 4>a great idea. And I remember, forget the first read through.

1:47:27.920 --> 1:47:30.679
<v Speaker 5>But because they were young, Dick was there and he said,

1:47:30.680 --> 1:47:33.240
<v Speaker 5>now I want you to know something. When it's on

1:47:33.280 --> 1:47:35.719
<v Speaker 5>the page, I expected you to say it. He says,

1:47:35.880 --> 1:47:38.080
<v Speaker 5>we don't really if it's going to be ed LIBBD

1:47:38.160 --> 1:47:40.479
<v Speaker 5>or this. Nady says, well, you may just be looking

1:47:40.479 --> 1:47:42.920
<v Speaker 5>for another job. He was like, you know, because he

1:47:43.000 --> 1:47:46.320
<v Speaker 5>was tired of people coming in that. You know, we're

1:47:46.400 --> 1:47:51.000
<v Speaker 5>doing the other thing. So in that show, Stephanie plays

1:47:51.200 --> 1:47:53.759
<v Speaker 5>one of the lead prosecutors and she's nails.

1:47:53.960 --> 1:47:55.280
<v Speaker 4>I mean, she is nails, you know.

1:47:56.040 --> 1:48:01.160
<v Speaker 1>And how he plays cabot Off, Yeah, she plays the

1:48:01.160 --> 1:48:04.360
<v Speaker 1>same care right right, oh right, yeah, you came back

1:48:04.439 --> 1:48:06.240
<v Speaker 1>for the five hundredth episode.

1:48:06.520 --> 1:48:09.400
<v Speaker 2>Was that fun? Oh yeah, that's right.

1:48:10.360 --> 1:48:12.160
<v Speaker 4>I was a judge in that right by that time.

1:48:12.240 --> 1:48:13.520
<v Speaker 1>Yea yeah yeah.

1:48:13.560 --> 1:48:15.880
<v Speaker 4>By the way, I have to correct the record here.

1:48:16.000 --> 1:48:19.640
<v Speaker 5>What for some stupid reason, every time they list me,

1:48:20.160 --> 1:48:24.720
<v Speaker 5>like in their literally online stuff or in IMDb, they

1:48:24.760 --> 1:48:27.760
<v Speaker 5>totally get the name wrong. Some pa wrote it and

1:48:27.800 --> 1:48:29.600
<v Speaker 5>they never raced it from the system. They call me

1:48:29.680 --> 1:48:35.400
<v Speaker 5>Hashy Horoiz. His name is Hashy. It's Herschel. Okay, there

1:48:35.400 --> 1:48:36.320
<v Speaker 5>ain't no Hashy.

1:48:36.640 --> 1:48:38.880
<v Speaker 2>I mean you've heard it here. Thanks for doing, you know,

1:48:38.880 --> 1:48:39.479
<v Speaker 2>setting the record.

1:48:39.640 --> 1:48:43.280
<v Speaker 1>So you're saying it spelled h e s Chang.

1:48:44.120 --> 1:48:45.280
<v Speaker 4>Yeah, because it's Herschel.

1:48:45.840 --> 1:48:48.840
<v Speaker 2>There will our listeners will get this fixed, don't you worry,

1:48:48.920 --> 1:48:52.479
<v Speaker 2>because it literally this will be he says under trivia

1:48:52.520 --> 1:48:57.040
<v Speaker 2>for your character in the wiki of SVU, Hashi's name

1:48:57.120 --> 1:49:01.720
<v Speaker 2>is misspelled as Hashi on Netflix and Prime So now

1:49:01.840 --> 1:49:04.000
<v Speaker 2>like some Prime video actually have it correct.

1:49:04.360 --> 1:49:06.679
<v Speaker 1>They've got some intern over there that knows the lore

1:49:06.760 --> 1:49:07.719
<v Speaker 1>and that your name is well.

1:49:09.439 --> 1:49:10.400
<v Speaker 4>I told him, many tell you.

1:49:10.400 --> 1:49:12.519
<v Speaker 5>I banged my head against the wall saying can you say,

1:49:12.560 --> 1:49:15.679
<v Speaker 5>oh yeah, well we Can's easy, you know, once it's out.

1:49:15.479 --> 1:49:17.880
<v Speaker 1>There and once it's on IMDb. You know that's it.

1:49:18.720 --> 1:49:21.000
<v Speaker 4>Oh my god, I go there to see who I was.

1:49:21.920 --> 1:49:23.160
<v Speaker 4>I literally don't know.

1:49:23.720 --> 1:49:26.200
<v Speaker 5>I can't believe those that thing because I don't know,

1:49:26.439 --> 1:49:28.240
<v Speaker 5>And then I go back. Sometimes I'll go back and

1:49:28.280 --> 1:49:31.519
<v Speaker 5>actually see I swear it was. It was eighty three

1:49:31.640 --> 1:49:34.679
<v Speaker 5>when I did that movie. Or No, No a Woman,

1:49:34.800 --> 1:49:38.120
<v Speaker 5>It was eighty three when I bought that statue.

1:49:38.600 --> 1:49:40.559
<v Speaker 4>I was what was I shooting in eighty three?

1:49:40.680 --> 1:49:40.880
<v Speaker 2>Yeah?

1:49:41.880 --> 1:49:44.400
<v Speaker 5>Oh yeah, you were in Spain, you know. Oh yeah,

1:49:44.400 --> 1:49:46.559
<v Speaker 5>that's why I about the statue. You know, you could

1:49:46.840 --> 1:49:49.160
<v Speaker 5>kind of grade your life when you get old that way.

1:49:49.240 --> 1:49:53.320
<v Speaker 1>You know, you worked with Julie Taymoor.

1:49:54.439 --> 1:49:54.840
<v Speaker 4>I did.

1:49:55.040 --> 1:49:57.040
<v Speaker 1>Did you like it?

1:49:59.240 --> 1:50:01.960
<v Speaker 4>I'll have to say, you know, just to be fair,

1:50:02.040 --> 1:50:02.960
<v Speaker 4>give us the dirt.

1:50:03.160 --> 1:50:05.240
<v Speaker 1>Joe tell us, who's horrible to work with?

1:50:05.360 --> 1:50:06.280
<v Speaker 2>We love to hear it.

1:50:06.560 --> 1:50:06.800
<v Speaker 4>Yeah.

1:50:06.840 --> 1:50:09.200
<v Speaker 1>What other gossip do you have? You've been You've been

1:50:09.200 --> 1:50:12.320
<v Speaker 1>out there for decades. Oh.

1:50:15.320 --> 1:50:19.280
<v Speaker 4>I did a seen years ago in a movie called Oh.

1:50:19.320 --> 1:50:23.439
<v Speaker 5>It was based on a book Poper Greenwich Village, and

1:50:23.479 --> 1:50:27.839
<v Speaker 5>I had to do some scenes with Eric Roberts, and uh,

1:50:28.240 --> 1:50:29.200
<v Speaker 5>I don't know Eric.

1:50:29.240 --> 1:50:31.559
<v Speaker 1>Nobody's got anything good to say about Eric Roberts.

1:50:31.680 --> 1:50:34.799
<v Speaker 4>Yeah, I think Eric that is contained in the word arrogant.

1:50:34.840 --> 1:50:38.519
<v Speaker 4>But uh yeah, man, I mean he just.

1:50:40.240 --> 1:50:42.880
<v Speaker 5>He It just bummed me because we were doing a

1:50:42.920 --> 1:50:46.200
<v Speaker 5>scene and the director of photography wanted to run the

1:50:46.200 --> 1:50:49.160
<v Speaker 5>camera mounted it on the back of the car. And

1:50:49.280 --> 1:50:51.599
<v Speaker 5>John Bailey, who was a wonderful I think he might

1:50:51.640 --> 1:50:55.160
<v Speaker 5>have been an OSCAR winner. He was on the car,

1:50:55.280 --> 1:50:57.920
<v Speaker 5>a sweet guy, and Eric is driving the card. Oh,

1:50:58.000 --> 1:51:00.600
<v Speaker 5>let's see what we can see what John? So he

1:51:00.640 --> 1:51:03.320
<v Speaker 5>starts doing like speed turns to.

1:51:03.280 --> 1:51:06.479
<v Speaker 4>Try to knock him off. You know, I'm going, uh

1:51:06.600 --> 1:51:07.960
<v Speaker 4>that that kind of I was on.

1:51:07.920 --> 1:51:10.680
<v Speaker 5>The verge of grabbing him, you know, and really, you know,

1:51:11.439 --> 1:51:13.000
<v Speaker 5>but what are you gonna do?

1:51:13.040 --> 1:51:15.679
<v Speaker 1>You know, and you were You've been in New York

1:51:15.720 --> 1:51:16.360
<v Speaker 1>this whole time.

1:51:17.720 --> 1:51:18.160
<v Speaker 4>Yeah, I know.

1:51:18.240 --> 1:51:20.920
<v Speaker 5>I only would go to LA to relocate for a

1:51:21.640 --> 1:51:24.000
<v Speaker 5>series or or a movie or something like that, you know,

1:51:24.600 --> 1:51:27.400
<v Speaker 5>And I realized at some point I was like, oh,

1:51:27.439 --> 1:51:28.920
<v Speaker 5>I got to stay here because this is what I'm

1:51:28.960 --> 1:51:29.639
<v Speaker 5>gonna get more work.

1:51:29.640 --> 1:51:31.400
<v Speaker 4>And I was going something about it.

1:51:31.439 --> 1:51:31.679
<v Speaker 2>Though.

1:51:31.880 --> 1:51:33.000
<v Speaker 4>I'm glad that that.

1:51:33.040 --> 1:51:37.200
<v Speaker 5>Instinct because I never would have you know, I didn't

1:51:37.200 --> 1:51:39.200
<v Speaker 5>want to fizzle out. It was it was weird and

1:51:39.320 --> 1:51:42.280
<v Speaker 5>l and being out of work between jobs. Let's say

1:51:42.520 --> 1:51:48.280
<v Speaker 5>ultra ultra employ you know, between jobs in LA is

1:51:48.320 --> 1:51:50.320
<v Speaker 5>like a scourage. You're like, you're like you're wearing some

1:51:50.400 --> 1:51:52.120
<v Speaker 5>kind of a badge on you.

1:51:52.200 --> 1:51:54.240
<v Speaker 2>That's in New York.

1:51:54.240 --> 1:51:56.000
<v Speaker 4>It's like, oh good, you got time to go have

1:51:56.080 --> 1:51:57.679
<v Speaker 4>lunch and drink. You know what I mean.

1:51:57.760 --> 1:51:58.840
<v Speaker 2>It's fun.

1:52:00.120 --> 1:52:02.960
<v Speaker 1>Do you know that?

1:52:03.160 --> 1:52:06.439
<v Speaker 4>But you're in the city, right, Yeah, yeah, I like it.

1:52:07.920 --> 1:52:10.200
<v Speaker 1>I'm in LA but I've got like two kids and

1:52:10.800 --> 1:52:13.599
<v Speaker 1>a different thing. I like it here, but I also

1:52:13.640 --> 1:52:16.200
<v Speaker 1>love New York. Joe, this was a pleasure. They can

1:52:17.439 --> 1:52:20.000
<v Speaker 1>to talk to us. It's always great when we see

1:52:20.000 --> 1:52:20.719
<v Speaker 1>you on the screen.

1:52:21.160 --> 1:52:23.680
<v Speaker 4>Yeah, okay, soon soon, that's all they'll be.

1:52:24.040 --> 1:52:26.760
<v Speaker 1>And now we stop. Now we can spread the word.

1:52:27.320 --> 1:52:30.800
<v Speaker 1>Hashy Horowitz. It's Hashi Horowitz. We're gonna spread the way.

1:52:31.280 --> 1:52:32.040
<v Speaker 1>We're going to spread the.

1:52:32.080 --> 1:52:33.920
<v Speaker 4>Would you please somebody get it right?

1:52:34.320 --> 1:52:42.320
<v Speaker 2>Yes? It was a thrill, you know, I feel we're

1:52:42.680 --> 1:52:46.080
<v Speaker 2>we're like a serial killer getting our little tokens.

1:52:46.160 --> 1:52:49.320
<v Speaker 1>We're getting all our little souvenirs. We're getting our slides.

1:52:49.320 --> 1:52:51.160
<v Speaker 1>We're putting our slides in our slide thing.

1:52:51.360 --> 1:52:54.439
<v Speaker 2>Yeah, it feels incredible. I mean I can't believe we

1:52:54.560 --> 1:52:55.920
<v Speaker 2>got to talk to him.

1:52:56.439 --> 1:52:58.320
<v Speaker 1>I'm so glad we got to talk to Hashi Horowitz

1:52:58.360 --> 1:53:00.160
<v Speaker 1>and then he cleared up. I mean this, if you're

1:53:00.160 --> 1:53:02.120
<v Speaker 1>a Wikipedia editor, you need to go in and like

1:53:02.960 --> 1:53:05.040
<v Speaker 1>edit the like his name is supposed to be Heshi.

1:53:05.120 --> 1:53:08.719
<v Speaker 1>It's Herschel, not Hashi. So that was a mistake some

1:53:08.720 --> 1:53:13.040
<v Speaker 1>somebody made along the lines, and it's stuck. But I

1:53:13.040 --> 1:53:15.280
<v Speaker 1>I'm glad that we got him for this episode, and

1:53:15.320 --> 1:53:19.360
<v Speaker 1>we are leaving the second arc of this open for you. Ludacris.

1:53:19.400 --> 1:53:25.559
<v Speaker 1>I know you're listening. We we just want you. We

1:53:25.600 --> 1:53:29.080
<v Speaker 1>want to talk about your acting. You're so good. But

1:53:29.200 --> 1:53:32.880
<v Speaker 1>this episode, I mean, he's scary in this episode, but

1:53:33.120 --> 1:53:35.400
<v Speaker 1>the next one is really where he's terrifying.

1:53:35.479 --> 1:53:38.439
<v Speaker 2>Well because he's smart, calm, and I planned all of this.

1:53:38.720 --> 1:53:42.559
<v Speaker 2>I don't know, smart character and yeah, i'd have sex

1:53:42.640 --> 1:53:46.599
<v Speaker 2>with the ludicrous yeah, and the you know the guy

1:53:46.600 --> 1:53:49.559
<v Speaker 2>in the real life story. He's in jail forever.

1:53:49.840 --> 1:53:52.320
<v Speaker 1>I mean, I'm sure in Texas they really wanted his

1:53:52.360 --> 1:53:56.120
<v Speaker 1>ass dead. But if you're seventeen, I don't know, I

1:53:56.160 --> 1:53:59.800
<v Speaker 1>don't know. I'm not I'm against I'm against the death,

1:54:00.479 --> 1:54:03.720
<v Speaker 1>but burying a baby alive. That's where you almost you know,

1:54:04.640 --> 1:54:06.920
<v Speaker 1>you almost get me on the other side. But no, no,

1:54:07.120 --> 1:54:09.280
<v Speaker 1>I think writing in jail is worse. That's why I

1:54:09.280 --> 1:54:12.200
<v Speaker 1>think that I'm anti death penalty for a lot of reasons.

1:54:12.200 --> 1:54:14.720
<v Speaker 1>But also spending your whole life thinking about what you

1:54:14.760 --> 1:54:17.160
<v Speaker 1>did and not having your freedom is a worse punishment

1:54:17.200 --> 1:54:17.519
<v Speaker 1>I think.

1:54:18.400 --> 1:54:24.360
<v Speaker 2>But if you're a socio, yeah, you still want comfort,

1:54:24.439 --> 1:54:26.640
<v Speaker 2>like you think about yourself. But I do wonder, like

1:54:27.120 --> 1:54:28.880
<v Speaker 2>they're probably pissed they got caught. But I wonder if

1:54:28.920 --> 1:54:30.880
<v Speaker 2>a socio, if they really feel nothing. They don't care

1:54:30.920 --> 1:54:31.920
<v Speaker 2>if they're in jail.

1:54:32.680 --> 1:54:34.960
<v Speaker 1>Right, but they probably do feel like that the food

1:54:35.040 --> 1:54:36.560
<v Speaker 1>is disgusting and they have to shit in front of

1:54:36.600 --> 1:54:39.240
<v Speaker 1>other people, and it's not a great life, right Like

1:54:39.360 --> 1:54:42.040
<v Speaker 1>sure for me, like they're probably getting that that's a

1:54:42.080 --> 1:54:44.560
<v Speaker 1>hot take. I don't know that they're like a learning

1:54:44.600 --> 1:54:51.320
<v Speaker 1>a lesson, but they're definitely having a bad life. But uh, yeah,

1:54:51.400 --> 1:54:54.240
<v Speaker 1>this episode, yeah, we just we got to get ludicrous

1:54:54.240 --> 1:54:56.040
<v Speaker 1>on here and then we'll finish the well, we'll close

1:54:56.080 --> 1:54:59.320
<v Speaker 1>the loop on this story. Also, I love the woman

1:54:59.320 --> 1:55:02.440
<v Speaker 1>that plays I love the woman that plays Finn's wife.

1:55:02.520 --> 1:55:08.880
<v Speaker 1>Is she Sa Hamilton? Lisa Gay Hamilton. Uh is she Broadway?

1:55:08.960 --> 1:55:11.120
<v Speaker 1>How do we know her from outside of well the

1:55:11.160 --> 1:55:14.960
<v Speaker 1>practic stage as well the practice, right, that's how we

1:55:15.040 --> 1:55:15.360
<v Speaker 1>know her.

1:55:15.400 --> 1:55:19.560
<v Speaker 2>And it's Cynthia Nick, Miranda's neighbor with the vibrating chair

1:55:19.600 --> 1:55:20.160
<v Speaker 2>for the baby.

1:55:20.920 --> 1:55:25.160
<v Speaker 1>Yes, I was just listening to an interview with David E. Kelly,

1:55:25.320 --> 1:55:28.280
<v Speaker 1>who was the producer of the Practice. How many you

1:55:28.280 --> 1:55:31.240
<v Speaker 1>know and married to Michelle Pfeiffer, because he's made this show,

1:55:31.280 --> 1:55:33.520
<v Speaker 1>Margo's Got Money Troubles. Have you heard of it or

1:55:33.560 --> 1:55:36.560
<v Speaker 1>any I've never heard of it. What is it called?

1:55:36.800 --> 1:55:39.040
<v Speaker 1>It's based on a book actually that a lot of

1:55:39.040 --> 1:55:42.400
<v Speaker 1>people were reading and said was really great about Margot

1:55:42.400 --> 1:55:44.840
<v Speaker 1>Has Money Troubles. And I think it's about a girl's start,

1:55:44.960 --> 1:55:48.600
<v Speaker 1>like a young mom starts a OnlyFans, Yeah, a single mom.

1:55:49.200 --> 1:55:52.640
<v Speaker 1>So and it's to quota, it's it's El Fanning, right.

1:55:52.640 --> 1:55:54.880
<v Speaker 2>Oh, Michelle Pfeiffer. It's all coming back. So I've seen

1:55:54.920 --> 1:55:55.440
<v Speaker 2>some press.

1:55:55.480 --> 1:55:57.360
<v Speaker 1>I've seen something and El Fanning you're I know you're

1:55:57.360 --> 1:55:59.600
<v Speaker 1>a big fan of so I am. How do you

1:55:59.600 --> 1:55:59.840
<v Speaker 1>know that?

1:56:00.080 --> 1:56:00.560
<v Speaker 5>Yeah?

1:56:00.760 --> 1:56:02.520
<v Speaker 2>I just I feel like I just know that.

1:56:04.000 --> 1:56:06.760
<v Speaker 1>You love the Fanning sisters, but you like talk about

1:56:06.880 --> 1:56:10.440
<v Speaker 1>ll a lot and then she's so pretty. He was

1:56:10.480 --> 1:56:15.440
<v Speaker 1>talking on the interview about how he won for Best

1:56:15.600 --> 1:56:20.440
<v Speaker 1>Comedy for Ally McBeal the same year as he won

1:56:20.480 --> 1:56:23.320
<v Speaker 1>for Best Drama for The Practice, I think Emmy's and

1:56:23.360 --> 1:56:27.160
<v Speaker 1>that's like, never happened that someone wins both of their shows.

1:56:27.280 --> 1:56:29.480
<v Speaker 1>And they beat the Sopranos that year, which he said,

1:56:29.520 --> 1:56:31.240
<v Speaker 1>we were all very surprised. No one thought we were

1:56:31.280 --> 1:56:32.280
<v Speaker 1>going to beat the Sopranos.

1:56:32.320 --> 1:56:34.360
<v Speaker 2>But wow, you know, wow.

1:56:34.440 --> 1:56:36.040
<v Speaker 1>So she's a talented guy.

1:56:36.040 --> 1:56:38.920
<v Speaker 2>I mean, he's been making a hit television for thirty years.

1:56:39.240 --> 1:56:41.920
<v Speaker 1>He writes his first drafts in pen on a piece

1:56:41.960 --> 1:56:45.320
<v Speaker 1>of paper. That's my kind of guy. Yeah, that's what

1:56:45.360 --> 1:56:48.640
<v Speaker 1>I said. He's so against AI. Like the interviewer was

1:56:48.680 --> 1:56:50.200
<v Speaker 1>asking him like, do you know how to email? Or

1:56:50.200 --> 1:56:52.120
<v Speaker 1>does someone send your emails? Print your emails out for you?

1:56:52.160 --> 1:56:53.400
<v Speaker 1>And he was like, no, I know how to email,

1:56:53.520 --> 1:56:56.400
<v Speaker 1>Like but he does. He likes the old He's like,

1:56:56.440 --> 1:56:58.280
<v Speaker 1>that's just what's worked for me forever. So that's what

1:56:58.360 --> 1:57:02.520
<v Speaker 1>I do. The pen and paper it all. I personally

1:57:02.640 --> 1:57:04.840
<v Speaker 1>don't think my hand would work writing for more than

1:57:04.920 --> 1:57:07.120
<v Speaker 1>three minutes, Like I don't. My hand is not doesn't

1:57:07.120 --> 1:57:10.000
<v Speaker 1>have the stamina. I put everything like I don't. I

1:57:10.000 --> 1:57:12.520
<v Speaker 1>have friends that keep paper calendars and like, oh I

1:57:12.560 --> 1:57:15.160
<v Speaker 1>prefer to handwrite. I'm like, I put everything in my phone,

1:57:15.240 --> 1:57:19.120
<v Speaker 1>Like everything is digital. The vacuums are right outside the

1:57:19.160 --> 1:57:20.640
<v Speaker 1>door right now. I don't know if you can hear them,

1:57:20.680 --> 1:57:24.000
<v Speaker 1>but anyway, should we move on to what would Sister

1:57:24.040 --> 1:57:28.200
<v Speaker 1>Peg do? Where was the Stavity Kelly interview? Oh, on

1:57:28.280 --> 1:57:32.640
<v Speaker 1>the Town your favorite? I actually barely listened to it anymore.

1:57:33.320 --> 1:57:35.240
<v Speaker 1>I saw it in my feed and because I barely

1:57:35.280 --> 1:57:39.280
<v Speaker 1>have time and I listened, I popped it on. I

1:57:39.320 --> 1:57:40.480
<v Speaker 1>was like, you know, I'd like to hear what he said.

1:57:40.520 --> 1:57:43.840
<v Speaker 1>It was like basically, what does this legendary showrunner say

1:57:43.880 --> 1:57:48.240
<v Speaker 1>about current TV? And like you know, and I didn't

1:57:48.280 --> 1:57:50.640
<v Speaker 1>get to finish the interview, but I'm going to keep listening.

1:57:52.520 --> 1:57:52.800
<v Speaker 2>Stuff.

1:57:53.320 --> 1:57:56.120
<v Speaker 1>Yeah, the first half was the stuff about you know,

1:57:56.200 --> 1:58:00.640
<v Speaker 1>the sopranos and him writing on the paper. But let's

1:58:00.640 --> 1:58:01.880
<v Speaker 1>get into what would Sister Peg do?

1:58:02.120 --> 1:58:02.280
<v Speaker 2>Now?

1:58:02.320 --> 1:58:06.120
<v Speaker 1>Listen. I was like racking my brain, like what is

1:58:06.480 --> 1:58:11.000
<v Speaker 1>a organization that ties into today's episode? And I like

1:58:11.120 --> 1:58:14.680
<v Speaker 1>truly could not think of anything because it's just like

1:58:15.120 --> 1:58:17.800
<v Speaker 1>a horrific murder and then like there, you know, there

1:58:17.880 --> 1:58:22.280
<v Speaker 1>was this Supreme Court decision making, but there's not a documentary.

1:58:22.280 --> 1:58:25.160
<v Speaker 1>There's nothing I could find. So I decided to sort

1:58:25.160 --> 1:58:27.440
<v Speaker 1>of make it about me and make it about Los

1:58:27.480 --> 1:58:31.000
<v Speaker 1>Angeles because Lisa lives in a city where they elected

1:58:31.080 --> 1:58:34.560
<v Speaker 1>a cool progressive mayor and I am a cutie.

1:58:34.600 --> 1:58:39.920
<v Speaker 2>It's like, it's honestly crazy. Everything he's done. I pray

1:58:39.960 --> 1:58:40.480
<v Speaker 2>for him.

1:58:40.960 --> 1:58:44.160
<v Speaker 1>It's almost like LA is trying to like take the

1:58:44.400 --> 1:58:47.200
<v Speaker 1>la new York. Oh well, if New York's gonna do something,

1:58:47.320 --> 1:58:50.400
<v Speaker 1>we're gonna do something even like way worse, Like I

1:58:50.400 --> 1:58:53.760
<v Speaker 1>don't know. Like, so we are in the throes of

1:58:53.840 --> 1:58:58.640
<v Speaker 1>a jungle primary for our mayor election and our governor's election,

1:58:58.760 --> 1:59:00.600
<v Speaker 1>although I think we have way more of a hope

1:59:00.600 --> 1:59:03.520
<v Speaker 1>of getting elsa Democrat into the race for that. But

1:59:03.600 --> 1:59:06.000
<v Speaker 1>I worry that what is happening in Los Angeles is

1:59:06.000 --> 1:59:11.000
<v Speaker 1>that Spencer Pratt, who is a reality star grifter from

1:59:11.040 --> 1:59:14.160
<v Speaker 1>anyone that has watched The Hills is voting, is running

1:59:14.600 --> 1:59:19.160
<v Speaker 1>allegedly independently but absolutely as a Republican in LA as mayor.

1:59:19.240 --> 1:59:21.440
<v Speaker 1>A lot of you have been writing me saying, can

1:59:21.520 --> 1:59:23.920
<v Speaker 1>you those of you that are Angelino's have been writing

1:59:23.920 --> 1:59:27.600
<v Speaker 1>me saying, can I get your progressive voter guide? And

1:59:27.680 --> 1:59:31.720
<v Speaker 1>basically I'm following most of what DSA Los Angeles has,

1:59:32.000 --> 1:59:33.600
<v Speaker 1>so that is going to be what we're pointing to

1:59:33.640 --> 1:59:37.440
<v Speaker 1>this week is the DSA Los Angeles Primary election voter Guide.

1:59:37.520 --> 1:59:39.160
<v Speaker 1>We will link to it in the show notes. It

1:59:39.160 --> 1:59:43.080
<v Speaker 1>will be in a story on the Instagram page the

1:59:43.160 --> 1:59:45.240
<v Speaker 1>day that this episode comes out, which is thats messed

1:59:45.320 --> 1:59:48.600
<v Speaker 1>up pod. But essentially, I know there are more progressive

1:59:48.680 --> 1:59:52.920
<v Speaker 1>candidates than who I'm supporting. Nathia Raman. I think she's great.

1:59:52.960 --> 1:59:55.720
<v Speaker 1>She's done a lot of work that's good for the city,

1:59:56.280 --> 1:59:59.680
<v Speaker 1>and I think giving this reality grifter like a thirteen

2:00:00.120 --> 2:00:01.880
<v Speaker 1>or like the mayor is symbolic. It's like, no, it's

2:00:01.880 --> 2:00:04.080
<v Speaker 1>a thirteen like billion dollar budget that he has to

2:00:04.080 --> 2:00:07.040
<v Speaker 1>control and he wants to like criminalize homelessness and all

2:00:07.080 --> 2:00:07.480
<v Speaker 1>this stuff.

2:00:07.720 --> 2:00:10.320
<v Speaker 2>So I'm dear with people, Oh, mayor, that's just a

2:00:10.360 --> 2:00:14.320
<v Speaker 2>fake thing, when like our mayor has changed this city

2:00:14.400 --> 2:00:16.120
<v Speaker 2>for the better for many citizens.

2:00:16.280 --> 2:00:18.720
<v Speaker 1>Yes, and they like fund the they fund the police,

2:00:18.720 --> 2:00:22.520
<v Speaker 1>they do all this stuff, and literally I love how

2:00:22.520 --> 2:00:25.440
<v Speaker 1>people are all like he's going to get rid of homelessess,

2:00:25.440 --> 2:00:27.320
<v Speaker 1>Like why do you think that there has been politician

2:00:27.400 --> 2:00:30.600
<v Speaker 1>after politician and homelessness is not solved across the board.

2:00:30.600 --> 2:00:34.400
<v Speaker 1>It is because it is a complex, deep issue that

2:00:34.440 --> 2:00:37.680
<v Speaker 1>there are like that you have to do multi phase

2:00:38.920 --> 2:00:42.400
<v Speaker 1>legislation about and government barely works in this country. So

2:00:42.560 --> 2:00:44.680
<v Speaker 1>it's like nobody is going to come in and magically,

2:00:45.080 --> 2:00:47.280
<v Speaker 1>you know, clean up your streets like that. And also,

2:00:47.360 --> 2:00:49.880
<v Speaker 1>homeless people are people. We cannot just like ship them

2:00:49.920 --> 2:00:53.880
<v Speaker 1>to wherever, to jails or wherever you think. So that

2:00:54.000 --> 2:00:56.640
<v Speaker 1>is my that is my soapbox. I'm using this week's

2:00:56.640 --> 2:01:01.200
<v Speaker 1>what would Sister Peg do to get to please not

2:01:01.280 --> 2:01:03.000
<v Speaker 1>vote for Spencer Pratt? And I know you guys aren't

2:01:03.040 --> 2:01:05.120
<v Speaker 1>going to, but I'm saying, even if you like a

2:01:05.160 --> 2:01:08.520
<v Speaker 1>more progressive candidate, the only way to keep Spencer off

2:01:08.520 --> 2:01:10.600
<v Speaker 1>the ballot is to vote for Nythia Rahman. Because of

2:01:10.640 --> 2:01:12.440
<v Speaker 1>the way that this is a jungle pant primary, like

2:01:12.480 --> 2:01:14.560
<v Speaker 1>the others just do not have the percentages, They're not

2:01:14.680 --> 2:01:16.880
<v Speaker 1>going to do it. This episode comes out, there's i

2:01:17.120 --> 2:01:19.320
<v Speaker 1>think eight more days or one more week until the election.

2:01:19.360 --> 2:01:21.880
<v Speaker 1>When this episode comes out, there is not time to

2:01:21.960 --> 2:01:24.520
<v Speaker 1>vote for this guy that hits checks all your boxes.

2:01:24.800 --> 2:01:26.440
<v Speaker 1>Nithia is the one we gotta vote for if we

2:01:26.440 --> 2:01:27.520
<v Speaker 1>want to keep Spencer.

2:01:27.160 --> 2:01:27.720
<v Speaker 2>Off the ballot.

2:01:28.160 --> 2:01:31.360
<v Speaker 1>Also for governor, you got to wait until last minute

2:01:31.360 --> 2:01:34.960
<v Speaker 1>and vote for whoever has the highest amount of votes

2:01:35.200 --> 2:01:37.640
<v Speaker 1>so that we can get either Besarah or Tom Steyer.

2:01:37.720 --> 2:01:40.120
<v Speaker 1>I know he's a billionaire. Listen, Bernie endorsed him. We

2:01:40.160 --> 2:01:41.800
<v Speaker 1>got to do what we gotta do. So that's my

2:01:41.840 --> 2:01:44.840
<v Speaker 1>soapbox for LA politics. Come back next week for an

2:01:44.840 --> 2:01:51.080
<v Speaker 1>actual charity organization or documentary, and yeah.

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<v Speaker 2>We'll have some good news after the Jungle primary, I

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<v Speaker 2>hope so. And next week we'll be doing Motherly Love

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<v Speaker 2>Sounds Bleak, Season eighteen, episode ten, can't wait.

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<v Speaker 1>You guys are the best.

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<v Speaker 2>We're obsess See you soon bye. That's Messed Up as

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<v Speaker 2>an exactly right production.

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<v Speaker 1>If you have compliments you'd like to give us or

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<v Speaker 1>episodes you'd like us to cover, shoot us an email

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<v Speaker 1>at That's Messed uppod at gmail dot com. Listen to

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<v Speaker 1>That's Messed Up on the iHeartRadio app, Apple podcasts, or

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<v Speaker 1>wherever you get your podcasts.

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<v Speaker 2>Follow the podcast on Instagram at That's Messed Up pod,

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<v Speaker 2>and follow us personally at Kara Klank and at Glitter Cheese.

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<v Speaker 1>As always, please see our show notes for sources and

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<v Speaker 1>more information.

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<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

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<v Speaker 2>and our associate producer Christina Chamberlain.

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<v Speaker 1>And to our mixer John Bradley and our guest booker

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<v Speaker 1>Patrick Cottner, and to Henry Kaperski for our theme song

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<v Speaker 1>and Carly gen Andrews for our artwork. Thank you to

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<v Speaker 1>our executive producers Georgia hard Start, Karen Kilgareff, Daniel Kramer,

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<v Speaker 1>and everybody at Exactly Right Media.

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<v Speaker 2>Dun dun h