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Speaker 1: And it's drink chants, motherfucking podcast.

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Speaker 2: Make he's a legends every queens rapper.

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Speaker 3: He ain't say greed.

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Speaker 2: That is your boy in O R E.

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Speaker 3: He's a Miami hippop pioneer.

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Speaker 2: Put up his DJ E f N. Together they drink.

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Speaker 3: It up with some of the biggest players, you know

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Speaker 3: what I mean.

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Speaker 4: And the most professional unprofessional podcast.

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Speaker 3: And your number one source for drunk.

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Speaker 5: Drink chants, motherfucking post every day is New Year's Listen.

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Speaker 2: It's time for drink champs.

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Speaker 3: Drink up, mother fucking mother.

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Speaker 5: Hey, Hey, sagree over, it's your boy in O R

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Speaker 5: What up is dj E f N And it's drink chance,

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Speaker 5: motherfucking happy. I will make some fun.

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Speaker 2: Right now he is in the building. We have a pioneer.

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Speaker 2: We also have a component here. I want to big

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Speaker 2: a component because the other guest.

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Speaker 5: Host that we have tonight, I wanted him to be

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Speaker 5: the guest host, but now we're switching it up, so

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Speaker 5: that component is going to be the guest host. And

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Speaker 5: right now we have a hip hop pioneer. Legendary.

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Speaker 2: When when you think of.

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Speaker 5: A godfathers, there's certain godfathers, but he's not a godfather.

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Speaker 2: He is a father of him, and this is busy motherfucker.

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Speaker 3: Going down tonight. Man.

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Speaker 2: Also, who we have in the building. I want to

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Speaker 2: be clear.

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Speaker 5: We have a person who has four and a half mics,

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Speaker 5: who has platinum and gold albums. He's part of the

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Speaker 5: best group ever. His partner is the best name we

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Speaker 5: got compone.

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Speaker 2: And we love both.

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Speaker 3: Yall tonight, baby, y'all listen, that was.

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Speaker 5: It.

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Speaker 2: We're not like, oh, I don't want them to share them, like,

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Speaker 2: can't they can't get another one?

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Speaker 3: You got it?

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Speaker 6: You got?

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Speaker 2: I want you to talk. Yeah, y'all, you got so

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Speaker 2: You're not letgend like busy Be.

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Speaker 3: You gotta.

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Speaker 2: He's a real brox tonight he people like Busy Bee.

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Speaker 2: What's happening? Let's take it from the beginning of that

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Speaker 2: hip hop. All right, let's do that because you're from

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Speaker 2: the Brons.

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Speaker 3: Correct, Yeah, we're out on the bron I'm from the

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Speaker 3: boogie down brunch where the only ship really started from.

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Speaker 2: You know what I'm saying.

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Speaker 3: Street Boston Road, Prospect Avenue, tenth Avenue, Union Avenue, you know,

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Speaker 3: stuff like that.

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Speaker 2: When the Grand Master Flash was doing this thing. Mally

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Speaker 2: male thad or See Dealer was a little kid at

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Speaker 2: this time, you know what I'm saying.

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Speaker 3: Yeah, the Grand Wizard, THEA or what he was a

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Speaker 3: little kid at this time when Grandmaster Flash and Me

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Speaker 3: and Jane was rocking, and they had only three mcs

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Speaker 3: at this time. They had Melly Mail, Kick Creole and

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Speaker 3: Keith Cowboys. So it was just a handful of MC's.

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Speaker 3: It wasn't no bunch of MC's, you know what I'm saying.

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Speaker 3: It wasn't no solo It was.

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Speaker 2: A lot of DJ. DJs were for the DJ at

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Speaker 2: the time.

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Speaker 5: Back then, it was it was it was it was

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Speaker 5: more classic, more fashionable to be a.

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Speaker 3: DJ because from the DJ right because today there's no

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Speaker 3: more mcs. You know, the mcs came with the DJ.

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Speaker 3: You know, I'm MC that and this DJ blisey blise,

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Speaker 3: I'm you know, the DJ came with the MC. Today

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Speaker 3: you just got the m C or you got the rapper.

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Speaker 3: Now put the CD in, make the music, and he's gone.

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Speaker 3: He eliminated the DJ, so you don't have to pay him,

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Speaker 3: you know what I'm saying. And I'm on my own.

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Speaker 3: But see so the MC's is dead. You know, you

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Speaker 3: have the m c's and the DJs, and you got rappers.

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Speaker 2: So you know I go with hip hop.

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Speaker 3: I'm three MC and rapper. Oh well, the m C

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Speaker 3: came with the DJ. You know what I'm saying, I'm

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Speaker 3: MC bliding this is DJ.

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Speaker 7: Because the DJ wasn't talking on them, so he needed

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Speaker 7: someone to wrap him right, And I'll give you a

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Speaker 7: few MCS.

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Speaker 2: That's you know that's still wrecked today.

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Speaker 3: You got ll cool J with the Cut Creator, you

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Speaker 3: got DJ Polo and uh Cool g rap you know,

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Speaker 3: you got me with Dead or you got let me

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Speaker 3: see all the MCS with with dj CK, you got

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Speaker 3: being rock him, you know right, So so you know

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Speaker 3: you have that right now, you have the new MCS

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Speaker 3: and the new generation coming out.

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Speaker 2: They just got music and they just rappers. Well what

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Speaker 2: happened to the DJ?

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Speaker 3: R said made the music?

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Speaker 5: Ain't nobody this friend, this is my partner. He hates

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Speaker 5: rapper goes on there and thanks everybody, Right, all.

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Speaker 3: The guys a maze.

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Speaker 2: We're not We're not saying look at us, we do

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Speaker 2: the backbone, that's right, but and I agree, So.

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Speaker 3: You know, at the of the day, you know, we

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Speaker 3: need our DJ to help rapper, and the rapper need

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Speaker 3: the DJ to do his thing. Too, because you got

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Speaker 3: to promote that. This DJ helped me make this beat,

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Speaker 3: to make y'all rack.

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Speaker 5: Yeah, here's a crazy I'm so sorry everybody. I got

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Speaker 5: two of my partners here.

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Speaker 2: Cne. This is cn.

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Speaker 3: CNE, this temptation.

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Speaker 2: Have to describe the.

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Speaker 5: Situation earlier today, I see Busy Be, Busy Be see

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Speaker 5: me and said, he looked at me because we're both

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Speaker 5: Champagne people.

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Speaker 3: Right to crack a bottle ship, Yeah, crack up, be careful.

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Speaker 2: That's very hot. This today is talking about today today. Yeah, yeah, yo,

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Speaker 2: listen to all the rap is at allto raps iced

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Speaker 2: team Big Mickey Benson.

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Speaker 3: Right, Ali, who else? We got a big one. We

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Speaker 3: did it.

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Speaker 2: We did it Ice team making Mention team.

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Speaker 5: And I see Busy be walking through the crowd and

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Speaker 5: you had that v BO clicko and you got and

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Speaker 5: you filled me up.

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Speaker 2: That's what I do. I gotta fill you up right now. Okay,

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Speaker 2: the whole bottom you take that.

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Speaker 3: I how to do this ship.

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Speaker 2: So we all right, all right? From from.

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Speaker 3: Listen Mike Booth, Mike Boon is a Champagne nigga. We

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Speaker 3: all king.

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Speaker 2: Champagne nigga, all the Champagne niggas. We got the call

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Speaker 2: that's he killed that.

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Speaker 3: Okay, so busy me let me ask you a question

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Speaker 3: right right.

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Speaker 5: Right now, these brothers, the new generation is out and

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Speaker 5: they don't want to do their history. They don't want

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Speaker 5: to know who you are. They don't want to know

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Speaker 5: who I don't want to They don't want to is.

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Speaker 5: They don't want to know who he is.

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Speaker 3: How you feel about that, Well, I don't feel about it.

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Speaker 3: But I tell you what they do are they doing?

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Speaker 3: They it's just a greed thing. It's just about a

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Speaker 3: greed thing. And everybody is happy that they being recognized

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Speaker 3: at this period of time in our culture. So at

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Speaker 3: the end of the day, like you said, I might

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Speaker 3: be the father, but then you're an icon, and then

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Speaker 3: they got to respect that because of who you are

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Speaker 3: and when you do what you do, you still do

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Speaker 3: what you do exactly. They and at the end of

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Speaker 3: the day, they fans. They're actually fans of what you

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Speaker 3: do because some of them is made up. We was

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Speaker 3: born to do this. Our fans created what we do

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Speaker 3: to give us the energy to do what we do.

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Speaker 3: So those people, some of them new generation is actually

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Speaker 3: being made Because you look like a Noriego, I'm gonna

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Speaker 3: make you do that. You just say these couple of

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Speaker 3: rhymes and then that's what it is. But then the

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Speaker 3: real MC's stand out. I've been doing what I've been

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Speaker 3: doing three long, not too long. So I go back

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Speaker 3: nineteen seventy seven, before records before to.

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Speaker 2: Yeah, I was boring, busy be.

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Speaker 3: No I was I was born at and all I

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Speaker 3: do is just reinvent myself every two or three years.

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Speaker 3: You know what I'm saying, and keep it rolling to

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Speaker 3: where right now today I still roll with the Snoop Doggs,

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Speaker 3: the wiz khalif was.

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Speaker 2: You you understand what I'm saying. Smoking good and drinking champagne.

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Speaker 3: That's what I did.

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Speaker 2: Let me just tell you something I'll do.

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Speaker 5: Two o'clock in the morning I land in Amsterdams. You

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Speaker 5: already know what I'm going. Yeah, two o'clock in the morning,

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Speaker 5: I landed Acidam. The only thing I didn't do was

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Speaker 5: think about how I'm gonna smoke the weed. So I

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Speaker 5: brought all the weed in the world.

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Speaker 3: I bought.

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Speaker 2: I went to the end there, every every weed.

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Speaker 3: I had all of it, and busy became.

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Speaker 8: I'm des sit in there, and.

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Speaker 2: I said, yo, holy ship and busy said.

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Speaker 3: Something noise or something. How you doing?

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Speaker 5: I said, I got all the weeds in the world,

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Speaker 5: theoes you ain't gonna hit to smoke of that?

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Speaker 3: Right?

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Speaker 2: Why did I not think of that? He goes follow

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Speaker 2: me and we an answidam.

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Speaker 3: We walked through.

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Speaker 2: I'm following, busy Bee.

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Speaker 5: And not only did he show me what against cigars,

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Speaker 5: I also got Marlborough Greens for people who smoke.

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Speaker 2: If you smoke Newports, Marlborough Greens in Europe is the.

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Speaker 5: Same exact ship as the New Boys, right, And this

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Speaker 5: nigga grabbed me. I felt like in my mind he

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Speaker 5: smacked me in the back of my head and say

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Speaker 5: follow me. But that's that's the experience.

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Speaker 3: I here's the deal.

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Speaker 2: Here's the deal, busy Bee, right, what it is is

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Speaker 2: that experience. I was proud to follow you. I was

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Speaker 2: proud to ask you for help. I was proud. Do

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Speaker 2: you think this new.

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Speaker 5: Generation isn't proud because I am supposed to be the

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Speaker 5: busy being of the Asat Robins to the little woozy verts.

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Speaker 5: Do you think that they would do the same thing

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Speaker 5: that I did with you?

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Speaker 2: Because I know they don't.

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Speaker 3: I know they won't because I mean they still think

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Speaker 3: that they came into this game. And that's why, you know,

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Speaker 3: I put together my own you know, like you know,

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Speaker 3: I followed the Melly Mels and stuff like that in

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Speaker 3: hip hop, and I say, and I always wear black,

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Speaker 3: and I always will because I dress up for their

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Speaker 3: fund of rules. And now heads will row and raptors

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Speaker 3: will die, and whoever won the battle, I forgive them

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Speaker 3: a try because I know I'm fresher.

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Speaker 2: I was born to them.

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Speaker 3: But being lesser small than the record in the show

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Speaker 3: to me when I came here to set the world

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Speaker 3: free from around the waves back in the days, I

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Speaker 3: got beat so you can get paid. I may this's

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Speaker 3: a job, you two bitch slobs, and now you die

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Speaker 3: the word learned, still all robbed. You got a little

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Speaker 3: bit of fame and wealth. Now you're thinking that all

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Speaker 3: by yourself. I am you, but you ain't me, because

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Speaker 3: you can start rapping to two thousand and three.

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Speaker 2: I just tried to all stay together killed.

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Speaker 3: So you know, I let them know. You know, I've

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Speaker 3: been doing this for a little while. Respect the culture,

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Speaker 3: just like when you're smoking weed. Now, you know, with

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Speaker 3: a new generation of smoking weed, you have people that's

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Speaker 3: sixty seventy years old, been smoking We call it pot

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Speaker 3: marijuana before y'all start calling it loud and all that

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Speaker 3: respect those people that smoked that weed, because they was

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Speaker 3: doing this before you even got right to the legalizations

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Speaker 3: came into this planet.

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Speaker 2: And this is the reason why I'm sorry to cut

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Speaker 2: you off.

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Speaker 5: This is the reason why I love what we're doing

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Speaker 5: today because there was a brother that walked in here.

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Speaker 5: And now, earlier today, I was doing a show and

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Speaker 5: a brother walked in here and said, so, when you're

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Speaker 5: gonna have more pioneers on your show? And I said,

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Speaker 5: do you watch my show? And he said yeah, And

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Speaker 5: I said, it's kr Rests, not a pioneer. And I

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Speaker 5: start naming names and he assisted that, you know, you

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Speaker 5: know what, You're right, Lauri, but at the same time,

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Speaker 5: you're wrong because I want the people that came before

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Speaker 5: he wants to hurt, he wants to hurt, he wants busy.

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Speaker 2: Will be considered the icons, you know.

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Speaker 3: But I appreciate it, like.

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Speaker 2: I appreciated what he said. I appreciate because he wasn't hating.

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Speaker 5: He was just like, yo, look, Laurie, like you guys

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Speaker 5: based it because we don't interview anybody on the thirty.

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Speaker 3: If you're under thirty, you gotta relect.

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Speaker 2: I'm a double nickel. I ain't afraid of my ship.

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Speaker 3: I look, it's a.

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Speaker 5: Double nickel, that's what. And you're looking good out here.

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Speaker 5: I see Missy B not only in Amsterdam, but we

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Speaker 5: seen him in l A. I'm in l A right

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Speaker 5: and he's there in Roscoe's. And you're still looking good.

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Speaker 5: You're still smoking with you.

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Speaker 6: Man.

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Speaker 3: I dream grapes, and I smoked good. You got that,

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Speaker 3: sir rock, You know, I mean stuff. I don know,

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Speaker 3: real hard drugs.

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Speaker 2: I never did in my in my culture.

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Speaker 3: So I always did define the grapes, you know, because

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Speaker 3: I always stood around the people that said this is

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Speaker 3: the rich stuff. I wanted the rich stuff. That's that's

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Speaker 3: the scoop battle. Yeah in school, Yeah, just in case

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Speaker 3: you're own some fly ship right here right now, school,

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Speaker 3: I know you're doing some fly ship right now.

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Speaker 5: With right now now, you as a person that was

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Speaker 5: there in the eighties, you as a person that was

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Speaker 5: there from the exception from the I don't even know.

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Speaker 2: What that word was in the beginning beginning, right, So

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Speaker 2: I got the lyrics, you.

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Speaker 5: As seeing it, you as being there from the beginning

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Speaker 5: right when you listen to the music.

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Speaker 2: Now, are you disappointed or do you understand?

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Speaker 3: Well, I'm not too much of disappointed because some of

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Speaker 3: the guys I do understand now I do have some

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Speaker 3: of the new Generation. I mean, if you call like

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Speaker 3: Ludacris new generation, which to where he's coming from, you know,

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Speaker 3: to I listened to some of those. If you're making

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Speaker 3: sense to the Kendrick Lamar's you know, I can understand

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Speaker 3: that when you're just doing that what they call in

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Speaker 3: the man or that that that crump or I don't

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Speaker 3: even know, you know, it's just good music. Music speaks

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Speaker 3: for itself. So if you're putting something behind it, then

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Speaker 3: then you got an exclusive.

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Speaker 2: You wind up having a classic if you take that

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Speaker 2: music is fantastic. At the end of the day, I

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Speaker 2: used to know, if I'm letting you down.

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Speaker 9: No, no, no way.

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Speaker 3: At the other of the day, that's about the DJ

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Speaker 3: and the producer. The music is right, then it speaks

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Speaker 3: for itself because the DJ knows, and then the DJ

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Speaker 3: helps the producer to tell the people, Hey.

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Speaker 2: This is what they do.

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Speaker 3: But now the consumer became the DJ. But we can

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Speaker 3: change the equations. But we can change that because we're

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Speaker 3: speaking on it now. You know, the DJ is the

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Speaker 3: man period period in hip hop. But I feel like

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Speaker 3: DJ became castrated in this. But I'm saying that hip

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Speaker 3: hop please please, and hip hop don't. The DJ is

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Speaker 3: still the god that should be now.

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Speaker 2: Ap okay, he killed that.

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Speaker 3: He did what two three? Now, A rap is a

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Speaker 3: different scenario. So like you say, when you're driving, you

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Speaker 3: stay in your lane. You're in hip hop, stay in

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Speaker 3: your lane because you the god. As long as you

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Speaker 3: got in them, see that will follow your rules. You

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Speaker 3: still to God. And rap is a different scenario because

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Speaker 3: you got so many industries now that this is a

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Speaker 3: billion dollar industry.

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Speaker 2: Hip hop took over planet Earth.

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Speaker 3: If you're not doing nothing in hip hop, you not

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Speaker 3: even making no money, you either a fast food worker,

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Speaker 3: a janitor Wendy's, or are doing something that you illegal

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Speaker 3: because hip hop took over the planet. If you're not

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Speaker 3: working in the industry of hip hop taking care of

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Speaker 3: a person like me or Noriega or an MC that's

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Speaker 3: worth that money, you ain't getting a dying And I'm

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Speaker 3: sorry to say that. But the hip hoppers and the

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Speaker 3: hip hop ats, how y'all saying we killed it, you

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Speaker 3: know what I'm saying. So that's what it is. When

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Speaker 3: the hotel hip hop man, that's all I can say.

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00:16:35,880 --> 00:16:38,320
Speaker 3: It's peace, love, unity and having fun. And we took

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Speaker 3: over the planet. There's no place on planet Earth that

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Speaker 3: there's not a B boy a break series. Based on

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Speaker 3: your feed, the artists something We're done took over. So PUSYV.

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Speaker 2: Let me ask you, like, as a person that.

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Speaker 5: I would have to call you a pioneer even more

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Speaker 5: than care Rest because we had chare rests on here,

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Speaker 5: we had Big Day came on here, the King is.

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Speaker 2: Coming out soon.

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Speaker 5: But was there ever a moment in this music industry

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Speaker 5: where you was disappointed when you were just like.

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00:17:10,200 --> 00:17:13,440
Speaker 2: No, because okay, I never hated. I'm not a hater,

337
00:17:13,760 --> 00:17:14,200
Speaker 2: No I ain't.

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Speaker 3: What if you disappointed about something in hip hop, then okay,

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00:17:18,960 --> 00:17:21,719
Speaker 3: yeah you could be a hater. You might not call

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00:17:21,800 --> 00:17:24,880
Speaker 3: it that, but then the guy like me who heard somebody, they'll.

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Speaker 2: Call it that because you guys are older, so they

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Speaker 2: look at you at the end of this day.

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Speaker 3: I'm not that I look at it. Some people hear

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00:17:31,440 --> 00:17:34,639
Speaker 3: lucky breaks. Like I said, again, you don't even have

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00:17:34,720 --> 00:17:37,360
Speaker 3: to be a rapper you could just look like one

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Speaker 3: and somebody can put that money in you and make

347
00:17:40,600 --> 00:17:42,600
Speaker 3: you say two or three rounds that you have been in.

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Speaker 2: And it happened. It happened with Grand Master Cash and

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Speaker 2: Big Bang Hang. Let me stop you right there.

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Speaker 5: Jermaine dupri got on our show and said he looked

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Speaker 5: at Crisscross the Rappers see and he wrote, He said

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00:17:56,480 --> 00:18:01,359
Speaker 5: he wrote every lyric the whole Crisscrosshole album just because

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Speaker 5: he looked at them.

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Speaker 7: All right, but hold up, but he said, Rappers the

355
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Speaker 7: Light one of the biggest records that at.

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Speaker 3: The end of the day even rappers delight. It only

357
00:18:08,160 --> 00:18:12,119
Speaker 3: lasts six months. If you ain't real, I'm good. If

358
00:18:12,160 --> 00:18:14,760
Speaker 3: it ain't real, it ain't gonna last. You understand what

359
00:18:14,760 --> 00:18:17,080
Speaker 3: I'm saying now, you can be made up MILLI Vally.

360
00:18:17,280 --> 00:18:20,560
Speaker 3: If y'all that record skip, y'all be fucked up to day.

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Speaker 6: You think.

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Speaker 3: You understand what.

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Speaker 2: My feelings when I'm fron ticket, So there it is.

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00:18:32,920 --> 00:18:36,359
Speaker 3: I'll be a perfect example of the realness because I

365
00:18:36,440 --> 00:18:40,160
Speaker 3: go back that far and it's twenty seventeen, right, I'm

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Speaker 3: still standing.

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Speaker 5: Still to speak on business actually saifully and I probably

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Speaker 5: think this is the best question and you're probably the

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Speaker 5: best person to answer this, because real hip hop living

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Speaker 5: Europe more than is living oh United States.

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Speaker 3: FU.

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Speaker 2: Yeah, they respect.

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Speaker 3: He's gonna say this, bet our love so much, man.

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Speaker 3: I mean, dressed by myself. I can go pack a

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Speaker 3: house at eighteen hundred by myself to where. I didn't

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00:19:08,600 --> 00:19:11,480
Speaker 3: know that until I got there and thought saying. I

377
00:19:11,560 --> 00:19:13,840
Speaker 3: looked in the crowd, I was like the Blues brothers

378
00:19:13,880 --> 00:19:17,160
Speaker 3: and shit and so all the people and said, I said, yeah,

379
00:19:17,200 --> 00:19:21,639
Speaker 3: who who else on the card? He said you and nobody.

380
00:19:23,119 --> 00:19:23,680
Speaker 3: I said what?

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Speaker 10: Just me?

382
00:19:25,440 --> 00:19:29,320
Speaker 3: They said yeah. I said, oh shit. So you know

383
00:19:29,640 --> 00:19:31,600
Speaker 3: you can't get that in America. Right here in the

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Speaker 3: US right now. You know, I'll get y'all, my homies,

385
00:19:35,119 --> 00:19:38,840
Speaker 3: my friends, they girls, and then we got to pack house.

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Speaker 3: You know what I'm saying. But as far as the

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Speaker 3: people that paid that money and came to see and

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Speaker 3: appreciate that respect, they're not going to come into America,

389
00:19:47,320 --> 00:19:52,680
Speaker 3: But in Europe they'll spend them U Rosy follow four months,

390
00:19:52,720 --> 00:19:54,680
Speaker 3: you know what I'm saying. He was out.

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Speaker 5: Now come on, let me ask you the same question.

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00:19:58,119 --> 00:20:01,639
Speaker 5: I apologize because you know this we got we got

393
00:20:01,720 --> 00:20:04,920
Speaker 5: busy beat. But I'm going to answer you the same question.

394
00:20:05,240 --> 00:20:09,280
Speaker 5: Does hip hop actually exist more in Europe than in America?

395
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Speaker 8: I would have to probably agree I do.

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00:20:13,119 --> 00:20:16,080
Speaker 2: But do you do you mean fans or the culture?

397
00:20:16,880 --> 00:20:18,000
Speaker 3: The culture?

398
00:20:18,840 --> 00:20:19,119
Speaker 7: You don't know?

399
00:20:19,359 --> 00:20:22,240
Speaker 2: No, I think if it is a culture you no, no, no,

400
00:20:22,359 --> 00:20:22,760
Speaker 2: You're one.

401
00:20:22,760 --> 00:20:24,000
Speaker 3: Hundred percent correct.

402
00:20:24,040 --> 00:20:27,280
Speaker 5: And with you how you applied that, because when you

403
00:20:27,320 --> 00:20:29,680
Speaker 5: said fans of the culture, but let me take the

404
00:20:29,760 --> 00:20:32,919
Speaker 5: fans away, let me just just just deal with the culture.

405
00:20:33,359 --> 00:20:36,440
Speaker 2: Do you remember we went, We was in Germany and

406
00:20:37,040 --> 00:20:38,560
Speaker 2: the promoter we just we.

407
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Speaker 5: Couldn't see him for thirty minutes because he went and

408
00:20:42,240 --> 00:20:47,200
Speaker 5: put up with CNN, the Bamon, the nigga went and

409
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Speaker 5: nigga FEEDI. He did a piece for the whole peace,

410
00:20:50,440 --> 00:20:55,359
Speaker 5: the whole peace for us, big enough answers. Listen, we

411
00:20:55,600 --> 00:20:58,520
Speaker 5: win and we're worried about our money.

412
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Speaker 3: We're not, we're not.

413
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Speaker 5: We don't understanding what yo? When the fucking brand is that,

414
00:21:03,880 --> 00:21:07,000
Speaker 5: they're like it's coming. And he wanted to show us,

415
00:21:07,400 --> 00:21:09,359
Speaker 5: so he went out there and did a whole piece.

416
00:21:09,640 --> 00:21:11,920
Speaker 5: All right, A throw up, I'm Puerto Rican. A throw

417
00:21:12,000 --> 00:21:14,520
Speaker 5: up is when you just a piece is when you

418
00:21:15,040 --> 00:21:18,119
Speaker 5: more letters box letters, right, he did.

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Speaker 2: A piece for the piece that's me and me and

420
00:21:20,720 --> 00:21:24,359
Speaker 2: this nigga's like, that's why he lacked.

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00:21:25,040 --> 00:21:25,200
Speaker 3: Right.

422
00:21:25,800 --> 00:21:28,680
Speaker 2: You can never get that right. You get that in America,

423
00:21:29,080 --> 00:21:29,520
Speaker 2: you don't.

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00:21:29,600 --> 00:21:30,000
Speaker 9: You don't.

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00:21:30,119 --> 00:21:33,040
Speaker 3: You don't you get fans that drawed you and and

426
00:21:33,200 --> 00:21:36,680
Speaker 3: and spend time on doing something for you and to

427
00:21:36,840 --> 00:21:39,320
Speaker 3: come to give it to you, to show you what

428
00:21:39,480 --> 00:21:43,120
Speaker 3: they do. In America. I mean, guys come to the show,

429
00:21:43,520 --> 00:21:46,439
Speaker 3: they looking for the girl to go home with. They

430
00:21:46,520 --> 00:21:48,920
Speaker 3: heard you and they gone, you know what I'm saying.

431
00:21:49,160 --> 00:21:53,080
Speaker 3: And in the beginning it wasn't like that. The commercialized

432
00:21:53,160 --> 00:21:55,600
Speaker 3: and the and the industry took over. That's why I

433
00:21:55,680 --> 00:21:58,480
Speaker 3: say now to to this day, you could push a

434
00:21:58,520 --> 00:22:02,040
Speaker 3: button down we could be millionaire. There's no more discrimination

435
00:22:02,480 --> 00:22:05,919
Speaker 3: in hip hop. You could be green, black, purple, whatever,

436
00:22:06,080 --> 00:22:08,400
Speaker 3: and then say I'm a millionaire because you could press

437
00:22:08,440 --> 00:22:09,920
Speaker 3: a button. You can go on the internet. You could

438
00:22:09,960 --> 00:22:13,680
Speaker 3: just be on TV YouTube right now and DJ and

439
00:22:13,800 --> 00:22:17,040
Speaker 3: make ten thousand dollars. So I'm saying the hip hop

440
00:22:17,119 --> 00:22:21,080
Speaker 3: culture took over. We are the world right now. Yeah,

441
00:22:21,119 --> 00:22:21,919
Speaker 3: it took over so much.

442
00:22:21,960 --> 00:22:24,119
Speaker 2: And sometimes you don't even know, right because it's just

443
00:22:24,200 --> 00:22:28,560
Speaker 2: so I like CNN and they talking hip hop lingo. Right,

444
00:22:29,280 --> 00:22:31,200
Speaker 2: So that's all I'm saying. It's over.

445
00:22:31,359 --> 00:22:34,520
Speaker 3: We took over the planet. I remember thirty years ago,

446
00:22:34,600 --> 00:22:36,399
Speaker 3: you had to wear that suit and tie for seeing

447
00:22:36,480 --> 00:22:39,160
Speaker 3: Inn and you can talk like that. They would talk

448
00:22:39,200 --> 00:22:41,720
Speaker 3: on us down like these people here is doing that.

449
00:22:42,200 --> 00:22:45,760
Speaker 3: Oprah Winfrey is a perfect example. She was just she

450
00:22:45,920 --> 00:22:49,080
Speaker 3: was fat with the AFRO and then Baltimore and they

451
00:22:49,160 --> 00:22:53,800
Speaker 3: talked about her. She's a billionaire, you know, and at

452
00:22:53,840 --> 00:22:56,240
Speaker 3: one time she didn't like hip hop. Donald Trump didn't

453
00:22:56,320 --> 00:22:56,960
Speaker 3: like hip hop.

454
00:22:56,880 --> 00:22:57,400
Speaker 2: At one time.

455
00:22:58,400 --> 00:23:02,000
Speaker 3: Now know, little Kim, he know us, he know who

456
00:23:02,040 --> 00:23:04,080
Speaker 3: we are, and now all of a sudden he don't

457
00:23:04,160 --> 00:23:08,120
Speaker 3: know nobody. Now you understand what I'm saying. So I mean,

458
00:23:08,280 --> 00:23:10,440
Speaker 3: you know our coach is strong man.

459
00:23:10,880 --> 00:23:13,440
Speaker 5: So from you being from the beginning, right, did you

460
00:23:13,600 --> 00:23:16,280
Speaker 5: ever think that we would lose control the way we

461
00:23:16,400 --> 00:23:16,960
Speaker 5: lost control?

462
00:23:17,080 --> 00:23:19,600
Speaker 2: Now, let me explain what I mean, because what I

463
00:23:19,720 --> 00:23:20,159
Speaker 2: mean is.

464
00:23:22,600 --> 00:23:24,760
Speaker 5: When we were doing hip hop, when Mob Deeper doing

465
00:23:24,800 --> 00:23:27,720
Speaker 5: hip hop, Nave was doing hip hop, it was untraditional.

466
00:23:28,160 --> 00:23:31,760
Speaker 2: It wasn't just the way hip hop and all that.

467
00:23:32,000 --> 00:23:36,520
Speaker 5: Right, But now we us, we're supposed to be who

468
00:23:36,600 --> 00:23:39,760
Speaker 5: you guys were, or who you guys is still to

469
00:23:39,840 --> 00:23:45,000
Speaker 5: this day, and we can't control these new guys, but you.

470
00:23:45,200 --> 00:23:48,800
Speaker 3: Are controlling because we look where we're at right now

471
00:23:48,920 --> 00:23:51,320
Speaker 3: and some of them new guys can't do this. We're

472
00:23:51,359 --> 00:24:02,639
Speaker 3: on the podcast listening to the list right now. You

473
00:24:02,720 --> 00:24:05,119
Speaker 3: know what I'm saying. So I mean, we're still winning.

474
00:24:05,480 --> 00:24:08,520
Speaker 3: It's no, it's no more losing. We already won and

475
00:24:08,680 --> 00:24:10,920
Speaker 3: we win it. So now I do it like this.

476
00:24:11,480 --> 00:24:14,360
Speaker 3: We want to go to the playoffs, get to the championship.

477
00:24:15,240 --> 00:24:17,760
Speaker 3: And right now, you're always going to be in the playoffs, Norway,

478
00:24:17,840 --> 00:24:21,000
Speaker 3: because you already won the championship a couple of years ago.

479
00:24:21,080 --> 00:24:23,520
Speaker 3: When you you you was at your baby, so you

480
00:24:23,640 --> 00:24:24,399
Speaker 3: got your props.

481
00:24:29,320 --> 00:24:29,560
Speaker 11: You know.

482
00:24:31,119 --> 00:24:33,800
Speaker 3: It's gonna keep all rolling. You're gonna get money for

483
00:24:33,880 --> 00:24:36,800
Speaker 3: the rest of your life. As long as you keep

484
00:24:36,880 --> 00:24:38,840
Speaker 3: telling the people what you're doing, and you can show

485
00:24:38,920 --> 00:24:41,160
Speaker 3: that you can still do what you do, they're gonna

486
00:24:41,160 --> 00:24:41,680
Speaker 3: come see you.

487
00:24:42,920 --> 00:24:44,520
Speaker 5: And this is the reason why I fuck with you.

488
00:24:44,640 --> 00:24:47,000
Speaker 5: Because you don't know why I fuck with you. It's

489
00:24:47,119 --> 00:24:52,040
Speaker 5: because after you have ten years in this game, it's

490
00:24:52,160 --> 00:24:55,679
Speaker 5: either you gonna get up or you're gonna be better, right,

491
00:24:56,119 --> 00:25:00,639
Speaker 5: Because the thing about it is we don't ten years,

492
00:25:00,920 --> 00:25:04,960
Speaker 5: you can never ever judge those ten years of loyalty.

493
00:25:05,359 --> 00:25:07,280
Speaker 5: But I mean by that is, if you work for

494
00:25:07,400 --> 00:25:10,239
Speaker 5: McDonald's and you there for ten years, you can take

495
00:25:10,320 --> 00:25:13,280
Speaker 5: up your McDonald's hat and nobody will ever bother you

496
00:25:13,720 --> 00:25:16,680
Speaker 5: when But you can do ten years in hip hop,

497
00:25:17,000 --> 00:25:18,680
Speaker 5: and you do ten years in hip hop, you can

498
00:25:18,800 --> 00:25:20,080
Speaker 5: never take your mask.

499
00:25:20,800 --> 00:25:23,359
Speaker 3: Especially if you was if good and hip hop when

500
00:25:23,400 --> 00:25:25,560
Speaker 3: you came out. When you came out and do people

501
00:25:25,640 --> 00:25:28,520
Speaker 3: respect that you, then then those people growed up just

502
00:25:28,600 --> 00:25:31,400
Speaker 3: like you rolled up, and they're gonna tell these people, yeah, shit,

503
00:25:31,560 --> 00:25:32,240
Speaker 3: my man, nor.

504
00:25:32,520 --> 00:25:34,320
Speaker 2: Was this ship in the back then, And in some

505
00:25:34,480 --> 00:25:37,080
Speaker 2: cases they grow up with you. So there it is.

506
00:25:38,200 --> 00:25:39,920
Speaker 2: Don't never think that you lost nothing.

507
00:25:40,400 --> 00:25:42,000
Speaker 3: You know what I'm saying. You're still a champion of

508
00:25:42,119 --> 00:25:45,120
Speaker 3: your culture. You're still a champion your people. I'm still

509
00:25:45,200 --> 00:25:46,480
Speaker 3: knocking that fly ship.

510
00:25:46,400 --> 00:25:47,120
Speaker 2: You know what I'm saying.

511
00:25:48,560 --> 00:25:51,840
Speaker 3: What you're doing, so you know you ain't you ain't composed,

512
00:25:51,880 --> 00:25:53,639
Speaker 3: you know what I'm saying. So I mean you got

513
00:25:53,720 --> 00:25:56,960
Speaker 3: everybody eating the whole team, right, so everybody is happy,

514
00:25:57,320 --> 00:25:59,520
Speaker 3: you know what I'm saying. So you ain't never lost me.

515
00:25:59,760 --> 00:26:03,159
Speaker 5: No, no, no, I'm thinking of When I think about it,

516
00:26:03,200 --> 00:26:04,680
Speaker 5: I think I think of that, I think of the

517
00:26:04,760 --> 00:26:08,440
Speaker 5: young generation because the thing about it is, right, I

518
00:26:08,680 --> 00:26:12,080
Speaker 5: was fortunate enough to come in the era.

519
00:26:12,200 --> 00:26:16,040
Speaker 2: Where you we had to respect y'all, We had to

520
00:26:16,160 --> 00:26:16,920
Speaker 2: look up to y'all.

521
00:26:17,119 --> 00:26:20,600
Speaker 12: Right now this era is it's like follow this children

522
00:26:21,640 --> 00:26:24,760
Speaker 12: like you gotta look at the person who came out

523
00:26:24,880 --> 00:26:29,080
Speaker 12: two months before them, but they know looking at saying

524
00:26:29,400 --> 00:26:32,840
Speaker 12: that's my Harold and those guys came out to.

525
00:26:34,840 --> 00:26:47,720
Speaker 2: The Gucci, but you came out yesterday. Respect him. I like,

526
00:26:48,520 --> 00:26:50,480
Speaker 2: first off, I like that record was.

527
00:26:53,119 --> 00:26:55,320
Speaker 3: But at the end of the day, you're gonna get

528
00:26:55,320 --> 00:26:57,320
Speaker 3: they run. I seen the video. I didn't know as

529
00:26:57,359 --> 00:26:58,040
Speaker 3: long as they're.

530
00:26:57,880 --> 00:26:59,320
Speaker 2: Going to get it. And then it's a wrap.

531
00:27:00,240 --> 00:27:02,320
Speaker 3: Such a person like you, such a person as I

532
00:27:02,760 --> 00:27:05,160
Speaker 3: twenty years from later career, he's going to talk about

533
00:27:05,200 --> 00:27:07,480
Speaker 3: you same as they're going to keep talking about me.

534
00:27:07,840 --> 00:27:09,440
Speaker 2: You know what I'm saying. And that's the difference.

535
00:27:09,880 --> 00:27:11,560
Speaker 5: But do you ever try to like reach out to

536
00:27:11,720 --> 00:27:14,560
Speaker 5: like a person from a younger Yeah, yeah, like who

537
00:27:14,640 --> 00:27:15,359
Speaker 5: let's give.

538
00:27:15,280 --> 00:27:16,720
Speaker 2: Us what's my man?

539
00:27:18,040 --> 00:27:18,080
Speaker 10: No?

540
00:27:18,400 --> 00:27:21,359
Speaker 3: No, but he from the South, he did type of

541
00:27:21,400 --> 00:27:28,199
Speaker 3: way that makes one. Yeah, I.

542
00:27:29,680 --> 00:27:32,359
Speaker 2: Like that ship like I funk with Kwan and I.

543
00:27:32,480 --> 00:27:35,240
Speaker 3: Never met him personally, and he's very humble, right, but

544
00:27:35,400 --> 00:27:38,200
Speaker 3: he saw me, his boy said, he busy b. I

545
00:27:38,280 --> 00:27:40,480
Speaker 3: left the mess because I mean me, if I like

546
00:27:40,600 --> 00:27:42,720
Speaker 3: your ship, I'm gonna find one of the guys in

547
00:27:42,760 --> 00:27:44,840
Speaker 3: your crew that do know me and tell them, yo,

548
00:27:44,960 --> 00:27:46,640
Speaker 3: tell him hey, okay.

549
00:27:46,520 --> 00:27:49,000
Speaker 5: So somebou let's describe that a little more than that.

550
00:27:49,520 --> 00:27:51,960
Speaker 5: So you've seen him at his right what was it

551
00:27:52,119 --> 00:27:54,560
Speaker 5: b T hip Hop Awards? Because I do all the

552
00:27:54,640 --> 00:27:57,119
Speaker 5: hip hop ship, I go to him and.

553
00:27:57,160 --> 00:28:00,920
Speaker 3: You smoking everyone that them right, So I go there

554
00:28:01,080 --> 00:28:03,040
Speaker 3: and then I look for the guys like such as

555
00:28:03,200 --> 00:28:05,760
Speaker 3: Kwame and find all the guys that I hear on

556
00:28:05,840 --> 00:28:09,520
Speaker 3: the radios that's right for me, and go and give

557
00:28:09,560 --> 00:28:11,200
Speaker 3: them their props to let them know, hey, you on

558
00:28:11,240 --> 00:28:11,800
Speaker 3: the right track.

559
00:28:12,359 --> 00:28:14,720
Speaker 2: Keep doing what you're doing. I love that shit.

560
00:28:15,040 --> 00:28:17,440
Speaker 3: And if you haven't heard from the Icons or the Pioneers,

561
00:28:17,480 --> 00:28:20,879
Speaker 3: I'm one of them mentoring you got my motherfucking blessings, nigga,

562
00:28:21,040 --> 00:28:23,920
Speaker 3: And then they'll say, my nigga, busy be, that's what's up. Man.

563
00:28:24,280 --> 00:28:26,520
Speaker 2: I appreciate that, and that's it, and that's all I

564
00:28:26,640 --> 00:28:27,679
Speaker 2: ask for. Man, respect.

565
00:28:27,760 --> 00:28:30,120
Speaker 3: Now, at the end of the day, when I came

566
00:28:30,240 --> 00:28:32,760
Speaker 3: up again, I didn't make a lot of money millions

567
00:28:32,840 --> 00:28:36,040
Speaker 3: and thousands of dollars, but I got two point three

568
00:28:36,280 --> 00:28:38,560
Speaker 3: billion in respect and I'll.

569
00:28:38,480 --> 00:28:39,440
Speaker 2: Take that all there.

570
00:28:42,560 --> 00:28:51,960
Speaker 5: What, yo, let me tell you something about you because

571
00:28:52,440 --> 00:28:56,200
Speaker 5: I just mentioned Amsterdam. But I seen you right everywhere.

572
00:28:56,960 --> 00:29:00,680
Speaker 5: Every time, me and Capone and you all they smile.

573
00:29:01,240 --> 00:29:05,680
Speaker 5: You always was happy. Yeah, you never you never was bitter.

574
00:29:06,400 --> 00:29:07,480
Speaker 2: Why is that the case?

575
00:29:07,600 --> 00:29:09,600
Speaker 3: Because they always say, never let them see you sweat,

576
00:29:10,280 --> 00:29:12,760
Speaker 3: never let them see you crying. Keep a smile on

577
00:29:12,840 --> 00:29:16,480
Speaker 3: your face, keep it feeling good. And something always happened good.

578
00:29:16,880 --> 00:29:19,160
Speaker 3: You know what I'm saying. So here, I am right now.

579
00:29:19,440 --> 00:29:22,040
Speaker 3: I was at all rap chilling and you said your bits.

580
00:29:22,280 --> 00:29:22,440
Speaker 2: Yo.

581
00:29:22,520 --> 00:29:24,880
Speaker 3: Man, I want you my show man, So I'm right here.

582
00:29:25,040 --> 00:29:26,120
Speaker 2: You pull up.

583
00:29:26,400 --> 00:29:27,160
Speaker 3: You know what I'm scause.

584
00:29:27,160 --> 00:29:30,280
Speaker 2: You know why. You know why my father's were cutting

585
00:29:30,320 --> 00:29:35,000
Speaker 2: you off. But you know why we owe y'all generations.

586
00:29:37,960 --> 00:29:38,719
Speaker 3: They owe us.

587
00:29:40,120 --> 00:29:43,920
Speaker 5: But instead of me telling them to owe us, I

588
00:29:44,040 --> 00:29:45,520
Speaker 5: want to show a perfect example.

589
00:29:45,920 --> 00:29:48,720
Speaker 11: I want to show love to my forefathers. I want

590
00:29:48,760 --> 00:29:51,719
Speaker 11: to show love like not just your forefathers. It's hip

591
00:29:51,760 --> 00:29:56,200
Speaker 11: Hop's forefathers. Thank you talk that ships all of us.

592
00:29:56,320 --> 00:29:59,120
Speaker 7: Is it's drink champs or none of the nonether should

593
00:29:59,120 --> 00:30:01,680
Speaker 7: we do if y'all would you know, pave the way

594
00:30:01,760 --> 00:30:02,240
Speaker 7: for all of us.

595
00:30:02,400 --> 00:30:04,640
Speaker 5: So we want to show love to the people that

596
00:30:04,800 --> 00:30:08,120
Speaker 5: came before us, the big Daddy Kings, the rock camps,

597
00:30:08,360 --> 00:30:14,480
Speaker 5: the busy beings, the chuck chillouts, who else we've seen tonight.

598
00:30:14,560 --> 00:30:18,120
Speaker 3: We've seen so many people brucie bee uh.

599
00:30:19,040 --> 00:30:21,480
Speaker 5: We want to show love to y'all because the thing is,

600
00:30:21,840 --> 00:30:25,520
Speaker 5: we don't ever want y'all to feel unwelcome.

601
00:30:25,720 --> 00:30:28,040
Speaker 3: Why ain't gonna do it to myself? When I see y'all, brothers,

602
00:30:28,240 --> 00:30:30,040
Speaker 3: even if I don't know y'all, I run up to

603
00:30:30,120 --> 00:30:34,240
Speaker 3: you hate because I be your flying motherfucker sometimes my

604
00:30:34,320 --> 00:30:34,880
Speaker 3: giant ship.

605
00:30:35,040 --> 00:30:35,360
Speaker 6: Right now.

606
00:30:36,080 --> 00:30:39,320
Speaker 3: You know you've always got and you always got liquor.

607
00:30:39,800 --> 00:30:41,760
Speaker 3: So I run up on the brothers even let them

608
00:30:41,840 --> 00:30:44,560
Speaker 3: know because they might have seen The Beast DVD or

609
00:30:44,600 --> 00:30:46,800
Speaker 3: they might have seen something saying, oh yeah, that's busy,

610
00:30:47,080 --> 00:30:48,640
Speaker 3: you know what I'm saying, And then I let them know, Hey,

611
00:30:48,680 --> 00:30:50,640
Speaker 3: though love is love, man, I'm not knowing no hate

612
00:30:50,680 --> 00:30:53,640
Speaker 3: the ship be I congratulate, I appreciate what you're doing.

613
00:30:53,840 --> 00:30:56,280
Speaker 3: I'm here, I'm gonna have a drink with me, smoke something.

614
00:30:56,480 --> 00:30:58,480
Speaker 3: Then they say, yo, be that shit was dope. Busy

615
00:30:58,560 --> 00:31:01,440
Speaker 3: d came here. He smoked sham and you smoked that

616
00:31:01,560 --> 00:31:03,280
Speaker 3: good ship with us. And just because some of them

617
00:31:03,320 --> 00:31:09,120
Speaker 3: they don't smoke good, but they smoking like a motherfucker man,

618
00:31:09,120 --> 00:31:11,280
Speaker 3: But they don't good. Man, I smoke good.

619
00:31:13,600 --> 00:31:15,160
Speaker 2: I want you to break down.

620
00:31:16,560 --> 00:31:22,240
Speaker 5: The difference from rap and hip hop, okay, because earlier

621
00:31:22,360 --> 00:31:25,240
Speaker 5: we alluded to it, right, and you said it right,

622
00:31:25,760 --> 00:31:28,480
Speaker 5: but I would like you to detail it, Okay.

623
00:31:28,520 --> 00:31:30,560
Speaker 2: Whoever's speaking back there, I love y'all, but.

624
00:31:30,640 --> 00:31:35,800
Speaker 3: Can okay, well, the difference now because rapping hip hop, Okay,

625
00:31:36,120 --> 00:31:40,720
Speaker 3: rapping now everybody's just rapping about what they got, who

626
00:31:40,800 --> 00:31:44,400
Speaker 3: they fucking, how much money they got and and and

627
00:31:44,680 --> 00:31:47,720
Speaker 3: what kind of car they driving. When we started, we

628
00:31:47,920 --> 00:31:52,000
Speaker 3: was telling y'all stories about just made believe stories, fairy

629
00:31:52,080 --> 00:31:54,600
Speaker 3: tale that sounded good to the beat and made you

630
00:31:54,760 --> 00:31:57,680
Speaker 3: rock to it, such as the Jimmy Spicers to Slick Rick,

631
00:31:57,800 --> 00:31:58,360
Speaker 3: the Rulers.

632
00:31:59,640 --> 00:32:02,120
Speaker 2: Are they heavy d's, you know what I'm saying.

633
00:32:02,200 --> 00:32:04,520
Speaker 3: People like that will tell y'all stories to the funky

634
00:32:04,560 --> 00:32:07,880
Speaker 3: beat and susch as myself, I keep you smiling and

635
00:32:08,040 --> 00:32:10,160
Speaker 3: rocking to the funky beat. You know what I'm saying.

636
00:32:10,200 --> 00:32:12,320
Speaker 3: To Right now, they're just talking about what they got,

637
00:32:12,600 --> 00:32:15,000
Speaker 3: who they get ready to have sex with, or how

638
00:32:15,040 --> 00:32:16,960
Speaker 3: many babies they got, and then at the end of

639
00:32:17,000 --> 00:32:18,840
Speaker 3: the day they going to jail, They're.

640
00:32:18,720 --> 00:32:20,880
Speaker 2: Going to child support. You know what I'm saying. They

641
00:32:21,000 --> 00:32:23,480
Speaker 2: making the TV just like that. You know what I'm saying.

642
00:32:23,560 --> 00:32:28,040
Speaker 3: So you know, hip hop then was fun with the peace, love,

643
00:32:28,200 --> 00:32:31,640
Speaker 3: unity and having fun. To now rap is just about

644
00:32:31,800 --> 00:32:34,200
Speaker 3: how much money a person is getting at the end

645
00:32:34,200 --> 00:32:35,480
Speaker 3: of the day. All you gotta do is make a

646
00:32:35,560 --> 00:32:37,320
Speaker 3: mistake and then the lawyer you're gonna take it away.

647
00:32:37,720 --> 00:32:40,120
Speaker 3: Producers is gonna take it away, you know, So you're

648
00:32:40,120 --> 00:32:43,360
Speaker 3: gonna lose, you know what I'm saying. So me myself again,

649
00:32:43,520 --> 00:32:46,120
Speaker 3: I just like having fun. I make my money, I

650
00:32:46,280 --> 00:32:49,280
Speaker 3: take care of my family and enjoy myself. Man. That's it.

651
00:32:50,040 --> 00:32:51,840
Speaker 3: That's what it's all about. That's what we came in

652
00:32:51,920 --> 00:32:55,719
Speaker 3: here when we started was peace, love, unity and having fun.

653
00:32:55,760 --> 00:32:59,840
Speaker 3: If you're not doing that, and then you're not doing it,

654
00:33:00,000 --> 00:33:00,800
Speaker 3: and that's not hip hop.

655
00:33:00,880 --> 00:33:04,720
Speaker 2: You you think you think industry divided the culture.

656
00:33:04,920 --> 00:33:07,480
Speaker 3: Yeah, well the industry like again, the industry could be

657
00:33:07,680 --> 00:33:11,080
Speaker 3: anywhere and again like right among us and say, hey,

658
00:33:11,520 --> 00:33:14,520
Speaker 3: you look like busy be man, I want you to

659
00:33:14,560 --> 00:33:14,920
Speaker 3: do something.

660
00:33:14,960 --> 00:33:15,800
Speaker 2: You think you can talk to me?

661
00:33:16,080 --> 00:33:18,719
Speaker 3: Yeah, And that person's gonna say yeah, because that's an

662
00:33:18,720 --> 00:33:21,479
Speaker 3: opportunity for that. You know what I'm saying, I can

663
00:33:21,520 --> 00:33:24,280
Speaker 3: be ready to feed my family for ten minutes because

664
00:33:24,320 --> 00:33:26,400
Speaker 3: as soon they catch on that, I ain't really busy

665
00:33:26,480 --> 00:33:28,760
Speaker 3: be and I can't really do that shit busy be

666
00:33:28,920 --> 00:33:30,680
Speaker 3: doing because you don't know what bisit be doing because

667
00:33:30,720 --> 00:33:32,000
Speaker 3: at the end of the day, you don't even know

668
00:33:32,120 --> 00:33:36,000
Speaker 3: busy be right, you know what I'm saying, So you know,

669
00:33:36,160 --> 00:33:38,640
Speaker 3: commercialize that money as a motherfucker. But at the end

670
00:33:38,640 --> 00:33:40,800
Speaker 3: of the day, I appreciate it all because at the

671
00:33:40,880 --> 00:33:44,360
Speaker 3: end of the day, they feeding black folks. They're feeding

672
00:33:44,680 --> 00:33:47,440
Speaker 3: families of the black folks, and some of the white

673
00:33:47,480 --> 00:33:49,200
Speaker 3: folks is getting some of the money. You got eminem

674
00:33:49,800 --> 00:33:51,760
Speaker 3: you got, you got frost you I mean, you got

675
00:33:51,920 --> 00:33:56,960
Speaker 3: white MC's they making money, but it's feeding us, it's

676
00:33:57,040 --> 00:33:58,480
Speaker 3: helping us, helping some.

677
00:33:58,520 --> 00:34:01,120
Speaker 2: Of Carris One kind of said it the best. I

678
00:34:01,120 --> 00:34:03,480
Speaker 2: think I'm pretty sure it was. He said, rapp is

679
00:34:03,560 --> 00:34:04,080
Speaker 2: something you do.

680
00:34:05,280 --> 00:34:08,440
Speaker 3: That's my brother. So you know we Parker's I'm just

681
00:34:08,560 --> 00:34:12,120
Speaker 3: David Parker. That's Chris Parker and Kenny so we like

682
00:34:12,200 --> 00:34:13,840
Speaker 3: the Jacksons, we just split up.

683
00:34:14,000 --> 00:34:16,439
Speaker 2: He all on that side. I'm on this side.

684
00:34:16,840 --> 00:34:17,520
Speaker 3: You know what I'm saying.

685
00:34:17,640 --> 00:34:20,160
Speaker 5: First off, let me just say we're in Stingrays right now.

686
00:34:21,360 --> 00:34:26,320
Speaker 5: What's the ad mister sting Rays Second Street, thirty second Avenue,

687
00:34:26,400 --> 00:34:30,160
Speaker 5: come to sting Rays the world the best host he.

688
00:34:30,239 --> 00:34:34,680
Speaker 2: Got on Spurs on his show. Hear him on fucking Cowboy.

689
00:34:35,120 --> 00:34:36,520
Speaker 2: I love this this guy.

690
00:34:36,840 --> 00:34:39,160
Speaker 5: Listen, you gotta come out here. You gotta get the

691
00:34:39,200 --> 00:34:42,880
Speaker 5: whole experience and do it. So, now, what's your favorite

692
00:34:42,880 --> 00:34:43,520
Speaker 5: ever hip hop?

693
00:34:43,560 --> 00:34:43,759
Speaker 3: Phus?

694
00:34:43,800 --> 00:34:49,320
Speaker 2: He be the early nineties? Very think you would say that.

695
00:34:49,600 --> 00:34:52,239
Speaker 5: I'm gonna be honest, I had this question in my

696
00:34:52,400 --> 00:34:54,399
Speaker 5: mind as soon as I knew that he was coming here.

697
00:34:54,719 --> 00:34:57,319
Speaker 2: I thought you was gonna say, Earl eighties. No, man,

698
00:34:57,360 --> 00:34:59,040
Speaker 2: come on, man, no, I can't keep it.

699
00:34:59,120 --> 00:35:01,839
Speaker 3: No really than it it is, man, I'm not gonna

700
00:35:01,880 --> 00:35:03,239
Speaker 3: front they said the Early Night.

701
00:35:03,440 --> 00:35:08,279
Speaker 2: So what what groups to mark? The E P M D.

702
00:35:08,960 --> 00:35:13,239
Speaker 3: You know what? Try yeah, ship that ship was fun. Man,

703
00:35:13,600 --> 00:35:15,840
Speaker 3: you know what I'm saying, Easy, in the n W A,

704
00:35:15,960 --> 00:35:21,440
Speaker 3: they changed the whole ship because before before that you said, before.

705
00:35:21,239 --> 00:35:23,640
Speaker 2: That, I've always said, I guess, I'm sorry, Well guess.

706
00:35:24,080 --> 00:35:29,040
Speaker 2: And when they said NAS album and Gotti and you said, oh,

707
00:35:29,120 --> 00:35:30,120
Speaker 2: you're not telling.

708
00:35:31,520 --> 00:35:36,799
Speaker 3: N W because you said exactly the same, you said,

709
00:35:37,280 --> 00:35:37,920
Speaker 3: didn't finished.

710
00:35:38,200 --> 00:35:41,160
Speaker 2: They changed you change you said, you said it, but.

711
00:35:43,200 --> 00:35:45,799
Speaker 3: I'll tell you how they changed it. Because see, from

712
00:35:45,840 --> 00:35:49,680
Speaker 3: the East Coast, we were scared, they're not gonna use

713
00:35:49,719 --> 00:35:52,759
Speaker 3: that word skin okay, but we were scared to say, hey, bitch,

714
00:35:53,040 --> 00:35:55,520
Speaker 3: you get the fun off the record. We wouldn't say

715
00:35:55,560 --> 00:36:00,480
Speaker 3: that on the record. Easy, you know what I'm saying, Hey, bitch,

716
00:36:00,560 --> 00:36:02,520
Speaker 3: suck my dick and come on to the podect and

717
00:36:02,640 --> 00:36:04,040
Speaker 3: people win crazy for that.

718
00:36:06,320 --> 00:36:06,680
Speaker 2: Changed.

719
00:36:06,960 --> 00:36:09,279
Speaker 3: I want to you, Easy, I want to you too.

720
00:36:10,080 --> 00:36:13,719
Speaker 3: Changed everything that was on their record. Now now now

721
00:36:13,840 --> 00:36:17,560
Speaker 3: East Coast wrapping now oh yeah we're okay, bitch. Yeah,

722
00:36:17,800 --> 00:36:20,720
Speaker 3: and now we started that. That changed everything.

723
00:36:20,920 --> 00:36:25,640
Speaker 5: So so I apologize because these people hate me when

724
00:36:25,640 --> 00:36:26,560
Speaker 5: I cut people off.

725
00:36:27,280 --> 00:36:31,239
Speaker 2: I need a cigarette. That's something just right now, I imagine.

726
00:36:32,200 --> 00:36:38,200
Speaker 2: But you know, in your opinion, Gainst the rap was invented.

727
00:36:37,960 --> 00:36:44,480
Speaker 3: With on the West. Explain that, brother, because Ice t

728
00:36:44,760 --> 00:36:47,080
Speaker 3: was Ice Tea was first what's.

729
00:36:46,960 --> 00:36:48,000
Speaker 2: One Nigga from the Bronx?

730
00:36:48,080 --> 00:36:55,200
Speaker 3: Then just Tim Dog, just Tim Dog, Tim Dogg went

731
00:36:55,239 --> 00:37:01,000
Speaker 3: to l A. Tim Dog do it before Tim Tim

732
00:37:01,080 --> 00:37:02,319
Speaker 3: Dogg went to l A back then.

733
00:37:03,520 --> 00:37:05,040
Speaker 2: Yeah, hey, y'all talking to the icon.

734
00:37:05,719 --> 00:37:06,319
Speaker 3: I was there.

735
00:37:06,960 --> 00:37:13,120
Speaker 5: Did you say this movie Ice Team in New York?

736
00:37:13,960 --> 00:37:16,719
Speaker 3: Ice Team with us back in the day?

737
00:37:17,280 --> 00:37:20,480
Speaker 5: Okay, oh everybody, everybody be quiet, please please, please please now,

738
00:37:20,560 --> 00:37:22,840
Speaker 5: so busy Busy Beach, listen.

739
00:37:22,880 --> 00:37:26,040
Speaker 2: Your pioneer, Busy Beach, your icon.

740
00:37:26,320 --> 00:37:26,440
Speaker 3: Right.

741
00:37:27,160 --> 00:37:30,919
Speaker 5: We've been debating this on the podcast for so long,

742
00:37:31,640 --> 00:37:35,040
Speaker 5: and you're saying that the gangster when it comes to

743
00:37:35,080 --> 00:37:40,040
Speaker 5: against the rat right one hundred percent right. The first

744
00:37:40,120 --> 00:37:43,560
Speaker 5: time you witnessed against the rat right came from the

745
00:37:43,640 --> 00:37:45,360
Speaker 5: West coast, came from the West, and it came to

746
00:37:45,480 --> 00:37:48,200
Speaker 5: Ice Tea with six in the morning.

747
00:37:48,719 --> 00:37:50,040
Speaker 8: So he was on this show.

748
00:37:50,200 --> 00:37:54,080
Speaker 3: We love Ice Tea. Call your story, bro. He came

749
00:37:54,160 --> 00:37:55,919
Speaker 3: with Ice Tea was because he was from the West,

750
00:37:56,000 --> 00:37:57,919
Speaker 3: but he recorded the ship over here on the east

751
00:37:58,440 --> 00:37:59,920
Speaker 3: because that's where the vibe was at.

752
00:38:00,480 --> 00:38:03,200
Speaker 5: Okay, okay, So I'm sorry, So can you tell us

753
00:38:03,320 --> 00:38:06,200
Speaker 5: what we were recording at that time on the East coast, because.

754
00:38:06,239 --> 00:38:11,080
Speaker 3: We were still recording party flavors. We was talking on

755
00:38:11,200 --> 00:38:13,279
Speaker 3: reality because you had the tribe called Quest, you had

756
00:38:13,360 --> 00:38:15,759
Speaker 3: ever you had Rod Kim Rock Kim was talking to

757
00:38:15,840 --> 00:38:18,160
Speaker 3: the guards pieces you know what I'm saying. And then

758
00:38:18,239 --> 00:38:20,239
Speaker 3: so so now we was cool right there. Now you

759
00:38:20,320 --> 00:38:22,200
Speaker 3: had the guards had a little something to talk about.

760
00:38:22,400 --> 00:38:24,560
Speaker 3: Then you had the regular people that had something to

761
00:38:24,640 --> 00:38:26,640
Speaker 3: talk about. And then when you mix the day, our

762
00:38:26,719 --> 00:38:31,839
Speaker 3: souls in it and right you know, so so now

763
00:38:31,920 --> 00:38:34,600
Speaker 3: we have a whole rainbow of culture. We have everybody

764
00:38:34,719 --> 00:38:40,040
Speaker 3: now so far so in this movement West coast. Now,

765
00:38:40,239 --> 00:38:42,400
Speaker 3: now on the West coast, you had iced tea, that

766
00:38:42,600 --> 00:38:48,000
Speaker 3: was it. Then give it about four years because this

767
00:38:48,160 --> 00:38:52,520
Speaker 3: is like eighty three. Then you got eighty nine easy

768
00:38:52,600 --> 00:38:54,000
Speaker 3: e two shot.

769
00:38:53,880 --> 00:39:00,480
Speaker 5: King, you know, okay, bad, But describe the first gangst

770
00:39:00,520 --> 00:39:02,280
Speaker 5: the rap rap you heard.

771
00:39:02,600 --> 00:39:04,480
Speaker 3: In w A so not.

772
00:39:06,200 --> 00:39:06,680
Speaker 7: In the morning.

773
00:39:08,040 --> 00:39:10,560
Speaker 3: It wasn't actually against the song. It was just a

774
00:39:10,640 --> 00:39:13,279
Speaker 3: real story. Because we knew about Larry Davis in New

775
00:39:13,360 --> 00:39:18,279
Speaker 3: York from school. D's right. We knew about it when

776
00:39:18,360 --> 00:39:21,480
Speaker 3: I see said sixth in the morning, police at my door, right, away.

777
00:39:21,920 --> 00:39:24,600
Speaker 3: Everybody in New York knew about Larry Davis because that's

778
00:39:24,600 --> 00:39:27,560
Speaker 3: when it happened. So we threw that in. We were

779
00:39:27,600 --> 00:39:31,040
Speaker 3: talking about Larry Davis. Yeah, yeah, I.

780
00:39:33,080 --> 00:39:33,520
Speaker 2: Never knew that.

781
00:39:33,760 --> 00:39:37,200
Speaker 3: Okay, so you know that little story right there went

782
00:39:37,280 --> 00:39:40,279
Speaker 3: for Larry David who made him famous and known, and

783
00:39:40,440 --> 00:39:42,719
Speaker 3: made Iced Tea famous known and Iced Tea had the

784
00:39:42,840 --> 00:39:45,200
Speaker 3: kind of voice now and hip hop the difference between

785
00:39:45,239 --> 00:39:48,880
Speaker 3: the rappers. When somebody asked me that the difference is voices, okay,

786
00:39:49,239 --> 00:39:52,239
Speaker 3: and hip hop you have strange voice. You have to

787
00:39:52,360 --> 00:39:55,960
Speaker 3: the day your favorite rapper has a distinct voice. Facts,

788
00:39:56,840 --> 00:39:59,040
Speaker 3: so every day everybody want to sound the same. You're

789
00:39:59,040 --> 00:40:01,320
Speaker 3: only gonna last six month, get your money fast.

790
00:40:01,200 --> 00:40:04,600
Speaker 2: So let me ask you. They say some of that

791
00:40:04,760 --> 00:40:08,920
Speaker 2: is reality rapped or gangster. When they said Reilly Mel

792
00:40:09,000 --> 00:40:10,160
Speaker 2: did reality wrap first?

793
00:40:10,560 --> 00:40:12,879
Speaker 3: What game first? Reality rapp gainst the rap?

794
00:40:13,040 --> 00:40:13,520
Speaker 2: Reality?

795
00:40:16,760 --> 00:40:18,719
Speaker 3: And who who was the first reality rap?

796
00:40:19,040 --> 00:40:21,080
Speaker 5: Because you said the first gangster rapper had to be

797
00:40:21,160 --> 00:40:24,279
Speaker 5: Ice Team, I would say Slick Rick because he had

798
00:40:24,320 --> 00:40:25,280
Speaker 5: the story with Lottie.

799
00:40:25,320 --> 00:40:28,719
Speaker 3: Dottie, we wanted to party, don't trouble, we don't. We

800
00:40:28,760 --> 00:40:29,680
Speaker 3: don't bother nobody.

801
00:40:30,520 --> 00:40:36,640
Speaker 2: Just when we get it up on a message. The

802
00:40:36,719 --> 00:40:40,240
Speaker 2: message to be wouldn't be reality rap but messages.

803
00:40:41,960 --> 00:40:44,239
Speaker 3: It wouldn't be reality wrapped for the elder.

804
00:40:47,239 --> 00:40:49,560
Speaker 2: Them niggas doing coke back then, you don't know what.

805
00:40:51,760 --> 00:40:58,480
Speaker 3: They agree with everybody for that you could say that,

806
00:40:58,680 --> 00:41:02,800
Speaker 3: but Loddie Doddy would agree because it's for everybody you know,

807
00:41:03,040 --> 00:41:06,760
Speaker 3: stick with. And then you had a London person rapping

808
00:41:07,719 --> 00:41:10,759
Speaker 3: in America. Right, you never had nobody talk like that,

809
00:41:11,320 --> 00:41:13,360
Speaker 3: and you had a different it's the voice of.

810
00:41:13,440 --> 00:41:17,240
Speaker 2: Pronunciations that one now one hundred percent.

811
00:41:17,920 --> 00:41:20,520
Speaker 5: I love to interview people like you, the people who

812
00:41:20,640 --> 00:41:24,279
Speaker 5: came prior to it, because it doesn't sound like me.

813
00:41:24,320 --> 00:41:24,480
Speaker 2: Though.

814
00:41:24,480 --> 00:41:25,960
Speaker 3: They ain't gonna tell you the truth because they don't know.

815
00:41:26,360 --> 00:41:27,759
Speaker 3: I'm not gonna tell you what they You.

816
00:41:27,800 --> 00:41:29,560
Speaker 2: Gotta relax, you got you know what you want to

817
00:41:29,600 --> 00:41:32,840
Speaker 2: relax because we love you. Busy b and this is

818
00:41:32,920 --> 00:41:35,680
Speaker 2: your format and this is this is where you gotta do.

819
00:41:35,800 --> 00:41:36,759
Speaker 3: But this is his a thing.

820
00:41:36,880 --> 00:41:38,719
Speaker 2: But tell us to ask the question. This is the

821
00:41:38,840 --> 00:41:40,080
Speaker 2: reason why I love the.

822
00:41:41,920 --> 00:41:45,080
Speaker 5: You're our first pioneer, right, we had care of us.

823
00:41:45,280 --> 00:41:50,440
Speaker 5: He's like, you know, damn there, yeah, but care us is.

824
00:41:50,840 --> 00:41:56,440
Speaker 5: But he's a pioneer but he's the little brother. But

825
00:41:58,040 --> 00:41:59,160
Speaker 5: I'm one hundred.

826
00:41:58,920 --> 00:42:02,600
Speaker 2: Percent love to speak to people like you, because.

827
00:42:04,360 --> 00:42:07,720
Speaker 5: Back then going to l A was a totally different

828
00:42:07,760 --> 00:42:12,440
Speaker 5: expiritce r right, Like they enjoyed you motherfucker's coming out there.

829
00:42:12,640 --> 00:42:15,880
Speaker 5: They said, Yo, what New York motherfuckers in LA. They

830
00:42:16,000 --> 00:42:20,120
Speaker 5: embraced them. Nobody shot nobody back then like switched.

831
00:42:21,160 --> 00:42:22,520
Speaker 3: I would love I would love you.

832
00:42:24,320 --> 00:42:26,759
Speaker 2: What do you mean because ship was going down?

833
00:42:27,160 --> 00:42:30,839
Speaker 7: Yeah, but but it was love that you're talking about

834
00:42:31,960 --> 00:42:33,440
Speaker 7: talking about the music, yes.

835
00:42:34,120 --> 00:42:36,880
Speaker 3: Because we were talking just like he said before before

836
00:42:37,000 --> 00:42:39,800
Speaker 3: that we can go to l A and were It

837
00:42:39,960 --> 00:42:43,239
Speaker 3: was still known for you to getting robbed whatever. But

838
00:42:43,360 --> 00:42:46,440
Speaker 3: if an MC came from the East Coast and went

839
00:42:46,480 --> 00:42:48,839
Speaker 3: to l A, you was like the guard that day

840
00:42:49,120 --> 00:42:49,600
Speaker 3: for that week.

841
00:42:49,640 --> 00:42:51,880
Speaker 2: They appreciated hip hop. They appreciate it, kind of like

842
00:42:51,920 --> 00:42:53,840
Speaker 2: the European thing y'all talking about. The West Coast was

843
00:42:53,960 --> 00:42:55,960
Speaker 2: appreciated him right right now.

844
00:42:56,360 --> 00:42:59,720
Speaker 3: Now, after that, you know what Pop and Big started

845
00:42:59,719 --> 00:43:02,600
Speaker 3: the you because it wasn't none of that ship. It

846
00:43:02,760 --> 00:43:04,360
Speaker 3: was just like you said, you we can go to

847
00:43:04,560 --> 00:43:07,719
Speaker 3: LA and have a ball because it was a different mix.

848
00:43:07,840 --> 00:43:10,479
Speaker 3: Now we bought some East Coast girls had some West

849
00:43:10,520 --> 00:43:11,120
Speaker 3: Coast girls.

850
00:43:11,360 --> 00:43:13,240
Speaker 2: Now you know, we all partying together.

851
00:43:13,840 --> 00:43:17,600
Speaker 3: But then when poking pot started that West Coast and

852
00:43:17,680 --> 00:43:21,480
Speaker 3: East Coast and Biggie fed into it again, it fucked

853
00:43:21,520 --> 00:43:24,680
Speaker 3: it all up because then when somebody died, it was

854
00:43:24,760 --> 00:43:27,799
Speaker 3: like East Coast guys was like targets. You go over

855
00:43:27,840 --> 00:43:30,520
Speaker 3: there and use somebody and you talking that gangster ship

856
00:43:30,560 --> 00:43:34,600
Speaker 3: they talking. If you got out of there safe, then okay, good,

857
00:43:35,160 --> 00:43:37,960
Speaker 3: But you didn't have a good time. And before then

858
00:43:38,040 --> 00:43:40,160
Speaker 3: we had a good time in La. You know what

859
00:43:40,200 --> 00:43:46,560
Speaker 3: I'm saying, We had a good time. I did exactly

860
00:43:46,719 --> 00:43:50,400
Speaker 3: the way I went all the way, and.

861
00:43:51,880 --> 00:43:57,440
Speaker 5: So there was now will I love you just a

862
00:43:57,520 --> 00:44:01,640
Speaker 5: little bit more details to describe how La was loved

863
00:44:01,719 --> 00:44:07,399
Speaker 5: because prior to us, we used to hear like New

864
00:44:07,520 --> 00:44:14,160
Speaker 5: York was just they loved us out right. And I

865
00:44:14,320 --> 00:44:16,800
Speaker 5: never got to experience that. I never got the serience

866
00:44:16,920 --> 00:44:17,719
Speaker 5: where La was.

867
00:44:18,200 --> 00:44:19,920
Speaker 3: So you got the part where you was the target.

868
00:44:20,200 --> 00:44:23,640
Speaker 2: I was a target. It's regular l A l A.

869
00:44:25,200 --> 00:44:27,120
Speaker 5: I know, I'm just saying, but I never I never

870
00:44:27,200 --> 00:44:30,479
Speaker 5: got the experience where he just described what he means

871
00:44:30,640 --> 00:44:33,279
Speaker 5: is when I went to hoods, I went to New York, was.

872
00:44:33,360 --> 00:44:37,480
Speaker 2: The birthplace, and LA appreciated that. L A appreciated that.

873
00:44:37,760 --> 00:44:40,160
Speaker 3: I went to hoods and went to the neighborhoods, you

874
00:44:40,239 --> 00:44:42,600
Speaker 3: know where described to some people. I guess, like you said,

875
00:44:42,680 --> 00:44:46,040
Speaker 3: can't go now because it's not good. But back then,

876
00:44:46,320 --> 00:44:48,799
Speaker 3: I went where people were selling the crack, at where

877
00:44:48,840 --> 00:44:51,560
Speaker 3: the hoods was at, brothers was on the corners and

878
00:44:51,600 --> 00:44:52,239
Speaker 3: stuff like that.

879
00:44:52,600 --> 00:44:53,200
Speaker 2: You know what I'm saying.

880
00:44:53,239 --> 00:44:55,440
Speaker 3: I was in hoods where they had the cars that

881
00:44:55,640 --> 00:44:57,920
Speaker 3: jump up and down and stuff like that. I hung

882
00:44:57,960 --> 00:45:00,400
Speaker 3: around with the dogs, the pit bulls and like that

883
00:45:00,480 --> 00:45:03,640
Speaker 3: while they're shooting dice and but yeah, I was doing

884
00:45:03,719 --> 00:45:06,920
Speaker 3: all that. You know, it was good. It was love

885
00:45:06,920 --> 00:45:09,360
Speaker 3: because they'll say, yo, my bids in town. So everybody

886
00:45:09,440 --> 00:45:11,280
Speaker 3: put out the grill. It was like a block party.

887
00:45:11,880 --> 00:45:14,800
Speaker 3: It was like Mardi Gras, East Coast rapper with no

888
00:45:15,040 --> 00:45:18,760
Speaker 3: really little respect, and you come in there, person hood ship,

889
00:45:19,080 --> 00:45:22,400
Speaker 3: whoever ran that hood was like, yo, we put out right,

890
00:45:22,640 --> 00:45:23,839
Speaker 3: You're good for that that day.

891
00:45:23,880 --> 00:45:24,600
Speaker 2: You know what I'm saying.

892
00:45:24,880 --> 00:45:27,320
Speaker 3: It was just love. But then after that, you know,

893
00:45:28,320 --> 00:45:30,440
Speaker 3: even some of those guys, you know, they either went

894
00:45:30,520 --> 00:45:34,520
Speaker 3: to jail or died or they don't run the hoods

895
00:45:34,600 --> 00:45:37,160
Speaker 3: no more. You know what I'm saying, Things change, you know,

896
00:45:37,600 --> 00:45:40,719
Speaker 3: so me, I rolled with it. Man, I try to

897
00:45:40,800 --> 00:45:44,200
Speaker 3: reinvent myself again. Do what I gotta do. Know who

898
00:45:44,280 --> 00:45:47,400
Speaker 3: is who respect that? Because me, I'm not the one

899
00:45:47,480 --> 00:45:49,880
Speaker 3: to go around trying to I'm a boss. I'm just

900
00:45:49,960 --> 00:45:51,959
Speaker 3: a person. At the end of the day, the boss

901
00:45:51,960 --> 00:45:54,960
Speaker 3: would say that person is all right with all of us,

902
00:45:55,239 --> 00:45:56,880
Speaker 3: and then I'll get love from everybody.

903
00:45:57,080 --> 00:45:58,680
Speaker 2: You know what I'm saying, And that's that's me.

904
00:45:58,840 --> 00:45:59,560
Speaker 3: That's all I asked for.

905
00:45:59,680 --> 00:46:01,800
Speaker 2: You know, I'm saying, let's make so much busy. Be

906
00:46:01,960 --> 00:46:02,200
Speaker 2: got that.

907
00:46:07,800 --> 00:46:11,080
Speaker 5: Your busy, be your Bronx legend, right right. Well, let

908
00:46:11,160 --> 00:46:16,200
Speaker 5: me just ask you, like why it's hip hop so

909
00:46:16,440 --> 00:46:21,080
Speaker 5: different from every five years? Why do we change hip hop?

910
00:46:21,600 --> 00:46:24,960
Speaker 3: Well, hip hop don't change, it's just the industry change.

911
00:46:25,560 --> 00:46:25,719
Speaker 13: You know.

912
00:46:25,920 --> 00:46:30,560
Speaker 3: See, the industry took over some of us rappers MC's

913
00:46:31,080 --> 00:46:33,600
Speaker 3: which like, I don't have a contract with a record

914
00:46:33,640 --> 00:46:36,880
Speaker 3: company today because a record company can't tell me what

915
00:46:37,200 --> 00:46:40,279
Speaker 3: my culture do. I'm telling you you can follow me

916
00:46:40,760 --> 00:46:43,360
Speaker 3: and still pay me, but you can't tell me to

917
00:46:43,480 --> 00:46:45,160
Speaker 3: get up at six in the morning because my people

918
00:46:45,239 --> 00:46:47,759
Speaker 3: not up at six and no goddamn morning my people

919
00:46:47,880 --> 00:46:50,200
Speaker 3: up at five in the afternoon, partying and chilling.

920
00:46:50,560 --> 00:46:53,400
Speaker 2: So you know, they don't know, they assume they know.

921
00:46:53,880 --> 00:46:57,520
Speaker 3: And then for people who's not real or who's been

922
00:46:57,640 --> 00:47:00,400
Speaker 3: made up, they gotta follow that because they don't know,

923
00:47:00,960 --> 00:47:03,759
Speaker 3: so they think that's what it is. And then they

924
00:47:03,880 --> 00:47:06,320
Speaker 3: get and they getting paid, so they think that's what

925
00:47:06,440 --> 00:47:09,520
Speaker 3: it really is. So they tell their crew members that, hey,

926
00:47:09,680 --> 00:47:11,239
Speaker 3: this is what it is. This is how we get

927
00:47:11,320 --> 00:47:13,600
Speaker 3: down to. When you find out the real ship is

928
00:47:13,680 --> 00:47:17,120
Speaker 3: too late, you're too far in, you're don't talk the

929
00:47:17,200 --> 00:47:21,359
Speaker 3: wrong stuff, you made people mad, and you didn't even

930
00:47:21,400 --> 00:47:24,399
Speaker 3: give a fuck, you know what I'm saying. So then

931
00:47:24,760 --> 00:47:27,280
Speaker 3: you got one hit wonders that don't last.

932
00:47:27,760 --> 00:47:35,239
Speaker 5: You have a few guys that one hit wonders, I'll

933
00:47:35,280 --> 00:47:37,960
Speaker 5: be seeing them in the way spot by Juice.

934
00:47:38,160 --> 00:47:38,319
Speaker 3: Right.

935
00:47:38,440 --> 00:47:42,680
Speaker 7: So, you people of the culture are running the industry,

936
00:47:44,880 --> 00:47:49,000
Speaker 7: run the industry, and they care less about cultivating the culture.

937
00:47:49,040 --> 00:47:49,839
Speaker 2: That's the bottom line.

938
00:47:49,880 --> 00:47:51,520
Speaker 3: Because at the end of the day, the person that's

939
00:47:51,560 --> 00:47:53,680
Speaker 3: giving you that big check, they're telling you, hey, listen,

940
00:47:54,080 --> 00:47:56,560
Speaker 3: I'm giving you this money. Make sure you don't give

941
00:47:57,040 --> 00:47:59,600
Speaker 3: If you give that to your tony, that's not going

942
00:47:59,680 --> 00:48:01,560
Speaker 3: to be good. But you know what I'm saying, because

943
00:48:01,560 --> 00:48:04,439
Speaker 3: they know Tony gonna do the right shit with that money.

944
00:48:04,920 --> 00:48:08,239
Speaker 3: You just getting paid, and you happy. Tony gonna take

945
00:48:08,280 --> 00:48:10,080
Speaker 3: that money and turn it over and do the right shit.

946
00:48:10,360 --> 00:48:13,440
Speaker 3: And we ain't gonna need us, you know what I'm saying.

947
00:48:13,480 --> 00:48:15,640
Speaker 3: So don't fuck with Tony, but go ahead and pay

948
00:48:15,640 --> 00:48:18,359
Speaker 3: your family, make sure everybody good, make sure the kids

949
00:48:18,480 --> 00:48:21,440
Speaker 3: is good. And you're happy with that at that moment,

950
00:48:21,520 --> 00:48:24,399
Speaker 3: because he right, I ain't had no money. I think

951
00:48:24,840 --> 00:48:27,759
Speaker 3: family right, have a few extra dollars too. That's the

952
00:48:27,840 --> 00:48:31,200
Speaker 3: American dream to pay the bills and have a couple

953
00:48:31,200 --> 00:48:32,040
Speaker 3: of extra dollars.

954
00:48:32,560 --> 00:48:34,640
Speaker 2: But I mean, you know, it is what it is.

955
00:48:34,960 --> 00:48:38,719
Speaker 2: I don't hate once again. I congratulate you. That's why

956
00:48:38,800 --> 00:48:39,080
Speaker 2: we love.

957
00:48:39,640 --> 00:48:39,839
Speaker 3: Yeah.

958
00:48:40,040 --> 00:48:43,680
Speaker 5: But listen, let me ask you the best error to

959
00:48:43,840 --> 00:48:50,200
Speaker 5: the nineties, the nineties, nineties, the early nineties as a pioneer, right,

960
00:48:50,960 --> 00:48:53,480
Speaker 5: I wouldn't be a guy doing a good job if

961
00:48:53,520 --> 00:48:54,320
Speaker 5: I didn't ask you this.

962
00:48:54,960 --> 00:48:58,560
Speaker 3: Well, come on, what is the worst error? Right now?

963
00:49:00,040 --> 00:49:03,920
Speaker 5: You're gonna say that, Let's just make some noise for

964
00:49:04,080 --> 00:49:10,560
Speaker 5: him saying it. Why is it the worst ever?

965
00:49:11,080 --> 00:49:14,399
Speaker 3: Because nobody nobody following now nobody, no money.

966
00:49:15,320 --> 00:49:17,320
Speaker 2: They're just following the money right now. You know what

967
00:49:17,360 --> 00:49:17,719
Speaker 2: I'm saying.

968
00:49:17,760 --> 00:49:21,040
Speaker 3: They're not even thinking about what's really real. But you know,

969
00:49:21,160 --> 00:49:22,320
Speaker 3: they said, fuck it sound.

970
00:49:22,160 --> 00:49:25,120
Speaker 2: Good, put it out. It's a melody, you look good.

971
00:49:25,160 --> 00:49:25,560
Speaker 3: Put it out.

972
00:49:25,560 --> 00:49:28,000
Speaker 2: Were even some pictures. Put it with one of them

973
00:49:28,120 --> 00:49:30,080
Speaker 2: pretty bitches, and you got a good melody.

974
00:49:31,600 --> 00:49:35,560
Speaker 3: Right now? Is that it could be social media, but

975
00:49:35,719 --> 00:49:37,000
Speaker 3: at the end of the day, it's still the person

976
00:49:37,080 --> 00:49:39,800
Speaker 3: that got that money. So is that is that it is?

977
00:49:40,080 --> 00:49:43,520
Speaker 2: Is it nowadays? It's just like a melody and a luck.

978
00:49:43,800 --> 00:49:47,920
Speaker 3: Yeah, yeah, because the real ship is underground. We're the

979
00:49:48,000 --> 00:49:50,359
Speaker 3: ones just looking for the real people underground. Were looking

980
00:49:50,400 --> 00:49:52,200
Speaker 3: for that diamond in the rock. And then it's not

981
00:49:52,280 --> 00:49:54,080
Speaker 3: even the diamond because they coming right at us.

982
00:49:54,600 --> 00:49:57,120
Speaker 2: We just have to have time. And then you're still

983
00:49:57,239 --> 00:49:58,200
Speaker 2: so busy. You see.

984
00:49:58,320 --> 00:50:01,000
Speaker 3: That's how busy you still is. You can't even see

985
00:50:01,040 --> 00:50:03,359
Speaker 3: the diamond in the roughs at times. Well, that's why

986
00:50:03,400 --> 00:50:07,960
Speaker 3: they call them the diamond and the roughs because they're

987
00:50:08,000 --> 00:50:08,560
Speaker 3: hard to find.

988
00:50:08,600 --> 00:50:17,719
Speaker 5: And when you're looking for one, two, three, you'll visit me. Man,

989
00:50:17,880 --> 00:50:20,759
Speaker 5: let me tell you something. You're a pioneer. I'm trying

990
00:50:20,800 --> 00:50:24,279
Speaker 5: to roll up, you roll up, hold up, and let

991
00:50:24,360 --> 00:50:25,120
Speaker 5: me just tell you something.

992
00:50:25,239 --> 00:50:26,160
Speaker 2: Let me just tell you something.

993
00:50:27,040 --> 00:50:32,239
Speaker 5: When we started, everybody relaxed when we started this podcast.

994
00:50:32,880 --> 00:50:35,480
Speaker 5: We started this and we wanted to do something for

995
00:50:35,719 --> 00:50:39,200
Speaker 5: our pioneers, for our kings, for our legends.

996
00:50:39,680 --> 00:50:40,560
Speaker 3: That's something for me.

997
00:50:40,760 --> 00:50:41,560
Speaker 2: I'm happy for it.

998
00:50:41,960 --> 00:50:42,200
Speaker 3: You know.

999
00:50:44,239 --> 00:50:47,600
Speaker 5: We needed you, well, we didn't want you, We needed you.

1000
00:50:47,800 --> 00:50:51,200
Speaker 5: The spirit brought me right here because you're a great person.

1001
00:50:53,000 --> 00:50:55,040
Speaker 5: This is how we always bump into each other always.

1002
00:50:55,080 --> 00:50:57,279
Speaker 5: We don't have to call each other nothing always. I

1003
00:50:57,400 --> 00:51:00,400
Speaker 5: never had your number, but you're bump into out.

1004
00:51:04,360 --> 00:51:04,759
Speaker 3: Right there.

1005
00:51:05,960 --> 00:51:07,799
Speaker 2: You know, you're a great guy.

1006
00:51:09,440 --> 00:51:11,240
Speaker 3: And why don't.

1007
00:51:11,040 --> 00:51:15,920
Speaker 5: People salute our legends? The rock and roll gets saluted.

1008
00:51:16,440 --> 00:51:19,239
Speaker 3: I really can't answer that one question because I'm still

1009
00:51:19,280 --> 00:51:24,040
Speaker 3: trying to figure that out myself, because you know, you know,

1010
00:51:24,520 --> 00:51:27,000
Speaker 3: I've been inducted to the Hall of Fame, so they say,

1011
00:51:27,640 --> 00:51:31,440
Speaker 3: But then rock and roll is not recognized as I

1012
00:51:31,520 --> 00:51:36,399
Speaker 3: am the hip hop's first solo MC. You know when

1013
00:51:36,480 --> 00:51:39,520
Speaker 3: I came in this game, it was no solo. It

1014
00:51:39,680 --> 00:51:43,560
Speaker 3: was three mcs. You had Grandmaster Flash with Mellie Mail,

1015
00:51:44,239 --> 00:51:47,880
Speaker 3: Ki Creole and Keith Cowboy. Then you had if you

1016
00:51:47,920 --> 00:51:51,080
Speaker 3: want to use band body. He had mister Biggs and

1017
00:51:51,719 --> 00:51:55,640
Speaker 3: mc globe in Pow Wow. There was no solo MC.

1018
00:51:56,400 --> 00:52:00,080
Speaker 3: And for me to be that, I didn't have a

1019
00:52:00,160 --> 00:52:03,359
Speaker 3: friend to say, come on you, me and you Tom

1020
00:52:03,440 --> 00:52:06,320
Speaker 3: and Jerry, or me and you Darsky and Hutch. You

1021
00:52:06,440 --> 00:52:08,680
Speaker 3: know what I'm saying, Let's do something together. So I

1022
00:52:08,760 --> 00:52:11,600
Speaker 3: didn't have that, but I liked it what they was

1023
00:52:11,680 --> 00:52:14,200
Speaker 3: doing on the microphone, so I know I can do that.

1024
00:52:15,040 --> 00:52:19,959
Speaker 3: And then again I have that distinctive voice that people

1025
00:52:20,120 --> 00:52:23,520
Speaker 3: remember because I mean, you know, at the end of

1026
00:52:23,560 --> 00:52:26,520
Speaker 3: the day, they still remember that ball with the ball,

1027
00:52:26,680 --> 00:52:29,160
Speaker 3: the dang, the dang, diggy diggy diggy, shake the boget,

1028
00:52:29,160 --> 00:52:30,680
Speaker 3: do the bang bang boget, do the.

1029
00:52:30,719 --> 00:52:31,960
Speaker 2: Ball with the ball and the day.

1030
00:52:33,320 --> 00:52:37,360
Speaker 3: So that that went from seventy seven, it's two thy seventeen.

1031
00:52:38,440 --> 00:52:39,120
Speaker 2: You understand what.

1032
00:52:39,120 --> 00:52:47,040
Speaker 3: I'm saying, and it's right now my good Yeah. So see,

1033
00:52:47,120 --> 00:52:49,280
Speaker 3: and this is where I got my props in nineteen

1034
00:52:49,360 --> 00:52:51,800
Speaker 3: ninety eight from when I made the record. The original

1035
00:52:51,880 --> 00:52:54,880
Speaker 3: record was called making Cash Money on sugar Hill label.

1036
00:52:55,200 --> 00:52:58,680
Speaker 3: But then Kid Rock Rein did the song and he

1037
00:52:58,880 --> 00:53:01,600
Speaker 3: used my Ball with the Bob and we sold eleven

1038
00:53:01,640 --> 00:53:02,280
Speaker 3: million copies.

1039
00:53:03,719 --> 00:53:06,080
Speaker 2: You got to say that again, you got to say again,

1040
00:53:06,160 --> 00:53:10,480
Speaker 2: you got say it again. I made Trump Trump's hold me.

1041
00:53:11,160 --> 00:53:15,279
Speaker 3: I made a household word. Make some got that visit.

1042
00:53:15,400 --> 00:53:15,799
Speaker 6: You got that.

1043
00:53:18,520 --> 00:53:22,240
Speaker 3: Because Kid Rock had two albums before on Warner Brothers.

1044
00:53:22,600 --> 00:53:25,759
Speaker 3: He had two albums. It sold sixty units. You know,

1045
00:53:25,840 --> 00:53:27,560
Speaker 3: he made a little noise. But when he did the

1046
00:53:27,680 --> 00:53:32,759
Speaker 3: Devil without a Cause and then my song was the

1047
00:53:32,920 --> 00:53:36,360
Speaker 3: main song. I mean, it proves in the certified I

1048
00:53:36,440 --> 00:53:37,040
Speaker 3: gotta I got.

1049
00:53:37,000 --> 00:53:42,560
Speaker 2: A diamond out that I never went just I'm diamond.

1050
00:53:50,840 --> 00:53:53,800
Speaker 3: So kid Rock became a household word off of some

1051
00:53:54,000 --> 00:53:57,520
Speaker 3: black ghetto hip hop ship. But they let you know

1052
00:53:57,640 --> 00:54:00,480
Speaker 3: that even if he had to sample that, right, he

1053
00:54:00,560 --> 00:54:02,680
Speaker 3: has an about it, right. But he came to me.

1054
00:54:02,960 --> 00:54:06,960
Speaker 3: He came to me in ninety eight. I was in

1055
00:54:07,200 --> 00:54:08,920
Speaker 3: l A doing The Wild Style, and I was this

1056
00:54:09,000 --> 00:54:11,000
Speaker 3: movie called The Wild Style and we was doing the

1057
00:54:11,040 --> 00:54:14,480
Speaker 3: reunion and Kid Rock was there and and me, I

1058
00:54:14,600 --> 00:54:15,600
Speaker 3: was on my star ship.

1059
00:54:15,840 --> 00:54:17,040
Speaker 2: The white boy came up to me, you.

1060
00:54:17,080 --> 00:54:18,440
Speaker 3: Know, busy bee. You know, I want to use the

1061
00:54:18,480 --> 00:54:19,200
Speaker 3: ball with the ball.

1062
00:54:19,120 --> 00:54:20,839
Speaker 2: I want to put it on the record, and I'm

1063
00:54:20,880 --> 00:54:22,879
Speaker 2: on my star ship. I'm paying it no mind.

1064
00:54:22,960 --> 00:54:24,880
Speaker 3: Yeah, go ahead, put the ship on. He said, nah,

1065
00:54:24,880 --> 00:54:26,759
Speaker 3: I need you to come. I want you to sign

1066
00:54:26,840 --> 00:54:28,759
Speaker 3: so there don't be in no trouble. I said, mann,

1067
00:54:28,880 --> 00:54:31,600
Speaker 3: fuck it. If I make some money, then fuck it.

1068
00:54:31,680 --> 00:54:34,239
Speaker 3: You you came to me. I want some goddamn money.

1069
00:54:34,360 --> 00:54:36,520
Speaker 3: He said, hey, b okay, I'm gonna treat you right, man.

1070
00:54:37,160 --> 00:54:40,520
Speaker 3: And then all of a sudden, ninety nine I heard

1071
00:54:40,600 --> 00:54:42,680
Speaker 3: the song. I was in the cab doing the race.

1072
00:54:42,719 --> 00:54:47,120
Speaker 3: I'll get ready to do a podcast. I never signed, right,

1073
00:54:47,760 --> 00:54:58,359
Speaker 3: he did, be right, I'm rich. Shout out to keep

1074
00:54:58,600 --> 00:55:00,600
Speaker 3: for that right, so she shout off the kid rock.

1075
00:55:00,640 --> 00:55:02,680
Speaker 3: Because he definitely kept a hip hop.

1076
00:55:03,360 --> 00:55:06,080
Speaker 2: He's on hip hops.

1077
00:55:08,800 --> 00:55:12,080
Speaker 3: The most important for he kept his world. He definitely

1078
00:55:12,120 --> 00:55:14,480
Speaker 3: kept his word because he's I told his world. I said, Yo,

1079
00:55:15,080 --> 00:55:15,960
Speaker 3: just go aha and do this ship.

1080
00:55:16,040 --> 00:55:16,160
Speaker 6: Man.

1081
00:55:16,160 --> 00:55:18,520
Speaker 3: If we make some money, I call you motherfucking you

1082
00:55:18,680 --> 00:55:20,520
Speaker 3: hit me off. He said, be okay, no doubt, no doubt.

1083
00:55:20,880 --> 00:55:22,600
Speaker 3: Because I was in my star ship. I was doing

1084
00:55:22,680 --> 00:55:25,040
Speaker 3: wild style, you know, and I was all my sho,

1085
00:55:25,080 --> 00:55:27,440
Speaker 3: I'm smoking and drinking the fuck out.

1086
00:55:27,320 --> 00:55:28,040
Speaker 2: Of here, you know what.

1087
00:55:29,320 --> 00:55:32,759
Speaker 3: But the ship blew up and then and then I

1088
00:55:32,920 --> 00:55:34,839
Speaker 3: was doing the podcast. I was going to eighty eight

1089
00:55:34,880 --> 00:55:37,399
Speaker 3: point nine in New York with me there. I saw

1090
00:55:37,480 --> 00:55:39,120
Speaker 3: he was good to do the same ship. And I

1091
00:55:39,239 --> 00:55:42,520
Speaker 3: was in the cab and the song was on the radio,

1092
00:55:42,840 --> 00:55:44,759
Speaker 3: and all of a sudden, I kept hearing Bob with

1093
00:55:44,880 --> 00:55:47,919
Speaker 3: the ball but and I'm singing along right, and I said,

1094
00:55:47,960 --> 00:55:54,520
Speaker 3: wait a minute. And then you know, so my I

1095
00:55:54,640 --> 00:55:56,560
Speaker 3: called my he said he I told you the white

1096
00:55:56,600 --> 00:55:57,319
Speaker 3: Boy kid Rock.

1097
00:55:57,520 --> 00:56:01,080
Speaker 2: I said, oh, ship, yo, I didn't know. I didn't

1098
00:56:01,080 --> 00:56:03,040
Speaker 2: know it's sold, you know, as many copies.

1099
00:56:03,239 --> 00:56:05,480
Speaker 3: So at that point in time, it was already a

1100
00:56:05,600 --> 00:56:08,400
Speaker 3: million copies with million point five and I was like,

1101
00:56:08,520 --> 00:56:13,200
Speaker 3: oh shit, wow. And then ship time went on. When

1102
00:56:13,239 --> 00:56:15,759
Speaker 3: I got the plaque, it was three point five. So

1103
00:56:15,840 --> 00:56:17,040
Speaker 3: I'm like, oh ship.

1104
00:56:18,160 --> 00:56:20,800
Speaker 2: And then I finally got a check. I got a

1105
00:56:20,920 --> 00:56:21,520
Speaker 2: check for the.

1106
00:56:21,560 --> 00:56:27,080
Speaker 3: First check, said keep it one. My first check was

1107
00:56:27,160 --> 00:56:31,719
Speaker 3: seventy five thousand dollars and I never I never through

1108
00:56:31,800 --> 00:56:34,840
Speaker 3: hip hop, I've never received a check over ten thousand dollars.

1109
00:56:35,920 --> 00:56:40,000
Speaker 3: So when I saw that, I fell to pieces because

1110
00:56:40,040 --> 00:56:41,560
Speaker 3: I know I don't have a bunch of kids, and

1111
00:56:41,600 --> 00:56:44,200
Speaker 3: I know nobody's gonna get under this money. So it's

1112
00:56:44,239 --> 00:56:47,719
Speaker 3: gonna work for me and my wife and you know

1113
00:56:47,760 --> 00:56:51,200
Speaker 3: what I'm saying, and my friends like that, right. So

1114
00:56:51,480 --> 00:56:53,560
Speaker 3: I didn't have no kids. I had two daughters, and

1115
00:56:54,600 --> 00:56:57,080
Speaker 3: so I was cool with that and I went on

1116
00:56:57,280 --> 00:56:59,400
Speaker 3: with that. And then after that time went on and

1117
00:56:59,440 --> 00:57:01,960
Speaker 3: they said, be well, it's still climbing, and this is

1118
00:57:02,160 --> 00:57:07,160
Speaker 3: like two thousand and two. I'm like, still climbing, damn,

1119
00:57:07,440 --> 00:57:09,640
Speaker 3: what the fuck? And then kid Rock was blowing up,

1120
00:57:09,719 --> 00:57:12,040
Speaker 3: you know, if he was on TV every fucking web,

1121
00:57:12,080 --> 00:57:19,080
Speaker 3: and I'm being mine, so my ship is real today,

1122
00:57:19,160 --> 00:57:24,280
Speaker 3: you got to check basically. So then when he did that,

1123
00:57:25,080 --> 00:57:27,640
Speaker 3: like after a while, I just forgot about the ship

1124
00:57:27,720 --> 00:57:29,360
Speaker 3: for a while because you know, it wasn't my ship.

1125
00:57:29,400 --> 00:57:30,200
Speaker 3: I seen him on TV.

1126
00:57:30,320 --> 00:57:30,880
Speaker 2: I was happy.

1127
00:57:31,280 --> 00:57:35,080
Speaker 3: And then they hit me with seventy five million. I

1128
00:57:35,200 --> 00:57:39,360
Speaker 3: said what they said? I said, that's more than three platinum.

1129
00:57:39,400 --> 00:57:42,640
Speaker 3: They said, b y'all on the almost a diamond And

1130
00:57:42,720 --> 00:57:45,000
Speaker 3: I didn't know what the diamond was, well.

1131
00:57:44,960 --> 00:57:50,400
Speaker 5: Diamond, ten million, diamond.

1132
00:57:50,480 --> 00:57:53,840
Speaker 3: So the only person that was ten million was Hammer Shaggy.

1133
00:57:54,640 --> 00:57:57,160
Speaker 3: Shaggy did, what what's that ship?

1134
00:57:58,080 --> 00:57:58,600
Speaker 2: It wasn't me.

1135
00:57:58,800 --> 00:58:05,280
Speaker 3: It wasn't me. That's what your grammar at that time.

1136
00:58:05,560 --> 00:58:07,800
Speaker 3: At that time that that was the only people that

1137
00:58:08,000 --> 00:58:12,320
Speaker 3: was diming. I'm like, wow, we almost die, so that's cool.

1138
00:58:12,360 --> 00:58:15,040
Speaker 3: And out of that, I'm gonna see damn near half

1139
00:58:15,080 --> 00:58:18,960
Speaker 3: a million dollars. I said what, and I just went,

1140
00:58:19,120 --> 00:58:20,320
Speaker 3: you know, it's just time went on.

1141
00:58:20,560 --> 00:58:23,200
Speaker 5: Then we were letting clear your record. That's that's that's

1142
00:58:23,280 --> 00:58:24,760
Speaker 5: the point of the story.

1143
00:58:26,080 --> 00:58:30,680
Speaker 2: And that kid rocks real. Mother, we can't say kid

1144
00:58:30,760 --> 00:58:33,680
Speaker 2: rocks real. I'm just not saying not basically trying to

1145
00:58:33,760 --> 00:58:34,040
Speaker 2: run for.

1146
00:58:35,920 --> 00:58:37,760
Speaker 3: Crazy. Now that.

1147
00:58:39,560 --> 00:58:44,680
Speaker 5: The thing is, he did represent but at the same token,

1148
00:58:45,320 --> 00:58:50,040
Speaker 5: it was like Viz didn't know, he didn't know how

1149
00:58:50,160 --> 00:58:54,000
Speaker 5: far it was gonna go, but he did keep it real.

1150
00:58:54,200 --> 00:58:56,360
Speaker 3: And this is what I say about D. I go

1151
00:58:56,480 --> 00:59:01,720
Speaker 3: back to D because Kumo D started that bullshit in

1152
00:59:01,800 --> 00:59:05,800
Speaker 3: nineteen eighty eight. Yo, yo, bj B put the bob

1153
00:59:05,880 --> 00:59:08,760
Speaker 3: to the barll bullshit on hole. I put it on hole.

1154
00:59:09,000 --> 00:59:11,840
Speaker 3: I put it on whole to nineteen ninety eight, and

1155
00:59:11,920 --> 00:59:14,240
Speaker 3: then I brought it back out and I saw eleven million.

1156
00:59:14,280 --> 00:59:21,240
Speaker 6: Cause now I hit Kumo D back with his ship

1157
00:59:21,440 --> 00:59:23,600
Speaker 6: because on D made a song all all right, look

1158
00:59:23,680 --> 00:59:27,680
Speaker 6: like me now right, okay, hold, because you gave.

1159
00:59:27,560 --> 00:59:31,160
Speaker 14: Me the ali Okay, you gave me the allio. How

1160
00:59:31,280 --> 00:59:34,000
Speaker 14: did the ship start with you at cool? He was

1161
00:59:34,120 --> 00:59:35,959
Speaker 14: jealous because I was getting money. I was a flying

1162
00:59:36,040 --> 00:59:39,760
Speaker 14: motherfucker he was. He was with the Treacherous Three. He

1163
00:59:39,840 --> 00:59:42,240
Speaker 14: wanted to be a solo MC so in order to

1164
00:59:42,320 --> 00:59:42,520
Speaker 14: do that.

1165
00:59:42,720 --> 00:59:45,480
Speaker 5: Wait wait wait, because y'all was down together effort no hell,

1166
00:59:46,360 --> 00:59:47,520
Speaker 5: he wanted to be sold from his.

1167
00:59:47,640 --> 00:59:50,560
Speaker 3: Group right because they had to split that money. Man,

1168
00:59:51,000 --> 00:59:53,400
Speaker 3: they made five hundred dollars. Man three motherfuckers.

1169
00:59:53,480 --> 00:59:59,400
Speaker 2: Man, I was the highest back then.

1170
00:59:59,480 --> 01:00:01,400
Speaker 3: I was the high. It's paid called the solo n C.

1171
01:00:02,240 --> 01:00:04,120
Speaker 3: So if I made five hundred, do I made five

1172
01:00:04,200 --> 01:00:06,880
Speaker 3: hundred dollars? You gotta remember you got the Cold Crush,

1173
01:00:07,480 --> 01:00:14,200
Speaker 3: the Cold Crush four. They made five hundred dollars. God

1174
01:00:15,800 --> 01:00:18,200
Speaker 3: you and advantage. You have the Punky four plus one

1175
01:00:18,240 --> 01:00:19,120
Speaker 3: more before they made it.

1176
01:00:22,280 --> 01:00:25,120
Speaker 2: I'm just saying, though, So I'm sing.

1177
01:00:24,920 --> 01:00:27,680
Speaker 3: With these groups while they getting checks. They see me

1178
01:00:27,720 --> 01:00:30,960
Speaker 3: get my check. They going to White Castle. I'm going

1179
01:00:31,000 --> 01:00:40,960
Speaker 3: to be say, Charlie, you know the decision and then

1180
01:00:41,000 --> 01:00:43,520
Speaker 3: it went on the Apple Bee's and all that other ship.

1181
01:00:43,520 --> 01:00:47,280
Speaker 3: You know what I'm saying. But I was eating doing

1182
01:00:47,360 --> 01:00:48,520
Speaker 3: thing like that all on one second.

1183
01:00:48,560 --> 01:00:51,080
Speaker 5: Busy Be You're roll, Love you live on the podcast

1184
01:00:51,200 --> 01:00:56,600
Speaker 5: Happy Birthday, you live on the podcast where you at

1185
01:00:56,720 --> 01:00:57,160
Speaker 5: All Love.

1186
01:00:57,720 --> 01:01:01,400
Speaker 3: That's my love, Death Jam, that's my dog. That's why

1187
01:01:01,440 --> 01:01:01,800
Speaker 3: you called.

1188
01:01:02,640 --> 01:01:06,600
Speaker 5: You're on Houston. I have no idea why you're on.

1189
01:01:08,000 --> 01:01:12,120
Speaker 5: You gotta come up town. Sting Rays. We over here

1190
01:01:12,200 --> 01:01:16,240
Speaker 5: with Busy Be, nigga, I said, I'm here with Rob Love.

1191
01:01:16,320 --> 01:01:18,600
Speaker 5: You know what Busy Be said? He said, Rob Love

1192
01:01:18,640 --> 01:01:20,720
Speaker 5: from Death Jam. You gotta come over here with your

1193
01:01:20,720 --> 01:01:27,560
Speaker 5: fake death Jam card had sting Grades come through. Happy Birthday,

1194
01:01:27,640 --> 01:01:31,919
Speaker 5: Rob Love, you love you like Busy Be on your way.

1195
01:01:32,000 --> 01:01:33,920
Speaker 2: Let's go all right? One Love Lil.

1196
01:01:36,000 --> 01:01:37,680
Speaker 5: You know him and Port is the only niggas that

1197
01:01:37,760 --> 01:01:41,200
Speaker 5: they had the great ship right there, the great shift,

1198
01:01:41,760 --> 01:01:42,480
Speaker 5: The great part.

1199
01:01:42,320 --> 01:01:42,800
Speaker 3: Went too far.

1200
01:01:44,880 --> 01:01:45,600
Speaker 2: I feel like I went to.

1201
01:01:47,440 --> 01:01:48,080
Speaker 3: So Busy Be.

1202
01:01:51,800 --> 01:01:57,680
Speaker 5: Hip hop has grown soul much right, you've seen it

1203
01:01:57,800 --> 01:02:03,640
Speaker 5: from his infant stage. Is there anything that you could say?

1204
01:02:04,200 --> 01:02:04,560
Speaker 3: You know what?

1205
01:02:05,000 --> 01:02:08,000
Speaker 5: If I could do it over again, I would help

1206
01:02:08,280 --> 01:02:09,760
Speaker 5: change this part of hip hop.

1207
01:02:10,640 --> 01:02:14,439
Speaker 3: Yeah. I would try to keep the corporate people out

1208
01:02:14,480 --> 01:02:18,040
Speaker 3: of our business. They jumped into our business and then

1209
01:02:18,080 --> 01:02:21,120
Speaker 3: they did that for their sake, for their greed to

1210
01:02:21,240 --> 01:02:24,840
Speaker 3: save their companies, to save their jobs. Because the producer

1211
01:02:24,960 --> 01:02:27,840
Speaker 3: that found that guy saved his job because he was

1212
01:02:27,840 --> 01:02:30,920
Speaker 3: about to lose it because he wasn't creative enough to

1213
01:02:31,040 --> 01:02:34,960
Speaker 3: find out something commercialized to make us some money. So

1214
01:02:35,080 --> 01:02:37,400
Speaker 3: he found a fake rapper, or he found a real

1215
01:02:37,520 --> 01:02:40,479
Speaker 3: rapper and put him on TV and made him some money.

1216
01:02:40,560 --> 01:02:45,120
Speaker 3: Now again, I'm not mad at that, but real is real,

1217
01:02:46,040 --> 01:02:48,600
Speaker 3: and that other stuff is what y'all want to call it,

1218
01:02:49,440 --> 01:02:53,800
Speaker 3: So separate that too. Here here is a real MC

1219
01:02:54,440 --> 01:03:00,600
Speaker 3: for hip hop celebrating Coca Cola or Sprite or or Sony,

1220
01:03:00,720 --> 01:03:05,320
Speaker 3: whatever the case may be. Or here is a god

1221
01:03:05,440 --> 01:03:11,560
Speaker 3: we found that look good blindly blising. Separate that. Let

1222
01:03:11,680 --> 01:03:14,360
Speaker 3: us know because hip hop is strong. Man, you come

1223
01:03:14,440 --> 01:03:17,080
Speaker 3: to us for everything. Y'all need our help. We got

1224
01:03:17,160 --> 01:03:19,520
Speaker 3: the black people, We got the white people that will

1225
01:03:19,560 --> 01:03:21,640
Speaker 3: do anything we tell them to do on the record

1226
01:03:22,440 --> 01:03:25,360
Speaker 3: if they agree. But if y'all do it the wrong way,

1227
01:03:25,720 --> 01:03:27,880
Speaker 3: y'all use us at the end of the day to

1228
01:03:28,000 --> 01:03:31,800
Speaker 3: blame us for your fault. And that ain't our fault.

1229
01:03:33,160 --> 01:03:35,960
Speaker 3: Rap is something we do. Hip hop is something we live.

1230
01:03:37,040 --> 01:03:37,960
Speaker 3: That's what it is, man.

1231
01:03:39,320 --> 01:03:43,360
Speaker 2: So if you could change anything, what would it be.

1232
01:03:43,960 --> 01:03:48,160
Speaker 3: Again, the corporations tell them to come come see the

1233
01:03:48,280 --> 01:03:52,600
Speaker 3: real roots of what y'all are producing on the street

1234
01:03:53,600 --> 01:03:57,120
Speaker 3: that's not real. You can help the real people because

1235
01:03:57,160 --> 01:03:59,840
Speaker 3: the real people need that help with that same thing

1236
01:03:59,880 --> 01:04:02,680
Speaker 3: that you have, that same idea you have. There's a

1237
01:04:02,760 --> 01:04:04,760
Speaker 3: real guy that can do that, and if the real

1238
01:04:04,800 --> 01:04:07,920
Speaker 3: people see him do that, then they'll believe in what

1239
01:04:08,080 --> 01:04:08,560
Speaker 3: you're saying.

1240
01:04:09,600 --> 01:04:11,840
Speaker 2: But you got a fake guy doing that. They don't

1241
01:04:11,880 --> 01:04:12,520
Speaker 2: even believe him.

1242
01:04:12,520 --> 01:04:15,360
Speaker 3: Because that fake guy was on tvm Z that wasn't

1243
01:04:15,400 --> 01:04:17,760
Speaker 3: on y'all commercial at this time and told us the

1244
01:04:17,920 --> 01:04:23,120
Speaker 3: real shit we gonna want him. Can I ask you

1245
01:04:23,120 --> 01:04:23,520
Speaker 3: a question?

1246
01:04:24,040 --> 01:04:27,880
Speaker 15: Yeah, do you think that without the corporate people coming

1247
01:04:27,920 --> 01:04:29,600
Speaker 15: in the way they came and you think that like

1248
01:04:30,320 --> 01:04:34,240
Speaker 15: rappers or musicians to make will be as will make

1249
01:04:34,280 --> 01:04:35,280
Speaker 15: as much money.

1250
01:04:35,080 --> 01:04:38,520
Speaker 2: As the Yeah, because the talent speaks for self. Okay,

1251
01:04:39,640 --> 01:04:40,800
Speaker 2: music speaks for self.

1252
01:04:41,880 --> 01:04:44,880
Speaker 3: You got Stevie Wonder records, Ray Charles records that y'all

1253
01:04:44,960 --> 01:04:48,680
Speaker 3: still rocking to today, James Brown today. They made them

1254
01:04:48,920 --> 01:04:52,360
Speaker 3: forty years ago, so when I'm older than y'all, So

1255
01:04:52,480 --> 01:04:56,200
Speaker 3: it speaks for itself. The talent speaks for self, authenticity. Guys.

1256
01:04:56,560 --> 01:04:59,400
Speaker 3: You know, the fake stuff don't last. It'll last two years,

1257
01:04:59,480 --> 01:05:01,959
Speaker 3: three years. So if you're lucky, then you get caught

1258
01:05:02,040 --> 01:05:04,560
Speaker 3: on something and then it's over right, right right. I

1259
01:05:04,640 --> 01:05:05,040
Speaker 3: agree with you.

1260
01:05:07,360 --> 01:05:08,440
Speaker 2: God damn, I don't even know.

1261
01:05:08,640 --> 01:05:11,760
Speaker 3: I'm seventy seven, y'all, it's two seventeen.

1262
01:05:12,680 --> 01:05:18,200
Speaker 2: I'm born in seven. I'm forty years old.

1263
01:05:18,240 --> 01:05:18,600
Speaker 7: I was born.

1264
01:05:18,800 --> 01:05:19,600
Speaker 3: I'm a snoop dogg.

1265
01:05:21,280 --> 01:05:21,600
Speaker 7: I was.

1266
01:05:23,880 --> 01:05:26,320
Speaker 5: Yeah, let me tell you, clubs, I'm gonna tell you

1267
01:05:26,360 --> 01:05:31,840
Speaker 5: something about your yourself physic be I've seen you everywhere,

1268
01:05:33,800 --> 01:05:37,920
Speaker 5: different countries, different states, different properties, different cities, different whatever.

1269
01:05:38,680 --> 01:05:42,040
Speaker 5: And you're always happy. And you always got the weed too.

1270
01:05:43,360 --> 01:05:46,560
Speaker 5: You always got the weed. You're always happy. And in

1271
01:05:46,720 --> 01:05:50,040
Speaker 5: case you don't understand how important you are to the

1272
01:05:50,120 --> 01:05:54,200
Speaker 5: culture or important you are to hip hop, important you are,

1273
01:05:54,640 --> 01:05:57,120
Speaker 5: we're gonna tell you tonight, and we're gonna tell you,

1274
01:05:57,200 --> 01:05:59,800
Speaker 5: in front of your face, how much we fucking love you.

1275
01:06:00,360 --> 01:06:06,720
Speaker 3: How much anywhere I see you, I drop whatever.

1276
01:06:06,440 --> 01:06:08,919
Speaker 2: The fuck I'm doing. I'll give you a fucking hug,

1277
01:06:10,240 --> 01:06:12,840
Speaker 2: and I'll let you know I love you.

1278
01:06:13,000 --> 01:06:18,400
Speaker 5: But in case you didn't know that, or you didn't

1279
01:06:19,080 --> 01:06:22,400
Speaker 5: understand how much hip hop has to sit.

1280
01:06:22,320 --> 01:06:23,520
Speaker 3: Down and bow to you.

1281
01:06:25,240 --> 01:06:29,280
Speaker 5: Literally everybody that's doing hip hop from a Bugie to

1282
01:06:29,760 --> 01:06:31,360
Speaker 5: them Jones to whatever.

1283
01:06:32,160 --> 01:06:34,360
Speaker 2: When they see you, they should literally go like this.

1284
01:06:36,840 --> 01:06:37,720
Speaker 3: Shut up fact.

1285
01:06:38,200 --> 01:06:41,360
Speaker 2: And if they don't, I'm gonna do it for them.

1286
01:06:44,720 --> 01:06:45,120
Speaker 3: Right now.

1287
01:06:45,280 --> 01:06:46,400
Speaker 2: But that's what it is, man.

1288
01:06:46,480 --> 01:06:48,320
Speaker 3: I mean at the end of the day, again, that's

1289
01:06:48,400 --> 01:06:52,360
Speaker 3: just respect. I respect that and all I can do

1290
01:06:52,440 --> 01:06:54,840
Speaker 3: is just keep going. No, but your hip hop riorty,

1291
01:06:55,040 --> 01:06:55,600
Speaker 3: that's what's up.

1292
01:06:56,040 --> 01:06:59,120
Speaker 5: And the thing about it is if we should all

1293
01:07:00,160 --> 01:07:02,640
Speaker 5: bow down to you every single time we see you,

1294
01:07:03,160 --> 01:07:06,600
Speaker 5: because you don't ask for your bow that, you don't

1295
01:07:06,760 --> 01:07:09,320
Speaker 5: ask for your respect. You just sit there and you

1296
01:07:09,560 --> 01:07:12,120
Speaker 5: show love to everybody. I see you, I watch you

1297
01:07:12,520 --> 01:07:14,960
Speaker 5: show love to everybody's regardless.

1298
01:07:15,760 --> 01:07:20,440
Speaker 2: But that's not tonight. Tonight it is we're showing love.

1299
01:07:20,360 --> 01:07:23,600
Speaker 3: To you God with Diamond, that's what's up.

1300
01:07:24,160 --> 01:07:26,640
Speaker 2: And he's still getting kid rock money.

1301
01:07:26,680 --> 01:07:27,120
Speaker 3: Let's make.

1302
01:07:31,120 --> 01:07:35,760
Speaker 5: This nigga listen. Man, you gotta be respected, you gotta

1303
01:07:35,840 --> 01:07:39,640
Speaker 5: be saluted. You have to be because in every other

1304
01:07:39,800 --> 01:07:42,760
Speaker 5: genre of music, when a person gets old or a

1305
01:07:42,880 --> 01:07:47,680
Speaker 5: person has a certain amount of years, they salute them.

1306
01:07:48,440 --> 01:07:52,080
Speaker 5: Hip hop is the only genre, the only generation when

1307
01:07:52,160 --> 01:07:57,640
Speaker 5: you get older and the mother, well, we got this guy,

1308
01:07:58,360 --> 01:08:01,920
Speaker 5: this guy, I want to change that.

1309
01:08:02,480 --> 01:08:05,960
Speaker 3: That's what this podcast is about. That's what this ship

1310
01:08:06,120 --> 01:08:06,480
Speaker 3: is about.

1311
01:08:07,000 --> 01:08:11,280
Speaker 5: Like, yo, let us let us salute us, right because

1312
01:08:11,320 --> 01:08:14,080
Speaker 5: we know that. So they've been ticking us. They've been

1313
01:08:14,120 --> 01:08:17,760
Speaker 5: telling us you don't know me, yo, yo, why you

1314
01:08:17,800 --> 01:08:20,479
Speaker 5: don't interview new artists when I say they got how

1315
01:08:20,600 --> 01:08:25,519
Speaker 5: ninety seven right, he got power on five. I choose

1316
01:08:25,600 --> 01:08:29,040
Speaker 5: to interview motherfuckers thirty and upright because I want.

1317
01:08:28,880 --> 01:08:31,200
Speaker 2: To interview legends. You want to hear the real stories,

1318
01:08:31,720 --> 01:08:35,479
Speaker 2: and I want to interview people that innovated me, that

1319
01:08:35,680 --> 01:08:39,960
Speaker 2: motivated me and said, you know, I come to the Browns.

1320
01:08:40,000 --> 01:08:41,639
Speaker 2: You're brown smitherfucker.

1321
01:08:43,840 --> 01:08:44,720
Speaker 3: All these niggas.

1322
01:08:48,200 --> 01:08:53,640
Speaker 5: Tomorrow, but smoking but busy me. I don't want you

1323
01:08:53,720 --> 01:08:58,679
Speaker 5: to ever forget or ever lose focus on how much

1324
01:08:59,439 --> 01:09:01,639
Speaker 5: hip hop you every day.

1325
01:09:03,240 --> 01:09:05,760
Speaker 3: That's the only person paid me is kid rock. Hip

1326
01:09:05,800 --> 01:09:08,120
Speaker 3: Hop never gave me no you know, I traveled around

1327
01:09:09,360 --> 01:09:12,680
Speaker 3: like that. You know, I never got no shows and

1328
01:09:12,720 --> 01:09:17,439
Speaker 3: stuff like that regularly on TV show change that.

1329
01:09:17,800 --> 01:09:20,240
Speaker 5: We're gonna change that like that, you know, but that's

1330
01:09:20,280 --> 01:09:24,120
Speaker 5: what it is. But basically, Bing, I just want you

1331
01:09:24,200 --> 01:09:29,840
Speaker 5: to be clear. You're a legend, right, Capone knows your legend.

1332
01:09:30,400 --> 01:09:34,000
Speaker 5: If it knows your legend, we all know your legend,

1333
01:09:34,400 --> 01:09:35,400
Speaker 5: and we're gonna sit here.

1334
01:09:35,439 --> 01:09:36,840
Speaker 3: We're gonna celebrate your life.

1335
01:09:37,040 --> 01:09:40,440
Speaker 5: We're gonna celebrate your accolades, We're gonna celebrate your accomplishments,

1336
01:09:40,640 --> 01:09:44,000
Speaker 5: and we're gonna celebrate you and for you being who

1337
01:09:44,080 --> 01:09:46,880
Speaker 5: you fuck you are and giving your whole life to

1338
01:09:46,960 --> 01:09:51,479
Speaker 5: fucking hip hop right history.

1339
01:09:53,120 --> 01:09:56,880
Speaker 3: It's just like perfect my birthday, I'm a scorpio. My

1340
01:09:56,960 --> 01:10:02,200
Speaker 3: birthday Saturday was Saturday. That's we ain't gonna pop out

1341
01:10:02,240 --> 01:10:03,120
Speaker 3: a yeah, we didn't have far.

1342
01:10:03,680 --> 01:10:06,840
Speaker 2: We're doing it like that. YO, give me, give me that,

1343
01:10:06,960 --> 01:10:08,679
Speaker 2: give me that topic. What is that top?

1344
01:10:09,720 --> 01:10:09,960
Speaker 3: That is?

1345
01:10:10,080 --> 01:10:10,120
Speaker 16: So?

1346
01:10:11,160 --> 01:10:15,479
Speaker 3: So? How did how did the battle go with you?

1347
01:10:15,720 --> 01:10:19,240
Speaker 3: And see that wasn't a battle, It wasn't. It was

1348
01:10:19,320 --> 01:10:22,880
Speaker 3: called it was called a DJ convention. It was the

1349
01:10:23,040 --> 01:10:26,639
Speaker 3: MC and DJ Convention. Was that in nineteen eighty one?

1350
01:10:27,040 --> 01:10:29,040
Speaker 3: And that was like when me and AJ we we

1351
01:10:29,120 --> 01:10:31,160
Speaker 3: did all of those parties back then. We was the

1352
01:10:31,200 --> 01:10:33,960
Speaker 3: one hiring everybody, We was the one paying everybody. And

1353
01:10:34,040 --> 01:10:35,880
Speaker 3: then again it was only a handful of us. You

1354
01:10:35,960 --> 01:10:39,040
Speaker 3: had the cold crush, you had did all the fantastic fives,

1355
01:10:39,360 --> 01:10:41,599
Speaker 3: the four and D it was. It wasn't a lot

1356
01:10:41,640 --> 01:10:45,320
Speaker 3: of hence pioneers, why right, so and then you know

1357
01:10:45,560 --> 01:10:47,639
Speaker 3: you didn't have a lot. So we used to always

1358
01:10:47,680 --> 01:10:50,680
Speaker 3: give conventions and MC convention, so everybody that was in

1359
01:10:50,840 --> 01:10:54,040
Speaker 3: m C and the DJ come on that original out

1360
01:10:54,680 --> 01:10:57,479
Speaker 3: conference and show love and everything, and then we have

1361
01:10:57,520 --> 01:10:59,680
Speaker 3: a little contest on the mic and see we do that,

1362
01:11:00,000 --> 01:11:00,920
Speaker 3: and that's what that was.

1363
01:11:01,160 --> 01:11:02,960
Speaker 2: That's all. That's all that was.

1364
01:11:05,920 --> 01:11:08,040
Speaker 3: No he came at me because I didn't know nothing

1365
01:11:08,080 --> 01:11:12,400
Speaker 3: about it. It was like ambush. I got ambushed it

1366
01:11:12,520 --> 01:11:15,720
Speaker 3: that night by coom o D two. Where is that?

1367
01:11:16,120 --> 01:11:18,439
Speaker 3: After all the thing is over and everybody happy and

1368
01:11:18,479 --> 01:11:20,360
Speaker 3: we get ready to party and then the person get on.

1369
01:11:20,560 --> 01:11:22,320
Speaker 3: I say, oh, hold y'all, hold up, don't go nowhere.

1370
01:11:22,960 --> 01:11:27,120
Speaker 2: We got one more at your event, right, we got

1371
01:11:27,160 --> 01:11:27,800
Speaker 2: one more person.

1372
01:11:28,479 --> 01:11:31,519
Speaker 3: We got Coolmo D from the Treacher's Tree want to

1373
01:11:31,560 --> 01:11:34,280
Speaker 3: get down. And everybody oh okay because they know about

1374
01:11:34,280 --> 01:11:36,439
Speaker 3: the treacher stree and then you know, so cool o

1375
01:11:36,520 --> 01:11:40,439
Speaker 3: D so Kumo D get on stage. Right, Hey, y'all

1376
01:11:40,479 --> 01:11:42,439
Speaker 3: heard about Busy b rocked the party. I give it

1377
01:11:42,479 --> 01:11:42,800
Speaker 3: to him.

1378
01:11:42,840 --> 01:11:45,120
Speaker 2: He's the greatest of doing this this. But I just

1379
01:11:45,280 --> 01:11:47,080
Speaker 2: want to say this, about this and this and that.

1380
01:11:47,880 --> 01:11:49,800
Speaker 3: Excuse me, busy beef, but I don't mean.

1381
01:11:49,760 --> 01:11:50,360
Speaker 5: To be bold.

1382
01:11:50,520 --> 01:11:52,600
Speaker 2: Put the ball, Put the ball bullshit on hold, and

1383
01:11:52,720 --> 01:11:53,880
Speaker 2: everybody just starts back.

1384
01:11:53,920 --> 01:11:56,320
Speaker 3: Then you know where they say laughing weed to say, oh,

1385
01:11:56,400 --> 01:11:58,880
Speaker 3: he's snapping on you. So we say, oh shit, he

1386
01:11:59,040 --> 01:12:02,240
Speaker 3: just snapped on busy crazy and everybody went crazy. And

1387
01:12:02,320 --> 01:12:04,640
Speaker 3: then he went into his little rhyme and everybody just

1388
01:12:04,720 --> 01:12:08,519
Speaker 3: went crazy. And I'm downstairs, I'm smoking weed and drinking champagne,

1389
01:12:08,560 --> 01:12:11,559
Speaker 3: doing the same ship right now, and I'm hearing all

1390
01:12:11,640 --> 01:12:13,360
Speaker 3: the ship upstairs. I'm like, what the fuck?

1391
01:12:13,720 --> 01:12:17,240
Speaker 2: And Nigga yr Bez, Oh shit, your MODI upstairs?

1392
01:12:17,400 --> 01:12:20,280
Speaker 3: He going off on you. I'm like, you deal. Yeah,

1393
01:12:20,280 --> 01:12:22,720
Speaker 3: I knew more D from church the street. Okay, you know,

1394
01:12:22,960 --> 01:12:25,040
Speaker 3: but he wasn't no friend of mine, no ship like that.

1395
01:12:26,400 --> 01:12:30,360
Speaker 3: You had no idea what he was on you, right? No? No, hell,

1396
01:12:30,479 --> 01:12:32,600
Speaker 3: you know the promoter has something to do with it.

1397
01:12:32,760 --> 01:12:34,840
Speaker 2: No, no, no, I'm telling you what up.

1398
01:12:34,880 --> 01:12:36,880
Speaker 3: And he wanted to leave his group.

1399
01:12:38,120 --> 01:12:40,280
Speaker 2: He got tired of spending that money.

1400
01:12:40,360 --> 01:12:44,960
Speaker 3: You understand what motherfucker? And you see this, you got

1401
01:12:45,080 --> 01:12:48,040
Speaker 3: to be mine and doing getting money all the time, right,

1402
01:12:48,160 --> 01:12:49,960
Speaker 3: I was the only I was the highest paid solo

1403
01:12:50,120 --> 01:12:53,160
Speaker 3: m C. He said, ship, I gotta try to get

1404
01:12:53,240 --> 01:12:56,680
Speaker 3: some of this ship, somebody some retrospects.

1405
01:12:56,680 --> 01:12:59,800
Speaker 2: Are you mad at him because he's fat and ugly?

1406
01:13:00,080 --> 01:13:00,240
Speaker 3: Day?

1407
01:13:08,160 --> 01:13:12,639
Speaker 10: But you know the facilities, and you know, I didn't

1408
01:13:12,640 --> 01:13:15,479
Speaker 10: even get to hear the whole scenario into the tape.

1409
01:13:15,880 --> 01:13:17,920
Speaker 10: I had to tape the next day and I'm like,

1410
01:13:18,120 --> 01:13:21,320
Speaker 10: oh wow, So I had to call him back out

1411
01:13:21,600 --> 01:13:22,960
Speaker 10: and come on, you want the battle now?

1412
01:13:23,479 --> 01:13:25,800
Speaker 3: We're going to battle now, motherfucker. We go to go

1413
01:13:25,840 --> 01:13:27,880
Speaker 3: to the Fever where everybody was at and known for

1414
01:13:27,960 --> 01:13:35,160
Speaker 3: the disco Fever. Bring your ass on Jerome avenueomet Yeah,

1415
01:13:35,240 --> 01:13:37,200
Speaker 3: bring your ass to the motherland.

1416
01:13:37,640 --> 01:13:38,639
Speaker 2: And that's good damn.

1417
01:13:40,200 --> 01:13:40,360
Speaker 6: Right.

1418
01:13:40,720 --> 01:13:45,120
Speaker 3: So and then after that people understood, Okay, see rockets back,

1419
01:13:45,360 --> 01:13:50,719
Speaker 3: where's from? He's from? He from Harlem? Remember what the juice?

1420
01:13:50,760 --> 01:13:55,760
Speaker 3: You remember where the juice with Tupacs right right from there?

1421
01:13:56,000 --> 01:13:56,559
Speaker 2: You know what I'm saying.

1422
01:13:56,560 --> 01:13:58,160
Speaker 3: You made him come to the Bronx, right, so you

1423
01:13:58,240 --> 01:13:59,920
Speaker 3: gotta come to take it from You gotta come to

1424
01:13:59,960 --> 01:14:02,320
Speaker 3: the Bronx now. But this is where everybody going to

1425
01:14:02,360 --> 01:14:05,439
Speaker 3: be at mud and let's do this ship start from

1426
01:14:05,479 --> 01:14:07,320
Speaker 3: a scratch. Then what happened?

1427
01:14:07,479 --> 01:14:09,400
Speaker 2: And then I just did what the funk I do?

1428
01:14:11,320 --> 01:14:13,280
Speaker 3: So, so what was the boss like when you when

1429
01:14:13,280 --> 01:14:13,559
Speaker 3: you came?

1430
01:14:13,640 --> 01:14:14,519
Speaker 2: What was the boss.

1431
01:14:16,040 --> 01:14:16,280
Speaker 16: I got?

1432
01:14:16,560 --> 01:14:18,720
Speaker 3: What was the balls like when you went at them?

1433
01:14:18,840 --> 01:14:20,679
Speaker 2: What happened? What was the first thing you said? Bars

1434
01:14:21,080 --> 01:14:24,040
Speaker 2: the first because it's deep you want.

1435
01:14:26,040 --> 01:14:28,880
Speaker 3: I think I'll be aginning telling him from the streets

1436
01:14:28,880 --> 01:14:31,800
Speaker 3: to California to the show is the main people. They're

1437
01:14:31,960 --> 01:14:34,120
Speaker 3: like the way I run my game because I got

1438
01:14:34,200 --> 01:14:37,320
Speaker 3: style and I got classed, but I don't pop my

1439
01:14:37,439 --> 01:14:40,719
Speaker 3: ship too fast, got the PhD, got the master's degree,

1440
01:14:40,880 --> 01:14:43,560
Speaker 3: I'm being talked about off for coffee and tea, and

1441
01:14:43,640 --> 01:14:46,040
Speaker 3: I float like the butterfly, stain like a beach, and

1442
01:14:46,120 --> 01:14:48,160
Speaker 3: there is no other than rocks like me.

1443
01:14:48,479 --> 01:14:49,640
Speaker 2: And I think that was about the.

1444
01:15:00,160 --> 01:15:03,240
Speaker 3: It wasn't a It wasn't a Battle with the Marie

1445
01:15:03,280 --> 01:15:06,759
Speaker 3: in seventy seven. No, no, no, now.

1446
01:15:06,840 --> 01:15:07,840
Speaker 2: But you know you know that.

1447
01:15:08,080 --> 01:15:11,200
Speaker 7: Also he's involved in one of the first hip hop movies,

1448
01:15:11,280 --> 01:15:14,439
Speaker 7: also Wild Style. We didn't talk Wildstyle because that that

1449
01:15:14,960 --> 01:15:18,720
Speaker 7: set a whole new HP hop as well, because at

1450
01:15:18,760 --> 01:15:21,720
Speaker 7: the end of the day, you got fabulous who is.

1451
01:15:23,800 --> 01:15:26,639
Speaker 2: Which is crazy? That and then, so I run into

1452
01:15:26,760 --> 01:15:27,160
Speaker 2: people like.

1453
01:15:27,240 --> 01:15:30,360
Speaker 3: Fabulous to say, b I watched that movie Wild Style,

1454
01:15:30,840 --> 01:15:34,720
Speaker 3: and see, people don't understand when we was rapping back

1455
01:15:34,800 --> 01:15:38,760
Speaker 3: in the days after the party, people went home and

1456
01:15:38,840 --> 01:15:42,120
Speaker 3: stuff like that. I came to the parties because see,

1457
01:15:42,760 --> 01:15:45,760
Speaker 3: you know, we got ouva today, but back then we

1458
01:15:45,880 --> 01:15:50,360
Speaker 3: had old Jay's the Godfathers. Those was our uvas today,

1459
01:15:51,120 --> 01:15:52,760
Speaker 3: you know what I'm saying. So we could pick out

1460
01:15:52,800 --> 01:15:56,000
Speaker 3: a luxury car called Godfather Kole Jack. He was from

1461
01:15:56,040 --> 01:15:59,840
Speaker 3: the Bronx to get the nice ze, right, which is.

1462
01:16:03,360 --> 01:16:03,479
Speaker 7: Right.

1463
01:16:03,600 --> 01:16:06,200
Speaker 3: So I when they called me to do that scene,

1464
01:16:06,479 --> 01:16:09,519
Speaker 3: I came in that and they when I pulled up

1465
01:16:09,600 --> 01:16:13,040
Speaker 3: in that, they said, oh shit, Yo, we're gonna keep

1466
01:16:13,160 --> 01:16:13,880
Speaker 3: that right there.

1467
01:16:14,120 --> 01:16:16,120
Speaker 2: Yo, this is a documentary right here.

1468
01:16:16,280 --> 01:16:20,040
Speaker 3: That's my calf. Driver made a couple extra dollars because

1469
01:16:20,040 --> 01:16:21,400
Speaker 3: I said, hey, listen, they gonna pay you a couple

1470
01:16:21,439 --> 01:16:23,439
Speaker 3: of dollars, stay with me. And back then with just

1471
01:16:23,600 --> 01:16:26,479
Speaker 3: twenty dollars for one hour, and I'm riding around in

1472
01:16:26,560 --> 01:16:28,960
Speaker 3: town giving forty dollars. I'm riding around on a limo

1473
01:16:29,320 --> 01:16:33,080
Speaker 3: looking like Hollywood anyway from TV. Now, I'm just trying

1474
01:16:33,160 --> 01:16:35,519
Speaker 3: to play, you know what I'm saying I'm going to

1475
01:16:35,640 --> 01:16:38,040
Speaker 3: the scene in the limos, and they was fucked up

1476
01:16:38,080 --> 01:16:38,720
Speaker 3: with that, so.

1477
01:16:38,760 --> 01:16:40,880
Speaker 2: They said, let's keep that right there.

1478
01:16:41,360 --> 01:16:43,680
Speaker 3: So you know, pull up in that bi you get

1479
01:16:43,720 --> 01:16:45,760
Speaker 3: in the car put lically and all that, y'all drink

1480
01:16:45,840 --> 01:16:48,200
Speaker 3: the champagne and y'all stay in the car and talk.

1481
01:16:48,479 --> 01:16:49,920
Speaker 2: And that's that's how that scene came in.

1482
01:16:49,960 --> 01:16:52,080
Speaker 3: When I'm staying saying fabulous, and I was saying, be

1483
01:16:52,479 --> 01:16:54,479
Speaker 3: that was the fly ship over the mall.

1484
01:16:54,840 --> 01:16:56,519
Speaker 2: You get to the hotel, you put the money on

1485
01:16:56,600 --> 01:16:58,639
Speaker 2: the bed, start talking to b ship.

1486
01:16:59,520 --> 01:17:01,880
Speaker 3: So they use that as swag back then for me,

1487
01:17:02,560 --> 01:17:06,479
Speaker 3: they say, yo, that's some flash because everybody started doing

1488
01:17:06,560 --> 01:17:08,320
Speaker 3: that after the whole after they party, they go to

1489
01:17:08,320 --> 01:17:11,800
Speaker 3: the hotels, get some girls, smoke some weed, get some

1490
01:17:11,960 --> 01:17:13,400
Speaker 3: champagne and go to the hotel.

1491
01:17:13,439 --> 01:17:16,600
Speaker 2: Because that's what I did in the scene, and I

1492
01:17:16,760 --> 01:17:18,679
Speaker 2: want to throw it out there. My peep was Burgundy

1493
01:17:18,840 --> 01:17:24,040
Speaker 2: just now definitely definitely sick in a different way.

1494
01:17:25,479 --> 01:17:26,160
Speaker 6: My friend.

1495
01:17:27,479 --> 01:17:30,280
Speaker 2: That it came up burgerdy, that it came out looking

1496
01:17:30,360 --> 01:17:36,320
Speaker 2: like that loud fuck job your stuff back. You got drink.

1497
01:17:38,840 --> 01:17:41,960
Speaker 2: He was way too loud over there. You you can

1498
01:17:42,040 --> 01:17:43,599
Speaker 2: do the Hennessy ship. You know what I'm saying.

1499
01:17:46,040 --> 01:17:47,400
Speaker 3: Almost Champagne got me.

1500
01:17:47,520 --> 01:17:50,320
Speaker 2: That's why we connected. Don't get that. Don't get that.

1501
01:17:51,200 --> 01:17:54,599
Speaker 2: Every time you drinking, you're a Champagne nigga.

1502
01:17:55,000 --> 01:17:55,599
Speaker 5: I remember.

1503
01:17:56,960 --> 01:17:58,280
Speaker 3: School nigga drinking smet.

1504
01:17:59,800 --> 01:18:06,400
Speaker 2: You want to do some rock you drink? You know

1505
01:18:07,520 --> 01:18:09,719
Speaker 2: you know that rock rose?

1506
01:18:10,040 --> 01:18:14,120
Speaker 5: You said, normally drink flowers. Give listen, listen, got to relax.

1507
01:18:17,400 --> 01:18:20,439
Speaker 5: The reason why I starting this show is we want

1508
01:18:20,479 --> 01:18:23,519
Speaker 5: to give our legends. They flowers when they can smell them.

1509
01:18:25,040 --> 01:18:29,479
Speaker 5: They they trees when they get hello, the trees when

1510
01:18:29,479 --> 01:18:30,280
Speaker 5: they get hello.

1511
01:18:30,880 --> 01:18:33,479
Speaker 2: The drinks and they thoughts when they can think of them,

1512
01:18:34,000 --> 01:18:35,200
Speaker 2: and they drinks.

1513
01:18:35,080 --> 01:18:36,200
Speaker 3: When they can drinking.

1514
01:18:37,400 --> 01:18:38,479
Speaker 2: I'm drinking mine, man.

1515
01:18:38,960 --> 01:18:49,519
Speaker 13: Better because we are sting Raised. Let's not forget where

1516
01:18:49,520 --> 01:18:55,320
Speaker 13: we are. U s a sting rais drink chances and.

1517
01:18:55,760 --> 01:18:56,479
Speaker 3: Up you look.

1518
01:18:56,560 --> 01:18:58,759
Speaker 2: Look do you see him the owner?

1519
01:18:58,960 --> 01:18:59,719
Speaker 3: He got spur.

1520
01:19:00,200 --> 01:19:04,680
Speaker 2: Yeah that jingle. I think you're walking around ding ding

1521
01:19:05,600 --> 01:19:08,000
Speaker 2: You know I to a ram, but I say, sperm

1522
01:19:09,120 --> 01:19:11,080
Speaker 2: right here, right here, you.

1523
01:19:17,600 --> 01:19:18,479
Speaker 3: Only put your.

1524
01:19:21,280 --> 01:19:26,920
Speaker 2: The only country nigga love jackons sting Raise.

1525
01:19:26,960 --> 01:19:28,479
Speaker 3: What's the address? Give us the address?

1526
01:19:28,840 --> 01:19:32,120
Speaker 5: One fifty fifth Avenue, twenty one fifty fifth Avenue.

1527
01:19:32,360 --> 01:19:35,320
Speaker 17: If you never had lemon wings. I don't know what

1528
01:19:35,439 --> 01:19:38,800
Speaker 17: kind of wings this, but rocher joints, so rocher. I'm

1529
01:19:38,800 --> 01:19:42,360
Speaker 17: not gonna lie. I finger lick to my liquors. I

1530
01:19:42,479 --> 01:19:45,480
Speaker 17: have no idea what I meant, but it's so fantastic.

1531
01:19:45,840 --> 01:19:46,680
Speaker 8: The wings go.

1532
01:19:47,200 --> 01:19:50,680
Speaker 3: And this guy he's such sting rays. You gotta come

1533
01:19:50,760 --> 01:19:53,000
Speaker 3: up here. You gotta come up You gotta come up here.

1534
01:19:53,040 --> 01:19:53,800
Speaker 2: You gotta visit me.

1535
01:19:54,280 --> 01:19:56,840
Speaker 3: I'm here in Harlem, y'all. You this is your first

1536
01:19:56,880 --> 01:19:59,040
Speaker 3: time the sting rays? Yes, my first time. Okay, well

1537
01:19:59,600 --> 01:20:01,120
Speaker 3: it won't be it won't be.

1538
01:20:02,320 --> 01:20:04,800
Speaker 2: Yes, And you see we got the magnums might move.

1539
01:20:04,880 --> 01:20:05,599
Speaker 2: Happy birthday.

1540
01:20:12,680 --> 01:20:15,760
Speaker 3: We love you know. But I didn't see it that

1541
01:20:15,920 --> 01:20:18,920
Speaker 3: far in the beginning, Okay, I didn't think like that.

1542
01:20:19,200 --> 01:20:22,960
Speaker 3: I just thought it was almost something, almost something like

1543
01:20:23,080 --> 01:20:25,000
Speaker 3: what our parents was talking about.

1544
01:20:25,280 --> 01:20:28,479
Speaker 2: It's a fade. It's not gonna last you like that.

1545
01:20:28,680 --> 01:20:31,799
Speaker 3: No, I didn't. And then because I saw the Pepsi

1546
01:20:31,840 --> 01:20:36,880
Speaker 3: commercial quick you know Mter Freeze from the Breakdancers. He

1547
01:20:37,240 --> 01:20:40,040
Speaker 3: did a commercial with Pepsi and they had a movie

1548
01:20:40,080 --> 01:20:43,479
Speaker 3: called Flash Dance. And when I saw that, I said,

1549
01:20:43,520 --> 01:20:46,320
Speaker 3: it's on I knew it was on because if they

1550
01:20:46,360 --> 01:20:48,200
Speaker 3: started with the breakdancers, they're going to get to the

1551
01:20:48,360 --> 01:20:53,080
Speaker 3: m c's. And they did with Sprite. Sprite made us rich,

1552
01:20:53,680 --> 01:20:56,160
Speaker 3: Sprite made us happy, you know. And then it went

1553
01:20:56,240 --> 01:20:57,400
Speaker 3: on from Sony.

1554
01:21:00,160 --> 01:21:03,040
Speaker 2: One of the life big sponsors and their Gap. You know,

1555
01:21:03,160 --> 01:21:05,839
Speaker 2: they start they started reaching out. Then Gap got ahold

1556
01:21:05,920 --> 01:21:06,080
Speaker 2: of it.

1557
01:21:06,360 --> 01:21:09,760
Speaker 3: So whoever is that was in those industries that was

1558
01:21:09,880 --> 01:21:13,920
Speaker 3: the corporate person that had to make commercials or to

1559
01:21:14,000 --> 01:21:16,960
Speaker 3: make their person some money, they came to hip hop

1560
01:21:17,760 --> 01:21:21,439
Speaker 3: to save their jobs and to save you know, help

1561
01:21:21,560 --> 01:21:24,479
Speaker 3: us get money, but to save their jobs. So if

1562
01:21:24,800 --> 01:21:27,439
Speaker 3: they was making one hundred thousand a year for what

1563
01:21:27,600 --> 01:21:30,400
Speaker 3: they was doing, when they finally found a rapper or

1564
01:21:30,439 --> 01:21:33,479
Speaker 3: a breakdancer or an MC to help their people make

1565
01:21:33,600 --> 01:21:37,080
Speaker 3: some more money, they probably presidents now somewhere.

1566
01:21:38,080 --> 01:21:38,800
Speaker 2: You know what I'm saying.

1567
01:21:39,000 --> 01:21:41,599
Speaker 5: Now most artists I probablyized to cutting you off from

1568
01:21:41,600 --> 01:21:45,120
Speaker 5: my brother, but most artists that has been down as

1569
01:21:45,200 --> 01:21:46,160
Speaker 5: long as you've been down.

1570
01:21:47,360 --> 01:21:50,200
Speaker 3: People say that they're better, right, They say that most

1571
01:21:50,280 --> 01:21:51,519
Speaker 3: of these gods, some.

1572
01:21:51,600 --> 01:21:54,000
Speaker 2: Of them are, some of them all I bump into

1573
01:21:54,120 --> 01:21:57,639
Speaker 2: my peers. Yes they are, and they have good reason

1574
01:21:57,720 --> 01:21:58,200
Speaker 2: to be better.

1575
01:21:58,320 --> 01:22:01,760
Speaker 3: Do you think no, Because again, if I can wait,

1576
01:22:02,040 --> 01:22:07,160
Speaker 3: I'm just like you. I am you be together your period.

1577
01:22:07,640 --> 01:22:09,800
Speaker 3: If you haven't just bumped into the right person at

1578
01:22:09,840 --> 01:22:12,680
Speaker 3: that right time, or if you're not running around to

1579
01:22:12,880 --> 01:22:15,840
Speaker 3: chase what what we invented to let people know who

1580
01:22:15,960 --> 01:22:18,519
Speaker 3: you are, then you're not going to get it because

1581
01:22:18,560 --> 01:22:19,519
Speaker 3: nobody's gonna wake up.

1582
01:22:19,439 --> 01:22:22,040
Speaker 2: And say, oh well, I thought about BLO and call you.

1583
01:22:22,560 --> 01:22:24,599
Speaker 3: But if they see you, you got to create your

1584
01:22:24,600 --> 01:22:25,000
Speaker 3: own look.

1585
01:22:25,160 --> 01:22:26,600
Speaker 2: And if they see you and.

1586
01:22:26,720 --> 01:22:29,559
Speaker 3: You look like you're supposed to look, because I mean again,

1587
01:22:29,840 --> 01:22:35,560
Speaker 3: I'm a double nickel. I'm still happy, I'm still drinking champagne,

1588
01:22:35,920 --> 01:22:39,880
Speaker 3: I'm still smoking the same shit. I mean, what the fuck?

1589
01:22:40,720 --> 01:22:41,920
Speaker 3: But but why?

1590
01:22:42,840 --> 01:22:46,280
Speaker 5: Because I mean, to be honest with you, your attitude

1591
01:22:46,400 --> 01:22:49,080
Speaker 5: is one of the most beautifulest pie is ever right,

1592
01:22:50,080 --> 01:22:52,400
Speaker 5: So why like you like.

1593
01:22:52,479 --> 01:22:59,240
Speaker 3: The pickest lid? Why are you like Okay, I'll do

1594
01:22:59,320 --> 01:23:04,280
Speaker 3: it like this, Okay, hip hop changed when we'll be

1595
01:23:04,360 --> 01:23:08,000
Speaker 3: the Negro League, not the major league, not the major league,

1596
01:23:08,000 --> 01:23:08,479
Speaker 3: and you got the.

1597
01:23:08,560 --> 01:23:11,800
Speaker 18: Negro League league and then we came I would be

1598
01:23:11,960 --> 01:23:15,120
Speaker 18: sat you page in the Negro League and I'm fucking

1599
01:23:15,360 --> 01:23:19,519
Speaker 18: He's a famous picture still top grade and he was

1600
01:23:19,560 --> 01:23:20,639
Speaker 18: at the top of his prime.

1601
01:23:21,080 --> 01:23:26,400
Speaker 3: But he was forty, right, Jackie Robinson. Jackie Robinson was

1602
01:23:26,520 --> 01:23:31,320
Speaker 3: twenty right, he was younger. That'll be run in d

1603
01:23:31,520 --> 01:23:35,200
Speaker 3: m C right for me killed.

1604
01:23:35,520 --> 01:23:38,280
Speaker 2: They came out with the second three.

1605
01:23:40,640 --> 01:23:43,600
Speaker 3: I'm sorry to whereas they said, Okay, we want to

1606
01:23:43,640 --> 01:23:47,280
Speaker 3: make records and put ourself, but you too old because

1607
01:23:47,360 --> 01:23:50,000
Speaker 3: maybe I had face shoes stuff on my face and

1608
01:23:50,280 --> 01:23:56,120
Speaker 3: you cut that. That wouldn't appeal to the people as

1609
01:23:56,200 --> 01:23:59,880
Speaker 3: we put on TV for our stuff. So these young

1610
01:24:00,120 --> 01:24:02,519
Speaker 3: guys can save the suck MC and then they got

1611
01:24:02,560 --> 01:24:05,439
Speaker 3: the didas with no strings. Nobody was doing none of

1612
01:24:05,479 --> 01:24:09,439
Speaker 3: these things to people start wearing. The coaches start changing

1613
01:24:09,720 --> 01:24:13,040
Speaker 3: because people start hearing these songs and hearing these people,

1614
01:24:13,320 --> 01:24:17,080
Speaker 3: they started visualizing seeing it. It was a difference. See,

1615
01:24:17,200 --> 01:24:20,840
Speaker 3: MTV wasn't showing what we was doing. They got a

1616
01:24:20,960 --> 01:24:24,240
Speaker 3: chance to people start seeing that. The Beastie Boys didn't

1617
01:24:24,280 --> 01:24:27,200
Speaker 3: even wasn't on the radio. So they sold a million

1618
01:24:27,320 --> 01:24:31,040
Speaker 3: copies of records. How because they was being seen on

1619
01:24:31,400 --> 01:24:35,160
Speaker 3: TV where we couldn't see it. Black folks didn't have cable.

1620
01:24:35,520 --> 01:24:36,639
Speaker 2: So let me ask you a question.

1621
01:24:36,800 --> 01:24:40,080
Speaker 5: Right, that was the yard era of hip hop right

1622
01:24:40,400 --> 01:24:43,360
Speaker 5: and in my in my mind, I could be wrong,

1623
01:24:43,520 --> 01:24:47,479
Speaker 5: and you correct me anytime. But then NAS came out

1624
01:24:47,520 --> 01:24:50,120
Speaker 5: with it out right, and when Nanas came out with

1625
01:24:50,280 --> 01:24:51,599
Speaker 5: out in my mind.

1626
01:24:51,520 --> 01:24:54,960
Speaker 3: But we had MTV, we had your MTV rats, we

1627
01:24:55,080 --> 01:24:58,479
Speaker 3: had Ralph McDaniels, we had more rights.

1628
01:24:58,600 --> 01:25:02,200
Speaker 5: But when n came well to me, it felt like

1629
01:25:02,320 --> 01:25:04,240
Speaker 5: to me and I could be wrong, and you can

1630
01:25:04,280 --> 01:25:08,479
Speaker 5: tell me you're totally wrong, but I wonder I would

1631
01:25:08,520 --> 01:25:11,960
Speaker 5: love your opinion. When Nask that album came up, did

1632
01:25:12,040 --> 01:25:14,920
Speaker 5: it change the error like it changed the course of

1633
01:25:15,040 --> 01:25:15,439
Speaker 5: hip hop?

1634
01:25:15,600 --> 01:25:18,599
Speaker 2: You know, it changed the east Side. It came back

1635
01:25:18,680 --> 01:25:19,559
Speaker 2: to it the east side.

1636
01:25:20,240 --> 01:25:21,559
Speaker 3: It helps what you just said.

1637
01:25:21,560 --> 01:25:23,400
Speaker 2: It came back with the east Side to Yeah.

1638
01:25:23,680 --> 01:25:27,000
Speaker 3: Yeah, Now you gotta talk that fly ship, that real ship,

1639
01:25:27,120 --> 01:25:30,679
Speaker 3: because this kid here is bananas. If you ain't talking

1640
01:25:30,760 --> 01:25:33,920
Speaker 3: with this motherfucker talking about then you just making records.

1641
01:25:34,040 --> 01:25:36,280
Speaker 3: But if you're trying to be a hit, follow this

1642
01:25:36,520 --> 01:25:39,280
Speaker 3: motherfucker right here, and that's what's happening.

1643
01:25:40,200 --> 01:25:42,280
Speaker 5: Yeah, I feel I feel so hip hop right there,

1644
01:25:42,800 --> 01:25:45,040
Speaker 5: because that's exactly the way I would have answered that

1645
01:25:45,160 --> 01:25:46,800
Speaker 5: question and make some thought.

1646
01:25:49,840 --> 01:25:53,200
Speaker 2: Now compone, you're here, Boom, why are you coupon.

1647
01:25:53,800 --> 01:25:54,360
Speaker 3: How you doing?

1648
01:25:55,040 --> 01:25:55,960
Speaker 8: How you doing, black man?

1649
01:25:56,200 --> 01:25:56,599
Speaker 3: I'm good.

1650
01:25:56,640 --> 01:25:59,040
Speaker 2: You got you drinking a lot of ship you too,

1651
01:25:59,400 --> 01:26:01,680
Speaker 2: and you're looking good. And we made you change your

1652
01:26:01,680 --> 01:26:02,280
Speaker 2: shirt earlier.

1653
01:26:02,439 --> 01:26:02,680
Speaker 3: Keep it.

1654
01:26:05,080 --> 01:26:05,760
Speaker 2: I didn't change it.

1655
01:26:06,520 --> 01:26:08,360
Speaker 3: Change. Don't say why.

1656
01:26:09,240 --> 01:26:22,160
Speaker 8: We're not going to say why, so change my shirt?

1657
01:26:22,200 --> 01:26:22,360
Speaker 3: Though.

1658
01:26:23,680 --> 01:26:28,720
Speaker 5: So hip hop, so hip hop, hip hop has gave

1659
01:26:28,880 --> 01:26:34,600
Speaker 5: so much to everybody, right, what does hip hop owe anybody?

1660
01:26:36,040 --> 01:26:39,240
Speaker 3: Well? Hip hop owe me nothing, really, because I mean.

1661
01:26:39,400 --> 01:26:43,000
Speaker 2: This hip hop anybody anything, Well.

1662
01:26:43,080 --> 01:26:45,680
Speaker 3: I doubt it because I've been around the planet and

1663
01:26:46,080 --> 01:26:50,080
Speaker 3: I'm not in the army, never been in the army, Navy, Marines,

1664
01:26:50,600 --> 01:26:52,559
Speaker 3: and I've seen all I've seen.

1665
01:26:53,320 --> 01:26:55,000
Speaker 2: I've been around the planet. The only place I haven't

1666
01:26:55,040 --> 01:26:56,479
Speaker 2: been on this planet Earth is Russia.

1667
01:26:57,360 --> 01:26:58,160
Speaker 3: I've been to Russia.

1668
01:26:58,880 --> 01:27:01,759
Speaker 2: It's not great. It was the worst experience of my lify, Okay.

1669
01:27:01,560 --> 01:27:03,519
Speaker 3: And I don't want to go. Don't go, trust me,

1670
01:27:03,560 --> 01:27:06,360
Speaker 3: don't go to Africa. In Africa, I mean, everybody say,

1671
01:27:06,400 --> 01:27:08,120
Speaker 3: be you got to go, but I don't want to

1672
01:27:08,160 --> 01:27:09,880
Speaker 3: go because they say you got to take news.

1673
01:27:09,920 --> 01:27:11,479
Speaker 2: I'm scared of it. I'm gonna be there. You gotta

1674
01:27:11,479 --> 01:27:12,280
Speaker 2: get that, you gotta.

1675
01:27:13,640 --> 01:27:13,880
Speaker 7: Come to.

1676
01:27:17,520 --> 01:27:19,680
Speaker 3: So those are only two places I haven't been. I've

1677
01:27:19,680 --> 01:27:22,559
Speaker 3: been to Australia, I've been to Germany. I've been to London.

1678
01:27:22,720 --> 01:27:25,360
Speaker 3: I've been been like several places there with you right

1679
01:27:25,520 --> 01:27:30,760
Speaker 3: right here, I've been everywhere. But other than that hip hop,

1680
01:27:30,840 --> 01:27:32,880
Speaker 3: do me up, because I saw the I saw the

1681
01:27:32,960 --> 01:27:35,800
Speaker 3: world to where I can come home and tell my friend,

1682
01:27:36,080 --> 01:27:38,760
Speaker 3: I understand where that Chinese person don't want to talk

1683
01:27:38,840 --> 01:27:42,519
Speaker 3: to you because I understand. I've been to China to

1684
01:27:42,600 --> 01:27:45,080
Speaker 3: where it's like now I understand where I'm in America.

1685
01:27:45,600 --> 01:27:47,680
Speaker 2: Yeah, y'all got me now because I say, hey, you.

1686
01:27:49,479 --> 01:27:52,960
Speaker 3: Give me French fries and and they don't understand me

1687
01:27:53,400 --> 01:27:56,160
Speaker 3: till where you're in America, you just know short fried

1688
01:27:56,280 --> 01:27:58,479
Speaker 3: rice and that's what you want, and they're going to

1689
01:27:58,560 --> 01:28:00,880
Speaker 3: serve you that. So now when you for something different,

1690
01:28:01,200 --> 01:28:03,880
Speaker 3: I said, hey, do you know where Tony City at?

1691
01:28:04,000 --> 01:28:06,400
Speaker 3: I gotta go to that And they say shoe Shane Shange,

1692
01:28:06,439 --> 01:28:09,760
Speaker 3: Shane height. I said, is that that way? Height? That

1693
01:28:09,920 --> 01:28:16,200
Speaker 3: means no, motherfucker, I'm going that way. He said, yeah, Hey, hey,

1694
01:28:16,479 --> 01:28:19,200
Speaker 3: I'm thinking, yeah, that's the right way to go. That's

1695
01:28:19,240 --> 01:28:24,400
Speaker 3: the wrong motherfucker. So you know, you learn coaches you learn,

1696
01:28:28,000 --> 01:28:30,120
Speaker 3: so when they come back, that's there and you go

1697
01:28:30,240 --> 01:28:32,680
Speaker 3: to certain places and say, all right, hold up, I'm

1698
01:28:32,720 --> 01:28:36,000
Speaker 3: gonna respect everything you want me to do, so I

1699
01:28:36,160 --> 01:28:38,599
Speaker 3: get the right ship. You know what I'm saying, because

1700
01:28:38,920 --> 01:28:40,760
Speaker 3: at the end of the day, you ain't trying to

1701
01:28:40,800 --> 01:28:42,720
Speaker 3: listen to what they're saying. They trying to talk to you,

1702
01:28:42,840 --> 01:28:46,559
Speaker 3: dcent you still distance your dissing them. They hear that ship,

1703
01:28:46,920 --> 01:28:48,720
Speaker 3: but you don't hear that ship they telling you.

1704
01:28:49,240 --> 01:28:53,000
Speaker 5: So you know you have the bandage us one hundred

1705
01:28:53,000 --> 01:28:55,679
Speaker 5: percent the truth because I kid you not. I'm in Absida.

1706
01:28:57,240 --> 01:28:57,400
Speaker 3: I know.

1707
01:28:57,479 --> 01:29:00,320
Speaker 5: I said the story earlier. But I went to the

1708
01:29:00,439 --> 01:29:05,160
Speaker 5: bike lane, this mad bike lane, so I stopped. Somebody

1709
01:29:05,160 --> 01:29:07,160
Speaker 5: in the bike land said you know what to get cigars?

1710
01:29:11,080 --> 01:29:16,920
Speaker 5: The busy beacon downstairs, and I was stressed. He looked

1711
01:29:16,920 --> 01:29:20,120
Speaker 5: at me and said, what's wrong, little nigga. In my mind,

1712
01:29:20,160 --> 01:29:24,760
Speaker 5: that's what he said. I said, I find no fucking cigars,

1713
01:29:25,080 --> 01:29:27,639
Speaker 5: no please, And he said you want.

1714
01:29:27,600 --> 01:29:29,920
Speaker 2: Papers, because you have papers? Want papers.

1715
01:29:29,960 --> 01:29:32,880
Speaker 5: I said, I'm a cigar, nigga, Come on, and then

1716
01:29:32,960 --> 01:29:36,240
Speaker 5: Nigga said follow me and he and not only he

1717
01:29:36,320 --> 01:29:36,600
Speaker 5: gave me.

1718
01:29:38,479 --> 01:29:43,519
Speaker 3: Cigars, well, he also showed me that Marlborough Greens. It's

1719
01:29:43,600 --> 01:29:45,680
Speaker 3: new points and you're right, make some.

1720
01:29:45,720 --> 01:29:46,160
Speaker 2: Noise that.

1721
01:29:47,840 --> 01:29:53,840
Speaker 3: Said. I said, he's the same ship. I said, give me,

1722
01:29:54,160 --> 01:29:58,000
Speaker 3: he said, give me, he stops, he said, oh ship,

1723
01:29:58,760 --> 01:29:59,639
Speaker 3: don't give me another pack.

1724
01:30:05,360 --> 01:30:08,680
Speaker 5: Listen, man, I can't appreciate you so much because the

1725
01:30:08,760 --> 01:30:11,519
Speaker 5: thing about it is this, But me and my partner

1726
01:30:11,640 --> 01:30:15,400
Speaker 5: E f N started this podcast. We wanted to honor

1727
01:30:15,680 --> 01:30:19,000
Speaker 5: our legends. We wanted to honor our pioneers. We wanted

1728
01:30:19,040 --> 01:30:23,400
Speaker 5: to honor the people that most people don't really look

1729
01:30:23,479 --> 01:30:26,280
Speaker 5: at and say, salute you and the people that inspired

1730
01:30:26,400 --> 01:30:27,799
Speaker 5: us and the people.

1731
01:30:27,680 --> 01:30:28,400
Speaker 3: That inspired us.

1732
01:30:29,000 --> 01:30:31,439
Speaker 5: So when we have a person like you in the

1733
01:30:31,560 --> 01:30:35,280
Speaker 5: building busy for want the fucking be we want to

1734
01:30:35,320 --> 01:30:35,800
Speaker 5: salute you.

1735
01:30:35,960 --> 01:30:37,919
Speaker 19: I want to let you know how much you appreciate.

1736
01:30:38,080 --> 01:30:39,759
Speaker 19: I want to thank you all for the block party.

1737
01:30:45,320 --> 01:30:47,320
Speaker 19: I feel right party pop.

1738
01:30:47,160 --> 01:30:50,080
Speaker 2: That magnum to because these two is going with like.

1739
01:30:50,160 --> 01:30:56,200
Speaker 3: Both right part we can't P'm gonna take this to

1740
01:30:56,280 --> 01:30:57,240
Speaker 3: the cribs. Keep that.

1741
01:30:58,800 --> 01:31:00,400
Speaker 2: I'm dropping that right now. Drink that.

1742
01:31:02,000 --> 01:31:15,360
Speaker 3: Drink that I gotta give it to Mike.

1743
01:31:16,760 --> 01:31:19,600
Speaker 2: Yeah, listen to me, right yeah, right back to me

1744
01:31:19,640 --> 01:31:21,600
Speaker 2: and the wife. We don't got no more about us.

1745
01:31:22,040 --> 01:31:23,640
Speaker 5: Yeah, we gotta take a shot. We gotta take a

1746
01:31:23,680 --> 01:31:25,920
Speaker 5: shot down. Come on, take a shot, take a shot.

1747
01:31:28,040 --> 01:31:29,920
Speaker 5: Come on, where where the shot glasses?

1748
01:31:30,160 --> 01:31:30,400
Speaker 9: Come on?

1749
01:31:30,520 --> 01:31:31,960
Speaker 5: Brother, you've been looking at me the old time to

1750
01:31:32,000 --> 01:31:35,080
Speaker 5: make sure I'm good. And the shotglass bar you're not

1751
01:31:35,320 --> 01:31:36,360
Speaker 5: You're not involved.

1752
01:31:36,800 --> 01:31:37,760
Speaker 3: He did not kill that.

1753
01:31:41,600 --> 01:31:42,760
Speaker 2: You're a busy Bee man.

1754
01:31:42,960 --> 01:31:45,040
Speaker 3: I'm gonna tell you something again. I thank y'all man,

1755
01:31:45,280 --> 01:31:49,439
Speaker 3: and then I int mind like this, let's not get

1756
01:31:49,479 --> 01:31:52,519
Speaker 3: it twisted. I am hip hop and I have always

1757
01:31:52,640 --> 01:31:57,360
Speaker 3: existed throughout these physical forms, in these new presents and times. Yes,

1758
01:31:57,960 --> 01:32:00,600
Speaker 3: I am still the chief rock of busy Bee. He

1759
01:32:00,680 --> 01:32:09,840
Speaker 3: don't want to thank y'all for y'all time. I want

1760
01:32:09,880 --> 01:32:10,400
Speaker 3: to big up.

1761
01:32:10,800 --> 01:32:13,000
Speaker 5: I want to big up my people zero minus. I

1762
01:32:13,040 --> 01:32:15,439
Speaker 5: want the bigger my people, Mike Bull, I want the

1763
01:32:15,439 --> 01:32:18,720
Speaker 5: bigg up chin being. Because at the end of the day,

1764
01:32:20,479 --> 01:32:23,519
Speaker 5: we didn't know that hip hop started out in the

1765
01:32:23,640 --> 01:32:29,000
Speaker 5: Bronx and Queen's right, because we listened to mc shan

1766
01:32:29,160 --> 01:32:33,120
Speaker 5: record he said hip hop started out on the dark,

1767
01:32:34,800 --> 01:32:39,200
Speaker 5: and we thought we really did it started there. But

1768
01:32:39,280 --> 01:32:42,280
Speaker 5: then when we did our research and we realized that

1769
01:32:42,479 --> 01:32:46,280
Speaker 5: it did start the bronx. The only thing we can

1770
01:32:46,360 --> 01:32:50,600
Speaker 5: do as human beings. It is big that up and

1771
01:32:50,720 --> 01:32:54,680
Speaker 5: sit there and respect it. But let me let me

1772
01:32:54,760 --> 01:32:56,880
Speaker 5: finish because you know why I want you to let

1773
01:32:56,960 --> 01:33:04,519
Speaker 5: me finish is because our legends don't be saluted. Our

1774
01:33:04,640 --> 01:33:08,439
Speaker 5: legends never is looked upon as if.

1775
01:33:11,280 --> 01:33:14,400
Speaker 2: As if they shouldn't.

1776
01:33:15,320 --> 01:33:19,160
Speaker 5: This is the problem with hip hop, Busy b is

1777
01:33:19,840 --> 01:33:23,800
Speaker 5: when you get old, when you get whatever, these people

1778
01:33:23,960 --> 01:33:24,600
Speaker 5: wanted to tell you.

1779
01:33:24,720 --> 01:33:27,720
Speaker 3: To go home, right, that's changed that.

1780
01:33:28,160 --> 01:33:29,680
Speaker 2: Me and you can do this. I'll tell you what. No,

1781
01:33:29,760 --> 01:33:32,880
Speaker 2: we're changing it right now, changing it right now. What

1782
01:33:32,960 --> 01:33:35,719
Speaker 2: we're doing. Let me finish business because you know why.

1783
01:33:37,439 --> 01:33:43,080
Speaker 5: Because in drink Champs, you don't have a fucking age, right,

1784
01:33:43,200 --> 01:33:45,680
Speaker 5: you don't have a fucking liability.

1785
01:33:45,760 --> 01:33:46,320
Speaker 2: That's what's up.

1786
01:33:46,400 --> 01:33:49,679
Speaker 5: We're sitting here and we fucking respect our fucking legends

1787
01:33:50,200 --> 01:33:50,920
Speaker 5: and we love them.

1788
01:33:51,120 --> 01:33:52,519
Speaker 2: This poem gun on the yellow hat.

1789
01:33:52,640 --> 01:33:59,280
Speaker 5: I have no idea why I just do that out there, right,

1790
01:34:01,040 --> 01:34:09,120
Speaker 5: ship hard yellow hat is hard for busy me. You

1791
01:34:09,320 --> 01:34:14,559
Speaker 5: one of the pioneers I see everywhere, and you always smiling,

1792
01:34:15,080 --> 01:34:18,840
Speaker 5: You're always happy, you always sit there and you show

1793
01:34:18,960 --> 01:34:23,960
Speaker 5: me love. And if I have a platform where I

1794
01:34:24,520 --> 01:34:28,200
Speaker 5: can give love back, and EFN could give a love back.

1795
01:34:28,520 --> 01:34:31,640
Speaker 3: There's no motherfucking way in the history.

1796
01:34:31,400 --> 01:34:32,720
Speaker 2: Of niggerdom.

1797
01:34:34,160 --> 01:34:38,280
Speaker 5: That I will not have this platform and not show

1798
01:34:38,320 --> 01:34:42,320
Speaker 5: you the love that you fucking respect you deserve. I

1799
01:34:42,400 --> 01:34:51,080
Speaker 5: appreciate that and you fucking honored. We on behalf of

1800
01:34:51,160 --> 01:35:01,599
Speaker 5: all of us because the CNEFN CNE, Drink Champs, Murder Unit,

1801
01:35:02,200 --> 01:35:07,679
Speaker 5: Dog Down, Millertainment, crazy Hood, crazy Hood one Left, Rock City,

1802
01:35:07,880 --> 01:35:14,120
Speaker 5: right fifty seven and a Vernon Boulevard, Tim Street, Twelfth Street,

1803
01:35:15,479 --> 01:35:20,519
Speaker 5: we all want to collectively come together and say busy Be,

1804
01:35:21,600 --> 01:35:25,040
Speaker 5: we love you absolutely, We're going to continue to love you.

1805
01:35:26,200 --> 01:35:28,439
Speaker 5: And tonight I wanted you to be my guest host.

1806
01:35:28,840 --> 01:35:31,680
Speaker 5: I wanted him to help host rock him.

1807
01:35:32,720 --> 01:35:33,240
Speaker 3: But but.

1808
01:35:38,479 --> 01:35:42,120
Speaker 5: Right, But guess what that means, That that that that

1809
01:35:42,720 --> 01:35:45,360
Speaker 5: this is not going to end. We're going to continue

1810
01:35:45,439 --> 01:35:48,360
Speaker 5: to do it. It's sting rays. What's the addressing race?

1811
01:35:49,400 --> 01:35:55,000
Speaker 5: Get twenty one, fifty come over here, nigger, come over here.

1812
01:35:55,080 --> 01:35:58,439
Speaker 2: You know you say it, Mike say it, even Mike

1813
01:35:59,320 --> 01:36:02,479
Speaker 2: twenty one. We're gonna come ahead and stay with and

1814
01:36:02,720 --> 01:36:04,280
Speaker 2: Harlem and we're gonna do.

1815
01:36:04,360 --> 01:36:07,080
Speaker 5: It because you know why if the people ain't gonna

1816
01:36:07,120 --> 01:36:10,680
Speaker 5: respect our people. Guess what, fuck them people, and we're

1817
01:36:10,800 --> 01:36:13,240
Speaker 5: going to continue to respect our own people.

1818
01:36:13,360 --> 01:36:15,800
Speaker 2: Right and Busy Be. We want you to know you

1819
01:36:15,880 --> 01:36:17,600
Speaker 2: could come anytime you want to.

1820
01:36:17,600 --> 01:36:18,080
Speaker 3: Come, right.

1821
01:36:18,760 --> 01:36:22,200
Speaker 2: You can guess host, you can co host, you can

1822
01:36:22,680 --> 01:36:24,960
Speaker 2: bro host. I'm coming man, You can do.

1823
01:36:25,000 --> 01:36:29,879
Speaker 5: Whatever you want because you want to see the impact

1824
01:36:30,280 --> 01:36:31,840
Speaker 5: that this has when you on here.

1825
01:36:32,840 --> 01:36:35,880
Speaker 2: But we love you, Busy Be. Thank you.

1826
01:36:36,880 --> 01:36:41,639
Speaker 3: We will never ever ever stop loving you. And hip

1827
01:36:41,680 --> 01:36:52,920
Speaker 3: hop has to love you as well has one coca.

1828
01:36:57,640 --> 01:37:00,400
Speaker 3: So he got give me my Oh my god, you know,

1829
01:37:01,160 --> 01:37:02,840
Speaker 3: I feel like I gotta relax the phone.

1830
01:37:03,360 --> 01:37:03,920
Speaker 8: What I'm saying.

1831
01:37:05,280 --> 01:37:12,280
Speaker 3: You ready? Shallow Lollo? What busy b one? Two?

1832
01:37:12,400 --> 01:37:23,040
Speaker 2: Great business? God he killed that he got? Oh dear

1833
01:37:23,479 --> 01:37:28,160
Speaker 2: the fell right other stuff, the.

1834
01:37:29,920 --> 01:37:35,599
Speaker 3: Chase hang what baby?

1835
01:37:36,400 --> 01:37:41,519
Speaker 2: That one lets I feel like dark day?

1836
01:37:45,280 --> 01:37:45,920
Speaker 3: So we got another.

1837
01:37:46,920 --> 01:37:49,160
Speaker 2: Let me tell tell my niggas. Forty dames were you

1838
01:37:49,280 --> 01:37:49,840
Speaker 2: at I'm.

1839
01:37:51,600 --> 01:37:54,160
Speaker 3: Come Monday?

1840
01:37:54,360 --> 01:37:56,840
Speaker 20: You know over there right right right right one nigga

1841
01:37:56,960 --> 01:38:01,639
Speaker 20: you got get right right one nigga w forty forty thieves,

1842
01:38:05,280 --> 01:38:06,400
Speaker 20: Big Dude's forty thieves.

1843
01:38:06,560 --> 01:38:07,120
Speaker 3: Rest in peace.

1844
01:38:07,120 --> 01:38:08,400
Speaker 2: Small and Brando we love.

1845
01:38:12,720 --> 01:38:12,920
Speaker 16: Camera.

1846
01:38:13,439 --> 01:38:14,240
Speaker 3: Everybody makes him.

1847
01:38:14,320 --> 01:38:21,559
Speaker 21: Now, So what's going on my brother being a part

1848
01:38:21,600 --> 01:38:25,400
Speaker 21: of the legendary You were signed the violator, correct, No, No.

1849
01:38:25,840 --> 01:38:31,760
Speaker 22: We were signed to initially rough House, RockA Block Columbia initially,

1850
01:38:32,439 --> 01:38:35,040
Speaker 22: and then rough House dropped out and there was RockA

1851
01:38:35,080 --> 01:38:35,799
Speaker 22: Block Columbia.

1852
01:38:36,840 --> 01:38:40,439
Speaker 5: So how does it feel, man? You got there'll be

1853
01:38:40,800 --> 01:38:43,639
Speaker 5: because you're still a hip hop legend. People you gotta

1854
01:38:43,680 --> 01:38:44,080
Speaker 5: respect you.

1855
01:38:44,680 --> 01:38:45,840
Speaker 2: I don't know if we're a legend.

1856
01:38:46,000 --> 01:38:48,320
Speaker 23: But one thing that I want to say is rest

1857
01:38:48,360 --> 01:38:50,800
Speaker 23: in peace to my man Molon Brando. We salute a

1858
01:38:50,920 --> 01:38:56,120
Speaker 23: lot of a lot of our fully heroes. My Man

1859
01:38:56,200 --> 01:38:57,519
Speaker 23: Brando died a hero.

1860
01:38:58,880 --> 01:39:01,360
Speaker 5: A lot of people play into that, explain that, well,

1861
01:39:01,600 --> 01:39:04,080
Speaker 5: you know, we we should, we should live up a

1862
01:39:04,200 --> 01:39:06,240
Speaker 5: lot of hip.

1863
01:39:06,120 --> 01:39:07,000
Speaker 2: Hop heroes that.

1864
01:39:08,520 --> 01:39:14,759
Speaker 3: Got murdered. My man died saving a child, God bless

1865
01:39:15,200 --> 01:39:17,479
Speaker 3: you know what I mean. So he's a hero, you

1866
01:39:17,520 --> 01:39:17,920
Speaker 3: know what I mean?

1867
01:39:18,280 --> 01:39:21,400
Speaker 2: And and you want to detail all that exactly how

1868
01:39:21,680 --> 01:39:22,240
Speaker 2: that happened.

1869
01:39:23,040 --> 01:39:26,000
Speaker 3: Well, so that would be somebody in the hip hop

1870
01:39:26,080 --> 01:39:31,400
Speaker 3: culture that represented we we we remember I remember with

1871
01:39:32,479 --> 01:39:36,800
Speaker 3: Tom christ right right and not and be more right

1872
01:39:37,160 --> 01:39:38,920
Speaker 3: so so so so at the end of the day,

1873
01:39:38,920 --> 01:39:41,200
Speaker 3: when when you say that that's one of the members

1874
01:39:41,280 --> 01:39:43,559
Speaker 3: of the group passed away.

1875
01:39:43,800 --> 01:39:47,680
Speaker 2: Yes, okay, Chris hit me with that. And so so

1876
01:39:48,160 --> 01:39:48,960
Speaker 2: when you say.

1877
01:39:50,600 --> 01:39:52,679
Speaker 3: Because he is a member of the hip hop culture,

1878
01:39:52,960 --> 01:39:56,840
Speaker 3: you know, doubt and sporty thieves exactly that, and and

1879
01:39:57,080 --> 01:39:59,600
Speaker 3: and and we a shout out that. But then you

1880
01:39:59,680 --> 01:40:05,040
Speaker 3: said that he did something and my brother, he did.

1881
01:40:04,960 --> 01:40:10,080
Speaker 23: His selfless love, selfless, selfless as which is super dope,

1882
01:40:10,920 --> 01:40:11,479
Speaker 23: super dope.

1883
01:40:12,240 --> 01:40:20,160
Speaker 3: Right. Unfortunately, the culture that we live in, right, took

1884
01:40:20,240 --> 01:40:21,080
Speaker 3: him out for that. People.

1885
01:40:21,120 --> 01:40:23,400
Speaker 2: No, no, no, no, What what I'm saying is for

1886
01:40:23,600 --> 01:40:25,960
Speaker 2: hip hop, right, a lot of people get killed.

1887
01:40:29,080 --> 01:40:31,599
Speaker 3: It's part of it's part of the culture that we live. Right.

1888
01:40:32,840 --> 01:40:33,840
Speaker 3: For someone to.

1889
01:40:35,800 --> 01:40:39,400
Speaker 23: See a car coming, push a little kid out the

1890
01:40:39,439 --> 01:40:42,439
Speaker 23: way and take that head, that's super dope.

1891
01:40:43,120 --> 01:40:45,160
Speaker 3: That's that's super dope, you know.

1892
01:40:45,200 --> 01:40:50,879
Speaker 2: What I mean. And we didn't you know, sporty thieves,

1893
01:40:51,680 --> 01:40:52,920
Speaker 2: chief skate pigeons and all that.

1894
01:40:53,080 --> 01:40:56,720
Speaker 24: We do have a illustrated career whatever, but you have

1895
01:40:57,520 --> 01:41:00,920
Speaker 24: we have we have a hero for hip right, And

1896
01:41:01,120 --> 01:41:03,320
Speaker 24: that's what you know what I mean, right, That's that's

1897
01:41:03,400 --> 01:41:04,120
Speaker 24: what's And.

1898
01:41:04,400 --> 01:41:04,880
Speaker 3: Never hear.

1899
01:41:11,280 --> 01:41:14,519
Speaker 2: King Kurt was gonna happy birthday, King Kurt know, And

1900
01:41:14,680 --> 01:41:16,800
Speaker 2: what I gotta say to you because I feel like

1901
01:41:17,120 --> 01:41:18,720
Speaker 2: you need to hear this as well.

1902
01:41:20,320 --> 01:41:23,360
Speaker 25: You shout it us out on the podcast before when

1903
01:41:23,400 --> 01:41:29,519
Speaker 25: he was talking about the whole hip hop union and

1904
01:41:29,600 --> 01:41:32,439
Speaker 25: all that, which was super dope, which.

1905
01:41:32,320 --> 01:41:33,720
Speaker 3: We need, we need, we need.

1906
01:41:34,160 --> 01:41:36,880
Speaker 5: Well, I want to say it to you in your face. Okay,

1907
01:41:37,240 --> 01:41:43,840
Speaker 5: sporty things, you your whole brother, your union. You'll appreciated,

1908
01:41:44,479 --> 01:41:44,920
Speaker 5: of course.

1909
01:41:45,120 --> 01:41:45,240
Speaker 16: Right.

1910
01:41:45,360 --> 01:41:47,280
Speaker 3: We love Y's right, and we love hip hop.

1911
01:41:47,400 --> 01:41:47,800
Speaker 8: That's right.

1912
01:41:47,920 --> 01:41:50,360
Speaker 5: And we love hip hop and we love we love

1913
01:41:50,720 --> 01:41:53,400
Speaker 5: love my brother. What I want to do is to

1914
01:41:53,479 --> 01:41:55,040
Speaker 5: make hip hop shoulders.

1915
01:41:55,360 --> 01:41:55,840
Speaker 3: I love you.

1916
01:41:59,680 --> 01:42:06,560
Speaker 26: And hold on, hold hold hold on, hold on you know,

1917
01:42:06,720 --> 01:42:08,760
Speaker 26: you know we just shows together all that. Yeah, I

1918
01:42:08,880 --> 01:42:10,599
Speaker 26: just want to say, yo, I'm.

1919
01:42:10,520 --> 01:42:12,720
Speaker 3: Proud of you, my brother, thank you. So I'm proud

1920
01:42:12,760 --> 01:42:20,160
Speaker 3: of you, my brother. Thank you. So Yo, we got Rob.

1921
01:42:21,560 --> 01:42:24,080
Speaker 6: And I did.

1922
01:42:24,280 --> 01:42:25,080
Speaker 2: Let me tell you something.

1923
01:42:27,320 --> 01:42:32,639
Speaker 3: Let me tell you something, Robbing. Rob can't go bath,

1924
01:42:33,120 --> 01:42:37,880
Speaker 3: Rob Daddy, Rob puff Daddy.

1925
01:42:38,000 --> 01:42:42,320
Speaker 5: And my mother has the same fucking birthday, So I

1926
01:42:42,479 --> 01:42:44,639
Speaker 5: always text you two days before your birthday.

1927
01:42:46,400 --> 01:42:47,800
Speaker 2: I always seasons here.

1928
01:42:47,960 --> 01:42:50,800
Speaker 27: I always hit Rob mother fucking Rob Love in the

1929
01:42:50,840 --> 01:42:54,080
Speaker 27: buildings and Rob Love when he when he had it,

1930
01:42:54,280 --> 01:42:59,880
Speaker 27: he had it, and he was holding us down here.

1931
01:42:59,240 --> 01:43:02,160
Speaker 7: Artist me on the on the promo side, and we

1932
01:43:02,640 --> 01:43:08,400
Speaker 7: girls all waiting were all today. I love you to.

1933
01:43:08,479 --> 01:43:09,519
Speaker 2: Drink yap side.

1934
01:43:09,600 --> 01:43:09,880
Speaker 3: Thank you?

1935
01:43:10,000 --> 01:43:10,679
Speaker 2: How you feeling?

1936
01:43:10,760 --> 01:43:11,720
Speaker 3: Rob great man?

1937
01:43:11,960 --> 01:43:15,000
Speaker 2: Great to do you nineteen nineteen and a half and

1938
01:43:15,160 --> 01:43:19,360
Speaker 2: half and half half older me half someone that.

1939
01:43:22,520 --> 01:43:29,639
Speaker 4: Look, man, can I can we do a birthday shotty?

1940
01:43:31,439 --> 01:43:31,800
Speaker 3: My love?

1941
01:43:31,960 --> 01:43:33,600
Speaker 2: He said, is good with me?

1942
01:43:33,960 --> 01:43:39,519
Speaker 3: BF? Did he work birthday?

1943
01:43:39,560 --> 01:43:39,720
Speaker 19: Oh?

1944
01:43:39,800 --> 01:43:41,560
Speaker 2: Yeah, that's that's that's how I get it.

1945
01:43:41,880 --> 01:43:42,720
Speaker 3: You got to take you.

1946
01:43:43,080 --> 01:43:43,840
Speaker 2: You were really good.

1947
01:43:44,040 --> 01:43:47,640
Speaker 3: I got you know what. I'm not a.

1948
01:43:47,680 --> 01:43:49,400
Speaker 2: Dickhead, and I'm waiting the end.

1949
01:43:49,439 --> 01:43:53,120
Speaker 3: I represented. So did he changed his name?

1950
01:43:53,200 --> 01:43:55,120
Speaker 2: But lovedy man? Probably so?

1951
01:43:55,280 --> 01:43:55,519
Speaker 3: Did he?

1952
01:43:55,760 --> 01:43:56,640
Speaker 2: Did he change his name?

1953
01:43:56,720 --> 01:43:57,000
Speaker 3: And love?

1954
01:43:57,439 --> 01:43:58,479
Speaker 2: Did he change his name?

1955
01:43:58,680 --> 01:43:58,840
Speaker 4: Love?

1956
01:43:58,880 --> 01:44:00,600
Speaker 2: I appreciate that respect that.

1957
01:44:00,760 --> 01:44:01,519
Speaker 3: I appreciate that.

1958
01:44:04,560 --> 01:44:07,760
Speaker 2: I respect that in front of you and let.

1959
01:44:10,560 --> 01:44:15,160
Speaker 3: Anybody up. You're my man.

1960
01:44:15,720 --> 01:44:21,080
Speaker 16: I need some wings and my other shrimp joints. Shrimp

1961
01:44:21,160 --> 01:44:26,439
Speaker 16: joints off the chain. You want to shout this mother

1962
01:44:30,600 --> 01:44:32,080
Speaker 16: shouting shot holdie.

1963
01:44:32,439 --> 01:44:32,920
Speaker 3: So lit'sten.

1964
01:44:33,040 --> 01:44:34,920
Speaker 2: Let me tell you something. Let me tell you something.

1965
01:44:37,080 --> 01:44:37,759
Speaker 2: I gotta speak.

1966
01:44:37,760 --> 01:44:42,519
Speaker 3: I gotta speak, single bro, tell these people they gotta relax.

1967
01:44:43,600 --> 01:44:48,439
Speaker 2: Hold up, listen, go ahead, the fact is.

1968
01:44:50,320 --> 01:44:54,160
Speaker 5: We are representing hip hop every single moment of our

1969
01:44:54,280 --> 01:44:59,400
Speaker 5: fucking show, and hip hop will be represented every single morning.

1970
01:44:59,560 --> 01:45:04,160
Speaker 3: Off can shut and Rob Love. If we don't.

1971
01:45:04,000 --> 01:45:08,880
Speaker 5: Represent you, we ain't hip hop. Rob Love, we love you.

1972
01:45:09,600 --> 01:45:11,320
Speaker 5: I don't know why I'm taking the another shot.

1973
01:45:12,479 --> 01:45:13,400
Speaker 2: It's not the business.

1974
01:45:23,680 --> 01:45:30,439
Speaker 3: Got not win them. It's not good.

1975
01:45:32,080 --> 01:45:34,040
Speaker 2: Daniel is amazing, but not right now. I'm sorry.

1976
01:45:35,520 --> 01:45:36,120
Speaker 8: That's not a good.

1977
01:45:36,880 --> 01:45:38,719
Speaker 2: That's not at what you did today.

1978
01:45:38,760 --> 01:45:39,519
Speaker 5: What was going on?

1979
01:45:40,080 --> 01:45:41,519
Speaker 4: Went to the fight, you know what I'm saying. It

1980
01:45:41,680 --> 01:45:46,120
Speaker 4: was like a Tyson fight, real real ship. You know

1981
01:45:46,160 --> 01:45:46,639
Speaker 4: what I'm saying.

1982
01:45:47,520 --> 01:45:50,040
Speaker 3: It was exciting, you know what I mean? The first

1983
01:45:50,080 --> 01:45:51,240
Speaker 3: thing I did got up let.

1984
01:45:51,200 --> 01:45:51,640
Speaker 2: Us ask you.

1985
01:45:51,800 --> 01:45:56,160
Speaker 5: Let's actually because you know this is industry ship. How

1986
01:45:56,200 --> 01:45:58,040
Speaker 5: did you get in the business? Music business?

1987
01:45:58,200 --> 01:46:02,200
Speaker 4: Rob loves and foremost I wanted to be like Yo,

1988
01:46:02,280 --> 01:46:08,800
Speaker 4: I wanted to rap you got I got bars, I'm

1989
01:46:08,840 --> 01:46:16,680
Speaker 4: gonna do it. Come on, brother, I'm busy being I'm

1990
01:46:16,800 --> 01:46:20,840
Speaker 4: justa do anything. I'm behind the ropes, washing sneaking up

1991
01:46:21,640 --> 01:46:28,080
Speaker 4: on the Bronx and the last few bars. But you

1992
01:46:28,120 --> 01:46:31,639
Speaker 4: know there was better bars out there, so I said, hey,

1993
01:46:32,000 --> 01:46:35,639
Speaker 4: let me go behind the scenes. You know, what I'm saying,

1994
01:46:35,720 --> 01:46:38,519
Speaker 4: I know what the bars will do, but if you

1995
01:46:38,640 --> 01:46:39,720
Speaker 4: do it better then I do it.

1996
01:46:40,040 --> 01:46:42,200
Speaker 3: I'm gonna let you do it. I'm not gonna say nah,

1997
01:46:42,240 --> 01:46:43,920
Speaker 3: I'm gonna do it, and I'm just gonna be better

1998
01:46:43,960 --> 01:46:46,479
Speaker 3: than you. I'm gonna say, Yo, I'm gonna let you

1999
01:46:46,600 --> 01:46:48,880
Speaker 3: do it, but I'm do it this way or go

2000
01:46:49,200 --> 01:46:49,960
Speaker 3: or put it over here.

2001
01:46:50,120 --> 01:46:50,679
Speaker 2: You know what I'm saying.

2002
01:46:51,479 --> 01:46:53,519
Speaker 3: And that's how I kind of like caught the bug.

2003
01:46:53,560 --> 01:46:54,920
Speaker 3: And I was like, damn, you know what I'm saying.

2004
01:46:54,960 --> 01:46:57,479
Speaker 3: You need promotion, don king in it, and then you

2005
01:46:57,600 --> 01:46:58,240
Speaker 3: need marketing.

2006
01:46:59,040 --> 01:47:01,160
Speaker 4: Then you need a budget, then you need a platform,

2007
01:47:01,360 --> 01:47:04,400
Speaker 4: then you need a label, then you need T shirts.

2008
01:47:04,439 --> 01:47:07,080
Speaker 3: You you know what I'm saying, your dudes in the

2009
01:47:07,120 --> 01:47:10,720
Speaker 3: hoods and T shirts. That's definitely the greatest marketing plan

2010
01:47:10,840 --> 01:47:11,360
Speaker 3: I heard.

2011
01:47:13,160 --> 01:47:16,439
Speaker 2: He just broke down the whole market, the greatest market and.

2012
01:47:17,960 --> 01:47:20,360
Speaker 3: Most and most most of most of the cats that

2013
01:47:20,479 --> 01:47:24,400
Speaker 3: worked with me a death chain. They they were all

2014
01:47:24,560 --> 01:47:28,799
Speaker 3: wrappers or producers. You know, Skis because.

2015
01:47:28,600 --> 01:47:31,880
Speaker 28: On my team he started producing for you know what

2016
01:47:31,880 --> 01:47:36,840
Speaker 28: I'm saying. You know, on my team you're trying to say,

2017
01:47:37,240 --> 01:47:40,280
Speaker 28: you know what I'm saying, No, I you know I

2018
01:47:40,520 --> 01:47:51,760
Speaker 28: helped it. You gotta pass telling them you made that?

2019
01:47:51,880 --> 01:47:56,639
Speaker 3: Bro to who you said it? Tell no, I didn't

2020
01:47:56,680 --> 01:48:02,639
Speaker 3: make that getting together No no, No, that wasn't one doing,

2021
01:48:03,800 --> 01:48:04,240
Speaker 3: not at all.

2022
01:48:04,439 --> 01:48:09,360
Speaker 29: Okay, it's awkward. This is an awkward conversation. Just the energy,

2023
01:48:09,600 --> 01:48:11,760
Speaker 29: just the energy of the people that was, you know

2024
01:48:11,800 --> 01:48:14,920
Speaker 29: what I'm saying, supporting the team you know, you know

2025
01:48:15,040 --> 01:48:16,080
Speaker 29: went on to do different.

2026
01:48:16,800 --> 01:48:20,960
Speaker 3: What's your favorite era? Hiprop rock? I don't think I

2027
01:48:21,080 --> 01:48:21,720
Speaker 3: reached it yet.

2028
01:48:23,560 --> 01:48:25,599
Speaker 2: He's optimistic now he's dope.

2029
01:48:25,840 --> 01:48:27,960
Speaker 3: So you want to say that when you wasn't running

2030
01:48:27,960 --> 01:48:31,439
Speaker 3: around with death jam, that wasn't your favorite? Eerr, I

2031
01:48:31,520 --> 01:48:33,240
Speaker 3: think that was my sleep era.

2032
01:48:33,600 --> 01:48:36,280
Speaker 4: You know what I'm saying, because you know you also

2033
01:48:36,360 --> 01:48:38,600
Speaker 4: called up caught up in the passion of it.

2034
01:48:38,680 --> 01:48:39,280
Speaker 3: You know what I'm saying.

2035
01:48:40,200 --> 01:48:42,479
Speaker 4: You know, the light wasn't bright enough for me to

2036
01:48:42,560 --> 01:48:46,120
Speaker 4: be waked to see all the business things that opportunities

2037
01:48:46,200 --> 01:48:47,640
Speaker 4: that could and the other opportunity.

2038
01:48:47,720 --> 01:48:50,599
Speaker 3: No, we created other opportunities, but you know what I'm saying.

2039
01:48:50,760 --> 01:48:51,000
Speaker 3: Just like.

2040
01:48:52,479 --> 01:48:56,240
Speaker 4: Just like hip hop, when people were putting Hennessy and

2041
01:48:56,439 --> 01:48:59,920
Speaker 4: different products into their lyrics, they didn't know that there.

2042
01:48:59,920 --> 01:49:02,439
Speaker 3: Was a check that they were supposed to get.

2043
01:49:02,640 --> 01:49:05,120
Speaker 4: Even the people that made Hennessy didn't know why they was,

2044
01:49:05,680 --> 01:49:08,320
Speaker 4: you know, selling a whole lot of more Hennessy for

2045
01:49:08,439 --> 01:49:11,360
Speaker 4: some apparent reason. I wasn't in their marketing playing that

2046
01:49:11,479 --> 01:49:13,840
Speaker 4: ship came from the streets, you know what I'm saying.

2047
01:49:13,920 --> 01:49:18,400
Speaker 4: So once they started evaluating the street, then they said, hey,

2048
01:49:19,200 --> 01:49:22,760
Speaker 4: the street guys are under something. We need to throw

2049
01:49:22,880 --> 01:49:27,120
Speaker 4: some money into them. And hip hop started eating everything

2050
01:49:27,200 --> 01:49:29,040
Speaker 4: that was in the Let me give.

2051
01:49:28,920 --> 01:49:31,960
Speaker 3: You a Rob Love story and after you, I want

2052
01:49:32,000 --> 01:49:32,799
Speaker 3: to have a person.

2053
01:49:33,880 --> 01:49:35,960
Speaker 2: Busy Bee, come over here, Busy you ain't got you got?

2054
01:49:39,360 --> 01:49:41,720
Speaker 3: Yeah? You know what?

2055
01:49:44,520 --> 01:49:47,160
Speaker 5: Look look let me tell you. Let me tell you

2056
01:49:47,280 --> 01:49:54,800
Speaker 5: Rob Love right, I had a record, no records.

2057
01:49:54,520 --> 01:49:56,160
Speaker 3: You're not go home boy.

2058
01:49:56,640 --> 01:50:00,240
Speaker 5: I came to the party, had that record, I think

2059
01:50:00,320 --> 01:50:04,519
Speaker 5: right now, you know, and I went to everybody and

2060
01:50:04,640 --> 01:50:05,479
Speaker 5: I played it to them.

2061
01:50:06,080 --> 01:50:09,320
Speaker 3: They was like, that's it go. When I went to

2062
01:50:09,479 --> 01:50:10,920
Speaker 3: Rob Love's office.

2063
01:50:13,040 --> 01:50:16,920
Speaker 5: And I played it and Rob and you could stop

2064
01:50:17,000 --> 01:50:21,840
Speaker 5: me anytime lying. I played it for Rob Love. Now

2065
01:50:21,960 --> 01:50:26,000
Speaker 5: mind you, I'm supposed to play it for leol. I'm

2066
01:50:26,000 --> 01:50:28,920
Speaker 5: supposed to play it for Kevin Lows. When I came

2067
01:50:29,000 --> 01:50:34,599
Speaker 5: to Rob Love's office and Rob Love said, I played

2068
01:50:34,640 --> 01:50:37,080
Speaker 5: it for Rob Love. You tell me from lying at

2069
01:50:37,080 --> 01:50:41,320
Speaker 5: any moment. And Rob Love said, we're going to Flex tonight.

2070
01:50:44,160 --> 01:50:47,559
Speaker 2: That's what's you. You stopped me from lying at any point?

2071
01:50:48,439 --> 01:50:51,080
Speaker 2: And I said, damn, I kind of played for lee

2072
01:50:51,320 --> 01:50:53,200
Speaker 2: Or and Kevin Lys and.

2073
01:50:53,360 --> 01:51:02,240
Speaker 3: Rob said, fuck him. Stop at the point you stopping.

2074
01:51:04,000 --> 01:51:06,599
Speaker 1: I didn't say fuck the check right, No, I didn't

2075
01:51:06,640 --> 01:51:11,559
Speaker 1: say that, but in my mind I was like, I'm

2076
01:51:11,640 --> 01:51:14,800
Speaker 1: freaking what happened. What happened was okay, please?

2077
01:51:14,840 --> 01:51:15,559
Speaker 3: What happened was.

2078
01:51:17,439 --> 01:51:17,640
Speaker 7: You know?

2079
01:51:18,800 --> 01:51:22,799
Speaker 3: So you know, we just did came off the Grimy

2080
01:51:22,880 --> 01:51:27,000
Speaker 3: tour and we went all across the country. We should

2081
01:51:27,040 --> 01:51:28,600
Speaker 3: get up, ship the streets up, you know.

2082
01:51:28,680 --> 01:51:29,240
Speaker 6: It was dark.

2083
01:51:30,040 --> 01:51:32,720
Speaker 4: And then we came back and it was trying to

2084
01:51:32,760 --> 01:51:38,480
Speaker 4: schedule the album, right, nobody stopping. No one was scheduling

2085
01:51:38,560 --> 01:51:39,040
Speaker 4: the album.

2086
01:51:39,720 --> 01:51:42,960
Speaker 3: And it was like okay, and he was no.

2087
01:51:43,120 --> 01:51:43,919
Speaker 2: He was concerned.

2088
01:51:44,600 --> 01:51:46,040
Speaker 3: So I'm like, yo, but what do you got? What

2089
01:51:46,200 --> 01:51:47,160
Speaker 3: you got in your back pocket?

2090
01:51:47,240 --> 01:51:48,960
Speaker 2: And he was like, yo, I got this for real record,

2091
01:51:49,280 --> 01:51:49,840
Speaker 2: let me hear it.

2092
01:51:50,520 --> 01:51:51,200
Speaker 3: So I throw it in.

2093
01:51:53,000 --> 01:51:57,040
Speaker 4: Two seconds later, I'm like, so I called Flex automatically.

2094
01:51:57,200 --> 01:52:04,360
Speaker 4: It's just like I said, talling, Yo, yoe, he got

2095
01:52:04,560 --> 01:52:07,400
Speaker 4: the record. That's ridiculous.

2096
01:52:07,960 --> 01:52:11,560
Speaker 3: Let's be clear. He says, YO, bring it to me.

2097
01:52:12,400 --> 01:52:16,439
Speaker 3: So at the time, now the station was.

2098
01:52:16,400 --> 01:52:20,000
Speaker 2: A little off limits. What happened.

2099
01:52:23,560 --> 01:52:23,880
Speaker 3: Happened.

2100
01:52:23,920 --> 01:52:26,840
Speaker 2: It was a shootout that I have no idea what.

2101
01:52:27,200 --> 01:52:31,280
Speaker 3: Happened was, but anyway, he wasn't allowed to come into

2102
01:52:31,320 --> 01:52:36,240
Speaker 3: the hot night it was.

2103
01:52:39,720 --> 01:52:42,280
Speaker 4: So we get to the station, We run out the building,

2104
01:52:42,680 --> 01:52:45,800
Speaker 4: you know, fools beat ahead. Get to the station and

2105
01:52:46,560 --> 01:52:48,840
Speaker 4: Flex opens a crack to.

2106
01:52:48,920 --> 01:52:53,759
Speaker 9: The door, like a crack, like, YO, give me the record.

2107
01:52:53,920 --> 01:52:55,680
Speaker 9: So we just lid it through the crack of the

2108
01:52:55,880 --> 01:52:59,200
Speaker 9: door and we went back downstairs.

2109
01:53:00,160 --> 01:53:02,320
Speaker 4: So we listening, like you know what I'm saying, seven

2110
01:53:02,360 --> 01:53:05,160
Speaker 4: o'clock comes you nothing going on.

2111
01:53:08,760 --> 01:53:11,800
Speaker 3: There's nothing going on, And I was like, yo, fuck that,

2112
01:53:11,880 --> 01:53:14,880
Speaker 3: I'm out here. So he leaves back. I said, fuck it,

2113
01:53:14,880 --> 01:53:18,840
Speaker 3: I'm gonna get some nice So then basket Robbins get

2114
01:53:18,920 --> 01:53:19,519
Speaker 3: his life drink.

2115
01:53:19,880 --> 01:53:22,920
Speaker 2: And then and the calls me like, yo, you know

2116
01:53:23,120 --> 01:53:24,200
Speaker 2: listening to the radios?

2117
01:53:24,439 --> 01:53:27,080
Speaker 3: No why He's like, YO, you're gonna turn on the radio.

2118
01:53:28,800 --> 01:53:32,799
Speaker 4: Flex was just talking for about half an hour straight,

2119
01:53:33,960 --> 01:53:34,719
Speaker 4: just telling people.

2120
01:53:35,320 --> 01:53:37,280
Speaker 3: I think this is where he probably got the Yo,

2121
01:53:37,360 --> 01:53:40,240
Speaker 3: if you're on the west side all the way, if you,

2122
01:53:40,720 --> 01:53:43,080
Speaker 3: if you, if you, if you, if you're doing something

2123
01:53:43,200 --> 01:53:47,640
Speaker 3: right now. It was a different it was a.

2124
01:53:47,720 --> 01:53:49,439
Speaker 2: Different wave right listen.

2125
01:53:49,520 --> 01:53:53,200
Speaker 3: Even for Flex to announce this record, it was so discussed.

2126
01:53:53,240 --> 01:53:57,040
Speaker 5: He was telling his poll over you niggas don't deserve

2127
01:53:57,320 --> 01:54:00,679
Speaker 5: to be driving and still into this record.

2128
01:54:01,960 --> 01:54:05,680
Speaker 4: So he's like, yo, I'm not going to commercial.

2129
01:54:06,400 --> 01:54:08,400
Speaker 3: So he fucked up hot night. He's having money on

2130
01:54:08,560 --> 01:54:12,400
Speaker 3: the advertisement side. He's like, yea, listen, I'm gonna talk

2131
01:54:12,520 --> 01:54:13,800
Speaker 3: about this record.

2132
01:54:13,960 --> 01:54:18,479
Speaker 4: Right now, and then he goes, yo, norwy, I need

2133
01:54:18,560 --> 01:54:22,400
Speaker 4: to hold this. So now everybody young was listening to

2134
01:54:22,520 --> 01:54:26,400
Speaker 4: Flex whatever you played it and drop bombs on. They like, Yo,

2135
01:54:27,080 --> 01:54:30,560
Speaker 4: that ship better be in my inbox. Philly was calling.

2136
01:54:32,880 --> 01:54:36,879
Speaker 3: Everybody's calling me, yo, what's up to this record?

2137
01:54:39,040 --> 01:54:42,040
Speaker 5: Because because Flex is playing with a record saying big

2138
01:54:42,280 --> 01:54:42,800
Speaker 5: Rob Love.

2139
01:54:43,640 --> 01:54:47,680
Speaker 3: So now he's in the building that was Flex with

2140
01:54:47,760 --> 01:54:51,160
Speaker 3: the the bus that wasn't me, so that he was

2141
01:54:51,280 --> 01:54:55,960
Speaker 3: on me for the record, right. So when I was like,

2142
01:54:56,280 --> 01:54:58,960
Speaker 3: when they pulled me in the office, yo, what's up.

2143
01:54:59,120 --> 01:55:00,000
Speaker 3: He's just taking record.

2144
01:55:00,040 --> 01:55:00,880
Speaker 2: It's going to radio.

2145
01:55:01,200 --> 01:55:04,240
Speaker 3: The fuck you think I can?

2146
01:55:04,840 --> 01:55:07,560
Speaker 4: No, I didn't why because the world needed to hear

2147
01:55:07,640 --> 01:55:09,800
Speaker 4: that record. The world needed to hear what the fuck

2148
01:55:09,880 --> 01:55:12,640
Speaker 4: I heard, which was nothing. Now that sounds crazy like

2149
01:55:13,000 --> 01:55:17,160
Speaker 4: hearing nothing, but that ship was the bomb.

2150
01:55:18,240 --> 01:55:19,040
Speaker 3: Yo, listen to me.

2151
01:55:19,720 --> 01:55:22,320
Speaker 5: Rob looked at me and said, we gotta go tonight.

2152
01:55:23,160 --> 01:55:25,240
Speaker 5: This is I went and played the records the four

2153
01:55:25,360 --> 01:55:30,080
Speaker 5: role and then all the CEOs was like, this is

2154
01:55:30,360 --> 01:55:34,240
Speaker 5: this one, and then Rob Loves came to me and said, listen,

2155
01:55:34,360 --> 01:55:37,400
Speaker 5: fuck everybody, we're going to flex tonight.

2156
01:55:38,640 --> 01:55:39,640
Speaker 3: I said sure.

2157
01:55:40,920 --> 01:55:44,840
Speaker 5: Because we had just got the master back, and Rob said, yes,

2158
01:55:45,200 --> 01:55:50,280
Speaker 5: we're going tonight. Fuck them and I could one hundred

2159
01:55:50,280 --> 01:55:54,080
Speaker 5: percent tel me and you was both in show damn.

2160
01:55:54,160 --> 01:55:58,640
Speaker 3: So we was so in trouble. So I made sure

2161
01:55:58,840 --> 01:56:01,840
Speaker 3: that it wasn't get that slip record.

2162
01:56:03,480 --> 01:56:06,720
Speaker 2: Technically. You definitely I did give it.

2163
01:56:10,120 --> 01:56:11,640
Speaker 3: Were definitely blamed it on me.

2164
01:56:12,040 --> 01:56:16,560
Speaker 5: It was my idea, but they never ever ever complained

2165
01:56:16,600 --> 01:56:20,600
Speaker 5: about it because it worked and Rob Love, we.

2166
01:56:20,640 --> 01:56:23,240
Speaker 4: Want to thank you for that ten thousand plus plays

2167
01:56:23,320 --> 01:56:27,760
Speaker 4: on commercial radio. It opened up the budget, the album

2168
01:56:27,920 --> 01:56:29,720
Speaker 4: was scheduled, he went on another tour.

2169
01:56:30,000 --> 01:56:34,640
Speaker 3: The money opened up. We just it was nothing but love.

2170
01:56:36,000 --> 01:56:37,160
Speaker 3: We love you, We love you.

2171
01:56:38,240 --> 01:56:40,560
Speaker 2: I want to take it down twenty notches. This is

2172
01:56:40,680 --> 01:56:42,160
Speaker 2: personal actually a personal question.

2173
01:56:43,120 --> 01:56:46,919
Speaker 3: No, it's not that serious. Maybe is not gonna.

2174
01:56:46,680 --> 01:56:55,720
Speaker 7: Probably air this part bucket but online version. But when

2175
01:56:55,960 --> 01:57:00,480
Speaker 7: when when you hired us to be me to be

2176
01:57:00,560 --> 01:57:01,800
Speaker 7: the street team manager in Miami?

2177
01:57:02,520 --> 01:57:06,600
Speaker 30: Definitely let me let me just yeah, because I'm going

2178
01:57:06,680 --> 01:57:10,200
Speaker 30: to say my brother, my younger brother, I'm a little

2179
01:57:10,240 --> 01:57:12,640
Speaker 30: old man and we're born on the same day and

2180
01:57:13,000 --> 01:57:14,720
Speaker 30: you know, you know.

2181
01:57:15,160 --> 01:57:17,800
Speaker 3: But definitely, where is going.

2182
01:57:18,120 --> 01:57:21,440
Speaker 4: I don't even know where he's going with yeah ship,

2183
01:57:22,040 --> 01:57:23,680
Speaker 4: if it wasn't deaf, it wasn't ship.

2184
01:57:25,320 --> 01:57:27,600
Speaker 3: Good, so that boy is good too.

2185
01:57:27,800 --> 01:57:30,160
Speaker 7: I ain't gonna you know, but it's my question because

2186
01:57:30,160 --> 01:57:32,120
Speaker 7: this is I've been debating this in my I don't

2187
01:57:32,160 --> 01:57:34,960
Speaker 7: know where this goes. I know when because I was

2188
01:57:35,000 --> 01:57:39,120
Speaker 7: working the Tommy Boy account when when they was in

2189
01:57:39,240 --> 01:57:42,560
Speaker 7: penalty and when he moved over, he told me, I'm going.

2190
01:57:42,520 --> 01:57:43,200
Speaker 3: To bring you over.

2191
01:57:43,440 --> 01:57:45,560
Speaker 7: I want you to work my ship at death jam

2192
01:57:46,720 --> 01:57:49,800
Speaker 7: but also my homie rest in peace, Doc Fresh.

2193
01:57:49,680 --> 01:57:52,720
Speaker 3: Yes, and matter of fact, his birthday is today too.

2194
01:57:53,040 --> 01:57:53,840
Speaker 3: That is my brother.

2195
01:57:54,840 --> 01:58:00,280
Speaker 7: And he told me also he I'm gonna give you

2196
01:58:00,360 --> 01:58:05,160
Speaker 7: the account. So I want to know because it's It's like,

2197
01:58:05,200 --> 01:58:08,240
Speaker 7: I don't know how did it happen? Was it a

2198
01:58:08,320 --> 01:58:09,320
Speaker 7: combination of both?

2199
01:58:09,840 --> 01:58:12,560
Speaker 4: I can tell you absolutely, I'll tell you exactly what happened.

2200
01:58:12,600 --> 01:58:16,240
Speaker 4: But let me just salute you, Gene, Doc Fresh, Robinson

2201
01:58:16,280 --> 01:58:21,400
Speaker 4: and Fat Green shout out to him, d J Well

2202
01:58:21,880 --> 01:58:26,920
Speaker 4: trust you negatives in Miami. And the interesting thing about

2203
01:58:28,080 --> 01:58:29,880
Speaker 4: Doc Fresh, he.

2204
01:58:29,960 --> 01:58:32,840
Speaker 2: Told me he had a rapper fat Man Promotions is his.

2205
01:58:33,360 --> 01:58:34,840
Speaker 3: Tram fat Man Promotion.

2206
01:58:35,040 --> 01:58:36,800
Speaker 4: He told me he had a rapper that he wanted

2207
01:58:36,880 --> 01:58:39,400
Speaker 4: me to look at because he he knew that he'd

2208
01:58:39,400 --> 01:58:42,360
Speaker 4: be a great fit for death Cham And before I

2209
01:58:42,440 --> 01:58:46,600
Speaker 4: can go down and sign Florider, Doctor Fresh passed away.

2210
01:58:47,200 --> 01:58:50,400
Speaker 4: So rest in peace to Doc Fresh fat Man Promotions.

2211
01:58:50,880 --> 01:58:55,160
Speaker 4: But to answer your question, yes, he said to me.

2212
01:58:56,480 --> 01:59:00,400
Speaker 4: He said to Lee, he's in too me.

2213
01:59:02,520 --> 01:59:05,720
Speaker 16: If anybody has a car parked on Fifth Avenue, this

2214
01:59:05,800 --> 01:59:08,920
Speaker 16: is drink Cha is the way it goes down Fifth

2215
01:59:09,000 --> 01:59:11,560
Speaker 16: Avenue the marathon.

2216
01:59:11,120 --> 01:59:13,480
Speaker 2: Tomorrow, Just talk to me.

2217
01:59:14,840 --> 01:59:16,120
Speaker 3: Let me, let me tell you, Let me tell you,

2218
01:59:16,600 --> 01:59:19,880
Speaker 3: tell you how it was a combination of Freshness.

2219
01:59:20,800 --> 01:59:26,520
Speaker 4: You're right, your friend approval without a doubt. And definitely

2220
01:59:26,760 --> 01:59:30,680
Speaker 4: you know because me and Nor we were so in

2221
01:59:30,800 --> 01:59:35,640
Speaker 4: sync on what was needed to win. God, God, if

2222
01:59:35,680 --> 01:59:37,520
Speaker 4: I needed that, you know what I'm saying, Like that

2223
01:59:37,680 --> 01:59:38,360
Speaker 4: was a no brainer.

2224
01:59:38,840 --> 01:59:40,960
Speaker 3: You know, if he was cool and comfortable with you,

2225
01:59:42,040 --> 01:59:44,400
Speaker 3: he was cool and comfortable with me. His people was

2226
01:59:44,480 --> 01:59:48,680
Speaker 3: my people. So that's how it was. So whenever, you

2227
01:59:48,720 --> 01:59:52,200
Speaker 3: know what I'm saying, it was like, yo, who you

2228
01:59:52,360 --> 01:59:54,160
Speaker 3: work with? I rock with E f N.

2229
01:59:55,040 --> 01:59:59,800
Speaker 5: But let me describe that moment. Listen that moment it was.

2230
02:00:00,240 --> 02:00:03,200
Speaker 5: I had I had the record. I knew the record

2231
02:00:03,320 --> 02:00:06,120
Speaker 5: was crazy. I went to Rob.

2232
02:00:06,080 --> 02:00:07,600
Speaker 2: Loves office.

2233
02:00:08,760 --> 02:00:12,640
Speaker 5: And I said, Rob, and then Leo and everybody said,

2234
02:00:12,720 --> 02:00:14,080
Speaker 5: I like to other version.

2235
02:00:16,600 --> 02:00:17,360
Speaker 3: But I played it.

2236
02:00:17,560 --> 02:00:21,080
Speaker 5: But now Leo doesn't hear his version. Kevin Lobs doesn't

2237
02:00:21,120 --> 02:00:24,160
Speaker 5: heard the version. The only version horror. The version is

2238
02:00:24,280 --> 02:00:25,360
Speaker 5: just me and Rob Love.

2239
02:00:26,600 --> 02:00:29,240
Speaker 3: So I come and play it. Rob says to me.

2240
02:00:29,400 --> 02:00:32,400
Speaker 5: He looks at me. He says, nobody heard this. I said,

2241
02:00:32,560 --> 02:00:36,280
Speaker 5: nobody heard this. He says, are you ready to law?

2242
02:00:36,880 --> 02:00:39,440
Speaker 5: And I knew he meant we could get a dropped

2243
02:00:40,000 --> 02:00:44,800
Speaker 5: if it doesn't work. If it doesn't work, we can

2244
02:00:44,880 --> 02:00:50,480
Speaker 5: all go down the worst we ever went down. But

2245
02:00:50,640 --> 02:00:52,840
Speaker 5: he looked at me, he said, you sure you love it?

2246
02:00:53,480 --> 02:00:56,160
Speaker 5: I don't even remember if he actually listened to the record.

2247
02:00:56,560 --> 02:00:59,800
Speaker 5: He looked at me and said, this is it? Said, yeah,

2248
02:01:00,720 --> 02:01:08,200
Speaker 5: this is it. Rob, He said flex tonight. I did

2249
02:01:08,280 --> 02:01:10,880
Speaker 5: not agree with him at all, but I wanted to

2250
02:01:10,960 --> 02:01:16,080
Speaker 5: be like yes. I was like, yes, flex tonight, and

2251
02:01:16,160 --> 02:01:20,520
Speaker 5: we went the flex one hundred percent. I never agree

2252
02:01:20,560 --> 02:01:21,840
Speaker 5: with anything that.

2253
02:01:22,240 --> 02:01:22,480
Speaker 6: Rob.

2254
02:01:24,640 --> 02:01:27,800
Speaker 2: This is the first time I even telling you, and

2255
02:01:28,040 --> 02:01:30,400
Speaker 2: Rob said, fuck that, if you believe it.

2256
02:01:30,680 --> 02:01:33,880
Speaker 5: I really did believe in the record, but I didn't

2257
02:01:33,920 --> 02:01:37,160
Speaker 5: agree with going on the flex at that moment. And

2258
02:01:37,280 --> 02:01:40,880
Speaker 5: then this you have to This is the beautiful thing

2259
02:01:40,920 --> 02:01:45,080
Speaker 5: about that record is Flex played it three times, and

2260
02:01:45,200 --> 02:01:49,240
Speaker 5: you can tell Flex didn't listen to no three times

2261
02:01:49,640 --> 02:01:51,000
Speaker 5: when he played he just played there.

2262
02:01:51,160 --> 02:01:52,080
Speaker 2: He just going like this.

2263
02:01:52,760 --> 02:01:59,080
Speaker 5: And then the third time he goes holder, Rob Norri,

2264
02:02:00,080 --> 02:02:05,320
Speaker 5: you motherfucker's really good at records. And then he played

2265
02:02:05,360 --> 02:02:09,920
Speaker 5: it for three more hours, and they all looked at

2266
02:02:10,000 --> 02:02:12,400
Speaker 5: me and Rob Love prior to that and said, you

2267
02:02:12,560 --> 02:02:15,400
Speaker 5: motherfuckerss don't ever come back to the belt there.

2268
02:02:16,800 --> 02:02:18,080
Speaker 3: I got to coach it for you in him.

2269
02:02:18,880 --> 02:02:22,760
Speaker 5: And then after Flex played it sixteen times, they said

2270
02:02:23,320 --> 02:02:28,840
Speaker 5: be in the building first thing in the morning, because

2271
02:02:28,880 --> 02:02:30,240
Speaker 5: you put your job on the line.

2272
02:02:30,280 --> 02:02:32,240
Speaker 3: For me, and I did it every fucking day I

2273
02:02:32,320 --> 02:02:33,200
Speaker 3: walked into that building.

2274
02:02:33,320 --> 02:02:36,520
Speaker 4: Man, if I didn't believe in what I was doing,

2275
02:02:36,920 --> 02:02:40,120
Speaker 4: then I would say, fire me. If I didn't believe

2276
02:02:40,560 --> 02:02:45,440
Speaker 4: in you know, the Red Man mascot, then fucking fire me.

2277
02:02:46,000 --> 02:02:47,960
Speaker 3: You know what I'm saying. If I ain't believe in

2278
02:02:48,480 --> 02:02:52,000
Speaker 3: Rapping Shine's Phantom, then fire me. You know what I'm saying.

2279
02:02:52,640 --> 02:02:55,680
Speaker 4: So all this shit that I did while I was there,

2280
02:02:55,840 --> 02:02:58,200
Speaker 4: I really believed in it, and you know, and I

2281
02:02:58,280 --> 02:03:03,360
Speaker 4: stood behind it. But a question for you, you okay,

2282
02:03:03,440 --> 02:03:07,280
Speaker 4: when you was recording that record, right, because it's kind

2283
02:03:07,320 --> 02:03:12,880
Speaker 4: of hey, it's got a dumble meaning, right, it's called nothing,

2284
02:03:13,400 --> 02:03:15,480
Speaker 4: and then your lyrics were it was.

2285
02:03:15,480 --> 02:03:16,959
Speaker 2: About nothing exactly.

2286
02:03:17,360 --> 02:03:24,440
Speaker 3: So I just thought it was genius.

2287
02:03:26,840 --> 02:03:32,960
Speaker 2: For I got he got on my nerves. He told

2288
02:03:33,000 --> 02:03:33,800
Speaker 2: me to do something.

2289
02:03:33,960 --> 02:03:35,080
Speaker 3: I did it, and that's it.

2290
02:03:35,480 --> 02:03:39,960
Speaker 2: I got a relax. Tell me, I got a relax.

2291
02:03:41,720 --> 02:03:46,200
Speaker 3: Tell me I got to get a new single. Cayenne

2292
02:03:51,840 --> 02:03:56,640
Speaker 3: to the Happy Birthday, Rob Love, thank you, I appreciate it.

2293
02:03:56,760 --> 02:03:57,560
Speaker 3: I love the drink.

2294
02:03:57,640 --> 02:04:00,400
Speaker 2: Chance No, we love you, we love you. We wrap

2295
02:04:00,560 --> 02:04:03,520
Speaker 2: it up. We have no idea while we're still here.

2296
02:04:03,960 --> 02:04:08,000
Speaker 2: Seventeen hours later. We've been here since o'clock. We're doing

2297
02:04:08,040 --> 02:04:09,920
Speaker 2: what we gotta do. Tall TV.

2298
02:04:10,480 --> 02:04:13,920
Speaker 5: We love y'all, and then we gotta do it. Happy

2299
02:04:14,040 --> 02:04:17,120
Speaker 5: Birthday one love y'all. Want to take another shot, I'm in.

2300
02:04:24,720 --> 02:04:25,160
Speaker 3: Next shot.