WEBVTT - Classic Interviews for Labor Day

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<v Speaker 1>That was needed me Rihanna Morning. Everybody's DJ M v

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<v Speaker 1>Angela Yee, Charlomagne the guy. We are the breakfast club.

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<v Speaker 1>We got a special guest in the building. My man.

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<v Speaker 1>They sat Rocket signing, Man a sap. You've been taking

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<v Speaker 1>a lot of heat lately. Man, Let's get right to it.

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<v Speaker 1>It's a it's an interview floating around and basically it

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<v Speaker 1>looked like you don't care about the Black Lives Matter movement,

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<v Speaker 1>like you don't care about black people. Said, you're not

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<v Speaker 1>out Shopton, you are a side Rocky. It's really messed up.

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<v Speaker 1>I want to say, you know, come here today and

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<v Speaker 1>clear the airways for the simple fact the whole interview

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<v Speaker 1>was taking out of context. As far as but I said,

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<v Speaker 1>I feel like I felt terrible as a black man,

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<v Speaker 1>as an American. Crazy like this, speak freely, my brother.

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<v Speaker 1>I just don't understand how they keep saying a dull skin,

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<v Speaker 1>they don't like black people, you know what I'm saying, Like,

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<v Speaker 1>and it's because you do these interviews with these European reporters,

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<v Speaker 1>who journalists who want to make a name for themselves,

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<v Speaker 1>and they take out of context. You know what I mean?

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<v Speaker 1>If you read the most people who read that interview,

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<v Speaker 1>they only read that section, you know, and see what

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<v Speaker 1>they saw floating around on the blogs. I feel like,

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<v Speaker 1>for the most part, people didn't really dissect that interview.

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<v Speaker 1>You can see that that's not my context. I don't say,

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<v Speaker 1>my mates. This is the same guy that was reaching

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<v Speaker 1>asking me, yo, how many people you slept with? How

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<v Speaker 1>many girls you slept with? To get more reviews? Who knows?

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<v Speaker 1>So what are you trying to say? You got your

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<v Speaker 1>modern rappers like your favor rappers today. I don't know

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<v Speaker 1>if it's the future Drake. Anybody like you don't always

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<v Speaker 1>hear their content being about, you know, the political going

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<v Speaker 1>on all. I feel like, why put me on the

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<v Speaker 1>pedestal for that, especially when I'm not asking for that.

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<v Speaker 1>I want to make music. I want to inspire. I

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<v Speaker 1>want to promote peace because at a time like this,

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<v Speaker 1>I don't have all answers. I'm not trying to run

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<v Speaker 1>for congress. I'm not trying to run for office. I

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<v Speaker 1>don't have all answers. You know what I'm saying. I

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<v Speaker 1>want to promote prosperity, especially for black people, especially for

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<v Speaker 1>just young people, ambitious people under privilege. I'm not here

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<v Speaker 1>to talk about supremacy. I'm not here to talk about

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<v Speaker 1>who's dim and you know, I'm just I'm being in

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<v Speaker 1>London and looking at it from a different perspective. Man.

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<v Speaker 1>It's it's it's really sad because you come over here

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<v Speaker 1>and you feel it. Like before, I thought they were

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<v Speaker 1>just trying to gas it for the world to make

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<v Speaker 1>it look like America's a bunch of idiots, and this racism,

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<v Speaker 1>you know, really big, and you know, coming back here,

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<v Speaker 1>it's the truth. You could feel it energy, you could

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<v Speaker 1>feel at tension, you could feel the separation. It's why,

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<v Speaker 1>you know, a lot a lot of kids and a

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<v Speaker 1>lot of people look up to you. So I guess

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<v Speaker 1>they expect you, not just you, but the celebrities to

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<v Speaker 1>react and to say something into stand up, you know

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<v Speaker 1>for sure. And that's why I'm here today because when

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<v Speaker 1>it comes to stuff like this, I usually try to

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<v Speaker 1>you know, save it for the music or you know

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<v Speaker 1>what I mean, and or try to you know, speak

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<v Speaker 1>about it when I'm asked about it. But I think

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<v Speaker 1>I need to speak out, to speak up right now,

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<v Speaker 1>and especially coming back and seeing that that video, that

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<v Speaker 1>video with the you know the cop which one the

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<v Speaker 1>sterling one that really touched me the most because I

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<v Speaker 1>was just saying myself, you know what I mean, Like

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<v Speaker 1>we all know, I hope people don't think that I

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<v Speaker 1>feel like I'm invincible because you fitted the scripture. Now,

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<v Speaker 1>let me answer this. Do you think in that article

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<v Speaker 1>in Time Out in New York that you were misquoted

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<v Speaker 1>or you think you misspoke? I think it was a

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<v Speaker 1>mixture of both, because what I was really trying to

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<v Speaker 1>say is what I was just saying prior, like, I

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<v Speaker 1>just feel like most artists don't speak about that. And

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<v Speaker 1>when you got the journalists asking you, you know, so, well,

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<v Speaker 1>how come you didn't speak about the Baltimore riots or

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<v Speaker 1>how come you didn't speak about you know, the your

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<v Speaker 1>Fergus and stuff and all this other stuff. And it's continuous,

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<v Speaker 1>you know, question at the question you get agitated. At

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<v Speaker 1>the time, I was dealing with my best friend dying.

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<v Speaker 1>Like if if y'all noticed, every time I put out

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<v Speaker 1>an album, it's like I lose somebody, Like I lost

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<v Speaker 1>my pops with my first album. I lost Answer my

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<v Speaker 1>second album. And that's what That's what I was going

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<v Speaker 1>through at this time. That's what I was thinking about.

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<v Speaker 1>And I'm just saying like the same day that Sterling died,

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<v Speaker 1>it was like three hundred people and quote quote me

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<v Speaker 1>if I'm wrong, like that died in Siburi the same day,

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<v Speaker 1>so I bury the same day, right, And it's just

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<v Speaker 1>like perception because we could look at that day. People

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<v Speaker 1>could look at my situation and only a few people

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<v Speaker 1>that can relate. They could be like, yeah, I did

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<v Speaker 1>lose the best friend. I know what that's like to

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<v Speaker 1>have to start an establishment with somebody lose them. Blah

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<v Speaker 1>blah blah. Some people can't relate. If people hear my story,

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<v Speaker 1>they might go, oh that feel you know, really bad,

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<v Speaker 1>you know what I mean, and do make them insensitive

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<v Speaker 1>because they can't relate one hundred thousand percent. Look at

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<v Speaker 1>the people in Sibury, they probably looking at the situation

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<v Speaker 1>here like well we just lost three hundred. Yeah. It

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<v Speaker 1>basically about people's self interest, that's all. And I just

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<v Speaker 1>I just get upset. And what I was really trying

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<v Speaker 1>to say that it was like, yo, I just I

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<v Speaker 1>hate when the bandwagon stuff start. I mean, how come

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<v Speaker 1>black lives only matter when a police take them? You know,

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<v Speaker 1>a police officer takes it, and it should be like

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<v Speaker 1>black lives shit, it should matter when the when the

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<v Speaker 1>black lives take it, you know what I mean, it

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<v Speaker 1>should but you're always matter. The long lives matter. Those

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<v Speaker 1>are those are two separate issues though because of imagine

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<v Speaker 1>like you know somebody saying we can't complain about ices

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<v Speaker 1>killing Americans because Americans kill each other all the time,

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<v Speaker 1>or nobody ever says it's two different extremes, but it's

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<v Speaker 1>still didn't stay. It's hand in hand, no bro, you

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<v Speaker 1>know one one life is ingraded than the other. We

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<v Speaker 1>got more with Asap Rocky when we come back keeping locked.

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<v Speaker 1>It's the breakfast Club, Good Morning, the breakfast club that

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<v Speaker 1>was Asap Rocky fan problems Morning. Everybody's DJ m vy

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<v Speaker 1>Angela Yee. Charlomagne, the guy we all the breakfast Club

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<v Speaker 1>Asap Rocky is in the building of Charalomagne. You said

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<v Speaker 1>that every time you put out an album, you lose

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<v Speaker 1>somebody and plus you was on drugs. Do you feel

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<v Speaker 1>like you're in a very dark place when you're doing

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<v Speaker 1>these interviews so sometimes you just agree at the end

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<v Speaker 1>of the day, I kind of felt like it was

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<v Speaker 1>just a pick on me situation, and I understand why

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<v Speaker 1>people was upset, but for the most part, I think

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<v Speaker 1>people are well are knowledgeable enough to know at this

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<v Speaker 1>day and age that you can't really depict what you

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<v Speaker 1>you can't really judge more for what you see or

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<v Speaker 1>something like that, especially judging my character with me. You

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<v Speaker 1>know what I'm saying. I hate to have to be

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<v Speaker 1>on the stand, especially man. Y'all need to be proud

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<v Speaker 1>of me. Man, Like i'd have a domestic case since

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<v Speaker 1>twenty twelve. One last time you heard about me busting

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<v Speaker 1>somebody heading the bottle. I'm chilling. I don't fight nobody,

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<v Speaker 1>No more lawsuits. No, I'm trying to show another way.

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<v Speaker 1>Like the best thing that I could do is show

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<v Speaker 1>y'all how I did it and what my state of

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<v Speaker 1>mind was like in my my my mentality and my

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<v Speaker 1>train of thought. You know what I'm saying. I'm at

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<v Speaker 1>a loss for words, and I'm overwhelmed at this point.

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<v Speaker 1>But I'm not upset. I'm just really more hurt. And

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<v Speaker 1>it's not about the comments and none of that. I'm

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<v Speaker 1>just talking about like this country, how we look, how

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<v Speaker 1>we perceive this trash man. Did you didn't you lose

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<v Speaker 1>a brother that gonna violence? I did, Yes, I did.

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<v Speaker 1>My brother died on the same block. I was born

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<v Speaker 1>on one hundred and sixteenth tree in the one inside.

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<v Speaker 1>You know what I'm saying, It's like, so I understand

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<v Speaker 1>why you say, you know, why why don't we talk

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<v Speaker 1>about black on black crime. My brother was a blood

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<v Speaker 1>you know what I'm saying, Like you know, four point

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<v Speaker 1>star General Easy Ricky. That man was nothing like me,

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<v Speaker 1>but at the same time was a victim to the

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<v Speaker 1>streets because that's the path that he chose. And I

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<v Speaker 1>learned from my brother mistakes, learned from my pops, mistakes, hustling,

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<v Speaker 1>going to jail, falling off, trying to get back on,

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<v Speaker 1>take care of all his kids. I don't have no

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<v Speaker 1>kids yet. I'm trying to show you. You're so many columns, bro.

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<v Speaker 1>I just feel like at this damn age, man, the

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<v Speaker 1>mentality everybody is just they don't want to think. It's individuals.

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<v Speaker 1>And that's what I'm trying to encourage because it's that

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<v Speaker 1>individual thought process that could bring us together as a unit.

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<v Speaker 1>People got to think like individuals to come together as

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<v Speaker 1>a group. I agree with that. You did the joint

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<v Speaker 1>with Alicia Keys, the twenty three Joints twenty three Ways

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<v Speaker 1>for a Black man to dying the matter, so that

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<v Speaker 1>shows you can't show what was your way to die.

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<v Speaker 1>You said in that it's about just asking for some help,

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<v Speaker 1>man help, Yeah, qualified help. I think it was just

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<v Speaker 1>funny and coincidental that, like, you know, as soon as

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<v Speaker 1>I get back to the stage, I'm dealing with all

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<v Speaker 1>this and I see what's going on, I feel attention.

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<v Speaker 1>I decided to get involved. As soon as I decided

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<v Speaker 1>to get involved. It's like Schmian campaign. So you feel

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<v Speaker 1>like they saw you in a Elisha Keys video and

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<v Speaker 1>here like, okay, let's put this up. I don't know

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<v Speaker 1>what happened. I can only you know. Now. What about

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<v Speaker 1>the will I Am song? I see they're remaking Where

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<v Speaker 1>is the Love, like a new version of it? And

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<v Speaker 1>who so, who's on a year on it? I don't know.

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<v Speaker 1>If I don't want, I don't want to speak out

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<v Speaker 1>of the line, okay, because I was trying to get

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<v Speaker 1>some insight in from this about it, but I didn't

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<v Speaker 1>know for sure who was on it. Yeah, it's a

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<v Speaker 1>few people, I'm gonna say. Uh. I was just really

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<v Speaker 1>really honored to be on that track. We all wish that,

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<v Speaker 1>like it's like being an artist and being a lot

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<v Speaker 1>for when they made the like stevee one of Michael Jackson,

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<v Speaker 1>we all the world, we all the like, like, you know,

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<v Speaker 1>how could you not be a part of that? And

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<v Speaker 1>not just because of those names, but just because of

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<v Speaker 1>that time and with that message still for So that's

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<v Speaker 1>what I really wanted to manifest with that, Like I

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<v Speaker 1>just wanted to kind of you know, that was my contribution.

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<v Speaker 1>And like I said, you damned if you do, you

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<v Speaker 1>damnly be don't And I don't say nothing. Oh he

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<v Speaker 1>ain't on. He don't give a about nick. When I

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<v Speaker 1>do say something off, he don't really love it. So

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<v Speaker 1>it's just like you damn you do if you damned

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<v Speaker 1>if you don't. So it is what it is, you know,

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<v Speaker 1>it's back of one canceled out the other, like they

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<v Speaker 1>forget you. It was on the twenty three with Alicia

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<v Speaker 1>Keys or they don't know you're doing the empowerment song

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<v Speaker 1>and what I am? You need to stop doing print interviews. Man,

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<v Speaker 1>that was a year ago, year ago that you can see.

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<v Speaker 1>But I mean, I'm on, damn that every year your

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<v Speaker 1>favorite magazine cover, I gotta do print saying I'm a

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<v Speaker 1>model now, but you love black people. You love everybody,

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<v Speaker 1>but you do love black. I hate your black man.

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<v Speaker 1>I love my people man the death I do. I

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<v Speaker 1>love old people. It's about people, man. We gotta stop

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<v Speaker 1>suffering each other with color. Man. But at the end

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<v Speaker 1>of the day, the issues in the neighborhoods of urban

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<v Speaker 1>communities is those issues, suburban issues, suburbman issues. And they

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<v Speaker 1>might be different in extremes. I'm just saying, man, across

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<v Speaker 1>the board, it's really all about this love. Man, It's

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<v Speaker 1>all about us coming together and in tranquility and harmon.

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<v Speaker 1>It sound cliche, but man, I was just walking the

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<v Speaker 1>other day and I felt bad about this stuff I'm hearing,

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<v Speaker 1>and some girl came up to me and she I

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<v Speaker 1>thought she was psychic and she rubbed my face and

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<v Speaker 1>he was just like, don't feel bad, baby, they got

0:10:12.080 --> 0:10:14.320
<v Speaker 1>you all wrong, young chick. And you know what I mean,

0:10:14.440 --> 0:10:16.800
<v Speaker 1>gave me a hug. I was like, thank you so much.

0:10:17.080 --> 0:10:18.280
<v Speaker 1>You know what I'm saying. You know how much A

0:10:18.360 --> 0:10:21.120
<v Speaker 1>smile writing up somebody there and a hug a little

0:10:21.160 --> 0:10:23.640
<v Speaker 1>bit of love, so you know, special love man. I mean,

0:10:23.880 --> 0:10:25.480
<v Speaker 1>the one thing you want people to get from this interview,

0:10:25.480 --> 0:10:27.640
<v Speaker 1>what would it be? I want I want peace and

0:10:27.760 --> 0:10:31.960
<v Speaker 1>love man. Yeah, I said, just love man. Honestly sat

0:10:32.040 --> 0:10:35.319
<v Speaker 1>rocking that Rocky. It's the Breakfast Club. Good Morning, the

0:10:35.600 --> 0:10:42.640
<v Speaker 1>Breakfast Club that was Bryson Tiller would exchange morning. Everybody's

0:10:42.720 --> 0:10:45.800
<v Speaker 1>DJ mvy Angela Yee, Charlomagne the guy. We are the

0:10:45.880 --> 0:10:48.520
<v Speaker 1>Breakfast Club. We had a special guest and this is

0:10:48.559 --> 0:10:51.640
<v Speaker 1>the only guest in Breakfast club history that has ever

0:10:51.880 --> 0:10:55.000
<v Speaker 1>smoked up him and you kere not gonna tell Snoop Dogg. No,

0:10:57.200 --> 0:10:59.120
<v Speaker 1>did we get in trouble for that? No, no, no,

0:11:00.040 --> 0:11:04.280
<v Speaker 1>you go hey, we just had a healthy debate with drama.

0:11:04.559 --> 0:11:08.760
<v Speaker 1>It's Snooped the most famous rapper in the world. I said, globally.

0:11:08.800 --> 0:11:10.680
<v Speaker 1>He said, no, matter where you go in this world,

0:11:10.760 --> 0:11:15.360
<v Speaker 1>no matter who it is, race age, everybody. I said,

0:11:15.360 --> 0:11:16.800
<v Speaker 1>it was between you a whole. He said, you are

0:11:16.840 --> 0:11:19.959
<v Speaker 1>the biggest brand. I don't know, it's kind of it's

0:11:19.960 --> 0:11:21.679
<v Speaker 1>like an out of body experience for me. It's hard

0:11:21.720 --> 0:11:23.600
<v Speaker 1>for me to say because I live with me every day,

0:11:24.360 --> 0:11:26.160
<v Speaker 1>so I don't know who the you know, the biggest

0:11:26.240 --> 0:11:28.079
<v Speaker 1>rapper is globally, but I do know that when I

0:11:28.160 --> 0:11:31.160
<v Speaker 1>do go certain places, like it's hard to try to

0:11:31.280 --> 0:11:34.439
<v Speaker 1>like camouflage, the scott whatever, even baby girl up the

0:11:34.480 --> 0:11:37.000
<v Speaker 1>front desk. I just gave her another picture. What's her name?

0:11:41.640 --> 0:11:46.240
<v Speaker 1>A little something? When's the last time you've been somewhere

0:11:46.280 --> 0:11:50.679
<v Speaker 1>and haven't been recognized? Has that happened? See, it doesn't

0:11:50.720 --> 0:11:52.880
<v Speaker 1>happen on some real talk. I'm being honest with you.

0:11:52.920 --> 0:11:54.880
<v Speaker 1>I don't even remember the last time it's been like that.

0:11:55.400 --> 0:12:00.559
<v Speaker 1>I'd have been the grocery stores, churches underwater, but I

0:12:00.640 --> 0:12:04.360
<v Speaker 1>didn't even look this. It's a crazy it's the crazy part.

0:12:04.760 --> 0:12:06.640
<v Speaker 1>I didn't been and done some you know, homeless work

0:12:06.640 --> 0:12:08.160
<v Speaker 1>where you go down their feet, the homeless, and the

0:12:08.240 --> 0:12:11.160
<v Speaker 1>homeless be like snoop dog, what's happening? Dog? Like? Man,

0:12:11.200 --> 0:12:12.679
<v Speaker 1>how do you know me? You ain't got no TV,

0:12:12.720 --> 0:12:16.200
<v Speaker 1>you ain't gonna what. I don't know. I can't figure

0:12:16.200 --> 0:12:18.760
<v Speaker 1>it out. And you just have adjusted to this social

0:12:18.840 --> 0:12:21.640
<v Speaker 1>media era so well, like it's a famous meme, but

0:12:21.760 --> 0:12:23.719
<v Speaker 1>it got you with your head scoff on. I look

0:12:23.760 --> 0:12:27.280
<v Speaker 1>like somebody unto man, I don't care though one thing

0:12:27.320 --> 0:12:30.199
<v Speaker 1>about believe you posted. You don't when people make fun

0:12:30.240 --> 0:12:31.679
<v Speaker 1>of me, when they claim me and when they put

0:12:31.720 --> 0:12:33.439
<v Speaker 1>me in a girl body with my head on it

0:12:33.559 --> 0:12:35.959
<v Speaker 1>or with a rabbit. So I see it, I throw

0:12:36.000 --> 0:12:37.439
<v Speaker 1>it up and I like, who did this to me?

0:12:37.559 --> 0:12:38.960
<v Speaker 1>And I go right in a joke. So I don't

0:12:39.040 --> 0:12:41.880
<v Speaker 1>understand when people get offended when I do that to them.

0:12:41.960 --> 0:12:43.640
<v Speaker 1>When I do it to myself, it's like, it's all

0:12:43.720 --> 0:12:46.400
<v Speaker 1>funny games, and it's funny. It should want it should

0:12:46.400 --> 0:12:48.000
<v Speaker 1>be about. You know, when I got into the social

0:12:48.080 --> 0:12:50.360
<v Speaker 1>media game, I don't really understand it because I was like,

0:12:50.400 --> 0:12:52.079
<v Speaker 1>I don't really want people in my business like that,

0:12:52.200 --> 0:12:53.840
<v Speaker 1>because I was like, damn, I'm the type of person

0:12:53.920 --> 0:12:56.360
<v Speaker 1>that always go up to the fans and always do

0:12:56.480 --> 0:12:58.400
<v Speaker 1>this anyway, So I might as well just open up

0:12:58.400 --> 0:12:59.800
<v Speaker 1>and you know, let them be a part of my

0:12:59.840 --> 0:13:01.679
<v Speaker 1>world every day. Now, we've seen a video of you

0:13:01.800 --> 0:13:03.880
<v Speaker 1>and Game walking to the precinct in La. What was

0:13:03.920 --> 0:13:06.000
<v Speaker 1>that all about? Explaining that? Why why did you guys

0:13:06.040 --> 0:13:07.720
<v Speaker 1>have to felt like you had to do it? Well,

0:13:08.640 --> 0:13:10.839
<v Speaker 1>the morning before it happened, Game, it hit me and

0:13:10.960 --> 0:13:13.240
<v Speaker 1>he was like on a hundred and he was hot

0:13:13.360 --> 0:13:15.480
<v Speaker 1>and I was hot. We was just mad at all

0:13:15.520 --> 0:13:18.040
<v Speaker 1>of the violence that was happening to these innocent people

0:13:18.120 --> 0:13:20.360
<v Speaker 1>by the police. So you know, I was ready to

0:13:20.440 --> 0:13:22.920
<v Speaker 1>do whatever. So I was basically following his league because

0:13:22.960 --> 0:13:24.839
<v Speaker 1>I felt like it's a young man's game and he's

0:13:24.880 --> 0:13:26.360
<v Speaker 1>younger than me, and he's gonna take the league. I'm

0:13:26.360 --> 0:13:29.240
<v Speaker 1>gonna follow this soldier. When he hit me back, I

0:13:29.360 --> 0:13:32.040
<v Speaker 1>told him, I said, look, I don't want you to overreact.

0:13:32.080 --> 0:13:33.800
<v Speaker 1>I want you to think about everything that you're gonna

0:13:33.840 --> 0:13:36.240
<v Speaker 1>do and put a real plan together and hit me

0:13:36.320 --> 0:13:37.880
<v Speaker 1>when you get your plan together, and I'm with you.

0:13:38.200 --> 0:13:40.200
<v Speaker 1>So then he went and made a call to ferra

0:13:40.240 --> 0:13:41.959
<v Speaker 1>Con for three hours and did all the things he

0:13:42.040 --> 0:13:44.000
<v Speaker 1>had to do to prepare himself. Then he hit me

0:13:44.080 --> 0:13:46.560
<v Speaker 1>back at about three in the morning, was like, meet

0:13:46.640 --> 0:13:49.520
<v Speaker 1>me here at five in the morning. He didn't say

0:13:49.640 --> 0:13:52.520
<v Speaker 1>nothing else. So I'm like, I don't know what's going on.

0:13:52.640 --> 0:13:54.280
<v Speaker 1>So I got dressed to go to war. You look

0:13:54.320 --> 0:14:02.480
<v Speaker 1>like he was ready to think about this. When you

0:14:02.559 --> 0:14:04.640
<v Speaker 1>get the back call, Charlotte, man, you just show up.

0:14:05.040 --> 0:14:06.960
<v Speaker 1>He's just someone. When we be putting my shoes off

0:14:07.000 --> 0:14:08.840
<v Speaker 1>to I'm gonna hold on, I'll be there. I was there,

0:14:08.920 --> 0:14:11.000
<v Speaker 1>so when I get there, I'm fully loaded and ready

0:14:11.040 --> 0:14:13.560
<v Speaker 1>to go, and I'm looking around they passing our shirts

0:14:13.600 --> 0:14:15.920
<v Speaker 1>and everybody on piece and he got us all in

0:14:15.960 --> 0:14:17.839
<v Speaker 1>the circle, and he said, he said something that was

0:14:17.880 --> 0:14:20.040
<v Speaker 1>so deep. It's like, you know, I didn't even know

0:14:20.120 --> 0:14:21.760
<v Speaker 1>what I was gonna do when I came here, But

0:14:21.800 --> 0:14:23.800
<v Speaker 1>now and I'm looking at the spirit of everything. This

0:14:23.960 --> 0:14:25.280
<v Speaker 1>is what I want to do, and I want y'all

0:14:25.280 --> 0:14:27.360
<v Speaker 1>to follow me on this. I want us to walk

0:14:27.440 --> 0:14:31.120
<v Speaker 1>down to the precinct, to the precinct and reintroduce ourselves

0:14:31.160 --> 0:14:33.960
<v Speaker 1>to the police department and let them reach reintroduce themselves

0:14:34.000 --> 0:14:36.160
<v Speaker 1>to us so we can get some sort of dialogue going.

0:14:36.600 --> 0:14:38.160
<v Speaker 1>And we listened to him and was like, man, that

0:14:38.360 --> 0:14:40.120
<v Speaker 1>is that's kind of dope because we never talked to

0:14:40.200 --> 0:14:42.760
<v Speaker 1>the police unless it's too late. Let's get that understanding

0:14:42.840 --> 0:14:45.680
<v Speaker 1>right now. So while we're walking down there, police escort

0:14:45.800 --> 0:14:48.160
<v Speaker 1>us there. Then when we get there, come to find

0:14:48.240 --> 0:14:51.880
<v Speaker 1>out the new recruise a graduating right now about to

0:14:52.160 --> 0:14:53.720
<v Speaker 1>go hit the streets, and the matter of twenty four

0:14:53.760 --> 0:14:57.000
<v Speaker 1>hours and we standing outside and the Chief of Police

0:14:57.080 --> 0:14:59.280
<v Speaker 1>is there and the marriage there. So they hear that

0:14:59.360 --> 0:15:02.840
<v Speaker 1>we outside marching peacefully with the Nation of Islam orders.

0:15:03.200 --> 0:15:05.040
<v Speaker 1>So they send the word that the chief would love

0:15:05.120 --> 0:15:07.840
<v Speaker 1>to meet with me game and two other of our

0:15:07.880 --> 0:15:10.840
<v Speaker 1>people with the mayor behind closed doors. So we went

0:15:10.920 --> 0:15:12.480
<v Speaker 1>up there and talk when of them chopped it up,

0:15:12.840 --> 0:15:16.520
<v Speaker 1>got some understanding. Wasn't arguing, wasn't talking bad, wasn't you know,

0:15:16.840 --> 0:15:18.880
<v Speaker 1>down planning. We was trying to get some understanding and

0:15:19.000 --> 0:15:21.760
<v Speaker 1>some dialogue. They had a couple of meetings since then,

0:15:21.840 --> 0:15:23.680
<v Speaker 1>and it's looking like it's gonna be a great situation

0:15:23.800 --> 0:15:26.480
<v Speaker 1>in LA with the police in the communities because were

0:15:26.480 --> 0:15:29.200
<v Speaker 1>second tired of talking after the fact when we could

0:15:29.240 --> 0:15:31.120
<v Speaker 1>talk before the fact. But it's been going on forever,

0:15:31.360 --> 0:15:34.320
<v Speaker 1>especially in that later part time that police bobles with

0:15:34.400 --> 0:15:37.520
<v Speaker 1>the Rodney King take. But it's never been communication. And

0:15:37.600 --> 0:15:40.000
<v Speaker 1>one thing about LA. We have sheriffs and we have

0:15:40.160 --> 0:15:46.000
<v Speaker 1>police department. The Sheriff's department have minor incidents because they

0:15:46.080 --> 0:15:49.000
<v Speaker 1>are sent to the county jail for eighteen months as

0:15:49.040 --> 0:15:50.760
<v Speaker 1>a part of their training before they hit the streets.

0:15:51.280 --> 0:15:54.880
<v Speaker 1>The lap D don't get no communication with the streets

0:15:55.040 --> 0:15:57.880
<v Speaker 1>until they hit the streets, so there's a miscommunication off

0:15:57.920 --> 0:15:59.680
<v Speaker 1>the jump. If you're scared, you never dealt with nobody

0:15:59.680 --> 0:16:01.640
<v Speaker 1>from the hood. You don't know what he looked like. Hi.

0:16:01.920 --> 0:16:03.880
<v Speaker 1>Now you already got a different perception on you. But

0:16:03.960 --> 0:16:05.840
<v Speaker 1>if you've been in the county gym, You've been around him.

0:16:05.880 --> 0:16:07.840
<v Speaker 1>You know they laying go, they know you. It's a

0:16:07.920 --> 0:16:10.440
<v Speaker 1>different perspective when the sheriffs pull up. All the sheriffs

0:16:10.480 --> 0:16:12.760
<v Speaker 1>won't doping guns. If you ain't gotten on dope and

0:16:12.800 --> 0:16:14.600
<v Speaker 1>no guns, they're letting you go. They're not gonna shoot

0:16:14.600 --> 0:16:16.440
<v Speaker 1>you when they don't shoot you that much. When they're

0:16:16.440 --> 0:16:19.880
<v Speaker 1>not gonna shoot you. On GPR, the LAPD, they got

0:16:19.960 --> 0:16:21.560
<v Speaker 1>a different agenda. So we were trying to get that

0:16:21.720 --> 0:16:24.360
<v Speaker 1>understanding on let's get some different protocols so they could

0:16:24.400 --> 0:16:27.400
<v Speaker 1>be around these people in the community before they start

0:16:27.480 --> 0:16:30.640
<v Speaker 1>policing this community. All right, we got moreen stoop when

0:16:30.680 --> 0:16:33.640
<v Speaker 1>we come back. Snoop's in the building. The breakfast club

0:16:37.360 --> 0:16:40.480
<v Speaker 1>that was Drake with Controller Morning, Everybody's DJ M v

0:16:40.720 --> 0:16:43.920
<v Speaker 1>Angela Yee, Charlemagne the guy we are the breakfast club

0:16:44.320 --> 0:16:46.800
<v Speaker 1>Snoop Dog is in the building. Did you learn how

0:16:46.840 --> 0:16:49.200
<v Speaker 1>to de escalating stuff? Like? Probably during Like do you

0:16:49.240 --> 0:16:51.200
<v Speaker 1>wish you had that same mentality during the whole East

0:16:51.240 --> 0:16:54.560
<v Speaker 1>Coast West Coast fiasco? I think I did. At the

0:16:54.600 --> 0:16:57.920
<v Speaker 1>Source Award that was a perfect example of de escalation

0:16:58.000 --> 0:17:01.720
<v Speaker 1>because Suge Knight had an escal too. I've seen people

0:17:01.800 --> 0:17:04.320
<v Speaker 1>reaching for pistols and I've seen pistols in There was

0:17:04.400 --> 0:17:07.080
<v Speaker 1>no police security. It was all hood security. It was

0:17:07.160 --> 0:17:09.720
<v Speaker 1>New York versus Death Row Records at that point, and

0:17:09.960 --> 0:17:12.960
<v Speaker 1>my conversation on that stage brought New York to a

0:17:13.560 --> 0:17:15.560
<v Speaker 1>point to what they said, you know what, We're gonna

0:17:15.640 --> 0:17:17.440
<v Speaker 1>let y'all get out of here. To us, that looked

0:17:17.520 --> 0:17:20.159
<v Speaker 1>hostile when it was very hostile because it was me

0:17:20.359 --> 0:17:22.520
<v Speaker 1>saying that I know where I'm at. But at the

0:17:22.600 --> 0:17:25.240
<v Speaker 1>same time, y'all know this is a gangster rap that

0:17:25.359 --> 0:17:28.520
<v Speaker 1>we do. We don't just talk it, we live it.

0:17:29.200 --> 0:17:31.760
<v Speaker 1>So if you're really really in the mix, this is

0:17:31.840 --> 0:17:33.920
<v Speaker 1>what takes place in the mix. And at that time,

0:17:34.320 --> 0:17:37.640
<v Speaker 1>Puffy wasn't with it like that. He was making his music.

0:17:37.720 --> 0:17:39.200
<v Speaker 1>He wasn't what the you know, I ain't with the

0:17:39.320 --> 0:17:41.680
<v Speaker 1>raw rock. I'm with the music. Should was with the

0:17:41.800 --> 0:17:43.879
<v Speaker 1>raw rock. And it's like, you know, it was a

0:17:43.960 --> 0:17:46.720
<v Speaker 1>fine line because Puffy and then was my friends, but

0:17:46.960 --> 0:17:48.840
<v Speaker 1>I'm riding with Death Row and at the same time

0:17:48.880 --> 0:17:50.480
<v Speaker 1>I'm in New York's was like, if I don't say

0:17:50.520 --> 0:17:54.480
<v Speaker 1>the right words, we all gonna get killed. Damn. So

0:17:54.640 --> 0:17:57.719
<v Speaker 1>I come back and kick the buildings over because something happened,

0:17:59.160 --> 0:18:02.879
<v Speaker 1>because something that I ain't gonna speak on that. We

0:18:03.000 --> 0:18:04.960
<v Speaker 1>took that on the chin and said we'd just getting

0:18:05.000 --> 0:18:06.639
<v Speaker 1>back on this side, you know what I'm saying. Like,

0:18:06.720 --> 0:18:10.240
<v Speaker 1>when you involved into the art of war, certain losses

0:18:10.280 --> 0:18:13.959
<v Speaker 1>you take, certain you know, sacrifices you make. It come

0:18:14.040 --> 0:18:15.879
<v Speaker 1>with the territory. And we knew where it came from.

0:18:15.920 --> 0:18:17.919
<v Speaker 1>We knew who sent the shot, and we never had

0:18:17.960 --> 0:18:20.520
<v Speaker 1>a problem with him. We allowed that to happen because

0:18:20.560 --> 0:18:22.560
<v Speaker 1>we knew in the art of war that's what happens

0:18:22.600 --> 0:18:25.080
<v Speaker 1>when you you're getting busy. You gotta get, you gotta

0:18:25.119 --> 0:18:26.440
<v Speaker 1>take what you get, you know what I'm saying. So

0:18:26.520 --> 0:18:29.520
<v Speaker 1>it's like we lived through it. We survived it, We forgave,

0:18:29.600 --> 0:18:32.520
<v Speaker 1>and we forgot, and we moved forward. The parties that

0:18:32.680 --> 0:18:35.280
<v Speaker 1>was involved, we met behind closed doors and we got

0:18:35.359 --> 0:18:37.320
<v Speaker 1>an understand it. Yeah, I know you sent that at me.

0:18:37.600 --> 0:18:40.320
<v Speaker 1>That was a good shot. You missed though. I forgive you.

0:18:40.359 --> 0:18:42.200
<v Speaker 1>We're gonna move forward. I ain't gonna send nothing at you.

0:18:42.280 --> 0:18:45.320
<v Speaker 1>When you're on my side. We're gravy, We're gravy. We're good.

0:18:45.440 --> 0:18:47.280
<v Speaker 1>Can you tell the story about Nags man, that was

0:18:47.400 --> 0:18:49.399
<v Speaker 1>the first time you met Knowledge. You said, yeah, the

0:18:49.440 --> 0:18:52.240
<v Speaker 1>first time I met Nasty Nash. I was in a

0:18:52.359 --> 0:18:55.040
<v Speaker 1>gardena on a hundred and I think it was thirty

0:18:55.119 --> 0:18:57.000
<v Speaker 1>six thirty fifth, one of those threts and that's a

0:18:57.040 --> 0:18:59.960
<v Speaker 1>crip neighborhood. Yeah, shot guns. And I was out there

0:19:00.080 --> 0:19:03.120
<v Speaker 1>hanging tough for my own boys. And a white van

0:19:03.240 --> 0:19:06.520
<v Speaker 1>pulls up and it got like a bot fifteen sixteen

0:19:06.600 --> 0:19:09.840
<v Speaker 1>people in it. All of a sudden, door some dude

0:19:09.920 --> 0:19:12.879
<v Speaker 1>jump out and sweatpants is lifted up to his knee

0:19:12.920 --> 0:19:18.000
<v Speaker 1>with some boots on. He got on all ready running

0:19:18.119 --> 0:19:21.919
<v Speaker 1>right towards me. Homies is like they all drawn, they

0:19:22.000 --> 0:19:23.840
<v Speaker 1>from the draw down on him. I'm like, hold on, cut,

0:19:23.920 --> 0:19:26.600
<v Speaker 1>that's the rapper from New York. That's Nasty Nas comes.

0:19:27.160 --> 0:19:29.719
<v Speaker 1>So he come over to hi and he shaked my hand.

0:19:29.800 --> 0:19:31.879
<v Speaker 1>I'm like, h it's a pleasure to meet you, but

0:19:32.080 --> 0:19:35.160
<v Speaker 1>let me let you know, and you ever in La,

0:19:35.440 --> 0:19:37.760
<v Speaker 1>don't ever jump out with no red or no blue

0:19:37.800 --> 0:19:40.000
<v Speaker 1>on because you don't know what neighborhoods you in. Love one.

0:19:40.200 --> 0:19:42.240
<v Speaker 1>Take my number down so I'll high let you next

0:19:42.280 --> 0:19:43.840
<v Speaker 1>time you come to this crazy because I tell you

0:19:43.920 --> 0:19:45.280
<v Speaker 1>the time Nas pulled out a gun on me. I

0:19:45.359 --> 0:19:48.160
<v Speaker 1>rand up on nas like that. I read up on Nas.

0:19:48.160 --> 0:19:50.440
<v Speaker 1>I had had mixtapes in the bag. I read a

0:19:50.480 --> 0:19:52.520
<v Speaker 1>more him just like that. Your nos I got something

0:19:52.560 --> 0:19:53.960
<v Speaker 1>for you, and I was going in my bag to

0:19:54.040 --> 0:19:58.240
<v Speaker 1>pull it out. Not a good idea for me, I said,

0:19:58.240 --> 0:20:02.160
<v Speaker 1>it's a CD. Mighty guy, I said, what you got?

0:20:03.119 --> 0:20:05.399
<v Speaker 1>What you got for me? You used a role like

0:20:05.480 --> 0:20:07.920
<v Speaker 1>that at one point used had a briefcase. Yeah, all

0:20:07.960 --> 0:20:10.200
<v Speaker 1>that old stuff, man, Charlotta Magne. I'm peace now. What

0:20:10.280 --> 0:20:13.800
<v Speaker 1>I understood about about moving with the piece. When I

0:20:13.920 --> 0:20:16.520
<v Speaker 1>had the gun and have gun problems will travel. You

0:20:16.520 --> 0:20:18.080
<v Speaker 1>know what I'm saying. They say, have gun will travel,

0:20:18.200 --> 0:20:20.880
<v Speaker 1>have gun problems will travel. When I removed the gun

0:20:21.000 --> 0:20:23.080
<v Speaker 1>from my game, I had less issues because I was

0:20:23.160 --> 0:20:25.720
<v Speaker 1>able to finesse and able to be more strategic with

0:20:25.840 --> 0:20:27.760
<v Speaker 1>my conversation. When I had the gun with me, I was,

0:20:28.040 --> 0:20:30.399
<v Speaker 1>you know, reckless, because I had that thing, and I

0:20:30.520 --> 0:20:33.000
<v Speaker 1>thought that thing was, you know, just like everybody else

0:20:33.080 --> 0:20:34.879
<v Speaker 1>was one of them things they conversation. It is more

0:20:34.920 --> 0:20:37.720
<v Speaker 1>reckless when you ain't got one. You're more understanding. And

0:20:37.800 --> 0:20:39.119
<v Speaker 1>that's where I wanted to be. I wanted to be

0:20:39.160 --> 0:20:41.840
<v Speaker 1>about peace as opposed to pushing violence. And you said

0:20:42.000 --> 0:20:45.800
<v Speaker 1>you first smoke we with your son, right, my oldest son. Yeah, yeah, yeah,

0:20:45.800 --> 0:20:47.600
<v Speaker 1>we did that question there on the Breakfay Club. I think,

0:20:47.600 --> 0:20:49.320
<v Speaker 1>would you smoke we with the child to keep it

0:20:49.400 --> 0:20:51.120
<v Speaker 1>from doing it in the stream, because like I say,

0:20:51.240 --> 0:20:53.400
<v Speaker 1>you know, what I'm gonna give him is the righteous way.

0:20:53.400 --> 0:20:54.720
<v Speaker 1>I don't know what y'all gonna put in there. You

0:20:54.760 --> 0:20:57.240
<v Speaker 1>may lace it, you know, it may be. I don't know,

0:20:57.480 --> 0:20:59.280
<v Speaker 1>because it happened to me before. I've been laced with

0:20:59.359 --> 0:21:01.080
<v Speaker 1>some things, so I don't trust the game. So I

0:21:01.119 --> 0:21:04.320
<v Speaker 1>would rather get him, you know, school for me personally

0:21:04.600 --> 0:21:07.040
<v Speaker 1>on the understand on what is and whatnot and what

0:21:07.200 --> 0:21:09.439
<v Speaker 1>to do and what not to do. I think they

0:21:09.480 --> 0:21:10.960
<v Speaker 1>did that to you on purpose because they knew you

0:21:11.040 --> 0:21:13.840
<v Speaker 1>snoop and everybody want to out smoke. Let me place

0:21:13.960 --> 0:21:16.880
<v Speaker 1>this blood real quick, just to say I don't even

0:21:16.880 --> 0:21:18.560
<v Speaker 1>take blunts from people no more. You know, it used

0:21:18.560 --> 0:21:19.639
<v Speaker 1>to be I used to be in the crowd. I

0:21:19.760 --> 0:21:21.520
<v Speaker 1>used to be reckless. Man, I be in the crowd

0:21:21.560 --> 0:21:23.159
<v Speaker 1>and the ammy I'd be like, oh when then I

0:21:23.240 --> 0:21:28.080
<v Speaker 1>started looking at these people like, I don't know, I'm

0:21:28.160 --> 0:21:30.520
<v Speaker 1>cool I'm gonna tell you how you influenced me. Recently,

0:21:31.200 --> 0:21:32.879
<v Speaker 1>we were having a cookout and I was gonna make

0:21:32.920 --> 0:21:36.639
<v Speaker 1>some turkey franks. Oh and then my family was like,

0:21:36.720 --> 0:21:40.400
<v Speaker 1>you gotta see Snoop finding out what is in these

0:21:40.440 --> 0:21:42.240
<v Speaker 1>hot dogs? And you're not gonna eat that again. You know,

0:21:42.280 --> 0:21:44.200
<v Speaker 1>we threw the pack of franks out. Give me so

0:21:47.080 --> 0:21:50.680
<v Speaker 1>it ain't. That's the same. It's the same machine man.

0:21:50.960 --> 0:21:53.960
<v Speaker 1>It's nasty, man. Did you see that? You have to

0:21:54.000 --> 0:21:55.840
<v Speaker 1>see it. It'll make you never eat it again. I'm

0:21:55.840 --> 0:21:58.600
<v Speaker 1>telling you list horrible man. It's and I don't I

0:21:58.680 --> 0:22:00.159
<v Speaker 1>can't get in. I used to come to New or

0:22:00.359 --> 0:22:03.359
<v Speaker 1>my hotel. He got a hot dog man that right

0:22:03.480 --> 0:22:06.440
<v Speaker 1>on the corner. Me and cub Bean cool for twenty years.

0:22:06.920 --> 0:22:08.680
<v Speaker 1>I don't even look at him no more. I just

0:22:08.800 --> 0:22:11.680
<v Speaker 1>brought right past him like he like, Snoop, My hot

0:22:11.760 --> 0:22:14.680
<v Speaker 1>dogs are waiting for you. No. I'm good because I've

0:22:14.720 --> 0:22:17.240
<v Speaker 1>seen what y'all doing. I'm cool on you. DMX was

0:22:17.440 --> 0:22:23.119
<v Speaker 1>a few weeks ago. He ate four of them right

0:22:23.160 --> 0:22:27.320
<v Speaker 1>on the corner. He drink a whole bottle of Henny

0:22:27.359 --> 0:22:29.000
<v Speaker 1>and he was hungry that he had four hot dogs

0:22:29.000 --> 0:22:30.719
<v Speaker 1>to up all over the street. That's my dog right.

0:22:31.080 --> 0:22:33.000
<v Speaker 1>He's the only person that ever got me to drink

0:22:33.040 --> 0:22:35.560
<v Speaker 1>Hennessy at an award show. And I mean at an

0:22:35.560 --> 0:22:37.480
<v Speaker 1>award show that's on TV. Like we was at the

0:22:37.520 --> 0:22:39.880
<v Speaker 1>Grammys or something. He was sitting like two seats down

0:22:40.359 --> 0:22:42.640
<v Speaker 1>and he had a Hennessy bottle. He was just big doll.

0:22:43.240 --> 0:22:45.840
<v Speaker 1>You wos them. I couldn't even say no. I was like, yeah,

0:22:46.000 --> 0:22:48.560
<v Speaker 1>get here cuz I'm like, we're sitting up in there

0:22:48.600 --> 0:22:51.199
<v Speaker 1>getting drunk in the Grammys in front of all these

0:22:51.240 --> 0:22:54.240
<v Speaker 1>white folks with real Hennessy, no cups straight out the bottom.

0:22:54.480 --> 0:22:56.720
<v Speaker 1>Shout out to DMX for keeping the hood. Snoop, you

0:22:56.720 --> 0:22:58.680
<v Speaker 1>ain't never cared about your image in front of white folks.

0:23:01.160 --> 0:23:05.040
<v Speaker 1>Crazy Snoop joining us Man, Thank y'all for having me. Man.

0:23:05.080 --> 0:23:07.639
<v Speaker 1>It's one of my favorite shows to do, just because

0:23:07.760 --> 0:23:10.840
<v Speaker 1>y'all always keeping one hunting, y'all, keep it real, y'all

0:23:10.920 --> 0:23:14.000
<v Speaker 1>solid with me. I've done interviews with y'all individually and together,

0:23:14.040 --> 0:23:16.399
<v Speaker 1>and I love with y'all. Stand for a team success.

0:23:16.440 --> 0:23:18.480
<v Speaker 1>From glad to see y'all on a real TV network too.

0:23:19.880 --> 0:23:22.760
<v Speaker 1>The Breakfast Club, The Snoop Girl. Hello, that was Tory

0:23:22.800 --> 0:23:26.520
<v Speaker 1>Lanz with Love Morning. Everybody's DJ m vy Angela Yee,

0:23:26.640 --> 0:23:29.520
<v Speaker 1>Charlomagne the guy. We are the Breakfast Club. We got

0:23:29.560 --> 0:23:31.360
<v Speaker 1>a special guest in the building. Who are I seen

0:23:31.400 --> 0:23:32.840
<v Speaker 1>in the hall? I said, you're coming for war? You

0:23:32.920 --> 0:23:40.840
<v Speaker 1>got that's that's not what you're saying. That's you and likesical.

0:23:40.960 --> 0:23:43.200
<v Speaker 1>He just came off the train, he said, are on

0:23:43.240 --> 0:23:46.160
<v Speaker 1>the champion hoodie and some Timberland. Look he about to stick.

0:23:46.200 --> 0:23:49.920
<v Speaker 1>Somebody said he got that. That's that's a that's a

0:23:50.240 --> 0:23:54.360
<v Speaker 1>that's a fair assessment. Yeah, I came out of a cab.

0:23:54.480 --> 0:23:57.080
<v Speaker 1>But uh so, what's been up with you? Man? On

0:23:57.160 --> 0:23:59.639
<v Speaker 1>the grind? Baby, just just just trying to stay relevant.

0:23:59.800 --> 0:24:01.880
<v Speaker 1>I've been to airy spells. Like I told him before

0:24:01.920 --> 0:24:05.520
<v Speaker 1>you walking out was like Airy was on everything growing buys,

0:24:06.040 --> 0:24:08.640
<v Speaker 1>TV shows. He was all over New York. Can find

0:24:08.680 --> 0:24:12.399
<v Speaker 1>him in the club. You didn't want to sacrifice to go? No, no, no,

0:24:12.480 --> 0:24:13.760
<v Speaker 1>it ain't got nothing to do. But I'm just kidd

0:24:13.800 --> 0:24:15.440
<v Speaker 1>when you say what happened? Why you why you say

0:24:15.520 --> 0:24:17.960
<v Speaker 1>what happened? As much as we used to. He's saying

0:24:18.000 --> 0:24:24.640
<v Speaker 1>you fell off airy to off an you know, it's

0:24:24.640 --> 0:24:26.080
<v Speaker 1>funny to me I know that's not what he's trying

0:24:26.119 --> 0:24:27.240
<v Speaker 1>to say, but you know, it's funny to me. It

0:24:27.280 --> 0:24:29.280
<v Speaker 1>ain't like cats don't say that. You know, I read

0:24:29.359 --> 0:24:31.440
<v Speaker 1>the Twitter. I hear what people say. But you know,

0:24:31.520 --> 0:24:34.520
<v Speaker 1>people lose perspective. You know, if falling off me it's

0:24:34.520 --> 0:24:36.640
<v Speaker 1>going on Abu Dhabi and doing one show for eighty

0:24:36.720 --> 0:24:39.439
<v Speaker 1>grand you know, then you wish to fall off. If

0:24:39.760 --> 0:24:42.399
<v Speaker 1>falling off me, he's traveling all around the country, you know,

0:24:42.560 --> 0:24:45.320
<v Speaker 1>going to Europe, going you know, Australia, going to Africa,

0:24:45.359 --> 0:24:48.360
<v Speaker 1>doing shows with a fan base, then yeah, you wish

0:24:48.400 --> 0:24:50.280
<v Speaker 1>it was me. You know what I'm saying. You know,

0:24:50.359 --> 0:24:52.320
<v Speaker 1>it's like I do my job. You know, I eat

0:24:52.400 --> 0:24:54.640
<v Speaker 1>for free, drink for free, I travel, damn it for free.

0:24:54.880 --> 0:24:58.440
<v Speaker 1>You know, go anywhere I want, get love, you know. Yeah, yeah, yeah.

0:24:59.200 --> 0:25:01.480
<v Speaker 1>Being famous for dude, it's like being a beautiful woman.

0:25:01.520 --> 0:25:04.960
<v Speaker 1>A beautiful woman. So people's people's perspective is hilarious to

0:25:05.040 --> 0:25:07.040
<v Speaker 1>me when they say fall off, because it's like, look,

0:25:07.320 --> 0:25:09.600
<v Speaker 1>if you could have my life based on what you do,

0:25:10.240 --> 0:25:12.400
<v Speaker 1>and it ain't about trying to be braggadocious or nothing,

0:25:12.440 --> 0:25:14.000
<v Speaker 1>but it's like, look, I can make it one weekend

0:25:14.040 --> 0:25:15.960
<v Speaker 1>with you're making a year, you know what I'm saying.

0:25:16.000 --> 0:25:18.320
<v Speaker 1>So when people say, yo, you're falling off, it's like

0:25:18.400 --> 0:25:20.320
<v Speaker 1>if I fell often where you at? Do you think

0:25:20.440 --> 0:25:23.159
<v Speaker 1>times have changed as far as being able to be

0:25:23.800 --> 0:25:25.840
<v Speaker 1>the Paul Mooney type? I guess being able to speak

0:25:25.880 --> 0:25:28.159
<v Speaker 1>your mind because of social media and uh, you know what.

0:25:28.400 --> 0:25:31.879
<v Speaker 1>Not really you would think that it has, but not really. Uh,

0:25:32.400 --> 0:25:34.240
<v Speaker 1>you know, And and I'm trying to I'm trying to

0:25:34.359 --> 0:25:36.000
<v Speaker 1>learn a little bit and hold back a little bit

0:25:36.080 --> 0:25:37.720
<v Speaker 1>more because I know some of the things I say

0:25:37.760 --> 0:25:42.639
<v Speaker 1>can sometimes be off putting or shocking. Uh, But you know,

0:25:42.680 --> 0:25:44.680
<v Speaker 1>I'm trying to figure it out. You know, people think

0:25:44.720 --> 0:25:46.439
<v Speaker 1>that me and Kevin Hart really had a beef. There

0:25:46.440 --> 0:25:48.480
<v Speaker 1>is no beef. How you gonna be for somebody that huge?

0:25:48.840 --> 0:25:50.480
<v Speaker 1>You know, I never had a beef. I had an opinion,

0:25:52.440 --> 0:25:54.240
<v Speaker 1>you know, I was just simply saying that. You know.

0:25:54.520 --> 0:25:57.720
<v Speaker 1>It's almost like every comedian we always have the intention

0:25:57.760 --> 0:25:59.399
<v Speaker 1>of when we come out with a new joke, we

0:25:59.520 --> 0:26:01.560
<v Speaker 1>want that to be a home run out of the

0:26:01.640 --> 0:26:04.520
<v Speaker 1>park grand slam. That's your intention, But it don't always

0:26:04.560 --> 0:26:06.720
<v Speaker 1>work out like that. Sometimes it do, sometimes it don't.

0:26:07.119 --> 0:26:09.800
<v Speaker 1>So if your intention is to be up here and

0:26:09.920 --> 0:26:12.920
<v Speaker 1>you somewhere in here. You gotta part me. You gotta

0:26:12.960 --> 0:26:14.760
<v Speaker 1>work it and craft it till you get it to

0:26:14.960 --> 0:26:17.600
<v Speaker 1>that point. And sometimes all it takes is a word,

0:26:17.960 --> 0:26:21.920
<v Speaker 1>a phrase, a physical movement, a little something extra to

0:26:22.040 --> 0:26:24.320
<v Speaker 1>take you from here to hear. And if somebody gives

0:26:24.359 --> 0:26:27.960
<v Speaker 1>you the ingredient whatever that is to go from here

0:26:28.040 --> 0:26:31.440
<v Speaker 1>to hear, how do you claim genius? Because if your

0:26:31.480 --> 0:26:34.160
<v Speaker 1>bitch starts out like this, knowing you wanted to be here,

0:26:34.440 --> 0:26:36.359
<v Speaker 1>then you get it here to go. Yo, that's genius.

0:26:36.400 --> 0:26:39.120
<v Speaker 1>It was brilliant, okay, but before it was brilliant, where

0:26:39.119 --> 0:26:40.439
<v Speaker 1>did you get that to take it to the top.

0:26:40.480 --> 0:26:43.680
<v Speaker 1>So basically I'm just saying, yeah, you got you. You

0:26:43.720 --> 0:26:45.440
<v Speaker 1>know when you got somebody that can help give you

0:26:45.600 --> 0:26:48.879
<v Speaker 1>that last you make a gumbo and you go something's missing.

0:26:48.920 --> 0:26:51.240
<v Speaker 1>Doesn't every comedian to have a writer or no, every

0:26:51.240 --> 0:26:54.399
<v Speaker 1>commedian doesn't. You might have writers for TV show or movie,

0:26:54.760 --> 0:26:59.919
<v Speaker 1>but no, not every comic for stand up. Same thing

0:27:00.040 --> 0:27:02.280
<v Speaker 1>it stand up. It's stand up, so many of it.

0:27:02.359 --> 0:27:04.080
<v Speaker 1>If you look at a lot of comedy specials, at

0:27:04.080 --> 0:27:05.760
<v Speaker 1>the end of it, when you look at the credits,

0:27:05.960 --> 0:27:08.680
<v Speaker 1>it says written and produced by and nine times out

0:27:08.720 --> 0:27:11.040
<v Speaker 1>of ten is one name every nine and then year

0:27:11.119 --> 0:27:13.440
<v Speaker 1>you might get somebody would a written by two people,

0:27:13.760 --> 0:27:16.960
<v Speaker 1>or usually it's one name, one author. That's it. It's

0:27:17.000 --> 0:27:19.800
<v Speaker 1>my thing with comedians, right like every comedian has to

0:27:19.920 --> 0:27:21.840
<v Speaker 1>mention Kevin Hard in some way and it's never like

0:27:21.920 --> 0:27:24.440
<v Speaker 1>a flattering thing. And I always wonder why, Well, first,

0:27:24.560 --> 0:27:28.040
<v Speaker 1>I've always started off immediately by going, yo, Kevin Hard

0:27:28.160 --> 0:27:32.200
<v Speaker 1>is so legit as a talent, nooys, you know what

0:27:32.200 --> 0:27:34.879
<v Speaker 1>I mean. So I never said he wasn't funny. The

0:27:34.960 --> 0:27:38.000
<v Speaker 1>boy is the truth. I'm just saying, as far as

0:27:38.119 --> 0:27:41.399
<v Speaker 1>stand up goes, it's real hard to come out with

0:27:41.520 --> 0:27:45.760
<v Speaker 1>a banging hour that consistently. And I understand, you know,

0:27:45.840 --> 0:27:47.359
<v Speaker 1>he says I work hard and all that, and I

0:27:47.440 --> 0:27:49.840
<v Speaker 1>get that and I respected. But again, if you got

0:27:49.960 --> 0:27:52.840
<v Speaker 1>somebody telling you, hey, man, that joke you just did

0:27:53.200 --> 0:27:56.239
<v Speaker 1>say this instead, and that that's the difference between one

0:27:56.320 --> 0:27:59.639
<v Speaker 1>and ten, maybe Kevin's just that good. You're getting one

0:27:59.680 --> 0:28:02.040
<v Speaker 1>sense as far as being able to deliver an hour

0:28:02.160 --> 0:28:06.119
<v Speaker 1>every year written by himself or him Yeah, maybe because

0:28:06.119 --> 0:28:07.560
<v Speaker 1>you got to thinkink about how much he's on the

0:28:07.600 --> 0:28:09.280
<v Speaker 1>road and how much he travels all the different place

0:28:09.320 --> 0:28:10.800
<v Speaker 1>he goes. He's got a lot of material to draw

0:28:10.920 --> 0:28:12.159
<v Speaker 1>and a lot of that saff It's from his own

0:28:12.200 --> 0:28:14.320
<v Speaker 1>life too, like his family and his kids. Like he said,

0:28:14.320 --> 0:28:16.800
<v Speaker 1>he doesn't really get into politics, right and things like

0:28:16.920 --> 0:28:20.400
<v Speaker 1>that too much. He talks more about his family. God

0:28:20.440 --> 0:28:22.919
<v Speaker 1>bless him, God bless him. I just it was my opinion.

0:28:23.080 --> 0:28:24.840
<v Speaker 1>You said you would, you would, Cap have no problems

0:28:24.880 --> 0:28:27.240
<v Speaker 1>and he's launching is a comic network. Would you do

0:28:27.359 --> 0:28:29.640
<v Speaker 1>something on this coming? He said it specifically, he would,

0:28:29.720 --> 0:28:32.479
<v Speaker 1>he would have you absolutely listen, Man, if the money right,

0:28:32.520 --> 0:28:35.080
<v Speaker 1>I'm there, you know, And like I said, there never

0:28:35.280 --> 0:28:38.040
<v Speaker 1>was any beast. It's a shame now that you can't

0:28:38.160 --> 0:28:41.760
<v Speaker 1>say something about somebody an opinion and people run with it,

0:28:42.120 --> 0:28:44.040
<v Speaker 1>like you know, it's blasphemy. You know what I think

0:28:44.040 --> 0:28:47.360
<v Speaker 1>it is because your respective comic also and it gets

0:28:47.400 --> 0:28:49.320
<v Speaker 1>it holds more weight, anything holds more weight when you

0:28:49.400 --> 0:28:51.880
<v Speaker 1>said then when somebody on Twitter says something right, I

0:28:51.920 --> 0:28:54.040
<v Speaker 1>think people just look for drama. We got more with

0:28:54.160 --> 0:28:56.520
<v Speaker 1>Arie Spears. When we come back. Now he's kind of

0:28:56.560 --> 0:28:58.800
<v Speaker 1>been blackballed in the industry. We'll talk about it when

0:28:58.800 --> 0:29:01.000
<v Speaker 1>we come back. Don't go any where. It's a Breakfast

0:29:01.040 --> 0:29:05.680
<v Speaker 1>Local Morning. That was for free. DJ Kalett Drake Morning.

0:29:05.760 --> 0:29:09.160
<v Speaker 1>Everybody is DJ m vy Angela Yee, Charlemagne the God.

0:29:09.240 --> 0:29:12.200
<v Speaker 1>We are the breakfast Club. Now we have comedian from

0:29:12.480 --> 0:29:15.160
<v Speaker 1>Mad TV Airy Spears in the building. Why do most

0:29:15.200 --> 0:29:18.720
<v Speaker 1>comedians have such a dark There's this perception of comics

0:29:19.040 --> 0:29:21.280
<v Speaker 1>being happy and telling jokes on stage, but in real

0:29:21.360 --> 0:29:23.600
<v Speaker 1>life they're like, you know, you know what makes me

0:29:23.720 --> 0:29:26.520
<v Speaker 1>miserable and depresses this business because it's not what it

0:29:26.600 --> 0:29:29.040
<v Speaker 1>should be. You know, I got into this thinking it

0:29:29.160 --> 0:29:31.160
<v Speaker 1>was it was about your talent. You did your thing

0:29:31.240 --> 0:29:33.840
<v Speaker 1>and the next thing boom. This stuff is so political,

0:29:34.000 --> 0:29:37.480
<v Speaker 1>it's so political, it's so racist like this, this this

0:29:37.640 --> 0:29:40.240
<v Speaker 1>business is dirty. Yeah, you was in a different world.

0:29:40.280 --> 0:29:43.760
<v Speaker 1>You didn't Mad TVA many special def Comedy Jym, you

0:29:43.880 --> 0:29:46.320
<v Speaker 1>weren't there. I don't you know what it's that That

0:29:46.440 --> 0:29:48.440
<v Speaker 1>might be easy to say from the outside looking in,

0:29:48.880 --> 0:29:51.840
<v Speaker 1>but I'm telling you it's it's so many pitfalls and

0:29:52.200 --> 0:29:55.400
<v Speaker 1>dirtiness to this. It's unreal. What happened? Did they did

0:29:55.480 --> 0:29:58.840
<v Speaker 1>you invite you to Illuminati meeting? Or did you not imed? Somebody?

0:29:58.880 --> 0:30:00.600
<v Speaker 1>You in a room? And I'm gonna get example, like

0:30:01.440 --> 0:30:04.920
<v Speaker 1>the girl that does the mother on Family Guy. Alex Bornstein,

0:30:05.520 --> 0:30:08.080
<v Speaker 1>she was on Mad TV. She did miss Swan, one

0:30:08.120 --> 0:30:12.680
<v Speaker 1>of the most racist c words I've ever been around. Like, yeah,

0:30:12.760 --> 0:30:14.480
<v Speaker 1>me and Debor was in the makeup room one day,

0:30:14.880 --> 0:30:16.600
<v Speaker 1>and you know, me and deborl like brother and sister.

0:30:16.680 --> 0:30:19.360
<v Speaker 1>Well our chemistry was there. And one day we're just

0:30:19.400 --> 0:30:22.600
<v Speaker 1>sitting around waiting to shoot. So Alex just starts looking

0:30:22.600 --> 0:30:24.760
<v Speaker 1>at her fingernails and she keeps rubbing her fingernails and

0:30:25.200 --> 0:30:27.640
<v Speaker 1>and uh, Debor used to date Pat Hillbay, the white

0:30:27.640 --> 0:30:30.920
<v Speaker 1>boy on the show. So she goes, oh my god, Pat,

0:30:31.280 --> 0:30:33.360
<v Speaker 1>I got all this black dirt under my fingernails, Like

0:30:33.360 --> 0:30:35.160
<v Speaker 1>I was raped by an N word, and I got

0:30:35.200 --> 0:30:37.840
<v Speaker 1>the evidence to prove it. So me and Debora took

0:30:37.880 --> 0:30:41.280
<v Speaker 1>offense to that, so you know, we complained to the right.

0:30:41.360 --> 0:30:44.480
<v Speaker 1>So yeah, so we complained to the producers about it,

0:30:44.880 --> 0:30:47.840
<v Speaker 1>and turn out the producers was like Arias and Deborah

0:30:47.880 --> 0:30:51.360
<v Speaker 1>making trouble and we got singled out for being troublemakers.

0:30:51.880 --> 0:30:55.160
<v Speaker 1>We was troublemakers for being insulted. Then somebody said that,

0:30:55.600 --> 0:30:56.880
<v Speaker 1>I mean, how do you you know what I'm saying? Like,

0:30:56.920 --> 0:30:59.520
<v Speaker 1>how you blame the victim how you blame the rape,

0:31:00.000 --> 0:31:01.240
<v Speaker 1>you know what I mean? And and so it's like,

0:31:01.320 --> 0:31:03.240
<v Speaker 1>and that's the kind of thing, this kind of thing

0:31:03.320 --> 0:31:06.240
<v Speaker 1>Hollywood is. You gotta it's so political and so racial.

0:31:06.240 --> 0:31:07.960
<v Speaker 1>You gotta watch where you step, you gotta watch what

0:31:08.080 --> 0:31:10.719
<v Speaker 1>you say, because all of it it's crazy. At one

0:31:10.760 --> 0:31:12.920
<v Speaker 1>point there had to be at least one moment where

0:31:12.960 --> 0:31:16.000
<v Speaker 1>you knew, all right, they ain't rocking with me, like

0:31:16.080 --> 0:31:19.040
<v Speaker 1>whether there's something in a meeting or something you're talking to.

0:31:19.440 --> 0:31:21.320
<v Speaker 1>I just to be honest, man, I felt like that

0:31:21.440 --> 0:31:23.840
<v Speaker 1>for the last couple of years. I truly believe to

0:31:23.960 --> 0:31:26.040
<v Speaker 1>some extent, whether it's true or not, or whether I

0:31:26.120 --> 0:31:28.600
<v Speaker 1>have I don't have any actual evidence of it, but

0:31:28.680 --> 0:31:30.760
<v Speaker 1>I just something I believe. I'm black ball, man. But

0:31:30.840 --> 0:31:33.960
<v Speaker 1>what I just just because there's a stigma. You know,

0:31:34.040 --> 0:31:35.760
<v Speaker 1>my managers even told me he goes well, you know,

0:31:36.280 --> 0:31:38.360
<v Speaker 1>people would go, yeah, he's talented, but it ain't worth

0:31:38.440 --> 0:31:40.560
<v Speaker 1>the trouble. We heard he's this, we heard he's that.

0:31:40.640 --> 0:31:42.560
<v Speaker 1>That's true to people always say you have a bad attitude.

0:31:42.560 --> 0:31:44.560
<v Speaker 1>So I wonder, do you think is there anything that

0:31:44.800 --> 0:31:47.680
<v Speaker 1>makes you say it could be me? Uh? Yeah, I

0:31:47.760 --> 0:31:50.600
<v Speaker 1>just just I should smile more you know I shouldn't interact.

0:31:50.800 --> 0:31:52.800
<v Speaker 1>I look like the Mahosia Dean. If I don't smile,

0:31:53.360 --> 0:31:57.600
<v Speaker 1>it looks serious smiling that hoodie, I'm walking another way. Well, listen, man,

0:31:57.600 --> 0:32:00.400
<v Speaker 1>I'm gonna be honestly, I was. I ain't gonna gonna lie.

0:32:00.440 --> 0:32:04.160
<v Speaker 1>I was slightly intimidated coming here because I again perception

0:32:04.400 --> 0:32:06.760
<v Speaker 1>from what I heard about Charlemagne and the way he

0:32:06.960 --> 0:32:09.320
<v Speaker 1>people say he is. I didn't know if I'm gonna

0:32:09.320 --> 0:32:11.000
<v Speaker 1>come to the studio, He's gonna try and test me.

0:32:11.160 --> 0:32:15.040
<v Speaker 1>That's terrible. That's a terrible perception. I've never been never

0:32:15.160 --> 0:32:16.840
<v Speaker 1>heard that. Oh no, I hear that all the time,

0:32:16.880 --> 0:32:18.880
<v Speaker 1>but I never do that before you watch any city

0:32:18.920 --> 0:32:22.600
<v Speaker 1>want to make you cry today, No, I'm just kidding now,

0:32:22.720 --> 0:32:24.800
<v Speaker 1>Kem Peel, because you talked about Mad TV only being

0:32:24.920 --> 0:32:26.960
<v Speaker 1>like the Farm League or whatever. But Kim Bill went

0:32:27.000 --> 0:32:28.960
<v Speaker 1>on the tremendous success. And it's funny because you, to me,

0:32:29.120 --> 0:32:31.000
<v Speaker 1>was the face of that show more than CAMPI well

0:32:31.000 --> 0:32:33.320
<v Speaker 1>one Key and Peel got on when the Titanic was sinking,

0:32:33.720 --> 0:32:35.720
<v Speaker 1>when the show was at the apex of its success

0:32:36.040 --> 0:32:38.840
<v Speaker 1>and its popularity. They weren't on once Will left, Mo

0:32:39.080 --> 0:32:41.240
<v Speaker 1>left Deborah and a lot of the people that helped

0:32:41.280 --> 0:32:44.600
<v Speaker 1>define the show. During that time period, the Titanic was sinking.

0:32:44.640 --> 0:32:48.000
<v Speaker 1>The writing, wasn't it strong? The cast wasn't it strong? Uh?

0:32:48.160 --> 0:32:50.480
<v Speaker 1>And I think more than popularity came from their own

0:32:50.880 --> 0:32:53.760
<v Speaker 1>sketch show, Kim Peel Show, than it did Mad TV.

0:32:54.160 --> 0:32:56.600
<v Speaker 1>And again God bless him. But and again that's another

0:32:56.640 --> 0:32:59.280
<v Speaker 1>thing I caught flat four. Uh, you said that can

0:32:59.360 --> 0:33:02.760
<v Speaker 1>Peel were chosen by the black community. Black people like

0:33:02.840 --> 0:33:05.080
<v Speaker 1>to go, well, what's being black? Well, I gotta talk

0:33:05.120 --> 0:33:08.560
<v Speaker 1>with ghetto and slang and act ignorant essence. There's a vibe.

0:33:08.840 --> 0:33:11.800
<v Speaker 1>Black people have a natural cool, a natural swagger. When

0:33:11.840 --> 0:33:14.040
<v Speaker 1>a dog come in the room, smell another dog. You

0:33:14.080 --> 0:33:16.640
<v Speaker 1>know what I'm saying. It's like brothers that are black

0:33:16.720 --> 0:33:18.880
<v Speaker 1>on the outside, but you could you could tell you

0:33:18.960 --> 0:33:21.880
<v Speaker 1>could you smell something ain't right? They ain't got that.

0:33:22.240 --> 0:33:24.080
<v Speaker 1>Something's missing in the gumboat. I don't know if you

0:33:24.280 --> 0:33:26.560
<v Speaker 1>articulated well enough for people don't understand. But I get

0:33:26.680 --> 0:33:28.280
<v Speaker 1>exactly what you're saying when you say that. What I'm

0:33:28.320 --> 0:33:30.200
<v Speaker 1>saying like like like you said, exactly what you mean

0:33:30.280 --> 0:33:32.920
<v Speaker 1>when you say they seem like people. I went to

0:33:33.000 --> 0:33:35.880
<v Speaker 1>college with you know what I'm saying, it's just a

0:33:35.960 --> 0:33:39.840
<v Speaker 1>different type of Listen, will will Smith is educated and

0:33:39.880 --> 0:33:44.200
<v Speaker 1>as articulate and as bright as any congressman or president

0:33:44.320 --> 0:33:48.880
<v Speaker 1>or scholar. But he's but he's a brother, DMX. But

0:33:49.000 --> 0:33:53.280
<v Speaker 1>but DMX, it's gutta gully razor in the mouth while

0:33:53.320 --> 0:33:55.600
<v Speaker 1>he talked to you, and he's a brother. Now they

0:33:55.760 --> 0:33:59.000
<v Speaker 1>two different kind of I'm saying, one's the Huckstables, one's

0:33:59.040 --> 0:34:02.200
<v Speaker 1>good Times. But they both legitimately black camp people don't

0:34:02.240 --> 0:34:05.440
<v Speaker 1>have no they don't black core. They don't like you know,

0:34:05.600 --> 0:34:09.120
<v Speaker 1>like even I got a black core. Dave Chappelle had

0:34:09.160 --> 0:34:11.880
<v Speaker 1>a black core right right, Listen, I'm not saying just

0:34:11.920 --> 0:34:14.840
<v Speaker 1>because you black dude with a white woman, uh you

0:34:15.760 --> 0:34:20.279
<v Speaker 1>not black, but most black dudes with white women don't

0:34:20.400 --> 0:34:22.600
<v Speaker 1>tend to be in touch with who they are, and

0:34:22.760 --> 0:34:25.200
<v Speaker 1>the ones that are usually have white women that want

0:34:25.239 --> 0:34:27.360
<v Speaker 1>to be nick. Nate Parker would disagree with you, right.

0:34:27.400 --> 0:34:29.080
<v Speaker 1>He made a movie about that. Turner and he has

0:34:29.120 --> 0:34:31.960
<v Speaker 1>a white wife. Were making a movie and being who

0:34:32.040 --> 0:34:34.040
<v Speaker 1>you really are two different things. We just talked about

0:34:34.040 --> 0:34:36.480
<v Speaker 1>that I could make a movie being a semi homosexual

0:34:36.719 --> 0:34:39.000
<v Speaker 1>that don't mean, I'm homosexual. So just because you make

0:34:39.040 --> 0:34:42.080
<v Speaker 1>a movie on racism, don't mean you send my homosexual.

0:34:44.760 --> 0:34:50.920
<v Speaker 1>We're gonna leave it there. What is this all? What

0:34:51.080 --> 0:34:56.200
<v Speaker 1>is this? Yeah? Yeah, you know what I mean? Man,

0:34:58.120 --> 0:35:03.959
<v Speaker 1>the spend Breakfast Club, thank you. That was Bryson until

0:35:04.000 --> 0:35:07.520
<v Speaker 1>it with Dope Morning. Everybody is DJ Envy, Angela, Ye,

0:35:07.719 --> 0:35:11.560
<v Speaker 1>Charlemagne the guy. We are the breakfast tapping battles. We

0:35:11.640 --> 0:35:13.920
<v Speaker 1>got a special gust in the building who left Angela

0:35:14.160 --> 0:35:16.280
<v Speaker 1>and nice little love letter the other day. You're shooting

0:35:16.320 --> 0:35:18.960
<v Speaker 1>your shot, bro. He was just saying something nice, something

0:35:19.000 --> 0:35:21.320
<v Speaker 1>that y'all men need to learn from. So cool. It

0:35:21.480 --> 0:35:24.520
<v Speaker 1>was like, hey, babe, you look beautiful. Just made you

0:35:24.640 --> 0:35:29.719
<v Speaker 1>wear what you wore the other night. You know your baby.

0:35:30.040 --> 0:35:31.680
<v Speaker 1>It was it was like, yo, you a sexual mother.

0:35:31.840 --> 0:35:33.440
<v Speaker 1>Just want you to know that I'm get a loan

0:35:33.440 --> 0:35:36.479
<v Speaker 1>those sweet Yeah when you wake up in the morning,

0:35:36.560 --> 0:35:38.480
<v Speaker 1>y'all stuck it to a computer, which you mean mine

0:35:38.520 --> 0:35:40.399
<v Speaker 1>was better when he left you a not too talking

0:35:40.400 --> 0:35:44.680
<v Speaker 1>about talking about George better and I got him a gift,

0:35:45.200 --> 0:35:47.560
<v Speaker 1>you know, because it's new. You don't play in the show.

0:35:48.480 --> 0:35:50.480
<v Speaker 1>I was nobody wanted to take the shot. I was

0:35:50.480 --> 0:35:52.080
<v Speaker 1>like y y'all gonna take I'm like, y y'all gonna

0:35:52.080 --> 0:35:54.480
<v Speaker 1>take a shot of me. Everybody stays silent except Angela.

0:35:54.600 --> 0:35:56.640
<v Speaker 1>She was the only one that was ready to party. Said, yeah,

0:35:57.680 --> 0:35:59.319
<v Speaker 1>I went on the cup. You was just taking. Okay,

0:35:59.600 --> 0:36:02.560
<v Speaker 1>he needs congrats. When I told you, thank you so much. Now,

0:36:02.640 --> 0:36:04.960
<v Speaker 1>I was calling you Drake like you know for a minute,

0:36:05.520 --> 0:36:09.719
<v Speaker 1>and you were calling him. Well, I didn't. I still

0:36:09.760 --> 0:36:13.319
<v Speaker 1>don't know the difference sometimes, but the album is good.

0:36:13.480 --> 0:36:15.799
<v Speaker 1>But it sounds like you ain't developed your own sound yet. Bro.

0:36:16.320 --> 0:36:18.680
<v Speaker 1>You feel that like you sound like Trade. Sometimes you

0:36:18.760 --> 0:36:21.759
<v Speaker 1>sound like Fatty Wop on some records like well you

0:36:21.840 --> 0:36:25.319
<v Speaker 1>think that is who else? Probably just Fretti, Fattie Trade,

0:36:25.360 --> 0:36:28.000
<v Speaker 1>Freddie Trade. And I think there was a one song

0:36:28.120 --> 0:36:31.520
<v Speaker 1>that people were saying, this sounds reminiscent of Fatty Wapp. Okay,

0:36:32.080 --> 0:36:34.359
<v Speaker 1>but I don't know about the whole album, Nicole hard Love,

0:36:34.440 --> 0:36:41.680
<v Speaker 1>I like it. It sounds like Trade though. Okay, No,

0:36:41.800 --> 0:36:43.840
<v Speaker 1>but the album has gotten a really great reception. I

0:36:43.920 --> 0:36:46.200
<v Speaker 1>know I was jamming to it as well. So thank

0:36:46.239 --> 0:36:48.680
<v Speaker 1>you so much, and think and thank you to everybody

0:36:48.960 --> 0:36:51.360
<v Speaker 1>who purchased the album, whether or not it was like

0:36:51.719 --> 0:36:55.200
<v Speaker 1>you know, hard copy or online or streaming. Yeah, you know,

0:36:55.640 --> 0:36:57.400
<v Speaker 1>I'm just thankful to be at this point of my

0:36:57.480 --> 0:36:59.479
<v Speaker 1>life in my career. I've always wanted to drop an album.

0:36:59.560 --> 0:37:02.320
<v Speaker 1>So the fact that anybody has anything to say about it,

0:37:02.400 --> 0:37:05.200
<v Speaker 1>it just makes me happy, you know. And you have

0:37:05.320 --> 0:37:07.720
<v Speaker 1>three songs that are pretty big from off the album already,

0:37:07.760 --> 0:37:09.719
<v Speaker 1>which a lot of artists will never see, you know,

0:37:09.760 --> 0:37:11.440
<v Speaker 1>too successful at least. I would like to say the

0:37:11.480 --> 0:37:14.200
<v Speaker 1>second one is you know, on waited, you know success.

0:37:14.640 --> 0:37:16.520
<v Speaker 1>I like to say I have two successful singles right

0:37:16.600 --> 0:37:18.840
<v Speaker 1>now that I personally I'm proud of, and you know,

0:37:18.920 --> 0:37:20.640
<v Speaker 1>I'm just happy, like you said that they came from

0:37:20.680 --> 0:37:23.080
<v Speaker 1>the album and that you know, this pushes the album

0:37:23.160 --> 0:37:24.800
<v Speaker 1>and things of that nature that I have been a

0:37:24.840 --> 0:37:27.200
<v Speaker 1>fan of nineties music of course, could just say it.

0:37:27.280 --> 0:37:30.040
<v Speaker 1>And then the everybody fall in Love some time definitely, yeah,

0:37:30.120 --> 0:37:33.600
<v Speaker 1>definitely everything. And that's that Toronto influence too, for sure,

0:37:33.800 --> 0:37:36.040
<v Speaker 1>that we're sending that Beijing. You know, we go to

0:37:36.080 --> 0:37:37.680
<v Speaker 1>the because like you know, we we we grew up

0:37:37.719 --> 0:37:40.719
<v Speaker 1>in like the culture of going to the basement jam,

0:37:41.320 --> 0:37:44.400
<v Speaker 1>you know what I mean, all the parties. Why we

0:37:44.520 --> 0:37:47.120
<v Speaker 1>like the well, I don't know how it was. Yeah,

0:37:47.160 --> 0:37:49.160
<v Speaker 1>we was like the we was like the we felt

0:37:49.160 --> 0:37:50.480
<v Speaker 1>like we liked the home of that, like you know,

0:37:50.520 --> 0:37:52.759
<v Speaker 1>because like that's where Yeah, like that's how how it

0:37:52.800 --> 0:37:54.440
<v Speaker 1>always went in the North. It's like you always had

0:37:54.480 --> 0:37:56.000
<v Speaker 1>a basement in your house or something like that, and

0:37:56.040 --> 0:37:58.320
<v Speaker 1>that's where all the parties would be inside the house. So,

0:37:58.960 --> 0:38:04.680
<v Speaker 1>um no, definitely round a lot. You were in Texas.

0:38:04.719 --> 0:38:05.800
<v Speaker 1>You were in a lot of different places in the

0:38:05.880 --> 0:38:07.840
<v Speaker 1>US as well. Yeah, yeah, definitely, But I was in

0:38:07.920 --> 0:38:09.719
<v Speaker 1>Texas like a little bit later, Like I'm talking about

0:38:10.000 --> 0:38:12.200
<v Speaker 1>when I was like in high school and stuff like that.

0:38:12.440 --> 0:38:14.080
<v Speaker 1>That's when we were going to the jams and like,

0:38:14.280 --> 0:38:16.960
<v Speaker 1>you know, because my wife heard the love joint and

0:38:16.960 --> 0:38:19.279
<v Speaker 1>controller joint and she was like that west Ending he

0:38:19.400 --> 0:38:22.760
<v Speaker 1>was like he could pull that off without being true

0:38:22.960 --> 0:38:25.160
<v Speaker 1>west In. He's like, she's Jamaica's He was like, he

0:38:25.360 --> 0:38:28.080
<v Speaker 1>has to be true Weston because somebody that's not west

0:38:28.160 --> 0:38:30.280
<v Speaker 1>Ending and tried to do that pass but never said definitely.

0:38:30.440 --> 0:38:34.239
<v Speaker 1>Now I'm I'm I'm actually Besian. I'm just Jamaican by association,

0:38:34.320 --> 0:38:37.400
<v Speaker 1>and he's Besian to like, you know, oh, he's just

0:38:41.640 --> 0:38:45.000
<v Speaker 1>now I'm Besian, Like um uh, like my dad is

0:38:45.160 --> 0:38:47.440
<v Speaker 1>is Besian and my mom is technically from Guyana, but

0:38:48.200 --> 0:38:50.960
<v Speaker 1>she she's from a Dutch country, So I'm Dutch. Uh

0:38:51.360 --> 0:38:54.759
<v Speaker 1>carousales from out whatever? Now, how to say it blow?

0:38:54.840 --> 0:38:56.839
<v Speaker 1>Because you know, say it was a record that caught

0:38:56.920 --> 0:38:58.840
<v Speaker 1>fast nationally. It seemed like there was a lot of

0:38:58.880 --> 0:39:00.680
<v Speaker 1>money behind him because before we knew your name and

0:39:00.719 --> 0:39:03.640
<v Speaker 1>before we knew your face, the record came in. The

0:39:03.800 --> 0:39:05.920
<v Speaker 1>thing about that record was that was just the first

0:39:05.960 --> 0:39:08.600
<v Speaker 1>time that I finally had got to push from like

0:39:09.040 --> 0:39:12.319
<v Speaker 1>from like a major standpoint, like I was putting out

0:39:12.360 --> 0:39:15.800
<v Speaker 1>records like this from time. I want to say, like

0:39:15.840 --> 0:39:18.160
<v Speaker 1>if you go back into the old records, like you

0:39:18.239 --> 0:39:20.360
<v Speaker 1>go back to records like TLC that I had on

0:39:20.440 --> 0:39:23.320
<v Speaker 1>the Chicks tape too, it's the same effect, you know

0:39:23.360 --> 0:39:26.279
<v Speaker 1>what I mean. It's just like the records just kind

0:39:26.280 --> 0:39:28.160
<v Speaker 1>of went over people's head because nobody knew me, but

0:39:28.239 --> 0:39:30.080
<v Speaker 1>that that baldy, because they knew your record, but not

0:39:30.239 --> 0:39:32.880
<v Speaker 1>your face or your name, maybe saying nobody knows what

0:39:32.960 --> 0:39:35.319
<v Speaker 1>you look like. No he's but no, no, no, before

0:39:35.320 --> 0:39:39.439
<v Speaker 1>they but honestly, his record bigger than his face. We'll see.

0:39:39.520 --> 0:39:42.160
<v Speaker 1>Now it's a little different, I guess because I guess

0:39:43.760 --> 0:39:46.600
<v Speaker 1>he's not lying though, because before, before this moment, now

0:39:47.080 --> 0:39:49.480
<v Speaker 1>it was exactly like that. Now it's like, I go anyway,

0:39:49.520 --> 0:39:52.120
<v Speaker 1>if you're blackie, you just knew me, like or if

0:39:52.160 --> 0:39:54.520
<v Speaker 1>you're like, uh, some type of somebody who looks like

0:39:54.560 --> 0:39:56.439
<v Speaker 1>you listen to hip hop or music or some sort

0:39:56.520 --> 0:40:00.799
<v Speaker 1>you you know me randomly. Um, But it's like beforehand,

0:40:00.840 --> 0:40:02.960
<v Speaker 1>it was that exact problem. But I think my problem

0:40:03.080 --> 0:40:05.240
<v Speaker 1>was I would never shot videos for the right songs,

0:40:05.360 --> 0:40:09.200
<v Speaker 1>or I never was consistent with my visual base because

0:40:09.239 --> 0:40:11.960
<v Speaker 1>I'm such a picky guy. I take more into the

0:40:12.040 --> 0:40:13.960
<v Speaker 1>pride of it, so I can't just do videos like

0:40:14.040 --> 0:40:16.279
<v Speaker 1>this in post and standing in the corner, because that's

0:40:16.320 --> 0:40:18.880
<v Speaker 1>just not my way. You know, I care more so.

0:40:19.120 --> 0:40:20.719
<v Speaker 1>I think that was the problem back then, But now

0:40:20.800 --> 0:40:23.160
<v Speaker 1>you know, I'm on my Oh the girls think I'm

0:40:23.200 --> 0:40:25.279
<v Speaker 1>pretty all right. We got more with Tory Lanz when

0:40:25.360 --> 0:40:27.640
<v Speaker 1>we come back. We'll also find out why he did

0:40:27.760 --> 0:40:30.640
<v Speaker 1>Drake controller record over keep it lock this Brekfast Club,

0:40:30.680 --> 0:40:34.399
<v Speaker 1>Good Morning. That was Drake One Dance Morning Everybody. It's

0:40:34.440 --> 0:40:37.319
<v Speaker 1>DJ M v Angela Yee, Charlomagne the God. We all

0:40:37.360 --> 0:40:40.680
<v Speaker 1>the Breakfast Club. Tory Lanes is in the building. His

0:40:40.800 --> 0:40:43.640
<v Speaker 1>new albums out right now? What made you do Drake's

0:40:43.640 --> 0:40:46.719
<v Speaker 1>Controller over? I like the song We're you surprised at

0:40:46.760 --> 0:40:50.000
<v Speaker 1>Jack Move. We're surprised at the feedback of Controller because

0:40:50.040 --> 0:40:53.080
<v Speaker 1>it's it's one of the biggest records in the club.

0:40:53.239 --> 0:40:57.080
<v Speaker 1>But they like it better than the original version. Oh wow,

0:40:57.160 --> 0:40:59.759
<v Speaker 1>that's great man, not man for me personally, Like, you know,

0:40:59.800 --> 0:41:01.640
<v Speaker 1>we treat the Beast like it's like it's like a

0:41:01.760 --> 0:41:04.080
<v Speaker 1>y'all thing. Like you treat the Beast like rhythms, like

0:41:04.239 --> 0:41:06.120
<v Speaker 1>you know, you hop on them and if you do

0:41:06.280 --> 0:41:08.000
<v Speaker 1>your thing. But I know at one point you wasn't

0:41:08.000 --> 0:41:09.680
<v Speaker 1>trying to talk hop on. I got the keys that

0:41:09.800 --> 0:41:11.640
<v Speaker 1>day too, and I bodied that too. But it's just

0:41:11.760 --> 0:41:14.759
<v Speaker 1>I guess people just reacted to them. But you said

0:41:14.760 --> 0:41:16.399
<v Speaker 1>you didn't want to talk about Drake because you want

0:41:16.440 --> 0:41:18.600
<v Speaker 1>to do. I mean, I just feel like I feel

0:41:18.640 --> 0:41:20.960
<v Speaker 1>like the media kind of makes it such a thing

0:41:21.040 --> 0:41:22.960
<v Speaker 1>to the point where it's like they just want me

0:41:23.000 --> 0:41:24.560
<v Speaker 1>to feed into it at every point and it's just

0:41:24.680 --> 0:41:26.200
<v Speaker 1>not what it is. You know, I kind of do

0:41:26.280 --> 0:41:28.440
<v Speaker 1>it on your own. I mean, I feel you have

0:41:28.520 --> 0:41:34.080
<v Speaker 1>a video when we're really out here in Philly, real Toronto.

0:41:34.160 --> 0:41:36.000
<v Speaker 1>Did you get out here in Philly the other guys?

0:41:36.040 --> 0:41:37.640
<v Speaker 1>You know what I'm saying. I need know what we

0:41:37.719 --> 0:41:40.440
<v Speaker 1>really be out here. You were like you, I'm gonna Philly.

0:41:40.480 --> 0:41:45.880
<v Speaker 1>You're nice. Try buddies, you did that nice try If

0:41:45.960 --> 0:41:48.040
<v Speaker 1>you did it? No, No, but I know what we're

0:41:48.080 --> 0:41:50.319
<v Speaker 1>doing it. We're trying to sleek into this subject. We're

0:41:50.320 --> 0:41:52.120
<v Speaker 1>not gonna do that. We had to talk about that.

0:41:52.200 --> 0:41:54.160
<v Speaker 1>I told you that's out now. Would never bring it

0:41:54.239 --> 0:41:55.840
<v Speaker 1>up if you didn't do stuff like that. And I

0:41:56.000 --> 0:41:57.840
<v Speaker 1>feel you, but I told you it's out now. You

0:41:57.920 --> 0:41:59.879
<v Speaker 1>have a lot of artists support too. On your side.

0:42:00.160 --> 0:42:02.760
<v Speaker 1>I saw a lot of artists, um, you know, promoting

0:42:02.800 --> 0:42:05.120
<v Speaker 1>the album like I saw Rick Ross, Meek Mel, I

0:42:05.160 --> 0:42:07.399
<v Speaker 1>saw I push your t a lot of other artists.

0:42:07.440 --> 0:42:10.440
<v Speaker 1>Are these people that you have personal relationships friendships with

0:42:10.680 --> 0:42:14.279
<v Speaker 1>or is it just honestly yeah, I mean no, honestly, Um,

0:42:14.880 --> 0:42:17.840
<v Speaker 1>I try to send music to everybody. I make hooks

0:42:17.880 --> 0:42:19.800
<v Speaker 1>and stuff and I write you know, so you know,

0:42:19.880 --> 0:42:22.080
<v Speaker 1>people have heard about me either through those weird ways

0:42:22.200 --> 0:42:24.120
<v Speaker 1>or we've met each other in person, and it's always

0:42:24.120 --> 0:42:27.000
<v Speaker 1>been loved. I'm just happy for anybody who did you

0:42:27.080 --> 0:42:31.120
<v Speaker 1>know post the album, and you know, especially all MMG guys, yeah, radomly,

0:42:31.200 --> 0:42:33.440
<v Speaker 1>they all just did it. The reason why they did that,

0:42:34.200 --> 0:42:36.520
<v Speaker 1>I don't think so. I mean, while I know personally

0:42:36.680 --> 0:42:39.400
<v Speaker 1>toward him beforehand, and he saw me before all, this

0:42:40.600 --> 0:42:43.440
<v Speaker 1>has just been my man's from long time. I've been

0:42:43.480 --> 0:42:46.080
<v Speaker 1>making music with me since the Swavy mixtape, which is

0:42:46.160 --> 0:42:50.080
<v Speaker 1>like seven mixtapes ago and ross. I just met him randomly,

0:42:50.120 --> 0:42:51.520
<v Speaker 1>and I think the reason why he may have posted

0:42:51.600 --> 0:42:54.400
<v Speaker 1>my album was because randomly, like the first time I

0:42:54.520 --> 0:42:57.479
<v Speaker 1>really actually met him, we was in Miami. I don't

0:42:57.480 --> 0:43:00.680
<v Speaker 1>know how. I randomly had the album in the car

0:43:00.800 --> 0:43:02.319
<v Speaker 1>that I was just in, so I was randomly listening

0:43:02.320 --> 0:43:04.160
<v Speaker 1>to him when he walked out of studio between three

0:43:04.600 --> 0:43:06.799
<v Speaker 1>women and someone was like, yo, this story just rows.

0:43:06.840 --> 0:43:08.840
<v Speaker 1>And we met each other and he was like, anything

0:43:08.880 --> 0:43:10.120
<v Speaker 1>you need, I got you. But I think it was

0:43:10.160 --> 0:43:13.360
<v Speaker 1>off the level of you had mine and support choice.

0:43:13.400 --> 0:43:15.800
<v Speaker 1>You know, I don't think it was a calculation or

0:43:15.880 --> 0:43:18.160
<v Speaker 1>something like that. Let's talk about your goon days because

0:43:18.320 --> 0:43:20.640
<v Speaker 1>I'm listening to the album you used to be going

0:43:20.680 --> 0:43:24.080
<v Speaker 1>and you broke into somebody's house. I mean, when I

0:43:24.120 --> 0:43:26.960
<v Speaker 1>don't want to sit there and talk about exacting details,

0:43:27.160 --> 0:43:29.319
<v Speaker 1>but you did on that album. Yeah. But see that's

0:43:29.360 --> 0:43:31.319
<v Speaker 1>the thing. That's why you should cop the album because

0:43:31.320 --> 0:43:35.400
<v Speaker 1>the album has, you know, stories that I wouldn't necessarily

0:43:35.440 --> 0:43:37.160
<v Speaker 1>come in an interview and just talk about, because here's

0:43:37.160 --> 0:43:39.319
<v Speaker 1>not things to gloat about, you know. My whole thing

0:43:39.840 --> 0:43:42.440
<v Speaker 1>of course, and that's that's the change, and that's the

0:43:42.560 --> 0:43:46.840
<v Speaker 1>whole point of the album, you know, ums is to

0:43:46.960 --> 0:43:49.400
<v Speaker 1>show people from where we came. And that's the thing

0:43:49.480 --> 0:43:51.239
<v Speaker 1>like a lot of people have and I think that

0:43:51.360 --> 0:43:53.080
<v Speaker 1>I think that's about like, you know, even a lot

0:43:53.120 --> 0:43:54.880
<v Speaker 1>of my other interviews, a lot of people had this

0:43:55.640 --> 0:43:58.759
<v Speaker 1>misconception about Canada and about Toronto. Like it's just like

0:43:58.800 --> 0:44:02.239
<v Speaker 1>what you mean, misconception because people and I do soon,

0:44:02.640 --> 0:44:04.320
<v Speaker 1>you know what I mean. But I think people have

0:44:04.400 --> 0:44:06.840
<v Speaker 1>a misconception of how rough it is out there for

0:44:07.000 --> 0:44:09.360
<v Speaker 1>us when we grow up, and the things in the

0:44:09.440 --> 0:44:11.880
<v Speaker 1>politics that we still deal with that people don't think

0:44:11.920 --> 0:44:14.400
<v Speaker 1>we deal with, you know. But I'm not here to

0:44:14.800 --> 0:44:17.600
<v Speaker 1>you know, greasy up Canada. No, it's not what I'm

0:44:17.640 --> 0:44:19.360
<v Speaker 1>here to do. But I am here to tell the

0:44:19.480 --> 0:44:21.920
<v Speaker 1>real stories and to talk the stories that we go

0:44:22.040 --> 0:44:24.960
<v Speaker 1>through as young men in Canada, you know, most men

0:44:25.000 --> 0:44:28.279
<v Speaker 1>I know love Toronto, especially because of the women. That's

0:44:28.280 --> 0:44:31.200
<v Speaker 1>because they're going downtown. They're having a great time. They're

0:44:31.200 --> 0:44:34.080
<v Speaker 1>going outtown party and at nice clubs and doing great things.

0:44:34.120 --> 0:44:36.560
<v Speaker 1>But when we're growing up, we're not doing that. Like

0:44:36.680 --> 0:44:38.440
<v Speaker 1>we're not in any of those clubs, and we're definitely

0:44:38.480 --> 0:44:41.480
<v Speaker 1>not downtown in the inner city. That's just not what

0:44:41.640 --> 0:44:43.680
<v Speaker 1>we're doing. Like, you know what I mean, you're in

0:44:43.760 --> 0:44:46.480
<v Speaker 1>your own neighborhood and you're pushing back and you're in

0:44:46.640 --> 0:44:47.920
<v Speaker 1>you know what I mean, and you go through what

0:44:48.000 --> 0:44:50.799
<v Speaker 1>you go through in the city so small that there's

0:44:50.840 --> 0:44:53.719
<v Speaker 1>just no escaping anything. So at this point, it's like

0:44:53.880 --> 0:44:56.600
<v Speaker 1>all the young young kids, I'm who they look up to,

0:44:57.160 --> 0:44:58.880
<v Speaker 1>you know, I'm the person that they look up to

0:44:58.960 --> 0:45:01.640
<v Speaker 1>say to yo, I see him. I was out there

0:45:01.680 --> 0:45:03.839
<v Speaker 1>and saw him. I remember when you didn't have that rain,

0:45:03.960 --> 0:45:07.640
<v Speaker 1>that watch that bracelet, you know. But but for real,

0:45:07.960 --> 0:45:10.120
<v Speaker 1>people feel like that, like I remember when he was

0:45:10.160 --> 0:45:15.960
<v Speaker 1>sleeping on my couch. A lot of couches, A lot

0:45:16.040 --> 0:45:18.600
<v Speaker 1>of couches, man, a lot of back seats, a lot

0:45:18.680 --> 0:45:21.120
<v Speaker 1>of like yo, now I really talk like like I

0:45:21.440 --> 0:45:23.680
<v Speaker 1>lived in a lot of cars and I sucked on

0:45:23.680 --> 0:45:25.040
<v Speaker 1>a lot of couches. Bro I was at a lot

0:45:25.080 --> 0:45:27.479
<v Speaker 1>of people's houses, and I told a lot of people

0:45:27.520 --> 0:45:29.279
<v Speaker 1>to believe in this, and and you know, a lot

0:45:29.280 --> 0:45:30.919
<v Speaker 1>of people didn't believe in it. A lot of people

0:45:31.040 --> 0:45:32.919
<v Speaker 1>just looked at me and it was like, I can't

0:45:33.000 --> 0:45:36.399
<v Speaker 1>foresee this thing that you see, you know, and that's

0:45:36.440 --> 0:45:38.040
<v Speaker 1>why we're here at this point. And I told you

0:45:38.120 --> 0:45:39.759
<v Speaker 1>it's out. And that's what that I told you. It's

0:45:39.800 --> 0:45:41.520
<v Speaker 1>for us. For all the doubts that they say, is

0:45:41.560 --> 0:45:43.399
<v Speaker 1>do you guys get along in your Toronto ortist? Get along?

0:45:43.760 --> 0:45:46.080
<v Speaker 1>I get along with everybody. I don't actually like that's

0:45:46.120 --> 0:45:48.759
<v Speaker 1>the thing people think I have a you gotta stop drinking.

0:45:48.760 --> 0:45:52.000
<v Speaker 1>He even in Philly telling people they can't come there,

0:45:52.000 --> 0:45:53.360
<v Speaker 1>but didn't come into the best club and saying, you

0:45:53.400 --> 0:45:59.080
<v Speaker 1>get along with everybody, nice, dry budding, every artist, whether

0:45:59.120 --> 0:46:02.400
<v Speaker 1>it's the Bee, but whether is Belly, whether it's whoever.

0:46:02.560 --> 0:46:04.960
<v Speaker 1>Maybe we can no, No, I mean that's what I'm saying, Like,

0:46:05.280 --> 0:46:08.600
<v Speaker 1>I get along with everybody. I don't have a problem

0:46:08.680 --> 0:46:11.719
<v Speaker 1>with anybody in Toronto. Somebody has a problem with me,

0:46:11.960 --> 0:46:15.759
<v Speaker 1>that's different. But for me, I personally don't have a

0:46:16.000 --> 0:46:18.640
<v Speaker 1>like beef with me. If you're gonna know when I

0:46:18.719 --> 0:46:21.560
<v Speaker 1>have beef with somebody because one of us is just

0:46:21.719 --> 0:46:26.040
<v Speaker 1>falling out the cruise, you're gonna start seeing people missing

0:46:26.120 --> 0:46:28.640
<v Speaker 1>from either mine crew or his crew. That's just you're

0:46:28.680 --> 0:46:30.800
<v Speaker 1>gonna know when I have a beef with somebody. I

0:46:30.840 --> 0:46:33.600
<v Speaker 1>don't have a beef with nobody. You know. I want

0:46:33.600 --> 0:46:37.200
<v Speaker 1>to make people disappear. I guess not what I said.

0:46:38.480 --> 0:46:40.480
<v Speaker 1>I'm just saying that's that's just how it is. Like

0:46:40.520 --> 0:46:41.960
<v Speaker 1>if it was beef, we would be It feels like

0:46:42.000 --> 0:46:44.239
<v Speaker 1>how New York used to be, where nobody got along

0:46:44.320 --> 0:46:46.440
<v Speaker 1>and everybody did that. Don't get me wrong, everybody does

0:46:46.480 --> 0:46:48.759
<v Speaker 1>do the own thing. But that's why I'm saying, like,

0:46:49.000 --> 0:46:51.279
<v Speaker 1>if it was beef, you you know when it's beef,

0:46:51.360 --> 0:46:54.919
<v Speaker 1>because then we just start playing scoreboard, and nobody wants

0:46:54.920 --> 0:46:57.560
<v Speaker 1>to play scoreboard. Who wants to do that. We want

0:46:57.600 --> 0:46:59.600
<v Speaker 1>to get money. You want to get money. Came out

0:46:59.640 --> 0:47:01.160
<v Speaker 1>here to get money to be young. You know what

0:47:01.200 --> 0:47:04.160
<v Speaker 1>I'm saying, Live all life, that's all all right, there

0:47:04.200 --> 0:47:07.080
<v Speaker 1>you have it. Let get his name right, they start

0:47:12.120 --> 0:47:17.120
<v Speaker 1>good morning. I was born to Donkey. It's the Donkey

0:47:17.440 --> 0:47:34.759
<v Speaker 1>of the Death that Devil Breakfast Club. Hey, Hey, hey,

0:47:35.480 --> 0:47:37.200
<v Speaker 1>don't you The day goes to all you idiots who

0:47:37.239 --> 0:47:40.440
<v Speaker 1>believe that bird Man really bought the Breakfast Club for

0:47:40.480 --> 0:47:42.359
<v Speaker 1>five million dollars. Now, I know some of y'all are

0:47:42.360 --> 0:47:44.120
<v Speaker 1>out there wondering what the hell I'm talking about, but

0:47:44.200 --> 0:47:47.360
<v Speaker 1>it was a rumor going around on Facebook courtesy of

0:47:47.440 --> 0:47:51.440
<v Speaker 1>this website that Chill remained nameless because they make up

0:47:51.480 --> 0:47:54.480
<v Speaker 1>the most ridiculous stories. And I used to wonder why

0:47:54.520 --> 0:47:57.520
<v Speaker 1>people believe anything this website reports because it's all BS.

0:47:57.600 --> 0:48:00.279
<v Speaker 1>But you can't knock the hustler. You're knocked the dumb

0:48:00.360 --> 0:48:03.040
<v Speaker 1>ass consumer who buys into this BS, because y'are the

0:48:03.120 --> 0:48:07.000
<v Speaker 1>ones that make this malarkey spread. Okay, So for the

0:48:07.080 --> 0:48:10.000
<v Speaker 1>past five days, my timeline has been filled with people saying, Charlomagne,

0:48:10.160 --> 0:48:13.240
<v Speaker 1>make yourself dunkey today for being fired, or I knew Karma,

0:48:13.560 --> 0:48:15.719
<v Speaker 1>or I knew Karma was gonna come back to Charlemagne,

0:48:15.719 --> 0:48:18.160
<v Speaker 1>but not like this. Let me tell you something. All

0:48:18.239 --> 0:48:21.200
<v Speaker 1>this is funny at first until you realize people actually

0:48:21.280 --> 0:48:24.719
<v Speaker 1>believe this nonsense. Like I'm watching people London and Africa

0:48:25.000 --> 0:48:29.200
<v Speaker 1>discuss this story like it's real. Okay, I can understand

0:48:29.239 --> 0:48:31.719
<v Speaker 1>if I was on vacation and hadn't been on air.

0:48:32.160 --> 0:48:33.880
<v Speaker 1>But that hasn't been the case. So therefore, all you

0:48:33.960 --> 0:48:35.920
<v Speaker 1>idiots have no reason to be stupid other than the

0:48:36.000 --> 0:48:38.759
<v Speaker 1>fact you actually may be stupid. Now I'm gonna read

0:48:38.840 --> 0:48:43.040
<v Speaker 1>this article. It's real short. The headline is birdman buys

0:48:43.160 --> 0:48:49.200
<v Speaker 1>radio station, fired Charlomagne. Are you fired? Are you terminated? Okay, man,

0:48:49.280 --> 0:48:53.040
<v Speaker 1>you're good, We're good. I told that man. I told

0:48:53.080 --> 0:48:55.200
<v Speaker 1>that man to put some respect on my name. But

0:48:55.360 --> 0:49:00.720
<v Speaker 1>he thought I was playing. But he thought I was playing.

0:49:01.560 --> 0:49:04.920
<v Speaker 1>Now he can work for me and be my personal

0:49:05.040 --> 0:49:08.319
<v Speaker 1>blunt roller said it charged up Birdman after buying Power

0:49:08.360 --> 0:49:11.280
<v Speaker 1>one or five one radio station for five million cash

0:49:12.520 --> 0:49:16.120
<v Speaker 1>and firing Breakfast Club Holds Charlomagne and gone Charlomagne. Charlomagne

0:49:16.120 --> 0:49:18.719
<v Speaker 1>was giving his walking papers after Birdman decided to let

0:49:18.800 --> 0:49:21.520
<v Speaker 1>him go after disrespecting his name repeatedly for years on

0:49:21.600 --> 0:49:24.239
<v Speaker 1>the radio. He sent Charlomagne his pink slip and wrote

0:49:24.280 --> 0:49:26.279
<v Speaker 1>a small note on it that said, are you fired?

0:49:26.320 --> 0:49:29.120
<v Speaker 1>Are you terminated? Rich king bitch? He should have actually

0:49:29.160 --> 0:49:31.239
<v Speaker 1>just kept you in your contract. Then he said that

0:49:31.280 --> 0:49:33.640
<v Speaker 1>would be small business. Then he said. Charlomagne is said

0:49:33.640 --> 0:49:35.920
<v Speaker 1>to be back in South Carolina blowing up Wendy Williams

0:49:35.960 --> 0:49:38.040
<v Speaker 1>phone begging or for a job because she has yet

0:49:38.120 --> 0:49:41.360
<v Speaker 1>to respond. Okay, you should got a number. No, okay,

0:49:41.480 --> 0:49:43.400
<v Speaker 1>Number one. If the Breakfast Club could be bought for

0:49:43.480 --> 0:49:46.320
<v Speaker 1>five million dollars, DJ and v Angeli yet and myself

0:49:46.400 --> 0:49:50.280
<v Speaker 1>collectively would have bought The Breakfast Club a long time ago. Facts, Okay,

0:49:50.680 --> 0:49:53.360
<v Speaker 1>all right. Number two, I wouldn't be back in South Carolina,

0:49:53.400 --> 0:49:55.000
<v Speaker 1>big and nobody for a job because I don't know

0:49:55.000 --> 0:49:56.840
<v Speaker 1>if you noticed or not, but when it comes to jobs,

0:49:57.000 --> 0:49:59.560
<v Speaker 1>I have several Now. The only reason people will leave

0:49:59.680 --> 0:50:02.160
<v Speaker 1>this is because they want to believe this rumor. They

0:50:02.160 --> 0:50:04.520
<v Speaker 1>would love for me to get fired. Biggie told us

0:50:04.560 --> 0:50:07.359
<v Speaker 1>on Life After Death this two track ten. People will

0:50:07.440 --> 0:50:09.880
<v Speaker 1>pray and pray for your downfall. And that's fine. I

0:50:10.040 --> 0:50:12.200
<v Speaker 1>get it. It comes with the territory. Just let the

0:50:12.280 --> 0:50:16.000
<v Speaker 1>bs y'all choose to believe be believable. If The Breakfast Club,

0:50:16.360 --> 0:50:20.600
<v Speaker 1>a nationally syndicated radio show on iHeartMedia broadcasting over sixty

0:50:20.640 --> 0:50:23.800
<v Speaker 1>plus markets, could be bought for five million dollars, we

0:50:23.840 --> 0:50:26.080
<v Speaker 1>wouldn't be at to rest your radio show. We would

0:50:26.120 --> 0:50:28.480
<v Speaker 1>be a podcast because that's the only way doing this

0:50:28.520 --> 0:50:30.800
<v Speaker 1>show would make sense for all parties involved. Now, the

0:50:30.840 --> 0:50:32.960
<v Speaker 1>funny thing is, I said ten minutes ago I was

0:50:32.960 --> 0:50:35.959
<v Speaker 1>gonna give everybody who believes this rumor a birdman buying

0:50:36.000 --> 0:50:39.680
<v Speaker 1>the radio station donkey today, and people started tweeting Charlomagne

0:50:39.719 --> 0:50:41.920
<v Speaker 1>about to talk about Charlomagne about to talk about being

0:50:42.000 --> 0:50:46.320
<v Speaker 1>fired and Birdman behind the station. If I was fired,

0:50:47.239 --> 0:50:49.600
<v Speaker 1>why would I be here to you know what? Why

0:50:49.680 --> 0:50:52.239
<v Speaker 1>you keep going? I don't know why. Please give all

0:50:52.280 --> 0:50:54.239
<v Speaker 1>these idiots who believe that bird Man bought the station

0:50:54.320 --> 0:50:59.840
<v Speaker 1>and fired me the biggest heathall. Please listen, guys. I

0:51:00.080 --> 0:51:03.200
<v Speaker 1>know y'all believe everything you see online nowadays, but please remember,

0:51:03.239 --> 0:51:05.800
<v Speaker 1>when you need something to believe in, start with yourself.

0:51:06.120 --> 0:51:08.080
<v Speaker 1>If you believe in yourself more, you won't be so

0:51:08.239 --> 0:51:10.120
<v Speaker 1>quick to believe the b as you see on the internet.

0:51:10.680 --> 0:51:14.080
<v Speaker 1>And thank young escort Charlomagne out of here. When Birdman

0:51:14.160 --> 0:51:18.600
<v Speaker 1>catches winto this, right, you want to talk tough? Bird

0:51:18.640 --> 0:51:20.719
<v Speaker 1>Man last name and Pittman. He don't have no type

0:51:20.719 --> 0:51:23.200
<v Speaker 1>of power to do anything like that. Okay, his name

0:51:23.320 --> 0:51:29.920
<v Speaker 1>is Birdman Pittman. Yeah right, all right, I wish my

0:51:30.040 --> 0:51:33.240
<v Speaker 1>last name was Pittman. Somethday both you're taking out another

0:51:33.320 --> 0:51:36.640
<v Speaker 1>last name, all right when it comes to Winfrey knows

0:51:36.680 --> 0:51:43.280
<v Speaker 1>called a Pittman got a nice ring to its breakfast

0:51:43.320 --> 0:51:48.400
<v Speaker 1>club that was Tony Lane's morning. Everybody is DJ M

0:51:48.520 --> 0:51:51.439
<v Speaker 1>v Angela, Ye, Charlomagne the guy, we are the breakfast club.

0:51:51.840 --> 0:51:54.440
<v Speaker 1>We got a special guest in the building. The dogs return.

0:51:55.320 --> 0:52:01.400
<v Speaker 1>Yeah yeah, yeah, yeah yeah. I know you're not a

0:52:01.480 --> 0:52:04.640
<v Speaker 1>morning pray at all at all, But um, starting my

0:52:04.760 --> 0:52:08.200
<v Speaker 1>day off with um little with words of thanks and praise,

0:52:08.560 --> 0:52:11.880
<v Speaker 1>I meant God. So however, it's gonna be better than

0:52:11.920 --> 0:52:13.680
<v Speaker 1>it would have been if I didn't start my day off,

0:52:13.880 --> 0:52:15.719
<v Speaker 1>you know, talking to God first. So you know, I'm

0:52:15.760 --> 0:52:17.800
<v Speaker 1>just grateful that, um, I'm alive this morning, because not

0:52:17.840 --> 0:52:20.440
<v Speaker 1>everybody that wanted to sleep woke up this morning. I'm

0:52:20.480 --> 0:52:22.680
<v Speaker 1>surprised you have not turned the full fledged past it yet.

0:52:23.440 --> 0:52:26.360
<v Speaker 1>He kind of is right right right, you know, but

0:52:26.560 --> 0:52:29.280
<v Speaker 1>I get what you're saying, like like maybe I am already.

0:52:29.280 --> 0:52:32.440
<v Speaker 1>I don't know, but that's definitely the final destination or

0:52:33.280 --> 0:52:37.080
<v Speaker 1>a destination you never know where how far God is gonna,

0:52:37.640 --> 0:52:39.000
<v Speaker 1>you know, allow me to get out how much it's

0:52:39.000 --> 0:52:40.359
<v Speaker 1>gonna let me do what how many people are gonna

0:52:40.360 --> 0:52:43.000
<v Speaker 1>allow me to reach before? If I'm gonna stage, I mean,

0:52:43.040 --> 0:52:45.080
<v Speaker 1>I pray that I'm able to just touch one person?

0:52:45.360 --> 0:52:47.600
<v Speaker 1>Does that badly? That people don't see that side of X,

0:52:47.760 --> 0:52:50.319
<v Speaker 1>that the spiritual side is much They'll talk about everything else,

0:52:50.360 --> 0:52:53.319
<v Speaker 1>all right? Put that spiritual side? Does it bother me? Um?

0:52:53.520 --> 0:52:57.040
<v Speaker 1>Not really? Not really, not really, because I really don't

0:52:57.080 --> 0:52:59.799
<v Speaker 1>focus on what people think about me or what people

0:52:59.800 --> 0:53:01.680
<v Speaker 1>say about me. We realized that a long time ago.

0:53:03.960 --> 0:53:06.600
<v Speaker 1>And the reason why is if you accept the praises,

0:53:07.440 --> 0:53:10.040
<v Speaker 1>you mean, then you got to accept the bullet too. Me.

0:53:10.320 --> 0:53:14.160
<v Speaker 1>So you know, I appreciate the compliments, but um, I

0:53:14.280 --> 0:53:16.120
<v Speaker 1>stand on what I believe about myself, you know what

0:53:16.120 --> 0:53:17.640
<v Speaker 1>I'm saying it, And at the end of the day,

0:53:17.920 --> 0:53:20.560
<v Speaker 1>that's what's gonna determine the next move I make. I'm saying,

0:53:20.560 --> 0:53:22.560
<v Speaker 1>all right. We also saw a Switch just recently posted

0:53:22.640 --> 0:53:25.320
<v Speaker 1>that album's almost done and they just went in on

0:53:25.480 --> 0:53:30.920
<v Speaker 1>Dre and Kanye. If Swiss waiting on Dre Kanye, I'm

0:53:30.960 --> 0:53:32.279
<v Speaker 1>banging the music out, you know what I'm saying. I'm

0:53:32.280 --> 0:53:33.839
<v Speaker 1>not really not waiting on anybody, you know what I'm

0:53:33.840 --> 0:53:37.160
<v Speaker 1>saying like like like I still get inspired bye bye.

0:53:37.200 --> 0:53:39.560
<v Speaker 1>You know what I'm saying by music? So um, you

0:53:39.640 --> 0:53:41.520
<v Speaker 1>know when the songs come, it's like yollo, it don't

0:53:41.520 --> 0:53:43.160
<v Speaker 1>really matter who did the beat. And I'm saying, um,

0:53:43.600 --> 0:53:45.560
<v Speaker 1>it's a dope beat. I'm gonna write to the drean

0:53:45.640 --> 0:53:48.759
<v Speaker 1>Kanye have even sing beat. So you know that's what

0:53:49.040 --> 0:53:50.919
<v Speaker 1>I don't get quarter f into token And this person

0:53:51.000 --> 0:53:53.120
<v Speaker 1>said this Berson sound like if the person didn't say

0:53:53.120 --> 0:53:54.600
<v Speaker 1>it to me. And you know, we all know how

0:53:54.640 --> 0:53:57.680
<v Speaker 1>there's an industry. Anybody can get in touch with anybody

0:53:58.400 --> 0:54:01.600
<v Speaker 1>I haven't heard. He's like, yo, I got something for

0:54:01.680 --> 0:54:05.120
<v Speaker 1>you whatever. So actually a great idea. I would love

0:54:05.160 --> 0:54:07.120
<v Speaker 1>to have a dra beat. I mean I've never had

0:54:07.120 --> 0:54:08.600
<v Speaker 1>a drab. I would love to have a dra bat.

0:54:08.640 --> 0:54:10.480
<v Speaker 1>What I'm saying um um. I had a couple of

0:54:10.520 --> 0:54:12.040
<v Speaker 1>jobs form Kanye on the fifth album. You know what

0:54:12.080 --> 0:54:14.040
<v Speaker 1>I'm saying, Um, I would love to know what I'm saying.

0:54:14.120 --> 0:54:16.279
<v Speaker 1>You know, gets more music from them. But um, when

0:54:16.320 --> 0:54:18.560
<v Speaker 1>you stopping your process, whatever I got in front of me,

0:54:18.640 --> 0:54:20.520
<v Speaker 1>that's that's what I'm banging on. Are you talking about inspiration?

0:54:20.560 --> 0:54:23.480
<v Speaker 1>She said? Music still inspires you? What inspires you now

0:54:24.000 --> 0:54:27.600
<v Speaker 1>beats beat you Yeah, nothing out now. Just when you

0:54:27.719 --> 0:54:31.239
<v Speaker 1>hear that no artists out now, they are artists, um um.

0:54:31.800 --> 0:54:34.879
<v Speaker 1>I like songs from I mean, I'm not gonna act

0:54:34.920 --> 0:54:37.200
<v Speaker 1>like you know, like like like people stop being talented

0:54:37.320 --> 0:54:39.600
<v Speaker 1>what I'm saying. You know once once I came up whatever,

0:54:39.719 --> 0:54:41.719
<v Speaker 1>But I'm no, no, no offense. I don't listen to

0:54:41.760 --> 0:54:49.880
<v Speaker 1>the radio that much. Did you guys to be t awards? No.

0:54:50.239 --> 0:54:51.960
<v Speaker 1>I stopped wing to award shows a long time ago.

0:54:52.080 --> 0:54:54.239
<v Speaker 1>It's like, you know, you just sit there and just

0:54:54.520 --> 0:54:57.360
<v Speaker 1>sit there and sit there, like and when it turns

0:54:57.400 --> 0:54:59.480
<v Speaker 1>into it's just I'm gonna just saying what it is.

0:55:00.000 --> 0:55:01.640
<v Speaker 1>It turns into it's like like like like like a

0:55:01.960 --> 0:55:05.960
<v Speaker 1>sucking contact. I mean, it's like that's all, oh yo,

0:55:06.040 --> 0:55:07.960
<v Speaker 1>what up? Yo? What up? Like money? If you really

0:55:08.040 --> 0:55:09.719
<v Speaker 1>wanted to get in touch with me, you're how to

0:55:09.760 --> 0:55:11.640
<v Speaker 1>get in touch. Everybody can get in touch with anybody.

0:55:11.680 --> 0:55:14.960
<v Speaker 1>I'm saying. And you know that that one situation I

0:55:15.080 --> 0:55:17.120
<v Speaker 1>might have spoken to you at the war show where

0:55:17.400 --> 0:55:19.480
<v Speaker 1>somebody you know, walk pels like y'all let's do some music,

0:55:19.520 --> 0:55:21.000
<v Speaker 1>And I'm like, you know what I mean, you only

0:55:21.040 --> 0:55:22.800
<v Speaker 1>saying that because you just happened to pass me in

0:55:22.840 --> 0:55:25.799
<v Speaker 1>all ways, right, you know, And I said, you know, yeah, yeah,

0:55:25.800 --> 0:55:28.560
<v Speaker 1>cool cool, and like no, I mean some hot like

0:55:29.600 --> 0:55:31.360
<v Speaker 1>stop willing? What do you mean? Like like like I

0:55:31.480 --> 0:55:33.880
<v Speaker 1>never be know how but you know the lights almost

0:55:33.920 --> 0:55:37.040
<v Speaker 1>went out. So I tend to stay away from those

0:55:37.360 --> 0:55:40.080
<v Speaker 1>because for me, you know, we're all artists here. We

0:55:40.120 --> 0:55:42.560
<v Speaker 1>can give each other awards all day, but what does

0:55:42.600 --> 0:55:44.759
<v Speaker 1>it really mean? What does it really mean? I mean

0:55:44.920 --> 0:55:48.200
<v Speaker 1>to me, the real award is when you're able to

0:55:48.280 --> 0:55:50.920
<v Speaker 1>walk wherever or just just just come in contact with

0:55:51.040 --> 0:55:53.759
<v Speaker 1>with with with real fans. I mean, not at an event,

0:55:54.040 --> 0:55:56.319
<v Speaker 1>but just and you know, doing that every day living

0:55:56.400 --> 0:55:58.960
<v Speaker 1>type thing. And they tell you, yo, this song you

0:55:59.080 --> 0:56:02.680
<v Speaker 1>did saved my life. This song you did motivates me

0:56:02.760 --> 0:56:04.640
<v Speaker 1>to work out or you know, inspired me to get

0:56:04.680 --> 0:56:06.040
<v Speaker 1>out of bed in the morning. You know what I'm saying.

0:56:06.320 --> 0:56:08.399
<v Speaker 1>I've done my TV show Solo Man long time ago,

0:56:09.120 --> 0:56:10.800
<v Speaker 1>and this lady read about me and she was like,

0:56:11.040 --> 0:56:12.640
<v Speaker 1>you know, she was crying. I had I don't seen

0:56:12.840 --> 0:56:14.840
<v Speaker 1>Jack's cry before. He was saying, but this is a

0:56:14.880 --> 0:56:19.759
<v Speaker 1>different type of cry. It's like the snot bubble like.

0:56:22.800 --> 0:56:26.239
<v Speaker 1>So I held her, I mean like like it wasn't like, oh,

0:56:26.280 --> 0:56:30.279
<v Speaker 1>I'm talking a type of hog. It was like, down,

0:56:30.960 --> 0:56:33.520
<v Speaker 1>let me see what's going on here. And when she

0:56:33.680 --> 0:56:35.480
<v Speaker 1>was able to talk, she was like, since she had

0:56:35.520 --> 0:56:39.360
<v Speaker 1>five children, so she lost three and one of my

0:56:39.480 --> 0:56:43.120
<v Speaker 1>songs it was the only thing that motivvated already got

0:56:43.160 --> 0:56:47.480
<v Speaker 1>her any more. I didn't even ask somebody put someone

0:56:47.600 --> 0:56:51.200
<v Speaker 1>you that heavy. It's like whoa. And I'm not one

0:56:51.200 --> 0:56:53.880
<v Speaker 1>of the question God, but I had a question for

0:56:54.040 --> 0:56:58.440
<v Speaker 1>God at that moment. It was the question, how do

0:56:58.520 --> 0:57:01.200
<v Speaker 1>you expect me to deal with this? That's huge responsibility.

0:57:01.760 --> 0:57:05.279
<v Speaker 1>That's a huge responsibility to mean you would think that

0:57:06.360 --> 0:57:09.479
<v Speaker 1>remaining children would it be motivation enough? I mean because

0:57:09.640 --> 0:57:11.440
<v Speaker 1>the worst says the shepherd will leave a flock of

0:57:11.600 --> 0:57:14.160
<v Speaker 1>ninety nine to find the one. If you got one

0:57:14.280 --> 0:57:18.080
<v Speaker 1>hundred one dollar bills and you lose one, you got

0:57:18.280 --> 0:57:20.600
<v Speaker 1>ninety nine sitting right hither, But you're gonna tear that

0:57:20.720 --> 0:57:23.280
<v Speaker 1>room up looking for that one, and when you find

0:57:23.360 --> 0:57:25.880
<v Speaker 1>that one, it will mean more to you than the

0:57:26.000 --> 0:57:29.520
<v Speaker 1>ninety nine, because the ninety nine was never lost. It

0:57:29.680 --> 0:57:32.040
<v Speaker 1>was like it's almost like like the particle sound like

0:57:32.120 --> 0:57:34.479
<v Speaker 1>he who his dad is now alive? He was lost.

0:57:34.560 --> 0:57:36.960
<v Speaker 1>What was lost now found? Like when you find what

0:57:37.080 --> 0:57:40.760
<v Speaker 1>you lost, like yes, yes, and you'll have a party

0:57:40.840 --> 0:57:43.520
<v Speaker 1>for that one dollar bill that was lost, but now

0:57:43.600 --> 0:57:45.960
<v Speaker 1>it's found because it completes everything that you have. Now

0:57:46.000 --> 0:57:48.600
<v Speaker 1>when you're motivating so many people and inspiring so many people,

0:57:48.640 --> 0:57:51.200
<v Speaker 1>why so long to make music because people like you

0:57:51.280 --> 0:57:53.880
<v Speaker 1>said live for that. It don't take me long to

0:57:53.920 --> 0:57:57.360
<v Speaker 1>make music. People don't know to look for it. And

0:57:57.480 --> 0:58:00.480
<v Speaker 1>then it's like like this this song's that, that that

0:58:00.600 --> 0:58:04.280
<v Speaker 1>that that's on YouTube and things stones got leaked, you know,

0:58:04.560 --> 0:58:06.960
<v Speaker 1>stolen music and all that that's out saying that. But

0:58:07.120 --> 0:58:09.400
<v Speaker 1>if people don't know that they're there, I didn't hear

0:58:09.400 --> 0:58:12.120
<v Speaker 1>about it, so so a lot of it is it's

0:58:12.160 --> 0:58:14.520
<v Speaker 1>not being heard because it was supposed to be put out,

0:58:14.880 --> 0:58:16.360
<v Speaker 1>but a lot of people don't know it's then because

0:58:16.400 --> 0:58:19.560
<v Speaker 1>like all right, oh low dmx And even if even

0:58:19.600 --> 0:58:22.280
<v Speaker 1>if they typed that, the stones still wouldn't pop up.

0:58:22.480 --> 0:58:25.720
<v Speaker 1>I'm kind of stuck in my way speak like like

0:58:25.840 --> 0:58:28.840
<v Speaker 1>like it's like like they ain't broke, don't fix it

0:58:28.880 --> 0:58:32.160
<v Speaker 1>type they probably want you to tweet and instagram. I

0:58:32.240 --> 0:58:35.360
<v Speaker 1>got a problem with saying the word tweets, like so

0:58:35.360 --> 0:58:38.520
<v Speaker 1>I'm gonna tweet you later. I mean, like you can't

0:58:38.560 --> 0:58:40.960
<v Speaker 1>really say that with what a hard voy was like

0:58:41.040 --> 0:58:45.360
<v Speaker 1>what yo yo yo? Tweet me later when somebody tried

0:58:45.400 --> 0:58:46.840
<v Speaker 1>to do the face swap with you, you was like,

0:58:47.520 --> 0:58:54.400
<v Speaker 1>oh oh my daughter, But that was that was funny

0:58:54.400 --> 0:58:58.640
<v Speaker 1>because then you see something like that was a little weird.

0:58:58.840 --> 0:59:02.160
<v Speaker 1>It's just it's just different forms of communication. Man. It's like,

0:59:02.320 --> 0:59:04.600
<v Speaker 1>all right, you know, when my phone is on, if

0:59:04.640 --> 0:59:07.360
<v Speaker 1>the name comes up and I feel like being bothered,

0:59:07.400 --> 0:59:10.600
<v Speaker 1>than I'll answering just say, you know, like like I'm

0:59:10.640 --> 0:59:13.920
<v Speaker 1>so glad you don't gotta flip phone my brother. No,

0:59:14.520 --> 0:59:16.640
<v Speaker 1>they's to cuz I got I got my first I phone,

0:59:16.680 --> 0:59:18.200
<v Speaker 1>Like like I just kett on a touchcreen. She's on

0:59:18.240 --> 0:59:19.880
<v Speaker 1>my blackberries. You know. A couple of times like I

0:59:20.000 --> 0:59:22.160
<v Speaker 1>got arrested and I was able to text because they

0:59:22.280 --> 0:59:23.760
<v Speaker 1>left my phone on my head, like because I could

0:59:23.800 --> 0:59:25.880
<v Speaker 1>feel the buttons right, like it's a rap with this

0:59:26.080 --> 0:59:30.480
<v Speaker 1>this this flat You've just been a hope somebody saw it.

0:59:30.680 --> 0:59:33.120
<v Speaker 1>I mean, like, hold somebody so because you're doing the

0:59:33.200 --> 0:59:36.080
<v Speaker 1>jail and let's just show you like two thousand, two

0:59:36.200 --> 0:59:41.480
<v Speaker 1>hundred and eighty six unread emails unread crazy those those texts,

0:59:41.760 --> 0:59:44.320
<v Speaker 1>even those texts. Okay, get the emails. That's that's a

0:59:44.400 --> 0:59:48.400
<v Speaker 1>whole other text if you text, because earlier you said

0:59:48.400 --> 0:59:49.880
<v Speaker 1>people can get in touch with you what they want to,

0:59:50.400 --> 0:59:53.400
<v Speaker 1>but you don't even have the text messages. Well, I try,

0:59:56.920 --> 1:00:00.840
<v Speaker 1>I am. I've gotten better better, We got more with

1:00:00.960 --> 1:00:02.640
<v Speaker 1>DM mix when we come back, keeping locked this to

1:00:02.640 --> 1:00:06.120
<v Speaker 1>Breakfast Club Good Morning. That was Bryce until it would

1:00:06.160 --> 1:00:10.000
<v Speaker 1>exchange morning. Everybody is DJ m vy angela ye, Charlomagne

1:00:10.040 --> 1:00:12.840
<v Speaker 1>the guy, we are the breakfast Club. DAMEX is in

1:00:12.960 --> 1:00:15.200
<v Speaker 1>the building now. Charlomagne Swiss also said, you want you

1:00:15.240 --> 1:00:17.000
<v Speaker 1>want to make sure you was good before y'all like

1:00:17.080 --> 1:00:19.400
<v Speaker 1>really got deep into the music. Yeah, you had like

1:00:19.440 --> 1:00:22.000
<v Speaker 1>a health scare earlier this year they found you unconscious.

1:00:22.280 --> 1:00:25.920
<v Speaker 1>You're good enough, Hart stop damn minutes right, And I

1:00:26.040 --> 1:00:28.520
<v Speaker 1>have asked him, and you know, I'm playing this week

1:00:28.520 --> 1:00:30.760
<v Speaker 1>because you know when you different climates, a little place

1:00:30.800 --> 1:00:32.440
<v Speaker 1>and I'm coming outside with the tea sirt on and

1:00:32.880 --> 1:00:34.920
<v Speaker 1>but I remember what happened. I know I walked out

1:00:35.600 --> 1:00:38.120
<v Speaker 1>called said, he said, I just like sing stuff and

1:00:38.200 --> 1:00:41.400
<v Speaker 1>just drop right flew him along. As you're saying that

1:00:41.720 --> 1:00:45.040
<v Speaker 1>no joke. You can die from asthma. You know, it's

1:00:45.040 --> 1:00:46.720
<v Speaker 1>not something player. I've had it so long that you know,

1:00:46.720 --> 1:00:49.280
<v Speaker 1>I pretty much suck it out most of I'm good,

1:00:50.000 --> 1:00:54.080
<v Speaker 1>you know, like we's a little bit better. My grandmother

1:00:54.160 --> 1:00:57.600
<v Speaker 1>died from as attack. I'm so sorry. That bothered me

1:00:57.640 --> 1:00:59.920
<v Speaker 1>a lot because I called when I heard and they

1:01:00.040 --> 1:01:02.040
<v Speaker 1>told me your you know, ex had an asthma attack

1:01:02.080 --> 1:01:04.520
<v Speaker 1>and he's doing fun. And then the media was like,

1:01:05.040 --> 1:01:08.640
<v Speaker 1>oh he old. This was that that bothered the issue

1:01:08.640 --> 1:01:11.080
<v Speaker 1>out of me. Like I said, people would have sayything

1:01:11.160 --> 1:01:14.520
<v Speaker 1>gonna saying, I'm not worried about that, but the blessing

1:01:14.600 --> 1:01:17.320
<v Speaker 1>and that was that a lot of things did change it.

1:01:17.600 --> 1:01:20.680
<v Speaker 1>Right at that point, it made me realize, no, in movies,

1:01:21.640 --> 1:01:24.400
<v Speaker 1>you know, death is sexy, and you know you get that.

1:01:25.360 --> 1:01:31.000
<v Speaker 1>Just be sure you take out the garbage. Always get

1:01:31.040 --> 1:01:35.280
<v Speaker 1>that that one last sense. You know. I'm like, whatever

1:01:35.360 --> 1:01:40.920
<v Speaker 1>you do, you always get that one last But just

1:01:41.080 --> 1:01:44.560
<v Speaker 1>show me that you know what potentially that by the

1:01:44.680 --> 1:01:48.240
<v Speaker 1>time you realize that you were in the situation, it's

1:01:48.240 --> 1:01:50.880
<v Speaker 1>too late to come back from him. It's too late

1:01:50.960 --> 1:01:54.480
<v Speaker 1>to come back from him. Not that I didn't appreciate

1:01:54.760 --> 1:01:57.320
<v Speaker 1>life or or the blessing I gave me, but I

1:01:57.880 --> 1:02:00.440
<v Speaker 1>didn't always do what I was supposed to do with it.

1:02:01.240 --> 1:02:03.439
<v Speaker 1>Have you always spoke to God in those moments? That's

1:02:03.760 --> 1:02:05.760
<v Speaker 1>that's what I talk from the most. That's what people

1:02:05.880 --> 1:02:09.600
<v Speaker 1>understand that you need him more. You know, some people

1:02:09.600 --> 1:02:12.400
<v Speaker 1>look at its being a hypocritical or a contradiction. I know,

1:02:13.560 --> 1:02:17.080
<v Speaker 1>under the influence or whatever. I mean like, that's when

1:02:17.160 --> 1:02:20.919
<v Speaker 1>you need God more than ever, So why not talk

1:02:20.920 --> 1:02:24.400
<v Speaker 1>to him it? God knows my heart. He knows my heart,

1:02:24.480 --> 1:02:26.600
<v Speaker 1>so he knows that. You know, a certain times that's

1:02:26.600 --> 1:02:30.000
<v Speaker 1>when I need him, and he was there. He's always

1:02:30.040 --> 1:02:34.960
<v Speaker 1>been there. He's always been there. I didn't know when

1:02:35.000 --> 1:02:41.400
<v Speaker 1>I need him. We all know what God is capable

1:02:41.400 --> 1:02:43.440
<v Speaker 1>of doing. We know what God is able to do,

1:02:44.000 --> 1:02:46.200
<v Speaker 1>or we don't know what we what he's willing to

1:02:46.320 --> 1:02:48.560
<v Speaker 1>do until we're in the situation where we need him

1:02:48.600 --> 1:02:50.640
<v Speaker 1>to do it. Now, you think your your your career

1:02:50.680 --> 1:02:52.120
<v Speaker 1>would have been different for you to sign with Diddy

1:02:52.520 --> 1:02:54.200
<v Speaker 1>because I heard that you're supposed to sign with Diddy

1:02:54.280 --> 1:02:57.800
<v Speaker 1>or noticed he um after the interest was there, then

1:02:57.880 --> 1:03:00.440
<v Speaker 1>he came back and he bought me for him first. Okay,

1:03:00.560 --> 1:03:02.160
<v Speaker 1>you know he was you know, like I brought the

1:03:02.240 --> 1:03:04.720
<v Speaker 1>locks to the arm he brought the locks the bad boy.

1:03:04.800 --> 1:03:06.600
<v Speaker 1>You know what I'm saying to it was like so

1:03:06.800 --> 1:03:08.320
<v Speaker 1>he was like, Yo, if you like the locks, you

1:03:08.440 --> 1:03:11.600
<v Speaker 1>gonna love that. And one thing I respected about Daddy,

1:03:11.640 --> 1:03:13.240
<v Speaker 1>I'm stand the need to see with the whooping. I

1:03:13.320 --> 1:03:16.520
<v Speaker 1>got a good relationship with that man, and I respected me.

1:03:16.800 --> 1:03:18.440
<v Speaker 1>I respect him a lot more than I respect a

1:03:18.480 --> 1:03:20.800
<v Speaker 1>lot of these so called hard class rappers. You know

1:03:20.800 --> 1:03:23.080
<v Speaker 1>I'm saying he's like fronting. I'm saying, but one thing

1:03:23.120 --> 1:03:26.240
<v Speaker 1>I respect him, honest. He told me right to my face, said, well, um,

1:03:26.960 --> 1:03:30.640
<v Speaker 1>their voices too rough, and I don't think you're marketable. Damn.

1:03:31.160 --> 1:03:34.960
<v Speaker 1>I mean, but that's your opinion, right. I mean, I

1:03:35.040 --> 1:03:38.040
<v Speaker 1>love macs because you you know you don't like me

1:03:38.160 --> 1:03:44.000
<v Speaker 1>that what do you mean? All right? Cool? But it

1:03:44.080 --> 1:03:45.480
<v Speaker 1>had to feel good to sell a few million and

1:03:45.520 --> 1:03:47.080
<v Speaker 1>then come back to me like he was wrong. Oh yeah,

1:03:47.280 --> 1:03:50.919
<v Speaker 1>Well before I sold the record, he's like, yo, I'll

1:03:51.040 --> 1:03:52.960
<v Speaker 1>double what they gave you at all Asha Pockets And

1:03:53.080 --> 1:03:56.280
<v Speaker 1>I'm like, respectfully, thank you. They feel good to just

1:03:56.440 --> 1:03:59.120
<v Speaker 1>know that, I mean this opinion to change, right, That

1:03:59.240 --> 1:04:00.920
<v Speaker 1>was good enough for me. You know I'm saying no,

1:04:01.160 --> 1:04:04.160
<v Speaker 1>but just if you didn't see it, then what changed?

1:04:04.720 --> 1:04:06.760
<v Speaker 1>We speaking of opinions changing, I wanted to ask you

1:04:07.120 --> 1:04:10.160
<v Speaker 1>Drake sampled you on his album. Did y'all have a conversation?

1:04:10.680 --> 1:04:17.000
<v Speaker 1>So happen that? Right? Yeah? So what happened? The other

1:04:17.240 --> 1:04:22.120
<v Speaker 1>white guy in the room is saying, yeah, it's better. Well,

1:04:22.200 --> 1:04:25.040
<v Speaker 1>the only white guy saying yes, said, because you were.

1:04:26.560 --> 1:04:29.960
<v Speaker 1>You weren't a fan of Drake at first? You like Drake? No,

1:04:30.480 --> 1:04:33.080
<v Speaker 1>I don't like anything about Drake. I don't like his voice.

1:04:33.120 --> 1:04:35.480
<v Speaker 1>I don't like he talks about I don't I don't see.

1:04:35.520 --> 1:04:39.479
<v Speaker 1>I'll be trying to. I don't like he walks like nothing.

1:04:41.760 --> 1:04:44.000
<v Speaker 1>I might just let me shut out. I'm gonna stop

1:04:44.040 --> 1:04:47.280
<v Speaker 1>right there. Yeah he was um I did always say

1:04:47.320 --> 1:04:48.800
<v Speaker 1>that he was a chunge lyrics, but I was not

1:04:48.880 --> 1:04:52.280
<v Speaker 1>a fan. You're right, I was not. And um man

1:04:53.000 --> 1:04:57.200
<v Speaker 1>another homely experience because we were like, yo, like you

1:04:57.400 --> 1:05:00.040
<v Speaker 1>didn't like to do for all the wrong reasons. And

1:05:00.120 --> 1:05:01.600
<v Speaker 1>I say, were the kind of lyrics out I'll tell

1:05:01.640 --> 1:05:04.280
<v Speaker 1>the j Yeah, yeah, money to lyrics. But for him

1:05:04.360 --> 1:05:07.360
<v Speaker 1>to take the effort first to want to use the song,

1:05:07.600 --> 1:05:09.640
<v Speaker 1>min know what I'm saying, and then to be man

1:05:09.840 --> 1:05:13.440
<v Speaker 1>enough to reach out and make the calls like I

1:05:13.560 --> 1:05:16.120
<v Speaker 1>I mean hot soft man, and then that was a

1:05:16.200 --> 1:05:18.760
<v Speaker 1>real That was a real move. Real is real? Right?

1:05:18.920 --> 1:05:21.520
<v Speaker 1>Is right? Wrong? Rowing? Dude, that was a real move.

1:05:21.680 --> 1:05:25.800
<v Speaker 1>I'm saying. I saluted for that. The claim. It was like,

1:05:25.920 --> 1:05:30.320
<v Speaker 1>um yo mean uh. He was like, Yo, man, you

1:05:30.440 --> 1:05:34.960
<v Speaker 1>raise this man. I'm like, wow, you are feeling this

1:05:35.080 --> 1:05:38.840
<v Speaker 1>way knowing that that that that I love you sound

1:05:38.920 --> 1:05:43.360
<v Speaker 1>like like like too big And I was like, damn, yo,

1:05:43.480 --> 1:05:46.440
<v Speaker 1>I appreciate it. But it's crazy because before I went

1:05:46.480 --> 1:05:49.880
<v Speaker 1>to prison, m my manage at the time, she hit

1:05:49.960 --> 1:05:51.560
<v Speaker 1>me with the last hope Pat you know what I'm saying.

1:05:52.120 --> 1:05:54.440
<v Speaker 1>For the final it was his beat. So it was like,

1:05:55.240 --> 1:05:57.360
<v Speaker 1>you know what, everything coming full circle. I said, Yo,

1:05:58.160 --> 1:06:00.200
<v Speaker 1>I happen to use one of your choice. That mean

1:06:00.240 --> 1:06:01.800
<v Speaker 1>you put out a long time ago too, So you

1:06:01.840 --> 1:06:03.800
<v Speaker 1>know what I'm saying, I'm glad to be able to

1:06:03.840 --> 1:06:10.360
<v Speaker 1>return the favor. I'm glad to be so yeah, you know,

1:06:10.760 --> 1:06:12.360
<v Speaker 1>and it must be great. You got your crew with

1:06:12.480 --> 1:06:14.080
<v Speaker 1>you from back in the rough ride of this day.

1:06:14.080 --> 1:06:16.520
<v Speaker 1>I saw with Ule hanging out. Yeah, we had to

1:06:16.560 --> 1:06:20.080
<v Speaker 1>show together. Yeah, that um, that was good. I didn't

1:06:20.080 --> 1:06:22.800
<v Speaker 1>watch a perform no personal reason. I just I don't

1:06:22.880 --> 1:06:25.400
<v Speaker 1>watch other people perform. I don't want to see it

1:06:25.840 --> 1:06:28.080
<v Speaker 1>that way. I know that whatever I do on stage,

1:06:28.400 --> 1:06:30.680
<v Speaker 1>I came up with. I just I just stick to

1:06:30.760 --> 1:06:32.560
<v Speaker 1>my I'll stay in my lane. You talk, you talk

1:06:32.560 --> 1:06:34.560
<v Speaker 1>about asthma so much and how it affects you, But

1:06:35.080 --> 1:06:38.720
<v Speaker 1>watching you perform, you perform over hours with no problem.

1:06:39.760 --> 1:06:43.280
<v Speaker 1>It's grace of God. Man. It's like it's almost like magic.

1:06:43.360 --> 1:06:45.880
<v Speaker 1>It's like when I touched that stage, like I still

1:06:45.920 --> 1:06:48.040
<v Speaker 1>get nervous. I think butterflies of my stuffing before I

1:06:48.080 --> 1:06:51.000
<v Speaker 1>go on stage, like nausious a little bit. You're saying

1:06:51.000 --> 1:06:53.880
<v Speaker 1>I took like two pups a singlette put out didn't

1:06:53.960 --> 1:06:55.960
<v Speaker 1>go time, Noah, But but it was because even before

1:06:56.000 --> 1:06:58.800
<v Speaker 1>you perform, right, X will make if you backstage, everybody

1:06:58.840 --> 1:07:00.520
<v Speaker 1>holds hand. We're gonna pray before you. He don't care

1:07:00.520 --> 1:07:03.160
<v Speaker 1>if you the security with you, the grounds keep, but

1:07:03.200 --> 1:07:06.560
<v Speaker 1>the maintenance man whoever you backstage, everybody whole hand, turn

1:07:06.640 --> 1:07:10.080
<v Speaker 1>the cameras off. We're gonna pray exactly. That's that's I

1:07:10.120 --> 1:07:11.600
<v Speaker 1>asked for. You know about a touch a touch point

1:07:11.680 --> 1:07:13.800
<v Speaker 1>person I'm saying. That's why I, you know, I take

1:07:13.880 --> 1:07:16.000
<v Speaker 1>him on a journey. You know. I started with the

1:07:16.080 --> 1:07:19.960
<v Speaker 1>YO women one of some go do all that with

1:07:20.120 --> 1:07:22.440
<v Speaker 1>the note you end them on Yo, That's that's what

1:07:22.520 --> 1:07:25.960
<v Speaker 1>they want away with. I'm saying, they partied and and drunk,

1:07:26.000 --> 1:07:27.960
<v Speaker 1>and they did all that. At the end of the day,

1:07:27.960 --> 1:07:30.200
<v Speaker 1>we ain't him with a prayer and with the prayer.

1:07:30.240 --> 1:07:34.120
<v Speaker 1>So I start with a prayer backstage, I mean, give

1:07:34.160 --> 1:07:36.200
<v Speaker 1>me the strength to do this. But you man, I prayer.

1:07:36.240 --> 1:07:38.960
<v Speaker 1>There's no fighting stabbings. What I'm saying, I remind people

1:07:39.040 --> 1:07:41.560
<v Speaker 1>what's important. It's like in praying, you don't always have

1:07:41.640 --> 1:07:44.880
<v Speaker 1>to ask for something. I mean, like like like sometimes

1:07:44.960 --> 1:07:47.320
<v Speaker 1>prayersure we just show thanks guy for what she already

1:07:47.360 --> 1:07:49.920
<v Speaker 1>gave me. You mean, And I'm not not holding nobody

1:07:49.920 --> 1:07:51.880
<v Speaker 1>to do but but but like I know, guys, I'll

1:07:51.880 --> 1:07:53.760
<v Speaker 1>be like, yo, really you again, you shouldn't ask you

1:07:53.800 --> 1:07:58.360
<v Speaker 1>for this like that. That's all right. Then people take

1:07:58.400 --> 1:08:00.200
<v Speaker 1>things for granted. I try not to sick an think

1:08:00.200 --> 1:08:02.240
<v Speaker 1>for branding. All right. We got more with DMX when

1:08:02.280 --> 1:08:04.440
<v Speaker 1>we come back. Keeping locked this to Breakfast Club. Good

1:08:04.440 --> 1:08:14.120
<v Speaker 1>Morning the Breakfast Club head dm X, dj M v Angela.

1:08:14.240 --> 1:08:16.800
<v Speaker 1>Ye Charlomagne the God now Charlomagne. We mentioned you saw

1:08:17.120 --> 1:08:19.120
<v Speaker 1>y'all route, but that the first time y'all talking. Y'all

1:08:19.120 --> 1:08:22.599
<v Speaker 1>had the issues, no okay from Stilence that on Hip

1:08:22.640 --> 1:08:25.439
<v Speaker 1>Hop Honors, And I didn't realize he was sitting right

1:08:25.479 --> 1:08:28.559
<v Speaker 1>behind me. You only leave during intermissions when they when

1:08:28.560 --> 1:08:31.160
<v Speaker 1>they stop feeling all right, you know, people around the

1:08:31.280 --> 1:08:33.800
<v Speaker 1>movie up the seat fellers. I'm like, oh, that's my cue,

1:08:34.080 --> 1:08:36.840
<v Speaker 1>and I get up. I've already seen his wife and

1:08:37.920 --> 1:08:39.320
<v Speaker 1>you know, me beings a person, I was like, if

1:08:39.360 --> 1:08:42.160
<v Speaker 1>I got a problem with you, it's not gonna spill

1:08:42.240 --> 1:08:44.280
<v Speaker 1>over into I mean, I'm not gonna act different torture.

1:08:44.360 --> 1:08:47.559
<v Speaker 1>I mean drawing the lines and keep the lines. Respect

1:08:47.600 --> 1:08:51.000
<v Speaker 1>the lines. So rough the lines, keep the lines, respect

1:08:51.040 --> 1:08:54.400
<v Speaker 1>the lines. Some balls, I get it, go the lines,

1:08:54.520 --> 1:08:56.880
<v Speaker 1>keep the lines, expect them bam. So you know I

1:08:56.880 --> 1:08:59.080
<v Speaker 1>already spoke how you doing lives from the like wow,

1:08:59.479 --> 1:09:02.040
<v Speaker 1>up passing, and so then when the admission came, I

1:09:02.080 --> 1:09:04.320
<v Speaker 1>got up to leave or turn around. It was like

1:09:06.160 --> 1:09:09.920
<v Speaker 1>and silence, like like I've never once I heard that

1:09:10.000 --> 1:09:12.200
<v Speaker 1>many people wipe. But that's a different story. But I'm

1:09:12.840 --> 1:09:15.320
<v Speaker 1>it was like, oh quiet, I was like whatever, man,

1:09:15.840 --> 1:09:18.640
<v Speaker 1>I don't know who extended their hand first, but it

1:09:18.760 --> 1:09:23.560
<v Speaker 1>was mutual. I mean, man, actually, like it's easy to

1:09:23.600 --> 1:09:26.760
<v Speaker 1>be ignorant, but a stupid you know, be ignorant and

1:09:26.800 --> 1:09:30.000
<v Speaker 1>get ignorant and do some dumps, but you know, it's

1:09:30.080 --> 1:09:32.800
<v Speaker 1>a person of character or substance to like, you know what,

1:09:33.240 --> 1:09:36.920
<v Speaker 1>even though it's easy to do this, do this, you

1:09:37.040 --> 1:09:40.080
<v Speaker 1>mean and he shook cash Man and hug and like

1:09:40.520 --> 1:09:42.360
<v Speaker 1>everybody must have been watching, like yo, he don't know

1:09:42.479 --> 1:09:43.920
<v Speaker 1>he behind them. You're like, yo, it was about to

1:09:43.960 --> 1:09:46.680
<v Speaker 1>be something like shook cash man what I'm saying, and

1:09:47.080 --> 1:09:49.559
<v Speaker 1>the old crowd like flapping everything. You know. So y'all

1:09:49.560 --> 1:09:52.559
<v Speaker 1>got so much history with Earth, the story about y'all

1:09:52.600 --> 1:09:57.240
<v Speaker 1>hitch hiking one time together? Yeah yeah, yeah, what were

1:09:57.280 --> 1:09:59.120
<v Speaker 1>films using some tours? Um? I think it was a

1:09:59.160 --> 1:10:02.760
<v Speaker 1>whole life toy. Um um. Mike kind gave me the

1:10:02.800 --> 1:10:05.599
<v Speaker 1>rental car. You don't tell like yo, soo me job,

1:10:06.240 --> 1:10:10.680
<v Speaker 1>I think milf mentally yeah yeah, and the lights can

1:10:10.760 --> 1:10:12.519
<v Speaker 1>dude that beat with him find getting the police pull

1:10:12.600 --> 1:10:14.880
<v Speaker 1>us over and I'm saying, you know what I say,

1:10:15.120 --> 1:10:16.800
<v Speaker 1>but your name in on the car back, so what

1:10:17.120 --> 1:10:20.120
<v Speaker 1>like like I got a license all on the highway. Hell,

1:10:20.600 --> 1:10:23.439
<v Speaker 1>so we're walking up the rim. I said, I got this.

1:10:24.080 --> 1:10:27.880
<v Speaker 1>She fullowing and she gave us whatever, Oh my god,

1:10:27.880 --> 1:10:29.639
<v Speaker 1>I did. I love you. I'm coming to your showers.

1:10:29.680 --> 1:10:31.680
<v Speaker 1>Thank you. And she was like, yo, what's up? That

1:10:31.920 --> 1:10:46.559
<v Speaker 1>sound too? But it gave validity to me because because

1:10:46.560 --> 1:10:48.840
<v Speaker 1>Irvian set us down and we we had had a

1:10:48.920 --> 1:10:52.160
<v Speaker 1>couple of conversations about um, you know, similar sounds and

1:10:52.280 --> 1:10:55.400
<v Speaker 1>things that I don't sound like friends, like like, well,

1:10:55.479 --> 1:10:58.519
<v Speaker 1>I mean, you know, I walked amongst the fans. I'm

1:10:58.640 --> 1:11:01.880
<v Speaker 1>hands on with my fans, I'm saying. Dad was like, see,

1:11:02.360 --> 1:11:06.560
<v Speaker 1>but see I'm not just fresh out of here hot me.

1:11:06.600 --> 1:11:10.720
<v Speaker 1>What I'm saying the world of the street is that

1:11:10.800 --> 1:11:12.960
<v Speaker 1>one God in a way though, because because y'all say

1:11:12.960 --> 1:11:14.839
<v Speaker 1>that's why he developed a singing style so he wouldn't

1:11:14.840 --> 1:11:17.240
<v Speaker 1>have similarity, maybe that might have been the moment, right

1:11:17.320 --> 1:11:20.320
<v Speaker 1>It was like like like you never know how God's

1:11:20.360 --> 1:11:23.360
<v Speaker 1>gonna do what he's gonna do. You and Jay threw

1:11:23.360 --> 1:11:25.120
<v Speaker 1>shots to each other before, have y'all seen each other

1:11:25.200 --> 1:11:29.559
<v Speaker 1>and adapted out and spoke you buried a lot of hatches.

1:11:29.640 --> 1:11:32.880
<v Speaker 1>Though it could happen. Of course, of course happened. I mean, uh,

1:11:33.560 --> 1:11:38.479
<v Speaker 1>as strong as I am to walk around holding anger,

1:11:40.200 --> 1:11:43.040
<v Speaker 1>where's you down? I don't got time to be mad

1:11:43.040 --> 1:11:48.040
<v Speaker 1>at nobody. Man, Max, it's the Breakfast Club. Good morning, Jill.

1:11:49.960 --> 1:11:54.479
<v Speaker 1>You can't roll to this one. You gotta go, You

1:11:54.560 --> 1:11:55.759
<v Speaker 1>gotta one.