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Speaker 1: That was needed me Rihanna Morning. Everybody's DJ M v

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Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast club.

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Speaker 1: We got a special guest in the building. My man.

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Speaker 1: They sat Rocket signing, Man a sap. You've been taking

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Speaker 1: a lot of heat lately. Man, Let's get right to it.

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Speaker 1: It's a it's an interview floating around and basically it

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Speaker 1: looked like you don't care about the Black Lives Matter movement,

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Speaker 1: like you don't care about black people. Said, you're not

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Speaker 1: out Shopton, you are a side Rocky. It's really messed up.

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Speaker 1: I want to say, you know, come here today and

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Speaker 1: clear the airways for the simple fact the whole interview

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Speaker 1: was taking out of context. As far as but I said,

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Speaker 1: I feel like I felt terrible as a black man,

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Speaker 1: as an American. Crazy like this, speak freely, my brother.

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Speaker 1: I just don't understand how they keep saying a dull skin,

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Speaker 1: they don't like black people, you know what I'm saying, Like,

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Speaker 1: and it's because you do these interviews with these European reporters,

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Speaker 1: who journalists who want to make a name for themselves,

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Speaker 1: and they take out of context. You know what I mean?

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Speaker 1: If you read the most people who read that interview,

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Speaker 1: they only read that section, you know, and see what

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Speaker 1: they saw floating around on the blogs. I feel like,

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Speaker 1: for the most part, people didn't really dissect that interview.

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Speaker 1: You can see that that's not my context. I don't say,

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Speaker 1: my mates. This is the same guy that was reaching

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Speaker 1: asking me, yo, how many people you slept with? How

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Speaker 1: many girls you slept with? To get more reviews? Who knows?

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Speaker 1: So what are you trying to say? You got your

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Speaker 1: modern rappers like your favor rappers today. I don't know

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Speaker 1: if it's the future Drake. Anybody like you don't always

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Speaker 1: hear their content being about, you know, the political going

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Speaker 1: on all. I feel like, why put me on the

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Speaker 1: pedestal for that, especially when I'm not asking for that.

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Speaker 1: I want to make music. I want to inspire. I

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Speaker 1: want to promote peace because at a time like this,

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Speaker 1: I don't have all answers. I'm not trying to run

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Speaker 1: for congress. I'm not trying to run for office. I

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Speaker 1: don't have all answers. You know what I'm saying. I

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Speaker 1: want to promote prosperity, especially for black people, especially for

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Speaker 1: just young people, ambitious people under privilege. I'm not here

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Speaker 1: to talk about supremacy. I'm not here to talk about

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Speaker 1: who's dim and you know, I'm just I'm being in

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Speaker 1: London and looking at it from a different perspective. Man.

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Speaker 1: It's it's it's really sad because you come over here

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Speaker 1: and you feel it. Like before, I thought they were

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Speaker 1: just trying to gas it for the world to make

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Speaker 1: it look like America's a bunch of idiots, and this racism,

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Speaker 1: you know, really big, and you know, coming back here,

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Speaker 1: it's the truth. You could feel it energy, you could

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Speaker 1: feel at tension, you could feel the separation. It's why,

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Speaker 1: you know, a lot a lot of kids and a

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Speaker 1: lot of people look up to you. So I guess

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Speaker 1: they expect you, not just you, but the celebrities to

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Speaker 1: react and to say something into stand up, you know

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Speaker 1: for sure. And that's why I'm here today because when

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Speaker 1: it comes to stuff like this, I usually try to

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Speaker 1: you know, save it for the music or you know

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Speaker 1: what I mean, and or try to you know, speak

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Speaker 1: about it when I'm asked about it. But I think

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Speaker 1: I need to speak out, to speak up right now,

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Speaker 1: and especially coming back and seeing that that video, that

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Speaker 1: video with the you know the cop which one the

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Speaker 1: sterling one that really touched me the most because I

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Speaker 1: was just saying myself, you know what I mean, Like

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Speaker 1: we all know, I hope people don't think that I

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Speaker 1: feel like I'm invincible because you fitted the scripture. Now,

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Speaker 1: let me answer this. Do you think in that article

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Speaker 1: in Time Out in New York that you were misquoted

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Speaker 1: or you think you misspoke? I think it was a

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Speaker 1: mixture of both, because what I was really trying to

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Speaker 1: say is what I was just saying prior, like, I

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Speaker 1: just feel like most artists don't speak about that. And

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Speaker 1: when you got the journalists asking you, you know, so, well,

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Speaker 1: how come you didn't speak about the Baltimore riots or

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Speaker 1: how come you didn't speak about you know, the your

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Speaker 1: Fergus and stuff and all this other stuff. And it's continuous,

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Speaker 1: you know, question at the question you get agitated. At

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Speaker 1: the time, I was dealing with my best friend dying.

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Speaker 1: Like if if y'all noticed, every time I put out

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Speaker 1: an album, it's like I lose somebody, Like I lost

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Speaker 1: my pops with my first album. I lost Answer my

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Speaker 1: second album. And that's what That's what I was going

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Speaker 1: through at this time. That's what I was thinking about.

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Speaker 1: And I'm just saying like the same day that Sterling died,

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Speaker 1: it was like three hundred people and quote quote me

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Speaker 1: if I'm wrong, like that died in Siburi the same day,

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Speaker 1: so I bury the same day, right, And it's just

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Speaker 1: like perception because we could look at that day. People

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Speaker 1: could look at my situation and only a few people

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Speaker 1: that can relate. They could be like, yeah, I did

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Speaker 1: lose the best friend. I know what that's like to

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Speaker 1: have to start an establishment with somebody lose them. Blah

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Speaker 1: blah blah. Some people can't relate. If people hear my story,

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Speaker 1: they might go, oh that feel you know, really bad,

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Speaker 1: you know what I mean, and do make them insensitive

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Speaker 1: because they can't relate one hundred thousand percent. Look at

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Speaker 1: the people in Sibury, they probably looking at the situation

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Speaker 1: here like well we just lost three hundred. Yeah. It

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Speaker 1: basically about people's self interest, that's all. And I just

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Speaker 1: I just get upset. And what I was really trying

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Speaker 1: to say that it was like, yo, I just I

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Speaker 1: hate when the bandwagon stuff start. I mean, how come

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Speaker 1: black lives only matter when a police take them? You know,

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Speaker 1: a police officer takes it, and it should be like

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Speaker 1: black lives shit, it should matter when the when the

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Speaker 1: black lives take it, you know what I mean, it

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Speaker 1: should but you're always matter. The long lives matter. Those

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Speaker 1: are those are two separate issues though because of imagine

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Speaker 1: like you know somebody saying we can't complain about ices

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Speaker 1: killing Americans because Americans kill each other all the time,

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Speaker 1: or nobody ever says it's two different extremes, but it's

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Speaker 1: still didn't stay. It's hand in hand, no bro, you

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Speaker 1: know one one life is ingraded than the other. We

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Speaker 1: got more with Asap Rocky when we come back keeping locked.

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Speaker 1: It's the breakfast Club, Good Morning, the breakfast club that

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Speaker 1: was Asap Rocky fan problems Morning. Everybody's DJ m vy

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Speaker 1: Angela Yee. Charlomagne, the guy we all the breakfast Club

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Speaker 1: Asap Rocky is in the building of Charalomagne. You said

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Speaker 1: that every time you put out an album, you lose

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Speaker 1: somebody and plus you was on drugs. Do you feel

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Speaker 1: like you're in a very dark place when you're doing

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Speaker 1: these interviews so sometimes you just agree at the end

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Speaker 1: of the day, I kind of felt like it was

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Speaker 1: just a pick on me situation, and I understand why

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Speaker 1: people was upset, but for the most part, I think

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Speaker 1: people are well are knowledgeable enough to know at this

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Speaker 1: day and age that you can't really depict what you

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Speaker 1: you can't really judge more for what you see or

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Speaker 1: something like that, especially judging my character with me. You

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Speaker 1: know what I'm saying. I hate to have to be

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Speaker 1: on the stand, especially man. Y'all need to be proud

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Speaker 1: of me. Man, Like i'd have a domestic case since

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Speaker 1: twenty twelve. One last time you heard about me busting

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Speaker 1: somebody heading the bottle. I'm chilling. I don't fight nobody,

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Speaker 1: No more lawsuits. No, I'm trying to show another way.

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Speaker 1: Like the best thing that I could do is show

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Speaker 1: y'all how I did it and what my state of

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Speaker 1: mind was like in my my my mentality and my

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Speaker 1: train of thought. You know what I'm saying. I'm at

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Speaker 1: a loss for words, and I'm overwhelmed at this point.

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Speaker 1: But I'm not upset. I'm just really more hurt. And

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Speaker 1: it's not about the comments and none of that. I'm

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Speaker 1: just talking about like this country, how we look, how

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Speaker 1: we perceive this trash man. Did you didn't you lose

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Speaker 1: a brother that gonna violence? I did, Yes, I did.

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Speaker 1: My brother died on the same block. I was born

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Speaker 1: on one hundred and sixteenth tree in the one inside.

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Speaker 1: You know what I'm saying, It's like, so I understand

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Speaker 1: why you say, you know, why why don't we talk

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Speaker 1: about black on black crime. My brother was a blood

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Speaker 1: you know what I'm saying, Like you know, four point

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Speaker 1: star General Easy Ricky. That man was nothing like me,

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Speaker 1: but at the same time was a victim to the

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Speaker 1: streets because that's the path that he chose. And I

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Speaker 1: learned from my brother mistakes, learned from my pops, mistakes, hustling,

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Speaker 1: going to jail, falling off, trying to get back on,

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Speaker 1: take care of all his kids. I don't have no

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Speaker 1: kids yet. I'm trying to show you. You're so many columns, bro.

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Speaker 1: I just feel like at this damn age, man, the

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Speaker 1: mentality everybody is just they don't want to think. It's individuals.

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Speaker 1: And that's what I'm trying to encourage because it's that

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Speaker 1: individual thought process that could bring us together as a unit.

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Speaker 1: People got to think like individuals to come together as

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Speaker 1: a group. I agree with that. You did the joint

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Speaker 1: with Alicia Keys, the twenty three Joints twenty three Ways

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Speaker 1: for a Black man to dying the matter, so that

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Speaker 1: shows you can't show what was your way to die.

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Speaker 1: You said in that it's about just asking for some help,

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Speaker 1: man help, Yeah, qualified help. I think it was just

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Speaker 1: funny and coincidental that, like, you know, as soon as

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Speaker 1: I get back to the stage, I'm dealing with all

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Speaker 1: this and I see what's going on, I feel attention.

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Speaker 1: I decided to get involved. As soon as I decided

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Speaker 1: to get involved. It's like Schmian campaign. So you feel

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Speaker 1: like they saw you in a Elisha Keys video and

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Speaker 1: here like, okay, let's put this up. I don't know

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Speaker 1: what happened. I can only you know. Now. What about

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Speaker 1: the will I Am song? I see they're remaking Where

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Speaker 1: is the Love, like a new version of it? And

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Speaker 1: who so, who's on a year on it? I don't know.

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Speaker 1: If I don't want, I don't want to speak out

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Speaker 1: of the line, okay, because I was trying to get

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Speaker 1: some insight in from this about it, but I didn't

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Speaker 1: know for sure who was on it. Yeah, it's a

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Speaker 1: few people, I'm gonna say. Uh. I was just really

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Speaker 1: really honored to be on that track. We all wish that,

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Speaker 1: like it's like being an artist and being a lot

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Speaker 1: for when they made the like stevee one of Michael Jackson,

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Speaker 1: we all the world, we all the like, like, you know,

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Speaker 1: how could you not be a part of that? And

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Speaker 1: not just because of those names, but just because of

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Speaker 1: that time and with that message still for So that's

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Speaker 1: what I really wanted to manifest with that, Like I

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Speaker 1: just wanted to kind of you know, that was my contribution.

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Speaker 1: And like I said, you damned if you do, you

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Speaker 1: damnly be don't And I don't say nothing. Oh he

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Speaker 1: ain't on. He don't give a about nick. When I

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Speaker 1: do say something off, he don't really love it. So

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Speaker 1: it's just like you damn you do if you damned

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Speaker 1: if you don't. So it is what it is, you know,

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Speaker 1: it's back of one canceled out the other, like they

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Speaker 1: forget you. It was on the twenty three with Alicia

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Speaker 1: Keys or they don't know you're doing the empowerment song

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Speaker 1: and what I am? You need to stop doing print interviews. Man,

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Speaker 1: that was a year ago, year ago that you can see.

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Speaker 1: But I mean, I'm on, damn that every year your

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Speaker 1: favorite magazine cover, I gotta do print saying I'm a

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Speaker 1: model now, but you love black people. You love everybody,

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Speaker 1: but you do love black. I hate your black man.

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Speaker 1: I love my people man the death I do. I

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Speaker 1: love old people. It's about people, man. We gotta stop

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Speaker 1: suffering each other with color. Man. But at the end

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Speaker 1: of the day, the issues in the neighborhoods of urban

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Speaker 1: communities is those issues, suburban issues, suburbman issues. And they

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Speaker 1: might be different in extremes. I'm just saying, man, across

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Speaker 1: the board, it's really all about this love. Man, It's

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Speaker 1: all about us coming together and in tranquility and harmon.

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Speaker 1: It sound cliche, but man, I was just walking the

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Speaker 1: other day and I felt bad about this stuff I'm hearing,

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Speaker 1: and some girl came up to me and she I

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Speaker 1: thought she was psychic and she rubbed my face and

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Speaker 1: he was just like, don't feel bad, baby, they got

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Speaker 1: you all wrong, young chick. And you know what I mean,

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Speaker 1: gave me a hug. I was like, thank you so much.

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Speaker 1: You know what I'm saying. You know how much A

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Speaker 1: smile writing up somebody there and a hug a little

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Speaker 1: bit of love, so you know, special love man. I mean,

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Speaker 1: the one thing you want people to get from this interview,

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Speaker 1: what would it be? I want I want peace and

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Speaker 1: love man. Yeah, I said, just love man. Honestly sat

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Speaker 1: rocking that Rocky. It's the Breakfast Club. Good Morning, the

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Speaker 1: Breakfast Club that was Bryson Tiller would exchange morning. Everybody's

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Speaker 1: DJ mvy Angela Yee, Charlomagne the guy. We are the

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Speaker 1: Breakfast Club. We had a special guest and this is

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Speaker 1: the only guest in Breakfast club history that has ever

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Speaker 1: smoked up him and you kere not gonna tell Snoop Dogg. No,

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Speaker 1: did we get in trouble for that? No, no, no,

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Speaker 1: you go hey, we just had a healthy debate with drama.

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Speaker 1: It's Snooped the most famous rapper in the world. I said, globally.

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Speaker 1: He said, no, matter where you go in this world,

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Speaker 1: no matter who it is, race age, everybody. I said,

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Speaker 1: it was between you a whole. He said, you are

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Speaker 1: the biggest brand. I don't know, it's kind of it's

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Speaker 1: like an out of body experience for me. It's hard

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Speaker 1: for me to say because I live with me every day,

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Speaker 1: so I don't know who the you know, the biggest

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Speaker 1: rapper is globally, but I do know that when I

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Speaker 1: do go certain places, like it's hard to try to

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Speaker 1: like camouflage, the scott whatever, even baby girl up the

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Speaker 1: front desk. I just gave her another picture. What's her name?

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Speaker 1: A little something? When's the last time you've been somewhere

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Speaker 1: and haven't been recognized? Has that happened? See, it doesn't

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Speaker 1: happen on some real talk. I'm being honest with you.

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Speaker 1: I don't even remember the last time it's been like that.

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Speaker 1: I'd have been the grocery stores, churches underwater, but I

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Speaker 1: didn't even look this. It's a crazy it's the crazy part.

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Speaker 1: I didn't been and done some you know, homeless work

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Speaker 1: where you go down their feet, the homeless, and the

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Speaker 1: homeless be like snoop dog, what's happening? Dog? Like? Man,

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Speaker 1: how do you know me? You ain't got no TV,

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Speaker 1: you ain't gonna what. I don't know. I can't figure

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Speaker 1: it out. And you just have adjusted to this social

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Speaker 1: media era so well, like it's a famous meme, but

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Speaker 1: it got you with your head scoff on. I look

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Speaker 1: like somebody unto man, I don't care though one thing

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Speaker 1: about believe you posted. You don't when people make fun

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Speaker 1: of me, when they claim me and when they put

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Speaker 1: me in a girl body with my head on it

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Speaker 1: or with a rabbit. So I see it, I throw

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Speaker 1: it up and I like, who did this to me?

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Speaker 1: And I go right in a joke. So I don't

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Speaker 1: understand when people get offended when I do that to them.

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Speaker 1: When I do it to myself, it's like, it's all

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Speaker 1: funny games, and it's funny. It should want it should

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Speaker 1: be about. You know, when I got into the social

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Speaker 1: media game, I don't really understand it because I was like,

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Speaker 1: I don't really want people in my business like that,

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Speaker 1: because I was like, damn, I'm the type of person

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Speaker 1: that always go up to the fans and always do

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Speaker 1: this anyway, So I might as well just open up

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Speaker 1: and you know, let them be a part of my

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Speaker 1: world every day. Now, we've seen a video of you

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Speaker 1: and Game walking to the precinct in La. What was

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Speaker 1: that all about? Explaining that? Why why did you guys

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Speaker 1: have to felt like you had to do it? Well,

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Speaker 1: the morning before it happened, Game, it hit me and

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Speaker 1: he was like on a hundred and he was hot

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Speaker 1: and I was hot. We was just mad at all

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Speaker 1: of the violence that was happening to these innocent people

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Speaker 1: by the police. So you know, I was ready to

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Speaker 1: do whatever. So I was basically following his league because

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Speaker 1: I felt like it's a young man's game and he's

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Speaker 1: younger than me, and he's gonna take the league. I'm

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Speaker 1: gonna follow this soldier. When he hit me back, I

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Speaker 1: told him, I said, look, I don't want you to overreact.

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Speaker 1: I want you to think about everything that you're gonna

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Speaker 1: do and put a real plan together and hit me

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Speaker 1: when you get your plan together, and I'm with you.

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Speaker 1: So then he went and made a call to ferra

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Speaker 1: Con for three hours and did all the things he

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Speaker 1: had to do to prepare himself. Then he hit me

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Speaker 1: back at about three in the morning, was like, meet

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Speaker 1: me here at five in the morning. He didn't say

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Speaker 1: nothing else. So I'm like, I don't know what's going on.

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Speaker 1: So I got dressed to go to war. You look

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Speaker 1: like he was ready to think about this. When you

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Speaker 1: get the back call, Charlotte, man, you just show up.

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Speaker 1: He's just someone. When we be putting my shoes off

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Speaker 1: to I'm gonna hold on, I'll be there. I was there,

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Speaker 1: so when I get there, I'm fully loaded and ready

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Speaker 1: to go, and I'm looking around they passing our shirts

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Speaker 1: and everybody on piece and he got us all in

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Speaker 1: the circle, and he said, he said something that was

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Speaker 1: so deep. It's like, you know, I didn't even know

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Speaker 1: what I was gonna do when I came here, But

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Speaker 1: now and I'm looking at the spirit of everything. This

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Speaker 1: is what I want to do, and I want y'all

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Speaker 1: to follow me on this. I want us to walk

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Speaker 1: down to the precinct, to the precinct and reintroduce ourselves

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Speaker 1: to the police department and let them reach reintroduce themselves

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Speaker 1: to us so we can get some sort of dialogue going.

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Speaker 1: And we listened to him and was like, man, that

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Speaker 1: is that's kind of dope because we never talked to

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Speaker 1: the police unless it's too late. Let's get that understanding

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Speaker 1: right now. So while we're walking down there, police escort

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Speaker 1: us there. Then when we get there, come to find

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Speaker 1: out the new recruise a graduating right now about to

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Speaker 1: go hit the streets, and the matter of twenty four

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Speaker 1: hours and we standing outside and the Chief of Police

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Speaker 1: is there and the marriage there. So they hear that

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Speaker 1: we outside marching peacefully with the Nation of Islam orders.

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Speaker 1: So they send the word that the chief would love

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Speaker 1: to meet with me game and two other of our

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Speaker 1: people with the mayor behind closed doors. So we went

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Speaker 1: up there and talk when of them chopped it up,

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Speaker 1: got some understanding. Wasn't arguing, wasn't talking bad, wasn't you know,

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Speaker 1: down planning. We was trying to get some understanding and

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Speaker 1: some dialogue. They had a couple of meetings since then,

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Speaker 1: and it's looking like it's gonna be a great situation

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Speaker 1: in LA with the police in the communities because were

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Speaker 1: second tired of talking after the fact when we could

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Speaker 1: talk before the fact. But it's been going on forever,

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Speaker 1: especially in that later part time that police bobles with

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Speaker 1: the Rodney King take. But it's never been communication. And

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Speaker 1: one thing about LA. We have sheriffs and we have

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Speaker 1: police department. The Sheriff's department have minor incidents because they

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Speaker 1: are sent to the county jail for eighteen months as

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Speaker 1: a part of their training before they hit the streets.

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Speaker 1: The lap D don't get no communication with the streets

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Speaker 1: until they hit the streets, so there's a miscommunication off

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Speaker 1: the jump. If you're scared, you never dealt with nobody

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Speaker 1: from the hood. You don't know what he looked like. Hi.

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Speaker 1: Now you already got a different perception on you. But

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Speaker 1: if you've been in the county gym, You've been around him.

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Speaker 1: You know they laying go, they know you. It's a

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Speaker 1: different perspective when the sheriffs pull up. All the sheriffs

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Speaker 1: won't doping guns. If you ain't gotten on dope and

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Speaker 1: no guns, they're letting you go. They're not gonna shoot

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Speaker 1: you when they don't shoot you that much. When they're

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Speaker 1: not gonna shoot you. On GPR, the LAPD, they got

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Speaker 1: a different agenda. So we were trying to get that

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Speaker 1: understanding on let's get some different protocols so they could

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Speaker 1: be around these people in the community before they start

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Speaker 1: policing this community. All right, we got moreen stoop when

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Speaker 1: we come back. Snoop's in the building. The breakfast club

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Speaker 1: that was Drake with Controller Morning, Everybody's DJ M v

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Speaker 1: Angela Yee, Charlemagne the guy we are the breakfast club

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Speaker 1: Snoop Dog is in the building. Did you learn how

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Speaker 1: to de escalating stuff? Like? Probably during Like do you

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Speaker 1: wish you had that same mentality during the whole East

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Speaker 1: Coast West Coast fiasco? I think I did. At the

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Speaker 1: Source Award that was a perfect example of de escalation

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Speaker 1: because Suge Knight had an escal too. I've seen people

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Speaker 1: reaching for pistols and I've seen pistols in There was

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Speaker 1: no police security. It was all hood security. It was

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Speaker 1: New York versus Death Row Records at that point, and

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Speaker 1: my conversation on that stage brought New York to a

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Speaker 1: point to what they said, you know what, We're gonna

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Speaker 1: let y'all get out of here. To us, that looked

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Speaker 1: hostile when it was very hostile because it was me

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Speaker 1: saying that I know where I'm at. But at the

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Speaker 1: same time, y'all know this is a gangster rap that

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Speaker 1: we do. We don't just talk it, we live it.

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Speaker 1: So if you're really really in the mix, this is

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Speaker 1: what takes place in the mix. And at that time,

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Speaker 1: Puffy wasn't with it like that. He was making his music.

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Speaker 1: He wasn't what the you know, I ain't with the

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Speaker 1: raw rock. I'm with the music. Should was with the

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Speaker 1: raw rock. And it's like, you know, it was a

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Speaker 1: fine line because Puffy and then was my friends, but

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Speaker 1: I'm riding with Death Row and at the same time

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Speaker 1: I'm in New York's was like, if I don't say

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Speaker 1: the right words, we all gonna get killed. Damn. So

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Speaker 1: I come back and kick the buildings over because something happened,

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Speaker 1: because something that I ain't gonna speak on that. We

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Speaker 1: took that on the chin and said we'd just getting

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Speaker 1: back on this side, you know what I'm saying. Like,

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Speaker 1: when you involved into the art of war, certain losses

399
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Speaker 1: you take, certain you know, sacrifices you make. It come

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Speaker 1: with the territory. And we knew where it came from.

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Speaker 1: We knew who sent the shot, and we never had

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Speaker 1: a problem with him. We allowed that to happen because

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Speaker 1: we knew in the art of war that's what happens

404
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Speaker 1: when you you're getting busy. You gotta get, you gotta

405
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Speaker 1: take what you get, you know what I'm saying. So

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Speaker 1: it's like we lived through it. We survived it, We forgave,

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Speaker 1: and we forgot, and we moved forward. The parties that

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Speaker 1: was involved, we met behind closed doors and we got

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Speaker 1: an understand it. Yeah, I know you sent that at me.

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Speaker 1: That was a good shot. You missed though. I forgive you.

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Speaker 1: We're gonna move forward. I ain't gonna send nothing at you.

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Speaker 1: When you're on my side. We're gravy, We're gravy. We're good.

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Speaker 1: Can you tell the story about Nags man, that was

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Speaker 1: the first time you met Knowledge. You said, yeah, the

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Speaker 1: first time I met Nasty Nash. I was in a

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Speaker 1: gardena on a hundred and I think it was thirty

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Speaker 1: six thirty fifth, one of those threts and that's a

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Speaker 1: crip neighborhood. Yeah, shot guns. And I was out there

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Speaker 1: hanging tough for my own boys. And a white van

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Speaker 1: pulls up and it got like a bot fifteen sixteen

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Speaker 1: people in it. All of a sudden, door some dude

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Speaker 1: jump out and sweatpants is lifted up to his knee

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Speaker 1: with some boots on. He got on all ready running

424
00:19:18,119 --> 00:19:21,919
Speaker 1: right towards me. Homies is like they all drawn, they

425
00:19:22,000 --> 00:19:23,840
Speaker 1: from the draw down on him. I'm like, hold on, cut,

426
00:19:23,920 --> 00:19:26,600
Speaker 1: that's the rapper from New York. That's Nasty Nas comes.

427
00:19:27,160 --> 00:19:29,719
Speaker 1: So he come over to hi and he shaked my hand.

428
00:19:29,800 --> 00:19:31,879
Speaker 1: I'm like, h it's a pleasure to meet you, but

429
00:19:32,080 --> 00:19:35,160
Speaker 1: let me let you know, and you ever in La,

430
00:19:35,440 --> 00:19:37,760
Speaker 1: don't ever jump out with no red or no blue

431
00:19:37,800 --> 00:19:40,000
Speaker 1: on because you don't know what neighborhoods you in. Love one.

432
00:19:40,200 --> 00:19:42,240
Speaker 1: Take my number down so I'll high let you next

433
00:19:42,280 --> 00:19:43,840
Speaker 1: time you come to this crazy because I tell you

434
00:19:43,920 --> 00:19:45,280
Speaker 1: the time Nas pulled out a gun on me. I

435
00:19:45,359 --> 00:19:48,160
Speaker 1: rand up on nas like that. I read up on Nas.

436
00:19:48,160 --> 00:19:50,440
Speaker 1: I had had mixtapes in the bag. I read a

437
00:19:50,480 --> 00:19:52,520
Speaker 1: more him just like that. Your nos I got something

438
00:19:52,560 --> 00:19:53,960
Speaker 1: for you, and I was going in my bag to

439
00:19:54,040 --> 00:19:58,240
Speaker 1: pull it out. Not a good idea for me, I said,

440
00:19:58,240 --> 00:20:02,160
Speaker 1: it's a CD. Mighty guy, I said, what you got?

441
00:20:03,119 --> 00:20:05,399
Speaker 1: What you got for me? You used a role like

442
00:20:05,480 --> 00:20:07,920
Speaker 1: that at one point used had a briefcase. Yeah, all

443
00:20:07,960 --> 00:20:10,200
Speaker 1: that old stuff, man, Charlotta Magne. I'm peace now. What

444
00:20:10,280 --> 00:20:13,800
Speaker 1: I understood about about moving with the piece. When I

445
00:20:13,920 --> 00:20:16,520
Speaker 1: had the gun and have gun problems will travel. You

446
00:20:16,520 --> 00:20:18,080
Speaker 1: know what I'm saying. They say, have gun will travel,

447
00:20:18,200 --> 00:20:20,880
Speaker 1: have gun problems will travel. When I removed the gun

448
00:20:21,000 --> 00:20:23,080
Speaker 1: from my game, I had less issues because I was

449
00:20:23,160 --> 00:20:25,720
Speaker 1: able to finesse and able to be more strategic with

450
00:20:25,840 --> 00:20:27,760
Speaker 1: my conversation. When I had the gun with me, I was,

451
00:20:28,040 --> 00:20:30,399
Speaker 1: you know, reckless, because I had that thing, and I

452
00:20:30,520 --> 00:20:33,000
Speaker 1: thought that thing was, you know, just like everybody else

453
00:20:33,080 --> 00:20:34,879
Speaker 1: was one of them things they conversation. It is more

454
00:20:34,920 --> 00:20:37,720
Speaker 1: reckless when you ain't got one. You're more understanding. And

455
00:20:37,800 --> 00:20:39,119
Speaker 1: that's where I wanted to be. I wanted to be

456
00:20:39,160 --> 00:20:41,840
Speaker 1: about peace as opposed to pushing violence. And you said

457
00:20:42,000 --> 00:20:45,800
Speaker 1: you first smoke we with your son, right, my oldest son. Yeah, yeah, yeah,

458
00:20:45,800 --> 00:20:47,600
Speaker 1: we did that question there on the Breakfay Club. I think,

459
00:20:47,600 --> 00:20:49,320
Speaker 1: would you smoke we with the child to keep it

460
00:20:49,400 --> 00:20:51,120
Speaker 1: from doing it in the stream, because like I say,

461
00:20:51,240 --> 00:20:53,400
Speaker 1: you know, what I'm gonna give him is the righteous way.

462
00:20:53,400 --> 00:20:54,720
Speaker 1: I don't know what y'all gonna put in there. You

463
00:20:54,760 --> 00:20:57,240
Speaker 1: may lace it, you know, it may be. I don't know,

464
00:20:57,480 --> 00:20:59,280
Speaker 1: because it happened to me before. I've been laced with

465
00:20:59,359 --> 00:21:01,080
Speaker 1: some things, so I don't trust the game. So I

466
00:21:01,119 --> 00:21:04,320
Speaker 1: would rather get him, you know, school for me personally

467
00:21:04,600 --> 00:21:07,040
Speaker 1: on the understand on what is and whatnot and what

468
00:21:07,200 --> 00:21:09,439
Speaker 1: to do and what not to do. I think they

469
00:21:09,480 --> 00:21:10,960
Speaker 1: did that to you on purpose because they knew you

470
00:21:11,040 --> 00:21:13,840
Speaker 1: snoop and everybody want to out smoke. Let me place

471
00:21:13,960 --> 00:21:16,880
Speaker 1: this blood real quick, just to say I don't even

472
00:21:16,880 --> 00:21:18,560
Speaker 1: take blunts from people no more. You know, it used

473
00:21:18,560 --> 00:21:19,639
Speaker 1: to be I used to be in the crowd. I

474
00:21:19,760 --> 00:21:21,520
Speaker 1: used to be reckless. Man, I be in the crowd

475
00:21:21,560 --> 00:21:23,159
Speaker 1: and the ammy I'd be like, oh when then I

476
00:21:23,240 --> 00:21:28,080
Speaker 1: started looking at these people like, I don't know, I'm

477
00:21:28,160 --> 00:21:30,520
Speaker 1: cool I'm gonna tell you how you influenced me. Recently,

478
00:21:31,200 --> 00:21:32,879
Speaker 1: we were having a cookout and I was gonna make

479
00:21:32,920 --> 00:21:36,639
Speaker 1: some turkey franks. Oh and then my family was like,

480
00:21:36,720 --> 00:21:40,400
Speaker 1: you gotta see Snoop finding out what is in these

481
00:21:40,440 --> 00:21:42,240
Speaker 1: hot dogs? And you're not gonna eat that again. You know,

482
00:21:42,280 --> 00:21:44,200
Speaker 1: we threw the pack of franks out. Give me so

483
00:21:47,080 --> 00:21:50,680
Speaker 1: it ain't. That's the same. It's the same machine man.

484
00:21:50,960 --> 00:21:53,960
Speaker 1: It's nasty, man. Did you see that? You have to

485
00:21:54,000 --> 00:21:55,840
Speaker 1: see it. It'll make you never eat it again. I'm

486
00:21:55,840 --> 00:21:58,600
Speaker 1: telling you list horrible man. It's and I don't I

487
00:21:58,680 --> 00:22:00,159
Speaker 1: can't get in. I used to come to New or

488
00:22:00,359 --> 00:22:03,359
Speaker 1: my hotel. He got a hot dog man that right

489
00:22:03,480 --> 00:22:06,440
Speaker 1: on the corner. Me and cub Bean cool for twenty years.

490
00:22:06,920 --> 00:22:08,680
Speaker 1: I don't even look at him no more. I just

491
00:22:08,800 --> 00:22:11,680
Speaker 1: brought right past him like he like, Snoop, My hot

492
00:22:11,760 --> 00:22:14,680
Speaker 1: dogs are waiting for you. No. I'm good because I've

493
00:22:14,720 --> 00:22:17,240
Speaker 1: seen what y'all doing. I'm cool on you. DMX was

494
00:22:17,440 --> 00:22:23,119
Speaker 1: a few weeks ago. He ate four of them right

495
00:22:23,160 --> 00:22:27,320
Speaker 1: on the corner. He drink a whole bottle of Henny

496
00:22:27,359 --> 00:22:29,000
Speaker 1: and he was hungry that he had four hot dogs

497
00:22:29,000 --> 00:22:30,719
Speaker 1: to up all over the street. That's my dog right.

498
00:22:31,080 --> 00:22:33,000
Speaker 1: He's the only person that ever got me to drink

499
00:22:33,040 --> 00:22:35,560
Speaker 1: Hennessy at an award show. And I mean at an

500
00:22:35,560 --> 00:22:37,480
Speaker 1: award show that's on TV. Like we was at the

501
00:22:37,520 --> 00:22:39,880
Speaker 1: Grammys or something. He was sitting like two seats down

502
00:22:40,359 --> 00:22:42,640
Speaker 1: and he had a Hennessy bottle. He was just big doll.

503
00:22:43,240 --> 00:22:45,840
Speaker 1: You wos them. I couldn't even say no. I was like, yeah,

504
00:22:46,000 --> 00:22:48,560
Speaker 1: get here cuz I'm like, we're sitting up in there

505
00:22:48,600 --> 00:22:51,199
Speaker 1: getting drunk in the Grammys in front of all these

506
00:22:51,240 --> 00:22:54,240
Speaker 1: white folks with real Hennessy, no cups straight out the bottom.

507
00:22:54,480 --> 00:22:56,720
Speaker 1: Shout out to DMX for keeping the hood. Snoop, you

508
00:22:56,720 --> 00:22:58,680
Speaker 1: ain't never cared about your image in front of white folks.

509
00:23:01,160 --> 00:23:05,040
Speaker 1: Crazy Snoop joining us Man, Thank y'all for having me. Man.

510
00:23:05,080 --> 00:23:07,639
Speaker 1: It's one of my favorite shows to do, just because

511
00:23:07,760 --> 00:23:10,840
Speaker 1: y'all always keeping one hunting, y'all, keep it real, y'all

512
00:23:10,920 --> 00:23:14,000
Speaker 1: solid with me. I've done interviews with y'all individually and together,

513
00:23:14,040 --> 00:23:16,399
Speaker 1: and I love with y'all. Stand for a team success.

514
00:23:16,440 --> 00:23:18,480
Speaker 1: From glad to see y'all on a real TV network too.

515
00:23:19,880 --> 00:23:22,760
Speaker 1: The Breakfast Club, The Snoop Girl. Hello, that was Tory

516
00:23:22,800 --> 00:23:26,520
Speaker 1: Lanz with Love Morning. Everybody's DJ m vy Angela Yee,

517
00:23:26,640 --> 00:23:29,520
Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got

518
00:23:29,560 --> 00:23:31,360
Speaker 1: a special guest in the building. Who are I seen

519
00:23:31,400 --> 00:23:32,840
Speaker 1: in the hall? I said, you're coming for war? You

520
00:23:32,920 --> 00:23:40,840
Speaker 1: got that's that's not what you're saying. That's you and likesical.

521
00:23:40,960 --> 00:23:43,200
Speaker 1: He just came off the train, he said, are on

522
00:23:43,240 --> 00:23:46,160
Speaker 1: the champion hoodie and some Timberland. Look he about to stick.

523
00:23:46,200 --> 00:23:49,920
Speaker 1: Somebody said he got that. That's that's a that's a

524
00:23:50,240 --> 00:23:54,360
Speaker 1: that's a fair assessment. Yeah, I came out of a cab.

525
00:23:54,480 --> 00:23:57,080
Speaker 1: But uh so, what's been up with you? Man? On

526
00:23:57,160 --> 00:23:59,639
Speaker 1: the grind? Baby, just just just trying to stay relevant.

527
00:23:59,800 --> 00:24:01,880
Speaker 1: I've been to airy spells. Like I told him before

528
00:24:01,920 --> 00:24:05,520
Speaker 1: you walking out was like Airy was on everything growing buys,

529
00:24:06,040 --> 00:24:08,640
Speaker 1: TV shows. He was all over New York. Can find

530
00:24:08,680 --> 00:24:12,399
Speaker 1: him in the club. You didn't want to sacrifice to go? No, no, no,

531
00:24:12,480 --> 00:24:13,760
Speaker 1: it ain't got nothing to do. But I'm just kidd

532
00:24:13,800 --> 00:24:15,440
Speaker 1: when you say what happened? Why you why you say

533
00:24:15,520 --> 00:24:17,960
Speaker 1: what happened? As much as we used to. He's saying

534
00:24:18,000 --> 00:24:24,640
Speaker 1: you fell off airy to off an you know, it's

535
00:24:24,640 --> 00:24:26,080
Speaker 1: funny to me I know that's not what he's trying

536
00:24:26,119 --> 00:24:27,240
Speaker 1: to say, but you know, it's funny to me. It

537
00:24:27,280 --> 00:24:29,280
Speaker 1: ain't like cats don't say that. You know, I read

538
00:24:29,359 --> 00:24:31,440
Speaker 1: the Twitter. I hear what people say. But you know,

539
00:24:31,520 --> 00:24:34,520
Speaker 1: people lose perspective. You know, if falling off me it's

540
00:24:34,520 --> 00:24:36,640
Speaker 1: going on Abu Dhabi and doing one show for eighty

541
00:24:36,720 --> 00:24:39,439
Speaker 1: grand you know, then you wish to fall off. If

542
00:24:39,760 --> 00:24:42,399
Speaker 1: falling off me, he's traveling all around the country, you know,

543
00:24:42,560 --> 00:24:45,320
Speaker 1: going to Europe, going you know, Australia, going to Africa,

544
00:24:45,359 --> 00:24:48,360
Speaker 1: doing shows with a fan base, then yeah, you wish

545
00:24:48,400 --> 00:24:50,280
Speaker 1: it was me. You know what I'm saying. You know,

546
00:24:50,359 --> 00:24:52,320
Speaker 1: it's like I do my job. You know, I eat

547
00:24:52,400 --> 00:24:54,640
Speaker 1: for free, drink for free, I travel, damn it for free.

548
00:24:54,880 --> 00:24:58,440
Speaker 1: You know, go anywhere I want, get love, you know. Yeah, yeah, yeah.

549
00:24:59,200 --> 00:25:01,480
Speaker 1: Being famous for dude, it's like being a beautiful woman.

550
00:25:01,520 --> 00:25:04,960
Speaker 1: A beautiful woman. So people's people's perspective is hilarious to

551
00:25:05,040 --> 00:25:07,040
Speaker 1: me when they say fall off, because it's like, look,

552
00:25:07,320 --> 00:25:09,600
Speaker 1: if you could have my life based on what you do,

553
00:25:10,240 --> 00:25:12,400
Speaker 1: and it ain't about trying to be braggadocious or nothing,

554
00:25:12,440 --> 00:25:14,000
Speaker 1: but it's like, look, I can make it one weekend

555
00:25:14,040 --> 00:25:15,960
Speaker 1: with you're making a year, you know what I'm saying.

556
00:25:16,000 --> 00:25:18,320
Speaker 1: So when people say, yo, you're falling off, it's like

557
00:25:18,400 --> 00:25:20,320
Speaker 1: if I fell often where you at? Do you think

558
00:25:20,440 --> 00:25:23,159
Speaker 1: times have changed as far as being able to be

559
00:25:23,800 --> 00:25:25,840
Speaker 1: the Paul Mooney type? I guess being able to speak

560
00:25:25,880 --> 00:25:28,159
Speaker 1: your mind because of social media and uh, you know what.

561
00:25:28,400 --> 00:25:31,879
Speaker 1: Not really you would think that it has, but not really. Uh,

562
00:25:32,400 --> 00:25:34,240
Speaker 1: you know, And and I'm trying to I'm trying to

563
00:25:34,359 --> 00:25:36,000
Speaker 1: learn a little bit and hold back a little bit

564
00:25:36,080 --> 00:25:37,720
Speaker 1: more because I know some of the things I say

565
00:25:37,760 --> 00:25:42,639
Speaker 1: can sometimes be off putting or shocking. Uh, But you know,

566
00:25:42,680 --> 00:25:44,680
Speaker 1: I'm trying to figure it out. You know, people think

567
00:25:44,720 --> 00:25:46,439
Speaker 1: that me and Kevin Hart really had a beef. There

568
00:25:46,440 --> 00:25:48,480
Speaker 1: is no beef. How you gonna be for somebody that huge?

569
00:25:48,840 --> 00:25:50,480
Speaker 1: You know, I never had a beef. I had an opinion,

570
00:25:52,440 --> 00:25:54,240
Speaker 1: you know, I was just simply saying that. You know.

571
00:25:54,520 --> 00:25:57,720
Speaker 1: It's almost like every comedian we always have the intention

572
00:25:57,760 --> 00:25:59,399
Speaker 1: of when we come out with a new joke, we

573
00:25:59,520 --> 00:26:01,560
Speaker 1: want that to be a home run out of the

574
00:26:01,640 --> 00:26:04,520
Speaker 1: park grand slam. That's your intention, But it don't always

575
00:26:04,560 --> 00:26:06,720
Speaker 1: work out like that. Sometimes it do, sometimes it don't.

576
00:26:07,119 --> 00:26:09,800
Speaker 1: So if your intention is to be up here and

577
00:26:09,920 --> 00:26:12,920
Speaker 1: you somewhere in here. You gotta part me. You gotta

578
00:26:12,960 --> 00:26:14,760
Speaker 1: work it and craft it till you get it to

579
00:26:14,960 --> 00:26:17,600
Speaker 1: that point. And sometimes all it takes is a word,

580
00:26:17,960 --> 00:26:21,920
Speaker 1: a phrase, a physical movement, a little something extra to

581
00:26:22,040 --> 00:26:24,320
Speaker 1: take you from here to hear. And if somebody gives

582
00:26:24,359 --> 00:26:27,960
Speaker 1: you the ingredient whatever that is to go from here

583
00:26:28,040 --> 00:26:31,440
Speaker 1: to hear, how do you claim genius? Because if your

584
00:26:31,480 --> 00:26:34,160
Speaker 1: bitch starts out like this, knowing you wanted to be here,

585
00:26:34,440 --> 00:26:36,359
Speaker 1: then you get it here to go. Yo, that's genius.

586
00:26:36,400 --> 00:26:39,120
Speaker 1: It was brilliant, okay, but before it was brilliant, where

587
00:26:39,119 --> 00:26:40,439
Speaker 1: did you get that to take it to the top.

588
00:26:40,480 --> 00:26:43,680
Speaker 1: So basically I'm just saying, yeah, you got you. You

589
00:26:43,720 --> 00:26:45,440
Speaker 1: know when you got somebody that can help give you

590
00:26:45,600 --> 00:26:48,879
Speaker 1: that last you make a gumbo and you go something's missing.

591
00:26:48,920 --> 00:26:51,240
Speaker 1: Doesn't every comedian to have a writer or no, every

592
00:26:51,240 --> 00:26:54,399
Speaker 1: commedian doesn't. You might have writers for TV show or movie,

593
00:26:54,760 --> 00:26:59,919
Speaker 1: but no, not every comic for stand up. Same thing

594
00:27:00,040 --> 00:27:02,280
Speaker 1: it stand up. It's stand up, so many of it.

595
00:27:02,359 --> 00:27:04,080
Speaker 1: If you look at a lot of comedy specials, at

596
00:27:04,080 --> 00:27:05,760
Speaker 1: the end of it, when you look at the credits,

597
00:27:05,960 --> 00:27:08,680
Speaker 1: it says written and produced by and nine times out

598
00:27:08,720 --> 00:27:11,040
Speaker 1: of ten is one name every nine and then year

599
00:27:11,119 --> 00:27:13,440
Speaker 1: you might get somebody would a written by two people,

600
00:27:13,760 --> 00:27:16,960
Speaker 1: or usually it's one name, one author. That's it. It's

601
00:27:17,000 --> 00:27:19,800
Speaker 1: my thing with comedians, right like every comedian has to

602
00:27:19,920 --> 00:27:21,840
Speaker 1: mention Kevin Hard in some way and it's never like

603
00:27:21,920 --> 00:27:24,440
Speaker 1: a flattering thing. And I always wonder why, Well, first,

604
00:27:24,560 --> 00:27:28,040
Speaker 1: I've always started off immediately by going, yo, Kevin Hard

605
00:27:28,160 --> 00:27:32,200
Speaker 1: is so legit as a talent, nooys, you know what

606
00:27:32,200 --> 00:27:34,879
Speaker 1: I mean. So I never said he wasn't funny. The

607
00:27:34,960 --> 00:27:38,000
Speaker 1: boy is the truth. I'm just saying, as far as

608
00:27:38,119 --> 00:27:41,399
Speaker 1: stand up goes, it's real hard to come out with

609
00:27:41,520 --> 00:27:45,760
Speaker 1: a banging hour that consistently. And I understand, you know,

610
00:27:45,840 --> 00:27:47,359
Speaker 1: he says I work hard and all that, and I

611
00:27:47,440 --> 00:27:49,840
Speaker 1: get that and I respected. But again, if you got

612
00:27:49,960 --> 00:27:52,840
Speaker 1: somebody telling you, hey, man, that joke you just did

613
00:27:53,200 --> 00:27:56,239
Speaker 1: say this instead, and that that's the difference between one

614
00:27:56,320 --> 00:27:59,639
Speaker 1: and ten, maybe Kevin's just that good. You're getting one

615
00:27:59,680 --> 00:28:02,040
Speaker 1: sense as far as being able to deliver an hour

616
00:28:02,160 --> 00:28:06,119
Speaker 1: every year written by himself or him Yeah, maybe because

617
00:28:06,119 --> 00:28:07,560
Speaker 1: you got to thinkink about how much he's on the

618
00:28:07,600 --> 00:28:09,280
Speaker 1: road and how much he travels all the different place

619
00:28:09,320 --> 00:28:10,800
Speaker 1: he goes. He's got a lot of material to draw

620
00:28:10,920 --> 00:28:12,159
Speaker 1: and a lot of that saff It's from his own

621
00:28:12,200 --> 00:28:14,320
Speaker 1: life too, like his family and his kids. Like he said,

622
00:28:14,320 --> 00:28:16,800
Speaker 1: he doesn't really get into politics, right and things like

623
00:28:16,920 --> 00:28:20,400
Speaker 1: that too much. He talks more about his family. God

624
00:28:20,440 --> 00:28:22,919
Speaker 1: bless him, God bless him. I just it was my opinion.

625
00:28:23,080 --> 00:28:24,840
Speaker 1: You said you would, you would, Cap have no problems

626
00:28:24,880 --> 00:28:27,240
Speaker 1: and he's launching is a comic network. Would you do

627
00:28:27,359 --> 00:28:29,640
Speaker 1: something on this coming? He said it specifically, he would,

628
00:28:29,720 --> 00:28:32,479
Speaker 1: he would have you absolutely listen, Man, if the money right,

629
00:28:32,520 --> 00:28:35,080
Speaker 1: I'm there, you know, And like I said, there never

630
00:28:35,280 --> 00:28:38,040
Speaker 1: was any beast. It's a shame now that you can't

631
00:28:38,160 --> 00:28:41,760
Speaker 1: say something about somebody an opinion and people run with it,

632
00:28:42,120 --> 00:28:44,040
Speaker 1: like you know, it's blasphemy. You know what I think

633
00:28:44,040 --> 00:28:47,360
Speaker 1: it is because your respective comic also and it gets

634
00:28:47,400 --> 00:28:49,320
Speaker 1: it holds more weight, anything holds more weight when you

635
00:28:49,400 --> 00:28:51,880
Speaker 1: said then when somebody on Twitter says something right, I

636
00:28:51,920 --> 00:28:54,040
Speaker 1: think people just look for drama. We got more with

637
00:28:54,160 --> 00:28:56,520
Speaker 1: Arie Spears. When we come back. Now he's kind of

638
00:28:56,560 --> 00:28:58,800
Speaker 1: been blackballed in the industry. We'll talk about it when

639
00:28:58,800 --> 00:29:01,000
Speaker 1: we come back. Don't go any where. It's a Breakfast

640
00:29:01,040 --> 00:29:05,680
Speaker 1: Local Morning. That was for free. DJ Kalett Drake Morning.

641
00:29:05,760 --> 00:29:09,160
Speaker 1: Everybody is DJ m vy Angela Yee, Charlemagne the God.

642
00:29:09,240 --> 00:29:12,200
Speaker 1: We are the breakfast Club. Now we have comedian from

643
00:29:12,480 --> 00:29:15,160
Speaker 1: Mad TV Airy Spears in the building. Why do most

644
00:29:15,200 --> 00:29:18,720
Speaker 1: comedians have such a dark There's this perception of comics

645
00:29:19,040 --> 00:29:21,280
Speaker 1: being happy and telling jokes on stage, but in real

646
00:29:21,360 --> 00:29:23,600
Speaker 1: life they're like, you know, you know what makes me

647
00:29:23,720 --> 00:29:26,520
Speaker 1: miserable and depresses this business because it's not what it

648
00:29:26,600 --> 00:29:29,040
Speaker 1: should be. You know, I got into this thinking it

649
00:29:29,160 --> 00:29:31,160
Speaker 1: was it was about your talent. You did your thing

650
00:29:31,240 --> 00:29:33,840
Speaker 1: and the next thing boom. This stuff is so political,

651
00:29:34,000 --> 00:29:37,480
Speaker 1: it's so political, it's so racist like this, this this

652
00:29:37,640 --> 00:29:40,240
Speaker 1: business is dirty. Yeah, you was in a different world.

653
00:29:40,280 --> 00:29:43,760
Speaker 1: You didn't Mad TVA many special def Comedy Jym, you

654
00:29:43,880 --> 00:29:46,320
Speaker 1: weren't there. I don't you know what it's that That

655
00:29:46,440 --> 00:29:48,440
Speaker 1: might be easy to say from the outside looking in,

656
00:29:48,880 --> 00:29:51,840
Speaker 1: but I'm telling you it's it's so many pitfalls and

657
00:29:52,200 --> 00:29:55,400
Speaker 1: dirtiness to this. It's unreal. What happened? Did they did

658
00:29:55,480 --> 00:29:58,840
Speaker 1: you invite you to Illuminati meeting? Or did you not imed? Somebody?

659
00:29:58,880 --> 00:30:00,600
Speaker 1: You in a room? And I'm gonna get example, like

660
00:30:01,440 --> 00:30:04,920
Speaker 1: the girl that does the mother on Family Guy. Alex Bornstein,

661
00:30:05,520 --> 00:30:08,080
Speaker 1: she was on Mad TV. She did miss Swan, one

662
00:30:08,120 --> 00:30:12,680
Speaker 1: of the most racist c words I've ever been around. Like, yeah,

663
00:30:12,760 --> 00:30:14,480
Speaker 1: me and Debor was in the makeup room one day,

664
00:30:14,880 --> 00:30:16,600
Speaker 1: and you know, me and deborl like brother and sister.

665
00:30:16,680 --> 00:30:19,360
Speaker 1: Well our chemistry was there. And one day we're just

666
00:30:19,400 --> 00:30:22,600
Speaker 1: sitting around waiting to shoot. So Alex just starts looking

667
00:30:22,600 --> 00:30:24,760
Speaker 1: at her fingernails and she keeps rubbing her fingernails and

668
00:30:25,200 --> 00:30:27,640
Speaker 1: and uh, Debor used to date Pat Hillbay, the white

669
00:30:27,640 --> 00:30:30,920
Speaker 1: boy on the show. So she goes, oh my god, Pat,

670
00:30:31,280 --> 00:30:33,360
Speaker 1: I got all this black dirt under my fingernails, Like

671
00:30:33,360 --> 00:30:35,160
Speaker 1: I was raped by an N word, and I got

672
00:30:35,200 --> 00:30:37,840
Speaker 1: the evidence to prove it. So me and Debora took

673
00:30:37,880 --> 00:30:41,280
Speaker 1: offense to that, so you know, we complained to the right.

674
00:30:41,360 --> 00:30:44,480
Speaker 1: So yeah, so we complained to the producers about it,

675
00:30:44,880 --> 00:30:47,840
Speaker 1: and turn out the producers was like Arias and Deborah

676
00:30:47,880 --> 00:30:51,360
Speaker 1: making trouble and we got singled out for being troublemakers.

677
00:30:51,880 --> 00:30:55,160
Speaker 1: We was troublemakers for being insulted. Then somebody said that,

678
00:30:55,600 --> 00:30:56,880
Speaker 1: I mean, how do you you know what I'm saying? Like,

679
00:30:56,920 --> 00:30:59,520
Speaker 1: how you blame the victim how you blame the rape,

680
00:31:00,000 --> 00:31:01,240
Speaker 1: you know what I mean? And and so it's like,

681
00:31:01,320 --> 00:31:03,240
Speaker 1: and that's the kind of thing, this kind of thing

682
00:31:03,320 --> 00:31:06,240
Speaker 1: Hollywood is. You gotta it's so political and so racial.

683
00:31:06,240 --> 00:31:07,960
Speaker 1: You gotta watch where you step, you gotta watch what

684
00:31:08,080 --> 00:31:10,719
Speaker 1: you say, because all of it it's crazy. At one

685
00:31:10,760 --> 00:31:12,920
Speaker 1: point there had to be at least one moment where

686
00:31:12,960 --> 00:31:16,000
Speaker 1: you knew, all right, they ain't rocking with me, like

687
00:31:16,080 --> 00:31:19,040
Speaker 1: whether there's something in a meeting or something you're talking to.

688
00:31:19,440 --> 00:31:21,320
Speaker 1: I just to be honest, man, I felt like that

689
00:31:21,440 --> 00:31:23,840
Speaker 1: for the last couple of years. I truly believe to

690
00:31:23,960 --> 00:31:26,040
Speaker 1: some extent, whether it's true or not, or whether I

691
00:31:26,120 --> 00:31:28,600
Speaker 1: have I don't have any actual evidence of it, but

692
00:31:28,680 --> 00:31:30,760
Speaker 1: I just something I believe. I'm black ball, man. But

693
00:31:30,840 --> 00:31:33,960
Speaker 1: what I just just because there's a stigma. You know,

694
00:31:34,040 --> 00:31:35,760
Speaker 1: my managers even told me he goes well, you know,

695
00:31:36,280 --> 00:31:38,360
Speaker 1: people would go, yeah, he's talented, but it ain't worth

696
00:31:38,440 --> 00:31:40,560
Speaker 1: the trouble. We heard he's this, we heard he's that.

697
00:31:40,640 --> 00:31:42,560
Speaker 1: That's true to people always say you have a bad attitude.

698
00:31:42,560 --> 00:31:44,560
Speaker 1: So I wonder, do you think is there anything that

699
00:31:44,800 --> 00:31:47,680
Speaker 1: makes you say it could be me? Uh? Yeah, I

700
00:31:47,760 --> 00:31:50,600
Speaker 1: just just I should smile more you know I shouldn't interact.

701
00:31:50,800 --> 00:31:52,800
Speaker 1: I look like the Mahosia Dean. If I don't smile,

702
00:31:53,360 --> 00:31:57,600
Speaker 1: it looks serious smiling that hoodie, I'm walking another way. Well, listen, man,

703
00:31:57,600 --> 00:32:00,400
Speaker 1: I'm gonna be honestly, I was. I ain't gonna gonna lie.

704
00:32:00,440 --> 00:32:04,160
Speaker 1: I was slightly intimidated coming here because I again perception

705
00:32:04,400 --> 00:32:06,760
Speaker 1: from what I heard about Charlemagne and the way he

706
00:32:06,960 --> 00:32:09,320
Speaker 1: people say he is. I didn't know if I'm gonna

707
00:32:09,320 --> 00:32:11,000
Speaker 1: come to the studio, He's gonna try and test me.

708
00:32:11,160 --> 00:32:15,040
Speaker 1: That's terrible. That's a terrible perception. I've never been never

709
00:32:15,160 --> 00:32:16,840
Speaker 1: heard that. Oh no, I hear that all the time,

710
00:32:16,880 --> 00:32:18,880
Speaker 1: but I never do that before you watch any city

711
00:32:18,920 --> 00:32:22,600
Speaker 1: want to make you cry today, No, I'm just kidding now,

712
00:32:22,720 --> 00:32:24,800
Speaker 1: Kem Peel, because you talked about Mad TV only being

713
00:32:24,920 --> 00:32:26,960
Speaker 1: like the Farm League or whatever. But Kim Bill went

714
00:32:27,000 --> 00:32:28,960
Speaker 1: on the tremendous success. And it's funny because you, to me,

715
00:32:29,120 --> 00:32:31,000
Speaker 1: was the face of that show more than CAMPI well

716
00:32:31,000 --> 00:32:33,320
Speaker 1: one Key and Peel got on when the Titanic was sinking,

717
00:32:33,720 --> 00:32:35,720
Speaker 1: when the show was at the apex of its success

718
00:32:36,040 --> 00:32:38,840
Speaker 1: and its popularity. They weren't on once Will left, Mo

719
00:32:39,080 --> 00:32:41,240
Speaker 1: left Deborah and a lot of the people that helped

720
00:32:41,280 --> 00:32:44,600
Speaker 1: define the show. During that time period, the Titanic was sinking.

721
00:32:44,640 --> 00:32:48,000
Speaker 1: The writing, wasn't it strong? The cast wasn't it strong? Uh?

722
00:32:48,160 --> 00:32:50,480
Speaker 1: And I think more than popularity came from their own

723
00:32:50,880 --> 00:32:53,760
Speaker 1: sketch show, Kim Peel Show, than it did Mad TV.

724
00:32:54,160 --> 00:32:56,600
Speaker 1: And again God bless him. But and again that's another

725
00:32:56,640 --> 00:32:59,280
Speaker 1: thing I caught flat four. Uh, you said that can

726
00:32:59,360 --> 00:33:02,760
Speaker 1: Peel were chosen by the black community. Black people like

727
00:33:02,840 --> 00:33:05,080
Speaker 1: to go, well, what's being black? Well, I gotta talk

728
00:33:05,120 --> 00:33:08,560
Speaker 1: with ghetto and slang and act ignorant essence. There's a vibe.

729
00:33:08,840 --> 00:33:11,800
Speaker 1: Black people have a natural cool, a natural swagger. When

730
00:33:11,840 --> 00:33:14,040
Speaker 1: a dog come in the room, smell another dog. You

731
00:33:14,080 --> 00:33:16,640
Speaker 1: know what I'm saying. It's like brothers that are black

732
00:33:16,720 --> 00:33:18,880
Speaker 1: on the outside, but you could you could tell you

733
00:33:18,960 --> 00:33:21,880
Speaker 1: could you smell something ain't right? They ain't got that.

734
00:33:22,240 --> 00:33:24,080
Speaker 1: Something's missing in the gumboat. I don't know if you

735
00:33:24,280 --> 00:33:26,560
Speaker 1: articulated well enough for people don't understand. But I get

736
00:33:26,680 --> 00:33:28,280
Speaker 1: exactly what you're saying when you say that. What I'm

737
00:33:28,320 --> 00:33:30,200
Speaker 1: saying like like like you said, exactly what you mean

738
00:33:30,280 --> 00:33:32,920
Speaker 1: when you say they seem like people. I went to

739
00:33:33,000 --> 00:33:35,880
Speaker 1: college with you know what I'm saying, it's just a

740
00:33:35,960 --> 00:33:39,840
Speaker 1: different type of Listen, will will Smith is educated and

741
00:33:39,880 --> 00:33:44,200
Speaker 1: as articulate and as bright as any congressman or president

742
00:33:44,320 --> 00:33:48,880
Speaker 1: or scholar. But he's but he's a brother, DMX. But

743
00:33:49,000 --> 00:33:53,280
Speaker 1: but DMX, it's gutta gully razor in the mouth while

744
00:33:53,320 --> 00:33:55,600
Speaker 1: he talked to you, and he's a brother. Now they

745
00:33:55,760 --> 00:33:59,000
Speaker 1: two different kind of I'm saying, one's the Huckstables, one's

746
00:33:59,040 --> 00:34:02,200
Speaker 1: good Times. But they both legitimately black camp people don't

747
00:34:02,240 --> 00:34:05,440
Speaker 1: have no they don't black core. They don't like you know,

748
00:34:05,600 --> 00:34:09,120
Speaker 1: like even I got a black core. Dave Chappelle had

749
00:34:09,160 --> 00:34:11,880
Speaker 1: a black core right right, Listen, I'm not saying just

750
00:34:11,920 --> 00:34:14,840
Speaker 1: because you black dude with a white woman, uh you

751
00:34:15,760 --> 00:34:20,279
Speaker 1: not black, but most black dudes with white women don't

752
00:34:20,400 --> 00:34:22,600
Speaker 1: tend to be in touch with who they are, and

753
00:34:22,760 --> 00:34:25,200
Speaker 1: the ones that are usually have white women that want

754
00:34:25,239 --> 00:34:27,360
Speaker 1: to be nick. Nate Parker would disagree with you, right.

755
00:34:27,400 --> 00:34:29,080
Speaker 1: He made a movie about that. Turner and he has

756
00:34:29,120 --> 00:34:31,960
Speaker 1: a white wife. Were making a movie and being who

757
00:34:32,040 --> 00:34:34,040
Speaker 1: you really are two different things. We just talked about

758
00:34:34,040 --> 00:34:36,480
Speaker 1: that I could make a movie being a semi homosexual

759
00:34:36,719 --> 00:34:39,000
Speaker 1: that don't mean, I'm homosexual. So just because you make

760
00:34:39,040 --> 00:34:42,080
Speaker 1: a movie on racism, don't mean you send my homosexual.

761
00:34:44,760 --> 00:34:50,920
Speaker 1: We're gonna leave it there. What is this all? What

762
00:34:51,080 --> 00:34:56,200
Speaker 1: is this? Yeah? Yeah, you know what I mean? Man,

763
00:34:58,120 --> 00:35:03,959
Speaker 1: the spend Breakfast Club, thank you. That was Bryson until

764
00:35:04,000 --> 00:35:07,520
Speaker 1: it with Dope Morning. Everybody is DJ Envy, Angela, Ye,

765
00:35:07,719 --> 00:35:11,560
Speaker 1: Charlemagne the guy. We are the breakfast tapping battles. We

766
00:35:11,640 --> 00:35:13,920
Speaker 1: got a special gust in the building who left Angela

767
00:35:14,160 --> 00:35:16,280
Speaker 1: and nice little love letter the other day. You're shooting

768
00:35:16,320 --> 00:35:18,960
Speaker 1: your shot, bro. He was just saying something nice, something

769
00:35:19,000 --> 00:35:21,320
Speaker 1: that y'all men need to learn from. So cool. It

770
00:35:21,480 --> 00:35:24,520
Speaker 1: was like, hey, babe, you look beautiful. Just made you

771
00:35:24,640 --> 00:35:29,719
Speaker 1: wear what you wore the other night. You know your baby.

772
00:35:30,040 --> 00:35:31,680
Speaker 1: It was it was like, yo, you a sexual mother.

773
00:35:31,840 --> 00:35:33,440
Speaker 1: Just want you to know that I'm get a loan

774
00:35:33,440 --> 00:35:36,479
Speaker 1: those sweet Yeah when you wake up in the morning,

775
00:35:36,560 --> 00:35:38,480
Speaker 1: y'all stuck it to a computer, which you mean mine

776
00:35:38,520 --> 00:35:40,399
Speaker 1: was better when he left you a not too talking

777
00:35:40,400 --> 00:35:44,680
Speaker 1: about talking about George better and I got him a gift,

778
00:35:45,200 --> 00:35:47,560
Speaker 1: you know, because it's new. You don't play in the show.

779
00:35:48,480 --> 00:35:50,480
Speaker 1: I was nobody wanted to take the shot. I was

780
00:35:50,480 --> 00:35:52,080
Speaker 1: like y y'all gonna take I'm like, y y'all gonna

781
00:35:52,080 --> 00:35:54,480
Speaker 1: take a shot of me. Everybody stays silent except Angela.

782
00:35:54,600 --> 00:35:56,640
Speaker 1: She was the only one that was ready to party. Said, yeah,

783
00:35:57,680 --> 00:35:59,319
Speaker 1: I went on the cup. You was just taking. Okay,

784
00:35:59,600 --> 00:36:02,560
Speaker 1: he needs congrats. When I told you, thank you so much. Now,

785
00:36:02,640 --> 00:36:04,960
Speaker 1: I was calling you Drake like you know for a minute,

786
00:36:05,520 --> 00:36:09,719
Speaker 1: and you were calling him. Well, I didn't. I still

787
00:36:09,760 --> 00:36:13,319
Speaker 1: don't know the difference sometimes, but the album is good.

788
00:36:13,480 --> 00:36:15,799
Speaker 1: But it sounds like you ain't developed your own sound yet. Bro.

789
00:36:16,320 --> 00:36:18,680
Speaker 1: You feel that like you sound like Trade. Sometimes you

790
00:36:18,760 --> 00:36:21,759
Speaker 1: sound like Fatty Wop on some records like well you

791
00:36:21,840 --> 00:36:25,319
Speaker 1: think that is who else? Probably just Fretti, Fattie Trade,

792
00:36:25,360 --> 00:36:28,000
Speaker 1: Freddie Trade. And I think there was a one song

793
00:36:28,120 --> 00:36:31,520
Speaker 1: that people were saying, this sounds reminiscent of Fatty Wapp. Okay,

794
00:36:32,080 --> 00:36:34,359
Speaker 1: but I don't know about the whole album, Nicole hard Love,

795
00:36:34,440 --> 00:36:41,680
Speaker 1: I like it. It sounds like Trade though. Okay, No,

796
00:36:41,800 --> 00:36:43,840
Speaker 1: but the album has gotten a really great reception. I

797
00:36:43,920 --> 00:36:46,200
Speaker 1: know I was jamming to it as well. So thank

798
00:36:46,239 --> 00:36:48,680
Speaker 1: you so much, and think and thank you to everybody

799
00:36:48,960 --> 00:36:51,360
Speaker 1: who purchased the album, whether or not it was like

800
00:36:51,719 --> 00:36:55,200
Speaker 1: you know, hard copy or online or streaming. Yeah, you know,

801
00:36:55,640 --> 00:36:57,400
Speaker 1: I'm just thankful to be at this point of my

802
00:36:57,480 --> 00:36:59,479
Speaker 1: life in my career. I've always wanted to drop an album.

803
00:36:59,560 --> 00:37:02,320
Speaker 1: So the fact that anybody has anything to say about it,

804
00:37:02,400 --> 00:37:05,200
Speaker 1: it just makes me happy, you know. And you have

805
00:37:05,320 --> 00:37:07,720
Speaker 1: three songs that are pretty big from off the album already,

806
00:37:07,760 --> 00:37:09,719
Speaker 1: which a lot of artists will never see, you know,

807
00:37:09,760 --> 00:37:11,440
Speaker 1: too successful at least. I would like to say the

808
00:37:11,480 --> 00:37:14,200
Speaker 1: second one is you know, on waited, you know success.

809
00:37:14,640 --> 00:37:16,520
Speaker 1: I like to say I have two successful singles right

810
00:37:16,600 --> 00:37:18,840
Speaker 1: now that I personally I'm proud of, and you know,

811
00:37:18,920 --> 00:37:20,640
Speaker 1: I'm just happy, like you said that they came from

812
00:37:20,680 --> 00:37:23,080
Speaker 1: the album and that you know, this pushes the album

813
00:37:23,160 --> 00:37:24,800
Speaker 1: and things of that nature that I have been a

814
00:37:24,840 --> 00:37:27,200
Speaker 1: fan of nineties music of course, could just say it.

815
00:37:27,280 --> 00:37:30,040
Speaker 1: And then the everybody fall in Love some time definitely, yeah,

816
00:37:30,120 --> 00:37:33,600
Speaker 1: definitely everything. And that's that Toronto influence too, for sure,

817
00:37:33,800 --> 00:37:36,040
Speaker 1: that we're sending that Beijing. You know, we go to

818
00:37:36,080 --> 00:37:37,680
Speaker 1: the because like you know, we we we grew up

819
00:37:37,719 --> 00:37:40,719
Speaker 1: in like the culture of going to the basement jam,

820
00:37:41,320 --> 00:37:44,400
Speaker 1: you know what I mean, all the parties. Why we

821
00:37:44,520 --> 00:37:47,120
Speaker 1: like the well, I don't know how it was. Yeah,

822
00:37:47,160 --> 00:37:49,160
Speaker 1: we was like the we was like the we felt

823
00:37:49,160 --> 00:37:50,480
Speaker 1: like we liked the home of that, like you know,

824
00:37:50,520 --> 00:37:52,759
Speaker 1: because like that's where Yeah, like that's how how it

825
00:37:52,800 --> 00:37:54,440
Speaker 1: always went in the North. It's like you always had

826
00:37:54,480 --> 00:37:56,000
Speaker 1: a basement in your house or something like that, and

827
00:37:56,040 --> 00:37:58,320
Speaker 1: that's where all the parties would be inside the house. So,

828
00:37:58,960 --> 00:38:04,680
Speaker 1: um no, definitely round a lot. You were in Texas.

829
00:38:04,719 --> 00:38:05,800
Speaker 1: You were in a lot of different places in the

830
00:38:05,880 --> 00:38:07,840
Speaker 1: US as well. Yeah, yeah, definitely, But I was in

831
00:38:07,920 --> 00:38:09,719
Speaker 1: Texas like a little bit later, Like I'm talking about

832
00:38:10,000 --> 00:38:12,200
Speaker 1: when I was like in high school and stuff like that.

833
00:38:12,440 --> 00:38:14,080
Speaker 1: That's when we were going to the jams and like,

834
00:38:14,280 --> 00:38:16,960
Speaker 1: you know, because my wife heard the love joint and

835
00:38:16,960 --> 00:38:19,279
Speaker 1: controller joint and she was like that west Ending he

836
00:38:19,400 --> 00:38:22,760
Speaker 1: was like he could pull that off without being true

837
00:38:22,960 --> 00:38:25,160
Speaker 1: west In. He's like, she's Jamaica's He was like, he

838
00:38:25,360 --> 00:38:28,080
Speaker 1: has to be true Weston because somebody that's not west

839
00:38:28,160 --> 00:38:30,280
Speaker 1: Ending and tried to do that pass but never said definitely.

840
00:38:30,440 --> 00:38:34,239
Speaker 1: Now I'm I'm I'm actually Besian. I'm just Jamaican by association,

841
00:38:34,320 --> 00:38:37,400
Speaker 1: and he's Besian to like, you know, oh, he's just

842
00:38:41,640 --> 00:38:45,000
Speaker 1: now I'm Besian, Like um uh, like my dad is

843
00:38:45,160 --> 00:38:47,440
Speaker 1: is Besian and my mom is technically from Guyana, but

844
00:38:48,200 --> 00:38:50,960
Speaker 1: she she's from a Dutch country, So I'm Dutch. Uh

845
00:38:51,360 --> 00:38:54,759
Speaker 1: carousales from out whatever? Now, how to say it blow?

846
00:38:54,840 --> 00:38:56,839
Speaker 1: Because you know, say it was a record that caught

847
00:38:56,920 --> 00:38:58,840
Speaker 1: fast nationally. It seemed like there was a lot of

848
00:38:58,880 --> 00:39:00,680
Speaker 1: money behind him because before we knew your name and

849
00:39:00,719 --> 00:39:03,640
Speaker 1: before we knew your face, the record came in. The

850
00:39:03,800 --> 00:39:05,920
Speaker 1: thing about that record was that was just the first

851
00:39:05,960 --> 00:39:08,600
Speaker 1: time that I finally had got to push from like

852
00:39:09,040 --> 00:39:12,319
Speaker 1: from like a major standpoint, like I was putting out

853
00:39:12,360 --> 00:39:15,800
Speaker 1: records like this from time. I want to say, like

854
00:39:15,840 --> 00:39:18,160
Speaker 1: if you go back into the old records, like you

855
00:39:18,239 --> 00:39:20,360
Speaker 1: go back to records like TLC that I had on

856
00:39:20,440 --> 00:39:23,320
Speaker 1: the Chicks tape too, it's the same effect, you know

857
00:39:23,360 --> 00:39:26,279
Speaker 1: what I mean. It's just like the records just kind

858
00:39:26,280 --> 00:39:28,160
Speaker 1: of went over people's head because nobody knew me, but

859
00:39:28,239 --> 00:39:30,080
Speaker 1: that that baldy, because they knew your record, but not

860
00:39:30,239 --> 00:39:32,880
Speaker 1: your face or your name, maybe saying nobody knows what

861
00:39:32,960 --> 00:39:35,319
Speaker 1: you look like. No he's but no, no, no, before

862
00:39:35,320 --> 00:39:39,439
Speaker 1: they but honestly, his record bigger than his face. We'll see.

863
00:39:39,520 --> 00:39:42,160
Speaker 1: Now it's a little different, I guess because I guess

864
00:39:43,760 --> 00:39:46,600
Speaker 1: he's not lying though, because before, before this moment, now

865
00:39:47,080 --> 00:39:49,480
Speaker 1: it was exactly like that. Now it's like, I go anyway,

866
00:39:49,520 --> 00:39:52,120
Speaker 1: if you're blackie, you just knew me, like or if

867
00:39:52,160 --> 00:39:54,520
Speaker 1: you're like, uh, some type of somebody who looks like

868
00:39:54,560 --> 00:39:56,439
Speaker 1: you listen to hip hop or music or some sort

869
00:39:56,520 --> 00:40:00,799
Speaker 1: you you know me randomly. Um, But it's like beforehand,

870
00:40:00,840 --> 00:40:02,960
Speaker 1: it was that exact problem. But I think my problem

871
00:40:03,080 --> 00:40:05,240
Speaker 1: was I would never shot videos for the right songs,

872
00:40:05,360 --> 00:40:09,200
Speaker 1: or I never was consistent with my visual base because

873
00:40:09,239 --> 00:40:11,960
Speaker 1: I'm such a picky guy. I take more into the

874
00:40:12,040 --> 00:40:13,960
Speaker 1: pride of it, so I can't just do videos like

875
00:40:14,040 --> 00:40:16,279
Speaker 1: this in post and standing in the corner, because that's

876
00:40:16,320 --> 00:40:18,880
Speaker 1: just not my way. You know, I care more so.

877
00:40:19,120 --> 00:40:20,719
Speaker 1: I think that was the problem back then, But now

878
00:40:20,800 --> 00:40:23,160
Speaker 1: you know, I'm on my Oh the girls think I'm

879
00:40:23,200 --> 00:40:25,279
Speaker 1: pretty all right. We got more with Tory Lanz when

880
00:40:25,360 --> 00:40:27,640
Speaker 1: we come back. We'll also find out why he did

881
00:40:27,760 --> 00:40:30,640
Speaker 1: Drake controller record over keep it lock this Brekfast Club,

882
00:40:30,680 --> 00:40:34,399
Speaker 1: Good Morning. That was Drake One Dance Morning Everybody. It's

883
00:40:34,440 --> 00:40:37,319
Speaker 1: DJ M v Angela Yee, Charlomagne the God. We all

884
00:40:37,360 --> 00:40:40,680
Speaker 1: the Breakfast Club. Tory Lanes is in the building. His

885
00:40:40,800 --> 00:40:43,640
Speaker 1: new albums out right now? What made you do Drake's

886
00:40:43,640 --> 00:40:46,719
Speaker 1: Controller over? I like the song We're you surprised at

887
00:40:46,760 --> 00:40:50,000
Speaker 1: Jack Move. We're surprised at the feedback of Controller because

888
00:40:50,040 --> 00:40:53,080
Speaker 1: it's it's one of the biggest records in the club.

889
00:40:53,239 --> 00:40:57,080
Speaker 1: But they like it better than the original version. Oh wow,

890
00:40:57,160 --> 00:40:59,759
Speaker 1: that's great man, not man for me personally, Like, you know,

891
00:40:59,800 --> 00:41:01,640
Speaker 1: we treat the Beast like it's like it's like a

892
00:41:01,760 --> 00:41:04,080
Speaker 1: y'all thing. Like you treat the Beast like rhythms, like

893
00:41:04,239 --> 00:41:06,120
Speaker 1: you know, you hop on them and if you do

894
00:41:06,280 --> 00:41:08,000
Speaker 1: your thing. But I know at one point you wasn't

895
00:41:08,000 --> 00:41:09,680
Speaker 1: trying to talk hop on. I got the keys that

896
00:41:09,800 --> 00:41:11,640
Speaker 1: day too, and I bodied that too. But it's just

897
00:41:11,760 --> 00:41:14,759
Speaker 1: I guess people just reacted to them. But you said

898
00:41:14,760 --> 00:41:16,399
Speaker 1: you didn't want to talk about Drake because you want

899
00:41:16,440 --> 00:41:18,600
Speaker 1: to do. I mean, I just feel like I feel

900
00:41:18,640 --> 00:41:20,960
Speaker 1: like the media kind of makes it such a thing

901
00:41:21,040 --> 00:41:22,960
Speaker 1: to the point where it's like they just want me

902
00:41:23,000 --> 00:41:24,560
Speaker 1: to feed into it at every point and it's just

903
00:41:24,680 --> 00:41:26,200
Speaker 1: not what it is. You know, I kind of do

904
00:41:26,280 --> 00:41:28,440
Speaker 1: it on your own. I mean, I feel you have

905
00:41:28,520 --> 00:41:34,080
Speaker 1: a video when we're really out here in Philly, real Toronto.

906
00:41:34,160 --> 00:41:36,000
Speaker 1: Did you get out here in Philly the other guys?

907
00:41:36,040 --> 00:41:37,640
Speaker 1: You know what I'm saying. I need know what we

908
00:41:37,719 --> 00:41:40,440
Speaker 1: really be out here. You were like you, I'm gonna Philly.

909
00:41:40,480 --> 00:41:45,880
Speaker 1: You're nice. Try buddies, you did that nice try If

910
00:41:45,960 --> 00:41:48,040
Speaker 1: you did it? No, No, but I know what we're

911
00:41:48,080 --> 00:41:50,319
Speaker 1: doing it. We're trying to sleek into this subject. We're

912
00:41:50,320 --> 00:41:52,120
Speaker 1: not gonna do that. We had to talk about that.

913
00:41:52,200 --> 00:41:54,160
Speaker 1: I told you that's out now. Would never bring it

914
00:41:54,239 --> 00:41:55,840
Speaker 1: up if you didn't do stuff like that. And I

915
00:41:56,000 --> 00:41:57,840
Speaker 1: feel you, but I told you it's out now. You

916
00:41:57,920 --> 00:41:59,879
Speaker 1: have a lot of artists support too. On your side.

917
00:42:00,160 --> 00:42:02,760
Speaker 1: I saw a lot of artists, um, you know, promoting

918
00:42:02,800 --> 00:42:05,120
Speaker 1: the album like I saw Rick Ross, Meek Mel, I

919
00:42:05,160 --> 00:42:07,399
Speaker 1: saw I push your t a lot of other artists.

920
00:42:07,440 --> 00:42:10,440
Speaker 1: Are these people that you have personal relationships friendships with

921
00:42:10,680 --> 00:42:14,279
Speaker 1: or is it just honestly yeah, I mean no, honestly, Um,

922
00:42:14,880 --> 00:42:17,840
Speaker 1: I try to send music to everybody. I make hooks

923
00:42:17,880 --> 00:42:19,800
Speaker 1: and stuff and I write you know, so you know,

924
00:42:19,880 --> 00:42:22,080
Speaker 1: people have heard about me either through those weird ways

925
00:42:22,200 --> 00:42:24,120
Speaker 1: or we've met each other in person, and it's always

926
00:42:24,120 --> 00:42:27,000
Speaker 1: been loved. I'm just happy for anybody who did you

927
00:42:27,080 --> 00:42:31,120
Speaker 1: know post the album, and you know, especially all MMG guys, yeah, radomly,

928
00:42:31,200 --> 00:42:33,440
Speaker 1: they all just did it. The reason why they did that,

929
00:42:34,200 --> 00:42:36,520
Speaker 1: I don't think so. I mean, while I know personally

930
00:42:36,680 --> 00:42:39,400
Speaker 1: toward him beforehand, and he saw me before all, this

931
00:42:40,600 --> 00:42:43,440
Speaker 1: has just been my man's from long time. I've been

932
00:42:43,480 --> 00:42:46,080
Speaker 1: making music with me since the Swavy mixtape, which is

933
00:42:46,160 --> 00:42:50,080
Speaker 1: like seven mixtapes ago and ross. I just met him randomly,

934
00:42:50,120 --> 00:42:51,520
Speaker 1: and I think the reason why he may have posted

935
00:42:51,600 --> 00:42:54,400
Speaker 1: my album was because randomly, like the first time I

936
00:42:54,520 --> 00:42:57,479
Speaker 1: really actually met him, we was in Miami. I don't

937
00:42:57,480 --> 00:43:00,680
Speaker 1: know how. I randomly had the album in the car

938
00:43:00,800 --> 00:43:02,319
Speaker 1: that I was just in, so I was randomly listening

939
00:43:02,320 --> 00:43:04,160
Speaker 1: to him when he walked out of studio between three

940
00:43:04,600 --> 00:43:06,799
Speaker 1: women and someone was like, yo, this story just rows.

941
00:43:06,840 --> 00:43:08,840
Speaker 1: And we met each other and he was like, anything

942
00:43:08,880 --> 00:43:10,120
Speaker 1: you need, I got you. But I think it was

943
00:43:10,160 --> 00:43:13,360
Speaker 1: off the level of you had mine and support choice.

944
00:43:13,400 --> 00:43:15,800
Speaker 1: You know, I don't think it was a calculation or

945
00:43:15,880 --> 00:43:18,160
Speaker 1: something like that. Let's talk about your goon days because

946
00:43:18,320 --> 00:43:20,640
Speaker 1: I'm listening to the album you used to be going

947
00:43:20,680 --> 00:43:24,080
Speaker 1: and you broke into somebody's house. I mean, when I

948
00:43:24,120 --> 00:43:26,960
Speaker 1: don't want to sit there and talk about exacting details,

949
00:43:27,160 --> 00:43:29,319
Speaker 1: but you did on that album. Yeah. But see that's

950
00:43:29,360 --> 00:43:31,319
Speaker 1: the thing. That's why you should cop the album because

951
00:43:31,320 --> 00:43:35,400
Speaker 1: the album has, you know, stories that I wouldn't necessarily

952
00:43:35,440 --> 00:43:37,160
Speaker 1: come in an interview and just talk about, because here's

953
00:43:37,160 --> 00:43:39,319
Speaker 1: not things to gloat about, you know. My whole thing

954
00:43:39,840 --> 00:43:42,440
Speaker 1: of course, and that's that's the change, and that's the

955
00:43:42,560 --> 00:43:46,840
Speaker 1: whole point of the album, you know, ums is to

956
00:43:46,960 --> 00:43:49,400
Speaker 1: show people from where we came. And that's the thing

957
00:43:49,480 --> 00:43:51,239
Speaker 1: like a lot of people have and I think that

958
00:43:51,360 --> 00:43:53,080
Speaker 1: I think that's about like, you know, even a lot

959
00:43:53,120 --> 00:43:54,880
Speaker 1: of my other interviews, a lot of people had this

960
00:43:55,640 --> 00:43:58,759
Speaker 1: misconception about Canada and about Toronto. Like it's just like

961
00:43:58,800 --> 00:44:02,239
Speaker 1: what you mean, misconception because people and I do soon,

962
00:44:02,640 --> 00:44:04,320
Speaker 1: you know what I mean. But I think people have

963
00:44:04,400 --> 00:44:06,840
Speaker 1: a misconception of how rough it is out there for

964
00:44:07,000 --> 00:44:09,360
Speaker 1: us when we grow up, and the things in the

965
00:44:09,440 --> 00:44:11,880
Speaker 1: politics that we still deal with that people don't think

966
00:44:11,920 --> 00:44:14,400
Speaker 1: we deal with, you know. But I'm not here to

967
00:44:14,800 --> 00:44:17,600
Speaker 1: you know, greasy up Canada. No, it's not what I'm

968
00:44:17,640 --> 00:44:19,360
Speaker 1: here to do. But I am here to tell the

969
00:44:19,480 --> 00:44:21,920
Speaker 1: real stories and to talk the stories that we go

970
00:44:22,040 --> 00:44:24,960
Speaker 1: through as young men in Canada, you know, most men

971
00:44:25,000 --> 00:44:28,279
Speaker 1: I know love Toronto, especially because of the women. That's

972
00:44:28,280 --> 00:44:31,200
Speaker 1: because they're going downtown. They're having a great time. They're

973
00:44:31,200 --> 00:44:34,080
Speaker 1: going outtown party and at nice clubs and doing great things.

974
00:44:34,120 --> 00:44:36,560
Speaker 1: But when we're growing up, we're not doing that. Like

975
00:44:36,680 --> 00:44:38,440
Speaker 1: we're not in any of those clubs, and we're definitely

976
00:44:38,480 --> 00:44:41,480
Speaker 1: not downtown in the inner city. That's just not what

977
00:44:41,640 --> 00:44:43,680
Speaker 1: we're doing. Like, you know what I mean, you're in

978
00:44:43,760 --> 00:44:46,480
Speaker 1: your own neighborhood and you're pushing back and you're in

979
00:44:46,640 --> 00:44:47,920
Speaker 1: you know what I mean, and you go through what

980
00:44:48,000 --> 00:44:50,799
Speaker 1: you go through in the city so small that there's

981
00:44:50,840 --> 00:44:53,719
Speaker 1: just no escaping anything. So at this point, it's like

982
00:44:53,880 --> 00:44:56,600
Speaker 1: all the young young kids, I'm who they look up to,

983
00:44:57,160 --> 00:44:58,880
Speaker 1: you know, I'm the person that they look up to

984
00:44:58,960 --> 00:45:01,640
Speaker 1: say to yo, I see him. I was out there

985
00:45:01,680 --> 00:45:03,839
Speaker 1: and saw him. I remember when you didn't have that rain,

986
00:45:03,960 --> 00:45:07,640
Speaker 1: that watch that bracelet, you know. But but for real,

987
00:45:07,960 --> 00:45:10,120
Speaker 1: people feel like that, like I remember when he was

988
00:45:10,160 --> 00:45:15,960
Speaker 1: sleeping on my couch. A lot of couches, A lot

989
00:45:16,040 --> 00:45:18,600
Speaker 1: of couches, man, a lot of back seats, a lot

990
00:45:18,680 --> 00:45:21,120
Speaker 1: of like yo, now I really talk like like I

991
00:45:21,440 --> 00:45:23,680
Speaker 1: lived in a lot of cars and I sucked on

992
00:45:23,680 --> 00:45:25,040
Speaker 1: a lot of couches. Bro I was at a lot

993
00:45:25,080 --> 00:45:27,479
Speaker 1: of people's houses, and I told a lot of people

994
00:45:27,520 --> 00:45:29,279
Speaker 1: to believe in this, and and you know, a lot

995
00:45:29,280 --> 00:45:30,919
Speaker 1: of people didn't believe in it. A lot of people

996
00:45:31,040 --> 00:45:32,919
Speaker 1: just looked at me and it was like, I can't

997
00:45:33,000 --> 00:45:36,399
Speaker 1: foresee this thing that you see, you know, and that's

998
00:45:36,440 --> 00:45:38,040
Speaker 1: why we're here at this point. And I told you

999
00:45:38,120 --> 00:45:39,759
Speaker 1: it's out. And that's what that I told you. It's

1000
00:45:39,800 --> 00:45:41,520
Speaker 1: for us. For all the doubts that they say, is

1001
00:45:41,560 --> 00:45:43,399
Speaker 1: do you guys get along in your Toronto ortist? Get along?

1002
00:45:43,760 --> 00:45:46,080
Speaker 1: I get along with everybody. I don't actually like that's

1003
00:45:46,120 --> 00:45:48,759
Speaker 1: the thing people think I have a you gotta stop drinking.

1004
00:45:48,760 --> 00:45:52,000
Speaker 1: He even in Philly telling people they can't come there,

1005
00:45:52,000 --> 00:45:53,360
Speaker 1: but didn't come into the best club and saying, you

1006
00:45:53,400 --> 00:45:59,080
Speaker 1: get along with everybody, nice, dry budding, every artist, whether

1007
00:45:59,120 --> 00:46:02,400
Speaker 1: it's the Bee, but whether is Belly, whether it's whoever.

1008
00:46:02,560 --> 00:46:04,960
Speaker 1: Maybe we can no, No, I mean that's what I'm saying, Like,

1009
00:46:05,280 --> 00:46:08,600
Speaker 1: I get along with everybody. I don't have a problem

1010
00:46:08,680 --> 00:46:11,719
Speaker 1: with anybody in Toronto. Somebody has a problem with me,

1011
00:46:11,960 --> 00:46:15,759
Speaker 1: that's different. But for me, I personally don't have a

1012
00:46:16,000 --> 00:46:18,640
Speaker 1: like beef with me. If you're gonna know when I

1013
00:46:18,719 --> 00:46:21,560
Speaker 1: have beef with somebody because one of us is just

1014
00:46:21,719 --> 00:46:26,040
Speaker 1: falling out the cruise, you're gonna start seeing people missing

1015
00:46:26,120 --> 00:46:28,640
Speaker 1: from either mine crew or his crew. That's just you're

1016
00:46:28,680 --> 00:46:30,800
Speaker 1: gonna know when I have a beef with somebody. I

1017
00:46:30,840 --> 00:46:33,600
Speaker 1: don't have a beef with nobody. You know. I want

1018
00:46:33,600 --> 00:46:37,200
Speaker 1: to make people disappear. I guess not what I said.

1019
00:46:38,480 --> 00:46:40,480
Speaker 1: I'm just saying that's that's just how it is. Like

1020
00:46:40,520 --> 00:46:41,960
Speaker 1: if it was beef, we would be It feels like

1021
00:46:42,000 --> 00:46:44,239
Speaker 1: how New York used to be, where nobody got along

1022
00:46:44,320 --> 00:46:46,440
Speaker 1: and everybody did that. Don't get me wrong, everybody does

1023
00:46:46,480 --> 00:46:48,759
Speaker 1: do the own thing. But that's why I'm saying, like,

1024
00:46:49,000 --> 00:46:51,279
Speaker 1: if it was beef, you you know when it's beef,

1025
00:46:51,360 --> 00:46:54,919
Speaker 1: because then we just start playing scoreboard, and nobody wants

1026
00:46:54,920 --> 00:46:57,560
Speaker 1: to play scoreboard. Who wants to do that. We want

1027
00:46:57,600 --> 00:46:59,600
Speaker 1: to get money. You want to get money. Came out

1028
00:46:59,640 --> 00:47:01,160
Speaker 1: here to get money to be young. You know what

1029
00:47:01,200 --> 00:47:04,160
Speaker 1: I'm saying, Live all life, that's all all right, there

1030
00:47:04,200 --> 00:47:07,080
Speaker 1: you have it. Let get his name right, they start

1031
00:47:12,120 --> 00:47:17,120
Speaker 1: good morning. I was born to Donkey. It's the Donkey

1032
00:47:17,440 --> 00:47:34,759
Speaker 1: of the Death that Devil Breakfast Club. Hey, Hey, hey,

1033
00:47:35,480 --> 00:47:37,200
Speaker 1: don't you The day goes to all you idiots who

1034
00:47:37,239 --> 00:47:40,440
Speaker 1: believe that bird Man really bought the Breakfast Club for

1035
00:47:40,480 --> 00:47:42,359
Speaker 1: five million dollars. Now, I know some of y'all are

1036
00:47:42,360 --> 00:47:44,120
Speaker 1: out there wondering what the hell I'm talking about, but

1037
00:47:44,200 --> 00:47:47,360
Speaker 1: it was a rumor going around on Facebook courtesy of

1038
00:47:47,440 --> 00:47:51,440
Speaker 1: this website that Chill remained nameless because they make up

1039
00:47:51,480 --> 00:47:54,480
Speaker 1: the most ridiculous stories. And I used to wonder why

1040
00:47:54,520 --> 00:47:57,520
Speaker 1: people believe anything this website reports because it's all BS.

1041
00:47:57,600 --> 00:48:00,279
Speaker 1: But you can't knock the hustler. You're knocked the dumb

1042
00:48:00,360 --> 00:48:03,040
Speaker 1: ass consumer who buys into this BS, because y'are the

1043
00:48:03,120 --> 00:48:07,000
Speaker 1: ones that make this malarkey spread. Okay, So for the

1044
00:48:07,080 --> 00:48:10,000
Speaker 1: past five days, my timeline has been filled with people saying, Charlomagne,

1045
00:48:10,160 --> 00:48:13,240
Speaker 1: make yourself dunkey today for being fired, or I knew Karma,

1046
00:48:13,560 --> 00:48:15,719
Speaker 1: or I knew Karma was gonna come back to Charlemagne,

1047
00:48:15,719 --> 00:48:18,160
Speaker 1: but not like this. Let me tell you something. All

1048
00:48:18,239 --> 00:48:21,200
Speaker 1: this is funny at first until you realize people actually

1049
00:48:21,280 --> 00:48:24,719
Speaker 1: believe this nonsense. Like I'm watching people London and Africa

1050
00:48:25,000 --> 00:48:29,200
Speaker 1: discuss this story like it's real. Okay, I can understand

1051
00:48:29,239 --> 00:48:31,719
Speaker 1: if I was on vacation and hadn't been on air.

1052
00:48:32,160 --> 00:48:33,880
Speaker 1: But that hasn't been the case. So therefore, all you

1053
00:48:33,960 --> 00:48:35,920
Speaker 1: idiots have no reason to be stupid other than the

1054
00:48:36,000 --> 00:48:38,759
Speaker 1: fact you actually may be stupid. Now I'm gonna read

1055
00:48:38,840 --> 00:48:43,040
Speaker 1: this article. It's real short. The headline is birdman buys

1056
00:48:43,160 --> 00:48:49,200
Speaker 1: radio station, fired Charlomagne. Are you fired? Are you terminated? Okay, man,

1057
00:48:49,280 --> 00:48:53,040
Speaker 1: you're good, We're good. I told that man. I told

1058
00:48:53,080 --> 00:48:55,200
Speaker 1: that man to put some respect on my name. But

1059
00:48:55,360 --> 00:49:00,720
Speaker 1: he thought I was playing. But he thought I was playing.

1060
00:49:01,560 --> 00:49:04,920
Speaker 1: Now he can work for me and be my personal

1061
00:49:05,040 --> 00:49:08,319
Speaker 1: blunt roller said it charged up Birdman after buying Power

1062
00:49:08,360 --> 00:49:11,280
Speaker 1: one or five one radio station for five million cash

1063
00:49:12,520 --> 00:49:16,120
Speaker 1: and firing Breakfast Club Holds Charlomagne and gone Charlomagne. Charlomagne

1064
00:49:16,120 --> 00:49:18,719
Speaker 1: was giving his walking papers after Birdman decided to let

1065
00:49:18,800 --> 00:49:21,520
Speaker 1: him go after disrespecting his name repeatedly for years on

1066
00:49:21,600 --> 00:49:24,239
Speaker 1: the radio. He sent Charlomagne his pink slip and wrote

1067
00:49:24,280 --> 00:49:26,279
Speaker 1: a small note on it that said, are you fired?

1068
00:49:26,320 --> 00:49:29,120
Speaker 1: Are you terminated? Rich king bitch? He should have actually

1069
00:49:29,160 --> 00:49:31,239
Speaker 1: just kept you in your contract. Then he said that

1070
00:49:31,280 --> 00:49:33,640
Speaker 1: would be small business. Then he said. Charlomagne is said

1071
00:49:33,640 --> 00:49:35,920
Speaker 1: to be back in South Carolina blowing up Wendy Williams

1072
00:49:35,960 --> 00:49:38,040
Speaker 1: phone begging or for a job because she has yet

1073
00:49:38,120 --> 00:49:41,360
Speaker 1: to respond. Okay, you should got a number. No, okay,

1074
00:49:41,480 --> 00:49:43,400
Speaker 1: Number one. If the Breakfast Club could be bought for

1075
00:49:43,480 --> 00:49:46,320
Speaker 1: five million dollars, DJ and v Angeli yet and myself

1076
00:49:46,400 --> 00:49:50,280
Speaker 1: collectively would have bought The Breakfast Club a long time ago. Facts, Okay,

1077
00:49:50,680 --> 00:49:53,360
Speaker 1: all right. Number two, I wouldn't be back in South Carolina,

1078
00:49:53,400 --> 00:49:55,000
Speaker 1: big and nobody for a job because I don't know

1079
00:49:55,000 --> 00:49:56,840
Speaker 1: if you noticed or not, but when it comes to jobs,

1080
00:49:57,000 --> 00:49:59,560
Speaker 1: I have several Now. The only reason people will leave

1081
00:49:59,680 --> 00:50:02,160
Speaker 1: this is because they want to believe this rumor. They

1082
00:50:02,160 --> 00:50:04,520
Speaker 1: would love for me to get fired. Biggie told us

1083
00:50:04,560 --> 00:50:07,359
Speaker 1: on Life After Death this two track ten. People will

1084
00:50:07,440 --> 00:50:09,880
Speaker 1: pray and pray for your downfall. And that's fine. I

1085
00:50:10,040 --> 00:50:12,200
Speaker 1: get it. It comes with the territory. Just let the

1086
00:50:12,280 --> 00:50:16,000
Speaker 1: bs y'all choose to believe be believable. If The Breakfast Club,

1087
00:50:16,360 --> 00:50:20,600
Speaker 1: a nationally syndicated radio show on iHeartMedia broadcasting over sixty

1088
00:50:20,640 --> 00:50:23,800
Speaker 1: plus markets, could be bought for five million dollars, we

1089
00:50:23,840 --> 00:50:26,080
Speaker 1: wouldn't be at to rest your radio show. We would

1090
00:50:26,120 --> 00:50:28,480
Speaker 1: be a podcast because that's the only way doing this

1091
00:50:28,520 --> 00:50:30,800
Speaker 1: show would make sense for all parties involved. Now, the

1092
00:50:30,840 --> 00:50:32,960
Speaker 1: funny thing is, I said ten minutes ago I was

1093
00:50:32,960 --> 00:50:35,959
Speaker 1: gonna give everybody who believes this rumor a birdman buying

1094
00:50:36,000 --> 00:50:39,680
Speaker 1: the radio station donkey today, and people started tweeting Charlomagne

1095
00:50:39,719 --> 00:50:41,920
Speaker 1: about to talk about Charlomagne about to talk about being

1096
00:50:42,000 --> 00:50:46,320
Speaker 1: fired and Birdman behind the station. If I was fired,

1097
00:50:47,239 --> 00:50:49,600
Speaker 1: why would I be here to you know what? Why

1098
00:50:49,680 --> 00:50:52,239
Speaker 1: you keep going? I don't know why. Please give all

1099
00:50:52,280 --> 00:50:54,239
Speaker 1: these idiots who believe that bird Man bought the station

1100
00:50:54,320 --> 00:50:59,840
Speaker 1: and fired me the biggest heathall. Please listen, guys. I

1101
00:51:00,080 --> 00:51:03,200
Speaker 1: know y'all believe everything you see online nowadays, but please remember,

1102
00:51:03,239 --> 00:51:05,800
Speaker 1: when you need something to believe in, start with yourself.

1103
00:51:06,120 --> 00:51:08,080
Speaker 1: If you believe in yourself more, you won't be so

1104
00:51:08,239 --> 00:51:10,120
Speaker 1: quick to believe the b as you see on the internet.

1105
00:51:10,680 --> 00:51:14,080
Speaker 1: And thank young escort Charlomagne out of here. When Birdman

1106
00:51:14,160 --> 00:51:18,600
Speaker 1: catches winto this, right, you want to talk tough? Bird

1107
00:51:18,640 --> 00:51:20,719
Speaker 1: Man last name and Pittman. He don't have no type

1108
00:51:20,719 --> 00:51:23,200
Speaker 1: of power to do anything like that. Okay, his name

1109
00:51:23,320 --> 00:51:29,920
Speaker 1: is Birdman Pittman. Yeah right, all right, I wish my

1110
00:51:30,040 --> 00:51:33,240
Speaker 1: last name was Pittman. Somethday both you're taking out another

1111
00:51:33,320 --> 00:51:36,640
Speaker 1: last name, all right when it comes to Winfrey knows

1112
00:51:36,680 --> 00:51:43,280
Speaker 1: called a Pittman got a nice ring to its breakfast

1113
00:51:43,320 --> 00:51:48,400
Speaker 1: club that was Tony Lane's morning. Everybody is DJ M

1114
00:51:48,520 --> 00:51:51,439
Speaker 1: v Angela, Ye, Charlomagne the guy, we are the breakfast club.

1115
00:51:51,840 --> 00:51:54,440
Speaker 1: We got a special guest in the building. The dogs return.

1116
00:51:55,320 --> 00:52:01,400
Speaker 1: Yeah yeah, yeah, yeah yeah. I know you're not a

1117
00:52:01,480 --> 00:52:04,640
Speaker 1: morning pray at all at all, But um, starting my

1118
00:52:04,760 --> 00:52:08,200
Speaker 1: day off with um little with words of thanks and praise,

1119
00:52:08,560 --> 00:52:11,880
Speaker 1: I meant God. So however, it's gonna be better than

1120
00:52:11,920 --> 00:52:13,680
Speaker 1: it would have been if I didn't start my day off,

1121
00:52:13,880 --> 00:52:15,719
Speaker 1: you know, talking to God first. So you know, I'm

1122
00:52:15,760 --> 00:52:17,800
Speaker 1: just grateful that, um, I'm alive this morning, because not

1123
00:52:17,840 --> 00:52:20,440
Speaker 1: everybody that wanted to sleep woke up this morning. I'm

1124
00:52:20,480 --> 00:52:22,680
Speaker 1: surprised you have not turned the full fledged past it yet.

1125
00:52:23,440 --> 00:52:26,360
Speaker 1: He kind of is right right right, you know, but

1126
00:52:26,560 --> 00:52:29,280
Speaker 1: I get what you're saying, like like maybe I am already.

1127
00:52:29,280 --> 00:52:32,440
Speaker 1: I don't know, but that's definitely the final destination or

1128
00:52:33,280 --> 00:52:37,080
Speaker 1: a destination you never know where how far God is gonna,

1129
00:52:37,640 --> 00:52:39,000
Speaker 1: you know, allow me to get out how much it's

1130
00:52:39,000 --> 00:52:40,359
Speaker 1: gonna let me do what how many people are gonna

1131
00:52:40,360 --> 00:52:43,000
Speaker 1: allow me to reach before? If I'm gonna stage, I mean,

1132
00:52:43,040 --> 00:52:45,080
Speaker 1: I pray that I'm able to just touch one person?

1133
00:52:45,360 --> 00:52:47,600
Speaker 1: Does that badly? That people don't see that side of X,

1134
00:52:47,760 --> 00:52:50,319
Speaker 1: that the spiritual side is much They'll talk about everything else,

1135
00:52:50,360 --> 00:52:53,319
Speaker 1: all right? Put that spiritual side? Does it bother me? Um?

1136
00:52:53,520 --> 00:52:57,040
Speaker 1: Not really? Not really, not really, because I really don't

1137
00:52:57,080 --> 00:52:59,799
Speaker 1: focus on what people think about me or what people

1138
00:52:59,800 --> 00:53:01,680
Speaker 1: say about me. We realized that a long time ago.

1139
00:53:03,960 --> 00:53:06,600
Speaker 1: And the reason why is if you accept the praises,

1140
00:53:07,440 --> 00:53:10,040
Speaker 1: you mean, then you got to accept the bullet too. Me.

1141
00:53:10,320 --> 00:53:14,160
Speaker 1: So you know, I appreciate the compliments, but um, I

1142
00:53:14,280 --> 00:53:16,120
Speaker 1: stand on what I believe about myself, you know what

1143
00:53:16,120 --> 00:53:17,640
Speaker 1: I'm saying it, And at the end of the day,

1144
00:53:17,920 --> 00:53:20,560
Speaker 1: that's what's gonna determine the next move I make. I'm saying,

1145
00:53:20,560 --> 00:53:22,560
Speaker 1: all right. We also saw a Switch just recently posted

1146
00:53:22,640 --> 00:53:25,320
Speaker 1: that album's almost done and they just went in on

1147
00:53:25,480 --> 00:53:30,920
Speaker 1: Dre and Kanye. If Swiss waiting on Dre Kanye, I'm

1148
00:53:30,960 --> 00:53:32,279
Speaker 1: banging the music out, you know what I'm saying. I'm

1149
00:53:32,280 --> 00:53:33,839
Speaker 1: not really not waiting on anybody, you know what I'm

1150
00:53:33,840 --> 00:53:37,160
Speaker 1: saying like like like I still get inspired bye bye.

1151
00:53:37,200 --> 00:53:39,560
Speaker 1: You know what I'm saying by music? So um, you

1152
00:53:39,640 --> 00:53:41,520
Speaker 1: know when the songs come, it's like yollo, it don't

1153
00:53:41,520 --> 00:53:43,160
Speaker 1: really matter who did the beat. And I'm saying, um,

1154
00:53:43,600 --> 00:53:45,560
Speaker 1: it's a dope beat. I'm gonna write to the drean

1155
00:53:45,640 --> 00:53:48,759
Speaker 1: Kanye have even sing beat. So you know that's what

1156
00:53:49,040 --> 00:53:50,919
Speaker 1: I don't get quarter f into token And this person

1157
00:53:51,000 --> 00:53:53,120
Speaker 1: said this Berson sound like if the person didn't say

1158
00:53:53,120 --> 00:53:54,600
Speaker 1: it to me. And you know, we all know how

1159
00:53:54,640 --> 00:53:57,680
Speaker 1: there's an industry. Anybody can get in touch with anybody

1160
00:53:58,400 --> 00:54:01,600
Speaker 1: I haven't heard. He's like, yo, I got something for

1161
00:54:01,680 --> 00:54:05,120
Speaker 1: you whatever. So actually a great idea. I would love

1162
00:54:05,160 --> 00:54:07,120
Speaker 1: to have a dra beat. I mean I've never had

1163
00:54:07,120 --> 00:54:08,600
Speaker 1: a drab. I would love to have a dra bat.

1164
00:54:08,640 --> 00:54:10,480
Speaker 1: What I'm saying um um. I had a couple of

1165
00:54:10,520 --> 00:54:12,040
Speaker 1: jobs form Kanye on the fifth album. You know what

1166
00:54:12,080 --> 00:54:14,040
Speaker 1: I'm saying, Um, I would love to know what I'm saying.

1167
00:54:14,120 --> 00:54:16,279
Speaker 1: You know, gets more music from them. But um, when

1168
00:54:16,320 --> 00:54:18,560
Speaker 1: you stopping your process, whatever I got in front of me,

1169
00:54:18,640 --> 00:54:20,520
Speaker 1: that's that's what I'm banging on. Are you talking about inspiration?

1170
00:54:20,560 --> 00:54:23,480
Speaker 1: She said? Music still inspires you? What inspires you now

1171
00:54:24,000 --> 00:54:27,600
Speaker 1: beats beat you Yeah, nothing out now. Just when you

1172
00:54:27,719 --> 00:54:31,239
Speaker 1: hear that no artists out now, they are artists, um um.

1173
00:54:31,800 --> 00:54:34,879
Speaker 1: I like songs from I mean, I'm not gonna act

1174
00:54:34,920 --> 00:54:37,200
Speaker 1: like you know, like like like people stop being talented

1175
00:54:37,320 --> 00:54:39,600
Speaker 1: what I'm saying. You know once once I came up whatever,

1176
00:54:39,719 --> 00:54:41,719
Speaker 1: But I'm no, no, no offense. I don't listen to

1177
00:54:41,760 --> 00:54:49,880
Speaker 1: the radio that much. Did you guys to be t awards? No.

1178
00:54:50,239 --> 00:54:51,960
Speaker 1: I stopped wing to award shows a long time ago.

1179
00:54:52,080 --> 00:54:54,239
Speaker 1: It's like, you know, you just sit there and just

1180
00:54:54,520 --> 00:54:57,360
Speaker 1: sit there and sit there, like and when it turns

1181
00:54:57,400 --> 00:54:59,480
Speaker 1: into it's just I'm gonna just saying what it is.

1182
00:55:00,000 --> 00:55:01,640
Speaker 1: It turns into it's like like like like like a

1183
00:55:01,960 --> 00:55:05,960
Speaker 1: sucking contact. I mean, it's like that's all, oh yo,

1184
00:55:06,040 --> 00:55:07,960
Speaker 1: what up? Yo? What up? Like money? If you really

1185
00:55:08,040 --> 00:55:09,719
Speaker 1: wanted to get in touch with me, you're how to

1186
00:55:09,760 --> 00:55:11,640
Speaker 1: get in touch. Everybody can get in touch with anybody.

1187
00:55:11,680 --> 00:55:14,960
Speaker 1: I'm saying. And you know that that one situation I

1188
00:55:15,080 --> 00:55:17,120
Speaker 1: might have spoken to you at the war show where

1189
00:55:17,400 --> 00:55:19,480
Speaker 1: somebody you know, walk pels like y'all let's do some music,

1190
00:55:19,520 --> 00:55:21,000
Speaker 1: And I'm like, you know what I mean, you only

1191
00:55:21,040 --> 00:55:22,800
Speaker 1: saying that because you just happened to pass me in

1192
00:55:22,840 --> 00:55:25,799
Speaker 1: all ways, right, you know, And I said, you know, yeah, yeah,

1193
00:55:25,800 --> 00:55:28,560
Speaker 1: cool cool, and like no, I mean some hot like

1194
00:55:29,600 --> 00:55:31,360
Speaker 1: stop willing? What do you mean? Like like like I

1195
00:55:31,480 --> 00:55:33,880
Speaker 1: never be know how but you know the lights almost

1196
00:55:33,920 --> 00:55:37,040
Speaker 1: went out. So I tend to stay away from those

1197
00:55:37,360 --> 00:55:40,080
Speaker 1: because for me, you know, we're all artists here. We

1198
00:55:40,120 --> 00:55:42,560
Speaker 1: can give each other awards all day, but what does

1199
00:55:42,600 --> 00:55:44,759
Speaker 1: it really mean? What does it really mean? I mean

1200
00:55:44,920 --> 00:55:48,200
Speaker 1: to me, the real award is when you're able to

1201
00:55:48,280 --> 00:55:50,920
Speaker 1: walk wherever or just just just come in contact with

1202
00:55:51,040 --> 00:55:53,759
Speaker 1: with with with real fans. I mean, not at an event,

1203
00:55:54,040 --> 00:55:56,319
Speaker 1: but just and you know, doing that every day living

1204
00:55:56,400 --> 00:55:58,960
Speaker 1: type thing. And they tell you, yo, this song you

1205
00:55:59,080 --> 00:56:02,680
Speaker 1: did saved my life. This song you did motivates me

1206
00:56:02,760 --> 00:56:04,640
Speaker 1: to work out or you know, inspired me to get

1207
00:56:04,680 --> 00:56:06,040
Speaker 1: out of bed in the morning. You know what I'm saying.

1208
00:56:06,320 --> 00:56:08,399
Speaker 1: I've done my TV show Solo Man long time ago,

1209
00:56:09,120 --> 00:56:10,800
Speaker 1: and this lady read about me and she was like,

1210
00:56:11,040 --> 00:56:12,640
Speaker 1: you know, she was crying. I had I don't seen

1211
00:56:12,840 --> 00:56:14,840
Speaker 1: Jack's cry before. He was saying, but this is a

1212
00:56:14,880 --> 00:56:19,759
Speaker 1: different type of cry. It's like the snot bubble like.

1213
00:56:22,800 --> 00:56:26,239
Speaker 1: So I held her, I mean like like it wasn't like, oh,

1214
00:56:26,280 --> 00:56:30,279
Speaker 1: I'm talking a type of hog. It was like, down,

1215
00:56:30,960 --> 00:56:33,520
Speaker 1: let me see what's going on here. And when she

1216
00:56:33,680 --> 00:56:35,480
Speaker 1: was able to talk, she was like, since she had

1217
00:56:35,520 --> 00:56:39,360
Speaker 1: five children, so she lost three and one of my

1218
00:56:39,480 --> 00:56:43,120
Speaker 1: songs it was the only thing that motivvated already got

1219
00:56:43,160 --> 00:56:47,480
Speaker 1: her any more. I didn't even ask somebody put someone

1220
00:56:47,600 --> 00:56:51,200
Speaker 1: you that heavy. It's like whoa. And I'm not one

1221
00:56:51,200 --> 00:56:53,880
Speaker 1: of the question God, but I had a question for

1222
00:56:54,040 --> 00:56:58,440
Speaker 1: God at that moment. It was the question, how do

1223
00:56:58,520 --> 00:57:01,200
Speaker 1: you expect me to deal with this? That's huge responsibility.

1224
00:57:01,760 --> 00:57:05,279
Speaker 1: That's a huge responsibility to mean you would think that

1225
00:57:06,360 --> 00:57:09,479
Speaker 1: remaining children would it be motivation enough? I mean because

1226
00:57:09,640 --> 00:57:11,440
Speaker 1: the worst says the shepherd will leave a flock of

1227
00:57:11,600 --> 00:57:14,160
Speaker 1: ninety nine to find the one. If you got one

1228
00:57:14,280 --> 00:57:18,080
Speaker 1: hundred one dollar bills and you lose one, you got

1229
00:57:18,280 --> 00:57:20,600
Speaker 1: ninety nine sitting right hither, But you're gonna tear that

1230
00:57:20,720 --> 00:57:23,280
Speaker 1: room up looking for that one, and when you find

1231
00:57:23,360 --> 00:57:25,880
Speaker 1: that one, it will mean more to you than the

1232
00:57:26,000 --> 00:57:29,520
Speaker 1: ninety nine, because the ninety nine was never lost. It

1233
00:57:29,680 --> 00:57:32,040
Speaker 1: was like it's almost like like the particle sound like

1234
00:57:32,120 --> 00:57:34,479
Speaker 1: he who his dad is now alive? He was lost.

1235
00:57:34,560 --> 00:57:36,960
Speaker 1: What was lost now found? Like when you find what

1236
00:57:37,080 --> 00:57:40,760
Speaker 1: you lost, like yes, yes, and you'll have a party

1237
00:57:40,840 --> 00:57:43,520
Speaker 1: for that one dollar bill that was lost, but now

1238
00:57:43,600 --> 00:57:45,960
Speaker 1: it's found because it completes everything that you have. Now

1239
00:57:46,000 --> 00:57:48,600
Speaker 1: when you're motivating so many people and inspiring so many people,

1240
00:57:48,640 --> 00:57:51,200
Speaker 1: why so long to make music because people like you

1241
00:57:51,280 --> 00:57:53,880
Speaker 1: said live for that. It don't take me long to

1242
00:57:53,920 --> 00:57:57,360
Speaker 1: make music. People don't know to look for it. And

1243
00:57:57,480 --> 00:58:00,480
Speaker 1: then it's like like this this song's that, that that

1244
00:58:00,600 --> 00:58:04,280
Speaker 1: that that's on YouTube and things stones got leaked, you know,

1245
00:58:04,560 --> 00:58:06,960
Speaker 1: stolen music and all that that's out saying that. But

1246
00:58:07,120 --> 00:58:09,400
Speaker 1: if people don't know that they're there, I didn't hear

1247
00:58:09,400 --> 00:58:12,120
Speaker 1: about it, so so a lot of it is it's

1248
00:58:12,160 --> 00:58:14,520
Speaker 1: not being heard because it was supposed to be put out,

1249
00:58:14,880 --> 00:58:16,360
Speaker 1: but a lot of people don't know it's then because

1250
00:58:16,400 --> 00:58:19,560
Speaker 1: like all right, oh low dmx And even if even

1251
00:58:19,600 --> 00:58:22,280
Speaker 1: if they typed that, the stones still wouldn't pop up.

1252
00:58:22,480 --> 00:58:25,720
Speaker 1: I'm kind of stuck in my way speak like like

1253
00:58:25,840 --> 00:58:28,840
Speaker 1: like it's like like they ain't broke, don't fix it

1254
00:58:28,880 --> 00:58:32,160
Speaker 1: type they probably want you to tweet and instagram. I

1255
00:58:32,240 --> 00:58:35,360
Speaker 1: got a problem with saying the word tweets, like so

1256
00:58:35,360 --> 00:58:38,520
Speaker 1: I'm gonna tweet you later. I mean, like you can't

1257
00:58:38,560 --> 00:58:40,960
Speaker 1: really say that with what a hard voy was like

1258
00:58:41,040 --> 00:58:45,360
Speaker 1: what yo yo yo? Tweet me later when somebody tried

1259
00:58:45,400 --> 00:58:46,840
Speaker 1: to do the face swap with you, you was like,

1260
00:58:47,520 --> 00:58:54,400
Speaker 1: oh oh my daughter, But that was that was funny

1261
00:58:54,400 --> 00:58:58,640
Speaker 1: because then you see something like that was a little weird.

1262
00:58:58,840 --> 00:59:02,160
Speaker 1: It's just it's just different forms of communication. Man. It's like,

1263
00:59:02,320 --> 00:59:04,600
Speaker 1: all right, you know, when my phone is on, if

1264
00:59:04,640 --> 00:59:07,360
Speaker 1: the name comes up and I feel like being bothered,

1265
00:59:07,400 --> 00:59:10,600
Speaker 1: than I'll answering just say, you know, like like I'm

1266
00:59:10,640 --> 00:59:13,920
Speaker 1: so glad you don't gotta flip phone my brother. No,

1267
00:59:14,520 --> 00:59:16,640
Speaker 1: they's to cuz I got I got my first I phone,

1268
00:59:16,680 --> 00:59:18,200
Speaker 1: Like like I just kett on a touchcreen. She's on

1269
00:59:18,240 --> 00:59:19,880
Speaker 1: my blackberries. You know. A couple of times like I

1270
00:59:20,000 --> 00:59:22,160
Speaker 1: got arrested and I was able to text because they

1271
00:59:22,280 --> 00:59:23,760
Speaker 1: left my phone on my head, like because I could

1272
00:59:23,800 --> 00:59:25,880
Speaker 1: feel the buttons right, like it's a rap with this

1273
00:59:26,080 --> 00:59:30,480
Speaker 1: this this flat You've just been a hope somebody saw it.

1274
00:59:30,680 --> 00:59:33,120
Speaker 1: I mean, like, hold somebody so because you're doing the

1275
00:59:33,200 --> 00:59:36,080
Speaker 1: jail and let's just show you like two thousand, two

1276
00:59:36,200 --> 00:59:41,480
Speaker 1: hundred and eighty six unread emails unread crazy those those texts,

1277
00:59:41,760 --> 00:59:44,320
Speaker 1: even those texts. Okay, get the emails. That's that's a

1278
00:59:44,400 --> 00:59:48,400
Speaker 1: whole other text if you text, because earlier you said

1279
00:59:48,400 --> 00:59:49,880
Speaker 1: people can get in touch with you what they want to,

1280
00:59:50,400 --> 00:59:53,400
Speaker 1: but you don't even have the text messages. Well, I try,

1281
00:59:56,920 --> 01:00:00,840
Speaker 1: I am. I've gotten better better, We got more with

1282
01:00:00,960 --> 01:00:02,640
Speaker 1: DM mix when we come back, keeping locked this to

1283
01:00:02,640 --> 01:00:06,120
Speaker 1: Breakfast Club Good Morning. That was Bryce until it would

1284
01:00:06,160 --> 01:00:10,000
Speaker 1: exchange morning. Everybody is DJ m vy angela ye, Charlomagne

1285
01:00:10,040 --> 01:00:12,840
Speaker 1: the guy, we are the breakfast Club. DAMEX is in

1286
01:00:12,960 --> 01:00:15,200
Speaker 1: the building now. Charlomagne Swiss also said, you want you

1287
01:00:15,240 --> 01:00:17,000
Speaker 1: want to make sure you was good before y'all like

1288
01:00:17,080 --> 01:00:19,400
Speaker 1: really got deep into the music. Yeah, you had like

1289
01:00:19,440 --> 01:00:22,000
Speaker 1: a health scare earlier this year they found you unconscious.

1290
01:00:22,280 --> 01:00:25,920
Speaker 1: You're good enough, Hart stop damn minutes right, And I

1291
01:00:26,040 --> 01:00:28,520
Speaker 1: have asked him, and you know, I'm playing this week

1292
01:00:28,520 --> 01:00:30,760
Speaker 1: because you know when you different climates, a little place

1293
01:00:30,800 --> 01:00:32,440
Speaker 1: and I'm coming outside with the tea sirt on and

1294
01:00:32,880 --> 01:00:34,920
Speaker 1: but I remember what happened. I know I walked out

1295
01:00:35,600 --> 01:00:38,120
Speaker 1: called said, he said, I just like sing stuff and

1296
01:00:38,200 --> 01:00:41,400
Speaker 1: just drop right flew him along. As you're saying that

1297
01:00:41,720 --> 01:00:45,040
Speaker 1: no joke. You can die from asthma. You know, it's

1298
01:00:45,040 --> 01:00:46,720
Speaker 1: not something player. I've had it so long that you know,

1299
01:00:46,720 --> 01:00:49,280
Speaker 1: I pretty much suck it out most of I'm good,

1300
01:00:50,000 --> 01:00:54,080
Speaker 1: you know, like we's a little bit better. My grandmother

1301
01:00:54,160 --> 01:00:57,600
Speaker 1: died from as attack. I'm so sorry. That bothered me

1302
01:00:57,640 --> 01:00:59,920
Speaker 1: a lot because I called when I heard and they

1303
01:01:00,040 --> 01:01:02,040
Speaker 1: told me your you know, ex had an asthma attack

1304
01:01:02,080 --> 01:01:04,520
Speaker 1: and he's doing fun. And then the media was like,

1305
01:01:05,040 --> 01:01:08,640
Speaker 1: oh he old. This was that that bothered the issue

1306
01:01:08,640 --> 01:01:11,080
Speaker 1: out of me. Like I said, people would have sayything

1307
01:01:11,160 --> 01:01:14,520
Speaker 1: gonna saying, I'm not worried about that, but the blessing

1308
01:01:14,600 --> 01:01:17,320
Speaker 1: and that was that a lot of things did change it.

1309
01:01:17,600 --> 01:01:20,680
Speaker 1: Right at that point, it made me realize, no, in movies,

1310
01:01:21,640 --> 01:01:24,400
Speaker 1: you know, death is sexy, and you know you get that.

1311
01:01:25,360 --> 01:01:31,000
Speaker 1: Just be sure you take out the garbage. Always get

1312
01:01:31,040 --> 01:01:35,280
Speaker 1: that that one last sense. You know. I'm like, whatever

1313
01:01:35,360 --> 01:01:40,920
Speaker 1: you do, you always get that one last But just

1314
01:01:41,080 --> 01:01:44,560
Speaker 1: show me that you know what potentially that by the

1315
01:01:44,680 --> 01:01:48,240
Speaker 1: time you realize that you were in the situation, it's

1316
01:01:48,240 --> 01:01:50,880
Speaker 1: too late to come back from him. It's too late

1317
01:01:50,960 --> 01:01:54,480
Speaker 1: to come back from him. Not that I didn't appreciate

1318
01:01:54,760 --> 01:01:57,320
Speaker 1: life or or the blessing I gave me, but I

1319
01:01:57,880 --> 01:02:00,440
Speaker 1: didn't always do what I was supposed to do with it.

1320
01:02:01,240 --> 01:02:03,439
Speaker 1: Have you always spoke to God in those moments? That's

1321
01:02:03,760 --> 01:02:05,760
Speaker 1: that's what I talk from the most. That's what people

1322
01:02:05,880 --> 01:02:09,600
Speaker 1: understand that you need him more. You know, some people

1323
01:02:09,600 --> 01:02:12,400
Speaker 1: look at its being a hypocritical or a contradiction. I know,

1324
01:02:13,560 --> 01:02:17,080
Speaker 1: under the influence or whatever. I mean like, that's when

1325
01:02:17,160 --> 01:02:20,919
Speaker 1: you need God more than ever, So why not talk

1326
01:02:20,920 --> 01:02:24,400
Speaker 1: to him it? God knows my heart. He knows my heart,

1327
01:02:24,480 --> 01:02:26,600
Speaker 1: so he knows that. You know, a certain times that's

1328
01:02:26,600 --> 01:02:30,000
Speaker 1: when I need him, and he was there. He's always

1329
01:02:30,040 --> 01:02:34,960
Speaker 1: been there. He's always been there. I didn't know when

1330
01:02:35,000 --> 01:02:41,400
Speaker 1: I need him. We all know what God is capable

1331
01:02:41,400 --> 01:02:43,440
Speaker 1: of doing. We know what God is able to do,

1332
01:02:44,000 --> 01:02:46,200
Speaker 1: or we don't know what we what he's willing to

1333
01:02:46,320 --> 01:02:48,560
Speaker 1: do until we're in the situation where we need him

1334
01:02:48,600 --> 01:02:50,640
Speaker 1: to do it. Now, you think your your your career

1335
01:02:50,680 --> 01:02:52,120
Speaker 1: would have been different for you to sign with Diddy

1336
01:02:52,520 --> 01:02:54,200
Speaker 1: because I heard that you're supposed to sign with Diddy

1337
01:02:54,280 --> 01:02:57,800
Speaker 1: or noticed he um after the interest was there, then

1338
01:02:57,880 --> 01:03:00,440
Speaker 1: he came back and he bought me for him first. Okay,

1339
01:03:00,560 --> 01:03:02,160
Speaker 1: you know he was you know, like I brought the

1340
01:03:02,240 --> 01:03:04,720
Speaker 1: locks to the arm he brought the locks the bad boy.

1341
01:03:04,800 --> 01:03:06,600
Speaker 1: You know what I'm saying to it was like so

1342
01:03:06,800 --> 01:03:08,320
Speaker 1: he was like, Yo, if you like the locks, you

1343
01:03:08,440 --> 01:03:11,600
Speaker 1: gonna love that. And one thing I respected about Daddy,

1344
01:03:11,640 --> 01:03:13,240
Speaker 1: I'm stand the need to see with the whooping. I

1345
01:03:13,320 --> 01:03:16,520
Speaker 1: got a good relationship with that man, and I respected me.

1346
01:03:16,800 --> 01:03:18,440
Speaker 1: I respect him a lot more than I respect a

1347
01:03:18,480 --> 01:03:20,800
Speaker 1: lot of these so called hard class rappers. You know

1348
01:03:20,800 --> 01:03:23,080
Speaker 1: I'm saying he's like fronting. I'm saying, but one thing

1349
01:03:23,120 --> 01:03:26,240
Speaker 1: I respect him, honest. He told me right to my face, said, well, um,

1350
01:03:26,960 --> 01:03:30,640
Speaker 1: their voices too rough, and I don't think you're marketable. Damn.

1351
01:03:31,160 --> 01:03:34,960
Speaker 1: I mean, but that's your opinion, right. I mean, I

1352
01:03:35,040 --> 01:03:38,040
Speaker 1: love macs because you you know you don't like me

1353
01:03:38,160 --> 01:03:44,000
Speaker 1: that what do you mean? All right? Cool? But it

1354
01:03:44,080 --> 01:03:45,480
Speaker 1: had to feel good to sell a few million and

1355
01:03:45,520 --> 01:03:47,080
Speaker 1: then come back to me like he was wrong. Oh yeah,

1356
01:03:47,280 --> 01:03:50,919
Speaker 1: Well before I sold the record, he's like, yo, I'll

1357
01:03:51,040 --> 01:03:52,960
Speaker 1: double what they gave you at all Asha Pockets And

1358
01:03:53,080 --> 01:03:56,280
Speaker 1: I'm like, respectfully, thank you. They feel good to just

1359
01:03:56,440 --> 01:03:59,120
Speaker 1: know that, I mean this opinion to change, right, That

1360
01:03:59,240 --> 01:04:00,920
Speaker 1: was good enough for me. You know I'm saying no,

1361
01:04:01,160 --> 01:04:04,160
Speaker 1: but just if you didn't see it, then what changed?

1362
01:04:04,720 --> 01:04:06,760
Speaker 1: We speaking of opinions changing, I wanted to ask you

1363
01:04:07,120 --> 01:04:10,160
Speaker 1: Drake sampled you on his album. Did y'all have a conversation?

1364
01:04:10,680 --> 01:04:17,000
Speaker 1: So happen that? Right? Yeah? So what happened? The other

1365
01:04:17,240 --> 01:04:22,120
Speaker 1: white guy in the room is saying, yeah, it's better. Well,

1366
01:04:22,200 --> 01:04:25,040
Speaker 1: the only white guy saying yes, said, because you were.

1367
01:04:26,560 --> 01:04:29,960
Speaker 1: You weren't a fan of Drake at first? You like Drake? No,

1368
01:04:30,480 --> 01:04:33,080
Speaker 1: I don't like anything about Drake. I don't like his voice.

1369
01:04:33,120 --> 01:04:35,480
Speaker 1: I don't like he talks about I don't I don't see.

1370
01:04:35,520 --> 01:04:39,479
Speaker 1: I'll be trying to. I don't like he walks like nothing.

1371
01:04:41,760 --> 01:04:44,000
Speaker 1: I might just let me shut out. I'm gonna stop

1372
01:04:44,040 --> 01:04:47,280
Speaker 1: right there. Yeah he was um I did always say

1373
01:04:47,320 --> 01:04:48,800
Speaker 1: that he was a chunge lyrics, but I was not

1374
01:04:48,880 --> 01:04:52,280
Speaker 1: a fan. You're right, I was not. And um man

1375
01:04:53,000 --> 01:04:57,200
Speaker 1: another homely experience because we were like, yo, like you

1376
01:04:57,400 --> 01:05:00,040
Speaker 1: didn't like to do for all the wrong reasons. And

1377
01:05:00,120 --> 01:05:01,600
Speaker 1: I say, were the kind of lyrics out I'll tell

1378
01:05:01,640 --> 01:05:04,280
Speaker 1: the j Yeah, yeah, money to lyrics. But for him

1379
01:05:04,360 --> 01:05:07,360
Speaker 1: to take the effort first to want to use the song,

1380
01:05:07,600 --> 01:05:09,640
Speaker 1: min know what I'm saying, and then to be man

1381
01:05:09,840 --> 01:05:13,440
Speaker 1: enough to reach out and make the calls like I

1382
01:05:13,560 --> 01:05:16,120
Speaker 1: I mean hot soft man, and then that was a

1383
01:05:16,200 --> 01:05:18,760
Speaker 1: real That was a real move. Real is real? Right?

1384
01:05:18,920 --> 01:05:21,520
Speaker 1: Is right? Wrong? Rowing? Dude, that was a real move.

1385
01:05:21,680 --> 01:05:25,800
Speaker 1: I'm saying. I saluted for that. The claim. It was like,

1386
01:05:25,920 --> 01:05:30,320
Speaker 1: um yo mean uh. He was like, Yo, man, you

1387
01:05:30,440 --> 01:05:34,960
Speaker 1: raise this man. I'm like, wow, you are feeling this

1388
01:05:35,080 --> 01:05:38,840
Speaker 1: way knowing that that that that I love you sound

1389
01:05:38,920 --> 01:05:43,360
Speaker 1: like like like too big And I was like, damn, yo,

1390
01:05:43,480 --> 01:05:46,440
Speaker 1: I appreciate it. But it's crazy because before I went

1391
01:05:46,480 --> 01:05:49,880
Speaker 1: to prison, m my manage at the time, she hit

1392
01:05:49,960 --> 01:05:51,560
Speaker 1: me with the last hope Pat you know what I'm saying.

1393
01:05:52,120 --> 01:05:54,440
Speaker 1: For the final it was his beat. So it was like,

1394
01:05:55,240 --> 01:05:57,360
Speaker 1: you know what, everything coming full circle. I said, Yo,

1395
01:05:58,160 --> 01:06:00,200
Speaker 1: I happen to use one of your choice. That mean

1396
01:06:00,240 --> 01:06:01,800
Speaker 1: you put out a long time ago too, So you

1397
01:06:01,840 --> 01:06:03,800
Speaker 1: know what I'm saying, I'm glad to be able to

1398
01:06:03,840 --> 01:06:10,360
Speaker 1: return the favor. I'm glad to be so yeah, you know,

1399
01:06:10,760 --> 01:06:12,360
Speaker 1: and it must be great. You got your crew with

1400
01:06:12,480 --> 01:06:14,080
Speaker 1: you from back in the rough ride of this day.

1401
01:06:14,080 --> 01:06:16,520
Speaker 1: I saw with Ule hanging out. Yeah, we had to

1402
01:06:16,560 --> 01:06:20,080
Speaker 1: show together. Yeah, that um, that was good. I didn't

1403
01:06:20,080 --> 01:06:22,800
Speaker 1: watch a perform no personal reason. I just I don't

1404
01:06:22,880 --> 01:06:25,400
Speaker 1: watch other people perform. I don't want to see it

1405
01:06:25,840 --> 01:06:28,080
Speaker 1: that way. I know that whatever I do on stage,

1406
01:06:28,400 --> 01:06:30,680
Speaker 1: I came up with. I just I just stick to

1407
01:06:30,760 --> 01:06:32,560
Speaker 1: my I'll stay in my lane. You talk, you talk

1408
01:06:32,560 --> 01:06:34,560
Speaker 1: about asthma so much and how it affects you, But

1409
01:06:35,080 --> 01:06:38,720
Speaker 1: watching you perform, you perform over hours with no problem.

1410
01:06:39,760 --> 01:06:43,280
Speaker 1: It's grace of God. Man. It's like it's almost like magic.

1411
01:06:43,360 --> 01:06:45,880
Speaker 1: It's like when I touched that stage, like I still

1412
01:06:45,920 --> 01:06:48,040
Speaker 1: get nervous. I think butterflies of my stuffing before I

1413
01:06:48,080 --> 01:06:51,000
Speaker 1: go on stage, like nausious a little bit. You're saying

1414
01:06:51,000 --> 01:06:53,880
Speaker 1: I took like two pups a singlette put out didn't

1415
01:06:53,960 --> 01:06:55,960
Speaker 1: go time, Noah, But but it was because even before

1416
01:06:56,000 --> 01:06:58,800
Speaker 1: you perform, right, X will make if you backstage, everybody

1417
01:06:58,840 --> 01:07:00,520
Speaker 1: holds hand. We're gonna pray before you. He don't care

1418
01:07:00,520 --> 01:07:03,160
Speaker 1: if you the security with you, the grounds keep, but

1419
01:07:03,200 --> 01:07:06,560
Speaker 1: the maintenance man whoever you backstage, everybody whole hand, turn

1420
01:07:06,640 --> 01:07:10,080
Speaker 1: the cameras off. We're gonna pray exactly. That's that's I

1421
01:07:10,120 --> 01:07:11,600
Speaker 1: asked for. You know about a touch a touch point

1422
01:07:11,680 --> 01:07:13,800
Speaker 1: person I'm saying. That's why I, you know, I take

1423
01:07:13,880 --> 01:07:16,000
Speaker 1: him on a journey. You know. I started with the

1424
01:07:16,080 --> 01:07:19,960
Speaker 1: YO women one of some go do all that with

1425
01:07:20,120 --> 01:07:22,440
Speaker 1: the note you end them on Yo, That's that's what

1426
01:07:22,520 --> 01:07:25,960
Speaker 1: they want away with. I'm saying, they partied and and drunk,

1427
01:07:26,000 --> 01:07:27,960
Speaker 1: and they did all that. At the end of the day,

1428
01:07:27,960 --> 01:07:30,200
Speaker 1: we ain't him with a prayer and with the prayer.

1429
01:07:30,240 --> 01:07:34,120
Speaker 1: So I start with a prayer backstage, I mean, give

1430
01:07:34,160 --> 01:07:36,200
Speaker 1: me the strength to do this. But you man, I prayer.

1431
01:07:36,240 --> 01:07:38,960
Speaker 1: There's no fighting stabbings. What I'm saying, I remind people

1432
01:07:39,040 --> 01:07:41,560
Speaker 1: what's important. It's like in praying, you don't always have

1433
01:07:41,640 --> 01:07:44,880
Speaker 1: to ask for something. I mean, like like like sometimes

1434
01:07:44,960 --> 01:07:47,320
Speaker 1: prayersure we just show thanks guy for what she already

1435
01:07:47,360 --> 01:07:49,920
Speaker 1: gave me. You mean, And I'm not not holding nobody

1436
01:07:49,920 --> 01:07:51,880
Speaker 1: to do but but but like I know, guys, I'll

1437
01:07:51,880 --> 01:07:53,760
Speaker 1: be like, yo, really you again, you shouldn't ask you

1438
01:07:53,800 --> 01:07:58,360
Speaker 1: for this like that. That's all right. Then people take

1439
01:07:58,400 --> 01:08:00,200
Speaker 1: things for granted. I try not to sick an think

1440
01:08:00,200 --> 01:08:02,240
Speaker 1: for branding. All right. We got more with DMX when

1441
01:08:02,280 --> 01:08:04,440
Speaker 1: we come back. Keeping locked this to Breakfast Club. Good

1442
01:08:04,440 --> 01:08:14,120
Speaker 1: Morning the Breakfast Club head dm X, dj M v Angela.

1443
01:08:14,240 --> 01:08:16,800
Speaker 1: Ye Charlomagne the God now Charlomagne. We mentioned you saw

1444
01:08:17,120 --> 01:08:19,120
Speaker 1: y'all route, but that the first time y'all talking. Y'all

1445
01:08:19,120 --> 01:08:22,599
Speaker 1: had the issues, no okay from Stilence that on Hip

1446
01:08:22,640 --> 01:08:25,439
Speaker 1: Hop Honors, And I didn't realize he was sitting right

1447
01:08:25,479 --> 01:08:28,559
Speaker 1: behind me. You only leave during intermissions when they when

1448
01:08:28,560 --> 01:08:31,160
Speaker 1: they stop feeling all right, you know, people around the

1449
01:08:31,280 --> 01:08:33,800
Speaker 1: movie up the seat fellers. I'm like, oh, that's my cue,

1450
01:08:34,080 --> 01:08:36,840
Speaker 1: and I get up. I've already seen his wife and

1451
01:08:37,920 --> 01:08:39,320
Speaker 1: you know, me beings a person, I was like, if

1452
01:08:39,360 --> 01:08:42,160
Speaker 1: I got a problem with you, it's not gonna spill

1453
01:08:42,240 --> 01:08:44,280
Speaker 1: over into I mean, I'm not gonna act different torture.

1454
01:08:44,360 --> 01:08:47,559
Speaker 1: I mean drawing the lines and keep the lines. Respect

1455
01:08:47,600 --> 01:08:51,000
Speaker 1: the lines. So rough the lines, keep the lines, respect

1456
01:08:51,040 --> 01:08:54,400
Speaker 1: the lines. Some balls, I get it, go the lines,

1457
01:08:54,520 --> 01:08:56,880
Speaker 1: keep the lines, expect them bam. So you know I

1458
01:08:56,880 --> 01:08:59,080
Speaker 1: already spoke how you doing lives from the like wow,

1459
01:08:59,479 --> 01:09:02,040
Speaker 1: up passing, and so then when the admission came, I

1460
01:09:02,080 --> 01:09:04,320
Speaker 1: got up to leave or turn around. It was like

1461
01:09:06,160 --> 01:09:09,920
Speaker 1: and silence, like like I've never once I heard that

1462
01:09:10,000 --> 01:09:12,200
Speaker 1: many people wipe. But that's a different story. But I'm

1463
01:09:12,840 --> 01:09:15,320
Speaker 1: it was like, oh quiet, I was like whatever, man,

1464
01:09:15,840 --> 01:09:18,640
Speaker 1: I don't know who extended their hand first, but it

1465
01:09:18,760 --> 01:09:23,560
Speaker 1: was mutual. I mean, man, actually, like it's easy to

1466
01:09:23,600 --> 01:09:26,760
Speaker 1: be ignorant, but a stupid you know, be ignorant and

1467
01:09:26,800 --> 01:09:30,000
Speaker 1: get ignorant and do some dumps, but you know, it's

1468
01:09:30,080 --> 01:09:32,800
Speaker 1: a person of character or substance to like, you know what,

1469
01:09:33,240 --> 01:09:36,920
Speaker 1: even though it's easy to do this, do this, you

1470
01:09:37,040 --> 01:09:40,080
Speaker 1: mean and he shook cash Man and hug and like

1471
01:09:40,520 --> 01:09:42,360
Speaker 1: everybody must have been watching, like yo, he don't know

1472
01:09:42,479 --> 01:09:43,920
Speaker 1: he behind them. You're like, yo, it was about to

1473
01:09:43,960 --> 01:09:46,680
Speaker 1: be something like shook cash man what I'm saying, and

1474
01:09:47,080 --> 01:09:49,559
Speaker 1: the old crowd like flapping everything. You know. So y'all

1475
01:09:49,560 --> 01:09:52,559
Speaker 1: got so much history with Earth, the story about y'all

1476
01:09:52,600 --> 01:09:57,240
Speaker 1: hitch hiking one time together? Yeah yeah, yeah, what were

1477
01:09:57,280 --> 01:09:59,120
Speaker 1: films using some tours? Um? I think it was a

1478
01:09:59,160 --> 01:10:02,760
Speaker 1: whole life toy. Um um. Mike kind gave me the

1479
01:10:02,800 --> 01:10:05,599
Speaker 1: rental car. You don't tell like yo, soo me job,

1480
01:10:06,240 --> 01:10:10,680
Speaker 1: I think milf mentally yeah yeah, and the lights can

1481
01:10:10,760 --> 01:10:12,519
Speaker 1: dude that beat with him find getting the police pull

1482
01:10:12,600 --> 01:10:14,880
Speaker 1: us over and I'm saying, you know what I say,

1483
01:10:15,120 --> 01:10:16,800
Speaker 1: but your name in on the car back, so what

1484
01:10:17,120 --> 01:10:20,120
Speaker 1: like like I got a license all on the highway. Hell,

1485
01:10:20,600 --> 01:10:23,439
Speaker 1: so we're walking up the rim. I said, I got this.

1486
01:10:24,080 --> 01:10:27,880
Speaker 1: She fullowing and she gave us whatever, Oh my god,

1487
01:10:27,880 --> 01:10:29,639
Speaker 1: I did. I love you. I'm coming to your showers.

1488
01:10:29,680 --> 01:10:31,680
Speaker 1: Thank you. And she was like, yo, what's up? That

1489
01:10:31,920 --> 01:10:46,559
Speaker 1: sound too? But it gave validity to me because because

1490
01:10:46,560 --> 01:10:48,840
Speaker 1: Irvian set us down and we we had had a

1491
01:10:48,920 --> 01:10:52,160
Speaker 1: couple of conversations about um, you know, similar sounds and

1492
01:10:52,280 --> 01:10:55,400
Speaker 1: things that I don't sound like friends, like like, well,

1493
01:10:55,479 --> 01:10:58,519
Speaker 1: I mean, you know, I walked amongst the fans. I'm

1494
01:10:58,640 --> 01:11:01,880
Speaker 1: hands on with my fans, I'm saying. Dad was like, see,

1495
01:11:02,360 --> 01:11:06,560
Speaker 1: but see I'm not just fresh out of here hot me.

1496
01:11:06,600 --> 01:11:10,720
Speaker 1: What I'm saying the world of the street is that

1497
01:11:10,800 --> 01:11:12,960
Speaker 1: one God in a way though, because because y'all say

1498
01:11:12,960 --> 01:11:14,839
Speaker 1: that's why he developed a singing style so he wouldn't

1499
01:11:14,840 --> 01:11:17,240
Speaker 1: have similarity, maybe that might have been the moment, right

1500
01:11:17,320 --> 01:11:20,320
Speaker 1: It was like like like you never know how God's

1501
01:11:20,360 --> 01:11:23,360
Speaker 1: gonna do what he's gonna do. You and Jay threw

1502
01:11:23,360 --> 01:11:25,120
Speaker 1: shots to each other before, have y'all seen each other

1503
01:11:25,200 --> 01:11:29,559
Speaker 1: and adapted out and spoke you buried a lot of hatches.

1504
01:11:29,640 --> 01:11:32,880
Speaker 1: Though it could happen. Of course, of course happened. I mean, uh,

1505
01:11:33,560 --> 01:11:38,479
Speaker 1: as strong as I am to walk around holding anger,

1506
01:11:40,200 --> 01:11:43,040
Speaker 1: where's you down? I don't got time to be mad

1507
01:11:43,040 --> 01:11:48,040
Speaker 1: at nobody. Man, Max, it's the Breakfast Club. Good morning, Jill.

1508
01:11:49,960 --> 01:11:54,479
Speaker 1: You can't roll to this one. You gotta go, You

1509
01:11:54,560 --> 01:11:55,759
Speaker 1: gotta one.