WEBVTT - Excited and Scared at the Same Time

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<v Speaker 1>Strange Arrivals is a production of I Heard Radio and

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<v Speaker 1>Grim and Mild from Aaron Meckley. For the best experience,

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<v Speaker 1>listened with headphones. The interesting thing was that they had

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<v Speaker 1>seen a ball of light rolling across the lawns. It

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<v Speaker 1>had rolled up a wall and burst into flame, and

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<v Speaker 1>Clifford Machanna, who was one of the more responsible workers,

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<v Speaker 1>had run to ring a bell which was kept there

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<v Speaker 1>for an emergency. While he was ringing the bell, this

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<v Speaker 1>ball of flame gathered together climbed down the wall. They

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<v Speaker 1>used the expression walked down the wall when past behind him,

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<v Speaker 1>and burst into flame again in another place. When this happened,

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<v Speaker 1>he was aware of three figures standing there. The three

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<v Speaker 1>figures turned around in unison, but slowly, and when they

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<v Speaker 1>faced him, he saw this brilliant light emanating from their

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<v Speaker 1>heads and it was upper power. Because he fell to

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<v Speaker 1>the ground. And I said, but they were three meters

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<v Speaker 1>away from you, about ten feet. How came you fell

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<v Speaker 1>to the ground, And he said their power was so strong.

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<v Speaker 1>Now when he described them to me, he said they

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<v Speaker 1>had shiny suits. And you might remember that I told you.

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<v Speaker 1>There's no word in Shona mis Shona, which is their

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<v Speaker 1>language for the words silver. So when I wanted him

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<v Speaker 1>to be more explicit, he took a coin out of

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<v Speaker 1>his pocket, silver coin, and he said that was what

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<v Speaker 1>they were wearing. And then I said, Clifford, who did

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<v Speaker 1>you think they were? And he said, I knew they were.

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<v Speaker 1>They were my ancestors, the ghosts of my ancestors. And

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<v Speaker 1>I said, for Joe, ancestors wore fur and monkey skins

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<v Speaker 1>and lions teeth. They didn't wear silver suits. And he

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<v Speaker 1>thought for a better and then he said, well, times change.

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<v Speaker 1>I'm Toby Ball and this is strange Arrivals Episode two

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<v Speaker 1>Excited and scared at the same time. In episode one,

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<v Speaker 1>we took a look at a UFO encounter in Papua

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<v Speaker 1>New Guinea. Aside from the details of the event, what

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<v Speaker 1>stood out to me was the matter of fact attitude

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<v Speaker 1>taken by Father William Gill, one of the witnesses and

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<v Speaker 1>the main chronicler. He reported what he saw, expressed his

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<v Speaker 1>sense of wonder, conceded that he might be mistaken in

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<v Speaker 1>thinking it was something alien, and understood if people didn't

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<v Speaker 1>believe him. But what happens when people with specific beliefs

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<v Speaker 1>about UFOs become involved in the reporting of an encounter.

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<v Speaker 1>In the next two episodes, we'll take a look at

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<v Speaker 1>an event similar to the one in Papua New Guinea,

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<v Speaker 1>but in this case, the investigations undertaken by UFO researchers

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<v Speaker 1>and journalists may have changed the narrative to a degree

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<v Speaker 1>that it is now hard to discern what actually happened

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<v Speaker 1>on the day of the sighting a setting that took

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<v Speaker 1>place at a dusty schoolyard in Zimbabwe. The summer of

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<v Speaker 1>nineteen eighty eight saw the first edition of a newsletter,

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<v Speaker 1>or maybe it was a zine titled UFO Afrinews, published

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<v Speaker 1>out of Harari, Zimbabwe in Southern Africa. The cover had

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<v Speaker 1>the title and date of publication in a no frills font.

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<v Speaker 1>In the middle of the page was a fairly rough

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<v Speaker 1>outlined sketch of the African continent, flanked on the right

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<v Speaker 1>by a drawing of a classic flying saucer with a

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<v Speaker 1>single antenna and either five windows or five heads looking

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<v Speaker 1>out of a window running the length of the craft.

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<v Speaker 1>To the left of the continental outline was a drawing

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<v Speaker 1>of what I think is an antelope. Anyway, the cover

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<v Speaker 1>is very basic and sets the tone for the rest

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<v Speaker 1>of the presentation. Which is by today's standards almost comically

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<v Speaker 1>bare bones. But the content of the UFO Afrinews is

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<v Speaker 1>another story. It is the testament to the efforts of

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<v Speaker 1>a woman named Cynthia Hind, along with a small group

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<v Speaker 1>of correspondence, to document UFO encounters in Africa. The very

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<v Speaker 1>first paragraph of the first article, headlined comment, reads like this,

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<v Speaker 1>Like most investigators, over long period twenty years, my terms

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<v Speaker 1>of reference have changed subtly. Where isolation, disrespect, and ridicule

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<v Speaker 1>were at one time paramount, I've recently begun to notice

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<v Speaker 1>a change, the grudging acceptance of the possibility of life

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<v Speaker 1>out there, even from the most conservative member of society,

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<v Speaker 1>a laid back support, however hopeless, and current terms of

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<v Speaker 1>what ufologists are doing. Over the next twelve years, UFO

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<v Speaker 1>AFRINUWS published twenty two editions featuring stories with headlines such

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<v Speaker 1>as UFO crash on Botswana, South African Border, Bus in

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<v Speaker 1>the Sky and UFO in the fields of afrom Planes.

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<v Speaker 1>But the biggest story covered by UFO Afrinews ran in

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<v Speaker 1>its eleventh edition, released in February of nineteen ninety five.

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<v Speaker 1>Spanning several articles. It began with a report on an

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<v Speaker 1>object that was seen across Southern Africa traversing the night

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<v Speaker 1>sky the evening of Wednesday, September fourteenth, nineteen ninety four.

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<v Speaker 1>According to Hind, the first reports came from Johannesburg, South Africa,

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<v Speaker 1>where people called into a local radio show to report

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<v Speaker 1>seeing lights in the sky. Over the next ten to

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<v Speaker 1>twelve minutes, the light were seen by people in South Africa, Botswana,

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<v Speaker 1>Southern Zambia and Zimbabwe. Hind wrote the general consensus of

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<v Speaker 1>opinion was that the lights were preceded by a ball

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<v Speaker 1>of fire which seemed to have a point to it

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<v Speaker 1>with a long tail of sparks. It was white or

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<v Speaker 1>goldish color and lit up brilliantly in the sky. Some

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<v Speaker 1>people saw three huge lights at the front, with smaller

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<v Speaker 1>lights varying from eight to twenty. Many reported that the

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<v Speaker 1>objects were traveling very fast from north to south, others

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<v Speaker 1>that had moved slowly. Her article went on to relate

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<v Speaker 1>in detail the reports of a number of individuals about

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<v Speaker 1>what they had witnessed that night. She concluded that there

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<v Speaker 1>were three possibilities for what was seen. A plane flying

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<v Speaker 1>the Johannesburg to Bulawayo to Harari route that was running

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<v Speaker 1>late putting it in the right place and time to

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<v Speaker 1>be the object an unknown craft not of this Earth,

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<v Speaker 1>or anticipating what is now considered the fact of the matter.

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<v Speaker 1>A Russian satellite that had been launched on the twenty

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<v Speaker 1>sixth or twenty seventh of August had jettisoned its nose

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<v Speaker 1>cone on September fourteenth. The nose cone had broken up

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<v Speaker 1>as it entered the atmosphere over southern Africa. She mentioned

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<v Speaker 1>pieces of the cone being retrieved northwest of Harari and

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<v Speaker 1>from a river in Mozambique. It was in this atmosphere

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<v Speaker 1>of concern about the lights in the sky above southern

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<v Speaker 1>Africa that the events behind the most consequential revelations of

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<v Speaker 1>this edition of UFO Afrinows occurred. On Friday September sixteenth,

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<v Speaker 1>thirty six hours after the lights in the sky, sixty

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<v Speaker 1>two children at the Aerial School in Rua, Zimbabwe had

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<v Speaker 1>an encounter with an object and non human beings in

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<v Speaker 1>the fields beyond their school yard. The Aerial School is

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<v Speaker 1>a private elementary school in the town of Rua, which

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<v Speaker 1>is about twelve miles east of the capital city of Harrari.

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<v Speaker 1>In nineteen ninety four, the school was racially diverse, and

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<v Speaker 1>it's more than two hundred. Students were pulled largely from

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<v Speaker 1>middle class and upper class families. They came from as

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<v Speaker 1>far away as Harrari, reportedly about a thirty minute drive.

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<v Speaker 1>The boys at the school wore uniforms of khaki shorts

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<v Speaker 1>and matching button up Safari shirts. The girls wore square

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<v Speaker 1>collared dresses of light blue with white piping on the

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<v Speaker 1>collars and sleeves. At ten fifteen that warm spring morning,

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<v Speaker 1>they were outside at recess. No adults were present. There

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<v Speaker 1>was a staff meeting inside. Older students had been left

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<v Speaker 1>in charge. In all, there were about two hundred and

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<v Speaker 1>fifty students. Outside of those, sixty two would reports seeing

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<v Speaker 1>a craft and some number of beings. The basics of

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<v Speaker 1>the encounter were fairly straightforward. What complicates matters was that

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<v Speaker 1>all all of the witnesses were children who were interviewed

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<v Speaker 1>again and again in whose stories could not help but evolve.

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<v Speaker 1>That's not a criticism of the children. In fact, because

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<v Speaker 1>adult interviewers generally did not exercise proper precautions in interviewing

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<v Speaker 1>the children, it is almost inevitable that the children's perceptions

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<v Speaker 1>would change. With that in mind, let's take a look

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<v Speaker 1>at the basic story that comes out of the encounter

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<v Speaker 1>before examining how the students were questioned in the days, weeks,

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<v Speaker 1>and months that followed. I'm not going to spend time

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<v Speaker 1>on a few issues tangential to the main story, such

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<v Speaker 1>as whether a small number of students saw lights in

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<v Speaker 1>the sky either that morning or the day before at

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<v Speaker 1>the time of this recording. Charlie Wiser's excellent and comprehensive

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<v Speaker 1>website three Dollar Kit is a great source for a

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<v Speaker 1>detailed look at all of the issues in this encounter.

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<v Speaker 1>With all that being said, there are essentially two elements

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<v Speaker 1>to the encounter, the sighting of the craft at a

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<v Speaker 1>distance beyond the playground amongst some trees, and then the

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<v Speaker 1>appearance of some figures around the craft. It began with

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<v Speaker 1>some children noticing an object glinting in the sun, maybe

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<v Speaker 1>a hundred meters past the edge of their schoolyard from

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<v Speaker 1>the February nineteen ninety five edition of UFO Afronows. Shortly

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<v Speaker 1>after ten o'clock, a few of the children noticed something

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<v Speaker 1>strange beyond their playground, which was dotted with several clumps

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<v Speaker 1>of trees, the rest being mostly cleared ground there was

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<v Speaker 1>bush area. The ground there belonged to the school, and

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<v Speaker 1>though attempts had been made to clear it and level it,

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<v Speaker 1>it really was still rough land, long grass with thorn

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<v Speaker 1>and other indigenous bushes, trees growing in higgledy piggledy fashion,

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<v Speaker 1>and undergrowth thick and heavy enough to hide a child

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<v Speaker 1>should they venture there. Besides which no one knew what

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<v Speaker 1>dangerous small animals such as snakes, jackals, and identified spiders, scorpions, etc.

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<v Speaker 1>Might be lurking in the grass. The following are clips

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<v Speaker 1>of aerial students taken from interviews conducted by Zimbabwean radio

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<v Speaker 1>and television personality Jill Dark in the weeks following the encounter.

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<v Speaker 1>Here they described seeing the craft. We start with a

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<v Speaker 1>student named Candice, Me and my friend Play Hailey and

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<v Speaker 1>kamal Up. We were just walking and then we saw

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<v Speaker 1>this maroon color just waving about and it was disappearing

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<v Speaker 1>and disappearing, and we started to follow it. And then

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<v Speaker 1>we stood over there on one of the logs and

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<v Speaker 1>we saw like this silver thing and we decided that

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<v Speaker 1>we should go down there and see. But Play said

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<v Speaker 1>we're not allowedly, so I said that it doesn't matter

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<v Speaker 1>let's just go and see. And we got closer and closer,

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<v Speaker 1>and we saw this silver thing just shining it and

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<v Speaker 1>we thought that it was just a house of glass

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<v Speaker 1>and reflecting in the sun and shining here. We thought, no,

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<v Speaker 1>it can't be that, because there's no houses up to

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<v Speaker 1>play on the rocks. And then we waited for a

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<v Speaker 1>few minutes and we just stared at it, and we

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<v Speaker 1>heard this flute, sort of like a flute. Louise, this

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<v Speaker 1>is Muna Rodzy. He mentions a touch shop, which is

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<v Speaker 1>more or less a snack shop at the school. Well,

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<v Speaker 1>I was at the touch shop of the year, and

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<v Speaker 1>then I shook with the pros at the year the slight,

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<v Speaker 1>so I wanted and I looked and I saw this

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<v Speaker 1>shot and he had the slide like a patten um

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<v Speaker 1>yellow pole and me, this is another aerial student named Guy.

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<v Speaker 1>So I went down to think know what was happening,

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<v Speaker 1>and I actually saw this school of trees and it

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<v Speaker 1>was like in a multi way pattern like silver and

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<v Speaker 1>green and that sort of colors. And then there was

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<v Speaker 1>this little boy crying. So I went up to him

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<v Speaker 1>to see what was wrong with him, and he said

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<v Speaker 1>he was quite afraid of it. And then that actually

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<v Speaker 1>made me quite afraid of it, because then somebody's afraid

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<v Speaker 1>like it to see interviews conducted by Tim Leach of

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<v Speaker 1>the BBC and Cynthia Hind on the Monday and Tuesday

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<v Speaker 1>after the sighting, so a few weeks before the clips

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<v Speaker 1>we just heard provide additional information. Guy who we heard

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<v Speaker 1>from earlier described the craft as quote roundabout like a disk.

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<v Speaker 1>A student named Nathan said, quote it had a round

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<v Speaker 1>top and it was flat like that around the sides.

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<v Speaker 1>Charity described it as quote like a saucer, but the

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<v Speaker 1>shape wasn't really round. The students also saw figures by

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<v Speaker 1>the craft. As we will see later, there was some

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<v Speaker 1>inconsistency in their descriptions of these figures. Here's Muna Rodzi again,

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<v Speaker 1>there was something running across in something the shop that

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<v Speaker 1>didn't when I looked more dumb, when I looked like

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<v Speaker 1>strength and strength to some like million things. He had

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<v Speaker 1>big guys like once guy was saying, here, Guy, I

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<v Speaker 1>saw this person and his eyes were like in a

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<v Speaker 1>slant like say like so, and his life was just

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<v Speaker 1>like a line like this. And then at the time

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<v Speaker 1>the teachers were in a starting team, so nobody actually

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<v Speaker 1>went have to go and call the teachers, because I

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<v Speaker 1>think there were two phrases and everything. This is Candice.

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<v Speaker 1>I saw this black figure running in slow motion, and

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<v Speaker 1>then I didn't want to see it, so I looked away,

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<v Speaker 1>and I looked again. Wasn't there anymore? Candice's friend Claire,

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<v Speaker 1>this figure like Candace Seed running in slow ocean and

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<v Speaker 1>when clicked, its hit and looked at me onto the grass,

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<v Speaker 1>and me and Canvas were really scared. We nearly screamed.

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<v Speaker 1>We were so scared, and we were running back and

0:15:15.280 --> 0:15:19.400
<v Speaker 1>forth because we were excited and scared at the same time.

0:15:21.600 --> 0:15:25.040
<v Speaker 1>In their interviews with the students, Tim Leech and Cynthia

0:15:25.120 --> 0:15:28.640
<v Speaker 1>Hind also elicited descriptions of the figures around the craft.

0:15:29.440 --> 0:15:35.160
<v Speaker 1>Some examples, Oriana said, quote, I don't know what it was,

0:15:35.480 --> 0:15:38.320
<v Speaker 1>but it was very thin. All I saw was a

0:15:38.400 --> 0:15:42.680
<v Speaker 1>long thing on a silver thing. Kayley saw three figures,

0:15:42.720 --> 0:15:46.800
<v Speaker 1>stating we saw some people, a white one, a red one,

0:15:47.120 --> 0:15:50.400
<v Speaker 1>a black one. The black one was sitting on the spaceship.

0:15:51.280 --> 0:15:53.920
<v Speaker 1>Luke recalled that the figure he saw seemed to have

0:15:54.040 --> 0:15:58.320
<v Speaker 1>long hair, quote, I didn't see the spaceship, but I

0:15:58.320 --> 0:16:01.560
<v Speaker 1>saw the little black guy. He was all black, and

0:16:01.640 --> 0:16:05.400
<v Speaker 1>it looked like he had long hair, Daniel said, quote,

0:16:05.840 --> 0:16:08.680
<v Speaker 1>it almost looked like a real person, except it was

0:16:08.760 --> 0:16:14.280
<v Speaker 1>fairly plump. He continued, his hair was it looked more

0:16:14.320 --> 0:16:18.000
<v Speaker 1>like our hair. It wasn't curly. That thing almost looked

0:16:18.000 --> 0:16:24.400
<v Speaker 1>like a hippie. Big eyes, slanted eyes, very thin, fairly plump,

0:16:25.000 --> 0:16:30.200
<v Speaker 1>long hair, red white, black, almost like a hippie. The

0:16:30.320 --> 0:16:35.880
<v Speaker 1>descriptions aren't consistent and are occasionally contradictory, and more detail

0:16:36.000 --> 0:16:38.720
<v Speaker 1>was to come when they were asked to draw pictures

0:16:38.720 --> 0:16:41.000
<v Speaker 1>of what they had seen, but we'll get to that

0:16:41.080 --> 0:16:45.760
<v Speaker 1>in a minute. BBC correspondent Tim Leech heard about the

0:16:45.880 --> 0:16:50.080
<v Speaker 1>encounter on Friday, the day had occurred. He called Cynthia Hind,

0:16:50.200 --> 0:16:52.760
<v Speaker 1>a friend of his, to tell her about the event.

0:16:53.640 --> 0:16:58.360
<v Speaker 1>Hind began her investigation that weekend. She called Alison Kirkman,

0:16:58.480 --> 0:17:01.440
<v Speaker 1>who was volunteering at the Touch shop when the sighting occurred,

0:17:01.760 --> 0:17:05.760
<v Speaker 1>as well as three student witnesses. It's not clear which

0:17:05.840 --> 0:17:11.199
<v Speaker 1>three students those were. The most interesting thing about the

0:17:11.440 --> 0:17:15.119
<v Speaker 1>aerial school encounter is that there is this kind of

0:17:15.880 --> 0:17:19.399
<v Speaker 1>unfortunate weekend like it happened on a Friday. There's a

0:17:19.440 --> 0:17:25.119
<v Speaker 1>weekend where possible contamination of testimony could occur, like the

0:17:25.200 --> 0:17:28.040
<v Speaker 1>kids apparently broke up from school at one o'clock on

0:17:28.080 --> 0:17:31.040
<v Speaker 1>the Friday afternoon, and then people were talking about it

0:17:31.520 --> 0:17:36.080
<v Speaker 1>for presumably the rest of that day. This is researcher

0:17:36.119 --> 0:17:40.600
<v Speaker 1>and writer Gideon read and then, as I understand it,

0:17:40.640 --> 0:17:44.760
<v Speaker 1>Cynthia and spoke to some people by telephone that weekend. Now,

0:17:45.160 --> 0:17:49.840
<v Speaker 1>if those telephone conversations have been recorded and can be published,

0:17:49.840 --> 0:17:51.960
<v Speaker 1>that would be fascinating because that would kind of go

0:17:52.040 --> 0:17:55.640
<v Speaker 1>a long way toward countering any arguments the testimonies were

0:17:55.640 --> 0:18:00.920
<v Speaker 1>hopelessly corrupted. What Gideon is talking about here is that

0:18:01.160 --> 0:18:05.440
<v Speaker 1>hind through her four conversations could have affected the way

0:18:05.440 --> 0:18:09.600
<v Speaker 1>that people, particularly the students, understood what they had seen.

0:18:10.320 --> 0:18:13.280
<v Speaker 1>We'll see how this can work in a minute. School

0:18:13.359 --> 0:18:17.800
<v Speaker 1>went back into session on Monday morning. The headmaster, Colin Mackie,

0:18:18.280 --> 0:18:20.440
<v Speaker 1>asked each of the students who had seen the craft

0:18:20.480 --> 0:18:22.919
<v Speaker 1>and the figures to draw a picture of what they

0:18:22.960 --> 0:18:25.920
<v Speaker 1>had seen. There was a wide range in the students

0:18:26.040 --> 0:18:29.720
<v Speaker 1>artistic ability, owing largely to the difference in their ages.

0:18:30.840 --> 0:18:33.720
<v Speaker 1>While the drawings are not all consistent, there are some

0:18:33.800 --> 0:18:37.000
<v Speaker 1>basic details that the majority of the drawings hint at

0:18:37.840 --> 0:18:40.280
<v Speaker 1>a craft more or less like what you would think

0:18:40.320 --> 0:18:43.720
<v Speaker 1>of when you think of a flying saucer, short and wide,

0:18:43.760 --> 0:18:47.520
<v Speaker 1>either a disk or a rectangular shape, often with windows

0:18:47.600 --> 0:18:50.399
<v Speaker 1>or lights. A number of the drawings have the craft

0:18:50.480 --> 0:18:54.240
<v Speaker 1>situated within a group of trees. Many of the drawings

0:18:54.280 --> 0:18:58.120
<v Speaker 1>depicted a being or beings, some looking like the classic

0:18:58.200 --> 0:19:01.360
<v Speaker 1>alien with the big angled eyes in the barely their

0:19:01.520 --> 0:19:07.080
<v Speaker 1>nose and mouth, and critically bald heads. Others showed a

0:19:07.119 --> 0:19:10.920
<v Speaker 1>figure with long, straight hair, as we heard described earlier.

0:19:12.119 --> 0:19:16.160
<v Speaker 1>Over the next two days, Tim Leech and Cynthia Hind,

0:19:16.320 --> 0:19:20.159
<v Speaker 1>along with a BBC camera crew and Hind's assistant and

0:19:20.280 --> 0:19:27.439
<v Speaker 1>cameraman Gunter Hofer, visited Aerial School. Mackie, the headmaster, found

0:19:27.520 --> 0:19:31.560
<v Speaker 1>himself in a difficult situation. His school was suddenly thrust

0:19:31.640 --> 0:19:35.840
<v Speaker 1>into the spotlight, with both an international news organization and

0:19:35.960 --> 0:19:41.159
<v Speaker 1>the most prominent UFO researcher in Southern Africa converging on RUA.

0:19:41.240 --> 0:19:44.240
<v Speaker 1>His thoughts on what happened in the schoolyard were complicated.

0:19:45.680 --> 0:19:47.920
<v Speaker 1>I feel sure that the children feel that they did

0:19:47.920 --> 0:19:51.800
<v Speaker 1>see something. I don't believe or disbelief to be perfect honest,

0:19:52.080 --> 0:19:54.119
<v Speaker 1>but I do feel that they definitely saw something. We

0:19:54.160 --> 0:19:56.600
<v Speaker 1>had a number of children say they did. We asked

0:19:56.600 --> 0:19:59.080
<v Speaker 1>them to do a pictures of what they saw this morning,

0:19:59.240 --> 0:20:02.159
<v Speaker 1>what they saw on Friday, and after looking at it

0:20:02.200 --> 0:20:05.320
<v Speaker 1>as I definitely feel that they did see something. I

0:20:05.400 --> 0:20:09.280
<v Speaker 1>agree that it could be something that we are not

0:20:09.359 --> 0:20:12.360
<v Speaker 1>common with, but to actually say that it was a UFO,

0:20:13.160 --> 0:20:15.800
<v Speaker 1>I would be reluctant to make a decision like that.

0:20:16.520 --> 0:20:21.720
<v Speaker 1>I personally did not see it. No adult had. Leech

0:20:21.840 --> 0:20:24.280
<v Speaker 1>came to the school and conducted his interviews for the

0:20:24.359 --> 0:20:29.520
<v Speaker 1>BBC on Monday. On Tuesday, Cynthia Hind arrived with Gunter Hofer.

0:20:30.240 --> 0:20:33.480
<v Speaker 1>Hind reviewed the children's drawings and then began to question

0:20:33.520 --> 0:20:36.760
<v Speaker 1>the children. And here we begin to see the problem

0:20:36.920 --> 0:20:42.880
<v Speaker 1>that plagues accounts of this event. After the break, strange

0:20:42.960 --> 0:21:01.720
<v Speaker 1>arrivals will return in a moment. Cynthia Hind, the most

0:21:01.760 --> 0:21:05.600
<v Speaker 1>prominent UFO researcher in Southern Africa, arrived at the Ariel

0:21:05.720 --> 0:21:10.000
<v Speaker 1>school on the Tuesday following the Friday encounter. During the

0:21:10.040 --> 0:21:13.200
<v Speaker 1>intervening weekend, she had talked to an adult who hadn't

0:21:13.240 --> 0:21:16.040
<v Speaker 1>seen anything, but had been the nearest adult to the

0:21:16.119 --> 0:21:19.760
<v Speaker 1>students who did, as well as three students who were witnesses.

0:21:20.359 --> 0:21:23.480
<v Speaker 1>She came to Ariel School to gather more information from

0:21:23.480 --> 0:21:26.360
<v Speaker 1>the other students who had seen the craft and its occupants.

0:21:27.880 --> 0:21:32.000
<v Speaker 1>Questioning witnesses is a difficult endeavor. A good questioner wants

0:21:32.000 --> 0:21:35.880
<v Speaker 1>to obtain the subject's information, not influence it, and this

0:21:35.960 --> 0:21:40.960
<v Speaker 1>requires training and skill. Questioning children is even more difficult

0:21:41.200 --> 0:21:45.200
<v Speaker 1>because they are more susceptible to influence, whether intentional or not.

0:21:46.080 --> 0:21:51.240
<v Speaker 1>On his blog Skeptic versus the Flying Saucers, Jille Fernandez,

0:21:51.480 --> 0:21:55.280
<v Speaker 1>a writer and lecturer with a PhD in cognitive psychology,

0:21:55.640 --> 0:22:02.000
<v Speaker 1>identifies two critical mistakes that Hind makes while interviewing this students. First,

0:22:02.440 --> 0:22:05.520
<v Speaker 1>she not only interviews the children in a group where

0:22:05.560 --> 0:22:09.160
<v Speaker 1>other children form an audience to watch the interviews. This

0:22:09.280 --> 0:22:13.520
<v Speaker 1>allows for students to influence each other's accounts. We heard

0:22:13.600 --> 0:22:17.320
<v Speaker 1>an example of this dynamic earlier when in an interview

0:22:17.320 --> 0:22:22.280
<v Speaker 1>with Jill Dark Muna Rodzy said, the guys like what

0:22:22.400 --> 0:22:27.160
<v Speaker 1>guy would say. He says he had big eyes, like

0:22:27.200 --> 0:22:31.040
<v Speaker 1>one guy was saying. Here, he's referencing the account that

0:22:31.119 --> 0:22:35.440
<v Speaker 1>he's just seen his classmate Guy give and confirming its accuracy.

0:22:36.280 --> 0:22:41.280
<v Speaker 1>Here's another example, again with Jill Dark I saw this

0:22:41.480 --> 0:22:45.359
<v Speaker 1>black figure running in slow motion. And then I didn't

0:22:45.359 --> 0:22:47.480
<v Speaker 1>want to see it, so I looked away, and I

0:22:47.600 --> 0:22:53.320
<v Speaker 1>looked again, and I wasn't there anymore, This figure like canvacy,

0:22:53.680 --> 0:22:58.320
<v Speaker 1>running in slow motion, and one pluck, it hit up

0:22:59.280 --> 0:23:05.760
<v Speaker 1>and looked at me onto. Here Candice and her Frank

0:23:05.760 --> 0:23:09.119
<v Speaker 1>Claire are telling the story together. They can't help but

0:23:09.280 --> 0:23:14.080
<v Speaker 1>influence each other's accounts. Second, Hind doesn't allow the children

0:23:14.119 --> 0:23:18.119
<v Speaker 1>to freely tell their story for Nandez explains that interviewers

0:23:18.160 --> 0:23:22.480
<v Speaker 1>should not interject or ask specific questions. Children should be

0:23:22.520 --> 0:23:26.160
<v Speaker 1>allowed to tell their story without prompting and less rephrasing

0:23:26.200 --> 0:23:28.840
<v Speaker 1>what they had just said is necessary to get them

0:23:28.880 --> 0:23:33.960
<v Speaker 1>back to talking. Fernandez writes, of a generic interviewer quote,

0:23:34.200 --> 0:23:38.440
<v Speaker 1>he absolutely must not interrupt him nor ask him specific

0:23:38.600 --> 0:23:44.560
<v Speaker 1>and precise questions. On that Tuesday, Hind began by interviewing

0:23:44.560 --> 0:23:47.920
<v Speaker 1>a group of children together with the headmaster and other

0:23:48.000 --> 0:23:53.520
<v Speaker 1>children watching. They brought in the oldest children. Randall Nickerson,

0:23:53.920 --> 0:23:59.200
<v Speaker 1>creator of the documentary The Aerial Phenomenon, all those children

0:23:59.200 --> 0:24:01.840
<v Speaker 1>in that first interview. She brings in the Actually the

0:24:01.840 --> 0:24:04.879
<v Speaker 1>headmaster did was to bring in all the older kids,

0:24:04.920 --> 0:24:08.800
<v Speaker 1>who are much more responsible and were more experienced, and

0:24:09.400 --> 0:24:13.920
<v Speaker 1>that's what you see there. Addressing the same point, Gideon

0:24:13.960 --> 0:24:18.560
<v Speaker 1>Read references film taken and posted by Hine's assistant Gunter Hofer.

0:24:19.640 --> 0:24:23.800
<v Speaker 1>So the video that you see on gafa's YouTube channel

0:24:24.000 --> 0:24:26.800
<v Speaker 1>sank behind and spearing the children. She's kind of going

0:24:26.840 --> 0:24:29.400
<v Speaker 1>along the line of children in the room and there's

0:24:29.400 --> 0:24:32.240
<v Speaker 1>like a crowd of children in the doorway. I think

0:24:32.280 --> 0:24:35.640
<v Speaker 1>that was filmed on the Tuesday, and to leach when

0:24:35.640 --> 0:24:40.000
<v Speaker 1>the BBC was there on the Monday. So by the Tuesday,

0:24:40.119 --> 0:24:43.119
<v Speaker 1>the children have already probably been asked the same question

0:24:43.320 --> 0:24:45.920
<v Speaker 1>a whole bunch of times. There's just so much unknown

0:24:45.960 --> 0:24:52.120
<v Speaker 1>about that whole little period. This section of the transcript

0:24:52.160 --> 0:24:56.320
<v Speaker 1>of Hinds interview with Candice read by actors shows that

0:24:56.560 --> 0:24:59.600
<v Speaker 1>far from allowing the student to tell her story, Hind

0:24:59.720 --> 0:25:03.760
<v Speaker 1>guy the telling. While she doesn't seem to intentionally elicit

0:25:03.840 --> 0:25:08.159
<v Speaker 1>certain answers, the questions that she asks indicate what she

0:25:08.320 --> 0:25:11.920
<v Speaker 1>thinks is important about the story. She also asks either

0:25:12.080 --> 0:25:16.960
<v Speaker 1>or questions that limit possible answers. Would you say it

0:25:17.000 --> 0:25:19.840
<v Speaker 1>was like an ordinary suit? Was it like what mister

0:25:19.920 --> 0:25:24.320
<v Speaker 1>Mackie's wearing, No? Or what would you call the type

0:25:24.320 --> 0:25:28.119
<v Speaker 1>of clothing. I'm not sure, but he was really Have

0:25:28.280 --> 0:25:31.600
<v Speaker 1>you ever seen the divers going in the sea? Oh? Yes,

0:25:31.800 --> 0:25:35.280
<v Speaker 1>like that? Was it like that or was it like

0:25:35.320 --> 0:25:39.760
<v Speaker 1>an overall or tight fitting suit? It was tight fitting.

0:25:40.119 --> 0:25:44.920
<v Speaker 1>It was tight fitting, yes, and it was shiny. Yes.

0:25:45.640 --> 0:25:49.399
<v Speaker 1>Could you see his face? Well, I only saw a

0:25:49.440 --> 0:25:53.640
<v Speaker 1>glimpse of it, and you don't remember any individual features.

0:25:54.280 --> 0:25:57.520
<v Speaker 1>I only remember that his eyes were quite big. Eyes

0:25:57.560 --> 0:26:03.720
<v Speaker 1>were big? And were you afraid? I was a little afraid. Here,

0:26:04.240 --> 0:26:07.440
<v Speaker 1>Hind has introduced the idea that the students might be afraid.

0:26:08.080 --> 0:26:11.879
<v Speaker 1>Candice can answer either in the affirmative or negative, and

0:26:12.000 --> 0:26:14.840
<v Speaker 1>actually kind of splits the difference by saying she was

0:26:15.280 --> 0:26:19.879
<v Speaker 1>a little afraid. What do you think it was? I

0:26:19.920 --> 0:26:22.040
<v Speaker 1>don't know. I just thought it was some kind of

0:26:22.160 --> 0:26:27.480
<v Speaker 1>alien from a different planet. She asks for Candice's opinion,

0:26:28.000 --> 0:26:32.360
<v Speaker 1>moving the conversation away from the student's experience and to conjecture.

0:26:33.040 --> 0:26:36.480
<v Speaker 1>And given who Hind was, the answer that she is

0:26:36.520 --> 0:26:40.760
<v Speaker 1>looking for is probably clear to Candice. So you knew

0:26:40.840 --> 0:26:47.640
<v Speaker 1>about UFOs, Yes, you've watched on television. Yes, you think

0:26:47.680 --> 0:26:51.040
<v Speaker 1>that influenced you? Or you weren't thinking about that? When

0:26:51.440 --> 0:26:55.720
<v Speaker 1>I wasn't thinking about it? And then, talking in front

0:26:55.760 --> 0:26:59.520
<v Speaker 1>of a group of students and Headmaster Mackie Hind speculates

0:26:59.560 --> 0:27:01.760
<v Speaker 1>that although people may have seen the breakup of a

0:27:01.840 --> 0:27:05.800
<v Speaker 1>Russian rocket on August twenty seventh, it doesn't explain the

0:27:05.800 --> 0:27:11.280
<v Speaker 1>figures they saw. She continues, we don't know what it

0:27:11.400 --> 0:27:15.080
<v Speaker 1>is and it could be just there was a Russian

0:27:15.160 --> 0:27:18.760
<v Speaker 1>satellite breakup on the twenty seventh of August, and it's

0:27:18.760 --> 0:27:22.200
<v Speaker 1>a possibility something came down, but it would not account

0:27:22.280 --> 0:27:25.240
<v Speaker 1>for the figure you saw. And I think it's time

0:27:25.280 --> 0:27:28.840
<v Speaker 1>the world woke up that something's going on. And they

0:27:28.920 --> 0:27:32.320
<v Speaker 1>don't all think I'm a kookie character, a weird lady

0:27:32.359 --> 0:27:37.639
<v Speaker 1>as they call me. In this one extraordinary statement, Hind

0:27:37.760 --> 0:27:40.240
<v Speaker 1>seems to confirm to the students that they have seen

0:27:40.359 --> 0:27:44.040
<v Speaker 1>something of great importance. Quote, It's time the world woke

0:27:44.119 --> 0:27:47.480
<v Speaker 1>up that something's going on end quote and given the

0:27:47.520 --> 0:27:51.280
<v Speaker 1>students the power to rehabilitate her image as, in her words,

0:27:51.720 --> 0:27:55.760
<v Speaker 1>a koukie character. Over the next month and a half,

0:27:56.280 --> 0:27:59.680
<v Speaker 1>the students at Aerial School were interviewed by a zimbabwe

0:27:59.680 --> 0:28:03.520
<v Speaker 1>In tevision and radio personality named Jill Dark and by

0:28:03.600 --> 0:28:08.600
<v Speaker 1>Nicole Harter of the South African Broadcasting Corporation. On November

0:28:08.640 --> 0:28:13.480
<v Speaker 1>twenty fourth, the South African television show Agenda ran a

0:28:13.520 --> 0:28:16.840
<v Speaker 1>piece on the sighting, which included mention of Harvard psychology

0:28:16.920 --> 0:28:21.560
<v Speaker 1>professor and UFO researcher John Mack, who was due to

0:28:21.680 --> 0:28:25.760
<v Speaker 1>arrive in Africa. In the February nineteen ninety five edition

0:28:25.800 --> 0:28:30.359
<v Speaker 1>of UFO Afrinews, hind expressed the excitement in having Mac

0:28:30.520 --> 0:28:35.240
<v Speaker 1>visit Zimbabwe. Here then, is a man who is not

0:28:35.359 --> 0:28:39.000
<v Speaker 1>only open minded and prepared to listen, but an academic

0:28:39.040 --> 0:28:43.080
<v Speaker 1>of some standing and one who has risked his credibility

0:28:43.240 --> 0:28:46.360
<v Speaker 1>with his colleagues to come out and say he believes

0:28:46.680 --> 0:28:52.360
<v Speaker 1>the experiences of abductees are very real. Indeed, when he arrived,

0:28:52.840 --> 0:28:56.840
<v Speaker 1>it was a read lay to day for Zimbabwe. New

0:28:56.920 --> 0:29:02.840
<v Speaker 1>York Times reporter and John Mac biographer Ralph Blumenthal. John

0:29:02.960 --> 0:29:07.560
<v Speaker 1>Mack went there to Zimbabwe, recorded the interviews on camera,

0:29:07.800 --> 0:29:10.360
<v Speaker 1>questioned the children. He was very good with children, by

0:29:10.360 --> 0:29:13.080
<v Speaker 1>the way, because child psychology was always one of his

0:29:13.240 --> 0:29:15.680
<v Speaker 1>fields of interest, and he knew how to talk to

0:29:15.760 --> 0:29:18.040
<v Speaker 1>kids in a non threatening way to get them to

0:29:18.080 --> 0:29:20.760
<v Speaker 1>open up to him. So he got them really to

0:29:21.120 --> 0:29:25.680
<v Speaker 1>tell what they had seen. Mack interviewed the arial students

0:29:25.920 --> 0:29:29.440
<v Speaker 1>on December second and third, nineteen ninety four, two and

0:29:29.480 --> 0:29:32.320
<v Speaker 1>a half months after the sighting. If you've heard of

0:29:32.360 --> 0:29:35.840
<v Speaker 1>the Ariel sighting before this podcast, you've probably heard about

0:29:35.840 --> 0:29:39.160
<v Speaker 1>the messages that the student said they had received through

0:29:39.200 --> 0:29:43.200
<v Speaker 1>some kind of telepathy from the alien figures, messages about

0:29:43.280 --> 0:29:46.600
<v Speaker 1>how the Earth's environment was in peril. We'll take a

0:29:46.640 --> 0:29:49.920
<v Speaker 1>closer look at Mack's career as a UFOE investigator in

0:29:50.000 --> 0:29:53.840
<v Speaker 1>upcoming episodes, but for now, it is important to understand

0:29:53.920 --> 0:29:58.440
<v Speaker 1>that Mac was an ardent environmentalist and anti nuclear activist

0:29:59.040 --> 0:30:02.400
<v Speaker 1>and perceived that the purported alien abductees that he worked

0:30:02.400 --> 0:30:05.880
<v Speaker 1>with were given messages from their abductors about the need

0:30:05.960 --> 0:30:09.400
<v Speaker 1>to protect the planet. Here is Mac in an interview

0:30:09.400 --> 0:30:14.040
<v Speaker 1>with philosopher Terrence McKenna at the International Transpersonal Conference in

0:30:14.160 --> 0:30:18.600
<v Speaker 1>Prague in June nineteen ninety two, two years before the

0:30:18.680 --> 0:30:22.800
<v Speaker 1>aerial school encounter. The clip begins with McKenna asking a question,

0:30:23.120 --> 0:30:27.000
<v Speaker 1>and then Mac answers, then, do you think of it

0:30:27.040 --> 0:30:31.360
<v Speaker 1>as an ecological danger signal that it's a message from

0:30:31.400 --> 0:30:35.680
<v Speaker 1>an Earth intelligence, perhaps the Earth? There are telepieces of

0:30:35.720 --> 0:30:39.320
<v Speaker 1>evidence that suggests that that's true. One is that the

0:30:39.440 --> 0:30:47.240
<v Speaker 1>abductees themselves on the ships, receive intense messages about ecological destruction,

0:30:48.040 --> 0:30:52.760
<v Speaker 1>annihilation of whole forest systems, pollution of the water system,

0:30:53.040 --> 0:30:55.720
<v Speaker 1>visions of the planet dying, and they see that on

0:30:55.840 --> 0:31:00.440
<v Speaker 1>television like screens. They get it through telepathic community. And

0:31:00.520 --> 0:31:03.920
<v Speaker 1>these are not environmentalists, these people. They are people who

0:31:04.000 --> 0:31:08.479
<v Speaker 1>are very simple, ordinary people, unremarkable except that they are

0:31:08.520 --> 0:31:16.960
<v Speaker 1>getting this extraordinary information and they actually become intensely passionately

0:31:17.080 --> 0:31:20.360
<v Speaker 1>concerned about the Earth and what's happening to the earth

0:31:20.400 --> 0:31:23.000
<v Speaker 1>and their children do because their children may be abducted

0:31:23.080 --> 0:31:28.560
<v Speaker 1>as well. So, given his thoughts about the message that

0:31:28.680 --> 0:31:32.760
<v Speaker 1>aliens are trying to impart, it's striking that when mac arrives,

0:31:33.200 --> 0:31:36.560
<v Speaker 1>some of the children he interviews mentioned the alien figures

0:31:36.640 --> 0:31:42.600
<v Speaker 1>concerned with the environment. Researcher and writer Gideon Read, you know,

0:31:42.680 --> 0:31:47.760
<v Speaker 1>there was no mention of anyone receiving telepathic communication until

0:31:48.280 --> 0:31:52.320
<v Speaker 1>John mckinsfeed the children seventy seven days later, which is

0:31:52.320 --> 0:31:56.000
<v Speaker 1>a huge amount of time for something so distinct and

0:31:56.080 --> 0:32:01.280
<v Speaker 1>so mind changing for someone to have received helepathic communication

0:32:01.800 --> 0:32:06.800
<v Speaker 1>and for it to not be heard about until they're

0:32:06.800 --> 0:32:09.160
<v Speaker 1>sat in an interview two and a half months later

0:32:09.600 --> 0:32:12.480
<v Speaker 1>and then the things that they say that they had

0:32:12.520 --> 0:32:16.360
<v Speaker 1>received in those interviews just happened to be perfectly aligned

0:32:16.440 --> 0:32:19.840
<v Speaker 1>with the concerns and interests of the academic that they're

0:32:19.880 --> 0:32:25.480
<v Speaker 1>talking to. On the website Three Dollar Kit, Charlie Wiser

0:32:25.600 --> 0:32:29.320
<v Speaker 1>lays out transcripts of interviews of the aerial student witnesses

0:32:29.480 --> 0:32:34.920
<v Speaker 1>chronologically prior to Max's appearance. The environmentalist message coming from

0:32:34.960 --> 0:32:39.400
<v Speaker 1>the alien figures was not mentioned. Mac interviewed twelve children

0:32:39.440 --> 0:32:42.480
<v Speaker 1>on film, but most of the films and transcripts are

0:32:42.520 --> 0:32:46.400
<v Speaker 1>embargoed by the John Mac Institute until sometime in twenty

0:32:46.480 --> 0:32:50.600
<v Speaker 1>twenty three. But what is available of his interviews include

0:32:50.680 --> 0:32:54.320
<v Speaker 1>student Emma Ka stating during a conversation about why she

0:32:54.440 --> 0:32:57.920
<v Speaker 1>was afraid of the strange visitors, I think they want

0:32:58.000 --> 0:33:01.200
<v Speaker 1>people to know that we're actually making harm on this

0:33:01.240 --> 0:33:06.239
<v Speaker 1>world and we mustn't get too technologed. When asked by

0:33:06.320 --> 0:33:11.000
<v Speaker 1>Mac what he quote imagines is the aliens quote reason

0:33:11.080 --> 0:33:15.640
<v Speaker 1>for visiting Earth, a student named Francis replies, quote, I

0:33:15.680 --> 0:33:19.920
<v Speaker 1>think it's about something that's going to happen. Mac asks him, like,

0:33:20.080 --> 0:33:26.120
<v Speaker 1>what Francis says? Pollution or something in this case, Francis

0:33:26.160 --> 0:33:28.640
<v Speaker 1>doesn't state that this is a message he received from

0:33:28.680 --> 0:33:33.000
<v Speaker 1>the aliens. Instead, he responded to Mac asking him what

0:33:33.160 --> 0:33:38.240
<v Speaker 1>he quote imagines. His answers flowed from that request to imagine,

0:33:38.760 --> 0:33:43.120
<v Speaker 1>not his relating what actually happened. It's worth taking a

0:33:43.240 --> 0:33:46.840
<v Speaker 1>slightly closer look at another interview, this time with a

0:33:46.920 --> 0:33:51.400
<v Speaker 1>student named Lisel. The important part for our purposes comes

0:33:51.440 --> 0:33:54.200
<v Speaker 1>after an edit in the film, so it's not clear

0:33:54.280 --> 0:33:59.440
<v Speaker 1>what question Mac asks, but Lisel's response is, what I

0:33:59.560 --> 0:34:02.400
<v Speaker 1>do is maybe the rule is going to end. Maybe

0:34:02.400 --> 0:34:07.280
<v Speaker 1>they're telling us the rules going to end. Well, why

0:34:07.320 --> 0:34:13.279
<v Speaker 1>do you think they might want us to be scared? Because?

0:34:13.320 --> 0:34:16.680
<v Speaker 1>And you maybe because we would that look after the

0:34:16.719 --> 0:34:24.640
<v Speaker 1>planet and the air poppery, And I mean this is

0:34:24.640 --> 0:34:28.520
<v Speaker 1>is this an idea that you have had before that

0:34:28.600 --> 0:34:31.480
<v Speaker 1>we don't look after the planet properly in the air

0:34:31.840 --> 0:34:35.879
<v Speaker 1>or did this idea come to you when you had

0:34:35.920 --> 0:34:42.560
<v Speaker 1>this experience? When I had this experience? And how did

0:34:42.560 --> 0:34:44.920
<v Speaker 1>that idea come to you? From this six This is

0:34:44.960 --> 0:34:47.840
<v Speaker 1>a little hard, but try to be with me here, Okay,

0:34:48.400 --> 0:34:52.399
<v Speaker 1>when you how did this idea come to you? When

0:34:52.440 --> 0:34:59.120
<v Speaker 1>you had this experience? I just felt all horrible inside.

0:34:59.239 --> 0:35:01.360
<v Speaker 1>You felt horrible. At what point did you feel that

0:35:01.480 --> 0:35:03.879
<v Speaker 1>when you saw the craft or when you got home

0:35:03.920 --> 0:35:07.480
<v Speaker 1>at night or I got her, you had that horrible

0:35:07.520 --> 0:35:10.080
<v Speaker 1>feeling when you got home. And to say more about

0:35:10.120 --> 0:35:14.760
<v Speaker 1>that horrible feeling? Right, So, what was it like? It

0:35:14.800 --> 0:35:18.160
<v Speaker 1>was like on the all the cheese will just start

0:35:18.280 --> 0:35:24.520
<v Speaker 1>down and a little binner, and people be dying, and

0:35:24.719 --> 0:35:27.760
<v Speaker 1>those thoughts came to you. Had you had those thoughts

0:35:27.800 --> 0:35:33.680
<v Speaker 1>before this experience? No? And did how did those thoughts

0:35:33.719 --> 0:35:37.759
<v Speaker 1>come to you? Did they come to you from the

0:35:37.800 --> 0:35:42.760
<v Speaker 1>craft or from from the man? The man and the man?

0:35:43.239 --> 0:35:46.520
<v Speaker 1>Did the man say those things to you? How did

0:35:46.560 --> 0:35:51.400
<v Speaker 1>he get that across to you? Oh, he never said anything.

0:35:51.800 --> 0:35:55.800
<v Speaker 1>It's just that the face missed the eyes. What was

0:35:55.840 --> 0:36:05.279
<v Speaker 1>the sense you got from those eyes? It was interesting. Now,

0:36:05.280 --> 0:36:08.280
<v Speaker 1>there's no indication that mac talked to the children about

0:36:08.280 --> 0:36:12.239
<v Speaker 1>his environmental concerns, but it is strange that this was

0:36:12.280 --> 0:36:14.960
<v Speaker 1>not part of the aerial story until he arrived to

0:36:15.000 --> 0:36:18.040
<v Speaker 1>interview the child witnesses, and this became part of the

0:36:18.120 --> 0:36:21.440
<v Speaker 1>narrative from there on out. This is a clip of

0:36:21.480 --> 0:36:25.440
<v Speaker 1>two boys talking with Tinica Denuis on the Dutch television

0:36:25.440 --> 0:36:31.000
<v Speaker 1>show Tinica and the Paranormale Vault fifteen months after Max's

0:36:31.040 --> 0:36:33.520
<v Speaker 1>interviews in a year and a half after the sighting.

0:36:35.200 --> 0:36:38.360
<v Speaker 1>Some people say that people are saying that the aliens

0:36:38.440 --> 0:36:40.800
<v Speaker 1>came to warn us whom something's going to happen. This

0:36:41.040 --> 0:36:43.719
<v Speaker 1>something that is going to happen to the oath. I

0:36:43.760 --> 0:36:47.480
<v Speaker 1>think they came here to try and warn us that

0:36:47.800 --> 0:36:50.680
<v Speaker 1>the children left because we're young a long time, We've

0:36:50.680 --> 0:36:53.239
<v Speaker 1>got a long time until we die, to warn us

0:36:53.280 --> 0:36:57.600
<v Speaker 1>that in been we're older, there's something going to happen

0:36:57.680 --> 0:37:02.960
<v Speaker 1>to the earth. Not to pollut can still prevent it. Yeah,

0:37:04.520 --> 0:37:07.720
<v Speaker 1>So by the time that Tinka Danui visits Aerial school,

0:37:08.160 --> 0:37:11.080
<v Speaker 1>the students have settled on a narrative that is driven

0:37:11.120 --> 0:37:13.719
<v Speaker 1>by what they saw that Friday morning on the playground,

0:37:14.080 --> 0:37:18.600
<v Speaker 1>but has been inevitably corrupted by poor investigatory practices and

0:37:18.800 --> 0:37:23.160
<v Speaker 1>possibly by the personal beliefs of a premier UFO investigator.

0:37:23.680 --> 0:37:26.000
<v Speaker 1>But even if the details of their stories may not

0:37:26.080 --> 0:37:29.040
<v Speaker 1>be one hundred percent reliable, it seems as though they

0:37:29.080 --> 0:37:33.000
<v Speaker 1>saw something and if it wasn't a landed spacecraft, what

0:37:33.080 --> 0:37:48.120
<v Speaker 1>could it be next time? On Strange Arrivals. Strange Arrivals

0:37:48.239 --> 0:37:51.399
<v Speaker 1>is a production of iHeartRadio and Grimm and Mild from

0:37:51.400 --> 0:37:55.040
<v Speaker 1>Aaron Manky. This episode was written and hosted by Toby

0:37:55.120 --> 0:37:59.760
<v Speaker 1>Ball and produced by Rima l Kaali, Jesse Funk, and Naami,

0:38:00.640 --> 0:38:05.440
<v Speaker 1>with executive producers Alexander Williams, Matt Frederick and Aaron Mankey

0:38:05.719 --> 0:38:10.880
<v Speaker 1>and supervising producer Josh Thame, with voice acting by Teresa Backer,

0:38:11.360 --> 0:38:16.080
<v Speaker 1>Julianna Thompson and Alexandra Williams, and special thanks to Kay

0:38:16.120 --> 0:38:19.680
<v Speaker 1>Adams of archive dot org. Learn more about the show

0:38:19.800 --> 0:38:24.279
<v Speaker 1>at Grimmanmild dot com, slash Strange Arrivals, and find more

0:38:24.320 --> 0:38:29.600
<v Speaker 1>podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

0:38:29.880 --> 0:38:32.120
<v Speaker 1>or wherever you listen to your favorite shows.