1 00:00:00,360 --> 00:00:06,000 Speaker 1: M h. Welcome to episode to seven of The Bobby Cast. 2 00:00:06,040 --> 00:00:09,879 Speaker 1: Your favorite musical podcast. I'm trying out news slogans. I'm 3 00:00:10,520 --> 00:00:13,520 Speaker 1: your favorite musical podcast, your favorite music podcast from Nashville. 4 00:00:14,040 --> 00:00:15,560 Speaker 1: We're gonna do a few things here. We're gonna talk 5 00:00:15,560 --> 00:00:21,040 Speaker 1: about despised bands that are crazy successful, maybe the logic 6 00:00:21,079 --> 00:00:24,840 Speaker 1: as to why they're so despised. New music this week, 7 00:00:25,120 --> 00:00:28,040 Speaker 1: and we'll kind of roll through some music news. Let 8 00:00:28,040 --> 00:00:30,720 Speaker 1: me recommend the Luke Combs podcast though, that we just 9 00:00:30,800 --> 00:00:33,800 Speaker 1: did here. So he was at the house um four 10 00:00:33,880 --> 00:00:37,080 Speaker 1: or five days ago. It will be our highest stream podcast. 11 00:00:38,080 --> 00:00:40,600 Speaker 1: We were looking at the numbers today. He's just blown 12 00:00:40,680 --> 00:00:44,160 Speaker 1: up so fast. Where are people so interested in him? 13 00:00:44,520 --> 00:00:47,839 Speaker 1: Is so relatable? Well, he writes, first, you have to 14 00:00:47,840 --> 00:00:50,360 Speaker 1: write really good songs, like all that other stuff comes 15 00:00:50,360 --> 00:00:53,559 Speaker 1: in second. If you can't, you can have everything right 16 00:00:53,600 --> 00:00:55,400 Speaker 1: and not write good songs. That's not gonna work. And 17 00:00:55,480 --> 00:00:57,920 Speaker 1: the songs are really good, and he writes really good songs, 18 00:00:57,920 --> 00:01:00,560 Speaker 1: so first and foremost the songs set only he can 19 00:01:00,600 --> 00:01:04,880 Speaker 1: sing as good as anyone else. It's I guess it's 20 00:01:04,959 --> 00:01:08,160 Speaker 1: masked by the roughness of his voice, but yes, it's 21 00:01:08,280 --> 00:01:12,720 Speaker 1: very controlled. So his texture I mean, you know, you 22 00:01:12,760 --> 00:01:16,119 Speaker 1: think of the chaise from Dan and say you think 23 00:01:16,200 --> 00:01:18,880 Speaker 1: of the carries. You know, just the pure vocalist, but 24 00:01:18,920 --> 00:01:23,280 Speaker 1: he's on that that level. But because he's not shiny 25 00:01:24,800 --> 00:01:27,839 Speaker 1: um and he's a little rough, you don't really consume 26 00:01:27,920 --> 00:01:30,640 Speaker 1: it the same way in your mind. Um, And there 27 00:01:30,720 --> 00:01:33,479 Speaker 1: is a little bit of to it also, I would 28 00:01:33,480 --> 00:01:37,320 Speaker 1: say thirdly would be his appearance. The first two things 29 00:01:37,360 --> 00:01:40,080 Speaker 1: aren't supposed to go with a third. You don't normally 30 00:01:40,120 --> 00:01:43,679 Speaker 1: look like a normal dude. Whenever you can sing really 31 00:01:43,680 --> 00:01:45,520 Speaker 1: well and you're right really good song, it's just a 32 00:01:45,600 --> 00:01:49,000 Speaker 1: rare combination. Um, you know, Stapleton's a bit of that. 33 00:01:49,520 --> 00:01:52,760 Speaker 1: Although I would put Stapleton, I would say Stapleton is um, 34 00:01:52,760 --> 00:01:55,120 Speaker 1: he has a lot more character in his voice than 35 00:01:55,120 --> 00:01:57,640 Speaker 1: he has. A straight pure vocalist like Luke Hombs. I 36 00:01:57,680 --> 00:01:59,560 Speaker 1: would say Luke comes can out seeing Stapleton, I say 37 00:01:59,560 --> 00:02:05,000 Speaker 1: Stapleton voices probably a little stronger or like like I 38 00:02:05,040 --> 00:02:07,760 Speaker 1: don't know, I don't know. No one sings with the 39 00:02:07,760 --> 00:02:10,360 Speaker 1: punch Luke Combs does in our studio, like just sitting 40 00:02:10,360 --> 00:02:14,520 Speaker 1: there acoustic. When Luke Combs sun do, it's just like 41 00:02:14,639 --> 00:02:16,480 Speaker 1: sucks the wind out of it, and even when he talks, 42 00:02:16,520 --> 00:02:19,160 Speaker 1: it's a very heavy, thick voice. If you listen to 43 00:02:19,160 --> 00:02:22,720 Speaker 1: the podcast that we did, I'm talking like this normal, 44 00:02:22,760 --> 00:02:26,160 Speaker 1: but when he talks and it's just there's such there's 45 00:02:26,160 --> 00:02:29,079 Speaker 1: such a disparity and the levels. Because I didn't want 46 00:02:29,120 --> 00:02:31,040 Speaker 1: to get over here and do the podcast like this too, 47 00:02:31,400 --> 00:02:34,480 Speaker 1: so mostly like me sound like it sounded like this. 48 00:02:35,320 --> 00:02:38,560 Speaker 1: But yeah, it's this while to think of Luke Combs 49 00:02:38,560 --> 00:02:40,880 Speaker 1: from the beginning, because before he had a song, there 50 00:02:40,960 --> 00:02:43,600 Speaker 1: was ever his first hit wasn't even a top fifty 51 00:02:43,680 --> 00:02:45,520 Speaker 1: or sixties song, and I put it put on my 52 00:02:45,560 --> 00:02:51,760 Speaker 1: class of maybe nineteen and yeah, before first hit, before 53 00:02:51,760 --> 00:02:53,160 Speaker 1: he was on the verge, before any of that. And 54 00:02:53,240 --> 00:02:56,560 Speaker 1: so what's being cool about that is artists usually remember that. 55 00:02:56,560 --> 00:02:59,000 Speaker 1: And I don't talk about that very often, but artist 56 00:02:59,080 --> 00:03:01,040 Speaker 1: usually remember the people it kind of jumped out on 57 00:03:01,080 --> 00:03:02,840 Speaker 1: him first and helped him out. And I think our 58 00:03:02,840 --> 00:03:05,400 Speaker 1: relationships been good because of that. Same with Stapleton, Him 59 00:03:05,400 --> 00:03:07,920 Speaker 1: and I are cool for the same reason that we 60 00:03:07,960 --> 00:03:10,120 Speaker 1: had Chris coming in to play as an artist before 61 00:03:10,160 --> 00:03:12,760 Speaker 1: he had really had a big artist career. Yeah, and 62 00:03:12,760 --> 00:03:14,320 Speaker 1: it's cool to see a lot of these artists open 63 00:03:14,400 --> 00:03:16,600 Speaker 1: up with you just every time you interview him. From 64 00:03:16,600 --> 00:03:18,400 Speaker 1: the first time you interview they've kind of closed off. 65 00:03:18,440 --> 00:03:20,519 Speaker 1: They don't really know what to do or what to say. 66 00:03:20,560 --> 00:03:22,560 Speaker 1: But then after the third or fourth time, they're just 67 00:03:22,600 --> 00:03:25,240 Speaker 1: like an open book and that the Bobby cast is 68 00:03:25,280 --> 00:03:28,839 Speaker 1: like just sell you whatever, asking whatever he'll tell you. You 69 00:03:28,639 --> 00:03:30,799 Speaker 1: You know. The great thing about this podcast is that 70 00:03:30,880 --> 00:03:33,640 Speaker 1: it's just one on one and so they feel not 71 00:03:33,760 --> 00:03:36,000 Speaker 1: pressure to perform. But when you're just talking one on 72 00:03:36,080 --> 00:03:39,480 Speaker 1: one and you're recorded, there there's a weight on you 73 00:03:39,680 --> 00:03:42,200 Speaker 1: to keep it going and keep it interesting. There's nowhere 74 00:03:42,240 --> 00:03:46,080 Speaker 1: to go. There's no publicist, there's no other people on 75 00:03:46,120 --> 00:03:48,720 Speaker 1: the show. There's not a five minute segment that you 76 00:03:48,760 --> 00:03:50,760 Speaker 1: can just stall your way through. When people come in 77 00:03:50,800 --> 00:03:52,839 Speaker 1: here as are the best stuff because you're just sitting here. 78 00:03:53,080 --> 00:03:55,240 Speaker 1: And sometimes I'll freeze people out and to be quiet, 79 00:03:55,840 --> 00:03:58,920 Speaker 1: but to be like yeah, and then you feel like, 80 00:03:58,960 --> 00:04:00,440 Speaker 1: oh my god, I gotta talk. They feel like gonna talk, 81 00:04:00,920 --> 00:04:03,360 Speaker 1: And sometimes I'll start I just did that right now? Yeah, yeah, 82 00:04:04,080 --> 00:04:06,320 Speaker 1: I don't like the silence. What do I say? They'll 83 00:04:06,320 --> 00:04:08,800 Speaker 1: start chasing their tail around to catch where I want 84 00:04:08,800 --> 00:04:11,440 Speaker 1: them to go, and I want him go. Sometimes just go, 85 00:04:11,600 --> 00:04:13,560 Speaker 1: go go. We'll get it. We'll get it. We'll get there. 86 00:04:13,560 --> 00:04:16,040 Speaker 1: There he is, he got it. So but it was 87 00:04:16,360 --> 00:04:20,599 Speaker 1: at the Lucom's podcast was really good. Um, but today Eddie, 88 00:04:20,600 --> 00:04:23,320 Speaker 1: by the way, I check out Eddie's podcast, He Sore Losers, 89 00:04:23,880 --> 00:04:27,400 Speaker 1: which is a sports show with Eddie Raymundo and lunchbox 90 00:04:27,880 --> 00:04:31,719 Speaker 1: and sports and also um, funny guy stuff. So I 91 00:04:31,720 --> 00:04:33,760 Speaker 1: want to get that that plug in. Thank you appreciate that. 92 00:04:34,160 --> 00:04:35,760 Speaker 1: Which is the only reason you do this to get 93 00:04:35,760 --> 00:04:37,640 Speaker 1: your plugs. That's the only reason I come here. Yeah, 94 00:04:37,920 --> 00:04:39,880 Speaker 1: you make me drive from my house to yours. Well 95 00:04:39,920 --> 00:04:43,320 Speaker 1: the studios here. How far is your house from my house? Uh, 96 00:04:43,360 --> 00:04:45,800 Speaker 1: it's just under thirty minutes. I try to time it 97 00:04:45,800 --> 00:04:48,520 Speaker 1: out perfectly. If I leave twenty five minutes, I'm gonna 98 00:04:48,560 --> 00:04:51,560 Speaker 1: be late, like or just right on time. So it's 99 00:04:51,600 --> 00:04:54,720 Speaker 1: just right between twenty five and thirty minutes. But it's weird. 100 00:04:54,720 --> 00:04:56,520 Speaker 1: It's a straight shot. It feels like it should be 101 00:04:56,520 --> 00:04:59,480 Speaker 1: a lot shorter, but it's not. It's not. And I've 102 00:04:59,480 --> 00:05:01,360 Speaker 1: been there a out of houses for selin your area, 103 00:05:01,480 --> 00:05:06,120 Speaker 1: might just move a little closer here account of like 104 00:05:06,200 --> 00:05:08,360 Speaker 1: ten houses for saying, I'm like, well, that's a nice one. 105 00:05:08,560 --> 00:05:14,360 Speaker 1: That's a nice one. But they're probably Spencers, right, So 106 00:05:14,560 --> 00:05:18,919 Speaker 1: that's how you gotta do it quietly, Just keep moving Okay, 107 00:05:18,920 --> 00:05:22,760 Speaker 1: Well the reason I think they're expensive sitting here like, 108 00:05:23,160 --> 00:05:24,800 Speaker 1: but you feel how you're like, Oh god, I gotta 109 00:05:24,880 --> 00:05:28,159 Speaker 1: keep going, ask me whatever. I'll tell you know. You 110 00:05:28,160 --> 00:05:29,440 Speaker 1: know what I'll do. I'll move my head off the 111 00:05:29,440 --> 00:05:31,560 Speaker 1: mic to like I just didn't you so it doesn't 112 00:05:31,600 --> 00:05:33,840 Speaker 1: look like I'm gonna say anything. I'll lean my head 113 00:05:33,880 --> 00:05:37,680 Speaker 1: away over here, So just keep going. What else am 114 00:05:37,680 --> 00:05:39,080 Speaker 1: I gonna do it? Now? It's not even here the mic, 115 00:05:39,120 --> 00:05:41,440 Speaker 1: so you know I'm not gonna save you. Yeah, there's 116 00:05:41,440 --> 00:05:43,800 Speaker 1: a lot of houses selling there, really are shocked a 117 00:05:43,920 --> 00:05:46,120 Speaker 1: lot of people moving from moving away. I guess gets 118 00:05:46,120 --> 00:05:49,719 Speaker 1: you a deal, all right, the perfect market. You know 119 00:05:49,760 --> 00:05:51,520 Speaker 1: what I watched today was that movie told me to 120 00:05:51,520 --> 00:05:54,440 Speaker 1: watch on Netflix, Shot in the Dark, The Long Shot, 121 00:05:54,480 --> 00:05:58,960 Speaker 1: The Long The Long Shot, Yes short, it's a forty 122 00:05:58,960 --> 00:06:00,320 Speaker 1: I got a couple of things I watch. It's a 123 00:06:00,360 --> 00:06:03,920 Speaker 1: forty minute documentary about a guy who they said killed 124 00:06:03,920 --> 00:06:06,040 Speaker 1: a girl, a sixteen year old girl. Yes, he's accused 125 00:06:06,040 --> 00:06:08,520 Speaker 1: of murdering a six year old girl because his brother 126 00:06:08,880 --> 00:06:12,920 Speaker 1: was on trial for murder and he went to watch 127 00:06:12,960 --> 00:06:16,200 Speaker 1: it and that girl is the one that helped put 128 00:06:16,200 --> 00:06:18,120 Speaker 1: his brother away. So they just said, well, it looks 129 00:06:18,120 --> 00:06:19,840 Speaker 1: like you, and you were in the courtroom. Now you 130 00:06:20,600 --> 00:06:22,920 Speaker 1: most importantly, it looks like you because they just depended 131 00:06:22,960 --> 00:06:26,320 Speaker 1: on a sketch that one witness that saw in the dark. 132 00:06:26,839 --> 00:06:28,960 Speaker 1: I saw what this guy looked like, sketched it up 133 00:06:29,000 --> 00:06:30,920 Speaker 1: and this guy kind of looked like it. So they rested. 134 00:06:30,960 --> 00:06:32,599 Speaker 1: I'll talk about that for a second, because there were 135 00:06:32,600 --> 00:06:34,200 Speaker 1: a lot of guys look very similar. They had like 136 00:06:34,200 --> 00:06:37,359 Speaker 1: twenty sketches exactly like this dude. Oh yeah, it's like 137 00:06:37,400 --> 00:06:40,680 Speaker 1: it's I mean Mexican American, Like you put a mustache 138 00:06:40,760 --> 00:06:42,919 Speaker 1: even on me, like right now I probably kind of 139 00:06:42,920 --> 00:06:46,000 Speaker 1: look like that dude. Just a mustache and shave my head. 140 00:06:46,839 --> 00:06:48,760 Speaker 1: And so they put him in and then they were 141 00:06:48,800 --> 00:06:50,880 Speaker 1: actually shooting. He went to the Dodgers game and he 142 00:06:50,920 --> 00:06:53,120 Speaker 1: was like, it's the Dogger game. But well, at first 143 00:06:53,160 --> 00:06:54,839 Speaker 1: they were just like, well, how can you prove you 144 00:06:54,880 --> 00:06:56,680 Speaker 1: weren't there? He's like, I don't know. And it's it's 145 00:06:56,720 --> 00:06:59,480 Speaker 1: funny too, like if you do something what a year 146 00:06:59,640 --> 00:07:02,120 Speaker 1: or what a few months away, and you just tell 147 00:07:02,160 --> 00:07:04,120 Speaker 1: him what were you doing this random Thursday. I don't 148 00:07:04,120 --> 00:07:05,240 Speaker 1: know if I could tell you what I was doing. 149 00:07:05,279 --> 00:07:07,279 Speaker 1: I had to really think about it. And he's like, oh, yeah, yeah, 150 00:07:07,480 --> 00:07:09,400 Speaker 1: I was at a Dodger's game. Well it may be 151 00:07:09,480 --> 00:07:11,000 Speaker 1: good for me that I have every minute every day 152 00:07:11,000 --> 00:07:13,800 Speaker 1: in my calendar. I probably get out of murder then 153 00:07:13,800 --> 00:07:16,040 Speaker 1: pretty easy. But yeah, you're right. So he's like, yeah, 154 00:07:16,040 --> 00:07:17,560 Speaker 1: I was at a Dodgers game. They put his daughter 155 00:07:17,600 --> 00:07:19,560 Speaker 1: on the stand by the way. She was six. That 156 00:07:19,600 --> 00:07:21,560 Speaker 1: was painful to watch, and they asked her, what did 157 00:07:21,600 --> 00:07:24,120 Speaker 1: you get? But she freaking knew it. She did, and 158 00:07:24,200 --> 00:07:29,400 Speaker 1: so they went into the Dodgers camera system and found him, 159 00:07:29,440 --> 00:07:32,960 Speaker 1: but the resolution wasn't close enough. So they're like, all right, 160 00:07:33,120 --> 00:07:37,840 Speaker 1: so then Curb your Enthusiasm is shooting there, and they 161 00:07:37,880 --> 00:07:39,840 Speaker 1: he happens to be in a freaking scene of Curb 162 00:07:39,880 --> 00:07:44,080 Speaker 1: Your Enthusiasm. But then there's a lot of Then I 163 00:07:44,120 --> 00:07:46,120 Speaker 1: will stop with there. You should watch it, um, but 164 00:07:46,680 --> 00:07:49,080 Speaker 1: it was likely forty five minutes. Pretty good. Yeah, the 165 00:07:49,160 --> 00:07:51,880 Speaker 1: lawyer was just on a chase to find footage of 166 00:07:51,960 --> 00:07:53,600 Speaker 1: him to prove that he was at that Dodger's game. 167 00:07:53,800 --> 00:07:56,480 Speaker 1: Pretty crazy. Larry David shows up in the documentary to 168 00:07:57,000 --> 00:07:59,200 Speaker 1: the Whole Thing is not a series. It's one episode again, 169 00:07:59,280 --> 00:08:02,119 Speaker 1: less than an hour, but it's pretty good the long Shot. 170 00:08:02,240 --> 00:08:05,080 Speaker 1: I also watched I think four episodes of the Justin 171 00:08:05,080 --> 00:08:08,760 Speaker 1: Bieber documentary. How's that good? You you're already starting to 172 00:08:08,800 --> 00:08:14,559 Speaker 1: like Bieber a little bit? I have been. My mind 173 00:08:14,560 --> 00:08:18,200 Speaker 1: has been altered of Bieber because of people that know Justin. 174 00:08:18,640 --> 00:08:20,840 Speaker 1: So my girlfriend now kind of knows him a little bit. 175 00:08:20,840 --> 00:08:22,560 Speaker 1: She was a church with him. She's like, he's the 176 00:08:22,560 --> 00:08:25,560 Speaker 1: greatest guy. He's super nice. Once you're like there, is 177 00:08:25,600 --> 00:08:29,840 Speaker 1: so approachable. He plays soccer with our friends, and so 178 00:08:30,120 --> 00:08:33,439 Speaker 1: you wouldn't think that by reading just the internet. Well, 179 00:08:33,480 --> 00:08:36,040 Speaker 1: I guess I compare it to someone like, let's just 180 00:08:36,080 --> 00:08:38,000 Speaker 1: compare to someone like a Keith Urban right here in Nashville. 181 00:08:38,360 --> 00:08:40,040 Speaker 1: If you know him, you can just go up to 182 00:08:40,040 --> 00:08:41,480 Speaker 1: his house and hang out and it's not a big 183 00:08:41,520 --> 00:08:44,320 Speaker 1: deal if you're already in but if not, it's probably 184 00:08:44,559 --> 00:08:46,160 Speaker 1: if you're just a fan, it's probably possible to get 185 00:08:46,160 --> 00:08:50,319 Speaker 1: to him. Um. But yeah, so yeah, I like him 186 00:08:50,320 --> 00:08:52,760 Speaker 1: a little bit because he's supposedly really nice and super cool, 187 00:08:53,600 --> 00:08:55,920 Speaker 1: not the same as us. The kid's been famous since 188 00:08:55,920 --> 00:09:02,600 Speaker 1: he was that young. How al was Bieber? Do you 189 00:09:02,640 --> 00:09:07,520 Speaker 1: think that baby? There's a part in the maybe second episode, 190 00:09:07,520 --> 00:09:11,600 Speaker 1: third episode where he goes and they have a clip 191 00:09:11,640 --> 00:09:16,400 Speaker 1: of him meeting his wife the first time, but they're 192 00:09:16,640 --> 00:09:19,560 Speaker 1: he's like twelve, she's like eleven, and he's like and 193 00:09:19,600 --> 00:09:21,560 Speaker 1: he's like, you know, I kind of remember it because 194 00:09:21,600 --> 00:09:24,160 Speaker 1: remember being Steven Baldwin and he goes Steven Baldwin's daughter 195 00:09:24,240 --> 00:09:27,000 Speaker 1: was and most kids are like ah, and she was 196 00:09:27,040 --> 00:09:29,000 Speaker 1: like and they show a clip and she's like half 197 00:09:29,000 --> 00:09:32,600 Speaker 1: asleep and does not give a crap. She's like, yeah, okay, 198 00:09:32,600 --> 00:09:34,520 Speaker 1: it's like she got drugged on morning show to have 199 00:09:34,559 --> 00:09:36,880 Speaker 1: to meet Justin Bieber and she just gets she does 200 00:09:36,880 --> 00:09:39,160 Speaker 1: not care. You imagine just being around famous people so 201 00:09:39,240 --> 00:09:41,560 Speaker 1: much that when you see Justin Biebery, you're like whatever. 202 00:09:42,080 --> 00:09:43,720 Speaker 1: And so they have that clip. It's pretty good that 203 00:09:43,840 --> 00:09:46,600 Speaker 1: all the episodes. I bring it up because we mentioned 204 00:09:46,600 --> 00:09:50,120 Speaker 1: that episode of that documentary is four. They're only like 205 00:09:50,120 --> 00:09:53,840 Speaker 1: ten minute episodes, so I think that you throw a lot. 206 00:09:53,960 --> 00:09:59,440 Speaker 1: I guess maybe watch four of them, but it's pretty good. 207 00:09:59,480 --> 00:10:04,280 Speaker 1: I wouldn't the whole YouTube TV service unless I was 208 00:10:04,360 --> 00:10:06,760 Speaker 1: on the my computer or phone all the time watching 209 00:10:06,800 --> 00:10:09,040 Speaker 1: all my TV from my computer and phone. I guess 210 00:10:09,080 --> 00:10:10,960 Speaker 1: if I were going to do what we're doing now, 211 00:10:11,000 --> 00:10:16,520 Speaker 1: I do, like, who do volume up? Mike? Yeah, oh, Luke, 212 00:10:18,559 --> 00:10:20,040 Speaker 1: I don't know that. I would watch Hulu Live is 213 00:10:20,080 --> 00:10:24,240 Speaker 1: my main live TV. Amazon's got pretty good live TV 214 00:10:25,080 --> 00:10:27,800 Speaker 1: well Amazon where you can get all the channels via 215 00:10:27,840 --> 00:10:30,600 Speaker 1: the app, but you can't watch all the live sports 216 00:10:30,880 --> 00:10:32,520 Speaker 1: through all the packages and the right there is part 217 00:10:32,559 --> 00:10:34,400 Speaker 1: of Amazon. That's where I am right now. There's just 218 00:10:34,440 --> 00:10:36,880 Speaker 1: so many options. I don't know what to do. For sure. 219 00:10:36,880 --> 00:10:38,440 Speaker 1: I'm getting rid of cable. I mean, I just have 220 00:10:38,480 --> 00:10:40,240 Speaker 1: to get rid of cable now. The problem is my 221 00:10:40,320 --> 00:10:42,320 Speaker 1: Internet is tied to my cable, so I gotta figure 222 00:10:42,320 --> 00:10:44,640 Speaker 1: out a way to just to keep the Internet. So 223 00:10:44,679 --> 00:10:47,200 Speaker 1: I'll probably do that. But man, with all the options 224 00:10:47,200 --> 00:10:50,040 Speaker 1: out there, of all the live TV, especially sports and 225 00:10:50,160 --> 00:10:52,840 Speaker 1: my old movie channel, yeah, I would probably end up 226 00:10:52,840 --> 00:10:55,200 Speaker 1: just getting rid of cable. The only things that I 227 00:10:55,280 --> 00:11:03,840 Speaker 1: watch are The Office on Netflix, every day Sports, and CNN. 228 00:11:04,400 --> 00:11:08,560 Speaker 1: That's basically it. Your no old man, Yeah, fart and 229 00:11:08,600 --> 00:11:12,320 Speaker 1: I watched sports seeing The Office, you know when I 230 00:11:12,320 --> 00:11:14,600 Speaker 1: watched that was pretty good. I might and watch the 231 00:11:14,800 --> 00:11:18,280 Speaker 1: entire thing. If I don't know see what happens Gilmore Girls. 232 00:11:18,720 --> 00:11:21,360 Speaker 1: It just came on, like one episode of Gilmore Girls, 233 00:11:21,400 --> 00:11:26,240 Speaker 1: like Mikey just came on, yeah, randomly, and I was like, 234 00:11:26,320 --> 00:11:28,760 Speaker 1: I could get into this. The first episode got me. 235 00:11:29,520 --> 00:11:33,960 Speaker 1: It's really good and new Gilmore than from the nineties. 236 00:11:33,960 --> 00:11:35,679 Speaker 1: I think it's nineties two thousand or something because I 237 00:11:35,679 --> 00:11:38,280 Speaker 1: can tell from the music that they're using it's pretty old. 238 00:11:38,320 --> 00:11:41,200 Speaker 1: Is that I Don't Want a Way or that Dawson 239 00:11:41,760 --> 00:11:45,160 Speaker 1: Dawston screen something like that. I think a lot of like, uh, 240 00:11:45,360 --> 00:11:47,600 Speaker 1: Sarah McLaughlin may Bee in there. I don't know, but 241 00:11:47,640 --> 00:11:49,920 Speaker 1: it's definitely that soundtrack. Why is it good though to 242 00:11:49,960 --> 00:11:53,240 Speaker 1: you right now? Because she's a single parent and it 243 00:11:53,360 --> 00:11:55,920 Speaker 1: was just I like, I watched Parenthood, which is a 244 00:11:55,920 --> 00:11:57,839 Speaker 1: really good show too. I watched that a couple of 245 00:11:57,920 --> 00:12:01,880 Speaker 1: years ago. But the girl on parenthoods in uh Gettlmore Girls. 246 00:12:01,880 --> 00:12:04,439 Speaker 1: She's one of the main girls, Laura, I guess is 247 00:12:04,520 --> 00:12:07,960 Speaker 1: her character. But it was just the way they set 248 00:12:08,000 --> 00:12:09,840 Speaker 1: up the first pilot was really good. It was like 249 00:12:09,880 --> 00:12:12,920 Speaker 1: she has she's a single mom, and she can't afford 250 00:12:12,920 --> 00:12:15,480 Speaker 1: to pay for her daughter's school, so she asked to 251 00:12:15,480 --> 00:12:18,000 Speaker 1: ask her rich parents for money, and her parents are 252 00:12:18,040 --> 00:12:20,640 Speaker 1: like just distant, no connection at all, no emotional connection 253 00:12:20,640 --> 00:12:22,920 Speaker 1: to her parents. But they're like, sure, we'll give you money, 254 00:12:22,960 --> 00:12:24,440 Speaker 1: but we've got to be more involved in your life. 255 00:12:24,440 --> 00:12:27,240 Speaker 1: And they're like that done. It seems kind of interesting, 256 00:12:27,320 --> 00:12:30,000 Speaker 1: like all right, this could go somewhere cool. I think 257 00:12:30,040 --> 00:12:35,880 Speaker 1: it went somewhere cool and since ended right, like, yeah, 258 00:12:36,080 --> 00:12:38,840 Speaker 1: I solid first episode the monsters. I'm really looking forward 259 00:12:38,840 --> 00:12:42,720 Speaker 1: to seeing where this goes. This thing may have I started. 260 00:12:42,720 --> 00:12:44,520 Speaker 1: Why I got to the first half of Knives Out, 261 00:12:45,120 --> 00:12:48,560 Speaker 1: Oh yeah, maybe the first of the move is. Oh 262 00:12:48,880 --> 00:12:52,440 Speaker 1: really I heard mixed things about it? Is it British? 263 00:12:52,559 --> 00:12:55,440 Speaker 1: I was really looking for a review. No, no, it's 264 00:12:55,559 --> 00:12:57,880 Speaker 1: um it's like a mystery right. Well, again, I've only 265 00:12:57,920 --> 00:12:59,440 Speaker 1: seen the first third of it. It's it seems like 266 00:12:59,679 --> 00:13:03,320 Speaker 1: kind of why were you watching movies? And thirds? First 267 00:13:03,320 --> 00:13:07,160 Speaker 1: of all, like you should watch the movie. It's entirety. 268 00:13:07,240 --> 00:13:09,480 Speaker 1: Make time to watch other movies. I've seen a very 269 00:13:09,520 --> 00:13:14,079 Speaker 1: long I watched Netflix that yeah too long? Right, So 270 00:13:14,200 --> 00:13:17,880 Speaker 1: watching Halves the movie with Brad Pitton DiCaprio Once a 271 00:13:17,880 --> 00:13:20,480 Speaker 1: part time in Hollywood? You like it? Almost three hours? 272 00:13:20,640 --> 00:13:23,720 Speaker 1: Watched it in two parts. This one. We're watching it 273 00:13:23,840 --> 00:13:28,760 Speaker 1: last night and fell asleep and so paused it. Obviously 274 00:13:29,240 --> 00:13:31,960 Speaker 1: I don't have that. I can't do long, that's what 275 00:13:32,040 --> 00:13:35,720 Speaker 1: she said. Good, but I can't do long. All right there, 276 00:13:35,760 --> 00:13:38,199 Speaker 1: it's thir two and a half hours, three hours, so long. 277 00:13:38,280 --> 00:13:40,199 Speaker 1: I like a movie at an hour forty seven. That's 278 00:13:40,240 --> 00:13:42,200 Speaker 1: been our whole life, though, our whole life, we've been 279 00:13:42,200 --> 00:13:45,800 Speaker 1: watching movies that long, two hours, our forty seven minutes. 280 00:13:45,840 --> 00:13:49,160 Speaker 1: About my perfect time yours, Mike, I'd say, yeah, like 281 00:13:49,200 --> 00:13:52,439 Speaker 1: one fifty if it's one fifty at solid. By the way, 282 00:13:52,520 --> 00:13:56,120 Speaker 1: check out Mike's podcast, Movie Movie Mike's Movie Podcast. Do 283 00:13:56,120 --> 00:14:00,400 Speaker 1: you obviously no? No, Hey, nobody's seen knives. I know, 284 00:14:00,960 --> 00:14:04,640 Speaker 1: uh despise bands that are crazy successful. And let's start 285 00:14:04,640 --> 00:14:07,719 Speaker 1: with Nickelback. Really one of the most successful bands of 286 00:14:07,760 --> 00:14:14,439 Speaker 1: all time. This is how many? Uh let's see here 287 00:14:15,160 --> 00:14:21,440 Speaker 1: under ten Nickelback sold over fifty million albums. Thing okay. 288 00:14:22,120 --> 00:14:25,360 Speaker 1: They rank as the second best selling international act in 289 00:14:25,400 --> 00:14:27,720 Speaker 1: the two thousands. Who do you think they're behind the 290 00:14:27,800 --> 00:14:30,360 Speaker 1: second best international act of the two thousand's only buy 291 00:14:30,400 --> 00:14:33,360 Speaker 1: one act? I bet I know who you're gonna say? 292 00:14:33,400 --> 00:14:38,080 Speaker 1: Two thousands one two three, m you don't know Radiohead, 293 00:14:38,720 --> 00:14:43,400 Speaker 1: the Beatles, Oh, more than you two, more than more 294 00:14:43,480 --> 00:14:48,280 Speaker 1: than this fatal? Alright, look at Mikey. He confirms through 295 00:14:48,320 --> 00:14:52,480 Speaker 1: nearly a decade, pop culture has been incredibly cruel to Nickelback. 296 00:14:52,720 --> 00:14:55,400 Speaker 1: I've I've always been a lover of them, more so 297 00:14:55,480 --> 00:14:57,080 Speaker 1: than I think I would be because of all the 298 00:14:57,120 --> 00:14:59,240 Speaker 1: hate on them. Like I would just kind of sit 299 00:14:59,480 --> 00:15:01,840 Speaker 1: at a six five normally because they have songs we 300 00:15:01,880 --> 00:15:03,680 Speaker 1: know him like, but because everybody hates him, I kind 301 00:15:03,680 --> 00:15:05,000 Speaker 1: of feel bad for them, so I put them at 302 00:15:05,040 --> 00:15:07,720 Speaker 1: like a seven point three because of that. Sometimes I 303 00:15:07,760 --> 00:15:12,800 Speaker 1: think we get uh tricked into liking something. What do 304 00:15:12,800 --> 00:15:15,440 Speaker 1: you mean? But the songs are good. Sometimes I think 305 00:15:15,480 --> 00:15:18,440 Speaker 1: that they're just on the radio so much that we're like, 306 00:15:18,440 --> 00:15:21,240 Speaker 1: all right, whatever it's like you say, sorry is all right. 307 00:15:21,240 --> 00:15:23,440 Speaker 1: It's not a bad song. But if you heard that once, 308 00:15:23,680 --> 00:15:26,680 Speaker 1: I think of the people that heard that once, we're like, 309 00:15:26,960 --> 00:15:29,040 Speaker 1: this sucks. I don't think so. I think there are 310 00:15:29,040 --> 00:15:30,600 Speaker 1: a lot of songs you only heard once and never 311 00:15:30,640 --> 00:15:34,400 Speaker 1: sang back theah. There are a lot and fact we 312 00:15:34,480 --> 00:15:37,840 Speaker 1: heard this too many number ones, so many number ones? 313 00:15:38,400 --> 00:15:41,120 Speaker 1: How many do we need to look at the we 314 00:15:41,160 --> 00:15:44,840 Speaker 1: looked at like songs all right, they even had songs 315 00:15:44,880 --> 00:15:48,320 Speaker 1: on supersoundtracks. Spider Man, I remember that one. So you 316 00:15:48,360 --> 00:15:53,400 Speaker 1: just want to be a hater because Chad Kroger's hair, Like, yeah, 317 00:15:53,840 --> 00:15:56,520 Speaker 1: I don't understand they hate, Like, tell me why you're 318 00:15:56,520 --> 00:15:59,200 Speaker 1: a hater. I just at the time that came out 319 00:15:59,320 --> 00:16:02,920 Speaker 1: to me, that was like, um, it's it's easy music. 320 00:16:03,080 --> 00:16:05,560 Speaker 1: Sometimes it's just like it's and everybody doing it. If 321 00:16:05,560 --> 00:16:07,640 Speaker 1: it's so it's like Sam hunting body like a back road, 322 00:16:07,760 --> 00:16:09,760 Speaker 1: people go, that sounds so easy to write, then why 323 00:16:09,760 --> 00:16:11,480 Speaker 1: don't you write it? I think, no, I don't think 324 00:16:11,480 --> 00:16:13,080 Speaker 1: I can write it. But I think I think that 325 00:16:13,600 --> 00:16:15,920 Speaker 1: most people don't try to do that because they don't 326 00:16:16,000 --> 00:16:19,160 Speaker 1: want to get stuck doing that. Like all easy music, 327 00:16:19,200 --> 00:16:22,080 Speaker 1: like like where are where's nickel Back now? Is? There's 328 00:16:22,080 --> 00:16:24,560 Speaker 1: no longevity in nickel Back. There's no longevity in almost 329 00:16:24,560 --> 00:16:26,680 Speaker 1: any of those bands in the two thousands or any decade. 330 00:16:27,000 --> 00:16:30,640 Speaker 1: The fact the longevity fifty million albums. Nickel Back does 331 00:16:30,640 --> 00:16:33,040 Speaker 1: a tour again and they sell out. Yes, they're touring 332 00:16:33,040 --> 00:16:38,280 Speaker 1: this heria they do. I don't know. I don't know. 333 00:16:38,320 --> 00:16:40,200 Speaker 1: That's just where my mind is with him, just like 334 00:16:40,400 --> 00:16:43,080 Speaker 1: because you've been tainted by the media, and I love 335 00:16:43,120 --> 00:16:45,920 Speaker 1: the media. I'm not a medeator. But you listen to 336 00:16:45,960 --> 00:16:47,840 Speaker 1: people say they still Otherwise they would just go away 337 00:16:47,840 --> 00:16:49,040 Speaker 1: and they just be a band you didn't care for 338 00:16:49,080 --> 00:16:51,280 Speaker 1: at the time. But why are they the most despised man? 339 00:16:51,360 --> 00:16:55,040 Speaker 1: Because it became a thing. It became like it's cool 340 00:16:55,080 --> 00:16:58,400 Speaker 1: to hate Nickelback and I probably would too, expetly with 341 00:16:58,480 --> 00:17:00,000 Speaker 1: hating on him. So you just want to defend them, 342 00:17:00,160 --> 00:17:02,560 Speaker 1: all right. They won't even do interviews because they know 343 00:17:02,640 --> 00:17:05,520 Speaker 1: half the questions to be about everybody hating them. Can 344 00:17:05,520 --> 00:17:08,280 Speaker 1: you imagine that was would be terrible. They still sell 345 00:17:08,280 --> 00:17:11,159 Speaker 1: a lot of concert tickets and they'll probably still be 346 00:17:11,240 --> 00:17:14,560 Speaker 1: laughing ten years from now because of all their money billionaires. Yeah. 347 00:17:15,080 --> 00:17:18,280 Speaker 1: Uh Dave Matthews man, Oh, people hate them. People hate 348 00:17:18,320 --> 00:17:21,000 Speaker 1: him because they're they jam and now here's in the 349 00:17:21,119 --> 00:17:32,160 Speaker 1: club at Ave Matthews Where Now I'll say this, I 350 00:17:32,200 --> 00:17:34,840 Speaker 1: love Dave Matthews Band. I think any criticism of them 351 00:17:34,840 --> 00:17:36,040 Speaker 1: is unfair. I think they should have been put in 352 00:17:36,080 --> 00:17:37,360 Speaker 1: the Rock and Roll Hall of Fame this year because 353 00:17:37,400 --> 00:17:40,760 Speaker 1: they were so different. Um, Dave Matthews Band is sold 354 00:17:40,760 --> 00:17:45,080 Speaker 1: over thirty three million albums in the United States. They 355 00:17:45,119 --> 00:17:48,040 Speaker 1: scored the biggest week for a rock album in years 356 00:17:48,040 --> 00:17:52,120 Speaker 1: and years. They've had the number one most consecutive studio albums, 357 00:17:52,800 --> 00:17:56,399 Speaker 1: So they're basically a nineties college band right now. The 358 00:17:56,400 --> 00:17:58,760 Speaker 1: band is worth in estimated seventy two million dollars. Yeah, 359 00:17:58,800 --> 00:18:00,080 Speaker 1: that's what I was gonna say. I guess it. If 360 00:18:00,080 --> 00:18:04,399 Speaker 1: you weren't in the nineties early two thousand's with them, 361 00:18:04,440 --> 00:18:06,800 Speaker 1: you would definitely hate him because they continue to put 362 00:18:06,800 --> 00:18:09,000 Speaker 1: out music. And I'll be honest, I never listened to it. 363 00:18:09,160 --> 00:18:11,760 Speaker 1: I do listen. I like the emo stuff. I like 364 00:18:11,800 --> 00:18:17,119 Speaker 1: emo Dave. We're just sad, We're Dave Matthews right. Like, 365 00:18:17,200 --> 00:18:19,520 Speaker 1: the last I remember of really listening to Dave Matthews 366 00:18:19,600 --> 00:18:22,320 Speaker 1: was where are you Going? Yeah? Jan that I just 367 00:18:22,359 --> 00:18:24,639 Speaker 1: played on the radio. It's good stuff. But after that 368 00:18:24,680 --> 00:18:28,239 Speaker 1: I kind of fizzled out just because I was I 369 00:18:28,280 --> 00:18:30,119 Speaker 1: love Dave. I was a huge Dave fan. I do 370 00:18:30,200 --> 00:18:33,200 Speaker 1: love Dave Matthews band. Um, so I've never hated him. 371 00:18:33,240 --> 00:18:40,880 Speaker 1: The mom dat cut. I love Dave Matthews band. So yeah, 372 00:18:41,720 --> 00:18:44,200 Speaker 1: I give I'll give Nickel back a seven point three. 373 00:18:44,280 --> 00:18:47,320 Speaker 1: What do you give him? Oh? Rank, rank them all one. 374 00:18:48,800 --> 00:18:53,280 Speaker 1: What a hater like, just get off the map, erase yourself. Matthews, 375 00:18:53,760 --> 00:18:56,600 Speaker 1: Oh a nine Dave Matthews band is great. I get 376 00:18:56,640 --> 00:18:58,639 Speaker 1: him eight point five nine from me. You're right? They 377 00:18:58,720 --> 00:19:02,920 Speaker 1: changed music. Yeah, when when white guy from South Africa 378 00:19:03,680 --> 00:19:07,760 Speaker 1: getting predominantly black band and a fifteen year old Basis 379 00:19:08,040 --> 00:19:10,679 Speaker 1: Yea who they had to sneak into bars when he 380 00:19:10,680 --> 00:19:13,320 Speaker 1: wasn't old enough to play with him? My manager put 381 00:19:13,400 --> 00:19:16,800 Speaker 1: the freaking band together. Amazing and Charlottesville. Yeah I know, 382 00:19:16,840 --> 00:19:20,439 Speaker 1: I love that. Okay, we'll move on. Let's hear a 383 00:19:20,480 --> 00:19:34,840 Speaker 1: clip from Creed under Yeah it has not always been 384 00:19:34,840 --> 00:19:40,320 Speaker 1: in there? Who cares, Mike? Did you have thunder to this? Okay? 385 00:19:40,400 --> 00:19:43,480 Speaker 1: So I love I love the Creed. I was part 386 00:19:43,480 --> 00:19:46,080 Speaker 1: of the Creed Revolution back in the day. So I 387 00:19:46,119 --> 00:19:49,280 Speaker 1: went to Creed shows. I went to Did you pay 388 00:19:49,320 --> 00:19:51,399 Speaker 1: for the tickets? Be honest with me. I'm trying to 389 00:19:51,480 --> 00:19:53,800 Speaker 1: think I don't. I was probably radio at the time. 390 00:19:54,240 --> 00:19:56,520 Speaker 1: I don't have to pay, but i'd have to go single. 391 00:19:57,560 --> 00:19:59,720 Speaker 1: I have to stay. I played pink pong with Scott 392 00:19:59,720 --> 00:20:03,080 Speaker 1: staff once. Really he came in. He was like, you 393 00:20:03,160 --> 00:20:04,560 Speaker 1: talk like that too, and I was like hey man, 394 00:20:04,560 --> 00:20:07,600 Speaker 1: what's happened? He goes, uh playing the pink ball and 395 00:20:07,600 --> 00:20:09,240 Speaker 1: I didn't. I was like, yeah, of course, and he 396 00:20:09,280 --> 00:20:11,280 Speaker 1: made me like fifteen nothing and get and just walk 397 00:20:11,320 --> 00:20:13,400 Speaker 1: out of the room like like he knew you'd never 398 00:20:13,440 --> 00:20:18,160 Speaker 1: play the fifty eight million records worldwide more than Nickel bat. 399 00:20:18,160 --> 00:20:21,800 Speaker 1: He got tricked. So they were what No, they people 400 00:20:21,840 --> 00:20:26,359 Speaker 1: got tricked again. No one's getting tricked. You know what. 401 00:20:26,400 --> 00:20:29,600 Speaker 1: I didn't like him because they he stole my boy's voice, 402 00:20:30,080 --> 00:20:33,040 Speaker 1: Eddie Vetter, Like that was you sound like DMX, and 403 00:20:33,560 --> 00:20:37,600 Speaker 1: Jim owned Eddie Vetter owned that voice. Yeah, Oh my gosh. 404 00:20:37,600 --> 00:20:41,680 Speaker 1: He was the first Jerome. And then here comes this dude, 405 00:20:42,000 --> 00:20:45,000 Speaker 1: his arms on open. People make that when people do 406 00:20:45,119 --> 00:20:48,160 Speaker 1: a creed voice, they do an Eddie Vetter voice. Okay, 407 00:20:48,200 --> 00:20:51,960 Speaker 1: so this is personally So this was called butt rock. 408 00:20:52,400 --> 00:20:56,400 Speaker 1: Excuse me, the butt rock genre heavily distorted guitars. They say, 409 00:20:56,440 --> 00:21:03,760 Speaker 1: paint by number songwriting, deeply graveling, all vocals find numbers songwriting. 410 00:21:04,040 --> 00:21:08,639 Speaker 1: I love that a lot of that, sure, but you 411 00:21:08,680 --> 00:21:10,800 Speaker 1: can't deny a good song. And then I don't hear 412 00:21:10,880 --> 00:21:12,880 Speaker 1: good songs. I can lest you a lot of them 413 00:21:13,119 --> 00:21:18,520 Speaker 1: my own prisons wide open, my sacrifice. God, they had 414 00:21:18,520 --> 00:21:20,840 Speaker 1: a lot of good songs. Stop. Okay, where would you create? 415 00:21:20,920 --> 00:21:25,800 Speaker 1: I give Creed m s point too yea below Nickelback. 416 00:21:25,800 --> 00:21:29,600 Speaker 1: I will put him at zero point five wow below Nickelback. Yep, 417 00:21:29,880 --> 00:21:33,240 Speaker 1: you like Creed less than Nickelback. At least creates American. 418 00:21:34,560 --> 00:21:36,359 Speaker 1: It's not about that. And they I love the Beatles. 419 00:21:36,359 --> 00:21:39,439 Speaker 1: They're British creates split apart and then they were altered 420 00:21:39,480 --> 00:21:42,240 Speaker 1: Bridge the rest of the band without Scott Stab is 421 00:21:42,280 --> 00:21:46,119 Speaker 1: he okay? Now? I don't know. I think he's had 422 00:21:46,160 --> 00:21:48,240 Speaker 1: his moments in and out, but I'm not sure. When 423 00:21:48,280 --> 00:21:51,640 Speaker 1: that video resurface, that was like people were worried for him. 424 00:21:51,720 --> 00:21:53,760 Speaker 1: He'll He'll probably send you a cameo for a dollar. 425 00:21:54,880 --> 00:21:58,760 Speaker 1: Let's see how just cameos. If it's less than a dollar, 426 00:21:58,800 --> 00:22:02,640 Speaker 1: I'll buy one free phones. I'll buy it right now. 427 00:22:03,680 --> 00:22:06,040 Speaker 1: I'll give you my credit card. Stab is like cameo. 428 00:22:07,240 --> 00:22:08,920 Speaker 1: I get people all the time asking me, hey, will 429 00:22:08,920 --> 00:22:10,760 Speaker 1: you do cameo? Why don't you do it? I don't, 430 00:22:10,800 --> 00:22:12,840 Speaker 1: I don't I don't want to do you do that 431 00:22:12,880 --> 00:22:17,200 Speaker 1: for free? To? Yeah? Oh I got it? How much 432 00:22:17,200 --> 00:22:20,200 Speaker 1: do you think? Okay? For real? I'm gonna say, Scott 433 00:22:20,240 --> 00:22:26,200 Speaker 1: stab Cameo. I say it's high demand because it's a 434 00:22:26,280 --> 00:22:29,520 Speaker 1: good joke. Like us, it's a good joke to Scott Scott, 435 00:22:29,720 --> 00:22:32,000 Speaker 1: Scott Stab to call your friend, I would say, thirty 436 00:22:32,040 --> 00:22:38,480 Speaker 1: dollars way off? How about oh my god, you need 437 00:22:38,560 --> 00:22:41,800 Speaker 1: to get on cameo. Well you can make some good money. Wow, 438 00:22:41,840 --> 00:22:44,040 Speaker 1: I know, but don't do you guys look at Cameo. 439 00:22:44,359 --> 00:22:46,040 Speaker 1: There's some big people on there. Mike, I'll ask you 440 00:22:46,040 --> 00:22:47,560 Speaker 1: this to do you look at Cameo as a desperate 441 00:22:47,560 --> 00:22:50,840 Speaker 1: thing a little a little bit. Yeah, it's like an 442 00:22:50,880 --> 00:22:53,000 Speaker 1: extra way to like, oh, yeah, I'm not Cameo. I 443 00:22:53,000 --> 00:22:56,240 Speaker 1: feel bad for people. Yeah, the celebrities I don't know 444 00:22:56,320 --> 00:22:58,120 Speaker 1: on Cameo. I feel bad for him. If I got 445 00:22:58,160 --> 00:23:00,320 Speaker 1: on cameo, people be like, all right, you're just trying 446 00:23:00,359 --> 00:23:03,400 Speaker 1: to milk everything for money now, But isn't everyone? And 447 00:23:03,440 --> 00:23:04,840 Speaker 1: then that kind of tell you that everyone is a 448 00:23:04,840 --> 00:23:06,600 Speaker 1: celebrity in a weird way, like we don't look at 449 00:23:06,600 --> 00:23:08,440 Speaker 1: that list. Really, If you look at that list, you'll 450 00:23:08,440 --> 00:23:10,720 Speaker 1: probably only see like twenty people that you really know, 451 00:23:11,520 --> 00:23:14,120 Speaker 1: probably more than that, but more, but yeah, but better. 452 00:23:14,320 --> 00:23:17,080 Speaker 1: Jake Owen, like, does it for charity. He didn't money, 453 00:23:16,880 --> 00:23:18,679 Speaker 1: so that's cool. But and I look, not a lot 454 00:23:18,720 --> 00:23:21,640 Speaker 1: of people do that, like like really not a lot. 455 00:23:21,680 --> 00:23:25,840 Speaker 1: How much was Jake for charity? Mike, Let's see, I 456 00:23:25,920 --> 00:23:27,560 Speaker 1: thought about doing this cameo game on the year, but 457 00:23:27,600 --> 00:23:30,520 Speaker 1: I thought it would give him a bunch of free promotion. 458 00:23:32,119 --> 00:23:35,040 Speaker 1: It's a good bit us. Oh yeah, modern I mean 459 00:23:35,520 --> 00:23:37,160 Speaker 1: mode only price and he gives all the money away 460 00:23:37,200 --> 00:23:41,920 Speaker 1: and Scott staff crazy. Yeah, smash Mouth And here's the 461 00:23:41,920 --> 00:23:46,520 Speaker 1: clip from the smash Mountain he now get your game on, 462 00:23:46,880 --> 00:23:51,600 Speaker 1: go play. Hey, now you lot get a shot one. 463 00:23:52,080 --> 00:23:56,160 Speaker 1: So I will compare smash Mouth to another band later 464 00:23:56,640 --> 00:23:59,639 Speaker 1: in this list where they didn't end up how they 465 00:23:59,680 --> 00:24:02,000 Speaker 1: started out. They kind of had some success and it 466 00:24:02,119 --> 00:24:04,720 Speaker 1: just altered what music they made because they realized they 467 00:24:04,720 --> 00:24:07,800 Speaker 1: could be superstars with massive hits. And so they were 468 00:24:07,840 --> 00:24:11,639 Speaker 1: a ska punk act and they were a legitimate ska 469 00:24:11,680 --> 00:24:14,880 Speaker 1: punk act. Um. By the way, they'll be at their 470 00:24:14,920 --> 00:24:19,280 Speaker 1: anniverse like years years tomorrow and they're still going. So 471 00:24:19,960 --> 00:24:23,040 Speaker 1: they were in a super Bowl commercial. They were there today. 472 00:24:23,080 --> 00:24:25,320 Speaker 1: It kind of as a joke, but yeah, Steve Harwell 473 00:24:25,359 --> 00:24:29,160 Speaker 1: from smash Mouth is on that. Yeah, it'd be cheaper 474 00:24:29,200 --> 00:24:31,760 Speaker 1: than Scott Staff. Smash Mouth has sold more than ten 475 00:24:31,760 --> 00:24:35,600 Speaker 1: million albums. But they had hits with the not Easy 476 00:24:35,640 --> 00:24:37,760 Speaker 1: but that the very down the middle stuff like all 477 00:24:37,840 --> 00:24:41,720 Speaker 1: Star Walking on the Sun I'm a Believer, which is 478 00:24:41,720 --> 00:24:46,040 Speaker 1: a remake from the Monkeys that was on the movie Yeah, 479 00:24:46,400 --> 00:24:51,159 Speaker 1: And so you know they started to go, Wow, we're 480 00:24:51,680 --> 00:24:55,480 Speaker 1: mainstream famous doing not that scott or punk stuff. But 481 00:24:55,520 --> 00:24:58,200 Speaker 1: they had Walking on the Sun fils like I'm Walking 482 00:24:58,320 --> 00:25:02,200 Speaker 1: on a Yeah, good song. So they had this pop 483 00:25:02,320 --> 00:25:04,639 Speaker 1: stuff and they started to go, why are we making 484 00:25:04,640 --> 00:25:07,560 Speaker 1: this sca Hawks stuff? We can just do the pop stuff. 485 00:25:07,600 --> 00:25:09,960 Speaker 1: I don't hate them, I've never hated him, Like even 486 00:25:09,960 --> 00:25:12,399 Speaker 1: when they came out, I liked their sound. Dana Nanan 487 00:25:13,240 --> 00:25:15,480 Speaker 1: Dana and the Walk in the Sun sound was really cool. 488 00:25:15,800 --> 00:25:18,240 Speaker 1: I mean I liked it all the way. And I 489 00:25:18,240 --> 00:25:21,480 Speaker 1: don't hate on bands making money like you just hate 490 00:25:21,480 --> 00:25:24,919 Speaker 1: it on Creed. The Creed was just terrible. Creed was 491 00:25:25,000 --> 00:25:27,600 Speaker 1: terrible anywhere, and the fact people loved them, like get 492 00:25:27,600 --> 00:25:29,840 Speaker 1: out of here. No one loved Creed, No one loved they, 493 00:25:31,760 --> 00:25:34,679 Speaker 1: No one loved two different shows smash Mouth like if 494 00:25:34,720 --> 00:25:37,520 Speaker 1: you find a way to be fifty and still make music, 495 00:25:38,320 --> 00:25:41,280 Speaker 1: and making money do it. Smash Mouth has allegedly had 496 00:25:41,280 --> 00:25:45,560 Speaker 1: to beat for smashing pumpkins for years. That would be 497 00:25:45,600 --> 00:25:48,160 Speaker 1: a funny fight. After their catchy anthem was picked over 498 00:25:48,480 --> 00:25:51,639 Speaker 1: a song for Shrek because they were SHOs had a 499 00:25:51,680 --> 00:25:53,480 Speaker 1: song up for it, Billy Corgan was fighting for a 500 00:25:53,520 --> 00:25:56,800 Speaker 1: Shrek spot. See him him to me though, he'd be 501 00:25:56,840 --> 00:25:59,439 Speaker 1: on cameo for sure. Oh yeah, Well, let's see if 502 00:25:59,440 --> 00:26:02,359 Speaker 1: Steve Harw on cameo or the band is not. Wow, 503 00:26:02,640 --> 00:26:04,480 Speaker 1: see if Billy they're still making money. I bet you 504 00:26:04,520 --> 00:26:07,439 Speaker 1: Billy Corgan's not, though I don't know. It's some of 505 00:26:07,480 --> 00:26:10,000 Speaker 1: the business decisions I've seen him make. He's not. Um, 506 00:26:10,040 --> 00:26:13,360 Speaker 1: give me your smash Mouth ranking. Um, I'll put him 507 00:26:13,359 --> 00:26:17,240 Speaker 1: in eight. That's really high because I like smash Month 508 00:26:17,480 --> 00:26:20,239 Speaker 1: is John Mayer to me and Garth Brooks, Oh you're right, 509 00:26:20,240 --> 00:26:21,679 Speaker 1: you're right. Let me bring him down a little bit. 510 00:26:21,680 --> 00:26:23,399 Speaker 1: I'll go five, then five, right down in the middle. 511 00:26:23,400 --> 00:26:26,040 Speaker 1: I give him a three point eight. Wow, Why so low? 512 00:26:26,040 --> 00:26:28,240 Speaker 1: I don't like smash Mouth that much? Why not they 513 00:26:28,359 --> 00:26:29,960 Speaker 1: let me down? I was in way more to their 514 00:26:30,040 --> 00:26:33,879 Speaker 1: early stuff. I mean, I give a four. Did you 515 00:26:33,880 --> 00:26:36,760 Speaker 1: watch the end of Shrek when all the members singing. 516 00:26:36,960 --> 00:26:40,160 Speaker 1: That's how I didn't. That's good stuff, right, But that's 517 00:26:40,160 --> 00:26:41,919 Speaker 1: why people know them for now as I don't know 518 00:26:42,040 --> 00:26:43,880 Speaker 1: them from that. I just know them from the early 519 00:26:43,960 --> 00:26:45,960 Speaker 1: radio stuff that I played. I'm not a hater. Example, 520 00:26:46,960 --> 00:26:49,320 Speaker 1: I bought my son an electric guitar and we just 521 00:26:49,320 --> 00:26:52,639 Speaker 1: plugged it in today for the first time, and he's like, 522 00:26:52,760 --> 00:26:54,320 Speaker 1: and I held it, and he goes, can you play 523 00:26:54,359 --> 00:26:59,680 Speaker 1: smash Mouth? Like out of nowhere? Different connection? And he's 524 00:26:59,720 --> 00:27:02,600 Speaker 1: toll of years old. That's cool, man, what you say? Yeah, 525 00:27:02,680 --> 00:27:04,479 Speaker 1: can you play Creed? Have you get out of your 526 00:27:05,960 --> 00:27:09,920 Speaker 1: smash It over your knee? Hated band in sant clown posse. 527 00:27:11,000 --> 00:27:25,200 Speaker 1: I'll play you a clip of my Yeah. So their 528 00:27:25,200 --> 00:27:28,439 Speaker 1: whole thing was they're painted up. I would say, like 529 00:27:28,600 --> 00:27:32,720 Speaker 1: kiss right, they had a whole paint thing. They're white wrappers. 530 00:27:33,600 --> 00:27:40,040 Speaker 1: They are kind of grungy, chubby. Their songs are about 531 00:27:40,720 --> 00:27:44,480 Speaker 1: sometimes death, like weird stuff, right, Mike, Yeah, pretty weird stuff, 532 00:27:45,600 --> 00:27:51,600 Speaker 1: and so like a lot of like horror. What year 533 00:27:51,640 --> 00:27:54,320 Speaker 1: was this? Like two thousands before that? Really, I would 534 00:27:54,320 --> 00:27:56,960 Speaker 1: say before that. I remember, I remember hearing that, but 535 00:27:57,000 --> 00:27:58,960 Speaker 1: I didn't know who's saying that. I didn't really even 536 00:27:58,960 --> 00:28:01,560 Speaker 1: try to research who's saying. And they were very independent, 537 00:28:02,119 --> 00:28:07,120 Speaker 1: but they made a lot of money last year. Psychopathic 538 00:28:07,200 --> 00:28:09,920 Speaker 1: the record label made more than ten million dollars last year. 539 00:28:10,920 --> 00:28:13,360 Speaker 1: They have the gathering of the Juggalos at three Day Festival. 540 00:28:14,160 --> 00:28:16,679 Speaker 1: It's been going off for almost twenty years. Joe just 541 00:28:16,680 --> 00:28:22,920 Speaker 1: shook his head like he knows, big fan. I'tre I've researched. 542 00:28:24,359 --> 00:28:27,359 Speaker 1: What what's the thing. It's like everyone paints up like 543 00:28:27,400 --> 00:28:33,960 Speaker 1: clowns the festival and they spray soda on each other. Yeah. 544 00:28:34,480 --> 00:28:37,080 Speaker 1: So I don't know enough about them to give them 545 00:28:37,080 --> 00:28:38,880 Speaker 1: a real rating, because I thought when they never into 546 00:28:38,960 --> 00:28:42,760 Speaker 1: them enough to not be into them. Yeah, I don't 547 00:28:42,760 --> 00:28:44,160 Speaker 1: know anything about feel like all the rest of we 548 00:28:44,160 --> 00:28:46,040 Speaker 1: were so exposed to we could hate them or love them. 549 00:28:46,200 --> 00:28:49,280 Speaker 1: I'm gonna give it an. I my number an incomplete 550 00:28:49,280 --> 00:28:52,200 Speaker 1: because I don't really have exposure to them. I would know, 551 00:28:52,240 --> 00:28:53,880 Speaker 1: you know what I know the most from Howard Stern. 552 00:28:53,960 --> 00:28:56,760 Speaker 1: They would go on that show all the time and interviews. 553 00:28:56,880 --> 00:28:59,000 Speaker 1: Did he like them like them as people? I don't 554 00:28:59,040 --> 00:29:02,560 Speaker 1: know if he liked their music? He said were nuts? Yeah, 555 00:29:02,680 --> 00:29:17,880 Speaker 1: limb Biscuit, Oh it was a good one. There you go. 556 00:29:18,800 --> 00:29:22,800 Speaker 1: I love limb business. I loved them. I loved them, 557 00:29:23,400 --> 00:29:25,320 Speaker 1: all of them, all the tenses. See have fred Durs' 558 00:29:25,360 --> 00:29:29,760 Speaker 1: like cameo people. They did a ranking of most obnoxious 559 00:29:29,800 --> 00:29:33,320 Speaker 1: acts of all time, and limb Biscuit is most of 560 00:29:33,320 --> 00:29:37,760 Speaker 1: the time at number one, and all of these they are, uh, 561 00:29:37,960 --> 00:29:39,280 Speaker 1: let's see, there's a lot of stuff right in here 562 00:29:39,320 --> 00:29:42,280 Speaker 1: about them. They killed nineties music. They kind of came 563 00:29:42,320 --> 00:29:45,360 Speaker 1: in after the grunge stuff. You know what grunge did 564 00:29:45,400 --> 00:29:53,320 Speaker 1: to the hair metal, that's the glam metal Lecorn p 565 00:29:53,480 --> 00:29:56,040 Speaker 1: o D. That was kind of the group that like 566 00:29:56,920 --> 00:30:03,360 Speaker 1: big anthemic um heavy distorted guitar, but wrapped white guy 567 00:30:03,480 --> 00:30:07,520 Speaker 1: rap over it, and that was early two thousand's. I 568 00:30:07,560 --> 00:30:10,720 Speaker 1: loved it. I could not get enough. That was definitely 569 00:30:10,720 --> 00:30:14,200 Speaker 1: a kind of person that was into that. I think, me, 570 00:30:15,120 --> 00:30:16,560 Speaker 1: what is that and what kind of person were you? 571 00:30:16,680 --> 00:30:18,800 Speaker 1: Just me personally was just felt it in your heart. 572 00:30:18,840 --> 00:30:21,000 Speaker 1: I have a friend it was both of our really 573 00:30:21,040 --> 00:30:23,080 Speaker 1: close friend, Brandon Ray, and he'll text me like, dude, 574 00:30:23,120 --> 00:30:25,960 Speaker 1: let's go drive around this olymp biscuit and there you go. 575 00:30:26,080 --> 00:30:29,720 Speaker 1: It's not kidding. Drive around, catch up and listen to Lembiscuit. 576 00:30:29,960 --> 00:30:32,200 Speaker 1: Who I really did think they were interesting. Who was 577 00:30:32,240 --> 00:30:35,520 Speaker 1: their guitarist, Mikey west Way did a way to something? 578 00:30:36,240 --> 00:30:39,160 Speaker 1: Wait a monkey? Yeah, they did call him monkey, but 579 00:30:39,480 --> 00:30:43,160 Speaker 1: it's really I don't know, really know what called a monkey? Right? Yeah, yeah, 580 00:30:43,160 --> 00:30:47,600 Speaker 1: but he was remember me, looks west Borland, west Borland monkey. Right, Yes, 581 00:30:47,680 --> 00:30:49,840 Speaker 1: it was monkey. I remember that for sure. And then 582 00:30:49,880 --> 00:30:52,280 Speaker 1: you can talk about chicken head. Who's that? Oh that 583 00:30:53,000 --> 00:30:55,400 Speaker 1: was at the basis, but guns and Roses, maybe your 584 00:30:55,400 --> 00:30:59,640 Speaker 1: buckethead buckad. He wasn't in Limp Biscuit, but it was 585 00:30:59,720 --> 00:31:03,000 Speaker 1: something interesting about them. I never was into them, and 586 00:31:03,080 --> 00:31:04,760 Speaker 1: I would I would be the one that would go 587 00:31:04,800 --> 00:31:08,440 Speaker 1: along and say that they did kill don't don't do 588 00:31:08,480 --> 00:31:13,480 Speaker 1: that music for that moment, because at that time I remember, specifically, 589 00:31:13,760 --> 00:31:17,760 Speaker 1: the Strokes were doing their thing, and Limp Biscuit and 590 00:31:17,800 --> 00:31:19,920 Speaker 1: those guys everything you meant, everything you said, p O 591 00:31:20,000 --> 00:31:22,000 Speaker 1: D and all those guys were doing their thing, and 592 00:31:22,040 --> 00:31:25,760 Speaker 1: I wanted the Strokes to hit so hard so they 593 00:31:25,760 --> 00:31:28,400 Speaker 1: can just get rid of whatever was happening with music there. 594 00:31:28,440 --> 00:31:33,560 Speaker 1: The Strokes, Franz Ferdinand all that move and I'm like, fight, fight, fight, 595 00:31:33,640 --> 00:31:38,280 Speaker 1: and get rid of all this junk. While you and 596 00:31:38,360 --> 00:31:42,000 Speaker 1: Brandon Ray are out like Love and Life. I've written 597 00:31:42,040 --> 00:31:47,400 Speaker 1: Napster when whenever Fred Durst and Aaron Lewis did it's 598 00:31:47,520 --> 00:31:50,040 Speaker 1: been a while. Maybe it's been a while or no. 599 00:31:50,320 --> 00:31:53,479 Speaker 1: Because I'm on the outside, I'm looking that. That's what 600 00:31:53,480 --> 00:31:59,640 Speaker 1: it was. They did alive on that tour that do everybody, 601 00:32:00,600 --> 00:32:04,040 Speaker 1: It's great, it's great. Uh. They used the limbistics to 602 00:32:04,080 --> 00:32:09,200 Speaker 1: torture criminals them. I get it. They would like take 603 00:32:09,240 --> 00:32:11,440 Speaker 1: off these people from other countries. Is that real? Do 604 00:32:11,480 --> 00:32:14,360 Speaker 1: they really do that? The tortured thing? Where they play music, 605 00:32:14,880 --> 00:32:19,800 Speaker 1: they often do let biscuits. Whatever I loved I thought 606 00:32:20,280 --> 00:32:23,320 Speaker 1: thing on MTV was when when Fred Durs was listening 607 00:32:23,360 --> 00:32:24,600 Speaker 1: to his own music and he's like, I love my 608 00:32:24,640 --> 00:32:27,120 Speaker 1: own music. He turned it up and drove off. Yeah, 609 00:32:27,280 --> 00:32:31,240 Speaker 1: I'm not arguing not. I mean, of all the bad 610 00:32:31,240 --> 00:32:34,480 Speaker 1: bands are probably the highest for me. Maybe my scale 611 00:32:34,520 --> 00:32:37,480 Speaker 1: was wrong. Maybe we should just a bad band scale. Yeah, 612 00:32:37,520 --> 00:32:39,680 Speaker 1: that's what I was thinking when I put um smash 613 00:32:39,720 --> 00:32:42,520 Speaker 1: Mouth so high, then nine on the band really on 614 00:32:42,560 --> 00:32:46,640 Speaker 1: the bad band scale, I put him at four. I 615 00:32:46,680 --> 00:32:48,520 Speaker 1: didn't mind it because there were some songs that they 616 00:32:48,600 --> 00:32:51,440 Speaker 1: came out it's pretty cool. And then Monkey to me 617 00:32:51,480 --> 00:32:55,040 Speaker 1: it would be. It was really interesting. But let's see 618 00:32:55,480 --> 00:32:59,000 Speaker 1: Mike pull up the limb Biscuit playlist. That's so many, dude, 619 00:32:59,600 --> 00:33:02,320 Speaker 1: they had had um when they did that. What was 620 00:33:02,360 --> 00:33:11,200 Speaker 1: the cover? They did that? Good stuff empty faith faith, 621 00:33:11,600 --> 00:33:15,480 Speaker 1: Oh my gosh, going up. So they started this was 622 00:33:15,520 --> 00:33:17,880 Speaker 1: their first right, So they started with a cover which 623 00:33:17,880 --> 00:33:21,160 Speaker 1: is yeah, they played TV like crazy and that once 624 00:33:21,200 --> 00:33:23,320 Speaker 1: they go play the whole crowd shopping up and down? Yes, 625 00:33:23,480 --> 00:33:25,640 Speaker 1: I remember that, like great white kids that really had 626 00:33:25,640 --> 00:33:31,240 Speaker 1: nothing to be angry about. That was grungs to your 627 00:33:31,280 --> 00:33:37,240 Speaker 1: life is good? Yes? Are you so mad? This song? 628 00:33:37,320 --> 00:33:39,840 Speaker 1: Was that? What else you got on there? My you 629 00:33:39,920 --> 00:33:42,840 Speaker 1: have brake stuff? Oh yeah? Break One played this one too. 630 00:33:44,360 --> 00:33:50,040 Speaker 1: They just one of them things, one of those Yeah, 631 00:33:50,680 --> 00:33:57,280 Speaker 1: rolling my way, keep rolling my way, my way, you're 632 00:33:57,320 --> 00:34:01,520 Speaker 1: the highway. I go back up, tell him what you 633 00:34:01,520 --> 00:34:06,000 Speaker 1: want to do? Now? Man, it's the damn this still 634 00:34:06,080 --> 00:34:08,080 Speaker 1: comes on. I'm like, where this guy? Where where does 635 00:34:08,120 --> 00:34:14,600 Speaker 1: it come up in my head? Okay? So what else? Rolling? 636 00:34:14,640 --> 00:34:22,279 Speaker 1: What else? My generation? Jam? Do you do? You know? No, 637 00:34:22,360 --> 00:34:30,480 Speaker 1: I'm thinking to see the Matthew Fridge. This is rock 638 00:34:30,520 --> 00:34:33,279 Speaker 1: and roll. Okay, it's rock and roll. People that want 639 00:34:33,320 --> 00:34:39,360 Speaker 1: rock and roll. It's wrap people that want wraperation, Bok guitars, 640 00:34:40,480 --> 00:34:43,480 Speaker 1: what else got? Uh? Those are the biggest streaming one down. 641 00:34:43,880 --> 00:34:48,000 Speaker 1: And then they had Behind blue Eyes originally Yeah the Who? 642 00:34:48,040 --> 00:34:51,080 Speaker 1: Come on? Did the Who sing this one? Too? Is that? Oh? 643 00:34:51,320 --> 00:34:53,920 Speaker 1: Listen to that? Good? This was good? I rememberhen this 644 00:34:53,960 --> 00:34:56,279 Speaker 1: came out. My friend Dave in college is so into them, 645 00:34:56,280 --> 00:35:00,680 Speaker 1: and I was. No one knows what it's like to 646 00:35:00,840 --> 00:35:08,319 Speaker 1: be the sad man, No one, No, It's like that 647 00:35:08,400 --> 00:35:10,839 Speaker 1: was cool that he wasn't screaming too. Yeah, the whole 648 00:35:10,880 --> 00:35:14,160 Speaker 1: they've never in the song. I don't think the sad man. 649 00:35:14,360 --> 00:35:19,359 Speaker 1: It makes that sad and bad. Behind blue Eyes its 650 00:35:19,400 --> 00:35:24,560 Speaker 1: monkey harmonizing, and no one knows what it's like to 651 00:35:24,800 --> 00:35:36,480 Speaker 1: be hateed h to be faded. Yeah, only lies. But 652 00:35:36,800 --> 00:35:51,000 Speaker 1: my dream's empty as my cargous seems to be. All right, 653 00:35:51,520 --> 00:35:53,720 Speaker 1: thank you, MIKEE. We could go down there. You love them, 654 00:35:53,760 --> 00:35:55,800 Speaker 1: That's the thing. All these bands you just said you 655 00:35:55,800 --> 00:35:59,040 Speaker 1: would love their song, don't I don't. Yeah? Uh, And 656 00:35:59,080 --> 00:36:02,080 Speaker 1: here's another one, and they we have one, two, three, four. 657 00:36:02,160 --> 00:36:05,200 Speaker 1: We got a bunch a lot of hat Maybe I 658 00:36:05,200 --> 00:36:07,000 Speaker 1: don't go through all these, but we can roll over 659 00:36:07,040 --> 00:36:09,560 Speaker 1: something quickly. But this one is one that m switched 660 00:36:09,600 --> 00:36:11,279 Speaker 1: up their sound once. They had a bit of hit 661 00:36:11,719 --> 00:36:21,399 Speaker 1: and it was Sugar Ray, so there was out the 662 00:36:21,440 --> 00:36:24,160 Speaker 1: window they were. They were hard. Yeah, they were really hard. 663 00:36:24,160 --> 00:36:28,640 Speaker 1: They were on tour with but I think, um who, 664 00:36:28,640 --> 00:36:31,080 Speaker 1: we just played what's the band? We just played Biscuit 665 00:36:31,160 --> 00:36:35,200 Speaker 1: limp Biscuit eleven and that's what they were categorized as 666 00:36:35,239 --> 00:36:38,279 Speaker 1: that kind of band. Their whole first record was hardcore 667 00:36:38,320 --> 00:36:42,560 Speaker 1: except for Fly it was and then they had that 668 00:36:42,600 --> 00:36:45,640 Speaker 1: one song, I Just Want to Fly, and that song 669 00:36:45,760 --> 00:36:48,040 Speaker 1: blew up, so then they were like f this yeah, 670 00:36:49,400 --> 00:36:52,800 Speaker 1: pop sing song. Yeah. They had a good looking frontman, 671 00:36:53,520 --> 00:36:56,439 Speaker 1: Martin McGrath who later was a host on some TV 672 00:36:56,480 --> 00:37:01,560 Speaker 1: show probably still is right extra that's not good of 673 00:37:01,600 --> 00:37:04,520 Speaker 1: a van. They were no but I liked them. I 674 00:37:04,560 --> 00:37:07,840 Speaker 1: really did like that and I liked I liked um 675 00:37:08,080 --> 00:37:11,719 Speaker 1: uh every Morning I love That's my least favorite one. Really, 676 00:37:11,719 --> 00:37:13,480 Speaker 1: it was one of the biggest ones. That's my favorite one. 677 00:37:14,200 --> 00:37:16,839 Speaker 1: Uh the Goo Goo Dolls. And I don't know how 678 00:37:16,880 --> 00:37:21,160 Speaker 1: what people hate I love. They loved them because they 679 00:37:21,160 --> 00:37:26,440 Speaker 1: were so manicured. All the sappy songs like iris and slides, 680 00:37:26,719 --> 00:37:29,920 Speaker 1: good stuff, I agree, Okay, you're not arguing with me. 681 00:37:29,920 --> 00:37:32,359 Speaker 1: He had the long hair. Yeah, it was beautiful. Ye, 682 00:37:33,080 --> 00:37:34,879 Speaker 1: I think they hated him for that. For the most part, 683 00:37:35,560 --> 00:37:42,719 Speaker 1: train you kind of hated him. I love Meat Virginia though. 684 00:37:43,440 --> 00:37:45,320 Speaker 1: That's the one where I liked him at the beginning. 685 00:37:45,400 --> 00:37:48,799 Speaker 1: And then they went really and I guess props to 686 00:37:48,840 --> 00:37:52,320 Speaker 1: them because they really did change their music with every 687 00:37:52,360 --> 00:37:55,320 Speaker 1: single time music change, Like they went from Meat Virginia 688 00:37:55,400 --> 00:37:59,120 Speaker 1: all the way to uh, what's the I guess his 689 00:37:59,280 --> 00:38:02,719 Speaker 1: soul sister. No, there's a ukulele one too. They came out. Yeah, 690 00:38:02,719 --> 00:38:05,040 Speaker 1: they keep going and it sounds like, okay, it's fits 691 00:38:05,040 --> 00:38:07,000 Speaker 1: with whatever whatever is on the radio. Still, he set 692 00:38:07,040 --> 00:38:08,960 Speaker 1: a good singer. I've never thought even that they were 693 00:38:08,960 --> 00:38:15,360 Speaker 1: in that group of lame bands. This is there that 694 00:38:15,560 --> 00:38:21,040 Speaker 1: one guy more than just I have nothing to add 695 00:38:21,040 --> 00:38:22,439 Speaker 1: to say about them and hate they made this list 696 00:38:22,440 --> 00:38:27,160 Speaker 1: because I I just I can't do it. I'm split 697 00:38:27,200 --> 00:38:29,560 Speaker 1: because I love bands that have backbones. They stand for 698 00:38:29,600 --> 00:38:31,759 Speaker 1: something or they're like they do they have they stand 699 00:38:31,800 --> 00:38:33,680 Speaker 1: for something. They just changed. They evolved with the time, 700 00:38:33,719 --> 00:38:35,920 Speaker 1: which is cool, so do we. It's hard. But if 701 00:38:35,960 --> 00:38:37,919 Speaker 1: people said Eddie changed over his life. He just doesn't 702 00:38:37,920 --> 00:38:40,319 Speaker 1: have a backbone. But it's hard to do, like it's 703 00:38:40,360 --> 00:38:43,000 Speaker 1: hard for bands. And Aerosmith did it. You know, they 704 00:38:43,000 --> 00:38:44,720 Speaker 1: were one that did it, where like they were hardcore 705 00:38:44,800 --> 00:38:48,080 Speaker 1: seventies classic rock and then moved to you know, nineties 706 00:38:48,160 --> 00:38:50,680 Speaker 1: kind of pop they were. They have backbones, They're able 707 00:38:50,680 --> 00:38:53,239 Speaker 1: to won't They're able to do it. Not a lot 708 00:38:53,280 --> 00:38:55,160 Speaker 1: of bands are able to do it, but they didn't. 709 00:38:55,640 --> 00:38:57,440 Speaker 1: The fact that you can mold is kind of like 710 00:38:57,440 --> 00:38:59,279 Speaker 1: you're chameleon. You can just kind of do whatever, which 711 00:38:59,280 --> 00:39:01,040 Speaker 1: is cool in a way, but at the same greatest 712 00:39:01,320 --> 00:39:05,919 Speaker 1: stands doing they freakings. Are they on the list? Yeah, 713 00:39:05,920 --> 00:39:13,440 Speaker 1: they'll get there. Yeah, Matchbox twenty Crazy, I'm just ready 714 00:39:14,480 --> 00:39:19,239 Speaker 1: one two three, I love them Yeah, great, can't get enough. 715 00:39:19,280 --> 00:39:23,520 Speaker 1: They're so good. They put out a record album of course. Yeah. Yeah. 716 00:39:25,280 --> 00:39:27,880 Speaker 1: Heroically Vanilla Pop is what this says. It was just 717 00:39:28,000 --> 00:39:32,400 Speaker 1: straight who said that America Vanilla Pop one of his articles, 718 00:39:33,120 --> 00:39:35,440 Speaker 1: who do need to blowfish on my favor there's their 719 00:39:35,480 --> 00:39:37,279 Speaker 1: tin for me on the scale. They're my favorite. I 720 00:39:37,320 --> 00:39:40,400 Speaker 1: love him. One of the biggest bands in my lifetime. 721 00:39:41,480 --> 00:39:44,879 Speaker 1: Love them and people hated because it was the people 722 00:39:44,920 --> 00:39:48,400 Speaker 1: that really didn't want to let grunge music go. I 723 00:39:48,440 --> 00:39:50,759 Speaker 1: got a bootleg one time a Pearl Jam playing this 724 00:39:50,800 --> 00:39:54,080 Speaker 1: thing with It's called the Bridge School Festival Bridge School 725 00:39:54,120 --> 00:39:57,479 Speaker 1: I think benefit concert in San Francisco. Neil Young puts 726 00:39:57,480 --> 00:39:59,399 Speaker 1: it on and every and a lot of bands are 727 00:39:59,400 --> 00:40:02,160 Speaker 1: like dirty bands, and they raised money for this Bridge School, 728 00:40:02,160 --> 00:40:06,280 Speaker 1: which is school fre I think um handicap people, people 729 00:40:06,320 --> 00:40:10,120 Speaker 1: with physical disabilities and so hood. He comes on in 730 00:40:10,120 --> 00:40:12,799 Speaker 1: this bootleg and you can hear everyone because these this 731 00:40:12,800 --> 00:40:14,520 Speaker 1: is the time where like people just got cam quarters 732 00:40:14,560 --> 00:40:17,760 Speaker 1: and recorded the show, and you can hear everyone like blank, 733 00:40:17,840 --> 00:40:21,400 Speaker 1: Hooty get off the stage. You saw Hooty like everyone 734 00:40:21,440 --> 00:40:24,279 Speaker 1: around there, like dang dude. I never knew people hated 735 00:40:24,360 --> 00:40:26,080 Speaker 1: him that much. They just hited him because they blew 736 00:40:26,160 --> 00:40:27,560 Speaker 1: up so much, Like they wouldn't hate him if they 737 00:40:27,600 --> 00:40:29,560 Speaker 1: were just a band playing, but because they were so 738 00:40:29,680 --> 00:40:33,400 Speaker 1: massive people the bigger they got, the less people liked them. 739 00:40:33,440 --> 00:40:37,840 Speaker 1: But it's so good in that record Cracked Ever you 740 00:40:37,880 --> 00:40:43,680 Speaker 1: went sixteen times platinum, sixteen million records. Crazy, but they 741 00:40:43,680 --> 00:40:45,359 Speaker 1: couldn't catch a break because people don't want to say 742 00:40:45,360 --> 00:40:47,760 Speaker 1: goodbye to grunch music. I love him, I still love them. 743 00:40:47,760 --> 00:40:52,319 Speaker 1: My favorite have you seen them play? I mean, I mean, 744 00:40:52,360 --> 00:40:54,120 Speaker 1: I mean, I mean now once they came back back 745 00:40:54,120 --> 00:40:55,279 Speaker 1: in the day, I did, Yeah, I know you did 746 00:40:55,360 --> 00:40:58,680 Speaker 1: that festival and they were great, But I haven't seen 747 00:40:58,760 --> 00:41:00,359 Speaker 1: him like a hoodie show. I couldn't, could never get 748 00:41:00,360 --> 00:41:04,040 Speaker 1: out there. Maroon five is another one here. Um you 749 00:41:04,040 --> 00:41:05,760 Speaker 1: know they're they're like the Moon five was a super 750 00:41:05,760 --> 00:41:09,040 Speaker 1: talented act that sold out. That's one of the sellout acts. 751 00:41:09,400 --> 00:41:15,480 Speaker 1: Jaggons how them moves like Jaggons? How got them? Jaggon? 752 00:41:16,600 --> 00:41:19,239 Speaker 1: You know they were a rock band and now they'll 753 00:41:19,440 --> 00:41:22,480 Speaker 1: put any kind of music in there, just like their stuff. 754 00:41:22,680 --> 00:41:25,919 Speaker 1: But you're right, there's really not passion for you never 755 00:41:25,960 --> 00:41:28,080 Speaker 1: get people that go I'm the biggest Moon five man 756 00:41:29,040 --> 00:41:31,640 Speaker 1: because they stand for nothing. It's just they keep doing. 757 00:41:31,719 --> 00:41:33,000 Speaker 1: But they make a lot of money. Do make a 758 00:41:33,000 --> 00:41:34,759 Speaker 1: lot of money. And I'm props to Adam Levin and 759 00:41:34,760 --> 00:41:36,960 Speaker 1: they played the super Bowl last year. They did. I 760 00:41:37,000 --> 00:41:39,040 Speaker 1: feel like he could have just left that band and 761 00:41:39,080 --> 00:41:42,839 Speaker 1: just continued Adam Levine, but to leave him Maroon five 762 00:41:42,920 --> 00:41:44,640 Speaker 1: and keep doing what they're doing is really cool because 763 00:41:44,680 --> 00:41:47,279 Speaker 1: no one knows who the band is. Imagine dragons, people 764 00:41:47,320 --> 00:41:53,640 Speaker 1: hate imagine sellout is that where they hit him even 765 00:41:53,680 --> 00:41:55,239 Speaker 1: like other rock bands hate him like sl I'm not 766 00:41:55,280 --> 00:41:57,839 Speaker 1: gone to the whole thing, right, Yeah, Corey Taylor hates 767 00:41:58,600 --> 00:42:00,480 Speaker 1: he said they're forced to Nickelback where Kelback was the 768 00:42:00,600 --> 00:42:03,839 Speaker 1: number one. Yeah and so, but people hate him because 769 00:42:03,840 --> 00:42:07,839 Speaker 1: I think they're so generic white angry guy that lives 770 00:42:07,880 --> 00:42:12,879 Speaker 1: weights rock. Where's a little short bro rock? I get that. 771 00:42:13,280 --> 00:42:14,840 Speaker 1: I don't I don't agree with it, but I get it. 772 00:42:14,840 --> 00:42:16,840 Speaker 1: They made good songs. Yeah, I like all their songs. 773 00:42:16,920 --> 00:42:19,319 Speaker 1: Anything you think was missed on this list. It's kind 774 00:42:19,320 --> 00:42:21,520 Speaker 1: of compile from a bunch of number stuff. I mean 775 00:42:21,520 --> 00:42:23,680 Speaker 1: the first ones I thought were creating. Nickel Back for sure. 776 00:42:23,760 --> 00:42:26,400 Speaker 1: Your favorite of all those bands, Dave Matthews band, I 777 00:42:26,480 --> 00:42:29,040 Speaker 1: Go Hoodie, You're the least favorite of all of them, 778 00:42:29,400 --> 00:42:35,440 Speaker 1: Creed zero point five my least favorite. Mostly these are 779 00:42:35,440 --> 00:42:38,359 Speaker 1: all my favorite bands. This is the music I love. 780 00:42:38,440 --> 00:42:40,600 Speaker 1: I still listen to. I would probably put smash Mouth 781 00:42:40,640 --> 00:42:43,000 Speaker 1: there because really because insane claim BOSSI was an incomplete 782 00:42:43,560 --> 00:42:47,239 Speaker 1: Yeah probably yeah, yeah, yeah, yeah I think so. Did 783 00:42:47,239 --> 00:42:50,160 Speaker 1: you like Stained Yeah You're like, oh yeah I did. 784 00:42:50,200 --> 00:42:51,279 Speaker 1: Then I got to a huge five with there On. 785 00:42:51,360 --> 00:42:54,440 Speaker 1: Lewis recently to three years ago. The lead singer is 786 00:42:54,440 --> 00:42:56,800 Speaker 1: doing country now. I'm right a problem with him. I 787 00:42:56,840 --> 00:42:59,040 Speaker 1: don't even know why we got into it. I don't 788 00:42:59,040 --> 00:43:00,880 Speaker 1: know what you get in with anyone don't either anymore. 789 00:43:01,280 --> 00:43:02,960 Speaker 1: I forget why I get into vice some people I 790 00:43:03,040 --> 00:43:04,759 Speaker 1: used to. I think I was on sleeping fills a 791 00:43:04,760 --> 00:43:08,920 Speaker 1: lot back. Um. But he I think it was him. 792 00:43:08,920 --> 00:43:11,440 Speaker 1: He was bashing Luke Brian and Sam Hunt. That's what 793 00:43:11,480 --> 00:43:13,279 Speaker 1: it was in a clip, and I was like, shut up, dude, 794 00:43:13,280 --> 00:43:15,080 Speaker 1: you're just only doing this because you're trying to do 795 00:43:15,160 --> 00:43:19,200 Speaker 1: country now and it's not working. Um. But I think 796 00:43:19,200 --> 00:43:20,799 Speaker 1: that's why I have no problem with him now. But 797 00:43:21,040 --> 00:43:23,279 Speaker 1: I'm pretty sure that's why. Okay, we'll take a quick break. 798 00:43:23,280 --> 00:43:25,799 Speaker 1: We'll talk about new music and music stories after this. 799 00:43:33,040 --> 00:43:35,719 Speaker 1: All Right, new music out this week. Sam Hunt has 800 00:43:35,760 --> 00:43:38,520 Speaker 1: a new song called hard to Forget. Here you go first, 801 00:43:48,120 --> 00:43:54,319 Speaker 1: Yeah that is let a play my first. I saw 802 00:43:54,440 --> 00:43:58,680 Speaker 1: your sister, I saw your mama. I'm pretty sure I 803 00:43:58,719 --> 00:44:00,759 Speaker 1: saw your car, like you know a tample. Yeah. The 804 00:44:00,800 --> 00:44:04,640 Speaker 1: web piersh Web Piers. He's the one that owned the 805 00:44:04,640 --> 00:44:07,480 Speaker 1: big swimming pool and that crazy he took a classic 806 00:44:07,520 --> 00:44:11,279 Speaker 1: country artist made it sound new hip hop. Sounds really cool. 807 00:44:11,719 --> 00:44:14,319 Speaker 1: I love this us but some of the hater haters 808 00:44:14,360 --> 00:44:16,239 Speaker 1: people are gonna hate this song, all the people that 809 00:44:16,360 --> 00:44:19,560 Speaker 1: like just now this sounds so good, it's not. I 810 00:44:19,600 --> 00:44:21,000 Speaker 1: think it's a really good for what it like for 811 00:44:21,040 --> 00:44:24,560 Speaker 1: Sam's music, Like Sam does who he Is You Got Cold? 812 00:44:28,560 --> 00:44:31,440 Speaker 1: I feel like Sam's music has like a just a 813 00:44:31,560 --> 00:44:34,839 Speaker 1: theme of of even like the sad songs, there's still 814 00:44:34,960 --> 00:44:38,200 Speaker 1: just a good happy feel from all his music, Like 815 00:44:38,280 --> 00:44:40,960 Speaker 1: he even like just like cop Car, it's just the 816 00:44:42,000 --> 00:44:44,880 Speaker 1: whole story of cop cars. Like it's not fun, you know, 817 00:44:44,920 --> 00:44:46,800 Speaker 1: it's like the other fell in love whatever. They're breaking 818 00:44:46,800 --> 00:44:49,279 Speaker 1: the law, but it's got such a cool feeling to it. 819 00:44:49,360 --> 00:44:51,120 Speaker 1: Like I just love the way he writes. I love 820 00:44:51,160 --> 00:44:52,640 Speaker 1: all his songs. He didn't write cop Car. He did 821 00:44:52,680 --> 00:44:55,239 Speaker 1: write it. That was the one that they had a 822 00:44:55,239 --> 00:44:57,200 Speaker 1: big fight over. He wanted to keep it, but one 823 00:44:57,239 --> 00:44:58,880 Speaker 1: of his other writers gave it to Urban. It's a 824 00:44:58,920 --> 00:45:03,640 Speaker 1: whole thing. Um. Aubrey Sellers has a new record called 825 00:45:03,719 --> 00:45:18,480 Speaker 1: Far from Home. Here is One Town's Tracks Chest. Also, 826 00:45:18,840 --> 00:45:21,600 Speaker 1: Cadillac Three have a new album called Country Fuzz. Here 827 00:45:21,680 --> 00:45:33,080 Speaker 1: is Jack Daniel's Heart. It's Neil Towns holding out for 828 00:45:33,120 --> 00:45:41,160 Speaker 1: the one. Here's this song. She has a new out 829 00:45:41,200 --> 00:45:44,480 Speaker 1: called Road to the Lemonade Stand, and then Abby Anderson 830 00:45:44,520 --> 00:45:51,560 Speaker 1: has a song called I'll Still Love You. When I 831 00:45:51,680 --> 00:45:53,480 Speaker 1: was thinking about this, of all these people, there are 832 00:45:53,680 --> 00:45:57,840 Speaker 1: Bobby Casts with Abby to Neil Cadillac, three Aubrey sellers, 833 00:45:58,080 --> 00:46:00,440 Speaker 1: just not Sam yet we got four five If you 834 00:46:00,440 --> 00:46:02,640 Speaker 1: want to go back and hear me interview them all? 835 00:46:02,960 --> 00:46:05,319 Speaker 1: Do you interview Jared from Cainda like three h huh yeah, 836 00:46:05,400 --> 00:46:09,480 Speaker 1: yeah uh, Justin Bieber and Quabo intentions your perfect, you 837 00:46:09,800 --> 00:46:13,400 Speaker 1: me filter, just make them drop again. I want to 838 00:46:13,440 --> 00:46:16,600 Speaker 1: be a kick right now. Green Day meet me on 839 00:46:16,640 --> 00:46:22,759 Speaker 1: the roof. Here you go. The Green Day's new sound 840 00:46:22,840 --> 00:46:24,560 Speaker 1: kind of feels like a mixture of old Green Day 841 00:46:24,560 --> 00:46:27,759 Speaker 1: in the strokes. Did I hear smash Mouth in there? 842 00:46:27,880 --> 00:46:32,399 Speaker 1: Shut up? Meet Mill with Justin timber Lake believe put 843 00:46:32,560 --> 00:46:37,920 Speaker 1: my I saw meet Bill as the game. When I 844 00:46:37,920 --> 00:46:40,160 Speaker 1: went to the next game me he was sitting like 845 00:46:40,200 --> 00:46:41,799 Speaker 1: four seats down from ground. They put me on the 846 00:46:41,960 --> 00:46:43,920 Speaker 1: freaking court side of court side, and I was by 847 00:46:43,960 --> 00:46:45,759 Speaker 1: far the least pain. Was jay Z there too? No, 848 00:46:45,880 --> 00:46:49,239 Speaker 1: but Mary J. Blige was It's Mary J Blige, Meek Mill, 849 00:46:49,400 --> 00:46:53,760 Speaker 1: Lam Papeo from Gray's Anatomy, John mcin or the tennis players. 850 00:46:53,880 --> 00:46:58,560 Speaker 1: It was one of the girls from This is Us 851 00:46:59,360 --> 00:47:02,120 Speaker 1: is super Fat Robert Kraft and they're like they get 852 00:47:02,160 --> 00:47:05,480 Speaker 1: they take all of us. I'm in this group. They're like, okay, 853 00:47:05,719 --> 00:47:07,919 Speaker 1: Robert Crafts and they take us to the back room 854 00:47:08,200 --> 00:47:10,120 Speaker 1: and it's like where they put all the celebrities. And 855 00:47:10,200 --> 00:47:13,000 Speaker 1: again I know I'm not a celebrity, but they're everybody 856 00:47:13,080 --> 00:47:14,719 Speaker 1: had a free corpse. I'd see. They take them back 857 00:47:14,719 --> 00:47:16,000 Speaker 1: and we'll in this back room. Andybody just kind of 858 00:47:16,040 --> 00:47:18,840 Speaker 1: talking except for me because I didn't know anybody, and 859 00:47:18,880 --> 00:47:21,440 Speaker 1: they were all like, who is this guy? They didn't recognize, 860 00:47:21,480 --> 00:47:25,520 Speaker 1: you know, because it did not know you know, really, 861 00:47:26,160 --> 00:47:28,400 Speaker 1: I know, it's a weird out of the awkward. I 862 00:47:28,440 --> 00:47:30,040 Speaker 1: was back there with all Meek Miles back there and 863 00:47:30,080 --> 00:47:32,759 Speaker 1: I went out to Meek mil and I said, I said, Meek, 864 00:47:32,800 --> 00:47:34,320 Speaker 1: what's up? And I raised, I haven't told you the 865 00:47:34,320 --> 00:47:36,640 Speaker 1: story yet, I think, so raised to give my high five, 866 00:47:36,800 --> 00:47:40,000 Speaker 1: and he looks at me like he even lift his 867 00:47:40,040 --> 00:47:43,000 Speaker 1: hand up in the private room where the celebrities rides 868 00:47:43,000 --> 00:47:46,000 Speaker 1: were walking into it. It was like like me up 869 00:47:46,000 --> 00:47:51,240 Speaker 1: here and it looks at me just goes that's crazy. 870 00:47:51,360 --> 00:47:54,160 Speaker 1: Aw See. I want to be like that some day. Yeah. 871 00:47:54,360 --> 00:47:56,040 Speaker 1: I would never be able to look at someone like 872 00:47:56,040 --> 00:48:02,640 Speaker 1: that and be like, I'm good. I love the story though, 873 00:48:02,719 --> 00:48:05,319 Speaker 1: that's a great story. The new number one album in 874 00:48:05,320 --> 00:48:08,719 Speaker 1: America is loel Wayne with funeral. Here you go. I 875 00:48:08,719 --> 00:48:11,200 Speaker 1: don't even put out a new Listen to it? No? 876 00:48:11,960 --> 00:48:15,920 Speaker 1: Is it good? It's pretty good? Is he old yet 877 00:48:15,920 --> 00:48:19,799 Speaker 1: a little? Because I mean he's still gonna look young? Right, Yeah, 878 00:48:19,800 --> 00:48:22,719 Speaker 1: I guess even. I mean, is he considered old in 879 00:48:22,760 --> 00:48:24,840 Speaker 1: the rapper world? Mike, good question. Yeah, I would say so. 880 00:48:25,040 --> 00:48:26,560 Speaker 1: I mean as big as albums like in two thousand 881 00:48:26,600 --> 00:48:30,800 Speaker 1: and eight. So they funerals and number one loew Wayne. 882 00:48:31,239 --> 00:48:33,520 Speaker 1: Number two is please excuse me for being an anti 883 00:48:33,600 --> 00:48:39,000 Speaker 1: social from Roddy Rich. That is you don't know? That 884 00:48:39,120 --> 00:48:42,640 Speaker 1: isn't music to be murdered by eminem? Is it third 885 00:48:42,680 --> 00:48:46,160 Speaker 1: again this week? So there you go. Little Big Town 886 00:48:46,160 --> 00:48:48,520 Speaker 1: says there are no lead singers in their band, a 887 00:48:48,560 --> 00:48:52,719 Speaker 1: bit miss leading because Karen Sing's most lead vocals occasionally 888 00:48:52,800 --> 00:48:56,719 Speaker 1: Kimberly Will and occasionally Jimmy Will. But okay, they say 889 00:48:56,760 --> 00:48:59,319 Speaker 1: they're all they're all splitting the money the same. They're like, hey, 890 00:48:59,320 --> 00:49:00,719 Speaker 1: we picked a leads and we're like, no, we're not 891 00:49:00,719 --> 00:49:01,920 Speaker 1: going to do that. So they say they didn't pick 892 00:49:01,920 --> 00:49:06,600 Speaker 1: a lead singer. Ten of the thirteen songs on the 893 00:49:06,600 --> 00:49:11,280 Speaker 1: new album, Karen sings probably a respect comment. Yeah. Towards 894 00:49:11,320 --> 00:49:13,040 Speaker 1: the rest of the band. Halsey went off on a 895 00:49:13,080 --> 00:49:15,439 Speaker 1: guy who was shouting her ex boyfriend's name during her show. 896 00:49:16,120 --> 00:49:18,479 Speaker 1: It was a pretty super Bowl show. This happened about 897 00:49:18,480 --> 00:49:20,720 Speaker 1: a week or so ago. Some idiot in the audience 898 00:49:20,800 --> 00:49:24,439 Speaker 1: kept yelling easy and she actually went looking for the guy. 899 00:49:24,719 --> 00:49:26,680 Speaker 1: She said, if you say, Geezy, one more blanket time, 900 00:49:26,719 --> 00:49:28,719 Speaker 1: I'll kick you out of this building. Um, here is 901 00:49:28,719 --> 00:49:49,759 Speaker 1: a clip disrespect me like that. Somebody should do that 902 00:49:49,800 --> 00:49:57,160 Speaker 1: in Randy show Blake just to get that reaction. Don't 903 00:49:57,200 --> 00:50:00,600 Speaker 1: respect for her. People will beat you. Probably that That 904 00:50:00,640 --> 00:50:02,799 Speaker 1: wasn't a Halsey show. It was Halsey doing a pre 905 00:50:02,920 --> 00:50:05,080 Speaker 1: super Bowl show, So it wasn't like all the Halsey 906 00:50:05,120 --> 00:50:07,600 Speaker 1: hardcore fans. If you did that like a Mirandos Shore 907 00:50:07,600 --> 00:50:11,520 Speaker 1: with all Mirand people, the fans, somebody beat you. Yeah. Uh. 908 00:50:11,680 --> 00:50:13,959 Speaker 1: Noel Gallagher, they say, may have turned out a hundred 909 00:50:13,960 --> 00:50:16,800 Speaker 1: and thirty million dollars for an Oasis reunion. He's the 910 00:50:16,800 --> 00:50:19,560 Speaker 1: guitarist Liam Gallagher tweeted he and his brother Noel were 911 00:50:19,560 --> 00:50:21,920 Speaker 1: offered a hundred and thirty million for a tour, but 912 00:50:21,960 --> 00:50:24,480 Speaker 1: that number was quote not enough for the Greedy Soul. 913 00:50:25,360 --> 00:50:27,200 Speaker 1: They hate each other. No, it was the Greedy Soul. 914 00:50:27,400 --> 00:50:30,040 Speaker 1: Did you watch that documentary? Gosh? I feel like I 915 00:50:30,080 --> 00:50:31,880 Speaker 1: started it and it came out a while back, right 916 00:50:31,920 --> 00:50:33,960 Speaker 1: a few years yet I started and I never finished 917 00:50:33,960 --> 00:50:36,799 Speaker 1: it really good. They just fight so much, man like, 918 00:50:37,280 --> 00:50:40,200 Speaker 1: it's like the freaking Black Crows. Those two finally probably 919 00:50:40,200 --> 00:50:42,799 Speaker 1: broke that's why they got together. I don't even know 920 00:50:42,800 --> 00:50:44,080 Speaker 1: that for sure. And they're coming to do my shows. 921 00:50:44,080 --> 00:50:48,319 Speaker 1: Then The Rolling Stones and The Grateful Dead or going 922 00:50:48,400 --> 00:50:52,080 Speaker 1: on tour who the Grateful Dead is. The Stones will 923 00:50:52,120 --> 00:50:53,960 Speaker 1: finally begin the North American leg of the tour in 924 00:50:54,000 --> 00:50:56,160 Speaker 1: May eighth to San Diego. They had a cancer last 925 00:50:56,200 --> 00:50:59,720 Speaker 1: year because Make Jagger had heart surgery. Rock and Roll meanwhile, 926 00:51:00,040 --> 00:51:03,120 Speaker 1: Dead and Company, John John Mayr we hit out the 927 00:51:03,200 --> 00:51:06,879 Speaker 1: summer Ridley Field Finway and John Marrow. It's cool. I've 928 00:51:06,880 --> 00:51:08,040 Speaker 1: never had interest to go to it that. I'm the 929 00:51:08,080 --> 00:51:10,600 Speaker 1: biggest John Mayor fan. But I don't care about watching 930 00:51:10,600 --> 00:51:13,040 Speaker 1: them play guitar solo. They were playing Bonaru when when 931 00:51:13,080 --> 00:51:14,919 Speaker 1: night when I was there, and then we just left early. 932 00:51:14,920 --> 00:51:17,279 Speaker 1: We didn't go because company just I don't know, I 933 00:51:17,360 --> 00:51:20,759 Speaker 1: just didn't really feel like it. That's the deal. I 934 00:51:20,800 --> 00:51:23,879 Speaker 1: think we're done. Cool, good, Yeah, what are we learned 935 00:51:23,880 --> 00:51:27,719 Speaker 1: from from this? Limbiscuit Rocks, Greeds still terrible, wood Wood 936 00:51:27,760 --> 00:51:29,720 Speaker 1: He's never been bad. That people should shut their freaking 937 00:51:29,760 --> 00:51:32,439 Speaker 1: mouths and don't hate on Dave Matthews band. Yeah great, 938 00:51:32,440 --> 00:51:33,960 Speaker 1: they should have been putting the rock in a Hall 939 00:51:34,000 --> 00:51:36,160 Speaker 1: of fame. Yeah all right, that's the deal. Thank you. 940 00:51:36,239 --> 00:51:38,360 Speaker 1: Mike Dean didn't want to add I think out of 941 00:51:38,360 --> 00:51:42,440 Speaker 1: all those I like limb Biscuit now it kind of 942 00:51:42,440 --> 00:51:44,080 Speaker 1: brought me back to like trailer park games. That's all. 943 00:51:44,080 --> 00:51:46,520 Speaker 1: Everybody listened to him like it's they're definitely a trailer 944 00:51:46,560 --> 00:51:50,359 Speaker 1: park band. I think that's what it was. Um. Also, 945 00:51:50,360 --> 00:51:52,239 Speaker 1: a Matchbox twenty should have been on their No, Google 946 00:51:52,280 --> 00:51:54,279 Speaker 1: all should have been on there. I agree with you. 947 00:51:54,440 --> 00:51:56,840 Speaker 1: People are stupid. We'll see you next time. Everybody. Thank you,