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Speaker 1: All right, we're adding this into the top. This is

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Speaker 1: from the end. That's because we're unorganized.

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Speaker 2: We're on tour.

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Speaker 1: Now, go get fucking tickets.

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Speaker 3: Go get your tickets. We're on tour, coming to a

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Speaker 3: city near you, hopefully. I believe we're still trying to

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Speaker 3: finalize the l A date. So yeah, we're on tour.

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Speaker 3: We're on the road.

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Speaker 4: I don't like to say toll we're on the road.

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Speaker 3: Yeah, it's doing a couple of shows, coming to shake

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Speaker 3: some hands, hug some babies. The meet and greet tickets

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Speaker 3: will be We're up in Chris Brown on this when

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Speaker 3: two thousand dollars, just two of us, two thousand dollars

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Speaker 3: for the meet and greet. We're gonna have baby shower chairs.

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Speaker 3: We can sit in the chair like we have a

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Speaker 3: baby shower. Me and Rory with burberry. Uh, and make

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Speaker 3: it a great.

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Speaker 2: For two grand.

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Speaker 3: Yeah, we're gonna We're gonna have a great time with

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Speaker 3: this meeting Greek.

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Speaker 1: I'm kind of a hoe. I'll do anything for two grands.

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Speaker 2: Nay, what you want.

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Speaker 4: For two grand?

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Speaker 5: That's so nasty, nor set like I never left. I'm

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Speaker 5: taking step to be the best of day. Late need

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Speaker 5: the rest be yes up on my chest. It got

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Speaker 5: the BP. Yes, ain't no my two door right? I

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Speaker 5: want us by paying enough.

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Speaker 3: Welcome to another episode of the new Rory and Mall podcast.

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Speaker 4: I am All, I'm Rory today.

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Speaker 2: Identify as Rory.

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Speaker 4: You identify as Rory. How you feeling?

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Speaker 1: I feel great, feel really good? Got got my driveway paved?

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Speaker 2: Yeah, yeah, they mistake I'd like.

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Speaker 3: Is that metaphor for I don't see I don't want

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Speaker 3: to never talking about Oh.

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Speaker 2: No, I was gonna go racial right away. I was

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Speaker 2: gonna say.

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Speaker 1: When Eden came to the house, they mistaken him for

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Speaker 1: an extra worker, so we handed was another hand.

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Speaker 2: Thanks. They handed me a shovel. It was kind of weird.

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Speaker 4: Why was it weird?

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Speaker 3: You should be used to having shovels in your hand

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Speaker 3: because you work at the stumbling them.

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Speaker 4: Sure that you do a lot of manual labor.

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Speaker 2: Yes, come on, he as delicate hands.

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Speaker 1: They put them with the strawberries and oranges, so yeah,

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Speaker 1: this is this is bad.

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Speaker 4: So they paid me the driveway. Yes, are you happy

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Speaker 4: about that?

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Speaker 1: I am in the driveway fit all the cars of

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Speaker 1: the people that come here that don't actually come, and

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Speaker 1: none of my hosts can drive or have cars.

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Speaker 3: Well, that's a good thing. You don't want too many

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Speaker 3: cars in your driveway. That's when the neighbors still complaining.

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Speaker 3: They want you off the block. They have a weekly

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Speaker 3: eat about you.

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Speaker 1: Yeah, for sure.

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Speaker 4: Are you friendly with your neighbors?

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Speaker 2: I am very much so.

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Speaker 1: This is actually one of like one of the few

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Speaker 1: neighborhoods post gentrification that feels like an actual neighborhood. Like

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Speaker 1: there was a bunch of kids playing in the driveway.

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Speaker 1: That made me feel good. I haven't seen kids like

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Speaker 1: go in someone else's yard or driveway in a long time. Like,

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Speaker 1: it's okay on this block because everyone knows each other,

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Speaker 1: so that feels good.

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Speaker 4: It's a total opposite for me.

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Speaker 3: I'm not I don't really speak to people in the building,

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Speaker 3: and I'll see them, I'll say hello, but like you

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Speaker 3: don't really we don't really have conversation like me and

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Speaker 3: like the guys at the front desk are cool.

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Speaker 4: We have conversations a lot.

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Speaker 1: You have to be cool with them. After they got

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Speaker 1: to hold it down.

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Speaker 4: They gotta hold it down.

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Speaker 1: They can't mix up names.

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Speaker 4: They can't let people up without calling you first. Yo.

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Speaker 2: The doorman is so underwall man or a piece of shit.

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Speaker 4: Man. Those are the front line workers. Let me tell

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Speaker 4: you they need we need to we need to start

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Speaker 4: a union for them, like on the side of the

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Speaker 4: union that they have already.

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Speaker 1: But I thought there was statute of limitations on it.

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Speaker 1: It's so funny. Brought bring up the door guy because

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Speaker 1: my guy Mark, I won't say the building I ran

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Speaker 1: into for the first time since I moved out of

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Speaker 1: the building, which has been like five years maybe hm,

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Speaker 1: and he kind of snitched. He was like this guy

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Speaker 1: in the amount he had come in and out. I

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Speaker 1: was like, Mark, Please, I thought he had the agreement

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Speaker 1: when I moved out.

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Speaker 2: We still have that agreement.

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Speaker 3: Jesus Christ, Mark, what are you doing? You don't never

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Speaker 3: you never give up the intel never.

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Speaker 4: You know.

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Speaker 1: He was drunk at a barbecue.

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Speaker 2: Yeah, so I don't really Mark the dark I hate

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Speaker 2: so much. I forgot that you can read my notes.

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Speaker 3: We don't really, you know, I don't really speak to

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Speaker 3: people in my building, like I said, other than you know,

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Speaker 3: Doorman and a few few of the tenants that I

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Speaker 3: see often enough kind of develop a little report. But

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Speaker 3: other than that, it's quiet. Any hos in your building,

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Speaker 3: I'm not sure if there's I mean, I haven't seen it,

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Speaker 3: but my eye was are weird. Like I leave early

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Speaker 3: and I don't get back until probably two three in

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Speaker 3: the morning sometimes, you know what I mean.

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Speaker 2: So it's like late nights for this guy. There's something.

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Speaker 3: Not all the time, but most of the times I

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Speaker 3: get in after everybody because the people in my building,

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Speaker 3: everybody either it has a job or travels, but.

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Speaker 1: The hose get in around two three am.

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Speaker 4: Sometimes no hose. Let me tell you about these holes.

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Speaker 4: They stay wherever they at, they stay overnight.

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Speaker 1: Now, we have a nice building, so I thought maybe

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Speaker 1: you'd run into like hose visiting.

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Speaker 4: Not really not.

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Speaker 3: I've seen a few in and out that I was like, oh, okay,

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Speaker 3: wonder she lives here, or fuck somebody that lived in

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Speaker 3: the same building as you are years ago.

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Speaker 4: And I will never make that mistake again in my life.

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Speaker 1: Yeah, I think that's that's a bad one.

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Speaker 4: You never do that. You never never do that.

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Speaker 2: It's almost as bad as like girl at your job.

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Speaker 3: That's almost as bad as I don't know anything bad

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Speaker 3: you wanted, you never want to know. Don't do not

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Speaker 3: do it, fellas, do not do it.

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Speaker 4: Don't do it or do it. No, no, no, no.

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Speaker 3: No, I wouldn't even put that roll the dice. No,

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Speaker 3: you don't want to roll those put those dice. In

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Speaker 3: matter of fact, throw those dice in the ocean.

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Speaker 2: What if it flipped on you though?

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Speaker 1: What if you saw her bringing in a new dude

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Speaker 1: the following week? How would you feel? Because we think

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Speaker 1: about like, oh yeah, she's gonna see us bring another

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Speaker 1: chick and feel a way. What if she got a

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Speaker 1: new dude the next day?

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Speaker 4: I mean, that's that's fine. I'm not you know, I don't.

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Speaker 3: I wouldn't care about it. I'm just like, okay, cool,

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Speaker 3: now we know that we both you know what I'm saying.

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Speaker 3: It's like listen, yeah, we hooked up whatever it was,

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Speaker 3: but it's not no real ties here. We don't have

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Speaker 3: to act like we go together, like we're serious.

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Speaker 4: Like it's like, okay, set that set the tone. I

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Speaker 4: like when women set the tone and.

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Speaker 1: Don't let mark the narcs it. Oh yeah, you aside, Jamil, Yeah.

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Speaker 4: Yeah, they see it. They see it. How it is

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Speaker 4: on my fucking on my mail now yeah yeah yeah

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Speaker 4: uh so yeah, man, that was it. I didn't do

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Speaker 4: too much this week. Oh no, I'm lying.

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Speaker 3: I went to the uh the premiere for point Guard's Boardroom.

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Speaker 3: Show Time presents UH in NYC, point Guard's documentary about

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Speaker 3: the New York City point Guard Legends.

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Speaker 1: So the garpet, Yeah, no, it was.

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Speaker 4: It was a really nice event, really nice event.

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Speaker 6: Uh.

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Speaker 4: The documentary is great.

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Speaker 3: The documentary airs, I believe UH tonight if you're listening

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Speaker 3: to this tonight on Showtime n Y see point Guards.

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Speaker 3: It was good to see a lot of the players

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Speaker 3: that I watched growing up, A lot of my friends

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Speaker 3: that were in the dock that played as well with there.

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Speaker 3: So it was a good night of just talking ship

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Speaker 3: and reminiscing and you know, seeing a few legends.

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Speaker 4: It was a dope, dope event. We had a really

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Speaker 4: good time.

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Speaker 1: Early on the Bengo card. Did you talk to Sean Carter?

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Speaker 4: No, I didn't. I didn't see. I didn't see. He

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Speaker 4: wasn't there.

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Speaker 2: Oh, I don't know why I thought I saw.

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Speaker 4: No, that was that? That was that the Rock Nation Offices.

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Speaker 1: Oh, they just watched it at the Rock Officers too.

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Speaker 4: No, they didn't watch it.

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Speaker 3: Did It was just a few players, I guess in town,

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Speaker 3: and you know, everybody wanted to stop by and say

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Speaker 3: what's up the hole if he's in town.

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Speaker 4: So and then Kevin was here. Kevin Hart was in

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Speaker 4: town this week. So yeah, they just had a little

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Speaker 4: you know, anybody just stopped by the office and kicked it.

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Speaker 3: But yeah, it was a really good documentary. Man, if

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Speaker 3: you if you get a chance to watch it, check

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Speaker 3: it out. I believe they shouldn't make this an episodic

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Speaker 3: thing because there's so many stories that weren't talked about,

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Speaker 3: so many players that weren't talked about, so many interviews

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Speaker 3: that they could have had that you know, didn't happen. Again,

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Speaker 3: you can't get everybody in an hour and a half,

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Speaker 3: but they did what they could.

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Speaker 4: It's a really good piece. Shout out to keV, Shout

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Speaker 4: out to Rich Climbing, Coody and cheek A.

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Speaker 3: Uh yeah, they were involved with the Yeah they did.

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Speaker 3: They did some work on this project as well. So

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Speaker 3: it was just a really good project. And it you know,

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Speaker 3: it just it just shines the light on the.

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Speaker 4: Position of the point guards coming out of New York City,

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Speaker 4: which you know, everybody know, if you want a point guard,

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Speaker 4: go to New York you might find one.

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Speaker 1: I'm starting to see a pattern and the things that

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Speaker 1: you take me as your plus one on and the

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Speaker 1: things you don't take me on your plus one. Well,

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Speaker 1: dinner's at Dumbo House. You let me get an appetizer

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Speaker 1: and everything. It's amazing. Yeah, but like for the ship,

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Speaker 1: I'd love to go to No. Plus one for Rory.

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Speaker 4: Well, this this was the last minute thing number one

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Speaker 4: and number two.

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Speaker 1: It wasn't you announced it like four days in advance. No.

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Speaker 3: But when I say last meaning I didn't get my

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Speaker 3: rs VP until like the like Rich was basically like

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Speaker 3: damn And he was not lying one thing about Rich.

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Speaker 4: He was honest that it.

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Speaker 1: Was packed and it was actual seats, right, yeah, they

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Speaker 1: had to account for yes.

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Speaker 3: So it was like people standing like in the in

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Speaker 3: the on the steps to get to the seats.

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Speaker 4: To watch it.

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Speaker 3: It was just you know, it was just impacted packed

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Speaker 3: me because it was at a small theater in Midtown

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Speaker 3: that they rented out. Then they had an after party

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Speaker 3: at the lines like a lounge just side of theater

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Speaker 3: as well. So we were there for about an hour

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Speaker 3: and a half two hours just just you know, or dervs.

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Speaker 2: Did you flick it up?

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Speaker 4: Only with like guys that I really know, I wasn't

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Speaker 4: in there trying to take picks. Cool moment though. Mark

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Speaker 4: Jackson is a.

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Speaker 2: Fan really and was happy. Yeah.

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Speaker 4: Man, he had some great words for me.

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Speaker 1: Man.

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Speaker 3: I was like, I'm looking at Mark, like Mark, I'm

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Speaker 3: I grew up watching you, bro. This is yeah, no, definitely,

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Speaker 3: like this is like a surreal moment. I let him

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Speaker 3: know that I have pictures from I believe it was

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Speaker 3: his birthday celebrity basketball game back in like eighty made

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Speaker 3: it maybe eighty seven, eighty eight, maybe I was a

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Speaker 3: little kid went to the game. I think it was

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Speaker 3: at Saint John's celebrity basketball game. I have pictures of

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Speaker 3: Mark Jackson rest the piece heavy D I think slick Rick.

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Speaker 3: It was like I will never forget that because that

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Speaker 3: was the first time I can remember like being somewhere

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Speaker 3: and seeing dudes that I saw on TV all the time.

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Speaker 4: So it was like I brought that.

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Speaker 3: Up to He was looking at me like I had

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Speaker 3: took him back thirty years, like Jesus, Like, so, I'm

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Speaker 3: gonna find those pictures and when it tag Mark Jackson

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Speaker 3: on Instagram, when I get those pictures.

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Speaker 1: But you had New York City point guards Peach photo

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Speaker 1: shot me into with Mark and but like as an adult.

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Speaker 3: Kid NYC point guards man. Check it out on showtime again.

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Speaker 3: Shout out to Rich Kleimban, Shout out the KD on

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Speaker 3: the great job.

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Speaker 1: Can I, since you brought up Kevin Hart, can I

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Speaker 1: tell you a really embarrassing story from this past weekend

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Speaker 1: that involves Kevin Hart?

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Speaker 2: Yes, a very quick one. I somehow ended up at.

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Speaker 1: Tal which I don't do.

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Speaker 2: Excuse me.

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Speaker 1: I was in the city already. I was like, fuck

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Speaker 1: it and shout out to my mandel. He invited me

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Speaker 1: get in there, and I guess, uh, keV had just

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Speaker 1: done I think no, this was when he was in Jersey.

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Speaker 2: I don't might have been Prudential Potential Center. So I

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Speaker 2: walked in with Delle.

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Speaker 1: We go over to like where Kev's area is or whatever,

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Speaker 1: and keVs is standing up like on the section and

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Speaker 1: we make eye contact and he says hello, And when

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Speaker 1: I say, I fumbled the non verbal what up?

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Speaker 2: I did like the salute.

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Speaker 1: Prayer hands in the middle of no, And I was like,

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Speaker 1: I think I was gonna go home. I think I

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Speaker 1: did like a salute like bow pray. I'm like, what

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Speaker 1: am I doing right now? Well, it was I didn't

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Speaker 1: I don't know what to do the non verbal. I

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Speaker 1: think saying hello and daput. Now my chest is not

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Speaker 1: so funny, is it.

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Speaker 4: Yeah? I guess that's true, but not I think it

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Speaker 4: was because you was at Tao.

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Speaker 3: You've seen a big statue of the Buddha, So I

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Speaker 3: don't I think you didn't know if you were a

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Speaker 3: mon for a second, you didn't know if you were

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Speaker 3: a Catholic.

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Speaker 4: You had lost all since I was looking to.

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Speaker 2: Mecca was directed, the car was outside, all.

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Speaker 4: Over the place. If Kevin had you flustered, it's okay.

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Speaker 1: keV did not have me flustered. I just didn't know

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Speaker 1: what to do. I'm not good at club loud situations.

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Speaker 3: Yeah, and you're socially awkward as it is, for sure.

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Speaker 3: You just don't across the room is asking you to

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Speaker 3: do a lot like and acknowledging somebody across the room

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Speaker 3: is asking you really.

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Speaker 1: Really, And that's with a man. When it comes to

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Speaker 1: women in those situations, I never know the proper hug.

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Speaker 1: I don't know if I should start a conversation. I'm like,

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Speaker 1: right in your ear. Yeah, it's just I just don't

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Speaker 1: know what to do in the club.

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Speaker 4: It's nasty. It's nasty. But shout out to keV. He

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Speaker 4: was in he was in New York all week shows

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Speaker 4: in Jersey.

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Speaker 3: MSG Barclay's, Chris Rock, Chris Rock, Dave Chappelle came out.

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Speaker 4: I think of the Garden and keV bought Chris Rock

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Speaker 4: of Goat, Pet Goat. I liked it. Named it. I

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Speaker 4: think they named it Will Smith. I'm not I did

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Speaker 4: see that.

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Speaker 1: That's his laugh.

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Speaker 3: Yeah, the conversation between Chris Rock and Will Smith is

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Speaker 3: going to break the internet.

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Speaker 4: Oh yeah, because they will sit down.

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Speaker 2: And talk about it. You think how long will be

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Speaker 2: in till them though?

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Speaker 4: It might be a while. But I know. But I

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Speaker 4: don't think Chris Rock is a.

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Speaker 3: I don't think he's at a point where he's like,

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Speaker 3: I will never speak to that motherfucker again.

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Speaker 4: I don't think he's I don't think Chris Rock has

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Speaker 4: that in him.

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Speaker 3: I think Chris Rock is a very mild man and

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Speaker 3: soft spoken guy. I don't think that he'll ever, you know,

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Speaker 3: forget that. I don't think anybody can. But I think

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Speaker 3: they won't forget it. Yeah, but I think that they'll

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Speaker 3: sit down and talk about it. Uh and then in

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Speaker 3: a weird way, when you're a comedian, comedic actor like

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Speaker 3: Chris Rock, legendary Chris Rock, I think it's almost like

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Speaker 3: you gotta kind of, like, you know, hash those type

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Speaker 3: of situations out and move forward. Because because comedians can't

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Speaker 3: have beef, comedians allowed to have beef like long lasting,

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Speaker 3: like lifelong beef.

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Speaker 1: I think to this day, Mike EPs and Kevin Hart

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Speaker 1: still have I wouldn't call it beef, but I feel

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Speaker 1: like Mike Epps always throw shots at keV Yeah.

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Speaker 3: See, And that's why I think Chris Rock and Will

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Speaker 3: situation is different. I don't think they ever really well.

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Speaker 3: Chris Rock has said some things about Will Smith before,

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Speaker 3: but I don't think it was nothing that was like,

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Speaker 3: you know, you can't get over that.

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Speaker 1: Well, I don't know, smacking the shit out of me

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Speaker 1: at the Oscars. It might be on my list of

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Speaker 1: I'm good on Will.

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Speaker 4: Yeah, I mean, I don't know.

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Speaker 3: I think that I think that they will sit down

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Speaker 3: and have a conversation about that at some point, and.

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Speaker 1: Carlo sman C and Joe Rogan, oh boy, forever beef.

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Speaker 4: I don't know. Yeah, that would be interesting to watch too.

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Speaker 1: I don't think it will ever happen, No, I don't.

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Speaker 4: Think so either.

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Speaker 3: With Chris Rock and Will Smith though I do think

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Speaker 3: will happen. But either way, shout out to keV for

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Speaker 3: a sold out week in New York City and in

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Speaker 3: New Jersey.

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Speaker 1: Also this week, I found myself on YouTube. Have you

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Speaker 1: ever seen the dad reacts to hip hop song? For

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Speaker 1: the first time.

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Speaker 3: I've seen a few of those videos where people react.

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Speaker 3: I don't know if I've seen this picul one there.

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Speaker 1: I mean there's like ones where it's like, uh, metal

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00:14:04,640 --> 00:14:08,400
Speaker 1: rock band reviews a NAS album or something, and they

355
00:14:08,480 --> 00:14:10,000
Speaker 1: just try to do that. So with the dads, this

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00:14:10,040 --> 00:14:13,040
Speaker 1: is like a whole thing. I somehow with my algorithms.

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00:14:13,120 --> 00:14:16,880
Speaker 1: It said dad reacts to Tupac hit him up, and

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Speaker 1: I was at the edge of my fucking seat. Tupac

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00:14:20,800 --> 00:14:23,920
Speaker 1: said that's why fucked your bitch, you fat motherfucker, and

360
00:14:23,960 --> 00:14:26,040
Speaker 1: the dad goes, ooh great baseline there.

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Speaker 4: He had a point. He had a point.

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Speaker 1: And then my favorite part was after Poc says Big

363
00:14:32,960 --> 00:14:35,440
Speaker 1: used to sleep on my couch, he goes they were friends.

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00:14:37,160 --> 00:14:40,400
Speaker 3: It's like somebody so like appalled and surprise at the

365
00:14:40,440 --> 00:14:43,200
Speaker 3: history of these gentlemen after all of these years, Like okay,

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00:14:43,200 --> 00:14:46,240
Speaker 3: these guys have been what they died twenty five years ago.

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Speaker 1: And then the final one that really took me out,

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Speaker 1: if you will an internet's line when Poc said, fuck

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Speaker 1: bad boy is a record label staff and there's a

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Speaker 1: whole crew or whatever he said. He means business.

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Speaker 4: He did.

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Speaker 3: He did that, Poc ment, Oh, this is the perfect

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00:15:06,000 --> 00:15:08,360
Speaker 3: dad to have. Oh he's never heard a Tupac record.

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Speaker 3: He's never heard a big record.

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Speaker 4: Ever, this is like the perfect dad to do this with.

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00:15:14,160 --> 00:15:15,120
Speaker 4: I gotta check this out.

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00:15:15,440 --> 00:15:17,920
Speaker 1: They are funny. I used to wonder to myself, like

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00:15:17,920 --> 00:15:20,120
Speaker 1: why do people watch these reaction videos like who gives

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00:15:20,120 --> 00:15:21,640
Speaker 1: a fuck? There's something addicting about them.

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00:15:22,560 --> 00:15:23,080
Speaker 2: It's weird.

381
00:15:23,120 --> 00:15:26,400
Speaker 3: It's something addicting about watching somebody experience something for the

382
00:15:26,400 --> 00:15:28,360
Speaker 3: first time that you has been a part of your

383
00:15:28,400 --> 00:15:31,960
Speaker 3: life and culture forever. And it's just funny because it's

384
00:15:32,080 --> 00:15:34,400
Speaker 3: like a like what you see him really taking it

385
00:15:34,440 --> 00:15:34,920
Speaker 3: all in for.

386
00:15:34,880 --> 00:15:35,400
Speaker 4: The first time.

387
00:15:35,560 --> 00:15:38,920
Speaker 2: Pauls DA that was a fucking but Yo, that was crazy.

388
00:15:39,080 --> 00:15:45,280
Speaker 4: That was wild. That was I'm sorry listeners, I'm sorry.

389
00:15:44,760 --> 00:15:45,640
Speaker 2: Would have been beside him.

390
00:15:46,800 --> 00:15:51,400
Speaker 3: I shouldn't suggest our listeners to such such such crazy blash.

391
00:15:51,920 --> 00:15:54,800
Speaker 7: I just want to review the New Law podcast. I'll

392
00:15:54,840 --> 00:15:57,840
Speaker 7: send you the exact episode, but something about to do

393
00:15:57,880 --> 00:15:59,200
Speaker 7: a reaction video to what.

394
00:15:59,200 --> 00:16:01,760
Speaker 2: I don't like about I love my dad to do one.

395
00:16:01,920 --> 00:16:03,440
Speaker 6: I want your dad to watch the one where you

396
00:16:03,480 --> 00:16:05,240
Speaker 6: were talking about butterfly doors.

397
00:16:05,800 --> 00:16:08,200
Speaker 3: Oh you don't want my dad And he was like,

398
00:16:08,360 --> 00:16:10,000
Speaker 3: you supposed to get on old fools and let her

399
00:16:10,000 --> 00:16:12,320
Speaker 3: do it. Like my dad is like that type of dad. Yeah,

400
00:16:12,360 --> 00:16:14,000
Speaker 3: my dad is no, no, no, y'all don't understand.

401
00:16:14,040 --> 00:16:14,840
Speaker 4: Y'all think he's.

402
00:16:14,680 --> 00:16:17,400
Speaker 3: Crazy, like I really want to, Like he's one of

403
00:16:17,400 --> 00:16:19,680
Speaker 3: those types of we don't have an old filter. He

404
00:16:19,720 --> 00:16:21,720
Speaker 3: says what he wants and you're just gonna have to

405
00:16:21,720 --> 00:16:22,160
Speaker 3: deal with it.

406
00:16:22,600 --> 00:16:24,160
Speaker 2: Yeah, old school dad.

407
00:16:24,240 --> 00:16:26,520
Speaker 4: Yeah, dad ship, real old school dad ship.

408
00:16:26,600 --> 00:16:29,400
Speaker 1: But this was the these dad reviews. I think it's

409
00:16:29,400 --> 00:16:31,760
Speaker 1: cool and like progressive with all these like old liberal

410
00:16:32,080 --> 00:16:33,600
Speaker 1: hippie dads, like I like rapping now.

411
00:16:33,640 --> 00:16:36,960
Speaker 2: Oh I get the poetry here, the poetry.

412
00:16:36,440 --> 00:16:38,680
Speaker 1: Like, no, that's most of theirs are like, oh it's

413
00:16:38,680 --> 00:16:40,440
Speaker 1: that's such a deep poem?

414
00:16:40,600 --> 00:16:41,320
Speaker 2: Is that a sonnet?

415
00:16:41,760 --> 00:16:44,520
Speaker 1: Like they get very very liberally, you know, the new

416
00:16:44,520 --> 00:16:48,080
Speaker 1: wave dads. I do miss the old parents, Like if

417
00:16:48,080 --> 00:16:50,600
Speaker 1: I would play Tupac hit him up from my mom

418
00:16:50,600 --> 00:16:52,680
Speaker 1: and it started with that's why I fucked your bitch,

419
00:16:52,680 --> 00:16:55,760
Speaker 1: you fat motherfucker. My mom would yell at me like

420
00:16:55,800 --> 00:16:57,480
Speaker 1: what the fuck are you listening to. I'm like, well, hey,

421
00:16:57,480 --> 00:16:58,520
Speaker 1: he just cursed too, mom.

422
00:16:58,440 --> 00:17:00,440
Speaker 3: Which is what happened, because that would be perfect for

423
00:17:00,480 --> 00:17:02,920
Speaker 3: me because my mom she you know, obviously no snoop

424
00:17:02,920 --> 00:17:05,840
Speaker 3: pop big, but I remember her telling me turn that

425
00:17:05,840 --> 00:17:06,400
Speaker 3: shit off.

426
00:17:06,760 --> 00:17:09,320
Speaker 1: Oh, I told that story when my mother broke my

427
00:17:09,359 --> 00:17:12,040
Speaker 1: Country Grammar c D and half a Country Grammar.

428
00:17:12,640 --> 00:17:14,240
Speaker 2: Nelly's Nellie was doing crazy.

429
00:17:13,960 --> 00:17:14,840
Speaker 4: On Country Grandma like that.

430
00:17:14,880 --> 00:17:16,919
Speaker 2: I told that story on here. The first record is

431
00:17:17,200 --> 00:17:17,960
Speaker 2: you I mean.

432
00:17:19,640 --> 00:17:22,439
Speaker 1: Some get Hide was just smoking fuck all day and

433
00:17:22,480 --> 00:17:23,920
Speaker 1: I had that mad loud.

434
00:17:23,720 --> 00:17:25,000
Speaker 4: Oh my smoking fuck all day.

435
00:17:25,080 --> 00:17:26,440
Speaker 2: But mind it was my first time.

436
00:17:26,520 --> 00:17:30,360
Speaker 1: Like I didn't get to track three, right, I didn't

437
00:17:30,359 --> 00:17:31,480
Speaker 1: even get to the single, like.

438
00:17:31,840 --> 00:17:32,840
Speaker 4: Yeah, mom, it got better.

439
00:17:33,240 --> 00:17:36,560
Speaker 3: It wasn't as harsh like nell Nellie's Country Grandma wasn't

440
00:17:36,600 --> 00:17:38,480
Speaker 3: as hard. He has some records on there or that.

441
00:17:38,520 --> 00:17:40,560
Speaker 3: If you go back and listen, like Nelly was talking.

442
00:17:40,320 --> 00:17:42,600
Speaker 2: This ship Mom, you'll love ride with me absolutely.

443
00:17:42,640 --> 00:17:45,040
Speaker 3: That's those are the records that the parents love him like, oh,

444
00:17:45,040 --> 00:17:47,040
Speaker 3: this is the same artist. Yeah, yes, mom, he has

445
00:17:47,080 --> 00:17:48,919
Speaker 3: a another side of him that you know.

446
00:17:49,640 --> 00:17:52,360
Speaker 1: I remember another record that got me in a lot

447
00:17:52,400 --> 00:17:54,520
Speaker 1: of trouble was Shaggy. It wasn't me.

448
00:17:54,800 --> 00:17:57,480
Speaker 2: Wow, it's like stupid records that got.

449
00:17:57,320 --> 00:17:58,160
Speaker 4: Me out of trouble.

450
00:17:58,240 --> 00:18:01,240
Speaker 3: But listening to Shaggy like and they played Jackie on

451
00:18:01,320 --> 00:18:03,439
Speaker 3: cruise ships like it.

452
00:18:03,320 --> 00:18:05,080
Speaker 2: Was never my bone Doug CD like it.

453
00:18:06,119 --> 00:18:08,080
Speaker 1: I think it was the bang on the bathroom floor

454
00:18:08,119 --> 00:18:11,119
Speaker 1: that my mom was like, I don allowed you to

455
00:18:11,119 --> 00:18:11,600
Speaker 1: listen to this.

456
00:18:12,359 --> 00:18:13,879
Speaker 3: You know what it is, That's what it is. I

457
00:18:14,000 --> 00:18:16,240
Speaker 3: keep forgetting the age difference between us when that record

458
00:18:16,240 --> 00:18:16,600
Speaker 3: came out.

459
00:18:16,600 --> 00:18:19,000
Speaker 2: I was fucking ten, yeah, and he was like thirty.

460
00:18:19,040 --> 00:18:21,960
Speaker 4: I get it. I wasn't.

461
00:18:22,960 --> 00:18:24,000
Speaker 1: How old is Mark Jackson?

462
00:18:25,080 --> 00:18:31,080
Speaker 3: Never mind Mark Jackson, Mark probably like fifty at least.

463
00:18:30,920 --> 00:18:31,639
Speaker 1: Trying to compare it.

464
00:18:31,720 --> 00:18:34,320
Speaker 2: Just let's see, Mark Jackson is a solid fifty seven

465
00:18:34,400 --> 00:18:34,840
Speaker 2: years old.

466
00:18:34,920 --> 00:18:35,720
Speaker 4: Oh fifty seven.

467
00:18:35,880 --> 00:18:38,720
Speaker 2: I was young, Yeah, fifty seven. See, I was just

468
00:18:38,720 --> 00:18:39,800
Speaker 2: trying to call you old, that's all.

469
00:18:40,359 --> 00:18:43,720
Speaker 4: It's okay. I appreciate it. Appreciate it that she.

470
00:18:43,720 --> 00:18:45,040
Speaker 1: Was watching his high school games.

471
00:18:45,320 --> 00:18:50,320
Speaker 4: It wasn't you never see Mark Jackson play a high

472
00:18:50,320 --> 00:18:52,359
Speaker 4: school game. I've seen I've seen video.

473
00:18:52,480 --> 00:18:53,000
Speaker 1: It was St.

474
00:18:53,040 --> 00:18:54,720
Speaker 2: John's prepp. It wasn't saying John no, no.

475
00:18:54,600 --> 00:18:56,320
Speaker 4: He was at He was at John's already.

476
00:18:56,320 --> 00:18:57,639
Speaker 3: He was at he might have been he might have

477
00:18:57,680 --> 00:18:59,280
Speaker 3: been a rookie d he might have been already playing

478
00:18:59,280 --> 00:19:00,119
Speaker 3: with the Knicks in the game.

479
00:19:00,160 --> 00:19:02,000
Speaker 4: It was just at Saint John's. I can't remember, but

480
00:19:02,000 --> 00:19:03,040
Speaker 4: I'm a find those pictures.

481
00:19:03,080 --> 00:19:05,760
Speaker 1: Well, yes, I please watch all those Dad reacts to

482
00:19:06,240 --> 00:19:08,360
Speaker 1: because they're so full of shit on all of them.

483
00:19:08,400 --> 00:19:09,640
Speaker 4: They're just trying to check them out.

484
00:19:09,840 --> 00:19:12,240
Speaker 3: I love watching a little funny, stupid shit like that

485
00:19:13,480 --> 00:19:15,159
Speaker 3: down a rabbit hole on YouTube.

486
00:19:15,400 --> 00:19:18,040
Speaker 7: So are y'all really be high fans? Or did y'all

487
00:19:18,040 --> 00:19:18,720
Speaker 7: listen to the leak?

488
00:19:19,400 --> 00:19:24,520
Speaker 4: Be hive? Okay, for everybody that's living under the rocket,

489
00:19:24,520 --> 00:19:26,280
Speaker 4: Beyonce album leaked this week.

490
00:19:26,880 --> 00:19:29,479
Speaker 3: There were pictures of serfacing of I believe physical copies

491
00:19:29,480 --> 00:19:30,040
Speaker 3: in Paris.

492
00:19:30,280 --> 00:19:34,480
Speaker 4: Yes, so obviously the.

493
00:19:34,480 --> 00:19:37,840
Speaker 3: Music made its way to everyone's email, phone, social media,

494
00:19:37,880 --> 00:19:41,159
Speaker 3: or whatever you open your phone to. B album was

495
00:19:41,240 --> 00:19:43,719
Speaker 3: somewhere available. A link was floating around everywhere.

496
00:19:43,760 --> 00:19:45,840
Speaker 1: Do you think this will affect the first week sales?

497
00:19:45,880 --> 00:19:46,480
Speaker 4: Absolutely?

498
00:19:48,640 --> 00:19:50,200
Speaker 2: Is the roll out ruined.

499
00:19:51,000 --> 00:19:56,199
Speaker 3: This will not affect anything Beyonce. But to Demarriage's question, no,

500
00:19:56,320 --> 00:20:00,800
Speaker 3: I didn't listen to it, but by now i've I've heard. Yes,

501
00:20:01,200 --> 00:20:03,960
Speaker 3: now I heard some of the music here. Rory played

502
00:20:03,960 --> 00:20:06,840
Speaker 3: some of the album here. Uh, I listened to the

503
00:20:06,880 --> 00:20:07,400
Speaker 3: sounds good.

504
00:20:07,480 --> 00:20:08,160
Speaker 1: It wasn't a leak.

505
00:20:08,240 --> 00:20:10,960
Speaker 4: Also listen to if the album was physically out in Paris.

506
00:20:10,960 --> 00:20:11,560
Speaker 4: It wasn't.

507
00:20:11,560 --> 00:20:13,080
Speaker 1: We just looked at my twenty three and meters. I'm

508
00:20:13,080 --> 00:20:16,040
Speaker 1: two percent Eastern European. It was out in Eastern Europe.

509
00:20:16,080 --> 00:20:17,600
Speaker 1: I felt I was okay to listen to it.

510
00:20:17,640 --> 00:20:18,640
Speaker 4: Absolutely, you can.

511
00:20:18,560 --> 00:20:20,080
Speaker 7: Talk all that you're kicked out of to be here.

512
00:20:20,119 --> 00:20:21,840
Speaker 4: You can only listen to three percent Rember.

513
00:20:22,280 --> 00:20:25,400
Speaker 1: Why am I a disloyal member? And then I didn't

514
00:20:25,400 --> 00:20:27,320
Speaker 1: share it with anyone. I just quietly in my house

515
00:20:27,640 --> 00:20:28,119
Speaker 1: listened to it.

516
00:20:28,160 --> 00:20:29,760
Speaker 7: How did it end up in my even that was.

517
00:20:29,720 --> 00:20:30,760
Speaker 1: For pod related things.

518
00:20:30,760 --> 00:20:31,320
Speaker 4: That nothing.

519
00:20:31,359 --> 00:20:32,720
Speaker 2: I didn't share it with anyone else.

520
00:20:32,640 --> 00:20:33,960
Speaker 4: Say download this and didn't. Don't.

521
00:20:33,960 --> 00:20:36,120
Speaker 2: He said, oh, look what happened, and then that's it.

522
00:20:36,520 --> 00:20:38,960
Speaker 4: You made a choice. I didn't.

523
00:20:39,680 --> 00:20:42,480
Speaker 7: Oh, I didn't play have to stumble in last night

524
00:20:42,560 --> 00:20:43,120
Speaker 7: during this set.

525
00:20:43,240 --> 00:20:44,320
Speaker 2: They don't know about that.

526
00:20:45,480 --> 00:20:47,119
Speaker 1: You hit them with the exclusive no.

527
00:20:47,240 --> 00:20:50,760
Speaker 3: I wish so yeah, No, I didn't listen to the album.

528
00:20:51,640 --> 00:20:54,359
Speaker 4: So yes, I was loyal, loyal to the family.

529
00:20:54,560 --> 00:20:55,520
Speaker 1: No, you just had something to do.

530
00:20:55,560 --> 00:20:56,199
Speaker 4: I didn't yea that.

531
00:20:56,320 --> 00:20:57,520
Speaker 2: Yeah, you're probably too high.

532
00:20:57,520 --> 00:20:59,240
Speaker 4: I would have. I would have definitely listened to it.

533
00:20:59,320 --> 00:20:59,959
Speaker 4: But it sounds good.

534
00:21:00,080 --> 00:21:02,760
Speaker 3: Roy played a few a few tracks off of the album.

535
00:21:02,920 --> 00:21:05,560
Speaker 3: It sounds really good. We obviously know that she's into that,

536
00:21:06,000 --> 00:21:09,119
Speaker 3: the dance bag, the I don't want to, you know,

537
00:21:09,240 --> 00:21:13,199
Speaker 3: offend anybody, but that bop, you know, the.

538
00:21:13,200 --> 00:21:17,160
Speaker 1: Gay Bob, the dance Bob. There's definitely some deep gay

539
00:21:17,280 --> 00:21:20,440
Speaker 1: bobs on here. Gay Bob, weird, some d house.

540
00:21:20,359 --> 00:21:21,520
Speaker 4: No like like I don't.

541
00:21:21,600 --> 00:21:23,920
Speaker 2: I like listen, sounds great.

542
00:21:23,920 --> 00:21:26,080
Speaker 4: I'm a fan of music. If it's good music, I

543
00:21:26,080 --> 00:21:27,760
Speaker 4: don't care what John or what it is. I listen

544
00:21:27,760 --> 00:21:27,879
Speaker 4: to it.

545
00:21:27,920 --> 00:21:30,240
Speaker 2: I'm gonna be voting with with Jamarius one of these

546
00:21:30,320 --> 00:21:31,680
Speaker 2: days and Multi if you want.

547
00:21:31,720 --> 00:21:34,160
Speaker 4: No, I won't be voting. I'm sorry.

548
00:21:34,400 --> 00:21:37,200
Speaker 1: Make me get a vogue out of me, pure honey.

549
00:21:37,320 --> 00:21:39,360
Speaker 4: Yeah, nah, I can't do it.

550
00:21:40,320 --> 00:21:44,480
Speaker 1: And I might sing along to County Hunty. Are you

551
00:21:44,520 --> 00:21:47,240
Speaker 1: allowed to say that word Hunty County?

552
00:21:47,520 --> 00:21:47,760
Speaker 4: Yeah?

553
00:21:47,840 --> 00:21:51,240
Speaker 1: I wasn't saying it racial slur.

554
00:21:51,720 --> 00:21:52,480
Speaker 7: You can say hunt.

555
00:21:53,600 --> 00:21:53,960
Speaker 4: I don't know.

556
00:21:54,080 --> 00:21:55,920
Speaker 3: Wasn't they trying to kill Rocky for saying that ship

557
00:21:55,960 --> 00:21:57,760
Speaker 3: on the song? And I kind of like the fact

558
00:21:57,760 --> 00:21:58,720
Speaker 3: that he brought the word back.

559
00:21:59,400 --> 00:21:59,840
Speaker 4: I don't know.

560
00:22:00,040 --> 00:22:01,840
Speaker 1: Well, I guess it's ma if I was calling a

561
00:22:01,840 --> 00:22:02,320
Speaker 1: woman an.

562
00:22:02,560 --> 00:22:06,520
Speaker 3: I guess you're ninety seven percent Irish, three percent Jewish. Bro,

563
00:22:06,560 --> 00:22:09,640
Speaker 3: you have the cheat code say whatever you want.

564
00:22:09,680 --> 00:22:10,720
Speaker 4: You can do whatever you want.

565
00:22:10,800 --> 00:22:12,800
Speaker 3: They can't cancel you, they can't get rid of you,

566
00:22:12,840 --> 00:22:14,000
Speaker 3: they can't throw you out of the culture.

567
00:22:14,000 --> 00:22:14,640
Speaker 4: It is what it is.

568
00:22:15,880 --> 00:22:17,639
Speaker 1: Well, I guess we can give like a proper, proper

569
00:22:17,680 --> 00:22:20,240
Speaker 1: review once everyone listens to it. But I will say

570
00:22:20,280 --> 00:22:23,960
Speaker 1: it's definitely a different dance vibe than Drake's album.

571
00:22:24,160 --> 00:22:28,000
Speaker 3: It's a little she can, which is why I was,

572
00:22:28,040 --> 00:22:31,280
Speaker 3: you know, I was surprised that Drake did an album

573
00:22:31,359 --> 00:22:36,000
Speaker 3: like that because we don't really get that from rappers.

574
00:22:36,440 --> 00:22:39,320
Speaker 3: Drake Drake is obviously more than just a rapper, but

575
00:22:39,359 --> 00:22:42,280
Speaker 3: we don't get that type of vibe from rappers quote unquote.

576
00:22:42,560 --> 00:22:47,200
Speaker 1: Drake's is definitely much more I feel uk influenced, internationally

577
00:22:47,400 --> 00:22:52,000
Speaker 1: influenced than Beyonce's is. It's a drastically different dance albums

578
00:22:52,000 --> 00:22:55,360
Speaker 1: in my opinion, and Beyonce's is much warmer, there's more

579
00:22:55,359 --> 00:22:57,120
Speaker 1: soul to it, and it's not a shot at Drake.

580
00:22:57,200 --> 00:23:02,040
Speaker 1: He was making a soul dance album. I've really enjoyed it.

581
00:23:02,080 --> 00:23:04,360
Speaker 1: I want to do like a proper review with Shell on.

582
00:23:04,800 --> 00:23:07,520
Speaker 3: And we will listen to it over the weekend. So

583
00:23:07,760 --> 00:23:10,520
Speaker 3: since you heard it fully, what do you recommend? You

584
00:23:10,560 --> 00:23:12,520
Speaker 3: recommend I turn it on and start cleaning the house.

585
00:23:12,800 --> 00:23:19,359
Speaker 1: Yes, definitely clean the house. Fives, definitely, definitely in the car.

586
00:23:20,280 --> 00:23:21,760
Speaker 4: So when I'm going uptown to get a shape up,

587
00:23:21,760 --> 00:23:23,280
Speaker 4: I shouldn't be banging. This is what you're saying.

588
00:23:23,920 --> 00:23:27,560
Speaker 3: I mean, I was talking to a ball shops in

589
00:23:27,600 --> 00:23:30,920
Speaker 3: hallm oh no, so no no good bangs in autumn.

590
00:23:31,040 --> 00:23:34,120
Speaker 2: Yeah yeah, it's Beyonce, but on like.

591
00:23:34,040 --> 00:23:35,440
Speaker 1: The West Side, by the new apartments.

592
00:23:35,600 --> 00:23:39,399
Speaker 4: Yeah see okay, not old Hall, yeah, not New Hall.

593
00:23:42,280 --> 00:23:43,480
Speaker 2: In the thirties on the West Side.

594
00:23:43,480 --> 00:23:45,520
Speaker 4: All right, I got you, I got you. I'm definitely

595
00:23:45,520 --> 00:23:49,600
Speaker 4: gonna check it out. Yeah I'm not. I don't. It's

596
00:23:49,920 --> 00:23:53,320
Speaker 4: excuse me. It's funny because I don't really have Beyonce

597
00:23:53,480 --> 00:23:56,440
Speaker 4: music in my in my library.

598
00:23:56,520 --> 00:23:58,879
Speaker 1: What's funny to your point there. I was talking with

599
00:23:58,920 --> 00:24:01,200
Speaker 1: another woman that must get kicked out of the behive

600
00:24:01,240 --> 00:24:04,000
Speaker 1: because she listened to the leak and she said, I

601
00:24:04,040 --> 00:24:07,119
Speaker 1: feel like this is for the guys. It's not for

602
00:24:07,160 --> 00:24:09,800
Speaker 1: the girls. This this this dance album.

603
00:24:09,840 --> 00:24:12,240
Speaker 2: She was like, this isn't the.

604
00:24:12,200 --> 00:24:14,840
Speaker 4: Gays and she she misspelled she put the away the ugs.

605
00:24:14,880 --> 00:24:17,159
Speaker 2: Maybe you know what that could have been it?

606
00:24:17,200 --> 00:24:20,280
Speaker 1: And what an interesting point that this is for the guys.

607
00:24:20,760 --> 00:24:22,600
Speaker 4: She texted out and she said she texted to me,

608
00:24:22,640 --> 00:24:23,440
Speaker 4: oh yeah, she meant to say.

609
00:24:23,680 --> 00:24:27,080
Speaker 2: She meant it's just that fast. Look see how progressive

610
00:24:27,080 --> 00:24:27,320
Speaker 2: I am.

611
00:24:27,320 --> 00:24:29,640
Speaker 4: I think about exactly. Ran straight to it.

612
00:24:30,480 --> 00:24:32,679
Speaker 3: Definitely gonna check it out. I don't think this affects Beyonce.

613
00:24:32,800 --> 00:24:36,080
Speaker 3: Beyonce is gonna do whatever Beyonce wants to do. Her

614
00:24:36,240 --> 00:24:39,159
Speaker 3: fan base, her Beehive is going to support. And I

615
00:24:39,200 --> 00:24:40,919
Speaker 3: did like the few records that you played.

616
00:24:41,480 --> 00:24:42,200
Speaker 4: I think the.

617
00:24:42,040 --> 00:24:44,840
Speaker 1: Album is phenomenal. Account as a review because we're going

618
00:24:44,840 --> 00:24:45,200
Speaker 1: to do it for.

619
00:24:45,200 --> 00:24:47,240
Speaker 2: One, but are up for listening to the leaks.

620
00:24:47,760 --> 00:24:48,840
Speaker 4: No, I'm not fucked up.

621
00:24:48,880 --> 00:24:51,680
Speaker 3: I think that everybody that's a Beyonce fans probably listened

622
00:24:51,680 --> 00:24:52,639
Speaker 3: to it, but will support it.

623
00:24:52,640 --> 00:24:55,000
Speaker 6: When it when it dropped, I was on Twitter and

624
00:24:55,040 --> 00:24:57,000
Speaker 6: like that, I follow like some of the be high

625
00:24:57,000 --> 00:24:58,760
Speaker 6: fan pages and I'm you know, I'm a part of

626
00:24:58,760 --> 00:25:00,639
Speaker 6: the behive, so even if I'm not following them, like,

627
00:25:00,680 --> 00:25:03,159
Speaker 6: it comes up in my Twitter news feed under like

628
00:25:03,200 --> 00:25:06,560
Speaker 6: the Beyonce topic and they posted a link for you

629
00:25:06,640 --> 00:25:10,440
Speaker 6: to report people sharing it under the eye r I

630
00:25:10,640 --> 00:25:13,080
Speaker 6: double like. They were like, you can report people here.

631
00:25:13,600 --> 00:25:15,720
Speaker 6: You can give their like Twitter handle or they're like

632
00:25:15,800 --> 00:25:18,479
Speaker 6: alias or whatever, and where they shared the link at

633
00:25:18,520 --> 00:25:21,400
Speaker 6: and everything. I said, Beyonce fans are fucking crazy. Y'all

634
00:25:21,400 --> 00:25:22,240
Speaker 6: are reporting people.

635
00:25:22,840 --> 00:25:28,320
Speaker 1: Maria said, y'all are fucking crazy. I think you guys

636
00:25:28,359 --> 00:25:31,640
Speaker 1: are dedicated to an icon.

637
00:25:31,800 --> 00:25:35,880
Speaker 4: I've just never dedicated to a legend and seeing her

638
00:25:36,400 --> 00:25:40,680
Speaker 4: progress and shine. But yeah, will check out the Beyonce

639
00:25:40,760 --> 00:25:45,240
Speaker 4: album this weekend, So yeah, you shouldn't listen to it

640
00:25:45,320 --> 00:25:46,960
Speaker 4: while cleaning the house. That's exactly what I'm gonna do.

641
00:25:47,000 --> 00:25:48,440
Speaker 1: This is another debate I had with a woman that

642
00:25:48,480 --> 00:25:52,600
Speaker 1: we can table after you guys, listen, who's had a

643
00:25:52,640 --> 00:25:55,320
Speaker 1: better second half of their career Michael Jackson or Beyonce.

644
00:25:55,520 --> 00:25:57,480
Speaker 7: Ooh, Beyonce.

645
00:25:58,600 --> 00:25:59,520
Speaker 2: No, I'm gonna say Mike.

646
00:26:00,160 --> 00:26:02,919
Speaker 1: I thought it was Beyonce by a landslide, and she

647
00:26:03,000 --> 00:26:06,760
Speaker 1: got really offended. I don't know if because Michael stands

648
00:26:06,760 --> 00:26:08,760
Speaker 1: are just as crazy as myself.

649
00:26:09,520 --> 00:26:11,680
Speaker 4: Where do you start the second half of Mike's career.

650
00:26:11,720 --> 00:26:13,120
Speaker 1: That's why I kind of want to table this because

651
00:26:13,119 --> 00:26:16,320
Speaker 1: we were having it like offhand without doing proper research.

652
00:26:16,400 --> 00:26:19,000
Speaker 4: Just but if we're just looking at it, uh.

653
00:26:20,480 --> 00:26:21,680
Speaker 2: Yeah, where is the second half?

654
00:26:21,840 --> 00:26:24,240
Speaker 1: And then then we're trying to figure out how old

655
00:26:24,280 --> 00:26:27,440
Speaker 1: Michael was when Beyonce's age now, like we were trying

656
00:26:27,440 --> 00:26:28,680
Speaker 1: to find ways to do it properly.

657
00:26:29,920 --> 00:26:32,159
Speaker 4: Uh, we would have to say, I take.

658
00:26:32,000 --> 00:26:34,879
Speaker 7: My answer back. We're gonna have to investigate.

659
00:26:34,160 --> 00:26:38,879
Speaker 1: That a little interesting questions though, yes, yes, and then

660
00:26:38,880 --> 00:26:40,200
Speaker 1: we can throw prints in there too if we want

661
00:26:40,200 --> 00:26:44,480
Speaker 1: to go crazy, but just to piss everyone off. Yeah,

662
00:26:44,520 --> 00:26:45,200
Speaker 1: but yeah.

663
00:26:46,000 --> 00:26:48,000
Speaker 4: Let's uh yeah, let's do that. I think I have

664
00:26:48,160 --> 00:26:49,960
Speaker 4: my answer ready, but let's let's let's wait.

665
00:26:50,200 --> 00:26:52,200
Speaker 7: Listeners, let us know what you think.

666
00:26:52,280 --> 00:26:56,840
Speaker 6: In the comments, speaking of Beyonce's new album that leaked,

667
00:26:56,960 --> 00:27:01,600
Speaker 6: apparently police heard it along with the fans, and she

668
00:27:01,800 --> 00:27:04,800
Speaker 6: is claiming that her song Energy was sampled without her

669
00:27:04,920 --> 00:27:08,399
Speaker 6: permission and says Beyonce has no soul and that she

670
00:27:08,480 --> 00:27:10,040
Speaker 6: was not contacted about this at all.

671
00:27:11,800 --> 00:27:15,359
Speaker 4: So this is Akalicia's business page, bounty and full. Yes,

672
00:27:16,800 --> 00:27:17,160
Speaker 4: it says.

673
00:27:17,400 --> 00:27:19,720
Speaker 3: My mind is blown too because the level of disrespect

674
00:27:19,800 --> 00:27:22,440
Speaker 3: and other ignorance of all three parties involved is astounding.

675
00:27:22,760 --> 00:27:25,000
Speaker 3: I heard about this the same way everyone else did.

676
00:27:25,440 --> 00:27:27,840
Speaker 3: Nothing is ever, as it seems some of the people

677
00:27:27,840 --> 00:27:30,960
Speaker 3: in this business have no soul or integrity and they

678
00:27:31,000 --> 00:27:32,120
Speaker 3: have everyone fooled.

679
00:27:32,880 --> 00:27:36,639
Speaker 1: Well, first of all, it's not Beyonce's responsibility to clear

680
00:27:36,680 --> 00:27:40,000
Speaker 1: all her samples YEA. Personally, I'm sure she just assumes

681
00:27:40,000 --> 00:27:42,320
Speaker 1: that the publishing company or label will be doing that.

682
00:27:43,080 --> 00:27:47,199
Speaker 1: Number two, and I'm not going to make any assumptions

683
00:27:47,240 --> 00:27:51,639
Speaker 1: of what Kalisa's contract is or anything. But there has

684
00:27:51,680 --> 00:27:53,720
Speaker 1: been plenty of cases where if you don't own any

685
00:27:53,720 --> 00:27:55,520
Speaker 1: of your publishing, they're not even going to contact you

686
00:27:55,560 --> 00:27:57,920
Speaker 1: the clear sample because it's none of your business. Even

687
00:27:57,920 --> 00:27:59,760
Speaker 1: though it's your voice and your music, they own it.

688
00:28:00,040 --> 00:28:01,399
Speaker 1: So if they want to clear the sample or not,

689
00:28:02,200 --> 00:28:04,080
Speaker 1: they'll do it and they don't need to contact you.

690
00:28:04,760 --> 00:28:06,240
Speaker 4: So what song is you referring to?

691
00:28:07,800 --> 00:28:10,040
Speaker 2: Energy? Energy Off the Renaissance?

692
00:28:10,119 --> 00:28:11,760
Speaker 1: And I don't know if that's the case with Alice,

693
00:28:11,760 --> 00:28:13,120
Speaker 1: I want to make that very clear. I'm just saying

694
00:28:13,200 --> 00:28:16,960
Speaker 1: there are instances if you sell your publishing, depending what's

695
00:28:16,960 --> 00:28:20,520
Speaker 1: in that contract, that they'll reach out to the publishing company,

696
00:28:20,520 --> 00:28:22,600
Speaker 1: and the publishing company will decide if they want to

697
00:28:22,600 --> 00:28:24,639
Speaker 1: clear it or not, and they're not even going to

698
00:28:24,720 --> 00:28:28,360
Speaker 1: contact you. So maybe her publishing company, in a scenario

699
00:28:28,720 --> 00:28:31,920
Speaker 1: cleared it and didn't have to contact her singing. There's

700
00:28:31,920 --> 00:28:34,040
Speaker 1: a world that that exists. I don't know her contract,

701
00:28:34,480 --> 00:28:36,720
Speaker 1: nor am I implying that that is the case, but

702
00:28:37,320 --> 00:28:38,080
Speaker 1: that's happened before.

703
00:28:38,160 --> 00:28:41,320
Speaker 4: I just love the fact that they theyre pre is

704
00:28:41,360 --> 00:28:42,840
Speaker 4: it called prefaced pre faith?

705
00:28:42,840 --> 00:28:43,560
Speaker 2: Oh yeah, I guess so.

706
00:28:43,840 --> 00:28:46,320
Speaker 3: It says the singer turned chef went in on her keyboard,

707
00:28:46,400 --> 00:28:49,000
Speaker 3: sharing a piece of her mind with no crumbs left behind.

708
00:28:49,320 --> 00:28:54,360
Speaker 2: Yeah. I hate copywriters so much. Who wrote that?

709
00:28:54,840 --> 00:28:55,440
Speaker 4: Who wrote that?

710
00:28:55,520 --> 00:28:55,800
Speaker 2: Taylor?

711
00:28:56,200 --> 00:28:56,400
Speaker 4: Yeah?

712
00:28:57,200 --> 00:29:00,120
Speaker 6: And just to clarify it, beyond the energy, so long

713
00:29:00,160 --> 00:29:03,720
Speaker 6: as Beyonce song and it samples Kalisa's two thousand track

714
00:29:03,800 --> 00:29:04,520
Speaker 6: get Along with You.

715
00:29:05,200 --> 00:29:09,080
Speaker 1: Here's my thing too, though, Like, let's because we don't

716
00:29:09,080 --> 00:29:12,719
Speaker 1: know Kalise's contract, let's not even talk about it. Yeah,

717
00:29:12,840 --> 00:29:15,520
Speaker 1: do we think there's a world and does Calise think

718
00:29:15,520 --> 00:29:19,360
Speaker 1: there's a world where Beyonce told everyone, hey, don't tell Caalise.

719
00:29:21,400 --> 00:29:23,720
Speaker 1: Do we think Beyonce wouldn't have the funds to cover

720
00:29:23,800 --> 00:29:26,240
Speaker 1: whatever that sample clearance fee would be or whatever back

721
00:29:26,360 --> 00:29:26,880
Speaker 1: end they need.

722
00:29:27,400 --> 00:29:29,520
Speaker 3: I think as an artist that Calise knows how these

723
00:29:29,560 --> 00:29:34,160
Speaker 3: things go sometimes, So I think that does this seem

724
00:29:34,200 --> 00:29:37,120
Speaker 3: to be like a thing where I think every year

725
00:29:37,320 --> 00:29:39,600
Speaker 3: more and more I find I kind of figure out

726
00:29:39,680 --> 00:29:42,520
Speaker 3: or I see more and more women that I feel

727
00:29:42,520 --> 00:29:45,600
Speaker 3: like have an issue with Beyonce than I thought.

728
00:29:46,000 --> 00:29:47,760
Speaker 2: Uh yeah, because that's it.

729
00:29:47,800 --> 00:29:50,640
Speaker 1: I'm not saying again that no, but it's very clickbaity

730
00:29:51,520 --> 00:29:53,920
Speaker 1: because you know the Internet is going to attack you

731
00:29:54,480 --> 00:29:56,440
Speaker 1: if you say something bad about Beyonce, and some people

732
00:29:56,480 --> 00:29:59,480
Speaker 1: take advantage of that. They don't mind being the villain

733
00:29:59,600 --> 00:30:01,040
Speaker 1: and they know it's gonna get a shit ton of

734
00:30:01,120 --> 00:30:04,200
Speaker 1: traction because the behive will fucking attack you. So yeah,

735
00:30:04,200 --> 00:30:06,600
Speaker 1: I think people use that to their advantage. That's an

736
00:30:06,600 --> 00:30:10,480
Speaker 1: Internet tactic. I believe trolling would fall into that category.

737
00:30:10,840 --> 00:30:13,040
Speaker 3: As you said, Roy, Yeah, Calise, I don't. I don't

738
00:30:13,120 --> 00:30:17,880
Speaker 3: believe that you know, Beyonce meant to you know, sample

739
00:30:17,920 --> 00:30:20,520
Speaker 3: your record and not you know, like you said, the

740
00:30:20,520 --> 00:30:22,600
Speaker 3: publishing company may have already taken care of, which I'm

741
00:30:22,640 --> 00:30:23,280
Speaker 3: sure they did.

742
00:30:23,640 --> 00:30:24,400
Speaker 4: This is Beyonce.

743
00:30:24,520 --> 00:30:27,080
Speaker 3: This is the top of the top. It doesn't get

744
00:30:27,080 --> 00:30:29,800
Speaker 3: any bigger than Beyonce. All of her music and samples.

745
00:30:29,840 --> 00:30:31,840
Speaker 3: Everything was clear. People were paid. That was supposed to

746
00:30:31,840 --> 00:30:32,480
Speaker 3: be paid.

747
00:30:33,080 --> 00:30:37,360
Speaker 4: If you didn't know about it, I mean, maybe you

748
00:30:37,400 --> 00:30:40,880
Speaker 4: don't own that record. Or does she want Beyonce to

749
00:30:40,960 --> 00:30:44,400
Speaker 4: like reach out to her personally and say, hey, you know,

750
00:30:44,400 --> 00:30:47,120
Speaker 4: I'm going to be using a sample from your song

751
00:30:47,160 --> 00:30:49,200
Speaker 4: on this It was already cleared. Is that what she

752
00:30:49,240 --> 00:30:49,720
Speaker 4: was looking for?

753
00:30:49,760 --> 00:30:51,080
Speaker 2: Apparently she has a writing credit.

754
00:30:51,680 --> 00:30:54,640
Speaker 1: She has writing credit, Calise, Yeah, I mean, and that

755
00:30:54,720 --> 00:30:57,400
Speaker 1: means she was credited and it was paid, because yeah,

756
00:30:57,520 --> 00:30:59,280
Speaker 1: when you sample someone, they get writing credit.

757
00:30:59,480 --> 00:30:59,880
Speaker 2: Yeah.

758
00:31:00,000 --> 00:31:03,000
Speaker 4: Again, if she's credited as a writer, then everything that

759
00:31:03,000 --> 00:31:05,880
Speaker 4: was supposed to be paid is Yeah, it's paid about right.

760
00:31:05,920 --> 00:31:09,200
Speaker 4: Maybe she just didn't get that email or people didn't

761
00:31:09,200 --> 00:31:10,760
Speaker 4: tell her about it. I don't know. Yeah, if she

762
00:31:12,680 --> 00:31:14,720
Speaker 4: just want people to know that Beyonce and ship, maybe

763
00:31:14,800 --> 00:31:16,640
Speaker 4: that's what it is. Maybe she feels like, let me

764
00:31:16,680 --> 00:31:19,200
Speaker 4: just put that out there. I don't know. This sounds

765
00:31:19,240 --> 00:31:22,400
Speaker 4: like arm R and Beef. That's part of.

766
00:31:24,800 --> 00:31:31,400
Speaker 1: Mm hmm. I just realized NOAs and jay Z, Beyonce, Calise.

767
00:31:31,920 --> 00:31:36,480
Speaker 1: I'm starting to put the pieces together because every single

768
00:31:36,560 --> 00:31:38,480
Speaker 1: time no tries to put something out, jay Z or

769
00:31:38,520 --> 00:31:40,920
Speaker 1: Beyonce ruins it. So Palise is like, not on my watch.

770
00:31:41,720 --> 00:31:45,240
Speaker 1: Oh yeah, I'm gonna fuck up your release, pal all right, I.

771
00:31:45,160 --> 00:31:48,480
Speaker 4: Don't think yeah, I don't about to say.

772
00:31:48,480 --> 00:31:50,520
Speaker 3: I don't think Alice's trying to hold nods down in

773
00:31:50,640 --> 00:31:53,160
Speaker 3: any type of fashion right now.

774
00:31:53,200 --> 00:31:55,000
Speaker 1: I listen to my baby, they sounded like they were

775
00:31:55,040 --> 00:32:05,040
Speaker 1: in great standing. Okay, speaking of listening to music in

776
00:32:05,040 --> 00:32:07,960
Speaker 1: the car, what are some of your favorite car albums?

777
00:32:09,200 --> 00:32:12,880
Speaker 3: Some of my favorite car albums. I like uh Dom

778
00:32:12,960 --> 00:32:14,080
Speaker 3: Kennedy Get Home Safely.

779
00:32:14,200 --> 00:32:15,840
Speaker 1: I feel like oh Dom is great for the car.

780
00:32:16,040 --> 00:32:18,360
Speaker 4: Yeah. I like Whiskey, Lever Cushion, Orange.

781
00:32:18,160 --> 00:32:21,080
Speaker 1: Juice great, especially smoking the car.

782
00:32:21,200 --> 00:32:24,000
Speaker 4: Yeah. I like Puff No Way Out.

783
00:32:26,200 --> 00:32:27,760
Speaker 1: You have to have great speakers though for Puff No

784
00:32:27,800 --> 00:32:28,320
Speaker 1: Way Out.

785
00:32:28,160 --> 00:32:35,400
Speaker 4: Reasonable doubt of course. Trying to think of some R

786
00:32:35,440 --> 00:32:40,520
Speaker 4: and b uh one twelve.

787
00:32:42,000 --> 00:32:43,000
Speaker 2: Okay, not mad at it?

788
00:32:46,200 --> 00:32:48,280
Speaker 4: Who else? I don't know.

789
00:32:48,440 --> 00:32:50,920
Speaker 3: It depends, man, It depends on like if I'm actually

790
00:32:51,040 --> 00:32:52,200
Speaker 3: driving or if I'm like.

791
00:32:53,880 --> 00:32:54,720
Speaker 4: I like road trips.

792
00:32:54,880 --> 00:32:57,680
Speaker 3: I think when you're on a road trip, that's the

793
00:32:57,720 --> 00:32:59,920
Speaker 3: best time to listen to music, not like when you're

794
00:33:00,040 --> 00:33:01,840
Speaker 3: in the city and you just trying to get cross

795
00:33:01,880 --> 00:33:04,480
Speaker 3: town and like when you're on a road trip and

796
00:33:04,640 --> 00:33:08,280
Speaker 3: you know the scenery and you know bridges and rivers,

797
00:33:08,360 --> 00:33:11,640
Speaker 3: lakes whatever that you're used to. Yeah, you could kind

798
00:33:11,640 --> 00:33:15,960
Speaker 3: of you find yourself listening because this is a there's

799
00:33:16,000 --> 00:33:19,760
Speaker 3: a way to listen to music, like you sometimes you

800
00:33:19,800 --> 00:33:21,840
Speaker 3: can't really just be trying to lock in on it.

801
00:33:21,840 --> 00:33:23,400
Speaker 4: It has just you have to be able to hear it.

802
00:33:23,400 --> 00:33:26,040
Speaker 1: He's been talking to JERMAINEI prex No, seriously, you.

803
00:33:26,040 --> 00:33:27,520
Speaker 3: Have to be able to That's how I find it,

804
00:33:27,640 --> 00:33:30,160
Speaker 3: Like the most times I listened to like albums and stuff.

805
00:33:30,160 --> 00:33:32,040
Speaker 3: That's why I said cleaning the house, because yes, I'm

806
00:33:32,080 --> 00:33:34,680
Speaker 3: listening to the music, but I'm doing stuff that has

807
00:33:34,720 --> 00:33:37,200
Speaker 3: my mind occupied, but I can still hear it. And

808
00:33:37,200 --> 00:33:39,479
Speaker 3: then you hear certain songs you're like, damn, what's that like?

809
00:33:39,840 --> 00:33:42,360
Speaker 3: And you go look at the name of the track, you.

810
00:33:42,360 --> 00:33:42,720
Speaker 4: Know what I mean?

811
00:33:42,760 --> 00:33:44,760
Speaker 3: Like, that's how you to me, That's I'm just that's

812
00:33:44,800 --> 00:33:46,160
Speaker 3: how I take music and I don't.

813
00:33:46,200 --> 00:33:47,320
Speaker 4: I can't sit down and just.

814
00:33:47,240 --> 00:33:49,760
Speaker 3: Be like okay, yea here and that's what turn of

815
00:33:49,840 --> 00:33:51,560
Speaker 3: music going, and just I can't do that. I gotta

816
00:33:51,600 --> 00:33:53,800
Speaker 3: be doing ship, you know, and I can hear it

817
00:33:53,800 --> 00:33:54,400
Speaker 3: in the background.

818
00:33:54,520 --> 00:33:57,440
Speaker 6: That's why I think that there's a difference between driving

819
00:33:57,520 --> 00:34:01,800
Speaker 6: albums and well for me, personal driving albums and cleaning

820
00:34:01,880 --> 00:34:03,800
Speaker 6: music because cleaning music, I don't need to know the

821
00:34:03,840 --> 00:34:06,440
Speaker 6: lyrics too, right, Like cleaning and cooking music is just

822
00:34:06,520 --> 00:34:06,960
Speaker 6: kind of in.

823
00:34:06,920 --> 00:34:09,240
Speaker 7: The background, setting the vibe driving.

824
00:34:09,239 --> 00:34:11,399
Speaker 6: When I'm driving, I prefer to know almost every lyric

825
00:34:11,480 --> 00:34:13,000
Speaker 6: to the song because like I'm like in.

826
00:34:13,040 --> 00:34:14,400
Speaker 7: My zone driving singing.

827
00:34:14,480 --> 00:34:15,279
Speaker 2: So it's a good point.

828
00:34:15,400 --> 00:34:17,359
Speaker 6: Yeah, during driving, I tend to put on a lot

829
00:34:17,360 --> 00:34:20,560
Speaker 6: of albums that I know, Like I'll put on like

830
00:34:20,560 --> 00:34:24,319
Speaker 6: the Best of Jazz and Sullivan Apple Essentials Playlist right

831
00:34:24,440 --> 00:34:27,719
Speaker 6: or like Adele twenty one, like albums like that where

832
00:34:27,719 --> 00:34:30,560
Speaker 6: I know every single lyric and I'm like zoned out

833
00:34:30,680 --> 00:34:32,880
Speaker 6: like driving, Yeah.

834
00:34:32,160 --> 00:34:32,839
Speaker 4: I think you can.

835
00:34:33,120 --> 00:34:35,720
Speaker 3: I think you ride to music or drive to music

836
00:34:35,840 --> 00:34:38,120
Speaker 3: when you're already familiar with the music.

837
00:34:38,360 --> 00:34:40,920
Speaker 1: Because when I'm thinking car albums, I feel like more

838
00:34:41,000 --> 00:34:45,000
Speaker 1: rap albums do come to mind because I think Demeriuss

839
00:34:45,000 --> 00:34:47,520
Speaker 1: explained it well. I like more worthy shit when I'm

840
00:34:47,560 --> 00:34:50,320
Speaker 1: in the car, Like I put diplomatic community really high

841
00:34:50,480 --> 00:34:52,719
Speaker 1: on my my car album list. Teflon Down Will be

842
00:34:52,760 --> 00:34:56,160
Speaker 1: There Views is actually a great fucking driving album. I

843
00:34:56,200 --> 00:35:00,600
Speaker 1: agree Locks We Are the Streets, But R and B

844
00:35:00,760 --> 00:35:03,480
Speaker 1: I have any RD in search OFUP. I wouldn't say's

845
00:35:03,480 --> 00:35:06,239
Speaker 1: a R and B album, but more towards that. Ryan

846
00:35:06,320 --> 00:35:09,719
Speaker 1: Lesley's self titled album kind of has a box to drive.

847
00:35:10,080 --> 00:35:11,840
Speaker 4: Shout out to Ryan? What's so with Ryan Leslie?

848
00:35:11,880 --> 00:35:14,319
Speaker 2: Man? He put shit out and it's still good. It's

849
00:35:14,360 --> 00:35:14,839
Speaker 2: just I don't know.

850
00:35:15,200 --> 00:35:19,000
Speaker 3: Ryan Leslie was He was one of my favorite artist, producers,

851
00:35:20,280 --> 00:35:25,880
Speaker 3: you know, writers, and I think he's a super underrated talent.

852
00:35:26,280 --> 00:35:29,200
Speaker 1: You know what I think happened with Ryan Leslie, which

853
00:35:29,239 --> 00:35:33,279
Speaker 1: is always like a catch twenty two can't win for

854
00:35:33,360 --> 00:35:36,359
Speaker 1: losing His sound became the sound for the moment, and

855
00:35:36,480 --> 00:35:40,720
Speaker 1: sounds continued to move, but that was his sound. Yeah,

856
00:35:40,920 --> 00:35:43,919
Speaker 1: so it kind of left him behind because his sound

857
00:35:43,960 --> 00:35:46,960
Speaker 1: became so popular and like every other sound, it goes

858
00:35:47,000 --> 00:35:49,439
Speaker 1: in cycles. We moved on to something else and Ryan

859
00:35:49,480 --> 00:35:51,400
Speaker 1: was like, well, no, I still make music this way. Yeah,

860
00:35:51,480 --> 00:35:54,160
Speaker 1: So his solo career kind of got faded out by

861
00:35:54,480 --> 00:35:58,239
Speaker 1: him producing and being on so many hooks and so

862
00:35:58,320 --> 00:35:59,759
Speaker 1: many producers at that time just trying to do the

863
00:35:59,840 --> 00:36:03,759
Speaker 1: Ryan and Leslie electronic sound. He like that was when

864
00:36:03,960 --> 00:36:06,480
Speaker 1: people couldn't like afford to do samples anymore. So it's like,

865
00:36:06,600 --> 00:36:08,680
Speaker 1: let's get Ryan in here, because everything's gonna be from scratch.

866
00:36:08,760 --> 00:36:13,120
Speaker 3: Yeah, he's a he's a child prodigy. He's a genius,

867
00:36:13,160 --> 00:36:16,120
Speaker 3: super super intelligent. He's always ahead of the curve as

868
00:36:16,120 --> 00:36:19,120
Speaker 3: far as things that are happening with technology and music

869
00:36:19,360 --> 00:36:21,239
Speaker 3: and you know, as far as software and things. You know,

870
00:36:21,320 --> 00:36:24,000
Speaker 3: he's He's had a lot of interesting went to Harvard's ways.

871
00:36:24,040 --> 00:36:27,319
Speaker 3: He that he releases his music. A lot of his

872
00:36:27,440 --> 00:36:29,239
Speaker 3: visuals are super dope. He has a lot you can

873
00:36:29,280 --> 00:36:31,680
Speaker 3: tell he has. He has taste, he has class like

874
00:36:31,719 --> 00:36:36,319
Speaker 3: he he's very particular about how he puts his art out.

875
00:36:36,520 --> 00:36:37,840
Speaker 1: What do you what do you think was really on

876
00:36:37,840 --> 00:36:38,440
Speaker 1: that laptop?

877
00:36:39,320 --> 00:36:40,719
Speaker 4: On Ryan's laptop For those that.

878
00:36:40,680 --> 00:36:43,319
Speaker 1: Don't remember, Ryan Leslie had his laptop stolen and offered

879
00:36:43,320 --> 00:36:45,160
Speaker 1: a million dollars to get it back, claiming that he

880
00:36:45,200 --> 00:36:47,840
Speaker 1: had albums and music on there, which I'm sure very much.

881
00:36:47,680 --> 00:36:50,120
Speaker 3: True, absolutely, But what else was on it? It was

882
00:36:50,160 --> 00:36:52,040
Speaker 3: some sex tapes on it. Let's just be honest, like

883
00:36:52,120 --> 00:36:52,439
Speaker 3: you want.

884
00:36:52,480 --> 00:36:54,319
Speaker 1: It wasn't giving me Hillary's emails.

885
00:36:54,360 --> 00:36:56,120
Speaker 4: It was it was some. It was some. It was

886
00:36:56,160 --> 00:36:57,560
Speaker 4: some some sex tapes.

887
00:36:57,320 --> 00:36:59,960
Speaker 3: On there that Ryan didn't want to, you know, want

888
00:37:00,080 --> 00:37:03,360
Speaker 3: to get out there, and you know, unfortunately that's what

889
00:37:03,400 --> 00:37:06,719
Speaker 3: happens when you lose these devices, is like, fuck, I'll

890
00:37:06,760 --> 00:37:07,520
Speaker 3: never get that back.

891
00:37:07,600 --> 00:37:09,160
Speaker 2: Did Brian Leslie and let the die club?

892
00:37:10,960 --> 00:37:11,120
Speaker 7: Oh?

893
00:37:11,560 --> 00:37:14,680
Speaker 2: He at least fired yea, he talked to Steve.

894
00:37:14,840 --> 00:37:16,880
Speaker 3: Yeah, he definitely was in the meeting. He was in

895
00:37:16,960 --> 00:37:18,720
Speaker 3: the meeting, but yeah, shout out to Ryan Leslie.

896
00:37:18,760 --> 00:37:19,960
Speaker 4: Man just just thought about him.

897
00:37:20,160 --> 00:37:24,160
Speaker 2: According to the returned It, someone returned the laptop, but

898
00:37:24,160 --> 00:37:25,280
Speaker 2: they didn't actually get the reward.

899
00:37:26,480 --> 00:37:27,080
Speaker 1: Oh damn.

900
00:37:27,080 --> 00:37:28,800
Speaker 4: So way he got the laptop back, but they didn't.

901
00:37:29,400 --> 00:37:31,840
Speaker 2: Oh he refused to pay the reward because the computer

902
00:37:32,080 --> 00:37:34,800
Speaker 2: was corrupted. The files were okay, well.

903
00:37:35,400 --> 00:37:37,439
Speaker 4: That yeah, I didn't get back what I really wanted,

904
00:37:37,440 --> 00:37:38,440
Speaker 4: so it's like, why am I paying?

905
00:37:39,080 --> 00:37:40,480
Speaker 1: But then we have to look at the verbiage of

906
00:37:40,520 --> 00:37:42,360
Speaker 1: what your you're wanted?

907
00:37:42,400 --> 00:37:45,000
Speaker 4: Posters said, Yeah, but then he didn't sign a contract

908
00:37:45,000 --> 00:37:47,120
Speaker 4: that said he just brought it back, and it's like, oh,

909
00:37:47,120 --> 00:37:48,920
Speaker 4: the files grew up it. Now you can't get this money.

910
00:37:49,160 --> 00:37:50,839
Speaker 1: That's kind of like when your girl says, just tell

911
00:37:50,880 --> 00:37:52,399
Speaker 1: me the truth, it'll be fine, but.

912
00:37:52,400 --> 00:37:53,919
Speaker 4: Then you tell her the truth and it's never fine.

913
00:37:53,920 --> 00:37:55,000
Speaker 4: After that, y'all break up.

914
00:37:55,080 --> 00:37:57,000
Speaker 1: So that ship went to hate you and when you

915
00:37:57,040 --> 00:37:58,640
Speaker 1: laptop back up, give you the money.

916
00:37:59,320 --> 00:38:01,520
Speaker 2: It went to Core and then Ryan Letzley actually had

917
00:38:01,520 --> 00:38:02,520
Speaker 2: to pay one hundred.

918
00:38:02,200 --> 00:38:05,600
Speaker 4: Eight thous You gave the guy one hundred eight thousand. Yeah,

919
00:38:06,280 --> 00:38:10,600
Speaker 4: oh that's honorable, yet made him.

920
00:38:10,800 --> 00:38:12,839
Speaker 3: Oh the court. Wait, so the guy that brought him

921
00:38:12,840 --> 00:38:14,080
Speaker 3: the lapsuo back took him to court?

922
00:38:14,160 --> 00:38:17,920
Speaker 2: Yeah, I would too. Wait what I brought back the laptop?

923
00:38:17,920 --> 00:38:18,880
Speaker 2: You didn't give me a million?

924
00:38:18,960 --> 00:38:22,279
Speaker 4: But yeah, like if you stole what the fuck I mean?

925
00:38:22,320 --> 00:38:22,960
Speaker 2: He found it?

926
00:38:23,040 --> 00:38:26,719
Speaker 4: He came across, sounded found it, found it. Hey, this

927
00:38:26,800 --> 00:38:28,080
Speaker 4: must be Ryan's.

928
00:38:28,160 --> 00:38:33,200
Speaker 2: Fu out Ryan closing and man, maybe the thief misplaced it.

929
00:38:33,200 --> 00:38:35,360
Speaker 2: And then it's good. Samaritan found it and was like,

930
00:38:35,400 --> 00:38:37,799
Speaker 2: this mac book looks like Ryan's shout out.

931
00:38:37,719 --> 00:38:40,279
Speaker 3: To Ryan Leslie man, wherever you at peace man, big

932
00:38:40,320 --> 00:38:43,000
Speaker 3: fan always will be hope they have some new music soon.

933
00:38:42,920 --> 00:38:45,280
Speaker 1: You know, was really annoying the person on road trips

934
00:38:45,480 --> 00:38:47,120
Speaker 1: that doesn't shut the fuck up when you want to

935
00:38:47,160 --> 00:38:47,719
Speaker 1: listen to music.

936
00:38:47,760 --> 00:38:49,960
Speaker 2: Oh my god, Like you see, we're all.

937
00:38:49,760 --> 00:38:52,120
Speaker 1: Listening to music. Why are you talking to me? And

938
00:38:52,120 --> 00:38:53,880
Speaker 1: then you turn down the music for a second and

939
00:38:53,920 --> 00:38:57,160
Speaker 1: they just ask a stupid question and it's like we

940
00:38:57,239 --> 00:38:58,160
Speaker 1: just turned the music for that.

941
00:38:58,239 --> 00:39:02,080
Speaker 7: Did they get on the fucking phone, somebody, damn.

942
00:39:04,680 --> 00:39:04,960
Speaker 4: You got it.

943
00:39:05,600 --> 00:39:07,960
Speaker 3: It's a two minute clock if you have the phone,

944
00:39:07,960 --> 00:39:10,960
Speaker 3: it's a two minute clock unless unless it's like something

945
00:39:11,120 --> 00:39:15,520
Speaker 3: you know, unfortunately, yeah, work or something unfortunately happen, you know.

946
00:39:16,120 --> 00:39:17,719
Speaker 3: But if it's like you just sound like you're just

947
00:39:17,800 --> 00:39:19,319
Speaker 3: kicking it, you're fan hanging that up.

948
00:39:20,040 --> 00:39:22,920
Speaker 1: How many attempts does the driver get out of respect

949
00:39:22,920 --> 00:39:25,239
Speaker 1: because it is their car? How many records until it's

950
00:39:25,280 --> 00:39:28,279
Speaker 1: like three a month, fan two, but the.

951
00:39:28,280 --> 00:39:31,600
Speaker 3: Driver usually doesn't even they I think you kind of

952
00:39:31,640 --> 00:39:34,520
Speaker 3: like relinquished that the playlist to whoever's in the car.

953
00:39:34,760 --> 00:39:36,600
Speaker 4: As a driver, I would take the focused on like

954
00:39:36,640 --> 00:39:37,520
Speaker 4: ways and.

955
00:39:38,280 --> 00:39:40,160
Speaker 1: Yeah, but sometimes like I'll have a playlist that I

956
00:39:40,239 --> 00:39:42,359
Speaker 1: know I put on because I'm driving and I don't

957
00:39:42,480 --> 00:39:44,920
Speaker 1: want to be distracted, So it'll just run when I

958
00:39:44,960 --> 00:39:45,440
Speaker 1: put that on.

959
00:39:45,840 --> 00:39:47,239
Speaker 3: Is one of those drivers listen to the windows are

960
00:39:47,280 --> 00:39:49,719
Speaker 3: locked with the air that seventy two we're going to

961
00:39:49,800 --> 00:39:52,759
Speaker 3: keep this car seventy two degrees windows, locks, built on,

962
00:39:53,200 --> 00:39:54,040
Speaker 3: seat belts on.

963
00:39:54,440 --> 00:39:57,719
Speaker 1: You guys are describing things that are legal. Yeah, like

964
00:39:57,760 --> 00:39:58,680
Speaker 1: what you should do in cars.

965
00:39:59,320 --> 00:40:02,320
Speaker 4: Man down there, if I'm driving and I see somebody

966
00:40:02,320 --> 00:40:05,359
Speaker 4: in the backseat, what they go on? I'm listen.

967
00:40:05,600 --> 00:40:07,440
Speaker 1: I'm not a counsel woman from Jersey City.

968
00:40:08,880 --> 00:40:09,719
Speaker 2: To local news.

969
00:40:09,760 --> 00:40:11,560
Speaker 4: I'm sorry. Yeah, that was definitely we're.

970
00:40:11,440 --> 00:40:13,400
Speaker 2: Going to counsel woman. Just hit someone with hit the

971
00:40:13,400 --> 00:40:17,160
Speaker 2: brakes or don't you know, hit the brakes.

972
00:40:17,600 --> 00:40:19,439
Speaker 4: You should hit the brakes after the show is over

973
00:40:19,920 --> 00:40:21,719
Speaker 4: and get out. That's what you should.

974
00:40:21,480 --> 00:40:26,799
Speaker 6: Dock is ship like, I don't here we are.

975
00:40:26,880 --> 00:40:29,319
Speaker 1: Yes, I give the driver at least three attempts, but

976
00:40:29,320 --> 00:40:32,560
Speaker 1: if you're not the driver, you get maybe two if

977
00:40:32,560 --> 00:40:33,120
Speaker 1: you start.

978
00:40:33,680 --> 00:40:37,319
Speaker 6: I'm like, yeah, but see I'm the opposite. If I'm

979
00:40:37,360 --> 00:40:39,160
Speaker 6: driving and it's a road trip, y'all gonna get this

980
00:40:39,160 --> 00:40:41,080
Speaker 6: best of Janna Jackson playlist and you better sit in

981
00:40:41,120 --> 00:40:41,359
Speaker 6: the head.

982
00:40:41,520 --> 00:40:44,800
Speaker 1: You know you have to play the crowd, you selfish

983
00:40:44,880 --> 00:40:46,920
Speaker 1: fun Well, just let me out uber from here, like,

984
00:40:46,960 --> 00:40:49,960
Speaker 1: I'm not listening to the listening. There's a code of

985
00:40:50,000 --> 00:40:51,400
Speaker 1: honor in the car that you have to play to

986
00:40:51,440 --> 00:40:53,719
Speaker 1: the crowd. Yeah, you can take some risks and do

987
00:40:53,800 --> 00:40:54,840
Speaker 1: some ship like maybe you.

988
00:40:54,880 --> 00:40:56,879
Speaker 3: Throw a couple of Janet joints in there, but we're

989
00:40:56,920 --> 00:40:59,960
Speaker 3: not about to bang Janet Jackson all the whole drive.

990
00:41:00,320 --> 00:41:02,080
Speaker 7: I'm not doing that at least for an hour, just

991
00:41:02,120 --> 00:41:03,080
Speaker 7: in one album.

992
00:41:03,280 --> 00:41:04,520
Speaker 4: Hour of one artist.

993
00:41:04,760 --> 00:41:05,600
Speaker 2: Yeah, that's crazy.

994
00:41:06,880 --> 00:41:08,160
Speaker 7: Go to sleep, get your cheat on.

995
00:41:08,320 --> 00:41:09,759
Speaker 4: No, you don't have to drive.

996
00:41:09,840 --> 00:41:11,120
Speaker 3: You can go sit in the back seat and put

997
00:41:11,160 --> 00:41:13,400
Speaker 3: your headphones in like you ain't got I hate that you.

998
00:41:13,360 --> 00:41:16,560
Speaker 1: Look at Jamarius's car, right, Cheeto for Gatorade and Janet

999
00:41:16,640 --> 00:41:17,680
Speaker 1: Jackson with.

1000
00:41:17,719 --> 00:41:18,560
Speaker 2: The windows open?

1001
00:41:19,719 --> 00:41:24,080
Speaker 4: Is it in apocalypse where she going a freakni Cheetos

1002
00:41:24,200 --> 00:41:26,320
Speaker 4: Gatorade and what and gum?

1003
00:41:27,680 --> 00:41:29,879
Speaker 2: You need the gum after the cheese bumps?

1004
00:41:29,920 --> 00:41:37,919
Speaker 3: Man, that's that's a snack gatorade? Cheeto said, what ms Red?

1005
00:41:38,440 --> 00:41:40,799
Speaker 6: First of all, I was talking about, y'all, that's not

1006
00:41:40,840 --> 00:41:42,560
Speaker 6: Those aren't my snacks that I go to for the

1007
00:41:42,640 --> 00:41:43,040
Speaker 6: road trip.

1008
00:41:43,160 --> 00:41:44,799
Speaker 4: We should go to snack for.

1009
00:41:44,760 --> 00:41:48,160
Speaker 7: The road trip. Okay, the Cheetos, Yes, so you just

1010
00:41:49,120 --> 00:41:50,560
Speaker 7: after or else I'm going to go to sleep.

1011
00:41:50,640 --> 00:41:53,320
Speaker 1: I'm white, I love I only buy combos when.

1012
00:41:53,600 --> 00:41:56,920
Speaker 4: He wants a white claw and something else something Wi

1013
00:41:59,320 --> 00:42:01,799
Speaker 4: Rory definitely cracked open a few white claws.

1014
00:42:01,480 --> 00:42:04,400
Speaker 1: And hit the road and called it a road soda.

1015
00:42:06,000 --> 00:42:06,920
Speaker 4: A road sprits.

1016
00:42:10,400 --> 00:42:13,520
Speaker 3: Definitely, you definitely rap and make sprints for everybody on

1017
00:42:13,520 --> 00:42:14,160
Speaker 3: a road trip.

1018
00:42:14,320 --> 00:42:16,400
Speaker 1: I definitely almost punched my cousin when he said, hey,

1019
00:42:16,440 --> 00:42:18,160
Speaker 1: let's grab a couple of road sodas. I was like,

1020
00:42:19,000 --> 00:42:22,960
Speaker 1: just say you want to, just say you want to drink.

1021
00:42:20,520 --> 00:42:21,600
Speaker 4: It's all.

1022
00:42:23,800 --> 00:42:25,839
Speaker 1: We're in the privacy of my home. There's no cops here.

1023
00:42:26,640 --> 00:42:30,160
Speaker 1: But Julian did a great job on the playlist, the playlistic.

1024
00:42:31,000 --> 00:42:33,120
Speaker 4: Yeah, but I saw that I was sleep the whole way.

1025
00:42:33,160 --> 00:42:33,520
Speaker 4: I don't know.

1026
00:42:33,600 --> 00:42:36,160
Speaker 1: I saw his face a few times. The insecurity that

1027
00:42:36,160 --> 00:42:37,920
Speaker 1: we all have of like are they feeling.

1028
00:42:38,840 --> 00:42:41,400
Speaker 4: Too many people because you get you don't know if

1029
00:42:41,400 --> 00:42:43,720
Speaker 4: you're really killing it because too many people keep falling asleep.

1030
00:42:43,760 --> 00:42:45,680
Speaker 3: So it's like, all right, I'm putting anybody to sleep.

1031
00:42:46,280 --> 00:42:48,840
Speaker 3: But the road trip, the road trip, actually we should

1032
00:42:48,840 --> 00:42:50,320
Speaker 3: we should make that a segment.

1033
00:42:50,719 --> 00:42:53,279
Speaker 4: We got to talk about road trip etiquette. Uh.

1034
00:42:53,480 --> 00:42:55,600
Speaker 1: Speaking of actually albums to there, Great in the Car

1035
00:42:56,120 --> 00:43:01,000
Speaker 1: Joey Badass new album, Great Car Car Album HM. And

1036
00:43:01,040 --> 00:43:03,320
Speaker 1: I give a lot of that credit to Static selector

1037
00:43:04,000 --> 00:43:07,400
Speaker 1: shout out to Static man. I feel like, of course,

1038
00:43:07,800 --> 00:43:09,759
Speaker 1: with that type of music, they're not going to be

1039
00:43:09,760 --> 00:43:14,160
Speaker 1: put in like the take Keith Mustard conversations when we

1040
00:43:14,160 --> 00:43:15,279
Speaker 1: talk about producers and shit.

1041
00:43:15,600 --> 00:43:16,440
Speaker 2: But when we get.

1042
00:43:16,239 --> 00:43:18,719
Speaker 1: Into the world of like the Alchemists and that, I

1043
00:43:18,719 --> 00:43:23,200
Speaker 1: don't understand why Static's name is not number one or

1044
00:43:23,360 --> 00:43:27,960
Speaker 1: two three. Static, I think is especially in that genre

1045
00:43:28,000 --> 00:43:32,360
Speaker 1: of hip hop, probably the best producer.

1046
00:43:33,719 --> 00:43:34,239
Speaker 4: Over Al.

1047
00:43:35,360 --> 00:43:37,840
Speaker 1: Well, no, Al's an alien. We don't count an alien. But

1048
00:43:37,880 --> 00:43:41,399
Speaker 1: I'm just saying, in that world, yeah, where Al would

1049
00:43:41,400 --> 00:43:45,200
Speaker 1: be God, I think Static is right there. And I

1050
00:43:45,239 --> 00:43:48,719
Speaker 1: think in that world drums have been taken away so much,

1051
00:43:49,480 --> 00:43:52,000
Speaker 1: and the fact that Static has some of my favorite

1052
00:43:52,040 --> 00:43:55,000
Speaker 1: drums period with producers, he needs to be brought up

1053
00:43:55,040 --> 00:43:58,680
Speaker 1: more and needs he needs to work with more people.

1054
00:43:58,719 --> 00:44:01,200
Speaker 1: I feel like, yeah, I think Static just because of

1055
00:44:01,239 --> 00:44:03,279
Speaker 1: who he is. I won't say he's introverted, but you know,

1056
00:44:03,280 --> 00:44:04,799
Speaker 1: he only fucks with people that he fus he sees

1057
00:44:04,840 --> 00:44:05,920
Speaker 1: what He's from that school.

1058
00:44:05,680 --> 00:44:06,600
Speaker 4: Yeah, but I like that though.

1059
00:44:06,680 --> 00:44:09,799
Speaker 3: I think as a as a producer, you should work

1060
00:44:09,840 --> 00:44:13,239
Speaker 3: with artists that you see if you can enhance or

1061
00:44:13,320 --> 00:44:17,880
Speaker 3: if you know it'll be a cohesive situation where it's like, Okay,

1062
00:44:17,960 --> 00:44:20,560
Speaker 3: I can just bring what I bring to this artist

1063
00:44:20,600 --> 00:44:22,399
Speaker 3: and we can make a lot of dope things happen

1064
00:44:22,480 --> 00:44:23,640
Speaker 3: just because you can produce.

1065
00:44:23,920 --> 00:44:26,879
Speaker 4: I don't think you just spread your art and share

1066
00:44:26,920 --> 00:44:27,880
Speaker 4: with any and everybody.

1067
00:44:28,080 --> 00:44:31,920
Speaker 1: But I also feel though, like when Static works with

1068
00:44:32,880 --> 00:44:36,000
Speaker 1: quote unquote more popular artists on their albums, he always

1069
00:44:36,040 --> 00:44:38,799
Speaker 1: has the standout record and like, of course he's worked

1070
00:44:38,840 --> 00:44:41,440
Speaker 1: with nas on plenty of shit, but like when that

1071
00:44:41,520 --> 00:44:43,520
Speaker 1: Lost Tapes two Shit came out, Static had by far

1072
00:44:43,600 --> 00:44:46,600
Speaker 1: the best song and beat on there. Anytimes he fucks

1073
00:44:46,600 --> 00:44:49,200
Speaker 1: with Chains, he has the standout with anything. Anytime you

1074
00:44:49,360 --> 00:44:51,120
Speaker 1: fuck with g Unit, you have to stand out. Shit

1075
00:44:51,280 --> 00:44:55,400
Speaker 1: like Static always sounds different than everyone else, and it's

1076
00:44:55,440 --> 00:44:56,800
Speaker 1: the shit on the album that you like kind of

1077
00:44:56,840 --> 00:44:58,520
Speaker 1: perk your ear up, like wait, they're about to wrap

1078
00:44:58,560 --> 00:45:01,160
Speaker 1: on this. I just don't think Static gets the credit

1079
00:45:01,160 --> 00:45:01,880
Speaker 1: that he deserves.

1080
00:45:01,719 --> 00:45:02,200
Speaker 4: That's all.

1081
00:45:02,239 --> 00:45:04,160
Speaker 1: I just want to give Static selected his flowers. I

1082
00:45:04,200 --> 00:45:05,880
Speaker 1: still don't know how to spell your name right, and

1083
00:45:06,120 --> 00:45:09,680
Speaker 1: I'm been never going to try to figure out I

1084
00:45:09,719 --> 00:45:13,000
Speaker 1: think it's spelled wrong in my phone. But shout out

1085
00:45:13,040 --> 00:45:17,160
Speaker 1: to Static and the Joey Badass Project. I fuck with Joey.

1086
00:45:18,480 --> 00:45:22,839
Speaker 1: This album definitely has replay value only critique on it.

1087
00:45:22,960 --> 00:45:24,719
Speaker 1: Since he was gone for so long, I kind of

1088
00:45:24,719 --> 00:45:27,279
Speaker 1: wanted him to say more, like the flows are great.

1089
00:45:27,719 --> 00:45:31,359
Speaker 1: Of course, it's Joey Badass. He's rapping rapping, But as

1090
00:45:31,360 --> 00:45:34,319
Speaker 1: far as content, there is some, don't get me wrong,

1091
00:45:34,360 --> 00:45:35,879
Speaker 1: but I think there could have been more. Just because

1092
00:45:35,880 --> 00:45:38,680
Speaker 1: he was gone for so long. I felt like a

1093
00:45:38,719 --> 00:45:41,080
Speaker 1: lot probably happened to him that I wanted to update on,

1094
00:45:41,719 --> 00:45:43,279
Speaker 1: which I don't know if selfish, but and.

1095
00:45:43,239 --> 00:45:47,000
Speaker 3: Then his career kind of pivoted and he's gotten heavy

1096
00:45:47,040 --> 00:45:52,279
Speaker 3: into acting, yeah in film, you know, so yeah.

1097
00:45:52,480 --> 00:45:55,560
Speaker 1: I just think there could have been more content on it.

1098
00:45:55,560 --> 00:45:59,280
Speaker 1: It's such a perfect produced album and put together album

1099
00:45:59,320 --> 00:46:02,040
Speaker 1: that I just feel like some content could have been

1100
00:46:03,040 --> 00:46:06,759
Speaker 1: put in there, and some of the less braggadocious Ship though.

1101
00:46:06,760 --> 00:46:08,279
Speaker 1: I do like when he talks to Ship because he

1102
00:46:08,560 --> 00:46:11,120
Speaker 1: makes the type of hip hop I like, and he's

1103
00:46:11,200 --> 00:46:14,200
Speaker 1: richer than most your favorite rappers. I like when he

1104
00:46:14,239 --> 00:46:16,480
Speaker 1: talks to ship, but I don't know, maybe is more

1105
00:46:16,480 --> 00:46:17,120
Speaker 1: of a balance of it.

1106
00:46:17,120 --> 00:46:18,240
Speaker 4: He's got some interesting features.

1107
00:46:18,239 --> 00:46:24,720
Speaker 3: Diddy, Westside Gun, Larry June, Chris Brown, j I d.

1108
00:46:24,160 --> 00:46:31,640
Speaker 2: Chris Brown, and Compella Chris Brown and Capella Gray, Larry June.

1109
00:46:30,400 --> 00:46:33,560
Speaker 3: Yeah, shout out to Joey Badass two thousand available in

1110
00:46:33,600 --> 00:46:36,640
Speaker 3: your DSP's now. I like the project. It sounds really good.

1111
00:46:36,680 --> 00:46:38,719
Speaker 3: Statics that Static Executive produced it.

1112
00:46:39,400 --> 00:46:41,359
Speaker 1: I would imagine. I mean, I know him and Joey

1113
00:46:41,480 --> 00:46:43,640
Speaker 1: kind of hand in hand with every project.

1114
00:46:43,840 --> 00:46:44,719
Speaker 4: It sounds really good.

1115
00:46:45,040 --> 00:46:45,520
Speaker 2: Uh.

1116
00:46:46,160 --> 00:46:48,719
Speaker 3: Joey Badass is one of those artists again that you know,

1117
00:46:49,080 --> 00:46:50,680
Speaker 3: he creates a certain but he's kind of like, uh,

1118
00:46:50,960 --> 00:46:53,399
Speaker 3: I put him into class with the other the other

1119
00:46:53,480 --> 00:46:57,479
Speaker 3: vibe shutters that I like with Dom Kennedy's currency with

1120
00:46:58,920 --> 00:47:01,879
Speaker 3: uh Rawy, you know what I mean, Like I kind

1121
00:47:01,880 --> 00:47:03,920
Speaker 3: of put them in the same I will put them

1122
00:47:03,920 --> 00:47:06,080
Speaker 3: in the same playlist for if I'm just trying to

1123
00:47:06,080 --> 00:47:08,680
Speaker 3: set a cool vibe somewhere, Like Joey Badass is one

1124
00:47:08,719 --> 00:47:10,000
Speaker 3: of the rappers that I listened.

1125
00:47:09,719 --> 00:47:11,759
Speaker 1: To and don't complain about New York hip hop and

1126
00:47:11,760 --> 00:47:14,480
Speaker 1: then not support Joey Badass out Oh yeah, No, I

1127
00:47:14,560 --> 00:47:17,040
Speaker 1: definitely suppor you real hip hoppers in New York that

1128
00:47:17,160 --> 00:47:20,719
Speaker 1: say we've lost our way. Yeah, go stream the Joey

1129
00:47:20,719 --> 00:47:23,040
Speaker 1: Badass out good.

1130
00:47:22,880 --> 00:47:24,840
Speaker 4: Project Joey Badass two thousands available.

1131
00:47:24,960 --> 00:47:26,080
Speaker 2: Now, did you did.

1132
00:47:26,000 --> 00:47:29,439
Speaker 1: You tune into Barack Obama's playlist? There are you more

1133
00:47:29,560 --> 00:47:31,760
Speaker 1: on the Trump playlist of the good old Boys.

1134
00:47:32,080 --> 00:47:33,719
Speaker 4: I'm trying to get in, I'm trying to get in

1135
00:47:33,840 --> 00:47:34,920
Speaker 4: touch with it.

1136
00:47:35,040 --> 00:47:35,960
Speaker 1: Yeah, you know that's on.

1137
00:47:35,920 --> 00:47:37,800
Speaker 4: Trump's Now, we got to clean up Trump's playlist. That

1138
00:47:37,840 --> 00:47:38,960
Speaker 4: can't be on it. We can't have that.

1139
00:47:39,560 --> 00:47:43,759
Speaker 3: Uh yeah, we got it, We got I think y'all

1140
00:47:43,760 --> 00:47:46,640
Speaker 3: will be surprised that that Trump will probably be listening to.

1141
00:47:48,400 --> 00:47:52,200
Speaker 3: He's definitely listening to. Sticky is going crazy in the

1142
00:47:52,239 --> 00:47:53,160
Speaker 3: Trump household right now.

1143
00:47:54,200 --> 00:47:56,280
Speaker 2: His face looks sticky.

1144
00:47:56,640 --> 00:47:59,520
Speaker 3: Absolutely, It's like that when you first peel on orange.

1145
00:47:59,520 --> 00:48:02,400
Speaker 4: That that that Wow, that's on there. That's definitely the

1146
00:48:02,840 --> 00:48:03,440
Speaker 4: Trump juice.

1147
00:48:03,480 --> 00:48:05,520
Speaker 1: Somebody said his face is like the bottom of the

1148
00:48:05,560 --> 00:48:06,840
Speaker 1: tupperware that you left Spaghetian.

1149
00:48:07,160 --> 00:48:10,600
Speaker 4: Yeah, definitely residue. People are so mean, Why do you

1150
00:48:10,680 --> 00:48:16,880
Speaker 4: say that about Trump? Yeah, trumpty dumpty tump. This Barack

1151
00:48:16,880 --> 00:48:18,919
Speaker 4: Obama summer playlist is full of ship.

1152
00:48:19,400 --> 00:48:21,200
Speaker 2: Wow. First of all, there's two po but they do

1153
00:48:21,239 --> 00:48:21,799
Speaker 2: it all the time.

1154
00:48:21,960 --> 00:48:23,920
Speaker 4: This is this is just something. This is kind of

1155
00:48:23,960 --> 00:48:26,280
Speaker 4: like this is the new version of rap. Carryall.

1156
00:48:26,640 --> 00:48:30,319
Speaker 1: Wait, you don't think that Obama at all.

1157
00:48:31,000 --> 00:48:32,920
Speaker 4: I don't why I think that he lent his name

1158
00:48:32,960 --> 00:48:33,200
Speaker 4: to this.

1159
00:48:33,840 --> 00:48:36,359
Speaker 3: And somebody somewhere is like, Okay, we're going to use

1160
00:48:36,400 --> 00:48:39,600
Speaker 3: the Barack Obama playlist to put artists on it that

1161
00:48:39,640 --> 00:48:42,040
Speaker 3: we like, you know, get some songs on there that

1162
00:48:42,080 --> 00:48:42,720
Speaker 3: we want to push.

1163
00:48:42,960 --> 00:48:45,160
Speaker 1: But I don't think are you saying Obama took Paola

1164
00:48:45,680 --> 00:48:47,080
Speaker 1: Yeah from the label.

1165
00:48:47,120 --> 00:48:47,719
Speaker 4: Absolutely.

1166
00:48:48,280 --> 00:48:50,880
Speaker 3: If you're telling me that Barack Obama was listening to

1167
00:48:51,360 --> 00:48:55,240
Speaker 3: Split whole Time by Little Yachty, I'm not two.

1168
00:48:55,160 --> 00:48:57,600
Speaker 2: Daughters that are at the age of that.

1169
00:48:58,520 --> 00:49:00,399
Speaker 4: I'm sure he has a dog, he has some old fish.

1170
00:49:00,400 --> 00:49:01,439
Speaker 4: I know that, I know a little.

1171
00:49:01,920 --> 00:49:05,879
Speaker 3: What I'm saying is I don't probably Little YACHTI if

1172
00:49:05,880 --> 00:49:09,000
Speaker 3: you ask him, Little Barack Obama is not.

1173
00:49:09,120 --> 00:49:12,040
Speaker 4: Listening to Little Yachty and I love Yachty. He's not

1174
00:49:12,080 --> 00:49:14,839
Speaker 4: listening to He's listening to He's not listening to Bad

1175
00:49:14,880 --> 00:49:15,840
Speaker 4: Bunny Wow.

1176
00:49:16,160 --> 00:49:18,640
Speaker 1: He's not like, come on, man, shout out to Fante

1177
00:49:18,680 --> 00:49:20,239
Speaker 1: and Nikola Foreign Exchange made it and.

1178
00:49:20,239 --> 00:49:21,719
Speaker 4: Then look what they look what they try to do.

1179
00:49:21,719 --> 00:49:23,160
Speaker 4: They throw they.

1180
00:49:24,880 --> 00:49:28,120
Speaker 3: They throw area and we got to I'm sure he's

1181
00:49:28,120 --> 00:49:31,080
Speaker 3: listening to Aretha Frank the Great, the Legendary, Rest in

1182
00:49:31,080 --> 00:49:31,759
Speaker 3: peace of the Frank.

1183
00:49:31,840 --> 00:49:34,160
Speaker 2: So you don't think Hove makes his playlist. It didn't.

1184
00:49:34,400 --> 00:49:36,480
Speaker 4: But it's different. Hove as a musician, he's an artist

1185
00:49:36,920 --> 00:49:37,760
Speaker 4: like that. It's different.

1186
00:49:37,840 --> 00:49:39,040
Speaker 2: A president can't make a playlist.

1187
00:49:39,080 --> 00:49:41,239
Speaker 3: I'm not saying he can't. This ain't his playlist, This

1188
00:49:41,280 --> 00:49:43,719
Speaker 3: ain't what this Saint with bo is knocking in the crib.

1189
00:49:45,320 --> 00:49:47,240
Speaker 4: No, man, he's.

1190
00:49:47,120 --> 00:49:48,480
Speaker 2: Not listening to Too Good.

1191
00:49:48,840 --> 00:49:51,200
Speaker 4: He's listening to Oldest Red and I've been loving you

1192
00:49:51,280 --> 00:49:51,720
Speaker 4: for sure.

1193
00:49:51,800 --> 00:49:53,440
Speaker 1: I would love to just see, because you know, they

1194
00:49:53,440 --> 00:49:55,480
Speaker 1: have to do like a staff meeting about what's appropriate

1195
00:49:55,560 --> 00:49:57,160
Speaker 1: to put on here, and they have to debate.

1196
00:49:57,280 --> 00:49:57,760
Speaker 4: Absolutely.

1197
00:49:57,840 --> 00:49:58,759
Speaker 2: I just want to see the.

1198
00:49:59,040 --> 00:50:01,640
Speaker 1: One person at the end of the Obama team table

1199
00:50:01,680 --> 00:50:05,080
Speaker 1: of like I heard, he's an alleged member of the crips. Yeah,

1200
00:50:05,920 --> 00:50:07,680
Speaker 1: so I'm saying, like you, maybe that wouldn't be a

1201
00:50:07,680 --> 00:50:09,200
Speaker 1: safe one, mister former president.

1202
00:50:09,280 --> 00:50:10,440
Speaker 4: Yeah, he's not listening to.

1203
00:50:10,719 --> 00:50:13,920
Speaker 3: He's not listening to he might have rock him might

1204
00:50:13,960 --> 00:50:15,600
Speaker 3: be Obama's When I be on the mic, I could

1205
00:50:15,640 --> 00:50:17,440
Speaker 3: see him, like, y'all, I love that, Remember that rock

1206
00:50:17,520 --> 00:50:18,840
Speaker 3: him one when I was in high school.

1207
00:50:18,840 --> 00:50:21,040
Speaker 1: Do you think he's sending subs or making a political

1208
00:50:21,040 --> 00:50:24,320
Speaker 1: statement by putting why Coleff and Lauryn Hill Watanomera. I

1209
00:50:24,320 --> 00:50:26,839
Speaker 1: could never pronounce that Guantana meta from a that's from

1210
00:50:26,840 --> 00:50:29,920
Speaker 1: the Carnival. I believe I could never pronounce that. But

1211
00:50:30,000 --> 00:50:32,719
Speaker 1: do you think that is a political statement about Guantanamo Bay.

1212
00:50:34,719 --> 00:50:36,960
Speaker 4: That's a good I wouldn't.

1213
00:50:37,000 --> 00:50:38,560
Speaker 1: I wouldn't just shooting ship.

1214
00:50:38,920 --> 00:50:40,600
Speaker 3: No, I'm not mad at that being it that that

1215
00:50:40,640 --> 00:50:43,280
Speaker 3: looks like it could definitely be some type of correlation

1216
00:50:43,400 --> 00:50:45,480
Speaker 3: in between Guantanamo Bay and Guantana Meta.

1217
00:50:45,800 --> 00:50:49,840
Speaker 6: Absolutely, I cannot imagine Obama like just chilling in his

1218
00:50:49,920 --> 00:50:52,520
Speaker 6: home office to last last like it's really throwing me.

1219
00:50:52,680 --> 00:50:55,239
Speaker 2: I believe that he put most of this together. I'll

1220
00:50:55,239 --> 00:50:56,120
Speaker 2: be honest with you, y'all.

1221
00:50:56,160 --> 00:50:59,799
Speaker 1: Are maybe I'm just a far left Democrat piece of ship.

1222
00:51:00,160 --> 00:51:02,520
Speaker 2: I think my president listens.

1223
00:51:03,080 --> 00:51:04,800
Speaker 4: He's definitely not listening, and I think he's.

1224
00:51:04,600 --> 00:51:05,120
Speaker 2: Young in him.

1225
00:51:06,280 --> 00:51:09,000
Speaker 3: He's just I'm gonna tell you to what the spinners

1226
00:51:09,360 --> 00:51:12,799
Speaker 3: mighty love. That's him on Al Green. I can't get

1227
00:51:12,840 --> 00:51:13,279
Speaker 3: next to you.

1228
00:51:13,400 --> 00:51:16,359
Speaker 4: That's that's the problem. We know the ones that's him.

1229
00:51:16,560 --> 00:51:19,279
Speaker 7: Probably Michelle's playlist too, I.

1230
00:51:19,239 --> 00:51:19,799
Speaker 1: Think so too.

1231
00:51:20,600 --> 00:51:22,719
Speaker 3: Yeah, Michelle definitely up there. She definitely put the tams

1232
00:51:22,800 --> 00:51:25,680
Speaker 3: joint on there. You know Michelle, you know she went

1233
00:51:25,680 --> 00:51:28,360
Speaker 3: to Thames, she went to Beyonce.

1234
00:51:29,520 --> 00:51:30,560
Speaker 1: The internet's on there.

1235
00:51:31,080 --> 00:51:32,760
Speaker 2: You don't think he chose to die Hard by Kendrick.

1236
00:51:33,480 --> 00:51:34,840
Speaker 1: I think he listens to Kendrick Lamar.

1237
00:51:35,080 --> 00:51:35,759
Speaker 2: He definitely listen.

1238
00:51:36,719 --> 00:51:39,480
Speaker 4: I don't know. This is an interesting playlist though interesting.

1239
00:51:39,600 --> 00:51:41,600
Speaker 4: Is this the second one that he's done.

1240
00:51:41,680 --> 00:51:44,240
Speaker 1: No, he's been doing this for years, since he was president.

1241
00:51:44,239 --> 00:51:44,800
Speaker 4: I think.

1242
00:51:46,239 --> 00:51:48,080
Speaker 1: I'm just I just want him to just not give

1243
00:51:48,160 --> 00:51:50,200
Speaker 1: a fuck. I know the Democrats are in hot water

1244
00:51:50,280 --> 00:51:51,919
Speaker 1: right now, so he can't really go over the line

1245
00:51:52,680 --> 00:51:56,120
Speaker 1: twenty twenty three. Just put fuck the police end up correct,

1246
00:51:56,400 --> 00:51:58,120
Speaker 1: hoped the playlist off with the police.

1247
00:51:59,120 --> 00:52:01,880
Speaker 3: Now we're gonna have a different conversation. If that ends

1248
00:52:01,960 --> 00:52:03,600
Speaker 3: up on a Baraco. That will be his last playcest.

1249
00:52:03,680 --> 00:52:04,840
Speaker 1: Let me let you all know that, right, Give me

1250
00:52:04,920 --> 00:52:08,399
Speaker 1: something from ice Cube America's most Wanted, like just something.

1251
00:52:10,239 --> 00:52:11,880
Speaker 3: Shout out to all the artists that made this list though,

1252
00:52:11,920 --> 00:52:13,759
Speaker 3: this has to feel good as an artist to make

1253
00:52:15,560 --> 00:52:18,640
Speaker 3: that's amazing summertime. Summer playlist, like that's that's just a

1254
00:52:18,680 --> 00:52:21,040
Speaker 3: stat that you can just live with forever. Like I

1255
00:52:21,080 --> 00:52:22,760
Speaker 3: made Barack obama summer playlist.

1256
00:52:23,080 --> 00:52:24,239
Speaker 1: Do you think I'll make it next year?

1257
00:52:24,840 --> 00:52:24,920
Speaker 5: No?

1258
00:52:25,960 --> 00:52:29,000
Speaker 4: Listen, man, you never know. Show yourself short kid.

1259
00:52:30,320 --> 00:52:31,960
Speaker 1: I'll talk to the label and see what type of

1260
00:52:32,280 --> 00:52:33,640
Speaker 1: payola it takes.

1261
00:52:33,640 --> 00:52:36,960
Speaker 3: Wow, Well, Barack, if you really want to up your playlist,

1262
00:52:36,960 --> 00:52:40,120
Speaker 3: spins and uh, you know, shake the household up a

1263
00:52:40,120 --> 00:52:44,120
Speaker 3: little bit, add this pressure delicious meg the Stallion record

1264
00:52:44,120 --> 00:52:46,120
Speaker 3: on there, because the way that ship was knocking in

1265
00:52:46,160 --> 00:52:46,640
Speaker 3: here earlier.

1266
00:52:46,680 --> 00:52:48,880
Speaker 1: Rory, before we get into that, you know how like

1267
00:52:49,080 --> 00:52:52,319
Speaker 1: you guys tried to get Flex to play. Uh, I

1268
00:52:52,360 --> 00:52:54,280
Speaker 1: forgot what jay Z song it was with the champagne

1269
00:52:54,280 --> 00:52:56,319
Speaker 1: bottles and you made the little basket for.

1270
00:52:56,360 --> 00:52:58,040
Speaker 4: Him, y'all?

1271
00:52:58,120 --> 00:53:00,680
Speaker 2: Yeah, yeah, on the back.

1272
00:53:00,680 --> 00:53:02,440
Speaker 4: I had nothing to do with that fruit basket.

1273
00:53:02,480 --> 00:53:06,319
Speaker 1: But go ahead, what if, like, because Obama still does

1274
00:53:06,360 --> 00:53:08,240
Speaker 1: like speeches and ship right, yeah, he'd be in the streets.

1275
00:53:08,760 --> 00:53:12,880
Speaker 1: What if we like we just followed Obama with like

1276
00:53:12,960 --> 00:53:15,719
Speaker 1: a basket and like my single in it and just

1277
00:53:15,760 --> 00:53:19,120
Speaker 1: try to give him just a single. No, we put

1278
00:53:19,200 --> 00:53:21,359
Speaker 1: Champagne and they would whatever. Mall put in the one

1279
00:53:21,360 --> 00:53:23,120
Speaker 1: for flex for a reasonable.

1280
00:53:22,760 --> 00:53:24,799
Speaker 4: Doubt Orange, just to get you on a Barack Obama. Yeah.

1281
00:53:24,840 --> 00:53:26,719
Speaker 1: See if he'll like, he'll take it as Paola and

1282
00:53:26,719 --> 00:53:30,239
Speaker 1: like we could line the bottom with five grand in cash, like, hey,

1283
00:53:30,480 --> 00:53:31,279
Speaker 1: play it if you like it.

1284
00:53:31,320 --> 00:53:32,759
Speaker 4: He definitely needs that. He definitely needs that.

1285
00:53:32,800 --> 00:53:36,640
Speaker 3: Fuck given Barack Obama money to just add your song

1286
00:53:36,719 --> 00:53:38,600
Speaker 3: to a playlist, you know how fucking crazy that is.

1287
00:53:38,800 --> 00:53:40,320
Speaker 1: Streams go up absolutely.

1288
00:53:41,320 --> 00:53:43,560
Speaker 2: I'm sorry you were talking about the Mega Stallion Meg.

1289
00:53:43,440 --> 00:53:44,920
Speaker 4: The Stallion with Feature and Future.

1290
00:53:45,360 --> 00:53:49,880
Speaker 3: Yeah, Pressure, Pressure delicious, Uh, Roy, you played this earlier.

1291
00:53:50,120 --> 00:53:52,400
Speaker 3: I didn't hear it until you played it, and we

1292
00:53:52,400 --> 00:53:54,279
Speaker 3: were talking about how you felt like the song had

1293
00:53:54,280 --> 00:53:54,759
Speaker 3: come and gone.

1294
00:53:54,760 --> 00:53:56,720
Speaker 4: It came out, people didn't seem like they were supporting

1295
00:53:56,760 --> 00:53:57,440
Speaker 4: it or playing it.

1296
00:53:57,480 --> 00:53:59,799
Speaker 1: Granted I haven't really been out since, so it could

1297
00:53:59,800 --> 00:54:01,640
Speaker 1: be going crazy and I wouldn't know.

1298
00:54:01,920 --> 00:54:03,160
Speaker 2: It feels like a strip club record.

1299
00:54:03,200 --> 00:54:05,399
Speaker 1: I've not been to the strip club allegedly since this

1300
00:54:05,440 --> 00:54:09,239
Speaker 1: came out, so it could be going crazy. I just

1301
00:54:09,320 --> 00:54:11,239
Speaker 1: kind of think for a record that is this good,

1302
00:54:11,360 --> 00:54:13,439
Speaker 1: it was weird that more people aren't talking.

1303
00:54:13,480 --> 00:54:15,320
Speaker 4: This is a really good record. The beat is fucking

1304
00:54:15,520 --> 00:54:16,759
Speaker 4: who produces.

1305
00:54:18,120 --> 00:54:19,040
Speaker 2: H Kid and Payday?

1306
00:54:19,280 --> 00:54:20,960
Speaker 4: Hit Kid and pay Day? This beat is crazy.

1307
00:54:22,239 --> 00:54:23,719
Speaker 3: I do think that this record is going to be

1308
00:54:23,760 --> 00:54:27,719
Speaker 3: big anytime you have future on the record with that

1309
00:54:27,719 --> 00:54:31,320
Speaker 3: that type of base and those drums, that trap drum.

1310
00:54:31,400 --> 00:54:33,359
Speaker 3: I mean, it's almost a cheat code at this point.

1311
00:54:33,360 --> 00:54:37,160
Speaker 1: And then hit Boy has to hit Kid. That's gotta happen.

1312
00:54:38,120 --> 00:54:39,120
Speaker 4: I ain't even put that together.

1313
00:54:41,719 --> 00:54:43,479
Speaker 1: And you gotta dispay Day because you guys were signed

1314
00:54:43,480 --> 00:54:44,160
Speaker 1: to pay Day before.

1315
00:54:44,520 --> 00:54:45,240
Speaker 4: You know what's funny?

1316
00:54:45,320 --> 00:54:48,520
Speaker 3: Like, see, if my name was hit Kid and I'm

1317
00:54:48,560 --> 00:54:50,960
Speaker 3: a producer, I have to change my name.

1318
00:54:51,080 --> 00:54:52,480
Speaker 1: You could sign the hit Kid because you make all

1319
00:54:52,480 --> 00:54:56,359
Speaker 1: the hits kids, right, y'all, Let Drake get that off.

1320
00:54:57,360 --> 00:54:59,959
Speaker 1: You've yelled at in a club before and the DJ

1321
00:55:00,080 --> 00:55:02,560
Speaker 1: took all the music down so you can here, y'all yellow.

1322
00:55:02,400 --> 00:55:04,840
Speaker 4: See this is why I don't like next to me.

1323
00:55:05,080 --> 00:55:07,719
Speaker 3: You stood next to me at at an entire Drake

1324
00:55:07,760 --> 00:55:10,440
Speaker 3: concert and got mad because I wasn't doing anything. Now

1325
00:55:10,480 --> 00:55:13,080
Speaker 3: you're telling me that you think that I screamed. I

1326
00:55:13,120 --> 00:55:15,160
Speaker 3: should probably sign the hit Boy because I got all

1327
00:55:15,200 --> 00:55:16,319
Speaker 3: you think I screamed at one point.

1328
00:55:16,480 --> 00:55:17,680
Speaker 1: I think it looked up in the air too.

1329
00:55:21,280 --> 00:55:23,400
Speaker 4: I have never screamed that, man, I have never know

1330
00:55:23,440 --> 00:55:24,200
Speaker 4: what did that? What did?

1331
00:55:25,640 --> 00:55:25,759
Speaker 1: What?

1332
00:55:25,840 --> 00:55:27,720
Speaker 3: Did a boy want to play? He kind of remixed

1333
00:55:27,719 --> 00:55:30,879
Speaker 3: it during that their versus Boy Wonder and hit Boy.

1334
00:55:31,600 --> 00:55:34,120
Speaker 3: He remixed that part you should probably sign a hit boy,

1335
00:55:34,120 --> 00:55:36,600
Speaker 3: because I got Boy Wonder was playing his version of that.

1336
00:55:36,840 --> 00:55:39,160
Speaker 4: But I forgot how like what Drake said.

1337
00:55:39,520 --> 00:55:44,640
Speaker 1: I should sign it, boy wondered, because I thought, yeah,

1338
00:55:44,920 --> 00:55:47,080
Speaker 1: I didn't want to go there, but I couldn't think

1339
00:55:47,080 --> 00:55:48,319
Speaker 1: of any other bar besides the one.

1340
00:55:48,360 --> 00:55:50,719
Speaker 4: She just said. Oh so y'all would like in sync

1341
00:55:50,760 --> 00:55:50,960
Speaker 4: on that.

1342
00:55:51,000 --> 00:55:53,000
Speaker 2: I didn't want to say it, but it's the only

1343
00:55:53,040 --> 00:55:53,759
Speaker 2: scheme I could think of.

1344
00:55:53,840 --> 00:55:55,879
Speaker 4: He was thinking, That's what I was like, Why would

1345
00:55:55,880 --> 00:55:57,120
Speaker 4: you have such nasty thoughts?

1346
00:55:57,280 --> 00:55:59,320
Speaker 2: I wouldn't know how to flip Boy Wonder other.

1347
00:55:59,200 --> 00:56:00,720
Speaker 1: Than that in that that line?

1348
00:56:00,800 --> 00:56:02,960
Speaker 3: All right, Well, I forgot how it went, but that

1349
00:56:03,080 --> 00:56:04,919
Speaker 3: was funny that boy wanted to kept playing that during

1350
00:56:04,960 --> 00:56:06,120
Speaker 3: their their versus.

1351
00:56:06,280 --> 00:56:07,759
Speaker 1: I think, yeah, I think he just the drop was

1352
00:56:07,800 --> 00:56:09,480
Speaker 1: I should sign a boy boy.

1353
00:56:09,480 --> 00:56:12,160
Speaker 6: I don't know, but they got they He has a

1354
00:56:12,280 --> 00:56:14,480
Speaker 6: Drake has that thing where he says boy Wonder. I

1355
00:56:14,480 --> 00:56:18,319
Speaker 6: swear it's like this every single time before that song he.

1356
00:56:18,280 --> 00:56:20,719
Speaker 7: Has with Wayne. If I'm not mistake and it's old though.

1357
00:56:20,880 --> 00:56:21,960
Speaker 4: We're gonna find it. We'll find it.

1358
00:56:22,520 --> 00:56:24,719
Speaker 1: Don't say you haven't yelled, like, what are some of

1359
00:56:24,760 --> 00:56:25,600
Speaker 1: the greatest drops?

1360
00:56:25,640 --> 00:56:26,239
Speaker 2: Shorty low?

1361
00:56:27,760 --> 00:56:30,680
Speaker 1: Uh? What's the record they know to pick up? To

1362
00:56:30,680 --> 00:56:32,520
Speaker 1: all my haters? You definitely picked up all your hairs

1363
00:56:32,560 --> 00:56:32,960
Speaker 1: in the clubs.

1364
00:56:33,480 --> 00:56:34,320
Speaker 2: Yeah, you definitely.

1365
00:56:34,680 --> 00:56:37,000
Speaker 3: Yeah, that's when it was a nasty time, Royer. I

1366
00:56:37,040 --> 00:56:39,040
Speaker 3: was in the clubs every night just doing things I

1367
00:56:39,080 --> 00:56:39,759
Speaker 3: shouldn't have been doing.

1368
00:56:39,800 --> 00:56:41,800
Speaker 4: For sure. I definitely definitely screamed that before.

1369
00:56:41,880 --> 00:56:43,760
Speaker 1: Did you keep your hands up? Because you were still winning?

1370
00:56:43,920 --> 00:56:46,120
Speaker 1: And they stayed there and they stayed there, and they

1371
00:56:46,160 --> 00:56:52,480
Speaker 1: stayed there. You might even inhaled see the things that

1372
00:56:52,560 --> 00:56:56,520
Speaker 1: y'all does just crazy, like my hands don't just stay

1373
00:56:56,560 --> 00:56:56,959
Speaker 1: in the air.

1374
00:56:58,600 --> 00:57:01,840
Speaker 4: Definitely did the ball and oh yeah yeah, define, yeah

1375
00:57:01,840 --> 00:57:02,600
Speaker 4: we did that.

1376
00:57:02,719 --> 00:57:04,719
Speaker 2: Oh my god, we had this terrible form too.

1377
00:57:04,760 --> 00:57:06,279
Speaker 4: Yeah. We had to support Jim. What'd you want us

1378
00:57:06,280 --> 00:57:07,799
Speaker 4: to do? Man? We had to support Jim.

1379
00:57:08,360 --> 00:57:11,040
Speaker 1: You have my favorite thing when people used to do that,

1380
00:57:11,160 --> 00:57:15,520
Speaker 1: like you gotta tuck your elbow keep the elbow tuck

1381
00:57:16,320 --> 00:57:16,920
Speaker 1: the right angle.

1382
00:57:16,960 --> 00:57:18,200
Speaker 2: Did you get that dirt off your shoulder?

1383
00:57:18,920 --> 00:57:21,560
Speaker 7: He death? I never did that, definitely.

1384
00:57:21,960 --> 00:57:23,160
Speaker 2: I was never cool enough.

1385
00:57:23,240 --> 00:57:23,960
Speaker 4: I never did that.

1386
00:57:24,720 --> 00:57:26,480
Speaker 1: I was maybe twelve when that came out, and I

1387
00:57:26,520 --> 00:57:28,480
Speaker 1: felt really uncomfortable because I wasn't cool enough.

1388
00:57:28,560 --> 00:57:29,920
Speaker 2: I looked like I.

1389
00:57:30,440 --> 00:57:33,520
Speaker 4: Never Yeah, I never dusted the dirt off my shoulders.

1390
00:57:33,520 --> 00:57:35,520
Speaker 7: But because it's not a real dust, it's more like

1391
00:57:35,520 --> 00:57:36,600
Speaker 7: a light push.

1392
00:57:36,720 --> 00:57:39,120
Speaker 1: That's so I just didn't do that.

1393
00:57:39,160 --> 00:57:43,600
Speaker 4: I'm a lightly push you. That's right, Right, That's what's

1394
00:57:43,600 --> 00:57:45,800
Speaker 4: gonna happen in a minute, because I'm sick of everybody's ship.

1395
00:57:46,920 --> 00:57:49,400
Speaker 1: Oh did you just threaten a female coworker with violence?

1396
00:57:50,680 --> 00:57:53,080
Speaker 7: Yes, my lawsuits are filling up with this company.

1397
00:57:54,080 --> 00:57:58,439
Speaker 1: But yes, Uh what's the record? Because I feel weird

1398
00:57:58,480 --> 00:58:00,000
Speaker 1: saying it's a great fucking record.

1399
00:58:00,080 --> 00:58:01,920
Speaker 4: It's a really good record. I like the record a lot.

1400
00:58:02,560 --> 00:58:05,840
Speaker 3: I'm guessing it's going to be a hit amongst the

1401
00:58:06,160 --> 00:58:11,920
Speaker 3: exotic dancers. They don't like to be called strippers, I think, right, dancers,

1402
00:58:12,320 --> 00:58:13,760
Speaker 3: It is going to be a hit among the dancers.

1403
00:58:13,960 --> 00:58:14,360
Speaker 4: Gotta be.

1404
00:58:14,640 --> 00:58:17,760
Speaker 3: The beat is too, it's it's that you know, it's you,

1405
00:58:17,840 --> 00:58:19,480
Speaker 3: gotta you gotta throw ass when that come on.

1406
00:58:19,560 --> 00:58:19,880
Speaker 4: You have to.

1407
00:58:20,120 --> 00:58:21,160
Speaker 7: And she's been doing the market.

1408
00:58:21,200 --> 00:58:23,960
Speaker 6: She did like a Instagram reel or somebody did, like

1409
00:58:23,960 --> 00:58:26,760
Speaker 6: a compilation visualizer.

1410
00:58:28,840 --> 00:58:31,520
Speaker 4: You let her know, Rory record label.

1411
00:58:31,560 --> 00:58:33,600
Speaker 7: Rory.

1412
00:58:33,840 --> 00:58:37,360
Speaker 6: They created a visualizer of her in the strip club

1413
00:58:37,480 --> 00:58:39,400
Speaker 6: with the song in the background and she was throwing

1414
00:58:39,640 --> 00:58:41,880
Speaker 6: like money out strippers. So they're very obviously trying to

1415
00:58:41,880 --> 00:58:42,320
Speaker 6: make it a show.

1416
00:58:42,400 --> 00:58:46,280
Speaker 4: Of course, Absolutely, it's a hard record. Shout out the meg,

1417
00:58:46,320 --> 00:58:47,120
Speaker 4: shout out the future.

1418
00:58:47,600 --> 00:58:49,160
Speaker 2: I mean, I love futures.

1419
00:58:49,240 --> 00:58:51,520
Speaker 1: Verse. I wasn't expecting the second verse, but it didn't

1420
00:58:51,520 --> 00:58:55,800
Speaker 1: make sense when he just went straight to the adderall

1421
00:58:55,840 --> 00:58:57,280
Speaker 1: bars for the second verse. I was like, he's on

1422
00:58:57,280 --> 00:58:59,439
Speaker 1: all he wants shut the fuck up because I didn't

1423
00:58:59,440 --> 00:59:02,320
Speaker 1: want one verse would have been and he's talking about

1424
00:59:02,320 --> 00:59:04,480
Speaker 1: fucking on adderall. I fucked on adderall before. It's not

1425
00:59:04,560 --> 00:59:06,440
Speaker 1: that great adderall.

1426
00:59:06,600 --> 00:59:09,640
Speaker 3: It keeps you alert, focus, helps you focus my breast

1427
00:59:09,960 --> 00:59:14,240
Speaker 3: for people with ADHD, so if you take that and

1428
00:59:14,280 --> 00:59:16,280
Speaker 3: try to have sex, it doesn't make you focus on

1429
00:59:16,320 --> 00:59:17,160
Speaker 3: the task at hand.

1430
00:59:18,200 --> 00:59:21,560
Speaker 1: I think for some people and never me ever, but

1431
00:59:21,720 --> 00:59:25,200
Speaker 1: I think it may affect uh you getting hard for

1432
00:59:25,280 --> 00:59:26,960
Speaker 1: some people. Oh that's why I never but that would

1433
00:59:27,000 --> 00:59:27,640
Speaker 1: never happen to me.

1434
00:59:27,840 --> 00:59:31,920
Speaker 4: Yeah, I took I took perks my life, never again.

1435
00:59:32,280 --> 00:59:34,880
Speaker 1: I've never taken a perk lose.

1436
00:59:34,920 --> 00:59:37,560
Speaker 3: I had a crazy toothache, one only two toothache I've

1437
00:59:37,560 --> 00:59:40,040
Speaker 3: ever had in my life. I took half a perk.

1438
00:59:40,440 --> 00:59:42,880
Speaker 3: That ship made me nauseous. I can't I can't take medicine,

1439
00:59:43,000 --> 00:59:45,360
Speaker 3: medication like that. And then the other time I took

1440
00:59:45,400 --> 00:59:48,240
Speaker 3: a perk, I couldn't get hard.

1441
00:59:48,800 --> 00:59:49,520
Speaker 2: Damn, damn.

1442
00:59:49,880 --> 00:59:53,920
Speaker 1: Wait supposed to help them, you just flicking it.

1443
00:59:54,200 --> 00:59:55,240
Speaker 4: That ship was like I'm talking.

1444
00:59:57,040 --> 00:59:59,280
Speaker 3: That ship was like a gummy worm. Like I couldn't

1445
00:59:59,280 --> 01:00:00,960
Speaker 3: get no blood my lower extremities.

1446
01:00:01,000 --> 01:00:01,520
Speaker 4: It was crazy.

1447
01:00:01,640 --> 01:00:03,000
Speaker 1: Nothing is more humbling on earth.

1448
01:00:03,200 --> 01:00:03,640
Speaker 2: I don't think.

1449
01:00:03,680 --> 01:00:05,520
Speaker 1: I think that might be the number one most.

1450
01:00:06,080 --> 01:00:08,200
Speaker 3: You know how you know when you're when you're getting older,

1451
01:00:08,520 --> 01:00:11,160
Speaker 3: like you walk around after sex, you don't care what

1452
01:00:11,320 --> 01:00:12,000
Speaker 3: your ship look like.

1453
01:00:12,200 --> 01:00:13,960
Speaker 1: Oh no, that stop caring about that.

1454
01:00:14,000 --> 01:00:15,840
Speaker 3: Along tich a certain age, it was like, man, I

1455
01:00:15,880 --> 01:00:18,200
Speaker 3: don't I'm not looking for my underwear out of here,

1456
01:00:18,320 --> 01:00:20,760
Speaker 3: like you're gonna see this nasty ass, but.

1457
01:00:22,760 --> 01:00:23,440
Speaker 4: You're gonna see this.

1458
01:00:23,440 --> 01:00:27,040
Speaker 3: You're gonna see this little ass shriveled up. Just fucking

1459
01:00:27,120 --> 01:00:28,840
Speaker 3: just got abused. Penis of mind.

1460
01:00:28,960 --> 01:00:30,760
Speaker 2: Damn sensitive too.

1461
01:00:30,960 --> 01:00:36,320
Speaker 4: Yeah, yeah, still still leaking. You know, I'm sorry, I'm sorry.

1462
01:00:36,360 --> 01:00:38,600
Speaker 4: You have to hear. Close your eyes, close your eyes.

1463
01:00:40,440 --> 01:00:41,959
Speaker 4: You still want to hear? Yeah, close your eyes.

1464
01:00:44,400 --> 01:00:46,400
Speaker 1: You should never get so sensitive after you unit that

1465
01:00:46,440 --> 01:00:48,040
Speaker 1: you squirm a little bit and you kind of like.

1466
01:00:50,360 --> 01:00:51,360
Speaker 4: Women love to see you in that.

1467
01:00:51,440 --> 01:00:53,000
Speaker 2: Women that's so vulnerable.

1468
01:00:53,000 --> 01:00:55,240
Speaker 4: Crazy the things women like to see us go through.

1469
01:00:55,280 --> 01:00:57,200
Speaker 1: It's crazy.

1470
01:00:59,560 --> 01:01:00,760
Speaker 4: Shout out, what's Side Gun?

1471
01:01:01,720 --> 01:01:02,520
Speaker 1: What a transition?

1472
01:01:02,880 --> 01:01:04,000
Speaker 4: Oh, it's west Side's birthday?

1473
01:01:04,160 --> 01:01:04,720
Speaker 2: Happy birthday?

1474
01:01:04,760 --> 01:01:06,640
Speaker 4: Man? Shout out west side Gun, Happy birthday?

1475
01:01:07,440 --> 01:01:09,760
Speaker 1: Did you call him and leave like a voicemail of singing?

1476
01:01:09,920 --> 01:01:11,520
Speaker 3: No, I'm I'm gonna send him a voice note and

1477
01:01:11,520 --> 01:01:13,160
Speaker 3: just yell boom boom boom. He gonna know that that

1478
01:01:13,200 --> 01:01:16,400
Speaker 3: means happy birthday. That's happy fourth day and gotcha for

1479
01:01:16,520 --> 01:01:20,240
Speaker 3: the happy forty birthday birthday. West Side Gun one of

1480
01:01:20,280 --> 01:01:22,520
Speaker 3: the hardest working men in hip hop.

1481
01:01:23,400 --> 01:01:24,920
Speaker 4: The things he's been able to do over the last

1482
01:01:24,960 --> 01:01:29,280
Speaker 4: few years for his city, his his his label, his imprint,

1483
01:01:29,360 --> 01:01:33,400
Speaker 4: his crew, his brothers has been amazing to watch.

1484
01:01:33,720 --> 01:01:35,440
Speaker 1: Is this your birthday dinner speech? No?

1485
01:01:35,800 --> 01:01:38,280
Speaker 4: Just and no you gotta give you, gotta give west

1486
01:01:38,280 --> 01:01:39,360
Speaker 4: Side Gun some love. Man.

1487
01:01:39,920 --> 01:01:42,480
Speaker 3: He's been able to accomplish a lot of ship in

1488
01:01:42,520 --> 01:01:46,560
Speaker 3: the industry doing it his way, So you gotta salute that.

1489
01:01:46,600 --> 01:01:50,640
Speaker 4: So happy birthday, west Side Gun. Happy wherever you at.

1490
01:01:50,920 --> 01:01:51,920
Speaker 4: Boom boom boom for me.

1491
01:01:52,000 --> 01:01:55,920
Speaker 1: Many Oh, they're both with eighty two Conway and Conway's

1492
01:01:55,960 --> 01:01:56,680
Speaker 1: eighty two years old.

1493
01:01:56,760 --> 01:02:00,440
Speaker 2: No, I love I love.

1494
01:02:00,120 --> 01:02:02,400
Speaker 1: Hood twins Man, same year, just a few months part.

1495
01:02:02,960 --> 01:02:12,400
Speaker 4: Yeah. Meek Milk tweeted something to us, like to us.

1496
01:02:12,440 --> 01:02:14,760
Speaker 1: Yeah to us, I mean yeah, I don't follow him

1497
01:02:15,320 --> 01:02:16,720
Speaker 1: to the world we meet.

1498
01:02:16,760 --> 01:02:18,080
Speaker 4: Mil tweeted something to us.

1499
01:02:18,520 --> 01:02:22,920
Speaker 3: Meek says ten tapes independently starting September. New music dropping

1500
01:02:22,960 --> 01:02:25,560
Speaker 3: August eighteenth, the day my dad died. Rest in Peace

1501
01:02:25,920 --> 01:02:28,560
Speaker 3: is when I start wilding again. I'm not dropping albums

1502
01:02:28,600 --> 01:02:29,560
Speaker 3: on Friday either.

1503
01:02:29,760 --> 01:02:31,880
Speaker 1: Why didn't you say purple devil emoji?

1504
01:02:33,240 --> 01:02:35,360
Speaker 4: Just say purple Deuly emojie wanted me to look at

1505
01:02:35,400 --> 01:02:36,240
Speaker 4: you like the purple.

1506
01:02:36,360 --> 01:02:37,800
Speaker 1: I don't want you to looking like that at all.

1507
01:02:38,680 --> 01:02:39,440
Speaker 2: It's gross.

1508
01:02:39,920 --> 01:02:42,080
Speaker 3: Meek has said that he's going to deliver ten projects

1509
01:02:42,120 --> 01:02:45,880
Speaker 3: independently without label backing starting in September, but fan shouldn't

1510
01:02:45,920 --> 01:02:48,800
Speaker 3: expect the tapes to rib as part of the traditional

1511
01:02:48,800 --> 01:02:54,760
Speaker 3: Friday release cycle. I mean, listen, man, as you can

1512
01:02:54,800 --> 01:02:58,600
Speaker 3: release when you want, how you want, independent, with the

1513
01:02:58,640 --> 01:02:59,520
Speaker 3: machine behind you or not.

1514
01:03:00,000 --> 01:03:02,280
Speaker 4: A lot of mine is the music has to be good.

1515
01:03:02,960 --> 01:03:04,919
Speaker 1: That's really all I care about this and time, that's all.

1516
01:03:04,800 --> 01:03:07,400
Speaker 3: I care about, especially if the music is great. Meek,

1517
01:03:07,800 --> 01:03:11,720
Speaker 3: we're rolling behind you were downloading, But the music has

1518
01:03:11,800 --> 01:03:12,080
Speaker 3: to be.

1519
01:03:12,000 --> 01:03:15,600
Speaker 1: Good, especially at the volume of ten projects before the years.

1520
01:03:15,400 --> 01:03:17,160
Speaker 4: Of Yeah, that's a lot of music. There's a lot

1521
01:03:17,200 --> 01:03:17,480
Speaker 4: of work.

1522
01:03:17,960 --> 01:03:20,840
Speaker 3: But hey, I mean if Meek probably has a lot

1523
01:03:20,880 --> 01:03:23,480
Speaker 3: done already, a lot recorded that he's ready to just

1524
01:03:23,520 --> 01:03:26,840
Speaker 3: release and put out. So hopefully you know this, this

1525
01:03:26,920 --> 01:03:30,360
Speaker 3: works in his favor and we get some good music

1526
01:03:30,360 --> 01:03:30,560
Speaker 3: from me.

1527
01:03:30,800 --> 01:03:32,160
Speaker 2: Yeah, And I'm happy he's independent.

1528
01:03:32,440 --> 01:03:34,320
Speaker 1: But I'm with you, like this is all cool, and

1529
01:03:34,320 --> 01:03:36,800
Speaker 1: I'm glad he has releasing music. I'm glad he's releasing independently.

1530
01:03:36,880 --> 01:03:40,320
Speaker 1: But is it good? That's really all I'm at with it.

1531
01:03:40,400 --> 01:03:43,840
Speaker 1: And if you have so much music, I don't think

1532
01:03:43,920 --> 01:03:47,240
Speaker 1: that necessarily means just put it all out. Yeah, I

1533
01:03:47,240 --> 01:03:48,720
Speaker 1: know he's been sitting for a minute, he's been wanting

1534
01:03:48,720 --> 01:03:50,920
Speaker 1: to put stuff out. I'm sure he was done with

1535
01:03:50,960 --> 01:03:53,360
Speaker 1: his album and was working on other shit before it

1536
01:03:53,360 --> 01:03:54,760
Speaker 1: even came out, So I'm sure he's sitting on a

1537
01:03:54,800 --> 01:03:57,520
Speaker 1: hard drop of shit. Ton of music doesn't necessarily mean

1538
01:03:57,560 --> 01:03:59,320
Speaker 1: that all of it needs to be released, So I

1539
01:03:59,360 --> 01:04:03,200
Speaker 1: just hope he's choosy in these ten albums.

1540
01:04:03,320 --> 01:04:05,120
Speaker 3: And I feel like Meek has a lot to talk

1541
01:04:05,160 --> 01:04:07,280
Speaker 3: about as well. I agree he has a lot of

1542
01:04:07,280 --> 01:04:09,520
Speaker 3: things to address, probably a lot of things he wants

1543
01:04:09,520 --> 01:04:12,040
Speaker 3: to make clear and and get out, get out to

1544
01:04:12,080 --> 01:04:14,080
Speaker 3: the public and you know, things that people have been

1545
01:04:14,120 --> 01:04:17,560
Speaker 3: saying and the whispers and everything. He wants to address everything.

1546
01:04:17,600 --> 01:04:20,280
Speaker 3: I think that he has a lot of content to

1547
01:04:20,440 --> 01:04:20,960
Speaker 3: write from.

1548
01:04:20,960 --> 01:04:23,720
Speaker 1: I just hope it's no Koalise samples on there, or if.

1549
01:04:23,600 --> 01:04:25,040
Speaker 4: It is, at least you know, call her and let

1550
01:04:25,040 --> 01:04:25,800
Speaker 4: her know she's been paid.

1551
01:04:25,920 --> 01:04:31,800
Speaker 1: She's like the Kalisa is like the Marvin Gaya state.

1552
01:04:34,520 --> 01:04:37,720
Speaker 4: I mean, she's trying to be for sure. She's given

1553
01:04:37,760 --> 01:04:39,080
Speaker 4: Beyonce hell about this record?

1554
01:04:39,480 --> 01:04:39,680
Speaker 7: Right?

1555
01:04:41,400 --> 01:04:43,480
Speaker 1: What you been watching because we got to get out

1556
01:04:43,480 --> 01:04:43,840
Speaker 1: of music.

1557
01:04:43,920 --> 01:04:48,040
Speaker 3: I've been watching I've been watching pe Valley, I've been

1558
01:04:48,080 --> 01:04:51,400
Speaker 3: watching The Boys on Amazon, a really good show. If

1559
01:04:51,400 --> 01:04:54,800
Speaker 3: you haven't started that. I watched the first episode last

1560
01:04:54,880 --> 01:05:00,760
Speaker 3: night and that sait as far as like TV, and

1561
01:05:01,160 --> 01:05:02,959
Speaker 3: I've been watching a lot of Old Ship. I'm trying

1562
01:05:02,960 --> 01:05:05,520
Speaker 3: to watch watching documentaries. I watched the other Girl in

1563
01:05:05,520 --> 01:05:06,520
Speaker 3: the Picture. We spoke about that.

1564
01:05:08,160 --> 01:05:08,640
Speaker 7: Is it good?

1565
01:05:09,040 --> 01:05:10,440
Speaker 3: The Girl in the Picture? I mean, I don't want

1566
01:05:10,440 --> 01:05:12,200
Speaker 3: to say good because it's a crazy fucking story, but

1567
01:05:12,640 --> 01:05:15,200
Speaker 3: it was. It was interesting, It was interesting. You're gonna

1568
01:05:15,200 --> 01:05:17,000
Speaker 3: watch it all the way through. Was trying to watch

1569
01:05:17,040 --> 01:05:18,000
Speaker 3: crazy fucking story.

1570
01:05:18,680 --> 01:05:20,280
Speaker 2: Damarics was trying to watch that while we were having

1571
01:05:20,320 --> 01:05:20,800
Speaker 2: lunch together.

1572
01:05:21,280 --> 01:05:22,920
Speaker 4: Yeah, no, you gotta want to do that. You gotta

1573
01:05:22,920 --> 01:05:25,640
Speaker 4: be like in the bed alone, so you could be

1574
01:05:25,640 --> 01:05:27,320
Speaker 4: like what the you're gonna say what the fuck about?

1575
01:05:27,440 --> 01:05:28,520
Speaker 2: Nineteen times? For sure?

1576
01:05:28,760 --> 01:05:31,080
Speaker 1: Would you ever make a move like and we know

1577
01:05:31,120 --> 01:05:34,280
Speaker 1: the stereotypical like Netflix and Chill Ship. Can you make

1578
01:05:34,280 --> 01:05:35,520
Speaker 1: a move daring a girl in the picture?

1579
01:05:35,560 --> 01:05:35,680
Speaker 6: Oh?

1580
01:05:35,760 --> 01:05:39,800
Speaker 4: Yeah? No? I mean no, man, why is it? Why

1581
01:05:39,800 --> 01:05:40,880
Speaker 4: are you horny? And this?

1582
01:05:41,560 --> 01:05:43,200
Speaker 7: He didn't watch it, so he doesn't even know.

1583
01:05:43,400 --> 01:05:46,640
Speaker 2: I mean, so you just put the movie on and

1584
01:05:46,680 --> 01:05:47,360
Speaker 2: you don't watch it.

1585
01:05:47,520 --> 01:05:49,600
Speaker 1: Yeah, but yeah, sometimes you're horny, so you just put

1586
01:05:49,640 --> 01:05:51,360
Speaker 1: something on to make the move.

1587
01:05:51,880 --> 01:05:54,520
Speaker 4: Potentially, but then when you get pulled into the dock,

1588
01:05:54,600 --> 01:05:56,360
Speaker 4: you're like, this is fucking crazy.

1589
01:05:56,400 --> 01:05:58,440
Speaker 2: Why my back is turned to the TV by that.

1590
01:05:58,400 --> 01:06:00,720
Speaker 4: Point, Well, you just a horny devil and you need

1591
01:06:00,760 --> 01:06:04,240
Speaker 4: to fucking just calm your loans. That's that's, that's your problem.

1592
01:06:04,360 --> 01:06:07,560
Speaker 2: Hold on. Your first move has your back to the TV.

1593
01:06:07,840 --> 01:06:08,480
Speaker 2: That's a sick.

1594
01:06:08,520 --> 01:06:11,480
Speaker 1: First, you know you're ready to eat, you're not even

1595
01:06:11,520 --> 01:06:14,959
Speaker 1: doing a knee touch touch like you're not even trying

1596
01:06:14,960 --> 01:06:16,040
Speaker 1: to eat into it.

1597
01:06:16,120 --> 01:06:18,160
Speaker 3: And when you're back into the TV, I know what

1598
01:06:18,200 --> 01:06:21,360
Speaker 3: you're trying to do, trying to.

1599
01:06:20,720 --> 01:06:23,040
Speaker 4: Yeah, you know what you're doing.

1600
01:06:23,200 --> 01:06:26,000
Speaker 7: Okay, the girl in the Mexican Else are you.

1601
01:06:25,960 --> 01:06:31,000
Speaker 2: Watching or not watching with your back turned munching?

1602
01:06:32,600 --> 01:06:35,640
Speaker 4: I said, I'm not really munching. Just Peae Valley and

1603
01:06:35,680 --> 01:06:37,240
Speaker 4: the Boys on Amazon.

1604
01:06:37,520 --> 01:06:38,520
Speaker 1: The Boys in Pea Valley.

1605
01:06:38,920 --> 01:06:41,320
Speaker 2: You've been watching, Well.

1606
01:06:41,160 --> 01:06:46,760
Speaker 4: We gotta be careful to separate the tip it's pe Valley.

1607
01:06:46,800 --> 01:06:50,120
Speaker 2: Quotation marks Comma and specifically.

1608
01:06:49,640 --> 01:06:53,000
Speaker 3: The Boys Pee Valley is a show, and then the

1609
01:06:53,000 --> 01:06:56,160
Speaker 3: boys in the show on Amazon.

1610
01:06:56,040 --> 01:06:57,080
Speaker 1: The Boys from pe Valley?

1611
01:06:57,120 --> 01:06:59,960
Speaker 2: Got you? Okay, I just want to make sure I understood.

1612
01:07:00,080 --> 01:07:00,320
Speaker 4: Got you?

1613
01:07:00,440 --> 01:07:03,480
Speaker 1: Yeah, I'm catching up on Old Ship too. How Come

1614
01:07:03,520 --> 01:07:05,080
Speaker 1: no one ever told me The Morning Show was the

1615
01:07:05,120 --> 01:07:10,880
Speaker 1: greatest series ever The Morning Show, And I went I

1616
01:07:10,920 --> 01:07:14,120
Speaker 1: felt so fucking dumb because apparently one mad Emmys it's got.

1617
01:07:14,520 --> 01:07:16,680
Speaker 4: The cast is Cristy Jenn Vanishton.

1618
01:07:16,960 --> 01:07:21,160
Speaker 1: It's loosely, loosely based on Matt Loward being handsy. Yeah,

1619
01:07:21,280 --> 01:07:23,040
Speaker 1: but obviously it's a different plot.

1620
01:07:23,360 --> 01:07:24,520
Speaker 2: It's so fucking good.

1621
01:07:26,000 --> 01:07:28,040
Speaker 1: It's a really I could not believe I didn't know

1622
01:07:28,080 --> 01:07:28,840
Speaker 1: this existed.

1623
01:07:29,920 --> 01:07:34,800
Speaker 3: Well, Steve Carroll is you know Correl, Steve Carroll, Steve Correll,

1624
01:07:34,840 --> 01:07:40,000
Speaker 3: Steve Carroll, Steve Carrell. Yes, uh, one of my favorite actors,

1625
01:07:40,040 --> 01:07:41,000
Speaker 3: my favorite medians.

1626
01:07:41,160 --> 01:07:43,080
Speaker 1: Since I guess it's out, I'm not really like ruining stuff.

1627
01:07:43,120 --> 01:07:46,919
Speaker 1: But after he gets fired for being handsy and shit,

1628
01:07:47,680 --> 01:07:50,040
Speaker 1: he goes to someone else that's a director that had

1629
01:07:50,040 --> 01:07:52,800
Speaker 1: been canceled for being handsy, and they like, want to

1630
01:07:52,800 --> 01:07:55,080
Speaker 1: do a documentary about the men that were canceled.

1631
01:07:55,680 --> 01:07:57,640
Speaker 3: And wait, the men that were canceled when to do

1632
01:07:57,680 --> 01:07:58,920
Speaker 3: a document about themselves?

1633
01:07:59,040 --> 01:08:01,800
Speaker 1: Yeah, and like with other men about yo' be like, yo, bro,

1634
01:08:02,080 --> 01:08:03,320
Speaker 1: come on, we ain't do shit.

1635
01:08:03,520 --> 01:08:04,120
Speaker 4: Okay.

1636
01:08:05,600 --> 01:08:07,000
Speaker 2: The director starts.

1637
01:08:07,120 --> 01:08:10,520
Speaker 1: Naming off the people he wants in it and Steve

1638
01:08:10,560 --> 01:08:13,360
Speaker 1: Carrell's face of the ability not to read a room.

1639
01:08:13,600 --> 01:08:15,000
Speaker 2: He's like, I think Cosby should be.

1640
01:08:15,000 --> 01:08:18,519
Speaker 1: Our first one curls like, I don't think I should

1641
01:08:18,520 --> 01:08:19,040
Speaker 1: have came here.

1642
01:08:21,320 --> 01:08:22,920
Speaker 4: I got to check that out.

1643
01:08:22,960 --> 01:08:25,719
Speaker 1: It's really really good, I think if you don't, I've.

1644
01:08:25,600 --> 01:08:28,439
Speaker 3: Seen trailers for it, I've seen you know, people talking

1645
01:08:28,479 --> 01:08:31,280
Speaker 3: about it, but I never it's so much. It's just

1646
01:08:31,320 --> 01:08:33,200
Speaker 3: a lot of the moment you lock in on something,

1647
01:08:33,960 --> 01:08:36,360
Speaker 3: it's like something else is out and we talked about

1648
01:08:36,360 --> 01:08:37,920
Speaker 3: this before, and then you just forget to go back

1649
01:08:37,960 --> 01:08:40,400
Speaker 3: to that. There's so many shows that I'm watched like

1650
01:08:40,520 --> 01:08:43,320
Speaker 3: three seasons and now it's on season six.

1651
01:08:43,920 --> 01:08:45,120
Speaker 4: Yeah, I'm just like.

1652
01:08:45,120 --> 01:08:47,559
Speaker 1: This one, I think is just two seasons. I don't

1653
01:08:48,120 --> 01:08:50,519
Speaker 1: I just started, so I don't know if it's ended

1654
01:08:50,560 --> 01:08:53,120
Speaker 1: that season two, or it's gonna be renewed click that.

1655
01:08:53,120 --> 01:08:54,120
Speaker 1: Will there be a season three?

1656
01:08:54,120 --> 01:08:56,599
Speaker 2: In the morning. I mean, it's just too presents. I'm assuming. Yeah,

1657
01:08:56,600 --> 01:08:58,320
Speaker 2: it hasn't been canceled yet. Oh, it's lifting.

1658
01:08:58,680 --> 01:09:03,040
Speaker 4: So the show lasted long and then never mind, look

1659
01:09:03,040 --> 01:09:06,680
Speaker 4: at it. Never mind. No, it's just it was a

1660
01:09:06,680 --> 01:09:09,559
Speaker 4: bad joke knowing about it. Season three on the way.

1661
01:09:11,479 --> 01:09:14,160
Speaker 2: It says, Season three is on the way. I felt

1662
01:09:14,200 --> 01:09:15,120
Speaker 2: portrayed by Matt Lauer.

1663
01:09:15,880 --> 01:09:19,280
Speaker 1: Why because I grew up in a white family and

1664
01:09:19,280 --> 01:09:21,080
Speaker 1: we watched Good Morning America every morning.

1665
01:09:22,560 --> 01:09:24,880
Speaker 2: He was like a second father to me. He was

1666
01:09:24,920 --> 01:09:25,840
Speaker 2: your second father.

1667
01:09:28,040 --> 01:09:31,320
Speaker 3: Yes, edit, that's exactly what he was. Matt Lower was

1668
01:09:31,400 --> 01:09:33,400
Speaker 3: Rory's second father if he didn't know, only have one.

1669
01:09:33,760 --> 01:09:37,760
Speaker 2: And Al Roker was that crazy uncle with the weather

1670
01:09:38,640 --> 01:09:40,759
Speaker 2: so talking about in your neck of the woods.

1671
01:09:41,120 --> 01:09:42,240
Speaker 4: So it was on my rain.

1672
01:09:43,880 --> 01:09:47,120
Speaker 1: And I didn't like, like, ol, you're in these neck

1673
01:09:47,120 --> 01:09:49,280
Speaker 1: of the woods, tell me, don't send me to someone else.

1674
01:09:49,800 --> 01:09:50,519
Speaker 2: Just look outside.

1675
01:09:52,479 --> 01:09:55,400
Speaker 3: It was something else that was. The Elvis Presley movie

1676
01:09:55,439 --> 01:09:58,280
Speaker 3: is out. Okay, Yes, I was not going to watch it.

1677
01:09:58,320 --> 01:10:00,960
Speaker 3: I was not going to support it, only because I

1678
01:10:01,000 --> 01:10:03,000
Speaker 3: feel like, if you know the history of Elvis Presley,

1679
01:10:03,160 --> 01:10:05,240
Speaker 3: you know they stole a lot from a lot of

1680
01:10:06,000 --> 01:10:09,960
Speaker 3: African American artists. So I just wasn't didn't want to

1681
01:10:09,960 --> 01:10:12,200
Speaker 3: support this. But it seemed to be doing pretty well.

1682
01:10:12,320 --> 01:10:14,080
Speaker 3: I think it said it made two hundred and ten

1683
01:10:14,120 --> 01:10:15,880
Speaker 3: million globally at.

1684
01:10:15,800 --> 01:10:16,519
Speaker 4: The box office.

1685
01:10:16,640 --> 01:10:19,200
Speaker 2: Yeah, like an eight budget eighty.

1686
01:10:18,960 --> 01:10:21,400
Speaker 3: Five million dollars to film it, one hundred and twenty

1687
01:10:21,400 --> 01:10:25,000
Speaker 3: million domestically, it grossed, so obviously people are watching it,

1688
01:10:25,920 --> 01:10:27,800
Speaker 3: people are supporting it, but this isn't a movie that

1689
01:10:28,080 --> 01:10:29,800
Speaker 3: and I like Tom Hanks is in this. He's one

1690
01:10:29,800 --> 01:10:31,840
Speaker 3: of my favorite actors, and I wanted to wanted to

1691
01:10:31,840 --> 01:10:34,639
Speaker 3: support it, but I'm just not interested in the Elvis

1692
01:10:34,640 --> 01:10:35,320
Speaker 3: Presley story.

1693
01:10:35,840 --> 01:10:38,519
Speaker 1: So much of Elvis is like the epitome of you

1694
01:10:38,560 --> 01:10:40,840
Speaker 1: had to be there, I think, because like you know,

1695
01:10:40,880 --> 01:10:43,040
Speaker 1: I'm not like a huge Beatles fan, but I get it.

1696
01:10:43,080 --> 01:10:44,799
Speaker 2: I understand what why.

1697
01:10:44,640 --> 01:10:45,599
Speaker 1: People love the Beatles.

1698
01:10:45,800 --> 01:10:46,559
Speaker 2: Shit Elvis.

1699
01:10:46,600 --> 01:10:49,160
Speaker 1: I look back, I'm like, your dance move stink. Your

1700
01:10:49,200 --> 01:10:53,559
Speaker 1: rendition of the music you stole stinks. Yeah, your voice

1701
01:10:53,560 --> 01:10:58,000
Speaker 1: is annoying. And I say this in a very sexually

1702
01:10:58,040 --> 01:11:02,519
Speaker 1: comfortable ic. You're not good looking, Okay, you kind of

1703
01:11:02,560 --> 01:11:06,360
Speaker 1: look like an idiot to me, Like, look at your stupid,

1704
01:11:06,439 --> 01:11:07,280
Speaker 1: dumb drunk face.

1705
01:11:07,680 --> 01:11:08,679
Speaker 4: Is that the idiot face?

1706
01:11:10,120 --> 01:11:10,160
Speaker 1: No?

1707
01:11:10,280 --> 01:11:11,519
Speaker 4: I think the ladies liked Elvis.

1708
01:11:12,080 --> 01:11:13,479
Speaker 2: Oh yeah, I can. I guess I can see it

1709
01:11:13,520 --> 01:11:16,519
Speaker 2: in that era, but I guess you had to be there.

1710
01:11:16,680 --> 01:11:20,000
Speaker 4: Yeah, this is one of those I'm like, Elvis had bitches,

1711
01:11:20,240 --> 01:11:20,400
Speaker 4: you had.

1712
01:11:20,439 --> 01:11:21,760
Speaker 1: This music is not good.

1713
01:11:21,840 --> 01:11:23,360
Speaker 4: You know, Elvis had all the hose you had to

1714
01:11:23,360 --> 01:11:24,760
Speaker 4: be there, Rory, you wasn't there.

1715
01:11:25,760 --> 01:11:28,960
Speaker 1: Drake got to do more slaps than Elvis. You said

1716
01:11:29,000 --> 01:11:31,160
Speaker 1: he has to He has to add that to with Oh,

1717
01:11:31,200 --> 01:11:33,080
Speaker 1: for sure, with hit Kid, he has to do I

1718
01:11:33,120 --> 01:11:35,360
Speaker 1: have more slaps than than Elvis Presley.

1719
01:11:35,720 --> 01:11:38,920
Speaker 3: Oh but yeah, it looks like it's doing well. Maybe

1720
01:11:38,920 --> 01:11:40,640
Speaker 3: I'll wait for it to stream. I don't know, but

1721
01:11:40,640 --> 01:11:42,519
Speaker 3: I'm definitely not going to the box office to see this.

1722
01:11:42,920 --> 01:11:43,639
Speaker 2: What about Nope?

1723
01:11:44,520 --> 01:11:44,760
Speaker 4: Nope.

1724
01:11:44,800 --> 01:11:47,320
Speaker 3: I'm hearing rix mixed reviews about Nope. I'm hearing some

1725
01:11:47,320 --> 01:11:50,000
Speaker 3: people say it's the worst movie they've ever seen. I'm

1726
01:11:50,040 --> 01:11:52,720
Speaker 3: hearing some people say it's okay, and I'm hearing some

1727
01:11:52,720 --> 01:11:53,479
Speaker 3: people saying.

1728
01:11:53,240 --> 01:11:55,720
Speaker 4: They loved it. I don't know what to take from it.

1729
01:11:55,800 --> 01:11:57,479
Speaker 4: In the middle, you saw it, What do you think?

1730
01:11:57,800 --> 01:11:59,800
Speaker 2: I'm in the middle. It's not it's not like a

1731
01:12:00,200 --> 01:12:02,400
Speaker 2: it's like more of like a psychologue. There's an actual

1732
01:12:02,479 --> 01:12:06,160
Speaker 2: like conflict or whatever. But it's not super scary or

1733
01:12:06,240 --> 01:12:10,280
Speaker 2: super We're past the generation of scary films. Honestly, really

1734
01:12:10,320 --> 01:12:12,080
Speaker 2: you think so? Hell, yeah, what's the last scary film

1735
01:12:12,160 --> 01:12:12,519
Speaker 2: you watched?

1736
01:12:13,080 --> 01:12:13,200
Speaker 1: Uh?

1737
01:12:13,360 --> 01:12:16,679
Speaker 2: Hereditary? I liked? Oh but yeah, I mean yeah, they're

1738
01:12:16,680 --> 01:12:19,840
Speaker 2: creepy like I loved the Hereditarian in Midsummer So.

1739
01:12:19,880 --> 01:12:21,960
Speaker 1: Wait, what's the difference between creepy and scary.

1740
01:12:22,120 --> 01:12:23,120
Speaker 2: Like jumpy hit?

1741
01:12:24,000 --> 01:12:26,559
Speaker 1: Yeah, because basically, sure you didn't just get older Eddon

1742
01:12:26,640 --> 01:12:27,200
Speaker 1: and I.

1743
01:12:27,160 --> 01:12:29,160
Speaker 2: Mean that's true. Yeah, but this is like a real

1744
01:12:29,240 --> 01:12:31,599
Speaker 2: life scared you right, this is an R rated movie,

1745
01:12:31,680 --> 01:12:35,240
Speaker 2: like you know, isn't it supposed to go hard horror movies?

1746
01:12:35,960 --> 01:12:38,240
Speaker 4: How long are we going to follow the same blueprint

1747
01:12:38,240 --> 01:12:38,800
Speaker 4: for horror movie?

1748
01:12:38,840 --> 01:12:40,720
Speaker 2: Like when you saw Frankenstein the first time, didn't they

1749
01:12:40,720 --> 01:12:41,200
Speaker 2: freak you out?

1750
01:12:41,280 --> 01:12:41,960
Speaker 4: Frankenstein?

1751
01:12:42,080 --> 01:12:42,280
Speaker 2: Yeah?

1752
01:12:42,320 --> 01:12:44,760
Speaker 1: Are you an Elvis fan? Did have you seen Frankenstein?

1753
01:12:44,880 --> 01:12:47,920
Speaker 3: How old are you Frankenstein? Do you think I watched

1754
01:12:47,960 --> 01:12:49,000
Speaker 3: Frankenstein the movie?

1755
01:12:49,520 --> 01:12:51,120
Speaker 4: No? I did not watch Frankenstein.

1756
01:12:51,160 --> 01:12:51,360
Speaker 2: Did you?

1757
01:12:51,400 --> 01:12:53,200
Speaker 1: Did you binge the Adams Family this weekend?

1758
01:12:53,880 --> 01:12:56,280
Speaker 4: Frankenstein? No? I didn't watch Frankenstein.

1759
01:12:56,720 --> 01:13:00,000
Speaker 7: No, So we'll see. People said that The Exorcist was scared.

1760
01:13:00,600 --> 01:13:01,160
Speaker 2: I thought it was.

1761
01:13:02,600 --> 01:13:03,639
Speaker 7: Maybe it's because there's a.

1762
01:13:03,600 --> 01:13:09,880
Speaker 4: Lot of it's because I'm yeah, puts a lot of fearings.

1763
01:13:11,200 --> 01:13:13,160
Speaker 3: Annabelle is like one of those movies. I'm I would

1764
01:13:13,160 --> 01:13:15,120
Speaker 3: have kicked ship out that little doll. That type of

1765
01:13:15,120 --> 01:13:16,479
Speaker 3: stuff Child's played.

1766
01:13:16,600 --> 01:13:18,479
Speaker 4: You look at that ship and I cannot believe I

1767
01:13:18,560 --> 01:13:21,000
Speaker 4: was scared of this ship. What's the one the nun

1768
01:13:22,479 --> 01:13:22,880
Speaker 4: by the way?

1769
01:13:23,000 --> 01:13:24,080
Speaker 2: None comes out of the painting?

1770
01:13:24,880 --> 01:13:29,120
Speaker 1: Oh god, it's sort of it's a series of scary movies.

1771
01:13:29,360 --> 01:13:32,600
Speaker 1: The con the Conjured was great. I was scared of

1772
01:13:32,600 --> 01:13:33,439
Speaker 1: the conjuring, But you.

1773
01:13:33,400 --> 01:13:35,760
Speaker 6: Know what, the first Conjuring was such a really good

1774
01:13:35,920 --> 01:13:37,920
Speaker 6: like a lot of times scary movies aren't good movies,

1775
01:13:37,960 --> 01:13:40,479
Speaker 6: like they don't have good stories. Then my favorite scary

1776
01:13:40,520 --> 01:13:42,320
Speaker 6: movie because it has such a good story, like it's

1777
01:13:42,360 --> 01:13:42,960
Speaker 6: a good movie.

1778
01:13:43,000 --> 01:13:46,960
Speaker 1: That's why I thought Hereditary had a like plott.

1779
01:13:47,640 --> 01:13:49,479
Speaker 3: A lot of these scary movies are they're only scary

1780
01:13:49,600 --> 01:13:51,639
Speaker 3: at the moments because if you think about it, it's

1781
01:13:51,680 --> 01:13:55,600
Speaker 3: just the sudden noise of the music scored.

1782
01:13:55,680 --> 01:13:57,720
Speaker 4: But if you mute that ship, are you watching it?

1783
01:13:57,720 --> 01:13:58,519
Speaker 2: You're not scared of that.

1784
01:13:58,920 --> 01:14:04,080
Speaker 4: If you ever watched it's just the fucking sudden music that.

1785
01:14:04,040 --> 01:14:06,440
Speaker 2: Jumps scared, Like, what the fun did you watch the Hereditary?

1786
01:14:06,840 --> 01:14:08,000
Speaker 1: Yes, creditary is far.

1787
01:14:08,080 --> 01:14:09,680
Speaker 2: I feel like that. You can definitely watch vision. You're

1788
01:14:09,680 --> 01:14:10,479
Speaker 2: like what I.

1789
01:14:10,520 --> 01:14:13,360
Speaker 3: Feel like the one that the animals could hear?

1790
01:14:13,400 --> 01:14:16,200
Speaker 2: What was the name of that the animal here is it?

1791
01:14:16,520 --> 01:14:17,200
Speaker 4: Quiet? Beat?

1792
01:14:17,680 --> 01:14:18,200
Speaker 2: Quiet Place?

1793
01:14:18,280 --> 01:14:19,600
Speaker 4: Quiet? I like that?

1794
01:14:19,920 --> 01:14:23,800
Speaker 6: Yeah, that one when I was watching The Quiet Place

1795
01:14:23,840 --> 01:14:27,799
Speaker 6: and Shorty stepped on that nail and she couldn't screen Labor.

1796
01:14:28,360 --> 01:14:29,840
Speaker 6: I felt that in my whole body and.

1797
01:14:29,920 --> 01:14:31,320
Speaker 1: She stepped on her nail while in labor.

1798
01:14:32,000 --> 01:14:35,880
Speaker 7: Labor was trying to creep nail, went through her.

1799
01:14:35,800 --> 01:14:37,599
Speaker 1: Talk about the way to resent your baby mother.

1800
01:14:37,800 --> 01:14:40,080
Speaker 4: Yeah, no, it was it was I like a quiet place.

1801
01:14:40,360 --> 01:14:41,719
Speaker 4: I like the second one to the second.

1802
01:14:41,479 --> 01:14:42,080
Speaker 2: One was really good.

1803
01:14:42,160 --> 01:14:43,920
Speaker 6: I think In City Is Too is probably the movie

1804
01:14:43,920 --> 01:14:45,679
Speaker 6: that scared me the most of all those.

1805
01:14:45,880 --> 01:14:49,160
Speaker 2: Is not Nope is like, what's the plot of Nope?

1806
01:14:50,439 --> 01:14:57,599
Speaker 2: Basically an alien potential alien in the clouds spoiler spoiler plot, Yeah,

1807
01:14:57,760 --> 01:15:00,280
Speaker 2: pot is spoiler. There's like, there's a being in the guy.

1808
01:15:00,640 --> 01:15:03,519
Speaker 4: This is that trailer that was Yeah, yeah, weeks ago.

1809
01:15:04,160 --> 01:15:06,839
Speaker 2: There's a beamless guy that is sucking up things.

1810
01:15:07,280 --> 01:15:13,400
Speaker 4: What is it being in the sky? Yeah, superhead, Yeah

1811
01:15:13,479 --> 01:15:15,640
Speaker 4: I was gonna go with it. Yeah, I've seen that

1812
01:15:15,680 --> 01:15:17,320
Speaker 4: tape already. Yeah, it wasn't that great.

1813
01:15:17,960 --> 01:15:19,200
Speaker 2: I'm not rushing to see this.

1814
01:15:19,360 --> 01:15:21,280
Speaker 1: I like Key and Peel, but as far as Jordan

1815
01:15:21,360 --> 01:15:24,680
Speaker 1: Peel's movies, I I don't think they're good. Get Out

1816
01:15:24,640 --> 01:15:27,560
Speaker 1: it was awesome, but getting get out get Out was

1817
01:15:27,600 --> 01:15:28,599
Speaker 1: a happy mistake.

1818
01:15:29,439 --> 01:15:32,000
Speaker 4: What do you mean, am Damn? That's what you got

1819
01:15:32,040 --> 01:15:33,200
Speaker 4: to say about get Out?

1820
01:15:33,560 --> 01:15:35,720
Speaker 1: I think he made me well if you if you

1821
01:15:35,760 --> 01:15:38,559
Speaker 1: take away the plot, I get the plot being very

1822
01:15:38,600 --> 01:15:43,280
Speaker 1: good as far as what it represents and everything, but

1823
01:15:43,360 --> 01:15:45,640
Speaker 1: it's just a shitty put together movie to begin with.

1824
01:15:45,960 --> 01:15:47,000
Speaker 2: Just how it shot.

1825
01:15:47,080 --> 01:15:50,679
Speaker 1: It's it looked like it was supposed to be a mockery,

1826
01:15:50,840 --> 01:15:53,000
Speaker 1: and I think that's what he's a comedian. I think

1827
01:15:53,000 --> 01:15:56,720
Speaker 1: he made a mockery and everyone took it seriously and

1828
01:15:56,800 --> 01:15:59,040
Speaker 1: it blew up like he made that to look like

1829
01:15:59,320 --> 01:16:03,080
Speaker 1: a terrible a low budget almost like how Scary Movie

1830
01:16:03,160 --> 01:16:05,320
Speaker 1: used to make fun of movies. Yea, And I think

1831
01:16:05,360 --> 01:16:09,200
Speaker 1: that was his intention, and it was not received that way.

1832
01:16:09,280 --> 01:16:12,759
Speaker 1: It was received as this amazing plot and this amazing

1833
01:16:14,120 --> 01:16:17,280
Speaker 1: representation of everything, especially at that time.

1834
01:16:17,360 --> 01:16:20,080
Speaker 4: Yeah, it was just a different way of filming.

1835
01:16:20,120 --> 01:16:23,160
Speaker 1: I think I'm not worrying it properly, and that's bad

1836
01:16:23,200 --> 01:16:25,479
Speaker 1: for a podcaster. But I do think it was a

1837
01:16:25,520 --> 01:16:28,200
Speaker 1: happy mistake. I don't think how it was received was

1838
01:16:28,240 --> 01:16:30,559
Speaker 1: what Jordan Peele went out and set out to do.

1839
01:16:31,439 --> 01:16:33,919
Speaker 1: I think he set out to make a low budget

1840
01:16:34,160 --> 01:16:39,360
Speaker 1: like mockery, shitty movie, and no one received it that way,

1841
01:16:39,720 --> 01:16:42,960
Speaker 1: which I mean, listen, he made a shit to money care.

1842
01:16:43,240 --> 01:16:44,800
Speaker 2: It went crazy and people like it. I didn't like it.

1843
01:16:44,840 --> 01:16:47,360
Speaker 1: I thought it was just a poorly put together movie.

1844
01:16:47,400 --> 01:16:48,400
Speaker 4: And this is the one where.

1845
01:16:50,000 --> 01:16:51,799
Speaker 3: I just think that it was the way of filming,

1846
01:16:51,880 --> 01:16:55,120
Speaker 3: Like people just standing there, eyes wide open, tears falling

1847
01:16:55,120 --> 01:16:55,439
Speaker 3: on it.

1848
01:16:55,439 --> 01:16:56,680
Speaker 4: It was just like we were just like, what the

1849
01:16:56,720 --> 01:16:57,439
Speaker 4: fuck is this?

1850
01:16:57,800 --> 01:17:01,360
Speaker 1: Like I think it was making fun of if white people,

1851
01:17:01,439 --> 01:17:04,599
Speaker 1: like how white people make slavery movies, Like I think

1852
01:17:04,600 --> 01:17:05,920
Speaker 1: he was mocking them.

1853
01:17:06,160 --> 01:17:07,760
Speaker 2: Yeah, I mean I think that is the point. Yeah,

1854
01:17:07,800 --> 01:17:09,720
Speaker 2: I mean, yeah, I agree with you there, Yeah, but

1855
01:17:10,280 --> 01:17:12,800
Speaker 2: the point is to mock scary movies but then also

1856
01:17:12,840 --> 01:17:14,559
Speaker 2: have like a pope. But no one took it as

1857
01:17:14,560 --> 01:17:14,920
Speaker 2: a mocker.

1858
01:17:14,960 --> 01:17:17,599
Speaker 1: I think everyone took it as a very serious scary movie.

1859
01:17:17,640 --> 01:17:20,519
Speaker 2: And I'm like, this is from knowing him, Matt from

1860
01:17:20,600 --> 01:17:22,400
Speaker 2: Man TV and all that, justz, I wouldn't even say

1861
01:17:22,520 --> 01:17:24,599
Speaker 2: any that serious either way.

1862
01:17:24,640 --> 01:17:27,000
Speaker 4: I don't know if I'm an watch Nope, though I

1863
01:17:27,000 --> 01:17:27,479
Speaker 4: would wait.

1864
01:17:28,320 --> 01:17:30,400
Speaker 1: All right, so there you go, and uh quickly go

1865
01:17:30,439 --> 01:17:34,479
Speaker 1: back to Elvis. Yeah, I think all the older women

1866
01:17:35,080 --> 01:17:39,879
Speaker 1: that call these young girls fast and hussies and thirsty

1867
01:17:39,920 --> 01:17:43,000
Speaker 1: and all that. Have you ever seen those bitches in

1868
01:17:43,040 --> 01:17:45,960
Speaker 1: the sixties when the Beatles landed, or when Elvis came

1869
01:17:45,960 --> 01:17:47,920
Speaker 1: on to Johnny Carson, they.

1870
01:17:47,800 --> 01:17:50,599
Speaker 2: Lost their fucking mind. They were thirsty as fuck. They

1871
01:17:50,680 --> 01:17:53,559
Speaker 2: was running trying to screen. No, y'all were thirsty. It's

1872
01:17:53,560 --> 01:17:54,240
Speaker 2: not these girls.

1873
01:17:54,520 --> 01:17:56,840
Speaker 3: The style of thirsty back then was because these women

1874
01:17:56,880 --> 01:17:59,360
Speaker 3: had on dresses down in their ankles and they were

1875
01:17:59,439 --> 01:18:00,000
Speaker 3: lifting them.

1876
01:18:00,360 --> 01:18:00,559
Speaker 4: Yeah.

1877
01:18:00,600 --> 01:18:01,919
Speaker 2: I mean there was no iPhones.

1878
01:18:01,960 --> 01:18:03,880
Speaker 1: You don't know the moment this camera came off.

1879
01:18:04,720 --> 01:18:06,360
Speaker 4: What do you mean we don't need these We just.

1880
01:18:06,320 --> 01:18:09,200
Speaker 2: Got naked immediately for George and Ringo.

1881
01:18:09,040 --> 01:18:14,160
Speaker 4: And John getting naked from Ringos he was a drummer.

1882
01:18:14,320 --> 01:18:19,160
Speaker 3: Look these look like look, look at that's thirsty thirst

1883
01:18:19,240 --> 01:18:21,679
Speaker 3: But they're not you know, they're not naked.

1884
01:18:21,760 --> 01:18:24,519
Speaker 2: These chicks at least little Baby takes them the turks.

1885
01:18:24,640 --> 01:18:26,360
Speaker 2: These chicks at Shape stadium ready.

1886
01:18:26,200 --> 01:18:26,760
Speaker 1: To lose their mind.

1887
01:18:26,840 --> 01:18:29,439
Speaker 2: Yeah, yeah, they're going crazy too.

1888
01:18:29,520 --> 01:18:31,120
Speaker 3: When you kept the groupies in that place, Yeah, you

1889
01:18:31,120 --> 01:18:33,599
Speaker 3: go to the bleachers and sit there and wait. Now

1890
01:18:33,640 --> 01:18:36,200
Speaker 3: it's like they ride to the event with with the artists.

1891
01:18:36,280 --> 01:18:39,799
Speaker 2: They got binocular That's how none of these chicks. Only

1892
01:18:39,840 --> 01:18:41,280
Speaker 2: fans own binocular.

1893
01:18:40,880 --> 01:18:42,679
Speaker 3: That's how far you used to put the groupies away.

1894
01:18:42,680 --> 01:18:44,320
Speaker 3: You can't put them all the way into bleachers. If

1895
01:18:44,320 --> 01:18:47,280
Speaker 3: you want to see me, get the binoculars. Now they

1896
01:18:47,320 --> 01:18:48,840
Speaker 3: front row courtside.

1897
01:18:49,600 --> 01:18:52,200
Speaker 1: I just think some of these older women were just

1898
01:18:52,600 --> 01:18:53,040
Speaker 1: jump over.

1899
01:18:55,439 --> 01:18:57,559
Speaker 7: She tried to look, you're so old.

1900
01:18:57,680 --> 01:18:58,200
Speaker 4: Look at her?

1901
01:18:58,439 --> 01:19:01,040
Speaker 1: What is she doing all these hard Yeah, look at

1902
01:19:01,040 --> 01:19:01,360
Speaker 1: this guy.

1903
01:19:01,479 --> 01:19:04,920
Speaker 4: Just had enough. She's like, I don't have a I

1904
01:19:04,920 --> 01:19:06,280
Speaker 4: don't have a shot with Ringo.

1905
01:19:07,640 --> 01:19:10,240
Speaker 1: Back in the day, none of these none of these

1906
01:19:10,280 --> 01:19:13,479
Speaker 1: chicks broke the barricades at Rolling Loud to get to

1907
01:19:14,320 --> 01:19:17,600
Speaker 1: uh little t J. I'm just trying to think of.

1908
01:19:17,600 --> 01:19:18,120
Speaker 2: A young artist.

1909
01:19:19,920 --> 01:19:22,479
Speaker 1: These chicks was breaking the barricades at Johnny Carson just

1910
01:19:22,520 --> 01:19:24,320
Speaker 1: to be near Elvis's hips.

1911
01:19:24,560 --> 01:19:27,639
Speaker 4: Damn well this is these are the Beatles. They were

1912
01:19:27,680 --> 01:19:28,200
Speaker 4: the real deal.

1913
01:19:28,720 --> 01:19:30,200
Speaker 1: So it was Elvis. I just I mean, I think

1914
01:19:30,200 --> 01:19:30,639
Speaker 1: he stinks.

1915
01:19:30,640 --> 01:19:33,559
Speaker 7: But what the jaw have been like a group.

1916
01:19:33,360 --> 01:19:36,479
Speaker 4: Before, back in the day, Back in the day, MJ.

1917
01:19:36,880 --> 01:19:38,439
Speaker 6: I would have been the bitch getting carried out on

1918
01:19:38,439 --> 01:19:40,120
Speaker 6: a stretcher when he came up from the floor.

1919
01:19:40,160 --> 01:19:42,519
Speaker 4: I mean Michael Jackson is you can't.

1920
01:19:42,560 --> 01:19:45,760
Speaker 3: I mean, everybody would have been stunned if they saw

1921
01:19:45,800 --> 01:19:48,000
Speaker 3: Michael Jackson in person. That's just one of those figures

1922
01:19:48,040 --> 01:19:51,439
Speaker 3: that's just like larger than life but below like a

1923
01:19:51,479 --> 01:19:56,280
Speaker 3: Michael Jackson type of artist.

1924
01:19:57,439 --> 01:20:01,760
Speaker 4: Every artist, I mean, like not Mike. Everybody with a

1925
01:20:01,800 --> 01:20:08,760
Speaker 4: fucking fainted of Mike walked in the room. I don't know, Rory,

1926
01:20:09,000 --> 01:20:09,360
Speaker 4: I don't know.

1927
01:20:09,600 --> 01:20:10,200
Speaker 2: I mean, I don't know.

1928
01:20:10,320 --> 01:20:12,880
Speaker 1: Mal Pepper sprayed R Kelly, so you gotta think he

1929
01:20:12,920 --> 01:20:13,679
Speaker 1: doesn't really care.

1930
01:20:13,760 --> 01:20:15,200
Speaker 4: How was she lit about at first?

1931
01:20:15,680 --> 01:20:18,240
Speaker 1: He doesn't get it asterned around artists the way I

1932
01:20:18,280 --> 01:20:19,200
Speaker 1: do the future.

1933
01:20:19,200 --> 01:20:23,840
Speaker 4: I knew what he was doing. That was payback, all right?

1934
01:20:25,439 --> 01:20:26,519
Speaker 7: What's not doing this weekend?

1935
01:20:26,640 --> 01:20:31,360
Speaker 1: I saw the video Nigga Nasty fuck edon definitely tried

1936
01:20:31,400 --> 01:20:33,800
Speaker 1: to make a move while watching Surviving r Kelly.

1937
01:20:35,240 --> 01:20:37,559
Speaker 4: He was wrong with you, He's nasty.

1938
01:20:37,600 --> 01:20:38,519
Speaker 2: Why does that put on me?

1939
01:20:38,600 --> 01:20:39,479
Speaker 4: Why you gotta take it first?

1940
01:20:39,520 --> 01:20:40,400
Speaker 2: Why I have my back turn?

1941
01:20:41,720 --> 01:20:43,600
Speaker 4: Yes, because you're always trying to crunch.

1942
01:20:43,360 --> 01:20:47,960
Speaker 1: Eating pussy to Surviving R Kelly is fucking insane, is it?

1943
01:20:49,080 --> 01:20:52,000
Speaker 4: Yes? Yes, if you're asking it is it's fucking crazy.

1944
01:20:51,800 --> 01:20:52,640
Speaker 2: When I can debate it.

1945
01:20:52,760 --> 01:20:55,519
Speaker 1: Yeah, but I've been on record saying Chili was my

1946
01:20:55,560 --> 01:20:56,120
Speaker 1: first crutch.

1947
01:20:56,280 --> 01:20:57,160
Speaker 2: How old is Chili now?

1948
01:20:57,760 --> 01:21:01,160
Speaker 1: Uh, just fifty, probably fifty. And I'm getting to that

1949
01:21:01,320 --> 01:21:03,720
Speaker 1: age now, like thirty two. I feel like you could

1950
01:21:03,800 --> 01:21:06,479
Speaker 1: date up woman in their fifties.

1951
01:21:06,479 --> 01:21:09,320
Speaker 3: Absolutely a woman everything would love to date a thirty

1952
01:21:09,320 --> 01:21:10,080
Speaker 3: two year old man.

1953
01:21:10,200 --> 01:21:12,600
Speaker 1: I just don't want to make the mistake that j

1954
01:21:12,760 --> 01:21:15,040
Speaker 1: Cole made because I know he was tight, he was

1955
01:21:15,080 --> 01:21:17,519
Speaker 1: too old for nea long. And then she went on, whatever,

1956
01:21:17,560 --> 01:21:20,360
Speaker 1: I know you you're not Chili, just to let you know.

1957
01:21:21,120 --> 01:21:25,400
Speaker 1: I'm thirty two and I don't think you're too old Chili.

1958
01:21:25,439 --> 01:21:27,160
Speaker 4: He's thirty two. He can't go out in the sun,

1959
01:21:27,240 --> 01:21:31,720
Speaker 4: he has allergies. About got to give it a good fuck. Yeah.

1960
01:21:31,760 --> 01:21:34,640
Speaker 1: I was about to say I love Dallas Austin and

1961
01:21:34,720 --> 01:21:37,479
Speaker 1: he's like shit. I think he's a phenomenal producer.

1962
01:21:38,200 --> 01:21:38,280
Speaker 5: You.

1963
01:21:38,400 --> 01:21:39,880
Speaker 1: Oh, and I love the Confessions album.

1964
01:21:40,360 --> 01:21:41,000
Speaker 7: You know what.

1965
01:21:42,439 --> 01:21:44,280
Speaker 4: Big your shot at Chili gone.

1966
01:21:45,680 --> 01:21:48,560
Speaker 3: The Mega Millions is at one point three billion dollars.

1967
01:21:48,800 --> 01:21:50,680
Speaker 3: I don't know if any of you can use that

1968
01:21:50,800 --> 01:21:53,960
Speaker 3: or not. I mean, I think that you should play

1969
01:21:54,960 --> 01:21:56,040
Speaker 3: one point three million dollars.

1970
01:21:56,040 --> 01:21:58,120
Speaker 4: I think this is a fillure. One point three billion,

1971
01:21:58,800 --> 01:22:00,000
Speaker 4: one point three billion dollars.

1972
01:22:00,160 --> 01:22:03,559
Speaker 3: I believe this is the third largest jackpot in a

1973
01:22:03,560 --> 01:22:04,280
Speaker 3: lot of history.

1974
01:22:04,880 --> 01:22:07,200
Speaker 4: Maybe Jesus just.

1975
01:22:07,120 --> 01:22:11,439
Speaker 7: For if you guys won, Yes, what would you do?

1976
01:22:11,920 --> 01:22:14,400
Speaker 1: What would you do? Some of that home crying all

1977
01:22:14,439 --> 01:22:17,519
Speaker 1: along and the only way to feed him was to

1978
01:22:17,520 --> 01:22:18,920
Speaker 1: sleep with a man for a little bit of money,

1979
01:22:19,240 --> 01:22:21,600
Speaker 1: and his daddy's going. So you're smoking rock now in

1980
01:22:21,640 --> 01:22:26,759
Speaker 1: and out of lockdown. You ain't got a job now, well.

1981
01:22:26,680 --> 01:22:32,400
Speaker 4: One point three billion would help that. It'll get rid

1982
01:22:32,439 --> 01:22:33,200
Speaker 4: of all of that for you.

1983
01:22:33,280 --> 01:22:34,640
Speaker 1: It's a good time for me. This is what I

1984
01:22:34,640 --> 01:22:35,280
Speaker 1: call real life.

1985
01:22:35,800 --> 01:22:41,320
Speaker 3: One point three billion, Oh man, that's uh. I don't know, man.

1986
01:22:41,439 --> 01:22:43,840
Speaker 3: That type of money you literally can wake up and

1987
01:22:44,040 --> 01:22:45,639
Speaker 3: just do whatever the fuck you're thinking about.

1988
01:22:45,720 --> 01:22:46,640
Speaker 7: That's what I'm asking you.

1989
01:22:46,720 --> 01:22:48,439
Speaker 1: What would you would you disappear?

1990
01:22:48,640 --> 01:22:49,839
Speaker 4: Continue to absolutely?

1991
01:22:49,920 --> 01:22:53,960
Speaker 2: Yeah, you definitely keep on. That'd be the craziest problem.

1992
01:22:54,320 --> 01:22:58,520
Speaker 3: Yeah, living MANI CALLO for two months odd from there. Absolutely,

1993
01:22:58,640 --> 01:23:02,920
Speaker 3: travel the world. Absolutely, one point three I can't fuck

1994
01:23:02,960 --> 01:23:03,759
Speaker 3: this up by myself.

1995
01:23:03,800 --> 01:23:06,759
Speaker 4: I gotta say I'm a fucking legend. I got everybody

1996
01:23:06,840 --> 01:23:08,080
Speaker 4: gonna be like, yeah, I'm gonna talk about me a

1997
01:23:08,160 --> 01:23:08,840
Speaker 4: hundred years after.

1998
01:23:08,840 --> 01:23:11,400
Speaker 3: I'm going like, he hit that jackpot and nigga, we

1999
01:23:11,439 --> 01:23:15,160
Speaker 3: saw the world every corner. We touched, every corner of

2000
01:23:15,320 --> 01:23:17,479
Speaker 3: every beach, every ocean, every lake.

2001
01:23:17,560 --> 01:23:19,400
Speaker 4: We saw it. Absolutely.

2002
01:23:19,560 --> 01:23:21,200
Speaker 3: One point three billion dollars is a lot of money.

2003
01:23:21,880 --> 01:23:23,759
Speaker 3: But yeah, the luck to whoever's playing.

2004
01:23:23,760 --> 01:23:26,280
Speaker 4: I know I played. I hope y'all played.

2005
01:23:26,920 --> 01:23:27,599
Speaker 7: What would you do?

2006
01:23:28,120 --> 01:23:31,200
Speaker 2: I see? I'm so paranoid I would ed and just google. Yeah,

2007
01:23:31,479 --> 01:23:33,200
Speaker 2: I want to know what the taxes are? Yeah, twenty

2008
01:23:33,200 --> 01:23:34,920
Speaker 2: five percent, up to twenty five percent and just on

2009
01:23:34,960 --> 01:23:37,559
Speaker 2: thirteen hell with the uh stayed in lok.

2010
01:23:37,640 --> 01:23:39,920
Speaker 4: It's just like thirty seven percent or something like that.

2011
01:23:39,920 --> 01:23:43,880
Speaker 4: If you get to love something, you know, take this,

2012
01:23:44,120 --> 01:23:46,720
Speaker 4: take that seven hundred and eat shit. I don't care.

2013
01:23:47,040 --> 01:23:48,280
Speaker 4: Give me the other half of that.

2014
01:23:48,560 --> 01:23:49,479
Speaker 2: Yeah, I'm cool.

2015
01:23:49,520 --> 01:23:50,400
Speaker 4: What I'm complaining about.

2016
01:23:50,400 --> 01:23:51,680
Speaker 2: I'll take ten million, fuck it?

2017
01:23:51,920 --> 01:23:52,680
Speaker 4: Are you kidding me?

2018
01:23:52,800 --> 01:23:55,800
Speaker 7: I'll probably invest around three hundred two hundred million of it.

2019
01:23:56,040 --> 01:23:58,080
Speaker 4: No, you you know you I ain't invest in no

2020
01:23:58,160 --> 01:23:59,519
Speaker 4: three three hundred million nothing.

2021
01:23:59,800 --> 01:24:01,680
Speaker 3: If you win five hundred million, because if you take

2022
01:24:01,680 --> 01:24:04,040
Speaker 3: the lump sum, you get half basically, so you walk

2023
01:24:04,080 --> 01:24:07,200
Speaker 3: away with six hundred million. You're gonna invest fifty percent

2024
01:24:07,240 --> 01:24:09,440
Speaker 3: of that into what NFTs.

2025
01:24:12,000 --> 01:24:12,840
Speaker 2: I'm gona buy the letter.

2026
01:24:13,000 --> 01:24:15,680
Speaker 7: N f ant have a conversation.

2027
01:24:17,040 --> 01:24:19,479
Speaker 4: Oh no, absolutely, you need it. You gotta have a

2028
01:24:19,520 --> 01:24:20,519
Speaker 4: financial person behind that.

2029
01:24:21,520 --> 01:24:24,599
Speaker 6: Y'all won the mega million. You know, Looion is going

2030
01:24:24,680 --> 01:24:26,599
Speaker 6: to be the happiest person out of this entime.

2031
01:24:26,680 --> 01:24:28,320
Speaker 3: Leyon will never speak to me again. If I win

2032
01:24:28,320 --> 01:24:31,400
Speaker 3: this one point three billion, I am going to the

2033
01:24:31,680 --> 01:24:32,559
Speaker 3: fucking oldest.

2034
01:24:32,800 --> 01:24:34,679
Speaker 1: Look at you, Look at you switching up on Loon?

2035
01:24:34,840 --> 01:24:35,679
Speaker 2: Why wow?

2036
01:24:36,280 --> 01:24:36,960
Speaker 4: No, I mean I would.

2037
01:24:37,240 --> 01:24:39,280
Speaker 3: I would let lawyer know, like, hey, listen, the taxes

2038
01:24:39,280 --> 01:24:40,880
Speaker 3: are looking great on this side, but I got everything

2039
01:24:40,920 --> 01:24:41,240
Speaker 3: in order.

2040
01:24:41,400 --> 01:24:43,680
Speaker 4: I would still talk to lawyer. But he wouldn't be

2041
01:24:43,920 --> 01:24:46,519
Speaker 4: he could come on, yeah, like he could come hang out.

2042
01:24:46,680 --> 01:24:48,840
Speaker 4: He wouldn't know what my account is holder? Are you

2043
01:24:48,880 --> 01:24:49,280
Speaker 4: kidding me?

2044
01:24:49,320 --> 01:24:52,000
Speaker 3: Hell though, Leoon from the Bronx, he's still got that

2045
01:24:52,040 --> 01:24:52,880
Speaker 3: Bronxit in them.

2046
01:24:52,760 --> 01:24:53,120
Speaker 1: That's true.

2047
01:24:53,160 --> 01:24:55,160
Speaker 3: He might try to line me. I ain't listen, let

2048
01:24:55,200 --> 01:24:56,880
Speaker 3: me tell you something about them Bronx niggas. I'm a

2049
01:24:56,920 --> 01:24:58,880
Speaker 3: Bronx nigga. I know they'll line you.

2050
01:24:59,120 --> 01:25:01,160
Speaker 4: They're like, yeah, no, so good to see you doing

2051
01:25:01,200 --> 01:25:03,519
Speaker 4: your thing. Y'all know ten niggas outside all sudden in

2052
01:25:03,520 --> 01:25:04,280
Speaker 4: two part cars.

2053
01:25:04,280 --> 01:25:05,760
Speaker 2: So we shouldn't tell you if we win this. What

2054
01:25:05,760 --> 01:25:06,800
Speaker 2: you're saying, Yeah, yeah you're not.

2055
01:25:06,840 --> 01:25:09,320
Speaker 4: Don't tell me. Just text me and say, hey, things

2056
01:25:09,360 --> 01:25:10,840
Speaker 4: have changed? Uh we long?

2057
01:25:11,080 --> 01:25:12,120
Speaker 2: Things have changed?

2058
01:25:12,280 --> 01:25:13,759
Speaker 7: Yeah, I would to go on a different direct.

2059
01:25:13,840 --> 01:25:15,600
Speaker 4: Yea, yeah, yeah, yeah, things have changed. You know what

2060
01:25:15,600 --> 01:25:16,800
Speaker 4: I'm saying. We know we don't want to see you

2061
01:25:16,880 --> 01:25:17,400
Speaker 4: no more like we.

2062
01:25:17,439 --> 01:25:18,760
Speaker 2: Out man tak me something like that.

2063
01:25:18,760 --> 01:25:20,840
Speaker 1: The government needs to let us know if they tax

2064
01:25:20,920 --> 01:25:23,000
Speaker 1: in thirty seven percent of that one point.

2065
01:25:22,880 --> 01:25:23,880
Speaker 4: Three billions, where's it going?

2066
01:25:24,200 --> 01:25:24,840
Speaker 2: What you did with that?

2067
01:25:25,080 --> 01:25:25,320
Speaker 4: Yeah?

2068
01:25:26,120 --> 01:25:27,920
Speaker 2: Why is there a pothole on the street right now?

2069
01:25:27,920 --> 01:25:29,320
Speaker 4: If you want to disappear with how for you ask

2070
01:25:29,360 --> 01:25:30,280
Speaker 4: those questions? That's up to you.

2071
01:25:30,479 --> 01:25:31,400
Speaker 2: He's buried right there.

2072
01:25:31,479 --> 01:25:36,040
Speaker 3: Yeah oh yeah man, but one point three billion dollars

2073
01:25:36,040 --> 01:25:37,240
Speaker 3: play the Mega millions tonight.

2074
01:25:37,439 --> 01:25:38,280
Speaker 4: Good luck if you do.

2075
01:25:38,880 --> 01:25:40,800
Speaker 3: If you hit and you're listening to this show, I

2076
01:25:40,880 --> 01:25:42,599
Speaker 3: think that we are old at least ten.

2077
01:25:42,520 --> 01:25:43,080
Speaker 4: Percent of that.

2078
01:25:45,080 --> 01:25:46,960
Speaker 1: So yeah, man, because we told him about live Look,

2079
01:25:47,040 --> 01:25:47,479
Speaker 1: give me give.

2080
01:25:47,400 --> 01:25:48,960
Speaker 4: Us tim percent. Throw us a little temperason on that.

2081
01:25:49,720 --> 01:25:52,639
Speaker 1: Let's see Edvan's about to do the lottery tax calculator.

2082
01:25:52,680 --> 01:25:53,160
Speaker 1: This is cool.

2083
01:25:53,520 --> 01:25:55,880
Speaker 2: Oh I can't. You're really bad at this. Shit sucks

2084
01:25:55,880 --> 01:25:57,519
Speaker 2: as I can't even fucking put a decib over here.

2085
01:25:57,520 --> 01:25:58,599
Speaker 2: But whatever is that one million?

2086
01:25:58,640 --> 01:25:59,720
Speaker 4: You just have to put a three there.

2087
01:26:00,200 --> 01:26:01,439
Speaker 2: I know that's what I'm doing.

2088
01:26:01,520 --> 01:26:02,800
Speaker 4: Oh well, he doesn't.

2089
01:26:02,920 --> 01:26:05,360
Speaker 2: He put ten point I just got to believe is

2090
01:26:05,360 --> 01:26:05,840
Speaker 2: that a billion?

2091
01:26:05,840 --> 01:26:06,080
Speaker 7: All right?

2092
01:26:06,080 --> 01:26:07,240
Speaker 1: There were one point three.

2093
01:26:07,200 --> 01:26:10,400
Speaker 2: So twenty five percent federal, eight point eighty two percent state.

2094
01:26:10,640 --> 01:26:12,599
Speaker 2: So that means you would get four hundred and thirty.

2095
01:26:12,439 --> 01:26:14,880
Speaker 4: No, you keep eight hundred and sixty thousand, eight hundred

2096
01:26:14,880 --> 01:26:16,280
Speaker 4: and sixty oh.

2097
01:26:16,479 --> 01:26:19,240
Speaker 1: Million, Yeah you're you're giving that about five hundred five

2098
01:26:19,520 --> 01:26:21,960
Speaker 1: damn yeah, take it.

2099
01:26:22,160 --> 01:26:23,640
Speaker 2: You could take I wouldn't give up. You could take that.

2100
01:26:24,479 --> 01:26:25,280
Speaker 4: Take that ship.

2101
01:26:25,360 --> 01:26:27,880
Speaker 2: So now let's ask would y'all take it all at once?

2102
01:26:27,960 --> 01:26:30,480
Speaker 4: Yes?

2103
01:26:30,280 --> 01:26:30,439
Speaker 7: Yes?

2104
01:26:30,680 --> 01:26:30,880
Speaker 3: Year?

2105
01:26:31,160 --> 01:26:31,400
Speaker 4: Yes?

2106
01:26:31,600 --> 01:26:33,240
Speaker 2: So everyone says to do the year by your ship?

2107
01:26:33,240 --> 01:26:35,760
Speaker 2: I believe was Mark Cuban was like, man, take that fucking.

2108
01:26:35,920 --> 01:26:37,400
Speaker 4: Yes, give me that lump.

2109
01:26:37,439 --> 01:26:39,479
Speaker 3: Some y'all not gonna send the ninjas to take me

2110
01:26:39,479 --> 01:26:42,160
Speaker 3: out and head so I don't see my check next year.

2111
01:26:42,240 --> 01:26:43,120
Speaker 4: Now, we're not doing some.

2112
01:26:43,160 --> 01:26:46,040
Speaker 1: Claws for my grandkids when they Oh I'm like, hey, yeah,

2113
01:26:46,080 --> 01:26:48,160
Speaker 1: the statute of limitations on your lottery ticket.

2114
01:26:48,200 --> 01:26:50,920
Speaker 3: Give me my lump some and I'm gone, yeah, that's it.

2115
01:26:51,240 --> 01:26:53,400
Speaker 3: I still keep pidding. But it'll be a different backdrop

2116
01:26:53,400 --> 01:26:53,720
Speaker 3: every time.

2117
01:26:53,840 --> 01:26:54,000
Speaker 2: Y'all.

2118
01:26:54,000 --> 01:26:57,639
Speaker 4: See, They're gonna be like moving, He's everywhere.

2119
01:26:57,840 --> 01:26:58,240
Speaker 2: Might jump.

2120
01:26:58,280 --> 01:27:00,799
Speaker 1: I might jump out of a plane with a mic I'm.

2121
01:27:00,600 --> 01:27:03,840
Speaker 4: Doing at that point, you're just trying with eight hundred

2122
01:27:03,840 --> 01:27:05,360
Speaker 4: and sixty million dollars? Are you kidding me?

2123
01:27:05,400 --> 01:27:07,519
Speaker 1: How would the audio be if we jump out of

2124
01:27:07,520 --> 01:27:08,960
Speaker 1: a plane?

2125
01:27:08,439 --> 01:27:09,839
Speaker 2: Were insane?

2126
01:27:10,720 --> 01:27:13,320
Speaker 7: Man, already plying on the high grade.

2127
01:27:13,080 --> 01:27:15,879
Speaker 1: Of and you imagine Eden trying to hold this equipment

2128
01:27:16,080 --> 01:27:21,040
Speaker 1: next to us jumping out the plane.

2129
01:27:21,400 --> 01:27:22,599
Speaker 4: That's a lot of fucking money.

2130
01:27:22,600 --> 01:27:22,800
Speaker 5: Man.

2131
01:27:23,240 --> 01:27:24,439
Speaker 4: They say were in a recession.

2132
01:27:24,520 --> 01:27:27,960
Speaker 3: They say nobody has money, and then the jackpot is

2133
01:27:27,960 --> 01:27:29,879
Speaker 3: one point three billion dollars out they're.

2134
01:27:29,680 --> 01:27:30,760
Speaker 2: Taking five hundred off the time.

2135
01:27:30,880 --> 01:27:32,880
Speaker 1: Yeah, they got the nerve to harass me about fifteen

2136
01:27:32,960 --> 01:27:33,400
Speaker 1: hundred bucks.

2137
01:27:33,479 --> 01:27:34,880
Speaker 2: This is crazy.

2138
01:27:34,960 --> 01:27:36,200
Speaker 4: This is this is this is crazy.

2139
01:27:36,200 --> 01:27:37,240
Speaker 2: I have more than paide.

2140
01:27:37,880 --> 01:27:39,679
Speaker 4: But you had good luck to anybody that's playing.

2141
01:27:40,840 --> 01:27:43,800
Speaker 3: Hopefully nobody hits that really really really needs it.

2142
01:27:43,840 --> 01:27:44,040
Speaker 2: Man.

2143
01:27:44,680 --> 01:27:46,160
Speaker 3: I like to see when people that were just like

2144
01:27:46,280 --> 01:27:48,760
Speaker 3: down and didn't have ship hit ship like this.

2145
01:27:48,840 --> 01:27:51,320
Speaker 4: That's that's what it's about. That's what it's It's a

2146
01:27:51,320 --> 01:27:53,800
Speaker 4: great thing. Plans for the weekend, rory with you in

2147
01:27:53,880 --> 01:27:56,519
Speaker 4: two nothing? Just chilling?

2148
01:27:56,800 --> 01:27:57,920
Speaker 1: Yeah, probably chilling.

2149
01:27:57,920 --> 01:27:59,400
Speaker 2: Are you guys gonna come see me at the lots Spit?

2150
01:27:59,600 --> 01:28:00,880
Speaker 4: Probably where you gonna aut this weekend?

2151
01:28:01,120 --> 01:28:02,759
Speaker 2: Locksmith on Friday, the Locksmith.

2152
01:28:03,240 --> 01:28:05,000
Speaker 4: No, I'm gonna be there. Wow, not coming through that.

2153
01:28:05,000 --> 01:28:08,439
Speaker 2: I can't, can't look editing.

2154
01:28:08,840 --> 01:28:10,519
Speaker 3: No plans for the weekend. I was gonna go out

2155
01:28:10,560 --> 01:28:12,120
Speaker 3: of town, but my family came up to New York.

2156
01:28:12,240 --> 01:28:13,040
Speaker 2: I didn't know they were going.

2157
01:28:13,000 --> 01:28:14,920
Speaker 4: To be here. So I get to see the fan.

2158
01:28:15,439 --> 01:28:17,639
Speaker 4: Just chilling. Hopefully it's not too hot this weekend.

2159
01:28:18,320 --> 01:28:21,120
Speaker 3: Hopefully last week was fucking crazy. That's what I don't

2160
01:28:21,160 --> 01:28:23,000
Speaker 3: like about the summer. It gets to ninety seven, ninety

2161
01:28:23,000 --> 01:28:26,439
Speaker 3: degrees and humid. It's just that's too fucking much. Keep

2162
01:28:26,520 --> 01:28:29,400
Speaker 3: us at eighty something, keep us around eighty five. I'm

2163
01:28:29,400 --> 01:28:31,880
Speaker 3: cool with that being all summer. How many weeks left

2164
01:28:31,880 --> 01:28:32,200
Speaker 3: in summer?

2165
01:28:32,280 --> 01:28:34,160
Speaker 2: Six five? That's over, it's over.

2166
01:28:34,600 --> 01:28:37,559
Speaker 4: That's over. How you're feeling so far? Good? You look great?

2167
01:28:37,840 --> 01:28:39,920
Speaker 2: This is the best summer of music so far.

2168
01:28:40,120 --> 01:28:42,479
Speaker 7: You look great, Eden look saying that and I'm just

2169
01:28:42,479 --> 01:28:43,320
Speaker 7: like two thousand.

2170
01:28:43,040 --> 01:28:44,320
Speaker 1: And six, so I'm very confused.

2171
01:28:45,920 --> 01:28:49,320
Speaker 2: So we had Drake Drop. Kendrick Drop was a drink drop.

2172
01:28:49,600 --> 01:28:51,280
Speaker 7: I think it was a good Was it a replayable

2173
01:28:51,320 --> 01:28:51,920
Speaker 7: Kendrick drop?

2174
01:28:52,080 --> 01:28:52,240
Speaker 1: Hell?

2175
01:28:52,320 --> 01:28:55,120
Speaker 2: Yeah, what you mean? Are you telling me you don't

2176
01:28:55,160 --> 01:28:56,320
Speaker 2: you didn't like about music?

2177
01:28:56,360 --> 01:28:58,120
Speaker 7: But the summer Kendrick's album was not a summer out.

2178
01:28:58,160 --> 01:29:02,280
Speaker 1: I was just enssembling AUNTI Diaries when crazy.

2179
01:29:03,240 --> 01:29:05,800
Speaker 4: Yo. Listen, man, it's been real talking to y'all. Were

2180
01:29:05,800 --> 01:29:08,160
Speaker 4: out of here. Man, be safe this week and have fun.

2181
01:29:09,000 --> 01:29:13,960
Speaker 3: Catch us on Patreon, YouTube, Serious, XM, Stitcher else.

2182
01:29:14,040 --> 01:29:15,960
Speaker 4: You guys are going on tour tour.

2183
01:29:16,240 --> 01:29:19,000
Speaker 1: Well yeah, but wait, we're announcing the full to like

2184
01:29:19,439 --> 01:29:20,599
Speaker 1: the non Patreon people.

2185
01:29:20,360 --> 01:29:22,080
Speaker 7: Tomorrow when this episode drops.

2186
01:29:22,120 --> 01:29:24,040
Speaker 1: Oh yeah, well shoot, we should put that at the top.

2187
01:29:25,760 --> 01:29:27,200
Speaker 1: All right, we're adding this into the top.

2188
01:29:27,880 --> 01:29:28,680
Speaker 2: This is from the end.

2189
01:29:28,680 --> 01:29:30,440
Speaker 1: That's because we're unorganized.

2190
01:29:30,479 --> 01:29:31,000
Speaker 2: We're on tour.

2191
01:29:31,080 --> 01:29:32,920
Speaker 1: Now, go get fucking tickets.

2192
01:29:32,960 --> 01:29:34,920
Speaker 3: Go get your tickets. We're on tour, coming to a

2193
01:29:34,960 --> 01:29:37,680
Speaker 3: city near you, hopefully. I believe we're still trying to

2194
01:29:37,720 --> 01:29:40,879
Speaker 3: finalize the La date La Yeah, Venue La and New York.

2195
01:29:40,680 --> 01:29:42,599
Speaker 1: For people that are asking link Lincoln bio.

2196
01:29:43,840 --> 01:29:45,280
Speaker 4: So, yeah, we're on tour. We're on the road. I

2197
01:29:45,280 --> 01:29:46,559
Speaker 4: don't like to say tour. We're on the road.

2198
01:29:46,720 --> 01:29:48,880
Speaker 3: Yeah, it's doing a couple of shows, coming to shake

2199
01:29:48,920 --> 01:29:51,479
Speaker 3: some hands, hug some babies. The meet and greet tickets

2200
01:29:51,520 --> 01:29:53,200
Speaker 3: will be We're up in Chris Brown on this when

2201
01:29:53,280 --> 01:29:56,920
Speaker 3: two thousand dollars, just two of us, that's good. Two

2202
01:29:56,920 --> 01:29:59,840
Speaker 3: thousand dollars for the meet and greet. We're gonna have

2203
01:30:00,200 --> 01:30:01,840
Speaker 3: shower chairs. We could sit in the chair like we

2204
01:30:01,880 --> 01:30:05,600
Speaker 3: have a baby shower. Me and Rory with Birdberry h

2205
01:30:05,720 --> 01:30:06,679
Speaker 3: and make it a great.

2206
01:30:06,439 --> 01:30:07,120
Speaker 2: For two grand.

2207
01:30:07,360 --> 01:30:09,560
Speaker 4: Yeah, we're gonna we're gonna have a great time with

2208
01:30:09,600 --> 01:30:10,160
Speaker 4: this meet and greek.

2209
01:30:10,240 --> 01:30:13,960
Speaker 1: I'm kind of a w I'll do anything for two grands.

2210
01:30:14,160 --> 01:30:15,120
Speaker 2: What you want for two grand?

2211
01:30:15,240 --> 01:30:17,280
Speaker 4: That's so nasty, yo, I was.

2212
01:30:17,280 --> 01:30:20,680
Speaker 1: Laughing, uh because you know after this Chris Brown, those

2213
01:30:20,720 --> 01:30:23,280
Speaker 1: pictures went crazy. Remember when Lol Wayne said she'll suck

2214
01:30:23,320 --> 01:30:25,320
Speaker 1: some dick for some truck fit And then anytime anyone

2215
01:30:25,320 --> 01:30:26,000
Speaker 1: wore truck.

2216
01:30:25,760 --> 01:30:28,080
Speaker 2: Fit, you like you think you get that t shirt?

2217
01:30:28,880 --> 01:30:30,880
Speaker 1: My man low Key tweeted that he was going to

2218
01:30:31,000 --> 01:30:34,240
Speaker 1: go to Little Baby and Chris Brown concert. And now

2219
01:30:34,280 --> 01:30:36,479
Speaker 1: I feel like men can't say they're going to that

2220
01:30:36,479 --> 01:30:40,280
Speaker 1: show because it's like you go crazy at that, aren't you?

2221
01:30:40,280 --> 01:30:42,639
Speaker 4: No, you can't. You can't have no meat and greet

2222
01:30:42,680 --> 01:30:44,439
Speaker 4: picture with Chris Brown. You can go to the show.

2223
01:30:44,640 --> 01:30:47,480
Speaker 2: I can see Low and Chris doing like the prompos.

2224
01:30:47,880 --> 01:30:50,200
Speaker 3: Yeah, oh yeah, I could see that. But then I

2225
01:30:50,240 --> 01:30:51,880
Speaker 3: got questions for Low with some air Force one. Yeah,

2226
01:30:51,880 --> 01:30:53,560
Speaker 3: I got questions like what you was back there? Do

2227
01:30:53,760 --> 01:30:55,439
Speaker 3: you pay you a thousand dollars to meet Chris Brown?

2228
01:30:55,439 --> 01:30:55,599
Speaker 2: Bro?

2229
01:30:56,800 --> 01:30:57,519
Speaker 4: Like, imagine that.

2230
01:30:57,720 --> 01:31:00,160
Speaker 1: Imagine paying thousand dollars do like the dat for over

2231
01:31:00,280 --> 01:31:01,640
Speaker 1: Chris Brown as a man like your fan?

2232
01:31:01,760 --> 01:31:04,960
Speaker 3: Just yeah, but imagine paid one thousand and he don't

2233
01:31:04,960 --> 01:31:07,880
Speaker 3: even talk to you, He just like polls for a picture. Yeah,

2234
01:31:08,000 --> 01:31:11,680
Speaker 3: you gotta fight Chris at that. You gotta fight like

2235
01:31:11,720 --> 01:31:13,320
Speaker 3: I paid a stack and you ain't even speak to me.

2236
01:31:13,400 --> 01:31:15,479
Speaker 2: You're gonna kick your ass all your dad.

2237
01:31:15,840 --> 01:31:18,120
Speaker 4: Yeah, I don't reckon. I don't recommend swinging on Chris

2238
01:31:18,160 --> 01:31:19,240
Speaker 4: Brown anyways.

2239
01:31:19,760 --> 01:31:22,559
Speaker 3: Yeah, man, we're on the road show near you soon

2240
01:31:22,720 --> 01:31:25,000
Speaker 3: starting in September. We'll be in the UK in the

2241
01:31:25,080 --> 01:31:28,320
Speaker 3: UK in November, I believe uh so, yeah, check the

2242
01:31:28,360 --> 01:31:30,599
Speaker 3: tour dates. We'll check the show dates, and if we're

2243
01:31:30,600 --> 01:31:32,280
Speaker 3: in the city near you, come out, come kick with us,

2244
01:31:32,439 --> 01:31:33,320
Speaker 3: have a good time.

2245
01:31:33,200 --> 01:31:35,320
Speaker 7: And please throw the panties on the stage because.

2246
01:31:35,600 --> 01:31:37,120
Speaker 2: No, no, no, no no no no no no no.

2247
01:31:37,280 --> 01:31:40,400
Speaker 3: No two we can't have no panties thrown on stage.

2248
01:31:40,560 --> 01:31:42,000
Speaker 3: They might cancel us for that too.

2249
01:31:43,120 --> 01:31:43,599
Speaker 1: Or haines.

2250
01:31:44,600 --> 01:31:47,920
Speaker 4: Yeah, well man, you can throw your h throw do

2251
01:31:48,080 --> 01:31:49,400
Speaker 4: rag on stage for Rory.

2252
01:31:50,200 --> 01:31:52,559
Speaker 1: Can't wear rag, you can wear They'll cancel me if

2253
01:31:52,600 --> 01:31:55,360
Speaker 1: I wear a really yes you think so? Well yeah,

2254
01:31:55,479 --> 01:31:57,320
Speaker 1: because it's not it's gonna help my hair at all.

2255
01:31:57,400 --> 01:31:59,040
Speaker 2: Number one, Wait, it must be doing.

2256
01:31:58,880 --> 01:32:01,759
Speaker 4: Wait Rory can't do rag, you can get canceled for when.

2257
01:32:02,040 --> 01:32:04,759
Speaker 7: I believe it appropriate in our culture.

2258
01:32:05,960 --> 01:32:07,760
Speaker 3: Oh then this we gotta Can we put a list

2259
01:32:07,760 --> 01:32:09,599
Speaker 3: together tomorrow for the people that needs to be canceled.

2260
01:32:09,800 --> 01:32:11,240
Speaker 1: I feel like we just shouldn't even talk about this

2261
01:32:11,280 --> 01:32:12,360
Speaker 1: because I don't want to get canceled.

2262
01:32:15,040 --> 01:32:16,639
Speaker 4: So scared, I'm terrified.

2263
01:32:16,880 --> 01:32:18,599
Speaker 6: Would you were white, Oh my god, your hair would

2264
01:32:18,600 --> 01:32:24,000
Speaker 6: show through. No, he would get it like a carrot cake, red, red, purple.

2265
01:32:25,080 --> 01:32:26,040
Speaker 2: I'm uncomfortable.

2266
01:32:26,240 --> 01:32:27,160
Speaker 4: I'm sorry, man, what.

2267
01:32:27,080 --> 01:32:28,200
Speaker 1: If I did the two tone dorec.

2268
01:32:28,840 --> 01:32:30,400
Speaker 3: Okay, all right, if you're gonna do it, just do

2269
01:32:30,439 --> 01:32:33,559
Speaker 3: a solid black. Yeah, we're not doing that. But anyway

2270
01:32:33,600 --> 01:32:34,040
Speaker 3: we out of.

2271
01:32:34,200 --> 01:32:35,960
Speaker 1: Cape out or I'd have to cape out, I'd have

2272
01:32:36,000 --> 01:32:36,400
Speaker 1: to talk.

2273
01:32:36,240 --> 01:32:38,200
Speaker 4: The cape out. Took to leave the cape out.

2274
01:32:38,200 --> 01:32:40,240
Speaker 2: So you can do it within fitted here.

2275
01:32:40,880 --> 01:32:43,120
Speaker 4: Nah, just do them, just just the do rag with

2276
01:32:43,160 --> 01:32:43,960
Speaker 4: the cape out that ship.

2277
01:32:44,640 --> 01:32:46,560
Speaker 1: Remember that like one year where people were tying do

2278
01:32:46,680 --> 01:32:48,680
Speaker 1: rags around their arms like risk.

2279
01:32:49,280 --> 01:32:50,800
Speaker 3: Listen, man, it's been really we're gonna get out of

2280
01:32:50,800 --> 01:32:52,639
Speaker 3: here because that we were putting down that road.

2281
01:32:53,520 --> 01:32:55,200
Speaker 4: We're doing what it's at the top.

2282
01:32:55,280 --> 01:32:58,120
Speaker 1: You could is that Adam twenty two with the do rag?

2283
01:32:59,200 --> 01:33:01,400
Speaker 2: It looks like it kind of actually doesn't look it.

2284
01:33:01,720 --> 01:33:03,920
Speaker 4: No, that's not I think it is.

2285
01:33:04,760 --> 01:33:05,400
Speaker 2: Oh nevermind.

2286
01:33:05,960 --> 01:33:07,479
Speaker 7: Is this uploaded by no Jumper?

2287
01:33:07,800 --> 01:33:08,840
Speaker 2: Oh yeah?

2288
01:33:08,960 --> 01:33:09,479
Speaker 4: Is that him?

2289
01:33:09,560 --> 01:33:09,800
Speaker 2: Yeah?

2290
01:33:09,800 --> 01:33:13,320
Speaker 4: He has a tattoo on his face, yeah, tattoos on

2291
01:33:13,360 --> 01:33:17,639
Speaker 4: his head. Oh yeah.

2292
01:33:17,960 --> 01:33:20,200
Speaker 1: So listen, man, it's been family weekend for you.

2293
01:33:20,479 --> 01:33:24,040
Speaker 3: Family weekend, just chilling, cleaning the house, listening to Beyonce

2294
01:33:24,120 --> 01:33:25,280
Speaker 3: because Rory recommended it.

2295
01:33:25,800 --> 01:33:28,519
Speaker 1: I recommended. That's why you're gonna listen to Beyonce. Yeah,

2296
01:33:28,720 --> 01:33:30,400
Speaker 1: I think he would listen to without.

2297
01:33:30,160 --> 01:33:32,920
Speaker 4: My recommend I mean cleaning the house as cleaning house.

2298
01:33:32,720 --> 01:33:33,800
Speaker 2: And you have to clean for your family.

2299
01:33:33,840 --> 01:33:34,320
Speaker 4: Absolutely.

2300
01:33:34,320 --> 01:33:36,920
Speaker 2: Do you fear because you have.

2301
01:33:37,080 --> 01:33:39,120
Speaker 1: A twin and that that's like in your genetics that

2302
01:33:39,120 --> 01:33:40,000
Speaker 1: you're gonna have twins?

2303
01:33:40,720 --> 01:33:41,360
Speaker 4: Yeah?

2304
01:33:41,880 --> 01:33:42,400
Speaker 2: Is that a fear?

2305
01:33:42,640 --> 01:33:44,240
Speaker 4: It's not a fear, But I think about it and I.

2306
01:33:44,240 --> 01:33:45,880
Speaker 1: Don't want to put Know you talked about your nephew.

2307
01:33:46,040 --> 01:33:48,439
Speaker 1: Your sister has one kid, so like I feel like

2308
01:33:48,520 --> 01:33:50,639
Speaker 1: you now by default, would be the one that would

2309
01:33:50,640 --> 01:33:53,759
Speaker 1: have the twins between have twins with her first.

2310
01:33:53,600 --> 01:33:54,599
Speaker 7: Child, her kids.

2311
01:33:55,200 --> 01:33:57,400
Speaker 4: I'm praying I don't have twins.

2312
01:33:57,760 --> 01:33:58,000
Speaker 2: Why.

2313
01:33:58,560 --> 01:34:00,280
Speaker 4: I just don't want that work low.

2314
01:34:00,520 --> 01:34:03,320
Speaker 1: That's such a lot, Yeah, especially on the first one.

2315
01:34:03,400 --> 01:34:04,880
Speaker 3: Yeah, like, let me let me figure out how to

2316
01:34:04,960 --> 01:34:06,920
Speaker 3: do this baby thing for the first time, and then

2317
01:34:06,920 --> 01:34:08,960
Speaker 3: if the second one is a set of twins, so

2318
01:34:09,000 --> 01:34:09,200
Speaker 3: be it.

2319
01:34:09,240 --> 01:34:10,040
Speaker 4: I know how to do this thing.

2320
01:34:10,200 --> 01:34:11,800
Speaker 7: I want twins. I want two babies, but I don't

2321
01:34:11,800 --> 01:34:12,439
Speaker 7: want to be pregnant.

2322
01:34:12,439 --> 01:34:13,920
Speaker 3: Once I thought she was about to say I want

2323
01:34:13,920 --> 01:34:15,519
Speaker 3: two babies from two different dudes, I was about to

2324
01:34:15,520 --> 01:34:16,960
Speaker 3: be like, that's not what twins.

2325
01:34:17,200 --> 01:34:20,639
Speaker 1: The time could be hood twins, isn't it Irish twins.

2326
01:34:20,760 --> 01:34:23,000
Speaker 1: Irish twins when you are born in the same year

2327
01:34:23,280 --> 01:34:24,480
Speaker 1: but it's from.

2328
01:34:24,720 --> 01:34:26,920
Speaker 4: Your culture is so nasty. Why would they name that?

2329
01:34:26,960 --> 01:34:28,600
Speaker 2: Irish people fucked a lot.

2330
01:34:29,080 --> 01:34:30,600
Speaker 1: The whole famine happened, Bro, we had to get the

2331
01:34:30,600 --> 01:34:31,880
Speaker 1: population back then.

2332
01:34:32,520 --> 01:34:33,519
Speaker 2: Potatoes all right.

2333
01:34:33,360 --> 01:34:35,280
Speaker 4: Man, listen, we out of here. Man, let's close this

2334
01:34:35,320 --> 01:34:37,639
Speaker 4: thing out. Yeah, we out of here. Have fun.

2335
01:34:37,680 --> 01:34:39,920
Speaker 3: Be safe this weekend. Play the Mega millions one point

2336
01:34:39,920 --> 01:34:43,840
Speaker 3: three billion. Somebody out there needs it. Uh, good luck,

2337
01:34:44,200 --> 01:34:45,599
Speaker 3: God bless. I'm that nigga.

2338
01:34:45,720 --> 01:34:46,960
Speaker 4: He's just ginger. Peace.

2339
01:34:47,200 --> 01:34:47,240
Speaker 1: No,