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Speaker 1: Man, you practically saved my life.

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Speaker 2: Get the other fact, yo, Yo, that man really saved

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Speaker 2: my life.

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Speaker 3: Yeah yeah, what up y'all? This is Fat Joe the Gangster.

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Speaker 3: It your boy, Jaden kiss you know what it is?

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Speaker 4: Did Joe and Jaden's show, Every show legendary, every show iconic,

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Speaker 4: and you get just what we tell you you're gonna

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Speaker 4: get today's guests. You think of hip hop and you

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Speaker 4: think of barge speak on the gard. You think of

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Speaker 4: a strong black man when you think of morals, principles,

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Speaker 4: when you think of craftsmanship, when you think of transitioning

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Speaker 4: to becoming a very great actor, one of the best

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Speaker 4: on screen and a voice.

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Speaker 5: Actor, you think of the South Side of Chicago.

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Speaker 1: That's the right shot town. What's good?

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Speaker 5: Ladies and gentlemen, give it a five?

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Speaker 1: Brother comic.

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Speaker 4: Explos is getting better and better, my brother, better and better.

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Speaker 1: Brother.

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Speaker 2: That that that in show Man, that was a man.

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Speaker 2: That's that's spoke to my heart. Bro to be honest, man,

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Speaker 2: I never heard nobody and showed me like that saying

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Speaker 2: a man of integrity like that. So I want to

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Speaker 2: say gift. Thanks brother, brother Joe. I'm glad you what

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Speaker 2: you are.

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Speaker 1: No, I'm glad to see you do the real deal, bro,

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Speaker 1: Thank you brother.

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Speaker 3: First of all, in this show, I don't know if

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Speaker 3: you've been watching, but I count people's pockets. Wow, the

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Speaker 3: flag off, the off, the nah nah nineteen ninety three.

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Speaker 3: I mean Cabrini, bring Cabrini green projects.

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Speaker 1: Well, people don't know.

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Speaker 3: Okay, you want to throw your taking flag back, and

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Speaker 3: don't throw one because I'm gonna tell you real chick.

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Speaker 1: Okay, let me tell you all right.

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Speaker 3: I start at Relativity Records, me Common and the beat

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Speaker 3: Nuts and chi Ali the first artist sign he.

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Speaker 5: Signed nineteen ninety one.

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Speaker 1: That's cool, he's before me, but we're on the same label.

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Speaker 3: So you know how you were seeing Biggie in one

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Speaker 3: studio in this me and him, we started together like

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Speaker 3: literally infancy.

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Speaker 2: Like you the second person that known in this whole

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Speaker 2: industry where the Beatnuts was the first shot out that.

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Speaker 1: Like Joe, you the yo yo.

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Speaker 3: But sir, you don't know how proud it makes me

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Speaker 3: that this kids that don't even know you rap and

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Speaker 3: I just see you in movies and see you doing things,

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Speaker 3: and I'll just be sitting back like wow. And then

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Speaker 3: I tell guys like him that I started with you.

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Speaker 3: He throws a flag and.

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Speaker 1: Tells me I'm capping, and I'm like, no, I really

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Speaker 1: know here, we really grew up.

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Speaker 4: Laugh came from saying I don't know if you know

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Speaker 4: whether or not on.

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Speaker 5: This show I Pocket watched.

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Speaker 1: I watched Pocket. You know what I'm trying to say,

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Speaker 1: But I watch Hey Joe. But this is the thing.

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Speaker 2: It's two moments in my life, in my career that

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Speaker 2: I can cite you for and just want to say

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Speaker 2: thank you. Brothers, Like you don't know what it meant

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Speaker 2: to me. One was you put me in a video

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Speaker 2: in your video and is the key to Soety Lena. Yeah, man,

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Speaker 2: Like you know, pictures come out like once a year.

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Speaker 2: It's in a pictures like it's gonna be here forever.

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Speaker 1: I love that man. He was kids in the arm

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Speaker 1: but you pulled up to the Bronx and I missed

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Speaker 1: some note that meant something because let him get in

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Speaker 1: coming from Chicago.

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Speaker 2: Man, one of the things we wanted was just to

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Speaker 2: be heard by New York and for you to be

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Speaker 2: like yo, even though he was on the same label.

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Speaker 1: If you if you thought I was on some weak ship,

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Speaker 1: you've been like, uh, beloved and all for love it.

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Speaker 2: I'm gonna tell you ship. The second one, well, the

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Speaker 2: second one we didn't talked about a lot. Man, you

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Speaker 2: practically saved my life. Get there on the fla, yo, Yo,

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Speaker 2: that man really saved my life. Like I was out

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Speaker 2: on the West Coast with my guy, one of my

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Speaker 2: guys I knew through one of my close homies, but

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Speaker 2: he was my guy, and he just wasn't happy with

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Speaker 2: the whole situation, the whole ice q mac tan beef

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Speaker 2: that we had told him we had squashed it, were

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Speaker 2: doing it. We were sitting there doing a commercial. This

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Speaker 2: was the most money I was getting paid ever for

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Speaker 2: something at that point in time. Right, So we at

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Speaker 2: peace were like, Yo, things is good. Everybody was like God,

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Speaker 2: just be from Chicago. We just couldn't hold it. He

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Speaker 2: couldn't hold it. So he started ruffling shit, and man,

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Speaker 2: it just got a little heated.

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Speaker 3: And I want to say, Dad, it's not because Fat

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Speaker 3: Joe's tougher than anybody. I literally begged for your life.

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Speaker 3: I literally got in the middle, was like, please, he's

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Speaker 3: my friend, he's my brother, you know, he you know,

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Speaker 3: some people take things personal. And they finally saw him

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Speaker 3: and he was on there I saw you and they

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Speaker 3: was talking crazy and I was like, no way, this guy,

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Speaker 3: I said, this is literally my brother. And I was

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Speaker 3: begging them because it was the serious ones. I was like, please,

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Speaker 3: this is my brother Joe. You know we've been we've

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Speaker 3: been waiting to catch this guy. I said, listen, I can't.

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Speaker 3: I just couldn't do I just see And basically I

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Speaker 3: stood in the middle like please, guys, like I cannot

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Speaker 3: do it.

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Speaker 1: But they they set up.

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Speaker 2: It was over after that day, right after that day.

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Speaker 2: But you settled that, like like, I'm like, man, we

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Speaker 2: are on we in California. Don't start nothing my homie already,

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Speaker 2: cause they already, like you said, they already wanted to

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Speaker 2: piece on me no matter what.

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Speaker 1: Because so my guy out there, he just he's just

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Speaker 1: going off. Anyway.

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Speaker 2: I knew Joe. I ain't even hit it, but I

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Speaker 2: ain't know everything he did. But oh no, he did.

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Speaker 2: I knew it was him.

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Speaker 1: They said, Yo, this can't happen. And because he had

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Speaker 1: a you know, relation, super relations still my brother and yeah,

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Speaker 1: shout out to.

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Speaker 2: My family. Brotherhood. Family was good. That's when Fat Joe

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Speaker 2: the gangster. I was like this, this is cause he's

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Speaker 2: straight up, was like, he can't do that to my man.

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Speaker 2: It was like like one of the movies was talking

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Speaker 2: about good fact.

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Speaker 3: He once again I begged him. I was in there, Mercy,

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Speaker 3: and I was just like, please, this is my brother,

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Speaker 3: this is my family. I did that one time for

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Speaker 3: Rich playing my best friend. One time they was about

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Speaker 3: to do it and not saying Rich and I mean

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Speaker 3: real deal. Well he was getting into it with a

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Speaker 3: seven headed monster guy who who just kills he's in

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Speaker 3: jail for too many bodies, and I had to jump

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Speaker 3: in the middle and be like, yo, yo, yo, I can't.

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Speaker 1: It's like yo, fat boy, get out the way. I

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Speaker 1: was like, oh no, I can't. This is my family.

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Speaker 1: I can't.

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Speaker 3: I knew what it meant. They real deal and this

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Speaker 3: other guy's you know, Jeffrey Donald, and I'm and I'm

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Speaker 3: a monster, and I'm sitting there like, yo, listen, please

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Speaker 3: let me get in. I said, no, knock him, that

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Speaker 3: knock him that y'all had yet up there.

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Speaker 1: But they go. But they go. The men go because

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Speaker 1: the first argument I ever had with him, right.

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Speaker 3: He goes the next day to Rich and they had

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Speaker 3: blocked on Cyprus and says, if Joe got in the middle.

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Speaker 3: That means you're good guys. Let's become friends. And they

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Speaker 3: wound up being best friends. My man is still in

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Speaker 3: jail thirty seven years. But he went the next day.

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Speaker 3: He took it on himself, as said, if Fat Joe

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Speaker 3: threw himself in the middle trying to squash it.

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Speaker 1: These guys gotta be good guys.

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Speaker 3: And it was all over, you know, staring at each

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Speaker 3: other in the club and a couple of girls. And

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Speaker 3: you know, these guys they kill each other over girls,

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Speaker 3: These gangsters. Man, a lot of gangsters in jail killing

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Speaker 3: over girls. I'm telling you I.

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Speaker 1: Had a guy. This guy was a meaning. He's still

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Speaker 1: in jail too, forty years, right. He was mean, looking, scared, straight. No, no,

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Speaker 1: because no, A lot of wars have come over over

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Speaker 1: over women, most of them.

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Speaker 3: Yo, But listen, this guy. All I'm gonna say to

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Speaker 3: you is this was a mass murder. He's still in

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Speaker 3: jail forty years. He would come to the club and

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Speaker 3: he'd go he's Porto Rican. He'd be like I, and

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Speaker 3: I'd be like yo, said I. The nanna he's talking by.

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Speaker 3: His wife was bad as ship to her. She was

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Speaker 3: fucking dudes like she was loose. So come on then, nah,

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Speaker 3: you know Jimbo from the barber shop. H yeah, he

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Speaker 3: was with the net with everybody. If it's ten, got

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Speaker 3: the no Jimbo, he didn't.

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Speaker 1: Yes with the net. Net.

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Speaker 3: Jimbo won't be away the two more days like he

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Speaker 3: would come all of one time.

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Speaker 1: I argue with the niggas like A and I said, no,

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Speaker 1: I don't want to hear that shit. You're a fucking liar.

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Speaker 1: She's the most decent girl in the world. She didn't

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Speaker 1: do it.

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Speaker 3: YESA, and everybody knew what that was. Somebody was disappearing

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Speaker 3: over the net. Not no.

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Speaker 1: I know maniacs like that. Man, but you know, common man,

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Speaker 1: you're the beloved of all beloved. Let's keep it peace.

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Speaker 2: I said.

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Speaker 1: You know what I said, I didn't see.

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Speaker 3: What's that like spoken sage or something.

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Speaker 5: It was posted to protect us for that story.

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Speaker 2: It's similar to say it's Plasanto's Palisanto. You know it

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Speaker 2: comes from the trees down in Chili, bringing the good energy,

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Speaker 2: bringing the good energy, moveative energy.

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Speaker 3: You know you guys, I know, I know, I know

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Speaker 3: you in the serious relationship, correct, But you guys, you

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Speaker 3: nice guys.

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Speaker 1: You always got the baddest chicks because they think you

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Speaker 1: nice guys.

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Speaker 3: You know, comebags, its comeback, you come with a smile.

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Speaker 3: They don't comment. He's the beloved them all. What a

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Speaker 3: nice d the beloved of all belovers. And you Polosanto,

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Speaker 3: you know you know you got that new ship out

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Speaker 3: there on the streets.

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Speaker 2: Boy, Yo, you know I gotta say, you know, like

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Speaker 2: at the end of the day, you know, I've definitely

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Speaker 2: dated some some beautiful women and amazing women, but I

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Speaker 2: think you know, it was like they respected me as

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Speaker 2: a man. They knew I was coming as a man.

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Speaker 2: I had the the love, but I'm a man too.

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Speaker 2: It's like I'm gonna lead the way I lead, and

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Speaker 2: I was giving him that you know that authentic man, Joe,

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Speaker 2: I'm true, Bro. I don't be trying to like I

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Speaker 2: ain't gonna act like like nothing for nobody at this

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Speaker 2: point obviously, but even at that moment, but you just

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Speaker 2: say you always You've never been like a like a

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Speaker 2: bullshit and you always been a break shooting like and

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Speaker 2: no nobody I've been with it's like none of the

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Speaker 2: women that I like have relationships with go be like

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Speaker 2: damn that nigga just did me bogus foul like I

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Speaker 2: had the intecurty.

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Speaker 1: I mean, I'm a man. I did you know something's wrong?

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Speaker 6: You know?

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Speaker 2: But I'm saying it ain't been bogus where It's just

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Speaker 2: like I ain't been out there like bogus, And uh,

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Speaker 2: you know, I'm the type of man. If it ain't working,

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Speaker 2: I'm gonna say it ain't working, I ain't gonna keep

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Speaker 2: you going like forever because you got a life. I

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Speaker 2: got a life. We want to live happy. So yeah, man,

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Speaker 2: I just I mean that's I guess. Nice guys, do

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Speaker 2: you know what it ain't?

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Speaker 1: How you knowing it ain't work? What do you want

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Speaker 1: me do?

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Speaker 5: Yo?

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Speaker 1: Jada, we had a real life ship.

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Speaker 3: We're trying to help. Somebody's in the struggle right now.

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Speaker 3: Somebody watching this ship. They don't know whether they want

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Speaker 3: to be together or not. Maybe he can give us

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Speaker 3: some knowledge and maybe it's time to move on or

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Speaker 3: stay strong.

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Speaker 2: I mean, King, seek seek the King doing all, so

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Speaker 2: be at it. You gotta seek the King. No man,

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Speaker 2: listen man, Jada just said it. Man, I'll be like man,

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Speaker 2: I try to listen to God most of the foremost

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Speaker 2: all like that's in everything I do. And especially the

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Speaker 2: most important things in life, where it's like career, my purpose,

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Speaker 2: a relationship, dealing with my family, dealing with how I'm

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Speaker 2: gonna go speak on something like if I get an

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Speaker 2: opportunity to speak to people, Man, I'm always going seeking

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Speaker 2: the Kingdom first. So I think in a relationship it's

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Speaker 2: important that.

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Speaker 5: Man.

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Speaker 2: The reason why I feel happy and great in the

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Speaker 2: relationship with Jennifer is Man, God is first, and we

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Speaker 2: just building from there. We're not perfect human beings, but

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Speaker 2: we communicating, we growing. We like just trying to be

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Speaker 2: the best children of the most High and still have

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Speaker 2: fun too, Like you could be God.

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Speaker 3: And I know you ready with your intellectual questions. But

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Speaker 3: let's go back to Jennifer. The reason why I love

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Speaker 3: her so much besides her being so talented, but the

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Speaker 3: hard things she's been through in life, and to see

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Speaker 3: her just keep a chin up and walk through the

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Speaker 3: fire and still be strong and still be you know,

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Speaker 3: that's what I respect about humans the most. He's the

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Speaker 3: adversity you have to overcome and the tough times and

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Speaker 3: all that, and then her, you know, she had the

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Speaker 3: toughest man.

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Speaker 1: I mean, I don't know if it's getting no tougher

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Speaker 1: than I don't get so don't get no tough.

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Speaker 3: I've never been able to tell her that because you know,

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Speaker 3: I sit next to her and all the games and

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Speaker 3: all that, and you know we always have it fun

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Speaker 3: when I see her.

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Speaker 1: But they you know, she's like, man, you know, she's

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Speaker 1: a gee. She would appreciate that, man.

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Speaker 2: And I gotta say, that's one of the things that

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Speaker 2: I was like, Man, how this person got still got light?

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Speaker 2: Light after all like losing dealing with what she dealt with.

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Speaker 2: I'm like for her to have light and be good

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Speaker 2: to people and like just still be bright about life.

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Speaker 1: Man.

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Speaker 2: That's that's that's strong. But warriors, that's just a different

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Speaker 2: type of Yeah. But yeah, that's what it is. I mean,

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Speaker 2: I ain't the relationship expert, but.

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Speaker 4: I want to know, what was it the South Side

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Speaker 4: of Chicago, Like e nineties, eighties and nineties, Man, Chicago,

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Speaker 4: a lot of our people are from the South, so

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Speaker 4: we got something that's rooted in the South, but it's

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Speaker 4: but it's really Chicago is a city, so we got

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Speaker 4: that that movement of a city and the slickness and

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Speaker 4: the culture.

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Speaker 2: But growing up it was like I experienced everything from

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Speaker 2: black church to liquor stores, gang bang cultures like no matter,

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Speaker 2: I don't care how smart you or whatever you're gonna

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Speaker 2: be around game bang culture.

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Speaker 1: We hoops like there's just nowhere around it. It's the

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Speaker 1: one city.

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Speaker 3: Well La too, because I've seen grandmothers in all red

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Speaker 3: cars with red seats with red tires.

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Speaker 1: Principles is schools coming in red suits and blue suits. Yo.

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Speaker 3: They I didn't speaking to mac ten and them. I'm

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Speaker 3: out there shooting the movie with them. I'm thinking of

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Speaker 3: water and Grandmother's is all red and Principles and Schools

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Speaker 3: is coming and the cops is throwing this ship up.

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Speaker 1: I'm like, it's it's like.

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Speaker 3: That in Chicago with everyone is pretty much.

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Speaker 1: How did you escape?

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Speaker 2: I grew up with around stone, blackstones and four corner

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Speaker 2: hustles and vice lords and that's who I was with.

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Speaker 2: And man, that's what it is. I mean, I don't

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Speaker 2: mean I have like friends, that was folks or whatever,

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Speaker 2: but overall, I guess I escaped it because I started

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Speaker 2: feeling like I had something to live for. So I

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Speaker 2: wasn't going too deep into that, but I you know,

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Speaker 2: me and my guys, that's how we had to make

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Speaker 2: it to a certain degree. But just like we know

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Speaker 2: the stories from I don't care if you know it's

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Speaker 2: the b X, I don't care if it's young because

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Speaker 2: if it's if it's Atlanta, if it's you know, La.

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Speaker 2: When people start seeing you doing something, they support you,

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Speaker 2: like you coming from the hood, they like man, especially

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Speaker 2: doing something good, they kind of wrap their arms around

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Speaker 2: you and be like, we ain't gonna let nobody get

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Speaker 2: to this cat.

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Speaker 1: So I mean, I was part of it. And then man, blessings,

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Speaker 1: man like what you just talked about.

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Speaker 2: I could I could have not been here all they

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Speaker 2: been around stuff and I could have not been here,

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Speaker 2: But you know best about it most.

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Speaker 1: Now back to the first flag he threw at me.

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Speaker 1: He's why I said, counting pockets. Right.

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Speaker 3: I meet you ninety ninety two, ninety three, and I

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Speaker 3: go to Chicago with you, right and with sitting down.

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Speaker 3: This is when Chicago it wasn't even a downtown. It

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Speaker 3: was just the real Chicago, the good times Chicago. And

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Speaker 3: I remember sitting out there with you and you was like, yo,

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Speaker 3: I'm buying all the properties and you were telling me

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Speaker 3: your grandfather had properties and he taught you how to

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Speaker 3: buy properties and why I counted your money because I

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Speaker 3: said this, man, I'm just buying a chain a call hooty,

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Speaker 3: and you was buying properties at that time.

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Speaker 1: Yeah.

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Speaker 2: But man, really it was my mother who was really

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Speaker 2: the like my father used to say to me, get

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Speaker 2: the land, get the land. I ain't grown up with

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Speaker 2: my father, but when he was, she would say certain things,

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Speaker 2: you know, to be like get the lamb, man, they

342
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Speaker 2: can't take the lamb from well.

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Speaker 1: My mother was like, as soon as I started, like

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Speaker 1: first album.

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Speaker 2: I ain't really make no money. I'm trying to, you know, survive, right,

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Speaker 2: none of us right, maybe.

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Speaker 3: Only a freir head full out of They went and

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Speaker 3: bought a kilo with their advance.

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Speaker 5: The good story, all right.

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Speaker 3: I'm just trying to let you know they had a

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Speaker 3: side of us. And while rapping, I mean, that's what hey,

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Speaker 3: that's what it was.

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Speaker 1: We wouldn't make it.

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Speaker 2: But but my second album, my mother saw that I

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Speaker 2: was like getting somewhere, like just more than more than

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Speaker 2: what you know, like I had before, and just she

357
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Speaker 2: you know, she was like, man, you don't know how

358
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Speaker 2: long it's gonna last. Man, you should invest in some property.

359
00:18:46,359 --> 00:18:49,119
Speaker 2: And I was like, man, that's good. I started doing it,

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Speaker 2: and then she was she was She was the one

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Speaker 2: that schooled me. And then I got a friend named

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Speaker 2: Moe who got into real estate, who started breaking it

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Speaker 2: down even more so that's when I really started getting

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Speaker 2: in properties and are seeing the value.

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Speaker 1: I mean, I really honestly wish early on.

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Speaker 2: I was up on like investing in because I got

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Speaker 2: all on the health ship early like the health.

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Speaker 5: Like got down with this. We would have been we

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Speaker 5: would have been franchising.

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Speaker 2: We would have been franchised. I came to the opening

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Speaker 2: of y'all in Brooklyn. Yo, you know what I'm gonna do.

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Speaker 1: I'm gonna start smoking this Piscato thing. What's the ship here?

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00:19:25,760 --> 00:19:28,720
Speaker 1: You always ahead of time. I don't smoke, but this ship. Look,

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Speaker 1: I might have to buy some of that stock. Could

375
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Speaker 1: have pid man, what's the call Bylocano?

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Speaker 3: Cause you always haaded a curve on everything that fole

377
00:19:38,960 --> 00:19:39,320
Speaker 3: of South.

378
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Speaker 1: They're gonna make some money, for sure. We got to invest.

379
00:19:43,359 --> 00:19:47,520
Speaker 2: I'm gonna come up with my own first, you know,

380
00:19:47,600 --> 00:19:51,400
Speaker 2: I be on some wellness that we're looking you, huh.

381
00:19:53,200 --> 00:19:57,040
Speaker 2: Maybe it's gotta come from South America. Yeah, it's gonna

382
00:19:57,040 --> 00:19:57,760
Speaker 2: be a good one.

383
00:19:58,000 --> 00:19:59,800
Speaker 4: Be a good yeah, because I got I got to

384
00:20:00,320 --> 00:20:03,080
Speaker 4: now fast forward.

385
00:20:03,960 --> 00:20:06,760
Speaker 5: How does it feel the when every goddamn a walk

386
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Speaker 5: and I feel good whenever I see when thank you

387
00:20:12,160 --> 00:20:12,600
Speaker 5: because I.

388
00:20:12,680 --> 00:20:15,240
Speaker 7: Know what you stand for, what you represent, where you

389
00:20:15,400 --> 00:20:18,320
Speaker 7: come from. When they when they let one of us

390
00:20:18,480 --> 00:20:23,440
Speaker 7: in and you just dominate the way you've been doing.

391
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Speaker 2: Me feel man, I love that because for us right

392
00:20:28,280 --> 00:20:30,840
Speaker 2: So when like, let me tell you, when I'm up there,

393
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Speaker 2: I feel like I'm representing us because we all, we

394
00:20:33,600 --> 00:20:36,160
Speaker 2: all the tribe, man, Like, we know where we've come from,

395
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Speaker 2: we know what we do, We've been through it together.

396
00:20:39,600 --> 00:20:41,200
Speaker 2: We ain't got to see each other all the time

397
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Speaker 2: to know we just we're from.

398
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Speaker 1: We just we know the tribe. Bro, we love each other.

399
00:20:45,080 --> 00:20:47,399
Speaker 2: So when I'm out there, man, I ain't gonna from

400
00:20:47,440 --> 00:20:49,119
Speaker 2: when I was on the Oscar stage, I felt like

401
00:20:49,160 --> 00:20:53,600
Speaker 2: I was represented. I was representing gods, black men, brown men,

402
00:20:54,280 --> 00:20:59,080
Speaker 2: black people like hip hop Chicago. It was a lot

403
00:20:59,160 --> 00:21:01,639
Speaker 2: that that I felt like, Yo, this is this is

404
00:21:01,680 --> 00:21:05,440
Speaker 2: what I'm this is why I'm up here, and my ancestors.

405
00:21:05,520 --> 00:21:08,800
Speaker 2: I felt all of that, and I'm like, I'm so grateful.

406
00:21:09,240 --> 00:21:11,639
Speaker 2: Did you feel that way? Because I'm like, man, when

407
00:21:11,680 --> 00:21:13,520
Speaker 2: I see y'all doing. I came in and said, man,

408
00:21:13,560 --> 00:21:16,160
Speaker 2: I'm proud of y'all. Man, it's just like what y'all doing.

409
00:21:16,200 --> 00:21:18,680
Speaker 1: Man, this is like it. It offers so much to

410
00:21:19,440 --> 00:21:22,560
Speaker 1: people people who like needed. We need it.

411
00:21:22,640 --> 00:21:24,560
Speaker 2: We need to We need the fund, we need the joy,

412
00:21:24,640 --> 00:21:26,280
Speaker 2: we need the wisdom. We need to come in like

413
00:21:26,560 --> 00:21:30,840
Speaker 2: in an authentic way. So to see us us like

414
00:21:31,080 --> 00:21:35,080
Speaker 2: just man, it was ninety three ninety two, Bro, ninety

415
00:21:35,560 --> 00:21:39,760
Speaker 2: ninety two Bro. So to see us like finding ways

416
00:21:40,320 --> 00:21:44,080
Speaker 2: and real ways to actually impact life and culture and

417
00:21:44,200 --> 00:21:47,440
Speaker 2: be doing great things and taking care of our loved

418
00:21:47,480 --> 00:21:50,560
Speaker 2: ones and families. And you know, y'all rather you know

419
00:21:50,640 --> 00:21:53,159
Speaker 2: the same way. I feel like we all want. Now

420
00:21:53,400 --> 00:21:55,720
Speaker 2: I'm gonna tell you crazy things. I wrote my first

421
00:21:55,800 --> 00:21:57,879
Speaker 2: ever positive song right now.

422
00:21:57,960 --> 00:21:59,920
Speaker 1: You don't remember this. You know I'm game.

423
00:22:00,000 --> 00:22:02,280
Speaker 3: It's the fat jaw smack your baby at the Christian

424
00:22:02,320 --> 00:22:05,040
Speaker 3: and I'm doing you know, I'm I talking all this

425
00:22:05,200 --> 00:22:08,280
Speaker 3: crazy shit. And I made one positive song and I

426
00:22:08,400 --> 00:22:11,960
Speaker 3: went to you, I Seek the Kingdom, Never Forget, and

427
00:22:12,080 --> 00:22:13,880
Speaker 3: I played it for you. I felt like the old

428
00:22:14,000 --> 00:22:17,600
Speaker 3: Common is gonna love this shit. It's a positive song

429
00:22:18,119 --> 00:22:20,400
Speaker 3: and I played it for you. It was like that's Joe, Joe,

430
00:22:20,560 --> 00:22:23,200
Speaker 3: what the rest of the album sound like? Like you

431
00:22:23,320 --> 00:22:28,040
Speaker 3: wanted that sho I came with the Least Black Man,

432
00:22:28,400 --> 00:22:31,600
Speaker 3: this stunt il Can from the Million Man and he

433
00:22:31,720 --> 00:22:34,120
Speaker 3: was like, Yojoe was up with the rest of the holbur.

434
00:22:34,240 --> 00:22:36,359
Speaker 3: I was like, yeah, yeah, the album is hog. I

435
00:22:36,480 --> 00:22:39,000
Speaker 3: came to you with the positive joint like I thought.

436
00:22:39,080 --> 00:22:43,400
Speaker 3: Com was like, yes, now you want that Joe crack

437
00:22:43,560 --> 00:22:44,840
Speaker 3: fat Gangster ship. No.

438
00:22:47,080 --> 00:22:49,879
Speaker 2: But but you know it was at the end of

439
00:22:49,920 --> 00:22:52,399
Speaker 2: the day, you were showing the evolution. But sometimes it's like,

440
00:22:53,240 --> 00:22:55,040
Speaker 2: you know, we all climb and go our way. We

441
00:22:55,160 --> 00:22:57,000
Speaker 2: grow in our own ways when it's time.

442
00:22:58,200 --> 00:23:03,040
Speaker 1: I mean, for me, it's like positivity ain't gotta be like, oh,

443
00:23:03,240 --> 00:23:04,639
Speaker 1: preaching me. I don't like that.

444
00:23:04,800 --> 00:23:05,359
Speaker 5: I don't like it.

445
00:23:05,440 --> 00:23:07,520
Speaker 2: I don't like that in movies. I don't like it

446
00:23:07,600 --> 00:23:11,280
Speaker 2: in music. I don't like it in church. I don't

447
00:23:11,400 --> 00:23:14,399
Speaker 2: like me either, Like I don't like the judgment. I

448
00:23:14,440 --> 00:23:17,600
Speaker 2: don't like his self rightous. I don't like man, I'm

449
00:23:17,680 --> 00:23:21,680
Speaker 2: conscious now you know, like you was doing the goodness

450
00:23:21,760 --> 00:23:23,560
Speaker 2: out there to be honest, even if you know, like

451
00:23:23,640 --> 00:23:25,639
Speaker 2: you know what I'm saying, like bringing bringing me on

452
00:23:25,920 --> 00:23:27,119
Speaker 2: that that in itself.

453
00:23:27,200 --> 00:23:30,040
Speaker 1: But I feel like, you know, I kind of remember

454
00:23:30,080 --> 00:23:32,600
Speaker 1: when you played that joy but I what that joke.

455
00:23:32,880 --> 00:23:35,920
Speaker 3: But you know what happens, You know, somebody like carr

456
00:23:36,000 --> 00:23:40,440
Speaker 3: us One who had the machine gun in the cover,

457
00:23:41,240 --> 00:23:44,480
Speaker 3: and we think it's coming again. He's air planes laying

458
00:23:44,720 --> 00:23:49,000
Speaker 3: and it's overseas, people dying, politics is lying. I'm trying

459
00:23:49,400 --> 00:23:53,399
Speaker 3: not to escape. That ship was like a fucking a

460
00:23:53,720 --> 00:23:57,119
Speaker 3: rose blooming. I remember how to train. I had to

461
00:23:57,280 --> 00:24:00,520
Speaker 3: walk in and I played that ship and he was like,

462
00:24:00,920 --> 00:24:05,879
Speaker 3: plan's flying overseas, people dying, politicians lying, I'm trying And

463
00:24:05,920 --> 00:24:07,359
Speaker 3: I was like, it was like a rose.

464
00:24:07,440 --> 00:24:10,280
Speaker 1: I was like, Yo, what the fuck is this? Yo? Man?

465
00:24:10,440 --> 00:24:14,119
Speaker 2: Cal rust, kill us want and hip hop and itself

466
00:24:14,320 --> 00:24:17,520
Speaker 2: at that time too. Man taught me so much about

467
00:24:17,600 --> 00:24:20,240
Speaker 2: who I am as a person. This stuff I ain't no, like,

468
00:24:20,359 --> 00:24:23,400
Speaker 2: I ain't know like even what he was just talking about.

469
00:24:23,440 --> 00:24:26,720
Speaker 2: It just certain things about Africa that I all bench

470
00:24:26,840 --> 00:24:29,399
Speaker 2: just and Benica, Man, why is that?

471
00:24:29,560 --> 00:24:31,159
Speaker 1: Sing yoh?

472
00:24:31,400 --> 00:24:31,600
Speaker 6: Is that?

473
00:24:31,800 --> 00:24:33,040
Speaker 1: Why is that? He was going?

474
00:24:33,119 --> 00:24:34,879
Speaker 2: He was creating and there even to be able to

475
00:24:34,920 --> 00:24:37,000
Speaker 2: break down the books of the Bible when he was

476
00:24:37,040 --> 00:24:40,600
Speaker 2: Abraham was the father of Isaac Isaac was.

477
00:24:40,640 --> 00:24:44,480
Speaker 1: The father of Jacob. Jacob had twelve sons. For real

478
00:24:44,640 --> 00:24:46,719
Speaker 1: the needs for the children of Israel.

479
00:24:47,040 --> 00:24:50,119
Speaker 2: I'm like man to get us to be singing that

480
00:24:50,280 --> 00:24:54,040
Speaker 2: and rapping that like man, that dude just elevated us

481
00:24:54,119 --> 00:24:57,680
Speaker 2: all man hip hop being at that time teacher man

482
00:24:57,840 --> 00:24:59,919
Speaker 2: the teacher, and he made it sound But that's when

483
00:25:00,160 --> 00:25:02,880
Speaker 2: talk about like he made that joint sound good.

484
00:25:03,480 --> 00:25:05,040
Speaker 1: Like I had to get to that. I had.

485
00:25:05,600 --> 00:25:08,080
Speaker 2: It was a point where in my in my music

486
00:25:08,160 --> 00:25:11,160
Speaker 2: and career where I felt like I was getting stuff

487
00:25:11,160 --> 00:25:13,560
Speaker 2: and I wanted to spread the word. But it was

488
00:25:14,000 --> 00:25:16,520
Speaker 2: too it was too like self right, it was too like,

489
00:25:17,760 --> 00:25:20,399
Speaker 2: you know, you gotta find a balance. Life is a balance.

490
00:25:20,520 --> 00:25:23,119
Speaker 2: So it's like, you know me growing up, he was

491
00:25:23,200 --> 00:25:24,800
Speaker 2: my hero, my idol still is.

492
00:25:25,680 --> 00:25:29,440
Speaker 3: But kros One was God in the Bronx, right, and

493
00:25:29,560 --> 00:25:35,159
Speaker 3: then Fat Joe Yes became the new like you know

494
00:25:35,359 --> 00:25:39,200
Speaker 3: the dawn, We're going double platinum, We on fire. I

495
00:25:39,359 --> 00:25:42,920
Speaker 3: used to walk the streets with Charris One. Everybody teach

496
00:25:43,000 --> 00:25:46,480
Speaker 3: the teacher look at me like, you know, you know,

497
00:25:46,600 --> 00:25:49,080
Speaker 3: we attitudes. And I asked him one day, I said, yo,

498
00:25:49,359 --> 00:25:52,920
Speaker 3: I said, yo, Chris, how come everybody comes up to

499
00:25:53,000 --> 00:25:55,840
Speaker 3: you smiling with the teach. The teacher and then look

500
00:25:55,880 --> 00:25:59,440
Speaker 3: at you. He said, that's easy a rap about positivity

501
00:25:59,480 --> 00:26:03,680
Speaker 3: and unity. You wrap around gangster shit, they gonna make

502
00:26:03,720 --> 00:26:06,560
Speaker 3: you prove you a gangster every time out here. Me

503
00:26:06,720 --> 00:26:10,600
Speaker 3: did just smile. I posed no threat. I was like wow,

504
00:26:10,680 --> 00:26:12,720
Speaker 3: that shit was so deep for me at the time

505
00:26:12,800 --> 00:26:15,120
Speaker 3: where it was like yo, he's like yo. They look

506
00:26:15,200 --> 00:26:18,399
Speaker 3: at me like this is the unified. They look at

507
00:26:18,480 --> 00:26:21,160
Speaker 3: you like yo, you still fout Joe the gangster out here.

508
00:26:21,320 --> 00:26:23,080
Speaker 3: So dude, that's when we went right back to the

509
00:26:23,160 --> 00:26:25,040
Speaker 3: studio and killed some more people.

510
00:26:25,520 --> 00:26:30,160
Speaker 2: That's a fact more babies at than Christian. But that's

511
00:26:30,200 --> 00:26:33,360
Speaker 2: what for me, I knew, like, okay, man, I wasn't

512
00:26:33,400 --> 00:26:35,200
Speaker 2: selling a lot of records, Joe. You know. I remember

513
00:26:35,440 --> 00:26:39,640
Speaker 2: walking into Relativity Records and it was I tell people

514
00:26:39,680 --> 00:26:43,080
Speaker 2: this story, it was it was Bone Thugs.

515
00:26:42,840 --> 00:26:45,680
Speaker 1: At Harmony, Fat Joe.

516
00:26:46,400 --> 00:26:48,439
Speaker 2: I don't know if the rough House Riders will performing

517
00:26:48,560 --> 00:26:52,320
Speaker 2: like Fat Joe and sold maybe twenty thousand this week,

518
00:26:53,400 --> 00:26:56,440
Speaker 2: but Bone Thugs are sold forty thousand this week.

519
00:26:57,200 --> 00:26:58,359
Speaker 1: I sold five thousand.

520
00:26:59,040 --> 00:27:02,320
Speaker 2: So it was like that board let me know like

521
00:27:02,560 --> 00:27:04,840
Speaker 2: the priority of the label and what was going to

522
00:27:04,880 --> 00:27:09,760
Speaker 2: be put into my career. So I knew that, Man,

523
00:27:09,800 --> 00:27:11,920
Speaker 2: I gotta go on my truth no matter what in

524
00:27:12,000 --> 00:27:16,240
Speaker 2: state who I am because record sales wasn't it for me?

525
00:27:16,440 --> 00:27:18,119
Speaker 2: Like to be honest, Like I mean, I did have

526
00:27:18,280 --> 00:27:20,520
Speaker 2: some great ones at times, but some good ones, but

527
00:27:21,440 --> 00:27:25,000
Speaker 2: overall it was like, Man, my integrity of what you're saying,

528
00:27:25,119 --> 00:27:29,400
Speaker 2: like just putting positivity out there, putting creativity out there

529
00:27:29,400 --> 00:27:32,000
Speaker 2: and putting that light out there as what to the

530
00:27:32,119 --> 00:27:33,800
Speaker 2: end of the day, some people ask me, man, why

531
00:27:33,800 --> 00:27:34,639
Speaker 2: are you still doing it?

532
00:27:35,040 --> 00:27:38,000
Speaker 1: That's why I'm doing it. Yeah. The passion of.

533
00:27:42,359 --> 00:27:45,119
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563
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Speaker 3: I'm gonna try to speed this story, but it's just

564
00:29:25,560 --> 00:29:29,320
Speaker 3: too relevant and it's a very motivational story. I said,

565
00:29:30,120 --> 00:29:34,720
Speaker 3: when when I do motivational speaking, we have relativity.

566
00:29:35,240 --> 00:29:36,960
Speaker 1: Meed you to be nuts Chia.

567
00:29:37,000 --> 00:29:41,520
Speaker 3: I lead, and they shooting five thousand dollars videos for us, right,

568
00:29:42,000 --> 00:29:44,520
Speaker 3: but we think of relativity. Ain't look fancy and nothing.

569
00:29:44,560 --> 00:29:47,320
Speaker 3: We think we on the come up and they run in.

570
00:29:47,960 --> 00:29:51,560
Speaker 3: Alan Grumblack runs in with a video and he says, y'all,

571
00:29:51,600 --> 00:29:52,960
Speaker 3: I want to show y'all, want to show you there's

572
00:29:53,000 --> 00:29:55,080
Speaker 3: a group I just signed, a group I just signed

573
00:29:55,200 --> 00:29:58,640
Speaker 3: and he puts it in and this boom, thugs in

574
00:29:58,720 --> 00:30:03,440
Speaker 3: harmony floating in the air. This this is not seeing yo, Allen.

575
00:30:04,080 --> 00:30:06,480
Speaker 3: This took stuck a million dollar video. He turned to

576
00:30:06,520 --> 00:30:09,120
Speaker 3: run and said, it is a million dollar video. We

577
00:30:09,240 --> 00:30:12,920
Speaker 3: spend a million dollars on this. At that moment, I

578
00:30:13,000 --> 00:30:15,840
Speaker 3: knew they didn't believe in me like they believed in

579
00:30:15,960 --> 00:30:18,360
Speaker 3: bone thugs, because it takes money to make money. So

580
00:30:18,440 --> 00:30:21,600
Speaker 3: I turned around and told everybody, yo, we gotta go.

581
00:30:22,680 --> 00:30:25,000
Speaker 3: And I remember some rappers just like Yo Joe, we

582
00:30:25,120 --> 00:30:28,160
Speaker 3: got chains, we got cars, apartment.

583
00:30:28,240 --> 00:30:30,800
Speaker 1: I was like, Yo, they don't believe in us. They

584
00:30:30,920 --> 00:30:34,120
Speaker 1: just spend a million dollars. And at that moment. That's

585
00:30:34,160 --> 00:30:35,440
Speaker 1: when I left Relativity.

586
00:30:35,480 --> 00:30:37,440
Speaker 3: It was scary because I did have a chain of

587
00:30:37,560 --> 00:30:41,640
Speaker 3: call apartment in thras Neck, and I just went and

588
00:30:42,000 --> 00:30:46,320
Speaker 3: no longer than six months later, I signed Terror Squad

589
00:30:46,360 --> 00:30:47,400
Speaker 3: records with Atlantic.

590
00:30:47,760 --> 00:30:49,600
Speaker 1: They gave me a million something dollars.

591
00:30:50,320 --> 00:30:53,440
Speaker 3: Right, I only had two thousand in my bank account

592
00:30:53,760 --> 00:30:56,920
Speaker 3: with a gold chain and a call have Relativity. But

593
00:30:57,080 --> 00:31:01,240
Speaker 3: I say, in everybody's life, whether you abuse, you're a farmer,

594
00:31:01,400 --> 00:31:04,160
Speaker 3: you at whatever it is. I feel like there's this

595
00:31:04,360 --> 00:31:07,240
Speaker 3: invisible train that comes in front of you. It's to

596
00:31:07,360 --> 00:31:11,000
Speaker 3: train the opportunity. But it seems so risky, but you

597
00:31:11,080 --> 00:31:14,280
Speaker 3: gotta have faith in believing yourself and jump.

598
00:31:14,120 --> 00:31:15,960
Speaker 1: On that train. And I jumped on that train.

599
00:31:16,120 --> 00:31:19,120
Speaker 3: Maybe six months after that I signed Big pun So

600
00:31:19,280 --> 00:31:23,720
Speaker 3: we was really on a raw, but I remember that

601
00:31:23,920 --> 00:31:26,200
Speaker 3: happened when they showed me that Bone Thugs video.

602
00:31:26,280 --> 00:31:28,040
Speaker 1: And by the way, Bone Thugs I love, y'all. The

603
00:31:28,160 --> 00:31:31,760
Speaker 1: theft was about listen. I missed my uncle Charles U

604
00:31:32,720 --> 00:31:37,600
Speaker 1: y'all you know my uncle Charles too, God bless you

605
00:31:37,640 --> 00:31:41,200
Speaker 1: know Fry. I fuck up my own lyrics was last week? Well,

606
00:31:41,280 --> 00:31:44,200
Speaker 1: I called them my list my uncle Georgia. Let me

607
00:31:44,280 --> 00:31:44,480
Speaker 1: tell you.

608
00:31:44,600 --> 00:31:48,320
Speaker 3: I gotta tell you something. Joe Buttons. I see him

609
00:31:48,360 --> 00:31:51,320
Speaker 3: at the Nick game last night. He asked me one

610
00:31:51,360 --> 00:31:53,680
Speaker 3: on one on the side, he said, your joke, say

611
00:31:53,760 --> 00:31:57,040
Speaker 3: the truth. You really thought it was Uncle George. You

612
00:31:57,160 --> 00:31:59,240
Speaker 3: really thought it was Uncle George and you was trolling.

613
00:31:59,320 --> 00:32:02,760
Speaker 3: I was like, y'all, I'm I'm fine, man, I really

614
00:32:02,880 --> 00:32:05,360
Speaker 3: said Uncle. I really threw the set Uncle George.

615
00:32:06,320 --> 00:32:12,440
Speaker 1: It was I get my own lyrics fucked up. I know.

616
00:32:12,960 --> 00:32:14,440
Speaker 3: They put me on the start like when you do

617
00:32:14,560 --> 00:32:16,360
Speaker 3: TV shows and be like all right, you gotta go,

618
00:32:16,560 --> 00:32:17,960
Speaker 3: and it's just a TV chair.

619
00:32:18,000 --> 00:32:20,959
Speaker 1: I'd be like, oh my god, my own songs. They

620
00:32:21,080 --> 00:32:24,400
Speaker 1: heard something her important. Put that train.

621
00:32:24,480 --> 00:32:27,000
Speaker 2: I hear you on that train, like that visible train,

622
00:32:27,040 --> 00:32:31,040
Speaker 2: that visit trainer. For me, that's where acting became for me,

623
00:32:31,200 --> 00:32:32,200
Speaker 2: Like like acting was like.

624
00:32:34,280 --> 00:32:34,480
Speaker 1: Jay.

625
00:32:34,560 --> 00:32:36,640
Speaker 2: It was like I hit a ceiling with music for

626
00:32:36,720 --> 00:32:38,560
Speaker 2: a minute, like where I was like, and what am

627
00:32:38,600 --> 00:32:41,320
Speaker 2: I gonna do? Like cause I was like driving to

628
00:32:41,400 --> 00:32:44,280
Speaker 2: do some super hotsy ship and I'm like, man, these

629
00:32:44,360 --> 00:32:47,400
Speaker 2: niggas eating my I released this album called Electric Circus.

630
00:32:47,440 --> 00:32:50,440
Speaker 2: It was out there in fact Primo I went on

631
00:32:50,560 --> 00:32:52,200
Speaker 2: to a gang style. He was like, man, I ain't

632
00:32:52,280 --> 00:32:54,400
Speaker 2: like this albumntil we started performing, so I staw you

633
00:32:54,480 --> 00:32:57,080
Speaker 2: performing on and I understand it more. But it was

634
00:32:57,200 --> 00:32:59,440
Speaker 2: like one of those things where I was just like, man,

635
00:32:59,480 --> 00:33:02,840
Speaker 2: I'm trying to trying to blossom and do something something else.

636
00:33:02,920 --> 00:33:05,200
Speaker 2: And then I was trying different things.

637
00:33:05,840 --> 00:33:08,440
Speaker 1: Man. I went to acting class and then man, that

638
00:33:08,600 --> 00:33:09,280
Speaker 1: was that train for.

639
00:33:09,360 --> 00:33:12,920
Speaker 2: Me, that invisible trainer, Like like, man, man, I love this.

640
00:33:13,400 --> 00:33:15,000
Speaker 2: It's something I can work at the craft.

641
00:33:15,080 --> 00:33:17,400
Speaker 1: I can. I can do this because I wanted to

642
00:33:17,440 --> 00:33:18,360
Speaker 1: do it when I was younger.

643
00:33:18,640 --> 00:33:20,560
Speaker 2: I was in the play when I was younger, and

644
00:33:20,680 --> 00:33:23,320
Speaker 2: my mother I was in the play, and I you know,

645
00:33:23,600 --> 00:33:25,560
Speaker 2: after I finished the play, my mother kept talking about

646
00:33:25,600 --> 00:33:27,600
Speaker 2: how good Derek ma Homie was in the play.

647
00:33:27,840 --> 00:33:32,160
Speaker 1: Oh he was good. He was a Derek is my brother,

648
00:33:32,400 --> 00:33:35,800
Speaker 1: my god. And that's day one. So Jay I was like,

649
00:33:36,120 --> 00:33:38,640
Speaker 1: I was like, I wasn't no good. Yeah, I wasn't

650
00:33:38,680 --> 00:33:39,760
Speaker 1: no good. Like what's up?

651
00:33:39,920 --> 00:33:43,360
Speaker 2: So then anyway, I fast forward when I got the

652
00:33:43,480 --> 00:33:45,800
Speaker 2: opportunity to go to acting class, I was like, man,

653
00:33:45,840 --> 00:33:48,440
Speaker 2: this is it for me. I love acting as much

654
00:33:48,480 --> 00:33:51,080
Speaker 2: as I love music. I mean, music hit me in

655
00:33:51,200 --> 00:33:54,560
Speaker 2: a different place, but I love acting just as much.

656
00:33:54,680 --> 00:33:56,680
Speaker 2: You know what I mean, and across the.

657
00:33:56,840 --> 00:33:58,440
Speaker 1: Screen, bro, this great.

658
00:33:58,760 --> 00:34:01,440
Speaker 3: You know I like gangster. I'm gonna skip a bunch

659
00:34:01,480 --> 00:34:03,600
Speaker 3: of ship is gonna get mad at me. But John

660
00:34:04,160 --> 00:34:08,520
Speaker 3: fucking they told you today you was in john Wick.

661
00:34:09,000 --> 00:34:11,279
Speaker 3: You knew that ship was gonna be ill right. You

662
00:34:11,480 --> 00:34:14,560
Speaker 3: was like, y'all, I'm gonna be on john Wick. Yo.

663
00:34:14,880 --> 00:34:17,320
Speaker 2: But what's crazy, though, is you know that was I

664
00:34:17,440 --> 00:34:20,480
Speaker 2: was in john Wick two. So we filmed it in

665
00:34:20,600 --> 00:34:22,600
Speaker 2: New York and then it'll I thought it.

666
00:34:22,680 --> 00:34:25,560
Speaker 1: Was like though, man, it was you. It was like, yeah,

667
00:34:25,600 --> 00:34:28,800
Speaker 1: we was in Italy for some past us y'all bumped

668
00:34:28,800 --> 00:34:32,000
Speaker 1: into each other. Let's go.

669
00:34:34,680 --> 00:34:34,719
Speaker 4: Ing.

670
00:34:35,080 --> 00:34:39,319
Speaker 1: God. I love man the people that that checked out

671
00:34:39,400 --> 00:34:39,839
Speaker 1: John Wick.

672
00:34:39,920 --> 00:34:42,000
Speaker 2: Man. That blow my mind, man, cause I'll be getting

673
00:34:42,000 --> 00:34:43,759
Speaker 2: to cars like you said, some people don't know I

674
00:34:43,840 --> 00:34:46,880
Speaker 2: wrap I getting the uber the dude like, Yo, I

675
00:34:47,040 --> 00:34:48,000
Speaker 2: know you from somewhere.

676
00:34:48,600 --> 00:34:50,640
Speaker 1: I know. One thing they don't know is that your

677
00:34:50,719 --> 00:34:53,880
Speaker 1: common sense? Oh no, they definitely don't know. Yo. My

678
00:34:54,080 --> 00:34:56,640
Speaker 1: daughter looks at me like I'm a dinosaur. I'd be like, yo,

679
00:34:56,760 --> 00:34:57,359
Speaker 1: common sense.

680
00:34:57,440 --> 00:35:00,879
Speaker 3: She'd be like his name is calm and Dad like come,

681
00:35:00,960 --> 00:35:05,839
Speaker 3: I said, no, that's common sense, No, Dad, it's cart.

682
00:35:05,920 --> 00:35:07,400
Speaker 1: You sound like a dinosaur.

683
00:35:07,640 --> 00:35:07,879
Speaker 3: Dad.

684
00:35:08,480 --> 00:35:11,839
Speaker 1: You sound like I'm like, Yo, that's common sense. Yo, man,

685
00:35:11,880 --> 00:35:13,800
Speaker 1: they don't know what I ain't gonna front. I was surprised.

686
00:35:13,840 --> 00:35:16,759
Speaker 2: I just did this whole campaign with BMW and they

687
00:35:16,880 --> 00:35:18,640
Speaker 2: was like, man, we want the campaign to be a

688
00:35:19,160 --> 00:35:21,640
Speaker 2: say it's common sense. I was like, hey, y'all know

689
00:35:22,680 --> 00:35:24,759
Speaker 2: how y'all know about that. It's somebody in there that

690
00:35:24,880 --> 00:35:27,719
Speaker 2: new the new Like that's what the campaign is. It's

691
00:35:27,800 --> 00:35:31,279
Speaker 2: common sense. I said, damn, I'm gonna do this week.

692
00:35:31,320 --> 00:35:33,920
Speaker 2: We made it fly too. But it was like, bro,

693
00:35:34,160 --> 00:35:36,000
Speaker 2: like a lot of people don't know I be in

694
00:35:36,120 --> 00:35:36,800
Speaker 2: call like I was.

695
00:35:37,160 --> 00:35:39,120
Speaker 1: I'd be. I like to write in the car sometime,

696
00:35:39,239 --> 00:35:41,560
Speaker 1: like just riding around. So I was in there the car.

697
00:35:41,560 --> 00:35:42,360
Speaker 1: I was in Boston.

698
00:35:42,480 --> 00:35:44,960
Speaker 2: This driver, this dude of the young dude, he was like,

699
00:35:45,360 --> 00:35:46,960
Speaker 2: I was, you know, I put in my music and

700
00:35:47,560 --> 00:35:48,960
Speaker 2: started playing on rapping and stuff.

701
00:35:49,000 --> 00:35:51,480
Speaker 1: He was like, comment, I ain't know you wrapped. I

702
00:35:51,600 --> 00:35:55,120
Speaker 1: was like, yeah, I had that argument. I've had that

703
00:35:55,360 --> 00:35:56,560
Speaker 1: argument about you.

704
00:35:56,920 --> 00:35:58,200
Speaker 5: That means you a great actor.

705
00:35:58,640 --> 00:35:58,839
Speaker 1: Man.

706
00:35:58,920 --> 00:36:02,400
Speaker 7: I'm grateful they see you in that space and it

707
00:36:02,520 --> 00:36:05,280
Speaker 7: overpowered this space that they didn't know about.

708
00:36:05,440 --> 00:36:07,279
Speaker 1: We gotta go to I used to love him.

709
00:36:07,400 --> 00:36:10,359
Speaker 3: Okay, okay, you knew that was like a lean back

710
00:36:10,440 --> 00:36:12,920
Speaker 3: when when you finished that bitch, you was like, oh,

711
00:36:13,680 --> 00:36:17,400
Speaker 3: I knocked this shit out, though, Paul, Like, what was

712
00:36:17,600 --> 00:36:19,120
Speaker 3: making I used to love it?

713
00:36:19,160 --> 00:36:22,120
Speaker 1: Where did that come from? What was the exception of

714
00:36:22,239 --> 00:36:22,880
Speaker 1: that idea?

715
00:36:23,080 --> 00:36:24,840
Speaker 3: Because to this day, I mean, we did it in

716
00:36:25,000 --> 00:36:28,400
Speaker 3: so many Big l did the Bondics to this. Everybody

717
00:36:28,560 --> 00:36:33,080
Speaker 3: did some version of it. But that was like the

718
00:36:33,160 --> 00:36:34,600
Speaker 3: epitome man.

719
00:36:34,840 --> 00:36:39,120
Speaker 2: Whenever God dropped that idea into my spirit, bro I was,

720
00:36:39,640 --> 00:36:42,279
Speaker 2: I was geek. I just know no idea made this

721
00:36:42,480 --> 00:36:48,560
Speaker 2: dope beat. He was dopey except George shoutout killed yo.

722
00:36:49,040 --> 00:36:49,919
Speaker 1: I was sitting at home.

723
00:36:50,280 --> 00:36:54,279
Speaker 2: My homies had just left the crib and I was

724
00:36:54,320 --> 00:36:56,800
Speaker 2: staying with my guy Soign we had we had a

725
00:36:56,920 --> 00:37:00,360
Speaker 2: crib together like an apartment, and I was sitting up.

726
00:37:00,360 --> 00:37:01,800
Speaker 2: It was two in the morning. I just had that

727
00:37:01,920 --> 00:37:04,239
Speaker 2: beat playing. I was like, man, what if I made

728
00:37:04,320 --> 00:37:07,080
Speaker 2: hip hop or woman? And then I just started writing

729
00:37:07,080 --> 00:37:09,080
Speaker 2: and you used to take me. I don't know how

730
00:37:09,160 --> 00:37:11,200
Speaker 2: for y'all, but sometimes I'll be taking I'll be taking

731
00:37:11,239 --> 00:37:13,600
Speaker 2: a wilder right attack. In the days they took way

732
00:37:13,680 --> 00:37:15,680
Speaker 2: back in the day. It used to be like you

733
00:37:15,800 --> 00:37:20,040
Speaker 2: need busting you, but yo, rain to come up with

734
00:37:20,160 --> 00:37:22,880
Speaker 2: some show. That one started coming to me. And then

735
00:37:23,560 --> 00:37:26,800
Speaker 2: I started, you know, just understanding the metaphor not understanding,

736
00:37:26,840 --> 00:37:28,680
Speaker 2: but just getting into the metaphor of it and taking

737
00:37:28,760 --> 00:37:30,800
Speaker 2: it through the through the whole ride, and I was like,

738
00:37:31,280 --> 00:37:31,960
Speaker 2: I ain't gonna fuck.

739
00:37:32,000 --> 00:37:32,200
Speaker 4: I was.

740
00:37:32,680 --> 00:37:36,440
Speaker 3: I did feel like this is this is something way

741
00:37:36,560 --> 00:37:39,719
Speaker 3: through you was like, yo, this is some ship right

742
00:37:39,840 --> 00:37:43,560
Speaker 3: like as that ship start calling you, like yo, yo.

743
00:37:43,680 --> 00:37:44,600
Speaker 1: Man, I was like yo.

744
00:37:44,719 --> 00:37:46,799
Speaker 2: And then by the time I got to the third

745
00:37:46,920 --> 00:37:49,560
Speaker 2: verse and it was like summing it up and got

746
00:37:49,600 --> 00:37:51,440
Speaker 2: to who I'm talking about, y'all this hip hop? I

747
00:37:51,600 --> 00:37:55,640
Speaker 2: was like, man, I knew that it could have something.

748
00:37:55,680 --> 00:37:57,640
Speaker 2: It could hit somebody because when I was in that

749
00:37:57,719 --> 00:38:00,680
Speaker 2: studio laying it, my guy, I said was he was.

750
00:38:01,320 --> 00:38:03,280
Speaker 2: He was like I could see him through the booth.

751
00:38:03,480 --> 00:38:07,000
Speaker 2: I was sitting there rapping and uh, you know we're young,

752
00:38:07,120 --> 00:38:08,839
Speaker 2: so he like, you're going here girl?

753
00:38:09,040 --> 00:38:09,200
Speaker 5: Yeah?

754
00:38:09,200 --> 00:38:10,839
Speaker 2: He like, y know, he like, why are you doing

755
00:38:10,880 --> 00:38:12,600
Speaker 2: this love song? Even't want to, you know, he like

756
00:38:12,960 --> 00:38:15,239
Speaker 2: doing a love song like this. As soon as I said,

757
00:38:15,640 --> 00:38:18,680
Speaker 2: we'll talk about challis hip hop and ni grabbed his head.

758
00:38:18,560 --> 00:38:23,200
Speaker 3: Like, Oh, you want to know what's crazy is when

759
00:38:23,239 --> 00:38:24,920
Speaker 3: you came in here, I know how much you love

760
00:38:25,000 --> 00:38:29,640
Speaker 3: ill Matic and so we're doing some ell matic and

761
00:38:30,320 --> 00:38:33,880
Speaker 3: similar I used to love her to ill matic is.

762
00:38:34,239 --> 00:38:37,239
Speaker 3: Over the years, every time I heard I used to love,

763
00:38:37,320 --> 00:38:40,400
Speaker 3: I picked up something new and I learned something new,

764
00:38:40,480 --> 00:38:42,720
Speaker 3: and I was just like, Yo, this ship gets better.

765
00:38:43,320 --> 00:38:45,880
Speaker 3: You know, like ill mading, you can still like right

766
00:38:45,960 --> 00:38:48,680
Speaker 3: now we all could have rapped and didn't know the

767
00:38:48,800 --> 00:38:53,279
Speaker 3: word the right word right quarter body halfway Houston? What

768
00:38:53,440 --> 00:38:56,080
Speaker 3: the fuck he meant with quarter body got for Houston,

769
00:38:56,280 --> 00:39:00,000
Speaker 3: head for Houston, head for Houston, called her body.

770
00:39:01,360 --> 00:39:04,640
Speaker 1: Body had for us? Yeah, you know it's like so

771
00:39:04,880 --> 00:39:08,000
Speaker 1: you could keep like That's how the lover was for me.

772
00:39:08,719 --> 00:39:10,640
Speaker 3: Like every time I heard it, I would hear something

773
00:39:10,680 --> 00:39:13,200
Speaker 3: new and something new and be like, oh ship, that

774
00:39:13,320 --> 00:39:14,200
Speaker 3: shit crazy?

775
00:39:14,800 --> 00:39:16,359
Speaker 1: Yo? What what? What hit me? Too?

776
00:39:16,600 --> 00:39:18,879
Speaker 2: Was like man, that was the first time I really

777
00:39:18,960 --> 00:39:22,000
Speaker 2: started like I remember, you know, back back in those days,

778
00:39:22,040 --> 00:39:24,400
Speaker 2: you would have like people give you a quote for

779
00:39:24,520 --> 00:39:26,640
Speaker 2: your album. Biggie gave me a quote and like I

780
00:39:26,800 --> 00:39:29,160
Speaker 2: was like, damn, I'm actually getting.

781
00:39:28,920 --> 00:39:30,960
Speaker 1: Respect from you know, more and more people.

782
00:39:31,360 --> 00:39:35,520
Speaker 2: But then that movie Brown Sugar came out and Brown

783
00:39:35,560 --> 00:39:37,920
Speaker 2: Sugar was based on I Used to Love Her and

784
00:39:38,520 --> 00:39:41,360
Speaker 2: wow do that it was based on I used to

785
00:39:41,440 --> 00:39:43,720
Speaker 2: love her. That writer shout out to him, Michael Elliott.

786
00:39:44,040 --> 00:39:46,000
Speaker 2: He had come to me to write something, like write

787
00:39:46,520 --> 00:39:48,880
Speaker 2: some movie stuff with him, but I was like a

788
00:39:48,920 --> 00:39:50,560
Speaker 2: little bit, you know, I ain't know how to do that.

789
00:39:51,000 --> 00:39:52,480
Speaker 1: Were just moving, you know, I'm.

790
00:39:52,400 --> 00:39:56,919
Speaker 2: Just so he ended up writing Brown Sugar Boom. Then

791
00:39:57,040 --> 00:39:59,919
Speaker 2: me and Erica, Me and Erka Badu did a song

792
00:40:00,400 --> 00:40:02,680
Speaker 2: four brown Sugar, which was Loving My Life based on

793
00:40:02,840 --> 00:40:03,640
Speaker 2: I Used to Love.

794
00:40:05,400 --> 00:40:05,440
Speaker 4: You.

795
00:40:07,520 --> 00:40:08,800
Speaker 2: So I was like it was it was one of

796
00:40:08,840 --> 00:40:12,000
Speaker 2: those things that kept evolving in a way, like that song,

797
00:40:12,080 --> 00:40:13,200
Speaker 2: and it was just seed that.

798
00:40:13,480 --> 00:40:14,960
Speaker 1: Yeah see that.

799
00:40:15,480 --> 00:40:18,000
Speaker 3: Sheeps growing and you know what's crazy is but being

800
00:40:18,080 --> 00:40:20,560
Speaker 3: that you're saying that, I'm just you know, I was

801
00:40:20,600 --> 00:40:22,080
Speaker 3: supposed to be in the movie Chef.

802
00:40:22,200 --> 00:40:24,640
Speaker 6: I was supposed to be people's on you know the

803
00:40:24,800 --> 00:40:31,040
Speaker 6: actors are big, big yeah, yeah, yeah, yeah, okay yo,

804
00:40:33,760 --> 00:40:34,480
Speaker 6: Rest in peace.

805
00:40:34,680 --> 00:40:39,000
Speaker 3: John Singleton he was coming to Jimmy's Bronze Cafe every

806
00:40:39,280 --> 00:40:42,560
Speaker 3: Friday trying to convince me to be in Shaft.

807
00:40:43,120 --> 00:40:45,320
Speaker 1: But we was too much on that party, like a

808
00:40:45,560 --> 00:40:47,080
Speaker 1: rock star. We was like, give it.

809
00:40:47,200 --> 00:40:50,480
Speaker 3: We ain't give a fuck with young rich rat niggas

810
00:40:50,520 --> 00:40:53,640
Speaker 3: big punt double plat. We don't give on fuck. He's

811
00:40:53,960 --> 00:40:57,160
Speaker 3: John Singleton was in the trenches. He was with me

812
00:40:57,280 --> 00:41:01,360
Speaker 3: in Washington Heights and fucking bummy apartment house, but he

813
00:41:01,480 --> 00:41:04,239
Speaker 3: had no business being there. Like, Yo, Joe, I got

814
00:41:04,320 --> 00:41:06,640
Speaker 3: this role. You could be People's because you know what's

815
00:41:06,719 --> 00:41:10,480
Speaker 3: my man? That the famous actor he played people He's

816
00:41:10,760 --> 00:41:12,840
Speaker 3: You see how he was speaking with the Spanish site.

817
00:41:13,640 --> 00:41:16,120
Speaker 3: He ain't staying no, no no. From that Joe was

818
00:41:16,160 --> 00:41:18,879
Speaker 3: supposed to be people, Bro, you turn that road down.

819
00:41:19,239 --> 00:41:23,560
Speaker 3: Dumb motherfucker. The dumb motherfucker. Every time I watched that movie.

820
00:41:23,600 --> 00:41:26,280
Speaker 3: It was supposed to be in glory, all right.

821
00:41:27,080 --> 00:41:31,000
Speaker 1: I believe what's something that happened to you? That you

822
00:41:31,120 --> 00:41:31,960
Speaker 1: had an opportunity?

823
00:41:32,000 --> 00:41:33,960
Speaker 3: And he was like, fuck dad, I'm gonna stay in

824
00:41:34,080 --> 00:41:37,000
Speaker 3: d block yonk this, I ain't doing that ship. But

825
00:41:38,200 --> 00:41:40,320
Speaker 3: now when you look back, you're like, damn, I should

826
00:41:40,360 --> 00:41:40,759
Speaker 3: have did that.

827
00:41:41,640 --> 00:41:46,560
Speaker 1: You got somebody you gotta give up.

828
00:41:47,320 --> 00:41:50,520
Speaker 3: The last thing of Power, the last episode of Power,

829
00:41:51,080 --> 00:41:52,240
Speaker 3: last season.

830
00:41:52,040 --> 00:41:55,960
Speaker 7: Of Baising Kennan, I had to take my wife to

831
00:41:56,040 --> 00:41:59,360
Speaker 7: the usher sure, I tell you that that back I

832
00:41:59,400 --> 00:42:00,480
Speaker 7: couldn't get a private.

833
00:42:00,560 --> 00:42:02,319
Speaker 5: It wasn't meant to be. It was one of them

834
00:42:03,120 --> 00:42:05,280
Speaker 5: be sad or be happy?

835
00:42:05,360 --> 00:42:08,000
Speaker 3: You know how big that raising tailand was it the

836
00:42:08,280 --> 00:42:10,160
Speaker 3: shout out to one of the another Onevie?

837
00:42:10,880 --> 00:42:13,719
Speaker 2: I saw you at the Usher show that or you

838
00:42:13,880 --> 00:42:17,279
Speaker 2: was there too, Vegas. You know you go to Usher man,

839
00:42:17,440 --> 00:42:19,600
Speaker 2: you gotta he forced you to do the greatest hits.

840
00:42:20,239 --> 00:42:22,040
Speaker 2: Like I'm over there trying to go. All I want

841
00:42:22,160 --> 00:42:25,879
Speaker 2: is two free tickets. Right, it turned in, It turned

842
00:42:25,920 --> 00:42:30,120
Speaker 2: it of cost you more man, my brother, fat yo,

843
00:42:30,400 --> 00:42:34,440
Speaker 2: the light come like us and then you don't stay sick?

844
00:42:34,520 --> 00:42:36,520
Speaker 1: And you got another word? Then it thow another one,

845
00:42:36,600 --> 00:42:39,880
Speaker 1: another one another. I'm like, ship is this the Fats

846
00:42:40,160 --> 00:42:40,520
Speaker 1: mars Is?

847
00:42:40,640 --> 00:42:44,600
Speaker 5: Make you do a little concert? DJs? My god, it's

848
00:42:44,680 --> 00:42:46,720
Speaker 5: a honor your bucket, my bucket.

849
00:42:46,880 --> 00:42:49,800
Speaker 7: You love basketball, yes, sir, played in the high school.

850
00:42:49,920 --> 00:42:52,400
Speaker 7: Was a ball boy for the Chicago Bulls from eleven

851
00:42:52,440 --> 00:42:53,040
Speaker 7: to thirteen.

852
00:42:53,840 --> 00:42:55,400
Speaker 1: That m J NBA.

853
00:42:56,320 --> 00:42:59,200
Speaker 5: He's seen NBA, He's seen Jordan's debut.

854
00:42:59,360 --> 00:43:03,439
Speaker 1: Right said things. First, I got to picture that front.

855
00:43:03,640 --> 00:43:05,480
Speaker 3: I might be putting them on blast, but I think

856
00:43:05,560 --> 00:43:09,600
Speaker 3: calib was a boy boy for Orlando Magic Too. I

857
00:43:09,760 --> 00:43:15,120
Speaker 3: never heard him say that before. But and Nick Anderson

858
00:43:15,360 --> 00:43:20,120
Speaker 3: all that Dennis Scott boy, he played the nd A

859
00:43:20,680 --> 00:43:21,680
Speaker 3: star in the movie.

860
00:43:21,840 --> 00:43:23,759
Speaker 5: I would have hell with that. How did that fit?

861
00:43:23,920 --> 00:43:27,280
Speaker 1: Yeah? That was bro. That mean movie that we love Basket,

862
00:43:30,400 --> 00:43:34,640
Speaker 1: I know you love That was my life was bro.

863
00:43:34,800 --> 00:43:38,919
Speaker 2: That was like a dream, a dream, dreams and dream

864
00:43:38,960 --> 00:43:41,520
Speaker 2: inside of dream because that was my first lead role.

865
00:43:42,280 --> 00:43:46,040
Speaker 2: And then I'm playing a basketball player and I'm like,

866
00:43:46,680 --> 00:43:49,439
Speaker 2: in the movie I'm calling it, I'm playing against the Wade.

867
00:43:50,600 --> 00:43:53,960
Speaker 2: I'm like, damn, I'm trying. I'm trying to. Really, I

868
00:43:54,000 --> 00:43:55,360
Speaker 2: couldn't do nothing with him though.

869
00:43:56,760 --> 00:43:57,040
Speaker 1: Strong.

870
00:43:57,239 --> 00:43:59,120
Speaker 2: And then once I was I was driving, you know,

871
00:43:59,560 --> 00:44:02,320
Speaker 2: the same was like, y'all keep keep I was supposed

872
00:44:02,320 --> 00:44:04,759
Speaker 2: to score over with dwhite House song, He's sake, I'm

873
00:44:04,800 --> 00:44:07,080
Speaker 2: scoring over. And then just about the third take, he

874
00:44:07,239 --> 00:44:10,120
Speaker 2: just smacked that ship. I'll show you what I really

875
00:44:10,239 --> 00:44:13,120
Speaker 2: do to this ship. I said, damn. But it was, man,

876
00:44:13,200 --> 00:44:16,400
Speaker 2: that was amazing. That was an amazing experience. Queen Latifa,

877
00:44:16,400 --> 00:44:18,520
Speaker 2: I got to give her love man because she, you know,

878
00:44:19,320 --> 00:44:22,640
Speaker 2: the producers, was looking at other people and then she

879
00:44:22,880 --> 00:44:24,440
Speaker 2: was like, I think he can do it. And the

880
00:44:24,480 --> 00:44:27,120
Speaker 2: producers really believed in and I had a tough time

881
00:44:27,160 --> 00:44:29,320
Speaker 2: on that movie because it was my first lead. So

882
00:44:29,440 --> 00:44:31,399
Speaker 2: they at one point, man, they was thinking about kicking

883
00:44:31,480 --> 00:44:35,200
Speaker 2: me off because I wasn't getting the scenes right and man,

884
00:44:35,239 --> 00:44:38,080
Speaker 2: it was crucial. And then I did this one scene

885
00:44:38,280 --> 00:44:40,959
Speaker 2: and they and they ended up being like, okay, cool,

886
00:44:41,120 --> 00:44:43,200
Speaker 2: And it wasn't even you know, it's like the story

887
00:44:43,200 --> 00:44:44,760
Speaker 2: you hear about. I mean, I ain't gonna put myself

888
00:44:44,800 --> 00:44:46,440
Speaker 2: on that level, but the story you hear about al

889
00:44:46,480 --> 00:44:48,799
Speaker 2: Pacino and Godfather, you know how.

890
00:44:48,960 --> 00:44:54,320
Speaker 1: I ain't hear it from the Bronx. From the Bronx,

891
00:44:54,440 --> 00:44:55,520
Speaker 1: that's right. That man is.

892
00:44:57,040 --> 00:44:59,319
Speaker 3: That man?

893
00:45:00,080 --> 00:45:04,120
Speaker 1: Man, it's me. But listen, hear this all al Pacino.

894
00:45:05,120 --> 00:45:08,239
Speaker 2: While they was filming The Godfather, the studio wasn't really

895
00:45:08,280 --> 00:45:09,160
Speaker 2: happy with his work.

896
00:45:09,920 --> 00:45:14,160
Speaker 1: They was like this dude ain't delivered. So as Michael

897
00:45:14,520 --> 00:45:15,120
Speaker 1: as Michael.

898
00:45:15,480 --> 00:45:18,120
Speaker 2: So the director he decided to move that scene up

899
00:45:18,600 --> 00:45:20,520
Speaker 2: where he and you know where he where he first

900
00:45:20,600 --> 00:45:22,760
Speaker 2: shoot them, dude, where the gun is in the bathroom

901
00:45:22,880 --> 00:45:25,880
Speaker 2: or you're the cop, yeah, the cop. He moved that

902
00:45:26,000 --> 00:45:29,160
Speaker 2: scene up because you know they were watching. You know,

903
00:45:29,200 --> 00:45:31,120
Speaker 2: when you're filming the movie, you get to watch what

904
00:45:31,200 --> 00:45:34,319
Speaker 2: they call delies. You're watching at what y'all shoot every day.

905
00:45:34,600 --> 00:45:36,520
Speaker 2: So he said, I gotta move this scene up so

906
00:45:36,560 --> 00:45:39,160
Speaker 2: they can see how cold this dude is. And they

907
00:45:39,200 --> 00:45:40,680
Speaker 2: see they move that scene up, like.

908
00:45:40,880 --> 00:45:43,839
Speaker 3: They said, make sure you throw the gun.

909
00:45:44,080 --> 00:45:44,200
Speaker 1: Yo.

910
00:45:44,520 --> 00:45:46,839
Speaker 3: That's a menzo and them they told him to throw

911
00:45:46,880 --> 00:45:49,480
Speaker 3: the gun. Gun yo, wipe and dad throw the done.

912
00:45:49,560 --> 00:45:50,359
Speaker 3: He threw the gun.

913
00:45:50,480 --> 00:45:51,080
Speaker 1: Joe just him.

914
00:45:51,200 --> 00:45:53,520
Speaker 2: The tension when he's sitting there, when he's sitting there

915
00:45:53,560 --> 00:45:56,920
Speaker 2: with them, Yeah, the tension right there, like oh man,

916
00:45:57,920 --> 00:45:58,800
Speaker 2: man shout out where.

917
00:45:58,680 --> 00:45:59,440
Speaker 1: They beat him up.

918
00:45:59,520 --> 00:46:03,080
Speaker 3: He's ship he had the his ship was broken jaw

919
00:46:03,239 --> 00:46:05,759
Speaker 3: and he said down you understand this and that when

920
00:46:05,760 --> 00:46:07,880
Speaker 3: in the bathroom killed him. But I gotta tell you

921
00:46:07,960 --> 00:46:10,360
Speaker 3: something about Queen Latifa. Queen our teeth is in the

922
00:46:10,440 --> 00:46:11,560
Speaker 3: studio with Coolan Dre.

923
00:46:11,760 --> 00:46:14,400
Speaker 1: One day I'm hanging out with that. She looks at

924
00:46:14,440 --> 00:46:14,680
Speaker 1: me for.

925
00:46:14,760 --> 00:46:18,320
Speaker 3: No reason, says, well, you think you fucked tough? She

926
00:46:18,520 --> 00:46:22,640
Speaker 3: pulls the knife out. You got the She chased me

927
00:46:22,719 --> 00:46:25,880
Speaker 3: around the studio with the knife. Come here, motherfucker, You

928
00:46:25,960 --> 00:46:28,319
Speaker 3: ain't that tough. She had one of those You ain't

929
00:46:28,400 --> 00:46:31,920
Speaker 3: that tough, motherfucker? She starts chasing me around the studio.

930
00:46:32,920 --> 00:46:36,160
Speaker 3: I said you a lot of tief. Please, Queen, please,

931
00:46:36,320 --> 00:46:41,080
Speaker 3: you don't play that ship. She's chasing me. She gotta

932
00:46:41,160 --> 00:46:44,480
Speaker 3: I chase that Joe out the studio story. I'm telling

933
00:46:44,560 --> 00:46:49,839
Speaker 3: you she did it in real lights. You know they

934
00:46:49,880 --> 00:46:52,120
Speaker 3: say it's the Puerto Ricans. Everybody got a knife in

935
00:46:52,200 --> 00:46:52,640
Speaker 3: New York.

936
00:46:52,920 --> 00:46:56,120
Speaker 5: Y'all, you gotta keep the AWKOI when new projects you

937
00:46:56,200 --> 00:46:56,600
Speaker 5: got coming.

938
00:46:57,040 --> 00:47:00,680
Speaker 1: I'm working on this TV serious for Apples called Silo.

939
00:47:01,560 --> 00:47:03,080
Speaker 1: Oh yeah, yeah, I've seen that.

940
00:47:03,280 --> 00:47:07,120
Speaker 2: They check that out, like right, yeah, it's fresh man,

941
00:47:07,160 --> 00:47:10,760
Speaker 2: it's really fresh enough. My man Tim Robbins is starring

942
00:47:10,800 --> 00:47:13,600
Speaker 2: in it. Tim Robins from Shawshank Redemption and uh like

943
00:47:14,280 --> 00:47:17,320
Speaker 2: missed Mixed the River and this woman Rebecca Ferguson some

944
00:47:17,480 --> 00:47:21,239
Speaker 2: dope ass actors and dope actors and the story is mean,

945
00:47:21,320 --> 00:47:21,799
Speaker 2: it's dope.

946
00:47:22,400 --> 00:47:26,000
Speaker 3: What's your top five rappers turn actors?

947
00:47:27,160 --> 00:47:31,680
Speaker 2: That's a question. That's a great question that Will Smith

948
00:47:31,760 --> 00:47:39,320
Speaker 2: gotta be. Will there you, Queen Latifa? Most depth? That

949
00:47:39,480 --> 00:47:43,640
Speaker 2: man was mean, No, No, sixteen blocks, sixteen blocks.

950
00:47:43,800 --> 00:47:46,560
Speaker 3: Yo, he'll quit rap, he'll quit act I don't know

951
00:47:46,719 --> 00:47:47,680
Speaker 3: where most depths.

952
00:47:48,320 --> 00:47:48,520
Speaker 1: Three.

953
00:47:48,640 --> 00:47:50,919
Speaker 5: Let's go eat and bar salon and chilling shut under.

954
00:47:51,000 --> 00:47:53,640
Speaker 1: Yes, sir, shout out to yes, I love you. That

955
00:47:53,800 --> 00:47:56,640
Speaker 1: man is he is one of the three? Okay, I

956
00:47:56,719 --> 00:47:57,600
Speaker 1: got you, uh.

957
00:47:58,000 --> 00:48:02,280
Speaker 2: Will Smith, Queenie most that I'm gonna go ice cube.

958
00:48:03,680 --> 00:48:05,000
Speaker 5: That's four. And then.

959
00:48:06,360 --> 00:48:13,719
Speaker 1: Damn who else? Who else is out there? Oh? There

960
00:48:13,760 --> 00:48:17,120
Speaker 1: you go? Thank you. I was I wasn't go put

961
00:48:17,200 --> 00:48:19,120
Speaker 1: myself Tupac was caked.

962
00:48:19,200 --> 00:48:19,520
Speaker 5: You did?

963
00:48:20,480 --> 00:48:23,400
Speaker 1: You definitely in there? You know we don't like this.

964
00:48:23,760 --> 00:48:26,719
Speaker 3: You know our era don't put ourselves in ship. Put

965
00:48:26,760 --> 00:48:29,240
Speaker 3: you in there morning. This was my first movie.

966
00:48:29,360 --> 00:48:32,120
Speaker 1: Man, That's fire. That was so good to get.

967
00:48:32,160 --> 00:48:33,960
Speaker 2: That's the first movie I did, Joe, and then like

968
00:48:34,400 --> 00:48:36,480
Speaker 2: man that was my first call back. You know, I've

969
00:48:36,520 --> 00:48:39,520
Speaker 2: been auditioning, auditioning, and some of the some of the

970
00:48:39,600 --> 00:48:41,239
Speaker 2: movies I was going for, they didn't even want to

971
00:48:41,239 --> 00:48:44,520
Speaker 2: see me because I was a musician. They like one

972
00:48:44,600 --> 00:48:48,040
Speaker 2: to THEE, Yeah, how we good on that? And in fact,

973
00:48:48,400 --> 00:48:51,040
Speaker 2: because they had already had Alisia Keys in the movie.

974
00:48:51,120 --> 00:48:52,520
Speaker 2: The director was like, I don't know if I want

975
00:48:52,520 --> 00:48:54,200
Speaker 2: to see him, but the cast director was like check

976
00:48:54,280 --> 00:48:56,960
Speaker 2: him out. So I did the tape and then they

977
00:48:57,520 --> 00:48:59,520
Speaker 2: they called me back. I was so gig man my

978
00:48:59,600 --> 00:49:02,680
Speaker 2: first all back and I was flying from doing a show.

979
00:49:03,120 --> 00:49:06,200
Speaker 2: I landed and went into the audition. Man, I felt that.

980
00:49:06,280 --> 00:49:07,719
Speaker 2: I was like, you know, I'm about to like this

981
00:49:07,760 --> 00:49:10,719
Speaker 2: shit up. And I did it maybe about a couple

982
00:49:11,040 --> 00:49:14,160
Speaker 2: About three weeks later, the director.

983
00:49:13,880 --> 00:49:16,520
Speaker 1: Called me like, Yo, you got the job. You got

984
00:49:16,560 --> 00:49:18,839
Speaker 1: the job. Like I was crying. I called my mother.

985
00:49:19,280 --> 00:49:22,160
Speaker 2: Then I had to go tell Kanye, like, YO, can't

986
00:49:22,200 --> 00:49:24,840
Speaker 2: go on this tour. Man, I got a movie and

987
00:49:24,920 --> 00:49:27,640
Speaker 2: he was like, man, do your thing, do your dream, brother, dude,

988
00:49:27,680 --> 00:49:30,000
Speaker 2: do what you gotta do. I was like, thank you,

989
00:49:30,440 --> 00:49:33,400
Speaker 2: appreciate you. That was my first movie, brother, all right

990
00:49:33,560 --> 00:49:34,440
Speaker 2: and everything to me?

991
00:49:34,680 --> 00:49:37,800
Speaker 5: The look back. You just got the theme for Prime

992
00:49:37,920 --> 00:49:39,880
Speaker 5: for the NBA, and we saw it.

993
00:49:40,000 --> 00:49:43,440
Speaker 2: I saw that, bro, let me tell you, I saw that. Hey,

994
00:49:43,560 --> 00:49:46,600
Speaker 2: as we said, I'm representing us. I feel like man

995
00:49:46,880 --> 00:49:49,560
Speaker 2: to be able to have the theme song like for

996
00:49:49,719 --> 00:49:53,040
Speaker 2: the NBA. What on Prime out? You could have never

997
00:49:53,160 --> 00:49:56,279
Speaker 2: told me like me. James Poyser James Poyson is a

998
00:49:56,360 --> 00:49:58,400
Speaker 2: producer who did a lot of Lauren stuff, did a

999
00:49:58,440 --> 00:50:02,360
Speaker 2: lot of stuff, played with the roof like eric A Badui,

1000
00:50:02,480 --> 00:50:04,560
Speaker 2: This incredible producer, pianist.

1001
00:50:04,760 --> 00:50:06,520
Speaker 5: We have it. Let's let's check it out.

1002
00:50:06,680 --> 00:50:09,879
Speaker 1: Yeah, and Kareem Riggins we did that all together. Let's

1003
00:50:09,960 --> 00:50:13,880
Speaker 1: check this is It's called Victory Media.

1004
00:50:24,960 --> 00:50:32,799
Speaker 5: I slipping like it. Victory is the name of the baby.

1005
00:50:38,239 --> 00:50:38,960
Speaker 1: Shot term.

1006
00:51:22,360 --> 00:51:23,160
Speaker 5: That's my ball.

1007
00:51:23,239 --> 00:51:33,080
Speaker 2: I like, yo, I mean, I'm gonna tell y'all like

1008
00:51:33,480 --> 00:51:34,759
Speaker 2: this is one of that for me. It is one

1009
00:51:34,800 --> 00:51:36,960
Speaker 2: of the first. I got to give it up. James Poison,

1010
00:51:37,080 --> 00:51:40,279
Speaker 2: Karee Riggins, we co produced that together, the theme song.

1011
00:51:40,360 --> 00:51:43,640
Speaker 2: But we and back in March we submitted, you know,

1012
00:51:43,680 --> 00:51:47,879
Speaker 2: they were taking submissions from different people. Amazon was and man,

1013
00:51:47,960 --> 00:51:50,320
Speaker 2: we got together in the studio and just started creating that,

1014
00:51:50,520 --> 00:51:53,400
Speaker 2: like getting our musician cats together and just you know,

1015
00:51:53,520 --> 00:51:56,239
Speaker 2: putting together this this theme song. And we knew we

1016
00:51:56,320 --> 00:51:59,600
Speaker 2: wanted it to feel like we wanted to feel nostalgic beforeward,

1017
00:51:59,600 --> 00:52:02,080
Speaker 2: because you know, it's like Amazon is doing something new

1018
00:52:02,360 --> 00:52:04,759
Speaker 2: with the NBA, but we still wanted that Earth Went

1019
00:52:04,800 --> 00:52:07,200
Speaker 2: and fire, but and it needed to be something I

1020
00:52:07,239 --> 00:52:09,400
Speaker 2: could come to join Zada and we're still like yo,

1021
00:52:09,719 --> 00:52:13,520
Speaker 2: you know, like you know, so man, we man, you.

1022
00:52:13,600 --> 00:52:15,000
Speaker 1: Want to know what's so crazy?

1023
00:52:15,600 --> 00:52:18,960
Speaker 3: I hit Chicago all over that beat, like I hear

1024
00:52:19,120 --> 00:52:20,200
Speaker 3: loop A fiasco.

1025
00:52:20,360 --> 00:52:20,880
Speaker 5: I hear you.

1026
00:52:21,200 --> 00:52:23,640
Speaker 1: I hear all y'all Spitti is here.

1027
00:52:23,719 --> 00:52:26,960
Speaker 3: I hear all the Chicago Spitti is just going crazy

1028
00:52:27,080 --> 00:52:31,080
Speaker 3: on that beat right there, Like that's sick shot town.

1029
00:52:32,000 --> 00:52:35,480
Speaker 3: Like I said, loop a fiasco. Kanye West. I always

1030
00:52:35,520 --> 00:52:36,839
Speaker 3: say there was just one guy.

1031
00:52:37,640 --> 00:52:38,040
Speaker 1: He was a.

1032
00:52:38,120 --> 00:52:42,920
Speaker 3: Freestyle Joos Joes, and I would go to see this

1033
00:52:43,120 --> 00:52:46,600
Speaker 3: guy spit whenever I went to Chicago. I'd be like, Yo,

1034
00:52:46,719 --> 00:52:48,600
Speaker 3: we're the guy juice at and they'd be like, Yo,

1035
00:52:48,760 --> 00:52:53,480
Speaker 3: he's they got some ship tonight and you what you

1036
00:52:53,600 --> 00:52:54,839
Speaker 3: go with? Yo.

1037
00:52:55,360 --> 00:52:58,640
Speaker 1: Jo was like like it's like almost like a hoop

1038
00:52:58,760 --> 00:53:01,920
Speaker 1: legend that like that you didn't make it to the league.

1039
00:53:02,000 --> 00:53:04,320
Speaker 1: Button make it to the league. He was like he was.

1040
00:53:04,960 --> 00:53:06,640
Speaker 1: I want to give him his love because that man

1041
00:53:06,719 --> 00:53:07,000
Speaker 1: he was.

1042
00:53:08,800 --> 00:53:08,920
Speaker 5: Bro.

1043
00:53:09,239 --> 00:53:12,000
Speaker 2: He'd be like he'll sit there freestyle for like through

1044
00:53:12,080 --> 00:53:15,120
Speaker 2: a whole show, just freestyling, and it'd be good.

1045
00:53:15,280 --> 00:53:20,840
Speaker 3: Yeah yeah, yeah, like just sitting there bars to death

1046
00:53:21,040 --> 00:53:23,719
Speaker 3: and you sitting up in there like looking at him

1047
00:53:23,800 --> 00:53:27,600
Speaker 3: like oh my god and shout out to twist.

1048
00:53:27,400 --> 00:53:30,239
Speaker 2: Up, twist the man, come on. And we wanted to

1049
00:53:30,239 --> 00:53:32,560
Speaker 2: bring that, like, we wanted to bring that soul to

1050
00:53:32,680 --> 00:53:35,080
Speaker 2: that theme song because it's like you bought it, you know,

1051
00:53:35,320 --> 00:53:37,879
Speaker 2: like the stuff we grew up, you know, point black.

1052
00:53:37,920 --> 00:53:39,960
Speaker 2: There's some classic joints. The one that we hear earn

1053
00:53:40,000 --> 00:53:42,920
Speaker 2: on NBC that's the classic, right, so we like.

1054
00:53:43,440 --> 00:53:46,120
Speaker 1: You know what to me, this is your version of that.

1055
00:53:47,280 --> 00:53:50,160
Speaker 1: Nah puts your team made up? I think he made up.

1056
00:53:50,160 --> 00:53:55,359
Speaker 1: I'm loving it, right, Yeah. For McDonald's do that push

1057
00:53:55,440 --> 00:53:58,440
Speaker 1: your team made up? I'm loving it. Yeah, that's what

1058
00:53:58,600 --> 00:54:00,839
Speaker 1: you want. You want this ship to twenty years from

1059
00:54:00,880 --> 00:54:07,600
Speaker 1: now when they show footage and remember that. That's why

1060
00:54:07,719 --> 00:54:08,680
Speaker 1: I know what that is.

1061
00:54:09,040 --> 00:54:12,080
Speaker 2: And man, just fit for us, like as black artists

1062
00:54:12,640 --> 00:54:16,000
Speaker 2: to have a theme song for major sports and that

1063
00:54:16,080 --> 00:54:19,160
Speaker 2: ain't that ain't happened now, I'm like a thing like

1064
00:54:19,480 --> 00:54:20,440
Speaker 2: what if you couldn't have.

1065
00:54:20,440 --> 00:54:22,239
Speaker 5: Told me of that?

1066
00:54:22,719 --> 00:54:24,840
Speaker 7: For them people to let you be a part of

1067
00:54:24,960 --> 00:54:28,360
Speaker 7: that collectively with the other guys in the people playing

1068
00:54:28,360 --> 00:54:30,439
Speaker 7: the instruments is a wind fund.

1069
00:54:30,480 --> 00:54:31,319
Speaker 1: It's a wind for us.

1070
00:54:31,440 --> 00:54:31,560
Speaker 2: Man.

1071
00:54:31,640 --> 00:54:35,160
Speaker 1: It's that we represent us, all of us. Get that.

1072
00:54:35,360 --> 00:54:37,200
Speaker 3: It was one of the first guys I called to

1073
00:54:37,280 --> 00:54:39,600
Speaker 3: try to get you on this box we winded tent

1074
00:54:39,880 --> 00:54:43,040
Speaker 3: because you got that legendary big you know, I try

1075
00:54:43,120 --> 00:54:44,840
Speaker 3: to get you know you got whiskeys.

1076
00:54:44,920 --> 00:54:47,479
Speaker 1: You ain't got no beer, man? Why you keep looking

1077
00:54:47,560 --> 00:54:51,799
Speaker 1: at me like I don't want to haven't? Okay, So comic.

1078
00:54:51,560 --> 00:54:55,960
Speaker 3: Got the beer, he said, I ain't ready for that

1079
00:54:56,120 --> 00:54:58,680
Speaker 3: right now. I'm like, why fight the time when you

1080
00:54:58,760 --> 00:54:59,919
Speaker 3: can rewind the talk?

1081
00:55:01,160 --> 00:55:03,960
Speaker 1: Big? Why be fifty three when you can be forty two?

1082
00:55:04,120 --> 00:55:06,440
Speaker 1: Why be forty two when you can be thirty one?

1083
00:55:07,200 --> 00:55:11,160
Speaker 4: Mister, mister Rose Royce, I add for your movies, kids,

1084
00:55:11,239 --> 00:55:16,000
Speaker 4: cat fake, I'm already drinking it the whole movie Sack.

1085
00:55:17,280 --> 00:55:21,040
Speaker 1: The press, forty on the fuck three generations, Me by

1086
00:55:21,200 --> 00:55:22,560
Speaker 1: dad and my son young.

1087
00:55:24,400 --> 00:55:33,160
Speaker 3: Straight from Puerto Rico, So Lisa so so, straight from

1088
00:55:33,200 --> 00:55:33,840
Speaker 3: Porto Rico.

1089
00:55:35,480 --> 00:55:37,600
Speaker 1: So this we own everything.

1090
00:55:38,000 --> 00:55:38,960
Speaker 5: It's all ship we own.

1091
00:55:39,080 --> 00:55:39,160
Speaker 4: Yo.

1092
00:55:39,360 --> 00:55:41,640
Speaker 3: Listen, you're coming by. I'm telling you if you need

1093
00:55:41,760 --> 00:55:44,640
Speaker 3: the little you know I do. That's the quicker bick

1094
00:55:44,719 --> 00:55:45,280
Speaker 3: of opa.

1095
00:55:45,640 --> 00:55:46,239
Speaker 1: I got great.

1096
00:55:46,320 --> 00:55:47,920
Speaker 5: I had me doing that one yo.

1097
00:55:48,080 --> 00:55:51,280
Speaker 1: That's what Rose Royce of hair coloring, I'm not bullshit.

1098
00:55:51,280 --> 00:55:52,080
Speaker 1: It's right, okay.

1099
00:55:52,640 --> 00:55:55,960
Speaker 3: You some some black and brown people, they get allergic

1100
00:55:56,080 --> 00:55:58,879
Speaker 3: to it. I should is sensitive. Pnemona, you're free.

1101
00:55:59,360 --> 00:56:02,640
Speaker 1: We thought that everything vegan. It's not vegan. That's stoles

1102
00:56:02,719 --> 00:56:03,640
Speaker 1: peace version of that.

1103
00:56:05,320 --> 00:56:06,880
Speaker 5: I'm saying, so you.

1104
00:56:06,960 --> 00:56:09,600
Speaker 1: Can't even use it if it ain't vegan. I can't

1105
00:56:09,640 --> 00:56:10,640
Speaker 1: have got.

1106
00:56:10,960 --> 00:56:13,320
Speaker 3: Let me tell you something. I throld my birthday party

1107
00:56:13,400 --> 00:56:17,240
Speaker 3: every year. I might have seventy two mountains of food.

1108
00:56:17,960 --> 00:56:21,080
Speaker 3: Just there no reason. Everybody you walk by, grab a

1109
00:56:21,200 --> 00:56:26,600
Speaker 3: grape whatever. It's just too much, right Stoles. He come, yo,

1110
00:56:26,719 --> 00:56:29,920
Speaker 3: what you got for vegetar vegan?

1111
00:56:30,120 --> 00:56:33,080
Speaker 1: That's right for vegan? I go hold on.

1112
00:56:34,320 --> 00:56:38,520
Speaker 4: He identifies as plant based, plant based brother, my sister.

1113
00:56:39,600 --> 00:56:42,320
Speaker 3: I go in the house and come out with the coconuts,

1114
00:56:42,880 --> 00:56:45,439
Speaker 3: you know the one you get the spoon with great

1115
00:56:45,560 --> 00:56:49,560
Speaker 3: the inside with the s I bring them the coconuts

1116
00:56:49,800 --> 00:56:53,600
Speaker 3: and porters. He said, Wow, Joe, you got these cause

1117
00:56:53,719 --> 00:56:54,879
Speaker 3: ships ain't from New York.

1118
00:56:55,280 --> 00:56:57,200
Speaker 1: They from somewhere. They from Chili, from the.

1119
00:57:00,080 --> 00:57:00,120
Speaker 5: A.

1120
00:57:02,440 --> 00:57:04,840
Speaker 3: I'm like, I felt so good. I was like, Yo,

1121
00:57:04,960 --> 00:57:09,200
Speaker 3: I got the coconnuts. Yeah, Joe, you gotta have you

1122
00:57:09,239 --> 00:57:11,279
Speaker 3: gotta have something for the vegas at the part. Yes,

1123
00:57:14,400 --> 00:57:16,720
Speaker 3: my body is a flake Griffo.

1124
00:57:17,840 --> 00:57:18,960
Speaker 5: I gotta get some of that.

1125
00:57:19,680 --> 00:57:22,400
Speaker 2: You always ahead of the time. Make sure y'all get that,

1126
00:57:22,480 --> 00:57:24,720
Speaker 2: cause I'm coming. I'm gonna be coming with a whole

1127
00:57:24,800 --> 00:57:27,400
Speaker 2: like not grooming. But that's one of the reasons. Like

1128
00:57:27,480 --> 00:57:29,720
Speaker 2: it's like I'm going smallils and stuff too and some

1129
00:57:29,880 --> 00:57:30,520
Speaker 2: natural things.

1130
00:57:30,760 --> 00:57:34,040
Speaker 3: So I gotta go run and sick in one CBS

1131
00:57:34,200 --> 00:57:36,520
Speaker 3: Sally's all over we number one. I just don't talk

1132
00:57:36,560 --> 00:57:39,880
Speaker 3: about it. We're selling boxes. I find With my first customer,

1133
00:57:40,280 --> 00:57:42,520
Speaker 3: I went to CBS over there across the street from

1134
00:57:42,520 --> 00:57:44,600
Speaker 3: the Beverly Center in l A.

1135
00:57:45,200 --> 00:57:46,360
Speaker 1: And it was a white guy.

1136
00:57:47,200 --> 00:57:51,200
Speaker 3: He had a fucking box in his hand, and I said, Yo,

1137
00:57:52,000 --> 00:57:53,800
Speaker 3: he didn't even know I'm on a box and nothing

1138
00:57:53,840 --> 00:57:55,960
Speaker 3: like he was. I was like, yo, you used to

1139
00:57:56,040 --> 00:57:58,720
Speaker 3: rewind it. He said all the time. If it's good

1140
00:57:58,880 --> 00:58:01,000
Speaker 3: enough for him, it's good enough for me. He shows

1141
00:58:01,040 --> 00:58:03,720
Speaker 3: me because you know, we got uh Travis Kelce on

1142
00:58:03,800 --> 00:58:07,320
Speaker 3: the box turned over and go it's good enough for him,

1143
00:58:07,360 --> 00:58:08,080
Speaker 3: it's good enough for me.

1144
00:58:11,760 --> 00:58:16,760
Speaker 1: I was like, yes, you got Travis kel.

1145
00:58:16,760 --> 00:58:23,640
Speaker 3: Travis Brody Jenner, we got Gallet, Nikki jam reggaetone superstar,

1146
00:58:23,840 --> 00:58:24,600
Speaker 3: like we're not playing.

1147
00:58:24,640 --> 00:58:26,560
Speaker 1: We got a white boy called wonder Boy. He was

1148
00:58:26,600 --> 00:58:31,000
Speaker 1: that UFC. You know we got UFC. You UFC. You

1149
00:58:31,080 --> 00:58:32,840
Speaker 1: know Trump might not mess with you if you got

1150
00:58:32,880 --> 00:58:34,120
Speaker 1: one of them on the cover.

1151
00:58:35,240 --> 00:58:37,120
Speaker 3: You know what I'm saying. You know that's a stink.

1152
00:58:38,040 --> 00:58:43,160
Speaker 3: That's we pushed up in the front. My UFC guys

1153
00:58:43,240 --> 00:58:47,640
Speaker 3: over there, leave us the fuck alone. We don't want

1154
00:58:47,720 --> 00:58:48,280
Speaker 3: no smoke.

1155
00:58:48,880 --> 00:58:53,600
Speaker 1: Ain't that that, ain't this. It's a cracking makes some

1156
00:58:53,760 --> 00:58:58,680
Speaker 1: noise for her brother coming. Yeah, uh, legend day.

1157
00:59:00,000 --> 00:59:01,880
Speaker 5: I appreciate my brother brother.

1158
00:59:01,920 --> 00:59:03,439
Speaker 1: I appreciate all. Love y'all.

1159
00:59:07,960 --> 00:59:08,280
Speaker 2: Mm hm