1 00:00:05,240 --> 00:00:07,720 Speaker 1: Hey, this is Annie and Samantha and Welcome to Steffan 2 00:00:07,720 --> 00:00:19,400 Speaker 1: Never Told You a production of iHeartRadio and Welcome once 3 00:00:19,400 --> 00:00:24,000 Speaker 1: Again at two are ongoing Sminty fiction segments. It has 4 00:00:24,079 --> 00:00:27,240 Speaker 1: sound effects. Christina is amazing. It makes it sound so good. 5 00:00:27,320 --> 00:00:30,760 Speaker 1: I love listening to them. This is ongoing, as I said, 6 00:00:30,760 --> 00:00:33,879 Speaker 1: so please see the past episodes in the series we are. 7 00:00:33,520 --> 00:00:37,680 Speaker 1: We've been meaning to do a playlist of these to 8 00:00:37,760 --> 00:00:39,559 Speaker 1: make it easier to keep track of them and what 9 00:00:39,600 --> 00:00:42,040 Speaker 1: We'll do that soon. But this is the second part 10 00:00:42,120 --> 00:00:45,760 Speaker 1: of a trilogy that I wrote as part of Nano Raimo. 11 00:00:46,200 --> 00:00:49,959 Speaker 1: So please, if you have interest, maybe you don't care 12 00:00:50,000 --> 00:00:51,800 Speaker 1: and you're just like, I'll check this one out, that's fine, 13 00:00:52,159 --> 00:00:56,320 Speaker 1: But if you want to understand what's going on, maybe 14 00:00:56,480 --> 00:01:00,880 Speaker 1: go back. I've watched randomly and episode of a TV 15 00:01:00,960 --> 00:01:02,720 Speaker 1: show like five seasons in. 16 00:01:02,880 --> 00:01:05,160 Speaker 2: Sometimes I mean I made you do that a couple 17 00:01:05,200 --> 00:01:07,280 Speaker 2: of times. Yeah, you made me do that a couple 18 00:01:07,319 --> 00:01:09,000 Speaker 2: of times, trying to make sure when you know what 19 00:01:09,040 --> 00:01:12,240 Speaker 2: the other one was talking about. So yeah, absolutely do what. 20 00:01:12,680 --> 00:01:15,800 Speaker 1: You want to do. I'm just making a recommendation that. 21 00:01:15,959 --> 00:01:18,800 Speaker 2: Like a pick of the playlist where you just do 22 00:01:19,120 --> 00:01:25,280 Speaker 2: six twelve eight one. Yeah, right, numbers a whole new 23 00:01:25,680 --> 00:01:27,600 Speaker 2: story is being told that. 24 00:01:27,760 --> 00:01:29,319 Speaker 1: I mean, one of my favorite books is written in 25 00:01:29,319 --> 00:01:33,880 Speaker 1: that manner. But it is also like, I try to 26 00:01:33,959 --> 00:01:38,800 Speaker 1: keep the title of these fiction episodes very clean, but 27 00:01:38,880 --> 00:01:41,520 Speaker 1: this one, I was like, I have so many pun 28 00:01:41,640 --> 00:01:44,960 Speaker 1: titles I could make, and I can't make them. But 29 00:01:45,200 --> 00:01:47,920 Speaker 1: just know that I had a lot of title ideas 30 00:01:47,920 --> 00:01:51,240 Speaker 1: for this one. So we're going to talk about this 31 00:01:51,280 --> 00:01:56,520 Speaker 1: more at the end, but this was definitely again I'm 32 00:01:56,560 --> 00:01:59,559 Speaker 1: kind of rereading this for the first time. I'm editing 33 00:01:59,560 --> 00:02:02,160 Speaker 1: it very very lightly, and I wrote it in like 34 00:02:02,200 --> 00:02:05,480 Speaker 1: twenty eleven, and I can tell so clearly where I 35 00:02:05,640 --> 00:02:07,880 Speaker 1: was at this point in life just by rereading it. 36 00:02:07,920 --> 00:02:10,560 Speaker 1: I was like, Oh, this was your running phase. You 37 00:02:10,600 --> 00:02:13,160 Speaker 1: were running from trauma. Oh my god. 38 00:02:15,480 --> 00:02:17,760 Speaker 2: But we'll talk about that more, not the only one. 39 00:02:17,840 --> 00:02:20,480 Speaker 1: Yeah it is. I was shocked at how much I 40 00:02:20,520 --> 00:02:24,600 Speaker 1: was like having such like strange nostalgic Oh, I remember 41 00:02:24,639 --> 00:02:29,680 Speaker 1: exactly where I was from. Oh yeah. I also want 42 00:02:29,720 --> 00:02:32,480 Speaker 1: to give the disclaimer that I know nothing about riding horses. 43 00:02:33,120 --> 00:02:35,000 Speaker 1: I've done it a couple times in my life, and 44 00:02:35,080 --> 00:02:38,960 Speaker 1: that's it, all right, So brief recap Essentially, there is 45 00:02:39,000 --> 00:02:42,200 Speaker 1: this disease that is killing off humanity. It's making it 46 00:02:42,280 --> 00:02:46,680 Speaker 1: very difficult to have children, and the population has just dwindled. 47 00:02:47,280 --> 00:02:50,239 Speaker 1: Now there is a religious organization that kind of run 48 00:02:50,320 --> 00:02:53,040 Speaker 1: things alongside the government, and they believe that this whole 49 00:02:53,040 --> 00:02:56,000 Speaker 1: thing is a punishment. But it turns out that they 50 00:02:56,000 --> 00:02:59,120 Speaker 1: were kind of the reason that it happened, because they 51 00:02:59,160 --> 00:03:02,000 Speaker 1: were the ones I wanted to punish people. So our 52 00:03:02,040 --> 00:03:06,360 Speaker 1: main character is Tilda and Madison. Tilda illegally ran away 53 00:03:06,400 --> 00:03:09,720 Speaker 1: with her child Madison. She's been on the run. She 54 00:03:09,840 --> 00:03:13,400 Speaker 1: discovers that the people who are in charge of this 55 00:03:13,480 --> 00:03:18,200 Speaker 1: religious organization are her son's grandparents. She finds out they 56 00:03:18,240 --> 00:03:21,919 Speaker 1: destroyed the vaccine that was created, but they left one 57 00:03:22,960 --> 00:03:25,560 Speaker 1: for Madison, her son, so she gave it to him 58 00:03:25,840 --> 00:03:28,040 Speaker 1: and then she broadcast about what they did and then 59 00:03:28,160 --> 00:03:30,959 Speaker 1: ran for it. But now all these people are chasing them. 60 00:03:31,120 --> 00:03:33,840 Speaker 1: It is winter, it is bad. They don't have food, 61 00:03:33,840 --> 00:03:36,920 Speaker 1: their clothes are like falling apart. But yes, they have 62 00:03:37,080 --> 00:03:40,440 Speaker 1: found a generator and they have found kind of a 63 00:03:40,440 --> 00:03:43,640 Speaker 1: cabin and they're having a bit of a brief respite. 64 00:03:43,800 --> 00:03:49,600 Speaker 1: But that respite is coming to an end, yes, and 65 00:03:49,640 --> 00:03:52,640 Speaker 1: we will get into that once we get into our fiction. 66 00:04:06,400 --> 00:04:09,400 Speaker 1: Tilda dreamt she was running. She had been running, and 67 00:04:09,480 --> 00:04:11,840 Speaker 1: she was running, and she would be running until her 68 00:04:11,960 --> 00:04:15,480 Speaker 1: legs would no longer carry her. She ran through fields 69 00:04:15,600 --> 00:04:19,200 Speaker 1: and through forest, vines, tangling at her feet, her toes 70 00:04:19,240 --> 00:04:23,200 Speaker 1: scraping along the dirt. Her knees throbbed and her feet burned. 71 00:04:23,240 --> 00:04:27,200 Speaker 1: With every impact, her lungs seized, and every breath blazed 72 00:04:27,320 --> 00:04:30,960 Speaker 1: down her throat. She didn't know why she was running 73 00:04:31,480 --> 00:04:34,880 Speaker 1: or where, only that she had to that she was 74 00:04:35,000 --> 00:04:38,000 Speaker 1: trapped in this life of running, and that if she stopped, 75 00:04:38,600 --> 00:04:44,920 Speaker 1: everything stopped, She stopped existing. If she stopped, the world 76 00:04:45,000 --> 00:04:49,799 Speaker 1: around her would disintegrate into darkness. If she stopped, everything died. 77 00:04:50,440 --> 00:04:55,240 Speaker 1: The world depended on her to keep running. So she 78 00:04:55,440 --> 00:04:58,120 Speaker 1: ran in steel twilight that made her blink, made it 79 00:04:58,160 --> 00:05:00,680 Speaker 1: hard to see where she was going to plant her 80 00:05:00,720 --> 00:05:05,280 Speaker 1: next foot. The air was cold and unforgiving. Snow collected 81 00:05:05,279 --> 00:05:08,680 Speaker 1: on her shoes. She ducked under branches and hopped over 82 00:05:08,720 --> 00:05:13,640 Speaker 1: her roots. Her pace quickened. Something was behind her. She 83 00:05:13,640 --> 00:05:17,080 Speaker 1: could hear it growling, feel its breath on her neck. 84 00:05:17,920 --> 00:05:20,880 Speaker 1: And something was in front of her, something she was chasing. 85 00:05:21,240 --> 00:05:25,080 Speaker 1: Elusive she'd catch slippers of it, slipping between the trees, 86 00:05:25,200 --> 00:05:29,080 Speaker 1: flashes in the gray. She sped up, even though she 87 00:05:29,120 --> 00:05:33,200 Speaker 1: was barely standing, even though there was nothing left. Running 88 00:05:33,600 --> 00:05:38,480 Speaker 1: was her bones, her blood, her existence. The presence behind 89 00:05:38,520 --> 00:05:43,039 Speaker 1: her reached out. She reached forward, stretching out her fingers. 90 00:05:44,640 --> 00:05:48,600 Speaker 1: Tilda jilted awake. She blinked, looking around in confusion, her 91 00:05:48,640 --> 00:05:52,800 Speaker 1: tired brain processing what had broken her up. It couldn't be, 92 00:05:54,279 --> 00:06:00,760 Speaker 1: but there it was again, neighing, stomping the man with 93 00:06:00,800 --> 00:06:04,479 Speaker 1: the horse. He was outside. Tilda almost choked on the 94 00:06:04,520 --> 00:06:08,159 Speaker 1: surge of her fear. She pushed herself down into the couch, 95 00:06:08,200 --> 00:06:13,720 Speaker 1: her mind flickering over options. Madison slept on unaware. Did 96 00:06:13,760 --> 00:06:17,160 Speaker 1: he know that they were inside? She thought frantically. How 97 00:06:17,160 --> 00:06:20,440 Speaker 1: could he not? Though it appeared the generator had cut off, 98 00:06:20,480 --> 00:06:22,760 Speaker 1: judging by the temperature and lack of noise, Why else 99 00:06:22,760 --> 00:06:25,480 Speaker 1: would he have back track to be outside of this cabin? 100 00:06:26,760 --> 00:06:31,760 Speaker 1: And why hadn't he yet entered? Tilda swallowed, contemplating there 101 00:06:31,800 --> 00:06:34,599 Speaker 1: was nothing she could do. Really, if he was outside, 102 00:06:35,240 --> 00:06:37,800 Speaker 1: if they snuck out the back, he would undoubtedly hear them, 103 00:06:37,839 --> 00:06:41,560 Speaker 1: and leaving without their supplies just wasn't an option. It 104 00:06:41,640 --> 00:06:45,080 Speaker 1: wasn't in her nature, though, to lay down and admit defeat. 105 00:06:45,880 --> 00:06:50,680 Speaker 1: To wait, She very carefully slipped out from underneath the blankets, 106 00:06:50,800 --> 00:06:54,920 Speaker 1: not wanting to wake Madison until absolutely necessary. Her toes 107 00:06:55,000 --> 00:06:58,040 Speaker 1: curled on contact with the cold floor. She must have 108 00:06:58,120 --> 00:07:01,880 Speaker 1: kicked off her socks in the night. Crouching She crept 109 00:07:01,920 --> 00:07:04,960 Speaker 1: over to the window, stepping over her clothes and shoes. 110 00:07:07,720 --> 00:07:10,640 Speaker 1: They should have packed, she knew better. She knew they 111 00:07:10,720 --> 00:07:14,680 Speaker 1: needed to be ready to leave at any time. Consoled, 112 00:07:14,680 --> 00:07:18,800 Speaker 1: breaths very steady through her teeth. She was shaking, both 113 00:07:18,800 --> 00:07:23,440 Speaker 1: with cold and fear. She pressed herself under the window, 114 00:07:23,600 --> 00:07:28,680 Speaker 1: ducking her head, making sure to stay out of sight. Breathe, 115 00:07:28,920 --> 00:07:33,640 Speaker 1: she instructed herself, and then slowly, slowly lifted her head 116 00:07:33,640 --> 00:07:36,880 Speaker 1: to peek out the corner of the window. At first 117 00:07:36,920 --> 00:07:39,920 Speaker 1: she only saw patches of snow. Wide eyes that fell 118 00:07:40,000 --> 00:07:44,960 Speaker 1: too open, swept over the landscape unblinking. She jumped, almost 119 00:07:44,960 --> 00:07:47,800 Speaker 1: losing her balance when the horse snorted, much closer than 120 00:07:47,840 --> 00:07:51,600 Speaker 1: the last time it entered the frame. Right at the porch, 121 00:07:51,800 --> 00:07:57,280 Speaker 1: a giant black mare, Tilda watched forgetting her simple instructions 122 00:07:57,280 --> 00:08:00,920 Speaker 1: to draw breath, she froze and placed The horse palled 123 00:08:00,960 --> 00:08:04,720 Speaker 1: its way closer to the porch. The man was nowhere 124 00:08:04,720 --> 00:08:09,400 Speaker 1: in sight. What is that, Madison whispered from the couch. 125 00:08:10,560 --> 00:08:14,560 Speaker 1: Tilda started again. The man, the man with the horse. 126 00:08:15,680 --> 00:08:20,760 Speaker 1: Tilda gave a quick nod. What do we do? Madison asked, 127 00:08:20,800 --> 00:08:23,680 Speaker 1: and for the briefest moment, Tilda resented him, but it 128 00:08:23,840 --> 00:08:27,560 Speaker 1: just as quickly turned on herself. She didn't know, She 129 00:08:27,640 --> 00:08:33,040 Speaker 1: didn't have the answers. Get dressed quietly and stayed down 130 00:08:33,120 --> 00:08:37,160 Speaker 1: out of sight. Madison complied, climbing free of the blankets 131 00:08:37,200 --> 00:08:39,280 Speaker 1: and collecting his clothes from the pile on the floor. 132 00:08:39,920 --> 00:08:42,559 Speaker 1: Tilda did the same, eyes latched to the horse as 133 00:08:42,559 --> 00:08:45,120 Speaker 1: she pulled on her sweater and winter jacket, her winter 134 00:08:45,280 --> 00:08:48,920 Speaker 1: pants clothes whispering into place. She slid her hands into 135 00:08:48,960 --> 00:08:52,120 Speaker 1: black gloves and pulled on her hat a soldier preparing 136 00:08:52,160 --> 00:08:55,280 Speaker 1: for battle. The horse turned its head to the window, 137 00:08:55,360 --> 00:08:57,640 Speaker 1: as if it could see them through the pane. Tilda 138 00:08:57,679 --> 00:09:01,040 Speaker 1: glanced at the back door, terrified she see the man 139 00:09:01,200 --> 00:09:05,440 Speaker 1: waiting just outside. She slipped her arms into her pack, 140 00:09:05,559 --> 00:09:11,359 Speaker 1: readjusting the straps. She felt more whole with it on complete. 141 00:09:12,240 --> 00:09:15,520 Speaker 1: The horse whinnied again. Tilda zipped her backpack and slid 142 00:09:15,520 --> 00:09:19,319 Speaker 1: it on her shoulders. A very daring, very stupid plan 143 00:09:19,559 --> 00:09:24,480 Speaker 1: forming in her head. Stay down, she intoned, and follow me. 144 00:09:25,520 --> 00:09:28,200 Speaker 1: They crept along the wall, gloved hand ghosting along the 145 00:09:28,200 --> 00:09:32,680 Speaker 1: wood paneling with trembling encumbered fingers. She turned full lock 146 00:09:33,040 --> 00:09:37,000 Speaker 1: with an ominous click. Her breath was coming in pants 147 00:09:37,040 --> 00:09:41,760 Speaker 1: now shallow short. She could feel Madison at her side, 148 00:09:42,280 --> 00:09:46,480 Speaker 1: watching her. Scared and confused, she fortified her resolve and 149 00:09:46,559 --> 00:09:51,520 Speaker 1: twisted the knob, slow, methodical. She winced at the creek. 150 00:09:53,920 --> 00:09:56,760 Speaker 1: Tilda craned her neck out the door, breath flogging, skin 151 00:09:56,880 --> 00:10:00,720 Speaker 1: almost recoiling at the cold. She glanced around, looking for 152 00:10:00,760 --> 00:10:03,760 Speaker 1: the horse's owner. She didn't see him, but she could 153 00:10:03,760 --> 00:10:07,840 Speaker 1: picture him walking around the cabin, assessing ready to strike. 154 00:10:09,120 --> 00:10:14,679 Speaker 1: They'd have to move quickly, but very carefully. Reaching behind her, 155 00:10:14,720 --> 00:10:17,920 Speaker 1: she grabbed Madison's hand, silently communicating for him to keep 156 00:10:17,960 --> 00:10:21,040 Speaker 1: up with her. The pair of them took quick steps out, 157 00:10:21,240 --> 00:10:24,800 Speaker 1: staying hunched over and moving as quietly as possible down 158 00:10:24,840 --> 00:10:27,560 Speaker 1: the stairs. They crept, each one creaking under their weight. 159 00:10:28,280 --> 00:10:31,560 Speaker 1: Tilda twisted her neck back and forth, looking for the man. 160 00:10:33,480 --> 00:10:37,440 Speaker 1: Then she turned her eyes to the horse. She slowed down. 161 00:10:37,520 --> 00:10:40,120 Speaker 1: Not wanting to startle it, she held up her free 162 00:10:40,120 --> 00:10:47,479 Speaker 1: hand in the universal gesture for I mean no harm. 163 00:10:47,720 --> 00:10:52,640 Speaker 1: Good girl, Tilda whispered, taking tiny steps closer, approaching very carefully. 164 00:10:53,559 --> 00:10:59,000 Speaker 1: It's okay. Madison's hand clutched hers more tightly. It had 165 00:10:59,080 --> 00:11:02,440 Speaker 1: been a long times since she'd ridden a horse. She 166 00:11:02,520 --> 00:11:05,920 Speaker 1: hoped it was like riding a bike. The horse appeared 167 00:11:05,920 --> 00:11:09,440 Speaker 1: to be docile. It observed them unworriedly with a twitch 168 00:11:09,480 --> 00:11:11,320 Speaker 1: of an ear. The horse went back to grazing on 169 00:11:11,360 --> 00:11:15,080 Speaker 1: what little grass it could find. With care, she drew 170 00:11:15,120 --> 00:11:17,400 Speaker 1: Madison in front of her and hoisted him up by 171 00:11:17,440 --> 00:11:21,680 Speaker 1: the armpits, swinging him up into the saddle. Surprised, Madison 172 00:11:21,800 --> 00:11:26,000 Speaker 1: was resistance at first, unpliable, but he reacted instinctively, putting 173 00:11:26,000 --> 00:11:28,960 Speaker 1: a foot in the stirrup to help himself over. The 174 00:11:29,040 --> 00:11:31,840 Speaker 1: horse snorted, and it flicked its tail, but did not protest, 175 00:11:31,840 --> 00:11:36,880 Speaker 1: otherwise barely giving Tilda a glance. Anticipation made Tilda almost 176 00:11:36,880 --> 00:11:40,440 Speaker 1: forget the cold. She looked around as she slid one 177 00:11:40,480 --> 00:11:43,720 Speaker 1: booted foot into the stirrup and heaved herself up and over, 178 00:11:44,240 --> 00:11:48,720 Speaker 1: putting the other foot in the opposite stirrup. Still nothing, 179 00:11:49,520 --> 00:11:52,720 Speaker 1: no sign of the horse's owner. She gripped the leather 180 00:11:52,800 --> 00:11:57,720 Speaker 1: straps around Madison, whispering in his ear. Hold on Madison 181 00:11:57,760 --> 00:12:02,240 Speaker 1: wound his fingers delicately in the horse's blad. She dug 182 00:12:02,280 --> 00:12:04,680 Speaker 1: the heels of her boots into the horse's sides, guiding 183 00:12:04,720 --> 00:12:08,560 Speaker 1: her forward. At first the horse ignored her, but Tilda 184 00:12:08,600 --> 00:12:11,880 Speaker 1: dug her heels in even more insistently, giving the reins 185 00:12:11,880 --> 00:12:17,600 Speaker 1: a light flick. The horse acquiesced with the soft whinny okay. 186 00:12:18,080 --> 00:12:20,960 Speaker 1: Tilda muttered under her breath, tense, trying to get a 187 00:12:20,960 --> 00:12:24,120 Speaker 1: feel for the riding. She kept the pace slow, following 188 00:12:24,200 --> 00:12:27,200 Speaker 1: south along the stream. At any moment, she thought she 189 00:12:27,280 --> 00:12:29,360 Speaker 1: was going to hear a man shout, hear the pounding 190 00:12:29,400 --> 00:12:32,319 Speaker 1: of boots as he chased after them, realizing she'd stolen 191 00:12:32,360 --> 00:12:35,080 Speaker 1: his horse. But all she heard was the sound of 192 00:12:35,080 --> 00:12:38,480 Speaker 1: their breathing and the muffled cloth clopping of the horse's 193 00:12:38,480 --> 00:12:40,920 Speaker 1: hoofs on the snow and leaves, almost lost to the 194 00:12:40,920 --> 00:12:44,120 Speaker 1: cracking and shushing of ice and snow thawing and falling 195 00:12:44,160 --> 00:12:48,240 Speaker 1: from limbs. Relaxing a bit more into it, Tilda pushed 196 00:12:48,280 --> 00:12:51,000 Speaker 1: the horse to move a bit more quickly, she hesitated 197 00:12:51,000 --> 00:12:53,640 Speaker 1: to do anything above a trot, afraid they'd fall off, 198 00:12:53,760 --> 00:12:56,760 Speaker 1: or the horse would trip up over an unseen obstacle, 199 00:12:57,440 --> 00:13:00,600 Speaker 1: or one they may be going too hastily to avoid. 200 00:13:01,000 --> 00:13:04,559 Speaker 1: Madison looked from side to side, apparently relishing their vantage 201 00:13:04,559 --> 00:13:08,920 Speaker 1: point from atop the mare. I can't believe it, he whispered, 202 00:13:08,960 --> 00:13:12,760 Speaker 1: nearly giddy or riding a horse. I never thought i'd 203 00:13:12,760 --> 00:13:16,640 Speaker 1: buy a horse. Tilda made a nonca mental sound of agreement, 204 00:13:16,840 --> 00:13:19,439 Speaker 1: not yet convinced that they were out of danger. Her 205 00:13:19,520 --> 00:13:21,960 Speaker 1: neck hurt from craning it around to look for threats 206 00:13:21,960 --> 00:13:24,240 Speaker 1: and keeping it bent downward in an attempt to see 207 00:13:24,240 --> 00:13:28,520 Speaker 1: the path in front of them. What should we call her? 208 00:13:29,120 --> 00:13:33,280 Speaker 1: You name her mouse? He went quiet for a long moment, 209 00:13:33,360 --> 00:13:36,880 Speaker 1: thinking I guess Lynn wouldn't want a horse named after her. 210 00:13:38,040 --> 00:13:46,480 Speaker 1: What about no? Hmm, scout, scout it is, Tilda said distractedly. 211 00:13:47,880 --> 00:13:50,760 Speaker 1: You don't think I'm hurting her? Do you? He asked pruptfully, 212 00:13:50,840 --> 00:13:55,360 Speaker 1: referring to his hands twisted in her knee. Nah, Tilda dismissed, 213 00:13:55,440 --> 00:14:01,280 Speaker 1: navigating them around a fallen tree. Are we heavy? Too heavy? Now? 214 00:14:01,360 --> 00:14:05,000 Speaker 1: I think we're pretty light, Madison, she assured him. I 215 00:14:05,040 --> 00:14:08,600 Speaker 1: can't believe I stole a horse. Madison sounded both odd 216 00:14:08,679 --> 00:14:11,719 Speaker 1: and frightened. Do you think that man will come after us? 217 00:14:13,080 --> 00:14:16,520 Speaker 1: I don't know, Tilda murmured, her standard response these days. 218 00:14:17,320 --> 00:14:20,000 Speaker 1: But keep an eye out, okay, let me know if 219 00:14:20,000 --> 00:14:24,520 Speaker 1: you see anything. Yeah, Madison nodded, immediately swiveling his head 220 00:14:24,560 --> 00:14:28,320 Speaker 1: to take in their surroundings. Everything fell away from Tilda 221 00:14:28,360 --> 00:14:33,520 Speaker 1: except guiding the horse. Guiding scouted onward. She was too 222 00:14:33,560 --> 00:14:35,720 Speaker 1: cold to be comfortable, but she was very glad to 223 00:14:35,720 --> 00:14:38,840 Speaker 1: have this horse. Instead of venturing onward on foot. She 224 00:14:39,040 --> 00:14:42,960 Speaker 1: only hoped the man they'd stolen it from didn't have friends. 225 00:14:43,920 --> 00:14:46,840 Speaker 1: Madison seemed to be enjoying himself thoroughly, which did make 226 00:14:46,880 --> 00:14:50,960 Speaker 1: Tilda feel better about the whole situation. The initial novelty 227 00:14:51,040 --> 00:14:54,680 Speaker 1: had worn off, but only just. He looked around attentatively, 228 00:14:54,840 --> 00:15:00,240 Speaker 1: clouds of breath escaping his lips, cataloging, categorizing, studying. The 229 00:15:00,360 --> 00:15:04,480 Speaker 1: wood was thickened, then thinned. At its deepest. The trees 230 00:15:04,480 --> 00:15:07,360 Speaker 1: were so close that Tilda was constantly pulling the reins 231 00:15:07,400 --> 00:15:10,480 Speaker 1: to avoid the barren trunks of them. Now that a 232 00:15:10,480 --> 00:15:13,160 Speaker 1: good bit of the ice had thought, the creek gurgled 233 00:15:13,200 --> 00:15:18,080 Speaker 1: beside them, the path grew rocky around midday. Scout hesitated, 234 00:15:18,160 --> 00:15:21,640 Speaker 1: questioning Tilda's guidance, Rocks clacking as they were dispodged from 235 00:15:21,640 --> 00:15:24,880 Speaker 1: their place and sent rolling down the mountain. Tilda became 236 00:15:24,960 --> 00:15:27,560 Speaker 1: consumed with the next step, afraid Scout would get one 237 00:15:27,560 --> 00:15:31,520 Speaker 1: of her host stuck and fall, snapping a leg. Tilda's 238 00:15:31,520 --> 00:15:34,400 Speaker 1: heart raced at the thought of it. Even Madison sat 239 00:15:34,440 --> 00:15:37,040 Speaker 1: straighter as the pass deepened, both in reaction to the 240 00:15:37,080 --> 00:15:40,400 Speaker 1: gravity and the tension he no doubt could sense. Rolling 241 00:15:40,400 --> 00:15:45,040 Speaker 1: off Tilda in waves, they came to a stone bridge, 242 00:15:45,200 --> 00:15:48,400 Speaker 1: naturally made from what Tilda could tell, spanning a gaping 243 00:15:48,440 --> 00:15:51,960 Speaker 1: stone gulch carved into the rock. Crossing the archway on 244 00:15:52,200 --> 00:15:54,960 Speaker 1: icy stone made Tilda nervous, but a quick sweep of 245 00:15:55,040 --> 00:15:57,920 Speaker 1: the landscape informed her that this was the only way, 246 00:15:58,120 --> 00:16:00,920 Speaker 1: at least with going far far out of the way 247 00:16:01,120 --> 00:16:05,760 Speaker 1: to cross. Acid burning in her stomach, she coked Scout 248 00:16:05,800 --> 00:16:09,240 Speaker 1: forward over the impressive rock structure. The horse faltered a 249 00:16:09,280 --> 00:16:12,680 Speaker 1: bit at the change of surface, tilled, the stomach swooped, 250 00:16:12,840 --> 00:16:16,280 Speaker 1: and Madison gasped. The drop was sheer, a river flowing 251 00:16:16,400 --> 00:16:18,960 Speaker 1: just beneath the ice and breaking the frozen surface in 252 00:16:19,040 --> 00:16:22,320 Speaker 1: some places like scrapes, with white waters surging up and 253 00:16:22,400 --> 00:16:26,360 Speaker 1: onto the ice like puffs. Trees and ferns were growing 254 00:16:26,360 --> 00:16:28,200 Speaker 1: out of the rock face. Until I could see a 255 00:16:28,200 --> 00:16:32,280 Speaker 1: waterfall to her right, a quiet roar. She kept her 256 00:16:32,320 --> 00:16:35,120 Speaker 1: eyes trained on the other side, her nostrils flaring, her 257 00:16:35,160 --> 00:16:38,600 Speaker 1: mouth like cotton. After the arch reached its peak and 258 00:16:38,680 --> 00:16:41,840 Speaker 1: started to crest downward, Scouts slid and had to trot 259 00:16:41,880 --> 00:16:43,440 Speaker 1: the rest of the way down so as to keep 260 00:16:43,440 --> 00:16:46,880 Speaker 1: her balance, til to let out an explosive breath. Grateful 261 00:16:46,880 --> 00:16:49,960 Speaker 1: to be on solid ground, she looked back at the bridge, 262 00:16:50,000 --> 00:16:52,920 Speaker 1: out of place in the perfection of the arch, This 263 00:16:53,120 --> 00:16:57,200 Speaker 1: one slab of rock, impervious to erosion and symmetrically carved 264 00:16:57,800 --> 00:16:59,760 Speaker 1: a bridge in the middle of nowhere, as if nature 265 00:16:59,800 --> 00:17:02,880 Speaker 1: knew people would need a way to pass. The rocky 266 00:17:02,920 --> 00:17:06,399 Speaker 1: slopes pled into gentle waves of hills, the trees vastly 267 00:17:06,440 --> 00:17:08,560 Speaker 1: spread out, giving them a better view of the sky 268 00:17:08,640 --> 00:17:12,679 Speaker 1: than they'd had in days. Free of the treacherous sloping descent, 269 00:17:13,080 --> 00:17:15,879 Speaker 1: Tilda found a stopping place under a hulking tree trunk 270 00:17:16,240 --> 00:17:19,560 Speaker 1: warped in gray. She slid off Scout with wobbly legs 271 00:17:19,640 --> 00:17:22,639 Speaker 1: and helped Madison hop down. She led Scout by the 272 00:17:22,680 --> 00:17:25,520 Speaker 1: reins to the tree, detaching one end and reattaching it 273 00:17:25,560 --> 00:17:28,800 Speaker 1: to a low hanging tree branch. Madison ran his hand 274 00:17:28,880 --> 00:17:32,840 Speaker 1: along Scout's hide quickly back and forth, and Scout nudged 275 00:17:32,840 --> 00:17:35,080 Speaker 1: his cheek with her snout, and what Tilda interpreted as 276 00:17:35,119 --> 00:17:39,280 Speaker 1: a sign of affection, Madison giggled he petted her nose. 277 00:17:40,359 --> 00:17:43,480 Speaker 1: Tilda shrugged off her pack, wondering how they'd feed Scout. 278 00:17:44,040 --> 00:17:47,000 Speaker 1: The horse seemed content with muching on grass, but Tilda 279 00:17:47,040 --> 00:17:52,800 Speaker 1: knew that wouldn't couldn't last, and water. She'd need water 280 00:17:52,840 --> 00:17:56,280 Speaker 1: as well. Scout was already lapping spring water from the creek. 281 00:17:56,960 --> 00:17:59,919 Speaker 1: That would do for now, Tilda thought, heavily, digging out 282 00:18:00,080 --> 00:18:02,679 Speaker 1: small bottle of water for her and Madison each. She 283 00:18:02,760 --> 00:18:05,840 Speaker 1: handed one to Madison. He struggled with a cap, twisting 284 00:18:05,880 --> 00:18:08,480 Speaker 1: it this way and that with tiny gruntz of frustration. 285 00:18:09,160 --> 00:18:11,480 Speaker 1: Tilda snatched it back, tucking her own in the crook 286 00:18:11,520 --> 00:18:14,119 Speaker 1: of her elbow and twisting the cap off, Popping it 287 00:18:14,160 --> 00:18:18,359 Speaker 1: back into his hands. He slipped greedily. Tilda opened her 288 00:18:18,400 --> 00:18:21,560 Speaker 1: own and swallowed, slowly, relishing the cool water against her 289 00:18:21,560 --> 00:18:26,440 Speaker 1: burning dry throat. Tilda and Madison settled against the tree 290 00:18:26,440 --> 00:18:29,320 Speaker 1: trunk as they drank, while Scout alternately dipped her nose 291 00:18:29,359 --> 00:18:32,159 Speaker 1: in the stream or nibbled at tufts of grass. They 292 00:18:32,200 --> 00:18:34,879 Speaker 1: each got a protein bar stale like dust but chewy. 293 00:18:34,960 --> 00:18:40,360 Speaker 1: Somehow they tasted like jam and saw dust. Tilda's stomach curdled. 294 00:18:41,080 --> 00:18:45,639 Speaker 1: She sipped more water, taking control breaths. She untied Scout 295 00:18:45,720 --> 00:18:48,520 Speaker 1: and they set out again. Tilda estimated they had about 296 00:18:48,520 --> 00:18:51,960 Speaker 1: five hours of sunlight left. She had to guess, and 297 00:18:52,000 --> 00:18:53,919 Speaker 1: there was little to do outside of speculate and an 298 00:18:53,920 --> 00:18:56,159 Speaker 1: attempt to ignore the numbing of her body at the 299 00:18:56,240 --> 00:18:58,399 Speaker 1: cold and at the long stints of being seated on 300 00:18:58,480 --> 00:19:02,480 Speaker 1: Scout's back. She'd guess they'd be out of the forest tomorrow, 301 00:19:03,000 --> 00:19:05,800 Speaker 1: especially now that they were on horseback, but she had 302 00:19:05,840 --> 00:19:09,359 Speaker 1: no way of knowing. Really. There was still the question 303 00:19:09,440 --> 00:19:13,919 Speaker 1: of what to do then. Where to go South was 304 00:19:13,920 --> 00:19:16,080 Speaker 1: still a good bet, but visiting her parents no longer 305 00:19:16,119 --> 00:19:19,000 Speaker 1: seemed like a viable option. She hadn't taken it off 306 00:19:19,040 --> 00:19:23,199 Speaker 1: the table yet, but it would be very risky. She 307 00:19:23,240 --> 00:19:25,520 Speaker 1: didn't know what else to do. Their close call on 308 00:19:25,560 --> 00:19:28,040 Speaker 1: the cold woods, almost freezing to death with no one 309 00:19:28,080 --> 00:19:30,719 Speaker 1: to know their fate, had made it abundantly clear that 310 00:19:30,760 --> 00:19:33,880 Speaker 1: life on the road could not go on indefinitely. They 311 00:19:33,960 --> 00:19:37,560 Speaker 1: needed to find some security. It was a basic need 312 00:19:37,560 --> 00:19:41,440 Speaker 1: that had gone unmet for too long. Most of Madison's life, 313 00:19:41,920 --> 00:20:07,600 Speaker 1: she'd been unable to offer him that. That brings us 314 00:20:07,640 --> 00:20:11,320 Speaker 1: to the end of this chapter of Terminus Part two, 315 00:20:11,359 --> 00:20:14,240 Speaker 1: which again is officially called big Things Start Small. But 316 00:20:14,280 --> 00:20:17,520 Speaker 1: I figured i'd keep it clear with Dermanist part two. 317 00:20:17,800 --> 00:20:21,639 Speaker 1: So yeah, I definitely, as I said, when I was 318 00:20:21,680 --> 00:20:24,399 Speaker 1: reading this, I was shocked at how clear some of 319 00:20:24,400 --> 00:20:28,600 Speaker 1: these memories came back to me. For instance, enter the 320 00:20:28,680 --> 00:20:32,280 Speaker 1: man with the horse. This whole chapter is sort of like, 321 00:20:32,600 --> 00:20:34,800 Speaker 1: who is this guy on the horse? What is he doing? 322 00:20:35,600 --> 00:20:41,360 Speaker 1: So I used to back on my college campus. They 323 00:20:41,480 --> 00:20:45,000 Speaker 1: fixed this, to my knowledge, but I used to I 324 00:20:45,040 --> 00:20:47,680 Speaker 1: didn't get along with my roommates, so I would hang 325 00:20:47,720 --> 00:20:51,439 Speaker 1: out with my friend on the opposite side of campus, 326 00:20:51,480 --> 00:20:53,919 Speaker 1: and that was like a mile and a half away, 327 00:20:54,400 --> 00:20:58,600 Speaker 1: And so I would walk back late at night from 328 00:20:58,760 --> 00:21:02,480 Speaker 1: her dorm to my dorm, and there was twenty four 329 00:21:02,560 --> 00:21:05,439 Speaker 1: seconds I would count where there were no lights, and 330 00:21:05,480 --> 00:21:08,359 Speaker 1: so I called it my twenty four seconds and so 331 00:21:08,520 --> 00:21:10,320 Speaker 1: that there's a scene in here. I was like, oh 332 00:21:10,359 --> 00:21:14,440 Speaker 1: my god, I'm right twenty four cent. I even wrote 333 00:21:14,480 --> 00:21:18,480 Speaker 1: a short story about it. But one night, some of 334 00:21:18,520 --> 00:21:22,080 Speaker 1: you may remember, there was a tornado that touched down 335 00:21:22,240 --> 00:21:27,800 Speaker 1: in Atlanta and I got this frightening text message that 336 00:21:27,840 --> 00:21:29,679 Speaker 1: turned out to just be from the campus, but it 337 00:21:29,760 --> 00:21:32,600 Speaker 1: said like get up, get in now, or you won't survive. 338 00:21:32,680 --> 00:21:37,040 Speaker 1: I was freaking out, and I'm walking back and it's 339 00:21:37,080 --> 00:21:40,239 Speaker 1: at the twenty four seconds its stormedy, It's horrible, and 340 00:21:40,320 --> 00:21:43,919 Speaker 1: there was a black horse, I swear to God, just 341 00:21:44,080 --> 00:21:47,600 Speaker 1: walking by, and I was terrified. 342 00:21:47,960 --> 00:21:50,560 Speaker 2: Was it a ghost? Was a headless man on their table? 343 00:21:50,600 --> 00:21:53,199 Speaker 1: Well, so the next day after that there was no 344 00:21:53,240 --> 00:21:57,320 Speaker 1: headless man Samantha. After you know, kind of we were 345 00:21:57,320 --> 00:21:59,280 Speaker 1: taking stocks and the damage that had been done that 346 00:21:59,280 --> 00:22:01,879 Speaker 1: there was at that a lot of animals got loose 347 00:22:02,720 --> 00:22:07,520 Speaker 1: during this tornado. But I listen to me, I saw 348 00:22:07,600 --> 00:22:15,280 Speaker 1: the black horse was so scared. So this is this 349 00:22:15,400 --> 00:22:17,240 Speaker 1: chapter is largely inspired. 350 00:22:17,520 --> 00:22:23,960 Speaker 2: Oh my goodness. Yeah, yeah, I was working at this point, 351 00:22:24,040 --> 00:22:25,400 Speaker 2: like I was in career. 352 00:22:25,119 --> 00:22:31,480 Speaker 1: Mode, right, yeah, I don't that was a very I 353 00:22:31,600 --> 00:22:36,000 Speaker 1: was a bizarre when that tornado touched it at yeah, 354 00:22:36,840 --> 00:22:40,200 Speaker 1: but yeah, just definitely. It is interesting to look back 355 00:22:40,240 --> 00:22:44,600 Speaker 1: on the old things you wrote and be like, oh yeah, 356 00:22:45,280 --> 00:22:49,680 Speaker 1: I remember right, No, well, well that yes, the horse 357 00:22:49,760 --> 00:22:52,360 Speaker 1: might have been but this the inspiration of that because 358 00:22:52,400 --> 00:22:57,480 Speaker 1: I still walked that length every night because I didn't 359 00:22:57,520 --> 00:23:02,080 Speaker 1: like my roommates. Yes, yes, and then I had to. 360 00:23:02,240 --> 00:23:04,840 Speaker 1: I wrote it in French because I was in Advanced 361 00:23:05,040 --> 00:23:07,359 Speaker 1: French at the time, and I wrote the story of 362 00:23:07,359 --> 00:23:10,200 Speaker 1: the twenty It was called the twenty four Seconds about this, 363 00:23:10,440 --> 00:23:12,600 Speaker 1: so it was a big fit. It stuck with me. 364 00:23:14,760 --> 00:23:15,880 Speaker 2: Obviously, and the horse. 365 00:23:16,400 --> 00:23:18,520 Speaker 1: I mean, if you if you had seen what I seen, 366 00:23:20,160 --> 00:23:24,960 Speaker 1: absolutely I hope you enjoyed it. Listeners, because we do 367 00:23:25,000 --> 00:23:27,440 Speaker 1: love doing these and Christina does such an amazing job 368 00:23:28,359 --> 00:23:33,240 Speaker 1: as always. If you have any suggestions for something we 369 00:23:33,280 --> 00:23:36,560 Speaker 1: could read from the public domain, that would be great. 370 00:23:36,640 --> 00:23:39,760 Speaker 1: That'd be really fun. We could even try some voice 371 00:23:39,760 --> 00:23:44,480 Speaker 1: acting that'd be great. But in the meantime, if you 372 00:23:44,480 --> 00:23:47,040 Speaker 1: have thoughts about this, we have theories about this. Who 373 00:23:47,160 --> 00:23:49,080 Speaker 1: is the man on the horse, so I don't know? 374 00:23:50,880 --> 00:23:54,080 Speaker 1: You can email us at FDA mom Stuff at iHeartMedia 375 00:23:54,080 --> 00:23:55,760 Speaker 1: dot com. You can find us on Twitter at mom 376 00:23:55,840 --> 00:23:58,080 Speaker 1: Stuff podcast or on Instagram. And TikTok at stuff I 377 00:23:58,119 --> 00:24:00,040 Speaker 1: Never told You. We have a tea Belk store, and 378 00:24:00,080 --> 00:24:01,920 Speaker 1: we have a book you can get wherever you get 379 00:24:01,920 --> 00:24:05,200 Speaker 1: your books. Thanks as always to our super producer Christina, 380 00:24:05,440 --> 00:24:08,639 Speaker 1: executive producer Maya, and your contributor Joey. Thank you and 381 00:24:08,680 --> 00:24:10,760 Speaker 1: thanks to you for listening. Stefan Never Told You is 382 00:24:10,760 --> 00:24:12,480 Speaker 1: production of by Heart Radio. For more podcast from my 383 00:24:12,520 --> 00:24:14,120 Speaker 1: heart Radio, you can check out the heart Radio app, 384 00:24:14,119 --> 00:24:16,439 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows,