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Speaker 1: Okay, yeah, I'm uh, let's just do the show because

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Speaker 1: I'm sure.

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Speaker 2: Yeah, I'm good. I'm good. I'm happy that we have

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Speaker 2: Adam and we have a good guest. Get I mean,

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Speaker 2: the guest is really exciting and despite like any personal

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Speaker 2: stuff going on, we.

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Speaker 1: Timing wise, it's not the best for me to have

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Speaker 1: a good guest today. But I don't care, like, I'm

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Speaker 1: like just excited to do the show.

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Speaker 2: We can we can. We can talk about it or

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Speaker 2: about it. I do think it's either about it. We

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Speaker 2: have a little bit of a personal thing going out.

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Speaker 2: We are to have you, but we have a little

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Speaker 2: bit of personal stuff.

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Speaker 1: I want, I want to talk to you, but I

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Speaker 1: don't know if I'll be able to engage with you

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Speaker 1: with what has been going on for me with just

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Speaker 1: some heavy stuff. If I could just talk talk about

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Speaker 1: it and just clear the air you probably feel.

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Speaker 3: I I think the best way to go is like

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Speaker 3: talk about it, get it out. I'll sit here and like,

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Speaker 3: just get it out.

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Speaker 1: I don't know if you want well, he's a creative no,

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Speaker 1: I mean, maybe you can give your opinion, Like so,

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Speaker 1: I I.

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Speaker 2: Was working today on a script. You've I'm sure.

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Speaker 1: You've had plenty of those experiences and kind of collaborative.

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Speaker 1: I have a boss, you know, I do have a

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Speaker 1: boss who's sort of the final say on what goes

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Speaker 1: in what doesn't. And we were working on a scene

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Speaker 1: where a gentleman was in very good physical condition and

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Speaker 1: I thought that a character could say, in reference to him,

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Speaker 1: get a load of Benissio del.

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Speaker 2: Torso over here. Hmm okay, that was what my boss

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Speaker 2: said as well. That's sort of like a like, you know.

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Speaker 4: So, but we're all professionals. I mean, you're throwing out.

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Speaker 3: Joke ideas, which is what you're hired to do. So

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Speaker 3: where so maybe you threw one out. I don't know

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Speaker 3: how you feel about that joke, but I think objectively

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Speaker 3: it's not the strongest joke. So he didn't lay and right,

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Speaker 3: so what's the problem.

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Speaker 1: Yeah, no, No, that's what I was gonna say that

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Speaker 1: that that I don't think the joke was strong, and

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Speaker 1: I agreed with my boss. I guess my issue was

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Speaker 1: that then when I pitched Giermo del Torso, that that

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Speaker 1: also was met with it.

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Speaker 2: And at that point, what what you you? At some

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Speaker 2: point like what do you want? What is it that

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Speaker 2: you're you know?

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Speaker 3: So you felt like you hit like that's as good

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Speaker 3: as you can give, that's as good as he gets.

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Speaker 1: That was the spectrum I feel like of jokes that

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Speaker 1: you could do from more niche to like super accessible

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Speaker 1: use of the word torso inside of a person's name,

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Speaker 1: and so I guess I just don't know, Like at

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Speaker 1: that point, I'm like not exactly sure what my job is.

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Speaker 2: If that's not going to be what we do, at

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Speaker 2: least shoot it, you know what I mean, shoot it

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Speaker 2: like at some point it doesn't have to like maybe

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Speaker 2: it's not like coverage a couple of different angles, and

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Speaker 2: don't shoot any alts, you know, because if sometimes if

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Speaker 2: you shoot alts that undercuts the original, well the crew

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Speaker 2: will laugh because it's like fresh, you haven't heard it,

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Speaker 2: but you know, get six or seven.

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Speaker 3: I mean the big I'm a big fan of, like

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Speaker 3: why not shoot all, especially for jokes, But in that case,

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Speaker 3: I mean, that's really just a pun. It's also an

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Speaker 3: odd choice of the actor. It's not a guy because.

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Speaker 2: Like not the whitest guy. I mean, like I like,

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Speaker 2: I don't know, I don't be white.

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Speaker 3: Well, he's also not a guy you think of as

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Speaker 3: being in shape. He's also I don't think he's doing anything.

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Speaker 2: That's the torso that that's that's what the Torso Torso is,

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Speaker 2: you know, doing a lot of heavy well.

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Speaker 3: You know, hey, look sometimes your best idea is if

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Speaker 3: that's how you view it, they're not going to get across.

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Speaker 3: And you know it sounds like a rough day it.

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Speaker 2: Work, tough day at work.

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Speaker 1: Yeah, but let's yeah, this is not about me, right,

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Speaker 1: this is about you. This is your episode. You know,

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Speaker 1: everybody kind of only gets one episode of the show.

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Speaker 2: That's theirs. I've had mine and now this will be yours.

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Speaker 5: So you were saying before we started working, you're it

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Speaker 5: seems like you're resentful that I'm the guest on this

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Speaker 5: episode of my reading until I don't.

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Speaker 2: You know, that's not like we've hosted Like I've been

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Speaker 2: in this place too where it's like we've hosted literally

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Speaker 2: every single one of these Yeah, and all we do

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Speaker 2: on every single episode is give and it's like, Okay,

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Speaker 2: at some point.

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Speaker 3: I don't I don't have to be here. I mean,

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Speaker 3: like that's a strange kind of position for a whole

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Speaker 3: like you're you guys are literally hosting the show and

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Speaker 3: to resent the focus being on a guest just seems

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Speaker 3: like that's problem madic for us even going forward, Like

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Speaker 3: I'm not even upset, Like maybe I should just go

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Speaker 3: like and let you guys work this out, you know

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Speaker 3: what I mean.

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Speaker 4: Like it's weird to go.

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Speaker 3: On a show and say the host be like, oh,

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Speaker 3: I guess you're gonna talk now, Like, well, yeah.

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Speaker 2: Well I think it's in this case it could actually

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Speaker 2: be helpful for Sean to have the project is kind of.

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Speaker 1: Okay, no, And so the focus, the focus in my

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Speaker 1: mind is actually never really on like I'm the host

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Speaker 1: or on the guest.

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Speaker 2: It's it's on the work.

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Speaker 3: Like that focus is on understand what that means. I mean,

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Speaker 3: it is a show you're hosting, I'm a guest.

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Speaker 2: Okay, yeah, so what do you say? And I wonder

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Speaker 2: if this is at the is that this is sort

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Speaker 2: of at the core of the whole thing. Yeah, you

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Speaker 2: know what I mean, where it's like and the whole thing.

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Speaker 2: We're talking about your career today.

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Speaker 1: Yeah, right, we were talking about it right before the show,

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Speaker 1: and it sounded.

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Speaker 2: Like some of the so you said, they very good issues.

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Speaker 3: Okay, I mean, I'll forge ahead if you're I mean.

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Speaker 2: What I was I was doing can do it or

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Speaker 2: you can do it.

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Speaker 3: Yeah, I'll be realistic, you know, I'll be honest because

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Speaker 3: the only way to make something better is to look at,

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Speaker 3: you know, the parts of it that are working, in

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Speaker 3: the parts that aren't. And if I look back at

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Speaker 3: my career, which I you know, I love to look

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Speaker 3: back at my career. Anyone who's had dinner with me

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Speaker 3: knows I'll get a far off look.

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Speaker 4: You know.

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Speaker 3: I always say, like, you know, let's start at the beginning.

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Speaker 3: In this case, I'll just say I've had some high

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Speaker 3: highs and I've had some low lows. The two high

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Speaker 3: highs were I got to co write a Marvel movie and.

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Speaker 2: Co what's co write in this case A quarter, right,

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Speaker 2: your quarter wrote that and.

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Speaker 4: Man, the original ant Man I was a writer on.

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Speaker 3: In that one, wasp pops up in the end, all right.

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Speaker 2: I think that one that they corrected in the later

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Speaker 2: one was yeah, big yeah.

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Speaker 3: And then the other high high I had. I feel

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Speaker 3: like you're tearing down my high high a little bit.

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Speaker 4: But anyway, no.

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Speaker 3: Wasp, yeah, all right, I mean that's a funny way

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Speaker 3: to frame the whole movie. It was sort of the

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Speaker 3: origin of ant Man. And then WASP was introduced as well. Okay,

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Speaker 3: but anyway, the other high I was Talladega.

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Speaker 2: Nights Yes, pretty nice, uh, chunk of bree from that one.

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Speaker 3: Yeah, and and a lot of box office big playability

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Speaker 3: across all the quadrants.

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Speaker 2: I think rewatchables about it. Maybe, Oh I didn't know

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Speaker 2: he's thinking about it. I think I think that's on

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Speaker 2: the list literally.

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Speaker 4: Right now. That's that's cool. That's cool. I'm not even

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Speaker 4: going to humble on that one. That's just awesome. Wow.

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Speaker 2: Can you imagine telling yourself like talking to young Adam,

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Speaker 2: like little Adam and going like, hey, one day Bill

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Speaker 2: Simon's going to do it, but you're telling your young self,

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Speaker 2: I don't want to commit Bill of this because he's

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Speaker 2: got a lot you know. Wow.

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Speaker 3: Well, now the second we're done with this, I'm going

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Speaker 3: to google it and see if that happened or it's

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Speaker 3: being discussed.

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Speaker 4: That would be awesome.

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Speaker 3: So anyway, I had these two great experiences talent A

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Speaker 3: Good Nights aunt Man, and then a lot of stuff that,

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Speaker 3: you know, for lack of a better way to frame it,

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Speaker 3: where I kind of lost brand consciousness and it was yeah,

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Speaker 3: and so I'm here. I know you guys are very

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Speaker 3: good at what you do, and I'm open. I want

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Speaker 3: to get back on track. I want to get my

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Speaker 3: brand back on track. I want to I want to,

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Speaker 3: you know, focus my brand. It's time to go to

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Speaker 3: the opticians.

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Speaker 2: And we should I think we should be allowed to,

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Speaker 2: like start like talking, is that okay? We should get

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Speaker 2: in there.

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Speaker 3: Just like I didn't know if I talked too much.

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Speaker 3: I was trying to set up my dilemma, my.

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Speaker 2: Problem if you want us to be able to it

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Speaker 2: was the right amount for.

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Speaker 1: Like introducing the idea and then like I'd love to

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Speaker 1: hear I know from Hayes, and then I was gonna

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Speaker 1: ideally say something as well.

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Speaker 4: I mean I couldn't just so I should say nothing

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Speaker 4: at this part.

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Speaker 2: I mean, you guys, you were making a whole thing

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Speaker 2: about how like we're the hosts and like you're the

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Speaker 2: guest on the show. And I guess just like consciousness

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Speaker 2: of that seems to have also in addition to the

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Speaker 2: brand consciousness, I think consciousness of the host guest dynamic

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Speaker 2: has also guess what that means in terms of like

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Speaker 2: Mike Diamer, Okay, yeah, sure, sure, so when I see

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Speaker 2: your stuff, especially the later stuff, Yeah, every I sit

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Speaker 2: there in the theater and I say, like, we're all

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Speaker 2: whispering in the theater. He's all around. It's so he's

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Speaker 2: like he's so close to the like to the thing,

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Speaker 2: you know, and like we're getting like you're bringing the

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Speaker 2: audience closer together in a really positive way by all

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Speaker 2: of us.

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Speaker 1: Being like he like we're pulling for you to get there,

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Speaker 1: and it's it's like it's like, oh, this idea was

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Speaker 1: just one idea away.

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Speaker 2: From what the movie shows. Yeah, And so I.

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Speaker 3: Think and when you say people in the theater whispering,

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Speaker 3: like how how many people?

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Speaker 4: If you're in a theater, hopefully it's fairly full on

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Speaker 4: dread people like like you can hear the whispering.

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Speaker 1: Will you talk about your theater experience because mine was different?

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Speaker 2: Yeah, so it was one hundred people. Oh okay, So

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Speaker 2: basically what happened was in order to bring more people

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Speaker 2: into the theater, they sort of like they took down

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Speaker 2: a wall so that people just like passing through on

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Speaker 2: the concord, like you know in that in the I

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Speaker 2: like wobby of the movie theater would just like be

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Speaker 2: able to enter more easily because they were worried that

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Speaker 2: that was an issue with like getting people in the

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Speaker 2: seats that there were.

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Speaker 3: You guys have been around the block. I mean, you know,

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Speaker 3: it's show business, which.

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Speaker 4: We all know. Keep that, you know, you gotta fill

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Speaker 4: the seats.

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Speaker 3: Like, look, I want to you know, I'd love to

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Speaker 3: make an artful film like stand by Me or Saying

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Speaker 3: Almost Fire or whatever. I'm not thinking of a great list,

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Speaker 3: but you get the idea. We all love to make,

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Speaker 3: you know, art Theoretically, no, those are not end but

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Speaker 3: at a certain point you got to fill seats. So

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Speaker 3: we've done screenings where part of it's the movie, part

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Speaker 3: of it is Traffic Safety School. We've done screenings where

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Speaker 3: the DMV is full, so the part of waiting for

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Speaker 3: the DMV is you go and sit in a theater

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Speaker 3: in the movie happens to be playing. We've done giveaways

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Speaker 3: in outside Dodgers Stadium, in the parking lot, we've.

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Speaker 2: All cars like like car car related.

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Speaker 1: Yeah, because it is it's traffic school, it's DMV, or

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Speaker 1: it's a parking lot, so it is it's a yeah.

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Speaker 3: We had our movie, the Big Short was actually used

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Speaker 3: as one of those prove you're not a robot tests,

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Speaker 3: and people, you know, would say, I am not a robot.

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Speaker 3: You click on it, and then you have to watch

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Speaker 3: the Big.

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Speaker 2: Short, watch the whole movie to prove you're not a robot.

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Speaker 2: Find the stair growls in this grid.

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Speaker 3: Yeah, and there was a fire hydrant in the back

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Speaker 3: of that scene with Christian Bale, and so click on

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Speaker 3: I'm not My hands are empty and up in the air.

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Speaker 3: We're trying to get butts in seats. We're trying to

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Speaker 3: get eyes on content. That's the name of my production company,

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Speaker 3: by the way, eyes on Content on Content. Yeah, and

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Speaker 3: so you know, we're really oriented towards clear, definitional brand content.

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Speaker 4: And I'm I'm here to tell you I think we

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Speaker 4: lost our weight a little bit.

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Speaker 2: Can I say, Can I say something I've noticed?

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Speaker 4: Please you.

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Speaker 1: You've done these films and they, I guess are about.

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Speaker 2: The news, but they feel a little dated. Some of

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Speaker 2: the news that when you do it, by the time

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Speaker 2: you do it and it's actually kind of old.

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Speaker 1: The movie comes out, the news has happened so long ago.

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Speaker 1: And what we were thinking about doing today was, let's

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Speaker 1: talk about Big Short was like a million years ago.

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Speaker 2: By the time it came out. I was like sort

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Speaker 2: of like trying to move on in a way, you

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Speaker 2: know what I mean. I think we're all trying to

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Speaker 2: move forward from that to re live some of that.

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Speaker 2: When I was like it was just m all done

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Speaker 2: with with Veep, I was kind of like, can I live?

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Speaker 2: Can I stop being it's not for another note? Yeah,

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Speaker 2: and don't look up, but you know, like and I

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Speaker 2: got what it was about without telling me what the

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Speaker 2: climate change stuff, but like that was both like about

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Speaker 2: something like a billion years ago going on forever, and

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Speaker 2: it's like and it's also a way in the future,

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Speaker 2: and I'm kind of trying to live, you know, can

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Speaker 2: I do? Mindfulness is something.

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Speaker 1: Something we talk about is like getting in between those,

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Speaker 1: like getting in between those.

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Speaker 3: I mean, it's it's not a bad point. I mean,

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Speaker 3: originally Vice was about Russia annexing Crimea, and because that

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Speaker 3: was in the news, so I was yelling at it.

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Speaker 3: I was yelling at the studio, we got to make this. Now,

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Speaker 3: let's go, you know, my DP, get.

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Speaker 4: The lighting done. And then in the middle.

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Speaker 3: Of it, it's like putin got Crimea.

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Speaker 4: It's over, and we're like kind of curse.

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Speaker 1: Well, the fact the fact that one didn't see your

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Speaker 1: vision is I.

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Speaker 4: Was about to curse. Am I allowed to curse? Please? Yeah?

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Speaker 2: No sound off?

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Speaker 4: So I told the studio.

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Speaker 3: I was like, count, we got to do something here.

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Speaker 3: And I was like, what about Dick Cheney. People didn't

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Speaker 3: talk about him a lot and that administration in the

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Speaker 3: Iraq War. In the studio was like noely and yeah.

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Speaker 2: I also.

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Speaker 3: Yeah, And then I was like, what if it's a

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Speaker 3: fictional vice president and he's a little bit funny, And

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Speaker 3: they were like, just do it because the crimean annexation

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Speaker 3: is over.

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Speaker 4: I'm already watching.

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Speaker 3: The news and now it's about uh, you know, the

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Speaker 3: Democrats and Republicans. They're kind of back and forth in

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Speaker 3: d C and who's got the votes?

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Speaker 4: And I was like, ship we missed.

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Speaker 3: I was like yeah, I was like, fucking robot cunt.

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Speaker 3: The time has passed to us by I'm allowed to curse.

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Speaker 2: You can curse. No, you can say robots? Oh yeah, yeah,

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Speaker 2: okay that always comes up. Did you got that one

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Speaker 2: on Succession? Right? I feel like they said that at

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Speaker 2: the last episode, right, yeah.

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Speaker 3: Well they were making fun of me just because I

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Speaker 3: got Yeah, they said they said goblin shark cunt was

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Speaker 3: the phrase they used.

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Speaker 4: Yeah, And so anyway, so you guys are the headline.

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Speaker 4: You're not wrong.

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Speaker 2: The headline is headline. Yeah, that line headline. So Adam

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Speaker 2: Art School, I'd.

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Speaker 1: Like to evaporate the delta really between the news happening

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Speaker 1: and us watching a movie about it, so that we

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Speaker 1: can't get in between those.

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Speaker 2: And so what I thought.

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Speaker 1: We could do is pull up some headlines you get

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Speaker 1: on the horn, Let's cast these things.

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Speaker 2: Let's make movies that are actually.

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Speaker 1: About what's happening right now and not about something from

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Speaker 1: fucking like.

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Speaker 2: Six years ago.

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Speaker 4: Yeah.

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Speaker 3: Yeah, that nobody who remembers like climate in the future, Like, yeah.

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Speaker 2: I just can't wrap arms around it, like.

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Speaker 4: The years in the future.

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Speaker 6: Yeah, I get it, it's not mine from that before

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Speaker 6: we get too far from it, I'm wondering talking about

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Speaker 6: brand consciousness instead of eyes on content.

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Speaker 2: If we're we could maybe take a look at yeah,

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Speaker 2: because that's revenue. That revenue is so resilient.

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Speaker 4: It's a resilient brand too.

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Speaker 2: If you look at isn't this history been with us?

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Speaker 3: I tell my daughter, through some physical limitations, used to

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Speaker 3: struggle quite a bit at soccer, and I would always

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Speaker 3: tell her when she would be out there and she say, Dad,

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Speaker 3: can I please not do this because of my hip dysplasia,

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Speaker 3: I would say, you're gonna do it like that little

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Speaker 3: alligator on the AA shirt I'm wearing. And because they

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Speaker 3: went through the preppy thing, they went through hip hop,

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Speaker 3: they went that is eight.

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Speaker 4: That is one little resilient brand.

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Speaker 2: And if you're out there on the on the pitch

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Speaker 2: top to bottom, eyezad, not even wearing a soccer uniform,

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Speaker 2: no one's really noticing how you're playing, you know, I don't.

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Speaker 4: I don't understand. You mean the field?

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Speaker 2: Yeah, sorry, yes, oh yeah, no, I'm a bit of

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Speaker 2: I'm sort of a footy. You know. I don't really

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Speaker 2: do American sports. I do.

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Speaker 4: I don't. I don't know what fuoty means. I don't

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Speaker 4: get the.

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Speaker 2: That's the field, that's what we call the field, and

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Speaker 2: we called the ball a soccer ball. It's just kind

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Speaker 2: of a it's it's it's not American movies about that

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Speaker 2: kind of stuff. But yeah, okay, it's it's crazy. But

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Speaker 2: he talks like this all the time.

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Speaker 7: This week on the Patreon, the Boys record another memorable

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Speaker 7: pro version and the Flagrant Ones are mostly talking all

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Speaker 7: things basketball plus see Hollywood Handbook Live in Los Angeles,

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Speaker 7: April seventeenth at the Dynasty Typewriter. Check out all these

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Speaker 7: shows and the video of Sean and Hayes in today's

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Speaker 7: episode at patreon dot com Slash the Flagrant Ones.

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Speaker 2: So I wonder if Kevin we can Kevin, you just

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Speaker 2: want to pull up, like the liveline, something that would

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Speaker 2: actually make a movie people want to fucking see.

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Speaker 4: Sure.

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Speaker 2: Okay, what's this one, Kevin?

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Speaker 7: This one says this lizard species stress seats to cope

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Speaker 7: with noisy US Army aircraft.

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Speaker 2: Okay, and this is my Mindy Weisberger at CNN. Okay,

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Speaker 2: so this is a this is this is a this

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Speaker 2: is a mindy project. This is a Mindy project.

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Speaker 3: Do we know if she's amenable to uh, you know,

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Speaker 3: creating I p and yeah, that'd be great because this

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00:20:19,400 --> 00:20:23,880
Speaker 3: this a lot of ideas are sparking and shooting around.

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Speaker 3: Do I die? I want to respect once again. I

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Speaker 3: don't want to say host guests because you guys weren't

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Speaker 3: crazy about that. But should I talk?

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Speaker 4: First?

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Speaker 2: I want to let you kind of get your get

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Speaker 2: your sillies out at least, you know, and like just shoot,

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00:20:40,800 --> 00:20:42,720
Speaker 2: you know, tire yourself out a little bit, and then

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Speaker 2: like is yes, go go go go.

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Speaker 4: Well, all right real quick.

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Speaker 3: So you guys know, I think we all love it

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Speaker 3: when a beloved commercial becomes a TV show or.

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Speaker 4: It's awesome, Yes, it's awesome.

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Speaker 3: Yeah, it's it's your you're at home, you're watching the commercials,

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00:21:01,840 --> 00:21:04,200
Speaker 3: like guy, Oh you know, God damn, that's funny.

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Speaker 4: That is fucking funny.

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Speaker 2: Two hours long.

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00:21:08,960 --> 00:21:10,480
Speaker 4: Yeah, boom.

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Speaker 3: Guess what the Geico lizard h is has just moved

398
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Speaker 3: because Geico fired him and he wants to get back

399
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Speaker 3: in Geico's good graces. He did something I don't know.

400
00:21:24,040 --> 00:21:28,000
Speaker 3: He you know, he's a lizard, so maybe he eight.

401
00:21:28,280 --> 00:21:29,919
Speaker 4: I don't know. He did something screwed up.

402
00:21:29,960 --> 00:21:33,080
Speaker 3: He thought he was gonna die and crapped himself and

403
00:21:33,280 --> 00:21:35,199
Speaker 3: offended everyone in the workplace like a.

404
00:21:37,040 --> 00:21:38,480
Speaker 2: Yeah.

405
00:21:38,520 --> 00:21:42,280
Speaker 3: And now he's living by an army base and it

406
00:21:42,359 --> 00:21:47,400
Speaker 3: is loud. He's stress eating, he doesn't have a job.

407
00:21:47,800 --> 00:21:51,080
Speaker 3: He's trying to create an apparel line, he's trying to

408
00:21:51,119 --> 00:21:54,800
Speaker 3: become an influencer. He's doing all the things this great

409
00:21:54,920 --> 00:21:59,879
Speaker 3: new economy we have provides for people and it ain't

410
00:22:00,240 --> 00:22:06,240
Speaker 3: going great. So guess who he meets another bug like

411
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Speaker 3: the one he ate, but this bugs got ideas and

412
00:22:11,480 --> 00:22:15,359
Speaker 3: these are damn good ideas. So he's not gonna eat him.

413
00:22:15,800 --> 00:22:16,960
Speaker 3: They're gonna work together.

414
00:22:17,520 --> 00:22:22,400
Speaker 2: Okay. So what I what I love.

415
00:22:22,320 --> 00:22:26,280
Speaker 1: About it is that the headline is part of it

416
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Speaker 1: because that to me was so strong when I read it.

417
00:22:30,160 --> 00:22:32,520
Speaker 2: Every almost every part of it, the eating.

418
00:22:32,800 --> 00:22:36,919
Speaker 1: Eating, the army, the army base, the noise, the lizard

419
00:22:36,960 --> 00:22:41,119
Speaker 1: aircraft specific about the lizard, yes, and what the bugs

420
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Speaker 1: name is?

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Speaker 4: What Tommy Torso, Tommy Torso?

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Speaker 2: So that works in your mind? So for you, Torso's Okay,

423
00:22:50,040 --> 00:22:54,560
Speaker 2: Torso is what do you mean? Just like I just

424
00:22:54,560 --> 00:22:57,080
Speaker 2: trying to figure it out? So okay, go ahead, Tommy

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Speaker 2: La Torso like Tommy, Yeah, Tommy a sort of sort of.

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00:23:05,280 --> 00:23:05,520
Speaker 4: Yeah.

427
00:23:05,640 --> 00:23:10,040
Speaker 2: That that's where I think we're like where we're going astray?

428
00:23:10,160 --> 00:23:14,679
Speaker 2: Here is I think what where we always start? And

429
00:23:14,840 --> 00:23:18,240
Speaker 2: for you that this is really exciting is casting casting.

430
00:23:19,040 --> 00:23:22,760
Speaker 2: So when I see this lizard, I went to the

431
00:23:22,800 --> 00:23:26,240
Speaker 2: same place you did, Gico, Lizard, lizard, but lizard, but

432
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Speaker 2: the good reverend is is preaching again.

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Speaker 1: But the but the the thing is when they do

434
00:23:33,440 --> 00:23:35,840
Speaker 1: make Caveman into a TV show, they don't keep that

435
00:23:36,520 --> 00:23:38,840
Speaker 1: cave Man and nobody know they.

436
00:23:38,720 --> 00:23:42,560
Speaker 2: Let him audition, but it's okay, thanks, thanks again, they

437
00:23:42,640 --> 00:23:43,159
Speaker 2: get croll.

438
00:23:43,280 --> 00:23:46,840
Speaker 1: So so the Geico Lizard, I'm going should it be

439
00:23:46,840 --> 00:23:48,440
Speaker 1: because it's not going to be the same guy.

440
00:23:49,119 --> 00:23:50,560
Speaker 2: It's not gonna be the same guy. I can't put

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00:23:50,560 --> 00:23:53,639
Speaker 2: that all. Do you want to say? Who? Do you

442
00:23:53,680 --> 00:23:55,240
Speaker 2: have someone in your head? I wonder if the same

443
00:23:55,240 --> 00:23:56,639
Speaker 2: person popped into our head about it.

444
00:23:56,720 --> 00:23:58,400
Speaker 4: Let's say it does same time.

445
00:23:59,160 --> 00:24:00,560
Speaker 2: Do you want to try two? Three?

446
00:24:01,000 --> 00:24:01,959
Speaker 4: Yeah, yeah, let's do it.

447
00:24:02,000 --> 00:24:04,520
Speaker 2: Okay, one two three three?

448
00:24:05,000 --> 00:24:09,159
Speaker 4: Adam saydlor wait what okay? So do you say Tim Duncan.

449
00:24:09,240 --> 00:24:13,879
Speaker 2: I said, Tim Duncan. Yes. I I don't know if

450
00:24:13,880 --> 00:24:15,920
Speaker 2: you don't think you can cast him. I've seen your

451
00:24:15,920 --> 00:24:18,560
Speaker 2: other movies. You seem to be able to cast Yes,

452
00:24:18,720 --> 00:24:21,560
Speaker 2: pretty much anybody. If that's an issue, I could speak

453
00:24:21,600 --> 00:24:23,400
Speaker 2: I'm already talking to Mindy, but I can. I can

454
00:24:23,400 --> 00:24:24,200
Speaker 2: speak to him as well.

455
00:24:24,320 --> 00:24:27,920
Speaker 3: That's pretty much the greatest power forward in the history

456
00:24:27,960 --> 00:24:30,159
Speaker 3: of the NBA. Like I know, I don't think. I

457
00:24:30,160 --> 00:24:32,520
Speaker 3: don't think he's gettable. I just don't.

458
00:24:32,680 --> 00:24:34,840
Speaker 2: I mean, it's not playing Duncan.

459
00:24:35,880 --> 00:24:41,160
Speaker 3: Uh yeah, but he's still busy being Tim Duncan every week.

460
00:24:42,119 --> 00:24:44,840
Speaker 1: Adam, if I can if I can just really quickly, please,

461
00:24:45,600 --> 00:24:49,600
Speaker 1: you're talking about how what you've been doing is not working.

462
00:24:50,119 --> 00:24:53,800
Speaker 1: It's not so let's do something different. These actors are fake.

463
00:24:54,600 --> 00:24:56,520
Speaker 2: Tim Duncan really played basketball?

464
00:24:57,480 --> 00:25:02,520
Speaker 4: All right? What I'm texting my agent, right, he's in.

465
00:25:03,119 --> 00:25:04,520
Speaker 2: He's in. Duncan is in.

466
00:25:05,000 --> 00:25:05,440
Speaker 1: He's in.

467
00:25:06,280 --> 00:25:07,480
Speaker 4: You guys were right.

468
00:25:07,760 --> 00:25:12,400
Speaker 3: He's sitting around doing nothing and he would love it.

469
00:25:12,520 --> 00:25:16,040
Speaker 3: My agent just says, are you sure about that? I

470
00:25:16,119 --> 00:25:21,639
Speaker 3: could perhaps get Antonio mcdce, which, okay, should we should.

471
00:25:21,400 --> 00:25:23,480
Speaker 4: We take a beat here because.

472
00:25:24,040 --> 00:25:26,480
Speaker 2: I wonder if they're worried about it From a budget issue.

473
00:25:26,240 --> 00:25:30,040
Speaker 1: I love having Dunkin down to go, Hey, we got mcdyson.

474
00:25:30,119 --> 00:25:32,040
Speaker 1: He's gonna do it for basically penuts.

475
00:25:32,080 --> 00:25:35,080
Speaker 2: And also Duncan I think probably has like four inches

476
00:25:35,119 --> 00:25:37,640
Speaker 2: on mc dice I'm guessing, which is if we're having

477
00:25:37,720 --> 00:25:41,119
Speaker 2: Duncan play a lizard, then the entire rest of the

478
00:25:41,160 --> 00:25:44,399
Speaker 2: set is going to have to be a huge build

479
00:25:44,400 --> 00:25:48,800
Speaker 2: an army base that is actually like god like fifty

480
00:25:49,640 --> 00:25:53,480
Speaker 2: to one scale, right, yeah, compared to the size of it.

481
00:25:53,520 --> 00:25:55,320
Speaker 1: I mean, just think about the plane that has to

482
00:25:55,359 --> 00:25:57,640
Speaker 1: fly over his house, let alone the house he has

483
00:25:57,680 --> 00:25:58,080
Speaker 1: to live in.

484
00:25:58,119 --> 00:25:58,800
Speaker 2: To look smaller.

485
00:25:58,920 --> 00:26:03,960
Speaker 3: So you're thinking undersized power forward. I mean because Grant

486
00:26:04,040 --> 00:26:08,679
Speaker 3: Williams for the Celtics, you know, they're finishing out the playoffs,

487
00:26:08,680 --> 00:26:12,040
Speaker 3: but he's a six what seven power forward?

488
00:26:12,280 --> 00:26:13,600
Speaker 4: I don't know. I got lost.

489
00:26:13,720 --> 00:26:18,399
Speaker 2: I got lost, yeah, back, I don't know. I'm worried

490
00:26:18,440 --> 00:26:21,399
Speaker 2: that his shooting has fallen off a little bit, you know,

491
00:26:21,760 --> 00:26:23,879
Speaker 2: And how what's it going to be like we had

492
00:26:23,960 --> 00:26:25,560
Speaker 2: a moment, yeah, you know exactly.

493
00:26:25,640 --> 00:26:30,399
Speaker 3: Yeah, the chemistry guy. I mean, it's kind of him

494
00:26:30,400 --> 00:26:32,560
Speaker 3: and Marcus Smart sort of.

495
00:26:32,760 --> 00:26:34,960
Speaker 4: I don't know. I don't know. I don't know. I mean,

496
00:26:35,000 --> 00:26:35,879
Speaker 4: we've got Duncan.

497
00:26:36,280 --> 00:26:40,320
Speaker 2: That's it we have done in Yeah, And I here's

498
00:26:40,359 --> 00:26:42,240
Speaker 2: what I wonder. I wonder if we put out the

499
00:26:42,280 --> 00:26:46,399
Speaker 2: feelers publicly, go to deadline and say like, we're considering

500
00:26:46,520 --> 00:26:51,480
Speaker 2: mcdce and Grant Williams for this role, so Duncan really

501
00:26:51,520 --> 00:26:55,240
Speaker 2: steps and potentially even starts stress eating.

502
00:26:55,800 --> 00:26:58,080
Speaker 4: All Right, I just heard mcdce.

503
00:26:58,280 --> 00:27:04,119
Speaker 3: My agent is adamant will not use a person of

504
00:27:04,200 --> 00:27:09,720
Speaker 3: Antonio mcdce's caliber as a stalking horse. He won't play

505
00:27:09,720 --> 00:27:12,440
Speaker 3: that game. And he respects mcdce too much.

506
00:27:12,560 --> 00:27:14,560
Speaker 4: I guess. Let me scroll down.

507
00:27:14,920 --> 00:27:19,080
Speaker 3: I guess mcdce just did Long Day's Journey in tonight

508
00:27:19,640 --> 00:27:22,760
Speaker 3: at the Hard for Dinner Theater and just people were floored.

509
00:27:23,400 --> 00:27:24,600
Speaker 2: So to.

510
00:27:27,080 --> 00:27:31,480
Speaker 1: Chris Birdman Anderson, I mean, is anybody like would would

511
00:27:31,480 --> 00:27:33,640
Speaker 1: your age to be comfortable with exploring?

512
00:27:34,080 --> 00:27:35,800
Speaker 4: Let me try quick?

513
00:27:35,880 --> 00:27:40,560
Speaker 2: No, no, that was quick, that was fine, nervous.

514
00:27:40,320 --> 00:27:46,320
Speaker 3: Quick No, he he just floated. He says, God sham

515
00:27:46,400 --> 00:27:49,400
Speaker 3: God for the bug. I don't know who that is.

516
00:27:49,560 --> 00:27:52,160
Speaker 3: I like basketball, but I've never heard of God Sham God.

517
00:27:52,200 --> 00:27:55,840
Speaker 3: But he said God sham God for the bug question mark,

518
00:27:55,880 --> 00:27:58,200
Speaker 3: and that he did an emoji. I think he hit

519
00:27:58,240 --> 00:28:03,600
Speaker 3: the wrong emoji button. It's throwing up like looks like

520
00:28:04,000 --> 00:28:05,520
Speaker 3: throwing up money or something.

521
00:28:05,840 --> 00:28:06,320
Speaker 4: I don't know what.

522
00:28:06,480 --> 00:28:10,360
Speaker 2: Yeah, that's what that means. Yeah, that's green. Yeah, that's

523
00:28:10,359 --> 00:28:14,680
Speaker 2: actually it's eating like it's sucking up money from from

524
00:28:14,760 --> 00:28:15,600
Speaker 2: the ground. It's not going.

525
00:28:15,760 --> 00:28:18,479
Speaker 3: But anyway, I don't know who God sham Gott is.

526
00:28:20,119 --> 00:28:22,960
Speaker 3: So but we have Duncan and.

527
00:28:22,800 --> 00:28:26,400
Speaker 2: We have the but yes, and we and we potential.

528
00:28:26,119 --> 00:28:31,520
Speaker 3: Tommy Tommy Latoriso, the Italian Beagle knows a lovable Italian,

529
00:28:31,960 --> 00:28:35,600
Speaker 3: older Italian man who is good at knowing when to

530
00:28:35,640 --> 00:28:38,720
Speaker 3: put in a pinch runner or switch out a player

531
00:28:38,840 --> 00:28:40,160
Speaker 3: for fielding purposes.

532
00:28:40,840 --> 00:28:42,800
Speaker 2: And we have the Army. Of course, we'll be willing

533
00:28:42,880 --> 00:28:47,920
Speaker 2: to like finance almost the entire project. I guess just.

534
00:28:48,000 --> 00:28:50,360
Speaker 1: Well, I think we just it's like really small. It's

535
00:28:50,400 --> 00:28:53,280
Speaker 1: just a couple mentions, like when the planes are going

536
00:28:53,280 --> 00:28:54,640
Speaker 1: by there, waking up in the middle of the night,

537
00:28:54,680 --> 00:28:56,880
Speaker 1: they'll be like, upset that he's not getting enough sleep.

538
00:28:56,880 --> 00:28:58,400
Speaker 2: He'll be upset that he has to stress heat.

539
00:28:58,400 --> 00:29:01,480
Speaker 1: But he'll also be saying, but it's worth it because

540
00:29:01,480 --> 00:29:02,360
Speaker 1: they're keeping our countries.

541
00:29:02,400 --> 00:29:04,680
Speaker 2: They're keeping our country safe. Yeah. They they're going to

542
00:29:04,840 --> 00:29:06,840
Speaker 2: rescue that. They're going to fly the planes into the

543
00:29:06,880 --> 00:29:09,880
Speaker 2: Taie Cave. And we we should say for the purposes

544
00:29:09,920 --> 00:29:11,760
Speaker 2: of the movie that that that's how they got the

545
00:29:11,880 --> 00:29:16,640
Speaker 2: kids out of that cave. They flew the Army flew

546
00:29:16,880 --> 00:29:19,000
Speaker 2: like jets, the jets in there. Yeah, and they were

547
00:29:19,000 --> 00:29:21,120
Speaker 2: able to do an extra action mission.

548
00:29:21,680 --> 00:29:25,320
Speaker 3: What about that Geico voice by Tim Duncans says when

549
00:29:25,360 --> 00:29:28,479
Speaker 3: the planes and tanks go by, can you believe we

550
00:29:28,560 --> 00:29:33,240
Speaker 3: only give those those proud men eight hundred billion dollars

551
00:29:33,280 --> 00:29:35,000
Speaker 3: a year for the pentgten budget.

552
00:29:35,160 --> 00:29:35,920
Speaker 4: That's criminal?

553
00:29:36,040 --> 00:29:40,040
Speaker 2: Yeah, and one holiday, Yeah, you believe there's only one

554
00:29:40,160 --> 00:29:40,920
Speaker 2: veterans day.

555
00:29:41,040 --> 00:29:44,160
Speaker 1: He goes, that's the real insurance policy. What I'm handing

556
00:29:44,160 --> 00:29:46,959
Speaker 1: out is funny money, because the real insurance is nobody's

557
00:29:47,000 --> 00:29:48,120
Speaker 1: gonna fuck with us.

558
00:29:48,280 --> 00:29:50,640
Speaker 4: As long as that's kind of cool, that's kind of cool.

559
00:29:50,920 --> 00:29:53,760
Speaker 1: So that that that's interesting to me. I have a

560
00:29:53,760 --> 00:29:56,200
Speaker 1: feeling that we're struggling a little bit with this one.

561
00:29:56,800 --> 00:30:00,479
Speaker 1: There's been some like cool ideas, but I think casting

562
00:30:00,520 --> 00:30:02,600
Speaker 1: a bug, casting a lizard has put us in a hole.

563
00:30:02,600 --> 00:30:04,080
Speaker 1: And I wonder if we should look at a news

564
00:30:04,080 --> 00:30:07,120
Speaker 1: story instead that involves people. Are you're so good at

565
00:30:07,120 --> 00:30:10,200
Speaker 1: working with real people, with with the deep guy and

566
00:30:10,360 --> 00:30:13,040
Speaker 1: with that guys.

567
00:30:14,680 --> 00:30:17,480
Speaker 3: I just told my wife the other day, I've had

568
00:30:17,640 --> 00:30:22,200
Speaker 3: enough of real people. I'm all about clamation and animation.

569
00:30:22,320 --> 00:30:24,760
Speaker 3: But honestly, what she said, you know what she said

570
00:30:24,800 --> 00:30:28,000
Speaker 3: to me, have you looked at your star meter lately?

571
00:30:28,080 --> 00:30:32,000
Speaker 3: Because I don't think you have a choice? And I

572
00:30:32,000 --> 00:30:35,160
Speaker 3: I couldn't disagree, And I went back to talking to

573
00:30:35,200 --> 00:30:38,520
Speaker 3: her about my memories and the biz. But that thought

574
00:30:38,640 --> 00:30:41,320
Speaker 3: stayed with me for the rest of our dinner.

575
00:30:41,520 --> 00:30:43,520
Speaker 2: I'm liking your wife in this story.

576
00:30:43,640 --> 00:30:45,320
Speaker 1: Yeah, I think she and I have a lot of

577
00:30:45,360 --> 00:30:49,040
Speaker 1: comments because I agree that the star meter is making

578
00:30:49,080 --> 00:30:50,040
Speaker 1: me sick.

579
00:30:50,920 --> 00:30:55,520
Speaker 2: Oh yeah, we Kevin, do we have any lizard?

580
00:30:56,800 --> 00:30:59,920
Speaker 7: This one says watch Weekend Update co host get prank

581
00:31:00,080 --> 00:31:00,760
Speaker 7: on sn.

582
00:31:00,720 --> 00:31:08,640
Speaker 1: L and this is this is let's a new story.

583
00:31:08,680 --> 00:31:12,320
Speaker 4: This what what outlet? Was that the economist?

584
00:31:13,160 --> 00:31:17,360
Speaker 2: That was see the economist the economists?

585
00:31:18,400 --> 00:31:22,520
Speaker 4: It was yah, yeah, he's you know, like, let's yeah, okay,

586
00:31:22,640 --> 00:31:23,360
Speaker 4: that's funny.

587
00:31:23,400 --> 00:31:25,560
Speaker 3: I don't know what to do with that, because I

588
00:31:25,640 --> 00:31:27,320
Speaker 3: just love when people get pranked.

589
00:31:27,360 --> 00:31:29,680
Speaker 4: I obviously worked at Sarah.

590
00:31:30,200 --> 00:31:32,160
Speaker 2: And they were doing a lot of pranks during.

591
00:31:31,920 --> 00:31:36,680
Speaker 3: The Oh my god, we everyone you had to watch

592
00:31:36,680 --> 00:31:39,040
Speaker 3: your back. Let me just say that, because there was

593
00:31:39,120 --> 00:31:43,720
Speaker 3: always the funniest person from their high school class pulling

594
00:31:43,800 --> 00:31:46,640
Speaker 3: up prank on you, like Lord one day. This is

595
00:31:46,640 --> 00:31:47,760
Speaker 3: a really funny story.

596
00:31:47,800 --> 00:31:53,440
Speaker 4: It's a little long. I hope we're doing it on time? Sorry?

597
00:31:53,920 --> 00:31:57,320
Speaker 2: How we doing on time? Up for a Louren story?

598
00:31:57,360 --> 00:31:58,760
Speaker 2: I got all the good night man.

599
00:31:59,400 --> 00:32:06,560
Speaker 4: All right, it's long, it's long. Sorry, Sorry, this story is.

600
00:32:06,560 --> 00:32:07,200
Speaker 1: A little long.

601
00:32:07,280 --> 00:32:10,080
Speaker 4: This Lorne Michael's story. But we were good on time. It's

602
00:32:10,240 --> 00:32:13,800
Speaker 4: I've told it before night timed it. It's forty seventy minutes.

603
00:32:15,160 --> 00:32:18,120
Speaker 1: Okay, is there anything that can be trimmed or you

604
00:32:18,160 --> 00:32:18,920
Speaker 1: need all of it?

605
00:32:21,000 --> 00:32:23,479
Speaker 4: I hate you know what, Let's let's just not tell it.

606
00:32:23,560 --> 00:32:25,760
Speaker 4: Let's not tell it. Let's not okay, we can.

607
00:32:25,720 --> 00:32:28,920
Speaker 2: Put it on Lauren story, but you can, like we can.

608
00:32:29,600 --> 00:32:33,240
Speaker 3: Yeah, the punchline is, I mean, it's a long story

609
00:32:33,280 --> 00:32:35,200
Speaker 3: and it's not going to be as good. But hey,

610
00:32:35,600 --> 00:32:39,480
Speaker 3: hey everyone, let's start putting the pranks on the page.

611
00:32:40,480 --> 00:32:42,480
Speaker 4: Anyway. That was okay?

612
00:32:42,560 --> 00:32:47,360
Speaker 1: Yes, thinking IgE, Yeah, so saying that it's Jo just

613
00:32:48,360 --> 00:32:51,040
Speaker 1: it's Jay, right, Yeah?

614
00:32:51,720 --> 00:32:55,600
Speaker 2: Do we want to I'm thinking of casting, Like, do

615
00:32:55,640 --> 00:32:57,560
Speaker 2: we want to like start there this time?

616
00:32:58,400 --> 00:32:58,680
Speaker 4: Sure?

617
00:32:58,960 --> 00:33:00,360
Speaker 2: Sure, okay, I'll like you.

618
00:33:00,240 --> 00:33:02,880
Speaker 3: Guys start with the casting because I kind of got

619
00:33:02,960 --> 00:33:04,960
Speaker 3: us in trouble on the last one.

620
00:33:04,840 --> 00:33:08,600
Speaker 2: Missed a little bit. Okay, uh you ready? Do you

621
00:33:08,640 --> 00:33:14,200
Speaker 2: have something going for Joe? Yes? M hmm okay, one, two, three,

622
00:33:14,560 --> 00:33:18,680
Speaker 2: Doug m hoffs Run Pearlman, Oh you said, Seth Myers. Yeah,

623
00:33:19,680 --> 00:33:22,880
Speaker 2: so hannicking. I mean, I don't know what said if

624
00:33:22,920 --> 00:33:25,280
Speaker 2: you think you can get him, Adam, do you have

625
00:33:25,320 --> 00:33:26,840
Speaker 2: any relationship with Doug?

626
00:33:28,320 --> 00:33:31,160
Speaker 4: I said, run Pearlman. What did you say? You said,

627
00:33:31,200 --> 00:33:32,720
Speaker 4: Seth Myers and then.

628
00:33:32,560 --> 00:33:35,800
Speaker 2: What was the third John, I said, Doug m Hoff.

629
00:33:36,760 --> 00:33:38,120
Speaker 4: Who's Doug m Hoff?

630
00:33:39,080 --> 00:33:42,960
Speaker 2: Okay, so again this is like what the current like,

631
00:33:43,120 --> 00:33:45,640
Speaker 2: really trying to keep track of current events here, you

632
00:33:45,680 --> 00:33:49,560
Speaker 2: know what I mean? Doug m Hoff is one of

633
00:33:49,560 --> 00:33:51,760
Speaker 2: the most powerful men in the world. He is the

634
00:33:51,840 --> 00:33:54,080
Speaker 2: second Gentleman of the United States.

635
00:33:54,800 --> 00:33:56,680
Speaker 4: Oh oh oh yeah.

636
00:33:56,440 --> 00:33:58,600
Speaker 2: And sort of a trailblazer in that way. We'd like

637
00:33:58,640 --> 00:34:02,960
Speaker 2: to kind of keep track of like historic event, you know,

638
00:34:03,080 --> 00:34:06,280
Speaker 2: like I'm smart when people are smart doing something no

639
00:34:06,280 --> 00:34:12,840
Speaker 2: one's ever done before, different when they're around like as creatives,

640
00:34:12,840 --> 00:34:17,440
Speaker 2: we like to sell some crucivity and just yeah.

641
00:34:16,480 --> 00:34:18,960
Speaker 3: Boy, I like the Doug m Hoff And you know

642
00:34:19,000 --> 00:34:23,040
Speaker 3: what the real telltale sign was. I didn't know him

643
00:34:23,080 --> 00:34:26,200
Speaker 3: by name, and I'm ashamed.

644
00:34:25,719 --> 00:34:27,279
Speaker 2: But that's how you know he's doing his job.

645
00:34:27,880 --> 00:34:31,560
Speaker 3: Yeah, but you know, like I I think there's an

646
00:34:31,719 --> 00:34:35,840
Speaker 3: educational component to the idea of casting him because like,

647
00:34:36,040 --> 00:34:40,080
Speaker 3: guess what, folks, the gender roles that you thought were

648
00:34:40,120 --> 00:34:43,319
Speaker 3: always normal and I'm guilty of that. What happens when

649
00:34:43,360 --> 00:34:48,040
Speaker 3: they're flipped and what happens when m Hoff is playing

650
00:34:48,120 --> 00:34:49,920
Speaker 3: calling yost.

651
00:34:50,560 --> 00:34:53,759
Speaker 2: So maybe we can have Doug m Hoff come on

652
00:34:53,840 --> 00:34:57,359
Speaker 2: screen and we can pull a page from the big

653
00:34:57,400 --> 00:35:01,239
Speaker 2: short and we can cut away. Uggamhof first appears on

654
00:35:01,280 --> 00:35:07,040
Speaker 2: screen as as Colin Yolks, and then we cut to

655
00:35:07,640 --> 00:35:11,640
Speaker 2: Nelly for Toto. She's just finished a performance. So now

656
00:35:11,680 --> 00:35:14,919
Speaker 2: the kids are like super hot right now, Holy shit,

657
00:35:15,080 --> 00:35:18,800
Speaker 2: it's Nellie Fortado's in this movie. Now now I'm watching

658
00:35:19,719 --> 00:35:23,440
Speaker 2: and she's like, hey, wondering who that was. That's the

659
00:35:23,440 --> 00:35:26,840
Speaker 2: second Gentleman of the United States, Doug m. Hoff. He

660
00:35:27,000 --> 00:35:31,080
Speaker 2: was willing to give up his schedule, his time to

661
00:35:31,200 --> 00:35:33,640
Speaker 2: appear in this movie, come film this movie and.

662
00:35:33,600 --> 00:35:39,560
Speaker 4: To play Colin Colin Yoles. Yeah, yeah, to play Colin Yoles. Yeah.

663
00:35:40,200 --> 00:35:41,000
Speaker 4: I think that's good.

664
00:35:41,120 --> 00:35:44,439
Speaker 1: I mean that really tells people like, sit your ass

665
00:35:44,480 --> 00:35:48,239
Speaker 1: in that seat because because someone made a sacrifice for you,

666
00:35:49,040 --> 00:35:52,040
Speaker 1: and so I think that that's a way to like

667
00:35:52,200 --> 00:35:53,719
Speaker 1: bring them in and.

668
00:35:53,600 --> 00:35:55,480
Speaker 2: Have people feel special at the movies.

669
00:35:55,520 --> 00:35:58,840
Speaker 4: Again, I love it. I miss those days. That's the

670
00:35:58,880 --> 00:35:59,399
Speaker 4: whole thing.

671
00:35:59,600 --> 00:36:03,080
Speaker 3: Yeah, not to sound like an older guy, but I

672
00:36:03,239 --> 00:36:07,160
Speaker 3: remember when you would put on a suit and tie

673
00:36:07,560 --> 00:36:09,840
Speaker 3: and you would have one of the horse carriages that

674
00:36:09,880 --> 00:36:12,399
Speaker 3: give the tours around Central.

675
00:36:12,080 --> 00:36:15,359
Speaker 2: Park hansome Que to the movie theater.

676
00:36:15,600 --> 00:36:20,400
Speaker 3: And it really meant something. And yes, the usher would

677
00:36:20,400 --> 00:36:23,640
Speaker 3: turn away certain people that he and it was always

678
00:36:23,680 --> 00:36:26,760
Speaker 3: a he. I'm not saying that's right, but the usher

679
00:36:26,760 --> 00:36:29,480
Speaker 3: would turn away certain people he didn't like the looks.

680
00:36:29,280 --> 00:36:34,520
Speaker 4: Up and uh and this is chunky ip. I mean

681
00:36:35,000 --> 00:36:38,440
Speaker 4: area Colin, Colin you holme.

682
00:36:38,680 --> 00:36:43,400
Speaker 3: Like shaye, like this is good stuff and the IP

683
00:36:43,880 --> 00:36:49,760
Speaker 3: is like meat Lasagno, it's bowling a's ip. So I

684
00:36:49,760 --> 00:36:52,880
Speaker 3: I mean, I know this is an exercise for your show.

685
00:36:53,760 --> 00:36:55,520
Speaker 2: No, it's all content.

686
00:36:55,600 --> 00:36:59,640
Speaker 1: I mean, it's always it's it's always available, like to

687
00:36:59,800 --> 00:37:03,360
Speaker 1: transition immediately from the show into some sort of firm.

688
00:37:03,520 --> 00:37:06,920
Speaker 2: That's happened fancial that's happens happened with us. Yeah, And

689
00:37:06,960 --> 00:37:09,279
Speaker 2: I wonder if as we're merinating on this, we can

690
00:37:09,360 --> 00:37:12,479
Speaker 2: kind of get ahead of a cultural trend that we

691
00:37:12,480 --> 00:37:14,880
Speaker 2: we've sort of talked about that we're anticipating that like

692
00:37:15,760 --> 00:37:19,560
Speaker 2: pretty soon it will be understanding understood that Colin Toast

693
00:37:19,640 --> 00:37:21,920
Speaker 2: is one of the most oppressed people on Earth. It

694
00:37:22,040 --> 00:37:25,800
Speaker 2: is essentially open season on this guy. You're they're allowed

695
00:37:25,800 --> 00:37:29,480
Speaker 2: to just basically say whatever they want about him and

696
00:37:29,640 --> 00:37:32,160
Speaker 2: like say all these horrible and he's not allowed to

697
00:37:32,200 --> 00:37:32,840
Speaker 2: say anything.

698
00:37:32,960 --> 00:37:35,920
Speaker 1: Part of some privileged group, right, and so like literally

699
00:37:35,960 --> 00:37:38,759
Speaker 1: anyone from anywhere can just take a free shot at

700
00:37:38,760 --> 00:37:39,239
Speaker 1: this guy.

701
00:37:40,000 --> 00:37:42,080
Speaker 2: And and so you know in the future if we

702
00:37:42,160 --> 00:37:44,319
Speaker 2: shoot this with an eye on it being kind of

703
00:37:44,360 --> 00:37:47,120
Speaker 2: like I don't want to say like Selma necessarily, but

704
00:37:47,239 --> 00:37:53,080
Speaker 2: like that project, don't say that. No, we would never.

705
00:37:53,200 --> 00:37:55,240
Speaker 2: I don't want to know, and we didn't.

706
00:37:55,600 --> 00:37:58,040
Speaker 4: But you you kind of did it. It seemed like

707
00:37:58,080 --> 00:37:58,560
Speaker 4: you wanted to.

708
00:37:58,680 --> 00:38:01,200
Speaker 2: I just said I didn't want to. I'd rather not,

709
00:38:01,360 --> 00:38:01,879
Speaker 2: But there's not.

710
00:38:01,840 --> 00:38:05,719
Speaker 3: Another way do I would do like cry freedom Like

711
00:38:05,760 --> 00:38:09,839
Speaker 3: I'm more in that zone where there's a white journalist

712
00:38:10,400 --> 00:38:14,480
Speaker 3: sort of guiding you through the story of Stephen Beko, like,

713
00:38:14,600 --> 00:38:15,800
Speaker 3: so there's a buffer.

714
00:38:16,440 --> 00:38:19,160
Speaker 4: So but yes, this could have a cry.

715
00:38:19,400 --> 00:38:23,000
Speaker 2: I guess that would be Jesse David Fox from from Vulture.

716
00:38:23,160 --> 00:38:25,680
Speaker 1: Steady hand at the tail, sort of showing you what

717
00:38:25,760 --> 00:38:29,600
Speaker 1: the journey has been. If we can get Jim to me,

718
00:38:29,840 --> 00:38:32,560
Speaker 1: he could also explain some of the jokes that are

719
00:38:32,600 --> 00:38:37,360
Speaker 1: taking place, but we get update prior to the prague.

720
00:38:38,000 --> 00:38:41,000
Speaker 3: I won't watch a movie unless I know which of

721
00:38:41,040 --> 00:38:43,640
Speaker 3: the characters is me, is the audience.

722
00:38:44,000 --> 00:38:45,120
Speaker 4: I just won't do it.

723
00:38:45,960 --> 00:38:48,480
Speaker 3: My wife knows it, like first four minutes, like, well,

724
00:38:48,480 --> 00:38:51,319
Speaker 3: who am I? Who's the audience? And she's like what

725
00:38:51,719 --> 00:38:53,359
Speaker 3: She'll say something like you know, what do you what

726
00:38:53,360 --> 00:38:55,640
Speaker 3: do you mean? It's like, let's just watch it, and

727
00:38:55,640 --> 00:38:58,920
Speaker 3: I'll be like, Nope, I'm out. I get too unmoored.

728
00:38:59,040 --> 00:39:01,760
Speaker 3: I get like a verse to go that I'm worried

729
00:39:01,880 --> 00:39:05,719
Speaker 3: is going to become a brain aneurysm, which that's not rational,

730
00:39:05,840 --> 00:39:07,480
Speaker 3: but it's.

731
00:39:07,320 --> 00:39:07,919
Speaker 2: Not a good feeling.

732
00:39:07,960 --> 00:39:10,680
Speaker 1: It's like a dissociative thing where it's just like what

733
00:39:10,760 --> 00:39:13,759
Speaker 1: am I Just like looking at someone else's perspective on.

734
00:39:13,960 --> 00:39:17,080
Speaker 2: My people in the room talking and watching them, It's like, okay,

735
00:39:17,080 --> 00:39:20,479
Speaker 2: who am I? Who's the other person that's just sitting here? Okay,

736
00:39:20,640 --> 00:39:23,359
Speaker 2: now we're looking now a different person is looking at this,

737
00:39:23,560 --> 00:39:26,360
Speaker 2: like where's where'd that person come from? Where the original

738
00:39:26,400 --> 00:39:28,000
Speaker 2: person is? Their story? Yeah?

739
00:39:28,040 --> 00:39:30,840
Speaker 1: Like what, like what am I doing in it? It

740
00:39:30,880 --> 00:39:31,560
Speaker 1: doesn't make sense.

741
00:39:31,560 --> 00:39:33,719
Speaker 2: Now we're suddenly in a completely different place? How do

742
00:39:33,800 --> 00:39:34,399
Speaker 2: we get here?

743
00:39:35,160 --> 00:39:38,560
Speaker 3: Did you guys see Everything Everywhere All at Once? Which,

744
00:39:38,600 --> 00:39:42,120
Speaker 3: by the way, award winning film, love it. Yeah, but

745
00:39:42,200 --> 00:39:46,520
Speaker 3: my critique was the title everything Everywhere, All at Once?

746
00:39:47,040 --> 00:39:50,800
Speaker 3: And so my wife made me go and like watch that,

747
00:39:51,360 --> 00:39:53,279
Speaker 3: and right away I said what I always said, Oh

748
00:39:53,280 --> 00:39:54,080
Speaker 3: who's the audience?

749
00:39:54,239 --> 00:39:55,160
Speaker 4: Who am I?

750
00:39:55,200 --> 00:39:59,360
Speaker 3: And yeah, and next thing I knew, I was walking

751
00:39:59,640 --> 00:40:02,759
Speaker 3: by the side of the four oh five in a

752
00:40:02,840 --> 00:40:08,560
Speaker 3: hospital gown with no underwear with my you know, and.

753
00:40:09,600 --> 00:40:10,680
Speaker 4: That that happened.

754
00:40:11,000 --> 00:40:12,760
Speaker 2: That no, I I you know I.

755
00:40:12,760 --> 00:40:15,160
Speaker 1: I had a very similar experience where I walked in

756
00:40:15,680 --> 00:40:21,040
Speaker 1: they the first frame happened, and I went, well, not everything,

757
00:40:22,680 --> 00:40:25,840
Speaker 1: not everything everywhere all at once, because I don't.

758
00:40:25,640 --> 00:40:29,680
Speaker 2: See me right. So if it was everything everywhere all

759
00:40:29,920 --> 00:40:32,279
Speaker 2: we talk about inclusivity, it's so funny that sometimes we

760
00:40:32,320 --> 00:40:35,600
Speaker 2: forget to put me. Yeah, we didn't any of these.

761
00:40:35,760 --> 00:40:39,200
Speaker 2: It wasn't quite everything, was it? Daniel? And Daniel?

762
00:40:39,680 --> 00:40:42,640
Speaker 1: So I that was a vowl criticism And I managed

763
00:40:42,680 --> 00:40:45,200
Speaker 1: to avoid your fate because I did immediately leave.

764
00:40:45,320 --> 00:40:46,360
Speaker 4: And I did spart.

765
00:40:47,400 --> 00:40:50,920
Speaker 3: Yeah, I mean, show one shot of someone like me

766
00:40:51,920 --> 00:40:56,759
Speaker 3: brushing down their beautiful horse at their Malibu ranch, and

767
00:40:56,840 --> 00:40:57,680
Speaker 3: guess what I do.

768
00:40:58,120 --> 00:40:59,000
Speaker 4: I keep watching.

769
00:41:00,239 --> 00:41:01,880
Speaker 2: I don't want a fan for life, you know what.

770
00:41:02,239 --> 00:41:05,040
Speaker 1: One shot of me or an Arabian stallion, and I'm

771
00:41:05,160 --> 00:41:08,120
Speaker 1: sort of, you know, cleaning their mate. I'm making sure

772
00:41:08,160 --> 00:41:11,319
Speaker 1: that their rump is shiny. And then you know, all

773
00:41:11,360 --> 00:41:15,160
Speaker 1: of a sudden, it's like you you've managed to keep the.

774
00:41:15,120 --> 00:41:17,200
Speaker 2: I don't know how much of a movie these days,

775
00:41:17,239 --> 00:41:21,480
Speaker 2: twenty five dollars that I paid into this thing. Yeah,

776
00:41:21,560 --> 00:41:23,200
Speaker 2: I mean I might, you know, I might even check

777
00:41:23,200 --> 00:41:25,080
Speaker 2: out your next one too. If you just have one

778
00:41:25,200 --> 00:41:30,520
Speaker 2: shot of me in therapy with my horse there, I'm

779
00:41:30,560 --> 00:41:33,360
Speaker 2: allowed to take my horse inside the horses a support

780
00:41:33,440 --> 00:41:35,760
Speaker 2: animal for me. And if I'm going to talk about

781
00:41:35,760 --> 00:41:38,240
Speaker 2: this stuff, I'm going to need my support animal. Yeah,

782
00:41:38,239 --> 00:41:40,600
Speaker 2: and you just do one shot. It's one shot in

783
00:41:40,640 --> 00:41:42,360
Speaker 2: the movie, like for one sequence.

784
00:41:42,680 --> 00:41:46,520
Speaker 1: Yeah, it's you know, twenty five frames or something, you know,

785
00:41:46,560 --> 00:41:48,320
Speaker 1: I don't know, I don't know how many.

786
00:41:48,160 --> 00:41:51,120
Speaker 2: Can I be a scene? Yeah, it's like a dollar.

787
00:41:51,200 --> 00:41:56,200
Speaker 3: I just had a movie idea emotional support animal, and

788
00:41:56,440 --> 00:41:59,640
Speaker 3: it's a lovely girl you cast like you find you

789
00:41:59,680 --> 00:42:02,960
Speaker 3: do a wide talent search to get a kid like

790
00:42:03,080 --> 00:42:07,160
Speaker 3: the kid from over the Top, like just a beautiful child,

791
00:42:07,480 --> 00:42:13,560
Speaker 3: almost porcelain looking child. And she sometimes feels anxiety, which

792
00:42:13,960 --> 00:42:16,960
Speaker 3: I'm told there are people out there that experience that,

793
00:42:17,640 --> 00:42:21,279
Speaker 3: and she needs an emotional support animal. But guess what,

794
00:42:22,040 --> 00:42:27,319
Speaker 3: she picks the least likable animal that gives her happiness.

795
00:42:27,960 --> 00:42:29,040
Speaker 4: She picks.

796
00:42:30,960 --> 00:42:40,040
Speaker 3: A North Calgary wolverine as her support animal. Yeah, but

797
00:42:40,200 --> 00:42:44,719
Speaker 3: keep going that's interesting. Hey, I'll bend on that one.

798
00:42:44,760 --> 00:42:48,359
Speaker 3: Maybe it's you and everyone's like this is awkward. You're

799
00:42:48,360 --> 00:42:51,680
Speaker 3: a nine year old girl hanging out with a writer

800
00:42:51,880 --> 00:42:56,040
Speaker 3: from Hollywood who can get a little prickly, and she's

801
00:42:56,120 --> 00:43:00,879
Speaker 3: like this, this emotional support animal makes me happy, although

802
00:43:00,960 --> 00:43:05,080
Speaker 3: he's a man. And then someone someone's the audience. Then

803
00:43:05,120 --> 00:43:07,240
Speaker 3: there's a guy who's just kind of always hanging around,

804
00:43:07,440 --> 00:43:10,120
Speaker 3: like looking at the camera saying can you believe this?

805
00:43:11,080 --> 00:43:12,800
Speaker 3: So then I feel grounded.

806
00:43:14,360 --> 00:43:15,840
Speaker 2: Do we want to do casting on Sean?

807
00:43:16,280 --> 00:43:16,960
Speaker 4: Yeah?

808
00:43:17,040 --> 00:43:18,840
Speaker 2: Who do we think's got the goods to play me?

809
00:43:19,200 --> 00:43:23,319
Speaker 2: I mean, do we want to do one two three?

810
00:43:23,480 --> 00:43:29,000
Speaker 2: We've had success with that one two three? Micro Mark Spitz?

811
00:43:30,760 --> 00:43:31,640
Speaker 2: Who did you say?

812
00:43:32,840 --> 00:43:37,640
Speaker 3: I said, Mark Spitz, Olympic swimmer, five time gold medal

813
00:43:37,760 --> 00:43:39,520
Speaker 3: award winning the Olympic swimmer.

814
00:43:40,360 --> 00:43:43,600
Speaker 2: I see that a little bit. Yeah, he's got the

815
00:43:43,680 --> 00:43:45,120
Speaker 2: little lip lettuce for it.

816
00:43:45,600 --> 00:43:51,520
Speaker 1: Uttering huge, he's huge, He's yeah, he's incredible, incredible athlete.

817
00:43:51,840 --> 00:43:56,359
Speaker 2: Who'd you say? I said, Michael Dell. And then we

818
00:43:56,400 --> 00:43:59,440
Speaker 2: can and again like if if we could get some

819
00:43:59,440 --> 00:44:04,719
Speaker 2: participation from him, also creative, not just financial, Like we

820
00:44:05,160 --> 00:44:09,560
Speaker 2: want to hear from him as well. I'm like, we

821
00:44:09,600 --> 00:44:10,440
Speaker 2: want his notes.

822
00:44:11,560 --> 00:44:15,440
Speaker 3: I'm a best idea wins guy, and so far I

823
00:44:15,520 --> 00:44:17,840
Speaker 3: gotta say, I think it's Mark Spitz.

824
00:44:17,880 --> 00:44:21,120
Speaker 4: But okay, let's hear the third idea I.

825
00:44:21,800 --> 00:44:26,160
Speaker 1: Had said Trey Anastasio, But you know, I'm as always,

826
00:44:26,160 --> 00:44:28,000
Speaker 1: I'm kind of backing off that. I think I just

827
00:44:28,040 --> 00:44:30,479
Speaker 1: wanted to be a part of saying something on one, two, three,

828
00:44:30,520 --> 00:44:31,439
Speaker 1: but I didn't really.

829
00:44:31,560 --> 00:44:35,480
Speaker 2: Yeah, he's not really an act Like he doesn't really act.

830
00:44:35,560 --> 00:44:39,080
Speaker 2: I think that's true. Is much more known for music.

831
00:44:39,120 --> 00:44:42,600
Speaker 1: I mean, he's a stage performer, and so I think

832
00:44:42,600 --> 00:44:46,200
Speaker 1: he has a presence and that could be taught. Obviously

833
00:44:46,560 --> 00:44:52,000
Speaker 1: his has great vocal control. Okay, but I but I

834
00:44:52,040 --> 00:44:55,200
Speaker 1: also you know, I'm not married to it. He's he's

835
00:44:55,239 --> 00:44:57,120
Speaker 1: not Mark Spetz. I mean, he's just not.

836
00:44:57,480 --> 00:44:59,319
Speaker 2: And even as musicians go, I don't know if he's

837
00:44:59,320 --> 00:45:02,840
Speaker 2: the one who's mo most known for stage presence and

838
00:45:02,960 --> 00:45:06,000
Speaker 2: vocal there's so many musicians only noodles as well. But

839
00:45:06,040 --> 00:45:08,040
Speaker 2: I assume that you know that would be part of that.

840
00:45:08,200 --> 00:45:11,280
Speaker 2: He is most known, one of the most known for

841
00:45:11,280 --> 00:45:11,880
Speaker 2: for noodling.

842
00:45:11,960 --> 00:45:13,120
Speaker 1: Yeah, he knew is.

843
00:45:13,120 --> 00:45:17,239
Speaker 4: An incredible vocalist. We all know that. Or what do

844
00:45:17,280 --> 00:45:19,320
Speaker 4: you when you say noodle, what do you mean.

845
00:45:20,840 --> 00:45:24,120
Speaker 2: That he's noodling with his little his little plays? Yeah?

846
00:45:24,160 --> 00:45:26,680
Speaker 4: What's he plays an instrument as well?

847
00:45:27,239 --> 00:45:30,680
Speaker 1: I believe, yes, I believe so you so yes primarily yeah, okay,

848
00:45:31,160 --> 00:45:33,960
Speaker 1: he mostly is known for, yes, the harmonies. He's a

849
00:45:34,239 --> 00:45:39,040
Speaker 1: local acrobatics. But you know he he he plays an

850
00:45:39,080 --> 00:45:42,960
Speaker 1: instrument on some of the songs. And maybe he has

851
00:45:43,000 --> 00:45:44,640
Speaker 1: that with him. Maybe that's how she, you know, the

852
00:45:44,640 --> 00:45:47,240
Speaker 1: little girl finds him as her emotional support animal.

853
00:45:48,120 --> 00:45:52,080
Speaker 3: I was really settling into Mark Spitz, but like I said,

854
00:45:52,800 --> 00:45:57,719
Speaker 3: I'm the best idea wins guy. And after hearing Trey Anastasia, like,

855
00:45:58,400 --> 00:46:01,560
Speaker 3: I think it is still more Mark Spitz, I really do.

856
00:46:01,840 --> 00:46:05,719
Speaker 1: Can I pitch you a song a moment in the

857
00:46:05,880 --> 00:46:08,560
Speaker 1: movie and this works for Mark Spitz or Trey?

858
00:46:08,880 --> 00:46:09,839
Speaker 2: So just know that.

859
00:46:10,200 --> 00:46:15,399
Speaker 1: And so I'm not ruling anything out. But somebody goes, somebody, yeah, well, yeah,

860
00:46:15,560 --> 00:46:18,640
Speaker 1: I'm just saying you are something I'm ruling years. So

861
00:46:19,400 --> 00:46:22,520
Speaker 1: someone says to the little girl, like, boy, this is

862
00:46:22,560 --> 00:46:25,399
Speaker 1: a strange choice for an emotional support animal. We thought

863
00:46:25,440 --> 00:46:29,399
Speaker 1: you'd pick an animal, a pet like a dog, a cat,

864
00:46:29,560 --> 00:46:32,160
Speaker 1: or maybe you would pick a fish, and then Mark

865
00:46:32,200 --> 00:46:34,839
Speaker 1: Spitz or Tray goes, well, she kind of did.

866
00:46:36,239 --> 00:46:41,200
Speaker 4: Oh is that the same?

867
00:46:43,360 --> 00:46:47,040
Speaker 2: That insane?

868
00:46:49,200 --> 00:46:50,919
Speaker 4: They're talking to the legs.

869
00:46:52,280 --> 00:46:56,399
Speaker 2: Because if either one of them.

870
00:46:57,360 --> 00:47:05,520
Speaker 4: Harry Harry, God had a seizure.

871
00:47:06,200 --> 00:47:10,640
Speaker 2: Oh wow from liking that so much, I just had

872
00:47:10,640 --> 00:47:14,600
Speaker 2: a seizure. Wow wow Jesus. So we maybe we pull

873
00:47:14,680 --> 00:47:17,200
Speaker 2: back from that. We don't want to do that to everybody. Yeah,

874
00:47:17,239 --> 00:47:19,239
Speaker 2: I'm the best idea wins guy, but not if the

875
00:47:19,239 --> 00:47:22,960
Speaker 2: best idea is going to is getting people hurt. Yeah, exactly.

876
00:47:24,840 --> 00:47:27,120
Speaker 2: I wonder if we do them all, we pull back

877
00:47:27,160 --> 00:47:30,520
Speaker 2: from that. We do emotional support animal. The emotional support

878
00:47:30,600 --> 00:47:35,520
Speaker 2: animal is the the Geico Gecko. We play out that

879
00:47:35,560 --> 00:47:38,640
Speaker 2: whole like army story, whatever you were doing like we

880
00:47:38,840 --> 00:47:42,879
Speaker 2: do that. It's like sort of a cold open, even shorter.

881
00:47:42,600 --> 00:47:45,200
Speaker 4: Than that, you're cheering me up.

882
00:47:44,840 --> 00:47:49,080
Speaker 2: And then we take that into emotional support animal. The

883
00:47:49,120 --> 00:47:55,799
Speaker 2: Geico Gecko is Tim Duncan is adopted by this girl who.

884
00:47:55,840 --> 00:47:57,400
Speaker 2: I don't think we kept carry Strug. I think we

885
00:47:57,520 --> 00:47:59,280
Speaker 2: just like it assumed it's carry Strug.

886
00:47:59,640 --> 00:48:03,919
Speaker 4: I like I like just quick, yes, quick, rapid fire. Yes.

887
00:48:04,360 --> 00:48:07,160
Speaker 2: We play this out for a little bit and then

888
00:48:07,200 --> 00:48:13,200
Speaker 2: we cut to to osten cha doing within the movie.

889
00:48:13,280 --> 00:48:15,600
Speaker 2: You know, did you have them do uh and like

890
00:48:15,640 --> 00:48:17,759
Speaker 2: don't look up or these like you know, like they're

891
00:48:17,840 --> 00:48:21,080
Speaker 2: making jokes about like what's happening in the movie. You

892
00:48:21,120 --> 00:48:23,720
Speaker 2: know what I mean? I get always do that sometimes,

893
00:48:23,760 --> 00:48:26,440
Speaker 2: always do that. Oh everyone, that's right.

894
00:48:26,880 --> 00:48:27,120
Speaker 7: Yeah.

895
00:48:27,200 --> 00:48:30,040
Speaker 3: I always have someone say the title and then another

896
00:48:30,120 --> 00:48:32,000
Speaker 3: character goes that sounds familiar.

897
00:48:32,400 --> 00:48:33,479
Speaker 2: Yeah, I like that part.

898
00:48:33,640 --> 00:48:34,080
Speaker 4: It works.

899
00:48:34,080 --> 00:48:37,680
Speaker 2: That's always one of those parts you can get. Yeah,

900
00:48:37,719 --> 00:48:40,560
Speaker 2: you can get him, like the the two of them

901
00:48:40,560 --> 00:48:43,919
Speaker 2: will do it. Fallon will like do a little bit.

902
00:48:45,160 --> 00:48:48,040
Speaker 2: I like that. I feel like Peter Muir will like

903
00:48:48,120 --> 00:48:50,760
Speaker 2: be like do the news, like talking about like he's available,

904
00:48:50,800 --> 00:48:53,160
Speaker 2: and he likes doing that souff Anderson of course. But

905
00:48:53,200 --> 00:48:55,320
Speaker 2: then instead of going back to the original story, we

906
00:48:55,440 --> 00:48:59,560
Speaker 2: just stay with with weekend update. Stay with weekend Update,

907
00:48:59,600 --> 00:49:01,920
Speaker 2: we stay with Peter and all these other movies. They

908
00:49:01,960 --> 00:49:04,239
Speaker 2: go back to the story. They show a montage of

909
00:49:04,280 --> 00:49:08,000
Speaker 2: people making jokes about the big current event that's happening

910
00:49:08,000 --> 00:49:09,600
Speaker 2: in the movie, and then they go back to the

911
00:49:09,600 --> 00:49:11,520
Speaker 2: big current event and it's like, wait, what's going on

912
00:49:11,600 --> 00:49:12,000
Speaker 2: with Like.

913
00:49:12,000 --> 00:49:15,640
Speaker 1: Well, I really those guys joining the newsreel and the

914
00:49:15,840 --> 00:49:17,920
Speaker 1: jokes and the late night stuff.

915
00:49:18,800 --> 00:49:20,160
Speaker 2: Can we like it? You know?

916
00:49:21,040 --> 00:49:21,239
Speaker 5: Yeah?

917
00:49:21,400 --> 00:49:24,520
Speaker 3: I also like it like you just bam, you like

918
00:49:24,719 --> 00:49:29,400
Speaker 3: hammer out with seven to eight just you know, hard

919
00:49:29,480 --> 00:49:33,799
Speaker 3: shot off the left field wall, jokes and you just

920
00:49:33,880 --> 00:49:37,719
Speaker 3: leave them fun just funny.

921
00:49:38,120 --> 00:49:43,880
Speaker 1: Yes, and where it can do the most, damn it. Yes, yeah,

922
00:49:44,040 --> 00:49:46,440
Speaker 1: a single and you're looking hard at trying to get

923
00:49:46,520 --> 00:49:47,960
Speaker 1: second before you do kind.

924
00:49:47,880 --> 00:49:51,040
Speaker 4: Yeah, got a good arm, you don't you hold up?

925
00:49:51,080 --> 00:49:54,600
Speaker 2: You're running hard? You get told all that.

926
00:49:54,880 --> 00:49:57,719
Speaker 3: Yeah, made that cut up, hollow thumping sound. But the

927
00:49:57,800 --> 00:49:59,399
Speaker 3: left fielder played it well, one.

928
00:49:59,400 --> 00:50:02,200
Speaker 2: Hundred and ten off the bat, but yeah, just didn't didn't.

929
00:50:02,320 --> 00:50:03,960
Speaker 3: Yeah, but you had to hold up at first and

930
00:50:04,040 --> 00:50:07,040
Speaker 3: maybe you even get nailed trying to get back to first.

931
00:50:07,080 --> 00:50:09,920
Speaker 2: Well yeah, that's you just too far if you.

932
00:50:10,000 --> 00:50:12,480
Speaker 1: Yeah, you went far enough to second that you realize,

933
00:50:12,520 --> 00:50:14,160
Speaker 1: oh wait, I'm not gonna make it. But when you

934
00:50:14,200 --> 00:50:16,600
Speaker 1: go back, the balls already on its way to first. Yeah,

935
00:50:17,520 --> 00:50:21,600
Speaker 1: having a walk back to that old dug out, no

936
00:50:21,640 --> 00:50:23,600
Speaker 1: it is, it counts as a hit. Yeah, you tag

937
00:50:23,680 --> 00:50:27,200
Speaker 1: the base safe, but yeah, it's that. Yeah, that could

938
00:50:27,239 --> 00:50:29,120
Speaker 1: be interesting. I think we could write that level of

939
00:50:29,239 --> 00:50:32,680
Speaker 1: joke and just sp and just live in that space,

940
00:50:32,960 --> 00:50:35,640
Speaker 1: you know, follow them home.

941
00:50:36,600 --> 00:50:38,040
Speaker 4: I like it. I like it.

942
00:50:38,200 --> 00:50:41,399
Speaker 2: Do you want to like we do? Since we have it,

943
00:50:41,440 --> 00:50:43,360
Speaker 2: I actually think we do have time for the Lauren

944
00:50:43,440 --> 00:50:46,239
Speaker 2: story if you want to. Yeah, you got it. I mean,

945
00:50:46,280 --> 00:50:48,680
Speaker 2: I know it's long. I wasn't expecting to get it

946
00:50:48,760 --> 00:50:50,960
Speaker 2: that fast. If you just want to get into the

947
00:50:51,040 --> 00:50:51,920
Speaker 2: Lauren story.

948
00:50:53,120 --> 00:50:56,520
Speaker 4: Comes to it, I gotta change positions because last time

949
00:50:56,560 --> 00:50:58,240
Speaker 4: I told it like it was weird.

950
00:50:58,320 --> 00:51:01,319
Speaker 3: My five fell asleep, which is weird because you think

951
00:51:01,400 --> 00:51:04,120
Speaker 3: the blood goes through the thigh of the cap, but

952
00:51:04,160 --> 00:51:06,120
Speaker 3: it was just my thigh.

953
00:51:06,160 --> 00:51:08,280
Speaker 2: My calf stayed awake. That's so interesting.

954
00:51:08,640 --> 00:51:11,880
Speaker 3: Good yea dead pig like that someone took out of

955
00:51:11,920 --> 00:51:12,920
Speaker 3: a meat locker.

956
00:51:13,000 --> 00:51:14,640
Speaker 4: It was uncomfortable feeling.

957
00:51:14,840 --> 00:51:20,279
Speaker 3: Okay, So Lauren every day when he gets off that

958
00:51:20,480 --> 00:51:27,840
Speaker 3: elevator on the seventeenth floor, he has a oh really okay,

959
00:51:27,920 --> 00:51:29,239
Speaker 3: Harry's telling me no.

960
00:51:29,600 --> 00:51:32,200
Speaker 2: Way, okay, Yeah, Kevin's telling me we have to go

961
00:51:32,239 --> 00:51:34,960
Speaker 2: do I guess Harry might supposed to have texted Kevin.

962
00:51:35,120 --> 00:51:38,320
Speaker 3: Yeah, so we both have and I just got another text,

963
00:51:38,320 --> 00:51:43,520
Speaker 3: Tim Tim Duncan, Tim Duncan floor for him doing the

964
00:51:43,560 --> 00:51:46,160
Speaker 3: Guy Come movie seven point eight million in the school

965
00:51:46,680 --> 00:51:49,600
Speaker 3: that maybe a no goes as well to end with.

966
00:51:49,560 --> 00:51:52,359
Speaker 2: A bunch of no, we might not be able to

967
00:51:52,400 --> 00:51:54,520
Speaker 2: we might not be able to do yeah to do

968
00:51:54,560 --> 00:51:58,120
Speaker 2: any do any of it? Okay, okay, well, thank you,

969
00:51:58,200 --> 00:52:00,320
Speaker 2: thank you, thanks, thanks bye

970
00:52:00,360 --> 00:52:06,840
Speaker 4: Bye, thanks bye, guys, Hollywood, Hamburg,