1 00:00:00,320 --> 00:00:03,320 Speaker 1: Uh, Sky are you ready? Oh, I'm ready. I'm ready 2 00:00:03,320 --> 00:00:04,720 Speaker 1: to laugh and laugh and laugh. 3 00:00:06,559 --> 00:00:12,680 Speaker 2: Incredibly intelligent, highly elusive US faces a new threat from 4 00:00:12,800 --> 00:00:14,560 Speaker 2: Canadian super Pig. 5 00:00:16,000 --> 00:00:19,280 Speaker 1: This is incredible because I also have a pig story 6 00:00:19,360 --> 00:00:25,920 Speaker 1: and it's from Mexico. Yes, wow, I pigs. Ready? All right, 7 00:00:25,960 --> 00:00:28,320 Speaker 1: We're going to bring home the bacon on this brand 8 00:00:28,480 --> 00:00:37,680 Speaker 1: spank a new episode of Bananas. 9 00:00:35,720 --> 00:00:36,240 Speaker 2: Do World? 10 00:00:37,800 --> 00:00:38,199 Speaker 1: Would you. 11 00:00:43,479 --> 00:00:46,680 Speaker 3: Lisillion pieces? Would you? 12 00:00:58,600 --> 00:01:02,680 Speaker 2: Guys, guys, non binary pals, Welcome to Bananas. Sitting across 13 00:01:02,680 --> 00:01:05,200 Speaker 2: from me is the number one screenwriter in the United 14 00:01:05,200 --> 00:01:08,040 Speaker 2: States and my best friend Scotti Landis. 15 00:01:08,000 --> 00:01:12,160 Speaker 1: That is far too much, And across from me the 16 00:01:12,200 --> 00:01:14,920 Speaker 1: Big Banana, the one and only. You could see him 17 00:01:15,080 --> 00:01:19,120 Speaker 1: live as a stand up comedian or on the Bananas 18 00:01:19,160 --> 00:01:23,840 Speaker 1: Podcast in Portland in April April fifteenth. Come check us out. 19 00:01:23,840 --> 00:01:26,679 Speaker 1: That is the one and only Kurt Brown Owler Scotti. 20 00:01:26,800 --> 00:01:30,200 Speaker 2: I just felt my elbow because I sat down on 21 00:01:30,240 --> 00:01:34,360 Speaker 2: my couch in such a very specific way in which, 22 00:01:34,440 --> 00:01:35,960 Speaker 2: like you know, I have a sectional and there's like 23 00:01:36,000 --> 00:01:39,200 Speaker 2: two pieces of connect and I guess on one piece 24 00:01:39,240 --> 00:01:41,040 Speaker 2: that connects, like the edge of it is there's a 25 00:01:41,040 --> 00:01:43,640 Speaker 2: piece of wood underneath the fabric. And I sat down 26 00:01:43,800 --> 00:01:48,400 Speaker 2: perfectly in a way that the piece of wood punctured 27 00:01:48,480 --> 00:01:49,160 Speaker 2: my elbow. 28 00:01:49,240 --> 00:01:50,840 Speaker 1: So I was just like sitting my wife too. 29 00:01:51,080 --> 00:01:53,520 Speaker 2: From my wife's perspective, I just like sat down on 30 00:01:53,560 --> 00:01:53,960 Speaker 2: my couch and. 31 00:01:54,120 --> 00:02:00,120 Speaker 1: Went, oh, nothing funny about the funny bone. Are you 32 00:02:00,200 --> 00:02:02,840 Speaker 1: going to be okay? Yeah? It hurts so bad right now. 33 00:02:02,840 --> 00:02:07,320 Speaker 1: It's so crazy. That is crazy. Anything you got to 34 00:02:07,320 --> 00:02:09,480 Speaker 1: announce anything else about the top or should we get 35 00:02:09,480 --> 00:02:10,679 Speaker 1: into our great guests. 36 00:02:10,800 --> 00:02:12,560 Speaker 2: I do just want to say this that if you're 37 00:02:12,560 --> 00:02:17,080 Speaker 2: in Los Angeles, I am hosting a benefit for my 38 00:02:17,240 --> 00:02:22,200 Speaker 2: kids school, which is our local public school, Glenn Field 39 00:02:22,280 --> 00:02:25,840 Speaker 2: is Boulevard Elementary. That's April first at the Allegiant Theater. 40 00:02:25,919 --> 00:02:30,040 Speaker 2: And Christella Alonzo's on that show Love Her, Chris Estrada 41 00:02:30,520 --> 00:02:34,679 Speaker 2: Love Him, Beth Stelling Love her, Rory Scovell Love him, 42 00:02:34,800 --> 00:02:38,200 Speaker 2: Sabrina Jilli's love her. So it's going to be an 43 00:02:38,200 --> 00:02:40,960 Speaker 2: amazing show. And it's at the Allegion April first, seven thirty, 44 00:02:41,040 --> 00:02:43,160 Speaker 2: So support public schools and come out. 45 00:02:43,560 --> 00:02:46,840 Speaker 1: I already bought two tickets. Oh hell yeah, there you go. 46 00:02:46,919 --> 00:02:50,760 Speaker 1: You're gonna at least have two people there. Anyways, let's 47 00:02:50,760 --> 00:02:55,640 Speaker 1: get into our guest. Curtay National Geographic Magazine named our 48 00:02:55,680 --> 00:02:58,360 Speaker 1: guest the best mammal to ever walk the planet. On 49 00:02:58,480 --> 00:03:01,520 Speaker 1: top of that, she's a fanta plastic writer who has 50 00:03:01,600 --> 00:03:04,920 Speaker 1: actually written for Playboy magazine and TV shows like The 51 00:03:05,040 --> 00:03:08,280 Speaker 1: Unicorn on CBS and Beavis and Butt Heead I've Heard 52 00:03:08,320 --> 00:03:11,680 Speaker 1: of That, which is currently airing on Comedy Central and 53 00:03:12,360 --> 00:03:15,959 Speaker 1: Paramount Plus and fun Fact Kurti b She used to 54 00:03:15,960 --> 00:03:18,959 Speaker 1: be a professional chef. Most importantly, she invites me to 55 00:03:19,000 --> 00:03:23,720 Speaker 1: Yamkapor every year when sometimes I go the great Ed 56 00:03:23,800 --> 00:03:26,200 Speaker 1: and Dranger, Hey Ed and what's up hell? 57 00:03:26,360 --> 00:03:28,360 Speaker 3: That is such a lovely introduction. 58 00:03:29,400 --> 00:03:32,120 Speaker 4: I love to be known as the person who invites 59 00:03:33,200 --> 00:03:38,800 Speaker 4: people to Yaki poor dinner. We break the fast, But yes, 60 00:03:39,760 --> 00:03:41,960 Speaker 4: I love to break the fast because you get to 61 00:03:42,000 --> 00:03:45,520 Speaker 4: eat like locks and bagels and breakfast food at like 62 00:03:45,640 --> 00:03:50,840 Speaker 4: six pm and get trashed and it's acceptable delightful. 63 00:03:51,240 --> 00:03:53,280 Speaker 3: So yeah, so that's why I invite Scotti for that. 64 00:03:54,280 --> 00:03:57,560 Speaker 1: Thank you, well, welcome to Bananas. You're one of the 65 00:03:57,680 --> 00:04:00,680 Speaker 1: very few guests we've had on that true listens to 66 00:04:00,720 --> 00:04:02,280 Speaker 1: the book. I'm the biggest. 67 00:04:01,920 --> 00:04:05,200 Speaker 5: Stand I feel like I shouldn't you should like you 68 00:04:05,200 --> 00:04:12,840 Speaker 5: know you shouldn't meet your heroes, Like I feel like, 69 00:04:13,000 --> 00:04:14,720 Speaker 5: you know, I don't like I'm not going to go 70 00:04:14,800 --> 00:04:17,200 Speaker 5: up to Obama or something and be like, you know, 71 00:04:17,960 --> 00:04:19,840 Speaker 5: could I be a guest on your podcast? 72 00:04:20,640 --> 00:04:21,640 Speaker 1: I read your book, sir. 73 00:04:23,240 --> 00:04:26,840 Speaker 2: I feel like I've followed you on on Twitter for 74 00:04:26,920 --> 00:04:27,960 Speaker 2: like ten years now. 75 00:04:28,120 --> 00:04:29,799 Speaker 1: Yeah, I don't know you personally. 76 00:04:29,920 --> 00:04:30,440 Speaker 3: It's funny. 77 00:04:30,440 --> 00:04:33,440 Speaker 5: I was once on a flight from like LA to 78 00:04:33,600 --> 00:04:36,160 Speaker 5: London or something, and I was just like sitting. I 79 00:04:36,240 --> 00:04:39,200 Speaker 5: was like in fucking like steerage like coach coach, like 80 00:04:39,279 --> 00:04:40,880 Speaker 5: back of the plane, near the engine. 81 00:04:41,080 --> 00:04:42,880 Speaker 2: You were under that you were under the planet. 82 00:04:42,880 --> 00:04:44,679 Speaker 1: I was under the age. 83 00:04:45,080 --> 00:04:45,839 Speaker 3: I was beyond. 84 00:04:46,000 --> 00:04:49,880 Speaker 5: I was less than cargo. And some woman is like 85 00:04:49,920 --> 00:04:51,760 Speaker 5: excuse me, And I thought she was like like asking 86 00:04:51,839 --> 00:04:53,640 Speaker 5: me to like, oh am I in the wrong seat, 87 00:04:54,040 --> 00:04:58,719 Speaker 5: and she's like, no, I follow you on Twitter was 88 00:04:58,960 --> 00:05:01,719 Speaker 5: n I was like, oh, oh that's nice, thank you. 89 00:05:01,760 --> 00:05:02,360 Speaker 3: And I was like. 90 00:05:03,960 --> 00:05:06,800 Speaker 5: Do you want anything else? Like I just want to 91 00:05:06,839 --> 00:05:09,680 Speaker 5: let you know. I was like okay, and then I find. 92 00:05:09,480 --> 00:05:13,000 Speaker 2: Now we won't talk, and then I call really self 93 00:05:13,000 --> 00:05:15,240 Speaker 2: conscious about tweeting because it's like, oh is this what 94 00:05:15,400 --> 00:05:15,960 Speaker 2: she like? 95 00:05:16,279 --> 00:05:18,240 Speaker 3: Oh she got this material because you just met me 96 00:05:18,360 --> 00:05:18,719 Speaker 3: or something. 97 00:05:18,760 --> 00:05:24,680 Speaker 2: I don't know, Yes, I remember, not, Like, there was 98 00:05:24,720 --> 00:05:27,960 Speaker 2: a time in my life where I just assumed no 99 00:05:27,960 --> 00:05:32,599 Speaker 2: one in my family knew about Twitter, and so I 100 00:05:32,640 --> 00:05:38,400 Speaker 2: would just tweet about them all the time. And then 101 00:05:38,440 --> 00:05:41,839 Speaker 2: I think it was at my I went to my 102 00:05:41,960 --> 00:05:46,880 Speaker 2: mom's husband's family's home for Thanksgiving or something, and I 103 00:05:46,920 --> 00:05:49,640 Speaker 2: went to the bathroom and started like tweeting about like 104 00:05:49,760 --> 00:05:53,480 Speaker 2: family Thanksgivings and making jokes, and I think one of 105 00:05:53,520 --> 00:05:54,520 Speaker 2: them followed me. 106 00:05:55,040 --> 00:05:56,000 Speaker 1: And then the next. 107 00:05:55,839 --> 00:06:01,160 Speaker 2: Year it was very icy, very icy reshit at Thanksgiving? 108 00:06:02,160 --> 00:06:05,960 Speaker 1: Wow? Yeah, But also who cares? They need to get 109 00:06:06,000 --> 00:06:10,120 Speaker 1: over Twitter? Doesn't matter. It's never really mattered. You were 110 00:06:10,120 --> 00:06:12,440 Speaker 1: doing the right thing. It's for bathroom escapes to write 111 00:06:12,480 --> 00:06:14,320 Speaker 1: down an observation and get back in there. 112 00:06:14,920 --> 00:06:17,200 Speaker 3: What did we do before this? Did we just write 113 00:06:17,200 --> 00:06:19,520 Speaker 3: it down on actual toilet paper? Our thoughts? 114 00:06:22,279 --> 00:06:24,800 Speaker 1: That's true, though. There there were so many thoughts out 115 00:06:24,839 --> 00:06:26,960 Speaker 1: there that just we just had to hold on to it. 116 00:06:27,000 --> 00:06:30,279 Speaker 1: We just kept it to ourselves. Maybe sent a postcard, 117 00:06:30,440 --> 00:06:31,839 Speaker 1: maybe it just died younger. 118 00:06:32,120 --> 00:06:35,240 Speaker 2: It was prayers, guys. It was just prayers whispered to 119 00:06:35,320 --> 00:06:36,400 Speaker 2: the to the night sky. 120 00:06:37,400 --> 00:06:39,880 Speaker 5: I missed the magazine, my dad had a magazine rack 121 00:06:40,320 --> 00:06:43,760 Speaker 5: and in all our bathrooms, well two bathrooms we had, 122 00:06:44,000 --> 00:06:47,159 Speaker 5: we had magazine racks in our bathrooms. And like that's 123 00:06:47,200 --> 00:06:50,839 Speaker 5: not existent anymore because everybody has a phone, which is disgusting. 124 00:06:50,880 --> 00:06:55,720 Speaker 2: Actually yeah, oh it's one disgusting and we never think 125 00:06:55,720 --> 00:06:56,600 Speaker 2: about it. 126 00:06:57,320 --> 00:06:59,760 Speaker 1: So when I was like eight years old, there was 127 00:06:59,800 --> 00:07:03,240 Speaker 1: one year where we lived at my grandmother's house and 128 00:07:03,279 --> 00:07:06,080 Speaker 1: she got Readers Digest, and around eight or nine years old, 129 00:07:06,120 --> 00:07:09,000 Speaker 1: I would just sit and read cover to cover Readers Digest, 130 00:07:09,200 --> 00:07:13,520 Speaker 1: just like a little grandpa, just thumbing through, waiting to 131 00:07:13,560 --> 00:07:16,400 Speaker 1: get to the riddles, just having a great read about 132 00:07:16,440 --> 00:07:20,760 Speaker 1: the Grand Canyon or it was amazing. I love it. 133 00:07:21,080 --> 00:07:23,800 Speaker 2: Our friend Chris, who's got used to work with, had 134 00:07:23,840 --> 00:07:26,080 Speaker 2: a tweet and it was his first tweet that ever 135 00:07:26,160 --> 00:07:31,480 Speaker 2: went viral, which was, oh man, it was a Star 136 00:07:31,520 --> 00:07:35,760 Speaker 2: Wars tweet, which was what ad Hans Solo, Like, oh man, 137 00:07:35,760 --> 00:07:37,400 Speaker 2: I'm going to fuck up the tweet. It was like, 138 00:07:37,440 --> 00:07:41,400 Speaker 2: what did Hans Solo say about his state? What was 139 00:07:41,440 --> 00:07:45,040 Speaker 2: Hans Solos surprise to find out about his steak? It 140 00:07:45,120 --> 00:07:48,360 Speaker 2: was chewy or something like that. It was something like that, 141 00:07:49,320 --> 00:07:53,360 Speaker 2: and like so then it ended up in Reader's Digest 142 00:07:53,480 --> 00:07:57,200 Speaker 2: and Chris reads readers die just as well, which I 143 00:07:57,320 --> 00:08:02,240 Speaker 2: didn't know that reader's dieges would just collect tweets and 144 00:08:02,280 --> 00:08:07,240 Speaker 2: then publish them without telling you. And then so so 145 00:08:07,360 --> 00:08:09,560 Speaker 2: older people could sit on the toilet and without a 146 00:08:09,600 --> 00:08:11,160 Speaker 2: phone still read tweets. 147 00:08:11,800 --> 00:08:12,520 Speaker 3: That's so funny. 148 00:08:12,520 --> 00:08:15,160 Speaker 5: He read readers like, how old is he? He must 149 00:08:15,160 --> 00:08:16,720 Speaker 5: be over fifty at least. 150 00:08:17,000 --> 00:08:22,320 Speaker 1: No, No, he just loves readers, just so my kind 151 00:08:22,320 --> 00:08:26,720 Speaker 1: of guy. Oh man, all right, curty b what was 152 00:08:26,760 --> 00:08:30,440 Speaker 1: this pig? What did he do? Oh? Super amazing? 153 00:08:30,760 --> 00:08:34,200 Speaker 2: Okay, this was sent in by Sean Fister. Thank you 154 00:08:34,320 --> 00:08:40,240 Speaker 2: Sean on Instagram. This is from The Guardian by Adam 155 00:08:40,280 --> 00:08:44,400 Speaker 2: gabbittt get it, get it, gab it, get it, got 156 00:08:44,400 --> 00:08:48,680 Speaker 2: it good. Gabbitt got it was he got a gift 157 00:08:48,800 --> 00:08:53,160 Speaker 2: for gab And here it is incredibly intelligent, highly elusive. 158 00:08:53,320 --> 00:09:00,520 Speaker 2: US faces new threat from Canadian super pig. Okay, the 159 00:09:01,679 --> 00:09:05,960 Speaker 2: subhead is Northern States on alert for invasion of crossbred 160 00:09:06,040 --> 00:09:09,760 Speaker 2: pig that threatens flora and fauna and just difficult to stop. 161 00:09:10,320 --> 00:09:12,200 Speaker 1: Wow, here's good. 162 00:09:12,240 --> 00:09:15,160 Speaker 2: This is crazy. This is the story is legitimately crazy. 163 00:09:15,400 --> 00:09:18,720 Speaker 2: Four decades, wild pigs have been antagonizing flora and fauna 164 00:09:18,720 --> 00:09:21,600 Speaker 2: in the US, gobbling of crops, spreading diseasen't even killing 165 00:09:21,640 --> 00:09:25,280 Speaker 2: deer and elk now As fears over the potential of 166 00:09:25,320 --> 00:09:28,959 Speaker 2: the pig impact in the US grow. North America is 167 00:09:29,000 --> 00:09:31,760 Speaker 2: also facing a new swine related threat as a Canadian 168 00:09:31,840 --> 00:09:37,360 Speaker 2: quote super pig, a giant quote incredibly intelligent, highly elusive 169 00:09:37,400 --> 00:09:42,280 Speaker 2: beast capable of surviving cold climates by tunneling under snow, 170 00:09:43,000 --> 00:09:46,480 Speaker 2: is poised to infiltrate the north of the country first, 171 00:09:46,520 --> 00:09:51,000 Speaker 2: that is terrified, like just imagine like the canad like 172 00:09:51,280 --> 00:09:54,160 Speaker 2: the border, and then they're just like burrowing under the 173 00:09:54,240 --> 00:09:56,600 Speaker 2: snow and then popping up in the United States. I 174 00:09:56,679 --> 00:10:00,800 Speaker 2: love it so much. The emergent of the so called 175 00:10:00,840 --> 00:10:03,680 Speaker 2: super pig a result of cross breeding domestic pigs with 176 00:10:03,800 --> 00:10:07,920 Speaker 2: wild bores only as to the problems the US faces 177 00:10:07,920 --> 00:10:10,520 Speaker 2: from the swine invasion. Pigs are not native to the US, 178 00:10:10,559 --> 00:10:14,600 Speaker 2: but of road havoc in recent decades in parts of 179 00:10:14,640 --> 00:10:17,520 Speaker 2: the country, the pig's prevalence has sparked a whole hog 180 00:10:17,600 --> 00:10:23,360 Speaker 2: hunting industry. We see, okay quote, we see direct competition 181 00:10:23,440 --> 00:10:27,160 Speaker 2: for our native species for foods, said Michael Marlowe, who 182 00:10:27,240 --> 00:10:31,240 Speaker 2: is the program manager for Department Agricultural's National Feral Swine 183 00:10:31,360 --> 00:10:33,119 Speaker 2: Damage Management Program. 184 00:10:34,520 --> 00:10:38,120 Speaker 1: Pigs are. 185 00:10:38,600 --> 00:10:44,439 Speaker 2: Very accredited the Department of Agriculture National Feral Swine Damage 186 00:10:44,440 --> 00:10:52,840 Speaker 2: Management Program. Why doesn't that have like a fun acronym? However, 187 00:10:53,240 --> 00:10:57,080 Speaker 2: pigs are also accomplished predators. They'll opportunistically come upon a 188 00:10:57,160 --> 00:11:00,920 Speaker 2: hidden animal, and the males have long tusks, so they're 189 00:11:01,000 --> 00:11:03,720 Speaker 2: very capable of running and grabbing one with their mouth. 190 00:11:04,320 --> 00:11:08,480 Speaker 2: You'll kill young fawns. They're known to be creditors, so 191 00:11:08,520 --> 00:11:12,840 Speaker 2: the impact turkeys and potentially quail the wild. Pigs are 192 00:11:12,880 --> 00:11:16,640 Speaker 2: also responsible for a laundry list of environmental damages, ranging 193 00:11:16,679 --> 00:11:19,880 Speaker 2: from eating innocent farmers crops, destroying trees, and polluting waters. 194 00:11:19,880 --> 00:11:22,720 Speaker 2: They also pose a human health and safety risk. A 195 00:11:22,840 --> 00:11:26,520 Speaker 2: pig is a quote mixing vessel. I have no idea 196 00:11:26,559 --> 00:11:30,600 Speaker 2: where they got that capable of carrying viruses such as flu, 197 00:11:30,640 --> 00:11:36,599 Speaker 2: which are transmittable to humans. National Geographic who loves ed 198 00:11:36,679 --> 00:11:42,160 Speaker 2: and reported the pigs Mammal. 199 00:11:41,920 --> 00:11:47,719 Speaker 1: Of the Years a huge award for National Geographic. I know, 200 00:11:48,400 --> 00:11:49,439 Speaker 1: good luck next year. 201 00:11:50,360 --> 00:11:53,319 Speaker 2: The pigs have the potential to create quote a novel 202 00:11:53,400 --> 00:11:56,280 Speaker 2: influenza Irish wids could which could spread. 203 00:11:56,000 --> 00:11:56,920 Speaker 1: To human courage. 204 00:11:58,559 --> 00:12:01,520 Speaker 2: So anyway, they're out there, they're burrowing in the snow, 205 00:12:01,559 --> 00:12:07,640 Speaker 2: they're coming upon animals, hidden, attacking, and they're making everybody sick. 206 00:12:07,760 --> 00:12:10,400 Speaker 1: Super pigs, folks, We're gonna stop these pigs. 207 00:12:11,000 --> 00:12:12,000 Speaker 3: What happened to babe? 208 00:12:12,400 --> 00:12:13,400 Speaker 1: Like why can't happen? 209 00:12:14,160 --> 00:12:15,440 Speaker 3: Why can't they all be pigs? 210 00:12:15,480 --> 00:12:19,320 Speaker 2: Like babe, Like why are we makes a classic pink pig? 211 00:12:20,360 --> 00:12:21,360 Speaker 3: Like that's all I want? 212 00:12:21,559 --> 00:12:26,280 Speaker 5: Like you know, I mean also, it's very trendy, I know, 213 00:12:26,320 --> 00:12:29,720 Speaker 5: with dogs to cross breed because they make cute like 214 00:12:30,040 --> 00:12:33,679 Speaker 5: you know, labbordoodles or you know, whatever they're called. 215 00:12:33,679 --> 00:12:34,760 Speaker 1: They always everything call. 216 00:12:34,840 --> 00:12:39,160 Speaker 5: Yeah, they're all fucking MutS, right, I like only follow 217 00:12:39,280 --> 00:12:42,040 Speaker 5: like rescues on Instagram, And it's a horrible habit because 218 00:12:42,080 --> 00:12:44,160 Speaker 5: I want to adopt all of them and. 219 00:12:44,000 --> 00:12:45,600 Speaker 1: They're all like me too. 220 00:12:45,800 --> 00:12:48,600 Speaker 5: They're like this is this is Tara Massou and he's 221 00:12:48,679 --> 00:12:55,280 Speaker 5: eighteen percent Shihuahua and very twenty percent Australian shepherd. But 222 00:12:55,440 --> 00:12:57,520 Speaker 5: these hogs, nobody. 223 00:12:57,160 --> 00:13:02,000 Speaker 2: Wants that, Like, no, yeah, a wild boy. Wild boars 224 00:13:02,040 --> 00:13:04,600 Speaker 2: are crazy. We've heard a lot of stories on wild boars. 225 00:13:05,760 --> 00:13:07,600 Speaker 2: And then I guess the pigs are smart, so the 226 00:13:07,640 --> 00:13:11,120 Speaker 2: boor's crazy. The pigs are smart. Sounds crazy. It sounds 227 00:13:11,160 --> 00:13:13,600 Speaker 2: They always say coy dogs are the most dangerous dogs, 228 00:13:14,200 --> 00:13:15,439 Speaker 2: more dangerous than wolves. 229 00:13:16,040 --> 00:13:19,120 Speaker 1: But going back to bit Babe and Babe Pig in 230 00:13:19,160 --> 00:13:22,839 Speaker 1: the City sequel, which was an equally great movie. 231 00:13:22,720 --> 00:13:25,760 Speaker 2: It's an amazing It's a real departure from the first movie. 232 00:13:26,400 --> 00:13:30,400 Speaker 1: Somebody had to pitch that movie, some grown person. I 233 00:13:30,440 --> 00:13:34,200 Speaker 1: don't know who wrote that movie, but we can find out. Uh. 234 00:13:34,679 --> 00:13:38,440 Speaker 1: Walked into several studios I bet and said, boy, do 235 00:13:38,600 --> 00:13:42,040 Speaker 1: I have an idea for you. It's about a pig 236 00:13:42,400 --> 00:13:45,280 Speaker 1: that can talk. And they're like, oh, it's George Miller 237 00:13:45,320 --> 00:13:49,320 Speaker 1: and Chris Noonan, the George Miller. Oh my gosh, it 238 00:13:49,400 --> 00:13:52,640 Speaker 1: was George Miller for the Mad Next franchise. I swear 239 00:13:52,679 --> 00:13:57,080 Speaker 1: to god. Pig in the City. Yes, the guy that 240 00:13:57,200 --> 00:14:02,000 Speaker 1: did all the Mad Max movies. Babe and Babe Pig 241 00:14:02,040 --> 00:14:05,520 Speaker 1: in the City. What a discovery. That's amazing. I would 242 00:14:05,520 --> 00:14:09,680 Speaker 1: love that kind of range, like that makes it even funnier. 243 00:14:09,280 --> 00:14:11,120 Speaker 3: That makes it so much, That makes actually a lot 244 00:14:11,160 --> 00:14:11,559 Speaker 3: of sense. 245 00:14:13,280 --> 00:14:15,520 Speaker 1: Yeah, it's a it's a little bit like a Barnyard 246 00:14:15,520 --> 00:14:17,960 Speaker 1: Mad Mac situation. It's a little bit of Fury Road. 247 00:14:18,280 --> 00:14:21,080 Speaker 2: It explains Babe Pig in the City a little bit more, 248 00:14:21,120 --> 00:14:23,800 Speaker 2: because a babe pig in the city is a wild world. 249 00:14:24,240 --> 00:14:27,120 Speaker 2: You know, it's just all these animals running hotels. It's 250 00:14:27,120 --> 00:14:30,360 Speaker 2: like a small venice. Everything's like a quarter size. 251 00:14:30,360 --> 00:14:31,520 Speaker 1: And then it should be. 252 00:14:33,840 --> 00:14:35,520 Speaker 3: I mean, so I want. 253 00:14:35,320 --> 00:14:37,440 Speaker 5: To know what the exepts we're thinking saying yes to 254 00:14:37,520 --> 00:14:40,080 Speaker 5: this pitch's. 255 00:14:39,080 --> 00:14:42,080 Speaker 1: And then it was huge. It was a huge movie. 256 00:14:42,320 --> 00:14:44,760 Speaker 1: It was made two of them. Yeah, what was going 257 00:14:44,800 --> 00:14:47,760 Speaker 1: on that day where everybody where adults got together and like, 258 00:14:48,000 --> 00:14:51,400 Speaker 1: talking pig, super cute. Everybody loves it. I guess maybe 259 00:14:51,480 --> 00:14:53,840 Speaker 1: Charlotte's web teed it up in life that we're used 260 00:14:53,840 --> 00:14:55,760 Speaker 1: to a talking, adorable farm pig. 261 00:14:56,080 --> 00:14:58,400 Speaker 2: You know, I would put I'll bet I'll put money 262 00:14:58,440 --> 00:15:00,440 Speaker 2: on it that it was like, we now have the 263 00:15:00,520 --> 00:15:06,040 Speaker 2: technology to make this pig fucking talk, and that was it. 264 00:15:06,080 --> 00:15:08,320 Speaker 2: They're like, well, why if we could do it, we 265 00:15:08,800 --> 00:15:10,760 Speaker 2: have to do it. That was It was easily. It 266 00:15:10,800 --> 00:15:11,960 Speaker 2: was greenlit immediately. 267 00:15:12,040 --> 00:15:13,960 Speaker 3: Did Homeward Bound come first? 268 00:15:14,560 --> 00:15:17,160 Speaker 5: God, what a great movie too, So that would be 269 00:15:17,200 --> 00:15:18,760 Speaker 5: talking dog movie, right. 270 00:15:19,200 --> 00:15:21,800 Speaker 1: Yes, that one and Milon and otis. But then I 271 00:15:21,800 --> 00:15:24,000 Speaker 1: think they've gone back and been like, boy, they weren't 272 00:15:24,080 --> 00:15:26,480 Speaker 1: nice to those animals. Like I think years later, I 273 00:15:26,520 --> 00:15:29,400 Speaker 1: think there's a reason why we don't get those movies. Yeah, 274 00:15:30,360 --> 00:15:31,200 Speaker 1: learn lesson. 275 00:15:31,440 --> 00:15:33,320 Speaker 3: Yeah, they got canceled or something. 276 00:15:33,880 --> 00:15:36,320 Speaker 2: First, there was a dog movie that came out recently 277 00:15:36,360 --> 00:15:38,200 Speaker 2: and there was like people like, look at this dog 278 00:15:38,280 --> 00:15:43,360 Speaker 2: jumping in this river. Bad people made the dog jump 279 00:15:43,360 --> 00:15:45,880 Speaker 2: in the river. I don't know any more details in that. 280 00:15:46,320 --> 00:15:47,040 Speaker 1: You don't need to. 281 00:15:47,320 --> 00:15:47,920 Speaker 3: Can I tell you? 282 00:15:48,920 --> 00:15:51,040 Speaker 5: When I was working on The Unicorn, which was just 283 00:15:51,040 --> 00:15:55,840 Speaker 5: like a single cam sitcom on CBS. The remember the 284 00:15:55,880 --> 00:15:58,920 Speaker 5: main care Yeah, Walton Goggins was the star, and the 285 00:15:58,960 --> 00:16:01,440 Speaker 5: main he had on the show he had two dogs. 286 00:16:02,200 --> 00:16:05,200 Speaker 5: And we were like and like I guess CBS or whatever, 287 00:16:05,240 --> 00:16:07,040 Speaker 5: We're like like we're really trying to be very like 288 00:16:07,040 --> 00:16:09,240 Speaker 5: wholesome about it. We're like, we're gonna use two rescue 289 00:16:09,280 --> 00:16:12,720 Speaker 5: dogs from this like company that makes like you know, 290 00:16:12,920 --> 00:16:16,560 Speaker 5: makes the trains dogs for TV shows and stuff. 291 00:16:16,880 --> 00:16:19,760 Speaker 3: And they would bring these dogs on set and they 292 00:16:19,760 --> 00:16:21,080 Speaker 3: were angels on set. 293 00:16:21,200 --> 00:16:23,360 Speaker 5: But like on one day we were shooting like a 294 00:16:23,360 --> 00:16:27,520 Speaker 5: Halloween episode and we had these like rotting pumpkins. 295 00:16:27,560 --> 00:16:29,640 Speaker 3: It was kind of a joke, but the dogs started 296 00:16:29,640 --> 00:16:30,320 Speaker 3: eating them. 297 00:16:32,520 --> 00:16:35,040 Speaker 5: These dogs had like the biggest appetite and they would 298 00:16:35,080 --> 00:16:38,040 Speaker 5: just start eating like a random crap around the set. Really, 299 00:16:38,760 --> 00:16:41,520 Speaker 5: it became a problem so they couldn't Like we used 300 00:16:41,520 --> 00:16:43,480 Speaker 5: to just hang out with the dogs. It was great 301 00:16:43,800 --> 00:16:47,360 Speaker 5: and like Paramount was like the dog friendliest set like 302 00:16:48,040 --> 00:16:51,520 Speaker 5: studio I've ever seen. But after the dogs started eating 303 00:16:51,560 --> 00:16:54,880 Speaker 5: the Halloween stuff because they couldn't. 304 00:16:54,480 --> 00:16:57,320 Speaker 3: Free range anymore around, I don't know. 305 00:16:58,040 --> 00:17:02,400 Speaker 5: Yeah, star dogs are like star kids, you know, like 306 00:17:02,920 --> 00:17:03,200 Speaker 5: they are. 307 00:17:03,560 --> 00:17:07,280 Speaker 3: They're very strange, Like it's bizarre. 308 00:17:07,480 --> 00:17:10,080 Speaker 2: They all have drug problems, all of them. 309 00:17:10,080 --> 00:17:12,400 Speaker 3: They're doing they're pumping cocaine when I can't look. 310 00:17:13,960 --> 00:17:16,040 Speaker 2: That's why they're eating a whole pumpkin. 311 00:17:16,400 --> 00:17:19,360 Speaker 5: That's what they Yeah, cocaine dog instead of Cocaine Bear. 312 00:17:19,520 --> 00:17:20,679 Speaker 5: That was the original title. 313 00:17:22,160 --> 00:17:24,960 Speaker 1: Kurt and I once tried to have Kurt ride a 314 00:17:25,000 --> 00:17:28,080 Speaker 1: bear down a western main street for a TV show 315 00:17:28,119 --> 00:17:31,040 Speaker 1: we were doing. And we found a woman that was 316 00:17:31,119 --> 00:17:34,280 Speaker 1: the trainer that could do it, and she said, we'll 317 00:17:34,280 --> 00:17:37,880 Speaker 1: get one take because she'll keep the bear kind of hungry. 318 00:17:38,040 --> 00:17:40,520 Speaker 1: It'll take it twenty eight days. For some reason, she 319 00:17:40,560 --> 00:17:43,000 Speaker 1: said it'll take twenty eight days, not four weeks, not 320 00:17:43,119 --> 00:17:45,560 Speaker 1: thirty days. She was like, you'll take twenty eight days. 321 00:17:45,640 --> 00:17:48,200 Speaker 1: So we were like, okay, let's do it. And she said, 322 00:17:48,240 --> 00:17:50,399 Speaker 1: you're going to be able to ride it once and 323 00:17:50,440 --> 00:17:52,920 Speaker 1: then once it gets to the end of the street 324 00:17:53,000 --> 00:17:55,480 Speaker 1: and eats a birthday cake. We were going to give 325 00:17:55,520 --> 00:17:59,840 Speaker 1: a bear a birthday. It will not obey anybody anymore 326 00:18:00,000 --> 00:18:03,280 Speaker 1: once it needs the cake, will not take instruction or commands. 327 00:18:03,320 --> 00:18:07,119 Speaker 1: It was cake based bear training. So we were like, okay, 328 00:18:07,280 --> 00:18:09,280 Speaker 1: we'll get it in one Kurt's a pro, he's a 329 00:18:09,320 --> 00:18:11,119 Speaker 1: great host. He'll get it in one take. And then 330 00:18:11,160 --> 00:18:13,240 Speaker 1: we called her back and she was doing The Revenant 331 00:18:13,320 --> 00:18:16,760 Speaker 1: with Leonardo DiCaprio and Canada with the Kodiak bear that 332 00:18:16,840 --> 00:18:22,240 Speaker 1: Kurt was going to ride like a horse. Fantastic. 333 00:18:23,000 --> 00:18:24,040 Speaker 3: We also had a. 334 00:18:24,000 --> 00:18:26,919 Speaker 5: Skunk in one episode, so we had a skunk trainer 335 00:18:27,119 --> 00:18:27,880 Speaker 5: on set. 336 00:18:27,880 --> 00:18:33,840 Speaker 2: Which that's not a skunk trainer skunk, that's a skunk 337 00:18:33,960 --> 00:18:39,040 Speaker 2: capturer and removing. 338 00:18:39,320 --> 00:18:41,560 Speaker 5: But the actor was too afraid to like do a 339 00:18:41,600 --> 00:18:43,320 Speaker 5: lot of shots with it, so we had like a 340 00:18:43,359 --> 00:18:44,040 Speaker 5: fake one. 341 00:18:45,640 --> 00:18:47,679 Speaker 3: To get up close. It was, Yeah, it was funny. 342 00:18:48,400 --> 00:18:50,000 Speaker 3: I wouldn't want to work for the skunk. 343 00:18:51,359 --> 00:18:53,199 Speaker 1: There used to people used to be allowed to have 344 00:18:53,240 --> 00:18:56,160 Speaker 1: pet squirrels up until like the forties or fifties. There's 345 00:18:56,200 --> 00:18:59,320 Speaker 1: like old magazine advertisements about what great pet squirrels are 346 00:18:59,320 --> 00:19:00,760 Speaker 1: and you can keep them in your homes, and like 347 00:19:00,800 --> 00:19:03,520 Speaker 1: in America was pretty common to have pet squirrels. 348 00:19:03,600 --> 00:19:05,720 Speaker 5: Well, you know how you have your cat punk, which 349 00:19:05,720 --> 00:19:08,600 Speaker 5: I only know from this from this pod, right, I 350 00:19:08,680 --> 00:19:11,120 Speaker 5: have a squirrel outside of that. Oh, it's the same 351 00:19:11,160 --> 00:19:14,680 Speaker 5: one because he's really fat and and I call him Cosmo, 352 00:19:15,320 --> 00:19:17,400 Speaker 5: and and it's a great. 353 00:19:17,200 --> 00:19:19,920 Speaker 3: Name for a squirrel, and Cosmos. I feel like he's 354 00:19:19,960 --> 00:19:22,679 Speaker 3: my pet at this point, you know, I get it. 355 00:19:24,560 --> 00:19:27,480 Speaker 1: Let's see, I'll do my pig story too. I'm so 356 00:19:27,600 --> 00:19:33,560 Speaker 1: glad you picked one. So here is uh my pig story. 357 00:19:34,080 --> 00:19:39,480 Speaker 1: Ezekiel Ezekiel, the Warez pancake eating pig caught stealing a 358 00:19:39,520 --> 00:19:43,840 Speaker 1: kilo of tortillas and finds a new home. Yes, that 359 00:19:44,400 --> 00:19:47,280 Speaker 1: is just a great, great headline. 360 00:19:47,320 --> 00:19:50,000 Speaker 2: The delight is in the details. 361 00:19:49,960 --> 00:19:53,720 Speaker 1: It really is. This was written by her Riberto Perez 362 00:19:53,840 --> 00:20:01,680 Speaker 1: for kV I seven ABC. They're good. They're in Warez, Chihuahua. 363 00:20:02,960 --> 00:20:05,760 Speaker 1: I'm telling you serious, this is ware Is Chihuahua. Mexico. 364 00:20:06,400 --> 00:20:09,679 Speaker 1: He Roberto Perez. He is the best in the biz. 365 00:20:10,200 --> 00:20:14,320 Speaker 2: Ezekiel Mastor and Labis. 366 00:20:14,640 --> 00:20:18,719 Speaker 1: And the biz. We'll just say in Elbiz. I'll have 367 00:20:18,760 --> 00:20:20,920 Speaker 1: to find out who sent this in, because a couple 368 00:20:20,960 --> 00:20:25,760 Speaker 1: of people did. Ezekiel has received some attention lately. After 369 00:20:25,880 --> 00:20:29,919 Speaker 1: escaping his home in late twenty twenty two, Warez authorities 370 00:20:30,000 --> 00:20:33,280 Speaker 1: rescued him and brought him to the r a MM, 371 00:20:33,400 --> 00:20:36,840 Speaker 1: which I'm guessing is the ram A Warez City department 372 00:20:36,960 --> 00:20:40,920 Speaker 1: that cares for abandoned animals after he escaped. The first 373 00:20:40,920 --> 00:20:44,439 Speaker 1: time authorities tried caring for the pig, they realized the 374 00:20:44,520 --> 00:20:48,480 Speaker 1: pig wouldn't eat no matter what they tried to feed him, 375 00:20:48,560 --> 00:20:51,720 Speaker 1: So they tried pancakes, and there you go. Ezekiel started 376 00:20:51,720 --> 00:20:55,080 Speaker 1: eating again. So there's a one way to curb these 377 00:20:55,160 --> 00:20:58,120 Speaker 1: super pigs. Also, there's plenty of maple syrup up there. 378 00:20:58,119 --> 00:21:04,960 Speaker 1: We got a pancake. These super pigs to eat a pancake, yes, 379 00:21:05,080 --> 00:21:07,440 Speaker 1: take them to ihop. Have you ever eaten pancakes too 380 00:21:07,440 --> 00:21:09,359 Speaker 1: fast and it like slows down and it stuck in 381 00:21:09,400 --> 00:21:11,880 Speaker 1: your chest somewhere and you're like, this was a mistake, 382 00:21:12,840 --> 00:21:18,200 Speaker 1: this could be it for me. Well, Anyways, last Monday, 383 00:21:18,240 --> 00:21:22,439 Speaker 1: Ezekiel escape from his new home, whereas residents found him 384 00:21:22,480 --> 00:21:25,920 Speaker 1: standing outside of a convenience store, which just so good. 385 00:21:26,760 --> 00:21:30,840 Speaker 1: They observed Ezekiel leaving the store with a kilo of tortillas, 386 00:21:31,160 --> 00:21:34,000 Speaker 1: which you call the attention of hundreds of people on 387 00:21:34,080 --> 00:21:37,479 Speaker 1: social media. Now, he's had a new home on a 388 00:21:37,520 --> 00:21:41,919 Speaker 1: farm called oh on nir Casas Grande's Highway. So I 389 00:21:41,960 --> 00:21:44,520 Speaker 1: looked that up because I was wondering what akilo? How 390 00:21:44,560 --> 00:21:47,760 Speaker 1: many tortillas that would be? So that's two point two 391 00:21:47,800 --> 00:21:53,040 Speaker 1: pounds of tortillas. So a tortilla weits thirty grams? How 392 00:21:53,040 --> 00:21:56,159 Speaker 1: many grams and two point two pounds nine hundred and 393 00:21:56,240 --> 00:22:00,240 Speaker 1: ninety eight, So this means Ezekiel stolen ate thirty three 394 00:22:00,280 --> 00:22:02,320 Speaker 1: point three tortillas. Pretty good? 395 00:22:02,400 --> 00:22:05,919 Speaker 3: Wait did he lay these tortillas? Like, how do you know? 396 00:22:07,119 --> 00:22:09,360 Speaker 1: I went online and I did the math. I did 397 00:22:09,359 --> 00:22:12,399 Speaker 1: some googling. How much is a tortillotia away and a 398 00:22:12,440 --> 00:22:14,960 Speaker 1: medium tortilla? Thirty grand How did they know it was. 399 00:22:14,920 --> 00:22:16,480 Speaker 3: Two kilos or whatever? It was? 400 00:22:16,600 --> 00:22:18,399 Speaker 1: Like, Oh, I think it was like a bag. I 401 00:22:18,400 --> 00:22:21,560 Speaker 1: think he stole like a bag of tortillas, walked. 402 00:22:22,280 --> 00:22:25,760 Speaker 2: And the poor guy. You know, he thought they were pancakes. 403 00:22:26,280 --> 00:22:28,000 Speaker 2: I thought he was getting pancakes. 404 00:22:28,600 --> 00:22:30,760 Speaker 5: The poor guy thought it was pounds probably, and he 405 00:22:30,800 --> 00:22:33,160 Speaker 5: hasn't adopted the metric system and was like, I don't 406 00:22:33,160 --> 00:22:34,760 Speaker 5: know what kuilos is or something. 407 00:22:36,960 --> 00:22:38,480 Speaker 1: A pretty fun pit. 408 00:22:38,800 --> 00:22:41,960 Speaker 2: He's addicted to pancakes and I can't find andy, so 409 00:22:42,000 --> 00:22:43,080 Speaker 2: he's buying some tortillas. 410 00:22:43,160 --> 00:22:45,919 Speaker 5: They look similar, you gotta you know, it's kind of 411 00:22:45,960 --> 00:22:48,720 Speaker 5: like a crepe. I don't blame him. 412 00:22:49,400 --> 00:22:52,640 Speaker 1: Neither, you know, I was sent in by Michelle. Thank 413 00:22:52,680 --> 00:22:53,959 Speaker 1: you Michelle for sending that. 414 00:22:54,280 --> 00:22:56,920 Speaker 2: But there was a moment where he was like, oh man, 415 00:22:57,080 --> 00:22:59,480 Speaker 2: the pancakes at that place were so much better than 416 00:22:59,520 --> 00:23:01,680 Speaker 2: these pans. 417 00:23:03,000 --> 00:23:07,679 Speaker 1: Tortillastilled stand up to a pancake. When I was a kid, 418 00:23:08,520 --> 00:23:11,159 Speaker 1: the birthday thing I would do when I was like, 419 00:23:11,200 --> 00:23:14,000 Speaker 1: you know, eight, nine, ten eleven was we would go 420 00:23:14,040 --> 00:23:16,480 Speaker 1: to chi Cheese restaurant ed and did they have chee 421 00:23:16,520 --> 00:23:18,320 Speaker 1: cheese out here when you were a kid? Ye, it'sok. 422 00:23:18,359 --> 00:23:21,840 Speaker 1: A Mexican chain in New Jersey. 423 00:23:22,400 --> 00:23:24,880 Speaker 3: Nocheese. 424 00:23:24,880 --> 00:23:27,080 Speaker 1: Whole thing was while you waited for the table, they 425 00:23:27,119 --> 00:23:30,040 Speaker 1: had just barrels of fresh tortilla chips and salsa, so 426 00:23:30,080 --> 00:23:32,040 Speaker 1: you could just stand there and eat chips and salsa 427 00:23:32,119 --> 00:23:33,440 Speaker 1: before you even sat down. 428 00:23:33,520 --> 00:23:35,080 Speaker 3: Oh, I would have never left. I wouldn't have beaten 429 00:23:35,119 --> 00:23:35,720 Speaker 3: anything else. 430 00:23:37,520 --> 00:23:40,199 Speaker 1: It was incredible. Commercials for it in the eighties were 431 00:23:40,440 --> 00:23:43,840 Speaker 1: so funny. It'd be like like young single adults like 432 00:23:44,119 --> 00:23:46,840 Speaker 1: drink and margarita's and beers and eating chips and sauce 433 00:23:46,880 --> 00:23:49,359 Speaker 1: and like flirting while they were waiting for their table. 434 00:23:49,400 --> 00:23:53,040 Speaker 1: And then the other commercials were guys wearing trench coats 435 00:23:53,040 --> 00:23:55,760 Speaker 1: that had tubes up their sleeves that they would vacuum 436 00:23:55,840 --> 00:23:57,600 Speaker 1: up the salsa because it was so good, and they 437 00:23:57,600 --> 00:24:00,600 Speaker 1: would get fatter and fatter as they were steel salsa 438 00:24:00,600 --> 00:24:03,040 Speaker 1: from Chee Cheese. And then Chee Cheese was like, you 439 00:24:03,080 --> 00:24:05,840 Speaker 1: don't have to do this anymore. We sell it in jars. 440 00:24:08,680 --> 00:24:12,440 Speaker 1: So it was like my eleventh bird twelfth birthday and 441 00:24:12,680 --> 00:24:14,639 Speaker 1: we go to che Chee's and the big thing is 442 00:24:14,680 --> 00:24:16,879 Speaker 1: they sing to you and then they give you fried 443 00:24:16,920 --> 00:24:21,080 Speaker 1: ice cream, which is delicious, and so I go to 444 00:24:21,160 --> 00:24:23,840 Speaker 1: the bathroom to go to the bathroom. And at the 445 00:24:23,960 --> 00:24:29,080 Speaker 1: time that summer, the big song was Living on the 446 00:24:29,200 --> 00:24:33,399 Speaker 1: Edge by Aerosmith, and it was my favorite song. This 447 00:24:33,520 --> 00:24:35,480 Speaker 1: was also when you didn't have, you know, Spotify or 448 00:24:35,520 --> 00:24:37,879 Speaker 1: whatever YouTube, so you couldn't just hear songs. So I 449 00:24:37,960 --> 00:24:40,280 Speaker 1: go in there and that song starts, and so I 450 00:24:40,480 --> 00:24:43,560 Speaker 1: stood in the bathroom and listened to the entire song. 451 00:24:44,240 --> 00:24:48,560 Speaker 1: That song is almost seven minutes long. So at some point, 452 00:24:50,960 --> 00:24:57,000 Speaker 1: and looking back, also eleven ten eleven, so I'm just 453 00:24:57,040 --> 00:25:01,040 Speaker 1: standing in a restaurant bathroom just jamming out my favorite song, 454 00:25:01,119 --> 00:25:03,880 Speaker 1: wanting to hear it from start to finish. It's got 455 00:25:03,880 --> 00:25:07,120 Speaker 1: a very clear, a very obvious opening that you would 456 00:25:07,119 --> 00:25:10,639 Speaker 1: recognize right away. And if looking back, I realized that 457 00:25:10,680 --> 00:25:12,280 Speaker 1: all my friends that I took to that were just 458 00:25:12,280 --> 00:25:15,760 Speaker 1: sitting with my parents in a Mexican restaurant, just having 459 00:25:15,800 --> 00:25:18,119 Speaker 1: to make small talk with two grown people they barely know. 460 00:25:19,440 --> 00:25:22,960 Speaker 1: At some point, my dad just comes in like worried, 461 00:25:23,000 --> 00:25:25,199 Speaker 1: and he's like, what are you doing in here? And 462 00:25:25,240 --> 00:25:28,080 Speaker 1: I'm listening to Aerosmith by myself and I was like, 463 00:25:28,119 --> 00:25:30,200 Speaker 1: oh nothing, I'm just coming out. He's like, we thought 464 00:25:30,240 --> 00:25:33,520 Speaker 1: you fell in and I'm like no, And then I 465 00:25:33,520 --> 00:25:35,159 Speaker 1: get back to the table and all my friends just 466 00:25:35,200 --> 00:25:37,200 Speaker 1: tease me for the rest of the time, thinking I'm 467 00:25:37,240 --> 00:25:40,880 Speaker 1: like in there just destroying the chee cheese bathroom when 468 00:25:40,920 --> 00:25:44,720 Speaker 1: really I'm just standing there like by myself, just dancing Aerosmith. 469 00:25:46,960 --> 00:25:51,240 Speaker 3: Dude, Well, I haven't when I go out. 470 00:25:51,760 --> 00:25:54,520 Speaker 5: I have performance anxiety when it comes to going to 471 00:25:54,560 --> 00:25:58,160 Speaker 5: the bathroom, Like I feel like I can't go when 472 00:25:58,160 --> 00:26:02,119 Speaker 5: there's other people there. It's in the bathroom, in the bathroom, 473 00:26:02,240 --> 00:26:04,159 Speaker 5: like I need, I need no one to hear me. 474 00:26:04,359 --> 00:26:05,440 Speaker 3: I'm like embarrassed. 475 00:26:05,880 --> 00:26:08,640 Speaker 5: It just like won't come out, Like I can't pee 476 00:26:08,720 --> 00:26:12,440 Speaker 5: unless everybody leaves me alone. So but I'm always really 477 00:26:12,480 --> 00:26:15,280 Speaker 5: self conscious that I take a long time, so I 478 00:26:16,359 --> 00:26:19,480 Speaker 5: basically just barely pee you out, I just have I 479 00:26:19,560 --> 00:26:22,160 Speaker 5: only pee at home because I'm so self conscious about 480 00:26:22,200 --> 00:26:24,480 Speaker 5: people thinking I've been gone for so long. But it 481 00:26:24,680 --> 00:26:28,080 Speaker 5: me just really like thinking, please everybody leave the bathroom so. 482 00:26:28,080 --> 00:26:29,159 Speaker 3: I can pe and peace. 483 00:26:30,359 --> 00:26:33,840 Speaker 1: They should play Aerosmith loudly in every public bathroom as 484 00:26:33,880 --> 00:26:37,040 Speaker 1: loud as I can, a band that nobody actually likes, 485 00:26:37,200 --> 00:26:40,400 Speaker 1: and then it just lets you all relax and make 486 00:26:40,480 --> 00:26:42,400 Speaker 1: the noises you need to make in this world. 487 00:26:42,440 --> 00:26:43,520 Speaker 3: And in Japan they. 488 00:26:43,400 --> 00:26:45,879 Speaker 5: Have this thing where you can turn on music when 489 00:26:45,960 --> 00:26:48,280 Speaker 5: you're in the bathroom, so it drones out the piece 490 00:26:48,440 --> 00:26:52,880 Speaker 5: that's sound or whatever, so sure. 491 00:26:53,680 --> 00:26:59,120 Speaker 2: We go to this one restaurant on Friday nights, and 492 00:26:58,480 --> 00:27:02,800 Speaker 2: uh and my son and who's three, always like, right 493 00:27:02,840 --> 00:27:04,920 Speaker 2: when he starts eating, he's like, I gotta use a bathroom. 494 00:27:05,080 --> 00:27:07,160 Speaker 2: And it's literally just an excuse to get up from 495 00:27:07,160 --> 00:27:09,119 Speaker 2: the table and walk to the bathroom. So I'm like, 496 00:27:09,160 --> 00:27:11,399 Speaker 2: all right, and I always go with him, and so 497 00:27:11,480 --> 00:27:13,200 Speaker 2: we make the whole long walk to the bathroom. We 498 00:27:13,280 --> 00:27:15,639 Speaker 2: get in there, he goes to the bathroom, there's like 499 00:27:15,680 --> 00:27:16,600 Speaker 2: no pea whatsoever. 500 00:27:16,640 --> 00:27:18,840 Speaker 1: It's literally just an excuse. And then I usually have 501 00:27:18,880 --> 00:27:19,080 Speaker 1: to go. 502 00:27:19,119 --> 00:27:21,679 Speaker 2: So then I sit down and then he just walks 503 00:27:21,680 --> 00:27:24,320 Speaker 2: to the other side of the bathroom, which is pretty 504 00:27:24,320 --> 00:27:27,119 Speaker 2: far away from where the toilet is, turns the lights 505 00:27:27,160 --> 00:27:28,439 Speaker 2: off and then just leaves. 506 00:27:32,600 --> 00:27:32,840 Speaker 3: Mmate. 507 00:27:33,480 --> 00:27:36,560 Speaker 1: It's like it was like so because he used to just. 508 00:27:36,520 --> 00:27:38,719 Speaker 2: Turn the lights off and I'd be like, gus, come on, 509 00:27:38,880 --> 00:27:40,840 Speaker 2: turn them back on, and he'd turn them on. He'd 510 00:27:40,840 --> 00:27:42,679 Speaker 2: turn him on, look at me and then smile and 511 00:27:42,720 --> 00:27:45,080 Speaker 2: then turn them off again. But now his new thing 512 00:27:45,160 --> 00:27:47,159 Speaker 2: is like turn it, shutting them off and opening the 513 00:27:47,200 --> 00:27:50,439 Speaker 2: door and walking down and he's and he's three, and 514 00:27:50,480 --> 00:27:55,199 Speaker 2: it's like the bathroom door is right near the kitchen entrance, 515 00:27:55,560 --> 00:27:57,800 Speaker 2: so he could easily just like walk right into the 516 00:27:57,880 --> 00:28:01,080 Speaker 2: kitchen people are coming out with food. He's very little, 517 00:28:01,600 --> 00:28:04,000 Speaker 2: so I have to like with my pants around my ankles, 518 00:28:04,000 --> 00:28:07,240 Speaker 2: like run over in the dark, in pitch darkness, and 519 00:28:07,280 --> 00:28:09,600 Speaker 2: like open the door and grab him, but without anyone 520 00:28:09,680 --> 00:28:10,240 Speaker 2: seeing me. 521 00:28:10,720 --> 00:28:14,480 Speaker 1: You know, It's like it is rarely. Really, I'm his father. 522 00:28:14,600 --> 00:28:15,320 Speaker 1: I'm his father. 523 00:28:18,080 --> 00:28:19,720 Speaker 3: Crazy too, like when we. 524 00:28:19,560 --> 00:28:21,680 Speaker 5: Were when I was little and I have to call 525 00:28:21,760 --> 00:28:24,280 Speaker 5: someone on the phone, I have to make small talk 526 00:28:24,359 --> 00:28:25,760 Speaker 5: with their parents until. 527 00:28:25,520 --> 00:28:27,959 Speaker 3: That they came, yes, hey, can I speak to Jenny. 528 00:28:28,400 --> 00:28:31,439 Speaker 5: They're like yeah, hold on, and like, oh, hi missus. 529 00:28:31,640 --> 00:28:34,760 Speaker 5: You know Albertson, how are you? Like, how's the weather? 530 00:28:35,359 --> 00:28:36,080 Speaker 5: How's yours? 531 00:28:36,160 --> 00:28:39,240 Speaker 1: To open in grocery stores all around California, Florida and 532 00:28:39,280 --> 00:28:41,200 Speaker 1: parts of Texas. 533 00:28:40,800 --> 00:28:43,880 Speaker 5: It's so weird magging small talk with your friend's parents 534 00:28:43,880 --> 00:28:47,400 Speaker 5: while you're waiting for like your friend to come downstairs. 535 00:28:47,600 --> 00:28:48,520 Speaker 3: It was so embarrassed. 536 00:28:48,520 --> 00:28:52,240 Speaker 1: There was always one kid growing up that would somehow 537 00:28:52,320 --> 00:28:54,360 Speaker 1: find his way to the parents and then you'd be like, 538 00:28:54,440 --> 00:28:56,960 Speaker 1: where's Tommy And they'd be sitting in your living room 539 00:28:57,000 --> 00:28:58,960 Speaker 1: talking to my parents, or you'd be like, where's Mike, 540 00:28:59,040 --> 00:29:01,880 Speaker 1: or where you where's Kristin? You're like Kristen's upstairs talking 541 00:29:01,920 --> 00:29:05,400 Speaker 1: to your parents and they're always your parents' favorite one. Yeah, 542 00:29:05,480 --> 00:29:08,400 Speaker 1: I remember it so when I watched that movie eighth grade, 543 00:29:08,760 --> 00:29:10,640 Speaker 1: that Little Girl, and it reminded me so many friends 544 00:29:10,640 --> 00:29:12,200 Speaker 1: I had growing up that they would like just go 545 00:29:12,240 --> 00:29:14,240 Speaker 1: talk to the parents instead of like hanging out the 546 00:29:14,240 --> 00:29:15,120 Speaker 1: party downstairs. 547 00:29:16,240 --> 00:29:19,280 Speaker 2: What happens just like having a tab and a cigarette 548 00:29:19,320 --> 00:29:19,800 Speaker 2: with the mom. 549 00:29:21,160 --> 00:29:25,360 Speaker 4: Yeah, Virginia Slim, Yes, exactly. 550 00:29:26,200 --> 00:29:28,720 Speaker 2: Well I'll tell you, I'll tell you. Jan I'm exhausted, 551 00:29:28,840 --> 00:29:30,600 Speaker 2: so I'm happy I could spend this time with you. 552 00:29:30,640 --> 00:29:32,640 Speaker 2: All Right, bye bye, I'm gonna go back up and play. 553 00:29:32,800 --> 00:29:35,240 Speaker 1: We're gonna go play Wuji bor downstairs with your son 554 00:29:35,320 --> 00:29:37,520 Speaker 1: and all his friends, the people having the birthday in 555 00:29:37,560 --> 00:29:40,200 Speaker 1: the basement. Scotty's still in the bathroom listening to dream 556 00:29:40,240 --> 00:29:48,240 Speaker 1: On by Aerosmith. He's he's ten. He listens to Sarah Smith. 557 00:29:48,280 --> 00:29:50,080 Speaker 1: He's ten years old. He sucks. 558 00:29:51,520 --> 00:29:55,680 Speaker 2: Inside bizarre micro nation in desert with its own dictator 559 00:29:55,720 --> 00:29:57,200 Speaker 2: and strict Walrus band. 560 00:29:58,560 --> 00:30:03,600 Speaker 1: Wow, so much to get into. Come on back to 561 00:30:03,680 --> 00:31:00,520 Speaker 1: Bananas podcast. 562 00:30:33,960 --> 00:30:36,760 Speaker 2: Folks, We are back. Scotty got any. 563 00:30:36,600 --> 00:30:39,760 Speaker 1: Shadows I do, I'm going to do four or five, 564 00:30:39,800 --> 00:30:42,920 Speaker 1: and that I'm getting so many at this point, bananamals. 565 00:30:42,920 --> 00:30:44,680 Speaker 1: We love the shout out to be patient. I can't 566 00:30:44,680 --> 00:30:46,880 Speaker 1: get to them all. It's only a fifty minute podcast. 567 00:30:47,000 --> 00:30:49,800 Speaker 1: Jay Bergen sixteen wants to shout out Lianne and her 568 00:30:49,880 --> 00:30:52,520 Speaker 1: babe Tim, which I think means like her boyfriend or partner, 569 00:30:52,520 --> 00:30:55,000 Speaker 1: her husband or something. Uh, they are getting hitched. Oh, 570 00:30:55,040 --> 00:30:57,160 Speaker 1: there we go. They're getting hitched in April and they 571 00:30:57,240 --> 00:31:02,000 Speaker 1: sent us an invite Kurtie b so who knows if 572 00:31:02,000 --> 00:31:04,480 Speaker 1: it's in Portland on the fifteenth, we'll squeeze it in. 573 00:31:05,520 --> 00:31:08,480 Speaker 1: They also have a dog named Papaya, which is a 574 00:31:08,480 --> 00:31:11,560 Speaker 1: great name for a dog. Marissa wants to shout out 575 00:31:11,560 --> 00:31:15,000 Speaker 1: her husband Matt for one year of sobriety on March sixteenth. 576 00:31:15,080 --> 00:31:19,320 Speaker 1: It's a huge, big deal. Matt. Congratulations, it's the right 577 00:31:19,360 --> 00:31:22,160 Speaker 1: thing to do. You're saving yourself. It's a beautiful thing. 578 00:31:22,280 --> 00:31:24,400 Speaker 1: Those are my words. You're Marissa did not say that. 579 00:31:25,880 --> 00:31:28,400 Speaker 1: Alex wants to shout out her little sister Rachel, who 580 00:31:28,440 --> 00:31:32,120 Speaker 1: does two hour long drives to assist with brain surgeries. 581 00:31:32,400 --> 00:31:35,360 Speaker 1: Oh wow, and she listens to bananas she just sticks. 582 00:31:37,160 --> 00:31:38,440 Speaker 1: Does this helping? Does this help? 583 00:31:38,520 --> 00:31:38,640 Speaker 4: Does? 584 00:31:38,800 --> 00:31:42,040 Speaker 1: Could you please stop? Would you not come anymore? Yeah? Please? 585 00:31:42,120 --> 00:31:46,920 Speaker 5: Rachel not come in today or ever? 586 00:31:47,960 --> 00:31:51,480 Speaker 1: What's she doing? She's listening to bananas and staring at you. 587 00:31:52,000 --> 00:31:56,040 Speaker 1: She also Rachel has a little side hustle called Rachel 588 00:31:56,120 --> 00:31:59,520 Speaker 1: draws people Poorly, which is at Rachel draws people poorly, 589 00:32:00,000 --> 00:32:02,200 Speaker 1: where you could get yourself drawn terribly. Maybe we should 590 00:32:02,200 --> 00:32:06,560 Speaker 1: get a Kurt. I would love it. I I just 591 00:32:06,640 --> 00:32:14,880 Speaker 1: can't draw. I just can't draw Annesley or Ainsley. Let's 592 00:32:14,920 --> 00:32:18,640 Speaker 1: go Ainsley. Lockridge wants to shout out the Peaches, which 593 00:32:18,680 --> 00:32:20,920 Speaker 1: I think are a couple whose last names are Peachees, 594 00:32:21,560 --> 00:32:26,400 Speaker 1: which is incredible for giving forth to a baby bananimal. 595 00:32:26,440 --> 00:32:28,880 Speaker 1: I think it's their first child. The Peaches are the 596 00:32:28,880 --> 00:32:30,760 Speaker 1: best in the biz apparently. 597 00:32:30,400 --> 00:32:34,920 Speaker 2: Yay Peache's also the name of a Pacific Northwest band 598 00:32:35,000 --> 00:32:39,400 Speaker 2: from the nineties. I believe Kill rock Stars, and they 599 00:32:39,400 --> 00:32:42,240 Speaker 2: were awesome as well, So shout out to them as well. 600 00:32:42,240 --> 00:32:44,680 Speaker 1: Shout out to the Peaches and Kill rock Star. Kill 601 00:32:44,760 --> 00:32:48,600 Speaker 1: Rockstars sponsored kurtz jet Ski going down the Mississippi, and 602 00:32:48,840 --> 00:32:51,520 Speaker 1: last but not least, we got this message that wants 603 00:32:51,560 --> 00:32:54,200 Speaker 1: to stay anonymous, but I do think the Banannimals are 604 00:32:54,200 --> 00:32:56,920 Speaker 1: going to be into it. Hello, friends, I work in 605 00:32:57,000 --> 00:33:01,360 Speaker 1: advertising and we just launched a project for Clue, Yes, 606 00:33:01,560 --> 00:33:04,479 Speaker 1: the board game Clue, that basically turns it into a 607 00:33:04,600 --> 00:33:09,160 Speaker 1: four week long mystery that plays out on Instagram. There 608 00:33:09,240 --> 00:33:13,960 Speaker 1: are interrogation videos, there's physical evidence, basically all the things 609 00:33:14,120 --> 00:33:18,360 Speaker 1: true crime fans love to dive into. And the storyline 610 00:33:18,400 --> 00:33:21,720 Speaker 1: was written by the anonymous Bananamal who sent this in. 611 00:33:21,800 --> 00:33:26,400 Speaker 1: So congratulations. That's an awesome gig. If there's anybody out 612 00:33:26,440 --> 00:33:31,400 Speaker 1: there a Bananamal, Murderino, a murder Banana, a murder Banana reno, 613 00:33:31,640 --> 00:33:34,120 Speaker 1: whatever you want to call yourselves, you can go to 614 00:33:34,400 --> 00:33:39,360 Speaker 1: at Official Clue on Instagram and play along. That's at 615 00:33:39,480 --> 00:33:42,520 Speaker 1: Official Clue and play along. And that's all we got. 616 00:33:42,680 --> 00:33:47,360 Speaker 1: Keep sending it into the Bananas podcast on Instagram where 617 00:33:47,480 --> 00:33:49,960 Speaker 1: we interact with you when we have lovely chats, and 618 00:33:50,040 --> 00:33:53,080 Speaker 1: keep sending your stories. Thank you to the Bananamals, Thank you, 619 00:33:54,400 --> 00:33:59,880 Speaker 1: and we are back with our fantastic guest, Eden Dranger. Folks. 620 00:34:00,120 --> 00:34:03,560 Speaker 5: I'm also thrilled you pronounced my name right because it's 621 00:34:03,600 --> 00:34:08,000 Speaker 5: a beautiful name. I also, could I just say, I've 622 00:34:08,000 --> 00:34:10,080 Speaker 5: become like a missionary for Bananas. 623 00:34:10,400 --> 00:34:12,440 Speaker 3: Like I will go out on dates and they're like, 624 00:34:12,480 --> 00:34:15,640 Speaker 3: what's your favorite podcast? And I'm like, Bananas. 625 00:34:17,280 --> 00:34:20,000 Speaker 1: Bananas with Kurtin, Scottie Banana Boy Number two and Kurtie. 626 00:34:19,719 --> 00:34:22,480 Speaker 3: Bib the best in the biz. You've never heard of them? 627 00:34:22,520 --> 00:34:22,600 Speaker 1: What? 628 00:34:23,680 --> 00:34:28,200 Speaker 5: And they think I'm a psychopath and they don't, but 629 00:34:28,200 --> 00:34:29,880 Speaker 5: but they're just like, I've never heard of it, and 630 00:34:30,000 --> 00:34:32,120 Speaker 5: I and I just I really I push it onto 631 00:34:32,280 --> 00:34:35,080 Speaker 5: I foist it onto people, and I'm like, you gotta 632 00:34:35,160 --> 00:34:36,040 Speaker 5: listen to it. 633 00:34:36,040 --> 00:34:39,440 Speaker 3: It's better than you know, this American. 634 00:34:39,000 --> 00:34:43,080 Speaker 1: Life, all others, all other podcasts. 635 00:34:43,200 --> 00:34:45,600 Speaker 3: Wait, this American. 636 00:34:45,200 --> 00:34:47,080 Speaker 5: Life is great, but like at this point, they've been 637 00:34:47,120 --> 00:34:48,759 Speaker 5: on since like nineteen ninety five. 638 00:34:48,960 --> 00:34:51,439 Speaker 3: I was like a kid. I was like in middle 639 00:34:51,480 --> 00:34:53,240 Speaker 3: school when it came out. That's crazy. 640 00:34:53,800 --> 00:34:54,800 Speaker 1: I's so insane. 641 00:34:55,520 --> 00:34:58,320 Speaker 5: I'm like they're they're just replaying stuff at this point, 642 00:34:58,640 --> 00:35:01,120 Speaker 5: like they can't keep it from up a stories. So 643 00:35:01,239 --> 00:35:03,040 Speaker 5: I'm like, you know, if Bananas is going to take 644 00:35:03,080 --> 00:35:06,759 Speaker 5: their spot? So I've become a missionary and I tell 645 00:35:06,800 --> 00:35:07,719 Speaker 5: everybody about it. 646 00:35:09,680 --> 00:35:12,160 Speaker 1: Edin and I went on a friend date of sorts 647 00:35:12,239 --> 00:35:14,200 Speaker 1: not long ago, and it was my first time going 648 00:35:14,200 --> 00:35:16,839 Speaker 1: to an axe throwing Yeah, oh yeah. 649 00:35:17,520 --> 00:35:20,640 Speaker 2: Was that one in like North Hollywood or above North Hollywood? 650 00:35:20,719 --> 00:35:24,600 Speaker 1: It was Hollywood in Hollywood. Yeah, okay, how would you 651 00:35:24,640 --> 00:35:27,160 Speaker 1: describe that experience? Head? And did you have a lovely time? 652 00:35:27,480 --> 00:35:27,879 Speaker 3: It was? 653 00:35:28,160 --> 00:35:30,560 Speaker 5: I'm really this is why I'm glad, I because Scotty 654 00:35:30,640 --> 00:35:33,520 Speaker 5: is like my yes, n'am, Like there's like a weird 655 00:35:33,560 --> 00:35:36,120 Speaker 5: thing I want to do. Scotty'll do it, like and 656 00:35:36,120 --> 00:35:37,560 Speaker 5: my other friends like I don't want to do that. 657 00:35:37,760 --> 00:35:39,920 Speaker 5: Scotty will do it. And I've always wanted to try it. 658 00:35:41,080 --> 00:35:44,200 Speaker 5: So it's strange because it's in a strip mall. It 659 00:35:45,160 --> 00:35:50,080 Speaker 5: was I serve alcohol beer beer, yeah, and there was 660 00:35:50,600 --> 00:35:53,280 Speaker 5: we were like playing around with it and I'm terrible. 661 00:35:53,400 --> 00:35:56,279 Speaker 3: Scotty got better. Scotty was like okay at first and 662 00:35:56,320 --> 00:35:58,560 Speaker 3: then got like pretty good by the end. I was 663 00:35:58,600 --> 00:36:01,239 Speaker 3: like terrible to like bad. 664 00:36:02,560 --> 00:36:05,880 Speaker 2: It's surprisingly hard. Yes, it's weirdly hard. 665 00:36:06,000 --> 00:36:07,719 Speaker 5: But we were there with like I think, like a 666 00:36:07,719 --> 00:36:11,640 Speaker 5: first date with these people. That one of them was 667 00:36:11,680 --> 00:36:14,600 Speaker 5: the stuntman for Spider Man, and he was. 668 00:36:14,560 --> 00:36:16,080 Speaker 3: So fucking good at it. 669 00:36:16,400 --> 00:36:20,319 Speaker 1: He was amazing, Like we were just like watching him 670 00:36:20,360 --> 00:36:24,480 Speaker 1: the whole time. He was really kind of dramatic though, 671 00:36:24,560 --> 00:36:28,080 Speaker 1: Like it was definitely an early date and the woman 672 00:36:28,160 --> 00:36:30,279 Speaker 1: on the date was talking to Edit and was like, yeah, 673 00:36:30,280 --> 00:36:32,080 Speaker 1: he's a stunt man because he was like nailing it 674 00:36:32,120 --> 00:36:32,840 Speaker 1: from every direction. 675 00:36:33,120 --> 00:36:33,319 Speaker 3: Yeah. 676 00:36:33,360 --> 00:36:35,040 Speaker 1: The best thing that they did, well, there were two 677 00:36:35,120 --> 00:36:38,760 Speaker 1: funny things. One besides that guy, because they were directly 678 00:36:38,800 --> 00:36:40,640 Speaker 1: next to us and he was hitting everything. They give 679 00:36:40,680 --> 00:36:43,759 Speaker 1: you circular saw blades, which you almost can't miss with 680 00:36:43,800 --> 00:36:46,400 Speaker 1: because it's like a blade in three hundred and sixty degrees, 681 00:36:46,440 --> 00:36:48,000 Speaker 1: So you just wing that thing as hard as you 682 00:36:48,040 --> 00:36:51,640 Speaker 1: can and it sticks in there. Awesome, awesome, easy too, 683 00:36:52,480 --> 00:36:54,360 Speaker 1: ed and will remember this. There was a guy that 684 00:36:54,480 --> 00:36:56,719 Speaker 1: brought his own stuff. Oh yeah, do you remember that 685 00:36:56,760 --> 00:37:00,000 Speaker 1: guy that brought his own arsenal of sharp throwing shit 686 00:37:00,040 --> 00:37:00,719 Speaker 1: it you. 687 00:37:00,719 --> 00:37:03,839 Speaker 2: Mean there was there was a serial killer there. 688 00:37:06,400 --> 00:37:10,200 Speaker 1: A serial killer showed up. That's cool to practice. Yeah, 689 00:37:10,239 --> 00:37:10,840 Speaker 1: he had. 690 00:37:10,920 --> 00:37:14,799 Speaker 5: Yeah, he had like his own blades, his own hammers, everything, Yes, 691 00:37:15,760 --> 00:37:19,000 Speaker 5: and he carried This is where my this is where 692 00:37:19,000 --> 00:37:20,880 Speaker 5: my chef knowledge comes in. So when I was in 693 00:37:20,920 --> 00:37:22,880 Speaker 5: culinary school, we have like a kit with all our 694 00:37:22,960 --> 00:37:25,160 Speaker 5: knives that we had to carry, and he had that 695 00:37:25,200 --> 00:37:28,360 Speaker 5: same fucking kick. But it was instead of like you know, 696 00:37:28,640 --> 00:37:32,560 Speaker 5: like you know, like fish boning knives. It was like 697 00:37:32,640 --> 00:37:37,840 Speaker 5: these like axes and weird blades and stuff. 698 00:37:37,480 --> 00:37:42,880 Speaker 1: And there by himself just going on a date. Also 699 00:37:43,560 --> 00:37:47,080 Speaker 1: wasn't that good at it. That's the one part. It's 700 00:37:47,160 --> 00:37:49,480 Speaker 1: gonna be a tempted murder. These will not be full 701 00:37:49,480 --> 00:37:52,840 Speaker 1: blown murders because he was not sticking his weird sharpened 702 00:37:52,840 --> 00:37:54,279 Speaker 1: screwdrivers and stuff in there. 703 00:37:54,400 --> 00:37:56,960 Speaker 3: No, he needed he needed lessons from the spider Man 704 00:37:57,040 --> 00:37:59,760 Speaker 3: stump man. Uh yes, that guy. 705 00:37:59,560 --> 00:38:02,000 Speaker 5: Really could have given like lessons to everybody they have 706 00:38:02,160 --> 00:38:04,800 Speaker 5: like a person kind of help us and like he 707 00:38:05,000 --> 00:38:07,200 Speaker 5: just how to throw and like use your body but 708 00:38:07,239 --> 00:38:08,719 Speaker 5: not your art. It was just like weird and like 709 00:38:08,719 --> 00:38:11,000 Speaker 5: there's like a technicality to it, but like I just 710 00:38:11,040 --> 00:38:13,239 Speaker 5: wanted to watch this stuntman fucking. 711 00:38:13,160 --> 00:38:18,640 Speaker 1: Me too, me too. He kind of looked like Tom Holland, right, 712 00:38:18,800 --> 00:38:21,120 Speaker 1: it was Tom Holland stunt double Yeah. 713 00:38:21,320 --> 00:38:24,160 Speaker 5: I looked at him, and I'm like, he's like cute, 714 00:38:24,200 --> 00:38:26,919 Speaker 5: but like in a weird like this is not real way, 715 00:38:27,200 --> 00:38:31,200 Speaker 5: like like like Heven the movie star type not and 716 00:38:31,200 --> 00:38:33,000 Speaker 5: and and then he is sort of I. 717 00:38:32,960 --> 00:38:36,479 Speaker 1: Guess in his own way he is until he gets 718 00:38:36,480 --> 00:38:39,400 Speaker 1: severely injured and moves back to where he's from, like 719 00:38:39,440 --> 00:38:40,120 Speaker 1: all stuntman. 720 00:38:40,280 --> 00:38:42,120 Speaker 5: It's funny because the woman when she was telling his 721 00:38:42,239 --> 00:38:45,520 Speaker 5: like date or whatever, we were both like, wow, he's 722 00:38:45,560 --> 00:38:48,080 Speaker 5: really good, and she's like, he's a stunt man. 723 00:38:48,200 --> 00:38:50,239 Speaker 3: He's he does the he did Spider Man. 724 00:38:52,600 --> 00:38:55,919 Speaker 1: We're like, have fun later, it's gonna get weird. 725 00:38:55,680 --> 00:38:55,920 Speaker 5: I know. 726 00:38:57,040 --> 00:39:03,080 Speaker 2: Yeah, so I've heard a room in that, as you 727 00:39:03,160 --> 00:39:05,560 Speaker 2: know on the on the podcast, we have a third 728 00:39:05,640 --> 00:39:09,000 Speaker 2: Banana boy whose name is Charlie Fromage. 729 00:39:09,719 --> 00:39:11,040 Speaker 3: Yes. Yes, of course. 730 00:39:11,080 --> 00:39:14,560 Speaker 2: And I've heard a rumor that your father invented the 731 00:39:14,600 --> 00:39:15,200 Speaker 2: fan guy. 732 00:39:15,480 --> 00:39:16,640 Speaker 1: Yeah, is that true? 733 00:39:17,120 --> 00:39:18,279 Speaker 3: He helped invent it. 734 00:39:21,080 --> 00:39:22,920 Speaker 5: I wrote a movie about it because I think the 735 00:39:22,960 --> 00:39:27,319 Speaker 5: story's bananas of how that happened. But but yeah, he 736 00:39:27,840 --> 00:39:33,040 Speaker 5: and this other balloon designer and this Caribbean artist. They 737 00:39:33,200 --> 00:39:36,080 Speaker 5: premiered at the nineteen ninety six Olympics. You can google it, 738 00:39:36,320 --> 00:39:41,200 Speaker 5: you can see it. Gloria Stefan was playing and they 739 00:39:41,239 --> 00:39:45,560 Speaker 5: had like I think twenty Charlie Fromages that were all 740 00:39:45,560 --> 00:39:48,399 Speaker 5: white and they had hair and like a neck too, 741 00:39:48,480 --> 00:39:50,400 Speaker 5: They're like a neck in a little head and they 742 00:39:50,400 --> 00:39:52,440 Speaker 5: were all around the stadium and they're just like flanneling 743 00:39:52,520 --> 00:39:55,680 Speaker 5: around to like Stevie Wonder and GLORI. 744 00:39:55,520 --> 00:39:58,920 Speaker 3: Had Stefan, which like really slapped. 745 00:39:58,520 --> 00:40:02,719 Speaker 1: Honestly, like it's incredible. I mean, it's absolutely incredible that 746 00:40:02,760 --> 00:40:05,680 Speaker 1: he invented those. And we take Charlie to every one 747 00:40:05,800 --> 00:40:08,880 Speaker 1: of our live shows. He's honestly banana boy number three 748 00:40:08,920 --> 00:40:12,680 Speaker 1: in a very real sense. So what was your dad's name? Eden? 749 00:40:13,360 --> 00:40:14,400 Speaker 3: Uh? 750 00:40:14,560 --> 00:40:17,280 Speaker 5: So I called him Lulu and everybody called him Lulu, 751 00:40:17,920 --> 00:40:20,960 Speaker 5: but this real His real name was ri A A 752 00:40:21,160 --> 00:40:22,320 Speaker 5: R I E h. 753 00:40:22,400 --> 00:40:23,720 Speaker 3: And then my last name Dranger. 754 00:40:23,840 --> 00:40:25,680 Speaker 5: So if you look him up, it's like the patent 755 00:40:25,760 --> 00:40:28,120 Speaker 5: comes up and he's on the But he sold his 756 00:40:28,160 --> 00:40:30,560 Speaker 5: share of the patent because he wanted he did. 757 00:40:30,680 --> 00:40:32,200 Speaker 3: He didn't think anything would happen to it. 758 00:40:32,280 --> 00:40:35,080 Speaker 5: He's like, this is a dumb thing, like what's gonna 759 00:40:35,280 --> 00:40:37,600 Speaker 5: what's gonna happen? And cut to it's like in every 760 00:40:37,640 --> 00:40:41,759 Speaker 5: car dealership. So I don't own an island. No, I 761 00:40:41,760 --> 00:40:43,120 Speaker 5: don't make any money off it. 762 00:40:43,320 --> 00:40:43,440 Speaker 4: Uh. 763 00:40:45,120 --> 00:40:47,680 Speaker 3: But but the funny thing too, is also the patent. 764 00:40:47,800 --> 00:40:50,200 Speaker 5: This is like a little inside baseball thing about Charlie 765 00:40:50,200 --> 00:40:53,719 Speaker 5: fromage So the patent that the original invention is if 766 00:40:53,760 --> 00:40:56,440 Speaker 5: you look at the bipedal, so it has two legs. 767 00:40:56,080 --> 00:40:59,520 Speaker 2: And two interesting yeah, and that it was two fans 768 00:40:59,560 --> 00:41:01,720 Speaker 2: original yeah. 769 00:41:01,120 --> 00:41:03,160 Speaker 3: And like yeah, and it would connect at the top. 770 00:41:03,480 --> 00:41:05,640 Speaker 5: And the ones that usually see are just one fan 771 00:41:06,400 --> 00:41:08,120 Speaker 5: and they don't have a patent. 772 00:41:07,840 --> 00:41:10,480 Speaker 3: For that one. That one, like I guess, so that's 773 00:41:10,600 --> 00:41:11,640 Speaker 3: usually the one you see. 774 00:41:12,080 --> 00:41:14,000 Speaker 2: And uh oh yeah, that's interesting. 775 00:41:14,040 --> 00:41:14,759 Speaker 1: So it doesn't matter. 776 00:41:14,760 --> 00:41:17,520 Speaker 2: It wouldn't have mattered anyway if if he hadn't sold it. 777 00:41:17,600 --> 00:41:20,000 Speaker 5: Not really, but like when that movie Nope came out, 778 00:41:20,520 --> 00:41:22,520 Speaker 5: my everybody was testing me. 779 00:41:23,440 --> 00:41:25,640 Speaker 1: Yes, we got a lot of d ms too, We 780 00:41:25,719 --> 00:41:28,160 Speaker 1: got a lot of messages that people were like, it's 781 00:41:28,239 --> 00:41:30,920 Speaker 1: Charlie Fromage so great. 782 00:41:31,080 --> 00:41:32,839 Speaker 5: Yeah, and I really I like that you guys called 783 00:41:32,880 --> 00:41:36,640 Speaker 5: it Charlie Fromage because like my dad called it a 784 00:41:36,640 --> 00:41:40,920 Speaker 5: fly guy and guy. Yeah yeah, but I called a. 785 00:41:40,920 --> 00:41:43,240 Speaker 3: Tube dude, tube dude. 786 00:41:43,360 --> 00:41:44,680 Speaker 1: I like both of those cheeks. 787 00:41:45,560 --> 00:41:46,839 Speaker 3: Charlie Fromage is way better. 788 00:41:47,560 --> 00:41:51,560 Speaker 2: What what did your father do outside of inventing the 789 00:41:51,560 --> 00:41:56,560 Speaker 2: fan man? Like I when he wasn't doing that, I 790 00:41:56,560 --> 00:41:58,600 Speaker 2: mean obviously working with balloon designers. 791 00:41:58,960 --> 00:42:00,719 Speaker 3: Oh no, he was a lot of do He was 792 00:42:00,719 --> 00:42:02,480 Speaker 3: not an artistic person, that's the thing. He was an 793 00:42:02,480 --> 00:42:03,600 Speaker 3: aeronautical engineer. 794 00:42:05,120 --> 00:42:07,839 Speaker 5: So that's why he was like paired up to do this, 795 00:42:08,000 --> 00:42:11,719 Speaker 5: because like this artist was like very eccentric and crazy 796 00:42:11,800 --> 00:42:12,160 Speaker 5: and like. 797 00:42:12,160 --> 00:42:13,359 Speaker 3: Out of his mind a little bit. 798 00:42:14,000 --> 00:42:14,480 Speaker 1: Yeah, and my. 799 00:42:14,440 --> 00:42:16,440 Speaker 5: Dad is like, no, you need to use science and 800 00:42:16,480 --> 00:42:18,600 Speaker 5: stuff to make these things work, and like the right 801 00:42:18,680 --> 00:42:24,040 Speaker 5: torque and I don't know science y words and and. 802 00:42:24,040 --> 00:42:29,960 Speaker 1: Yeah, gotta have torq. I literally won't shut up about torque. 803 00:42:30,320 --> 00:42:32,080 Speaker 5: The only reason I know that is because I wrote 804 00:42:32,120 --> 00:42:34,279 Speaker 5: a movie about it. And that's the only time where 805 00:42:34,280 --> 00:42:35,839 Speaker 5: I'm like, well, shit, I don't actually know how these 806 00:42:35,880 --> 00:42:38,640 Speaker 5: things work, so I have to go like research it 807 00:42:38,760 --> 00:42:42,440 Speaker 5: and like figure it out. But there's a wonderful I 808 00:42:42,440 --> 00:42:45,759 Speaker 5: don't want to plug another podcast, but there's another podcast 809 00:42:45,920 --> 00:42:47,560 Speaker 5: called ninety nine percent Invisible. 810 00:42:47,600 --> 00:42:48,520 Speaker 3: It's pretty popular. 811 00:42:49,760 --> 00:42:54,480 Speaker 5: There's one called Inflatable Men, and my dad's not on 812 00:42:54,520 --> 00:42:56,600 Speaker 5: it because he passed away like ten years ago, but 813 00:42:56,640 --> 00:42:58,520 Speaker 5: the two other guys that invented it are on it, 814 00:42:58,560 --> 00:43:00,759 Speaker 5: and it's like fourteen minutes and they tell you the 815 00:43:00,800 --> 00:43:02,840 Speaker 5: story of how they invented it, and it's really. 816 00:43:02,600 --> 00:43:06,040 Speaker 3: Fun nice and uh, and they don't mention Charlie Fromage 817 00:43:06,080 --> 00:43:07,760 Speaker 3: by name, but they should. 818 00:43:09,040 --> 00:43:15,160 Speaker 1: Those losers well, Lulu Dranger Banana the Week, He's at 819 00:43:15,200 --> 00:43:16,680 Speaker 1: the root of it. Banana the Week. 820 00:43:16,760 --> 00:43:18,320 Speaker 5: Do you guys keep it like with you? Do you 821 00:43:18,360 --> 00:43:20,400 Speaker 5: guys have one at your houses or something that you 822 00:43:20,520 --> 00:43:21,080 Speaker 5: just right next. 823 00:43:21,000 --> 00:43:25,560 Speaker 2: To Kurt right now, it's right next way. We carry 824 00:43:25,560 --> 00:43:28,799 Speaker 2: it around in a drum a drum kit bag. 825 00:43:29,440 --> 00:43:32,160 Speaker 3: Yeah, it's like not a drum, it's. 826 00:43:33,840 --> 00:43:36,520 Speaker 1: TSA. Hates it every time. They're like, and this is 827 00:43:36,640 --> 00:43:42,680 Speaker 1: and I'm like, it's Charlie fromage. He's a tube dude. 828 00:43:43,320 --> 00:43:44,920 Speaker 3: I love it all right? 829 00:43:44,960 --> 00:43:46,759 Speaker 1: Do you want to hear this story? Yes, sir? 830 00:43:47,280 --> 00:43:51,600 Speaker 2: Inside bizarre micronation and desert with its own dictator and 831 00:43:51,680 --> 00:43:57,200 Speaker 2: strict wallrus band. Okay, I cannot remember who sent this 832 00:43:57,320 --> 00:43:59,960 Speaker 2: in and I apologize again. My computer keeps a raise 833 00:44:00,080 --> 00:44:04,720 Speaker 2: sing theputers. But it was in the mirror. 834 00:44:06,080 --> 00:44:08,879 Speaker 1: Dot co dot UK. But it is real. 835 00:44:09,000 --> 00:44:13,480 Speaker 2: But it is real and this was written by This 836 00:44:13,520 --> 00:44:19,200 Speaker 2: is great. I love this James Liddell Us US audience 837 00:44:19,320 --> 00:44:25,520 Speaker 2: writer and Charlie Jones news reporter. So this is a 838 00:44:25,760 --> 00:44:30,000 Speaker 2: This sounds like a user generated story. Here, sitting in 839 00:44:30,000 --> 00:44:32,319 Speaker 2: a remote part of the Vest, Nevada desert is a 840 00:44:32,360 --> 00:44:35,759 Speaker 2: strange micronation with its own dictator, a currency based on 841 00:44:35,840 --> 00:44:40,040 Speaker 2: cookie dough, and a complete ban on Walrus's. The Bizarre 842 00:44:40,239 --> 00:44:43,880 Speaker 2: Republic of Molossia sounds like the fever dream of a 843 00:44:43,920 --> 00:44:46,719 Speaker 2: sleep deprived comic book writer, but it's very much real, 844 00:44:47,280 --> 00:44:50,400 Speaker 2: even if they haven't managed to get formal record recognition 845 00:44:50,480 --> 00:44:51,520 Speaker 2: from the un. 846 00:44:51,360 --> 00:44:53,239 Speaker 1: Quite yet Okay. 847 00:44:53,480 --> 00:44:56,440 Speaker 2: Found in the Dayton Valley near Carson River, it was 848 00:44:56,480 --> 00:45:00,000 Speaker 2: founded on May twenty six, nineteen seventy seven, by Kevin Bam, 849 00:45:00,120 --> 00:45:03,800 Speaker 2: who serves as dictator, and his friend James Spielman. Although 850 00:45:03,880 --> 00:45:08,200 Speaker 2: James has now left President Boss after who the capital 851 00:45:08,239 --> 00:45:11,960 Speaker 2: of Milassa Broston Town is named, stayed with it, and 852 00:45:12,160 --> 00:45:15,080 Speaker 2: under his steady rule, the nation has flourished to include 853 00:45:15,160 --> 00:45:20,799 Speaker 2: three residents. YouTuber the Wanton Don paid a visit to 854 00:45:20,960 --> 00:45:24,440 Speaker 2: Milossia to see the odd sites. Reports Daily Star, just 855 00:45:24,760 --> 00:45:30,080 Speaker 2: a collection of equality news establishments. President Ball fifty nine 856 00:45:30,160 --> 00:45:34,120 Speaker 2: told him James was king and I was Prime Minister, 857 00:45:34,160 --> 00:45:36,000 Speaker 2: and he moved on to other things, but I stayed 858 00:45:36,000 --> 00:45:39,200 Speaker 2: with the idea. The sovereign state has three permanent residents, 859 00:45:39,280 --> 00:45:42,239 Speaker 2: President Baugh, his wife and first Lady, Adrian Ann, and 860 00:45:42,520 --> 00:45:45,960 Speaker 2: their daughter Alexis, who is Chief Constable. While President Baugh 861 00:45:46,000 --> 00:45:49,400 Speaker 2: claims Milassia is an independent country does not receive recognition 862 00:45:49,480 --> 00:45:53,840 Speaker 2: from any other member states of the United Nations. But 863 00:45:53,920 --> 00:45:56,480 Speaker 2: like any other country, Malassia has a complex legal system 864 00:45:56,480 --> 00:45:58,719 Speaker 2: in its own set of rules. Such laws included being 865 00:45:58,719 --> 00:46:01,480 Speaker 2: i legal to cause a cat astrophe and illegal to 866 00:46:01,480 --> 00:46:08,040 Speaker 2: play percussion instruments. Catfish, walrus's missionaries, and tobacco are also banned. 867 00:46:09,200 --> 00:46:12,080 Speaker 2: But wrong doors beware. There's a singular jail cell for 868 00:46:12,120 --> 00:46:13,400 Speaker 2: those who cause mayhem. 869 00:46:13,719 --> 00:46:14,040 Speaker 1: Good. 870 00:46:14,400 --> 00:46:17,560 Speaker 2: The micro nation runs an intricate monetary system, as President 871 00:46:17,560 --> 00:46:20,760 Speaker 2: Ball explained, quote, Malassie's money is called the velora, which 872 00:46:20,800 --> 00:46:24,400 Speaker 2: means valuable in our second language, which is so barnto. 873 00:46:25,400 --> 00:46:28,640 Speaker 1: Yeah, William Shatner loved esperanto. It would be the universal 874 00:46:28,719 --> 00:46:31,719 Speaker 1: language for all all peoples to speak. And it did 875 00:46:31,719 --> 00:46:32,400 Speaker 1: not work. 876 00:46:32,360 --> 00:46:35,520 Speaker 2: Never took off. Nope, we are on the cookie dough 877 00:46:35,560 --> 00:46:37,719 Speaker 2: standard here in Malassie. Our money is all based on 878 00:46:37,760 --> 00:46:42,040 Speaker 2: cookie dough. President Ball runs a tight ship, conducting his 879 00:46:42,120 --> 00:46:44,919 Speaker 2: duties from his Oval Oval office, where he also writes 880 00:46:44,960 --> 00:46:47,400 Speaker 2: the country's rules. When asked how he comes up with policies, 881 00:46:47,400 --> 00:46:50,839 Speaker 2: he replied, mostly from my head and stuff. 882 00:46:52,440 --> 00:46:53,400 Speaker 1: I love this dude. 883 00:46:53,440 --> 00:46:56,239 Speaker 2: The Malassian Navy is a tight knit operation run from 884 00:46:56,239 --> 00:46:58,440 Speaker 2: the Era desert and consists of a small fleet of 885 00:46:58,480 --> 00:47:04,399 Speaker 2: inflatable kayak Currently, we are at war with the nation 886 00:47:04,480 --> 00:47:05,320 Speaker 2: of East Germany. 887 00:47:05,360 --> 00:47:07,200 Speaker 1: President Barfield Smart. 888 00:47:08,520 --> 00:47:10,839 Speaker 2: He claimed East Germany which just ceased to exist since 889 00:47:10,880 --> 00:47:13,600 Speaker 2: nineteen ninety quote disturbed his sleep while he was stationed 890 00:47:13,600 --> 00:47:16,680 Speaker 2: in West Germany after World War Two. President Paul claims 891 00:47:16,680 --> 00:47:19,040 Speaker 2: East Germany still exists in the form of an uninhabited 892 00:47:19,040 --> 00:47:22,600 Speaker 2: place just outside of Cuba called ernst Thalman Island. He 893 00:47:22,880 --> 00:47:25,759 Speaker 2: there's no room with whom to arrange there is no 894 00:47:25,800 --> 00:47:27,839 Speaker 2: one with whom to arrange a peace. So the war 895 00:47:27,920 --> 00:47:32,839 Speaker 2: still goes on forever. Good, probably forever. Yeah, so this 896 00:47:33,080 --> 00:47:36,279 Speaker 2: is so he gives tours. There's a photograph. First off, 897 00:47:36,280 --> 00:47:40,840 Speaker 2: he also wears like full like like hunt a style 898 00:47:41,400 --> 00:47:46,360 Speaker 2: dictator military smart garb, and he gives tours. 899 00:47:46,400 --> 00:47:50,839 Speaker 1: I'm seeing a picture right here. He says. 900 00:47:50,840 --> 00:47:52,560 Speaker 2: We don't really get involved with the politics of the 901 00:47:52,640 --> 00:47:54,799 Speaker 2: United States. They've never really gotten involved with us. 902 00:47:55,120 --> 00:48:00,600 Speaker 1: Good. We pay taxes, but we call it foreign aid. Yeah. So, yeah, 903 00:48:00,640 --> 00:48:03,640 Speaker 1: I didn't go full because there's a couple of different ways, 904 00:48:03,640 --> 00:48:05,600 Speaker 1: like when we are looking up East Banana Land and 905 00:48:05,680 --> 00:48:09,160 Speaker 1: Carl Olsen was helping us. There is a way to 906 00:48:09,200 --> 00:48:12,440 Speaker 1: become an independent micronation where you are recognized by the 907 00:48:12,520 --> 00:48:14,960 Speaker 1: UN and you actually are a sovereign nation that you 908 00:48:15,040 --> 00:48:18,440 Speaker 1: and you don't have to pay taxes, or there's a 909 00:48:18,480 --> 00:48:21,279 Speaker 1: symbolic one which is what this is ye where you 910 00:48:21,880 --> 00:48:27,439 Speaker 1: basically get everything together, except you're not recognized by United Nations, right, 911 00:48:27,480 --> 00:48:30,080 Speaker 1: which is what East Banana Land will be. Yeah, exactly 912 00:48:30,440 --> 00:48:33,880 Speaker 1: how is the East Banana Land coming along? Waiting on 913 00:48:33,880 --> 00:48:37,680 Speaker 1: one paycheck? I'm still waiting on the same exact movie 914 00:48:37,840 --> 00:48:40,640 Speaker 1: that I sold over well over a year ago, and 915 00:48:40,680 --> 00:48:43,360 Speaker 1: I have not been what they call in the biz commenced. 916 00:48:43,560 --> 00:48:46,919 Speaker 1: So as soon as I get commenced, going to Cloudcroft. 917 00:48:46,960 --> 00:48:49,960 Speaker 1: So I was talking to an architect though about designing 918 00:48:50,400 --> 00:48:53,040 Speaker 1: something that was site specific so that when you were 919 00:48:53,080 --> 00:48:56,160 Speaker 1: there it was a really cool place that you could stay. 920 00:48:56,960 --> 00:49:01,839 Speaker 1: And the architect was like, I will use all local materials, 921 00:49:01,920 --> 00:49:04,080 Speaker 1: it'll blend in. I was like, I just need a 922 00:49:04,120 --> 00:49:06,960 Speaker 1: yellow bench and a yellow mailbox so people on road 923 00:49:07,000 --> 00:49:09,360 Speaker 1: trips can find the East Banana Land. He's like, that's easy, 924 00:49:10,000 --> 00:49:13,439 Speaker 1: and then he said he was thinking about building an 925 00:49:13,480 --> 00:49:16,839 Speaker 1: elevated like something ten feet in the in the air 926 00:49:17,160 --> 00:49:20,719 Speaker 1: with sites of specific bed and bathroom that people can 927 00:49:20,760 --> 00:49:23,600 Speaker 1: park underneath it and then stay above it. So that's 928 00:49:23,600 --> 00:49:24,440 Speaker 1: what we're looking at. 929 00:49:24,920 --> 00:49:25,640 Speaker 2: That's amazing. 930 00:49:25,840 --> 00:49:28,000 Speaker 1: So we'll be ready to go. I'm literally just waiting 931 00:49:28,000 --> 00:49:30,640 Speaker 1: on this one dumb job where I'm like, come on, 932 00:49:31,560 --> 00:49:36,240 Speaker 1: people want it. That's cool. Yeah, cloud Craft, New Mexico. 933 00:49:36,719 --> 00:49:38,960 Speaker 1: That seems like a cool place. It's a great name. 934 00:49:39,040 --> 00:49:42,000 Speaker 3: It's so why would they banned cookie dough. That's so 935 00:49:42,120 --> 00:49:42,879 Speaker 3: weird and. 936 00:49:43,000 --> 00:49:45,799 Speaker 1: Like sad, like banning cookie dough. 937 00:49:46,120 --> 00:49:48,480 Speaker 2: Oh no, no, that's there. That's their cur that's currency. 938 00:49:48,600 --> 00:49:50,440 Speaker 3: Oh okay, opposite. 939 00:49:50,560 --> 00:49:51,080 Speaker 1: I love it. 940 00:49:51,960 --> 00:49:52,280 Speaker 3: Funny. 941 00:49:52,560 --> 00:49:56,120 Speaker 5: When I was four years old, I had salmonella, which 942 00:49:56,160 --> 00:49:56,920 Speaker 5: is terrible. 943 00:49:56,920 --> 00:49:57,440 Speaker 1: It's funny. 944 00:49:57,520 --> 00:49:59,719 Speaker 3: I don't wish it on anybody. 945 00:50:00,080 --> 00:50:03,680 Speaker 5: From cookie down from well I think I think we 946 00:50:03,719 --> 00:50:06,600 Speaker 5: don't know for sure, but we suspect it was cookie dough. 947 00:50:07,239 --> 00:50:11,160 Speaker 5: And ever since then, I became like a five year 948 00:50:11,200 --> 00:50:15,920 Speaker 5: old like germophobe, and I would I was. I was 949 00:50:16,280 --> 00:50:18,920 Speaker 5: like the party pooper at the party, being like are 950 00:50:18,960 --> 00:50:24,919 Speaker 5: those brownies cooked all the way through? Because I had 951 00:50:25,000 --> 00:50:28,520 Speaker 5: just like PTSD from from just like salmonella. 952 00:50:28,040 --> 00:50:31,640 Speaker 1: And like cookie dough understandable. That's so understandable. 953 00:50:31,800 --> 00:50:35,840 Speaker 2: Yeah, it's very difficult to explain to a three or 954 00:50:35,880 --> 00:50:38,560 Speaker 2: a five year old that they could get sick from 955 00:50:38,600 --> 00:50:39,160 Speaker 2: cookie dough. 956 00:50:39,400 --> 00:50:41,319 Speaker 5: It's very hard to explain to them what you can 957 00:50:41,400 --> 00:50:44,239 Speaker 5: and cannot eat because they just think everything is fair game. 958 00:50:45,360 --> 00:50:48,560 Speaker 3: Oh it tastes good like yeah. 959 00:50:50,560 --> 00:50:57,160 Speaker 2: That's kids, class kids, that's kids. Give us one more 960 00:50:57,200 --> 00:51:00,080 Speaker 2: to send us home, Scottie. 961 00:51:00,239 --> 00:51:02,880 Speaker 1: This one's at This one's about two months old, but 962 00:51:02,960 --> 00:51:05,879 Speaker 1: I still just love it so much. Madison Russell sent 963 00:51:05,920 --> 00:51:10,040 Speaker 1: this in. Thank you, Madison Russell, you're the best. Michigan 964 00:51:10,160 --> 00:51:15,000 Speaker 1: priest who temporarily died, claims he went to Hell and 965 00:51:15,040 --> 00:51:20,560 Speaker 1: saw demons enslaving humans, torturing them with Rihanna's music Umbrolla 966 00:51:21,400 --> 00:51:24,400 Speaker 1: it is. This was it best life, which is so 967 00:51:24,520 --> 00:51:28,720 Speaker 1: funny that this was a best life. Uh, Pharazon Mast 968 00:51:28,960 --> 00:51:32,800 Speaker 1: Pharaison best in the business bat out of Hell Mass 969 00:51:32,920 --> 00:51:37,520 Speaker 1: Thank you Pharazon or Pharaoh Zone. Yeah, Pharaohan Mast. Michigan 970 00:51:37,600 --> 00:51:42,520 Speaker 1: priest says he temporarily went to Hell and now he's 971 00:51:42,520 --> 00:51:45,279 Speaker 1: sharing details from his journey to the underworld that may 972 00:51:45,320 --> 00:51:49,400 Speaker 1: offend some music lovers. Gerald Johnson says he died in 973 00:51:49,440 --> 00:51:52,000 Speaker 1: twenty sixteen after suffering a heart attack, and what he 974 00:51:52,120 --> 00:51:57,840 Speaker 1: saw and more specifically heard was horrifying. Johnson says he 975 00:51:57,920 --> 00:52:02,680 Speaker 1: saw terrible, gruesome sights of torture and pain, and heard 976 00:52:02,760 --> 00:52:06,799 Speaker 1: music that was designed to cause maximum trauma. Here's what 977 00:52:06,880 --> 00:52:10,000 Speaker 1: he says he heard during his death experience, which is 978 00:52:10,000 --> 00:52:12,280 Speaker 1: a great sentence to write when you're reading an article 979 00:52:12,320 --> 00:52:16,799 Speaker 1: that hasn't he says, instead of heading straight to hell 980 00:52:16,880 --> 00:52:21,319 Speaker 1: as he expected, weird already, why did this guy think great? 981 00:52:21,400 --> 00:52:27,000 Speaker 1: To hell? Exactly? He went? He said, Uh, he went 982 00:52:27,040 --> 00:52:28,880 Speaker 1: down to the pits of hell. Quote. I thought I 983 00:52:28,920 --> 00:52:30,880 Speaker 1: did so much good during my life and helped so 984 00:52:30,880 --> 00:52:32,840 Speaker 1: many people that I would go to heaven. But even 985 00:52:32,880 --> 00:52:39,040 Speaker 1: so I went down to Hell. What a What a loser? 986 00:52:39,200 --> 00:52:42,239 Speaker 1: I love this guy. Johnson says he saw demons and 987 00:52:42,360 --> 00:52:45,160 Speaker 1: slaving humans and a man walking on all fours like 988 00:52:45,200 --> 00:52:47,640 Speaker 1: a dog and getting burned head to toe. His eyes 989 00:52:47,680 --> 00:52:50,680 Speaker 1: were bulging, and worse than that, he was like a 990 00:52:50,719 --> 00:52:51,360 Speaker 1: hell hound. 991 00:52:51,760 --> 00:52:54,120 Speaker 2: Okay, and worse than that, he was like. 992 00:52:54,080 --> 00:52:57,799 Speaker 1: A hell out. Johnson claims Hell is much worse than 993 00:52:57,800 --> 00:53:05,200 Speaker 1: he could have ever imagined. What a naive bozo. I 994 00:53:05,400 --> 00:53:08,759 Speaker 1: entered the very center of the Earth. Johnson says, the 995 00:53:08,840 --> 00:53:12,000 Speaker 1: things I saw down there are indescribable. It brings up 996 00:53:12,040 --> 00:53:14,560 Speaker 1: so many difficult feelings when I talk about it. No 997 00:53:14,640 --> 00:53:17,839 Speaker 1: one deserves that. Johnson said, there's a section of hell 998 00:53:18,360 --> 00:53:22,080 Speaker 1: where music is played, but very badly. The priest claims 999 00:53:22,120 --> 00:53:27,719 Speaker 1: he could hear two songs Rihanna's Umbrella Bobby McFerrin to 1000 00:53:28,920 --> 00:53:32,200 Speaker 1: Bobby mcfarrian, don't worry, Be Happy. 1001 00:53:33,520 --> 00:53:36,440 Speaker 2: That is the funniest two songs to go together. 1002 00:53:36,640 --> 00:53:40,200 Speaker 1: In hell. They were being used as instruments of torture 1003 00:53:40,440 --> 00:53:43,839 Speaker 1: to make things significantly worse. The demon choir performing these 1004 00:53:43,840 --> 00:53:51,600 Speaker 1: songs was deliberately performing them incorrectly for maximum pain. Best 1005 00:53:52,120 --> 00:53:54,759 Speaker 1: Every word of every song was made to torture you 1006 00:53:54,800 --> 00:53:57,240 Speaker 1: for the fact that you didn't worship God through music 1007 00:53:57,320 --> 00:53:59,480 Speaker 1: while you were on Earth. Okay, so there's a good 1008 00:53:59,520 --> 00:54:02,799 Speaker 1: message in here or something. I have a question for 1009 00:54:02,840 --> 00:54:05,000 Speaker 1: you too, please please. 1010 00:54:05,440 --> 00:54:09,279 Speaker 5: What like what's like the one song that like is 1011 00:54:09,280 --> 00:54:11,400 Speaker 5: like your torture? Like if it's like on a playlist, 1012 00:54:11,400 --> 00:54:13,800 Speaker 5: you're like, fuck this like that Greu. 1013 00:54:13,640 --> 00:54:17,960 Speaker 1: With Alicia Keys, Alicia Keys, this girl is on Fire 1014 00:54:18,320 --> 00:54:22,719 Speaker 1: that song. Karen til Gerriff knows Karen and I have 1015 00:54:22,800 --> 00:54:27,080 Speaker 1: laughed many times, but I just can't stand Alicia Keys's tone. 1016 00:54:27,160 --> 00:54:31,680 Speaker 1: It's her voice. It drives me nuts. Oh man, what 1017 00:54:31,840 --> 00:54:33,080 Speaker 1: is one song? 1018 00:54:34,440 --> 00:54:37,360 Speaker 2: I don't know because most of those songs I find 1019 00:54:37,560 --> 00:54:39,759 Speaker 2: are the ones that I really hate, are ones that 1020 00:54:39,800 --> 00:54:40,759 Speaker 2: I secretly like. 1021 00:54:41,000 --> 00:54:42,720 Speaker 3: Yeah, like guilty Pleasures, Yeah. 1022 00:54:42,600 --> 00:54:45,200 Speaker 2: Yeah yeah yeah, so they end up being like guilty 1023 00:54:45,239 --> 00:54:46,000 Speaker 2: pleasures for me. 1024 00:54:46,320 --> 00:54:49,240 Speaker 3: Like my song is Mumbo number five? 1025 00:54:50,080 --> 00:54:51,680 Speaker 1: Oh, that'd be bad. 1026 00:54:51,960 --> 00:54:55,279 Speaker 5: But like the song that I really cannot listen, I 1027 00:54:55,280 --> 00:54:57,000 Speaker 5: need to turn off, like the radio or something. 1028 00:54:57,120 --> 00:54:59,239 Speaker 3: Is the is Megan Trainers? I made you look? 1029 00:55:00,600 --> 00:55:03,080 Speaker 5: Actually any Megan Trainers song I'm not a fan of 1030 00:55:04,120 --> 00:55:04,960 Speaker 5: about Megan Trainer? 1031 00:55:04,960 --> 00:55:06,279 Speaker 3: How you feel about Alicia Key? 1032 00:55:07,280 --> 00:55:11,040 Speaker 1: Yes, I am all about that base but yesha Keys, 1033 00:55:11,080 --> 00:55:13,000 Speaker 1: like the Let's Hear It from New York or like 1034 00:55:13,160 --> 00:55:15,359 Speaker 1: whatever that one she is with jay Z? That that's 1035 00:55:15,480 --> 00:55:17,480 Speaker 1: that's actually that song because I don't even like jay 1036 00:55:17,560 --> 00:55:20,080 Speaker 1: Z in that song. So yes, mine would be New 1037 00:55:20,200 --> 00:55:23,759 Speaker 1: York Concrete Jungle where Dreams Are Made of. Empire state 1038 00:55:23,800 --> 00:55:27,640 Speaker 1: of Mind. Yeah, I hate that song. That song would 1039 00:55:27,680 --> 00:55:30,760 Speaker 1: be hell for me, Yes, terrible. 1040 00:55:30,920 --> 00:55:32,919 Speaker 3: The Empire state of Mind strikes back. 1041 00:55:33,800 --> 00:55:35,480 Speaker 1: Also, I just hate them as a curtain. I lived 1042 00:55:35,520 --> 00:55:38,080 Speaker 1: in New York for I lived there for nine years, Kurt, 1043 00:55:38,120 --> 00:55:38,959 Speaker 1: how long were you there? 1044 00:55:39,160 --> 00:55:39,640 Speaker 2: Fourteen? 1045 00:55:40,400 --> 00:55:44,000 Speaker 1: Can? It's it? Can you do everything there? Sure? Is 1046 00:55:44,040 --> 00:55:50,359 Speaker 1: it a great place to be debatable? It's it's a 1047 00:55:50,400 --> 00:55:52,279 Speaker 1: mild approval of New York. 1048 00:55:52,440 --> 00:55:56,160 Speaker 5: Yeah, yeah, it's a concrete judge. 1049 00:55:57,200 --> 00:55:59,560 Speaker 1: There's nothing you can't do. Oh, there's so many things 1050 00:55:59,560 --> 00:56:01,640 Speaker 1: you can't do. You can't catch a subway from two 1051 00:56:01,680 --> 00:56:03,880 Speaker 1: am to four am when a trash train comes and 1052 00:56:03,920 --> 00:56:06,480 Speaker 1: you just stand there going on to four to Texe. 1053 00:56:06,960 --> 00:56:08,160 Speaker 3: That's my idea of hell. 1054 00:56:08,480 --> 00:56:16,600 Speaker 2: Okay, yes, yes, at two am when the trash train comes. 1055 00:56:16,640 --> 00:56:19,160 Speaker 1: I agree. There's nothing you can't do except a four 1056 00:56:19,239 --> 00:56:22,280 Speaker 1: to place on your own. So having two roommates until 1057 00:56:22,320 --> 00:56:29,680 Speaker 1: you're that's true. It's true. My gosh. Anyways, this guy 1058 00:56:29,719 --> 00:56:32,160 Speaker 1: didn't die, so that's the happy ending of the story, 1059 00:56:32,160 --> 00:56:33,080 Speaker 1: and he came back to Earth. 1060 00:56:33,400 --> 00:56:37,319 Speaker 2: I guess he did die, but he did. He did 1061 00:56:37,960 --> 00:56:41,440 Speaker 2: pass for moments in a grocery store that was playing 1062 00:56:41,520 --> 00:56:43,760 Speaker 2: music on a popular radio station. 1063 00:56:45,480 --> 00:56:47,120 Speaker 1: Yeah, that's why I had his heart attack, just in 1064 00:56:47,200 --> 00:56:49,680 Speaker 1: a grocery store with those two songs played like I'm 1065 00:56:49,680 --> 00:56:50,360 Speaker 1: Back Baby. 1066 00:56:50,960 --> 00:56:54,680 Speaker 2: I was dead for exactly a one minute and fifty seconds, enough. 1067 00:56:54,520 --> 00:56:56,520 Speaker 1: Time to hear one song and to the other. 1068 00:56:58,960 --> 00:57:01,600 Speaker 2: Well, and then thank you so much for being on bananas, 1069 00:57:01,680 --> 00:57:02,719 Speaker 2: thank you for having me. 1070 00:57:03,680 --> 00:57:06,080 Speaker 1: Where can they find you? Tell we we pumped up 1071 00:57:06,080 --> 00:57:06,520 Speaker 1: your Twitter? 1072 00:57:07,600 --> 00:57:09,000 Speaker 3: Oh you can. 1073 00:57:09,080 --> 00:57:13,400 Speaker 5: I started a substack in January and it's about uh, 1074 00:57:13,600 --> 00:57:16,760 Speaker 5: it's like financial it's like financial advice, but like in 1075 00:57:16,800 --> 00:57:20,720 Speaker 5: a funny way for creative people, because we're bad with money, 1076 00:57:21,080 --> 00:57:23,760 Speaker 5: most creative people, and we don't know how to we 1077 00:57:23,760 --> 00:57:25,960 Speaker 5: don't know how to negotiate because we don't like money. 1078 00:57:26,000 --> 00:57:28,040 Speaker 5: I mean, we love money, let's not but we just 1079 00:57:28,320 --> 00:57:30,360 Speaker 5: we suck at it. That's why we do creative things. 1080 00:57:30,360 --> 00:57:33,120 Speaker 5: So it's just like a helpful So it's my My 1081 00:57:33,120 --> 00:57:36,080 Speaker 5: substack is called not So Starving Artist. 1082 00:57:37,240 --> 00:57:38,360 Speaker 3: And you can look that up. 1083 00:57:38,560 --> 00:57:42,840 Speaker 5: And yeah, I'm on Instagram at in spelled Eden because 1084 00:57:42,880 --> 00:57:48,840 Speaker 5: I'm weird underscore eats and yeah, but but really everybody 1085 00:57:48,840 --> 00:57:51,680 Speaker 5: should follow the bananas because I'm just the biggest banana stand. 1086 00:57:51,800 --> 00:57:57,720 Speaker 1: So you know, that's right animal. Did you even call 1087 00:57:57,760 --> 00:57:59,760 Speaker 1: the banana phone? Did we talk on the banana. 1088 00:57:59,520 --> 00:58:01,560 Speaker 3: I did call the banana phone. I did, that's right. 1089 00:58:01,640 --> 00:58:02,240 Speaker 3: I'm such a. 1090 00:58:02,200 --> 00:58:04,520 Speaker 5: Fan that I called and like you were so nice 1091 00:58:04,520 --> 00:58:05,920 Speaker 5: because you know, you talked to me for a little 1092 00:58:05,920 --> 00:58:07,560 Speaker 5: more than like a minute, and I felt like so 1093 00:58:07,680 --> 00:58:11,440 Speaker 5: special and we caught up for like five minutes. 1094 00:58:11,440 --> 00:58:11,919 Speaker 3: It was great. 1095 00:58:13,080 --> 00:58:16,560 Speaker 1: That's right. Well, you can say bananas with us at 1096 00:58:16,600 --> 00:58:25,680 Speaker 1: in we'll go three two one bananaas. 1097 00:58:25,240 --> 00:58:26,520 Speaker 3: You're all different tone. 1098 00:58:27,560 --> 00:58:41,040 Speaker 1: That's good. Bananas is an exactly right media production. 1099 00:58:41,200 --> 00:58:43,520 Speaker 2: Our producer and engineer is Katie Levine. 1100 00:58:43,840 --> 00:58:47,040 Speaker 1: The catchy Bananas theme song was composed and performed by Kahan. 1101 00:58:47,280 --> 00:58:50,600 Speaker 2: Artwork for Bananas was designed by Travis Millard. 1102 00:58:50,600 --> 00:58:53,440 Speaker 1: And our benevolent overlords are the great Karen Kilgareff and 1103 00:58:53,480 --> 00:58:54,360 Speaker 1: Georgia Hartstart 1104 00:58:54,480 --> 00:58:57,280 Speaker 2: And Lisa Maggott is our full human, not a robot 1105 00:58:57,320 --> 00:59:00,800 Speaker 2: interna