1 00:00:00,720 --> 00:00:01,440 Speaker 1: Kabooms. 2 00:00:02,279 --> 00:00:05,360 Speaker 2: If you thought four hours a day, twelve hundred minutes 3 00:00:05,400 --> 00:00:09,200 Speaker 2: a week was enough, think again. He's the last remnants 4 00:00:09,200 --> 00:00:12,480 Speaker 2: of the old republic, a sol fashion of fairness. He 5 00:00:12,560 --> 00:00:15,480 Speaker 2: treats crackheads in the ghetto gutter the same as the 6 00:00:15,600 --> 00:00:19,600 Speaker 2: rich pill poppers in the penthouse. Wow to Clearinghouse of 7 00:00:19,640 --> 00:00:23,480 Speaker 2: hot takes, break free for something special. The Fifth Hour 8 00:00:23,600 --> 00:00:30,680 Speaker 2: with Ben Maller starts right now. 9 00:00:28,960 --> 00:00:33,720 Speaker 1: In the air everywhere. The Fifth Hour with Me, Ben 10 00:00:33,800 --> 00:00:36,960 Speaker 1: Mahler and Danny g Radio A Happy Saturday to you. 11 00:00:37,120 --> 00:00:42,519 Speaker 1: College Football Saturday on the twenty seventh day of September eight. 12 00:00:42,600 --> 00:00:46,960 Speaker 1: College Football Saturday today, and I do have some things 13 00:00:46,960 --> 00:00:49,839 Speaker 1: going on, so I'm trying to figure out. Bye. By 14 00:00:49,880 --> 00:00:51,919 Speaker 1: the way, Daniel joined me tomorrow. It's you Just Got 15 00:00:52,000 --> 00:00:54,360 Speaker 1: Me today, You just got me Hi. I'm my name's Ben. 16 00:00:54,920 --> 00:01:00,840 Speaker 1: Today on the podcast, but all day long, starting not 17 00:01:00,960 --> 00:01:06,360 Speaker 1: that far from now. With the USC Trojans who complained, 18 00:01:06,360 --> 00:01:08,199 Speaker 1: We talked about this the other night on the radio show. 19 00:01:08,720 --> 00:01:11,840 Speaker 1: They complained about having to play the early game today 20 00:01:12,520 --> 00:01:15,319 Speaker 1: after playing the late game last weekend, and they taken 21 00:01:15,360 --> 00:01:18,280 Speaker 1: on Illinois, who's just technically a top twenty five team, 22 00:01:19,120 --> 00:01:23,039 Speaker 1: sneaking in. Well. USC's not much higher rank than Illinois, 23 00:01:23,080 --> 00:01:25,800 Speaker 1: but USC off to a good start. They haven't played 24 00:01:25,800 --> 00:01:28,520 Speaker 1: any real competition, but they're four to zero. They take 25 00:01:28,560 --> 00:01:30,959 Speaker 1: on Illinois today. That's the early. 26 00:01:30,720 --> 00:01:31,200 Speaker 2: Game on. 27 00:01:33,000 --> 00:01:35,920 Speaker 1: Fox. Is that the big noon game of the week. 28 00:01:36,120 --> 00:01:39,959 Speaker 1: I know, it starts at noon Eastern time, and we'll 29 00:01:39,959 --> 00:01:42,560 Speaker 1: see what's going on with that game. And then later 30 00:01:42,640 --> 00:01:47,760 Speaker 1: on you got Alabama tonight Alabama and Georgia. Alabama not 31 00:01:47,880 --> 00:01:50,320 Speaker 1: nearly as good as they had been, but we'll see 32 00:01:50,320 --> 00:01:52,760 Speaker 1: what they can do against Georgia. And then what else 33 00:01:52,800 --> 00:01:55,000 Speaker 1: am I'm looking for? LSU and Old Miss can be 34 00:01:55,000 --> 00:01:58,400 Speaker 1: pretty good. And then the game which is also tonight, 35 00:01:58,480 --> 00:02:04,200 Speaker 1: going against Alabama, Georgia on what channels you know, NBC 36 00:02:04,440 --> 00:02:08,760 Speaker 1: Oregon and Penn State, which is pretty cool on our guy, 37 00:02:08,840 --> 00:02:15,680 Speaker 1: LeVar Arrington on that ESPN college football pregame show is 38 00:02:15,720 --> 00:02:20,000 Speaker 1: the celebrity picker. He's the big celebrity picker, which is 39 00:02:20,160 --> 00:02:24,959 Speaker 1: very very exciting. I know, Yeah, it'd be nice to 40 00:02:24,960 --> 00:02:26,799 Speaker 1: see LeVar get a little TV time. He doesn't get 41 00:02:26,840 --> 00:02:30,519 Speaker 1: enough TV time there. So in that matchup, it's all 42 00:02:30,560 --> 00:02:34,640 Speaker 1: on Penn State. James Franklin. Good teams every year but 43 00:02:34,760 --> 00:02:38,520 Speaker 1: against the top ten opponents. I saw the stat seven 44 00:02:38,560 --> 00:02:42,160 Speaker 1: times this week. James Franklin's played twenty four games against 45 00:02:42,160 --> 00:02:44,920 Speaker 1: top ten opponents since he's been to Penn State, and 46 00:02:45,000 --> 00:02:48,920 Speaker 1: they've only won four. They're four and twenty four and 47 00:02:49,080 --> 00:02:52,520 Speaker 1: twenty which I didn't play college football, but I'm told 48 00:02:52,600 --> 00:02:55,639 Speaker 1: is not good. So that'll that'll be the game at 49 00:02:55,680 --> 00:02:58,119 Speaker 1: the very top there. But I'll be flipping my right hand, 50 00:02:58,160 --> 00:03:03,160 Speaker 1: will be getting a workout between that and the aforementioned 51 00:03:03,200 --> 00:03:05,200 Speaker 1: Alabama Georgia games. So that's what we have to look 52 00:03:05,200 --> 00:03:08,640 Speaker 1: forward to to night and today starting here in a 53 00:03:08,680 --> 00:03:13,280 Speaker 1: little bit, and it's also National corn Beef Hash Day. 54 00:03:13,520 --> 00:03:16,560 Speaker 1: I want to point out I am not a breakfast guy. 55 00:03:17,040 --> 00:03:19,200 Speaker 1: I've talked about this from time to time on this podcast, 56 00:03:19,200 --> 00:03:23,440 Speaker 1: on the radio show. The wife does enjoy breakfast, so 57 00:03:23,520 --> 00:03:26,720 Speaker 1: she will drag me when we Usually we go on vacation, 58 00:03:26,880 --> 00:03:30,880 Speaker 1: so we're on vacation, eat breakfast. Got to eat breakfast together, 59 00:03:31,360 --> 00:03:34,800 Speaker 1: and corn beef hash has been a salvation for me 60 00:03:35,480 --> 00:03:39,200 Speaker 1: when I am dragged into breakfast. I don't hate breakfast food. 61 00:03:39,800 --> 00:03:42,640 Speaker 1: I don't I like pancakes. I like a lot of 62 00:03:42,640 --> 00:03:45,840 Speaker 1: it's bad for you, but for me. My go to 63 00:03:46,280 --> 00:03:49,480 Speaker 1: is corn beef hash, which goes all the way back 64 00:03:49,520 --> 00:03:55,920 Speaker 1: to the seventeenth century in England. It was originally rabbit hash, 65 00:03:56,080 --> 00:03:59,680 Speaker 1: and then the Ashkenazi Jews brought it to America. The 66 00:03:59,760 --> 00:04:05,280 Speaker 1: night teenth century, immigrants from northern Europe brought their food 67 00:04:05,440 --> 00:04:08,800 Speaker 1: here and then it became part of America. And then 68 00:04:09,200 --> 00:04:13,960 Speaker 1: in World War One, there's stories of soldiers eating corn 69 00:04:14,000 --> 00:04:18,800 Speaker 1: beef hash as they were in war. Was served corn 70 00:04:18,839 --> 00:04:23,680 Speaker 1: beefash was served in field kitchens the troops during World 71 00:04:23,680 --> 00:04:27,640 Speaker 1: War One, and it wasn't until nineteen fifty though, that 72 00:04:28,440 --> 00:04:35,240 Speaker 1: Horrmal Foods introduced canned corn beef hash and roast beef hash. 73 00:04:35,279 --> 00:04:39,440 Speaker 1: So that's been seventy five years since that happened. So 74 00:04:39,480 --> 00:04:41,640 Speaker 1: I will partake next time I have breakfast. I'm not 75 00:04:41,839 --> 00:04:44,240 Speaker 1: having breakfast today, but next time I have breakfast, I 76 00:04:44,279 --> 00:04:48,480 Speaker 1: will have corn beef hash. So on this podcast, as 77 00:04:48,560 --> 00:04:52,560 Speaker 1: we hang out together on a Saturday, the audio sweatshop 78 00:04:52,760 --> 00:04:59,320 Speaker 1: does not stop. The audio Sweatshop does not stop. We 79 00:04:59,360 --> 00:05:05,640 Speaker 1: have spent the globe and also it's the little things 80 00:05:06,200 --> 00:05:08,640 Speaker 1: in life. So I want to start with this. There 81 00:05:08,720 --> 00:05:12,880 Speaker 1: is nothing quite like live radio. I realize I'm saying 82 00:05:12,920 --> 00:05:16,440 Speaker 1: this as I'm doing a podcast. But I and I 83 00:05:16,480 --> 00:05:18,800 Speaker 1: openly admit that I fell in love with radio when 84 00:05:18,800 --> 00:05:22,120 Speaker 1: I was a kid and it was just magical to 85 00:05:22,160 --> 00:05:25,160 Speaker 1: me as a kid, and even at the age i'm 86 00:05:25,160 --> 00:05:28,159 Speaker 1: at now, I still just love radio. I just it's 87 00:05:28,200 --> 00:05:30,960 Speaker 1: in my blood. There's nothing quite like live radio. Nothing. 88 00:05:31,400 --> 00:05:36,400 Speaker 1: It's the great high wire act of modern media. And 89 00:05:36,720 --> 00:05:38,760 Speaker 1: podcasts like the one we're doing right now, these are safe. 90 00:05:38,760 --> 00:05:42,400 Speaker 1: Like if I f up this podcast, I just don't 91 00:05:42,560 --> 00:05:44,440 Speaker 1: put it out there. I delete it or whatever and 92 00:05:44,480 --> 00:05:47,320 Speaker 1: I redo it. It's not live, it's I can do 93 00:05:47,400 --> 00:05:48,880 Speaker 1: whatever I want now. Normally what we do is we 94 00:05:48,920 --> 00:05:50,359 Speaker 1: do one take. We treat it like radio. We do 95 00:05:50,360 --> 00:05:53,680 Speaker 1: it one take. However, if something gets really effed up, 96 00:05:53,760 --> 00:05:56,120 Speaker 1: I can just delete it and not send it out 97 00:05:56,120 --> 00:05:58,400 Speaker 1: and you'll never hear it, and that's it. Television, I've 98 00:05:58,400 --> 00:06:00,920 Speaker 1: been lucky enough to do a little television, highly produced, 99 00:06:02,160 --> 00:06:07,200 Speaker 1: major production value. There's editors, there's people with the graphics, 100 00:06:07,200 --> 00:06:10,640 Speaker 1: there's producers. Like a lot of people do a television show. 101 00:06:11,320 --> 00:06:16,640 Speaker 1: It's good, but it's not radio. Streaming pretty polished, right, 102 00:06:16,920 --> 00:06:21,760 Speaker 1: radio though, live overnight in the witching hours, when you've 103 00:06:21,800 --> 00:06:28,240 Speaker 1: got truckers in Tennessee and Alabama, insomniacs in Iowa and Illinois, 104 00:06:28,320 --> 00:06:33,440 Speaker 1: and Barista's in Boston, all of them tuned in. People 105 00:06:33,480 --> 00:06:37,880 Speaker 1: working in factories, baking stuff and whatnot. And that's just different. 106 00:06:37,920 --> 00:06:44,560 Speaker 1: That's naked, that's raw, and that's you a microphone and 107 00:06:44,600 --> 00:06:48,719 Speaker 1: the ABYSS. And the ABYSS does not wait. There's no 108 00:06:48,839 --> 00:06:52,280 Speaker 1: waiting room with the ABYSS. So take you back all 109 00:06:52,320 --> 00:06:57,000 Speaker 1: the way till yesterday, Friday morning, inside the bowels of 110 00:06:57,040 --> 00:07:01,480 Speaker 1: the Malor Mansion, working from the remote studio, and I 111 00:07:01,520 --> 00:07:06,559 Speaker 1: was reminded of this eternal truth picture, if you will, 112 00:07:06,760 --> 00:07:10,800 Speaker 1: the scene as I am preparing for the radio show. 113 00:07:10,840 --> 00:07:15,280 Speaker 1: I've got my trusted companion, Moxie, beloved mascot of the 114 00:07:15,320 --> 00:07:19,280 Speaker 1: mal Or Militia, the English Bulldog, snoring like a freight 115 00:07:19,360 --> 00:07:25,360 Speaker 1: train two feet away. I've got three screens going roughly. 116 00:07:25,440 --> 00:07:28,920 Speaker 1: I got the baseball game in Chicago. I've got the 117 00:07:29,000 --> 00:07:33,600 Speaker 1: football game that's a Thursday night, so Thursday night interprise. 118 00:07:33,600 --> 00:07:37,960 Speaker 1: So I've got the football game Seattle and Arizona from Glendale, Arizona. 119 00:07:38,840 --> 00:07:42,280 Speaker 1: Got some random nonsense on the other screen. And I've 120 00:07:42,280 --> 00:07:47,400 Speaker 1: got my laptop. I'm sitting down I've got my notes 121 00:07:47,680 --> 00:07:51,400 Speaker 1: and I'm preparing for the show. I've got mallard monologues. 122 00:07:51,640 --> 00:07:53,960 Speaker 1: The way we do it, we do four monologues a night. 123 00:07:54,040 --> 00:07:58,080 Speaker 1: Each monologuees anywhere from fifteen to twenty minutes, give or take. 124 00:07:58,880 --> 00:08:01,280 Speaker 1: And so I've got to get my notes ready, my 125 00:08:01,320 --> 00:08:05,800 Speaker 1: bullet points, and I'm polishing them. I'm spit shining the 126 00:08:05,880 --> 00:08:09,840 Speaker 1: bullet points like a five star chef prepping, gathering the 127 00:08:09,960 --> 00:08:13,400 Speaker 1: ingredients in place before the big dinner service, getting everything 128 00:08:13,440 --> 00:08:17,960 Speaker 1: ready to go. Preparation is the key. Am at the 129 00:08:18,000 --> 00:08:20,240 Speaker 1: point now where I'm about ready to go. I'm about ready. 130 00:08:20,320 --> 00:08:22,680 Speaker 1: You know, I'm good. I've got all the ingredients I need. 131 00:08:23,160 --> 00:08:27,160 Speaker 1: I know how much food I have to serve that night. 132 00:08:27,360 --> 00:08:30,080 Speaker 1: And it's the end of the week, and you want 133 00:08:30,080 --> 00:08:32,280 Speaker 1: to go in feeling pretty good about yourself. Not that 134 00:08:32,320 --> 00:08:38,240 Speaker 1: the audio ends. Obviously, we're doing this podcast here, so fine, 135 00:08:38,840 --> 00:08:42,520 Speaker 1: that's it. As we like to say, we do broadcasting, 136 00:08:42,559 --> 00:08:44,880 Speaker 1: not narrow casting. I had put the baby to bed, 137 00:08:45,840 --> 00:08:47,680 Speaker 1: and when you put the baby to bed, everything you 138 00:08:47,720 --> 00:08:50,000 Speaker 1: can possibly do to prepare for the show is done, 139 00:08:50,600 --> 00:08:53,800 Speaker 1: and you just have to wait for the show to 140 00:08:53,840 --> 00:08:57,520 Speaker 1: get going. It's broadcasting, not narrow casting, and our job 141 00:08:58,679 --> 00:09:03,280 Speaker 1: is to find story that spin the globe. They constant 142 00:09:03,360 --> 00:09:06,640 Speaker 1: variety of sporters. The late great Jim McKay so famously 143 00:09:06,679 --> 00:09:10,080 Speaker 1: put it the thrill of victory, the agony of defeat, 144 00:09:10,160 --> 00:09:14,720 Speaker 1: the human drama of athletic competition. And if you're completely honest, here, 145 00:09:14,760 --> 00:09:19,200 Speaker 1: we spend most of our time marinating in the agony 146 00:09:19,240 --> 00:09:22,800 Speaker 1: of defeat. We just do. In news, they say, if 147 00:09:22,800 --> 00:09:26,840 Speaker 1: it bleeds, it leads. In sports radio, if you lose, 148 00:09:27,000 --> 00:09:30,680 Speaker 1: you're at the very top, because defeat is magical, defeat 149 00:09:30,720 --> 00:09:35,920 Speaker 1: is relatable. Defeat makes good talk radio. And I learned 150 00:09:35,960 --> 00:09:38,480 Speaker 1: this at a young age when I was like nineteen 151 00:09:38,559 --> 00:09:40,880 Speaker 1: and I got assigned to cover professional sports and I 152 00:09:40,880 --> 00:09:44,439 Speaker 1: was in the locker room. You'd go into winter's locker 153 00:09:44,520 --> 00:09:47,199 Speaker 1: room to be a boombox. Music was playing, people were 154 00:09:47,240 --> 00:09:49,680 Speaker 1: having fun, having a good time. And then you go 155 00:09:49,720 --> 00:09:54,320 Speaker 1: across the tunnel to the loser's locker room. There was 156 00:09:54,360 --> 00:09:58,960 Speaker 1: no music. Everyone was melancholy. Everyone was sad. Oh they 157 00:09:58,960 --> 00:10:02,600 Speaker 1: were so depressed because they'd lost the game. And that's 158 00:10:02,640 --> 00:10:06,680 Speaker 1: where the drama is. And so there I am doing 159 00:10:06,720 --> 00:10:09,480 Speaker 1: the show. Everything's fine. First three hours rat a tat 160 00:10:09,480 --> 00:10:13,559 Speaker 1: tat rat a tat tat rat a tat tat. Heading 161 00:10:13,559 --> 00:10:16,920 Speaker 1: into the final hour, I take a deep breath. We 162 00:10:17,040 --> 00:10:19,800 Speaker 1: finish with lame jokes, and I've got a few minutes 163 00:10:19,840 --> 00:10:23,439 Speaker 1: before the next hour begins. Here the recorded update from 164 00:10:23,480 --> 00:10:26,280 Speaker 1: Montsie at the top of the hour, and I'm clicking 165 00:10:26,320 --> 00:10:29,360 Speaker 1: open my file. Here. It's about five am Eastern time, 166 00:10:29,960 --> 00:10:35,679 Speaker 1: two am Pacific Primetime. Believe it or not, it's actually 167 00:10:35,720 --> 00:10:38,840 Speaker 1: primetime for us. That is when the commuters on the 168 00:10:38,880 --> 00:10:42,600 Speaker 1: Eastern Seaboard start heading out to try to beat the traffic, 169 00:10:42,840 --> 00:10:45,439 Speaker 1: and some of them end up stuck in traffic, flipping 170 00:10:45,480 --> 00:10:50,000 Speaker 1: through the dial looking for someone to scream about. I 171 00:10:50,000 --> 00:10:55,400 Speaker 1: don't know Tua or Aaron Rodgers or something. Anyway, that 172 00:10:55,480 --> 00:10:57,920 Speaker 1: is when we have the most ears listening to the 173 00:10:57,960 --> 00:11:01,280 Speaker 1: live show. That is when we have the biggest audience. 174 00:11:01,360 --> 00:11:03,600 Speaker 1: Is the final hour of the show. And I've got 175 00:11:03,920 --> 00:11:09,000 Speaker 1: one more monologue in the chamber, the final monologue of 176 00:11:09,000 --> 00:11:13,080 Speaker 1: the week, ready to fire. I've done my copious amounts 177 00:11:13,120 --> 00:11:16,160 Speaker 1: of research, I've put my due diligence in. I'm ready 178 00:11:16,200 --> 00:11:20,760 Speaker 1: to go. And remember, we got about fifteen to twenty 179 00:11:20,760 --> 00:11:27,040 Speaker 1: minutes of carefully assembled bullet points to navigate through and 180 00:11:28,280 --> 00:11:29,760 Speaker 1: the way whereas you put the bullet points. Now you 181 00:11:29,760 --> 00:11:31,680 Speaker 1: don't use them all, but you kind of sling them 182 00:11:31,679 --> 00:11:35,520 Speaker 1: together and you make it work. And it's kind of 183 00:11:35,559 --> 00:11:37,800 Speaker 1: like spaghetti and tomato sauce. You can have just the 184 00:11:37,800 --> 00:11:39,840 Speaker 1: spaghetti without the sauce. You can have the sauce without 185 00:11:39,840 --> 00:11:42,240 Speaker 1: the spaghetti, but it's better together. And so we were 186 00:11:42,240 --> 00:11:45,840 Speaker 1: going to talk about Robert Salah accusing the Jaguars of 187 00:11:46,160 --> 00:11:49,959 Speaker 1: sign stealing into a tongue of Iiloa and Cam Newton, 188 00:11:50,080 --> 00:11:52,480 Speaker 1: and then his story about the Tennessee Times. All that 189 00:11:52,640 --> 00:11:57,720 Speaker 1: was teed up. So we're about ninety seconds from the 190 00:11:57,840 --> 00:12:01,280 Speaker 1: on air light flashing, and I clicked open the file 191 00:12:01,920 --> 00:12:07,400 Speaker 1: and I save everything in my computer and I click 192 00:12:07,480 --> 00:12:10,280 Speaker 1: opened the file to get to the bullet points that 193 00:12:10,360 --> 00:12:12,840 Speaker 1: I had spent a lot of time preparing with Boxie. 194 00:12:14,120 --> 00:12:17,920 Speaker 1: And I see, I see nothing. I see blank. I 195 00:12:17,920 --> 00:12:22,160 Speaker 1: see a white screen. I see the Sahara desert. It's 196 00:12:22,240 --> 00:12:25,840 Speaker 1: like going to the grocery store during COVID and everything's empty. 197 00:12:26,800 --> 00:12:34,360 Speaker 1: My magnum opus reduced to blankness, just a blank stare. 198 00:12:35,880 --> 00:12:39,440 Speaker 1: And I kept clicking refreshed. It seemed like it was 199 00:12:39,520 --> 00:12:43,200 Speaker 1: half an hour maybe twenty seconds. I just kept clicking, refreshed, nothing. 200 00:12:45,080 --> 00:12:46,960 Speaker 1: And then I'm like, well, I mean, this is not good, 201 00:12:48,120 --> 00:12:52,679 Speaker 1: and it's what I'm trying to process. What happened. This 202 00:12:52,720 --> 00:12:57,880 Speaker 1: has not happened like this in a while, so I'm like, 203 00:12:57,960 --> 00:13:01,080 Speaker 1: oh boy. I didn't panic, but I had the realization 204 00:13:01,200 --> 00:13:04,400 Speaker 1: that the notes that I had spent so much time 205 00:13:04,440 --> 00:13:09,240 Speaker 1: preparing for this monologue were not on the machine. And 206 00:13:09,280 --> 00:13:12,960 Speaker 1: I do use a different setup in my remote studio. 207 00:13:13,040 --> 00:13:18,880 Speaker 1: I have everything locked in place. I have camera lighting, 208 00:13:19,520 --> 00:13:22,199 Speaker 1: extra lighting, I have a special computer that I use 209 00:13:22,240 --> 00:13:25,040 Speaker 1: because we have to record the monologues for the Ben 210 00:13:25,120 --> 00:13:27,400 Speaker 1: Mather Show YouTube channel. So it's just a lot of 211 00:13:27,520 --> 00:13:32,559 Speaker 1: different things. And so the notes were on my laptop downstairs. Now, 212 00:13:32,600 --> 00:13:36,719 Speaker 1: normally what happens is I transfer the file to the laptop, 213 00:13:37,400 --> 00:13:42,560 Speaker 1: it gets boomed through Wi Fi or or Bluetooth, and 214 00:13:42,600 --> 00:13:45,040 Speaker 1: it ends up on the cloud and then I take 215 00:13:45,080 --> 00:13:47,400 Speaker 1: it off the cloud and that's that. But it wasn't 216 00:13:47,440 --> 00:13:51,640 Speaker 1: on the cloud. It appears I had gotten so tired 217 00:13:51,840 --> 00:13:55,960 Speaker 1: I forgot to transfer my bullet points for that monologue. 218 00:13:56,480 --> 00:13:58,720 Speaker 1: Everything else was fine for the show, but that one 219 00:13:59,760 --> 00:14:03,040 Speaker 1: file I did not transfer over. And this is when 220 00:14:03,800 --> 00:14:07,920 Speaker 1: the self deprecation kicks in. I have one job, literally, 221 00:14:08,840 --> 00:14:12,920 Speaker 1: I have one job. Talk into a microphone with some 222 00:14:13,120 --> 00:14:18,920 Speaker 1: semblance of preparation that you as a consumer. I've said this, 223 00:14:19,160 --> 00:14:21,800 Speaker 1: if I've met you at meeting greets over the years, 224 00:14:21,840 --> 00:14:24,280 Speaker 1: I've told you this is the deal. Here. You are 225 00:14:24,360 --> 00:14:27,480 Speaker 1: giving up the most valuable resource that you have. You're listening. 226 00:14:27,680 --> 00:14:31,440 Speaker 1: You're giving your time. That is the most valuable thing 227 00:14:31,440 --> 00:14:33,160 Speaker 1: we all have as human amazinging for you to give 228 00:14:33,240 --> 00:14:36,040 Speaker 1: your time to listen to a sports radio show, that's 229 00:14:36,040 --> 00:14:38,600 Speaker 1: pretty cool. So the least I could do when I 230 00:14:38,600 --> 00:14:42,120 Speaker 1: get behind the microphone is have some, as I said, 231 00:14:42,160 --> 00:14:48,239 Speaker 1: some semblance of preparation. And so I had completely forgotten 232 00:14:48,400 --> 00:14:51,760 Speaker 1: the notes. And it's like a surgeon. You wouldn't want 233 00:14:51,800 --> 00:14:53,920 Speaker 1: to go and do to an operation as a surgeon 234 00:14:53,920 --> 00:14:56,960 Speaker 1: and leave your scalpel at home. Say well, just hold 235 00:14:56,960 --> 00:14:59,280 Speaker 1: off here, I got to I don't have a scalpel. 236 00:14:59,600 --> 00:15:03,240 Speaker 1: It's bathroom at home. If you're a pilot you go 237 00:15:03,320 --> 00:15:06,360 Speaker 1: down to the airport and you forget the keys to 238 00:15:06,440 --> 00:15:08,800 Speaker 1: turn on the plane, you don't want that. Or if 239 00:15:08,840 --> 00:15:12,359 Speaker 1: you're a chef and you show up to the restaurant 240 00:15:12,440 --> 00:15:15,240 Speaker 1: and you realize that you left all the vegetables and 241 00:15:15,280 --> 00:15:18,120 Speaker 1: all the bread in the trunk of your car. That's 242 00:15:18,160 --> 00:15:22,280 Speaker 1: not gonna work. Now in the podcast world, what would 243 00:15:22,280 --> 00:15:25,360 Speaker 1: you do, Like I'm in a podcast set up right now, 244 00:15:25,400 --> 00:15:30,560 Speaker 1: I would just pause. I grab the laptop. I would 245 00:15:30,880 --> 00:15:34,320 Speaker 1: Sasha my way back. No problem, edit it out, nobody notices, 246 00:15:34,520 --> 00:15:37,960 Speaker 1: nobody knows. But in live radio, we'll do it live, 247 00:15:38,560 --> 00:15:41,640 Speaker 1: I'll ride it, We'll do it lot. There is no pause. 248 00:15:41,680 --> 00:15:47,320 Speaker 1: But when the on air light is illuminated, the void 249 00:15:47,560 --> 00:15:50,600 Speaker 1: is right there, right, the void is right there, and 250 00:15:51,000 --> 00:15:55,720 Speaker 1: it's just laughing at you, daring you to stumble. So 251 00:15:55,760 --> 00:15:58,360 Speaker 1: I did what any desperate man, desperate talk show host 252 00:15:58,440 --> 00:16:01,480 Speaker 1: working from the remote studio would do. Oho I called 253 00:16:01,520 --> 00:16:06,200 Speaker 1: for backup. No, I did not call Moxie. I did 254 00:16:06,240 --> 00:16:09,760 Speaker 1: not call Moxie. I called my wife, who was somewhere 255 00:16:09,920 --> 00:16:15,600 Speaker 1: near the laptop enjoying some nice television, and I said, listen, 256 00:16:15,680 --> 00:16:18,960 Speaker 1: you gotta help me out. I need that computer asap. Emergency, 257 00:16:18,960 --> 00:16:22,240 Speaker 1: emergency def Con one, deaf con one, or something like that. 258 00:16:22,440 --> 00:16:27,720 Speaker 1: And suddenly the wife transformed into wonder woman faster than 259 00:16:27,760 --> 00:16:29,640 Speaker 1: Florence Griffith Joinner. If you know who that is, that's 260 00:16:29,640 --> 00:16:33,600 Speaker 1: a dated reference covered in red Bull, drinking red Bull. 261 00:16:33,840 --> 00:16:38,000 Speaker 1: She hurtled the sofa, cut a corner like secretariat, charged 262 00:16:38,080 --> 00:16:41,680 Speaker 1: up the stairs like she was storming Normandy, and about 263 00:16:41,720 --> 00:16:46,640 Speaker 1: forty seconds later, forty seconds she was in the remote studio, 264 00:16:48,040 --> 00:16:52,640 Speaker 1: laptop in hand, delivered like the passing of the torch 265 00:16:53,520 --> 00:16:57,840 Speaker 1: at the opening ceremony of the Olympics. Teamwork makes the 266 00:16:57,920 --> 00:17:01,760 Speaker 1: dream work pure and simple. And here's the kick. Nobody listening, 267 00:17:02,480 --> 00:17:04,600 Speaker 1: nobody listening to you. I didn't get one email. I go. 268 00:17:04,720 --> 00:17:06,760 Speaker 1: I was worries. People a going to know that something 269 00:17:06,800 --> 00:17:09,760 Speaker 1: happened here, not a soul. The monologue went on. We 270 00:17:09,760 --> 00:17:12,920 Speaker 1: talked about Robert Salah and accusing the Jaguars of cheating, 271 00:17:13,280 --> 00:17:17,959 Speaker 1: made some Jose Albouve jokes and comments based on bullet points. 272 00:17:18,480 --> 00:17:21,719 Speaker 1: We talked about Tua being thin skinned, the Tennessee Titans. 273 00:17:21,760 --> 00:17:25,080 Speaker 1: It all played as if it had been planned perfectly. 274 00:17:25,119 --> 00:17:29,040 Speaker 1: There were no hiccups at all, and you had the 275 00:17:29,119 --> 00:17:32,640 Speaker 1: thrill of victory if you were listening now. Behind the scenes, 276 00:17:34,040 --> 00:17:37,480 Speaker 1: I was living the agony of defeat. I was. And 277 00:17:37,560 --> 00:17:40,480 Speaker 1: that again is the thing about what you love so 278 00:17:40,560 --> 00:17:43,440 Speaker 1: much about live radio. It's jazz, it's improv a little bit. 279 00:17:43,480 --> 00:17:48,479 Speaker 1: It's juggling knives on a unicycle wearing clown makeup. Now, 280 00:17:48,520 --> 00:17:51,080 Speaker 1: the Gremlins almost always show up. When we work from 281 00:17:51,080 --> 00:17:54,639 Speaker 1: the remote studio, they almost always show up. Files go missing, 282 00:17:54,680 --> 00:18:01,600 Speaker 1: dogs will bark, power will go out, microphones will start barn. However, 283 00:18:01,800 --> 00:18:04,520 Speaker 1: the show must go on. The show must go on. 284 00:18:04,880 --> 00:18:08,000 Speaker 1: And if you've got an English bulldog by your side 285 00:18:08,080 --> 00:18:13,159 Speaker 1: and the Wonder Woman spreating through the house, maybe, just 286 00:18:13,320 --> 00:18:15,080 Speaker 1: maybe you might be able to put off. And that's 287 00:18:15,400 --> 00:18:18,200 Speaker 1: the reason I just I love it. I love it. 288 00:18:18,359 --> 00:18:21,560 Speaker 1: I love love the gig. I don't like everything about it. 289 00:18:22,000 --> 00:18:23,960 Speaker 1: There's some things I would love to change, but there's 290 00:18:24,000 --> 00:18:27,359 Speaker 1: no job anyone's ever had at any point that is 291 00:18:27,640 --> 00:18:31,919 Speaker 1: completely perfect. But it's another reason it matters to me, 292 00:18:32,160 --> 00:18:36,680 Speaker 1: Like it's anyone can do a podcast anywhere and polish 293 00:18:36,720 --> 00:18:40,359 Speaker 1: it up and do it live though, because live radio 294 00:18:40,600 --> 00:18:43,240 Speaker 1: it is not perfect. It's not meant to be perfect. 295 00:18:43,280 --> 00:18:48,680 Speaker 1: It's the human drama of athletic competition, except the competition 296 00:18:48,760 --> 00:18:52,800 Speaker 1: often is between me and my own stupidity, and nine 297 00:18:52,840 --> 00:18:55,280 Speaker 1: out of ten times I end up losing on a 298 00:18:55,359 --> 00:18:57,720 Speaker 1: daily basis, and I keep going back like a glutton 299 00:18:57,760 --> 00:19:00,280 Speaker 1: for punishment. But it just happened to be the end 300 00:19:00,320 --> 00:19:03,920 Speaker 1: of the week. There. With the help of my lovely wife, 301 00:19:03,640 --> 00:19:10,840 Speaker 1: I I won. That is a wwwwwww barely. And that's it. 302 00:19:11,000 --> 00:19:14,919 Speaker 1: That is why you span the globe for good talk radio, 303 00:19:15,480 --> 00:19:19,480 Speaker 1: because you never know when boom goes the dynamite. Boom 304 00:19:19,560 --> 00:19:22,280 Speaker 1: goes the dynamite, just like that. All right, turn the 305 00:19:22,280 --> 00:19:25,080 Speaker 1: pitch on that. It's the little things in life. The 306 00:19:25,200 --> 00:19:28,280 Speaker 1: little things in life. Now, let's be honest here, all right. 307 00:19:28,440 --> 00:19:34,919 Speaker 1: A podcast photo, a radio show photo is usually the 308 00:19:35,080 --> 00:19:38,960 Speaker 1: least important thing in the world. Just stick with the podcast. 309 00:19:39,800 --> 00:19:44,560 Speaker 1: It's wallpaper, it's a label on a soup can, the 310 00:19:44,680 --> 00:19:48,680 Speaker 1: tiny print on the back of your credit card. Nobody 311 00:19:49,359 --> 00:19:54,040 Speaker 1: knewbody is listening to a podcast because of a headshot. 312 00:19:54,440 --> 00:19:58,639 Speaker 1: Nobody is doing that. Nobody says, I wasn't going to 313 00:19:58,800 --> 00:20:05,160 Speaker 1: download that four our audio da Tribe about Micah Parsons, 314 00:20:05,280 --> 00:20:10,600 Speaker 1: Jerry Jones and Aaron Rodgers taking a bowel movement. But boy, 315 00:20:10,680 --> 00:20:14,440 Speaker 1: look at that handsome man in the square thumbnail. Now 316 00:20:14,440 --> 00:20:17,480 Speaker 1: I'm gonna do it. Yeah, it doesn't happen. And yet 317 00:20:17,600 --> 00:20:23,080 Speaker 1: this is exactly why I believe it's important, because the 318 00:20:23,200 --> 00:20:27,080 Speaker 1: small things the ones you're not supposed to care about, 319 00:20:27,200 --> 00:20:30,679 Speaker 1: sometimes screamed the loudest. Now I bring this up. You 320 00:20:30,720 --> 00:20:34,040 Speaker 1: may have noticed if you downloaded the Ben Malers Show 321 00:20:34,119 --> 00:20:38,720 Speaker 1: podcast for Friday. However, for the first time in I 322 00:20:38,720 --> 00:20:42,320 Speaker 1: would say roughly fourteen years, fifteen years, the Ben Malers 323 00:20:42,359 --> 00:20:46,879 Speaker 1: Show podcast has a new picture. Not the same old 324 00:20:46,920 --> 00:20:49,919 Speaker 1: stock shot of a gas bag who looks like he 325 00:20:49,960 --> 00:20:53,240 Speaker 1: had just waddled out of an all you can eat 326 00:20:53,359 --> 00:20:59,760 Speaker 1: Vegas buffet, not the bloated character that screamed part sports 327 00:20:59,800 --> 00:21:03,400 Speaker 1: rate guy, part job of the hut. No, no, no, 328 00:21:03,440 --> 00:21:09,240 Speaker 1: this time, you know, is it a glamour shot? I 329 00:21:09,280 --> 00:21:10,879 Speaker 1: don't know if I'll use that word. I'll use the 330 00:21:10,920 --> 00:21:16,560 Speaker 1: word where the host actually looks presentable, even debonair. The 331 00:21:16,680 --> 00:21:21,199 Speaker 1: face a face for radio, but yet serious intent with 332 00:21:21,280 --> 00:21:25,919 Speaker 1: a little comedy flavor mixed in, you know, like someone 333 00:21:25,920 --> 00:21:28,320 Speaker 1: that's focused there, like they're about to carve a searing 334 00:21:29,400 --> 00:21:34,359 Speaker 1: steak of sports talk goodness and the sizzle right at 335 00:21:34,359 --> 00:21:39,000 Speaker 1: your table. And for once, the image does not betray 336 00:21:39,119 --> 00:21:42,160 Speaker 1: the content. All Right, we complained about this, I've done 337 00:21:42,200 --> 00:21:46,200 Speaker 1: rants about this. You can roll your eyes and say, oh, 338 00:21:46,240 --> 00:21:49,840 Speaker 1: here we go again, Here we go again. Yeah, I 339 00:21:49,880 --> 00:21:52,920 Speaker 1: can already hear you saying it's just a photo, bit 340 00:21:53,400 --> 00:21:58,359 Speaker 1: that schmuck, just Josh or Lucky Tonys, just a photo. No, no, 341 00:21:59,080 --> 00:22:04,959 Speaker 1: pump the brakes. This photo will appear millions of times, 342 00:22:06,240 --> 00:22:08,240 Speaker 1: literally millions of time. We do it very well on 343 00:22:08,280 --> 00:22:10,800 Speaker 1: the downloads, but it's an aggregate thing. You add this 344 00:22:10,920 --> 00:22:15,880 Speaker 1: up every day for weeks and months, and it's a 345 00:22:16,320 --> 00:22:24,360 Speaker 1: neon golden arches at McDonald's, on every podcast app every podcast, 346 00:22:24,440 --> 00:22:29,159 Speaker 1: a bitten Apple logo in every truck cab stopping to 347 00:22:29,440 --> 00:22:32,920 Speaker 1: get some dinner at a truck stop, listening on serious 348 00:22:32,920 --> 00:22:38,240 Speaker 1: satellite radio. It's every man, woman and child who downloads 349 00:22:38,320 --> 00:22:42,600 Speaker 1: the Ben Maler Show. We'll see this thumbnail, that little 350 00:22:43,240 --> 00:22:47,280 Speaker 1: bitty square, that eighty bitty square, will carry the weight 351 00:22:47,480 --> 00:22:53,879 Speaker 1: of recognition. It's like a brand burnt into the cattle. 352 00:22:53,960 --> 00:22:56,880 Speaker 1: It's a cattle mark. It's out there in the dusty 353 00:22:56,920 --> 00:23:00,280 Speaker 1: plane somewhere in the sports media world. And that that's 354 00:23:00,280 --> 00:23:03,639 Speaker 1: the thing, Especially when you're doing the overnight, you're like 355 00:23:03,800 --> 00:23:07,439 Speaker 1: baby steps become avalanches. Like a new photo isn't just 356 00:23:07,480 --> 00:23:12,080 Speaker 1: a new photo. It's a reintroduction. It's the mirror finally 357 00:23:12,160 --> 00:23:15,359 Speaker 1: catching up and to where you are right now, it's 358 00:23:15,400 --> 00:23:18,680 Speaker 1: got kind of like you hate that flattering angle. It's funny. 359 00:23:18,720 --> 00:23:20,560 Speaker 1: I was I back in the day when I was dating. 360 00:23:20,760 --> 00:23:24,880 Speaker 1: I knew that everyone wanted that photo looking down because 361 00:23:24,920 --> 00:23:27,960 Speaker 1: you lose about twenty pounds of fat. When you do 362 00:23:28,040 --> 00:23:30,560 Speaker 1: the camera above your head, you know, and you look down, 363 00:23:30,640 --> 00:23:32,560 Speaker 1: you don't get the chin fat and all that stuffs 364 00:23:32,560 --> 00:23:37,199 Speaker 1: a very flattering angle. It's like your aunt at Thanksgiving saying, oh, 365 00:23:37,280 --> 00:23:39,560 Speaker 1: you've lost some weight. What have you been doing? Are 366 00:23:39,600 --> 00:23:42,960 Speaker 1: you on that ozepic? And you haven't lost it hours. 367 00:23:43,000 --> 00:23:48,040 Speaker 1: It's just perception shifting, and perception is reality. So for 368 00:23:48,160 --> 00:23:51,440 Speaker 1: twenty five years of my life, for twenty five years 369 00:23:51,440 --> 00:23:54,840 Speaker 1: of my life at Fox Sports Radio, the host has 370 00:23:54,880 --> 00:23:58,040 Speaker 1: been portrayed as a slub, just the way it is 371 00:23:58,760 --> 00:24:04,520 Speaker 1: at the Overnight Overweight Carnival Barker. And now the image 372 00:24:04,720 --> 00:24:06,360 Speaker 1: to me, it looks different, and you can tell me, oh, 373 00:24:06,400 --> 00:24:08,200 Speaker 1: you know, you don't look that good. I just took 374 00:24:08,200 --> 00:24:14,159 Speaker 1: a little sneaker, a little more sophisticated. Yeah. This is 375 00:24:14,200 --> 00:24:18,400 Speaker 1: not an accident, right, This is not vanity, This is branding. 376 00:24:19,000 --> 00:24:23,080 Speaker 1: And you don't judge a podcast by its cover, except 377 00:24:23,240 --> 00:24:28,960 Speaker 1: of course, you absolutely do. You absolutely do. But such 378 00:24:29,000 --> 00:24:32,399 Speaker 1: as life in the audio world, we spent hours and 379 00:24:32,560 --> 00:24:38,000 Speaker 1: hours perfecting the content and then you send it out 380 00:24:38,040 --> 00:24:40,600 Speaker 1: and you like it, you don't like it. You judge it, 381 00:24:40,640 --> 00:24:44,840 Speaker 1: you don't judge it. We use the thumbnail and sometimes 382 00:24:44,840 --> 00:24:49,480 Speaker 1: that little tiny square is the biggest billboard you'll ever have. 383 00:24:49,520 --> 00:24:55,320 Speaker 1: Of course, we have the mobile moving Matt billboard, or 384 00:24:55,400 --> 00:24:58,800 Speaker 1: Matt the mover who's traveled all over there and his 385 00:24:58,960 --> 00:25:01,840 Speaker 1: dog Glue. We talked about him yesterday on the Friday podcast. 386 00:25:01,840 --> 00:25:04,600 Speaker 1: So we have that, but now we have this as well. 387 00:25:05,359 --> 00:25:07,639 Speaker 1: So I thought that was kind of cool. I was 388 00:25:07,960 --> 00:25:11,800 Speaker 1: happy about that, And now it's out and so check 389 00:25:11,840 --> 00:25:15,840 Speaker 1: it out. Let me know what you think about the image, 390 00:25:16,200 --> 00:25:20,320 Speaker 1: and yeah, so it's actually cool. I management reached out 391 00:25:20,359 --> 00:25:23,199 Speaker 1: to me and said, hey, we're changing the podcast image 392 00:25:23,840 --> 00:25:27,359 Speaker 1: and we've got some options, and I said, okay, what 393 00:25:27,400 --> 00:25:30,960 Speaker 1: are the options. And they could continue to use the 394 00:25:30,960 --> 00:25:33,400 Speaker 1: one where I look like I am about to die 395 00:25:33,480 --> 00:25:36,520 Speaker 1: from obesity. They chose not to do that, So we're 396 00:25:37,280 --> 00:25:39,720 Speaker 1: we're happy about that. We are fired up. I think 397 00:25:39,960 --> 00:25:42,879 Speaker 1: they did a good job. So it's a nice nice 398 00:25:42,920 --> 00:25:45,720 Speaker 1: deal there for sure. All right, it's a fifth hour 399 00:25:45,760 --> 00:25:49,440 Speaker 1: podcast and we have the mail bag tomorrow tomorrow, the 400 00:25:49,480 --> 00:25:53,000 Speaker 1: mail bag which we are fired up about, and if 401 00:25:53,040 --> 00:25:55,119 Speaker 1: you want to send a message in either for this 402 00:25:55,160 --> 00:25:57,600 Speaker 1: week's mail bag or a future mail bag, you can 403 00:25:57,640 --> 00:26:01,840 Speaker 1: do that care of Real fifth Hour at gmail dot com. 404 00:26:02,280 --> 00:26:07,119 Speaker 1: That's Real fifth Hour at gmail dot com, and we 405 00:26:07,240 --> 00:26:11,240 Speaker 1: will go through the mail bag tomorrow and read a 406 00:26:11,280 --> 00:26:13,120 Speaker 1: bunch of these questions. We don't get it in tomorrow. 407 00:26:13,320 --> 00:26:16,479 Speaker 1: If it's evergreen, we could always use it in a 408 00:26:16,560 --> 00:26:18,720 Speaker 1: future episode. If it's a dated one, we will not 409 00:26:18,920 --> 00:26:22,400 Speaker 1: use it. So resubmit but Real fifth Hour at gmail 410 00:26:22,480 --> 00:26:26,679 Speaker 1: dot com. If you want to support the radio program 411 00:26:26,920 --> 00:26:29,280 Speaker 1: or actually this podcast, and you can ask about the 412 00:26:29,400 --> 00:26:34,600 Speaker 1: radio program or whatever you want. It doesn't really matter. 413 00:26:34,680 --> 00:26:37,840 Speaker 1: Danny g should be with me on the mail bag tomorrow. 414 00:26:37,920 --> 00:26:41,600 Speaker 1: Hopefully he'll be able to stop by. It's been a crazy, crazy, 415 00:26:41,640 --> 00:26:43,840 Speaker 1: crazy weekend. So again, I got a lot of college 416 00:26:43,880 --> 00:26:47,280 Speaker 1: football to watch and don't even bother sending me an email. Well, 417 00:26:47,440 --> 00:26:50,000 Speaker 1: you don't talk about college football. I don't understand why 418 00:26:50,000 --> 00:26:55,200 Speaker 1: you're going to be watching those. Yeah, I don't have 419 00:26:55,320 --> 00:26:59,880 Speaker 1: to talk about everything I watch. I don't. Okay, sometimes 420 00:26:59,920 --> 00:27:02,000 Speaker 1: I can just be a sports fan. I don't even 421 00:27:02,040 --> 00:27:03,880 Speaker 1: have to bet on the game. Now, I do pick. 422 00:27:03,960 --> 00:27:05,560 Speaker 1: When I watch a game, I got to pick who 423 00:27:05,560 --> 00:27:07,520 Speaker 1: I think is gonna win. I can just take the 424 00:27:07,640 --> 00:27:10,919 Speaker 1: edge off and watch a game and that's it. I 425 00:27:10,920 --> 00:27:12,720 Speaker 1: don't have to do the whole shebang where I sit 426 00:27:12,720 --> 00:27:15,080 Speaker 1: in front of a microphone and spit out monologues and 427 00:27:15,119 --> 00:27:17,560 Speaker 1: all that stuff. And quite frankly, some of the stuff 428 00:27:17,600 --> 00:27:19,919 Speaker 1: I watched for the radio show I would never watch 429 00:27:20,480 --> 00:27:22,239 Speaker 1: if I didn't have the radio show because I have 430 00:27:22,240 --> 00:27:25,160 Speaker 1: no interest in it. But I have to work myself 431 00:27:25,160 --> 00:27:28,399 Speaker 1: into a lather sometimes for some of the stuff that 432 00:27:28,400 --> 00:27:31,320 Speaker 1: we end up talking about because it's broadcasting, not narrow 433 00:27:31,400 --> 00:27:34,080 Speaker 1: casting and all that. But I can watch college football 434 00:27:34,080 --> 00:27:36,680 Speaker 1: and I'll be out running around, so I'll likely watch 435 00:27:36,760 --> 00:27:40,439 Speaker 1: some of it on my phone, depending on what I 436 00:27:40,440 --> 00:27:42,240 Speaker 1: have going on today, because I have a lot of 437 00:27:42,280 --> 00:27:45,080 Speaker 1: time off, especially doing the podcast on the weekend. So 438 00:27:45,119 --> 00:27:49,439 Speaker 1: I'll figure some stuff out as I go through. And 439 00:27:49,480 --> 00:27:52,840 Speaker 1: that'll be that. Anyway. Thanks to you for listening, making 440 00:27:52,880 --> 00:27:54,080 Speaker 1: it all the way to the end of the podcast. 441 00:27:54,080 --> 00:27:56,160 Speaker 1: We'll have again the mail bag tomorrow, Danny G. Hopefully 442 00:27:56,160 --> 00:28:01,600 Speaker 1: we'll check in. Have a wonderful rest of your set day, Saturday, Saturday, 443 00:28:02,160 --> 00:28:08,440 Speaker 1: and we will catch you next time. Later, Skater Pasta 444 00:28:09,000 --> 00:28:13,400 Speaker 1: Pasta We're still waiting for that Eureka moment. Now we 445 00:28:13,440 --> 00:28:15,600 Speaker 1: are got a murder. I gotta go.