WEBVTT - Larry Mestel

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is Larry Mstel, the founder and CEO

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<v Speaker 1>Primary Win. Thank you, Bob is primary way people ask

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<v Speaker 1>that question, Offen. That's why I asked, So, you know

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<v Speaker 1>we we we really are a marketing and branding company

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<v Speaker 1>that owns its own I P. But we call ourselves

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<v Speaker 1>a polished intellectual property music um. And uh you know,

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<v Speaker 1>we call ourselves a publishing company so that people kind

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<v Speaker 1>of have a better understanding of what historically, uh we do. Okay,

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<v Speaker 1>well what do you do? What do we do? Great question? So, um,

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<v Speaker 1>you know, we distinguish ourselves from most publishers in that

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<v Speaker 1>we focus on things other publishers don't. So we have

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<v Speaker 1>a big brand marketing team. We've got a fourteen person

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<v Speaker 1>digital strategy team. I have a chief marketing officer who

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<v Speaker 1>has product managers. So I I started in the record business,

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<v Speaker 1>and I was in the record business for uh you know,

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<v Speaker 1>almost twenty years. Started Primary Wave, UM, and I started

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<v Speaker 1>it to be something different. I didn't know what a

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<v Speaker 1>publishing company was, what it was because you've been in

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<v Speaker 1>the music business, barely knew what like most record guys

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<v Speaker 1>barely knew what a publisher was, so I ran in

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<v Speaker 1>the publishing company like a record company. So we focused

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<v Speaker 1>on marketing and branding and driving opportunities instead of doing

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<v Speaker 1>what most publishers talk about artists, which is collecting and administrating. Okay,

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<v Speaker 1>let's go a little bit slower. Why do you decide

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<v Speaker 1>to do this? Ah? So? Uh you know. I started

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<v Speaker 1>at Island Records. I worked for Chris Blackwell for eleven years,

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<v Speaker 1>went to Arista Records when when Clive um Um started

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<v Speaker 1>jet L A Reading, I came in to run Arista

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<v Speaker 1>Records and with the Virgin Records, and I decided the

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<v Speaker 1>recorded music business, not the music business, but the record

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<v Speaker 1>of music business was going in the wrong direction. And

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<v Speaker 1>this was what year. This was in two thousand six. Okay,

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<v Speaker 1>so napster to happen, the renaissance and revenues and not

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<v Speaker 1>gone back up. You thought it was bad because well,

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<v Speaker 1>piracy was running rampants, CDs were dropping like a rock.

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<v Speaker 1>It was hard to mark, it was hard to break

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<v Speaker 1>acts um. But I had always had a little music

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<v Speaker 1>publishing company and a little marketing company contractually on the side.

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<v Speaker 1>I never really trusted the recorded music business. So okay, well,

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<v Speaker 1>when did you start your little publishing marketing company. Well,

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<v Speaker 1>I started Primary Wave in two thousand six. But you

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<v Speaker 1>said you always had one of the side. There was

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<v Speaker 1>about six or seven years before. Um, I had been

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<v Speaker 1>investing in music copyrights, so I know, but the advent

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<v Speaker 1>of that is two thousand six. Uh, the advent of

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<v Speaker 1>primary Wave started. Okay? But in did you start around

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<v Speaker 1>somewh around two tho? Okay, this was just an idea

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<v Speaker 1>in the middle of the night. You're lying in bed

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<v Speaker 1>and you say, oh, this is what I should do. Yeah, okay,

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<v Speaker 1>did you do my best thinking in the shower? So

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<v Speaker 1>to me in the shower, I couldn't thank you. I

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<v Speaker 1>couldn't agree more. All my best ideas come in the shower. Absolutely,

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<v Speaker 1>It's like a bolt of lightning. Uh. And also all

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<v Speaker 1>your best ideas to come when you're doing something else.

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<v Speaker 1>But uh, okay, so you bought publishing assets? Did you

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<v Speaker 1>bought by copyrights? Were already generating revenue or up and

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<v Speaker 1>coming acts? What did you sign? Uh? Well? Early on

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<v Speaker 1>and again it was very this was side, that's right.

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<v Speaker 1>So I was spending my time and then people would

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<v Speaker 1>bring me things and I, you know, sign little things okay,

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<v Speaker 1>but these were I'm driving towards cash. How much of

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<v Speaker 1>a caspenditure? Very little? I mean it was in the

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<v Speaker 1>thousands of dollars. Okay, it was out of your own pocket.

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<v Speaker 1>And what did you promise those people? Then? It wasn't

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<v Speaker 1>It wasn't the same thing as it was today. You know,

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<v Speaker 1>people were bringing the little involved. You come you buy

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<v Speaker 1>an asset for a thousand dollars other than collecting what

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<v Speaker 1>is your pitch? Well today there was no pitch then? Okay,

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<v Speaker 1>So why would some why would someone sell to you

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<v Speaker 1>because they needed money? Okay? That was literally the the

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<v Speaker 1>thousands you're here, that was satiating the client. Yeah, okay,

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<v Speaker 1>and you owned any of those assets? You own those assets,

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<v Speaker 1>Did any of them generating any significant revenue? No? Very little?

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<v Speaker 1>I mean I think if it was doing fifteen thousand

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<v Speaker 1>and a year in NPS, it was a lot. It

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<v Speaker 1>was varied to my audience. What that acronym is so

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<v Speaker 1>net publishers NPS net publishers here, it's like gross margin. Okay.

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<v Speaker 1>So did you go to business school? I did? Where'd

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<v Speaker 1>you go? I went to the University of Massachusetts Amherst.

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<v Speaker 1>I actually started uh graduate school at n y U,

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<v Speaker 1>and then I got the job with Chris Blackwell, and

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<v Speaker 1>I couldn't keep up with going to n y U.

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<v Speaker 1>So I I decided, you know what, much more interesting

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<v Speaker 1>working with Chris Blackwell than going to graduate school. Wait wait,

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<v Speaker 1>but you were going to graduate school at n y

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<v Speaker 1>U at the time. You said at night, Okay, it's stern.

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<v Speaker 1>So how does the Mherst fit into this? Well, that

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<v Speaker 1>was my undergraduate okay, but we'll get back to that.

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<v Speaker 1>So you're buying these assets, you're helping these people out.

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<v Speaker 1>What happened? First people approached you and you said this

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<v Speaker 1>is a good idea, or you said this is what

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<v Speaker 1>I want to do and put the word out. Well,

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<v Speaker 1>you know, I'm running record companies, right, So it wasn't

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<v Speaker 1>really the publishing thing was very on the side. It

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<v Speaker 1>was more of an investment than it was a company.

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<v Speaker 1>I was investing in certain assets, building a little portfolio.

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<v Speaker 1>But it wasn't a It wasn't a business. I got you,

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<v Speaker 1>So what flicks the flips the switch? In two thousand six,

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<v Speaker 1>what flips the switch is? I was I was at

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<v Speaker 1>Virgin Records, and you know, I mean, I have to

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<v Speaker 1>say that it was a an interesting decision to leave

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<v Speaker 1>Arista or leave BMG at the time to go to

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<v Speaker 1>the Virgin. They had just announced, you know, Sony and

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<v Speaker 1>BMG were merging, and frankly, I I really didn't want

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<v Speaker 1>to stay during a merger. Alan Levy, who I used

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<v Speaker 1>to work for when I ran Island with Chris Blackwell,

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<v Speaker 1>asked me if I wanted to come over and run

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<v Speaker 1>Virgin Records with with mats a Letic and I said,

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<v Speaker 1>you know what, perfect timing. Uh. So I was at

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<v Speaker 1>Virgin for I think it was about a year and

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<v Speaker 1>a half and it was just Virgin was not exactly

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<v Speaker 1>um you know uh uh the uh the gem of

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<v Speaker 1>the music business at the time, and um it uh

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<v Speaker 1>you know, the record business was just going in the

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<v Speaker 1>wrong direction. CD sales were plumbering. Um and as I said,

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<v Speaker 1>piracy was rampant and it was a very hard business.

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<v Speaker 1>But the music in general was very vibrant. And as

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<v Speaker 1>I said, you know, I had been dabbling in music

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<v Speaker 1>publishing and I thought that that was it was still

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<v Speaker 1>a really good business at the time, and I took

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<v Speaker 1>a leap. I wanted to be a full time entrepreneur

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<v Speaker 1>and I got very lucky. I mean slower. What'd your

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<v Speaker 1>wife say? My wife fought always out of my mind.

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<v Speaker 1>I had, you know, three kids, a little and she said,

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<v Speaker 1>you can do what And I said, if I don't

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<v Speaker 1>do it now, I'm never going to do it. And

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<v Speaker 1>uh and uh, so I took the leap. It was,

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<v Speaker 1>you know, a long Leavy was was really fantastic to me.

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<v Speaker 1>That was the last time you talked to him about

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<v Speaker 1>a year ago and I I'm not exactly sure, but

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<v Speaker 1>he was working with a technology company in the music space,

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<v Speaker 1>advising them and we took a look at it to

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<v Speaker 1>see whether we wanted to invest in It was actually

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<v Speaker 1>business while you connected. Okay, so continue with the process

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<v Speaker 1>of moving on. Yeah. So so, um, you know I

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<v Speaker 1>have UH. I had some other business interests that allowed

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<v Speaker 1>a little bit of a little bit of cash flow

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<v Speaker 1>speak English, there's uh. There was a company that I

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<v Speaker 1>had invested in with a friend called Primary Way of

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<v Speaker 1>Media that had UH that owned eight hundred numbers and

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<v Speaker 1>toll free numbers and you know, literally like music publishing.

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<v Speaker 1>Well let's stop here for a second. When did you

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<v Speaker 1>start investing in Primary Wave Media? Oh my god, that

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<v Speaker 1>was back in the nineties, okay, And these were nine

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<v Speaker 1>hundred numbers or eight hundred very funny, Bob eight hundred numbers.

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<v Speaker 1>So home care one eight hundred, wireless one hundred move.

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<v Speaker 1>Now what you were licensing? What was the business? Well,

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<v Speaker 1>I invested in the company. I understand. What did the

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<v Speaker 1>company do? They were licensing numbers? Okay, and that was

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<v Speaker 1>a business. It was business. And it basically started up

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<v Speaker 1>with almost no cash and everybody did well exactly, and

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<v Speaker 1>and so you know, it's a cash flow. So I

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<v Speaker 1>had a little bit of a cushion and keep going.

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<v Speaker 1>And so I decided in January two thousand six to

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<v Speaker 1>uh to UM to start Primary Way of Music. And

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<v Speaker 1>the the idea came from the fact that, um, you know,

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<v Speaker 1>running large labels, nobody at labels really cared about iconic

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<v Speaker 1>and legendary music, a catalog. They were really interested in in,

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<v Speaker 1>you know, signing and developing new artists for lots of reasons.

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<v Speaker 1>Um you know, you hit a new artist big and

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<v Speaker 1>the margins phenomenal, and you know, catalog to everybody in

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<v Speaker 1>the music business or the record business boring, right, But

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<v Speaker 1>to me, it was exciting. So I said, you know what,

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<v Speaker 1>I want to go out and I want to start

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<v Speaker 1>a marketing and branding company that owned its own intellectual property,

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<v Speaker 1>to partner with great artists to actually provide the marketing

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<v Speaker 1>services that they wouldn't get or couldn't get at their labels.

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<v Speaker 1>So I got very lucky, um, externary lucky. I raised

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<v Speaker 1>in about a week. I raised about fifty million dollars. Okay,

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<v Speaker 1>but a little bit slower. You had the money from

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<v Speaker 1>Primary Wave Media. No, no, no, no, no, no, no,

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<v Speaker 1>no no no, that's not what I'm saying. You had

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<v Speaker 1>some money from Primary Wave Media, so that I understand.

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<v Speaker 1>Did you roll primary Wave Media into primary wave Music?

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<v Speaker 1>Good question. No, completely was a completely separate and that

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<v Speaker 1>company today still still exists to that is called Good Friends.

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<v Speaker 1>It's uh, I think it's still called Primary with Media. Okay,

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<v Speaker 1>So how do you raise fifty million? Okay? So this

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<v Speaker 1>is this is a long story, and I haven't sold

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<v Speaker 1>many people, but I you know, and it's it's when

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<v Speaker 1>you hear this, you're gonna say, you're gonna back and say,

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<v Speaker 1>how did this company get that lucky? So um, So

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<v Speaker 1>let's start with the beginning. You want to start the company,

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<v Speaker 1>how do you decide the number you need? I had

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<v Speaker 1>secured two acquisitions. I was partnering with Courtney Love on

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<v Speaker 1>the Kurt Cobain catalog, which I had an announced had

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<v Speaker 1>not announced, right, And I was buying a big chunk

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<v Speaker 1>of of what was formerly the MGM United Artists catalog

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<v Speaker 1>from E M I Music Publishing. Now, this is worth

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<v Speaker 1>soundtracks or things like a hard Day's Night that it

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<v Speaker 1>was in the heat of the night across a hundred

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<v Speaker 1>tenth streets Crown Affair, I mean amazing stuff that you

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<v Speaker 1>would love. Um. And so I had these two acquisitions,

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<v Speaker 1>and it's to be clear, they would only close if

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<v Speaker 1>you got the money from somewhere. Correct. I thought I

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<v Speaker 1>had the money. Okay, So I had met a gentleman

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<v Speaker 1>that um that was going to partner with me. He

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<v Speaker 1>was gonna bout a hundred million dollars in the company.

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<v Speaker 1>And long story short, But where did that person have

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<v Speaker 1>that money from? He was very wealthy. Did he make

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<v Speaker 1>the money or inherited? No? Well, I don't know, to

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<v Speaker 1>be honest. How did you know him? Well, I had

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<v Speaker 1>met him through an artist that was a friend of mine.

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<v Speaker 1>But I don't I don't really want to I don't

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<v Speaker 1>really want to go and time for anything. So the

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<v Speaker 1>guy pumped it on the investment and you were desperate. Well, well,

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<v Speaker 1>he punted on the investment. After three months of conversation,

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<v Speaker 1>diligence and um, it turns out that he wasn't a

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<v Speaker 1>good guy. And I decided a week before we were

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<v Speaker 1>supposed to close these transactions that I couldn't go into

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<v Speaker 1>business with this particular Okay, so you kicked him out? Correct? Correct?

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<v Speaker 1>And so he said what well he he Um, he

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<v Speaker 1>didn't say anything, to be honest, Well, how did you

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<v Speaker 1>tell him? I told him that I had a change

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<v Speaker 1>of heart and and basically given uh, you know, uh

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<v Speaker 1>my due diligence, I couldn't go into business with him,

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<v Speaker 1>your due diligence into his him. Correct? Correct? So now

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<v Speaker 1>you indeed money? Right and and and so you know

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<v Speaker 1>I took a risk because I had a week to close.

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<v Speaker 1>And let's slow a little bit. Yeah, how did you

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<v Speaker 1>close Courtney Love before the money? Well, I don't mean

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<v Speaker 1>because before the How did you just close her? Well,

0:13:31.400 --> 0:13:35.920
<v Speaker 1>we didn't close. It was using the term too loosely.

0:13:36.160 --> 0:13:38.880
<v Speaker 1>We had meetings. How did you convince her to make

0:13:38.920 --> 0:13:44.160
<v Speaker 1>a deal a and be with you? Okay? So, uh

0:13:44.480 --> 0:13:48.720
<v Speaker 1>so I convinced her because I told her the vision

0:13:48.920 --> 0:13:50.800
<v Speaker 1>of what I wanted to create. I didn't want to

0:13:50.840 --> 0:13:54.200
<v Speaker 1>create a publishing company that was an administration company, a

0:13:54.240 --> 0:13:59.280
<v Speaker 1>collection and a royalty organization. I wanted the vision was

0:13:59.320 --> 0:14:05.079
<v Speaker 1>to put real marketing executives, real branding executives, attach them

0:14:05.120 --> 0:14:09.280
<v Speaker 1>to these great songs, this amazing music, this fantastic artist

0:14:09.360 --> 0:14:14.040
<v Speaker 1>in brand and actually do organic real marketing. Okay, was

0:14:14.080 --> 0:14:16.280
<v Speaker 1>and I'll explain that. You explain that a minute. But

0:14:17.000 --> 0:14:19.360
<v Speaker 1>at the time, was it well known she wanted to sell.

0:14:20.240 --> 0:14:23.800
<v Speaker 1>We were introduced through her attorney at the time, John Branca,

0:14:24.720 --> 0:14:28.440
<v Speaker 1>and uh, and John liked our vision, and so she

0:14:28.560 --> 0:14:30.600
<v Speaker 1>was looking to make a deal. She was looking to

0:14:30.600 --> 0:14:33.040
<v Speaker 1>make a deal. She wanted uh you know, she wanted

0:14:33.080 --> 0:14:36.840
<v Speaker 1>to sell a piece. So we we bought of the

0:14:36.920 --> 0:14:41.880
<v Speaker 1>music publishing and became her partner. More importantly, um, you

0:14:41.880 --> 0:14:45.280
<v Speaker 1>know John had made the introduction and and and vouched

0:14:45.320 --> 0:14:47.800
<v Speaker 1>for the fact that you were legitimate. We were legitimate,

0:14:47.920 --> 0:14:49.880
<v Speaker 1>we had the money, blah blah blah. But the reality

0:14:49.920 --> 0:14:55.120
<v Speaker 1>is you didn't have the We didn't have the money

0:14:51.720 --> 0:15:00.080
<v Speaker 1>because I was your offer competitive. Yes, yes, if do

0:15:00.080 --> 0:15:02.800
<v Speaker 1>you have to pay a little bit more, Okay, because

0:15:03.680 --> 0:15:06.760
<v Speaker 1>to be honest, I think she took less from us

0:15:06.880 --> 0:15:08.680
<v Speaker 1>because of the vision of what we can do than

0:15:08.760 --> 0:15:11.080
<v Speaker 1>some of the other offers. So she did Okay, how

0:15:11.080 --> 0:15:14.360
<v Speaker 1>did you connect with Branca? I've known John for a

0:15:14.080 --> 0:15:16.920
<v Speaker 1>very very long time. I've done a lot of that deal.

0:15:17.080 --> 0:15:19.560
<v Speaker 1>Now you need to find money. Now I need Well,

0:15:19.840 --> 0:15:22.640
<v Speaker 1>I thought I had money when the deal. We get

0:15:22.680 --> 0:15:24.840
<v Speaker 1>to a week before we have to close, and now

0:15:24.880 --> 0:15:28.360
<v Speaker 1>I'm panicked. I have you know, there's I've I said

0:15:28.400 --> 0:15:32.600
<v Speaker 1>no to this investor. Good thing, but I have seven

0:15:32.680 --> 0:15:36.800
<v Speaker 1>days and this is a this is a true crazy story.

0:15:36.840 --> 0:15:39.400
<v Speaker 1>So I have a week to close. So what's the

0:15:39.400 --> 0:15:42.360
<v Speaker 1>first thing I do? I am panicked. I'm not sleeping,

0:15:42.400 --> 0:15:45.680
<v Speaker 1>I'm not eating, I'm you know, irritable. I mean, what

0:15:45.680 --> 0:15:46.920
<v Speaker 1>am I gonna do? Am I gonna come up with

0:15:46.920 --> 0:15:49.720
<v Speaker 1>all this money in a week? So I call a

0:15:49.760 --> 0:15:52.320
<v Speaker 1>friend of mine, Richard Fields, who is a managing director

0:15:52.360 --> 0:15:56.440
<v Speaker 1>at all and Company, and I said, Richard, here's the problem.

0:15:56.520 --> 0:15:59.200
<v Speaker 1>And he said, he said, to me, you a week.

0:15:59.360 --> 0:16:00.960
<v Speaker 1>You got a week to raise this money. It's never

0:16:01.000 --> 0:16:05.040
<v Speaker 1>gonna happen. I said, I know, but help. So so basically,

0:16:05.040 --> 0:16:08.200
<v Speaker 1>Alan set me up with a lot of their clients

0:16:08.280 --> 0:16:10.680
<v Speaker 1>a lot of investors, a lot of I met, you know,

0:16:10.720 --> 0:16:13.280
<v Speaker 1>Credit Swiss, I met Golden Tree, I met I mean,

0:16:13.400 --> 0:16:17.040
<v Speaker 1>you name it. I met almost everybody. Everybody I went

0:16:17.080 --> 0:16:19.200
<v Speaker 1>to said to me, you know what, we love this

0:16:19.280 --> 0:16:25.280
<v Speaker 1>idea of a new aged music publishing company that specializes

0:16:25.280 --> 0:16:27.840
<v Speaker 1>in marketing and branding and growing revenue and blah blah blah.

0:16:27.880 --> 0:16:30.160
<v Speaker 1>But we need three months to close, we need four

0:16:30.160 --> 0:16:32.640
<v Speaker 1>months to go, we need five months to close. And

0:16:32.720 --> 0:16:35.200
<v Speaker 1>so after two or three days, you know, now four

0:16:35.280 --> 0:16:38.600
<v Speaker 1>days to close. After two or three days, I had

0:16:39.000 --> 0:16:42.120
<v Speaker 1>five or six term sheets, but they all said three months,

0:16:42.160 --> 0:16:43.920
<v Speaker 1>four months, five months to club. It was the deal

0:16:44.000 --> 0:16:47.800
<v Speaker 1>you were offering. I wanted a fifty fifty partnership. I

0:16:47.840 --> 0:16:50.960
<v Speaker 1>wanted somebody to put in fifty or sixty million dollars.

0:16:51.240 --> 0:16:54.840
<v Speaker 1>They get a preferred return, and we split fifty fifty, which,

0:16:54.840 --> 0:16:57.040
<v Speaker 1>by the way, with not market, and it was more

0:16:57.080 --> 0:17:01.760
<v Speaker 1>than better than market. Right. So so after three days, Bob,

0:17:01.760 --> 0:17:06.320
<v Speaker 1>this is crazy. Um, I'm I I had one more

0:17:06.320 --> 0:17:10.639
<v Speaker 1>meeting left, and I was exhausted, and sir, I was

0:17:10.680 --> 0:17:13.399
<v Speaker 1>not eating for days because I'm how am I going

0:17:13.440 --> 0:17:15.439
<v Speaker 1>to close? My reputation is going to be ruined if

0:17:15.440 --> 0:17:18.400
<v Speaker 1>I don't close, the company will be over before it starts.

0:17:19.480 --> 0:17:23.600
<v Speaker 1>And UM and I get set up with our last meeting.

0:17:24.600 --> 0:17:26.960
<v Speaker 1>And the reason I went to the meeting is because

0:17:26.960 --> 0:17:31.440
<v Speaker 1>this company said that they invested in media and entertainment.

0:17:32.200 --> 0:17:36.160
<v Speaker 1>Media entertainment. Perfect, go take the meeting. So I show up.

0:17:36.560 --> 0:17:39.000
<v Speaker 1>You know, I have my my marketing books and we're

0:17:39.040 --> 0:17:41.159
<v Speaker 1>sitting around the table. There were three guys and me

0:17:42.280 --> 0:17:44.639
<v Speaker 1>and I hand out the books and we're five minutes

0:17:44.680 --> 0:17:46.840
<v Speaker 1>into the meeting and it becomes clear to me these

0:17:46.840 --> 0:17:51.520
<v Speaker 1>guys have no idea what what music is, right, no

0:17:51.640 --> 0:17:53.760
<v Speaker 1>idea I mean that, and many fans of music they know.

0:17:54.040 --> 0:17:57.280
<v Speaker 1>They just their idea of investing in music and entertainment

0:17:57.440 --> 0:18:00.639
<v Speaker 1>was investing in cable companies, right, which has nothing to

0:18:00.680 --> 0:18:05.720
<v Speaker 1>do with you. Nothing. So I was so flustered. And

0:18:05.760 --> 0:18:08.560
<v Speaker 1>after you know, three or four days of meetings, I

0:18:08.600 --> 0:18:11.000
<v Speaker 1>get up, I shake their hands and said thank you

0:18:11.119 --> 0:18:14.240
<v Speaker 1>very much, and I leave and I leave the three

0:18:14.240 --> 0:18:16.520
<v Speaker 1>books on the conference room table. I don't even remember

0:18:16.520 --> 0:18:20.040
<v Speaker 1>to take them. So I go home and I'm sitting

0:18:20.080 --> 0:18:22.359
<v Speaker 1>at my kitchen table and I've got these, you know,

0:18:22.400 --> 0:18:25.000
<v Speaker 1>five or six term sheets spread out. I'm thinking, Okay,

0:18:25.160 --> 0:18:27.199
<v Speaker 1>who am I going to focus on to try to

0:18:27.240 --> 0:18:30.080
<v Speaker 1>get this done in three days? Right? It's now I

0:18:30.080 --> 0:18:33.200
<v Speaker 1>have to close on on Monday. It's now Thursday or Friday.

0:18:33.440 --> 0:18:36.040
<v Speaker 1>And my phone rings, and I will never forget this.

0:18:36.200 --> 0:18:40.440
<v Speaker 1>My phone rings, and this guy says, Hey, this is

0:18:40.520 --> 0:18:43.840
<v Speaker 1>Joe bensive Anga. I'm with plain Field Asset Management. I

0:18:43.880 --> 0:18:46.040
<v Speaker 1>want to talk to you. So I said, Joe, I've

0:18:46.080 --> 0:18:47.720
<v Speaker 1>never heard of you. What can I do for you? Goes, well,

0:18:48.080 --> 0:18:50.720
<v Speaker 1>we want to invest in your company? And I said,

0:18:51.119 --> 0:18:52.560
<v Speaker 1>what do you mean you want to invest in my company?

0:18:52.640 --> 0:18:54.680
<v Speaker 1>Goes yeah, we heard you looking for money. We want

0:18:54.680 --> 0:18:57.159
<v Speaker 1>to go into music. We want to invest in you.

0:18:57.160 --> 0:18:59.680
<v Speaker 1>You know, we heard you your your legitimate we we've

0:18:59.720 --> 0:19:02.720
<v Speaker 1>you know, know your background. Blah blah blah. Said you

0:19:02.800 --> 0:19:05.600
<v Speaker 1>gotta be kidding me. I said, I can't have another conversation,

0:19:06.080 --> 0:19:08.040
<v Speaker 1>you know, spur of the moment. I've got six term

0:19:08.080 --> 0:19:10.840
<v Speaker 1>sheets or I gotta I gotta focus. Sorry, hang up.

0:19:11.200 --> 0:19:14.440
<v Speaker 1>Right fifteen minutes later, I got another call back. He said, Larry,

0:19:14.440 --> 0:19:17.360
<v Speaker 1>this is Joe benzev Aga. Don't hang up. I want

0:19:17.359 --> 0:19:19.960
<v Speaker 1>to put you on the phone with Max Holmes, who's

0:19:20.000 --> 0:19:23.520
<v Speaker 1>the founder and chief investment officer of our company. I

0:19:23.520 --> 0:19:25.960
<v Speaker 1>want you to talk to him. So I listened to Max.

0:19:26.000 --> 0:19:28.280
<v Speaker 1>He goes, Larry, just tell me what you want. And

0:19:28.320 --> 0:19:30.439
<v Speaker 1>I said, I want a fifty fifty deal. I'll give

0:19:30.480 --> 0:19:33.439
<v Speaker 1>you a preferred return. I need fifty million dollars. But

0:19:33.480 --> 0:19:36.840
<v Speaker 1>here's to catch I gotta close and fun by monday.

0:19:36.960 --> 0:19:39.680
<v Speaker 1>And he goes, we could do that. I said, what

0:19:40.000 --> 0:19:42.200
<v Speaker 1>I said, hold it time out. How did you get

0:19:42.240 --> 0:19:44.920
<v Speaker 1>to me? How how did you find me? He goes,

0:19:45.000 --> 0:19:48.000
<v Speaker 1>did did you just take a meeting with so and so?

0:19:49.119 --> 0:19:51.280
<v Speaker 1>And I said yeah. He goes, well, we were the

0:19:51.359 --> 0:19:54.280
<v Speaker 1>meeting after you. They were late coming into our meeting.

0:19:54.320 --> 0:19:57.040
<v Speaker 1>We saw these books on the table. We thumbed through

0:19:57.080 --> 0:19:59.720
<v Speaker 1>the books. We put it in our briefcase. We left

0:19:59.720 --> 0:20:05.639
<v Speaker 1>the meeting to call you. So long story short, He said, Fat,

0:20:05.680 --> 0:20:08.280
<v Speaker 1>have your attorney facts over a term sheet and what

0:20:08.320 --> 0:20:10.840
<v Speaker 1>you want. We'll look it over, we'll sign it, we'll

0:20:10.880 --> 0:20:13.080
<v Speaker 1>fax it back to you today. You'll come in on Monday,

0:20:13.200 --> 0:20:15.639
<v Speaker 1>we'll do the paperwork and we'll fund the deal. And

0:20:15.680 --> 0:20:18.320
<v Speaker 1>I'm thinking, these guys are out of their mind. Is

0:20:18.359 --> 0:20:21.080
<v Speaker 1>you're never gonna happen? Right? So I call up my

0:20:21.119 --> 0:20:25.639
<v Speaker 1>attorney at Paul Hastings, and I said, Barry, here's what happened.

0:20:25.640 --> 0:20:28.280
<v Speaker 1>He goes, this isn't gonna happen. He said, I know,

0:20:28.320 --> 0:20:29.880
<v Speaker 1>but do me a favorite. Just draft the term sheet

0:20:29.880 --> 0:20:32.240
<v Speaker 1>and send it to them. He drafted the term sheet,

0:20:32.600 --> 0:20:35.600
<v Speaker 1>he sent it to them, They tweaked it a little bit,

0:20:35.640 --> 0:20:38.400
<v Speaker 1>they signed it, sent it back to me, and they said,

0:20:38.400 --> 0:20:40.639
<v Speaker 1>come in on Monday. We'll we'll have all the paperwork. Right.

0:20:41.119 --> 0:20:43.560
<v Speaker 1>I came in on Monday with Barry. We spent all

0:20:43.640 --> 0:20:47.119
<v Speaker 1>day there. We signed the deal. They funded Kurt Cobain

0:20:47.480 --> 0:20:49.960
<v Speaker 1>and they funded the MGM transaction and they put me

0:20:50.000 --> 0:20:53.440
<v Speaker 1>into business, and then I got it, and then later

0:20:53.520 --> 0:20:56.720
<v Speaker 1>on it kind of expanded. But it's it's an incredible

0:20:56.760 --> 0:21:00.760
<v Speaker 1>story because you know, people congratulate you, you know, and

0:21:01.359 --> 0:21:03.840
<v Speaker 1>years ago and starting the business and now it was

0:21:04.320 --> 0:21:09.199
<v Speaker 1>very lucky. Okay, who are these people? Plainfield? Okay, So

0:21:09.320 --> 0:21:10.840
<v Speaker 1>here's what happened, and and it turned out to be

0:21:10.880 --> 0:21:15.560
<v Speaker 1>even more fortuitous. Right, so the story gets it gets

0:21:15.800 --> 0:21:22.320
<v Speaker 1>even better. So so, uh, playing Field was started by

0:21:22.320 --> 0:21:25.520
<v Speaker 1>this guy, Max Holmes and Joe Ben Sevenga. They worked

0:21:25.640 --> 0:21:28.840
<v Speaker 1>I think they worked from Michael Milken back in the eighties.

0:21:28.880 --> 0:21:30.679
<v Speaker 1>They made a lot of money. They started this company,

0:21:30.680 --> 0:21:34.639
<v Speaker 1>Plainfield Ascent Management. They were incredible partners. They were great guys,

0:21:35.320 --> 0:21:38.400
<v Speaker 1>always lived up to their word and then so well

0:21:38.440 --> 0:21:40.920
<v Speaker 1>in two thousand six we started right two thousand and

0:21:40.960 --> 0:21:43.840
<v Speaker 1>eight nine the financial crisis hit. And you know, in

0:21:43.920 --> 0:21:46.000
<v Speaker 1>between two thousand and six and two thousand and eight,

0:21:46.000 --> 0:21:49.399
<v Speaker 1>I bought you know, Kirk Cobain, Aerosmith, Hall and Oates,

0:21:49.400 --> 0:21:52.600
<v Speaker 1>earth Win than Fire, a piece of the beatles Lamont Dozier.

0:21:52.760 --> 0:21:55.560
<v Speaker 1>I mean, on and on. We were. We were rocking,

0:21:55.760 --> 0:22:00.199
<v Speaker 1>buying you know, amazing music UM and having success us

0:22:00.200 --> 0:22:03.879
<v Speaker 1>in marketing. Than the financial crisis hits and plane Field

0:22:04.040 --> 0:22:07.200
<v Speaker 1>and and later on Credit Swiss. A couple of months

0:22:07.280 --> 0:22:10.960
<v Speaker 1>later after the after the plane Field deal, Credit Swiss

0:22:11.000 --> 0:22:16.240
<v Speaker 1>came on board. UM. The financial crisis hits plane Field.

0:22:16.280 --> 0:22:19.120
<v Speaker 1>Like a lot of other hedge funds, you know, UM

0:22:19.400 --> 0:22:22.800
<v Speaker 1>have people with withdrawing capital. They ended up going out

0:22:22.840 --> 0:22:25.880
<v Speaker 1>of business, which was brutal because they were our equity

0:22:25.920 --> 0:22:29.440
<v Speaker 1>at the time. So we had this great company with

0:22:29.880 --> 0:22:34.119
<v Speaker 1>no investor come through thousand nine. We ended up buying

0:22:34.160 --> 0:22:38.440
<v Speaker 1>back our interest in the company from plane Field. So

0:22:38.520 --> 0:22:42.320
<v Speaker 1>where'd you get that money from? We we got it

0:22:42.359 --> 0:22:46.320
<v Speaker 1>from from the cashualty assets in essence, so we were

0:22:46.440 --> 0:22:49.840
<v Speaker 1>able to buy it back at a very very favorable

0:22:49.880 --> 0:22:54.720
<v Speaker 1>price because of less well less than less than par

0:22:55.080 --> 0:22:58.879
<v Speaker 1>let's say, um and so uh you know, it's it

0:22:58.920 --> 0:23:01.600
<v Speaker 1>was unfortunate because they were great people, great partners. I mean,

0:23:01.600 --> 0:23:05.199
<v Speaker 1>they were really fantastic guys. Um. And you know, the

0:23:05.200 --> 0:23:08.800
<v Speaker 1>crisis blew a lot of people out. So we had

0:23:08.800 --> 0:23:13.320
<v Speaker 1>this great company, great assets, no way to buy anything

0:23:13.359 --> 0:23:16.920
<v Speaker 1>more because um, you know, without the equity from Plainfield,

0:23:16.920 --> 0:23:20.679
<v Speaker 1>we couldn't draw in our senior facilities from Credit Swiss.

0:23:20.680 --> 0:23:23.640
<v Speaker 1>So we were in essence out of the acquisition business.

0:23:23.640 --> 0:23:25.560
<v Speaker 1>But you know, so is everybody else because of the

0:23:25.640 --> 0:23:29.480
<v Speaker 1>financial crisis. So we ended up starting uh you know,

0:23:29.480 --> 0:23:32.400
<v Speaker 1>we we had to figure out creative ways to expand

0:23:32.400 --> 0:23:34.840
<v Speaker 1>the business and expand their publishing because we couldn't acquire

0:23:36.760 --> 0:23:42.480
<v Speaker 1>so uh, we formed a brand marketing company. Um at

0:23:42.480 --> 0:23:45.920
<v Speaker 1>the time, how many people are working, I would say

0:23:45.960 --> 0:23:50.840
<v Speaker 1>about twenty. But then we kind of quickly expanded into

0:23:50.880 --> 0:23:54.400
<v Speaker 1>other things. So wait, as a result of the financial crisis, yes,

0:23:54.800 --> 0:23:57.680
<v Speaker 1>because we couldn't we didn't have money to acquire Faction

0:23:57.840 --> 0:24:01.480
<v Speaker 1>two thousand nine, so two and we started a brand

0:24:01.480 --> 0:24:04.840
<v Speaker 1>marketing company. We started a digital marketing company. We got

0:24:04.840 --> 0:24:09.679
<v Speaker 1>into talent management all because we figured the more services

0:24:09.720 --> 0:24:12.800
<v Speaker 1>we had, the more attractive we would be to talent

0:24:13.760 --> 0:24:17.719
<v Speaker 1>Um and the ability to sign new acts. So we

0:24:17.800 --> 0:24:20.920
<v Speaker 1>started to sign new artists back in two thousand nine,

0:24:21.680 --> 0:24:24.399
<v Speaker 1>new artists to publish, to publish. Yeah, we signed the

0:24:24.440 --> 0:24:27.359
<v Speaker 1>Airborne Toxic Event and in Berlin and the New Boys

0:24:27.480 --> 0:24:29.359
<v Speaker 1>and you know artists like that. We were doing a

0:24:29.400 --> 0:24:32.199
<v Speaker 1>lot of co publishing deals. Okay, but you had to advance.

0:24:32.240 --> 0:24:34.320
<v Speaker 1>We had enough cash load to give them. Correct. We

0:24:34.359 --> 0:24:39.120
<v Speaker 1>had great cash flowing assets. We just didn't have million

0:24:39.160 --> 0:24:41.399
<v Speaker 1>dollars to go and buy. So you know, we were

0:24:41.480 --> 0:24:45.840
<v Speaker 1>chugging along organically growing UM. And by the way, it

0:24:45.880 --> 0:24:49.320
<v Speaker 1>turned out to be a really good thing because we

0:24:49.320 --> 0:24:54.480
<v Speaker 1>we expanded our vision of marketing and branding to provide

0:24:54.480 --> 0:24:57.919
<v Speaker 1>other services. So UM. You know that twenty people quickly

0:24:57.960 --> 0:25:01.240
<v Speaker 1>became you know, forty people, and we had a kind

0:25:01.240 --> 0:25:04.720
<v Speaker 1>of metamorphosis back in UM two thousand and fifteen or something.

0:25:04.800 --> 0:25:08.160
<v Speaker 1>Just one question, the only work assets you have a

0:25:08.160 --> 0:25:11.239
<v Speaker 1>piece of or you also do admin deals. We do

0:25:11.359 --> 0:25:13.399
<v Speaker 1>some admin deals. But everything I mentioned to you we

0:25:13.480 --> 0:25:17.520
<v Speaker 1>had bought. But we we were we were admitting admitting

0:25:17.520 --> 0:25:20.720
<v Speaker 1>other catalogs as well because people wanted our marketing service

0:25:21.440 --> 0:25:23.439
<v Speaker 1>and we don't typically do it. We only do it

0:25:23.480 --> 0:25:26.680
<v Speaker 1>in the case of you know, iconic talent because otherwise,

0:25:26.840 --> 0:25:29.520
<v Speaker 1>you know, the reality today we only have. You know,

0:25:29.520 --> 0:25:31.480
<v Speaker 1>we're one of the largest music companies in the world.

0:25:32.359 --> 0:25:35.360
<v Speaker 1>We only have fifteen thousand copyrights. Are competitors have three

0:25:35.440 --> 0:25:38.400
<v Speaker 1>or four million. So while we think we're good, we're

0:25:38.400 --> 0:25:40.439
<v Speaker 1>not saying we're any better than anybody else. And just

0:25:40.520 --> 0:25:42.879
<v Speaker 1>to be clear, we could just focus. What do you

0:25:42.920 --> 0:25:47.119
<v Speaker 1>do outside the US? Um? Well, we we have a

0:25:47.520 --> 0:25:52.720
<v Speaker 1>non exclusive admin deals with all the majors, so Universal

0:25:52.840 --> 0:25:58.560
<v Speaker 1>Sony Warner BMG called Ball. They administer for US royalty

0:25:58.800 --> 0:26:03.720
<v Speaker 1>you know, payments, collection, copyright registration, but we market internationally.

0:26:03.880 --> 0:26:05.679
<v Speaker 1>So just so I understand, why would you need more

0:26:05.680 --> 0:26:12.640
<v Speaker 1>than one collector? Uh? Well, uh, for lots of reasons. UM. One,

0:26:12.840 --> 0:26:16.520
<v Speaker 1>If I'm buying a catalog like a Smokey Robinson for example,

0:26:16.520 --> 0:26:19.240
<v Speaker 1>and it's already it's Sony, makes sense to keep it

0:26:19.240 --> 0:26:23.160
<v Speaker 1>its own. If I'm buying Tom Cochrane from Universal Life,

0:26:23.200 --> 0:26:25.120
<v Speaker 1>so the highway, you know, I'm keeping it with University.

0:26:25.119 --> 0:26:29.920
<v Speaker 1>I got it much easier. Okay, so continue, you're you're

0:26:30.040 --> 0:26:33.880
<v Speaker 1>don't have the investment cash, you're broadening into these other services. Yeah,

0:26:34.080 --> 0:26:36.359
<v Speaker 1>so we we build our management company, so you know,

0:26:36.400 --> 0:26:41.120
<v Speaker 1>we manage Melissa Ethridge and Fantasia and built everything from scratcher.

0:26:41.359 --> 0:26:44.680
<v Speaker 1>Everything from scratch. Everything from scratch was Melissa Ethridge with

0:26:44.720 --> 0:26:47.879
<v Speaker 1>Winston Simony forever. No, who is she with? She with

0:26:47.960 --> 0:26:51.000
<v Speaker 1>Bill Ypold, That's what I meant, Bill, Leopold, Billy Poel.

0:26:51.640 --> 0:26:53.960
<v Speaker 1>I know, Hi when I was ronning Island that I

0:26:54.000 --> 0:26:56.640
<v Speaker 1>don't know every deal she left Leopold to come to you. Yeah,

0:26:56.640 --> 0:27:00.280
<v Speaker 1>there was a little interm you know, the time when

0:27:00.320 --> 0:27:02.440
<v Speaker 1>she left Bill and when she came with us. But yes,

0:27:02.600 --> 0:27:06.959
<v Speaker 1>in essences, what other established artists did you then manage

0:27:06.960 --> 0:27:12.640
<v Speaker 1>your work with um Cypress Hill, uh c Lo Green, Fantasia,

0:27:12.720 --> 0:27:16.520
<v Speaker 1>Eric Binet. Okay, continue, you know so but the main

0:27:16.680 --> 0:27:22.240
<v Speaker 1>the big business was the i P the music rights business.

0:27:22.920 --> 0:27:25.359
<v Speaker 1>And so we had this kind of metamorphosis Bob in

0:27:26.119 --> 0:27:29.800
<v Speaker 1>two thousand fifteen that we said, you know what, we

0:27:29.920 --> 0:27:32.080
<v Speaker 1>want to now get back into in a big way

0:27:32.840 --> 0:27:37.719
<v Speaker 1>building this business through acquisition. So for essentially half a decade,

0:27:37.760 --> 0:27:40.480
<v Speaker 1>you didn't buy anything correct. But you know, the the

0:27:40.520 --> 0:27:43.960
<v Speaker 1>financial crisis lasted a long time and has a big

0:27:44.560 --> 0:27:49.679
<v Speaker 1>effect unavailable money and interest. Um. You know, um um

0:27:49.760 --> 0:27:54.520
<v Speaker 1>just you know it was people didn't really um get

0:27:54.720 --> 0:27:58.720
<v Speaker 1>why one would invest in music, um, given the fact

0:27:58.760 --> 0:28:04.520
<v Speaker 1>that streaming and all that you know that hadn't hadn't

0:28:04.560 --> 0:28:10.520
<v Speaker 1>hit yet. And in two thousand fifteen, Um, I had

0:28:10.520 --> 0:28:12.639
<v Speaker 1>a friend in my building in New York where I

0:28:12.640 --> 0:28:15.320
<v Speaker 1>where I lived, and he was in the fund business,

0:28:16.080 --> 0:28:18.520
<v Speaker 1>and I was coming out of the gym and he

0:28:18.560 --> 0:28:20.040
<v Speaker 1>was coming in on the first floor. I was coming

0:28:20.080 --> 0:28:21.680
<v Speaker 1>up from the basement and I ran into him and

0:28:21.680 --> 0:28:24.159
<v Speaker 1>I said, Bill, um, you know a long time to

0:28:24.240 --> 0:28:26.440
<v Speaker 1>see how you're doing. So, you know, I've been thinking

0:28:26.520 --> 0:28:30.760
<v Speaker 1>about starting a music fund, changing my company, converting it

0:28:30.840 --> 0:28:33.879
<v Speaker 1>from a you know, a balance sheet based business to

0:28:34.119 --> 0:28:38.520
<v Speaker 1>a to a to a fund business. And Bob, you

0:28:38.560 --> 0:28:40.680
<v Speaker 1>gotta remember when I started in two thousand and six,

0:28:41.360 --> 0:28:43.560
<v Speaker 1>I ran record companies. I had no idea the difference

0:28:43.560 --> 0:28:47.000
<v Speaker 1>between a bank, a hedge fund and investment bank you

0:28:47.040 --> 0:28:50.280
<v Speaker 1>know commercial I had, you know, a venture cap. I

0:28:50.280 --> 0:28:53.680
<v Speaker 1>had no idea to me, they were all banks. Two

0:28:53.720 --> 0:28:57.400
<v Speaker 1>thousand fifteen, I had a little bit better, well not sophisticated,

0:28:57.440 --> 0:28:58.920
<v Speaker 1>but I had a little bit better of an idea

0:28:58.920 --> 0:29:01.480
<v Speaker 1>of the difference between these. So I said, Bill, I

0:29:01.520 --> 0:29:03.920
<v Speaker 1>want to start a music fund and I know you're

0:29:03.960 --> 0:29:06.640
<v Speaker 1>in the fun business because you know what great timing.

0:29:06.680 --> 0:29:08.520
<v Speaker 1>I just left where I was. I'm thinking about what

0:29:08.560 --> 0:29:13.160
<v Speaker 1>I want to do. Let's have a conversation. So you

0:29:13.200 --> 0:29:15.440
<v Speaker 1>wanted to start a fund business or he did. I

0:29:15.480 --> 0:29:19.600
<v Speaker 1>wanted to start a fund music fund business because you know,

0:29:19.880 --> 0:29:22.160
<v Speaker 1>people have friends have told me about their businesses, and

0:29:22.160 --> 0:29:26.680
<v Speaker 1>it sounded like a really efficient way to buy these

0:29:26.720 --> 0:29:31.600
<v Speaker 1>amazing properties without having to go to banks to borrow money,

0:29:31.800 --> 0:29:36.120
<v Speaker 1>because you know, borrowing money is the idea. Did you

0:29:36.160 --> 0:29:39.040
<v Speaker 1>have a number in your head? Yeah, which was what. Yeah,

0:29:39.080 --> 0:29:44.640
<v Speaker 1>I thought I'd raise a hundred hundred million dollars this friend.

0:29:45.080 --> 0:29:49.640
<v Speaker 1>You essentially pitched him. I did, and he said okay,

0:29:49.680 --> 0:29:52.640
<v Speaker 1>and he said, yeah, I'm I'm I'm changing. I'm changing.

0:29:52.720 --> 0:29:56.720
<v Speaker 1>Good timing. So, uh, we spent a couple of hours

0:29:56.760 --> 0:29:59.360
<v Speaker 1>a few weeks later, and he said, you know, wow,

0:29:59.480 --> 0:30:03.560
<v Speaker 1>you guys, you guys have really built something interesting and

0:30:03.600 --> 0:30:08.480
<v Speaker 1>nobody's really doing this. Um, you know, let's see maybe

0:30:08.520 --> 0:30:10.520
<v Speaker 1>it'll you know, maybe I could put something together that

0:30:10.560 --> 0:30:14.400
<v Speaker 1>could tell a story. So so we agreed to do that,

0:30:14.480 --> 0:30:20.200
<v Speaker 1>and you know, uh, roll forward. We started in about

0:30:20.200 --> 0:30:24.320
<v Speaker 1>early two thousand and sixteen to spring of two thousand

0:30:24.320 --> 0:30:27.680
<v Speaker 1>and sixteen. We put this plan together. We went out

0:30:27.760 --> 0:30:31.400
<v Speaker 1>and it took us. It took us eighteen months, but

0:30:31.520 --> 0:30:36.200
<v Speaker 1>we raised our first three million dollars and okay, what

0:30:36.240 --> 0:30:39.360
<v Speaker 1>were the terms there? Very different. It's a it's a

0:30:39.600 --> 0:30:43.480
<v Speaker 1>it's a it's a fun structure. Okay. So it's such

0:30:43.520 --> 0:30:47.840
<v Speaker 1>that you take your man and and and a and

0:30:47.880 --> 0:30:51.080
<v Speaker 1>a carry on and then how long is there money?

0:30:51.080 --> 0:30:54.600
<v Speaker 1>In a long time. It's a very very long term

0:30:54.680 --> 0:30:58.600
<v Speaker 1>fund and and um, you know it's it's no guarantees,

0:30:59.800 --> 0:31:02.520
<v Speaker 1>no no, uh no guarantees that people give the money.

0:31:02.720 --> 0:31:05.880
<v Speaker 1>Theoretically you could take it down to zero no penalty,

0:31:06.040 --> 0:31:08.040
<v Speaker 1>no no, no. We maybe you could. You could spend

0:31:08.040 --> 0:31:09.920
<v Speaker 1>all the money and lose all the money and they

0:31:09.960 --> 0:31:15.160
<v Speaker 1>have no uh theory. Course, but that's an investment. Yeah.

0:31:15.240 --> 0:31:18.880
<v Speaker 1>So so it took us eighteen months we raised the

0:31:18.960 --> 0:31:23.320
<v Speaker 1>three million. How many entities A bunch of entities, but

0:31:23.440 --> 0:31:27.480
<v Speaker 1>six big institutions. Um, how small was the smallest investor?

0:31:28.320 --> 0:31:31.120
<v Speaker 1>The smallest investor I think was five hundred thousand, and

0:31:31.160 --> 0:31:35.200
<v Speaker 1>the largest there was was seventy five. So there are

0:31:35.240 --> 0:31:38.160
<v Speaker 1>some people who are individuals who were in the yeah,

0:31:38.200 --> 0:31:42.440
<v Speaker 1>yeah whatever, yeah, yes, Um, so how many investors all told?

0:31:42.840 --> 0:31:47.440
<v Speaker 1>I think in fun one, Uh, there's something like there

0:31:47.480 --> 0:31:51.560
<v Speaker 1>was this twenty around twenty investors are so uh And

0:31:51.560 --> 0:31:53.520
<v Speaker 1>obviously we had to put in a lot of money ourselves,

0:31:54.280 --> 0:31:56.760
<v Speaker 1>other people to put money on. Um. That goes without

0:31:56.800 --> 0:31:59.640
<v Speaker 1>saying so just to be clear, you put in personal money,

0:31:59.680 --> 0:32:09.240
<v Speaker 1>you put primary wave money, yeah, in personalized so yeah.

0:32:09.280 --> 0:32:12.560
<v Speaker 1>So it took us about eighteen months we raised that money.

0:32:12.560 --> 0:32:14.320
<v Speaker 1>And while we were doing that, we were in the

0:32:14.360 --> 0:32:19.680
<v Speaker 1>process of acquiring we bought Smokey Robinson. The money you

0:32:19.720 --> 0:32:23.080
<v Speaker 1>were using to do that was what fund. So even

0:32:23.120 --> 0:32:26.080
<v Speaker 1>though the fund wasn't full, you were. We have different closings,

0:32:26.680 --> 0:32:28.680
<v Speaker 1>so we had a clothe We had a couple of closings.

0:32:28.680 --> 0:32:31.920
<v Speaker 1>We you know, eighteen months later we closed. So it

0:32:32.000 --> 0:32:34.440
<v Speaker 1>took us eighteen months to raise our first three d

0:32:34.560 --> 0:32:38.680
<v Speaker 1>million dollars. And I think our investors are ecstatic by

0:32:38.760 --> 0:32:42.520
<v Speaker 1>the properties that we've acquired in fun one. So what

0:32:42.600 --> 0:32:48.000
<v Speaker 1>were those properties? It was Smokey Robinson, it was Steve Cropper,

0:32:48.080 --> 0:32:50.440
<v Speaker 1>it was the great Glenn Gould, you know, the great

0:32:50.440 --> 0:32:54.920
<v Speaker 1>classical pianist. It was Tom Cochrane, Brenda Russell. Are these all?

0:32:56.040 --> 0:32:59.400
<v Speaker 1>Are these all fifty fifty deals? These are a hundred

0:32:59.440 --> 0:33:02.240
<v Speaker 1>percent deal? No, let me, I'll explain. So okay, so

0:33:02.320 --> 0:33:06.600
<v Speaker 1>let's then let's take a side. So our our business

0:33:06.640 --> 0:33:10.560
<v Speaker 1>proposition is very different than most most guys in the

0:33:10.560 --> 0:33:12.400
<v Speaker 1>publishing business. They don't care. They want to buy as

0:33:12.440 --> 0:33:14.000
<v Speaker 1>much as they can. They want to buy people out,

0:33:14.080 --> 0:33:17.280
<v Speaker 1>be done with them and then hold them right. That's

0:33:17.320 --> 0:33:20.080
<v Speaker 1>not our model. Our model is to partner with the artists,

0:33:20.120 --> 0:33:23.240
<v Speaker 1>the writer, the air. So you know, we'll buy fifty

0:33:23.600 --> 0:33:26.680
<v Speaker 1>of a catalog or the catalog I mean, in the

0:33:26.680 --> 0:33:29.080
<v Speaker 1>case of Glenn Gould, where there was no air, the

0:33:29.120 --> 0:33:32.080
<v Speaker 1>trustee was he was going to sell a hundred percent

0:33:32.160 --> 0:33:34.760
<v Speaker 1>or nothing. So yes, we bought a dred percent of

0:33:34.760 --> 0:33:38.479
<v Speaker 1>the Glenn Gould estate. But we partner because we know

0:33:38.680 --> 0:33:40.920
<v Speaker 1>we'll never know the as much as we're music fans

0:33:40.920 --> 0:33:42.920
<v Speaker 1>and we love the music. Because we only buy what

0:33:42.960 --> 0:33:46.240
<v Speaker 1>we love, we'll never know the artist of the catalog

0:33:46.280 --> 0:33:48.760
<v Speaker 1>as well as the artist will or the air. And

0:33:48.880 --> 0:33:52.480
<v Speaker 1>if you're marketing, if you're truly marketing. You really want

0:33:52.560 --> 0:33:56.280
<v Speaker 1>the help and the participation of the artist, so you know,

0:33:56.440 --> 0:33:57.840
<v Speaker 1>to have the little skin in the game and to

0:33:58.160 --> 0:34:00.960
<v Speaker 1>you know, be aligned. We want artist to keep I'm

0:34:00.960 --> 0:34:03.000
<v Speaker 1>gonna stop you for one second before we get back

0:34:03.000 --> 0:34:08.239
<v Speaker 1>to the funds. Many of the entities who have let's

0:34:08.280 --> 0:34:13.440
<v Speaker 1>just call them startups, they've signed all these assets and

0:34:13.560 --> 0:34:17.680
<v Speaker 1>ultimately they've sold to someone else. Yeah, what is endgame

0:34:17.800 --> 0:34:21.759
<v Speaker 1>for primary waves? Well, the the endgame for primary wave

0:34:21.880 --> 0:34:24.440
<v Speaker 1>is I think a little different than most people. You know, BMG.

0:34:24.520 --> 0:34:26.799
<v Speaker 1>Back in the day they were buying up all these

0:34:26.840 --> 0:34:29.040
<v Speaker 1>independence to try to you know, build up as much

0:34:29.080 --> 0:34:31.719
<v Speaker 1>market share as they can. We're not about market share.

0:34:31.760 --> 0:34:35.279
<v Speaker 1>We're about quality. So I want no different questions. I know,

0:34:35.360 --> 0:34:39.480
<v Speaker 1>I know you're getting so to us. Uh, it's not

0:34:39.600 --> 0:34:41.920
<v Speaker 1>the same endgame. You know. People say, oh, you know,

0:34:41.920 --> 0:34:44.279
<v Speaker 1>they've been telling me for fourteen years, you're gonna flip,

0:34:44.320 --> 0:34:46.040
<v Speaker 1>You're gonna flip, You're gonna flip. You canna flip. Oh

0:34:46.120 --> 0:34:47.759
<v Speaker 1>my god, and you're giving me a headache. Stop with

0:34:47.840 --> 0:34:53.359
<v Speaker 1>the flip. The idea is to build legacy, and so

0:34:53.520 --> 0:34:55.719
<v Speaker 1>we've been in business a very long time. Legacy for

0:34:55.760 --> 0:34:58.640
<v Speaker 1>the actor, legacy for the company. Well, actually you know both.

0:34:58.719 --> 0:35:01.720
<v Speaker 1>It's it's too in hance the legacy of the artist,

0:35:01.800 --> 0:35:05.760
<v Speaker 1>Like we just bought Donnie Hathaway's music last week and

0:35:05.760 --> 0:35:09.880
<v Speaker 1>and uh and you know the Cranberries this week. Um

0:35:10.160 --> 0:35:13.040
<v Speaker 1>Our our thing is we want to build the legacies

0:35:13.120 --> 0:35:15.759
<v Speaker 1>of the acts, and we're building the legacy and the

0:35:15.840 --> 0:35:19.960
<v Speaker 1>brand the primary wave as well, because the more successful

0:35:20.200 --> 0:35:23.160
<v Speaker 1>our artists are, the better that we do for our artists.

0:35:23.160 --> 0:35:26.840
<v Speaker 1>The more opportunities we bring, the more they're going to

0:35:27.000 --> 0:35:31.240
<v Speaker 1>enjoy the company. And our best references are Smokey Robinson

0:35:31.280 --> 0:35:34.320
<v Speaker 1>and Paul Anka and the Whitney Houston Estate and Steve

0:35:34.360 --> 0:35:37.560
<v Speaker 1>Cropper and the Marley family. I mean, those are our references.

0:35:37.600 --> 0:35:40.839
<v Speaker 1>That's how we get deals. Um. So when I say

0:35:40.920 --> 0:35:44.480
<v Speaker 1>enhance our legacy or build our brand, it's do enhancing

0:35:44.520 --> 0:35:47.239
<v Speaker 1>what we do as in partnership with the artists, which

0:35:47.239 --> 0:35:50.400
<v Speaker 1>is unusual. That's not normal in the record business. So

0:35:50.680 --> 0:35:54.360
<v Speaker 1>we have a very long term perspective. Um. Anybody that

0:35:54.400 --> 0:35:56.719
<v Speaker 1>says they know what's going to happen five years or

0:35:56.760 --> 0:35:59.120
<v Speaker 1>ten years down the road, I think it's full of ship. Okay,

0:35:59.120 --> 0:36:00.719
<v Speaker 1>but let's go back to the and there was fun

0:36:00.800 --> 0:36:03.279
<v Speaker 1>one that would imply there's more than one fund. Yes,

0:36:03.440 --> 0:36:05.800
<v Speaker 1>so so it took us eighteen months to raise the

0:36:05.880 --> 0:36:10.279
<v Speaker 1>three hundred million or first three hundred million, um and

0:36:10.440 --> 0:36:15.839
<v Speaker 1>um and uh so uh we quickly invested, you know,

0:36:15.840 --> 0:36:17.800
<v Speaker 1>within the first year, and it took us eighteen months.

0:36:17.920 --> 0:36:21.080
<v Speaker 1>And we spent and we we did we we spent

0:36:21.160 --> 0:36:24.919
<v Speaker 1>it on phenomenal artists. Um. You know there are many

0:36:24.960 --> 0:36:26.480
<v Speaker 1>more in there that I haven't even meant, like, you

0:36:26.520 --> 0:36:30.960
<v Speaker 1>know sly Stones, you know writer's share and U um,

0:36:31.000 --> 0:36:34.480
<v Speaker 1>you know, I mean everything we buy is is great. Um.

0:36:34.520 --> 0:36:36.520
<v Speaker 1>It took us thirty days to raise our next five

0:36:37.239 --> 0:36:39.640
<v Speaker 1>so fun to Okay, just so I know, I invest

0:36:39.719 --> 0:36:44.520
<v Speaker 1>in fund one. Yeah, at what point can I cash out? Well,

0:36:45.520 --> 0:36:48.080
<v Speaker 1>it's you know, it's a it's a fun structure, right,

0:36:48.160 --> 0:36:50.400
<v Speaker 1>so there's a you know, it's it's in excess. The

0:36:50.440 --> 0:36:53.160
<v Speaker 1>life is in excess of ten years. Right. But you

0:36:53.160 --> 0:36:59.480
<v Speaker 1>know there are um, you know, there are multiple potential opportunity.

0:36:59.480 --> 0:37:02.200
<v Speaker 1>We could go public, We could turn it into a

0:37:02.239 --> 0:37:07.200
<v Speaker 1>permanent capital structure. We go there are a lot of Uh's,

0:37:07.239 --> 0:37:09.839
<v Speaker 1>assume the fund is ten years and you don't do

0:37:09.920 --> 0:37:13.359
<v Speaker 1>anything of those things, then I theoretically could take money

0:37:13.440 --> 0:37:18.359
<v Speaker 1>money out. Uh, well, there's there are extensions off of that,

0:37:18.680 --> 0:37:21.960
<v Speaker 1>so it's okay, I'm it could go longer. I mean

0:37:22.000 --> 0:37:26.680
<v Speaker 1>it's structure. I can't get the money out essentially. Okay,

0:37:26.880 --> 0:37:28.840
<v Speaker 1>So it takes at some point in time. I understand.

0:37:28.880 --> 0:37:31.279
<v Speaker 1>I understand, But for most people, I'm not that sophisticated

0:37:31.280 --> 0:37:33.920
<v Speaker 1>people listening or not as sophisticated as you are. Okay,

0:37:34.040 --> 0:37:38.120
<v Speaker 1>So how much in fun too? We raised h five

0:37:38.200 --> 0:37:42.440
<v Speaker 1>hundred million in fun too. So and there are some

0:37:42.480 --> 0:37:44.440
<v Speaker 1>side vehicles as well. So we have about a billion

0:37:44.480 --> 0:37:50.279
<v Speaker 1>dollars of cash and assets under management, and um, you

0:37:50.320 --> 0:37:55.640
<v Speaker 1>know that's that's uh, you know, expanding. So you're continuing

0:37:55.680 --> 0:37:59.000
<v Speaker 1>to raise money, Well, we're we're continuing to do deals.

0:37:59.200 --> 0:38:01.560
<v Speaker 1>So we're not we're not in the fundraising mode right

0:38:01.560 --> 0:38:03.600
<v Speaker 1>now because we have you know, we have so much

0:38:03.600 --> 0:38:09.640
<v Speaker 1>cash and assets there. You have the cash, you can

0:38:09.719 --> 0:38:15.239
<v Speaker 1>buy assets. Correct, everyone looks towards the future. Now there's

0:38:15.280 --> 0:38:18.960
<v Speaker 1>a limited number of assets out there. At some point

0:38:19.560 --> 0:38:25.920
<v Speaker 1>do you start expanding into other fields other assets? Um, well,

0:38:26.760 --> 0:38:31.680
<v Speaker 1>for certainly for the first billion dollars of assets we have,

0:38:31.880 --> 0:38:36.720
<v Speaker 1>we're very very focused. Bob, I have probably three million

0:38:36.719 --> 0:38:40.880
<v Speaker 1>dollars of deals in the party, all of which you

0:38:40.920 --> 0:38:43.600
<v Speaker 1>would know, all of which you would say, wow, I

0:38:43.680 --> 0:38:45.680
<v Speaker 1>love that artist. I mean, knowing your taste and music,

0:38:46.200 --> 0:38:50.520
<v Speaker 1>I love those artists. Um uh so you know, we

0:38:50.520 --> 0:38:56.560
<v Speaker 1>we think that the markets don't forget that. The the

0:38:56.560 --> 0:39:01.560
<v Speaker 1>the um, the opportunity isn't just music publishing, right. The

0:39:01.600 --> 0:39:06.560
<v Speaker 1>opportunity now for us is is music publishing. It's masters,

0:39:06.600 --> 0:39:10.560
<v Speaker 1>it's master royalties. That was my writers share it. That

0:39:10.640 --> 0:39:13.319
<v Speaker 1>was my question. We bought Bob Ezrin's music. So when

0:39:13.360 --> 0:39:15.080
<v Speaker 1>we bought Bob, we bought his publishing, We bought his

0:39:15.080 --> 0:39:17.480
<v Speaker 1>writers share, We brought his producer royalties on the wall.

0:39:17.920 --> 0:39:19.839
<v Speaker 1>You know, we partnered with him on all of that,

0:39:20.160 --> 0:39:25.759
<v Speaker 1>but not another fifty or so odd deal because you

0:39:25.800 --> 0:39:29.160
<v Speaker 1>want Bob involved, right or wrong, we want Bob involved.

0:39:29.280 --> 0:39:33.000
<v Speaker 1>So he still has an ownership share. Uh he well,

0:39:33.120 --> 0:39:39.120
<v Speaker 1>he Bob does not. That's that's a that's an unusual one.

0:39:40.080 --> 0:39:43.080
<v Speaker 1>You know, I would say of the artists, you know,

0:39:43.080 --> 0:39:49.400
<v Speaker 1>whether it's Bob publishing. Uh where other than the cash

0:39:49.840 --> 0:39:52.440
<v Speaker 1>you gave him in that deal, where is his future

0:39:52.480 --> 0:39:56.520
<v Speaker 1>income based on those rights coming from? If at all

0:39:57.239 --> 0:40:01.200
<v Speaker 1>say that again, you you pay Bob the money. Okay,

0:40:01.680 --> 0:40:04.680
<v Speaker 1>you exploit the assets. Does he ever get another dollar?

0:40:05.880 --> 0:40:09.680
<v Speaker 1>Not on what he sold us? So what in this

0:40:09.719 --> 0:40:14.840
<v Speaker 1>particular case your model of developing and expanding and marketing

0:40:15.080 --> 0:40:20.320
<v Speaker 1>would be to the benefit of the company and his name. Okay,

0:40:20.360 --> 0:40:25.440
<v Speaker 1>what percentage of the of the deals are out? I

0:40:25.560 --> 0:40:32.400
<v Speaker 1>would say at most, at most I come. So the

0:40:32.400 --> 0:40:39.000
<v Speaker 1>ones that come to mind are Bob Ezrin and um

0:40:39.000 --> 0:40:43.480
<v Speaker 1>bob Ezrin and Glenn Gould. Okay, but you know, like

0:40:43.600 --> 0:40:48.000
<v Speaker 1>an example of Whitney use in the state we bought.

0:40:48.360 --> 0:40:54.120
<v Speaker 1>Generally speaking, are you pursuing people who are looking to

0:40:54.200 --> 0:41:02.120
<v Speaker 1>sell or you're looking to people and convincing them to sell. Well,

0:41:02.360 --> 0:41:05.640
<v Speaker 1>I'm sorry. So, okay, there's there we know on the inside,

0:41:05.840 --> 0:41:08.439
<v Speaker 1>it's in the air, who's looking to make a deal. Yeah,

0:41:08.520 --> 0:41:11.319
<v Speaker 1>that's one level. Yeah, then there are other people. You say,

0:41:11.520 --> 0:41:17.360
<v Speaker 1>I know that person. Well, here's the thing. We we

0:41:18.520 --> 0:41:22.319
<v Speaker 1>don't buy the same way that other music publishers do.

0:41:22.480 --> 0:41:25.800
<v Speaker 1>Most music publishers are buying an auction, right, so somebody's

0:41:25.840 --> 0:41:29.520
<v Speaker 1>shopping a deal. If somebody comes to me and says, hey,

0:41:29.600 --> 0:41:33.120
<v Speaker 1>I'm shopping this deal, my first question is, are we

0:41:33.200 --> 0:41:35.160
<v Speaker 1>the only ones you're shopping it? Too, or you're shopping

0:41:35.160 --> 0:41:36.920
<v Speaker 1>at to ten other people. And if they say we're

0:41:36.920 --> 0:41:39.080
<v Speaker 1>shopping it to a lot of people, I say, I'm

0:41:39.080 --> 0:41:43.279
<v Speaker 1>not interested at all, because our model works when an

0:41:43.400 --> 0:41:47.520
<v Speaker 1>artist wants our partnership, when they need the ability to brand,

0:41:47.640 --> 0:41:49.759
<v Speaker 1>when they need when they have no idea what's going

0:41:49.800 --> 0:41:53.279
<v Speaker 1>on with social media or e commerce, or or you know,

0:41:53.320 --> 0:41:57.640
<v Speaker 1>their website needs complete overhaul, or they want marketing they

0:41:57.719 --> 0:42:02.760
<v Speaker 1>want to be if you make a Sinc Deal or whatever,

0:42:03.360 --> 0:42:08.680
<v Speaker 1>is everything split based on the ownership percentages of absolutely

0:42:08.840 --> 0:42:12.640
<v Speaker 1>so so almost every deal we've done, and we have

0:42:12.719 --> 0:42:17.360
<v Speaker 1>done I think we bought something like forty catalogs in

0:42:17.360 --> 0:42:22.759
<v Speaker 1>the last three years. As for example, Um, maybe we

0:42:22.840 --> 0:42:26.919
<v Speaker 1>participated in one or two auctions. Okay, but as I say,

0:42:27.040 --> 0:42:28.440
<v Speaker 1>let's say we can sit here, you and we can

0:42:28.640 --> 0:42:31.439
<v Speaker 1>argue over not are we can discuss who still owns

0:42:31.480 --> 0:42:34.680
<v Speaker 1>their catalog from that right? Would you then give them

0:42:34.680 --> 0:42:37.719
<v Speaker 1>a ring or wait for their representatives to ring you? No? No, no,

0:42:37.840 --> 0:42:43.239
<v Speaker 1>we're you know we are. We are constantly outreaching. Our

0:42:43.480 --> 0:42:47.200
<v Speaker 1>artists are calling us and say, hey, uh, you know,

0:42:47.239 --> 0:42:49.720
<v Speaker 1>we've got a friend who so and so who would

0:42:49.719 --> 0:42:52.319
<v Speaker 1>love to do the same type of deal. We did,

0:42:52.440 --> 0:42:54.840
<v Speaker 1>would you like to talk to them? That's how we

0:42:54.920 --> 0:42:58.040
<v Speaker 1>do our best business when our artists are our references,

0:42:58.200 --> 0:43:02.520
<v Speaker 1>and that's you know, that's how we've done most of

0:43:02.520 --> 0:43:10.480
<v Speaker 1>our deals. Okay, So there's the traditional publishing money. Yeah,

0:43:10.560 --> 0:43:17.600
<v Speaker 1>and every asset is different. But if the uh, let's

0:43:17.640 --> 0:43:22.400
<v Speaker 1>just say the publishing asset in the year UH renders

0:43:22.440 --> 0:43:27.439
<v Speaker 1>ten x, how much of that is Okay, let's say

0:43:27.440 --> 0:43:33.560
<v Speaker 1>ten x just for um regular traditional collection. How much

0:43:33.600 --> 0:43:36.920
<v Speaker 1>do you generate in addition to that for that asset? Okay,

0:43:36.960 --> 0:43:41.480
<v Speaker 1>that's the great question. You know, every every catalog is different.

0:43:41.560 --> 0:43:44.719
<v Speaker 1>Of course, every catalog is different. But um, you know

0:43:45.200 --> 0:43:50.120
<v Speaker 1>um u for uh you know, for an artist like

0:43:51.200 --> 0:43:55.399
<v Speaker 1>Glenn Gould, right or Melissa Ethridge as an example, who

0:43:55.560 --> 0:43:59.719
<v Speaker 1>you know had virtually no social media, no uh no

0:43:59.800 --> 0:44:04.040
<v Speaker 1>one pushing them digitally. Um, it could be very significant.

0:44:04.160 --> 0:44:07.160
<v Speaker 1>Well you know, how does that that can how does

0:44:07.160 --> 0:44:10.080
<v Speaker 1>that turn into cash? Well, it turns into cash because

0:44:10.920 --> 0:44:14.799
<v Speaker 1>we're pitching the DSPs, so you know, we're you know,

0:44:14.920 --> 0:44:18.960
<v Speaker 1>Glenn Gould was was up on a few playlists and

0:44:19.000 --> 0:44:21.399
<v Speaker 1>now he's up on a hundred playlists. You know, you're

0:44:21.440 --> 0:44:25.080
<v Speaker 1>streaming more. Okay, so you were also working the streaming company.

0:44:25.120 --> 0:44:28.120
<v Speaker 1>Oh absolutely, absolutely have a We have a play We're

0:44:28.280 --> 0:44:30.279
<v Speaker 1>very different than you can't think of us as a

0:44:30.320 --> 0:44:33.120
<v Speaker 1>music publisher. We have a playlist. Okay, just to flip

0:44:33.120 --> 0:44:36.280
<v Speaker 1>it over, Yeah, what makes you different from a label?

0:44:36.920 --> 0:44:40.280
<v Speaker 1>I mean obviously your own difference. Yeah, yeah, sure. Well

0:44:40.480 --> 0:44:42.960
<v Speaker 1>the big difference with a label is they've got a

0:44:42.960 --> 0:44:47.000
<v Speaker 1>whole radio promotion team. Um. And uh, and there's a

0:44:47.080 --> 0:44:50.000
<v Speaker 1>there is a different type of infrastructure where we overlap

0:44:50.760 --> 0:44:53.160
<v Speaker 1>is you know, we have an entire team of marketing

0:44:53.160 --> 0:44:58.000
<v Speaker 1>product managers. We have an entire team of digital project managers. UM.

0:44:58.120 --> 0:45:02.360
<v Speaker 1>Labels now have brands, brand teams. UM. Publishers don't. So

0:45:02.400 --> 0:45:04.959
<v Speaker 1>I don't know if another publisher has an entire brand

0:45:05.000 --> 0:45:09.440
<v Speaker 1>team and a fourteen person digital team and has product managers. Okay,

0:45:09.440 --> 0:45:13.560
<v Speaker 1>so they call it, by the way, publishers call marketing synchronization.

0:45:14.239 --> 0:45:17.560
<v Speaker 1>I call marketing marketing synchronization is licensing. I have an

0:45:17.680 --> 0:45:19.640
<v Speaker 1>entire sync team of a lot of people. Okay, So

0:45:19.760 --> 0:45:23.880
<v Speaker 1>just okay, how many people work for Primary Wave today?

0:45:24.080 --> 0:45:27.840
<v Speaker 1>We have seventy today. How many product managers are there?

0:45:28.320 --> 0:45:34.640
<v Speaker 1>There are five product managers? Okay, At what point do

0:45:34.719 --> 0:45:40.000
<v Speaker 1>you just keep increasing head count commensurate with your acquisition

0:45:40.160 --> 0:45:43.640
<v Speaker 1>or do you say at some point it becomes unwieldy. Um, well,

0:45:44.360 --> 0:45:47.520
<v Speaker 1>that's a great question, um, And and our investors ask

0:45:47.640 --> 0:45:50.200
<v Speaker 1>us that question. That's I mean, that's that's exactly what

0:45:50.239 --> 0:45:53.640
<v Speaker 1>you should be asking as an investor. And the reality

0:45:53.680 --> 0:45:59.160
<v Speaker 1>is we have a lot of um, you know, excess

0:45:59.200 --> 0:46:02.040
<v Speaker 1>capacity because again, if you look at our company, we've

0:46:02.080 --> 0:46:06.560
<v Speaker 1>got we've got a much bigger creative marketing team, I

0:46:06.600 --> 0:46:09.600
<v Speaker 1>think than any other publisher. And we're competing with guys

0:46:09.600 --> 0:46:11.960
<v Speaker 1>that have three or four million songs. We only have

0:46:12.040 --> 0:46:15.440
<v Speaker 1>fifteen thousand. We're never gonna have a million. We're never

0:46:15.440 --> 0:46:18.239
<v Speaker 1>gonna have five thousand. Were likely never gonna have two

0:46:18.320 --> 0:46:21.040
<v Speaker 1>hundred and fifty thousand. So you know, I buy, I

0:46:21.120 --> 0:46:25.160
<v Speaker 1>buy four or five catalogs more. I need a product manager. Okay,

0:46:25.280 --> 0:46:28.720
<v Speaker 1>But just to nail it down, what is the number

0:46:28.760 --> 0:46:36.120
<v Speaker 1>where you say stop? Um? To be honest, I don't.

0:46:36.160 --> 0:46:38.600
<v Speaker 1>I don't think we're going to get to us stop

0:46:39.520 --> 0:46:45.640
<v Speaker 1>because you know, if we have uh, let's say thirty

0:46:45.760 --> 0:46:48.560
<v Speaker 1>five catalogs now thirty thirty, you know, it's hard to

0:46:48.600 --> 0:46:51.520
<v Speaker 1>keep track the number. UM. So aw ma, it would

0:46:51.520 --> 0:46:53.799
<v Speaker 1>be too many catalogs. You have thirty, Let's say you

0:46:53.840 --> 0:46:56.680
<v Speaker 1>have a hundred. Could you have five hundred? We could

0:46:56.719 --> 0:47:00.760
<v Speaker 1>probably have. We could probably have two hundred fifty. Okay,

0:47:00.800 --> 0:47:04.360
<v Speaker 1>and after that point the TLC would be in question.

0:47:04.600 --> 0:47:07.160
<v Speaker 1>But we we wouldn't get there. Okay, let's just assume

0:47:07.280 --> 0:47:10.800
<v Speaker 1>use an example. I'm not on to present, sure, but

0:47:10.920 --> 0:47:13.800
<v Speaker 1>let's just assume for the sake of discussion, Steven Still's

0:47:13.800 --> 0:47:20.240
<v Speaker 1>own of his publishing and I'm Steven Stills pitched me Stephen.

0:47:22.080 --> 0:47:26.359
<v Speaker 1>First of all, we are fans, love his music, um,

0:47:26.400 --> 0:47:29.680
<v Speaker 1>but we think we can do for you what your

0:47:29.840 --> 0:47:32.719
<v Speaker 1>historical publishers have never done for you. And frankly, my

0:47:32.760 --> 0:47:35.920
<v Speaker 1>guess is you don't have a strong relationship with your publisher.

0:47:36.440 --> 0:47:39.560
<v Speaker 1>My guess is your publishers never brought you brand ideas,

0:47:39.680 --> 0:47:43.440
<v Speaker 1>never worked on your name and likeness before. They've probably

0:47:43.480 --> 0:47:46.080
<v Speaker 1>done a great job at collecting, They've probably done a

0:47:46.080 --> 0:47:49.560
<v Speaker 1>great job of register But I'm seventies something, I certainly

0:47:49.600 --> 0:47:53.400
<v Speaker 1>have children, and I like you know, there's certain amount

0:47:53.400 --> 0:47:58.720
<v Speaker 1>of revenue, But are people really still interested in me? Well,

0:47:59.160 --> 0:48:03.000
<v Speaker 1>we think they are, and we think the reason there there.

0:48:03.080 --> 0:48:05.480
<v Speaker 1>They may not be as interested today as they were before.

0:48:05.560 --> 0:48:08.120
<v Speaker 1>Is because there's no marketing money being spent on you.

0:48:08.239 --> 0:48:11.359
<v Speaker 1>Record labels are not spending the same amount of money

0:48:11.360 --> 0:48:14.480
<v Speaker 1>on you today that they were twenty five years ago. Okay,

0:48:14.520 --> 0:48:17.640
<v Speaker 1>But then there are people who say, I think of

0:48:17.680 --> 0:48:22.120
<v Speaker 1>all the acts from the seventies have been essentially forgotten. Okay,

0:48:22.160 --> 0:48:24.360
<v Speaker 1>And I come from an era a little bit before that,

0:48:24.440 --> 0:48:27.319
<v Speaker 1>a little bit after that, and people would say, you know,

0:48:27.520 --> 0:48:30.279
<v Speaker 1>Paul Simon says, every generation puts a hero on the

0:48:30.320 --> 0:48:33.960
<v Speaker 1>pop chart, you know, as my time just done. I mean, yes,

0:48:34.280 --> 0:48:36.399
<v Speaker 1>you know we talked about classic acts. Well, your time

0:48:36.440 --> 0:48:39.160
<v Speaker 1>is done for top forty radio. Okay, But I'm actually

0:48:39.239 --> 0:48:42.759
<v Speaker 1>has a slightly different question. You know, six of live

0:48:42.800 --> 0:48:45.080
<v Speaker 1>business is legacy acts. There's a prediction and then in

0:48:45.080 --> 0:48:47.080
<v Speaker 1>ten years a lot of those acts will either be

0:48:47.120 --> 0:48:50.439
<v Speaker 1>dead or retired. Well, how how are you gonna make

0:48:50.560 --> 0:48:55.720
<v Speaker 1>younger people interested in me still? Stephen Stills? By reintroducing

0:48:55.719 --> 0:48:58.240
<v Speaker 1>you to a new youth culture. What we're doing now

0:48:58.600 --> 0:49:02.399
<v Speaker 1>is we're working with Paul Anka to re release Puppy Love.

0:49:03.200 --> 0:49:07.880
<v Speaker 1>For with a pop culture artist, it's reconstituting a smokey

0:49:07.960 --> 0:49:12.160
<v Speaker 1>Robinson song like My Girl and creating something sy thematic. Okay,

0:49:12.160 --> 0:49:14.839
<v Speaker 1>those those are great songs. But that but that's how

0:49:14.880 --> 0:49:17.960
<v Speaker 1>you intreating about rock artist. And although I have some

0:49:18.040 --> 0:49:23.040
<v Speaker 1>legendary songs, a lot of them are we we call records. Yeah, okay,

0:49:23.520 --> 0:49:26.160
<v Speaker 1>and you know I'm savvy enough to know that we

0:49:26.200 --> 0:49:30.839
<v Speaker 1>live in a hip hop world. Is there room for me? Absolutely?

0:49:31.520 --> 0:49:34.640
<v Speaker 1>There's absolute room for you. You know, look what we

0:49:34.680 --> 0:49:37.720
<v Speaker 1>did with Kirk Cobain, I mean, perfect example. Kert Cobain

0:49:38.440 --> 0:49:42.560
<v Speaker 1>is twenty five years younger than me and iconic in

0:49:42.560 --> 0:49:44.359
<v Speaker 1>a way that I don't seem to be. So can

0:49:44.400 --> 0:49:48.879
<v Speaker 1>you talk about somebody from my generation sixties seventies success. Yeah, well,

0:49:49.239 --> 0:49:50.799
<v Speaker 1>you know, look at look at Smoky. I mean I

0:49:50.800 --> 0:49:55.879
<v Speaker 1>don't know a rock artist, a rock artist. Um, I'm

0:49:55.880 --> 0:50:01.279
<v Speaker 1>trying to think who we have that's uh Um. I

0:50:01.320 --> 0:50:05.839
<v Speaker 1>don't know that we have anybody directly to compare. Okay,

0:50:05.880 --> 0:50:08.560
<v Speaker 1>you don't have the Okay, So you know I don't

0:50:08.600 --> 0:50:10.560
<v Speaker 1>write the songs like I haven't written the kind of

0:50:10.560 --> 0:50:12.919
<v Speaker 1>songs that pop artists are going to cover. Yeah, people

0:50:12.960 --> 0:50:16.080
<v Speaker 1>want to hear those songs by me. Okay, but but

0:50:16.080 --> 0:50:18.759
<v Speaker 1>but think about it, there there are I mean, you know,

0:50:18.840 --> 0:50:21.360
<v Speaker 1>a perfect example. We're we're going to an event tonight.

0:50:21.400 --> 0:50:26.360
<v Speaker 1>We got Smokey Robinson a line of Shinola watches. We

0:50:26.960 --> 0:50:30.520
<v Speaker 1>created Bam Bob. You're gonna laugh at this. So as

0:50:30.600 --> 0:50:34.440
<v Speaker 1>part of Smokey's original pitch, when we pitched, Smokey came

0:50:34.480 --> 0:50:37.520
<v Speaker 1>to our office and he was deciding, you know, do I,

0:50:37.600 --> 0:50:39.520
<v Speaker 1>you know, go talk to Sony or do I come

0:50:39.560 --> 0:50:42.040
<v Speaker 1>to Primary one. He's not talking to anybody else. And

0:50:42.080 --> 0:50:45.560
<v Speaker 1>we prepared a forty page pitch book on what we

0:50:45.600 --> 0:50:47.960
<v Speaker 1>can do for Smokey Robinson like we would do for

0:50:47.960 --> 0:50:51.720
<v Speaker 1>for Stephen Okay, forty page pitch book. He was flipping

0:50:51.760 --> 0:50:53.640
<v Speaker 1>through the book saying, Wow, I love that. I love that.

0:50:53.680 --> 0:50:55.719
<v Speaker 1>I love that. And then he got to a page

0:50:56.080 --> 0:50:57.680
<v Speaker 1>and he said he looked at me, and he looked

0:50:57.719 --> 0:50:59.399
<v Speaker 1>at my head of marketing, Adam Loanberke, and he goes,

0:50:59.520 --> 0:51:01.759
<v Speaker 1>you guys are of ship. I go, what do you mean?

0:51:02.520 --> 0:51:05.200
<v Speaker 1>He goes, You're never going to do this, which was

0:51:05.280 --> 0:51:11.120
<v Speaker 1>what which was to create a national holiday for Smoky. Right. See,

0:51:11.160 --> 0:51:13.319
<v Speaker 1>I knew you'd left, all right, so what do we do?

0:51:13.680 --> 0:51:15.759
<v Speaker 1>We took that, you know, we we took that at

0:51:15.760 --> 0:51:17.920
<v Speaker 1>the heart and we said, Smokey, we'll see you in

0:51:17.960 --> 0:51:21.759
<v Speaker 1>a year. Okay, on this, on this pitch, and we

0:51:21.800 --> 0:51:25.560
<v Speaker 1>went to American Greetings, and American Greetings love this idea.

0:51:25.760 --> 0:51:29.759
<v Speaker 1>Adam and the marketing team pitched them on Smokey Robinson's

0:51:29.960 --> 0:51:34.400
<v Speaker 1>Father Daughter Day and the theme song would be My Girl. Okay,

0:51:34.719 --> 0:51:38.839
<v Speaker 1>American Greetings loved it. The second Sunday of every October,

0:51:38.960 --> 0:51:44.160
<v Speaker 1>starting a year ago, right forever more is smoking his

0:51:44.200 --> 0:51:48.439
<v Speaker 1>Father Daughter Day. The cards all are my Girl. I mean,

0:51:48.840 --> 0:51:52.200
<v Speaker 1>it's my Girl Holiday. And Smoky now goes on the

0:51:52.239 --> 0:51:55.040
<v Speaker 1>golf course and can tell his buddies he's the only

0:51:55.120 --> 0:51:58.200
<v Speaker 1>artist he knows that has a national holiday. That's the stuff.

0:51:58.280 --> 0:52:00.840
<v Speaker 1>I mean, it's a small example, but that's the stuff

0:52:00.840 --> 0:52:07.680
<v Speaker 1>that like my Girl will uh will last beyond Smokey's life. Okay.

0:52:07.880 --> 0:52:10.920
<v Speaker 1>Do you believe the music of the sixties and seventies

0:52:10.960 --> 0:52:14.759
<v Speaker 1>by rock artists will last beyond their lives and their audiences?

0:52:15.280 --> 0:52:20.520
<v Speaker 1>I mean, personally I do. Because here's the thing. If

0:52:20.560 --> 0:52:25.640
<v Speaker 1>the songs are great, If the songs are great, they

0:52:25.680 --> 0:52:28.680
<v Speaker 1>will live in infamy. Let's pitch, okay, And if they're

0:52:28.680 --> 0:52:31.960
<v Speaker 1>not great, you're absolutely right, they're gonna fade away. And

0:52:32.000 --> 0:52:35.320
<v Speaker 1>the reality is we're not interested in the B level

0:52:35.400 --> 0:52:38.840
<v Speaker 1>songs that aren't great. We are only buying and only

0:52:38.880 --> 0:52:40.879
<v Speaker 1>interested in the things we can market. And we love

0:52:40.920 --> 0:52:44.600
<v Speaker 1>Fleetwood Mac has had a huge renaissance. Absolutely Fleetwood Mac.

0:52:44.760 --> 0:52:47.239
<v Speaker 1>I would view a lot of those as records more

0:52:47.280 --> 0:52:50.560
<v Speaker 1>than songs. They're they're totally you know, there's a hem ful.

0:52:50.680 --> 0:52:52.479
<v Speaker 1>You want to help me try to get Stevie Nicks

0:52:52.520 --> 0:52:54.520
<v Speaker 1>because I would love that. I would. I would appreciate

0:52:54.560 --> 0:52:58.319
<v Speaker 1>Stevy Nicks is with Irving, you know, good luck. By

0:52:58.320 --> 0:53:00.799
<v Speaker 1>the way, I almost had Howard cough in there at

0:53:00.800 --> 0:53:04.680
<v Speaker 1>one almost almost we met with Stevie. Howard was a

0:53:04.680 --> 0:53:07.919
<v Speaker 1>good friend and uh and uh, you know, I think

0:53:07.920 --> 0:53:10.560
<v Speaker 1>Howard was too good a manager. So he was making her.

0:53:10.680 --> 0:53:12.960
<v Speaker 1>He was making her a lot of money. Okay, so

0:53:13.600 --> 0:53:18.600
<v Speaker 1>we've sort of covered that, so as we go forward, Yeah, okay, okay,

0:53:18.960 --> 0:53:22.000
<v Speaker 1>all your management companies also have their publishing with the

0:53:22.160 --> 0:53:26.120
<v Speaker 1>management company. Clients have their publishing with primary ways, not

0:53:26.239 --> 0:53:30.279
<v Speaker 1>all some um you know melissas Athas does it would

0:53:30.320 --> 0:53:32.600
<v Speaker 1>be the pitch to be managed by well, well, well

0:53:32.640 --> 0:53:35.120
<v Speaker 1>it's you know, Church and State. It's not you know,

0:53:35.160 --> 0:53:38.520
<v Speaker 1>we don't we don't pitch come to us for management.

0:53:38.640 --> 0:53:41.879
<v Speaker 1>But but you know a lot of times the the artists, uh,

0:53:42.320 --> 0:53:46.279
<v Speaker 1>the artists trust us and we basically do it at

0:53:46.320 --> 0:53:50.120
<v Speaker 1>a at an insignificant feed because it's management. I think

0:53:50.120 --> 0:53:53.480
<v Speaker 1>we've covered where we are today. So and this is

0:53:53.560 --> 0:53:58.520
<v Speaker 1>why businesses think ten years from now, is it still publishing?

0:53:58.719 --> 0:54:01.080
<v Speaker 1>Or what else do you own? Or what else other markets?

0:54:01.080 --> 0:54:03.719
<v Speaker 1>We're just blue sky. I'm not well. We we're we're

0:54:03.760 --> 0:54:07.400
<v Speaker 1>doing both publishing, master's, artist royalties. Um, we're We're going

0:54:07.440 --> 0:54:09.800
<v Speaker 1>to announce a deal next week where we bought a

0:54:09.960 --> 0:54:18.240
<v Speaker 1>legendary eighties acts publishing and artist royalties, um and master recordings. Um.

0:54:18.280 --> 0:54:23.040
<v Speaker 1>You know Tom Cochrane, great example. Excuse me? We um,

0:54:23.080 --> 0:54:26.799
<v Speaker 1>we bought Tom Crochran's Tom Cochran's publishing for when he

0:54:26.880 --> 0:54:29.560
<v Speaker 1>was solo act and red writer and Life is a

0:54:29.600 --> 0:54:32.840
<v Speaker 1>Highway is his crown jewels? Right? So what do we do?

0:54:32.920 --> 0:54:36.920
<v Speaker 1>We said a day after we bought it. I said, Tom,

0:54:37.000 --> 0:54:39.160
<v Speaker 1>do you sound like you did, you know, back when

0:54:39.200 --> 0:54:41.719
<v Speaker 1>you recorded Life Highway? He says, Oh my god, I

0:54:41.760 --> 0:54:44.440
<v Speaker 1>sound exactly the same. Now we had tried, you know,

0:54:44.560 --> 0:54:47.760
<v Speaker 1>we re records are are an important part of the business.

0:54:48.239 --> 0:54:51.480
<v Speaker 1>Not every artist in their sixties and seventies called those

0:54:51.520 --> 0:54:55.520
<v Speaker 1>don't although he's a little younger Tom. Tom goes in

0:54:55.600 --> 0:54:58.480
<v Speaker 1>the studio a week after we buy it and he says,

0:54:58.600 --> 0:55:01.960
<v Speaker 1>I'm sending you the re I'm sending you a re record,

0:55:02.040 --> 0:55:04.520
<v Speaker 1>and you know, we're we're sitting around, we're thinking, you know,

0:55:04.640 --> 0:55:07.560
<v Speaker 1>will this be good or not? And Bob we a

0:55:07.680 --> 0:55:10.560
<v Speaker 1>beat it. I could not tell the difference between the original.

0:55:10.960 --> 0:55:16.719
<v Speaker 1>So now when we licensed Tom's music, we're licensing the

0:55:16.760 --> 0:55:20.600
<v Speaker 1>master recording the Tom re recorded as well. So so

0:55:21.000 --> 0:55:23.839
<v Speaker 1>that's a part of our business. Okay, But projecting, you're

0:55:23.880 --> 0:55:28.440
<v Speaker 1>projecting any other things happening in the ensuing five ten years. Well,

0:55:28.480 --> 0:55:31.160
<v Speaker 1>we're we're looking at a record label right now. Class

0:55:31.200 --> 0:55:34.320
<v Speaker 1>Wait wait wait yeah, buying a record label or starting

0:55:34.360 --> 0:55:37.200
<v Speaker 1>a record No, no, no, no buying buying You have

0:55:37.200 --> 0:55:39.240
<v Speaker 1>to be out of your mind to start a record label. Okay.

0:55:39.800 --> 0:55:45.960
<v Speaker 1>Are you buying a record company with dormant uh acts,

0:55:46.120 --> 0:55:49.560
<v Speaker 1>that's what you're doing. Well, we're buying where we're where.

0:55:50.160 --> 0:55:55.200
<v Speaker 1>We're buying a label with historically fantastic master. Okay, so

0:55:55.280 --> 0:55:58.040
<v Speaker 1>this is not something that you're going to work as

0:55:58.120 --> 0:56:01.279
<v Speaker 1>contemporary music, not con and you would not want to

0:56:01.280 --> 0:56:04.120
<v Speaker 1>be in that. I do not want to be in

0:56:04.160 --> 0:56:09.600
<v Speaker 1>the contemporary recorded music business unless there was some very

0:56:09.640 --> 0:56:15.160
<v Speaker 1>compelling reason having having a big attachment to that being publishing.

0:56:15.880 --> 0:56:17.960
<v Speaker 1>Unless it was a compelling reason to do so. I

0:56:18.000 --> 0:56:23.560
<v Speaker 1>wouldn't rule out signing an act for publishing that turns

0:56:23.600 --> 0:56:27.160
<v Speaker 1>into a fantastic master that we say, you know what,

0:56:27.920 --> 0:56:29.759
<v Speaker 1>we're going to help you put this out. I won't.

0:56:30.040 --> 0:56:33.360
<v Speaker 1>We wouldn't say opportunity, but we're not. We're not starting

0:56:33.880 --> 0:56:38.799
<v Speaker 1>the next you know, pop record label. So, uh, where

0:56:38.800 --> 0:56:42.160
<v Speaker 1>are you from? Originally born in Brooklyn, Brooklyn, and your

0:56:42.280 --> 0:56:45.360
<v Speaker 1>moved to New Jersey, came back to New York. Your father,

0:56:45.520 --> 0:56:50.359
<v Speaker 1>mother did what for a living? Uh? My mom was

0:56:50.719 --> 0:56:53.359
<v Speaker 1>very very early on a school teacher and then a housewife,

0:56:53.400 --> 0:56:56.719
<v Speaker 1>and my dad was in the advertising typography business. So

0:56:56.760 --> 0:57:00.160
<v Speaker 1>I I saw a technology go the wrong way in

0:57:00.200 --> 0:57:02.520
<v Speaker 1>my dad's business because he was basically in the printing

0:57:02.520 --> 0:57:06.319
<v Speaker 1>business for advertising agencies. So, uh, you know, music kind

0:57:06.320 --> 0:57:09.000
<v Speaker 1>of rings a rings a little okay. So that really

0:57:09.040 --> 0:57:15.080
<v Speaker 1>started to change, like eighty six with all this PageMaker

0:57:15.160 --> 0:57:18.800
<v Speaker 1>et cetera. When did it crash for him? A good thing?

0:57:18.840 --> 0:57:21.640
<v Speaker 1>He was about to retire that's my question. Right, So

0:57:21.960 --> 0:57:26.240
<v Speaker 1>he retired about when it went so before it went down.

0:57:26.240 --> 0:57:28.960
<v Speaker 1>You grew up under what kind of circumstances? Um? You know,

0:57:29.520 --> 0:57:32.160
<v Speaker 1>my parents weren't wealthy, but you know, I don't remember

0:57:32.240 --> 0:57:36.000
<v Speaker 1>ever having to worry about my but dinner. Okay. How

0:57:36.040 --> 0:57:39.640
<v Speaker 1>many kids in the family to you? And you're the older,

0:57:39.760 --> 0:57:42.360
<v Speaker 1>the younger, I'm the older. Sounds like that. What's your

0:57:42.360 --> 0:57:46.720
<v Speaker 1>sister up to today? My sister just moved to North

0:57:46.720 --> 0:57:51.040
<v Speaker 1>Carolina and she's a housewife. Okay, So you grow up

0:57:51.880 --> 0:57:55.840
<v Speaker 1>you a big music fan? Well, I was a huge

0:57:55.880 --> 0:57:59.360
<v Speaker 1>sports fan and a music fan. I mean you know,

0:57:59.400 --> 0:58:03.840
<v Speaker 1>I was frankly your child basically the eighties. Yeah, okay,

0:58:03.920 --> 0:58:05.400
<v Speaker 1>I wanted to be a sports guester. I wanted to

0:58:05.400 --> 0:58:08.800
<v Speaker 1>be the next Marv Albert. Well, how did that dream die?

0:58:09.320 --> 0:58:13.280
<v Speaker 1>I didn't want to be poor. Graduating school and working

0:58:13.280 --> 0:58:19.320
<v Speaker 1>in you know, Iowa. Okay, we're and how passionate a

0:58:19.400 --> 0:58:22.200
<v Speaker 1>music fan? Were you? Um? You know, I worked at

0:58:22.200 --> 0:58:25.920
<v Speaker 1>the college radio station. Um, I did sports also on

0:58:25.960 --> 0:58:29.160
<v Speaker 1>the radio. I announced the lacrosse games at school and

0:58:29.200 --> 0:58:32.040
<v Speaker 1>then uh then uh then I came back to New

0:58:32.080 --> 0:58:34.240
<v Speaker 1>York after school. Okay, so you're in New Jersey. We're

0:58:34.280 --> 0:58:36.840
<v Speaker 1>in New Jersey, Brown, New Jersey. Okay, you go to

0:58:36.880 --> 0:58:40.040
<v Speaker 1>public school I did, Okay, and then you go to

0:58:40.120 --> 0:58:45.240
<v Speaker 1>college where University Massachusetts emmersed. Why it was the cheapest

0:58:45.280 --> 0:58:48.280
<v Speaker 1>state school. So my parents figured, you know what, that's

0:58:48.280 --> 0:58:50.040
<v Speaker 1>a good school for you to go to, Okay, but

0:58:50.080 --> 0:58:52.240
<v Speaker 1>why not go to a school in New Jersey where

0:58:52.280 --> 0:58:55.760
<v Speaker 1>it's much cheaper. Well, frankly, I didn't want to go

0:58:55.800 --> 0:58:58.800
<v Speaker 1>to school in New Jersey and that was outside of

0:58:58.840 --> 0:59:01.560
<v Speaker 1>New Jersey. Now, first great town. I've certainly been to

0:59:01.600 --> 0:59:04.440
<v Speaker 1>the University of uh mass JUSE's Amherst. No people who

0:59:04.520 --> 0:59:08.720
<v Speaker 1>went there. What was your experience there? Um? You know

0:59:09.000 --> 0:59:13.560
<v Speaker 1>it was it was an okay experience. The basketball team

0:59:13.600 --> 0:59:16.880
<v Speaker 1>I think was three and fifty four years I was there.

0:59:16.920 --> 0:59:18.680
<v Speaker 1>The football team, I don't know that they won a game.

0:59:19.800 --> 0:59:22.480
<v Speaker 1>Uh and um and uh, but you know it was.

0:59:22.600 --> 0:59:24.080
<v Speaker 1>It was a nice school to go to. I I

0:59:24.120 --> 0:59:27.040
<v Speaker 1>had a you know, the the business school was absolutely fantastic.

0:59:27.520 --> 0:59:29.760
<v Speaker 1>Is that what you majored in business? I did business

0:59:29.760 --> 0:59:33.520
<v Speaker 1>administration and the minor in astronomy. By the way, I

0:59:33.600 --> 0:59:36.320
<v Speaker 1>concentration in astronomy. That's out of this world. So, uh,

0:59:36.880 --> 0:59:44.280
<v Speaker 1>what what was the vision when you were in business administration? Um? Well,

0:59:45.000 --> 0:59:49.560
<v Speaker 1>I frankly didn't have a vision. I really, I really

0:59:49.560 --> 0:59:53.200
<v Speaker 1>wanted to be a sportscaster. But I just wasn't. Uh,

0:59:53.240 --> 0:59:56.920
<v Speaker 1>I really wasn't, you know, prepared to go out and

0:59:57.160 --> 1:00:00.600
<v Speaker 1>you maintain relationships with the people who went to college with. Yeah.

1:00:00.720 --> 1:00:03.120
<v Speaker 1>And what about the fact that most of those people

1:00:03.160 --> 1:00:09.880
<v Speaker 1>are from Massachusetts. Um, that's true, certainly different than New York. Uh.

1:00:10.040 --> 1:00:13.000
<v Speaker 1>You know, they were all Patriots fans and Celtic fans

1:00:13.120 --> 1:00:15.200
<v Speaker 1>and Bruin fans. And I was a Nick fan, a

1:00:15.320 --> 1:00:17.960
<v Speaker 1>Ranger fan, a Giant fan, a met fan. And the

1:00:18.040 --> 1:00:19.840
<v Speaker 1>good thing is I wasn't a Yankee fan, because that

1:00:19.840 --> 1:00:24.000
<v Speaker 1>would have been bruting, would have been brutal. Okay, Now today,

1:00:24.040 --> 1:00:26.280
<v Speaker 1>when you go to a state school, I have a

1:00:26.320 --> 1:00:28.680
<v Speaker 1>lot of friends who have experienced this with their children.

1:00:29.080 --> 1:00:31.000
<v Speaker 1>A lot of the students go home on the weekend.

1:00:31.600 --> 1:00:34.280
<v Speaker 1>Was that the case where when you went to college?

1:00:34.440 --> 1:00:39.920
<v Speaker 1>Now going to residential college? Okay, you graduate from college

1:00:40.280 --> 1:00:45.240
<v Speaker 1>in what year? I graduated in? Then? What? Okay? So

1:00:45.640 --> 1:00:50.240
<v Speaker 1>so I don't tell many people this because because immediately

1:00:50.320 --> 1:00:53.480
<v Speaker 1>when I say this, I feel so boring. I certainly

1:00:53.520 --> 1:00:58.000
<v Speaker 1>don't tell my artists. Okay, So so i'm I'm I'm

1:00:58.080 --> 1:01:02.760
<v Speaker 1>embarrassed to say that I graduated school and I got

1:01:02.840 --> 1:01:06.320
<v Speaker 1>a job at the time. The company is called Arthur

1:01:06.440 --> 1:01:08.960
<v Speaker 1>Young and it is one of the Big eight at

1:01:08.960 --> 1:01:11.560
<v Speaker 1>the time. It was it was one of the Big

1:01:11.600 --> 1:01:13.520
<v Speaker 1>eight at the time, which and then it turned down

1:01:14.640 --> 1:01:17.800
<v Speaker 1>Arthur Young, I'm sorry Arthur and turned into Ernstin Young

1:01:18.720 --> 1:01:23.680
<v Speaker 1>and I was at Ernstein Young, uh for three years. Okay. Now,

1:01:23.880 --> 1:01:26.240
<v Speaker 1>many people work are on the road to getting a

1:01:26.320 --> 1:01:28.480
<v Speaker 1>c p A. Did you get a c p A.

1:01:29.120 --> 1:01:31.080
<v Speaker 1>You know, I don't think I've ever told anybody this

1:01:31.160 --> 1:01:32.680
<v Speaker 1>in the music, but yes, I got a c p A.

1:01:33.000 --> 1:01:34.320
<v Speaker 1>So I don't tell PEO because I don't want them

1:01:34.360 --> 1:01:36.040
<v Speaker 1>to know. Actually, and how to read a financial statement?

1:01:42.080 --> 1:01:44.840
<v Speaker 1>How many twives did it take it in the past,

1:01:44.880 --> 1:01:47.880
<v Speaker 1>the c p A xam. I think it only took

1:01:47.920 --> 1:01:51.120
<v Speaker 1>me one. Really, yeah, okay, because I know a lot

1:01:51.160 --> 1:01:53.280
<v Speaker 1>of smart people, you know, they they the rules. It

1:01:53.360 --> 1:01:55.840
<v Speaker 1>may be different. Is it a national exam or is

1:01:55.880 --> 1:01:58.840
<v Speaker 1>it state by state? I have no idea. Okay, so

1:01:58.960 --> 1:02:02.280
<v Speaker 1>you're a cp A. We're on the track. Ow ow easy,

1:02:02.880 --> 1:02:06.960
<v Speaker 1>easy on the cp A thing. I think that that's

1:02:06.960 --> 1:02:08.920
<v Speaker 1>a good feather in your cap. I don't see how

1:02:08.960 --> 1:02:12.200
<v Speaker 1>that's a negative thing. Yeah, councre legendary for being boring.

1:02:12.400 --> 1:02:17.360
<v Speaker 1>But you're on the track at Yes, yes, you get

1:02:17.440 --> 1:02:20.240
<v Speaker 1>a c p A. How long after you start working it?

1:02:20.320 --> 1:02:23.320
<v Speaker 1>What becomes Ursting Young? Do you get a c p A. Uh?

1:02:24.080 --> 1:02:26.720
<v Speaker 1>I think I was there, Oh my gosh, I think

1:02:26.760 --> 1:02:30.040
<v Speaker 1>I was at Arthur Young at the time. It was

1:02:30.160 --> 1:02:32.280
<v Speaker 1>probably a year and a half that I got this. Okay,

1:02:32.360 --> 1:02:39.120
<v Speaker 1>and you're working where I'm working. I'm working for let

1:02:39.200 --> 1:02:42.160
<v Speaker 1>me see my client. The big client at time was

1:02:42.960 --> 1:02:46.520
<v Speaker 1>was McGraw hill. I was working for the guys McGraw hill.

1:02:47.360 --> 1:02:51.440
<v Speaker 1>That was my first job. And then I was on

1:02:51.840 --> 1:02:56.240
<v Speaker 1>the e M I account. The guy named Jerry Gold

1:02:56.240 --> 1:02:58.840
<v Speaker 1>who used to be at Warner Music Group. Um, he

1:02:59.040 --> 1:03:00.840
<v Speaker 1>was the guy was where he is the partner at

1:03:00.920 --> 1:03:02.480
<v Speaker 1>Arthur Young that I was working for, and he was

1:03:02.600 --> 1:03:05.520
<v Speaker 1>phenomenal and what a great guy. He brought me in

1:03:05.680 --> 1:03:09.000
<v Speaker 1>on a lot of things. And that's how three years later,

1:03:09.880 --> 1:03:14.120
<v Speaker 1>uh I met uh, I met the my people and

1:03:14.240 --> 1:03:18.480
<v Speaker 1>then uh in my fourth year I started working just

1:03:18.520 --> 1:03:21.160
<v Speaker 1>to be glad. This is in Manhattan. In Manhattan, my

1:03:21.320 --> 1:03:25.560
<v Speaker 1>fourth year I started working on a job that was

1:03:26.160 --> 1:03:37.400
<v Speaker 1>with PolyGram Records buying Island Records. This is um uh.

1:03:37.600 --> 1:03:40.520
<v Speaker 1>PolyGram Records was buying Island Records and A and M Records,

1:03:40.600 --> 1:03:43.640
<v Speaker 1>And I was on the team that was consulting for

1:03:43.920 --> 1:03:48.800
<v Speaker 1>PolyGram and doing all the diligence and the and that's

1:03:48.840 --> 1:03:53.120
<v Speaker 1>when I met Chris Blackwell. In as I was, I

1:03:53.240 --> 1:03:55.400
<v Speaker 1>was at Arthur Young And this is a great story,

1:03:55.480 --> 1:03:59.240
<v Speaker 1>by the way. It was a great story. So so

1:04:02.040 --> 1:04:07.200
<v Speaker 1>I meet a gentleman who was Chris Blackwell's chief operating officer.

1:04:07.280 --> 1:04:10.960
<v Speaker 1>His name was Mel Klein. He has He's since passed away, unfortunately.

1:04:11.160 --> 1:04:14.440
<v Speaker 1>Um Mel was Chris's right hand guy in America. He

1:04:14.560 --> 1:04:18.360
<v Speaker 1>was his business guy. UM. He was basically running Island um.

1:04:18.440 --> 1:04:20.840
<v Speaker 1>You know what. Chris was out signing talent and doing

1:04:20.880 --> 1:04:25.280
<v Speaker 1>his thing. Um. And during the transaction we're we're finishing

1:04:25.320 --> 1:04:27.680
<v Speaker 1>it off, melk Klein comes up to me and he says,

1:04:27.760 --> 1:04:31.800
<v Speaker 1>you know what, I don't like PolyGram. I worked for

1:04:31.880 --> 1:04:35.160
<v Speaker 1>them before I'm done. As soon as this transaction is done,

1:04:35.640 --> 1:04:38.800
<v Speaker 1>you are replacing me. And I said, I'm replacing you.

1:04:39.320 --> 1:04:40.640
<v Speaker 1>And this is a guy who had been with Chris,

1:04:40.760 --> 1:04:44.320
<v Speaker 1>you know, fifteen years twenty however long it was almost

1:04:44.360 --> 1:04:48.120
<v Speaker 1>from the start. Um and uh, And he says, yeah,

1:04:48.160 --> 1:04:50.280
<v Speaker 1>you're you're gonna come in and you're gonna replace me,

1:04:50.760 --> 1:04:53.880
<v Speaker 1>and I'm going to introduce you. I'm going to introduce

1:04:53.960 --> 1:04:56.439
<v Speaker 1>you to the team, and I want you to meet

1:04:56.640 --> 1:05:00.040
<v Speaker 1>I want I want you to interview with Chris. So

1:05:00.120 --> 1:05:02.680
<v Speaker 1>I said, great, sounds fantastic. Thank god, I can get

1:05:02.680 --> 1:05:05.200
<v Speaker 1>out of Arthur Young. Right. So I don't hear from

1:05:05.280 --> 1:05:09.800
<v Speaker 1>him for months. Months. Is the deal closed? Yeah, the

1:05:09.840 --> 1:05:12.560
<v Speaker 1>dealer closed. The deal closed. I don't hear from him

1:05:12.560 --> 1:05:14.520
<v Speaker 1>from months, and finally get a phone call in my office.

1:05:14.520 --> 1:05:16.560
<v Speaker 1>I get a phone call. He goes, because Larry, you

1:05:16.560 --> 1:05:18.560
<v Speaker 1>need to come down now. Chris is in town. I

1:05:18.600 --> 1:05:20.120
<v Speaker 1>want you to meet him. I want you to sit

1:05:20.200 --> 1:05:22.480
<v Speaker 1>with him and talk with him. Said all right, I'll

1:05:22.560 --> 1:05:25.880
<v Speaker 1>come right down. So I take a subway from forty

1:05:25.960 --> 1:05:28.080
<v Speaker 1>nine in Park down to fourth and Broadway where the

1:05:28.120 --> 1:05:31.560
<v Speaker 1>Island Records office were. Remember the old Tower records of course, Yeah, okay,

1:05:31.640 --> 1:05:34.560
<v Speaker 1>the Island's office was over Tower Records. So I go

1:05:34.680 --> 1:05:37.120
<v Speaker 1>and see Mel and he says, I'm taking you into Chris.

1:05:37.280 --> 1:05:38.920
<v Speaker 1>You know it'll be great. Don't worry. Don't be nervous.

1:05:38.960 --> 1:05:41.200
<v Speaker 1>It'll be great. He takes me in to see Chris.

1:05:42.600 --> 1:05:46.640
<v Speaker 1>The conversation may have lasted three minutes. I mean three

1:05:46.720 --> 1:05:49.560
<v Speaker 1>minutes at the most. You know, Chris was in his office.

1:05:49.640 --> 1:05:52.360
<v Speaker 1>He was, you know, flip flops and his T shirt.

1:05:52.440 --> 1:05:55.320
<v Speaker 1>And we said hello, and Chris is very shy. It

1:05:55.440 --> 1:05:58.560
<v Speaker 1>was very shy. Three minutes. He says, nice to meet you.

1:05:58.760 --> 1:06:01.520
<v Speaker 1>We're nice to see you again, and and I leave

1:06:01.560 --> 1:06:03.640
<v Speaker 1>and I go back to Mel's office and I said, Mel,

1:06:04.280 --> 1:06:07.880
<v Speaker 1>that must have been a disaster, a disaster, and I

1:06:08.040 --> 1:06:10.200
<v Speaker 1>was great, I love You'll love you. I'll call you tomorrow.

1:06:10.400 --> 1:06:13.919
<v Speaker 1>All right. I go back to my office. I don't

1:06:13.960 --> 1:06:17.800
<v Speaker 1>hear from Mel for three months. I get a phone

1:06:17.840 --> 1:06:20.960
<v Speaker 1>call and I'm thinking, by the way, over over three minutes,

1:06:21.000 --> 1:06:24.040
<v Speaker 1>I mean, you know, right, terrible. So I get a

1:06:24.080 --> 1:06:27.040
<v Speaker 1>phone call and he says, he says, Larry, I'm leaving

1:06:27.120 --> 1:06:30.360
<v Speaker 1>in two weeks and you're starting on Monday. And I said,

1:06:30.360 --> 1:06:33.919
<v Speaker 1>I'm starting what? And he goes, he goes, you're you're

1:06:34.200 --> 1:06:37.200
<v Speaker 1>you're taking over from me on Monday, and you know

1:06:37.520 --> 1:06:39.360
<v Speaker 1>I know nothing about the business, right, what do you

1:06:39.400 --> 1:06:41.400
<v Speaker 1>mean you're leaving in two weeks? He goes, you have

1:06:41.440 --> 1:06:42.680
<v Speaker 1>a week. You know, you have me for a week,

1:06:42.760 --> 1:06:45.400
<v Speaker 1>I'll train you. I go, what am I making? What's

1:06:45.400 --> 1:06:49.320
<v Speaker 1>the deal? He goes, what do you care? You're kidding?

1:06:49.360 --> 1:06:52.760
<v Speaker 1>He goes, you start on Monday. So I I I

1:06:54.200 --> 1:06:57.600
<v Speaker 1>like an idiot. I go down the fourth and Broadway

1:06:58.000 --> 1:07:01.360
<v Speaker 1>on Monday. I tell Jerry goal by the way that

1:07:01.720 --> 1:07:04.920
<v Speaker 1>you know, I'm going to the Island Records and I

1:07:05.160 --> 1:07:06.720
<v Speaker 1>given you my two weeks, but it's gonna be a

1:07:06.760 --> 1:07:09.400
<v Speaker 1>little less than two weeks. And he goes, and he

1:07:09.480 --> 1:07:11.200
<v Speaker 1>was a great guy. He goes, you know what, I'm

1:07:11.200 --> 1:07:12.960
<v Speaker 1>happy for you go and do it. He goes, how

1:07:13.040 --> 1:07:14.560
<v Speaker 1>much you make? And I said, I have no idea.

1:07:16.960 --> 1:07:19.880
<v Speaker 1>So I started Island that Monday. I'm gonna suit and tie.

1:07:20.360 --> 1:07:23.000
<v Speaker 1>Everybody is in you know, jeans and ripped T shirts,

1:07:23.080 --> 1:07:26.440
<v Speaker 1>and you know, everybody wanted the job, but you know

1:07:27.200 --> 1:07:29.240
<v Speaker 1>they gave it to me because they probably wanted somebody

1:07:29.280 --> 1:07:31.000
<v Speaker 1>who knew nothing about the record rising. I thought he

1:07:31.080 --> 1:07:33.880
<v Speaker 1>knew everything about the wreck, but I knew nothing. And um,

1:07:34.200 --> 1:07:36.040
<v Speaker 1>you know, I started that Monday not knowing what I

1:07:36.160 --> 1:07:39.760
<v Speaker 1>was making. And you know, Mel and Chris took care

1:07:39.800 --> 1:07:42.840
<v Speaker 1>of me, and I was there for eleven years. My

1:07:43.000 --> 1:07:45.800
<v Speaker 1>first you know, my first three months, nobody talked to

1:07:45.880 --> 1:07:48.440
<v Speaker 1>me because my first the first day, I show up

1:07:48.440 --> 1:07:50.800
<v Speaker 1>in a suit and tie, which was probably not the

1:07:50.880 --> 1:07:53.280
<v Speaker 1>right thing to do starting at a record label. So

1:07:53.520 --> 1:07:59.600
<v Speaker 1>I was with Chris for from till two thousand. What

1:07:59.760 --> 1:08:04.120
<v Speaker 1>were your duties? Um, God, it's hard for me to

1:08:04.160 --> 1:08:06.640
<v Speaker 1>remember what I had for breakfast this morning. Remember back

1:08:06.640 --> 1:08:10.440
<v Speaker 1>to but I was in I was. I started out

1:08:10.600 --> 1:08:17.960
<v Speaker 1>in charge of UM finance, UH, and then I got

1:08:18.240 --> 1:08:22.800
<v Speaker 1>business affairs and sales, and you know, I became the

1:08:22.840 --> 1:08:27.360
<v Speaker 1>chief operating officer of Ireland. UM. You know, we went

1:08:27.479 --> 1:08:30.639
<v Speaker 1>through a couple of people like Mike Bone and people

1:08:30.800 --> 1:08:33.080
<v Speaker 1>that never really stayed for more than six months. All

1:08:33.160 --> 1:08:35.360
<v Speaker 1>great guys, but it never really worked out. So I

1:08:35.479 --> 1:08:38.160
<v Speaker 1>ended up running Island in America, and I ended up

1:08:38.240 --> 1:08:41.479
<v Speaker 1>running Chris. Chris's Personal Companies also, which was a Japanese

1:08:41.479 --> 1:08:47.479
<v Speaker 1>animation company, overseeing the DVD company, the film company, his

1:08:47.600 --> 1:08:51.919
<v Speaker 1>hotels and blah blah blah blah. And UM. I reported

1:08:51.960 --> 1:08:55.120
<v Speaker 1>to a guy who was in England, Tom Hayes, who

1:08:55.200 --> 1:08:58.599
<v Speaker 1>was a fantastic guy as well as Chris, and UH.

1:08:58.680 --> 1:09:02.200
<v Speaker 1>It was honestly the best experience I had in the

1:09:02.280 --> 1:09:05.280
<v Speaker 1>record business with those eleven years. I work for Chris

1:09:05.400 --> 1:09:08.879
<v Speaker 1>our board meetings, Bob, We're on wave runners in the Bahamas.

1:09:09.040 --> 1:09:11.560
<v Speaker 1>I mean you know wherever Chris had an island or

1:09:11.880 --> 1:09:13.960
<v Speaker 1>or a house in a warm weather that's where our

1:09:14.000 --> 1:09:18.320
<v Speaker 1>board meetings were. Okay. Uh. When did you ultimately, if ever,

1:09:18.479 --> 1:09:25.559
<v Speaker 1>get to make creative decisions? Um? You know, I think, um,

1:09:26.400 --> 1:09:33.439
<v Speaker 1>I think, uh wow, Virgin Records was really okay. So

1:09:33.560 --> 1:09:36.800
<v Speaker 1>you're a business guy. How does it business? But business market?

1:09:36.840 --> 1:09:39.040
<v Speaker 1>And when you talk decisions and records, it's more you know,

1:09:39.120 --> 1:09:41.960
<v Speaker 1>A and R I've I've never been or whatever claimed

1:09:42.000 --> 1:09:46.160
<v Speaker 1>to be in an organ Does it end? Um? Well,

1:09:46.320 --> 1:09:48.560
<v Speaker 1>it's you know, when you're with Chris, it's it's like

1:09:48.680 --> 1:09:51.880
<v Speaker 1>being in the mafia. Right, So when you're done, you're done. Um.

1:09:52.320 --> 1:09:55.680
<v Speaker 1>And So I left in two thousand to go run

1:09:55.840 --> 1:10:00.400
<v Speaker 1>Narrista with l A and and then I remember him

1:10:00.520 --> 1:10:03.839
<v Speaker 1>he he uh he um. I called him from Chicago

1:10:04.000 --> 1:10:06.920
<v Speaker 1>on a pay phone and I've never and I don't remember.

1:10:06.960 --> 1:10:08.439
<v Speaker 1>I don't think I had a cell phone at the time.

1:10:08.880 --> 1:10:10.719
<v Speaker 1>Maybe I did, but I called him from pay phone

1:10:11.320 --> 1:10:12.840
<v Speaker 1>and he was in England and I had to tell

1:10:12.920 --> 1:10:15.560
<v Speaker 1>him this is what I was doing, and uh we

1:10:15.880 --> 1:10:20.080
<v Speaker 1>we didn't speak for quite some time. He was he

1:10:20.240 --> 1:10:23.439
<v Speaker 1>was not happy that that I was leaving. But but

1:10:23.640 --> 1:10:26.120
<v Speaker 1>it was the next logical step because it got so paternalistic.

1:10:26.200 --> 1:10:27.880
<v Speaker 1>You know, I spent with spending more time with him

1:10:27.920 --> 1:10:29.360
<v Speaker 1>than I was in my family. And I was in

1:10:29.960 --> 1:10:33.400
<v Speaker 1>Jamaica every other month, in the Bahamas every couple of weeks,

1:10:33.479 --> 1:10:35.800
<v Speaker 1>and wherever I was, I mean, it was always with

1:10:36.040 --> 1:10:39.760
<v Speaker 1>Chris on business um and and I have you know, listen,

1:10:39.840 --> 1:10:42.840
<v Speaker 1>I'm no under grand delusion and no grand delusion. But

1:10:42.960 --> 1:10:45.960
<v Speaker 1>everything I feel like I know in the business today,

1:10:46.680 --> 1:10:49.040
<v Speaker 1>I know because he taught me over eleven years, whether

1:10:49.120 --> 1:10:51.840
<v Speaker 1>it's marketing, whether it's a r whether it's give me

1:10:52.160 --> 1:10:55.280
<v Speaker 1>uh ah, insight that Chris gave you that you wouldn't

1:10:55.280 --> 1:11:00.160
<v Speaker 1>have gotten otherwise. Well that's easy. I mean, he gave

1:11:00.200 --> 1:11:03.920
<v Speaker 1>me a worldview of music. And what was that view? Well,

1:11:04.040 --> 1:11:06.280
<v Speaker 1>you know a lot of people are stuck in their locale.

1:11:06.400 --> 1:11:09.479
<v Speaker 1>So if you run America for you know, a record label,

1:11:09.520 --> 1:11:12.000
<v Speaker 1>you know America. Chris was a man of the world.

1:11:12.080 --> 1:11:15.080
<v Speaker 1>He was like the James Bond of the music business. Um.

1:11:15.400 --> 1:11:18.800
<v Speaker 1>So you know, just seeing how he lived his life. Um,

1:11:19.439 --> 1:11:21.120
<v Speaker 1>you know, I grew up as as I was born

1:11:21.160 --> 1:11:23.080
<v Speaker 1>in Brooklyn, I grew up in New Jersey. You know,

1:11:23.120 --> 1:11:25.160
<v Speaker 1>we had enough money to put food on the table.

1:11:25.280 --> 1:11:30.600
<v Speaker 1>But you know, experiencing um, you know, different countries and

1:11:30.680 --> 1:11:33.320
<v Speaker 1>his different homes and his different his lifestyle and his

1:11:34.040 --> 1:11:37.560
<v Speaker 1>his way of thinking that there were no boxes or parameters.

1:11:37.680 --> 1:11:41.120
<v Speaker 1>I mean, he he literally had no ceiling on his thought.

1:11:41.800 --> 1:11:43.600
<v Speaker 1>That all rubbed off. And I'm I, you know, I

1:11:43.840 --> 1:11:47.200
<v Speaker 1>don't have you know, in his one pinky. You know

1:11:47.240 --> 1:11:50.360
<v Speaker 1>I don't. I don't have that much skill or or

1:11:50.640 --> 1:11:54.400
<v Speaker 1>or very very one of it. Okay, uh is he

1:11:54.520 --> 1:11:59.760
<v Speaker 1>compensating you? Well at this point? Well, looking back, you know,

1:12:00.240 --> 1:12:05.800
<v Speaker 1>I'll tell you so, So I was. I was fairly compensated, right,

1:12:05.880 --> 1:12:09.560
<v Speaker 1>but I will never be the first bonus that I

1:12:09.840 --> 1:12:11.760
<v Speaker 1>you know, and I'm like twenty six years old, right,

1:12:11.800 --> 1:12:16.240
<v Speaker 1>I'm working from I helped him on a deal. He

1:12:16.479 --> 1:12:18.560
<v Speaker 1>he he was so he was brilliant, right. He So

1:12:18.680 --> 1:12:23.200
<v Speaker 1>he sold Island Records to PolyGram Records for an exorbitant

1:12:23.200 --> 1:12:25.960
<v Speaker 1>sum of money in nine nine, which I helped PolyGram by.

1:12:26.400 --> 1:12:28.880
<v Speaker 1>But as part of that deal, he had a second

1:12:28.920 --> 1:12:30.920
<v Speaker 1>body of the Apple he had an turn out. So

1:12:31.040 --> 1:12:32.800
<v Speaker 1>if the company did well, he did well, he could

1:12:32.880 --> 1:12:37.200
<v Speaker 1>sell other things. Right. So I helped him structure that

1:12:37.280 --> 1:12:38.960
<v Speaker 1>second deal because I was with him the second time,

1:12:39.720 --> 1:12:43.679
<v Speaker 1>and he gave me back in and I don't remember

1:12:43.720 --> 1:12:48.920
<v Speaker 1>the year. It's probably like round two or three, but

1:12:49.000 --> 1:12:52.559
<v Speaker 1>it could be a year here there. Um. He gave

1:12:52.600 --> 1:12:56.080
<v Speaker 1>me a bonus of two hundred and fifty thousand dollars

1:12:56.160 --> 1:12:59.439
<v Speaker 1>at the time, and I thought I died and went

1:12:59.520 --> 1:13:02.560
<v Speaker 1>to him, I mean seriously, and I told him like

1:13:02.640 --> 1:13:04.320
<v Speaker 1>an idiot, I'd said, you know, Chris, I would work

1:13:04.360 --> 1:13:08.080
<v Speaker 1>for you for freak um and it was it was

1:13:08.280 --> 1:13:14.680
<v Speaker 1>unbelievable and uh um. So he was always very generous um,

1:13:15.479 --> 1:13:19.599
<v Speaker 1>and so I never I never had any any complaints

1:13:19.600 --> 1:13:22.760
<v Speaker 1>because it was with Chris and Island. It was a lifestyle.

1:13:22.840 --> 1:13:25.240
<v Speaker 1>It wasn't it wasn't a job. I mean everybody was

1:13:25.280 --> 1:13:28.320
<v Speaker 1>there because of the music and the lifestyle and um,

1:13:28.400 --> 1:13:31.080
<v Speaker 1>you know what he meant to the business. So it

1:13:31.160 --> 1:13:33.680
<v Speaker 1>was very It was very different than when I went

1:13:33.760 --> 1:13:39.280
<v Speaker 1>on to Aristata. I was at Arista from tooth from

1:13:39.479 --> 1:13:43.280
<v Speaker 1>July one of two thousand until about May of two

1:13:43.360 --> 1:13:46.880
<v Speaker 1>thousand and four. Okay, Clive was gone the whole time

1:13:47.200 --> 1:13:50.080
<v Speaker 1>Clive was gone. Okay, I didn't really know Clive, and

1:13:51.120 --> 1:13:54.720
<v Speaker 1>uh so you know, straus Zelnick basically brought me in

1:13:54.880 --> 1:13:58.120
<v Speaker 1>to pair me up with uh with l A. Read

1:13:58.160 --> 1:14:00.040
<v Speaker 1>you were going to be the money guy, but is

1:14:00.040 --> 1:14:02.400
<v Speaker 1>gonna be a business guy? L A was legendary and

1:14:02.439 --> 1:14:05.559
<v Speaker 1>still is for overspending. Yeah. What was it like being

1:14:05.640 --> 1:14:11.760
<v Speaker 1>the you can't see the air quotes the accountant? Yeah? Um, well,

1:14:12.520 --> 1:14:14.360
<v Speaker 1>you know, and I think he'd tell you. He he

1:14:14.760 --> 1:14:18.880
<v Speaker 1>when he's passionate about something, he puts the check book up. Well,

1:14:19.000 --> 1:14:23.280
<v Speaker 1>not only that, lifestyle issues too. Yeah. Uh but you know,

1:14:23.400 --> 1:14:26.800
<v Speaker 1>my I saw mainly the you know, the the the

1:14:27.320 --> 1:14:29.920
<v Speaker 1>label side of it. I mean, some of these things,

1:14:30.000 --> 1:14:33.640
<v Speaker 1>expensive bottles of wine. Whatever. Okay, how does it end

1:14:33.720 --> 1:14:40.160
<v Speaker 1>with Arista? Um it it? Well here? Yeah. I actually

1:14:40.320 --> 1:14:44.840
<v Speaker 1>I had an offer back in two thousand and three,

1:14:45.479 --> 1:14:49.320
<v Speaker 1>a year before I left um A. Long Leavy called

1:14:49.360 --> 1:14:50.920
<v Speaker 1>me and said, hey, I want you to come and

1:14:51.040 --> 1:14:54.519
<v Speaker 1>run E M I in North America. And I said, wow,

1:14:54.680 --> 1:14:57.759
<v Speaker 1>that's pretty phenomenal. And what he offered me was pretty

1:14:58.760 --> 1:15:03.439
<v Speaker 1>lifestyle changing. And I had, oh he had he had

1:15:03.560 --> 1:15:06.599
<v Speaker 1>always been incredible to me. Um he was really tough,

1:15:06.800 --> 1:15:09.680
<v Speaker 1>but he had always been very fair with me um

1:15:12.200 --> 1:15:18.200
<v Speaker 1>and I took the offer. And I went to Ralf

1:15:18.240 --> 1:15:20.760
<v Speaker 1>schmidh Haltz, who ran BMG, who I was very friendly with,

1:15:21.360 --> 1:15:24.080
<v Speaker 1>and I went to l A Read and I said, LA, listen,

1:15:24.720 --> 1:15:27.960
<v Speaker 1>I just want you to know. You know, I'm being honest,

1:15:28.000 --> 1:15:31.960
<v Speaker 1>I'm being open. I've got this job, the offer from

1:15:32.000 --> 1:15:35.000
<v Speaker 1>a long leavey to run e M I in North America,

1:15:35.040 --> 1:15:37.840
<v Speaker 1>and it's life changing for me, and I think I

1:15:37.880 --> 1:15:39.560
<v Speaker 1>want to do it. I'd love to get your you know,

1:15:40.120 --> 1:15:41.800
<v Speaker 1>like we're were in Australia at the time, by the way.

1:15:41.800 --> 1:15:44.800
<v Speaker 1>We were sitting on a deck overlooking the Opera House

1:15:44.840 --> 1:15:48.759
<v Speaker 1>at the Park Hyatt Hotel. I've been there right, absolutely great,

1:15:49.400 --> 1:15:52.960
<v Speaker 1>great place. And you know he's sipping wine. I don't

1:15:53.000 --> 1:15:56.200
<v Speaker 1>really drink, he's sipping wine. And you know he's smoking

1:15:56.240 --> 1:15:58.439
<v Speaker 1>a cigar and I can't stand smoke. And you know,

1:15:58.960 --> 1:16:01.719
<v Speaker 1>so anyway, I said, look, here's the here's the here's

1:16:01.760 --> 1:16:04.080
<v Speaker 1>the this is what's happening. This is what's happening. And

1:16:04.080 --> 1:16:07.840
<v Speaker 1>I'd love you too, you know, give me the nod

1:16:08.520 --> 1:16:11.160
<v Speaker 1>to to do it. He's a nod or you want

1:16:11.200 --> 1:16:12.880
<v Speaker 1>to be let out of your contract. I want to

1:16:12.880 --> 1:16:17.360
<v Speaker 1>be let out of my contract. So so he says, look,

1:16:17.439 --> 1:16:20.160
<v Speaker 1>I'll talk to Rolf and you'll go talk to Rolf.

1:16:20.240 --> 1:16:25.240
<v Speaker 1>But I'm you know, I'll be very supportive. And uh uh.

1:16:25.439 --> 1:16:27.000
<v Speaker 1>We got back from Australia. I went to talk to

1:16:27.120 --> 1:16:29.200
<v Speaker 1>Rolf and Rolf looks at me like I have, you know,

1:16:29.439 --> 1:16:33.000
<v Speaker 1>three heads, and he says, you're not going anywhere. And

1:16:33.120 --> 1:16:35.240
<v Speaker 1>I said, and by the way, he he really was

1:16:35.479 --> 1:16:38.160
<v Speaker 1>a fantastic guy. He was not a music guy, but

1:16:38.280 --> 1:16:41.080
<v Speaker 1>as a human being he was great. And he said, look,

1:16:41.080 --> 1:16:43.519
<v Speaker 1>I'm gonna tell you a story about my father and

1:16:43.640 --> 1:16:45.680
<v Speaker 1>how and how I don't I don't remember it, but

1:16:45.720 --> 1:16:47.160
<v Speaker 1>it was, you know, he was a school teacher in

1:16:47.240 --> 1:16:49.840
<v Speaker 1>Germany and you know, but and he decided to stay

1:16:49.840 --> 1:16:51.680
<v Speaker 1>in the small town and what and it was a

1:16:51.760 --> 1:16:55.760
<v Speaker 1>really touching story. And he said, I can't let you

1:16:55.880 --> 1:16:58.880
<v Speaker 1>leave because you have a contract and I need you

1:16:59.000 --> 1:17:01.960
<v Speaker 1>to stay. And you guys were a team and I'm

1:17:02.000 --> 1:17:05.640
<v Speaker 1>not letting you leave. So to say I was disappointed

1:17:05.680 --> 1:17:11.760
<v Speaker 1>with an understatement, um uh, and I think and you know,

1:17:11.800 --> 1:17:14.200
<v Speaker 1>a long leave. He tried everything he was he was

1:17:14.479 --> 1:17:17.400
<v Speaker 1>offering to give BMG, I think an advance, a bigger

1:17:17.439 --> 1:17:20.479
<v Speaker 1>advance in the BMG record club to to let me out.

1:17:20.520 --> 1:17:22.639
<v Speaker 1>I mean, you know, it played out over a long

1:17:22.760 --> 1:17:24.920
<v Speaker 1>period of time and they never let you go, didn't

1:17:24.960 --> 1:17:30.080
<v Speaker 1>let me go. But to Rolf's credit, um, he was

1:17:30.360 --> 1:17:32.760
<v Speaker 1>never negative. It was never a negative thing. It was

1:17:32.800 --> 1:17:35.439
<v Speaker 1>always a very positive thing about why he wanted me

1:17:35.479 --> 1:17:40.360
<v Speaker 1>to stay. Um. And uh, they didn't let me out, so,

1:17:41.320 --> 1:17:44.080
<v Speaker 1>which was very unusual, I think in the music business,

1:17:44.240 --> 1:17:47.519
<v Speaker 1>very unusually. It's vindictive when they don't let you out. Yeah, yeah,

1:17:47.840 --> 1:17:50.680
<v Speaker 1>they did. They didn't let me out. So a year

1:17:50.760 --> 1:17:54.720
<v Speaker 1>goes by and uh and they announced the merger with

1:17:55.080 --> 1:17:58.920
<v Speaker 1>BMG and Sony and l A. L A leaves the

1:17:59.000 --> 1:18:04.720
<v Speaker 1>company and I'm running Arista for about four months and uh,

1:18:04.920 --> 1:18:07.080
<v Speaker 1>you know again this little blurry at the time. It's

1:18:07.120 --> 1:18:11.200
<v Speaker 1>been a while, but I think they announced uh in

1:18:11.400 --> 1:18:13.920
<v Speaker 1>you know, I was running it from January to April.

1:18:14.400 --> 1:18:16.080
<v Speaker 1>We had phenomenal sing By the way, I think we

1:18:16.160 --> 1:18:17.920
<v Speaker 1>made more money. Ariston made more money in those four

1:18:17.960 --> 1:18:21.000
<v Speaker 1>months than we made in the previous three years. Time

1:18:21.080 --> 1:18:22.880
<v Speaker 1>nine because you know, it was an outcast record and

1:18:23.000 --> 1:18:25.400
<v Speaker 1>Ussher record, I mean it was pink, I was it

1:18:25.479 --> 1:18:27.840
<v Speaker 1>was a lot of a lot of stuff that came out. Um.

1:18:28.920 --> 1:18:36.720
<v Speaker 1>But uh um, they announced a Clive rightfully so coming back.

1:18:36.720 --> 1:18:38.960
<v Speaker 1>It was gonna come back, and they were merging Ariston

1:18:39.160 --> 1:18:43.240
<v Speaker 1>r c A, Ariston and Ja. I'm sorry Arista and

1:18:43.439 --> 1:18:45.280
<v Speaker 1>Jay and he was going to run it and he

1:18:45.360 --> 1:18:47.920
<v Speaker 1>was gonna run it. But I think they had taken

1:18:47.960 --> 1:18:49.559
<v Speaker 1>over our c A at the time, had taken over

1:18:49.600 --> 1:18:51.960
<v Speaker 1>our game. But I don't believe Clive was in control

1:18:52.040 --> 1:18:58.200
<v Speaker 1>of that. It was just my so so. Uh. In

1:18:58.439 --> 1:19:00.720
<v Speaker 1>January of that year, a lot And called me back

1:19:00.800 --> 1:19:03.920
<v Speaker 1>up and he said, hey, I can't can't offer you

1:19:04.240 --> 1:19:07.479
<v Speaker 1>president of via my North America, but I can offer

1:19:07.520 --> 1:19:11.599
<v Speaker 1>you to be the executive vice president of Virgin Records. Um.

1:19:12.080 --> 1:19:15.280
<v Speaker 1>The guy that was there was leaving and please come in.

1:19:15.840 --> 1:19:18.160
<v Speaker 1>You know I need you. And I said, look, I

1:19:18.280 --> 1:19:22.720
<v Speaker 1>think it's gonna actually work out this time because with

1:19:22.840 --> 1:19:26.280
<v Speaker 1>Clyde being announced and the merging, they breached you know,

1:19:26.320 --> 1:19:30.840
<v Speaker 1>they breached my contract and they offered me to I

1:19:30.920 --> 1:19:33.439
<v Speaker 1>can't remember the corporate role they had offered me, and

1:19:33.640 --> 1:19:37.040
<v Speaker 1>it just you know, okay, just did they have to

1:19:37.080 --> 1:19:41.840
<v Speaker 1>give you a check to go home? Uh? They did

1:19:41.880 --> 1:19:44.960
<v Speaker 1>I get a check or did I get a did

1:19:45.000 --> 1:19:46.280
<v Speaker 1>they have to pay off the rest of my agreement?

1:19:46.320 --> 1:19:49.360
<v Speaker 1>I don't remember. It was either I got a check

1:19:49.520 --> 1:19:51.679
<v Speaker 1>or they or they had to pay off the remaining years.

1:19:51.800 --> 1:19:54.439
<v Speaker 1>That's what I meant the agreement. I can't remember they

1:19:54.479 --> 1:19:57.000
<v Speaker 1>did that. Yeah, I mean, okay, okay, So you go

1:19:57.080 --> 1:19:58.560
<v Speaker 1>to work for you might for the I mean for

1:19:59.040 --> 1:20:00.640
<v Speaker 1>the same money was going to pay you for an

1:20:00.880 --> 1:20:03.760
<v Speaker 1>m not even close. So are you're kidding? Not even

1:20:03.800 --> 1:20:06.320
<v Speaker 1>goes about a third of what And how long do

1:20:06.400 --> 1:20:12.640
<v Speaker 1>you had Virgin before you walk? Um? Well, I am

1:20:12.720 --> 1:20:17.960
<v Speaker 1>at Virgin a year and a half and um, and

1:20:18.600 --> 1:20:20.920
<v Speaker 1>you know when I walked in the door, it was

1:20:21.720 --> 1:20:25.360
<v Speaker 1>if you remember, I think it was February that year. Um.

1:20:25.840 --> 1:20:27.600
<v Speaker 1>I had been talking to them for a long you know,

1:20:27.920 --> 1:20:31.040
<v Speaker 1>for a long since, uh and David months since January

1:20:31.120 --> 1:20:34.400
<v Speaker 1>that year, um, and I think it was February. The

1:20:34.400 --> 1:20:38.519
<v Speaker 1>whole Janet Jackson, um, you know, the backle and the

1:20:38.600 --> 1:20:42.400
<v Speaker 1>Super Bowl happened. I had agreed to come and by

1:20:42.479 --> 1:20:44.560
<v Speaker 1>the time I got there, and at the end of

1:20:44.640 --> 1:20:49.439
<v Speaker 1>April beginning of May, Virgin was full fledged in in

1:20:49.560 --> 1:20:53.240
<v Speaker 1>the doghouse, right because Janet was their biggest artist. She

1:20:53.400 --> 1:20:56.639
<v Speaker 1>wasn't being played an MTV issue. She was done because

1:20:56.680 --> 1:21:00.640
<v Speaker 1>of that Super Bowl thing. And you know, they had

1:21:00.720 --> 1:21:03.840
<v Speaker 1>Lenny Kravitz and they had the Rolling Stones, and the

1:21:03.920 --> 1:21:05.920
<v Speaker 1>Rolling Stones were on their last album and they left.

1:21:06.280 --> 1:21:08.519
<v Speaker 1>So by the time I got there, it was Janet

1:21:08.840 --> 1:21:11.880
<v Speaker 1>was Janet Jackson and Lenny Kravitz and not a lot

1:21:11.960 --> 1:21:16.000
<v Speaker 1>else and and it was just it was a long

1:21:16.200 --> 1:21:20.040
<v Speaker 1>year and a half. Um. You know, great people, great company.

1:21:20.080 --> 1:21:23.479
<v Speaker 1>And I really did love working with Levan Mons, but um,

1:21:23.600 --> 1:21:26.320
<v Speaker 1>the record business was just really tough. OK. Just to

1:21:26.680 --> 1:21:28.439
<v Speaker 1>cover a couple of things, because we know that you

1:21:28.560 --> 1:21:31.120
<v Speaker 1>ultimately left. When do you went in? How do you

1:21:31.200 --> 1:21:40.400
<v Speaker 1>meet your wife? Ah? I met my wife back at

1:21:40.439 --> 1:21:45.479
<v Speaker 1>Island Records. She was working for Island Records on our

1:21:45.560 --> 1:21:47.760
<v Speaker 1>west coast. I was in the East coast, and we

1:21:47.840 --> 1:21:50.800
<v Speaker 1>got introduced at the company Christmas party by her boss.

1:21:51.760 --> 1:21:56.040
<v Speaker 1>And what was her role? She was in marketing. She

1:21:56.240 --> 1:21:58.639
<v Speaker 1>was working for Island Visual Arts, which is a division

1:21:58.760 --> 1:22:07.200
<v Speaker 1>violent Record. So we met um back in three I think, um,

1:22:08.520 --> 1:22:13.000
<v Speaker 1>and uh yeah, so I fired her? Actually did you

1:22:13.120 --> 1:22:15.759
<v Speaker 1>literally fired? I? I did. Actually, you know, she doesn't

1:22:15.800 --> 1:22:18.040
<v Speaker 1>she doesn't tell the story the right way, but the

1:22:18.439 --> 1:22:21.160
<v Speaker 1>right way that the story should be told is that

1:22:21.760 --> 1:22:25.600
<v Speaker 1>Island Visual Arts was losing a fortune of money and

1:22:26.200 --> 1:22:29.599
<v Speaker 1>it was Chris's vision to have the first DVD company

1:22:29.640 --> 1:22:31.559
<v Speaker 1>associated with the record companies. It was in the early

1:22:31.640 --> 1:22:35.000
<v Speaker 1>days of visual auto visual, DVDs and uh and this

1:22:35.200 --> 1:22:38.120
<v Speaker 1>was a DVD company and you know, lost, lost a

1:22:38.280 --> 1:22:41.600
<v Speaker 1>lot of money. So leaving along, Levi calls me up

1:22:41.600 --> 1:22:44.280
<v Speaker 1>and says, this can't keep going on. And Chris says,

1:22:44.320 --> 1:22:46.559
<v Speaker 1>I love this, love this thing. It's gonna be great.

1:22:47.080 --> 1:22:49.880
<v Speaker 1>Levi says, this can't keep going on. And finally we

1:22:49.920 --> 1:22:51.519
<v Speaker 1>had to close it down. So I had to fly out,

1:22:51.960 --> 1:22:54.800
<v Speaker 1>fired everybody, and I asked her she wanted to move

1:22:54.840 --> 1:22:57.320
<v Speaker 1>to New York and she said she would if I

1:22:57.400 --> 1:22:59.000
<v Speaker 1>got her a job. So I got her job. A

1:22:59.000 --> 1:23:00.320
<v Speaker 1>friend of mine was at all give you may there,

1:23:00.360 --> 1:23:02.880
<v Speaker 1>got a job, and you know, we ended up she

1:23:03.000 --> 1:23:06.760
<v Speaker 1>ended up moving to New York. Okay, so let's talk

1:23:06.760 --> 1:23:13.400
<v Speaker 1>about the elephant in the room. Mark ah who Yeah,

1:23:13.840 --> 1:23:20.679
<v Speaker 1>give me your take on Merk's company. Um well hypnosis yeah,

1:23:21.600 --> 1:23:27.559
<v Speaker 1>um well he um. You know, he started out buying

1:23:27.600 --> 1:23:30.840
<v Speaker 1>a lot of things that we passed on because you

1:23:31.000 --> 1:23:33.360
<v Speaker 1>didn't want to buy them, or the number was too high,

1:23:34.280 --> 1:23:36.120
<v Speaker 1>not because the number was too high. We didn't want

1:23:36.160 --> 1:23:41.360
<v Speaker 1>to buy them because I believe that our our kind.

1:23:41.400 --> 1:23:43.360
<v Speaker 1>By the way, I'm not saying his philosophy is wrong,

1:23:43.600 --> 1:23:46.519
<v Speaker 1>it's just different than ours. Ours is to buy the

1:23:46.640 --> 1:23:52.679
<v Speaker 1>most iconic, the most legendary music that's stable, that's been

1:23:53.040 --> 1:23:58.080
<v Speaker 1>historically producing income, that's been historically known for years, for decades.

1:23:58.160 --> 1:23:59.840
<v Speaker 1>So you know, we're buying things that are forty years,

1:24:00.160 --> 1:24:03.000
<v Speaker 1>thirty years old, you know, sometimes twenty years old. Um.

1:24:03.640 --> 1:24:06.679
<v Speaker 1>And you know those are the Bob Marley's of the world,

1:24:06.680 --> 1:24:09.599
<v Speaker 1>the greatest of the great Bob Marley, Smokey Anchor, Count

1:24:09.680 --> 1:24:14.760
<v Speaker 1>Basie Whitney, Houston, merc started by buying and still is.

1:24:15.520 --> 1:24:19.200
<v Speaker 1>He believes in the contemporary catalog business, which is um.

1:24:19.439 --> 1:24:21.519
<v Speaker 1>You know, he's bought a lot of new music, and

1:24:21.560 --> 1:24:28.160
<v Speaker 1>he's paid very high prices twenty to multiple uh yeah, rumored. UM.

1:24:28.880 --> 1:24:31.960
<v Speaker 1>And I believe that income stream is coming down because

1:24:32.000 --> 1:24:34.679
<v Speaker 1>as these songs come off the radio, and it takes

1:24:34.800 --> 1:24:37.280
<v Speaker 1>years to come off the radio, as you know, um

1:24:37.600 --> 1:24:42.160
<v Speaker 1>and streams. While while I believe in the subscription business

1:24:42.200 --> 1:24:44.840
<v Speaker 1>and I believe in emerging markets, to what he does, UM,

1:24:45.160 --> 1:24:50.960
<v Speaker 1>new music just um by sheer gravity is going to

1:24:51.120 --> 1:24:56.240
<v Speaker 1>come down in terms of earnings and um, and my

1:24:56.439 --> 1:25:01.760
<v Speaker 1>philosophy is to buy incredibly able, important music that we

1:25:01.880 --> 1:25:05.960
<v Speaker 1>could market, promote and brand and increase earnings. So it's

1:25:06.160 --> 1:25:10.040
<v Speaker 1>very hard, um, you know, when you're buying newer music,

1:25:10.160 --> 1:25:12.639
<v Speaker 1>stuff that's three years old, four years old, five years

1:25:12.760 --> 1:25:14.719
<v Speaker 1>it's very hard to figure out a way to market

1:25:15.240 --> 1:25:18.400
<v Speaker 1>to increase value and increase earnings. And he's buying most

1:25:18.479 --> 1:25:20.599
<v Speaker 1>of the time, he's buying of that, so he doesn't

1:25:20.600 --> 1:25:23.280
<v Speaker 1>have the artist buying or he's buying, um, you know,

1:25:23.400 --> 1:25:27.559
<v Speaker 1>writers share. Usually it's of available. I don't want to buy,

1:25:27.800 --> 1:25:29.760
<v Speaker 1>as we talked about what I want to and I

1:25:29.840 --> 1:25:34.240
<v Speaker 1>want to buy or se because I need that buying.

1:25:34.360 --> 1:25:38.599
<v Speaker 1>But more importantly, UM, you know he has done He's

1:25:38.600 --> 1:25:40.719
<v Speaker 1>done a great thing for our business in one sense,

1:25:40.840 --> 1:25:44.680
<v Speaker 1>which is he's shaking up the muddy water. So a

1:25:44.800 --> 1:25:47.679
<v Speaker 1>lot of artists that would never have thought about selling

1:25:48.560 --> 1:25:54.160
<v Speaker 1>are now thinking about selling because you know he's I think, Um,

1:25:54.560 --> 1:25:57.320
<v Speaker 1>you know, he's shaken that barrel. And people are calling

1:25:57.479 --> 1:25:59.960
<v Speaker 1>us and you know, we're doing a lot more deals

1:26:00.040 --> 1:26:03.760
<v Speaker 1>now than we've ever done before. Great deals, you know,

1:26:03.840 --> 1:26:09.120
<v Speaker 1>great music, Um, but but I think, uh, I'm never

1:26:09.160 --> 1:26:12.920
<v Speaker 1>gonna say he's overpaying, because I believe in the value

1:26:12.960 --> 1:26:16.920
<v Speaker 1>of music a long term. But what people are saying

1:26:16.920 --> 1:26:20.080
<v Speaker 1>about him today people were saying about me in two thousand, six, seven,

1:26:20.120 --> 1:26:23.120
<v Speaker 1>eight nine when I was paying big multiples for the

1:26:23.320 --> 1:26:25.559
<v Speaker 1>for a piece of the Beatles, big multiples for Kirko Paining,

1:26:25.600 --> 1:26:29.840
<v Speaker 1>et cetera. I don't know. That's uh, that's something that

1:26:29.920 --> 1:26:34.080
<v Speaker 1>I would say, even though he's spending, uh, you know,

1:26:34.400 --> 1:26:39.479
<v Speaker 1>and and paying very significant prices, uh you know. To me,

1:26:39.640 --> 1:26:45.720
<v Speaker 1>the the multiple has to align with the value of

1:26:46.320 --> 1:26:49.519
<v Speaker 1>what we're buying and whether we can increase the earnings

1:26:49.560 --> 1:26:52.000
<v Speaker 1>flow and so on new music. I just can't think.

1:26:52.080 --> 1:26:53.800
<v Speaker 1>I don't think you can do that. Do you think

1:26:53.880 --> 1:26:57.640
<v Speaker 1>there's an ultimate play beyond what we've delineated, kind of

1:26:57.800 --> 1:27:01.599
<v Speaker 1>like Irving and global rights. He he locks up certain

1:27:01.640 --> 1:27:04.320
<v Speaker 1>people and then leverages that. I think you don't think so.

1:27:04.560 --> 1:27:07.120
<v Speaker 1>I think he has to buy so much and he's

1:27:07.160 --> 1:27:10.880
<v Speaker 1>not a lot of the music he's buying is U

1:27:11.280 --> 1:27:14.320
<v Speaker 1>is a passive income streams in terms of writers share.

1:27:14.720 --> 1:27:18.200
<v Speaker 1>He doesn't have publishing, uh for many of the artists,

1:27:18.240 --> 1:27:20.280
<v Speaker 1>or if he does that publishing the administration is locked

1:27:20.360 --> 1:27:22.680
<v Speaker 1>up long term elsewhere. There are some things I think

1:27:22.720 --> 1:27:25.320
<v Speaker 1>he's buying that he has publishing on. But um, you know,

1:27:25.400 --> 1:27:30.559
<v Speaker 1>to have that type of leverage, you really need to have, um,

1:27:31.320 --> 1:27:34.280
<v Speaker 1>you know, bulk like a like a Universal or a

1:27:34.400 --> 1:27:38.160
<v Speaker 1>Sony or a Warner. I just I don't. I don't

1:27:38.320 --> 1:27:42.240
<v Speaker 1>believe that that that is the case. Although okay, historically

1:27:42.320 --> 1:27:44.880
<v Speaker 1>and I would agree that in the split of the

1:27:45.040 --> 1:27:50.240
<v Speaker 1>pie from revenue from streaming services, publishing got screwed. Yeah,

1:27:50.760 --> 1:27:53.120
<v Speaker 1>do you believe we can see any change there? Yeah,

1:27:53.240 --> 1:27:55.600
<v Speaker 1>I think that's going to happen as well as we

1:27:55.760 --> 1:27:59.439
<v Speaker 1>continue to move forward. I think David Israelite, I think

1:27:59.479 --> 1:28:03.200
<v Speaker 1>the nmp A, I think in general what's going on

1:28:03.960 --> 1:28:06.760
<v Speaker 1>with legislation on Capitol Hill. I think it's all moving

1:28:06.840 --> 1:28:09.880
<v Speaker 1>in the right direction. And I think you're going to eventually,

1:28:10.040 --> 1:28:11.760
<v Speaker 1>And when I said eventually, that you know, could be

1:28:12.280 --> 1:28:15.680
<v Speaker 1>twenty years down the road. But I think you're gonna see, um,

1:28:16.800 --> 1:28:21.639
<v Speaker 1>the copyright, the the publishing, the writers getting much more

1:28:21.840 --> 1:28:24.840
<v Speaker 1>of a fifty fifty split down the road with the

1:28:24.920 --> 1:28:27.400
<v Speaker 1>record of music business. And you know, by the way,

1:28:27.479 --> 1:28:30.360
<v Speaker 1>the biggest issue, you know, is that the major music

1:28:30.400 --> 1:28:34.760
<v Speaker 1>publishers are owned by the record the record company or

1:28:34.960 --> 1:28:37.280
<v Speaker 1>or okay, wait wait, wait, wait, wait, what do we

1:28:37.400 --> 1:28:40.120
<v Speaker 1>know about We know Spotify does not scale. If you

1:28:40.200 --> 1:28:42.719
<v Speaker 1>talk to Lucy and Grange or other thinkers in the business,

1:28:42.760 --> 1:28:45.760
<v Speaker 1>say we have to keep them in business because they

1:28:46.000 --> 1:28:49.439
<v Speaker 1>are there, you know, ultimate ultimate payer. So let's just

1:28:49.640 --> 1:28:52.679
<v Speaker 1>assume for the sake of discussion, they need thirty odd

1:28:52.760 --> 1:28:56.240
<v Speaker 1>points out of a hundred just to pay all their bills, etcetera.

1:28:57.200 --> 1:29:01.120
<v Speaker 1>Who that would mean that the record companies would have

1:29:01.280 --> 1:29:03.919
<v Speaker 1>to cough up some points to go to the publishers.

1:29:03.920 --> 1:29:07.160
<v Speaker 1>You foresee that happening. Well, well, let's let's put it

1:29:07.160 --> 1:29:09.360
<v Speaker 1>this way. I hope that happens, right, But I think

1:29:09.400 --> 1:29:13.720
<v Speaker 1>the biggest impediment is that these major publishers who have

1:29:14.080 --> 1:29:19.479
<v Speaker 1>the leverage are controlled by companies that the majority of

1:29:19.520 --> 1:29:22.240
<v Speaker 1>their income is coming from recorded music. So I think

1:29:22.280 --> 1:29:26.080
<v Speaker 1>that's a big impediment. But I do believe that people

1:29:26.160 --> 1:29:32.320
<v Speaker 1>will understand the relationship between the songwriter, the publishing and

1:29:32.439 --> 1:29:38.639
<v Speaker 1>the overall dollar that's available in streaming. Number One act

1:29:38.680 --> 1:29:46.439
<v Speaker 1>you'd like to get that you haven't gotten, Well, m

1:29:46.680 --> 1:29:48.719
<v Speaker 1>that's a good question. I mean, I think that would

1:29:48.720 --> 1:29:53.200
<v Speaker 1>be Bob Dylan, Okay, and then moving forward, what do

1:29:53.320 --> 1:29:55.920
<v Speaker 1>you see for the music business in general that encompasses

1:29:56.000 --> 1:29:59.880
<v Speaker 1>us all revenue streams? Well, I am. I am in

1:30:00.000 --> 1:30:04.040
<v Speaker 1>incredibly bullish on the music business in general for two

1:30:04.880 --> 1:30:08.080
<v Speaker 1>two very important reasons. Um there, you know, I don't

1:30:08.240 --> 1:30:13.360
<v Speaker 1>think anybody can doubt the fact that, uh that streaming

1:30:13.720 --> 1:30:16.760
<v Speaker 1>is not only here to stay, but streaming is going

1:30:16.880 --> 1:30:21.240
<v Speaker 1>to be even more and more penetrated in in in

1:30:21.600 --> 1:30:24.120
<v Speaker 1>the world than it is today. I think, you know,

1:30:24.200 --> 1:30:28.000
<v Speaker 1>subscriptions are going to continue to rise. Um. You know,

1:30:28.160 --> 1:30:32.240
<v Speaker 1>the the the the price that uh that that these

1:30:32.240 --> 1:30:35.960
<v Speaker 1>services are charging is more the question than whether or

1:30:36.000 --> 1:30:40.920
<v Speaker 1>not people will be streaming. It's on demand and there's

1:30:40.960 --> 1:30:44.040
<v Speaker 1>nothing beyond on demand. I agreed, Um, So I think

1:30:44.160 --> 1:30:47.920
<v Speaker 1>streaming will continue to penetrate. I think the overall pot

1:30:48.040 --> 1:30:50.840
<v Speaker 1>will go up. But I think more importantly, and I

1:30:50.880 --> 1:30:54.200
<v Speaker 1>don't know people people are concentrating on this, but eventually

1:30:54.920 --> 1:30:58.000
<v Speaker 1>our revenues are going to go up significantly because emerging

1:30:58.080 --> 1:31:01.760
<v Speaker 1>markets will continue to come online. I remember, Bob, when

1:31:01.840 --> 1:31:05.759
<v Speaker 1>we started in two thousand and six, it was virtually

1:31:05.920 --> 1:31:09.640
<v Speaker 1>no income coming from China, from Russia, from India, from

1:31:09.640 --> 1:31:12.080
<v Speaker 1>a lot of these emerging markets. Today. You know, that

1:31:12.200 --> 1:31:14.800
<v Speaker 1>was two thousand six. Today we're two thousand twenty. We're

1:31:14.800 --> 1:31:17.599
<v Speaker 1>actually seeing a good chunk of income coming in from

1:31:17.640 --> 1:31:20.800
<v Speaker 1>these emerging markets. And I think, not too far down

1:31:20.840 --> 1:31:24.400
<v Speaker 1>the road, um, you know, five years, seven years, we're

1:31:24.400 --> 1:31:26.920
<v Speaker 1>going to see a big part of our income coming

1:31:26.960 --> 1:31:31.160
<v Speaker 1>from emerging markets. And that's why I like the type

1:31:31.200 --> 1:31:33.759
<v Speaker 1>of iconic music we're buying, because I think Bob Marley

1:31:33.840 --> 1:31:36.519
<v Speaker 1>travels everywhere. I don't think there's a place in the

1:31:36.640 --> 1:31:39.840
<v Speaker 1>globe that doesn't revere Barb Marley. You know, Don Handley

1:31:39.880 --> 1:31:42.800
<v Speaker 1>tells a great story. He was somewhere in a third

1:31:42.920 --> 1:31:46.719
<v Speaker 1>ruld place what height for like an hour and a half,

1:31:47.240 --> 1:31:50.439
<v Speaker 1>you know, from from civilization, and he's there with the

1:31:51.240 --> 1:31:56.320
<v Speaker 1>natives and they looked at they go Hotel California. It's like, yeah,

1:31:56.439 --> 1:31:59.560
<v Speaker 1>it's amazing. The penetration. Larry, this has been fantastic. We

1:31:59.600 --> 1:32:02.800
<v Speaker 1>could go on forever, but we're kindred spirits because of

1:32:02.880 --> 1:32:05.960
<v Speaker 1>her month. Some think we're both big skiers because I said,

1:32:06.000 --> 1:32:08.920
<v Speaker 1>someone needs a studio otherwise. We continue to talk about

1:32:09.000 --> 1:32:11.679
<v Speaker 1>that on Mike until next time. This is a Bob

1:32:11.840 --> 1:32:12.920
<v Speaker 1>Left That's podcast.