WEBVTT - From the Vault: The Leshii

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<v Speaker 1>Hey, welcome to stuff to blow your mind. This is

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<v Speaker 1>Robert Lamb and I'm Joe McCormick, and it's Saturday. Time

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<v Speaker 1>to go into the vault for a classic episode of

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<v Speaker 1>the show. This one originally aired on October twenty two,

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<v Speaker 1>and it's our episode on the leshy, The Old Man

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<v Speaker 1>of the Forest. Yeah, this is a lot of fun,

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<v Speaker 1>a lot of discussion of Russian folk tales and becoming

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<v Speaker 1>lost in the woods. It's uh, it's a great episode

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<v Speaker 1>to listen to. Here at the end of October, it

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<v Speaker 1>was near sunset when the old man looked up from

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<v Speaker 1>his labors and saw the stranger approaching from the west,

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<v Speaker 1>And though his eyes were weaker than they once were,

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<v Speaker 1>he soon saw that the stranger carried himself like a soldier,

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<v Speaker 1>that he bore no weapon that could be seen, and

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<v Speaker 1>so the old man continued scraping his hides till the

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<v Speaker 1>stranger approached close enough to greet him. Hello, grandfather, Oh,

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<v Speaker 1>please don't let me disturb your labor. I just wanted

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<v Speaker 1>to ask, is this the way to the Greenwood Path? Hey?

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<v Speaker 1>It is, but what business have you in the woods?

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<v Speaker 1>Not the woods, Grandfather, the lands on the other side,

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<v Speaker 1>you see I'm returned from the war and I seek

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<v Speaker 1>my family's farm. It's been five long years, and I'm

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<v Speaker 1>eager to aid them with the harvest. There's no path

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<v Speaker 1>through the green forest, at least none blazed by the

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<v Speaker 1>likes of you and me game trails. Then, well, so happens.

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<v Speaker 1>I'm a gifted tracker and can make my own way,

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<v Speaker 1>your own way. Uh, if there are any landmarks, you

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<v Speaker 1>might a lurt me to, well, I'd be most gracious.

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<v Speaker 1>But the old man didn't answer right away. He looked

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<v Speaker 1>out to the woods and instead motioned back towards his hut,

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<v Speaker 1>where the old woman would have supper ready soon enough.

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<v Speaker 1>Tell you what stay with us tonight, and I'll tell

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<v Speaker 1>you of the forest. What the young soldier lacked in caution,

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<v Speaker 1>he made up for in politeness. When he had finished

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<v Speaker 1>his bowl of rabbit stew, he thanked the old man

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<v Speaker 1>and in woman a half dozen times. He cleaned the

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<v Speaker 1>bowls and scrubbed the pot. He split more wood for

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<v Speaker 1>the fire, and even produced a bottle of spirits, which

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<v Speaker 1>he shared with the old man. So tell me of

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<v Speaker 1>the forest, grandfather, You'll not find your own way through

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<v Speaker 1>the green forest, not by moonlight and not by day.

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<v Speaker 1>What little of either filters down through the tree tops.

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<v Speaker 1>The animal paths won't help you either. That only winds

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<v Speaker 1>you down into greater depths. There is neither your way

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<v Speaker 1>nor my way in the green forest. There is only

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<v Speaker 1>the law of the woods. And there is a leshy.

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<v Speaker 1>I don't think I'll be troubled by some forest dwarf

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<v Speaker 1>tis no dwarf. The less she has always been in

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<v Speaker 1>the old forest. He was there before human tribes roamed in.

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<v Speaker 1>He was there when strange animals still range these parts.

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<v Speaker 1>And he is no man nor dwarf, but a shaggy

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<v Speaker 1>figure that casts no shadow, that stares straight through the

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<v Speaker 1>forest depths with eyes that burn like green fire. He

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<v Speaker 1>passes gigantic behind the great trees and sneaks meekly behind

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<v Speaker 1>the nearest blade of grass. Like that, he is on you.

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<v Speaker 1>And he who breaks the forest law is broken. Well,

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<v Speaker 1>then tell me the forest law so that I might

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<v Speaker 1>avoid him. The forest law is not like man's lot,

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<v Speaker 1>can't be told or written down. A very nature breaks

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<v Speaker 1>it as much as our acts. But you're a trapper,

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<v Speaker 1>how do you avoid the less She's wrath? I do

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<v Speaker 1>not trap in the woods, but at its border, and

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<v Speaker 1>for that the less she spares me, and asked, but

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<v Speaker 1>one more thing that I worn wanderers such as yourself.

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<v Speaker 1>The young soldier nodded and smiled, but the old man

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<v Speaker 1>could tell he was only being mannerly. He did not

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<v Speaker 1>believe his tale of the leshy, and would not be

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<v Speaker 1>swayed from his short cut through the woods. And so

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<v Speaker 1>the next morning he thanked the old man and woman

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<v Speaker 1>yet again and departed into the green forest, no doubt,

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<v Speaker 1>thinking he'd found the makings of a path, or discovered

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<v Speaker 1>some logic, and the dead leaves beneath his feet, the

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<v Speaker 1>old man went back to his traps and snares near

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<v Speaker 1>the forest edge. He flinched when he heard the first

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<v Speaker 1>startled scream from the forest depths, then the howl of

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<v Speaker 1>the leshy as it bore the young soldier limb from limb.

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<v Speaker 1>As he walked back home, his spirits sapped by the sounds,

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<v Speaker 1>he caught once more the sense of something vast and shaggy,

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<v Speaker 1>walking just behind the great tree trunks, yet tiptoeing impossibly

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<v Speaker 1>behind the smallest shrub or mushroom, not like a thing

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<v Speaker 1>that moved through the woods, but like something reflected in

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<v Speaker 1>its substance. Welcome to Stuff to Blow Your Mind production

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<v Speaker 1>of My Heart Radio. Hey, welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>And hey it's still October. We are still going strong

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<v Speaker 1>with the monster stuff. And boy, I'm I'm excited about

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<v Speaker 1>today's episode. So, Rob, if it's okay with you, I

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<v Speaker 1>want to begin by reading reading a quote. You you

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<v Speaker 1>cool starting this way, Yes, let's do it, okay. So

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<v Speaker 1>this quote is recorded in a nineteen nine book called

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<v Speaker 1>Russian Folk Belief by a Penn State professor of Russian

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<v Speaker 1>and comparative literature named Linda j Ivantas. And this quote

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<v Speaker 1>is attributed to an old woman from the Kaluga Province

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<v Speaker 1>of Russia describing what she believed to have witnessed during

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<v Speaker 1>the height of a forest fire. So she says, I

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<v Speaker 1>looked and bears and with them wolves, foxes, hairs, squirrels, elk, goats,

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<v Speaker 1>in a word, every sort of forest life, and each

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<v Speaker 1>in his own group, not mixing with the others. Thronged

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<v Speaker 1>out of the forest and passed me and the horses,

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<v Speaker 1>not even looking at us, And behind the beasts with

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<v Speaker 1>his knout over his shoulder and horn and hands was

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<v Speaker 1>he himself, and he was the size of a bell tower.

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<v Speaker 1>He himself tall as a bell tower, dragging the horn

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<v Speaker 1>and the nowt and a now it means a whip

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<v Speaker 1>or a scourge. Who is he? Who she talking about?

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<v Speaker 1>She's talking about the Leshy, an awesome monster of Slavic mythology,

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<v Speaker 1>the demon of the woods, sort of a malevolent trickster. NT. Yeah,

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<v Speaker 1>I was, I was reading about the Leshy. I was

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<v Speaker 1>not not really familiar with it prior to our research here.

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<v Speaker 1>But according to Carol Rose in her excellent Spirits, Fairies,

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<v Speaker 1>lepre cons and goblins and Encyclopedia, uh, they're they're numerous

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<v Speaker 1>different versions of the spelling and and or pronunciation of

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<v Speaker 1>the name. You see it kind of like leshy, but

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<v Speaker 1>also lessovic or less shak or less nor. Uh So

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<v Speaker 1>there are several different variations on it. But just as

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<v Speaker 1>just as the name is kind of a morphous uh,

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<v Speaker 1>the you know, the actual substance of the creature is

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<v Speaker 1>also a fair bit of morphous, to which one might

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<v Speaker 1>expect with folklore traditions and any kind of entity that

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<v Speaker 1>it arises out of, out of out of old beliefs

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<v Speaker 1>and old legends, old mythologies, right, Yeah, so the Lusty

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<v Speaker 1>is not something that comes originally from one canonical source.

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<v Speaker 1>It it is a folk belief and thus you're going

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<v Speaker 1>to get lots of different versions of it, and I

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<v Speaker 1>think it's gonna be really fun to explore where a

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<v Speaker 1>lot of these different stories overlap and then what the

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<v Speaker 1>differences are. Yeah. So Rose points out that the Leshy

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<v Speaker 1>is essentially a Russian nature spirit and forrest guardian. He's

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<v Speaker 1>often described as a pale humanoid figure with green eyes,

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<v Speaker 1>green beard, and long, straggly hair. He wears a pair

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<v Speaker 1>of of of boots, often made from bark, which any

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<v Speaker 1>wears them on the wrong feet. It's often said that

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<v Speaker 1>he cast no shadow, and he's also a shape shifter.

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<v Speaker 1>And as we tried to reflect in our opening, a

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<v Speaker 1>bit of narration, a little or dramatic opening, uh, it

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<v Speaker 1>said that he can be as tall as a great

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<v Speaker 1>tree or as small as a blade of grass. Likewise,

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<v Speaker 1>he can mimic any sound in the forest, which is

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<v Speaker 1>a tool he might use to lead humans astray sometimes. Yes,

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<v Speaker 1>and this is one of the main threats that the

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<v Speaker 1>less he represents. That there again, a number of stories,

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<v Speaker 1>But the most common ways that he represents a threat

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<v Speaker 1>to human existence are in making sounds or in laying

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<v Speaker 1>sort of traps and tricks that lead travelers off the

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<v Speaker 1>path and get them lost in the woods to wander

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<v Speaker 1>hopelessly until they die in the woods or die in

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<v Speaker 1>a swamp. Or The other thing is that he's often

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<v Speaker 1>said to kidnap babies at the edge of the forest,

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<v Speaker 1>or to kidnap children, especially unbaptized babies and children. Uh

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<v Speaker 1>And a lot of sources mentioned this, this idea of

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<v Speaker 1>him luring wanderers off the forest path by making noises.

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<v Speaker 1>One of the sources I was reading for this episode

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<v Speaker 1>is a book by Elizabeth Warner called Russian Myths from

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<v Speaker 1>the University of Texas Press in two thousand two, and

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<v Speaker 1>Warner says, the less she would quote hoot, roar, and howl,

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<v Speaker 1>and the voices of birds and beasts, emit wild bursts

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<v Speaker 1>of laughter, blood curdling shrieks, and clap his hands loudly.

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<v Speaker 1>Uh So, so, it seems like there are a couple

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<v Speaker 1>of different ways that you might catch the less she

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<v Speaker 1>making sounds in the forest, sometimes maybe mimicking the voice

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<v Speaker 1>of an animal or human in order to lure somebody

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<v Speaker 1>off the path, or sometimes just making a lot of noise,

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<v Speaker 1>maybe to mess with your head, kind of scare you

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<v Speaker 1>or make you laugh. Now picking up in the lessies appearance,

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<v Speaker 1>there are several sources that summarize the folklore. Again this

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<v Speaker 1>is from Warner and Russian myths. Uh. The less She

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<v Speaker 1>may and often does look and dress like an ordinary

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<v Speaker 1>human being. Like there are some stories where the less

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<v Speaker 1>She leaves the forest and interacts with humans as if he,

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<v Speaker 1>you know, looked like any other human. But in fact, again,

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<v Speaker 1>he is a shape shifter, so he can mimic the

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<v Speaker 1>appearance of not just all the animals of the forest.

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<v Speaker 1>Those are common forms he takes, especially the form of

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<v Speaker 1>a wolf or a bear, but he can also mimic

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<v Speaker 1>the appearance of any particular person. So a child might

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<v Speaker 1>be lured into the forest by a vision of their

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<v Speaker 1>own grandfather offering them fruits and sweets, or a person

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<v Speaker 1>might be you know, antagonized or lured off the path

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<v Speaker 1>in the woods by the shape of their own father

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<v Speaker 1>or mother or husband or wife, or even their child.

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<v Speaker 1>But much like the succubus who appears as a seductive,

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<v Speaker 1>beautiful woman, but with say a duck's foot. The leshy

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<v Speaker 1>in disguise will usually have a detail out of place,

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<v Speaker 1>and that detail will be noticeable to the observant hero.

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<v Speaker 1>You mentioned the idea that the less she might cast

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<v Speaker 1>no shadow, or have their shoes on the wrong feet

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<v Speaker 1>or backwards. Warner gives the examples that the less she

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<v Speaker 1>might be wearing a calf tan like a like a

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<v Speaker 1>Russian traveler might wear, but the calf tan would be

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<v Speaker 1>buttoned back words, or his eyes might be extremely pale,

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<v Speaker 1>or he might have no eyebrows. I like that one.

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<v Speaker 1>Or again, he might cast no shadow. And and then finally,

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<v Speaker 1>this one seems particularly relevant in his role in confusing

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<v Speaker 1>travelers in a forest. He might leave no footprints. I

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<v Speaker 1>love how common this detail is across so much different folklore,

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<v Speaker 1>that the monster or the trickster demon will have some

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<v Speaker 1>kind of detail wrong that allows you to spot it. Yeah,

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<v Speaker 1>And it's the kind of myth, that kind of legend

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<v Speaker 1>that that appeals well to our our our nature, you know,

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<v Speaker 1>because when when we're just encountering people for the first time,

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<v Speaker 1>situations for the first time, the suspicious mind is always

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<v Speaker 1>looking for for some sort of a tell, right, like

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<v Speaker 1>what's weird about this person, what's weird about this place? Yeah?

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<v Speaker 1>And and it also it makes the myth more fair,

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<v Speaker 1>I mean, unlike just the less She being a a

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<v Speaker 1>power that cannot possibly be overcome, and it just takes

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<v Speaker 1>whoever it wants and does whatever it wants. The fact

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<v Speaker 1>that there's some detail often wrong with it allows the

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<v Speaker 1>observant hero, the virtuous protagonist of the story to to

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<v Speaker 1>catch them, to be like, hey, wait a minute, there's

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<v Speaker 1>something wrong with you. It makes you It makes you

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<v Speaker 1>think that maybe if you are clever enough, if you're

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<v Speaker 1>observant enough, then you could best the leshy. Now, Warner

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<v Speaker 1>agrees with what we already talked about about the less

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<v Speaker 1>She being able to dramatically change size, and it's often

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<v Speaker 1>reported in these stories that he can become taller than

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<v Speaker 1>the tallest tree tops. Remember the story at the beginning

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<v Speaker 1>of the woman who says the less She was like

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<v Speaker 1>a bell tower. Or he can be small, small enough

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<v Speaker 1>to hide behind grass or behind a mushroom. Now, in

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<v Speaker 1>his true form, Warner says that the lessies appearance betrays

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<v Speaker 1>his affinity for the vegetation of the forest, so his

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<v Speaker 1>skin might very much resemble the bark of a tree.

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<v Speaker 1>It will be rough and gnarly, and sometimes he's said

0:12:56.559 --> 0:12:59.200
<v Speaker 1>to be completely covered in hair, but sometimes he's just

0:12:59.240 --> 0:13:01.720
<v Speaker 1>got hair on his head and a beard, and in

0:13:01.720 --> 0:13:04.400
<v Speaker 1>those cases his hair and beard might be as green

0:13:04.520 --> 0:13:08.160
<v Speaker 1>as the vines and the grass. But some imagery of

0:13:08.160 --> 0:13:12.080
<v Speaker 1>the leshy is more classically devilish in the Christian sense,

0:13:12.679 --> 0:13:15.000
<v Speaker 1>or at least in the syncratistic Christian sense that that

0:13:15.120 --> 0:13:19.079
<v Speaker 1>combines sort of Satan with the god pan Uh. Warner

0:13:19.559 --> 0:13:23.840
<v Speaker 1>says that many descriptions include shaggy hair almost like moss,

0:13:23.840 --> 0:13:27.360
<v Speaker 1>but also cloven hoofs and horns on his head and

0:13:27.440 --> 0:13:30.160
<v Speaker 1>a tail like the devil's tail. And then finally she

0:13:30.200 --> 0:13:33.200
<v Speaker 1>mentions that the horns are golden in the case of

0:13:33.240 --> 0:13:37.959
<v Speaker 1>one particular leshie known as the leshy Czar. But anyway,

0:13:38.080 --> 0:13:42.640
<v Speaker 1>I think this devilish appearances is interesting because it uh

0:13:42.840 --> 0:13:45.880
<v Speaker 1>it makes sense based on something that Warner talks about

0:13:45.960 --> 0:13:48.800
<v Speaker 1>in her book, which is called the Dual Faith, that

0:13:48.920 --> 0:13:52.120
<v Speaker 1>this idea that after Christianity took over the Kievan Ruth

0:13:52.200 --> 0:13:56.840
<v Speaker 1>stayed in the tenth century, Christianity and old pagan practices

0:13:57.000 --> 0:14:01.960
<v Speaker 1>kind of mesh together. They coexisted for hundreds of years. Yeah,

0:14:01.960 --> 0:14:05.120
<v Speaker 1>and We've discussed examples of this before with other other

0:14:05.320 --> 0:14:10.080
<v Speaker 1>legends and folklore and and even mythologies. Um where yeah,

0:14:10.080 --> 0:14:12.920
<v Speaker 1>the new, a new faith comes along and it doesn't

0:14:12.960 --> 0:14:16.080
<v Speaker 1>just wipe out the old. It adds new wrinkles to

0:14:16.120 --> 0:14:21.400
<v Speaker 1>the old or and or exist alongside the old, uh

0:14:21.440 --> 0:14:23.880
<v Speaker 1>in ways that that may might not make sense if

0:14:23.920 --> 0:14:26.240
<v Speaker 1>you were to say, write them out or discuss them.

0:14:26.280 --> 0:14:29.680
<v Speaker 1>You know. It's it's always fascinating how even as modern humans,

0:14:30.080 --> 0:14:34.080
<v Speaker 1>the various conflicting world views and ideas of the natural

0:14:34.120 --> 0:14:38.200
<v Speaker 1>and the supernatural that can simultaneously exist in our minds,

0:14:38.680 --> 0:14:41.080
<v Speaker 1>it can be hard to enforce the borders of one

0:14:41.160 --> 0:14:44.280
<v Speaker 1>supernatural picture of the world. Like it can be hard

0:14:44.320 --> 0:14:46.480
<v Speaker 1>to sort of like beat into people like no, no, no,

0:14:46.600 --> 0:14:50.720
<v Speaker 1>like this part these supernatural beliefs are acceptable. But these

0:14:50.760 --> 0:14:54.880
<v Speaker 1>other ones that your grandparents believed and their grandparents before them,

0:14:55.040 --> 0:14:58.120
<v Speaker 1>you can't believe those anymore. Yeah, Like, I remember, when

0:14:58.120 --> 0:14:59.680
<v Speaker 1>I was younger, there was a time when I was

0:15:00.040 --> 0:15:03.160
<v Speaker 1>at least a bit afraid of the prospect of both

0:15:03.640 --> 0:15:07.560
<v Speaker 1>aliens and ghosts, which rationally, it seems like you know

0:15:07.600 --> 0:15:09.640
<v Speaker 1>now I'm looking back and like, well, surely I should

0:15:09.680 --> 0:15:11.360
<v Speaker 1>have just picked one or the other, like one would

0:15:11.400 --> 0:15:13.200
<v Speaker 1>seem more likely than the other, and that should be

0:15:13.240 --> 0:15:15.680
<v Speaker 1>the one to be afraid of. I can't be, you know,

0:15:16.000 --> 0:15:18.760
<v Speaker 1>I can't just be afraid of everything that's on Unsolved Mysteries.

0:15:18.760 --> 0:15:21.280
<v Speaker 1>I have to pick, you know, like obviously be afraid

0:15:21.280 --> 0:15:24.320
<v Speaker 1>of your criminals, but then choose aliens or ghosts like

0:15:24.520 --> 0:15:27.200
<v Speaker 1>I shouldn't have to, I shouldn't take both on. But no.

0:15:27.360 --> 0:15:30.520
<v Speaker 1>Unsolved Mysteries presents a perfect synchrotistic view of the world

0:15:30.520 --> 0:15:35.400
<v Speaker 1>where all paranormal phenomena exists simultaneously. Now Additionally, as Rose

0:15:35.400 --> 0:15:37.960
<v Speaker 1>points out, each forest is said to have its own leshy,

0:15:38.240 --> 0:15:40.400
<v Speaker 1>unless it's a very large forest, and then then you

0:15:40.440 --> 0:15:41.960
<v Speaker 1>can have more than one lessy. I guess it just

0:15:42.000 --> 0:15:44.240
<v Speaker 1>comes down to It's kind of like having park rangers, right,

0:15:44.320 --> 0:15:46.840
<v Speaker 1>depends just how big the park is, right. They gotta

0:15:46.880 --> 0:15:50.640
<v Speaker 1>like a range of territory. Right. Furthermore, the less she

0:15:50.800 --> 0:15:54.600
<v Speaker 1>may have a wife in some traditions, which is a lessovica,

0:15:55.000 --> 0:15:59.080
<v Speaker 1>and then there are sometimes lessy children or less shunky,

0:15:59.480 --> 0:16:02.720
<v Speaker 1>and there's all to a variety of leshy sometimes described

0:16:03.040 --> 0:16:06.840
<v Speaker 1>as a as a zoi abot schnick that takes on

0:16:06.880 --> 0:16:10.280
<v Speaker 1>the guys and sound of a baby gurgling in the treetops.

0:16:10.280 --> 0:16:13.560
<v Speaker 1>So in that in that case, a quality that is

0:16:13.600 --> 0:16:19.240
<v Speaker 1>sometimes ascribed to the leshy in general is sometimes pulled

0:16:19.240 --> 0:16:21.960
<v Speaker 1>out and made its own particular thing. Yeah, and I

0:16:21.960 --> 0:16:24.240
<v Speaker 1>think it's interesting the idea of giving a leshi a

0:16:24.320 --> 0:16:28.280
<v Speaker 1>family allows you to to sort of add in more

0:16:28.360 --> 0:16:32.680
<v Speaker 1>dynamics that would explain natural phenomenon potentially, Like, for example,

0:16:32.680 --> 0:16:34.480
<v Speaker 1>one of our sources was saying that if you saw

0:16:34.480 --> 0:16:37.000
<v Speaker 1>a whirlwind, I think mean, you know, a whirlwind or

0:16:37.000 --> 0:16:41.200
<v Speaker 1>even a tornado, that was the leshy dancing with his wife.

0:16:41.480 --> 0:16:44.160
<v Speaker 1>So adding the wife in, you know, they're twirling through

0:16:44.160 --> 0:16:48.960
<v Speaker 1>the forest. But this dovetails with another interesting belief, which

0:16:49.000 --> 0:16:52.320
<v Speaker 1>is that sometimes fallen trees found in the forest were

0:16:52.320 --> 0:16:55.640
<v Speaker 1>said to have been knocked over by fights between leshies.

0:16:56.360 --> 0:16:58.640
<v Speaker 1>But you know, you put those two things together kind

0:16:58.640 --> 0:17:01.200
<v Speaker 1>of dovetails into the center sting idea that I wonder

0:17:01.200 --> 0:17:04.960
<v Speaker 1>if people at some point maybe came across the path

0:17:05.119 --> 0:17:08.120
<v Speaker 1>that a tornado or whirlwind had cut through a forest,

0:17:08.600 --> 0:17:11.199
<v Speaker 1>and you know, it looks like something is just like

0:17:11.280 --> 0:17:14.320
<v Speaker 1>come through and mode this this shaved line out through

0:17:14.320 --> 0:17:16.760
<v Speaker 1>the middle of the woods. And what happened here? What

0:17:16.960 --> 0:17:20.080
<v Speaker 1>was less she's fighting or it was less she's dancing, Yeah,

0:17:20.080 --> 0:17:22.679
<v Speaker 1>because there are no tracks there, you know, there's no

0:17:22.800 --> 0:17:25.240
<v Speaker 1>there's no sign that animals did this, and yet something

0:17:25.480 --> 0:17:31.040
<v Speaker 1>large has has trampled the woods now like the forest itself,

0:17:31.400 --> 0:17:34.920
<v Speaker 1>you know, at least from a folkloric standpoint, the less

0:17:34.960 --> 0:17:37.639
<v Speaker 1>she is said to die with the advent of winter

0:17:38.080 --> 0:17:41.240
<v Speaker 1>and then emerge from his winter death in the spring.

0:17:41.680 --> 0:17:44.440
<v Speaker 1>And it's during this time and once the Lessies have

0:17:44.560 --> 0:17:46.920
<v Speaker 1>come back that has said that the that the leshies

0:17:46.960 --> 0:17:50.680
<v Speaker 1>of the forest rage over the their autumn deaths. They

0:17:51.000 --> 0:17:54.159
<v Speaker 1>realized that they had died previously. Now they're mad about it,

0:17:54.440 --> 0:17:58.000
<v Speaker 1>and this raging produces storms and floods in the process.

0:17:58.240 --> 0:18:00.280
<v Speaker 1>But then all that settles down again. So here we

0:18:00.320 --> 0:18:02.000
<v Speaker 1>see an idea of the leshy is a way to

0:18:02.119 --> 0:18:06.439
<v Speaker 1>explain not only specific storm damage, but also just the

0:18:06.480 --> 0:18:10.840
<v Speaker 1>general pattern of like spring storms. On top of that,

0:18:10.920 --> 0:18:12.720
<v Speaker 1>the the leshy is a bit of a bit of

0:18:12.720 --> 0:18:15.840
<v Speaker 1>a trickster again, sometimes calling out to human travelers with

0:18:15.880 --> 0:18:18.400
<v Speaker 1>the sounds of the forest to lead them astray, even

0:18:18.440 --> 0:18:20.600
<v Speaker 1>taking the form of a fellow traveler to give them

0:18:20.640 --> 0:18:24.760
<v Speaker 1>bad advice or guidance, disappearing and laughing once they managed

0:18:24.800 --> 0:18:27.480
<v Speaker 1>to get them lost in a bog or worse. Um

0:18:28.040 --> 0:18:31.360
<v Speaker 1>and uh, you'll have other individuals though that are wise

0:18:31.400 --> 0:18:33.520
<v Speaker 1>to the ways of the leshy, that they'll know how

0:18:33.560 --> 0:18:35.760
<v Speaker 1>to outsmart them or and we'll get into an example

0:18:35.760 --> 0:18:37.600
<v Speaker 1>of how I'll smart them in a bit, but also

0:18:37.720 --> 0:18:41.080
<v Speaker 1>making offerings to them such as salt and bread. Yeah,

0:18:41.080 --> 0:18:44.440
<v Speaker 1>Elizabeth Warner points out how there was some kind of division.

0:18:44.560 --> 0:18:48.359
<v Speaker 1>Like she starts by saying that, of course, you know,

0:18:48.760 --> 0:18:51.480
<v Speaker 1>for many Russian people living at the edge of the forest,

0:18:52.359 --> 0:18:56.000
<v Speaker 1>the forest was itself an image of of great bounty

0:18:56.080 --> 0:18:59.440
<v Speaker 1>but also great chaos and great danger. And that is

0:18:59.480 --> 0:19:01.919
<v Speaker 1>of course, like you know, becoming lost in the forest,

0:19:02.000 --> 0:19:04.360
<v Speaker 1>you can quite easily die. This is something I think

0:19:04.359 --> 0:19:07.360
<v Speaker 1>a lot of people don't really remember these days. Maybe

0:19:07.400 --> 0:19:10.800
<v Speaker 1>they go out and experience the forest in say nature

0:19:10.840 --> 0:19:13.960
<v Speaker 1>trails that have forged paths that you can follow, but like,

0:19:14.040 --> 0:19:16.720
<v Speaker 1>it's really easy to get lost and die in the woods.

0:19:16.720 --> 0:19:18.399
<v Speaker 1>And I want to talk more about the science of

0:19:18.440 --> 0:19:22.200
<v Speaker 1>that later on. But but then there are these professions

0:19:22.560 --> 0:19:24.719
<v Speaker 1>where people would have to go into the woods in

0:19:24.840 --> 0:19:27.640
<v Speaker 1>order to make a living, for example, and there would

0:19:27.640 --> 0:19:31.240
<v Speaker 1>be herdsman and hunters like you mentioned, and herdsman very

0:19:31.280 --> 0:19:34.240
<v Speaker 1>often in medieval Russia would not graze their cattle in

0:19:34.320 --> 0:19:37.040
<v Speaker 1>open pastures, but would graze them through the woods. They

0:19:37.080 --> 0:19:39.879
<v Speaker 1>would have to find, you know, like little patches and

0:19:39.920 --> 0:19:43.800
<v Speaker 1>openings throughout the trees, and so it would require them

0:19:43.800 --> 0:19:46.000
<v Speaker 1>to go into the domain of the leshy and and

0:19:46.119 --> 0:19:49.760
<v Speaker 1>risk risk all these dangers, and so Warner writes, quote,

0:19:49.960 --> 0:19:53.639
<v Speaker 1>protective measures could be taken against the leshy, making the

0:19:53.720 --> 0:19:56.720
<v Speaker 1>sign of the cross, uttering a prayer or spell, and

0:19:56.800 --> 0:20:01.480
<v Speaker 1>more interestingly, reversing one's clothing or retracing one steps backwards

0:20:01.520 --> 0:20:05.320
<v Speaker 1>out of the forest, reversal of the normal back to frontness,

0:20:05.480 --> 0:20:09.199
<v Speaker 1>upside downness left as opposed to right. We're all signs

0:20:09.200 --> 0:20:13.520
<v Speaker 1>of the supernatural and Russian tradition. Yes, I I absolutely

0:20:13.600 --> 0:20:16.440
<v Speaker 1>love this. Uh this example, the idea of wearing your

0:20:16.480 --> 0:20:20.000
<v Speaker 1>clothes backwards or walking backwards as a way to to

0:20:20.119 --> 0:20:25.000
<v Speaker 1>outsmart the leshy. Um and we see we see versions

0:20:25.000 --> 0:20:28.639
<v Speaker 1>of this pop up in other traditions as well. For instance, uh,

0:20:28.800 --> 0:20:31.600
<v Speaker 1>I read that you see this in Irish folklore, sometimes

0:20:31.600 --> 0:20:36.880
<v Speaker 1>concerning encounters or potential encounters with dangerous varieties of fairy

0:20:37.000 --> 0:20:40.439
<v Speaker 1>um uh. And the idea here, it seems and this

0:20:40.520 --> 0:20:42.240
<v Speaker 1>is going to vary. There's not like, you know, anybody

0:20:42.240 --> 0:20:44.639
<v Speaker 1>wrote wrote this down and came up with necessarily a

0:20:44.680 --> 0:20:49.040
<v Speaker 1>straightforward reason that this works. But one one interpretation is

0:20:49.080 --> 0:20:51.960
<v Speaker 1>that it's just about confusing the spirit, like the spirits like, oh,

0:20:52.000 --> 0:20:55.560
<v Speaker 1>I'm gonna I'm gonna get this woodsman now, and then

0:20:55.640 --> 0:20:58.640
<v Speaker 1>he realizes, oh that what's going on here? His clothes

0:20:58.680 --> 0:20:59.920
<v Speaker 1>are on backwards. I don't know what to do. I

0:21:00.000 --> 0:21:02.600
<v Speaker 1>guess I'll just watch him for a bit. Or it

0:21:02.720 --> 0:21:05.800
<v Speaker 1>tricks the spirit or fairy or leshy in this case

0:21:06.000 --> 0:21:09.879
<v Speaker 1>into thinking you're leaving rather than arriving. And I love

0:21:09.960 --> 0:21:12.240
<v Speaker 1>the twisted logic of this, where it's like the the

0:21:12.320 --> 0:21:14.160
<v Speaker 1>lest she shows up, it's like, all right, it's time

0:21:14.160 --> 0:21:17.640
<v Speaker 1>to time to to to unleash some havoc. We'll look

0:21:17.680 --> 0:21:21.040
<v Speaker 1>at this guy coming into my far Wait. Oh the

0:21:21.080 --> 0:21:23.359
<v Speaker 1>way their clothes are or or or basic cane, it

0:21:23.359 --> 0:21:25.399
<v Speaker 1>looks like he's walking away. All right, He's good, he's leaving.

0:21:25.960 --> 0:21:29.120
<v Speaker 1>Carry on. You know, it's just fabulous. This is really

0:21:29.160 --> 0:21:31.119
<v Speaker 1>funny because it kind of connects to the idea of

0:21:31.160 --> 0:21:34.280
<v Speaker 1>wearing eye spots on your back. To deter predators in

0:21:34.320 --> 0:21:37.199
<v Speaker 1>the forest. Yeah, yeah, which is which is something that

0:21:37.280 --> 0:21:39.920
<v Speaker 1>has been been done. We've discussed this in the show

0:21:39.920 --> 0:21:43.080
<v Speaker 1>before too, with varying degrees of success with both humans

0:21:43.200 --> 0:21:45.399
<v Speaker 1>and also putting eye spots on the back of cattle

0:21:45.480 --> 0:21:49.480
<v Speaker 1>to deter lion attacks and uh in parts of Africa. Now,

0:21:49.720 --> 0:21:51.800
<v Speaker 1>as Rose points out that the less, she can be

0:21:52.000 --> 0:21:55.560
<v Speaker 1>very generally classified as a guardian spirit, which we see

0:21:55.600 --> 0:21:58.399
<v Speaker 1>in various and far flung cultures. Many versions of this

0:21:58.480 --> 0:22:03.200
<v Speaker 1>revolve around the project of individuals, UH, and the should

0:22:03.200 --> 0:22:05.280
<v Speaker 1>be pretty familiar with a lot to a lot of people.

0:22:05.320 --> 0:22:08.159
<v Speaker 1>You have like the guardian angels of Latin, Greek and Russian,

0:22:08.240 --> 0:22:12.120
<v Speaker 1>Orthodox and Anglican churches. These are assigned from the hour

0:22:12.680 --> 0:22:17.840
<v Speaker 1>of an individual's birth. Uh. Interestingly, one that Rose describes

0:22:17.880 --> 0:22:20.639
<v Speaker 1>in her book is the grind, a gin of in

0:22:20.680 --> 0:22:24.119
<v Speaker 1>the folklore of Morocco. That's described as kind of inhabiting

0:22:24.119 --> 0:22:26.800
<v Speaker 1>a parallel world. So it's not that they're assigned to

0:22:26.840 --> 0:22:30.119
<v Speaker 1>an individual, but they're they're born at the same moment

0:22:30.280 --> 0:22:32.840
<v Speaker 1>in this other world, and so there's this bond between

0:22:32.880 --> 0:22:36.760
<v Speaker 1>the two. Likewise, you also have just Damon's and lend Lars,

0:22:36.880 --> 0:22:39.679
<v Speaker 1>you know, getting into ancient Greek and Roman tradition, and

0:22:39.680 --> 0:22:42.320
<v Speaker 1>one also sees this concept in the traditions of say

0:22:42.640 --> 0:22:46.280
<v Speaker 1>Uh in Native American tribes, native Australian cultures as well.

0:22:46.680 --> 0:22:49.840
<v Speaker 1>There there are a lot of these to list, and

0:22:49.880 --> 0:22:51.560
<v Speaker 1>she has a lot a lot of them in the book,

0:22:51.880 --> 0:22:54.760
<v Speaker 1>ranging from the ab Gal to the Zoa. But then

0:22:55.080 --> 0:22:57.239
<v Speaker 1>as an extension of this, there's the idea of a

0:22:57.320 --> 0:23:01.600
<v Speaker 1>protector spirit that looks after particular sular places such as

0:23:01.720 --> 0:23:07.040
<v Speaker 1>standing stones or mounds, or certain natural places and or animals.

0:23:07.640 --> 0:23:09.320
<v Speaker 1>And so clearly this is going to be the kind

0:23:09.359 --> 0:23:11.720
<v Speaker 1>of guardian or protector that the lestia is not of

0:23:11.760 --> 0:23:15.440
<v Speaker 1>a person, but of a place, which is the woods, right, Yeah,

0:23:15.520 --> 0:23:19.679
<v Speaker 1>the protector of the forest, very very much in keeping

0:23:19.680 --> 0:23:24.560
<v Speaker 1>with such woodland or vegetation spirits as the Gandharva's of India,

0:23:24.640 --> 0:23:27.840
<v Speaker 1>which are described as being like shaggy half animal beings,

0:23:27.840 --> 0:23:32.160
<v Speaker 1>and some tellings, or the green Man of ancient European traditions,

0:23:32.200 --> 0:23:36.000
<v Speaker 1>a quote pagan image of a grotesque severed head with

0:23:36.320 --> 0:23:41.080
<v Speaker 1>emergent foliage from the mouth, beard, and hairline. We find

0:23:41.160 --> 0:23:44.360
<v Speaker 1>him in Christian churches from the sixth century onward. He's

0:23:44.359 --> 0:23:46.880
<v Speaker 1>a He's a wild man of the woods, a guardian

0:23:46.920 --> 0:23:50.040
<v Speaker 1>spirit of the forest, and like the Leshy, is prone

0:23:50.400 --> 0:23:52.800
<v Speaker 1>uh you know, to two tricks and meanness in the

0:23:52.840 --> 0:23:55.960
<v Speaker 1>woods and you know, leading people astray, etcetera. He is

0:23:56.240 --> 0:23:59.760
<v Speaker 1>also the genesis of both the Green Night of Authoritian

0:24:00.640 --> 0:24:04.359
<v Speaker 1>and of Robin Hood. Yeah. I think one traditional interpretation

0:24:04.480 --> 0:24:06.360
<v Speaker 1>of the story of Sir Gawain and the Green Knight

0:24:06.520 --> 0:24:11.080
<v Speaker 1>is of a conflict between the Christian chival ric virtues

0:24:11.119 --> 0:24:14.800
<v Speaker 1>represented by the Arthurian Chord and by Sir Gawain, and

0:24:14.800 --> 0:24:17.840
<v Speaker 1>then on the other hand the sort of pagan embodiment

0:24:17.960 --> 0:24:20.760
<v Speaker 1>of nature and the wilderness that is the Green Knight

0:24:20.960 --> 0:24:23.480
<v Speaker 1>a k a. The Green Man. Now, of course, we

0:24:23.560 --> 0:24:26.359
<v Speaker 1>have various modern versions of this tale as well, the

0:24:26.400 --> 0:24:28.960
<v Speaker 1>most the most obvious, at least to me, being the

0:24:29.040 --> 0:24:32.760
<v Speaker 1>character swamp Thing Uh, which is very much a guardian

0:24:32.800 --> 0:24:35.359
<v Speaker 1>spirit in the tradition of the Green Man and the Leshy,

0:24:35.440 --> 0:24:38.240
<v Speaker 1>though more of a noble twist as a pure protector

0:24:38.520 --> 0:24:41.240
<v Speaker 1>as opposed to a trickster. And this is especially the

0:24:41.280 --> 0:24:44.720
<v Speaker 1>case in the Alan Moore run of the character Uh

0:24:44.920 --> 0:24:46.600
<v Speaker 1>in the comic books, but you also see it in

0:24:46.760 --> 0:24:52.040
<v Speaker 1>most cinematic and TV incarnations like that. I kept thinking

0:24:52.040 --> 0:24:54.880
<v Speaker 1>back this time and time again reading about the leshy. Uh.

0:24:55.000 --> 0:24:59.480
<v Speaker 1>The ninety nineties TV show version of Swamp Thing had this, uh,

0:24:59.560 --> 0:25:02.840
<v Speaker 1>this ket phrase that that the swamp Thing would always

0:25:02.840 --> 0:25:05.480
<v Speaker 1>say at the end of the intro to the TV episode,

0:25:05.480 --> 0:25:09.760
<v Speaker 1>and it was do not bring your evil here. What

0:25:09.920 --> 0:25:11.880
<v Speaker 1>was the evil? It was like a like a polluting

0:25:11.920 --> 0:25:15.920
<v Speaker 1>factory or something. Oh yeah, polluting factory. Just general mad

0:25:16.000 --> 0:25:20.720
<v Speaker 1>science from Dr Anton Arcane, you know that sort of thing. Um.

0:25:20.880 --> 0:25:23.320
<v Speaker 1>But but yeah, the swamp Thing is very much in

0:25:23.400 --> 0:25:25.720
<v Speaker 1>line with this tradition. I think one of the interesting

0:25:25.760 --> 0:25:29.600
<v Speaker 1>things if you start thinking about modern standards versus um

0:25:30.880 --> 0:25:33.399
<v Speaker 1>versus these more archaic versions of the myth. And this

0:25:33.480 --> 0:25:35.480
<v Speaker 1>is something I tried to just sort of get at

0:25:35.600 --> 0:25:40.000
<v Speaker 1>in that dramatic opening, the idea of to what extent

0:25:40.200 --> 0:25:44.080
<v Speaker 1>humans can understand the law of the forest. And I

0:25:44.119 --> 0:25:47.000
<v Speaker 1>think these these more recent versions, like Swamp Thing, they

0:25:47.000 --> 0:25:48.920
<v Speaker 1>tend to imply they kind of take on I think

0:25:48.920 --> 0:25:52.399
<v Speaker 1>this environmental message of like, yes, we can understand the

0:25:52.440 --> 0:25:55.199
<v Speaker 1>law of the forest at least to some extent, and

0:25:55.240 --> 0:25:58.200
<v Speaker 1>we can do good for the forest. And I and

0:25:58.240 --> 0:26:00.320
<v Speaker 1>I and I believe I agree with that I think

0:26:00.359 --> 0:26:03.719
<v Speaker 1>that is part of our responsibility to the forest as

0:26:03.760 --> 0:26:06.200
<v Speaker 1>as protectors. We are kind of we have to take

0:26:06.200 --> 0:26:08.520
<v Speaker 1>on the mantle of the swamp thing and the leshy

0:26:08.600 --> 0:26:11.040
<v Speaker 1>and the green man. But the r I think the

0:26:11.080 --> 0:26:14.400
<v Speaker 1>more archaic version of this is again, like you said,

0:26:14.400 --> 0:26:17.120
<v Speaker 1>the forest is a place of chaos. If it has

0:26:17.160 --> 0:26:19.840
<v Speaker 1>a law, it is a law that we cannot really understand,

0:26:20.359 --> 0:26:22.480
<v Speaker 1>and it's a law that is not written and maybe

0:26:22.600 --> 0:26:25.159
<v Speaker 1>you know, it can't even be comprehended by us, and

0:26:25.200 --> 0:26:28.160
<v Speaker 1>therefore there's even more danger in running a foul off

0:26:28.200 --> 0:26:31.960
<v Speaker 1>it because you you can't really comprehend all the details

0:26:32.040 --> 0:26:34.199
<v Speaker 1>of that law. Yeah. I think it's kind of like

0:26:34.240 --> 0:26:36.959
<v Speaker 1>the law of the hidden folk. It's the law of

0:26:37.119 --> 0:26:41.320
<v Speaker 1>the other world. And these uh, these laws I think

0:26:41.359 --> 0:26:44.720
<v Speaker 1>sometimes in a lot of folk traditions can be understood

0:26:44.720 --> 0:26:48.680
<v Speaker 1>by but only by certain special kinds of people, people

0:26:48.680 --> 0:26:52.240
<v Speaker 1>who have a often people who are in some way

0:26:52.280 --> 0:26:56.520
<v Speaker 1>considered otherwise not normal. Yeah. Like another modern take that

0:26:56.560 --> 0:27:01.240
<v Speaker 1>gets into this is um Miyazaki's My Neighbor Totoro, which

0:27:01.240 --> 0:27:04.199
<v Speaker 1>of course is inspired by Japanese and Shinto traditions. But

0:27:04.560 --> 0:27:08.680
<v Speaker 1>the totoro that we encounter, they're very much forest guardian spirits,

0:27:09.200 --> 0:27:12.600
<v Speaker 1>and in Miyazaki's version of this, the only ones who

0:27:12.600 --> 0:27:14.800
<v Speaker 1>can really who can certainly see them and to a

0:27:14.800 --> 0:27:18.320
<v Speaker 1>certain extent understand them, are children. Like children have that

0:27:18.440 --> 0:27:22.919
<v Speaker 1>privileged insight into the rules and laws and existence of

0:27:22.920 --> 0:27:25.639
<v Speaker 1>this other world. It's almost like we're born with an

0:27:25.720 --> 0:27:28.320
<v Speaker 1>understanding of the law of the forest, but the process

0:27:28.359 --> 0:27:32.200
<v Speaker 1>of socialization and maturing beats it out of us. Yes,

0:27:33.119 --> 0:27:35.560
<v Speaker 1>uh yeah, So this is one of the reasons at

0:27:35.560 --> 0:27:37.720
<v Speaker 1>the beginning I said that the less she is kind

0:27:37.760 --> 0:27:40.639
<v Speaker 1>of like a malevolent trickster int It's like if the

0:27:40.760 --> 0:27:43.440
<v Speaker 1>nt were a demon, because it makes me think of

0:27:43.520 --> 0:27:46.320
<v Speaker 1>the scenes in Lord of the Rings where the Orcs

0:27:46.320 --> 0:27:49.520
<v Speaker 1>are punished for hacking down the trees of Fangorn Forest.

0:27:49.640 --> 0:27:52.439
<v Speaker 1>You know, the the trees get revenge and and the

0:27:52.560 --> 0:27:55.919
<v Speaker 1>nts get very angry to see their forests destroyed. This

0:27:56.000 --> 0:27:58.000
<v Speaker 1>is something that that does come through in some of

0:27:58.040 --> 0:28:01.040
<v Speaker 1>the folk tales. For example, warn Or talks about how

0:28:01.520 --> 0:28:04.320
<v Speaker 1>there were certain things you could do in the forest

0:28:04.400 --> 0:28:07.879
<v Speaker 1>or near the forest to really especially bring on the

0:28:07.960 --> 0:28:14.159
<v Speaker 1>leshies wrath, and these things might involve whistling, swearing, making

0:28:14.160 --> 0:28:19.000
<v Speaker 1>a noise, willful damage of flowers or trees or hunting

0:28:19.040 --> 0:28:22.760
<v Speaker 1>on certain church festivals, which that last one seems kind

0:28:22.760 --> 0:28:25.439
<v Speaker 1>of incongruous with the other, isn't. Maybe it's tacked on

0:28:25.480 --> 0:28:28.199
<v Speaker 1>a bit by the by the by the priests. I

0:28:28.240 --> 0:28:30.080
<v Speaker 1>agree with all of those go ahead and going on

0:28:30.119 --> 0:28:33.159
<v Speaker 1>a lot of nature hike hikes these days. I feel like, uh,

0:28:33.560 --> 0:28:35.600
<v Speaker 1>I feel like we need a leshy enforcing all of

0:28:35.640 --> 0:28:40.640
<v Speaker 1>those rules plus social distancing norms. Yeah, but that's just me.

0:28:41.200 --> 0:28:43.280
<v Speaker 1>I wonder if I ever needed to get another job,

0:28:43.360 --> 0:28:45.080
<v Speaker 1>could I get a job as a kind of leshy,

0:28:45.280 --> 0:28:47.400
<v Speaker 1>like in a state park or something. I just wander

0:28:47.440 --> 0:28:49.800
<v Speaker 1>around the forest. If I find somebody carving their name

0:28:49.840 --> 0:28:52.280
<v Speaker 1>into a tree or some you know, littering or whatever,

0:28:52.320 --> 0:28:54.400
<v Speaker 1>I make them wander off the path into a bog,

0:28:55.680 --> 0:28:58.120
<v Speaker 1>you know. I had My family actually had a very

0:28:58.160 --> 0:29:00.960
<v Speaker 1>recent experience on a high which kind of felt akin

0:29:01.040 --> 0:29:03.920
<v Speaker 1>to running a foul of the forest. We never got

0:29:03.920 --> 0:29:06.120
<v Speaker 1>off of a paved path because it had just been

0:29:06.120 --> 0:29:09.760
<v Speaker 1>a very rainy weekend and uh, and so we knew that,

0:29:09.800 --> 0:29:11.360
<v Speaker 1>you know, we needed to get like a paved path

0:29:11.400 --> 0:29:13.920
<v Speaker 1>to walk on. But we still on this one particular

0:29:14.000 --> 0:29:16.880
<v Speaker 1>road we encountered first a stretch of the road where

0:29:17.000 --> 0:29:20.120
<v Speaker 1>mud had washed over everything, so suddenly we were tramping

0:29:20.120 --> 0:29:22.680
<v Speaker 1>through mud. And then immediately we were set up on

0:29:22.800 --> 0:29:27.120
<v Speaker 1>by by by a whole cloud of mosquitoes, despite being

0:29:27.160 --> 0:29:29.880
<v Speaker 1>kind of late in the year, And I kid you not,

0:29:29.960 --> 0:29:32.920
<v Speaker 1>at the very same moment, two deer showed up and

0:29:32.960 --> 0:29:35.440
<v Speaker 1>a snake crossed the road in front of us, like

0:29:35.600 --> 0:29:37.640
<v Speaker 1>very close to us. So like suddenly it just felt

0:29:37.640 --> 0:29:41.200
<v Speaker 1>like like the woods were opening up and speaking to

0:29:41.280 --> 0:29:43.560
<v Speaker 1>us and saying that we should not proceed any further.

0:29:43.840 --> 0:29:46.000
<v Speaker 1>And in fact we turned back that he's about to

0:29:46.040 --> 0:29:48.040
<v Speaker 1>come out in bell tower form with the now it

0:29:48.120 --> 0:29:52.000
<v Speaker 1>over his shoulder. Yeah, leave this place, Do not bring

0:29:52.040 --> 0:29:56.200
<v Speaker 1>your evil here. All right, Well, I think we need

0:29:56.240 --> 0:29:57.880
<v Speaker 1>to take a break, but when we come back, let's

0:29:57.920 --> 0:30:04.719
<v Speaker 1>talk about Grandfather Mushroom. Alright, we're back. So we know

0:30:04.880 --> 0:30:08.480
<v Speaker 1>as usual that the listeners to our episodes, you know,

0:30:08.480 --> 0:30:10.320
<v Speaker 1>are far flung, and some of you are going to

0:30:10.440 --> 0:30:14.400
<v Speaker 1>have a great deal of familiarity with these various uh

0:30:14.720 --> 0:30:18.320
<v Speaker 1>Russian folk tales that were discussing here. For for others

0:30:18.320 --> 0:30:21.560
<v Speaker 1>of you, though, you might only be familiar with them

0:30:21.800 --> 0:30:26.520
<v Speaker 1>through some of the more popular, you know, mainstream Western treatments. Like.

0:30:26.520 --> 0:30:29.600
<v Speaker 1>One thing that comes to mind is once again Jim

0:30:29.680 --> 0:30:33.360
<v Speaker 1>Hinson's Storyteller series. The first season of that relied heavily

0:30:33.520 --> 0:30:36.720
<v Speaker 1>on Russian folk tales. I actually haven't seen that first season.

0:30:36.760 --> 0:30:39.160
<v Speaker 1>I've only watched some of the Greek episodes, so maybe

0:30:39.200 --> 0:30:41.000
<v Speaker 1>I should go back check that out. It's like it's

0:30:41.040 --> 0:30:44.200
<v Speaker 1>like Slavic folklore. Yeah, yeah, there, um, you know, the

0:30:44.520 --> 0:30:47.560
<v Speaker 1>czar shows up in one of them. So there's several

0:30:47.600 --> 0:30:49.720
<v Speaker 1>really good, good tales in there like that. That whole

0:30:49.720 --> 0:30:52.520
<v Speaker 1>season is worth watching. But there are some really good ones,

0:30:52.560 --> 0:30:55.680
<v Speaker 1>like the Soldier and Death is a great one. That

0:30:55.680 --> 0:30:59.240
<v Speaker 1>that one in particular is wonderful. But another place that

0:30:59.360 --> 0:31:01.960
<v Speaker 1>a lot of you might be familiar with Russian folklore

0:31:02.520 --> 0:31:08.120
<v Speaker 1>is from a particular nineteen sixty five film titled Moral's

0:31:08.200 --> 0:31:11.880
<v Speaker 1>Goal or Jack Frost. And there's a very good chance

0:31:11.920 --> 0:31:15.600
<v Speaker 1>you're familiar with this film because Mystery Science Theater three

0:31:15.640 --> 0:31:19.880
<v Speaker 1>thousand famously featured it in one of their episodes. So

0:31:20.240 --> 0:31:22.880
<v Speaker 1>this is how It's certainly how I discovered it. But

0:31:23.480 --> 0:31:26.040
<v Speaker 1>I've I've had conversations with people like I was. This

0:31:26.080 --> 0:31:27.880
<v Speaker 1>was years and years ago. I was talking to someone

0:31:27.920 --> 0:31:30.200
<v Speaker 1>from the Czech Republic, and they pointed out, oh yeah,

0:31:30.200 --> 0:31:32.720
<v Speaker 1>they would show that every year for Christmas. That was

0:31:32.720 --> 0:31:35.000
<v Speaker 1>our Christmas film, Like that is that is a part

0:31:35.040 --> 0:31:38.640
<v Speaker 1>of our holiday culture, and uh and and and and

0:31:38.680 --> 0:31:40.560
<v Speaker 1>at this point I would say Jack Frost is also

0:31:40.600 --> 0:31:43.440
<v Speaker 1>part of my holiday culture. I rewatch it every year.

0:31:44.000 --> 0:31:45.680
<v Speaker 1>But you know, it's it's it's a little bit different

0:31:45.720 --> 0:31:49.960
<v Speaker 1>coming at it from this lampooning direction, but it is

0:31:50.000 --> 0:31:53.640
<v Speaker 1>a very beautiful film. And if you've only seen, like,

0:31:53.880 --> 0:31:57.000
<v Speaker 1>you know this, this really degraded quality version of it,

0:31:57.200 --> 0:31:59.920
<v Speaker 1>um as far as the video quality goes on Mr

0:32:00.000 --> 0:32:03.600
<v Speaker 1>Science three Mystery Science Theater three thousand, I I challenge

0:32:03.600 --> 0:32:06.320
<v Speaker 1>everyone out there to check out a pristine cut of this.

0:32:06.520 --> 0:32:08.800
<v Speaker 1>Either I think there's a version as of this recording

0:32:08.920 --> 0:32:12.960
<v Speaker 1>available on Amazon Prime, or you can also sometimes find uh,

0:32:13.000 --> 0:32:15.239
<v Speaker 1>you know, versions of it on YouTube that have just

0:32:15.320 --> 0:32:18.120
<v Speaker 1>the full glorious quality of the film. It is a

0:32:18.160 --> 0:32:22.000
<v Speaker 1>beautiful movie and even without the riffing, extremely watchable and

0:32:22.040 --> 0:32:25.760
<v Speaker 1>extremely enjoyable. This is why I've never thought about the

0:32:25.800 --> 0:32:29.400
<v Speaker 1>idea that this was a commonly viewed Christmas film for

0:32:29.480 --> 0:32:32.720
<v Speaker 1>lots of people. So like here in America, we've got bumbles,

0:32:32.760 --> 0:32:36.480
<v Speaker 1>balance and then maybe throughout Eastern Europe they've got we

0:32:36.520 --> 0:32:39.280
<v Speaker 1>will rob them. We won't rob them, we will beat them.

0:32:39.400 --> 0:32:42.600
<v Speaker 1>We will be beaten. Yes, yeah, I mean really, it's

0:32:42.680 --> 0:32:46.240
<v Speaker 1>it's not fair because we have like Charlie Brown Christmas,

0:32:46.240 --> 0:32:50.240
<v Speaker 1>which is awful, but but they have Jack Frost, which,

0:32:51.000 --> 0:32:55.000
<v Speaker 1>oh man, we're we're going to get hate mail. Now.

0:32:55.160 --> 0:32:58.400
<v Speaker 1>It's it's fine, I risk it's it's it's it's perfectly okay.

0:32:58.400 --> 0:33:01.400
<v Speaker 1>It's just not my thing. I mean, no, this is

0:33:01.400 --> 0:33:04.479
<v Speaker 1>a wonderful movie. It's got it's it's so imaginative. I

0:33:04.520 --> 0:33:07.880
<v Speaker 1>love when Ivan gets the bear head. I love Grandfather Mushroom,

0:33:07.960 --> 0:33:12.080
<v Speaker 1>I love the bandits, I love the the creepy girl.

0:33:12.320 --> 0:33:15.720
<v Speaker 1>It's it's fantastic. Yeah, it's it has so many It

0:33:15.760 --> 0:33:19.640
<v Speaker 1>actually has so many wonderful elements of Russian folk tales.

0:33:19.640 --> 0:33:22.240
<v Speaker 1>They're just straight out of Russian folk tales that really

0:33:22.320 --> 0:33:24.440
<v Speaker 1>you could you could watch that film and you already

0:33:24.560 --> 0:33:27.920
<v Speaker 1>are in a great place to begin reading more Russian

0:33:27.960 --> 0:33:31.200
<v Speaker 1>tales and exploring them from yourself, because it has you know,

0:33:31.240 --> 0:33:34.520
<v Speaker 1>you have the the you have. Ivan Tsarovich is the

0:33:34.640 --> 0:33:36.280
<v Speaker 1>you know, the blonde guy who gets his head turned

0:33:36.280 --> 0:33:38.600
<v Speaker 1>into a bear in the film. He is a staple

0:33:38.880 --> 0:33:42.440
<v Speaker 1>of Russian folk tales. You have Boba Yaga, the the

0:33:42.480 --> 0:33:46.040
<v Speaker 1>evil woodland witch. Again, just a staple that you see

0:33:46.040 --> 0:33:49.840
<v Speaker 1>time and time again. Now you might be wondering, Okay, well,

0:33:49.880 --> 0:33:54.160
<v Speaker 1>where's where's the leshi in Jack Frost and I don't.

0:33:54.320 --> 0:33:56.880
<v Speaker 1>We don't have a direct Leshie and we'll get into

0:33:56.960 --> 0:33:58.920
<v Speaker 1>some of the reasons for this, but we do have

0:33:58.960 --> 0:34:01.440
<v Speaker 1>an interesting character that pops up that I instantly thought

0:34:01.440 --> 0:34:04.040
<v Speaker 1>about in reading all of that's this and that is

0:34:04.440 --> 0:34:08.680
<v Speaker 1>uh the little grandfather Mushroom father mushroom character, the little

0:34:08.800 --> 0:34:12.480
<v Speaker 1>diminutive old man with a mushroom cap that shows up

0:34:12.880 --> 0:34:15.480
<v Speaker 1>and uh has a little bit of mischief in him

0:34:15.520 --> 0:34:19.719
<v Speaker 1>and teaches Ivan a lesson. Yeah, he is portrayed as

0:34:19.800 --> 0:34:22.160
<v Speaker 1>sort of a wise figure, a figure of the force,

0:34:22.280 --> 0:34:25.480
<v Speaker 1>but also like the less she a trickster. You know,

0:34:25.600 --> 0:34:29.280
<v Speaker 1>he's playing, he's like doing, he's disappearing, playing hide and seek,

0:34:29.520 --> 0:34:32.840
<v Speaker 1>sort of taunting Ivan. Um. I don't know if we

0:34:32.920 --> 0:34:36.040
<v Speaker 1>said his his Russian name. I guess In Russian he's

0:34:36.080 --> 0:34:39.560
<v Speaker 1>known as Starry Chalk Borova Chalk. Yes, that's what I've

0:34:39.600 --> 0:34:43.000
<v Speaker 1>read as well. You know, father grandfather Mushroom. Uh, and

0:34:43.000 --> 0:34:46.120
<v Speaker 1>and again. He has a very memorable um appearance in

0:34:46.120 --> 0:34:48.200
<v Speaker 1>that film. Now, one of the lingering questions that I'll

0:34:48.200 --> 0:34:51.080
<v Speaker 1>get back to again is I was never able to

0:34:51.160 --> 0:34:55.360
<v Speaker 1>determine if he has an existence outside of this film,

0:34:55.400 --> 0:34:57.600
<v Speaker 1>like if he if he pre existed as part of

0:34:57.680 --> 0:35:01.440
<v Speaker 1>Russian folklore. I did not run across in any of

0:35:01.480 --> 0:35:03.359
<v Speaker 1>the stories I read, though I did not read all

0:35:03.920 --> 0:35:07.399
<v Speaker 1>written accounts of Russian folklore, and I didn't find him

0:35:07.520 --> 0:35:10.000
<v Speaker 1>mentioned in any of the academic papers we're looking at.

0:35:10.360 --> 0:35:13.400
<v Speaker 1>But that that doesn't mean anything either. Uh. And certainly

0:35:13.760 --> 0:35:17.520
<v Speaker 1>that film was such a big part of of several cultures.

0:35:17.719 --> 0:35:21.160
<v Speaker 1>In sixty five of hints that you look and you

0:35:21.239 --> 0:35:24.799
<v Speaker 1>find like countless Christmas ornaments of him, So like now,

0:35:24.840 --> 0:35:27.879
<v Speaker 1>he is definitely a part of of our understanding of

0:35:28.000 --> 0:35:30.600
<v Speaker 1>Russian folklore to a certain extent. But I wasn't. I

0:35:30.640 --> 0:35:34.040
<v Speaker 1>was never sure he was authentically something that existed before

0:35:34.080 --> 0:35:36.880
<v Speaker 1>that film. You know, there are some interesting connections I

0:35:36.920 --> 0:35:40.239
<v Speaker 1>was thinking about between this this mushroomy character and the

0:35:40.320 --> 0:35:42.239
<v Speaker 1>less she beyond just the fact that he is sort

0:35:42.280 --> 0:35:46.040
<v Speaker 1>of a trickster guardian of the forest in a way, Uh,

0:35:46.080 --> 0:35:49.040
<v Speaker 1>there are some other things like, for example, I was

0:35:49.080 --> 0:35:51.640
<v Speaker 1>reading in one of our sources that the wrinkles on

0:35:51.680 --> 0:35:54.560
<v Speaker 1>a mushroom are often said to be the marks of

0:35:54.600 --> 0:35:57.040
<v Speaker 1>the less She's whip. Remember the less she carries the

0:35:57.120 --> 0:36:00.040
<v Speaker 1>now or the whip at to show his dominion and

0:36:00.160 --> 0:36:02.239
<v Speaker 1>over the forest. You know, it's like that, I'm the

0:36:02.280 --> 0:36:06.120
<v Speaker 1>boss stick. But apparently the all the little ribs and

0:36:06.120 --> 0:36:09.520
<v Speaker 1>wrinkles on the mushrooms are from him flicking the lash. Yeah.

0:36:09.520 --> 0:36:12.480
<v Speaker 1>I ran across that as well. Um, that that's that's

0:36:12.480 --> 0:36:14.840
<v Speaker 1>interesting that that seems to be the That was the only, like,

0:36:15.239 --> 0:36:18.160
<v Speaker 1>I think, one of the only true leshy mushroom connections

0:36:18.160 --> 0:36:21.800
<v Speaker 1>I came across. But I was reading Funguy folk Ways

0:36:21.840 --> 0:36:25.080
<v Speaker 1>and Fairy Tales, Mushrooms and Mildews and Stories, Remedies and

0:36:25.160 --> 0:36:28.920
<v Speaker 1>Rituals from Oberon to the Internet by Frank M. Duggan,

0:36:29.400 --> 0:36:32.080
<v Speaker 1>which was published in North American fung Guy in two

0:36:32.080 --> 0:36:36.000
<v Speaker 1>thousand eight, and Duggan writes that Eastern Europe and Russia

0:36:36.200 --> 0:36:39.680
<v Speaker 1>are generally mico Phillick in nature. Again going back to

0:36:39.960 --> 0:36:43.480
<v Speaker 1>we discussed this in a previous episode. How broadly speaking,

0:36:43.680 --> 0:36:47.200
<v Speaker 1>some cultures are mico philic and some are microphobic, and

0:36:47.200 --> 0:36:50.279
<v Speaker 1>this is often based just in how they describe and

0:36:50.360 --> 0:36:54.640
<v Speaker 1>broadly view mushrooms um uh and uh, and certainly listen

0:36:54.680 --> 0:36:57.319
<v Speaker 1>to our mushroom foraging episode for more insight on that.

0:36:57.719 --> 0:37:00.920
<v Speaker 1>But yes, uh, Slavic culture is Eastern Europe from you know,

0:37:01.000 --> 0:37:04.480
<v Speaker 1>Poland through Russia and Finland. I think it's widely viewed

0:37:04.520 --> 0:37:08.200
<v Speaker 1>as uh as a totally common and desirable thing to

0:37:08.440 --> 0:37:11.960
<v Speaker 1>go out in the forest looking for mushrooms. And yet

0:37:12.000 --> 0:37:14.399
<v Speaker 1>at the same time, Dugan points out that there were

0:37:14.400 --> 0:37:17.680
<v Speaker 1>there was still often a taboo against speaking about certain

0:37:17.760 --> 0:37:23.520
<v Speaker 1>kinds of mushrooms due to sexual connotations associated with them. Huh. Likewise,

0:37:23.640 --> 0:37:28.480
<v Speaker 1>some sorts of mushrooms were also heavily associated with Baba Yaga.

0:37:28.640 --> 0:37:33.239
<v Speaker 1>That uh that that evil m haggish um which that

0:37:33.320 --> 0:37:36.600
<v Speaker 1>lives in the wood uh In in that that fabulous

0:37:36.680 --> 0:37:40.040
<v Speaker 1>hut with the chicken leg, there's a story about her

0:37:40.120 --> 0:37:43.520
<v Speaker 1>hunting for mushrooms and running into a hedgehog that was

0:37:43.560 --> 0:37:46.360
<v Speaker 1>doing the same thing. So the Bobba Yaga and the

0:37:46.360 --> 0:37:49.160
<v Speaker 1>hedgehog they reach an understanding and she later turns him

0:37:49.160 --> 0:37:52.439
<v Speaker 1>into a boy hero. And then there's also this really

0:37:52.480 --> 0:37:56.480
<v Speaker 1>interesting bit in light of my Cilia quote, Baba Yaga

0:37:56.840 --> 0:38:00.200
<v Speaker 1>is also an associate of magic and benevolent spirit. It's

0:38:00.200 --> 0:38:04.520
<v Speaker 1>who dwell under mushrooms, under mushrooms. Well, so you mentioned

0:38:04.560 --> 0:38:08.040
<v Speaker 1>the massilia. Yeah, the fibers that stretch out underneath the soil,

0:38:08.160 --> 0:38:12.680
<v Speaker 1>that are in many ways the actual body of the

0:38:12.680 --> 0:38:15.640
<v Speaker 1>the fungus, whereas the mushroom part is just the fruiting

0:38:15.640 --> 0:38:18.640
<v Speaker 1>body is the reproductive part. Yeah. So I can't help

0:38:18.640 --> 0:38:22.640
<v Speaker 1>but wonder if that little nugget of folkloric wisdom is

0:38:22.640 --> 0:38:25.719
<v Speaker 1>is touching on this understanding that there's a you know,

0:38:25.719 --> 0:38:29.000
<v Speaker 1>this is vast network beneath the visible mushroom. I don't

0:38:29.000 --> 0:38:33.640
<v Speaker 1>know now, speaking of of Baba Yaga. According to Andreas

0:38:33.719 --> 0:38:37.239
<v Speaker 1>John's in Baba Yaga The Ambiguous Mother and Which of

0:38:37.280 --> 0:38:41.160
<v Speaker 1>the Russian folk tale in various Slavic languages and dialects,

0:38:41.560 --> 0:38:46.879
<v Speaker 1>Baba derived words serve as names for the butterfly, cake,

0:38:47.520 --> 0:38:51.279
<v Speaker 1>types of cake, pears, and certain kinds of mushrooms, as

0:38:51.360 --> 0:38:55.520
<v Speaker 1>well as the pelican, and she is sometimes associated with

0:38:55.560 --> 0:38:58.880
<v Speaker 1>the leshi. The author points out that in the Mezen region,

0:38:59.200 --> 0:39:02.560
<v Speaker 1>the leshies life is often said to be the yaga Baba,

0:39:03.600 --> 0:39:06.320
<v Speaker 1>Wait did you mean to say? Or well, it was

0:39:06.360 --> 0:39:09.440
<v Speaker 1>written as Jaga Baba. So I'm not entirely sure if

0:39:09.440 --> 0:39:11.640
<v Speaker 1>we were. I mean, it's it seems very close. We

0:39:11.719 --> 0:39:15.160
<v Speaker 1>either they're dealing directly with Bobba Yaga or some regional

0:39:15.160 --> 0:39:18.520
<v Speaker 1>twist on it. I'm imagining the inverted Baba Yaga. Yeah,

0:39:19.040 --> 0:39:23.680
<v Speaker 1>John's rights. Uh. Melantinski referring to an author and his

0:39:23.760 --> 0:39:27.160
<v Speaker 1>colleagues feel that Bobba Yaga became associated with a forest

0:39:27.239 --> 0:39:31.080
<v Speaker 1>hut later than figures such as the forest spirit or

0:39:31.120 --> 0:39:34.920
<v Speaker 1>the bear. Presumably Baba Yaga is a later kind of

0:39:35.000 --> 0:39:40.120
<v Speaker 1>forest demon because of her anthropomorphic and therefore less archaic form.

0:39:40.160 --> 0:39:43.280
<v Speaker 1>Whether or not she is the original owner, Babba Yaga

0:39:43.360 --> 0:39:46.120
<v Speaker 1>is probably the most frequent and popular inhabitant of the

0:39:46.160 --> 0:39:50.040
<v Speaker 1>forest hut in Eastern Slavic fairy tales. So in that

0:39:50.080 --> 0:39:52.439
<v Speaker 1>you know, the author is talking about like forest huts

0:39:52.440 --> 0:39:55.759
<v Speaker 1>and how they factor into these various folk tales. But

0:39:55.800 --> 0:39:59.759
<v Speaker 1>it also points to this idea that that that you

0:39:59.800 --> 0:40:03.920
<v Speaker 1>have Bobby Yaga coming along after pre existing ideas of

0:40:03.920 --> 0:40:06.359
<v Speaker 1>forest spirits, because she's very much a forest spirit. She's

0:40:06.480 --> 0:40:09.160
<v Speaker 1>very much an encounter you have when you go into

0:40:09.200 --> 0:40:12.279
<v Speaker 1>the magical Russian forest. But there seems to be this

0:40:12.360 --> 0:40:15.880
<v Speaker 1>idea that the leshy is in essence something more archaic,

0:40:16.320 --> 0:40:20.040
<v Speaker 1>and perhaps I see this reflecting in other sources, perhaps

0:40:20.120 --> 0:40:23.960
<v Speaker 1>less story shape less, less fitting for a proper narrative,

0:40:24.200 --> 0:40:28.080
<v Speaker 1>and therefore you actually see less leshy than you might

0:40:28.160 --> 0:40:32.320
<v Speaker 1>think in in at least known and recorded Russian tales.

0:40:32.760 --> 0:40:35.440
<v Speaker 1>Maybe the less she is more often a figure than

0:40:35.480 --> 0:40:39.120
<v Speaker 1>a character. Yeah, yeah, you do see see him pop up,

0:40:39.120 --> 0:40:42.439
<v Speaker 1>but less as like a key antagonist. But we will

0:40:42.480 --> 0:40:44.759
<v Speaker 1>touch on some examples here in a debt. Now. I

0:40:44.800 --> 0:40:47.759
<v Speaker 1>also looked around for tales concerning Ivan Tsarevich, the hero

0:40:47.920 --> 0:40:51.520
<v Speaker 1>in Jack Frost and a traditional Russian character, and I

0:40:51.560 --> 0:40:54.840
<v Speaker 1>did find a tale concerning concerning Ivan and the leshy.

0:40:56.080 --> 0:41:00.000
<v Speaker 1>Yeah yeah, and this is collected in a fabulous collect

0:41:00.160 --> 0:41:04.840
<v Speaker 1>entitled and Anthology of Russian Folk Tales by Jack V. Hainey. Okay,

0:41:04.880 --> 0:41:07.800
<v Speaker 1>let's hear it all right, So the story mainly concerns

0:41:07.880 --> 0:41:13.880
<v Speaker 1>Ivan and the immortal antagonist uh cosh Jay the deathless

0:41:13.880 --> 0:41:17.400
<v Speaker 1>who's this this like evils are like being that is

0:41:17.480 --> 0:41:19.399
<v Speaker 1>encountered in a lot of these tales, like he's he's

0:41:19.480 --> 0:41:22.880
<v Speaker 1>kind of the big bad. For instance, Boba Yaga is

0:41:22.920 --> 0:41:26.680
<v Speaker 1>sometimes sometimes like you know, more of the primary villain,

0:41:26.719 --> 0:41:29.960
<v Speaker 1>but she's often just this weird character you encounter on

0:41:30.040 --> 0:41:34.760
<v Speaker 1>the way. But but the Deathless is just all evil

0:41:34.840 --> 0:41:37.400
<v Speaker 1>and and and terror and uh and and it's just

0:41:37.560 --> 0:41:39.879
<v Speaker 1>you know, the ultimate bad is he's sort of sort

0:41:39.920 --> 0:41:42.360
<v Speaker 1>of a low pan sort of yeah, just you know,

0:41:42.400 --> 0:41:44.799
<v Speaker 1>he can't die. But there's some sort of secret to

0:41:44.920 --> 0:41:47.520
<v Speaker 1>his immortality that the hero has to figure out, and

0:41:47.520 --> 0:41:49.239
<v Speaker 1>in this case, that's what Ivan is doing, trying to

0:41:49.239 --> 0:41:52.400
<v Speaker 1>figure out how he can deal with this deathless enemy.

0:41:53.200 --> 0:41:56.360
<v Speaker 1>But in one part of the story, Ivan and basically

0:41:56.400 --> 0:41:59.200
<v Speaker 1>Ivan goes into the forest and his typical in Russian

0:41:59.200 --> 0:42:01.840
<v Speaker 1>tales hasn't counters in the forest that help and hinder it.

0:42:02.520 --> 0:42:05.640
<v Speaker 1>So in the forest, Ivan encounters three leshy in the

0:42:05.640 --> 0:42:09.640
<v Speaker 1>woods who are searching for their grandfather's buried treasure. And

0:42:09.719 --> 0:42:13.040
<v Speaker 1>these three treasures are an animate fighting club. So it's

0:42:13.040 --> 0:42:14.520
<v Speaker 1>like a club and you say, hey, go hit that

0:42:14.560 --> 0:42:16.239
<v Speaker 1>guy over the head, and the club goes and does it.

0:42:16.880 --> 0:42:19.480
<v Speaker 1>Um there's a hat of invisibility, which I don't have

0:42:19.520 --> 0:42:22.040
<v Speaker 1>to describe because we have versions of this in every

0:42:22.480 --> 0:42:26.160
<v Speaker 1>folk laura tradition I believe. And then you have the

0:42:26.239 --> 0:42:30.920
<v Speaker 1>fabulous self laying table cloth that seems not as good

0:42:30.920 --> 0:42:34.640
<v Speaker 1>as the other two, and yet it's it's amazing, especially

0:42:34.680 --> 0:42:37.640
<v Speaker 1>I guess if your dungeon master is very particular about

0:42:37.640 --> 0:42:40.720
<v Speaker 1>making sure you're you're you're eating properly, because the self

0:42:40.760 --> 0:42:43.640
<v Speaker 1>laying table cloth is a table cloth that you whip

0:42:43.680 --> 0:42:46.759
<v Speaker 1>out and spread on the ground and it is instantly

0:42:47.120 --> 0:42:50.000
<v Speaker 1>set with food and beverage. Oh so it's it's kind

0:42:50.000 --> 0:42:53.880
<v Speaker 1>of like a Loaves and Fishes multiplayer. Absolutely. So the

0:42:54.160 --> 0:42:57.760
<v Speaker 1>leshy are fighting over the rights to these treasures, which

0:42:57.920 --> 0:43:01.320
<v Speaker 1>Ivan has already found, by the way, and and Ivan

0:43:01.400 --> 0:43:04.280
<v Speaker 1>tricks them into running a foot race instead of fighting.

0:43:04.280 --> 0:43:07.040
<v Speaker 1>He says, hey, don't fight each other over this. Why

0:43:07.080 --> 0:43:09.399
<v Speaker 1>don't you run from here to that? See that far

0:43:09.520 --> 0:43:12.480
<v Speaker 1>tree that you can barely see over there mid the horizon,

0:43:13.000 --> 0:43:15.520
<v Speaker 1>go run at that. Whoever gets to that first wins

0:43:15.840 --> 0:43:17.839
<v Speaker 1>and the less you're like, that's great, let's do it.

0:43:17.880 --> 0:43:20.239
<v Speaker 1>And they go off to run the race, and so

0:43:20.320 --> 0:43:24.239
<v Speaker 1>Ivan slips away while they're far away from him. From there,

0:43:24.239 --> 0:43:27.640
<v Speaker 1>he encounters the Baba Yaga at her hut, who he

0:43:27.800 --> 0:43:32.839
<v Speaker 1>who's seeking for answers on how to achieve cash the deathless,

0:43:33.160 --> 0:43:35.480
<v Speaker 1>how to achieve his death, and of course the the

0:43:35.520 --> 0:43:37.520
<v Speaker 1>answer ends up that there's an egg in a box

0:43:37.600 --> 0:43:41.040
<v Speaker 1>hidden under a mountain that he has to gain access too.

0:43:41.440 --> 0:43:44.160
<v Speaker 1>So anyway, this is a fun encounter in and of itself,

0:43:44.239 --> 0:43:46.560
<v Speaker 1>but it also makes me think back to the Jack

0:43:46.600 --> 0:43:50.440
<v Speaker 1>Frost film and remember the sort of dwarf like bandits

0:43:50.480 --> 0:43:53.960
<v Speaker 1>that the Ivan encounters and I can't help but wonder

0:43:54.040 --> 0:43:56.640
<v Speaker 1>if they are sort of serving as a version of

0:43:56.760 --> 0:44:00.800
<v Speaker 1>Leshi in that regard. Yeah, like a danger risk, chaotic

0:44:00.880 --> 0:44:04.719
<v Speaker 1>force in the forest that that Ivan has to interact with.

0:44:04.800 --> 0:44:07.920
<v Speaker 1>And Trick I can't remember in the movie, doesn't he

0:44:08.200 --> 0:44:10.799
<v Speaker 1>aren't their clubs in their scenes as well, like they

0:44:10.840 --> 0:44:12.920
<v Speaker 1>have to. They end up throwing clubs up in the

0:44:12.960 --> 0:44:15.759
<v Speaker 1>air and then later the clubs come back down and

0:44:15.840 --> 0:44:19.640
<v Speaker 1>hit them. Yes, they do. That seems to connect to

0:44:19.719 --> 0:44:22.400
<v Speaker 1>like the automatic fighting club that the unless she was

0:44:22.800 --> 0:44:25.439
<v Speaker 1>arguing over. Yeah, I was, I was wondering the same thing.

0:44:26.400 --> 0:44:28.960
<v Speaker 1>Um now now again this this. I read this in

0:44:29.000 --> 0:44:31.480
<v Speaker 1>the Anthology of Russian Folk Tales by Jack V. Haney,

0:44:31.520 --> 0:44:35.160
<v Speaker 1>who I believe that this particular volume has ninety nine

0:44:35.200 --> 0:44:38.360
<v Speaker 1>different folk tales, some very small, someome a little bit longer,

0:44:38.800 --> 0:44:41.320
<v Speaker 1>and also commentary on them. And it's it's a wonderful

0:44:41.360 --> 0:44:45.280
<v Speaker 1>read I recommend it. But he also had like several

0:44:45.360 --> 0:44:48.799
<v Speaker 1>volumes on top of this that he had compiled, and

0:44:48.800 --> 0:44:51.960
<v Speaker 1>these were just like the best or most you know,

0:44:52.000 --> 0:44:56.279
<v Speaker 1>helpful to share with readers. But he he adds later

0:44:56.520 --> 0:44:59.960
<v Speaker 1>in in this particular volumes, his stories featuring the FOURT

0:45:00.040 --> 0:45:03.959
<v Speaker 1>speech spirit the leshy are uncommon, and perhaps this again

0:45:04.000 --> 0:45:06.960
<v Speaker 1>speaks to the more archaic take on this being a

0:45:06.960 --> 0:45:09.359
<v Speaker 1>more archaic take on spirits of the forest, which are

0:45:09.440 --> 0:45:14.000
<v Speaker 1>less narrative compared to other embodiments of the forest and wildness,

0:45:14.000 --> 0:45:17.320
<v Speaker 1>such as Baba Yaga or even you know Father Frost

0:45:17.640 --> 0:45:21.440
<v Speaker 1>Morosco himself, you know, who's very much an embodiment of

0:45:21.440 --> 0:45:23.960
<v Speaker 1>of the winds of winter. So it seems that maybe

0:45:24.000 --> 0:45:26.320
<v Speaker 1>the less she and these stories are less going to

0:45:26.400 --> 0:45:29.480
<v Speaker 1>be like the main villain of the story and more

0:45:29.560 --> 0:45:32.400
<v Speaker 1>kind of an environmental threat. I mean, the less She

0:45:32.520 --> 0:45:35.719
<v Speaker 1>might be something kind of like a like a particular

0:45:35.800 --> 0:45:38.719
<v Speaker 1>monster encountered along the way, or almost like a like

0:45:38.719 --> 0:45:41.560
<v Speaker 1>a pit of quicksand like just something that you've got

0:45:41.560 --> 0:45:45.399
<v Speaker 1>to worry about in the in the wild environment. Yeah, yeah,

0:45:45.440 --> 0:45:47.759
<v Speaker 1>I think so. Now I want to share some other

0:45:47.800 --> 0:45:50.920
<v Speaker 1>points that that Haney makes about Russian folk tales in general,

0:45:51.000 --> 0:45:54.160
<v Speaker 1>because I think these can help us understand Russian folklore

0:45:54.160 --> 0:45:56.400
<v Speaker 1>a bit more and also understand the less She's place

0:45:56.440 --> 0:46:01.000
<v Speaker 1>in these tales. So Haney contends that there are there

0:46:01.000 --> 0:46:04.360
<v Speaker 1>are more folk tales that may have emerged out of

0:46:04.360 --> 0:46:07.319
<v Speaker 1>the Russian people than any other. He says due in

0:46:07.440 --> 0:46:10.120
<v Speaker 1>part to the fact that well into the twentieth century,

0:46:10.400 --> 0:46:14.239
<v Speaker 1>Russia quote remained in illiterate and basically peasant country where

0:46:14.239 --> 0:46:18.279
<v Speaker 1>folk traditions were strong and carefully maintained. Okay, so it's

0:46:18.320 --> 0:46:21.759
<v Speaker 1>the idea that if the culture was more literate, the

0:46:21.880 --> 0:46:27.120
<v Speaker 1>folk tales would have been less less retold. Um. Well,

0:46:27.640 --> 0:46:30.000
<v Speaker 1>I guess the idea is like, once you start writing

0:46:30.040 --> 0:46:32.400
<v Speaker 1>them down, right, then you have like a totally a

0:46:32.400 --> 0:46:36.040
<v Speaker 1>different energy takeover regarding the folk tales, and then you

0:46:36.120 --> 0:46:38.760
<v Speaker 1>also have different influences on the shape of those tales.

0:46:39.200 --> 0:46:43.040
<v Speaker 1>But in Russia, he's arguing that they remained, um like

0:46:43.120 --> 0:46:47.520
<v Speaker 1>the property of of the common Russian people, and they

0:46:47.520 --> 0:46:50.080
<v Speaker 1>were speaking of this sort of Russian existence that had

0:46:50.120 --> 0:46:54.960
<v Speaker 1>not changed a whole lot, you know, throughout their history.

0:46:55.000 --> 0:46:57.320
<v Speaker 1>But then he points out that the twentieth century comes along,

0:46:57.360 --> 0:46:59.960
<v Speaker 1>and this is an exceedingly hard time on the Russian

0:47:00.040 --> 0:47:03.799
<v Speaker 1>people and it ends up disrupting their storytelling traditions. He

0:47:03.880 --> 0:47:06.720
<v Speaker 1>also points out that Russia has the second largest number

0:47:06.800 --> 0:47:10.759
<v Speaker 1>of tale types according to the International Classification System for

0:47:10.800 --> 0:47:13.480
<v Speaker 1>Folk tales. Uh, and this gets you know, when you

0:47:13.520 --> 0:47:17.320
<v Speaker 1>get into the the scholarly study of folk tales, you

0:47:17.360 --> 0:47:19.840
<v Speaker 1>find it. Yeah, there are all these different classifications for

0:47:19.920 --> 0:47:23.320
<v Speaker 1>the different types of tales you encounter in cultures around

0:47:23.360 --> 0:47:25.279
<v Speaker 1>the world. He points out that there are a lot

0:47:25.280 --> 0:47:28.920
<v Speaker 1>of animal tales. Uh. The frequent villains you encounter are,

0:47:28.960 --> 0:47:33.160
<v Speaker 1>of course the Bobby Yaga, which is nasty dwarves shape

0:47:33.160 --> 0:47:37.400
<v Speaker 1>shifting magicians. However, Bobby Yaga is also sometimes a donor

0:47:37.600 --> 0:47:41.040
<v Speaker 1>or helper. Frequent characters in general, you have Bobby Yaga

0:47:41.040 --> 0:47:43.640
<v Speaker 1>and her hut. You have the firebird co j, the

0:47:43.680 --> 0:47:48.000
<v Speaker 1>Deathless Prince Ivan's are of Itch, who already mentioned Princess Elena,

0:47:48.280 --> 0:47:52.680
<v Speaker 1>and of course generic Czar is often involved as well. Uh,

0:47:52.840 --> 0:47:55.200
<v Speaker 1>you know, the king that is. And I believe that

0:47:55.239 --> 0:47:57.560
<v Speaker 1>the exact nature of the king depends, uh, you know,

0:47:57.840 --> 0:47:59.600
<v Speaker 1>sometimes a little more on the cruel side, sometimes a

0:47:59.600 --> 0:48:01.719
<v Speaker 1>little more the deevolent side, kind of like just sort

0:48:01.719 --> 0:48:07.239
<v Speaker 1>of the generic keen you encounter in other folkloric traditions. Now,

0:48:07.239 --> 0:48:09.960
<v Speaker 1>it does seem that a huge number of these tales

0:48:10.120 --> 0:48:15.000
<v Speaker 1>do involve having to travel through the forest, right, Absolutely,

0:48:15.040 --> 0:48:18.239
<v Speaker 1>that the hero frequently wanders through the woods and at

0:48:18.280 --> 0:48:21.160
<v Speaker 1>some point receives help in his quest from an animal

0:48:21.280 --> 0:48:25.200
<v Speaker 1>or some other sort of supernatural aid. And uh, and

0:48:25.280 --> 0:48:29.160
<v Speaker 1>sometimes the charactery encounters is a devil or the devil

0:48:29.400 --> 0:48:33.600
<v Speaker 1>or the devil's offspring. Uh. This this was interesting. Um,

0:48:33.960 --> 0:48:37.040
<v Speaker 1>this is a whole category of tail Ivan the fool

0:48:37.320 --> 0:48:40.000
<v Speaker 1>versus the devil or the devil's offspring. And it's not

0:48:40.080 --> 0:48:42.560
<v Speaker 1>really Ivan as a fool, but Ivan, I think it's more,

0:48:42.960 --> 0:48:45.520
<v Speaker 1>you know, he's clever, but in kind of a a

0:48:45.600 --> 0:48:50.200
<v Speaker 1>roguish way. And in these tales, Haney writes, it's important

0:48:50.239 --> 0:48:54.120
<v Speaker 1>to recognize first the satire, but then also that the

0:48:54.160 --> 0:48:57.479
<v Speaker 1>devil is not really a Christian devil, but quote rather

0:48:57.600 --> 0:49:01.880
<v Speaker 1>a figure derived from the various malevolent spirits that inhabited

0:49:01.920 --> 0:49:06.680
<v Speaker 1>the Russian peasants universe, the forest spirit or leshy, the

0:49:06.719 --> 0:49:11.320
<v Speaker 1>water spirit or Vodiana, and others too numerous to mention.

0:49:11.960 --> 0:49:14.160
<v Speaker 1>So again the idea of the devil comes along, and

0:49:14.200 --> 0:49:17.560
<v Speaker 1>it ends up kind of absorbing these other ideas of

0:49:17.640 --> 0:49:20.800
<v Speaker 1>evil things in the wild wood. This is just another

0:49:20.800 --> 0:49:23.799
<v Speaker 1>one of the many interesting ways that the concept of

0:49:23.800 --> 0:49:26.719
<v Speaker 1>Satan or the devil has evolved over the centuries. I mean,

0:49:26.840 --> 0:49:29.680
<v Speaker 1>like if you go back to the earliest versions of Satan,

0:49:30.000 --> 0:49:33.520
<v Speaker 1>even like in the in the Jewish tradition, Satan then

0:49:33.680 --> 0:49:37.040
<v Speaker 1>is not even presented as as monstrous or evil, like

0:49:37.080 --> 0:49:39.040
<v Speaker 1>in the Book of job As seems to be one

0:49:39.080 --> 0:49:42.200
<v Speaker 1>of the earliest references to Satan. Satan is like one

0:49:42.239 --> 0:49:45.160
<v Speaker 1>of God's angels. You know, he kind of works for him.

0:49:45.239 --> 0:49:49.080
<v Speaker 1>He he's sort of like a prosecutor or a like

0:49:49.120 --> 0:49:52.840
<v Speaker 1>a detective doing you know, trying to sniff out disloyalty.

0:49:53.640 --> 0:49:56.960
<v Speaker 1>But later on you you incorporate more and more into

0:49:57.000 --> 0:50:01.160
<v Speaker 1>this adversary figure of the monstrous of evil, of the

0:50:01.239 --> 0:50:04.239
<v Speaker 1>all that's wrong with the world. And I think this

0:50:04.280 --> 0:50:08.719
<v Speaker 1>is one of the reasons that the devil figure accumulates

0:50:08.800 --> 0:50:12.719
<v Speaker 1>the monstrosity of every particular location and every culture that

0:50:12.760 --> 0:50:15.520
<v Speaker 1>absorbs him. Now, Hany does have some some of the

0:50:15.600 --> 0:50:19.120
<v Speaker 1>stories with Leshie of popping up. One of them that

0:50:19.120 --> 0:50:21.280
<v Speaker 1>that was really good is a story called a Prince

0:50:21.360 --> 0:50:23.960
<v Speaker 1>and his Uncle, which features an old trapper in the

0:50:24.040 --> 0:50:27.440
<v Speaker 1>woods who serves the farest spirit or leshy. When a

0:50:27.480 --> 0:50:30.200
<v Speaker 1>greedy king shows up looking to squeeze more money out

0:50:30.200 --> 0:50:32.640
<v Speaker 1>of the commoners, he asked the old man how he

0:50:32.680 --> 0:50:35.279
<v Speaker 1>catches his beasts, and the old man says, well, the

0:50:35.320 --> 0:50:38.400
<v Speaker 1>farest spirit sets out snares and the beast is stupid

0:50:38.400 --> 0:50:41.239
<v Speaker 1>and gets caught. So the king hears this and he

0:50:41.280 --> 0:50:44.360
<v Speaker 1>gets an idea. He bribes the old man with wine

0:50:44.400 --> 0:50:47.120
<v Speaker 1>and money for the location of these snares that again

0:50:47.160 --> 0:50:50.120
<v Speaker 1>were set by the leshy, and then the king orders

0:50:50.160 --> 0:50:54.160
<v Speaker 1>the leshy caught and fettered to an iron post. Meanwhile,

0:50:54.200 --> 0:50:56.239
<v Speaker 1>the prince is a decent lad and listens to the

0:50:56.360 --> 0:50:59.680
<v Speaker 1>leshis please for release. He instructs the prince in how

0:50:59.719 --> 0:51:03.000
<v Speaker 1>to tame the key to his irons and distracts the

0:51:03.040 --> 0:51:06.680
<v Speaker 1>others uh while he's being released. Afterwards, the king is

0:51:06.800 --> 0:51:09.319
<v Speaker 1>enraged and sends the prince out on an excursion into

0:51:09.360 --> 0:51:11.560
<v Speaker 1>the far corners of the world his punishment, and he

0:51:11.640 --> 0:51:14.719
<v Speaker 1>sends his old uncle with him to guide him. This

0:51:14.920 --> 0:51:17.719
<v Speaker 1>uncle figure it's always in quotations, so it's like not

0:51:17.800 --> 0:51:21.120
<v Speaker 1>really his uncle um, But then again, it's not super

0:51:21.120 --> 0:51:24.440
<v Speaker 1>important to the story. Seemingly eventually, the prince and the

0:51:24.520 --> 0:51:28.000
<v Speaker 1>uncle switched places, and at one point the less She

0:51:28.080 --> 0:51:30.880
<v Speaker 1>meets the prince again and gives him some magical items,

0:51:31.160 --> 0:51:34.200
<v Speaker 1>which include once more the self setting table cloth, but

0:51:34.280 --> 0:51:36.600
<v Speaker 1>also a magic mirror that shows you whatever you want

0:51:36.600 --> 0:51:39.640
<v Speaker 1>to see and a magical musical instrument that kind of

0:51:39.640 --> 0:51:42.560
<v Speaker 1>plays on demand. And then he later provides him with

0:51:42.560 --> 0:51:45.840
<v Speaker 1>a horse and magical vodka to give him strength against

0:51:45.840 --> 0:51:49.040
<v Speaker 1>a terrible monster. Now, sadly the story doesn't really involve

0:51:49.120 --> 0:51:51.839
<v Speaker 1>unless she beyond this point, but we see the less

0:51:51.880 --> 0:51:54.960
<v Speaker 1>She kind of serving this role uh in the later

0:51:55.000 --> 0:51:58.200
<v Speaker 1>portions of the story as this magical forest creature that

0:51:58.280 --> 0:52:02.640
<v Speaker 1>shows up and provide its assistance to the hero. But

0:52:02.719 --> 0:52:04.799
<v Speaker 1>then he goes on to share what I think is

0:52:04.840 --> 0:52:08.640
<v Speaker 1>my favorite leshy story that I read um Hain. He

0:52:08.719 --> 0:52:12.759
<v Speaker 1>shares this story titled the Forest Spirit, which hinges on

0:52:12.800 --> 0:52:16.279
<v Speaker 1>this notion that you have a leshy or some or

0:52:16.360 --> 0:52:18.759
<v Speaker 1>various other creatures like a like a coldn which is

0:52:18.760 --> 0:52:21.040
<v Speaker 1>a type of male sorcerer if you if they are

0:52:21.080 --> 0:52:24.400
<v Speaker 1>not invited to your wedding, they may show up anyway

0:52:24.480 --> 0:52:27.319
<v Speaker 1>and find some way to spoil it. Wait, so you

0:52:27.360 --> 0:52:30.800
<v Speaker 1>are supposed to invite them. Apparently, that's that's one tradition,

0:52:31.040 --> 0:52:33.080
<v Speaker 1>is go ahead and invite the leshy. It's it would

0:52:33.120 --> 0:52:36.120
<v Speaker 1>be rude not to because if you don't invite the leshy,

0:52:36.920 --> 0:52:39.080
<v Speaker 1>he will show up and he might cause chaos. But

0:52:39.160 --> 0:52:40.960
<v Speaker 1>I guess if you do invite him, he won't show

0:52:41.080 --> 0:52:47.400
<v Speaker 1>up there. You know, they're fickle, chaotic creatures. It's reverse psychology.

0:52:47.480 --> 0:52:49.879
<v Speaker 1>So this, this the forest spirit, is a fun little tail.

0:52:49.920 --> 0:52:51.520
<v Speaker 1>There's not much to it, but this is how it

0:52:51.560 --> 0:52:54.760
<v Speaker 1>goes down. Basically, So there's an old peasant who grows

0:52:54.800 --> 0:52:57.799
<v Speaker 1>and threshes grain, but then he suddenly keeps coming into

0:52:57.840 --> 0:53:00.120
<v Speaker 1>the drawing shed to find that the grain he is

0:53:00.160 --> 0:53:03.920
<v Speaker 1>harvested is already threshed. Now, basically this means somebody is

0:53:03.960 --> 0:53:06.840
<v Speaker 1>doing half his work for him for free. But you

0:53:06.840 --> 0:53:09.680
<v Speaker 1>know he's he's he's an old cadger, you know, probably

0:53:09.680 --> 0:53:11.759
<v Speaker 1>a bit grumpy about things. He wants to get to

0:53:11.800 --> 0:53:14.799
<v Speaker 1>the bottom of this. He doesn't want unexplained threshing going

0:53:14.840 --> 0:53:17.680
<v Speaker 1>on and his his his drying shed. So he asked

0:53:17.680 --> 0:53:19.719
<v Speaker 1>an old woman for help, and she says, well, I'm

0:53:19.760 --> 0:53:21.759
<v Speaker 1>just an old woman. I can't help you. You're gonna

0:53:21.760 --> 0:53:23.799
<v Speaker 1>have to go ask the local witch. So he goes

0:53:23.840 --> 0:53:26.319
<v Speaker 1>to the local witch and she says, well, look it's

0:53:26.320 --> 0:53:29.279
<v Speaker 1>a lessie that's doing this. Uh, but if you want

0:53:29.280 --> 0:53:31.120
<v Speaker 1>to stop him, you want to catch the leshie, this

0:53:31.160 --> 0:53:33.440
<v Speaker 1>is what you do. Stake out your shed and you

0:53:33.480 --> 0:53:36.000
<v Speaker 1>sneak up on him and you loop a necklace with

0:53:36.040 --> 0:53:39.120
<v Speaker 1>a cross around on it around his neck and that'll

0:53:39.200 --> 0:53:42.839
<v Speaker 1>capture him, making him your servant. And so the old

0:53:42.840 --> 0:53:46.240
<v Speaker 1>man does just that. Uh. The lessie of course immediately

0:53:46.320 --> 0:53:48.719
<v Speaker 1>asked for release and offers to help the old man

0:53:49.000 --> 0:53:51.800
<v Speaker 1>build a new slip to haul grain on in exchange

0:53:51.880 --> 0:53:55.680
<v Speaker 1>for his freedom. The old man agrees, but then keeps

0:53:55.719 --> 0:53:58.960
<v Speaker 1>asking for more work in exchange for the less She's released.

0:53:59.000 --> 0:54:02.239
<v Speaker 1>So he's like, well, I need some firewood. Maybe after

0:54:02.280 --> 0:54:04.480
<v Speaker 1>you give me some firewood. And he's like, well, you

0:54:04.520 --> 0:54:07.520
<v Speaker 1>know I need the firewood chopped up as well. I

0:54:07.560 --> 0:54:11.120
<v Speaker 1>am altering the deal. Pray I alter it no further, right,

0:54:12.200 --> 0:54:15.239
<v Speaker 1>But then finally he says, you know, Lee, She says,

0:54:15.239 --> 0:54:16.759
<v Speaker 1>all right, how about now can I go free? I've

0:54:16.840 --> 0:54:19.239
<v Speaker 1>chopped your wood, I made you this slip. You know,

0:54:19.480 --> 0:54:21.319
<v Speaker 1>what what else do you want? He's like, no, my

0:54:21.440 --> 0:54:24.200
<v Speaker 1>niece is getting married. Next week and you're coming to

0:54:24.239 --> 0:54:29.360
<v Speaker 1>the wedding with me. So the old man is just

0:54:29.440 --> 0:54:32.640
<v Speaker 1>straight up taking the less she to a family wedding

0:54:32.680 --> 0:54:36.560
<v Speaker 1>as his plus one. Does it explain why he wants

0:54:36.600 --> 0:54:38.279
<v Speaker 1>the lessie to go to the wedding. Is he just

0:54:38.320 --> 0:54:41.359
<v Speaker 1>trying to like pad out the attendance. I don't know,

0:54:41.520 --> 0:54:45.360
<v Speaker 1>Like he doesn't expressly say in this book, or doesn't

0:54:45.440 --> 0:54:47.480
<v Speaker 1>you know, interpret it expressly in this book. So I

0:54:47.520 --> 0:54:49.680
<v Speaker 1>don't know if it's a sense where like I'm supposed

0:54:49.719 --> 0:54:51.480
<v Speaker 1>you're supposed to invite nless you to the wedding, so

0:54:51.600 --> 0:54:54.360
<v Speaker 1>I will. I'll just straight up bring him. Like maybe

0:54:54.360 --> 0:54:57.520
<v Speaker 1>he is misinterpreting the tradition being an old man who

0:54:57.520 --> 0:55:01.320
<v Speaker 1>lives in the woods or um, or maybe maybe he's lonely.

0:55:01.400 --> 0:55:03.920
<v Speaker 1>I'm not sure. I kind of like the idea that

0:55:04.200 --> 0:55:06.279
<v Speaker 1>he's lonely, and it's just like he's spending so much

0:55:06.320 --> 0:55:09.799
<v Speaker 1>time with the less She's like, now I'm come to

0:55:09.800 --> 0:55:13.680
<v Speaker 1>this wedding with me. Come hang out. I may need

0:55:13.760 --> 0:55:17.680
<v Speaker 1>you to chop some wood during the ceremony. Yeah. So

0:55:18.000 --> 0:55:21.440
<v Speaker 1>anyway they attend, the less she seems at first to

0:55:21.480 --> 0:55:23.960
<v Speaker 1>be standing back and minding his own business in the

0:55:23.960 --> 0:55:26.680
<v Speaker 1>corner of the room, standing by the doors, out of sight,

0:55:27.040 --> 0:55:30.040
<v Speaker 1>not even partaking of the food in the drink. But

0:55:30.160 --> 0:55:32.799
<v Speaker 1>then the less She sees a pretty maid bringing out

0:55:32.920 --> 0:55:35.920
<v Speaker 1>the soured milk in a cup, which, by the context

0:55:36.000 --> 0:55:38.279
<v Speaker 1>of the story seems to be just part of the ceremony.

0:55:38.960 --> 0:55:43.200
<v Speaker 1>So the less She immediately takes her, spins her around,

0:55:43.480 --> 0:55:45.799
<v Speaker 1>and then she falls down, spilling the milk all over

0:55:45.880 --> 0:55:48.080
<v Speaker 1>the place, And the less She begins to clap and

0:55:48.160 --> 0:55:51.960
<v Speaker 1>laugh at this loudly so everybody hears it. The guests

0:55:52.239 --> 0:55:55.200
<v Speaker 1>do not find this amusing at all, and they chastise

0:55:55.280 --> 0:55:57.560
<v Speaker 1>the old man for bringing such a guest with him

0:55:57.760 --> 0:56:00.160
<v Speaker 1>to the event. Oh so this is the first time

0:56:00.160 --> 0:56:02.879
<v Speaker 1>they've noticed there's a Lessi here at the wedding. Well, yeah,

0:56:02.880 --> 0:56:06.160
<v Speaker 1>he's standing over there by the door. Nobody noticed until

0:56:06.239 --> 0:56:09.280
<v Speaker 1>he started, you know, making a spectacle and spoiling the wedding.

0:56:10.200 --> 0:56:13.799
<v Speaker 1>So everyone is displeased, and they they curse him in

0:56:13.880 --> 0:56:16.520
<v Speaker 1>all and can cuss at him. Uh, the old man,

0:56:16.600 --> 0:56:19.359
<v Speaker 1>And unless she go home, the less She asked once

0:56:19.400 --> 0:56:21.759
<v Speaker 1>more for his release, and the old man grants it

0:56:21.800 --> 0:56:25.640
<v Speaker 1>to him. And I love the way that Haney winds

0:56:25.680 --> 0:56:28.759
<v Speaker 1>this up. Uh. He attributes this tale the telling him

0:56:28.760 --> 0:56:31.160
<v Speaker 1>this tale to a sixty two year old peasant who

0:56:31.160 --> 0:56:34.800
<v Speaker 1>related it in nine and the final quote at the

0:56:34.880 --> 0:56:37.879
<v Speaker 1>end of the tale is, in olden times, they believe this,

0:56:38.239 --> 0:56:43.440
<v Speaker 1>but now they don't believe anything. Those darn kids no

0:56:43.520 --> 0:56:46.440
<v Speaker 1>longer believe in the leshy. Yeah, I just yeah, I

0:56:46.480 --> 0:56:49.360
<v Speaker 1>love the the grumpiness of the tale, like the tale

0:56:49.360 --> 0:56:51.640
<v Speaker 1>that like, I'm going to tell you this story. Kids

0:56:51.680 --> 0:56:54.480
<v Speaker 1>don't believe it anymore, but it happened. This is actually

0:56:54.480 --> 0:56:57.680
<v Speaker 1>similar to another tale that I was reading, at least

0:56:57.719 --> 0:57:00.319
<v Speaker 1>summarized in in one of those sources as we were

0:57:00.320 --> 0:57:02.719
<v Speaker 1>looking at for this episode, which is the Encyclopedia of

0:57:02.800 --> 0:57:06.480
<v Speaker 1>Russian and Slavic Myth and Legend by Mike Dixon Kennedy.

0:57:06.640 --> 0:57:10.480
<v Speaker 1>And in this entry, there was a story where there's

0:57:10.560 --> 0:57:13.080
<v Speaker 1>a there's an old man who lives by the forest

0:57:13.280 --> 0:57:16.080
<v Speaker 1>and one day a traveler appears and asks if he

0:57:16.120 --> 0:57:19.560
<v Speaker 1>can rest in his hut, and the old man says, yeah, sure,

0:57:19.600 --> 0:57:21.600
<v Speaker 1>you can rest in my hut. Now. The old man

0:57:21.760 --> 0:57:24.000
<v Speaker 1>is a is a cattle herdsman who has to, you know,

0:57:24.040 --> 0:57:26.360
<v Speaker 1>take his herd of cattle through the forest to graze.

0:57:26.960 --> 0:57:31.160
<v Speaker 1>And after giving the traveler a good night's rest in

0:57:31.240 --> 0:57:34.240
<v Speaker 1>his home. He is told it's like revealed that the

0:57:34.280 --> 0:57:36.960
<v Speaker 1>traveler was a leshy, and was like, you know what,

0:57:37.040 --> 0:57:39.360
<v Speaker 1>You're not gonna have to worry about your cattle anymore.

0:57:39.400 --> 0:57:41.680
<v Speaker 1>You don't have to follow them around. You just let

0:57:41.720 --> 0:57:43.560
<v Speaker 1>him go out in rome in the morning, and then

0:57:43.560 --> 0:57:45.760
<v Speaker 1>they'll come back full of and and give plenty of

0:57:45.840 --> 0:57:48.560
<v Speaker 1>milk at the end of the day. And this happens

0:57:48.600 --> 0:57:51.520
<v Speaker 1>for a while until the traveler gets curious about what's

0:57:51.560 --> 0:57:54.560
<v Speaker 1>happening during the day, so he follows his cattle out

0:57:54.760 --> 0:57:58.480
<v Speaker 1>and then finds that they are being shepherded in in

0:57:58.720 --> 0:58:00.360
<v Speaker 1>or I guess, not shepherded. I don't know what the

0:58:00.440 --> 0:58:02.600
<v Speaker 1>term for a person who herds cattle would be a

0:58:02.680 --> 0:58:06.280
<v Speaker 1>cat cattle herded by some old crone, I guess the

0:58:06.280 --> 0:58:08.600
<v Speaker 1>the ideas that she's a witch or a helper of

0:58:08.680 --> 0:58:11.440
<v Speaker 1>some kind of the leshy. And when he finds her

0:58:11.480 --> 0:58:13.960
<v Speaker 1>and tries to speak to her in the forest, she vanishes,

0:58:14.400 --> 0:58:17.440
<v Speaker 1>and then the basically the blessing is lifted and he

0:58:17.480 --> 0:58:19.920
<v Speaker 1>has to keep toiling with his cattle again after that,

0:58:19.960 --> 0:58:23.000
<v Speaker 1>like they're no longer self servicing cattle. Uh, And so

0:58:23.120 --> 0:58:27.840
<v Speaker 1>his curiosity breaks the Leshi's goodwill. Yeah, yeah, that does

0:58:27.840 --> 0:58:30.080
<v Speaker 1>seem a very similar story. The idea that lest she

0:58:30.160 --> 0:58:34.000
<v Speaker 1>might just spontaneously start helping you you out, but if

0:58:34.000 --> 0:58:36.440
<v Speaker 1>you get too greedy about it, uh, then it's going

0:58:36.520 --> 0:58:40.280
<v Speaker 1>to backfire on you too greedy or too curious. Yeah, well,

0:58:40.320 --> 0:58:42.600
<v Speaker 1>I mean, ultimately, I guess one way you could take

0:58:42.640 --> 0:58:44.760
<v Speaker 1>the moral of that story is just like, don't go

0:58:44.800 --> 0:58:46.840
<v Speaker 1>in there, don't look too close at what's happening in

0:58:46.880 --> 0:58:49.680
<v Speaker 1>the woods, don't inquire about the law of the woods.

0:58:49.800 --> 0:58:53.440
<v Speaker 1>Just let the woods do its thing. Yeah, alright, on

0:58:53.480 --> 0:58:56.080
<v Speaker 1>that note, we're going to take another break, but we'll

0:58:56.080 --> 0:59:02.200
<v Speaker 1>be right back. All right, we're back. So clearly, a

0:59:02.240 --> 0:59:05.000
<v Speaker 1>lot of the folk tales about the less She come

0:59:05.200 --> 0:59:09.160
<v Speaker 1>from anxieties people have about the idea of getting lost

0:59:09.200 --> 0:59:12.080
<v Speaker 1>in the woods. Again, remember one of the main threats

0:59:12.120 --> 0:59:15.000
<v Speaker 1>that the the Leshy and his demon or monster form

0:59:15.840 --> 0:59:18.760
<v Speaker 1>uh you know, represents threats in a couple of different ways.

0:59:18.760 --> 0:59:21.960
<v Speaker 1>One by like kidnapping children or unbaptized babies at the

0:59:21.960 --> 0:59:26.200
<v Speaker 1>forest's edge, but also by causing people to become lost

0:59:26.240 --> 0:59:28.240
<v Speaker 1>in the woods. You're traveling through the woods, maybe you're

0:59:28.240 --> 0:59:30.280
<v Speaker 1>trying to stick to the path, But then you're lured

0:59:30.320 --> 0:59:33.480
<v Speaker 1>off the path by the call of the leshy or

0:59:33.520 --> 0:59:35.520
<v Speaker 1>by the less she pretending to be somebody you know,

0:59:35.800 --> 0:59:38.000
<v Speaker 1>or you know, or or mimicking the sound of a

0:59:38.040 --> 0:59:41.080
<v Speaker 1>distressed child. And then you get lost in the woods.

0:59:41.200 --> 0:59:43.640
<v Speaker 1>You you can't find your way home, and you perish

0:59:43.720 --> 0:59:46.720
<v Speaker 1>out among the trees. I wanted to talk about an

0:59:46.760 --> 0:59:50.160
<v Speaker 1>article that I was reading about the real life sort

0:59:50.160 --> 0:59:52.440
<v Speaker 1>of like science and history of people getting lost in

0:59:52.480 --> 0:59:55.480
<v Speaker 1>the woods. Uh. This is an exert adapted from a

0:59:55.480 --> 0:59:58.200
<v Speaker 1>book called From Here to There, The Art and Science

0:59:58.240 --> 1:00:01.440
<v Speaker 1>of Finding and Losing Our Way by Michael Bond, published

1:00:01.480 --> 1:00:05.200
<v Speaker 1>by Harvard University Press. This excerpt was published and Wired

1:00:05.240 --> 1:00:08.320
<v Speaker 1>and I thought this was really interesting. So a lot

1:00:08.400 --> 1:00:12.200
<v Speaker 1>of the article focuses on the story of Geraldine Larkay,

1:00:12.400 --> 1:00:15.400
<v Speaker 1>who was a sixty six year old retired nurse from

1:00:15.440 --> 1:00:19.400
<v Speaker 1>Tennessee who died in the forest after becoming lost just

1:00:19.520 --> 1:00:24.960
<v Speaker 1>off of the Appalachian Trail, and once her body was discovered,

1:00:25.080 --> 1:00:28.720
<v Speaker 1>details from her diary and her phone clarified what happened.

1:00:28.840 --> 1:00:32.520
<v Speaker 1>She had been hiking the Appalachian Trail and she moved

1:00:32.600 --> 1:00:35.080
<v Speaker 1>just slightly off the path in order to go to

1:00:35.120 --> 1:00:37.480
<v Speaker 1>the bathroom. It was that she wrote that she went

1:00:37.560 --> 1:00:41.000
<v Speaker 1>no more than eighty paces off the path, but then

1:00:41.040 --> 1:00:45.680
<v Speaker 1>afterwards was nevertheless unable to find the trail again. She

1:00:45.800 --> 1:00:49.440
<v Speaker 1>survived for nineteen days before dying of the effects of

1:00:49.480 --> 1:00:53.360
<v Speaker 1>exposure and starvation, and when her campsite was discovered, it

1:00:53.480 --> 1:00:55.960
<v Speaker 1>became clear that she was actually less than half a

1:00:56.000 --> 1:00:59.280
<v Speaker 1>mile from the trail as the crow flies, and that

1:00:59.440 --> 1:01:02.640
<v Speaker 1>search and rescue teams with dogs had passed within a

1:01:02.720 --> 1:01:06.320
<v Speaker 1>hundred yards of her campsite while she was still alive.

1:01:07.040 --> 1:01:09.680
<v Speaker 1>She was also really close to some railroad tracks that

1:01:09.720 --> 1:01:11.760
<v Speaker 1>could have led her out of the forest if she'd

1:01:11.840 --> 1:01:15.520
<v Speaker 1>known about them. And in this case and others like it,

1:01:16.120 --> 1:01:19.120
<v Speaker 1>there are there's some really kind of like cruel and

1:01:19.240 --> 1:01:22.840
<v Speaker 1>unsympathetic and and and dumb ways that people react to

1:01:22.920 --> 1:01:25.720
<v Speaker 1>this by saying like, oh, how could you know? How dumb?

1:01:25.760 --> 1:01:27.800
<v Speaker 1>How you know she could have survived? How could you

1:01:27.840 --> 1:01:31.120
<v Speaker 1>get lost when you're that close to the trail. But

1:01:31.320 --> 1:01:35.040
<v Speaker 1>Bond points out that experienced hikers don't talk like this

1:01:35.240 --> 1:01:38.760
<v Speaker 1>because most of them know actually how easy it is

1:01:39.080 --> 1:01:43.080
<v Speaker 1>to become hopelessly lost in a forest, and how powerful

1:01:43.200 --> 1:01:46.600
<v Speaker 1>is the urge to do all of the just exactly

1:01:46.640 --> 1:01:50.640
<v Speaker 1>the wrong things in that scenario. For example, one common

1:01:50.640 --> 1:01:53.000
<v Speaker 1>piece of advice is if you're lost in the woods,

1:01:53.080 --> 1:01:55.800
<v Speaker 1>you should immediately stop moving, Like as soon as you

1:01:55.880 --> 1:01:57.840
<v Speaker 1>realize that you don't know where you are and you

1:01:57.880 --> 1:02:00.000
<v Speaker 1>don't know how to get back where you came from,

1:02:00.120 --> 1:02:04.120
<v Speaker 1>immediately stop moving, stay in place, and you're more likely

1:02:04.160 --> 1:02:07.280
<v Speaker 1>to survive. While you're in place, you can come up

1:02:07.320 --> 1:02:09.880
<v Speaker 1>with a plan if you need to, and not exhaust

1:02:09.960 --> 1:02:13.440
<v Speaker 1>yourself moving around or getting more lost in the process.

1:02:13.520 --> 1:02:16.720
<v Speaker 1>You can wait for rescue without worth, without wandering further

1:02:16.760 --> 1:02:20.600
<v Speaker 1>and further away from where you were. However, the stop

1:02:20.640 --> 1:02:24.840
<v Speaker 1>and wait plan, while actually very good advice, is extremely

1:02:24.960 --> 1:02:29.960
<v Speaker 1>difficult to actually follow. What people with experience report is

1:02:30.000 --> 1:02:33.160
<v Speaker 1>that the moment you realize you're lost in the woods,

1:02:33.680 --> 1:02:37.560
<v Speaker 1>you are overcome with a powerful sense of panic that

1:02:37.760 --> 1:02:41.280
<v Speaker 1>compels you to keep moving, in fact, to start running

1:02:41.280 --> 1:02:45.000
<v Speaker 1>all over the place. Bond quotes a British psychologist named

1:02:45.080 --> 1:02:48.640
<v Speaker 1>Hugo Spears for from another work about his experience of

1:02:48.680 --> 1:02:53.760
<v Speaker 1>becoming temporarily lost in the rainforest in Peru. So Spears writes, quote,

1:02:54.280 --> 1:02:57.240
<v Speaker 1>so I didn't go far, but it's the jungle, and

1:02:57.440 --> 1:03:01.440
<v Speaker 1>ten ms into the jungle is enough to be completely disoriented.

1:03:02.080 --> 1:03:05.040
<v Speaker 1>I was lost in this jungle for two hours. They

1:03:05.080 --> 1:03:07.560
<v Speaker 1>sent a dog out to find me. I wasn't the

1:03:07.560 --> 1:03:10.960
<v Speaker 1>first person to have a dog sent out. It was terrifying.

1:03:11.360 --> 1:03:15.240
<v Speaker 1>My brain just wanted me to run, just run, just

1:03:15.440 --> 1:03:18.360
<v Speaker 1>keep moving. I was very aware that that was not

1:03:18.480 --> 1:03:21.440
<v Speaker 1>the right strategy. Keeping moving in the jungle is not

1:03:21.560 --> 1:03:24.080
<v Speaker 1>going to save your life. So I tried to calm

1:03:24.120 --> 1:03:27.000
<v Speaker 1>down and think carefully and not react at high speed

1:03:27.080 --> 1:03:30.080
<v Speaker 1>and look at my environment. And I realized I was

1:03:30.160 --> 1:03:33.920
<v Speaker 1>going in circles, exactly like in the movies. I was

1:03:34.000 --> 1:03:36.840
<v Speaker 1>using a machete to mark big trees, laying down a

1:03:36.880 --> 1:03:39.920
<v Speaker 1>thread to know if I'd come that way. Before that

1:03:40.000 --> 1:03:43.160
<v Speaker 1>was starting to work, I'd mark a tree with three slashes,

1:03:43.240 --> 1:03:45.480
<v Speaker 1>and if I ended up back at that tree, I

1:03:45.560 --> 1:03:48.200
<v Speaker 1>knew I'd gone in a circle. I was nearly back

1:03:48.240 --> 1:03:50.280
<v Speaker 1>at the camp when they sent the dog out, but

1:03:50.320 --> 1:03:52.920
<v Speaker 1>it was a huge relief. It just made me very

1:03:52.960 --> 1:03:56.680
<v Speaker 1>aware that being really, really lost is quite terrifying. It

1:03:56.800 --> 1:04:01.000
<v Speaker 1>is not a normal thing. I think being lost in

1:04:01.040 --> 1:04:04.680
<v Speaker 1>the woods is one of those types of scenarios where

1:04:04.720 --> 1:04:08.760
<v Speaker 1>your imagination of it really does not capture what the

1:04:08.840 --> 1:04:12.600
<v Speaker 1>experience would be like people imagine, they're like, Okay, you know,

1:04:12.680 --> 1:04:17.080
<v Speaker 1>I've I've I've gotten turned around disoriented before, maybe you know,

1:04:17.160 --> 1:04:18.600
<v Speaker 1>in a in a in a city, or in a

1:04:18.640 --> 1:04:20.960
<v Speaker 1>neighborhood or something. You don't know exactly where you're going,

1:04:20.960 --> 1:04:22.920
<v Speaker 1>but it's pretty easy to find your way back when

1:04:22.920 --> 1:04:26.640
<v Speaker 1>there are roads and sidewalks and landmarks. Oh yeah, there's

1:04:26.720 --> 1:04:30.080
<v Speaker 1>that house. Being lost in the woods is not like that.

1:04:30.600 --> 1:04:33.280
<v Speaker 1>Being lost in the woods, I think could it could

1:04:33.280 --> 1:04:35.560
<v Speaker 1>be argued that it is a form of an altered

1:04:35.640 --> 1:04:40.440
<v Speaker 1>state of consciousness that is terrifying and completely short circuits

1:04:40.480 --> 1:04:44.520
<v Speaker 1>your better judgment in multiple ways. Oh absolutely. And you know,

1:04:44.600 --> 1:04:47.920
<v Speaker 1>I I have my friends who have been lost in

1:04:47.960 --> 1:04:52.360
<v Speaker 1>the forest before, and they were not like as lost

1:04:52.680 --> 1:04:55.720
<v Speaker 1>as like one can truly become lost in the forest,

1:04:55.840 --> 1:04:58.480
<v Speaker 1>or certainly as lost as one could in the times

1:04:58.520 --> 1:05:00.800
<v Speaker 1>of these folk tales, because they at least had not

1:05:00.880 --> 1:05:03.960
<v Speaker 1>lost cell coverage for their phone and we're able to

1:05:03.960 --> 1:05:06.240
<v Speaker 1>to use that. You know, they were still tethered to

1:05:06.520 --> 1:05:09.480
<v Speaker 1>the into the civilized world via their their device, and

1:05:09.480 --> 1:05:12.600
<v Speaker 1>it was still a terrifying experience. Yeah. Absolutely, I mean,

1:05:12.600 --> 1:05:17.080
<v Speaker 1>try to imagine it without those devices, without even a compass. Again,

1:05:17.480 --> 1:05:21.200
<v Speaker 1>this is there's so many ways that imagining what it

1:05:21.200 --> 1:05:23.200
<v Speaker 1>would be like to be lost in the forest does

1:05:23.280 --> 1:05:26.040
<v Speaker 1>not really cut it. Like, you're not likely to predict

1:05:26.080 --> 1:05:27.880
<v Speaker 1>a lot of the ways that your normal powers of

1:05:27.960 --> 1:05:32.720
<v Speaker 1>navigation fail. For example, of course, now, uh, if you

1:05:32.760 --> 1:05:35.120
<v Speaker 1>are lost in the woods, it is generally advised that

1:05:35.160 --> 1:05:38.720
<v Speaker 1>you should just stop and wait for rescue. But if

1:05:38.800 --> 1:05:40.600
<v Speaker 1>you are going to walk, you need to have a

1:05:40.600 --> 1:05:43.240
<v Speaker 1>good idea where you're going and try to travel in

1:05:43.280 --> 1:05:46.720
<v Speaker 1>a straight line. You might think that going straight is easy, right,

1:05:46.760 --> 1:05:48.520
<v Speaker 1>I can walk a straight line. We all you know,

1:05:48.560 --> 1:05:51.280
<v Speaker 1>we walk straight lines all day. But actually it is

1:05:51.320 --> 1:05:55.720
<v Speaker 1>not easy without landmarks, without trails or a compass. Lost

1:05:55.760 --> 1:05:58.640
<v Speaker 1>people really do, and this is proven by research. They

1:05:58.760 --> 1:06:03.000
<v Speaker 1>just walk in circles. There was research in two thousand

1:06:03.120 --> 1:06:08.000
<v Speaker 1>nine by by Jan Suman who used GPS monitors to

1:06:08.040 --> 1:06:11.400
<v Speaker 1>track volunteers while they tried to navigate in a straight

1:06:11.440 --> 1:06:14.120
<v Speaker 1>line through a couple of natural environments without the aid

1:06:14.120 --> 1:06:18.240
<v Speaker 1>of external landmarks or signs. This was the Sahara Desert

1:06:18.320 --> 1:06:21.400
<v Speaker 1>and Germany's buy and Waled Forest, and it did not

1:06:21.560 --> 1:06:25.280
<v Speaker 1>go well. When they couldn't see the sun, people could

1:06:25.320 --> 1:06:28.360
<v Speaker 1>not travel in a straight line at all. Small initial

1:06:28.520 --> 1:06:32.400
<v Speaker 1>errors in orientation would just quickly grow wider as they

1:06:32.400 --> 1:06:36.680
<v Speaker 1>piled upon themselves. And people actually truly did just walk

1:06:36.720 --> 1:06:39.120
<v Speaker 1>in circles. I know, it sounds like that wouldn't happen.

1:06:39.160 --> 1:06:40.720
<v Speaker 1>You're like, no, no, no, I could, I could go

1:06:40.760 --> 1:06:43.840
<v Speaker 1>into straight line, but you probably couldn't you just go

1:06:43.920 --> 1:06:47.080
<v Speaker 1>in circles? Uh? And to read from the article quote,

1:06:47.200 --> 1:06:50.520
<v Speaker 1>Suman concluded that with no external cues to help them,

1:06:50.800 --> 1:06:54.280
<v Speaker 1>people will not travel more than around a hundred meters

1:06:54.280 --> 1:06:58.160
<v Speaker 1>from their starting position, regardless of how long they walk for.

1:06:59.360 --> 1:07:02.600
<v Speaker 1>That's so hard to believe, but apparently it's true. Yeah,

1:07:02.640 --> 1:07:06.439
<v Speaker 1>that the path in the forest is not just a suggestion,

1:07:07.000 --> 1:07:09.920
<v Speaker 1>you know it is. It is a lifeline. But another

1:07:09.960 --> 1:07:13.920
<v Speaker 1>big part of this article, Bond talks about how being

1:07:14.000 --> 1:07:16.480
<v Speaker 1>lost in the forest it doesn't just make it hard

1:07:16.520 --> 1:07:19.440
<v Speaker 1>to navigate. It does that, but it also affects the

1:07:19.480 --> 1:07:23.280
<v Speaker 1>way we reason. He says being lost as a cognitive state,

1:07:23.680 --> 1:07:27.200
<v Speaker 1>in that the woods make it extremely difficult, sometimes basically impossible,

1:07:27.240 --> 1:07:29.960
<v Speaker 1>to form a mental map of your surroundings because woods

1:07:30.040 --> 1:07:31.960
<v Speaker 1>just kind of look like woods if you're if you're

1:07:31.960 --> 1:07:34.560
<v Speaker 1>not used to being in them. Uh. He says, quote,

1:07:34.600 --> 1:07:38.000
<v Speaker 1>nothing in your spatial memory matches what you see. Your

1:07:38.000 --> 1:07:41.680
<v Speaker 1>normal mental equipment for navigation becomes close to useless. But

1:07:42.280 --> 1:07:45.160
<v Speaker 1>even more so, Bond argues that being lost is an

1:07:45.160 --> 1:07:50.240
<v Speaker 1>emotional state quote. It delivers a psychic double whammy. Not

1:07:50.360 --> 1:07:52.960
<v Speaker 1>only are you stricken with fear, you also lose your

1:07:52.960 --> 1:07:57.280
<v Speaker 1>ability to reason. You suffer what neuroscientists Joseph Lead calls

1:07:57.360 --> 1:08:02.480
<v Speaker 1>a hostile takeover of consciousness by a motion of people

1:08:02.600 --> 1:08:05.360
<v Speaker 1>make things a lot worse for themselves when they realize

1:08:05.400 --> 1:08:09.200
<v Speaker 1>they are lost by running, for instance, because they're afraid,

1:08:09.400 --> 1:08:11.880
<v Speaker 1>they can't solve problems or figure out what to do.

1:08:12.240 --> 1:08:15.280
<v Speaker 1>They fail to notice landmarks or fail to remember them.

1:08:15.320 --> 1:08:18.880
<v Speaker 1>They lose track of how far they've traveled. They feel claustrophobic,

1:08:18.960 --> 1:08:22.240
<v Speaker 1>as if their surroundings are closing in on them. Uh

1:08:22.280 --> 1:08:24.880
<v Speaker 1>And Bond also says that there are chemical signatures of

1:08:24.960 --> 1:08:27.840
<v Speaker 1>this lost in the woods panic. He quotes a search

1:08:27.880 --> 1:08:32.040
<v Speaker 1>and rescue specialist named Robert Kester who argues that being

1:08:32.120 --> 1:08:35.639
<v Speaker 1>lost is, in terms of neurobiology, similar to a panic attack.

1:08:35.720 --> 1:08:39.920
<v Speaker 1>The body floods with catechola means, and the standard fight

1:08:40.000 --> 1:08:43.800
<v Speaker 1>or flight behavior patterns get triggered. So in a subjective sense,

1:08:43.800 --> 1:08:46.160
<v Speaker 1>it often feels kind of like a break with reality.

1:08:46.240 --> 1:08:48.280
<v Speaker 1>You know, you you're just kind of you feel like

1:08:48.320 --> 1:08:51.559
<v Speaker 1>you're losing your mind. And this can even last after

1:08:51.600 --> 1:08:55.240
<v Speaker 1>a person gets out of the state. He also quotes

1:08:55.360 --> 1:08:58.519
<v Speaker 1>Ed Cornell, who's a psychologist who studies the behavior of

1:08:58.560 --> 1:09:00.960
<v Speaker 1>people who get lost, and and Cornell says that it

1:09:01.000 --> 1:09:03.519
<v Speaker 1>can be really difficult to get information out of a

1:09:03.560 --> 1:09:07.559
<v Speaker 1>person who's been lost. They often have trouble communicating their

1:09:07.560 --> 1:09:11.599
<v Speaker 1>experience and can't remember quite what happened to them, and

1:09:11.880 --> 1:09:15.080
<v Speaker 1>uh and and the type of disorientation and panic and

1:09:15.160 --> 1:09:17.519
<v Speaker 1>stress that's brought on by being lost in the woods

1:09:18.000 --> 1:09:22.160
<v Speaker 1>causes people sometimes to experience delusions and hallucinations. Even in

1:09:22.360 --> 1:09:26.000
<v Speaker 1>otherwise healthy people or seemingly otherwise healthy people, they will

1:09:26.040 --> 1:09:30.439
<v Speaker 1>sometimes report hallucinating interactions with people in the forest. And

1:09:30.520 --> 1:09:32.400
<v Speaker 1>given all this, it's not hard at all to see

1:09:32.439 --> 1:09:35.400
<v Speaker 1>where stories and an otherworldly demon who lives in the

1:09:35.439 --> 1:09:38.559
<v Speaker 1>forest and lures people into becoming lost where they would

1:09:38.560 --> 1:09:42.240
<v Speaker 1>come from. You know, you can easily imagine somebody becoming

1:09:42.320 --> 1:09:46.000
<v Speaker 1>lost in the forest in medieval Russia and then by

1:09:46.120 --> 1:09:49.240
<v Speaker 1>chance they managed to find their way back or get

1:09:49.280 --> 1:09:52.760
<v Speaker 1>rescued somehow, and what is their experience might be kind

1:09:52.760 --> 1:09:55.639
<v Speaker 1>of hard for them to remember what happened, that's strange.

1:09:56.000 --> 1:09:59.320
<v Speaker 1>And they may be experienced like stress based hallucinations while

1:09:59.360 --> 1:10:02.719
<v Speaker 1>they were out there, hearing voices or hearing sounds, maybe

1:10:02.760 --> 1:10:06.679
<v Speaker 1>even seeing people who were taunting them or luring them

1:10:06.720 --> 1:10:10.000
<v Speaker 1>this way and that, Uh, it becomes quite clear how

1:10:10.360 --> 1:10:14.040
<v Speaker 1>stories like this could come out of real experiences. Yeah.

1:10:14.120 --> 1:10:18.040
<v Speaker 1>And and I think it's also interesting how you know,

1:10:18.040 --> 1:10:19.960
<v Speaker 1>we can compare this to the leshy and the idea

1:10:19.960 --> 1:10:23.559
<v Speaker 1>of the leshy being both gigantic and small, hiding behind

1:10:23.680 --> 1:10:26.160
<v Speaker 1>blades of glad grass, and also being the another size

1:10:26.200 --> 1:10:29.000
<v Speaker 1>of a bell tower. There's this kind of this idea

1:10:29.080 --> 1:10:33.160
<v Speaker 1>of the nature of the leshy warps physical space in

1:10:33.200 --> 1:10:36.040
<v Speaker 1>a way that seems to line up well with this

1:10:36.240 --> 1:10:40.439
<v Speaker 1>um that the experiences we're describing here. Yeah. Absolutely, I mean,

1:10:40.479 --> 1:10:44.040
<v Speaker 1>I gotta say researching this episode has has made me

1:10:44.080 --> 1:10:47.120
<v Speaker 1>think kind of differently. I Mean, I'm somebody who I

1:10:47.200 --> 1:10:48.960
<v Speaker 1>love to go hiking in the woods on a on

1:10:49.040 --> 1:10:51.880
<v Speaker 1>a path of course, and in the past I think

1:10:51.960 --> 1:10:55.400
<v Speaker 1>I might have been i don't know, more likely to

1:10:55.400 --> 1:10:57.720
<v Speaker 1>to say like, oh, there's something that looks cool over there.

1:10:57.800 --> 1:10:59.840
<v Speaker 1>Maybe I'll go off the path. I think that's some

1:11:00.000 --> 1:11:03.280
<v Speaker 1>think people should genuinely be cautious about, Like it is

1:11:03.400 --> 1:11:06.040
<v Speaker 1>much easier to lose the path and lose your way

1:11:06.080 --> 1:11:09.240
<v Speaker 1>in the woods than you might think. Yeah, certainly to

1:11:09.360 --> 1:11:12.040
<v Speaker 1>keep in mind for anybody who listened to our episode

1:11:12.040 --> 1:11:14.639
<v Speaker 1>on mushroom foraging and decides to get into it, because

1:11:14.680 --> 1:11:17.400
<v Speaker 1>you know, often is the case that you you spot

1:11:17.479 --> 1:11:20.639
<v Speaker 1>the you know, the the tempting Chanterrell's just a little

1:11:20.680 --> 1:11:22.840
<v Speaker 1>off the path, and you may go out to them

1:11:22.840 --> 1:11:25.360
<v Speaker 1>and you and may that may work out just fine, uh,

1:11:25.400 --> 1:11:28.719
<v Speaker 1>you know, for you, but it also might not, especially

1:11:28.800 --> 1:11:31.320
<v Speaker 1>if you then see the next patch of Chanterrelle's or

1:11:31.320 --> 1:11:34.559
<v Speaker 1>what might be Chanterrelle's, but also might be just some

1:11:34.560 --> 1:11:37.400
<v Speaker 1>some you know, orange ish colored leaves on the ground,

1:11:37.800 --> 1:11:40.080
<v Speaker 1>and then before you know it, uh, the lesh she

1:11:40.160 --> 1:11:43.120
<v Speaker 1>has led you astray. We will eat them. We won't

1:11:43.120 --> 1:11:45.800
<v Speaker 1>eat them, We will saute them in butter. We will

1:11:45.840 --> 1:11:50.439
<v Speaker 1>be saute in butter. I I do you know again,

1:11:50.479 --> 1:11:52.639
<v Speaker 1>I have to to really recommend that that Haney book

1:11:52.680 --> 1:11:54.519
<v Speaker 1>for anyone who wants to read Russian folk tales. But

1:11:54.720 --> 1:11:57.400
<v Speaker 1>I have to drive home again just how good that

1:11:57.640 --> 1:12:00.519
<v Speaker 1>sixty Jack Frost film is not only terms of just

1:12:00.760 --> 1:12:03.720
<v Speaker 1>what a beautiful production it is, but it seems to

1:12:03.840 --> 1:12:07.479
<v Speaker 1>really capture the nature of those Russian folk tales because

1:12:07.760 --> 1:12:12.160
<v Speaker 1>there's this like whimsy and danger and magic, uh that

1:12:12.400 --> 1:12:14.559
<v Speaker 1>is inherent in a lot of these beings. Like, for instance,

1:12:14.560 --> 1:12:19.480
<v Speaker 1>the Babba Yaga herself is in the tales often described,

1:12:19.840 --> 1:12:22.760
<v Speaker 1>you know, is being you know, having these qualities of

1:12:22.760 --> 1:12:25.840
<v Speaker 1>of a woodland monster spirit, but also of just like

1:12:25.880 --> 1:12:30.160
<v Speaker 1>a ridiculous, farting old woman, you know, And and all

1:12:30.200 --> 1:12:32.200
<v Speaker 1>of that I think is reflected very well. And that

1:12:32.240 --> 1:12:36.639
<v Speaker 1>whimsical performance in the film. Yes, Tom Petty Riff Society,

1:12:36.640 --> 1:12:40.280
<v Speaker 1>it is haunted by peasant genius, it really is, you know.

1:12:40.400 --> 1:12:43.800
<v Speaker 1>Another interesting point than Haney made in his overview of

1:12:43.880 --> 1:12:46.599
<v Speaker 1>Russian folk tales is that, aside from the fact that

1:12:46.640 --> 1:12:50.360
<v Speaker 1>the hero very frequently goes into the forest and has

1:12:50.400 --> 1:12:55.960
<v Speaker 1>an encounter, also the hero always prevails, uh. Like, Haney

1:12:55.960 --> 1:12:58.479
<v Speaker 1>really underlined that, like the the hero is going to

1:12:58.600 --> 1:13:01.639
<v Speaker 1>win in these stories. So again we can think back

1:13:01.680 --> 1:13:04.200
<v Speaker 1>to so many of these tales dealing with like the

1:13:04.200 --> 1:13:07.200
<v Speaker 1>the chaotic nature of the woods and it being they

1:13:07.280 --> 1:13:12.120
<v Speaker 1>being stories about how humans can and do overcome the

1:13:12.200 --> 1:13:15.160
<v Speaker 1>chaos of the wilds. Though it's funny because the story

1:13:15.240 --> 1:13:18.840
<v Speaker 1>is also uh, they don't encourage what in the modern

1:13:18.920 --> 1:13:21.160
<v Speaker 1>day at least is generally the best behavior if you

1:13:21.200 --> 1:13:24.000
<v Speaker 1>become lost in the woods, like the you know, Ivan

1:13:24.240 --> 1:13:27.240
<v Speaker 1>Sarvag does not sit down and wait for rescue. He

1:13:27.280 --> 1:13:29.759
<v Speaker 1>does not hug a tree, which is actually the smartest

1:13:29.760 --> 1:13:31.280
<v Speaker 1>thing to do if you get lost. He's like, no,

1:13:31.439 --> 1:13:36.680
<v Speaker 1>forge ahead. Yeah, it always works out for him eventually.

1:13:37.000 --> 1:13:40.280
<v Speaker 1>If you get lost, don't be like Ivan. I guess

1:13:40.320 --> 1:13:42.519
<v Speaker 1>unless you've got a self setting table cloth, then you

1:13:42.600 --> 1:13:44.680
<v Speaker 1>might be okay. Oh yeah. I mean if you've got

1:13:44.680 --> 1:13:47.800
<v Speaker 1>a self setting table cloth, that's really gonna help you

1:13:47.800 --> 1:13:49.439
<v Speaker 1>out in the long run. I mean that that means

1:13:49.479 --> 1:13:51.240
<v Speaker 1>you don't have to worry about food and water. Do

1:13:51.280 --> 1:13:53.400
<v Speaker 1>you think the food from the self setting table cloth

1:13:53.520 --> 1:13:55.679
<v Speaker 1>was good or was it just like you know, kind

1:13:55.680 --> 1:13:59.040
<v Speaker 1>of you know, it's bread or whatever. Is it like

1:13:59.200 --> 1:14:03.200
<v Speaker 1>really nice were ma stuff? Um? I mean I'm assuming

1:14:03.280 --> 1:14:09.040
<v Speaker 1>it was probably like basic like everyday food. Uh. I

1:14:09.040 --> 1:14:11.519
<v Speaker 1>guess it was pretty good. I mean there's a section

1:14:11.520 --> 1:14:14.800
<v Speaker 1>where where Ivan's dining from it. Um, And I don't know,

1:14:14.840 --> 1:14:16.600
<v Speaker 1>it's just not. I don't think it was mentioned in

1:14:16.600 --> 1:14:19.680
<v Speaker 1>that particular retelling of the tale, but I imagine it

1:14:19.720 --> 1:14:25.360
<v Speaker 1>as being like typical like typical Russian people's food, borsht

1:14:25.439 --> 1:14:28.720
<v Speaker 1>and morals. Yeah, I guess so. You know, all right,

1:14:28.760 --> 1:14:31.160
<v Speaker 1>we're gonna go ahead and close this out here. Obviously

1:14:31.680 --> 1:14:33.559
<v Speaker 1>there there's there's so many other things we could talk

1:14:33.560 --> 1:14:38.040
<v Speaker 1>about with Russian folklore, a tremendous amount of material out there.

1:14:38.400 --> 1:14:40.559
<v Speaker 1>You know, who knows if if you all enjoyed listening

1:14:40.560 --> 1:14:43.120
<v Speaker 1>to this episode, perhaps we could return in the future,

1:14:43.960 --> 1:14:46.320
<v Speaker 1>but we would love to hear from you in the meantime.

1:14:46.400 --> 1:14:49.840
<v Speaker 1>Some of the key questions UM would regard, of course,

1:14:50.080 --> 1:14:53.519
<v Speaker 1>did you grow up watching Jack Frost? If so, tell

1:14:53.640 --> 1:14:55.880
<v Speaker 1>us about that and it's impact on your you know,

1:14:55.960 --> 1:14:58.360
<v Speaker 1>your your your holidays or your just a sort of

1:14:58.400 --> 1:15:01.240
<v Speaker 1>appreciation of cinema in general. I understand it was quite

1:15:01.439 --> 1:15:05.519
<v Speaker 1>influential on some filmmakers. By the way, I also am

1:15:05.520 --> 1:15:10.040
<v Speaker 1>interested if anybody has any definite answers regarding father or

1:15:10.040 --> 1:15:13.679
<v Speaker 1>grandfather Mushroom, does he have an existence in Russian Russian

1:15:13.680 --> 1:15:17.519
<v Speaker 1>folklore prior to that nineteen film. I would I would

1:15:17.560 --> 1:15:20.880
<v Speaker 1>love to to have some clarity on that question, and

1:15:20.960 --> 1:15:24.599
<v Speaker 1>of course if you have been lost in the woods,

1:15:24.640 --> 1:15:27.960
<v Speaker 1>either just a little bit lost or like majorly lost

1:15:28.000 --> 1:15:31.160
<v Speaker 1>in the woods, if you would like to share your

1:15:31.280 --> 1:15:33.559
<v Speaker 1>your experience with us and tell us how it relates

1:15:33.600 --> 1:15:36.360
<v Speaker 1>to both the you know, the studies that Joe mentioned

1:15:36.360 --> 1:15:39.040
<v Speaker 1>and also the folklore we've discussed here, we would love

1:15:39.080 --> 1:15:41.640
<v Speaker 1>to hear from you totally. In the meantime, if you

1:15:41.680 --> 1:15:43.400
<v Speaker 1>would like to check out other episodes of Stuff to

1:15:43.400 --> 1:15:45.840
<v Speaker 1>Blow your Mind, you can find us wherever you get

1:15:45.880 --> 1:15:48.760
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1:15:48.800 --> 1:15:51.479
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1:16:07.360 --> 1:16:10.479
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1:16:10.479 --> 1:16:12.679
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