WEBVTT - Straightio Rewind: "Straight Lines" w/ Martine

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<v Speaker 1>Who do you who?

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<v Speaker 2>This is George. I'm gonna cut right to the chase, folks.

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<v Speaker 2>As of right now, Sam Taggart is halfway through his

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<v Speaker 2>stand up tour and I, George Severes, am about to

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<v Speaker 2>start my stand up tour.

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<v Speaker 1>So if you.

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<v Speaker 2>Want to see Sam on tour, he has a few

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<v Speaker 2>dates left d C, Philly, Chicago, Pittsburgh, and Boston. You

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<v Speaker 2>can go to linktree dot com slash Sam Taggart. And

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<v Speaker 2>if you want to see me on tour starting later

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<v Speaker 2>this month in La Easthampton, Chicago, Boston, Philly, Pittsburgh, Sacramento,

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<v Speaker 2>San Francisco, Seattle, Toronto, and a few more dates that

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<v Speaker 2>I'm adding soon, you can go to linktree dot com

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<v Speaker 2>slash George Severes. That is l I n K t

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<v Speaker 2>R e E dot com slash either Sam Taggart or

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<v Speaker 2>George severies depending on which one of us you want

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<v Speaker 2>to see, and I'm gonna be honest, some of these

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<v Speaker 2>dates are selling out, so I would act fast. We

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<v Speaker 2>cannot wait to see you on the road. We are

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<v Speaker 2>having so much fun touring and that's pretty much it.

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<v Speaker 2>Enjoy the show.

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<v Speaker 1>Who doy Who? Glamour Girls you're listening to Stradio Lab rewind.

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<v Speaker 2>Once a month, we will be re releasing an old

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<v Speaker 2>classic Stradio Lab episode to refamiliarize new listeners with the

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<v Speaker 2>lore that built the podcast. The government cannot shut down.

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<v Speaker 1>Because we recorded some of these long long ago. The

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<v Speaker 1>audio quality may be mixed, but trust the ideas are

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<v Speaker 1>eternal and dangerous.

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<v Speaker 2>So take out your notebook and open to page one,

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<v Speaker 2>because it's time to start taking notes about the things

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<v Speaker 2>we've said.

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<v Speaker 1>Okay, enjoy the past. Bye. Podcast starts now. Wow, I

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<v Speaker 1>haven't gathered my thoughts yet. Well what thought? I don't know.

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<v Speaker 1>There was something. It all happens.

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<v Speaker 2>So you were like, okay, let's start. Podcast starts now,

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<v Speaker 2>and I'm I find myself in that place between backstage

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<v Speaker 2>and on stage, and I'm telling myself go go. The

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<v Speaker 2>crowd is waiting go. But then I'm being like, oh, sorry,

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<v Speaker 2>just one more sip of water yea. And meanwhile the

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<v Speaker 2>executive from the big network has already left.

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<v Speaker 1>He's like this is not He's like this is unprofessional?

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<v Speaker 2>Is unprofessional? What is he wearing his food in his teeth?

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<v Speaker 2>Looks disgusting? Disgusting.

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<v Speaker 1>Gig eye alert.

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<v Speaker 2>We do not we have filled or disgusting gig a

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<v Speaker 2>quota for the month. We don't need any more with

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<v Speaker 2>this little bitch.

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<v Speaker 1>Yeah, that can be so hard. So that's where I am.

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<v Speaker 1>How about you me? I feel like I'm in a

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<v Speaker 1>similar space, but I'm my My imagery is more that

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<v Speaker 1>I'm walking from the back of the venue, and it's

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<v Speaker 1>sort of like I'm sort of I should have come from,

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<v Speaker 1>you know, the stage door, but I'm making a show

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<v Speaker 1>of it, and I'm being like, Okay, it's taking me

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<v Speaker 1>forever to get there, like yeah, you know, way, that's

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<v Speaker 1>kind of fun. And everyone's like, oh wow, he's playing

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<v Speaker 1>with the forum like I didn't know someone could come

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<v Speaker 1>from the back. Are you doing the thing?

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<v Speaker 2>Are you saying hi to people as you're walking, but

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<v Speaker 2>with no expectation that they'll say high back?

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<v Speaker 1>Yes, just sort of like waves waves here to be

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<v Speaker 1>in a room where all eyes are on you, can

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<v Speaker 1>I tell you please? I'm We're recording this live from

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<v Speaker 1>New York City, of course, and you know I've been

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<v Speaker 1>out of town, one could argue, and I went.

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<v Speaker 2>To, do you think living somewhere different permanently counts as

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<v Speaker 2>being out of town?

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<v Speaker 1>Well, it's certainly not in town. I can say that much,

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<v Speaker 1>and I was. I went to the actually last night,

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<v Speaker 1>and I actually went with some one of my coworkers

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<v Speaker 1>at the job who was in New York as well,

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<v Speaker 1>and he got to watch as people everyone comes up

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<v Speaker 1>and says, Hi, oh my god, you've been out of town.

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<v Speaker 1>How has it been? Multiple pole homecoming? It was a homecoming?

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<v Speaker 3>Wait where do you live? Oh? Yeah, I'm sorry, I'm

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<v Speaker 3>keeping saying. I feel like I'm I'm like eating alone,

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<v Speaker 3>like you're and you're like at a table.

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<v Speaker 1>I feel like you're like tweeting you're first stay next

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<v Speaker 1>to me. Yeah.

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<v Speaker 2>We put our guests through this ringer of like, rather

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<v Speaker 2>than welcoming them, we make them do the most awkward

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<v Speaker 2>thing possible, which is just sit there and make facial

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<v Speaker 2>expressions at us and just not be able to speak

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<v Speaker 2>and just have to be.

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<v Speaker 3>Like it's working. I feel I feel excluded. Oh oh,

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<v Speaker 3>but in like.

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<v Speaker 1>A in a way that makes you want to perform

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<v Speaker 1>even better? Is it like revenue up?

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<v Speaker 3>Yeah, a little. I'm like, what am I going to?

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<v Speaker 3>How am I going to get in there?

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<v Speaker 1>Yeah?

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<v Speaker 3>Am I gonna?

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<v Speaker 1>Yeah? Well there's a tension building.

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<v Speaker 3>What do you order? You know?

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<v Speaker 1>Yeah, that looks good. Oh, I would love to try that.

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<v Speaker 2>This is actually something we can talk about, is the

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<v Speaker 2>dynamics of talking to a neighboring table at a restaurant.

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<v Speaker 1>I think we should bring in our guest. Okay, let's

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<v Speaker 1>bring our guests. Okay, we'll not further do please welcome

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<v Speaker 1>the multi hyphen it and recent star of Fantasmas Martine. Hello, Martin,

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<v Speaker 1>thank you for joining us.

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<v Speaker 3>Was I supposed to say?

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<v Speaker 1>You don't have to?

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<v Speaker 3>Okay, I'm glad you recognized me because it's it's like

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<v Speaker 3>a fifty to fifty these days.

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<v Speaker 1>So how are you?

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<v Speaker 3>I'm good. I was resistant. I don't want to overshare.

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<v Speaker 3>It seems to be like a thing.

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<v Speaker 1>It's incredible to come in a podcast answer to the

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<v Speaker 1>question how are you to be? I don't want to overshare.

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<v Speaker 3>I don't I prefer I'd prefer to. Well, sometimes I

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<v Speaker 3>just get too genuine and I kind of the other

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<v Speaker 3>person is kind of they don't know what they're in for.

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<v Speaker 3>They're like, I wanted to just go.

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<v Speaker 1>I just want it to be we don't mind being

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<v Speaker 1>challenge all.

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<v Speaker 2>You find that you get to that genuine place too fast?

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<v Speaker 3>Yeah, yeah, yeah, I kind of like sit on the

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<v Speaker 3>edge kind of intimacy. If it was a ledge, I'm

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<v Speaker 3>like dangling my little bitsy heels.

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<v Speaker 1>Off the edge, some of the tiniest heels I've ever seen.

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<v Speaker 3>Really, Yeah, like you're lying.

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<v Speaker 1>Wait and I so it's like a cliff, the waves

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<v Speaker 1>crashing on the rocks, and I'm scared. I'm like, is

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<v Speaker 1>she gonna get that intimate?

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<v Speaker 2>And then if it's yeah, that's that. And so then

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<v Speaker 2>every time someone starts a conversation with you, it's a

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<v Speaker 2>little tap on your shoulder. But if it's if it's

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<v Speaker 2>too much, you're oh.

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<v Speaker 3>Wait, it's like a real it's like a push.

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<v Speaker 1>Yeah. Yeah, Well that must be really hard.

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<v Speaker 3>But I'm gonna what did I say?

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<v Speaker 1>Good? You said you were good.

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<v Speaker 3>I think that's true.

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<v Speaker 2>See, now you're hanging off the ledge. The word good

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<v Speaker 2>brought you from sitting on the edge to hang off,

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<v Speaker 2>hanging by one hand.

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<v Speaker 3>There's like a yeah, there's like an old you know,

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<v Speaker 3>twisted tree I'm holding Yeah, yeah.

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<v Speaker 1>Yeah, so dangerous.

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<v Speaker 2>And it's got a chill. Yeah, and the fog you

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<v Speaker 2>actually can't see the bottom.

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<v Speaker 3>Of No, you can hear.

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<v Speaker 1>You can hear. Oh in the salt, the salt in

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<v Speaker 1>the air.

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<v Speaker 3>Yes, yeah, gorgeous. I mean that's why I look like that.

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<v Speaker 3>I mean, it does.

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<v Speaker 1>Really, it was amazing.

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<v Speaker 2>It's a double edge story because on the one hand,

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<v Speaker 2>you you might die, but on the other hand you

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<v Speaker 2>look snatched as hell.

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<v Speaker 3>Yeah you, I mean as you. How else would you

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<v Speaker 3>want to go?

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<v Speaker 1>Yeah? Yeah, Martine. Can I ask a personal question?

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<v Speaker 3>I've never seen this show? How personal? Yeah? Yeah?

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<v Speaker 1>Okay, I want to know what in your life changed

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<v Speaker 1>when you messaged me I'm ready to do a podcast.

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<v Speaker 2>Oh yeah, because we actually have been trying to get

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<v Speaker 2>you on for approximately five years.

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<v Speaker 1>And then one day I got this beauty message said

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<v Speaker 1>I'm ready to do a podcast. Yeah, And I said

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<v Speaker 1>this something has changed.

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<v Speaker 3>Yeah, it did changed it. I don't I don't enjoy this, Okay,

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<v Speaker 3>I don't.

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<v Speaker 1>Well it's a curse.

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<v Speaker 3>Yeah, I don't enjoy inhabiting this body and being on earth.

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<v Speaker 3>But I I have made the best of it. Sure,

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<v Speaker 3>and I think and I I was on Julio's show again,

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<v Speaker 3>and but this time everyone, you know, everyone gagged, Well

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<v Speaker 3>they gagged, they gagged and I and I and I

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<v Speaker 3>was told I have to do more press.

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<v Speaker 1>I was told there by Julio.

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<v Speaker 3>I didn't say that I didn't say that.

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<v Speaker 1>But you don't deny it.

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<v Speaker 3>I he didn't specifically say that. It was it was

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<v Speaker 3>made clear to me that I can't just be this

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<v Speaker 3>kind of anonymous figure.

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<v Speaker 1>So you're breaking your silence.

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<v Speaker 3>Yeah, and you have asked, and I was like, oh,

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<v Speaker 3>I won't. It won't be like totally foreign for me

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<v Speaker 3>to Yeah, it's gonna it's like me stepping into the.

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<v Speaker 1>This is your big debut, yeah, oppress, Yes, because you

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<v Speaker 1>have like a lot of listeners.

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<v Speaker 3>Right, Oh, well, maybe I'm here because I'm here for that.

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<v Speaker 3>I'm here for two. I kind of feel like I

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<v Speaker 3>have nothing to promote though.

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<v Speaker 1>That's okay. Most of our guests don't.

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<v Speaker 3>Okay.

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<v Speaker 2>Yeah, So just to recap, you don't enjoy this. You

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<v Speaker 2>are doing it because we have a lot of listeners

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<v Speaker 2>and you have nothing to promote.

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<v Speaker 1>But you are here to promote fantastics. Do you feel

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<v Speaker 1>uncomfortable with the question? How are you?

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<v Speaker 3>I don't feel uncomfortable. I just I didn't want to.

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<v Speaker 3>I didn't want to make you listen to something that

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<v Speaker 3>that I might regret saying, of.

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<v Speaker 2>Course, I get the sense that I'm getting is that

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<v Speaker 2>there is a big secret, don't you don't you feel

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<v Speaker 2>there's a big secret and you're afraid that if you speak,

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<v Speaker 2>you'll spill it. You have, you have a big secret,

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<v Speaker 2>don't deny it.

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<v Speaker 3>I have a big secret. So it's true. I didn't

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<v Speaker 3>I didn't want to say it. But it might even

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<v Speaker 3>be two secrets. Oh yeah, somehow less dramatic.

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<v Speaker 1>Yeah, not like secrets. Yeah, we all have.

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<v Speaker 3>Secret seven secrets.

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<v Speaker 1>Yeah, no, that's really interesting. The number of secrets that

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<v Speaker 1>have is one.

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<v Speaker 3>It's only one one secret.

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<v Speaker 2>Also, I would say two is literally the worst number

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<v Speaker 2>because at least if you have a hundred secrets, then okay,

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<v Speaker 2>you're like you like wear a robe and you like

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<v Speaker 2>But if you if you have two, it's like, okay,

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<v Speaker 2>so you're like a politician and your two secrets are

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<v Speaker 2>like you had an affair and you're like a bad dad.

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<v Speaker 1>Yeah, and it's like that's actually not and you took

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<v Speaker 1>money from oil. There we go, that's a better secret. Yeah.

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<v Speaker 3>Yeah, you're paying you're paying for nice hotels, yes, exactly,

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<v Speaker 3>you're paying for beautiful dinners.

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<v Speaker 1>Yeah so everyone. Yeah.

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<v Speaker 2>So actually, if you have one big secret, a way

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<v Speaker 2>to make that better for yourself is to have another secret,

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<v Speaker 2>and then it will make the first secret less but to.

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<v Speaker 1>Be better than that's sort of how you know, almost

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<v Speaker 1>addiction starts. So you're like, well, it's like this is

0:11:49.320 --> 0:11:51.319
<v Speaker 1>how credit card debt works, where you're like, well, I

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<v Speaker 1>already have a little Maybe I'll just paid off another

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<v Speaker 1>credit card. Oh my god.

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<v Speaker 2>What if someone was addicted to secrets, collecting them or

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<v Speaker 2>just having them?

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<v Speaker 3>Yeah, I don't want to talk about it anymore about

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<v Speaker 3>your secret.

0:12:07.400 --> 0:12:09.520
<v Speaker 1>Your two secrets. You don't want to talk about.

0:12:09.360 --> 0:12:11.360
<v Speaker 3>Your secrets, That's what I said.

0:12:13.160 --> 0:12:15.080
<v Speaker 1>But you do want people to know you have them?

0:12:15.520 --> 0:12:17.520
<v Speaker 3>No what Oh so we'll cut that out.

0:12:17.800 --> 0:12:21.160
<v Speaker 1>Yeah, but this is live, Yeah, this is live.

0:12:21.480 --> 0:12:27.000
<v Speaker 3>Oh sorry, okay, well, coming at you live from Time Square. Honestly,

0:12:27.160 --> 0:12:31.440
<v Speaker 3>this building gives Times Square Hall the way that played

0:12:31.760 --> 0:12:36.479
<v Speaker 3>different Hits as you walk through the tunnel of Hits. Yeah,

0:12:37.080 --> 0:12:37.960
<v Speaker 3>that's why I was late.

0:12:38.600 --> 0:12:40.319
<v Speaker 1>Oh you got lost in the tunnel of Hits.

0:12:40.640 --> 0:12:42.320
<v Speaker 3>Yeah. I just would go forward and go back, and

0:12:42.320 --> 0:12:44.280
<v Speaker 3>go forward and go back. And I got on my

0:12:44.360 --> 0:12:47.800
<v Speaker 3>phone and I took some content and then I was like,

0:12:47.880 --> 0:12:48.679
<v Speaker 3>I can't post this.

0:12:49.040 --> 0:12:50.320
<v Speaker 1>Yeah, so.

0:12:52.840 --> 0:12:54.160
<v Speaker 3>But can we go back there?

0:12:54.559 --> 0:12:56.439
<v Speaker 4>Like the three of us, we definitely are going to

0:12:56.640 --> 0:12:58.120
<v Speaker 4>We're going to go back and we're going to get

0:12:58.120 --> 0:13:00.640
<v Speaker 4>some picks and we're not going to lose ourselves in it.

0:13:01.000 --> 0:13:01.800
<v Speaker 3>And that's what you want.

0:13:02.240 --> 0:13:04.599
<v Speaker 1>Oh, oh, do you want to lose yourself in the

0:13:04.640 --> 0:13:06.000
<v Speaker 1>Tunnel of Hits?

0:13:06.480 --> 0:13:08.120
<v Speaker 3>I feel like I can't. I mean it was I

0:13:08.160 --> 0:13:08.439
<v Speaker 3>was like.

0:13:08.400 --> 0:13:12.120
<v Speaker 1>Half what you were half an hour late because you

0:13:12.160 --> 0:13:13.040
<v Speaker 1>were in the tunnel of five.

0:13:14.240 --> 0:13:18.480
<v Speaker 3>Yeah, I was like thirty five minutes.

0:13:18.559 --> 0:13:21.280
<v Speaker 1>I want to say something about being thirty five minutes late. Yeah,

0:13:21.559 --> 0:13:24.560
<v Speaker 1>where there was thirty five minutes late is actually so

0:13:24.600 --> 0:13:27.480
<v Speaker 1>significantly late that you get scared and you're like, oh,

0:13:27.559 --> 0:13:29.360
<v Speaker 1>she's not going to show up. That when you do

0:13:29.400 --> 0:13:31.719
<v Speaker 1>show up, it's actually a treat. Like when you got here,

0:13:31.800 --> 0:13:36.320
<v Speaker 1>I was like, oh, like there was nothing but like joy. Yeah, okay,

0:13:36.440 --> 0:13:39.520
<v Speaker 1>because it was like it could have been so much worse,

0:13:39.600 --> 0:13:41.400
<v Speaker 1>Whereas if you were twenty minutes late, we would have

0:13:41.400 --> 0:13:41.720
<v Speaker 1>been mad.

0:13:41.760 --> 0:13:44.480
<v Speaker 3>We were like, hell and fifteen, It's almost.

0:13:44.160 --> 0:13:46.559
<v Speaker 1>Like fifteen doesn't even count. We were fifteen.

0:13:46.760 --> 0:13:47.920
<v Speaker 3>Yeah, oh you were fifteen.

0:13:48.000 --> 0:13:51.800
<v Speaker 1>Well I was actually twenty. Let's just say we were mad.

0:13:52.559 --> 0:13:53.199
<v Speaker 1>They were mad at me.

0:13:53.320 --> 0:13:55.120
<v Speaker 2>We did another recording before this, and I was twenty

0:13:55.160 --> 0:13:57.800
<v Speaker 2>minutes late because of a combination of subway issues and

0:13:57.920 --> 0:14:01.800
<v Speaker 2>my own timing, and I coul feel that they were mad. Yeah,

0:14:01.840 --> 0:14:05.160
<v Speaker 2>and I had to overperform. And I actually think I

0:14:05.240 --> 0:14:07.440
<v Speaker 2>knocked it out of the park because I think that

0:14:07.520 --> 0:14:10.840
<v Speaker 2>pressure is what I needed to.

0:14:10.000 --> 0:14:15.200
<v Speaker 1>Stick the landing, stick the land. Yes, like a gymnast, Like,

0:14:16.120 --> 0:14:19.480
<v Speaker 1>what's a gymnast? So you would love them? Yeah, you

0:14:19.480 --> 0:14:23.880
<v Speaker 1>would love gymnastics. Yeah, A short little girls, yeah, oh yeah,

0:14:23.960 --> 0:14:30.600
<v Speaker 1>I yes. And they can do anything flip, twirl, spin, balance, very.

0:14:30.480 --> 0:14:33.000
<v Speaker 2>Strong, strong and elegant and graceful.

0:14:33.760 --> 0:14:37.240
<v Speaker 1>Yes. And they represent our country oh and.

0:14:37.560 --> 0:14:43.240
<v Speaker 2>Yeahs yes, like in the United Nations and Angelina Jolie

0:14:43.320 --> 0:14:45.840
<v Speaker 2>figures if you will. And they work in teams and

0:14:45.880 --> 0:14:49.520
<v Speaker 2>also individually, so they celebrate both the communal aspect of

0:14:49.560 --> 0:14:55.040
<v Speaker 2>American culture and the rigid, individualistic, capitalist nature of American culture.

0:14:55.240 --> 0:14:57.360
<v Speaker 1>It's a beautiful combination, but it comes at a cost

0:14:57.800 --> 0:14:59.720
<v Speaker 1>because they can only stay so beautiful and strong for

0:14:59.760 --> 0:15:02.760
<v Speaker 1>sol long. Yes, So they die out very very young.

0:15:02.600 --> 0:15:05.560
<v Speaker 2>And as soon as they are twenty one years old,

0:15:05.640 --> 0:15:08.640
<v Speaker 2>they're too old, and people are throwing tomatoes at them, saying,

0:15:08.920 --> 0:15:11.640
<v Speaker 2>old bitch, get off this stage.

0:15:11.880 --> 0:15:15.240
<v Speaker 1>I don't want you representing my nation. Anymore. So it's

0:15:15.320 --> 0:15:19.600
<v Speaker 1>unethical in that regard, but it's still inspiring. Nonetheless, Yeah,

0:15:19.680 --> 0:15:21.360
<v Speaker 1>if you don't look into it, you would really like it.

0:15:21.960 --> 0:15:23.080
<v Speaker 3>You both know so much.

0:15:23.240 --> 0:15:23.640
<v Speaker 1>Thank you.

0:15:26.560 --> 0:15:28.760
<v Speaker 2>So anyway, the sticking the landing is when a gymnast

0:15:28.800 --> 0:15:32.120
<v Speaker 2>does a bunch of flips, you know, it doesn't count it.

0:15:32.200 --> 0:15:35.400
<v Speaker 2>She then like falls flat on her ass. She has

0:15:35.440 --> 0:15:36.960
<v Speaker 2>to stick the land and she has to land on

0:15:37.000 --> 0:15:39.280
<v Speaker 2>both her feet and then do this.

0:15:41.600 --> 0:15:45.840
<v Speaker 1>Hands up to show them, to show that she's not

0:15:45.880 --> 0:15:50.440
<v Speaker 1>a threat, right, she actually she has to land and

0:15:50.480 --> 0:15:50.960
<v Speaker 1>then do this.

0:15:53.120 --> 0:15:55.760
<v Speaker 3>I think I have seen this. Yeah, I think I've

0:15:55.800 --> 0:15:56.480
<v Speaker 3>seen this. Yeah.

0:15:57.640 --> 0:16:00.040
<v Speaker 1>Do you like the Olympics?

0:16:00.960 --> 0:16:02.840
<v Speaker 3>I've never been Mmm.

0:16:04.280 --> 0:16:05.000
<v Speaker 1>Maybe on TV.

0:16:07.840 --> 0:16:11.480
<v Speaker 3>I I didn't watch. I didn't watch this year either,

0:16:11.640 --> 0:16:13.840
<v Speaker 3>but I had friends that were there in Paris and

0:16:13.920 --> 0:16:16.640
<v Speaker 3>they were telling me how it sucks. They were like,

0:16:16.720 --> 0:16:20.320
<v Speaker 3>oh my god, this like it got hand out and

0:16:20.360 --> 0:16:24.880
<v Speaker 3>it was like allegedly that Gaga performance was like pre taped,

0:16:25.720 --> 0:16:28.480
<v Speaker 3>so while it was happening, she wasn't even on the stage.

0:16:28.320 --> 0:16:31.920
<v Speaker 1>Not like us that we're alive like this, not like this.

0:16:31.960 --> 0:16:40.200
<v Speaker 3>I'm here, I reached through my face. No, apparently it

0:16:40.320 --> 0:16:44.040
<v Speaker 3>was just like such a bust with the weather, and

0:16:44.920 --> 0:16:46.640
<v Speaker 3>I can't believe they made people swim in the sun.

0:16:47.360 --> 0:16:49.280
<v Speaker 2>Yeah, it's crazy. Those people are all going to grow

0:16:49.320 --> 0:16:50.240
<v Speaker 2>like an extra limb.

0:16:50.680 --> 0:16:54.800
<v Speaker 3>Someone got sick. Couldn't even like compete because of the

0:16:55.640 --> 0:16:57.320
<v Speaker 3>like pollution, pollution.

0:16:57.840 --> 0:17:04.080
<v Speaker 1>Yeah, how do you say poop? It is a poop.

0:17:04.320 --> 0:17:05.440
<v Speaker 1>It's a poopoo.

0:17:07.600 --> 0:17:10.760
<v Speaker 3>I don't know how to say pooh in frene. Oh

0:17:10.840 --> 0:17:17.520
<v Speaker 3>yeah that's yeah. Yeah, that's my mom swear when she

0:17:17.560 --> 0:17:18.480
<v Speaker 3>gets really mad.

0:17:18.359 --> 0:17:22.960
<v Speaker 1>Quietly, I really like when you erase the eye.

0:17:22.880 --> 0:17:26.880
<v Speaker 3>Ye, you're like, oh god, she's really it's like, oh

0:17:26.880 --> 0:17:27.480
<v Speaker 3>it's bad.

0:17:29.760 --> 0:17:30.440
<v Speaker 1>It's like the key.

0:17:30.520 --> 0:17:32.240
<v Speaker 3>It's like she doesn't have our keys. We're like locked

0:17:32.280 --> 0:17:33.720
<v Speaker 3>out or ship.

0:17:35.760 --> 0:17:40.560
<v Speaker 1>Ship you know, one of those people that when she's

0:17:40.640 --> 0:17:41.800
<v Speaker 1>angry rather than louder.

0:17:42.080 --> 0:17:45.680
<v Speaker 3>Oh yeah, no, she's not a yeller. That's why I'm

0:17:45.720 --> 0:17:48.280
<v Speaker 3>like this, mm do you ever raise your voice?

0:17:50.440 --> 0:17:52.959
<v Speaker 1>Would you like to yell at us? Yeah?

0:17:53.600 --> 0:17:55.400
<v Speaker 3>I would love. I would love to yell at both

0:17:55.400 --> 0:17:55.600
<v Speaker 3>of you.

0:17:55.760 --> 0:17:59.280
<v Speaker 1>Okay, yeah, we're open to it now, sure.

0:17:59.720 --> 0:18:01.760
<v Speaker 2>Or if you want to surprise us during the episode, Oh,

0:18:01.840 --> 0:18:04.000
<v Speaker 2>that could be fun. Whenever you feel like yelling at.

0:18:04.000 --> 0:18:05.679
<v Speaker 1>Us when we say the magic word, what do you

0:18:05.720 --> 0:18:12.560
<v Speaker 1>want the magic word is poop in the sin, But

0:18:12.640 --> 0:18:14.160
<v Speaker 1>there's no way we're going to get back to poop

0:18:14.200 --> 0:18:14.520
<v Speaker 1>in the sun.

0:18:14.680 --> 0:18:16.080
<v Speaker 2>Oh okay, so we have to think of a word

0:18:16.080 --> 0:18:18.040
<v Speaker 2>that we might say.

0:18:18.520 --> 0:18:19.359
<v Speaker 3>Are they like kids?

0:18:19.680 --> 0:18:23.199
<v Speaker 1>They you're really small children? Yeah? Yeah, yeah. You know.

0:18:23.400 --> 0:18:24.360
<v Speaker 1>Also when you said.

0:18:24.280 --> 0:18:26.959
<v Speaker 2>We're an educational show, it feels like small children.

0:18:27.000 --> 0:18:28.920
<v Speaker 3>It feels like you're teaching me a lot. Yeah.

0:18:30.480 --> 0:18:34.320
<v Speaker 1>Yeah, that's our first segment is called the Letter B,

0:18:37.080 --> 0:18:39.880
<v Speaker 1>and in this segment we say words with the letter

0:18:39.920 --> 0:18:43.120
<v Speaker 1>B for all our kids listeners. That's right, that's right. Yeah, sorry,

0:18:43.280 --> 0:18:43.760
<v Speaker 1>I forgot.

0:18:43.760 --> 0:18:51.400
<v Speaker 2>I forgot for a second that first segment box very ball, ballpark, balloon.

0:18:52.200 --> 0:18:54.280
<v Speaker 1>Okay, do you have any B words?

0:18:55.080 --> 0:18:55.800
<v Speaker 3>Boobs?

0:18:57.160 --> 0:18:58.560
<v Speaker 1>You have to cut that show?

0:19:01.840 --> 0:19:06.960
<v Speaker 3>Bress breast how's an every child already seen one? Both

0:19:07.000 --> 0:19:07.679
<v Speaker 3>of them? Really?

0:19:07.760 --> 0:19:10.560
<v Speaker 1>Yeah? That one to two for years? True?

0:19:11.000 --> 0:19:16.480
<v Speaker 2>Yeah, I guess if they've breast yeah, but not for years.

0:19:16.520 --> 0:19:17.480
<v Speaker 2>You were not breast fed?

0:19:18.200 --> 0:19:20.359
<v Speaker 1>Okay, judgment. Well, I don't know.

0:19:20.400 --> 0:19:24.240
<v Speaker 2>I just figure, you know, all American Midwest like that's

0:19:24.720 --> 0:19:25.760
<v Speaker 2>screams breastfeeding.

0:19:25.960 --> 0:19:27.120
<v Speaker 1>I don't know, maybe I don't know.

0:19:27.840 --> 0:19:30.119
<v Speaker 2>You you don't know if you were breast fed sorry,

0:19:30.160 --> 0:19:32.679
<v Speaker 2>I know, I'm I know I'm attacking you right now.

0:19:32.560 --> 0:19:33.840
<v Speaker 1>But is it?

0:19:33.880 --> 0:19:34.919
<v Speaker 3>How's your immune system?

0:19:35.080 --> 0:19:35.600
<v Speaker 1>Amazing?

0:19:35.800 --> 0:19:38.040
<v Speaker 3>Okay? Then probably have you.

0:19:37.520 --> 0:19:40.359
<v Speaker 1>Never asked George how his immune system is terrible? And

0:19:40.440 --> 0:19:41.360
<v Speaker 1>yet I was breast fed?

0:19:42.160 --> 0:19:42.800
<v Speaker 3>Okay?

0:19:43.920 --> 0:19:46.200
<v Speaker 1>Were you breast fed? And how's your immune system?

0:19:46.400 --> 0:19:50.600
<v Speaker 3>Mine's okay? And I was breastfed. What were you drinking?

0:19:50.840 --> 0:19:57.959
<v Speaker 1>Yeah? Wow, corn so corn milk, corn milk so shocking. No,

0:19:58.000 --> 0:19:59.280
<v Speaker 1>I don't know. I think the real answers.

0:19:59.280 --> 0:19:59.560
<v Speaker 3>I don't know.

0:19:59.600 --> 0:20:01.720
<v Speaker 1>You don't know, Rain. I think before I was like

0:20:01.760 --> 0:20:03.200
<v Speaker 1>probably not, but then I'm like, well, I guess I

0:20:03.200 --> 0:20:03.520
<v Speaker 1>don't know.

0:20:03.680 --> 0:20:06.480
<v Speaker 2>I have a question for you. Why was your assumption no?

0:20:07.119 --> 0:20:08.440
<v Speaker 1>Because it doesn't sound right.

0:20:10.000 --> 0:20:12.440
<v Speaker 2>Because you're like, that's my mom. Why would why would

0:20:12.600 --> 0:20:13.840
<v Speaker 2>she be feeding me her breath?

0:20:13.880 --> 0:20:16.800
<v Speaker 1>Yeah? I would have been when you were a baby. No,

0:20:16.880 --> 0:20:19.479
<v Speaker 1>I get that, but I think no, but I don't know,

0:20:19.600 --> 0:20:23.200
<v Speaker 1>do you? Okay? Sorry, I can stop pushing this. No,

0:20:23.240 --> 0:20:23.600
<v Speaker 1>I don't.

0:20:23.720 --> 0:20:29.080
<v Speaker 2>I should call her and she'll it's funny, like, how

0:20:29.160 --> 0:20:32.280
<v Speaker 2>do I know? I just know I was told. I

0:20:32.320 --> 0:20:34.199
<v Speaker 2>was definitely I was told. And I feel like there

0:20:34.200 --> 0:20:37.439
<v Speaker 2>are like photos and like she also photos?

0:20:37.800 --> 0:20:40.960
<v Speaker 1>Yeah, the internet?

0:20:41.280 --> 0:20:42.480
<v Speaker 3>Yeah, you post them.

0:20:42.520 --> 0:20:44.840
<v Speaker 2>Well, that was my one secret that I was trying

0:20:44.880 --> 0:20:46.920
<v Speaker 2>to keep. It's that I was breastfed as a child.

0:20:47.000 --> 0:20:48.960
<v Speaker 2>Well what's great is that then it was leaked. It

0:20:49.000 --> 0:20:50.719
<v Speaker 2>was leaked, and now you have another And now I

0:20:50.720 --> 0:20:53.160
<v Speaker 2>have a new secret that I'll never tell.

0:20:57.720 --> 0:20:58.080
<v Speaker 1>Martin.

0:21:00.119 --> 0:21:01.560
<v Speaker 3>I like talking about both of you more.

0:21:01.800 --> 0:21:03.879
<v Speaker 1>Do you do you want to ask us? Do you

0:21:03.920 --> 0:21:05.160
<v Speaker 1>want to interview us? Oh?

0:21:05.200 --> 0:21:07.160
<v Speaker 2>I would actually love that because you know we were

0:21:07.160 --> 0:21:09.840
<v Speaker 2>saying this before. You look like an interviewer with the

0:21:09.840 --> 0:21:18.479
<v Speaker 2>gorgeous hair, the mic and the clock behind you.

0:21:16.320 --> 0:21:19.440
<v Speaker 3>And no it's not in the frame.

0:21:19.560 --> 0:21:21.600
<v Speaker 1>Okay, well the listeners will just happen.

0:21:21.680 --> 0:21:22.520
<v Speaker 3>How much is in the frame?

0:21:23.560 --> 0:21:28.440
<v Speaker 1>Just your eyes, your mouth? Like the two.

0:21:31.160 --> 0:21:33.040
<v Speaker 2>I would love to be interviewed by Martin. Should we

0:21:33.080 --> 0:21:34.800
<v Speaker 2>just like do our first segment and then how low

0:21:34.920 --> 0:21:35.359
<v Speaker 2>is it going?

0:21:36.720 --> 0:21:41.399
<v Speaker 3>Oh? Well, I shall be more aware of my posture.

0:21:42.800 --> 0:21:44.280
<v Speaker 3>I thought it was just my mouth. Yeah.

0:21:44.359 --> 0:21:46.240
<v Speaker 1>I think Martine should ask each of us one interview

0:21:46.359 --> 0:21:48.400
<v Speaker 1>question and then we should do our first segment. Okay, Martine,

0:21:49.000 --> 0:21:50.680
<v Speaker 1>ask each of us one interview question.

0:21:59.359 --> 0:22:03.120
<v Speaker 3>I know we're I'm hungry to it and that's why

0:22:03.119 --> 0:22:03.560
<v Speaker 3>I was late.

0:22:03.760 --> 0:22:04.440
<v Speaker 1>Can I say.

0:22:04.280 --> 0:22:07.800
<v Speaker 2>Something I know it's usually you usually don't comment if

0:22:07.800 --> 0:22:09.080
<v Speaker 2>you hear someone's stomach growing.

0:22:09.119 --> 0:22:12.560
<v Speaker 1>But I actually really appreciate that you did. She's like,

0:22:14.520 --> 0:22:16.119
<v Speaker 1>I think it was a pretty demure ground.

0:22:16.160 --> 0:22:20.960
<v Speaker 3>Yeah, she's cute. I I didn't prepare for task out

0:22:20.960 --> 0:22:21.840
<v Speaker 3>of your questions.

0:22:24.000 --> 0:22:24.720
<v Speaker 1>No, that's true.

0:22:25.200 --> 0:22:29.280
<v Speaker 3>I did. I did do I did the homework.

0:22:29.840 --> 0:22:32.440
<v Speaker 1>Yeah, you're like, I did the homework straight things. Yeah,

0:22:33.480 --> 0:22:35.520
<v Speaker 1>that's different. We'll get to that. Yeah that's different. That's

0:22:35.560 --> 0:22:39.280
<v Speaker 1>not that's not the we're This is sort of the preamble. Okay, okay,

0:22:40.040 --> 0:22:40.720
<v Speaker 1>anything goes.

0:22:40.960 --> 0:22:56.520
<v Speaker 3>What were kind of icons growing up that you I

0:22:56.560 --> 0:23:02.119
<v Speaker 3>can't help it that you it's funny still look up to.

0:23:02.560 --> 0:23:06.760
<v Speaker 1>Oh icon's growing up that we still look up to.

0:23:07.640 --> 0:23:10.960
<v Speaker 3>Like as child, you love them.

0:23:11.000 --> 0:23:15.200
<v Speaker 1>This is so interesting because I have one that I don't.

0:23:15.440 --> 0:23:17.960
<v Speaker 1>That's funny, Okay, what is it? I remember being like

0:23:18.000 --> 0:23:19.800
<v Speaker 1>reading a book on Lancet arm Strong when I was

0:23:19.840 --> 0:23:22.960
<v Speaker 1>like in middle school and being like, damn, this guy

0:23:23.000 --> 0:23:26.320
<v Speaker 1>is really a good guy.

0:23:25.760 --> 0:23:28.520
<v Speaker 3>The bicycle cyclist cyclist.

0:23:28.600 --> 0:23:31.480
<v Speaker 1>Yeah, who it turns out is bad? And then yeah

0:23:31.520 --> 0:23:33.840
<v Speaker 1>it was he was like doping and stuff, and he

0:23:33.920 --> 0:23:35.920
<v Speaker 1>cheated on schol Crow and he cheated on Scherl Crow.

0:23:36.040 --> 0:23:37.359
<v Speaker 3>I didn't know he dated hill Crow.

0:23:37.680 --> 0:23:37.960
<v Speaker 1>Yeah.

0:23:38.040 --> 0:23:42.440
<v Speaker 3>Yeah, even makes you have Do you think that songs

0:23:42.480 --> 0:23:44.560
<v Speaker 3>about him? It's about cycling.

0:23:44.760 --> 0:23:47.000
<v Speaker 1>I think it's about it's about him cycling.

0:23:47.240 --> 0:23:48.199
<v Speaker 3>It can't be that.

0:23:49.800 --> 0:23:50.880
<v Speaker 1>He's like, that's what.

0:23:50.880 --> 0:23:53.640
<v Speaker 2>Inspired him to start doping? Is he heard the song

0:23:53.680 --> 0:23:55.120
<v Speaker 2>by Schroyl Crow if it makes you happy?

0:23:55.119 --> 0:23:56.280
<v Speaker 1>Because winning really made him happy.

0:23:56.359 --> 0:23:58.439
<v Speaker 2>Actually it's about doping if it makes you happy.

0:23:58.560 --> 0:23:59.440
<v Speaker 1>I can't be that bad.

0:23:59.560 --> 0:23:59.960
<v Speaker 3>Yeah.

0:24:00.119 --> 0:24:02.240
<v Speaker 1>He was like, oh you're right girl. Yeah, and then

0:24:02.240 --> 0:24:03.879
<v Speaker 1>he just like kept on dope. It's like time to

0:24:03.880 --> 0:24:07.159
<v Speaker 1>live my life. Time to live strong enough judgment.

0:24:07.240 --> 0:24:08.840
<v Speaker 2>Okay, no one's going to comment on time to live

0:24:08.920 --> 0:24:11.399
<v Speaker 2>U strong? No, that was good, Okay, thanks Jesus Christ.

0:24:12.240 --> 0:24:15.520
<v Speaker 2>So I guess icons that I liked growing up. I

0:24:15.560 --> 0:24:17.760
<v Speaker 2>do find it interesting that you said that you still

0:24:17.760 --> 0:24:19.800
<v Speaker 2>look up to, implying that an icon is someone you

0:24:19.840 --> 0:24:21.520
<v Speaker 2>look up to, because I'm wondering.

0:24:21.400 --> 0:24:23.720
<v Speaker 1>Well, I think it's an and has bad tastes and

0:24:23.920 --> 0:24:24.960
<v Speaker 1>icons Because if.

0:24:24.800 --> 0:24:27.480
<v Speaker 2>My icon was Madonna, does that mean I look up

0:24:27.520 --> 0:24:30.080
<v Speaker 2>to her? Or I don't want to be like Madonna,

0:24:30.119 --> 0:24:31.439
<v Speaker 2>but she is an icon to me?

0:24:31.600 --> 0:24:34.080
<v Speaker 3>You don't, I don't think so. At the time, did

0:24:34.200 --> 0:24:35.520
<v Speaker 3>you though, you mean like.

0:24:35.760 --> 0:24:39.879
<v Speaker 1>You were inspired by her energy? I was inspired which album?

0:24:40.520 --> 0:24:42.680
<v Speaker 1>I would say?

0:24:43.240 --> 0:24:46.320
<v Speaker 2>I mean she was an icon before this, but I

0:24:46.359 --> 0:24:50.280
<v Speaker 2>do think American Life was really big.

0:24:50.080 --> 0:24:51.040
<v Speaker 3>For so underrated.

0:24:51.200 --> 0:24:54.240
<v Speaker 2>Yes, Underrated was really big for me. It was when

0:24:54.280 --> 0:24:57.159
<v Speaker 2>I realized that she had an old sensibility, that she

0:24:57.320 --> 0:25:00.840
<v Speaker 2>wasn't just a girl next dooor pop star. It also liked,

0:25:01.640 --> 0:25:04.040
<v Speaker 2>you know, putting a whole bottle of water in her mouth.

0:25:05.920 --> 0:25:07.480
<v Speaker 2>She did that in the sex documentary.

0:25:08.119 --> 0:25:11.640
<v Speaker 3>Oh yeah, when she could show you. Is that why

0:25:11.680 --> 0:25:12.199
<v Speaker 3>you wanted to be?

0:25:12.320 --> 0:25:17.080
<v Speaker 1>Like maybe I want You're like, yes, that's me.

0:25:19.240 --> 0:25:22.160
<v Speaker 2>As a child child being like, wait that my icon

0:25:22.240 --> 0:25:24.359
<v Speaker 2>is Madonna in Truth or Dare do it?

0:25:24.640 --> 0:25:26.439
<v Speaker 1>Simulating a blow job on a water bottle?

0:25:26.600 --> 0:25:28.919
<v Speaker 3>You understood that that was fashion.

0:25:28.760 --> 0:25:33.280
<v Speaker 2>Yes, exactly, and then American Life solidified it.

0:25:35.240 --> 0:25:42.199
<v Speaker 1>And then now like she's still my icon? Sure, but

0:25:42.240 --> 0:25:43.520
<v Speaker 1>do I want to be like her?

0:25:43.960 --> 0:25:49.960
<v Speaker 3>Well, most icons they're like ideologies, right. That means that

0:25:50.000 --> 0:25:52.480
<v Speaker 3>they're on a pedestal or there's there's some kind of.

0:25:52.600 --> 0:25:56.880
<v Speaker 1>What is the Madonna ideology? This is it's like it's

0:25:56.920 --> 0:26:01.360
<v Speaker 1>like live out loud, like you are the most important

0:26:01.400 --> 0:26:02.440
<v Speaker 1>person on earth.

0:26:02.680 --> 0:26:05.680
<v Speaker 3>Rebel heart Heart. Yeah, push back.

0:26:05.560 --> 0:26:08.400
<v Speaker 1>When someone says run, you walk, when someone says walk,

0:26:08.440 --> 0:26:08.840
<v Speaker 1>you run.

0:26:09.400 --> 0:26:14.800
<v Speaker 3>Yeah, and you can do you can do everything.

0:26:15.200 --> 0:26:18.359
<v Speaker 1>Yeah, you want. And if you're bad at something, that's

0:26:18.400 --> 0:26:19.280
<v Speaker 1>actually good.

0:26:21.080 --> 0:26:21.880
<v Speaker 3>Or that doesn't matter.

0:26:22.040 --> 0:26:23.479
<v Speaker 1>Yeah, that doesn't matter because you did it.

0:26:23.640 --> 0:26:26.920
<v Speaker 4>Yeah, you did it, rebel you did the thing. Rebel Heart,

0:26:27.080 --> 0:26:31.520
<v Speaker 4>rebel Heart. Rebel Heart is actually like kind of a

0:26:31.600 --> 0:26:34.320
<v Speaker 4>huge idea. Yeah, and I carry I carry that with

0:26:34.520 --> 0:26:35.200
<v Speaker 4>rebel Heart.

0:26:37.400 --> 0:26:42.000
<v Speaker 1>Yeah in the postal bag. Yeah.

0:26:42.960 --> 0:26:46.160
<v Speaker 3>Actually no, I'm not gonna shoot. I have to get

0:26:46.160 --> 0:26:48.400
<v Speaker 3>something digitized. Let's not talk about it.

0:26:48.440 --> 0:26:52.080
<v Speaker 1>Okay, that there's so much we're not talking about today.

0:26:52.240 --> 0:26:56.520
<v Speaker 3>I know I have control issues. It's something that I'm

0:26:56.560 --> 0:27:00.000
<v Speaker 3>working on. It's why I was like, I'm gonna ask

0:27:00.040 --> 0:27:03.240
<v Speaker 3>you questions, and it's why it doesn't make me a

0:27:03.280 --> 0:27:04.879
<v Speaker 3>great actor or as who.

0:27:05.000 --> 0:27:07.720
<v Speaker 1>You're an incredible actor as well, you're a damn star,

0:27:09.000 --> 0:27:10.119
<v Speaker 1>but say more about your country.

0:27:10.119 --> 0:27:11.840
<v Speaker 3>I mean, I came here for that.

0:27:12.040 --> 0:27:15.800
<v Speaker 1>I remember when you gagged audience globe, audience around the globe.

0:27:16.920 --> 0:27:21.080
<v Speaker 3>See, it's more like, I don't know if that's true.

0:27:21.440 --> 0:27:23.720
<v Speaker 3>Just because it's available. I don't think that means you are.

0:27:24.760 --> 0:27:26.480
<v Speaker 1>But everyone's telling you we're gagging.

0:27:26.800 --> 0:27:29.359
<v Speaker 3>Well, my friends are, and that's that's really what matters.

0:27:29.440 --> 0:27:34.320
<v Speaker 3>I'm like, you watched it. Watches I'm like, oh, you

0:27:34.359 --> 0:27:35.720
<v Speaker 3>watched it.

0:27:36.560 --> 0:27:39.240
<v Speaker 1>Okay, all right, here's a question for you. Who is

0:27:39.280 --> 0:27:41.280
<v Speaker 1>an icon you still look up to?

0:27:43.240 --> 0:27:47.399
<v Speaker 3>This wasn't part of an agreement. This wasn't part of you.

0:27:47.560 --> 0:27:49.320
<v Speaker 3>We should have said that when we started this, that

0:27:49.400 --> 0:27:51.840
<v Speaker 3>you also would ask me my question.

0:27:52.720 --> 0:27:55.480
<v Speaker 2>I'm sensing a pattern here, Yes, I'm something a very

0:27:56.040 --> 0:27:58.639
<v Speaker 2>really easily readable pattern.

0:27:59.000 --> 0:28:04.280
<v Speaker 1>You're very thrown off by surprises? Am I correct in that?

0:28:05.160 --> 0:28:12.760
<v Speaker 3>Wow? I mean as a maybe maybe maybe I have

0:28:12.880 --> 0:28:16.639
<v Speaker 3>some trauma that night. Ooh, it's like being.

0:28:19.920 --> 0:28:20.680
<v Speaker 1>Traumatized.

0:28:21.520 --> 0:28:23.960
<v Speaker 2>Yes, And now we have a flashback and it's a

0:28:23.960 --> 0:28:25.480
<v Speaker 2>surprise birthday party.

0:28:25.600 --> 0:28:30.480
<v Speaker 1>Walked in the room. Surprise. She's like tears instantly.

0:28:32.400 --> 0:28:36.000
<v Speaker 3>No, honestly, my my, oh my god. What is it

0:28:36.040 --> 0:28:38.480
<v Speaker 3>when you're legally all had to drink in the States?

0:28:39.400 --> 0:28:43.480
<v Speaker 3>One I turned to my twenty first birthday in college.

0:28:43.760 --> 0:28:47.720
<v Speaker 3>I I was so excited to drink right and I

0:28:47.800 --> 0:28:50.080
<v Speaker 3>and no one was around, Like I texted everyone like

0:28:50.160 --> 0:28:54.320
<v Speaker 3>let's go, like I can buy us alcohol, and no

0:28:54.400 --> 0:28:58.520
<v Speaker 3>one messaged back. Everyone was unavailable, busy or nothing, And

0:28:58.600 --> 0:29:00.360
<v Speaker 3>so I went to the liquor store and I like

0:29:00.440 --> 0:29:03.600
<v Speaker 3>a handle of gin alone because I knew how to

0:29:03.600 --> 0:29:06.080
<v Speaker 3>make a gin and tonic because that's what my grandmother

0:29:06.560 --> 0:29:11.160
<v Speaker 3>drinks and so i'd make those for her. And then

0:29:11.760 --> 0:29:15.360
<v Speaker 3>I got wasted alone and then got one text from

0:29:15.360 --> 0:29:18.880
<v Speaker 3>my roommate who brought me to like I don't know,

0:29:19.080 --> 0:29:21.600
<v Speaker 3>above the library, and then all my friends were there

0:29:21.640 --> 0:29:24.840
<v Speaker 3>with the cake and they're like, surprise, we didn't forget.

0:29:24.920 --> 0:29:28.280
<v Speaker 3>But by that point I was so like devastated by

0:29:29.040 --> 0:29:34.240
<v Speaker 3>everyone kind of like being unavailable and then drunk it

0:29:34.360 --> 0:29:38.440
<v Speaker 3>kind of it kind of brought me to like a

0:29:38.440 --> 0:29:43.280
<v Speaker 3>happy medium opposed to like the escalation of Like, so.

0:29:43.160 --> 0:29:46.840
<v Speaker 2>There literally was a trauma, a surprise birthday trauma, and

0:29:46.840 --> 0:29:51.640
<v Speaker 2>that's why you're traumatized by surprises. But you're saying it

0:29:51.720 --> 0:29:53.000
<v Speaker 2>wasn't a trauma because it brought.

0:29:52.880 --> 0:29:54.320
<v Speaker 3>You to a happy Yeah, I feel like that's not

0:29:54.440 --> 0:29:56.720
<v Speaker 3>that's such like an American trauma, Like that's so like

0:29:57.400 --> 0:30:01.360
<v Speaker 3>you forgot my brit Yeah. Yeah, not, it's so not

0:30:01.480 --> 0:30:03.040
<v Speaker 3>a it's actually not drama at all.

0:30:03.120 --> 0:30:06.800
<v Speaker 1>But here's the thing. What if the trauma is that

0:30:06.840 --> 0:30:14.440
<v Speaker 1>you succumbed to an American trauma. Wait, that's genius. You

0:30:14.440 --> 0:30:19.800
<v Speaker 1>should write that down because you were like, I love this.

0:30:19.880 --> 0:30:23.240
<v Speaker 2>I'm not like these stupid Americans, but oh my god,

0:30:23.600 --> 0:30:26.840
<v Speaker 2>I feel trauma because of my surprise. Already I thought

0:30:26.880 --> 0:30:30.160
<v Speaker 2>I was American college, but I'm as American as apple pie.

0:30:31.880 --> 0:30:33.400
<v Speaker 3>Do you think I'm like a you think I give

0:30:33.400 --> 0:30:34.000
<v Speaker 3>apple pie?

0:30:34.360 --> 0:30:36.880
<v Speaker 1>No? But in that moment, in that moment, I would

0:30:36.920 --> 0:30:39.120
<v Speaker 1>never ever say you give apple what dessert? Would you say,

0:30:39.200 --> 0:30:41.840
<v Speaker 1>Martine gives? Oh this is interesting? Okay?

0:30:41.960 --> 0:30:44.600
<v Speaker 3>Oh I think I know you know, well what desert?

0:30:44.680 --> 0:30:47.360
<v Speaker 2>Okay, I think I think you will give like a

0:30:48.240 --> 0:30:50.920
<v Speaker 2>sorbet that is a like a.

0:30:50.720 --> 0:30:53.160
<v Speaker 1>Or like a minty flavor. You know what I'm getting? Anything?

0:30:53.440 --> 0:30:56.680
<v Speaker 1>You know in like like in a chocolate commercial, the

0:30:56.680 --> 0:31:00.560
<v Speaker 1>way they show chocolate like like doing this. Oh, that's

0:31:00.600 --> 0:31:01.920
<v Speaker 1>sort of what I think of you as.

0:31:01.960 --> 0:31:05.320
<v Speaker 2>Oh okay, see to me, it's like it's what it's

0:31:05.400 --> 0:31:07.400
<v Speaker 2>minimalist one chocolate commercial.

0:31:07.720 --> 0:31:10.440
<v Speaker 1>You're like the chocolate and a chocolate commercial that's being

0:31:10.480 --> 0:31:14.719
<v Speaker 1>like still liquid yeah yeah, yeah, it's being shaped.

0:31:15.280 --> 0:31:17.680
<v Speaker 2>You're mid shaped confection chocolate.

0:31:17.920 --> 0:31:20.920
<v Speaker 1>Yeah. So we're going opposite directions. You're going in a more.

0:31:22.360 --> 0:31:28.040
<v Speaker 2>Like maximalist chocolate waves, whereas I'm thinking you are giant plate,

0:31:28.680 --> 0:31:33.560
<v Speaker 2>a single scoop of mint, Sorbet get ready, leaf of

0:31:33.840 --> 0:31:35.320
<v Speaker 2>mint leaf on the Wow.

0:31:35.600 --> 0:31:39.400
<v Speaker 3>I do love mint. I do love chocolate, kind of chocolate.

0:31:40.480 --> 0:31:41.640
<v Speaker 1>Dark dark.

0:31:41.880 --> 0:31:42.320
<v Speaker 3>Yeah.

0:31:42.520 --> 0:31:44.959
<v Speaker 1>I don't know why, but I'm seeing like a spoon.

0:31:45.520 --> 0:31:48.239
<v Speaker 1>Like for you, I'm really seeing a spoon. Whatever it

0:31:48.320 --> 0:31:52.120
<v Speaker 1>is has to be eaten with. You give spoon. You're

0:31:52.160 --> 0:31:56.800
<v Speaker 1>giving spoon and we're gagging on your spoon you're giving.

0:31:57.480 --> 0:31:58.120
<v Speaker 1>This is interesting.

0:31:58.120 --> 0:32:01.600
<v Speaker 2>You're giving little spoon with big spoon energy.

0:32:01.920 --> 0:32:03.520
<v Speaker 1>So you're the little spoon.

0:32:03.280 --> 0:32:09.520
<v Speaker 2>That's a tom Oh my god, that's real. You're little spooning.

0:32:09.600 --> 0:32:17.960
<v Speaker 2>You're You're a power little spoon. Okay, so maybe now

0:32:17.960 --> 0:32:18.720
<v Speaker 2>I want Sorbet.

0:32:19.000 --> 0:32:24.040
<v Speaker 1>I know I'm right here. You should have a new

0:32:24.080 --> 0:32:25.440
<v Speaker 1>drag character named Sorbet.

0:32:25.600 --> 0:32:28.920
<v Speaker 3>Sorbet with the T I say the T though.

0:32:31.520 --> 0:32:33.680
<v Speaker 1>Oh actually I like Sorbette with like T T at

0:32:33.720 --> 0:32:34.760
<v Speaker 1>the end. No, that's very high.

0:32:34.880 --> 0:32:42.640
<v Speaker 3>I'm Sorbette, Martine Sorbett. I do need a new last name.

0:32:43.280 --> 0:32:44.960
<v Speaker 1>You think you're going to get a new last name.

0:32:44.960 --> 0:32:46.080
<v Speaker 3>Well, I'm going to get married.

0:32:46.840 --> 0:32:48.920
<v Speaker 1>Well to say so, then you don't have to worry

0:32:48.920 --> 0:32:50.520
<v Speaker 1>about what the last name is. It's going to be your.

0:32:50.680 --> 0:32:52.400
<v Speaker 1>Do you not want to take your You don't want

0:32:52.400 --> 0:32:53.520
<v Speaker 1>to take it? You just want to make up a

0:32:53.520 --> 0:32:53.840
<v Speaker 1>new one.

0:32:53.840 --> 0:32:56.080
<v Speaker 3>I don't know. It would have to be really good.

0:32:56.640 --> 0:33:01.000
<v Speaker 1>I have to what's an what's an example of a

0:33:01.000 --> 0:33:03.720
<v Speaker 1>good last name? Not necessarily one for you, but for anyone? Yeah,

0:33:05.640 --> 0:33:07.040
<v Speaker 1>what makes the last name shine?

0:33:07.760 --> 0:33:13.400
<v Speaker 3>I love alliteration? Oh, better and short like what like?

0:33:13.480 --> 0:33:18.200
<v Speaker 3>Honestly like one to two syllables?

0:33:19.440 --> 0:33:23.240
<v Speaker 1>Mint? Oh, Martin Mint.

0:33:23.360 --> 0:33:30.160
<v Speaker 3>Martin Mint is successful, Yeah and beloved. Fresh.

0:33:30.640 --> 0:33:34.560
<v Speaker 1>She's fresh, She's fresh. You love her breath before you

0:33:34.600 --> 0:33:37.560
<v Speaker 1>see her. When you hear that Martin Mint is coming

0:33:37.600 --> 0:33:40.280
<v Speaker 1>to town, you're like, oh my god, that's amazing. I

0:33:40.320 --> 0:33:44.160
<v Speaker 1>haven't seen her.

0:33:45.120 --> 0:33:47.240
<v Speaker 3>I would go to Spain. Yeah, I would go to Spain.

0:33:47.800 --> 0:33:48.560
<v Speaker 1>Well that's amazing.

0:33:48.640 --> 0:33:51.560
<v Speaker 2>Well, Martin Mint has a place in Spain.

0:33:52.760 --> 0:34:07.800
<v Speaker 1>Yeah. Should we do that for a segments? Sure, Martin, I'm.

0:34:09.200 --> 0:34:12.520
<v Speaker 3>I'll make you nervous. Well, yes, is this in the shot?

0:34:13.920 --> 0:34:17.000
<v Speaker 1>Yeah? This is a video, This is a this is

0:34:17.040 --> 0:34:20.920
<v Speaker 1>a piece. And if you think we're uncomfortable with silence,

0:34:20.920 --> 0:34:23.680
<v Speaker 1>you're dead wrong. We actually love the stuff.

0:34:25.280 --> 0:34:26.080
<v Speaker 3>That's my stomach.

0:34:32.280 --> 0:34:32.600
<v Speaker 1>Wow.

0:34:34.120 --> 0:34:36.600
<v Speaker 2>Hi everyone, this is George. I'm in the process of

0:34:36.719 --> 0:34:39.319
<v Speaker 2>editing the episode, and at this stage I feel the

0:34:39.400 --> 0:34:43.280
<v Speaker 2>need to provide some context for those listening audio only

0:34:43.719 --> 0:34:47.480
<v Speaker 2>and not getting the full video content. So basically, what

0:34:47.640 --> 0:34:52.640
<v Speaker 2>just happened is Martin very slowly and intentionally picked up

0:34:52.680 --> 0:34:56.240
<v Speaker 2>a glass of water and took a sip of water.

0:34:56.800 --> 0:34:59.360
<v Speaker 2>And this is our reaction to that. That was a

0:34:59.360 --> 0:35:00.000
<v Speaker 2>beautiful piece.

0:35:01.239 --> 0:35:02.680
<v Speaker 1>Thank you for that, Martine.

0:35:02.680 --> 0:35:06.640
<v Speaker 2>I'm working the moment Martin Mint's famous piece.

0:35:06.800 --> 0:35:08.560
<v Speaker 3>Sip, Sip, sip.

0:35:09.320 --> 0:35:12.359
<v Speaker 2>Wow, Well, sip changed the game. I remember where I

0:35:12.400 --> 0:35:13.120
<v Speaker 2>was when I first.

0:35:12.960 --> 0:35:15.160
<v Speaker 1>Sat Well, that's because we were both across from Martine.

0:35:15.200 --> 0:35:20.479
<v Speaker 3>Actually, yes, yeah, there's like pre impost zip politically. Yes, yeah.

0:35:20.760 --> 0:35:23.000
<v Speaker 1>She premiered it in Copenhagen, but in an empty room

0:35:23.040 --> 0:35:25.200
<v Speaker 1>so no one saw it. One witnessed it. It was

0:35:25.280 --> 0:35:26.480
<v Speaker 1>just you in an empty room.

0:35:26.360 --> 0:35:31.600
<v Speaker 3>And not being seen. It's about a feeling. Yeah, sipping, Yeah,

0:35:31.640 --> 0:35:32.480
<v Speaker 3>it's about sipping.

0:35:33.600 --> 0:35:36.600
<v Speaker 2>People always ask Martin you know what is sip about,

0:35:36.800 --> 0:35:40.120
<v Speaker 2>and she's always been very adamant about this. It's about sipping,

0:35:40.400 --> 0:35:42.680
<v Speaker 2>and people say, no, it's about globalization, it's.

0:35:42.640 --> 0:35:45.000
<v Speaker 1>About it's about commercialism. It's about global flow.

0:35:44.880 --> 0:35:51.960
<v Speaker 2>Of capital, neoliberal systems of waste management. Yes, and but

0:35:51.960 --> 0:35:56.160
<v Speaker 2>but you've you have a very rigorously formalist approach. You

0:35:56.200 --> 0:35:58.280
<v Speaker 2>say it is quite simply about the sip.

0:36:00.840 --> 0:36:05.280
<v Speaker 3>I mean I haven't spoken about it really. Oh ever,

0:36:05.760 --> 0:36:09.200
<v Speaker 3>I've never really would you like to speak on it now? No,

0:36:09.520 --> 0:36:11.640
<v Speaker 3>that's not really what the work is about. It's about

0:36:11.680 --> 0:36:15.920
<v Speaker 3>your what you bring to it, your perception.

0:36:16.840 --> 0:36:18.840
<v Speaker 1>Wow, I guess it's each each person has a different

0:36:18.920 --> 0:36:23.480
<v Speaker 1>ladership to sipping. That's true for me. It's about childhood innocence,

0:36:23.640 --> 0:36:26.040
<v Speaker 1>of course, and the loss of it. Needles to say,

0:36:26.080 --> 0:36:28.240
<v Speaker 1>because when you were a child, you sip with a straw.

0:36:28.760 --> 0:36:30.680
<v Speaker 2>You know, when you were a child, you don't know

0:36:30.719 --> 0:36:33.360
<v Speaker 2>if you were a breastfit And so I think maybe

0:36:33.400 --> 0:36:35.839
<v Speaker 2>what it's bringing up for you is that you know

0:36:35.920 --> 0:36:39.000
<v Speaker 2>you were sipping something I want you to remember, but

0:36:39.080 --> 0:36:45.120
<v Speaker 2>you don't know from what or how, And you're afraid

0:36:45.360 --> 0:36:45.719
<v Speaker 2>to know.

0:36:46.480 --> 0:36:48.080
<v Speaker 1>Well, I'm afraid to send a text to my mom,

0:36:48.120 --> 0:36:52.240
<v Speaker 1>And says was, I I can text her, text her

0:36:52.719 --> 0:36:54.959
<v Speaker 1>do you want to give meat?

0:36:55.560 --> 0:36:58.760
<v Speaker 3>So I am like, oh my god, I'm always texting

0:36:58.800 --> 0:37:02.880
<v Speaker 3>people that I shouldn't be like people. But help on

0:37:03.000 --> 0:37:05.600
<v Speaker 3>projects that it's like, how do you even have her number? Like,

0:37:05.640 --> 0:37:07.879
<v Speaker 3>if there was someone who's supposed to get me here

0:37:08.000 --> 0:37:10.760
<v Speaker 3>today and I had their number, I would be texting

0:37:10.800 --> 0:37:15.880
<v Speaker 3>when I leave, like hey, this is Martine from from

0:37:16.000 --> 0:37:19.799
<v Speaker 3>the radio, and they'd probably be like yeah, or they

0:37:19.880 --> 0:37:20.920
<v Speaker 3>usually they don't respond.

0:37:22.520 --> 0:37:23.399
<v Speaker 1>How does that make you feel?

0:37:25.040 --> 0:37:26.080
<v Speaker 3>Makes me feel like I tried?

0:37:26.520 --> 0:37:29.240
<v Speaker 1>Yeah, the person in charge makes me feel like doesn't

0:37:29.320 --> 0:37:32.879
<v Speaker 1>respond a misunderstood rebel heart.

0:37:33.320 --> 0:37:37.800
<v Speaker 3>It's like production, especially if they're cute. I'm always blurring

0:37:37.880 --> 0:37:38.600
<v Speaker 3>the lines.

0:37:38.880 --> 0:37:40.880
<v Speaker 1>When someone's holding a boom mic. It's really hard for

0:37:40.880 --> 0:37:41.959
<v Speaker 1>me not to find them really hot.

0:37:42.160 --> 0:37:45.600
<v Speaker 3>Really, Yeah, is it because like it's a posture thing or.

0:37:45.600 --> 0:37:47.520
<v Speaker 1>It's a posture it's a type the type of man

0:37:47.560 --> 0:37:50.479
<v Speaker 1>that would hold a boom mic like for a really

0:37:50.520 --> 0:37:54.400
<v Speaker 1>long time. Yeah, I'm like so strong, resilient, so resilient,

0:37:54.960 --> 0:37:59.359
<v Speaker 1>so supportive, and plus sometimes the shirt goes up.

0:37:59.440 --> 0:38:02.319
<v Speaker 3>Oh my god. I gonna say, there's usually ass or

0:38:03.440 --> 0:38:05.560
<v Speaker 3>it's like crack or belly, but it's one of the other.

0:38:05.840 --> 0:38:11.280
<v Speaker 1>I'll take both, okay, But I never crossed the line,

0:38:11.920 --> 0:38:14.720
<v Speaker 1>not yet. That's what everyone says.

0:38:15.680 --> 0:38:20.719
<v Speaker 3>Yeah, TikTok, TikTok. I think tomorrow. I think tomorrow is

0:38:20.760 --> 0:38:21.720
<v Speaker 3>going to be the day.

0:38:21.960 --> 0:38:25.040
<v Speaker 1>What's tomorrow? I don't know, but Martine has a feeling.

0:38:26.160 --> 0:38:29.320
<v Speaker 3>I mean, are you doing that big boom project tomorrow.

0:38:29.480 --> 0:38:32.360
<v Speaker 1>Yeah, I'm doing my my show Night of one Thousand Booms.

0:38:32.560 --> 0:38:36.239
<v Speaker 1>Oh my god. Yeah, I'm auditioning. I'm I'm sort of

0:38:36.280 --> 0:38:40.279
<v Speaker 1>trying to make boom mic holders get a chance in

0:38:40.280 --> 0:38:43.279
<v Speaker 1>the spotlight. So I booked the Bell House and we're

0:38:43.280 --> 0:38:47.080
<v Speaker 1>having uh, you know, eight minutes sads people to come

0:38:47.080 --> 0:38:48.800
<v Speaker 1>out hold the boom mic. It's gonna be awesome.

0:38:49.080 --> 0:38:52.160
<v Speaker 2>Interestingly, the people holding the actual boom mics necessary for

0:38:52.200 --> 0:38:55.920
<v Speaker 2>the event are all weak gay guys. So it's to

0:38:55.960 --> 0:38:58.160
<v Speaker 2>sort of flip the to flip the script. We have

0:38:58.280 --> 0:39:01.440
<v Speaker 2>these you know, strong burly men on stage. They're holding

0:39:01.680 --> 0:39:05.000
<v Speaker 2>fake boom mics, and then little twinkie gay guys are

0:39:05.040 --> 0:39:07.279
<v Speaker 2>like holding the boom mics.

0:39:07.480 --> 0:39:10.520
<v Speaker 3>That's kind of my time. Oh my god, I love

0:39:10.760 --> 0:39:12.760
<v Speaker 3>I love twinks really really?

0:39:14.400 --> 0:39:19.919
<v Speaker 1>Do you feel great? Question? Or just as pets.

0:39:21.960 --> 0:39:28.279
<v Speaker 3>Just to have the furniture cars? Yeah, plants, No, I

0:39:28.400 --> 0:39:33.320
<v Speaker 3>like them as as as objects well, of course I

0:39:33.480 --> 0:39:34.680
<v Speaker 3>like to objectify them.

0:39:35.040 --> 0:39:37.080
<v Speaker 1>Wow. They make it easy.

0:39:38.160 --> 0:39:41.600
<v Speaker 3>Yeah, they're like asking they're just begging for it. Yeah,

0:39:41.640 --> 0:39:44.680
<v Speaker 3>this is the This is like the little little power

0:39:44.719 --> 0:39:45.759
<v Speaker 3>spoon energy.

0:39:46.360 --> 0:39:49.240
<v Speaker 2>You're doing no little spoon, little top power little spoon,

0:39:50.560 --> 0:39:51.320
<v Speaker 2>little spoon.

0:39:52.320 --> 0:39:55.720
<v Speaker 3>Is that does that make it? What is a twink

0:39:55.760 --> 0:39:56.439
<v Speaker 3>in that?

0:39:57.120 --> 0:40:02.040
<v Speaker 2>If you're doming a twink, they're like a butter knife. Yes, yeah,

0:40:02.280 --> 0:40:03.520
<v Speaker 2>don't think too hard about it.

0:40:03.520 --> 0:40:08.040
<v Speaker 1>It's like sip there's a salad fork. Oh, there's a

0:40:08.120 --> 0:40:22.280
<v Speaker 1>salad fork. Yeah, okay, Martine, truth or dare.

0:40:24.200 --> 0:40:28.560
<v Speaker 3>Oh you know it's gonna be there. Okay, I can't

0:40:28.560 --> 0:40:29.320
<v Speaker 3>tell you anything.

0:40:29.480 --> 0:40:31.640
<v Speaker 1>I dare you lick your notebook.

0:40:35.520 --> 0:40:38.200
<v Speaker 3>This was on the This was on the train. That's right,

0:40:43.719 --> 0:40:47.680
<v Speaker 3>everyone's watching. Just everyone knows it at home, everyone and

0:40:47.920 --> 0:40:58.480
<v Speaker 3>everyone's watching. I don't want to do.

0:40:58.480 --> 0:41:06.959
<v Speaker 1>It, okay, okay, and yet she's still holding Oh oh

0:41:07.000 --> 0:41:10.040
<v Speaker 1>my god, you're bad.

0:41:10.960 --> 0:41:19.319
<v Speaker 3>You That was nasty, but it was very rebel heart.

0:41:20.120 --> 0:41:21.279
<v Speaker 1>That was very rebel heart.

0:41:21.600 --> 0:41:23.000
<v Speaker 3>No, she wouldn't have done it. She would have.

0:41:22.920 --> 0:41:24.480
<v Speaker 1>Pushed back Madonna.

0:41:24.680 --> 0:41:26.480
<v Speaker 3>Yeah, no one can tell her what to do.

0:41:28.160 --> 0:41:34.359
<v Speaker 1>Well doesn't famously she hate to fact check.

0:41:34.600 --> 0:41:36.719
<v Speaker 2>But of course the scene is that somebody doesn't do

0:41:36.760 --> 0:41:37.879
<v Speaker 2>it and she does it.

0:41:38.600 --> 0:41:41.879
<v Speaker 3>You're right, ask your.

0:41:41.840 --> 0:41:46.160
<v Speaker 2>Question of the two works you have shown Sip and

0:41:46.440 --> 0:41:50.319
<v Speaker 2>Licking the notebook, which was Sip and licks Sip and lick.

0:41:50.640 --> 0:41:54.560
<v Speaker 2>Do you think sip or lick more kind of like

0:41:54.640 --> 0:41:57.000
<v Speaker 2>encapsulated who you are as an artist. If you were

0:41:57.080 --> 0:41:59.840
<v Speaker 2>to pick one work to put in the big ba,

0:42:01.400 --> 0:42:05.920
<v Speaker 2>in the big Bianal, in the big Biale, would you

0:42:05.960 --> 0:42:07.480
<v Speaker 2>do yes?

0:42:07.640 --> 0:42:12.239
<v Speaker 3>Okay, I think I I've been trying to get out

0:42:12.239 --> 0:42:20.480
<v Speaker 3>of this box ever since I was born. So I

0:42:20.520 --> 0:42:22.960
<v Speaker 3>would say nothing. Nothing can encapsulate.

0:42:24.239 --> 0:42:26.799
<v Speaker 2>Whah oh, So you wouldn't pick either. You would say,

0:42:26.800 --> 0:42:28.800
<v Speaker 2>I'm not going to participate in the big banal. A.

0:42:29.880 --> 0:42:32.160
<v Speaker 3>Yeah, I'm not gonna go.

0:42:33.600 --> 0:42:36.239
<v Speaker 1>To be asked to participate in the in the of

0:42:36.280 --> 0:42:38.160
<v Speaker 1>course we would all say no to the small bil of.

0:42:38.200 --> 0:42:40.680
<v Speaker 2>Course, well, yes, I can't be contained in that box.

0:42:40.719 --> 0:42:44.279
<v Speaker 2>But the bigger box sure, very reputable. That's sort of

0:42:44.320 --> 0:42:46.200
<v Speaker 2>my approach to my career is I'm not going to

0:42:46.239 --> 0:42:48.279
<v Speaker 2>be put in a little box slightly bigger one, of.

0:42:48.560 --> 0:42:54.359
<v Speaker 1>Course, put me in. When's the movement date? Let me coach? Wow,

0:42:54.640 --> 0:42:56.480
<v Speaker 1>should we do our first segment? Okay?

0:42:56.760 --> 0:42:58.719
<v Speaker 2>So Martine our first and then after that we'll get

0:42:58.760 --> 0:43:01.560
<v Speaker 2>into the straight topic. So your homework is going to

0:43:01.600 --> 0:43:02.000
<v Speaker 2>pay off.

0:43:02.560 --> 0:43:03.680
<v Speaker 3>I know, I'm just aching.

0:43:04.080 --> 0:43:07.120
<v Speaker 2>I really can't believe that Sip and Lick are both

0:43:07.239 --> 0:43:08.640
<v Speaker 2>not going to be in the Big Banale.

0:43:09.000 --> 0:43:11.560
<v Speaker 1>I mean, I think that's what makes Martine such an

0:43:11.600 --> 0:43:12.280
<v Speaker 1>interesting artist.

0:43:12.320 --> 0:43:14.160
<v Speaker 2>You are one of the most, if not the most

0:43:14.200 --> 0:43:16.040
<v Speaker 2>interesting artists I've ever met in my life.

0:43:17.960 --> 0:43:20.120
<v Speaker 1>The first segment is called straight Shooters.

0:43:20.640 --> 0:43:23.120
<v Speaker 2>In this segment, we test your familiarity with in complicity

0:43:23.160 --> 0:43:24.360
<v Speaker 2>and straight culture by.

0:43:25.640 --> 0:43:26.440
<v Speaker 1>I'm not going to do that.

0:43:26.560 --> 0:43:28.040
<v Speaker 3>I see texting someone, I'm looking up.

0:43:29.160 --> 0:43:32.279
<v Speaker 2>We're finding our list. So here's the thing, Martine. We're

0:43:32.280 --> 0:43:34.240
<v Speaker 2>going to ask you a series of rapid fire questions.

0:43:34.360 --> 0:43:36.239
<v Speaker 2>You have to choose this thing or this other thing.

0:43:36.719 --> 0:43:39.799
<v Speaker 2>Don't think about it hard at all, just whatever your

0:43:39.800 --> 0:43:45.600
<v Speaker 2>mind gravitated towards and then and that's it. And the

0:43:45.600 --> 0:43:47.720
<v Speaker 2>one rule is you can't ask any follow up questions

0:43:47.719 --> 0:43:48.600
<v Speaker 2>about how the game.

0:43:48.440 --> 0:43:52.800
<v Speaker 1>Works, or we'll get really really Martine.

0:43:53.000 --> 0:43:55.080
<v Speaker 3>I want to see upset whatever.

0:43:54.960 --> 0:44:03.719
<v Speaker 1>Mumblecore or Dumbledore. Dumbledore Okay, democracy is under attack or

0:44:03.800 --> 0:44:05.640
<v Speaker 1>damn Stacy, your mom's a snack.

0:44:11.719 --> 0:44:15.720
<v Speaker 3>Sorry, I already I'm not doing it right. I'm thinking

0:44:15.719 --> 0:44:22.640
<v Speaker 3>too much. It's okay to think democracy is under.

0:44:22.480 --> 0:44:27.879
<v Speaker 1>Attack, I got the job or a fuck ass Bob.

0:44:29.080 --> 0:44:30.080
<v Speaker 3>I really want to Bob?

0:44:32.520 --> 0:44:42.160
<v Speaker 1>Okay looking expensive or smelling reprehensive, looking expensive object permanence,

0:44:42.960 --> 0:44:47.600
<v Speaker 1>abject carelessness or Ultrecht in the Netherlands.

0:44:49.320 --> 0:44:56.880
<v Speaker 3>That on. That one's a doocing. Yeah, I heard oliplexll.

0:44:55.280 --> 0:44:59.120
<v Speaker 1>A plex final answer. Next question, Okay, Choo Choo train

0:44:59.200 --> 0:44:59.879
<v Speaker 1>or Doo doo stain.

0:45:00.160 --> 0:45:11.399
<v Speaker 3>Oh this is a good show. What was the first one? Train?

0:45:11.800 --> 0:45:17.800
<v Speaker 1>Do you want me to repeat the second one? Okay? Girls?

0:45:17.840 --> 0:45:22.960
<v Speaker 1>So confusing remix featuring Lord or Burr. It's so freezing

0:45:23.200 --> 0:45:31.000
<v Speaker 1>it's gonna break the record. I like Lord period period. Okay,

0:45:31.320 --> 0:45:34.400
<v Speaker 1>do re mi faso latito? Or did you watch I

0:45:34.440 --> 0:45:37.880
<v Speaker 1>saw the TV glow? Mm hmmm do.

0:45:38.120 --> 0:45:42.440
<v Speaker 3>Ray from doray mi faso latito?

0:45:44.200 --> 0:45:48.680
<v Speaker 1>Love it beautiful? Not well?

0:45:49.920 --> 0:45:52.719
<v Speaker 3>I try?

0:45:53.280 --> 0:45:57.279
<v Speaker 1>I no, no, no, that sounds like someone who can sing.

0:45:57.640 --> 0:46:01.399
<v Speaker 1>I think you can. When someone's like no, no, yeah,

0:46:01.480 --> 0:46:02.640
<v Speaker 1>that's so singer.

0:46:02.440 --> 0:46:04.960
<v Speaker 2>Your thought is like you want to say yes because

0:46:05.000 --> 0:46:07.640
<v Speaker 2>you know you can, but then you're like, well they're

0:46:07.680 --> 0:46:08.239
<v Speaker 2>going to ask me to.

0:46:08.200 --> 0:46:11.040
<v Speaker 3>Say it's so embarrassing. It's like maybe one of the

0:46:11.040 --> 0:46:12.400
<v Speaker 3>most embarrassing things you can.

0:46:12.239 --> 0:46:13.920
<v Speaker 1>Should we all do it. Do you secretly think you

0:46:13.960 --> 0:46:17.240
<v Speaker 1>should have been a pop star? Yes, well not so secret?

0:46:17.880 --> 0:46:23.760
<v Speaker 2>Is that the big secret? Oh my god, secrets reveal

0:46:23.840 --> 0:46:25.879
<v Speaker 2>about this? Oh okay, sorry, sorry, I know the one.

0:46:25.960 --> 0:46:30.080
<v Speaker 1>I mean I'm familiar with Martin's whole ouvra. Yeah, of

0:46:30.120 --> 0:46:32.640
<v Speaker 1>course we all are. I mean I've seen the music videos.

0:46:32.800 --> 0:46:34.320
<v Speaker 1>I have not seen the music videos.

0:46:34.360 --> 0:46:37.239
<v Speaker 3>I took them down. I tried to take them down.

0:46:37.480 --> 0:46:41.439
<v Speaker 3>At least there's some I can't take down.

0:46:41.960 --> 0:46:44.239
<v Speaker 1>But and what you're lucky.

0:46:45.440 --> 0:46:47.319
<v Speaker 3>I's gonna have to wait until it comes out of

0:46:47.360 --> 0:46:47.760
<v Speaker 3>the vault.

0:46:48.080 --> 0:46:51.239
<v Speaker 1>Oh see Martine Vault the retrospective.

0:46:51.239 --> 0:46:53.200
<v Speaker 2>What about that is the last name Martine Vault.

0:46:53.480 --> 0:46:54.640
<v Speaker 3>Martine Vault.

0:46:55.000 --> 0:46:58.320
<v Speaker 1>Wow, that sounds really wealthy. Yeah, I love Martine Vault.

0:46:58.600 --> 0:47:00.919
<v Speaker 1>Martine Vault is much more seriou is the Martin mint.

0:47:01.360 --> 0:47:05.200
<v Speaker 2>Martin introduces herself Martin Vault doesn't even you know when

0:47:05.200 --> 0:47:07.840
<v Speaker 2>she walks in, and you know that that's Madam Bolts.

0:47:08.160 --> 0:47:15.080
<v Speaker 3>Madam Vault is locked in the vault. There's Swiss citizenship involved.

0:47:14.719 --> 0:47:17.759
<v Speaker 1>Yes, yeah, well, it's involves beautiful imagery because of how

0:47:17.840 --> 0:47:20.479
<v Speaker 1>much is locked away, how many secrets are hidden in there.

0:47:20.640 --> 0:47:21.520
<v Speaker 3>That is gorgeous.

0:47:21.560 --> 0:47:24.359
<v Speaker 2>She has not spoken once until she writes her big

0:47:24.440 --> 0:47:28.319
<v Speaker 2>memoir at the age of eighty seven called Unlocking the Vault.

0:47:31.280 --> 0:47:34.440
<v Speaker 3>Dissolving, dissolving, dissolving, dissolving vault.

0:47:34.960 --> 0:47:37.919
<v Speaker 2>Wow, to mix metaphors like that is so Martine vault

0:47:39.200 --> 0:47:42.479
<v Speaker 2>can never have to have the metaphor locked and ready, locked,

0:47:42.640 --> 0:47:43.480
<v Speaker 2>locked and loaded.

0:47:43.640 --> 0:47:43.879
<v Speaker 1>Yeah.

0:47:43.960 --> 0:47:47.080
<v Speaker 2>Right, But then instead of just saying like unlocking, opening

0:47:47.239 --> 0:47:51.560
<v Speaker 2>to go, dissolving, revolving, is that is the Martine Martin Vault.

0:47:51.840 --> 0:47:55.200
<v Speaker 1>And that is I would say even more, even more

0:47:55.360 --> 0:47:59.800
<v Speaker 1>subversive than sip or lick is naming the book dissolving

0:47:59.800 --> 0:48:03.160
<v Speaker 1>the You said you're uncomfortable. You're uncomfortable. Yeah, same more,

0:48:05.400 --> 0:48:06.160
<v Speaker 1>let's explore that.

0:48:06.280 --> 0:48:07.840
<v Speaker 3>I don't I don't think I'm used to people like

0:48:07.880 --> 0:48:10.640
<v Speaker 3>talking about me this much in front of me.

0:48:11.000 --> 0:48:12.239
<v Speaker 1>Sure, yeah, we do that.

0:48:13.880 --> 0:48:19.520
<v Speaker 2>And yet you know what I mean, you're gaining power

0:48:19.520 --> 0:48:21.480
<v Speaker 2>as we're talking about and I can sense it.

0:48:28.400 --> 0:48:30.160
<v Speaker 1>I think what you should do with the power is,

0:48:32.280 --> 0:48:35.359
<v Speaker 1>you know, just wielded as ethically as you can. Right, Yeah,

0:48:35.480 --> 0:48:36.959
<v Speaker 1>maybe open up a school.

0:48:38.400 --> 0:48:42.760
<v Speaker 3>The Vault school, the Vaults for girls, for dolls, for dolls,

0:48:43.440 --> 0:48:45.040
<v Speaker 3>the Vault School dolls.

0:48:47.239 --> 0:48:49.879
<v Speaker 1>It does sound like you're locking them away unfortunately.

0:48:53.520 --> 0:48:56.440
<v Speaker 3>Yeah, there's we have to keep you. You have to

0:48:56.520 --> 0:48:58.920
<v Speaker 3>keep the dolls safe, lock them away.

0:49:00.080 --> 0:49:01.400
<v Speaker 1>We're doing this for your own good.

0:49:01.840 --> 0:49:03.840
<v Speaker 3>Before the government artin.

0:49:03.640 --> 0:49:06.080
<v Speaker 2>Vault has not spoken once in her life, but then

0:49:06.120 --> 0:49:09.680
<v Speaker 2>suddenly she opens them Vault School for Dolls and publishes

0:49:09.719 --> 0:49:14.760
<v Speaker 2>her memoir, dissolving the vault, and then she's disappeared again forever. Okay, Martine,

0:49:14.800 --> 0:49:17.040
<v Speaker 2>I do I know you have your homework prepared, and

0:49:17.040 --> 0:49:19.520
<v Speaker 2>I know we've edged you now for forty five minutes,

0:49:19.520 --> 0:49:21.440
<v Speaker 2>so I think it's time. We want to know what

0:49:21.520 --> 0:49:23.840
<v Speaker 2>straight topic have you brought and what makes it straight?

0:49:26.840 --> 0:49:31.359
<v Speaker 1>Okay, and it's yeah, and before you almost said something

0:49:31.440 --> 0:49:34.680
<v Speaker 1>like straight topics. So if there's that's fine, It's totally fine.

0:49:34.719 --> 0:49:36.759
<v Speaker 1>It's so up to you. Yeah, we don't really have

0:49:36.840 --> 0:49:41.920
<v Speaker 1>rules here, fun.

0:49:42.520 --> 0:49:44.280
<v Speaker 3>I mean, it felt it felt like you had rules

0:49:44.320 --> 0:49:47.359
<v Speaker 3>when I when I came in, Oh oh, like what

0:49:48.040 --> 0:49:52.799
<v Speaker 3>take your shoes off, wash your hand? You made me

0:49:52.840 --> 0:49:53.760
<v Speaker 3>change my pants.

0:49:54.080 --> 0:49:56.280
<v Speaker 1>Yeah, they weren't up to code.

0:49:56.320 --> 0:49:57.200
<v Speaker 3>They weren't small enough.

0:49:57.200 --> 0:50:00.200
<v Speaker 1>They didn't have enough reflective tape.

0:50:00.960 --> 0:50:01.680
<v Speaker 3>You wanted velcro.

0:50:01.840 --> 0:50:03.360
<v Speaker 1>You have to be able to see you at all times,

0:50:04.040 --> 0:50:07.600
<v Speaker 1>require all our guests to be an head to toe. Yeah,

0:50:07.640 --> 0:50:12.360
<v Speaker 1>you're stuck to that chair until until someone unpeels you. Anyway,

0:50:13.280 --> 0:50:17.879
<v Speaker 1>the show's over. Let's come down. Unpeel the gus, unhook her,

0:50:18.480 --> 0:50:19.160
<v Speaker 1>unhook her.

0:50:19.960 --> 0:50:22.360
<v Speaker 3>I am, I feel like I got the assignment wrong.

0:50:22.800 --> 0:50:25.520
<v Speaker 1>That's okay. How did you get it wrong?

0:50:25.600 --> 0:50:31.560
<v Speaker 3>Like straight things and rulers perfect? Okay, grids perfect? So

0:50:31.719 --> 0:50:39.440
<v Speaker 3>you mean like straight lines, column stripes, knives, knives have

0:50:39.520 --> 0:50:40.800
<v Speaker 3>curved nails.

0:50:42.120 --> 0:50:44.399
<v Speaker 1>Human nails or a nail that you hit.

0:50:44.400 --> 0:50:48.920
<v Speaker 3>Rapt paper, all straight lines. Let's winning. M m oh,

0:50:51.000 --> 0:51:01.160
<v Speaker 3>but you men sexuality wise like homosexual, heterosexual like colloquial

0:51:01.160 --> 0:51:05.520
<v Speaker 3>is also known as straight. Why would you expect me

0:51:05.560 --> 0:51:06.440
<v Speaker 3>to know anything about that?

0:51:09.440 --> 0:51:11.400
<v Speaker 1>Sam Well through your years of study? Of course?

0:51:11.880 --> 0:51:12.160
<v Speaker 3>Right?

0:51:12.360 --> 0:51:17.120
<v Speaker 2>I did hear his fascinating wanting a husband to take

0:51:17.120 --> 0:51:18.760
<v Speaker 2>his last name? That seems very straight.

0:51:18.880 --> 0:51:22.000
<v Speaker 3>I said married. I would get married.

0:51:22.440 --> 0:51:24.120
<v Speaker 2>Oh but it could be a man or a woman

0:51:24.239 --> 0:51:25.480
<v Speaker 2>or anyone.

0:51:25.760 --> 0:51:28.359
<v Speaker 1>It could be who what it.

0:51:28.320 --> 0:51:30.439
<v Speaker 3>Could be who? What? Where? When?

0:51:30.920 --> 0:51:31.480
<v Speaker 1>Why?

0:51:31.640 --> 0:51:33.120
<v Speaker 3>It could be they?

0:51:33.800 --> 0:51:34.799
<v Speaker 1>It could be them.

0:51:35.360 --> 0:51:39.719
<v Speaker 3>Sure, it could be whoa.

0:51:40.600 --> 0:51:47.120
<v Speaker 1>Barton? Now an interest? See she's relationship.

0:51:49.040 --> 0:51:52.520
<v Speaker 3>I'm open to phrase, I'm open to I'm just kind

0:51:52.520 --> 0:51:53.760
<v Speaker 3>of open totally.

0:51:53.960 --> 0:51:58.080
<v Speaker 1>Did I assume husband without it ever being mentioned? Yes? Yeah, wow,

0:51:58.320 --> 0:51:59.160
<v Speaker 1>talk about straight?

0:51:59.440 --> 0:52:03.760
<v Speaker 3>I know? Are you both straight? No, we're LGBTQ plus

0:52:03.880 --> 0:52:05.640
<v Speaker 3>LGBTQ plus. Do you know about that?

0:52:06.120 --> 0:52:08.000
<v Speaker 1>Yeah? Yeah, you have some friends.

0:52:08.040 --> 0:52:10.120
<v Speaker 3>My mom's lgbt plus.

0:52:10.280 --> 0:52:12.960
<v Speaker 1>Oh I'm half that's awesome.

0:52:13.080 --> 0:52:16.919
<v Speaker 2>Yeah, well it only counts if it's your mom's side.

0:52:17.040 --> 0:52:17.880
<v Speaker 3>It only counts.

0:52:18.000 --> 0:52:18.439
<v Speaker 1>Yeah. Yeah.

0:52:18.560 --> 0:52:21.640
<v Speaker 2>It gets transferred through the mom through the breast milk,

0:52:21.719 --> 0:52:24.120
<v Speaker 2>through the breast milk. But if you weren't breastfed, then

0:52:24.200 --> 0:52:27.480
<v Speaker 2>I guess you don't know, you're probably heterosexual.

0:52:27.640 --> 0:52:29.319
<v Speaker 1>Well maybe some of the breast milk like leaked into

0:52:29.320 --> 0:52:33.319
<v Speaker 1>the water supply. Oh how would that happen through through

0:52:33.400 --> 0:52:48.560
<v Speaker 1>sewer systems? All right, so, Martine, you've brought fourth rulers, rulers, grids, stripes, knives.

0:52:49.280 --> 0:52:52.760
<v Speaker 1>Now a knife is interesting, quite explore that. What about

0:52:52.840 --> 0:52:56.000
<v Speaker 1>knife red as physically straight to you? Yeah? Because to me,

0:52:56.120 --> 0:52:58.759
<v Speaker 1>because there is a straight side, but there's also the

0:52:58.920 --> 0:52:59.600
<v Speaker 1>curved side.

0:52:59.640 --> 0:53:06.440
<v Speaker 3>Why don't really think of many knives being like curved?

0:53:07.360 --> 0:53:10.040
<v Speaker 1>Well that seems like erace. Youre on your you think

0:53:10.120 --> 0:53:12.000
<v Speaker 1>knives are just one straight line.

0:53:12.600 --> 0:53:14.560
<v Speaker 3>If you think about a knife, you think he was skewer.

0:53:15.360 --> 0:53:19.239
<v Speaker 1>Oh maybe yeah, and no one perhaps a spear a spear.

0:53:19.640 --> 0:53:24.680
<v Speaker 2>Arrow narrow, And I would say a sword is more straight, yeah,

0:53:24.680 --> 0:53:25.960
<v Speaker 2>because both sides.

0:53:25.680 --> 0:53:28.680
<v Speaker 1>Are you know. Well, but not all swords, of course. Well,

0:53:28.719 --> 0:53:30.600
<v Speaker 1>of course many swords have a curve.

0:53:31.040 --> 0:53:35.160
<v Speaker 3>Yeah, you're right. I was saying, like a switch blade,

0:53:35.200 --> 0:53:36.640
<v Speaker 3>and it's like, oh, I.

0:53:36.680 --> 0:53:40.560
<v Speaker 1>See, not like an eating blade, not like a steak knife.

0:53:40.600 --> 0:53:42.120
<v Speaker 3>I was thinking about the knives I haven't.

0:53:43.360 --> 0:53:45.960
<v Speaker 1>Yeah, switch blades, Yeah, all.

0:53:45.960 --> 0:53:47.319
<v Speaker 3>The switch blades I have around the house.

0:53:47.800 --> 0:53:50.040
<v Speaker 1>I remember when you had you had us all over

0:53:50.120 --> 0:53:52.680
<v Speaker 1>for steak one night, and and when you brought out

0:53:52.680 --> 0:53:56.640
<v Speaker 1>the steak knives, they were just switch blades. I thought

0:53:56.640 --> 0:53:59.560
<v Speaker 1>that was really cool. It was so so New York house.

0:54:08.000 --> 0:54:16.279
<v Speaker 3>I'm gonna go. No, no, I'm sorry, No.

0:54:16.239 --> 0:54:19.719
<v Speaker 1>I don't apologize. Are there you? I'm seen more? Are there?

0:54:21.520 --> 0:54:25.240
<v Speaker 3>They're wrong? I crossed the out poles, I crossed out polls.

0:54:25.360 --> 0:54:26.600
<v Speaker 3>I crossed out runways.

0:54:27.080 --> 0:54:28.480
<v Speaker 1>Runways are very well.

0:54:28.400 --> 0:54:35.760
<v Speaker 2>Not, I know, because runways can be can huh huh drants.

0:54:36.520 --> 0:54:36.800
<v Speaker 1>Dang.

0:54:38.920 --> 0:54:42.120
<v Speaker 3>I I have I have dated men straight men.

0:54:42.719 --> 0:54:44.480
<v Speaker 1>Do you like it? Yeah? Do you like it?

0:54:45.960 --> 0:54:47.960
<v Speaker 3>Yeah, It's just it's just different.

0:54:48.480 --> 0:54:49.839
<v Speaker 1>Sure, than women.

0:54:50.160 --> 0:54:54.440
<v Speaker 3>Than women, and and twins and ferries.

0:54:54.560 --> 0:54:56.239
<v Speaker 1>Have you dated a free Uh?

0:54:56.400 --> 0:54:56.640
<v Speaker 3>Yeah?

0:54:57.239 --> 0:54:57.759
<v Speaker 1>How was that.

0:54:59.680 --> 0:55:03.880
<v Speaker 3>Really fun? Really sweet? It was hard. They didn't want

0:55:03.920 --> 0:55:05.880
<v Speaker 3>to leave the house.

0:55:06.320 --> 0:55:09.279
<v Speaker 1>Were they outdoor trained? No?

0:55:09.400 --> 0:55:11.320
<v Speaker 3>They it's like at home, it was it was like

0:55:11.360 --> 0:55:13.160
<v Speaker 3>a double life. It was like living with a spy

0:55:13.360 --> 0:55:19.319
<v Speaker 3>or something. It's like at home they could be themselves

0:55:19.360 --> 0:55:25.880
<v Speaker 3>and you know, covered in fur. And then it just

0:55:26.800 --> 0:55:30.800
<v Speaker 3>I don't know, they're worried about the being judged or something.

0:55:33.280 --> 0:55:37.720
<v Speaker 1>How would you rank from gata, straight men, women, twinks, furrees?

0:55:39.320 --> 0:55:43.000
<v Speaker 3>I wouldn't. I just wouldn't do that.

0:55:43.000 --> 0:55:43.399
<v Speaker 1>That's fair.

0:55:43.440 --> 0:55:45.880
<v Speaker 3>But it's all that's measuring. Oh did I say ruler?

0:55:46.080 --> 0:55:53.120
<v Speaker 1>Yeah, I'm feeling traumatized, like surprise birthday style.

0:55:53.040 --> 0:55:56.680
<v Speaker 3>Because you're you're reflecting on yourself, Like.

0:55:56.800 --> 0:55:59.719
<v Speaker 1>Can I ask your person? Are we how do you

0:55:59.719 --> 0:56:02.880
<v Speaker 1>think we've been as hosts during this episode?

0:56:02.880 --> 0:56:03.800
<v Speaker 3>Another measurement?

0:56:05.640 --> 0:56:07.160
<v Speaker 1>Do you think we're obsessed with measuring?

0:56:07.760 --> 0:56:08.160
<v Speaker 3>Yeah?

0:56:08.800 --> 0:56:10.960
<v Speaker 1>Wow, I guess it's true we are. But I don't

0:56:10.960 --> 0:56:12.800
<v Speaker 1>consider it measuring. Consider it reflection.

0:56:12.960 --> 0:56:14.560
<v Speaker 3>Reflection, Oh, reflection.

0:56:14.560 --> 0:56:16.040
<v Speaker 1>Because I'm not looking for a number. I'm a looking

0:56:16.080 --> 0:56:18.359
<v Speaker 1>between one and ten. I'm looking for a feeling.

0:56:18.120 --> 0:56:21.560
<v Speaker 2>You're turned off by our lack of self possession. We

0:56:21.640 --> 0:56:23.319
<v Speaker 2>are like that furry that's not able to go to

0:56:23.320 --> 0:56:25.600
<v Speaker 2>the grocery store. You think we don't have rebel heart,

0:56:25.640 --> 0:56:27.319
<v Speaker 2>and we don't think we don't have rebel hearts. You

0:56:27.360 --> 0:56:30.680
<v Speaker 2>think we don't have ruble hearts. We know we have

0:56:30.760 --> 0:56:32.480
<v Speaker 2>rebel hearts. Did you hear how comfortable we were with

0:56:32.520 --> 0:56:36.439
<v Speaker 2>the silence? So rebel heart, I see what's going on here.

0:56:36.680 --> 0:56:39.840
<v Speaker 2>You can walk in here our podcast and you're thinking,

0:56:39.920 --> 0:56:41.280
<v Speaker 2>oh god, these guys, these.

0:56:41.120 --> 0:56:44.000
<v Speaker 1>Guys are heart basic. They don't even have rebel hearts.

0:56:44.000 --> 0:56:46.080
<v Speaker 1>They don't even know what it means. Oh, they were like, oh,

0:56:46.160 --> 0:56:47.840
<v Speaker 1>they're doing a podcast on straight culture. They don't have

0:56:47.840 --> 0:56:49.799
<v Speaker 1>reubele heart, they don't have rible hearts. I'll show them.

0:56:49.880 --> 0:56:50.520
<v Speaker 1>I'll show them.

0:56:50.680 --> 0:56:53.400
<v Speaker 2>I'll bring in avant garde topics that are straight literally

0:56:53.480 --> 0:56:55.680
<v Speaker 2>instead of straight figuratively, and they won't even know what

0:56:55.719 --> 0:56:55.920
<v Speaker 2>to do.

0:56:56.000 --> 0:56:57.280
<v Speaker 1>I don't have to eat their hats.

0:56:57.360 --> 0:56:59.040
<v Speaker 2>I'll do sip and I'll do lick and they'll have

0:56:59.080 --> 0:57:01.000
<v Speaker 2>some stupid bullshit to say about it because I don't

0:57:01.040 --> 0:57:02.960
<v Speaker 2>even get the point of my art. And now here

0:57:03.000 --> 0:57:05.440
<v Speaker 2>they are asking me how they did you want to

0:57:05.480 --> 0:57:08.800
<v Speaker 2>know how you did you did poorly. I'm Martine Vault

0:57:08.840 --> 0:57:09.520
<v Speaker 2>and this has been.

0:57:13.800 --> 0:57:14.640
<v Speaker 1>You want to say, you.

0:57:14.640 --> 0:57:16.800
<v Speaker 3>Want to say, I'm really stressful When you say like that,

0:57:16.840 --> 0:57:18.960
<v Speaker 3>this could be an amazing opportunity actually to do that yell?

0:57:19.200 --> 0:57:20.440
<v Speaker 1>Oh yeah, do you want to yell at us?

0:57:21.360 --> 0:57:22.160
<v Speaker 3>No? I don't.

0:57:23.040 --> 0:57:24.560
<v Speaker 1>What can we do to make you yellowt us? It's

0:57:24.560 --> 0:57:26.240
<v Speaker 1>even more rude to not do it at this point.

0:57:26.640 --> 0:57:28.400
<v Speaker 3>Well, usually people pay me to yellow.

0:57:28.560 --> 0:57:30.640
<v Speaker 1>Oh yeah, I like a sex way.

0:57:31.440 --> 0:57:34.720
<v Speaker 3>This is just just an exchanging of hands. Oh, it

0:57:34.800 --> 0:57:39.640
<v Speaker 3>doesn't have to be money. Could be diamonds. I have

0:57:39.680 --> 0:57:43.960
<v Speaker 3>a granola bar in diamonds. What kind of watches that.

0:57:47.840 --> 0:57:49.760
<v Speaker 1>I knew? Not to wear any jewels?

0:57:49.280 --> 0:57:52.880
<v Speaker 2>Martine Vault only gets paid in diamonds.

0:57:53.800 --> 0:57:58.040
<v Speaker 3>Yes, some kind of conflict diamond.

0:57:57.960 --> 0:58:00.000
<v Speaker 1>Do you have any conflict diamonds?

0:58:00.280 --> 0:58:01.640
<v Speaker 3>No? I don't usually wear jewelry.

0:58:01.840 --> 0:58:05.600
<v Speaker 1>I have noticed. Is that true? Wow?

0:58:05.720 --> 0:58:07.160
<v Speaker 3>Wow?

0:58:07.440 --> 0:58:08.960
<v Speaker 1>Is it because you just want to let.

0:58:09.040 --> 0:58:11.240
<v Speaker 3>You have the metal detector? When I came in and

0:58:11.280 --> 0:58:15.120
<v Speaker 3>they made me take everything off in the hallway.

0:58:16.280 --> 0:58:18.439
<v Speaker 1>In the in the tunnel of Hits.

0:58:18.120 --> 0:58:20.480
<v Speaker 3>In the Tunnel of Hits, there's a big one.

0:58:20.560 --> 0:58:25.640
<v Speaker 1>To the style of ripping. No, we didn't do you know,

0:58:25.720 --> 0:58:26.280
<v Speaker 1>we didn't.

0:58:26.680 --> 0:58:29.640
<v Speaker 2>Do you find that jewelry like would take attention?

0:58:30.040 --> 0:58:31.480
<v Speaker 1>You do? Great?

0:58:31.760 --> 0:58:35.160
<v Speaker 2>Yeah, we take attention away from from the work. Innate

0:58:35.440 --> 0:58:35.919
<v Speaker 2>from the work.

0:58:36.440 --> 0:58:38.480
<v Speaker 3>From the work, Yeah, from.

0:58:38.400 --> 0:58:40.200
<v Speaker 2>Sip and from safe and lick.

0:58:40.400 --> 0:58:42.240
<v Speaker 3>It's like, let's focus on the work.

0:58:42.480 --> 0:58:46.080
<v Speaker 1>Yeah, the work. Yeah. Yeah, that's powerful because a lot

0:58:46.080 --> 0:58:47.400
<v Speaker 1>of these artists to say, they come.

0:58:47.920 --> 0:58:50.280
<v Speaker 2>No, they're going to the big, the big, They're going

0:58:50.280 --> 0:58:53.520
<v Speaker 2>to the big banale. Literally bracelets head to toe.

0:58:54.040 --> 0:59:02.760
<v Speaker 1>Yeah, they're wearing bracelets, just bracelets, various sizes everywhere, everywhere. God,

0:59:03.200 --> 0:59:05.840
<v Speaker 1>but I do love a bracelet dress, of course I

0:59:05.160 --> 0:59:21.959
<v Speaker 1>love Yes, No, I love a bracelet dress. And we're back.

0:59:23.680 --> 0:59:30.400
<v Speaker 1>So this has been George. This has been This has

0:59:30.440 --> 0:59:34.000
<v Speaker 1>been George. This has been George. And how are you feeling.

0:59:35.000 --> 0:59:38.400
<v Speaker 1>I am feeling actually so relaxed. Yea.

0:59:40.120 --> 0:59:44.360
<v Speaker 2>And when I realized that I was being power little spooned,

0:59:45.880 --> 0:59:48.360
<v Speaker 2>I said, finally I can relax because I no longer

0:59:48.400 --> 0:59:51.000
<v Speaker 2>have to carry I no longer have to lead this conversation.

0:59:51.200 --> 0:59:55.720
<v Speaker 2>I can just observe a master, a mistress at work.

0:59:58.800 --> 1:00:01.320
<v Speaker 2>And as a long time fan, you know, people often

1:00:01.360 --> 1:00:03.960
<v Speaker 2>ask me what icons do I still look up to

1:00:04.800 --> 1:00:07.080
<v Speaker 2>and to me. I think it goes back to Martine Vault.

1:00:07.640 --> 1:00:08.120
<v Speaker 1>Yeah.

1:00:08.200 --> 1:00:11.840
<v Speaker 2>I think her early work was instrumental in my coming

1:00:11.840 --> 1:00:15.400
<v Speaker 2>out and in my wanting to pursue the arts. And

1:00:15.440 --> 1:00:18.480
<v Speaker 2>then I think her thirty year absence was when I

1:00:18.520 --> 1:00:20.800
<v Speaker 2>grew as an artist. And now that she's back with

1:00:20.960 --> 1:00:24.280
<v Speaker 2>the memoir and of course the Vault School for dolls it,

1:00:25.840 --> 1:00:27.600
<v Speaker 2>I think it has empowered me to be more of

1:00:27.640 --> 1:00:28.520
<v Speaker 2>a rebel heart too.

1:00:28.920 --> 1:00:30.080
<v Speaker 1>Wow. How about you?

1:00:32.040 --> 1:00:32.280
<v Speaker 3>Hmmm?

1:00:34.840 --> 1:00:37.160
<v Speaker 1>I wish I had such clarity. You know. You know

1:00:37.200 --> 1:00:39.320
<v Speaker 1>a lot of people do, but a few of us do.

1:00:40.600 --> 1:00:41.520
<v Speaker 3>Welcome to the vault.

1:00:41.920 --> 1:00:45.200
<v Speaker 1>Yeah, I'm feeling like I'm in the vault, but it's

1:00:45.200 --> 1:00:47.960
<v Speaker 1>not like a sort of fancy vault. I'm in a

1:00:48.000 --> 1:00:50.720
<v Speaker 1>vault that's like cobwebs and old books. You think so,

1:00:50.880 --> 1:00:53.080
<v Speaker 1>And I'm a little like, get me out of here?

1:00:58.160 --> 1:01:01.400
<v Speaker 3>Wow? Long does this go? We could we could go anywhere.

1:01:02.160 --> 1:01:11.160
<v Speaker 1>We're in New York, the biggest vault of all. Well,

1:01:13.480 --> 1:01:16.400
<v Speaker 1>I think we should step out in Times Square and

1:01:16.520 --> 1:01:19.240
<v Speaker 1>take time.

1:01:18.520 --> 1:01:20.120
<v Speaker 3>And get lunch and get lunch.

1:01:22.400 --> 1:01:25.600
<v Speaker 1>Yeah, I'm hungry, No, same, Yeah, well it is lunchtime,

1:01:25.760 --> 1:01:27.760
<v Speaker 1>that's true. They don't tell you that at the Vault.

1:01:27.840 --> 1:01:28.760
<v Speaker 3>I have something to tell you.

1:01:30.240 --> 1:01:31.080
<v Speaker 1>Can you say it now?

1:01:31.320 --> 1:01:31.919
<v Speaker 3>No? No?

1:01:33.800 --> 1:01:37.320
<v Speaker 2>Okay, Well, before we go to lunch, should we do

1:01:37.360 --> 1:01:43.720
<v Speaker 2>our final segment at the Vault, Yes, Martine Madam Vault.

1:01:46.240 --> 1:01:48.240
<v Speaker 2>Our final segment is called shout outs.

1:01:48.520 --> 1:01:49.240
<v Speaker 3>Oh.

1:01:49.400 --> 1:01:51.520
<v Speaker 1>Now. In this segment, we pay homage to the great

1:01:51.520 --> 1:01:53.480
<v Speaker 1>straight tradition of the radio shout out.

1:01:54.440 --> 1:01:54.880
<v Speaker 3>Yes.

1:01:55.280 --> 1:01:59.120
<v Speaker 1>So think about like shouting out to your squad back home.

1:01:59.640 --> 1:02:02.360
<v Speaker 1>You're on the radio. You're giving a shout out to

1:02:02.400 --> 1:02:03.040
<v Speaker 1>something you like.

1:02:04.240 --> 1:02:06.040
<v Speaker 3>My town doesn't have any radios.

1:02:06.400 --> 1:02:09.360
<v Speaker 1>Your town, New York? The Vault.

1:02:10.280 --> 1:02:13.800
<v Speaker 3>Yeah, mild down, New York, mizzled down.

1:02:14.720 --> 1:02:18.160
<v Speaker 1>I uh, that's g I'm joker. That's old.

1:02:18.680 --> 1:02:19.320
<v Speaker 3>Did you see that?

1:02:20.960 --> 1:02:22.560
<v Speaker 1>But we can still infer, did you?

1:02:22.920 --> 1:02:26.240
<v Speaker 3>I did. I have a lot of opinions about it.

1:02:26.520 --> 1:02:30.040
<v Speaker 1>We'll talk about them at lunch lunch, God forbid we

1:02:30.080 --> 1:02:30.400
<v Speaker 1>share it.

1:02:30.440 --> 1:02:36.240
<v Speaker 3>Now, come to lunch for the other for the other show.

1:02:36.840 --> 1:02:41.880
<v Speaker 1>Yeah, lunch lab, lunchio lab where we talk all things lunch.

1:02:43.320 --> 1:02:47.200
<v Speaker 3>We got our lunch on I I.

1:02:47.760 --> 1:02:49.920
<v Speaker 1>We'll do our shoutouts first so you can see. Yeah.

1:02:51.280 --> 1:02:53.600
<v Speaker 3>Yeah, am I afraid to get it wrong?

1:02:53.800 --> 1:02:54.000
<v Speaker 1>Is that?

1:02:54.040 --> 1:02:54.600
<v Speaker 3>What? Am I?

1:02:54.760 --> 1:02:57.400
<v Speaker 1>Like? I could not see that being at all possible

1:02:57.400 --> 1:02:58.360
<v Speaker 1>to think so.

1:03:00.240 --> 1:03:00.840
<v Speaker 3>Oka good.

1:03:02.080 --> 1:03:04.360
<v Speaker 2>No, you just have to channel your channel, your inner

1:03:04.640 --> 1:03:07.960
<v Speaker 2>vault and channel channer channer your in.

1:03:10.920 --> 1:03:12.440
<v Speaker 1>It's like a goosebumps.

1:03:14.680 --> 1:03:15.280
<v Speaker 3>I don't know.

1:03:15.560 --> 1:03:21.400
<v Speaker 1>Yeah, well before I don't have radio in your town. Okay, Sam,

1:03:21.480 --> 1:03:28.200
<v Speaker 1>do you have one? I can do one. Yeah, you

1:03:28.200 --> 1:03:31.400
<v Speaker 1>go for it, Okay, I might.

1:03:31.760 --> 1:03:35.600
<v Speaker 2>I might lean into the vault of it all more

1:03:35.680 --> 1:03:41.920
<v Speaker 2>vault heavy shout out, good evening Vault residents.

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<v Speaker 1>I want to give a shout out to Siggy's Yogurt.

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<v Speaker 1>You know, for the longest time, I have been a

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<v Speaker 1>fai ye Greek yogurt girl. I have said I'm going

1:03:50.920 --> 1:03:54.080
<v Speaker 1>to support my culture, Greek culture, and support a Greek

1:03:54.120 --> 1:03:59.440
<v Speaker 1>owned company. But recently I rediscovered Siggi's Icelandic yogurt and

1:03:59.480 --> 1:04:04.440
<v Speaker 1>specifically the Asie and berry flavor. We're talking fifteen grams

1:04:04.480 --> 1:04:08.280
<v Speaker 1>of protein, workup mama, and I am having one every

1:04:08.360 --> 1:04:11.040
<v Speaker 1>day before I leave the house. It is delicious, it

1:04:11.120 --> 1:04:14.960
<v Speaker 1>is custardy, it is the exact great texture and consistency,

1:04:15.000 --> 1:04:19.480
<v Speaker 1>and I am absolutely living for it every day of

1:04:19.520 --> 1:04:31.720
<v Speaker 1>my young life. Thank you. I would like to give

1:04:31.720 --> 1:04:36.760
<v Speaker 1>a shout out to Martine. Yes, I have known you

1:04:36.800 --> 1:04:43.720
<v Speaker 1>for a while, and you have always surprised me and

1:04:43.880 --> 1:04:47.000
<v Speaker 1>in so many different ways, and in a way I

1:04:47.640 --> 1:04:52.480
<v Speaker 1>love you, know, following your journey and saying oh wow,

1:04:52.720 --> 1:04:57.919
<v Speaker 1>oh wow, oh wow. And it's always brought me great

1:04:58.160 --> 1:05:07.360
<v Speaker 1>joy to observe, to watch and to run into you

1:05:07.400 --> 1:05:09.320
<v Speaker 1>even at a party and say, oh my gosh, and

1:05:09.400 --> 1:05:12.200
<v Speaker 1>Martin was there. God, I say that all the time.

1:05:12.600 --> 1:05:15.680
<v Speaker 1>I say, and Martin was there. And you know, I'm

1:05:15.680 --> 1:05:18.680
<v Speaker 1>addicted to it, and I want to say that the

1:05:18.720 --> 1:05:21.840
<v Speaker 1>way that you I've known you for a long time,

1:05:21.960 --> 1:05:25.480
<v Speaker 1>and yet you are a mystery. And this podcast I

1:05:25.520 --> 1:05:28.960
<v Speaker 1>was like, the mystery will be solved. And of course,

1:05:29.000 --> 1:05:31.720
<v Speaker 1>what a fool I was and am. The mystery will

1:05:31.760 --> 1:05:35.600
<v Speaker 1>never be solved. And I should stop trying to open

1:05:35.640 --> 1:05:39.080
<v Speaker 1>the vault and just embrace the vault is locked.

1:05:42.400 --> 1:05:45.400
<v Speaker 3>I'm so I couldn't pay attention because you were texting during.

1:05:47.720 --> 1:05:47.760
<v Speaker 1>It.

1:05:48.400 --> 1:05:49.080
<v Speaker 3>I was distracted.

1:05:49.280 --> 1:05:52.360
<v Speaker 1>I know, I'm sorry. I was opening my own personal vaults.

1:05:54.520 --> 1:05:56.760
<v Speaker 3>That's so beautiful yoga.

1:05:58.080 --> 1:06:00.880
<v Speaker 1>The yogurt yoga is so beautiful. Yeah, well, you weren't

1:06:00.880 --> 1:06:03.640
<v Speaker 1>paying attention to Sam's but the yogurt was really Congrats

1:06:03.640 --> 1:06:06.959
<v Speaker 1>on the yogurt. Yeah, and I'm sorry. I was I'm

1:06:06.960 --> 1:06:10.920
<v Speaker 1>sorry I was texting apologized to me and my defense

1:06:10.960 --> 1:06:12.640
<v Speaker 1>it was really important.

1:06:12.520 --> 1:06:14.000
<v Speaker 3>Right, Yeah, I bet.

1:06:14.920 --> 1:06:16.120
<v Speaker 1>Okay, Now if you have.

1:06:16.920 --> 1:06:18.480
<v Speaker 2>I won't text during yours and I'm going to make

1:06:18.520 --> 1:06:20.800
<v Speaker 2>direct eye contact the entire time for me as well.

1:06:21.800 --> 1:06:23.040
<v Speaker 3>I'm so tired.

1:06:25.400 --> 1:06:30.600
<v Speaker 1>Of the drama of fakes and the Yeah, just like

1:06:31.240 --> 1:06:34.760
<v Speaker 1>every day totally, I'm just the bullshit of the industry.

1:06:35.280 --> 1:06:41.800
<v Speaker 3>Yeah, just like this town getting through this town falls town. God,

1:06:42.280 --> 1:06:49.720
<v Speaker 3>I want to shout out my locksmith, yeah for showing

1:06:49.760 --> 1:06:53.720
<v Speaker 3>me how to break into my apartment using your credit

1:06:53.760 --> 1:07:02.040
<v Speaker 3>card because now I don't have to pay to hire

1:07:02.120 --> 1:07:04.680
<v Speaker 3>him back. In a way, it was so generous because

1:07:04.800 --> 1:07:11.479
<v Speaker 3>it like dissolved his his job.

1:07:13.600 --> 1:07:15.760
<v Speaker 1>Like like filmmakers getting really into AI.

1:07:18.360 --> 1:07:23.680
<v Speaker 3>Yeah, like artists just it's really musing AI all the time. Yeah,

1:07:23.760 --> 1:07:27.360
<v Speaker 3>it's the same. It's exactly the same. If we were to.

1:07:27.320 --> 1:07:30.560
<v Speaker 1>Measure the two, I would you're catching on.

1:07:30.880 --> 1:07:33.880
<v Speaker 3>Yeah, I'm learning how to do this. You're teaching me.

1:07:34.240 --> 1:07:39.360
<v Speaker 1>You're don't us. We know what you're we know what.

1:07:43.800 --> 1:07:47.360
<v Speaker 3>I would love to shout out Brooklyn Ball Factory.

1:07:47.720 --> 1:07:48.560
<v Speaker 1>What did they make there?

1:07:48.760 --> 1:07:54.440
<v Speaker 3>They make balls? They make rice balls. Ony giddy, so good,

1:07:54.680 --> 1:08:00.960
<v Speaker 3>Oh my god, the spicy salmon. Honestly, the on all

1:08:01.000 --> 1:08:02.000
<v Speaker 3>of them, all of them.

1:08:02.120 --> 1:08:03.520
<v Speaker 1>Well, did they have a Times Square location?

1:08:03.760 --> 1:08:07.480
<v Speaker 3>They just opened up a new spots. There's the og

1:08:07.960 --> 1:08:10.479
<v Speaker 3>which is in Williamsburg, and I think they just opened

1:08:10.560 --> 1:08:15.280
<v Speaker 3>up a new location and somewhere in the city, but

1:08:15.320 --> 1:08:19.200
<v Speaker 3>I haven't been there yet. But they're so cute. Everyone

1:08:19.439 --> 1:08:24.320
<v Speaker 3>that works there is so cute. And I sometimes when

1:08:24.320 --> 1:08:26.519
<v Speaker 3>I miss home, I go there.

1:08:27.479 --> 1:08:32.800
<v Speaker 1>Will Martine, this has been a really interesting episode. Oh no,

1:08:33.000 --> 1:08:35.200
<v Speaker 1>do you think you'll submit this episode for the Big

1:08:35.240 --> 1:08:38.880
<v Speaker 1>B and aal as you're trying to reinvent yourself and

1:08:38.920 --> 1:08:47.080
<v Speaker 1>trying to move past sip and lick. No podcast ends now.

1:08:47.479 --> 1:08:49.800
<v Speaker 1>Stradio Lab is a production by Will Ferrell's Big Money

1:08:49.800 --> 1:08:51.760
<v Speaker 1>Players and iHeartRadio podcasts.

1:08:51.880 --> 1:08:54.719
<v Speaker 2>Created and hosted by Sam Taggart and George Savers.

1:08:54.880 --> 1:08:59.040
<v Speaker 1>Executive produced by Becca Ramos, produced by Casey Donahue, edited

1:08:59.080 --> 1:09:00.439
<v Speaker 1>a mixed by Lawrence Dumped.

1:09:00.680 --> 1:09:02.799
<v Speaker 2>Social video done by Hot Dog Sandwich