Speaker 1: You saw Yea come out time after time and say
Speaker 1: Drake is the go Drake is the man. I don't
Speaker 1: understand how we're supposed to accept now that you kill
Speaker 1: the one thing we know about Kendrick Lamar when he
Speaker 1: comes to to Drake, he's Kanye, how we know you?
Speaker 1: You don't put your you done handed me in your
Speaker 1: sights and put it down every time.
Speaker 2: But like you're the only person that's gonna really put
Speaker 2: it out there.
Speaker 3: They say, rich baby daddy is like Drake has a
Speaker 3: rich baby daddy named Lucien and universe. Wow, He's like,
Speaker 3: you know, like, man, my daddy got it.
Speaker 1: I don't think the song is effective as it pertains
Speaker 1: the boars and lyrics as I continue to tell y'all
Speaker 1: they're hitting Drake without the narratives associated with his name.
Speaker 4: Heard it.
Speaker 2: What do you think Kendrick's gonna do?
Speaker 5: Now?
Speaker 2: Do you think he got some?
Speaker 5: But Drake?
Speaker 2: Who do you think wins that I win?
Speaker 3: I got some Drake and know nobody want with me?
Speaker 4: How do we know this is real?
Speaker 1: I think Kanye serves more of a benefit as a
Speaker 1: structure piece in this royal rumble when it comes to rapping.
Speaker 1: I'm not sure how effective the fans are gonna take it,
Speaker 1: because we know you love Drake ya.
Speaker 5: Yeah, Pluto call me.
Speaker 3: I went to the studio, laid that and then we
Speaker 3: you know, went through the you know, the creative process
Speaker 3: at the courts and called the hooligans, called him out
Speaker 3: in London to get on a joint and you know,
Speaker 3: everybody is very, very excited about the elimination of Drake.
Speaker 1: When you hear about Kanye West speaking about this looten
Speaker 1: Grange package, it's all about that, yo. Yeah, money opens doors.
Speaker 1: But these dudes got fifty years of infrastructure. Kanye West
Speaker 1: talked about Future hitting him up to get this done.
Speaker 1: I was telling some record execs like Future is gonna
Speaker 1: be the problem. He has to neutralize Future. If he
Speaker 1: does not neutralize Future, we're gonna be dealing with a
Speaker 1: wolverine on the loop and then.
Speaker 3: Turning me fied and all the reputation. That's like Tupac
Speaker 3: been the elevator. Healthy right now to exactly exactly, No,
Speaker 3: it's in shape. Yeah, it's up man.
Speaker 2: We're gonna move on to the next subject.
Speaker 3: Healthy right now to exactly exactly. I know it's sha Yeah,
Speaker 3: it's up.
Speaker 4: Position over look at you ain't shaped. Long what you've
Speaker 4: been doing. You've been You've been working out, man, I
Speaker 4: ain't been doing no more work. You ain't shape. Yeah, nah,
Speaker 4: you ain't shape. Skin glown smelling good.
Speaker 5: Nah.
Speaker 4: You hear him, You hear him those underwear.
Speaker 1: Quavo and Chris Brown have been going back and forth
Speaker 1: alongside all of this rap beef that's.
Speaker 4: Going on in the industry.
Speaker 1: But Quavo and Chris Brown's seem to have a real
Speaker 1: deal beef. This don't seem to be on wax and
Speaker 1: just raps. This seems to have an emotional element. Take
Speaker 1: off on a disc track. I guess my question is
Speaker 1: from Chris Brown perspective and RP takeoff.
Speaker 4: You know what I'm saying.
Speaker 1: We love respect you, RP, respectful RP to take off,
Speaker 1: good dude, But does this put take off in the
Speaker 1: crossfiles of a battle competitive sport? And it feels like
Speaker 1: there's an emotional element to this beef that he may
Speaker 1: go for the jugular and really start to talk about
Speaker 1: take off in the open public.
Speaker 4: Now want allure me to death?
Speaker 3: Exactly?
Speaker 4: My man?
Speaker 6: Lord loans old Loan Look, okay, okay, it.
Speaker 4: Is up there and stuck that when it's up there. Man,
Speaker 4: it's stuck there.
Speaker 5: Shut up, yo, let's take a break from the show.
Speaker 1: This episode is brought to you by Prize Picks, the
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Speaker 4: My brother watch you for each other? That podcast we're doing.
Speaker 4: He telling me up in the heard phones. I'm here today.
Speaker 4: I'm gonna take it this spot at the time I
Speaker 4: do that, I fly.
Speaker 1: Airquot Welcome to us, up there podcast. What a time
Speaker 1: to be alive, What a time to be alive. I
Speaker 1: go by Big Loan. Of course, if you're here, I
Speaker 1: want to thank you. If you're one of my patron subscribers,
Speaker 1: I want to thank you. If you're here listening on YouTube,
Speaker 1: I want to thank you. If the audio has come
Speaker 1: past your feed, I want to thank you any way
Speaker 1: that you've engaged in its content. From the center of
Speaker 1: my soul, I want to thank you. I provide the
Speaker 1: culture with the narratives. They take it and regurgitate it.
Speaker 1: Let's be clean the fact. Today I'm gonna talk about
Speaker 1: Kanye West, Kuavo, Chris Brown, get a few things off
Speaker 1: my chest, A couple of things I want to speak
Speaker 1: to the culture about. I go by Big loan. This
Speaker 1: episode is brought to you by Prize Picks. Prize Picks
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Speaker 1: You bet more or less. You do not have to
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Speaker 4: Iutp will match you. You know, the.
Speaker 1: Vibes is high. Shout out the Prize Picks keeps us
Speaker 1: going Patreon. I love y'all. You know that every single
Speaker 1: one of y'all over on Patron saluted y'all. Every time
Speaker 1: we crank up for shit show. Salute to y'all. Kanye
Speaker 1: West has inserted hisself into this beef. Another person that's
Speaker 1: been inserted into the royal rumble. I heard his music
Speaker 1: a long time ago coming I knew he was coming
Speaker 1: down to the ring here shortly. So when I seen
Speaker 1: him pop out on like that, I think it was interesting.
Speaker 1: For those of you unaware, there's been a single drop
Speaker 1: called like that feature in Future Metro. Kendrick Lamar. This
Speaker 1: song has been number one on the Charge. It's a
Speaker 1: song where Kendrick Lamar in particular, took aim at Drake.
Speaker 1: The dynamics of this song need not be looked over.
Speaker 1: I keep telling y'all Future got the clubs on lock,
Speaker 1: he got them bops on lock, and so.
Speaker 4: He's gonna be the most powerful force.
Speaker 1: I keep telling y'all that, whether y'all agree or not,
Speaker 1: let this thing simmer down some and see who really
Speaker 1: can get in there and create time at the time,
Speaker 1: at the time, at the time. Because one thing about Drake,
Speaker 1: he the boy can create over and over whatever switch shot,
Speaker 1: whatever thing he got going over there, the boy.
Speaker 4: Can get it done.
Speaker 1: So it's gonna take Future Metro, all these others is
Speaker 1: taken five six years and all that respectfully. They gonna
Speaker 1: have to move to the side because this is gonna
Speaker 1: come with Drake gonna pull up with a switch and
Speaker 1: they're gonna have to shoot back. And I all, let
Speaker 1: old one shoot. I don't know how that's gonna resonate
Speaker 1: in the culture. You dig what I'm saying. I mean,
Speaker 1: I appreciate it for what it is, but I think
Speaker 1: in battle you gotta learn combinations. In fights, you gotta
Speaker 1: learn combinations. And with that one knockout punch, if I
Speaker 1: can just dodge it, knockout punch.
Speaker 4: He can't fight. He ain't really worth for damn.
Speaker 1: Their scenario in which they can play against you, that
Speaker 1: it takes you so long to kind of cook these
Speaker 1: things up. And we've seen Drake be strategic with placing
Speaker 1: that narrative out in the market and watching the market
Speaker 1: help him develop the narrative that Yo, you're taking too long,
Speaker 1: and so the expectation next to your record has already
Speaker 1: been set. That bar is high with Kanye West. Only
Speaker 1: like that record, you know, I don't even want to
Speaker 1: play it. Maybe I'll stick it in, maybe I won't.
Speaker 1: I was gonna play it, but then the interview came out.
Speaker 1: I think it'll be more effective to just watch the
Speaker 1: interview or give a few clips from the interview and
Speaker 1: give some give some game on that. One thing about
Speaker 1: Kanye West, though, is that he's apologized.
Speaker 4: Too many times to Drake.
Speaker 1: So all of the apologies that he's given Drake, I
Speaker 1: think it takes some of the fire from his he
Speaker 1: is who he is.
Speaker 4: I think Kanye may.
Speaker 1: Have to take a producer bag on this one, like
Speaker 1: just help with crafted records and put future in a
Speaker 1: bag that can't nobody else get in because their future
Speaker 1: voice and the Kanye and Metro, they can make it
Speaker 1: hard on Drake every by the time about Kendrick, I'm
Speaker 1: telling you what them boys can cook up. It can
Speaker 1: become a problem. Don't sleep on that. Yay had a
Speaker 1: few things to say in this podcast. The podcast name
Speaker 1: is the download with Justin Little Boy Again. We're gonna
Speaker 1: take and watch a few clips of it and we're
Speaker 1: gonna provide some games.
Speaker 4: So let's pay attention.
Speaker 2: We're gonna take it over to this rap beef. Man,
Speaker 2: it's the most entertaining rap beef in a few years.
Speaker 2: You got Future, Metro, Drake, Kendrick, j Cole Ross, Chris Brown, Quavo,
Speaker 2: the Weekend.
Speaker 3: What do we get doing? What happened?
Speaker 2: I mean, Drake and his people taking shots at the Weekend.
Speaker 2: I feel like you started this though. It all started
Speaker 2: from I feel like your Instagram post when you were
Speaker 2: just like.
Speaker 3: Everybody and everybody's like, you know what it's up?
Speaker 2: We all just going at each other. We talked all
Speaker 2: the friendly ship. What's your thoughts on the state of
Speaker 2: hip hop right now?
Speaker 4: First of all, that's Cap That's Cap Cat Williams popped
Speaker 4: this out.
Speaker 1: Everybody know Cat Williams is the voice that popped this
Speaker 1: whole year off with the yo, let's just.
Speaker 4: Get to it.
Speaker 1: So Cat Williams, in my opinion, was the force they
Speaker 1: kind of spearheaded what we're looking at in twenty twenty
Speaker 1: four as it pertains the people coming out seeing exactly
Speaker 1: how they feel addressing people head on. In addition to
Speaker 1: Cat Williams speaking of those things, I think it is
Speaker 1: to be noted that the effectiveness of it also plays
Speaker 1: into it, right, And so it ain't until they see
Speaker 1: that the crossover working in the NBA to other NBA
Speaker 1: players start to adopt it. There's a lot of moves
Speaker 1: being done. And when the Globe Trotters played it don't
Speaker 1: make it to the NBA because it's deemed non effective
Speaker 1: somewhere along the line. But when they started to see
Speaker 1: Iverson be able to, oh, now this is a thing.
Speaker 1: When the note looked past right, when we started to
Speaker 1: see people implement things that's effective, now it becomes standard.
Speaker 1: So when you see Shannon Sharp get fifty million views
Speaker 1: in such a short amount of time and Cat Williams
Speaker 1: being on there with that kind of boundteam conversation and
Speaker 1: it being that effective. That's what made people say, yeah,
Speaker 1: let's God endure it, because there's a lot of real
Speaker 1: talk that don't get no views, that won't start that
Speaker 1: kind of revolution. I was reading a book where they
Speaker 1: were talking about the British were coming right. That there's
Speaker 1: a person that took that message and got on his
Speaker 1: horse and traveled and let people know the British coming,
Speaker 1: The British are coming right. And so it wasn't just
Speaker 1: the message, it was the messenger all in one that
Speaker 1: made that message effective. You could have sent them another
Speaker 1: person and it may not have done the same thing. Unfortunately,
Speaker 1: that's how the world is. But Cat Williams in that scenario,
Speaker 1: and that many views push this game in a place
Speaker 1: to say, hey, people want to hear the real people
Speaker 1: want to really hear what your real opinions are.
Speaker 4: And I been knowing that.
Speaker 1: But to say Kanye West spearheaded this, I would say
Speaker 1: that's not true. We even saw Nicki Minaj jump out
Speaker 1: there and go crazy before Kanye made what I believe.
Speaker 4: Justin Loboy to be speaking about.
Speaker 1: So that's just my understanding unless someone in the comments
Speaker 1: can help me with what Kanye said at some other point.
Speaker 1: But Cat Williams said the stage. Let's be clear, it's great.
Speaker 1: It's great for me.
Speaker 3: You know, I'm always on that time, you know, sometimes
Speaker 3: both you know. You see I put the Instagram up.
Speaker 3: There's nobody gonna play with me. I haven't been through
Speaker 3: too much of this. I made more money than anybody
Speaker 3: ever make at this more like hits, made my own
Speaker 3: Jordan every like. So it's like, I don't I don't care.
Speaker 3: Like I said, I've been in every style and so
Speaker 3: it's just fun to me, you know. But I'm really
Speaker 3: into the idea.
Speaker 4: You know.
Speaker 3: It's with Drake. This the whole thing is like morality
Speaker 3: and likability are not, uh not connected. They're usually the opposite.
Speaker 3: Usually the most irremorl people are the ones that are
Speaker 3: the most likable. So if I say I like Drake,
Speaker 3: it's not because he's a good person, it's because I
Speaker 3: like it. I like, I like. I got like for everybody.
Speaker 3: And I'm not going to say love, because you got
Speaker 3: the love that that's going to weaken you, that compromises you.
Speaker 3: So I got like for everyone, right, And it's just
Speaker 3: I think this is a beautiful time. You know, it's
Speaker 3: like we saving the world, Like you take Drake and
Speaker 3: Lucien out, that's just alters everything because that's such a
Speaker 3: control thing. They had the algorithm, the way that they
Speaker 3: work together to fix the.
Speaker 4: Numbers and all right, so there's a lot happening here.
Speaker 4: Let's bag up some.
Speaker 1: If I remember correctly, I think Kanye has been trying
Speaker 1: to kind of diss Drake.
Speaker 4: Drake has got ahead of some of it.
Speaker 1: We even heard an Andre three K song that came
Speaker 1: out that was with Kanye, but I think it aired
Speaker 1: on Ovio Radio, and I think this was Kanye attempting
Speaker 1: to create some kind of sniper shot at Drake, but
Speaker 1: for whatever reason, it was premature. Then we saw Kanye
Speaker 1: also do something to Drake. Were when Drake went out
Speaker 1: famously out to help Kanye with a bunch of records.
Speaker 1: If you remember Drake talking about this with Lebron James.
Speaker 1: He went out there to kind of help him with
Speaker 1: some records. He came back and he got a beat
Speaker 1: from Kanye. That's all he got, and in memory serves
Speaker 1: me correctly, that beat was used. I think Kanye wasted
Speaker 1: that beat. I think that was the song Scoop of
Speaker 1: the Doupe where Kanye just dropped the song scoopyy Doop
Speaker 1: Doep Doep. He really wasn't saying nothing. And so this
Speaker 1: is what I tell y'all about the industry. It's a
Speaker 1: lot of moves being made without saying that people don't
Speaker 1: know on the outside. But I almost think that's what
Speaker 1: was happening a long time ago. But Drake released that
Speaker 1: song with Andre three K and Kanye. Andre three K
Speaker 1: smoked it. Let's be Cleark. Andre three K is him
Speaker 1: Kanye Verse was kind of in the early stages, but
Speaker 1: I think you heard him this Drake on that I do.
Speaker 4: Gotta be honest. Though there seemed to have.
Speaker 1: Been an attempt to lock Drake out of one of
Speaker 1: the power positions.
Speaker 4: You see these attempts.
Speaker 1: Often what the power players that kind of come together
Speaker 1: and try to lock out one of the guys that's
Speaker 1: on the on the come up. And if the other
Speaker 1: people don't help you along the way and you don't
Speaker 1: figure it out, you can drown out there. Because because
Speaker 1: this industry is a very weird place as it pertains
Speaker 1: to business, not getting hot, not having fans, not being a.
Speaker 4: Celebrity, but curating business.
Speaker 1: I still remember when Drake dropped the song and he said, Yo,
Speaker 1: the throne is for.
Speaker 4: The taking it.
Speaker 1: Then Kanye and Jay Drop watched the throne and then
Speaker 1: Jay came got on one of Drake's songs and gave
Speaker 1: him I think three lines, and it was a big
Speaker 1: deal about that. It still went out and so the
Speaker 1: timeline between Yay and Drake and Jay and all of
Speaker 1: these people, it's out there for you to actually take
Speaker 1: a look at it if you ever want to take
Speaker 1: a look at it. But that was a time I
Speaker 1: would say that Drake wanted a j feature and j
Speaker 1: wouldn't give it to him, or he wanted to work
Speaker 1: with Ya and Ye wouldn't do it just as freely
Speaker 1: as he may wanted it to happen, and that would
Speaker 1: have added to his confidence and a way in that
Speaker 1: moment where it helped him figure things out. Because you
Speaker 1: get on this road and you ain't got it figured
Speaker 1: out out of the way. You know what you doing,
Speaker 1: but you need help, you need a push pull, you
Speaker 1: need is to get in the yoke with you.
Speaker 4: Some of the greats.
Speaker 1: You leave those sessions rejuvenated when you bump into a
Speaker 1: creator at the highest level, some of these high power
Speaker 1: individuals in this industry, and there's a respect level and
Speaker 1: we get into this creative bag. You leave rejuvenated. You
Speaker 1: might get two weeks, two three months of work out
Speaker 1: of that. You may be able to live off that.
Speaker 1: There's certain moves you live off for for a year,
Speaker 1: not that you lay down, but you can reference that
Speaker 1: in any time when creative lit. You gotta remember who
Speaker 1: you are because coming up in this game, man, you
Speaker 1: gotta remember, Drake came in and was signed the two
Speaker 1: three four different people had to work all of that off,
Speaker 1: get everybody paid. Like, ain't no telling what he would
Speaker 1: have been worth had he came in under his own infrastructure.
Speaker 1: But I don't think without those code signs he got that,
Speaker 1: it doesn't work in the same way. Talent is one thing,
Speaker 1: but the culture called is everything. I want to take
Speaker 1: a look at this video because this was a time
Speaker 1: when Drake was doing what Drake done. If you know
Speaker 1: his history, he was on Billboard for I think a
Speaker 1: decade straight or maybe even longer. So some of the
Speaker 1: accolades that we see Drake obtain are only reserved for
Speaker 1: top tier. They only reserved for the anoymous and the humongous.
Speaker 1: These are big player of moves. You see what I'm saying,
Speaker 1: and so again, this is what Kanye is in his bag.
Speaker 1: This is when jay Z is in his bag. This
Speaker 1: is when some of these guys are looking at the
Speaker 1: game and saying, we got a choke hold on it.
Speaker 1: But I think this little dude's coming and he ain't
Speaker 1: going nowhere. He got Baby in there. And see the
Speaker 1: Baby co sign couldn't give him the streets in the South,
Speaker 1: but in the industry from their bedding in perspective, it
Speaker 1: can give him the South. As it pertains to Yo,
Speaker 1: Baby bring the South to the table and say he's
Speaker 1: still fighting for the South. That's his own artists. Y'all
Speaker 1: only doing that because Drake signed to the South. It
Speaker 1: could turn into that. It didn't, but it could turn
Speaker 1: into that. And on top of that, babyman have made
Speaker 1: a lot of money in this business. And so as
Speaker 1: we're dealing with the industry perspective, Baby gave him a
Speaker 1: certain look and a certain feel and a certain infrastructure
Speaker 1: where he can battle with them giants. Because boy, if
Speaker 1: they wanted to shut him down and he ain't have Baby,
Speaker 1: if they wanted to shut him down and he ain't
Speaker 1: had their cash money infrastructure, it get quiet.
Speaker 4: But let's take a look at this video, cause y'all
Speaker 4: been lied.
Speaker 7: To, Lie to you, Facebook, lie to you, lie to you.
Speaker 8: I know it's a lot of real radio real. We
Speaker 8: don't prove it the Rictus.
Speaker 7: We have some kids that love lose it, that can't
Speaker 7: play what they want to play it.
Speaker 8: Because they've been to play that foot.
Speaker 5: When that.
Speaker 4: Holy.
Speaker 8: What I'm saying is we love creaking.
Speaker 5: Get great, artist, yo. Let's take a break from the show.
Speaker 1: This episode is brought to you by Prize Picks, the
Speaker 1: number one daily fantasy sports app in North America.
Speaker 5: Yeah, I said it. I meant it. It's on the floor.
Speaker 1: Get it. It's on the floid, Prize Picks. Get it.
Speaker 1: It's on the floid. Prize Picks. Let me explain something
Speaker 1: to you. They turned ten dollars into a thousand dollars
Speaker 1: a prize pick.
Speaker 5: You use my co I U T. P. And you
Speaker 5: are new sign up. Man.
Speaker 1: Guess what we shoot something to you. Put something on
Speaker 1: the name not the game, and put something in your bank.
Speaker 5: You and me.
Speaker 1: Man, listen, pick up when I'm putting down in this
Speaker 1: episode that brought to you by Prize Pigs.
Speaker 5: All you gotta do is test your skills.
Speaker 1: You run with Steph Curry, put yours on Steph Curry,
Speaker 1: You run with Lebron, Put yours on Lebron, You ran
Speaker 1: with Sakon Barkley, put yours on. Yeah, that's how it
Speaker 1: go ok, Clark, put yours on right And if you
Speaker 1: support me this video, this episode is brought to you
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Speaker 5: nothing bigger than this airplane.
Speaker 4: It's up there.
Speaker 5: Let's get back to the show.
Speaker 9: But Frank motion is great too, cause Jesus free on
Speaker 9: people that gotta the kids, and they're not being the
Speaker 9: loud to play that little shit because they think in
Speaker 9: order to freed they gotta play the Satancy Lou and
Speaker 9: the lover.
Speaker 8: I was raised my k MS one, I was raised
Speaker 8: my chop. Paul Us we allowed to fight. Pah We
Speaker 8: allive tonight, pap.
Speaker 7: Her two Catlo is alive tonight, Papa He sat Nass
Speaker 7: is alive tonight.
Speaker 8: Brom Pa is allied tonight.
Speaker 7: Pup He and Connor is allowed tonight.
Speaker 8: Bro Pracky allied tonight.
Speaker 6: Brother.
Speaker 8: There's going to be a lot of conversations at the
Speaker 8: tonight Colin, I loved you.
Speaker 9: I know you got comors to Miamti please, And that's
Speaker 9: in him in my head.
Speaker 8: His slaves. Obama wasn't allowed to do this. It's still wins.
Speaker 1: So that was a very interesting time. I think at
Speaker 1: that time they felt Drake's presence. I'm not sure if
Speaker 1: anyone in the industry can deny that Drake has been
Speaker 1: a four to be wrecking with. Again, I just mentioned
Speaker 1: one of the many accolades that he has being on
Speaker 1: Billboard for.
Speaker 4: A decade straight.
Speaker 1: I think just that accolade standalone should let you know
Speaker 1: his value in the marketplace and what they've been dealing
Speaker 1: with for many years.
Speaker 4: But as you just seen, Kanye was on the runt.
Speaker 1: I think at that time he said that they were
Speaker 1: trying to medicate him. They was doing things to try
Speaker 1: to hurt him. But we've saw Yer come out time
Speaker 1: after time and say Drake is the goat, Drake is
Speaker 1: the man. I don't understand how we're supposed to accept
Speaker 1: now that you're shooting to kill the one thing we
Speaker 1: know about Kendrick Lamar when he come to shoot at
Speaker 1: the Drake, he's shooting to kill Kanye, How we know
Speaker 1: you shooting to kill and you done put your gun,
Speaker 1: You done handed in your sights and put it down.
Speaker 1: Every time you keep apologizing, how do we know this
Speaker 1: is real? I think Kanye serves more of a benefit
Speaker 1: as a structure piece in this royal rumble. I think
Speaker 1: he needs to be a producer. He needs to put
Speaker 1: his two cents in from a production standpoint, and when
Speaker 1: it comes to rapping, I'm not sure how effective the
Speaker 1: fans are gonna take it because we.
Speaker 4: Know you love Drake. Yay, we know you love Drake.
Speaker 1: So it's gonna be hard for you to convince us
Speaker 1: now that you're shooting for the head like it's hard
Speaker 1: for you.
Speaker 4: At least it's hard to convince me.
Speaker 1: This next part I think I find interesting as well
Speaker 1: is Ya talks about loos and grains. We're gonna spend
Speaker 1: about fifteen more minutes on Ya, and then we'll move on.
Speaker 4: To Quavo and Chris Brown.
Speaker 1: But Yay spent some time talking about loos and grains
Speaker 1: and Drake's relationship.
Speaker 4: Let's take a look at some of that.
Speaker 3: Absolutely, we're gonna name this dragons and demonics like Drake
Speaker 3: and all this type of shit, We're gonna change your
Speaker 3: name actor and do this. And because it's like you know,
Speaker 3: in a heart of hearts, like whether it's like tubs
Speaker 3: and that's not all the kind of that they love
Speaker 3: yay And I'm I'm invegetable, like even if I died,
Speaker 3: I wouldn't die. I'm like so and as I'm tired
Speaker 3: of this nigga fucking with me and all this shit. Man.
Speaker 3: So the fact that these niggas is coming together finding
Speaker 3: it because it's not just about the elimination of Drake,
Speaker 3: you know, it's like like we're gonna tear the head
Speaker 3: off whoever they got that they thought was in control
Speaker 3: all the shit, Like look at this, it's like they
Speaker 3: running the numbers, they running on radio. They got to smash.
Speaker 3: And then you know it's like now they're not playing
Speaker 3: Little Wayne no more because he ain't you know, he's
Speaker 3: not directly connected with Lucy. And then they go and
Speaker 3: like buy the cash money shit out and they like
Speaker 3: pick and choose. They want, Oh, we're gonna have migos
Speaker 3: one week and then we're gonna have future this. Then
Speaker 3: we had two chains, this, that, and they always picked
Speaker 3: somebody we gonna have twenty one after you know what
Speaker 3: I'm saying, It's like they always pick somebody from Atlanta.
Speaker 3: I'm from I was born in Atlanta, right whatever, you know,
Speaker 3: how did that even happen?
Speaker 2: Though, Like I mean, before we even get into what happened?
Speaker 2: Who is Lucian Grenge?
Speaker 7: Like?
Speaker 3: Who is he?
Speaker 2: Because people don't know who he is? And I feel
Speaker 2: like you have to be your upt to know exactly
Speaker 2: who he is. And you've got to that level.
Speaker 3: He's still higher, He's still a higher gun. He's just
Speaker 3: like a like a nigga handler, like he just control
Speaker 3: like Universal, he running for him. But he ain't like
Speaker 3: he ain't no overboss or nothing like that. He ain't
Speaker 3: no no billionaire nigga. Like yeah, yeah, I mean yeah,
Speaker 3: but he got a billion. You know what I'm saying.
Speaker 3: His money is like infinite. It's just a it's a
Speaker 3: form of energy as a tool and shit, you know
Speaker 3: it's like, but he is someone who in the constructs
Speaker 3: of where where niggas have been placed.
Speaker 1: When you hear Kanye West talk about loosing grains and
Speaker 1: the connections as it pertains to the record labels and
Speaker 1: Universal or Republic, him throw around cash money, catalog and
Speaker 1: certain things.
Speaker 4: I want to kind of provide my.
Speaker 1: Perspective and my narrative as it pertains to this subject.
Speaker 1: Over the next few episodes of his Ubject podcast, you
Speaker 1: will see us discussing this quote unquote loosing grains package
Speaker 1: that Kanye West is speaking about with some artists that's
Speaker 1: actually in the game, and some people all be defending
Speaker 1: it and others will not be. But if I'm being
Speaker 1: honest with anybody that's watching, right with my very limited
Speaker 1: knowledge as it pertains to how the overall industry operates,
Speaker 1: because I'm in it, but they making.
Speaker 4: A lot of money in here, and it's a lot
Speaker 4: going on, and.
Speaker 1: So I need people to understand that everything that meets
Speaker 1: the eye shouldn't make his way to the heart. You
Speaker 1: hear me, Everything that meets the eye shouldn't make his
Speaker 1: way to the herd. So you gotta check and recheck,
Speaker 1: measure twice, cut once, because once you cut, you won't
Speaker 1: get another chance to cut. You see, So pay attention.
Speaker 1: Kanye West is speaking about a loosing grains package, and
Speaker 1: I think this entire business is ran on option allies,
Speaker 1: and so when he speaks about this package, I think
Speaker 1: it's about information and connections. I'm not gonna sit here
Speaker 1: and act like Drake didn't have to work his way
Speaker 1: into a position because he was bottled up in some
Speaker 1: of these same deals we hear niggas complain about. It's
Speaker 1: just that his music outworked the deals. He was outpacing
Speaker 1: the deals. They had to amend the deals. They had
Speaker 1: to get him right before I quit this whole thing,
Speaker 1: or just threaten the work, stoppach or turn the fans
Speaker 1: against you right. There was so many scenarios that could
Speaker 1: have took place, and so with Drake, they had to
Speaker 1: amend those contracts. They had to fix and heal those
Speaker 1: wounds to make sure that he was kept happy. You
Speaker 1: dig what I'm saying. So y'all gotta understand that there's
Speaker 1: a different level of being this happening. Drake was in
Speaker 1: some of them same contracts niggas complaining about. It ain't
Speaker 1: like he come in with one of the hell of
Speaker 1: a contract. That's why he was around us because News
Speaker 1: was eating off of them. And you know how we do.
Speaker 1: You need to bring anybody to the neighborhood. You need
Speaker 1: to bring anybody to the neighborhood. If you making some
Speaker 1: money off of him. I used to have to tell man,
Speaker 1: don't bring him around me. Man, I don't give a
Speaker 1: if your sale or been around you twenty year.
Speaker 4: It's just some other shit. Don't bring him around this y'all.
Speaker 1: Bring anybody to the neighborhood, especially if it's some being
Speaker 1: that's involved. They'll bring a square rapper, rap bigger be
Speaker 1: from tim Buck two. They'll bring him straight to the
Speaker 1: neighborhood because he went some street. Now, this ain't nobody
Speaker 1: in particular.
Speaker 4: Hood.
Speaker 1: Is everybody hood, so but it's a cold that we
Speaker 1: gotta live by. So I don't never appreciate that shit.
Speaker 1: When I see the white dude walking through the hood
Speaker 1: that don't nobody know. I don't serve him. I don't
Speaker 1: give a how much money got. He can have ten
Speaker 1: thousand dollars and don't want nothing but of ounce. I
Speaker 1: don't know what you're talking about, sir, because I can't
Speaker 1: get out like that.
Speaker 4: There's a tribe involved with this thing of ours.
Speaker 1: Anything outside of that tribe threatens that tried with that
Speaker 1: in mind, I moved with caution. But they had to
Speaker 1: get Drake contracts, right, See that tricky from the outside
Speaker 1: of this game. Just yo, get in and get hot,
Speaker 1: bro just get hot. Now, that ain't worth for damn.
Speaker 1: I'm telling you right, I'm telling you to understand this here.
Speaker 1: You better have somebody around you that can do some business,
Speaker 1: or you better understand this business. Not no real estate lord.
Speaker 1: You got him doing entertainment contracts because they gonna whoop
Speaker 1: on him over here, respectfully to the years he has
Speaker 1: wrapped up in frightened criminal cases. When he get over
Speaker 1: here and entertainment law dealing with these millions, man, they
Speaker 1: gonna wop on him because they got to play for
Speaker 1: the play that he know about. There's a lot of misconceptions.
Speaker 1: But one of the many misconceptions about this entertainment industry
Speaker 1: in particular, and I'm almost ready to say alongside all
Speaker 1: big business, is that money opens doors. I wouldn't say
Speaker 1: they lied to you when they said that, but they
Speaker 1: left off some things. And that's much more to consider
Speaker 1: than just getting in a door, getting in the room,
Speaker 1: getting in the house.
Speaker 4: Right.
Speaker 1: I found this interesting that the more people I run
Speaker 1: into that trying to get in the game, they just
Speaker 1: want to get next to somebody, and they don't understand
Speaker 1: that ain't enough to do nothing for you. Of them
Speaker 1: somebody gotta know which one they working, and somebody got
Speaker 1: to know how to work it. You know, everything ain't
Speaker 1: for everybody. And so when they told us money open doors,
Speaker 1: then you say, well, what doors to what rooms to
Speaker 1: what house? And so people just think when they hear
Speaker 1: money opens doors just to get to the house and
Speaker 1: get in the house. They didn't tell you that there's
Speaker 1: rooms in the house. So there's other doors you gotta
Speaker 1: get to, and so you spend all your time just
Speaker 1: trying to get through the door. You get to the house,
Speaker 1: get through the door. Now it's rooms, Which room to
Speaker 1: go in? You don't know. You spend literally all your
Speaker 1: time focused on just getting to the house, getting through
Speaker 1: that door. No one told you about the rooms. Hustlers
Speaker 1: get caught in the hustle. I always try to say,
Speaker 1: let's get some business done, get some information. I've been
Speaker 1: holling information since twenty twenty. Those that know me notice
Speaker 1: I'm an information guy. I'm a day to brokeer. Everybody
Speaker 1: noticed that, right. I ain't knew on this information thing.
Speaker 1: I've been hollering this from the beginning of time. I
Speaker 1: ain't no different than nobody else. But I knew damn
Speaker 1: well that it wasn't about getting to the house. I
Speaker 1: needed to get to the house, but I also needed
Speaker 1: the floor plans because I needed to know which room
Speaker 1: to go in.
Speaker 4: You see what I'm saying.
Speaker 1: Your money just to get you to the house and
Speaker 1: through the door of the house. They don't tell you
Speaker 1: where to go to get the information in that house.
Speaker 1: And so what Kanye West is speaking about the looting
Speaker 1: Grain package is the infrastructure information to go along with
Speaker 1: the music. Making the music is one thing, but that's infrastructure.
Speaker 1: You got to the house with your music and it
Speaker 1: sound good, and you think you got a chance to
Speaker 1: battle with Drake for number one, you sadly mistaken. It's
Speaker 1: infrastructure running alongside Drake's music. The same with podcasting. As
Speaker 1: I see as I get in, I say, oh, I'm in.
Speaker 1: But it's infrastructure. Loan, it's infrastructure that that's what they
Speaker 1: gonna need. Somebody just got quiet. Don't nobody say nothing
Speaker 1: because it's infrastructure. It's Yo, we got a good story.
Speaker 1: How do we get that out to the press? Like,
Speaker 1: I ain't gonna bore you guys with all of the
Speaker 1: things that infrastructure provides you as it pertains to this business.
Speaker 1: But when you hear about Kanye West speaking about this
Speaker 1: loosen Grange package.
Speaker 4: It's all about that. Yo. Yeah, money opens doors.
Speaker 1: But these dudes got fifty years of infrastructure, and the
Speaker 1: kind of deal that Drake got is probably only warranted
Speaker 1: for the top three across all genres too. It's probably
Speaker 1: only one in rap hip hop that can get that deal.
Speaker 1: And so now with that information being prevalent, you have
Speaker 1: someone like a Joe Budden that will take that and
Speaker 1: try to act like he's enough everybody's publishing. I have
Speaker 1: to reject that push back to that notion, but I
Speaker 1: do won't acknowledge the fact that I do believe Drake
Speaker 1: to have one of the only deals of his magnitude
Speaker 1: and has a mend almost every part of the contract
Speaker 1: known the most rapper. I think he does have different stipulations,
Speaker 1: different bitch marks and payouts in his contracts. I mean,
Speaker 1: he's been an erner for the last ten years. That'll
Speaker 1: be crazy not to acknowledge that. Let's listen to a
Speaker 1: little more.
Speaker 2: It's a minute ago you put it on all DSP
Speaker 2: so he's really standing on his disc Have.
Speaker 3: You heard both of them? Yes? I heard it.
Speaker 2: What do you think Kendrick's gonna do. Now do you
Speaker 2: think he got some shit for Drake? Who do you
Speaker 2: think wins that?
Speaker 4: I win?
Speaker 3: I got some shit for Drake, and know nobody wanted
Speaker 3: with me. Oh look what you mean you got some
Speaker 3: shit for Drake? That's something of course.
Speaker 2: It's like right now, like you got some shit ready
Speaker 2: for Drake? Should we listened to the ship on him?
Speaker 3: Fuck him? Like I told you, I put the ship in.
Speaker 3: I said, fuck this nigga is fuck this nigga and
Speaker 3: I like him, you know what I'm saying. But it's
Speaker 3: like it's it's always like, fuck this nigga. A little
Speaker 3: slick shit he be doing fuck all that, and that's
Speaker 3: what it is. But I did do this like that
Speaker 3: remix though, I think that's what you was one of
Speaker 3: the let me see you got to like that.
Speaker 2: I don't believe Yay jumped on the Like that remake for.
Speaker 1: Those of y'all that's on YouTube right now. It's gonna
Speaker 1: cut out. Come to Patreon or join as a member
Speaker 1: to get this will come to Patreon.
Speaker 4: Y'all know, I with you respectfully, y.
Speaker 8: Gosh tast style Roofstile.
Speaker 10: I just put your pitch and the shan John takes out.
Speaker 4: What that ship back?
Speaker 8: You get the hooliganism. Here you go, you done, I
Speaker 8: got you.
Speaker 11: Wow, there's some real invented ship. When you ain't come
Speaker 11: on some ship. Oh it's really up. Oh it's really
Speaker 11: up now, Oh my god.
Speaker 3: Tang style roost tile.
Speaker 10: I just put your bitch and the shan John takes
Speaker 10: time treat a bad fish like she average. Who I
Speaker 10: treat a bad bitch like a bad bitch. She like
Speaker 10: to have a let me get your money your game
Speaker 10: when you're gonna get fun in your game. And yeah,
Speaker 10: you see they trying to count the gap like that.
Speaker 10: We just hit a number one right.
Speaker 8: Other number one find up at the top.
Speaker 10: Titani and Grills called a smile on the prox. I
Speaker 10: ain't had m stein that you able to jack.
Speaker 4: I ain't been a drill too.
Speaker 10: I ain't gonna lie with chops.
Speaker 3: Nothing want you want?
Speaker 5: Then it's two and over.
Speaker 4: Time dollars.
Speaker 12: Club till the street, shot the drones and hit like
Speaker 12: metro beats.
Speaker 10: The niggas West Lucy Man served your masters.
Speaker 3: Niggas, you caught a little bag for your master's digging
Speaker 3: your lifetime bill like a bathing nigga. Yeah, Pluto called me.
Speaker 3: I went to the studio, laid that and then we
Speaker 3: you know, went through the you know, the creative process
Speaker 3: and the cords and called the Hooligans called him out
Speaker 3: in London to get on a joint. You know, everybody
Speaker 3: is very very excited about the elimination of Drake. Yo,
Speaker 3: you're not excited. We was energized. I mean.
Speaker 2: There's a lot to take in because, like you said,
Speaker 2: you like people. You and Drake was neighbors on one time.
Speaker 3: That wasn't my choice.
Speaker 4: Let's talk about the song really quick again.
Speaker 1: I don't think the song is it's not trash, of
Speaker 1: course is yeay, he put his touch on it. I
Speaker 1: literally like what he's doing with the Hooligans added element.
Speaker 1: He always adds to the algorithm as it pertains the music.
Speaker 1: I think that's one of the most valuable players. He
Speaker 1: adds to the algorithm almost almost every time out. Even
Speaker 1: if he's getting those ideas from other people and kind
Speaker 1: of putting them in an incubator and then perfect them.
Speaker 1: It's something there to respect that dude has done a lot.
Speaker 1: I don't think the song is effective as it pertains
Speaker 1: the balls and lyrics as I continue to tell y'all
Speaker 1: they're hitting Drake with all the narratives associated with his name.
Speaker 1: Some people are saying, yo, they set in the stage.
Speaker 1: But I believe Kendrick to be somewhat like I am,
Speaker 1: which is a pure creative and so it's like, ah, fuck,
Speaker 1: don't say tom Man, I can't say that.
Speaker 4: Now.
Speaker 1: It's like when I have a take about something I
Speaker 1: hate when someone else had the same take, even if
Speaker 1: it's one of the greatest minds in the world, Like
Speaker 1: I might have a take and Gary V had the
Speaker 1: same take, and I'm like, damn it, Like I want
Speaker 1: my take to be like I want to have a
Speaker 1: unique take, even though in this world that's becoming unreasonable,
Speaker 1: you know, on my plight what I'm noticing, But I
Speaker 1: do want to be unique, and I'm gonna stay unique.
Speaker 1: But I think Kendrick, they could be taking all of
Speaker 1: the air out of Kendrick's ball. They could be Robin
Speaker 1: Kendrick of every narrative that he's able to use.
Speaker 4: Now.
Speaker 1: I think nobody can use the gang bang of anger
Speaker 1: like him, and I do believe him to take this
Speaker 1: underage thing to another level because for me, that seems
Speaker 1: to be one of the more effective angles that has
Speaker 1: not been tampled with everything else they running around with
Speaker 1: it now, Kanye, with the Lucien Grains thing, that is
Speaker 1: adding another element. The rich Baby Daddy is really taking
Speaker 1: your song that you on with sixy Red and using
Speaker 1: it against you, you know what I'm saying. So that's
Speaker 1: a little battle rap kind of thing that's happening there.
Speaker 1: But for me, I understand that in this matchup, you're
Speaker 1: gonna be dealing with nuance, narratives, rapping, media memes. It's
Speaker 1: gonna be a lot going on, more than just your
Speaker 1: traditional beats and raps. If you ask somebody like me,
Speaker 1: this is your new form of battling. This is what
Speaker 1: battling for high profile artists is gonna look like in
Speaker 1: the near future. It's not gonna go back to just
Speaker 1: a record, than a record in six months then a
Speaker 1: record that's gonna be records, memes. There's gonna be media
Speaker 1: involved with it, and we're gonna talk about how I
Speaker 1: feel like. Even though that Quavo song that he just
Speaker 1: dropped on Chris Brown as a banger, that poster came
Speaker 1: to the South and so Kanye Wess talked about future
Speaker 1: hitting him up to get this done. I was telling
Speaker 1: some record execs like Future is gonna be the problem.
Speaker 1: He has to neutralize future. If he does not neutralize future,
Speaker 1: we're gonna be dealing with a wolverine on the loose.
Speaker 2: That because it's like for everybody, all of the great
Speaker 2: you weakend Pluto, Metro Ross Kendrick, Kendrick like, there's something
Speaker 2: obviously wrong with this one individual that no one wants
Speaker 2: to speak about. And I feel like you're the only
Speaker 2: person that's gonna really put it out there.
Speaker 3: They say rich baby daddy is like Drake has a
Speaker 3: rich baby daddy named Lucien and universal Wow. He's like,
Speaker 3: you know, like, man, my daddy got it. You know
Speaker 3: what I'm saying. It's like my daddy controlled the spins,
Speaker 3: my daddy got the DSPs. My daddy Drake has a
Speaker 3: rich baby daddy named Lucy or Lucy and work for
Speaker 3: people who control the banks in Africa, who keep you know,
Speaker 3: think about download. We had Black Wall Street, we had Harlem.
Speaker 3: It's just I'm god, you know what I'm saying. I'm
Speaker 3: back here again. I'm later.
Speaker 1: See That's the thing. I don't think I can be
Speaker 1: around you. I ain't no nigga finna tell me that God. Now,
Speaker 1: Now you done took this shit too far. Now I
Speaker 1: fuck with you, but you ain't gonna do that. You
Speaker 1: ain't gonna see it in my face and tell me
Speaker 1: you God.
Speaker 4: Now.
Speaker 1: I want to reiterate for all the youngsters just chasing
Speaker 1: this game and think all they need is some money
Speaker 1: and to get hot and they can be competing with
Speaker 1: some of the biggest in the game, I want you
Speaker 1: to know it's a little bit more to that formula
Speaker 1: and that recipe that they ain't told you about it.
Speaker 1: A lot of people communicating don't even know the formula.
Speaker 1: But it's important that you know. You ain't talking to chefs.
Speaker 1: You talking to prep cooks. Them niggas might have prepped
Speaker 1: the food. They don't know nothing about what's really going
Speaker 1: on when the shit get in the skillet and how
Speaker 1: to make it the way that the people consume it.
Speaker 1: They ain't them kind of people, And so people talking
Speaker 1: to you about the game may not be navigating you
Speaker 1: through it. At least that's my opinion when I look
Speaker 1: at it. I continue to tell y'all, they'll tell you
Speaker 1: just make it to the house.
Speaker 4: They don't tell you.
Speaker 1: Make sure you have the floor plans because they'll let
Speaker 1: you in the house, let you in the room. You
Speaker 1: get none out of it, but it costs money to
Speaker 1: get in that room. You come out of that room,
Speaker 1: go in another room. You get none out of it,
Speaker 1: but it costs money to go in that room.
Speaker 3: This thing.
Speaker 1: You know, you're gonna spend money in all these different
Speaker 1: rooms and it ain't really got much out of it.
Speaker 1: And then they'll turn around and say, you don't know
Speaker 1: how to work. You move, ain't no move to work.
Speaker 1: But if you knew like I knew, you will know
Speaker 1: that there's certain rooms that you go in that it
Speaker 1: may not even take money, but the level of exclusivity
Speaker 1: gotta be there. But it may not take money, but
Speaker 1: they'll send you on this journey of hustling and tell
Speaker 1: you all the rappers getting signed they'll at that white house.
Speaker 1: Go to that white house and change your family life.
Speaker 1: Same with sports, same with entertainment, same with a lot
Speaker 1: of these different industries. Just get over to that white
Speaker 1: house on the block and they'll put you in a
Speaker 1: scenario your where it'll better your family. But you don't
Speaker 1: know where to go. And so that room that you
Speaker 1: wanted in, they let you in that room. But by
Speaker 1: the time they let you in that room, they had
Speaker 1: already moved the money from out of that room into
Speaker 1: the attic. So now you in the house looking for rooms,
Speaker 1: and the money's in the attic. Nobody told you the
Speaker 1: money is in the attic. Now by the time they
Speaker 1: told you the money is in the attic, you go
Speaker 1: to look in the attic, it's in a whole nother house.
Speaker 1: Like it's a constant cat and mouse game in this
Speaker 1: industry until you stop chasing and you set the trap.
Speaker 1: See the thing is, don't chase the game. Set the trap,
Speaker 1: and you'll get caught chasing the game because you is
Speaker 1: getting a little money doing it. Seventh grand, nine grand,
Speaker 1: fifteen grand, twenty two grand, right a day, two days,
Speaker 1: five days, you making more money than you ever made.
Speaker 1: But you will get caught in this maid and never
Speaker 1: really do nothing impactful, never really do nothing effective.
Speaker 2: Boston Drake arguing about money and houses. Why nobody ever
Speaker 2: came at you by money?
Speaker 3: Because I've made the most, We're gonna make the most again.
Speaker 3: You know, it's like anybody leave you alone when it
Speaker 3: comes to money. With bipolar and the medication and turning
Speaker 3: me fat and all the reputation ship. That's like Tupac
Speaker 3: shot up in the elevator, So that healthy right now,
Speaker 3: exactly exactly. No, it's in shape, nigga. Yeah, it's up.
Speaker 4: Man.
Speaker 2: We're gonna move on to the next subject once again.
Speaker 2: This is the download podcast.
Speaker 1: I don't think even Kanye believe that. You know, when
Speaker 1: you when you got position over nigga, nigga, look at
Speaker 1: you. You ain't shaped long. What you been doing you've been
Speaker 1: You've been working out, man, I ain't been doing no
Speaker 1: motherfucking work. You ain't shape, nigga. Yeah, nah, you ain't shape.
Speaker 1: Skin glowing, smelling good?
Speaker 5: Nah you hear.
Speaker 1: You hear him? You'd be like, I ain't got no edge.
Speaker 1: I ain't even got no edge up, I ain't got
Speaker 1: no But they're hitting on all narrative cylinders with this joint. Man,
Speaker 1: We're gonna look at this little dirt part and move on.
Speaker 3: Dirk saying a verse and it said, he said, take
Speaker 3: my easy shirt off and make it a domat and
Speaker 3: he said it four times. Yeah, little Dirk said this.
Speaker 3: I hit him up. I said, you know you're breaking
Speaker 3: my heart? Who told you to do this? I'm like,
Speaker 3: I don't. I don't know if it's a legal thing
Speaker 3: that happened. And I'm trying to sit with the man.
Speaker 3: I'm like, man, this is bad for the city. Who
Speaker 3: told you to do this?
Speaker 4: Bro?
Speaker 3: It's just like when Jacob did the disc track or whatever.
Speaker 3: It's like, it's one thing you got Drake. It's like
Speaker 3: he's really paid to come and do whatever he does
Speaker 3: and should come up my neck all this type of shit.
Speaker 3: But it's another thing for somebody like that to come
Speaker 3: around you. It'say while you that's all the whole friend's
Speaker 3: enemy kind of talking shit like votures though.
Speaker 2: Yeah, but tell me he's really not rocking with you.
Speaker 3: He must have never really liked me or whatever. I
Speaker 3: don't know exactly what it is, but I spoke to
Speaker 3: this man a few times about you know the line.
Speaker 3: Then he changed the line. Then he changed the line
Speaker 3: to take my easy hat off and give my little
Speaker 3: hole that. And I'm just like, why y'all think y'all
Speaker 3: could play with me? See they think I'm like, oh,
Speaker 3: this he's gonna get hyped up. Let's watch him. Like, ma,
Speaker 3: people try to like take your kids and you know,
Speaker 3: give your rap bar say some lines, yo, It's like,
Speaker 3: are you disappointed in Dirt?
Speaker 2: Honestly, Like, let's let's speak real like you, my brother,
Speaker 2: you disappointed in Dirt?
Speaker 3: I'm not disappointed like man niggas. Just like Yo, y'all
Speaker 3: should meet up. I don't really listen to that much rap.
Speaker 6: No.
Speaker 3: I don't know nobody. No, I don't know nobody fucking
Speaker 3: raps man. I don't even know my own raps mask on.
Speaker 3: I ain't grab a microphone.
Speaker 2: Dirt went from vultures to on tour with Drake. Ain't
Speaker 2: you didn't feel no way about Dirt? I mean you
Speaker 2: could be like we could be vulnerable with each other.
Speaker 2: That ship was heartbreaking to you.
Speaker 1: Now, before we let him speak about the other side
Speaker 1: of the relationship with Dirt and the tour with Drake,
Speaker 1: I do want to say that it almost sounds like
Speaker 1: Kanye West misinterpreted some lyrics from Little Dirt, because if
Speaker 1: he said I take my easy shit off and make
Speaker 1: it a door man, It's like, Yo, you made clear
Speaker 1: you ain't rocking with Easy. We think Yeezy is Adidas.
Speaker 1: He may not understand that. Maybe that's a conversation you
Speaker 1: have with him. Yo, Now I'm still Easy. You gotta
Speaker 1: distinguish that that Adida's Yeasy, that's the one We not
Speaker 1: fucking with, that old classic style of easy.
Speaker 4: We not fucking with that one.
Speaker 1: But maybe he thinks that, Yo, you said you're not
Speaker 1: fucking with Adidas, So I'm done fucking with Easy. And
Speaker 1: now because you put it out there like this, I'm
Speaker 1: not gonna explain it, especially now that I'm Slick was
Speaker 1: in the middle, you just pushed me on the other side.
Speaker 4: If I was in the middle.
Speaker 1: If I'm Dirt, Kanye just pushed me to Drake's side,
Speaker 1: you know. But Dirt got relationship with Pluto and many
Speaker 1: more people. So I don't know how he feels. But
Speaker 1: I'm saying as it pertains to Drake and yay if
Speaker 1: ye Missing interpreted those lyrics and took that way because
Speaker 1: he said that, he said, I took my yeasy head
Speaker 1: off and gave my little hole at It's like, Yo,
Speaker 1: they not probably associating you with Easy in the way
Speaker 1: that you expect them to, even though that is your name.
Speaker 1: But you have been vocal on saying that they took
Speaker 1: Easy from me. Adidas have stolen Easy from me. That's
Speaker 1: me giving Dirk benefit of the doubt on that. I'm
Speaker 1: not sure.
Speaker 4: Maybe that's the case, Maybe it isn't. You know.
Speaker 3: I thought that somehow, because I like, maybe to make
Speaker 3: music for somebody, that when I couldn't see, you know,
Speaker 3: my children, that these people use their platform because I
Speaker 3: use my platform on their behalf. Now I realize, like
Speaker 3: no one owes me anything, but there's more than enough
Speaker 3: people to still get what you need to get done
Speaker 3: without anyone. Wow, it ain't no one person that's going
Speaker 3: to stop me from what I'm doing either. So if
Speaker 3: you depend on somebody who is not giving you what
Speaker 3: you need, you're the one that's in the wrong. If
Speaker 3: you call on somebody, they don't pick up, They ain't
Speaker 3: pick up. Bro, you're gonna just keep on, you know.
Speaker 3: And that's that attachment you gotta get detached. That's why said.
Speaker 3: By the time it got to like little Dirk sending
Speaker 3: those songs, playing with me on that song like that.
Speaker 2: That dir shit really bothering.
Speaker 4: No, it's not that.
Speaker 3: My whole thing is it doesn't bother me as much.
Speaker 3: I'm using it as an example. If I was, you know,
Speaker 3: back then, maybe it could have bothered me. It's almost
Speaker 3: like he got sent over get out of here. You
Speaker 3: bothered me like it's almost like you got sent over
Speaker 3: to bother me.
Speaker 1: If you listen to that last clip, you heard Kanye
Speaker 1: West talk about detachment in a situation where if you
Speaker 1: call on the same people they called on you, and
Speaker 1: they don't answer the call in the same way. Maybe
Speaker 1: you gave them bread and they gave you water. Maybe
Speaker 1: you gave them food and they gave you shelter. Maybe
Speaker 1: you gave them everything and they gave you nothing. Nonetheless,
Speaker 1: the same people you call on may not be available
Speaker 1: in the way that you've been available for them, and
Speaker 1: so for something and Kanye made beats and Kanye West
Speaker 1: thought that this would mean that because I helped change
Speaker 1: people lives, that they would stand for me when I'm
Speaker 1: in my time of need. You hear me talk about
Speaker 1: it all the time on this up that podcast. This
Speaker 1: game is about connections, It's about option and allies. You
Speaker 1: can sneak in the game, you can sneak in the industry,
Speaker 1: but without the infrastructure, you have problem operating on the
Speaker 1: same levels as these other people operate. There was a
Speaker 1: brief time upon the Internet's first arrival and the technology
Speaker 1: being birthed to be able to upload from your phone,
Speaker 1: upload music and do dances, and the Internet was now
Speaker 1: involved in interfacing with how we consume music, media and content.
Speaker 1: There was a brief stint there where you could find
Speaker 1: yourself at the top of a page, the top of
Speaker 1: a landing page. The algorithm really can.
Speaker 4: Boost you up.
Speaker 1: There's a lot of people that snuck in and got
Speaker 1: rich when that algorithm was built that way. Those times
Speaker 1: are no longer and I'm not saying that the same
Speaker 1: people are not making money now. I think what people
Speaker 1: don't understand is is that there's individuals running this business
Speaker 1: that do not show their face on camera. And I'm
Speaker 1: speaking about the blog people, the people that do write ups,
Speaker 1: the magazine people, all the Internet backlog individuals, all the
Speaker 1: radio show people, all of the hosts late nights, all
Speaker 1: the DJs, like, there's so many people that you may
Speaker 1: not know, but they're the reason a lot of these
Speaker 1: wheels are turning. And money don't get you to hire
Speaker 1: those people. Back in the day, you become number one
Speaker 1: on some of these charges like an Apple Music or SoundCloud,
Speaker 1: those people are coming to you. Those people will come
Speaker 1: to you because they can provide a service to you. Nowadays,
Speaker 1: the people that's coming to you. Literally can't do nothing
Speaker 1: but take your money. They have nothing to provide you,
Speaker 1: but they know you need something because they've been around
Speaker 1: long enough to know, Oh, he's at that point what
Speaker 1: he needs, he's trying to get to that next level.
Speaker 1: I'll show up and do a half as job in charging.
Speaker 1: One of the hardest things to do in the entertainment
Speaker 1: business is finding the right people to work for you
Speaker 1: and good people to work for you. And that comes
Speaker 1: along with some of these packages that y'all call code signs.
Speaker 1: It comes. It's much more than just an Instagram postal.
Speaker 1: When you sign with some of these people, they whole
Speaker 1: buildings go with that.
Speaker 4: They hold resources, they hold caller calling log, the caller ID,
Speaker 4: all of that go with that.
Speaker 1: But you've been food to just get on and get hot.
Speaker 1: And so as a little young rapper, or as an
Speaker 1: old rapper, as a podcast dude, as a content dude,
Speaker 1: you attach to the idea that you have to be
Speaker 1: next to people to make it happen. We got to
Speaker 1: do better detach. I understand your feel because you would
Speaker 1: think that in this game that people that walk through
Speaker 1: the Valley of the Shadow or death, they know what
Speaker 1: this is about and they know what it's like to
Speaker 1: try to escape that, and so they empathize with your position.
Speaker 1: But if they don't, then what And that's kind of
Speaker 1: what Kanye is talking about.
Speaker 8: Yo.
Speaker 4: If everybody don't do nothing, then what you just on?
Speaker 5: What?
Speaker 4: Sit there and do nothing?
Speaker 5: Now?
Speaker 4: You better make it happen.
Speaker 1: You got to make sure you bump into the right
Speaker 1: people alone this journey. Why is that it's the equivalent
Speaker 1: to showing up to a big house.
Speaker 4: You got two.
Speaker 1: Million dollars to buy the house, but you gotta find
Speaker 1: an agent that's selling the house. That's information there, what's
Speaker 1: happening there is a lot of rappers, content creators. They're
Speaker 1: showing up to the house with the money and not
Speaker 1: knowing as a process to get ownership of it. You know,
Speaker 1: I don't know what Kanye stands at in this fight.
Speaker 1: I think Kanye as a rapper in this as an
Speaker 1: artist in this particular fight, I think all these guys
Speaker 1: are just taking away from what Kendrick is gonna do
Speaker 1: and they're making it harder on Kendrick. So if Kendrick
Speaker 1: does in fact come out and wins this, it'll be
Speaker 1: crazy because y'all are looking at all of that is
Speaker 1: helping Kendrick. I'm saying it's hurting Kendrick. I'm saying that
Speaker 1: they're taking the air out of all the tires, y'all,
Speaker 1: running all the narratives into the ground and part of
Speaker 1: the battle rap, part of this battle with shock value.
Speaker 1: Oh my god, he said that you dig, so pay
Speaker 1: attention to what's going on, and let's move on and
Speaker 1: keep you our own future in this battle. But let's
Speaker 1: move on, all right, Let's talk about this for those underwell.
Speaker 1: Quavo and Chris Brown have been going back and forth
Speaker 1: alongside all of this rap beef that's going on in
Speaker 1: the industry. But Quavo and Chris Brown's seem to have
Speaker 1: a real deal beef. This don't seem to be on
Speaker 1: wax and just raps. This seems to have an emotional
Speaker 1: element to this battle rap. And I'm not sure how
Speaker 1: that plays out at the end, but we're gonna talk
Speaker 1: about it. We got a podcast. They both dropped one
Speaker 1: song apiece, so as of right now, it looks like
Speaker 1: Quavo drop Weakest Link where he referenced take Off, he
Speaker 1: referenced having relations with Sweetie, and Quevo dropped Tender basically
Speaker 1: saying Chris Brown tender about the women, and then Quevo
Speaker 1: came back. Now, I will say, out of all the rap,
Speaker 1: out of all the battle rapping that's going on right now,
Speaker 1: as it pertains the flow, I'm gonna say, takeout winning.
Speaker 1: As of right now, let's pay attention to this song.
Speaker 1: Quovo dropped on Chris Brown called over holes in bitches,
Speaker 1: ohb Quovo, this and that.
Speaker 4: Chris Brown.
Speaker 12: Put a nigga pull up crash shot about your bait.
Speaker 12: Why you puss little bitch, Come dance better with my drake,
Speaker 12: But you ben fucked your bag up when you punch
Speaker 12: red in the face.
Speaker 5: Come about.
Speaker 1: Let me point something out for you. You see how soon
Speaker 1: this beat drop you right on him. He understands the
Speaker 1: tension span of you little motherfucker's out there.
Speaker 4: Can't let the beat play.
Speaker 1: Long or nothing got to get right in, get on
Speaker 1: his head, and it gotta be some punches in the
Speaker 1: first part, like make sure it's some shit that he
Speaker 1: can it can resonate with some fans so they can
Speaker 1: keep listening. Oh what else he gonna say? Understand the
Speaker 1: signs behind these records. It's what I'm saying.
Speaker 4: Let's go.
Speaker 12: Puss a nigga, pull up crash shot about your bait.
Speaker 12: Why you push little bitch, come dance battle with my drake.
Speaker 12: You ben fucked your bag up when you punch me
Speaker 12: in the face talking about fashion with you sparing who
Speaker 12: come punched me in my face? It ain't nothing but
Speaker 12: a fade. You know you lost the frank niggas ran
Speaker 12: in your house, tied up your unklejeen pay this bullet
Speaker 12: got your name. Don't ever bring up take puss it.
Speaker 6: You know, happy'all niggas holes out here. I'm talking about
Speaker 6: like a nigga believe wants somebody type shit. Bitch, I
Speaker 6: got your home for pressing. I hit your hole for pussing.
Speaker 6: I did the pay it but come in the same year.
Speaker 6: But you're gonna owe me puss it on at your
Speaker 6: hand's gonna pushing it off, bro with the fans to
Speaker 6: puss it committed, come in they did no time can't
Speaker 6: beg it. We know that you're pushing pust You puss it,
Speaker 6: you puss it, you push the niggas.
Speaker 4: Time after time.
Speaker 6: I'm pull a little bit of nose, listen, dumping the
Speaker 6: diamond looking but just said, oh listen, knock good. Ain't
Speaker 6: go listen.
Speaker 4: That boy.
Speaker 1: Listen take Off the one hand to flow you can
Speaker 1: just hear. But the dogs, the dogs, look at the dog.
Speaker 1: He got that stutter float, the sign and at the time.
Speaker 5: But the dog.
Speaker 4: It's some niggas that can't even do that.
Speaker 1: It's almost like he might have went in there and
Speaker 1: laid some of that ship for them and then they
Speaker 1: can come back with it because that is a unique
Speaker 1: wave riding that he be doing on the track.
Speaker 4: So take Off smoke this.
Speaker 1: In my opinion, I think his style shined on the
Speaker 1: beat right. I think Takeoff really showed why he was
Speaker 1: one of the then head hunch os. As it pertains
Speaker 1: to me goals. Now, how do we feel about Quevo
Speaker 1: putting Takeoff on a disc track? I guess my question
Speaker 1: is from Chris Brown perspective an RP Takeoff. You know
Speaker 1: what I'm saying, We love respect you, RP, respectful RP
Speaker 1: to Takeoff, good dude, But does this put Takeoff in
Speaker 1: the crossfiles of a battle right now? Is the gloves off?
Speaker 1: Do Chris Brown come out saying all kind of wild
Speaker 1: shit about it? About what happened about you? About take right?
Speaker 1: Do you put him in a position to do that now,
Speaker 1: because you don't put him on a song this and
Speaker 1: Chris Brown.
Speaker 4: I think it's a fair question to have.
Speaker 1: You know, maybe Chris still holds it down, but some
Speaker 1: of you rap niggas they ain't holding it down. I
Speaker 1: know in the battle rap they not holding that, you
Speaker 1: know what I'm saying that For me, coming from the South,
Speaker 1: coming from where I come from, how I grew up,
Speaker 1: I don't know that I can do that, but I
Speaker 1: do know in this competitive sport, and it feels like
Speaker 1: there's an emotional element to this beef that he may
Speaker 1: go for the juggular and really start to talk about
Speaker 1: takeoff in the open public. And I'm not a fan
Speaker 1: of that, right, but I'm just say and what could
Speaker 1: take place now?
Speaker 4: I do want to bring some criticism.
Speaker 1: On Quavo because as much as academics is at the
Speaker 1: forefront of things right now, or that's what it seems
Speaker 1: to be, right, he's been instrumental in getting a lot happening,
Speaker 1: a lot of people watching him as it pertains these battles.
Speaker 1: At that same time, that record could have went to
Speaker 1: somebody in the South, you know what I mean to pipe,
Speaker 1: somebody in the South platform up. That's what I be
Speaker 1: talking about. It's like, yo, y'all running through that shit.
Speaker 1: The academics who gonna report? But I understand it's the business.
Speaker 1: The business is the business like, but it's just it's
Speaker 1: an ugly scenario.
Speaker 4: He should have gave this shit to somebody from the South.
Speaker 4: It's up there. Podcasts could have broke this shit.
Speaker 1: As much as I'm happy that academics is garnering a
Speaker 1: lot of the market shall because I operate in original
Speaker 1: content and in this content world at a high level.
Speaker 4: So they opening the market up for me.
Speaker 1: Whatever academics do, CA ain't hurt what I'm doing. You
Speaker 1: see what I'm saying. But I'm just saying I want
Speaker 1: people to pay attention. How those rappers you could have
Speaker 1: fed that to the South. You could have fed that
Speaker 1: song to the South turned one of the little homie
Speaker 1: platforms up. Chris Brown seemed to think. And if I'm
Speaker 1: being honest, Chris Brown seem to think niggas is pussy.
Speaker 1: How Chris Brown be talking like he want to fight,
Speaker 1: I'm gonna do this to you. It just seemed like
Speaker 1: he believed dudes to be straight pussy. And I can't lie,
Speaker 1: Sweety is pretty. I can't even camp cause you know,
Speaker 1: I don't even be looking at none of these look
Speaker 1: like I don't look at none of these shit. But
Speaker 1: after this I went and looked and seeing what I'm oh,
Speaker 1: Sweety is a bad one. She slicked bad like she
Speaker 1: wanted them one like I can't even kept she is
Speaker 1: one of them one. First, I'm thinking, why these two
Speaker 1: guys going at each other about Sweetie? And I know
Speaker 1: both of them dealt with Sweetie, but why is that
Speaker 1: still a thing I forgot about Krucci. See, I forgot
Speaker 1: they have in common Kruci. So I'm saying, oh, so
Speaker 1: it's two girls on the forefront, but sweet is the
Speaker 1: one getting all the attention for some reason that's interesting
Speaker 1: to me.
Speaker 4: I believe Chris Brown want to fight because he thinks yo,
Speaker 4: I used to be cool with y'all then.
Speaker 1: And a lot of these niggas be looking at your
Speaker 1: gal man, A lot of these niggas they be looking
Speaker 1: at your old lady like they'll fuck your girl. A
Speaker 1: lot of these dudes, you know what I mean, they'll
Speaker 1: really sacrifice the relationship with you to fuck that girl.
Speaker 1: You see what I'm saying. A lot of these dudes
Speaker 1: don't got no morals about them. Like it's so many
Speaker 1: girls out here, but they'll fuck Yo girl. I want
Speaker 1: to fuck Yo girl. I want to fuck Yo girl.
Speaker 1: I think she eases she letting you fuck her. I
Speaker 1: want to fuck yo woman. That's a lot of dudes
Speaker 1: be so there's a weird energy surrounding that. But I
Speaker 1: think Chris Brown is upset because he thought they were cool.
Speaker 1: And for you to start messing with the girl, you
Speaker 1: really know, I care about Caruci. It's like, damn man,
Speaker 1: Like I almost think I heard Chris Brown speak about
Speaker 1: that one time. There's a narrative online that's like, Yo,
Speaker 1: why Kuaevo won't leave Sweetish? Like he doing too much?
Speaker 1: He should leave that girl? Like damn, he doing too much?
Speaker 1: Why not leave it? And I'm not sure if y'all
Speaker 1: understand that some women have a touch about him. Some
Speaker 1: women got a feel to him. Some women got a vibe.
Speaker 1: They set a vibe. I used to just tell one
Speaker 1: of my old ladies like, yo, just set a vibe. Yo,
Speaker 1: just set a vibe, man. Just some people got to
Speaker 1: touch a vibe or feel. Some people are safe place.
Speaker 1: It ain't even just about six this woman here is
Speaker 1: sacred around this woman. It's peaceful, she's soft, soft girl era.
Speaker 1: She's energy.
Speaker 4: It's just it's welcoming. Energy is nice.
Speaker 1: It's just you dig It's just a different vibration, and
Speaker 1: you want to be there. You don't want to get
Speaker 1: away from no woman that's providing that from you, even
Speaker 1: if you fall back from or Here's the thing about memories,
Speaker 1: and this is what's dangerous, is that to survive, there's
Speaker 1: a correlation between the distance of event and how we
Speaker 1: feel about it. So the negative things that happen to us,
Speaker 1: the father we go from that, the more rational we
Speaker 1: can look at it.
Speaker 4: And also I think.
Speaker 1: Kuovo down played his main girl in the sounding like
Speaker 1: I can just take a model bitch and make a
Speaker 1: sweeted nigga and then SWEETI responded, So she wasn't feeling that,
Speaker 1: like you downplaying me?
Speaker 4: You know, you know, you know what it is, you
Speaker 4: know you really yeah about this?
Speaker 1: Yeah, see them girls that sit back like oh you oh,
Speaker 1: you try to downplay me. You know, I got that
Speaker 1: thing you like, you know I do that thing you like?
Speaker 1: You trying to play me out there? Okay, next time
Speaker 1: ice cream machine broken? You know, I'm having an ice
Speaker 1: cream machine and a sprinkler, and you out there playing
Speaker 1: with me like that when you know I'm that You
Speaker 1: know how you know how to do you when it's
Speaker 1: just me and you you know I'm you know I'm pressure.
Speaker 1: You gonna downplay me like you can just turn anybody
Speaker 1: to me when you really don't try to probably get
Speaker 1: back on me, because dudes sometimes we'll get freaking horny
Speaker 1: and go to heat and get back.
Speaker 4: Ain't babe, you know? I mean and shit like a mom.
Speaker 4: What you been doing? Scrawing? What you been doing?
Speaker 3: Babe?
Speaker 5: You ain't ate.
Speaker 4: Nigga, ain't talk to the girl in two years?
Speaker 5: You ain't ate nothing.
Speaker 3: You good?
Speaker 4: How you doing you straight? How the kids? Like you
Speaker 4: just been tapped in? Like you just come to take
Speaker 4: care of business?
Speaker 5: Yeah?
Speaker 4: What's up? Your bills paid? What you doing with your
Speaker 4: car paid off? How you been Yeah? Your house paid off?
Speaker 4: What you got going?
Speaker 5: Yeah?
Speaker 1: You trying to steal the bitch a nigga talking like that,
Speaker 1: gonna steal your gal man a nigga that is calling
Speaker 1: it holling.
Speaker 4: What you're doing, bab seit what you knowing? Your house
Speaker 4: paid on? What's up?
Speaker 13: You straight over that you ain't, Yeah, you ain't. You
Speaker 13: don't need no furniture or nothing. He trying to steal
Speaker 13: the bitch man. He gonna steal the pitch man.
Speaker 4: And they were wrong.
Speaker 1: Having them niggas sit beside each other won't make one
Speaker 1: of them nigga crash out. It would have been world
Speaker 1: news and Chris Brown would have been done.
Speaker 4: He would have hit Quavo then.
Speaker 1: As far as his image wise, they said, oh, we
Speaker 1: knew that Nigga did never had control of itself. He
Speaker 1: showed restraint then, whether he regretted or not now, but
Speaker 1: you will remember nights with some of these women, like
Speaker 1: some of you women got a spell on a nigga.
Speaker 1: It beat three four year down the road. You still
Speaker 1: remember them nights? Man, I remember that night. We shit boy?
Speaker 1: Who is she did?
Speaker 4: A goodness?
Speaker 1: Graci, you ain't saw that motherfucking two years you still
Speaker 1: be thinking about it. They don't put a spell on you.
Speaker 1: Though they don't put a spell on you. Nigga won't
Speaker 1: even gonna get him, No new gal. Nigga be sitting
Speaker 1: that baggage claim waiting on that same little to come down.
Speaker 1: You ever see that only nigga, that baggage claim, Bro,
Speaker 1: the baggage didn't make it. Bro, the luggage ain't coming family.
Speaker 1: The luggage ain't coming family. He be dying there waiting, Bro,
Speaker 1: it's over. You know what I'm saying. And they still
Speaker 1: that sweeten.
Speaker 5: Man.
Speaker 1: I ain't gonna lie sweet as a bad one though. But
Speaker 1: he called Chris Brown a crackhead. Michael Jackson a crackhead.
Speaker 1: Michael Jackson.
Speaker 5: Yeah.
Speaker 1: Man, So that's today's episode, Big Loan. It's up there podcast.
Speaker 1: Come to patriot dot com. It's up their podcast for
Speaker 1: all the rest of the vibes. We got a new segment,
Speaker 1: Alert Penitentiary Rules and Effect coming out. Make sure you
Speaker 1: watch interviews this out right now. Make sure you get
Speaker 1: some merch that's finna drop on you boys. Man, you
Speaker 1: dig It's up there podcast, Big lo You can't reach out.
Speaker 1: I'm out of reach. Let's get it. Love y'all, See
Speaker 1: y'all next time.