WEBVTT - Kanye West Interview "LIED" Ye Reenters Ring with Drake + Quavo Pulls Takeoff into Chris Brown Beef

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<v Speaker 1>You saw Yea come out time after time and say

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<v Speaker 1>Drake is the go Drake is the man. I don't

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<v Speaker 1>understand how we're supposed to accept now that you kill

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<v Speaker 1>the one thing we know about Kendrick Lamar when he

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<v Speaker 1>comes to to Drake, he's Kanye, how we know you?

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<v Speaker 1>You don't put your you done handed me in your

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<v Speaker 1>sights and put it down every time.

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<v Speaker 2>But like you're the only person that's gonna really put

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<v Speaker 2>it out there.

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<v Speaker 3>They say, rich baby daddy is like Drake has a

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<v Speaker 3>rich baby daddy named Lucien and universe. Wow, He's like,

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<v Speaker 3>you know, like, man, my daddy got it.

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<v Speaker 1>I don't think the song is effective as it pertains

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<v Speaker 1>the boars and lyrics as I continue to tell y'all

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<v Speaker 1>they're hitting Drake without the narratives associated with his name.

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<v Speaker 4>Heard it.

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<v Speaker 2>What do you think Kendrick's gonna do?

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<v Speaker 5>Now?

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<v Speaker 2>Do you think he got some?

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<v Speaker 5>But Drake?

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<v Speaker 2>Who do you think wins that I win?

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<v Speaker 3>I got some Drake and know nobody want with me?

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<v Speaker 4>How do we know this is real?

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<v Speaker 1>I think Kanye serves more of a benefit as a

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<v Speaker 1>structure piece in this royal rumble when it comes to rapping.

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<v Speaker 1>I'm not sure how effective the fans are gonna take it,

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<v Speaker 1>because we know you love Drake ya.

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<v Speaker 5>Yeah, Pluto call me.

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<v Speaker 3>I went to the studio, laid that and then we

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<v Speaker 3>you know, went through the you know, the creative process

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<v Speaker 3>at the courts and called the hooligans, called him out

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<v Speaker 3>in London to get on a joint and you know,

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<v Speaker 3>everybody is very, very excited about the elimination of Drake.

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<v Speaker 1>When you hear about Kanye West speaking about this looten

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<v Speaker 1>Grange package, it's all about that, yo. Yeah, money opens doors.

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<v Speaker 1>But these dudes got fifty years of infrastructure. Kanye West

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<v Speaker 1>talked about Future hitting him up to get this done.

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<v Speaker 1>I was telling some record execs like Future is gonna

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<v Speaker 1>be the problem. He has to neutralize Future. If he

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<v Speaker 1>does not neutralize Future, we're gonna be dealing with a

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<v Speaker 1>wolverine on the loop and then.

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<v Speaker 3>Turning me fied and all the reputation. That's like Tupac

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<v Speaker 3>been the elevator. Healthy right now to exactly exactly, No,

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<v Speaker 3>it's in shape. Yeah, it's up man.

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<v Speaker 2>We're gonna move on to the next subject.

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<v Speaker 3>Healthy right now to exactly exactly. I know it's sha Yeah,

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<v Speaker 3>it's up.

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<v Speaker 4>Position over look at you ain't shaped. Long what you've

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<v Speaker 4>been doing. You've been You've been working out, man, I

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<v Speaker 4>ain't been doing no more work. You ain't shape. Yeah, nah,

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<v Speaker 4>you ain't shape. Skin glown smelling good.

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<v Speaker 5>Nah.

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<v Speaker 4>You hear him, You hear him those underwear.

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<v Speaker 1>Quavo and Chris Brown have been going back and forth

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<v Speaker 1>alongside all of this rap beef that's.

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<v Speaker 4>Going on in the industry.

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<v Speaker 1>But Quavo and Chris Brown's seem to have a real

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<v Speaker 1>deal beef. This don't seem to be on wax and

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<v Speaker 1>just raps. This seems to have an emotional element. Take

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<v Speaker 1>off on a disc track. I guess my question is

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<v Speaker 1>from Chris Brown perspective and RP takeoff.

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<v Speaker 4>You know what I'm saying.

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<v Speaker 1>We love respect you, RP, respectful RP to take off,

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<v Speaker 1>good dude, But does this put take off in the

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<v Speaker 1>crossfiles of a battle competitive sport? And it feels like

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<v Speaker 1>there's an emotional element to this beef that he may

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<v Speaker 1>go for the jugular and really start to talk about

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<v Speaker 1>take off in the open public.

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<v Speaker 4>Now want allure me to death?

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<v Speaker 3>Exactly?

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<v Speaker 4>My man?

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<v Speaker 6>Lord loans old Loan Look, okay, okay, it.

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<v Speaker 4>Is up there and stuck that when it's up there. Man,

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<v Speaker 4>it's stuck there.

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<v Speaker 5>Shut up, yo, let's take a break from the show.

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<v Speaker 1>This episode is brought to you by Prize Picks, the

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<v Speaker 5>Yeah, I said it, I meant it. It's on the floor.

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<v Speaker 1>Man, listen, pick up when I'm putting down. In this

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<v Speaker 5>It's up there. Let's get back to the show.

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<v Speaker 4>My brother watch you for each other? That podcast we're doing.

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<v Speaker 4>He telling me up in the heard phones. I'm here today.

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<v Speaker 4>I'm gonna take it this spot at the time I

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<v Speaker 4>do that, I fly.

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<v Speaker 1>Airquot Welcome to us, up there podcast. What a time

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<v Speaker 1>to be alive, What a time to be alive. I

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<v Speaker 1>go by Big Loan. Of course, if you're here, I

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<v Speaker 1>want to thank you. If you're one of my patron subscribers,

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<v Speaker 1>I want to thank you. If you're here listening on YouTube,

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<v Speaker 1>I want to thank you. If the audio has come

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<v Speaker 1>past your feed, I want to thank you any way

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<v Speaker 1>that you've engaged in its content. From the center of

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<v Speaker 1>my soul, I want to thank you. I provide the

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<v Speaker 1>culture with the narratives. They take it and regurgitate it.

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<v Speaker 1>Let's be clean the fact. Today I'm gonna talk about

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<v Speaker 1>Kanye West, Kuavo, Chris Brown, get a few things off

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<v Speaker 1>my chest, A couple of things I want to speak

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<v Speaker 1>to the culture about. I go by Big loan. This

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<v Speaker 1>episode is brought to you by Prize Picks. Prize Picks

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<v Speaker 1>is the number one daily sports fantasy app in North America.

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<v Speaker 1>You bet more or less. You do not have to

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<v Speaker 4>Iutp will match you. You know, the.

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<v Speaker 1>Vibes is high. Shout out the Prize Picks keeps us

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<v Speaker 1>going Patreon. I love y'all. You know that every single

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<v Speaker 1>one of y'all over on Patron saluted y'all. Every time

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<v Speaker 1>we crank up for shit show. Salute to y'all. Kanye

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<v Speaker 1>West has inserted hisself into this beef. Another person that's

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<v Speaker 1>been inserted into the royal rumble. I heard his music

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<v Speaker 1>a long time ago coming I knew he was coming

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<v Speaker 1>down to the ring here shortly. So when I seen

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<v Speaker 1>him pop out on like that, I think it was interesting.

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<v Speaker 1>For those of you unaware, there's been a single drop

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<v Speaker 1>called like that feature in Future Metro. Kendrick Lamar. This

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<v Speaker 1>song has been number one on the Charge. It's a

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<v Speaker 1>song where Kendrick Lamar in particular, took aim at Drake.

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<v Speaker 1>The dynamics of this song need not be looked over.

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<v Speaker 1>I keep telling y'all Future got the clubs on lock,

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<v Speaker 1>he got them bops on lock, and so.

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<v Speaker 4>He's gonna be the most powerful force.

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<v Speaker 1>I keep telling y'all that, whether y'all agree or not,

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<v Speaker 1>let this thing simmer down some and see who really

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<v Speaker 1>can get in there and create time at the time,

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<v Speaker 1>at the time, at the time. Because one thing about Drake,

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<v Speaker 1>he the boy can create over and over whatever switch shot,

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<v Speaker 1>whatever thing he got going over there, the boy.

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<v Speaker 4>Can get it done.

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<v Speaker 1>So it's gonna take Future Metro, all these others is

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<v Speaker 1>taken five six years and all that respectfully. They gonna

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<v Speaker 1>have to move to the side because this is gonna

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<v Speaker 1>come with Drake gonna pull up with a switch and

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<v Speaker 1>they're gonna have to shoot back. And I all, let

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<v Speaker 1>old one shoot. I don't know how that's gonna resonate

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<v Speaker 1>in the culture. You dig what I'm saying. I mean,

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<v Speaker 1>I appreciate it for what it is, but I think

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<v Speaker 1>in battle you gotta learn combinations. In fights, you gotta

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<v Speaker 1>learn combinations. And with that one knockout punch, if I

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<v Speaker 1>can just dodge it, knockout punch.

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<v Speaker 4>He can't fight. He ain't really worth for damn.

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<v Speaker 1>Their scenario in which they can play against you, that

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<v Speaker 1>it takes you so long to kind of cook these

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<v Speaker 1>things up. And we've seen Drake be strategic with placing

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<v Speaker 1>that narrative out in the market and watching the market

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<v Speaker 1>help him develop the narrative that Yo, you're taking too long,

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<v Speaker 1>and so the expectation next to your record has already

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<v Speaker 1>been set. That bar is high with Kanye West. Only

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<v Speaker 1>like that record, you know, I don't even want to

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<v Speaker 1>play it. Maybe I'll stick it in, maybe I won't.

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<v Speaker 1>I was gonna play it, but then the interview came out.

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<v Speaker 1>I think it'll be more effective to just watch the

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<v Speaker 1>interview or give a few clips from the interview and

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<v Speaker 1>give some give some game on that. One thing about

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<v Speaker 1>Kanye West, though, is that he's apologized.

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<v Speaker 4>Too many times to Drake.

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<v Speaker 1>So all of the apologies that he's given Drake, I

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<v Speaker 1>think it takes some of the fire from his he

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<v Speaker 1>is who he is.

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<v Speaker 4>I think Kanye may.

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<v Speaker 1>Have to take a producer bag on this one, like

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<v Speaker 1>just help with crafted records and put future in a

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<v Speaker 1>bag that can't nobody else get in because their future

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<v Speaker 1>voice and the Kanye and Metro, they can make it

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<v Speaker 1>hard on Drake every by the time about Kendrick, I'm

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<v Speaker 1>telling you what them boys can cook up. It can

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<v Speaker 1>become a problem. Don't sleep on that. Yay had a

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<v Speaker 1>few things to say in this podcast. The podcast name

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<v Speaker 1>is the download with Justin Little Boy Again. We're gonna

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<v Speaker 1>take and watch a few clips of it and we're

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<v Speaker 1>gonna provide some games.

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<v Speaker 4>So let's pay attention.

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<v Speaker 2>We're gonna take it over to this rap beef. Man,

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<v Speaker 2>it's the most entertaining rap beef in a few years.

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<v Speaker 2>You got Future, Metro, Drake, Kendrick, j Cole Ross, Chris Brown, Quavo,

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<v Speaker 2>the Weekend.

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<v Speaker 3>What do we get doing? What happened?

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<v Speaker 2>I mean, Drake and his people taking shots at the Weekend.

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<v Speaker 2>I feel like you started this though. It all started

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<v Speaker 2>from I feel like your Instagram post when you were

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<v Speaker 2>just like.

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<v Speaker 3>Everybody and everybody's like, you know what it's up?

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<v Speaker 2>We all just going at each other. We talked all

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<v Speaker 2>the friendly ship. What's your thoughts on the state of

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<v Speaker 2>hip hop right now?

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<v Speaker 4>First of all, that's Cap That's Cap Cat Williams popped

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<v Speaker 4>this out.

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<v Speaker 1>Everybody know Cat Williams is the voice that popped this

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<v Speaker 1>whole year off with the yo, let's just.

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<v Speaker 4>Get to it.

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<v Speaker 1>So Cat Williams, in my opinion, was the force they

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<v Speaker 1>kind of spearheaded what we're looking at in twenty twenty

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<v Speaker 1>four as it pertains the people coming out seeing exactly

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<v Speaker 1>how they feel addressing people head on. In addition to

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<v Speaker 1>Cat Williams speaking of those things, I think it is

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<v Speaker 1>to be noted that the effectiveness of it also plays

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<v Speaker 1>into it, right, And so it ain't until they see

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<v Speaker 1>that the crossover working in the NBA to other NBA

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<v Speaker 1>players start to adopt it. There's a lot of moves

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<v Speaker 1>being done. And when the Globe Trotters played it don't

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<v Speaker 1>make it to the NBA because it's deemed non effective

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<v Speaker 1>somewhere along the line. But when they started to see

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<v Speaker 1>Iverson be able to, oh, now this is a thing.

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<v Speaker 1>When the note looked past right, when we started to

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<v Speaker 1>see people implement things that's effective, now it becomes standard.

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<v Speaker 1>So when you see Shannon Sharp get fifty million views

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<v Speaker 1>in such a short amount of time and Cat Williams

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<v Speaker 1>being on there with that kind of boundteam conversation and

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<v Speaker 1>it being that effective. That's what made people say, yeah,

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<v Speaker 1>let's God endure it, because there's a lot of real

0:11:33.840 --> 0:11:36.439
<v Speaker 1>talk that don't get no views, that won't start that

0:11:36.600 --> 0:11:38.960
<v Speaker 1>kind of revolution. I was reading a book where they

0:11:38.960 --> 0:11:42.600
<v Speaker 1>were talking about the British were coming right. That there's

0:11:42.679 --> 0:11:46.640
<v Speaker 1>a person that took that message and got on his

0:11:46.800 --> 0:11:50.000
<v Speaker 1>horse and traveled and let people know the British coming,

0:11:50.280 --> 0:11:53.480
<v Speaker 1>The British are coming right. And so it wasn't just

0:11:53.559 --> 0:11:57.480
<v Speaker 1>the message, it was the messenger all in one that

0:11:57.640 --> 0:12:00.360
<v Speaker 1>made that message effective. You could have sent them another

0:12:00.440 --> 0:12:04.080
<v Speaker 1>person and it may not have done the same thing. Unfortunately,

0:12:04.160 --> 0:12:07.319
<v Speaker 1>that's how the world is. But Cat Williams in that scenario,

0:12:07.600 --> 0:12:10.280
<v Speaker 1>and that many views push this game in a place

0:12:10.280 --> 0:12:13.480
<v Speaker 1>to say, hey, people want to hear the real people

0:12:13.559 --> 0:12:15.680
<v Speaker 1>want to really hear what your real opinions are.

0:12:15.960 --> 0:12:16.959
<v Speaker 4>And I been knowing that.

0:12:17.000 --> 0:12:21.120
<v Speaker 1>But to say Kanye West spearheaded this, I would say

0:12:21.760 --> 0:12:26.880
<v Speaker 1>that's not true. We even saw Nicki Minaj jump out

0:12:26.920 --> 0:12:32.400
<v Speaker 1>there and go crazy before Kanye made what I believe.

0:12:32.400 --> 0:12:34.000
<v Speaker 4>Justin Loboy to be speaking about.

0:12:34.040 --> 0:12:36.960
<v Speaker 1>So that's just my understanding unless someone in the comments

0:12:36.960 --> 0:12:40.760
<v Speaker 1>can help me with what Kanye said at some other point.

0:12:41.640 --> 0:12:46.559
<v Speaker 1>But Cat Williams said the stage. Let's be clear, it's great.

0:12:46.720 --> 0:12:47.560
<v Speaker 1>It's great for me.

0:12:47.960 --> 0:12:51.520
<v Speaker 3>You know, I'm always on that time, you know, sometimes

0:12:51.559 --> 0:12:55.640
<v Speaker 3>both you know. You see I put the Instagram up.

0:12:55.960 --> 0:12:59.120
<v Speaker 3>There's nobody gonna play with me. I haven't been through

0:12:59.120 --> 0:13:01.480
<v Speaker 3>too much of this. I made more money than anybody

0:13:01.600 --> 0:13:05.640
<v Speaker 3>ever make at this more like hits, made my own

0:13:05.720 --> 0:13:11.720
<v Speaker 3>Jordan every like. So it's like, I don't I don't care.

0:13:12.320 --> 0:13:14.440
<v Speaker 3>Like I said, I've been in every style and so

0:13:14.559 --> 0:13:18.160
<v Speaker 3>it's just fun to me, you know. But I'm really

0:13:18.200 --> 0:13:19.000
<v Speaker 3>into the idea.

0:13:19.520 --> 0:13:19.760
<v Speaker 4>You know.

0:13:20.360 --> 0:13:23.360
<v Speaker 3>It's with Drake. This the whole thing is like morality

0:13:23.400 --> 0:13:29.160
<v Speaker 3>and likability are not, uh not connected. They're usually the opposite.

0:13:29.520 --> 0:13:32.200
<v Speaker 3>Usually the most irremorl people are the ones that are

0:13:32.240 --> 0:13:35.000
<v Speaker 3>the most likable. So if I say I like Drake,

0:13:35.040 --> 0:13:37.080
<v Speaker 3>it's not because he's a good person, it's because I

0:13:37.160 --> 0:13:44.000
<v Speaker 3>like it. I like, I like. I got like for everybody.

0:13:44.120 --> 0:13:45.920
<v Speaker 3>And I'm not going to say love, because you got

0:13:46.320 --> 0:13:48.960
<v Speaker 3>the love that that's going to weaken you, that compromises you.

0:13:49.040 --> 0:13:52.760
<v Speaker 3>So I got like for everyone, right, And it's just

0:13:53.240 --> 0:13:56.880
<v Speaker 3>I think this is a beautiful time. You know, it's

0:13:56.960 --> 0:13:58.959
<v Speaker 3>like we saving the world, Like you take Drake and

0:13:59.040 --> 0:14:02.000
<v Speaker 3>Lucien out, that's just alters everything because that's such a

0:14:02.440 --> 0:14:06.040
<v Speaker 3>control thing. They had the algorithm, the way that they

0:14:06.080 --> 0:14:07.959
<v Speaker 3>work together to fix the.

0:14:08.000 --> 0:14:11.679
<v Speaker 4>Numbers and all right, so there's a lot happening here.

0:14:12.040 --> 0:14:12.920
<v Speaker 4>Let's bag up some.

0:14:13.240 --> 0:14:16.080
<v Speaker 1>If I remember correctly, I think Kanye has been trying

0:14:16.120 --> 0:14:17.320
<v Speaker 1>to kind of diss Drake.

0:14:17.960 --> 0:14:19.680
<v Speaker 4>Drake has got ahead of some of it.

0:14:19.920 --> 0:14:24.160
<v Speaker 1>We even heard an Andre three K song that came

0:14:24.200 --> 0:14:27.520
<v Speaker 1>out that was with Kanye, but I think it aired

0:14:27.560 --> 0:14:30.800
<v Speaker 1>on Ovio Radio, and I think this was Kanye attempting

0:14:30.840 --> 0:14:34.560
<v Speaker 1>to create some kind of sniper shot at Drake, but

0:14:34.680 --> 0:14:38.000
<v Speaker 1>for whatever reason, it was premature. Then we saw Kanye

0:14:38.640 --> 0:14:42.520
<v Speaker 1>also do something to Drake. Were when Drake went out

0:14:42.880 --> 0:14:46.800
<v Speaker 1>famously out to help Kanye with a bunch of records.

0:14:47.160 --> 0:14:50.120
<v Speaker 1>If you remember Drake talking about this with Lebron James.

0:14:50.120 --> 0:14:51.560
<v Speaker 1>He went out there to kind of help him with

0:14:51.600 --> 0:14:54.360
<v Speaker 1>some records. He came back and he got a beat

0:14:54.440 --> 0:14:57.720
<v Speaker 1>from Kanye. That's all he got, and in memory serves

0:14:57.840 --> 0:15:01.960
<v Speaker 1>me correctly, that beat was used. I think Kanye wasted

0:15:02.000 --> 0:15:04.120
<v Speaker 1>that beat. I think that was the song Scoop of

0:15:04.160 --> 0:15:06.960
<v Speaker 1>the Doupe where Kanye just dropped the song scoopyy Doop

0:15:07.040 --> 0:15:09.600
<v Speaker 1>Doep Doep. He really wasn't saying nothing. And so this

0:15:09.640 --> 0:15:11.920
<v Speaker 1>is what I tell y'all about the industry. It's a

0:15:11.960 --> 0:15:15.840
<v Speaker 1>lot of moves being made without saying that people don't

0:15:15.880 --> 0:15:18.880
<v Speaker 1>know on the outside. But I almost think that's what

0:15:18.920 --> 0:15:22.960
<v Speaker 1>was happening a long time ago. But Drake released that

0:15:23.120 --> 0:15:26.840
<v Speaker 1>song with Andre three K and Kanye. Andre three K

0:15:27.080 --> 0:15:31.120
<v Speaker 1>smoked it. Let's be Cleark. Andre three K is him

0:15:31.560 --> 0:15:34.320
<v Speaker 1>Kanye Verse was kind of in the early stages, but

0:15:34.400 --> 0:15:37.040
<v Speaker 1>I think you heard him this Drake on that I do.

0:15:37.160 --> 0:15:39.440
<v Speaker 4>Gotta be honest. Though there seemed to have.

0:15:39.480 --> 0:15:41.960
<v Speaker 1>Been an attempt to lock Drake out of one of

0:15:41.960 --> 0:15:43.560
<v Speaker 1>the power positions.

0:15:44.080 --> 0:15:45.760
<v Speaker 4>You see these attempts.

0:15:45.280 --> 0:15:48.920
<v Speaker 1>Often what the power players that kind of come together

0:15:49.080 --> 0:15:52.000
<v Speaker 1>and try to lock out one of the guys that's

0:15:52.040 --> 0:15:55.000
<v Speaker 1>on the on the come up. And if the other

0:15:55.080 --> 0:15:57.360
<v Speaker 1>people don't help you along the way and you don't

0:15:57.400 --> 0:16:00.320
<v Speaker 1>figure it out, you can drown out there. Because because

0:16:00.320 --> 0:16:03.360
<v Speaker 1>this industry is a very weird place as it pertains

0:16:03.400 --> 0:16:08.440
<v Speaker 1>to business, not getting hot, not having fans, not being a.

0:16:08.440 --> 0:16:11.560
<v Speaker 4>Celebrity, but curating business.

0:16:11.880 --> 0:16:15.640
<v Speaker 1>I still remember when Drake dropped the song and he said, Yo,

0:16:15.720 --> 0:16:16.520
<v Speaker 1>the throne is for.

0:16:16.560 --> 0:16:17.120
<v Speaker 4>The taking it.

0:16:17.240 --> 0:16:20.720
<v Speaker 1>Then Kanye and Jay Drop watched the throne and then

0:16:20.840 --> 0:16:23.320
<v Speaker 1>Jay came got on one of Drake's songs and gave

0:16:23.360 --> 0:16:25.440
<v Speaker 1>him I think three lines, and it was a big

0:16:25.480 --> 0:16:28.520
<v Speaker 1>deal about that. It still went out and so the

0:16:28.560 --> 0:16:32.040
<v Speaker 1>timeline between Yay and Drake and Jay and all of

0:16:32.080 --> 0:16:34.840
<v Speaker 1>these people, it's out there for you to actually take

0:16:34.880 --> 0:16:36.520
<v Speaker 1>a look at it if you ever want to take

0:16:36.560 --> 0:16:38.920
<v Speaker 1>a look at it. But that was a time I

0:16:38.920 --> 0:16:42.120
<v Speaker 1>would say that Drake wanted a j feature and j

0:16:42.240 --> 0:16:44.280
<v Speaker 1>wouldn't give it to him, or he wanted to work

0:16:44.320 --> 0:16:47.280
<v Speaker 1>with Ya and Ye wouldn't do it just as freely

0:16:47.360 --> 0:16:50.800
<v Speaker 1>as he may wanted it to happen, and that would

0:16:50.800 --> 0:16:53.000
<v Speaker 1>have added to his confidence and a way in that

0:16:53.080 --> 0:16:56.160
<v Speaker 1>moment where it helped him figure things out. Because you

0:16:56.240 --> 0:16:58.200
<v Speaker 1>get on this road and you ain't got it figured

0:16:58.240 --> 0:17:00.400
<v Speaker 1>out out of the way. You know what you doing,

0:17:00.480 --> 0:17:03.200
<v Speaker 1>but you need help, you need a push pull, you

0:17:03.320 --> 0:17:04.960
<v Speaker 1>need is to get in the yoke with you.

0:17:05.040 --> 0:17:05.840
<v Speaker 4>Some of the greats.

0:17:05.880 --> 0:17:11.000
<v Speaker 1>You leave those sessions rejuvenated when you bump into a

0:17:11.160 --> 0:17:15.640
<v Speaker 1>creator at the highest level, some of these high power

0:17:16.080 --> 0:17:19.320
<v Speaker 1>individuals in this industry, and there's a respect level and

0:17:19.400 --> 0:17:22.760
<v Speaker 1>we get into this creative bag. You leave rejuvenated. You

0:17:22.880 --> 0:17:25.440
<v Speaker 1>might get two weeks, two three months of work out

0:17:25.440 --> 0:17:28.359
<v Speaker 1>of that. You may be able to live off that.

0:17:28.600 --> 0:17:31.120
<v Speaker 1>There's certain moves you live off for for a year,

0:17:33.280 --> 0:17:35.480
<v Speaker 1>not that you lay down, but you can reference that

0:17:35.640 --> 0:17:38.880
<v Speaker 1>in any time when creative lit. You gotta remember who

0:17:38.920 --> 0:17:41.760
<v Speaker 1>you are because coming up in this game, man, you

0:17:41.840 --> 0:17:44.399
<v Speaker 1>gotta remember, Drake came in and was signed the two

0:17:44.520 --> 0:17:47.040
<v Speaker 1>three four different people had to work all of that off,

0:17:47.080 --> 0:17:49.840
<v Speaker 1>get everybody paid. Like, ain't no telling what he would

0:17:49.880 --> 0:17:52.960
<v Speaker 1>have been worth had he came in under his own infrastructure.

0:17:53.240 --> 0:17:56.119
<v Speaker 1>But I don't think without those code signs he got that,

0:17:56.200 --> 0:17:59.359
<v Speaker 1>it doesn't work in the same way. Talent is one thing,

0:18:00.040 --> 0:18:02.560
<v Speaker 1>but the culture called is everything. I want to take

0:18:02.560 --> 0:18:07.120
<v Speaker 1>a look at this video because this was a time

0:18:07.160 --> 0:18:10.159
<v Speaker 1>when Drake was doing what Drake done. If you know

0:18:10.280 --> 0:18:13.040
<v Speaker 1>his history, he was on Billboard for I think a

0:18:13.160 --> 0:18:16.720
<v Speaker 1>decade straight or maybe even longer. So some of the

0:18:16.760 --> 0:18:21.639
<v Speaker 1>accolades that we see Drake obtain are only reserved for

0:18:21.800 --> 0:18:25.600
<v Speaker 1>top tier. They only reserved for the anoymous and the humongous.

0:18:25.680 --> 0:18:28.359
<v Speaker 1>These are big player of moves. You see what I'm saying,

0:18:28.560 --> 0:18:31.520
<v Speaker 1>and so again, this is what Kanye is in his bag.

0:18:31.800 --> 0:18:34.399
<v Speaker 1>This is when jay Z is in his bag. This

0:18:34.520 --> 0:18:36.320
<v Speaker 1>is when some of these guys are looking at the

0:18:36.359 --> 0:18:38.360
<v Speaker 1>game and saying, we got a choke hold on it.

0:18:38.720 --> 0:18:41.080
<v Speaker 1>But I think this little dude's coming and he ain't

0:18:41.119 --> 0:18:44.280
<v Speaker 1>going nowhere. He got Baby in there. And see the

0:18:44.400 --> 0:18:49.040
<v Speaker 1>Baby co sign couldn't give him the streets in the South,

0:18:49.720 --> 0:18:52.919
<v Speaker 1>but in the industry from their bedding in perspective, it

0:18:52.920 --> 0:18:55.840
<v Speaker 1>can give him the South. As it pertains to Yo,

0:18:56.040 --> 0:18:58.160
<v Speaker 1>Baby bring the South to the table and say he's

0:18:58.200 --> 0:19:01.480
<v Speaker 1>still fighting for the South. That's his own artists. Y'all

0:19:01.480 --> 0:19:04.040
<v Speaker 1>only doing that because Drake signed to the South. It

0:19:04.119 --> 0:19:07.240
<v Speaker 1>could turn into that. It didn't, but it could turn

0:19:07.320 --> 0:19:09.880
<v Speaker 1>into that. And on top of that, babyman have made

0:19:09.920 --> 0:19:12.440
<v Speaker 1>a lot of money in this business. And so as

0:19:12.440 --> 0:19:15.959
<v Speaker 1>we're dealing with the industry perspective, Baby gave him a

0:19:16.000 --> 0:19:20.000
<v Speaker 1>certain look and a certain feel and a certain infrastructure

0:19:20.080 --> 0:19:23.080
<v Speaker 1>where he can battle with them giants. Because boy, if

0:19:23.080 --> 0:19:25.520
<v Speaker 1>they wanted to shut him down and he ain't have Baby,

0:19:25.920 --> 0:19:27.640
<v Speaker 1>if they wanted to shut him down and he ain't

0:19:27.680 --> 0:19:30.760
<v Speaker 1>had their cash money infrastructure, it get quiet.

0:19:31.480 --> 0:19:33.520
<v Speaker 4>But let's take a look at this video, cause y'all

0:19:33.600 --> 0:19:34.480
<v Speaker 4>been lied.

0:19:34.280 --> 0:19:49.919
<v Speaker 7>To, Lie to you, Facebook, lie to you, lie to you.

0:19:54.600 --> 0:20:00.480
<v Speaker 8>I know it's a lot of real radio real. We

0:20:00.560 --> 0:20:01.879
<v Speaker 8>don't prove it the Rictus.

0:20:02.359 --> 0:20:06.680
<v Speaker 7>We have some kids that love lose it, that can't

0:20:06.760 --> 0:20:08.159
<v Speaker 7>play what they want to play it.

0:20:08.560 --> 0:20:11.600
<v Speaker 8>Because they've been to play that foot.

0:20:13.800 --> 0:20:14.560
<v Speaker 5>When that.

0:20:19.280 --> 0:20:19.639
<v Speaker 4>Holy.

0:20:20.200 --> 0:20:24.240
<v Speaker 8>What I'm saying is we love creaking.

0:20:25.720 --> 0:20:32.160
<v Speaker 5>Get great, artist, yo. Let's take a break from the show.

0:20:32.280 --> 0:20:34.440
<v Speaker 1>This episode is brought to you by Prize Picks, the

0:20:34.560 --> 0:20:37.440
<v Speaker 1>number one daily fantasy sports app in North America.

0:20:37.520 --> 0:20:39.320
<v Speaker 5>Yeah, I said it. I meant it. It's on the floor.

0:20:39.480 --> 0:20:43.000
<v Speaker 1>Get it. It's on the floid, Prize Picks. Get it.

0:20:43.000 --> 0:20:45.440
<v Speaker 1>It's on the floid. Prize Picks. Let me explain something

0:20:45.440 --> 0:20:48.280
<v Speaker 1>to you. They turned ten dollars into a thousand dollars

0:20:48.359 --> 0:20:49.120
<v Speaker 1>a prize pick.

0:20:49.440 --> 0:20:51.440
<v Speaker 5>You use my co I U T. P. And you

0:20:51.520 --> 0:20:53.240
<v Speaker 5>are new sign up. Man.

0:20:53.280 --> 0:20:56.119
<v Speaker 1>Guess what we shoot something to you. Put something on

0:20:56.160 --> 0:20:58.440
<v Speaker 1>the name not the game, and put something in your bank.

0:20:58.560 --> 0:20:59.000
<v Speaker 5>You and me.

0:20:59.480 --> 0:21:01.440
<v Speaker 1>Man, listen, pick up when I'm putting down in this

0:21:01.560 --> 0:21:03.639
<v Speaker 1>episode that brought to you by Prize Pigs.

0:21:04.000 --> 0:21:05.879
<v Speaker 5>All you gotta do is test your skills.

0:21:06.160 --> 0:21:08.720
<v Speaker 1>You run with Steph Curry, put yours on Steph Curry,

0:21:08.720 --> 0:21:11.240
<v Speaker 1>You run with Lebron, Put yours on Lebron, You ran

0:21:11.359 --> 0:21:14.399
<v Speaker 1>with Sakon Barkley, put yours on. Yeah, that's how it

0:21:14.440 --> 0:21:17.240
<v Speaker 1>go ok, Clark, put yours on right And if you

0:21:17.320 --> 0:21:20.199
<v Speaker 1>support me this video, this episode is brought to you

0:21:20.240 --> 0:21:21.359
<v Speaker 1>by Prize Picks.

0:21:21.680 --> 0:21:25.720
<v Speaker 5>Do yourself a favor. Sign up right now Prize pigs

0:21:25.760 --> 0:21:28.880
<v Speaker 5>dot com. Use my code. I U T p ain't

0:21:28.880 --> 0:21:30.400
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0:21:30.720 --> 0:21:31.320
<v Speaker 4>It's up there.

0:21:32.480 --> 0:21:33.600
<v Speaker 5>Let's get back to the show.

0:21:37.280 --> 0:21:47.119
<v Speaker 9>But Frank motion is great too, cause Jesus free on

0:21:47.200 --> 0:21:50.600
<v Speaker 9>people that gotta the kids, and they're not being the

0:21:50.720 --> 0:21:54.479
<v Speaker 9>loud to play that little shit because they think in

0:21:54.600 --> 0:21:58.040
<v Speaker 9>order to freed they gotta play the Satancy Lou and

0:21:58.160 --> 0:21:59.159
<v Speaker 9>the lover.

0:21:59.520 --> 0:22:02.959
<v Speaker 8>I was raised my k MS one, I was raised

0:22:03.000 --> 0:22:07.080
<v Speaker 8>my chop. Paul Us we allowed to fight. Pah We

0:22:07.280 --> 0:22:09.159
<v Speaker 8>allive tonight, pap.

0:22:12.920 --> 0:22:16.879
<v Speaker 7>Her two Catlo is alive tonight, Papa He sat Nass

0:22:17.080 --> 0:22:18.240
<v Speaker 7>is alive tonight.

0:22:18.359 --> 0:22:20.560
<v Speaker 8>Brom Pa is allied tonight.

0:22:20.680 --> 0:22:23.080
<v Speaker 7>Pup He and Connor is allowed tonight.

0:22:23.200 --> 0:22:25.160
<v Speaker 8>Bro Pracky allied tonight.

0:22:25.240 --> 0:22:25.520
<v Speaker 6>Brother.

0:22:28.119 --> 0:22:30.280
<v Speaker 8>There's going to be a lot of conversations at the

0:22:30.400 --> 0:22:34.080
<v Speaker 8>tonight Colin, I loved you.

0:22:34.440 --> 0:22:36.680
<v Speaker 9>I know you got comors to Miamti please, And that's

0:22:36.760 --> 0:22:44.520
<v Speaker 9>in him in my head.

0:22:41.040 --> 0:22:47.720
<v Speaker 8>His slaves. Obama wasn't allowed to do this. It's still wins.

0:22:47.920 --> 0:22:50.239
<v Speaker 1>So that was a very interesting time. I think at

0:22:50.280 --> 0:22:57.080
<v Speaker 1>that time they felt Drake's presence. I'm not sure if

0:22:57.080 --> 0:22:59.600
<v Speaker 1>anyone in the industry can deny that Drake has been

0:22:59.680 --> 0:23:02.119
<v Speaker 1>a four to be wrecking with. Again, I just mentioned

0:23:02.119 --> 0:23:05.520
<v Speaker 1>one of the many accolades that he has being on

0:23:05.800 --> 0:23:06.720
<v Speaker 1>Billboard for.

0:23:07.280 --> 0:23:08.359
<v Speaker 4>A decade straight.

0:23:08.480 --> 0:23:11.919
<v Speaker 1>I think just that accolade standalone should let you know

0:23:12.040 --> 0:23:15.320
<v Speaker 1>his value in the marketplace and what they've been dealing

0:23:15.359 --> 0:23:17.520
<v Speaker 1>with for many years.

0:23:18.359 --> 0:23:20.840
<v Speaker 4>But as you just seen, Kanye was on the runt.

0:23:20.880 --> 0:23:23.320
<v Speaker 1>I think at that time he said that they were

0:23:23.359 --> 0:23:25.520
<v Speaker 1>trying to medicate him. They was doing things to try

0:23:25.560 --> 0:23:27.840
<v Speaker 1>to hurt him. But we've saw Yer come out time

0:23:27.920 --> 0:23:31.199
<v Speaker 1>after time and say Drake is the goat, Drake is

0:23:31.240 --> 0:23:34.120
<v Speaker 1>the man. I don't understand how we're supposed to accept

0:23:34.119 --> 0:23:37.120
<v Speaker 1>now that you're shooting to kill the one thing we

0:23:37.200 --> 0:23:40.240
<v Speaker 1>know about Kendrick Lamar when he come to shoot at

0:23:40.240 --> 0:23:43.840
<v Speaker 1>the Drake, he's shooting to kill Kanye, How we know

0:23:43.920 --> 0:23:45.880
<v Speaker 1>you shooting to kill and you done put your gun,

0:23:46.320 --> 0:23:48.560
<v Speaker 1>You done handed in your sights and put it down.

0:23:48.640 --> 0:23:52.800
<v Speaker 1>Every time you keep apologizing, how do we know this

0:23:53.000 --> 0:23:56.960
<v Speaker 1>is real? I think Kanye serves more of a benefit

0:23:57.480 --> 0:24:02.040
<v Speaker 1>as a structure piece in this royal rumble. I think

0:24:02.080 --> 0:24:04.880
<v Speaker 1>he needs to be a producer. He needs to put

0:24:04.880 --> 0:24:09.520
<v Speaker 1>his two cents in from a production standpoint, and when

0:24:09.560 --> 0:24:11.800
<v Speaker 1>it comes to rapping, I'm not sure how effective the

0:24:11.880 --> 0:24:13.960
<v Speaker 1>fans are gonna take it because we.

0:24:14.000 --> 0:24:17.840
<v Speaker 4>Know you love Drake. Yay, we know you love Drake.

0:24:17.960 --> 0:24:20.280
<v Speaker 1>So it's gonna be hard for you to convince us

0:24:20.320 --> 0:24:23.240
<v Speaker 1>now that you're shooting for the head like it's hard

0:24:23.280 --> 0:24:23.439
<v Speaker 1>for you.

0:24:23.520 --> 0:24:24.919
<v Speaker 4>At least it's hard to convince me.

0:24:26.720 --> 0:24:29.520
<v Speaker 1>This next part I think I find interesting as well

0:24:29.720 --> 0:24:32.880
<v Speaker 1>is Ya talks about loos and grains. We're gonna spend

0:24:32.880 --> 0:24:36.359
<v Speaker 1>about fifteen more minutes on Ya, and then we'll move on.

0:24:36.359 --> 0:24:38.000
<v Speaker 4>To Quavo and Chris Brown.

0:24:38.040 --> 0:24:41.199
<v Speaker 1>But Yay spent some time talking about loos and grains

0:24:41.200 --> 0:24:42.440
<v Speaker 1>and Drake's relationship.

0:24:42.720 --> 0:24:43.840
<v Speaker 4>Let's take a look at some of that.

0:24:44.440 --> 0:24:49.080
<v Speaker 3>Absolutely, we're gonna name this dragons and demonics like Drake

0:24:49.160 --> 0:24:50.879
<v Speaker 3>and all this type of shit, We're gonna change your

0:24:50.920 --> 0:24:54.000
<v Speaker 3>name actor and do this. And because it's like you know,

0:24:54.119 --> 0:24:57.280
<v Speaker 3>in a heart of hearts, like whether it's like tubs

0:24:57.280 --> 0:24:59.040
<v Speaker 3>and that's not all the kind of that they love

0:24:59.119 --> 0:25:02.600
<v Speaker 3>yay And I'm I'm invegetable, like even if I died,

0:25:02.640 --> 0:25:06.080
<v Speaker 3>I wouldn't die. I'm like so and as I'm tired

0:25:06.119 --> 0:25:08.520
<v Speaker 3>of this nigga fucking with me and all this shit. Man.

0:25:08.560 --> 0:25:10.680
<v Speaker 3>So the fact that these niggas is coming together finding

0:25:10.680 --> 0:25:13.119
<v Speaker 3>it because it's not just about the elimination of Drake,

0:25:13.240 --> 0:25:16.120
<v Speaker 3>you know, it's like like we're gonna tear the head

0:25:16.160 --> 0:25:18.919
<v Speaker 3>off whoever they got that they thought was in control

0:25:19.000 --> 0:25:20.199
<v Speaker 3>all the shit, Like look at this, it's like they

0:25:20.320 --> 0:25:22.840
<v Speaker 3>running the numbers, they running on radio. They got to smash.

0:25:22.880 --> 0:25:25.440
<v Speaker 3>And then you know it's like now they're not playing

0:25:25.480 --> 0:25:29.640
<v Speaker 3>Little Wayne no more because he ain't you know, he's

0:25:29.720 --> 0:25:32.359
<v Speaker 3>not directly connected with Lucy. And then they go and

0:25:32.440 --> 0:25:35.000
<v Speaker 3>like buy the cash money shit out and they like

0:25:35.080 --> 0:25:37.840
<v Speaker 3>pick and choose. They want, Oh, we're gonna have migos

0:25:37.920 --> 0:25:41.360
<v Speaker 3>one week and then we're gonna have future this. Then

0:25:41.440 --> 0:25:43.320
<v Speaker 3>we had two chains, this, that, and they always picked

0:25:43.359 --> 0:25:45.040
<v Speaker 3>somebody we gonna have twenty one after you know what

0:25:45.040 --> 0:25:47.560
<v Speaker 3>I'm saying, It's like they always pick somebody from Atlanta.

0:25:47.760 --> 0:25:50.520
<v Speaker 3>I'm from I was born in Atlanta, right whatever, you know,

0:25:50.840 --> 0:25:51.960
<v Speaker 3>how did that even happen?

0:25:52.000 --> 0:25:54.399
<v Speaker 2>Though, Like I mean, before we even get into what happened?

0:25:54.520 --> 0:25:56.120
<v Speaker 2>Who is Lucian Grenge?

0:25:56.240 --> 0:25:56.359
<v Speaker 7>Like?

0:25:56.520 --> 0:25:57.040
<v Speaker 3>Who is he?

0:25:57.080 --> 0:25:59.200
<v Speaker 2>Because people don't know who he is? And I feel

0:25:59.200 --> 0:26:01.240
<v Speaker 2>like you have to be your upt to know exactly

0:26:01.280 --> 0:26:03.000
<v Speaker 2>who he is. And you've got to that level.

0:26:03.040 --> 0:26:05.320
<v Speaker 3>He's still higher, He's still a higher gun. He's just

0:26:05.359 --> 0:26:09.160
<v Speaker 3>like a like a nigga handler, like he just control

0:26:09.200 --> 0:26:12.720
<v Speaker 3>like Universal, he running for him. But he ain't like

0:26:13.960 --> 0:26:16.600
<v Speaker 3>he ain't no overboss or nothing like that. He ain't

0:26:16.640 --> 0:26:21.120
<v Speaker 3>no no billionaire nigga. Like yeah, yeah, I mean yeah,

0:26:21.200 --> 0:26:22.720
<v Speaker 3>but he got a billion. You know what I'm saying.

0:26:22.760 --> 0:26:24.959
<v Speaker 3>His money is like infinite. It's just a it's a

0:26:24.960 --> 0:26:27.159
<v Speaker 3>form of energy as a tool and shit, you know

0:26:27.680 --> 0:26:30.920
<v Speaker 3>it's like, but he is someone who in the constructs

0:26:30.920 --> 0:26:34.440
<v Speaker 3>of where where niggas have been placed.

0:26:34.560 --> 0:26:37.439
<v Speaker 1>When you hear Kanye West talk about loosing grains and

0:26:37.480 --> 0:26:40.119
<v Speaker 1>the connections as it pertains to the record labels and

0:26:40.280 --> 0:26:44.680
<v Speaker 1>Universal or Republic, him throw around cash money, catalog and

0:26:44.800 --> 0:26:45.479
<v Speaker 1>certain things.

0:26:45.720 --> 0:26:46.960
<v Speaker 4>I want to kind of provide my.

0:26:46.960 --> 0:26:51.879
<v Speaker 1>Perspective and my narrative as it pertains to this subject.

0:26:51.920 --> 0:26:55.000
<v Speaker 1>Over the next few episodes of his Ubject podcast, you

0:26:55.040 --> 0:26:59.280
<v Speaker 1>will see us discussing this quote unquote loosing grains package

0:27:00.080 --> 0:27:03.440
<v Speaker 1>that Kanye West is speaking about with some artists that's

0:27:03.480 --> 0:27:05.880
<v Speaker 1>actually in the game, and some people all be defending

0:27:05.960 --> 0:27:09.240
<v Speaker 1>it and others will not be. But if I'm being

0:27:09.280 --> 0:27:12.640
<v Speaker 1>honest with anybody that's watching, right with my very limited

0:27:12.720 --> 0:27:16.400
<v Speaker 1>knowledge as it pertains to how the overall industry operates,

0:27:16.760 --> 0:27:18.440
<v Speaker 1>because I'm in it, but they making.

0:27:18.240 --> 0:27:20.160
<v Speaker 4>A lot of money in here, and it's a lot

0:27:20.240 --> 0:27:21.800
<v Speaker 4>going on, and.

0:27:21.800 --> 0:27:24.800
<v Speaker 1>So I need people to understand that everything that meets

0:27:24.840 --> 0:27:28.639
<v Speaker 1>the eye shouldn't make his way to the heart. You

0:27:28.720 --> 0:27:31.960
<v Speaker 1>hear me, Everything that meets the eye shouldn't make his

0:27:32.040 --> 0:27:34.520
<v Speaker 1>way to the herd. So you gotta check and recheck,

0:27:34.640 --> 0:27:38.000
<v Speaker 1>measure twice, cut once, because once you cut, you won't

0:27:38.000 --> 0:27:41.360
<v Speaker 1>get another chance to cut. You see, So pay attention.

0:27:41.760 --> 0:27:45.240
<v Speaker 1>Kanye West is speaking about a loosing grains package, and

0:27:45.320 --> 0:27:49.320
<v Speaker 1>I think this entire business is ran on option allies,

0:27:51.080 --> 0:27:53.680
<v Speaker 1>and so when he speaks about this package, I think

0:27:53.720 --> 0:27:56.879
<v Speaker 1>it's about information and connections. I'm not gonna sit here

0:27:56.880 --> 0:27:59.000
<v Speaker 1>and act like Drake didn't have to work his way

0:27:59.040 --> 0:28:02.119
<v Speaker 1>into a position because he was bottled up in some

0:28:02.200 --> 0:28:05.080
<v Speaker 1>of these same deals we hear niggas complain about. It's

0:28:05.200 --> 0:28:08.640
<v Speaker 1>just that his music outworked the deals. He was outpacing

0:28:08.680 --> 0:28:10.920
<v Speaker 1>the deals. They had to amend the deals. They had

0:28:10.960 --> 0:28:13.440
<v Speaker 1>to get him right before I quit this whole thing,

0:28:13.920 --> 0:28:17.000
<v Speaker 1>or just threaten the work, stoppach or turn the fans

0:28:17.040 --> 0:28:19.640
<v Speaker 1>against you right. There was so many scenarios that could

0:28:19.680 --> 0:28:21.879
<v Speaker 1>have took place, and so with Drake, they had to

0:28:21.960 --> 0:28:25.320
<v Speaker 1>amend those contracts. They had to fix and heal those

0:28:25.440 --> 0:28:28.560
<v Speaker 1>wounds to make sure that he was kept happy. You

0:28:28.600 --> 0:28:31.720
<v Speaker 1>dig what I'm saying. So y'all gotta understand that there's

0:28:31.720 --> 0:28:34.240
<v Speaker 1>a different level of being this happening. Drake was in

0:28:34.280 --> 0:28:38.240
<v Speaker 1>some of them same contracts niggas complaining about. It ain't

0:28:38.320 --> 0:28:40.040
<v Speaker 1>like he come in with one of the hell of

0:28:40.040 --> 0:28:43.680
<v Speaker 1>a contract. That's why he was around us because News

0:28:43.760 --> 0:28:46.040
<v Speaker 1>was eating off of them. And you know how we do.

0:28:46.760 --> 0:28:50.120
<v Speaker 1>You need to bring anybody to the neighborhood. You need

0:28:50.160 --> 0:28:52.760
<v Speaker 1>to bring anybody to the neighborhood. If you making some

0:28:52.840 --> 0:28:55.360
<v Speaker 1>money off of him. I used to have to tell man,

0:28:55.440 --> 0:28:57.960
<v Speaker 1>don't bring him around me. Man, I don't give a

0:28:58.200 --> 0:29:00.680
<v Speaker 1>if your sale or been around you twenty year.

0:29:02.240 --> 0:29:05.560
<v Speaker 4>It's just some other shit. Don't bring him around this y'all.

0:29:05.560 --> 0:29:08.200
<v Speaker 1>Bring anybody to the neighborhood, especially if it's some being

0:29:08.280 --> 0:29:11.920
<v Speaker 1>that's involved. They'll bring a square rapper, rap bigger be

0:29:12.080 --> 0:29:14.240
<v Speaker 1>from tim Buck two. They'll bring him straight to the

0:29:14.280 --> 0:29:19.200
<v Speaker 1>neighborhood because he went some street. Now, this ain't nobody

0:29:19.240 --> 0:29:19.960
<v Speaker 1>in particular.

0:29:20.000 --> 0:29:20.240
<v Speaker 4>Hood.

0:29:20.280 --> 0:29:23.160
<v Speaker 1>Is everybody hood, so but it's a cold that we

0:29:23.240 --> 0:29:26.480
<v Speaker 1>gotta live by. So I don't never appreciate that shit.

0:29:26.960 --> 0:29:29.120
<v Speaker 1>When I see the white dude walking through the hood

0:29:29.120 --> 0:29:31.800
<v Speaker 1>that don't nobody know. I don't serve him. I don't

0:29:31.840 --> 0:29:34.720
<v Speaker 1>give a how much money got. He can have ten

0:29:34.800 --> 0:29:37.400
<v Speaker 1>thousand dollars and don't want nothing but of ounce. I

0:29:37.440 --> 0:29:40.200
<v Speaker 1>don't know what you're talking about, sir, because I can't

0:29:40.240 --> 0:29:41.120
<v Speaker 1>get out like that.

0:29:41.200 --> 0:29:43.960
<v Speaker 4>There's a tribe involved with this thing of ours.

0:29:44.320 --> 0:29:47.720
<v Speaker 1>Anything outside of that tribe threatens that tried with that

0:29:47.760 --> 0:29:50.040
<v Speaker 1>in mind, I moved with caution. But they had to

0:29:50.040 --> 0:29:52.840
<v Speaker 1>get Drake contracts, right, See that tricky from the outside

0:29:52.880 --> 0:29:54.800
<v Speaker 1>of this game. Just yo, get in and get hot,

0:29:54.840 --> 0:29:57.240
<v Speaker 1>bro just get hot. Now, that ain't worth for damn.

0:29:57.320 --> 0:30:00.600
<v Speaker 1>I'm telling you right, I'm telling you to understand this here.

0:30:00.960 --> 0:30:03.560
<v Speaker 1>You better have somebody around you that can do some business,

0:30:03.640 --> 0:30:07.360
<v Speaker 1>or you better understand this business. Not no real estate lord.

0:30:07.400 --> 0:30:11.720
<v Speaker 1>You got him doing entertainment contracts because they gonna whoop

0:30:11.840 --> 0:30:15.000
<v Speaker 1>on him over here, respectfully to the years he has

0:30:15.040 --> 0:30:17.920
<v Speaker 1>wrapped up in frightened criminal cases. When he get over

0:30:17.960 --> 0:30:21.640
<v Speaker 1>here and entertainment law dealing with these millions, man, they

0:30:21.760 --> 0:30:25.640
<v Speaker 1>gonna wop on him because they got to play for

0:30:25.720 --> 0:30:29.040
<v Speaker 1>the play that he know about. There's a lot of misconceptions.

0:30:29.080 --> 0:30:34.760
<v Speaker 1>But one of the many misconceptions about this entertainment industry

0:30:34.760 --> 0:30:38.560
<v Speaker 1>in particular, and I'm almost ready to say alongside all

0:30:38.600 --> 0:30:42.360
<v Speaker 1>big business, is that money opens doors. I wouldn't say

0:30:42.360 --> 0:30:44.280
<v Speaker 1>they lied to you when they said that, but they

0:30:44.360 --> 0:30:47.520
<v Speaker 1>left off some things. And that's much more to consider

0:30:47.600 --> 0:30:51.320
<v Speaker 1>than just getting in a door, getting in the room,

0:30:51.440 --> 0:30:52.400
<v Speaker 1>getting in the house.

0:30:54.240 --> 0:30:54.440
<v Speaker 4>Right.

0:30:54.560 --> 0:30:58.560
<v Speaker 1>I found this interesting that the more people I run

0:30:58.600 --> 0:31:00.480
<v Speaker 1>into that trying to get in the game, they just

0:31:00.520 --> 0:31:02.920
<v Speaker 1>want to get next to somebody, and they don't understand

0:31:02.960 --> 0:31:05.080
<v Speaker 1>that ain't enough to do nothing for you. Of them

0:31:05.440 --> 0:31:08.200
<v Speaker 1>somebody gotta know which one they working, and somebody got

0:31:08.200 --> 0:31:11.560
<v Speaker 1>to know how to work it. You know, everything ain't

0:31:11.600 --> 0:31:15.080
<v Speaker 1>for everybody. And so when they told us money open doors,

0:31:15.160 --> 0:31:18.800
<v Speaker 1>then you say, well, what doors to what rooms to

0:31:18.880 --> 0:31:22.200
<v Speaker 1>what house? And so people just think when they hear

0:31:22.280 --> 0:31:24.920
<v Speaker 1>money opens doors just to get to the house and

0:31:24.960 --> 0:31:27.480
<v Speaker 1>get in the house. They didn't tell you that there's

0:31:27.560 --> 0:31:30.800
<v Speaker 1>rooms in the house. So there's other doors you gotta

0:31:30.840 --> 0:31:33.120
<v Speaker 1>get to, and so you spend all your time just

0:31:33.160 --> 0:31:35.080
<v Speaker 1>trying to get through the door. You get to the house,

0:31:35.120 --> 0:31:37.440
<v Speaker 1>get through the door. Now it's rooms, Which room to

0:31:37.480 --> 0:31:40.520
<v Speaker 1>go in? You don't know. You spend literally all your

0:31:40.600 --> 0:31:42.960
<v Speaker 1>time focused on just getting to the house, getting through

0:31:42.960 --> 0:31:47.400
<v Speaker 1>that door. No one told you about the rooms. Hustlers

0:31:47.440 --> 0:31:49.680
<v Speaker 1>get caught in the hustle. I always try to say,

0:31:49.760 --> 0:31:52.520
<v Speaker 1>let's get some business done, get some information. I've been

0:31:52.560 --> 0:31:55.760
<v Speaker 1>holling information since twenty twenty. Those that know me notice

0:31:56.680 --> 0:31:59.360
<v Speaker 1>I'm an information guy. I'm a day to brokeer. Everybody

0:31:59.440 --> 0:32:02.280
<v Speaker 1>noticed that, right. I ain't knew on this information thing.

0:32:02.320 --> 0:32:04.720
<v Speaker 1>I've been hollering this from the beginning of time. I

0:32:04.760 --> 0:32:07.240
<v Speaker 1>ain't no different than nobody else. But I knew damn

0:32:07.280 --> 0:32:09.720
<v Speaker 1>well that it wasn't about getting to the house. I

0:32:09.760 --> 0:32:11.800
<v Speaker 1>needed to get to the house, but I also needed

0:32:11.800 --> 0:32:14.640
<v Speaker 1>the floor plans because I needed to know which room

0:32:14.680 --> 0:32:15.280
<v Speaker 1>to go in.

0:32:16.000 --> 0:32:17.040
<v Speaker 4>You see what I'm saying.

0:32:17.760 --> 0:32:19.840
<v Speaker 1>Your money just to get you to the house and

0:32:19.880 --> 0:32:22.480
<v Speaker 1>through the door of the house. They don't tell you

0:32:22.560 --> 0:32:24.880
<v Speaker 1>where to go to get the information in that house.

0:32:25.120 --> 0:32:28.080
<v Speaker 1>And so what Kanye West is speaking about the looting

0:32:28.160 --> 0:32:32.560
<v Speaker 1>Grain package is the infrastructure information to go along with

0:32:32.680 --> 0:32:36.880
<v Speaker 1>the music. Making the music is one thing, but that's infrastructure.

0:32:37.240 --> 0:32:39.400
<v Speaker 1>You got to the house with your music and it

0:32:39.520 --> 0:32:41.800
<v Speaker 1>sound good, and you think you got a chance to

0:32:41.840 --> 0:32:45.080
<v Speaker 1>battle with Drake for number one, you sadly mistaken. It's

0:32:45.120 --> 0:32:51.400
<v Speaker 1>infrastructure running alongside Drake's music. The same with podcasting. As

0:32:51.400 --> 0:32:53.560
<v Speaker 1>I see as I get in, I say, oh, I'm in.

0:32:54.360 --> 0:32:59.440
<v Speaker 1>But it's infrastructure. Loan, it's infrastructure that that's what they

0:32:59.520 --> 0:33:02.360
<v Speaker 1>gonna need. Somebody just got quiet. Don't nobody say nothing

0:33:02.400 --> 0:33:07.800
<v Speaker 1>because it's infrastructure. It's Yo, we got a good story.

0:33:07.840 --> 0:33:10.000
<v Speaker 1>How do we get that out to the press? Like,

0:33:10.080 --> 0:33:12.600
<v Speaker 1>I ain't gonna bore you guys with all of the

0:33:12.640 --> 0:33:17.760
<v Speaker 1>things that infrastructure provides you as it pertains to this business.

0:33:17.760 --> 0:33:20.040
<v Speaker 1>But when you hear about Kanye West speaking about this

0:33:20.160 --> 0:33:22.520
<v Speaker 1>loosen Grange package.

0:33:22.680 --> 0:33:25.440
<v Speaker 4>It's all about that. Yo. Yeah, money opens doors.

0:33:25.600 --> 0:33:29.760
<v Speaker 1>But these dudes got fifty years of infrastructure, and the

0:33:29.840 --> 0:33:32.280
<v Speaker 1>kind of deal that Drake got is probably only warranted

0:33:32.320 --> 0:33:36.160
<v Speaker 1>for the top three across all genres too. It's probably

0:33:36.200 --> 0:33:38.760
<v Speaker 1>only one in rap hip hop that can get that deal.

0:33:38.840 --> 0:33:42.360
<v Speaker 1>And so now with that information being prevalent, you have

0:33:42.560 --> 0:33:44.600
<v Speaker 1>someone like a Joe Budden that will take that and

0:33:44.640 --> 0:33:47.760
<v Speaker 1>try to act like he's enough everybody's publishing. I have

0:33:47.840 --> 0:33:50.760
<v Speaker 1>to reject that push back to that notion, but I

0:33:50.760 --> 0:33:53.600
<v Speaker 1>do won't acknowledge the fact that I do believe Drake

0:33:53.640 --> 0:33:56.600
<v Speaker 1>to have one of the only deals of his magnitude

0:33:56.680 --> 0:33:59.760
<v Speaker 1>and has a mend almost every part of the contract

0:34:00.080 --> 0:34:03.400
<v Speaker 1>known the most rapper. I think he does have different stipulations,

0:34:03.680 --> 0:34:06.800
<v Speaker 1>different bitch marks and payouts in his contracts. I mean,

0:34:06.840 --> 0:34:09.000
<v Speaker 1>he's been an erner for the last ten years. That'll

0:34:09.040 --> 0:34:11.520
<v Speaker 1>be crazy not to acknowledge that. Let's listen to a

0:34:11.520 --> 0:34:11.960
<v Speaker 1>little more.

0:34:12.000 --> 0:34:13.840
<v Speaker 2>It's a minute ago you put it on all DSP

0:34:14.080 --> 0:34:16.399
<v Speaker 2>so he's really standing on his disc Have.

0:34:16.400 --> 0:34:18.440
<v Speaker 3>You heard both of them? Yes? I heard it.

0:34:18.560 --> 0:34:20.520
<v Speaker 2>What do you think Kendrick's gonna do. Now do you

0:34:20.560 --> 0:34:22.200
<v Speaker 2>think he got some shit for Drake? Who do you

0:34:22.239 --> 0:34:24.000
<v Speaker 2>think wins that?

0:34:24.080 --> 0:34:24.480
<v Speaker 4>I win?

0:34:24.760 --> 0:34:26.680
<v Speaker 3>I got some shit for Drake, and know nobody wanted

0:34:26.719 --> 0:34:28.880
<v Speaker 3>with me. Oh look what you mean you got some

0:34:28.880 --> 0:34:31.000
<v Speaker 3>shit for Drake? That's something of course.

0:34:31.400 --> 0:34:34.080
<v Speaker 2>It's like right now, like you got some shit ready

0:34:34.080 --> 0:34:36.640
<v Speaker 2>for Drake? Should we listened to the ship on him?

0:34:36.680 --> 0:34:39.600
<v Speaker 3>Fuck him? Like I told you, I put the ship in.

0:34:39.680 --> 0:34:42.719
<v Speaker 3>I said, fuck this nigga is fuck this nigga and

0:34:42.760 --> 0:34:44.560
<v Speaker 3>I like him, you know what I'm saying. But it's

0:34:44.640 --> 0:34:48.320
<v Speaker 3>like it's it's always like, fuck this nigga. A little

0:34:48.320 --> 0:34:51.160
<v Speaker 3>slick shit he be doing fuck all that, and that's

0:34:51.160 --> 0:34:53.520
<v Speaker 3>what it is. But I did do this like that

0:34:53.680 --> 0:34:55.400
<v Speaker 3>remix though, I think that's what you was one of

0:34:55.440 --> 0:34:57.920
<v Speaker 3>the let me see you got to like that.

0:34:58.400 --> 0:35:00.759
<v Speaker 2>I don't believe Yay jumped on the Like that remake for.

0:35:00.719 --> 0:35:03.160
<v Speaker 1>Those of y'all that's on YouTube right now. It's gonna

0:35:03.160 --> 0:35:05.920
<v Speaker 1>cut out. Come to Patreon or join as a member

0:35:06.480 --> 0:35:08.000
<v Speaker 1>to get this will come to Patreon.

0:35:08.080 --> 0:35:12.120
<v Speaker 4>Y'all know, I with you respectfully, y.

0:35:15.080 --> 0:35:19.880
<v Speaker 8>Gosh tast style Roofstile.

0:35:20.040 --> 0:35:23.040
<v Speaker 10>I just put your pitch and the shan John takes out.

0:35:27.400 --> 0:35:28.719
<v Speaker 4>What that ship back?

0:35:29.200 --> 0:35:32.200
<v Speaker 8>You get the hooliganism. Here you go, you done, I

0:35:32.239 --> 0:35:33.160
<v Speaker 8>got you.

0:35:33.200 --> 0:35:38.000
<v Speaker 11>Wow, there's some real invented ship. When you ain't come

0:35:38.040 --> 0:35:42.720
<v Speaker 11>on some ship. Oh it's really up. Oh it's really

0:35:42.840 --> 0:35:46.680
<v Speaker 11>up now, Oh my god.

0:35:49.040 --> 0:35:50.319
<v Speaker 3>Tang style roost tile.

0:35:50.480 --> 0:35:53.040
<v Speaker 10>I just put your bitch and the shan John takes

0:35:53.080 --> 0:35:57.040
<v Speaker 10>time treat a bad fish like she average. Who I

0:35:57.120 --> 0:35:59.600
<v Speaker 10>treat a bad bitch like a bad bitch. She like

0:35:59.600 --> 0:36:01.759
<v Speaker 10>to have a let me get your money your game

0:36:02.640 --> 0:36:05.080
<v Speaker 10>when you're gonna get fun in your game. And yeah,

0:36:05.080 --> 0:36:07.560
<v Speaker 10>you see they trying to count the gap like that.

0:36:08.200 --> 0:36:10.480
<v Speaker 10>We just hit a number one right.

0:36:11.120 --> 0:36:13.399
<v Speaker 8>Other number one find up at the top.

0:36:13.880 --> 0:36:16.960
<v Speaker 10>Titani and Grills called a smile on the prox. I

0:36:16.960 --> 0:36:19.439
<v Speaker 10>ain't had m stein that you able to jack.

0:36:19.760 --> 0:36:21.040
<v Speaker 4>I ain't been a drill too.

0:36:21.200 --> 0:36:24.319
<v Speaker 10>I ain't gonna lie with chops.

0:36:24.160 --> 0:36:25.560
<v Speaker 3>Nothing want you want?

0:36:26.000 --> 0:36:28.280
<v Speaker 5>Then it's two and over.

0:36:28.200 --> 0:36:29.200
<v Speaker 4>Time dollars.

0:36:30.440 --> 0:36:33.600
<v Speaker 12>Club till the street, shot the drones and hit like

0:36:33.680 --> 0:36:36.080
<v Speaker 12>metro beats.

0:36:36.080 --> 0:36:39.640
<v Speaker 10>The niggas West Lucy Man served your masters.

0:36:39.800 --> 0:36:43.040
<v Speaker 3>Niggas, you caught a little bag for your master's digging

0:36:43.120 --> 0:36:48.480
<v Speaker 3>your lifetime bill like a bathing nigga. Yeah, Pluto called me.

0:36:48.520 --> 0:36:50.319
<v Speaker 3>I went to the studio, laid that and then we

0:36:52.200 --> 0:36:54.960
<v Speaker 3>you know, went through the you know, the creative process

0:36:55.040 --> 0:36:58.080
<v Speaker 3>and the cords and called the Hooligans called him out

0:36:58.080 --> 0:37:00.800
<v Speaker 3>in London to get on a joint. You know, everybody

0:37:00.880 --> 0:37:05.919
<v Speaker 3>is very very excited about the elimination of Drake. Yo,

0:37:06.800 --> 0:37:09.960
<v Speaker 3>you're not excited. We was energized. I mean.

0:37:13.680 --> 0:37:16.200
<v Speaker 2>There's a lot to take in because, like you said,

0:37:16.280 --> 0:37:19.680
<v Speaker 2>you like people. You and Drake was neighbors on one time.

0:37:20.560 --> 0:37:21.400
<v Speaker 3>That wasn't my choice.

0:37:22.400 --> 0:37:24.760
<v Speaker 4>Let's talk about the song really quick again.

0:37:24.840 --> 0:37:27.880
<v Speaker 1>I don't think the song is it's not trash, of

0:37:27.920 --> 0:37:30.759
<v Speaker 1>course is yeay, he put his touch on it. I

0:37:30.880 --> 0:37:35.200
<v Speaker 1>literally like what he's doing with the Hooligans added element.

0:37:35.320 --> 0:37:38.360
<v Speaker 1>He always adds to the algorithm as it pertains the music.

0:37:38.400 --> 0:37:42.160
<v Speaker 1>I think that's one of the most valuable players. He

0:37:42.239 --> 0:37:45.919
<v Speaker 1>adds to the algorithm almost almost every time out. Even

0:37:45.960 --> 0:37:49.000
<v Speaker 1>if he's getting those ideas from other people and kind

0:37:49.000 --> 0:37:53.320
<v Speaker 1>of putting them in an incubator and then perfect them.

0:37:53.760 --> 0:37:56.640
<v Speaker 1>It's something there to respect that dude has done a lot.

0:37:56.800 --> 0:37:59.440
<v Speaker 1>I don't think the song is effective as it pertains

0:37:59.480 --> 0:38:02.480
<v Speaker 1>the balls and lyrics as I continue to tell y'all

0:38:02.640 --> 0:38:05.919
<v Speaker 1>they're hitting Drake with all the narratives associated with his name.

0:38:06.280 --> 0:38:09.440
<v Speaker 1>Some people are saying, yo, they set in the stage.

0:38:10.360 --> 0:38:13.080
<v Speaker 1>But I believe Kendrick to be somewhat like I am,

0:38:13.200 --> 0:38:17.880
<v Speaker 1>which is a pure creative and so it's like, ah, fuck,

0:38:17.960 --> 0:38:19.960
<v Speaker 1>don't say tom Man, I can't say that.

0:38:20.080 --> 0:38:20.279
<v Speaker 4>Now.

0:38:20.920 --> 0:38:24.239
<v Speaker 1>It's like when I have a take about something I

0:38:24.280 --> 0:38:26.920
<v Speaker 1>hate when someone else had the same take, even if

0:38:26.960 --> 0:38:30.520
<v Speaker 1>it's one of the greatest minds in the world, Like

0:38:30.640 --> 0:38:32.719
<v Speaker 1>I might have a take and Gary V had the

0:38:32.760 --> 0:38:35.879
<v Speaker 1>same take, and I'm like, damn it, Like I want

0:38:35.880 --> 0:38:37.560
<v Speaker 1>my take to be like I want to have a

0:38:37.719 --> 0:38:41.279
<v Speaker 1>unique take, even though in this world that's becoming unreasonable,

0:38:41.520 --> 0:38:44.040
<v Speaker 1>you know, on my plight what I'm noticing, But I

0:38:44.080 --> 0:38:46.480
<v Speaker 1>do want to be unique, and I'm gonna stay unique.

0:38:46.560 --> 0:38:49.920
<v Speaker 1>But I think Kendrick, they could be taking all of

0:38:49.960 --> 0:38:53.480
<v Speaker 1>the air out of Kendrick's ball. They could be Robin

0:38:53.680 --> 0:38:57.400
<v Speaker 1>Kendrick of every narrative that he's able to use.

0:38:57.560 --> 0:38:57.759
<v Speaker 4>Now.

0:38:57.800 --> 0:38:59.919
<v Speaker 1>I think nobody can use the gang bang of anger

0:39:00.160 --> 0:39:02.759
<v Speaker 1>like him, and I do believe him to take this

0:39:03.680 --> 0:39:08.160
<v Speaker 1>underage thing to another level because for me, that seems

0:39:08.160 --> 0:39:10.600
<v Speaker 1>to be one of the more effective angles that has

0:39:10.680 --> 0:39:14.359
<v Speaker 1>not been tampled with everything else they running around with

0:39:14.400 --> 0:39:18.839
<v Speaker 1>it now, Kanye, with the Lucien Grains thing, that is

0:39:18.920 --> 0:39:22.560
<v Speaker 1>adding another element. The rich Baby Daddy is really taking

0:39:22.600 --> 0:39:25.280
<v Speaker 1>your song that you on with sixy Red and using

0:39:25.320 --> 0:39:27.319
<v Speaker 1>it against you, you know what I'm saying. So that's

0:39:27.320 --> 0:39:30.399
<v Speaker 1>a little battle rap kind of thing that's happening there.

0:39:30.480 --> 0:39:33.960
<v Speaker 1>But for me, I understand that in this matchup, you're

0:39:34.000 --> 0:39:39.359
<v Speaker 1>gonna be dealing with nuance, narratives, rapping, media memes. It's

0:39:39.360 --> 0:39:41.600
<v Speaker 1>gonna be a lot going on, more than just your

0:39:41.640 --> 0:39:44.840
<v Speaker 1>traditional beats and raps. If you ask somebody like me,

0:39:45.120 --> 0:39:48.560
<v Speaker 1>this is your new form of battling. This is what

0:39:48.760 --> 0:39:51.600
<v Speaker 1>battling for high profile artists is gonna look like in

0:39:51.640 --> 0:39:54.080
<v Speaker 1>the near future. It's not gonna go back to just

0:39:54.800 --> 0:39:56.920
<v Speaker 1>a record, than a record in six months then a

0:39:57.000 --> 0:39:59.960
<v Speaker 1>record that's gonna be records, memes. There's gonna be media

0:40:00.280 --> 0:40:02.480
<v Speaker 1>involved with it, and we're gonna talk about how I

0:40:02.520 --> 0:40:05.880
<v Speaker 1>feel like. Even though that Quavo song that he just

0:40:05.960 --> 0:40:09.279
<v Speaker 1>dropped on Chris Brown as a banger, that poster came

0:40:09.320 --> 0:40:12.240
<v Speaker 1>to the South and so Kanye Wess talked about future

0:40:12.320 --> 0:40:15.680
<v Speaker 1>hitting him up to get this done. I was telling

0:40:15.719 --> 0:40:18.480
<v Speaker 1>some record execs like Future is gonna be the problem.

0:40:18.520 --> 0:40:22.120
<v Speaker 1>He has to neutralize future. If he does not neutralize future,

0:40:22.280 --> 0:40:24.520
<v Speaker 1>we're gonna be dealing with a wolverine on the loose.

0:40:24.840 --> 0:40:27.879
<v Speaker 2>That because it's like for everybody, all of the great

0:40:27.920 --> 0:40:35.880
<v Speaker 2>you weakend Pluto, Metro Ross Kendrick, Kendrick like, there's something

0:40:36.560 --> 0:40:40.000
<v Speaker 2>obviously wrong with this one individual that no one wants

0:40:40.040 --> 0:40:41.560
<v Speaker 2>to speak about. And I feel like you're the only

0:40:41.560 --> 0:40:43.919
<v Speaker 2>person that's gonna really put it out there.

0:40:44.120 --> 0:40:47.239
<v Speaker 3>They say rich baby daddy is like Drake has a

0:40:47.360 --> 0:40:53.360
<v Speaker 3>rich baby daddy named Lucien and universal Wow. He's like,

0:40:53.400 --> 0:40:55.160
<v Speaker 3>you know, like, man, my daddy got it. You know

0:40:55.200 --> 0:40:57.800
<v Speaker 3>what I'm saying. It's like my daddy controlled the spins,

0:40:57.880 --> 0:41:00.880
<v Speaker 3>my daddy got the DSPs. My daddy Drake has a

0:41:01.000 --> 0:41:04.440
<v Speaker 3>rich baby daddy named Lucy or Lucy and work for

0:41:05.160 --> 0:41:08.680
<v Speaker 3>people who control the banks in Africa, who keep you know,

0:41:09.520 --> 0:41:12.800
<v Speaker 3>think about download. We had Black Wall Street, we had Harlem.

0:41:12.920 --> 0:41:15.399
<v Speaker 3>It's just I'm god, you know what I'm saying. I'm

0:41:15.440 --> 0:41:16.480
<v Speaker 3>back here again. I'm later.

0:41:16.840 --> 0:41:18.719
<v Speaker 1>See That's the thing. I don't think I can be

0:41:18.840 --> 0:41:22.719
<v Speaker 1>around you. I ain't no nigga finna tell me that God. Now,

0:41:23.160 --> 0:41:25.840
<v Speaker 1>Now you done took this shit too far. Now I

0:41:25.920 --> 0:41:29.400
<v Speaker 1>fuck with you, but you ain't gonna do that. You

0:41:29.400 --> 0:41:31.239
<v Speaker 1>ain't gonna see it in my face and tell me

0:41:31.320 --> 0:41:31.799
<v Speaker 1>you God.

0:41:31.960 --> 0:41:32.160
<v Speaker 4>Now.

0:41:32.480 --> 0:41:34.840
<v Speaker 1>I want to reiterate for all the youngsters just chasing

0:41:34.880 --> 0:41:37.880
<v Speaker 1>this game and think all they need is some money

0:41:38.040 --> 0:41:41.200
<v Speaker 1>and to get hot and they can be competing with

0:41:41.200 --> 0:41:42.840
<v Speaker 1>some of the biggest in the game, I want you

0:41:42.880 --> 0:41:44.760
<v Speaker 1>to know it's a little bit more to that formula

0:41:44.800 --> 0:41:46.880
<v Speaker 1>and that recipe that they ain't told you about it.

0:41:46.920 --> 0:41:49.560
<v Speaker 1>A lot of people communicating don't even know the formula.

0:41:49.719 --> 0:41:52.120
<v Speaker 1>But it's important that you know. You ain't talking to chefs.

0:41:52.160 --> 0:41:55.440
<v Speaker 1>You talking to prep cooks. Them niggas might have prepped

0:41:55.440 --> 0:41:57.640
<v Speaker 1>the food. They don't know nothing about what's really going

0:41:57.680 --> 0:41:59.600
<v Speaker 1>on when the shit get in the skillet and how

0:41:59.640 --> 0:42:01.759
<v Speaker 1>to make it the way that the people consume it.

0:42:02.000 --> 0:42:04.800
<v Speaker 1>They ain't them kind of people, And so people talking

0:42:04.840 --> 0:42:07.040
<v Speaker 1>to you about the game may not be navigating you

0:42:07.080 --> 0:42:09.279
<v Speaker 1>through it. At least that's my opinion when I look

0:42:09.280 --> 0:42:11.480
<v Speaker 1>at it. I continue to tell y'all, they'll tell you

0:42:11.520 --> 0:42:12.520
<v Speaker 1>just make it to the house.

0:42:12.760 --> 0:42:13.320
<v Speaker 4>They don't tell you.

0:42:13.440 --> 0:42:15.520
<v Speaker 1>Make sure you have the floor plans because they'll let

0:42:15.600 --> 0:42:17.880
<v Speaker 1>you in the house, let you in the room. You

0:42:18.000 --> 0:42:19.960
<v Speaker 1>get none out of it, but it costs money to

0:42:20.000 --> 0:42:21.960
<v Speaker 1>get in that room. You come out of that room,

0:42:22.040 --> 0:42:23.960
<v Speaker 1>go in another room. You get none out of it,

0:42:24.200 --> 0:42:25.839
<v Speaker 1>but it costs money to go in that room.

0:42:25.920 --> 0:42:26.319
<v Speaker 3>This thing.

0:42:26.360 --> 0:42:28.320
<v Speaker 1>You know, you're gonna spend money in all these different

0:42:28.400 --> 0:42:30.399
<v Speaker 1>rooms and it ain't really got much out of it.

0:42:30.760 --> 0:42:32.560
<v Speaker 1>And then they'll turn around and say, you don't know

0:42:32.560 --> 0:42:34.600
<v Speaker 1>how to work. You move, ain't no move to work.

0:42:34.840 --> 0:42:36.960
<v Speaker 1>But if you knew like I knew, you will know

0:42:37.000 --> 0:42:39.560
<v Speaker 1>that there's certain rooms that you go in that it

0:42:39.640 --> 0:42:42.960
<v Speaker 1>may not even take money, but the level of exclusivity

0:42:43.080 --> 0:42:45.440
<v Speaker 1>gotta be there. But it may not take money, but

0:42:45.480 --> 0:42:47.640
<v Speaker 1>they'll send you on this journey of hustling and tell

0:42:47.719 --> 0:42:50.720
<v Speaker 1>you all the rappers getting signed they'll at that white house.

0:42:50.760 --> 0:42:52.959
<v Speaker 1>Go to that white house and change your family life.

0:42:52.960 --> 0:42:55.560
<v Speaker 1>Same with sports, same with entertainment, same with a lot

0:42:55.560 --> 0:42:57.960
<v Speaker 1>of these different industries. Just get over to that white

0:42:57.960 --> 0:42:59.560
<v Speaker 1>house on the block and they'll put you in a

0:42:59.600 --> 0:43:03.040
<v Speaker 1>scenario your where it'll better your family. But you don't

0:43:03.080 --> 0:43:05.120
<v Speaker 1>know where to go. And so that room that you

0:43:05.200 --> 0:43:07.160
<v Speaker 1>wanted in, they let you in that room. But by

0:43:07.200 --> 0:43:08.960
<v Speaker 1>the time they let you in that room, they had

0:43:09.000 --> 0:43:11.560
<v Speaker 1>already moved the money from out of that room into

0:43:11.600 --> 0:43:13.880
<v Speaker 1>the attic. So now you in the house looking for rooms,

0:43:13.920 --> 0:43:16.080
<v Speaker 1>and the money's in the attic. Nobody told you the

0:43:16.120 --> 0:43:18.440
<v Speaker 1>money is in the attic. Now by the time they

0:43:18.440 --> 0:43:20.120
<v Speaker 1>told you the money is in the attic, you go

0:43:20.200 --> 0:43:22.239
<v Speaker 1>to look in the attic, it's in a whole nother house.

0:43:22.280 --> 0:43:24.600
<v Speaker 1>Like it's a constant cat and mouse game in this

0:43:24.719 --> 0:43:27.680
<v Speaker 1>industry until you stop chasing and you set the trap.

0:43:29.040 --> 0:43:31.920
<v Speaker 1>See the thing is, don't chase the game. Set the trap,

0:43:32.640 --> 0:43:34.840
<v Speaker 1>and you'll get caught chasing the game because you is

0:43:34.880 --> 0:43:37.320
<v Speaker 1>getting a little money doing it. Seventh grand, nine grand,

0:43:37.360 --> 0:43:40.560
<v Speaker 1>fifteen grand, twenty two grand, right a day, two days,

0:43:40.680 --> 0:43:43.240
<v Speaker 1>five days, you making more money than you ever made.

0:43:43.480 --> 0:43:46.600
<v Speaker 1>But you will get caught in this maid and never

0:43:46.680 --> 0:43:50.440
<v Speaker 1>really do nothing impactful, never really do nothing effective.

0:43:50.800 --> 0:43:53.279
<v Speaker 2>Boston Drake arguing about money and houses. Why nobody ever

0:43:53.320 --> 0:43:54.320
<v Speaker 2>came at you by money?

0:43:54.440 --> 0:43:56.840
<v Speaker 3>Because I've made the most, We're gonna make the most again.

0:43:56.960 --> 0:43:59.680
<v Speaker 3>You know, it's like anybody leave you alone when it

0:43:59.719 --> 0:44:02.880
<v Speaker 3>comes to money. With bipolar and the medication and turning

0:44:02.920 --> 0:44:06.120
<v Speaker 3>me fat and all the reputation ship. That's like Tupac

0:44:06.520 --> 0:44:09.000
<v Speaker 3>shot up in the elevator, So that healthy right now,

0:44:09.600 --> 0:44:16.200
<v Speaker 3>exactly exactly. No, it's in shape, nigga. Yeah, it's up.

0:44:16.600 --> 0:44:16.799
<v Speaker 4>Man.

0:44:16.800 --> 0:44:19.479
<v Speaker 2>We're gonna move on to the next subject once again.

0:44:19.560 --> 0:44:21.200
<v Speaker 2>This is the download podcast.

0:44:22.480 --> 0:44:26.160
<v Speaker 1>I don't think even Kanye believe that. You know, when

0:44:26.200 --> 0:44:28.880
<v Speaker 1>you when you got position over nigga, nigga, look at

0:44:28.920 --> 0:44:31.200
<v Speaker 1>you. You ain't shaped long. What you been doing you've been

0:44:31.280 --> 0:44:33.520
<v Speaker 1>You've been working out, man, I ain't been doing no

0:44:33.640 --> 0:44:38.240
<v Speaker 1>motherfucking work. You ain't shape, nigga. Yeah, nah, you ain't shape.

0:44:38.280 --> 0:44:40.040
<v Speaker 1>Skin glowing, smelling good?

0:44:40.840 --> 0:44:41.640
<v Speaker 5>Nah you hear.

0:44:43.560 --> 0:44:46.560
<v Speaker 1>You hear him? You'd be like, I ain't got no edge.

0:44:47.640 --> 0:44:49.600
<v Speaker 1>I ain't even got no edge up, I ain't got

0:44:49.640 --> 0:44:53.879
<v Speaker 1>no But they're hitting on all narrative cylinders with this joint. Man,

0:44:53.880 --> 0:44:55.960
<v Speaker 1>We're gonna look at this little dirt part and move on.

0:44:56.600 --> 0:44:59.759
<v Speaker 3>Dirk saying a verse and it said, he said, take

0:44:59.800 --> 0:45:02.960
<v Speaker 3>my easy shirt off and make it a domat and

0:45:03.000 --> 0:45:05.279
<v Speaker 3>he said it four times. Yeah, little Dirk said this.

0:45:05.719 --> 0:45:08.200
<v Speaker 3>I hit him up. I said, you know you're breaking

0:45:08.280 --> 0:45:11.759
<v Speaker 3>my heart? Who told you to do this? I'm like,

0:45:11.840 --> 0:45:13.560
<v Speaker 3>I don't. I don't know if it's a legal thing

0:45:13.600 --> 0:45:15.440
<v Speaker 3>that happened. And I'm trying to sit with the man.

0:45:15.480 --> 0:45:18.960
<v Speaker 3>I'm like, man, this is bad for the city. Who

0:45:19.000 --> 0:45:20.160
<v Speaker 3>told you to do this?

0:45:20.400 --> 0:45:20.640
<v Speaker 4>Bro?

0:45:20.880 --> 0:45:24.120
<v Speaker 3>It's just like when Jacob did the disc track or whatever.

0:45:24.160 --> 0:45:26.480
<v Speaker 3>It's like, it's one thing you got Drake. It's like

0:45:26.560 --> 0:45:31.640
<v Speaker 3>he's really paid to come and do whatever he does

0:45:31.680 --> 0:45:33.359
<v Speaker 3>and should come up my neck all this type of shit.

0:45:33.640 --> 0:45:36.680
<v Speaker 3>But it's another thing for somebody like that to come

0:45:36.719 --> 0:45:39.960
<v Speaker 3>around you. It'say while you that's all the whole friend's

0:45:40.160 --> 0:45:43.960
<v Speaker 3>enemy kind of talking shit like votures though.

0:45:44.320 --> 0:45:47.880
<v Speaker 2>Yeah, but tell me he's really not rocking with you.

0:45:48.000 --> 0:45:50.200
<v Speaker 3>He must have never really liked me or whatever. I

0:45:50.200 --> 0:45:53.160
<v Speaker 3>don't know exactly what it is, but I spoke to

0:45:53.200 --> 0:45:57.240
<v Speaker 3>this man a few times about you know the line.

0:45:57.360 --> 0:45:59.439
<v Speaker 3>Then he changed the line. Then he changed the line

0:45:59.440 --> 0:46:02.520
<v Speaker 3>to take my easy hat off and give my little

0:46:02.560 --> 0:46:05.399
<v Speaker 3>hole that. And I'm just like, why y'all think y'all

0:46:05.440 --> 0:46:08.279
<v Speaker 3>could play with me? See they think I'm like, oh,

0:46:08.360 --> 0:46:10.680
<v Speaker 3>this he's gonna get hyped up. Let's watch him. Like, ma,

0:46:11.160 --> 0:46:13.960
<v Speaker 3>people try to like take your kids and you know,

0:46:14.120 --> 0:46:17.600
<v Speaker 3>give your rap bar say some lines, yo, It's like,

0:46:18.360 --> 0:46:19.840
<v Speaker 3>are you disappointed in Dirt?

0:46:20.920 --> 0:46:23.680
<v Speaker 2>Honestly, Like, let's let's speak real like you, my brother,

0:46:23.800 --> 0:46:25.080
<v Speaker 2>you disappointed in Dirt?

0:46:25.560 --> 0:46:28.799
<v Speaker 3>I'm not disappointed like man niggas. Just like Yo, y'all

0:46:28.840 --> 0:46:31.239
<v Speaker 3>should meet up. I don't really listen to that much rap.

0:46:31.320 --> 0:46:31.400
<v Speaker 6>No.

0:46:31.520 --> 0:46:33.840
<v Speaker 3>I don't know nobody. No, I don't know nobody fucking

0:46:33.920 --> 0:46:37.800
<v Speaker 3>raps man. I don't even know my own raps mask on.

0:46:37.800 --> 0:46:39.000
<v Speaker 3>I ain't grab a microphone.

0:46:40.239 --> 0:46:44.239
<v Speaker 2>Dirt went from vultures to on tour with Drake. Ain't

0:46:44.360 --> 0:46:46.239
<v Speaker 2>you didn't feel no way about Dirt? I mean you

0:46:46.239 --> 0:46:49.279
<v Speaker 2>could be like we could be vulnerable with each other.

0:46:49.960 --> 0:46:52.640
<v Speaker 2>That ship was heartbreaking to you.

0:46:52.760 --> 0:46:56.320
<v Speaker 1>Now, before we let him speak about the other side

0:46:56.320 --> 0:46:59.959
<v Speaker 1>of the relationship with Dirt and the tour with Drake,

0:47:00.640 --> 0:47:03.200
<v Speaker 1>I do want to say that it almost sounds like

0:47:03.280 --> 0:47:08.120
<v Speaker 1>Kanye West misinterpreted some lyrics from Little Dirt, because if

0:47:08.120 --> 0:47:10.839
<v Speaker 1>he said I take my easy shit off and make

0:47:10.880 --> 0:47:12.919
<v Speaker 1>it a door man, It's like, Yo, you made clear

0:47:12.960 --> 0:47:15.839
<v Speaker 1>you ain't rocking with Easy. We think Yeezy is Adidas.

0:47:16.080 --> 0:47:18.880
<v Speaker 1>He may not understand that. Maybe that's a conversation you

0:47:19.000 --> 0:47:22.120
<v Speaker 1>have with him. Yo, Now I'm still Easy. You gotta

0:47:22.200 --> 0:47:26.000
<v Speaker 1>distinguish that that Adida's Yeasy, that's the one We not

0:47:26.120 --> 0:47:29.280
<v Speaker 1>fucking with, that old classic style of easy.

0:47:29.320 --> 0:47:30.719
<v Speaker 4>We not fucking with that one.

0:47:31.080 --> 0:47:33.719
<v Speaker 1>But maybe he thinks that, Yo, you said you're not

0:47:33.840 --> 0:47:37.080
<v Speaker 1>fucking with Adidas, So I'm done fucking with Easy. And

0:47:37.160 --> 0:47:40.200
<v Speaker 1>now because you put it out there like this, I'm

0:47:40.200 --> 0:47:43.680
<v Speaker 1>not gonna explain it, especially now that I'm Slick was

0:47:43.680 --> 0:47:46.080
<v Speaker 1>in the middle, you just pushed me on the other side.

0:47:46.120 --> 0:47:47.640
<v Speaker 4>If I was in the middle.

0:47:47.680 --> 0:47:50.880
<v Speaker 1>If I'm Dirt, Kanye just pushed me to Drake's side,

0:47:51.280 --> 0:47:54.040
<v Speaker 1>you know. But Dirt got relationship with Pluto and many

0:47:54.080 --> 0:47:56.120
<v Speaker 1>more people. So I don't know how he feels. But

0:47:56.200 --> 0:47:59.319
<v Speaker 1>I'm saying as it pertains to Drake and yay if

0:47:59.400 --> 0:48:03.560
<v Speaker 1>ye Missing interpreted those lyrics and took that way because

0:48:03.560 --> 0:48:06.719
<v Speaker 1>he said that, he said, I took my yeasy head

0:48:06.760 --> 0:48:08.839
<v Speaker 1>off and gave my little hole at It's like, Yo,

0:48:09.000 --> 0:48:12.160
<v Speaker 1>they not probably associating you with Easy in the way

0:48:12.160 --> 0:48:14.759
<v Speaker 1>that you expect them to, even though that is your name.

0:48:15.080 --> 0:48:17.919
<v Speaker 1>But you have been vocal on saying that they took

0:48:18.000 --> 0:48:21.359
<v Speaker 1>Easy from me. Adidas have stolen Easy from me. That's

0:48:21.400 --> 0:48:24.319
<v Speaker 1>me giving Dirk benefit of the doubt on that. I'm

0:48:24.360 --> 0:48:24.759
<v Speaker 1>not sure.

0:48:24.800 --> 0:48:27.160
<v Speaker 4>Maybe that's the case, Maybe it isn't. You know.

0:48:27.200 --> 0:48:30.040
<v Speaker 3>I thought that somehow, because I like, maybe to make

0:48:30.160 --> 0:48:34.400
<v Speaker 3>music for somebody, that when I couldn't see, you know,

0:48:34.520 --> 0:48:38.719
<v Speaker 3>my children, that these people use their platform because I

0:48:38.840 --> 0:48:42.759
<v Speaker 3>use my platform on their behalf. Now I realize, like

0:48:42.960 --> 0:48:47.200
<v Speaker 3>no one owes me anything, but there's more than enough

0:48:47.239 --> 0:48:50.520
<v Speaker 3>people to still get what you need to get done

0:48:50.719 --> 0:48:54.759
<v Speaker 3>without anyone. Wow, it ain't no one person that's going

0:48:54.840 --> 0:48:56.960
<v Speaker 3>to stop me from what I'm doing either. So if

0:48:57.000 --> 0:49:01.879
<v Speaker 3>you depend on somebody who is not giving you what

0:49:01.960 --> 0:49:04.799
<v Speaker 3>you need, you're the one that's in the wrong. If

0:49:04.840 --> 0:49:07.799
<v Speaker 3>you call on somebody, they don't pick up, They ain't

0:49:07.800 --> 0:49:10.279
<v Speaker 3>pick up. Bro, you're gonna just keep on, you know.

0:49:10.800 --> 0:49:13.799
<v Speaker 3>And that's that attachment you gotta get detached. That's why said.

0:49:13.800 --> 0:49:16.200
<v Speaker 3>By the time it got to like little Dirk sending

0:49:16.200 --> 0:49:21.200
<v Speaker 3>those songs, playing with me on that song like that.

0:49:19.719 --> 0:49:21.399
<v Speaker 2>That dir shit really bothering.

0:49:21.640 --> 0:49:22.560
<v Speaker 4>No, it's not that.

0:49:22.680 --> 0:49:24.719
<v Speaker 3>My whole thing is it doesn't bother me as much.

0:49:24.760 --> 0:49:27.960
<v Speaker 3>I'm using it as an example. If I was, you know,

0:49:28.120 --> 0:49:30.360
<v Speaker 3>back then, maybe it could have bothered me. It's almost

0:49:30.360 --> 0:49:32.400
<v Speaker 3>like he got sent over get out of here. You

0:49:32.400 --> 0:49:34.480
<v Speaker 3>bothered me like it's almost like you got sent over

0:49:34.560 --> 0:49:35.080
<v Speaker 3>to bother me.

0:49:35.280 --> 0:49:37.520
<v Speaker 1>If you listen to that last clip, you heard Kanye

0:49:37.600 --> 0:49:40.360
<v Speaker 1>West talk about detachment in a situation where if you

0:49:40.400 --> 0:49:43.040
<v Speaker 1>call on the same people they called on you, and

0:49:43.080 --> 0:49:46.000
<v Speaker 1>they don't answer the call in the same way. Maybe

0:49:46.000 --> 0:49:48.479
<v Speaker 1>you gave them bread and they gave you water. Maybe

0:49:48.520 --> 0:49:51.279
<v Speaker 1>you gave them food and they gave you shelter. Maybe

0:49:51.320 --> 0:49:54.160
<v Speaker 1>you gave them everything and they gave you nothing. Nonetheless,

0:49:54.480 --> 0:49:57.120
<v Speaker 1>the same people you call on may not be available

0:49:57.160 --> 0:49:59.200
<v Speaker 1>in the way that you've been available for them, and

0:49:59.239 --> 0:50:02.960
<v Speaker 1>so for something and Kanye made beats and Kanye West

0:50:02.960 --> 0:50:05.400
<v Speaker 1>thought that this would mean that because I helped change

0:50:05.440 --> 0:50:07.799
<v Speaker 1>people lives, that they would stand for me when I'm

0:50:07.840 --> 0:50:09.719
<v Speaker 1>in my time of need. You hear me talk about

0:50:09.719 --> 0:50:11.759
<v Speaker 1>it all the time on this up that podcast. This

0:50:11.880 --> 0:50:15.560
<v Speaker 1>game is about connections, It's about option and allies. You

0:50:15.560 --> 0:50:18.360
<v Speaker 1>can sneak in the game, you can sneak in the industry,

0:50:18.440 --> 0:50:21.200
<v Speaker 1>but without the infrastructure, you have problem operating on the

0:50:21.239 --> 0:50:24.040
<v Speaker 1>same levels as these other people operate. There was a

0:50:24.080 --> 0:50:28.600
<v Speaker 1>brief time upon the Internet's first arrival and the technology

0:50:28.719 --> 0:50:32.600
<v Speaker 1>being birthed to be able to upload from your phone,

0:50:32.920 --> 0:50:36.120
<v Speaker 1>upload music and do dances, and the Internet was now

0:50:36.239 --> 0:50:41.120
<v Speaker 1>involved in interfacing with how we consume music, media and content.

0:50:41.760 --> 0:50:44.440
<v Speaker 1>There was a brief stint there where you could find

0:50:44.480 --> 0:50:48.239
<v Speaker 1>yourself at the top of a page, the top of

0:50:48.280 --> 0:50:51.960
<v Speaker 1>a landing page. The algorithm really can.

0:50:51.800 --> 0:50:52.600
<v Speaker 4>Boost you up.

0:50:52.640 --> 0:50:54.440
<v Speaker 1>There's a lot of people that snuck in and got

0:50:54.560 --> 0:50:57.440
<v Speaker 1>rich when that algorithm was built that way. Those times

0:50:57.440 --> 0:50:59.560
<v Speaker 1>are no longer and I'm not saying that the same

0:50:59.600 --> 0:51:02.280
<v Speaker 1>people are not making money now. I think what people

0:51:02.280 --> 0:51:06.280
<v Speaker 1>don't understand is is that there's individuals running this business

0:51:06.440 --> 0:51:09.879
<v Speaker 1>that do not show their face on camera. And I'm

0:51:09.920 --> 0:51:14.200
<v Speaker 1>speaking about the blog people, the people that do write ups,

0:51:14.239 --> 0:51:18.160
<v Speaker 1>the magazine people, all the Internet backlog individuals, all the

0:51:18.280 --> 0:51:21.480
<v Speaker 1>radio show people, all of the hosts late nights, all

0:51:21.520 --> 0:51:24.759
<v Speaker 1>the DJs, like, there's so many people that you may

0:51:24.800 --> 0:51:27.799
<v Speaker 1>not know, but they're the reason a lot of these

0:51:27.840 --> 0:51:30.640
<v Speaker 1>wheels are turning. And money don't get you to hire

0:51:30.680 --> 0:51:33.200
<v Speaker 1>those people. Back in the day, you become number one

0:51:33.520 --> 0:51:36.360
<v Speaker 1>on some of these charges like an Apple Music or SoundCloud,

0:51:36.400 --> 0:51:39.919
<v Speaker 1>those people are coming to you. Those people will come

0:51:39.960 --> 0:51:43.640
<v Speaker 1>to you because they can provide a service to you. Nowadays,

0:51:43.680 --> 0:51:46.080
<v Speaker 1>the people that's coming to you. Literally can't do nothing

0:51:46.080 --> 0:51:48.600
<v Speaker 1>but take your money. They have nothing to provide you,

0:51:48.960 --> 0:51:51.360
<v Speaker 1>but they know you need something because they've been around

0:51:51.400 --> 0:51:53.840
<v Speaker 1>long enough to know, Oh, he's at that point what

0:51:54.000 --> 0:51:56.640
<v Speaker 1>he needs, he's trying to get to that next level.

0:51:56.880 --> 0:51:59.920
<v Speaker 1>I'll show up and do a half as job in charging.

0:52:00.160 --> 0:52:02.279
<v Speaker 1>One of the hardest things to do in the entertainment

0:52:02.320 --> 0:52:05.040
<v Speaker 1>business is finding the right people to work for you

0:52:05.400 --> 0:52:08.319
<v Speaker 1>and good people to work for you. And that comes

0:52:08.360 --> 0:52:11.240
<v Speaker 1>along with some of these packages that y'all call code signs.

0:52:11.280 --> 0:52:14.040
<v Speaker 1>It comes. It's much more than just an Instagram postal.

0:52:14.280 --> 0:52:16.560
<v Speaker 1>When you sign with some of these people, they whole

0:52:16.640 --> 0:52:17.719
<v Speaker 1>buildings go with that.

0:52:18.760 --> 0:52:22.879
<v Speaker 4>They hold resources, they hold caller calling log, the caller ID,

0:52:23.160 --> 0:52:24.279
<v Speaker 4>all of that go with that.

0:52:25.000 --> 0:52:27.440
<v Speaker 1>But you've been food to just get on and get hot.

0:52:27.760 --> 0:52:29.680
<v Speaker 1>And so as a little young rapper, or as an

0:52:29.680 --> 0:52:32.720
<v Speaker 1>old rapper, as a podcast dude, as a content dude,

0:52:33.320 --> 0:52:35.400
<v Speaker 1>you attach to the idea that you have to be

0:52:35.520 --> 0:52:38.880
<v Speaker 1>next to people to make it happen. We got to

0:52:38.920 --> 0:52:43.160
<v Speaker 1>do better detach. I understand your feel because you would

0:52:43.160 --> 0:52:46.080
<v Speaker 1>think that in this game that people that walk through

0:52:46.080 --> 0:52:48.440
<v Speaker 1>the Valley of the Shadow or death, they know what

0:52:48.480 --> 0:52:50.680
<v Speaker 1>this is about and they know what it's like to

0:52:50.719 --> 0:52:53.800
<v Speaker 1>try to escape that, and so they empathize with your position.

0:52:53.960 --> 0:52:56.279
<v Speaker 1>But if they don't, then what And that's kind of

0:52:56.280 --> 0:52:57.600
<v Speaker 1>what Kanye is talking about.

0:52:57.680 --> 0:52:57.799
<v Speaker 8>Yo.

0:52:57.880 --> 0:53:00.160
<v Speaker 4>If everybody don't do nothing, then what you just on?

0:53:00.200 --> 0:53:00.279
<v Speaker 5>What?

0:53:00.440 --> 0:53:01.560
<v Speaker 4>Sit there and do nothing?

0:53:01.800 --> 0:53:02.000
<v Speaker 5>Now?

0:53:02.040 --> 0:53:03.160
<v Speaker 4>You better make it happen.

0:53:03.320 --> 0:53:05.000
<v Speaker 1>You got to make sure you bump into the right

0:53:05.040 --> 0:53:08.680
<v Speaker 1>people alone this journey. Why is that it's the equivalent

0:53:08.760 --> 0:53:10.520
<v Speaker 1>to showing up to a big house.

0:53:11.120 --> 0:53:12.040
<v Speaker 4>You got two.

0:53:11.880 --> 0:53:14.239
<v Speaker 1>Million dollars to buy the house, but you gotta find

0:53:14.239 --> 0:53:19.080
<v Speaker 1>an agent that's selling the house. That's information there, what's

0:53:19.120 --> 0:53:21.600
<v Speaker 1>happening there is a lot of rappers, content creators. They're

0:53:21.600 --> 0:53:23.319
<v Speaker 1>showing up to the house with the money and not

0:53:23.440 --> 0:53:27.160
<v Speaker 1>knowing as a process to get ownership of it. You know,

0:53:27.239 --> 0:53:29.680
<v Speaker 1>I don't know what Kanye stands at in this fight.

0:53:29.800 --> 0:53:33.359
<v Speaker 1>I think Kanye as a rapper in this as an

0:53:33.440 --> 0:53:36.840
<v Speaker 1>artist in this particular fight, I think all these guys

0:53:36.840 --> 0:53:39.200
<v Speaker 1>are just taking away from what Kendrick is gonna do

0:53:39.239 --> 0:53:41.720
<v Speaker 1>and they're making it harder on Kendrick. So if Kendrick

0:53:41.800 --> 0:53:45.360
<v Speaker 1>does in fact come out and wins this, it'll be

0:53:45.480 --> 0:53:48.680
<v Speaker 1>crazy because y'all are looking at all of that is

0:53:48.719 --> 0:53:52.520
<v Speaker 1>helping Kendrick. I'm saying it's hurting Kendrick. I'm saying that

0:53:52.520 --> 0:53:55.439
<v Speaker 1>they're taking the air out of all the tires, y'all,

0:53:55.520 --> 0:53:58.960
<v Speaker 1>running all the narratives into the ground and part of

0:53:58.960 --> 0:54:02.160
<v Speaker 1>the battle rap, part of this battle with shock value.

0:54:02.920 --> 0:54:06.000
<v Speaker 1>Oh my god, he said that you dig, so pay

0:54:06.040 --> 0:54:09.239
<v Speaker 1>attention to what's going on, and let's move on and

0:54:09.400 --> 0:54:11.359
<v Speaker 1>keep you our own future in this battle. But let's

0:54:11.400 --> 0:54:17.720
<v Speaker 1>move on, all right, Let's talk about this for those underwell.

0:54:17.840 --> 0:54:21.240
<v Speaker 1>Quavo and Chris Brown have been going back and forth

0:54:21.640 --> 0:54:24.120
<v Speaker 1>alongside all of this rap beef that's going on in

0:54:24.120 --> 0:54:27.279
<v Speaker 1>the industry. But Quavo and Chris Brown's seem to have

0:54:27.360 --> 0:54:30.040
<v Speaker 1>a real deal beef. This don't seem to be on

0:54:30.160 --> 0:54:33.520
<v Speaker 1>wax and just raps. This seems to have an emotional

0:54:33.560 --> 0:54:37.359
<v Speaker 1>element to this battle rap. And I'm not sure how

0:54:37.400 --> 0:54:39.799
<v Speaker 1>that plays out at the end, but we're gonna talk

0:54:39.840 --> 0:54:42.640
<v Speaker 1>about it. We got a podcast. They both dropped one

0:54:42.760 --> 0:54:45.040
<v Speaker 1>song apiece, so as of right now, it looks like

0:54:46.000 --> 0:54:50.920
<v Speaker 1>Quavo drop Weakest Link where he referenced take Off, he

0:54:51.080 --> 0:54:58.280
<v Speaker 1>referenced having relations with Sweetie, and Quevo dropped Tender basically

0:54:58.320 --> 0:55:02.840
<v Speaker 1>saying Chris Brown tender about the women, and then Quevo

0:55:03.000 --> 0:55:06.040
<v Speaker 1>came back. Now, I will say, out of all the rap,

0:55:06.360 --> 0:55:09.680
<v Speaker 1>out of all the battle rapping that's going on right now,

0:55:11.120 --> 0:55:14.840
<v Speaker 1>as it pertains the flow, I'm gonna say, takeout winning.

0:55:14.920 --> 0:55:17.160
<v Speaker 1>As of right now, let's pay attention to this song.

0:55:17.239 --> 0:55:21.920
<v Speaker 1>Quovo dropped on Chris Brown called over holes in bitches,

0:55:22.000 --> 0:55:23.600
<v Speaker 1>ohb Quovo, this and that.

0:55:23.719 --> 0:55:24.560
<v Speaker 4>Chris Brown.

0:55:27.080 --> 0:55:29.680
<v Speaker 12>Put a nigga pull up crash shot about your bait.

0:55:29.840 --> 0:55:32.919
<v Speaker 12>Why you puss little bitch, Come dance better with my drake,

0:55:33.000 --> 0:55:35.279
<v Speaker 12>But you ben fucked your bag up when you punch

0:55:35.360 --> 0:55:36.080
<v Speaker 12>red in the face.

0:55:36.160 --> 0:55:36.600
<v Speaker 5>Come about.

0:55:36.719 --> 0:55:40.080
<v Speaker 1>Let me point something out for you. You see how soon

0:55:40.120 --> 0:55:42.759
<v Speaker 1>this beat drop you right on him. He understands the

0:55:42.960 --> 0:55:45.200
<v Speaker 1>tension span of you little motherfucker's out there.

0:55:45.800 --> 0:55:47.160
<v Speaker 4>Can't let the beat play.

0:55:47.000 --> 0:55:48.839
<v Speaker 1>Long or nothing got to get right in, get on

0:55:48.880 --> 0:55:53.640
<v Speaker 1>his head, and it gotta be some punches in the

0:55:53.680 --> 0:55:56.120
<v Speaker 1>first part, like make sure it's some shit that he

0:55:56.120 --> 0:55:59.160
<v Speaker 1>can it can resonate with some fans so they can

0:55:59.239 --> 0:56:01.920
<v Speaker 1>keep listening. Oh what else he gonna say? Understand the

0:56:01.960 --> 0:56:04.200
<v Speaker 1>signs behind these records. It's what I'm saying.

0:56:04.600 --> 0:56:05.000
<v Speaker 4>Let's go.

0:56:08.800 --> 0:56:11.399
<v Speaker 12>Puss a nigga, pull up crash shot about your bait.

0:56:11.560 --> 0:56:14.640
<v Speaker 12>Why you push little bitch, come dance battle with my drake.

0:56:15.000 --> 0:56:17.160
<v Speaker 12>You ben fucked your bag up when you punch me

0:56:17.239 --> 0:56:19.680
<v Speaker 12>in the face talking about fashion with you sparing who

0:56:19.719 --> 0:56:22.120
<v Speaker 12>come punched me in my face? It ain't nothing but

0:56:22.160 --> 0:56:25.200
<v Speaker 12>a fade. You know you lost the frank niggas ran

0:56:25.239 --> 0:56:28.160
<v Speaker 12>in your house, tied up your unklejeen pay this bullet

0:56:28.200 --> 0:56:31.200
<v Speaker 12>got your name. Don't ever bring up take puss it.

0:56:32.000 --> 0:56:35.799
<v Speaker 6>You know, happy'all niggas holes out here. I'm talking about

0:56:35.800 --> 0:56:43.279
<v Speaker 6>like a nigga believe wants somebody type shit. Bitch, I

0:56:43.440 --> 0:56:46.120
<v Speaker 6>got your home for pressing. I hit your hole for pussing.

0:56:46.480 --> 0:56:48.120
<v Speaker 6>I did the pay it but come in the same year.

0:56:48.120 --> 0:56:50.120
<v Speaker 6>But you're gonna owe me puss it on at your

0:56:50.120 --> 0:56:52.040
<v Speaker 6>hand's gonna pushing it off, bro with the fans to

0:56:52.080 --> 0:56:54.440
<v Speaker 6>puss it committed, come in they did no time can't

0:56:54.440 --> 0:56:57.279
<v Speaker 6>beg it. We know that you're pushing pust You puss it,

0:56:57.280 --> 0:56:59.520
<v Speaker 6>you puss it, you push the niggas.

0:56:59.200 --> 0:56:59.799
<v Speaker 4>Time after time.

0:56:59.840 --> 0:57:02.759
<v Speaker 6>I'm pull a little bit of nose, listen, dumping the

0:57:02.840 --> 0:57:06.000
<v Speaker 6>diamond looking but just said, oh listen, knock good. Ain't

0:57:06.040 --> 0:57:08.400
<v Speaker 6>go listen.

0:57:09.000 --> 0:57:09.759
<v Speaker 4>That boy.

0:57:09.800 --> 0:57:12.160
<v Speaker 1>Listen take Off the one hand to flow you can

0:57:12.280 --> 0:57:15.399
<v Speaker 1>just hear. But the dogs, the dogs, look at the dog.

0:57:15.520 --> 0:57:18.440
<v Speaker 1>He got that stutter float, the sign and at the time.

0:57:18.840 --> 0:57:19.280
<v Speaker 5>But the dog.

0:57:19.520 --> 0:57:21.240
<v Speaker 4>It's some niggas that can't even do that.

0:57:21.360 --> 0:57:23.200
<v Speaker 1>It's almost like he might have went in there and

0:57:23.320 --> 0:57:25.720
<v Speaker 1>laid some of that ship for them and then they

0:57:25.760 --> 0:57:28.840
<v Speaker 1>can come back with it because that is a unique

0:57:30.040 --> 0:57:32.640
<v Speaker 1>wave riding that he be doing on the track.

0:57:33.160 --> 0:57:36.200
<v Speaker 4>So take Off smoke this.

0:57:36.960 --> 0:57:39.960
<v Speaker 1>In my opinion, I think his style shined on the

0:57:40.000 --> 0:57:43.200
<v Speaker 1>beat right. I think Takeoff really showed why he was

0:57:43.240 --> 0:57:46.480
<v Speaker 1>one of the then head hunch os. As it pertains

0:57:46.520 --> 0:57:50.480
<v Speaker 1>to me goals. Now, how do we feel about Quevo

0:57:50.600 --> 0:57:53.920
<v Speaker 1>putting Takeoff on a disc track? I guess my question

0:57:54.040 --> 0:57:58.640
<v Speaker 1>is from Chris Brown perspective an RP Takeoff. You know

0:57:58.640 --> 0:58:02.439
<v Speaker 1>what I'm saying, We love respect you, RP, respectful RP

0:58:02.600 --> 0:58:06.400
<v Speaker 1>to Takeoff, good dude, But does this put Takeoff in

0:58:06.440 --> 0:58:11.439
<v Speaker 1>the crossfiles of a battle right now? Is the gloves off?

0:58:11.440 --> 0:58:13.680
<v Speaker 1>Do Chris Brown come out saying all kind of wild

0:58:13.760 --> 0:58:17.680
<v Speaker 1>shit about it? About what happened about you? About take right?

0:58:17.800 --> 0:58:21.120
<v Speaker 1>Do you put him in a position to do that now,

0:58:21.160 --> 0:58:23.640
<v Speaker 1>because you don't put him on a song this and

0:58:23.720 --> 0:58:24.440
<v Speaker 1>Chris Brown.

0:58:24.920 --> 0:58:26.720
<v Speaker 4>I think it's a fair question to have.

0:58:27.320 --> 0:58:29.560
<v Speaker 1>You know, maybe Chris still holds it down, but some

0:58:29.600 --> 0:58:31.480
<v Speaker 1>of you rap niggas they ain't holding it down. I

0:58:31.520 --> 0:58:35.160
<v Speaker 1>know in the battle rap they not holding that, you

0:58:35.200 --> 0:58:38.720
<v Speaker 1>know what I'm saying that For me, coming from the South,

0:58:38.760 --> 0:58:40.840
<v Speaker 1>coming from where I come from, how I grew up,

0:58:41.160 --> 0:58:43.440
<v Speaker 1>I don't know that I can do that, but I

0:58:43.480 --> 0:58:47.560
<v Speaker 1>do know in this competitive sport, and it feels like

0:58:47.640 --> 0:58:50.720
<v Speaker 1>there's an emotional element to this beef that he may

0:58:50.760 --> 0:58:54.480
<v Speaker 1>go for the juggular and really start to talk about

0:58:54.560 --> 0:58:58.400
<v Speaker 1>takeoff in the open public. And I'm not a fan

0:58:58.480 --> 0:59:00.840
<v Speaker 1>of that, right, but I'm just say and what could

0:59:00.880 --> 0:59:01.840
<v Speaker 1>take place now?

0:59:01.840 --> 0:59:04.280
<v Speaker 4>I do want to bring some criticism.

0:59:03.680 --> 0:59:09.000
<v Speaker 1>On Quavo because as much as academics is at the

0:59:09.040 --> 0:59:11.760
<v Speaker 1>forefront of things right now, or that's what it seems

0:59:11.800 --> 0:59:14.640
<v Speaker 1>to be, right, he's been instrumental in getting a lot happening,

0:59:14.760 --> 0:59:17.480
<v Speaker 1>a lot of people watching him as it pertains these battles.

0:59:18.480 --> 0:59:22.400
<v Speaker 1>At that same time, that record could have went to

0:59:22.440 --> 0:59:25.120
<v Speaker 1>somebody in the South, you know what I mean to pipe,

0:59:25.160 --> 0:59:28.800
<v Speaker 1>somebody in the South platform up. That's what I be

0:59:28.920 --> 0:59:31.240
<v Speaker 1>talking about. It's like, yo, y'all running through that shit.

0:59:31.240 --> 0:59:35.440
<v Speaker 1>The academics who gonna report? But I understand it's the business.

0:59:35.520 --> 0:59:38.720
<v Speaker 1>The business is the business like, but it's just it's

0:59:38.720 --> 0:59:39.680
<v Speaker 1>an ugly scenario.

0:59:39.800 --> 0:59:41.959
<v Speaker 4>He should have gave this shit to somebody from the South.

0:59:42.040 --> 0:59:44.240
<v Speaker 4>It's up there. Podcasts could have broke this shit.

0:59:44.880 --> 0:59:48.680
<v Speaker 1>As much as I'm happy that academics is garnering a

0:59:48.680 --> 0:59:52.800
<v Speaker 1>lot of the market shall because I operate in original

0:59:52.840 --> 0:59:55.440
<v Speaker 1>content and in this content world at a high level.

0:59:55.760 --> 0:59:57.760
<v Speaker 4>So they opening the market up for me.

0:59:58.520 --> 1:00:01.840
<v Speaker 1>Whatever academics do, CA ain't hurt what I'm doing. You

1:00:01.880 --> 1:00:04.360
<v Speaker 1>see what I'm saying. But I'm just saying I want

1:00:04.360 --> 1:00:06.720
<v Speaker 1>people to pay attention. How those rappers you could have

1:00:06.760 --> 1:00:09.320
<v Speaker 1>fed that to the South. You could have fed that

1:00:09.440 --> 1:00:11.520
<v Speaker 1>song to the South turned one of the little homie

1:00:11.560 --> 1:00:15.680
<v Speaker 1>platforms up. Chris Brown seemed to think. And if I'm

1:00:15.680 --> 1:00:18.240
<v Speaker 1>being honest, Chris Brown seem to think niggas is pussy.

1:00:18.600 --> 1:00:20.880
<v Speaker 1>How Chris Brown be talking like he want to fight,

1:00:20.920 --> 1:00:22.760
<v Speaker 1>I'm gonna do this to you. It just seemed like

1:00:22.840 --> 1:00:27.280
<v Speaker 1>he believed dudes to be straight pussy. And I can't lie,

1:00:28.520 --> 1:00:34.800
<v Speaker 1>Sweety is pretty. I can't even camp cause you know,

1:00:34.840 --> 1:00:36.600
<v Speaker 1>I don't even be looking at none of these look

1:00:36.760 --> 1:00:40.200
<v Speaker 1>like I don't look at none of these shit. But

1:00:40.760 --> 1:00:43.280
<v Speaker 1>after this I went and looked and seeing what I'm oh,

1:00:43.360 --> 1:00:46.720
<v Speaker 1>Sweety is a bad one. She slicked bad like she

1:00:46.840 --> 1:00:49.760
<v Speaker 1>wanted them one like I can't even kept she is

1:00:49.840 --> 1:00:52.240
<v Speaker 1>one of them one. First, I'm thinking, why these two

1:00:52.440 --> 1:00:55.640
<v Speaker 1>guys going at each other about Sweetie? And I know

1:00:55.680 --> 1:00:57.480
<v Speaker 1>both of them dealt with Sweetie, but why is that

1:00:57.600 --> 1:01:03.480
<v Speaker 1>still a thing I forgot about Krucci. See, I forgot

1:01:03.520 --> 1:01:07.560
<v Speaker 1>they have in common Kruci. So I'm saying, oh, so

1:01:07.680 --> 1:01:11.040
<v Speaker 1>it's two girls on the forefront, but sweet is the

1:01:11.080 --> 1:01:14.640
<v Speaker 1>one getting all the attention for some reason that's interesting

1:01:14.720 --> 1:01:14.880
<v Speaker 1>to me.

1:01:15.200 --> 1:01:17.720
<v Speaker 4>I believe Chris Brown want to fight because he thinks yo,

1:01:17.760 --> 1:01:19.880
<v Speaker 4>I used to be cool with y'all then.

1:01:20.240 --> 1:01:22.440
<v Speaker 1>And a lot of these niggas be looking at your

1:01:22.520 --> 1:01:25.000
<v Speaker 1>gal man, A lot of these niggas they be looking

1:01:25.000 --> 1:01:28.120
<v Speaker 1>at your old lady like they'll fuck your girl. A

1:01:28.120 --> 1:01:30.600
<v Speaker 1>lot of these dudes, you know what I mean, they'll

1:01:30.640 --> 1:01:33.560
<v Speaker 1>really sacrifice the relationship with you to fuck that girl.

1:01:34.480 --> 1:01:36.040
<v Speaker 1>You see what I'm saying. A lot of these dudes

1:01:36.080 --> 1:01:39.560
<v Speaker 1>don't got no morals about them. Like it's so many

1:01:39.600 --> 1:01:41.760
<v Speaker 1>girls out here, but they'll fuck Yo girl. I want

1:01:41.760 --> 1:01:44.640
<v Speaker 1>to fuck Yo girl. I want to fuck Yo girl.

1:01:45.000 --> 1:01:48.120
<v Speaker 1>I think she eases she letting you fuck her. I

1:01:48.240 --> 1:01:51.200
<v Speaker 1>want to fuck yo woman. That's a lot of dudes

1:01:51.280 --> 1:01:55.560
<v Speaker 1>be so there's a weird energy surrounding that. But I

1:01:55.600 --> 1:01:58.320
<v Speaker 1>think Chris Brown is upset because he thought they were cool.

1:01:58.640 --> 1:02:00.600
<v Speaker 1>And for you to start messing with the girl, you

1:02:00.680 --> 1:02:04.040
<v Speaker 1>really know, I care about Caruci. It's like, damn man,

1:02:04.160 --> 1:02:06.720
<v Speaker 1>Like I almost think I heard Chris Brown speak about

1:02:06.720 --> 1:02:09.640
<v Speaker 1>that one time. There's a narrative online that's like, Yo,

1:02:09.680 --> 1:02:12.520
<v Speaker 1>why Kuaevo won't leave Sweetish? Like he doing too much?

1:02:12.560 --> 1:02:15.160
<v Speaker 1>He should leave that girl? Like damn, he doing too much?

1:02:15.200 --> 1:02:18.360
<v Speaker 1>Why not leave it? And I'm not sure if y'all

1:02:18.400 --> 1:02:22.080
<v Speaker 1>understand that some women have a touch about him. Some

1:02:22.160 --> 1:02:25.920
<v Speaker 1>women got a feel to him. Some women got a vibe.

1:02:25.960 --> 1:02:27.840
<v Speaker 1>They set a vibe. I used to just tell one

1:02:27.840 --> 1:02:32.439
<v Speaker 1>of my old ladies like, yo, just set a vibe. Yo,

1:02:32.640 --> 1:02:35.400
<v Speaker 1>just set a vibe, man. Just some people got to

1:02:35.520 --> 1:02:39.600
<v Speaker 1>touch a vibe or feel. Some people are safe place.

1:02:39.800 --> 1:02:43.880
<v Speaker 1>It ain't even just about six this woman here is

1:02:43.960 --> 1:02:50.080
<v Speaker 1>sacred around this woman. It's peaceful, she's soft, soft girl era.

1:02:50.360 --> 1:02:51.400
<v Speaker 1>She's energy.

1:02:51.520 --> 1:02:55.560
<v Speaker 4>It's just it's welcoming. Energy is nice.

1:02:55.640 --> 1:02:59.440
<v Speaker 1>It's just you dig It's just a different vibration, and

1:02:59.480 --> 1:03:02.400
<v Speaker 1>you want to be there. You don't want to get

1:03:02.400 --> 1:03:05.400
<v Speaker 1>away from no woman that's providing that from you, even

1:03:05.440 --> 1:03:08.400
<v Speaker 1>if you fall back from or Here's the thing about memories,

1:03:08.440 --> 1:03:12.000
<v Speaker 1>and this is what's dangerous, is that to survive, there's

1:03:12.040 --> 1:03:15.200
<v Speaker 1>a correlation between the distance of event and how we

1:03:15.240 --> 1:03:18.480
<v Speaker 1>feel about it. So the negative things that happen to us,

1:03:18.600 --> 1:03:21.400
<v Speaker 1>the father we go from that, the more rational we

1:03:21.440 --> 1:03:22.120
<v Speaker 1>can look at it.

1:03:22.160 --> 1:03:23.480
<v Speaker 4>And also I think.

1:03:23.360 --> 1:03:27.240
<v Speaker 1>Kuovo down played his main girl in the sounding like

1:03:27.280 --> 1:03:29.040
<v Speaker 1>I can just take a model bitch and make a

1:03:29.120 --> 1:03:32.960
<v Speaker 1>sweeted nigga and then SWEETI responded, So she wasn't feeling that,

1:03:34.240 --> 1:03:35.280
<v Speaker 1>like you downplaying me?

1:03:35.640 --> 1:03:37.720
<v Speaker 4>You know, you know, you know what it is, you

1:03:37.760 --> 1:03:39.160
<v Speaker 4>know you really yeah about this?

1:03:39.360 --> 1:03:42.640
<v Speaker 1>Yeah, see them girls that sit back like oh you oh,

1:03:42.680 --> 1:03:45.840
<v Speaker 1>you try to downplay me. You know, I got that

1:03:46.040 --> 1:03:48.200
<v Speaker 1>thing you like, you know I do that thing you like?

1:03:48.280 --> 1:03:51.840
<v Speaker 1>You trying to play me out there? Okay, next time

1:03:51.920 --> 1:03:55.000
<v Speaker 1>ice cream machine broken? You know, I'm having an ice

1:03:55.040 --> 1:03:59.240
<v Speaker 1>cream machine and a sprinkler, and you out there playing

1:03:59.280 --> 1:04:01.520
<v Speaker 1>with me like that when you know I'm that You

1:04:01.560 --> 1:04:03.800
<v Speaker 1>know how you know how to do you when it's

1:04:03.880 --> 1:04:07.280
<v Speaker 1>just me and you you know I'm you know I'm pressure.

1:04:08.240 --> 1:04:10.840
<v Speaker 1>You gonna downplay me like you can just turn anybody

1:04:10.880 --> 1:04:12.919
<v Speaker 1>to me when you really don't try to probably get

1:04:12.960 --> 1:04:15.840
<v Speaker 1>back on me, because dudes sometimes we'll get freaking horny

1:04:15.840 --> 1:04:16.800
<v Speaker 1>and go to heat and get back.

1:04:16.840 --> 1:04:18.760
<v Speaker 4>Ain't babe, you know? I mean and shit like a mom.

1:04:18.840 --> 1:04:23.040
<v Speaker 4>What you been doing? Scrawing? What you been doing?

1:04:23.160 --> 1:04:23.600
<v Speaker 3>Babe?

1:04:24.440 --> 1:04:25.080
<v Speaker 5>You ain't ate.

1:04:26.800 --> 1:04:28.640
<v Speaker 4>Nigga, ain't talk to the girl in two years?

1:04:28.680 --> 1:04:29.479
<v Speaker 5>You ain't ate nothing.

1:04:29.520 --> 1:04:29.959
<v Speaker 3>You good?

1:04:30.880 --> 1:04:35.080
<v Speaker 4>How you doing you straight? How the kids? Like you

1:04:35.240 --> 1:04:37.320
<v Speaker 4>just been tapped in? Like you just come to take

1:04:37.360 --> 1:04:38.439
<v Speaker 4>care of business?

1:04:38.880 --> 1:04:39.080
<v Speaker 5>Yeah?

1:04:39.160 --> 1:04:41.920
<v Speaker 4>What's up? Your bills paid? What you doing with your

1:04:41.960 --> 1:04:46.000
<v Speaker 4>car paid off? How you been Yeah? Your house paid off?

1:04:46.040 --> 1:04:46.960
<v Speaker 4>What you got going?

1:04:47.400 --> 1:04:47.600
<v Speaker 5>Yeah?

1:04:47.640 --> 1:04:51.280
<v Speaker 1>You trying to steal the bitch a nigga talking like that,

1:04:51.480 --> 1:04:53.840
<v Speaker 1>gonna steal your gal man a nigga that is calling

1:04:53.920 --> 1:04:54.320
<v Speaker 1>it holling.

1:04:55.000 --> 1:04:58.160
<v Speaker 4>What you're doing, bab seit what you knowing? Your house

1:04:58.200 --> 1:05:01.080
<v Speaker 4>paid on? What's up?

1:05:01.400 --> 1:05:05.120
<v Speaker 13>You straight over that you ain't, Yeah, you ain't. You

1:05:05.120 --> 1:05:07.600
<v Speaker 13>don't need no furniture or nothing. He trying to steal

1:05:07.720 --> 1:05:12.200
<v Speaker 13>the bitch man. He gonna steal the pitch man.

1:05:13.560 --> 1:05:14.280
<v Speaker 4>And they were wrong.

1:05:14.400 --> 1:05:16.880
<v Speaker 1>Having them niggas sit beside each other won't make one

1:05:16.920 --> 1:05:19.200
<v Speaker 1>of them nigga crash out. It would have been world

1:05:19.320 --> 1:05:21.720
<v Speaker 1>news and Chris Brown would have been done.

1:05:21.800 --> 1:05:23.360
<v Speaker 4>He would have hit Quavo then.

1:05:23.760 --> 1:05:26.000
<v Speaker 1>As far as his image wise, they said, oh, we

1:05:26.120 --> 1:05:29.600
<v Speaker 1>knew that Nigga did never had control of itself. He

1:05:29.760 --> 1:05:34.760
<v Speaker 1>showed restraint then, whether he regretted or not now, but

1:05:34.880 --> 1:05:37.240
<v Speaker 1>you will remember nights with some of these women, like

1:05:37.320 --> 1:05:39.520
<v Speaker 1>some of you women got a spell on a nigga.

1:05:40.640 --> 1:05:42.800
<v Speaker 1>It beat three four year down the road. You still

1:05:42.840 --> 1:05:46.200
<v Speaker 1>remember them nights? Man, I remember that night. We shit boy?

1:05:47.720 --> 1:05:49.160
<v Speaker 1>Who is she did?

1:05:49.240 --> 1:05:51.040
<v Speaker 4>A goodness?

1:05:51.360 --> 1:05:55.840
<v Speaker 1>Graci, you ain't saw that motherfucking two years you still

1:05:55.880 --> 1:05:58.840
<v Speaker 1>be thinking about it. They don't put a spell on you.

1:05:58.960 --> 1:06:03.000
<v Speaker 1>Though they don't put a spell on you. Nigga won't

1:06:03.000 --> 1:06:05.440
<v Speaker 1>even gonna get him, No new gal. Nigga be sitting

1:06:05.480 --> 1:06:08.439
<v Speaker 1>that baggage claim waiting on that same little to come down.

1:06:08.880 --> 1:06:11.120
<v Speaker 1>You ever see that only nigga, that baggage claim, Bro,

1:06:11.680 --> 1:06:15.120
<v Speaker 1>the baggage didn't make it. Bro, the luggage ain't coming family.

1:06:16.200 --> 1:06:21.000
<v Speaker 1>The luggage ain't coming family. He be dying there waiting, Bro,

1:06:22.120 --> 1:06:26.000
<v Speaker 1>it's over. You know what I'm saying. And they still

1:06:26.120 --> 1:06:26.760
<v Speaker 1>that sweeten.

1:06:26.840 --> 1:06:27.040
<v Speaker 5>Man.

1:06:27.120 --> 1:06:30.040
<v Speaker 1>I ain't gonna lie sweet as a bad one though. But

1:06:30.080 --> 1:06:35.320
<v Speaker 1>he called Chris Brown a crackhead. Michael Jackson a crackhead.

1:06:35.400 --> 1:06:36.200
<v Speaker 1>Michael Jackson.

1:06:36.880 --> 1:06:37.120
<v Speaker 5>Yeah.

1:06:37.160 --> 1:06:41.480
<v Speaker 1>Man, So that's today's episode, Big Loan. It's up there podcast.

1:06:41.560 --> 1:06:44.280
<v Speaker 1>Come to patriot dot com. It's up their podcast for

1:06:44.320 --> 1:06:47.120
<v Speaker 1>all the rest of the vibes. We got a new segment,

1:06:47.160 --> 1:06:49.960
<v Speaker 1>Alert Penitentiary Rules and Effect coming out. Make sure you

1:06:50.040 --> 1:06:52.800
<v Speaker 1>watch interviews this out right now. Make sure you get

1:06:52.800 --> 1:06:56.640
<v Speaker 1>some merch that's finna drop on you boys. Man, you

1:06:56.720 --> 1:07:00.000
<v Speaker 1>dig It's up there podcast, Big lo You can't reach out.

1:07:00.120 --> 1:07:02.600
<v Speaker 1>I'm out of reach. Let's get it. Love y'all, See

1:07:02.680 --> 1:07:03.400
<v Speaker 1>y'all next time.