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Speaker 1: You saw Yea come out time after time and say

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Speaker 1: Drake is the go Drake is the man. I don't

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Speaker 1: understand how we're supposed to accept now that you kill

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Speaker 1: the one thing we know about Kendrick Lamar when he

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Speaker 1: comes to to Drake, he's Kanye, how we know you?

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Speaker 1: You don't put your you done handed me in your

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Speaker 1: sights and put it down every time.

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Speaker 2: But like you're the only person that's gonna really put

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Speaker 2: it out there.

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Speaker 3: They say, rich baby daddy is like Drake has a

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Speaker 3: rich baby daddy named Lucien and universe. Wow, He's like,

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Speaker 3: you know, like, man, my daddy got it.

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Speaker 1: I don't think the song is effective as it pertains

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Speaker 1: the boars and lyrics as I continue to tell y'all

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Speaker 1: they're hitting Drake without the narratives associated with his name.

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Speaker 4: Heard it.

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Speaker 2: What do you think Kendrick's gonna do?

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Speaker 5: Now?

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Speaker 2: Do you think he got some?

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Speaker 5: But Drake?

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Speaker 2: Who do you think wins that I win?

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Speaker 3: I got some Drake and know nobody want with me?

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Speaker 4: How do we know this is real?

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Speaker 1: I think Kanye serves more of a benefit as a

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Speaker 1: structure piece in this royal rumble when it comes to rapping.

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Speaker 1: I'm not sure how effective the fans are gonna take it,

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Speaker 1: because we know you love Drake ya.

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Speaker 5: Yeah, Pluto call me.

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Speaker 3: I went to the studio, laid that and then we

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Speaker 3: you know, went through the you know, the creative process

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Speaker 3: at the courts and called the hooligans, called him out

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Speaker 3: in London to get on a joint and you know,

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Speaker 3: everybody is very, very excited about the elimination of Drake.

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Speaker 1: When you hear about Kanye West speaking about this looten

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Speaker 1: Grange package, it's all about that, yo. Yeah, money opens doors.

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Speaker 1: But these dudes got fifty years of infrastructure. Kanye West

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Speaker 1: talked about Future hitting him up to get this done.

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Speaker 1: I was telling some record execs like Future is gonna

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Speaker 1: be the problem. He has to neutralize Future. If he

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Speaker 1: does not neutralize Future, we're gonna be dealing with a

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Speaker 1: wolverine on the loop and then.

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Speaker 3: Turning me fied and all the reputation. That's like Tupac

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Speaker 3: been the elevator. Healthy right now to exactly exactly, No,

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Speaker 3: it's in shape. Yeah, it's up man.

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Speaker 2: We're gonna move on to the next subject.

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Speaker 3: Healthy right now to exactly exactly. I know it's sha Yeah,

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Speaker 3: it's up.

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Speaker 4: Position over look at you ain't shaped. Long what you've

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Speaker 4: been doing. You've been You've been working out, man, I

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Speaker 4: ain't been doing no more work. You ain't shape. Yeah, nah,

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Speaker 4: you ain't shape. Skin glown smelling good.

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Speaker 5: Nah.

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Speaker 4: You hear him, You hear him those underwear.

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Speaker 1: Quavo and Chris Brown have been going back and forth

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Speaker 1: alongside all of this rap beef that's.

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Speaker 4: Going on in the industry.

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Speaker 1: But Quavo and Chris Brown's seem to have a real

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Speaker 1: deal beef. This don't seem to be on wax and

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Speaker 1: just raps. This seems to have an emotional element. Take

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Speaker 1: off on a disc track. I guess my question is

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Speaker 1: from Chris Brown perspective and RP takeoff.

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Speaker 4: You know what I'm saying.

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Speaker 1: We love respect you, RP, respectful RP to take off,

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Speaker 1: good dude, But does this put take off in the

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Speaker 1: crossfiles of a battle competitive sport? And it feels like

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Speaker 1: there's an emotional element to this beef that he may

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Speaker 1: go for the jugular and really start to talk about

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Speaker 1: take off in the open public.

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Speaker 4: Now want allure me to death?

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Speaker 3: Exactly?

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Speaker 4: My man?

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Speaker 6: Lord loans old Loan Look, okay, okay, it.

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Speaker 4: Is up there and stuck that when it's up there. Man,

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Speaker 4: it's stuck there.

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Speaker 5: Shut up, yo, let's take a break from the show.

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Speaker 1: This episode is brought to you by Prize Picks, the

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Speaker 5: It's up there. Let's get back to the show.

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Speaker 4: My brother watch you for each other? That podcast we're doing.

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Speaker 4: He telling me up in the heard phones. I'm here today.

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Speaker 4: I'm gonna take it this spot at the time I

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Speaker 4: do that, I fly.

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Speaker 1: Airquot Welcome to us, up there podcast. What a time

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Speaker 1: to be alive, What a time to be alive. I

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Speaker 1: go by Big Loan. Of course, if you're here, I

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Speaker 1: want to thank you. If you're one of my patron subscribers,

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Speaker 1: I want to thank you. If you're here listening on YouTube,

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Speaker 1: I want to thank you. If the audio has come

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Speaker 1: past your feed, I want to thank you any way

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Speaker 1: that you've engaged in its content. From the center of

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Speaker 1: my soul, I want to thank you. I provide the

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Speaker 1: culture with the narratives. They take it and regurgitate it.

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Speaker 1: Let's be clean the fact. Today I'm gonna talk about

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Speaker 1: Kanye West, Kuavo, Chris Brown, get a few things off

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Speaker 1: Vibes is high. Shout out the Prize Picks keeps us

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Speaker 1: going Patreon. I love y'all. You know that every single

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Speaker 1: one of y'all over on Patron saluted y'all. Every time

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Speaker 1: we crank up for shit show. Salute to y'all. Kanye

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Speaker 1: West has inserted hisself into this beef. Another person that's

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Speaker 1: been inserted into the royal rumble. I heard his music

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Speaker 1: a long time ago coming I knew he was coming

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Speaker 1: down to the ring here shortly. So when I seen

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Speaker 1: him pop out on like that, I think it was interesting.

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Speaker 1: For those of you unaware, there's been a single drop

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Speaker 1: called like that feature in Future Metro. Kendrick Lamar. This

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Speaker 1: song has been number one on the Charge. It's a

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Speaker 1: song where Kendrick Lamar in particular, took aim at Drake.

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Speaker 1: The dynamics of this song need not be looked over.

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Speaker 1: I keep telling y'all Future got the clubs on lock,

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Speaker 1: he got them bops on lock, and so.

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Speaker 4: He's gonna be the most powerful force.

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Speaker 1: I keep telling y'all that, whether y'all agree or not,

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Speaker 1: let this thing simmer down some and see who really

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Speaker 1: can get in there and create time at the time,

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Speaker 1: at the time, at the time. Because one thing about Drake,

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Speaker 1: he the boy can create over and over whatever switch shot,

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Speaker 1: whatever thing he got going over there, the boy.

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Speaker 4: Can get it done.

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Speaker 1: So it's gonna take Future Metro, all these others is

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Speaker 1: taken five six years and all that respectfully. They gonna

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Speaker 1: have to move to the side because this is gonna

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Speaker 1: come with Drake gonna pull up with a switch and

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Speaker 1: they're gonna have to shoot back. And I all, let

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Speaker 1: old one shoot. I don't know how that's gonna resonate

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Speaker 1: in the culture. You dig what I'm saying. I mean,

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Speaker 1: I appreciate it for what it is, but I think

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Speaker 1: in battle you gotta learn combinations. In fights, you gotta

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Speaker 1: learn combinations. And with that one knockout punch, if I

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Speaker 1: can just dodge it, knockout punch.

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Speaker 4: He can't fight. He ain't really worth for damn.

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Speaker 1: Their scenario in which they can play against you, that

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Speaker 1: it takes you so long to kind of cook these

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Speaker 1: things up. And we've seen Drake be strategic with placing

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Speaker 1: that narrative out in the market and watching the market

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Speaker 1: help him develop the narrative that Yo, you're taking too long,

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Speaker 1: and so the expectation next to your record has already

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Speaker 1: been set. That bar is high with Kanye West. Only

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Speaker 1: like that record, you know, I don't even want to

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Speaker 1: play it. Maybe I'll stick it in, maybe I won't.

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Speaker 1: I was gonna play it, but then the interview came out.

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Speaker 1: I think it'll be more effective to just watch the

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Speaker 1: interview or give a few clips from the interview and

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Speaker 1: give some give some game on that. One thing about

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Speaker 1: Kanye West, though, is that he's apologized.

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Speaker 4: Too many times to Drake.

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Speaker 1: So all of the apologies that he's given Drake, I

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Speaker 1: think it takes some of the fire from his he

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Speaker 1: is who he is.

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Speaker 4: I think Kanye may.

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Speaker 1: Have to take a producer bag on this one, like

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Speaker 1: just help with crafted records and put future in a

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Speaker 1: bag that can't nobody else get in because their future

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Speaker 1: voice and the Kanye and Metro, they can make it

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Speaker 1: hard on Drake every by the time about Kendrick, I'm

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Speaker 1: telling you what them boys can cook up. It can

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Speaker 1: become a problem. Don't sleep on that. Yay had a

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Speaker 1: few things to say in this podcast. The podcast name

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Speaker 1: is the download with Justin Little Boy Again. We're gonna

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Speaker 1: take and watch a few clips of it and we're

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Speaker 1: gonna provide some games.

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Speaker 4: So let's pay attention.

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Speaker 2: We're gonna take it over to this rap beef. Man,

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Speaker 2: it's the most entertaining rap beef in a few years.

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Speaker 2: You got Future, Metro, Drake, Kendrick, j Cole Ross, Chris Brown, Quavo,

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Speaker 2: the Weekend.

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Speaker 3: What do we get doing? What happened?

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Speaker 2: I mean, Drake and his people taking shots at the Weekend.

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Speaker 2: I feel like you started this though. It all started

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Speaker 2: from I feel like your Instagram post when you were

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Speaker 2: just like.

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Speaker 3: Everybody and everybody's like, you know what it's up?

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Speaker 2: We all just going at each other. We talked all

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Speaker 2: the friendly ship. What's your thoughts on the state of

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Speaker 2: hip hop right now?

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Speaker 4: First of all, that's Cap That's Cap Cat Williams popped

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Speaker 4: this out.

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Speaker 1: Everybody know Cat Williams is the voice that popped this

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Speaker 1: whole year off with the yo, let's just.

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Speaker 4: Get to it.

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Speaker 1: So Cat Williams, in my opinion, was the force they

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Speaker 1: kind of spearheaded what we're looking at in twenty twenty

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Speaker 1: four as it pertains the people coming out seeing exactly

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Speaker 1: how they feel addressing people head on. In addition to

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Speaker 1: Cat Williams speaking of those things, I think it is

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Speaker 1: to be noted that the effectiveness of it also plays

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Speaker 1: into it, right, And so it ain't until they see

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Speaker 1: that the crossover working in the NBA to other NBA

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Speaker 1: players start to adopt it. There's a lot of moves

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Speaker 1: being done. And when the Globe Trotters played it don't

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Speaker 1: make it to the NBA because it's deemed non effective

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Speaker 1: somewhere along the line. But when they started to see

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Speaker 1: Iverson be able to, oh, now this is a thing.

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Speaker 1: When the note looked past right, when we started to

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Speaker 1: see people implement things that's effective, now it becomes standard.

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Speaker 1: So when you see Shannon Sharp get fifty million views

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Speaker 1: in such a short amount of time and Cat Williams

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Speaker 1: being on there with that kind of boundteam conversation and

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Speaker 1: it being that effective. That's what made people say, yeah,

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Speaker 1: let's God endure it, because there's a lot of real

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Speaker 1: talk that don't get no views, that won't start that

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Speaker 1: kind of revolution. I was reading a book where they

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Speaker 1: were talking about the British were coming right. That there's

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Speaker 1: a person that took that message and got on his

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Speaker 1: horse and traveled and let people know the British coming,

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Speaker 1: The British are coming right. And so it wasn't just

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Speaker 1: the message, it was the messenger all in one that

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Speaker 1: made that message effective. You could have sent them another

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Speaker 1: person and it may not have done the same thing. Unfortunately,

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Speaker 1: that's how the world is. But Cat Williams in that scenario,

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Speaker 1: and that many views push this game in a place

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Speaker 1: to say, hey, people want to hear the real people

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Speaker 1: want to really hear what your real opinions are.

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Speaker 4: And I been knowing that.

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Speaker 1: But to say Kanye West spearheaded this, I would say

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Speaker 1: that's not true. We even saw Nicki Minaj jump out

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Speaker 1: there and go crazy before Kanye made what I believe.

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Speaker 4: Justin Loboy to be speaking about.

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Speaker 1: So that's just my understanding unless someone in the comments

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Speaker 1: can help me with what Kanye said at some other point.

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Speaker 1: But Cat Williams said the stage. Let's be clear, it's great.

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Speaker 1: It's great for me.

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Speaker 3: You know, I'm always on that time, you know, sometimes

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Speaker 3: both you know. You see I put the Instagram up.

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Speaker 3: There's nobody gonna play with me. I haven't been through

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Speaker 3: too much of this. I made more money than anybody

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Speaker 3: ever make at this more like hits, made my own

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Speaker 3: Jordan every like. So it's like, I don't I don't care.

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Speaker 3: Like I said, I've been in every style and so

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Speaker 3: it's just fun to me, you know. But I'm really

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Speaker 3: into the idea.

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Speaker 4: You know.

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Speaker 3: It's with Drake. This the whole thing is like morality

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Speaker 3: and likability are not, uh not connected. They're usually the opposite.

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Speaker 3: Usually the most irremorl people are the ones that are

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Speaker 3: the most likable. So if I say I like Drake,

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Speaker 3: it's not because he's a good person, it's because I

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Speaker 3: like it. I like, I like. I got like for everybody.

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Speaker 3: And I'm not going to say love, because you got

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Speaker 3: the love that that's going to weaken you, that compromises you.

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Speaker 3: So I got like for everyone, right, And it's just

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Speaker 3: I think this is a beautiful time. You know, it's

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Speaker 3: like we saving the world, Like you take Drake and

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Speaker 3: Lucien out, that's just alters everything because that's such a

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Speaker 3: control thing. They had the algorithm, the way that they

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Speaker 3: work together to fix the.

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Speaker 4: Numbers and all right, so there's a lot happening here.

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Speaker 4: Let's bag up some.

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Speaker 1: If I remember correctly, I think Kanye has been trying

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Speaker 1: to kind of diss Drake.

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Speaker 4: Drake has got ahead of some of it.

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Speaker 1: We even heard an Andre three K song that came

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Speaker 1: out that was with Kanye, but I think it aired

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Speaker 1: on Ovio Radio, and I think this was Kanye attempting

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Speaker 1: to create some kind of sniper shot at Drake, but

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Speaker 1: for whatever reason, it was premature. Then we saw Kanye

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Speaker 1: also do something to Drake. Were when Drake went out

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Speaker 1: famously out to help Kanye with a bunch of records.

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Speaker 1: If you remember Drake talking about this with Lebron James.

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Speaker 1: He went out there to kind of help him with

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Speaker 1: some records. He came back and he got a beat

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Speaker 1: from Kanye. That's all he got, and in memory serves

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Speaker 1: me correctly, that beat was used. I think Kanye wasted

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Speaker 1: that beat. I think that was the song Scoop of

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Speaker 1: the Doupe where Kanye just dropped the song scoopyy Doop

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Speaker 1: Doep Doep. He really wasn't saying nothing. And so this

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Speaker 1: is what I tell y'all about the industry. It's a

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Speaker 1: lot of moves being made without saying that people don't

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Speaker 1: know on the outside. But I almost think that's what

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Speaker 1: was happening a long time ago. But Drake released that

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Speaker 1: song with Andre three K and Kanye. Andre three K

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Speaker 1: smoked it. Let's be Cleark. Andre three K is him

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Speaker 1: Kanye Verse was kind of in the early stages, but

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Speaker 1: I think you heard him this Drake on that I do.

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Speaker 4: Gotta be honest. Though there seemed to have.

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Speaker 1: Been an attempt to lock Drake out of one of

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Speaker 1: the power positions.

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Speaker 4: You see these attempts.

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Speaker 1: Often what the power players that kind of come together

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Speaker 1: and try to lock out one of the guys that's

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Speaker 1: on the on the come up. And if the other

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Speaker 1: people don't help you along the way and you don't

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Speaker 1: figure it out, you can drown out there. Because because

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Speaker 1: this industry is a very weird place as it pertains

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Speaker 1: to business, not getting hot, not having fans, not being a.

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Speaker 4: Celebrity, but curating business.

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Speaker 1: I still remember when Drake dropped the song and he said, Yo,

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Speaker 1: the throne is for.

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Speaker 4: The taking it.

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Speaker 1: Then Kanye and Jay Drop watched the throne and then

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Speaker 1: Jay came got on one of Drake's songs and gave

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Speaker 1: him I think three lines, and it was a big

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Speaker 1: deal about that. It still went out and so the

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Speaker 1: timeline between Yay and Drake and Jay and all of

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Speaker 1: these people, it's out there for you to actually take

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Speaker 1: a look at it if you ever want to take

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Speaker 1: a look at it. But that was a time I

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Speaker 1: would say that Drake wanted a j feature and j

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Speaker 1: wouldn't give it to him, or he wanted to work

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Speaker 1: with Ya and Ye wouldn't do it just as freely

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Speaker 1: as he may wanted it to happen, and that would

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Speaker 1: have added to his confidence and a way in that

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Speaker 1: moment where it helped him figure things out. Because you

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Speaker 1: get on this road and you ain't got it figured

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Speaker 1: out out of the way. You know what you doing,

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Speaker 1: but you need help, you need a push pull, you

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Speaker 1: need is to get in the yoke with you.

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Speaker 4: Some of the greats.

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Speaker 1: You leave those sessions rejuvenated when you bump into a

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Speaker 1: creator at the highest level, some of these high power

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Speaker 1: individuals in this industry, and there's a respect level and

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Speaker 1: we get into this creative bag. You leave rejuvenated. You

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Speaker 1: might get two weeks, two three months of work out

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Speaker 1: of that. You may be able to live off that.

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Speaker 1: There's certain moves you live off for for a year,

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Speaker 1: not that you lay down, but you can reference that

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Speaker 1: in any time when creative lit. You gotta remember who

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Speaker 1: you are because coming up in this game, man, you

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Speaker 1: gotta remember, Drake came in and was signed the two

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Speaker 1: three four different people had to work all of that off,

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Speaker 1: get everybody paid. Like, ain't no telling what he would

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Speaker 1: have been worth had he came in under his own infrastructure.

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Speaker 1: But I don't think without those code signs he got that,

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Speaker 1: it doesn't work in the same way. Talent is one thing,

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Speaker 1: but the culture called is everything. I want to take

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Speaker 1: a look at this video because this was a time

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Speaker 1: when Drake was doing what Drake done. If you know

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Speaker 1: his history, he was on Billboard for I think a

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Speaker 1: decade straight or maybe even longer. So some of the

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Speaker 1: accolades that we see Drake obtain are only reserved for

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Speaker 1: top tier. They only reserved for the anoymous and the humongous.

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Speaker 1: These are big player of moves. You see what I'm saying,

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Speaker 1: and so again, this is what Kanye is in his bag.

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Speaker 1: This is when jay Z is in his bag. This

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Speaker 1: is when some of these guys are looking at the

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Speaker 1: game and saying, we got a choke hold on it.

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Speaker 1: But I think this little dude's coming and he ain't

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Speaker 1: going nowhere. He got Baby in there. And see the

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Speaker 1: Baby co sign couldn't give him the streets in the South,

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Speaker 1: but in the industry from their bedding in perspective, it

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Speaker 1: can give him the South. As it pertains to Yo,

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Speaker 1: Baby bring the South to the table and say he's

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Speaker 1: still fighting for the South. That's his own artists. Y'all

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Speaker 1: only doing that because Drake signed to the South. It

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00:19:04,119 --> 00:19:07,240
Speaker 1: could turn into that. It didn't, but it could turn

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Speaker 1: into that. And on top of that, babyman have made

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Speaker 1: a lot of money in this business. And so as

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Speaker 1: we're dealing with the industry perspective, Baby gave him a

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Speaker 1: certain look and a certain feel and a certain infrastructure

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Speaker 1: where he can battle with them giants. Because boy, if

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Speaker 1: they wanted to shut him down and he ain't have Baby,

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Speaker 1: if they wanted to shut him down and he ain't

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Speaker 1: had their cash money infrastructure, it get quiet.

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Speaker 4: But let's take a look at this video, cause y'all

385
00:19:33,600 --> 00:19:34,480
Speaker 4: been lied.

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Speaker 7: To, Lie to you, Facebook, lie to you, lie to you.

387
00:19:54,600 --> 00:20:00,480
Speaker 8: I know it's a lot of real radio real. We

388
00:20:00,560 --> 00:20:01,879
Speaker 8: don't prove it the Rictus.

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00:20:02,359 --> 00:20:06,680
Speaker 7: We have some kids that love lose it, that can't

390
00:20:06,760 --> 00:20:08,159
Speaker 7: play what they want to play it.

391
00:20:08,560 --> 00:20:11,600
Speaker 8: Because they've been to play that foot.

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Speaker 5: When that.

393
00:20:19,280 --> 00:20:19,639
Speaker 4: Holy.

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Speaker 8: What I'm saying is we love creaking.

395
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Speaker 5: Get great, artist, yo. Let's take a break from the show.

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00:20:32,280 --> 00:20:34,440
Speaker 1: This episode is brought to you by Prize Picks, the

397
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Speaker 9: But Frank motion is great too, cause Jesus free on

423
00:21:47,200 --> 00:21:50,600
Speaker 9: people that gotta the kids, and they're not being the

424
00:21:50,720 --> 00:21:54,479
Speaker 9: loud to play that little shit because they think in

425
00:21:54,600 --> 00:21:58,040
Speaker 9: order to freed they gotta play the Satancy Lou and

426
00:21:58,160 --> 00:21:59,159
Speaker 9: the lover.

427
00:21:59,520 --> 00:22:02,959
Speaker 8: I was raised my k MS one, I was raised

428
00:22:03,000 --> 00:22:07,080
Speaker 8: my chop. Paul Us we allowed to fight. Pah We

429
00:22:07,280 --> 00:22:09,159
Speaker 8: allive tonight, pap.

430
00:22:12,920 --> 00:22:16,879
Speaker 7: Her two Catlo is alive tonight, Papa He sat Nass

431
00:22:17,080 --> 00:22:18,240
Speaker 7: is alive tonight.

432
00:22:18,359 --> 00:22:20,560
Speaker 8: Brom Pa is allied tonight.

433
00:22:20,680 --> 00:22:23,080
Speaker 7: Pup He and Connor is allowed tonight.

434
00:22:23,200 --> 00:22:25,160
Speaker 8: Bro Pracky allied tonight.

435
00:22:25,240 --> 00:22:25,520
Speaker 6: Brother.

436
00:22:28,119 --> 00:22:30,280
Speaker 8: There's going to be a lot of conversations at the

437
00:22:30,400 --> 00:22:34,080
Speaker 8: tonight Colin, I loved you.

438
00:22:34,440 --> 00:22:36,680
Speaker 9: I know you got comors to Miamti please, And that's

439
00:22:36,760 --> 00:22:44,520
Speaker 9: in him in my head.

440
00:22:41,040 --> 00:22:47,720
Speaker 8: His slaves. Obama wasn't allowed to do this. It's still wins.

441
00:22:47,920 --> 00:22:50,239
Speaker 1: So that was a very interesting time. I think at

442
00:22:50,280 --> 00:22:57,080
Speaker 1: that time they felt Drake's presence. I'm not sure if

443
00:22:57,080 --> 00:22:59,600
Speaker 1: anyone in the industry can deny that Drake has been

444
00:22:59,680 --> 00:23:02,119
Speaker 1: a four to be wrecking with. Again, I just mentioned

445
00:23:02,119 --> 00:23:05,520
Speaker 1: one of the many accolades that he has being on

446
00:23:05,800 --> 00:23:06,720
Speaker 1: Billboard for.

447
00:23:07,280 --> 00:23:08,359
Speaker 4: A decade straight.

448
00:23:08,480 --> 00:23:11,919
Speaker 1: I think just that accolade standalone should let you know

449
00:23:12,040 --> 00:23:15,320
Speaker 1: his value in the marketplace and what they've been dealing

450
00:23:15,359 --> 00:23:17,520
Speaker 1: with for many years.

451
00:23:18,359 --> 00:23:20,840
Speaker 4: But as you just seen, Kanye was on the runt.

452
00:23:20,880 --> 00:23:23,320
Speaker 1: I think at that time he said that they were

453
00:23:23,359 --> 00:23:25,520
Speaker 1: trying to medicate him. They was doing things to try

454
00:23:25,560 --> 00:23:27,840
Speaker 1: to hurt him. But we've saw Yer come out time

455
00:23:27,920 --> 00:23:31,199
Speaker 1: after time and say Drake is the goat, Drake is

456
00:23:31,240 --> 00:23:34,120
Speaker 1: the man. I don't understand how we're supposed to accept

457
00:23:34,119 --> 00:23:37,120
Speaker 1: now that you're shooting to kill the one thing we

458
00:23:37,200 --> 00:23:40,240
Speaker 1: know about Kendrick Lamar when he come to shoot at

459
00:23:40,240 --> 00:23:43,840
Speaker 1: the Drake, he's shooting to kill Kanye, How we know

460
00:23:43,920 --> 00:23:45,880
Speaker 1: you shooting to kill and you done put your gun,

461
00:23:46,320 --> 00:23:48,560
Speaker 1: You done handed in your sights and put it down.

462
00:23:48,640 --> 00:23:52,800
Speaker 1: Every time you keep apologizing, how do we know this

463
00:23:53,000 --> 00:23:56,960
Speaker 1: is real? I think Kanye serves more of a benefit

464
00:23:57,480 --> 00:24:02,040
Speaker 1: as a structure piece in this royal rumble. I think

465
00:24:02,080 --> 00:24:04,880
Speaker 1: he needs to be a producer. He needs to put

466
00:24:04,880 --> 00:24:09,520
Speaker 1: his two cents in from a production standpoint, and when

467
00:24:09,560 --> 00:24:11,800
Speaker 1: it comes to rapping, I'm not sure how effective the

468
00:24:11,880 --> 00:24:13,960
Speaker 1: fans are gonna take it because we.

469
00:24:14,000 --> 00:24:17,840
Speaker 4: Know you love Drake. Yay, we know you love Drake.

470
00:24:17,960 --> 00:24:20,280
Speaker 1: So it's gonna be hard for you to convince us

471
00:24:20,320 --> 00:24:23,240
Speaker 1: now that you're shooting for the head like it's hard

472
00:24:23,280 --> 00:24:23,439
Speaker 1: for you.

473
00:24:23,520 --> 00:24:24,919
Speaker 4: At least it's hard to convince me.

474
00:24:26,720 --> 00:24:29,520
Speaker 1: This next part I think I find interesting as well

475
00:24:29,720 --> 00:24:32,880
Speaker 1: is Ya talks about loos and grains. We're gonna spend

476
00:24:32,880 --> 00:24:36,359
Speaker 1: about fifteen more minutes on Ya, and then we'll move on.

477
00:24:36,359 --> 00:24:38,000
Speaker 4: To Quavo and Chris Brown.

478
00:24:38,040 --> 00:24:41,199
Speaker 1: But Yay spent some time talking about loos and grains

479
00:24:41,200 --> 00:24:42,440
Speaker 1: and Drake's relationship.

480
00:24:42,720 --> 00:24:43,840
Speaker 4: Let's take a look at some of that.

481
00:24:44,440 --> 00:24:49,080
Speaker 3: Absolutely, we're gonna name this dragons and demonics like Drake

482
00:24:49,160 --> 00:24:50,879
Speaker 3: and all this type of shit, We're gonna change your

483
00:24:50,920 --> 00:24:54,000
Speaker 3: name actor and do this. And because it's like you know,

484
00:24:54,119 --> 00:24:57,280
Speaker 3: in a heart of hearts, like whether it's like tubs

485
00:24:57,280 --> 00:24:59,040
Speaker 3: and that's not all the kind of that they love

486
00:24:59,119 --> 00:25:02,600
Speaker 3: yay And I'm I'm invegetable, like even if I died,

487
00:25:02,640 --> 00:25:06,080
Speaker 3: I wouldn't die. I'm like so and as I'm tired

488
00:25:06,119 --> 00:25:08,520
Speaker 3: of this nigga fucking with me and all this shit. Man.

489
00:25:08,560 --> 00:25:10,680
Speaker 3: So the fact that these niggas is coming together finding

490
00:25:10,680 --> 00:25:13,119
Speaker 3: it because it's not just about the elimination of Drake,

491
00:25:13,240 --> 00:25:16,120
Speaker 3: you know, it's like like we're gonna tear the head

492
00:25:16,160 --> 00:25:18,919
Speaker 3: off whoever they got that they thought was in control

493
00:25:19,000 --> 00:25:20,199
Speaker 3: all the shit, Like look at this, it's like they

494
00:25:20,320 --> 00:25:22,840
Speaker 3: running the numbers, they running on radio. They got to smash.

495
00:25:22,880 --> 00:25:25,440
Speaker 3: And then you know it's like now they're not playing

496
00:25:25,480 --> 00:25:29,640
Speaker 3: Little Wayne no more because he ain't you know, he's

497
00:25:29,720 --> 00:25:32,359
Speaker 3: not directly connected with Lucy. And then they go and

498
00:25:32,440 --> 00:25:35,000
Speaker 3: like buy the cash money shit out and they like

499
00:25:35,080 --> 00:25:37,840
Speaker 3: pick and choose. They want, Oh, we're gonna have migos

500
00:25:37,920 --> 00:25:41,360
Speaker 3: one week and then we're gonna have future this. Then

501
00:25:41,440 --> 00:25:43,320
Speaker 3: we had two chains, this, that, and they always picked

502
00:25:43,359 --> 00:25:45,040
Speaker 3: somebody we gonna have twenty one after you know what

503
00:25:45,040 --> 00:25:47,560
Speaker 3: I'm saying, It's like they always pick somebody from Atlanta.

504
00:25:47,760 --> 00:25:50,520
Speaker 3: I'm from I was born in Atlanta, right whatever, you know,

505
00:25:50,840 --> 00:25:51,960
Speaker 3: how did that even happen?

506
00:25:52,000 --> 00:25:54,399
Speaker 2: Though, Like I mean, before we even get into what happened?

507
00:25:54,520 --> 00:25:56,120
Speaker 2: Who is Lucian Grenge?

508
00:25:56,240 --> 00:25:56,359
Speaker 7: Like?

509
00:25:56,520 --> 00:25:57,040
Speaker 3: Who is he?

510
00:25:57,080 --> 00:25:59,200
Speaker 2: Because people don't know who he is? And I feel

511
00:25:59,200 --> 00:26:01,240
Speaker 2: like you have to be your upt to know exactly

512
00:26:01,280 --> 00:26:03,000
Speaker 2: who he is. And you've got to that level.

513
00:26:03,040 --> 00:26:05,320
Speaker 3: He's still higher, He's still a higher gun. He's just

514
00:26:05,359 --> 00:26:09,160
Speaker 3: like a like a nigga handler, like he just control

515
00:26:09,200 --> 00:26:12,720
Speaker 3: like Universal, he running for him. But he ain't like

516
00:26:13,960 --> 00:26:16,600
Speaker 3: he ain't no overboss or nothing like that. He ain't

517
00:26:16,640 --> 00:26:21,120
Speaker 3: no no billionaire nigga. Like yeah, yeah, I mean yeah,

518
00:26:21,200 --> 00:26:22,720
Speaker 3: but he got a billion. You know what I'm saying.

519
00:26:22,760 --> 00:26:24,959
Speaker 3: His money is like infinite. It's just a it's a

520
00:26:24,960 --> 00:26:27,159
Speaker 3: form of energy as a tool and shit, you know

521
00:26:27,680 --> 00:26:30,920
Speaker 3: it's like, but he is someone who in the constructs

522
00:26:30,920 --> 00:26:34,440
Speaker 3: of where where niggas have been placed.

523
00:26:34,560 --> 00:26:37,439
Speaker 1: When you hear Kanye West talk about loosing grains and

524
00:26:37,480 --> 00:26:40,119
Speaker 1: the connections as it pertains to the record labels and

525
00:26:40,280 --> 00:26:44,680
Speaker 1: Universal or Republic, him throw around cash money, catalog and

526
00:26:44,800 --> 00:26:45,479
Speaker 1: certain things.

527
00:26:45,720 --> 00:26:46,960
Speaker 4: I want to kind of provide my.

528
00:26:46,960 --> 00:26:51,879
Speaker 1: Perspective and my narrative as it pertains to this subject.

529
00:26:51,920 --> 00:26:55,000
Speaker 1: Over the next few episodes of his Ubject podcast, you

530
00:26:55,040 --> 00:26:59,280
Speaker 1: will see us discussing this quote unquote loosing grains package

531
00:27:00,080 --> 00:27:03,440
Speaker 1: that Kanye West is speaking about with some artists that's

532
00:27:03,480 --> 00:27:05,880
Speaker 1: actually in the game, and some people all be defending

533
00:27:05,960 --> 00:27:09,240
Speaker 1: it and others will not be. But if I'm being

534
00:27:09,280 --> 00:27:12,640
Speaker 1: honest with anybody that's watching, right with my very limited

535
00:27:12,720 --> 00:27:16,400
Speaker 1: knowledge as it pertains to how the overall industry operates,

536
00:27:16,760 --> 00:27:18,440
Speaker 1: because I'm in it, but they making.

537
00:27:18,240 --> 00:27:20,160
Speaker 4: A lot of money in here, and it's a lot

538
00:27:20,240 --> 00:27:21,800
Speaker 4: going on, and.

539
00:27:21,800 --> 00:27:24,800
Speaker 1: So I need people to understand that everything that meets

540
00:27:24,840 --> 00:27:28,639
Speaker 1: the eye shouldn't make his way to the heart. You

541
00:27:28,720 --> 00:27:31,960
Speaker 1: hear me, Everything that meets the eye shouldn't make his

542
00:27:32,040 --> 00:27:34,520
Speaker 1: way to the herd. So you gotta check and recheck,

543
00:27:34,640 --> 00:27:38,000
Speaker 1: measure twice, cut once, because once you cut, you won't

544
00:27:38,000 --> 00:27:41,360
Speaker 1: get another chance to cut. You see, So pay attention.

545
00:27:41,760 --> 00:27:45,240
Speaker 1: Kanye West is speaking about a loosing grains package, and

546
00:27:45,320 --> 00:27:49,320
Speaker 1: I think this entire business is ran on option allies,

547
00:27:51,080 --> 00:27:53,680
Speaker 1: and so when he speaks about this package, I think

548
00:27:53,720 --> 00:27:56,879
Speaker 1: it's about information and connections. I'm not gonna sit here

549
00:27:56,880 --> 00:27:59,000
Speaker 1: and act like Drake didn't have to work his way

550
00:27:59,040 --> 00:28:02,119
Speaker 1: into a position because he was bottled up in some

551
00:28:02,200 --> 00:28:05,080
Speaker 1: of these same deals we hear niggas complain about. It's

552
00:28:05,200 --> 00:28:08,640
Speaker 1: just that his music outworked the deals. He was outpacing

553
00:28:08,680 --> 00:28:10,920
Speaker 1: the deals. They had to amend the deals. They had

554
00:28:10,960 --> 00:28:13,440
Speaker 1: to get him right before I quit this whole thing,

555
00:28:13,920 --> 00:28:17,000
Speaker 1: or just threaten the work, stoppach or turn the fans

556
00:28:17,040 --> 00:28:19,640
Speaker 1: against you right. There was so many scenarios that could

557
00:28:19,680 --> 00:28:21,879
Speaker 1: have took place, and so with Drake, they had to

558
00:28:21,960 --> 00:28:25,320
Speaker 1: amend those contracts. They had to fix and heal those

559
00:28:25,440 --> 00:28:28,560
Speaker 1: wounds to make sure that he was kept happy. You

560
00:28:28,600 --> 00:28:31,720
Speaker 1: dig what I'm saying. So y'all gotta understand that there's

561
00:28:31,720 --> 00:28:34,240
Speaker 1: a different level of being this happening. Drake was in

562
00:28:34,280 --> 00:28:38,240
Speaker 1: some of them same contracts niggas complaining about. It ain't

563
00:28:38,320 --> 00:28:40,040
Speaker 1: like he come in with one of the hell of

564
00:28:40,040 --> 00:28:43,680
Speaker 1: a contract. That's why he was around us because News

565
00:28:43,760 --> 00:28:46,040
Speaker 1: was eating off of them. And you know how we do.

566
00:28:46,760 --> 00:28:50,120
Speaker 1: You need to bring anybody to the neighborhood. You need

567
00:28:50,160 --> 00:28:52,760
Speaker 1: to bring anybody to the neighborhood. If you making some

568
00:28:52,840 --> 00:28:55,360
Speaker 1: money off of him. I used to have to tell man,

569
00:28:55,440 --> 00:28:57,960
Speaker 1: don't bring him around me. Man, I don't give a

570
00:28:58,200 --> 00:29:00,680
Speaker 1: if your sale or been around you twenty year.

571
00:29:02,240 --> 00:29:05,560
Speaker 4: It's just some other shit. Don't bring him around this y'all.

572
00:29:05,560 --> 00:29:08,200
Speaker 1: Bring anybody to the neighborhood, especially if it's some being

573
00:29:08,280 --> 00:29:11,920
Speaker 1: that's involved. They'll bring a square rapper, rap bigger be

574
00:29:12,080 --> 00:29:14,240
Speaker 1: from tim Buck two. They'll bring him straight to the

575
00:29:14,280 --> 00:29:19,200
Speaker 1: neighborhood because he went some street. Now, this ain't nobody

576
00:29:19,240 --> 00:29:19,960
Speaker 1: in particular.

577
00:29:20,000 --> 00:29:20,240
Speaker 4: Hood.

578
00:29:20,280 --> 00:29:23,160
Speaker 1: Is everybody hood, so but it's a cold that we

579
00:29:23,240 --> 00:29:26,480
Speaker 1: gotta live by. So I don't never appreciate that shit.

580
00:29:26,960 --> 00:29:29,120
Speaker 1: When I see the white dude walking through the hood

581
00:29:29,120 --> 00:29:31,800
Speaker 1: that don't nobody know. I don't serve him. I don't

582
00:29:31,840 --> 00:29:34,720
Speaker 1: give a how much money got. He can have ten

583
00:29:34,800 --> 00:29:37,400
Speaker 1: thousand dollars and don't want nothing but of ounce. I

584
00:29:37,440 --> 00:29:40,200
Speaker 1: don't know what you're talking about, sir, because I can't

585
00:29:40,240 --> 00:29:41,120
Speaker 1: get out like that.

586
00:29:41,200 --> 00:29:43,960
Speaker 4: There's a tribe involved with this thing of ours.

587
00:29:44,320 --> 00:29:47,720
Speaker 1: Anything outside of that tribe threatens that tried with that

588
00:29:47,760 --> 00:29:50,040
Speaker 1: in mind, I moved with caution. But they had to

589
00:29:50,040 --> 00:29:52,840
Speaker 1: get Drake contracts, right, See that tricky from the outside

590
00:29:52,880 --> 00:29:54,800
Speaker 1: of this game. Just yo, get in and get hot,

591
00:29:54,840 --> 00:29:57,240
Speaker 1: bro just get hot. Now, that ain't worth for damn.

592
00:29:57,320 --> 00:30:00,600
Speaker 1: I'm telling you right, I'm telling you to understand this here.

593
00:30:00,960 --> 00:30:03,560
Speaker 1: You better have somebody around you that can do some business,

594
00:30:03,640 --> 00:30:07,360
Speaker 1: or you better understand this business. Not no real estate lord.

595
00:30:07,400 --> 00:30:11,720
Speaker 1: You got him doing entertainment contracts because they gonna whoop

596
00:30:11,840 --> 00:30:15,000
Speaker 1: on him over here, respectfully to the years he has

597
00:30:15,040 --> 00:30:17,920
Speaker 1: wrapped up in frightened criminal cases. When he get over

598
00:30:17,960 --> 00:30:21,640
Speaker 1: here and entertainment law dealing with these millions, man, they

599
00:30:21,760 --> 00:30:25,640
Speaker 1: gonna wop on him because they got to play for

600
00:30:25,720 --> 00:30:29,040
Speaker 1: the play that he know about. There's a lot of misconceptions.

601
00:30:29,080 --> 00:30:34,760
Speaker 1: But one of the many misconceptions about this entertainment industry

602
00:30:34,760 --> 00:30:38,560
Speaker 1: in particular, and I'm almost ready to say alongside all

603
00:30:38,600 --> 00:30:42,360
Speaker 1: big business, is that money opens doors. I wouldn't say

604
00:30:42,360 --> 00:30:44,280
Speaker 1: they lied to you when they said that, but they

605
00:30:44,360 --> 00:30:47,520
Speaker 1: left off some things. And that's much more to consider

606
00:30:47,600 --> 00:30:51,320
Speaker 1: than just getting in a door, getting in the room,

607
00:30:51,440 --> 00:30:52,400
Speaker 1: getting in the house.

608
00:30:54,240 --> 00:30:54,440
Speaker 4: Right.

609
00:30:54,560 --> 00:30:58,560
Speaker 1: I found this interesting that the more people I run

610
00:30:58,600 --> 00:31:00,480
Speaker 1: into that trying to get in the game, they just

611
00:31:00,520 --> 00:31:02,920
Speaker 1: want to get next to somebody, and they don't understand

612
00:31:02,960 --> 00:31:05,080
Speaker 1: that ain't enough to do nothing for you. Of them

613
00:31:05,440 --> 00:31:08,200
Speaker 1: somebody gotta know which one they working, and somebody got

614
00:31:08,200 --> 00:31:11,560
Speaker 1: to know how to work it. You know, everything ain't

615
00:31:11,600 --> 00:31:15,080
Speaker 1: for everybody. And so when they told us money open doors,

616
00:31:15,160 --> 00:31:18,800
Speaker 1: then you say, well, what doors to what rooms to

617
00:31:18,880 --> 00:31:22,200
Speaker 1: what house? And so people just think when they hear

618
00:31:22,280 --> 00:31:24,920
Speaker 1: money opens doors just to get to the house and

619
00:31:24,960 --> 00:31:27,480
Speaker 1: get in the house. They didn't tell you that there's

620
00:31:27,560 --> 00:31:30,800
Speaker 1: rooms in the house. So there's other doors you gotta

621
00:31:30,840 --> 00:31:33,120
Speaker 1: get to, and so you spend all your time just

622
00:31:33,160 --> 00:31:35,080
Speaker 1: trying to get through the door. You get to the house,

623
00:31:35,120 --> 00:31:37,440
Speaker 1: get through the door. Now it's rooms, Which room to

624
00:31:37,480 --> 00:31:40,520
Speaker 1: go in? You don't know. You spend literally all your

625
00:31:40,600 --> 00:31:42,960
Speaker 1: time focused on just getting to the house, getting through

626
00:31:42,960 --> 00:31:47,400
Speaker 1: that door. No one told you about the rooms. Hustlers

627
00:31:47,440 --> 00:31:49,680
Speaker 1: get caught in the hustle. I always try to say,

628
00:31:49,760 --> 00:31:52,520
Speaker 1: let's get some business done, get some information. I've been

629
00:31:52,560 --> 00:31:55,760
Speaker 1: holling information since twenty twenty. Those that know me notice

630
00:31:56,680 --> 00:31:59,360
Speaker 1: I'm an information guy. I'm a day to brokeer. Everybody

631
00:31:59,440 --> 00:32:02,280
Speaker 1: noticed that, right. I ain't knew on this information thing.

632
00:32:02,320 --> 00:32:04,720
Speaker 1: I've been hollering this from the beginning of time. I

633
00:32:04,760 --> 00:32:07,240
Speaker 1: ain't no different than nobody else. But I knew damn

634
00:32:07,280 --> 00:32:09,720
Speaker 1: well that it wasn't about getting to the house. I

635
00:32:09,760 --> 00:32:11,800
Speaker 1: needed to get to the house, but I also needed

636
00:32:11,800 --> 00:32:14,640
Speaker 1: the floor plans because I needed to know which room

637
00:32:14,680 --> 00:32:15,280
Speaker 1: to go in.

638
00:32:16,000 --> 00:32:17,040
Speaker 4: You see what I'm saying.

639
00:32:17,760 --> 00:32:19,840
Speaker 1: Your money just to get you to the house and

640
00:32:19,880 --> 00:32:22,480
Speaker 1: through the door of the house. They don't tell you

641
00:32:22,560 --> 00:32:24,880
Speaker 1: where to go to get the information in that house.

642
00:32:25,120 --> 00:32:28,080
Speaker 1: And so what Kanye West is speaking about the looting

643
00:32:28,160 --> 00:32:32,560
Speaker 1: Grain package is the infrastructure information to go along with

644
00:32:32,680 --> 00:32:36,880
Speaker 1: the music. Making the music is one thing, but that's infrastructure.

645
00:32:37,240 --> 00:32:39,400
Speaker 1: You got to the house with your music and it

646
00:32:39,520 --> 00:32:41,800
Speaker 1: sound good, and you think you got a chance to

647
00:32:41,840 --> 00:32:45,080
Speaker 1: battle with Drake for number one, you sadly mistaken. It's

648
00:32:45,120 --> 00:32:51,400
Speaker 1: infrastructure running alongside Drake's music. The same with podcasting. As

649
00:32:51,400 --> 00:32:53,560
Speaker 1: I see as I get in, I say, oh, I'm in.

650
00:32:54,360 --> 00:32:59,440
Speaker 1: But it's infrastructure. Loan, it's infrastructure that that's what they

651
00:32:59,520 --> 00:33:02,360
Speaker 1: gonna need. Somebody just got quiet. Don't nobody say nothing

652
00:33:02,400 --> 00:33:07,800
Speaker 1: because it's infrastructure. It's Yo, we got a good story.

653
00:33:07,840 --> 00:33:10,000
Speaker 1: How do we get that out to the press? Like,

654
00:33:10,080 --> 00:33:12,600
Speaker 1: I ain't gonna bore you guys with all of the

655
00:33:12,640 --> 00:33:17,760
Speaker 1: things that infrastructure provides you as it pertains to this business.

656
00:33:17,760 --> 00:33:20,040
Speaker 1: But when you hear about Kanye West speaking about this

657
00:33:20,160 --> 00:33:22,520
Speaker 1: loosen Grange package.

658
00:33:22,680 --> 00:33:25,440
Speaker 4: It's all about that. Yo. Yeah, money opens doors.

659
00:33:25,600 --> 00:33:29,760
Speaker 1: But these dudes got fifty years of infrastructure, and the

660
00:33:29,840 --> 00:33:32,280
Speaker 1: kind of deal that Drake got is probably only warranted

661
00:33:32,320 --> 00:33:36,160
Speaker 1: for the top three across all genres too. It's probably

662
00:33:36,200 --> 00:33:38,760
Speaker 1: only one in rap hip hop that can get that deal.

663
00:33:38,840 --> 00:33:42,360
Speaker 1: And so now with that information being prevalent, you have

664
00:33:42,560 --> 00:33:44,600
Speaker 1: someone like a Joe Budden that will take that and

665
00:33:44,640 --> 00:33:47,760
Speaker 1: try to act like he's enough everybody's publishing. I have

666
00:33:47,840 --> 00:33:50,760
Speaker 1: to reject that push back to that notion, but I

667
00:33:50,760 --> 00:33:53,600
Speaker 1: do won't acknowledge the fact that I do believe Drake

668
00:33:53,640 --> 00:33:56,600
Speaker 1: to have one of the only deals of his magnitude

669
00:33:56,680 --> 00:33:59,760
Speaker 1: and has a mend almost every part of the contract

670
00:34:00,080 --> 00:34:03,400
Speaker 1: known the most rapper. I think he does have different stipulations,

671
00:34:03,680 --> 00:34:06,800
Speaker 1: different bitch marks and payouts in his contracts. I mean,

672
00:34:06,840 --> 00:34:09,000
Speaker 1: he's been an erner for the last ten years. That'll

673
00:34:09,040 --> 00:34:11,520
Speaker 1: be crazy not to acknowledge that. Let's listen to a

674
00:34:11,520 --> 00:34:11,960
Speaker 1: little more.

675
00:34:12,000 --> 00:34:13,840
Speaker 2: It's a minute ago you put it on all DSP

676
00:34:14,080 --> 00:34:16,399
Speaker 2: so he's really standing on his disc Have.

677
00:34:16,400 --> 00:34:18,440
Speaker 3: You heard both of them? Yes? I heard it.

678
00:34:18,560 --> 00:34:20,520
Speaker 2: What do you think Kendrick's gonna do. Now do you

679
00:34:20,560 --> 00:34:22,200
Speaker 2: think he got some shit for Drake? Who do you

680
00:34:22,239 --> 00:34:24,000
Speaker 2: think wins that?

681
00:34:24,080 --> 00:34:24,480
Speaker 4: I win?

682
00:34:24,760 --> 00:34:26,680
Speaker 3: I got some shit for Drake, and know nobody wanted

683
00:34:26,719 --> 00:34:28,880
Speaker 3: with me. Oh look what you mean you got some

684
00:34:28,880 --> 00:34:31,000
Speaker 3: shit for Drake? That's something of course.

685
00:34:31,400 --> 00:34:34,080
Speaker 2: It's like right now, like you got some shit ready

686
00:34:34,080 --> 00:34:36,640
Speaker 2: for Drake? Should we listened to the ship on him?

687
00:34:36,680 --> 00:34:39,600
Speaker 3: Fuck him? Like I told you, I put the ship in.

688
00:34:39,680 --> 00:34:42,719
Speaker 3: I said, fuck this nigga is fuck this nigga and

689
00:34:42,760 --> 00:34:44,560
Speaker 3: I like him, you know what I'm saying. But it's

690
00:34:44,640 --> 00:34:48,320
Speaker 3: like it's it's always like, fuck this nigga. A little

691
00:34:48,320 --> 00:34:51,160
Speaker 3: slick shit he be doing fuck all that, and that's

692
00:34:51,160 --> 00:34:53,520
Speaker 3: what it is. But I did do this like that

693
00:34:53,680 --> 00:34:55,400
Speaker 3: remix though, I think that's what you was one of

694
00:34:55,440 --> 00:34:57,920
Speaker 3: the let me see you got to like that.

695
00:34:58,400 --> 00:35:00,759
Speaker 2: I don't believe Yay jumped on the Like that remake for.

696
00:35:00,719 --> 00:35:03,160
Speaker 1: Those of y'all that's on YouTube right now. It's gonna

697
00:35:03,160 --> 00:35:05,920
Speaker 1: cut out. Come to Patreon or join as a member

698
00:35:06,480 --> 00:35:08,000
Speaker 1: to get this will come to Patreon.

699
00:35:08,080 --> 00:35:12,120
Speaker 4: Y'all know, I with you respectfully, y.

700
00:35:15,080 --> 00:35:19,880
Speaker 8: Gosh tast style Roofstile.

701
00:35:20,040 --> 00:35:23,040
Speaker 10: I just put your pitch and the shan John takes out.

702
00:35:27,400 --> 00:35:28,719
Speaker 4: What that ship back?

703
00:35:29,200 --> 00:35:32,200
Speaker 8: You get the hooliganism. Here you go, you done, I

704
00:35:32,239 --> 00:35:33,160
Speaker 8: got you.

705
00:35:33,200 --> 00:35:38,000
Speaker 11: Wow, there's some real invented ship. When you ain't come

706
00:35:38,040 --> 00:35:42,720
Speaker 11: on some ship. Oh it's really up. Oh it's really

707
00:35:42,840 --> 00:35:46,680
Speaker 11: up now, Oh my god.

708
00:35:49,040 --> 00:35:50,319
Speaker 3: Tang style roost tile.

709
00:35:50,480 --> 00:35:53,040
Speaker 10: I just put your bitch and the shan John takes

710
00:35:53,080 --> 00:35:57,040
Speaker 10: time treat a bad fish like she average. Who I

711
00:35:57,120 --> 00:35:59,600
Speaker 10: treat a bad bitch like a bad bitch. She like

712
00:35:59,600 --> 00:36:01,759
Speaker 10: to have a let me get your money your game

713
00:36:02,640 --> 00:36:05,080
Speaker 10: when you're gonna get fun in your game. And yeah,

714
00:36:05,080 --> 00:36:07,560
Speaker 10: you see they trying to count the gap like that.

715
00:36:08,200 --> 00:36:10,480
Speaker 10: We just hit a number one right.

716
00:36:11,120 --> 00:36:13,399
Speaker 8: Other number one find up at the top.

717
00:36:13,880 --> 00:36:16,960
Speaker 10: Titani and Grills called a smile on the prox. I

718
00:36:16,960 --> 00:36:19,439
Speaker 10: ain't had m stein that you able to jack.

719
00:36:19,760 --> 00:36:21,040
Speaker 4: I ain't been a drill too.

720
00:36:21,200 --> 00:36:24,319
Speaker 10: I ain't gonna lie with chops.

721
00:36:24,160 --> 00:36:25,560
Speaker 3: Nothing want you want?

722
00:36:26,000 --> 00:36:28,280
Speaker 5: Then it's two and over.

723
00:36:28,200 --> 00:36:29,200
Speaker 4: Time dollars.

724
00:36:30,440 --> 00:36:33,600
Speaker 12: Club till the street, shot the drones and hit like

725
00:36:33,680 --> 00:36:36,080
Speaker 12: metro beats.

726
00:36:36,080 --> 00:36:39,640
Speaker 10: The niggas West Lucy Man served your masters.

727
00:36:39,800 --> 00:36:43,040
Speaker 3: Niggas, you caught a little bag for your master's digging

728
00:36:43,120 --> 00:36:48,480
Speaker 3: your lifetime bill like a bathing nigga. Yeah, Pluto called me.

729
00:36:48,520 --> 00:36:50,319
Speaker 3: I went to the studio, laid that and then we

730
00:36:52,200 --> 00:36:54,960
Speaker 3: you know, went through the you know, the creative process

731
00:36:55,040 --> 00:36:58,080
Speaker 3: and the cords and called the Hooligans called him out

732
00:36:58,080 --> 00:37:00,800
Speaker 3: in London to get on a joint. You know, everybody

733
00:37:00,880 --> 00:37:05,919
Speaker 3: is very very excited about the elimination of Drake. Yo,

734
00:37:06,800 --> 00:37:09,960
Speaker 3: you're not excited. We was energized. I mean.

735
00:37:13,680 --> 00:37:16,200
Speaker 2: There's a lot to take in because, like you said,

736
00:37:16,280 --> 00:37:19,680
Speaker 2: you like people. You and Drake was neighbors on one time.

737
00:37:20,560 --> 00:37:21,400
Speaker 3: That wasn't my choice.

738
00:37:22,400 --> 00:37:24,760
Speaker 4: Let's talk about the song really quick again.

739
00:37:24,840 --> 00:37:27,880
Speaker 1: I don't think the song is it's not trash, of

740
00:37:27,920 --> 00:37:30,759
Speaker 1: course is yeay, he put his touch on it. I

741
00:37:30,880 --> 00:37:35,200
Speaker 1: literally like what he's doing with the Hooligans added element.

742
00:37:35,320 --> 00:37:38,360
Speaker 1: He always adds to the algorithm as it pertains the music.

743
00:37:38,400 --> 00:37:42,160
Speaker 1: I think that's one of the most valuable players. He

744
00:37:42,239 --> 00:37:45,919
Speaker 1: adds to the algorithm almost almost every time out. Even

745
00:37:45,960 --> 00:37:49,000
Speaker 1: if he's getting those ideas from other people and kind

746
00:37:49,000 --> 00:37:53,320
Speaker 1: of putting them in an incubator and then perfect them.

747
00:37:53,760 --> 00:37:56,640
Speaker 1: It's something there to respect that dude has done a lot.

748
00:37:56,800 --> 00:37:59,440
Speaker 1: I don't think the song is effective as it pertains

749
00:37:59,480 --> 00:38:02,480
Speaker 1: the balls and lyrics as I continue to tell y'all

750
00:38:02,640 --> 00:38:05,919
Speaker 1: they're hitting Drake with all the narratives associated with his name.

751
00:38:06,280 --> 00:38:09,440
Speaker 1: Some people are saying, yo, they set in the stage.

752
00:38:10,360 --> 00:38:13,080
Speaker 1: But I believe Kendrick to be somewhat like I am,

753
00:38:13,200 --> 00:38:17,880
Speaker 1: which is a pure creative and so it's like, ah, fuck,

754
00:38:17,960 --> 00:38:19,960
Speaker 1: don't say tom Man, I can't say that.

755
00:38:20,080 --> 00:38:20,279
Speaker 4: Now.

756
00:38:20,920 --> 00:38:24,239
Speaker 1: It's like when I have a take about something I

757
00:38:24,280 --> 00:38:26,920
Speaker 1: hate when someone else had the same take, even if

758
00:38:26,960 --> 00:38:30,520
Speaker 1: it's one of the greatest minds in the world, Like

759
00:38:30,640 --> 00:38:32,719
Speaker 1: I might have a take and Gary V had the

760
00:38:32,760 --> 00:38:35,879
Speaker 1: same take, and I'm like, damn it, Like I want

761
00:38:35,880 --> 00:38:37,560
Speaker 1: my take to be like I want to have a

762
00:38:37,719 --> 00:38:41,279
Speaker 1: unique take, even though in this world that's becoming unreasonable,

763
00:38:41,520 --> 00:38:44,040
Speaker 1: you know, on my plight what I'm noticing, But I

764
00:38:44,080 --> 00:38:46,480
Speaker 1: do want to be unique, and I'm gonna stay unique.

765
00:38:46,560 --> 00:38:49,920
Speaker 1: But I think Kendrick, they could be taking all of

766
00:38:49,960 --> 00:38:53,480
Speaker 1: the air out of Kendrick's ball. They could be Robin

767
00:38:53,680 --> 00:38:57,400
Speaker 1: Kendrick of every narrative that he's able to use.

768
00:38:57,560 --> 00:38:57,759
Speaker 4: Now.

769
00:38:57,800 --> 00:38:59,919
Speaker 1: I think nobody can use the gang bang of anger

770
00:39:00,160 --> 00:39:02,759
Speaker 1: like him, and I do believe him to take this

771
00:39:03,680 --> 00:39:08,160
Speaker 1: underage thing to another level because for me, that seems

772
00:39:08,160 --> 00:39:10,600
Speaker 1: to be one of the more effective angles that has

773
00:39:10,680 --> 00:39:14,359
Speaker 1: not been tampled with everything else they running around with

774
00:39:14,400 --> 00:39:18,839
Speaker 1: it now, Kanye, with the Lucien Grains thing, that is

775
00:39:18,920 --> 00:39:22,560
Speaker 1: adding another element. The rich Baby Daddy is really taking

776
00:39:22,600 --> 00:39:25,280
Speaker 1: your song that you on with sixy Red and using

777
00:39:25,320 --> 00:39:27,319
Speaker 1: it against you, you know what I'm saying. So that's

778
00:39:27,320 --> 00:39:30,399
Speaker 1: a little battle rap kind of thing that's happening there.

779
00:39:30,480 --> 00:39:33,960
Speaker 1: But for me, I understand that in this matchup, you're

780
00:39:34,000 --> 00:39:39,359
Speaker 1: gonna be dealing with nuance, narratives, rapping, media memes. It's

781
00:39:39,360 --> 00:39:41,600
Speaker 1: gonna be a lot going on, more than just your

782
00:39:41,640 --> 00:39:44,840
Speaker 1: traditional beats and raps. If you ask somebody like me,

783
00:39:45,120 --> 00:39:48,560
Speaker 1: this is your new form of battling. This is what

784
00:39:48,760 --> 00:39:51,600
Speaker 1: battling for high profile artists is gonna look like in

785
00:39:51,640 --> 00:39:54,080
Speaker 1: the near future. It's not gonna go back to just

786
00:39:54,800 --> 00:39:56,920
Speaker 1: a record, than a record in six months then a

787
00:39:57,000 --> 00:39:59,960
Speaker 1: record that's gonna be records, memes. There's gonna be media

788
00:40:00,280 --> 00:40:02,480
Speaker 1: involved with it, and we're gonna talk about how I

789
00:40:02,520 --> 00:40:05,880
Speaker 1: feel like. Even though that Quavo song that he just

790
00:40:05,960 --> 00:40:09,279
Speaker 1: dropped on Chris Brown as a banger, that poster came

791
00:40:09,320 --> 00:40:12,240
Speaker 1: to the South and so Kanye Wess talked about future

792
00:40:12,320 --> 00:40:15,680
Speaker 1: hitting him up to get this done. I was telling

793
00:40:15,719 --> 00:40:18,480
Speaker 1: some record execs like Future is gonna be the problem.

794
00:40:18,520 --> 00:40:22,120
Speaker 1: He has to neutralize future. If he does not neutralize future,

795
00:40:22,280 --> 00:40:24,520
Speaker 1: we're gonna be dealing with a wolverine on the loose.

796
00:40:24,840 --> 00:40:27,879
Speaker 2: That because it's like for everybody, all of the great

797
00:40:27,920 --> 00:40:35,880
Speaker 2: you weakend Pluto, Metro Ross Kendrick, Kendrick like, there's something

798
00:40:36,560 --> 00:40:40,000
Speaker 2: obviously wrong with this one individual that no one wants

799
00:40:40,040 --> 00:40:41,560
Speaker 2: to speak about. And I feel like you're the only

800
00:40:41,560 --> 00:40:43,919
Speaker 2: person that's gonna really put it out there.

801
00:40:44,120 --> 00:40:47,239
Speaker 3: They say rich baby daddy is like Drake has a

802
00:40:47,360 --> 00:40:53,360
Speaker 3: rich baby daddy named Lucien and universal Wow. He's like,

803
00:40:53,400 --> 00:40:55,160
Speaker 3: you know, like, man, my daddy got it. You know

804
00:40:55,200 --> 00:40:57,800
Speaker 3: what I'm saying. It's like my daddy controlled the spins,

805
00:40:57,880 --> 00:41:00,880
Speaker 3: my daddy got the DSPs. My daddy Drake has a

806
00:41:01,000 --> 00:41:04,440
Speaker 3: rich baby daddy named Lucy or Lucy and work for

807
00:41:05,160 --> 00:41:08,680
Speaker 3: people who control the banks in Africa, who keep you know,

808
00:41:09,520 --> 00:41:12,800
Speaker 3: think about download. We had Black Wall Street, we had Harlem.

809
00:41:12,920 --> 00:41:15,399
Speaker 3: It's just I'm god, you know what I'm saying. I'm

810
00:41:15,440 --> 00:41:16,480
Speaker 3: back here again. I'm later.

811
00:41:16,840 --> 00:41:18,719
Speaker 1: See That's the thing. I don't think I can be

812
00:41:18,840 --> 00:41:22,719
Speaker 1: around you. I ain't no nigga finna tell me that God. Now,

813
00:41:23,160 --> 00:41:25,840
Speaker 1: Now you done took this shit too far. Now I

814
00:41:25,920 --> 00:41:29,400
Speaker 1: fuck with you, but you ain't gonna do that. You

815
00:41:29,400 --> 00:41:31,239
Speaker 1: ain't gonna see it in my face and tell me

816
00:41:31,320 --> 00:41:31,799
Speaker 1: you God.

817
00:41:31,960 --> 00:41:32,160
Speaker 4: Now.

818
00:41:32,480 --> 00:41:34,840
Speaker 1: I want to reiterate for all the youngsters just chasing

819
00:41:34,880 --> 00:41:37,880
Speaker 1: this game and think all they need is some money

820
00:41:38,040 --> 00:41:41,200
Speaker 1: and to get hot and they can be competing with

821
00:41:41,200 --> 00:41:42,840
Speaker 1: some of the biggest in the game, I want you

822
00:41:42,880 --> 00:41:44,760
Speaker 1: to know it's a little bit more to that formula

823
00:41:44,800 --> 00:41:46,880
Speaker 1: and that recipe that they ain't told you about it.

824
00:41:46,920 --> 00:41:49,560
Speaker 1: A lot of people communicating don't even know the formula.

825
00:41:49,719 --> 00:41:52,120
Speaker 1: But it's important that you know. You ain't talking to chefs.

826
00:41:52,160 --> 00:41:55,440
Speaker 1: You talking to prep cooks. Them niggas might have prepped

827
00:41:55,440 --> 00:41:57,640
Speaker 1: the food. They don't know nothing about what's really going

828
00:41:57,680 --> 00:41:59,600
Speaker 1: on when the shit get in the skillet and how

829
00:41:59,640 --> 00:42:01,759
Speaker 1: to make it the way that the people consume it.

830
00:42:02,000 --> 00:42:04,800
Speaker 1: They ain't them kind of people, And so people talking

831
00:42:04,840 --> 00:42:07,040
Speaker 1: to you about the game may not be navigating you

832
00:42:07,080 --> 00:42:09,279
Speaker 1: through it. At least that's my opinion when I look

833
00:42:09,280 --> 00:42:11,480
Speaker 1: at it. I continue to tell y'all, they'll tell you

834
00:42:11,520 --> 00:42:12,520
Speaker 1: just make it to the house.

835
00:42:12,760 --> 00:42:13,320
Speaker 4: They don't tell you.

836
00:42:13,440 --> 00:42:15,520
Speaker 1: Make sure you have the floor plans because they'll let

837
00:42:15,600 --> 00:42:17,880
Speaker 1: you in the house, let you in the room. You

838
00:42:18,000 --> 00:42:19,960
Speaker 1: get none out of it, but it costs money to

839
00:42:20,000 --> 00:42:21,960
Speaker 1: get in that room. You come out of that room,

840
00:42:22,040 --> 00:42:23,960
Speaker 1: go in another room. You get none out of it,

841
00:42:24,200 --> 00:42:25,839
Speaker 1: but it costs money to go in that room.

842
00:42:25,920 --> 00:42:26,319
Speaker 3: This thing.

843
00:42:26,360 --> 00:42:28,320
Speaker 1: You know, you're gonna spend money in all these different

844
00:42:28,400 --> 00:42:30,399
Speaker 1: rooms and it ain't really got much out of it.

845
00:42:30,760 --> 00:42:32,560
Speaker 1: And then they'll turn around and say, you don't know

846
00:42:32,560 --> 00:42:34,600
Speaker 1: how to work. You move, ain't no move to work.

847
00:42:34,840 --> 00:42:36,960
Speaker 1: But if you knew like I knew, you will know

848
00:42:37,000 --> 00:42:39,560
Speaker 1: that there's certain rooms that you go in that it

849
00:42:39,640 --> 00:42:42,960
Speaker 1: may not even take money, but the level of exclusivity

850
00:42:43,080 --> 00:42:45,440
Speaker 1: gotta be there. But it may not take money, but

851
00:42:45,480 --> 00:42:47,640
Speaker 1: they'll send you on this journey of hustling and tell

852
00:42:47,719 --> 00:42:50,720
Speaker 1: you all the rappers getting signed they'll at that white house.

853
00:42:50,760 --> 00:42:52,959
Speaker 1: Go to that white house and change your family life.

854
00:42:52,960 --> 00:42:55,560
Speaker 1: Same with sports, same with entertainment, same with a lot

855
00:42:55,560 --> 00:42:57,960
Speaker 1: of these different industries. Just get over to that white

856
00:42:57,960 --> 00:42:59,560
Speaker 1: house on the block and they'll put you in a

857
00:42:59,600 --> 00:43:03,040
Speaker 1: scenario your where it'll better your family. But you don't

858
00:43:03,080 --> 00:43:05,120
Speaker 1: know where to go. And so that room that you

859
00:43:05,200 --> 00:43:07,160
Speaker 1: wanted in, they let you in that room. But by

860
00:43:07,200 --> 00:43:08,960
Speaker 1: the time they let you in that room, they had

861
00:43:09,000 --> 00:43:11,560
Speaker 1: already moved the money from out of that room into

862
00:43:11,600 --> 00:43:13,880
Speaker 1: the attic. So now you in the house looking for rooms,

863
00:43:13,920 --> 00:43:16,080
Speaker 1: and the money's in the attic. Nobody told you the

864
00:43:16,120 --> 00:43:18,440
Speaker 1: money is in the attic. Now by the time they

865
00:43:18,440 --> 00:43:20,120
Speaker 1: told you the money is in the attic, you go

866
00:43:20,200 --> 00:43:22,239
Speaker 1: to look in the attic, it's in a whole nother house.

867
00:43:22,280 --> 00:43:24,600
Speaker 1: Like it's a constant cat and mouse game in this

868
00:43:24,719 --> 00:43:27,680
Speaker 1: industry until you stop chasing and you set the trap.

869
00:43:29,040 --> 00:43:31,920
Speaker 1: See the thing is, don't chase the game. Set the trap,

870
00:43:32,640 --> 00:43:34,840
Speaker 1: and you'll get caught chasing the game because you is

871
00:43:34,880 --> 00:43:37,320
Speaker 1: getting a little money doing it. Seventh grand, nine grand,

872
00:43:37,360 --> 00:43:40,560
Speaker 1: fifteen grand, twenty two grand, right a day, two days,

873
00:43:40,680 --> 00:43:43,240
Speaker 1: five days, you making more money than you ever made.

874
00:43:43,480 --> 00:43:46,600
Speaker 1: But you will get caught in this maid and never

875
00:43:46,680 --> 00:43:50,440
Speaker 1: really do nothing impactful, never really do nothing effective.

876
00:43:50,800 --> 00:43:53,279
Speaker 2: Boston Drake arguing about money and houses. Why nobody ever

877
00:43:53,320 --> 00:43:54,320
Speaker 2: came at you by money?

878
00:43:54,440 --> 00:43:56,840
Speaker 3: Because I've made the most, We're gonna make the most again.

879
00:43:56,960 --> 00:43:59,680
Speaker 3: You know, it's like anybody leave you alone when it

880
00:43:59,719 --> 00:44:02,880
Speaker 3: comes to money. With bipolar and the medication and turning

881
00:44:02,920 --> 00:44:06,120
Speaker 3: me fat and all the reputation ship. That's like Tupac

882
00:44:06,520 --> 00:44:09,000
Speaker 3: shot up in the elevator, So that healthy right now,

883
00:44:09,600 --> 00:44:16,200
Speaker 3: exactly exactly. No, it's in shape, nigga. Yeah, it's up.

884
00:44:16,600 --> 00:44:16,799
Speaker 4: Man.

885
00:44:16,800 --> 00:44:19,479
Speaker 2: We're gonna move on to the next subject once again.

886
00:44:19,560 --> 00:44:21,200
Speaker 2: This is the download podcast.

887
00:44:22,480 --> 00:44:26,160
Speaker 1: I don't think even Kanye believe that. You know, when

888
00:44:26,200 --> 00:44:28,880
Speaker 1: you when you got position over nigga, nigga, look at

889
00:44:28,920 --> 00:44:31,200
Speaker 1: you. You ain't shaped long. What you been doing you've been

890
00:44:31,280 --> 00:44:33,520
Speaker 1: You've been working out, man, I ain't been doing no

891
00:44:33,640 --> 00:44:38,240
Speaker 1: motherfucking work. You ain't shape, nigga. Yeah, nah, you ain't shape.

892
00:44:38,280 --> 00:44:40,040
Speaker 1: Skin glowing, smelling good?

893
00:44:40,840 --> 00:44:41,640
Speaker 5: Nah you hear.

894
00:44:43,560 --> 00:44:46,560
Speaker 1: You hear him? You'd be like, I ain't got no edge.

895
00:44:47,640 --> 00:44:49,600
Speaker 1: I ain't even got no edge up, I ain't got

896
00:44:49,640 --> 00:44:53,879
Speaker 1: no But they're hitting on all narrative cylinders with this joint. Man,

897
00:44:53,880 --> 00:44:55,960
Speaker 1: We're gonna look at this little dirt part and move on.

898
00:44:56,600 --> 00:44:59,759
Speaker 3: Dirk saying a verse and it said, he said, take

899
00:44:59,800 --> 00:45:02,960
Speaker 3: my easy shirt off and make it a domat and

900
00:45:03,000 --> 00:45:05,279
Speaker 3: he said it four times. Yeah, little Dirk said this.

901
00:45:05,719 --> 00:45:08,200
Speaker 3: I hit him up. I said, you know you're breaking

902
00:45:08,280 --> 00:45:11,759
Speaker 3: my heart? Who told you to do this? I'm like,

903
00:45:11,840 --> 00:45:13,560
Speaker 3: I don't. I don't know if it's a legal thing

904
00:45:13,600 --> 00:45:15,440
Speaker 3: that happened. And I'm trying to sit with the man.

905
00:45:15,480 --> 00:45:18,960
Speaker 3: I'm like, man, this is bad for the city. Who

906
00:45:19,000 --> 00:45:20,160
Speaker 3: told you to do this?

907
00:45:20,400 --> 00:45:20,640
Speaker 4: Bro?

908
00:45:20,880 --> 00:45:24,120
Speaker 3: It's just like when Jacob did the disc track or whatever.

909
00:45:24,160 --> 00:45:26,480
Speaker 3: It's like, it's one thing you got Drake. It's like

910
00:45:26,560 --> 00:45:31,640
Speaker 3: he's really paid to come and do whatever he does

911
00:45:31,680 --> 00:45:33,359
Speaker 3: and should come up my neck all this type of shit.

912
00:45:33,640 --> 00:45:36,680
Speaker 3: But it's another thing for somebody like that to come

913
00:45:36,719 --> 00:45:39,960
Speaker 3: around you. It'say while you that's all the whole friend's

914
00:45:40,160 --> 00:45:43,960
Speaker 3: enemy kind of talking shit like votures though.

915
00:45:44,320 --> 00:45:47,880
Speaker 2: Yeah, but tell me he's really not rocking with you.

916
00:45:48,000 --> 00:45:50,200
Speaker 3: He must have never really liked me or whatever. I

917
00:45:50,200 --> 00:45:53,160
Speaker 3: don't know exactly what it is, but I spoke to

918
00:45:53,200 --> 00:45:57,240
Speaker 3: this man a few times about you know the line.

919
00:45:57,360 --> 00:45:59,439
Speaker 3: Then he changed the line. Then he changed the line

920
00:45:59,440 --> 00:46:02,520
Speaker 3: to take my easy hat off and give my little

921
00:46:02,560 --> 00:46:05,399
Speaker 3: hole that. And I'm just like, why y'all think y'all

922
00:46:05,440 --> 00:46:08,279
Speaker 3: could play with me? See they think I'm like, oh,

923
00:46:08,360 --> 00:46:10,680
Speaker 3: this he's gonna get hyped up. Let's watch him. Like, ma,

924
00:46:11,160 --> 00:46:13,960
Speaker 3: people try to like take your kids and you know,

925
00:46:14,120 --> 00:46:17,600
Speaker 3: give your rap bar say some lines, yo, It's like,

926
00:46:18,360 --> 00:46:19,840
Speaker 3: are you disappointed in Dirt?

927
00:46:20,920 --> 00:46:23,680
Speaker 2: Honestly, Like, let's let's speak real like you, my brother,

928
00:46:23,800 --> 00:46:25,080
Speaker 2: you disappointed in Dirt?

929
00:46:25,560 --> 00:46:28,799
Speaker 3: I'm not disappointed like man niggas. Just like Yo, y'all

930
00:46:28,840 --> 00:46:31,239
Speaker 3: should meet up. I don't really listen to that much rap.

931
00:46:31,320 --> 00:46:31,400
Speaker 6: No.

932
00:46:31,520 --> 00:46:33,840
Speaker 3: I don't know nobody. No, I don't know nobody fucking

933
00:46:33,920 --> 00:46:37,800
Speaker 3: raps man. I don't even know my own raps mask on.

934
00:46:37,800 --> 00:46:39,000
Speaker 3: I ain't grab a microphone.

935
00:46:40,239 --> 00:46:44,239
Speaker 2: Dirt went from vultures to on tour with Drake. Ain't

936
00:46:44,360 --> 00:46:46,239
Speaker 2: you didn't feel no way about Dirt? I mean you

937
00:46:46,239 --> 00:46:49,279
Speaker 2: could be like we could be vulnerable with each other.

938
00:46:49,960 --> 00:46:52,640
Speaker 2: That ship was heartbreaking to you.

939
00:46:52,760 --> 00:46:56,320
Speaker 1: Now, before we let him speak about the other side

940
00:46:56,320 --> 00:46:59,959
Speaker 1: of the relationship with Dirt and the tour with Drake,

941
00:47:00,640 --> 00:47:03,200
Speaker 1: I do want to say that it almost sounds like

942
00:47:03,280 --> 00:47:08,120
Speaker 1: Kanye West misinterpreted some lyrics from Little Dirt, because if

943
00:47:08,120 --> 00:47:10,839
Speaker 1: he said I take my easy shit off and make

944
00:47:10,880 --> 00:47:12,919
Speaker 1: it a door man, It's like, Yo, you made clear

945
00:47:12,960 --> 00:47:15,839
Speaker 1: you ain't rocking with Easy. We think Yeezy is Adidas.

946
00:47:16,080 --> 00:47:18,880
Speaker 1: He may not understand that. Maybe that's a conversation you

947
00:47:19,000 --> 00:47:22,120
Speaker 1: have with him. Yo, Now I'm still Easy. You gotta

948
00:47:22,200 --> 00:47:26,000
Speaker 1: distinguish that that Adida's Yeasy, that's the one We not

949
00:47:26,120 --> 00:47:29,280
Speaker 1: fucking with, that old classic style of easy.

950
00:47:29,320 --> 00:47:30,719
Speaker 4: We not fucking with that one.

951
00:47:31,080 --> 00:47:33,719
Speaker 1: But maybe he thinks that, Yo, you said you're not

952
00:47:33,840 --> 00:47:37,080
Speaker 1: fucking with Adidas, So I'm done fucking with Easy. And

953
00:47:37,160 --> 00:47:40,200
Speaker 1: now because you put it out there like this, I'm

954
00:47:40,200 --> 00:47:43,680
Speaker 1: not gonna explain it, especially now that I'm Slick was

955
00:47:43,680 --> 00:47:46,080
Speaker 1: in the middle, you just pushed me on the other side.

956
00:47:46,120 --> 00:47:47,640
Speaker 4: If I was in the middle.

957
00:47:47,680 --> 00:47:50,880
Speaker 1: If I'm Dirt, Kanye just pushed me to Drake's side,

958
00:47:51,280 --> 00:47:54,040
Speaker 1: you know. But Dirt got relationship with Pluto and many

959
00:47:54,080 --> 00:47:56,120
Speaker 1: more people. So I don't know how he feels. But

960
00:47:56,200 --> 00:47:59,319
Speaker 1: I'm saying as it pertains to Drake and yay if

961
00:47:59,400 --> 00:48:03,560
Speaker 1: ye Missing interpreted those lyrics and took that way because

962
00:48:03,560 --> 00:48:06,719
Speaker 1: he said that, he said, I took my yeasy head

963
00:48:06,760 --> 00:48:08,839
Speaker 1: off and gave my little hole at It's like, Yo,

964
00:48:09,000 --> 00:48:12,160
Speaker 1: they not probably associating you with Easy in the way

965
00:48:12,160 --> 00:48:14,759
Speaker 1: that you expect them to, even though that is your name.

966
00:48:15,080 --> 00:48:17,919
Speaker 1: But you have been vocal on saying that they took

967
00:48:18,000 --> 00:48:21,359
Speaker 1: Easy from me. Adidas have stolen Easy from me. That's

968
00:48:21,400 --> 00:48:24,319
Speaker 1: me giving Dirk benefit of the doubt on that. I'm

969
00:48:24,360 --> 00:48:24,759
Speaker 1: not sure.

970
00:48:24,800 --> 00:48:27,160
Speaker 4: Maybe that's the case, Maybe it isn't. You know.

971
00:48:27,200 --> 00:48:30,040
Speaker 3: I thought that somehow, because I like, maybe to make

972
00:48:30,160 --> 00:48:34,400
Speaker 3: music for somebody, that when I couldn't see, you know,

973
00:48:34,520 --> 00:48:38,719
Speaker 3: my children, that these people use their platform because I

974
00:48:38,840 --> 00:48:42,759
Speaker 3: use my platform on their behalf. Now I realize, like

975
00:48:42,960 --> 00:48:47,200
Speaker 3: no one owes me anything, but there's more than enough

976
00:48:47,239 --> 00:48:50,520
Speaker 3: people to still get what you need to get done

977
00:48:50,719 --> 00:48:54,759
Speaker 3: without anyone. Wow, it ain't no one person that's going

978
00:48:54,840 --> 00:48:56,960
Speaker 3: to stop me from what I'm doing either. So if

979
00:48:57,000 --> 00:49:01,879
Speaker 3: you depend on somebody who is not giving you what

980
00:49:01,960 --> 00:49:04,799
Speaker 3: you need, you're the one that's in the wrong. If

981
00:49:04,840 --> 00:49:07,799
Speaker 3: you call on somebody, they don't pick up, They ain't

982
00:49:07,800 --> 00:49:10,279
Speaker 3: pick up. Bro, you're gonna just keep on, you know.

983
00:49:10,800 --> 00:49:13,799
Speaker 3: And that's that attachment you gotta get detached. That's why said.

984
00:49:13,800 --> 00:49:16,200
Speaker 3: By the time it got to like little Dirk sending

985
00:49:16,200 --> 00:49:21,200
Speaker 3: those songs, playing with me on that song like that.

986
00:49:19,719 --> 00:49:21,399
Speaker 2: That dir shit really bothering.

987
00:49:21,640 --> 00:49:22,560
Speaker 4: No, it's not that.

988
00:49:22,680 --> 00:49:24,719
Speaker 3: My whole thing is it doesn't bother me as much.

989
00:49:24,760 --> 00:49:27,960
Speaker 3: I'm using it as an example. If I was, you know,

990
00:49:28,120 --> 00:49:30,360
Speaker 3: back then, maybe it could have bothered me. It's almost

991
00:49:30,360 --> 00:49:32,400
Speaker 3: like he got sent over get out of here. You

992
00:49:32,400 --> 00:49:34,480
Speaker 3: bothered me like it's almost like you got sent over

993
00:49:34,560 --> 00:49:35,080
Speaker 3: to bother me.

994
00:49:35,280 --> 00:49:37,520
Speaker 1: If you listen to that last clip, you heard Kanye

995
00:49:37,600 --> 00:49:40,360
Speaker 1: West talk about detachment in a situation where if you

996
00:49:40,400 --> 00:49:43,040
Speaker 1: call on the same people they called on you, and

997
00:49:43,080 --> 00:49:46,000
Speaker 1: they don't answer the call in the same way. Maybe

998
00:49:46,000 --> 00:49:48,479
Speaker 1: you gave them bread and they gave you water. Maybe

999
00:49:48,520 --> 00:49:51,279
Speaker 1: you gave them food and they gave you shelter. Maybe

1000
00:49:51,320 --> 00:49:54,160
Speaker 1: you gave them everything and they gave you nothing. Nonetheless,

1001
00:49:54,480 --> 00:49:57,120
Speaker 1: the same people you call on may not be available

1002
00:49:57,160 --> 00:49:59,200
Speaker 1: in the way that you've been available for them, and

1003
00:49:59,239 --> 00:50:02,960
Speaker 1: so for something and Kanye made beats and Kanye West

1004
00:50:02,960 --> 00:50:05,400
Speaker 1: thought that this would mean that because I helped change

1005
00:50:05,440 --> 00:50:07,799
Speaker 1: people lives, that they would stand for me when I'm

1006
00:50:07,840 --> 00:50:09,719
Speaker 1: in my time of need. You hear me talk about

1007
00:50:09,719 --> 00:50:11,759
Speaker 1: it all the time on this up that podcast. This

1008
00:50:11,880 --> 00:50:15,560
Speaker 1: game is about connections, It's about option and allies. You

1009
00:50:15,560 --> 00:50:18,360
Speaker 1: can sneak in the game, you can sneak in the industry,

1010
00:50:18,440 --> 00:50:21,200
Speaker 1: but without the infrastructure, you have problem operating on the

1011
00:50:21,239 --> 00:50:24,040
Speaker 1: same levels as these other people operate. There was a

1012
00:50:24,080 --> 00:50:28,600
Speaker 1: brief time upon the Internet's first arrival and the technology

1013
00:50:28,719 --> 00:50:32,600
Speaker 1: being birthed to be able to upload from your phone,

1014
00:50:32,920 --> 00:50:36,120
Speaker 1: upload music and do dances, and the Internet was now

1015
00:50:36,239 --> 00:50:41,120
Speaker 1: involved in interfacing with how we consume music, media and content.

1016
00:50:41,760 --> 00:50:44,440
Speaker 1: There was a brief stint there where you could find

1017
00:50:44,480 --> 00:50:48,239
Speaker 1: yourself at the top of a page, the top of

1018
00:50:48,280 --> 00:50:51,960
Speaker 1: a landing page. The algorithm really can.

1019
00:50:51,800 --> 00:50:52,600
Speaker 4: Boost you up.

1020
00:50:52,640 --> 00:50:54,440
Speaker 1: There's a lot of people that snuck in and got

1021
00:50:54,560 --> 00:50:57,440
Speaker 1: rich when that algorithm was built that way. Those times

1022
00:50:57,440 --> 00:50:59,560
Speaker 1: are no longer and I'm not saying that the same

1023
00:50:59,600 --> 00:51:02,280
Speaker 1: people are not making money now. I think what people

1024
00:51:02,280 --> 00:51:06,280
Speaker 1: don't understand is is that there's individuals running this business

1025
00:51:06,440 --> 00:51:09,879
Speaker 1: that do not show their face on camera. And I'm

1026
00:51:09,920 --> 00:51:14,200
Speaker 1: speaking about the blog people, the people that do write ups,

1027
00:51:14,239 --> 00:51:18,160
Speaker 1: the magazine people, all the Internet backlog individuals, all the

1028
00:51:18,280 --> 00:51:21,480
Speaker 1: radio show people, all of the hosts late nights, all

1029
00:51:21,520 --> 00:51:24,759
Speaker 1: the DJs, like, there's so many people that you may

1030
00:51:24,800 --> 00:51:27,799
Speaker 1: not know, but they're the reason a lot of these

1031
00:51:27,840 --> 00:51:30,640
Speaker 1: wheels are turning. And money don't get you to hire

1032
00:51:30,680 --> 00:51:33,200
Speaker 1: those people. Back in the day, you become number one

1033
00:51:33,520 --> 00:51:36,360
Speaker 1: on some of these charges like an Apple Music or SoundCloud,

1034
00:51:36,400 --> 00:51:39,919
Speaker 1: those people are coming to you. Those people will come

1035
00:51:39,960 --> 00:51:43,640
Speaker 1: to you because they can provide a service to you. Nowadays,

1036
00:51:43,680 --> 00:51:46,080
Speaker 1: the people that's coming to you. Literally can't do nothing

1037
00:51:46,080 --> 00:51:48,600
Speaker 1: but take your money. They have nothing to provide you,

1038
00:51:48,960 --> 00:51:51,360
Speaker 1: but they know you need something because they've been around

1039
00:51:51,400 --> 00:51:53,840
Speaker 1: long enough to know, Oh, he's at that point what

1040
00:51:54,000 --> 00:51:56,640
Speaker 1: he needs, he's trying to get to that next level.

1041
00:51:56,880 --> 00:51:59,920
Speaker 1: I'll show up and do a half as job in charging.

1042
00:52:00,160 --> 00:52:02,279
Speaker 1: One of the hardest things to do in the entertainment

1043
00:52:02,320 --> 00:52:05,040
Speaker 1: business is finding the right people to work for you

1044
00:52:05,400 --> 00:52:08,319
Speaker 1: and good people to work for you. And that comes

1045
00:52:08,360 --> 00:52:11,240
Speaker 1: along with some of these packages that y'all call code signs.

1046
00:52:11,280 --> 00:52:14,040
Speaker 1: It comes. It's much more than just an Instagram postal.

1047
00:52:14,280 --> 00:52:16,560
Speaker 1: When you sign with some of these people, they whole

1048
00:52:16,640 --> 00:52:17,719
Speaker 1: buildings go with that.

1049
00:52:18,760 --> 00:52:22,879
Speaker 4: They hold resources, they hold caller calling log, the caller ID,

1050
00:52:23,160 --> 00:52:24,279
Speaker 4: all of that go with that.

1051
00:52:25,000 --> 00:52:27,440
Speaker 1: But you've been food to just get on and get hot.

1052
00:52:27,760 --> 00:52:29,680
Speaker 1: And so as a little young rapper, or as an

1053
00:52:29,680 --> 00:52:32,720
Speaker 1: old rapper, as a podcast dude, as a content dude,

1054
00:52:33,320 --> 00:52:35,400
Speaker 1: you attach to the idea that you have to be

1055
00:52:35,520 --> 00:52:38,880
Speaker 1: next to people to make it happen. We got to

1056
00:52:38,920 --> 00:52:43,160
Speaker 1: do better detach. I understand your feel because you would

1057
00:52:43,160 --> 00:52:46,080
Speaker 1: think that in this game that people that walk through

1058
00:52:46,080 --> 00:52:48,440
Speaker 1: the Valley of the Shadow or death, they know what

1059
00:52:48,480 --> 00:52:50,680
Speaker 1: this is about and they know what it's like to

1060
00:52:50,719 --> 00:52:53,800
Speaker 1: try to escape that, and so they empathize with your position.

1061
00:52:53,960 --> 00:52:56,279
Speaker 1: But if they don't, then what And that's kind of

1062
00:52:56,280 --> 00:52:57,600
Speaker 1: what Kanye is talking about.

1063
00:52:57,680 --> 00:52:57,799
Speaker 8: Yo.

1064
00:52:57,880 --> 00:53:00,160
Speaker 4: If everybody don't do nothing, then what you just on?

1065
00:53:00,200 --> 00:53:00,279
Speaker 5: What?

1066
00:53:00,440 --> 00:53:01,560
Speaker 4: Sit there and do nothing?

1067
00:53:01,800 --> 00:53:02,000
Speaker 5: Now?

1068
00:53:02,040 --> 00:53:03,160
Speaker 4: You better make it happen.

1069
00:53:03,320 --> 00:53:05,000
Speaker 1: You got to make sure you bump into the right

1070
00:53:05,040 --> 00:53:08,680
Speaker 1: people alone this journey. Why is that it's the equivalent

1071
00:53:08,760 --> 00:53:10,520
Speaker 1: to showing up to a big house.

1072
00:53:11,120 --> 00:53:12,040
Speaker 4: You got two.

1073
00:53:11,880 --> 00:53:14,239
Speaker 1: Million dollars to buy the house, but you gotta find

1074
00:53:14,239 --> 00:53:19,080
Speaker 1: an agent that's selling the house. That's information there, what's

1075
00:53:19,120 --> 00:53:21,600
Speaker 1: happening there is a lot of rappers, content creators. They're

1076
00:53:21,600 --> 00:53:23,319
Speaker 1: showing up to the house with the money and not

1077
00:53:23,440 --> 00:53:27,160
Speaker 1: knowing as a process to get ownership of it. You know,

1078
00:53:27,239 --> 00:53:29,680
Speaker 1: I don't know what Kanye stands at in this fight.

1079
00:53:29,800 --> 00:53:33,359
Speaker 1: I think Kanye as a rapper in this as an

1080
00:53:33,440 --> 00:53:36,840
Speaker 1: artist in this particular fight, I think all these guys

1081
00:53:36,840 --> 00:53:39,200
Speaker 1: are just taking away from what Kendrick is gonna do

1082
00:53:39,239 --> 00:53:41,720
Speaker 1: and they're making it harder on Kendrick. So if Kendrick

1083
00:53:41,800 --> 00:53:45,360
Speaker 1: does in fact come out and wins this, it'll be

1084
00:53:45,480 --> 00:53:48,680
Speaker 1: crazy because y'all are looking at all of that is

1085
00:53:48,719 --> 00:53:52,520
Speaker 1: helping Kendrick. I'm saying it's hurting Kendrick. I'm saying that

1086
00:53:52,520 --> 00:53:55,439
Speaker 1: they're taking the air out of all the tires, y'all,

1087
00:53:55,520 --> 00:53:58,960
Speaker 1: running all the narratives into the ground and part of

1088
00:53:58,960 --> 00:54:02,160
Speaker 1: the battle rap, part of this battle with shock value.

1089
00:54:02,920 --> 00:54:06,000
Speaker 1: Oh my god, he said that you dig, so pay

1090
00:54:06,040 --> 00:54:09,239
Speaker 1: attention to what's going on, and let's move on and

1091
00:54:09,400 --> 00:54:11,359
Speaker 1: keep you our own future in this battle. But let's

1092
00:54:11,400 --> 00:54:17,720
Speaker 1: move on, all right, Let's talk about this for those underwell.

1093
00:54:17,840 --> 00:54:21,240
Speaker 1: Quavo and Chris Brown have been going back and forth

1094
00:54:21,640 --> 00:54:24,120
Speaker 1: alongside all of this rap beef that's going on in

1095
00:54:24,120 --> 00:54:27,279
Speaker 1: the industry. But Quavo and Chris Brown's seem to have

1096
00:54:27,360 --> 00:54:30,040
Speaker 1: a real deal beef. This don't seem to be on

1097
00:54:30,160 --> 00:54:33,520
Speaker 1: wax and just raps. This seems to have an emotional

1098
00:54:33,560 --> 00:54:37,359
Speaker 1: element to this battle rap. And I'm not sure how

1099
00:54:37,400 --> 00:54:39,799
Speaker 1: that plays out at the end, but we're gonna talk

1100
00:54:39,840 --> 00:54:42,640
Speaker 1: about it. We got a podcast. They both dropped one

1101
00:54:42,760 --> 00:54:45,040
Speaker 1: song apiece, so as of right now, it looks like

1102
00:54:46,000 --> 00:54:50,920
Speaker 1: Quavo drop Weakest Link where he referenced take Off, he

1103
00:54:51,080 --> 00:54:58,280
Speaker 1: referenced having relations with Sweetie, and Quevo dropped Tender basically

1104
00:54:58,320 --> 00:55:02,840
Speaker 1: saying Chris Brown tender about the women, and then Quevo

1105
00:55:03,000 --> 00:55:06,040
Speaker 1: came back. Now, I will say, out of all the rap,

1106
00:55:06,360 --> 00:55:09,680
Speaker 1: out of all the battle rapping that's going on right now,

1107
00:55:11,120 --> 00:55:14,840
Speaker 1: as it pertains the flow, I'm gonna say, takeout winning.

1108
00:55:14,920 --> 00:55:17,160
Speaker 1: As of right now, let's pay attention to this song.

1109
00:55:17,239 --> 00:55:21,920
Speaker 1: Quovo dropped on Chris Brown called over holes in bitches,

1110
00:55:22,000 --> 00:55:23,600
Speaker 1: ohb Quovo, this and that.

1111
00:55:23,719 --> 00:55:24,560
Speaker 4: Chris Brown.

1112
00:55:27,080 --> 00:55:29,680
Speaker 12: Put a nigga pull up crash shot about your bait.

1113
00:55:29,840 --> 00:55:32,919
Speaker 12: Why you puss little bitch, Come dance better with my drake,

1114
00:55:33,000 --> 00:55:35,279
Speaker 12: But you ben fucked your bag up when you punch

1115
00:55:35,360 --> 00:55:36,080
Speaker 12: red in the face.

1116
00:55:36,160 --> 00:55:36,600
Speaker 5: Come about.

1117
00:55:36,719 --> 00:55:40,080
Speaker 1: Let me point something out for you. You see how soon

1118
00:55:40,120 --> 00:55:42,759
Speaker 1: this beat drop you right on him. He understands the

1119
00:55:42,960 --> 00:55:45,200
Speaker 1: tension span of you little motherfucker's out there.

1120
00:55:45,800 --> 00:55:47,160
Speaker 4: Can't let the beat play.

1121
00:55:47,000 --> 00:55:48,839
Speaker 1: Long or nothing got to get right in, get on

1122
00:55:48,880 --> 00:55:53,640
Speaker 1: his head, and it gotta be some punches in the

1123
00:55:53,680 --> 00:55:56,120
Speaker 1: first part, like make sure it's some shit that he

1124
00:55:56,120 --> 00:55:59,160
Speaker 1: can it can resonate with some fans so they can

1125
00:55:59,239 --> 00:56:01,920
Speaker 1: keep listening. Oh what else he gonna say? Understand the

1126
00:56:01,960 --> 00:56:04,200
Speaker 1: signs behind these records. It's what I'm saying.

1127
00:56:04,600 --> 00:56:05,000
Speaker 4: Let's go.

1128
00:56:08,800 --> 00:56:11,399
Speaker 12: Puss a nigga, pull up crash shot about your bait.

1129
00:56:11,560 --> 00:56:14,640
Speaker 12: Why you push little bitch, come dance battle with my drake.

1130
00:56:15,000 --> 00:56:17,160
Speaker 12: You ben fucked your bag up when you punch me

1131
00:56:17,239 --> 00:56:19,680
Speaker 12: in the face talking about fashion with you sparing who

1132
00:56:19,719 --> 00:56:22,120
Speaker 12: come punched me in my face? It ain't nothing but

1133
00:56:22,160 --> 00:56:25,200
Speaker 12: a fade. You know you lost the frank niggas ran

1134
00:56:25,239 --> 00:56:28,160
Speaker 12: in your house, tied up your unklejeen pay this bullet

1135
00:56:28,200 --> 00:56:31,200
Speaker 12: got your name. Don't ever bring up take puss it.

1136
00:56:32,000 --> 00:56:35,799
Speaker 6: You know, happy'all niggas holes out here. I'm talking about

1137
00:56:35,800 --> 00:56:43,279
Speaker 6: like a nigga believe wants somebody type shit. Bitch, I

1138
00:56:43,440 --> 00:56:46,120
Speaker 6: got your home for pressing. I hit your hole for pussing.

1139
00:56:46,480 --> 00:56:48,120
Speaker 6: I did the pay it but come in the same year.

1140
00:56:48,120 --> 00:56:50,120
Speaker 6: But you're gonna owe me puss it on at your

1141
00:56:50,120 --> 00:56:52,040
Speaker 6: hand's gonna pushing it off, bro with the fans to

1142
00:56:52,080 --> 00:56:54,440
Speaker 6: puss it committed, come in they did no time can't

1143
00:56:54,440 --> 00:56:57,279
Speaker 6: beg it. We know that you're pushing pust You puss it,

1144
00:56:57,280 --> 00:56:59,520
Speaker 6: you puss it, you push the niggas.

1145
00:56:59,200 --> 00:56:59,799
Speaker 4: Time after time.

1146
00:56:59,840 --> 00:57:02,759
Speaker 6: I'm pull a little bit of nose, listen, dumping the

1147
00:57:02,840 --> 00:57:06,000
Speaker 6: diamond looking but just said, oh listen, knock good. Ain't

1148
00:57:06,040 --> 00:57:08,400
Speaker 6: go listen.

1149
00:57:09,000 --> 00:57:09,759
Speaker 4: That boy.

1150
00:57:09,800 --> 00:57:12,160
Speaker 1: Listen take Off the one hand to flow you can

1151
00:57:12,280 --> 00:57:15,399
Speaker 1: just hear. But the dogs, the dogs, look at the dog.

1152
00:57:15,520 --> 00:57:18,440
Speaker 1: He got that stutter float, the sign and at the time.

1153
00:57:18,840 --> 00:57:19,280
Speaker 5: But the dog.

1154
00:57:19,520 --> 00:57:21,240
Speaker 4: It's some niggas that can't even do that.

1155
00:57:21,360 --> 00:57:23,200
Speaker 1: It's almost like he might have went in there and

1156
00:57:23,320 --> 00:57:25,720
Speaker 1: laid some of that ship for them and then they

1157
00:57:25,760 --> 00:57:28,840
Speaker 1: can come back with it because that is a unique

1158
00:57:30,040 --> 00:57:32,640
Speaker 1: wave riding that he be doing on the track.

1159
00:57:33,160 --> 00:57:36,200
Speaker 4: So take Off smoke this.

1160
00:57:36,960 --> 00:57:39,960
Speaker 1: In my opinion, I think his style shined on the

1161
00:57:40,000 --> 00:57:43,200
Speaker 1: beat right. I think Takeoff really showed why he was

1162
00:57:43,240 --> 00:57:46,480
Speaker 1: one of the then head hunch os. As it pertains

1163
00:57:46,520 --> 00:57:50,480
Speaker 1: to me goals. Now, how do we feel about Quevo

1164
00:57:50,600 --> 00:57:53,920
Speaker 1: putting Takeoff on a disc track? I guess my question

1165
00:57:54,040 --> 00:57:58,640
Speaker 1: is from Chris Brown perspective an RP Takeoff. You know

1166
00:57:58,640 --> 00:58:02,439
Speaker 1: what I'm saying, We love respect you, RP, respectful RP

1167
00:58:02,600 --> 00:58:06,400
Speaker 1: to Takeoff, good dude, But does this put Takeoff in

1168
00:58:06,440 --> 00:58:11,439
Speaker 1: the crossfiles of a battle right now? Is the gloves off?

1169
00:58:11,440 --> 00:58:13,680
Speaker 1: Do Chris Brown come out saying all kind of wild

1170
00:58:13,760 --> 00:58:17,680
Speaker 1: shit about it? About what happened about you? About take right?

1171
00:58:17,800 --> 00:58:21,120
Speaker 1: Do you put him in a position to do that now,

1172
00:58:21,160 --> 00:58:23,640
Speaker 1: because you don't put him on a song this and

1173
00:58:23,720 --> 00:58:24,440
Speaker 1: Chris Brown.

1174
00:58:24,920 --> 00:58:26,720
Speaker 4: I think it's a fair question to have.

1175
00:58:27,320 --> 00:58:29,560
Speaker 1: You know, maybe Chris still holds it down, but some

1176
00:58:29,600 --> 00:58:31,480
Speaker 1: of you rap niggas they ain't holding it down. I

1177
00:58:31,520 --> 00:58:35,160
Speaker 1: know in the battle rap they not holding that, you

1178
00:58:35,200 --> 00:58:38,720
Speaker 1: know what I'm saying that For me, coming from the South,

1179
00:58:38,760 --> 00:58:40,840
Speaker 1: coming from where I come from, how I grew up,

1180
00:58:41,160 --> 00:58:43,440
Speaker 1: I don't know that I can do that, but I

1181
00:58:43,480 --> 00:58:47,560
Speaker 1: do know in this competitive sport, and it feels like

1182
00:58:47,640 --> 00:58:50,720
Speaker 1: there's an emotional element to this beef that he may

1183
00:58:50,760 --> 00:58:54,480
Speaker 1: go for the juggular and really start to talk about

1184
00:58:54,560 --> 00:58:58,400
Speaker 1: takeoff in the open public. And I'm not a fan

1185
00:58:58,480 --> 00:59:00,840
Speaker 1: of that, right, but I'm just say and what could

1186
00:59:00,880 --> 00:59:01,840
Speaker 1: take place now?

1187
00:59:01,840 --> 00:59:04,280
Speaker 4: I do want to bring some criticism.

1188
00:59:03,680 --> 00:59:09,000
Speaker 1: On Quavo because as much as academics is at the

1189
00:59:09,040 --> 00:59:11,760
Speaker 1: forefront of things right now, or that's what it seems

1190
00:59:11,800 --> 00:59:14,640
Speaker 1: to be, right, he's been instrumental in getting a lot happening,

1191
00:59:14,760 --> 00:59:17,480
Speaker 1: a lot of people watching him as it pertains these battles.

1192
00:59:18,480 --> 00:59:22,400
Speaker 1: At that same time, that record could have went to

1193
00:59:22,440 --> 00:59:25,120
Speaker 1: somebody in the South, you know what I mean to pipe,

1194
00:59:25,160 --> 00:59:28,800
Speaker 1: somebody in the South platform up. That's what I be

1195
00:59:28,920 --> 00:59:31,240
Speaker 1: talking about. It's like, yo, y'all running through that shit.

1196
00:59:31,240 --> 00:59:35,440
Speaker 1: The academics who gonna report? But I understand it's the business.

1197
00:59:35,520 --> 00:59:38,720
Speaker 1: The business is the business like, but it's just it's

1198
00:59:38,720 --> 00:59:39,680
Speaker 1: an ugly scenario.

1199
00:59:39,800 --> 00:59:41,959
Speaker 4: He should have gave this shit to somebody from the South.

1200
00:59:42,040 --> 00:59:44,240
Speaker 4: It's up there. Podcasts could have broke this shit.

1201
00:59:44,880 --> 00:59:48,680
Speaker 1: As much as I'm happy that academics is garnering a

1202
00:59:48,680 --> 00:59:52,800
Speaker 1: lot of the market shall because I operate in original

1203
00:59:52,840 --> 00:59:55,440
Speaker 1: content and in this content world at a high level.

1204
00:59:55,760 --> 00:59:57,760
Speaker 4: So they opening the market up for me.

1205
00:59:58,520 --> 01:00:01,840
Speaker 1: Whatever academics do, CA ain't hurt what I'm doing. You

1206
01:00:01,880 --> 01:00:04,360
Speaker 1: see what I'm saying. But I'm just saying I want

1207
01:00:04,360 --> 01:00:06,720
Speaker 1: people to pay attention. How those rappers you could have

1208
01:00:06,760 --> 01:00:09,320
Speaker 1: fed that to the South. You could have fed that

1209
01:00:09,440 --> 01:00:11,520
Speaker 1: song to the South turned one of the little homie

1210
01:00:11,560 --> 01:00:15,680
Speaker 1: platforms up. Chris Brown seemed to think. And if I'm

1211
01:00:15,680 --> 01:00:18,240
Speaker 1: being honest, Chris Brown seem to think niggas is pussy.

1212
01:00:18,600 --> 01:00:20,880
Speaker 1: How Chris Brown be talking like he want to fight,

1213
01:00:20,920 --> 01:00:22,760
Speaker 1: I'm gonna do this to you. It just seemed like

1214
01:00:22,840 --> 01:00:27,280
Speaker 1: he believed dudes to be straight pussy. And I can't lie,

1215
01:00:28,520 --> 01:00:34,800
Speaker 1: Sweety is pretty. I can't even camp cause you know,

1216
01:00:34,840 --> 01:00:36,600
Speaker 1: I don't even be looking at none of these look

1217
01:00:36,760 --> 01:00:40,200
Speaker 1: like I don't look at none of these shit. But

1218
01:00:40,760 --> 01:00:43,280
Speaker 1: after this I went and looked and seeing what I'm oh,

1219
01:00:43,360 --> 01:00:46,720
Speaker 1: Sweety is a bad one. She slicked bad like she

1220
01:00:46,840 --> 01:00:49,760
Speaker 1: wanted them one like I can't even kept she is

1221
01:00:49,840 --> 01:00:52,240
Speaker 1: one of them one. First, I'm thinking, why these two

1222
01:00:52,440 --> 01:00:55,640
Speaker 1: guys going at each other about Sweetie? And I know

1223
01:00:55,680 --> 01:00:57,480
Speaker 1: both of them dealt with Sweetie, but why is that

1224
01:00:57,600 --> 01:01:03,480
Speaker 1: still a thing I forgot about Krucci. See, I forgot

1225
01:01:03,520 --> 01:01:07,560
Speaker 1: they have in common Kruci. So I'm saying, oh, so

1226
01:01:07,680 --> 01:01:11,040
Speaker 1: it's two girls on the forefront, but sweet is the

1227
01:01:11,080 --> 01:01:14,640
Speaker 1: one getting all the attention for some reason that's interesting

1228
01:01:14,720 --> 01:01:14,880
Speaker 1: to me.

1229
01:01:15,200 --> 01:01:17,720
Speaker 4: I believe Chris Brown want to fight because he thinks yo,

1230
01:01:17,760 --> 01:01:19,880
Speaker 4: I used to be cool with y'all then.

1231
01:01:20,240 --> 01:01:22,440
Speaker 1: And a lot of these niggas be looking at your

1232
01:01:22,520 --> 01:01:25,000
Speaker 1: gal man, A lot of these niggas they be looking

1233
01:01:25,000 --> 01:01:28,120
Speaker 1: at your old lady like they'll fuck your girl. A

1234
01:01:28,120 --> 01:01:30,600
Speaker 1: lot of these dudes, you know what I mean, they'll

1235
01:01:30,640 --> 01:01:33,560
Speaker 1: really sacrifice the relationship with you to fuck that girl.

1236
01:01:34,480 --> 01:01:36,040
Speaker 1: You see what I'm saying. A lot of these dudes

1237
01:01:36,080 --> 01:01:39,560
Speaker 1: don't got no morals about them. Like it's so many

1238
01:01:39,600 --> 01:01:41,760
Speaker 1: girls out here, but they'll fuck Yo girl. I want

1239
01:01:41,760 --> 01:01:44,640
Speaker 1: to fuck Yo girl. I want to fuck Yo girl.

1240
01:01:45,000 --> 01:01:48,120
Speaker 1: I think she eases she letting you fuck her. I

1241
01:01:48,240 --> 01:01:51,200
Speaker 1: want to fuck yo woman. That's a lot of dudes

1242
01:01:51,280 --> 01:01:55,560
Speaker 1: be so there's a weird energy surrounding that. But I

1243
01:01:55,600 --> 01:01:58,320
Speaker 1: think Chris Brown is upset because he thought they were cool.

1244
01:01:58,640 --> 01:02:00,600
Speaker 1: And for you to start messing with the girl, you

1245
01:02:00,680 --> 01:02:04,040
Speaker 1: really know, I care about Caruci. It's like, damn man,

1246
01:02:04,160 --> 01:02:06,720
Speaker 1: Like I almost think I heard Chris Brown speak about

1247
01:02:06,720 --> 01:02:09,640
Speaker 1: that one time. There's a narrative online that's like, Yo,

1248
01:02:09,680 --> 01:02:12,520
Speaker 1: why Kuaevo won't leave Sweetish? Like he doing too much?

1249
01:02:12,560 --> 01:02:15,160
Speaker 1: He should leave that girl? Like damn, he doing too much?

1250
01:02:15,200 --> 01:02:18,360
Speaker 1: Why not leave it? And I'm not sure if y'all

1251
01:02:18,400 --> 01:02:22,080
Speaker 1: understand that some women have a touch about him. Some

1252
01:02:22,160 --> 01:02:25,920
Speaker 1: women got a feel to him. Some women got a vibe.

1253
01:02:25,960 --> 01:02:27,840
Speaker 1: They set a vibe. I used to just tell one

1254
01:02:27,840 --> 01:02:32,439
Speaker 1: of my old ladies like, yo, just set a vibe. Yo,

1255
01:02:32,640 --> 01:02:35,400
Speaker 1: just set a vibe, man. Just some people got to

1256
01:02:35,520 --> 01:02:39,600
Speaker 1: touch a vibe or feel. Some people are safe place.

1257
01:02:39,800 --> 01:02:43,880
Speaker 1: It ain't even just about six this woman here is

1258
01:02:43,960 --> 01:02:50,080
Speaker 1: sacred around this woman. It's peaceful, she's soft, soft girl era.

1259
01:02:50,360 --> 01:02:51,400
Speaker 1: She's energy.

1260
01:02:51,520 --> 01:02:55,560
Speaker 4: It's just it's welcoming. Energy is nice.

1261
01:02:55,640 --> 01:02:59,440
Speaker 1: It's just you dig It's just a different vibration, and

1262
01:02:59,480 --> 01:03:02,400
Speaker 1: you want to be there. You don't want to get

1263
01:03:02,400 --> 01:03:05,400
Speaker 1: away from no woman that's providing that from you, even

1264
01:03:05,440 --> 01:03:08,400
Speaker 1: if you fall back from or Here's the thing about memories,

1265
01:03:08,440 --> 01:03:12,000
Speaker 1: and this is what's dangerous, is that to survive, there's

1266
01:03:12,040 --> 01:03:15,200
Speaker 1: a correlation between the distance of event and how we

1267
01:03:15,240 --> 01:03:18,480
Speaker 1: feel about it. So the negative things that happen to us,

1268
01:03:18,600 --> 01:03:21,400
Speaker 1: the father we go from that, the more rational we

1269
01:03:21,440 --> 01:03:22,120
Speaker 1: can look at it.

1270
01:03:22,160 --> 01:03:23,480
Speaker 4: And also I think.

1271
01:03:23,360 --> 01:03:27,240
Speaker 1: Kuovo down played his main girl in the sounding like

1272
01:03:27,280 --> 01:03:29,040
Speaker 1: I can just take a model bitch and make a

1273
01:03:29,120 --> 01:03:32,960
Speaker 1: sweeted nigga and then SWEETI responded, So she wasn't feeling that,

1274
01:03:34,240 --> 01:03:35,280
Speaker 1: like you downplaying me?

1275
01:03:35,640 --> 01:03:37,720
Speaker 4: You know, you know, you know what it is, you

1276
01:03:37,760 --> 01:03:39,160
Speaker 4: know you really yeah about this?

1277
01:03:39,360 --> 01:03:42,640
Speaker 1: Yeah, see them girls that sit back like oh you oh,

1278
01:03:42,680 --> 01:03:45,840
Speaker 1: you try to downplay me. You know, I got that

1279
01:03:46,040 --> 01:03:48,200
Speaker 1: thing you like, you know I do that thing you like?

1280
01:03:48,280 --> 01:03:51,840
Speaker 1: You trying to play me out there? Okay, next time

1281
01:03:51,920 --> 01:03:55,000
Speaker 1: ice cream machine broken? You know, I'm having an ice

1282
01:03:55,040 --> 01:03:59,240
Speaker 1: cream machine and a sprinkler, and you out there playing

1283
01:03:59,280 --> 01:04:01,520
Speaker 1: with me like that when you know I'm that You

1284
01:04:01,560 --> 01:04:03,800
Speaker 1: know how you know how to do you when it's

1285
01:04:03,880 --> 01:04:07,280
Speaker 1: just me and you you know I'm you know I'm pressure.

1286
01:04:08,240 --> 01:04:10,840
Speaker 1: You gonna downplay me like you can just turn anybody

1287
01:04:10,880 --> 01:04:12,919
Speaker 1: to me when you really don't try to probably get

1288
01:04:12,960 --> 01:04:15,840
Speaker 1: back on me, because dudes sometimes we'll get freaking horny

1289
01:04:15,840 --> 01:04:16,800
Speaker 1: and go to heat and get back.

1290
01:04:16,840 --> 01:04:18,760
Speaker 4: Ain't babe, you know? I mean and shit like a mom.

1291
01:04:18,840 --> 01:04:23,040
Speaker 4: What you been doing? Scrawing? What you been doing?

1292
01:04:23,160 --> 01:04:23,600
Speaker 3: Babe?

1293
01:04:24,440 --> 01:04:25,080
Speaker 5: You ain't ate.

1294
01:04:26,800 --> 01:04:28,640
Speaker 4: Nigga, ain't talk to the girl in two years?

1295
01:04:28,680 --> 01:04:29,479
Speaker 5: You ain't ate nothing.

1296
01:04:29,520 --> 01:04:29,959
Speaker 3: You good?

1297
01:04:30,880 --> 01:04:35,080
Speaker 4: How you doing you straight? How the kids? Like you

1298
01:04:35,240 --> 01:04:37,320
Speaker 4: just been tapped in? Like you just come to take

1299
01:04:37,360 --> 01:04:38,439
Speaker 4: care of business?

1300
01:04:38,880 --> 01:04:39,080
Speaker 5: Yeah?

1301
01:04:39,160 --> 01:04:41,920
Speaker 4: What's up? Your bills paid? What you doing with your

1302
01:04:41,960 --> 01:04:46,000
Speaker 4: car paid off? How you been Yeah? Your house paid off?

1303
01:04:46,040 --> 01:04:46,960
Speaker 4: What you got going?

1304
01:04:47,400 --> 01:04:47,600
Speaker 5: Yeah?

1305
01:04:47,640 --> 01:04:51,280
Speaker 1: You trying to steal the bitch a nigga talking like that,

1306
01:04:51,480 --> 01:04:53,840
Speaker 1: gonna steal your gal man a nigga that is calling

1307
01:04:53,920 --> 01:04:54,320
Speaker 1: it holling.

1308
01:04:55,000 --> 01:04:58,160
Speaker 4: What you're doing, bab seit what you knowing? Your house

1309
01:04:58,200 --> 01:05:01,080
Speaker 4: paid on? What's up?

1310
01:05:01,400 --> 01:05:05,120
Speaker 13: You straight over that you ain't, Yeah, you ain't. You

1311
01:05:05,120 --> 01:05:07,600
Speaker 13: don't need no furniture or nothing. He trying to steal

1312
01:05:07,720 --> 01:05:12,200
Speaker 13: the bitch man. He gonna steal the pitch man.

1313
01:05:13,560 --> 01:05:14,280
Speaker 4: And they were wrong.

1314
01:05:14,400 --> 01:05:16,880
Speaker 1: Having them niggas sit beside each other won't make one

1315
01:05:16,920 --> 01:05:19,200
Speaker 1: of them nigga crash out. It would have been world

1316
01:05:19,320 --> 01:05:21,720
Speaker 1: news and Chris Brown would have been done.

1317
01:05:21,800 --> 01:05:23,360
Speaker 4: He would have hit Quavo then.

1318
01:05:23,760 --> 01:05:26,000
Speaker 1: As far as his image wise, they said, oh, we

1319
01:05:26,120 --> 01:05:29,600
Speaker 1: knew that Nigga did never had control of itself. He

1320
01:05:29,760 --> 01:05:34,760
Speaker 1: showed restraint then, whether he regretted or not now, but

1321
01:05:34,880 --> 01:05:37,240
Speaker 1: you will remember nights with some of these women, like

1322
01:05:37,320 --> 01:05:39,520
Speaker 1: some of you women got a spell on a nigga.

1323
01:05:40,640 --> 01:05:42,800
Speaker 1: It beat three four year down the road. You still

1324
01:05:42,840 --> 01:05:46,200
Speaker 1: remember them nights? Man, I remember that night. We shit boy?

1325
01:05:47,720 --> 01:05:49,160
Speaker 1: Who is she did?

1326
01:05:49,240 --> 01:05:51,040
Speaker 4: A goodness?

1327
01:05:51,360 --> 01:05:55,840
Speaker 1: Graci, you ain't saw that motherfucking two years you still

1328
01:05:55,880 --> 01:05:58,840
Speaker 1: be thinking about it. They don't put a spell on you.

1329
01:05:58,960 --> 01:06:03,000
Speaker 1: Though they don't put a spell on you. Nigga won't

1330
01:06:03,000 --> 01:06:05,440
Speaker 1: even gonna get him, No new gal. Nigga be sitting

1331
01:06:05,480 --> 01:06:08,439
Speaker 1: that baggage claim waiting on that same little to come down.

1332
01:06:08,880 --> 01:06:11,120
Speaker 1: You ever see that only nigga, that baggage claim, Bro,

1333
01:06:11,680 --> 01:06:15,120
Speaker 1: the baggage didn't make it. Bro, the luggage ain't coming family.

1334
01:06:16,200 --> 01:06:21,000
Speaker 1: The luggage ain't coming family. He be dying there waiting, Bro,

1335
01:06:22,120 --> 01:06:26,000
Speaker 1: it's over. You know what I'm saying. And they still

1336
01:06:26,120 --> 01:06:26,760
Speaker 1: that sweeten.

1337
01:06:26,840 --> 01:06:27,040
Speaker 5: Man.

1338
01:06:27,120 --> 01:06:30,040
Speaker 1: I ain't gonna lie sweet as a bad one though. But

1339
01:06:30,080 --> 01:06:35,320
Speaker 1: he called Chris Brown a crackhead. Michael Jackson a crackhead.

1340
01:06:35,400 --> 01:06:36,200
Speaker 1: Michael Jackson.

1341
01:06:36,880 --> 01:06:37,120
Speaker 5: Yeah.

1342
01:06:37,160 --> 01:06:41,480
Speaker 1: Man, So that's today's episode, Big Loan. It's up there podcast.

1343
01:06:41,560 --> 01:06:44,280
Speaker 1: Come to patriot dot com. It's up their podcast for

1344
01:06:44,320 --> 01:06:47,120
Speaker 1: all the rest of the vibes. We got a new segment,

1345
01:06:47,160 --> 01:06:49,960
Speaker 1: Alert Penitentiary Rules and Effect coming out. Make sure you

1346
01:06:50,040 --> 01:06:52,800
Speaker 1: watch interviews this out right now. Make sure you get

1347
01:06:52,800 --> 01:06:56,640
Speaker 1: some merch that's finna drop on you boys. Man, you

1348
01:06:56,720 --> 01:07:00,000
Speaker 1: dig It's up there podcast, Big lo You can't reach out.

1349
01:07:00,120 --> 01:07:02,600
Speaker 1: I'm out of reach. Let's get it. Love y'all, See

1350
01:07:02,680 --> 01:07:03,400
Speaker 1: y'all next time.