WEBVTT - S3:EP 5 - Paradise Lost

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<v Speaker 1>Tell me more about what the lake looked like.

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<v Speaker 2>It reminded me of glass, especially when it was so still.

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<v Speaker 2>Now I never went from one side to the other,

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<v Speaker 2>just because we weren't allowed. But before I became a maiden,

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<v Speaker 2>there was a floating dock out there, and I went

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<v Speaker 2>swimming from the floating dock and we would jump off

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<v Speaker 2>and see who could grab the most sludge from the

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<v Speaker 2>bottom and bring it up, as kids do. I remember

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<v Speaker 2>sitting at Alamoth and there were decks we were right

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<v Speaker 2>up against the lake, and I'd go out there in

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<v Speaker 2>the morning sometimes and the lake would just look like glass.

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<v Speaker 2>Sometimes you'd hear a beaver slap his tail or, you'd

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<v Speaker 2>see ducks swimming, you'd see all the mys rising up

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<v Speaker 2>with the sunrise coming up over it, and then you'd

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<v Speaker 2>hear the loon call. It was a very beautiful, peaceful place.

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<v Speaker 1>Sounds like it.

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<v Speaker 2>During the winter it would completely freeze over, so it

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<v Speaker 2>was just.

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<v Speaker 3>This huge vast snow and ice, and then come springtime

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<v Speaker 3>you'd start to hear the ice breaking up and this

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<v Speaker 3>cracking sound almost like trees falling, that would get really loud.

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<v Speaker 2>It would just echo through all the trees. As you know,

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<v Speaker 2>the winters in Minnesota can be freezing, so I loved

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<v Speaker 2>it when I could hear the ice starting to crack

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<v Speaker 2>and you could see everything was melting, you new spring

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<v Speaker 2>was right around the corner.

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<v Speaker 1>At first, adjusting to being a maiden was a scary,

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<v Speaker 1>lonely prospect, filled with shame and fear. But as the

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<v Speaker 1>years blew by, Lindsay started feeling differently about it, and

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<v Speaker 1>she started feeling differently about Victor. It's hard to imagine

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<v Speaker 1>how that shift would happen, But then I think about

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<v Speaker 1>how people have this ability to adapt and cope, to

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<v Speaker 1>find the light in the corners of a dark room,

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<v Speaker 1>and how after years of sinking into that darkness, you

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<v Speaker 1>might appreciate those folds of light. When Lindsay was a teenager,

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<v Speaker 1>Victor had the Maidens read Paradise Lost, John Milton's epic

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<v Speaker 1>poem about Adam and Eve and the Garden of Eden.

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<v Speaker 1>It's kind of surprising and that the story actually follows

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<v Speaker 1>Satan as the protagonist. The story often unfolds through his eyes,

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<v Speaker 1>and basically Satan comes up with a scheme to tempt

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<v Speaker 1>Adam and Eve into sin. Satan convinces Eve to eat

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<v Speaker 1>fruit from the tree of knowledge of good and evil,

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<v Speaker 1>which is forbidden. Then God banishes them from their paradise.

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<v Speaker 2>Paradise Lost is kind of it's a book about the

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<v Speaker 2>fall of Adam and Eve and how our world became cursed.

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<v Speaker 2>It was just weeks of us going to the carriage

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<v Speaker 2>house and we'd make food and a fire, and we'd

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<v Speaker 2>play music and we'd read the book.

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<v Speaker 1>Paradise Lost is this mysterious book. It's full of hidden meaning.

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<v Speaker 1>But Victor used it in a very literal way. His

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<v Speaker 1>point was simple, look at how great this paradise is.

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<v Speaker 1>If you fall from grace, you'll miss out. He asked

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<v Speaker 1>the maidens to imagine their own version of paradise and

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<v Speaker 1>pushed that fantastical promise one day they'd get their own planet,

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<v Speaker 1>a place they could design themselves.

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<v Speaker 2>So, you know, we were all talking about what we

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<v Speaker 2>wanted them to look like, and how Victor would be

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<v Speaker 2>able to come visit all of us, and how great

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<v Speaker 2>it would be because of our dedication to in this life,

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<v Speaker 2>to him and to the Church.

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<v Speaker 1>What did you imagine your little heaven would be like

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<v Speaker 1>or what would be there? How would you spend your

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<v Speaker 1>time there?

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<v Speaker 2>Oh, gosh, I wanted my heaven to look like a

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<v Speaker 2>huge treehouse, but like I wanted it to be in

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<v Speaker 2>the jungle, and I wanted, you know, the if you're

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<v Speaker 2>trying to get from one cliff to another and they

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<v Speaker 2>have those swinging bridges, tons of those through the trees

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<v Speaker 2>and just treehouses connecting all to one another with monkeys

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<v Speaker 2>and flowers and streams and what are That's kind of

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<v Speaker 2>how my picture in might Heaven looking.

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<v Speaker 1>Like that sounds like a fun place to be.

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<v Speaker 2>Yeah. He talked about how we'd be able to basically

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<v Speaker 2>just fly on over to each other's almost like stars.

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<v Speaker 2>I would just be able to fly over to one

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<v Speaker 2>another and visit each other. And it was definitely a

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<v Speaker 2>season of for me at least, coming together and really

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<v Speaker 2>bonding with the maidens and sometimes a lot of fun,

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<v Speaker 2>lots of laughs. And I remember in those times thinking like, gosh,

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<v Speaker 2>like how lucky am I out of all the people

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<v Speaker 2>in the church, that He's spending time with the ten

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<v Speaker 2>of us.

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<v Speaker 1>Lindsay remembers when she was assigned to light the lantern

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<v Speaker 1>on the bridge by the pond, the one they kept

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<v Speaker 1>lit so Jesus could find them when he returned to

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<v Speaker 1>bring them to Heaven.

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<v Speaker 2>I remember thinking that lighting the lantern one night with

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<v Speaker 2>one of the maidens walking up, like, can you believe

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<v Speaker 2>out of all the people in the entire world, like

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<v Speaker 2>we are the ones out of all the girls. And

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<v Speaker 2>I remember saying, do you think that there's life on

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<v Speaker 2>another planet? And maybe they have their own set of

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<v Speaker 2>maidens over there? Like what would they be called? You know,

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<v Speaker 2>like just thinking maybe there was another pocket on somewhere else,

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<v Speaker 2>like way across the universe, ten girls who were dedicated

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<v Speaker 2>to living their life for Christ. And I was like,

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<v Speaker 2>I'll still be eighty years old walking with my cane

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<v Speaker 2>through the snow to light the lantern.

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<v Speaker 1>Was Sometimes Lindsay felt like she was in the garden

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<v Speaker 1>of Eden and she could stay in that garden forever.

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<v Speaker 1>All she had to do was resist eating the apple

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<v Speaker 1>from her cocoa punch. In iHeart Podcasts, This is the

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<v Speaker 1>Turning River Road, I'm Alan Lance Lesser and I.

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<v Speaker 4>America Lance Part five Paradise Lost in the Past, Lindsay

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<v Speaker 4>got in trouble for all kinds of things, like when

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<v Speaker 4>Victor thought she smiled too much and took her instruments

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<v Speaker 4>away for a week. Sometimes it felt like no one

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<v Speaker 4>had her back. The maidens reported on each other, and

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<v Speaker 4>she even got yelled at for waking up late. But

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<v Speaker 4>over time, Lindsay grew more at home with the maidens,

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<v Speaker 4>especially when River Road decided to sell the Shepherd's Camp

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<v Speaker 4>their headquarters. Selling the camp made them millions of dollars,

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<v Speaker 4>which gave them a financial boost. Victor moved to the

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<v Speaker 4>maidens to a farmhouse at maiden Love, River Roads dairy farm.

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<v Speaker 4>This meant they saw less of Victor. From Victor and

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<v Speaker 4>the Shepherd's Camp, Lindsay didn't feel so watched. The space

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<v Speaker 4>allowed the maidens to find each other. River Road had

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<v Speaker 4>this little pottery business where the maidens would make dinnerware

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<v Speaker 4>and cups and mugs and vases and wine coolers and

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<v Speaker 4>even sinks. Everyone had a roll, like one maiden who

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<v Speaker 4>was really good at glazing, one maiden really good at carving.

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<v Speaker 4>Then some of the adults in the fellowship would take

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<v Speaker 4>the pottery and sell it at shows and pop up shops.

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<v Speaker 4>Lindsay loved it late nights at the shop with the

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<v Speaker 4>maidens singing while they worked, and when they were done

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<v Speaker 4>they crawled into bed. At the farmhouse, the walls slanted

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<v Speaker 4>down where the beds were, so you know, if you

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<v Speaker 4>sat up straight, you may hit your head. We lay

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<v Speaker 4>awake in bed, and I was coming up with tons

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<v Speaker 4>of different stories, little funny stories to make them laugh,

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<v Speaker 4>because because there was so much hardness to our life.

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<v Speaker 2>In some ways, it's sweet that you were telling them stories.

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<v Speaker 4>When you're one of the two youngest, you'd think that

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<v Speaker 4>it would be like the oldest maiden telling stories to

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<v Speaker 4>the younger girls, or something that seems like the real

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<v Speaker 4>Lindsay coming out.

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<v Speaker 2>Yeah, those years I started blossoming more. I mean, I

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<v Speaker 2>still got reproved all the time and yelled at but

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<v Speaker 2>there were moments of I think the real me trying

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<v Speaker 2>to come out and shine.

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<v Speaker 4>Lindsay was growing up, moving from middle school awkwardness to

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<v Speaker 4>a teenager with ideas and creativity to share, and the

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<v Speaker 4>maidens were growing too. Instead of being pitted against each other,

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<v Speaker 4>they were becoming true sisters to each other. They were

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<v Speaker 4>Lindsay's family.

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<v Speaker 2>Now.

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<v Speaker 4>She went by Lera, the name Victor gave her when

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<v Speaker 4>he put her in charge of the music, and she

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<v Speaker 4>flourished in the role. Victor gave her a tiny Panasonic

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<v Speaker 4>tape recorder she could use for her songwriting, and once

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<v Speaker 4>the Maidens worked up the songs. They recorded them for

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<v Speaker 4>real and mixed them and made CDs for the fellowship.

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<v Speaker 2>Lisa and Anna did some harmonies. Sometimes Nicole would do

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<v Speaker 2>some harmonies. If you hear the flute, that was nicky.

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<v Speaker 2>Katrina did the drums, Sarah played the bass.

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<v Speaker 5>Drug clost Guy Saver, holding your.

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<v Speaker 2>See you, the bond that the Maidens shared, it was deep,

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<v Speaker 2>it was real. It was beautiful what we had in

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<v Speaker 2>the midst of such terrific circumstances.

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<v Speaker 4>In Lindsay's mind, those were beautiful years. Two thousand and five,

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<v Speaker 4>two thousand and six, two thousand and seven. Even Victor

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<v Speaker 4>seemed more at rest.

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<v Speaker 2>And he had a baby grand piano there and we

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<v Speaker 2>would just sit there and play music, and I remember

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<v Speaker 2>figuring out on my guitar and just how happy he

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<v Speaker 2>would be. He'd be so happy and praising you, and

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<v Speaker 2>when he smiled, he had those smile lines, and it

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<v Speaker 2>would just make you feel warm and really good and

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<v Speaker 2>that you were doing really well. He was very like

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<v Speaker 2>playful in some way, wanting to hear your thoughts and

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<v Speaker 2>your ideas, and when he wasn't around, I would miss

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<v Speaker 2>that feeling of the praise and almost feeling like I

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<v Speaker 2>was finally being heard and valued in a way.

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<v Speaker 4>Often, a couple of maidens walked Victor to where he

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<v Speaker 4>slept at the end of the night, then they'd return

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<v Speaker 4>with a request. One maiden would be asked to return

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<v Speaker 4>to Victor alone.

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<v Speaker 2>And we all knew what was going on. Nobody talked

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<v Speaker 2>about it. But when somebody would come back and say, oh,

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<v Speaker 2>you know, Victor wants to see you, and it's eleven

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<v Speaker 2>at night or something, you knew what was going to happen.

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<v Speaker 2>And how often it happened honestly depended on how Victor

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<v Speaker 2>thought you were doing at the time spiritually, maybe how

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<v Speaker 2>you looked physically, so it could happen as much as, gosh,

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<v Speaker 2>seven ten times a month to maybe once a month,

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<v Speaker 2>you know, depending on how you were feeling. For ten years,

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<v Speaker 2>Lindsay says, Victor's right hand woman, Jan gave the maidens

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<v Speaker 2>two books, both about relationships and sex. One of them

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<v Speaker 2>included graphic how to instructions on sexual positions and how

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<v Speaker 2>to please your partner. Lindsay thinks Victor wanted them to

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<v Speaker 2>have these. I was still very awkward with him, and

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<v Speaker 2>it got easier over time. That first time was so

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<v Speaker 2>hard and definitely the ones after that, but they got

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<v Speaker 2>easier and it wasn't you know, physically, it didn't hurt

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<v Speaker 2>as much. I think, having that mindset of you know,

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<v Speaker 2>it's God's love for me, it was It's like hard

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<v Speaker 2>to say because it's so sickening, you know, and I

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<v Speaker 2>think I don't know when it was withheld or when

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<v Speaker 2>you knew like he wasn't happy with you, or you

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<v Speaker 2>could tell he was giving other maidens special attention. It

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<v Speaker 2>made me feel really bad about myself of what I

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<v Speaker 2>was doing wrong and why I wasn't being picked more

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<v Speaker 2>or was God upset with me for something? And then

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<v Speaker 2>being with him in that way it felt like God

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<v Speaker 2>did love me, like he was showing his love through

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<v Speaker 2>Victor towards me. I would say in the beginning, it

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<v Speaker 2>wasn't something that I craved. It wasn't like, oh, gosh,

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<v Speaker 2>I hope he chooses me tonight for me to feel

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<v Speaker 2>fully comfortable and even like comfortable with my body. It

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<v Speaker 2>took years later on it definitely almost became a privilege

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<v Speaker 2>to take care of him in that way. Makes me

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<v Speaker 2>feel really awful to say, because it's really hard, you know,

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<v Speaker 2>like thinking back on those years, like why I mean,

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<v Speaker 2>why did I think that way? Why did I allow

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<v Speaker 2>myself to get so sucked in by this man and

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<v Speaker 2>thinking to the point that if I died for him,

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<v Speaker 2>that would be the greatest honor. There was a season

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<v Speaker 2>where I was assigned to take care of Victor, like

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<v Speaker 2>wake him up in the morning and make him breakfast,

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<v Speaker 2>help him organize his day. And I think I was

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<v Speaker 2>on that duty for about ten months, and I remember

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<v Speaker 2>hardly getting in trouble during that time. I remember just

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<v Speaker 2>being almost like so grateful to him that he would

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<v Speaker 2>choose me to have this time with him, and to

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<v Speaker 2>get to even like know him better, to be able

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<v Speaker 2>to work in the cabin with him in this intimate setting.

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<v Speaker 2>I eventually thought I did love him, like truly loved

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<v Speaker 2>him and would do anything for him.

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<v Speaker 1>In her teens, Lindsay actually felt she was in love

0:16:27.440 --> 0:16:30.400
<v Speaker 1>with Victor, and she has a record of this dynamic.

0:16:32.320 --> 0:16:34.560
<v Speaker 1>She wrote about her love for Victor in a series

0:16:34.600 --> 0:16:38.240
<v Speaker 1>of letters to him. The pages and pages she shared

0:16:38.280 --> 0:16:41.040
<v Speaker 1>with us span years of her life. Starting at age fifteen.

0:16:41.720 --> 0:16:44.640
<v Speaker 1>She wrote in pencil on simple lined notebook paper, the

0:16:44.720 --> 0:16:48.360
<v Speaker 1>kind you'd see in school. As I look through the

0:16:48.440 --> 0:16:51.160
<v Speaker 1>letters now I can't help but notice how much Lindsay

0:16:51.200 --> 0:16:53.800
<v Speaker 1>seems like she's trying to prove her love to Victor,

0:16:54.520 --> 0:16:59.600
<v Speaker 1>like she's desperate to have him believe her. On one hand,

0:16:59.640 --> 0:17:03.000
<v Speaker 1>she's read reading these letters out of fear. By this point,

0:17:03.040 --> 0:17:05.600
<v Speaker 1>she's been conditioned to behave and say things to avoid

0:17:05.680 --> 0:17:09.600
<v Speaker 1>Victor's angry side. On the other hand, Lindsay has genuine

0:17:09.600 --> 0:17:13.200
<v Speaker 1>feelings of warmth and admiration for him. That's something that's

0:17:13.280 --> 0:17:16.360
<v Speaker 1>really common for kids who are being sexually abused. They

0:17:16.440 --> 0:17:20.120
<v Speaker 1>often feel intense affection toward the perpetrator. They might even

0:17:20.160 --> 0:17:23.640
<v Speaker 1>be convinced they're in love. Then later in life, when

0:17:23.640 --> 0:17:25.920
<v Speaker 1>they look back, it can be hard to make sense

0:17:25.920 --> 0:17:34.639
<v Speaker 1>of The letters Lindsay wrote are filled with religious language.

0:17:34.800 --> 0:17:37.639
<v Speaker 1>She talks about a relationship with Jesus Christ getting ready

0:17:37.640 --> 0:17:40.720
<v Speaker 1>for his return, but they also feel like love letters.

0:17:41.119 --> 0:17:43.679
<v Speaker 1>The over the top, mosty type of writing you'd expect

0:17:43.760 --> 0:17:46.880
<v Speaker 1>from two teenagers who just fell in love. And that's

0:17:46.920 --> 0:17:49.720
<v Speaker 1>what Victor said the relationship was. He said he was

0:17:49.760 --> 0:17:54.760
<v Speaker 1>her first love. In one letter, she writes, quote, thank

0:17:54.800 --> 0:17:57.159
<v Speaker 1>you for all the times you loved me when I

0:17:57.280 --> 0:18:01.720
<v Speaker 1>wasn't even worth loving. You've been a father, mother, and brother,

0:18:02.640 --> 0:18:07.120
<v Speaker 1>a teacher, a shepherd, a friend, a covering, a watcher,

0:18:07.800 --> 0:18:11.399
<v Speaker 1>someone who's ready to listen, the lover of my soul,

0:18:12.480 --> 0:18:16.120
<v Speaker 1>a leader, somebody who's not afraid to reprove and encourage

0:18:16.160 --> 0:18:22.080
<v Speaker 1>and correct forgiving, showing mercy and grace. Not the height, depth, length,

0:18:22.200 --> 0:18:24.959
<v Speaker 1>or breadth could contain all the love that you have

0:18:25.000 --> 0:18:29.720
<v Speaker 1>poured of yourself into me. In the same letter, she

0:18:29.760 --> 0:18:32.720
<v Speaker 1>says she's cried so much her shirt is soaked, her

0:18:32.720 --> 0:18:36.160
<v Speaker 1>eyes bloodshot, with a pile of tissues next to her.

0:18:37.280 --> 0:18:40.160
<v Speaker 1>Then she crosses out the word pile and writes mountain.

0:18:41.440 --> 0:18:44.400
<v Speaker 1>She says the tears come from thankfulness and love for him.

0:18:45.200 --> 0:18:49.280
<v Speaker 1>She signs the letter hidden in This Love with You Lera,

0:18:50.000 --> 0:18:57.919
<v Speaker 1>the name Victor had given her at the bottom of

0:18:57.960 --> 0:19:00.520
<v Speaker 1>the page. It looks like she's been practicing writing her

0:19:00.560 --> 0:19:06.200
<v Speaker 1>new name and his two. She writes your lira, your lira, lira,

0:19:06.800 --> 0:19:09.920
<v Speaker 1>and Victor's name four times, like what a school age

0:19:10.000 --> 0:19:14.359
<v Speaker 1>kid would doodle about her childhood crush. Sometimes, when she

0:19:14.520 --> 0:19:17.200
<v Speaker 1>was reproved a lot, she says, she would seek out

0:19:17.280 --> 0:19:20.480
<v Speaker 1>sex with him. She wanted him to pick her for

0:19:20.520 --> 0:19:23.920
<v Speaker 1>the night. She wanted to feel desired to get rid

0:19:23.960 --> 0:19:25.600
<v Speaker 1>of the worthlessness and ugliness.

0:19:25.640 --> 0:19:26.400
<v Speaker 2>She felt.

0:19:29.920 --> 0:19:32.840
<v Speaker 1>She might write something is on my heart that I

0:19:32.880 --> 0:19:34.920
<v Speaker 1>want to talk to you about if you have time

0:19:34.960 --> 0:19:39.040
<v Speaker 1>to fellowship Fellowship. Because she didn't want to spell it out,

0:19:40.160 --> 0:19:43.040
<v Speaker 1>she wrote him once I love you, I love you,

0:19:43.720 --> 0:19:49.480
<v Speaker 1>I love you, and underlined the last one. Victor left

0:19:49.480 --> 0:19:53.760
<v Speaker 1>her messages too, like good morning, my dear, please wake

0:19:53.840 --> 0:19:57.720
<v Speaker 1>me at six am in his love, or a note

0:19:57.760 --> 0:20:01.840
<v Speaker 1>from Victor on paper printed with sunfly to my beloved

0:20:01.880 --> 0:20:07.480
<v Speaker 1>Lindsay twined together my darling Lindsay of two one flesh,

0:20:07.760 --> 0:20:21.680
<v Speaker 1>the great mystery. I love you, Victor and Victor recorded

0:20:21.760 --> 0:20:24.760
<v Speaker 1>himself on that tape recorder, the tool he gave her

0:20:24.800 --> 0:20:28.919
<v Speaker 1>to encourage her songwriting. The activities she cherished the most.

0:20:33.240 --> 0:20:38.560
<v Speaker 2>Oh Leah, make a joyful noise unto the Lord God,

0:20:38.640 --> 0:20:39.360
<v Speaker 2>bless you dear.

0:20:44.400 --> 0:20:46.680
<v Speaker 1>After a night of praying with Victor and the maidens,

0:20:46.880 --> 0:20:48.399
<v Speaker 1>Lindsay wrote a song before bed.

0:20:49.840 --> 0:20:53.560
<v Speaker 2>So it goes. Sometimes the days seem so long, and

0:20:53.560 --> 0:20:57.720
<v Speaker 2>my heart starts aching within, of missing you, of missing you.

0:20:58.600 --> 0:21:01.840
<v Speaker 2>Driving away from your place, the tears started rolling down

0:21:01.840 --> 0:21:06.520
<v Speaker 2>my face from missing you, from missing you. Soon we'll

0:21:06.560 --> 0:21:11.280
<v Speaker 2>be together forever. Until then, nothing can sever the chords

0:21:11.320 --> 0:21:15.080
<v Speaker 2>of love that entwine you and me, always coming back

0:21:15.160 --> 0:21:18.119
<v Speaker 2>one day until then, this is what I'll say, that

0:21:18.160 --> 0:21:22.040
<v Speaker 2>I'm in the fight and in love with you, that

0:21:22.200 --> 0:21:30.639
<v Speaker 2>us victor. Part of it makes me sick reading that, ugh,

0:21:33.119 --> 0:21:35.399
<v Speaker 2>trying to think of how, Let's see, this was in

0:21:35.400 --> 0:21:39.679
<v Speaker 2>two thousand and four, so I would have been seventeen.

0:21:41.720 --> 0:21:44.560
<v Speaker 1>And why do you think you wrote that? Do you

0:21:44.600 --> 0:21:48.760
<v Speaker 1>think you felt that way at the time, or that

0:21:48.840 --> 0:21:53.000
<v Speaker 1>you were trying to appease him or a bit of both.

0:21:54.119 --> 0:21:56.320
<v Speaker 2>I think at the time I definitely felt that way.

0:21:57.160 --> 0:21:59.240
<v Speaker 2>I mean, it's crazy you hear about this stuff in

0:21:59.440 --> 0:22:06.680
<v Speaker 2>like domestic violence situations where people get so conditioned to

0:22:06.760 --> 0:22:09.360
<v Speaker 2>living that way and then the person will abuse them

0:22:09.400 --> 0:22:11.240
<v Speaker 2>and then they'll leave and then they'll say no, but

0:22:11.280 --> 0:22:12.880
<v Speaker 2>I really love you and I won't do that again,

0:22:12.920 --> 0:22:15.680
<v Speaker 2>and blah blah blah they'll go back and it's this

0:22:15.880 --> 0:22:20.480
<v Speaker 2>revolving door. And I think I had been so conditioned

0:22:20.520 --> 0:22:25.240
<v Speaker 2>at that time to want his love so badly and

0:22:25.359 --> 0:22:27.359
<v Speaker 2>want to be in good graces with him, because I

0:22:27.400 --> 0:22:31.359
<v Speaker 2>felt like that's how I was going to get to heaven.

0:22:32.359 --> 0:22:35.399
<v Speaker 2>The heaven in my mind, wasn't about God. It was

0:22:35.440 --> 0:22:38.159
<v Speaker 2>all about being with Victor for all eternity, which just

0:22:38.640 --> 0:22:42.399
<v Speaker 2>shows me now how screwed up that totally is that

0:22:42.520 --> 0:22:45.479
<v Speaker 2>Victor made himself to be this godlike figure.

0:22:47.200 --> 0:22:49.119
<v Speaker 4>Lindsay was finally at peace with her life and the

0:22:49.160 --> 0:22:51.680
<v Speaker 4>way it had been planned for her, but her best

0:22:51.680 --> 0:22:55.240
<v Speaker 4>friend Jess felt something else. Jess, the youngest maiden with

0:22:55.359 --> 0:22:58.399
<v Speaker 4>red hair and a giant smile, the one person Lindsay

0:22:58.440 --> 0:23:01.440
<v Speaker 4>could be herself with. Lindsay didn't know it, but Jess

0:23:01.520 --> 0:23:04.280
<v Speaker 4>was ill at ease. We didn't get to interview Jess,

0:23:04.400 --> 0:23:06.040
<v Speaker 4>but we do have some recordings that were made of

0:23:06.080 --> 0:23:08.840
<v Speaker 4>her later on. They're a little grainy and hard to hear,

0:23:09.160 --> 0:23:12.280
<v Speaker 4>but she explains what happened. You can feel the dread

0:23:12.320 --> 0:23:13.800
<v Speaker 4>in her voice.

0:23:14.240 --> 0:23:14.840
<v Speaker 3>At that point.

0:23:14.880 --> 0:23:18.600
<v Speaker 1>I was nineteen years old and extremely uncomfortable living the

0:23:18.600 --> 0:23:20.800
<v Speaker 1>way we were stock.

0:23:21.240 --> 0:23:22.040
<v Speaker 2>I didn't want to.

0:23:22.240 --> 0:23:25.000
<v Speaker 4>Jess as talking about how uncomfortable she was living there

0:23:25.000 --> 0:23:27.399
<v Speaker 4>at nineteen, and that she didn't want to be a

0:23:27.440 --> 0:23:28.600
<v Speaker 4>maiden with Victor anymore.

0:23:28.920 --> 0:23:32.320
<v Speaker 2>I didn't want to be with Victor.

0:23:35.040 --> 0:23:38.440
<v Speaker 4>Jess had actually tried to escape once years before, back

0:23:38.480 --> 0:23:41.119
<v Speaker 4>when she was middle school aged. She ran into the

0:23:41.119 --> 0:23:44.160
<v Speaker 4>woods behind the shepherd's camp. She thought she'd walk until

0:23:44.200 --> 0:23:46.640
<v Speaker 4>she hit Pokola Road and get to Finnlassen to find

0:23:46.640 --> 0:23:49.199
<v Speaker 4>a phone, but once she was in the woods, she

0:23:49.240 --> 0:23:53.000
<v Speaker 4>got scared. Then Victor found her. He yelled at her

0:23:53.080 --> 0:23:57.919
<v Speaker 4>to come back, and for some reason she did. She

0:23:58.040 --> 0:24:00.479
<v Speaker 4>turned around and walked back to him, and appter by

0:24:00.480 --> 0:24:03.600
<v Speaker 4>the hair and dragged her inside. She never tried to

0:24:03.720 --> 0:24:11.720
<v Speaker 4>escape again. But years later, in two thousand and eight,

0:24:12.760 --> 0:24:16.040
<v Speaker 4>Jess couldn't take it anymore. She was nineteen years old

0:24:16.080 --> 0:24:19.879
<v Speaker 4>and had been a maiden for seven years. Victor said,

0:24:20.160 --> 0:24:22.879
<v Speaker 4>I'm going to ask you one more time. Is this

0:24:22.920 --> 0:24:26.280
<v Speaker 4>what you want to do? Here's one last chance to leave,

0:24:27.359 --> 0:24:29.880
<v Speaker 4>and Jess finally got up the courage to say, yes,

0:24:30.720 --> 0:24:33.840
<v Speaker 4>I want to leave. She was the only maiden who did.

0:24:34.880 --> 0:24:36.600
<v Speaker 4>She said she wanted a family of her own.

0:24:38.240 --> 0:24:42.080
<v Speaker 1>I wanted to get married and have a life of my.

0:24:42.080 --> 0:24:46.880
<v Speaker 4>Own, and so she did. Because that's the trick with cults.

0:24:47.200 --> 0:24:49.719
<v Speaker 4>Most of the time, you can leave, you do have

0:24:49.760 --> 0:24:53.320
<v Speaker 4>a choice. The point is that you're made to feel

0:24:53.359 --> 0:24:56.200
<v Speaker 4>that you don't, and Jess had reached the point where

0:24:56.200 --> 0:25:01.720
<v Speaker 4>she couldn't take it anymore. Jess would leave the maidens,

0:25:01.760 --> 0:25:05.160
<v Speaker 4>but not the Fellowship. She told Victor she'd get married instead,

0:25:05.440 --> 0:25:07.480
<v Speaker 4>the one other path a young woman in River Road

0:25:07.480 --> 0:25:12.960
<v Speaker 4>could take. So Victor planned it all down to the

0:25:13.000 --> 0:25:15.679
<v Speaker 4>man she would be with. Jess says it was almost

0:25:15.720 --> 0:25:18.600
<v Speaker 4>like an arranged marriage. She says the guy Victor chose

0:25:18.680 --> 0:25:21.159
<v Speaker 4>was strict and loyal to him, so he knew he

0:25:21.200 --> 0:25:25.119
<v Speaker 4>would keep her in line. Victor had told her no

0:25:25.240 --> 0:25:28.639
<v Speaker 4>hard feelings, but Jess said there were definitely hard feelings.

0:25:29.240 --> 0:25:32.240
<v Speaker 4>She felt it from Victor and from all of Alamoth,

0:25:32.960 --> 0:25:34.240
<v Speaker 4>all the maidens.

0:25:37.119 --> 0:25:37.320
<v Speaker 3>You know.

0:25:37.440 --> 0:25:40.960
<v Speaker 2>Victor announced us that she was leaving and that she

0:25:41.080 --> 0:25:42.920
<v Speaker 2>was going to be getting married. That was the plan

0:25:43.440 --> 0:25:46.439
<v Speaker 2>to a young man in the church. And oh man,

0:25:46.640 --> 0:25:48.399
<v Speaker 2>I was so mad at her for leaving.

0:25:49.440 --> 0:25:54.000
<v Speaker 4>Lindsay was in shock. Jess wasn't just leaving Victor. Jess

0:25:54.080 --> 0:25:54.760
<v Speaker 4>was leaving her.

0:25:55.840 --> 0:25:56.040
<v Speaker 1>Ugh.

0:25:56.359 --> 0:25:59.120
<v Speaker 2>I remember hating her for it because in the early

0:25:59.200 --> 0:26:03.520
<v Speaker 2>years we had talked to maybe running away. Never knew

0:26:03.560 --> 0:26:07.000
<v Speaker 2>how we knew we'd get in trouble, somebody would find us,

0:26:07.240 --> 0:26:12.880
<v Speaker 2>and we're back right where we started. And I think

0:26:13.000 --> 0:26:18.640
<v Speaker 2>those memories of us, you know, when we were twelve

0:26:18.720 --> 0:26:22.639
<v Speaker 2>or fourteen thirteen, talking about running away, like just so

0:26:22.720 --> 0:26:28.439
<v Speaker 2>many memories came back good ones, bad ones, and I

0:26:28.480 --> 0:26:32.240
<v Speaker 2>just kept thinking, Wow, Like she got out, she did it,

0:26:32.400 --> 0:26:40.040
<v Speaker 2>she left, and I think I felt so stuck. I

0:26:40.080 --> 0:26:44.760
<v Speaker 2>didn't know how to get the guts to do something

0:26:44.840 --> 0:26:48.359
<v Speaker 2>like that, and I was so mad at her, but

0:26:48.440 --> 0:26:52.760
<v Speaker 2>I was also really happy for her. I thought she

0:26:52.800 --> 0:26:56.640
<v Speaker 2>would lose her place among the maidens in heaven, and

0:26:57.520 --> 0:26:59.520
<v Speaker 2>that was a big fear of mine too, And I

0:26:59.600 --> 0:27:03.160
<v Speaker 2>was like, I am definitely staying a maiden, and I'm

0:27:03.160 --> 0:27:04.439
<v Speaker 2>going to stay in my commitments.

0:27:05.760 --> 0:27:08.600
<v Speaker 4>Seeing just leave and all the reactions only made Lindsay

0:27:08.680 --> 0:27:11.480
<v Speaker 4>cling to her commitments more. She didn't want to lose

0:27:11.520 --> 0:27:14.280
<v Speaker 4>her status in the next life. The idea of not

0:27:14.400 --> 0:27:17.040
<v Speaker 4>being with the other maidens in heaven terrified her.

0:27:17.800 --> 0:27:22.120
<v Speaker 2>But things slowly started just going very differently.

0:27:24.200 --> 0:27:27.399
<v Speaker 1>Jess left in two thousand and eight, soon after some

0:27:27.520 --> 0:27:31.119
<v Speaker 1>strange news hit members of River Road Fellowship. A woman

0:27:31.160 --> 0:27:34.600
<v Speaker 1>in River Road contacted the police. She said that Victor

0:27:34.680 --> 0:27:38.040
<v Speaker 1>had coerced her to sleep with him. He told her

0:27:38.200 --> 0:27:40.959
<v Speaker 1>it was her responsibility as a woman in the church

0:27:41.200 --> 0:27:44.880
<v Speaker 1>to take care of him sexually, and the woman said

0:27:44.880 --> 0:27:48.840
<v Speaker 1>she wasn't the only one. She told police. Victor met

0:27:48.880 --> 0:27:52.080
<v Speaker 1>with many of the adult married women privately in his lodge,

0:27:52.520 --> 0:27:55.720
<v Speaker 1>and on many of those occasions he had sex with them.

0:27:57.160 --> 0:28:00.600
<v Speaker 1>Now this secret was out in the open, not just

0:28:00.640 --> 0:28:04.520
<v Speaker 1>to River Road but to outsiders, and with the potential

0:28:04.560 --> 0:28:08.879
<v Speaker 1>for a gossip swirling, Victor told the maidens himself. He

0:28:08.920 --> 0:28:11.040
<v Speaker 1>said he'd had sex with some of the married women

0:28:11.080 --> 0:28:11.560
<v Speaker 1>in the group.

0:28:12.800 --> 0:28:14.840
<v Speaker 2>There was just something that didn't sit right with me

0:28:14.920 --> 0:28:17.560
<v Speaker 2>about him sleeping with the married women, Like it just

0:28:17.720 --> 0:28:20.320
<v Speaker 2>felt wrong. I think it was because they were married.

0:28:20.720 --> 0:28:24.080
<v Speaker 2>I was like, ah, this just does not feel right.

0:28:25.400 --> 0:28:29.119
<v Speaker 1>Even though Victor chastised his followers every day, it was

0:28:29.160 --> 0:28:32.320
<v Speaker 1>the only time Lindsay remembers him saying he'd made a mistake.

0:28:33.000 --> 0:28:36.400
<v Speaker 1>He said the temptation had been too big. He referenced

0:28:36.400 --> 0:28:39.840
<v Speaker 1>the Bible to make excuses. He compared what he did

0:28:39.880 --> 0:28:42.840
<v Speaker 1>to some of King David's transgressions, and he likened people

0:28:42.840 --> 0:28:50.440
<v Speaker 1>coming after him to persecution. Victor came up with a

0:28:50.480 --> 0:28:53.760
<v Speaker 1>short phrase that became a catch all excuse for his

0:28:53.880 --> 0:28:57.960
<v Speaker 1>actions that echoed across River Road.

0:28:58.960 --> 0:29:01.640
<v Speaker 2>Everything was the blood of the Lamb covers it all.

0:29:01.680 --> 0:29:05.160
<v Speaker 2>The blood of the Lamb covers it all. Which, yes,

0:29:05.720 --> 0:29:09.760
<v Speaker 2>Jesus Christ died for our sins. Absolutely but you can't

0:29:09.800 --> 0:29:13.040
<v Speaker 2>go around and sleep with other men's wives and just

0:29:13.080 --> 0:29:15.920
<v Speaker 2>think that the blood of the Lamb is gonna cover

0:29:16.000 --> 0:29:18.960
<v Speaker 2>your sins and you not change, truly repent and change

0:29:18.960 --> 0:29:19.560
<v Speaker 2>your behavior.

0:29:23.120 --> 0:29:26.400
<v Speaker 1>But Victor didn't just have his followers approval to worry about.

0:29:26.680 --> 0:29:29.520
<v Speaker 1>The police were involved now, and that meant he could

0:29:29.520 --> 0:29:32.840
<v Speaker 1>face legal trouble because in Minnesota it's a felony for

0:29:32.880 --> 0:29:35.360
<v Speaker 1>clergy to have sex with people they're guiding spiritually.

0:29:36.240 --> 0:29:37.880
<v Speaker 2>But he shared it in a way that made you

0:29:37.960 --> 0:29:41.800
<v Speaker 2>feel bad for him, getting you to think like, oh,

0:29:41.840 --> 0:29:44.080
<v Speaker 2>woe was me and the burden that's going to be

0:29:44.200 --> 0:29:46.600
<v Speaker 2>on me? And are you ready to stay in your

0:29:46.600 --> 0:29:51.440
<v Speaker 2>commitments and defend me and defend your faith if things

0:29:51.480 --> 0:29:55.080
<v Speaker 2>go crazy? And at that time, yes, I was. I

0:29:55.160 --> 0:29:59.640
<v Speaker 2>was totally in, totally committed, ready to take a bullet

0:29:59.680 --> 0:30:01.000
<v Speaker 2>for him if needed.

0:30:14.800 --> 0:30:17.760
<v Speaker 4>The news about Victor's extramarital affairs was only the first

0:30:17.760 --> 0:30:20.239
<v Speaker 4>in a series of shifts in River Road Fellowship and

0:30:20.280 --> 0:30:23.320
<v Speaker 4>in Lindsay's life, because it was around this time that

0:30:23.400 --> 0:30:26.800
<v Speaker 4>another legal issue came up. One of the ten maidens

0:30:26.840 --> 0:30:29.760
<v Speaker 4>was originally from Brazil. She had some visa issues, so

0:30:29.840 --> 0:30:31.880
<v Speaker 4>she actually had to move back down to Brazil for

0:30:31.920 --> 0:30:35.720
<v Speaker 4>a while, but maidens couldn't live alone. They always needed

0:30:35.720 --> 0:30:38.480
<v Speaker 4>a partner, that was the rule, So the rest of

0:30:38.480 --> 0:30:41.000
<v Speaker 4>the maidens took turns living with her in Brazil until

0:30:41.040 --> 0:30:43.880
<v Speaker 4>the visa could be sorted. Lindsay was one of the

0:30:43.920 --> 0:30:47.080
<v Speaker 4>first to volunteer. She would move to Brazil for six

0:30:47.120 --> 0:30:50.640
<v Speaker 4>months to stay at the maiden's side. Suddenly, Lindsay found

0:30:50.640 --> 0:30:53.600
<v Speaker 4>herself on a plane to Brazil, her first trip alone

0:30:53.640 --> 0:30:55.680
<v Speaker 4>in her life.

0:30:55.960 --> 0:30:58.160
<v Speaker 2>I remember being so awkward because I brought my guitar

0:30:58.200 --> 0:30:59.360
<v Speaker 2>with me and I had to carry it on in

0:30:59.400 --> 0:31:03.440
<v Speaker 2>People We're like saying nice things like, oh, you're gonna

0:31:03.440 --> 0:31:06.040
<v Speaker 2>play something. Oh my gosh. I remember being just so

0:31:06.240 --> 0:31:10.440
<v Speaker 2>self conscious. People probably thought I was a freak. I

0:31:10.560 --> 0:31:15.120
<v Speaker 2>just probably had no social skills really because I hadn't

0:31:15.480 --> 0:31:18.640
<v Speaker 2>been around I mean, back then I would have called

0:31:18.680 --> 0:31:21.440
<v Speaker 2>them unbelievers, you know, but I hadn't been around people

0:31:22.520 --> 0:31:24.960
<v Speaker 2>outside of the camp for so long.

0:31:25.920 --> 0:31:28.040
<v Speaker 4>When Lindsay got in the plane, she saw something she

0:31:28.120 --> 0:31:31.440
<v Speaker 4>never had before, screens on the backs of seats.

0:31:32.000 --> 0:31:36.800
<v Speaker 2>The last time I flew was I think nineteen ninety seven,

0:31:37.400 --> 0:31:39.600
<v Speaker 2>and now it's two thousand and nine. September one, two

0:31:39.600 --> 0:31:43.120
<v Speaker 2>thousand and nine. So I sat down, and I remember

0:31:43.120 --> 0:31:45.200
<v Speaker 2>it took me like two hours to decide if I

0:31:45.240 --> 0:31:47.280
<v Speaker 2>was even going to watch something, because I thought for

0:31:47.480 --> 0:31:51.000
<v Speaker 2>sure Victor would find out it was going to be

0:31:51.000 --> 0:31:53.720
<v Speaker 2>on a bill somehow, or like they would be able

0:31:53.760 --> 0:31:57.960
<v Speaker 2>to track it, somebody would tell him. But then I

0:31:58.080 --> 0:32:01.520
<v Speaker 2>was like fuck it, and I I put these headphones

0:32:01.520 --> 0:32:05.520
<v Speaker 2>in and started scrolling and found this teenage British movie

0:32:05.560 --> 0:32:10.720
<v Speaker 2>called Angus Thongs and Perfect Snogging and Designed to shit.

0:32:14.520 --> 0:32:17.960
<v Speaker 2>I remember like laughing and thinking the boys were cute,

0:32:18.040 --> 0:32:20.800
<v Speaker 2>and you know, it was like a little teenage rom com,

0:32:20.960 --> 0:32:23.440
<v Speaker 2>you know. But then part of me too was like,

0:32:23.480 --> 0:32:25.960
<v Speaker 2>oh my gosh, I wish I had had a life

0:32:26.080 --> 0:32:28.400
<v Speaker 2>like this, wish I was able to go on a

0:32:28.560 --> 0:32:32.880
<v Speaker 2>first date and wear these kinds of clothes, do my

0:32:33.000 --> 0:32:36.320
<v Speaker 2>hair in this certain way. I remember finishing the movie

0:32:36.520 --> 0:32:39.880
<v Speaker 2>and that was it. In case they found out, I

0:32:39.920 --> 0:32:41.720
<v Speaker 2>was like, I can't do more than one, Like I

0:32:41.800 --> 0:32:46.880
<v Speaker 2>will be really in big trouble. I'm just this huge

0:32:46.920 --> 0:32:50.640
<v Speaker 2>sinner on the plane watching this movie. I remember really

0:32:50.640 --> 0:32:51.440
<v Speaker 2>liking the movie.

0:32:53.360 --> 0:32:55.640
<v Speaker 4>The fear was still there that would hang on to

0:32:55.720 --> 0:32:59.360
<v Speaker 4>her for years to come, but without Victor's constant supervision.

0:32:59.400 --> 0:33:02.080
<v Speaker 4>There was nothing standing between Lindsay and the outside world.

0:33:02.760 --> 0:33:05.440
<v Speaker 4>Once she got to Brazil, information wasn't as restricted.

0:33:06.800 --> 0:33:12.560
<v Speaker 2>Being in Brazil and basically seeing people live their normal

0:33:12.640 --> 0:33:20.360
<v Speaker 2>lives was so eye opening and almost surreal. It was

0:33:20.400 --> 0:33:24.160
<v Speaker 2>almost like, oh my gosh, there's a whole nother life

0:33:24.240 --> 0:33:28.719
<v Speaker 2>out here. People can live outside of the camp.

0:33:33.280 --> 0:33:35.960
<v Speaker 4>When Victor came to visit, it had been months, far

0:33:36.040 --> 0:33:38.160
<v Speaker 4>longer than she'd ever been away from him since becoming

0:33:38.200 --> 0:33:41.520
<v Speaker 4>a maiden. She started to feel more distant from him.

0:33:43.080 --> 0:33:47.320
<v Speaker 2>I do remember being standoffish towards him. I wasn't as

0:33:48.360 --> 0:33:51.760
<v Speaker 2>full and open as I once was, and I remember

0:33:52.440 --> 0:33:54.400
<v Speaker 2>I didn't want to end up in a situation where

0:33:54.440 --> 0:33:57.200
<v Speaker 2>he would have sex with me, and so I made

0:33:57.240 --> 0:34:01.440
<v Speaker 2>sure that you know, I never mean that opportunity available

0:34:01.440 --> 0:34:06.160
<v Speaker 2>to him.

0:34:06.440 --> 0:34:10.279
<v Speaker 4>River Road Fellowship was beginning to fracture after the news

0:34:10.280 --> 0:34:13.600
<v Speaker 4>of Victor's affairs came out. He left, and they started

0:34:13.600 --> 0:34:17.279
<v Speaker 4>to keep Victor's location secret. Sometimes Lindsay didn't even know

0:34:17.320 --> 0:34:20.920
<v Speaker 4>where he was. He traveled around, including up north to

0:34:21.000 --> 0:34:24.640
<v Speaker 4>right by the border of Canada. Minnesota didn't seem like

0:34:24.640 --> 0:34:28.040
<v Speaker 4>a safe place for the group anymore. So Victor decided

0:34:28.040 --> 0:34:32.120
<v Speaker 4>to move their headquarters from Minnesota to Washington State. They

0:34:32.200 --> 0:34:35.360
<v Speaker 4>left behind the properties and farms and businesses they'd built

0:34:35.440 --> 0:34:41.280
<v Speaker 4>up for so many years. Many followers relocated to Washington,

0:34:41.440 --> 0:34:44.719
<v Speaker 4>including the Maidens. The people who didn't move would have

0:34:44.760 --> 0:34:51.560
<v Speaker 4>to follow him from Afar. By the time Lindsay came

0:34:51.600 --> 0:34:54.560
<v Speaker 4>back from Brazil, her parents had moved home to Pennsylvania

0:34:54.680 --> 0:34:57.960
<v Speaker 4>without even telling her. They'd be loyal to Victor long distance,

0:34:58.800 --> 0:35:01.319
<v Speaker 4>and instead of flying home to ment Minnesota, Lindsay went

0:35:01.360 --> 0:35:05.120
<v Speaker 4>from Brazil to Washington. She joined the other Maidens near Spokane.

0:35:05.760 --> 0:35:08.040
<v Speaker 4>They lived in a house in a regular neighborhood, set

0:35:08.080 --> 0:35:09.960
<v Speaker 4>a little farther back from the houses, on a hill

0:35:10.000 --> 0:35:13.640
<v Speaker 4>among the trees. To make money, the maidens knocked on

0:35:13.719 --> 0:35:17.600
<v Speaker 4>doors offering cleaning services. This was a huge shift. After

0:35:17.719 --> 0:35:21.239
<v Speaker 4>years of avoiding outsiders. Now Lindsay spent her days in

0:35:21.320 --> 0:35:27.280
<v Speaker 4>other people's homes. Something in her mind began to turn.

0:35:32.920 --> 0:35:35.239
<v Speaker 2>I think it was about three months after being there.

0:35:36.120 --> 0:35:39.160
<v Speaker 2>Nicole and I were watching March of the Penguins.

0:35:39.800 --> 0:35:42.160
<v Speaker 4>Nicole was an older maiden, the one considered the head

0:35:42.160 --> 0:35:44.759
<v Speaker 4>of them all. She was also the daughter of Jan,

0:35:45.200 --> 0:35:46.160
<v Speaker 4>Victor's right hand.

0:35:47.280 --> 0:35:50.040
<v Speaker 2>Neither of us were feeling very well, so we were

0:35:50.040 --> 0:35:52.440
<v Speaker 2>on the couch in the basement watching March of the Penguins.

0:35:53.280 --> 0:35:56.200
<v Speaker 2>Morgan Freeman is the voice, which I didn't know him

0:35:56.239 --> 0:35:59.160
<v Speaker 2>at the time, but it was one of the approved

0:35:59.760 --> 0:36:00.800
<v Speaker 2>things we could watch.

0:36:01.840 --> 0:36:06.080
<v Speaker 4>While watching, Lindsay did something she'd never done before. She

0:36:06.160 --> 0:36:09.719
<v Speaker 4>turned to the other Maiden and said something taboo. She

0:36:09.760 --> 0:36:13.320
<v Speaker 4>didn't even really plan it, it just spilled out.

0:36:13.400 --> 0:36:16.960
<v Speaker 2>And I remember looking over at her and telling her

0:36:17.000 --> 0:36:20.560
<v Speaker 2>that I needed to talk to her about something. And

0:36:21.760 --> 0:36:25.640
<v Speaker 2>I told her that I didn't really agree with Victor

0:36:25.719 --> 0:36:29.279
<v Speaker 2>sleeping with some of the married women, and that I

0:36:29.320 --> 0:36:34.480
<v Speaker 2>felt like I wanted to move on from the maidens

0:36:34.680 --> 0:36:39.640
<v Speaker 2>and get married someday, have a family of my own,

0:36:39.800 --> 0:36:43.920
<v Speaker 2>and leave. I can't even believe that I got the

0:36:43.960 --> 0:36:45.840
<v Speaker 2>guts to tell her. I think in my mind I

0:36:45.920 --> 0:36:48.960
<v Speaker 2>was like, Victor's not here, you know, I wouldn't have

0:36:49.080 --> 0:36:51.440
<v Speaker 2>the pressure from him to stay.

0:36:53.320 --> 0:36:55.560
<v Speaker 4>But Lindsay wasn't really telling the truth when she talked

0:36:55.560 --> 0:36:59.200
<v Speaker 4>to the other Maiden. Victor's affairs were her excuse when

0:36:59.200 --> 0:37:02.759
<v Speaker 4>that believers might accept a strategy to be heard, but

0:37:02.800 --> 0:37:08.160
<v Speaker 4>it wasn't what really drove her Brazil, the airplane, the movies, Washington.

0:37:08.400 --> 0:37:11.560
<v Speaker 4>They all came together and told her something new. She

0:37:11.760 --> 0:37:15.120
<v Speaker 4>didn't have to stay here, and she knew now she

0:37:15.200 --> 0:37:15.879
<v Speaker 4>didn't want to.

0:37:17.120 --> 0:37:18.880
<v Speaker 2>I remember, she was surprised.

0:37:19.840 --> 0:37:22.960
<v Speaker 4>The maiden called her mom, Jan, who talked to Lindsay.

0:37:23.880 --> 0:37:26.680
<v Speaker 4>Jan tried to explain away Victor's actions with the line

0:37:26.719 --> 0:37:28.960
<v Speaker 4>she'd heard many times before, we.

0:37:28.960 --> 0:37:31.440
<v Speaker 2>All make mistakes, and that Victor made a mistake and

0:37:31.480 --> 0:37:33.400
<v Speaker 2>the blood of the Lamb covers all sins, and I

0:37:34.040 --> 0:37:38.439
<v Speaker 2>would need to forgive him, and that if I did leave,

0:37:38.520 --> 0:37:42.239
<v Speaker 2>I would be leaving my first love. And somehow through

0:37:42.280 --> 0:37:46.799
<v Speaker 2>all of that I stayed firm. I literally don't know

0:37:46.920 --> 0:37:48.200
<v Speaker 2>how I did that.

0:37:49.520 --> 0:37:52.560
<v Speaker 4>Jan called Victor and put Lindsay on the phone. Lindsay

0:37:52.600 --> 0:37:55.920
<v Speaker 4>was scared. She started to cry. When Victor picked up,

0:37:55.960 --> 0:37:59.520
<v Speaker 4>he sounded emotional, like maybe he was crying too. He

0:37:59.560 --> 0:38:01.359
<v Speaker 4>asked her if she was sure she wanted to do this.

0:38:02.520 --> 0:38:04.279
<v Speaker 4>He didn't try to convince her to stay like he'd

0:38:04.320 --> 0:38:07.440
<v Speaker 4>always done in the past. Years ago. Lindsay thinks he'd

0:38:07.480 --> 0:38:11.120
<v Speaker 4>recently experienced so much change, people moving away, just leaving

0:38:11.120 --> 0:38:13.880
<v Speaker 4>the Maidens. Maybe this just felt like one more change

0:38:13.880 --> 0:38:16.600
<v Speaker 4>to him. To this day, Lindsay thinks if she had

0:38:16.640 --> 0:38:18.600
<v Speaker 4>talked with him in person and not over the phone,

0:38:18.680 --> 0:38:22.480
<v Speaker 4>Victor would have convinced her to stay. Instead, Lindsay stood fast.

0:38:23.040 --> 0:38:26.040
<v Speaker 4>She wanted to leave, she said, Victor told her she

0:38:26.040 --> 0:38:29.040
<v Speaker 4>had his blessing and his love through it all. They

0:38:29.040 --> 0:38:30.959
<v Speaker 4>bought her a one way train ticket to her parents

0:38:31.040 --> 0:38:34.040
<v Speaker 4>home in Pennsylvania, and two days later she was on

0:38:34.080 --> 0:38:37.880
<v Speaker 4>a train. She had her guitar, her clothes, her letters

0:38:37.880 --> 0:38:43.000
<v Speaker 4>and notebooks, and a stuffed loon, the maiden symbol. In

0:38:43.040 --> 0:38:47.560
<v Speaker 4>twenty ten, after ten years as a maiden, she was leaving.

0:38:49.360 --> 0:38:53.560
<v Speaker 2>And I remember being so scared, like stepping on the

0:38:53.600 --> 0:38:57.560
<v Speaker 2>train for the first time, being I think overcome with

0:38:57.680 --> 0:39:01.920
<v Speaker 2>feelings of so much loneliness and feeling really scared. And

0:39:03.000 --> 0:39:07.200
<v Speaker 2>they had given me this little cell phone and there

0:39:07.239 --> 0:39:10.920
<v Speaker 2>were I think one number programmed in there, like my

0:39:11.000 --> 0:39:15.160
<v Speaker 2>mom's or somebody. And then I had, I think, like

0:39:15.200 --> 0:39:18.840
<v Speaker 2>a walkman with headphones that I could put seeds in.

0:39:19.640 --> 0:39:22.359
<v Speaker 4>Lindsay had just a seat, no space to spread out

0:39:22.440 --> 0:39:25.239
<v Speaker 4>or sleep. Over the three day journey. A man was

0:39:25.280 --> 0:39:27.400
<v Speaker 4>in the seat next to her. As she had been

0:39:27.400 --> 0:39:29.560
<v Speaker 4>trained for years, she avoided his eyes.

0:39:30.000 --> 0:39:31.839
<v Speaker 2>I just would go to the bathroom and then back

0:39:31.840 --> 0:39:35.319
<v Speaker 2>to my chair. I just remember being like nervous to

0:39:35.360 --> 0:39:39.680
<v Speaker 2>look around or to talk to anyone. It was always

0:39:39.680 --> 0:39:41.640
<v Speaker 2>in the back of my mind maybe Victor will find out,

0:39:41.760 --> 0:39:45.680
<v Speaker 2>like maybe Victor will know because for ten years and

0:39:45.760 --> 0:39:48.799
<v Speaker 2>even before then, from nineteen ninety eight, it was like

0:39:48.920 --> 0:39:53.040
<v Speaker 2>he knew everything that was going with everybody. So I

0:39:53.080 --> 0:39:56.000
<v Speaker 2>think it definitely wasn't like getting on the train and

0:39:56.080 --> 0:39:58.799
<v Speaker 2>a sigh of relief at all. It was getting on

0:39:58.840 --> 0:40:03.560
<v Speaker 2>the train and feeling scared and lonely and nervous, and

0:40:03.719 --> 0:40:16.640
<v Speaker 2>I mean scared for the future the unknown.

0:40:22.040 --> 0:40:25.000
<v Speaker 4>Years ago, Lindsay had read Paradise Lost with the Maidens,

0:40:25.560 --> 0:40:29.200
<v Speaker 4>the poem about Adam and Eve. It motivated her to stay,

0:40:29.719 --> 0:40:33.000
<v Speaker 4>never to lead Victor's side, never to question God's love.

0:40:34.480 --> 0:40:37.239
<v Speaker 4>When I read Paradise Lost years ago, the thing that

0:40:37.280 --> 0:40:40.719
<v Speaker 4>struck me was how Satan was depicted. You hear his

0:40:40.719 --> 0:40:43.759
<v Speaker 4>inner dialogue throughout, and some scholars think Satan is not

0:40:44.000 --> 0:40:46.920
<v Speaker 4>pure evil, and how he's portrayed in the poem, that

0:40:46.960 --> 0:40:50.680
<v Speaker 4>he's a morally ambiguous, complicated figure, and in a lot

0:40:50.719 --> 0:40:53.080
<v Speaker 4>of ways he might be the person you side with

0:40:53.120 --> 0:40:58.360
<v Speaker 4>in this battle between Satan and God. You could argue,

0:40:58.440 --> 0:41:01.799
<v Speaker 4>if God or a god figure isn't leading well, even

0:41:01.840 --> 0:41:04.800
<v Speaker 4>if heaven is supposedly adylic, maybe you don't want to

0:41:04.840 --> 0:41:08.640
<v Speaker 4>be there. Maybe Eve should eat that fruit. Maybe she

0:41:08.680 --> 0:41:11.759
<v Speaker 4>should gain the knowledge of good and evil. Maybe she

0:41:11.800 --> 0:41:16.000
<v Speaker 4>should leave the garden's walls. Maybe what is forbidden is

0:41:16.040 --> 0:41:22.800
<v Speaker 4>the bravest thing to do. When I think of Lindsay

0:41:22.880 --> 0:41:26.160
<v Speaker 4>on that train, I hear the final lines of Paradise Lost,

0:41:26.800 --> 0:41:29.880
<v Speaker 4>the final image of the whole epic poem of Adam

0:41:29.920 --> 0:41:34.880
<v Speaker 4>and Eve. They wipe some tears, and the world is

0:41:34.920 --> 0:41:37.960
<v Speaker 4>all before them. Now they will choose where to go.

0:41:39.400 --> 0:41:42.760
<v Speaker 4>Milton writes, they walk hand in hand with wandering steps,

0:41:42.800 --> 0:41:47.160
<v Speaker 4>and slow out of the garden and into the world.

0:42:05.040 --> 0:42:06.440
<v Speaker 1>Next time on The Turning.

0:42:07.600 --> 0:42:09.880
<v Speaker 2>So this started when you were about thirteen?

0:42:10.760 --> 0:42:11.080
<v Speaker 5>Okay?

0:42:11.120 --> 0:42:12.200
<v Speaker 2>So how long did it go.

0:42:12.200 --> 0:42:16.000
<v Speaker 5>On until I left turn I was twenty three. Okay,

0:42:16.719 --> 0:42:18.080
<v Speaker 5>that's a long time.

0:42:30.760 --> 0:42:34.239
<v Speaker 1>The Turning is a production of Rococo Punch and iHeart Podcasts.

0:42:34.640 --> 0:42:38.040
<v Speaker 1>It's written and produced by Erica Lance and Me. Our

0:42:38.080 --> 0:42:41.359
<v Speaker 1>story editor is Emily Foreman. Mixing and sound designed by

0:42:41.440 --> 0:42:45.920
<v Speaker 1>James Trout. Grace Doe is our production assistant. Fact checking

0:42:45.960 --> 0:42:51.080
<v Speaker 1>by Andrea Lopez Cruzado. Our executive producers are John Parratti

0:42:51.120 --> 0:42:54.800
<v Speaker 1>and Jessica Albert at Rococo Punch and Katrina Norvell and

0:42:54.880 --> 0:42:58.680
<v Speaker 1>Nikki e Tour at iHeart Podcasts. You can follow us

0:42:58.680 --> 0:43:02.080
<v Speaker 1>on Instagram at Rococoa, and you can reach out via

0:43:02.120 --> 0:43:07.160
<v Speaker 1>email The Turning at Rococo punch dot com. I'm Alan Lancelessor.

0:43:07.760 --> 0:43:08.640
<v Speaker 2>Thanks for listening.