WEBVTT - The Ticketmaster Racket

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<v Speaker 1>From UFOs to psychic powers and government conspiracies. History is

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<v Speaker 1>riddled with unexplained events. You can turn back now or

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<v Speaker 1>learn the stuff they don't want you to know. A

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<v Speaker 1>production of I Heart Radios How Stuff Works. Greetings, welcome

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<v Speaker 1>back to the show. My name is Matt, and our

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<v Speaker 1>pal Noel is on some adventures, but we'll return in

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<v Speaker 1>the future. They called me Ben. We are joined as

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<v Speaker 1>always with our super producer Paul, Mission controlled decade. Most importantly,

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<v Speaker 1>you are you. You are here that makes this stuff

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<v Speaker 1>they don't want you to know. Welcome to the show.

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<v Speaker 1>You did not have to buy tickets, that's right. You

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<v Speaker 1>did have to buy a phone or a computer or

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<v Speaker 1>something that has a microphone and a processor and at

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<v Speaker 1>least headphone outputs or some kind of speaker. Let's call

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<v Speaker 1>those associated fees. So the show is free. It takes

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<v Speaker 1>some doing to get it in you, to get it

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<v Speaker 1>in your ear right, all the all the paraphernalia is

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<v Speaker 1>not included. I mean, sure, this is a show. This

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<v Speaker 1>is a recorded show, right we we do a call

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<v Speaker 1>in line. We've taken the show on the road and

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<v Speaker 1>probably will do again and then near to mid future.

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<v Speaker 1>But nothing, nothing quite beats the experience, right, if you're

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<v Speaker 1>in your favorite music or your favorite performance whatever it

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<v Speaker 1>is live, right, Like, what are some of the memorable

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<v Speaker 1>concerts you've been to? Man, I haven't really been to many.

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<v Speaker 1>But Dave Matthews back in the day, oh boy, some

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<v Speaker 1>of that DMB baby, Oh it was the best. And

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<v Speaker 1>you know what tickets were always like, Okay, they were

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<v Speaker 1>not insane back in the early two thousand's doing some

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<v Speaker 1>old d m B. Though, you know, you get to

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<v Speaker 1>you know, that's a fairly large act, right then you

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<v Speaker 1>get to um newer shows nowadays, and you're going to

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<v Speaker 1>a much smaller venue with a much smaller band. And

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<v Speaker 1>I'm paying more now to see those bands than I

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<v Speaker 1>did to pay a big ticket band when I was

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<v Speaker 1>you know, coming out of high school in college. So

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<v Speaker 1>like you would go see Dave Matthews band in a

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<v Speaker 1>in a stadium or something, uh, something that large, and

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<v Speaker 1>you would get maybe some reasonable tickets on the lawn

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<v Speaker 1>or max thirty bucks with everything, yeah, just to get

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<v Speaker 1>into Lakewood Amphitheater, which not called that anymore, but who cares?

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<v Speaker 1>And also, you know, inflation, obviously everyone is saying inflation,

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<v Speaker 1>matt but inflation, but that's not at all. Let's call

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<v Speaker 1>it fflation. Okay, maybe okay, asides from sounding very dr

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<v Speaker 1>susy and that that is a word that could work

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<v Speaker 1>for today's episode, because you know what bothers me about

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<v Speaker 1>buying tickets probably the same thing that bothers everyone they

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<v Speaker 1>buy tickets nowadays, when you buy a ticket for something,

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<v Speaker 1>you're overwhelmingly going to do it online or else you're

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<v Speaker 1>gonna show up at a show the day of, you know,

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<v Speaker 1>and it's it's probably sold out, if it's worth anything, perhaps, yeah, yeah,

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<v Speaker 1>and it's it's really it's relatively rare for someone to

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<v Speaker 1>be walking down the street see tickets for a show

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<v Speaker 1>like next week or that weekend, and then say I'm

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<v Speaker 1>gonna walk in and buy those now in person. People

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<v Speaker 1>don't do that near as often, so most of the

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<v Speaker 1>time we buy tickets online. And here in the United

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<v Speaker 1>States there's been one game in town for quite a while,

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<v Speaker 1>and this game continues in other countries as well, a master,

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<v Speaker 1>if you will, of tickets, some sort of ticket master. Yes,

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<v Speaker 1>took a while to get to that one, but it's true.

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<v Speaker 1>Right since about the late nineteen seventies, it's become increasingly

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<v Speaker 1>difficult to get tickets to live events, Broadway plays, uh, symphonies,

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<v Speaker 1>the DMB. It's difficult to get these tickets without running

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<v Speaker 1>somehow into ticket Master, even if you don't know that

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<v Speaker 1>you're running into ticket Master. So what exactly is this thing?

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<v Speaker 1>It's been here for for the three of us, for you,

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<v Speaker 1>mission control of myself, for our entire lives, yeah and

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<v Speaker 1>beyond and before. Yeah. So let's go back to Phoenix, Arizona,

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<v Speaker 1>nineteen seventies six. A couple of gentlemen. We got Albert Lefler,

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<v Speaker 1>Peter Godwa and another man of businessman named Gordon Gunn.

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<v Speaker 1>What a great name. Yeah, seriously, Gordon gun So Leffler.

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<v Speaker 1>He comes up with this name, this idea for a thing,

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<v Speaker 1>uh uh, and he calls it ticket Master. And it's

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<v Speaker 1>this new company that's just gonna control tickets and for

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<v Speaker 1>these guys when they founded in nineteen seventy six, really,

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<v Speaker 1>all they're trying to do in the beginning is sells

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<v Speaker 1>some tickets to an electric light orchestra concert at the

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<v Speaker 1>University of New Mexico. That's the first big thing. And

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<v Speaker 1>electric light Orchestra is something that my dad told me

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<v Speaker 1>about actually that he really enjoyed. Um, look it up,

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<v Speaker 1>Google it. If you don't know it, Spotify it. I'm

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<v Speaker 1>sure you can find it. Mr. Blues Guy is a

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<v Speaker 1>great song. It really is. It really is. Uh. But anyway,

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<v Speaker 1>so this one little thing in Albuquerque, New Mexico. I'm

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<v Speaker 1>so sorry to interrupt that to say, Turned to Stone

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<v Speaker 1>is also a great song in my in my mind,

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<v Speaker 1>it's one that I've had stuck in my head. Awesome, right,

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<v Speaker 1>Blue Sky, turned to Stone. It's the seventies, it's Albuquerque,

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<v Speaker 1>out of college. Awesome, good times rolling, right, Let the

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<v Speaker 1>good times roll. And so then uh, they figure out, hey,

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<v Speaker 1>this is working. We're just you know, control a hub.

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<v Speaker 1>We're controlling the tickets to one thing. We're good at this.

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<v Speaker 1>Let's keep doing it. So they keep doing it for

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<v Speaker 1>a few years. Then by night they have their first

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<v Speaker 1>international clients, um, coming in from Norway, Oslo, Norway. And

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<v Speaker 1>that same year they signed their first major venue, this

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<v Speaker 1>place called the Louisiana Superdome, along with their first Major

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<v Speaker 1>League team, the New Orleans Jazz, which is now the

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<v Speaker 1>Utah Jazz, but in the city of New Orleans it

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<v Speaker 1>was the Jazz. So they actually have the NBA as

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<v Speaker 1>one of their major clients, one one team on the NBA.

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<v Speaker 1>But still that's huge for just a couple of guys

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<v Speaker 1>starting with a startup, right, Yeah, And it happened so quickly.

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<v Speaker 1>It's just a few years. When Leffler and Godwa originally

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<v Speaker 1>thought of the company, they were going to be licensing

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<v Speaker 1>software for tickets, really, and they've got on from that too,

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<v Speaker 1>being the ticket provider for stadiums, which sounds kind of

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<v Speaker 1>like maybe a boring business, right it's not as uh,

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<v Speaker 1>you know, endlessly fascinating as being a professional uh skydiver,

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<v Speaker 1>maybe a podcaster or something like that, you know, an

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<v Speaker 1>underwater tattoo artist. But but still, what we have to

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<v Speaker 1>realize is they get a cut of every ticket sold,

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<v Speaker 1>and when you get to something as large as a superdome,

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<v Speaker 1>that's a lot of money in a very one like

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<v Speaker 1>in one night other people knew about the game. There

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<v Speaker 1>were other things that existed at this time before Ticketmaster.

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<v Speaker 1>There was a business called ticket Tron like ticket and

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<v Speaker 1>then the movie Tron, and that's nineteen sixty. So it's

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<v Speaker 1>difficult to It's hard for me to imagine computerized ticket

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<v Speaker 1>sales being organ eyes and enough with software with computers

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<v Speaker 1>of that are powerful enough to like do it in

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<v Speaker 1>any large scale. But it was happening, Yeah, yeah, it wasn't.

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<v Speaker 1>It wasn't necessarily happening on the customer end, but you

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<v Speaker 1>would make a phone call to take a tron and

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<v Speaker 1>they would have this database. Right, So can I tell

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<v Speaker 1>you fun fact about Aron. They were purchased by a

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<v Speaker 1>thing called the Lovecraft Investment Group. What's the Lovecraft Investment Group? Had?

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<v Speaker 1>All I know is it's Lovecraft. There's a Lovecraft involved,

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<v Speaker 1>That's all I know. Oh boy, let's see it's true,

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<v Speaker 1>the Hewlett Packard Lovecraft. I don't know what the I

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<v Speaker 1>don't know what the Lovecraft Investment coming. This may be

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<v Speaker 1>fodder for another podcast. Here's the thing. As you said,

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<v Speaker 1>there were other there are other similar creatures around in

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<v Speaker 1>this more ticket right, other places that wanted to be

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<v Speaker 1>the ticket provider, in the middleman for that. But like

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<v Speaker 1>a hungry invading species, Ticketmaster consumed and digested these competitors.

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<v Speaker 1>In one it opened its first overseas operation. In two,

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<v Speaker 1>they got a new CEO, a guy named Fred Rosen.

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<v Speaker 1>Rosen told the l A Times back in that his

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<v Speaker 1>competitors were asleep at the switch he said he was

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<v Speaker 1>an aggressive businessman and proud of it and got this

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<v Speaker 1>American psycho vibe going on. Right. He was so good

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<v Speaker 1>at dominating the ticket industry that it became the only

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<v Speaker 1>game in town. And other people, other artists, primarily not

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<v Speaker 1>just uh wound up consumers, other artists started to take

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<v Speaker 1>issue with it. Pearl Jam launched a campaign in that

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<v Speaker 1>they called a strong language for some people ticket bastard,

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<v Speaker 1>because he's you. Pearl Jam was hearing from their fans

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<v Speaker 1>that they literally couldn't afford tickets to a show, or

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<v Speaker 1>that they were getting saddled with these egregious hidden fees,

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<v Speaker 1>and so they said, well, look man, we we want

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<v Speaker 1>to make a living, but we want our fans to

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<v Speaker 1>see our music. We don't want to uh milk them

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<v Speaker 1>for every penny they're worth, Like what are we kiss?

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<v Speaker 1>You know what I mean? They don't want to do that.

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<v Speaker 1>They want to be human, They want to stay humans.

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<v Speaker 1>So they wanted to offer summer tour tickets to fans

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<v Speaker 1>for under twenty bucks, and they asked ticket Mastered, you know, hey, guys,

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<v Speaker 1>can you just not charge another twenty bucks and fees?

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<v Speaker 1>Can you actually keep the fees around two dollars or

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<v Speaker 1>whatever that your cost of doing businesses and they said no, no,

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<v Speaker 1>your pearl Jam, and we our ticket Master. Yeah so yeah,

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<v Speaker 1>that but it's easy to think about because they really

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<v Speaker 1>did say no, and Pearl Jam just decided, well, it's

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<v Speaker 1>not worth it. We're not even going to go on tour.

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<v Speaker 1>We're canceling everything. We're not gonna like go and play

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<v Speaker 1>a bunch of empty stadiums where nobody can show up

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<v Speaker 1>for for this these exorbitant prices. They end up going

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<v Speaker 1>to Congress and guess what, Pearl Jam one and everything

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<v Speaker 1>was okay and everyone was happy, and ticket sales went

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<v Speaker 1>down to twenty dollars for the rest of our lives.

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<v Speaker 1>Thanks so much for tuning in, folks. We hope you

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<v Speaker 1>enjoyed this episode. Oh wait, nope, nope, that's not what happened.

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<v Speaker 1>What happened ticket Master one? Right, And there's one more

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<v Speaker 1>sort of detail for this story. The band, the members

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<v Speaker 1>of the band Pearl Jam maintained and say to this

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<v Speaker 1>day you can ask them today and they'll confirm this

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<v Speaker 1>that private investigators were sent to snoop around in their lives,

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<v Speaker 1>sent by Ticketmaster and having a p i um sicked

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<v Speaker 1>on you by a company, very common occurrence. Unfortunately, what

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<v Speaker 1>they were probably trying to do, what the allegation implies

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<v Speaker 1>is that Ticketmaster was attempting to find something discrediting to

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<v Speaker 1>members of Pearl Jam, not something that had anything to

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<v Speaker 1>do with their crusade to get better ticket prices. They

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<v Speaker 1>wanted to be able to say, well, this person is

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<v Speaker 1>doing heroin and we'll put it in the news if

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<v Speaker 1>you guys don't straighten up until the corporate line. But

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<v Speaker 1>you know, again, that's a terrible example because this is

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<v Speaker 1>the nineties in Seattle grunge, right, So doing heroin may

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<v Speaker 1>unfortunately not have been the huge scandal that they would want,

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<v Speaker 1>but they wanted something to hold over their heads, and eventually,

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<v Speaker 1>probably more so, through just the sheer, ungodly amount of

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<v Speaker 1>money Ticketmaster has, they were able to they were able to,

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<v Speaker 1>as you say, prevail. So that brings us to the

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<v Speaker 1>modern day. A company called Interactive Corps, oddly enough not

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<v Speaker 1>a video game company, purchased a majority stake and ticket Master,

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<v Speaker 1>and then it bought the rest of the company n

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<v Speaker 1>the name changed to Ticketmaster Online. Dash City search doesn't

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<v Speaker 1>exactly roll off the tongue, right, So they didn't care

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<v Speaker 1>that it didn't roll off the tongue. The company expanded, diversified,

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<v Speaker 1>it kept evolving its business model, increasingly going from phones

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<v Speaker 1>to online sales, and this constant evolution, the way of

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<v Speaker 1>many businesses right uh, unfortunately, did not go in the

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<v Speaker 1>direction that critics wanted it to. They didn't see cheaper tickets,

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<v Speaker 1>they didn't feel like things were more transparent. These moves

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<v Speaker 1>did not quell all of the critics, and today ticket

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<v Speaker 1>Master controls and estimate aided of the little more than

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<v Speaker 1>of the ticketing market in North America. M So they're

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<v Speaker 1>doing something right. But let's get back to the critics.

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<v Speaker 1>What are these critics saying. Well, they're saying that we

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<v Speaker 1>need to take a quick break to hear from our

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<v Speaker 1>sponsor and then we'll find out what ticket Master may

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<v Speaker 1>or may not have been getting into. Here's where it

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<v Speaker 1>gets crazy. So it turns out that in addition to

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<v Speaker 1>be massively successful, Ticketmaster has been accused of numerous abuses,

0:14:39.960 --> 0:14:44.960
<v Speaker 1>breaches of law, and shady business practices. There's genuine stuff

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<v Speaker 1>they don't want you to know here. It's probably not

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<v Speaker 1>gonna stop snow Compellingnipetus to stop it. And yes, ticket

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<v Speaker 1>Master has been sued for conspiracy. Oh snap, the big

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<v Speaker 1>c all right, stake another time traveling trip here to

0:15:03.120 --> 0:15:09.440
<v Speaker 1>two thousand nine. Bruce Springsteen. Oh everybody knows or Bruce

0:15:09.600 --> 0:15:12.040
<v Speaker 1>the Boss. Yeah, he's the boss. He's your boss and

0:15:12.080 --> 0:15:15.160
<v Speaker 1>my boss. He publicly calls out ticket Master in two

0:15:15.160 --> 0:15:19.640
<v Speaker 1>thousand nine for a little um, let's say, misdirection, redirection,

0:15:19.680 --> 0:15:25.480
<v Speaker 1>if you will, from from a website. So as fans

0:15:25.520 --> 0:15:28.680
<v Speaker 1>were going and trying to buy tickets through ticket Master

0:15:28.800 --> 0:15:31.960
<v Speaker 1>to the Springsteen concert, they were getting sent to this

0:15:32.000 --> 0:15:36.480
<v Speaker 1>other place called ticket now dot com, completely separate site.

0:15:36.760 --> 0:15:39.520
<v Speaker 1>It looks very different. There's no you know, when you're

0:15:39.560 --> 0:15:42.400
<v Speaker 1>on that site, you don't understand what's happening. You feel

0:15:42.400 --> 0:15:44.680
<v Speaker 1>like a pop up maybe has occurred, or you've gotten

0:15:45.160 --> 0:15:48.640
<v Speaker 1>redirected through an ad maybe, or this is your last

0:15:48.720 --> 0:15:51.400
<v Speaker 1>chance to get some kind of ticket to see the

0:15:51.480 --> 0:15:55.800
<v Speaker 1>Boss live. Well, yeah, there's a certain desperation that's happening

0:15:55.800 --> 0:15:58.560
<v Speaker 1>when you are being redirected to this ticket now dot

0:15:58.560 --> 0:16:02.800
<v Speaker 1>com because guess what, the tickets are marked up by hundreds,

0:16:02.840 --> 0:16:07.560
<v Speaker 1>sometimes thousands of dollars at ticket now versus ticket Master.

0:16:08.880 --> 0:16:11.640
<v Speaker 1>So then all these fan complaints are coming through because

0:16:11.680 --> 0:16:16.160
<v Speaker 1>of this weird steering to this place called tickets Now. Um,

0:16:16.320 --> 0:16:20.880
<v Speaker 1>a New Jersey congressman gets a call and basically this

0:16:20.920 --> 0:16:24.240
<v Speaker 1>guy says, Hey, we need a federal antitrust investigation into

0:16:24.280 --> 0:16:27.640
<v Speaker 1>whatever the heck is going on between ticket Master and

0:16:27.800 --> 0:16:31.400
<v Speaker 1>ticket Now. What is this? Let's figure this out. Yeah,

0:16:31.680 --> 0:16:36.280
<v Speaker 1>So here's what they find. They find that ticket Now,

0:16:37.000 --> 0:16:39.880
<v Speaker 1>in addition to having a very similar name to ticket Master,

0:16:40.360 --> 0:16:46.600
<v Speaker 1>is owned by ticket Master, and when Bruce Springsteen's fans

0:16:46.760 --> 0:16:50.080
<v Speaker 1>were going to a website to buy tickets to his show,

0:16:50.520 --> 0:16:54.680
<v Speaker 1>they were automatically redirected to ticket Now, which, as he said,

0:16:54.720 --> 0:16:57.480
<v Speaker 1>met sells tickets from much higher than their face value.

0:16:58.320 --> 0:17:01.560
<v Speaker 1>And it prays on that desperate san Right, that's psychological

0:17:01.720 --> 0:17:05.280
<v Speaker 1>fear that someone else will get the thing I want. So,

0:17:05.800 --> 0:17:08.800
<v Speaker 1>you know, I may not necessarily think this is a

0:17:08.840 --> 0:17:13.119
<v Speaker 1>good financial decision, but I will be gosh darned and

0:17:13.240 --> 0:17:16.719
<v Speaker 1>gali ged if I allow somebody else to get that ticket.

0:17:16.760 --> 0:17:20.119
<v Speaker 1>You know what I mean, It's an artificial scarcity essentially.

0:17:20.480 --> 0:17:24.639
<v Speaker 1>Bruce Springsteen found out about it, and he was he

0:17:24.800 --> 0:17:30.320
<v Speaker 1>was righteously indignant. He wrote a public statement about this

0:17:30.440 --> 0:17:34.960
<v Speaker 1>because what he found out was that this sort of

0:17:35.040 --> 0:17:39.959
<v Speaker 1>second chance or reselling site. Ticket Now was something that

0:17:40.119 --> 0:17:43.720
<v Speaker 1>Ticketmaster was sending the audience to when there were still

0:17:43.920 --> 0:17:47.840
<v Speaker 1>regular tickets available. So they could have gotten that you know,

0:17:48.480 --> 0:17:52.080
<v Speaker 1>thirty or forty or whatever dollar ticket to sit on

0:17:52.119 --> 0:17:54.800
<v Speaker 1>the lawn in the back and have a great time.

0:17:55.040 --> 0:17:57.440
<v Speaker 1>But instead they were going directly to this place where

0:17:57.440 --> 0:18:00.879
<v Speaker 1>it was you know, this huge markup, and that that

0:18:00.880 --> 0:18:07.040
<v Speaker 1>that markup goes to Ticketmaster. Man. So Ticketmaster gets a

0:18:07.080 --> 0:18:13.000
<v Speaker 1>fifteent cut from tickets Now, which it owns. H So

0:18:13.080 --> 0:18:17.600
<v Speaker 1>that's in addition to the fees it already gets as Ticketmaster,

0:18:19.040 --> 0:18:21.639
<v Speaker 1>so that that money is already spent and baked into

0:18:21.640 --> 0:18:25.680
<v Speaker 1>the price. So uh, a lawsuit comes about, and essentially

0:18:26.880 --> 0:18:31.359
<v Speaker 1>what they're doing is making money off the same ticket

0:18:31.520 --> 0:18:38.119
<v Speaker 1>two times. Clever, you know, brilliant, very clever, evil, lawful evil,

0:18:38.560 --> 0:18:43.359
<v Speaker 1>and so uh. Probably because Friedenstein himself took such a

0:18:43.400 --> 0:18:47.560
<v Speaker 1>strong stance against the Ticketmaster issued an apology to the

0:18:47.640 --> 0:18:50.880
<v Speaker 1>fans and said, we will refund you the price difference

0:18:50.880 --> 0:18:53.359
<v Speaker 1>between the face value of the tickets and those you

0:18:53.440 --> 0:18:55.879
<v Speaker 1>got from ticket Now, which is a lot of you know,

0:18:55.920 --> 0:18:59.160
<v Speaker 1>it's a lot of scratch. But that's also that's also

0:18:59.240 --> 0:19:02.760
<v Speaker 1>like being caught stealing, you know, being caught stealing a

0:19:02.840 --> 0:19:07.000
<v Speaker 1>car and then saying I'm I'm gonna drive it back

0:19:07.040 --> 0:19:10.080
<v Speaker 1>to your house. Yeah, and then like I feel bad,

0:19:10.640 --> 0:19:17.600
<v Speaker 1>I mean some gas money here, just a little bit gas. No,

0:19:17.640 --> 0:19:22.439
<v Speaker 1>they didn't they but but it's strange, right, and this

0:19:22.520 --> 0:19:26.200
<v Speaker 1>is just one of the allegations against Ticketmaster. We've got

0:19:26.200 --> 0:19:30.119
<v Speaker 1>that Pearl Jam example. But let's talk about those fees,

0:19:30.240 --> 0:19:32.440
<v Speaker 1>because that's where a lot of this comes back in. Right.

0:19:32.560 --> 0:19:35.159
<v Speaker 1>Have you ever bought a twenty dollar ticket only to

0:19:35.240 --> 0:19:38.600
<v Speaker 1>find that it becomes more than forty dollars by the

0:19:38.640 --> 0:19:45.840
<v Speaker 1>time you get to the actual place your order? No? Never, Never, Tabernacle,

0:19:46.960 --> 0:19:50.520
<v Speaker 1>that's a that's a local venue here in Atlanta. What

0:19:50.800 --> 0:19:53.520
<v Speaker 1>kind of fees have you run into? Literally twice as much?

0:19:53.560 --> 0:19:57.000
<v Speaker 1>I mean, yeah, I've seen I have seen tickets double

0:19:58.040 --> 0:20:00.400
<v Speaker 1>when I buy them for just a local You're here

0:20:00.600 --> 0:20:03.720
<v Speaker 1>because of ticket Master's weird fees to get me my

0:20:03.720 --> 0:20:06.680
<v Speaker 1>ticket somehow that I can print out already. Yeah, there's

0:20:06.680 --> 0:20:09.960
<v Speaker 1>like a two to five dollar fee for getting a PDF.

0:20:10.119 --> 0:20:14.159
<v Speaker 1>Essentially you can print somebody. I'm paying somebody's salary who's

0:20:14.200 --> 0:20:17.760
<v Speaker 1>just on a floor somewhere making calls like I need

0:20:17.760 --> 0:20:19.800
<v Speaker 1>three Pearl jam but like no, no, I got four

0:20:19.920 --> 0:20:22.880
<v Speaker 1>Radiohead No. And it's like it has to be that

0:20:23.000 --> 0:20:27.960
<v Speaker 1>to justify twenty or thirty dollar fees on top of

0:20:28.000 --> 0:20:31.520
<v Speaker 1>everything else. Otherwise I do not understand. Yeah, you're absolutely right.

0:20:31.600 --> 0:20:35.239
<v Speaker 1>There's a there's a service charge, and that would be

0:20:35.280 --> 0:20:40.199
<v Speaker 1>ticket masters charging you for the privilege of giving you

0:20:40.240 --> 0:20:43.600
<v Speaker 1>a ticket. And then there's the facility charge, which is

0:20:43.640 --> 0:20:47.120
<v Speaker 1>a charge added by the venue. So ticket Master takes

0:20:47.160 --> 0:20:50.879
<v Speaker 1>its cut, and then the Tabernacle, for example, takes its cut.

0:20:51.080 --> 0:20:55.240
<v Speaker 1>And then there are shipping, convenience and processing charges. So

0:20:55.680 --> 0:20:59.600
<v Speaker 1>that's a charge for you know, using your visa American

0:20:59.600 --> 0:21:03.200
<v Speaker 1>Express US, that's a charge for having the tickets delivered

0:21:03.240 --> 0:21:08.960
<v Speaker 1>to you via post or choosing your own printer. But

0:21:09.040 --> 0:21:11.600
<v Speaker 1>then who who pays Cardi b e? Then is what

0:21:11.600 --> 0:21:14.800
<v Speaker 1>I'm trying to figure out, Like what's her cut? Everybody

0:21:14.800 --> 0:21:17.320
<v Speaker 1>else is taking their cut. Who's where's Cardi B's money?

0:21:17.359 --> 0:21:20.200
<v Speaker 1>Unless you're a huge name artist, which I guess Cardi

0:21:20.240 --> 0:21:23.879
<v Speaker 1>b is now. Uh, the the amount of money you

0:21:24.000 --> 0:21:29.600
<v Speaker 1>get per ticket can be surprisingly alarmingly small because the

0:21:29.680 --> 0:21:31.640
<v Speaker 1>label will take some money, you know what I mean,

0:21:31.720 --> 0:21:34.200
<v Speaker 1>Your road crew will take some money and all all

0:21:34.240 --> 0:21:38.080
<v Speaker 1>this other stuff craft services. Eat that cheese because it's

0:21:38.119 --> 0:21:41.199
<v Speaker 1>coming out of your kind of the profits, right. Uh,

0:21:42.280 --> 0:21:44.800
<v Speaker 1>but all all this adds up to u to an

0:21:44.880 --> 0:21:49.439
<v Speaker 1>unpleasant experience for people when we're buying these tickets. The

0:21:49.520 --> 0:21:53.560
<v Speaker 1>problem is there's not really any transparency with this fees

0:21:53.640 --> 0:21:59.760
<v Speaker 1>between events, very even at the same venue and pre

0:22:00.000 --> 0:22:03.000
<v Speaker 1>princes of the artist as well is some people will

0:22:03.000 --> 0:22:08.640
<v Speaker 1>try to buck like Radiohead or Pearl Jam. And the

0:22:08.680 --> 0:22:11.960
<v Speaker 1>problem with it is that none of this, none of

0:22:12.000 --> 0:22:15.639
<v Speaker 1>this ultimately goes into a situation where and ticket prices

0:22:15.680 --> 0:22:20.280
<v Speaker 1>are lower. None of this is meant to nor will

0:22:20.320 --> 0:22:24.520
<v Speaker 1>it ever create cannot yes, none, None of this is

0:22:24.560 --> 0:22:26.960
<v Speaker 1>meant to create a situation where artists get paid more

0:22:27.280 --> 0:22:31.520
<v Speaker 1>and the audience pays less. Absolutely none. If anything. It's

0:22:31.560 --> 0:22:34.439
<v Speaker 1>kind of like, you know, nobody talks about this, but

0:22:34.520 --> 0:22:38.840
<v Speaker 1>it's pretty weird that you and you know historically can't

0:22:38.840 --> 0:22:41.119
<v Speaker 1>buy a car directly from the people who make cars.

0:22:42.800 --> 0:22:47.760
<v Speaker 1>It's weird. It's a weird thing. It's normalized and you know,

0:22:47.800 --> 0:22:51.840
<v Speaker 1>I'm not choosing sides on it, but that that is

0:22:51.880 --> 0:22:55.280
<v Speaker 1>something we think about. You know, you can buy almost

0:22:55.680 --> 0:22:58.320
<v Speaker 1>you can buy so many other things directly from the

0:22:58.400 --> 0:23:02.760
<v Speaker 1>people who make them. Vertical integration is scary though, and

0:23:02.800 --> 0:23:07.480
<v Speaker 1>it can it can be highly it can be highly problematic. Yeah,

0:23:07.560 --> 0:23:11.920
<v Speaker 1>and it can also be dangerous for the bottom line. Right, So,

0:23:13.000 --> 0:23:17.639
<v Speaker 1>the allegation here is that Ticketmaster is sort of a

0:23:17.720 --> 0:23:22.560
<v Speaker 1>rent seeker and it's now a middle It's maybe it

0:23:22.880 --> 0:23:26.919
<v Speaker 1>needed to be in the process before everybody had a

0:23:26.960 --> 0:23:30.520
<v Speaker 1>brilliant computer on their phone, but now maybe it doesn't

0:23:30.560 --> 0:23:33.639
<v Speaker 1>have to be right, Maybe that kind of software is

0:23:34.359 --> 0:23:38.040
<v Speaker 1>easier to handle. We don't really know. We just know

0:23:38.160 --> 0:23:40.840
<v Speaker 1>that they are the largest game in town, and we

0:23:40.920 --> 0:23:48.520
<v Speaker 1>know that the the entire operation is exceedingly opaque. We're

0:23:48.560 --> 0:23:51.159
<v Speaker 1>going to take a break for a brief word from

0:23:51.160 --> 0:23:54.920
<v Speaker 1>our sponsor, and then we'll come back with an investigation

0:23:55.200 --> 0:24:06.760
<v Speaker 1>in Canada that that makes this even weirder. All right,

0:24:06.800 --> 0:24:12.400
<v Speaker 1>here's where it gets crazier. This is hard for me

0:24:12.480 --> 0:24:16.320
<v Speaker 1>to understand that this is real. Okay, what we're gonna

0:24:16.320 --> 0:24:20.200
<v Speaker 1>talk about from now mostly through the rest of this episode,

0:24:20.880 --> 0:24:26.320
<v Speaker 1>we got from a CBC news um investigation that was

0:24:26.359 --> 0:24:30.359
<v Speaker 1>carried out and specifically there's a journalist named Dave Seglins

0:24:30.840 --> 0:24:36.280
<v Speaker 1>who actually physically went undercover as a scalper at a

0:24:36.359 --> 0:24:41.480
<v Speaker 1>ticket industry convention out there in Las Vegas. And you

0:24:41.520 --> 0:24:43.359
<v Speaker 1>can watch video of this online right now. If you

0:24:43.359 --> 0:24:45.919
<v Speaker 1>want to take a break, you can. You can search

0:24:45.960 --> 0:24:53.679
<v Speaker 1>this up CBC ticket Master. UM segling l I N S.

0:24:53.800 --> 0:24:57.160
<v Speaker 1>That's good, you'll find it. Check it out. It's pretty crazy.

0:24:57.920 --> 0:25:03.600
<v Speaker 1>Could we set some just some axiomatic beginnings here. Okay, So,

0:25:03.600 --> 0:25:08.320
<v Speaker 1>so imagine your ticketmaster. You make money selling tickets. Um,

0:25:08.400 --> 0:25:14.320
<v Speaker 1>you want people to buy tickets from you? Definitely? Um,

0:25:14.480 --> 0:25:16.440
<v Speaker 1>does it matter who that person is buying a ticket

0:25:16.480 --> 0:25:19.280
<v Speaker 1>from you as long as somebody's buying a ticket from you, right, right,

0:25:19.320 --> 0:25:22.960
<v Speaker 1>as long as the transaction occurs. But you want to

0:25:22.960 --> 0:25:24.840
<v Speaker 1>be on the side of the people in the artists,

0:25:24.840 --> 0:25:29.040
<v Speaker 1>and you would probably say hey, at least in public,

0:25:29.080 --> 0:25:33.840
<v Speaker 1>you say, hey, I think scalpers are the worst and

0:25:33.880 --> 0:25:36.560
<v Speaker 1>they take advantage of people. Yeah, because we want you

0:25:36.640 --> 0:25:38.639
<v Speaker 1>to have low prices and see all the stuff you

0:25:38.640 --> 0:25:41.800
<v Speaker 1>want to see. Don't be mad at us. Right, So

0:25:42.000 --> 0:25:46.560
<v Speaker 1>it's it's established then in the public mind. The axiom

0:25:46.640 --> 0:25:52.359
<v Speaker 1>is that uh, ticket distributors or these these middle segments

0:25:52.400 --> 0:25:55.920
<v Speaker 1>between the artists and the event and the customer, that

0:25:55.960 --> 0:26:00.439
<v Speaker 1>they should not not be down with scalpers, like you

0:26:00.440 --> 0:26:03.040
<v Speaker 1>guys making it weird, you're making it worse. I don't

0:26:03.040 --> 0:26:06.719
<v Speaker 1>want to be in a situation where, for instance, there are, uh,

0:26:07.320 --> 0:26:10.920
<v Speaker 1>what's a great what's a great event that people would

0:26:10.920 --> 0:26:14.320
<v Speaker 1>go to today? Like a band or a performance or

0:26:14.359 --> 0:26:19.439
<v Speaker 1>alien Con alien Con. They're only, yeah, it's a one

0:26:19.520 --> 0:26:23.320
<v Speaker 1>night only, four hundred, four hundred seat event and it's

0:26:23.400 --> 0:26:25.959
<v Speaker 1>called alien Con. Who knows what it is. Maybe it's

0:26:25.960 --> 0:26:30.640
<v Speaker 1>a mariachi band, and uh they ticket Master, one would assume,

0:26:31.040 --> 0:26:34.640
<v Speaker 1>does not care for a situation where one person goes

0:26:34.680 --> 0:26:37.879
<v Speaker 1>in and buys all four hundred or whatever those tickets

0:26:37.920 --> 0:26:41.520
<v Speaker 1>in one block and then turns around and sells them

0:26:41.560 --> 0:26:48.439
<v Speaker 1>through fifty more on you know eBay. Yeah, basically Ticketmaster

0:26:48.680 --> 0:26:53.000
<v Speaker 1>is not down with O P t right other people's tickets.

0:26:53.000 --> 0:26:57.520
<v Speaker 1>They don't. They're like, look, these these are the people's tickets, right, right, right?

0:26:57.640 --> 0:27:01.040
<v Speaker 1>So what that's what we assumed, right, And it turns

0:27:01.720 --> 0:27:03.840
<v Speaker 1>right and it turns out that we were very wrong,

0:27:05.200 --> 0:27:08.320
<v Speaker 1>like cartoonistly, So they're all they're quite all right with

0:27:08.640 --> 0:27:12.399
<v Speaker 1>anyone buying their share of the tickets as long as

0:27:12.480 --> 0:27:17.560
<v Speaker 1>those tickets get sold, and especially if ticket Master can

0:27:17.600 --> 0:27:23.520
<v Speaker 1>sell the tickets twice. What what are we talking about? Okay, well,

0:27:23.600 --> 0:27:26.640
<v Speaker 1>let's go back to Las Vegas at that convention. Um

0:27:26.720 --> 0:27:31.720
<v Speaker 1>so ticket Master, he's recording Ticketmaster at least some representatives

0:27:31.720 --> 0:27:34.919
<v Speaker 1>from Ticketmaster. Maybe that's the best way to say it. Um,

0:27:34.960 --> 0:27:39.719
<v Speaker 1>they are, these representatives are pitching scalpers on their ticket

0:27:39.760 --> 0:27:45.800
<v Speaker 1>Masters trademarked professional reseller program that they have established. Okay, now,

0:27:45.840 --> 0:27:49.600
<v Speaker 1>according to the investigation that you follow David David segments

0:27:49.640 --> 0:27:55.399
<v Speaker 1>through with the CBC News investigation, um Ticketmaster was not

0:27:55.480 --> 0:27:59.879
<v Speaker 1>only just deciding that if scalping is happening, we're just

0:28:00.040 --> 0:28:02.480
<v Speaker 1>gonna put blinders on and pretend that it's not happening.

0:28:02.760 --> 0:28:07.959
<v Speaker 1>They're also literally recruiting people, professional people who have been

0:28:08.000 --> 0:28:10.640
<v Speaker 1>scalping for a long time or maybe are very good

0:28:10.680 --> 0:28:16.159
<v Speaker 1>at scalping, to cheat the ticket Master system itself, to

0:28:16.320 --> 0:28:21.080
<v Speaker 1>expand their ticket Master's resale business, and again to take

0:28:21.240 --> 0:28:23.359
<v Speaker 1>more money from the people that are just trying to

0:28:23.400 --> 0:28:26.560
<v Speaker 1>go out and see a concert or an event or something.

0:28:27.240 --> 0:28:32.600
<v Speaker 1>So just to recap it's Ticketmaster teaching scalpers to scalp

0:28:32.680 --> 0:28:38.240
<v Speaker 1>Ticketmaster for their own profit for ticket Masters profits. Yes, yea,

0:28:38.800 --> 0:28:44.480
<v Speaker 1>so they have. They've done more than turn a blind eye.

0:28:45.320 --> 0:28:47.880
<v Speaker 1>They've gone They've gotten to a win win situation with

0:28:47.960 --> 0:28:52.080
<v Speaker 1>scalpers and ticket Master. Right, So this is for the

0:28:52.120 --> 0:28:55.800
<v Speaker 1>average concert goer. This is this is the part of

0:28:55.800 --> 0:28:59.880
<v Speaker 1>the movie where the bad guys team up and once

0:29:00.000 --> 0:29:03.240
<v Speaker 1>sales rep is on camera saying, I have brokers that

0:29:03.360 --> 0:29:06.840
<v Speaker 1>have literally a couple of hundred accounts. It's not something

0:29:06.880 --> 0:29:11.280
<v Speaker 1>that we look at or report. Because they wanted these

0:29:11.320 --> 0:29:14.840
<v Speaker 1>scalpers to feel that they were that they were safe

0:29:15.080 --> 0:29:18.360
<v Speaker 1>in this. Ticketmaster, for its part, denied the accusations. And

0:29:18.400 --> 0:29:21.080
<v Speaker 1>once again, you can always go back to the idea

0:29:21.200 --> 0:29:25.240
<v Speaker 1>that actions by a few people in the organization do

0:29:25.320 --> 0:29:29.240
<v Speaker 1>not automatically mean the entire organization condones it, right tail

0:29:29.280 --> 0:29:31.920
<v Speaker 1>as old as time. That's what any intelligence agency will

0:29:31.920 --> 0:29:37.160
<v Speaker 1>say when it's undeniably caught doing something terrible and be like, well,

0:29:37.240 --> 0:29:40.080
<v Speaker 1>that guy decided to topple that country on his own,

0:29:40.120 --> 0:29:43.360
<v Speaker 1>and we we always knew that, We always knew that

0:29:43.840 --> 0:29:46.280
<v Speaker 1>Jeremy was a little bit off. Yeah, and this is

0:29:46.320 --> 0:29:50.560
<v Speaker 1>all compartmentalized anyway, Only a very few from all number

0:29:50.560 --> 0:29:53.240
<v Speaker 1>of people knew anything about that. Yeah, Like I'm weirded

0:29:53.280 --> 0:29:56.320
<v Speaker 1>out hearing hearing about it today, Congresswoman. This is the

0:29:56.360 --> 0:29:59.520
<v Speaker 1>first first I've heard of it, and I've got to

0:29:59.520 --> 0:30:02.440
<v Speaker 1>tell you, Frinkly, I am outraged. You know what I

0:30:02.480 --> 0:30:04.160
<v Speaker 1>am too, And I hope you get to the bottom

0:30:04.160 --> 0:30:07.040
<v Speaker 1>of it. And congratulations on all your work. Thank you,

0:30:07.120 --> 0:30:11.880
<v Speaker 1>thank you. I'll be speaking at Georgetown UH this coming Friday.

0:30:12.040 --> 0:30:15.880
<v Speaker 1>It's one one night only. You can yeah you can't

0:30:15.880 --> 0:30:19.720
<v Speaker 1>get tickets through ticket Master or if those are sold out,

0:30:20.000 --> 0:30:23.000
<v Speaker 1>go ahead to Yeah it is sold out, well, go

0:30:23.080 --> 0:30:29.240
<v Speaker 1>to ticket noway tickets now, let's so and seen. So

0:30:29.800 --> 0:30:37.200
<v Speaker 1>ticket Master developed a toolkit for these scalpers. It is

0:30:37.240 --> 0:30:40.520
<v Speaker 1>a professional They don't call them scalpers. They call them resellers.

0:30:40.560 --> 0:30:45.240
<v Speaker 1>A professional reseller program that they launched call used tickets,

0:30:46.640 --> 0:30:52.800
<v Speaker 1>pre owned tickets, call certified pre owned U called trade Desk.

0:30:53.160 --> 0:30:57.280
<v Speaker 1>Trade Desk is a quote web based inventory management system

0:30:57.360 --> 0:31:00.800
<v Speaker 1>for scalpers. The company calls it the most powerful ticket

0:31:00.880 --> 0:31:04.400
<v Speaker 1>sales tool ever. So here's what it allows you to do.

0:31:05.680 --> 0:31:10.040
<v Speaker 1>You can buy a block of tickets from ticket Master

0:31:10.880 --> 0:31:14.200
<v Speaker 1>through one of its many faces, and then you can

0:31:14.320 --> 0:31:19.600
<v Speaker 1>upload those tickets to this trade Desk thing, and then

0:31:19.640 --> 0:31:22.600
<v Speaker 1>you can just list them again for resale. This means

0:31:22.600 --> 0:31:26.040
<v Speaker 1>you can hike or drop prices on tons and tons

0:31:26.040 --> 0:31:30.280
<v Speaker 1>of tickets based on what you think fans are looking for.

0:31:31.880 --> 0:31:34.160
<v Speaker 1>So it turns it into almost a stock market kind

0:31:34.160 --> 0:31:38.360
<v Speaker 1>of thing. Uh, neither Trade Desk nor the professional reseller

0:31:38.440 --> 0:31:42.760
<v Speaker 1>program are mentioned anywhere on ticket Master's website. You can

0:31:42.800 --> 0:31:45.239
<v Speaker 1>go check we looked, it's not there. It's also not

0:31:45.320 --> 0:31:48.760
<v Speaker 1>listed on any of its corporate reports. If you want

0:31:48.800 --> 0:31:51.880
<v Speaker 1>to find the Trade Desk website, you first have to

0:31:51.920 --> 0:31:54.880
<v Speaker 1>send in a registration request. So let's go ahead and

0:31:54.880 --> 0:31:57.280
<v Speaker 1>take a look at what happens. If you do get

0:31:57.320 --> 0:32:01.120
<v Speaker 1>through that registration process, you do have one of these

0:32:01.880 --> 0:32:06.080
<v Speaker 1>things like a an account there, and you are reselling things.

0:32:06.520 --> 0:32:10.000
<v Speaker 1>Let's see what Ticketmaster actually gets out of this whole process.

0:32:10.040 --> 0:32:13.600
<v Speaker 1>So it just as an example, let's say ticket Master

0:32:14.440 --> 0:32:16.880
<v Speaker 1>is going to sell a ticket for a little over

0:32:17.040 --> 0:32:19.640
<v Speaker 1>two hundred dollars two d nine dollars and fifty cents.

0:32:19.640 --> 0:32:23.280
<v Speaker 1>Okay um, that's just the price of the ticket. Ticket

0:32:23.320 --> 0:32:26.320
<v Speaker 1>Master itself is going to collect twenty five dollars and

0:32:26.360 --> 0:32:31.360
<v Speaker 1>seventy cents just on that initial sale. Now when the owner, now,

0:32:31.400 --> 0:32:34.280
<v Speaker 1>if because we're saying this this is through trade Desk,

0:32:34.920 --> 0:32:37.760
<v Speaker 1>the owner who's just purchased it through trade desk, then

0:32:37.800 --> 0:32:40.760
<v Speaker 1>puts it back up for resale for roughly twice as

0:32:40.840 --> 0:32:44.160
<v Speaker 1>much as it's the original cost, let's say four hundred dollars.

0:32:44.760 --> 0:32:48.360
<v Speaker 1>The company, then ticket Master stands to collect an additional

0:32:48.440 --> 0:32:53.080
<v Speaker 1>seventy six dollars on that same ticket. So so again

0:32:53.400 --> 0:32:56.400
<v Speaker 1>you're looking at over a hundred dollars that you're gonna

0:32:56.440 --> 0:33:01.040
<v Speaker 1>make um out of six dars in total of sales.

0:33:01.360 --> 0:33:05.480
<v Speaker 1>And at this point that's legal to it's not against law. Yeah,

0:33:05.520 --> 0:33:07.760
<v Speaker 1>And it's just a way to make sure that tickets

0:33:07.920 --> 0:33:10.320
<v Speaker 1>get sold at least if you're looking at from the

0:33:10.360 --> 0:33:15.800
<v Speaker 1>company's perspective, Trade desk basically insures that every ticket is

0:33:15.800 --> 0:33:18.480
<v Speaker 1>going to get sold at in some way from that

0:33:18.560 --> 0:33:22.840
<v Speaker 1>initial sale, the idea being that, you know, if you

0:33:22.880 --> 0:33:26.720
<v Speaker 1>want that, the idea being that the lever moves and

0:33:26.920 --> 0:33:29.800
<v Speaker 1>down so you could lower prices. Maybe day of ticket

0:33:29.840 --> 0:33:32.000
<v Speaker 1>sales aren't where you want them to be. So someone says,

0:33:32.000 --> 0:33:35.760
<v Speaker 1>all right, now this is no longer two it's fifty dollars.

0:33:35.840 --> 0:33:39.520
<v Speaker 1>Let's see what happens, right, Yeah, And there are strategies

0:33:40.400 --> 0:33:42.520
<v Speaker 1>the kind of line up with that at the like

0:33:42.640 --> 0:33:44.960
<v Speaker 1>towards the end of a concert or something, or towards

0:33:44.960 --> 0:33:48.040
<v Speaker 1>the end of a big game, people, there will still

0:33:48.040 --> 0:33:51.840
<v Speaker 1>be scalpers outside of a well, okay, there will be

0:33:51.920 --> 0:33:56.880
<v Speaker 1>resellers outside of a venue selling tickets for you know,

0:33:57.160 --> 0:34:00.160
<v Speaker 1>pennies on the dollar if the show is almost over,

0:34:00.320 --> 0:34:02.440
<v Speaker 1>something to get people in just to finally make a

0:34:02.440 --> 0:34:04.680
<v Speaker 1>tiny bit of money on that thing. And that that

0:34:04.840 --> 0:34:10.880
<v Speaker 1>exists throughout these markets. Yeah. Absolutely, we do want to

0:34:10.920 --> 0:34:15.840
<v Speaker 1>say that while while we did mention that ticket Master

0:34:16.680 --> 0:34:22.359
<v Speaker 1>h denied the allegations brought by this investigative report, maybe

0:34:22.360 --> 0:34:25.440
<v Speaker 1>it'll be helpful for us to give the actual language

0:34:25.480 --> 0:34:29.120
<v Speaker 1>that they used in denying this allegation. What do you think? Absolutely?

0:34:29.480 --> 0:34:32.880
<v Speaker 1>All right, So, after the story was published there in

0:34:32.960 --> 0:34:37.480
<v Speaker 1>CBC News, Ticketmaster issued a statement that went out to

0:34:37.560 --> 0:34:40.200
<v Speaker 1>CBC News, but then also went out to other places

0:34:40.200 --> 0:34:42.520
<v Speaker 1>that are reported on the stories, such as The Rolling Stone,

0:34:43.200 --> 0:34:46.879
<v Speaker 1>saying it was quote categorically untrue the Ticketmaster has any

0:34:46.920 --> 0:34:50.440
<v Speaker 1>program in place to enable resellers to acquire large volumes

0:34:50.440 --> 0:34:53.239
<v Speaker 1>of tickets. It also said it had already begun an

0:34:53.280 --> 0:34:57.520
<v Speaker 1>internal review of professional reseller accounts and employee practices before

0:34:57.560 --> 0:35:01.000
<v Speaker 1>the CBC News story came out. So they said, look,

0:35:02.080 --> 0:35:06.560
<v Speaker 1>we've already been investigating this internally and we would never

0:35:08.080 --> 0:35:13.040
<v Speaker 1>try to game the system in the way that you're describing. Again,

0:35:13.280 --> 0:35:19.560
<v Speaker 1>a representative from Ticketmaster is on camera completely completely doing

0:35:19.600 --> 0:35:22.719
<v Speaker 1>what they say, what they're denying. Yeah, the biggest, the

0:35:22.719 --> 0:35:25.719
<v Speaker 1>biggest thing that Ticketmaster had a problem with was that

0:35:25.719 --> 0:35:33.120
<v Speaker 1>that representative acknowledged of of acknowledged the knowledge that one

0:35:33.320 --> 0:35:37.319
<v Speaker 1>person essentially would have two hundred accounts, right, or one

0:35:37.440 --> 0:35:40.200
<v Speaker 1>entity or one group would have two hundred trade desk accounts.

0:35:40.880 --> 0:35:45.280
<v Speaker 1>That's that's where the big problem comes in. Yeah, so

0:35:45.600 --> 0:35:49.680
<v Speaker 1>is it is this situation where the money got too good?

0:35:50.080 --> 0:35:54.600
<v Speaker 1>Is a situation where we're finally maybe as the public

0:35:54.680 --> 0:35:59.480
<v Speaker 1>or the uninitiated scene into a previously murky world, That's

0:36:00.160 --> 0:36:04.239
<v Speaker 1>very possible. I would go ahead and just say it

0:36:04.280 --> 0:36:06.920
<v Speaker 1>makes me think of something we we discussed at the

0:36:07.040 --> 0:36:12.239
<v Speaker 1>very beginning of a competitive marketplace, essentially and having to

0:36:12.520 --> 0:36:17.359
<v Speaker 1>always evolve, like consistently evolving to make sure that you're

0:36:17.400 --> 0:36:20.440
<v Speaker 1>making more profit so that you can increase your margins

0:36:20.520 --> 0:36:24.879
<v Speaker 1>year every year, or you know, your increase your percentage

0:36:25.040 --> 0:36:28.160
<v Speaker 1>overall of gross income year every year, Like having to

0:36:28.200 --> 0:36:32.160
<v Speaker 1>find new creative ways as a giant company like Ticketmaster,

0:36:32.600 --> 0:36:35.520
<v Speaker 1>and it's you know, parent companies and all that. These

0:36:35.600 --> 0:36:38.480
<v Speaker 1>kinds of reselling. It's a it's another way to increase

0:36:38.520 --> 0:36:43.879
<v Speaker 1>those margins that isn't necessarily illegal. If you take out

0:36:44.280 --> 0:36:46.880
<v Speaker 1>the some of the things from the sea, you know,

0:36:47.239 --> 0:36:51.800
<v Speaker 1>some of the things were illegal, but not many. Right. Um,

0:36:51.840 --> 0:36:55.839
<v Speaker 1>the reselling market, as terrible as it sounds, and as

0:36:55.840 --> 0:36:59.719
<v Speaker 1>bad as it is for consumers such as us, it's

0:36:59.760 --> 0:37:01.920
<v Speaker 1>just another one of those ways to grab more money.

0:37:02.120 --> 0:37:08.839
<v Speaker 1>Allegedly illegal well, definitely illegal, but that they allegedly did. Yes, yes,

0:37:08.880 --> 0:37:12.440
<v Speaker 1>apologies because it hasn't been I don't think it's necessary.

0:37:12.520 --> 0:37:14.799
<v Speaker 1>This is just we're we're just being as fair as

0:37:14.800 --> 0:37:19.480
<v Speaker 1>we can so, as you can tell by the use

0:37:19.520 --> 0:37:22.439
<v Speaker 1>of the phrase allegedly and the fact that we're being

0:37:22.680 --> 0:37:27.000
<v Speaker 1>fairly careful about how we discussed this. Ticketmaster has been

0:37:27.040 --> 0:37:31.400
<v Speaker 1>in and out of court. In they suffered a data breach,

0:37:31.520 --> 0:37:34.959
<v Speaker 1>and in twenty nineteen a British law firm launched legal

0:37:35.000 --> 0:37:39.560
<v Speaker 1>action against them for effecting up to forty thousand UK customers,

0:37:40.040 --> 0:37:43.480
<v Speaker 1>and also in the U s Department of Justice launched

0:37:43.520 --> 0:37:48.839
<v Speaker 1>investigation following complaints that Live Nation, an event promoter, had

0:37:48.880 --> 0:37:53.319
<v Speaker 1>engaged in anti competitive practices following their merger with Ticketmaster.

0:37:53.920 --> 0:37:57.600
<v Speaker 1>There's a organization called End Shouts Entertainment Group, and they

0:37:57.640 --> 0:38:01.000
<v Speaker 1>said Live Nation pressured them and choosing Ticketmasters a vendor,

0:38:01.280 --> 0:38:03.880
<v Speaker 1>and had they refused, they would have lost out on business.

0:38:04.280 --> 0:38:08.799
<v Speaker 1>The allegations of antitrust violations resulted in a reexamination of

0:38:08.840 --> 0:38:14.680
<v Speaker 1>the merger between ticket Master and Live Nation. However, this

0:38:14.800 --> 0:38:19.000
<v Speaker 1>case is probably going into well, many of these cases

0:38:19.040 --> 0:38:24.080
<v Speaker 1>are going into arbitration, private settlements. No need to have

0:38:24.280 --> 0:38:30.840
<v Speaker 1>a shameful day in court. And at this point Ticketmasters

0:38:31.040 --> 0:38:35.440
<v Speaker 1>very little in the way of real competition. There are

0:38:35.440 --> 0:38:39.719
<v Speaker 1>other things in the market, sure, but there they're gnats

0:38:39.840 --> 0:38:45.920
<v Speaker 1>two Ticketmasters, Behemoth, right. And the question then is I mean,

0:38:46.000 --> 0:38:49.160
<v Speaker 1>clearly there's some stuff they don't want you to know

0:38:49.600 --> 0:38:53.439
<v Speaker 1>that's inarguable it's not necessarily criminal. Like for instance, okay,

0:38:53.480 --> 0:38:56.840
<v Speaker 1>think of airline tickets depending on which way you go

0:38:57.200 --> 0:39:00.600
<v Speaker 1>through an airline, or think of privatized insurance. People don't

0:39:00.640 --> 0:39:02.799
<v Speaker 1>want you to know the lowest price you can get.

0:39:03.280 --> 0:39:05.440
<v Speaker 1>They want you to get confused and bored and desperate

0:39:05.560 --> 0:39:09.359
<v Speaker 1>enough to just take the easiest thing. Yeah, that's that's

0:39:11.960 --> 0:39:15.920
<v Speaker 1>that is a very clear and unfortunately disturbing explanation of

0:39:15.960 --> 0:39:21.640
<v Speaker 1>how all three of those industries work. Most industries, I guess,

0:39:22.480 --> 0:39:24.719
<v Speaker 1>everyone just trying to get you to take the easiest

0:39:24.760 --> 0:39:28.080
<v Speaker 1>option for you, and it depends on where you are

0:39:28.160 --> 0:39:31.239
<v Speaker 1>in life times ticking. But here's the easiest one for

0:39:31.400 --> 0:39:35.880
<v Speaker 1>your social strata. Right. You're not looking for Mr. Wright Price,

0:39:35.960 --> 0:39:40.320
<v Speaker 1>You're looking for Mr Right now Price right. Start applying

0:39:40.360 --> 0:39:44.319
<v Speaker 1>that to social interactions. And now it's just so we've

0:39:44.360 --> 0:39:46.680
<v Speaker 1>gone down a rabbit hole. I should have it, should

0:39:46.680 --> 0:39:48.600
<v Speaker 1>have quit while we were ahead with the with the

0:39:48.680 --> 0:39:52.600
<v Speaker 1>insurance airplane ticket thing. But yeah, it's It's true, and

0:39:52.760 --> 0:39:57.040
<v Speaker 1>there's probably not going to be any anything that really

0:39:57.880 --> 0:40:00.480
<v Speaker 1>stops this practice. There will be things that degate it.

0:40:00.960 --> 0:40:06.640
<v Speaker 1>The problem is that the established system has caught up

0:40:06.680 --> 0:40:12.440
<v Speaker 1>to technological breakthroughs only in the ways that can improve

0:40:12.520 --> 0:40:17.920
<v Speaker 1>its profit while maintaining its position. The technology that we

0:40:18.040 --> 0:40:21.200
<v Speaker 1>have now to organize, distribute, and track these sorts of

0:40:21.320 --> 0:40:24.480
<v Speaker 1>things is amazing. If you if you were from the

0:40:24.560 --> 0:40:26.440
<v Speaker 1>nineteen seventies and you've looked at it, you would think

0:40:26.520 --> 0:40:28.719
<v Speaker 1>was mind blowing, you know what I mean, unless you

0:40:28.800 --> 0:40:31.640
<v Speaker 1>already worked for DARKA or something. It would be like,

0:40:31.719 --> 0:40:36.120
<v Speaker 1>how did that get out here? But uh, but but

0:40:36.239 --> 0:40:39.120
<v Speaker 1>the problem is that even though we're we have the

0:40:39.200 --> 0:40:43.080
<v Speaker 1>potential to democratize the access to these tickets in a

0:40:43.160 --> 0:40:47.719
<v Speaker 1>way that would benefit the creators and benefit the customers,

0:40:49.080 --> 0:40:51.880
<v Speaker 1>we're not. We're not seeing that. When will that happen?

0:40:52.160 --> 0:40:54.800
<v Speaker 1>When will there be some sort of market disruption? I

0:40:54.880 --> 0:41:02.880
<v Speaker 1>don't know. And at this point, as Ticketmaster, anything thoroughly illegal. No,

0:41:03.200 --> 0:41:05.680
<v Speaker 1>they haven't been convicted. None of the CEOs have ever

0:41:05.800 --> 0:41:10.200
<v Speaker 1>gone to jail. The creator has certainly never got in trouble. Yeah,

0:41:10.280 --> 0:41:13.640
<v Speaker 1>in two thousand nine, that whole conspiracy suit was out there,

0:41:15.040 --> 0:41:19.120
<v Speaker 1>didn't really go anywhere, right, right. So the question then

0:41:19.320 --> 0:41:24.080
<v Speaker 1>goes to us, fellow conspiracy realist, is this just how

0:41:24.400 --> 0:41:28.319
<v Speaker 1>this business should be run? And what what are other

0:41:28.480 --> 0:41:32.280
<v Speaker 1>businesses that you have seen that your that your fellow

0:41:32.360 --> 0:41:35.919
<v Speaker 1>listeners may not be aware of, Like we've we've seen

0:41:36.040 --> 0:41:39.239
<v Speaker 1>some We've seen some strange things going on in the

0:41:39.800 --> 0:41:43.680
<v Speaker 1>funeral service industry. We've seen some strange things going on

0:41:45.560 --> 0:41:49.600
<v Speaker 1>here in the event and ticketing industry. But where else,

0:41:50.080 --> 0:41:54.280
<v Speaker 1>I wonder, where else is everything just crazy crooked appearing

0:41:54.320 --> 0:41:55.920
<v Speaker 1>to be crooked? I have to say so that we

0:41:56.080 --> 0:41:59.200
<v Speaker 1>don't get suited to that end to that, and I wanna,

0:41:59.800 --> 0:42:05.759
<v Speaker 1>I wanna pick your brain bin about the mechanic big

0:42:05.880 --> 0:42:09.480
<v Speaker 1>mechanic industry with some of these bigger companies out there

0:42:10.719 --> 0:42:15.080
<v Speaker 1>that that offer repairs to vehicles and automobiles, assuming like, um,

0:42:15.880 --> 0:42:19.920
<v Speaker 1>not just straight up garages, but box automotive stores that

0:42:20.040 --> 0:42:23.799
<v Speaker 1>are also garages or service centers. Okay, yeah, the big

0:42:23.840 --> 0:42:26.360
<v Speaker 1>ones that are nationwide. I'd like to talk about some

0:42:26.480 --> 0:42:28.920
<v Speaker 1>of those, see if there are any conspiracies out there.

0:42:29.280 --> 0:42:31.360
<v Speaker 1>So maybe maybe if you're listening and you know, if

0:42:31.400 --> 0:42:33.919
<v Speaker 1>you heard of anything, let us know what you've heard.

0:42:35.000 --> 0:42:37.000
<v Speaker 1>I will that's that's great, I will say on that.

0:42:37.239 --> 0:42:40.960
<v Speaker 1>On that note, there is one thing that sounds a

0:42:41.000 --> 0:42:42.960
<v Speaker 1>bit curmudgeently for me to say, but I think it's

0:42:42.960 --> 0:42:45.000
<v Speaker 1>a good point. It's one thing that bugs me about

0:42:45.160 --> 0:42:48.640
<v Speaker 1>modern car repairs. Over the past few years, cars have

0:42:48.840 --> 0:42:52.320
<v Speaker 1>increasingly become something that the person who owns it cannot

0:42:52.400 --> 0:42:55.239
<v Speaker 1>work on. Have you noticed that there are more and

0:42:55.320 --> 0:43:00.280
<v Speaker 1>more black boxes proliferating under the hood. Sure? Perhaps really

0:43:00.400 --> 0:43:04.239
<v Speaker 1>and just lack of experience, lack of knowledge. I just

0:43:04.400 --> 0:43:06.200
<v Speaker 1>feel like, call me old fashioned, but I feel like

0:43:06.239 --> 0:43:08.640
<v Speaker 1>if you if you buy a car, it should be

0:43:08.760 --> 0:43:12.160
<v Speaker 1>something that you own that it shouldn't have to be

0:43:12.239 --> 0:43:14.680
<v Speaker 1>a service. You know what I mean. We're moving increasingly

0:43:14.719 --> 0:43:18.120
<v Speaker 1>into a service economy. It is going to scare your

0:43:18.239 --> 0:43:22.319
<v Speaker 1>children listening now when when you say, yeah, people used

0:43:22.320 --> 0:43:25.640
<v Speaker 1>to like buy things and then have them, I'm like,

0:43:25.760 --> 0:43:28.920
<v Speaker 1>what for how much a month? Yeah? No, no, like

0:43:29.040 --> 0:43:31.800
<v Speaker 1>you would just you would just buy one sandwich and

0:43:31.840 --> 0:43:34.239
<v Speaker 1>you would eat it. Yeah. Well it goes back to

0:43:34.320 --> 0:43:38.279
<v Speaker 1>that superpower thing of money and time. And I don't

0:43:38.320 --> 0:43:40.360
<v Speaker 1>have time to work on this vehicle. I'll give it

0:43:40.440 --> 0:43:43.160
<v Speaker 1>to you and you fix it. Here's some of my superpower.

0:43:44.040 --> 0:43:47.719
<v Speaker 1>Or signing an agreement for instance, it says you are

0:43:47.840 --> 0:43:50.560
<v Speaker 1>not allowed to have anybody else work on a thing,

0:43:51.040 --> 0:43:55.640
<v Speaker 1>right like Apple has done this very well. Anyhow, story

0:43:55.719 --> 0:43:57.880
<v Speaker 1>for another day. Thank you so much. Between you and

0:43:58.000 --> 0:44:00.960
<v Speaker 1>we want to hear also your most agree just concert

0:44:01.040 --> 0:44:04.680
<v Speaker 1>ticket or event ticket fee story. Did you really go

0:44:04.920 --> 0:44:08.640
<v Speaker 1>into some website thinking you were gonna pay eighteen bucks

0:44:08.680 --> 0:44:13.000
<v Speaker 1>and then come out like thirty bucks later, bewildered and confused.

0:44:13.360 --> 0:44:15.480
<v Speaker 1>Did you try and get into a food Fighters concert

0:44:15.520 --> 0:44:18.360
<v Speaker 1>and then you realized, wait, it's four hundred dollars and

0:44:18.440 --> 0:44:22.440
<v Speaker 1>then you just said bye, oh man. Yeah, tell us

0:44:22.480 --> 0:44:24.960
<v Speaker 1>your stories and share them with your fellow listeners. You

0:44:24.960 --> 0:44:28.680
<v Speaker 1>can find us on Instagram, Facebook, and Twitter. We highly

0:44:28.760 --> 0:44:32.160
<v Speaker 1>recommend Here's where it Gets Crazy on Facebook, which is

0:44:32.320 --> 0:44:37.400
<v Speaker 1>our conspiracy group page. You can also follow us conspiracy

0:44:37.440 --> 0:44:40.040
<v Speaker 1>Stuff show I believe. We are on Instagram and you

0:44:40.160 --> 0:44:43.239
<v Speaker 1>can see some of my bizarre adventures on Instagram at

0:44:43.360 --> 0:44:46.600
<v Speaker 1>Ben Bolin. Don't look me up on Instagram. I'm on there,

0:44:46.680 --> 0:44:50.320
<v Speaker 1>but you will never find me, so ha. Take that.

0:44:51.120 --> 0:44:53.160
<v Speaker 1>If you wanna send us, or if you want to

0:44:53.239 --> 0:44:56.160
<v Speaker 1>call us, you could get your story on the air

0:44:56.360 --> 0:44:58.440
<v Speaker 1>or whatever you want to talk about. Give us a call.

0:44:58.560 --> 0:45:01.279
<v Speaker 1>We are one eight three three e s t d

0:45:01.800 --> 0:45:04.840
<v Speaker 1>W y t K. You got three minutes. Tell us

0:45:04.880 --> 0:45:06.560
<v Speaker 1>a story in three minutes. If you can't do that,

0:45:06.880 --> 0:45:09.000
<v Speaker 1>just call back and leave another three minute one. It

0:45:09.120 --> 0:45:11.600
<v Speaker 1>helps to write it down in advance for some people

0:45:11.680 --> 0:45:15.240
<v Speaker 1>at least bullet points. For me. Definitely, Yeah, same. Actually

0:45:15.280 --> 0:45:17.080
<v Speaker 1>I've done I've done the same. If you don't want

0:45:17.080 --> 0:45:19.040
<v Speaker 1>to do any of that stuff, you can still contact

0:45:19.160 --> 0:45:23.120
<v Speaker 1>us after you go on iTunes and or Apple podcasts

0:45:23.200 --> 0:45:26.040
<v Speaker 1>and leave us a review. Please just leave us any

0:45:26.120 --> 0:45:28.840
<v Speaker 1>kind of review. It really does help us out personally

0:45:29.000 --> 0:45:31.319
<v Speaker 1>and as a show to have more reviews on those

0:45:31.640 --> 0:45:36.440
<v Speaker 1>those systems, those platforms. So doesn't matter how positive or negative.

0:45:36.560 --> 0:45:40.040
<v Speaker 1>Just give us a review and please be positive. Okay,

0:45:41.000 --> 0:45:42.120
<v Speaker 1>if you don't want to do any of that stuff,

0:45:42.120 --> 0:45:45.240
<v Speaker 1>send us an email. We are conspiracy at how stuff

0:45:45.239 --> 0:46:06.560
<v Speaker 1>works dot com. Yeah. Stuff they don't want you to know.

0:46:06.800 --> 0:46:09.080
<v Speaker 1>Is a production of I heart Radio's How Stuff Works.

0:46:09.280 --> 0:46:11.520
<v Speaker 1>For more podcasts from my heart Radio, visit the i

0:46:11.640 --> 0:46:14.480
<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to

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<v Speaker 1>your favorite shows.